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"I confess," | Elinor | they are tame and quiet."<|quote|>"I confess,"</|quote|>replied Elinor, "that while I | I cannot bear them if they are tame and quiet."<|quote|>"I confess,"</|quote|>replied Elinor, "that while I am at Barton Park, I | Lucy, "you think the little Middletons rather too much indulged; perhaps they may be the outside of enough; but it is so natural in Lady Middleton; and for my part, I love to see children full of life and spirits; I cannot bear them if they are tame and quiet."<|quote|>"I confess,"</|quote|>replied Elinor, "that while I am at Barton Park, I never think of tame and quiet children with any abhorrence." A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you | family they have! I never saw such fine children in my life. I declare I quite doat upon them already, and indeed I am always distractedly fond of children." "I should guess so," said Elinor, with a smile, "from what I have witnessed this morning." "I have a notion," said Lucy, "you think the little Middletons rather too much indulged; perhaps they may be the outside of enough; but it is so natural in Lady Middleton; and for my part, I love to see children full of life and spirits; I cannot bear them if they are tame and quiet."<|quote|>"I confess,"</|quote|>replied Elinor, "that while I am at Barton Park, I never think of tame and quiet children with any abhorrence." A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. | her to say what she did not feel, however trivial the occasion; and upon Elinor therefore the whole task of telling lies when politeness required it, always fell. She did her best when thus called on, by speaking of Lady Middleton with more warmth than she felt, though with far less than Miss Lucy. "And Sir John too," cried the elder sister, "what a charming man he is!" Here too, Miss Dashwood s commendation, being only simple and just, came in without any eclat. She merely observed that he was perfectly good humoured and friendly. "And what a charming little family they have! I never saw such fine children in my life. I declare I quite doat upon them already, and indeed I am always distractedly fond of children." "I should guess so," said Elinor, with a smile, "from what I have witnessed this morning." "I have a notion," said Lucy, "you think the little Middletons rather too much indulged; perhaps they may be the outside of enough; but it is so natural in Lady Middleton; and for my part, I love to see children full of life and spirits; I cannot bear them if they are tame and quiet."<|quote|>"I confess,"</|quote|>replied Elinor, "that while I am at Barton Park, I never think of tame and quiet children with any abhorrence." A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that | lustily, kicked her two brothers for offering to touch her, and all their united soothings were ineffectual till Lady Middleton luckily remembering that in a scene of similar distress last week, some apricot marmalade had been successfully applied for a bruised temple, the same remedy was eagerly proposed for this unfortunate scratch, and a slight intermission of screams in the young lady on hearing it, gave them reason to hope that it would not be rejected. She was carried out of the room therefore in her mother s arms, in quest of this medicine, and as the two boys chose to follow, though earnestly entreated by their mother to stay behind, the four young ladies were left in a quietness which the room had not known for many hours. "Poor little creatures!" said Miss Steele, as soon as they were gone. "It might have been a very sad accident." "Yet I hardly know how," cried Marianne, "unless it had been under totally different circumstances. But this is the usual way of heightening alarm, where there is nothing to be alarmed at in reality." "What a sweet woman Lady Middleton is!" said Lucy Steele. Marianne was silent; it was impossible for her to say what she did not feel, however trivial the occasion; and upon Elinor therefore the whole task of telling lies when politeness required it, always fell. She did her best when thus called on, by speaking of Lady Middleton with more warmth than she felt, though with far less than Miss Lucy. "And Sir John too," cried the elder sister, "what a charming man he is!" Here too, Miss Dashwood s commendation, being only simple and just, came in without any eclat. She merely observed that he was perfectly good humoured and friendly. "And what a charming little family they have! I never saw such fine children in my life. I declare I quite doat upon them already, and indeed I am always distractedly fond of children." "I should guess so," said Elinor, with a smile, "from what I have witnessed this morning." "I have a notion," said Lucy, "you think the little Middletons rather too much indulged; perhaps they may be the outside of enough; but it is so natural in Lady Middleton; and for my part, I love to see children full of life and spirits; I cannot bear them if they are tame and quiet."<|quote|>"I confess,"</|quote|>replied Elinor, "that while I am at Barton Park, I never think of tame and quiet children with any abhorrence." A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that there are not as many genteel young men in Devonshire as Sussex?" "Nay, my dear, I m sure I don t pretend to say that there an t. I m sure there s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend | or in taking patterns of some elegant new dress, in which her appearance the day before had thrown them into unceasing delight. Fortunately for those who pay their court through such foibles, a fond mother, though, in pursuit of praise for her children, the most rapacious of human beings, is likewise the most credulous; her demands are exorbitant; but she will swallow any thing; and the excessive affection and endurance of the Miss Steeles towards her offspring were viewed therefore by Lady Middleton without the smallest surprise or distrust. She saw with maternal complacency all the impertinent encroachments and mischievous tricks to which her cousins submitted. She saw their sashes untied, their hair pulled about their ears, their work-bags searched, and their knives and scissors stolen away, and felt no doubt of its being a reciprocal enjoyment. It suggested no other surprise than that Elinor and Marianne should sit so composedly by, without claiming a share in what was passing. "John is in such spirits today!" said she, on his taking Miss Steeles s pocket handkerchief, and throwing it out of window "He is full of monkey tricks." And soon afterwards, on the second boy s violently pinching one of the same lady s fingers, she fondly observed, "How playful William is!" "And here is my sweet little Annamaria," she added, tenderly caressing a little girl of three years old, who had not made a noise for the last two minutes; "And she is always so gentle and quiet Never was there such a quiet little thing!" But unfortunately in bestowing these embraces, a pin in her ladyship s head dress slightly scratching the child s neck, produced from this pattern of gentleness such violent screams, as could hardly be outdone by any creature professedly noisy. The mother s consternation was excessive; but it could not surpass the alarm of the Miss Steeles, and every thing was done by all three, in so critical an emergency, which affection could suggest as likely to assuage the agonies of the little sufferer. She was seated in her mother s lap, covered with kisses, her wound bathed with lavender-water, by one of the Miss Steeles, who was on her knees to attend her, and her mouth stuffed with sugar plums by the other. With such a reward for her tears, the child was too wise to cease crying. She still screamed and sobbed lustily, kicked her two brothers for offering to touch her, and all their united soothings were ineffectual till Lady Middleton luckily remembering that in a scene of similar distress last week, some apricot marmalade had been successfully applied for a bruised temple, the same remedy was eagerly proposed for this unfortunate scratch, and a slight intermission of screams in the young lady on hearing it, gave them reason to hope that it would not be rejected. She was carried out of the room therefore in her mother s arms, in quest of this medicine, and as the two boys chose to follow, though earnestly entreated by their mother to stay behind, the four young ladies were left in a quietness which the room had not known for many hours. "Poor little creatures!" said Miss Steele, as soon as they were gone. "It might have been a very sad accident." "Yet I hardly know how," cried Marianne, "unless it had been under totally different circumstances. But this is the usual way of heightening alarm, where there is nothing to be alarmed at in reality." "What a sweet woman Lady Middleton is!" said Lucy Steele. Marianne was silent; it was impossible for her to say what she did not feel, however trivial the occasion; and upon Elinor therefore the whole task of telling lies when politeness required it, always fell. She did her best when thus called on, by speaking of Lady Middleton with more warmth than she felt, though with far less than Miss Lucy. "And Sir John too," cried the elder sister, "what a charming man he is!" Here too, Miss Dashwood s commendation, being only simple and just, came in without any eclat. She merely observed that he was perfectly good humoured and friendly. "And what a charming little family they have! I never saw such fine children in my life. I declare I quite doat upon them already, and indeed I am always distractedly fond of children." "I should guess so," said Elinor, with a smile, "from what I have witnessed this morning." "I have a notion," said Lucy, "you think the little Middletons rather too much indulged; perhaps they may be the outside of enough; but it is so natural in Lady Middleton; and for my part, I love to see children full of life and spirits; I cannot bear them if they are tame and quiet."<|quote|>"I confess,"</|quote|>replied Elinor, "that while I am at Barton Park, I never think of tame and quiet children with any abhorrence." A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that there are not as many genteel young men in Devonshire as Sussex?" "Nay, my dear, I m sure I don t pretend to say that there an t. I m sure there s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister, "you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else." And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted. And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more; but he did not know that any more was required: to be together was, in his opinion, to be intimate, and while his continual schemes for their meeting were effectual, he had not a doubt of their being established friends. To do him justice, he did every thing in his power to promote their unreserve, by making the Miss Steeles acquainted with whatever he knew or supposed of his cousins situations in the most delicate particulars; and Elinor had not seen them more than twice, before the eldest of them wished her joy on her sister s having been so lucky as to make a conquest of a very smart beau since she came to Barton. "Twill be a fine thing to have her married so young | her mother s arms, in quest of this medicine, and as the two boys chose to follow, though earnestly entreated by their mother to stay behind, the four young ladies were left in a quietness which the room had not known for many hours. "Poor little creatures!" said Miss Steele, as soon as they were gone. "It might have been a very sad accident." "Yet I hardly know how," cried Marianne, "unless it had been under totally different circumstances. But this is the usual way of heightening alarm, where there is nothing to be alarmed at in reality." "What a sweet woman Lady Middleton is!" said Lucy Steele. Marianne was silent; it was impossible for her to say what she did not feel, however trivial the occasion; and upon Elinor therefore the whole task of telling lies when politeness required it, always fell. She did her best when thus called on, by speaking of Lady Middleton with more warmth than she felt, though with far less than Miss Lucy. "And Sir John too," cried the elder sister, "what a charming man he is!" Here too, Miss Dashwood s commendation, being only simple and just, came in without any eclat. She merely observed that he was perfectly good humoured and friendly. "And what a charming little family they have! I never saw such fine children in my life. I declare I quite doat upon them already, and indeed I am always distractedly fond of children." "I should guess so," said Elinor, with a smile, "from what I have witnessed this morning." "I have a notion," said Lucy, "you think the little Middletons rather too much indulged; perhaps they may be the outside of enough; but it is so natural in Lady Middleton; and for my part, I love to see children full of life and spirits; I cannot bear them if they are tame and quiet."<|quote|>"I confess,"</|quote|>replied Elinor, "that while I am at Barton Park, I never think of tame and quiet children with any abhorrence." A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that there are not as many genteel young men in Devonshire as Sussex?" "Nay, my dear, I m sure I don t pretend to say that there an t. I m sure there s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For | Sense And Sensibility |
"You have lost an hour," | James Morland | that makes it exactly twenty-five."<|quote|>"You have lost an hour,"</|quote|>said Morland; "it was only | miles an hour in harness; that makes it exactly twenty-five."<|quote|>"You have lost an hour,"</|quote|>said Morland; "it was only ten o clock when we | we have been doing it. It is now half after one; we drove out of the inn-yard at Tetbury as the town clock struck eleven; and I defy any man in England to make my horse go less than ten miles an hour in harness; that makes it exactly twenty-five."<|quote|>"You have lost an hour,"</|quote|>said Morland; "it was only ten o clock when we came from Tetbury." "Ten o clock! It was eleven, upon my soul! I counted every stroke. This brother of yours would persuade me out of my senses, Miss Morland; do but look at my horse; did you ever see an | told her that it was twenty-three miles. "_Three_-and-twenty!" cried Thorpe, "five-and-twenty if it is an inch." Morland remonstrated, pleaded the authority of road-books, innkeepers, and milestones; but his friend disregarded them all; he had a surer test of distance. "I know it must be five-and-twenty," said he, "by the time we have been doing it. It is now half after one; we drove out of the inn-yard at Tetbury as the town clock struck eleven; and I defy any man in England to make my horse go less than ten miles an hour in harness; that makes it exactly twenty-five."<|quote|>"You have lost an hour,"</|quote|>said Morland; "it was only ten o clock when we came from Tetbury." "Ten o clock! It was eleven, upon my soul! I counted every stroke. This brother of yours would persuade me out of my senses, Miss Morland; do but look at my horse; did you ever see an animal so made for speed in your life?" (The servant had just mounted the carriage and was driving off.) "Such true blood! Three hours and and a half indeed coming only three and twenty miles! Look at that creature, and suppose it possible if you can." "He _does_ look very | the hand of Isabella, on her he bestowed a whole scrape and half a short bow. He was a stout young man of middling height, who, with a plain face and ungraceful form, seemed fearful of being too handsome unless he wore the dress of a groom, and too much like a gentleman unless he were easy where he ought to be civil, and impudent where he might be allowed to be easy. He took out his watch: "How long do you think we have been running it from Tetbury, Miss Morland?" "I do not know the distance." Her brother told her that it was twenty-three miles. "_Three_-and-twenty!" cried Thorpe, "five-and-twenty if it is an inch." Morland remonstrated, pleaded the authority of road-books, innkeepers, and milestones; but his friend disregarded them all; he had a surer test of distance. "I know it must be five-and-twenty," said he, "by the time we have been doing it. It is now half after one; we drove out of the inn-yard at Tetbury as the town clock struck eleven; and I defy any man in England to make my horse go less than ten miles an hour in harness; that makes it exactly twenty-five."<|quote|>"You have lost an hour,"</|quote|>said Morland; "it was only ten o clock when we came from Tetbury." "Ten o clock! It was eleven, upon my soul! I counted every stroke. This brother of yours would persuade me out of my senses, Miss Morland; do but look at my horse; did you ever see an animal so made for speed in your life?" (The servant had just mounted the carriage and was driving off.) "Such true blood! Three hours and and a half indeed coming only three and twenty miles! Look at that creature, and suppose it possible if you can." "He _does_ look very hot, to be sure." "Hot! He had not turned a hair till we came to Walcot Church; but look at his forehand; look at his loins; only see how he moves; that horse _cannot_ go less than ten miles an hour: tie his legs and he will get on. What do you think of my gig, Miss Morland? A neat one, is not it? Well hung; town-built; I have not had it a month. It was built for a Christchurch man, a friend of mine, a very good sort of fellow; he ran it a few weeks, till, I believe, | brother!" "Good heaven! Tis James!" was uttered at the same moment by Catherine; and, on catching the young men s eyes, the horse was immediately checked with a violence which almost threw him on his haunches, and the servant having now scampered up, the gentlemen jumped out, and the equipage was delivered to his care. Catherine, by whom this meeting was wholly unexpected, received her brother with the liveliest pleasure; and he, being of a very amiable disposition, and sincerely attached to her, gave every proof on his side of equal satisfaction, which he could have leisure to do, while the bright eyes of Miss Thorpe were incessantly challenging his notice; and to her his devoirs were speedily paid, with a mixture of joy and embarrassment which might have informed Catherine, had she been more expert in the development of other people s feelings, and less simply engrossed by her own, that her brother thought her friend quite as pretty as she could do herself. John Thorpe, who in the meantime had been giving orders about the horses, soon joined them, and from him she directly received the amends which were her due; for while he slightly and carelessly touched the hand of Isabella, on her he bestowed a whole scrape and half a short bow. He was a stout young man of middling height, who, with a plain face and ungraceful form, seemed fearful of being too handsome unless he wore the dress of a groom, and too much like a gentleman unless he were easy where he ought to be civil, and impudent where he might be allowed to be easy. He took out his watch: "How long do you think we have been running it from Tetbury, Miss Morland?" "I do not know the distance." Her brother told her that it was twenty-three miles. "_Three_-and-twenty!" cried Thorpe, "five-and-twenty if it is an inch." Morland remonstrated, pleaded the authority of road-books, innkeepers, and milestones; but his friend disregarded them all; he had a surer test of distance. "I know it must be five-and-twenty," said he, "by the time we have been doing it. It is now half after one; we drove out of the inn-yard at Tetbury as the town clock struck eleven; and I defy any man in England to make my horse go less than ten miles an hour in harness; that makes it exactly twenty-five."<|quote|>"You have lost an hour,"</|quote|>said Morland; "it was only ten o clock when we came from Tetbury." "Ten o clock! It was eleven, upon my soul! I counted every stroke. This brother of yours would persuade me out of my senses, Miss Morland; do but look at my horse; did you ever see an animal so made for speed in your life?" (The servant had just mounted the carriage and was driving off.) "Such true blood! Three hours and and a half indeed coming only three and twenty miles! Look at that creature, and suppose it possible if you can." "He _does_ look very hot, to be sure." "Hot! He had not turned a hair till we came to Walcot Church; but look at his forehand; look at his loins; only see how he moves; that horse _cannot_ go less than ten miles an hour: tie his legs and he will get on. What do you think of my gig, Miss Morland? A neat one, is not it? Well hung; town-built; I have not had it a month. It was built for a Christchurch man, a friend of mine, a very good sort of fellow; he ran it a few weeks, till, I believe, it was convenient to have done with it. I happened just then to be looking out for some light thing of the kind, though I had pretty well determined on a curricle too; but I chanced to meet him on Magdalen Bridge, as he was driving into Oxford, last term: Ah! Thorpe, said he, do you happen to want such a little thing as this? It is a capital one of the kind, but I am cursed tired of it. Oh! D , said I; I am your man; what do you ask? And how much do you think he did, Miss Morland?" "I am sure I cannot guess at all." "Curricle-hung, you see; seat, trunk, sword-case, splashing-board, lamps, silver moulding, all you see complete; the iron-work as good as new, or better. He asked fifty guineas; I closed with him directly, threw down the money, and the carriage was mine." "And I am sure," said Catherine, "I know so little of such things that I cannot judge whether it was cheap or dear." "Neither one nor t other; I might have got it for less, I dare say; but I hate haggling, and poor Freeman wanted cash." "That was | glad I have got rid of them! And now, what say you to going to Edgar s Buildings with me, and looking at my new hat? You said you should like to see it." Catherine readily agreed. "Only," she added, "perhaps we may overtake the two young men." "Oh! Never mind that. If we make haste, we shall pass by them presently, and I am dying to show you my hat." "But if we only wait a few minutes, there will be no danger of our seeing them at all." "I shall not pay them any such compliment, I assure you. I have no notion of treating men with such respect. _That_ is the way to spoil them." Catherine had nothing to oppose against such reasoning; and therefore, to show the independence of Miss Thorpe, and her resolution of humbling the sex, they set off immediately as fast as they could walk, in pursuit of the two young men. CHAPTER 7 Half a minute conducted them through the pump-yard to the archway, opposite Union Passage; but here they were stopped. Everybody acquainted with Bath may remember the difficulties of crossing Cheap Street at this point; it is indeed a street of so impertinent a nature, so unfortunately connected with the great London and Oxford roads, and the principal inn of the city, that a day never passes in which parties of ladies, however important their business, whether in quest of pastry, millinery, or even (as in the present case) of young men, are not detained on one side or other by carriages, horsemen, or carts. This evil had been felt and lamented, at least three times a day, by Isabella since her residence in Bath; and she was now fated to feel and lament it once more, for at the very moment of coming opposite to Union Passage, and within view of the two gentlemen who were proceeding through the crowds, and threading the gutters of that interesting alley, they were prevented crossing by the approach of a gig, driven along on bad pavement by a most knowing-looking coachman with all the vehemence that could most fitly endanger the lives of himself, his companion, and his horse. "Oh, these odious gigs!" said Isabella, looking up. "How I detest them." But this detestation, though so just, was of short duration, for she looked again and exclaimed, "Delightful! Mr. Morland and my brother!" "Good heaven! Tis James!" was uttered at the same moment by Catherine; and, on catching the young men s eyes, the horse was immediately checked with a violence which almost threw him on his haunches, and the servant having now scampered up, the gentlemen jumped out, and the equipage was delivered to his care. Catherine, by whom this meeting was wholly unexpected, received her brother with the liveliest pleasure; and he, being of a very amiable disposition, and sincerely attached to her, gave every proof on his side of equal satisfaction, which he could have leisure to do, while the bright eyes of Miss Thorpe were incessantly challenging his notice; and to her his devoirs were speedily paid, with a mixture of joy and embarrassment which might have informed Catherine, had she been more expert in the development of other people s feelings, and less simply engrossed by her own, that her brother thought her friend quite as pretty as she could do herself. John Thorpe, who in the meantime had been giving orders about the horses, soon joined them, and from him she directly received the amends which were her due; for while he slightly and carelessly touched the hand of Isabella, on her he bestowed a whole scrape and half a short bow. He was a stout young man of middling height, who, with a plain face and ungraceful form, seemed fearful of being too handsome unless he wore the dress of a groom, and too much like a gentleman unless he were easy where he ought to be civil, and impudent where he might be allowed to be easy. He took out his watch: "How long do you think we have been running it from Tetbury, Miss Morland?" "I do not know the distance." Her brother told her that it was twenty-three miles. "_Three_-and-twenty!" cried Thorpe, "five-and-twenty if it is an inch." Morland remonstrated, pleaded the authority of road-books, innkeepers, and milestones; but his friend disregarded them all; he had a surer test of distance. "I know it must be five-and-twenty," said he, "by the time we have been doing it. It is now half after one; we drove out of the inn-yard at Tetbury as the town clock struck eleven; and I defy any man in England to make my horse go less than ten miles an hour in harness; that makes it exactly twenty-five."<|quote|>"You have lost an hour,"</|quote|>said Morland; "it was only ten o clock when we came from Tetbury." "Ten o clock! It was eleven, upon my soul! I counted every stroke. This brother of yours would persuade me out of my senses, Miss Morland; do but look at my horse; did you ever see an animal so made for speed in your life?" (The servant had just mounted the carriage and was driving off.) "Such true blood! Three hours and and a half indeed coming only three and twenty miles! Look at that creature, and suppose it possible if you can." "He _does_ look very hot, to be sure." "Hot! He had not turned a hair till we came to Walcot Church; but look at his forehand; look at his loins; only see how he moves; that horse _cannot_ go less than ten miles an hour: tie his legs and he will get on. What do you think of my gig, Miss Morland? A neat one, is not it? Well hung; town-built; I have not had it a month. It was built for a Christchurch man, a friend of mine, a very good sort of fellow; he ran it a few weeks, till, I believe, it was convenient to have done with it. I happened just then to be looking out for some light thing of the kind, though I had pretty well determined on a curricle too; but I chanced to meet him on Magdalen Bridge, as he was driving into Oxford, last term: Ah! Thorpe, said he, do you happen to want such a little thing as this? It is a capital one of the kind, but I am cursed tired of it. Oh! D , said I; I am your man; what do you ask? And how much do you think he did, Miss Morland?" "I am sure I cannot guess at all." "Curricle-hung, you see; seat, trunk, sword-case, splashing-board, lamps, silver moulding, all you see complete; the iron-work as good as new, or better. He asked fifty guineas; I closed with him directly, threw down the money, and the carriage was mine." "And I am sure," said Catherine, "I know so little of such things that I cannot judge whether it was cheap or dear." "Neither one nor t other; I might have got it for less, I dare say; but I hate haggling, and poor Freeman wanted cash." "That was very good-natured of you," said Catherine, quite pleased. "Oh! D it, when one has the means of doing a kind thing by a friend, I hate to be pitiful." An inquiry now took place into the intended movements of the young ladies; and, on finding whither they were going, it was decided that the gentlemen should accompany them to Edgar s Buildings, and pay their respects to Mrs. Thorpe. James and Isabella led the way; and so well satisfied was the latter with her lot, so contentedly was she endeavouring to ensure a pleasant walk to him who brought the double recommendation of being her brother s friend, and her friend s brother, so pure and uncoquettish were her feelings, that, though they overtook and passed the two offending young men in Milsom Street, she was so far from seeking to attract their notice, that she looked back at them only three times. John Thorpe kept of course with Catherine, and, after a few minutes silence, renewed the conversation about his gig. "You will find, however, Miss Morland, it would be reckoned a cheap thing by some people, for I might have sold it for ten guineas more the next day; Jackson, of Oriel, bid me sixty at once; Morland was with me at the time." "Yes," said Morland, who overheard this; "but you forget that your horse was included." "My horse! Oh, d it! I would not sell my horse for a hundred. Are you fond of an open carriage, Miss Morland?" "Yes, very; I have hardly ever an opportunity of being in one; but I am particularly fond of it." "I am glad of it; I will drive you out in mine every day." "Thank you," said Catherine, in some distress, from a doubt of the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged." "How delightful that | with all the vehemence that could most fitly endanger the lives of himself, his companion, and his horse. "Oh, these odious gigs!" said Isabella, looking up. "How I detest them." But this detestation, though so just, was of short duration, for she looked again and exclaimed, "Delightful! Mr. Morland and my brother!" "Good heaven! Tis James!" was uttered at the same moment by Catherine; and, on catching the young men s eyes, the horse was immediately checked with a violence which almost threw him on his haunches, and the servant having now scampered up, the gentlemen jumped out, and the equipage was delivered to his care. Catherine, by whom this meeting was wholly unexpected, received her brother with the liveliest pleasure; and he, being of a very amiable disposition, and sincerely attached to her, gave every proof on his side of equal satisfaction, which he could have leisure to do, while the bright eyes of Miss Thorpe were incessantly challenging his notice; and to her his devoirs were speedily paid, with a mixture of joy and embarrassment which might have informed Catherine, had she been more expert in the development of other people s feelings, and less simply engrossed by her own, that her brother thought her friend quite as pretty as she could do herself. John Thorpe, who in the meantime had been giving orders about the horses, soon joined them, and from him she directly received the amends which were her due; for while he slightly and carelessly touched the hand of Isabella, on her he bestowed a whole scrape and half a short bow. He was a stout young man of middling height, who, with a plain face and ungraceful form, seemed fearful of being too handsome unless he wore the dress of a groom, and too much like a gentleman unless he were easy where he ought to be civil, and impudent where he might be allowed to be easy. He took out his watch: "How long do you think we have been running it from Tetbury, Miss Morland?" "I do not know the distance." Her brother told her that it was twenty-three miles. "_Three_-and-twenty!" cried Thorpe, "five-and-twenty if it is an inch." Morland remonstrated, pleaded the authority of road-books, innkeepers, and milestones; but his friend disregarded them all; he had a surer test of distance. "I know it must be five-and-twenty," said he, "by the time we have been doing it. It is now half after one; we drove out of the inn-yard at Tetbury as the town clock struck eleven; and I defy any man in England to make my horse go less than ten miles an hour in harness; that makes it exactly twenty-five."<|quote|>"You have lost an hour,"</|quote|>said Morland; "it was only ten o clock when we came from Tetbury." "Ten o clock! It was eleven, upon my soul! I counted every stroke. This brother of yours would persuade me out of my senses, Miss Morland; do but look at my horse; did you ever see an animal so made for speed in your life?" (The servant had just mounted the carriage and was driving off.) "Such true blood! Three hours and and a half indeed coming only three and twenty miles! Look at that creature, and suppose it possible if you can." "He _does_ look very hot, to be sure." "Hot! He had not turned a hair till we came to Walcot Church; but look at his forehand; look at his loins; only see how he moves; that horse _cannot_ go less than ten miles an hour: tie his legs and he will get on. What do you think of my gig, Miss Morland? A neat one, is not it? Well hung; town-built; I have not had it a month. It was built for a Christchurch man, a friend of mine, a very good sort of fellow; he ran it a few weeks, till, I believe, it was convenient to have done with it. I happened just then to be looking out for some light thing of the kind, though I had pretty well determined on a curricle too; but I chanced to meet him on Magdalen Bridge, as he was driving into Oxford, last term: Ah! Thorpe, said he, do you happen to want such a little thing as this? It is a capital one of the kind, but I am cursed tired of it. Oh! D , said I; I am your man; what do you ask? And how much do you think he did, Miss Morland?" "I am sure I cannot guess at all." "Curricle-hung, you see; seat, trunk, sword-case, splashing-board, lamps, silver moulding, all you see complete; the iron-work as good as new, or better. He asked fifty guineas; I closed with him directly, threw down the money, and the carriage was mine." "And I am sure," said Catherine, "I know so little of such things that I cannot judge whether it was cheap or dear." "Neither one nor t other; I might have got it for less, I dare say; but I hate haggling, and poor Freeman wanted cash." "That was very good-natured of you," said Catherine, quite pleased. "Oh! D it, when one has the means of doing a kind thing by a friend, I hate to be pitiful." An inquiry now took place into the intended movements of the young ladies; and, on finding whither they were going, it was decided that the gentlemen should accompany them to Edgar s Buildings, and pay their respects to Mrs. Thorpe. James and Isabella led the way; and so well satisfied was the latter with her lot, so contentedly was she endeavouring | Northanger Abbey |
"She's a drunk," | Jake Barnes | were in love with her."<|quote|>"She's a drunk,"</|quote|>I said. "She's in love | I shouldn't wonder if I were in love with her."<|quote|>"She's a drunk,"</|quote|>I said. "She's in love with Mike Campbell, and she's | her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her."<|quote|>"She's a drunk,"</|quote|>I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. | you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her."<|quote|>"She's a drunk,"</|quote|>I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." | don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her."<|quote|>"She's a drunk,"</|quote|>I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit | the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her."<|quote|>"She's a drunk,"</|quote|>I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said. "You're really about the best friend I have, Jake." God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office. CHAPTER 6 At | on the back platform. From the Madeleine I walked along the Boulevard des Capucines to the Op ra, and up to my office. I passed the man with the jumping frogs and the man with the boxer toys. I stepped aside to avoid walking into the thread with which his girl assistant manipulated the boxers. She was standing looking away, the thread in her folded hands. The man was urging two tourists to buy. Three more tourists had stopped and were watching. I walked on behind a man who was pushing a roller that printed the name CINZANO on the sidewalk in damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office. Up-stairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off," Woolsey said. "Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her."<|quote|>"She's a drunk,"</|quote|>I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said. "You're really about the best friend I have, Jake." God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office. CHAPTER 6 At five o'clock I was in the Hotel Crillon waiting for Brett. She was not there, so I sat down and wrote some letters. They were not very good letters but I hoped their being on Crillon stationery would help them. Brett did not turn up, so about quarter to six I went down to the bar and had a Jack Rose with George the barman. Brett had not been in the bar either, and so I looked for her up-stairs on my way out, and took a taxi to the Caf Select. Crossing the Seine I saw a string of barges being towed empty down the current, riding high, the bargemen at the sweeps as they came toward the bridge. The river looked nice. It was always pleasant crossing bridges in Paris. The taxi rounded the statue of the inventor of the semaphore engaged in doing same, and turned up the Boulevard Raspail, and I sat back to let that part of the ride pass. The Boulevard Raspail always made dull riding. It was like a certain stretch on the P. L. M. between Fontainebleau and Montereau that always made me feel bored and dead and dull until it was over. I suppose it is some association of ideas that makes those dead places in a journey. There are other streets in Paris as ugly as the Boulevard Raspail. It is a street I do not mind walking down at all. But I cannot stand to ride along it. Perhaps I had read something about it once. That was the way Robert Cohn was about all of Paris. I wondered where Cohn got that incapacity to enjoy Paris. Possibly from Mencken. Mencken hates Paris, I believe. So many young men get their likes and dislikes from Mencken. The taxi stopped in front of the Rotonde. No matter what caf in Montparnasse you ask a taxi-driver to bring you to from the right bank of the river, they always take you to the Rotonde. Ten years from now it will probably be the Dome. It was near enough, anyway. I walked past the sad tables of the Rotonde to the Select. There were a few people inside at the bar, and outside, alone, sat Harvey Stone. He had a pile of saucers in front of him, and he needed a shave. "Sit down," said Harvey, "I've been looking for you." "What's | Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off," Woolsey said. "Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her."<|quote|>"She's a drunk,"</|quote|>I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school | The Sun Also Rises |
Brett turned to me. | No speaker | one of us. Didn't I?"<|quote|>Brett turned to me.</|quote|>"I love you, count. You're | "I told you he was one of us. Didn't I?"<|quote|>Brett turned to me.</|quote|>"I love you, count. You're a darling." "You make me | count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?"<|quote|>Brett turned to me.</|quote|>"I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." | the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?"<|quote|>Brett turned to me.</|quote|>"I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, | I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?"<|quote|>Brett turned to me.</|quote|>"I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only | It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?"<|quote|>Brett turned to me.</|quote|>"I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, | like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?"<|quote|>Brett turned to me.</|quote|>"I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through | Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?"<|quote|>Brett turned to me.</|quote|>"I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you | The Sun Also Rises |
"I ain't nevah been to nothin' lak dat, an' I don't know," | Fannie Hamilton | sight. Let 's all go."<|quote|>"I ain't nevah been to nothin' lak dat, an' I don't know,"</|quote|>said Mrs. Hamilton. "Aw, come, | show in town. Out o' sight. Let 's all go."<|quote|>"I ain't nevah been to nothin' lak dat, an' I don't know,"</|quote|>said Mrs. Hamilton. "Aw, come, I 'll git the tickets | comp'nies an' I 'll speak to him about you." "You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots." "Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go."<|quote|>"I ain't nevah been to nothin' lak dat, an' I don't know,"</|quote|>said Mrs. Hamilton. "Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?" The mother hesitated, and Joe filled the breach. "We 'd all like to go," he said. "Ma, we' ll go if you ain't too tired." "Tired? Pshaw, | o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you." "You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots." "Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go."<|quote|>"I ain't nevah been to nothin' lak dat, an' I don't know,"</|quote|>said Mrs. Hamilton. "Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?" The mother hesitated, and Joe filled the breach. "We 'd all like to go," he said. "Ma, we' ll go if you ain't too tired." "Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing," 'I bin huntin' fu' wo'k'! "You 'd die laughing." Mrs. Hamilton made no further demur, and the matter was closed. Awhile later the "Rag-time" man came down and gave them a | yo' pa think?" Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment. "Yes, that 's it, Miss Kitty, sing us something," said the irrepressible Thomas, "an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you." With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas. "I say, that 's singin' now, I tell you," he cried. "You ought to have some o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you." "You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots." "Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go."<|quote|>"I ain't nevah been to nothin' lak dat, an' I don't know,"</|quote|>said Mrs. Hamilton. "Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?" The mother hesitated, and Joe filled the breach. "We 'd all like to go," he said. "Ma, we' ll go if you ain't too tired." "Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing," 'I bin huntin' fu' wo'k'! "You 'd die laughing." Mrs. Hamilton made no further demur, and the matter was closed. Awhile later the "Rag-time" man came down and gave them a sample of what they were to hear the next night. Mr. Thomas and Mrs. Jones two-stepped, and they sent a boy after some more beer. Joe found it a very jolly evening, but Kit's and the mother's hearts were heavy as they went up to bed. "Say," said Mr. Thomas when they had gone, "that little girl 's a peach, you bet; a little green, I guess, but she 'll ripen in the sun." VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its | something to chew. I always like to eat something with my beer." Mrs. Jones brought in the glasses, and the young man filled one and turned to Kitty. "No, thanks," she said with a surprised look. "What, don't you drink beer? Oh, come now, you 'll get out o' that." "Kitty don't drink no beer," broke in her mother with mild resentment. "I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed." Joe felt as if the "chillen" had ruined all his hopes, but Kitty rose. The ingratiating "N' Yawker" was aghast. "Oh, let 'em stay," said Mrs. Jones heartily; "a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it." "They 'll git out o' that, all right, if they live in N' Yawk," said Mr. Thomas, as he poured out a glass and handed it to Joe. "You neither?" "Oh, I drink it," said the boy with an air, but not looking at his mother. "Joe," she cried to him, "you must ricollect you ain't at home. What 'ud yo' pa think?" Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment. "Yes, that 's it, Miss Kitty, sing us something," said the irrepressible Thomas, "an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you." With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas. "I say, that 's singin' now, I tell you," he cried. "You ought to have some o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you." "You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots." "Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go."<|quote|>"I ain't nevah been to nothin' lak dat, an' I don't know,"</|quote|>said Mrs. Hamilton. "Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?" The mother hesitated, and Joe filled the breach. "We 'd all like to go," he said. "Ma, we' ll go if you ain't too tired." "Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing," 'I bin huntin' fu' wo'k'! "You 'd die laughing." Mrs. Hamilton made no further demur, and the matter was closed. Awhile later the "Rag-time" man came down and gave them a sample of what they were to hear the next night. Mr. Thomas and Mrs. Jones two-stepped, and they sent a boy after some more beer. Joe found it a very jolly evening, but Kit's and the mother's hearts were heavy as they went up to bed. "Say," said Mr. Thomas when they had gone, "that little girl 's a peach, you bet; a little green, I guess, but she 'll ripen in the sun." VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the | of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan. "I tell you, Miss Kitty," he burst forth, a few minutes after being introduced, "they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything." "Great place," said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said "Yes" to him, and went on expatiating to Kitty on the glories of the metropolis. "D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me." "La, Thomas," Mrs. Jones put in, "how you do run on! Why, the strangers 'll think they 'll be talked to death before they have time to breathe." "Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight." Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly. "Mr. Thomas is a case, sho'," she said; "but he likes you all, an' I 'm mighty glad of it, fu' he 's mighty curious about the house when he don't like the roomers." Joe felt distinctly flattered, for he found their new acquaintance charming. His mother was still a little doubtful, and Kitty was sure she found the young man "fresh." He came in pretty soon with his beer, and a half-dozen crabs in a bag. "Thought I 'd bring home something to chew. I always like to eat something with my beer." Mrs. Jones brought in the glasses, and the young man filled one and turned to Kitty. "No, thanks," she said with a surprised look. "What, don't you drink beer? Oh, come now, you 'll get out o' that." "Kitty don't drink no beer," broke in her mother with mild resentment. "I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed." Joe felt as if the "chillen" had ruined all his hopes, but Kitty rose. The ingratiating "N' Yawker" was aghast. "Oh, let 'em stay," said Mrs. Jones heartily; "a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it." "They 'll git out o' that, all right, if they live in N' Yawk," said Mr. Thomas, as he poured out a glass and handed it to Joe. "You neither?" "Oh, I drink it," said the boy with an air, but not looking at his mother. "Joe," she cried to him, "you must ricollect you ain't at home. What 'ud yo' pa think?" Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment. "Yes, that 's it, Miss Kitty, sing us something," said the irrepressible Thomas, "an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you." With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas. "I say, that 's singin' now, I tell you," he cried. "You ought to have some o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you." "You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots." "Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go."<|quote|>"I ain't nevah been to nothin' lak dat, an' I don't know,"</|quote|>said Mrs. Hamilton. "Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?" The mother hesitated, and Joe filled the breach. "We 'd all like to go," he said. "Ma, we' ll go if you ain't too tired." "Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing," 'I bin huntin' fu' wo'k'! "You 'd die laughing." Mrs. Hamilton made no further demur, and the matter was closed. Awhile later the "Rag-time" man came down and gave them a sample of what they were to hear the next night. Mr. Thomas and Mrs. Jones two-stepped, and they sent a boy after some more beer. Joe found it a very jolly evening, but Kit's and the mother's hearts were heavy as they went up to bed. "Say," said Mr. Thomas when they had gone, "that little girl 's a peach, you bet; a little green, I guess, but she 'll ripen in the sun." VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, "I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you." Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the | surprised look. "What, don't you drink beer? Oh, come now, you 'll get out o' that." "Kitty don't drink no beer," broke in her mother with mild resentment. "I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed." Joe felt as if the "chillen" had ruined all his hopes, but Kitty rose. The ingratiating "N' Yawker" was aghast. "Oh, let 'em stay," said Mrs. Jones heartily; "a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it." "They 'll git out o' that, all right, if they live in N' Yawk," said Mr. Thomas, as he poured out a glass and handed it to Joe. "You neither?" "Oh, I drink it," said the boy with an air, but not looking at his mother. "Joe," she cried to him, "you must ricollect you ain't at home. What 'ud yo' pa think?" Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment. "Yes, that 's it, Miss Kitty, sing us something," said the irrepressible Thomas, "an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you." With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas. "I say, that 's singin' now, I tell you," he cried. "You ought to have some o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you." "You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots." "Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go."<|quote|>"I ain't nevah been to nothin' lak dat, an' I don't know,"</|quote|>said Mrs. Hamilton. "Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?" The mother hesitated, and Joe filled the breach. "We 'd all like to go," he said. "Ma, we' ll go if you ain't too tired." "Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing," 'I bin huntin' fu' wo'k'! "You 'd die laughing." Mrs. Hamilton made no further demur, and the matter was closed. Awhile later the "Rag-time" man came down and gave them a sample of what they were to hear the next night. Mr. Thomas and Mrs. Jones two-stepped, and they sent a boy after some more beer. Joe found it a very jolly evening, but Kit's and the mother's hearts were heavy as they went up to bed. "Say," said Mr. Thomas when they had gone, "that little girl 's a peach, you bet; a little green, I guess, but she 'll ripen in the sun." VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, "I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you." Mrs. Hamilton had been in a theatre | The Sport Of The Gods |
"Dear things!" | Mrs. Hilbery | the flames leapt and wavered.<|quote|>"Dear things!"</|quote|>she exclaimed. "Dear chairs and | its rich, irregular lights, as the flames leapt and wavered.<|quote|>"Dear things!"</|quote|>she exclaimed. "Dear chairs and tables! How like old friends | at eight. I dare say you ll write a poem of your own while you re waiting. Ah, how I love the firelight! Doesn t our room look charming?" She stepped back and bade them contemplate the empty drawing-room, with its rich, irregular lights, as the flames leapt and wavered.<|quote|>"Dear things!"</|quote|>she exclaimed. "Dear chairs and tables! How like old friends they are faithful, silent friends. Which reminds me, Katharine, little Mr. Anning is coming to-night, and Tite Street, and Cadogan Square.... Do remember to get that drawing of your great-uncle glazed. Aunt Millicent remarked it last time she was here, | the very chair that Mary Queen of Scots sat in when she heard of Darnley s murder. I must lie down for a little, and Katharine must change her dress (though she s wearing a very pretty one), but if you don t mind being left alone, supper will be at eight. I dare say you ll write a poem of your own while you re waiting. Ah, how I love the firelight! Doesn t our room look charming?" She stepped back and bade them contemplate the empty drawing-room, with its rich, irregular lights, as the flames leapt and wavered.<|quote|>"Dear things!"</|quote|>she exclaimed. "Dear chairs and tables! How like old friends they are faithful, silent friends. Which reminds me, Katharine, little Mr. Anning is coming to-night, and Tite Street, and Cadogan Square.... Do remember to get that drawing of your great-uncle glazed. Aunt Millicent remarked it last time she was here, and I know how it would hurt me to see _my_ father in a broken glass." It was like tearing through a maze of diamond-glittering spiders webs to say good-bye and escape, for at each movement Mrs. Hilbery remembered something further about the villainies of picture-framers or the delights of | Fortescue has almost tired me out. He is so eloquent and so witty, so searching and so profound that, after half an hour or so, I feel inclined to turn out all the lights. But perhaps he d be more wonderful than ever in the dark. What d you think, Katharine? Shall we give a little party in complete darkness? There d have to be bright rooms for the bores...." Here Mr. Denham held out his hand. "But we ve any number of things to show you!" Mrs. Hilbery exclaimed, taking no notice of it. "Books, pictures, china, manuscripts, and the very chair that Mary Queen of Scots sat in when she heard of Darnley s murder. I must lie down for a little, and Katharine must change her dress (though she s wearing a very pretty one), but if you don t mind being left alone, supper will be at eight. I dare say you ll write a poem of your own while you re waiting. Ah, how I love the firelight! Doesn t our room look charming?" She stepped back and bade them contemplate the empty drawing-room, with its rich, irregular lights, as the flames leapt and wavered.<|quote|>"Dear things!"</|quote|>she exclaimed. "Dear chairs and tables! How like old friends they are faithful, silent friends. Which reminds me, Katharine, little Mr. Anning is coming to-night, and Tite Street, and Cadogan Square.... Do remember to get that drawing of your great-uncle glazed. Aunt Millicent remarked it last time she was here, and I know how it would hurt me to see _my_ father in a broken glass." It was like tearing through a maze of diamond-glittering spiders webs to say good-bye and escape, for at each movement Mrs. Hilbery remembered something further about the villainies of picture-framers or the delights of poetry, and at one time it seemed to the young man that he would be hypnotized into doing what she pretended to want him to do, for he could not suppose that she attached any value whatever to his presence. Katharine, however, made an opportunity for him to leave, and for that he was grateful to her, as one young person is grateful for the understanding of another. CHAPTER II The young man shut the door with a sharper slam than any visitor had used that afternoon, and walked up the street at a great pace, cutting the air with | eyes, at once sagacious and innocent, which seemed to regard the world with an enormous desire that it should behave itself nobly, and an entire confidence that it could do so, if it would only take the pains. Certain lines on the broad forehead and about the lips might be taken to suggest that she had known moments of some difficulty and perplexity in the course of her career, but these had not destroyed her trustfulness, and she was clearly still prepared to give every one any number of fresh chances and the whole system the benefit of the doubt. She wore a great resemblance to her father, and suggested, as he did, the fresh airs and open spaces of a younger world. "Well," she said, "how do you like our things, Mr. Denham?" Mr. Denham rose, put his book down, opened his mouth, but said nothing, as Katharine observed, with some amusement. Mrs. Hilbery handled the book he had laid down. "There are some books that _live_," she mused. "They are young with us, and they grow old with us. Are you fond of poetry, Mr. Denham? But what an absurd question to ask! The truth is, dear Mr. Fortescue has almost tired me out. He is so eloquent and so witty, so searching and so profound that, after half an hour or so, I feel inclined to turn out all the lights. But perhaps he d be more wonderful than ever in the dark. What d you think, Katharine? Shall we give a little party in complete darkness? There d have to be bright rooms for the bores...." Here Mr. Denham held out his hand. "But we ve any number of things to show you!" Mrs. Hilbery exclaimed, taking no notice of it. "Books, pictures, china, manuscripts, and the very chair that Mary Queen of Scots sat in when she heard of Darnley s murder. I must lie down for a little, and Katharine must change her dress (though she s wearing a very pretty one), but if you don t mind being left alone, supper will be at eight. I dare say you ll write a poem of your own while you re waiting. Ah, how I love the firelight! Doesn t our room look charming?" She stepped back and bade them contemplate the empty drawing-room, with its rich, irregular lights, as the flames leapt and wavered.<|quote|>"Dear things!"</|quote|>she exclaimed. "Dear chairs and tables! How like old friends they are faithful, silent friends. Which reminds me, Katharine, little Mr. Anning is coming to-night, and Tite Street, and Cadogan Square.... Do remember to get that drawing of your great-uncle glazed. Aunt Millicent remarked it last time she was here, and I know how it would hurt me to see _my_ father in a broken glass." It was like tearing through a maze of diamond-glittering spiders webs to say good-bye and escape, for at each movement Mrs. Hilbery remembered something further about the villainies of picture-framers or the delights of poetry, and at one time it seemed to the young man that he would be hypnotized into doing what she pretended to want him to do, for he could not suppose that she attached any value whatever to his presence. Katharine, however, made an opportunity for him to leave, and for that he was grateful to her, as one young person is grateful for the understanding of another. CHAPTER II The young man shut the door with a sharper slam than any visitor had used that afternoon, and walked up the street at a great pace, cutting the air with his walking-stick. He was glad to find himself outside that drawing-room, breathing raw fog, and in contact with unpolished people who only wanted their share of the pavement allowed them. He thought that if he had had Mr. or Mrs. or Miss Hilbery out here he would have made them, somehow, feel his superiority, for he was chafed by the memory of halting awkward sentences which had failed to give even the young woman with the sad, but inwardly ironical eyes a hint of his force. He tried to recall the actual words of his little outburst, and unconsciously supplemented them by so many words of greater expressiveness that the irritation of his failure was somewhat assuaged. Sudden stabs of the unmitigated truth assailed him now and then, for he was not inclined by nature to take a rosy view of his conduct, but what with the beat of his foot upon the pavement, and the glimpse which half-drawn curtains offered him of kitchens, dining-rooms, and drawing-rooms, illustrating with mute power different scenes from different lives, his own experience lost its sharpness. His own experience underwent a curious change. His speed slackened, his head sank a little towards his breast, | bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure of herself, and she saw him hesitating in the disposition of some bow or sash. "You ve got it very nearly right," she said, "but I only help my mother. I don t write myself." "Do you do anything yourself?" he demanded. "What do you mean?" she asked. "I don t leave the house at ten and come back at six." "I don t mean that." Mr. Denham had recovered his self-control; he spoke with a quietness which made Katharine rather anxious that he should explain himself, but at the same time she wished to annoy him, to waft him away from her on some light current of ridicule or satire, as she was wont to do with these intermittent young men of her father s. "Nobody ever does do anything worth doing nowadays," she remarked. "You see" she tapped the volume of her grandfather s poems "we don t even print as well as they did, and as for poets or painters or novelists there are none; so, at any rate, I m not singular." "No, we haven t any great men," Denham replied. "I m very glad that we haven t. I hate great men. The worship of greatness in the nineteenth century seems to me to explain the worthlessness of that generation." Katharine opened her lips and drew in her breath, as if to reply with equal vigor, when the shutting of a door in the next room withdrew her attention, and they both became conscious that the voices, which had been rising and falling round the tea-table, had fallen silent; the light, even, seemed to have sunk lower. A moment later Mrs. Hilbery appeared in the doorway of the ante-room. She stood looking at them with a smile of expectancy on her face, as if a scene from the drama of the younger generation were being played for her benefit. She was a remarkable-looking woman, well advanced in the sixties, but owing to the lightness of her frame and the brightness of her eyes she seemed to have been wafted over the surface of the years without taking much harm in the passage. Her face was shrunken and aquiline, but any hint of sharpness was dispelled by the large blue eyes, at once sagacious and innocent, which seemed to regard the world with an enormous desire that it should behave itself nobly, and an entire confidence that it could do so, if it would only take the pains. Certain lines on the broad forehead and about the lips might be taken to suggest that she had known moments of some difficulty and perplexity in the course of her career, but these had not destroyed her trustfulness, and she was clearly still prepared to give every one any number of fresh chances and the whole system the benefit of the doubt. She wore a great resemblance to her father, and suggested, as he did, the fresh airs and open spaces of a younger world. "Well," she said, "how do you like our things, Mr. Denham?" Mr. Denham rose, put his book down, opened his mouth, but said nothing, as Katharine observed, with some amusement. Mrs. Hilbery handled the book he had laid down. "There are some books that _live_," she mused. "They are young with us, and they grow old with us. Are you fond of poetry, Mr. Denham? But what an absurd question to ask! The truth is, dear Mr. Fortescue has almost tired me out. He is so eloquent and so witty, so searching and so profound that, after half an hour or so, I feel inclined to turn out all the lights. But perhaps he d be more wonderful than ever in the dark. What d you think, Katharine? Shall we give a little party in complete darkness? There d have to be bright rooms for the bores...." Here Mr. Denham held out his hand. "But we ve any number of things to show you!" Mrs. Hilbery exclaimed, taking no notice of it. "Books, pictures, china, manuscripts, and the very chair that Mary Queen of Scots sat in when she heard of Darnley s murder. I must lie down for a little, and Katharine must change her dress (though she s wearing a very pretty one), but if you don t mind being left alone, supper will be at eight. I dare say you ll write a poem of your own while you re waiting. Ah, how I love the firelight! Doesn t our room look charming?" She stepped back and bade them contemplate the empty drawing-room, with its rich, irregular lights, as the flames leapt and wavered.<|quote|>"Dear things!"</|quote|>she exclaimed. "Dear chairs and tables! How like old friends they are faithful, silent friends. Which reminds me, Katharine, little Mr. Anning is coming to-night, and Tite Street, and Cadogan Square.... Do remember to get that drawing of your great-uncle glazed. Aunt Millicent remarked it last time she was here, and I know how it would hurt me to see _my_ father in a broken glass." It was like tearing through a maze of diamond-glittering spiders webs to say good-bye and escape, for at each movement Mrs. Hilbery remembered something further about the villainies of picture-framers or the delights of poetry, and at one time it seemed to the young man that he would be hypnotized into doing what she pretended to want him to do, for he could not suppose that she attached any value whatever to his presence. Katharine, however, made an opportunity for him to leave, and for that he was grateful to her, as one young person is grateful for the understanding of another. CHAPTER II The young man shut the door with a sharper slam than any visitor had used that afternoon, and walked up the street at a great pace, cutting the air with his walking-stick. He was glad to find himself outside that drawing-room, breathing raw fog, and in contact with unpolished people who only wanted their share of the pavement allowed them. He thought that if he had had Mr. or Mrs. or Miss Hilbery out here he would have made them, somehow, feel his superiority, for he was chafed by the memory of halting awkward sentences which had failed to give even the young woman with the sad, but inwardly ironical eyes a hint of his force. He tried to recall the actual words of his little outburst, and unconsciously supplemented them by so many words of greater expressiveness that the irritation of his failure was somewhat assuaged. Sudden stabs of the unmitigated truth assailed him now and then, for he was not inclined by nature to take a rosy view of his conduct, but what with the beat of his foot upon the pavement, and the glimpse which half-drawn curtains offered him of kitchens, dining-rooms, and drawing-rooms, illustrating with mute power different scenes from different lives, his own experience lost its sharpness. His own experience underwent a curious change. His speed slackened, his head sank a little towards his breast, and the lamplight shone now and again upon a face grown strangely tranquil. His thought was so absorbing that when it became necessary to verify the name of a street, he looked at it for a time before he read it; when he came to a crossing, he seemed to have to reassure himself by two or three taps, such as a blind man gives, upon the curb; and, reaching the Underground station, he blinked in the bright circle of light, glanced at his watch, decided that he might still indulge himself in darkness, and walked straight on. And yet the thought was the thought with which he had started. He was still thinking about the people in the house which he had left; but instead of remembering, with whatever accuracy he could, their looks and sayings, he had consciously taken leave of the literal truth. A turn of the street, a firelit room, something monumental in the procession of the lamp-posts, who shall say what accident of light or shape had suddenly changed the prospect within his mind, and led him to murmur aloud: "She ll do.... Yes, Katharine Hilbery ll do.... I ll take Katharine Hilbery." As soon as he had said this, his pace slackened, his head fell, his eyes became fixed. The desire to justify himself, which had been so urgent, ceased to torment him, and, as if released from constraint, so that they worked without friction or bidding, his faculties leapt forward and fixed, as a matter of course, upon the form of Katharine Hilbery. It was marvellous how much they found to feed upon, considering the destructive nature of Denham s criticism in her presence. The charm, which he had tried to disown, when under the effect of it, the beauty, the character, the aloofness, which he had been determined not to feel, now possessed him wholly; and when, as happened by the nature of things, he had exhausted his memory, he went on with his imagination. He was conscious of what he was about, for in thus dwelling upon Miss Hilbery s qualities, he showed a kind of method, as if he required this vision of her for a particular purpose. He increased her height, he darkened her hair; but physically there was not much to change in her. His most daring liberty was taken with her mind, which, for reasons of his | lightness of her frame and the brightness of her eyes she seemed to have been wafted over the surface of the years without taking much harm in the passage. Her face was shrunken and aquiline, but any hint of sharpness was dispelled by the large blue eyes, at once sagacious and innocent, which seemed to regard the world with an enormous desire that it should behave itself nobly, and an entire confidence that it could do so, if it would only take the pains. Certain lines on the broad forehead and about the lips might be taken to suggest that she had known moments of some difficulty and perplexity in the course of her career, but these had not destroyed her trustfulness, and she was clearly still prepared to give every one any number of fresh chances and the whole system the benefit of the doubt. She wore a great resemblance to her father, and suggested, as he did, the fresh airs and open spaces of a younger world. "Well," she said, "how do you like our things, Mr. Denham?" Mr. Denham rose, put his book down, opened his mouth, but said nothing, as Katharine observed, with some amusement. Mrs. Hilbery handled the book he had laid down. "There are some books that _live_," she mused. "They are young with us, and they grow old with us. Are you fond of poetry, Mr. Denham? But what an absurd question to ask! The truth is, dear Mr. Fortescue has almost tired me out. He is so eloquent and so witty, so searching and so profound that, after half an hour or so, I feel inclined to turn out all the lights. But perhaps he d be more wonderful than ever in the dark. What d you think, Katharine? Shall we give a little party in complete darkness? There d have to be bright rooms for the bores...." Here Mr. Denham held out his hand. "But we ve any number of things to show you!" Mrs. Hilbery exclaimed, taking no notice of it. "Books, pictures, china, manuscripts, and the very chair that Mary Queen of Scots sat in when she heard of Darnley s murder. I must lie down for a little, and Katharine must change her dress (though she s wearing a very pretty one), but if you don t mind being left alone, supper will be at eight. I dare say you ll write a poem of your own while you re waiting. Ah, how I love the firelight! Doesn t our room look charming?" She stepped back and bade them contemplate the empty drawing-room, with its rich, irregular lights, as the flames leapt and wavered.<|quote|>"Dear things!"</|quote|>she exclaimed. "Dear chairs and tables! How like old friends they are faithful, silent friends. Which reminds me, Katharine, little Mr. Anning is coming to-night, and Tite Street, and Cadogan Square.... Do remember to get that drawing of your great-uncle glazed. Aunt Millicent remarked it last time she was here, and I know how it would hurt me to see _my_ father in a broken glass." It was like tearing through a maze of diamond-glittering spiders webs to say good-bye and escape, for at each movement Mrs. Hilbery remembered something further about the villainies of picture-framers or the delights of poetry, and at one time it seemed to the young man that he would be hypnotized into doing what she pretended to want him to do, for he could not suppose that she attached any value whatever to his presence. Katharine, however, made an opportunity for him to leave, and for that he was grateful to her, as one young person is grateful for the understanding of another. CHAPTER II The young man shut the door with a sharper slam than any visitor had used that afternoon, and walked up the street at a great pace, cutting the air with his walking-stick. He was glad to find himself outside that drawing-room, breathing raw fog, and in contact with unpolished people who only wanted their share of the pavement allowed them. He thought that if he had had Mr. or Mrs. or Miss Hilbery out here he would have made them, somehow, feel his superiority, for he was chafed by the memory of halting awkward sentences which had failed to give even the young woman with the sad, but inwardly ironical eyes a hint of his force. He tried to recall the actual words of his little outburst, and unconsciously supplemented them by so many words of greater expressiveness that the irritation of his failure was somewhat assuaged. Sudden stabs of the unmitigated truth assailed him now and then, for he was not inclined by nature to take a rosy view of his conduct, but what with the beat of his foot upon the pavement, and the glimpse which half-drawn curtains offered him of kitchens, dining-rooms, and drawing-rooms, illustrating with mute power different scenes from different lives, his own experience lost its sharpness. His own experience underwent a curious change. His speed slackened, his head sank a little towards his breast, and the lamplight shone now and again upon a face grown strangely tranquil. His thought was so absorbing that when it became necessary to verify the name of a street, he looked at it for a time before he read it; when he came to a crossing, he seemed to have to reassure himself by two or three taps, such as a blind man gives, upon the curb; and, reaching the Underground station, he blinked in the bright circle of light, glanced at his watch, decided that he might still indulge himself in darkness, and walked straight on. And yet the thought was the thought with which he had started. He was still | Night And Day |
"I've always done just what I wanted." | Brett Ashley | to look at," I said.<|quote|>"I've always done just what I wanted."</|quote|>"I know." "I do feel | look at him." "He's nice to look at," I said.<|quote|>"I've always done just what I wanted."</|quote|>"I know." "I do feel such a bitch." "Well," I | were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said.<|quote|>"I've always done just what I wanted."</|quote|>"I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood | down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said.<|quote|>"I've always done just what I wanted."</|quote|>"I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It | want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said.<|quote|>"I've always done just what I wanted."</|quote|>"I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. | the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said.<|quote|>"I've always done just what I wanted."</|quote|>"I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to | be a swine." "Everybody behaves badly," I said. "Give them the proper chance." "You wouldn't behave badly." Brett looked at me. "I'd be as big an ass as Cohn," I said. "Darling, don't let's talk a lot of rot." "All right. Talk about anything you like." "Don't be difficult. You're the only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said.<|quote|>"I've always done just what I wanted."</|quote|>"I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said to him. "You must teach me Spanish." He sat down and looked at her across the table. I went out. The hard-eyed people at the bull-fighter table watched me go. It was not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me." Bill's face was red. "Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old | you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said.<|quote|>"I've always done just what I wanted."</|quote|>"I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our | The Sun Also Rises |
"Ten hours the first day," | The Mock Turtle | hurry to change the subject.<|quote|>"Ten hours the first day,"</|quote|>said the Mock Turtle: "nine | lessons?" said Alice, in a hurry to change the subject.<|quote|>"Ten hours the first day,"</|quote|>said the Mock Turtle: "nine the next, and so on." | "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject.<|quote|>"Ten hours the first day,"</|quote|>said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made | I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject.<|quote|>"Ten hours the first day,"</|quote|>said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games | Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject.<|quote|>"Ten hours the first day,"</|quote|>said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps | before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject.<|quote|>"Ten hours the first day,"</|quote|>said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the | the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject.<|quote|>"Ten hours the first day,"</|quote|>said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've | every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject.<|quote|>"Ten hours the first day,"</|quote|>said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even | Alices Adventures In Wonderland |
urges the thoroughgoing Müller. | No speaker | send you to the Fortress?"<|quote|>urges the thoroughgoing Müller.</|quote|>"Well, for the time being | days rest." "And if they send you to the Fortress?"<|quote|>urges the thoroughgoing Müller.</|quote|>"Well, for the time being the war will be over | "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?"<|quote|>urges the thoroughgoing Müller.</|quote|>"Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller | of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?"<|quote|>urges the thoroughgoing Müller.</|quote|>"Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a | you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?"<|quote|>urges the thoroughgoing Müller.</|quote|>"Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You | "Well, you here too?" But Albert's no friend of his. "A bit longer than you, I fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?"<|quote|>urges the thoroughgoing Müller.</|quote|>"Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. | interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?" asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence: "I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is nearest, so he favours him. "Well, you here too?" But Albert's no friend of his. "A bit longer than you, I fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?"<|quote|>urges the thoroughgoing Müller.</|quote|>"Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. | ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is nearest, so he favours him. "Well, you here too?" But Albert's no friend of his. "A bit longer than you, I fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?"<|quote|>urges the thoroughgoing Müller.</|quote|>"Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?" Kropp wants to know. "You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to | All Quiet on the Western Front |
"That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough." | Rose Maylie | have I heard!" cried Rose.<|quote|>"That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough."</|quote|>"Not yet, not yet," said | what have I heard! What have I heard!" cried Rose.<|quote|>"That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough."</|quote|>"Not yet, not yet," said the young man, detaining her | "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose.<|quote|>"That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough."</|quote|>"Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and | it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose.<|quote|>"That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough."</|quote|>"Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I | it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose.<|quote|>"That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough."</|quote|>"Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in | exchanged in the long close embrace between the orphans, be sacred. A father, sister, and mother, were gained, and lost, in that one moment. Joy and grief were mingled in the cup; but there were no bitter tears: for even grief itself arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain. They were a long, long time alone. A soft tap at the door, at length announced that some one was without. Oliver opened it, glided away, and gave place to Harry Maylie. "I know it all," he said, taking a seat beside the lovely girl. "Dear Rose, I know it all." "I am not here by accident," he added after a lengthened silence; "nor have I heard all this to-night, for I knew it yesterday only yesterday. Do you guess that I have come to remind you of a promise?" "Stay," said Rose. "You _do_ know all." "All. You gave me leave, at any time within a year, to renew the subject of our last discourse." "I did." "Not to press you to alter your determination," pursued the young man, "but to hear you repeat it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose.<|quote|>"That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough."</|quote|>"Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," | these people had repaired," said Monks, "but where friendship fails, hatred will often force a way. My mother found it, after a year of cunning search ay, and found the child." "She took it, did she?" "No. The people were poor and began to sicken at least the man did of their fine humanity; so she left it with them, giving them a small present of money which would not last long, and promised more, which she never meant to send. She didn't quite rely, however, on their discontent and poverty for the child's unhappiness, but told the history of the sister's shame, with such alterations as suited her; bade them take good heed of the child, for she came of bad blood; and told them she was illegitimate, and sure to go wrong at one time or other. The circumstances countenanced all this; the people believed it; and there the child dragged on an existence, miserable enough even to satisfy us, until a widow lady, residing, then, at Chester, saw the girl by chance, pitied her, and took her home. There was some cursed spell, I think, against us; for in spite of all our efforts she remained there and was happy. I lost sight of her, two or three years ago, and saw her no more until a few months back." "Do you see her now?" "Yes. Leaning on your arm." "But not the less my niece," cried Mrs. Maylie, folding the fainting girl in her arms; "not the less my dearest child. I would not lose her now, for all the treasures of the world. My sweet companion, my own dear girl!" "The only friend I ever had," cried Rose, clinging to her. "The kindest, best of friends. My heart will burst. I cannot bear all this." "You have borne more, and have been, through all, the best and gentlest creature that ever shed happiness on every one she knew," said Mrs. Maylie, embracing her tenderly. "Come, come, my love, remember who this is who waits to clasp you in his arms, poor child! See here look, look, my dear!" "Not aunt," cried Oliver, throwing his arms about her neck; "I'll never call her aunt sister, my own dear sister, that something taught my heart to love so dearly from the first! Rose, dear, darling Rose!" Let the tears which fell, and the broken words which were exchanged in the long close embrace between the orphans, be sacred. A father, sister, and mother, were gained, and lost, in that one moment. Joy and grief were mingled in the cup; but there were no bitter tears: for even grief itself arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain. They were a long, long time alone. A soft tap at the door, at length announced that some one was without. Oliver opened it, glided away, and gave place to Harry Maylie. "I know it all," he said, taking a seat beside the lovely girl. "Dear Rose, I know it all." "I am not here by accident," he added after a lengthened silence; "nor have I heard all this to-night, for I knew it yesterday only yesterday. Do you guess that I have come to remind you of a promise?" "Stay," said Rose. "You _do_ know all." "All. You gave me leave, at any time within a year, to renew the subject of our last discourse." "I did." "Not to press you to alter your determination," pursued the young man, "but to hear you repeat it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose.<|quote|>"That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough."</|quote|>"Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the women, of whom there were many there could he read the faintest sympathy with himself, or any feeling but one of all-absorbing | or three years ago, and saw her no more until a few months back." "Do you see her now?" "Yes. Leaning on your arm." "But not the less my niece," cried Mrs. Maylie, folding the fainting girl in her arms; "not the less my dearest child. I would not lose her now, for all the treasures of the world. My sweet companion, my own dear girl!" "The only friend I ever had," cried Rose, clinging to her. "The kindest, best of friends. My heart will burst. I cannot bear all this." "You have borne more, and have been, through all, the best and gentlest creature that ever shed happiness on every one she knew," said Mrs. Maylie, embracing her tenderly. "Come, come, my love, remember who this is who waits to clasp you in his arms, poor child! See here look, look, my dear!" "Not aunt," cried Oliver, throwing his arms about her neck; "I'll never call her aunt sister, my own dear sister, that something taught my heart to love so dearly from the first! Rose, dear, darling Rose!" Let the tears which fell, and the broken words which were exchanged in the long close embrace between the orphans, be sacred. A father, sister, and mother, were gained, and lost, in that one moment. Joy and grief were mingled in the cup; but there were no bitter tears: for even grief itself arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain. They were a long, long time alone. A soft tap at the door, at length announced that some one was without. Oliver opened it, glided away, and gave place to Harry Maylie. "I know it all," he said, taking a seat beside the lovely girl. "Dear Rose, I know it all." "I am not here by accident," he added after a lengthened silence; "nor have I heard all this to-night, for I knew it yesterday only yesterday. Do you guess that I have come to remind you of a promise?" "Stay," said Rose. "You _do_ know all." "All. You gave me leave, at any time within a year, to renew the subject of our last discourse." "I did." "Not to press you to alter your determination," pursued the young man, "but to hear you repeat it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose.<|quote|>"That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough."</|quote|>"Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and | Oliver Twist |
I said. | No speaker | year?" "Take some more coffee,"<|quote|>I said.</|quote|>"Good. Coffee is good for | here and tell you every year?" "Take some more coffee,"<|quote|>I said.</|quote|>"Good. Coffee is good for you. It's the caffeine in | stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee,"<|quote|>I said.</|quote|>"Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever | you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee,"<|quote|>I said.</|quote|>"Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your | in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee,"<|quote|>I said.</|quote|>"Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I | the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?" "That's not ironical. I wish I could talk Spanish." The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee,"<|quote|>I said.</|quote|>"Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I wanted to start him again. "It wasn't a bicycle," I said. "He was riding horseback." "I heard it was a tricycle." "Well," I said. "A plane is sort of like a tricycle. The joystick works the same way." "But you don't pedal it." "No," I said, "I guess you don't pedal it." "Let's lay off that," Bill said. "All right. I was just standing up for the tricycle." "I think he's a good writer, too," Bill said. "And you're a hell of a good guy. Anybody ever tell you you were a good guy?" "I'm not a good guy." "Listen. You're a hell of a good guy, and I'm fonder of you than anybody on earth. I couldn't tell you that in New York. It'd mean I was a faggot. That was what the Civil War was about. Abraham Lincoln was a faggot. He was in love with General Grant. So was Jefferson Davis. Lincoln just freed the slaves on a bet. The Dred Scott case was framed by the Anti-Saloon League. Sex explains it all. The Colonel's Lady and Judy O'Grady are Lesbians under their skin." He stopped. "Want to hear some more?" "Shoot," I said. "I don't know | A goat hopped up on one of the carts and then to the roof of the diligence. He jerked his head at the other goats below and when I waved at him he bounded down. Bill was still sleeping, so I dressed, put on my shoes outside in the hall, and went down-stairs. No one was stirring down-stairs, so I unbolted the door and went out. It was cool outside in the early morning and the sun had not yet dried the dew that had come when the wind died down. I hunted around in the shed behind the inn and found a sort of mattock, and went down toward the stream to try and dig some worms for bait. The stream was clear and shallow but it did not look trouty. On the grassy bank where it was damp I drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed. "I saw you out of the window," he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?" "That's not ironical. I wish I could talk Spanish." The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee,"<|quote|>I said.</|quote|>"Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I wanted to start him again. "It wasn't a bicycle," I said. "He was riding horseback." "I heard it was a tricycle." "Well," I said. "A plane is sort of like a tricycle. The joystick works the same way." "But you don't pedal it." "No," I said, "I guess you don't pedal it." "Let's lay off that," Bill said. "All right. I was just standing up for the tricycle." "I think he's a good writer, too," Bill said. "And you're a hell of a good guy. Anybody ever tell you you were a good guy?" "I'm not a good guy." "Listen. You're a hell of a good guy, and I'm fonder of you than anybody on earth. I couldn't tell you that in New York. It'd mean I was a faggot. That was what the Civil War was about. Abraham Lincoln was a faggot. He was in love with General Grant. So was Jefferson Davis. Lincoln just freed the slaves on a bet. The Dred Scott case was framed by the Anti-Saloon League. Sex explains it all. The Colonel's Lady and Judy O'Grady are Lesbians under their skin." He stopped. "Want to hear some more?" "Shoot," I said. "I don't know any more. Tell you some more at lunch." "Old Bill," I said. "You bum!" We packed the lunch and two bottles of wine in the rucksack, and Bill put it on. I carried the rod-case and the landing-nets slung over my back. We started up the road and then went across a meadow and found a path that crossed the fields and went toward the woods on the slope of the first hill. We walked across the fields on the sandy path. The fields were rolling and grassy and the grass was short from the sheep grazing. The cattle were up in the hills. We heard their bells in the woods. The path crossed a stream on a foot-log. The log was surfaced off, and there was a sapling bent across for a rail. In the flat pool beside the stream tadpoles spotted the sand. We went up a steep bank and across the rolling fields. Looking back we saw Burguete, white houses and red roofs, and the white road with a truck going along it and the dust rising. Beyond the fields we crossed another faster-flowing stream. A sandy road led down to the ford and beyond into the woods. The path crossed the stream on another foot-log below the ford, and joined the road, and we went into the woods. It was a beech wood and the trees were very old. Their roots bulked above the ground and the branches were twisted. We walked on the road between the thick trunks of the old beeches and the sunlight came through the leaves in light patches on the grass. The trees were big, and the foliage was thick but it was not gloomy. There was no undergrowth, only the smooth grass, very green and fresh, and the big gray trees well spaced as though it were a park. "This is country," Bill said. The road went up a hill and we got into thick woods, and the road kept on climbing. Sometimes it dipped down but rose again steeply. All the time we heard the cattle in the woods. Finally, the road came out on the top of the hills. We were on the top of the height of land that was the highest part of the range of wooded hills we had seen from Burguete. There were wild strawberries growing on the sunny side of the ridge in | the edge of the bed. "I saw you out of the window," he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?" "That's not ironical. I wish I could talk Spanish." The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee,"<|quote|>I said.</|quote|>"Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I wanted to start him again. "It wasn't a bicycle," I said. "He was riding horseback." "I heard it was a tricycle." "Well," I said. "A plane is sort of like a tricycle. The joystick works the same way." "But you don't pedal it." "No," I said, "I guess you don't pedal it." "Let's lay off that," Bill said. "All right. I was just standing up for the tricycle." "I think he's a good writer, too," Bill said. "And you're a hell of a good guy. Anybody ever tell you you were a good guy?" "I'm not a good guy." "Listen. You're a hell of a good guy, and I'm fonder of you than anybody on earth. I couldn't tell you that in New York. It'd mean I was a faggot. That was what the Civil War was about. Abraham Lincoln was a faggot. He was in love with General Grant. So was Jefferson Davis. Lincoln just freed the slaves on a bet. The Dred Scott | The Sun Also Rises |
"It isn t kind." | Katharine Hilbery | all tease me?" she said.<|quote|>"It isn t kind."</|quote|>Henry could not pretend that | her eyes. "Why do you all tease me?" she said.<|quote|>"It isn t kind."</|quote|>Henry could not pretend that he was altogether ignorant of | ever been down a coal-mine?" she went on. "Don t let s talk about coal-mines, Katharine," he protested. "We shall probably never see each other again. When you re married" Tremendously to his surprise, he saw the tears stand in her eyes. "Why do you all tease me?" she said.<|quote|>"It isn t kind."</|quote|>Henry could not pretend that he was altogether ignorant of her meaning, though, certainly, he had never guessed that she minded the teasing. But before he knew what to say, her eyes were clear again, and the sudden crack in the surface was almost filled up. "Things aren t easy, | of her large dark eyes contemplatively at the fire. "And then there s William," she added, as if by an afterthought. Henry very nearly laughed, but restrained himself. "Do they know what coals are made of, Henry?" she asked, a moment later. "Mares tails, I believe," he hazarded. "Have you ever been down a coal-mine?" she went on. "Don t let s talk about coal-mines, Katharine," he protested. "We shall probably never see each other again. When you re married" Tremendously to his surprise, he saw the tears stand in her eyes. "Why do you all tease me?" she said.<|quote|>"It isn t kind."</|quote|>Henry could not pretend that he was altogether ignorant of her meaning, though, certainly, he had never guessed that she minded the teasing. But before he knew what to say, her eyes were clear again, and the sudden crack in the surface was almost filled up. "Things aren t easy, anyhow," she stated. Obeying an impulse of genuine affection, Henry spoke. "Promise me, Katharine, that if I can ever help you, you will let me." She seemed to consider, looking once more into the red of the fire, and decided to refrain from any explanation. "Yes, I promise that," she | rule your life by the stars?" She let this pass, either because she did not attend to it, or because the tone was not to her liking. Once more she paused, and then she inquired: "But do you always understand why you do everything? Ought one to understand? People like my mother understand," she reflected. "Now I must go down to them, I suppose, and see what s happening." "What could be happening?" Henry protested. "Oh, they may want to settle something," she replied vaguely, putting her feet on the ground, resting her chin on her hands, and looking out of her large dark eyes contemplatively at the fire. "And then there s William," she added, as if by an afterthought. Henry very nearly laughed, but restrained himself. "Do they know what coals are made of, Henry?" she asked, a moment later. "Mares tails, I believe," he hazarded. "Have you ever been down a coal-mine?" she went on. "Don t let s talk about coal-mines, Katharine," he protested. "We shall probably never see each other again. When you re married" Tremendously to his surprise, he saw the tears stand in her eyes. "Why do you all tease me?" she said.<|quote|>"It isn t kind."</|quote|>Henry could not pretend that he was altogether ignorant of her meaning, though, certainly, he had never guessed that she minded the teasing. But before he knew what to say, her eyes were clear again, and the sudden crack in the surface was almost filled up. "Things aren t easy, anyhow," she stated. Obeying an impulse of genuine affection, Henry spoke. "Promise me, Katharine, that if I can ever help you, you will let me." She seemed to consider, looking once more into the red of the fire, and decided to refrain from any explanation. "Yes, I promise that," she said at length, and Henry felt himself gratified by her complete sincerity, and began to tell her now about the coal-mine, in obedience to her love of facts. They were, indeed, descending the shaft in a small cage, and could hear the picks of the miners, something like the gnawing of rats, in the earth beneath them, when the door was burst open, without any knocking. "Well, here you are!" Rodney exclaimed. Both Katharine and Henry turned round very quickly and rather guiltily. Rodney was in evening dress. It was clear that his temper was ruffled. "That s where you | Indeed, she sat quite silent for over a minute. "When you consider things like the stars, our affairs don t seem to matter very much, do they?" she said suddenly. "I don t think I ever do consider things like the stars," Henry replied. "I m not sure that that s not the explanation, though," he added, now observing her steadily. "I doubt whether there is an explanation," she replied rather hurriedly, not clearly understanding what he meant. "What? No explanation of anything?" he inquired, with a smile. "Oh, things happen. That s about all," she let drop in her casual, decided way. "That certainly seems to explain some of your actions," Henry thought to himself. "One thing s about as good as another, and one s got to do something," he said aloud, expressing what he supposed to be her attitude, much in her accent. Perhaps she detected the imitation, for looking gently at him, she said, with ironical composure: "Well, if you believe that your life must be simple, Henry." "But I don t believe it," he said shortly. "No more do I," she replied. "What about the stars?" he asked a moment later. "I understand that you rule your life by the stars?" She let this pass, either because she did not attend to it, or because the tone was not to her liking. Once more she paused, and then she inquired: "But do you always understand why you do everything? Ought one to understand? People like my mother understand," she reflected. "Now I must go down to them, I suppose, and see what s happening." "What could be happening?" Henry protested. "Oh, they may want to settle something," she replied vaguely, putting her feet on the ground, resting her chin on her hands, and looking out of her large dark eyes contemplatively at the fire. "And then there s William," she added, as if by an afterthought. Henry very nearly laughed, but restrained himself. "Do they know what coals are made of, Henry?" she asked, a moment later. "Mares tails, I believe," he hazarded. "Have you ever been down a coal-mine?" she went on. "Don t let s talk about coal-mines, Katharine," he protested. "We shall probably never see each other again. When you re married" Tremendously to his surprise, he saw the tears stand in her eyes. "Why do you all tease me?" she said.<|quote|>"It isn t kind."</|quote|>Henry could not pretend that he was altogether ignorant of her meaning, though, certainly, he had never guessed that she minded the teasing. But before he knew what to say, her eyes were clear again, and the sudden crack in the surface was almost filled up. "Things aren t easy, anyhow," she stated. Obeying an impulse of genuine affection, Henry spoke. "Promise me, Katharine, that if I can ever help you, you will let me." She seemed to consider, looking once more into the red of the fire, and decided to refrain from any explanation. "Yes, I promise that," she said at length, and Henry felt himself gratified by her complete sincerity, and began to tell her now about the coal-mine, in obedience to her love of facts. They were, indeed, descending the shaft in a small cage, and could hear the picks of the miners, something like the gnawing of rats, in the earth beneath them, when the door was burst open, without any knocking. "Well, here you are!" Rodney exclaimed. Both Katharine and Henry turned round very quickly and rather guiltily. Rodney was in evening dress. It was clear that his temper was ruffled. "That s where you ve been all the time," he repeated, looking at Katharine. "I ve only been here about ten minutes," she replied. "My dear Katharine, you left the drawing-room over an hour ago." She said nothing. "Does it very much matter?" Henry asked. Rodney found it hard to be unreasonable in the presence of another man, and did not answer him. "They don t like it," he said. "It isn t kind to old people to leave them alone although I ve no doubt it s much more amusing to sit up here and talk to Henry." "We were discussing coal-mines," said Henry urbanely. "Yes. But we were talking about much more interesting things before that," said Katharine. From the apparent determination to hurt him with which she spoke, Henry thought that some sort of explosion on Rodney s part was about to take place. "I can quite understand that," said Rodney, with his little chuckle, leaning over the back of his chair and tapping the woodwork lightly with his fingers. They were all silent, and the silence was acutely uncomfortable to Henry, at least. "Was it very dull, William?" Katharine suddenly asked, with a complete change of tone and a little | "I m not disturbing you?" "I m not here. I m at Bungay," he replied. "I m giving a music lesson to Harold and Julia. That was why I had to leave the table with the ladies I m spending the night there, and I shan t be back till late on Christmas Eve." "How I wish" Katharine began, and stopped short. "I think these parties are a great mistake," she added briefly, and sighed. "Oh, horrible!" he agreed; and they both fell silent. Her sigh made him look at her. Should he venture to ask her why she sighed? Was her reticence about her own affairs as inviolable as it had often been convenient for rather an egoistical young man to think it? But since her engagement to Rodney, Henry s feeling towards her had become rather complex; equally divided between an impulse to hurt her and an impulse to be tender to her; and all the time he suffered a curious irritation from the sense that she was drifting away from him for ever upon unknown seas. On her side, directly Katharine got into his presence, and the sense of the stars dropped from her, she knew that any intercourse between people is extremely partial; from the whole mass of her feelings, only one or two could be selected for Henry s inspection, and therefore she sighed. Then she looked at him, and their eyes meeting, much more seemed to be in common between them than had appeared possible. At any rate they had a grandfather in common; at any rate there was a kind of loyalty between them sometimes found between relations who have no other cause to like each other, as these two had. "Well, what s the date of the wedding?" said Henry, the malicious mood now predominating. "I think some time in March," she replied. "And afterwards?" he asked. "We take a house, I suppose, somewhere in Chelsea." "It s very interesting," he observed, stealing another look at her. She lay back in her arm-chair, her feet high upon the side of the grate, and in front of her, presumably to screen her eyes, she held a newspaper from which she picked up a sentence or two now and again. Observing this, Henry remarked: "Perhaps marriage will make you more human." At this she lowered the newspaper an inch or two, but said nothing. Indeed, she sat quite silent for over a minute. "When you consider things like the stars, our affairs don t seem to matter very much, do they?" she said suddenly. "I don t think I ever do consider things like the stars," Henry replied. "I m not sure that that s not the explanation, though," he added, now observing her steadily. "I doubt whether there is an explanation," she replied rather hurriedly, not clearly understanding what he meant. "What? No explanation of anything?" he inquired, with a smile. "Oh, things happen. That s about all," she let drop in her casual, decided way. "That certainly seems to explain some of your actions," Henry thought to himself. "One thing s about as good as another, and one s got to do something," he said aloud, expressing what he supposed to be her attitude, much in her accent. Perhaps she detected the imitation, for looking gently at him, she said, with ironical composure: "Well, if you believe that your life must be simple, Henry." "But I don t believe it," he said shortly. "No more do I," she replied. "What about the stars?" he asked a moment later. "I understand that you rule your life by the stars?" She let this pass, either because she did not attend to it, or because the tone was not to her liking. Once more she paused, and then she inquired: "But do you always understand why you do everything? Ought one to understand? People like my mother understand," she reflected. "Now I must go down to them, I suppose, and see what s happening." "What could be happening?" Henry protested. "Oh, they may want to settle something," she replied vaguely, putting her feet on the ground, resting her chin on her hands, and looking out of her large dark eyes contemplatively at the fire. "And then there s William," she added, as if by an afterthought. Henry very nearly laughed, but restrained himself. "Do they know what coals are made of, Henry?" she asked, a moment later. "Mares tails, I believe," he hazarded. "Have you ever been down a coal-mine?" she went on. "Don t let s talk about coal-mines, Katharine," he protested. "We shall probably never see each other again. When you re married" Tremendously to his surprise, he saw the tears stand in her eyes. "Why do you all tease me?" she said.<|quote|>"It isn t kind."</|quote|>Henry could not pretend that he was altogether ignorant of her meaning, though, certainly, he had never guessed that she minded the teasing. But before he knew what to say, her eyes were clear again, and the sudden crack in the surface was almost filled up. "Things aren t easy, anyhow," she stated. Obeying an impulse of genuine affection, Henry spoke. "Promise me, Katharine, that if I can ever help you, you will let me." She seemed to consider, looking once more into the red of the fire, and decided to refrain from any explanation. "Yes, I promise that," she said at length, and Henry felt himself gratified by her complete sincerity, and began to tell her now about the coal-mine, in obedience to her love of facts. They were, indeed, descending the shaft in a small cage, and could hear the picks of the miners, something like the gnawing of rats, in the earth beneath them, when the door was burst open, without any knocking. "Well, here you are!" Rodney exclaimed. Both Katharine and Henry turned round very quickly and rather guiltily. Rodney was in evening dress. It was clear that his temper was ruffled. "That s where you ve been all the time," he repeated, looking at Katharine. "I ve only been here about ten minutes," she replied. "My dear Katharine, you left the drawing-room over an hour ago." She said nothing. "Does it very much matter?" Henry asked. Rodney found it hard to be unreasonable in the presence of another man, and did not answer him. "They don t like it," he said. "It isn t kind to old people to leave them alone although I ve no doubt it s much more amusing to sit up here and talk to Henry." "We were discussing coal-mines," said Henry urbanely. "Yes. But we were talking about much more interesting things before that," said Katharine. From the apparent determination to hurt him with which she spoke, Henry thought that some sort of explosion on Rodney s part was about to take place. "I can quite understand that," said Rodney, with his little chuckle, leaning over the back of his chair and tapping the woodwork lightly with his fingers. They were all silent, and the silence was acutely uncomfortable to Henry, at least. "Was it very dull, William?" Katharine suddenly asked, with a complete change of tone and a little gesture of her hand. "Of course it was dull," William said sulkily. "Well, you stay and talk to Henry, and I ll go down," she replied. She rose as she spoke, and as she turned to leave the room, she laid her hand, with a curiously caressing gesture, upon Rodney s shoulder. Instantly Rodney clasped her hand in his, with such an impulse of emotion that Henry was annoyed, and rather ostentatiously opened a book. "I shall come down with you," said William, as she drew back her hand, and made as if to pass him. "Oh no," she said hastily. "You stay here and talk to Henry." "Yes, do," said Henry, shutting up his book again. His invitation was polite, without being precisely cordial. Rodney evidently hesitated as to the course he should pursue, but seeing Katharine at the door, he exclaimed: "No. I want to come with you." She looked back, and said in a very commanding tone, and with an expression of authority upon her face: "It s useless for you to come. I shall go to bed in ten minutes. Good night." She nodded to them both, but Henry could not help noticing that her last nod was in his direction. Rodney sat down rather heavily. His mortification was so obvious that Henry scarcely liked to open the conversation with some remark of a literary character. On the other hand, unless he checked him, Rodney might begin to talk about his feelings, and irreticence is apt to be extremely painful, at any rate in prospect. He therefore adopted a middle course; that is to say, he wrote a note upon the fly-leaf of his book, which ran, "The situation is becoming most uncomfortable." This he decorated with those flourishes and decorative borders which grow of themselves upon these occasions; and as he did so, he thought to himself that whatever Katharine s difficulties might be, they did not justify her behavior. She had spoken with a kind of brutality which suggested that, whether it is natural or assumed, women have a peculiar blindness to the feelings of men. The penciling of this note gave Rodney time to recover himself. Perhaps, for he was a very vain man, he was more hurt that Henry had seen him rebuffed than by the rebuff itself. He was in love with Katharine, and vanity is not decreased but increased by | expressing what he supposed to be her attitude, much in her accent. Perhaps she detected the imitation, for looking gently at him, she said, with ironical composure: "Well, if you believe that your life must be simple, Henry." "But I don t believe it," he said shortly. "No more do I," she replied. "What about the stars?" he asked a moment later. "I understand that you rule your life by the stars?" She let this pass, either because she did not attend to it, or because the tone was not to her liking. Once more she paused, and then she inquired: "But do you always understand why you do everything? Ought one to understand? People like my mother understand," she reflected. "Now I must go down to them, I suppose, and see what s happening." "What could be happening?" Henry protested. "Oh, they may want to settle something," she replied vaguely, putting her feet on the ground, resting her chin on her hands, and looking out of her large dark eyes contemplatively at the fire. "And then there s William," she added, as if by an afterthought. Henry very nearly laughed, but restrained himself. "Do they know what coals are made of, Henry?" she asked, a moment later. "Mares tails, I believe," he hazarded. "Have you ever been down a coal-mine?" she went on. "Don t let s talk about coal-mines, Katharine," he protested. "We shall probably never see each other again. When you re married" Tremendously to his surprise, he saw the tears stand in her eyes. "Why do you all tease me?" she said.<|quote|>"It isn t kind."</|quote|>Henry could not pretend that he was altogether ignorant of her meaning, though, certainly, he had never guessed that she minded the teasing. But before he knew what to say, her eyes were clear again, and the sudden crack in the surface was almost filled up. "Things aren t easy, anyhow," she stated. Obeying an impulse of genuine affection, Henry spoke. "Promise me, Katharine, that if I can ever help you, you will let me." She seemed to consider, looking once more into the red of the fire, and decided to refrain from any explanation. "Yes, I promise that," she said at length, and Henry felt himself gratified by her complete sincerity, and began to tell her now about the coal-mine, in obedience to her love of facts. They were, indeed, descending the shaft in a small cage, and could hear the picks of the miners, something like the gnawing of rats, in the earth beneath them, when the door was burst open, without any knocking. "Well, here you are!" Rodney exclaimed. Both Katharine and Henry turned round very quickly and rather guiltily. Rodney was in evening dress. It was clear that his temper was ruffled. "That s where you ve been all the time," he repeated, looking at Katharine. "I ve only been here about ten minutes," she replied. "My dear Katharine, you left the drawing-room over an hour ago." She said nothing. "Does it very much matter?" Henry asked. Rodney found it hard to be unreasonable in the presence of another man, and did not answer him. "They don t like it," he said. "It isn t kind to old people | Night And Day |
"Wait till we get farther away, Jem." | Don Lavington | carry both gun and spear."<|quote|>"Wait till we get farther away, Jem."</|quote|>_Crash_! A flash of fire, | my shoulder. It's awkward to carry both gun and spear."<|quote|>"Wait till we get farther away, Jem."</|quote|>_Crash_! A flash of fire, and a report which echoed | the opening, Ngati led the way. "We must leave it to him, Jem, and go where he takes us," whispered Don. "Can't do better," whispered back Jem. "Wait just a moment till I get this strap o' the gun over my shoulder. It's awkward to carry both gun and spear."<|quote|>"Wait till we get farther away, Jem."</|quote|>_Crash_! A flash of fire, and a report which echoed like thunder from the face of the rocks. Jem, in passing the sling of the musket over his head, had let it fall upon the stones with disastrous effect. "Run, Mas' Don; never mind me." "Are you hurt?" "Dunno." Jem | then stood listening for a few moments with his head bent in the direction of the convicts' resting-place. The steam jet hissed, and the vapour rose like a dim spectral form; the water gurgled and splashed faintly, but there was no other sound, and, going softly in the direction of the opening, Ngati led the way. "We must leave it to him, Jem, and go where he takes us," whispered Don. "Can't do better," whispered back Jem. "Wait just a moment till I get this strap o' the gun over my shoulder. It's awkward to carry both gun and spear."<|quote|>"Wait till we get farther away, Jem."</|quote|>_Crash_! A flash of fire, and a report which echoed like thunder from the face of the rocks. Jem, in passing the sling of the musket over his head, had let it fall upon the stones with disastrous effect. "Run, Mas' Don; never mind me." "Are you hurt?" "Dunno." Jem was in a stooping posture as he spoke, but he rose directly, as there was a rush heard in the direction of the convicts' lair, and catching Don's hand they ran off stealthily after Ngati, who had returned, and then led the way once more. Not a word was spoken, | Maori had partly comprehended his words that evening, had thought out the full meaning, and then crept silently to the convicts' den, and secured the arms. Don rose excitedly to his feet. "The time has come, Jem," he whispered. "Yes, and I dursen't shout hooroar!" Ngati was already outside, waiting in the starlight; and as Don stepped out quickly with his heart beating and a sense of suffocation at the throat, he could just make out that the Maori held the third musket, and had also three spears under his arm. He handed one of the latter to each, and then stood listening for a few moments with his head bent in the direction of the convicts' resting-place. The steam jet hissed, and the vapour rose like a dim spectral form; the water gurgled and splashed faintly, but there was no other sound, and, going softly in the direction of the opening, Ngati led the way. "We must leave it to him, Jem, and go where he takes us," whispered Don. "Can't do better," whispered back Jem. "Wait just a moment till I get this strap o' the gun over my shoulder. It's awkward to carry both gun and spear."<|quote|>"Wait till we get farther away, Jem."</|quote|>_Crash_! A flash of fire, and a report which echoed like thunder from the face of the rocks. Jem, in passing the sling of the musket over his head, had let it fall upon the stones with disastrous effect. "Run, Mas' Don; never mind me." "Are you hurt?" "Dunno." Jem was in a stooping posture as he spoke, but he rose directly, as there was a rush heard in the direction of the convicts' lair, and catching Don's hand they ran off stealthily after Ngati, who had returned, and then led the way once more. Not a word was spoken, and after the first rush and the scramble and panting of men making for the rocks, all was very still. Ngati led on, passing in and out among tree and bush, and mass of rock, as if his eyes were quite accustomed to the darkness, while, big as he was, his bare feet made no more sound than the paws of a cat. Both Don and Jem followed as silently as they could, but they could not help catching against the various obstacles, and making noises which produced a warning "Hssh!" from their leader. As they passed on they listened | of time in the face of a terrible danger seems to pass in what is really but a few moments. Don, in an agony of apprehension, was struggling against the hands which held him, when a deep voice whispered in his ear,-- "My pakeha." "Ngati!" Don caught the hands in his, and sat up slowly, while the chief awakened Jem in the same manner, and with precisely the same result. "Why, I thought it was Mike Bannock trying to smother me," grumbled Jem, sitting up. "What's the matter?" "I don't know, Jem. Ngati just woke me in the dark, and--Oh! Ngati!" His hands trembled, and a curious feeling of excitement coursed through his veins, as at that moment he felt the stock of a gun pressed into his hands, Jem exclaiming the next moment as he too clasped a gun. "But there arn't no powder and--Yes, there is." Jem ceased speaking, for he had suddenly felt that there was a belt and pouch attached to the gun-barrel, and without another word he slipped the belt over his shoulder. "What do you mean, Ngati?" whispered Don hastily. "Go!" was the laconic reply; and in an instant the lad realised that the Maori had partly comprehended his words that evening, had thought out the full meaning, and then crept silently to the convicts' den, and secured the arms. Don rose excitedly to his feet. "The time has come, Jem," he whispered. "Yes, and I dursen't shout hooroar!" Ngati was already outside, waiting in the starlight; and as Don stepped out quickly with his heart beating and a sense of suffocation at the throat, he could just make out that the Maori held the third musket, and had also three spears under his arm. He handed one of the latter to each, and then stood listening for a few moments with his head bent in the direction of the convicts' resting-place. The steam jet hissed, and the vapour rose like a dim spectral form; the water gurgled and splashed faintly, but there was no other sound, and, going softly in the direction of the opening, Ngati led the way. "We must leave it to him, Jem, and go where he takes us," whispered Don. "Can't do better," whispered back Jem. "Wait just a moment till I get this strap o' the gun over my shoulder. It's awkward to carry both gun and spear."<|quote|>"Wait till we get farther away, Jem."</|quote|>_Crash_! A flash of fire, and a report which echoed like thunder from the face of the rocks. Jem, in passing the sling of the musket over his head, had let it fall upon the stones with disastrous effect. "Run, Mas' Don; never mind me." "Are you hurt?" "Dunno." Jem was in a stooping posture as he spoke, but he rose directly, as there was a rush heard in the direction of the convicts' lair, and catching Don's hand they ran off stealthily after Ngati, who had returned, and then led the way once more. Not a word was spoken, and after the first rush and the scramble and panting of men making for the rocks, all was very still. Ngati led on, passing in and out among tree and bush, and mass of rock, as if his eyes were quite accustomed to the darkness, while, big as he was, his bare feet made no more sound than the paws of a cat. Both Don and Jem followed as silently as they could, but they could not help catching against the various obstacles, and making noises which produced a warning "Hssh!" from their leader. As they passed on they listened intently for sounds of pursuit, but for awhile there were none; the fact being that at the sound of the shot the convicts believed that they were attacked, and rushing out, they made for the mountain. But as no further shots were heard, they grew more bold, and, after waiting listening for awhile, they stole back to the shed that should have been occupied by Don and his friends; where, finding them gone, they hurried into their own place, found that the arms were taken, and, setting up a shout, dashed off in pursuit. The shout sent a shiver through Don and Jem, for it sounded terribly near, and they hurried on close to the heels of Ngati, forgetful for the moment of the fact that they were armed, and their pursuers were weaponless. After a time the sounds from the camp, which had been heard plainly on the night wind, ceased, and for the first time Don questioned Jem as to his injury. "Where are you hurt, Jem?" "Shoulder," said that worthy, laconically. "Again?" "No; not again." "But I mean when the gun went off." "In my head, Mas' Don." "Ah! We might stop now. Let me bind it | and suffering endless abuse, and often blows, which would have been resented by Ngati, but for a look from Don; and night by night, as they gathered together in their little lean-to hut, with a thick heap of fern leaves for their bed their conversation was on the same subject--how could they get the muskets and spears, and escape. There was no further alarm on the part of the Maoris, who seemed, after they had been discouraged in their pursuit, and startled by the guns, to have given up all intention of recapturing the escaped prisoners. "If we could only get the guns and spears, Jem," said Don one evening for the hundredth time. "Yes, and I'd precious soon have them," replied Jem; "only they're always on the watch." "Yes, they're too cunning to leave them for a moment. Was any one ever before so unlucky as we are?" "Well, if you come to that," said Jem, "yes. Poor old Tomati, for one; and it can't be very nice for Ngati here, who has lost all his tribe." Ngati looked up sharply, watching them both intently in the gloomy cabin. "But he don't seem to mind it so very much." "What do you say to escaping without spears?" "Oh, I'm willing," replied Jem; "only I wouldn't be in too great a hurry. Those chaps wouldn't mind having a shot at us again, and this time they might hit." "What shall we do then?" "Better wait, Mas' Don. This sort o' thing can't last. We shall soon eat up all the fruit, and then they'll make a move, and we may have a better chance." Don sighed and lay with his eyes half-closed, watching one particular star which shone in through the doorway. But not for long. The star seemed to grow misty as if veiled by a cloud; then it darkened altogether; so it seemed to Don, for the simple reason that he had fallen fast asleep. It appeared only a minute since he was gazing at the star before he felt a hand pressed across his mouth, and with a horrible dread of being smothered, he uttered a hoarse, stifled cry, and struggled to get free; but another hand was pressed upon his chest, and it seemed as if the end had come. CHAPTER FIFTY ONE. NGATI'S GOAL. Just as in the case of a dream, a long space of time in the face of a terrible danger seems to pass in what is really but a few moments. Don, in an agony of apprehension, was struggling against the hands which held him, when a deep voice whispered in his ear,-- "My pakeha." "Ngati!" Don caught the hands in his, and sat up slowly, while the chief awakened Jem in the same manner, and with precisely the same result. "Why, I thought it was Mike Bannock trying to smother me," grumbled Jem, sitting up. "What's the matter?" "I don't know, Jem. Ngati just woke me in the dark, and--Oh! Ngati!" His hands trembled, and a curious feeling of excitement coursed through his veins, as at that moment he felt the stock of a gun pressed into his hands, Jem exclaiming the next moment as he too clasped a gun. "But there arn't no powder and--Yes, there is." Jem ceased speaking, for he had suddenly felt that there was a belt and pouch attached to the gun-barrel, and without another word he slipped the belt over his shoulder. "What do you mean, Ngati?" whispered Don hastily. "Go!" was the laconic reply; and in an instant the lad realised that the Maori had partly comprehended his words that evening, had thought out the full meaning, and then crept silently to the convicts' den, and secured the arms. Don rose excitedly to his feet. "The time has come, Jem," he whispered. "Yes, and I dursen't shout hooroar!" Ngati was already outside, waiting in the starlight; and as Don stepped out quickly with his heart beating and a sense of suffocation at the throat, he could just make out that the Maori held the third musket, and had also three spears under his arm. He handed one of the latter to each, and then stood listening for a few moments with his head bent in the direction of the convicts' resting-place. The steam jet hissed, and the vapour rose like a dim spectral form; the water gurgled and splashed faintly, but there was no other sound, and, going softly in the direction of the opening, Ngati led the way. "We must leave it to him, Jem, and go where he takes us," whispered Don. "Can't do better," whispered back Jem. "Wait just a moment till I get this strap o' the gun over my shoulder. It's awkward to carry both gun and spear."<|quote|>"Wait till we get farther away, Jem."</|quote|>_Crash_! A flash of fire, and a report which echoed like thunder from the face of the rocks. Jem, in passing the sling of the musket over his head, had let it fall upon the stones with disastrous effect. "Run, Mas' Don; never mind me." "Are you hurt?" "Dunno." Jem was in a stooping posture as he spoke, but he rose directly, as there was a rush heard in the direction of the convicts' lair, and catching Don's hand they ran off stealthily after Ngati, who had returned, and then led the way once more. Not a word was spoken, and after the first rush and the scramble and panting of men making for the rocks, all was very still. Ngati led on, passing in and out among tree and bush, and mass of rock, as if his eyes were quite accustomed to the darkness, while, big as he was, his bare feet made no more sound than the paws of a cat. Both Don and Jem followed as silently as they could, but they could not help catching against the various obstacles, and making noises which produced a warning "Hssh!" from their leader. As they passed on they listened intently for sounds of pursuit, but for awhile there were none; the fact being that at the sound of the shot the convicts believed that they were attacked, and rushing out, they made for the mountain. But as no further shots were heard, they grew more bold, and, after waiting listening for awhile, they stole back to the shed that should have been occupied by Don and his friends; where, finding them gone, they hurried into their own place, found that the arms were taken, and, setting up a shout, dashed off in pursuit. The shout sent a shiver through Don and Jem, for it sounded terribly near, and they hurried on close to the heels of Ngati, forgetful for the moment of the fact that they were armed, and their pursuers were weaponless. After a time the sounds from the camp, which had been heard plainly on the night wind, ceased, and for the first time Don questioned Jem as to his injury. "Where are you hurt, Jem?" "Shoulder," said that worthy, laconically. "Again?" "No; not again." "But I mean when the gun went off." "In my head, Mas' Don." "Ah! We might stop now. Let me bind it up for you." "No, no; it don't bleed," replied Jem, gruffly. "I mean hurt inside my head, 'cause I could be such a stoopid as to let this here gun fall." "Then you are not wounded?" "Not a bit, my lad; and if you'll stop now, I think I'll try and load again." But Ngati insisted on pushing on, and kept up a steady walk right south in the direction of the star which had shone in through the doorway. It was weary work, for the night was very black beneath the trees, but every step was taking them farther from their enemies, and though they stopped to listen again and again, they heard no sound of pursuit. Morning dawned at last, bringing light to their spirits as well as to their eyes; and for three days they travelled on due south by mountain and lake, hot spring and glorious valley, now catching a glimpse of the sea, now losing it again. Ngati seemed to have some definite object which he could not explain; and when Don tried to question him, the great fellow only laughed and trudged on. They did not fare badly, for fruit, roots, and wild fowl were plentiful, fish could be obtained, and with glorious weather, and the dying out of the pain of their wounds, the journey began to be pleasant. "There's only one thing I'm afraid of, Mas' Don," said Jem; "and that is that those convicts will smell us out." But as time went on that fear grew less, and just at sunset one evening, as Ngati turned the shoulder of one of the mountains and stood pointing, Don set up a shout which Jem echoed, for there beneath them in a valley, and about a quarter of a mile from the shimmering sea, lay a cluster of cottages, such as could only have been built by Europeans, and they realised now what had been the Maori's thoughts in bringing them there. CHAPTER FIFTY TWO. DON HAS A HEADACHE. "Escaped from the Maoris, and then from a party of men you think were runaway convicts?" said the broad-shouldered, sturdy occupant of the little farm which they reached just at dusk. "Ah, well, we can talk about that to-morrow, my lads. It's enough for me that you are Englishmen. Come in." "I cannot leave our friend," said Don quietly, as he laid his hand | pressed across his mouth, and with a horrible dread of being smothered, he uttered a hoarse, stifled cry, and struggled to get free; but another hand was pressed upon his chest, and it seemed as if the end had come. CHAPTER FIFTY ONE. NGATI'S GOAL. Just as in the case of a dream, a long space of time in the face of a terrible danger seems to pass in what is really but a few moments. Don, in an agony of apprehension, was struggling against the hands which held him, when a deep voice whispered in his ear,-- "My pakeha." "Ngati!" Don caught the hands in his, and sat up slowly, while the chief awakened Jem in the same manner, and with precisely the same result. "Why, I thought it was Mike Bannock trying to smother me," grumbled Jem, sitting up. "What's the matter?" "I don't know, Jem. Ngati just woke me in the dark, and--Oh! Ngati!" His hands trembled, and a curious feeling of excitement coursed through his veins, as at that moment he felt the stock of a gun pressed into his hands, Jem exclaiming the next moment as he too clasped a gun. "But there arn't no powder and--Yes, there is." Jem ceased speaking, for he had suddenly felt that there was a belt and pouch attached to the gun-barrel, and without another word he slipped the belt over his shoulder. "What do you mean, Ngati?" whispered Don hastily. "Go!" was the laconic reply; and in an instant the lad realised that the Maori had partly comprehended his words that evening, had thought out the full meaning, and then crept silently to the convicts' den, and secured the arms. Don rose excitedly to his feet. "The time has come, Jem," he whispered. "Yes, and I dursen't shout hooroar!" Ngati was already outside, waiting in the starlight; and as Don stepped out quickly with his heart beating and a sense of suffocation at the throat, he could just make out that the Maori held the third musket, and had also three spears under his arm. He handed one of the latter to each, and then stood listening for a few moments with his head bent in the direction of the convicts' resting-place. The steam jet hissed, and the vapour rose like a dim spectral form; the water gurgled and splashed faintly, but there was no other sound, and, going softly in the direction of the opening, Ngati led the way. "We must leave it to him, Jem, and go where he takes us," whispered Don. "Can't do better," whispered back Jem. "Wait just a moment till I get this strap o' the gun over my shoulder. It's awkward to carry both gun and spear."<|quote|>"Wait till we get farther away, Jem."</|quote|>_Crash_! A flash of fire, and a report which echoed like thunder from the face of the rocks. Jem, in passing the sling of the musket over his head, had let it fall upon the stones with disastrous effect. "Run, Mas' Don; never mind me." "Are you hurt?" "Dunno." Jem was in a stooping posture as he spoke, but he rose directly, as there was a rush heard in the direction of the convicts' lair, and catching Don's hand they ran off stealthily after Ngati, who had returned, and then led the way once more. Not a word was spoken, and after the first rush and the scramble and panting of men making for the rocks, all was very still. Ngati led on, passing in and out among tree and bush, and mass of rock, as if his eyes were quite accustomed to the darkness, while, big as he was, his bare feet made no more sound than the paws of a cat. Both Don and Jem followed as silently as they could, but they could not help catching against the various obstacles, and making noises which produced a warning "Hssh!" from their leader. As they passed on they listened intently for sounds of pursuit, but for awhile there were none; the fact being that at the sound of the shot the convicts believed that they were attacked, and rushing out, they made for the mountain. But as no further shots were heard, they grew more bold, and, after waiting listening for awhile, they stole back to the shed that should have been occupied by Don and his friends; where, finding them gone, they hurried into their own place, found that the arms were taken, and, setting up a shout, dashed off in pursuit. The shout sent a shiver through Don and Jem, for it sounded terribly near, and they hurried on close to the heels of Ngati, forgetful for the moment of the fact that they were armed, and their pursuers were weaponless. After a time the sounds from the camp, which had been heard plainly on the night wind, ceased, and for the first time Don questioned Jem as to his injury. "Where are you hurt, | Don Lavington |
"but my opinion at once is, I don't mind committing myself to that extent, that this wasn't done by a yokel; eh, Duff?" | Mr. Blathers | work, of course," said Blathers;<|quote|>"but my opinion at once is, I don't mind committing myself to that extent, that this wasn't done by a yokel; eh, Duff?"</|quote|>"Certainly not," replied Duff. "And, | certain, till I see the work, of course," said Blathers;<|quote|>"but my opinion at once is, I don't mind committing myself to that extent, that this wasn't done by a yokel; eh, Duff?"</|quote|>"Certainly not," replied Duff. "And, translating the word yokel for | said Blathers. "What are the circumstances?" Mr. Losberne, who appeared desirous of gaining time, recounted them at great length, and with much circumlocution. Messrs. Blathers and Duff looked very knowing meanwhile, and occasionally exchanged a nod. "I can't say, for certain, till I see the work, of course," said Blathers;<|quote|>"but my opinion at once is, I don't mind committing myself to that extent, that this wasn't done by a yokel; eh, Duff?"</|quote|>"Certainly not," replied Duff. "And, translating the word yokel for the benefit of the ladies, I apprehend your meaning to be, that this attempt was not made by a countryman?" said Mr. Losberne, with a smile. "That's it, master," replied Blathers. "This is all about the robbery, is it?" "All," | quite so much accustomed to good society, or quite so much at his ease in it one of the two seated himself, after undergoing several muscular affections of the limbs, and the head of his stick into his mouth, with some embarrassment. "Now, with regard to this here robbery, master," said Blathers. "What are the circumstances?" Mr. Losberne, who appeared desirous of gaining time, recounted them at great length, and with much circumlocution. Messrs. Blathers and Duff looked very knowing meanwhile, and occasionally exchanged a nod. "I can't say, for certain, till I see the work, of course," said Blathers;<|quote|>"but my opinion at once is, I don't mind committing myself to that extent, that this wasn't done by a yokel; eh, Duff?"</|quote|>"Certainly not," replied Duff. "And, translating the word yokel for the benefit of the ladies, I apprehend your meaning to be, that this attempt was not made by a countryman?" said Mr. Losberne, with a smile. "That's it, master," replied Blathers. "This is all about the robbery, is it?" "All," replied the doctor. "Now, what is this, about this here boy that the servants are a-talking on?" said Blathers. "Nothing at all," replied the doctor. "One of the frightened servants chose to take it into his head, that he had something to do with this attempt to break into the | laying a pair of handcuffs on the table. "Oh! Good-evening, master. Can I have a word or two with you in private, if you please?" This was addressed to Mr. Losberne, who now made his appearance; that gentleman, motioning Brittles to retire, brought in the two ladies, and shut the door. "This is the lady of the house," said Mr. Losberne, motioning towards Mrs. Maylie. Mr. Blathers made a bow. Being desired to sit down, he put his hat on the floor, and taking a chair, motioned to Duff to do the same. The latter gentleman, who did not appear quite so much accustomed to good society, or quite so much at his ease in it one of the two seated himself, after undergoing several muscular affections of the limbs, and the head of his stick into his mouth, with some embarrassment. "Now, with regard to this here robbery, master," said Blathers. "What are the circumstances?" Mr. Losberne, who appeared desirous of gaining time, recounted them at great length, and with much circumlocution. Messrs. Blathers and Duff looked very knowing meanwhile, and occasionally exchanged a nod. "I can't say, for certain, till I see the work, of course," said Blathers;<|quote|>"but my opinion at once is, I don't mind committing myself to that extent, that this wasn't done by a yokel; eh, Duff?"</|quote|>"Certainly not," replied Duff. "And, translating the word yokel for the benefit of the ladies, I apprehend your meaning to be, that this attempt was not made by a countryman?" said Mr. Losberne, with a smile. "That's it, master," replied Blathers. "This is all about the robbery, is it?" "All," replied the doctor. "Now, what is this, about this here boy that the servants are a-talking on?" said Blathers. "Nothing at all," replied the doctor. "One of the frightened servants chose to take it into his head, that he had something to do with this attempt to break into the house; but it's nonsense: sheer absurdity." "Wery easy disposed of, if it is," remarked Duff. "What he says is quite correct," observed Blathers, nodding his head in a confirmatory way, and playing carelessly with the handcuffs, as if they were a pair of castanets. "Who is the boy? What account does he give of himself? Where did he come from? He didn't drop out of the clouds, did he, master?" "Of course not," replied the doctor, with a nervous glance at the two ladies. "I know his whole history: but we can talk about that presently. You would like, first, | portly man in a great-coat; who walked in, without saying anything more, and wiped his shoes on the mat, as coolly as if he lived there. "Just send somebody out to relieve my mate, will you, young man?" said the officer; "he's in the gig, a-minding the prad. Have you got a coach 'us here, that you could put it up in, for five or ten minutes?" Brittles replying in the affirmative, and pointing out the building, the portly man stepped back to the garden-gate, and helped his companion to put up the gig: while Brittles lighted them, in a state of great admiration. This done, they returned to the house, and, being shown into a parlour, took off their great-coats and hats, and showed like what they were. The man who had knocked at the door, was a stout personage of middle height, aged about fifty: with shiny black hair, cropped pretty close; half-whiskers, a round face, and sharp eyes. The other was a red-headed, bony man, in top-boots; with a rather ill-favoured countenance, and a turned-up sinister-looking nose. "Tell your governor that Blathers and Duff is here, will you?" said the stouter man, smoothing down his hair, and laying a pair of handcuffs on the table. "Oh! Good-evening, master. Can I have a word or two with you in private, if you please?" This was addressed to Mr. Losberne, who now made his appearance; that gentleman, motioning Brittles to retire, brought in the two ladies, and shut the door. "This is the lady of the house," said Mr. Losberne, motioning towards Mrs. Maylie. Mr. Blathers made a bow. Being desired to sit down, he put his hat on the floor, and taking a chair, motioned to Duff to do the same. The latter gentleman, who did not appear quite so much accustomed to good society, or quite so much at his ease in it one of the two seated himself, after undergoing several muscular affections of the limbs, and the head of his stick into his mouth, with some embarrassment. "Now, with regard to this here robbery, master," said Blathers. "What are the circumstances?" Mr. Losberne, who appeared desirous of gaining time, recounted them at great length, and with much circumlocution. Messrs. Blathers and Duff looked very knowing meanwhile, and occasionally exchanged a nod. "I can't say, for certain, till I see the work, of course," said Blathers;<|quote|>"but my opinion at once is, I don't mind committing myself to that extent, that this wasn't done by a yokel; eh, Duff?"</|quote|>"Certainly not," replied Duff. "And, translating the word yokel for the benefit of the ladies, I apprehend your meaning to be, that this attempt was not made by a countryman?" said Mr. Losberne, with a smile. "That's it, master," replied Blathers. "This is all about the robbery, is it?" "All," replied the doctor. "Now, what is this, about this here boy that the servants are a-talking on?" said Blathers. "Nothing at all," replied the doctor. "One of the frightened servants chose to take it into his head, that he had something to do with this attempt to break into the house; but it's nonsense: sheer absurdity." "Wery easy disposed of, if it is," remarked Duff. "What he says is quite correct," observed Blathers, nodding his head in a confirmatory way, and playing carelessly with the handcuffs, as if they were a pair of castanets. "Who is the boy? What account does he give of himself? Where did he come from? He didn't drop out of the clouds, did he, master?" "Of course not," replied the doctor, with a nervous glance at the two ladies. "I know his whole history: but we can talk about that presently. You would like, first, to see the place where the thieves made their attempt, I suppose?" "Certainly," rejoined Mr. Blathers. "We had better inspect the premises first, and examine the servants afterwards. That's the usual way of doing business." Lights were then procured; and Messrs. Blathers and Duff, attended by the native constable, Brittles, Giles, and everybody else in short, went into the little room at the end of the passage and looked out at the window; and afterwards went round by way of the lawn, and looked in at the window; and after that, had a candle handed out to inspect the shutter with; and after that, a lantern to trace the footsteps with; and after that, a pitchfork to poke the bushes with. This done, amidst the breathless interest of all beholders, they came in again; and Mr. Giles and Brittles were put through a melodramatic representation of their share in the previous night's adventures: which they performed some six times over: contradicting each other, in not more than one important respect, the first time, and in not more than a dozen the last. This consummation being arrived at, Blathers and Duff cleared the room, and held a long council together, compared | constable looked as wise as he could, and took up his staff of office: which had been reclining indolently in the chimney-corner. "It's a simple question of identity, you will observe," said the doctor. "That's what it is, sir," replied the constable, coughing with great violence; for he had finished his ale in a hurry, and some of it had gone the wrong way. "Here's the house broken into," said the doctor, "and a couple of men catch one moment's glimpse of a boy, in the midst of gunpowder smoke, and in all the distraction of alarm and darkness. Here's a boy comes to that very same house, next morning, and because he happens to have his arm tied up, these men lay violent hands upon him by doing which, they place his life in great danger and swear he is the thief. Now, the question is, whether these men are justified by the fact; if not, in what situation do they place themselves?" The constable nodded profoundly. He said, if that wasn't law, he would be glad to know what was. "I ask you again," thundered the doctor, "are you, on your solemn oaths, able to identify that boy?" Brittles looked doubtfully at Mr. Giles; Mr. Giles looked doubtfully at Brittles; the constable put his hand behind his ear, to catch the reply; the two women and the tinker leaned forward to listen; the doctor glanced keenly round; when a ring was heard at the gate, and at the same moment, the sound of wheels. "It's the runners!" cried Brittles, to all appearance much relieved. "The what?" exclaimed the doctor, aghast in his turn. "The Bow Street officers, sir," replied Brittles, taking up a candle; "me and Mr. Giles sent for 'em this morning." "What?" cried the doctor. "Yes," replied Brittles; "I sent a message up by the coachman, and I only wonder they weren't here before, sir." "You did, did you? Then confound your slow coaches down here; that's all," said the doctor, walking away. CHAPTER XXXI. INVOLVES A CRITICAL POSITION "Who's that?" inquired Brittles, opening the door a little way, with the chain up, and peeping out, shading the candle with his hand. "Open the door," replied a man outside; "it's the officers from Bow Street, as was sent to to-day." Much comforted by this assurance, Brittles opened the door to its full width, and confronted a portly man in a great-coat; who walked in, without saying anything more, and wiped his shoes on the mat, as coolly as if he lived there. "Just send somebody out to relieve my mate, will you, young man?" said the officer; "he's in the gig, a-minding the prad. Have you got a coach 'us here, that you could put it up in, for five or ten minutes?" Brittles replying in the affirmative, and pointing out the building, the portly man stepped back to the garden-gate, and helped his companion to put up the gig: while Brittles lighted them, in a state of great admiration. This done, they returned to the house, and, being shown into a parlour, took off their great-coats and hats, and showed like what they were. The man who had knocked at the door, was a stout personage of middle height, aged about fifty: with shiny black hair, cropped pretty close; half-whiskers, a round face, and sharp eyes. The other was a red-headed, bony man, in top-boots; with a rather ill-favoured countenance, and a turned-up sinister-looking nose. "Tell your governor that Blathers and Duff is here, will you?" said the stouter man, smoothing down his hair, and laying a pair of handcuffs on the table. "Oh! Good-evening, master. Can I have a word or two with you in private, if you please?" This was addressed to Mr. Losberne, who now made his appearance; that gentleman, motioning Brittles to retire, brought in the two ladies, and shut the door. "This is the lady of the house," said Mr. Losberne, motioning towards Mrs. Maylie. Mr. Blathers made a bow. Being desired to sit down, he put his hat on the floor, and taking a chair, motioned to Duff to do the same. The latter gentleman, who did not appear quite so much accustomed to good society, or quite so much at his ease in it one of the two seated himself, after undergoing several muscular affections of the limbs, and the head of his stick into his mouth, with some embarrassment. "Now, with regard to this here robbery, master," said Blathers. "What are the circumstances?" Mr. Losberne, who appeared desirous of gaining time, recounted them at great length, and with much circumlocution. Messrs. Blathers and Duff looked very knowing meanwhile, and occasionally exchanged a nod. "I can't say, for certain, till I see the work, of course," said Blathers;<|quote|>"but my opinion at once is, I don't mind committing myself to that extent, that this wasn't done by a yokel; eh, Duff?"</|quote|>"Certainly not," replied Duff. "And, translating the word yokel for the benefit of the ladies, I apprehend your meaning to be, that this attempt was not made by a countryman?" said Mr. Losberne, with a smile. "That's it, master," replied Blathers. "This is all about the robbery, is it?" "All," replied the doctor. "Now, what is this, about this here boy that the servants are a-talking on?" said Blathers. "Nothing at all," replied the doctor. "One of the frightened servants chose to take it into his head, that he had something to do with this attempt to break into the house; but it's nonsense: sheer absurdity." "Wery easy disposed of, if it is," remarked Duff. "What he says is quite correct," observed Blathers, nodding his head in a confirmatory way, and playing carelessly with the handcuffs, as if they were a pair of castanets. "Who is the boy? What account does he give of himself? Where did he come from? He didn't drop out of the clouds, did he, master?" "Of course not," replied the doctor, with a nervous glance at the two ladies. "I know his whole history: but we can talk about that presently. You would like, first, to see the place where the thieves made their attempt, I suppose?" "Certainly," rejoined Mr. Blathers. "We had better inspect the premises first, and examine the servants afterwards. That's the usual way of doing business." Lights were then procured; and Messrs. Blathers and Duff, attended by the native constable, Brittles, Giles, and everybody else in short, went into the little room at the end of the passage and looked out at the window; and afterwards went round by way of the lawn, and looked in at the window; and after that, had a candle handed out to inspect the shutter with; and after that, a lantern to trace the footsteps with; and after that, a pitchfork to poke the bushes with. This done, amidst the breathless interest of all beholders, they came in again; and Mr. Giles and Brittles were put through a melodramatic representation of their share in the previous night's adventures: which they performed some six times over: contradicting each other, in not more than one important respect, the first time, and in not more than a dozen the last. This consummation being arrived at, Blathers and Duff cleared the room, and held a long council together, compared with which, for secrecy and solemnity, a consultation of great doctors on the knottiest point in medicine, would be mere child's play. Meanwhile, the doctor walked up and down the next room in a very uneasy state; and Mrs. Maylie and Rose looked on, with anxious faces. "Upon my word," he said, making a halt, after a great number of very rapid turns, "I hardly know what to do." "Surely," said Rose, "the poor child's story, faithfully repeated to these men, will be sufficient to exonerate him." "I doubt it, my dear young lady," said the doctor, shaking his head. "I don't think it would exonerate him, either with them, or with legal functionaries of a higher grade. What is he, after all, they would say? A runaway. Judged by mere worldly considerations and probabilities, his story is a very doubtful one." "You believe it, surely?" interrupted Rose. "_I_ believe it, strange as it is; and perhaps I may be an old fool for doing so," rejoined the doctor; "but I don't think it is exactly the tale for a practical police-officer, nevertheless." "Why not?" demanded Rose. "Because, my pretty cross-examiner," replied the doctor: "because, viewed with their eyes, there are many ugly points about it; he can only prove the parts that look ill, and none of those that look well. Confound the fellows, they _will_ have the why and the wherefore, and will take nothing for granted. On his own showing, you see, he has been the companion of thieves for some time past; he has been carried to a police-officer, on a charge of picking a gentleman's pocket; he has been taken away, forcibly, from that gentleman's house, to a place which he cannot describe or point out, and of the situation of which he has not the remotest idea. He is brought down to Chertsey, by men who seem to have taken a violent fancy to him, whether he will or no; and is put through a window to rob a house; and then, just at the very moment when he is going to alarm the inmates, and so do the very thing that would set him all to rights, there rushes into the way, a blundering dog of a half-bred butler, and shoots him! As if on purpose to prevent his doing any good for himself! Don't you see all this?" "I see it, of | and Mr. Giles sent for 'em this morning." "What?" cried the doctor. "Yes," replied Brittles; "I sent a message up by the coachman, and I only wonder they weren't here before, sir." "You did, did you? Then confound your slow coaches down here; that's all," said the doctor, walking away. CHAPTER XXXI. INVOLVES A CRITICAL POSITION "Who's that?" inquired Brittles, opening the door a little way, with the chain up, and peeping out, shading the candle with his hand. "Open the door," replied a man outside; "it's the officers from Bow Street, as was sent to to-day." Much comforted by this assurance, Brittles opened the door to its full width, and confronted a portly man in a great-coat; who walked in, without saying anything more, and wiped his shoes on the mat, as coolly as if he lived there. "Just send somebody out to relieve my mate, will you, young man?" said the officer; "he's in the gig, a-minding the prad. Have you got a coach 'us here, that you could put it up in, for five or ten minutes?" Brittles replying in the affirmative, and pointing out the building, the portly man stepped back to the garden-gate, and helped his companion to put up the gig: while Brittles lighted them, in a state of great admiration. This done, they returned to the house, and, being shown into a parlour, took off their great-coats and hats, and showed like what they were. The man who had knocked at the door, was a stout personage of middle height, aged about fifty: with shiny black hair, cropped pretty close; half-whiskers, a round face, and sharp eyes. The other was a red-headed, bony man, in top-boots; with a rather ill-favoured countenance, and a turned-up sinister-looking nose. "Tell your governor that Blathers and Duff is here, will you?" said the stouter man, smoothing down his hair, and laying a pair of handcuffs on the table. "Oh! Good-evening, master. Can I have a word or two with you in private, if you please?" This was addressed to Mr. Losberne, who now made his appearance; that gentleman, motioning Brittles to retire, brought in the two ladies, and shut the door. "This is the lady of the house," said Mr. Losberne, motioning towards Mrs. Maylie. Mr. Blathers made a bow. Being desired to sit down, he put his hat on the floor, and taking a chair, motioned to Duff to do the same. The latter gentleman, who did not appear quite so much accustomed to good society, or quite so much at his ease in it one of the two seated himself, after undergoing several muscular affections of the limbs, and the head of his stick into his mouth, with some embarrassment. "Now, with regard to this here robbery, master," said Blathers. "What are the circumstances?" Mr. Losberne, who appeared desirous of gaining time, recounted them at great length, and with much circumlocution. Messrs. Blathers and Duff looked very knowing meanwhile, and occasionally exchanged a nod. "I can't say, for certain, till I see the work, of course," said Blathers;<|quote|>"but my opinion at once is, I don't mind committing myself to that extent, that this wasn't done by a yokel; eh, Duff?"</|quote|>"Certainly not," replied Duff. "And, translating the word yokel for the benefit of the ladies, I apprehend your meaning to be, that this attempt was not made by a countryman?" said Mr. Losberne, with a smile. "That's it, master," replied Blathers. "This is all about the robbery, is it?" "All," replied the doctor. "Now, what is this, about this here boy that the servants are a-talking on?" said Blathers. "Nothing at all," replied the doctor. "One of the frightened servants chose to take it into his head, that he had something to do with this attempt to break into the house; but it's nonsense: sheer absurdity." "Wery easy disposed of, if it is," remarked Duff. "What he says is quite correct," observed Blathers, nodding his head in a confirmatory way, and playing carelessly with the handcuffs, as if they were a pair of castanets. "Who is the boy? What account does he give of himself? Where did he come from? He didn't drop out of the clouds, did he, master?" "Of course not," replied the doctor, with a nervous glance at the two ladies. "I know his whole history: but we can talk about that presently. You would like, first, to see the place where the thieves made their attempt, I suppose?" "Certainly," rejoined Mr. Blathers. "We had better inspect the premises first, and examine the servants afterwards. That's the usual way of doing business." Lights were then procured; and Messrs. Blathers and Duff, attended by the native constable, Brittles, Giles, and everybody else in short, went into the little room at the end of the passage and looked out at the window; and afterwards went round by way of the lawn, and looked in at the window; and after that, had a candle handed out to inspect the shutter with; and after that, a lantern to trace the footsteps with; and after that, a pitchfork to poke the bushes with. This done, amidst the breathless interest of all beholders, they came in again; and Mr. Giles and Brittles were put through a melodramatic representation of their share in the previous night's adventures: which | Oliver Twist |
“We’re always the first ones to leave.” | One of Gatsby's guests | so selfish in my life.”<|quote|>“We’re always the first ones to leave.”</|quote|>“So are we.” “Well, we’re | go home.” “Never heard anything so selfish in my life.”<|quote|>“We’re always the first ones to leave.”</|quote|>“So are we.” “Well, we’re almost the last tonight,” said | wayward men. The hall was at present occupied by two deplorably sober men and their highly indignant wives. The wives were sympathizing with each other in slightly raised voices. “Whenever he sees I’m having a good time he wants to go home.” “Never heard anything so selfish in my life.”<|quote|>“We’re always the first ones to leave.”</|quote|>“So are we.” “Well, we’re almost the last tonight,” said one of the men sheepishly. “The orchestra left half an hour ago.” In spite of the wives’ agreement that such malevolence was beyond credibility, the dispute ended in a short struggle, and both wives were lifted, kicking, into the night. | his wife, after attempting to laugh at the situation in a dignified and indifferent way, broke down entirely and resorted to flank attacks—at intervals she appeared suddenly at his side like an angry diamond, and hissed: “You promised!” into his ear. The reluctance to go home was not confined to wayward men. The hall was at present occupied by two deplorably sober men and their highly indignant wives. The wives were sympathizing with each other in slightly raised voices. “Whenever he sees I’m having a good time he wants to go home.” “Never heard anything so selfish in my life.”<|quote|>“We’re always the first ones to leave.”</|quote|>“So are we.” “Well, we’re almost the last tonight,” said one of the men sheepishly. “The orchestra left half an hour ago.” In spite of the wives’ agreement that such malevolence was beyond credibility, the dispute ended in a short struggle, and both wives were lifted, kicking, into the night. As I waited for my hat in the hall the door of the library opened and Jordan Baker and Gatsby came out together. He was saying some last word to her, but the eagerness in his manner tightened abruptly into formality as several people approached him to say goodbye. Jordan’s | way in slow black rivulets. A humorous suggestion was made that she sing the notes on her face, whereupon she threw up her hands, sank into a chair, and went off into a deep vinous sleep. “She had a fight with a man who says he’s her husband,” explained a girl at my elbow. I looked around. Most of the remaining women were now having fights with men said to be their husbands. Even Jordan’s party, the quartet from East Egg, were rent asunder by dissension. One of the men was talking with curious intensity to a young actress, and his wife, after attempting to laugh at the situation in a dignified and indifferent way, broke down entirely and resorted to flank attacks—at intervals she appeared suddenly at his side like an angry diamond, and hissed: “You promised!” into his ear. The reluctance to go home was not confined to wayward men. The hall was at present occupied by two deplorably sober men and their highly indignant wives. The wives were sympathizing with each other in slightly raised voices. “Whenever he sees I’m having a good time he wants to go home.” “Never heard anything so selfish in my life.”<|quote|>“We’re always the first ones to leave.”</|quote|>“So are we.” “Well, we’re almost the last tonight,” said one of the men sheepishly. “The orchestra left half an hour ago.” In spite of the wives’ agreement that such malevolence was beyond credibility, the dispute ended in a short struggle, and both wives were lifted, kicking, into the night. As I waited for my hat in the hall the door of the library opened and Jordan Baker and Gatsby came out together. He was saying some last word to her, but the eagerness in his manner tightened abruptly into formality as several people approached him to say goodbye. Jordan’s party were calling impatiently to her from the porch, but she lingered for a moment to shake hands. “I’ve just heard the most amazing thing,” she whispered. “How long were we in there?” “Why, about an hour.” “It was … simply amazing,” she repeated abstractedly. “But I swore I wouldn’t tell it and here I am tantalizing you.” She yawned gracefully in my face. “Please come and see me … Phone book … Under the name of Mrs. Sigourney Howard … My aunt …” She was hurrying off as she talked—her brown hand waved a jaunty salute as she melted | evening-dress, all her dresses, like sports clothes—there was a jauntiness about her movements as if she had first learned to walk upon golf courses on clean, crisp mornings. I was alone and it was almost two. For some time confused and intriguing sounds had issued from a long, many-windowed room which overhung the terrace. Eluding Jordan’s undergraduate, who was now engaged in an obstetrical conversation with two chorus girls, and who implored me to join him, I went inside. The large room was full of people. One of the girls in yellow was playing the piano, and beside her stood a tall, red-haired young lady from a famous chorus, engaged in song. She had drunk a quantity of champagne, and during the course of her song she had decided, ineptly, that everything was very, very sad—she was not only singing, she was weeping too. Whenever there was a pause in the song she filled it with gasping, broken sobs, and then took up the lyric again in a quavering soprano. The tears coursed down her cheeks—not freely, however, for when they came into contact with her heavily beaded eyelashes they assumed an inky colour, and pursued the rest of their way in slow black rivulets. A humorous suggestion was made that she sing the notes on her face, whereupon she threw up her hands, sank into a chair, and went off into a deep vinous sleep. “She had a fight with a man who says he’s her husband,” explained a girl at my elbow. I looked around. Most of the remaining women were now having fights with men said to be their husbands. Even Jordan’s party, the quartet from East Egg, were rent asunder by dissension. One of the men was talking with curious intensity to a young actress, and his wife, after attempting to laugh at the situation in a dignified and indifferent way, broke down entirely and resorted to flank attacks—at intervals she appeared suddenly at his side like an angry diamond, and hissed: “You promised!” into his ear. The reluctance to go home was not confined to wayward men. The hall was at present occupied by two deplorably sober men and their highly indignant wives. The wives were sympathizing with each other in slightly raised voices. “Whenever he sees I’m having a good time he wants to go home.” “Never heard anything so selfish in my life.”<|quote|>“We’re always the first ones to leave.”</|quote|>“So are we.” “Well, we’re almost the last tonight,” said one of the men sheepishly. “The orchestra left half an hour ago.” In spite of the wives’ agreement that such malevolence was beyond credibility, the dispute ended in a short struggle, and both wives were lifted, kicking, into the night. As I waited for my hat in the hall the door of the library opened and Jordan Baker and Gatsby came out together. He was saying some last word to her, but the eagerness in his manner tightened abruptly into formality as several people approached him to say goodbye. Jordan’s party were calling impatiently to her from the porch, but she lingered for a moment to shake hands. “I’ve just heard the most amazing thing,” she whispered. “How long were we in there?” “Why, about an hour.” “It was … simply amazing,” she repeated abstractedly. “But I swore I wouldn’t tell it and here I am tantalizing you.” She yawned gracefully in my face. “Please come and see me … Phone book … Under the name of Mrs. Sigourney Howard … My aunt …” She was hurrying off as she talked—her brown hand waved a jaunty salute as she melted into her party at the door. Rather ashamed that on my first appearance I had stayed so late, I joined the last of Gatsby’s guests, who were clustered around him. I wanted to explain that I’d hunted for him early in the evening and to apologize for not having known him in the garden. “Don’t mention it,” he enjoined me eagerly. “Don’t give it another thought, old sport.” The familiar expression held no more familiarity than the hand which reassuringly brushed my shoulder. “And don’t forget we’re going up in the hydroplane tomorrow morning, at nine o’clock.” Then the butler, behind his shoulder: “Philadelphia wants you on the phone, sir.” “All right, in a minute. Tell them I’ll be right there … Good night.” “Good night.” “Good night.” He smiled—and suddenly there seemed to be a pleasant significance in having been among the last to go, as if he had desired it all the time. “Good night, old sport … Good night.” But as I walked down the steps I saw that the evening was not quite over. Fifty feet from the door a dozen headlights illuminated a bizarre and tumultuous scene. In the ditch beside the road, right side | without question the information that Gatsby sprang from the swamps of Louisiana or from the lower East Side of New York. That was comprehensible. But young men didn’t—at least in my provincial inexperience I believed they didn’t—drift coolly out of nowhere and buy a palace on Long Island Sound. “Anyhow, he gives large parties,” said Jordan, changing the subject with an urban distaste for the concrete. “And I like large parties. They’re so intimate. At small parties there isn’t any privacy.” There was the boom of a bass drum, and the voice of the orchestra leader rang out suddenly above the echolalia of the garden. “Ladies and gentlemen,” he cried. “At the request of Mr. Gatsby we are going to play for you Mr. Vladmir Tostoff’s latest work, which attracted so much attention at Carnegie Hall last May. If you read the papers you know there was a big sensation.” He smiled with jovial condescension, and added: “Some sensation!” Whereupon everybody laughed. “The piece is known,” he concluded lustily, “as ‘Vladmir Tostoff’s Jazz History of the World!’ ” The nature of Mr. Tostoff’s composition eluded me, because just as it began my eyes fell on Gatsby, standing alone on the marble steps and looking from one group to another with approving eyes. His tanned skin was drawn attractively tight on his face and his short hair looked as though it were trimmed every day. I could see nothing sinister about him. I wondered if the fact that he was not drinking helped to set him off from his guests, for it seemed to me that he grew more correct as the fraternal hilarity increased. When the “Jazz History of the World” was over, girls were putting their heads on men’s shoulders in a puppyish, convivial way, girls were swooning backward playfully into men’s arms, even into groups, knowing that someone would arrest their falls—but no one swooned backward on Gatsby, and no French bob touched Gatsby’s shoulder, and no singing quartets were formed with Gatsby’s head for one link. “I beg your pardon.” Gatsby’s butler was suddenly standing beside us. “Miss Baker?” he inquired. “I beg your pardon, but Mr. Gatsby would like to speak to you alone.” “With me?” she exclaimed in surprise. “Yes, madame.” She got up slowly, raising her eyebrows at me in astonishment, and followed the butler toward the house. I noticed that she wore her evening-dress, all her dresses, like sports clothes—there was a jauntiness about her movements as if she had first learned to walk upon golf courses on clean, crisp mornings. I was alone and it was almost two. For some time confused and intriguing sounds had issued from a long, many-windowed room which overhung the terrace. Eluding Jordan’s undergraduate, who was now engaged in an obstetrical conversation with two chorus girls, and who implored me to join him, I went inside. The large room was full of people. One of the girls in yellow was playing the piano, and beside her stood a tall, red-haired young lady from a famous chorus, engaged in song. She had drunk a quantity of champagne, and during the course of her song she had decided, ineptly, that everything was very, very sad—she was not only singing, she was weeping too. Whenever there was a pause in the song she filled it with gasping, broken sobs, and then took up the lyric again in a quavering soprano. The tears coursed down her cheeks—not freely, however, for when they came into contact with her heavily beaded eyelashes they assumed an inky colour, and pursued the rest of their way in slow black rivulets. A humorous suggestion was made that she sing the notes on her face, whereupon she threw up her hands, sank into a chair, and went off into a deep vinous sleep. “She had a fight with a man who says he’s her husband,” explained a girl at my elbow. I looked around. Most of the remaining women were now having fights with men said to be their husbands. Even Jordan’s party, the quartet from East Egg, were rent asunder by dissension. One of the men was talking with curious intensity to a young actress, and his wife, after attempting to laugh at the situation in a dignified and indifferent way, broke down entirely and resorted to flank attacks—at intervals she appeared suddenly at his side like an angry diamond, and hissed: “You promised!” into his ear. The reluctance to go home was not confined to wayward men. The hall was at present occupied by two deplorably sober men and their highly indignant wives. The wives were sympathizing with each other in slightly raised voices. “Whenever he sees I’m having a good time he wants to go home.” “Never heard anything so selfish in my life.”<|quote|>“We’re always the first ones to leave.”</|quote|>“So are we.” “Well, we’re almost the last tonight,” said one of the men sheepishly. “The orchestra left half an hour ago.” In spite of the wives’ agreement that such malevolence was beyond credibility, the dispute ended in a short struggle, and both wives were lifted, kicking, into the night. As I waited for my hat in the hall the door of the library opened and Jordan Baker and Gatsby came out together. He was saying some last word to her, but the eagerness in his manner tightened abruptly into formality as several people approached him to say goodbye. Jordan’s party were calling impatiently to her from the porch, but she lingered for a moment to shake hands. “I’ve just heard the most amazing thing,” she whispered. “How long were we in there?” “Why, about an hour.” “It was … simply amazing,” she repeated abstractedly. “But I swore I wouldn’t tell it and here I am tantalizing you.” She yawned gracefully in my face. “Please come and see me … Phone book … Under the name of Mrs. Sigourney Howard … My aunt …” She was hurrying off as she talked—her brown hand waved a jaunty salute as she melted into her party at the door. Rather ashamed that on my first appearance I had stayed so late, I joined the last of Gatsby’s guests, who were clustered around him. I wanted to explain that I’d hunted for him early in the evening and to apologize for not having known him in the garden. “Don’t mention it,” he enjoined me eagerly. “Don’t give it another thought, old sport.” The familiar expression held no more familiarity than the hand which reassuringly brushed my shoulder. “And don’t forget we’re going up in the hydroplane tomorrow morning, at nine o’clock.” Then the butler, behind his shoulder: “Philadelphia wants you on the phone, sir.” “All right, in a minute. Tell them I’ll be right there … Good night.” “Good night.” “Good night.” He smiled—and suddenly there seemed to be a pleasant significance in having been among the last to go, as if he had desired it all the time. “Good night, old sport … Good night.” But as I walked down the steps I saw that the evening was not quite over. Fifty feet from the door a dozen headlights illuminated a bizarre and tumultuous scene. In the ditch beside the road, right side up, but violently shorn of one wheel, rested a new coupé which had left Gatsby’s drive not two minutes before. The sharp jut of a wall accounted for the detachment of the wheel, which was now getting considerable attention from half a dozen curious chauffeurs. However, as they had left their cars blocking the road, a harsh, discordant din from those in the rear had been audible for some time, and added to the already violent confusion of the scene. A man in a long duster had dismounted from the wreck and now stood in the middle of the road, looking from the car to the tyre and from the tyre to the observers in a pleasant, puzzled way. “See!” he explained. “It went in the ditch.” The fact was infinitely astonishing to him, and I recognized first the unusual quality of wonder, and then the man—it was the late patron of Gatsby’s library. “How’d it happen?” He shrugged his shoulders. “I know nothing whatever about mechanics,” he said decisively. “But how did it happen? Did you run into the wall?” “Don’t ask me,” said Owl Eyes, washing his hands of the whole matter. “I know very little about driving—next to nothing. It happened, and that’s all I know.” “Well, if you’re a poor driver you oughtn’t to try driving at night.” “But I wasn’t even trying,” he explained indignantly, “I wasn’t even trying.” An awed hush fell upon the bystanders. “Do you want to commit suicide?” “You’re lucky it was just a wheel! A bad driver and not even trying!” “You don’t understand,” explained the criminal. “I wasn’t driving. There’s another man in the car.” The shock that followed this declaration found voice in a sustained “Ah-h-h!” as the door of the coupé swung slowly open. The crowd—it was now a crowd—stepped back involuntarily, and when the door had opened wide there was a ghostly pause. Then, very gradually, part by part, a pale, dangling individual stepped out of the wreck, pawing tentatively at the ground with a large uncertain dancing shoe. Blinded by the glare of the headlights and confused by the incessant groaning of the horns, the apparition stood swaying for a moment before he perceived the man in the duster. “Wha’s matter?” he inquired calmly. “Did we run outa gas?” “Look!” Half a dozen fingers pointed at the amputated wheel—he stared at it for a moment, | me?” she exclaimed in surprise. “Yes, madame.” She got up slowly, raising her eyebrows at me in astonishment, and followed the butler toward the house. I noticed that she wore her evening-dress, all her dresses, like sports clothes—there was a jauntiness about her movements as if she had first learned to walk upon golf courses on clean, crisp mornings. I was alone and it was almost two. For some time confused and intriguing sounds had issued from a long, many-windowed room which overhung the terrace. Eluding Jordan’s undergraduate, who was now engaged in an obstetrical conversation with two chorus girls, and who implored me to join him, I went inside. The large room was full of people. One of the girls in yellow was playing the piano, and beside her stood a tall, red-haired young lady from a famous chorus, engaged in song. She had drunk a quantity of champagne, and during the course of her song she had decided, ineptly, that everything was very, very sad—she was not only singing, she was weeping too. Whenever there was a pause in the song she filled it with gasping, broken sobs, and then took up the lyric again in a quavering soprano. The tears coursed down her cheeks—not freely, however, for when they came into contact with her heavily beaded eyelashes they assumed an inky colour, and pursued the rest of their way in slow black rivulets. A humorous suggestion was made that she sing the notes on her face, whereupon she threw up her hands, sank into a chair, and went off into a deep vinous sleep. “She had a fight with a man who says he’s her husband,” explained a girl at my elbow. I looked around. Most of the remaining women were now having fights with men said to be their husbands. Even Jordan’s party, the quartet from East Egg, were rent asunder by dissension. One of the men was talking with curious intensity to a young actress, and his wife, after attempting to laugh at the situation in a dignified and indifferent way, broke down entirely and resorted to flank attacks—at intervals she appeared suddenly at his side like an angry diamond, and hissed: “You promised!” into his ear. The reluctance to go home was not confined to wayward men. The hall was at present occupied by two deplorably sober men and their highly indignant wives. The wives were sympathizing with each other in slightly raised voices. “Whenever he sees I’m having a good time he wants to go home.” “Never heard anything so selfish in my life.”<|quote|>“We’re always the first ones to leave.”</|quote|>“So are we.” “Well, we’re almost the last tonight,” said one of the men sheepishly. “The orchestra left half an hour ago.” In spite of the wives’ agreement that such malevolence was beyond credibility, the dispute ended in a short struggle, and both wives were lifted, kicking, into the night. As I waited for my hat in the hall the door of the library opened and Jordan Baker and Gatsby came out together. He was saying some last word to her, but the eagerness in his manner tightened abruptly into formality as several people approached him to say goodbye. Jordan’s party were calling impatiently to her from the porch, but she lingered for a moment to shake hands. “I’ve just heard the most amazing thing,” she whispered. “How long were we in there?” “Why, about an hour.” “It was … simply amazing,” she repeated abstractedly. “But I swore I wouldn’t tell it and here I am tantalizing you.” She yawned gracefully in my face. “Please come and see me … Phone book … Under the name of Mrs. Sigourney Howard … My aunt …” She was hurrying off as she talked—her brown hand waved a jaunty salute as she melted into her party at the door. Rather ashamed that on my first appearance I had stayed so late, I joined the last of Gatsby’s guests, who were clustered around him. I wanted to explain that I’d hunted for him early in the evening and to apologize for not having known him in the garden. “Don’t mention it,” he enjoined me eagerly. “Don’t give it another thought, old sport.” The familiar expression held no more familiarity than the hand which reassuringly brushed my shoulder. “And don’t forget we’re going up in the hydroplane tomorrow morning, at nine o’clock.” Then the butler, behind his shoulder: “Philadelphia wants you on the phone, sir.” “All right, in a minute. Tell them I’ll be right there … Good night.” “Good night.” “Good night.” He smiled—and suddenly there seemed to be a pleasant significance in having been among the last to go, as if he had desired it all the time. “Good night, old sport … Good night.” But as I walked down the steps I saw that the evening was not quite over. Fifty feet from the door a dozen headlights illuminated a bizarre and tumultuous scene. In the ditch beside the road, right side up, but violently shorn of one wheel, rested a new coupé which had left Gatsby’s drive not two minutes before. The sharp jut of a wall accounted for the detachment of the wheel, which was now getting considerable attention from half a dozen curious chauffeurs. However, as they had left their cars blocking the road, a harsh, discordant din from those in the rear had been audible for some time, and added to the already violent confusion of the scene. A man in a long duster had dismounted from the wreck and now stood in the middle of the road, looking from the car to the tyre and from the tyre to the observers in a pleasant, puzzled way. “See!” he explained. “It went in the ditch.” The fact was infinitely astonishing to him, and I recognized first the unusual quality of wonder, and then the man—it was the late patron of Gatsby’s library. “How’d it happen?” He shrugged his | The Great Gatsby |
"Must you read Macaulay s History, Cassandra?" | Katharine Hilbery | they were in search of.<|quote|>"Must you read Macaulay s History, Cassandra?"</|quote|>Katharine asked, with a stretch | failed to discover the work they were in search of.<|quote|>"Must you read Macaulay s History, Cassandra?"</|quote|>Katharine asked, with a stretch of her arms. "I must," | Cassandra replied. "Though I don t believe everything Henry says," she added a little defensively. Down they went into Mr. Hilbery s study, where they began to look among his books. So desultory was this examination that some fifteen minutes failed to discover the work they were in search of.<|quote|>"Must you read Macaulay s History, Cassandra?"</|quote|>Katharine asked, with a stretch of her arms. "I must," Cassandra replied briefly. "Well, I m going to leave you to look for it by yourself." "Oh, no, Katharine. Please stay and help me. You see you see I told William I d read a little every day. And I | into the drawing-room for the good reason that the door was open. The portrait of Richard Alardyce attracted their attention. "I wonder what he was like?" It was a question that Katharine had often asked herself lately. "Oh, a fraud like the rest of them at least Henry says so," Cassandra replied. "Though I don t believe everything Henry says," she added a little defensively. Down they went into Mr. Hilbery s study, where they began to look among his books. So desultory was this examination that some fifteen minutes failed to discover the work they were in search of.<|quote|>"Must you read Macaulay s History, Cassandra?"</|quote|>Katharine asked, with a stretch of her arms. "I must," Cassandra replied briefly. "Well, I m going to leave you to look for it by yourself." "Oh, no, Katharine. Please stay and help me. You see you see I told William I d read a little every day. And I want to tell him that I ve begun when he comes." "When does William come?" Katharine asked, turning to the shelves again. "To tea, if that suits you?" "If it suits me to be out, I suppose you mean." "Oh, you re horrid.... Why shouldn t you ?" "Yes?" "Why | Persian rug that lay on the floor of the hall. "Doesn t everything look odd this morning?" she inquired. "Are you really going to spend the morning with those dull old letters, because if so" The dull old letters, which would have turned the heads of the most sober of collectors, were laid upon a table, and, after a moment s pause, Cassandra, looking grave all of a sudden, asked Katharine where she should find the "History of England" by Lord Macaulay. It was downstairs in Mr. Hilbery s study. The cousins descended together in search of it. They diverged into the drawing-room for the good reason that the door was open. The portrait of Richard Alardyce attracted their attention. "I wonder what he was like?" It was a question that Katharine had often asked herself lately. "Oh, a fraud like the rest of them at least Henry says so," Cassandra replied. "Though I don t believe everything Henry says," she added a little defensively. Down they went into Mr. Hilbery s study, where they began to look among his books. So desultory was this examination that some fifteen minutes failed to discover the work they were in search of.<|quote|>"Must you read Macaulay s History, Cassandra?"</|quote|>Katharine asked, with a stretch of her arms. "I must," Cassandra replied briefly. "Well, I m going to leave you to look for it by yourself." "Oh, no, Katharine. Please stay and help me. You see you see I told William I d read a little every day. And I want to tell him that I ve begun when he comes." "When does William come?" Katharine asked, turning to the shelves again. "To tea, if that suits you?" "If it suits me to be out, I suppose you mean." "Oh, you re horrid.... Why shouldn t you ?" "Yes?" "Why shouldn t you be happy too?" "I am quite happy," Katharine replied. "I mean as I am. Katharine," she said impulsively, "do let s be married on the same day." "To the same man?" "Oh, no, no. But why shouldn t you marry some one else?" "Here s your Macaulay," said Katharine, turning round with the book in her hand. "I should say you d better begin to read at once if you mean to be educated by tea-time." "Damn Lord Macaulay!" cried Cassandra, slapping the book upon the table. "Would you rather not talk?" "We ve talked enough already," | to the safety of the heart of civilization itself, she briskly shut the door of her taxi-cab, and was whirled off upon the first stage of her pilgrimage. The house was oddly different without her. Katharine found the maids already in possession of her room, which they meant to clean thoroughly during her absence. To Katharine it seemed as if they had brushed away sixty years or so with the first flick of their damp dusters. It seemed to her that the work she had tried to do in that room was being swept into a very insignificant heap of dust. The china shepherdesses were already shining from a bath of hot water. The writing-table might have belonged to a professional man of methodical habits. Gathering together a few papers upon which she was at work, Katharine proceeded to her own room with the intention of looking through them, perhaps, in the course of the morning. But she was met on the stairs by Cassandra, who followed her up, but with such intervals between each step that Katharine began to feel her purpose dwindling before they had reached the door. Cassandra leant over the banisters, and looked down upon the Persian rug that lay on the floor of the hall. "Doesn t everything look odd this morning?" she inquired. "Are you really going to spend the morning with those dull old letters, because if so" The dull old letters, which would have turned the heads of the most sober of collectors, were laid upon a table, and, after a moment s pause, Cassandra, looking grave all of a sudden, asked Katharine where she should find the "History of England" by Lord Macaulay. It was downstairs in Mr. Hilbery s study. The cousins descended together in search of it. They diverged into the drawing-room for the good reason that the door was open. The portrait of Richard Alardyce attracted their attention. "I wonder what he was like?" It was a question that Katharine had often asked herself lately. "Oh, a fraud like the rest of them at least Henry says so," Cassandra replied. "Though I don t believe everything Henry says," she added a little defensively. Down they went into Mr. Hilbery s study, where they began to look among his books. So desultory was this examination that some fifteen minutes failed to discover the work they were in search of.<|quote|>"Must you read Macaulay s History, Cassandra?"</|quote|>Katharine asked, with a stretch of her arms. "I must," Cassandra replied briefly. "Well, I m going to leave you to look for it by yourself." "Oh, no, Katharine. Please stay and help me. You see you see I told William I d read a little every day. And I want to tell him that I ve begun when he comes." "When does William come?" Katharine asked, turning to the shelves again. "To tea, if that suits you?" "If it suits me to be out, I suppose you mean." "Oh, you re horrid.... Why shouldn t you ?" "Yes?" "Why shouldn t you be happy too?" "I am quite happy," Katharine replied. "I mean as I am. Katharine," she said impulsively, "do let s be married on the same day." "To the same man?" "Oh, no, no. But why shouldn t you marry some one else?" "Here s your Macaulay," said Katharine, turning round with the book in her hand. "I should say you d better begin to read at once if you mean to be educated by tea-time." "Damn Lord Macaulay!" cried Cassandra, slapping the book upon the table. "Would you rather not talk?" "We ve talked enough already," Katharine replied evasively. "I know I shan t be able to settle to Macaulay," said Cassandra, looking ruefully at the dull red cover of the prescribed volume, which, however, possessed a talismanic property, since William admired it. He had advised a little serious reading for the morning hours. "Have _you_ read Macaulay?" she asked. "No. William never tried to educate me." As she spoke she saw the light fade from Cassandra s face, as if she had implied some other, more mysterious, relationship. She was stung with compunction. She marveled at her own rashness in having influenced the life of another, as she had influenced Cassandra s life. "We weren t serious," she said quickly. "But I m fearfully serious," said Cassandra, with a little shudder, and her look showed that she spoke the truth. She turned and glanced at Katharine as she had never glanced at her before. There was fear in her glance, which darted on her and then dropped guiltily. Oh, Katharine had everything beauty, mind, character. She could never compete with Katharine; she could never be safe so long as Katharine brooded over her, dominating her, disposing of her. She called her cold, unseeing, unscrupulous, but | rambled off into a description of the Law Courts which turned to a denunciation of English justice, which, according to her, imprisoned poor men who couldn t pay their debts. "Tell me, shall we ever do without it all?" she asked, but at this point Katharine gently insisted that her mother should go to bed. Looking back from half-way up the staircase, Katharine seemed to see Denham s eyes watching her steadily and intently with an expression that she had guessed in them when he stood looking at the windows across the road. CHAPTER XXXI The tray which brought Katharine s cup of tea the next morning brought, also, a note from her mother, announcing that it was her intention to catch an early train to Stratford-on-Avon that very day. "Please find out the best way of getting there," the note ran, "and wire to dear Sir John Burdett to expect me, with my love. I ve been dreaming all night of you and Shakespeare, dearest Katharine." This was no momentary impulse. Mrs. Hilbery had been dreaming of Shakespeare any time these six months, toying with the idea of an excursion to what she considered the heart of the civilized world. To stand six feet above Shakespeare s bones, to see the very stones worn by his feet, to reflect that the oldest man s oldest mother had very likely seen Shakespeare s daughter such thoughts roused an emotion in her, which she expressed at unsuitable moments, and with a passion that would not have been unseemly in a pilgrim to a sacred shrine. The only strange thing was that she wished to go by herself. But, naturally enough, she was well provided with friends who lived in the neighborhood of Shakespeare s tomb, and were delighted to welcome her; and she left later to catch her train in the best of spirits. There was a man selling violets in the street. It was a fine day. She would remember to send Mr. Hilbery the first daffodil she saw. And, as she ran back into the hall to tell Katharine, she felt, she had always felt, that Shakespeare s command to leave his bones undisturbed applied only to odious curiosity-mongers not to dear Sir John and herself. Leaving her daughter to cogitate the theory of Anne Hathaway s sonnets, and the buried manuscripts here referred to, with the implied menace to the safety of the heart of civilization itself, she briskly shut the door of her taxi-cab, and was whirled off upon the first stage of her pilgrimage. The house was oddly different without her. Katharine found the maids already in possession of her room, which they meant to clean thoroughly during her absence. To Katharine it seemed as if they had brushed away sixty years or so with the first flick of their damp dusters. It seemed to her that the work she had tried to do in that room was being swept into a very insignificant heap of dust. The china shepherdesses were already shining from a bath of hot water. The writing-table might have belonged to a professional man of methodical habits. Gathering together a few papers upon which she was at work, Katharine proceeded to her own room with the intention of looking through them, perhaps, in the course of the morning. But she was met on the stairs by Cassandra, who followed her up, but with such intervals between each step that Katharine began to feel her purpose dwindling before they had reached the door. Cassandra leant over the banisters, and looked down upon the Persian rug that lay on the floor of the hall. "Doesn t everything look odd this morning?" she inquired. "Are you really going to spend the morning with those dull old letters, because if so" The dull old letters, which would have turned the heads of the most sober of collectors, were laid upon a table, and, after a moment s pause, Cassandra, looking grave all of a sudden, asked Katharine where she should find the "History of England" by Lord Macaulay. It was downstairs in Mr. Hilbery s study. The cousins descended together in search of it. They diverged into the drawing-room for the good reason that the door was open. The portrait of Richard Alardyce attracted their attention. "I wonder what he was like?" It was a question that Katharine had often asked herself lately. "Oh, a fraud like the rest of them at least Henry says so," Cassandra replied. "Though I don t believe everything Henry says," she added a little defensively. Down they went into Mr. Hilbery s study, where they began to look among his books. So desultory was this examination that some fifteen minutes failed to discover the work they were in search of.<|quote|>"Must you read Macaulay s History, Cassandra?"</|quote|>Katharine asked, with a stretch of her arms. "I must," Cassandra replied briefly. "Well, I m going to leave you to look for it by yourself." "Oh, no, Katharine. Please stay and help me. You see you see I told William I d read a little every day. And I want to tell him that I ve begun when he comes." "When does William come?" Katharine asked, turning to the shelves again. "To tea, if that suits you?" "If it suits me to be out, I suppose you mean." "Oh, you re horrid.... Why shouldn t you ?" "Yes?" "Why shouldn t you be happy too?" "I am quite happy," Katharine replied. "I mean as I am. Katharine," she said impulsively, "do let s be married on the same day." "To the same man?" "Oh, no, no. But why shouldn t you marry some one else?" "Here s your Macaulay," said Katharine, turning round with the book in her hand. "I should say you d better begin to read at once if you mean to be educated by tea-time." "Damn Lord Macaulay!" cried Cassandra, slapping the book upon the table. "Would you rather not talk?" "We ve talked enough already," Katharine replied evasively. "I know I shan t be able to settle to Macaulay," said Cassandra, looking ruefully at the dull red cover of the prescribed volume, which, however, possessed a talismanic property, since William admired it. He had advised a little serious reading for the morning hours. "Have _you_ read Macaulay?" she asked. "No. William never tried to educate me." As she spoke she saw the light fade from Cassandra s face, as if she had implied some other, more mysterious, relationship. She was stung with compunction. She marveled at her own rashness in having influenced the life of another, as she had influenced Cassandra s life. "We weren t serious," she said quickly. "But I m fearfully serious," said Cassandra, with a little shudder, and her look showed that she spoke the truth. She turned and glanced at Katharine as she had never glanced at her before. There was fear in her glance, which darted on her and then dropped guiltily. Oh, Katharine had everything beauty, mind, character. She could never compete with Katharine; she could never be safe so long as Katharine brooded over her, dominating her, disposing of her. She called her cold, unseeing, unscrupulous, but the only sign she gave outwardly was a curious one she reached out her hand and grasped the volume of history. At that moment the bell of the telephone rang and Katharine went to answer it. Cassandra, released from observation, dropped her book and clenched her hands. She suffered more fiery torture in those few minutes than she had suffered in the whole of her life; she learnt more of her capacities for feeling. But when Katharine reappeared she was calm, and had gained a look of dignity that was new to her. "Was that him?" she asked. "It was Ralph Denham," Katharine replied. "I meant Ralph Denham." "Why did you mean Ralph Denham? What has William told you about Ralph Denham?" The accusation that Katharine was calm, callous, and indifferent was not possible in face of her present air of animation. She gave Cassandra no time to frame an answer. "Now, when are you and William going to be married?" she asked. Cassandra made no reply for some moments. It was, indeed, a very difficult question to answer. In conversation the night before, William had indicated to Cassandra that, in his belief, Katharine was becoming engaged to Ralph Denham in the dining-room. Cassandra, in the rosy light of her own circumstances, had been disposed to think that the matter must be settled already. But a letter which she had received that morning from William, while ardent in its expression of affection, had conveyed to her obliquely that he would prefer the announcement of their engagement to coincide with that of Katharine s. This document Cassandra now produced, and read aloud, with considerable excisions and much hesitation. "... a thousand pities ahem I fear we shall cause a great deal of natural annoyance. If, on the other hand, what I have reason to think will happen, should happen within reasonable time, and the present position is not in any way offensive to you, delay would, in my opinion, serve all our interests better than a premature explanation, which is bound to cause more surprise than is desirable " "Very like William," Katharine exclaimed, having gathered the drift of these remarks with a speed that, by itself, disconcerted Cassandra. "I quite understand his feelings," Cassandra replied. "I quite agree with them. I think it would be much better, if you intend to marry Mr. Denham, that we should wait as William | and herself. Leaving her daughter to cogitate the theory of Anne Hathaway s sonnets, and the buried manuscripts here referred to, with the implied menace to the safety of the heart of civilization itself, she briskly shut the door of her taxi-cab, and was whirled off upon the first stage of her pilgrimage. The house was oddly different without her. Katharine found the maids already in possession of her room, which they meant to clean thoroughly during her absence. To Katharine it seemed as if they had brushed away sixty years or so with the first flick of their damp dusters. It seemed to her that the work she had tried to do in that room was being swept into a very insignificant heap of dust. The china shepherdesses were already shining from a bath of hot water. The writing-table might have belonged to a professional man of methodical habits. Gathering together a few papers upon which she was at work, Katharine proceeded to her own room with the intention of looking through them, perhaps, in the course of the morning. But she was met on the stairs by Cassandra, who followed her up, but with such intervals between each step that Katharine began to feel her purpose dwindling before they had reached the door. Cassandra leant over the banisters, and looked down upon the Persian rug that lay on the floor of the hall. "Doesn t everything look odd this morning?" she inquired. "Are you really going to spend the morning with those dull old letters, because if so" The dull old letters, which would have turned the heads of the most sober of collectors, were laid upon a table, and, after a moment s pause, Cassandra, looking grave all of a sudden, asked Katharine where she should find the "History of England" by Lord Macaulay. It was downstairs in Mr. Hilbery s study. The cousins descended together in search of it. They diverged into the drawing-room for the good reason that the door was open. The portrait of Richard Alardyce attracted their attention. "I wonder what he was like?" It was a question that Katharine had often asked herself lately. "Oh, a fraud like the rest of them at least Henry says so," Cassandra replied. "Though I don t believe everything Henry says," she added a little defensively. Down they went into Mr. Hilbery s study, where they began to look among his books. So desultory was this examination that some fifteen minutes failed to discover the work they were in search of.<|quote|>"Must you read Macaulay s History, Cassandra?"</|quote|>Katharine asked, with a stretch of her arms. "I must," Cassandra replied briefly. "Well, I m going to leave you to look for it by yourself." "Oh, no, Katharine. Please stay and help me. You see you see I told William I d read a little every day. And I want to tell him that I ve begun when he comes." "When does William come?" Katharine asked, turning to the shelves again. "To tea, if that suits you?" "If it suits me to be out, I suppose you mean." "Oh, you re horrid.... Why shouldn t you ?" "Yes?" "Why shouldn t you be happy too?" "I am quite happy," Katharine replied. "I mean as I am. Katharine," she said impulsively, "do let s be married on the same day." "To the same man?" "Oh, no, no. But why shouldn t you marry some one else?" "Here s your Macaulay," said Katharine, turning round with the book in her hand. "I should say you d better begin to read at once if you mean to be educated by tea-time." "Damn Lord Macaulay!" cried Cassandra, slapping the book upon the table. "Would you rather not talk?" "We ve talked enough already," Katharine replied evasively. "I know I shan t be able to settle to Macaulay," said Cassandra, looking ruefully at the dull red cover of the prescribed volume, which, however, possessed a talismanic property, since William admired it. He had advised a little serious reading for the morning hours. "Have _you_ read Macaulay?" she asked. "No. William never tried to educate me." As she spoke she saw the light fade from Cassandra s face, as if she had implied some other, more mysterious, relationship. She was stung with compunction. She marveled at her own rashness in having influenced the life of another, as she had influenced Cassandra s life. "We weren t serious," she said quickly. "But I m fearfully serious," said Cassandra, with a little shudder, and her look showed that she spoke the truth. She turned and glanced at Katharine as she had never glanced at her before. There was fear in her glance, which darted on her and then dropped guiltily. Oh, Katharine had everything beauty, mind, character. She could never compete with Katharine; she could never be safe so long as Katharine brooded over her, dominating her, disposing of her. She called her cold, unseeing, unscrupulous, but the only sign she gave outwardly was a curious one she reached out her | Night And Day |
"But why should they, when you have deceived them?" | Mr. Emerson | not, Mr. Emerson--they trust me--"<|quote|>"But why should they, when you have deceived them?"</|quote|>Mr. Beebe opened the door, | are in the hall--oh, please not, Mr. Emerson--they trust me--"<|quote|>"But why should they, when you have deceived them?"</|quote|>Mr. Beebe opened the door, saying: "Here's my mother." "You're | the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--"<|quote|>"But why should they, when you have deceived them?"</|quote|>Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To | the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--"<|quote|>"But why should they, when you have deceived them?"</|quote|>Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long | cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--"<|quote|>"But why should they, when you have deceived them?"</|quote|>Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him," quavered Lucy. A look of contempt came over him, and he said, "Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I | far to retreat. I have no time for the tenderness, and the comradeship, and the poetry, and the things that really matter, and for which you marry. I know that, with George, you will find them, and that you love him. Then be his wife. He is already part of you. Though you fly to Greece, and never see him again, or forget his very name, George will work in your thoughts till you die. It isn't possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal." Lucy began to cry with anger, and though her anger passed away soon, her tears remained. "I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--"<|quote|>"But why should they, when you have deceived them?"</|quote|>Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him," quavered Lucy. A look of contempt came over him, and he said, "Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," | She made the long, convincing speech that she had made to Mr. Beebe, and intended to make to the world when she announced that her engagement was no more. He heard her in silence, and then said: "My dear, I am worried about you. It seems to me" "--dreamily; she was not alarmed--" "that you are in a muddle." She shook her head. "Take an old man's word; there's nothing worse than a muddle in all the world. It is easy to face Death and Fate, and the things that sound so dreadful. It is on my muddles that I look back with horror--on the things that I might have avoided. We can help one another but little. I used to think I could teach young people the whole of life, but I know better now, and all my teaching of George has come down to this: beware of muddle. Do you remember in that church, when you pretended to be annoyed with me and weren't? Do you remember before, when you refused the room with the view? Those were muddles--little, but ominous--and I am fearing that you are in one now." She was silent. "Don't trust me, Miss Honeychurch. Though life is very glorious, it is difficult." She was still silent. "'Life' "wrote a friend of mine," 'is a public performance on the violin, in which you must learn the instrument as you go along.' "I think he puts it well. Man has to pick up the use of his functions as he goes along--especially the function of Love." Then he burst out excitedly; "That's it; that's what I mean. You love George!" And after his long preamble, the three words burst against Lucy like waves from the open sea. "But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it. You won't marry the other man for his sake." "How dare you!" gasped Lucy, with the roaring of waters in her ears. "Oh, how like a man!--I mean, to suppose that a woman is always thinking about a man." "But you are." She summoned physical disgust. "You're shocked, but I mean to shock you. It's the only hope at times. I can reach you no other way. You must marry, or your life will be wasted. You have gone too far to retreat. I have no time for the tenderness, and the comradeship, and the poetry, and the things that really matter, and for which you marry. I know that, with George, you will find them, and that you love him. Then be his wife. He is already part of you. Though you fly to Greece, and never see him again, or forget his very name, George will work in your thoughts till you die. It isn't possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal." Lucy began to cry with anger, and though her anger passed away soon, her tears remained. "I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--"<|quote|>"But why should they, when you have deceived them?"</|quote|>Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him," quavered Lucy. A look of contempt came over him, and he said, "Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She "never exactly understood," she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini. George said it was his old room. "No, it isn't," said Lucy; "because it is the room I had, and I had your father's room. I forget why; Charlotte made me, for some reason." He knelt on the tiled floor, and laid his face in her lap. "George, you baby, get up." "Why shouldn't I be a baby?" murmured George. Unable to answer this question, she put down his sock, which she was trying to mend, and gazed out through the window. It was evening and again the spring. "Oh, bother Charlotte," she said thoughtfully. "What can such people be made of?" "Same stuff as parsons are made of." "Nonsense!" "Quite right. It is nonsense." "Now you get up off the cold floor, or you'll be starting rheumatism next, and you stop laughing and being so silly." "Why shouldn't I laugh?" he asked, pinning her with his elbows, and advancing his face to hers. "What's there to cry at? Kiss me here." He indicated the spot where a kiss would be welcome. He was a boy after all. When it came to the point, it was she | the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--"<|quote|>"But why should they, when you have deceived them?"</|quote|>Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him," quavered Lucy. A look of contempt came over him, and he said, "Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the | A Room With A View |
"We were going to celebrate so, and instead we've just had scenes. It's so childish. We have dreadful scenes, and he cries and begs me to be reasonable, but he says he just can't do it." | Frances Clyne | my divorce." I said nothing.<|quote|>"We were going to celebrate so, and instead we've just had scenes. It's so childish. We have dreadful scenes, and he cries and begs me to be reasonable, but he says he just can't do it."</|quote|>"It's rotten luck." "I should | years, and I've just gotten my divorce." I said nothing.<|quote|>"We were going to celebrate so, and instead we've just had scenes. It's so childish. We have dreadful scenes, and he cries and begs me to be reasonable, but he says he just can't do it."</|quote|>"It's rotten luck." "I should say it is rotten luck. | trying to talk inconsequentially. "I wouldn't marry him if he doesn't want to. Of course I wouldn't. I wouldn't marry him now for anything. But it does seem to me to be a little late now, after we've waited three years, and I've just gotten my divorce." I said nothing.<|quote|>"We were going to celebrate so, and instead we've just had scenes. It's so childish. We have dreadful scenes, and he cries and begs me to be reasonable, but he says he just can't do it."</|quote|>"It's rotten luck." "I should say it is rotten luck. I've wasted two years and a half on him now. And I don't know now if any man will ever want to marry me. Two years ago I could have married anybody I wanted, down at Cannes. All the old | one that we were going to be married, and I told my mother and every one, and now he doesn't want to do it." "What's the matter?" "He's decided he hasn't lived enough. I knew it would happen when he went to New York." She looked up, very bright-eyed and trying to talk inconsequentially. "I wouldn't marry him if he doesn't want to. Of course I wouldn't. I wouldn't marry him now for anything. But it does seem to me to be a little late now, after we've waited three years, and I've just gotten my divorce." I said nothing.<|quote|>"We were going to celebrate so, and instead we've just had scenes. It's so childish. We have dreadful scenes, and he cries and begs me to be reasonable, but he says he just can't do it."</|quote|>"It's rotten luck." "I should say it is rotten luck. I've wasted two years and a half on him now. And I don't know now if any man will ever want to marry me. Two years ago I could have married anybody I wanted, down at Cannes. All the old ones that wanted to marry somebody chic and settle down were crazy about me. Now I don't think I could get anybody." "Sure, you could marry anybody." "No, I don't believe it. And I'm fond of him, too. And I'd like to have children. I always thought we'd have children." | dance, and then went off with that Brett one." "Don't you like her?" Cohn asked. "I think she's perfectly charming. Don't you?" Cohn said nothing. "Look, Jake. I want to talk with you. Would you come over with me to the Dome? You'll stay here, won't you, Robert? Come on, Jake." We crossed the Boulevard Montparnasse and sat down at a table. A boy came up with the _Paris Times_, and I bought one and opened it. "What's the matter, Frances?" "Oh, nothing," she said, "except that he wants to leave me." "How do you mean?" "Oh, he told every one that we were going to be married, and I told my mother and every one, and now he doesn't want to do it." "What's the matter?" "He's decided he hasn't lived enough. I knew it would happen when he went to New York." She looked up, very bright-eyed and trying to talk inconsequentially. "I wouldn't marry him if he doesn't want to. Of course I wouldn't. I wouldn't marry him now for anything. But it does seem to me to be a little late now, after we've waited three years, and I've just gotten my divorce." I said nothing.<|quote|>"We were going to celebrate so, and instead we've just had scenes. It's so childish. We have dreadful scenes, and he cries and begs me to be reasonable, but he says he just can't do it."</|quote|>"It's rotten luck." "I should say it is rotten luck. I've wasted two years and a half on him now. And I don't know now if any man will ever want to marry me. Two years ago I could have married anybody I wanted, down at Cannes. All the old ones that wanted to marry somebody chic and settle down were crazy about me. Now I don't think I could get anybody." "Sure, you could marry anybody." "No, I don't believe it. And I'm fond of him, too. And I'd like to have children. I always thought we'd have children." She looked at me very brightly. "I never liked children much, but I don't want to think I'll never have them. I always thought I'd have them and then like them." "He's got children." "Oh, yes. He's got children, and he's got money, and he's got a rich mother, and he's written a book, and nobody will publish my stuff; nobody at all. It isn't bad, either. And I haven't got any money at all. I could have had alimony, but I got the divorce the quickest way." She looked at me again very brightly. "It isn't right. It's my | a date." "What time?" "Frances is coming here at seven-fifteen." "There she is." Frances Clyne was coming toward us from across the street. She was a very tall girl who walked with a great deal of movement. She waved and smiled. We watched her cross the street. "Hello," she said, "I'm so glad you're here, Jake. I've been wanting to talk to you." "Hello, Frances," said Cohn. He smiled. "Why, hello, Robert. Are you here?" She went on, talking rapidly. "I've had the darndest time. This one" "--shaking her head at Cohn--" "didn't come home for lunch." "I wasn't supposed to." "Oh, I know. But you didn't say anything about it to the cook. Then I had a date myself, and Paula wasn't at her office. I went to the Ritz and waited for her, and she never came, and of course I didn't have enough money to lunch at the Ritz----" "What did you do?" "Oh, went out, of course." She spoke in a sort of imitation joyful manner. "I always keep my appointments. No one keeps theirs, nowadays. I ought to know better. How are you, Jake, anyway?" "Fine." "That was a fine girl you had at the dance, and then went off with that Brett one." "Don't you like her?" Cohn asked. "I think she's perfectly charming. Don't you?" Cohn said nothing. "Look, Jake. I want to talk with you. Would you come over with me to the Dome? You'll stay here, won't you, Robert? Come on, Jake." We crossed the Boulevard Montparnasse and sat down at a table. A boy came up with the _Paris Times_, and I bought one and opened it. "What's the matter, Frances?" "Oh, nothing," she said, "except that he wants to leave me." "How do you mean?" "Oh, he told every one that we were going to be married, and I told my mother and every one, and now he doesn't want to do it." "What's the matter?" "He's decided he hasn't lived enough. I knew it would happen when he went to New York." She looked up, very bright-eyed and trying to talk inconsequentially. "I wouldn't marry him if he doesn't want to. Of course I wouldn't. I wouldn't marry him now for anything. But it does seem to me to be a little late now, after we've waited three years, and I've just gotten my divorce." I said nothing.<|quote|>"We were going to celebrate so, and instead we've just had scenes. It's so childish. We have dreadful scenes, and he cries and begs me to be reasonable, but he says he just can't do it."</|quote|>"It's rotten luck." "I should say it is rotten luck. I've wasted two years and a half on him now. And I don't know now if any man will ever want to marry me. Two years ago I could have married anybody I wanted, down at Cannes. All the old ones that wanted to marry somebody chic and settle down were crazy about me. Now I don't think I could get anybody." "Sure, you could marry anybody." "No, I don't believe it. And I'm fond of him, too. And I'd like to have children. I always thought we'd have children." She looked at me very brightly. "I never liked children much, but I don't want to think I'll never have them. I always thought I'd have them and then like them." "He's got children." "Oh, yes. He's got children, and he's got money, and he's got a rich mother, and he's written a book, and nobody will publish my stuff; nobody at all. It isn't bad, either. And I haven't got any money at all. I could have had alimony, but I got the divorce the quickest way." She looked at me again very brightly. "It isn't right. It's my own fault and it's not, too. I ought to have known better. And when I tell him he just cries and says he can't marry. Why can't he marry? I'd be a good wife. I'm easy to get along with. I leave him alone. It doesn't do any good." "It's a rotten shame." "Yes, it is a rotten shame. But there's no use talking about it, is there? Come on, let's go back to the caf ." "And of course there isn't anything I can do." "No. Just don't let him know I talked to you. I know what he wants." Now for the first time she dropped her bright, terribly cheerful manner. "He wants to go back to New York alone, and be there when his book comes out so when a lot of little chickens like it. That's what he wants." "Maybe they won't like it. I don't think he's that way. Really." "You don't know him like I do, Jake. That's what he wants to do. I know it. I know it. That's why he doesn't want to marry. He wants to have a big triumph this fall all by himself." "Want to go back to the | "Come on, Harvey," I said. "Have another porto." "No," he said. "I'm going up the street and eat. See you later, Jake." He walked out and up the street. I watched him crossing the street through the taxis, small, heavy, slowly sure of himself in the traffic. "He always gets me sore," Cohn said. "I can't stand him." "I like him," I said. "I'm fond of him. You don't want to get sore at him." "I know it," Cohn said. "He just gets on my nerves." "Write this afternoon?" "No. I couldn't get it going. It's harder to do than my first book. I'm having a hard time handling it." The sort of healthy conceit that he had when he returned from America early in the spring was gone. Then he had been sure of his work, only with these personal longings for adventure. Now the sureness was gone. Somehow I feel I have not shown Robert Cohn clearly. The reason is that until he fell in love with Brett, I never heard him make one remark that would, in any way, detach him from other people. He was nice to watch on the tennis-court, he had a good body, and he kept it in shape; he handled his cards well at bridge, and he had a funny sort of undergraduate quality about him. If he were in a crowd nothing he said stood out. He wore what used to be called polo shirts at school, and may be called that still, but he was not professionally youthful. I do not believe he thought about his clothes much. Externally he had been formed at Princeton. Internally he had been moulded by the two women who had trained him. He had a nice, boyish sort of cheerfulness that had never been trained out of him, and I probably have not brought it out. He loved to win at tennis. He probably loved to win as much as Lenglen, for instance. On the other hand, he was not angry at being beaten. When he fell in love with Brett his tennis game went all to pieces. People beat him who had never had a chance with him. He was very nice about it. Anyhow, we were sitting on the terrace of the Caf Select, and Harvey Stone had just crossed the street. "Come on up to the Lilas," I said. "I have a date." "What time?" "Frances is coming here at seven-fifteen." "There she is." Frances Clyne was coming toward us from across the street. She was a very tall girl who walked with a great deal of movement. She waved and smiled. We watched her cross the street. "Hello," she said, "I'm so glad you're here, Jake. I've been wanting to talk to you." "Hello, Frances," said Cohn. He smiled. "Why, hello, Robert. Are you here?" She went on, talking rapidly. "I've had the darndest time. This one" "--shaking her head at Cohn--" "didn't come home for lunch." "I wasn't supposed to." "Oh, I know. But you didn't say anything about it to the cook. Then I had a date myself, and Paula wasn't at her office. I went to the Ritz and waited for her, and she never came, and of course I didn't have enough money to lunch at the Ritz----" "What did you do?" "Oh, went out, of course." She spoke in a sort of imitation joyful manner. "I always keep my appointments. No one keeps theirs, nowadays. I ought to know better. How are you, Jake, anyway?" "Fine." "That was a fine girl you had at the dance, and then went off with that Brett one." "Don't you like her?" Cohn asked. "I think she's perfectly charming. Don't you?" Cohn said nothing. "Look, Jake. I want to talk with you. Would you come over with me to the Dome? You'll stay here, won't you, Robert? Come on, Jake." We crossed the Boulevard Montparnasse and sat down at a table. A boy came up with the _Paris Times_, and I bought one and opened it. "What's the matter, Frances?" "Oh, nothing," she said, "except that he wants to leave me." "How do you mean?" "Oh, he told every one that we were going to be married, and I told my mother and every one, and now he doesn't want to do it." "What's the matter?" "He's decided he hasn't lived enough. I knew it would happen when he went to New York." She looked up, very bright-eyed and trying to talk inconsequentially. "I wouldn't marry him if he doesn't want to. Of course I wouldn't. I wouldn't marry him now for anything. But it does seem to me to be a little late now, after we've waited three years, and I've just gotten my divorce." I said nothing.<|quote|>"We were going to celebrate so, and instead we've just had scenes. It's so childish. We have dreadful scenes, and he cries and begs me to be reasonable, but he says he just can't do it."</|quote|>"It's rotten luck." "I should say it is rotten luck. I've wasted two years and a half on him now. And I don't know now if any man will ever want to marry me. Two years ago I could have married anybody I wanted, down at Cannes. All the old ones that wanted to marry somebody chic and settle down were crazy about me. Now I don't think I could get anybody." "Sure, you could marry anybody." "No, I don't believe it. And I'm fond of him, too. And I'd like to have children. I always thought we'd have children." She looked at me very brightly. "I never liked children much, but I don't want to think I'll never have them. I always thought I'd have them and then like them." "He's got children." "Oh, yes. He's got children, and he's got money, and he's got a rich mother, and he's written a book, and nobody will publish my stuff; nobody at all. It isn't bad, either. And I haven't got any money at all. I could have had alimony, but I got the divorce the quickest way." She looked at me again very brightly. "It isn't right. It's my own fault and it's not, too. I ought to have known better. And when I tell him he just cries and says he can't marry. Why can't he marry? I'd be a good wife. I'm easy to get along with. I leave him alone. It doesn't do any good." "It's a rotten shame." "Yes, it is a rotten shame. But there's no use talking about it, is there? Come on, let's go back to the caf ." "And of course there isn't anything I can do." "No. Just don't let him know I talked to you. I know what he wants." Now for the first time she dropped her bright, terribly cheerful manner. "He wants to go back to New York alone, and be there when his book comes out so when a lot of little chickens like it. That's what he wants." "Maybe they won't like it. I don't think he's that way. Really." "You don't know him like I do, Jake. That's what he wants to do. I know it. I know it. That's why he doesn't want to marry. He wants to have a big triumph this fall all by himself." "Want to go back to the caf ?" "Yes. Come on." We got up from the table--they had never brought us a drink--and started across the street toward the Select, where Cohn sat smiling at us from behind the marble-topped table. "Well, what are you smiling at?" Frances asked him. "Feel pretty happy?" "I was smiling at you and Jake with your secrets." "Oh, what I've told Jake isn't any secret. Everybody will know it soon enough. I only wanted to give Jake a decent version." "What was it? About your going to England?" "Yes, about my going to England. Oh, Jake! I forgot to tell you. I'm going to England." "Isn't that fine!" "Yes, that's the way it's done in the very best families. Robert's sending me. He's going to give me two hundred pounds and then I'm going to visit friends. Won't it be lovely? The friends don't know about it, yet." She turned to Cohn and smiled at him. He was not smiling now. "You were only going to give me a hundred pounds, weren't you, Robert? But I made him give me two hundred. He's really very generous. Aren't you, Robert?" I do not know how people could say such terrible things to Robert Cohn. There are people to whom you could not say insulting things. They give you a feeling that the world would be destroyed, would actually be destroyed before your eyes, if you said certain things. But here was Cohn taking it all. Here it was, all going on right before me, and I did not even feel an impulse to try and stop it. And this was friendly joking to what went on later. "How can you say such things, Frances?" Cohn interrupted. "Listen to him. I'm going to England. I'm going to visit friends. Ever visit friends that didn't want you? Oh, they'll have to take me, all right. 'How do you do, my dear? Such a long time since we've seen you. And how is your dear mother?' Yes, how is my dear mother? She put all her money into French war bonds. Yes, she did. Probably the only person in the world that did. 'And what about Robert?' or else very careful talking around Robert. 'You must be most careful not to mention him, my dear. Poor Frances has had a most unfortunate experience.' Won't it be fun, Robert? Don't you think it will be | to." "Oh, I know. But you didn't say anything about it to the cook. Then I had a date myself, and Paula wasn't at her office. I went to the Ritz and waited for her, and she never came, and of course I didn't have enough money to lunch at the Ritz----" "What did you do?" "Oh, went out, of course." She spoke in a sort of imitation joyful manner. "I always keep my appointments. No one keeps theirs, nowadays. I ought to know better. How are you, Jake, anyway?" "Fine." "That was a fine girl you had at the dance, and then went off with that Brett one." "Don't you like her?" Cohn asked. "I think she's perfectly charming. Don't you?" Cohn said nothing. "Look, Jake. I want to talk with you. Would you come over with me to the Dome? You'll stay here, won't you, Robert? Come on, Jake." We crossed the Boulevard Montparnasse and sat down at a table. A boy came up with the _Paris Times_, and I bought one and opened it. "What's the matter, Frances?" "Oh, nothing," she said, "except that he wants to leave me." "How do you mean?" "Oh, he told every one that we were going to be married, and I told my mother and every one, and now he doesn't want to do it." "What's the matter?" "He's decided he hasn't lived enough. I knew it would happen when he went to New York." She looked up, very bright-eyed and trying to talk inconsequentially. "I wouldn't marry him if he doesn't want to. Of course I wouldn't. I wouldn't marry him now for anything. But it does seem to me to be a little late now, after we've waited three years, and I've just gotten my divorce." I said nothing.<|quote|>"We were going to celebrate so, and instead we've just had scenes. It's so childish. We have dreadful scenes, and he cries and begs me to be reasonable, but he says he just can't do it."</|quote|>"It's rotten luck." "I should say it is rotten luck. I've wasted two years and a half on him now. And I don't know now if any man will ever want to marry me. Two years ago I could have married anybody I wanted, down at Cannes. All the old ones that wanted to marry somebody chic and settle down were crazy about me. Now I don't think I could get anybody." "Sure, you could marry anybody." "No, I don't believe it. And I'm fond of him, too. And I'd like to have children. I always thought we'd have children." She looked at me very brightly. "I never liked children much, but I don't want to think I'll never have them. I always thought I'd have them and then like them." "He's got children." "Oh, yes. He's got children, and he's got money, and he's got a rich mother, and he's written a book, and nobody will publish my stuff; nobody at all. It isn't bad, either. And I haven't got any money at all. I could have had alimony, but I got the divorce the quickest way." She looked at me again very brightly. "It isn't right. It's my own fault and it's not, too. I ought to have known better. And when I tell him he just cries and says he can't marry. Why can't he marry? I'd be a good wife. I'm easy to get along with. I leave him alone. It doesn't do any good." "It's a rotten shame." "Yes, it is a rotten shame. But there's no use talking about it, is there? Come on, let's go back to the caf ." "And of course there isn't anything I can do." "No. Just don't let him know I talked to you. I know what he wants." Now for the first time she dropped her bright, terribly cheerful manner. "He wants to go back to New York alone, and be there when his book comes out so when a lot of little chickens like it. That's what he wants." "Maybe they won't like it. I don't think he's that way. Really." "You don't know him like I do, Jake. That's what he wants to do. I know it. I know it. That's why he | The Sun Also Rises |
said Cuss. | No speaker | "I won t argue again,"<|quote|>said Cuss.</|quote|>"We ve thrashed that out, | seen a really good conjuror" "I won t argue again,"<|quote|>said Cuss.</|quote|>"We ve thrashed that out, Bunting. And just now there | Cuss "incredible. But the fact remains that I saw I certainly saw right down his sleeve" "But did you are you sure? Suppose a mirror, for instance hallucinations are so easily produced. I don t know if you have ever seen a really good conjuror" "I won t argue again,"<|quote|>said Cuss.</|quote|>"We ve thrashed that out, Bunting. And just now there s these books Ah! here s some of what I take to be Greek! Greek letters certainly." He pointed to the middle of the page. Mr. Bunting flushed slightly and brought his face nearer, apparently finding some difficulty with his | as he did so. "One thing is indisputable," said Bunting, drawing up a chair next to that of Cuss. "There certainly have been very strange things happen in Iping during the last few days very strange. I cannot of course believe in this absurd invisibility story" "It s incredible," said Cuss "incredible. But the fact remains that I saw I certainly saw right down his sleeve" "But did you are you sure? Suppose a mirror, for instance hallucinations are so easily produced. I don t know if you have ever seen a really good conjuror" "I won t argue again,"<|quote|>said Cuss.</|quote|>"We ve thrashed that out, Bunting. And just now there s these books Ah! here s some of what I take to be Greek! Greek letters certainly." He pointed to the middle of the page. Mr. Bunting flushed slightly and brought his face nearer, apparently finding some difficulty with his glasses. Suddenly he became aware of a strange feeling at the nape of his neck. He tried to raise his head, and encountered an immovable resistance. The feeling was a curious pressure, the grip of a heavy, firm hand, and it bore his chin irresistibly to the table. "Don t | low voice curiously different from the huskiness of its first inquiry. "Right you are," said the intruder in the former voice. "Stand clear!" and he vanished and closed the door. "A sailor, I should judge," said Mr. Bunting. "Amusing fellows, they are." Stand clear! "indeed. A nautical term, referring to his getting back out of the room, I suppose." "I daresay so," said Cuss. "My nerves are all loose to-day. It quite made me jump the door opening like that." Mr. Bunting smiled as if he had not jumped. "And now," he said with a sigh, "these books." Someone sniffed as he did so. "One thing is indisputable," said Bunting, drawing up a chair next to that of Cuss. "There certainly have been very strange things happen in Iping during the last few days very strange. I cannot of course believe in this absurd invisibility story" "It s incredible," said Cuss "incredible. But the fact remains that I saw I certainly saw right down his sleeve" "But did you are you sure? Suppose a mirror, for instance hallucinations are so easily produced. I don t know if you have ever seen a really good conjuror" "I won t argue again,"<|quote|>said Cuss.</|quote|>"We ve thrashed that out, Bunting. And just now there s these books Ah! here s some of what I take to be Greek! Greek letters certainly." He pointed to the middle of the page. Mr. Bunting flushed slightly and brought his face nearer, apparently finding some difficulty with his glasses. Suddenly he became aware of a strange feeling at the nape of his neck. He tried to raise his head, and encountered an immovable resistance. The feeling was a curious pressure, the grip of a heavy, firm hand, and it bore his chin irresistibly to the table. "Don t move, little men," whispered a voice, "or I ll brain you both!" He looked into the face of Cuss, close to his own, and each saw a horrified reflection of his own sickly astonishment. "I m sorry to handle you so roughly," said the Voice, "but it s unavoidable." "Since when did you learn to pry into an investigator s private memoranda," said the Voice; and two chins struck the table simultaneously, and two sets of teeth rattled. "Since when did you learn to invade the private rooms of a man in misfortune?" and the concussion was repeated. "Where have | of it s Russian or some such language (to judge by the letters), and some of it s Greek. Now the Greek I thought _you_" "Of course," said Mr. Bunting, taking out and wiping his spectacles and feeling suddenly very uncomfortable for he had no Greek left in his mind worth talking about; "yes the Greek, of course, may furnish a clue." "I ll find you a place." "I d rather glance through the volumes first," said Mr. Bunting, still wiping. "A general impression first, Cuss, and _then_, you know, we can go looking for clues." He coughed, put on his glasses, arranged them fastidiously, coughed again, and wished something would happen to avert the seemingly inevitable exposure. Then he took the volume Cuss handed him in a leisurely manner. And then something did happen. The door opened suddenly. Both gentlemen started violently, looked round, and were relieved to see a sporadically rosy face beneath a furry silk hat. "Tap?" asked the face, and stood staring. "No," said both gentlemen at once. "Over the other side, my man," said Mr. Bunting. And "Please shut that door," said Mr. Cuss, irritably. "All right," said the intruder, as it seemed in a low voice curiously different from the huskiness of its first inquiry. "Right you are," said the intruder in the former voice. "Stand clear!" and he vanished and closed the door. "A sailor, I should judge," said Mr. Bunting. "Amusing fellows, they are." Stand clear! "indeed. A nautical term, referring to his getting back out of the room, I suppose." "I daresay so," said Cuss. "My nerves are all loose to-day. It quite made me jump the door opening like that." Mr. Bunting smiled as if he had not jumped. "And now," he said with a sigh, "these books." Someone sniffed as he did so. "One thing is indisputable," said Bunting, drawing up a chair next to that of Cuss. "There certainly have been very strange things happen in Iping during the last few days very strange. I cannot of course believe in this absurd invisibility story" "It s incredible," said Cuss "incredible. But the fact remains that I saw I certainly saw right down his sleeve" "But did you are you sure? Suppose a mirror, for instance hallucinations are so easily produced. I don t know if you have ever seen a really good conjuror" "I won t argue again,"<|quote|>said Cuss.</|quote|>"We ve thrashed that out, Bunting. And just now there s these books Ah! here s some of what I take to be Greek! Greek letters certainly." He pointed to the middle of the page. Mr. Bunting flushed slightly and brought his face nearer, apparently finding some difficulty with his glasses. Suddenly he became aware of a strange feeling at the nape of his neck. He tried to raise his head, and encountered an immovable resistance. The feeling was a curious pressure, the grip of a heavy, firm hand, and it bore his chin irresistibly to the table. "Don t move, little men," whispered a voice, "or I ll brain you both!" He looked into the face of Cuss, close to his own, and each saw a horrified reflection of his own sickly astonishment. "I m sorry to handle you so roughly," said the Voice, "but it s unavoidable." "Since when did you learn to pry into an investigator s private memoranda," said the Voice; and two chins struck the table simultaneously, and two sets of teeth rattled. "Since when did you learn to invade the private rooms of a man in misfortune?" and the concussion was repeated. "Where have they put my clothes?" "Listen," said the Voice. "The windows are fastened and I ve taken the key out of the door. I am a fairly strong man, and I have the poker handy besides being invisible. There s not the slightest doubt that I could kill you both and get away quite easily if I wanted to do you understand? Very well. If I let you go will you promise not to try any nonsense and do what I tell you?" The vicar and the doctor looked at one another, and the doctor pulled a face. "Yes," said Mr. Bunting, and the doctor repeated it. Then the pressure on the necks relaxed, and the doctor and the vicar sat up, both very red in the face and wriggling their heads. "Please keep sitting where you are," said the Invisible Man. "Here s the poker, you see." "When I came into this room," continued the Invisible Man, after presenting the poker to the tip of the nose of each of his visitors, "I did not expect to find it occupied, and I expected to find, in addition to my books of memoranda, an outfit of clothing. Where is it? No | table-cloth in one hand, and three books tied together as it proved afterwards with the Vicar s braces in the other. Directly he saw Huxter he gave a sort of gasp, and turning sharply to the left, began to run. "Stop, thief!" cried Huxter, and set off after him. Mr. Huxter s sensations were vivid but brief. He saw the man just before him and spurting briskly for the church corner and the hill road. He saw the village flags and festivities beyond, and a face or so turned towards him. He bawled, "Stop!" again. He had hardly gone ten strides before his shin was caught in some mysterious fashion, and he was no longer running, but flying with inconceivable rapidity through the air. He saw the ground suddenly close to his face. The world seemed to splash into a million whirling specks of light, and subsequent proceedings interested him no more. CHAPTER XI. IN THE "COACH AND HORSES" Now in order clearly to understand what had happened in the inn, it is necessary to go back to the moment when Mr. Marvel first came into view of Mr. Huxter s window. At that precise moment Mr. Cuss and Mr. Bunting were in the parlour. They were seriously investigating the strange occurrences of the morning, and were, with Mr. Hall s permission, making a thorough examination of the Invisible Man s belongings. Jaffers had partially recovered from his fall and had gone home in the charge of his sympathetic friends. The stranger s scattered garments had been removed by Mrs. Hall and the room tidied up. And on the table under the window where the stranger had been wont to work, Cuss had hit almost at once on three big books in manuscript labelled "Diary." "Diary!" said Cuss, putting the three books on the table. "Now, at any rate, we shall learn something." The Vicar stood with his hands on the table. "Diary," repeated Cuss, sitting down, putting two volumes to support the third, and opening it. "H m no name on the fly-leaf. Bother! cypher. And figures." The vicar came round to look over his shoulder. Cuss turned the pages over with a face suddenly disappointed. "I m dear me! It s all cypher, Bunting." "There are no diagrams?" asked Mr. Bunting. "No illustrations throwing light" "See for yourself," said Mr. Cuss. "Some of it s mathematical and some of it s Russian or some such language (to judge by the letters), and some of it s Greek. Now the Greek I thought _you_" "Of course," said Mr. Bunting, taking out and wiping his spectacles and feeling suddenly very uncomfortable for he had no Greek left in his mind worth talking about; "yes the Greek, of course, may furnish a clue." "I ll find you a place." "I d rather glance through the volumes first," said Mr. Bunting, still wiping. "A general impression first, Cuss, and _then_, you know, we can go looking for clues." He coughed, put on his glasses, arranged them fastidiously, coughed again, and wished something would happen to avert the seemingly inevitable exposure. Then he took the volume Cuss handed him in a leisurely manner. And then something did happen. The door opened suddenly. Both gentlemen started violently, looked round, and were relieved to see a sporadically rosy face beneath a furry silk hat. "Tap?" asked the face, and stood staring. "No," said both gentlemen at once. "Over the other side, my man," said Mr. Bunting. And "Please shut that door," said Mr. Cuss, irritably. "All right," said the intruder, as it seemed in a low voice curiously different from the huskiness of its first inquiry. "Right you are," said the intruder in the former voice. "Stand clear!" and he vanished and closed the door. "A sailor, I should judge," said Mr. Bunting. "Amusing fellows, they are." Stand clear! "indeed. A nautical term, referring to his getting back out of the room, I suppose." "I daresay so," said Cuss. "My nerves are all loose to-day. It quite made me jump the door opening like that." Mr. Bunting smiled as if he had not jumped. "And now," he said with a sigh, "these books." Someone sniffed as he did so. "One thing is indisputable," said Bunting, drawing up a chair next to that of Cuss. "There certainly have been very strange things happen in Iping during the last few days very strange. I cannot of course believe in this absurd invisibility story" "It s incredible," said Cuss "incredible. But the fact remains that I saw I certainly saw right down his sleeve" "But did you are you sure? Suppose a mirror, for instance hallucinations are so easily produced. I don t know if you have ever seen a really good conjuror" "I won t argue again,"<|quote|>said Cuss.</|quote|>"We ve thrashed that out, Bunting. And just now there s these books Ah! here s some of what I take to be Greek! Greek letters certainly." He pointed to the middle of the page. Mr. Bunting flushed slightly and brought his face nearer, apparently finding some difficulty with his glasses. Suddenly he became aware of a strange feeling at the nape of his neck. He tried to raise his head, and encountered an immovable resistance. The feeling was a curious pressure, the grip of a heavy, firm hand, and it bore his chin irresistibly to the table. "Don t move, little men," whispered a voice, "or I ll brain you both!" He looked into the face of Cuss, close to his own, and each saw a horrified reflection of his own sickly astonishment. "I m sorry to handle you so roughly," said the Voice, "but it s unavoidable." "Since when did you learn to pry into an investigator s private memoranda," said the Voice; and two chins struck the table simultaneously, and two sets of teeth rattled. "Since when did you learn to invade the private rooms of a man in misfortune?" and the concussion was repeated. "Where have they put my clothes?" "Listen," said the Voice. "The windows are fastened and I ve taken the key out of the door. I am a fairly strong man, and I have the poker handy besides being invisible. There s not the slightest doubt that I could kill you both and get away quite easily if I wanted to do you understand? Very well. If I let you go will you promise not to try any nonsense and do what I tell you?" The vicar and the doctor looked at one another, and the doctor pulled a face. "Yes," said Mr. Bunting, and the doctor repeated it. Then the pressure on the necks relaxed, and the doctor and the vicar sat up, both very red in the face and wriggling their heads. "Please keep sitting where you are," said the Invisible Man. "Here s the poker, you see." "When I came into this room," continued the Invisible Man, after presenting the poker to the tip of the nose of each of his visitors, "I did not expect to find it occupied, and I expected to find, in addition to my books of memoranda, an outfit of clothing. Where is it? No don t rise. I can see it s gone. Now, just at present, though the days are quite warm enough for an invisible man to run about stark, the evenings are quite chilly. I want clothing and other accommodation; and I must also have those three books." CHAPTER XII. THE INVISIBLE MAN LOSES HIS TEMPER It is unavoidable that at this point the narrative should break off again, for a certain very painful reason that will presently be apparent. While these things were going on in the parlour, and while Mr. Huxter was watching Mr. Marvel smoking his pipe against the gate, not a dozen yards away were Mr. Hall and Teddy Henfrey discussing in a state of cloudy puzzlement the one Iping topic. Suddenly there came a violent thud against the door of the parlour, a sharp cry, and then silence. "Hul-lo!" said Teddy Henfrey. "Hul-lo!" from the Tap. Mr. Hall took things in slowly but surely. "That ain t right," he said, and came round from behind the bar towards the parlour door. He and Teddy approached the door together, with intent faces. Their eyes considered. "Summat wrong," said Hall, and Henfrey nodded agreement. Whiffs of an unpleasant chemical odour met them, and there was a muffled sound of conversation, very rapid and subdued. "You all right thur?" asked Hall, rapping. The muttered conversation ceased abruptly, for a moment silence, then the conversation was resumed, in hissing whispers, then a sharp cry of "No! no, you don t!" There came a sudden motion and the oversetting of a chair, a brief struggle. Silence again. "What the dooce?" exclaimed Henfrey, _sotto voce_. "You all right thur?" asked Mr. Hall, sharply, again. The Vicar s voice answered with a curious jerking intonation: "Quite ri-right. Please don t interrupt." "Odd!" said Mr. Henfrey. "Odd!" said Mr. Hall. "Says, Don t interrupt," said Henfrey. "I heerd n," said Hall. "And a sniff," said Henfrey. They remained listening. The conversation was rapid and subdued. "I _can t_," said Mr. Bunting, his voice rising; "I tell you, sir, I _will_ not." "What was that?" asked Henfrey. "Says he wi nart," said Hall. "Warn t speaking to us, wuz he?" "Disgraceful!" said Mr. Bunting, within. " Disgraceful, " said Mr. Henfrey. "I heard it distinct." "Who s that speaking now?" asked Henfrey. "Mr. Cuss, I s pose," said Hall. "Can you hear anything?" Silence. The | manner. And then something did happen. The door opened suddenly. Both gentlemen started violently, looked round, and were relieved to see a sporadically rosy face beneath a furry silk hat. "Tap?" asked the face, and stood staring. "No," said both gentlemen at once. "Over the other side, my man," said Mr. Bunting. And "Please shut that door," said Mr. Cuss, irritably. "All right," said the intruder, as it seemed in a low voice curiously different from the huskiness of its first inquiry. "Right you are," said the intruder in the former voice. "Stand clear!" and he vanished and closed the door. "A sailor, I should judge," said Mr. Bunting. "Amusing fellows, they are." Stand clear! "indeed. A nautical term, referring to his getting back out of the room, I suppose." "I daresay so," said Cuss. "My nerves are all loose to-day. It quite made me jump the door opening like that." Mr. Bunting smiled as if he had not jumped. "And now," he said with a sigh, "these books." Someone sniffed as he did so. "One thing is indisputable," said Bunting, drawing up a chair next to that of Cuss. "There certainly have been very strange things happen in Iping during the last few days very strange. I cannot of course believe in this absurd invisibility story" "It s incredible," said Cuss "incredible. But the fact remains that I saw I certainly saw right down his sleeve" "But did you are you sure? Suppose a mirror, for instance hallucinations are so easily produced. I don t know if you have ever seen a really good conjuror" "I won t argue again,"<|quote|>said Cuss.</|quote|>"We ve thrashed that out, Bunting. And just now there s these books Ah! here s some of what I take to be Greek! Greek letters certainly." He pointed to the middle of the page. Mr. Bunting flushed slightly and brought his face nearer, apparently finding some difficulty with his glasses. Suddenly he became aware of a strange feeling at the nape of his neck. He tried to raise his head, and encountered an immovable resistance. The feeling was a curious pressure, the grip of a heavy, firm hand, and it bore his chin irresistibly to the table. "Don t move, little men," whispered a voice, "or I ll brain you both!" He looked into the face of Cuss, close to his own, and each saw a horrified reflection of his own sickly astonishment. "I m sorry to handle you so roughly," said the Voice, "but it s unavoidable." "Since when did you learn to pry into an investigator s private memoranda," said the Voice; and two chins struck the table simultaneously, and two sets of teeth rattled. "Since when did you learn to invade the private rooms of a man in misfortune?" and the concussion was repeated. "Where have they put my clothes?" "Listen," said the Voice. "The windows are fastened and I ve taken the key out of the door. I am a fairly strong man, and I have the poker handy besides being invisible. There s not the slightest doubt that I could kill you both and get away quite easily if I wanted to do you understand? Very well. If I let you go will you promise not to try any nonsense and do what I tell you?" The vicar and the doctor looked at one another, and the doctor pulled a face. "Yes," said Mr. Bunting, and the doctor repeated it. Then the pressure on the necks relaxed, and the doctor and the vicar sat up, both very red in the face and wriggling their heads. "Please keep sitting where you are," said the Invisible Man. "Here s the poker, you see." "When I came into this room," continued the Invisible Man, after presenting the poker to the tip of the nose of each of his visitors, "I | The Invisible Man |
"So I say, but Helen, who will muddle things, says no, it s like music. The course of the Oder is to be like music. It s obliged to remind her of a symphonic poem. The part by the landing-stage is in B minor, if I remember rightly, but lower down things get extremely mixed. There is a slodgy theme in several keys at once, meaning mud-banks, and another for the navigable canal, and the exit into the Baltic is in C sharp major, pianissimo." | Margaret | most beautiful view, Miss Schlegel."<|quote|>"So I say, but Helen, who will muddle things, says no, it s like music. The course of the Oder is to be like music. It s obliged to remind her of a symphonic poem. The part by the landing-stage is in B minor, if I remember rightly, but lower down things get extremely mixed. There is a slodgy theme in several keys at once, meaning mud-banks, and another for the navigable canal, and the exit into the Baltic is in C sharp major, pianissimo."</|quote|>"What do the overhanging warehouses | "Indeed! That sounds like a most beautiful view, Miss Schlegel."<|quote|>"So I say, but Helen, who will muddle things, says no, it s like music. The course of the Oder is to be like music. It s obliged to remind her of a symphonic poem. The part by the landing-stage is in B minor, if I remember rightly, but lower down things get extremely mixed. There is a slodgy theme in several keys at once, meaning mud-banks, and another for the navigable canal, and the exit into the Baltic is in C sharp major, pianissimo."</|quote|>"What do the overhanging warehouses make of that?" asked the | the view of the Oder, which truly is something special. Oh, Mrs. Wilcox, you would love the Oder! The river, or rather rivers--there seem to be dozens of them--are intense blue, and the plain they run through an intensest green." "Indeed! That sounds like a most beautiful view, Miss Schlegel."<|quote|>"So I say, but Helen, who will muddle things, says no, it s like music. The course of the Oder is to be like music. It s obliged to remind her of a symphonic poem. The part by the landing-stage is in B minor, if I remember rightly, but lower down things get extremely mixed. There is a slodgy theme in several keys at once, meaning mud-banks, and another for the navigable canal, and the exit into the Baltic is in C sharp major, pianissimo."</|quote|>"What do the overhanging warehouses make of that?" asked the man, laughing. "They make a great deal of it," replied Margaret, unexpectedly rushing off on a new track. "I think it s affectation to compare the Oder to music, and so do you, but the overhanging warehouses of Stettin take | Stettin ought to look like. Was there such a thing as Stettininity? Margaret swept on. "People at Stettin drop things into boats out of overhanging warehouses. At least, our cousins do, but aren t particularly rich. The town isn t interesting, except for a clock that rolls its eyes, and the view of the Oder, which truly is something special. Oh, Mrs. Wilcox, you would love the Oder! The river, or rather rivers--there seem to be dozens of them--are intense blue, and the plain they run through an intensest green." "Indeed! That sounds like a most beautiful view, Miss Schlegel."<|quote|>"So I say, but Helen, who will muddle things, says no, it s like music. The course of the Oder is to be like music. It s obliged to remind her of a symphonic poem. The part by the landing-stage is in B minor, if I remember rightly, but lower down things get extremely mixed. There is a slodgy theme in several keys at once, meaning mud-banks, and another for the navigable canal, and the exit into the Baltic is in C sharp major, pianissimo."</|quote|>"What do the overhanging warehouses make of that?" asked the man, laughing. "They make a great deal of it," replied Margaret, unexpectedly rushing off on a new track. "I think it s affectation to compare the Oder to music, and so do you, but the overhanging warehouses of Stettin take beauty seriously, which we don t, and the average Englishman doesn t, and despises all who do. Now don t say Germans have no taste, or I shall scream. They haven t. But--but--such a tremendous but!--they take poetry seriously. They do take poetry seriously." "Is anything gained by that?" "Yes, | of Helen, her hostess was too much occupied in placing Rothenstein to answer. The question was repeated: "I hope that your sister is safe in Germany by now." Margaret checked herself and said, "Yes, thank you; I heard on Tuesday." But the demon of vociferation was in her, and the next moment she was off again. "Only on Tuesday, for they live right away at Stettin. Did you ever know any one living at Stettin?" "Never," said Mrs. Wilcox gravely, while her neighbour, a young man low down in the Education Office, began to discuss what people who lived at Stettin ought to look like. Was there such a thing as Stettininity? Margaret swept on. "People at Stettin drop things into boats out of overhanging warehouses. At least, our cousins do, but aren t particularly rich. The town isn t interesting, except for a clock that rolls its eyes, and the view of the Oder, which truly is something special. Oh, Mrs. Wilcox, you would love the Oder! The river, or rather rivers--there seem to be dozens of them--are intense blue, and the plain they run through an intensest green." "Indeed! That sounds like a most beautiful view, Miss Schlegel."<|quote|>"So I say, but Helen, who will muddle things, says no, it s like music. The course of the Oder is to be like music. It s obliged to remind her of a symphonic poem. The part by the landing-stage is in B minor, if I remember rightly, but lower down things get extremely mixed. There is a slodgy theme in several keys at once, meaning mud-banks, and another for the navigable canal, and the exit into the Baltic is in C sharp major, pianissimo."</|quote|>"What do the overhanging warehouses make of that?" asked the man, laughing. "They make a great deal of it," replied Margaret, unexpectedly rushing off on a new track. "I think it s affectation to compare the Oder to music, and so do you, but the overhanging warehouses of Stettin take beauty seriously, which we don t, and the average Englishman doesn t, and despises all who do. Now don t say Germans have no taste, or I shall scream. They haven t. But--but--such a tremendous but!--they take poetry seriously. They do take poetry seriously." "Is anything gained by that?" "Yes, yes. The German is always on the lookout for beauty. He may miss it through stupidity, or misinterpret it, but he is always asking beauty to enter his life, and I believe that in the end it will come. At Heidelberg I met a fat veterinary surgeon whose voice broke with sobs as he repeated some mawkish poetry. So easy for me to laugh--I, who never repeat poetry, good or bad, and cannot remember one fragment of verse to thrill myself with. My blood boils--well, I m half German, so put it down to patriotism--when I listen to the tasteful | Wilcox s honour was not a success. The new friend did not blend with the "one or two delightful people" who had been asked to meet her, and the atmosphere was one of polite bewilderment. Her tastes were simple, her knowledge of culture slight, and she was not interested in the New English Art Club, nor in the dividing-line between Journalism and Literature, which was started as a conversational hare. The delightful people darted after it with cries of joy, Margaret leading them, and not till the meal was half over did they realise that the principal guest had taken no part in the chase. There was no common topic. Mrs. Wilcox, whose life had been spent in the service of husband and sons, had little to say to strangers who had never shared it, and whose age was half her own. Clever talk alarmed her, and withered her delicate imaginings; it was the social counterpart of a motor-car, all jerks, and she was a wisp of hay, a flower. Twice she deplored the weather, twice criticised the train service on the Great Northern Railway. They vigorously assented, and rushed on, and when she inquired whether there was any news of Helen, her hostess was too much occupied in placing Rothenstein to answer. The question was repeated: "I hope that your sister is safe in Germany by now." Margaret checked herself and said, "Yes, thank you; I heard on Tuesday." But the demon of vociferation was in her, and the next moment she was off again. "Only on Tuesday, for they live right away at Stettin. Did you ever know any one living at Stettin?" "Never," said Mrs. Wilcox gravely, while her neighbour, a young man low down in the Education Office, began to discuss what people who lived at Stettin ought to look like. Was there such a thing as Stettininity? Margaret swept on. "People at Stettin drop things into boats out of overhanging warehouses. At least, our cousins do, but aren t particularly rich. The town isn t interesting, except for a clock that rolls its eyes, and the view of the Oder, which truly is something special. Oh, Mrs. Wilcox, you would love the Oder! The river, or rather rivers--there seem to be dozens of them--are intense blue, and the plain they run through an intensest green." "Indeed! That sounds like a most beautiful view, Miss Schlegel."<|quote|>"So I say, but Helen, who will muddle things, says no, it s like music. The course of the Oder is to be like music. It s obliged to remind her of a symphonic poem. The part by the landing-stage is in B minor, if I remember rightly, but lower down things get extremely mixed. There is a slodgy theme in several keys at once, meaning mud-banks, and another for the navigable canal, and the exit into the Baltic is in C sharp major, pianissimo."</|quote|>"What do the overhanging warehouses make of that?" asked the man, laughing. "They make a great deal of it," replied Margaret, unexpectedly rushing off on a new track. "I think it s affectation to compare the Oder to music, and so do you, but the overhanging warehouses of Stettin take beauty seriously, which we don t, and the average Englishman doesn t, and despises all who do. Now don t say Germans have no taste, or I shall scream. They haven t. But--but--such a tremendous but!--they take poetry seriously. They do take poetry seriously." "Is anything gained by that?" "Yes, yes. The German is always on the lookout for beauty. He may miss it through stupidity, or misinterpret it, but he is always asking beauty to enter his life, and I believe that in the end it will come. At Heidelberg I met a fat veterinary surgeon whose voice broke with sobs as he repeated some mawkish poetry. So easy for me to laugh--I, who never repeat poetry, good or bad, and cannot remember one fragment of verse to thrill myself with. My blood boils--well, I m half German, so put it down to patriotism--when I listen to the tasteful contempt of the average islander for things Teutonic, whether they re Bocklin or my veterinary surgeon. Oh, Bocklin, they say; he strains after beauty, he peoples Nature with gods too consciously. Of course Bocklin strains, because he wants something--beauty and all the other intangible gifts that are floating about the world. So his landscapes don t come off, and Leader s do." "I am not sure that I agree. Do you?" said he, turning to Mrs. Wilcox. She replied: "I think Miss Schlegel puts everything splendidly;" and a chill fell on the conversation. "Oh, Mrs. Wilcox, say something nicer than that. It s such a snub to be told you put things splendidly." "I do not mean it as a snub. Your last speech interested me so much. Generally people do not seem quite to like Germany. I have long wanted to hear what is said on the other side." "The other side? Then you do disagree. Oh, good! Give us your side." "I have no side. But my husband" "--her voice softened, the chill increased--" "has very little faith in the Continent, and our children have all taken after him." "On what grounds? Do they feel that the Continent | Margaret, blushing, but letting her hand remain in that of the invalid. "I wonder. I wondered at Heidelberg." "I M sure!" "I almost think--" "Yes?" asked Margaret, for there was a long pause--a pause that was somehow akin to the flicker of the fire, the quiver of the reading-lamp upon their hands, the white blur from the window; a pause of shifting and eternal shadows. "I almost think you forget you re a girl." Margaret was startled and a little annoyed. "I m twenty-nine," she remarked. "That s not so wildly girlish." Mrs. Wilcox smiled. "What makes you say that? Do you mean that I have been gauche and rude?" A shake of the head. "I only meant that I am fifty-one, and that to me both of you--Read it all in some book or other; I cannot put things clearly." "Oh, I ve got it--inexperience. I m no better than Helen, you mean, and yet I presume to advise her." "Yes. You have got it. Inexperience is the word." "Inexperience," repeated Margaret, in serious yet buoyant tones. "Of course, I have everything to learn--absolutely everything--just as much as Helen. Life s very difficult and full of surprises. At all events, I ve got as far as that. To be humble and kind, to go straight ahead, to love people rather than pity them, to remember the submerged--well, one can t do all these things at once, worse luck, because they re so contradictory. It s then that proportion comes in--to live by proportion. Don t BEGIN with proportion. Only prigs do that. Let proportion come in as a last resource, when the better things have failed, and a deadlock--Gracious me, I ve started preaching!" "Indeed, you put the difficulties of life splendidly," said Mrs. Wilcox, withdrawing her hand into the deeper shadows. "It is just what I should have liked to say about them myself." CHAPTER IX Mrs. Wilcox cannot be accused of giving Margaret much information about life. And Margaret, on the other hand, has made a fair show of modesty, and has pretended to an inexperience that she certainly did not feel. She had kept house for over ten years; she had entertained, almost with distinction; she had brought up a charming sister, and was bringing up a brother. Surely, if experience is attainable, she had attained it. Yet the little luncheon-party that she gave in Mrs. Wilcox s honour was not a success. The new friend did not blend with the "one or two delightful people" who had been asked to meet her, and the atmosphere was one of polite bewilderment. Her tastes were simple, her knowledge of culture slight, and she was not interested in the New English Art Club, nor in the dividing-line between Journalism and Literature, which was started as a conversational hare. The delightful people darted after it with cries of joy, Margaret leading them, and not till the meal was half over did they realise that the principal guest had taken no part in the chase. There was no common topic. Mrs. Wilcox, whose life had been spent in the service of husband and sons, had little to say to strangers who had never shared it, and whose age was half her own. Clever talk alarmed her, and withered her delicate imaginings; it was the social counterpart of a motor-car, all jerks, and she was a wisp of hay, a flower. Twice she deplored the weather, twice criticised the train service on the Great Northern Railway. They vigorously assented, and rushed on, and when she inquired whether there was any news of Helen, her hostess was too much occupied in placing Rothenstein to answer. The question was repeated: "I hope that your sister is safe in Germany by now." Margaret checked herself and said, "Yes, thank you; I heard on Tuesday." But the demon of vociferation was in her, and the next moment she was off again. "Only on Tuesday, for they live right away at Stettin. Did you ever know any one living at Stettin?" "Never," said Mrs. Wilcox gravely, while her neighbour, a young man low down in the Education Office, began to discuss what people who lived at Stettin ought to look like. Was there such a thing as Stettininity? Margaret swept on. "People at Stettin drop things into boats out of overhanging warehouses. At least, our cousins do, but aren t particularly rich. The town isn t interesting, except for a clock that rolls its eyes, and the view of the Oder, which truly is something special. Oh, Mrs. Wilcox, you would love the Oder! The river, or rather rivers--there seem to be dozens of them--are intense blue, and the plain they run through an intensest green." "Indeed! That sounds like a most beautiful view, Miss Schlegel."<|quote|>"So I say, but Helen, who will muddle things, says no, it s like music. The course of the Oder is to be like music. It s obliged to remind her of a symphonic poem. The part by the landing-stage is in B minor, if I remember rightly, but lower down things get extremely mixed. There is a slodgy theme in several keys at once, meaning mud-banks, and another for the navigable canal, and the exit into the Baltic is in C sharp major, pianissimo."</|quote|>"What do the overhanging warehouses make of that?" asked the man, laughing. "They make a great deal of it," replied Margaret, unexpectedly rushing off on a new track. "I think it s affectation to compare the Oder to music, and so do you, but the overhanging warehouses of Stettin take beauty seriously, which we don t, and the average Englishman doesn t, and despises all who do. Now don t say Germans have no taste, or I shall scream. They haven t. But--but--such a tremendous but!--they take poetry seriously. They do take poetry seriously." "Is anything gained by that?" "Yes, yes. The German is always on the lookout for beauty. He may miss it through stupidity, or misinterpret it, but he is always asking beauty to enter his life, and I believe that in the end it will come. At Heidelberg I met a fat veterinary surgeon whose voice broke with sobs as he repeated some mawkish poetry. So easy for me to laugh--I, who never repeat poetry, good or bad, and cannot remember one fragment of verse to thrill myself with. My blood boils--well, I m half German, so put it down to patriotism--when I listen to the tasteful contempt of the average islander for things Teutonic, whether they re Bocklin or my veterinary surgeon. Oh, Bocklin, they say; he strains after beauty, he peoples Nature with gods too consciously. Of course Bocklin strains, because he wants something--beauty and all the other intangible gifts that are floating about the world. So his landscapes don t come off, and Leader s do." "I am not sure that I agree. Do you?" said he, turning to Mrs. Wilcox. She replied: "I think Miss Schlegel puts everything splendidly;" and a chill fell on the conversation. "Oh, Mrs. Wilcox, say something nicer than that. It s such a snub to be told you put things splendidly." "I do not mean it as a snub. Your last speech interested me so much. Generally people do not seem quite to like Germany. I have long wanted to hear what is said on the other side." "The other side? Then you do disagree. Oh, good! Give us your side." "I have no side. But my husband" "--her voice softened, the chill increased--" "has very little faith in the Continent, and our children have all taken after him." "On what grounds? Do they feel that the Continent is in bad form?" Mrs. Wilcox had no idea; she paid little attention to grounds. She was not intellectual, nor even alert, and it was odd that, all the same, she should give the idea of greatness. Margaret, zigzagging with her friends over Thought and Art, was conscious of a personality that transcended their own and dwarfed their activities. There was no bitterness in Mrs. Wilcox; there was not even criticism; she was lovable, and no ungracious or uncharitable word had passed her lips. Yet she and daily life were out of focus; one or the other must show blurred. And at lunch she seemed more out of focus than usual, and nearer the line that divides daily life from a life that may be of greater importance. "You will admit, though, that the Continent--it seems silly to speak of the Continent, but really it is all more like itself than any part of it is like England. England is unique. Do have another jelly first. I was going to say that the Continent, for good or for evil, is interested in ideas. Its Literature and Art have what one might call the kink of the unseen about them, and this persists even through decadence and affectation. There is more liberty of action in England, but for liberty of thought go to bureaucratic Prussia. People will there discuss with humility vital questions that we here think ourselves too good to touch with tongs." "I do not want to go to Prussia," said Mrs. Wilcox "not even to see that interesting view that you were describing. And for discussing with humility I am too old. We never discuss anything at Howards End." "Then you ought to!" said Margaret. "Discussion keeps a house alive. It cannot stand by bricks and mortar alone." "It cannot stand without them," said Mrs. Wilcox, unexpectedly catching on to the thought, and rousing, for the first and last time, a faint hope in the breasts of the delightful people. "It cannot stand without them, and I sometimes think--But I cannot expect your generation to agree, for even my daughter disagrees with me here." "Never mind us or her. Do say!" "I sometimes think that it is wiser to leave action and discussion to men." There was a little silence. "One admits that the arguments against the suffrage ARE extraordinarily strong," said a girl opposite, leaning forward and | deadlock--Gracious me, I ve started preaching!" "Indeed, you put the difficulties of life splendidly," said Mrs. Wilcox, withdrawing her hand into the deeper shadows. "It is just what I should have liked to say about them myself." CHAPTER IX Mrs. Wilcox cannot be accused of giving Margaret much information about life. And Margaret, on the other hand, has made a fair show of modesty, and has pretended to an inexperience that she certainly did not feel. She had kept house for over ten years; she had entertained, almost with distinction; she had brought up a charming sister, and was bringing up a brother. Surely, if experience is attainable, she had attained it. Yet the little luncheon-party that she gave in Mrs. Wilcox s honour was not a success. The new friend did not blend with the "one or two delightful people" who had been asked to meet her, and the atmosphere was one of polite bewilderment. Her tastes were simple, her knowledge of culture slight, and she was not interested in the New English Art Club, nor in the dividing-line between Journalism and Literature, which was started as a conversational hare. The delightful people darted after it with cries of joy, Margaret leading them, and not till the meal was half over did they realise that the principal guest had taken no part in the chase. There was no common topic. Mrs. Wilcox, whose life had been spent in the service of husband and sons, had little to say to strangers who had never shared it, and whose age was half her own. Clever talk alarmed her, and withered her delicate imaginings; it was the social counterpart of a motor-car, all jerks, and she was a wisp of hay, a flower. Twice she deplored the weather, twice criticised the train service on the Great Northern Railway. They vigorously assented, and rushed on, and when she inquired whether there was any news of Helen, her hostess was too much occupied in placing Rothenstein to answer. The question was repeated: "I hope that your sister is safe in Germany by now." Margaret checked herself and said, "Yes, thank you; I heard on Tuesday." But the demon of vociferation was in her, and the next moment she was off again. "Only on Tuesday, for they live right away at Stettin. Did you ever know any one living at Stettin?" "Never," said Mrs. Wilcox gravely, while her neighbour, a young man low down in the Education Office, began to discuss what people who lived at Stettin ought to look like. Was there such a thing as Stettininity? Margaret swept on. "People at Stettin drop things into boats out of overhanging warehouses. At least, our cousins do, but aren t particularly rich. The town isn t interesting, except for a clock that rolls its eyes, and the view of the Oder, which truly is something special. Oh, Mrs. Wilcox, you would love the Oder! The river, or rather rivers--there seem to be dozens of them--are intense blue, and the plain they run through an intensest green." "Indeed! That sounds like a most beautiful view, Miss Schlegel."<|quote|>"So I say, but Helen, who will muddle things, says no, it s like music. The course of the Oder is to be like music. It s obliged to remind her of a symphonic poem. The part by the landing-stage is in B minor, if I remember rightly, but lower down things get extremely mixed. There is a slodgy theme in several keys at once, meaning mud-banks, and another for the navigable canal, and the exit into the Baltic is in C sharp major, pianissimo."</|quote|>"What do the overhanging warehouses make of that?" asked the man, laughing. "They make a great deal of it," replied Margaret, unexpectedly rushing off on a new track. "I think it s affectation to compare the Oder to music, and so do you, but the overhanging warehouses of Stettin take beauty seriously, which we don t, and the average Englishman doesn t, and despises all who do. Now don t say Germans have no taste, or I shall scream. They haven t. But--but--such a tremendous but!--they take poetry seriously. They do take poetry seriously." "Is anything gained by that?" "Yes, yes. The German is always on the lookout for beauty. He may miss it through stupidity, or misinterpret it, but he is always asking beauty to enter his life, and I believe that in the end it will come. At Heidelberg I met a fat veterinary surgeon whose voice broke with sobs as he repeated some mawkish poetry. So easy for me to laugh--I, who never repeat poetry, good or bad, and cannot remember one fragment of verse to thrill myself with. My blood boils--well, I m half German, so put it down to patriotism--when I listen to the tasteful contempt of the average islander for things Teutonic, whether they re Bocklin or my veterinary surgeon. Oh, Bocklin, they say; he strains after beauty, he peoples Nature with gods too consciously. Of course Bocklin strains, because he wants something--beauty and all the other intangible gifts that are floating about the world. So his landscapes don t come off, and Leader s do." "I am not sure that I agree. Do you?" said he, turning to Mrs. Wilcox. She replied: "I think Miss Schlegel puts everything splendidly;" and a chill fell on the conversation. "Oh, Mrs. Wilcox, say something nicer than that. It s such a snub to be told you put things splendidly." "I do not mean it as a snub. Your last speech interested me so much. Generally | Howards End |
said Lord Henry. | No speaker | "Of course he likes it,"<|quote|>said Lord Henry.</|quote|>"Who wouldn t like it? | not understanding what it meant. "Of course he likes it,"<|quote|>said Lord Henry.</|quote|>"Who wouldn t like it? It is one of the | amethyst, and across them came a mist of tears. He felt as if a hand of ice had been laid upon his heart. "Don t you like it?" cried Hallward at last, stung a little by the lad s silence, not understanding what it meant. "Of course he likes it,"<|quote|>said Lord Henry.</|quote|>"Who wouldn t like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it." "It is not my property, Harry." "Whose property is it?" "Dorian s, of course," answered the painter. "He is a | his hair. The life that was to make his soul would mar his body. He would become dreadful, hideous, and uncouth. As he thought of it, a sharp pang of pain struck through him like a knife and made each delicate fibre of his nature quiver. His eyes deepened into amethyst, and across them came a mist of tears. He felt as if a hand of ice had been laid upon his heart. "Don t you like it?" cried Hallward at last, stung a little by the lad s silence, not understanding what it meant. "Of course he likes it,"<|quote|>said Lord Henry.</|quote|>"Who wouldn t like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it." "It is not my property, Harry." "Whose property is it?" "Dorian s, of course," answered the painter. "He is a very lucky fellow." "How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June.... If | to them, laughed at them, forgotten them. They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him. Yes, there would be a day when his face would be wrinkled and wizen, his eyes dim and colourless, the grace of his figure broken and deformed. The scarlet would pass away from his lips and the gold steal from his hair. The life that was to make his soul would mar his body. He would become dreadful, hideous, and uncouth. As he thought of it, a sharp pang of pain struck through him like a knife and made each delicate fibre of his nature quiver. His eyes deepened into amethyst, and across them came a mist of tears. He felt as if a hand of ice had been laid upon his heart. "Don t you like it?" cried Hallward at last, stung a little by the lad s silence, not understanding what it meant. "Of course he likes it,"<|quote|>said Lord Henry.</|quote|>"Who wouldn t like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it." "It is not my property, Harry." "Whose property is it?" "Dorian s, of course," answered the painter. "He is a very lucky fellow." "How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June.... If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that for that I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!" "You would hardly care for such an arrangement, Basil," cried Lord Henry, laughing. "It would be rather hard lines on your work." "I should object very strongly, Harry," said Hallward. Dorian Gray turned and looked at him. "I believe you would, Basil. You like your art better than your | certainly a wonderful work of art, and a wonderful likeness as well. "My dear fellow, I congratulate you most warmly," he said. "It is the finest portrait of modern times. Mr. Gray, come over and look at yourself." The lad started, as if awakened from some dream. "Is it really finished?" he murmured, stepping down from the platform. "Quite finished," said the painter. "And you have sat splendidly to-day. I am awfully obliged to you." "That is entirely due to me," broke in Lord Henry. "Isn t it, Mr. Gray?" Dorian made no answer, but passed listlessly in front of his picture and turned towards it. When he saw it he drew back, and his cheeks flushed for a moment with pleasure. A look of joy came into his eyes, as if he had recognized himself for the first time. He stood there motionless and in wonder, dimly conscious that Hallward was speaking to him, but not catching the meaning of his words. The sense of his own beauty came on him like a revelation. He had never felt it before. Basil Hallward s compliments had seemed to him to be merely the charming exaggeration of friendship. He had listened to them, laughed at them, forgotten them. They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him. Yes, there would be a day when his face would be wrinkled and wizen, his eyes dim and colourless, the grace of his figure broken and deformed. The scarlet would pass away from his lips and the gold steal from his hair. The life that was to make his soul would mar his body. He would become dreadful, hideous, and uncouth. As he thought of it, a sharp pang of pain struck through him like a knife and made each delicate fibre of his nature quiver. His eyes deepened into amethyst, and across them came a mist of tears. He felt as if a hand of ice had been laid upon his heart. "Don t you like it?" cried Hallward at last, stung a little by the lad s silence, not understanding what it meant. "Of course he likes it,"<|quote|>said Lord Henry.</|quote|>"Who wouldn t like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it." "It is not my property, Harry." "Whose property is it?" "Dorian s, of course," answered the painter. "He is a very lucky fellow." "How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June.... If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that for that I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!" "You would hardly care for such an arrangement, Basil," cried Lord Henry, laughing. "It would be rather hard lines on your work." "I should object very strongly, Harry," said Hallward. Dorian Gray turned and looked at him. "I believe you would, Basil. You like your art better than your friends. I am no more to you than a green bronze figure. Hardly as much, I dare say." The painter stared in amazement. It was so unlike Dorian to speak like that. What had happened? He seemed quite angry. His face was flushed and his cheeks burning. "Yes," he continued, "I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one loses one s good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself." Hallward turned pale and caught his hand. "Dorian! Dorian!" he cried, "don t talk like that. I have never had such a friend as you, and I shall never have such another. You are not jealous of material things, are you? you who are finer than any of them!" "I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of | cannot find expression, or when some thought that terrifies us lays sudden siege to the brain and calls on us to yield. After a time the bee flew away. He saw it creeping into the stained trumpet of a Tyrian convolvulus. The flower seemed to quiver, and then swayed gently to and fro. Suddenly the painter appeared at the door of the studio and made staccato signs for them to come in. They turned to each other and smiled. "I am waiting," he cried. "Do come in. The light is quite perfect, and you can bring your drinks." They rose up and sauntered down the walk together. Two green-and-white butterflies fluttered past them, and in the pear-tree at the corner of the garden a thrush began to sing. "You are glad you have met me, Mr. Gray," said Lord Henry, looking at him. "Yes, I am glad now. I wonder shall I always be glad?" "Always! That is a dreadful word. It makes me shudder when I hear it. Women are so fond of using it. They spoil every romance by trying to make it last for ever. It is a meaningless word, too. The only difference between a caprice and a lifelong passion is that the caprice lasts a little longer." As they entered the studio, Dorian Gray put his hand upon Lord Henry s arm. "In that case, let our friendship be a caprice," he murmured, flushing at his own boldness, then stepped up on the platform and resumed his pose. Lord Henry flung himself into a large wicker arm-chair and watched him. The sweep and dash of the brush on the canvas made the only sound that broke the stillness, except when, now and then, Hallward stepped back to look at his work from a distance. In the slanting beams that streamed through the open doorway the dust danced and was golden. The heavy scent of the roses seemed to brood over everything. After about a quarter of an hour Hallward stopped painting, looked for a long time at Dorian Gray, and then for a long time at the picture, biting the end of one of his huge brushes and frowning. "It is quite finished," he cried at last, and stooping down he wrote his name in long vermilion letters on the left-hand corner of the canvas. Lord Henry came over and examined the picture. It was certainly a wonderful work of art, and a wonderful likeness as well. "My dear fellow, I congratulate you most warmly," he said. "It is the finest portrait of modern times. Mr. Gray, come over and look at yourself." The lad started, as if awakened from some dream. "Is it really finished?" he murmured, stepping down from the platform. "Quite finished," said the painter. "And you have sat splendidly to-day. I am awfully obliged to you." "That is entirely due to me," broke in Lord Henry. "Isn t it, Mr. Gray?" Dorian made no answer, but passed listlessly in front of his picture and turned towards it. When he saw it he drew back, and his cheeks flushed for a moment with pleasure. A look of joy came into his eyes, as if he had recognized himself for the first time. He stood there motionless and in wonder, dimly conscious that Hallward was speaking to him, but not catching the meaning of his words. The sense of his own beauty came on him like a revelation. He had never felt it before. Basil Hallward s compliments had seemed to him to be merely the charming exaggeration of friendship. He had listened to them, laughed at them, forgotten them. They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him. Yes, there would be a day when his face would be wrinkled and wizen, his eyes dim and colourless, the grace of his figure broken and deformed. The scarlet would pass away from his lips and the gold steal from his hair. The life that was to make his soul would mar his body. He would become dreadful, hideous, and uncouth. As he thought of it, a sharp pang of pain struck through him like a knife and made each delicate fibre of his nature quiver. His eyes deepened into amethyst, and across them came a mist of tears. He felt as if a hand of ice had been laid upon his heart. "Don t you like it?" cried Hallward at last, stung a little by the lad s silence, not understanding what it meant. "Of course he likes it,"<|quote|>said Lord Henry.</|quote|>"Who wouldn t like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it." "It is not my property, Harry." "Whose property is it?" "Dorian s, of course," answered the painter. "He is a very lucky fellow." "How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June.... If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that for that I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!" "You would hardly care for such an arrangement, Basil," cried Lord Henry, laughing. "It would be rather hard lines on your work." "I should object very strongly, Harry," said Hallward. Dorian Gray turned and looked at him. "I believe you would, Basil. You like your art better than your friends. I am no more to you than a green bronze figure. Hardly as much, I dare say." The painter stared in amazement. It was so unlike Dorian to speak like that. What had happened? He seemed quite angry. His face was flushed and his cheeks burning. "Yes," he continued, "I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one loses one s good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself." Hallward turned pale and caught his hand. "Dorian! Dorian!" he cried, "don t talk like that. I have never had such a friend as you, and I shall never have such another. You are not jealous of material things, are you? you who are finer than any of them!" "I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I must lose? Every moment that passes takes something from me and gives something to it. Oh, if it were only the other way! If the picture could change, and I could be always what I am now! Why did you paint it? It will mock me some day mock me horribly!" The hot tears welled into his eyes; he tore his hand away and, flinging himself on the divan, he buried his face in the cushions, as though he was praying. "This is your doing, Harry," said the painter bitterly. Lord Henry shrugged his shoulders. "It is the real Dorian Gray that is all." "It is not." "If it is not, what have I to do with it?" "You should have gone away when I asked you," he muttered. "I stayed when you asked me," was Lord Henry s answer. "Harry, I can t quarrel with my two best friends at once, but between you both you have made me hate the finest piece of work I have ever done, and I will destroy it. What is it but canvas and colour? I will not let it come across our three lives and mar them." Dorian Gray lifted his golden head from the pillow, and with pallid face and tear-stained eyes, looked at him as he walked over to the deal painting-table that was set beneath the high curtained window. What was he doing there? His fingers were straying about among the litter of tin tubes and dry brushes, seeking for something. Yes, it was for the long palette-knife, with its thin blade of lithe steel. He had found it at last. He was going to rip up the canvas. With a stifled sob the lad leaped from the couch, and, rushing over to Hallward, tore the knife out of his hand, and flung it to the end of the studio. "Don t, Basil, don t!" he cried. "It would be murder!" "I am glad you appreciate my work at last, Dorian," said the painter coldly when he had recovered from his surprise. "I never thought you would." "Appreciate it? I am in love with it, Basil. It is part of myself. I feel that." "Well, as soon as you are dry, you shall be varnished, and framed, and sent home. Then you can do what you like with yourself." And he walked | He stood there motionless and in wonder, dimly conscious that Hallward was speaking to him, but not catching the meaning of his words. The sense of his own beauty came on him like a revelation. He had never felt it before. Basil Hallward s compliments had seemed to him to be merely the charming exaggeration of friendship. He had listened to them, laughed at them, forgotten them. They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him. Yes, there would be a day when his face would be wrinkled and wizen, his eyes dim and colourless, the grace of his figure broken and deformed. The scarlet would pass away from his lips and the gold steal from his hair. The life that was to make his soul would mar his body. He would become dreadful, hideous, and uncouth. As he thought of it, a sharp pang of pain struck through him like a knife and made each delicate fibre of his nature quiver. His eyes deepened into amethyst, and across them came a mist of tears. He felt as if a hand of ice had been laid upon his heart. "Don t you like it?" cried Hallward at last, stung a little by the lad s silence, not understanding what it meant. "Of course he likes it,"<|quote|>said Lord Henry.</|quote|>"Who wouldn t like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it." "It is not my property, Harry." "Whose property is it?" "Dorian s, of course," answered the painter. "He is a very lucky fellow." "How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June.... If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that for that I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!" "You would hardly care for such an arrangement, Basil," cried Lord Henry, laughing. "It would be rather hard lines on your work." "I should object very strongly, Harry," said Hallward. Dorian Gray turned and looked at him. "I believe you would, Basil. You like your art better than your friends. I am no more to you than a green bronze figure. Hardly as much, I dare say." The painter stared in amazement. It was so unlike Dorian to speak like that. What had happened? He seemed quite angry. His face was flushed and his cheeks burning. "Yes," he continued, "I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one loses one s good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself." Hallward turned pale and caught his hand. "Dorian! Dorian!" he cried, "don t talk like that. I have never had such a friend as you, and I shall never have such another. You are not jealous of material things, are you? you who are finer than any of them!" "I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I must lose? Every moment that passes takes something from me and gives something to it. Oh, if it were only the other way! If the picture could change, and I could be always what I am now! Why did you paint it? It will mock me some day mock me horribly!" The hot tears welled into his eyes; he tore his hand away and, flinging himself on the divan, he buried his face in the cushions, as though he was praying. "This is your doing, Harry," said the painter bitterly. Lord Henry | The Picture Of Dorian Gray |
"And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else." | Antonida Vassilievna Tarassevitcha | yourself!" cried the old lady.<|quote|>"And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else."</|quote|>"The clerk says that others | too, he smiled. "Pray recollect yourself!" cried the old lady.<|quote|>"And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else."</|quote|>"The clerk says that others will give you even less | a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently nodded his head. At the Grandmother, in particular, he gazed with a curiosity which almost bordered upon rudeness. At length, too, he smiled. "Pray recollect yourself!" cried the old lady.<|quote|>"And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else."</|quote|>"The clerk says that others will give you even less than he." Of what the ultimate calculations consisted I do not exactly remember, but at all events they were alarming. Receiving twelve thousand florins in gold, I took also the statement of accounts, and carried it out to the Grandmother. | thieves!" The clerk consented to come out when he perceived that he was being asked for by an old lady who was too infirm to walk; after which the Grandmother began to upbraid him at length, and with great vehemence, for his alleged usuriousness, and to bargain with him in a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently nodded his head. At the Grandmother, in particular, he gazed with a curiosity which almost bordered upon rudeness. At length, too, he smiled. "Pray recollect yourself!" cried the old lady.<|quote|>"And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else."</|quote|>"The clerk says that others will give you even less than he." Of what the ultimate calculations consisted I do not exactly remember, but at all events they were alarming. Receiving twelve thousand florins in gold, I took also the statement of accounts, and carried it out to the Grandmother. "Well, well," she said, "I am no accountant. Let us hurry away, hurry away." And she waved the paper aside. "Neither upon that accursed zero, however, nor upon that equally accursed red do I mean to stake a cent," I muttered to myself as I entered the Casino. This time | in the porch, and the rest waited at a little distance, in doubt as to their best course of action. At length the old lady turned such an angry stare upon them that they departed along the road towards the Casino. The process of changing involved complicated calculations which soon necessitated my return to the Grandmother for instructions. "The thieves!" she exclaimed as she clapped her hands together. "Never mind, though. Get the documents cashed No; send the banker out to me," she added as an afterthought. "Would one of the clerks do, Madame?" "Yes, one of the clerks. The thieves!" The clerk consented to come out when he perceived that he was being asked for by an old lady who was too infirm to walk; after which the Grandmother began to upbraid him at length, and with great vehemence, for his alleged usuriousness, and to bargain with him in a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently nodded his head. At the Grandmother, in particular, he gazed with a curiosity which almost bordered upon rudeness. At length, too, he smiled. "Pray recollect yourself!" cried the old lady.<|quote|>"And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else."</|quote|>"The clerk says that others will give you even less than he." Of what the ultimate calculations consisted I do not exactly remember, but at all events they were alarming. Receiving twelve thousand florins in gold, I took also the statement of accounts, and carried it out to the Grandmother. "Well, well," she said, "I am no accountant. Let us hurry away, hurry away." And she waved the paper aside. "Neither upon that accursed zero, however, nor upon that equally accursed red do I mean to stake a cent," I muttered to myself as I entered the Casino. This time I did all I could to persuade the old lady to stake as little as possible saying that a turn would come in the chances when she would be at liberty to stake more. But she was so impatient that, though at first she agreed to do as I suggested, nothing could stop her when once she had begun. By way of prelude she won stakes of a hundred and two hundred g lden. "There you are!" she said as she nudged me. "See what we have won! Surely it would be worth our while to stake four thousand instead | also in a whisper. "My good mother," he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl almost of a wild beast. "Du lait, de l herbe fraiche" the idyll, the ideal of the Parisian bourgeois his whole outlook upon "la nature et la verit "! "Have done with you and your milk!" cried the old lady. "Go and stuff _yourself_ as much as you like, but my stomach simply recoils from the idea. What are you stopping for? I have nothing to say to you." "Here we are, Madame," I announced. "Here is the moneychanger s office." I entered to get the securities changed, while the Grandmother remained outside in the porch, and the rest waited at a little distance, in doubt as to their best course of action. At length the old lady turned such an angry stare upon them that they departed along the road towards the Casino. The process of changing involved complicated calculations which soon necessitated my return to the Grandmother for instructions. "The thieves!" she exclaimed as she clapped her hands together. "Never mind, though. Get the documents cashed No; send the banker out to me," she added as an afterthought. "Would one of the clerks do, Madame?" "Yes, one of the clerks. The thieves!" The clerk consented to come out when he perceived that he was being asked for by an old lady who was too infirm to walk; after which the Grandmother began to upbraid him at length, and with great vehemence, for his alleged usuriousness, and to bargain with him in a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently nodded his head. At the Grandmother, in particular, he gazed with a curiosity which almost bordered upon rudeness. At length, too, he smiled. "Pray recollect yourself!" cried the old lady.<|quote|>"And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else."</|quote|>"The clerk says that others will give you even less than he." Of what the ultimate calculations consisted I do not exactly remember, but at all events they were alarming. Receiving twelve thousand florins in gold, I took also the statement of accounts, and carried it out to the Grandmother. "Well, well," she said, "I am no accountant. Let us hurry away, hurry away." And she waved the paper aside. "Neither upon that accursed zero, however, nor upon that equally accursed red do I mean to stake a cent," I muttered to myself as I entered the Casino. This time I did all I could to persuade the old lady to stake as little as possible saying that a turn would come in the chances when she would be at liberty to stake more. But she was so impatient that, though at first she agreed to do as I suggested, nothing could stop her when once she had begun. By way of prelude she won stakes of a hundred and two hundred g lden. "There you are!" she said as she nudged me. "See what we have won! Surely it would be worth our while to stake four thousand instead of a hundred, for we might win another four thousand, and then ! Oh, it was YOUR fault before all your fault!" I felt greatly put out as I watched her play, but I decided to hold my tongue, and to give her no more advice. Suddenly De Griers appeared on the scene. It seemed that all this while he and his companions had been standing beside us though I noticed that Mlle. Blanche had withdrawn a little from the rest, and was engaged in flirting with the Prince. Clearly the General was greatly put out at this. Indeed, he was in a perfect agony of vexation. But Mlle. was careful never to look his way, though he did his best to attract her notice. Poor General! By turns his face blanched and reddened, and he was trembling to such an extent that he could scarcely follow the old lady s play. At length Mlle. and the Prince took their departure, and the General followed them. "Madame, Madame," sounded the honeyed accents of De Griers as he leant over to whisper in the Grandmother s ear. "That stake will never win. No, no, it is impossible," he added in Russian | The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued to wheel the old lady along. "Stop her, stop her," whispered the General in consternation. "You had better try and stop her yourself," I returned also in a whisper. "My good mother," he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl almost of a wild beast. "Du lait, de l herbe fraiche" the idyll, the ideal of the Parisian bourgeois his whole outlook upon "la nature et la verit "! "Have done with you and your milk!" cried the old lady. "Go and stuff _yourself_ as much as you like, but my stomach simply recoils from the idea. What are you stopping for? I have nothing to say to you." "Here we are, Madame," I announced. "Here is the moneychanger s office." I entered to get the securities changed, while the Grandmother remained outside in the porch, and the rest waited at a little distance, in doubt as to their best course of action. At length the old lady turned such an angry stare upon them that they departed along the road towards the Casino. The process of changing involved complicated calculations which soon necessitated my return to the Grandmother for instructions. "The thieves!" she exclaimed as she clapped her hands together. "Never mind, though. Get the documents cashed No; send the banker out to me," she added as an afterthought. "Would one of the clerks do, Madame?" "Yes, one of the clerks. The thieves!" The clerk consented to come out when he perceived that he was being asked for by an old lady who was too infirm to walk; after which the Grandmother began to upbraid him at length, and with great vehemence, for his alleged usuriousness, and to bargain with him in a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently nodded his head. At the Grandmother, in particular, he gazed with a curiosity which almost bordered upon rudeness. At length, too, he smiled. "Pray recollect yourself!" cried the old lady.<|quote|>"And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else."</|quote|>"The clerk says that others will give you even less than he." Of what the ultimate calculations consisted I do not exactly remember, but at all events they were alarming. Receiving twelve thousand florins in gold, I took also the statement of accounts, and carried it out to the Grandmother. "Well, well," she said, "I am no accountant. Let us hurry away, hurry away." And she waved the paper aside. "Neither upon that accursed zero, however, nor upon that equally accursed red do I mean to stake a cent," I muttered to myself as I entered the Casino. This time I did all I could to persuade the old lady to stake as little as possible saying that a turn would come in the chances when she would be at liberty to stake more. But she was so impatient that, though at first she agreed to do as I suggested, nothing could stop her when once she had begun. By way of prelude she won stakes of a hundred and two hundred g lden. "There you are!" she said as she nudged me. "See what we have won! Surely it would be worth our while to stake four thousand instead of a hundred, for we might win another four thousand, and then ! Oh, it was YOUR fault before all your fault!" I felt greatly put out as I watched her play, but I decided to hold my tongue, and to give her no more advice. Suddenly De Griers appeared on the scene. It seemed that all this while he and his companions had been standing beside us though I noticed that Mlle. Blanche had withdrawn a little from the rest, and was engaged in flirting with the Prince. Clearly the General was greatly put out at this. Indeed, he was in a perfect agony of vexation. But Mlle. was careful never to look his way, though he did his best to attract her notice. Poor General! By turns his face blanched and reddened, and he was trembling to such an extent that he could scarcely follow the old lady s play. At length Mlle. and the Prince took their departure, and the General followed them. "Madame, Madame," sounded the honeyed accents of De Griers as he leant over to whisper in the Grandmother s ear. "That stake will never win. No, no, it is impossible," he added in Russian with a writhe. "No, no!" "But why not?" asked the Grandmother, turning round. "Show me what I ought to do." Instantly De Griers burst into a babble of French as he advised, jumped about, declared that such and such chances ought to be waited for, and started to make calculations of figures. All this he addressed to me in my capacity as translator tapping the table the while with his finger, and pointing hither and thither. At length he seized a pencil, and began to reckon sums on paper until he had exhausted the Grandmother s patience. "Away with you!" she interrupted. "You talk sheer nonsense, for, though you keep on saying" Madame, Madame, "you haven t the least notion what ought to be done. Away with you, I say!" "Mais, Madame," cooed De Griers and straightway started afresh with his fussy instructions. "Stake just _once_, as he advises," the Grandmother said to me, "and then we shall see what we _shall_ see. Of course, his stake _might_ win." As a matter of fact, De Grier s one object was to distract the old lady from staking large sums; wherefore, he now suggested to her that she should stake upon certain numbers, singly and in groups. Consequently, in accordance with his instructions, I staked a ten-g lden piece upon several odd numbers in the first twenty, and five ten-g lden pieces upon certain groups of numbers-groups of from twelve to eighteen, and from eighteen to twenty-four. The total staked amounted to 160 g lden. The wheel revolved. "Zero!" cried the croupier. We had lost it all! "The fool!" cried the old lady as she turned upon De Griers. "You infernal Frenchman, to think that _you_ should advise! Away with you! Though you fuss and fuss, you don t even know what you re talking about." Deeply offended, De Griers shrugged his shoulders, favoured the Grandmother with a look of contempt, and departed. For some time past he had been feeling ashamed of being seen in such company, and this had proved the last straw. An hour later we had lost everything in hand. "Home!" cried the Grandmother. Not until we had turned into the Avenue did she utter a word; but from that point onwards, until we arrived at the hotel, she kept venting exclamations of "What a fool I am! What a silly old fool I am, to be | stop her yourself," I returned also in a whisper. "My good mother," he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl almost of a wild beast. "Du lait, de l herbe fraiche" the idyll, the ideal of the Parisian bourgeois his whole outlook upon "la nature et la verit "! "Have done with you and your milk!" cried the old lady. "Go and stuff _yourself_ as much as you like, but my stomach simply recoils from the idea. What are you stopping for? I have nothing to say to you." "Here we are, Madame," I announced. "Here is the moneychanger s office." I entered to get the securities changed, while the Grandmother remained outside in the porch, and the rest waited at a little distance, in doubt as to their best course of action. At length the old lady turned such an angry stare upon them that they departed along the road towards the Casino. The process of changing involved complicated calculations which soon necessitated my return to the Grandmother for instructions. "The thieves!" she exclaimed as she clapped her hands together. "Never mind, though. Get the documents cashed No; send the banker out to me," she added as an afterthought. "Would one of the clerks do, Madame?" "Yes, one of the clerks. The thieves!" The clerk consented to come out when he perceived that he was being asked for by an old lady who was too infirm to walk; after which the Grandmother began to upbraid him at length, and with great vehemence, for his alleged usuriousness, and to bargain with him in a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently nodded his head. At the Grandmother, in particular, he gazed with a curiosity which almost bordered upon rudeness. At length, too, he smiled. "Pray recollect yourself!" cried the old lady.<|quote|>"And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else."</|quote|>"The clerk says that others will give you even less than he." Of what the ultimate calculations consisted I do not exactly remember, but at all events they were alarming. Receiving twelve thousand florins in gold, I took also the statement of accounts, and carried it out to the Grandmother. "Well, well," she said, "I am no accountant. Let us hurry away, hurry away." And she waved the paper aside. "Neither upon that accursed zero, however, nor upon that equally accursed red do I mean to stake a cent," I muttered to myself as I entered the Casino. This time I did all I could to persuade the old lady to stake as little as possible saying that a turn would come in the chances when she would be at liberty to stake more. But she was so impatient that, though at first she agreed to do as I suggested, nothing could stop her when once she had begun. By way of prelude she won stakes of a hundred and two hundred g lden. "There you are!" she said as she nudged me. "See what we have won! Surely it would be worth our while to stake four thousand instead of a hundred, for we might win another four thousand, and then ! Oh, it was YOUR fault before all your fault!" I felt greatly put out as I watched her play, but I decided to hold my tongue, and to give her no more advice. Suddenly De Griers appeared on the scene. It seemed that all this while he and his companions had been standing beside us though I noticed that Mlle. Blanche had withdrawn a little from the rest, and was engaged in flirting with the Prince. Clearly the General was greatly put out at this. Indeed, he was in a perfect agony of vexation. But Mlle. was careful never to look his way, though he did his best to attract her notice. Poor General! By turns his face blanched and reddened, and he was trembling to such an extent that he could scarcely follow the old lady s play. At length Mlle. and the Prince took their departure, and the General followed them. "Madame, Madame," sounded the honeyed accents of De Griers as he leant over to whisper in the Grandmother s ear. "That stake will never win. No, no, it is impossible," he added in Russian with a writhe. "No, no!" "But why not?" asked the Grandmother, turning round. "Show me what I ought to do." Instantly De Griers burst into a babble of French as he advised, jumped about, declared that such and such chances ought to be waited for, and started to make calculations of figures. All this he addressed to me in my capacity | The Gambler |
"Sir," | Periezade | do you call it by?"<|quote|>"Sir,"</|quote|>replied the princess, "this tree | heard of it. What name do you call it by?"<|quote|>"Sir,"</|quote|>replied the princess, "this tree has no other name than | your garden by chance, or was a present made to you, or have you procured it from some foreign country? It must certainly have come from a great distance, otherwise curious as I am after natural rarities I should have heard of it. What name do you call it by?"<|quote|>"Sir,"</|quote|>replied the princess, "this tree has no other name than that of the Singing Tree, and is not a native of this country. It would at present take up too much time to tell your majesty by what adventures it came here; its history is connected with the Golden Water | was so charmed with the sweet harmony that he would never have been tired with hearing it, but that his desire to have a nearer view of the fountain of golden water forced him away. "Daughter," said he, "tell me, I pray you, whether this wonderful tree was found in your garden by chance, or was a present made to you, or have you procured it from some foreign country? It must certainly have come from a great distance, otherwise curious as I am after natural rarities I should have heard of it. What name do you call it by?"<|quote|>"Sir,"</|quote|>replied the princess, "this tree has no other name than that of the Singing Tree, and is not a native of this country. It would at present take up too much time to tell your majesty by what adventures it came here; its history is connected with the Golden Water and the Talking Bird, which came to me at the same time, and which your majesty may presently see. But if it be agreeable to your majesty, after you have rested yourself and recovered the fatigue of hunting, which must be the greater because of the sun's intense heat, I | the music which ravished his senses. "My daughter," said he to the princess, "where are the musicians whom I hear? Are they under ground, or invisible in the air? Such excellent performers will hazard nothing by being seen; on the contrary, they would please the more." "Sir," answered the princess, smiling, "they are not musicians, but the leaves of the tree your majesty sees before you, which form this concert; and if you will give yourself the trouble to go a little nearer, you will be convinced, and the voices will be the more distinct." The emperor went nearer and was so charmed with the sweet harmony that he would never have been tired with hearing it, but that his desire to have a nearer view of the fountain of golden water forced him away. "Daughter," said he, "tell me, I pray you, whether this wonderful tree was found in your garden by chance, or was a present made to you, or have you procured it from some foreign country? It must certainly have come from a great distance, otherwise curious as I am after natural rarities I should have heard of it. What name do you call it by?"<|quote|>"Sir,"</|quote|>replied the princess, "this tree has no other name than that of the Singing Tree, and is not a native of this country. It would at present take up too much time to tell your majesty by what adventures it came here; its history is connected with the Golden Water and the Talking Bird, which came to me at the same time, and which your majesty may presently see. But if it be agreeable to your majesty, after you have rested yourself and recovered the fatigue of hunting, which must be the greater because of the sun's intense heat, I will do myself the honour of relating it to you." "My daughter," replied the emperor, "my fatigue is so well recompensed by the wonderful things you have shown me, that I do not feel it in the least. Let me see the Golden Water, for I am impatient to see and admire afterward the Talking Bird." When the emperor came to the Golden Water, his eyes were fixed so steadfastly upon the fountain, that he could not take them off. At last, addressing himself to the princess, he said: "As you tell me, daughter, that this water has no spring | princess led the emperor through all the rooms except the hall; and, after he had considered them very attentively, and admired their variety, "My daughter," said he to the princess, "do you call this a country house? The finest and largest cities would soon be deserted if all country houses were like yours. I am no longer surprised that you despise the town. Now let me see the garden, which I doubt not is answerable to the house." The princess opened a door which led into the garden, and the first object which presented itself to the emperor's view was the golden fountain. Surprised at so rare an object, he asked from whence that wonderful water, which gave so much pleasure to behold, had been procured; where was its source, and by what art it was made to play so high. He said he would presently take a nearer view of it. The princess then led him to the spot where the harmonious tree was planted; and there the emperor heard a concert, different from all he had ever heard before; and stopping to see where the musicians were, he could discern nobody far or near, but still distinctly heard the music which ravished his senses. "My daughter," said he to the princess, "where are the musicians whom I hear? Are they under ground, or invisible in the air? Such excellent performers will hazard nothing by being seen; on the contrary, they would please the more." "Sir," answered the princess, smiling, "they are not musicians, but the leaves of the tree your majesty sees before you, which form this concert; and if you will give yourself the trouble to go a little nearer, you will be convinced, and the voices will be the more distinct." The emperor went nearer and was so charmed with the sweet harmony that he would never have been tired with hearing it, but that his desire to have a nearer view of the fountain of golden water forced him away. "Daughter," said he, "tell me, I pray you, whether this wonderful tree was found in your garden by chance, or was a present made to you, or have you procured it from some foreign country? It must certainly have come from a great distance, otherwise curious as I am after natural rarities I should have heard of it. What name do you call it by?"<|quote|>"Sir,"</|quote|>replied the princess, "this tree has no other name than that of the Singing Tree, and is not a native of this country. It would at present take up too much time to tell your majesty by what adventures it came here; its history is connected with the Golden Water and the Talking Bird, which came to me at the same time, and which your majesty may presently see. But if it be agreeable to your majesty, after you have rested yourself and recovered the fatigue of hunting, which must be the greater because of the sun's intense heat, I will do myself the honour of relating it to you." "My daughter," replied the emperor, "my fatigue is so well recompensed by the wonderful things you have shown me, that I do not feel it in the least. Let me see the Golden Water, for I am impatient to see and admire afterward the Talking Bird." When the emperor came to the Golden Water, his eyes were fixed so steadfastly upon the fountain, that he could not take them off. At last, addressing himself to the princess, he said: "As you tell me, daughter, that this water has no spring or communication, I conclude that it is foreign, as well as the Singing Tree." "Sir," replied the princess, "it is as your majesty conjectures; and to let you know that this water has no communication with any spring, I must inform you that the basin is one entire stone, so that the water cannot come in at the sides or underneath. But what your majesty will think most wonderful is that all this water proceeded but from one small flagon, emptied into this basin, which increased to the quantity you see, by a property peculiar to itself, and formed this fountain." "Well," said the emperor, going from the fountain, "this is enough for one time. I promise myself the pleasure to come and visit it often; but now let us go and see the Talking Bird." As he went toward the hall, the emperor perceived a prodigious number of singing birds in the trees around, filling the air with their songs and warblings, and asked why there were so many there and none on the other trees in the garden. "The reason, sir," answered the princess, "is because they come from all parts to accompany the song of the Talking | see you take me to be mad to order such a dish, which one may say with certainty was never made. I know this as well as you; but I am not mad, and give you these orders with the most perfect recollection. You must invent and do the best you can, and bring me back what pearls are left." The cook could make no reply, but took the box and retired; and afterward the princess gave directions to all the domestics to have everything in order, both in the house and gardens, to receive the emperor. Next day the two princes went to the place appointed, and as soon as the emperor of Persia arrived the chase began and lasted till the heat of the sun obliged him to leave off. While Prince Bahman stayed to conduct the emperor to their house, Prince Perviz rode before to show the way, and when he came in sight of the house, spurred his horse, to inform the princess that the emperor was approaching; but she had been told by some servants whom she had placed to give notice, and the prince found her waiting ready to receive him. When the emperor had entered the court-yard and alighted at the portico, the princess came and threw herself at his feet, and the two princes informed him she was their sister, and besought him to accept her respects. The emperor stooped to raise her, and after he had gazed some time on her beauty, struck with her fine person and dignified air, he said: "The brothers are worthy of the sister, and she worthy of them; since, if I may judge of her understanding by her person, I am not amazed that the brothers would do nothing without their sister's consent; but," added he, "I hope to be better acquainted with you, my daughter, after I have seen the house." "Sir," said the princess, "it is only a plain country residence, fit for such people as we are, who live retired from the great world. It is not to be compared with the magnificent palaces of emperors." "I cannot perfectly agree with you in opinion," said the emperor very obligingly, "for its first appearance makes me suspect you; however, I will not pass my judgment upon it till I have seen it all; therefore be pleased to conduct me through the apartments." The princess led the emperor through all the rooms except the hall; and, after he had considered them very attentively, and admired their variety, "My daughter," said he to the princess, "do you call this a country house? The finest and largest cities would soon be deserted if all country houses were like yours. I am no longer surprised that you despise the town. Now let me see the garden, which I doubt not is answerable to the house." The princess opened a door which led into the garden, and the first object which presented itself to the emperor's view was the golden fountain. Surprised at so rare an object, he asked from whence that wonderful water, which gave so much pleasure to behold, had been procured; where was its source, and by what art it was made to play so high. He said he would presently take a nearer view of it. The princess then led him to the spot where the harmonious tree was planted; and there the emperor heard a concert, different from all he had ever heard before; and stopping to see where the musicians were, he could discern nobody far or near, but still distinctly heard the music which ravished his senses. "My daughter," said he to the princess, "where are the musicians whom I hear? Are they under ground, or invisible in the air? Such excellent performers will hazard nothing by being seen; on the contrary, they would please the more." "Sir," answered the princess, smiling, "they are not musicians, but the leaves of the tree your majesty sees before you, which form this concert; and if you will give yourself the trouble to go a little nearer, you will be convinced, and the voices will be the more distinct." The emperor went nearer and was so charmed with the sweet harmony that he would never have been tired with hearing it, but that his desire to have a nearer view of the fountain of golden water forced him away. "Daughter," said he, "tell me, I pray you, whether this wonderful tree was found in your garden by chance, or was a present made to you, or have you procured it from some foreign country? It must certainly have come from a great distance, otherwise curious as I am after natural rarities I should have heard of it. What name do you call it by?"<|quote|>"Sir,"</|quote|>replied the princess, "this tree has no other name than that of the Singing Tree, and is not a native of this country. It would at present take up too much time to tell your majesty by what adventures it came here; its history is connected with the Golden Water and the Talking Bird, which came to me at the same time, and which your majesty may presently see. But if it be agreeable to your majesty, after you have rested yourself and recovered the fatigue of hunting, which must be the greater because of the sun's intense heat, I will do myself the honour of relating it to you." "My daughter," replied the emperor, "my fatigue is so well recompensed by the wonderful things you have shown me, that I do not feel it in the least. Let me see the Golden Water, for I am impatient to see and admire afterward the Talking Bird." When the emperor came to the Golden Water, his eyes were fixed so steadfastly upon the fountain, that he could not take them off. At last, addressing himself to the princess, he said: "As you tell me, daughter, that this water has no spring or communication, I conclude that it is foreign, as well as the Singing Tree." "Sir," replied the princess, "it is as your majesty conjectures; and to let you know that this water has no communication with any spring, I must inform you that the basin is one entire stone, so that the water cannot come in at the sides or underneath. But what your majesty will think most wonderful is that all this water proceeded but from one small flagon, emptied into this basin, which increased to the quantity you see, by a property peculiar to itself, and formed this fountain." "Well," said the emperor, going from the fountain, "this is enough for one time. I promise myself the pleasure to come and visit it often; but now let us go and see the Talking Bird." As he went toward the hall, the emperor perceived a prodigious number of singing birds in the trees around, filling the air with their songs and warblings, and asked why there were so many there and none on the other trees in the garden. "The reason, sir," answered the princess, "is because they come from all parts to accompany the song of the Talking Bird, which your majesty may see in a cage in one of the windows of the hall we are approaching; and if you attend, you will perceive that his notes are sweeter than those of any of the other birds, even the nightingale's." The emperor went into the hall; and as the Bird continued singing, the princess raised her voice, and said, "My slave, here is the emperor, pay your compliments to him." The Bird left off singing that instant, when all the other birds ceased also, and said: "The emperor is welcome; God prosper him and prolong his life!" As the entertainment was served on the sofa near the window where the Bird was placed, the sultan replied, as he was taking his seat: "Bird, I thank you, and am overjoyed to find in you the sultan and king of birds." As soon as the emperor saw the dish of cucumbers set before him, thinking they were prepared in the best manner, he reached out his hand and took one; but when he cut it, was in extreme surprise to find it stuffed with pearls. "What novelty is this?" said he; "and with what design were these cucumbers stuffed thus with pearls, since pearls are not to be eaten?" He looked at his hosts to ask them the meaning when the Bird interrupting him, said: "Can your majesty be in such great astonishment at cucumbers stuffed with pearls, which you see with your own eyes, and yet so easily believe that the queen, your wife, gave birth to a dog, a cat, and a piece of wood?" "I believed those things," replied the emperor, "because the attendants assured me of the facts." "Those attendants, sir," replied the Bird, "were the queen's two sisters, who, envious of her happiness in being preferred by your majesty before them, to satisfy their envy and revenge, have abused your majesty's credulity. If you interrogate them, they will confess their crime. The two brothers and the sister whom you see before you are your own children, whom they exposed, and who were taken in by the intendant of your gardens, who provided nurses for them, and took care of their education." This speech presently cleared up the emperor's understanding. "Bird," cried he, "I believe the truth which you discover to me. The inclination which drew me to them told me plainly they must be | it all; therefore be pleased to conduct me through the apartments." The princess led the emperor through all the rooms except the hall; and, after he had considered them very attentively, and admired their variety, "My daughter," said he to the princess, "do you call this a country house? The finest and largest cities would soon be deserted if all country houses were like yours. I am no longer surprised that you despise the town. Now let me see the garden, which I doubt not is answerable to the house." The princess opened a door which led into the garden, and the first object which presented itself to the emperor's view was the golden fountain. Surprised at so rare an object, he asked from whence that wonderful water, which gave so much pleasure to behold, had been procured; where was its source, and by what art it was made to play so high. He said he would presently take a nearer view of it. The princess then led him to the spot where the harmonious tree was planted; and there the emperor heard a concert, different from all he had ever heard before; and stopping to see where the musicians were, he could discern nobody far or near, but still distinctly heard the music which ravished his senses. "My daughter," said he to the princess, "where are the musicians whom I hear? Are they under ground, or invisible in the air? Such excellent performers will hazard nothing by being seen; on the contrary, they would please the more." "Sir," answered the princess, smiling, "they are not musicians, but the leaves of the tree your majesty sees before you, which form this concert; and if you will give yourself the trouble to go a little nearer, you will be convinced, and the voices will be the more distinct." The emperor went nearer and was so charmed with the sweet harmony that he would never have been tired with hearing it, but that his desire to have a nearer view of the fountain of golden water forced him away. "Daughter," said he, "tell me, I pray you, whether this wonderful tree was found in your garden by chance, or was a present made to you, or have you procured it from some foreign country? It must certainly have come from a great distance, otherwise curious as I am after natural rarities I should have heard of it. What name do you call it by?"<|quote|>"Sir,"</|quote|>replied the princess, "this tree has no other name than that of the Singing Tree, and is not a native of this country. It would at present take up too much time to tell your majesty by what adventures it came here; its history is connected with the Golden Water and the Talking Bird, which came to me at the same time, and which your majesty may presently see. But if it be agreeable to your majesty, after you have rested yourself and recovered the fatigue of hunting, which must be the greater because of the sun's intense heat, I will do myself the honour of relating it to you." "My daughter," replied the emperor, "my fatigue is so well recompensed by the wonderful things you have shown me, that I do not feel it in the least. Let me see the Golden Water, for I am impatient to see and admire afterward the Talking Bird." When the emperor came to the Golden Water, his eyes were fixed so steadfastly upon the fountain, that he could not take them off. At last, addressing himself to the princess, he said: "As you tell me, daughter, that this water has no spring or communication, I conclude that it is foreign, as well as the Singing Tree." "Sir," replied the princess, "it is as your majesty conjectures; and to let you know that this water has no communication with any spring, I must inform you that the basin is one entire stone, so that the water cannot come in at the sides or underneath. But what your majesty will think most wonderful is that all this water proceeded but from one small flagon, emptied into this basin, which increased to the quantity you see, by a property peculiar to itself, and formed this fountain." "Well," said the emperor, going from the fountain, "this is enough for one time. I promise myself the pleasure to come and visit it often; but now let us go and see the Talking Bird." As he went toward the hall, the emperor perceived a prodigious number of singing birds in the trees around, filling the air with their songs and warblings, and asked why there were so many there and none on the other trees in the garden. "The reason, sir," answered the princess, "is because they come from all parts to accompany the song of the Talking Bird, which your majesty may see in a cage in one | Arabian Nights (1) |
"I had much rather go in the coach." | Jane | have no horses to theirs."<|quote|>"I had much rather go in the coach."</|quote|>"But, my dear, your father | to Meryton; and the Hursts have no horses to theirs."<|quote|>"I had much rather go in the coach."</|quote|>"But, my dear, your father cannot spare the horses, I | rain; and then you must stay all night." "That would be a good scheme," said Elizabeth, "if you were sure that they would not offer to send her home." "Oh! but the gentlemen will have Mr. Bingley's chaise to go to Meryton; and the Hursts have no horses to theirs."<|quote|>"I had much rather go in the coach."</|quote|>"But, my dear, your father cannot spare the horses, I am sure. They are wanted in the farm, Mr. Bennet, are not they?" "They are wanted in the farm much oftener than I can get them." "But if you have got them to-day," said Elizabeth, "my mother's purpose will be | officers. Yours ever, "CAROLINE BINGLEY." "With the officers!" cried Lydia. "I wonder my aunt did not tell us of _that_." "Dining out," said Mrs. Bennet, "that is very unlucky." "Can I have the carriage?" said Jane. "No, my dear, you had better go on horseback, because it seems likely to rain; and then you must stay all night." "That would be a good scheme," said Elizabeth, "if you were sure that they would not offer to send her home." "Oh! but the gentlemen will have Mr. Bingley's chaise to go to Meryton; and the Hursts have no horses to theirs."<|quote|>"I had much rather go in the coach."</|quote|>"But, my dear, your father cannot spare the horses, I am sure. They are wanted in the farm, Mr. Bennet, are not they?" "They are wanted in the farm much oftener than I can get them." "But if you have got them to-day," said Elizabeth, "my mother's purpose will be answered." She did at last extort from her father an acknowledgment that the horses were engaged. Jane was therefore obliged to go on horseback, and her mother attended her to the door with many cheerful prognostics of a bad day. Her hopes were answered; Jane had not been gone long | it from? what is it about? what does he say? Well, Jane, make haste and tell us; make haste, my love." "It is from Miss Bingley," said Jane, and then read it aloud. "My dear Friend, "If you are not so compassionate as to dine to-day with Louisa and me, we shall be in danger of hating each other for the rest of our lives, for a whole day's t?te-?-t?te between two women can never end without a quarrel. Come as soon as you can on the receipt of this. My brother and the gentlemen are to dine with the officers. Yours ever, "CAROLINE BINGLEY." "With the officers!" cried Lydia. "I wonder my aunt did not tell us of _that_." "Dining out," said Mrs. Bennet, "that is very unlucky." "Can I have the carriage?" said Jane. "No, my dear, you had better go on horseback, because it seems likely to rain; and then you must stay all night." "That would be a good scheme," said Elizabeth, "if you were sure that they would not offer to send her home." "Oh! but the gentlemen will have Mr. Bingley's chaise to go to Meryton; and the Hursts have no horses to theirs."<|quote|>"I had much rather go in the coach."</|quote|>"But, my dear, your father cannot spare the horses, I am sure. They are wanted in the farm, Mr. Bennet, are not they?" "They are wanted in the farm much oftener than I can get them." "But if you have got them to-day," said Elizabeth, "my mother's purpose will be answered." She did at last extort from her father an acknowledgment that the horses were engaged. Jane was therefore obliged to go on horseback, and her mother attended her to the door with many cheerful prognostics of a bad day. Her hopes were answered; Jane had not been gone long before it rained hard. Her sisters were uneasy for her, but her mother was delighted. The rain continued the whole evening without intermission; Jane certainly could not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is | far differ from you as to think our two youngest daughters uncommonly foolish." "My dear Mr. Bennet, you must not expect such girls to have the sense of their father and mother.--When they get to our age I dare say they will not think about officers any more than we do. I remember the time when I liked a red coat myself very well--and indeed so I do still at my heart; and if a smart young colonel, with five or six thousand a year, should want one of my girls, I shall not say nay to him; and I thought Colonel Forster looked very becoming the other night at Sir William's in his regimentals." "Mama," cried Lydia, "my aunt says that Colonel Forster and Captain Carter do not go so often to Miss Watson's as they did when they first came; she sees them now very often standing in Clarke's library." Mrs. Bennet was prevented replying by the entrance of the footman with a note for Miss Bennet; it came from Netherfield, and the servant waited for an answer. Mrs. Bennet's eyes sparkled with pleasure, and she was eagerly calling out, while her daughter read, "Well, Jane, who is it from? what is it about? what does he say? Well, Jane, make haste and tell us; make haste, my love." "It is from Miss Bingley," said Jane, and then read it aloud. "My dear Friend, "If you are not so compassionate as to dine to-day with Louisa and me, we shall be in danger of hating each other for the rest of our lives, for a whole day's t?te-?-t?te between two women can never end without a quarrel. Come as soon as you can on the receipt of this. My brother and the gentlemen are to dine with the officers. Yours ever, "CAROLINE BINGLEY." "With the officers!" cried Lydia. "I wonder my aunt did not tell us of _that_." "Dining out," said Mrs. Bennet, "that is very unlucky." "Can I have the carriage?" said Jane. "No, my dear, you had better go on horseback, because it seems likely to rain; and then you must stay all night." "That would be a good scheme," said Elizabeth, "if you were sure that they would not offer to send her home." "Oh! but the gentlemen will have Mr. Bingley's chaise to go to Meryton; and the Hursts have no horses to theirs."<|quote|>"I had much rather go in the coach."</|quote|>"But, my dear, your father cannot spare the horses, I am sure. They are wanted in the farm, Mr. Bennet, are not they?" "They are wanted in the farm much oftener than I can get them." "But if you have got them to-day," said Elizabeth, "my mother's purpose will be answered." She did at last extort from her father an acknowledgment that the horses were engaged. Jane was therefore obliged to go on horseback, and her mother attended her to the door with many cheerful prognostics of a bad day. Her hopes were answered; Jane had not been gone long before it rained hard. Her sisters were uneasy for her, but her mother was delighted. The rain continued the whole evening without intermission; Jane certainly could not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is to be imputed to my getting wet through yesterday. My kind friends will not hear of my returning home till I am better. They insist also on my seeing Mr. Jones--therefore do not be alarmed if you should hear of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think | were usually tempted thither three or four times a week, to pay their duty to their aunt and to a milliner's shop just over the way. The two youngest of the family, Catherine and Lydia, were particularly frequent in these attentions; their minds were more vacant than their sisters', and when nothing better offered, a walk to Meryton was necessary to amuse their morning hours and furnish conversation for the evening; and however bare of news the country in general might be, they always contrived to learn some from their aunt. At present, indeed, they were well supplied both with news and happiness by the recent arrival of a militia regiment in the neighbourhood; it was to remain the whole winter, and Meryton was the head quarters. Their visits to Mrs. Philips were now productive of the most interesting intelligence. Every day added something to their knowledge of the officers' names and connections. Their lodgings were not long a secret, and at length they began to know the officers themselves. Mr. Philips visited them all, and this opened to his nieces a source of felicity unknown before. They could talk of nothing but officers; and Mr. Bingley's large fortune, the mention of which gave animation to their mother, was worthless in their eyes when opposed to the regimentals of an ensign. After listening one morning to their effusions on this subject, Mr. Bennet coolly observed, "From all that I can collect by your manner of talking, you must be two of the silliest girls in the country. I have suspected it some time, but I am now convinced." Catherine was disconcerted, and made no answer; but Lydia, with perfect indifference, continued to express her admiration of Captain Carter, and her hope of seeing him in the course of the day, as he was going the next morning to London. "I am astonished, my dear," said Mrs. Bennet, "that you should be so ready to think your own children silly. If I wished to think slightingly of any body's children, it should not be of my own however." "If my children are silly I must hope to be always sensible of it." "Yes--but as it happens, they are all of them very clever." "This is the only point, I flatter myself, on which we do not agree. I had hoped that our sentiments coincided in every particular, but I must so far differ from you as to think our two youngest daughters uncommonly foolish." "My dear Mr. Bennet, you must not expect such girls to have the sense of their father and mother.--When they get to our age I dare say they will not think about officers any more than we do. I remember the time when I liked a red coat myself very well--and indeed so I do still at my heart; and if a smart young colonel, with five or six thousand a year, should want one of my girls, I shall not say nay to him; and I thought Colonel Forster looked very becoming the other night at Sir William's in his regimentals." "Mama," cried Lydia, "my aunt says that Colonel Forster and Captain Carter do not go so often to Miss Watson's as they did when they first came; she sees them now very often standing in Clarke's library." Mrs. Bennet was prevented replying by the entrance of the footman with a note for Miss Bennet; it came from Netherfield, and the servant waited for an answer. Mrs. Bennet's eyes sparkled with pleasure, and she was eagerly calling out, while her daughter read, "Well, Jane, who is it from? what is it about? what does he say? Well, Jane, make haste and tell us; make haste, my love." "It is from Miss Bingley," said Jane, and then read it aloud. "My dear Friend, "If you are not so compassionate as to dine to-day with Louisa and me, we shall be in danger of hating each other for the rest of our lives, for a whole day's t?te-?-t?te between two women can never end without a quarrel. Come as soon as you can on the receipt of this. My brother and the gentlemen are to dine with the officers. Yours ever, "CAROLINE BINGLEY." "With the officers!" cried Lydia. "I wonder my aunt did not tell us of _that_." "Dining out," said Mrs. Bennet, "that is very unlucky." "Can I have the carriage?" said Jane. "No, my dear, you had better go on horseback, because it seems likely to rain; and then you must stay all night." "That would be a good scheme," said Elizabeth, "if you were sure that they would not offer to send her home." "Oh! but the gentlemen will have Mr. Bingley's chaise to go to Meryton; and the Hursts have no horses to theirs."<|quote|>"I had much rather go in the coach."</|quote|>"But, my dear, your father cannot spare the horses, I am sure. They are wanted in the farm, Mr. Bennet, are not they?" "They are wanted in the farm much oftener than I can get them." "But if you have got them to-day," said Elizabeth, "my mother's purpose will be answered." She did at last extort from her father an acknowledgment that the horses were engaged. Jane was therefore obliged to go on horseback, and her mother attended her to the door with many cheerful prognostics of a bad day. Her hopes were answered; Jane had not been gone long before it rained hard. Her sisters were uneasy for her, but her mother was delighted. The rain continued the whole evening without intermission; Jane certainly could not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is to be imputed to my getting wet through yesterday. My kind friends will not hear of my returning home till I am better. They insist also on my seeing Mr. Jones--therefore do not be alarmed if you should hear of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in all this dirt! You will not be fit to be seen when you get there." "I shall be very fit to see Jane--which is all I want." "Is this a hint to me, Lizzy," said her father, "to send for the horses?" "No, indeed. I do not wish to avoid the walk. The distance is nothing, when one has a motive; only three miles. I shall be back by dinner." "I admire the activity of your benevolence," observed Mary, "but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required." "We will go as far as Meryton with you," said Catherine and Lydia.--Elizabeth accepted their company, and the three young ladies set off together. "If we make haste," said Lydia, as they walked along, "perhaps we may see something of Captain Carter before he goes." In Meryton they parted; the two youngest repaired to the lodgings of one of the officers' wives, and Elizabeth continued her walk alone, crossing field after field at a quick pace, jumping over stiles and springing over puddles with impatient activity, and finding herself at last within view of the house, with weary ancles, dirty stockings, and a face glowing with the warmth of exercise. She was shewn into the breakfast-parlour, where all but Jane were assembled, and where her appearance created a great deal of surprise.--That she should have walked three miles so early in the day, in such dirty weather, and by herself, was almost incredible to Mrs. Hurst and Miss Bingley; and Elizabeth was convinced that they held her in contempt for it. She was received, however, very politely by them; and in their brother's manners there was something better than politeness; there was good humour and kindness.--Mr. Darcy said very little, and Mr. Hurst nothing at all. The former was divided between admiration of the brilliancy which exercise had given to her complexion, and doubt as to the occasion's justifying her coming so far alone. The latter was thinking only of his breakfast. Her enquiries after her sister were not very favourably answered. Miss Bennet had slept ill, and though up, was very feverish and not well enough to leave her room. Elizabeth was glad to be taken to her immediately; and Jane, who had only been withheld by the fear of giving | I wished to think slightingly of any body's children, it should not be of my own however." "If my children are silly I must hope to be always sensible of it." "Yes--but as it happens, they are all of them very clever." "This is the only point, I flatter myself, on which we do not agree. I had hoped that our sentiments coincided in every particular, but I must so far differ from you as to think our two youngest daughters uncommonly foolish." "My dear Mr. Bennet, you must not expect such girls to have the sense of their father and mother.--When they get to our age I dare say they will not think about officers any more than we do. I remember the time when I liked a red coat myself very well--and indeed so I do still at my heart; and if a smart young colonel, with five or six thousand a year, should want one of my girls, I shall not say nay to him; and I thought Colonel Forster looked very becoming the other night at Sir William's in his regimentals." "Mama," cried Lydia, "my aunt says that Colonel Forster and Captain Carter do not go so often to Miss Watson's as they did when they first came; she sees them now very often standing in Clarke's library." Mrs. Bennet was prevented replying by the entrance of the footman with a note for Miss Bennet; it came from Netherfield, and the servant waited for an answer. Mrs. Bennet's eyes sparkled with pleasure, and she was eagerly calling out, while her daughter read, "Well, Jane, who is it from? what is it about? what does he say? Well, Jane, make haste and tell us; make haste, my love." "It is from Miss Bingley," said Jane, and then read it aloud. "My dear Friend, "If you are not so compassionate as to dine to-day with Louisa and me, we shall be in danger of hating each other for the rest of our lives, for a whole day's t?te-?-t?te between two women can never end without a quarrel. Come as soon as you can on the receipt of this. My brother and the gentlemen are to dine with the officers. Yours ever, "CAROLINE BINGLEY." "With the officers!" cried Lydia. "I wonder my aunt did not tell us of _that_." "Dining out," said Mrs. Bennet, "that is very unlucky." "Can I have the carriage?" said Jane. "No, my dear, you had better go on horseback, because it seems likely to rain; and then you must stay all night." "That would be a good scheme," said Elizabeth, "if you were sure that they would not offer to send her home." "Oh! but the gentlemen will have Mr. Bingley's chaise to go to Meryton; and the Hursts have no horses to theirs."<|quote|>"I had much rather go in the coach."</|quote|>"But, my dear, your father cannot spare the horses, I am sure. They are wanted in the farm, Mr. Bennet, are not they?" "They are wanted in the farm much oftener than I can get them." "But if you have got them to-day," said Elizabeth, "my mother's purpose will be answered." She did at last extort from her father an acknowledgment that the horses were engaged. Jane was therefore obliged to go on horseback, and her mother attended her to the door with many cheerful prognostics of a bad day. Her hopes were answered; Jane had not been gone long before it rained hard. Her sisters were uneasy for her, but her mother was delighted. The rain continued the whole evening without intermission; Jane certainly could not come back. "This was a lucky idea of mine, indeed!" said Mrs. Bennet, more than once, as if the credit of making it rain were all her own. Till the next morning, however, she was not aware of all the felicity of her contrivance. Breakfast was scarcely over when a servant from Netherfield brought the following note for Elizabeth: "My dearest Lizzy," "I FIND myself very unwell this morning, which, I suppose, is to be imputed to my getting wet through yesterday. My kind friends will not hear of my returning home till I am better. They insist also on my seeing Mr. Jones--therefore do not be alarmed if you should hear of his having been to me--and excepting a sore-throat and head-ache there is not much the matter with me." "Yours, &c." "Well, my dear," said Mr. Bennet, when Elizabeth had read the note aloud, "if your daughter should have a dangerous fit of illness, if she should die, it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders." "Oh! I am not at all afraid of her dying. People do not die of little trifling colds. She will be taken good care of. As long as she stays there, it is all very well. I would go and see her, if I could have the carriage." Elizabeth, feeling really anxious, was determined to go to her, though the carriage was not to be had; and as she was no horse-woman, walking was her only alternative. She declared her resolution. "How can you be so silly," cried her mother, "as to think of such a thing, in | Pride And Prejudice |
"Of course not," | Robert Lebrun | there leaning on each other?"<|quote|>"Of course not,"</|quote|>laughed Robert. "Of course not," | "Are those two married over there leaning on each other?"<|quote|>"Of course not,"</|quote|>laughed Robert. "Of course not," echoed Mariequita, with a serious, | a married lady, and has two children." "Oh! well! Francisco ran away with Sylvano's wife, who had four children. They took all his money and one of the children and stole his boat." "Shut up!" "Does she understand?" "Oh, hush!" "Are those two married over there leaning on each other?"<|quote|>"Of course not,"</|quote|>laughed Robert. "Of course not," echoed Mariequita, with a serious, confirmatory bob of the head. The sun was high up and beginning to bite. The swift breeze seemed to Edna to bury the sting of it into the pores of her face and hands. Robert held his umbrella over her. | it all. She looked Mariequita up and down, from her ugly brown toes to her pretty black eyes, and back again. "Why does she look at me like that?" inquired the girl of Robert. "Maybe she thinks you are pretty. Shall I ask her?" "No. Is she your sweetheart?" "She's a married lady, and has two children." "Oh! well! Francisco ran away with Sylvano's wife, who had four children. They took all his money and one of the children and stole his boat." "Shut up!" "Does she understand?" "Oh, hush!" "Are those two married over there leaning on each other?"<|quote|>"Of course not,"</|quote|>laughed Robert. "Of course not," echoed Mariequita, with a serious, confirmatory bob of the head. The sun was high up and beginning to bite. The swift breeze seemed to Edna to bury the sting of it into the pores of her face and hands. Robert held his umbrella over her. As they went cutting sidewise through the water, the sails bellied taut, with the wind filling and overflowing them. Old Monsieur Farival laughed sardonically at something as he looked at the sails, and Beaudelet swore at the old man under his breath. Sailing across the bay to the _Ch ni | of the two. But he would not quarrel with so old a man as Monsieur Farival, so he quarreled with Mariequita. The girl was deprecatory at one moment, appealing to Robert. She was saucy the next, moving her head up and down, making "eyes" at Robert and making "mouths" at Beaudelet. The lovers were all alone. They saw nothing, they heard nothing. The lady in black was counting her beads for the third time. Old Monsieur Farival talked incessantly of what he knew about handling a boat, and of what Beaudelet did not know on the same subject. Edna liked it all. She looked Mariequita up and down, from her ugly brown toes to her pretty black eyes, and back again. "Why does she look at me like that?" inquired the girl of Robert. "Maybe she thinks you are pretty. Shall I ask her?" "No. Is she your sweetheart?" "She's a married lady, and has two children." "Oh! well! Francisco ran away with Sylvano's wife, who had four children. They took all his money and one of the children and stole his boat." "Shut up!" "Does she understand?" "Oh, hush!" "Are those two married over there leaning on each other?"<|quote|>"Of course not,"</|quote|>laughed Robert. "Of course not," echoed Mariequita, with a serious, confirmatory bob of the head. The sun was high up and beginning to bite. The swift breeze seemed to Edna to bury the sting of it into the pores of her face and hands. Robert held his umbrella over her. As they went cutting sidewise through the water, the sails bellied taut, with the wind filling and overflowing them. Old Monsieur Farival laughed sardonically at something as he looked at the sails, and Beaudelet swore at the old man under his breath. Sailing across the bay to the _Ch ni re Caminada_, Edna felt as if she were being borne away from some anchorage which had held her fast, whose chains had been loosening had snapped the night before when the mystic spirit was abroad, leaving her free to drift whithersoever she chose to set her sails. Robert spoke to her incessantly; he no longer noticed Mariequita. The girl had shrimps in her bamboo basket. They were covered with Spanish moss. She beat the moss down impatiently, and muttered to herself sullenly. "Let us go to Grande Terre to-morrow?" said Robert in a low voice. "What shall we do there?" | of everything? as L once says when he's in a bad humor. I don't blame him; he'd never be in a bad humor if it weren't for me." They took a short cut across the sands. At a distance they could see the curious procession moving toward the wharf the lovers, shoulder to shoulder, creeping; the lady in black, gaining steadily upon them; old Monsieur Farival, losing ground inch by inch, and a young barefooted Spanish girl, with a red kerchief on her head and a basket on her arm, bringing up the rear. Robert knew the girl, and he talked to her a little in the boat. No one present understood what they said. Her name was Mariequita. She had a round, sly, piquant face and pretty black eyes. Her hands were small, and she kept them folded over the handle of her basket. Her feet were broad and coarse. She did not strive to hide them. Edna looked at her feet, and noticed the sand and slime between her brown toes. Beaudelet grumbled because Mariequita was there, taking up so much room. In reality he was annoyed at having old Monsieur Farival, who considered himself the better sailor of the two. But he would not quarrel with so old a man as Monsieur Farival, so he quarreled with Mariequita. The girl was deprecatory at one moment, appealing to Robert. She was saucy the next, moving her head up and down, making "eyes" at Robert and making "mouths" at Beaudelet. The lovers were all alone. They saw nothing, they heard nothing. The lady in black was counting her beads for the third time. Old Monsieur Farival talked incessantly of what he knew about handling a boat, and of what Beaudelet did not know on the same subject. Edna liked it all. She looked Mariequita up and down, from her ugly brown toes to her pretty black eyes, and back again. "Why does she look at me like that?" inquired the girl of Robert. "Maybe she thinks you are pretty. Shall I ask her?" "No. Is she your sweetheart?" "She's a married lady, and has two children." "Oh! well! Francisco ran away with Sylvano's wife, who had four children. They took all his money and one of the children and stole his boat." "Shut up!" "Does she understand?" "Oh, hush!" "Are those two married over there leaning on each other?"<|quote|>"Of course not,"</|quote|>laughed Robert. "Of course not," echoed Mariequita, with a serious, confirmatory bob of the head. The sun was high up and beginning to bite. The swift breeze seemed to Edna to bury the sting of it into the pores of her face and hands. Robert held his umbrella over her. As they went cutting sidewise through the water, the sails bellied taut, with the wind filling and overflowing them. Old Monsieur Farival laughed sardonically at something as he looked at the sails, and Beaudelet swore at the old man under his breath. Sailing across the bay to the _Ch ni re Caminada_, Edna felt as if she were being borne away from some anchorage which had held her fast, whose chains had been loosening had snapped the night before when the mystic spirit was abroad, leaving her free to drift whithersoever she chose to set her sails. Robert spoke to her incessantly; he no longer noticed Mariequita. The girl had shrimps in her bamboo basket. They were covered with Spanish moss. She beat the moss down impatiently, and muttered to herself sullenly. "Let us go to Grande Terre to-morrow?" said Robert in a low voice. "What shall we do there?" "Climb up the hill to the old fort and look at the little wriggling gold snakes, and watch the lizards sun themselves." She gazed away toward Grande Terre and thought she would like to be alone there with Robert, in the sun, listening to the ocean's roar and watching the slimy lizards writhe in and out among the ruins of the old fort. "And the next day or the next we can sail to the Bayou Brulow," he went on. "What shall we do there?" "Anything cast bait for fish." "No; we'll go back to Grande Terre. Let the fish alone." "We'll go wherever you like," he said. "I'll have Tonie come over and help me patch and trim my boat. We shall not need Beaudelet nor any one. Are you afraid of the pirogue?" "Oh, no." "Then I'll take you some night in the pirogue when the moon shines. Maybe your Gulf spirit will whisper to you in which of these islands the treasures are hidden direct you to the very spot, perhaps." "And in a day we should be rich!" she laughed. "I'd give it all to you, the pirate gold and every bit of treasure we could | hours, disturbed with dreams that were intangible, that eluded her, leaving only an impression upon her half-awakened senses of something unattainable. She was up and dressed in the cool of the early morning. The air was invigorating and steadied somewhat her faculties. However, she was not seeking refreshment or help from any source, either external or from within. She was blindly following whatever impulse moved her, as if she had placed herself in alien hands for direction, and freed her soul of responsibility. Most of the people at that early hour were still in bed and asleep. A few, who intended to go over to the _Ch ni re_ for mass, were moving about. The lovers, who had laid their plans the night before, were already strolling toward the wharf. The lady in black, with her Sunday prayer-book, velvet and gold-clasped, and her Sunday silver beads, was following them at no great distance. Old Monsieur Farival was up, and was more than half inclined to do anything that suggested itself. He put on his big straw hat, and taking his umbrella from the stand in the hall, followed the lady in black, never overtaking her. The little negro girl who worked Madame Lebrun's sewing-machine was sweeping the galleries with long, absent-minded strokes of the broom. Edna sent her up into the house to awaken Robert. "Tell him I am going to the _Ch ni re_. The boat is ready; tell him to hurry." He had soon joined her. She had never sent for him before. She had never asked for him. She had never seemed to want him before. She did not appear conscious that she had done anything unusual in commanding his presence. He was apparently equally unconscious of anything extraordinary in the situation. But his face was suffused with a quiet glow when he met her. They went together back to the kitchen to drink coffee. There was no time to wait for any nicety of service. They stood outside the window and the cook passed them their coffee and a roll, which they drank and ate from the window-sill. Edna said it tasted good. She had not thought of coffee nor of anything. He told her he had often noticed that she lacked forethought. "Wasn't it enough to think of going to the _Ch ni re_ and waking you up?" she laughed. "Do I have to think of everything? as L once says when he's in a bad humor. I don't blame him; he'd never be in a bad humor if it weren't for me." They took a short cut across the sands. At a distance they could see the curious procession moving toward the wharf the lovers, shoulder to shoulder, creeping; the lady in black, gaining steadily upon them; old Monsieur Farival, losing ground inch by inch, and a young barefooted Spanish girl, with a red kerchief on her head and a basket on her arm, bringing up the rear. Robert knew the girl, and he talked to her a little in the boat. No one present understood what they said. Her name was Mariequita. She had a round, sly, piquant face and pretty black eyes. Her hands were small, and she kept them folded over the handle of her basket. Her feet were broad and coarse. She did not strive to hide them. Edna looked at her feet, and noticed the sand and slime between her brown toes. Beaudelet grumbled because Mariequita was there, taking up so much room. In reality he was annoyed at having old Monsieur Farival, who considered himself the better sailor of the two. But he would not quarrel with so old a man as Monsieur Farival, so he quarreled with Mariequita. The girl was deprecatory at one moment, appealing to Robert. She was saucy the next, moving her head up and down, making "eyes" at Robert and making "mouths" at Beaudelet. The lovers were all alone. They saw nothing, they heard nothing. The lady in black was counting her beads for the third time. Old Monsieur Farival talked incessantly of what he knew about handling a boat, and of what Beaudelet did not know on the same subject. Edna liked it all. She looked Mariequita up and down, from her ugly brown toes to her pretty black eyes, and back again. "Why does she look at me like that?" inquired the girl of Robert. "Maybe she thinks you are pretty. Shall I ask her?" "No. Is she your sweetheart?" "She's a married lady, and has two children." "Oh! well! Francisco ran away with Sylvano's wife, who had four children. They took all his money and one of the children and stole his boat." "Shut up!" "Does she understand?" "Oh, hush!" "Are those two married over there leaning on each other?"<|quote|>"Of course not,"</|quote|>laughed Robert. "Of course not," echoed Mariequita, with a serious, confirmatory bob of the head. The sun was high up and beginning to bite. The swift breeze seemed to Edna to bury the sting of it into the pores of her face and hands. Robert held his umbrella over her. As they went cutting sidewise through the water, the sails bellied taut, with the wind filling and overflowing them. Old Monsieur Farival laughed sardonically at something as he looked at the sails, and Beaudelet swore at the old man under his breath. Sailing across the bay to the _Ch ni re Caminada_, Edna felt as if she were being borne away from some anchorage which had held her fast, whose chains had been loosening had snapped the night before when the mystic spirit was abroad, leaving her free to drift whithersoever she chose to set her sails. Robert spoke to her incessantly; he no longer noticed Mariequita. The girl had shrimps in her bamboo basket. They were covered with Spanish moss. She beat the moss down impatiently, and muttered to herself sullenly. "Let us go to Grande Terre to-morrow?" said Robert in a low voice. "What shall we do there?" "Climb up the hill to the old fort and look at the little wriggling gold snakes, and watch the lizards sun themselves." She gazed away toward Grande Terre and thought she would like to be alone there with Robert, in the sun, listening to the ocean's roar and watching the slimy lizards writhe in and out among the ruins of the old fort. "And the next day or the next we can sail to the Bayou Brulow," he went on. "What shall we do there?" "Anything cast bait for fish." "No; we'll go back to Grande Terre. Let the fish alone." "We'll go wherever you like," he said. "I'll have Tonie come over and help me patch and trim my boat. We shall not need Beaudelet nor any one. Are you afraid of the pirogue?" "Oh, no." "Then I'll take you some night in the pirogue when the moon shines. Maybe your Gulf spirit will whisper to you in which of these islands the treasures are hidden direct you to the very spot, perhaps." "And in a day we should be rich!" she laughed. "I'd give it all to you, the pirate gold and every bit of treasure we could dig up. I think you would know how to spend it. Pirate gold isn't a thing to be hoarded or utilized. It is something to squander and throw to the four winds, for the fun of seeing the golden specks fly." "We'd share it, and scatter it together," he said. His face flushed. They all went together up to the quaint little Gothic church of Our Lady of Lourdes, gleaming all brown and yellow with paint in the sun's glare. Only Beaudelet remained behind, tinkering at his boat, and Mariequita walked away with her basket of shrimps, casting a look of childish ill humor and reproach at Robert from the corner of her eye. XIII A feeling of oppression and drowsiness overcame Edna during the service. Her head began to ache, and the lights on the altar swayed before her eyes. Another time she might have made an effort to regain her composure; but her one thought was to quit the stifling atmosphere of the church and reach the open air. She arose, climbing over Robert's feet with a muttered apology. Old Monsieur Farival, flurried, curious, stood up, but upon seeing that Robert had followed Mrs. Pontellier, he sank back into his seat. He whispered an anxious inquiry of the lady in black, who did not notice him or reply, but kept her eyes fastened upon the pages of her velvet prayer-book. "I felt giddy and almost overcome," Edna said, lifting her hands instinctively to her head and pushing her straw hat up from her forehead. "I couldn't have stayed through the service." They were outside in the shadow of the church. Robert was full of solicitude. "It was folly to have thought of going in the first place, let alone staying. Come over to Madame Antoine's; you can rest there." He took her arm and led her away, looking anxiously and continuously down into her face. How still it was, with only the voice of the sea whispering through the reeds that grew in the salt-water pools! The long line of little gray, weather-beaten houses nestled peacefully among the orange trees. It must always have been God's day on that low, drowsy island, Edna thought. They stopped, leaning over a jagged fence made of sea-drift, to ask for water. A youth, a mild-faced Acadian, was drawing water from the cistern, which was nothing more than a rusty buoy, with | extraordinary in the situation. But his face was suffused with a quiet glow when he met her. They went together back to the kitchen to drink coffee. There was no time to wait for any nicety of service. They stood outside the window and the cook passed them their coffee and a roll, which they drank and ate from the window-sill. Edna said it tasted good. She had not thought of coffee nor of anything. He told her he had often noticed that she lacked forethought. "Wasn't it enough to think of going to the _Ch ni re_ and waking you up?" she laughed. "Do I have to think of everything? as L once says when he's in a bad humor. I don't blame him; he'd never be in a bad humor if it weren't for me." They took a short cut across the sands. At a distance they could see the curious procession moving toward the wharf the lovers, shoulder to shoulder, creeping; the lady in black, gaining steadily upon them; old Monsieur Farival, losing ground inch by inch, and a young barefooted Spanish girl, with a red kerchief on her head and a basket on her arm, bringing up the rear. Robert knew the girl, and he talked to her a little in the boat. No one present understood what they said. Her name was Mariequita. She had a round, sly, piquant face and pretty black eyes. Her hands were small, and she kept them folded over the handle of her basket. Her feet were broad and coarse. She did not strive to hide them. Edna looked at her feet, and noticed the sand and slime between her brown toes. Beaudelet grumbled because Mariequita was there, taking up so much room. In reality he was annoyed at having old Monsieur Farival, who considered himself the better sailor of the two. But he would not quarrel with so old a man as Monsieur Farival, so he quarreled with Mariequita. The girl was deprecatory at one moment, appealing to Robert. She was saucy the next, moving her head up and down, making "eyes" at Robert and making "mouths" at Beaudelet. The lovers were all alone. They saw nothing, they heard nothing. The lady in black was counting her beads for the third time. Old Monsieur Farival talked incessantly of what he knew about handling a boat, and of what Beaudelet did not know on the same subject. Edna liked it all. She looked Mariequita up and down, from her ugly brown toes to her pretty black eyes, and back again. "Why does she look at me like that?" inquired the girl of Robert. "Maybe she thinks you are pretty. Shall I ask her?" "No. Is she your sweetheart?" "She's a married lady, and has two children." "Oh! well! Francisco ran away with Sylvano's wife, who had four children. They took all his money and one of the children and stole his boat." "Shut up!" "Does she understand?" "Oh, hush!" "Are those two married over there leaning on each other?"<|quote|>"Of course not,"</|quote|>laughed Robert. "Of course not," echoed Mariequita, with a serious, confirmatory bob of the head. The sun was high up and beginning to bite. The swift breeze seemed to Edna to bury the sting of it into the pores of her face and hands. Robert held his umbrella over her. As they went cutting sidewise through the water, the sails bellied taut, with the wind filling and overflowing them. Old Monsieur Farival laughed sardonically at something as he looked at the sails, and Beaudelet swore at the old man under his breath. Sailing across the bay to the _Ch ni re Caminada_, Edna felt as if she were being borne away from some anchorage which had held her fast, whose chains had been loosening had snapped the night before when the mystic spirit was abroad, leaving her free to drift whithersoever she chose to set her sails. Robert spoke to her incessantly; he no longer noticed Mariequita. The girl had shrimps in her bamboo basket. They were covered with Spanish moss. She beat the moss down impatiently, and muttered to herself sullenly. "Let us go to Grande Terre to-morrow?" said Robert in a low voice. "What shall we do there?" "Climb up the hill to the old fort and look at the little wriggling gold snakes, and watch the lizards sun themselves." She gazed away toward Grande Terre and thought she would like to be alone there with Robert, in the sun, listening to the ocean's roar and watching the slimy lizards writhe in and out among the ruins of the old fort. "And the next day or the next we can sail to the Bayou Brulow," he went on. "What shall we do there?" "Anything cast bait for fish." "No; we'll go back to Grande Terre. Let the fish alone." "We'll go wherever you like," he said. "I'll have Tonie come over and help me patch and trim my boat. We shall not need Beaudelet nor any one. Are you afraid of the pirogue?" "Oh, no." "Then I'll take you some night in the pirogue when the moon shines. Maybe | The Awakening |
"that's too mean; that is." | Charley Bates | tossing them into a cupboard,<|quote|>"that's too mean; that is."</|quote|>"_I_ couldn't do it," said | handkerchiefs from his pocket, and tossing them into a cupboard,<|quote|>"that's too mean; that is."</|quote|>"_I_ couldn't do it," said the Dodger, with an air | on with his boot-cleaning. "Go!" exclaimed the Dodger. "Why, where's your spirit? Don't you take any pride out of yourself? Would you go and be dependent on your friends?" "Oh, blow that!" said Master Bates: drawing two or three silk handkerchiefs from his pocket, and tossing them into a cupboard,<|quote|>"that's too mean; that is."</|quote|>"_I_ couldn't do it," said the Dodger, with an air of haughty disgust. "You can leave your friends, though," said Oliver with a half smile; "and let them be punished for what you did." "That," rejoined the Dodger, with a wave of his pipe, "That was all out of consideration | Charley Bates. "I don't like it," rejoined Oliver, timidly; "I wish they would let me go. I I would rather go." "And Fagin would _rather_ not!" rejoined Charley. Oliver knew this too well; but thinking it might be dangerous to express his feelings more openly, he only sighed, and went on with his boot-cleaning. "Go!" exclaimed the Dodger. "Why, where's your spirit? Don't you take any pride out of yourself? Would you go and be dependent on your friends?" "Oh, blow that!" said Master Bates: drawing two or three silk handkerchiefs from his pocket, and tossing them into a cupboard,<|quote|>"that's too mean; that is."</|quote|>"_I_ couldn't do it," said the Dodger, with an air of haughty disgust. "You can leave your friends, though," said Oliver with a half smile; "and let them be punished for what you did." "That," rejoined the Dodger, with a wave of his pipe, "That was all out of consideration for Fagin, 'cause the traps know that we work together, and he might have got into trouble if we hadn't made our lucky; that was the move, wasn't it, Charley?" Master Bates nodded assent, and would have spoken, but the recollection of Oliver's flight came so suddenly upon him, that | singular points of resemblance. "Well, well," said the Dodger, recurring to the point from which they had strayed: with that mindfulness of his profession which influenced all his proceedings. "This hasn't go anything to do with young Green here." "No more it has," said Charley. "Why don't you put yourself under Fagin, Oliver?" "And make your fortun' out of hand?" added the Dodger, with a grin. "And so be able to retire on your property, and do the gen-teel: as I mean to, in the very next leap-year but four that ever comes, and the forty-second Tuesday in Trinity-week," said Charley Bates. "I don't like it," rejoined Oliver, timidly; "I wish they would let me go. I I would rather go." "And Fagin would _rather_ not!" rejoined Charley. Oliver knew this too well; but thinking it might be dangerous to express his feelings more openly, he only sighed, and went on with his boot-cleaning. "Go!" exclaimed the Dodger. "Why, where's your spirit? Don't you take any pride out of yourself? Would you go and be dependent on your friends?" "Oh, blow that!" said Master Bates: drawing two or three silk handkerchiefs from his pocket, and tossing them into a cupboard,<|quote|>"that's too mean; that is."</|quote|>"_I_ couldn't do it," said the Dodger, with an air of haughty disgust. "You can leave your friends, though," said Oliver with a half smile; "and let them be punished for what you did." "That," rejoined the Dodger, with a wave of his pipe, "That was all out of consideration for Fagin, 'cause the traps know that we work together, and he might have got into trouble if we hadn't made our lucky; that was the move, wasn't it, Charley?" Master Bates nodded assent, and would have spoken, but the recollection of Oliver's flight came so suddenly upon him, that the smoke he was inhaling got entangled with a laugh, and went up into his head, and down into his throat: and brought on a fit of coughing and stamping, about five minutes long. "Look here!" said the Dodger, drawing forth a handful of shillings and halfpence. "Here's a jolly life! What's the odds where it comes from? Here, catch hold; there's plenty more where they were took from. You won't, won't you? Oh, you precious flat!" "It's naughty, ain't it, Oliver?" inquired Charley Bates. "He'll come to be scragged, won't he?" "I don't know what that means," replied Oliver. | to denote that he would feel obliged by his saying anything to the contrary. "I am," repeated the Dodger. "So's Charley. So's Fagin. So's Sikes. So's Nancy. So's Bet. So we all are, down to the dog. And he's the downiest one of the lot!" "And the least given to peaching," added Charley Bates. "He wouldn't so much as bark in a witness-box, for fear of committing himself; no, not if you tied him up in one, and left him there without wittles for a fortnight," said the Dodger. "Not a bit of it," observed Charley. "He's a rum dog. Don't he look fierce at any strange cove that laughs or sings when he's in company!" pursued the Dodger. "Won't he growl at all, when he hears a fiddle playing! And don't he hate other dogs as ain't of his breed! Oh, no!" "He's an out-and-out Christian," said Charley. This was merely intended as a tribute to the animal's abilities, but it was an appropriate remark in another sense, if Master Bates had only known it; for there are a good many ladies and gentlemen, claiming to be out-and-out Christians, between whom, and Mr. Sikes' dog, there exist strong and singular points of resemblance. "Well, well," said the Dodger, recurring to the point from which they had strayed: with that mindfulness of his profession which influenced all his proceedings. "This hasn't go anything to do with young Green here." "No more it has," said Charley. "Why don't you put yourself under Fagin, Oliver?" "And make your fortun' out of hand?" added the Dodger, with a grin. "And so be able to retire on your property, and do the gen-teel: as I mean to, in the very next leap-year but four that ever comes, and the forty-second Tuesday in Trinity-week," said Charley Bates. "I don't like it," rejoined Oliver, timidly; "I wish they would let me go. I I would rather go." "And Fagin would _rather_ not!" rejoined Charley. Oliver knew this too well; but thinking it might be dangerous to express his feelings more openly, he only sighed, and went on with his boot-cleaning. "Go!" exclaimed the Dodger. "Why, where's your spirit? Don't you take any pride out of yourself? Would you go and be dependent on your friends?" "Oh, blow that!" said Master Bates: drawing two or three silk handkerchiefs from his pocket, and tossing them into a cupboard,<|quote|>"that's too mean; that is."</|quote|>"_I_ couldn't do it," said the Dodger, with an air of haughty disgust. "You can leave your friends, though," said Oliver with a half smile; "and let them be punished for what you did." "That," rejoined the Dodger, with a wave of his pipe, "That was all out of consideration for Fagin, 'cause the traps know that we work together, and he might have got into trouble if we hadn't made our lucky; that was the move, wasn't it, Charley?" Master Bates nodded assent, and would have spoken, but the recollection of Oliver's flight came so suddenly upon him, that the smoke he was inhaling got entangled with a laugh, and went up into his head, and down into his throat: and brought on a fit of coughing and stamping, about five minutes long. "Look here!" said the Dodger, drawing forth a handful of shillings and halfpence. "Here's a jolly life! What's the odds where it comes from? Here, catch hold; there's plenty more where they were took from. You won't, won't you? Oh, you precious flat!" "It's naughty, ain't it, Oliver?" inquired Charley Bates. "He'll come to be scragged, won't he?" "I don't know what that means," replied Oliver. "Something in this way, old feller," said Charly. As he said it, Master Bates caught up an end of his neckerchief; and, holding it erect in the air, dropped his head on his shoulder, and jerked a curious sound through his teeth; thereby indicating, by a lively pantomimic representation, that scragging and hanging were one and the same thing. "That's what it means," said Charley. "Look how he stares, Jack! I never did see such prime company as that 'ere boy; he'll be the death of me, I know he will." Master Charley Bates, having laughed heartily again, resumed his pipe with tears in his eyes. "You've been brought up bad," said the Dodger, surveying his boots with much satisfaction when Oliver had polished them. "Fagin will make something of you, though, or you'll be the first he ever had that turned out unprofitable. You'd better begin at once; for you'll come to the trade long before you think of it; and you're only losing time, Oliver." Master Bates backed this advice with sundry moral admonitions of his own: which, being exhausted, he and his friend Mr. Dawkins launched into a glowing description of the numerous pleasures incidental to the | that evening, the first-named young gentleman took it into his head to evince some anxiety regarding the decoration of his person (to do him justice, this was by no means an habitual weakness with him); and, with this end and aim, he condescendingly commanded Oliver to assist him in his toilet, straightway. Oliver was but too glad to make himself useful; too happy to have some faces, however bad, to look upon; too desirous to conciliate those about him when he could honestly do so; to throw any objection in the way of this proposal. So he at once expressed his readiness; and, kneeling on the floor, while the Dodger sat upon the table so that he could take his foot in his laps, he applied himself to a process which Mr. Dawkins designated as "japanning his trotter-cases." The phrase, rendered into plain English, signifieth, cleaning his boots. Whether it was the sense of freedom and independence which a rational animal may be supposed to feel when he sits on a table in an easy attitude smoking a pipe, swinging one leg carelessly to and fro, and having his boots cleaned all the time, without even the past trouble of having taken them off, or the prospective misery of putting them on, to disturb his reflections; or whether it was the goodness of the tobacco that soothed the feelings of the Dodger, or the mildness of the beer that mollified his thoughts; he was evidently tinctured, for the nonce, with a spice of romance and enthusiasm, foreign to his general nature. He looked down on Oliver, with a thoughtful countenance, for a brief space; and then, raising his head, and heaving a gentle sign, said, half in abstraction, and half to Master Bates: "What a pity it is he isn't a prig!" "Ah!" said Master Charles Bates; "he don't know what's good for him." The Dodger sighed again, and resumed his pipe: as did Charley Bates. They both smoked, for some seconds, in silence. "I suppose you don't even know what a prig is?" said the Dodger mournfully. "I think I know that," replied Oliver, looking up. "It's a the ; you're one, are you not?" inquired Oliver, checking himself. "I am," replied the Dodger. "I'd scorn to be anything else." Mr. Dawkins gave his hat a ferocious cock, after delivering this sentiment, and looked at Master Bates, as if to denote that he would feel obliged by his saying anything to the contrary. "I am," repeated the Dodger. "So's Charley. So's Fagin. So's Sikes. So's Nancy. So's Bet. So we all are, down to the dog. And he's the downiest one of the lot!" "And the least given to peaching," added Charley Bates. "He wouldn't so much as bark in a witness-box, for fear of committing himself; no, not if you tied him up in one, and left him there without wittles for a fortnight," said the Dodger. "Not a bit of it," observed Charley. "He's a rum dog. Don't he look fierce at any strange cove that laughs or sings when he's in company!" pursued the Dodger. "Won't he growl at all, when he hears a fiddle playing! And don't he hate other dogs as ain't of his breed! Oh, no!" "He's an out-and-out Christian," said Charley. This was merely intended as a tribute to the animal's abilities, but it was an appropriate remark in another sense, if Master Bates had only known it; for there are a good many ladies and gentlemen, claiming to be out-and-out Christians, between whom, and Mr. Sikes' dog, there exist strong and singular points of resemblance. "Well, well," said the Dodger, recurring to the point from which they had strayed: with that mindfulness of his profession which influenced all his proceedings. "This hasn't go anything to do with young Green here." "No more it has," said Charley. "Why don't you put yourself under Fagin, Oliver?" "And make your fortun' out of hand?" added the Dodger, with a grin. "And so be able to retire on your property, and do the gen-teel: as I mean to, in the very next leap-year but four that ever comes, and the forty-second Tuesday in Trinity-week," said Charley Bates. "I don't like it," rejoined Oliver, timidly; "I wish they would let me go. I I would rather go." "And Fagin would _rather_ not!" rejoined Charley. Oliver knew this too well; but thinking it might be dangerous to express his feelings more openly, he only sighed, and went on with his boot-cleaning. "Go!" exclaimed the Dodger. "Why, where's your spirit? Don't you take any pride out of yourself? Would you go and be dependent on your friends?" "Oh, blow that!" said Master Bates: drawing two or three silk handkerchiefs from his pocket, and tossing them into a cupboard,<|quote|>"that's too mean; that is."</|quote|>"_I_ couldn't do it," said the Dodger, with an air of haughty disgust. "You can leave your friends, though," said Oliver with a half smile; "and let them be punished for what you did." "That," rejoined the Dodger, with a wave of his pipe, "That was all out of consideration for Fagin, 'cause the traps know that we work together, and he might have got into trouble if we hadn't made our lucky; that was the move, wasn't it, Charley?" Master Bates nodded assent, and would have spoken, but the recollection of Oliver's flight came so suddenly upon him, that the smoke he was inhaling got entangled with a laugh, and went up into his head, and down into his throat: and brought on a fit of coughing and stamping, about five minutes long. "Look here!" said the Dodger, drawing forth a handful of shillings and halfpence. "Here's a jolly life! What's the odds where it comes from? Here, catch hold; there's plenty more where they were took from. You won't, won't you? Oh, you precious flat!" "It's naughty, ain't it, Oliver?" inquired Charley Bates. "He'll come to be scragged, won't he?" "I don't know what that means," replied Oliver. "Something in this way, old feller," said Charly. As he said it, Master Bates caught up an end of his neckerchief; and, holding it erect in the air, dropped his head on his shoulder, and jerked a curious sound through his teeth; thereby indicating, by a lively pantomimic representation, that scragging and hanging were one and the same thing. "That's what it means," said Charley. "Look how he stares, Jack! I never did see such prime company as that 'ere boy; he'll be the death of me, I know he will." Master Charley Bates, having laughed heartily again, resumed his pipe with tears in his eyes. "You've been brought up bad," said the Dodger, surveying his boots with much satisfaction when Oliver had polished them. "Fagin will make something of you, though, or you'll be the first he ever had that turned out unprofitable. You'd better begin at once; for you'll come to the trade long before you think of it; and you're only losing time, Oliver." Master Bates backed this advice with sundry moral admonitions of his own: which, being exhausted, he and his friend Mr. Dawkins launched into a glowing description of the numerous pleasures incidental to the life they led, interspersed with a variety of hints to Oliver that the best thing he could do, would be to secure Fagin's favour without more delay, by the means which they themselves had employed to gain it. "And always put this in your pipe, Nolly," said the Dodger, as the Jew was heard unlocking the door above, "if you don't take fogels and tickers" "What's the good of talking in that way?" interposed Master Bates; "he don't know what you mean." "If you don't take pocket-handkechers and watches," said the Dodger, reducing his conversation to the level of Oliver's capacity, "some other cove will; so that the coves that lose 'em will be all the worse, and you'll be all the worse, too, and nobody half a ha'p'orth the better, except the chaps wot gets them and you've just as good a right to them as they have." "To be sure, to be sure!" said the Jew, who had entered unseen by Oliver. "It all lies in a nutshell my dear; in a nutshell, take the Dodger's word for it. Ha! ha! ha! He understands the catechism of his trade." The old man rubbed his hands gleefully together, as he corroborated the Dodger's reasoning in these terms; and chuckled with delight at his pupil's proficiency. The conversation proceeded no farther at this time, for the Jew had returned home accompanied by Miss Betsy, and a gentleman whom Oliver had never seen before, but who was accosted by the Dodger as Tom Chitling; and who, having lingered on the stairs to exchange a few gallantries with the lady, now made his appearance. Mr. Chitling was older in years than the Dodger: having perhaps numbered eighteen winters; but there was a degree of deference in his deportment towards that young gentleman which seemed to indicate that he felt himself conscious of a slight inferiority in point of genius and professional aquirements. He had small twinkling eyes, and a pock-marked face; wore a fur cap, a dark corduroy jacket, greasy fustian trousers, and an apron. His wardrobe was, in truth, rather out of repair; but he excused himself to the company by stating that his "time" was only out an hour before; and that, in consequence of having worn the regimentals for six weeks past, he had not been able to bestow any attention on his private clothes. Mr. Chitling added, with | the mildness of the beer that mollified his thoughts; he was evidently tinctured, for the nonce, with a spice of romance and enthusiasm, foreign to his general nature. He looked down on Oliver, with a thoughtful countenance, for a brief space; and then, raising his head, and heaving a gentle sign, said, half in abstraction, and half to Master Bates: "What a pity it is he isn't a prig!" "Ah!" said Master Charles Bates; "he don't know what's good for him." The Dodger sighed again, and resumed his pipe: as did Charley Bates. They both smoked, for some seconds, in silence. "I suppose you don't even know what a prig is?" said the Dodger mournfully. "I think I know that," replied Oliver, looking up. "It's a the ; you're one, are you not?" inquired Oliver, checking himself. "I am," replied the Dodger. "I'd scorn to be anything else." Mr. Dawkins gave his hat a ferocious cock, after delivering this sentiment, and looked at Master Bates, as if to denote that he would feel obliged by his saying anything to the contrary. "I am," repeated the Dodger. "So's Charley. So's Fagin. So's Sikes. So's Nancy. So's Bet. So we all are, down to the dog. And he's the downiest one of the lot!" "And the least given to peaching," added Charley Bates. "He wouldn't so much as bark in a witness-box, for fear of committing himself; no, not if you tied him up in one, and left him there without wittles for a fortnight," said the Dodger. "Not a bit of it," observed Charley. "He's a rum dog. Don't he look fierce at any strange cove that laughs or sings when he's in company!" pursued the Dodger. "Won't he growl at all, when he hears a fiddle playing! And don't he hate other dogs as ain't of his breed! Oh, no!" "He's an out-and-out Christian," said Charley. This was merely intended as a tribute to the animal's abilities, but it was an appropriate remark in another sense, if Master Bates had only known it; for there are a good many ladies and gentlemen, claiming to be out-and-out Christians, between whom, and Mr. Sikes' dog, there exist strong and singular points of resemblance. "Well, well," said the Dodger, recurring to the point from which they had strayed: with that mindfulness of his profession which influenced all his proceedings. "This hasn't go anything to do with young Green here." "No more it has," said Charley. "Why don't you put yourself under Fagin, Oliver?" "And make your fortun' out of hand?" added the Dodger, with a grin. "And so be able to retire on your property, and do the gen-teel: as I mean to, in the very next leap-year but four that ever comes, and the forty-second Tuesday in Trinity-week," said Charley Bates. "I don't like it," rejoined Oliver, timidly; "I wish they would let me go. I I would rather go." "And Fagin would _rather_ not!" rejoined Charley. Oliver knew this too well; but thinking it might be dangerous to express his feelings more openly, he only sighed, and went on with his boot-cleaning. "Go!" exclaimed the Dodger. "Why, where's your spirit? Don't you take any pride out of yourself? Would you go and be dependent on your friends?" "Oh, blow that!" said Master Bates: drawing two or three silk handkerchiefs from his pocket, and tossing them into a cupboard,<|quote|>"that's too mean; that is."</|quote|>"_I_ couldn't do it," said the Dodger, with an air of haughty disgust. "You can leave your friends, though," said Oliver with a half smile; "and let them be punished for what you did." "That," rejoined the Dodger, with a wave of his pipe, "That was all out of consideration for Fagin, 'cause the traps know that we work together, and he might have got into trouble if we hadn't made our lucky; that was the move, wasn't it, Charley?" Master Bates nodded assent, and would have spoken, but the recollection of Oliver's flight came so suddenly upon him, that the smoke he was inhaling got entangled with a laugh, and went up into his head, and down into his throat: and brought on a fit of coughing and stamping, about five minutes long. "Look here!" said the Dodger, drawing forth a handful of shillings and halfpence. "Here's a jolly life! What's the odds where it comes from? Here, catch hold; there's plenty more where they were took from. You won't, won't you? Oh, you precious flat!" "It's naughty, ain't it, Oliver?" inquired Charley Bates. "He'll come to be scragged, won't he?" "I don't know what that means," replied Oliver. "Something in this way, old feller," said Charly. As he said it, Master Bates caught up an end of his neckerchief; and, holding it erect in the air, dropped his head on his shoulder, and jerked a curious sound through his teeth; thereby indicating, by a lively pantomimic representation, | Oliver Twist |
he cried. | No speaker | "Why, that stone's red hot!"<|quote|>he cried.</|quote|>This was not the truth, | uttering a cry of pain. "Why, that stone's red hot!"<|quote|>he cried.</|quote|>This was not the truth, but it was quite hot | followed, to lie upon his back, restfully gazing up at the blue sky above, when Jem, who had been more particular about the choice of a place, slowly sat down, remained stationary for a few moments, and then sprang up, uttering a cry of pain. "Why, that stone's red hot!"<|quote|>he cried.</|quote|>This was not the truth, but it was quite hot enough to make it a painful seat, and he chose another. "Well, of all the rum places, Mas' Don!" He said no more on the subject, for just then Ngati rose, and carefully drew the bag of eggs from the | Meanwhile, Ngati was listening intently, but, save the hissing of steam, the gurgling of boiling water, and the softened roar that seemed now distant, now close at hand, there was nothing to be heard, so he signed to them to sit down and rest. He set the example, and Don followed, to lie upon his back, restfully gazing up at the blue sky above, when Jem, who had been more particular about the choice of a place, slowly sat down, remained stationary for a few moments, and then sprang up, uttering a cry of pain. "Why, that stone's red hot!"<|quote|>he cried.</|quote|>This was not the truth, but it was quite hot enough to make it a painful seat, and he chose another. "Well, of all the rum places, Mas' Don!" He said no more on the subject, for just then Ngati rose, and carefully drew the bag of eggs from the boiling pool. "And I called him a pig!" said Jem, self-reproachfully. "No: no pig," said Ngati, who caught the word. "Well, I didn't say there was, obstinit," said Jem. "Here, give us an egg. Fruit and young wood's all werry well; but there's no spoons and no salt!" In spite | "you wanted to bathe in the big copper." "How was I to know that this was a foreign out-door kitchen?" replied Jem laughing. "And the water's boiling hot," added Don. "You can see it bubbling just at this end." "Think o' that now!" said Jem. "I say, what a big fire there must be somewhere down b'low. Strikes me, Mas' Don, that when I makes my fortun' and buys an estate I sha'n't settle here." "No, Jem. `There's no place like home.'" "Well, home's where you settle, arn't it? But this won't do for me. It's dangerous to be safe." Meanwhile, Ngati was listening intently, but, save the hissing of steam, the gurgling of boiling water, and the softened roar that seemed now distant, now close at hand, there was nothing to be heard, so he signed to them to sit down and rest. He set the example, and Don followed, to lie upon his back, restfully gazing up at the blue sky above, when Jem, who had been more particular about the choice of a place, slowly sat down, remained stationary for a few moments, and then sprang up, uttering a cry of pain. "Why, that stone's red hot!"<|quote|>he cried.</|quote|>This was not the truth, but it was quite hot enough to make it a painful seat, and he chose another. "Well, of all the rum places, Mas' Don!" He said no more on the subject, for just then Ngati rose, and carefully drew the bag of eggs from the boiling pool. "And I called him a pig!" said Jem, self-reproachfully. "No: no pig," said Ngati, who caught the word. "Well, I didn't say there was, obstinit," said Jem. "Here, give us an egg. Fruit and young wood's all werry well; but there's no spoons and no salt!" In spite of these drawbacks, and amid a series of remarks on the convenience of cooking cauldrons all over the place, Jem made a hearty meal of new laid eggs, which they had just finished when Ngati looked up and seized his spear. "What's the matter?" cried Don listening. Ngati pointed, and bent down, holding his hand to his ear. "I can hear nothing," said Jem. Ngati pointed down the ravine again, his keen sense having detected the sound of voices inaudible to his companions. Then carefully gathering up the egg shells, so as to leave no traces, he took the bag | you aggrawating savage!" cried Jem. Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur. "Let's have a bathe!" cried Jem eagerly. "Is there time?" He stepped forward, and was about to plunge in his hand, when Ngati seized his shoulders and dragged him back. "What yer doing that for?" cried Jem. The Maori stepped forward, and made as if to dip in one of his feet, but snatched it back as if in pain. Then, smiling, he twisted some strands of grass into a band, fastened the end to the palm basket, and gently lowered it, full of eggs, into the sapphire depths, a jet of steam and a series of bubbles rising to the surface as the basket sank. "Why, Jem," said Don laughing, "you wanted to bathe in the big copper." "How was I to know that this was a foreign out-door kitchen?" replied Jem laughing. "And the water's boiling hot," added Don. "You can see it bubbling just at this end." "Think o' that now!" said Jem. "I say, what a big fire there must be somewhere down b'low. Strikes me, Mas' Don, that when I makes my fortun' and buys an estate I sha'n't settle here." "No, Jem. `There's no place like home.'" "Well, home's where you settle, arn't it? But this won't do for me. It's dangerous to be safe." Meanwhile, Ngati was listening intently, but, save the hissing of steam, the gurgling of boiling water, and the softened roar that seemed now distant, now close at hand, there was nothing to be heard, so he signed to them to sit down and rest. He set the example, and Don followed, to lie upon his back, restfully gazing up at the blue sky above, when Jem, who had been more particular about the choice of a place, slowly sat down, remained stationary for a few moments, and then sprang up, uttering a cry of pain. "Why, that stone's red hot!"<|quote|>he cried.</|quote|>This was not the truth, but it was quite hot enough to make it a painful seat, and he chose another. "Well, of all the rum places, Mas' Don!" He said no more on the subject, for just then Ngati rose, and carefully drew the bag of eggs from the boiling pool. "And I called him a pig!" said Jem, self-reproachfully. "No: no pig," said Ngati, who caught the word. "Well, I didn't say there was, obstinit," said Jem. "Here, give us an egg. Fruit and young wood's all werry well; but there's no spoons and no salt!" In spite of these drawbacks, and amid a series of remarks on the convenience of cooking cauldrons all over the place, Jem made a hearty meal of new laid eggs, which they had just finished when Ngati looked up and seized his spear. "What's the matter?" cried Don listening. Ngati pointed, and bent down, holding his hand to his ear. "I can hear nothing," said Jem. Ngati pointed down the ravine again, his keen sense having detected the sound of voices inaudible to his companions. Then carefully gathering up the egg shells, so as to leave no traces, he took the bag with the rest of the eggs, and led the way onward at a rapid rate. The path grew more wild and rugged, and the roar increased as they ascended, till, after turning an angle in the winding gully, the sound came continuously with a deep-toned, thunderous bellow. "There, what did I tell you?" said Jem, as the top of the mountain was plainly in view, emitting steam, and about a mile distant. "That's the chimney roaring." "It's a great waterfall somewhere on ahead," replied Don; and a few yards farther on they came once more upon the edge of the river, which here ran foaming along at the bottom of what was a mere jagged crack stretching down from high up the mountain, and with precipitous walls, a couple of hundred feet down. Ngati seemed more satisfied after a while, and they sat down in a narrow valley they were ascending to finish the eggs, whose shells were thrown into the torrent. "I should like to know where he's going to take us," said Jem, all at once. "It does not matter, so long as it is into safety," said Don. "For my part, I--Lie down, quick!" Jem obeyed, and | quite an eager dash on one side and return with eggs, which he carefully placed in the woven bag he had made. This went on till he had nearly a couple of dozen, at which, as he trudged along, Jem kept casting longing eyes. In spite of the danger and weariness, Don could not help admiring the beauty of the scene, as, from time to time, the gully opened out sufficiently for him to see that they were steadily rising toward a fine cone, which stood up high above a cluster of mountains, the silvery cloud that floated from its summit telling plainly of its volcanic nature. "_Tapu_! _tapu_!" Ngati said, every time he saw Don gazing at the mountain; but it was not till long after that he comprehended the meaning of the chiefs words, that the place was "tapu," or sacred, and that it would act as a refuge for them, could they reach it, as the ordinary Maoris would not dare to follow them there. Higher up the valley, where the waters were dashing furiously down in many a cascade, Don began to realise that they were following the bed of a river, whose source was somewhere high up the mountain he kept on seeing from time to time, while, after several hours' climbing, often over the most arduous, rocky ground, he saw that they were once more entering upon a volcanic district. Pillars of steam rose here and there, and all at once he started aside as a gurgling noise arose from beyond a patch of vivid green which covered the edges of a mud-pool, so hot that it was painful to the hand. From time to time Ngati had stopped to listen, the shouts growing fainter each time, while, as they progressed, a heavy thunderous roar grew louder, died away, and grew louder again. Don looked inquiringly at Jem. "It's the big chimney of that mountain drawing, Mas' Don." "Nonsense!" "Nay, that's what it is; and what I say is this. It's all wery well getting away from them cannibals, but don't let's let old Ngati--" The chief looked sharply round. "Yes, I'm a-talking about you, old chap. I say, you're not to take us right up that mountain, and into a place where we shall tumble in." "_Tapu_! _tapu_!" said Ngati, nodding his head, and pointing toward the steaming cloud above the mountain. "Oh, you aggrawating savage!" cried Jem. Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur. "Let's have a bathe!" cried Jem eagerly. "Is there time?" He stepped forward, and was about to plunge in his hand, when Ngati seized his shoulders and dragged him back. "What yer doing that for?" cried Jem. The Maori stepped forward, and made as if to dip in one of his feet, but snatched it back as if in pain. Then, smiling, he twisted some strands of grass into a band, fastened the end to the palm basket, and gently lowered it, full of eggs, into the sapphire depths, a jet of steam and a series of bubbles rising to the surface as the basket sank. "Why, Jem," said Don laughing, "you wanted to bathe in the big copper." "How was I to know that this was a foreign out-door kitchen?" replied Jem laughing. "And the water's boiling hot," added Don. "You can see it bubbling just at this end." "Think o' that now!" said Jem. "I say, what a big fire there must be somewhere down b'low. Strikes me, Mas' Don, that when I makes my fortun' and buys an estate I sha'n't settle here." "No, Jem. `There's no place like home.'" "Well, home's where you settle, arn't it? But this won't do for me. It's dangerous to be safe." Meanwhile, Ngati was listening intently, but, save the hissing of steam, the gurgling of boiling water, and the softened roar that seemed now distant, now close at hand, there was nothing to be heard, so he signed to them to sit down and rest. He set the example, and Don followed, to lie upon his back, restfully gazing up at the blue sky above, when Jem, who had been more particular about the choice of a place, slowly sat down, remained stationary for a few moments, and then sprang up, uttering a cry of pain. "Why, that stone's red hot!"<|quote|>he cried.</|quote|>This was not the truth, but it was quite hot enough to make it a painful seat, and he chose another. "Well, of all the rum places, Mas' Don!" He said no more on the subject, for just then Ngati rose, and carefully drew the bag of eggs from the boiling pool. "And I called him a pig!" said Jem, self-reproachfully. "No: no pig," said Ngati, who caught the word. "Well, I didn't say there was, obstinit," said Jem. "Here, give us an egg. Fruit and young wood's all werry well; but there's no spoons and no salt!" In spite of these drawbacks, and amid a series of remarks on the convenience of cooking cauldrons all over the place, Jem made a hearty meal of new laid eggs, which they had just finished when Ngati looked up and seized his spear. "What's the matter?" cried Don listening. Ngati pointed, and bent down, holding his hand to his ear. "I can hear nothing," said Jem. Ngati pointed down the ravine again, his keen sense having detected the sound of voices inaudible to his companions. Then carefully gathering up the egg shells, so as to leave no traces, he took the bag with the rest of the eggs, and led the way onward at a rapid rate. The path grew more wild and rugged, and the roar increased as they ascended, till, after turning an angle in the winding gully, the sound came continuously with a deep-toned, thunderous bellow. "There, what did I tell you?" said Jem, as the top of the mountain was plainly in view, emitting steam, and about a mile distant. "That's the chimney roaring." "It's a great waterfall somewhere on ahead," replied Don; and a few yards farther on they came once more upon the edge of the river, which here ran foaming along at the bottom of what was a mere jagged crack stretching down from high up the mountain, and with precipitous walls, a couple of hundred feet down. Ngati seemed more satisfied after a while, and they sat down in a narrow valley they were ascending to finish the eggs, whose shells were thrown into the torrent. "I should like to know where he's going to take us," said Jem, all at once. "It does not matter, so long as it is into safety," said Don. "For my part, I--Lie down, quick!" Jem obeyed, and bending low, Don seized the Maori's arm, pointing the while down the way they had come at a couple of naked savages, leaping from stone to stone, spear armed, and each wearing the white-tipped tail feathers of a bird in his hair. Ngati saw the danger instantly, fell flat on his breast, and signing to his companions to follow, began to crawl in and out among the rocks and bushes, making for every point likely to afford shelter, while, in an agony of apprehension as to whether they had been seen, Don and Jem followed painfully, till the chief halted to reconnoitre and make some plan of escape. It was quite time, for the Maoris had either seen them or some of the traces they had left behind; and, carefully examining every foot of the narrow valley shelf along which they had climbed, were coming rapidly on. Don's heart sank, for it seemed to him that they were in a trap. On his right was the wall-like side of the gully they ascended; on his left the sheer precipice down to the awful torrent; before them the sound of a mighty cataract; and behind the enemy, coming quickly and stealthily on. CHAPTER FORTY SEVEN. A DANGEROUS PHASE. Ngati took all in at a glance, and signing to his companions to follow, he again lay down, creeping on for a short distance, trailing his spear, till they were well behind a pile of rocks. Here he gave a sharp look round at the _cul de sac_ into which they had been driven, and without hesitation crept to their left to where the rocky wall descended to the raging torrent. To him the place seemed to have no danger, as he passed over the edge and disappeared, but to Don it was like seeking death. "We can never do it, Jem," he said. "Must, Mas' Don. Go on." Don looked at him wildly, and then in a fit of desperation he lowered himself over the edge, felt a pair of great hands grasp him by the loins, and, as he loosened his hold, he was dropped upon a rough ledge of rock, where he stood giddy and confused, with the torrent rushing furiously along beneath his feet, and in front, dimly-seen through a mist which rose from below, he caught a glimpse of a huge fall of water which came from high | "Nay, that's what it is; and what I say is this. It's all wery well getting away from them cannibals, but don't let's let old Ngati--" The chief looked sharply round. "Yes, I'm a-talking about you, old chap. I say, you're not to take us right up that mountain, and into a place where we shall tumble in." "_Tapu_! _tapu_!" said Ngati, nodding his head, and pointing toward the steaming cloud above the mountain. "Oh, you aggrawating savage!" cried Jem. Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur. "Let's have a bathe!" cried Jem eagerly. "Is there time?" He stepped forward, and was about to plunge in his hand, when Ngati seized his shoulders and dragged him back. "What yer doing that for?" cried Jem. The Maori stepped forward, and made as if to dip in one of his feet, but snatched it back as if in pain. Then, smiling, he twisted some strands of grass into a band, fastened the end to the palm basket, and gently lowered it, full of eggs, into the sapphire depths, a jet of steam and a series of bubbles rising to the surface as the basket sank. "Why, Jem," said Don laughing, "you wanted to bathe in the big copper." "How was I to know that this was a foreign out-door kitchen?" replied Jem laughing. "And the water's boiling hot," added Don. "You can see it bubbling just at this end." "Think o' that now!" said Jem. "I say, what a big fire there must be somewhere down b'low. Strikes me, Mas' Don, that when I makes my fortun' and buys an estate I sha'n't settle here." "No, Jem. `There's no place like home.'" "Well, home's where you settle, arn't it? But this won't do for me. It's dangerous to be safe." Meanwhile, Ngati was listening intently, but, save the hissing of steam, the gurgling of boiling water, and the softened roar that seemed now distant, now close at hand, there was nothing to be heard, so he signed to them to sit down and rest. He set the example, and Don followed, to lie upon his back, restfully gazing up at the blue sky above, when Jem, who had been more particular about the choice of a place, slowly sat down, remained stationary for a few moments, and then sprang up, uttering a cry of pain. "Why, that stone's red hot!"<|quote|>he cried.</|quote|>This was not the truth, but it was quite hot enough to make it a painful seat, and he chose another. "Well, of all the rum places, Mas' Don!" He said no more on the subject, for just then Ngati rose, and carefully drew the bag of eggs from the boiling pool. "And I called him a pig!" said Jem, self-reproachfully. "No: no pig," said Ngati, who caught the word. "Well, I didn't say there was, obstinit," said Jem. "Here, give us an egg. Fruit and young wood's all werry well; but there's no spoons and no salt!" In spite of these drawbacks, and amid a series of remarks on the convenience of cooking cauldrons all over the place, Jem made a hearty meal of new laid eggs, which they had just finished when Ngati looked up and seized his spear. "What's the matter?" cried Don listening. Ngati pointed, and bent down, holding his hand to his ear. "I can hear nothing," said Jem. Ngati pointed down the ravine again, his keen sense having detected the sound of voices inaudible to his companions. Then carefully gathering up the egg shells, so as to leave no traces, he took the bag with the rest of the eggs, and led the way onward at a rapid rate. The path grew more wild and rugged, and the roar increased as they ascended, till, after turning an angle in the winding gully, the sound came continuously with a deep-toned, thunderous bellow. "There, what did I tell you?" said Jem, as the top of the mountain was plainly in view, emitting steam, and about a mile distant. "That's the chimney roaring." "It's a great waterfall somewhere on ahead," replied Don; and a few yards farther on they came once more upon the edge of the river, which here ran foaming along at the bottom of what was a mere jagged crack stretching down from high up the mountain, and with precipitous walls, a couple of hundred feet down. Ngati seemed more satisfied after a while, and they sat down in a narrow valley they were ascending to finish the eggs, whose shells were thrown into the torrent. "I should like to know where he's going to take us," said Jem, all at once. "It does not matter, so long as it is into safety," said Don. "For my part, I--Lie down, quick!" Jem obeyed, and bending low, Don seized the Maori's arm, pointing the while down the way they had come at a couple of naked savages, leaping from stone to stone, spear armed, and each wearing the white-tipped tail feathers of a bird in his hair. Ngati saw the danger instantly, fell flat on his breast, and signing to his companions to follow, began to crawl in and out among the rocks and bushes, making for every point likely to afford shelter, while, in an agony of apprehension as to whether they had been seen, Don and Jem followed painfully, till the chief halted to reconnoitre and make some plan of escape. It was quite time, for the Maoris had either seen them or some of the traces they had left behind; and, carefully examining every foot of the narrow valley shelf along which they had climbed, were coming rapidly on. Don's heart sank, for it seemed to him that they were in a trap. On his right was the wall-like side of the gully they ascended; on his left the sheer precipice down to the awful torrent; before them the sound of a mighty cataract; and behind the enemy, coming | Don Lavington |
interposed Poirot, speaking for the first time since we had entered the room. | No speaker | help in solving it, monsieur?"<|quote|>interposed Poirot, speaking for the first time since we had entered the room.</|quote|>"I?" "Yes, we heard that | "Can you give us no help in solving it, monsieur?"<|quote|>interposed Poirot, speaking for the first time since we had entered the room.</|quote|>"I?" "Yes, we heard that Mrs. Inglethorp wrote to you | of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?"<|quote|>interposed Poirot, speaking for the first time since we had entered the room.</|quote|>"I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great | be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?"<|quote|>interposed Poirot, speaking for the first time since we had entered the room.</|quote|>"I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is | so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?"<|quote|>interposed Poirot, speaking for the first time since we had entered the room.</|quote|>"I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that | is also Coroner you understand. Perhaps you would like to come with me?" We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot: "There will be an inquest then?" Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?"<|quote|>interposed Poirot, speaking for the first time since we had entered the room.</|quote|>"I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know. She may have been." "She was," said John unexpectedly. "We were discussing the matter of wills being revoked by marriage only yesterday." "Ah! One more question, Mr. Wells. You say" her last will.' "Had Mrs. Inglethorp, then, made several former wills?" "On an average, she made a new will at least once a | who acted the bereaved widower in a manner that I felt to be disgusting in its hypocrisy. Did he know that we suspected him, I wondered. Surely he could not be unaware of the fact, conceal it as we would. Did he feel some secret stirring of fear, or was he confident that his crime would go unpunished? Surely the suspicion in the atmosphere must warn him that he was already a marked man. But did everyone suspect him? What about Mrs. Cavendish? I watched her as she sat at the head of the table, graceful, composed, enigmatic. In her soft grey frock, with white ruffles at the wrists falling over her slender hands, she looked very beautiful. When she chose, however, her face could be sphinx-like in its inscrutability. She was very silent, hardly opening her lips, and yet in some queer way I felt that the great strength of her personality was dominating us all. And little Cynthia? Did she suspect? She looked very tired and ill, I thought. The heaviness and languor of her manner were very marked. I asked her if she were feeling ill, and she answered frankly: "Yes, I've got the most beastly headache." "Have another cup of coffee, mademoiselle?" said Poirot solicitously. "It will revive you. It is unparalleled for the _mal de t te_." He jumped up and took her cup. "No sugar," said Cynthia, watching him, as he picked up the sugar-tongs. "No sugar? You abandon it in the war-time, eh?" "No, I never take it in coffee." "_Sacr !_" murmured Poirot to himself, as he brought back the replenished cup. Only I heard him, and glancing up curiously at the little man I saw that his face was working with suppressed excitement, and his eyes were as green as a cat's. He had heard or seen something that had affected him strongly but what was it? I do not usually label myself as dense, but I must confess that nothing out of the ordinary had attracted _my_ attention. In another moment, the door opened and Dorcas appeared. "Mr. Wells to see you, sir," she said to John. I remembered the name as being that of the lawyer to whom Mrs. Inglethorp had written the night before. John rose immediately. "Show him into my study." Then he turned to us. "My mother's lawyer," he explained. And in a lower voice: "He is also Coroner you understand. Perhaps you would like to come with me?" We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot: "There will be an inquest then?" Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?"<|quote|>interposed Poirot, speaking for the first time since we had entered the room.</|quote|>"I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know. She may have been." "She was," said John unexpectedly. "We were discussing the matter of wills being revoked by marriage only yesterday." "Ah! One more question, Mr. Wells. You say" her last will.' "Had Mrs. Inglethorp, then, made several former wills?" "On an average, she made a new will at least once a year," said Mr. Wells imperturbably. "She was given to changing her mind as to her testamentary dispositions, now benefiting one, now another member of her family." "Suppose," suggested Poirot, "that, unknown to you, she had made a new will in favour of someone who was not, in any sense of the word, a member of the family we will say Miss Howard, for instance would you be surprised?" "Not in the least." "Ah!" Poirot seemed to have exhausted his questions. I drew close to him, while John and the lawyer were debating the question of going through Mrs. Inglethorp's papers. "Do you think Mrs. Inglethorp made a will leaving all her money to Miss Howard?" I asked in a low voice, with some curiosity. Poirot smiled. "No." "Then why did you ask?" "Hush!" John Cavendish had turned to Poirot. "Will you come with us, Monsieur Poirot? We are going through my mother's papers. Mr. Inglethorp is quite willing to leave it entirely to Mr. Wells and myself." "Which simplifies matters very much," murmured the lawyer. "As technically, of course, he was entitled" He did not finish the sentence. "We will look through the desk in the boudoir first," explained John, "and go up to her bedroom afterwards. She kept her most important papers in a purple despatch-case, which we must look through carefully." "Yes," said the lawyer, "it is quite possible that there may be a later will than the one in my possession." "There _is_ a later will." It was Poirot who spoke. "What?" John and the lawyer looked at him startled. "Or, rather," pursued my friend imperturbably, "there _was_ one." "What do you mean there was one? Where is it now?" "Burnt!" "Burnt?" "Yes. See here." He took out the charred fragment we had found in the grate in Mrs. Inglethorp's room, and handed it to the lawyer with a brief explanation of when and where he had found it. "But possibly this is an old will?" "I do not think so. In fact I am almost certain that it was made no earlier than yesterday afternoon." "What?" "Impossible!" broke simultaneously from both men. Poirot turned to John. "If you will allow me to send for your gardener, I will prove it to you." "Oh, of course but I don't see" Poirot raised his hand. "Do as I ask you. Afterwards you shall question as much as you | "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner: "Any other evidence will be simply confirmatory, a mere matter of form." "I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?"<|quote|>interposed Poirot, speaking for the first time since we had entered the room.</|quote|>"I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my | The Mysterious Affair At Styles |
“You know? You have heard, maybe?” | Cuzak | about the singer, Maria Vasak.<|quote|>“You know? You have heard, maybe?”</|quote|>he asked incredulously. When I | him whether he were talking about the singer, Maria Vasak.<|quote|>“You know? You have heard, maybe?”</|quote|>he asked incredulously. When I assured him that I had | of illustrated Bohemian papers. He opened them and began to tell his wife the news, much of which seemed to relate to one person. I heard the name Vasakova, Vasakova, repeated several times with lively interest, and presently I asked him whether he were talking about the singer, Maria Vasak.<|quote|>“You know? You have heard, maybe?”</|quote|>he asked incredulously. When I assured him that I had heard her, he pointed out her picture and told me that Vasak had broken her leg, climbing in the Austrian Alps, and would not be able to fill her engagements. He seemed delighted to find that I had heard her | He beckoned to the little boy they called Jan, whispered to him, and presented him with a paper snake, gently, so as not to startle him. Looking over the boy’s head he said to me, “This one is bashful. He gets left.” Cuzak had brought home with him a roll of illustrated Bohemian papers. He opened them and began to tell his wife the news, much of which seemed to relate to one person. I heard the name Vasakova, Vasakova, repeated several times with lively interest, and presently I asked him whether he were talking about the singer, Maria Vasak.<|quote|>“You know? You have heard, maybe?”</|quote|>he asked incredulously. When I assured him that I had heard her, he pointed out her picture and told me that Vasak had broken her leg, climbing in the Austrian Alps, and would not be able to fill her engagements. He seemed delighted to find that I had heard her sing in London and in Vienna; got out his pipe and lit it to enjoy our talk the better. She came from his part of Prague. His father used to mend her shoes for her when she was a student. Cuzak questioned me about her looks, her popularity, her voice; | Cuzak sat down behind the stove and watched his women-folk and the little children with equal amusement. He thought they were nice, and he thought they were funny, evidently. He had been off dancing with the girls and forgetting that he was an old fellow, and now his family rather surprised him; he seemed to think it a joke that all these children should belong to him. As the younger ones slipped up to him in his retreat, he kept taking things out of his pockets; penny dolls, a wooden clown, a balloon pig that was inflated by a whistle. He beckoned to the little boy they called Jan, whispered to him, and presented him with a paper snake, gently, so as not to startle him. Looking over the boy’s head he said to me, “This one is bashful. He gets left.” Cuzak had brought home with him a roll of illustrated Bohemian papers. He opened them and began to tell his wife the news, much of which seemed to relate to one person. I heard the name Vasakova, Vasakova, repeated several times with lively interest, and presently I asked him whether he were talking about the singer, Maria Vasak.<|quote|>“You know? You have heard, maybe?”</|quote|>he asked incredulously. When I assured him that I had heard her, he pointed out her picture and told me that Vasak had broken her leg, climbing in the Austrian Alps, and would not be able to fill her engagements. He seemed delighted to find that I had heard her sing in London and in Vienna; got out his pipe and lit it to enjoy our talk the better. She came from his part of Prague. His father used to mend her shoes for her when she was a student. Cuzak questioned me about her looks, her popularity, her voice; but he particularly wanted to know whether I had noticed her tiny feet, and whether I thought she had saved much money. She was extravagant, of course, but he hoped she would n’t squander everything, and have nothing left when she was old. As a young man, working in Wienn, he had seen a good many artists who were old and poor, making one glass of beer last all evening, and “it was not very nice, that.” When the boys came in from milking and feeding, the long table was laid, and two brown geese, stuffed with apples, were put | become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove and look at me from the side, but with frankness and good-nature. This trick did not suggest duplicity or secretiveness, but merely long habit, as with the horse. He had brought a tintype of himself and Rudolph for Ántonia’s collection, and several paper bags of candy for the children. He looked a little disappointed when his wife showed him a big box of candy I had got in Denver—she had n’t let the children touch it the night before. He put his candy away in the cupboard, “for when she rains,” and glanced at the box, chuckling. “I guess you must have hear about how my family ain’t so small,” he said. Cuzak sat down behind the stove and watched his women-folk and the little children with equal amusement. He thought they were nice, and he thought they were funny, evidently. He had been off dancing with the girls and forgetting that he was an old fellow, and now his family rather surprised him; he seemed to think it a joke that all these children should belong to him. As the younger ones slipped up to him in his retreat, he kept taking things out of his pockets; penny dolls, a wooden clown, a balloon pig that was inflated by a whistle. He beckoned to the little boy they called Jan, whispered to him, and presented him with a paper snake, gently, so as not to startle him. Looking over the boy’s head he said to me, “This one is bashful. He gets left.” Cuzak had brought home with him a roll of illustrated Bohemian papers. He opened them and began to tell his wife the news, much of which seemed to relate to one person. I heard the name Vasakova, Vasakova, repeated several times with lively interest, and presently I asked him whether he were talking about the singer, Maria Vasak.<|quote|>“You know? You have heard, maybe?”</|quote|>he asked incredulously. When I assured him that I had heard her, he pointed out her picture and told me that Vasak had broken her leg, climbing in the Austrian Alps, and would not be able to fill her engagements. He seemed delighted to find that I had heard her sing in London and in Vienna; got out his pipe and lit it to enjoy our talk the better. She came from his part of Prague. His father used to mend her shoes for her when she was a student. Cuzak questioned me about her looks, her popularity, her voice; but he particularly wanted to know whether I had noticed her tiny feet, and whether I thought she had saved much money. She was extravagant, of course, but he hoped she would n’t squander everything, and have nothing left when she was old. As a young man, working in Wienn, he had seen a good many artists who were old and poor, making one glass of beer last all evening, and “it was not very nice, that.” When the boys came in from milking and feeding, the long table was laid, and two brown geese, stuffed with apples, were put down sizzling before Ántonia. She began to carve, and Rudolph, who sat next his mother, started the plates on their way. When everybody was served, he looked across the table at me. “Have you been to Black Hawk lately, Mr. Burden? Then I wonder if you’ve heard about the Cutters?” No, I had heard nothing at all about them. “Then you must tell him, son, though it’s a terrible thing to talk about at supper. Now, all you children be quiet, Rudolph is going to tell about the murder.” “Hurrah! The murder!” the children murmured, looking pleased and interested. Rudolph told his story in great detail, with occasional promptings from his mother or father. Wick Cutter and his wife had gone on living in the house that Ántonia and I knew so well, and in the way we knew so well. They grew to be very old people. He shriveled up, Ántonia said, until he looked like a little old yellow monkey, for his beard and his fringe of hair never changed color. Mrs. Cutter remained flushed and wild-eyed as we had known her, but as the years passed she became afflicted with a shaking palsy which made her nervous | the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,” Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith. “We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped a little behind, curious to know what their relations had become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove and look at me from the side, but with frankness and good-nature. This trick did not suggest duplicity or secretiveness, but merely long habit, as with the horse. He had brought a tintype of himself and Rudolph for Ántonia’s collection, and several paper bags of candy for the children. He looked a little disappointed when his wife showed him a big box of candy I had got in Denver—she had n’t let the children touch it the night before. He put his candy away in the cupboard, “for when she rains,” and glanced at the box, chuckling. “I guess you must have hear about how my family ain’t so small,” he said. Cuzak sat down behind the stove and watched his women-folk and the little children with equal amusement. He thought they were nice, and he thought they were funny, evidently. He had been off dancing with the girls and forgetting that he was an old fellow, and now his family rather surprised him; he seemed to think it a joke that all these children should belong to him. As the younger ones slipped up to him in his retreat, he kept taking things out of his pockets; penny dolls, a wooden clown, a balloon pig that was inflated by a whistle. He beckoned to the little boy they called Jan, whispered to him, and presented him with a paper snake, gently, so as not to startle him. Looking over the boy’s head he said to me, “This one is bashful. He gets left.” Cuzak had brought home with him a roll of illustrated Bohemian papers. He opened them and began to tell his wife the news, much of which seemed to relate to one person. I heard the name Vasakova, Vasakova, repeated several times with lively interest, and presently I asked him whether he were talking about the singer, Maria Vasak.<|quote|>“You know? You have heard, maybe?”</|quote|>he asked incredulously. When I assured him that I had heard her, he pointed out her picture and told me that Vasak had broken her leg, climbing in the Austrian Alps, and would not be able to fill her engagements. He seemed delighted to find that I had heard her sing in London and in Vienna; got out his pipe and lit it to enjoy our talk the better. She came from his part of Prague. His father used to mend her shoes for her when she was a student. Cuzak questioned me about her looks, her popularity, her voice; but he particularly wanted to know whether I had noticed her tiny feet, and whether I thought she had saved much money. She was extravagant, of course, but he hoped she would n’t squander everything, and have nothing left when she was old. As a young man, working in Wienn, he had seen a good many artists who were old and poor, making one glass of beer last all evening, and “it was not very nice, that.” When the boys came in from milking and feeding, the long table was laid, and two brown geese, stuffed with apples, were put down sizzling before Ántonia. She began to carve, and Rudolph, who sat next his mother, started the plates on their way. When everybody was served, he looked across the table at me. “Have you been to Black Hawk lately, Mr. Burden? Then I wonder if you’ve heard about the Cutters?” No, I had heard nothing at all about them. “Then you must tell him, son, though it’s a terrible thing to talk about at supper. Now, all you children be quiet, Rudolph is going to tell about the murder.” “Hurrah! The murder!” the children murmured, looking pleased and interested. Rudolph told his story in great detail, with occasional promptings from his mother or father. Wick Cutter and his wife had gone on living in the house that Ántonia and I knew so well, and in the way we knew so well. They grew to be very old people. He shriveled up, Ántonia said, until he looked like a little old yellow monkey, for his beard and his fringe of hair never changed color. Mrs. Cutter remained flushed and wild-eyed as we had known her, but as the years passed she became afflicted with a shaking palsy which made her nervous nod continuous instead of occasional. Her hands were so uncertain that she could no longer disfigure china, poor woman! As the couple grew older, they quarreled more and more about the ultimate disposition of their “property.” A new law was passed in the State, securing the surviving wife a third of her husband’s estate under all conditions. Cutter was tormented by the fear that Mrs. Cutter would live longer than he, and that eventually her “people,” whom he had always hated so violently, would inherit. Their quarrels on this subject passed the boundary of the close-growing cedars, and were heard in the street by whoever wished to loiter and listen. One morning, two years ago, Cutter went into the hardware store and bought a pistol, saying he was going to shoot a dog, and adding that he “thought he would take a shot at an old cat while he was about it.” (Here the children interrupted Rudolph’s narrative by smothered giggles.) Cutter went out behind the hardware store, put up a target, practiced for an hour or so, and then went home. At six o’clock that evening, when several men were passing the Cutter house on their way home to supper, they heard a pistol shot. They paused and were looking doubtfully at one another, when another shot came crashing through an upstairs window. They ran into the house and found Wick Cutter lying on a sofa in his upstairs bedroom, with his throat torn open, bleeding on a roll of sheets he had placed beside his head. “Walk in, gentlemen,” he said weakly. “I am alive, you see, and competent. You are witnesses that I have survived my wife. You will find her in her own room. Please make your examination at once, so that there will be no mistake.” One of the neighbors telephoned for a doctor, while the others went into Mrs. Cutter’s room. She was lying on her bed, in her nightgown and wrapper, shot through the heart. Her husband must have come in while she was taking her afternoon nap and shot her, holding the revolver near her breast. Her nightgown was burned from the powder. The horrified neighbors rushed back to Cutter. He opened his eyes and said distinctly, “Mrs. Cutter is quite dead, gentlemen, and I am conscious. My affairs are in order.” Then, Rudolph said, “he let go and died.” On his | candy for the children. He looked a little disappointed when his wife showed him a big box of candy I had got in Denver—she had n’t let the children touch it the night before. He put his candy away in the cupboard, “for when she rains,” and glanced at the box, chuckling. “I guess you must have hear about how my family ain’t so small,” he said. Cuzak sat down behind the stove and watched his women-folk and the little children with equal amusement. He thought they were nice, and he thought they were funny, evidently. He had been off dancing with the girls and forgetting that he was an old fellow, and now his family rather surprised him; he seemed to think it a joke that all these children should belong to him. As the younger ones slipped up to him in his retreat, he kept taking things out of his pockets; penny dolls, a wooden clown, a balloon pig that was inflated by a whistle. He beckoned to the little boy they called Jan, whispered to him, and presented him with a paper snake, gently, so as not to startle him. Looking over the boy’s head he said to me, “This one is bashful. He gets left.” Cuzak had brought home with him a roll of illustrated Bohemian papers. He opened them and began to tell his wife the news, much of which seemed to relate to one person. I heard the name Vasakova, Vasakova, repeated several times with lively interest, and presently I asked him whether he were talking about the singer, Maria Vasak.<|quote|>“You know? You have heard, maybe?”</|quote|>he asked incredulously. When I assured him that I had heard her, he pointed out her picture and told me that Vasak had broken her leg, climbing in the Austrian Alps, and would not be able to fill her engagements. He seemed delighted to find that I had heard her sing in London and in Vienna; got out his pipe and lit it to enjoy our talk the better. She came from his part of Prague. His father used to mend her shoes for her when she was a student. Cuzak questioned me about her looks, her popularity, her voice; but he particularly wanted to know whether I had noticed her tiny feet, and whether I thought she had saved much money. She was extravagant, of course, but he hoped she would n’t squander everything, and have nothing left when she was old. As a young man, working in Wienn, he had seen a good many artists who were old and poor, making one glass of beer last all evening, and “it was not very nice, that.” When the boys came in from milking and feeding, the long table was laid, and two brown geese, stuffed with apples, were put down sizzling before Ántonia. She began to carve, and Rudolph, who sat next his mother, started the plates on their way. When everybody was served, he looked across the table at me. “Have you been to Black Hawk lately, Mr. Burden? Then I wonder if you’ve heard about the Cutters?” No, I had heard nothing at all about them. “Then you must tell him, son, though it’s a terrible thing to talk about at supper. Now, all you children be quiet, Rudolph is going to tell about the murder.” “Hurrah! The murder!” the children murmured, looking pleased and interested. Rudolph told his story in great detail, with occasional promptings from his mother or father. Wick Cutter and his wife had gone on living in the house that Ántonia and I knew so well, | My Antonia |
I said. | No speaker | some sort of misunderstanding." "Why,"<|quote|>I said.</|quote|>"They may not come here | "You see I'm afraid there's some sort of misunderstanding." "Why,"<|quote|>I said.</|quote|>"They may not come here for three or four days | and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why,"<|quote|>I said.</|quote|>"They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it | speaks German and English." "The Caf Suizo." "That's it. He seems like a nice old fellow. I think it's a better caf than this one." "It's not so good in the daytime," I said. "Too hot. By the way, I got the bus tickets." "I'm not going up to-day. You and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why,"<|quote|>I said.</|quote|>"They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to | Burguete. It was scheduled to leave at two o'clock. There was nothing earlier. I was sitting over at the Iru a reading the papers when I saw Robert Cohn coming across the square. He came up to the table and sat down in one of the wicker chairs. "This is a comfortable caf ," he said. "Did you have a good night, Jake?" "I slept like a log." "I didn't sleep very well. Bill and I were out late, too." "Where were you?" "Here. And after it shut we went over to that other caf . The old man there speaks German and English." "The Caf Suizo." "That's it. He seems like a nice old fellow. I think it's a better caf than this one." "It's not so good in the daytime," I said. "Too hot. By the way, I got the bus tickets." "I'm not going up to-day. You and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why,"<|quote|>I said.</|quote|>"They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it | did hate him. I do not think I ever really hated him until he had that little spell of superiority at lunch--that and when he went through all that barbering. So I put the telegram in my pocket. The telegram came to me, anyway. "Well," I said. "We ought to pull out on the noon bus for Burguete. They can follow us if they get in to-morrow night." There were only two trains up from San Sebastian, an early morning train and the one we had just met. "That sounds like a good idea," Cohn said. "The sooner we get on the stream the better." "It's all one to me when we start," Bill said. "The sooner the better." We sat in the Iru a for a while and had coffee and then took a little walk out to the bull-ring and across the field and under the trees at the edge of the cliff and looked down at the river in the dark, and I turned in early. Bill and Cohn stayed out in the caf quite late, I believe, because I was asleep when they came in. In the morning I bought three tickets for the bus to Burguete. It was scheduled to leave at two o'clock. There was nothing earlier. I was sitting over at the Iru a reading the papers when I saw Robert Cohn coming across the square. He came up to the table and sat down in one of the wicker chairs. "This is a comfortable caf ," he said. "Did you have a good night, Jake?" "I slept like a log." "I didn't sleep very well. Bill and I were out late, too." "Where were you?" "Here. And after it shut we went over to that other caf . The old man there speaks German and English." "The Caf Suizo." "That's it. He seems like a nice old fellow. I think it's a better caf than this one." "It's not so good in the daytime," I said. "Too hot. By the way, I got the bus tickets." "I'm not going up to-day. You and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why,"<|quote|>I said.</|quote|>"They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to | dinner. I said we would be right back. We walked to the station. I was enjoying Cohn's nervousness. I hoped Brett would be on the train. At the station the train was late, and we sat on a baggage-truck and waited outside in the dark. I have never seen a man in civil life as nervous as Robert Cohn--nor as eager. I was enjoying it. It was lousy to enjoy it, but I felt lousy. Cohn had a wonderful quality of bringing out the worst in anybody. After a while we heard the train-whistle way off below on the other side of the plateau, and then we saw the headlight coming up the hill. We went inside the station and stood with a crowd of people just back of the gates, and the train came in and stopped, and everybody started coming out through the gates. They were not in the crowd. We waited till everybody had gone through and out of the station and gotten into buses, or taken cabs, or were walking with their friends or relatives through the dark into the town. "I knew they wouldn't come," Robert said. We were going back to the hotel. "I thought they might," I said. Bill was eating fruit when we came in and finishing a bottle of wine. "Didn't come, eh?" "No." "Do you mind if I give you that hundred pesetas in the morning, Cohn?" Bill asked. "I haven't changed any money here yet." "Oh, forget about it," Robert Cohn said. "Let's bet on something else. Can you bet on bull-fights?" "You could," Bill said, "but you don't need to." "It would be like betting on the war," I said. "You don't need any economic interest." "I'm very curious to see them," Robert said. Montoya came up to our table. He had a telegram in his hand. "It's for you." He handed it to me. It read: "Stopped night San Sebastian." "It's from them," I said. I put it in my pocket. Ordinarily I should have handed it over. "They've stopped over in San Sebastian," I said. "Send their regards to you." Why I felt that impulse to devil him I do not know. Of course I do know. I was blind, unforgivingly jealous of what had happened to him. The fact that I took it as a matter of course did not alter that any. I certainly did hate him. I do not think I ever really hated him until he had that little spell of superiority at lunch--that and when he went through all that barbering. So I put the telegram in my pocket. The telegram came to me, anyway. "Well," I said. "We ought to pull out on the noon bus for Burguete. They can follow us if they get in to-morrow night." There were only two trains up from San Sebastian, an early morning train and the one we had just met. "That sounds like a good idea," Cohn said. "The sooner we get on the stream the better." "It's all one to me when we start," Bill said. "The sooner the better." We sat in the Iru a for a while and had coffee and then took a little walk out to the bull-ring and across the field and under the trees at the edge of the cliff and looked down at the river in the dark, and I turned in early. Bill and Cohn stayed out in the caf quite late, I believe, because I was asleep when they came in. In the morning I bought three tickets for the bus to Burguete. It was scheduled to leave at two o'clock. There was nothing earlier. I was sitting over at the Iru a reading the papers when I saw Robert Cohn coming across the square. He came up to the table and sat down in one of the wicker chairs. "This is a comfortable caf ," he said. "Did you have a good night, Jake?" "I slept like a log." "I didn't sleep very well. Bill and I were out late, too." "Where were you?" "Here. And after it shut we went over to that other caf . The old man there speaks German and English." "The Caf Suizo." "That's it. He seems like a nice old fellow. I think it's a better caf than this one." "It's not so good in the daytime," I said. "Too hot. By the way, I got the bus tickets." "I'm not going up to-day. You and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why,"<|quote|>I said.</|quote|>"They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son" "--he pointed the razor at me--" "go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage | at lunch--that and when he went through all that barbering. So I put the telegram in my pocket. The telegram came to me, anyway. "Well," I said. "We ought to pull out on the noon bus for Burguete. They can follow us if they get in to-morrow night." There were only two trains up from San Sebastian, an early morning train and the one we had just met. "That sounds like a good idea," Cohn said. "The sooner we get on the stream the better." "It's all one to me when we start," Bill said. "The sooner the better." We sat in the Iru a for a while and had coffee and then took a little walk out to the bull-ring and across the field and under the trees at the edge of the cliff and looked down at the river in the dark, and I turned in early. Bill and Cohn stayed out in the caf quite late, I believe, because I was asleep when they came in. In the morning I bought three tickets for the bus to Burguete. It was scheduled to leave at two o'clock. There was nothing earlier. I was sitting over at the Iru a reading the papers when I saw Robert Cohn coming across the square. He came up to the table and sat down in one of the wicker chairs. "This is a comfortable caf ," he said. "Did you have a good night, Jake?" "I slept like a log." "I didn't sleep very well. Bill and I were out late, too." "Where were you?" "Here. And after it shut we went over to that other caf . The old man there speaks German and English." "The Caf Suizo." "That's it. He seems like a nice old fellow. I think it's a better caf than this one." "It's not so good in the daytime," I said. "Too hot. By the way, I got the bus tickets." "I'm not going up to-day. You and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why,"<|quote|>I said.</|quote|>"They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be | The Sun Also Rises |
"Yes, sir." | Fanny Price | they live in Wimpole Street?"<|quote|>"Yes, sir."</|quote|>"Then, there's the devil to | say, "Rushworth, sir." "And don't they live in Wimpole Street?"<|quote|>"Yes, sir."</|quote|>"Then, there's the devil to pay among them, that's all! | wished Rebecca would mend it; and Fanny was first roused by his calling out to her, after humphing and considering over a particular paragraph: "What's the name of your great cousins in town, Fan?" A moment's recollection enabled her to say, "Rushworth, sir." "And don't they live in Wimpole Street?"<|quote|>"Yes, sir."</|quote|>"Then, there's the devil to pay among them, that's all! There" (holding out the paper to her); "much good may such fine relations do you. I don't know what Sir Thomas may think of such matters; he may be too much of the courtier and fine gentleman to like his | the milk a mixture of motes floating in thin blue, and the bread and butter growing every minute more greasy than even Rebecca's hands had first produced it. Her father read his newspaper, and her mother lamented over the ragged carpet as usual, while the tea was in preparation, and wished Rebecca would mend it; and Fanny was first roused by his calling out to her, after humphing and considering over a particular paragraph: "What's the name of your great cousins in town, Fan?" A moment's recollection enabled her to say, "Rushworth, sir." "And don't they live in Wimpole Street?"<|quote|>"Yes, sir."</|quote|>"Then, there's the devil to pay among them, that's all! There" (holding out the paper to her); "much good may such fine relations do you. I don't know what Sir Thomas may think of such matters; he may be too much of the courtier and fine gentleman to like his daughter the less. But, by G ! if she belonged to _me_, I'd give her the rope's end as long as I could stand over her. A little flogging for man and woman too would be the best way of preventing such things." Fanny read to herself that "it was | appeared to her a totally different thing in a town and in the country. Here, its power was only a glare: a stifling, sickly glare, serving but to bring forward stains and dirt that might otherwise have slept. There was neither health nor gaiety in sunshine in a town. She sat in a blaze of oppressive heat, in a cloud of moving dust, and her eyes could only wander from the walls, marked by her father's head, to the table cut and notched by her brothers, where stood the tea-board never thoroughly cleaned, the cups and saucers wiped in streaks, the milk a mixture of motes floating in thin blue, and the bread and butter growing every minute more greasy than even Rebecca's hands had first produced it. Her father read his newspaper, and her mother lamented over the ragged carpet as usual, while the tea was in preparation, and wished Rebecca would mend it; and Fanny was first roused by his calling out to her, after humphing and considering over a particular paragraph: "What's the name of your great cousins in town, Fan?" A moment's recollection enabled her to say, "Rushworth, sir." "And don't they live in Wimpole Street?"<|quote|>"Yes, sir."</|quote|>"Then, there's the devil to pay among them, that's all! There" (holding out the paper to her); "much good may such fine relations do you. I don't know what Sir Thomas may think of such matters; he may be too much of the courtier and fine gentleman to like his daughter the less. But, by G ! if she belonged to _me_, I'd give her the rope's end as long as I could stand over her. A little flogging for man and woman too would be the best way of preventing such things." Fanny read to herself that "it was with infinite concern the newspaper had to announce to the world a matrimonial _fracas_ in the family of Mr. R. of Wimpole Street; the beautiful Mrs. R., whose name had not long been enrolled in the lists of Hymen, and who had promised to become so brilliant a leader in the fashionable world, having quitted her husband's roof in company with the well-known and captivating Mr. C., the intimate friend and associate of Mr. R., and it was not known even to the editor of the newspaper whither they were gone." "It is a mistake, sir," said Fanny instantly; "it | of a sort to regard a slight one. Very uncomfortable she was, and must continue, till she heard from Miss Crawford again. It was impossible to banish the letter from her thoughts, and she could not relieve herself by speaking of it to any human being. Miss Crawford need not have urged secrecy with so much warmth; she might have trusted to her sense of what was due to her cousin. The next day came and brought no second letter. Fanny was disappointed. She could still think of little else all the morning; but, when her father came back in the afternoon with the daily newspaper as usual, she was so far from expecting any elucidation through such a channel that the subject was for a moment out of her head. She was deep in other musing. The remembrance of her first evening in that room, of her father and his newspaper, came across her. No candle was now wanted. The sun was yet an hour and half above the horizon. She felt that she had, indeed, been three months there; and the sun's rays falling strongly into the parlour, instead of cheering, made her still more melancholy, for sunshine appeared to her a totally different thing in a town and in the country. Here, its power was only a glare: a stifling, sickly glare, serving but to bring forward stains and dirt that might otherwise have slept. There was neither health nor gaiety in sunshine in a town. She sat in a blaze of oppressive heat, in a cloud of moving dust, and her eyes could only wander from the walls, marked by her father's head, to the table cut and notched by her brothers, where stood the tea-board never thoroughly cleaned, the cups and saucers wiped in streaks, the milk a mixture of motes floating in thin blue, and the bread and butter growing every minute more greasy than even Rebecca's hands had first produced it. Her father read his newspaper, and her mother lamented over the ragged carpet as usual, while the tea was in preparation, and wished Rebecca would mend it; and Fanny was first roused by his calling out to her, after humphing and considering over a particular paragraph: "What's the name of your great cousins in town, Fan?" A moment's recollection enabled her to say, "Rushworth, sir." "And don't they live in Wimpole Street?"<|quote|>"Yes, sir."</|quote|>"Then, there's the devil to pay among them, that's all! There" (holding out the paper to her); "much good may such fine relations do you. I don't know what Sir Thomas may think of such matters; he may be too much of the courtier and fine gentleman to like his daughter the less. But, by G ! if she belonged to _me_, I'd give her the rope's end as long as I could stand over her. A little flogging for man and woman too would be the best way of preventing such things." Fanny read to herself that "it was with infinite concern the newspaper had to announce to the world a matrimonial _fracas_ in the family of Mr. R. of Wimpole Street; the beautiful Mrs. R., whose name had not long been enrolled in the lists of Hymen, and who had promised to become so brilliant a leader in the fashionable world, having quitted her husband's roof in company with the well-known and captivating Mr. C., the intimate friend and associate of Mr. R., and it was not known even to the editor of the newspaper whither they were gone." "It is a mistake, sir," said Fanny instantly; "it must be a mistake, it cannot be true; it must mean some other people." She spoke from the instinctive wish of delaying shame; she spoke with a resolution which sprung from despair, for she spoke what she did not, could not believe herself. It had been the shock of conviction as she read. The truth rushed on her; and how she could have spoken at all, how she could even have breathed, was afterwards matter of wonder to herself. Mr. Price cared too little about the report to make her much answer. "It might be all a lie," he acknowledged; "but so many fine ladies were going to the devil nowadays that way, that there was no answering for anybody." "Indeed, I hope it is not true," said Mrs. Price plaintively; "it would be so very shocking! If I have spoken once to Rebecca about that carpet, I am sure I have spoke at least a dozen times; have not I, Betsey? And it would not be ten minutes' work." The horror of a mind like Fanny's, as it received the conviction of such guilt, and began to take in some part of the misery that must ensue, can hardly | of Mr. and Miss Crawford's having applied to her uncle and obtained his permission was giving her ease. This was the letter "A most scandalous, ill-natured rumour has just reached me, and I write, dear Fanny, to warn you against giving the least credit to it, should it spread into the country. Depend upon it, there is some mistake, and that a day or two will clear it up; at any rate, that Henry is blameless, and in spite of a moment's _etourderie_, thinks of nobody but you. Say not a word of it; hear nothing, surmise nothing, whisper nothing till I write again. I am sure it will be all hushed up, and nothing proved but Rushworth's folly. If they are gone, I would lay my life they are only gone to Mansfield Park, and Julia with them. But why would not you let us come for you? I wish you may not repent it. Yours, etc." Fanny stood aghast. As no scandalous, ill-natured rumour had reached her, it was impossible for her to understand much of this strange letter. She could only perceive that it must relate to Wimpole Street and Mr. Crawford, and only conjecture that something very imprudent had just occurred in that quarter to draw the notice of the world, and to excite her jealousy, in Miss Crawford's apprehension, if she heard it. Miss Crawford need not be alarmed for her. She was only sorry for the parties concerned and for Mansfield, if the report should spread so far; but she hoped it might not. If the Rushworths were gone themselves to Mansfield, as was to be inferred from what Miss Crawford said, it was not likely that anything unpleasant should have preceded them, or at least should make any impression. As to Mr. Crawford, she hoped it might give him a knowledge of his own disposition, convince him that he was not capable of being steadily attached to any one woman in the world, and shame him from persisting any longer in addressing herself. It was very strange! She had begun to think he really loved her, and to fancy his affection for her something more than common; and his sister still said that he cared for nobody else. Yet there must have been some marked display of attentions to her cousin, there must have been some strong indiscretion, since her correspondent was not of a sort to regard a slight one. Very uncomfortable she was, and must continue, till she heard from Miss Crawford again. It was impossible to banish the letter from her thoughts, and she could not relieve herself by speaking of it to any human being. Miss Crawford need not have urged secrecy with so much warmth; she might have trusted to her sense of what was due to her cousin. The next day came and brought no second letter. Fanny was disappointed. She could still think of little else all the morning; but, when her father came back in the afternoon with the daily newspaper as usual, she was so far from expecting any elucidation through such a channel that the subject was for a moment out of her head. She was deep in other musing. The remembrance of her first evening in that room, of her father and his newspaper, came across her. No candle was now wanted. The sun was yet an hour and half above the horizon. She felt that she had, indeed, been three months there; and the sun's rays falling strongly into the parlour, instead of cheering, made her still more melancholy, for sunshine appeared to her a totally different thing in a town and in the country. Here, its power was only a glare: a stifling, sickly glare, serving but to bring forward stains and dirt that might otherwise have slept. There was neither health nor gaiety in sunshine in a town. She sat in a blaze of oppressive heat, in a cloud of moving dust, and her eyes could only wander from the walls, marked by her father's head, to the table cut and notched by her brothers, where stood the tea-board never thoroughly cleaned, the cups and saucers wiped in streaks, the milk a mixture of motes floating in thin blue, and the bread and butter growing every minute more greasy than even Rebecca's hands had first produced it. Her father read his newspaper, and her mother lamented over the ragged carpet as usual, while the tea was in preparation, and wished Rebecca would mend it; and Fanny was first roused by his calling out to her, after humphing and considering over a particular paragraph: "What's the name of your great cousins in town, Fan?" A moment's recollection enabled her to say, "Rushworth, sir." "And don't they live in Wimpole Street?"<|quote|>"Yes, sir."</|quote|>"Then, there's the devil to pay among them, that's all! There" (holding out the paper to her); "much good may such fine relations do you. I don't know what Sir Thomas may think of such matters; he may be too much of the courtier and fine gentleman to like his daughter the less. But, by G ! if she belonged to _me_, I'd give her the rope's end as long as I could stand over her. A little flogging for man and woman too would be the best way of preventing such things." Fanny read to herself that "it was with infinite concern the newspaper had to announce to the world a matrimonial _fracas_ in the family of Mr. R. of Wimpole Street; the beautiful Mrs. R., whose name had not long been enrolled in the lists of Hymen, and who had promised to become so brilliant a leader in the fashionable world, having quitted her husband's roof in company with the well-known and captivating Mr. C., the intimate friend and associate of Mr. R., and it was not known even to the editor of the newspaper whither they were gone." "It is a mistake, sir," said Fanny instantly; "it must be a mistake, it cannot be true; it must mean some other people." She spoke from the instinctive wish of delaying shame; she spoke with a resolution which sprung from despair, for she spoke what she did not, could not believe herself. It had been the shock of conviction as she read. The truth rushed on her; and how she could have spoken at all, how she could even have breathed, was afterwards matter of wonder to herself. Mr. Price cared too little about the report to make her much answer. "It might be all a lie," he acknowledged; "but so many fine ladies were going to the devil nowadays that way, that there was no answering for anybody." "Indeed, I hope it is not true," said Mrs. Price plaintively; "it would be so very shocking! If I have spoken once to Rebecca about that carpet, I am sure I have spoke at least a dozen times; have not I, Betsey? And it would not be ten minutes' work." The horror of a mind like Fanny's, as it received the conviction of such guilt, and began to take in some part of the misery that must ensue, can hardly be described. At first, it was a sort of stupefaction; but every moment was quickening her perception of the horrible evil. She could not doubt, she dared not indulge a hope, of the paragraph being false. Miss Crawford's letter, which she had read so often as to make every line her own, was in frightful conformity with it. Her eager defence of her brother, her hope of its being _hushed_ _up_, her evident agitation, were all of a piece with something very bad; and if there was a woman of character in existence, who could treat as a trifle this sin of the first magnitude, who would try to gloss it over, and desire to have it unpunished, she could believe Miss Crawford to be the woman! Now she could see her own mistake as to _who_ were gone, or _said_ to be gone. It was not Mr. and Mrs. Rushworth; it was Mrs. Rushworth and Mr. Crawford. Fanny seemed to herself never to have been shocked before. There was no possibility of rest. The evening passed without a pause of misery, the night was totally sleepless. She passed only from feelings of sickness to shudderings of horror; and from hot fits of fever to cold. The event was so shocking, that there were moments even when her heart revolted from it as impossible: when she thought it could not be. A woman married only six months ago; a man professing himself devoted, even _engaged_ to another; that other her near relation; the whole family, both families connected as they were by tie upon tie; all friends, all intimate together! It was too horrible a confusion of guilt, too gross a complication of evil, for human nature, not in a state of utter barbarism, to be capable of! yet her judgment told her it was so. _His_ unsettled affections, wavering with his vanity, _Maria's_ decided attachment, and no sufficient principle on either side, gave it possibility: Miss Crawford's letter stampt it a fact. What would be the consequence? Whom would it not injure? Whose views might it not affect? Whose peace would it not cut up for ever? Miss Crawford, herself, Edmund; but it was dangerous, perhaps, to tread such ground. She confined herself, or tried to confine herself, to the simple, indubitable family misery which must envelop all, if it were indeed a matter of certified guilt and public | falling strongly into the parlour, instead of cheering, made her still more melancholy, for sunshine appeared to her a totally different thing in a town and in the country. Here, its power was only a glare: a stifling, sickly glare, serving but to bring forward stains and dirt that might otherwise have slept. There was neither health nor gaiety in sunshine in a town. She sat in a blaze of oppressive heat, in a cloud of moving dust, and her eyes could only wander from the walls, marked by her father's head, to the table cut and notched by her brothers, where stood the tea-board never thoroughly cleaned, the cups and saucers wiped in streaks, the milk a mixture of motes floating in thin blue, and the bread and butter growing every minute more greasy than even Rebecca's hands had first produced it. Her father read his newspaper, and her mother lamented over the ragged carpet as usual, while the tea was in preparation, and wished Rebecca would mend it; and Fanny was first roused by his calling out to her, after humphing and considering over a particular paragraph: "What's the name of your great cousins in town, Fan?" A moment's recollection enabled her to say, "Rushworth, sir." "And don't they live in Wimpole Street?"<|quote|>"Yes, sir."</|quote|>"Then, there's the devil to pay among them, that's all! There" (holding out the paper to her); "much good may such fine relations do you. I don't know what Sir Thomas may think of such matters; he may be too much of the courtier and fine gentleman to like his daughter the less. But, by G ! if she belonged to _me_, I'd give her the rope's end as long as I could stand over her. A little flogging for man and woman too would be the best way of preventing such things." Fanny read to herself that "it was with infinite concern the newspaper had to announce to the world a matrimonial _fracas_ in the family of Mr. R. of Wimpole Street; the beautiful Mrs. R., whose name had not long been enrolled in the lists of Hymen, and who had promised to become so brilliant a leader in the fashionable world, having quitted her husband's roof in company with the well-known and captivating Mr. C., the intimate friend and associate of Mr. R., and it was not known even to the editor of the newspaper whither they were gone." "It is a mistake, sir," said Fanny instantly; "it must be a mistake, it cannot be true; it must mean some other people." She spoke from the instinctive wish of delaying shame; she spoke with a resolution which sprung from despair, for she spoke what she did not, could not believe herself. It had been the shock of conviction as she read. The truth rushed on her; and how she could have spoken at all, how she could even have breathed, was afterwards matter of wonder to herself. Mr. Price cared too little about the report to make her much answer. "It might be all a lie," he acknowledged; "but so many fine ladies were going to the devil nowadays that way, that there was no answering for anybody." "Indeed, I hope it is not true," said Mrs. Price plaintively; "it would be so very shocking! If I have spoken once to Rebecca about that carpet, I am sure I have spoke at least a dozen times; have not I, Betsey? And it would not be ten minutes' work." The horror of a mind like Fanny's, as it received the conviction of such guilt, and began to take in some part of the misery that must ensue, can hardly be described. At first, it was a sort of stupefaction; but every moment was quickening her perception of the horrible evil. She could not doubt, she dared not indulge a hope, of the paragraph being false. Miss Crawford's letter, which she had read so often as to make every line her own, was in frightful conformity with it. Her eager defence of her brother, her hope of its being _hushed_ _up_, her evident agitation, were all of a piece with something very | Mansfield Park |
"You're really about the best friend I have, Jake." | Robert Cohn | "I know it," Cohn said.<|quote|>"You're really about the best friend I have, Jake."</|quote|>God help you, I thought. | when I say nasty things." "I know it," Cohn said.<|quote|>"You're really about the best friend I have, Jake."</|quote|>God help you, I thought. "Forget what I said," I | again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said.<|quote|>"You're really about the best friend I have, Jake."</|quote|>God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had | a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said.<|quote|>"You're really about the best friend I have, Jake."</|quote|>God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office. CHAPTER 6 At five o'clock I was in the Hotel Crillon waiting for Brett. She was not | I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said.<|quote|>"You're really about the best friend I have, Jake."</|quote|>God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office. CHAPTER 6 At five o'clock I was in the Hotel Crillon waiting for Brett. She was not there, so I sat down and wrote some letters. They were not very good letters but I hoped their being on Crillon stationery would help them. Brett did not turn up, so about quarter to six I went down to the bar and had a Jack Rose with George the barman. Brett had not been in the bar either, and so I looked for her up-stairs on my way out, and took a taxi to the Caf Select. Crossing the Seine I saw a string of barges being towed empty down the current, riding high, the bargemen at the sweeps | name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said.<|quote|>"You're really about the best friend I have, Jake."</|quote|>God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office. CHAPTER 6 At five o'clock I was in the Hotel Crillon waiting for Brett. She was not there, so I sat down and wrote some letters. They were not very good letters but I hoped their being on Crillon stationery would help them. Brett did not turn up, so about quarter to six I went down to the bar and had a Jack Rose with George the barman. Brett had not been in the bar either, and so I looked for her up-stairs on my way out, and took a taxi to the Caf Select. Crossing the Seine I saw a string of barges being towed empty down the current, riding high, the bargemen at the sweeps as they came toward the bridge. The river looked nice. It was always pleasant crossing bridges in Paris. The taxi rounded the statue of the inventor of the semaphore engaged in doing same, and turned up the Boulevard Raspail, and I sat back to let that part of the ride pass. The Boulevard Raspail always made dull riding. It was like a certain stretch on the P. L. M. between Fontainebleau and Montereau that always made me feel bored and dead and dull until it was over. I suppose it is some association of ideas that makes those dead places in a journey. There are other streets in Paris as ugly as the Boulevard Raspail. It is a street I do not mind walking down at all. But I cannot stand to ride along it. Perhaps I had read something about it once. That was the way Robert Cohn was about all of Paris. I wondered where Cohn got that incapacity to enjoy Paris. Possibly from Mencken. Mencken hates Paris, I believe. So many young men get their likes and dislikes from Mencken. The taxi stopped in front of the Rotonde. No matter what caf in Montparnasse you ask a | "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off," Woolsey said. "Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said.<|quote|>"You're really about the best friend I have, Jake."</|quote|>God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office. CHAPTER 6 At five o'clock I was in the Hotel Crillon waiting for Brett. She was not there, so I sat down and wrote some letters. They were not very good letters but I hoped their being on Crillon stationery would help them. Brett did not turn up, so about quarter to six I went down to the bar and had a Jack Rose with George the barman. Brett had not been in the bar either, and so I looked for her up-stairs on my way out, and took a taxi to the Caf Select. Crossing the Seine I saw a string of barges being towed empty down the current, riding high, the bargemen at the sweeps as they came toward the bridge. The river looked nice. It was always pleasant crossing bridges in Paris. The taxi rounded the statue of the inventor of the semaphore engaged in doing same, and turned up the Boulevard Raspail, and I sat back to let that part of the ride pass. The Boulevard Raspail always made dull riding. It was like a certain stretch on the P. L. M. between Fontainebleau and Montereau that always made me feel bored and dead and dull until it was over. I suppose it is some association of ideas that makes those dead places in a journey. There are other streets in Paris as ugly as the Boulevard Raspail. It is a street I do not mind walking down at all. But I cannot stand to ride along it. Perhaps I had read something about it once. That was the way Robert Cohn was about all of Paris. I wondered where Cohn got that incapacity to enjoy Paris. Possibly from Mencken. Mencken hates Paris, I believe. So many young men get their likes and dislikes from Mencken. The taxi stopped in front of the Rotonde. No matter what caf in Montparnasse you ask a taxi-driver to bring you to from the right bank of the river, they always take you to the Rotonde. Ten years from now it will probably be the Dome. It was near enough, anyway. I walked past the sad tables of the Rotonde to the Select. There were a few people inside at the bar, and outside, alone, sat Harvey Stone. He had a pile of saucers in front of him, and he needed a shave. "Sit down," said Harvey, "I've been looking for you." "What's the matter?" "Nothing. Just looking for you." "Been out to the races?" "No. Not since Sunday." "What do you hear from the States?" "Nothing. Absolutely nothing." "What's the matter?" "I don't know. I'm through with them. I'm absolutely through with them." He leaned forward and looked me in the eye. "Do you want to know something, Jake?" "Yes." "I haven't had anything to eat for five days." I figured rapidly back in my mind. It was three days ago that Harvey had won two hundred francs from me shaking poker dice in the New York Bar. "What's the matter?" "No money. Money hasn't come," he paused. "I tell you it's strange, Jake. When I'm like this I just want to be alone. I want to stay in my own room. I'm like a cat." I felt in my pocket. "Would a hundred help you any, Harvey?" "Yes." "Come on. Let's go and eat." "There's no hurry. Have a drink." "Better eat." "No. When I get like this I don't care whether I eat or not." We had a drink. Harvey added my saucer to his own pile. "Do you know Mencken, Harvey?" "Yes. Why?" "What's he like?" "He's all right. He says some pretty funny things. Last time I had dinner with him we talked about Hoffenheimer." 'The trouble is,' "he said," 'he's a garter snapper.' "That's not bad." "That's not bad." "He's through now," Harvey went on. "He's written about all the things he knows, and now he's on all the things he doesn't know." "I guess he's all right," I said. "I just can't read him." "Oh, nobody reads him now," Harvey said, "except the people that used to read the Alexander Hamilton Institute." "Well," I said. "That was a good thing, too." "Sure," said Harvey. So we sat and thought deeply for a while. "Have another port?" "All right," said Harvey. | a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said.<|quote|>"You're really about the best friend I have, Jake."</|quote|>God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office. CHAPTER 6 At five o'clock I was in the Hotel Crillon waiting for Brett. She was not there, so I sat down and wrote some letters. They were not very good letters but I hoped their being on Crillon stationery would help them. Brett did not turn up, so about quarter to six I went down to the bar and had a Jack Rose with George the barman. Brett had not been in the bar either, and so I looked for her up-stairs on my way out, and took a taxi to the Caf Select. Crossing the Seine I saw a string of barges being towed empty down the current, riding high, the bargemen at the sweeps as they came toward the bridge. The river looked nice. It was always pleasant crossing bridges in Paris. The taxi rounded the statue of the inventor of the semaphore engaged in doing same, and turned up the Boulevard Raspail, and I sat back to let that part of the ride pass. The Boulevard Raspail always made dull riding. It was like a certain stretch on the P. L. M. between Fontainebleau and Montereau that always made me feel bored and | The Sun Also Rises |
"I suppose I was very awkward," | Anne Shirley | as I heard last night."<|quote|>"I suppose I was very awkward,"</|quote|>said Anne apologetically, "but then, | no more of such praying as I heard last night."<|quote|>"I suppose I was very awkward,"</|quote|>said Anne apologetically, "but then, you see, I'd never had | clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night."<|quote|>"I suppose I was very awkward,"</|quote|>said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly | Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night."<|quote|>"I suppose I was very awkward,"</|quote|>said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second | Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night."<|quote|>"I suppose I was very awkward,"</|quote|>said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The | this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night."<|quote|>"I suppose I was very awkward,"</|quote|>said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to | that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it." CHAPTER VIII. Anne's Bringing-up Is Begun |FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night."<|quote|>"I suppose I was very awkward,"</|quote|>said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does." ?Our Father who art in heaven hallowed be Thy name.' "That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. | tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night."<|quote|>"I suppose I was very awkward,"</|quote|>said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice | Anne Of Green Gables |
"We must climb back, Jem, as--Look here, would these trees bear us?" | Don Lavington | Mas' Don, we might fly."<|quote|>"We must climb back, Jem, as--Look here, would these trees bear us?"</|quote|>"Not likely," said Jem, staring | "And if we'd got wings, Mas' Don, we might fly."<|quote|>"We must climb back, Jem, as--Look here, would these trees bear us?"</|quote|>"Not likely," said Jem, staring hard at a couple of | becoming perpendicular once more. "Well, I do call that stoopid," said Jem, as he stared helplessly at Don. "What are we going to do now?" "I don't know, Jem. If we had a bit of rope we could easily descend." "And if we'd got wings, Mas' Don, we might fly."<|quote|>"We must climb back, Jem, as--Look here, would these trees bear us?"</|quote|>"Not likely," said Jem, staring hard at a couple of young kauri pines, which grew up at the foot of the precipice, and whose fine pointed tops were within a few feet of where they clung. "But if we could reach them and get fast hold, they would bend and | nerve himself once more, and they steadily lowered themselves from tuft to tuft, and from stone to stone, with more confidence, till they were about thirty feet from the foot, when farther progress became impossible, for, in place of being perpendicular, the cliff face sloped inward for some distance before becoming perpendicular once more. "Well, I do call that stoopid," said Jem, as he stared helplessly at Don. "What are we going to do now?" "I don't know, Jem. If we had a bit of rope we could easily descend." "And if we'd got wings, Mas' Don, we might fly."<|quote|>"We must climb back, Jem, as--Look here, would these trees bear us?"</|quote|>"Not likely," said Jem, staring hard at a couple of young kauri pines, which grew up at the foot of the precipice, and whose fine pointed tops were within a few feet of where they clung. "But if we could reach them and get fast hold, they would bend and let us down." "They'd let us down," said Jem drily; "but I don't know 'bout bending." Don clung to the face of the rock, hesitating, and wondering whether by any possibility they could get down another way, and finding that it was absolutely hopeless, he made up his mind to | below, failed, and then dropped and caught it, and swung first by one hand and then by two. "I say, Mas' Don, I thought I was gone." "You made my heart seem to jump into my mouth." "Did I, lad? Well, it was awk'ard. I was scared lest I should knock you off. Felt just as I did when the chain broke, and you could see the link opening, and a big sugar-hogshead threatening to come down. All right now, my lad. Let's get on down. Think we're birds' nesting, Mas' Don, and it'll be all right." Don had to nerve himself once more, and they steadily lowered themselves from tuft to tuft, and from stone to stone, with more confidence, till they were about thirty feet from the foot, when farther progress became impossible, for, in place of being perpendicular, the cliff face sloped inward for some distance before becoming perpendicular once more. "Well, I do call that stoopid," said Jem, as he stared helplessly at Don. "What are we going to do now?" "I don't know, Jem. If we had a bit of rope we could easily descend." "And if we'd got wings, Mas' Don, we might fly."<|quote|>"We must climb back, Jem, as--Look here, would these trees bear us?"</|quote|>"Not likely," said Jem, staring hard at a couple of young kauri pines, which grew up at the foot of the precipice, and whose fine pointed tops were within a few feet of where they clung. "But if we could reach them and get fast hold, they would bend and let us down." "They'd let us down," said Jem drily; "but I don't know 'bout bending." Don clung to the face of the rock, hesitating, and wondering whether by any possibility they could get down another way, and finding that it was absolutely hopeless, he made up his mind to act. "It is next to impossible to climb up, Jem," he said. "Yes, Mas' Don." "And we can't get down." "No, Mas' Don. We shall have to live here for a bit, only I don't know how we're going to eat and sleep." "Jem." "Yes, Mas' Don." "I'm going to jump into that tree." "No, Mas' Don, you mustn't risk it." "And if it breaks--" "Never mind about the tree breaking. What I don't like is, s'pose you break." "I shall go first, and you can try afterwards." "No, no, Mas' Don; let me try first." Don paid no heed | for his feet; and nerving himself, he descended slowly, Jem forcing himself out, so that there was enough room for any one to pass; but as Don cleared him, and got right below, the bush to which Jem clung with one hand came slowly out of the interstices of the stones, and but for the exercise of a large amount of muscular power and rigidity of will, he would have swung round and fallen headlong. "I'm all right now, Jem!" cried Don from below. "Glad of it, my lad," muttered Jem, "because I arn't." "Come along down now." "How, Mas' Don?" said Jem grimly. "The same way as I did." "Oh! All right; but the bush I held on by is gone." "Well take hold of another." "Just you get from under me, Mas' Don." "Why? What do you mean?" "I'm too heavy to ketch like a cricket ball. That's all, my lad." "Oh, Jem, don't say you are in danger." "Not I, my lad, if you don't want me to; but it is awk'ard. Stand clear," he shouted. "I'm coming down. No, I arn't," he said directly after, as he made a tremendous effort to reach a tough stem below, failed, and then dropped and caught it, and swung first by one hand and then by two. "I say, Mas' Don, I thought I was gone." "You made my heart seem to jump into my mouth." "Did I, lad? Well, it was awk'ard. I was scared lest I should knock you off. Felt just as I did when the chain broke, and you could see the link opening, and a big sugar-hogshead threatening to come down. All right now, my lad. Let's get on down. Think we're birds' nesting, Mas' Don, and it'll be all right." Don had to nerve himself once more, and they steadily lowered themselves from tuft to tuft, and from stone to stone, with more confidence, till they were about thirty feet from the foot, when farther progress became impossible, for, in place of being perpendicular, the cliff face sloped inward for some distance before becoming perpendicular once more. "Well, I do call that stoopid," said Jem, as he stared helplessly at Don. "What are we going to do now?" "I don't know, Jem. If we had a bit of rope we could easily descend." "And if we'd got wings, Mas' Don, we might fly."<|quote|>"We must climb back, Jem, as--Look here, would these trees bear us?"</|quote|>"Not likely," said Jem, staring hard at a couple of young kauri pines, which grew up at the foot of the precipice, and whose fine pointed tops were within a few feet of where they clung. "But if we could reach them and get fast hold, they would bend and let us down." "They'd let us down," said Jem drily; "but I don't know 'bout bending." Don clung to the face of the rock, hesitating, and wondering whether by any possibility they could get down another way, and finding that it was absolutely hopeless, he made up his mind to act. "It is next to impossible to climb up, Jem," he said. "Yes, Mas' Don." "And we can't get down." "No, Mas' Don. We shall have to live here for a bit, only I don't know how we're going to eat and sleep." "Jem." "Yes, Mas' Don." "I'm going to jump into that tree." "No, Mas' Don, you mustn't risk it." "And if it breaks--" "Never mind about the tree breaking. What I don't like is, s'pose you break." "I shall go first, and you can try afterwards." "No, no, Mas' Don; let me try first." Don paid no heed to his words, but turned himself completely round, so that he held on, with his back to the stony wall, and his heels upon a couple of rough projections, in so perilous a position that Jem looked on aghast, afraid now to speak. In front of Don, about nine feet away, and the top level with his feet, was the tree of which he had spoken. As far as support was concerned, it was about as reasonable to trust to a tall fishing-rod; but it appeared to be the only chance, and Don hesitated no longer than was necessary to calculate his chances. "Don't do it, Mas' Don. It's impossible, and like chucking yourself away. Let's climb up again; it's the only chance; and if we can't get to the village in time, why, it arn't our fault. No, my lad, don't!" As the last words left his lips, Don stood perfectly upright, balancing himself for a few moments, and then, almost as if he were going to dive into the water, he extended his hands and sprang outward into space. Jem Wimble uttered a low groan. CHAPTER THIRTY EIGHT. DON'S REPORT. In the case of a leap like that | cool. "Don't kick, Mas' Don." "But I can't hang here long, Jem." "Nobody wants you to, my lad. Wait a minute, and I'll be under you, and set you right. "`There was a man in Bristol city,'" he sang cheerily, as he struggled sidewise. "`Fol de--' I say, Mas' Don, he was a clever one, but I believe this here would ha' bothered him. It's hold on by your eyelids one minute, and wish you was a fly next." "Jem." "Hullo, lad?" "If I let go and dropped, how far should I fall?" "'Bout two foot ten," said Jem, after a glance below them at the sheer precipice. "Then I had better drop." "If you do you will knock me to the bottom, so just you hold on till I tells you." Jem kept up his jocular way of speaking; but if any one could have looked on, he would have seen that his face was curiously mottled with sallow, while his hands were trembling when at liberty, and that there was a curiously wild, set look in his eyes. "There, Mas' Don," he said cheerily, as he finished climbing sidewise till he was exactly beneath. "Now, one moment. That's it." As he spoke he drew himself up a little, taking fast hold of the stem of a bush, and of a projecting stone, while he found foot-hold in a wide crevice. "Now then, rest your foot on my shoulders. There you are. That's the way. Two heads is better than one." "Can you bear my weight, Jem?" "Can I bear your weight? Why? You may stand there for a week. Now just you rest your wristies a bit, and then go on climbing down, just as if I warn't here." The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed. "I'm rested now, Jem," said Don. "Of course you are, my lad. Well, then, now you can climb down aside me. 'Tarn't so much farther to the bottom." "Can you reach out far enough for me to come between you and the rock?" "Just you try, Mas' Don." By this time Don had found a fresh hold for his feet; and nerving himself, he descended slowly, Jem forcing himself out, so that there was enough room for any one to pass; but as Don cleared him, and got right below, the bush to which Jem clung with one hand came slowly out of the interstices of the stones, and but for the exercise of a large amount of muscular power and rigidity of will, he would have swung round and fallen headlong. "I'm all right now, Jem!" cried Don from below. "Glad of it, my lad," muttered Jem, "because I arn't." "Come along down now." "How, Mas' Don?" said Jem grimly. "The same way as I did." "Oh! All right; but the bush I held on by is gone." "Well take hold of another." "Just you get from under me, Mas' Don." "Why? What do you mean?" "I'm too heavy to ketch like a cricket ball. That's all, my lad." "Oh, Jem, don't say you are in danger." "Not I, my lad, if you don't want me to; but it is awk'ard. Stand clear," he shouted. "I'm coming down. No, I arn't," he said directly after, as he made a tremendous effort to reach a tough stem below, failed, and then dropped and caught it, and swung first by one hand and then by two. "I say, Mas' Don, I thought I was gone." "You made my heart seem to jump into my mouth." "Did I, lad? Well, it was awk'ard. I was scared lest I should knock you off. Felt just as I did when the chain broke, and you could see the link opening, and a big sugar-hogshead threatening to come down. All right now, my lad. Let's get on down. Think we're birds' nesting, Mas' Don, and it'll be all right." Don had to nerve himself once more, and they steadily lowered themselves from tuft to tuft, and from stone to stone, with more confidence, till they were about thirty feet from the foot, when farther progress became impossible, for, in place of being perpendicular, the cliff face sloped inward for some distance before becoming perpendicular once more. "Well, I do call that stoopid," said Jem, as he stared helplessly at Don. "What are we going to do now?" "I don't know, Jem. If we had a bit of rope we could easily descend." "And if we'd got wings, Mas' Don, we might fly."<|quote|>"We must climb back, Jem, as--Look here, would these trees bear us?"</|quote|>"Not likely," said Jem, staring hard at a couple of young kauri pines, which grew up at the foot of the precipice, and whose fine pointed tops were within a few feet of where they clung. "But if we could reach them and get fast hold, they would bend and let us down." "They'd let us down," said Jem drily; "but I don't know 'bout bending." Don clung to the face of the rock, hesitating, and wondering whether by any possibility they could get down another way, and finding that it was absolutely hopeless, he made up his mind to act. "It is next to impossible to climb up, Jem," he said. "Yes, Mas' Don." "And we can't get down." "No, Mas' Don. We shall have to live here for a bit, only I don't know how we're going to eat and sleep." "Jem." "Yes, Mas' Don." "I'm going to jump into that tree." "No, Mas' Don, you mustn't risk it." "And if it breaks--" "Never mind about the tree breaking. What I don't like is, s'pose you break." "I shall go first, and you can try afterwards." "No, no, Mas' Don; let me try first." Don paid no heed to his words, but turned himself completely round, so that he held on, with his back to the stony wall, and his heels upon a couple of rough projections, in so perilous a position that Jem looked on aghast, afraid now to speak. In front of Don, about nine feet away, and the top level with his feet, was the tree of which he had spoken. As far as support was concerned, it was about as reasonable to trust to a tall fishing-rod; but it appeared to be the only chance, and Don hesitated no longer than was necessary to calculate his chances. "Don't do it, Mas' Don. It's impossible, and like chucking yourself away. Let's climb up again; it's the only chance; and if we can't get to the village in time, why, it arn't our fault. No, my lad, don't!" As the last words left his lips, Don stood perfectly upright, balancing himself for a few moments, and then, almost as if he were going to dive into the water, he extended his hands and sprang outward into space. Jem Wimble uttered a low groan. CHAPTER THIRTY EIGHT. DON'S REPORT. In the case of a leap like that made by Don, there was no suspense for the looker on, for the whole affair seemed to be momentary. Jem saw him pass through the air and disappear in the mass of greenery with a loud rushing sound, which continued for a few moments, and then all was still. "He's killed; he's killed!" groaned Jem to himself; "and my Sally will say it was all my fault." He listened eagerly. "Mas' Don!" he shouted. "Hullo, Jem! I say, would you drop if you were me?" "Drop? Then you arn't killed?" "No, not yet. Would you drop?" "I don't know what you mean." "I'm hanging on to the end of that young tree, and it keeps going up and down like a spring, and it won't go any nearer than about twelve feet from the ground. Would you drop?" _Whish_! _Rush_! _Crash_! _Thud_! The young tree sprang up again, cleaving a way for itself through the thick growth, and standing nearly erect once more, ragged and sadly deprived of its elegant proportions, just as a dull sound announced Don's arrival on _terra firma_. "All right, Jem!" he cried. "Not hurt. Look here; spread your arms out well and catch tight round the tree as you jump at it. You'll slip down some distance and scratch yourself, but you can't hurt much." "I hear, Mas' Don," said Jem, drawing a long breath full of relief. "I'm a-coming. It's like taking physic," he added to himself; "but the sooner you takes it, the sooner it's down. Here goes! Say, Mas' Don, do you ketch hold o' the tree with your hands, or your arms and legs?" "All of them. Aim straight at the stem, and leap out boldly." "Oh, yes," grumbled Jem; "it's all very well, but I was never 'prenticed to this sort o' fun.--Below!" "A good bold jump, Jem. I'm out of the way." "Below then," said Jem again. "Yes, jump away. Quick!" But Jem did not jump. He distrusted the ability of the tree to bear his weight. "Why don't you jump?" "'Cause it seems like breaking my neck, which is white, to save those of them people in the village, which is black, Mas' Don." "But you will not break your neck if you are careful." "Oh, yes! I'll be careful, Mas' Don; don't you be 'fraid of that." "Well, come along. You're not nervous, are you, Jem?" "Yes, | of it, my lad," muttered Jem, "because I arn't." "Come along down now." "How, Mas' Don?" said Jem grimly. "The same way as I did." "Oh! All right; but the bush I held on by is gone." "Well take hold of another." "Just you get from under me, Mas' Don." "Why? What do you mean?" "I'm too heavy to ketch like a cricket ball. That's all, my lad." "Oh, Jem, don't say you are in danger." "Not I, my lad, if you don't want me to; but it is awk'ard. Stand clear," he shouted. "I'm coming down. No, I arn't," he said directly after, as he made a tremendous effort to reach a tough stem below, failed, and then dropped and caught it, and swung first by one hand and then by two. "I say, Mas' Don, I thought I was gone." "You made my heart seem to jump into my mouth." "Did I, lad? Well, it was awk'ard. I was scared lest I should knock you off. Felt just as I did when the chain broke, and you could see the link opening, and a big sugar-hogshead threatening to come down. All right now, my lad. Let's get on down. Think we're birds' nesting, Mas' Don, and it'll be all right." Don had to nerve himself once more, and they steadily lowered themselves from tuft to tuft, and from stone to stone, with more confidence, till they were about thirty feet from the foot, when farther progress became impossible, for, in place of being perpendicular, the cliff face sloped inward for some distance before becoming perpendicular once more. "Well, I do call that stoopid," said Jem, as he stared helplessly at Don. "What are we going to do now?" "I don't know, Jem. If we had a bit of rope we could easily descend." "And if we'd got wings, Mas' Don, we might fly."<|quote|>"We must climb back, Jem, as--Look here, would these trees bear us?"</|quote|>"Not likely," said Jem, staring hard at a couple of young kauri pines, which grew up at the foot of the precipice, and whose fine pointed tops were within a few feet of where they clung. "But if we could reach them and get fast hold, they would bend and let us down." "They'd let us down," said Jem drily; "but I don't know 'bout bending." Don clung to the face of the rock, hesitating, and wondering whether by any possibility they could get down another way, and finding that it was absolutely hopeless, he made up his mind to act. "It is next to impossible to climb up, Jem," he said. "Yes, Mas' Don." "And we can't get down." "No, Mas' Don. We shall have to live here for a bit, only I don't know how we're going to eat and sleep." "Jem." "Yes, Mas' Don." "I'm going to jump into that tree." "No, Mas' Don, you mustn't risk it." "And if it breaks--" "Never mind about the tree breaking. What I don't like is, s'pose you break." "I shall go first, and you can try afterwards." "No, no, Mas' Don; let me try first." Don paid no heed to his words, but turned himself completely round, so that he held on, with his back to the stony wall, and his heels upon a couple of rough projections, in so perilous a position that Jem looked on aghast, afraid now to speak. In front of Don, about nine feet away, and the top level with his feet, was the tree of which he had spoken. As far as support was concerned, it was about as reasonable to trust to a tall fishing-rod; but it appeared to be the only chance, and Don hesitated no longer than was necessary to calculate his chances. "Don't do it, Mas' Don. It's impossible, and like chucking yourself away. Let's climb up again; it's the only chance; and if we can't get to the village in time, why, it arn't our fault. No, my lad, don't!" As the last words left his lips, Don stood perfectly upright, balancing himself for a few moments, and then, almost as if he were going to dive into the water, he extended his hands and sprang outward into space. Jem Wimble uttered a low groan. CHAPTER THIRTY EIGHT. DON'S REPORT. In the case of a leap like that made by Don, there was no suspense for the looker on, for the whole affair seemed to be momentary. Jem saw him pass through the air and disappear in the mass of greenery with a loud rushing sound, which continued for a few moments, and then all was still. "He's killed; he's killed!" groaned Jem to himself; "and my Sally will say it was all my fault." He listened eagerly. "Mas' Don!" he shouted. "Hullo, Jem! I say, would you drop if you were me?" "Drop? Then you arn't killed?" "No, not yet. Would you drop?" "I don't know what you mean." "I'm hanging on to the end of that young tree, and it keeps going up and down like a spring, and it won't go any nearer than about twelve feet from the ground. Would you drop?" _Whish_! _Rush_! _Crash_! _Thud_! The young tree sprang up again, cleaving a way for itself through the thick growth, and standing nearly erect once more, ragged and sadly deprived of its | Don Lavington |
he returned, laughing, | No speaker | all its difficulties." "Mrs. Bounderby,"<|quote|>he returned, laughing,</|quote|>"upon my honour, no. I | nation the way out of all its difficulties." "Mrs. Bounderby,"<|quote|>he returned, laughing,</|quote|>"upon my honour, no. I will make no such pretence | service of your country. You have made up your mind," said Louisa, still standing before him where she had first stopped in all the singular contrariety of her self-possession, and her being obviously very ill at ease "to show the nation the way out of all its difficulties." "Mrs. Bounderby,"<|quote|>he returned, laughing,</|quote|>"upon my honour, no. I will make no such pretence to you. I have seen a little, here and there, up and down; I have found it all to be very worthless, as everybody has, and as some confess they have, and some do not; and I am going in | quietly returned. "It is natural that you should." He was disgracefully thrown out, for a gentleman who had seen so much of the world, and thought, "Now, how am I to take this?" "You are going to devote yourself, as I gather from what Mr. Bounderby has said, to the service of your country. You have made up your mind," said Louisa, still standing before him where she had first stopped in all the singular contrariety of her self-possession, and her being obviously very ill at ease "to show the nation the way out of all its difficulties." "Mrs. Bounderby,"<|quote|>he returned, laughing,</|quote|>"upon my honour, no. I will make no such pretence to you. I have seen a little, here and there, up and down; I have found it all to be very worthless, as everybody has, and as some confess they have, and some do not; and I am going in for your respected father's opinions really because I have no choice of opinions, and may as well back them as anything else." "Have you none of your own?" asked Louisa. "I have not so much as the slightest predilection left. I assure you I attach not the least importance to | thing, by George! You're a gentleman, and I don't pretend to be one. I am Josiah Bounderby of Coketown, and that's enough for me. However, though I am not influenced by manners and station, Loo Bounderby may be. She hadn't my advantages disadvantages you would call 'em, but I call 'em advantages so you'll not waste your power, I dare say." "Mr. Bounderby," said Jem, turning with a smile to Louisa, "is a noble animal in a comparatively natural state, quite free from the harness in which a conventional hack like myself works." "You respect Mr. Bounderby very much," she quietly returned. "It is natural that you should." He was disgracefully thrown out, for a gentleman who had seen so much of the world, and thought, "Now, how am I to take this?" "You are going to devote yourself, as I gather from what Mr. Bounderby has said, to the service of your country. You have made up your mind," said Louisa, still standing before him where she had first stopped in all the singular contrariety of her self-possession, and her being obviously very ill at ease "to show the nation the way out of all its difficulties." "Mrs. Bounderby,"<|quote|>he returned, laughing,</|quote|>"upon my honour, no. I will make no such pretence to you. I have seen a little, here and there, up and down; I have found it all to be very worthless, as everybody has, and as some confess they have, and some do not; and I am going in for your respected father's opinions really because I have no choice of opinions, and may as well back them as anything else." "Have you none of your own?" asked Louisa. "I have not so much as the slightest predilection left. I assure you I attach not the least importance to any opinions. The result of the varieties of boredom I have undergone, is a conviction (unless conviction is too industrious a word for the lazy sentiment I entertain on the subject), that any set of ideas will do just as much good as any other set, and just as much harm as any other set. There's an English family with a charming Italian motto. What will be, will be. It's the only truth going!" This vicious assumption of honesty in dishonesty a vice so dangerous, so deadly, and so common seemed, he observed, a little to impress her in his | one another, and well matched. "This, sir," said Bounderby, "is my wife, Mrs. Bounderby: Tom Gradgrind's eldest daughter. Loo, Mr. James Harthouse. Mr. Harthouse has joined your father's muster-roll. If he is not Tom Gradgrind's colleague before long, I believe we shall at least hear of him in connexion with one of our neighbouring towns. You observe, Mr. Harthouse, that my wife is my junior. I don't know what she saw in me to marry me, but she saw something in me, I suppose, or she wouldn't have married me. She has lots of expensive knowledge, sir, political and otherwise. If you want to cram for anything, I should be troubled to recommend you to a better adviser than Loo Bounderby." To a more agreeable adviser, or one from whom he would be more likely to learn, Mr. Harthouse could never be recommended. "Come!" said his host. "If you're in the complimentary line, you'll get on here, for you'll meet with no competition. I have never been in the way of learning compliments myself, and I don't profess to understand the art of paying 'em. In fact, despise 'em. But, your bringing-up was different from mine; mine was a real thing, by George! You're a gentleman, and I don't pretend to be one. I am Josiah Bounderby of Coketown, and that's enough for me. However, though I am not influenced by manners and station, Loo Bounderby may be. She hadn't my advantages disadvantages you would call 'em, but I call 'em advantages so you'll not waste your power, I dare say." "Mr. Bounderby," said Jem, turning with a smile to Louisa, "is a noble animal in a comparatively natural state, quite free from the harness in which a conventional hack like myself works." "You respect Mr. Bounderby very much," she quietly returned. "It is natural that you should." He was disgracefully thrown out, for a gentleman who had seen so much of the world, and thought, "Now, how am I to take this?" "You are going to devote yourself, as I gather from what Mr. Bounderby has said, to the service of your country. You have made up your mind," said Louisa, still standing before him where she had first stopped in all the singular contrariety of her self-possession, and her being obviously very ill at ease "to show the nation the way out of all its difficulties." "Mrs. Bounderby,"<|quote|>he returned, laughing,</|quote|>"upon my honour, no. I will make no such pretence to you. I have seen a little, here and there, up and down; I have found it all to be very worthless, as everybody has, and as some confess they have, and some do not; and I am going in for your respected father's opinions really because I have no choice of opinions, and may as well back them as anything else." "Have you none of your own?" asked Louisa. "I have not so much as the slightest predilection left. I assure you I attach not the least importance to any opinions. The result of the varieties of boredom I have undergone, is a conviction (unless conviction is too industrious a word for the lazy sentiment I entertain on the subject), that any set of ideas will do just as much good as any other set, and just as much harm as any other set. There's an English family with a charming Italian motto. What will be, will be. It's the only truth going!" This vicious assumption of honesty in dishonesty a vice so dangerous, so deadly, and so common seemed, he observed, a little to impress her in his favour. He followed up the advantage, by saying in his pleasantest manner: a manner to which she might attach as much or as little meaning as she pleased: "The side that can prove anything in a line of units, tens, hundreds, and thousands, Mrs. Bounderby, seems to me to afford the most fun, and to give a man the best chance. I am quite as much attached to it as if I believed it. I am quite ready to go in for it, to the same extent as if I believed it. And what more could I possibly do, if I did believe it!" "You are a singular politician," said Louisa. "Pardon me; I have not even that merit. We are the largest party in the state, I assure you, Mrs. Bounderby, if we all fell out of our adopted ranks and were reviewed together." Mr. Bounderby, who had been in danger of bursting in silence, interposed here with a project for postponing the family dinner till half-past six, and taking Mr. James Harthouse in the meantime on a round of visits to the voting and interesting notabilities of Coketown and its vicinity. The round of visits was made; and | I am as proud as you are. I am just as proud as you are. Having now asserted my independence in a proper manner, I may come to how do you find yourself, and I hope you're pretty well." The better, Mr. Harthouse gave him to understand as they shook hands, for the salubrious air of Coketown. Mr. Bounderby received the answer with favour. "Perhaps you know," said he, "or perhaps you don't know, I married Tom Gradgrind's daughter. If you have nothing better to do than to walk up town with me, I shall be glad to introduce you to Tom Gradgrind's daughter." "Mr. Bounderby," said Jem, "you anticipate my dearest wishes." They went out without further discourse; and Mr. Bounderby piloted the new acquaintance who so strongly contrasted with him, to the private red brick dwelling, with the black outside shutters, the green inside blinds, and the black street door up the two white steps. In the drawing-room of which mansion, there presently entered to them the most remarkable girl Mr. James Harthouse had ever seen. She was so constrained, and yet so careless; so reserved, and yet so watchful; so cold and proud, and yet so sensitively ashamed of her husband's braggart humility from which she shrunk as if every example of it were a cut or a blow; that it was quite a new sensation to observe her. In face she was no less remarkable than in manner. Her features were handsome; but their natural play was so locked up, that it seemed impossible to guess at their genuine expression. Utterly indifferent, perfectly self-reliant, never at a loss, and yet never at her ease, with her figure in company with them there, and her mind apparently quite alone it was of no use "going in" yet awhile to comprehend this girl, for she baffled all penetration. From the mistress of the house, the visitor glanced to the house itself. There was no mute sign of a woman in the room. No graceful little adornment, no fanciful little device, however trivial, anywhere expressed her influence. Cheerless and comfortless, boastfully and doggedly rich, there the room stared at its present occupants, unsoftened and unrelieved by the least trace of any womanly occupation. As Mr. Bounderby stood in the midst of his household gods, so those unrelenting divinities occupied their places around Mr. Bounderby, and they were worthy of one another, and well matched. "This, sir," said Bounderby, "is my wife, Mrs. Bounderby: Tom Gradgrind's eldest daughter. Loo, Mr. James Harthouse. Mr. Harthouse has joined your father's muster-roll. If he is not Tom Gradgrind's colleague before long, I believe we shall at least hear of him in connexion with one of our neighbouring towns. You observe, Mr. Harthouse, that my wife is my junior. I don't know what she saw in me to marry me, but she saw something in me, I suppose, or she wouldn't have married me. She has lots of expensive knowledge, sir, political and otherwise. If you want to cram for anything, I should be troubled to recommend you to a better adviser than Loo Bounderby." To a more agreeable adviser, or one from whom he would be more likely to learn, Mr. Harthouse could never be recommended. "Come!" said his host. "If you're in the complimentary line, you'll get on here, for you'll meet with no competition. I have never been in the way of learning compliments myself, and I don't profess to understand the art of paying 'em. In fact, despise 'em. But, your bringing-up was different from mine; mine was a real thing, by George! You're a gentleman, and I don't pretend to be one. I am Josiah Bounderby of Coketown, and that's enough for me. However, though I am not influenced by manners and station, Loo Bounderby may be. She hadn't my advantages disadvantages you would call 'em, but I call 'em advantages so you'll not waste your power, I dare say." "Mr. Bounderby," said Jem, turning with a smile to Louisa, "is a noble animal in a comparatively natural state, quite free from the harness in which a conventional hack like myself works." "You respect Mr. Bounderby very much," she quietly returned. "It is natural that you should." He was disgracefully thrown out, for a gentleman who had seen so much of the world, and thought, "Now, how am I to take this?" "You are going to devote yourself, as I gather from what Mr. Bounderby has said, to the service of your country. You have made up your mind," said Louisa, still standing before him where she had first stopped in all the singular contrariety of her self-possession, and her being obviously very ill at ease "to show the nation the way out of all its difficulties." "Mrs. Bounderby,"<|quote|>he returned, laughing,</|quote|>"upon my honour, no. I will make no such pretence to you. I have seen a little, here and there, up and down; I have found it all to be very worthless, as everybody has, and as some confess they have, and some do not; and I am going in for your respected father's opinions really because I have no choice of opinions, and may as well back them as anything else." "Have you none of your own?" asked Louisa. "I have not so much as the slightest predilection left. I assure you I attach not the least importance to any opinions. The result of the varieties of boredom I have undergone, is a conviction (unless conviction is too industrious a word for the lazy sentiment I entertain on the subject), that any set of ideas will do just as much good as any other set, and just as much harm as any other set. There's an English family with a charming Italian motto. What will be, will be. It's the only truth going!" This vicious assumption of honesty in dishonesty a vice so dangerous, so deadly, and so common seemed, he observed, a little to impress her in his favour. He followed up the advantage, by saying in his pleasantest manner: a manner to which she might attach as much or as little meaning as she pleased: "The side that can prove anything in a line of units, tens, hundreds, and thousands, Mrs. Bounderby, seems to me to afford the most fun, and to give a man the best chance. I am quite as much attached to it as if I believed it. I am quite ready to go in for it, to the same extent as if I believed it. And what more could I possibly do, if I did believe it!" "You are a singular politician," said Louisa. "Pardon me; I have not even that merit. We are the largest party in the state, I assure you, Mrs. Bounderby, if we all fell out of our adopted ranks and were reviewed together." Mr. Bounderby, who had been in danger of bursting in silence, interposed here with a project for postponing the family dinner till half-past six, and taking Mr. James Harthouse in the meantime on a round of visits to the voting and interesting notabilities of Coketown and its vicinity. The round of visits was made; and Mr. James Harthouse, with a discreet use of his blue coaching, came off triumphantly, though with a considerable accession of boredom. In the evening, he found the dinner-table laid for four, but they sat down only three. It was an appropriate occasion for Mr. Bounderby to discuss the flavour of the hap'orth of stewed eels he had purchased in the streets at eight years old; and also of the inferior water, specially used for laying the dust, with which he had washed down that repast. He likewise entertained his guest over the soup and fish, with the calculation that he (Bounderby) had eaten in his youth at least three horses under the guise of polonies and saveloys. These recitals, Jem, in a languid manner, received with "charming!" every now and then; and they probably would have decided him to "go in" for Jerusalem again to-morrow morning, had he been less curious respecting Louisa. "Is there nothing," he thought, glancing at her as she sat at the head of the table, where her youthful figure, small and slight, but very graceful, looked as pretty as it looked misplaced; "is there nothing that will move that face?" Yes! By Jupiter, there was something, and here it was, in an unexpected shape. Tom appeared. She changed as the door opened, and broke into a beaming smile. A beautiful smile. Mr. James Harthouse might not have thought so much of it, but that he had wondered so long at her impassive face. She put out her hand a pretty little soft hand; and her fingers closed upon her brother's, as if she would have carried them to her lips. "Ay, ay?" thought the visitor. "This whelp is the only creature she cares for. So, so!" The whelp was presented, and took his chair. The appellation was not flattering, but not unmerited. "When I was your age, young Tom," said Bounderby, "I was punctual, or I got no dinner!" "When you were my age," resumed Tom, "you hadn't a wrong balance to get right, and hadn't to dress afterwards." "Never mind that now," said Bounderby. "Well, then," grumbled Tom. "Don't begin with me." "Mrs. Bounderby," said Harthouse, perfectly hearing this under-strain as it went on; "your brother's face is quite familiar to me. Can I have seen him abroad? Or at some public school, perhaps?" "No," she resumed, quite interested, "he has never been abroad | I believe we shall at least hear of him in connexion with one of our neighbouring towns. You observe, Mr. Harthouse, that my wife is my junior. I don't know what she saw in me to marry me, but she saw something in me, I suppose, or she wouldn't have married me. She has lots of expensive knowledge, sir, political and otherwise. If you want to cram for anything, I should be troubled to recommend you to a better adviser than Loo Bounderby." To a more agreeable adviser, or one from whom he would be more likely to learn, Mr. Harthouse could never be recommended. "Come!" said his host. "If you're in the complimentary line, you'll get on here, for you'll meet with no competition. I have never been in the way of learning compliments myself, and I don't profess to understand the art of paying 'em. In fact, despise 'em. But, your bringing-up was different from mine; mine was a real thing, by George! You're a gentleman, and I don't pretend to be one. I am Josiah Bounderby of Coketown, and that's enough for me. However, though I am not influenced by manners and station, Loo Bounderby may be. She hadn't my advantages disadvantages you would call 'em, but I call 'em advantages so you'll not waste your power, I dare say." "Mr. Bounderby," said Jem, turning with a smile to Louisa, "is a noble animal in a comparatively natural state, quite free from the harness in which a conventional hack like myself works." "You respect Mr. Bounderby very much," she quietly returned. "It is natural that you should." He was disgracefully thrown out, for a gentleman who had seen so much of the world, and thought, "Now, how am I to take this?" "You are going to devote yourself, as I gather from what Mr. Bounderby has said, to the service of your country. You have made up your mind," said Louisa, still standing before him where she had first stopped in all the singular contrariety of her self-possession, and her being obviously very ill at ease "to show the nation the way out of all its difficulties." "Mrs. Bounderby,"<|quote|>he returned, laughing,</|quote|>"upon my honour, no. I will make no such pretence to you. I have seen a little, here and there, up and down; I have found it all to be very worthless, as everybody has, and as some confess they have, and some do not; and I am going in for your respected father's opinions really because I have no choice of opinions, and may as well back them as anything else." "Have you none of your own?" asked Louisa. "I have not so much as the slightest predilection left. I assure you I attach not the least importance to any opinions. The result of the varieties of boredom I have undergone, is a conviction (unless conviction is too industrious a word for the lazy sentiment I entertain on the subject), that any set of ideas will do just as much good as any other set, and just as much harm as any other set. There's an English family with a charming Italian motto. What will be, will be. It's the only truth going!" This vicious assumption of honesty in dishonesty a vice so dangerous, so deadly, and so common seemed, he observed, a little to impress her in his favour. He followed up the advantage, by saying in his pleasantest manner: a manner to which she might attach as much or as little meaning as she pleased: "The side that can prove anything in a line of units, tens, hundreds, and thousands, Mrs. Bounderby, seems to me to afford the most fun, and to give a man the best chance. I am quite as much attached to it as if I believed it. I am quite ready to go in for it, to the same extent as if I believed it. And what more could I possibly do, if I did believe it!" "You are a singular politician," said Louisa. "Pardon me; I have not even that merit. We are the largest party in the state, I assure you, Mrs. Bounderby, if we all fell out of our adopted ranks and were reviewed together." Mr. Bounderby, who had been in danger of bursting in silence, interposed here with a project for postponing the family dinner till half-past six, and taking Mr. James Harthouse in the meantime on a round of visits to the voting and interesting notabilities of Coketown and its vicinity. The round of visits was made; and Mr. James Harthouse, with a discreet use of his blue coaching, came off triumphantly, though with a considerable accession of boredom. In the evening, he found the dinner-table laid for four, but they sat down only three. It was an appropriate occasion for Mr. Bounderby to discuss the flavour of the hap'orth of stewed eels he had purchased in the streets at eight years old; and also of the inferior | Hard Times |
"and he will be here, at furthest, in two days." | Rachel Gradgrind | rock throws off the sea,<|quote|>"and he will be here, at furthest, in two days."</|quote|>"Notwithstanding which," added Mr. Bounderby, | off all distrust as a rock throws off the sea,<|quote|>"and he will be here, at furthest, in two days."</|quote|>"Notwithstanding which," added Mr. Bounderby, "if he can be laid | back of his own accord to clear himself, and put all those that have injured his good character, and he not here for its defence, to shame. I have told him what has been done against him," said Rachael, throwing off all distrust as a rock throws off the sea,<|quote|>"and he will be here, at furthest, in two days."</|quote|>"Notwithstanding which," added Mr. Bounderby, "if he can be laid hold of any sooner, he shall have an earlier opportunity of clearing himself. As to you, I have nothing against you; what you came and told me turns out to be true, and I have given you the means of | "You need have no fear of that, young lady. He is sure!" "All the surer, I suppose," said Mr. Bounderby, "for your refusing to tell where he is? Eh?" "He shall not, through any act of mine, come back wi' the unmerited reproach of being brought back. He shall come back of his own accord to clear himself, and put all those that have injured his good character, and he not here for its defence, to shame. I have told him what has been done against him," said Rachael, throwing off all distrust as a rock throws off the sea,<|quote|>"and he will be here, at furthest, in two days."</|quote|>"Notwithstanding which," added Mr. Bounderby, "if he can be laid hold of any sooner, he shall have an earlier opportunity of clearing himself. As to you, I have nothing against you; what you came and told me turns out to be true, and I have given you the means of proving it to be true, and there's an end of it. I wish you good night all! I must be off to look a little further into this." Tom came out of his corner when Mr. Bounderby moved, moved with him, kept close to him, and went away with him. | "what, young lady, in the name of Mercy, was left the poor lad to do! The masters against him on one hand, the men against him on the other, he only wantin to work hard in peace, and do what he felt right. Can a man have no soul of his own, no mind of his own? Must he go wrong all through wi' this side, or must he go wrong all through wi' that, or else be hunted like a hare?" "Indeed, indeed, I pity him from my heart," returned Louisa; "and I hope that he will clear himself." "You need have no fear of that, young lady. He is sure!" "All the surer, I suppose," said Mr. Bounderby, "for your refusing to tell where he is? Eh?" "He shall not, through any act of mine, come back wi' the unmerited reproach of being brought back. He shall come back of his own accord to clear himself, and put all those that have injured his good character, and he not here for its defence, to shame. I have told him what has been done against him," said Rachael, throwing off all distrust as a rock throws off the sea,<|quote|>"and he will be here, at furthest, in two days."</|quote|>"Notwithstanding which," added Mr. Bounderby, "if he can be laid hold of any sooner, he shall have an earlier opportunity of clearing himself. As to you, I have nothing against you; what you came and told me turns out to be true, and I have given you the means of proving it to be true, and there's an end of it. I wish you good night all! I must be off to look a little further into this." Tom came out of his corner when Mr. Bounderby moved, moved with him, kept close to him, and went away with him. The only parting salutation of which he delivered himself was a sulky "Good night, father!" With a brief speech, and a scowl at his sister, he left the house. Since his sheet-anchor had come home, Mr. Gradgrind had been sparing of speech. He still sat silent, when Louisa mildly said: "Rachael, you will not distrust me one day, when you know me better." "It goes against me," Rachael answered, in a gentler manner, "to mistrust any one; but when I am so mistrusted when we all are I cannot keep such things quite out of my mind. I ask your | before sin' he went away," said Rachael; "and he will be here, at furthest, in two days." "Then, I'll tell you something. You are not aware perhaps," retorted Mr. Bounderby, "that you yourself have been looked after now and then, not being considered quite free from suspicion in this business, on account of most people being judged according to the company they keep. The post-office hasn't been forgotten either. What I'll tell you is, that no letter to Stephen Blackpool has ever got into it. Therefore, what has become of yours, I leave you to guess. Perhaps you're mistaken, and never wrote any." "He hadn't been gone from here, young lady," said Rachael, turning appealingly to Louisa, "as much as a week, when he sent me the only letter I have had from him, saying that he was forced to seek work in another name." "Oh, by George!" cried Bounderby, shaking his head, with a whistle, "he changes his name, does he! That's rather unlucky, too, for such an immaculate chap. It's considered a little suspicious in Courts of Justice, I believe, when an Innocent happens to have many names." "What," said Rachael, with the tears in her eyes again, "what, young lady, in the name of Mercy, was left the poor lad to do! The masters against him on one hand, the men against him on the other, he only wantin to work hard in peace, and do what he felt right. Can a man have no soul of his own, no mind of his own? Must he go wrong all through wi' this side, or must he go wrong all through wi' that, or else be hunted like a hare?" "Indeed, indeed, I pity him from my heart," returned Louisa; "and I hope that he will clear himself." "You need have no fear of that, young lady. He is sure!" "All the surer, I suppose," said Mr. Bounderby, "for your refusing to tell where he is? Eh?" "He shall not, through any act of mine, come back wi' the unmerited reproach of being brought back. He shall come back of his own accord to clear himself, and put all those that have injured his good character, and he not here for its defence, to shame. I have told him what has been done against him," said Rachael, throwing off all distrust as a rock throws off the sea,<|quote|>"and he will be here, at furthest, in two days."</|quote|>"Notwithstanding which," added Mr. Bounderby, "if he can be laid hold of any sooner, he shall have an earlier opportunity of clearing himself. As to you, I have nothing against you; what you came and told me turns out to be true, and I have given you the means of proving it to be true, and there's an end of it. I wish you good night all! I must be off to look a little further into this." Tom came out of his corner when Mr. Bounderby moved, moved with him, kept close to him, and went away with him. The only parting salutation of which he delivered himself was a sulky "Good night, father!" With a brief speech, and a scowl at his sister, he left the house. Since his sheet-anchor had come home, Mr. Gradgrind had been sparing of speech. He still sat silent, when Louisa mildly said: "Rachael, you will not distrust me one day, when you know me better." "It goes against me," Rachael answered, in a gentler manner, "to mistrust any one; but when I am so mistrusted when we all are I cannot keep such things quite out of my mind. I ask your pardon for having done you an injury. I don't think what I said now. Yet I might come to think it again, wi' the poor lad so wronged." "Did you tell him in your letter," inquired Sissy, "that suspicion seemed to have fallen upon him, because he had been seen about the Bank at night? He would then know what he would have to explain on coming back, and would be ready." "Yes, dear," she returned; "but I can't guess what can have ever taken him there. He never used to go there. It was never in his way. His way was the same as mine, and not near it." Sissy had already been at her side asking her where she lived, and whether she might come to-morrow night, to inquire if there were news of him. "I doubt," said Rachael, "if he can be here till next day." "Then I will come next night too," said Sissy. When Rachael, assenting to this, was gone, Mr. Gradgrind lifted up his head, and said to his daughter: "Louisa, my dear, I have never, that I know of, seen this man. Do you believe him to be implicated?" "I think I have | poor lad was so grateful, thinkin you so good to him when I mind that he put his hand over his hard-worken face to hide the tears that you brought up there Oh, I hope you may be sorry, and ha' no bad cause to be it; but I don't know, I don't know!" "You're a pretty article," growled the whelp, moving uneasily in his dark corner, "to come here with these precious imputations! You ought to be bundled out for not knowing how to behave yourself, and you would be by rights." She said nothing in reply; and her low weeping was the only sound that was heard, until Mr. Bounderby spoke. "Come!" said he, "you know what you have engaged to do. You had better give your mind to that; not this." "'Deed, I am loath," returned Rachael, drying her eyes, "that any here should see me like this; but I won't be seen so again. Young lady, when I had read what's put in print of Stephen and what has just as much truth in it as if it had been put in print of you I went straight to the Bank to say I knew where Stephen was, and to give a sure and certain promise that he should be here in two days. I couldn't meet wi' Mr. Bounderby then, and your brother sent me away, and I tried to find you, but you was not to be found, and I went back to work. Soon as I come out of the Mill to-night, I hastened to hear what was said of Stephen for I know wi' pride he will come back to shame it! and then I went again to seek Mr. Bounderby, and I found him, and I told him every word I knew; and he believed no word I said, and brought me here." "So far, that's true enough," assented Mr. Bounderby, with his hands in his pockets and his hat on. "But I have known you people before to-day, you'll observe, and I know you never die for want of talking. Now, I recommend you not so much to mind talking just now, as doing. You have undertaken to do something; all I remark upon that at present is, do it!" "I have written to Stephen by the post that went out this afternoon, as I have written to him once before sin' he went away," said Rachael; "and he will be here, at furthest, in two days." "Then, I'll tell you something. You are not aware perhaps," retorted Mr. Bounderby, "that you yourself have been looked after now and then, not being considered quite free from suspicion in this business, on account of most people being judged according to the company they keep. The post-office hasn't been forgotten either. What I'll tell you is, that no letter to Stephen Blackpool has ever got into it. Therefore, what has become of yours, I leave you to guess. Perhaps you're mistaken, and never wrote any." "He hadn't been gone from here, young lady," said Rachael, turning appealingly to Louisa, "as much as a week, when he sent me the only letter I have had from him, saying that he was forced to seek work in another name." "Oh, by George!" cried Bounderby, shaking his head, with a whistle, "he changes his name, does he! That's rather unlucky, too, for such an immaculate chap. It's considered a little suspicious in Courts of Justice, I believe, when an Innocent happens to have many names." "What," said Rachael, with the tears in her eyes again, "what, young lady, in the name of Mercy, was left the poor lad to do! The masters against him on one hand, the men against him on the other, he only wantin to work hard in peace, and do what he felt right. Can a man have no soul of his own, no mind of his own? Must he go wrong all through wi' this side, or must he go wrong all through wi' that, or else be hunted like a hare?" "Indeed, indeed, I pity him from my heart," returned Louisa; "and I hope that he will clear himself." "You need have no fear of that, young lady. He is sure!" "All the surer, I suppose," said Mr. Bounderby, "for your refusing to tell where he is? Eh?" "He shall not, through any act of mine, come back wi' the unmerited reproach of being brought back. He shall come back of his own accord to clear himself, and put all those that have injured his good character, and he not here for its defence, to shame. I have told him what has been done against him," said Rachael, throwing off all distrust as a rock throws off the sea,<|quote|>"and he will be here, at furthest, in two days."</|quote|>"Notwithstanding which," added Mr. Bounderby, "if he can be laid hold of any sooner, he shall have an earlier opportunity of clearing himself. As to you, I have nothing against you; what you came and told me turns out to be true, and I have given you the means of proving it to be true, and there's an end of it. I wish you good night all! I must be off to look a little further into this." Tom came out of his corner when Mr. Bounderby moved, moved with him, kept close to him, and went away with him. The only parting salutation of which he delivered himself was a sulky "Good night, father!" With a brief speech, and a scowl at his sister, he left the house. Since his sheet-anchor had come home, Mr. Gradgrind had been sparing of speech. He still sat silent, when Louisa mildly said: "Rachael, you will not distrust me one day, when you know me better." "It goes against me," Rachael answered, in a gentler manner, "to mistrust any one; but when I am so mistrusted when we all are I cannot keep such things quite out of my mind. I ask your pardon for having done you an injury. I don't think what I said now. Yet I might come to think it again, wi' the poor lad so wronged." "Did you tell him in your letter," inquired Sissy, "that suspicion seemed to have fallen upon him, because he had been seen about the Bank at night? He would then know what he would have to explain on coming back, and would be ready." "Yes, dear," she returned; "but I can't guess what can have ever taken him there. He never used to go there. It was never in his way. His way was the same as mine, and not near it." Sissy had already been at her side asking her where she lived, and whether she might come to-morrow night, to inquire if there were news of him. "I doubt," said Rachael, "if he can be here till next day." "Then I will come next night too," said Sissy. When Rachael, assenting to this, was gone, Mr. Gradgrind lifted up his head, and said to his daughter: "Louisa, my dear, I have never, that I know of, seen this man. Do you believe him to be implicated?" "I think I have believed it, father, though with great difficulty. I do not believe it now." "That is to say, you once persuaded yourself to believe it, from knowing him to be suspected. His appearance and manner; are they so honest?" "Very honest." "And her confidence not to be shaken! I ask myself," said Mr. Gradgrind, musing, "does the real culprit know of these accusations? Where is he? Who is he?" His hair had latterly began to change its colour. As he leaned upon his hand again, looking gray and old, Louisa, with a face of fear and pity, hurriedly went over to him, and sat close at his side. Her eyes by accident met Sissy's at the moment. Sissy flushed and started, and Louisa put her finger on her lip. Next night, when Sissy returned home and told Louisa that Stephen was not come, she told it in a whisper. Next night again, when she came home with the same account, and added that he had not been heard of, she spoke in the same low frightened tone. From the moment of that interchange of looks, they never uttered his name, or any reference to him, aloud; nor ever pursued the subject of the robbery, when Mr. Gradgrind spoke of it. The two appointed days ran out, three days and nights ran out, and Stephen Blackpool was not come, and remained unheard of. On the fourth day, Rachael, with unabated confidence, but considering her despatch to have miscarried, went up to the Bank, and showed her letter from him with his address, at a working colony, one of many, not upon the main road, sixty miles away. Messengers were sent to that place, and the whole town looked for Stephen to be brought in next day. During this whole time the whelp moved about with Mr. Bounderby like his shadow, assisting in all the proceedings. He was greatly excited, horribly fevered, bit his nails down to the quick, spoke in a hard rattling voice, and with lips that were black and burnt up. At the hour when the suspected man was looked for, the whelp was at the station; offering to wager that he had made off before the arrival of those who were sent in quest of him, and that he would not appear. The whelp was right. The messengers returned alone. Rachael's letter had gone, Rachael's letter had been delivered. | no word I said, and brought me here." "So far, that's true enough," assented Mr. Bounderby, with his hands in his pockets and his hat on. "But I have known you people before to-day, you'll observe, and I know you never die for want of talking. Now, I recommend you not so much to mind talking just now, as doing. You have undertaken to do something; all I remark upon that at present is, do it!" "I have written to Stephen by the post that went out this afternoon, as I have written to him once before sin' he went away," said Rachael; "and he will be here, at furthest, in two days." "Then, I'll tell you something. You are not aware perhaps," retorted Mr. Bounderby, "that you yourself have been looked after now and then, not being considered quite free from suspicion in this business, on account of most people being judged according to the company they keep. The post-office hasn't been forgotten either. What I'll tell you is, that no letter to Stephen Blackpool has ever got into it. Therefore, what has become of yours, I leave you to guess. Perhaps you're mistaken, and never wrote any." "He hadn't been gone from here, young lady," said Rachael, turning appealingly to Louisa, "as much as a week, when he sent me the only letter I have had from him, saying that he was forced to seek work in another name." "Oh, by George!" cried Bounderby, shaking his head, with a whistle, "he changes his name, does he! That's rather unlucky, too, for such an immaculate chap. It's considered a little suspicious in Courts of Justice, I believe, when an Innocent happens to have many names." "What," said Rachael, with the tears in her eyes again, "what, young lady, in the name of Mercy, was left the poor lad to do! The masters against him on one hand, the men against him on the other, he only wantin to work hard in peace, and do what he felt right. Can a man have no soul of his own, no mind of his own? Must he go wrong all through wi' this side, or must he go wrong all through wi' that, or else be hunted like a hare?" "Indeed, indeed, I pity him from my heart," returned Louisa; "and I hope that he will clear himself." "You need have no fear of that, young lady. He is sure!" "All the surer, I suppose," said Mr. Bounderby, "for your refusing to tell where he is? Eh?" "He shall not, through any act of mine, come back wi' the unmerited reproach of being brought back. He shall come back of his own accord to clear himself, and put all those that have injured his good character, and he not here for its defence, to shame. I have told him what has been done against him," said Rachael, throwing off all distrust as a rock throws off the sea,<|quote|>"and he will be here, at furthest, in two days."</|quote|>"Notwithstanding which," added Mr. Bounderby, "if he can be laid hold of any sooner, he shall have an earlier opportunity of clearing himself. As to you, I have nothing against you; what you came and told me turns out to be true, and I have given you the means of proving it to be true, and there's an end of it. I wish you good night all! I must be off to look a little further into this." Tom came out of his corner when Mr. Bounderby moved, moved with him, kept close to him, and went away with him. The only parting salutation of which he delivered himself was a sulky "Good night, father!" With a brief speech, and a scowl at his sister, he left the house. Since his sheet-anchor had come home, Mr. Gradgrind had been sparing of speech. He still sat silent, when Louisa mildly said: "Rachael, you will not distrust me one day, when you know me better." "It goes against me," Rachael answered, in a gentler manner, "to mistrust any one; but when I am so mistrusted when we all are I cannot keep such things quite out of my mind. I ask your pardon for having done you an injury. I | Hard Times |
"I am. Is she a friend of yours?" | Jock Grant-Menzies | looking for Lady Brenda Last?"<|quote|>"I am. Is she a friend of yours?"</|quote|>"Oh, _such_ a friend," said | opaque, valueless stone. "Are you looking for Lady Brenda Last?"<|quote|>"I am. Is she a friend of yours?"</|quote|>"Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps | then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?"<|quote|>"I am. Is she a friend of yours?"</|quote|>"Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes | and he had not expected to find Brenda at home. He had decided on the road up that after trying the flat, he would go to his club and ring up various friends of Brenda's who might know where she was. He rang again, from habit, and waited a little; then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?"<|quote|>"I am. Is she a friend of yours?"</|quote|>"Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on | a week with bucket and mop. A board painted with the names of the tenants informed Jock that Brenda was IN. But he put little reliance on this information, knowing that Brenda was not one to remember, as she came in and out, to change the indicator. He found her front door on the second floor. After the first flight the staircase changed from marble to a faded carpet that had been there before Mrs Beaver undertook the reconstruction. Jock pressed the bell and heard it ringing just inside the door. Nobody came to open it. It was past five, and he had not expected to find Brenda at home. He had decided on the road up that after trying the flat, he would go to his club and ring up various friends of Brenda's who might know where she was. He rang again, from habit, and waited a little; then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?"<|quote|>"I am. Is she a friend of yours?"</|quote|>"Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on the divan; the carpet on the floor had been made in Bokhara as a wall covering; while over the dressing table was draped a shawl made in Yokohama for sale to cruise-passengers; an octagonal table from Port Said held a Tibetan Buddha of pale soapstone; six ivory elephants from Bombay stood along the top of the radiator. Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen | said Mrs Rattery, "that isn't a pair..." They were still playing when Albert came in to draw the curtains. Tony had only two cards left which he turned over regularly; Mrs Rattery was obliged to divide hers, they were too many to hold. They stopped playing when they found that Albert was in the room. "What must that man have thought?" said Tony, when he had gone out. (" "Sitting there clucking like a 'en," Albert reported, "and the little fellow lying dead upstairs." ") "We'd better stop." "It wasn't a very good game. And to think it's the only one you know." She collected the cards and began to deal them into their proper packs. Ambrose and Albert brought in tea. Tony looked at his watch. "Five o'clock. Now that the shutters are up we shan't hear the chimes. Jock must be in London by now." Mrs Rattery said, "I'd rather like some whisky." * * * * * Jock had not seen Brenda's flat. It was in a large, featureless house, typical of the district. Mrs Beaver deplored the space wasted by the well staircase and empty, paved hall. There was no porter; a woman came three mornings a week with bucket and mop. A board painted with the names of the tenants informed Jock that Brenda was IN. But he put little reliance on this information, knowing that Brenda was not one to remember, as she came in and out, to change the indicator. He found her front door on the second floor. After the first flight the staircase changed from marble to a faded carpet that had been there before Mrs Beaver undertook the reconstruction. Jock pressed the bell and heard it ringing just inside the door. Nobody came to open it. It was past five, and he had not expected to find Brenda at home. He had decided on the road up that after trying the flat, he would go to his club and ring up various friends of Brenda's who might know where she was. He rang again, from habit, and waited a little; then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?"<|quote|>"I am. Is she a friend of yours?"</|quote|>"Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on the divan; the carpet on the floor had been made in Bokhara as a wall covering; while over the dressing table was draped a shawl made in Yokohama for sale to cruise-passengers; an octagonal table from Port Said held a Tibetan Buddha of pale soapstone; six ivory elephants from Bombay stood along the top of the radiator. Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little | stop thinking about things. Can you throw craps?" "No." "That's easy; I'll show you. There'll be some dice in the backgammon board." "I'm all right, really. I'd sooner not play." "You get the dice and sit up here at the table. We've got six hours to get through." She showed him how to throw craps. He said, "I've seen it on the cinema--pullman porters and taxi men." "Of course you have, it's easy... there you see you've won, you take all." Presently Tony said, "I've just thought of something." "Don't you ever take a rest from thinking?" "Suppose the evening papers have got hold of it already. Brenda may see it on a placard, or just pick up a paper casually and there it will be... perhaps with a photograph." "Yes, I thought of that just now, when you were talking about telegraphing." "But it's quite likely, isn't it? They get hold of everything so quickly. What can we do about it?" "There isn't anything we can do. We've just got to wait... Come on, boy, throw up." "I don't want to play any more. I'm worried." "I know you're worried. You don't have to tell me... you aren't going to give up playing just when the luck's running your way?" "I'm sorry... it isn't any good." He walked about the room, first to the window, then to the fireplace. He began to fill his pipe. "At least we can find out whether the evening papers have got it in. We can ring up and ask the hall porter at my club." "That's not going to prevent your wife reading it. We've just got to wait. What was the game you said you knew? Animal something?" "Snap." "I'll buy it." "It's just a child's game. It would be ridiculous with two." "Show me." "Well each of us chooses an animal." "All right, I'm a dog and you're a hen. Now what?" Tony explained. "I'd say it was one of those games that you have to feel pretty good first, before you can enjoy them," said Mrs Rattery. "But I'll try anything." They each took a pack and began dealing. Soon a pair of eights appeared. "Bow-wow," said Mrs Rattery, scooping in the cards. Another pair, "Bow-wow," said Mrs Rattery. "You know you aren't putting your heart into this." "Oh," said Tony. "Coop-coop-coop." Presently he said again, "Coop-coop-coop." "Don't be dumb," said Mrs Rattery, "that isn't a pair..." They were still playing when Albert came in to draw the curtains. Tony had only two cards left which he turned over regularly; Mrs Rattery was obliged to divide hers, they were too many to hold. They stopped playing when they found that Albert was in the room. "What must that man have thought?" said Tony, when he had gone out. (" "Sitting there clucking like a 'en," Albert reported, "and the little fellow lying dead upstairs." ") "We'd better stop." "It wasn't a very good game. And to think it's the only one you know." She collected the cards and began to deal them into their proper packs. Ambrose and Albert brought in tea. Tony looked at his watch. "Five o'clock. Now that the shutters are up we shan't hear the chimes. Jock must be in London by now." Mrs Rattery said, "I'd rather like some whisky." * * * * * Jock had not seen Brenda's flat. It was in a large, featureless house, typical of the district. Mrs Beaver deplored the space wasted by the well staircase and empty, paved hall. There was no porter; a woman came three mornings a week with bucket and mop. A board painted with the names of the tenants informed Jock that Brenda was IN. But he put little reliance on this information, knowing that Brenda was not one to remember, as she came in and out, to change the indicator. He found her front door on the second floor. After the first flight the staircase changed from marble to a faded carpet that had been there before Mrs Beaver undertook the reconstruction. Jock pressed the bell and heard it ringing just inside the door. Nobody came to open it. It was past five, and he had not expected to find Brenda at home. He had decided on the road up that after trying the flat, he would go to his club and ring up various friends of Brenda's who might know where she was. He rang again, from habit, and waited a little; then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?"<|quote|>"I am. Is she a friend of yours?"</|quote|>"Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on the divan; the carpet on the floor had been made in Bokhara as a wall covering; while over the dressing table was draped a shawl made in Yokohama for sale to cruise-passengers; an octagonal table from Port Said held a Tibetan Buddha of pale soapstone; six ivory elephants from Bombay stood along the top of the radiator. Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out." "I say, you know, really, I shouldn't take that line about it." "It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery. "Of course," Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time | had gone out. (" "Sitting there clucking like a 'en," Albert reported, "and the little fellow lying dead upstairs." ") "We'd better stop." "It wasn't a very good game. And to think it's the only one you know." She collected the cards and began to deal them into their proper packs. Ambrose and Albert brought in tea. Tony looked at his watch. "Five o'clock. Now that the shutters are up we shan't hear the chimes. Jock must be in London by now." Mrs Rattery said, "I'd rather like some whisky." * * * * * Jock had not seen Brenda's flat. It was in a large, featureless house, typical of the district. Mrs Beaver deplored the space wasted by the well staircase and empty, paved hall. There was no porter; a woman came three mornings a week with bucket and mop. A board painted with the names of the tenants informed Jock that Brenda was IN. But he put little reliance on this information, knowing that Brenda was not one to remember, as she came in and out, to change the indicator. He found her front door on the second floor. After the first flight the staircase changed from marble to a faded carpet that had been there before Mrs Beaver undertook the reconstruction. Jock pressed the bell and heard it ringing just inside the door. Nobody came to open it. It was past five, and he had not expected to find Brenda at home. He had decided on the road up that after trying the flat, he would go to his club and ring up various friends of Brenda's who might know where she was. He rang again, from habit, and waited a little; then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?"<|quote|>"I am. Is she a friend of yours?"</|quote|>"Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on the divan; the carpet on the floor had been made in Bokhara as a wall covering; while over the dressing table was draped a shawl made in Yokohama for sale to cruise-passengers; an octagonal table from Port Said held a Tibetan Buddha of pale soapstone; six ivory elephants from Bombay stood along the top of the radiator. Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only | A Handful Of Dust |
asked Anne. | No speaker | put my pearl beads on?"<|quote|>asked Anne.</|quote|>"Matthew brought me a string | it for you." "Shall I put my pearl beads on?"<|quote|>asked Anne.</|quote|>"Matthew brought me a string from town last week, and | you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?"<|quote|>asked Anne.</|quote|>"Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat. "There's | let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?"<|quote|>asked Anne.</|quote|>"Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat. "There's something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to | and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?"<|quote|>asked Anne.</|quote|>"Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat. "There's something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn't she look | would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better," said Diana. "It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?"<|quote|>asked Anne.</|quote|>"Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat. "There's something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn't she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she'll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy's the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it _is_ too damp for my dress," said Anne anxiously. "Not a bit of it," said | lovely yellowish-green twilight with a clear-blue cloudless sky. A big round moon, slowly deepening from her pallid luster into burnished silver, hung over the Haunted Wood; the air was full of sweet summer sounds--sleepy birds twittering, freakish breezes, faraway voices and laughter. But in Anne's room the blind was drawn and the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. The velvet carpet with the pink roses and the pink silk curtains of Anne's early visions had certainly never materialized; but her dreams had kept pace with her growth, and it is not probable she lamented them. The floor was covered with a pretty matting, and the curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy's photograph occupied the place of honor, and Anne made a sentimental point of keeping fresh flowers on the bracket under it. Tonight a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better," said Diana. "It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?"<|quote|>asked Anne.</|quote|>"Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat. "There's something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn't she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she'll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy's the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it _is_ too damp for my dress," said Anne anxiously. "Not a bit of it," said Diana, pulling up the window blind. "It's a perfect night, and there won't be any dew. Look at the moonlight." "I'm so glad my window looks east into the sun rising," said Anne, going over to Diana. "It's so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It's new every morning, and I feel as if I washed my very soul in that bath of earliest sunshine. Oh, Diana, I love this little room so dearly. I don't know how I'll get along without it when I go to town next month." "Don't speak of your going away tonight," begged Diana. "I don't want to think of it, it makes me so miserable, and I do want to have a good time this evening. What are you going to recite, Anne? And are you nervous?" "Not a bit. I've recited so often in public I don't mind at all now. I've decided to give ?The Maiden's Vow.' It's so pathetic. Laura Spencer is going to give a comic recitation, but I'd rather make people cry than laugh." "What will you recite if they encore you?" "They won't dream of encoring me," scoffed Anne, who was not without her own secret hopes that they would, and already visioned herself telling Matthew all about it at the next morning's breakfast table. "There are Billy and Jane now--I hear the wheels. Come on." Billy Andrews insisted that Anne should ride on the front seat with him, so she unwillingly climbed up. She would have much preferred to sit back with the girls, where she could have laughed and chattered to her heart's content. There was not much of either laughter or chatter in Billy. He was a big, fat, stolid youth of twenty, with a round, expressionless face, and a painful lack of conversational gifts. But he admired Anne immensely, and was puffed up with pride over the prospect of driving to White Sands with that slim, upright figure beside him. Anne, by dint of talking over her shoulder to the girls and occasionally passing a sop of civility to Billy--who grinned and chuckled and never could think of any reply until it was too late--contrived to enjoy the drive in spite of all. It was a night for enjoyment. The road was full of buggies, all bound for the hotel, and laughter, | chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better," said Diana. "It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?"<|quote|>asked Anne.</|quote|>"Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat. "There's something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn't she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she'll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy's the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it _is_ too damp | Anne Of Green Gables |
said Jem shortly. | No speaker | "You let him be." "Good-night,"<|quote|>said Jem shortly.</|quote|>"Come on, Mas' Don." He | man in the pea jacket. "You let him be." "Good-night,"<|quote|>said Jem shortly.</|quote|>"Come on, Mas' Don." He stepped forward, but the young | the hoarse-voiced man who had asked for a light; "and when a horficer asks you to drink you shouldn't say no." "I knew it, Jem," whispered Don excitedly. "Officer! Do you hear?" "What are you whispering about, youngster?" said the man in the pea jacket. "You let him be." "Good-night,"<|quote|>said Jem shortly.</|quote|>"Come on, Mas' Don." He stepped forward, but the young man hurried on the men, who had now closed in round them; and as Jem gave one of them a sturdy push to get off, the thrust was returned with interest. "Where are you shovin' to, mate?" growled the man. | in the faint glow of the lanthorn. "Come away, Jem, quick!" whispered Don. "Here, what's your hurry, my lads?" said the youngish man in rather an authoritative way. "Come and have a glass of grog." "No, thank ye," said Jem; "I've got to be home." "So have we, mate," said the hoarse-voiced man who had asked for a light; "and when a horficer asks you to drink you shouldn't say no." "I knew it, Jem," whispered Don excitedly. "Officer! Do you hear?" "What are you whispering about, youngster?" said the man in the pea jacket. "You let him be." "Good-night,"<|quote|>said Jem shortly.</|quote|>"Come on, Mas' Don." He stepped forward, but the young man hurried on the men, who had now closed in round them; and as Jem gave one of them a sturdy push to get off, the thrust was returned with interest. "Where are you shovin' to, mate?" growled the man. "Arn't the road wide enough for you?" "Quiet, my lad," said the officer sharply. "Here, you come below here and have a glass of grog." "I don't want no grog," said Jem; "and I should thank you to tell your men to let me pass." "Yes, by-and-by," said the officer. | of the lanthorn was closed, and the man who bore it held it close to Jem's face. "Well?" said that worthy, good-temperedly, "what d'yer think of me, eh? Lost some one? 'Cause I arn't him." "I don't know so much about that," said a voice; and a young-looking man in a heavy pea jacket whispered a few words to one of the sailors. Don felt more uneasy, for he saw that the point of a scabbard hung down below the last speaker's jacket, which bulged out as if there were pistols beneath, all of which he could dimly make out in the faint glow of the lanthorn. "Come away, Jem, quick!" whispered Don. "Here, what's your hurry, my lads?" said the youngish man in rather an authoritative way. "Come and have a glass of grog." "No, thank ye," said Jem; "I've got to be home." "So have we, mate," said the hoarse-voiced man who had asked for a light; "and when a horficer asks you to drink you shouldn't say no." "I knew it, Jem," whispered Don excitedly. "Officer! Do you hear?" "What are you whispering about, youngster?" said the man in the pea jacket. "You let him be." "Good-night,"<|quote|>said Jem shortly.</|quote|>"Come on, Mas' Don." He stepped forward, but the young man hurried on the men, who had now closed in round them; and as Jem gave one of them a sturdy push to get off, the thrust was returned with interest. "Where are you shovin' to, mate?" growled the man. "Arn't the road wide enough for you?" "Quiet, my lad," said the officer sharply. "Here, you come below here and have a glass of grog." "I don't want no grog," said Jem; "and I should thank you to tell your men to let me pass." "Yes, by-and-by," said the officer. "Now then, my lads, sharp." A couple of men crowded on Jem, one of them forcing himself between the sturdy fellow and Don, whose cheeks flushed with anger as he felt himself rudely thrust up against the wall of one of the houses. "Here, what are you doing of?" cried Jem sharply. "Being civil," said one of the men with a laugh. "There, no nonsense. Come quiet." He might just as well have said that to an angry bull, for as he and his companion seized Jem by the arms, they found for themselves how strong those arms were, one | had cast aside his foolish notions about going away, he trudged slowly back with his companion, till turning into one of the dark and narrow lanes leading from the water side, they suddenly became aware that they were not alone, for a stoutly-built sailor stepped in front of them. "Got a light, mate?" he said. "Light? Yes," said Jem readily; and he prepared to get out his flint and steel, when Don whispered something in his ear. "Ay, to be sure," he said; "why don't you take a light from him?" "Eh? Ah, to be sure," said the sailor. "I forgot. Here, Joe, mate, open the lanthorn and give us a light." Another sailor, a couple of yards away, opened a horn lanthorn, and the first man bent down to light his pipe, the dull rays of the coarse candle showing something which startled Don. "Come on, Jem," he whispered; "make haste." "Ay? To be sure, my lad. There's nothing to mind though. Only sailors." As he spoke there were other steps behind, and more from the front, and Don realised that they were hemmed in that narrow lane between two little parties of armed men. Just then the door of the lanthorn was closed, and the man who bore it held it close to Jem's face. "Well?" said that worthy, good-temperedly, "what d'yer think of me, eh? Lost some one? 'Cause I arn't him." "I don't know so much about that," said a voice; and a young-looking man in a heavy pea jacket whispered a few words to one of the sailors. Don felt more uneasy, for he saw that the point of a scabbard hung down below the last speaker's jacket, which bulged out as if there were pistols beneath, all of which he could dimly make out in the faint glow of the lanthorn. "Come away, Jem, quick!" whispered Don. "Here, what's your hurry, my lads?" said the youngish man in rather an authoritative way. "Come and have a glass of grog." "No, thank ye," said Jem; "I've got to be home." "So have we, mate," said the hoarse-voiced man who had asked for a light; "and when a horficer asks you to drink you shouldn't say no." "I knew it, Jem," whispered Don excitedly. "Officer! Do you hear?" "What are you whispering about, youngster?" said the man in the pea jacket. "You let him be." "Good-night,"<|quote|>said Jem shortly.</|quote|>"Come on, Mas' Don." He stepped forward, but the young man hurried on the men, who had now closed in round them; and as Jem gave one of them a sturdy push to get off, the thrust was returned with interest. "Where are you shovin' to, mate?" growled the man. "Arn't the road wide enough for you?" "Quiet, my lad," said the officer sharply. "Here, you come below here and have a glass of grog." "I don't want no grog," said Jem; "and I should thank you to tell your men to let me pass." "Yes, by-and-by," said the officer. "Now then, my lads, sharp." A couple of men crowded on Jem, one of them forcing himself between the sturdy fellow and Don, whose cheeks flushed with anger as he felt himself rudely thrust up against the wall of one of the houses. "Here, what are you doing of?" cried Jem sharply. "Being civil," said one of the men with a laugh. "There, no nonsense. Come quiet." He might just as well have said that to an angry bull, for as he and his companion seized Jem by the arms, they found for themselves how strong those arms were, one being sent staggering against Don, and the other being lifted off his legs and dropped upon his back. "Now, Mas' Don, run!" shouted Jem. But before the words were well out of his lips, the party closed in upon him, paying no heed to Don, who in accordance with Jem's command had rushed off in retreat. A few moments later he stopped, for Jem was not with him, but struggling with all his might in the midst of the knot of men who were trying to hold him. "Mas' Don! Help, help!" roared Jem; and Don dashed at the gang, his fists clenched, teeth set, and a curious singing noise in his ears. But as he reached the spot where his companion was making a desperate struggle for his liberty, Jem shouted again,-- "No, no! Mas' Don; run for it, my lad, and get help if you can." Like a flash it occurred to Don that long before he could get help Jem would be overpowered and carried off, and with the natural fighting instinct fully raised, he struck out with all his might as he strove to get to the poor fellow, who was writhing and heaving, and giving | on 'em straight. Can you fight, Mas' Don?" "I don't know, Jem. I never tried." "I can. You don't know what a crack I could give a man. It's my arms is so strong with moving sugar-hogsheads, I suppose. I shouldn't wish to be the man I hit if I did my best." "You mean your worst, Jem." "Course I do, Mas' Don. Well, as I was going to say, I should just like to settle that there matter with Mr Mike without the magistrates. You give him to me on a clear field for about ten minutes, and I'd make Master Mike down hisself on his knees, and say just whatever I pleased." "And what good would that do, Jem?" "Not much to him, Mas' Don, because he'd be so precious sore afterwards, but it would do me good, and I would feel afterwards what I don't feel now, and that's cheerful. Never mind, sir, it'll all come right in the end. Nothing like coming out and sitting all alone when you're crabby. Wind seems to blow it away. When you've been sitting here a bit you'll feel like a new man. Mind me smoking a pipe?" "No, Jem; smoke away." "Won't have one too, Mas' Don?" "No, Jem; you know I can't smoke." "Then here goes for mine," said Jem, taking a little dumpy clay pipe from one pocket and a canvas bag from another, in which were some rough pieces of tobacco leaf. These he crumbled up and thrust into the bowl, after which he took advantage of the shelter afforded by an empty cask to get in, strike a light, and start a pipe. Once lit up, Jem returned to his old seat, and the pair remained in the same place till it was getting dusk, and lights were twinkling among the shipping, when Jem rose and stretched himself. "That's your sort, Mas' Don," he said. "Now I feels better, and I can smile at my little woman when I get home. You aren't no worse?" "No, Jem, I am no worse." "Nothing like coming out when you're red hot, and cooling down. I'm cooled down, and so are you. Come along." Don felt a sensation of reluctance to return home, but it was getting late, and telling himself that he had nothing to do now but act a straightforward manly part, and glad that he had cast aside his foolish notions about going away, he trudged slowly back with his companion, till turning into one of the dark and narrow lanes leading from the water side, they suddenly became aware that they were not alone, for a stoutly-built sailor stepped in front of them. "Got a light, mate?" he said. "Light? Yes," said Jem readily; and he prepared to get out his flint and steel, when Don whispered something in his ear. "Ay, to be sure," he said; "why don't you take a light from him?" "Eh? Ah, to be sure," said the sailor. "I forgot. Here, Joe, mate, open the lanthorn and give us a light." Another sailor, a couple of yards away, opened a horn lanthorn, and the first man bent down to light his pipe, the dull rays of the coarse candle showing something which startled Don. "Come on, Jem," he whispered; "make haste." "Ay? To be sure, my lad. There's nothing to mind though. Only sailors." As he spoke there were other steps behind, and more from the front, and Don realised that they were hemmed in that narrow lane between two little parties of armed men. Just then the door of the lanthorn was closed, and the man who bore it held it close to Jem's face. "Well?" said that worthy, good-temperedly, "what d'yer think of me, eh? Lost some one? 'Cause I arn't him." "I don't know so much about that," said a voice; and a young-looking man in a heavy pea jacket whispered a few words to one of the sailors. Don felt more uneasy, for he saw that the point of a scabbard hung down below the last speaker's jacket, which bulged out as if there were pistols beneath, all of which he could dimly make out in the faint glow of the lanthorn. "Come away, Jem, quick!" whispered Don. "Here, what's your hurry, my lads?" said the youngish man in rather an authoritative way. "Come and have a glass of grog." "No, thank ye," said Jem; "I've got to be home." "So have we, mate," said the hoarse-voiced man who had asked for a light; "and when a horficer asks you to drink you shouldn't say no." "I knew it, Jem," whispered Don excitedly. "Officer! Do you hear?" "What are you whispering about, youngster?" said the man in the pea jacket. "You let him be." "Good-night,"<|quote|>said Jem shortly.</|quote|>"Come on, Mas' Don." He stepped forward, but the young man hurried on the men, who had now closed in round them; and as Jem gave one of them a sturdy push to get off, the thrust was returned with interest. "Where are you shovin' to, mate?" growled the man. "Arn't the road wide enough for you?" "Quiet, my lad," said the officer sharply. "Here, you come below here and have a glass of grog." "I don't want no grog," said Jem; "and I should thank you to tell your men to let me pass." "Yes, by-and-by," said the officer. "Now then, my lads, sharp." A couple of men crowded on Jem, one of them forcing himself between the sturdy fellow and Don, whose cheeks flushed with anger as he felt himself rudely thrust up against the wall of one of the houses. "Here, what are you doing of?" cried Jem sharply. "Being civil," said one of the men with a laugh. "There, no nonsense. Come quiet." He might just as well have said that to an angry bull, for as he and his companion seized Jem by the arms, they found for themselves how strong those arms were, one being sent staggering against Don, and the other being lifted off his legs and dropped upon his back. "Now, Mas' Don, run!" shouted Jem. But before the words were well out of his lips, the party closed in upon him, paying no heed to Don, who in accordance with Jem's command had rushed off in retreat. A few moments later he stopped, for Jem was not with him, but struggling with all his might in the midst of the knot of men who were trying to hold him. "Mas' Don! Help, help!" roared Jem; and Don dashed at the gang, his fists clenched, teeth set, and a curious singing noise in his ears. But as he reached the spot where his companion was making a desperate struggle for his liberty, Jem shouted again,-- "No, no! Mas' Don; run for it, my lad, and get help if you can." Like a flash it occurred to Don that long before he could get help Jem would be overpowered and carried off, and with the natural fighting instinct fully raised, he struck out with all his might as he strove to get to the poor fellow, who was writhing and heaving, and giving his captors a tremendous task to hold him. "Here, give him something to keep him quiet," growled a voice. "No, no; get hold of his hands; that's right. Serve this cockerel the same. Down with him, quick!" cried the officer sharply; and in obedience to his words the men hung on to poor Jem so tenaciously that he was dragged down on the rough pavement, and a couple of men sat panting upon him while his wrists were secured, and his voice silenced by a great bandage right over his mouth. "You cowards!" Jem tried to roar, as, breathless with exertion, bleeding from a sharp back-handed blow across the mouth, and giddy with excitement and the effects of a rough encounter between his head and the wall, Don made one more attempt to drag himself free, and then stood panting and mastered by two strong men. "Show the light," said the officer, and the lanthorn was held close to Don's face. "Well, if the boy can fight like that," said the officer, "he shall." "Let us go," cried Don. "Help! He--" A jacket was thrown over his head, as the officer said mockingly,-- "He shall fight for his Majesty the king. Now, my lads, quick. Some one coming, and the wrong sort." Don felt himself lifted off his feet, and half smothered by the hot jacket which seemed to keep him from breathing, he was hurried along two or three of the lanes, growing more faint and dizzy every moment, till in the midst of a curious nightmare-like sensation, lights began suddenly to dance before his eyes; then all was darkness, and he knew no more till he seemed to wake up from a curious sensation of sickness, and to be listening to Jem Wimble, who would keep on saying in a stupid, aggravating manner,--"Mas' Don, are you there?" The question must have been repeated many times before Don could get rid of the dizzy feeling of confusion and reply,--"Yes; what do you want?" "Oh, my poor lad!" groaned Jem. "Here, can you come to me and untie this?" "Jem!" "Yes." "What does it mean? Why is it so dark? Where are we?" "Don't ask everything at once, my lad, and I'll try to tell you." "Has the candle gone out, Jem? Are we in the big cellar?" "Yes, my lad," groaned Jem, "we're in a big cellar." "Can't you | sure, my lad. There's nothing to mind though. Only sailors." As he spoke there were other steps behind, and more from the front, and Don realised that they were hemmed in that narrow lane between two little parties of armed men. Just then the door of the lanthorn was closed, and the man who bore it held it close to Jem's face. "Well?" said that worthy, good-temperedly, "what d'yer think of me, eh? Lost some one? 'Cause I arn't him." "I don't know so much about that," said a voice; and a young-looking man in a heavy pea jacket whispered a few words to one of the sailors. Don felt more uneasy, for he saw that the point of a scabbard hung down below the last speaker's jacket, which bulged out as if there were pistols beneath, all of which he could dimly make out in the faint glow of the lanthorn. "Come away, Jem, quick!" whispered Don. "Here, what's your hurry, my lads?" said the youngish man in rather an authoritative way. "Come and have a glass of grog." "No, thank ye," said Jem; "I've got to be home." "So have we, mate," said the hoarse-voiced man who had asked for a light; "and when a horficer asks you to drink you shouldn't say no." "I knew it, Jem," whispered Don excitedly. "Officer! Do you hear?" "What are you whispering about, youngster?" said the man in the pea jacket. "You let him be." "Good-night,"<|quote|>said Jem shortly.</|quote|>"Come on, Mas' Don." He stepped forward, but the young man hurried on the men, who had now closed in round them; and as Jem gave one of them a sturdy push to get off, the thrust was returned with interest. "Where are you shovin' to, mate?" growled the man. "Arn't the road wide enough for you?" "Quiet, my lad," said the officer sharply. "Here, you come below here and have a glass of grog." "I don't want no grog," said Jem; "and I should thank you to tell your men to let me pass." "Yes, by-and-by," said the officer. "Now then, my lads, sharp." A couple of men crowded on Jem, one of them forcing himself between the sturdy fellow and Don, whose cheeks flushed with anger as he felt himself rudely thrust up against the wall of one of the houses. "Here, what are you doing of?" cried Jem sharply. "Being civil," said one of the men with a laugh. "There, no nonsense. Come quiet." He might just as well have said that to an angry bull, for as he and his companion seized Jem by the arms, they found for themselves how strong those arms were, one being sent staggering against Don, and the other being lifted off his legs and dropped upon his back. "Now, Mas' Don, run!" shouted Jem. But before the words were well out of his lips, the party closed in upon him, paying no heed to Don, who in accordance with Jem's command had rushed off in retreat. A few moments later he stopped, for Jem was not with him, but struggling with all his might in the midst of the knot of men who were trying to hold him. "Mas' Don! Help, help!" roared Jem; and Don dashed at the gang, his fists clenched, teeth set, and a curious singing noise in his ears. | Don Lavington |
Kitty broke in. | No speaker | to see huh." "No, no,"<|quote|>Kitty broke in.</|quote|>"Heish," said her mother; "I | ain't no one hyeah wants to see huh." "No, no,"<|quote|>Kitty broke in.</|quote|>"Heish," said her mother; "I 'm goin' to boss you | Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them. "Tell huh," said Mrs. Hamilton, "dat dey ain't no one hyeah wants to see huh." "No, no,"<|quote|>Kitty broke in.</|quote|>"Heish," said her mother; "I 'm goin' to boss you a little while yit." "Why, I don't understan' you, Mis' Hamilton," puffed Mrs. Jones. "She 's a nice-lookin' lady, an' she said she knowed you at home." "All you got to do is to tell dat ooman jes' what I | 'll see, you 'll see," the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them. "Tell huh," said Mrs. Hamilton, "dat dey ain't no one hyeah wants to see huh." "No, no,"<|quote|>Kitty broke in.</|quote|>"Heish," said her mother; "I 'm goin' to boss you a little while yit." "Why, I don't understan' you, Mis' Hamilton," puffed Mrs. Jones. "She 's a nice-lookin' lady, an' she said she knowed you at home." "All you got to do is to tell dat ooman jes' what I say." Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below: "Oh, nevah min', lady, I ain't anxious to see | it would n' be long befo' we 'd come to dat if we made frien's wid dat Brown gal. I ain't a-goin' to do it. I 'm ashamed o' you, Kitty, fu' wantin' me to." The girl began to cry, while her brother walked the floor angrily. "You 'll see what 'll happen," he cried; "you 'll see." Fannie looked at her son, and she seemed to see him more clearly than she had ever seen him before,--his foppery, his meanness, his cowardice. "Well," she answered with a sigh, "it can't be no wuss den what 's already happened." "You 'll see, you 'll see," the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them. "Tell huh," said Mrs. Hamilton, "dat dey ain't no one hyeah wants to see huh." "No, no,"<|quote|>Kitty broke in.</|quote|>"Heish," said her mother; "I 'm goin' to boss you a little while yit." "Why, I don't understan' you, Mis' Hamilton," puffed Mrs. Jones. "She 's a nice-lookin' lady, an' she said she knowed you at home." "All you got to do is to tell dat ooman jes' what I say." Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below: "Oh, nevah min', lady, I ain't anxious to see 'em. I jest called out o' pity, but I reckon dey 'shamed to see me 'cause de ol' man 's in penitentiary an' dey was run out o' town." Mrs. Jones gasped, and then turned and went hastily downstairs. Kit burst out crying afresh, and Joe walked the floor muttering beneath his breath, while the mother sat grimly watching the outcome. Finally they heard Mrs. Jones' step once more on the stairs. She came in without knocking, and her manner was distinctly unpleasant. "Mis' Hamilton," she said, "I 've had a talk with the lady downstairs, an' she 's tol' | spoke up. "Oh, that 's all right. Let by-gones be by-gones. You know I ain't the kin' o' person that holds a grudge ag'in anybody." "That 's right, Minty, that 's right," he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior. "But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them." "I ain't never bowed my haid to Minty Brown an' I ain't a-goin' to do it now," was his mother's only reply. "Oh, ma," Kitty put in, "you don't want to get talked about up here, do you?" "We 'd jes' as well be talked about fu' somep'n we did n't do as fu' somep'n we did do, an' it would n' be long befo' we 'd come to dat if we made frien's wid dat Brown gal. I ain't a-goin' to do it. I 'm ashamed o' you, Kitty, fu' wantin' me to." The girl began to cry, while her brother walked the floor angrily. "You 'll see what 'll happen," he cried; "you 'll see." Fannie looked at her son, and she seemed to see him more clearly than she had ever seen him before,--his foppery, his meanness, his cowardice. "Well," she answered with a sigh, "it can't be no wuss den what 's already happened." "You 'll see, you 'll see," the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them. "Tell huh," said Mrs. Hamilton, "dat dey ain't no one hyeah wants to see huh." "No, no,"<|quote|>Kitty broke in.</|quote|>"Heish," said her mother; "I 'm goin' to boss you a little while yit." "Why, I don't understan' you, Mis' Hamilton," puffed Mrs. Jones. "She 's a nice-lookin' lady, an' she said she knowed you at home." "All you got to do is to tell dat ooman jes' what I say." Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below: "Oh, nevah min', lady, I ain't anxious to see 'em. I jest called out o' pity, but I reckon dey 'shamed to see me 'cause de ol' man 's in penitentiary an' dey was run out o' town." Mrs. Jones gasped, and then turned and went hastily downstairs. Kit burst out crying afresh, and Joe walked the floor muttering beneath his breath, while the mother sat grimly watching the outcome. Finally they heard Mrs. Jones' step once more on the stairs. She came in without knocking, and her manner was distinctly unpleasant. "Mis' Hamilton," she said, "I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible." "So you goin' to put me out on de wo'd of a stranger?" "I 'm kin' o' sorry, but everybody in the house heard what Mis' Brown said, an' it 'll soon be all over town, an' that 'ud ruin the reputation of my house." "I reckon all dat kin be 'splained." "Yes, but I don't know that anybody kin 'splain your daughter allus being with Mr. Thomas, who ain't even divo'ced from his wife." She flashed a vindictive glance at the girl, who turned deadly pale and dropped her head in her hands. "You daih to say dat, Mis' Jones, you dat fust interduced my gal to dat man and got huh to go out wid him? I reckon you 'd bettah go now." And Mrs. Jones looked at Fannie's face and obeyed. As soon as the woman's back was turned, Joe burst out, "There, there! see what you 've done with your damned foolishness." Fannie turned on him like a tigress. "Don't you cuss hyeah befo' me; I ain't nevah brung you up to it, an' I won't stan' it. | know her," she went on banteringly. "She says you were great friends down South, so I 've invited her to supper. She wants to see you." "To supper!" he thought. Was she mocking him? Was she restraining her scorn of him only to make his humiliation the greater after a while? He looked at her, but there was no suspicion of malice in her face, and he took hope. "Well, I 'd like to see old Minty," he said. "It 's been many a long day since I 've seen her." All that afternoon, after going to the barber-shop, Joe was driven by a tempest of conflicting emotions. If Minty Brown had not told his story, why not? Would she yet tell, and if she did, what would happen? He tortured himself by questioning if Hattie would cast him off. At the very thought his hand trembled, and the man in the chair asked him if he had n't been drinking. When he met Minty in the evening, however, the first glance at her reassured him. Her face was wreathed in smiles as she came forward and held out her hand. "Well, well, Joe Hamilton," she exclaimed, "if I ain't right-down glad to see you! How are you?" "I 'm middlin', Minty. How 's yourself?" He was so happy that he could n't let go her hand. "An' jes' look at the boy! Ef he ain't got the impidence to be waihin' a mustache too. You must 'a' been lettin' the cats lick yo' upper lip. Did n't expect to see me in New York, did you?" "No, indeed. What you doin' here?" "Oh, I got a gent'man friend what 's a porter, an' his run 's been changed so that he comes hyeah, an' he told me, if I wanted to come he 'd bring me thoo fur a visit, so, you see, hyeah I am. I allus was mighty anxious to see this hyeah town. But tell me, how 's Kit an' yo' ma?" "They 're both right well." He had forgotten them and their scorn of Minty. "Whaih do you live? I 'm comin' roun' to see 'em." He hesitated for a moment. He knew how his mother, if not Kit, would receive her, and yet he dared not anger this woman, who had his fate in the hollow of her hand. She saw his hesitation and spoke up. "Oh, that 's all right. Let by-gones be by-gones. You know I ain't the kin' o' person that holds a grudge ag'in anybody." "That 's right, Minty, that 's right," he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior. "But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them." "I ain't never bowed my haid to Minty Brown an' I ain't a-goin' to do it now," was his mother's only reply. "Oh, ma," Kitty put in, "you don't want to get talked about up here, do you?" "We 'd jes' as well be talked about fu' somep'n we did n't do as fu' somep'n we did do, an' it would n' be long befo' we 'd come to dat if we made frien's wid dat Brown gal. I ain't a-goin' to do it. I 'm ashamed o' you, Kitty, fu' wantin' me to." The girl began to cry, while her brother walked the floor angrily. "You 'll see what 'll happen," he cried; "you 'll see." Fannie looked at her son, and she seemed to see him more clearly than she had ever seen him before,--his foppery, his meanness, his cowardice. "Well," she answered with a sigh, "it can't be no wuss den what 's already happened." "You 'll see, you 'll see," the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them. "Tell huh," said Mrs. Hamilton, "dat dey ain't no one hyeah wants to see huh." "No, no,"<|quote|>Kitty broke in.</|quote|>"Heish," said her mother; "I 'm goin' to boss you a little while yit." "Why, I don't understan' you, Mis' Hamilton," puffed Mrs. Jones. "She 's a nice-lookin' lady, an' she said she knowed you at home." "All you got to do is to tell dat ooman jes' what I say." Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below: "Oh, nevah min', lady, I ain't anxious to see 'em. I jest called out o' pity, but I reckon dey 'shamed to see me 'cause de ol' man 's in penitentiary an' dey was run out o' town." Mrs. Jones gasped, and then turned and went hastily downstairs. Kit burst out crying afresh, and Joe walked the floor muttering beneath his breath, while the mother sat grimly watching the outcome. Finally they heard Mrs. Jones' step once more on the stairs. She came in without knocking, and her manner was distinctly unpleasant. "Mis' Hamilton," she said, "I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible." "So you goin' to put me out on de wo'd of a stranger?" "I 'm kin' o' sorry, but everybody in the house heard what Mis' Brown said, an' it 'll soon be all over town, an' that 'ud ruin the reputation of my house." "I reckon all dat kin be 'splained." "Yes, but I don't know that anybody kin 'splain your daughter allus being with Mr. Thomas, who ain't even divo'ced from his wife." She flashed a vindictive glance at the girl, who turned deadly pale and dropped her head in her hands. "You daih to say dat, Mis' Jones, you dat fust interduced my gal to dat man and got huh to go out wid him? I reckon you 'd bettah go now." And Mrs. Jones looked at Fannie's face and obeyed. As soon as the woman's back was turned, Joe burst out, "There, there! see what you 've done with your damned foolishness." Fannie turned on him like a tigress. "Don't you cuss hyeah befo' me; I ain't nevah brung you up to it, an' I won't stan' it. Go to dem whaih you larned it, an whaih de wo'ds soun' sweet." The boy started to speak, but she checked him. "Don't you daih to cuss ag'in or befo' Gawd dey 'll be somep'n fu' one o' dis fambly to be rottin' in jail fu'!" The boy was cowed by his mother's manner. He was gathering his few belongings in a bundle. "I ain't goin' to cuss," he said sullenly, "I 'm goin' out o' your way." "Oh, go on," she said, "go on. It 's been a long time sence you been my son. You on yo' way to hell, an' you is been fu' lo dese many days." Joe got out of the house as soon as possible. He did not speak to Kit nor look at his mother. He felt like a cur, because he knew deep down in his heart that he had only been waiting for some excuse to take this step. As he slammed the door behind him, his mother flung herself down by Kit's side and mingled her tears with her daughter's. But Kit did not raise her head. "Dey ain't nothin' lef' but you now, Kit;" but the girl did not speak, she only shook with hard sobs. Then her mother raised her head and almost screamed, "My Gawd, not you, Kit!" The girl rose, and then dropped unconscious in her mother's arms. Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show. XI BROKEN HOPES What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying. Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a | to see you! How are you?" "I 'm middlin', Minty. How 's yourself?" He was so happy that he could n't let go her hand. "An' jes' look at the boy! Ef he ain't got the impidence to be waihin' a mustache too. You must 'a' been lettin' the cats lick yo' upper lip. Did n't expect to see me in New York, did you?" "No, indeed. What you doin' here?" "Oh, I got a gent'man friend what 's a porter, an' his run 's been changed so that he comes hyeah, an' he told me, if I wanted to come he 'd bring me thoo fur a visit, so, you see, hyeah I am. I allus was mighty anxious to see this hyeah town. But tell me, how 's Kit an' yo' ma?" "They 're both right well." He had forgotten them and their scorn of Minty. "Whaih do you live? I 'm comin' roun' to see 'em." He hesitated for a moment. He knew how his mother, if not Kit, would receive her, and yet he dared not anger this woman, who had his fate in the hollow of her hand. She saw his hesitation and spoke up. "Oh, that 's all right. Let by-gones be by-gones. You know I ain't the kin' o' person that holds a grudge ag'in anybody." "That 's right, Minty, that 's right," he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior. "But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them." "I ain't never bowed my haid to Minty Brown an' I ain't a-goin' to do it now," was his mother's only reply. "Oh, ma," Kitty put in, "you don't want to get talked about up here, do you?" "We 'd jes' as well be talked about fu' somep'n we did n't do as fu' somep'n we did do, an' it would n' be long befo' we 'd come to dat if we made frien's wid dat Brown gal. I ain't a-goin' to do it. I 'm ashamed o' you, Kitty, fu' wantin' me to." The girl began to cry, while her brother walked the floor angrily. "You 'll see what 'll happen," he cried; "you 'll see." Fannie looked at her son, and she seemed to see him more clearly than she had ever seen him before,--his foppery, his meanness, his cowardice. "Well," she answered with a sigh, "it can't be no wuss den what 's already happened." "You 'll see, you 'll see," the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them. "Tell huh," said Mrs. Hamilton, "dat dey ain't no one hyeah wants to see huh." "No, no,"<|quote|>Kitty broke in.</|quote|>"Heish," said her mother; "I 'm goin' to boss you a little while yit." "Why, I don't understan' you, Mis' Hamilton," puffed Mrs. Jones. "She 's a nice-lookin' lady, an' she said she knowed you at home." "All you got to do is to tell dat ooman jes' what I say." Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below: "Oh, nevah min', lady, I ain't anxious to see 'em. I jest called out o' pity, but I reckon dey 'shamed to see me 'cause de ol' man 's in penitentiary an' dey was run out o' town." Mrs. Jones gasped, and then turned and went hastily downstairs. Kit burst out crying afresh, and Joe walked the floor muttering beneath his breath, while the mother sat grimly watching the outcome. Finally they heard Mrs. Jones' step once more on the stairs. She came in without knocking, and her manner was distinctly unpleasant. "Mis' Hamilton," she said, "I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible." "So you goin' to put me out on de wo'd of a stranger?" "I 'm kin' o' sorry, but everybody in the house heard what Mis' Brown said, an' it 'll soon be all over town, an' that 'ud ruin the reputation of my house." "I reckon all dat kin be 'splained." "Yes, but I don't know that anybody kin 'splain your daughter allus being with Mr. Thomas, who ain't even divo'ced from his wife." She flashed a vindictive glance at the girl, who turned deadly pale and dropped her head in her hands. "You daih to say dat, Mis' Jones, you dat fust interduced my gal to dat man and got huh to go out wid him? I reckon you 'd bettah go now." And Mrs. Jones looked at Fannie's face and obeyed. As soon as the woman's back was turned, Joe burst out, "There, there! see what you 've done with your damned foolishness." Fannie turned on him like a tigress. "Don't you cuss hyeah befo' me; I ain't nevah brung you up to it, an' I won't stan' it. Go to dem whaih you larned it, an whaih de wo'ds soun' sweet." The boy started to speak, but she checked him. "Don't you daih to cuss ag'in or befo' Gawd dey 'll be somep'n fu' one o' dis fambly to be rottin' in jail | The Sport Of The Gods |
returned Marilla. | No speaker | some time--all winter in fact,"<|quote|>returned Marilla.</|quote|>"Mrs. Alexander Spencer was up | been thinking about it for some time--all winter in fact,"<|quote|>returned Marilla.</|quote|>"Mrs. Alexander Spencer was up here one day before Christmas | upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact,"<|quote|>returned Marilla.</|quote|>"Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have | on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact,"<|quote|>returned Marilla.</|quote|>"Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get | from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact,"<|quote|>returned Marilla.</|quote|>"Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said" ?no' "flat to that." ?They may be all right--I'm not saying they're not--but no London street Arabs for me,' "I said." ?Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at | down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact,"<|quote|>returned Marilla.</|quote|>"Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said" ?no' "flat to that." ?They may be all right--I'm not saying they're not--but no London street Arabs for me,' "I said." ?Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' "So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer's folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I'll just tell you plain that I think you're doing a mighty foolish thing--a risky thing, that's what. You don't know what you're getting. You're | of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything, even to being hanged, as the Irishman said." With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact,"<|quote|>returned Marilla.</|quote|>"Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said" ?no' "flat to that." ?They may be all right--I'm not saying they're not--but no London street Arabs for me,' "I said." ?Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' "So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer's folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I'll just tell you plain that I think you're doing a mighty foolish thing--a risky thing, that's what. You don't know what you're getting. You're bringing a strange child into your house and home and you don't know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he's likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night--set it _on purpose_, Marilla--and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs--they couldn't break him of it. If you had asked my advice in the matter--which you didn't do, Marilla--I'd have said for mercy's sake not to think of such a thing, that's what." This Job's comforting seemed neither to offend nor to alarm Marilla. She knitted steadily on. "I don't deny there's something in what you say, Rachel. I've had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It's so seldom Matthew sets his mind on anything that when he does I always feel it's my duty to give in. And as for the risk, there's risks in pretty near everything a body does in this world. There's risks in people's having children of their own if it comes to that--they don't always turn out well. And then Nova Scotia is right close to the Island. It isn't as if we were getting him from England or the States. He can't be much different from ourselves." "Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly indicated her painful doubts. "Only don't say I didn't warn you if he burns Green Gables down or puts strychnine in the well--I heard of a case over in New Brunswick where an orphan asylum child did that and the whole family died in fearful agonies. Only, it was a girl in that instance." "Well, we're not getting a girl," said Marilla, as if poisoning wells were a purely feminine accomplishment and not to be dreaded in the case of a boy. "I'd never dream of taking a girl to bring up. I wonder at Mrs. Alexander Spencer for doing it. But there, _she_ wouldn't shrink from adopting a whole orphan asylum if she | Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact,"<|quote|>returned Marilla.</|quote|>"Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said" ?no' "flat to that." ?They may be all right--I'm not saying they're not--but no London street Arabs for me,' "I said." ?Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' "So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer's folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, | Anne Of Green Gables |
"Of course not, but the word exists and is convenient. All men are my brothers, and as soon as one behaves as such he may see my wife." | Dr. Aziz | think they were your brothers?"<|quote|>"Of course not, but the word exists and is convenient. All men are my brothers, and as soon as one behaves as such he may see my wife."</|quote|>"And when the whole world | and several others." "Did she think they were your brothers?"<|quote|>"Of course not, but the word exists and is convenient. All men are my brothers, and as soon as one behaves as such he may see my wife."</|quote|>"And when the whole world behaves as such, there will | should you not see her photograph?" "You would have allowed me to see her?" "Why not? I believe in the purdah, but I should have told her you were my brother, and she would have seen you. Hamidullah saw her, and several others." "Did she think they were your brothers?"<|quote|>"Of course not, but the word exists and is convenient. All men are my brothers, and as soon as one behaves as such he may see my wife."</|quote|>"And when the whole world behaves as such, there will be no more purdah?" "It is because you can say and feel such a remark as that, that I show you the photograph," said Aziz gravely. "It is beyond the power of most men. It is because you behave well | woman in a sari, facing the world. He muttered, "Really, I don't know why you pay me this great compliment, Aziz, but I do appreciate it." "Oh, it's nothing, she was not a highly educated woman or even beautiful, but put it away. You would have seen her, so why should you not see her photograph?" "You would have allowed me to see her?" "Why not? I believe in the purdah, but I should have told her you were my brother, and she would have seen you. Hamidullah saw her, and several others." "Did she think they were your brothers?"<|quote|>"Of course not, but the word exists and is convenient. All men are my brothers, and as soon as one behaves as such he may see my wife."</|quote|>"And when the whole world behaves as such, there will be no more purdah?" "It is because you can say and feel such a remark as that, that I show you the photograph," said Aziz gravely. "It is beyond the power of most men. It is because you behave well while I behave badly that I show it you. I never expected you to come back just now when I called you. I thought," He has certainly done with me; I have insulted him.' "Mr. Fielding, no one can ever realize how much kindness we Indians need, we do not | are, and that's that." "Before you go, for you are evidently in a great hurry, will you please unlock that drawer? Do you see a piece of brown paper at the top?" "Yes." "Open it." "Who is this?" "She was my wife. You are the first Englishman she has ever come before. Now put her photograph away." He was astonished, as a traveller who suddenly sees, between the stones of the desert, flowers. The flowers have been there all the time, but suddenly he sees them. He tried to look at the photograph, but in itself it was just a woman in a sari, facing the world. He muttered, "Really, I don't know why you pay me this great compliment, Aziz, but I do appreciate it." "Oh, it's nothing, she was not a highly educated woman or even beautiful, but put it away. You would have seen her, so why should you not see her photograph?" "You would have allowed me to see her?" "Why not? I believe in the purdah, but I should have told her you were my brother, and she would have seen you. Hamidullah saw her, and several others." "Did she think they were your brothers?"<|quote|>"Of course not, but the word exists and is convenient. All men are my brothers, and as soon as one behaves as such he may see my wife."</|quote|>"And when the whole world behaves as such, there will be no more purdah?" "It is because you can say and feel such a remark as that, that I show you the photograph," said Aziz gravely. "It is beyond the power of most men. It is because you behave well while I behave badly that I show it you. I never expected you to come back just now when I called you. I thought," He has certainly done with me; I have insulted him.' "Mr. Fielding, no one can ever realize how much kindness we Indians need, we do not even realize it ourselves. But we know when it has been given. We do not forget, though we may seem to. Kindness, more kindness, and even after that more kindness. I assure you it is the only hope." His voice seemed to arise from a dream. Altering it, yet still deep below his normal surface, he said, "We can't build up India except on what we feel. What is the use of all these reforms, and Conciliation Committees for Mohurram, and shall we cut the tazia short or shall we carry it another route, and Councils of Notables and official | but brightness itself lay drowned. He was not the unattainable friend, either of men or birds or other suns, he was not the eternal promise, the never-withdrawn suggestion that haunts our consciousness; he was merely a creature, like the rest, and so debarred from glory. CHAPTER XI Although the Indians had driven off, and Fielding could see his horse standing in a small shed in the corner of the compound, no one troubled to bring it to him. He started to get it himself, but was stopped by a call from the house. Aziz was sitting up in bed, looking dishevelled and sad. "Here's your home," he said sardonically. "Here's the celebrated hospitality of the East. Look at the flies. Look at the chunam coming off the walls. Isn't it jolly? Now I suppose you want to be off, having seen an Oriental interior." "Anyhow, you want to rest." "I can rest the whole day, thanks to worthy Dr. Lal. Major Callendar's spy, I suppose you know, but this time it didn't work. I am allowed to have a slight temperature." "Callendar doesn't trust anyone, English or Indian: that's his character, and I wish you weren't under him; but you are, and that's that." "Before you go, for you are evidently in a great hurry, will you please unlock that drawer? Do you see a piece of brown paper at the top?" "Yes." "Open it." "Who is this?" "She was my wife. You are the first Englishman she has ever come before. Now put her photograph away." He was astonished, as a traveller who suddenly sees, between the stones of the desert, flowers. The flowers have been there all the time, but suddenly he sees them. He tried to look at the photograph, but in itself it was just a woman in a sari, facing the world. He muttered, "Really, I don't know why you pay me this great compliment, Aziz, but I do appreciate it." "Oh, it's nothing, she was not a highly educated woman or even beautiful, but put it away. You would have seen her, so why should you not see her photograph?" "You would have allowed me to see her?" "Why not? I believe in the purdah, but I should have told her you were my brother, and she would have seen you. Hamidullah saw her, and several others." "Did she think they were your brothers?"<|quote|>"Of course not, but the word exists and is convenient. All men are my brothers, and as soon as one behaves as such he may see my wife."</|quote|>"And when the whole world behaves as such, there will be no more purdah?" "It is because you can say and feel such a remark as that, that I show you the photograph," said Aziz gravely. "It is beyond the power of most men. It is because you behave well while I behave badly that I show it you. I never expected you to come back just now when I called you. I thought," He has certainly done with me; I have insulted him.' "Mr. Fielding, no one can ever realize how much kindness we Indians need, we do not even realize it ourselves. But we know when it has been given. We do not forget, though we may seem to. Kindness, more kindness, and even after that more kindness. I assure you it is the only hope." His voice seemed to arise from a dream. Altering it, yet still deep below his normal surface, he said, "We can't build up India except on what we feel. What is the use of all these reforms, and Conciliation Committees for Mohurram, and shall we cut the tazia short or shall we carry it another route, and Councils of Notables and official parties where the English sneer at our skins?" "It's beginning at the wrong end, isn't it? I know, but institutions and the governments don't." He looked again at the photograph. The lady faced the world at her husband's wish and her own, but how bewildering she found it, the echoing contradictory world! "Put her away, she is of no importance, she is dead," said Aziz gently. "I showed her to you because I have nothing else to show. You may look round the whole of my bungalow now, and empty everything. I have no other secrets, my three children live away with their grandmamma, and that is all." Fielding sat down by the bed, flattered at the trust reposed in him, yet rather sad. He felt old. He wished that he too could be carried away on waves of emotion. The next time they met, Aziz might be cautious and standoffish. He realized this, and it made him sad that he should realize it. Kindness, kindness, and more kindness yes, that he might supply, but was that really all that the queer nation needed? Did it not also demand an occasional intoxication of the blood? What had he done to | get his horse brought up. He had liked Aziz so much at their first meeting, and had hoped for developments. CHAPTER X The heat had leapt forward in the last hour, the street was deserted as if a catastrophe had cleaned off humanity during the inconclusive talk. Opposite Aziz' bungalow stood a large unfinished house belonging to two brothers, astrologers, and a squirrel hung head-downwards on it, pressing its belly against burning scaffolding and twitching a mangy tail. It seemed the only occupant of the house, and the squeals it gave were in tune with the infinite, no doubt, but not attractive except to other squirrels. More noises came from a dusty tree, where brown birds creaked and floundered about looking for insects; another bird, the invisible coppersmith, had started his "ponk ponk." It matters so little to the majority of living beings what the minority, that calls itself human, desires or decides. Most of the inhabitants of India do not mind how India is governed. Nor are the lower animals of England concerned about England, but in the tropics the indifference is more prominent, the inarticulate world is closer at hand and readier to resume control as soon as men are tired. When the seven gentlemen who had held such various opinions inside the bungalow came out of it, they were aware of a common burden, a vague threat which they called "the bad weather coming." They felt that they could not do their work, or would not be paid enough for doing it. The space between them and their carriages, instead of being empty, was clogged with a medium that pressed against their flesh, the carriage cushions scalded their trousers, their eyes pricked, domes of hot water accumulated under their head-gear and poured down their cheeks. Salaaming feebly, they dispersed for the interior of other bungalows, to recover their self-esteem and the qualities that distinguished them from each other. All over the city and over much of India the same retreat on the part of humanity was beginning, into cellars, up hills, under trees. April, herald of horrors, is at hand. The sun was returning to his kingdom with power but without beauty that was the sinister feature. If only there had been beauty! His cruelty would have been tolerable then. Through excess of light, he failed to triumph, he also; in his yellowy-white overflow not only matter, but brightness itself lay drowned. He was not the unattainable friend, either of men or birds or other suns, he was not the eternal promise, the never-withdrawn suggestion that haunts our consciousness; he was merely a creature, like the rest, and so debarred from glory. CHAPTER XI Although the Indians had driven off, and Fielding could see his horse standing in a small shed in the corner of the compound, no one troubled to bring it to him. He started to get it himself, but was stopped by a call from the house. Aziz was sitting up in bed, looking dishevelled and sad. "Here's your home," he said sardonically. "Here's the celebrated hospitality of the East. Look at the flies. Look at the chunam coming off the walls. Isn't it jolly? Now I suppose you want to be off, having seen an Oriental interior." "Anyhow, you want to rest." "I can rest the whole day, thanks to worthy Dr. Lal. Major Callendar's spy, I suppose you know, but this time it didn't work. I am allowed to have a slight temperature." "Callendar doesn't trust anyone, English or Indian: that's his character, and I wish you weren't under him; but you are, and that's that." "Before you go, for you are evidently in a great hurry, will you please unlock that drawer? Do you see a piece of brown paper at the top?" "Yes." "Open it." "Who is this?" "She was my wife. You are the first Englishman she has ever come before. Now put her photograph away." He was astonished, as a traveller who suddenly sees, between the stones of the desert, flowers. The flowers have been there all the time, but suddenly he sees them. He tried to look at the photograph, but in itself it was just a woman in a sari, facing the world. He muttered, "Really, I don't know why you pay me this great compliment, Aziz, but I do appreciate it." "Oh, it's nothing, she was not a highly educated woman or even beautiful, but put it away. You would have seen her, so why should you not see her photograph?" "You would have allowed me to see her?" "Why not? I believe in the purdah, but I should have told her you were my brother, and she would have seen you. Hamidullah saw her, and several others." "Did she think they were your brothers?"<|quote|>"Of course not, but the word exists and is convenient. All men are my brothers, and as soon as one behaves as such he may see my wife."</|quote|>"And when the whole world behaves as such, there will be no more purdah?" "It is because you can say and feel such a remark as that, that I show you the photograph," said Aziz gravely. "It is beyond the power of most men. It is because you behave well while I behave badly that I show it you. I never expected you to come back just now when I called you. I thought," He has certainly done with me; I have insulted him.' "Mr. Fielding, no one can ever realize how much kindness we Indians need, we do not even realize it ourselves. But we know when it has been given. We do not forget, though we may seem to. Kindness, more kindness, and even after that more kindness. I assure you it is the only hope." His voice seemed to arise from a dream. Altering it, yet still deep below his normal surface, he said, "We can't build up India except on what we feel. What is the use of all these reforms, and Conciliation Committees for Mohurram, and shall we cut the tazia short or shall we carry it another route, and Councils of Notables and official parties where the English sneer at our skins?" "It's beginning at the wrong end, isn't it? I know, but institutions and the governments don't." He looked again at the photograph. The lady faced the world at her husband's wish and her own, but how bewildering she found it, the echoing contradictory world! "Put her away, she is of no importance, she is dead," said Aziz gently. "I showed her to you because I have nothing else to show. You may look round the whole of my bungalow now, and empty everything. I have no other secrets, my three children live away with their grandmamma, and that is all." Fielding sat down by the bed, flattered at the trust reposed in him, yet rather sad. He felt old. He wished that he too could be carried away on waves of emotion. The next time they met, Aziz might be cautious and standoffish. He realized this, and it made him sad that he should realize it. Kindness, kindness, and more kindness yes, that he might supply, but was that really all that the queer nation needed? Did it not also demand an occasional intoxication of the blood? What had he done to deserve this outburst of confidence, and what hostage could he give in exchange? He looked back at his own life. What a poor crop of secrets it had produced! There were things in it that he had shown to no one, but they were so uninteresting, it wasn't worth while lifting a purdah on their account. He'd been in love, engaged to be married, lady broke it off, memories of her and thoughts about her had kept him from other women for a time; then indulgence, followed by repentance and equilibrium. Meagre really except the equilibrium, and Aziz didn't want to have that confided to him he would have called it "everything ranged coldly on shelves." "I shall not really be intimate with this fellow," Fielding thought, and then "nor with anyone." That was the corollary. And he had to confess that he really didn't mind, that he was content to help people, and like them as long as they didn't object, and if they objected pass on serenely. Experience can do much, and all that he had learnt in England and Europe was an assistance to him, and helped him towards clarity, but clarity prevented him from experiencing something else. "How did you like the two ladies you met last Thursday?" he asked. Aziz shook his head distastefully. The question reminded him of his rash remark about the Marabar Caves. "How do you like Englishwomen generally?" "Hamidullah liked them in England. Here we never look at them. Oh no, much too careful. Let's talk of something else." "Hamidullah's right: they are much nicer in England. There's something that doesn't suit them out here." Aziz after another silence said, "Why are you not married?" Fielding was pleased that he had asked. "Because I have more or less come through without it," he replied. "I was thinking of telling you a little about myself some day if I can make it interesting enough. The lady I liked wouldn't marry me that is the main point, but that's fifteen years ago and now means nothing." "But you haven't children." "None." "Excuse the following question: have you any illegitimate children?" "No. I'd willingly tell you if I had." "Then your name will entirely die out." "It must." "Well." He shook his head. "This indifference is what the Oriental will never understand." "I don't care for children." "Caring has nothing to do with it," | was merely a creature, like the rest, and so debarred from glory. CHAPTER XI Although the Indians had driven off, and Fielding could see his horse standing in a small shed in the corner of the compound, no one troubled to bring it to him. He started to get it himself, but was stopped by a call from the house. Aziz was sitting up in bed, looking dishevelled and sad. "Here's your home," he said sardonically. "Here's the celebrated hospitality of the East. Look at the flies. Look at the chunam coming off the walls. Isn't it jolly? Now I suppose you want to be off, having seen an Oriental interior." "Anyhow, you want to rest." "I can rest the whole day, thanks to worthy Dr. Lal. Major Callendar's spy, I suppose you know, but this time it didn't work. I am allowed to have a slight temperature." "Callendar doesn't trust anyone, English or Indian: that's his character, and I wish you weren't under him; but you are, and that's that." "Before you go, for you are evidently in a great hurry, will you please unlock that drawer? Do you see a piece of brown paper at the top?" "Yes." "Open it." "Who is this?" "She was my wife. You are the first Englishman she has ever come before. Now put her photograph away." He was astonished, as a traveller who suddenly sees, between the stones of the desert, flowers. The flowers have been there all the time, but suddenly he sees them. He tried to look at the photograph, but in itself it was just a woman in a sari, facing the world. He muttered, "Really, I don't know why you pay me this great compliment, Aziz, but I do appreciate it." "Oh, it's nothing, she was not a highly educated woman or even beautiful, but put it away. You would have seen her, so why should you not see her photograph?" "You would have allowed me to see her?" "Why not? I believe in the purdah, but I should have told her you were my brother, and she would have seen you. Hamidullah saw her, and several others." "Did she think they were your brothers?"<|quote|>"Of course not, but the word exists and is convenient. All men are my brothers, and as soon as one behaves as such he may see my wife."</|quote|>"And when the whole world behaves as such, there will be no more purdah?" "It is because you can say and feel such a remark as that, that I show you the photograph," said Aziz gravely. "It is beyond the power of most men. It is because you behave well while I behave badly that I show it you. I never expected you to come back just now when I called you. I thought," He has certainly done with me; I have insulted him.' "Mr. Fielding, no one can ever realize how much kindness we Indians need, we do not even realize it ourselves. But we know when it has been given. We do not forget, though we may seem to. Kindness, more kindness, and even after that more kindness. I assure you it is the only hope." His voice seemed to arise from a dream. Altering it, yet still deep below his normal surface, he said, "We can't build up India except on what we feel. What is the use of all these reforms, and Conciliation Committees for Mohurram, and shall we cut the tazia short or shall we carry it another route, and Councils of Notables and official parties where the English sneer at our skins?" "It's beginning at the wrong end, isn't it? I know, but institutions and the governments don't." He looked again at the photograph. The lady faced the world at her husband's wish and her own, but how bewildering she found it, the echoing contradictory world! "Put her away, she is of no importance, she is dead," said Aziz gently. "I showed her to you because I have nothing else to show. You may look | A Passage To India |
"You are annoyed, is it not so?" | Hercule Poirot | home. I consented rather stiffly.<|quote|>"You are annoyed, is it not so?"</|quote|>he asked anxiously, as we | begged me to accompany him home. I consented rather stiffly.<|quote|>"You are annoyed, is it not so?"</|quote|>he asked anxiously, as we walked through the park. "Not | did," interrupted Lawrence suddenly. "I happened to notice that it _was_ bolted." "Ah, that settles it." And Poirot looked crestfallen. I could not help rejoicing that, for once, one of his "little ideas" had come to naught. After lunch Poirot begged me to accompany him home. I consented rather stiffly.<|quote|>"You are annoyed, is it not so?"</|quote|>he asked anxiously, as we walked through the park. "Not at all," I said coldly. "That is well. That lifts a great load from my mind." This was not quite what I had intended. I had hoped that he would have observed the stiffness of my manner. Still, the fervour | are concerned, the door might equally well have been locked?" "Oh, yes." "You yourself did not happen to notice, madame, when you entered Mrs. Inglethorp's room, whether that door was bolted or not?" "I I believe it was." "But you did not see it?" "No. I never looked." "But _I_ did," interrupted Lawrence suddenly. "I happened to notice that it _was_ bolted." "Ah, that settles it." And Poirot looked crestfallen. I could not help rejoicing that, for once, one of his "little ideas" had come to naught. After lunch Poirot begged me to accompany him home. I consented rather stiffly.<|quote|>"You are annoyed, is it not so?"</|quote|>he asked anxiously, as we walked through the park. "Not at all," I said coldly. "That is well. That lifts a great load from my mind." This was not quite what I had intended. I had hoped that he would have observed the stiffness of my manner. Still, the fervour of his words went towards the appeasing of my just displeasure. I thawed. "I gave Lawrence your message," I said. "And what did he say? He was entirely puzzled?" "Yes. I am quite sure he had no idea of what you meant." I had expected Poirot to be disappointed; but, | madame. What I want to ask is this: the door leading into Mrs. Inglethorp's room from that of Mademoiselle Cynthia, it was bolted, you say?" "Certainly it was bolted," replied Mary Cavendish, rather surprised. "I said so at the inquest." "Bolted?" "Yes." She looked perplexed. "I mean," explained Poirot, "you are sure it was bolted, and not merely locked?" "Oh, I see what you mean. No, I don't know. I said bolted, meaning that it was fastened, and I could not open it, but I believe all the doors were found bolted on the inside." "Still, as far as you are concerned, the door might equally well have been locked?" "Oh, yes." "You yourself did not happen to notice, madame, when you entered Mrs. Inglethorp's room, whether that door was bolted or not?" "I I believe it was." "But you did not see it?" "No. I never looked." "But _I_ did," interrupted Lawrence suddenly. "I happened to notice that it _was_ bolted." "Ah, that settles it." And Poirot looked crestfallen. I could not help rejoicing that, for once, one of his "little ideas" had come to naught. After lunch Poirot begged me to accompany him home. I consented rather stiffly.<|quote|>"You are annoyed, is it not so?"</|quote|>he asked anxiously, as we walked through the park. "Not at all," I said coldly. "That is well. That lifts a great load from my mind." This was not quite what I had intended. I had hoped that he would have observed the stiffness of my manner. Still, the fervour of his words went towards the appeasing of my just displeasure. I thawed. "I gave Lawrence your message," I said. "And what did he say? He was entirely puzzled?" "Yes. I am quite sure he had no idea of what you meant." I had expected Poirot to be disappointed; but, to my surprise, he replied that that was as he had thought, and that he was very glad. My pride forbade me to ask any questions. Poirot switched off on another tack. "Mademoiselle Cynthia was not at lunch to-day? How was that?" "She is at the hospital again. She resumed work to-day." "Ah, she is an industrious little demoiselle. And pretty too. She is like pictures I have seen in Italy. I would rather like to see that dispensary of hers. Do you think she would show it to me?" "I am sure she would be delighted. It's an interesting | what am I to tell Poirot?" "Tell him I don't know what he's talking about. It's double Dutch to me." "All right." I was moving off towards the house again when he suddenly called me back. "I say, what was the end of that message? Say it over again, will you?" " Find the extra coffee-cup, and you can rest in peace.' "Are you sure you don't know what it means?" I asked him earnestly. He shook his head. "No," he said musingly, "I don't. I I wish I did." The boom of the gong sounded from the house, and we went in together. Poirot had been asked by John to remain to lunch, and was already seated at the table. By tacit consent, all mention of the tragedy was barred. We conversed on the war, and other outside topics. But after the cheese and biscuits had been handed round, and Dorcas had left the room, Poirot suddenly leant forward to Mrs. Cavendish. "Pardon me, madame, for recalling unpleasant memories, but I have a little idea" Poirot's "little ideas" were becoming a perfect byword "and would like to ask one or two questions." "Of me? Certainly." "You are too amiable, madame. What I want to ask is this: the door leading into Mrs. Inglethorp's room from that of Mademoiselle Cynthia, it was bolted, you say?" "Certainly it was bolted," replied Mary Cavendish, rather surprised. "I said so at the inquest." "Bolted?" "Yes." She looked perplexed. "I mean," explained Poirot, "you are sure it was bolted, and not merely locked?" "Oh, I see what you mean. No, I don't know. I said bolted, meaning that it was fastened, and I could not open it, but I believe all the doors were found bolted on the inside." "Still, as far as you are concerned, the door might equally well have been locked?" "Oh, yes." "You yourself did not happen to notice, madame, when you entered Mrs. Inglethorp's room, whether that door was bolted or not?" "I I believe it was." "But you did not see it?" "No. I never looked." "But _I_ did," interrupted Lawrence suddenly. "I happened to notice that it _was_ bolted." "Ah, that settles it." And Poirot looked crestfallen. I could not help rejoicing that, for once, one of his "little ideas" had come to naught. After lunch Poirot begged me to accompany him home. I consented rather stiffly.<|quote|>"You are annoyed, is it not so?"</|quote|>he asked anxiously, as we walked through the park. "Not at all," I said coldly. "That is well. That lifts a great load from my mind." This was not quite what I had intended. I had hoped that he would have observed the stiffness of my manner. Still, the fervour of his words went towards the appeasing of my just displeasure. I thawed. "I gave Lawrence your message," I said. "And what did he say? He was entirely puzzled?" "Yes. I am quite sure he had no idea of what you meant." I had expected Poirot to be disappointed; but, to my surprise, he replied that that was as he had thought, and that he was very glad. My pride forbade me to ask any questions. Poirot switched off on another tack. "Mademoiselle Cynthia was not at lunch to-day? How was that?" "She is at the hospital again. She resumed work to-day." "Ah, she is an industrious little demoiselle. And pretty too. She is like pictures I have seen in Italy. I would rather like to see that dispensary of hers. Do you think she would show it to me?" "I am sure she would be delighted. It's an interesting little place." "Does she go there every day?" "She has all Wednesdays off, and comes back to lunch on Saturdays. Those are her only times off." "I will remember. Women are doing great work nowadays, and Mademoiselle Cynthia is clever oh, yes, she has brains, that little one." "Yes. I believe she has passed quite a stiff exam." "Without doubt. After all, it is very responsible work. I suppose they have very strong poisons there?" "Yes, she showed them to us. They are kept locked up in a little cupboard. I believe they have to be very careful. They always take out the key before leaving the room." "Indeed. It is near the window, this cupboard?" "No, right the other side of the room. Why?" Poirot shrugged his shoulders. "I wondered. That is all. Will you come in?" We had reached the cottage. "No. I think I'll be getting back. I shall go round the long way through the woods." The woods round Styles were very beautiful. After the walk across the open park, it was pleasant to saunter lazily through the cool glades. There was hardly a breath of wind, the very chirp of the birds was faint and | The remark seemed so utterly irrelevant that I did not even take the trouble to answer it. But I decided that if I made any interesting and important discoveries as no doubt I should I would keep them to myself, and surprise Poirot with the ultimate result. There are times when it is one's duty to assert oneself. CHAPTER IX. DR. BAUERSTEIN I had had no opportunity as yet of passing on Poirot's message to Lawrence. But now, as I strolled out on the lawn, still nursing a grudge against my friend's high-handedness, I saw Lawrence on the croquet lawn, aimlessly knocking a couple of very ancient balls about, with a still more ancient mallet. It struck me that it would be a good opportunity to deliver my message. Otherwise, Poirot himself might relieve me of it. It was true that I did not quite gather its purport, but I flattered myself that by Lawrence's reply, and perhaps a little skillful cross-examination on my part, I should soon perceive its significance. Accordingly I accosted him. "I've been looking for you," I remarked untruthfully. "Have you?" "Yes. The truth is, I've got a message for you from Poirot." "Yes?" "He told me to wait until I was alone with you," I said, dropping my voice significantly, and watching him intently out of the corner of my eye. I have always been rather good at what is called, I believe, creating an atmosphere. "Well?" There was no change of expression in the dark melancholic face. Had he any idea of what I was about to say? "This is the message." I dropped my voice still lower. " Find the extra coffee-cup, and you can rest in peace.'" "What on earth does he mean?" Lawrence stared at me in quite unaffected astonishment. "Don't you know?" "Not in the least. Do you?" I was compelled to shake my head. "What extra coffee-cup?" "I don't know." "He'd better ask Dorcas, or one of the maids, if he wants to know about coffee-cups. It's their business, not mine. I don't know anything about the coffee-cups, except that we've got some that are never used, which are a perfect dream! Old Worcester. You're not a connoisseur, are you, Hastings?" I shook my head. "You miss a lot. A really perfect bit of old china it's pure delight to handle it, or even to look at it." "Well, what am I to tell Poirot?" "Tell him I don't know what he's talking about. It's double Dutch to me." "All right." I was moving off towards the house again when he suddenly called me back. "I say, what was the end of that message? Say it over again, will you?" " Find the extra coffee-cup, and you can rest in peace.' "Are you sure you don't know what it means?" I asked him earnestly. He shook his head. "No," he said musingly, "I don't. I I wish I did." The boom of the gong sounded from the house, and we went in together. Poirot had been asked by John to remain to lunch, and was already seated at the table. By tacit consent, all mention of the tragedy was barred. We conversed on the war, and other outside topics. But after the cheese and biscuits had been handed round, and Dorcas had left the room, Poirot suddenly leant forward to Mrs. Cavendish. "Pardon me, madame, for recalling unpleasant memories, but I have a little idea" Poirot's "little ideas" were becoming a perfect byword "and would like to ask one or two questions." "Of me? Certainly." "You are too amiable, madame. What I want to ask is this: the door leading into Mrs. Inglethorp's room from that of Mademoiselle Cynthia, it was bolted, you say?" "Certainly it was bolted," replied Mary Cavendish, rather surprised. "I said so at the inquest." "Bolted?" "Yes." She looked perplexed. "I mean," explained Poirot, "you are sure it was bolted, and not merely locked?" "Oh, I see what you mean. No, I don't know. I said bolted, meaning that it was fastened, and I could not open it, but I believe all the doors were found bolted on the inside." "Still, as far as you are concerned, the door might equally well have been locked?" "Oh, yes." "You yourself did not happen to notice, madame, when you entered Mrs. Inglethorp's room, whether that door was bolted or not?" "I I believe it was." "But you did not see it?" "No. I never looked." "But _I_ did," interrupted Lawrence suddenly. "I happened to notice that it _was_ bolted." "Ah, that settles it." And Poirot looked crestfallen. I could not help rejoicing that, for once, one of his "little ideas" had come to naught. After lunch Poirot begged me to accompany him home. I consented rather stiffly.<|quote|>"You are annoyed, is it not so?"</|quote|>he asked anxiously, as we walked through the park. "Not at all," I said coldly. "That is well. That lifts a great load from my mind." This was not quite what I had intended. I had hoped that he would have observed the stiffness of my manner. Still, the fervour of his words went towards the appeasing of my just displeasure. I thawed. "I gave Lawrence your message," I said. "And what did he say? He was entirely puzzled?" "Yes. I am quite sure he had no idea of what you meant." I had expected Poirot to be disappointed; but, to my surprise, he replied that that was as he had thought, and that he was very glad. My pride forbade me to ask any questions. Poirot switched off on another tack. "Mademoiselle Cynthia was not at lunch to-day? How was that?" "She is at the hospital again. She resumed work to-day." "Ah, she is an industrious little demoiselle. And pretty too. She is like pictures I have seen in Italy. I would rather like to see that dispensary of hers. Do you think she would show it to me?" "I am sure she would be delighted. It's an interesting little place." "Does she go there every day?" "She has all Wednesdays off, and comes back to lunch on Saturdays. Those are her only times off." "I will remember. Women are doing great work nowadays, and Mademoiselle Cynthia is clever oh, yes, she has brains, that little one." "Yes. I believe she has passed quite a stiff exam." "Without doubt. After all, it is very responsible work. I suppose they have very strong poisons there?" "Yes, she showed them to us. They are kept locked up in a little cupboard. I believe they have to be very careful. They always take out the key before leaving the room." "Indeed. It is near the window, this cupboard?" "No, right the other side of the room. Why?" Poirot shrugged his shoulders. "I wondered. That is all. Will you come in?" We had reached the cottage. "No. I think I'll be getting back. I shall go round the long way through the woods." The woods round Styles were very beautiful. After the walk across the open park, it was pleasant to saunter lazily through the cool glades. There was hardly a breath of wind, the very chirp of the birds was faint and subdued. I strolled on a little way, and finally flung myself down at the foot of a grand old beech-tree. My thoughts of mankind were kindly and charitable. I even forgave Poirot for his absurd secrecy. In fact, I was at peace with the world. Then I yawned. I thought about the crime, and it struck me as being very unreal and far off. I yawned again. Probably, I thought, it really never happened. Of course, it was all a bad dream. The truth of the matter was that it was Lawrence who had murdered Alfred Inglethorp with a croquet mallet. But it was absurd of John to make such a fuss about it, and to go shouting out: "I tell you I won't have it!" I woke up with a start. At once I realized that I was in a very awkward predicament. For, about twelve feet away from me, John and Mary Cavendish were standing facing each other, and they were evidently quarrelling. And, quite as evidently, they were unaware of my vicinity, for before I could move or speak John repeated the words which had aroused me from my dream. "I tell you, Mary, I won't have it." Mary's voice came, cool and liquid: "Have _you_ any right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice. "Am I to understand that you will continue to see Bauerstein against my express wishes?" "If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't | it, or even to look at it." "Well, what am I to tell Poirot?" "Tell him I don't know what he's talking about. It's double Dutch to me." "All right." I was moving off towards the house again when he suddenly called me back. "I say, what was the end of that message? Say it over again, will you?" " Find the extra coffee-cup, and you can rest in peace.' "Are you sure you don't know what it means?" I asked him earnestly. He shook his head. "No," he said musingly, "I don't. I I wish I did." The boom of the gong sounded from the house, and we went in together. Poirot had been asked by John to remain to lunch, and was already seated at the table. By tacit consent, all mention of the tragedy was barred. We conversed on the war, and other outside topics. But after the cheese and biscuits had been handed round, and Dorcas had left the room, Poirot suddenly leant forward to Mrs. Cavendish. "Pardon me, madame, for recalling unpleasant memories, but I have a little idea" Poirot's "little ideas" were becoming a perfect byword "and would like to ask one or two questions." "Of me? Certainly." "You are too amiable, madame. What I want to ask is this: the door leading into Mrs. Inglethorp's room from that of Mademoiselle Cynthia, it was bolted, you say?" "Certainly it was bolted," replied Mary Cavendish, rather surprised. "I said so at the inquest." "Bolted?" "Yes." She looked perplexed. "I mean," explained Poirot, "you are sure it was bolted, and not merely locked?" "Oh, I see what you mean. No, I don't know. I said bolted, meaning that it was fastened, and I could not open it, but I believe all the doors were found bolted on the inside." "Still, as far as you are concerned, the door might equally well have been locked?" "Oh, yes." "You yourself did not happen to notice, madame, when you entered Mrs. Inglethorp's room, whether that door was bolted or not?" "I I believe it was." "But you did not see it?" "No. I never looked." "But _I_ did," interrupted Lawrence suddenly. "I happened to notice that it _was_ bolted." "Ah, that settles it." And Poirot looked crestfallen. I could not help rejoicing that, for once, one of his "little ideas" had come to naught. After lunch Poirot begged me to accompany him home. I consented rather stiffly.<|quote|>"You are annoyed, is it not so?"</|quote|>he asked anxiously, as we walked through the park. "Not at all," I said coldly. "That is well. That lifts a great load from my mind." This was not quite what I had intended. I had hoped that he would have observed the stiffness of my manner. Still, the fervour of his words went towards the appeasing of my just displeasure. I thawed. "I gave Lawrence your message," I said. "And what did he say? He was entirely puzzled?" "Yes. I am quite sure he had no idea of what you meant." I had expected Poirot to be disappointed; but, to my surprise, he replied that that was as he had thought, and that he was very glad. My pride forbade me to ask any questions. Poirot switched off on another tack. "Mademoiselle Cynthia was not at lunch to-day? How was that?" "She is at the hospital again. She resumed work to-day." "Ah, she is an industrious little demoiselle. And pretty too. She is like pictures I have seen in Italy. I would rather like to see that dispensary of hers. Do you think she would show it to me?" "I am sure she would be delighted. It's an interesting little place." "Does she go there every day?" "She has all Wednesdays off, and comes back to lunch on Saturdays. Those are her only times off." "I will remember. Women are doing great work nowadays, and Mademoiselle Cynthia is clever oh, yes, she has brains, that little one." "Yes. I believe she has passed quite a stiff exam." "Without doubt. After all, it is very responsible work. I suppose they have very strong poisons there?" "Yes, she showed them to us. They are kept locked up in a little cupboard. I believe they have to be very careful. They always take out the key before leaving the room." "Indeed. It is near the window, this cupboard?" "No, right the other side of the room. Why?" Poirot shrugged his shoulders. "I wondered. That is all. Will you come in?" We had reached the cottage. "No. I think I'll be getting back. I shall go round the long way through the woods." The woods round Styles were very beautiful. After the walk across the open park, it was pleasant to saunter lazily through the cool glades. There was hardly a breath of wind, the very chirp of the birds was faint and subdued. I strolled on a little way, and finally flung myself down at the foot of a grand old beech-tree. My thoughts of mankind were kindly and charitable. I even forgave Poirot for his absurd secrecy. In fact, I was at peace with the world. Then I yawned. I thought about the crime, and it struck me as being very unreal and far off. I yawned again. Probably, I thought, it really never happened. Of course, it was all a bad dream. The truth of the matter was that it was Lawrence who had murdered Alfred Inglethorp with a croquet mallet. But it was absurd of John to make such a fuss about it, and to go shouting out: "I tell you I won't have it!" I woke up with a start. At | The Mysterious Affair At Styles |
"When I hit his cuff," | Cuss | vicar s very inferior sherry.<|quote|>"When I hit his cuff,"</|quote|>said Cuss, "I tell you, | second glass of the excellent vicar s very inferior sherry.<|quote|>"When I hit his cuff,"</|quote|>said Cuss, "I tell you, it felt exactly like hitting | so startled, I hit his cuff hard, and turned around, and cut out of the room I left him" Cuss stopped. There was no mistaking the sincerity of his panic. He turned round in a helpless way and took a second glass of the excellent vicar s very inferior sherry.<|quote|>"When I hit his cuff,"</|quote|>said Cuss, "I tell you, it felt exactly like hitting an arm. And there wasn t an arm! There wasn t the ghost of an arm!" Mr. Bunting thought it over. He looked suspiciously at Cuss. "It s a most remarkable story," he said. He looked very wise and grave | then" "Well?" "Something exactly like a finger and thumb it felt nipped my nose." Bunting began to laugh. "There wasn t anything there!" said Cuss, his voice running up into a shriek at the "there." "It s all very well for you to laugh, but I tell you I was so startled, I hit his cuff hard, and turned around, and cut out of the room I left him" Cuss stopped. There was no mistaking the sincerity of his panic. He turned round in a helpless way and took a second glass of the excellent vicar s very inferior sherry.<|quote|>"When I hit his cuff,"</|quote|>said Cuss, "I tell you, it felt exactly like hitting an arm. And there wasn t an arm! There wasn t the ghost of an arm!" Mr. Bunting thought it over. He looked suspiciously at Cuss. "It s a most remarkable story," he said. He looked very wise and grave indeed. "It s really," said Mr. Bunting with judicial emphasis, "a most remarkable story." CHAPTER V. THE BURGLARY AT THE VICARAGE The facts of the burglary at the vicarage came to us chiefly through the medium of the vicar and his wife. It occurred in the small hours of Whit | Then very quietly he pulled his sleeve out of his pocket again, and raised his arm towards me as though he would show it to me again. He did it very, very slowly. I looked at it. Seemed an age. Well? said I, clearing my throat, there s nothing in it." "Had to say something. I was beginning to feel frightened. I could see right down it. He extended it straight towards me, slowly, slowly just like that until the cuff was six inches from my face. Queer thing to see an empty sleeve come at you like that! And then" "Well?" "Something exactly like a finger and thumb it felt nipped my nose." Bunting began to laugh. "There wasn t anything there!" said Cuss, his voice running up into a shriek at the "there." "It s all very well for you to laugh, but I tell you I was so startled, I hit his cuff hard, and turned around, and cut out of the room I left him" Cuss stopped. There was no mistaking the sincerity of his panic. He turned round in a helpless way and took a second glass of the excellent vicar s very inferior sherry.<|quote|>"When I hit his cuff,"</|quote|>said Cuss, "I tell you, it felt exactly like hitting an arm. And there wasn t an arm! There wasn t the ghost of an arm!" Mr. Bunting thought it over. He looked suspiciously at Cuss. "It s a most remarkable story," he said. He looked very wise and grave indeed. "It s really," said Mr. Bunting with judicial emphasis, "a most remarkable story." CHAPTER V. THE BURGLARY AT THE VICARAGE The facts of the burglary at the vicarage came to us chiefly through the medium of the vicar and his wife. It occurred in the small hours of Whit Monday, the day devoted in Iping to the Club festivities. Mrs. Bunting, it seems, woke up suddenly in the stillness that comes before the dawn, with the strong impression that the door of their bedroom had opened and closed. She did not arouse her husband at first, but sat up in bed listening. She then distinctly heard the pad, pad, pad of bare feet coming out of the adjoining dressing-room and walking along the passage towards the staircase. As soon as she felt assured of this, she aroused the Rev. Mr. Bunting as quietly as possible. He did not strike | it, right down to the joint. I could see right down it to the elbow, and there was a glimmer of light shining through a tear of the cloth." Good God! "I said. Then he stopped. Stared at me with those black goggles of his, and then at his sleeve." "Well?" "That s all. He never said a word; just glared, and put his sleeve back in his pocket quickly." I was saying, "said he," that there was the prescription burning, wasn t I? "Interrogative cough." How the devil, "said I," can you move an empty sleeve like that? Empty sleeve? Yes, "said I," an empty sleeve. " " It s an empty sleeve, is it? You saw it was an empty sleeve? "He stood up right away. I stood up too. He came towards me in three very slow steps, and stood quite close. Sniffed venomously. I didn t flinch, though I m hanged if that bandaged knob of his, and those blinkers, aren t enough to unnerve any one, coming quietly up to you." " You said it was an empty sleeve? "he said. Certainly, I said. At staring and saying nothing a barefaced man, unspectacled, starts scratch. Then very quietly he pulled his sleeve out of his pocket again, and raised his arm towards me as though he would show it to me again. He did it very, very slowly. I looked at it. Seemed an age. Well? said I, clearing my throat, there s nothing in it." "Had to say something. I was beginning to feel frightened. I could see right down it. He extended it straight towards me, slowly, slowly just like that until the cuff was six inches from my face. Queer thing to see an empty sleeve come at you like that! And then" "Well?" "Something exactly like a finger and thumb it felt nipped my nose." Bunting began to laugh. "There wasn t anything there!" said Cuss, his voice running up into a shriek at the "there." "It s all very well for you to laugh, but I tell you I was so startled, I hit his cuff hard, and turned around, and cut out of the room I left him" Cuss stopped. There was no mistaking the sincerity of his panic. He turned round in a helpless way and took a second glass of the excellent vicar s very inferior sherry.<|quote|>"When I hit his cuff,"</|quote|>said Cuss, "I tell you, it felt exactly like hitting an arm. And there wasn t an arm! There wasn t the ghost of an arm!" Mr. Bunting thought it over. He looked suspiciously at Cuss. "It s a most remarkable story," he said. He looked very wise and grave indeed. "It s really," said Mr. Bunting with judicial emphasis, "a most remarkable story." CHAPTER V. THE BURGLARY AT THE VICARAGE The facts of the burglary at the vicarage came to us chiefly through the medium of the vicar and his wife. It occurred in the small hours of Whit Monday, the day devoted in Iping to the Club festivities. Mrs. Bunting, it seems, woke up suddenly in the stillness that comes before the dawn, with the strong impression that the door of their bedroom had opened and closed. She did not arouse her husband at first, but sat up in bed listening. She then distinctly heard the pad, pad, pad of bare feet coming out of the adjoining dressing-room and walking along the passage towards the staircase. As soon as she felt assured of this, she aroused the Rev. Mr. Bunting as quietly as possible. He did not strike a light, but putting on his spectacles, her dressing-gown and his bath slippers, he went out on the landing to listen. He heard quite distinctly a fumbling going on at his study desk down-stairs, and then a violent sneeze. At that he returned to his bedroom, armed himself with the most obvious weapon, the poker, and descended the staircase as noiselessly as possible. Mrs. Bunting came out on the landing. The hour was about four, and the ultimate darkness of the night was past. There was a faint shimmer of light in the hall, but the study doorway yawned impenetrably black. Everything was still except the faint creaking of the stairs under Mr. Bunting s tread, and the slight movements in the study. Then something snapped, the drawer was opened, and there was a rustle of papers. Then came an imprecation, and a match was struck and the study was flooded with yellow light. Mr. Bunting was now in the hall, and through the crack of the door he could see the desk and the open drawer and a candle burning on the desk. But the robber he could not see. He stood there in the hall undecided what to | vicar. "Am I mad?" Cuss began abruptly, as he entered the shabby little study. "Do I look like an insane person?" "What s happened?" said the vicar, putting the ammonite on the loose sheets of his forth-coming sermon. "That chap at the inn" "Well?" "Give me something to drink," said Cuss, and he sat down. When his nerves had been steadied by a glass of cheap sherry the only drink the good vicar had available he told him of the interview he had just had. "Went in," he gasped, "and began to demand a subscription for that Nurse Fund. He d stuck his hands in his pockets as I came in, and he sat down lumpily in his chair. Sniffed. I told him I d heard he took an interest in scientific things. He said" yes. "Sniffed again. Kept on sniffing all the time; evidently recently caught an infernal cold. No wonder, wrapped up like that! I developed the nurse idea, and all the while kept my eyes open. Bottles chemicals everywhere. Balance, test-tubes in stands, and a smell of evening primrose. Would he subscribe? Said he d consider it. Asked him, point-blank, was he researching. Said he was. A long research? Got quite cross." A damnable long research, "said he, blowing the cork out, so to speak." Oh, "said I. And out came the grievance. The man was just on the boil, and my question boiled him over. He had been given a prescription, most valuable prescription what for he wouldn t say. Was it medical?" Damn you! What are you fishing after? "I apologised. Dignified sniff and cough. He resumed. He d read it. Five ingredients. Put it down; turned his head. Draught of air from window lifted the paper. Swish, rustle. He was working in a room with an open fireplace, he said. Saw a flicker, and there was the prescription burning and lifting chimneyward. Rushed towards it just as it whisked up the chimney. So! Just at that point, to illustrate his story, out came his arm." "Well?" "No hand just an empty sleeve." Lord! "I thought," _that s_ a deformity! Got a cork arm, I suppose, and has taken it off. Then, "I thought," there s something odd in that. What the devil keeps that sleeve up and open, if there s nothing in it? "There was nothing in it, I tell you. Nothing down it, right down to the joint. I could see right down it to the elbow, and there was a glimmer of light shining through a tear of the cloth." Good God! "I said. Then he stopped. Stared at me with those black goggles of his, and then at his sleeve." "Well?" "That s all. He never said a word; just glared, and put his sleeve back in his pocket quickly." I was saying, "said he," that there was the prescription burning, wasn t I? "Interrogative cough." How the devil, "said I," can you move an empty sleeve like that? Empty sleeve? Yes, "said I," an empty sleeve. " " It s an empty sleeve, is it? You saw it was an empty sleeve? "He stood up right away. I stood up too. He came towards me in three very slow steps, and stood quite close. Sniffed venomously. I didn t flinch, though I m hanged if that bandaged knob of his, and those blinkers, aren t enough to unnerve any one, coming quietly up to you." " You said it was an empty sleeve? "he said. Certainly, I said. At staring and saying nothing a barefaced man, unspectacled, starts scratch. Then very quietly he pulled his sleeve out of his pocket again, and raised his arm towards me as though he would show it to me again. He did it very, very slowly. I looked at it. Seemed an age. Well? said I, clearing my throat, there s nothing in it." "Had to say something. I was beginning to feel frightened. I could see right down it. He extended it straight towards me, slowly, slowly just like that until the cuff was six inches from my face. Queer thing to see an empty sleeve come at you like that! And then" "Well?" "Something exactly like a finger and thumb it felt nipped my nose." Bunting began to laugh. "There wasn t anything there!" said Cuss, his voice running up into a shriek at the "there." "It s all very well for you to laugh, but I tell you I was so startled, I hit his cuff hard, and turned around, and cut out of the room I left him" Cuss stopped. There was no mistaking the sincerity of his panic. He turned round in a helpless way and took a second glass of the excellent vicar s very inferior sherry.<|quote|>"When I hit his cuff,"</|quote|>said Cuss, "I tell you, it felt exactly like hitting an arm. And there wasn t an arm! There wasn t the ghost of an arm!" Mr. Bunting thought it over. He looked suspiciously at Cuss. "It s a most remarkable story," he said. He looked very wise and grave indeed. "It s really," said Mr. Bunting with judicial emphasis, "a most remarkable story." CHAPTER V. THE BURGLARY AT THE VICARAGE The facts of the burglary at the vicarage came to us chiefly through the medium of the vicar and his wife. It occurred in the small hours of Whit Monday, the day devoted in Iping to the Club festivities. Mrs. Bunting, it seems, woke up suddenly in the stillness that comes before the dawn, with the strong impression that the door of their bedroom had opened and closed. She did not arouse her husband at first, but sat up in bed listening. She then distinctly heard the pad, pad, pad of bare feet coming out of the adjoining dressing-room and walking along the passage towards the staircase. As soon as she felt assured of this, she aroused the Rev. Mr. Bunting as quietly as possible. He did not strike a light, but putting on his spectacles, her dressing-gown and his bath slippers, he went out on the landing to listen. He heard quite distinctly a fumbling going on at his study desk down-stairs, and then a violent sneeze. At that he returned to his bedroom, armed himself with the most obvious weapon, the poker, and descended the staircase as noiselessly as possible. Mrs. Bunting came out on the landing. The hour was about four, and the ultimate darkness of the night was past. There was a faint shimmer of light in the hall, but the study doorway yawned impenetrably black. Everything was still except the faint creaking of the stairs under Mr. Bunting s tread, and the slight movements in the study. Then something snapped, the drawer was opened, and there was a rustle of papers. Then came an imprecation, and a match was struck and the study was flooded with yellow light. Mr. Bunting was now in the hall, and through the crack of the door he could see the desk and the open drawer and a candle burning on the desk. But the robber he could not see. He stood there in the hall undecided what to do, and Mrs. Bunting, her face white and intent, crept slowly downstairs after him. One thing kept Mr. Bunting s courage; the persuasion that this burglar was a resident in the village. They heard the chink of money, and realised that the robber had found the housekeeping reserve of gold two pounds ten in half sovereigns altogether. At that sound Mr. Bunting was nerved to abrupt action. Gripping the poker firmly, he rushed into the room, closely followed by Mrs. Bunting. "Surrender!" cried Mr. Bunting, fiercely, and then stooped amazed. Apparently the room was perfectly empty. Yet their conviction that they had, that very moment, heard somebody moving in the room had amounted to a certainty. For half a minute, perhaps, they stood gaping, then Mrs. Bunting went across the room and looked behind the screen, while Mr. Bunting, by a kindred impulse, peered under the desk. Then Mrs. Bunting turned back the window-curtains, and Mr. Bunting looked up the chimney and probed it with the poker. Then Mrs. Bunting scrutinised the waste-paper basket and Mr. Bunting opened the lid of the coal-scuttle. Then they came to a stop and stood with eyes interrogating each other. "I could have sworn" said Mr. Bunting. "The candle!" said Mr. Bunting. "Who lit the candle?" "The drawer!" said Mrs. Bunting. "And the money s gone!" She went hastily to the doorway. "Of all the strange occurrences" There was a violent sneeze in the passage. They rushed out, and as they did so the kitchen door slammed. "Bring the candle," said Mr. Bunting, and led the way. They both heard a sound of bolts being hastily shot back. As he opened the kitchen door he saw through the scullery that the back door was just opening, and the faint light of early dawn displayed the dark masses of the garden beyond. He is certain that nothing went out of the door. It opened, stood open for a moment, and then closed with a slam. As it did so, the candle Mrs. Bunting was carrying from the study flickered and flared. It was a minute or more before they entered the kitchen. The place was empty. They refastened the back door, examined the kitchen, pantry, and scullery thoroughly, and at last went down into the cellar. There was not a soul to be found in the house, search as they would. Daylight found the vicar | my question boiled him over. He had been given a prescription, most valuable prescription what for he wouldn t say. Was it medical?" Damn you! What are you fishing after? "I apologised. Dignified sniff and cough. He resumed. He d read it. Five ingredients. Put it down; turned his head. Draught of air from window lifted the paper. Swish, rustle. He was working in a room with an open fireplace, he said. Saw a flicker, and there was the prescription burning and lifting chimneyward. Rushed towards it just as it whisked up the chimney. So! Just at that point, to illustrate his story, out came his arm." "Well?" "No hand just an empty sleeve." Lord! "I thought," _that s_ a deformity! Got a cork arm, I suppose, and has taken it off. Then, "I thought," there s something odd in that. What the devil keeps that sleeve up and open, if there s nothing in it? "There was nothing in it, I tell you. Nothing down it, right down to the joint. I could see right down it to the elbow, and there was a glimmer of light shining through a tear of the cloth." Good God! "I said. Then he stopped. Stared at me with those black goggles of his, and then at his sleeve." "Well?" "That s all. He never said a word; just glared, and put his sleeve back in his pocket quickly." I was saying, "said he," that there was the prescription burning, wasn t I? "Interrogative cough." How the devil, "said I," can you move an empty sleeve like that? Empty sleeve? Yes, "said I," an empty sleeve. " " It s an empty sleeve, is it? You saw it was an empty sleeve? "He stood up right away. I stood up too. He came towards me in three very slow steps, and stood quite close. Sniffed venomously. I didn t flinch, though I m hanged if that bandaged knob of his, and those blinkers, aren t enough to unnerve any one, coming quietly up to you." " You said it was an empty sleeve? "he said. Certainly, I said. At staring and saying nothing a barefaced man, unspectacled, starts scratch. Then very quietly he pulled his sleeve out of his pocket again, and raised his arm towards me as though he would show it to me again. He did it very, very slowly. I looked at it. Seemed an age. Well? said I, clearing my throat, there s nothing in it." "Had to say something. I was beginning to feel frightened. I could see right down it. He extended it straight towards me, slowly, slowly just like that until the cuff was six inches from my face. Queer thing to see an empty sleeve come at you like that! And then" "Well?" "Something exactly like a finger and thumb it felt nipped my nose." Bunting began to laugh. "There wasn t anything there!" said Cuss, his voice running up into a shriek at the "there." "It s all very well for you to laugh, but I tell you I was so startled, I hit his cuff hard, and turned around, and cut out of the room I left him" Cuss stopped. There was no mistaking the sincerity of his panic. He turned round in a helpless way and took a second glass of the excellent vicar s very inferior sherry.<|quote|>"When I hit his cuff,"</|quote|>said Cuss, "I tell you, it felt exactly like hitting an arm. And there wasn t an arm! There wasn t the ghost of an arm!" Mr. Bunting thought it over. He looked suspiciously at Cuss. "It s a most remarkable story," he said. He looked very wise and grave indeed. "It s really," said Mr. Bunting with judicial emphasis, "a most remarkable story." CHAPTER V. THE BURGLARY AT THE VICARAGE The facts of the burglary at the vicarage came to us chiefly through the medium of the vicar and his wife. It occurred in the small hours of Whit Monday, the day devoted in Iping to the Club festivities. Mrs. Bunting, it seems, woke up suddenly in the stillness that comes before the dawn, with the strong impression that the door of their bedroom had opened and closed. She did not arouse her husband at first, but sat up in bed listening. She then distinctly heard the pad, pad, pad of bare feet coming out of the adjoining dressing-room and walking along the passage towards the staircase. As soon as she felt assured of this, she aroused the Rev. Mr. Bunting as quietly as possible. He did not strike a light, but putting on his spectacles, her dressing-gown and his bath slippers, he went out on the landing to listen. He heard quite distinctly a fumbling going on at his study desk down-stairs, and then a violent sneeze. At that he returned to his bedroom, armed himself with the most obvious weapon, the poker, and descended the staircase as noiselessly as possible. Mrs. Bunting came out on the landing. The hour was about four, and the ultimate darkness of the night was past. There was a faint shimmer of light in the hall, but the study doorway yawned impenetrably black. Everything was still except the faint creaking of the stairs under Mr. Bunting s tread, and the slight movements in the study. Then something snapped, the drawer was opened, and there was a rustle of papers. Then came an imprecation, and a match was struck and the study was flooded with yellow light. Mr. Bunting was now in the hall, and through the crack of the door he could see the desk and the open drawer and a candle burning on the desk. But the robber he could not see. He stood there in the hall undecided what to do, and | The Invisible Man |
"I should not have thought of returning it; but being her brother's present, is not it fair to suppose that she would rather not part with it, when it is not wanted?" | Fanny Price | the first instance," said Fanny,<|quote|>"I should not have thought of returning it; but being her brother's present, is not it fair to suppose that she would rather not part with it, when it is not wanted?"</|quote|>"She must not suppose it | been given to me in the first instance," said Fanny,<|quote|>"I should not have thought of returning it; but being her brother's present, is not it fair to suppose that she would rather not part with it, when it is not wanted?"</|quote|>"She must not suppose it not wanted, not acceptable, at | having anything returned on our hands which we have given with a reasonable hope of its contributing to the comfort of a friend. Why should she lose a pleasure which she has shewn herself so deserving of?" "If it had been given to me in the first instance," said Fanny,<|quote|>"I should not have thought of returning it; but being her brother's present, is not it fair to suppose that she would rather not part with it, when it is not wanted?"</|quote|>"She must not suppose it not wanted, not acceptable, at least: and its having been originally her brother's gift makes no difference; for as she was not prevented from offering, nor you from taking it on that account, it ought not to prevent you from keeping it. No doubt it | now and then a few half-sentences of praise; but when he did awake and understand, he was very decided in opposing what she wished. "Return the necklace! No, my dear Fanny, upon no account. It would be mortifying her severely. There can hardly be a more unpleasant sensation than the having anything returned on our hands which we have given with a reasonable hope of its contributing to the comfort of a friend. Why should she lose a pleasure which she has shewn herself so deserving of?" "If it had been given to me in the first instance," said Fanny,<|quote|>"I should not have thought of returning it; but being her brother's present, is not it fair to suppose that she would rather not part with it, when it is not wanted?"</|quote|>"She must not suppose it not wanted, not acceptable, at least: and its having been originally her brother's gift makes no difference; for as she was not prevented from offering, nor you from taking it on that account, it ought not to prevent you from keeping it. No doubt it is handsomer than mine, and fitter for a ballroom." "No, it is not handsomer, not at all handsomer in its way, and, for my purpose, not half so fit. The chain will agree with William's cross beyond all comparison better than the necklace." "For one night, Fanny, for only one | approbation of her doing. She gave the history of her recent visit, and now her raptures might well be over; for Edmund was so struck with the circumstance, so delighted with what Miss Crawford had done, so gratified by such a coincidence of conduct between them, that Fanny could not but admit the superior power of one pleasure over his own mind, though it might have its drawback. It was some time before she could get his attention to her plan, or any answer to her demand of his opinion: he was in a reverie of fond reflection, uttering only now and then a few half-sentences of praise; but when he did awake and understand, he was very decided in opposing what she wished. "Return the necklace! No, my dear Fanny, upon no account. It would be mortifying her severely. There can hardly be a more unpleasant sensation than the having anything returned on our hands which we have given with a reasonable hope of its contributing to the comfort of a friend. Why should she lose a pleasure which she has shewn herself so deserving of?" "If it had been given to me in the first instance," said Fanny,<|quote|>"I should not have thought of returning it; but being her brother's present, is not it fair to suppose that she would rather not part with it, when it is not wanted?"</|quote|>"She must not suppose it not wanted, not acceptable, at least: and its having been originally her brother's gift makes no difference; for as she was not prevented from offering, nor you from taking it on that account, it ought not to prevent you from keeping it. No doubt it is handsomer than mine, and fitter for a ballroom." "No, it is not handsomer, not at all handsomer in its way, and, for my purpose, not half so fit. The chain will agree with William's cross beyond all comparison better than the necklace." "For one night, Fanny, for only one night, if it _be_ a sacrifice; I am sure you will, upon consideration, make that sacrifice rather than give pain to one who has been so studious of your comfort. Miss Crawford's attentions to you have been not more than you were justly entitled to I am the last person to think that _could_ _be_, but they have been invariable; and to be returning them with what must have something the _air_ of ingratitude, though I know it could never have the _meaning_, is not in your nature, I am sure. Wear the necklace, as you are engaged to do, | help bursting forth again, "Oh, this is beautiful indeed! This is the very thing, precisely what I wished for! This is the only ornament I have ever had a desire to possess. It will exactly suit my cross. They must and shall be worn together. It comes, too, in such an acceptable moment. Oh, cousin, you do not know how acceptable it is." "My dear Fanny, you feel these things a great deal too much. I am most happy that you like the chain, and that it should be here in time for to-morrow; but your thanks are far beyond the occasion. Believe me, I have no pleasure in the world superior to that of contributing to yours. No, I can safely say, I have no pleasure so complete, so unalloyed. It is without a drawback." Upon such expressions of affection Fanny could have lived an hour without saying another word; but Edmund, after waiting a moment, obliged her to bring down her mind from its heavenly flight by saying, "But what is it that you want to consult me about?" It was about the necklace, which she was now most earnestly longing to return, and hoped to obtain his approbation of her doing. She gave the history of her recent visit, and now her raptures might well be over; for Edmund was so struck with the circumstance, so delighted with what Miss Crawford had done, so gratified by such a coincidence of conduct between them, that Fanny could not but admit the superior power of one pleasure over his own mind, though it might have its drawback. It was some time before she could get his attention to her plan, or any answer to her demand of his opinion: he was in a reverie of fond reflection, uttering only now and then a few half-sentences of praise; but when he did awake and understand, he was very decided in opposing what she wished. "Return the necklace! No, my dear Fanny, upon no account. It would be mortifying her severely. There can hardly be a more unpleasant sensation than the having anything returned on our hands which we have given with a reasonable hope of its contributing to the comfort of a friend. Why should she lose a pleasure which she has shewn herself so deserving of?" "If it had been given to me in the first instance," said Fanny,<|quote|>"I should not have thought of returning it; but being her brother's present, is not it fair to suppose that she would rather not part with it, when it is not wanted?"</|quote|>"She must not suppose it not wanted, not acceptable, at least: and its having been originally her brother's gift makes no difference; for as she was not prevented from offering, nor you from taking it on that account, it ought not to prevent you from keeping it. No doubt it is handsomer than mine, and fitter for a ballroom." "No, it is not handsomer, not at all handsomer in its way, and, for my purpose, not half so fit. The chain will agree with William's cross beyond all comparison better than the necklace." "For one night, Fanny, for only one night, if it _be_ a sacrifice; I am sure you will, upon consideration, make that sacrifice rather than give pain to one who has been so studious of your comfort. Miss Crawford's attentions to you have been not more than you were justly entitled to I am the last person to think that _could_ _be_, but they have been invariable; and to be returning them with what must have something the _air_ of ingratitude, though I know it could never have the _meaning_, is not in your nature, I am sure. Wear the necklace, as you are engaged to do, to-morrow evening, and let the chain, which was not ordered with any reference to the ball, be kept for commoner occasions. This is my advice. I would not have the shadow of a coolness between the two whose intimacy I have been observing with the greatest pleasure, and in whose characters there is so much general resemblance in true generosity and natural delicacy as to make the few slight differences, resulting principally from situation, no reasonable hindrance to a perfect friendship. I would not have the shadow of a coolness arise," he repeated, his voice sinking a little, "between the two dearest objects I have on earth." He was gone as he spoke; and Fanny remained to tranquillise herself as she could. She was one of his two dearest that must support her. But the other: the first! She had never heard him speak so openly before, and though it told her no more than what she had long perceived, it was a stab, for it told of his own convictions and views. They were decided. He would marry Miss Crawford. It was a stab, in spite of every long-standing expectation; and she was obliged to repeat again and again, | a change rather than a diminution of cares since her treading that path before. CHAPTER XXVII On reaching home Fanny went immediately upstairs to deposit this unexpected acquisition, this doubtful good of a necklace, in some favourite box in the East room, which held all her smaller treasures; but on opening the door, what was her surprise to find her cousin Edmund there writing at the table! Such a sight having never occurred before, was almost as wonderful as it was welcome. "Fanny," said he directly, leaving his seat and his pen, and meeting her with something in his hand, "I beg your pardon for being here. I came to look for you, and after waiting a little while in hope of your coming in, was making use of your inkstand to explain my errand. You will find the beginning of a note to yourself; but I can now speak my business, which is merely to beg your acceptance of this little trifle a chain for William's cross. You ought to have had it a week ago, but there has been a delay from my brother's not being in town by several days so soon as I expected; and I have only just now received it at Northampton. I hope you will like the chain itself, Fanny. I endeavoured to consult the simplicity of your taste; but, at any rate, I know you will be kind to my intentions, and consider it, as it really is, a token of the love of one of your oldest friends." And so saying, he was hurrying away, before Fanny, overpowered by a thousand feelings of pain and pleasure, could attempt to speak; but quickened by one sovereign wish, she then called out, "Oh! cousin, stop a moment, pray stop!" He turned back. "I cannot attempt to thank you," she continued, in a very agitated manner; "thanks are out of the question. I feel much more than I can possibly express. Your goodness in thinking of me in such a way is beyond" "If that is all you have to say, Fanny" smiling and turning away again. "No, no, it is not. I want to consult you." Almost unconsciously she had now undone the parcel he had just put into her hand, and seeing before her, in all the niceness of jewellers' packing, a plain gold chain, perfectly simple and neat, she could not help bursting forth again, "Oh, this is beautiful indeed! This is the very thing, precisely what I wished for! This is the only ornament I have ever had a desire to possess. It will exactly suit my cross. They must and shall be worn together. It comes, too, in such an acceptable moment. Oh, cousin, you do not know how acceptable it is." "My dear Fanny, you feel these things a great deal too much. I am most happy that you like the chain, and that it should be here in time for to-morrow; but your thanks are far beyond the occasion. Believe me, I have no pleasure in the world superior to that of contributing to yours. No, I can safely say, I have no pleasure so complete, so unalloyed. It is without a drawback." Upon such expressions of affection Fanny could have lived an hour without saying another word; but Edmund, after waiting a moment, obliged her to bring down her mind from its heavenly flight by saying, "But what is it that you want to consult me about?" It was about the necklace, which she was now most earnestly longing to return, and hoped to obtain his approbation of her doing. She gave the history of her recent visit, and now her raptures might well be over; for Edmund was so struck with the circumstance, so delighted with what Miss Crawford had done, so gratified by such a coincidence of conduct between them, that Fanny could not but admit the superior power of one pleasure over his own mind, though it might have its drawback. It was some time before she could get his attention to her plan, or any answer to her demand of his opinion: he was in a reverie of fond reflection, uttering only now and then a few half-sentences of praise; but when he did awake and understand, he was very decided in opposing what she wished. "Return the necklace! No, my dear Fanny, upon no account. It would be mortifying her severely. There can hardly be a more unpleasant sensation than the having anything returned on our hands which we have given with a reasonable hope of its contributing to the comfort of a friend. Why should she lose a pleasure which she has shewn herself so deserving of?" "If it had been given to me in the first instance," said Fanny,<|quote|>"I should not have thought of returning it; but being her brother's present, is not it fair to suppose that she would rather not part with it, when it is not wanted?"</|quote|>"She must not suppose it not wanted, not acceptable, at least: and its having been originally her brother's gift makes no difference; for as she was not prevented from offering, nor you from taking it on that account, it ought not to prevent you from keeping it. No doubt it is handsomer than mine, and fitter for a ballroom." "No, it is not handsomer, not at all handsomer in its way, and, for my purpose, not half so fit. The chain will agree with William's cross beyond all comparison better than the necklace." "For one night, Fanny, for only one night, if it _be_ a sacrifice; I am sure you will, upon consideration, make that sacrifice rather than give pain to one who has been so studious of your comfort. Miss Crawford's attentions to you have been not more than you were justly entitled to I am the last person to think that _could_ _be_, but they have been invariable; and to be returning them with what must have something the _air_ of ingratitude, though I know it could never have the _meaning_, is not in your nature, I am sure. Wear the necklace, as you are engaged to do, to-morrow evening, and let the chain, which was not ordered with any reference to the ball, be kept for commoner occasions. This is my advice. I would not have the shadow of a coolness between the two whose intimacy I have been observing with the greatest pleasure, and in whose characters there is so much general resemblance in true generosity and natural delicacy as to make the few slight differences, resulting principally from situation, no reasonable hindrance to a perfect friendship. I would not have the shadow of a coolness arise," he repeated, his voice sinking a little, "between the two dearest objects I have on earth." He was gone as he spoke; and Fanny remained to tranquillise herself as she could. She was one of his two dearest that must support her. But the other: the first! She had never heard him speak so openly before, and though it told her no more than what she had long perceived, it was a stab, for it told of his own convictions and views. They were decided. He would marry Miss Crawford. It was a stab, in spite of every long-standing expectation; and she was obliged to repeat again and again, that she was one of his two dearest, before the words gave her any sensation. Could she believe Miss Crawford to deserve him, it would be oh, how different would it be how far more tolerable! But he was deceived in her: he gave her merits which she had not; her faults were what they had ever been, but he saw them no longer. Till she had shed many tears over this deception, Fanny could not subdue her agitation; and the dejection which followed could only be relieved by the influence of fervent prayers for his happiness. It was her intention, as she felt it to be her duty, to try to overcome all that was excessive, all that bordered on selfishness, in her affection for Edmund. To call or to fancy it a loss, a disappointment, would be a presumption for which she had not words strong enough to satisfy her own humility. To think of him as Miss Crawford might be justified in thinking, would in her be insanity. To her he could be nothing under any circumstances; nothing dearer than a friend. Why did such an idea occur to her even enough to be reprobated and forbidden? It ought not to have touched on the confines of her imagination. She would endeavour to be rational, and to deserve the right of judging of Miss Crawford's character, and the privilege of true solicitude for him by a sound intellect and an honest heart. She had all the heroism of principle, and was determined to do her duty; but having also many of the feelings of youth and nature, let her not be much wondered at, if, after making all these good resolutions on the side of self-government, she seized the scrap of paper on which Edmund had begun writing to her, as a treasure beyond all her hopes, and reading with the tenderest emotion these words, "My very dear Fanny, you must do me the favour to accept" locked it up with the chain, as the dearest part of the gift. It was the only thing approaching to a letter which she had ever received from him; she might never receive another; it was impossible that she ever should receive another so perfectly gratifying in the occasion and the style. Two lines more prized had never fallen from the pen of the most distinguished author never more completely | and hoped to obtain his approbation of her doing. She gave the history of her recent visit, and now her raptures might well be over; for Edmund was so struck with the circumstance, so delighted with what Miss Crawford had done, so gratified by such a coincidence of conduct between them, that Fanny could not but admit the superior power of one pleasure over his own mind, though it might have its drawback. It was some time before she could get his attention to her plan, or any answer to her demand of his opinion: he was in a reverie of fond reflection, uttering only now and then a few half-sentences of praise; but when he did awake and understand, he was very decided in opposing what she wished. "Return the necklace! No, my dear Fanny, upon no account. It would be mortifying her severely. There can hardly be a more unpleasant sensation than the having anything returned on our hands which we have given with a reasonable hope of its contributing to the comfort of a friend. Why should she lose a pleasure which she has shewn herself so deserving of?" "If it had been given to me in the first instance," said Fanny,<|quote|>"I should not have thought of returning it; but being her brother's present, is not it fair to suppose that she would rather not part with it, when it is not wanted?"</|quote|>"She must not suppose it not wanted, not acceptable, at least: and its having been originally her brother's gift makes no difference; for as she was not prevented from offering, nor you from taking it on that account, it ought not to prevent you from keeping it. No doubt it is handsomer than mine, and fitter for a ballroom." "No, it is not handsomer, not at all handsomer in its way, and, for my purpose, not half so fit. The chain will agree with William's cross beyond all comparison better than the necklace." "For one night, Fanny, for only one night, if it _be_ a sacrifice; I am sure you will, upon consideration, make that sacrifice rather than give pain to one who has been so studious of your comfort. Miss Crawford's attentions to you have been not more than you were justly entitled to I am the last person to think that _could_ _be_, but they have been invariable; and to be returning them with what must have something the _air_ of ingratitude, though I know it could never have the _meaning_, is not in your nature, I am sure. Wear the necklace, as you are engaged to do, to-morrow evening, and let the chain, which was not ordered with any reference to the ball, be kept for commoner occasions. This is my advice. I would not have the shadow of a coolness between the two whose intimacy I have been observing with the greatest pleasure, and in whose characters there is so much general resemblance in true generosity and natural delicacy as to make the few slight differences, resulting principally from situation, no reasonable hindrance to a perfect friendship. I would not have the shadow of a coolness arise," he repeated, his voice sinking a little, "between the two dearest objects I have on earth." He was gone as he spoke; and Fanny remained to tranquillise herself as she could. She was one of his two dearest that must support her. But the other: the first! She had never heard him speak so openly before, and though it told her no more than what she had long perceived, it was a stab, for it told of his own convictions and views. They were decided. He would marry Miss Crawford. It was a stab, in spite of every long-standing expectation; and she was obliged to repeat again and again, that she was one of his two dearest, before the words gave her any sensation. Could she believe Miss Crawford to deserve him, it would be oh, how different would it be how far more tolerable! But he was deceived in her: he gave her merits which she had not; her faults were what they had ever been, but he saw them no longer. Till she had shed many tears over this deception, Fanny could not subdue her agitation; and the dejection which followed could only be relieved by the influence of fervent prayers for his happiness. It was her intention, as she felt it to be her duty, to try to overcome all that was excessive, all that bordered on selfishness, in her affection | Mansfield Park |
she added, but without moving; and her eyes turned back from the door to rest on the young man's face. The drawing-rooms were beginning to fill up with after-dinner guests, and following Madame Olenska's glance Archer saw May Welland entering with her mother. In her dress of white and silver, with a wreath of silver blossoms in her hair, the tall girl looked like a Diana just alight from the chase. | No speaker | to hurry away to her,"<|quote|>she added, but without moving; and her eyes turned back from the door to rest on the young man's face. The drawing-rooms were beginning to fill up with after-dinner guests, and following Madame Olenska's glance Archer saw May Welland entering with her mother. In her dress of white and silver, with a wreath of silver blossoms in her hair, the tall girl looked like a Diana just alight from the chase.</|quote|>"Oh," said Archer, "I have | arriving, and you will want to hurry away to her,"<|quote|>she added, but without moving; and her eyes turned back from the door to rest on the young man's face. The drawing-rooms were beginning to fill up with after-dinner guests, and following Madame Olenska's glance Archer saw May Welland entering with her mother. In her dress of white and silver, with a wreath of silver blossoms in her hair, the tall girl looked like a Diana just alight from the chase.</|quote|>"Oh," said Archer, "I have so many rivals; you see | feeling. That's why I came home. I want to forget everything else, to become a complete American again, like the Mingotts and Wellands, and you and your delightful mother, and all the other good people here tonight. Ah, here's May arriving, and you will want to hurry away to her,"<|quote|>she added, but without moving; and her eyes turned back from the door to rest on the young man's face. The drawing-rooms were beginning to fill up with after-dinner guests, and following Madame Olenska's glance Archer saw May Welland entering with her mother. In her dress of white and silver, with a wreath of silver blossoms in her hair, the tall girl looked like a Diana just alight from the chase.</|quote|>"Oh," said Archer, "I have so many rivals; you see she's already surrounded. There's the Duke being introduced." "Then stay with me a little longer," Madame Olenska said in a low tone, just touching his knee with her plumed fan. It was the lightest touch, but it thrilled him like | here is good that was--that was bad where I've come from." She looked down at her Viennese fan of eagle feathers, and he saw that her lips trembled. "I'm so sorry," he said impulsively; "but you ARE among friends here, you know." "Yes--I know. Wherever I go I have that feeling. That's why I came home. I want to forget everything else, to become a complete American again, like the Mingotts and Wellands, and you and your delightful mother, and all the other good people here tonight. Ah, here's May arriving, and you will want to hurry away to her,"<|quote|>she added, but without moving; and her eyes turned back from the door to rest on the young man's face. The drawing-rooms were beginning to fill up with after-dinner guests, and following Madame Olenska's glance Archer saw May Welland entering with her mother. In her dress of white and silver, with a wreath of silver blossoms in her hair, the tall girl looked like a Diana just alight from the chase.</|quote|>"Oh," said Archer, "I have so many rivals; you see she's already surrounded. There's the Duke being introduced." "Then stay with me a little longer," Madame Olenska said in a low tone, just touching his knee with her plumed fan. It was the lightest touch, but it thrilled him like a caress. "Yes, let me stay," he answered in the same tone, hardly knowing what he said; but just then Mr. van der Luyden came up, followed by old Mr. Urban Dagonet. The Countess greeted them with her grave smile, and Archer, feeling his host's admonitory glance on him, rose | there is, I haven't found it!" She glowed with sympathy. "Ah--it's really and truly a romance?" "The most romantic of romances!" "How delightful! And you found it all out for yourselves--it was not in the least arranged for you?" Archer looked at her incredulously. "Have you forgotten," he asked with a smile, "that in our country we don't allow our marriages to be arranged for us?" A dusky blush rose to her cheek, and he instantly regretted his words. "Yes," she answered, "I'd forgotten. You must forgive me if I sometimes make these mistakes. I don't always remember that everything here is good that was--that was bad where I've come from." She looked down at her Viennese fan of eagle feathers, and he saw that her lips trembled. "I'm so sorry," he said impulsively; "but you ARE among friends here, you know." "Yes--I know. Wherever I go I have that feeling. That's why I came home. I want to forget everything else, to become a complete American again, like the Mingotts and Wellands, and you and your delightful mother, and all the other good people here tonight. Ah, here's May arriving, and you will want to hurry away to her,"<|quote|>she added, but without moving; and her eyes turned back from the door to rest on the young man's face. The drawing-rooms were beginning to fill up with after-dinner guests, and following Madame Olenska's glance Archer saw May Welland entering with her mother. In her dress of white and silver, with a wreath of silver blossoms in her hair, the tall girl looked like a Diana just alight from the chase.</|quote|>"Oh," said Archer, "I have so many rivals; you see she's already surrounded. There's the Duke being introduced." "Then stay with me a little longer," Madame Olenska said in a low tone, just touching his knee with her plumed fan. It was the lightest touch, but it thrilled him like a caress. "Yes, let me stay," he answered in the same tone, hardly knowing what he said; but just then Mr. van der Luyden came up, followed by old Mr. Urban Dagonet. The Countess greeted them with her grave smile, and Archer, feeling his host's admonitory glance on him, rose and surrendered his seat. Madame Olenska held out her hand as if to bid him goodbye. "Tomorrow, then, after five--I shall expect you," she said; and then turned back to make room for Mr. Dagonet. "Tomorrow--" Archer heard himself repeating, though there had been no engagement, and during their talk she had given him no hint that she wished to see him again. As he moved away he saw Lawrence Lefferts, tall and resplendent, leading his wife up to be introduced; and heard Gertrude Lefferts say, as she beamed on the Countess with her large unperceiving smile: "But I think | of gambling--he used to come to the house a great deal." She said it in the simplest manner, as if she had said: "He's fond of wild-flowers"; and after a moment she added candidly: "I think he's the dullest man I ever met." This pleased her companion so much that he forgot the slight shock her previous remark had caused him. It was undeniably exciting to meet a lady who found the van der Luydens' Duke dull, and dared to utter the opinion. He longed to question her, to hear more about the life of which her careless words had given him so illuminating a glimpse; but he feared to touch on distressing memories, and before he could think of anything to say she had strayed back to her original subject. "May is a darling; I've seen no young girl in New York so handsome and so intelligent. Are you very much in love with her?" Newland Archer reddened and laughed. "As much as a man can be." She continued to consider him thoughtfully, as if not to miss any shade of meaning in what he said, "Do you think, then, there is a limit?" "To being in love? If there is, I haven't found it!" She glowed with sympathy. "Ah--it's really and truly a romance?" "The most romantic of romances!" "How delightful! And you found it all out for yourselves--it was not in the least arranged for you?" Archer looked at her incredulously. "Have you forgotten," he asked with a smile, "that in our country we don't allow our marriages to be arranged for us?" A dusky blush rose to her cheek, and he instantly regretted his words. "Yes," she answered, "I'd forgotten. You must forgive me if I sometimes make these mistakes. I don't always remember that everything here is good that was--that was bad where I've come from." She looked down at her Viennese fan of eagle feathers, and he saw that her lips trembled. "I'm so sorry," he said impulsively; "but you ARE among friends here, you know." "Yes--I know. Wherever I go I have that feeling. That's why I came home. I want to forget everything else, to become a complete American again, like the Mingotts and Wellands, and you and your delightful mother, and all the other good people here tonight. Ah, here's May arriving, and you will want to hurry away to her,"<|quote|>she added, but without moving; and her eyes turned back from the door to rest on the young man's face. The drawing-rooms were beginning to fill up with after-dinner guests, and following Madame Olenska's glance Archer saw May Welland entering with her mother. In her dress of white and silver, with a wreath of silver blossoms in her hair, the tall girl looked like a Diana just alight from the chase.</|quote|>"Oh," said Archer, "I have so many rivals; you see she's already surrounded. There's the Duke being introduced." "Then stay with me a little longer," Madame Olenska said in a low tone, just touching his knee with her plumed fan. It was the lightest touch, but it thrilled him like a caress. "Yes, let me stay," he answered in the same tone, hardly knowing what he said; but just then Mr. van der Luyden came up, followed by old Mr. Urban Dagonet. The Countess greeted them with her grave smile, and Archer, feeling his host's admonitory glance on him, rose and surrendered his seat. Madame Olenska held out her hand as if to bid him goodbye. "Tomorrow, then, after five--I shall expect you," she said; and then turned back to make room for Mr. Dagonet. "Tomorrow--" Archer heard himself repeating, though there had been no engagement, and during their talk she had given him no hint that she wished to see him again. As he moved away he saw Lawrence Lefferts, tall and resplendent, leading his wife up to be introduced; and heard Gertrude Lefferts say, as she beamed on the Countess with her large unperceiving smile: "But I think we used to go to dancing-school together when we were children--." Behind her, waiting their turn to name themselves to the Countess, Archer noticed a number of the recalcitrant couples who had declined to meet her at Mrs. Lovell Mingott's. As Mrs. Archer remarked: when the van der Luydens chose, they knew how to give a lesson. The wonder was that they chose so seldom. The young man felt a touch on his arm and saw Mrs. van der Luyden looking down on him from the pure eminence of black velvet and the family diamonds. "It was good of you, dear Newland, to devote yourself so unselfishly to Madame Olenska. I told your cousin Henry he must really come to the rescue." He was aware of smiling at her vaguely, and she added, as if condescending to his natural shyness: "I've never seen May looking lovelier. The Duke thinks her the handsomest girl in the room." IX. The Countess Olenska had said "after five"; and at half after the hour Newland Archer rang the bell of the peeling stucco house with a giant wisteria throttling its feeble cast-iron balcony, which she had hired, far down West Twenty-third Street, from the | with hers. It frightened him to think what must have gone to the making of her eyes. The Duke of St. Austrey, who sat at his hostess's right, was naturally the chief figure of the evening. But if the Countess Olenska was less conspicuous than had been hoped, the Duke was almost invisible. Being a well-bred man he had not (like another recent ducal visitor) come to the dinner in a shooting-jacket; but his evening clothes were so shabby and baggy, and he wore them with such an air of their being homespun, that (with his stooping way of sitting, and the vast beard spreading over his shirt-front) he hardly gave the appearance of being in dinner attire. He was short, round-shouldered, sunburnt, with a thick nose, small eyes and a sociable smile; but he seldom spoke, and when he did it was in such low tones that, despite the frequent silences of expectation about the table, his remarks were lost to all but his neighbours. When the men joined the ladies after dinner the Duke went straight up to the Countess Olenska, and they sat down in a corner and plunged into animated talk. Neither seemed aware that the Duke should first have paid his respects to Mrs. Lovell Mingott and Mrs. Headly Chivers, and the Countess have conversed with that amiable hypochondriac, Mr. Urban Dagonet of Washington Square, who, in order to have the pleasure of meeting her, had broken through his fixed rule of not dining out between January and April. The two chatted together for nearly twenty minutes; then the Countess rose and, walking alone across the wide drawing-room, sat down at Newland Archer's side. It was not the custom in New York drawing-rooms for a lady to get up and walk away from one gentleman in order to seek the company of another. Etiquette required that she should wait, immovable as an idol, while the men who wished to converse with her succeeded each other at her side. But the Countess was apparently unaware of having broken any rule; she sat at perfect ease in a corner of the sofa beside Archer, and looked at him with the kindest eyes. "I want you to talk to me about May," she said. Instead of answering her he asked: "You knew the Duke before?" "Oh, yes--we used to see him every winter at Nice. He's very fond of gambling--he used to come to the house a great deal." She said it in the simplest manner, as if she had said: "He's fond of wild-flowers"; and after a moment she added candidly: "I think he's the dullest man I ever met." This pleased her companion so much that he forgot the slight shock her previous remark had caused him. It was undeniably exciting to meet a lady who found the van der Luydens' Duke dull, and dared to utter the opinion. He longed to question her, to hear more about the life of which her careless words had given him so illuminating a glimpse; but he feared to touch on distressing memories, and before he could think of anything to say she had strayed back to her original subject. "May is a darling; I've seen no young girl in New York so handsome and so intelligent. Are you very much in love with her?" Newland Archer reddened and laughed. "As much as a man can be." She continued to consider him thoughtfully, as if not to miss any shade of meaning in what he said, "Do you think, then, there is a limit?" "To being in love? If there is, I haven't found it!" She glowed with sympathy. "Ah--it's really and truly a romance?" "The most romantic of romances!" "How delightful! And you found it all out for yourselves--it was not in the least arranged for you?" Archer looked at her incredulously. "Have you forgotten," he asked with a smile, "that in our country we don't allow our marriages to be arranged for us?" A dusky blush rose to her cheek, and he instantly regretted his words. "Yes," she answered, "I'd forgotten. You must forgive me if I sometimes make these mistakes. I don't always remember that everything here is good that was--that was bad where I've come from." She looked down at her Viennese fan of eagle feathers, and he saw that her lips trembled. "I'm so sorry," he said impulsively; "but you ARE among friends here, you know." "Yes--I know. Wherever I go I have that feeling. That's why I came home. I want to forget everything else, to become a complete American again, like the Mingotts and Wellands, and you and your delightful mother, and all the other good people here tonight. Ah, here's May arriving, and you will want to hurry away to her,"<|quote|>she added, but without moving; and her eyes turned back from the door to rest on the young man's face. The drawing-rooms were beginning to fill up with after-dinner guests, and following Madame Olenska's glance Archer saw May Welland entering with her mother. In her dress of white and silver, with a wreath of silver blossoms in her hair, the tall girl looked like a Diana just alight from the chase.</|quote|>"Oh," said Archer, "I have so many rivals; you see she's already surrounded. There's the Duke being introduced." "Then stay with me a little longer," Madame Olenska said in a low tone, just touching his knee with her plumed fan. It was the lightest touch, but it thrilled him like a caress. "Yes, let me stay," he answered in the same tone, hardly knowing what he said; but just then Mr. van der Luyden came up, followed by old Mr. Urban Dagonet. The Countess greeted them with her grave smile, and Archer, feeling his host's admonitory glance on him, rose and surrendered his seat. Madame Olenska held out her hand as if to bid him goodbye. "Tomorrow, then, after five--I shall expect you," she said; and then turned back to make room for Mr. Dagonet. "Tomorrow--" Archer heard himself repeating, though there had been no engagement, and during their talk she had given him no hint that she wished to see him again. As he moved away he saw Lawrence Lefferts, tall and resplendent, leading his wife up to be introduced; and heard Gertrude Lefferts say, as she beamed on the Countess with her large unperceiving smile: "But I think we used to go to dancing-school together when we were children--." Behind her, waiting their turn to name themselves to the Countess, Archer noticed a number of the recalcitrant couples who had declined to meet her at Mrs. Lovell Mingott's. As Mrs. Archer remarked: when the van der Luydens chose, they knew how to give a lesson. The wonder was that they chose so seldom. The young man felt a touch on his arm and saw Mrs. van der Luyden looking down on him from the pure eminence of black velvet and the family diamonds. "It was good of you, dear Newland, to devote yourself so unselfishly to Madame Olenska. I told your cousin Henry he must really come to the rescue." He was aware of smiling at her vaguely, and she added, as if condescending to his natural shyness: "I've never seen May looking lovelier. The Duke thinks her the handsomest girl in the room." IX. The Countess Olenska had said "after five"; and at half after the hour Newland Archer rang the bell of the peeling stucco house with a giant wisteria throttling its feeble cast-iron balcony, which she had hired, far down West Twenty-third Street, from the vagabond Medora. It was certainly a strange quarter to have settled in. Small dress-makers, bird-stuffers and "people who wrote" were her nearest neighbours; and further down the dishevelled street Archer recognised a dilapidated wooden house, at the end of a paved path, in which a writer and journalist called Winsett, whom he used to come across now and then, had mentioned that he lived. Winsett did not invite people to his house; but he had once pointed it out to Archer in the course of a nocturnal stroll, and the latter had asked himself, with a little shiver, if the humanities were so meanly housed in other capitals. Madame Olenska's own dwelling was redeemed from the same appearance only by a little more paint about the window-frames; and as Archer mustered its modest front he said to himself that the Polish Count must have robbed her of her fortune as well as of her illusions. The young man had spent an unsatisfactory day. He had lunched with the Wellands, hoping afterward to carry off May for a walk in the Park. He wanted to have her to himself, to tell her how enchanting she had looked the night before, and how proud he was of her, and to press her to hasten their marriage. But Mrs. Welland had firmly reminded him that the round of family visits was not half over, and, when he hinted at advancing the date of the wedding, had raised reproachful eye-brows and sighed out: "Twelve dozen of everything--hand-embroidered--" Packed in the family landau they rolled from one tribal doorstep to another, and Archer, when the afternoon's round was over, parted from his betrothed with the feeling that he had been shown off like a wild animal cunningly trapped. He supposed that his readings in anthropology caused him to take such a coarse view of what was after all a simple and natural demonstration of family feeling; but when he remembered that the Wellands did not expect the wedding to take place till the following autumn, and pictured what his life would be till then, a dampness fell upon his spirit. "Tomorrow," Mrs. Welland called after him, "we'll do the Chiverses and the Dallases"; and he perceived that she was going through their two families alphabetically, and that they were only in the first quarter of the alphabet. He had meant to tell May of the | Etiquette required that she should wait, immovable as an idol, while the men who wished to converse with her succeeded each other at her side. But the Countess was apparently unaware of having broken any rule; she sat at perfect ease in a corner of the sofa beside Archer, and looked at him with the kindest eyes. "I want you to talk to me about May," she said. Instead of answering her he asked: "You knew the Duke before?" "Oh, yes--we used to see him every winter at Nice. He's very fond of gambling--he used to come to the house a great deal." She said it in the simplest manner, as if she had said: "He's fond of wild-flowers"; and after a moment she added candidly: "I think he's the dullest man I ever met." This pleased her companion so much that he forgot the slight shock her previous remark had caused him. It was undeniably exciting to meet a lady who found the van der Luydens' Duke dull, and dared to utter the opinion. He longed to question her, to hear more about the life of which her careless words had given him so illuminating a glimpse; but he feared to touch on distressing memories, and before he could think of anything to say she had strayed back to her original subject. "May is a darling; I've seen no young girl in New York so handsome and so intelligent. Are you very much in love with her?" Newland Archer reddened and laughed. "As much as a man can be." She continued to consider him thoughtfully, as if not to miss any shade of meaning in what he said, "Do you think, then, there is a limit?" "To being in love? If there is, I haven't found it!" She glowed with sympathy. "Ah--it's really and truly a romance?" "The most romantic of romances!" "How delightful! And you found it all out for yourselves--it was not in the least arranged for you?" Archer looked at her incredulously. "Have you forgotten," he asked with a smile, "that in our country we don't allow our marriages to be arranged for us?" A dusky blush rose to her cheek, and he instantly regretted his words. "Yes," she answered, "I'd forgotten. You must forgive me if I sometimes make these mistakes. I don't always remember that everything here is good that was--that was bad where I've come from." She looked down at her Viennese fan of eagle feathers, and he saw that her lips trembled. "I'm so sorry," he said impulsively; "but you ARE among friends here, you know." "Yes--I know. Wherever I go I have that feeling. That's why I came home. I want to forget everything else, to become a complete American again, like the Mingotts and Wellands, and you and your delightful mother, and all the other good people here tonight. Ah, here's May arriving, and you will want to hurry away to her,"<|quote|>she added, but without moving; and her eyes turned back from the door to rest on the young man's face. The drawing-rooms were beginning to fill up with after-dinner guests, and following Madame Olenska's glance Archer saw May Welland entering with her mother. In her dress of white and silver, with a wreath of silver blossoms in her hair, the tall girl looked like a Diana just alight from the chase.</|quote|>"Oh," said Archer, "I have so many rivals; you see she's already surrounded. There's the Duke being introduced." "Then stay with me a little longer," Madame Olenska said in a low tone, just touching his knee with her plumed fan. It was the lightest touch, but it thrilled him like a caress. "Yes, let me stay," he answered in the same tone, hardly knowing what he said; but just then Mr. van der Luyden came up, followed by old Mr. Urban Dagonet. The Countess greeted them with her grave smile, and Archer, feeling his host's admonitory glance on him, rose and surrendered his seat. Madame Olenska held out her hand as if to bid him goodbye. "Tomorrow, then, after five--I shall expect you," she said; and then turned back to make room for Mr. Dagonet. "Tomorrow--" Archer heard himself repeating, though there had been no engagement, and during their talk she had given him no hint that she wished to see him again. As he moved away he saw Lawrence Lefferts, tall and resplendent, leading his wife up to be introduced; and heard Gertrude Lefferts say, as she beamed on the Countess with her large unperceiving smile: "But I think we used to go to dancing-school together when we were children--." Behind her, waiting their turn to name themselves to the Countess, Archer noticed a number of the recalcitrant couples who had declined to meet her at Mrs. Lovell Mingott's. As Mrs. Archer remarked: when the van der Luydens chose, they knew how to give a lesson. The wonder was that they chose | The Age Of Innocence |
"Great place," | Joe Hamilton | git the best of everything."<|quote|>"Great place,"</|quote|>said Joe wisely, in what | callin' it all out?--we simply git the best of everything."<|quote|>"Great place,"</|quote|>said Joe wisely, in what he thought was going to | 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything."<|quote|>"Great place,"</|quote|>said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said "Yes" to him, and went on expatiating to Kitty on the glories of | was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan. "I tell you, Miss Kitty," he burst forth, a few minutes after being introduced, "they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything."<|quote|>"Great place,"</|quote|>said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said "Yes" to him, and went on expatiating to Kitty on the glories of the metropolis. "D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me." "La, Thomas," Mrs. Jones put in, "how you do run | in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan. "I tell you, Miss Kitty," he burst forth, a few minutes after being introduced, "they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything."<|quote|>"Great place,"</|quote|>said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said "Yes" to him, and went on expatiating to Kitty on the glories of the metropolis. "D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me." "La, Thomas," Mrs. Jones put in, "how you do run on! Why, the strangers 'll think they 'll be talked to death before they have time to breathe." "Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight." Mr. Thomas took the pail and went to the | in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan. "I tell you, Miss Kitty," he burst forth, a few minutes after being introduced, "they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything."<|quote|>"Great place,"</|quote|>said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said "Yes" to him, and went on expatiating to Kitty on the glories of the metropolis. "D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me." "La, Thomas," Mrs. Jones put in, "how you do run on! Why, the strangers 'll think they 'll be talked to death before they have time to breathe." "Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight." Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly. "Mr. Thomas is a case, sho'," she said; "but he likes you all, an' I 'm mighty glad of it, fu' he 's mighty curious about the house when he don't like the roomers." Joe felt distinctly flattered, for he found their new acquaintance charming. His mother was still a little doubtful, and Kitty was sure she found the young man "fresh." He came in pretty soon with his beer, and a half-dozen crabs in a bag. "Thought I 'd bring home something to chew. I always like to eat something with my beer." Mrs. Jones brought in the glasses, and the young man filled one and turned to Kitty. "No, thanks," she said with a surprised look. "What, don't you drink beer? Oh, come now, you 'll get out o' that." "Kitty don't drink no beer," broke in her mother with mild resentment. "I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed." Joe felt as if the "chillen" had ruined all his hopes, but Kitty rose. The ingratiating "N' Yawker" was aghast. "Oh, | their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan. "I tell you, Miss Kitty," he burst forth, a few minutes after being introduced, "they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything."<|quote|>"Great place,"</|quote|>said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said "Yes" to him, and went on expatiating to Kitty on the glories of the metropolis. "D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me." "La, Thomas," Mrs. Jones put in, "how you do run on! Why, the strangers 'll think they 'll be talked to death before they have time to breathe." "Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight." Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly. "Mr. Thomas is a case, sho'," she said; "but he likes you all, an' I 'm mighty glad of it, fu' he 's mighty curious about the house when he don't like the roomers." Joe felt distinctly flattered, for he found their new acquaintance charming. His mother was still a little doubtful, and Kitty was sure she found the young man "fresh." He came in pretty soon with his beer, and a half-dozen crabs in a bag. "Thought I 'd bring home something to chew. I always like to eat something with my beer." Mrs. Jones brought in the glasses, and the young man filled one and turned to Kitty. "No, thanks," she said with a surprised look. "What, don't you drink beer? Oh, come now, you 'll get out o' that." "Kitty don't drink no beer," broke in her mother with mild resentment. "I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed." Joe felt as if the "chillen" had ruined all his hopes, but Kitty rose. The ingratiating "N' Yawker" was aghast. "Oh, let 'em stay," said Mrs. Jones heartily; "a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it." "They 'll git out o' that, all right, if they live in N' Yawk," said Mr. Thomas, as he poured out a glass and handed it to Joe. "You neither?" "Oh, I drink it," said the boy with an air, but not looking at his mother. "Joe," she cried to him, "you must ricollect you ain't at home. What 'ud yo' pa think?" Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment. "Yes, that 's it, Miss Kitty, sing us something," said the irrepressible Thomas, "an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you." With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas. "I say, that 's singin' now, I tell you," he cried. "You ought to have some o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you." "You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots." "Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go." "I ain't nevah been to nothin' lak dat, an' I don't know," said Mrs. Hamilton. "Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?" The mother hesitated, and Joe filled the breach. "We 'd all like to go," he said. "Ma, we' ll go if you ain't too tired." "Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing," 'I bin huntin' fu' wo'k'! "You 'd die laughing." Mrs. Hamilton made no further demur, and the matter | it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan. "I tell you, Miss Kitty," he burst forth, a few minutes after being introduced, "they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything."<|quote|>"Great place,"</|quote|>said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said "Yes" to him, and went on expatiating to Kitty on the glories of the metropolis. "D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me." "La, Thomas," Mrs. Jones put in, "how you do run on! Why, the strangers 'll think they 'll be talked to death before they have time to breathe." "Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight." Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly. "Mr. Thomas is a case, sho'," she said; "but he likes you all, an' I 'm mighty glad of it, fu' he 's mighty curious about the house when he don't like the roomers." Joe felt distinctly flattered, for he found their new acquaintance charming. His mother was still a little doubtful, and Kitty was sure she found the young man "fresh." He came in pretty soon with his beer, and a half-dozen crabs in a bag. "Thought I 'd bring home something to chew. I always like to eat something with my beer." Mrs. Jones brought in the glasses, and the young man filled one and turned to Kitty. "No, thanks," she said with a surprised look. "What, don't you drink beer? Oh, come now, you 'll get out o' that." "Kitty don't drink no beer," broke in her mother with mild resentment. "I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed." Joe felt as if the "chillen" had ruined all his hopes, but Kitty rose. The ingratiating "N' Yawker" was aghast. "Oh, let 'em stay," said Mrs. Jones heartily; "a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it." "They 'll git out o' that, all right, if they live in N' Yawk," said Mr. Thomas, as he poured out a glass and handed it to Joe. "You neither?" "Oh, I drink it," said the boy with an air, but not looking at his mother. "Joe," she cried to him, "you must ricollect you ain't at home. What 'ud yo' pa think?" Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment. "Yes, that 's it, Miss Kitty, sing us something," said the irrepressible Thomas, "an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you." With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas. "I say, that 's singin' now, I tell you," he cried. | The Sport Of The Gods |
"I will not suppose," | Bahman | Bahman persisted in his resolution.<|quote|>"I will not suppose,"</|quote|>said he to the dervish, | farther, but return home." Prince Bahman persisted in his resolution.<|quote|>"I will not suppose,"</|quote|>said he to the dervish, "but that your advice is | importunities; I was compelled to show them the way, and I can assure you they have all perished, for I have not seen one come back. Therefore, if you have any regard for your life, take my advice, go no farther, but return home." Prince Bahman persisted in his resolution.<|quote|>"I will not suppose,"</|quote|>said he to the dervish, "but that your advice is sincere. I am obliged to you for the friendship you express for me; but whatever may be the danger, nothing shall make me change my intention: whoever attacks me, I am well armed, and can say I am as brave | than you may suppose. A number of gentlemen of as much bravery as you can possibly possess have passed this way, and asked me the same question. When I had used all my endeavours to persuade them to desist, they would not believe me; at last I yielded to their importunities; I was compelled to show them the way, and I can assure you they have all perished, for I have not seen one come back. Therefore, if you have any regard for your life, take my advice, go no farther, but return home." Prince Bahman persisted in his resolution.<|quote|>"I will not suppose,"</|quote|>said he to the dervish, "but that your advice is sincere. I am obliged to you for the friendship you express for me; but whatever may be the danger, nothing shall make me change my intention: whoever attacks me, I am well armed, and can say I am as brave as any one." "But they who will attack you are not to be seen," replied the dervish; "how will you defend yourself against invisible persons?" "It is no matter," answered the prince, "all you say shall not persuade me to do anything contrary to my duty. Since you know the | myself somewhere else." At last the dervish broke silence. "Sir," said he to Prince Bahman, "I know the way you ask of me; but the regard which I conceived for you the first moment I saw you, and which is grown stronger by the service you have done me, kept me in suspense as to whether I should give you the satisfaction you desire." "What motive can hinder you?" replied the prince; "and what difficulties do you find in so doing?" "I will tell you," replied the dervish; "the danger to which you are going to expose yourself is greater than you may suppose. A number of gentlemen of as much bravery as you can possibly possess have passed this way, and asked me the same question. When I had used all my endeavours to persuade them to desist, they would not believe me; at last I yielded to their importunities; I was compelled to show them the way, and I can assure you they have all perished, for I have not seen one come back. Therefore, if you have any regard for your life, take my advice, go no farther, but return home." Prince Bahman persisted in his resolution.<|quote|>"I will not suppose,"</|quote|>said he to the dervish, "but that your advice is sincere. I am obliged to you for the friendship you express for me; but whatever may be the danger, nothing shall make me change my intention: whoever attacks me, I am well armed, and can say I am as brave as any one." "But they who will attack you are not to be seen," replied the dervish; "how will you defend yourself against invisible persons?" "It is no matter," answered the prince, "all you say shall not persuade me to do anything contrary to my duty. Since you know the way, I conjure you once more to inform me." When the dervish found he could not prevail upon Prince Bahman, and that he was obstinately bent to pursue his journey, notwithstanding his friendly remonstrance, he put his hand into a bag that lay by him and pulled out a bowl, which he presented to him. "Since I cannot prevail on you to attend to my advice," said he, "take this bowl and when you are on horseback throw it before you, and follow it to the foot of a mountain, where it will stop. As soon as the bowl stops, | show you how young you look: you are now a man, but before, nobody could tell what you were." The kind behaviour of Prince Bahman made the dervish smile and return his compliment. "Sir," said he, "whoever you are, I am obliged by the good office you have performed, and am ready to show my gratitude by doing anything in my power for you. You must have alighted here upon some account or other. Tell me what it is, and I will endeavour to serve you." "Good dervish," replied Prince Bahman, "I am in search of the Talking Bird, the Singing Tree, and the Golden Water; I know these three rarities are not far from hence, but cannot tell exactly the place where they are to be found; if you know, I conjure you to show me the way, that I may not lose my labour after so long a journey." The prince, while he spoke, observed that the dervish changed countenance, held down his eyes, looked very serious, and remained silent, which obliged him to say to him again: "Good father, tell me whether you know what I ask you, that I may not lose my time, but inform myself somewhere else." At last the dervish broke silence. "Sir," said he to Prince Bahman, "I know the way you ask of me; but the regard which I conceived for you the first moment I saw you, and which is grown stronger by the service you have done me, kept me in suspense as to whether I should give you the satisfaction you desire." "What motive can hinder you?" replied the prince; "and what difficulties do you find in so doing?" "I will tell you," replied the dervish; "the danger to which you are going to expose yourself is greater than you may suppose. A number of gentlemen of as much bravery as you can possibly possess have passed this way, and asked me the same question. When I had used all my endeavours to persuade them to desist, they would not believe me; at last I yielded to their importunities; I was compelled to show them the way, and I can assure you they have all perished, for I have not seen one come back. Therefore, if you have any regard for your life, take my advice, go no farther, but return home." Prince Bahman persisted in his resolution.<|quote|>"I will not suppose,"</|quote|>said he to the dervish, "but that your advice is sincere. I am obliged to you for the friendship you express for me; but whatever may be the danger, nothing shall make me change my intention: whoever attacks me, I am well armed, and can say I am as brave as any one." "But they who will attack you are not to be seen," replied the dervish; "how will you defend yourself against invisible persons?" "It is no matter," answered the prince, "all you say shall not persuade me to do anything contrary to my duty. Since you know the way, I conjure you once more to inform me." When the dervish found he could not prevail upon Prince Bahman, and that he was obstinately bent to pursue his journey, notwithstanding his friendly remonstrance, he put his hand into a bag that lay by him and pulled out a bowl, which he presented to him. "Since I cannot prevail on you to attend to my advice," said he, "take this bowl and when you are on horseback throw it before you, and follow it to the foot of a mountain, where it will stop. As soon as the bowl stops, alight, leave your horse with the bridle over his neck, and he will stand in the same place till you return. As you ascend you will see on your right and left a great number of large black stones, and will hear on all sides a confusion of voices, which will utter a thousand abuses to discourage you, and prevent your reaching the summit of the mountain. Be not afraid; but, above all things, do not turn your head to look behind you, for in that instant you will be changed into such a black stone as those you see, which are all youths who have failed in this enterprise. If you escape the danger of which I give you but a faint idea, and get to the top of the mountain, you will see a cage, and in that cage is the bird you seek; ask him which are the Singing Tree and the Golden Water, and he will tell you. I have nothing more to say; this is what you have to do, and if you are prudent you will take my advice and not expose your life. Consider once more while you have time that the difficulties | rode away. When he got into the road, he never turned to the right hand nor to the left, but went directly forward toward India. The twentieth day he perceived on the roadside a hideous old man, who sat under a tree near a thatched house, which was his retreat from the weather. His eyebrows were as white as snow, as was also the hair of his head; his whiskers covered his mouth, and his beard and hair reached down to his feet. The nails of his hands and feet were grown to an extensive length, while a flat, broad umbrella covered his head. He had no clothes, but only a mat thrown round his body. This old man was a dervish for so many years retired from the world to give himself up entirely to the service of God that at last he had become what we have described. Prince Bahman, who had been all that morning very attentive, to see if he could meet with anybody who could give him information of the place he was in search of, stopped when he came near the dervish, alighted, in conformity to the directions which the devout woman had given the Princess Periezade, and leading his horse by the bridle, advanced toward him and saluting him, said: "God prolong your days, good father, and grant you the accomplishment of your desires." The dervish returned the prince's salutation, but so unintelligibly that he could not understand one word he said and Prince Bahman, perceiving that this difficulty proceeded from the dervish's whiskers hanging over his mouth, and unwilling to go any further without the instructions he wanted, pulled out a pair of scissors he had about him, and having tied his horse to a branch of the tree, said: "Good dervish, I want to have some talk with you, but your whiskers prevent my understanding what you say; and if you will consent, I will cut off some part of them and of your eyebrows, which disfigure you so much that you look more like a bear than a man." The dervish did not oppose the offer, and when the prince had cut off as much hair as he thought fit, he perceived that the dervish had a good complexion, and that he was not as old as he seemed. "Good dervish," said he, "if I had a glass I would show you how young you look: you are now a man, but before, nobody could tell what you were." The kind behaviour of Prince Bahman made the dervish smile and return his compliment. "Sir," said he, "whoever you are, I am obliged by the good office you have performed, and am ready to show my gratitude by doing anything in my power for you. You must have alighted here upon some account or other. Tell me what it is, and I will endeavour to serve you." "Good dervish," replied Prince Bahman, "I am in search of the Talking Bird, the Singing Tree, and the Golden Water; I know these three rarities are not far from hence, but cannot tell exactly the place where they are to be found; if you know, I conjure you to show me the way, that I may not lose my labour after so long a journey." The prince, while he spoke, observed that the dervish changed countenance, held down his eyes, looked very serious, and remained silent, which obliged him to say to him again: "Good father, tell me whether you know what I ask you, that I may not lose my time, but inform myself somewhere else." At last the dervish broke silence. "Sir," said he to Prince Bahman, "I know the way you ask of me; but the regard which I conceived for you the first moment I saw you, and which is grown stronger by the service you have done me, kept me in suspense as to whether I should give you the satisfaction you desire." "What motive can hinder you?" replied the prince; "and what difficulties do you find in so doing?" "I will tell you," replied the dervish; "the danger to which you are going to expose yourself is greater than you may suppose. A number of gentlemen of as much bravery as you can possibly possess have passed this way, and asked me the same question. When I had used all my endeavours to persuade them to desist, they would not believe me; at last I yielded to their importunities; I was compelled to show them the way, and I can assure you they have all perished, for I have not seen one come back. Therefore, if you have any regard for your life, take my advice, go no farther, but return home." Prince Bahman persisted in his resolution.<|quote|>"I will not suppose,"</|quote|>said he to the dervish, "but that your advice is sincere. I am obliged to you for the friendship you express for me; but whatever may be the danger, nothing shall make me change my intention: whoever attacks me, I am well armed, and can say I am as brave as any one." "But they who will attack you are not to be seen," replied the dervish; "how will you defend yourself against invisible persons?" "It is no matter," answered the prince, "all you say shall not persuade me to do anything contrary to my duty. Since you know the way, I conjure you once more to inform me." When the dervish found he could not prevail upon Prince Bahman, and that he was obstinately bent to pursue his journey, notwithstanding his friendly remonstrance, he put his hand into a bag that lay by him and pulled out a bowl, which he presented to him. "Since I cannot prevail on you to attend to my advice," said he, "take this bowl and when you are on horseback throw it before you, and follow it to the foot of a mountain, where it will stop. As soon as the bowl stops, alight, leave your horse with the bridle over his neck, and he will stand in the same place till you return. As you ascend you will see on your right and left a great number of large black stones, and will hear on all sides a confusion of voices, which will utter a thousand abuses to discourage you, and prevent your reaching the summit of the mountain. Be not afraid; but, above all things, do not turn your head to look behind you, for in that instant you will be changed into such a black stone as those you see, which are all youths who have failed in this enterprise. If you escape the danger of which I give you but a faint idea, and get to the top of the mountain, you will see a cage, and in that cage is the bird you seek; ask him which are the Singing Tree and the Golden Water, and he will tell you. I have nothing more to say; this is what you have to do, and if you are prudent you will take my advice and not expose your life. Consider once more while you have time that the difficulties are almost insuperable." "I am obliged to you for your advice," replied Prince Bahman, after he had received the bowl, "but cannot follow it. However, I will endeavour to conform myself to that part of it which bids me not to look behind me, and I hope to come and thank you when I have obtained what I am seeking." After these words, to which the dervish made no other answer than that he should be overjoyed to see him again, the prince mounted his horse, took leave of the dervish with a respectful salute, and threw the bowl before him. The bowl rolled away with as much swiftness as when Prince Bahman first hurled it from his hand, which obliged him to put his horse to the same pace to avoid losing sight of it, and when it had reached the foot of the mountain it stopped. The prince alighted from his horse, laid the bridle on his neck, and having first surveyed the mountain and seen the black stones, began to ascend, but had not gone four steps before he heard the voices mentioned by the dervish, though he could see nobody. Some said: "Where is that fool going? Where is he going? What would he have? Do not let him pass." Others: "Stop him, catch him, kill him:" and others with a voice like thunder: "Thief! assassin! murderer!" while some in a gibing tone cried: "No, no, do not hurt him; let the pretty fellow pass, the cage and bird are kept for him." Notwithstanding all these troublesome voices, Prince Bahman ascended with resolution for some time, but the voices redoubled with so loud a din, both behind and before, that at last he was seized with dread, his legs trembled under him, he staggered, and finding that his strength failed him, he forgot the dervish's advice, turned about to run down the hill, and was that instant changed into a black stone; a metamorphosis which had happened to many before him who had attempted the ascent. His horse, likewise, underwent the same change. From the time of Prince Bahman's departure, the Princess Periezade always wore the knife and sheath in her girdle, and pulled it out several times in a day, to know whether her brother was alive. She had the consolation to understand he was in perfect health and to talk of him frequently with | Tell me what it is, and I will endeavour to serve you." "Good dervish," replied Prince Bahman, "I am in search of the Talking Bird, the Singing Tree, and the Golden Water; I know these three rarities are not far from hence, but cannot tell exactly the place where they are to be found; if you know, I conjure you to show me the way, that I may not lose my labour after so long a journey." The prince, while he spoke, observed that the dervish changed countenance, held down his eyes, looked very serious, and remained silent, which obliged him to say to him again: "Good father, tell me whether you know what I ask you, that I may not lose my time, but inform myself somewhere else." At last the dervish broke silence. "Sir," said he to Prince Bahman, "I know the way you ask of me; but the regard which I conceived for you the first moment I saw you, and which is grown stronger by the service you have done me, kept me in suspense as to whether I should give you the satisfaction you desire." "What motive can hinder you?" replied the prince; "and what difficulties do you find in so doing?" "I will tell you," replied the dervish; "the danger to which you are going to expose yourself is greater than you may suppose. A number of gentlemen of as much bravery as you can possibly possess have passed this way, and asked me the same question. When I had used all my endeavours to persuade them to desist, they would not believe me; at last I yielded to their importunities; I was compelled to show them the way, and I can assure you they have all perished, for I have not seen one come back. Therefore, if you have any regard for your life, take my advice, go no farther, but return home." Prince Bahman persisted in his resolution.<|quote|>"I will not suppose,"</|quote|>said he to the dervish, "but that your advice is sincere. I am obliged to you for the friendship you express for me; but whatever may be the danger, nothing shall make me change my intention: whoever attacks me, I am well armed, and can say I am as brave as any one." "But they who will attack you are not to be seen," replied the dervish; "how will you defend yourself against invisible persons?" "It is no matter," answered the prince, "all you say shall not persuade me to do anything contrary to my duty. Since you know the way, I conjure you once more to inform me." When the dervish found he could not prevail upon Prince Bahman, and that he was obstinately bent to pursue his journey, notwithstanding his friendly remonstrance, he put his hand into a bag that lay by him and pulled out a bowl, which he presented to him. "Since I cannot prevail on you to attend to my advice," said he, "take this bowl and when you are on horseback throw it before you, and follow it to the foot of a mountain, where it will stop. As soon as the bowl stops, alight, leave your horse with the bridle over his neck, and he will stand in the same place till you return. As you ascend you will see on your right and left a great number of large black stones, and will hear on all sides a confusion of voices, which will utter a thousand abuses to discourage you, and prevent your reaching | Arabian Nights (1) |
"Have you never suspected it?" | Hercule Poirot | is a spy?" Poirot nodded.<|quote|>"Have you never suspected it?"</|quote|>"It never entered my head." | new idea, "that Dr. Bauerstein is a spy?" Poirot nodded.<|quote|>"Have you never suspected it?"</|quote|>"It never entered my head." "It did not strike you | I thought you thought so too?" Poirot gave me one look, which conveyed a wondering pity, and his full sense of the utter absurdity of such an idea. "Do you mean to say," I asked, slowly adapting myself to the new idea, "that Dr. Bauerstein is a spy?" Poirot nodded.<|quote|>"Have you never suspected it?"</|quote|>"It never entered my head." "It did not strike you as peculiar that a famous London doctor should bury himself in a little village like this, and should be in the habit of walking about at all hours of the night, fully dressed?" "No," I confessed, "I never thought of | you that, my friend?" "Well, no one exactly told me," I confessed. "But he is arrested." "Oh, yes, very likely. But for espionage, _mon ami_." "Espionage?" I gasped. "Precisely." "Not for poisoning Mrs. Inglethorp?" "Not unless our friend Japp has taken leave of his senses," replied Poirot placidly. "But but I thought you thought so too?" Poirot gave me one look, which conveyed a wondering pity, and his full sense of the utter absurdity of such an idea. "Do you mean to say," I asked, slowly adapting myself to the new idea, "that Dr. Bauerstein is a spy?" Poirot nodded.<|quote|>"Have you never suspected it?"</|quote|>"It never entered my head." "It did not strike you as peculiar that a famous London doctor should bury himself in a little village like this, and should be in the habit of walking about at all hours of the night, fully dressed?" "No," I confessed, "I never thought of such a thing." "He is, of course, a German by birth," said Poirot thoughtfully, "though he has practised so long in this country that nobody thinks of him as anything but an Englishman. He was naturalized about fifteen years ago. A very clever man a Jew, of course." "The blackguard!" | "What has that got to do with it?" Poirot shrugged his shoulders. "Surely, it is obvious!" "Not to me. No doubt I am very dense, but I cannot see what the proximity of the coast has got to do with the murder of Mrs. Inglethorp." "Nothing at all, of course," replied Poirot, smiling. "But we were speaking of the arrest of Dr. Bauerstein." "Well, he is arrested for the murder of Mrs. Inglethorp" "What?" cried Poirot, in apparently lively astonishment. "Dr. Bauerstein arrested for the murder of Mrs. Inglethorp?" "Yes." "Impossible! That would be too good a farce! Who told you that, my friend?" "Well, no one exactly told me," I confessed. "But he is arrested." "Oh, yes, very likely. But for espionage, _mon ami_." "Espionage?" I gasped. "Precisely." "Not for poisoning Mrs. Inglethorp?" "Not unless our friend Japp has taken leave of his senses," replied Poirot placidly. "But but I thought you thought so too?" Poirot gave me one look, which conveyed a wondering pity, and his full sense of the utter absurdity of such an idea. "Do you mean to say," I asked, slowly adapting myself to the new idea, "that Dr. Bauerstein is a spy?" Poirot nodded.<|quote|>"Have you never suspected it?"</|quote|>"It never entered my head." "It did not strike you as peculiar that a famous London doctor should bury himself in a little village like this, and should be in the habit of walking about at all hours of the night, fully dressed?" "No," I confessed, "I never thought of such a thing." "He is, of course, a German by birth," said Poirot thoughtfully, "though he has practised so long in this country that nobody thinks of him as anything but an Englishman. He was naturalized about fifteen years ago. A very clever man a Jew, of course." "The blackguard!" I cried indignantly. "Not at all. He is, on the contrary, a patriot. Think what he stands to lose. I admire the man myself." But I could not look at it in Poirot's philosophical way. "And this is the man with whom Mrs. Cavendish has been wandering about all over the country!" I cried indignantly. "Yes. I should fancy he had found her very useful," remarked Poirot. "So long as gossip busied itself in coupling their names together, any other vagaries of the doctor's passed unobserved." "Then you think he never really cared for her?" I asked eagerly rather too | not a word about the arrest! There was a column of mere padding about "The Styles Poisoning Case," but nothing further. It was rather inexplicable, but I supposed that, for some reason or other, Japp wished to keep it out of the papers. It worried me just a little, for it suggested the possibility that there might be further arrests to come. After breakfast, I decided to go down to the village, and see if Poirot had returned yet; but, before I could start, a well-known face blocked one of the windows, and the well-known voice said: "_Bonjour, mon ami!_" "Poirot," I exclaimed, with relief, and seizing him by both hands, I dragged him into the room. "I was never so glad to see anyone. Listen, I have said nothing to anybody but John. Is that right?" "My friend," replied Poirot, "I do not know what you are talking about." "Dr. Bauerstein's arrest, of course," I answered impatiently. "Is Bauerstein arrested, then?" "Did you not know it?" "Not the least in the world." But, pausing a moment, he added: "Still, it does not surprise me. After all, we are only four miles from the coast." "The coast?" I asked, puzzled. "What has that got to do with it?" Poirot shrugged his shoulders. "Surely, it is obvious!" "Not to me. No doubt I am very dense, but I cannot see what the proximity of the coast has got to do with the murder of Mrs. Inglethorp." "Nothing at all, of course," replied Poirot, smiling. "But we were speaking of the arrest of Dr. Bauerstein." "Well, he is arrested for the murder of Mrs. Inglethorp" "What?" cried Poirot, in apparently lively astonishment. "Dr. Bauerstein arrested for the murder of Mrs. Inglethorp?" "Yes." "Impossible! That would be too good a farce! Who told you that, my friend?" "Well, no one exactly told me," I confessed. "But he is arrested." "Oh, yes, very likely. But for espionage, _mon ami_." "Espionage?" I gasped. "Precisely." "Not for poisoning Mrs. Inglethorp?" "Not unless our friend Japp has taken leave of his senses," replied Poirot placidly. "But but I thought you thought so too?" Poirot gave me one look, which conveyed a wondering pity, and his full sense of the utter absurdity of such an idea. "Do you mean to say," I asked, slowly adapting myself to the new idea, "that Dr. Bauerstein is a spy?" Poirot nodded.<|quote|>"Have you never suspected it?"</|quote|>"It never entered my head." "It did not strike you as peculiar that a famous London doctor should bury himself in a little village like this, and should be in the habit of walking about at all hours of the night, fully dressed?" "No," I confessed, "I never thought of such a thing." "He is, of course, a German by birth," said Poirot thoughtfully, "though he has practised so long in this country that nobody thinks of him as anything but an Englishman. He was naturalized about fifteen years ago. A very clever man a Jew, of course." "The blackguard!" I cried indignantly. "Not at all. He is, on the contrary, a patriot. Think what he stands to lose. I admire the man myself." But I could not look at it in Poirot's philosophical way. "And this is the man with whom Mrs. Cavendish has been wandering about all over the country!" I cried indignantly. "Yes. I should fancy he had found her very useful," remarked Poirot. "So long as gossip busied itself in coupling their names together, any other vagaries of the doctor's passed unobserved." "Then you think he never really cared for her?" I asked eagerly rather too eagerly, perhaps, under the circumstances. "That, of course, I cannot say, but shall I tell you my own private opinion, Hastings?" "Yes." "Well, it is this: that Mrs. Cavendish does not care, and never has cared one little jot about Dr. Bauerstein!" "Do you really think so?" I could not disguise my pleasure. "I am quite sure of it. And I will tell you why." "Yes?" "Because she cares for someone else, _mon ami_." "Oh!" What did he mean? In spite of myself, an agreeable warmth spread over me. I am not a vain man where women are concerned, but I remembered certain evidences, too lightly thought of at the time, perhaps, but which certainly seemed to indicate My pleasing thoughts were interrupted by the sudden entrance of Miss Howard. She glanced round hastily to make sure there was no one else in the room, and quickly produced an old sheet of brown paper. This she handed to Poirot, murmuring as she did so the cryptic words: "On top of the wardrobe." Then she hurriedly left the room. Poirot unfolded the sheet of paper eagerly, and uttered an exclamation of satisfaction. He spread it out on the table. "Come here, | X. THE ARREST To my extreme annoyance, Poirot was not in, and the old Belgian who answered my knock informed me that he believed he had gone to London. I was dumbfounded. What on earth could Poirot be doing in London! Was it a sudden decision on his part, or had he already made up his mind when he parted from me a few hours earlier? I retraced my steps to Styles in some annoyance. With Poirot away, I was uncertain how to act. Had he foreseen this arrest? Had he not, in all probability, been the cause of it? Those questions I could not resolve. But in the meantime what was I to do? Should I announce the arrest openly at Styles, or not? Though I did not acknowledge it to myself, the thought of Mary Cavendish was weighing on me. Would it not be a terrible shock to her? For the moment, I set aside utterly any suspicions of her. She could not be implicated otherwise I should have heard some hint of it. Of course, there was no possibility of being able permanently to conceal Dr. Bauerstein's arrest from her. It would be announced in every newspaper on the morrow. Still, I shrank from blurting it out. If only Poirot had been accessible, I could have asked his advice. What possessed him to go posting off to London in this unaccountable way? In spite of myself, my opinion of his sagacity was immeasurably heightened. I would never have dreamt of suspecting the doctor, had not Poirot put it into my head. Yes, decidedly, the little man was clever. After some reflecting, I decided to take John into my confidence, and leave him to make the matter public or not, as he thought fit. He gave vent to a prodigious whistle, as I imparted the news. "Great Scott! You _were_ right, then. I couldn't believe it at the time." "No, it is astonishing until you get used to the idea, and see how it makes everything fit in. Now, what are we to do? Of course, it will be generally known to-morrow." John reflected. "Never mind," he said at last, "we won't say anything at present. There is no need. As you say, it will be known soon enough." But to my intense surprise, on getting down early the next morning, and eagerly opening the newspapers, there was not a word about the arrest! There was a column of mere padding about "The Styles Poisoning Case," but nothing further. It was rather inexplicable, but I supposed that, for some reason or other, Japp wished to keep it out of the papers. It worried me just a little, for it suggested the possibility that there might be further arrests to come. After breakfast, I decided to go down to the village, and see if Poirot had returned yet; but, before I could start, a well-known face blocked one of the windows, and the well-known voice said: "_Bonjour, mon ami!_" "Poirot," I exclaimed, with relief, and seizing him by both hands, I dragged him into the room. "I was never so glad to see anyone. Listen, I have said nothing to anybody but John. Is that right?" "My friend," replied Poirot, "I do not know what you are talking about." "Dr. Bauerstein's arrest, of course," I answered impatiently. "Is Bauerstein arrested, then?" "Did you not know it?" "Not the least in the world." But, pausing a moment, he added: "Still, it does not surprise me. After all, we are only four miles from the coast." "The coast?" I asked, puzzled. "What has that got to do with it?" Poirot shrugged his shoulders. "Surely, it is obvious!" "Not to me. No doubt I am very dense, but I cannot see what the proximity of the coast has got to do with the murder of Mrs. Inglethorp." "Nothing at all, of course," replied Poirot, smiling. "But we were speaking of the arrest of Dr. Bauerstein." "Well, he is arrested for the murder of Mrs. Inglethorp" "What?" cried Poirot, in apparently lively astonishment. "Dr. Bauerstein arrested for the murder of Mrs. Inglethorp?" "Yes." "Impossible! That would be too good a farce! Who told you that, my friend?" "Well, no one exactly told me," I confessed. "But he is arrested." "Oh, yes, very likely. But for espionage, _mon ami_." "Espionage?" I gasped. "Precisely." "Not for poisoning Mrs. Inglethorp?" "Not unless our friend Japp has taken leave of his senses," replied Poirot placidly. "But but I thought you thought so too?" Poirot gave me one look, which conveyed a wondering pity, and his full sense of the utter absurdity of such an idea. "Do you mean to say," I asked, slowly adapting myself to the new idea, "that Dr. Bauerstein is a spy?" Poirot nodded.<|quote|>"Have you never suspected it?"</|quote|>"It never entered my head." "It did not strike you as peculiar that a famous London doctor should bury himself in a little village like this, and should be in the habit of walking about at all hours of the night, fully dressed?" "No," I confessed, "I never thought of such a thing." "He is, of course, a German by birth," said Poirot thoughtfully, "though he has practised so long in this country that nobody thinks of him as anything but an Englishman. He was naturalized about fifteen years ago. A very clever man a Jew, of course." "The blackguard!" I cried indignantly. "Not at all. He is, on the contrary, a patriot. Think what he stands to lose. I admire the man myself." But I could not look at it in Poirot's philosophical way. "And this is the man with whom Mrs. Cavendish has been wandering about all over the country!" I cried indignantly. "Yes. I should fancy he had found her very useful," remarked Poirot. "So long as gossip busied itself in coupling their names together, any other vagaries of the doctor's passed unobserved." "Then you think he never really cared for her?" I asked eagerly rather too eagerly, perhaps, under the circumstances. "That, of course, I cannot say, but shall I tell you my own private opinion, Hastings?" "Yes." "Well, it is this: that Mrs. Cavendish does not care, and never has cared one little jot about Dr. Bauerstein!" "Do you really think so?" I could not disguise my pleasure. "I am quite sure of it. And I will tell you why." "Yes?" "Because she cares for someone else, _mon ami_." "Oh!" What did he mean? In spite of myself, an agreeable warmth spread over me. I am not a vain man where women are concerned, but I remembered certain evidences, too lightly thought of at the time, perhaps, but which certainly seemed to indicate My pleasing thoughts were interrupted by the sudden entrance of Miss Howard. She glanced round hastily to make sure there was no one else in the room, and quickly produced an old sheet of brown paper. This she handed to Poirot, murmuring as she did so the cryptic words: "On top of the wardrobe." Then she hurriedly left the room. Poirot unfolded the sheet of paper eagerly, and uttered an exclamation of satisfaction. He spread it out on the table. "Come here, Hastings. Now tell me, what is that initial J. or L.?" It was a medium sized sheet of paper, rather dusty, as though it had lain by for some time. But it was the label that was attracting Poirot's attention. At the top, it bore the printed stamp of Messrs. Parkson's, the well-known theatrical costumiers, and it was addressed to " (the debatable initial) Cavendish, Esq., Styles Court, Styles St. Mary, Essex." "It might be T., or it might be L.," I said, after studying the thing for a minute or two. "It certainly isn't a J." "Good," replied Poirot, folding up the paper again. "I, also, am of your way of thinking. It is an L., depend upon it!" "Where did it come from?" I asked curiously. "Is it important?" "Moderately so. It confirms a surmise of mine. Having deduced its existence, I set Miss Howard to search for it, and, as you see, she has been successful." "What did she mean by" On the top of the wardrobe'?" "She meant," replied Poirot promptly, "that she found it on top of a wardrobe." "A funny place for a piece of brown paper," I mused. "Not at all. The top of a wardrobe is an excellent place for brown paper and cardboard boxes. I have kept them there myself. Neatly arranged, there is nothing to offend the eye." "Poirot," I asked earnestly, "have you made up your mind about this crime?" "Yes that is to say, I believe I know how it was committed." "Ah!" "Unfortunately, I have no proof beyond my surmise, unless" With sudden energy, he caught me by the arm, and whirled me down the hall, calling out in French in his excitement: "Mademoiselle Dorcas, Mademoiselle Dorcas, _un moment, s'il vous pla t!_" Dorcas, quite flurried by the noise, came hurrying out of the pantry. "My good Dorcas, I have an idea a little idea if it should prove justified, what magnificent chance! Tell me, on Monday, not Tuesday, Dorcas, but Monday, the day before the tragedy, did anything go wrong with Mrs. Inglethorp's bell?" Dorcas looked very surprised. "Yes, sir, now you mention it, it did; though I don't know how you came to hear of it. A mouse, or some such, must have nibbled the wire through. The man came and put it right on Tuesday morning." With a long drawn exclamation of ecstasy, Poirot | padding about "The Styles Poisoning Case," but nothing further. It was rather inexplicable, but I supposed that, for some reason or other, Japp wished to keep it out of the papers. It worried me just a little, for it suggested the possibility that there might be further arrests to come. After breakfast, I decided to go down to the village, and see if Poirot had returned yet; but, before I could start, a well-known face blocked one of the windows, and the well-known voice said: "_Bonjour, mon ami!_" "Poirot," I exclaimed, with relief, and seizing him by both hands, I dragged him into the room. "I was never so glad to see anyone. Listen, I have said nothing to anybody but John. Is that right?" "My friend," replied Poirot, "I do not know what you are talking about." "Dr. Bauerstein's arrest, of course," I answered impatiently. "Is Bauerstein arrested, then?" "Did you not know it?" "Not the least in the world." But, pausing a moment, he added: "Still, it does not surprise me. After all, we are only four miles from the coast." "The coast?" I asked, puzzled. "What has that got to do with it?" Poirot shrugged his shoulders. "Surely, it is obvious!" "Not to me. No doubt I am very dense, but I cannot see what the proximity of the coast has got to do with the murder of Mrs. Inglethorp." "Nothing at all, of course," replied Poirot, smiling. "But we were speaking of the arrest of Dr. Bauerstein." "Well, he is arrested for the murder of Mrs. Inglethorp" "What?" cried Poirot, in apparently lively astonishment. "Dr. Bauerstein arrested for the murder of Mrs. Inglethorp?" "Yes." "Impossible! That would be too good a farce! Who told you that, my friend?" "Well, no one exactly told me," I confessed. "But he is arrested." "Oh, yes, very likely. But for espionage, _mon ami_." "Espionage?" I gasped. "Precisely." "Not for poisoning Mrs. Inglethorp?" "Not unless our friend Japp has taken leave of his senses," replied Poirot placidly. "But but I thought you thought so too?" Poirot gave me one look, which conveyed a wondering pity, and his full sense of the utter absurdity of such an idea. "Do you mean to say," I asked, slowly adapting myself to the new idea, "that Dr. Bauerstein is a spy?" Poirot nodded.<|quote|>"Have you never suspected it?"</|quote|>"It never entered my head." "It did not strike you as peculiar that a famous London doctor should bury himself in a little village like this, and should be in the habit of walking about at all hours of the night, fully dressed?" "No," I confessed, "I never thought of such a thing." "He is, of course, a German by birth," said Poirot thoughtfully, "though he has practised so long in this country that nobody thinks of him as anything but an Englishman. He was naturalized about fifteen years ago. A very clever man a Jew, of course." "The blackguard!" I cried indignantly. "Not at all. He is, on the contrary, a patriot. Think what he stands to lose. I admire the man myself." But I could not look at it in Poirot's philosophical way. "And this is the man with whom Mrs. Cavendish has been wandering about all over the country!" I cried indignantly. "Yes. I should fancy he had found her very useful," remarked Poirot. "So long as gossip busied itself in coupling their names together, any other vagaries of the doctor's passed unobserved." "Then you think he never really cared for her?" I asked eagerly rather too eagerly, perhaps, under the circumstances. "That, of course, I cannot say, but shall I tell you my own private opinion, Hastings?" "Yes." "Well, it is this: that Mrs. Cavendish does not care, and never has cared one little jot about Dr. Bauerstein!" "Do you really think so?" I could not disguise my pleasure. "I am quite sure of it. And I will tell you why." "Yes?" "Because she cares for someone else, _mon ami_." "Oh!" What did he mean? In spite of myself, an agreeable warmth spread over me. I am not a vain man where women are concerned, but I remembered certain evidences, too lightly thought of at the time, perhaps, but which certainly seemed to indicate My pleasing thoughts were interrupted by the sudden entrance of Miss Howard. She glanced round hastily to make sure there was no one else in the room, and quickly produced an old sheet of brown paper. This she handed to Poirot, murmuring as she did so the cryptic words: "On top of the wardrobe." Then she hurriedly left the room. Poirot unfolded the sheet of paper | The Mysterious Affair At Styles |
"if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful." | Mrs. Bennet | "Haye-Park might do," said she,<|quote|>"if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful."</|quote|>Her husband allowed her to | deficient in size and importance. "Haye-Park might do," said she,<|quote|>"if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful."</|quote|>Her husband allowed her to talk on without interruption, while | wholly on those attendants of elegant nuptials, fine muslins, new carriages, and servants. She was busily searching through the neighbourhood for a proper situation for her daughter, and, without knowing or considering what their income might be, rejected many as deficient in size and importance. "Haye-Park might do," said she,<|quote|>"if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful."</|quote|>Her husband allowed her to talk on without interruption, while the servants remained. But when they had withdrawn, he said to her, "Mrs. Bennet, before you take any, or all of these houses, for your son and daughter, let us come to a right understanding. Into _one_ house in this | of her table, and in spirits oppressively high. No sentiment of shame gave a damp to her triumph. The marriage of a daughter, which had been the first object of her wishes, since Jane was sixteen, was now on the point of accomplishment, and her thoughts and her words ran wholly on those attendants of elegant nuptials, fine muslins, new carriages, and servants. She was busily searching through the neighbourhood for a proper situation for her daughter, and, without knowing or considering what their income might be, rejected many as deficient in size and importance. "Haye-Park might do," said she,<|quote|>"if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful."</|quote|>Her husband allowed her to talk on without interruption, while the servants remained. But when they had withdrawn, he said to her, "Mrs. Bennet, before you take any, or all of these houses, for your son and daughter, let us come to a right understanding. Into _one_ house in this neighbourhood, they shall never have admittance. I will not encourage the impudence of either, by receiving them at Longbourn." A long dispute followed this declaration; but Mr. Bennet was firm: it soon led to another; and Mrs. Bennet found, with amazement and horror, that her husband would not advance a | of conversation, had Miss Lydia Bennet come upon the town; or, as the happiest alternative, been secluded from the world, in some distant farm house. But there was much to be talked of, in marrying her; and the good-natured wishes for her well-doing, which had proceeded before, from all the spiteful old ladies in Meryton, lost but little of their spirit in this change of circumstances, because with such an husband, her misery was considered certain. It was a fortnight since Mrs. Bennet had been down stairs, but on this happy day, she again took her seat at the head of her table, and in spirits oppressively high. No sentiment of shame gave a damp to her triumph. The marriage of a daughter, which had been the first object of her wishes, since Jane was sixteen, was now on the point of accomplishment, and her thoughts and her words ran wholly on those attendants of elegant nuptials, fine muslins, new carriages, and servants. She was busily searching through the neighbourhood for a proper situation for her daughter, and, without knowing or considering what their income might be, rejected many as deficient in size and importance. "Haye-Park might do," said she,<|quote|>"if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful."</|quote|>Her husband allowed her to talk on without interruption, while the servants remained. But when they had withdrawn, he said to her, "Mrs. Bennet, before you take any, or all of these houses, for your son and daughter, let us come to a right understanding. Into _one_ house in this neighbourhood, they shall never have admittance. I will not encourage the impudence of either, by receiving them at Longbourn." A long dispute followed this declaration; but Mr. Bennet was firm: it soon led to another; and Mrs. Bennet found, with amazement and horror, that her husband would not advance a guinea to buy clothes for his daughter. He protested that she should receive from him no mark of affection whatever, on the occasion. Mrs. Bennet could hardly comprehend it. That his anger could be carried to such a point of inconceivable resentment, as to refuse his daughter a privilege, without which her marriage would scarcely seem valid, exceeded all that she could believe possible. She was more alive to the disgrace, which the want of new clothes must reflect on her daughter's nuptials, than to any sense of shame at her eloping and living with Wickham, a fortnight before they | would be done with so little inconvenience to himself, as by the present arrangement. He would scarcely be ten pounds a-year the loser, by the hundred that was to be paid them; for, what with her board and pocket allowance, and the continual presents in money, which passed to her, through her mother's hands, Lydia's expences had been very little within that sum. That it would be done with such trifling exertion on his side, too, was another very welcome surprise; for his chief wish at present, was to have as little trouble in the business as possible. When the first transports of rage which had produced his activity in seeking her were over, he naturally returned to all his former indolence. His letter was soon dispatched; for though dilatory in undertaking business, he was quick in its execution. He begged to know farther particulars of what he was indebted to his brother; but was too angry with Lydia, to send any message to her. The good news quickly spread through the house; and with proportionate speed through the neighbourhood. It was borne in the latter with decent philosophy. To be sure it would have been more for the advantage of conversation, had Miss Lydia Bennet come upon the town; or, as the happiest alternative, been secluded from the world, in some distant farm house. But there was much to be talked of, in marrying her; and the good-natured wishes for her well-doing, which had proceeded before, from all the spiteful old ladies in Meryton, lost but little of their spirit in this change of circumstances, because with such an husband, her misery was considered certain. It was a fortnight since Mrs. Bennet had been down stairs, but on this happy day, she again took her seat at the head of her table, and in spirits oppressively high. No sentiment of shame gave a damp to her triumph. The marriage of a daughter, which had been the first object of her wishes, since Jane was sixteen, was now on the point of accomplishment, and her thoughts and her words ran wholly on those attendants of elegant nuptials, fine muslins, new carriages, and servants. She was busily searching through the neighbourhood for a proper situation for her daughter, and, without knowing or considering what their income might be, rejected many as deficient in size and importance. "Haye-Park might do," said she,<|quote|>"if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful."</|quote|>Her husband allowed her to talk on without interruption, while the servants remained. But when they had withdrawn, he said to her, "Mrs. Bennet, before you take any, or all of these houses, for your son and daughter, let us come to a right understanding. Into _one_ house in this neighbourhood, they shall never have admittance. I will not encourage the impudence of either, by receiving them at Longbourn." A long dispute followed this declaration; but Mr. Bennet was firm: it soon led to another; and Mrs. Bennet found, with amazement and horror, that her husband would not advance a guinea to buy clothes for his daughter. He protested that she should receive from him no mark of affection whatever, on the occasion. Mrs. Bennet could hardly comprehend it. That his anger could be carried to such a point of inconceivable resentment, as to refuse his daughter a privilege, without which her marriage would scarcely seem valid, exceeded all that she could believe possible. She was more alive to the disgrace, which the want of new clothes must reflect on her daughter's nuptials, than to any sense of shame at her eloping and living with Wickham, a fortnight before they took place. Elizabeth was now most heartily sorry that she had, from the distress of the moment, been led to make Mr. Darcy acquainted with their fears for her sister; for since her marriage would so shortly give the proper termination to the elopement, they might hope to conceal its unfavourable beginning, from all those who were not immediately on the spot. She had no fear of its spreading farther, through his means. There were few people on whose secrecy she would have more confidently depended; but at the same time, there was no one, whose knowledge of a sister's frailty would have mortified her so much. Not, however, from any fear of disadvantage from it, individually to herself; for at any rate, there seemed a gulf impassable between them. Had Lydia's marriage been concluded on the most honourable terms, it was not to be supposed that Mr. Darcy would connect himself with a family, where to every other objection would now be added, an alliance and relationship of the nearest kind with the man whom he so justly scorned. From such a connection she could not wonder that he should shrink. The wish of procuring her regard, which she | felt all the advantages of what they had gained. CHAPTER VIII. Mr. Bennet had very often wished, before this period of his life, that, instead of spending his whole income, he had laid by an annual sum, for the better provision of his children, and of his wife, if she survived him. He now wished it more than ever. Had he done his duty in that respect, Lydia need not have been indebted to her uncle, for whatever of honour or credit could now be purchased for her. The satisfaction of prevailing on one of the most worthless young men in Great Britain to be her husband, might then have rested in its proper place. He was seriously concerned, that a cause of so little advantage to any one, should be forwarded at the sole expence of his brother-in-law, and he was determined, if possible, to find out the extent of his assistance, and to discharge the obligation as soon as he could. When first Mr. Bennet had married, economy was held to be perfectly useless; for, of course, they were to have a son. This son was to join in cutting off the entail, as soon as he should be of age, and the widow and younger children would by that means be provided for. Five daughters successively entered the world, but yet the son was to come; and Mrs. Bennet, for many years after Lydia's birth, had been certain that he would. This event had at last been despaired of, but it was then too late to be saving. Mrs. Bennet had no turn for economy, and her husband's love of independence had alone prevented their exceeding their income. Five thousand pounds was settled by marriage articles on Mrs. Bennet and the children. But in what proportions it should be divided amongst the latter, depended on the will of the parents. This was one point, with regard to Lydia at least, which was now to be settled, and Mr. Bennet could have no hesitation in acceding to the proposal before him. In terms of grateful acknowledgment for the kindness of his brother, though expressed most concisely, he then delivered on paper his perfect approbation of all that was done, and his willingness to fulfil the engagements that had been made for him. He had never before supposed that, could Wickham be prevailed on to marry his daughter, it would be done with so little inconvenience to himself, as by the present arrangement. He would scarcely be ten pounds a-year the loser, by the hundred that was to be paid them; for, what with her board and pocket allowance, and the continual presents in money, which passed to her, through her mother's hands, Lydia's expences had been very little within that sum. That it would be done with such trifling exertion on his side, too, was another very welcome surprise; for his chief wish at present, was to have as little trouble in the business as possible. When the first transports of rage which had produced his activity in seeking her were over, he naturally returned to all his former indolence. His letter was soon dispatched; for though dilatory in undertaking business, he was quick in its execution. He begged to know farther particulars of what he was indebted to his brother; but was too angry with Lydia, to send any message to her. The good news quickly spread through the house; and with proportionate speed through the neighbourhood. It was borne in the latter with decent philosophy. To be sure it would have been more for the advantage of conversation, had Miss Lydia Bennet come upon the town; or, as the happiest alternative, been secluded from the world, in some distant farm house. But there was much to be talked of, in marrying her; and the good-natured wishes for her well-doing, which had proceeded before, from all the spiteful old ladies in Meryton, lost but little of their spirit in this change of circumstances, because with such an husband, her misery was considered certain. It was a fortnight since Mrs. Bennet had been down stairs, but on this happy day, she again took her seat at the head of her table, and in spirits oppressively high. No sentiment of shame gave a damp to her triumph. The marriage of a daughter, which had been the first object of her wishes, since Jane was sixteen, was now on the point of accomplishment, and her thoughts and her words ran wholly on those attendants of elegant nuptials, fine muslins, new carriages, and servants. She was busily searching through the neighbourhood for a proper situation for her daughter, and, without knowing or considering what their income might be, rejected many as deficient in size and importance. "Haye-Park might do," said she,<|quote|>"if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful."</|quote|>Her husband allowed her to talk on without interruption, while the servants remained. But when they had withdrawn, he said to her, "Mrs. Bennet, before you take any, or all of these houses, for your son and daughter, let us come to a right understanding. Into _one_ house in this neighbourhood, they shall never have admittance. I will not encourage the impudence of either, by receiving them at Longbourn." A long dispute followed this declaration; but Mr. Bennet was firm: it soon led to another; and Mrs. Bennet found, with amazement and horror, that her husband would not advance a guinea to buy clothes for his daughter. He protested that she should receive from him no mark of affection whatever, on the occasion. Mrs. Bennet could hardly comprehend it. That his anger could be carried to such a point of inconceivable resentment, as to refuse his daughter a privilege, without which her marriage would scarcely seem valid, exceeded all that she could believe possible. She was more alive to the disgrace, which the want of new clothes must reflect on her daughter's nuptials, than to any sense of shame at her eloping and living with Wickham, a fortnight before they took place. Elizabeth was now most heartily sorry that she had, from the distress of the moment, been led to make Mr. Darcy acquainted with their fears for her sister; for since her marriage would so shortly give the proper termination to the elopement, they might hope to conceal its unfavourable beginning, from all those who were not immediately on the spot. She had no fear of its spreading farther, through his means. There were few people on whose secrecy she would have more confidently depended; but at the same time, there was no one, whose knowledge of a sister's frailty would have mortified her so much. Not, however, from any fear of disadvantage from it, individually to herself; for at any rate, there seemed a gulf impassable between them. Had Lydia's marriage been concluded on the most honourable terms, it was not to be supposed that Mr. Darcy would connect himself with a family, where to every other objection would now be added, an alliance and relationship of the nearest kind with the man whom he so justly scorned. From such a connection she could not wonder that he should shrink. The wish of procuring her regard, which she had assured herself of his feeling in Derbyshire, could not in rational expectation survive such a blow as this. She was humbled, she was grieved; she repented, though she hardly knew of what. She became jealous of his esteem, when she could no longer hope to be benefited by it. She wanted to hear of him, when there seemed the least chance of gaining intelligence. She was convinced that she could have been happy with him; when it was no longer likely they should meet. What a triumph for him, as she often thought, could he know that the proposals which she had proudly spurned only four months ago, would now have been gladly and gratefully received! He was as generous, she doubted not, as the most generous of his sex. But while he was mortal, there must be a triumph. She began now to comprehend that he was exactly the man, who, in disposition and talents, would most suit her. His understanding and temper, though unlike her own, would have answered all her wishes. It was an union that must have been to the advantage of both; by her ease and liveliness, his mind might have been softened, his manners improved, and from his judgment, information, and knowledge of the world, she must have received benefit of greater importance. But no such happy marriage could now teach the admiring multitude what connubial felicity really was. An union of a different tendency, and precluding the possibility of the other, was soon to be formed in their family. How Wickham and Lydia were to be supported in tolerable independence, she could not imagine. But how little of permanent happiness could belong to a couple who were only brought together because their passions were stronger than their virtue, she could easily conjecture. * * * * * Mr. Gardiner soon wrote again to his brother. To Mr. Bennet's acknowledgments he briefly replied, with assurances of his eagerness to promote the welfare of any of his family; and concluded with intreaties that the subject might never be mentioned to him again. The principal purport of his letter was to inform them, that Mr. Wickham had resolved on quitting the Militia. "It was greatly my wish that he should do so," he added, "as soon as his marriage was fixed on. And I think you will agree with me, in considering a removal from | depended on the will of the parents. This was one point, with regard to Lydia at least, which was now to be settled, and Mr. Bennet could have no hesitation in acceding to the proposal before him. In terms of grateful acknowledgment for the kindness of his brother, though expressed most concisely, he then delivered on paper his perfect approbation of all that was done, and his willingness to fulfil the engagements that had been made for him. He had never before supposed that, could Wickham be prevailed on to marry his daughter, it would be done with so little inconvenience to himself, as by the present arrangement. He would scarcely be ten pounds a-year the loser, by the hundred that was to be paid them; for, what with her board and pocket allowance, and the continual presents in money, which passed to her, through her mother's hands, Lydia's expences had been very little within that sum. That it would be done with such trifling exertion on his side, too, was another very welcome surprise; for his chief wish at present, was to have as little trouble in the business as possible. When the first transports of rage which had produced his activity in seeking her were over, he naturally returned to all his former indolence. His letter was soon dispatched; for though dilatory in undertaking business, he was quick in its execution. He begged to know farther particulars of what he was indebted to his brother; but was too angry with Lydia, to send any message to her. The good news quickly spread through the house; and with proportionate speed through the neighbourhood. It was borne in the latter with decent philosophy. To be sure it would have been more for the advantage of conversation, had Miss Lydia Bennet come upon the town; or, as the happiest alternative, been secluded from the world, in some distant farm house. But there was much to be talked of, in marrying her; and the good-natured wishes for her well-doing, which had proceeded before, from all the spiteful old ladies in Meryton, lost but little of their spirit in this change of circumstances, because with such an husband, her misery was considered certain. It was a fortnight since Mrs. Bennet had been down stairs, but on this happy day, she again took her seat at the head of her table, and in spirits oppressively high. No sentiment of shame gave a damp to her triumph. The marriage of a daughter, which had been the first object of her wishes, since Jane was sixteen, was now on the point of accomplishment, and her thoughts and her words ran wholly on those attendants of elegant nuptials, fine muslins, new carriages, and servants. She was busily searching through the neighbourhood for a proper situation for her daughter, and, without knowing or considering what their income might be, rejected many as deficient in size and importance. "Haye-Park might do," said she,<|quote|>"if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful."</|quote|>Her husband allowed her to talk on without interruption, while the servants remained. But when they had withdrawn, he said to her, "Mrs. Bennet, before you take any, or all of these houses, for your son and daughter, let us come to a right understanding. Into _one_ house in this neighbourhood, they shall never have admittance. I will not encourage the impudence of either, by receiving them at Longbourn." A long dispute followed this declaration; but Mr. Bennet was firm: it soon led to another; and Mrs. Bennet found, with amazement and horror, that her husband would not advance a guinea to buy clothes for his daughter. He protested that she should receive from him no mark of affection whatever, on the occasion. Mrs. Bennet could hardly comprehend it. That his anger could be carried to such a point of inconceivable resentment, as to refuse his daughter a privilege, without which her marriage would scarcely seem valid, exceeded all that she could believe possible. She was more alive to the disgrace, which the want of new clothes must reflect on her daughter's nuptials, than to any sense of shame at her eloping and living with Wickham, a fortnight before they took place. Elizabeth was now most heartily sorry that she had, from the distress of the moment, been led to make Mr. Darcy acquainted with their fears for her sister; for since her marriage would so shortly give the proper termination to the elopement, they might hope to conceal its unfavourable beginning, from all those who were not immediately on the spot. She had no fear of its spreading farther, through his means. There were few people on whose secrecy she would have more confidently depended; but at the same time, there was no one, whose knowledge of a sister's frailty would have mortified her so much. Not, however, from any fear of disadvantage from it, individually to herself; for at any rate, there seemed a gulf impassable between them. Had Lydia's marriage been concluded on the most honourable terms, it was not to be supposed that Mr. Darcy would connect himself with a family, where to every other objection would now be added, an alliance and relationship of the nearest kind with the man whom | Pride And Prejudice |
"It theemth to prethent two thingth to a perthon, don't it, Thquire?" | Mr. Sleary | her life," said Mr. Gradgrind.<|quote|>"It theemth to prethent two thingth to a perthon, don't it, Thquire?"</|quote|>said Mr. Sleary, musing as | to the last moment of her life," said Mr. Gradgrind.<|quote|>"It theemth to prethent two thingth to a perthon, don't it, Thquire?"</|quote|>said Mr. Sleary, musing as he looked down into the | along with him; never will be known, now, Thquire, till no, not till we know how the dogth findth uth out!" "She keeps the bottle that he sent her for, to this hour; and she will believe in his affection to the last moment of her life," said Mr. Gradgrind.<|quote|>"It theemth to prethent two thingth to a perthon, don't it, Thquire?"</|quote|>said Mr. Sleary, musing as he looked down into the depths of his brandy and water: "one, that there ith a love in the world, not all Thelf-interetht after all, but thomething very different; t'other, that it hath a way of ith own of calculating or not calculating, whith thomehow | me talked it over a long time, whether I thould write or not. But we agreed," "No. There'th nothing comfortable to tell; why unthettle her mind, and make her unhappy?" "Tho, whether her father bathely detherted her; or whether he broke hith own heart alone, rather than pull her down along with him; never will be known, now, Thquire, till no, not till we know how the dogth findth uth out!" "She keeps the bottle that he sent her for, to this hour; and she will believe in his affection to the last moment of her life," said Mr. Gradgrind.<|quote|>"It theemth to prethent two thingth to a perthon, don't it, Thquire?"</|quote|>said Mr. Sleary, musing as he looked down into the depths of his brandy and water: "one, that there ith a love in the world, not all Thelf-interetht after all, but thomething very different; t'other, that it hath a way of ith own of calculating or not calculating, whith thomehow or another ith at leatht ath hard to give a name to, ath the wayth of the dogth ith!" Mr. Gradgrind looked out of window, and made no reply. Mr. Sleary emptied his glass and recalled the ladies. "Thethilia my dear, kith me and good-bye! Mith Thquire, to thee you | condithon, he wath lame, and pretty well blind. He went round to our children, one after another, as if he wath a theeking for a child he know'd; and then he come to me, and throwd hithelf up behind, and thtood on hith two forelegth, weak ath he wath, and then he wagged hith tail and died. Thquire, that dog wath Merrylegth." "Sissy's father's dog!" "Thethilia'th father'th old dog. Now, Thquire, I can take my oath, from my knowledge of that dog, that that man wath dead and buried afore that dog come back to me. Joth'phine and Childerth and me talked it over a long time, whether I thould write or not. But we agreed," "No. There'th nothing comfortable to tell; why unthettle her mind, and make her unhappy?" "Tho, whether her father bathely detherted her; or whether he broke hith own heart alone, rather than pull her down along with him; never will be known, now, Thquire, till no, not till we know how the dogth findth uth out!" "She keeps the bottle that he sent her for, to this hour; and she will believe in his affection to the last moment of her life," said Mr. Gradgrind.<|quote|>"It theemth to prethent two thingth to a perthon, don't it, Thquire?"</|quote|>said Mr. Sleary, musing as he looked down into the depths of his brandy and water: "one, that there ith a love in the world, not all Thelf-interetht after all, but thomething very different; t'other, that it hath a way of ith own of calculating or not calculating, whith thomehow or another ith at leatht ath hard to give a name to, ath the wayth of the dogth ith!" Mr. Gradgrind looked out of window, and made no reply. Mr. Sleary emptied his glass and recalled the ladies. "Thethilia my dear, kith me and good-bye! Mith Thquire, to thee you treating of her like a thithter, and a thithter that you trutht and honour with all your heart and more, ith a very pretty thight to me. I hope your brother may live to be better detherving of you, and a greater comfort to you. Thquire, thake handth, firtht and latht! Don't be croth with uth poor vagabondth. People mutht be amuthed. They can't be alwayth a learning, nor yet they can't be alwayth a working, they an't made for it. You _mutht_ have uth, Thquire. Do the withe thing and the kind thing too, and make the betht of | hadn't gone to another dog, and thed," "You don't happen to know a perthon of the name of Thleary, do you? Perthon of the name of Thleary, in the Horthe-Riding way thtout man game eye?" "And whether that dog mightn't have thed," "Well, I can't thay I know him mythelf, but I know a dog that I think would be likely to be acquainted with him." "And whether that dog mightn't have thought it over, and thed," "Thleary, Thleary! O yeth, to be thure! A friend of mine menthioned him to me at one time. I can get you hith addreth directly." "In conthequenth of my being afore the public, and going about tho muth, you thee, there mutht be a number of dogth acquainted with me, Thquire, that _I_ don't know!" Mr. Gradgrind seemed to be quite confounded by this speculation. "Any way," said Sleary, after putting his lips to his brandy and water, "ith fourteen month ago, Thquire, thinthe we wath at Chethter. We wath getting up our Children in the Wood one morning, when there cometh into our Ring, by the thtage door, a dog. He had travelled a long way, he wath in a very bad condithon, he wath lame, and pretty well blind. He went round to our children, one after another, as if he wath a theeking for a child he know'd; and then he come to me, and throwd hithelf up behind, and thtood on hith two forelegth, weak ath he wath, and then he wagged hith tail and died. Thquire, that dog wath Merrylegth." "Sissy's father's dog!" "Thethilia'th father'th old dog. Now, Thquire, I can take my oath, from my knowledge of that dog, that that man wath dead and buried afore that dog come back to me. Joth'phine and Childerth and me talked it over a long time, whether I thould write or not. But we agreed," "No. There'th nothing comfortable to tell; why unthettle her mind, and make her unhappy?" "Tho, whether her father bathely detherted her; or whether he broke hith own heart alone, rather than pull her down along with him; never will be known, now, Thquire, till no, not till we know how the dogth findth uth out!" "She keeps the bottle that he sent her for, to this hour; and she will believe in his affection to the last moment of her life," said Mr. Gradgrind.<|quote|>"It theemth to prethent two thingth to a perthon, don't it, Thquire?"</|quote|>said Mr. Sleary, musing as he looked down into the depths of his brandy and water: "one, that there ith a love in the world, not all Thelf-interetht after all, but thomething very different; t'other, that it hath a way of ith own of calculating or not calculating, whith thomehow or another ith at leatht ath hard to give a name to, ath the wayth of the dogth ith!" Mr. Gradgrind looked out of window, and made no reply. Mr. Sleary emptied his glass and recalled the ladies. "Thethilia my dear, kith me and good-bye! Mith Thquire, to thee you treating of her like a thithter, and a thithter that you trutht and honour with all your heart and more, ith a very pretty thight to me. I hope your brother may live to be better detherving of you, and a greater comfort to you. Thquire, thake handth, firtht and latht! Don't be croth with uth poor vagabondth. People mutht be amuthed. They can't be alwayth a learning, nor yet they can't be alwayth a working, they an't made for it. You _mutht_ have uth, Thquire. Do the withe thing and the kind thing too, and make the betht of uth; not the wurtht!" "And I never thought before," said Mr. Sleary, putting his head in at the door again to say it, "that I wath tho muth of a Cackler!" CHAPTER IX FINAL IT is a dangerous thing to see anything in the sphere of a vain blusterer, before the vain blusterer sees it himself. Mr. Bounderby felt that Mrs. Sparsit had audaciously anticipated him, and presumed to be wiser than he. Inappeasably indignant with her for her triumphant discovery of Mrs. Pegler, he turned this presumption, on the part of a woman in her dependent position, over and over in his mind, until it accumulated with turning like a great snowball. At last he made the discovery that to discharge this highly connected female to have it in his power to say, "She was a woman of family, and wanted to stick to me, but I wouldn't have it, and got rid of her' would be to get the utmost possible amount of crowning glory out of the connection, and at the same time to punish Mrs. Sparsit according to her deserts. Filled fuller than ever, with this great idea, Mr. Bounderby came in to lunch, and sat | off, an hour and a half after we left there latht night. The horthe danthed the polka till he wath dead beat (he would have walthed if he hadn't been in harneth), and then I gave him the word and he went to thleep comfortable. When that prethiouth young Rathcal thed he'd go for'ard afoot, the dog hung on to hith neck-hankercher with all four legth in the air and pulled him down and rolled him over. Tho he come back into the drag, and there he that, 'till I turned the horthe'th head, at half-patht thixth thith morning." Mr. Gradgrind overwhelmed him with thanks, of course; and hinted as delicately as he could, at a handsome remuneration in money. "I don't want money mythelf, Thquire; but Childerth ith a family man, and if you wath to like to offer him a five-pound note, it mightn't be unactheptable. Likewithe if you wath to thtand a collar for the dog, or a thet of bellth for the horthe, I thould be very glad to take 'em. Brandy and water I alwayth take." He had already called for a glass, and now called for another. "If you wouldn't think it going too far, Thquire, to make a little thpread for the company at about three and thixth ahead, not reckoning Luth, it would make 'em happy." All these little tokens of his gratitude, Mr. Gradgrind very willingly undertook to render. Though he thought them far too slight, he said, for such a service. "Very well, Thquire; then, if you'll only give a Horthe-riding, a bethpeak, whenever you can, you'll more than balanthe the account. Now, Thquire, if your daughter will ethcuthe me, I thould like one parting word with you." Louisa and Sissy withdrew into an adjoining room; Mr. Sleary, stirring and drinking his brandy and water as he stood, went on: "Thquire, you don't need to be told that dogth ith wonderful animalth." "Their instinct," said Mr. Gradgrind, "is surprising." "Whatever you call it and I'm bletht if _I_ know what to call it" said Sleary, "it ith athtonithing. The way in whith a dog'll find you the dithtanthe he'll come!" "His scent," said Mr. Gradgrind, "being so fine." "I'm bletht if I know what to call it," repeated Sleary, shaking his head, "but I have had dogth find me, Thquire, in a way that made me think whether that dog hadn't gone to another dog, and thed," "You don't happen to know a perthon of the name of Thleary, do you? Perthon of the name of Thleary, in the Horthe-Riding way thtout man game eye?" "And whether that dog mightn't have thed," "Well, I can't thay I know him mythelf, but I know a dog that I think would be likely to be acquainted with him." "And whether that dog mightn't have thought it over, and thed," "Thleary, Thleary! O yeth, to be thure! A friend of mine menthioned him to me at one time. I can get you hith addreth directly." "In conthequenth of my being afore the public, and going about tho muth, you thee, there mutht be a number of dogth acquainted with me, Thquire, that _I_ don't know!" Mr. Gradgrind seemed to be quite confounded by this speculation. "Any way," said Sleary, after putting his lips to his brandy and water, "ith fourteen month ago, Thquire, thinthe we wath at Chethter. We wath getting up our Children in the Wood one morning, when there cometh into our Ring, by the thtage door, a dog. He had travelled a long way, he wath in a very bad condithon, he wath lame, and pretty well blind. He went round to our children, one after another, as if he wath a theeking for a child he know'd; and then he come to me, and throwd hithelf up behind, and thtood on hith two forelegth, weak ath he wath, and then he wagged hith tail and died. Thquire, that dog wath Merrylegth." "Sissy's father's dog!" "Thethilia'th father'th old dog. Now, Thquire, I can take my oath, from my knowledge of that dog, that that man wath dead and buried afore that dog come back to me. Joth'phine and Childerth and me talked it over a long time, whether I thould write or not. But we agreed," "No. There'th nothing comfortable to tell; why unthettle her mind, and make her unhappy?" "Tho, whether her father bathely detherted her; or whether he broke hith own heart alone, rather than pull her down along with him; never will be known, now, Thquire, till no, not till we know how the dogth findth uth out!" "She keeps the bottle that he sent her for, to this hour; and she will believe in his affection to the last moment of her life," said Mr. Gradgrind.<|quote|>"It theemth to prethent two thingth to a perthon, don't it, Thquire?"</|quote|>said Mr. Sleary, musing as he looked down into the depths of his brandy and water: "one, that there ith a love in the world, not all Thelf-interetht after all, but thomething very different; t'other, that it hath a way of ith own of calculating or not calculating, whith thomehow or another ith at leatht ath hard to give a name to, ath the wayth of the dogth ith!" Mr. Gradgrind looked out of window, and made no reply. Mr. Sleary emptied his glass and recalled the ladies. "Thethilia my dear, kith me and good-bye! Mith Thquire, to thee you treating of her like a thithter, and a thithter that you trutht and honour with all your heart and more, ith a very pretty thight to me. I hope your brother may live to be better detherving of you, and a greater comfort to you. Thquire, thake handth, firtht and latht! Don't be croth with uth poor vagabondth. People mutht be amuthed. They can't be alwayth a learning, nor yet they can't be alwayth a working, they an't made for it. You _mutht_ have uth, Thquire. Do the withe thing and the kind thing too, and make the betht of uth; not the wurtht!" "And I never thought before," said Mr. Sleary, putting his head in at the door again to say it, "that I wath tho muth of a Cackler!" CHAPTER IX FINAL IT is a dangerous thing to see anything in the sphere of a vain blusterer, before the vain blusterer sees it himself. Mr. Bounderby felt that Mrs. Sparsit had audaciously anticipated him, and presumed to be wiser than he. Inappeasably indignant with her for her triumphant discovery of Mrs. Pegler, he turned this presumption, on the part of a woman in her dependent position, over and over in his mind, until it accumulated with turning like a great snowball. At last he made the discovery that to discharge this highly connected female to have it in his power to say, "She was a woman of family, and wanted to stick to me, but I wouldn't have it, and got rid of her' would be to get the utmost possible amount of crowning glory out of the connection, and at the same time to punish Mrs. Sparsit according to her deserts. Filled fuller than ever, with this great idea, Mr. Bounderby came in to lunch, and sat himself down in the dining-room of former days, where his portrait was. Mrs. Sparsit sat by the fire, with her foot in her cotton stirrup, little thinking whither she was posting. Since the Pegler affair, this gentlewoman had covered her pity for Mr. Bounderby with a veil of quiet melancholy and contrition. In virtue thereof, it had become her habit to assume a woful look, which woful look she now bestowed upon her patron. "What's the matter now, ma'am?" said Mr. Bounderby, in a very short, rough way. "Pray, sir," returned Mrs. Sparsit, "do not bite my nose off." "Bite your nose off, ma'am?" repeated Mr. Bounderby. "_Your_ nose!" meaning, as Mrs. Sparsit conceived, that it was too developed a nose for the purpose. After which offensive implication, he cut himself a crust of bread, and threw the knife down with a noise. Mrs. Sparsit took her foot out of her stirrup, and said, "Mr. Bounderby, sir!" "Well, ma'am?" retorted Mr. Bounderby. "What are you staring at?" "May I ask, sir," said Mrs. Sparsit, "have you been ruffled this morning?" "Yes, ma'am." "May I inquire, sir," pursued the injured woman, "whether _I_ am the unfortunate cause of your having lost your temper?" "Now, I'll tell you what, ma'am," said Bounderby, "I am not come here to be bullied. A female may be highly connected, but she can't be permitted to bother and badger a man in my position, and I am not going to put up with it." (Mr. Bounderby felt it necessary to get on: foreseeing that if he allowed of details, he would be beaten.) Mrs. Sparsit first elevated, then knitted, her Coriolanian eyebrows; gathered up her work into its proper basket; and rose. "Sir," said she, majestically. "It is apparent to me that I am in your way at present. I will retire to my own apartment." "Sir," said she, majestically. "It is apparent to me that I am in your way at present. I will retire to my own apartment." "Allow me to open the door, ma'am." "Thank you, sir; I can do it for myself." "You had better allow me, ma'am," said Bounderby, passing her, and getting his hand upon the lock; "because I can take the opportunity of saying a word to you, before you go. Mrs. Sparsit, ma'am, I rather think you are cramped here, do you know? It appears to me, that, | it," repeated Sleary, shaking his head, "but I have had dogth find me, Thquire, in a way that made me think whether that dog hadn't gone to another dog, and thed," "You don't happen to know a perthon of the name of Thleary, do you? Perthon of the name of Thleary, in the Horthe-Riding way thtout man game eye?" "And whether that dog mightn't have thed," "Well, I can't thay I know him mythelf, but I know a dog that I think would be likely to be acquainted with him." "And whether that dog mightn't have thought it over, and thed," "Thleary, Thleary! O yeth, to be thure! A friend of mine menthioned him to me at one time. I can get you hith addreth directly." "In conthequenth of my being afore the public, and going about tho muth, you thee, there mutht be a number of dogth acquainted with me, Thquire, that _I_ don't know!" Mr. Gradgrind seemed to be quite confounded by this speculation. "Any way," said Sleary, after putting his lips to his brandy and water, "ith fourteen month ago, Thquire, thinthe we wath at Chethter. We wath getting up our Children in the Wood one morning, when there cometh into our Ring, by the thtage door, a dog. He had travelled a long way, he wath in a very bad condithon, he wath lame, and pretty well blind. He went round to our children, one after another, as if he wath a theeking for a child he know'd; and then he come to me, and throwd hithelf up behind, and thtood on hith two forelegth, weak ath he wath, and then he wagged hith tail and died. Thquire, that dog wath Merrylegth." "Sissy's father's dog!" "Thethilia'th father'th old dog. Now, Thquire, I can take my oath, from my knowledge of that dog, that that man wath dead and buried afore that dog come back to me. Joth'phine and Childerth and me talked it over a long time, whether I thould write or not. But we agreed," "No. There'th nothing comfortable to tell; why unthettle her mind, and make her unhappy?" "Tho, whether her father bathely detherted her; or whether he broke hith own heart alone, rather than pull her down along with him; never will be known, now, Thquire, till no, not till we know how the dogth findth uth out!" "She keeps the bottle that he sent her for, to this hour; and she will believe in his affection to the last moment of her life," said Mr. Gradgrind.<|quote|>"It theemth to prethent two thingth to a perthon, don't it, Thquire?"</|quote|>said Mr. Sleary, musing as he looked down into the depths of his brandy and water: "one, that there ith a love in the world, not all Thelf-interetht after all, but thomething very different; t'other, that it hath a way of ith own of calculating or not calculating, whith thomehow or another ith at leatht ath hard to give a name to, ath the wayth of the dogth ith!" Mr. Gradgrind looked out of window, and made no reply. Mr. Sleary emptied his glass and recalled the ladies. "Thethilia my dear, kith me and good-bye! Mith Thquire, to thee you treating of her like a thithter, and a thithter that you trutht and honour with all your heart and more, ith a very pretty thight to me. I hope your brother may live to be better detherving of you, and a greater comfort to you. Thquire, thake handth, firtht and latht! Don't be croth with uth poor vagabondth. People mutht be amuthed. They can't be alwayth a learning, nor yet they can't be alwayth a working, they an't made for it. You _mutht_ have uth, Thquire. Do the withe thing and the kind thing too, and make the betht of uth; not the wurtht!" "And I never thought before," said Mr. Sleary, putting his head in at the door again to say it, "that I wath tho muth of a Cackler!" CHAPTER IX FINAL IT is a dangerous thing to see anything in the sphere of a vain blusterer, before the vain blusterer sees it himself. Mr. Bounderby felt that Mrs. Sparsit had audaciously anticipated him, and presumed to be wiser than he. Inappeasably indignant with her for her triumphant discovery of Mrs. Pegler, he turned this presumption, on the part of a woman in her dependent position, over and over in his mind, until it accumulated with turning like a great snowball. At last he made the discovery that to discharge this highly connected female to have it in his power to say, "She was a woman of family, and | Hard Times |
Mary demanded rashly and foolishly. | No speaker | ever cared for any one?"<|quote|>Mary demanded rashly and foolishly.</|quote|>"I can t wander about | tell?" Katharine asked. "Have you ever cared for any one?"<|quote|>Mary demanded rashly and foolishly.</|quote|>"I can t wander about London discussing my feelings Here | he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?"<|quote|>Mary demanded rashly and foolishly.</|quote|>"I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, | more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise. "You know it s not. How can it be? I ve no right to interfere" She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?"<|quote|>Mary demanded rashly and foolishly.</|quote|>"I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what | Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise. "You know it s not. How can it be? I ve no right to interfere" She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?"<|quote|>Mary demanded rashly and foolishly.</|quote|>"I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" | wondered what their society might be going to attempt. Then she remembered that she was hindering their business, and rose, still thinking of this society, and thus thinking, she said to Mr. Basnett: "Well, you ll ask me to join when the time comes, I hope." He nodded, and took his pipe from his mouth, but, being unable to think of anything to say, he put it back again, although he would have been glad if she had stayed. Against her wish, Mary insisted upon taking her downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise. "You know it s not. How can it be? I ve no right to interfere" She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?"<|quote|>Mary demanded rashly and foolishly.</|quote|>"I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do." At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing. "You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near | many things," said Mary. The conspirators looked pleased, as if Katharine s question, with the belief in their existence which it implied, had a warming effect upon them. "In starting a society such as we wish to start (we can t say any more at present)," Mr. Basnett began, with a little jerk of his head, "there are two things to remember the Press and the public. Other societies, which shall be nameless, have gone under because they ve appealed only to cranks. If you don t want a mutual admiration society, which dies as soon as you ve all discovered each other s faults, you must nobble the Press. You must appeal to the public." "That s the difficulty," said Mary thoughtfully. "That s where she comes in," said Mr. Basnett, jerking his head in Mary s direction. "She s the only one of us who s a capitalist. She can make a whole-time job of it. I m tied to an office; I can only give my spare time. Are you, by any chance, on the look-out for a job?" he asked Katharine, with a queer mixture of distrust and deference. "Marriage is her job at present," Mary replied for her. "Oh, I see," said Mr. Basnett. He made allowances for that; he and his friends had faced the question of sex, along with all others, and assigned it an honorable place in their scheme of life. Katharine felt this beneath the roughness of his manner; and a world entrusted to the guardianship of Mary Datchet and Mr. Basnett seemed to her a good world, although not a romantic or beautiful place or, to put it figuratively, a place where any line of blue mist softly linked tree to tree upon the horizon. For a moment she thought she saw in his face, bent now over the fire, the features of that original man whom we still recall every now and then, although we know only the clerk, barrister, Governmental official, or workingman variety of him. Not that Mr. Basnett, giving his days to commerce and his spare time to social reform, would long carry about him any trace of his possibilities of completeness; but, for the moment, in his youth and ardor, still speculative, still uncramped, one might imagine him the citizen of a nobler state than ours. Katharine turned over her small stock of information, and wondered what their society might be going to attempt. Then she remembered that she was hindering their business, and rose, still thinking of this society, and thus thinking, she said to Mr. Basnett: "Well, you ll ask me to join when the time comes, I hope." He nodded, and took his pipe from his mouth, but, being unable to think of anything to say, he put it back again, although he would have been glad if she had stayed. Against her wish, Mary insisted upon taking her downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise. "You know it s not. How can it be? I ve no right to interfere" She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?"<|quote|>Mary demanded rashly and foolishly.</|quote|>"I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do." At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing. "You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near the top of the house, and they both looked at it and waited for a moment. A flight of semicircular steps ran up to the hall, and Mary slowly mounted the first two or three, and paused, looking down upon Katharine. "I think you underrate the value of that emotion," she said slowly, and a little awkwardly. She climbed another step and looked down once more upon the figure that was only partly lit up, standing in the street with a colorless face turned upwards. As Mary hesitated, a cab came by and Katharine turned and stopped it, saying as she opened the door: "Remember, I want to belong to your society remember," she added, having to raise her voice a little, and shutting the door upon the rest of her words. Mary mounted the stairs step by step, as if she had to lift her body up an extremely steep ascent. She had had to wrench herself forcibly away from Katharine, and every step vanquished her desire. She held on grimly, encouraging herself as though she were actually making some great physical effort in climbing a height. She was conscious that Mr. Basnett, sitting at the top of the stairs with his documents, offered her solid footing if she were capable of reaching it. The knowledge gave her a faint sense of exaltation. Mr. Basnett raised his eyes as she opened the door. "I ll go on where I left off," he said. "Stop me if you want anything explained." He had been re-reading the document, and making pencil notes in the margin while he waited, and he went on again as if there had been no interruption. Mary sat down among the flat cushions, lit another cigarette, and listened with a frown upon her face. Katharine leant back in the corner of the cab that carried her to Chelsea, conscious of fatigue, and conscious, too, of the sober and satisfactory nature of such industry as she had just witnessed. The thought of it composed and calmed her. When she reached home she let herself in as quietly as she could, in the hope that the household was already gone to bed. But her excursion had occupied less time than she thought, and she heard sounds of unmistakable liveliness upstairs. A door opened, and she drew herself into a ground-floor room in case the sound meant that Mr. Peyton | downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise. "You know it s not. How can it be? I ve no right to interfere" She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?"<|quote|>Mary demanded rashly and foolishly.</|quote|>"I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do." At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing. "You must go in," said Katharine, rousing | Night And Day |
"I believe you would never have told me." | Margaret | have, but decided to wait."<|quote|>"I believe you would never have told me."</|quote|>"Oh yes, I should. We | replied Helen judicially. "I might have, but decided to wait."<|quote|>"I believe you would never have told me."</|quote|>"Oh yes, I should. We have taken a flat in | I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait."<|quote|>"I believe you would never have told me."</|quote|>"Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s | I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait."<|quote|>"I believe you would never have told me."</|quote|>"Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had | that Helen could have committed--that want of confidence that is the work of the devil. "Yes, I am annoyed," replied Helen. "My wishes should have been respected. I would have gone through this meeting if it was necessary, but after Aunt Juley recovered, it was not necessary. Planning my life, as I now have to do." "Come away from those books," called Margaret. "Helen, do talk to me." "I was just saying that I have stopped living haphazard. One can t go through a great deal of --" "--she left out the noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait."<|quote|>"I believe you would never have told me."</|quote|>"Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t | came up in the middle; but she waited through all, for there was no hurry. When all was over and the car had started, she opened the door. "Oh, my darling!" she said. "My darling, forgive me." Helen was standing in the hall. CHAPTER XXXVII Margaret bolted the door on the inside. Then she would have kissed her sister, but Helen, in a dignified voice, that came strangely from her, said: "Convenient! You did not tell me that the books were unpacked. I have found nearly everything that I want." "I told you nothing that was true." "It has been a great surprise, certainly. Has Aunt Juley been ill?" "Helen, you wouldn t think I d invent that?" "I suppose not," said Helen, turning away, and crying a very little. "But one loses faith in everything after this." "We thought it was illness, but even then--I haven t behaved worthily." Helen selected another book. "I ought not to have consulted any one. What would our father have thought of me?" She did not think of questioning her sister, or of rebuking her. Both might be necessary in the future, but she had first to purge a greater crime than any that Helen could have committed--that want of confidence that is the work of the devil. "Yes, I am annoyed," replied Helen. "My wishes should have been respected. I would have gone through this meeting if it was necessary, but after Aunt Juley recovered, it was not necessary. Planning my life, as I now have to do." "Come away from those books," called Margaret. "Helen, do talk to me." "I was just saying that I have stopped living haphazard. One can t go through a great deal of --" "--she left out the noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait."<|quote|>"I believe you would never have told me."</|quote|>"Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?" "No one." "I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I | sister." "Come, come, Margaret!" said Henry, never raising his eyes. "This is a terrible business, an appalling business. It s doctor s orders. Open the door." "Forgive me, but I will not." "I don t agree." Margaret was silent. "This business is as broad as it s long," contributed the doctor. "We had better all work together. You need us, Mrs. Wilcox, and we need you." "Quite so," said Henry. "I do not need you in the least," said Margaret. The two men looked at each other anxiously. "No more does my sister, who is still many weeks from her confinement." "Margaret, Margaret!" "Well, Henry, send your doctor away. What possible use is he now?" Mr. Wilcox ran his eye over the house. He had a vague feeling that he must stand firm and support the doctor. He himself might need support, for there was trouble ahead. "It all turns on affection now," said Margaret. "Affection. Don t you see?" Resuming her usual methods, she wrote the word on the house with her finger. "Surely you see. I like Helen very much, you not so much. Mr. Mansbridge doesn t know her. That s all. And affection, when reciprocated, gives rights. Put that down in your note-book, Mr. Mansbridge. It s a useful formula." Henry told her to be calm. "You don t know what you want yourselves," said Margaret, folding her arms. "For one sensible remark I will let you in. But you cannot make it. You would trouble my sister for no reason. I will not permit it. I ll stand here all the day sooner." "Mansbridge," said Henry in a low voice, "perhaps not now." The pack was breaking up. At a sign from his master, Crane also went back into the car. "Now, Henry, you," she said gently. None of her bitterness had been directed at him. "Go away now, dear. I shall want your advice later, no doubt. Forgive me if I have been cross. But, seriously, you must go." He was too stupid to leave her. Now it was Mr. Mansbridge who called in a low voice to him. "I shall soon find you down at Dolly s," she called, as the gate at last clanged between them. The fly moved out of the way, the motor backed, turned a little, backed again, and turned in the narrow road. A string of farm carts came up in the middle; but she waited through all, for there was no hurry. When all was over and the car had started, she opened the door. "Oh, my darling!" she said. "My darling, forgive me." Helen was standing in the hall. CHAPTER XXXVII Margaret bolted the door on the inside. Then she would have kissed her sister, but Helen, in a dignified voice, that came strangely from her, said: "Convenient! You did not tell me that the books were unpacked. I have found nearly everything that I want." "I told you nothing that was true." "It has been a great surprise, certainly. Has Aunt Juley been ill?" "Helen, you wouldn t think I d invent that?" "I suppose not," said Helen, turning away, and crying a very little. "But one loses faith in everything after this." "We thought it was illness, but even then--I haven t behaved worthily." Helen selected another book. "I ought not to have consulted any one. What would our father have thought of me?" She did not think of questioning her sister, or of rebuking her. Both might be necessary in the future, but she had first to purge a greater crime than any that Helen could have committed--that want of confidence that is the work of the devil. "Yes, I am annoyed," replied Helen. "My wishes should have been respected. I would have gone through this meeting if it was necessary, but after Aunt Juley recovered, it was not necessary. Planning my life, as I now have to do." "Come away from those books," called Margaret. "Helen, do talk to me." "I was just saying that I have stopped living haphazard. One can t go through a great deal of --" "--she left out the noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait."<|quote|>"I believe you would never have told me."</|quote|>"Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?" "No one." "I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is a nuisance, but no good trying." Something had come between them. Perhaps it was Society, which henceforward would exclude Helen. Perhaps it was a third life, already potent as a spirit. They could find no meeting-place. Both suffered acutely, and were not comforted by the knowledge that affection survived. "Look here, Meg, is the coast clear?" "You mean that you want to go away from me?" "I suppose so--dear old lady! it isn t any use. I knew we should have nothing to say. Give my love to Aunt Juley and Tibby, and take more yourself than I can say. Promise to come and see me in Munich later." "Certainly, dearest." "For that is all we can do." It seemed so. Most ghastly of all was Helen s common sense; Monica had been extraordinarily good for her. "I am glad to have seen you and the things." She looked at the bookcase lovingly, as if she was saying farewell to the past. Margaret unbolted the door. She remarked: "The car has gone, and here s your cab." She led the way to it, glancing at the leaves and the sky. The spring had never seemed more beautiful. The driver, who was leaning on the gate, called out, "Please, lady, a | pack was breaking up. At a sign from his master, Crane also went back into the car. "Now, Henry, you," she said gently. None of her bitterness had been directed at him. "Go away now, dear. I shall want your advice later, no doubt. Forgive me if I have been cross. But, seriously, you must go." He was too stupid to leave her. Now it was Mr. Mansbridge who called in a low voice to him. "I shall soon find you down at Dolly s," she called, as the gate at last clanged between them. The fly moved out of the way, the motor backed, turned a little, backed again, and turned in the narrow road. A string of farm carts came up in the middle; but she waited through all, for there was no hurry. When all was over and the car had started, she opened the door. "Oh, my darling!" she said. "My darling, forgive me." Helen was standing in the hall. CHAPTER XXXVII Margaret bolted the door on the inside. Then she would have kissed her sister, but Helen, in a dignified voice, that came strangely from her, said: "Convenient! You did not tell me that the books were unpacked. I have found nearly everything that I want." "I told you nothing that was true." "It has been a great surprise, certainly. Has Aunt Juley been ill?" "Helen, you wouldn t think I d invent that?" "I suppose not," said Helen, turning away, and crying a very little. "But one loses faith in everything after this." "We thought it was illness, but even then--I haven t behaved worthily." Helen selected another book. "I ought not to have consulted any one. What would our father have thought of me?" She did not think of questioning her sister, or of rebuking her. Both might be necessary in the future, but she had first to purge a greater crime than any that Helen could have committed--that want of confidence that is the work of the devil. "Yes, I am annoyed," replied Helen. "My wishes should have been respected. I would have gone through this meeting if it was necessary, but after Aunt Juley recovered, it was not necessary. Planning my life, as I now have to do." "Come away from those books," called Margaret. "Helen, do talk to me." "I was just saying that I have stopped living haphazard. One can t go through a great deal of --" "--she left out the noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait."<|quote|>"I believe you would never have told me."</|quote|>"Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all | Howards End |
"Lookye here," | Jem Wimble | My pakeha!" cried the chief.<|quote|>"Lookye here,"</|quote|>cried Jem, speaking in the | about you two." "My pakeha! My pakeha!" cried the chief.<|quote|>"Lookye here,"</|quote|>cried Jem, speaking in the irritable fashion of those just | right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief.<|quote|>"Lookye here,"</|quote|>cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' at me in that there aggravating way, I shall hit him in the mouth." "Ah! You're rusty," said the tattooed Englishman. "Man always is when he's been under | was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a personal claim, and ready to resist Jem's interference. The difficulty was ended by Don giving himself a shake, and slowly rising. "Jem! Where's Jem?" "Here! All right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief.<|quote|>"Lookye here,"</|quote|>cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' at me in that there aggravating way, I shall hit him in the mouth." "Ah! You're rusty," said the tattooed Englishman. "Man always is when he's been under water." "I dunno what you mean by being rusty," said Jem snappishly. "What I say is, leave a man alone." "All right!" said the Englishman. "I'll let you alone. How's your young mate?" "My head aches dreadfully," said Don; "and there's a horrible pain at the back of my neck." | "Hail sooner?" said Jem. "Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see." "We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you must talk to him." "My pakeha!" cried the big chief excitedly. "That isn't his name, is it?" said Jem. "No. Nonsense! Pakeha means white man. I was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a personal claim, and ready to resist Jem's interference. The difficulty was ended by Don giving himself a shake, and slowly rising. "Jem! Where's Jem?" "Here! All right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief.<|quote|>"Lookye here,"</|quote|>cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' at me in that there aggravating way, I shall hit him in the mouth." "Ah! You're rusty," said the tattooed Englishman. "Man always is when he's been under water." "I dunno what you mean by being rusty," said Jem snappishly. "What I say is, leave a man alone." "All right!" said the Englishman. "I'll let you alone. How's your young mate?" "My head aches dreadfully," said Don; "and there's a horrible pain at the back of my neck." "Oh, that'll soon go off, my lad. And now what are you going to do?" "Do?" interrupted Jem. "Why, you don't mean to give us up, do you?" "I don't mean to do anything or know anything," said the man. "Your skipper'll come to me to-morrow if he don't think you're drowned, or--I say, did you feel anything of 'em?" "Feel anything--of what?" said Don. "Sharks, my lad. The shallow waters here swarm with them." "Sharks!" cried Don and Jem in a breath. "Yes. Didn't you know?" "I'd forgotten all about the sharks, Jem," said Don. "So had I, my | till, in obedience to another grunting sound, it turned and dashed straight for a sandy beach, resolving itself into a long New Zealand war canoe, into which Don and Jem had been drawn, to lie half insensible till the beach was neared when Jem slowly and wonderingly sat up. "Where's Mas' Don?" he said in a sharp ill-used tone. "Here he is," said a gruff voice, and Jem looked wonderingly in a savage's indistinctly seen face, and then down in the bottom of the long canoe, into which they had been dragged. "Mas' Don--don't say you're drowned, Mas' Don," he said pitifully, with a Somersetshire man's bold attempt at the making of an Irish bull. "My pakeha! My pakeha!" said a deep voice; and Jem became aware of the fact that the big chief he had so often seen on board the ship, and who had come to them with the present of fruit when they were guarding the boat, was kneeling down and gently rubbing Don. "Is he dead?" said Jem in a whisper. "No, not this time," said the gruff voice out of the darkness. "Pretty nigh touch, though, for both of you. Why didn't you hail sooner?" "Hail sooner?" said Jem. "Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see." "We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you must talk to him." "My pakeha!" cried the big chief excitedly. "That isn't his name, is it?" said Jem. "No. Nonsense! Pakeha means white man. I was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a personal claim, and ready to resist Jem's interference. The difficulty was ended by Don giving himself a shake, and slowly rising. "Jem! Where's Jem?" "Here! All right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief.<|quote|>"Lookye here,"</|quote|>cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' at me in that there aggravating way, I shall hit him in the mouth." "Ah! You're rusty," said the tattooed Englishman. "Man always is when he's been under water." "I dunno what you mean by being rusty," said Jem snappishly. "What I say is, leave a man alone." "All right!" said the Englishman. "I'll let you alone. How's your young mate?" "My head aches dreadfully," said Don; "and there's a horrible pain at the back of my neck." "Oh, that'll soon go off, my lad. And now what are you going to do?" "Do?" interrupted Jem. "Why, you don't mean to give us up, do you?" "I don't mean to do anything or know anything," said the man. "Your skipper'll come to me to-morrow if he don't think you're drowned, or--I say, did you feel anything of 'em?" "Feel anything--of what?" said Don. "Sharks, my lad. The shallow waters here swarm with them." "Sharks!" cried Don and Jem in a breath. "Yes. Didn't you know?" "I'd forgotten all about the sharks, Jem," said Don. "So had I, my lad, or I dursen't have swum for it as we did. Of course I thought about 'em at first starting, but I forgot all about 'em afterwards." "Jem," said Don, shuddering; "what an escape!" "Well, don't get making a fuss about it now it's all over, Mas' Don. Here we are safe, but I must say you're the wussest swimmer I ever met.--Here, what are they going to do?" "Run ashore," said the Englishman, as there was a buzz of excitement among the New Zealanders, many of whom stepped over into the shallow water, and seized the sides of the boat, which was rapidly run up the dark shore, where, amidst a low gobbling noise, the two wet passengers were landed to stand shivering with cold. "There you are," said the Englishman, "safe and sound." "Well, who said we weren't?" grumbled Jem. "Not you, squire," continued the Englishman. "There; I don't know anything about you, and you'd better lie close till the ship's gone, for they may come after you." "Where shall we hide?" said Don eagerly. "Oh, you leave it to Ngati; he'll find you a place where you can lie snug." "Ngati," said the owner of the name | of light. But it was not there alone that the phosphorescence of the sea was visible. About a hundred yards away there was what seemed to be a double line of pale gold liquid fire changing into bluish green, and between the lines of light something whose blackness was greater than the darkness of the sea or night. There was a dull low splashing, and at every splash the liquid fire seemed to fly. The double line of fire lengthened and sparkled, till it was as so much greenish golden foam reaching more and more toward where the drowning pair were struggling. Then came a low, growling, grinding sound, as if the long lines of light were made by the beating fins of the dark object, which was some habitant of the deep roused from slumbers by the light of the golden foam formed by those who drowned. And it rushed on and on to seize its prey, invisible before, but now plainly seen by the struggles and the resulting phosphorescent light. Long, low, and with its head raised high out of the water, horrent, grotesque and strange, the great sea monster glided along over the smooth sea. Full five-and-twenty fins aside made the water flash as it came on, and there was, as it were, a thin new-moon-like curve of light at its breast, while from its tail the sparkling phosphorescence spread widely as it was left behind. The low grumbling sound came again, but it was not heard by those drowning, nor was the light seen as it glided on nearer and nearer, till it reached the spot. One dart from the long raised neck, one snap of the fierce jaws--another dart and another snap, and the sea monster had its prey, and glided rapidly on, probably in search of more in its nightly hunt. Nothing of the kind! The long creature endued with life darted on, but the long neck and horned head were not darted down, but guided past those who where drowning. Everything was stiff and rigid but the playing fins. But there was another dull, low grunt, the fins seemed to cease by magic; and, instead of being snapped up by the monster's mouth, the two sufferers were drawn in over its side. Then the water flashed golden again, the monster made a curve and rushed through the water, and sped away for miles till, in obedience to another grunting sound, it turned and dashed straight for a sandy beach, resolving itself into a long New Zealand war canoe, into which Don and Jem had been drawn, to lie half insensible till the beach was neared when Jem slowly and wonderingly sat up. "Where's Mas' Don?" he said in a sharp ill-used tone. "Here he is," said a gruff voice, and Jem looked wonderingly in a savage's indistinctly seen face, and then down in the bottom of the long canoe, into which they had been dragged. "Mas' Don--don't say you're drowned, Mas' Don," he said pitifully, with a Somersetshire man's bold attempt at the making of an Irish bull. "My pakeha! My pakeha!" said a deep voice; and Jem became aware of the fact that the big chief he had so often seen on board the ship, and who had come to them with the present of fruit when they were guarding the boat, was kneeling down and gently rubbing Don. "Is he dead?" said Jem in a whisper. "No, not this time," said the gruff voice out of the darkness. "Pretty nigh touch, though, for both of you. Why didn't you hail sooner?" "Hail sooner?" said Jem. "Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see." "We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you must talk to him." "My pakeha!" cried the big chief excitedly. "That isn't his name, is it?" said Jem. "No. Nonsense! Pakeha means white man. I was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a personal claim, and ready to resist Jem's interference. The difficulty was ended by Don giving himself a shake, and slowly rising. "Jem! Where's Jem?" "Here! All right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief.<|quote|>"Lookye here,"</|quote|>cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' at me in that there aggravating way, I shall hit him in the mouth." "Ah! You're rusty," said the tattooed Englishman. "Man always is when he's been under water." "I dunno what you mean by being rusty," said Jem snappishly. "What I say is, leave a man alone." "All right!" said the Englishman. "I'll let you alone. How's your young mate?" "My head aches dreadfully," said Don; "and there's a horrible pain at the back of my neck." "Oh, that'll soon go off, my lad. And now what are you going to do?" "Do?" interrupted Jem. "Why, you don't mean to give us up, do you?" "I don't mean to do anything or know anything," said the man. "Your skipper'll come to me to-morrow if he don't think you're drowned, or--I say, did you feel anything of 'em?" "Feel anything--of what?" said Don. "Sharks, my lad. The shallow waters here swarm with them." "Sharks!" cried Don and Jem in a breath. "Yes. Didn't you know?" "I'd forgotten all about the sharks, Jem," said Don. "So had I, my lad, or I dursen't have swum for it as we did. Of course I thought about 'em at first starting, but I forgot all about 'em afterwards." "Jem," said Don, shuddering; "what an escape!" "Well, don't get making a fuss about it now it's all over, Mas' Don. Here we are safe, but I must say you're the wussest swimmer I ever met.--Here, what are they going to do?" "Run ashore," said the Englishman, as there was a buzz of excitement among the New Zealanders, many of whom stepped over into the shallow water, and seized the sides of the boat, which was rapidly run up the dark shore, where, amidst a low gobbling noise, the two wet passengers were landed to stand shivering with cold. "There you are," said the Englishman, "safe and sound." "Well, who said we weren't?" grumbled Jem. "Not you, squire," continued the Englishman. "There; I don't know anything about you, and you'd better lie close till the ship's gone, for they may come after you." "Where shall we hide?" said Don eagerly. "Oh, you leave it to Ngati; he'll find you a place where you can lie snug." "Ngati," said the owner of the name quickly, for he had been listening intently, and trying to grasp what was said. "Ngati! My pakeha." "Oh, I say: do leave off," cried Jem testily. "Pakeha again. Say, Mas' Don, him and I's going to have a row before we've done." The chief said something quickly to the Englishman, who nodded and then turned to the fugitives. "Ngati says he will take you where you can dry yourselves, and put on warm things." "He won't be up to any games, will he?" said Jem. "No, no; you may trust him. You can't do better than go with him till the search is over." The Englishman turned to a tall young savage, and said some words to him, with the result that the young man placed himself behind Don, and began to carefully obliterate the footprints left by the fugitives upon the sand. Don noticed this and wondered, for in the darkness the footprints were hardly perceptible; but he appreciated the act, though he felt no one but a native would distinguish between the footprints of the two people. "My pakeha," said Ngati just then, making Jem wince and utter an angry gesticulation. "Gunpowder, gun, pow-gun, gun-pow." "Eh?" said Jem harshly. "My pakeha, powder-gun. Pow-gun, gun-pow. No?" "He says his pakeha was to have brought plenty of guns and powder, and he has not brought any." "No," said Don, shivering as he spoke. "The guns are the king's. I could not bring any." The New Zealand chief seemed to comprehend a good deal of his meaning, and nodded his head several times. Then making a sign to a couple of followers, each took one of Don's arms, and they hurried him off at a sharp run, Jem being seized in the same way and borne forward, followed by the rest of the men who were in the boat. "Here, I say. Look here," Jem kept protesting, "I arn't a cask o' sugar or a bar'l o' 'bacco. Let a man walk, can't yer? Hi! Mas' Don, they're carrying on strange games here. How are you getting on?" Don heard the question, but he was too breathless to speak, and had hard work to keep his feet, leaving everything to the guidance of his companions, who kept on for above a quarter of a mile before stopping in a shadowy gully, where the spreading ferns made the place seem black as | when they were guarding the boat, was kneeling down and gently rubbing Don. "Is he dead?" said Jem in a whisper. "No, not this time," said the gruff voice out of the darkness. "Pretty nigh touch, though, for both of you. Why didn't you hail sooner?" "Hail sooner?" said Jem. "Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see." "We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you must talk to him." "My pakeha!" cried the big chief excitedly. "That isn't his name, is it?" said Jem. "No. Nonsense! Pakeha means white man. I was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a personal claim, and ready to resist Jem's interference. The difficulty was ended by Don giving himself a shake, and slowly rising. "Jem! Where's Jem?" "Here! All right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief.<|quote|>"Lookye here,"</|quote|>cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' at me in that there aggravating way, I shall hit him in the mouth." "Ah! You're rusty," said the tattooed Englishman. "Man always is when he's been under water." "I dunno what you mean by being rusty," said Jem snappishly. "What I say is, leave a man alone." "All right!" said the Englishman. "I'll let you alone. How's your young mate?" "My head aches dreadfully," said Don; "and there's a horrible pain at the back of my neck." "Oh, that'll soon go off, my lad. And now what are you going to do?" "Do?" interrupted Jem. "Why, you don't mean to give us up, do you?" "I don't mean to do anything or know anything," said the man. "Your skipper'll come to me to-morrow if he don't think you're drowned, or--I say, did you feel anything of 'em?" "Feel anything--of what?" said Don. "Sharks, my lad. The shallow waters here swarm with them." "Sharks!" cried Don and Jem in a breath. "Yes. Didn't you know?" "I'd forgotten all about the sharks, Jem," said Don. "So had I, my lad, or I dursen't have swum for it as we did. Of course I thought about 'em at first starting, but I forgot all about 'em afterwards." "Jem," said Don, shuddering; "what an escape!" "Well, don't get making a fuss about it now it's all over, Mas' Don. Here we are safe, but I must say you're the wussest swimmer I ever met.--Here, what are they going to do?" "Run ashore," said the Englishman, as there was a buzz of excitement among the New Zealanders, many of whom stepped over into the shallow water, and seized the sides of the boat, which was rapidly run up the dark shore, where, amidst a low gobbling noise, the two wet passengers were landed to stand shivering with cold. "There you are," said the Englishman, "safe and sound." "Well, who said we weren't?" grumbled Jem. "Not you, squire," continued the Englishman. "There; I don't know anything about you, and you'd better lie close till the ship's gone, for they may come after you." "Where shall we hide?" said Don eagerly. "Oh, you leave it to Ngati; he'll find you a place where you can lie snug." "Ngati," said the owner of the name quickly, for he had been listening intently, and trying to grasp what was said. "Ngati! My pakeha." "Oh, I say: do leave off," cried Jem testily. "Pakeha again. Say, Mas' Don, him and I's going to have a row before we've done." The chief said something quickly to the Englishman, who nodded and then turned to the fugitives. "Ngati says he will take you where you can dry yourselves, and put on warm things." "He won't be up to any games, will he?" said Jem. "No, no; you may trust him. You can't do better than go with him till the search is over." The Englishman turned to a tall young savage, and said some words to him, with the result that the young man placed himself behind Don, and began to carefully obliterate the footprints left by the fugitives upon the sand. Don noticed this and wondered, for in the darkness the footprints were hardly perceptible; but he appreciated the act, though he felt no one but a native would distinguish between the footprints of the two people. "My pakeha," said Ngati just | Don Lavington |
said Tom, softening in his admiration of his patron, but shaking his head sullenly too, | No speaker | "At all events, Mr. Harthouse,"<|quote|>said Tom, softening in his admiration of his patron, but shaking his head sullenly too,</|quote|>"you can't tell her that | unless he relents a little." "At all events, Mr. Harthouse,"<|quote|>said Tom, softening in his admiration of his patron, but shaking his head sullenly too,</|quote|>"you can't tell her that I ever praised her for | can wear it." "Tom is misanthropical to-day, as all bored people are now and then," said Mr. Harthouse. "Don't believe him, Mrs. Bounderby. He knows much better. I shall disclose some of his opinions of you, privately expressed to me, unless he relents a little." "At all events, Mr. Harthouse,"<|quote|>said Tom, softening in his admiration of his patron, but shaking his head sullenly too,</|quote|>"you can't tell her that I ever praised her for being mercenary. I may have praised her for being the contrary, and I should do it again, if I had as good reason. However, never mind this now; it's not very interesting to you, and I am sick of the | Tom." "Mercenary," repeated Tom. "Who is not mercenary? Ask my sister." "Have you so proved it to be a failing of mine, Tom?" said Louisa, showing no other sense of his discontent and ill-nature. "You know whether the cap fits you, Loo," returned her brother sulkily. "If it does, you can wear it." "Tom is misanthropical to-day, as all bored people are now and then," said Mr. Harthouse. "Don't believe him, Mrs. Bounderby. He knows much better. I shall disclose some of his opinions of you, privately expressed to me, unless he relents a little." "At all events, Mr. Harthouse,"<|quote|>said Tom, softening in his admiration of his patron, but shaking his head sullenly too,</|quote|>"you can't tell her that I ever praised her for being mercenary. I may have praised her for being the contrary, and I should do it again, if I had as good reason. However, never mind this now; it's not very interesting to you, and I am sick of the subject." They walked on to the house, where Louisa quitted her visitor's arm and went in. He stood looking after her, as she ascended the steps, and passed into the shadow of the door; then put his hand upon her brother's shoulder again, and invited him with a confidential nod | walked towards the house together, "have you been carving on the trees?" "Whose name?" returned Tom. "Oh! You mean what girl's name?" "You have a suspicious appearance of inscribing some fair creature's on the bark, Tom." [Picture: Mr. Harthouse and Tom Gradgrind in the garden] "Not much of that, Mr. Harthouse, unless some fair creature with a slashing fortune at her own disposal would take a fancy to me. Or she might be as ugly as she was rich, without any fear of losing me. I'd carve her name as often as she liked." "I am afraid you are mercenary, Tom." "Mercenary," repeated Tom. "Who is not mercenary? Ask my sister." "Have you so proved it to be a failing of mine, Tom?" said Louisa, showing no other sense of his discontent and ill-nature. "You know whether the cap fits you, Loo," returned her brother sulkily. "If it does, you can wear it." "Tom is misanthropical to-day, as all bored people are now and then," said Mr. Harthouse. "Don't believe him, Mrs. Bounderby. He knows much better. I shall disclose some of his opinions of you, privately expressed to me, unless he relents a little." "At all events, Mr. Harthouse,"<|quote|>said Tom, softening in his admiration of his patron, but shaking his head sullenly too,</|quote|>"you can't tell her that I ever praised her for being mercenary. I may have praised her for being the contrary, and I should do it again, if I had as good reason. However, never mind this now; it's not very interesting to you, and I am sick of the subject." They walked on to the house, where Louisa quitted her visitor's arm and went in. He stood looking after her, as she ascended the steps, and passed into the shadow of the door; then put his hand upon her brother's shoulder again, and invited him with a confidential nod to a walk in the garden. "Tom, my fine fellow, I want to have a word with you." They had stopped among a disorder of roses it was part of Mr. Bounderby's humility to keep Nickits's roses on a reduced scale and Tom sat down on a terrace-parapet, plucking buds and picking them to pieces; while his powerful Familiar stood over him, with a foot upon the parapet, and his figure easily resting on the arm supported by that knee. They were just visible from her window. Perhaps she saw them. "Tom, what's the matter?" "Oh! Mr. Harthouse," said Tom | to make any protestation to that effect, and openly announce that I am nothing of the sort. Yonder, among the trees," he added, having lifted up his eyes and looked about; for he had watched her closely until now; "is your brother himself; no doubt, just come down. As he seems to be loitering in this direction, it may be as well, perhaps, to walk towards him, and throw ourselves in his way. He has been very silent and doleful of late. Perhaps, his brotherly conscience is touched if there are such things as consciences. Though, upon my honour, I hear of them much too often to believe in them." He assisted her to rise, and she took his arm, and they advanced to meet the whelp. He was idly beating the branches as he lounged along: or he stooped viciously to rip the moss from the trees with his stick. He was startled when they came upon him while he was engaged in this latter pastime, and his colour changed. "Halloa!" he stammered; "I didn't know you were here." "Whose name, Tom," said Mr. Harthouse, putting his hand upon his shoulder and turning him, so that they all three walked towards the house together, "have you been carving on the trees?" "Whose name?" returned Tom. "Oh! You mean what girl's name?" "You have a suspicious appearance of inscribing some fair creature's on the bark, Tom." [Picture: Mr. Harthouse and Tom Gradgrind in the garden] "Not much of that, Mr. Harthouse, unless some fair creature with a slashing fortune at her own disposal would take a fancy to me. Or she might be as ugly as she was rich, without any fear of losing me. I'd carve her name as often as she liked." "I am afraid you are mercenary, Tom." "Mercenary," repeated Tom. "Who is not mercenary? Ask my sister." "Have you so proved it to be a failing of mine, Tom?" said Louisa, showing no other sense of his discontent and ill-nature. "You know whether the cap fits you, Loo," returned her brother sulkily. "If it does, you can wear it." "Tom is misanthropical to-day, as all bored people are now and then," said Mr. Harthouse. "Don't believe him, Mrs. Bounderby. He knows much better. I shall disclose some of his opinions of you, privately expressed to me, unless he relents a little." "At all events, Mr. Harthouse,"<|quote|>said Tom, softening in his admiration of his patron, but shaking his head sullenly too,</|quote|>"you can't tell her that I ever praised her for being mercenary. I may have praised her for being the contrary, and I should do it again, if I had as good reason. However, never mind this now; it's not very interesting to you, and I am sick of the subject." They walked on to the house, where Louisa quitted her visitor's arm and went in. He stood looking after her, as she ascended the steps, and passed into the shadow of the door; then put his hand upon her brother's shoulder again, and invited him with a confidential nod to a walk in the garden. "Tom, my fine fellow, I want to have a word with you." They had stopped among a disorder of roses it was part of Mr. Bounderby's humility to keep Nickits's roses on a reduced scale and Tom sat down on a terrace-parapet, plucking buds and picking them to pieces; while his powerful Familiar stood over him, with a foot upon the parapet, and his figure easily resting on the arm supported by that knee. They were just visible from her window. Perhaps she saw them. "Tom, what's the matter?" "Oh! Mr. Harthouse," said Tom with a groan, "I am hard up, and bothered out of my life." "My good fellow, so am I." "You!" returned Tom. "You are the picture of independence. Mr. Harthouse, I am in a horrible mess. You have no idea what a state I have got myself into what a state my sister might have got me out of, if she would only have done it." He took to biting the rosebuds now, and tearing them away from his teeth with a hand that trembled like an infirm old man's. After one exceedingly observant look at him, his companion relapsed into his lightest air. "Tom, you are inconsiderate: you expect too much of your sister. You have had money of her, you dog, you know you have." "Well, Mr. Harthouse, I know I have. How else was I to get it? Here's old Bounderby always boasting that at my age he lived upon twopence a month, or something of that sort. Here's my father drawing what he calls a line, and tying me down to it from a baby, neck and heels. Here's my mother who never has anything of her own, except her complaints. What _is_ a fellow to | world deficient in that delicacy to which a youth mistaken, a character misconceived, and abilities misdirected, would turn for relief and guidance, I should express what it presents to my own view." As she sat looking straight before her, across the changing lights upon the grass into the darkness of the wood beyond, he saw in her face her application of his very distinctly uttered words. "All allowance," he continued, "must be made. I have one great fault to find with Tom, however, which I cannot forgive, and for which I take him heavily to account." Louisa turned her eyes to his face, and asked him what fault was that? "Perhaps," he returned, "I have said enough. Perhaps it would have been better, on the whole, if no allusion to it had escaped me." "You alarm me, Mr. Harthouse. Pray let me know it." "To relieve you from needless apprehension and as this confidence regarding your brother, which I prize I am sure above all possible things, has been established between us I obey. I cannot forgive him for not being more sensible in every word, look, and act of his life, of the affection of his best friend; of the devotion of his best friend; of her unselfishness; of her sacrifice. The return he makes her, within my observation, is a very poor one. What she has done for him demands his constant love and gratitude, not his ill-humour and caprice. Careless fellow as I am, I am not so indifferent, Mrs. Bounderby, as to be regardless of this vice in your brother, or inclined to consider it a venial offence." The wood floated before her, for her eyes were suffused with tears. They rose from a deep well, long concealed, and her heart was filled with acute pain that found no relief in them. "In a word, it is to correct your brother in this, Mrs. Bounderby, that I must aspire. My better knowledge of his circumstances, and my direction and advice in extricating them rather valuable, I hope, as coming from a scapegrace on a much larger scale will give me some influence over him, and all I gain I shall certainly use towards this end. I have said enough, and more than enough. I seem to be protesting that I am a sort of good fellow, when, upon my honour, I have not the least intention to make any protestation to that effect, and openly announce that I am nothing of the sort. Yonder, among the trees," he added, having lifted up his eyes and looked about; for he had watched her closely until now; "is your brother himself; no doubt, just come down. As he seems to be loitering in this direction, it may be as well, perhaps, to walk towards him, and throw ourselves in his way. He has been very silent and doleful of late. Perhaps, his brotherly conscience is touched if there are such things as consciences. Though, upon my honour, I hear of them much too often to believe in them." He assisted her to rise, and she took his arm, and they advanced to meet the whelp. He was idly beating the branches as he lounged along: or he stooped viciously to rip the moss from the trees with his stick. He was startled when they came upon him while he was engaged in this latter pastime, and his colour changed. "Halloa!" he stammered; "I didn't know you were here." "Whose name, Tom," said Mr. Harthouse, putting his hand upon his shoulder and turning him, so that they all three walked towards the house together, "have you been carving on the trees?" "Whose name?" returned Tom. "Oh! You mean what girl's name?" "You have a suspicious appearance of inscribing some fair creature's on the bark, Tom." [Picture: Mr. Harthouse and Tom Gradgrind in the garden] "Not much of that, Mr. Harthouse, unless some fair creature with a slashing fortune at her own disposal would take a fancy to me. Or she might be as ugly as she was rich, without any fear of losing me. I'd carve her name as often as she liked." "I am afraid you are mercenary, Tom." "Mercenary," repeated Tom. "Who is not mercenary? Ask my sister." "Have you so proved it to be a failing of mine, Tom?" said Louisa, showing no other sense of his discontent and ill-nature. "You know whether the cap fits you, Loo," returned her brother sulkily. "If it does, you can wear it." "Tom is misanthropical to-day, as all bored people are now and then," said Mr. Harthouse. "Don't believe him, Mrs. Bounderby. He knows much better. I shall disclose some of his opinions of you, privately expressed to me, unless he relents a little." "At all events, Mr. Harthouse,"<|quote|>said Tom, softening in his admiration of his patron, but shaking his head sullenly too,</|quote|>"you can't tell her that I ever praised her for being mercenary. I may have praised her for being the contrary, and I should do it again, if I had as good reason. However, never mind this now; it's not very interesting to you, and I am sick of the subject." They walked on to the house, where Louisa quitted her visitor's arm and went in. He stood looking after her, as she ascended the steps, and passed into the shadow of the door; then put his hand upon her brother's shoulder again, and invited him with a confidential nod to a walk in the garden. "Tom, my fine fellow, I want to have a word with you." They had stopped among a disorder of roses it was part of Mr. Bounderby's humility to keep Nickits's roses on a reduced scale and Tom sat down on a terrace-parapet, plucking buds and picking them to pieces; while his powerful Familiar stood over him, with a foot upon the parapet, and his figure easily resting on the arm supported by that knee. They were just visible from her window. Perhaps she saw them. "Tom, what's the matter?" "Oh! Mr. Harthouse," said Tom with a groan, "I am hard up, and bothered out of my life." "My good fellow, so am I." "You!" returned Tom. "You are the picture of independence. Mr. Harthouse, I am in a horrible mess. You have no idea what a state I have got myself into what a state my sister might have got me out of, if she would only have done it." He took to biting the rosebuds now, and tearing them away from his teeth with a hand that trembled like an infirm old man's. After one exceedingly observant look at him, his companion relapsed into his lightest air. "Tom, you are inconsiderate: you expect too much of your sister. You have had money of her, you dog, you know you have." "Well, Mr. Harthouse, I know I have. How else was I to get it? Here's old Bounderby always boasting that at my age he lived upon twopence a month, or something of that sort. Here's my father drawing what he calls a line, and tying me down to it from a baby, neck and heels. Here's my mother who never has anything of her own, except her complaints. What _is_ a fellow to do for money, and where _am_ I to look for it, if not to my sister?" He was almost crying, and scattered the buds about by dozens. Mr. Harthouse took him persuasively by the coat. "But, my dear Tom, if your sister has not got it" "Not got it, Mr. Harthouse? I don't say she has got it. I may have wanted more than she was likely to have got. But then she ought to get it. She could get it. It's of no use pretending to make a secret of matters now, after what I have told you already; you know she didn't marry old Bounderby for her own sake, or for his sake, but for my sake. Then why doesn't she get what I want, out of him, for my sake? She is not obliged to say what she is going to do with it; she is sharp enough; she could manage to coax it out of him, if she chose. Then why doesn't she choose, when I tell her of what consequence it is? But no. There she sits in his company like a stone, instead of making herself agreeable and getting it easily. I don't know what you may call this, but I call it unnatural conduct." There was a piece of ornamental water immediately below the parapet, on the other side, into which Mr. James Harthouse had a very strong inclination to pitch Mr. Thomas Gradgrind junior, as the injured men of Coketown threatened to pitch their property into the Atlantic. But he preserved his easy attitude; and nothing more solid went over the stone balustrades than the accumulated rosebuds now floating about, a little surface-island. "My dear Tom," said Harthouse, "let me try to be your banker." "For God's sake," replied Tom, suddenly, "don't talk about bankers!" And very white he looked, in contrast with the roses. Very white. Mr. Harthouse, as a thoroughly well-bred man, accustomed to the best society, was not to be surprised he could as soon have been affected but he raised his eyelids a little more, as if they were lifted by a feeble touch of wonder. Albeit it was as much against the precepts of his school to wonder, as it was against the doctrines of the Gradgrind College. "What is the present need, Tom? Three figures? Out with them. Say what they are." "Mr. Harthouse," returned Tom, | Though, upon my honour, I hear of them much too often to believe in them." He assisted her to rise, and she took his arm, and they advanced to meet the whelp. He was idly beating the branches as he lounged along: or he stooped viciously to rip the moss from the trees with his stick. He was startled when they came upon him while he was engaged in this latter pastime, and his colour changed. "Halloa!" he stammered; "I didn't know you were here." "Whose name, Tom," said Mr. Harthouse, putting his hand upon his shoulder and turning him, so that they all three walked towards the house together, "have you been carving on the trees?" "Whose name?" returned Tom. "Oh! You mean what girl's name?" "You have a suspicious appearance of inscribing some fair creature's on the bark, Tom." [Picture: Mr. Harthouse and Tom Gradgrind in the garden] "Not much of that, Mr. Harthouse, unless some fair creature with a slashing fortune at her own disposal would take a fancy to me. Or she might be as ugly as she was rich, without any fear of losing me. I'd carve her name as often as she liked." "I am afraid you are mercenary, Tom." "Mercenary," repeated Tom. "Who is not mercenary? Ask my sister." "Have you so proved it to be a failing of mine, Tom?" said Louisa, showing no other sense of his discontent and ill-nature. "You know whether the cap fits you, Loo," returned her brother sulkily. "If it does, you can wear it." "Tom is misanthropical to-day, as all bored people are now and then," said Mr. Harthouse. "Don't believe him, Mrs. Bounderby. He knows much better. I shall disclose some of his opinions of you, privately expressed to me, unless he relents a little." "At all events, Mr. Harthouse,"<|quote|>said Tom, softening in his admiration of his patron, but shaking his head sullenly too,</|quote|>"you can't tell her that I ever praised her for being mercenary. I may have praised her for being the contrary, and I should do it again, if I had as good reason. However, never mind this now; it's not very interesting to you, and I am sick of the subject." They walked on to the house, where Louisa quitted her visitor's arm and went in. He stood looking after her, as she ascended the steps, and passed into the shadow of the door; then put his hand upon her brother's shoulder again, and invited him with a confidential nod to a walk in the garden. "Tom, my fine fellow, I want to have a word with you." They had stopped among a disorder of roses it was part of Mr. Bounderby's humility to keep Nickits's roses on a reduced scale and Tom sat down on a terrace-parapet, plucking buds and picking them to pieces; while his powerful Familiar stood over him, with a foot upon the parapet, and his figure easily resting on the arm supported by that knee. They were just visible from her window. Perhaps she saw them. "Tom, what's the matter?" "Oh! Mr. Harthouse," said Tom with a groan, "I am hard up, and bothered out of my life." "My good fellow, so am I." "You!" returned Tom. "You are the picture of independence. Mr. Harthouse, I am in a horrible mess. | Hard Times |
"what a sad fire we have got, and I dare say you are both starved with cold. Draw your chair nearer, my dear. I cannot think what Rebecca has been about. I am sure I told her to bring some coals half an hour ago. Susan, you should have taken care of the fire." | Mrs. Price | me!" continued the anxious mother,<|quote|>"what a sad fire we have got, and I dare say you are both starved with cold. Draw your chair nearer, my dear. I cannot think what Rebecca has been about. I am sure I told her to bring some coals half an hour ago. Susan, you should have taken care of the fire."</|quote|>"I was upstairs, mama, moving | her fine new sister. "Dear me!" continued the anxious mother,<|quote|>"what a sad fire we have got, and I dare say you are both starved with cold. Draw your chair nearer, my dear. I cannot think what Rebecca has been about. I am sure I told her to bring some coals half an hour ago. Susan, you should have taken care of the fire."</|quote|>"I was upstairs, mama, moving my things," said Susan, in | on; and tell her to bring in the tea-things as soon as she can. I wish we could get the bell mended; but Betsey is a very handy little messenger." Betsey went with alacrity, proud to shew her abilities before her fine new sister. "Dear me!" continued the anxious mother,<|quote|>"what a sad fire we have got, and I dare say you are both starved with cold. Draw your chair nearer, my dear. I cannot think what Rebecca has been about. I am sure I told her to bring some coals half an hour ago. Susan, you should have taken care of the fire."</|quote|>"I was upstairs, mama, moving my things," said Susan, in a fearless, self-defending tone, which startled Fanny. "You know you had but just settled that my sister Fanny and I should have the other room; and I could not get Rebecca to give me any help." Farther discussion was prevented | butcher in the street. We were better off in our last house. Perhaps you would like some tea as soon as it can be got." They both declared they should prefer it to anything. "Then, Betsey, my dear, run into the kitchen and see if Rebecca has put the water on; and tell her to bring in the tea-things as soon as she can. I wish we could get the bell mended; but Betsey is a very handy little messenger." Betsey went with alacrity, proud to shew her abilities before her fine new sister. "Dear me!" continued the anxious mother,<|quote|>"what a sad fire we have got, and I dare say you are both starved with cold. Draw your chair nearer, my dear. I cannot think what Rebecca has been about. I am sure I told her to bring some coals half an hour ago. Susan, you should have taken care of the fire."</|quote|>"I was upstairs, mama, moving my things," said Susan, in a fearless, self-defending tone, which startled Fanny. "You know you had but just settled that my sister Fanny and I should have the other room; and I could not get Rebecca to give me any help." Farther discussion was prevented by various bustles: first, the driver came to be paid; then there was a squabble between Sam and Rebecca about the manner of carrying up his sister's trunk, which he would manage all his own way; and lastly, in walked Mr. Price himself, his own loud voice preceding him, as | be! and now, what will you have? I began to think you would never come. Betsey and I have been watching for you this half-hour. And when did you get anything to eat? And what would you like to have now? I could not tell whether you would be for some meat, or only a dish of tea, after your journey, or else I would have got something ready. And now I am afraid Campbell will be here before there is time to dress a steak, and we have no butcher at hand. It is very inconvenient to have no butcher in the street. We were better off in our last house. Perhaps you would like some tea as soon as it can be got." They both declared they should prefer it to anything. "Then, Betsey, my dear, run into the kitchen and see if Rebecca has put the water on; and tell her to bring in the tea-things as soon as she can. I wish we could get the bell mended; but Betsey is a very handy little messenger." Betsey went with alacrity, proud to shew her abilities before her fine new sister. "Dear me!" continued the anxious mother,<|quote|>"what a sad fire we have got, and I dare say you are both starved with cold. Draw your chair nearer, my dear. I cannot think what Rebecca has been about. I am sure I told her to bring some coals half an hour ago. Susan, you should have taken care of the fire."</|quote|>"I was upstairs, mama, moving my things," said Susan, in a fearless, self-defending tone, which startled Fanny. "You know you had but just settled that my sister Fanny and I should have the other room; and I could not get Rebecca to give me any help." Farther discussion was prevented by various bustles: first, the driver came to be paid; then there was a squabble between Sam and Rebecca about the manner of carrying up his sister's trunk, which he would manage all his own way; and lastly, in walked Mr. Price himself, his own loud voice preceding him, as with something of the oath kind he kicked away his son's portmanteau and his daughter's bandbox in the passage, and called out for a candle; no candle was brought, however, and he walked into the room. Fanny with doubting feelings had risen to meet him, but sank down again on finding herself undistinguished in the dusk, and unthought of. With a friendly shake of his son's hand, and an eager voice, he instantly began "Ha! welcome back, my boy. Glad to see you. Have you heard the news? The Thrush went out of harbour this morning. Sharp is the word, | takes me quite unawares. And now you must be off for Spithead too. Campbell has been here, quite in a worry about you; and now what shall we do? I thought to have had such a comfortable evening with you, and here everything comes upon me at once." Her son answered cheerfully, telling her that everything was always for the best; and making light of his own inconvenience in being obliged to hurry away so soon. "To be sure, I had much rather she had stayed in harbour, that I might have sat a few hours with you in comfort; but as there is a boat ashore, I had better go off at once, and there is no help for it. Whereabouts does the Thrush lay at Spithead? Near the Canopus? But no matter; here's Fanny in the parlour, and why should we stay in the passage? Come, mother, you have hardly looked at your own dear Fanny yet." In they both came, and Mrs. Price having kindly kissed her daughter again, and commented a little on her growth, began with very natural solicitude to feel for their fatigues and wants as travellers. "Poor dears! how tired you must both be! and now, what will you have? I began to think you would never come. Betsey and I have been watching for you this half-hour. And when did you get anything to eat? And what would you like to have now? I could not tell whether you would be for some meat, or only a dish of tea, after your journey, or else I would have got something ready. And now I am afraid Campbell will be here before there is time to dress a steak, and we have no butcher at hand. It is very inconvenient to have no butcher in the street. We were better off in our last house. Perhaps you would like some tea as soon as it can be got." They both declared they should prefer it to anything. "Then, Betsey, my dear, run into the kitchen and see if Rebecca has put the water on; and tell her to bring in the tea-things as soon as she can. I wish we could get the bell mended; but Betsey is a very handy little messenger." Betsey went with alacrity, proud to shew her abilities before her fine new sister. "Dear me!" continued the anxious mother,<|quote|>"what a sad fire we have got, and I dare say you are both starved with cold. Draw your chair nearer, my dear. I cannot think what Rebecca has been about. I am sure I told her to bring some coals half an hour ago. Susan, you should have taken care of the fire."</|quote|>"I was upstairs, mama, moving my things," said Susan, in a fearless, self-defending tone, which startled Fanny. "You know you had but just settled that my sister Fanny and I should have the other room; and I could not get Rebecca to give me any help." Farther discussion was prevented by various bustles: first, the driver came to be paid; then there was a squabble between Sam and Rebecca about the manner of carrying up his sister's trunk, which he would manage all his own way; and lastly, in walked Mr. Price himself, his own loud voice preceding him, as with something of the oath kind he kicked away his son's portmanteau and his daughter's bandbox in the passage, and called out for a candle; no candle was brought, however, and he walked into the room. Fanny with doubting feelings had risen to meet him, but sank down again on finding herself undistinguished in the dusk, and unthought of. With a friendly shake of his son's hand, and an eager voice, he instantly began "Ha! welcome back, my boy. Glad to see you. Have you heard the news? The Thrush went out of harbour this morning. Sharp is the word, you see! By G , you are just in time! The doctor has been here inquiring for you: he has got one of the boats, and is to be off for Spithead by six, so you had better go with him. I have been to Turner's about your mess; it is all in a way to be done. I should not wonder if you had your orders to-morrow: but you cannot sail with this wind, if you are to cruise to the westward; and Captain Walsh thinks you will certainly have a cruise to the westward, with the Elephant. By G , I wish you may! But old Scholey was saying, just now, that he thought you would be sent first to the Texel. Well, well, we are ready, whatever happens. But by G , you lost a fine sight by not being here in the morning to see the Thrush go out of harbour! I would not have been out of the way for a thousand pounds. Old Scholey ran in at breakfast-time, to say she had slipped her moorings and was coming out, I jumped up, and made but two steps to the platform. If ever there was | called out, "You are just in time. We have been looking for you this half-hour. The Thrush went out of harbour this morning. I saw her. It was a beautiful sight. And they think she will have her orders in a day or two. And Mr. Campbell was here at four o'clock to ask for you: he has got one of the Thrush's boats, and is going off to her at six, and hoped you would be here in time to go with him." A stare or two at Fanny, as William helped her out of the carriage, was all the voluntary notice which this brother bestowed; but he made no objection to her kissing him, though still entirely engaged in detailing farther particulars of the Thrush's going out of harbour, in which he had a strong right of interest, being to commence his career of seamanship in her at this very time. Another moment and Fanny was in the narrow entrance-passage of the house, and in her mother's arms, who met her there with looks of true kindness, and with features which Fanny loved the more, because they brought her aunt Bertram's before her, and there were her two sisters: Susan, a well-grown fine girl of fourteen, and Betsey, the youngest of the family, about five both glad to see her in their way, though with no advantage of manner in receiving her. But manner Fanny did not want. Would they but love her, she should be satisfied. She was then taken into a parlour, so small that her first conviction was of its being only a passage-room to something better, and she stood for a moment expecting to be invited on; but when she saw there was no other door, and that there were signs of habitation before her, she called back her thoughts, reproved herself, and grieved lest they should have been suspected. Her mother, however, could not stay long enough to suspect anything. She was gone again to the street-door, to welcome William. "Oh! my dear William, how glad I am to see you. But have you heard about the Thrush? She is gone out of harbour already; three days before we had any thought of it; and I do not know what I am to do about Sam's things, they will never be ready in time; for she may have her orders to-morrow, perhaps. It takes me quite unawares. And now you must be off for Spithead too. Campbell has been here, quite in a worry about you; and now what shall we do? I thought to have had such a comfortable evening with you, and here everything comes upon me at once." Her son answered cheerfully, telling her that everything was always for the best; and making light of his own inconvenience in being obliged to hurry away so soon. "To be sure, I had much rather she had stayed in harbour, that I might have sat a few hours with you in comfort; but as there is a boat ashore, I had better go off at once, and there is no help for it. Whereabouts does the Thrush lay at Spithead? Near the Canopus? But no matter; here's Fanny in the parlour, and why should we stay in the passage? Come, mother, you have hardly looked at your own dear Fanny yet." In they both came, and Mrs. Price having kindly kissed her daughter again, and commented a little on her growth, began with very natural solicitude to feel for their fatigues and wants as travellers. "Poor dears! how tired you must both be! and now, what will you have? I began to think you would never come. Betsey and I have been watching for you this half-hour. And when did you get anything to eat? And what would you like to have now? I could not tell whether you would be for some meat, or only a dish of tea, after your journey, or else I would have got something ready. And now I am afraid Campbell will be here before there is time to dress a steak, and we have no butcher at hand. It is very inconvenient to have no butcher in the street. We were better off in our last house. Perhaps you would like some tea as soon as it can be got." They both declared they should prefer it to anything. "Then, Betsey, my dear, run into the kitchen and see if Rebecca has put the water on; and tell her to bring in the tea-things as soon as she can. I wish we could get the bell mended; but Betsey is a very handy little messenger." Betsey went with alacrity, proud to shew her abilities before her fine new sister. "Dear me!" continued the anxious mother,<|quote|>"what a sad fire we have got, and I dare say you are both starved with cold. Draw your chair nearer, my dear. I cannot think what Rebecca has been about. I am sure I told her to bring some coals half an hour ago. Susan, you should have taken care of the fire."</|quote|>"I was upstairs, mama, moving my things," said Susan, in a fearless, self-defending tone, which startled Fanny. "You know you had but just settled that my sister Fanny and I should have the other room; and I could not get Rebecca to give me any help." Farther discussion was prevented by various bustles: first, the driver came to be paid; then there was a squabble between Sam and Rebecca about the manner of carrying up his sister's trunk, which he would manage all his own way; and lastly, in walked Mr. Price himself, his own loud voice preceding him, as with something of the oath kind he kicked away his son's portmanteau and his daughter's bandbox in the passage, and called out for a candle; no candle was brought, however, and he walked into the room. Fanny with doubting feelings had risen to meet him, but sank down again on finding herself undistinguished in the dusk, and unthought of. With a friendly shake of his son's hand, and an eager voice, he instantly began "Ha! welcome back, my boy. Glad to see you. Have you heard the news? The Thrush went out of harbour this morning. Sharp is the word, you see! By G , you are just in time! The doctor has been here inquiring for you: he has got one of the boats, and is to be off for Spithead by six, so you had better go with him. I have been to Turner's about your mess; it is all in a way to be done. I should not wonder if you had your orders to-morrow: but you cannot sail with this wind, if you are to cruise to the westward; and Captain Walsh thinks you will certainly have a cruise to the westward, with the Elephant. By G , I wish you may! But old Scholey was saying, just now, that he thought you would be sent first to the Texel. Well, well, we are ready, whatever happens. But by G , you lost a fine sight by not being here in the morning to see the Thrush go out of harbour! I would not have been out of the way for a thousand pounds. Old Scholey ran in at breakfast-time, to say she had slipped her moorings and was coming out, I jumped up, and made but two steps to the platform. If ever there was a perfect beauty afloat, she is one; and there she lays at Spithead, and anybody in England would take her for an eight-and-twenty. I was upon the platform two hours this afternoon looking at her. She lays close to the Endymion, between her and the Cleopatra, just to the eastward of the sheer hulk." "Ha!" cried William, "_that's_ just where I should have put her myself. It's the best berth at Spithead. But here is my sister, sir; here is Fanny," turning and leading her forward; "it is so dark you do not see her." With an acknowledgment that he had quite forgot her, Mr. Price now received his daughter; and having given her a cordial hug, and observed that she was grown into a woman, and he supposed would be wanting a husband soon, seemed very much inclined to forget her again. Fanny shrunk back to her seat, with feelings sadly pained by his language and his smell of spirits; and he talked on only to his son, and only of the Thrush, though William, warmly interested as he was in that subject, more than once tried to make his father think of Fanny, and her long absence and long journey. After sitting some time longer, a candle was obtained; but as there was still no appearance of tea, nor, from Betsey's reports from the kitchen, much hope of any under a considerable period, William determined to go and change his dress, and make the necessary preparations for his removal on board directly, that he might have his tea in comfort afterwards. As he left the room, two rosy-faced boys, ragged and dirty, about eight and nine years old, rushed into it just released from school, and coming eagerly to see their sister, and tell that the Thrush was gone out of harbour; Tom and Charles. Charles had been born since Fanny's going away, but Tom she had often helped to nurse, and now felt a particular pleasure in seeing again. Both were kissed very tenderly, but Tom she wanted to keep by her, to try to trace the features of the baby she had loved, and talked to, of his infant preference of herself. Tom, however, had no mind for such treatment: he came home not to stand and be talked to, but to run about and make a noise; and both boys had soon burst from her, | on her growth, began with very natural solicitude to feel for their fatigues and wants as travellers. "Poor dears! how tired you must both be! and now, what will you have? I began to think you would never come. Betsey and I have been watching for you this half-hour. And when did you get anything to eat? And what would you like to have now? I could not tell whether you would be for some meat, or only a dish of tea, after your journey, or else I would have got something ready. And now I am afraid Campbell will be here before there is time to dress a steak, and we have no butcher at hand. It is very inconvenient to have no butcher in the street. We were better off in our last house. Perhaps you would like some tea as soon as it can be got." They both declared they should prefer it to anything. "Then, Betsey, my dear, run into the kitchen and see if Rebecca has put the water on; and tell her to bring in the tea-things as soon as she can. I wish we could get the bell mended; but Betsey is a very handy little messenger." Betsey went with alacrity, proud to shew her abilities before her fine new sister. "Dear me!" continued the anxious mother,<|quote|>"what a sad fire we have got, and I dare say you are both starved with cold. Draw your chair nearer, my dear. I cannot think what Rebecca has been about. I am sure I told her to bring some coals half an hour ago. Susan, you should have taken care of the fire."</|quote|>"I was upstairs, mama, moving my things," said Susan, in a fearless, self-defending tone, which startled Fanny. "You know you had but just settled that my sister Fanny and I should have the other room; and I could not get Rebecca to give me any help." Farther discussion was prevented by various bustles: first, the driver came to be paid; then there was a squabble between Sam and Rebecca about the manner of carrying up his sister's trunk, which he would manage all his own way; and lastly, in walked Mr. Price himself, his own loud voice preceding him, as with something of the oath kind he kicked away his son's portmanteau and his daughter's bandbox in the passage, and called out for a candle; no candle was brought, however, and he walked into the room. Fanny with doubting feelings had risen to meet him, but sank down again on finding herself undistinguished in the dusk, and unthought of. With a friendly shake of his son's hand, and an eager voice, he instantly began "Ha! welcome back, my boy. Glad to see you. Have you heard the news? The Thrush went out of harbour this morning. Sharp is the word, you see! By G , you are just in time! The doctor | Mansfield Park |
"Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." | Daisy Miller | in the cars," she said--"<|quote|>"Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels."</|quote|>But Miss Miller did not | had stopped. "That English lady in the cars," she said--"<|quote|>"Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels."</|quote|>But Miss Miller did not make this remark with a | a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--"<|quote|>"Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels."</|quote|>But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. | girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--"<|quote|>"Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels."</|quote|>But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as | some more. He s only nine. He s going to college." And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--"<|quote|>"Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels."</|quote|>But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like," she proceeded, "is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t | "And your brother hasn t any teacher?" Winterbourne inquired. "Mother thought of getting him one, to travel round with us. There was a lady told her of a very good teacher; an American lady--perhaps you know her--Mrs. Sanders. I think she came from Boston. She told her of this teacher, and we thought of getting him to travel round with us. But Randolph said he didn t want a teacher traveling round with us. He said he wouldn t have lessons when he was in the cars. And we ARE in the cars about half the time. There was an English lady we met in the cars--I think her name was Miss Featherstone; perhaps you know her. She wanted to know why I didn t give Randolph lessons--give him instruction, she called it. I guess he could give me more instruction than I could give him. He s very smart." "Yes," said Winterbourne; "he seems very smart." "Mother s going to get a teacher for him as soon as we get to Italy. Can you get good teachers in Italy?" "Very good, I should think," said Winterbourne. "Or else she s going to find some school. He ought to learn some more. He s only nine. He s going to college." And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--"<|quote|>"Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels."</|quote|>But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like," she proceeded, "is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva | a German--this was said after a little hesitation--especially when he spoke. Winterbourne, laughing, answered that he had met Germans who spoke like Americans, but that he had not, so far as he remembered, met an American who spoke like a German. Then he asked her if she should not be more comfortable in sitting upon the bench which he had just quitted. She answered that she liked standing up and walking about; but she presently sat down. She told him she was from New York State--" "if you know where that is." Winterbourne learned more about her by catching hold of her small, slippery brother and making him stand a few minutes by his side. "Tell me your name, my boy," he said. "Randolph C. Miller," said the boy sharply. "And I ll tell you her name;" and he leveled his alpenstock at his sister. "You had better wait till you are asked!" said this young lady calmly. "I should like very much to know your name," said Winterbourne. "Her name is Daisy Miller!" cried the child. "But that isn t her real name; that isn t her name on her cards." "It s a pity you haven t got one of my cards!" said Miss Miller. "Her real name is Annie P. Miller," the boy went on. "Ask him HIS name," said his sister, indicating Winterbourne. But on this point Randolph seemed perfectly indifferent; he continued to supply information with regard to his own family. "My father s name is Ezra B. Miller," he announced. "My father ain t in Europe; my father s in a better place than Europe." Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, "My father s in Schenectady. He s got a big business. My father s rich, you bet!" "Well!" ejaculated Miss Miller, lowering her parasol and looking at the embroidered border. Winterbourne presently released the child, who departed, dragging his alpenstock along the path. "He doesn t like Europe," said the young girl. "He wants to go back." "To Schenectady, you mean?" "Yes; he wants to go right home. He hasn t got any boys here. There is one boy here, but he always goes round with a teacher; they won t let him play." "And your brother hasn t any teacher?" Winterbourne inquired. "Mother thought of getting him one, to travel round with us. There was a lady told her of a very good teacher; an American lady--perhaps you know her--Mrs. Sanders. I think she came from Boston. She told her of this teacher, and we thought of getting him to travel round with us. But Randolph said he didn t want a teacher traveling round with us. He said he wouldn t have lessons when he was in the cars. And we ARE in the cars about half the time. There was an English lady we met in the cars--I think her name was Miss Featherstone; perhaps you know her. She wanted to know why I didn t give Randolph lessons--give him instruction, she called it. I guess he could give me more instruction than I could give him. He s very smart." "Yes," said Winterbourne; "he seems very smart." "Mother s going to get a teacher for him as soon as we get to Italy. Can you get good teachers in Italy?" "Very good, I should think," said Winterbourne. "Or else she s going to find some school. He ought to learn some more. He s only nine. He s going to college." And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--"<|quote|>"Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels."</|quote|>But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like," she proceeded, "is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva so long that he had lost a good deal; he had become dishabituated to the American tone. Never, indeed, since he had grown old enough to appreciate things, had he encountered a young American girl of so pronounced a type as this. Certainly she was very charming, but how deucedly sociable! Was she simply a pretty girl from New York State? Were they all like that, the pretty girls who had a good deal of gentlemen s society? Or was she also a designing, an audacious, an unscrupulous young person? Winterbourne had lost his instinct in this matter, and his reason could not help him. Miss Daisy Miller looked extremely innocent. Some people had told him that, after all, American girls were exceedingly innocent; and others had told him that, after all, they were not. He was inclined to think Miss Daisy Miller was a flirt--a pretty American flirt. He had never, as yet, had any relations with young ladies of this category. He had known, here in Europe, two or three women--persons older than Miss Daisy Miller, and provided, for respectability s sake, with husbands--who were great coquettes--dangerous, terrible women, with whom one s relations were liable to take a serious turn. But this young girl was not a coquette in that sense; she was very unsophisticated; she was only a pretty American flirt. Winterbourne was almost grateful for having found the formula that applied to Miss Daisy Miller. He leaned back in his seat; he remarked to himself that she had the most charming nose he had ever seen; he wondered what were the regular conditions and limitations of one s intercourse with a pretty American flirt. It presently became apparent that he was on the way to learn. "Have you been to that old castle?" asked the young girl, pointing with her parasol to the far-gleaming walls of the Chateau de Chillon. "Yes, formerly, more than once," said Winterbourne. "You too, I suppose, have seen it?" "No; we haven t been there. I want to go there dreadfully. Of course I mean to go there. I wouldn t go away from here without having seen that old castle." "It s a very pretty excursion," said Winterbourne, "and very easy to make. You can drive, you know, or you can go by the little steamer." "You can go in the cars," said Miss Miller. "Yes; you can go | she came from Boston. She told her of this teacher, and we thought of getting him to travel round with us. But Randolph said he didn t want a teacher traveling round with us. He said he wouldn t have lessons when he was in the cars. And we ARE in the cars about half the time. There was an English lady we met in the cars--I think her name was Miss Featherstone; perhaps you know her. She wanted to know why I didn t give Randolph lessons--give him instruction, she called it. I guess he could give me more instruction than I could give him. He s very smart." "Yes," said Winterbourne; "he seems very smart." "Mother s going to get a teacher for him as soon as we get to Italy. Can you get good teachers in Italy?" "Very good, I should think," said Winterbourne. "Or else she s going to find some school. He ought to learn some more. He s only nine. He s going to college." And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--"<|quote|>"Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels."</|quote|>But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like," she proceeded, "is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her | Daisy Miller |
“Ah, Lady Sandgate, I _am_ in your debt, but if you really bargain for your precious information I’d rather we assume that I haven’t enjoyed it.” | Crimble | --Hugh sharply took her up.<|quote|>“Ah, Lady Sandgate, I _am_ in your debt, but if you really bargain for your precious information I’d rather we assume that I haven’t enjoyed it.”</|quote|>She made him, however, in | “Estimate its value in cash?” --Hugh sharply took her up.<|quote|>“Ah, Lady Sandgate, I _am_ in your debt, but if you really bargain for your precious information I’d rather we assume that I haven’t enjoyed it.”</|quote|>She made him, however, in reply, a sign for silence; | he returned; “but you throw back on it a lurid light if it has all been for _that!_” “It has been--well, to keep things as I want them; and if I’ve given you precious information mightn’t you on your side--” “Estimate its value in cash?” --Hugh sharply took her up.<|quote|>“Ah, Lady Sandgate, I _am_ in your debt, but if you really bargain for your precious information I’d rather we assume that I haven’t enjoyed it.”</|quote|>She made him, however, in reply, a sign for silence; she had heard Lady Grace enter the other room from the back landing, and, reaching the nearer door, she disposed of the question with high gay bravery. “I won’t bargain with the Treasury!” --she had passed out by the time | of fond confidence. “I’ll find out what he’ll offer--if you’ll on your side do what you can--and then ask them a third less.” And she followed it up--as if suddenly conceiving him a prig. “See here, Mr. Crimble, I’ve been--and this very first time I--charming to you.” “You have indeed,” he returned; “but you throw back on it a lurid light if it has all been for _that!_” “It has been--well, to keep things as I want them; and if I’ve given you precious information mightn’t you on your side--” “Estimate its value in cash?” --Hugh sharply took her up.<|quote|>“Ah, Lady Sandgate, I _am_ in your debt, but if you really bargain for your precious information I’d rather we assume that I haven’t enjoyed it.”</|quote|>She made him, however, in reply, a sign for silence; she had heard Lady Grace enter the other room from the back landing, and, reaching the nearer door, she disposed of the question with high gay bravery. “I won’t bargain with the Treasury!” --she had passed out by the time Lady Grace arrived. II As Hugh recognised in this friend’s entrance and face the light of welcome he went, full of his subject, straight to their main affair. “I haven’t been able to wait, I’ve wanted so much to tell you--I mean how I’ve just come back from Brussels, where | with a forced smile. “Most intensely after it. But never,” cried the proprietress, “to a bloated alien!” “Then I applaud your patriotism. Only why not,” he asked, “carrying that magnanimity a little further, set us all an example as splendid as the object itself?” “Give it you for nothing?” She threw up shocked hands. “Because I’m an aged female pauper and can’t make _every_ sacrifice.” Hugh pretended--none too convincingly--to think. “Will you let them have it very cheap?” “Yes--for less than such a bribe as Bender’s.” “Ah,” he said expressively, “that might be, and still----!” “Well,” she had a flare of fond confidence. “I’ll find out what he’ll offer--if you’ll on your side do what you can--and then ask them a third less.” And she followed it up--as if suddenly conceiving him a prig. “See here, Mr. Crimble, I’ve been--and this very first time I--charming to you.” “You have indeed,” he returned; “but you throw back on it a lurid light if it has all been for _that!_” “It has been--well, to keep things as I want them; and if I’ve given you precious information mightn’t you on your side--” “Estimate its value in cash?” --Hugh sharply took her up.<|quote|>“Ah, Lady Sandgate, I _am_ in your debt, but if you really bargain for your precious information I’d rather we assume that I haven’t enjoyed it.”</|quote|>She made him, however, in reply, a sign for silence; she had heard Lady Grace enter the other room from the back landing, and, reaching the nearer door, she disposed of the question with high gay bravery. “I won’t bargain with the Treasury!” --she had passed out by the time Lady Grace arrived. II As Hugh recognised in this friend’s entrance and face the light of welcome he went, full of his subject, straight to their main affair. “I haven’t been able to wait, I’ve wanted so much to tell you--I mean how I’ve just come back from Brussels, where I saw Pappen-dick, who was free and ready, by the happiest chance, to start for Verona, which he must have reached some time yesterday.” The girl’s responsive interest fairly broke into rapture. “Ah, the dear sweet thing!” “Yes, he’s a brick--but the question now hangs in the balance. Allowing him time to have got into relation with the picture, I’ve begun to expect his wire, which will probably come to my club; but my fidget, while I wait, has driven me” --he threw out and dropped his arms in expression of his soft surrender-- “well, just to do _this_: to | for the world; and my own bright plan for achieving the _coup_ you mention------” “You’ll have time, at the most,” she said, consulting afresh her bracelet watch, “to explain to Lady Grace.” She reached an electric bell, which she touched--facing then her visitor again with an abrupt and slightly embarrassed change of tone. “You do think _my_ great portrait splendid?” He had strayed far from it and all too languidly came back. “Your Lawrence there? As I said, magnificent.” But the butler had come in, interrupting, straight from the lobby; of whom she made her request. “Let her ladyship know--Mr. Crimble.” Gotch looked hard at Hugh and the crumpled hat--almost as if having an option. But he resigned himself to repeating, with a distinctness that scarce fell short of the invidious, “Mr. Crimble,” and departed on his errand. Lady Sandgate’s fair flush of diplomacy had meanwhile not faded. “Couldn’t you, with your immense cleverness and power, get the Government to do something?” “About your picture?” Hugh betrayed on this head a graceless detachment. “You too then want to sell?” Oh she righted herself. “Never to a private party!” “Mr. Bender’s not after it?” he asked--though scarce lighting his reluctant interest with a forced smile. “Most intensely after it. But never,” cried the proprietress, “to a bloated alien!” “Then I applaud your patriotism. Only why not,” he asked, “carrying that magnanimity a little further, set us all an example as splendid as the object itself?” “Give it you for nothing?” She threw up shocked hands. “Because I’m an aged female pauper and can’t make _every_ sacrifice.” Hugh pretended--none too convincingly--to think. “Will you let them have it very cheap?” “Yes--for less than such a bribe as Bender’s.” “Ah,” he said expressively, “that might be, and still----!” “Well,” she had a flare of fond confidence. “I’ll find out what he’ll offer--if you’ll on your side do what you can--and then ask them a third less.” And she followed it up--as if suddenly conceiving him a prig. “See here, Mr. Crimble, I’ve been--and this very first time I--charming to you.” “You have indeed,” he returned; “but you throw back on it a lurid light if it has all been for _that!_” “It has been--well, to keep things as I want them; and if I’ve given you precious information mightn’t you on your side--” “Estimate its value in cash?” --Hugh sharply took her up.<|quote|>“Ah, Lady Sandgate, I _am_ in your debt, but if you really bargain for your precious information I’d rather we assume that I haven’t enjoyed it.”</|quote|>She made him, however, in reply, a sign for silence; she had heard Lady Grace enter the other room from the back landing, and, reaching the nearer door, she disposed of the question with high gay bravery. “I won’t bargain with the Treasury!” --she had passed out by the time Lady Grace arrived. II As Hugh recognised in this friend’s entrance and face the light of welcome he went, full of his subject, straight to their main affair. “I haven’t been able to wait, I’ve wanted so much to tell you--I mean how I’ve just come back from Brussels, where I saw Pappen-dick, who was free and ready, by the happiest chance, to start for Verona, which he must have reached some time yesterday.” The girl’s responsive interest fairly broke into rapture. “Ah, the dear sweet thing!” “Yes, he’s a brick--but the question now hangs in the balance. Allowing him time to have got into relation with the picture, I’ve begun to expect his wire, which will probably come to my club; but my fidget, while I wait, has driven me” --he threw out and dropped his arms in expression of his soft surrender-- “well, just to do _this_: to come to you here, in my fever, at an unnatural hour and uninvited, and at least let you know I’ve ‘acted.’” “Oh, but I simply rejoice,” Lady Grace declared, “to be acting _with_ you.” “Then if you are, if you are,” the young man cried, “why everything’s beautiful and right!” “It’s all I care for and think of now,” she went on in her bright devotion, “and I’ve only wondered and hoped!” Well, Hugh found for it all a rapid, abundant lucidity. “He was away from home at first, and I had to wait--but I crossed last week, found him and settled incoming home by Paris, where I had a grand four days’ jaw with the fellows there and saw _their_ great specimen of our master: all of which has given him time.” “And now his time’s up?” the girl eagerly asked. “It _must_ be--and we shall see.” But Hugh postponed that question to a matter of more moment still. “The thing is that at last I’m able to tell you how I feel the trouble I’ve brought you.” It made her, quickly colouring, rest grave eyes on him. “What do you know--when I haven’t told you--about my ‘trouble’?” “Can’t | her father indignantly considers.” “That’s the _ground_ of his indignation?” “He had his reasons for counting on her, and it has determined a painful crisis.” Hugh Crimble turned this over--feeling apparently for something he didn’t find. “I’m sorry to hear such things, but where’s the connection with me?” “Ah, you know best yourself, and if you don’t see any---!” In that case, Lady Sandgate’s motion implied, she washed her hands of it. Hugh had for a moment the air of a young man treated to the sweet chance to guess a conundrum--which he gave up. “I really don’t see any, Lady Sandgate. But,” he a little inconsistently said, “I’m greatly obliged to you for telling me.” “Don’t mention it!--though I think it _is_ good of me,” she smiled, “on so short an acquaintance.” To which she added more gravely: “I leave you the situation--but I’m willing to let you know that I’m all on Grace’s side.” “So am I, _rather!_--please let me frankly say.” He clearly refreshed, he even almost charmed her. “It’s the very least you can say!--though I’m not sure whether you say it as the simplest or as the very subtlest of men. But in case you don’t know as I do how little the particular candidate I’ve named----” “Had a right or a claim to succeed with her?” he broke in--all quick intelligence here at least. “No, I don’t perhaps know as well as you do--but I think I know as well as I just yet require.” “There you are then! And if you did prevent,” his hostess maturely pursued, “what wouldn’t have been--well, good or nice, I’m quite on your side too.” Our young man seemed to feel the shade of ambiguity, but he reached at a meaning. “You’re with me in my plea for our defending at any cost of effort or ingenuity--” “The precious picture Lord Theign exposes?” --she took his presumed sense faster than he had taken hers. But she hung fire a moment with her reply to it. “Well, will you keep the secret of everything I’ve said or say?” “To the death, to the stake, Lady Sandgate!” “Then,” she momentously returned, “I only want, too, to make Bender impossible. If you ask me,” she pursued, “how I arrange that with my deep loyalty to Lord Theign----” “I don’t ask you anything of the sort,” he interrupted-- “I wouldn’t ask you for the world; and my own bright plan for achieving the _coup_ you mention------” “You’ll have time, at the most,” she said, consulting afresh her bracelet watch, “to explain to Lady Grace.” She reached an electric bell, which she touched--facing then her visitor again with an abrupt and slightly embarrassed change of tone. “You do think _my_ great portrait splendid?” He had strayed far from it and all too languidly came back. “Your Lawrence there? As I said, magnificent.” But the butler had come in, interrupting, straight from the lobby; of whom she made her request. “Let her ladyship know--Mr. Crimble.” Gotch looked hard at Hugh and the crumpled hat--almost as if having an option. But he resigned himself to repeating, with a distinctness that scarce fell short of the invidious, “Mr. Crimble,” and departed on his errand. Lady Sandgate’s fair flush of diplomacy had meanwhile not faded. “Couldn’t you, with your immense cleverness and power, get the Government to do something?” “About your picture?” Hugh betrayed on this head a graceless detachment. “You too then want to sell?” Oh she righted herself. “Never to a private party!” “Mr. Bender’s not after it?” he asked--though scarce lighting his reluctant interest with a forced smile. “Most intensely after it. But never,” cried the proprietress, “to a bloated alien!” “Then I applaud your patriotism. Only why not,” he asked, “carrying that magnanimity a little further, set us all an example as splendid as the object itself?” “Give it you for nothing?” She threw up shocked hands. “Because I’m an aged female pauper and can’t make _every_ sacrifice.” Hugh pretended--none too convincingly--to think. “Will you let them have it very cheap?” “Yes--for less than such a bribe as Bender’s.” “Ah,” he said expressively, “that might be, and still----!” “Well,” she had a flare of fond confidence. “I’ll find out what he’ll offer--if you’ll on your side do what you can--and then ask them a third less.” And she followed it up--as if suddenly conceiving him a prig. “See here, Mr. Crimble, I’ve been--and this very first time I--charming to you.” “You have indeed,” he returned; “but you throw back on it a lurid light if it has all been for _that!_” “It has been--well, to keep things as I want them; and if I’ve given you precious information mightn’t you on your side--” “Estimate its value in cash?” --Hugh sharply took her up.<|quote|>“Ah, Lady Sandgate, I _am_ in your debt, but if you really bargain for your precious information I’d rather we assume that I haven’t enjoyed it.”</|quote|>She made him, however, in reply, a sign for silence; she had heard Lady Grace enter the other room from the back landing, and, reaching the nearer door, she disposed of the question with high gay bravery. “I won’t bargain with the Treasury!” --she had passed out by the time Lady Grace arrived. II As Hugh recognised in this friend’s entrance and face the light of welcome he went, full of his subject, straight to their main affair. “I haven’t been able to wait, I’ve wanted so much to tell you--I mean how I’ve just come back from Brussels, where I saw Pappen-dick, who was free and ready, by the happiest chance, to start for Verona, which he must have reached some time yesterday.” The girl’s responsive interest fairly broke into rapture. “Ah, the dear sweet thing!” “Yes, he’s a brick--but the question now hangs in the balance. Allowing him time to have got into relation with the picture, I’ve begun to expect his wire, which will probably come to my club; but my fidget, while I wait, has driven me” --he threw out and dropped his arms in expression of his soft surrender-- “well, just to do _this_: to come to you here, in my fever, at an unnatural hour and uninvited, and at least let you know I’ve ‘acted.’” “Oh, but I simply rejoice,” Lady Grace declared, “to be acting _with_ you.” “Then if you are, if you are,” the young man cried, “why everything’s beautiful and right!” “It’s all I care for and think of now,” she went on in her bright devotion, “and I’ve only wondered and hoped!” Well, Hugh found for it all a rapid, abundant lucidity. “He was away from home at first, and I had to wait--but I crossed last week, found him and settled incoming home by Paris, where I had a grand four days’ jaw with the fellows there and saw _their_ great specimen of our master: all of which has given him time.” “And now his time’s up?” the girl eagerly asked. “It _must_ be--and we shall see.” But Hugh postponed that question to a matter of more moment still. “The thing is that at last I’m able to tell you how I feel the trouble I’ve brought you.” It made her, quickly colouring, rest grave eyes on him. “What do you know--when I haven’t told you--about my ‘trouble’?” “Can’t I have guessed, with a ray of intelligence?” --he had his answer ready. “You’ve sought asylum with this good friend from the effects of your father’s resentment.” “‘Sought asylum’ is perhaps excessive,” Lady Grace returned-- “though it wasn’t pleasant with him after that hour, no,” she allowed. “And I couldn’t go, you see, to Kitty.” “No indeed, you couldn’t go to Kitty.” He smiled at her hard as he added: “I should have liked to see you go to Kitty! Therefore exactly is it that I’ve set you adrift--that I’ve darkened and poisoned your days. You’re paying with your comfort, with your peace, for having joined so gallantly in my grand remonstrance.” She shook her head, turning from him, but then turned back again--as if accepting, as if even relieved by, this version of the prime cause of her state. “Why do you talk of it as ‘paying’--if it’s all to come back to my _being_ paid? I mean by your blest success--if you really do what you want.” “I have your word for it,” he searchingly said, “that our really pulling it off together will make up to you----?” “I should be ashamed if it didn’t, for everything!” --she took the question from his mouth. “I believe in such a cause exactly as you do--and found a lesson, at Dedborough, in your frankness and your faith.” “Then you’ll help me no end,” he said all simply and sincerely. “You’ve helped _me_ already” --that she gave him straight back. And on it they stayed a moment, their strenuous faces more intensely communing. “You’re very wonderful--for a girl!” Hugh brought out. “One _has_ to be a girl, naturally, to be a daughter of one’s house,” she laughed; “and that’s all I am of ours--but a true and a right and a straight one.” He glowed with his admiration. “You’re splendid!” That might be or not, her light shrug intimated; she gave it, at any rate, the go-by and more exactly stated her case. “I see our situation.” “So do I, Lady Grace!” he cried with the strongest emphasis. “And your father only doesn’t.” “Yes,” she said for intelligent correction-- “he sees it, there’s nothing in life he sees so much. But unfortunately he sees it all wrong.” Hugh seized her point of view as if there had been nothing of her that he wouldn’t have seized. “He sees it all wrong | righted herself. “Never to a private party!” “Mr. Bender’s not after it?” he asked--though scarce lighting his reluctant interest with a forced smile. “Most intensely after it. But never,” cried the proprietress, “to a bloated alien!” “Then I applaud your patriotism. Only why not,” he asked, “carrying that magnanimity a little further, set us all an example as splendid as the object itself?” “Give it you for nothing?” She threw up shocked hands. “Because I’m an aged female pauper and can’t make _every_ sacrifice.” Hugh pretended--none too convincingly--to think. “Will you let them have it very cheap?” “Yes--for less than such a bribe as Bender’s.” “Ah,” he said expressively, “that might be, and still----!” “Well,” she had a flare of fond confidence. “I’ll find out what he’ll offer--if you’ll on your side do what you can--and then ask them a third less.” And she followed it up--as if suddenly conceiving him a prig. “See here, Mr. Crimble, I’ve been--and this very first time I--charming to you.” “You have indeed,” he returned; “but you throw back on it a lurid light if it has all been for _that!_” “It has been--well, to keep things as I want them; and if I’ve given you precious information mightn’t you on your side--” “Estimate its value in cash?” --Hugh sharply took her up.<|quote|>“Ah, Lady Sandgate, I _am_ in your debt, but if you really bargain for your precious information I’d rather we assume that I haven’t enjoyed it.”</|quote|>She made him, however, in reply, a sign for silence; she had heard Lady Grace enter the other room from the back landing, and, reaching the nearer door, she disposed of the question with high gay bravery. “I won’t bargain with the Treasury!” --she had passed out by the time Lady Grace arrived. II As Hugh recognised in this friend’s entrance and face the light of welcome he went, full of his subject, straight to their main affair. “I haven’t been able to wait, I’ve wanted so much to tell you--I mean how I’ve just come back from Brussels, where I saw Pappen-dick, who was free and ready, by the happiest chance, to start for Verona, which he must have reached some time yesterday.” The girl’s responsive interest fairly broke into rapture. “Ah, the dear sweet thing!” “Yes, he’s a brick--but the question now hangs in the balance. Allowing him time to have got into relation with the picture, I’ve begun to expect his wire, which will probably come to my club; but my fidget, while I wait, has driven me” --he threw out and dropped his arms in expression of his soft surrender-- “well, just to do _this_: to come to you here, in my fever, at an unnatural hour and uninvited, and at least let you know I’ve ‘acted.’” “Oh, but I simply rejoice,” Lady Grace declared, “to be acting _with_ you.” “Then if you are, if you are,” the young man cried, “why everything’s beautiful and right!” “It’s all I care for and think of now,” she went on in her bright devotion, “and I’ve only wondered and hoped!” Well, Hugh found for it all a rapid, abundant lucidity. “He was away from home at first, and I had to wait--but I crossed last week, found him and settled incoming home by Paris, where I had a grand four days’ jaw with the fellows there and saw _their_ great specimen of our master: all of which has given him time.” “And now his time’s up?” the girl eagerly asked. “It _must_ be--and we shall see.” But Hugh postponed that question to a matter of more moment still. “The thing is that at last I’m able to tell you how I feel the trouble I’ve brought you.” It made her, quickly colouring, rest grave eyes on him. “What do you know--when I haven’t told you--about my ‘trouble’?” “Can’t I have guessed, with | The Outcry |
"I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip. | No speaker | sir. There you are." "Thanks."<|quote|>"I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip.</|quote|>"It's good. Isn't it a | the barman. "Right you are, sir. There you are." "Thanks."<|quote|>"I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip.</|quote|>"It's good. Isn't it a nice bar?" "They're all nice | it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks."<|quote|>"I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip.</|quote|>"It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a | bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks."<|quote|>"I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip.</|quote|>"It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett said. "Bung-o!" "You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting." "He's got plenty | talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks."<|quote|>"I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip.</|quote|>"It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett said. "Bung-o!" "You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting." "He's got plenty of time." "I don't know. He thinks it was me. Not the show in general." "Well, it was you." "Yes. It was me." "I thought you weren't going to ever talk about it." "How can I help it?" "You'll lose it if you talk about it." "I just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with | "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good." She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her. "Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks."<|quote|>"I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip.</|quote|>"It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett said. "Bung-o!" "You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting." "He's got plenty of time." "I don't know. He thinks it was me. Not the show in general." "Well, it was you." "Yes. It was me." "I thought you weren't going to ever talk about it." "How can I help it?" "You'll lose it if you talk about it." "I just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with me." "Should we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. | I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good." She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her. "Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks."<|quote|>"I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip.</|quote|>"It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett said. "Bung-o!" "You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting." "He's got plenty of time." "I don't know. He thinks it was me. Not the show in general." "Well, it was you." "Yes. It was me." "I thought you weren't going to ever talk about it." "How can I help it?" "You'll lose it if you talk about it." "I just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with me." "Should we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this," I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via. "Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END | right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good." She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her. "Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks."<|quote|>"I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip.</|quote|>"It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett said. "Bung-o!" "You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting." "He's got plenty of time." "I don't know. He thinks it was me. Not the show in general." "Well, it was you." "Yes. It was me." "I thought you weren't going to ever talk about it." "How can I help it?" "You'll lose it if you talk about it." "I just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with me." "Should we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a | The Sun Also Rises |
CHAPTER XIII. The Delights of Anticipation | No speaker | rub it in, Matthew Cuthbert."<|quote|>CHAPTER XIII. The Delights of Anticipation</|quote|>"IT'S time Anne was in | of her, but don't you rub it in, Matthew Cuthbert."<|quote|>CHAPTER XIII. The Delights of Anticipation</|quote|>"IT'S time Anne was in to do her sewing," said | be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert."<|quote|>CHAPTER XIII. The Delights of Anticipation</|quote|>"IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched | Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert."<|quote|>CHAPTER XIII. The Delights of Anticipation</|quote|>"IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the | Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't," said Anne eagerly. "I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert."<|quote|>CHAPTER XIII. The Delights of Anticipation</|quote|>"IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, | to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't," said Anne eagerly. "I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert."<|quote|>CHAPTER XIII. The Delights of Anticipation</|quote|>"IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a | she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't," said Anne eagerly. "I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert."<|quote|>CHAPTER XIII. The Delights of Anticipation</|quote|>"IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a basket of things to eat. I can't cook, as you know, Marilla, and--and--I don't mind going to a picnic without puffed sleeves so much, but I'd feel terribly humiliated if I had to go without a basket. It's been preying on my mind ever since Diana told me." "Well, it needn't prey any longer. I'll bake you a basket." "Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm so much obliged to you." Getting through with her "ohs" Anne cast herself into Marilla's arms and rapturously kissed her sallow cheek. It was the first time in her whole life that childish lips had voluntarily touched Marilla's face. Again that sudden sensation of startling sweetness thrilled her. She was secretly vastly pleased at Anne's impulsive caress, which was probably the reason why she said brusquely: "There, there, never mind your kissing nonsense. I'd sooner see you doing strictly as you're told. As for cooking, I mean to begin giving you lessons in that some of these days. But you're so featherbrained, Anne, I've been waiting to see if you'd sober down a little and learn to be steady before I begin. You've got to keep your wits about you in cooking and not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her workbasket and sitting down before a little heap of red and white diamonds with a sigh. "I think some kinds of sewing would be nice; but there's no scope for imagination in patchwork. It's just one little seam after another and you never seem to be getting anywhere. But of course I'd rather be Anne of Green Gables sewing patchwork than Anne of any other place with nothing to do but play. I wish time went as quick sewing patches as it does when I'm playing with Diana, though. Oh, we do have such elegant times, Marilla. I have to furnish most of the imagination, but I'm well able to do that. Diana is simply perfect in every other way. You know that little piece of land across the brook that runs up between our farm and Mr. Barry's. It belongs to Mr. William Bell, and right in the corner there is a little ring of | play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't," said Anne eagerly. "I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert."<|quote|>CHAPTER XIII. The Delights of Anticipation</|quote|>"IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a basket of things to eat. I can't cook, as you know, Marilla, and--and--I don't mind going to a picnic without puffed sleeves so much, but I'd feel terribly humiliated if I had to go without a basket. It's been preying on my mind ever since Diana told me." "Well, it needn't prey any longer. I'll bake you a basket." "Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm so much obliged to you." Getting through with her "ohs" Anne cast herself into Marilla's arms and rapturously kissed her sallow cheek. It was the first time in her whole life that childish lips had voluntarily touched Marilla's face. Again that sudden sensation of startling sweetness thrilled her. She was secretly vastly pleased at Anne's impulsive caress, which was | Anne Of Green Gables |
"Yes," | Fagin | if to leave the room.<|quote|>"Yes,"</|quote|>said the Jew, answering the | and made a gesture, as if to leave the room.<|quote|>"Yes,"</|quote|>said the Jew, answering the mute inquiry; "bring him down. | meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room.<|quote|>"Yes,"</|quote|>said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his | flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room.<|quote|>"Yes,"</|quote|>said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" | to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room.<|quote|>"Yes,"</|quote|>said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But | one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I, Fagin?" demanded Tom, pouring question upon question with great volubility. "No, no, to be sure," replied the Jew; "you were too stout-hearted for that. A deal too stout, my dear!" "Perhaps I was," rejoined Tom, looking round; "and if I was, what's to laugh at, in that; eh, Fagin?" The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing; and to prove the gravity of the company, appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room.<|quote|>"Yes,"</|quote|>said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his leisure. To judge from appearances, Toby was by no means in a hurry to open the conversation. At first, the Jew contented himself with patiently watching his countenance, as if to gain from its expression some clue to the intelligence he brought; but in vain. He looked tired and worn, but there was the same complacent repose upon his features that they always wore: and through dirt, and beard, and whisker, there still shone, unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, | he's thinking of, Fagin?" "How should I know, my dear?" replied the Jew, looking round as he plied the bellows. "About his losses, maybe; or the little retirement in the country that he's just left, eh? Ha! ha! Is that it, my dear?" "Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do _you_ say, Charley?" "_I_ should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder! Tommy Chitling's in love! Oh, Fagin, Fagin! what a spree!" Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence, that he lost his balance, and pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew; "Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune." "So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean to say that I shouldn't," replied Tom, angrily. "There, now. Ah! Who'll say as much as that, I should like to know; eh, Fagin?" "Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I, Fagin?" demanded Tom, pouring question upon question with great volubility. "No, no, to be sure," replied the Jew; "you were too stout-hearted for that. A deal too stout, my dear!" "Perhaps I was," rejoined Tom, looking round; "and if I was, what's to laugh at, in that; eh, Fagin?" The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing; and to prove the gravity of the company, appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room.<|quote|>"Yes,"</|quote|>said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his leisure. To judge from appearances, Toby was by no means in a hurry to open the conversation. At first, the Jew contented himself with patiently watching his countenance, as if to gain from its expression some clue to the intelligence he brought; but in vain. He looked tired and worn, but there was the same complacent repose upon his features that they always wore: and through dirt, and beard, and whisker, there still shone, unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, mixed a glass of spirits and water, and composed himself for talking. "First and foremost, Faguey," said Toby. "Yes, yes!" interposed the Jew, drawing up his chair. Mr. Crackit stopped to take a draught of spirits and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly. "I know it," replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We parted company, and left the youngster lying in a ditch. Alive or dead, that's all I know about him." The Jew stopped to hear no more; but uttering a loud yell, and twining his hands in his hair, rushed from the room, and from the house. CHAPTER XXVI. IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED The old man had gained the street corner, before he began to recover the effect of Toby Crackit's intelligence. He had relaxed nothing of his unusual speed; but was still pressing onward, in the same wild and disordered manner, when the sudden dashing past of a carriage: and a boisterous cry from the foot passengers, who saw his danger: drove him back upon the pavement. Avoiding, as much as was possible, all the main streets, and skulking only through the by-ways and alleys, he at length emerged on Snow Hill. Here he walked | looking round; "and if I was, what's to laugh at, in that; eh, Fagin?" The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing; and to prove the gravity of the company, appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room.<|quote|>"Yes,"</|quote|>said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his leisure. To | Oliver Twist |
Don had not realised it before, but as he followed Jem, he suddenly woke to the fact that he did not feel so weak and giddy, while, by the time he was on deck, it as suddenly occurred to him that he could eat some breakfast. | No speaker | two to say as well."<|quote|>Don had not realised it before, but as he followed Jem, he suddenly woke to the fact that he did not feel so weak and giddy, while, by the time he was on deck, it as suddenly occurred to him that he could eat some breakfast.</|quote|>"I thought as much," said | I've got a word or two to say as well."<|quote|>Don had not realised it before, but as he followed Jem, he suddenly woke to the fact that he did not feel so weak and giddy, while, by the time he was on deck, it as suddenly occurred to him that he could eat some breakfast.</|quote|>"I thought as much," said Jem. "Lookye there, Mas' Don. | regular set-to some day, Mas' Don. He makes me feel warm, and somehow that bit of a row has done me no end o' good. Here, come on deck, and let's see if he's telling tales. Come on, lad. P'r'aps I've got a word or two to say as well."<|quote|>Don had not realised it before, but as he followed Jem, he suddenly woke to the fact that he did not feel so weak and giddy, while, by the time he was on deck, it as suddenly occurred to him that he could eat some breakfast.</|quote|>"I thought as much," said Jem. "Lookye there, Mas' Don. Did you ever see such a miserable sneak?" For there, not half-a-dozen yards away, was the sinister-looking sailor talking to the bluff boatswain. "Oh, yes, of course," said the latter, as he caught sight of the recruits. "So does every | had a young watchman's rattle somewhere in his chest. "Nice thing to report. I think this will do." He went off rubbing his hands softly, and mounted the ladder, Jem watching him till his legs had disappeared, when he turned sharply to Don. "Him and me's going to have a regular set-to some day, Mas' Don. He makes me feel warm, and somehow that bit of a row has done me no end o' good. Here, come on deck, and let's see if he's telling tales. Come on, lad. P'r'aps I've got a word or two to say as well."<|quote|>Don had not realised it before, but as he followed Jem, he suddenly woke to the fact that he did not feel so weak and giddy, while, by the time he was on deck, it as suddenly occurred to him that he could eat some breakfast.</|quote|>"I thought as much," said Jem. "Lookye there, Mas' Don. Did you ever see such a miserable sneak?" For there, not half-a-dozen yards away, was the sinister-looking sailor talking to the bluff boatswain. "Oh, yes, of course," said the latter, as he caught sight of the recruits. "So does every man who is pressed, and if he does not say it, he thinks it. There, be off." The ill-looking sailor gave Jem an ugly look and went aft, while the boatswain turned to Don. "That's right," he said. "Make a bit of an effort, and you're all the better for | know what that means?" "No; nor don't want," growled Jem. "Then I'll tell you. Flogging, for sartain, and p'r'aps stringing up at the yard-arm, as an example to others." "Ho!" said Jem; "do it? Well, you look the sort o' man as is best suited for that; and just you look here. Nex' time I ketches you spying and listening to what I say, I shall give you a worse dressing down than I give you last time, so be off." "Mutinous, threatening, and talking about deserting," said the sinister-looking sailor, with a harsh laugh, which sounded as if he had a young watchman's rattle somewhere in his chest. "Nice thing to report. I think this will do." He went off rubbing his hands softly, and mounted the ladder, Jem watching him till his legs had disappeared, when he turned sharply to Don. "Him and me's going to have a regular set-to some day, Mas' Don. He makes me feel warm, and somehow that bit of a row has done me no end o' good. Here, come on deck, and let's see if he's telling tales. Come on, lad. P'r'aps I've got a word or two to say as well."<|quote|>Don had not realised it before, but as he followed Jem, he suddenly woke to the fact that he did not feel so weak and giddy, while, by the time he was on deck, it as suddenly occurred to him that he could eat some breakfast.</|quote|>"I thought as much," said Jem. "Lookye there, Mas' Don. Did you ever see such a miserable sneak?" For there, not half-a-dozen yards away, was the sinister-looking sailor talking to the bluff boatswain. "Oh, yes, of course," said the latter, as he caught sight of the recruits. "So does every man who is pressed, and if he does not say it, he thinks it. There, be off." The ill-looking sailor gave Jem an ugly look and went aft, while the boatswain turned to Don. "That's right," he said. "Make a bit of an effort, and you're all the better for it. You'll get your sea legs directly." "I wish he'd tell us where to get a sea leg o' mutton, Mas' Don," whispered Jem. "I _am_ hungry." "What's that?" said the boatswain. "Only said I was hungry," growled Jem. "Better and better. And, now, look here, you two may as well set to work without grumbling. And take my advice; don't let such men as that hear either of you talk about desertion again. It doesn't matter this time, but, by-and-by, it may mean punishment." CHAPTER NINETEEN. A CONVERSATION. The gale was left behind, and the weather proved glorious as | something like that, Mas' Don; but they'd call it desertion." "Let them call it what they like, Jem. They treated us like dogs, and I will not stand it. I shall leave the ship first chance. You can do as you like, but that's what I mean to do." "Oh, I shall do as you do, Mas' Don. I was never meant for a sailor, and I shall get away as soon as I can." "Shall you?" said a voice that seemed familiar; and they both turned in the direction from which it came, to see a dark figure rise from beside the bulk head, where it had lain unnoticed by the invalids, though if they had noted its presence, they would have taken it for one of their fellow-sufferers. "What's it got to do with you?" said Jem, shortly, as he scowled at the man, who now came forward sufficiently near the dim light for them to recognise the grim, sinister-looking sailor, who had played so unpleasant a part at the _rendez-vous_ where they were taken after being seized. "What's it got to do with me? Everything. So you're goin' to desert, both of you, are you? Do you know what that means?" "No; nor don't want," growled Jem. "Then I'll tell you. Flogging, for sartain, and p'r'aps stringing up at the yard-arm, as an example to others." "Ho!" said Jem; "do it? Well, you look the sort o' man as is best suited for that; and just you look here. Nex' time I ketches you spying and listening to what I say, I shall give you a worse dressing down than I give you last time, so be off." "Mutinous, threatening, and talking about deserting," said the sinister-looking sailor, with a harsh laugh, which sounded as if he had a young watchman's rattle somewhere in his chest. "Nice thing to report. I think this will do." He went off rubbing his hands softly, and mounted the ladder, Jem watching him till his legs had disappeared, when he turned sharply to Don. "Him and me's going to have a regular set-to some day, Mas' Don. He makes me feel warm, and somehow that bit of a row has done me no end o' good. Here, come on deck, and let's see if he's telling tales. Come on, lad. P'r'aps I've got a word or two to say as well."<|quote|>Don had not realised it before, but as he followed Jem, he suddenly woke to the fact that he did not feel so weak and giddy, while, by the time he was on deck, it as suddenly occurred to him that he could eat some breakfast.</|quote|>"I thought as much," said Jem. "Lookye there, Mas' Don. Did you ever see such a miserable sneak?" For there, not half-a-dozen yards away, was the sinister-looking sailor talking to the bluff boatswain. "Oh, yes, of course," said the latter, as he caught sight of the recruits. "So does every man who is pressed, and if he does not say it, he thinks it. There, be off." The ill-looking sailor gave Jem an ugly look and went aft, while the boatswain turned to Don. "That's right," he said. "Make a bit of an effort, and you're all the better for it. You'll get your sea legs directly." "I wish he'd tell us where to get a sea leg o' mutton, Mas' Don," whispered Jem. "I _am_ hungry." "What's that?" said the boatswain. "Only said I was hungry," growled Jem. "Better and better. And, now, look here, you two may as well set to work without grumbling. And take my advice; don't let such men as that hear either of you talk about desertion again. It doesn't matter this time, but, by-and-by, it may mean punishment." CHAPTER NINETEEN. A CONVERSATION. The gale was left behind, and the weather proved glorious as they sped on towards the tropics, both going through all the drudgery to be learned by Government men, in company with the naval drill. There was so much to see and learn that Don found it impossible to be moody; and, for the most part, his homesickness and regrets were felt merely when he went to his hammock at nights; while the time spent unhappily there was very short, for fatigue soon sent him to sleep. The boatswain was always bluff, manly, and kind, and following out his advice, both Jem and Don picked up the routine of their life so rapidly as to gain many an encouraging word from their officers--words which, in spite of the hidden determination to escape at the first opportunity, set them striving harder and harder to master that which they had to do. "Yes," Jem used to say, "they may be civil, but soft words butters no parsnips, Mas' Don; and being told you'll some day be rated AB don't bring a man back to his wife, nor a boy--I mean another man--back to his mother." "You might have said boy, Jem; I'm only a boy." "So'm I, Mas' Don--sailor boy. You seem getting | it, you'll be here for a week." "Are we nearly there, sir?" said Jem, with a groan. "Nearly there? You yellow-faced lubber. What do you mean?" "Where we're going to," groaned Jem. "Nearly there? No. Why?" "Because I want to go ashore again. I'm no use here." "We'll soon make you of some use. There, get up." "But aren't we soon going ashore?" "If you behave yourself you may get a run ashore at the Cape or at Singapore; but most likely you won't leave the ship till we get to China." "China?" said Jem, sitting up sharply. "China?" "Yes, China. What of that?" "China!" cried Jem. "Why, I thought we were sailing round to Plymouth or Portsmouth, or some place like that. China?" "We're going straight away or China, my lad, to be on that station for some time." "And when are we coming back, sir?" "In about three years." "Mas' Don," said Jem, dolefully; "let's get up on deck, sir, and jump overboard, so as to make an end of it." "You'd better not," said the boatswain, laughing at Jem's miserable face. "You're in the king's service now, and you've got to work. There, rouse up, and act like a man." "But can't we send a letter home, sir?" asked Don. "Oh, yes, if you like, at the first port we touch at, or by any ship we speak. But come, my lad, you've been sea-sick for days; don't begin to be home sick. You've been pressed as many a better fellow has been before you. The king wants men, and he must have them. Now, young as you are, show that you can act like a man." Don gave him an agonised look, but the bluff boatswain did not see it. "Here, you fellows," he cried to the rest of the sick men; "we've given you time enough now. You must get up and shake all this off. You'll all be on deck in a quarter of an hour, so look sharp." "This here's a nice game, Mas' Don. Do you know how I feel?" "No, Jem; but I know how I feel." "How's that, sir?" "That if I had been asked to serve the king I might have joined a ship; but I've been dragged here in a cruel way, and the very first time I can get ashore, I mean to stay." "Well, I felt something like that, Mas' Don; but they'd call it desertion." "Let them call it what they like, Jem. They treated us like dogs, and I will not stand it. I shall leave the ship first chance. You can do as you like, but that's what I mean to do." "Oh, I shall do as you do, Mas' Don. I was never meant for a sailor, and I shall get away as soon as I can." "Shall you?" said a voice that seemed familiar; and they both turned in the direction from which it came, to see a dark figure rise from beside the bulk head, where it had lain unnoticed by the invalids, though if they had noted its presence, they would have taken it for one of their fellow-sufferers. "What's it got to do with you?" said Jem, shortly, as he scowled at the man, who now came forward sufficiently near the dim light for them to recognise the grim, sinister-looking sailor, who had played so unpleasant a part at the _rendez-vous_ where they were taken after being seized. "What's it got to do with me? Everything. So you're goin' to desert, both of you, are you? Do you know what that means?" "No; nor don't want," growled Jem. "Then I'll tell you. Flogging, for sartain, and p'r'aps stringing up at the yard-arm, as an example to others." "Ho!" said Jem; "do it? Well, you look the sort o' man as is best suited for that; and just you look here. Nex' time I ketches you spying and listening to what I say, I shall give you a worse dressing down than I give you last time, so be off." "Mutinous, threatening, and talking about deserting," said the sinister-looking sailor, with a harsh laugh, which sounded as if he had a young watchman's rattle somewhere in his chest. "Nice thing to report. I think this will do." He went off rubbing his hands softly, and mounted the ladder, Jem watching him till his legs had disappeared, when he turned sharply to Don. "Him and me's going to have a regular set-to some day, Mas' Don. He makes me feel warm, and somehow that bit of a row has done me no end o' good. Here, come on deck, and let's see if he's telling tales. Come on, lad. P'r'aps I've got a word or two to say as well."<|quote|>Don had not realised it before, but as he followed Jem, he suddenly woke to the fact that he did not feel so weak and giddy, while, by the time he was on deck, it as suddenly occurred to him that he could eat some breakfast.</|quote|>"I thought as much," said Jem. "Lookye there, Mas' Don. Did you ever see such a miserable sneak?" For there, not half-a-dozen yards away, was the sinister-looking sailor talking to the bluff boatswain. "Oh, yes, of course," said the latter, as he caught sight of the recruits. "So does every man who is pressed, and if he does not say it, he thinks it. There, be off." The ill-looking sailor gave Jem an ugly look and went aft, while the boatswain turned to Don. "That's right," he said. "Make a bit of an effort, and you're all the better for it. You'll get your sea legs directly." "I wish he'd tell us where to get a sea leg o' mutton, Mas' Don," whispered Jem. "I _am_ hungry." "What's that?" said the boatswain. "Only said I was hungry," growled Jem. "Better and better. And, now, look here, you two may as well set to work without grumbling. And take my advice; don't let such men as that hear either of you talk about desertion again. It doesn't matter this time, but, by-and-by, it may mean punishment." CHAPTER NINETEEN. A CONVERSATION. The gale was left behind, and the weather proved glorious as they sped on towards the tropics, both going through all the drudgery to be learned by Government men, in company with the naval drill. There was so much to see and learn that Don found it impossible to be moody; and, for the most part, his homesickness and regrets were felt merely when he went to his hammock at nights; while the time spent unhappily there was very short, for fatigue soon sent him to sleep. The boatswain was always bluff, manly, and kind, and following out his advice, both Jem and Don picked up the routine of their life so rapidly as to gain many an encouraging word from their officers--words which, in spite of the hidden determination to escape at the first opportunity, set them striving harder and harder to master that which they had to do. "Yes," Jem used to say, "they may be civil, but soft words butters no parsnips, Mas' Don; and being told you'll some day be rated AB don't bring a man back to his wife, nor a boy--I mean another man--back to his mother." "You might have said boy, Jem; I'm only a boy." "So'm I, Mas' Don--sailor boy. You seem getting your head pretty well now, Mas' Don, when we're up aloft." "That's what I was thinking of you, Jem." "Well, yes, sir, tidy--tidy like, and I s'pose it arn't much worse than coming down that there rope when we tried to get away; but I often feel when I'm lying out on the yard, with my feet in the stirrup, that there's a precious little bit between being up there and lying down on the deck, never to get up again." "You shouldn't think of it, Jem. I try not to." "So do I, but you can't help it sometimes. How long have we been at sea now?" "Six months, Jem." "Is it now? Don't seem so long. I used to think I should get away before we'd been aboard a week, and it's six months, and we arn't gone. You do mean to go if you get a chance?" "Yes, Jem," said Don, frowning. "I said I would, and I will." "Arn't it being a bit obstinate like, Mas' Don?" "Obstinate? What, to do what I said I'd do?" "Well, p'r'aps not, sir; but it do sound obstinate all the same." "You like being a sailor then, Jem?" "Like it? Being ordered about, and drilled, and sent aloft in rough weather, and all the time my Sally thousands o' miles away? Well, I do wonder at you, Mas' Don, talking like that." "It was your own fault, Jem. I can't help feeling as I did. It was such a cruel, cowardly way of kidnapping us, and dragging us away, and never a letter yet to tell us what they think at home, after those I sent. No, Jem, as I've said before, I'd have served the king as a volunteer, but I will not serve a day longer than I can help after being pressed." "T'others seem to have settled down." "So do we seem to, Jem; but perhaps they're like us, and only waiting for a chance to go." "Don't talk out loud, Mas' Don. I want to go home: but somehow I sha'n't quite like going when the time does come." "Why not?" "Well, some of the lads make very good messmates, and the officers arn't bad when they're in a good temper; and I've took to that there hammock, Mas' Don. You can't think of how I shall miss that there hammock." "You'll soon get over | their fellow-sufferers. "What's it got to do with you?" said Jem, shortly, as he scowled at the man, who now came forward sufficiently near the dim light for them to recognise the grim, sinister-looking sailor, who had played so unpleasant a part at the _rendez-vous_ where they were taken after being seized. "What's it got to do with me? Everything. So you're goin' to desert, both of you, are you? Do you know what that means?" "No; nor don't want," growled Jem. "Then I'll tell you. Flogging, for sartain, and p'r'aps stringing up at the yard-arm, as an example to others." "Ho!" said Jem; "do it? Well, you look the sort o' man as is best suited for that; and just you look here. Nex' time I ketches you spying and listening to what I say, I shall give you a worse dressing down than I give you last time, so be off." "Mutinous, threatening, and talking about deserting," said the sinister-looking sailor, with a harsh laugh, which sounded as if he had a young watchman's rattle somewhere in his chest. "Nice thing to report. I think this will do." He went off rubbing his hands softly, and mounted the ladder, Jem watching him till his legs had disappeared, when he turned sharply to Don. "Him and me's going to have a regular set-to some day, Mas' Don. He makes me feel warm, and somehow that bit of a row has done me no end o' good. Here, come on deck, and let's see if he's telling tales. Come on, lad. P'r'aps I've got a word or two to say as well."<|quote|>Don had not realised it before, but as he followed Jem, he suddenly woke to the fact that he did not feel so weak and giddy, while, by the time he was on deck, it as suddenly occurred to him that he could eat some breakfast.</|quote|>"I thought as much," said Jem. "Lookye there, Mas' Don. Did you ever see such a miserable sneak?" For there, not half-a-dozen yards away, was the sinister-looking sailor talking to the bluff boatswain. "Oh, yes, of course," said the latter, as he caught sight of the recruits. "So does every man who is pressed, and if he does not say it, he thinks it. There, be off." The ill-looking sailor gave Jem an ugly look and went aft, while the boatswain turned to Don. "That's right," he said. "Make a bit of an effort, and you're all the better for it. You'll get your sea legs directly." "I wish he'd tell us where to get a sea leg o' mutton, Mas' Don," whispered Jem. "I _am_ hungry." "What's that?" said the boatswain. "Only said I was hungry," growled Jem. "Better and better. And, now, look here, you two may as well set to work without grumbling. And take my advice; don't let such men as that hear either of you talk about desertion again. It doesn't matter this time, but, by-and-by, it may mean punishment." CHAPTER NINETEEN. A CONVERSATION. The gale was left behind, and the weather proved glorious as they sped on towards the tropics, both going through all the drudgery to be learned by Government men, in company with the naval drill. There was so much to see and learn that Don found it impossible to be moody; and, for the most part, his homesickness and regrets were felt merely when he went to his hammock at nights; while the time spent unhappily there was very short, for fatigue soon sent him to sleep. The boatswain was always bluff, manly, and kind, and following out his advice, both Jem and Don picked up the routine of their life so rapidly as to gain | Don Lavington |
"Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough." | Miss Bartlett | the ground looked particularly moist.<|quote|>"Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough."</|quote|>She cleared her throat. "Now | She sat down heavily where the ground looked particularly moist.<|quote|>"Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough."</|quote|>She cleared her throat. "Now don't be alarmed; this isn't | The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother's feelings if I let you sit in the wet in your white linen." She sat down heavily where the ground looked particularly moist.<|quote|>"Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough."</|quote|>She cleared her throat. "Now don't be alarmed; this isn't a cold. It's the tiniest cough, and I have had it three days. It's nothing to do with sitting here at all." There was only one way of treating the situation. At the end of five minutes Lucy departed in | you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother's feelings if I let you sit in the wet in your white linen." She sat down heavily where the ground looked particularly moist.<|quote|>"Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough."</|quote|>She cleared her throat. "Now don't be alarmed; this isn't a cold. It's the tiniest cough, and I have had it three days. It's nothing to do with sitting here at all." There was only one way of treating the situation. At the end of five minutes Lucy departed in search of Mr. Beebe and Mr. Eager, vanquished by the mackintosh square. She addressed herself to the drivers, who were sprawling in the carriages, perfuming the cushions with cigars. The miscreant, a bony young man scorched black by the sun, rose to greet her with the courtesy of a host | close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother's feelings if I let you sit in the wet in your white linen." She sat down heavily where the ground looked particularly moist.<|quote|>"Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough."</|quote|>She cleared her throat. "Now don't be alarmed; this isn't a cold. It's the tiniest cough, and I have had it three days. It's nothing to do with sitting here at all." There was only one way of treating the situation. At the end of five minutes Lucy departed in search of Mr. Beebe and Mr. Eager, vanquished by the mackintosh square. She addressed herself to the drivers, who were sprawling in the carriages, perfuming the cushions with cigars. The miscreant, a bony young man scorched black by the sun, rose to greet her with the courtesy of a host and the assurance of a relative. "Dove?" said Lucy, after much anxious thought. His face lit up. Of course he knew where. Not so far either. His arm swept three-fourths of the horizon. He should just think he did know where. He pressed his finger-tips to his forehead and then pushed them towards her, as if oozing with visible extract of knowledge. More seemed necessary. What was the Italian for "clergyman"? "Dove buoni uomini?" said she at last. Good? Scarcely the adjective for those noble beings! He showed her his cigar. "Uno--piu--piccolo," was her next remark, implying "Has the cigar | cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother's feelings if I let you sit in the wet in your white linen." She sat down heavily where the ground looked particularly moist.<|quote|>"Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough."</|quote|>She cleared her throat. "Now don't be alarmed; this isn't a cold. It's the tiniest cough, and I have had it three days. It's nothing to do with sitting here at all." There was only one way of treating the situation. At the end of five minutes Lucy departed in search of Mr. Beebe and Mr. Eager, vanquished by the mackintosh square. She addressed herself to the drivers, who were sprawling in the carriages, perfuming the cushions with cigars. The miscreant, a bony young man scorched black by the sun, rose to greet her with the courtesy of a host and the assurance of a relative. "Dove?" said Lucy, after much anxious thought. His face lit up. Of course he knew where. Not so far either. His arm swept three-fourths of the horizon. He should just think he did know where. He pressed his finger-tips to his forehead and then pushed them towards her, as if oozing with visible extract of knowledge. More seemed necessary. What was the Italian for "clergyman"? "Dove buoni uomini?" said she at last. Good? Scarcely the adjective for those noble beings! He showed her his cigar. "Uno--piu--piccolo," was her next remark, implying "Has the cigar been given to you by Mr. Beebe, the smaller of the two good men?" She was correct as usual. He tied the horse to a tree, kicked it to make it stay quiet, dusted the carriage, arranged his hair, remoulded his hat, encouraged his moustache, and in rather less than a quarter of a minute was ready to conduct her. Italians are born knowing the way. It would seem that the whole earth lay before them, not as a map, but as a chess-board, whereon they continually behold the changing pieces as well as the squares. Any one can find places, but the finding of people is a gift from God. He only stopped once, to pick her some great blue violets. She thanked him with real pleasure. In the company of this common man the world was beautiful and direct. For the first time she felt the influence of Spring. His arm swept the horizon gracefully; violets, like other things, existed in great profusion there; "would she like to see them?" "Ma buoni uomini." He bowed. Certainly. Good men first, violets afterwards. They proceeded briskly through the undergrowth, which became thicker and thicker. They were nearing the edge of | we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother's feelings if I let you sit in the wet in your white linen." She sat down heavily where the ground looked particularly moist.<|quote|>"Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough."</|quote|>She cleared her throat. "Now don't be alarmed; this isn't a cold. It's the tiniest cough, and I have had it three days. It's nothing to do with sitting here at all." There was only one way of treating the situation. At the end of five minutes Lucy departed in search of Mr. Beebe and Mr. Eager, vanquished by the mackintosh square. She addressed herself to the drivers, who were sprawling in the carriages, perfuming the cushions with cigars. The miscreant, a bony young man scorched black by the sun, rose to greet her with the courtesy of a host and the assurance of a relative. "Dove?" said Lucy, after much anxious thought. His face lit up. Of course he knew where. Not so far either. His arm swept three-fourths of the horizon. He should just think he did know where. He pressed his finger-tips to his forehead and then pushed them towards her, as if oozing with visible extract of knowledge. More seemed necessary. What was the Italian for "clergyman"? "Dove buoni uomini?" said she at last. Good? Scarcely the adjective for those noble beings! He showed her his cigar. "Uno--piu--piccolo," was her next remark, implying "Has the cigar been given to you by Mr. Beebe, the smaller of the two good men?" She was correct as usual. He tied the horse to a tree, kicked it to make it stay quiet, dusted the carriage, arranged his hair, remoulded his hat, encouraged his moustache, and in rather less than a quarter of a minute was ready to conduct her. Italians are born knowing the way. It would seem that the whole earth lay before them, not as a map, but as a chess-board, whereon they continually behold the changing pieces as well as the squares. Any one can find places, but the finding of people is a gift from God. He only stopped once, to pick her some great blue violets. She thanked him with real pleasure. In the company of this common man the world was beautiful and direct. For the first time she felt the influence of Spring. His arm swept the horizon gracefully; violets, like other things, existed in great profusion there; "would she like to see them?" "Ma buoni uomini." He bowed. Certainly. Good men first, violets afterwards. They proceeded briskly through the undergrowth, which became thicker and thicker. They were nearing the edge of the promontory, and the view was stealing round them, but the brown network of the bushes shattered it into countless pieces. He was occupied in his cigar, and in holding back the pliant boughs. She was rejoicing in her escape from dullness. Not a step, not a twig, was unimportant to her. "What is that?" There was a voice in the wood, in the distance behind them. The voice of Mr. Eager? He shrugged his shoulders. An Italian's ignorance is sometimes more remarkable than his knowledge. She could not make him understand that perhaps they had missed the clergymen. The view was forming at last; she could discern the river, the golden plain, other hills. "Eccolo!" he exclaimed. At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. "Courage!" cried her companion, now standing some six feet above. "Courage and love." She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her. Before she could speak, almost before she could feel, a voice called, "Lucy! Lucy! Lucy!" The silence of life had been broken by Miss Bartlett who stood brown against the view. Chapter VII: They Return Some complicated game had been playing up and down the hillside all the afternoon. What it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye. Charlotte had repulsed | to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother's feelings if I let you sit in the wet in your white linen." She sat down heavily where the ground looked particularly moist.<|quote|>"Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough."</|quote|>She cleared her throat. "Now don't be alarmed; this isn't a cold. It's the tiniest cough, and I have had it three days. It's nothing to do with sitting here at all." There was only one way of treating the situation. At the end of five minutes Lucy departed in search of Mr. Beebe and Mr. Eager, vanquished by the mackintosh square. She addressed herself to the drivers, who were sprawling in the carriages, perfuming the cushions with cigars. The miscreant, a bony young man scorched black by the sun, rose to greet her with the courtesy of a host and the assurance of a relative. "Dove?" said Lucy, after much anxious thought. His face lit up. Of course he knew where. Not so far either. His arm swept three-fourths of the horizon. He should just think he did know where. He pressed his finger-tips to his forehead and then pushed them towards her, as if oozing with visible extract of knowledge. More seemed necessary. What was the Italian for "clergyman"? "Dove buoni uomini?" said she at last. Good? Scarcely the adjective for those noble beings! He showed her his cigar. "Uno--piu--piccolo," was her next remark, implying "Has the cigar been given to you by Mr. Beebe, the smaller of the two good men?" She was correct as usual. He tied the horse to a tree, kicked it to make it stay quiet, dusted the carriage, arranged his hair, remoulded his hat, encouraged his moustache, and in rather less than a quarter of a minute was ready to conduct her. Italians are born knowing the way. It would seem that the whole earth lay before them, not as a map, but as a chess-board, whereon they continually behold the changing pieces as well as the squares. Any one can find places, but the finding of people is a gift from God. He only stopped once, to pick her some great blue violets. She thanked him with real pleasure. In the company of this common man the world was beautiful and direct. For the first time she felt the influence of Spring. His arm swept the | A Room With A View |
his visitor patiently explained, | No speaker | that beastly degree, you see,”<|quote|>his visitor patiently explained,</|quote|>“in the cleft stick of | possibly wants nothing--but I’m to that beastly degree, you see,”<|quote|>his visitor patiently explained,</|quote|>“in the cleft stick of my fearfully positive mother’s wants. | ground. “She has told me she thoroughly likes me and that--though a fellow feels an ass repeating such things--she thinks me perfectly charming.” “A tremendous creature, eh, all round? Then,” said Lord Theign, “what does she want more?” “She very possibly wants nothing--but I’m to that beastly degree, you see,”<|quote|>his visitor patiently explained,</|quote|>“in the cleft stick of my fearfully positive mother’s wants. Those are her ‘terms,’ and I don’t mind saying that they’re most disagreeable to me--I quite hate ‘em: there! Only I think it makes a jolly difference that I wouldn’t touch ‘em with a long pole if my personal feeling--in | marry Lady Grace: marry her to a man who has set his heart on her and of whom she has just expressed--to himself--a very kind and very high opinion.” “She has expressed a very high opinion of you?” --Lord Theign scarce glowed with credulity. But the younger man held his ground. “She has told me she thoroughly likes me and that--though a fellow feels an ass repeating such things--she thinks me perfectly charming.” “A tremendous creature, eh, all round? Then,” said Lord Theign, “what does she want more?” “She very possibly wants nothing--but I’m to that beastly degree, you see,”<|quote|>his visitor patiently explained,</|quote|>“in the cleft stick of my fearfully positive mother’s wants. Those are her ‘terms,’ and I don’t mind saying that they’re most disagreeable to me--I quite hate ‘em: there! Only I think it makes a jolly difference that I wouldn’t touch ‘em with a long pole if my personal feeling--in respect to Lady Grace--wasn’t so immensely enlisted.” “I assure you I’d chuck ‘em out of window, my boy, if I didn’t believe you’d be really good to her,” Lord Theign returned with the properest spirit. It only encouraged his companion. “You _will_ just tell her then, now and here, how | you can see for yourself that I’ve had this year to let poor dear old Hill Street! Do you call it the moment for me to have _liked_ to see myself all but cajoled into planking down even such a matter as the very much lower figure of Kitty’s horrid incubus?” “Ah, but the inducement and the _quid pro quo_,” Lord John brightly indicated, “are here much greater! In the case you speak of you will only have removed the incubus--which, I grant you, she must and you must feel as horrid. In this other you pacify Lady Imber _and_ marry Lady Grace: marry her to a man who has set his heart on her and of whom she has just expressed--to himself--a very kind and very high opinion.” “She has expressed a very high opinion of you?” --Lord Theign scarce glowed with credulity. But the younger man held his ground. “She has told me she thoroughly likes me and that--though a fellow feels an ass repeating such things--she thinks me perfectly charming.” “A tremendous creature, eh, all round? Then,” said Lord Theign, “what does she want more?” “She very possibly wants nothing--but I’m to that beastly degree, you see,”<|quote|>his visitor patiently explained,</|quote|>“in the cleft stick of my fearfully positive mother’s wants. Those are her ‘terms,’ and I don’t mind saying that they’re most disagreeable to me--I quite hate ‘em: there! Only I think it makes a jolly difference that I wouldn’t touch ‘em with a long pole if my personal feeling--in respect to Lady Grace--wasn’t so immensely enlisted.” “I assure you I’d chuck ‘em out of window, my boy, if I didn’t believe you’d be really good to her,” Lord Theign returned with the properest spirit. It only encouraged his companion. “You _will_ just tell her then, now and here, how good you honestly believe I shall be?” This appeal required a moment--a longer look at him. “You truly hold that that friendly guarantee, backed by my parental weight, will do your job?” “That’s the conviction I entertain.” Lord Theign thought again. “Well, even if your conviction’s just, that still doesn’t tell me into which of my very empty pockets it will be of the least use for me to fumble.” “Oh,” Lord John laughed, “when a man has such a tremendous assortment of breeches--!” He pulled up, however, as, in his motion, his eye caught the great vista of the | course we take _everything_ into account--or I shouldn’t, my dear fellow, be discussing with you at all a business one or two of whose aspects so little appeal to me: especially as there’s nothing, you easily conceive, that a daughter of mine can come in for by entering even your family, or any other (as a family) that she wouldn’t be quite as sure of by just staying in her own. The Duchess’s idea, at any rate, if I’ve followed you, is that if Grace does accept you she settles on you twelve thousand; with the condition--” Lord John was already all there. “Definitely, yes, of your settling the equivalent on Lady Grace.” “And what do you call the equivalent of twelve thousand?” “Why, tacked on to a value so great and so charming as Lady Grace herself, I dare say such a sum as nine or ten would serve.” “And where the mischief, if you please, at this highly inconvenient time, am I to pick up nine or ten thousand?” Lord John declined, with a smiling, a fairly irritating eye for his friend’s general resources, to consider that question seriously. “Surely you can have no difficulty whatever--!” “Why not?--when you can see for yourself that I’ve had this year to let poor dear old Hill Street! Do you call it the moment for me to have _liked_ to see myself all but cajoled into planking down even such a matter as the very much lower figure of Kitty’s horrid incubus?” “Ah, but the inducement and the _quid pro quo_,” Lord John brightly indicated, “are here much greater! In the case you speak of you will only have removed the incubus--which, I grant you, she must and you must feel as horrid. In this other you pacify Lady Imber _and_ marry Lady Grace: marry her to a man who has set his heart on her and of whom she has just expressed--to himself--a very kind and very high opinion.” “She has expressed a very high opinion of you?” --Lord Theign scarce glowed with credulity. But the younger man held his ground. “She has told me she thoroughly likes me and that--though a fellow feels an ass repeating such things--she thinks me perfectly charming.” “A tremendous creature, eh, all round? Then,” said Lord Theign, “what does she want more?” “She very possibly wants nothing--but I’m to that beastly degree, you see,”<|quote|>his visitor patiently explained,</|quote|>“in the cleft stick of my fearfully positive mother’s wants. Those are her ‘terms,’ and I don’t mind saying that they’re most disagreeable to me--I quite hate ‘em: there! Only I think it makes a jolly difference that I wouldn’t touch ‘em with a long pole if my personal feeling--in respect to Lady Grace--wasn’t so immensely enlisted.” “I assure you I’d chuck ‘em out of window, my boy, if I didn’t believe you’d be really good to her,” Lord Theign returned with the properest spirit. It only encouraged his companion. “You _will_ just tell her then, now and here, how good you honestly believe I shall be?” This appeal required a moment--a longer look at him. “You truly hold that that friendly guarantee, backed by my parental weight, will do your job?” “That’s the conviction I entertain.” Lord Theign thought again. “Well, even if your conviction’s just, that still doesn’t tell me into which of my very empty pockets it will be of the least use for me to fumble.” “Oh,” Lord John laughed, “when a man has such a tremendous assortment of breeches--!” He pulled up, however, as, in his motion, his eye caught the great vista of the open rooms. “If it’s a question of pockets--and what’s _in_ ‘em--here precisely is my man!” This personage had come back from his tour of observation and was now, on the threshold of the hall, exhibited to Lord Theign as well. Lord John’s welcome was warm. “I’ve had awfully to fail you, Mr. Bender, but I was on the point of joining you. Let me, however, still better, introduce you to our host.” VII Mr. Bender indeed, formidably advancing, scarce had use for this assistance. “Happy to meet you--especially in your beautiful home, Lord Theign.” To which he added while the master of Dedborough stood good-humouredly passive to his approach: “I’ve been round, by your kind permission and the light of nature, and haven’t required support; though if I had there’s a gentleman there who seemed prepared to allow me any amount.” Mr. Bender, out of his abundance, evoked as by a suggestive hand this contributory figure. “A young, spare, nervous gentleman with eye-glasses--I guess he’s an author. A friend of yours too?” he asked of Lord John. The answer was prompt and emphatic. “No, the gentleman is no friend at all of mine, Mr. Bender.” “A friend of my daughter’s,” | all propriety,” his companion has meanwhile replied to it. “But I was thinking a little, you understand, of the importance of our own time.” Divinably Lord Theign put himself out less, as we may say, for the comparatively matter-of-course haunters of his garden than for interlopers even but slightly accredited. He seemed thus not at all to strain to “understand” in this particular connection--it would be his familiarly amusing friend Lord John, clearly, who must do most of the work for him. “‘Our own’ in the sense of yours and mine?” “Of yours and mine and Lady Imber’s, yes--and a good bit, last not least, in that of my watching and waiting mother’s.” This struck no prompt spark of apprehension from his listener, so that Lord John went on: “The last thing she did this morning was to remind me, with her fine old frankness, that she would like to learn without more delay where, on the whole question, she _is_, don’t you know? What she put to me” --the younger man felt his ground a little, but proceeded further-- “what she put to me, with her rather grand way of looking _all_ questions straight in the face, you see, was: Do we or don’t we, decidedly, take up practically her very handsome offer--‘very handsome’ being, I mean, what _she_ calls it; though it strikes even me too, you know, as rather decent.” Lord Theign at this point resigned himself to know. “Kitty has of course rubbed into me how decent she herself finds it. She hurls herself again on me--successfully!--for everything, and it suits her down to the ground. She pays her beastly debt--that is, I mean to say,” and he took himself up, though it was scarce more than perfunctory, “discharges her obligations--by her sister’s fair hand; not to mention a few other trifles for which I naturally provide.” Lord John, a little unexpectedly to himself on the defensive, was yet but briefly at a loss. “Of course we take into account, don’t we? not only the fact of my mother’s desire (intended, I assure you, to be most flattering) that Lady Grace shall enter our family with all honours, but her expressed readiness to facilitate the thing by an understanding over and above----” “Over and above Kitty’s release from her damnable payment?” --Lord Theign reached out to what his guest had left rather in the air. “Of course we take _everything_ into account--or I shouldn’t, my dear fellow, be discussing with you at all a business one or two of whose aspects so little appeal to me: especially as there’s nothing, you easily conceive, that a daughter of mine can come in for by entering even your family, or any other (as a family) that she wouldn’t be quite as sure of by just staying in her own. The Duchess’s idea, at any rate, if I’ve followed you, is that if Grace does accept you she settles on you twelve thousand; with the condition--” Lord John was already all there. “Definitely, yes, of your settling the equivalent on Lady Grace.” “And what do you call the equivalent of twelve thousand?” “Why, tacked on to a value so great and so charming as Lady Grace herself, I dare say such a sum as nine or ten would serve.” “And where the mischief, if you please, at this highly inconvenient time, am I to pick up nine or ten thousand?” Lord John declined, with a smiling, a fairly irritating eye for his friend’s general resources, to consider that question seriously. “Surely you can have no difficulty whatever--!” “Why not?--when you can see for yourself that I’ve had this year to let poor dear old Hill Street! Do you call it the moment for me to have _liked_ to see myself all but cajoled into planking down even such a matter as the very much lower figure of Kitty’s horrid incubus?” “Ah, but the inducement and the _quid pro quo_,” Lord John brightly indicated, “are here much greater! In the case you speak of you will only have removed the incubus--which, I grant you, she must and you must feel as horrid. In this other you pacify Lady Imber _and_ marry Lady Grace: marry her to a man who has set his heart on her and of whom she has just expressed--to himself--a very kind and very high opinion.” “She has expressed a very high opinion of you?” --Lord Theign scarce glowed with credulity. But the younger man held his ground. “She has told me she thoroughly likes me and that--though a fellow feels an ass repeating such things--she thinks me perfectly charming.” “A tremendous creature, eh, all round? Then,” said Lord Theign, “what does she want more?” “She very possibly wants nothing--but I’m to that beastly degree, you see,”<|quote|>his visitor patiently explained,</|quote|>“in the cleft stick of my fearfully positive mother’s wants. Those are her ‘terms,’ and I don’t mind saying that they’re most disagreeable to me--I quite hate ‘em: there! Only I think it makes a jolly difference that I wouldn’t touch ‘em with a long pole if my personal feeling--in respect to Lady Grace--wasn’t so immensely enlisted.” “I assure you I’d chuck ‘em out of window, my boy, if I didn’t believe you’d be really good to her,” Lord Theign returned with the properest spirit. It only encouraged his companion. “You _will_ just tell her then, now and here, how good you honestly believe I shall be?” This appeal required a moment--a longer look at him. “You truly hold that that friendly guarantee, backed by my parental weight, will do your job?” “That’s the conviction I entertain.” Lord Theign thought again. “Well, even if your conviction’s just, that still doesn’t tell me into which of my very empty pockets it will be of the least use for me to fumble.” “Oh,” Lord John laughed, “when a man has such a tremendous assortment of breeches--!” He pulled up, however, as, in his motion, his eye caught the great vista of the open rooms. “If it’s a question of pockets--and what’s _in_ ‘em--here precisely is my man!” This personage had come back from his tour of observation and was now, on the threshold of the hall, exhibited to Lord Theign as well. Lord John’s welcome was warm. “I’ve had awfully to fail you, Mr. Bender, but I was on the point of joining you. Let me, however, still better, introduce you to our host.” VII Mr. Bender indeed, formidably advancing, scarce had use for this assistance. “Happy to meet you--especially in your beautiful home, Lord Theign.” To which he added while the master of Dedborough stood good-humouredly passive to his approach: “I’ve been round, by your kind permission and the light of nature, and haven’t required support; though if I had there’s a gentleman there who seemed prepared to allow me any amount.” Mr. Bender, out of his abundance, evoked as by a suggestive hand this contributory figure. “A young, spare, nervous gentleman with eye-glasses--I guess he’s an author. A friend of yours too?” he asked of Lord John. The answer was prompt and emphatic. “No, the gentleman is no friend at all of mine, Mr. Bender.” “A friend of my daughter’s,” Lord Theign easily explained. “I hope they’re looking after him.” “Oh, they took care he had tea and bread and butter to any extent; and were so good as to move something,” Mr. Bender conscientiously added, “so that he could get up on a chair and see straight into the Moretto.” This was a touch, however, that appeared to affect Lord John unfavourably. “Up on a chair? I say!” Mr. Bender took another view. “Why, I got right up myself--a little more and I’d almost have begun to paw it! He got me quite interested” --the proprietor of the picture would perhaps care to know-- “in that Moretto.” And it was on these lines that Mr. Bender continued to advance. “I take it that your biggest value, however, Lord Theign, is your splendid Sir Joshua. Our friend there has a great deal to say about that too--but it didn’t lead to our moving any more furniture.” On which he paused as to enjoy, with a show of his fine teeth, his host’s reassurance. “It _has_ yet, my impression of that picture, sir, led to something else. Are you prepared, Lord Theign, to entertain a proposition?” Lord Theign met Mr. Bender’s eyes while this inquirer left these few portentous words to speak for themselves. “To the effect that I part to you with ‘The Beautiful Duchess of Waterbridge’? No, Mr. Bender, such a proposition would leave me intensely cold.” Lord John had meanwhile had a more headlong cry. “My dear Bender, I _envy_ you!” “I guess you don’t envy me,” his friend serenely replied, “as much as I envy Lord Theign.” And then while Mr. Bender and the latter continued to face each other searchingly and firmly: “What I allude to is an overture of a strong and simple stamp--such as perhaps would shed a softer light on the difficulties raised by association and attachment. I’ve had some experience of first shocks, and I’d be glad to meet you as man to man.” Mr. Bender was, quite clearly, all genial and all sincere; he intended no irony and used, consciously, no great freedom. Lord Theign, not less evidently, saw this, and it permitted him amusement. “As rich man to poor man is how I’m to understand it? For me to meet _you_,” he added, “I should have to be tempted--and I’m not even temptable. So there we are,” he blandly smiled. | was already all there. “Definitely, yes, of your settling the equivalent on Lady Grace.” “And what do you call the equivalent of twelve thousand?” “Why, tacked on to a value so great and so charming as Lady Grace herself, I dare say such a sum as nine or ten would serve.” “And where the mischief, if you please, at this highly inconvenient time, am I to pick up nine or ten thousand?” Lord John declined, with a smiling, a fairly irritating eye for his friend’s general resources, to consider that question seriously. “Surely you can have no difficulty whatever--!” “Why not?--when you can see for yourself that I’ve had this year to let poor dear old Hill Street! Do you call it the moment for me to have _liked_ to see myself all but cajoled into planking down even such a matter as the very much lower figure of Kitty’s horrid incubus?” “Ah, but the inducement and the _quid pro quo_,” Lord John brightly indicated, “are here much greater! In the case you speak of you will only have removed the incubus--which, I grant you, she must and you must feel as horrid. In this other you pacify Lady Imber _and_ marry Lady Grace: marry her to a man who has set his heart on her and of whom she has just expressed--to himself--a very kind and very high opinion.” “She has expressed a very high opinion of you?” --Lord Theign scarce glowed with credulity. But the younger man held his ground. “She has told me she thoroughly likes me and that--though a fellow feels an ass repeating such things--she thinks me perfectly charming.” “A tremendous creature, eh, all round? Then,” said Lord Theign, “what does she want more?” “She very possibly wants nothing--but I’m to that beastly degree, you see,”<|quote|>his visitor patiently explained,</|quote|>“in the cleft stick of my fearfully positive mother’s wants. Those are her ‘terms,’ and I don’t mind saying that they’re most disagreeable to me--I quite hate ‘em: there! Only I think it makes a jolly difference that I wouldn’t touch ‘em with a long pole if my personal feeling--in respect to Lady Grace--wasn’t so immensely enlisted.” “I assure you I’d chuck ‘em out of window, my boy, if I didn’t believe you’d be really good to her,” Lord Theign returned with the properest spirit. It only encouraged his companion. “You _will_ just tell her then, now and here, how good you honestly believe I shall be?” This appeal required a moment--a longer look at him. “You truly hold that that friendly guarantee, backed by my parental weight, will do your job?” “That’s the conviction I entertain.” Lord Theign thought again. “Well, even if your conviction’s just, that still doesn’t tell me into which of my very empty pockets it will be of the least use for me to fumble.” “Oh,” Lord John laughed, “when a man has such a tremendous assortment of breeches--!” He pulled up, however, as, in his motion, his eye caught the great vista of the open rooms. “If it’s a question of pockets--and what’s _in_ ‘em--here precisely is my man!” This personage had come back from his tour of observation and was now, on the threshold of the hall, exhibited to Lord Theign as well. Lord John’s welcome was warm. “I’ve had awfully to fail you, Mr. Bender, but I was on the point of joining you. Let me, however, still better, | The Outcry |
Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky. | No speaker | has only just come home."<|quote|>Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky.</|quote|>"Show us the place," Syme | said the stranger. "My master has only just come home."<|quote|>Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky.</|quote|>"Show us the place," Syme said briefly, and without a | is your master?" asked Syme, standing quite still. "I was told you knew his name," said the man respectfully. There was a silence, and then the Secretary said "Where is this carriage?" "It has been waiting only a few moments," said the stranger. "My master has only just come home."<|quote|>Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky.</|quote|>"Show us the place," Syme said briefly, and without a word the man in the violet coat turned his back and walked towards a gap in the hedge, which let in suddenly the light of a white road. As the six wanderers broke out upon this thoroughfare, they saw the | with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood. "Gentlemen," he said, "my master has a carriage waiting for you in the road just by." "Who is your master?" asked Syme, standing quite still. "I was told you knew his name," said the man respectfully. There was a silence, and then the Secretary said "Where is this carriage?" "It has been waiting only a few moments," said the stranger. "My master has only just come home."<|quote|>Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky.</|quote|>"Show us the place," Syme said briefly, and without a word the man in the violet coat turned his back and walked towards a gap in the hedge, which let in suddenly the light of a white road. As the six wanderers broke out upon this thoroughfare, they saw the white road blocked by what looked like a long row of carriages, such a row of carriages as might close the approach to some house in Park Lane. Along the side of these carriages stood a rank of splendid servants, all dressed in the grey-blue uniform, and all having a | and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field. Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken along with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood. "Gentlemen," he said, "my master has a carriage waiting for you in the road just by." "Who is your master?" asked Syme, standing quite still. "I was told you knew his name," said the man respectfully. There was a silence, and then the Secretary said "Where is this carriage?" "It has been waiting only a few moments," said the stranger. "My master has only just come home."<|quote|>Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky.</|quote|>"Show us the place," Syme said briefly, and without a word the man in the violet coat turned his back and walked towards a gap in the hedge, which let in suddenly the light of a white road. As the six wanderers broke out upon this thoroughfare, they saw the white road blocked by what looked like a long row of carriages, such a row of carriages as might close the approach to some house in Park Lane. Along the side of these carriages stood a rank of splendid servants, all dressed in the grey-blue uniform, and all having a certain quality of stateliness and freedom which would not commonly belong to the servants of a gentleman, but rather to the officials and ambassadors of a great king. There were no less than six carriages waiting, one for each of the tattered and miserable band. All the attendants (as if in court-dress) wore swords, and as each man crawled into his carriage they drew them, and saluted with a sudden blaze of steel. "What can it all mean?" asked Bull of Syme as they separated. "Is this another joke of Sunday's?" "I don't know," said Syme as he sank wearily | in the sky, right itself, and then sink slowly behind the trees like a setting sun. The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit. "He is dead!" he cried. "And now I know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs," said the Professor. "The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of the exclamations. "It fell over there," he said shortly. "Let us follow it!" Then he added with an indescribable gesture "Oh, if he has cheated us all by getting killed! It would be like one of his larks." He strode off towards the distant trees with a new energy, his rags and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field. Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken along with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood. "Gentlemen," he said, "my master has a carriage waiting for you in the road just by." "Who is your master?" asked Syme, standing quite still. "I was told you knew his name," said the man respectfully. There was a silence, and then the Secretary said "Where is this carriage?" "It has been waiting only a few moments," said the stranger. "My master has only just come home."<|quote|>Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky.</|quote|>"Show us the place," Syme said briefly, and without a word the man in the violet coat turned his back and walked towards a gap in the hedge, which let in suddenly the light of a white road. As the six wanderers broke out upon this thoroughfare, they saw the white road blocked by what looked like a long row of carriages, such a row of carriages as might close the approach to some house in Park Lane. Along the side of these carriages stood a rank of splendid servants, all dressed in the grey-blue uniform, and all having a certain quality of stateliness and freedom which would not commonly belong to the servants of a gentleman, but rather to the officials and ambassadors of a great king. There were no less than six carriages waiting, one for each of the tattered and miserable band. All the attendants (as if in court-dress) wore swords, and as each man crawled into his carriage they drew them, and saluted with a sudden blaze of steel. "What can it all mean?" asked Bull of Syme as they separated. "Is this another joke of Sunday's?" "I don't know," said Syme as he sank wearily back in the cushions of his carriage; "but if it is, it's one of the jokes you talk about. It's a good-natured one." The six adventurers had passed through many adventures, but not one had carried them so utterly off their feet as this last adventure of comfort. They had all become inured to things going roughly; but things suddenly going smoothly swamped them. They could not even feebly imagine what the carriages were; it was enough for them to know that they were carriages, and carriages with cushions. They could not conceive who the old man was who had led them; but it was quite enough that he had certainly led them to the carriages. Syme drove through a drifting darkness of trees in utter abandonment. It was typical of him that while he had carried his bearded chin forward fiercely so long as anything could be done, when the whole business was taken out of his hands he fell back on the cushions in a frank collapse. Very gradually and very vaguely he realised into what rich roads the carriage was carrying him. He saw that they passed the stone gates of what might have been a park, | I saw him from behind I was certain he was an animal, and when I saw him in front I knew he was a god." "Pan," said the Professor dreamily, "was a god and an animal." "Then, and again and always," went on Syme like a man talking to himself, "that has been for me the mystery of Sunday, and it is also the mystery of the world. When I see the horrible back, I am sure the noble face is but a mask. When I see the face but for an instant, I know the back is only a jest. Bad is so bad, that we cannot but think good an accident; good is so good, that we feel certain that evil could be explained. But the whole came to a kind of crest yesterday when I raced Sunday for the cab, and was just behind him all the way." "Had you time for thinking then?" asked Ratcliffe. "Time," replied Syme, "for one outrageous thought. I was suddenly possessed with the idea that the blind, blank back of his head really was his face an awful, eyeless face staring at me! And I fancied that the figure running in front of me was really a figure running backwards, and dancing as he ran." "Horrible!" said Dr. Bull, and shuddered. "Horrible is not the word," said Syme. "It was exactly the worst instant of my life. And yet ten minutes afterwards, when he put his head out of the cab and made a grimace like a gargoyle, I knew that he was only like a father playing hide-and-seek with his children." "It is a long game," said the Secretary, and frowned at his broken boots. "Listen to me," cried Syme with extraordinary emphasis. "Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front" "Look!" cried out Bull clamorously, "the balloon is coming down!" There was no need to cry out to Syme, who had never taken his eyes off it. He saw the great luminous globe suddenly stagger in the sky, right itself, and then sink slowly behind the trees like a setting sun. The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit. "He is dead!" he cried. "And now I know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs," said the Professor. "The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of the exclamations. "It fell over there," he said shortly. "Let us follow it!" Then he added with an indescribable gesture "Oh, if he has cheated us all by getting killed! It would be like one of his larks." He strode off towards the distant trees with a new energy, his rags and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field. Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken along with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood. "Gentlemen," he said, "my master has a carriage waiting for you in the road just by." "Who is your master?" asked Syme, standing quite still. "I was told you knew his name," said the man respectfully. There was a silence, and then the Secretary said "Where is this carriage?" "It has been waiting only a few moments," said the stranger. "My master has only just come home."<|quote|>Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky.</|quote|>"Show us the place," Syme said briefly, and without a word the man in the violet coat turned his back and walked towards a gap in the hedge, which let in suddenly the light of a white road. As the six wanderers broke out upon this thoroughfare, they saw the white road blocked by what looked like a long row of carriages, such a row of carriages as might close the approach to some house in Park Lane. Along the side of these carriages stood a rank of splendid servants, all dressed in the grey-blue uniform, and all having a certain quality of stateliness and freedom which would not commonly belong to the servants of a gentleman, but rather to the officials and ambassadors of a great king. There were no less than six carriages waiting, one for each of the tattered and miserable band. All the attendants (as if in court-dress) wore swords, and as each man crawled into his carriage they drew them, and saluted with a sudden blaze of steel. "What can it all mean?" asked Bull of Syme as they separated. "Is this another joke of Sunday's?" "I don't know," said Syme as he sank wearily back in the cushions of his carriage; "but if it is, it's one of the jokes you talk about. It's a good-natured one." The six adventurers had passed through many adventures, but not one had carried them so utterly off their feet as this last adventure of comfort. They had all become inured to things going roughly; but things suddenly going smoothly swamped them. They could not even feebly imagine what the carriages were; it was enough for them to know that they were carriages, and carriages with cushions. They could not conceive who the old man was who had led them; but it was quite enough that he had certainly led them to the carriages. Syme drove through a drifting darkness of trees in utter abandonment. It was typical of him that while he had carried his bearded chin forward fiercely so long as anything could be done, when the whole business was taken out of his hands he fell back on the cushions in a frank collapse. Very gradually and very vaguely he realised into what rich roads the carriage was carrying him. He saw that they passed the stone gates of what might have been a park, that they began gradually to climb a hill which, while wooded on both sides, was somewhat more orderly than a forest. Then there began to grow upon him, as upon a man slowly waking from a healthy sleep, a pleasure in everything. He felt that the hedges were what hedges should be, living walls; that a hedge is like a human army, disciplined, but all the more alive. He saw high elms behind the hedges, and vaguely thought how happy boys would be climbing there. Then his carriage took a turn of the path, and he saw suddenly and quietly, like a long, low, sunset cloud, a long, low house, mellow in the mild light of sunset. All the six friends compared notes afterwards and quarrelled; but they all agreed that in some unaccountable way the place reminded them of their boyhood. It was either this elm-top or that crooked path, it was either this scrap of orchard or that shape of a window; but each man of them declared that he could remember this place before he could remember his mother. When the carriages eventually rolled up to a large, low, cavernous gateway, another man in the same uniform, but wearing a silver star on the grey breast of his coat, came out to meet them. This impressive person said to the bewildered Syme "Refreshments are provided for you in your room." Syme, under the influence of the same mesmeric sleep of amazement, went up the large oaken stairs after the respectful attendant. He entered a splendid suite of apartments that seemed to be designed specially for him. He walked up to a long mirror with the ordinary instinct of his class, to pull his tie straight or to smooth his hair; and there he saw the frightful figure that he was blood running down his face from where the bough had struck him, his hair standing out like yellow rags of rank grass, his clothes torn into long, wavering tatters. At once the whole enigma sprang up, simply as the question of how he had got there, and how he was to get out again. Exactly at the same moment a man in blue, who had been appointed as his valet, said very solemnly "I have put out your clothes, sir." "Clothes!" said Syme sardonically. "I have no clothes except these," and he lifted two long strips of | get round in front" "Look!" cried out Bull clamorously, "the balloon is coming down!" There was no need to cry out to Syme, who had never taken his eyes off it. He saw the great luminous globe suddenly stagger in the sky, right itself, and then sink slowly behind the trees like a setting sun. The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit. "He is dead!" he cried. "And now I know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs," said the Professor. "The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of the exclamations. "It fell over there," he said shortly. "Let us follow it!" Then he added with an indescribable gesture "Oh, if he has cheated us all by getting killed! It would be like one of his larks." He strode off towards the distant trees with a new energy, his rags and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field. Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken along with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood. "Gentlemen," he said, "my master has a carriage waiting for you in the road just by." "Who is your master?" asked Syme, standing quite still. "I was told you knew his name," said the man respectfully. There was a silence, and then the Secretary said "Where is this carriage?" "It has been waiting only a few moments," said the stranger. "My master has only just come home."<|quote|>Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky.</|quote|>"Show us the place," Syme said briefly, and without a word the man in the violet coat turned his back and walked towards a gap in the hedge, which let in suddenly the light of a white road. As the six wanderers broke out upon this thoroughfare, they saw the white road blocked by what looked like a long row of carriages, such a row of carriages as might close the approach to some house in Park Lane. Along the side of these carriages stood a rank of splendid servants, all dressed in the grey-blue uniform, and all having a certain quality of stateliness and freedom which would not commonly belong to the servants of a gentleman, but rather to the officials and ambassadors of a great king. There were no less than six carriages waiting, one for each of the tattered and miserable band. All the attendants (as if in court-dress) wore swords, and as each man crawled into his carriage they drew them, and saluted with a sudden blaze of steel. "What can it all mean?" asked Bull of Syme as they separated. "Is this another joke of Sunday's?" "I don't know," said Syme as he sank wearily back in the cushions of his carriage; "but if it is, it's one of the jokes you talk about. It's a good-natured one." The six adventurers had passed through many adventures, but not one had carried them so utterly off their feet as this last adventure of comfort. They had all become inured to things going roughly; but things suddenly going smoothly swamped them. They could not even feebly imagine what the carriages were; it was enough for them to know that they were carriages, and carriages with cushions. They could not conceive who the old man was who had led them; but it was quite enough that he had certainly led them to the carriages. Syme drove through a drifting darkness of trees in utter abandonment. It was typical of him that while he had carried his bearded chin forward fiercely so long as anything could be done, when the whole business was taken out of his hands he fell back on the cushions in a | The Man Who Was Thursday |
"I command thee, by the power of the ring, to transport me to the spot where my palace stands, in what part of the world soever it may be, and set me down under the window of the Princess Badroulboudour." | Aladdin | be the case," replied Aladdin,<|quote|>"I command thee, by the power of the ring, to transport me to the spot where my palace stands, in what part of the world soever it may be, and set me down under the window of the Princess Badroulboudour."</|quote|>These words were no sooner | of the lamp." "If that be the case," replied Aladdin,<|quote|>"I command thee, by the power of the ring, to transport me to the spot where my palace stands, in what part of the world soever it may be, and set me down under the window of the Princess Badroulboudour."</|quote|>These words were no sooner out of his mouth than | built now stands, or immediately transporting it back where it first stood." "What you command me," answered the genie, "is not wholly in my power; I am only the slave of the ring; you must address yourself to the slave of the lamp." "If that be the case," replied Aladdin,<|quote|>"I command thee, by the power of the ring, to transport me to the spot where my palace stands, in what part of the world soever it may be, and set me down under the window of the Princess Badroulboudour."</|quote|>These words were no sooner out of his mouth than the genie transported him into Africa, to the midst of a large plain, where his palace stood, and placing him exactly under the window of the princess's apartment, left him. All this was done almost in an instant. Aladdin, notwithstanding | that ring on their finger; both I and the other slaves of the ring." Aladdin, agreeably surprised at an apparition he so little expected in his present calamity, replied; "Save my life, genie, a second time, either by showing me to the place where the palace I caused to be built now stands, or immediately transporting it back where it first stood." "What you command me," answered the genie, "is not wholly in my power; I am only the slave of the ring; you must address yourself to the slave of the lamp." "If that be the case," replied Aladdin,<|quote|>"I command thee, by the power of the ring, to transport me to the spot where my palace stands, in what part of the world soever it may be, and set me down under the window of the Princess Badroulboudour."</|quote|>These words were no sooner out of his mouth than the genie transported him into Africa, to the midst of a large plain, where his palace stood, and placing him exactly under the window of the princess's apartment, left him. All this was done almost in an instant. Aladdin, notwithstanding the darkness of the night, knew his palace again; but as the night was far advanced and all was quiet, he retired to some distance, and sat down at the foot of a large tree. There, full of hopes, and reflecting on his happiness, for which he was indebted to | which projected about two feet out of the earth. Happily also for him, he still had on the ring which the African magician had put on his finger before he went down into the subterranean abode to fetch the precious lamp. In slipping down the bank he rubbed the ring so hard by holding on the rock, that immediately the same genie appeared whom he had seen in the cave where the magician had left him. "What wouldst thou have?" said the genie. "I am ready to obey thee as thy slave, and the slave of all those that have that ring on their finger; both I and the other slaves of the ring." Aladdin, agreeably surprised at an apparition he so little expected in his present calamity, replied; "Save my life, genie, a second time, either by showing me to the place where the palace I caused to be built now stands, or immediately transporting it back where it first stood." "What you command me," answered the genie, "is not wholly in my power; I am only the slave of the ring; you must address yourself to the slave of the lamp." "If that be the case," replied Aladdin,<|quote|>"I command thee, by the power of the ring, to transport me to the spot where my palace stands, in what part of the world soever it may be, and set me down under the window of the Princess Badroulboudour."</|quote|>These words were no sooner out of his mouth than the genie transported him into Africa, to the midst of a large plain, where his palace stood, and placing him exactly under the window of the princess's apartment, left him. All this was done almost in an instant. Aladdin, notwithstanding the darkness of the night, knew his palace again; but as the night was far advanced and all was quiet, he retired to some distance, and sat down at the foot of a large tree. There, full of hopes, and reflecting on his happiness, for which he was indebted to chance, he found himself in a much more comfortable situation than when he was arrested and carried before the sultan, being now delivered from the immediate danger of losing his life. He amused himself for some time with these agreeable thoughts; but not having slept for two days, was unable to resist the drowsiness which came upon him, but fell fast asleep. The next morning, as soon as day appeared, Aladdin was agreeably awakened by the singing not only of the birds which had roosted in the tree under which he had passed the night, but also of those which | those who had had any connection of business or friendship with him, really pitied him. For three days he rambled about the city in this manner, without coming to any resolution or eating anything but what some compassionate people forced him to take out of charity. At last he took the road to the country; and after he had traversed several fields in wild uncertainty, at the approach of night came to the bank of a river. There, possessed by his despair, he said to himself: "Where shall I seek my palace? In what province, country, or part of the world, shall I find that and my dear princess? I shall never succeed; I would better free myself at once from fruitless endeavours, and such bitter grief as preys upon me." He was just going to throw himself into the river, but, as a good Mussulman, true to his religion, he thought he should not do it without first saying his prayers. Going to prepare himself, he went to the river's brink, in order to perform the usual ablutions. The place being steep and slippery, he slid down, and had certainly fallen into the river, but for a little rock, which projected about two feet out of the earth. Happily also for him, he still had on the ring which the African magician had put on his finger before he went down into the subterranean abode to fetch the precious lamp. In slipping down the bank he rubbed the ring so hard by holding on the rock, that immediately the same genie appeared whom he had seen in the cave where the magician had left him. "What wouldst thou have?" said the genie. "I am ready to obey thee as thy slave, and the slave of all those that have that ring on their finger; both I and the other slaves of the ring." Aladdin, agreeably surprised at an apparition he so little expected in his present calamity, replied; "Save my life, genie, a second time, either by showing me to the place where the palace I caused to be built now stands, or immediately transporting it back where it first stood." "What you command me," answered the genie, "is not wholly in my power; I am only the slave of the ring; you must address yourself to the slave of the lamp." "If that be the case," replied Aladdin,<|quote|>"I command thee, by the power of the ring, to transport me to the spot where my palace stands, in what part of the world soever it may be, and set me down under the window of the Princess Badroulboudour."</|quote|>These words were no sooner out of his mouth than the genie transported him into Africa, to the midst of a large plain, where his palace stood, and placing him exactly under the window of the princess's apartment, left him. All this was done almost in an instant. Aladdin, notwithstanding the darkness of the night, knew his palace again; but as the night was far advanced and all was quiet, he retired to some distance, and sat down at the foot of a large tree. There, full of hopes, and reflecting on his happiness, for which he was indebted to chance, he found himself in a much more comfortable situation than when he was arrested and carried before the sultan, being now delivered from the immediate danger of losing his life. He amused himself for some time with these agreeable thoughts; but not having slept for two days, was unable to resist the drowsiness which came upon him, but fell fast asleep. The next morning, as soon as day appeared, Aladdin was agreeably awakened by the singing not only of the birds which had roosted in the tree under which he had passed the night, but also of those which frequented the thick groves of the palace garden. When he cast his eyes on that wonderful edifice, he felt inexpressible joy at thinking he might soon be master of it again, and once more greet his dear Princess Badroulboudour. Pleased with these hopes, he immediately arose, went toward the princess's apartment, and walked some time under her window in expectation of her rising, that he might see her. During this expectation, he began to consider with himself whence the cause of his misfortune had proceeded; and after mature reflection, no longer doubted that it was owing to having trusted the lamp out of his sight. He accused himself of negligence in letting it be a moment away from him. But what puzzled him most was, that he could not imagine who had been so envious of his happiness. He would soon have guessed this, if he had known that both he and his palace were now in Africa, the very name of which would soon have made him remember the magician, his declared enemy; but the genie, the slave of the ring, had not made mention of the name of the country, nor had Aladdin inquired. The princess rose earlier | you ought to know whereabouts your palace stood: look round and tell me what is become of it?" Aladdin looked, but saw nothing. He perceived the spot upon which his palace had stood; but not being able to divine how it had disappeared, was thrown into such great confusion and amazement that he could not return one word of answer. The sultan, growing impatient, demanded of him again: "Where is your palace, and what is become of my daughter?" Aladdin, breaking silence, replied: "Sir, I perceive and own that the palace which I have built is not in its place, but is vanished; neither can I tell your majesty where it may be, but can assure you I had no concern in its removal." "I am not so much concerned about your palace," replied the sultan; "I value my daughter ten thousand times more, and would have you find her out, otherwise I will cause your head to be struck off, and no consideration shall divert me from my purpose." "I beg of your majesty," answered Aladdin, "to grant me forty days to make my inquiries; and if in that time I have not the success I wish, I will offer my head at the foot of your throne, to be disposed of at your pleasure." "I give you the forty days you ask," said the sultan; "but think not to escape my resentment if you fail; for I will find you out in whatsoever part of the world you may conceal yourself." Aladdin went out of the sultan's presence with great humiliation, and in a condition worthy of pity. He crossed the courts of the palace, hanging down his head, and in such great confusion that he durst not lift up his eyes. The principal officers of the court, who had all professed themselves his friends, instead of going up to him to comfort him, turned their backs to avoid seeing him. But had they accosted him with an offer of service, they would have no more known Aladdin. He did not know himself, and was no longer in his senses, as plainly appeared by his asking everybody he met, and at every house, if they had seen his palace, or could tell him any news of it. These questions made the generality believe that Aladdin was mad. Some laughed at him, but people of sense and humanity, particularly those who had had any connection of business or friendship with him, really pitied him. For three days he rambled about the city in this manner, without coming to any resolution or eating anything but what some compassionate people forced him to take out of charity. At last he took the road to the country; and after he had traversed several fields in wild uncertainty, at the approach of night came to the bank of a river. There, possessed by his despair, he said to himself: "Where shall I seek my palace? In what province, country, or part of the world, shall I find that and my dear princess? I shall never succeed; I would better free myself at once from fruitless endeavours, and such bitter grief as preys upon me." He was just going to throw himself into the river, but, as a good Mussulman, true to his religion, he thought he should not do it without first saying his prayers. Going to prepare himself, he went to the river's brink, in order to perform the usual ablutions. The place being steep and slippery, he slid down, and had certainly fallen into the river, but for a little rock, which projected about two feet out of the earth. Happily also for him, he still had on the ring which the African magician had put on his finger before he went down into the subterranean abode to fetch the precious lamp. In slipping down the bank he rubbed the ring so hard by holding on the rock, that immediately the same genie appeared whom he had seen in the cave where the magician had left him. "What wouldst thou have?" said the genie. "I am ready to obey thee as thy slave, and the slave of all those that have that ring on their finger; both I and the other slaves of the ring." Aladdin, agreeably surprised at an apparition he so little expected in his present calamity, replied; "Save my life, genie, a second time, either by showing me to the place where the palace I caused to be built now stands, or immediately transporting it back where it first stood." "What you command me," answered the genie, "is not wholly in my power; I am only the slave of the ring; you must address yourself to the slave of the lamp." "If that be the case," replied Aladdin,<|quote|>"I command thee, by the power of the ring, to transport me to the spot where my palace stands, in what part of the world soever it may be, and set me down under the window of the Princess Badroulboudour."</|quote|>These words were no sooner out of his mouth than the genie transported him into Africa, to the midst of a large plain, where his palace stood, and placing him exactly under the window of the princess's apartment, left him. All this was done almost in an instant. Aladdin, notwithstanding the darkness of the night, knew his palace again; but as the night was far advanced and all was quiet, he retired to some distance, and sat down at the foot of a large tree. There, full of hopes, and reflecting on his happiness, for which he was indebted to chance, he found himself in a much more comfortable situation than when he was arrested and carried before the sultan, being now delivered from the immediate danger of losing his life. He amused himself for some time with these agreeable thoughts; but not having slept for two days, was unable to resist the drowsiness which came upon him, but fell fast asleep. The next morning, as soon as day appeared, Aladdin was agreeably awakened by the singing not only of the birds which had roosted in the tree under which he had passed the night, but also of those which frequented the thick groves of the palace garden. When he cast his eyes on that wonderful edifice, he felt inexpressible joy at thinking he might soon be master of it again, and once more greet his dear Princess Badroulboudour. Pleased with these hopes, he immediately arose, went toward the princess's apartment, and walked some time under her window in expectation of her rising, that he might see her. During this expectation, he began to consider with himself whence the cause of his misfortune had proceeded; and after mature reflection, no longer doubted that it was owing to having trusted the lamp out of his sight. He accused himself of negligence in letting it be a moment away from him. But what puzzled him most was, that he could not imagine who had been so envious of his happiness. He would soon have guessed this, if he had known that both he and his palace were now in Africa, the very name of which would soon have made him remember the magician, his declared enemy; but the genie, the slave of the ring, had not made mention of the name of the country, nor had Aladdin inquired. The princess rose earlier that morning than she had done since her transportation into Africa by the magician, whose presence she was forced to support once a day, because he was master of the palace; though she had always treated him so harshly that he dared not reside in it. As she was dressing, one of the women looking through the window perceived Aladdin, and instantly told her mistress. The princess, who could not believe the joyful tidings, hastened herself to the window, and seeing Aladdin, immediately opened it. The noise of opening the window made Aladdin turn his head that way, and perceiving the princess he saluted her with joy. "To lose no time," said she to him, "I have sent to have the private door opened for you; enter, and come up." The private door, which was just under the princess's apartment, was soon opened, and Aladdin conducted up into the chamber. It is impossible to express the joy of both at seeing each other, after so cruel a separation. After embracing and shedding tears of joy, they sat down, and Aladdin said: "I beg of you, princess, in Heaven's name, before we talk of anything else, to tell me, both for your own sake, the sultan your father's, and mine, what is become of an old lamp which I left upon a shelf in my robing-chamber, when I departed for the chase." "Alas! dear husband," answered the princess, "I was afraid our misfortune might be owing to that lamp: and what grieves me most is, that I have been the cause of it." "Princess," replied Aladdin, "do not blame yourself, for I ought to have taken more care of it. But let us now think only of repairing the loss; tell me what has happened, and into whose hands it has fallen." The princess then related how she had changed the old lamp for a new one, and how the next morning she found herself in the unknown country they were then in, which she was told was Africa, by the traitor who had transported her thither by his magic art. "Princess," said Aladdin, interrupting her, "you have informed me who the traitor is, by telling me we are in Africa. He is the most perfidious of men; but this is neither a time nor place to give you a full account of his villainies. I desire you only to tell | going to throw himself into the river, but, as a good Mussulman, true to his religion, he thought he should not do it without first saying his prayers. Going to prepare himself, he went to the river's brink, in order to perform the usual ablutions. The place being steep and slippery, he slid down, and had certainly fallen into the river, but for a little rock, which projected about two feet out of the earth. Happily also for him, he still had on the ring which the African magician had put on his finger before he went down into the subterranean abode to fetch the precious lamp. In slipping down the bank he rubbed the ring so hard by holding on the rock, that immediately the same genie appeared whom he had seen in the cave where the magician had left him. "What wouldst thou have?" said the genie. "I am ready to obey thee as thy slave, and the slave of all those that have that ring on their finger; both I and the other slaves of the ring." Aladdin, agreeably surprised at an apparition he so little expected in his present calamity, replied; "Save my life, genie, a second time, either by showing me to the place where the palace I caused to be built now stands, or immediately transporting it back where it first stood." "What you command me," answered the genie, "is not wholly in my power; I am only the slave of the ring; you must address yourself to the slave of the lamp." "If that be the case," replied Aladdin,<|quote|>"I command thee, by the power of the ring, to transport me to the spot where my palace stands, in what part of the world soever it may be, and set me down under the window of the Princess Badroulboudour."</|quote|>These words were no sooner out of his mouth than the genie transported him into Africa, to the midst of a large plain, where his palace stood, and placing him exactly under the window of the princess's apartment, left him. All this was done almost in an instant. Aladdin, notwithstanding the darkness of the night, knew his palace again; but as the night was far advanced and all was quiet, he retired to some distance, and sat down at the foot of a large tree. There, full of hopes, and reflecting on his happiness, for which he was indebted to chance, he found himself in a much more comfortable situation than when he was arrested and carried before the sultan, being now delivered from the immediate danger of losing his life. He amused himself for some time with these agreeable thoughts; but not having slept for two days, was unable to resist the drowsiness which came upon him, but fell fast asleep. The next morning, as soon as day appeared, Aladdin was agreeably awakened by the singing not only of the birds which had roosted in the tree under which he had passed the night, but also of those which frequented the thick groves of the palace garden. When he cast his eyes on that wonderful edifice, he felt inexpressible joy at thinking he might soon be master of it again, and once more greet his dear Princess Badroulboudour. Pleased with these hopes, he immediately arose, went toward the princess's apartment, and walked some time under her window in expectation of her rising, that he might see her. During this expectation, he began to consider with himself whence the cause of his misfortune had proceeded; and after mature reflection, no longer doubted that it was owing to having trusted the lamp out of his sight. He accused himself of negligence in letting it be a moment away from him. But what puzzled him most was, that he could not imagine who had been so envious of his | Arabian Nights (4) |
said Elinor, | No speaker | happiness?" "Grandeur has but little,"<|quote|>said Elinor,</|quote|>"but wealth has much to | or grandeur to do with happiness?" "Grandeur has but little,"<|quote|>said Elinor,</|quote|>"but wealth has much to do with it." "Elinor, for | believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little,"<|quote|>said Elinor,</|quote|>"but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to | it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little,"<|quote|>said Elinor,</|quote|>"but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About | "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire; "are you still to be a great orator in spite of yourself?" "No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little,"<|quote|>said Elinor,</|quote|>"but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every | of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire; "are you still to be a great orator in spite of yourself?" "No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little,"<|quote|>said Elinor,</|quote|>"but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness. "We are all unanimous in that wish, I suppose," said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough | always does at this time of the year. The woods and walks thickly covered with dead leaves." "Oh," cried Marianne, "with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." "It is not every one," said Elinor, "who has your passion for dead leaves." "No; my feelings are not often shared, not often understood. But _sometimes_ they are." As she said this, she sunk into a reverie for a few moments; but rousing herself again, "Now, Edward," said she, calling his attention to the prospect, "here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage." "It is a beautiful country," he replied; "but these bottoms must be dirty in winter." "How can you think of dirt, with such objects before you?" "Because," replied he, smiling, "among the rest of the objects before me, I see a very dirty lane." "How strange!" said Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire; "are you still to be a great orator in spite of yourself?" "No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little,"<|quote|>said Elinor,</|quote|>"but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness. "We are all unanimous in that wish, I suppose," said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than she was." "Nay, Edward," said Marianne, "_you_ need not reproach me. You are not very gay yourself." "Why should you think so!" replied he, with a sigh. "But gaiety never was a part of _my_ character." "Nor do I think it a part of Marianne s," said Elinor; "I should hardly call her a lively girl she is very earnest, very eager in all she does sometimes talks a great deal and always with animation but she is not often really merry." "I believe you are right," he replied, "and yet I have always set her down as a lively girl." "I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than | Marianne to herself as she walked on. "Have you an agreeable neighbourhood here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire; "are you still to be a great orator in spite of yourself?" "No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little,"<|quote|>said Elinor,</|quote|>"but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness. "We are all unanimous in that wish, I suppose," said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my | Sense And Sensibility |
"It is hotter to-day." | Emma | fatigued. The heat overcame me."<|quote|>"It is hotter to-day."</|quote|>"Not to my feelings. I | I was cross. I was fatigued. The heat overcame me."<|quote|>"It is hotter to-day."</|quote|>"Not to my feelings. I am perfectly comfortable to-day." "You | cross; and I do not know what about, except that you were too late for the best strawberries. I was a kinder friend than you deserved. But you were humble. You begged hard to be commanded to come." "Don't say I was cross. I was fatigued. The heat overcame me."<|quote|>"It is hotter to-day."</|quote|>"Not to my feelings. I am perfectly comfortable to-day." "You are comfortable because you are under command." "Your command?--Yes." "Perhaps I intended you to say so, but I meant self-command. You had, somehow or other, broken bounds yesterday, and run away from your own management; but to-day you are got | still intended him for her friend. "How much I am obliged to you," said he, "for telling me to come to-day!--If it had not been for you, I should certainly have lost all the happiness of this party. I had quite determined to go away again." "Yes, you were very cross; and I do not know what about, except that you were too late for the best strawberries. I was a kinder friend than you deserved. But you were humble. You begged hard to be commanded to come." "Don't say I was cross. I was fatigued. The heat overcame me."<|quote|>"It is hotter to-day."</|quote|>"Not to my feelings. I am perfectly comfortable to-day." "You are comfortable because you are under command." "Your command?--Yes." "Perhaps I intended you to say so, but I meant self-command. You had, somehow or other, broken bounds yesterday, and run away from your own management; but to-day you are got back again--and as I cannot be always with you, it is best to believe your temper under your own command rather than mine." "It comes to the same thing. I can have no self-command without a motive. You order me, whether you speak or not. And you can be always | word but flirtation could very well describe. "Mr. Frank Churchill and Miss Woodhouse flirted together excessively." They were laying themselves open to that very phrase--and to having it sent off in a letter to Maple Grove by one lady, to Ireland by another. Not that Emma was gay and thoughtless from any real felicity; it was rather because she felt less happy than she had expected. She laughed because she was disappointed; and though she liked him for his attentions, and thought them all, whether in friendship, admiration, or playfulness, extremely judicious, they were not winning back her heart. She still intended him for her friend. "How much I am obliged to you," said he, "for telling me to come to-day!--If it had not been for you, I should certainly have lost all the happiness of this party. I had quite determined to go away again." "Yes, you were very cross; and I do not know what about, except that you were too late for the best strawberries. I was a kinder friend than you deserved. But you were humble. You begged hard to be commanded to come." "Don't say I was cross. I was fatigued. The heat overcame me."<|quote|>"It is hotter to-day."</|quote|>"Not to my feelings. I am perfectly comfortable to-day." "You are comfortable because you are under command." "Your command?--Yes." "Perhaps I intended you to say so, but I meant self-command. You had, somehow or other, broken bounds yesterday, and run away from your own management; but to-day you are got back again--and as I cannot be always with you, it is best to believe your temper under your own command rather than mine." "It comes to the same thing. I can have no self-command without a motive. You order me, whether you speak or not. And you can be always with me. You are always with me." "Dating from three o'clock yesterday. My perpetual influence could not begin earlier, or you would not have been so much out of humour before." "Three o'clock yesterday! That is your date. I thought I had seen you first in February." "Your gallantry is really unanswerable. But" (lowering her voice) "--nobody speaks except ourselves, and it is rather too much to be talking nonsense for the entertainment of seven silent people." "I say nothing of which I am ashamed," replied he, with lively impudence. "I saw you first in February. Let every body on | a principle of separation, between the other parties, too strong for any fine prospects, or any cold collation, or any cheerful Mr. Weston, to remove. At first it was downright dulness to Emma. She had never seen Frank Churchill so silent and stupid. He said nothing worth hearing--looked without seeing--admired without intelligence--listened without knowing what she said. While he was so dull, it was no wonder that Harriet should be dull likewise; and they were both insufferable. When they all sat down it was better; to her taste a great deal better, for Frank Churchill grew talkative and gay, making her his first object. Every distinguishing attention that could be paid, was paid to her. To amuse her, and be agreeable in her eyes, seemed all that he cared for--and Emma, glad to be enlivened, not sorry to be flattered, was gay and easy too, and gave him all the friendly encouragement, the admission to be gallant, which she had ever given in the first and most animating period of their acquaintance; but which now, in her own estimation, meant nothing, though in the judgment of most people looking on it must have had such an appearance as no English word but flirtation could very well describe. "Mr. Frank Churchill and Miss Woodhouse flirted together excessively." They were laying themselves open to that very phrase--and to having it sent off in a letter to Maple Grove by one lady, to Ireland by another. Not that Emma was gay and thoughtless from any real felicity; it was rather because she felt less happy than she had expected. She laughed because she was disappointed; and though she liked him for his attentions, and thought them all, whether in friendship, admiration, or playfulness, extremely judicious, they were not winning back her heart. She still intended him for her friend. "How much I am obliged to you," said he, "for telling me to come to-day!--If it had not been for you, I should certainly have lost all the happiness of this party. I had quite determined to go away again." "Yes, you were very cross; and I do not know what about, except that you were too late for the best strawberries. I was a kinder friend than you deserved. But you were humble. You begged hard to be commanded to come." "Don't say I was cross. I was fatigued. The heat overcame me."<|quote|>"It is hotter to-day."</|quote|>"Not to my feelings. I am perfectly comfortable to-day." "You are comfortable because you are under command." "Your command?--Yes." "Perhaps I intended you to say so, but I meant self-command. You had, somehow or other, broken bounds yesterday, and run away from your own management; but to-day you are got back again--and as I cannot be always with you, it is best to believe your temper under your own command rather than mine." "It comes to the same thing. I can have no self-command without a motive. You order me, whether you speak or not. And you can be always with me. You are always with me." "Dating from three o'clock yesterday. My perpetual influence could not begin earlier, or you would not have been so much out of humour before." "Three o'clock yesterday! That is your date. I thought I had seen you first in February." "Your gallantry is really unanswerable. But" (lowering her voice) "--nobody speaks except ourselves, and it is rather too much to be talking nonsense for the entertainment of seven silent people." "I say nothing of which I am ashamed," replied he, with lively impudence. "I saw you first in February. Let every body on the Hill hear me if they can. Let my accents swell to Mickleham on one side, and Dorking on the other. I saw you first in February." And then whispering--" "Our companions are excessively stupid. What shall we do to rouse them? Any nonsense will serve. They _shall_ talk." "Ladies and gentlemen, I am ordered by Miss Woodhouse (who, wherever she is, presides) to say, that she desires to know what you are all thinking of?" Some laughed, and answered good-humouredly. Miss Bates said a great deal; Mrs. Elton swelled at the idea of Miss Woodhouse's presiding; Mr. Knightley's answer was the most distinct. "Is Miss Woodhouse sure that she would like to hear what we are all thinking of?" "Oh! no, no" "--cried Emma, laughing as carelessly as she could--" "Upon no account in the world. It is the very last thing I would stand the brunt of just now. Let me hear any thing rather than what you are all thinking of. I will not say quite all. There are one or two, perhaps," (glancing at Mr. Weston and Harriet,) "whose thoughts I might not be afraid of knowing." "It is a sort of thing," cried Mrs. Elton | may come again in the cool of to-morrow morning." "No--It will not be worth while. If I come, I shall be cross." "Then pray stay at Richmond." "But if I do, I shall be crosser still. I can never bear to think of you all there without me." "These are difficulties which you must settle for yourself. Chuse your own degree of crossness. I shall press you no more." The rest of the party were now returning, and all were soon collected. With some there was great joy at the sight of Frank Churchill; others took it very composedly; but there was a very general distress and disturbance on Miss Fairfax's disappearance being explained. That it was time for every body to go, concluded the subject; and with a short final arrangement for the next day's scheme, they parted. Frank Churchill's little inclination to exclude himself increased so much, that his last words to Emma were, "Well;--if _you_ wish me to stay and join the party, I will." She smiled her acceptance; and nothing less than a summons from Richmond was to take him back before the following evening. CHAPTER VII They had a very fine day for Box Hill; and all the other outward circumstances of arrangement, accommodation, and punctuality, were in favour of a pleasant party. Mr. Weston directed the whole, officiating safely between Hartfield and the Vicarage, and every body was in good time. Emma and Harriet went together; Miss Bates and her niece, with the Eltons; the gentlemen on horseback. Mrs. Weston remained with Mr. Woodhouse. Nothing was wanting but to be happy when they got there. Seven miles were travelled in expectation of enjoyment, and every body had a burst of admiration on first arriving; but in the general amount of the day there was deficiency. There was a languor, a want of spirits, a want of union, which could not be got over. They separated too much into parties. The Eltons walked together; Mr. Knightley took charge of Miss Bates and Jane; and Emma and Harriet belonged to Frank Churchill. And Mr. Weston tried, in vain, to make them harmonise better. It seemed at first an accidental division, but it never materially varied. Mr. and Mrs. Elton, indeed, shewed no unwillingness to mix, and be as agreeable as they could; but during the two whole hours that were spent on the hill, there seemed a principle of separation, between the other parties, too strong for any fine prospects, or any cold collation, or any cheerful Mr. Weston, to remove. At first it was downright dulness to Emma. She had never seen Frank Churchill so silent and stupid. He said nothing worth hearing--looked without seeing--admired without intelligence--listened without knowing what she said. While he was so dull, it was no wonder that Harriet should be dull likewise; and they were both insufferable. When they all sat down it was better; to her taste a great deal better, for Frank Churchill grew talkative and gay, making her his first object. Every distinguishing attention that could be paid, was paid to her. To amuse her, and be agreeable in her eyes, seemed all that he cared for--and Emma, glad to be enlivened, not sorry to be flattered, was gay and easy too, and gave him all the friendly encouragement, the admission to be gallant, which she had ever given in the first and most animating period of their acquaintance; but which now, in her own estimation, meant nothing, though in the judgment of most people looking on it must have had such an appearance as no English word but flirtation could very well describe. "Mr. Frank Churchill and Miss Woodhouse flirted together excessively." They were laying themselves open to that very phrase--and to having it sent off in a letter to Maple Grove by one lady, to Ireland by another. Not that Emma was gay and thoughtless from any real felicity; it was rather because she felt less happy than she had expected. She laughed because she was disappointed; and though she liked him for his attentions, and thought them all, whether in friendship, admiration, or playfulness, extremely judicious, they were not winning back her heart. She still intended him for her friend. "How much I am obliged to you," said he, "for telling me to come to-day!--If it had not been for you, I should certainly have lost all the happiness of this party. I had quite determined to go away again." "Yes, you were very cross; and I do not know what about, except that you were too late for the best strawberries. I was a kinder friend than you deserved. But you were humble. You begged hard to be commanded to come." "Don't say I was cross. I was fatigued. The heat overcame me."<|quote|>"It is hotter to-day."</|quote|>"Not to my feelings. I am perfectly comfortable to-day." "You are comfortable because you are under command." "Your command?--Yes." "Perhaps I intended you to say so, but I meant self-command. You had, somehow or other, broken bounds yesterday, and run away from your own management; but to-day you are got back again--and as I cannot be always with you, it is best to believe your temper under your own command rather than mine." "It comes to the same thing. I can have no self-command without a motive. You order me, whether you speak or not. And you can be always with me. You are always with me." "Dating from three o'clock yesterday. My perpetual influence could not begin earlier, or you would not have been so much out of humour before." "Three o'clock yesterday! That is your date. I thought I had seen you first in February." "Your gallantry is really unanswerable. But" (lowering her voice) "--nobody speaks except ourselves, and it is rather too much to be talking nonsense for the entertainment of seven silent people." "I say nothing of which I am ashamed," replied he, with lively impudence. "I saw you first in February. Let every body on the Hill hear me if they can. Let my accents swell to Mickleham on one side, and Dorking on the other. I saw you first in February." And then whispering--" "Our companions are excessively stupid. What shall we do to rouse them? Any nonsense will serve. They _shall_ talk." "Ladies and gentlemen, I am ordered by Miss Woodhouse (who, wherever she is, presides) to say, that she desires to know what you are all thinking of?" Some laughed, and answered good-humouredly. Miss Bates said a great deal; Mrs. Elton swelled at the idea of Miss Woodhouse's presiding; Mr. Knightley's answer was the most distinct. "Is Miss Woodhouse sure that she would like to hear what we are all thinking of?" "Oh! no, no" "--cried Emma, laughing as carelessly as she could--" "Upon no account in the world. It is the very last thing I would stand the brunt of just now. Let me hear any thing rather than what you are all thinking of. I will not say quite all. There are one or two, perhaps," (glancing at Mr. Weston and Harriet,) "whose thoughts I might not be afraid of knowing." "It is a sort of thing," cried Mrs. Elton emphatically, "which _I_ should not have thought myself privileged to inquire into. Though, perhaps, as the _Chaperon_ of the party--_I_ never was in any circle--exploring parties--young ladies--married women--" Her mutterings were chiefly to her husband; and he murmured, in reply, "Very true, my love, very true. Exactly so, indeed--quite unheard of--but some ladies say any thing. Better pass it off as a joke. Every body knows what is due to _you_." "It will not do," whispered Frank to Emma; "they are most of them affronted. I will attack them with more address." "Ladies and gentlemen--I am ordered by Miss Woodhouse to say, that she waives her right of knowing exactly what you may all be thinking of, and only requires something very entertaining from each of you, in a general way. Here are seven of you, besides myself, (who, she is pleased to say, am very entertaining already,) and she only demands from each of you either one thing very clever, be it prose or verse, original or repeated--or two things moderately clever--or three things very dull indeed, and she engages to laugh heartily at them all." "Oh! very well," exclaimed Miss Bates, "then I need not be uneasy." 'Three things very dull indeed.' "That will just do for me, you know. I shall be sure to say three dull things as soon as ever I open my mouth, shan't I?" (looking round with the most good-humoured dependence on every body's assent) "--Do not you all think I shall?" Emma could not resist. "Ah! ma'am, but there may be a difficulty. Pardon me--but you will be limited as to number--only three at once." Miss Bates, deceived by the mock ceremony of her manner, did not immediately catch her meaning; but, when it burst on her, it could not anger, though a slight blush shewed that it could pain her. "Ah!--well--to be sure. Yes, I see what she means," (turning to Mr. Knightley,) "and I will try to hold my tongue. I must make myself very disagreeable, or she would not have said such a thing to an old friend." "I like your plan," cried Mr. Weston. "Agreed, agreed. I will do my best. I am making a conundrum. How will a conundrum reckon?" "Low, I am afraid, sir, very low," answered his son;--" "but we shall be indulgent--especially to any one who leads the way." "No, no," said Emma, "it | they all sat down it was better; to her taste a great deal better, for Frank Churchill grew talkative and gay, making her his first object. Every distinguishing attention that could be paid, was paid to her. To amuse her, and be agreeable in her eyes, seemed all that he cared for--and Emma, glad to be enlivened, not sorry to be flattered, was gay and easy too, and gave him all the friendly encouragement, the admission to be gallant, which she had ever given in the first and most animating period of their acquaintance; but which now, in her own estimation, meant nothing, though in the judgment of most people looking on it must have had such an appearance as no English word but flirtation could very well describe. "Mr. Frank Churchill and Miss Woodhouse flirted together excessively." They were laying themselves open to that very phrase--and to having it sent off in a letter to Maple Grove by one lady, to Ireland by another. Not that Emma was gay and thoughtless from any real felicity; it was rather because she felt less happy than she had expected. She laughed because she was disappointed; and though she liked him for his attentions, and thought them all, whether in friendship, admiration, or playfulness, extremely judicious, they were not winning back her heart. She still intended him for her friend. "How much I am obliged to you," said he, "for telling me to come to-day!--If it had not been for you, I should certainly have lost all the happiness of this party. I had quite determined to go away again." "Yes, you were very cross; and I do not know what about, except that you were too late for the best strawberries. I was a kinder friend than you deserved. But you were humble. You begged hard to be commanded to come." "Don't say I was cross. I was fatigued. The heat overcame me."<|quote|>"It is hotter to-day."</|quote|>"Not to my feelings. I am perfectly comfortable to-day." "You are comfortable because you are under command." "Your command?--Yes." "Perhaps I intended you to say so, but I meant self-command. You had, somehow or other, broken bounds yesterday, and run away from your own management; but to-day you are got back again--and as I cannot be always with you, it is best to believe your temper under your own command rather than mine." "It comes to the same thing. I can have no self-command without a motive. You order me, whether you speak or not. And you can be always with me. You are always with me." "Dating from three o'clock yesterday. My perpetual influence could not begin earlier, or you would not have been so much out of humour before." "Three o'clock yesterday! That is your date. I thought I had seen you first in February." "Your gallantry is really unanswerable. But" (lowering her voice) "--nobody speaks except ourselves, and it is rather too much to be talking nonsense for the entertainment of seven silent people." "I say nothing of which I am ashamed," replied he, with lively impudence. "I saw you first in February. Let every body on the Hill hear me if they can. Let my accents swell to Mickleham on one side, and Dorking on the other. I saw you first in February." And then whispering--" "Our companions are excessively stupid. What shall we do to rouse them? Any nonsense will serve. They _shall_ talk." "Ladies and gentlemen, I am ordered by Miss Woodhouse (who, wherever she is, presides) to say, that she desires to know what you are all thinking of?" Some laughed, and answered good-humouredly. Miss Bates said a great deal; Mrs. Elton swelled at the idea of Miss Woodhouse's presiding; Mr. Knightley's answer was the most distinct. "Is Miss Woodhouse sure that she would like to hear what we are all thinking of?" "Oh! no, no" "--cried Emma, laughing as carelessly as she could--" "Upon no account in the world. It is the very last thing I would stand the brunt of just now. Let me hear any thing rather than what you are all thinking of. I will not say quite all. There are one or two, perhaps," (glancing at Mr. Weston and Harriet,) "whose thoughts I might not be afraid of knowing." "It is a sort of thing," cried Mrs. Elton emphatically, "which _I_ should not have thought myself privileged to inquire into. Though, perhaps, as the _Chaperon_ of the party--_I_ never was in any circle--exploring parties--young ladies--married women--" Her mutterings were chiefly to her husband; and he murmured, in reply, "Very true, my love, very true. Exactly so, indeed--quite unheard of--but some ladies say any thing. Better pass it off as a joke. Every body knows what is due to _you_." "It will not do," whispered Frank to Emma; "they are most of them affronted. I will attack them with more address." "Ladies and gentlemen--I am ordered by Miss Woodhouse to say, that she waives her right of knowing exactly what you may all be thinking of, and only requires something very entertaining from each of you, in a general way. Here are seven of you, besides myself, (who, she is pleased to say, am very entertaining already,) and she only demands from each of you either one thing very clever, be it prose | Emma |
"I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." | The Policeman | "No," said the policeman sadly,<|quote|>"I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid."</|quote|>"Where did you have it?" | Syme. "Is this undenominational education?" "No," said the policeman sadly,<|quote|>"I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid."</|quote|>"Where did you have it?" asked Syme, wondering. "Oh, at | the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman. "The composure of an army is the anger of a nation." "Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly,<|quote|>"I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid."</|quote|>"Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a | be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman. "The composure of an army is the anger of a nation." "Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly,<|quote|>"I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid."</|quote|>"Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a | the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman. "The composure of an army is the anger of a nation." "Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly,<|quote|>"I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid."</|quote|>"Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied | a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman. "The composure of an army is the anger of a nation." "Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly,<|quote|>"I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid."</|quote|>"Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied the other. "I am not surprised at it. We are keeping it rather dark from the educated class, because that class contains most of our enemies. But you seem to be exactly in the right frame of mind. I think you might almost join us." "Join you in what?" asked Syme. "I will tell you," said the policeman slowly. "This is the situation: The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilisation. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy, not merely in a criminal but in a controversial sense. I am a democrat myself, and I am fully aware of the value of the ordinary man in matters of ordinary valour or virtue. But it would obviously be undesirable to employ the common policeman in an investigation which is also a heresy hunt." Syme's eyes were bright | hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. The more his mother preached a more than Puritan abstinence the more did his father expand into a more than pagan latitude; and by the time the former had come to enforcing vegetarianism, the latter had pretty well reached the point of defending cannibalism. Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as most of us do, as a handful of morbid men, combining ignorance with intellectualism. He regarded them as a huge and pitiless peril, like a Chinese invasion. He poured perpetually into newspapers and their waste-paper baskets a torrent of tales, verses and violent articles, warning men of this deluge of barbaric denial. But he seemed to be getting no nearer his enemy, and, what was worse, no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman. "The composure of an army is the anger of a nation." "Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly,<|quote|>"I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid."</|quote|>"Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied the other. "I am not surprised at it. We are keeping it rather dark from the educated class, because that class contains most of our enemies. But you seem to be exactly in the right frame of mind. I think you might almost join us." "Join you in what?" asked Syme. "I will tell you," said the policeman slowly. "This is the situation: The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilisation. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy, not merely in a criminal but in a controversial sense. I am a democrat myself, and I am fully aware of the value of the ordinary man in matters of ordinary valour or virtue. But it would obviously be undesirable to employ the common policeman in an investigation which is also a heresy hunt." Syme's eyes were bright with a sympathetic curiosity. "What do you do, then?" he said. "The work of the philosophical policeman," replied the man in blue, "is at once bolder and more subtle than that of the ordinary detective. The ordinary detective goes to pot-houses to arrest thieves; we go to artistic tea-parties to detect pessimists. The ordinary detective discovers from a ledger or a diary that a crime has been committed. We discover from a book of sonnets that a crime will be committed. We have to trace the origin of those dreadful thoughts that drive men on at last to intellectual fanaticism and intellectual crime. We were only just in time to prevent the assassination at Hartlepool, and that was entirely due to the fact that our Mr. Wilks (a smart young fellow) thoroughly understood a triolet." "Do you mean," asked Syme, "that there is really as much connection between crime and the modern intellect as all that?" "You are not sufficiently democratic," answered the policeman, "but you were right when you said just now that our ordinary treatment of the poor criminal was a pretty brutal business. I tell you I am sometimes sick of my trade when I see how perpetually it means merely a war upon the ignorant and the desperate. But this new movement of ours is a very different affair. We deny the snobbish English assumption that the uneducated are the dangerous criminals. We remember the Roman Emperors. We remember the great poisoning princes of the Renaissance. We say that the dangerous criminal is the educated criminal. We say that the most dangerous criminal now is the entirely lawless modern philosopher. Compared to him, burglars and bigamists are essentially moral men; my heart goes out to them. They accept the essential ideal of man; they merely seek it wrongly. Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. But philosophers dislike property as property; they wish to destroy the very idea of personal possession. Bigamists respect marriage, or they would not go through the highly ceremonial and even ritualistic formality of bigamy. But philosophers despise marriage as marriage. Murderers respect human life; they merely wish to attain a greater fulness of human life in themselves by the sacrifice of what seems to them to be lesser lives. But philosophers hate life itself, their own as much as | blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as most of us do, as a handful of morbid men, combining ignorance with intellectualism. He regarded them as a huge and pitiless peril, like a Chinese invasion. He poured perpetually into newspapers and their waste-paper baskets a torrent of tales, verses and violent articles, warning men of this deluge of barbaric denial. But he seemed to be getting no nearer his enemy, and, what was worse, no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman. "The composure of an army is the anger of a nation." "Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly,<|quote|>"I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid."</|quote|>"Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied the other. "I am not surprised at it. We are keeping it rather dark from the educated class, because that class contains most of our enemies. But you seem to be exactly in the right frame of mind. I think you might almost join us." "Join you in what?" asked Syme. "I will tell you," said the policeman slowly. "This is the situation: The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilisation. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy, not merely in a criminal but in a controversial sense. I am a democrat myself, and I am fully aware of the value of the ordinary man in matters of ordinary valour or virtue. But it would obviously be undesirable to employ the common policeman in an investigation which is also a heresy hunt." Syme's eyes were bright with a sympathetic curiosity. "What do you do, then?" he said. "The work of the philosophical policeman," replied the man in blue, "is at once bolder and more subtle than that of the ordinary detective. The ordinary detective goes to pot-houses to arrest thieves; we go to artistic tea-parties to detect pessimists. The ordinary detective discovers from a ledger or a diary that a crime has been committed. We discover from a book of sonnets that a crime will be committed. We have to trace the origin of those dreadful thoughts that drive men on at last to intellectual fanaticism and intellectual crime. We were only just in time to | The Man Who Was Thursday |
Jem started, but Don did not stir. | No speaker | the punishment of deserters is--death."<|quote|>Jem started, but Don did not stir.</|quote|>"Now you are both very | these are war times, and the punishment of deserters is--death."<|quote|>Jem started, but Don did not stir.</|quote|>"Now you are both very young, and you have worked | I will not be so severe as I might for such an offence as yours." "Didn't commit no offence," said Jem sturdily. "Silence, sir! Now then, you know, I suppose, that though we are living a peaceful life out here, these are war times, and the punishment of deserters is--death."<|quote|>Jem started, but Don did not stir.</|quote|>"Now you are both very young, and you have worked so well, and with so much promise of making yourselves sailors, that I should be sorry for you--either of you--to be guilty of such a mad trick as desertion. If you tried it, you would almost certainly be retaken, and--the | too much truth in it for him to make a bold denial, so he remained silent; and Jem, taking his cue from his companion, was silent too. "Come," said the captain, "I like that. There is honesty in it, my lads; and as you are both young, and pressed men, I will not be so severe as I might for such an offence as yours." "Didn't commit no offence," said Jem sturdily. "Silence, sir! Now then, you know, I suppose, that though we are living a peaceful life out here, these are war times, and the punishment of deserters is--death."<|quote|>Jem started, but Don did not stir.</|quote|>"Now you are both very young, and you have worked so well, and with so much promise of making yourselves sailors, that I should be sorry for you--either of you--to be guilty of such a mad trick as desertion. If you tried it, you would almost certainly be retaken, and--the punishment must follow. If, on the other hand, you escaped, it would be into the savage country before you, where you would fall into the hands of some enemy tribe, who would kill you both like dogs. I daresay you have heard what takes place afterwards, when the Maori tribes | one of the chiefs waved a paddle to them." The captain nodded, and Ramsden was going on with his charge, when he was stopped. "That will do, my man," said the captain; "I know quite enough. Now look here," he continued, turning to Don and Jem, "I am compelled to believe what this man says, for I saw enough to corroborate his testimony; but I will give you an opportunity for defending yourselves. Is what he says true?" Don's lips parted to say it was only about half true; but a feeling of agonised shame checked his words. There was too much truth in it for him to make a bold denial, so he remained silent; and Jem, taking his cue from his companion, was silent too. "Come," said the captain, "I like that. There is honesty in it, my lads; and as you are both young, and pressed men, I will not be so severe as I might for such an offence as yours." "Didn't commit no offence," said Jem sturdily. "Silence, sir! Now then, you know, I suppose, that though we are living a peaceful life out here, these are war times, and the punishment of deserters is--death."<|quote|>Jem started, but Don did not stir.</|quote|>"Now you are both very young, and you have worked so well, and with so much promise of making yourselves sailors, that I should be sorry for you--either of you--to be guilty of such a mad trick as desertion. If you tried it, you would almost certainly be retaken, and--the punishment must follow. If, on the other hand, you escaped, it would be into the savage country before you, where you would fall into the hands of some enemy tribe, who would kill you both like dogs. I daresay you have heard what takes place afterwards, when the Maori tribes have taken prisoners?" Jem shuddered, but Don made no sign. "Ah! I see you know," continued the captain, "so I need say little more. I am satisfied that you will neither of you be guilty of such an act of madness as you contemplated, especially now that I tell you that I stop at nothing which the law gives me power to do for the preservation of the discipline of my ship. These two lads," he said, turning to give an order, "will be placed in irons for the present." He made a sign, and the two prisoners were taken | looked them over searchingly, his eyes resting on theirs in a fierce, penetrating way that was far from pleasant. Then, turning from them contemptuously, he signed to Ramsden to come forward. "Now," he said sharply, "repeat what you told me just now." "Yes, sir. I had to go below yes'day evening when, as I was going along 'tween the 'ammocks, I hears the word _desert_ and I was that took aback, sir, I--" "Ah! You are the sort of man who would be took aback on hearing such a word," said the first lieutenant, with a sneer. "Yes, sir," said Ramsden. "Let him speak," said the captain, scowling to hide a smile. "Soon as I heard that word _desert_, I felt stopped short like; and then I heard voices making plans for going ashore." "What did they say?" "Can't rec'lect what they said exactly, sir; only as one talked about a boat, and the other about a canoe. It was Lavington as asked about the canoe; and just now, sir, they was watching a canoe that went by, and they exchanged signals." "Yes, I saw them watching that canoe," said the captain, fixing his eyes on Jem. "Yes, sir; and one of the chiefs waved a paddle to them." The captain nodded, and Ramsden was going on with his charge, when he was stopped. "That will do, my man," said the captain; "I know quite enough. Now look here," he continued, turning to Don and Jem, "I am compelled to believe what this man says, for I saw enough to corroborate his testimony; but I will give you an opportunity for defending yourselves. Is what he says true?" Don's lips parted to say it was only about half true; but a feeling of agonised shame checked his words. There was too much truth in it for him to make a bold denial, so he remained silent; and Jem, taking his cue from his companion, was silent too. "Come," said the captain, "I like that. There is honesty in it, my lads; and as you are both young, and pressed men, I will not be so severe as I might for such an offence as yours." "Didn't commit no offence," said Jem sturdily. "Silence, sir! Now then, you know, I suppose, that though we are living a peaceful life out here, these are war times, and the punishment of deserters is--death."<|quote|>Jem started, but Don did not stir.</|quote|>"Now you are both very young, and you have worked so well, and with so much promise of making yourselves sailors, that I should be sorry for you--either of you--to be guilty of such a mad trick as desertion. If you tried it, you would almost certainly be retaken, and--the punishment must follow. If, on the other hand, you escaped, it would be into the savage country before you, where you would fall into the hands of some enemy tribe, who would kill you both like dogs. I daresay you have heard what takes place afterwards, when the Maori tribes have taken prisoners?" Jem shuddered, but Don made no sign. "Ah! I see you know," continued the captain, "so I need say little more. I am satisfied that you will neither of you be guilty of such an act of madness as you contemplated, especially now that I tell you that I stop at nothing which the law gives me power to do for the preservation of the discipline of my ship. These two lads," he said, turning to give an order, "will be placed in irons for the present." He made a sign, and the two prisoners were taken below deck, and placed in irons. "Better than being hung, my lads," said the armourer gruffly; and soon after they were alone, with a sentry on duty not far from where they were seated. CHAPTER TWENTY FOUR. TOMATL'S PROMISE. "Wonder whether Mike ever had a taste of this sort o' thing, Mas' Don," said Jem, after they had sat in silence some time, Don's face not inviting any attempt at conversation. "He never said anything about being in irons when he spun yarns about adventures." "Jem!" said Don indignantly; and as if it only wanted his companion's words to start him in a furious outburst of passion; "it is shameful! It is a cruel indignity and disgrace." "Hush, hush, my lad! Don't take it that way. They arn't so werry heavy, and they don't hurt much." "Hurt? Not hurt much? Why, they are treating us as if we were thieves." "What, being ironed, sir? Well, it do seem a bit hard." "It's cruel! It's horrible! And he had no right to do it for such an offence." "Steady, my lad, steady. The sentry 'll hear you, and have his turn, p'r'aps, at telling tales." "But he had no right to | was dreaming, Mas' Don, when they routed us up." "So was I, Jem." "What was you dreaming about, Mas' Don?" "Home." "Hah!" said Jem, with a sigh; "so was I. Wonder what my Sally's doing now." "Sitting down to tea, Jem." "What! In the middle of the night?" "It's the middle of the afternoon now, perhaps, Jem, on the other side of the world." "Dessay it is, sir, if you says so; but I never can understand that kind of talk. Say, my lad, how dark it is! Why if four or five of those great war canoes liked to come out now, with a lot of fighting men aboard, they could take this here ship before we could cry Jack Robinson. Look yonder. Isn't that one stealing out from behind that island?" "No, Jem; I see nothing but shadow." "Then p'r'aps it arn't; but I'm always thinking I see 'em coming out full of men." "Fancy, Jem." "So it is, I s'pose. Know how long we're going to stop here, Mas' Don?" "No, Jem. Getting tired of it?" "Tired? Ay, lad. I want to go home." That morning, about a couple of hours after the watch had been relieved, Don was on deck, when he saw one of the long war canoes, with its hideously carved prow and feather-decorated occupants, come sweeping along close to the shore and dash right away at great speed. "Wish we was in her," sighed a voice at his ear. Don turned sharply, to find Jem gazing longingly after the flashing paddles of the canoe, one of which was waved at him as they passed. "What for, Jem?" "To get away from here, Mas' Don. Wish you'd alter your mind. I want to see my Sally once more." "Here, you two! This way," said a severe voice; and the stern-looking master came up. "This way. The captain wants a word with both of you." "The captain?" began Don, as his old trouble flashed into his mind. "That will do. Now then, this way," said the master sternly; and he led them to the quarter-deck, where the captain was standing, with a couple of the officers by his side, and, a little distance in front, Ramsden, the sinister-looking seaman who, since the night they were pressed, had always seemed to bear the two Bristolians ill-will. Don and Jem saluted, and stood before their officer, who looked them over searchingly, his eyes resting on theirs in a fierce, penetrating way that was far from pleasant. Then, turning from them contemptuously, he signed to Ramsden to come forward. "Now," he said sharply, "repeat what you told me just now." "Yes, sir. I had to go below yes'day evening when, as I was going along 'tween the 'ammocks, I hears the word _desert_ and I was that took aback, sir, I--" "Ah! You are the sort of man who would be took aback on hearing such a word," said the first lieutenant, with a sneer. "Yes, sir," said Ramsden. "Let him speak," said the captain, scowling to hide a smile. "Soon as I heard that word _desert_, I felt stopped short like; and then I heard voices making plans for going ashore." "What did they say?" "Can't rec'lect what they said exactly, sir; only as one talked about a boat, and the other about a canoe. It was Lavington as asked about the canoe; and just now, sir, they was watching a canoe that went by, and they exchanged signals." "Yes, I saw them watching that canoe," said the captain, fixing his eyes on Jem. "Yes, sir; and one of the chiefs waved a paddle to them." The captain nodded, and Ramsden was going on with his charge, when he was stopped. "That will do, my man," said the captain; "I know quite enough. Now look here," he continued, turning to Don and Jem, "I am compelled to believe what this man says, for I saw enough to corroborate his testimony; but I will give you an opportunity for defending yourselves. Is what he says true?" Don's lips parted to say it was only about half true; but a feeling of agonised shame checked his words. There was too much truth in it for him to make a bold denial, so he remained silent; and Jem, taking his cue from his companion, was silent too. "Come," said the captain, "I like that. There is honesty in it, my lads; and as you are both young, and pressed men, I will not be so severe as I might for such an offence as yours." "Didn't commit no offence," said Jem sturdily. "Silence, sir! Now then, you know, I suppose, that though we are living a peaceful life out here, these are war times, and the punishment of deserters is--death."<|quote|>Jem started, but Don did not stir.</|quote|>"Now you are both very young, and you have worked so well, and with so much promise of making yourselves sailors, that I should be sorry for you--either of you--to be guilty of such a mad trick as desertion. If you tried it, you would almost certainly be retaken, and--the punishment must follow. If, on the other hand, you escaped, it would be into the savage country before you, where you would fall into the hands of some enemy tribe, who would kill you both like dogs. I daresay you have heard what takes place afterwards, when the Maori tribes have taken prisoners?" Jem shuddered, but Don made no sign. "Ah! I see you know," continued the captain, "so I need say little more. I am satisfied that you will neither of you be guilty of such an act of madness as you contemplated, especially now that I tell you that I stop at nothing which the law gives me power to do for the preservation of the discipline of my ship. These two lads," he said, turning to give an order, "will be placed in irons for the present." He made a sign, and the two prisoners were taken below deck, and placed in irons. "Better than being hung, my lads," said the armourer gruffly; and soon after they were alone, with a sentry on duty not far from where they were seated. CHAPTER TWENTY FOUR. TOMATL'S PROMISE. "Wonder whether Mike ever had a taste of this sort o' thing, Mas' Don," said Jem, after they had sat in silence some time, Don's face not inviting any attempt at conversation. "He never said anything about being in irons when he spun yarns about adventures." "Jem!" said Don indignantly; and as if it only wanted his companion's words to start him in a furious outburst of passion; "it is shameful! It is a cruel indignity and disgrace." "Hush, hush, my lad! Don't take it that way. They arn't so werry heavy, and they don't hurt much." "Hurt? Not hurt much? Why, they are treating us as if we were thieves." "What, being ironed, sir? Well, it do seem a bit hard." "It's cruel! It's horrible! And he had no right to do it for such an offence." "Steady, my lad, steady. The sentry 'll hear you, and have his turn, p'r'aps, at telling tales." "But he had no right to do this, I say." "P'r'aps not, Mas' Don; but skippers does just what they please when they're out at sea in war time. I thought he was going to hang us once." "He would not dare," said Don. "Well, if he did, I should have liked to have a few words first with Mr Ramsden; for of all the mean, dirty, sneaking chaps I ever set eyes on, he's about the worst." "A mean, cowardly spy!" cried Don. "Ah, that's it; so he is, Mas' Don; a mean, cowardly spy. I couldn't think o' them words, but they're just what he is.--Say, Mas' Don." "Don't, don't, don't, Jem." "Don't what, Mas' Don?" "Don't do that. _Master Don_. It sounds so foolish, and it's ridiculous, seeing what we are." "All right, my lad, I'll be careful; but what I wanted to say was, would there be any harm in taking Master Ramsden by his waistband, and dropping him some night over into the sea?" "Do you want to commit murder, Jem?" "Do I want to commit murder? Nay, Mas' Don, gently, gently; don't talk to a man like that. I only meant to give him a ducking." "Amongst the sharks?" "Ugh! I forgot all about the sharks, Mas' Don. I say, think there are many of 'em about?" "They say there are plenty, and we saw a monster, Jem." "So we did, my lad; so we did, and a nice lot o' worry he's got us in through stealing that boathook. But, look here, how do you feel now?" "Heart-sick and tired of it all, Jem. I wish we had run off when we had the chance." "You do?" "I do. See how we have been served: dragged from our homes, roughly used; bullied and ill-treated; and with that man's word taken before ours. It's too bad--too bad." "Well, it is, Mas' Don," whispered Jem. "But you see it was awkward. You couldn't swear as you hadn't thoughts of deserting." "Deserting?" said Don hotly. "I will not have it called deserting. I say it is only claiming our liberty, when we have been seized upon and treated like slaves." "What a weather-cocky way you have got, Mas' Don. Only t'other day you was all on the other tack, and says, says you, `It's deserting, and cowardly,' and a lot more to that tune, and the way you went on at me, | as I was going along 'tween the 'ammocks, I hears the word _desert_ and I was that took aback, sir, I--" "Ah! You are the sort of man who would be took aback on hearing such a word," said the first lieutenant, with a sneer. "Yes, sir," said Ramsden. "Let him speak," said the captain, scowling to hide a smile. "Soon as I heard that word _desert_, I felt stopped short like; and then I heard voices making plans for going ashore." "What did they say?" "Can't rec'lect what they said exactly, sir; only as one talked about a boat, and the other about a canoe. It was Lavington as asked about the canoe; and just now, sir, they was watching a canoe that went by, and they exchanged signals." "Yes, I saw them watching that canoe," said the captain, fixing his eyes on Jem. "Yes, sir; and one of the chiefs waved a paddle to them." The captain nodded, and Ramsden was going on with his charge, when he was stopped. "That will do, my man," said the captain; "I know quite enough. Now look here," he continued, turning to Don and Jem, "I am compelled to believe what this man says, for I saw enough to corroborate his testimony; but I will give you an opportunity for defending yourselves. Is what he says true?" Don's lips parted to say it was only about half true; but a feeling of agonised shame checked his words. There was too much truth in it for him to make a bold denial, so he remained silent; and Jem, taking his cue from his companion, was silent too. "Come," said the captain, "I like that. There is honesty in it, my lads; and as you are both young, and pressed men, I will not be so severe as I might for such an offence as yours." "Didn't commit no offence," said Jem sturdily. "Silence, sir! Now then, you know, I suppose, that though we are living a peaceful life out here, these are war times, and the punishment of deserters is--death."<|quote|>Jem started, but Don did not stir.</|quote|>"Now you are both very young, and you have worked so well, and with so much promise of making yourselves sailors, that I should be sorry for you--either of you--to be guilty of such a mad trick as desertion. If you tried it, you would almost certainly be retaken, and--the punishment must follow. If, on the other hand, you escaped, it would be into the savage country before you, where you would fall into the hands of some enemy tribe, who would kill you both like dogs. I daresay you have heard what takes place afterwards, when the Maori tribes have taken prisoners?" Jem shuddered, but Don made no sign. "Ah! I see you know," continued the captain, "so I need say little more. I am satisfied that you will neither of you be guilty of such an act of madness as you contemplated, especially now that I tell you that I stop at nothing which the law gives me power to do for the preservation of the discipline of my ship. These two lads," he said, turning to give an order, "will be placed in irons for the present." He made a sign, and the two prisoners were taken below deck, and placed in irons. "Better than being hung, my lads," said the armourer gruffly; and soon after they were alone, with a sentry on duty not far from where they were seated. CHAPTER TWENTY FOUR. TOMATL'S PROMISE. "Wonder whether Mike ever had a taste of this sort o' thing, Mas' Don," said Jem, after they had sat in silence some time, Don's face not inviting any attempt at conversation. "He never said anything about being in irons when he spun yarns about adventures." "Jem!" said Don indignantly; and as if it only wanted his companion's words to start him in a furious outburst of passion; "it is shameful! It is a cruel indignity and disgrace." "Hush, hush, my lad! Don't take it that way. They arn't so werry heavy, and they don't hurt much." "Hurt? Not hurt much? Why, they are treating us as if we were thieves." "What, being ironed, sir? Well, it do seem a bit hard." "It's cruel! It's horrible! And he had no right to do it for such an offence." "Steady, my lad, steady. The sentry 'll hear you, and have his turn, p'r'aps, at telling tales." "But he had no right to do this, I say." "P'r'aps not, Mas' Don; but skippers does just what they please when they're out at sea in war time. I thought he was going to hang us once." "He would not dare," said Don. "Well, if he did, I should have liked to have a few words first with Mr Ramsden; for of all the mean, dirty, sneaking chaps I ever set eyes on, he's about the worst." "A mean, cowardly spy!" cried Don. "Ah, that's it; so he is, Mas' Don; a mean, cowardly spy. I couldn't think o' them words, but they're just what he is.--Say, Mas' Don." "Don't, don't, don't, Jem." "Don't what, Mas' Don?" "Don't do that. _Master Don_. It sounds so foolish, and it's ridiculous, seeing what we are." "All right, my lad, I'll be careful; but what I wanted to say was, would there be any harm in taking Master Ramsden by his waistband, and dropping him some night over into the sea?" "Do you want to commit murder, Jem?" "Do I want to commit murder? | Don Lavington |
"Nevertheless," | Winterbourne | imitation, the imitation was brilliant.<|quote|>"Nevertheless,"</|quote|>Winterbourne said to himself, "a | that, if he was an imitation, the imitation was brilliant.<|quote|>"Nevertheless,"</|quote|>Winterbourne said to himself, "a nice girl ought to know!" | very pretty face; but Winterbourne felt a superior indignation at his own lovely fellow countrywoman s not knowing the difference between a spurious gentleman and a real one. Giovanelli chattered and jested and made himself wonderfully agreeable. It was true that, if he was an imitation, the imitation was brilliant.<|quote|>"Nevertheless,"</|quote|>Winterbourne said to himself, "a nice girl ought to know!" And then he came back to the question whether this was, in fact, a nice girl. Would a nice girl, even allowing for her being a little American flirt, make a rendezvous with a presumably low-lived foreigner? The rendezvous in | suggested far-stretching intentions. Winterbourne flattered himself that he had taken his measure. "He is not a gentleman," said the young American; "he is only a clever imitation of one. He is a music master, or a penny-a-liner, or a third-rate artist. D__n his good looks!" Mr. Giovanelli had certainly a very pretty face; but Winterbourne felt a superior indignation at his own lovely fellow countrywoman s not knowing the difference between a spurious gentleman and a real one. Giovanelli chattered and jested and made himself wonderfully agreeable. It was true that, if he was an imitation, the imitation was brilliant.<|quote|>"Nevertheless,"</|quote|>Winterbourne said to himself, "a nice girl ought to know!" And then he came back to the question whether this was, in fact, a nice girl. Would a nice girl, even allowing for her being a little American flirt, make a rendezvous with a presumably low-lived foreigner? The rendezvous in this case, indeed, had been in broad daylight and in the most crowded corner of Rome, but was it not impossible to regard the choice of these circumstances as a proof of extreme cynicism? Singular though it may seem, Winterbourne was vexed that the young girl, in joining her amoroso, | strolled alone with one of them on each side of her; Mr. Giovanelli, who spoke English very cleverly--Winterbourne afterward learned that he had practiced the idiom upon a great many American heiresses--addressed her a great deal of very polite nonsense; he was extremely urbane, and the young American, who said nothing, reflected upon that profundity of Italian cleverness which enables people to appear more gracious in proportion as they are more acutely disappointed. Giovanelli, of course, had counted upon something more intimate; he had not bargained for a party of three. But he kept his temper in a manner which suggested far-stretching intentions. Winterbourne flattered himself that he had taken his measure. "He is not a gentleman," said the young American; "he is only a clever imitation of one. He is a music master, or a penny-a-liner, or a third-rate artist. D__n his good looks!" Mr. Giovanelli had certainly a very pretty face; but Winterbourne felt a superior indignation at his own lovely fellow countrywoman s not knowing the difference between a spurious gentleman and a real one. Giovanelli chattered and jested and made himself wonderfully agreeable. It was true that, if he was an imitation, the imitation was brilliant.<|quote|>"Nevertheless,"</|quote|>Winterbourne said to himself, "a nice girl ought to know!" And then he came back to the question whether this was, in fact, a nice girl. Would a nice girl, even allowing for her being a little American flirt, make a rendezvous with a presumably low-lived foreigner? The rendezvous in this case, indeed, had been in broad daylight and in the most crowded corner of Rome, but was it not impossible to regard the choice of these circumstances as a proof of extreme cynicism? Singular though it may seem, Winterbourne was vexed that the young girl, in joining her amoroso, should not appear more impatient of his own company, and he was vexed because of his inclination. It was impossible to regard her as a perfectly well-conducted young lady; she was wanting in a certain indispensable delicacy. It would therefore simplify matters greatly to be able to treat her as the object of one of those sentiments which are called by romancers "lawless passions." That she should seem to wish to get rid of him would help him to think more lightly of her, and to be able to think more lightly of her would make her much less perplexing. | one!" thought the young man. "I don t like the way you say that," said Daisy. "It s too imperious." "I beg your pardon if I say it wrong. The main point is to give you an idea of my meaning." The young girl looked at him more gravely, but with eyes that were prettier than ever. "I have never allowed a gentleman to dictate to me, or to interfere with anything I do." "I think you have made a mistake," said Winterbourne. "You should sometimes listen to a gentleman--the right one." Daisy began to laugh again. "I do nothing but listen to gentlemen!" she exclaimed. "Tell me if Mr. Giovanelli is the right one?" The gentleman with the nosegay in his bosom had now perceived our two friends, and was approaching the young girl with obsequious rapidity. He bowed to Winterbourne as well as to the latter s companion; he had a brilliant smile, an intelligent eye; Winterbourne thought him not a bad-looking fellow. But he nevertheless said to Daisy, "No, he s not the right one." Daisy evidently had a natural talent for performing introductions; she mentioned the name of each of her companions to the other. She strolled alone with one of them on each side of her; Mr. Giovanelli, who spoke English very cleverly--Winterbourne afterward learned that he had practiced the idiom upon a great many American heiresses--addressed her a great deal of very polite nonsense; he was extremely urbane, and the young American, who said nothing, reflected upon that profundity of Italian cleverness which enables people to appear more gracious in proportion as they are more acutely disappointed. Giovanelli, of course, had counted upon something more intimate; he had not bargained for a party of three. But he kept his temper in a manner which suggested far-stretching intentions. Winterbourne flattered himself that he had taken his measure. "He is not a gentleman," said the young American; "he is only a clever imitation of one. He is a music master, or a penny-a-liner, or a third-rate artist. D__n his good looks!" Mr. Giovanelli had certainly a very pretty face; but Winterbourne felt a superior indignation at his own lovely fellow countrywoman s not knowing the difference between a spurious gentleman and a real one. Giovanelli chattered and jested and made himself wonderfully agreeable. It was true that, if he was an imitation, the imitation was brilliant.<|quote|>"Nevertheless,"</|quote|>Winterbourne said to himself, "a nice girl ought to know!" And then he came back to the question whether this was, in fact, a nice girl. Would a nice girl, even allowing for her being a little American flirt, make a rendezvous with a presumably low-lived foreigner? The rendezvous in this case, indeed, had been in broad daylight and in the most crowded corner of Rome, but was it not impossible to regard the choice of these circumstances as a proof of extreme cynicism? Singular though it may seem, Winterbourne was vexed that the young girl, in joining her amoroso, should not appear more impatient of his own company, and he was vexed because of his inclination. It was impossible to regard her as a perfectly well-conducted young lady; she was wanting in a certain indispensable delicacy. It would therefore simplify matters greatly to be able to treat her as the object of one of those sentiments which are called by romancers "lawless passions." That she should seem to wish to get rid of him would help him to think more lightly of her, and to be able to think more lightly of her would make her much less perplexing. But Daisy, on this occasion, continued to present herself as an inscrutable combination of audacity and innocence. She had been walking some quarter of an hour, attended by her two cavaliers, and responding in a tone of very childish gaiety, as it seemed to Winterbourne, to the pretty speeches of Mr. Giovanelli, when a carriage that had detached itself from the revolving train drew up beside the path. At the same moment Winterbourne perceived that his friend Mrs. Walker--the lady whose house he had lately left--was seated in the vehicle and was beckoning to him. Leaving Miss Miller s side, he hastened to obey her summons. Mrs. Walker was flushed; she wore an excited air. "It is really too dreadful," she said. "That girl must not do this sort of thing. She must not walk here with you two men. Fifty people have noticed her." Winterbourne raised his eyebrows. "I think it s a pity to make too much fuss about it." "It s a pity to let the girl ruin herself!" "She is very innocent," said Winterbourne. "She s very crazy!" cried Mrs. Walker. "Did you ever see anything so imbecile as her mother? After you had all left | We are going to stay all winter, if we don t die of the fever; and I guess we ll stay then. It s a great deal nicer than I thought; I thought it would be fearfully quiet; I was sure it would be awfully poky. I was sure we should be going round all the time with one of those dreadful old men that explain about the pictures and things. But we only had about a week of that, and now I m enjoying myself. I know ever so many people, and they are all so charming. The society s extremely select. There are all kinds--English, and Germans, and Italians. I think I like the English best. I like their style of conversation. But there are some lovely Americans. I never saw anything so hospitable. There s something or other every day. There s not much dancing; but I must say I never thought dancing was everything. I was always fond of conversation. I guess I shall have plenty at Mrs. Walker s, her rooms are so small." When they had passed the gate of the Pincian Gardens, Miss Miller began to wonder where Mr. Giovanelli might be. "We had better go straight to that place in front," she said, "where you look at the view." "I certainly shall not help you to find him," Winterbourne declared. "Then I shall find him without you," cried Miss Daisy. "You certainly won t leave me!" cried Winterbourne. She burst into her little laugh. "Are you afraid you ll get lost--or run over? But there s Giovanelli, leaning against that tree. He s staring at the women in the carriages: did you ever see anything so cool?" Winterbourne perceived at some distance a little man standing with folded arms nursing his cane. He had a handsome face, an artfully poised hat, a glass in one eye, and a nosegay in his buttonhole. Winterbourne looked at him a moment and then said, "Do you mean to speak to that man?" "Do I mean to speak to him? Why, you don t suppose I mean to communicate by signs?" "Pray understand, then," said Winterbourne, "that I intend to remain with you." Daisy stopped and looked at him, without a sign of troubled consciousness in her face, with nothing but the presence of her charming eyes and her happy dimples. "Well, she s a cool one!" thought the young man. "I don t like the way you say that," said Daisy. "It s too imperious." "I beg your pardon if I say it wrong. The main point is to give you an idea of my meaning." The young girl looked at him more gravely, but with eyes that were prettier than ever. "I have never allowed a gentleman to dictate to me, or to interfere with anything I do." "I think you have made a mistake," said Winterbourne. "You should sometimes listen to a gentleman--the right one." Daisy began to laugh again. "I do nothing but listen to gentlemen!" she exclaimed. "Tell me if Mr. Giovanelli is the right one?" The gentleman with the nosegay in his bosom had now perceived our two friends, and was approaching the young girl with obsequious rapidity. He bowed to Winterbourne as well as to the latter s companion; he had a brilliant smile, an intelligent eye; Winterbourne thought him not a bad-looking fellow. But he nevertheless said to Daisy, "No, he s not the right one." Daisy evidently had a natural talent for performing introductions; she mentioned the name of each of her companions to the other. She strolled alone with one of them on each side of her; Mr. Giovanelli, who spoke English very cleverly--Winterbourne afterward learned that he had practiced the idiom upon a great many American heiresses--addressed her a great deal of very polite nonsense; he was extremely urbane, and the young American, who said nothing, reflected upon that profundity of Italian cleverness which enables people to appear more gracious in proportion as they are more acutely disappointed. Giovanelli, of course, had counted upon something more intimate; he had not bargained for a party of three. But he kept his temper in a manner which suggested far-stretching intentions. Winterbourne flattered himself that he had taken his measure. "He is not a gentleman," said the young American; "he is only a clever imitation of one. He is a music master, or a penny-a-liner, or a third-rate artist. D__n his good looks!" Mr. Giovanelli had certainly a very pretty face; but Winterbourne felt a superior indignation at his own lovely fellow countrywoman s not knowing the difference between a spurious gentleman and a real one. Giovanelli chattered and jested and made himself wonderfully agreeable. It was true that, if he was an imitation, the imitation was brilliant.<|quote|>"Nevertheless,"</|quote|>Winterbourne said to himself, "a nice girl ought to know!" And then he came back to the question whether this was, in fact, a nice girl. Would a nice girl, even allowing for her being a little American flirt, make a rendezvous with a presumably low-lived foreigner? The rendezvous in this case, indeed, had been in broad daylight and in the most crowded corner of Rome, but was it not impossible to regard the choice of these circumstances as a proof of extreme cynicism? Singular though it may seem, Winterbourne was vexed that the young girl, in joining her amoroso, should not appear more impatient of his own company, and he was vexed because of his inclination. It was impossible to regard her as a perfectly well-conducted young lady; she was wanting in a certain indispensable delicacy. It would therefore simplify matters greatly to be able to treat her as the object of one of those sentiments which are called by romancers "lawless passions." That she should seem to wish to get rid of him would help him to think more lightly of her, and to be able to think more lightly of her would make her much less perplexing. But Daisy, on this occasion, continued to present herself as an inscrutable combination of audacity and innocence. She had been walking some quarter of an hour, attended by her two cavaliers, and responding in a tone of very childish gaiety, as it seemed to Winterbourne, to the pretty speeches of Mr. Giovanelli, when a carriage that had detached itself from the revolving train drew up beside the path. At the same moment Winterbourne perceived that his friend Mrs. Walker--the lady whose house he had lately left--was seated in the vehicle and was beckoning to him. Leaving Miss Miller s side, he hastened to obey her summons. Mrs. Walker was flushed; she wore an excited air. "It is really too dreadful," she said. "That girl must not do this sort of thing. She must not walk here with you two men. Fifty people have noticed her." Winterbourne raised his eyebrows. "I think it s a pity to make too much fuss about it." "It s a pity to let the girl ruin herself!" "She is very innocent," said Winterbourne. "She s very crazy!" cried Mrs. Walker. "Did you ever see anything so imbecile as her mother? After you had all left me just now, I could not sit still for thinking of it. It seemed too pitiful, not even to attempt to save her. I ordered the carriage and put on my bonnet, and came here as quickly as possible. Thank Heaven I have found you!" "What do you propose to do with us?" asked Winterbourne, smiling. "To ask her to get in, to drive her about here for half an hour, so that the world may see she is not running absolutely wild, and then to take her safely home." "I don t think it s a very happy thought," said Winterbourne; "but you can try." Mrs. Walker tried. The young man went in pursuit of Miss Miller, who had simply nodded and smiled at his interlocutor in the carriage and had gone her way with her companion. Daisy, on learning that Mrs. Walker wished to speak to her, retraced her steps with a perfect good grace and with Mr. Giovanelli at her side. She declared that she was delighted to have a chance to present this gentleman to Mrs. Walker. She immediately achieved the introduction, and declared that she had never in her life seen anything so lovely as Mrs. Walker s carriage rug. "I am glad you admire it," said this lady, smiling sweetly. "Will you get in and let me put it over you?" "Oh, no, thank you," said Daisy. "I shall admire it much more as I see you driving round with it." "Do get in and drive with me!" said Mrs. Walker. "That would be charming, but it s so enchanting just as I am!" and Daisy gave a brilliant glance at the gentlemen on either side of her. "It may be enchanting, dear child, but it is not the custom here," urged Mrs. Walker, leaning forward in her victoria, with her hands devoutly clasped. "Well, it ought to be, then!" said Daisy. "If I didn t walk I should expire." "You should walk with your mother, dear," cried the lady from Geneva, losing patience. "With my mother dear!" exclaimed the young girl. Winterbourne saw that she scented interference. "My mother never walked ten steps in her life. And then, you know," she added with a laugh, "I am more than five years old." "You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about." Daisy looked | "Then I shall find him without you," cried Miss Daisy. "You certainly won t leave me!" cried Winterbourne. She burst into her little laugh. "Are you afraid you ll get lost--or run over? But there s Giovanelli, leaning against that tree. He s staring at the women in the carriages: did you ever see anything so cool?" Winterbourne perceived at some distance a little man standing with folded arms nursing his cane. He had a handsome face, an artfully poised hat, a glass in one eye, and a nosegay in his buttonhole. Winterbourne looked at him a moment and then said, "Do you mean to speak to that man?" "Do I mean to speak to him? Why, you don t suppose I mean to communicate by signs?" "Pray understand, then," said Winterbourne, "that I intend to remain with you." Daisy stopped and looked at him, without a sign of troubled consciousness in her face, with nothing but the presence of her charming eyes and her happy dimples. "Well, she s a cool one!" thought the young man. "I don t like the way you say that," said Daisy. "It s too imperious." "I beg your pardon if I say it wrong. The main point is to give you an idea of my meaning." The young girl looked at him more gravely, but with eyes that were prettier than ever. "I have never allowed a gentleman to dictate to me, or to interfere with anything I do." "I think you have made a mistake," said Winterbourne. "You should sometimes listen to a gentleman--the right one." Daisy began to laugh again. "I do nothing but listen to gentlemen!" she exclaimed. "Tell me if Mr. Giovanelli is the right one?" The gentleman with the nosegay in his bosom had now perceived our two friends, and was approaching the young girl with obsequious rapidity. He bowed to Winterbourne as well as to the latter s companion; he had a brilliant smile, an intelligent eye; Winterbourne thought him not a bad-looking fellow. But he nevertheless said to Daisy, "No, he s not the right one." Daisy evidently had a natural talent for performing introductions; she mentioned the name of each of her companions to the other. She strolled alone with one of them on each side of her; Mr. Giovanelli, who spoke English very cleverly--Winterbourne afterward learned that he had practiced the idiom upon a great many American heiresses--addressed her a great deal of very polite nonsense; he was extremely urbane, and the young American, who said nothing, reflected upon that profundity of Italian cleverness which enables people to appear more gracious in proportion as they are more acutely disappointed. Giovanelli, of course, had counted upon something more intimate; he had not bargained for a party of three. But he kept his temper in a manner which suggested far-stretching intentions. Winterbourne flattered himself that he had taken his measure. "He is not a gentleman," said the young American; "he is only a clever imitation of one. He is a music master, or a penny-a-liner, or a third-rate artist. D__n his good looks!" Mr. Giovanelli had certainly a very pretty face; but Winterbourne felt a superior indignation at his own lovely fellow countrywoman s not knowing the difference between a spurious gentleman and a real one. Giovanelli chattered and jested and made himself wonderfully agreeable. It was true that, if he was an imitation, the imitation was brilliant.<|quote|>"Nevertheless,"</|quote|>Winterbourne said to himself, "a nice girl ought to know!" And then he came back to the question whether this was, in fact, a nice girl. Would a nice girl, even allowing for her being a little American flirt, make a rendezvous with a presumably low-lived foreigner? The rendezvous in this case, indeed, had been in broad daylight and in the most crowded corner of Rome, but was it not impossible to regard the choice of these circumstances as a proof of extreme cynicism? Singular though it may seem, Winterbourne was vexed that the young girl, in joining her amoroso, should not appear more impatient of his own company, and he was vexed because of his inclination. It was impossible to regard her as a perfectly well-conducted young lady; she was wanting in a certain indispensable delicacy. It would therefore simplify matters greatly to be able to treat her as the object of one of those sentiments which are called by romancers "lawless passions." That she should seem to wish to get rid of him would help him to think more lightly of her, and to be able to think more lightly of her would make her much less perplexing. But Daisy, on this occasion, continued to present herself as an inscrutable combination of audacity and innocence. She had been walking some quarter of an hour, attended by her two cavaliers, and responding in a tone of very childish gaiety, as it seemed to Winterbourne, to the pretty speeches of Mr. Giovanelli, when a carriage that had detached itself from the revolving train drew up beside the path. At the same moment Winterbourne perceived that his friend Mrs. Walker--the lady whose house he had lately left--was seated in the vehicle and was beckoning to him. Leaving Miss Miller s side, he hastened to obey her summons. Mrs. Walker was flushed; she wore an excited air. "It is really too dreadful," she said. "That girl must not do this sort of thing. She must not walk here with you two men. Fifty people have noticed her." Winterbourne raised his eyebrows. "I think it s a pity to make too much fuss about it." "It s a pity to let the girl ruin herself!" "She is very innocent," said Winterbourne. "She s very crazy!" cried Mrs. Walker. "Did you ever see anything so imbecile as her mother? After you had all left me just now, I could not sit still for thinking of it. It seemed too pitiful, not even to attempt to save her. I ordered the carriage and put on my bonnet, and came here as quickly as possible. Thank Heaven I have found you!" "What do you propose to do with us?" asked Winterbourne, smiling. "To ask her to get in, to drive her about here for half an hour, so that the world may see she is not running absolutely wild, and then to take her safely home." "I don t think it s a very happy thought," said Winterbourne; "but you can try." | Daisy Miller |
"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations," | Andrey Vassilitch Kovrin | him, but not for long.<|quote|>"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations,"</|quote|>he thought; and he felt | having hallucinations. This reflection frightened him, but not for long.<|quote|>"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations,"</|quote|>he thought; and he felt happy again. He sat down | got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long.<|quote|>"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations,"</|quote|>he thought; and he felt happy again. He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the | the extreme. Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long.<|quote|>"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations,"</|quote|>he thought; and he felt happy again. He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the book did not satisfy him. He wanted something gigantic, unfathomable, stupendous. Towards morning he undressed and reluctantly went to bed: he ought to sleep. When he heard the footsteps of Yegor Semyonitch going out into the garden, Kovrin rang the bell and asked the footman to bring him some wine. | Kovrin, "I suppose that everywhere and in all careers men of ideas are nervous, and marked by exaggerated sensitiveness. Most likely it must be so." He thought of Tanya, who was so pleased with Yegor Semyonitch's articles. Small, pale, and so thin that her shoulder-blades stuck out, her eyes, wide and open, dark and intelligent, had an intent gaze, as though looking for something. She walked like her father with a little hurried step. She talked a great deal and was fond of arguing, accompanying every phrase, however insignificant, with expressive mimicry and gesticulation. No doubt she was nervous in the extreme. Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long.<|quote|>"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations,"</|quote|>he thought; and he felt happy again. He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the book did not satisfy him. He wanted something gigantic, unfathomable, stupendous. Towards morning he undressed and reluctantly went to bed: he ought to sleep. When he heard the footsteps of Yegor Semyonitch going out into the garden, Kovrin rang the bell and asked the footman to bring him some wine. He drank several glasses of Lafitte, then wrapped himself up, head and all; his consciousness grew clouded and he fell asleep. IV Yegor Semyonitch and Tanya often quarrelled and said nasty things to each other. They quarrelled about something that morning. Tanya burst out crying and went to her room. She would not come down to dinner nor to tea. At first Yegor Semyonitch went about looking sulky and dignified, as though to give every one to understand that for him the claims of justice and good order were more important than anything else in the world; but he could | Left alone, Kovrin settled himself more comfortably on the sofa and took up the articles. The title of one was "On Intercropping" ; of another, "A few Words on the Remarks of Monsieur Z. concerning the Trenching of the Soil for a New Garden" ; a third, "Additional Matter concerning Grafting with a Dormant Bud" ; and they were all of the same sort. But what a restless, jerky tone! What nervous, almost hysterical passion! Here was an article, one would have thought, with most peaceable and impersonal contents: the subject of it was the Russian Antonovsky Apple. But Yegor Semyonitch began it with "Audiatur altera pars," and finished it with "Sapienti sat" ; and between these two quotations a perfect torrent of venomous phrases directed "at the learned ignorance of our recognised horticultural authorities, who observe Nature from the height of their university chairs," or at Monsieur Gaucher, "whose success has been the work of the vulgar and the dilettanti." And then followed an inappropriate, affected, and insincere regret that peasants who stole fruit and broke the branches could not nowadays be flogged. "It is beautiful, charming, healthy work, but even in this there is strife and passion," thought Kovrin, "I suppose that everywhere and in all careers men of ideas are nervous, and marked by exaggerated sensitiveness. Most likely it must be so." He thought of Tanya, who was so pleased with Yegor Semyonitch's articles. Small, pale, and so thin that her shoulder-blades stuck out, her eyes, wide and open, dark and intelligent, had an intent gaze, as though looking for something. She walked like her father with a little hurried step. She talked a great deal and was fond of arguing, accompanying every phrase, however insignificant, with expressive mimicry and gesticulation. No doubt she was nervous in the extreme. Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long.<|quote|>"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations,"</|quote|>he thought; and he felt happy again. He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the book did not satisfy him. He wanted something gigantic, unfathomable, stupendous. Towards morning he undressed and reluctantly went to bed: he ought to sleep. When he heard the footsteps of Yegor Semyonitch going out into the garden, Kovrin rang the bell and asked the footman to bring him some wine. He drank several glasses of Lafitte, then wrapped himself up, head and all; his consciousness grew clouded and he fell asleep. IV Yegor Semyonitch and Tanya often quarrelled and said nasty things to each other. They quarrelled about something that morning. Tanya burst out crying and went to her room. She would not come down to dinner nor to tea. At first Yegor Semyonitch went about looking sulky and dignified, as though to give every one to understand that for him the claims of justice and good order were more important than anything else in the world; but he could not keep it up for long, and soon sank into depression. He walked about the park dejectedly, continually sighing: "Oh, my God! My God!" and at dinner did not eat a morsel. At last, guilty and conscience-stricken, he knocked at the locked door and called timidly: "Tanya! Tanya!" And from behind the door came a faint voice, weak with crying but still determined: "Leave me alone, if you please." The depression of the master and mistress was reflected in the whole household, even in the labourers working in the garden. Kovrin was absorbed in his interesting work, but at last he, too, felt dreary and uncomfortable. To dissipate the general ill-humour in some way, he made up his mind to intervene, and towards evening he knocked at Tanya's door. He was admitted. "Fie, fie, for shame!" he began playfully, looking with surprise at Tanya's tear-stained, woebegone face, flushed in patches with crying. "Is it really so serious? Fie, fie!" "But if you knew how he tortures me!" she said, and floods of scalding tears streamed from her big eyes. "He torments me to death," she went on, wringing her hands. "I said nothing to him ... nothing ... I only | the work and understands it." "Yes, she loves it and understands it. If after my death the garden goes to her and she is the mistress, of course nothing better could be wished. But if, which God forbid, she should marry," Yegor Semyonitch whispered, and looked with a frightened look at Kovrin, "that's just it. If she marries and children come, she will have no time to think about the garden. What I fear most is: she will marry some fine gentleman, and he will be greedy, and he will let the garden to people who will run it for profit, and everything will go to the devil the very first year! In our work females are the scourge of God!" Yegor Semyonitch sighed and paused for a while. "Perhaps it is egoism, but I tell you frankly: I don't want Tanya to get married. I am afraid of it! There is one young dandy comes to see us, bringing his violin and scraping on it; I know Tanya will not marry him, I know it quite well; but I can't bear to see him! Altogether, my boy, I am very queer. I know that." Yegor Semyonitch got up and walked about the room in excitement, and it was evident that he wanted to say something very important, but could not bring himself to it. "I am very fond of you, and so I am going to speak to you openly," he decided at last, thrusting his hands into his pockets. "I deal plainly with certain delicate questions, and say exactly what I think, and I cannot endure so-called hidden thoughts. I will speak plainly: you are the only man to whom I should not be afraid to marry my daughter. You are a clever man with a good heart, and would not let my beloved work go to ruin; and the chief reason is that I love you as a son, and I am proud of you. If Tanya and you could get up a romance somehow, then--well! I should be very glad and even happy. I tell you this plainly, without mincing matters, like an honest man." Kovrin laughed. Yegor Semyonitch opened the door to go out, and stood in the doorway. "If Tanya and you had a son, I would make a horticulturist of him," he said, after a moment's thought. "However, this is idle dreaming. Goodnight." Left alone, Kovrin settled himself more comfortably on the sofa and took up the articles. The title of one was "On Intercropping" ; of another, "A few Words on the Remarks of Monsieur Z. concerning the Trenching of the Soil for a New Garden" ; a third, "Additional Matter concerning Grafting with a Dormant Bud" ; and they were all of the same sort. But what a restless, jerky tone! What nervous, almost hysterical passion! Here was an article, one would have thought, with most peaceable and impersonal contents: the subject of it was the Russian Antonovsky Apple. But Yegor Semyonitch began it with "Audiatur altera pars," and finished it with "Sapienti sat" ; and between these two quotations a perfect torrent of venomous phrases directed "at the learned ignorance of our recognised horticultural authorities, who observe Nature from the height of their university chairs," or at Monsieur Gaucher, "whose success has been the work of the vulgar and the dilettanti." And then followed an inappropriate, affected, and insincere regret that peasants who stole fruit and broke the branches could not nowadays be flogged. "It is beautiful, charming, healthy work, but even in this there is strife and passion," thought Kovrin, "I suppose that everywhere and in all careers men of ideas are nervous, and marked by exaggerated sensitiveness. Most likely it must be so." He thought of Tanya, who was so pleased with Yegor Semyonitch's articles. Small, pale, and so thin that her shoulder-blades stuck out, her eyes, wide and open, dark and intelligent, had an intent gaze, as though looking for something. She walked like her father with a little hurried step. She talked a great deal and was fond of arguing, accompanying every phrase, however insignificant, with expressive mimicry and gesticulation. No doubt she was nervous in the extreme. Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long.<|quote|>"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations,"</|quote|>he thought; and he felt happy again. He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the book did not satisfy him. He wanted something gigantic, unfathomable, stupendous. Towards morning he undressed and reluctantly went to bed: he ought to sleep. When he heard the footsteps of Yegor Semyonitch going out into the garden, Kovrin rang the bell and asked the footman to bring him some wine. He drank several glasses of Lafitte, then wrapped himself up, head and all; his consciousness grew clouded and he fell asleep. IV Yegor Semyonitch and Tanya often quarrelled and said nasty things to each other. They quarrelled about something that morning. Tanya burst out crying and went to her room. She would not come down to dinner nor to tea. At first Yegor Semyonitch went about looking sulky and dignified, as though to give every one to understand that for him the claims of justice and good order were more important than anything else in the world; but he could not keep it up for long, and soon sank into depression. He walked about the park dejectedly, continually sighing: "Oh, my God! My God!" and at dinner did not eat a morsel. At last, guilty and conscience-stricken, he knocked at the locked door and called timidly: "Tanya! Tanya!" And from behind the door came a faint voice, weak with crying but still determined: "Leave me alone, if you please." The depression of the master and mistress was reflected in the whole household, even in the labourers working in the garden. Kovrin was absorbed in his interesting work, but at last he, too, felt dreary and uncomfortable. To dissipate the general ill-humour in some way, he made up his mind to intervene, and towards evening he knocked at Tanya's door. He was admitted. "Fie, fie, for shame!" he began playfully, looking with surprise at Tanya's tear-stained, woebegone face, flushed in patches with crying. "Is it really so serious? Fie, fie!" "But if you knew how he tortures me!" she said, and floods of scalding tears streamed from her big eyes. "He torments me to death," she went on, wringing her hands. "I said nothing to him ... nothing ... I only said that there was no need to keep ... too many labourers ... if we could hire them by the day when we wanted them. You know ... you know the labourers have been doing nothing for a whole week.... I ... I ... only said that, and he shouted and ... said ... a lot of horrible insulting things to me. What for?" "There, there," said Kovrin, smoothing her hair. "You've quarrelled with each other, you've cried, and that's enough. You must not be angry for long--that's wrong ... all the more as he loves you beyond everything." "He has ... has spoiled my whole life," Tanya went on, sobbing. "I hear nothing but abuse and ... insults. He thinks I am of no use in the house. Well! He is right. I shall go away to-morrow; I shall become a telegraph clerk.... I don't care...." "Come, come, come.... You mustn't cry, Tanya. You mustn't, dear.... You are both hot-tempered and irritable, and you are both to blame. Come along; I will reconcile you." Kovrin talked affectionately and persuasively, while she went on crying, twitching her shoulders and wringing her hands, as though some terrible misfortune had really befallen her. He felt all the sorrier for her because her grief was not a serious one, yet she suffered extremely. What trivialities were enough to make this little creature miserable for a whole day, perhaps for her whole life! Comforting Tanya, Kovrin thought that, apart from this girl and her father, he might hunt the world over and would not find people who would love him as one of themselves, as one of their kindred. If it had not been for those two he might very likely, having lost his father and mother in early childhood, never to the day of his death have known what was meant by genuine affection and that naïve, uncritical love which is only lavished on very close blood relations; and he felt that the nerves of this weeping, shaking girl responded to his half-sick, overstrained nerves like iron to a magnet. He never could have loved a healthy, strong, rosy-cheeked woman, but pale, weak, unhappy Tanya attracted him. And he liked stroking her hair and her shoulders, pressing her hand and wiping away her tears.... At last she left off crying. She went on for a long time complaining of her father and her | a restless, jerky tone! What nervous, almost hysterical passion! Here was an article, one would have thought, with most peaceable and impersonal contents: the subject of it was the Russian Antonovsky Apple. But Yegor Semyonitch began it with "Audiatur altera pars," and finished it with "Sapienti sat" ; and between these two quotations a perfect torrent of venomous phrases directed "at the learned ignorance of our recognised horticultural authorities, who observe Nature from the height of their university chairs," or at Monsieur Gaucher, "whose success has been the work of the vulgar and the dilettanti." And then followed an inappropriate, affected, and insincere regret that peasants who stole fruit and broke the branches could not nowadays be flogged. "It is beautiful, charming, healthy work, but even in this there is strife and passion," thought Kovrin, "I suppose that everywhere and in all careers men of ideas are nervous, and marked by exaggerated sensitiveness. Most likely it must be so." He thought of Tanya, who was so pleased with Yegor Semyonitch's articles. Small, pale, and so thin that her shoulder-blades stuck out, her eyes, wide and open, dark and intelligent, had an intent gaze, as though looking for something. She walked like her father with a little hurried step. She talked a great deal and was fond of arguing, accompanying every phrase, however insignificant, with expressive mimicry and gesticulation. No doubt she was nervous in the extreme. Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long.<|quote|>"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations,"</|quote|>he thought; and he felt happy again. He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the book did not satisfy him. He wanted something gigantic, unfathomable, stupendous. Towards morning he undressed and reluctantly went to bed: he ought to sleep. When he heard the footsteps of Yegor Semyonitch going out into the garden, Kovrin rang the bell and asked the footman to bring him some wine. He drank several glasses of Lafitte, then wrapped himself up, head and all; his consciousness grew clouded and he fell asleep. IV Yegor Semyonitch and Tanya often quarrelled and said nasty things to each other. They quarrelled about something that morning. Tanya burst out crying and went to her room. She would not come down to dinner nor to tea. At first Yegor Semyonitch went about looking sulky and dignified, as though to give every one to understand that for him the claims of justice and good order were more important than anything else in the world; but he could not keep it up for long, and soon sank into depression. He walked about the park dejectedly, continually sighing: "Oh, my God! My God!" and at dinner did not eat a morsel. At last, guilty and conscience-stricken, he knocked at the locked door and called timidly: "Tanya! Tanya!" And from behind the door came a faint voice, weak with crying but still determined: "Leave me alone, if you please." The depression of the master and mistress was reflected in the whole household, even in the labourers working in the garden. Kovrin was absorbed in his interesting work, but at last he, too, felt dreary and uncomfortable. To dissipate the general ill-humour in some way, he made up his mind to intervene, and towards evening he knocked at Tanya's door. He was admitted. "Fie, fie, for shame!" he began playfully, looking with surprise at Tanya's tear-stained, woebegone face, flushed in patches with crying. "Is it really so serious? Fie, fie!" "But if you knew how he tortures me!" she said, and floods of scalding tears streamed from her big eyes. "He torments me to death," she went on, wringing her hands. "I said nothing to him ... nothing ... I only said that there was no need to keep ... too many labourers ... if we could hire them by the day when we wanted them. You know ... you know the labourers have been doing nothing for a whole week.... | The Lady and the Dog and Other Stories (6) |
Tjaden beamed: | No speaker | quivered. "Tobacco too?" "Yes, everything."<|quote|>Tjaden beamed:</|quote|>"What a bean-feast! That's all | Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything."<|quote|>Tjaden beamed:</|quote|>"What a bean-feast! That's all for us! Each man gets--wait | his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything."<|quote|>Tjaden beamed:</|quote|>"What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for | was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything."<|quote|>Tjaden beamed:</|quote|>"What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. | good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything."<|quote|>Tjaden beamed:</|quote|>"What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to | with him, dreams of examinations, and during a bombardment mutters propositions in physics; Leer, who wears a full beard and has a preference for the girls from officers' brothels. He swears that they are obliged by an army order to wear silk chemises and to bathe before entertaining guests of the rank of major and upwards. And as the fourth, myself, Paul Bäumer. All four are nineteen years of age, and all four joined up from the same class as volunteers for the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything."<|quote|>Tjaden beamed:</|quote|>"What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will | evening; and, what is more, there is a double ration of sausage and bread. That puts a man in fine trim. We have not had such luck as this for a long time. The cook with his carroty head is begging us to eat; he beckons with his ladle to every one that passes, and spoons him out a great dollop. He does not see how he can empty his stew-pot in time for coffee. Tjaden and Müller have produced two wash-basins and had them filled up to the brim as a reserve. In Tjaden this is voracity, in Müller it is foresight. Where Tjaden puts it all is a mystery, for he is and always will be as thin as a rake. What's more important still is the issue of a double ration of smokes. Ten cigars, twenty cigarettes, and two quids of chew per man; now that is decent. I have exchanged my chewing tobacco with Katczinsky for his cigarettes, which means I have forty altogether. That's enough for a day. It is true we have no right to this windfall. The Prussian is not so generous. We have only a miscalculation to thank for it. Fourteen days ago we had to go up and relieve the front line. It was fairly quiet on our sector, so the quartermaster who remained in the rear had requisitioned the usual quantity of rations and provided for the full company of one hundred and fifty men. But on the last day an astonishing number of English field-guns opened up on us with high-explosive, drumming ceaselessly on our position, so that we suffered heavily and came back only eighty strong. Last night we moved back and settled down to get a good sleep for once: Katczinsky is right when he says it would not be such a bad war if only one could get a little more sleep. In the line we have had next to none, and fourteen days is a long time at one stretch. It was noon before the first of us crawled out of our quarters. Half an hour later every man had his mess-tin and we gathered at the cook-house, which smelt greasy and nourishing. At the head of the queue of course were the hungriest--little Albert Kropp, the clearest thinker among us and therefore the first to be lance-corporal; Müller, who still carries his school textbooks with him, dreams of examinations, and during a bombardment mutters propositions in physics; Leer, who wears a full beard and has a preference for the girls from officers' brothels. He swears that they are obliged by an army order to wear silk chemises and to bathe before entertaining guests of the rank of major and upwards. And as the fourth, myself, Paul Bäumer. All four are nineteen years of age, and all four joined up from the same class as volunteers for the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything."<|quote|>Tjaden beamed:</|quote|>"What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in the open air though, the business is entirely a pleasure. I no longer understand why we should always have shied at it before. It is, in fact, just as natural as eating and drinking. We did not properly appreciate these boxes when we first enlisted; they were new to us and did not fill such an important rôle--but now they have long been a matter of course. The soldier is on friendlier terms than other men with his stomach and intestines. Three-quarters of his vocabulary is derived from these regions, and they give an intimate flavour to expressions of his greatest joy as well as of his deepest indignation. It is impossible to express oneself in any other way so clearly and pithily. Our families and our teachers will be shocked when we go home, but here it is the universal language. Enforced publicity has in our eyes restored the character of complete innocence to all these things. More than that, they are so much | we moved back and settled down to get a good sleep for once: Katczinsky is right when he says it would not be such a bad war if only one could get a little more sleep. In the line we have had next to none, and fourteen days is a long time at one stretch. It was noon before the first of us crawled out of our quarters. Half an hour later every man had his mess-tin and we gathered at the cook-house, which smelt greasy and nourishing. At the head of the queue of course were the hungriest--little Albert Kropp, the clearest thinker among us and therefore the first to be lance-corporal; Müller, who still carries his school textbooks with him, dreams of examinations, and during a bombardment mutters propositions in physics; Leer, who wears a full beard and has a preference for the girls from officers' brothels. He swears that they are obliged by an army order to wear silk chemises and to bathe before entertaining guests of the rank of major and upwards. And as the fourth, myself, Paul Bäumer. All four are nineteen years of age, and all four joined up from the same class as volunteers for the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything."<|quote|>Tjaden beamed:</|quote|>"What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues." Then Ginger stirred himself and said: "That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory | All Quiet on the Western Front |
"well supplied, and want for nothing. No hurry for a signal at all. Well, Miss Elliot," | Captain Harville | anchorage here," (smiling at Anne,)<|quote|>"well supplied, and want for nothing. No hurry for a signal at all. Well, Miss Elliot,"</|quote|>(lowering his voice,) "as I | I am in very good anchorage here," (smiling at Anne,)<|quote|>"well supplied, and want for nothing. No hurry for a signal at all. Well, Miss Elliot,"</|quote|>(lowering his voice,) "as I was saying we shall never | think he could have caught. "Have you finished your letter?" said Captain Harville. "Not quite, a few lines more. I shall have done in five minutes." "There is no hurry on my side. I am only ready whenever you are. I am in very good anchorage here," (smiling at Anne,)<|quote|>"well supplied, and want for nothing. No hurry for a signal at all. Well, Miss Elliot,"</|quote|>(lowering his voice,) "as I was saying we shall never agree, I suppose, upon this point. No man and woman, would, probably. But let me observe that all histories are against you--all stories, prose and verse. If I had such a memory as Benwick, I could bring you fifty quotations | It was nothing more than that his pen had fallen down; but Anne was startled at finding him nearer than she had supposed, and half inclined to suspect that the pen had only fallen because he had been occupied by them, striving to catch sounds, which yet she did not think he could have caught. "Have you finished your letter?" said Captain Harville. "Not quite, a few lines more. I shall have done in five minutes." "There is no hurry on my side. I am only ready whenever you are. I am in very good anchorage here," (smiling at Anne,)<|quote|>"well supplied, and want for nothing. No hurry for a signal at all. Well, Miss Elliot,"</|quote|>(lowering his voice,) "as I was saying we shall never agree, I suppose, upon this point. No man and woman, would, probably. But let me observe that all histories are against you--all stories, prose and verse. If I had such a memory as Benwick, I could bring you fifty quotations in a moment on my side the argument, and I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men." "Perhaps | it would be too hard upon you, if it were otherwise. You have difficulties, and privations, and dangers enough to struggle with. You are always labouring and toiling, exposed to every risk and hardship. Your home, country, friends, all quitted. Neither time, nor health, nor life, to be called your own. It would be hard, indeed" (with a faltering voice), "if woman's feelings were to be added to all this." "We shall never agree upon this question," Captain Harville was beginning to say, when a slight noise called their attention to Captain Wentworth's hitherto perfectly quiet division of the room. It was nothing more than that his pen had fallen down; but Anne was startled at finding him nearer than she had supposed, and half inclined to suspect that the pen had only fallen because he had been occupied by them, striving to catch sounds, which yet she did not think he could have caught. "Have you finished your letter?" said Captain Harville. "Not quite, a few lines more. I shall have done in five minutes." "There is no hurry on my side. I am only ready whenever you are. I am in very good anchorage here," (smiling at Anne,)<|quote|>"well supplied, and want for nothing. No hurry for a signal at all. Well, Miss Elliot,"</|quote|>(lowering his voice,) "as I was saying we shall never agree, I suppose, upon this point. No man and woman, would, probably. But let me observe that all histories are against you--all stories, prose and verse. If I had such a memory as Benwick, I could bring you fifty quotations in a moment on my side the argument, and I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men." "Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything." "But how shall we prove anything?" "We never shall. We never can expect to prove any thing upon such a point. It is a difference of opinion which does not admit of proof. We each begin, probably, with a little bias towards our own sex; and upon that bias build | apply to Benwick. He has not been forced upon any exertion. The peace turned him on shore at the very moment, and he has been living with us, in our little family circle, ever since." "True," said Anne, "very true; I did not recollect; but what shall we say now, Captain Harville? If the change be not from outward circumstances, it must be from within; it must be nature, man's nature, which has done the business for Captain Benwick." "No, no, it is not man's nature. I will not allow it to be more man's nature than woman's to be inconstant and forget those they do love, or have loved. I believe the reverse. I believe in a true analogy between our bodily frames and our mental; and that as our bodies are the strongest, so are our feelings; capable of bearing most rough usage, and riding out the heaviest weather." "Your feelings may be the strongest," replied Anne, "but the same spirit of analogy will authorise me to assert that ours are the most tender. Man is more robust than woman, but he is not longer lived; which exactly explains my view of the nature of their attachments. Nay, it would be too hard upon you, if it were otherwise. You have difficulties, and privations, and dangers enough to struggle with. You are always labouring and toiling, exposed to every risk and hardship. Your home, country, friends, all quitted. Neither time, nor health, nor life, to be called your own. It would be hard, indeed" (with a faltering voice), "if woman's feelings were to be added to all this." "We shall never agree upon this question," Captain Harville was beginning to say, when a slight noise called their attention to Captain Wentworth's hitherto perfectly quiet division of the room. It was nothing more than that his pen had fallen down; but Anne was startled at finding him nearer than she had supposed, and half inclined to suspect that the pen had only fallen because he had been occupied by them, striving to catch sounds, which yet she did not think he could have caught. "Have you finished your letter?" said Captain Harville. "Not quite, a few lines more. I shall have done in five minutes." "There is no hurry on my side. I am only ready whenever you are. I am in very good anchorage here," (smiling at Anne,)<|quote|>"well supplied, and want for nothing. No hurry for a signal at all. Well, Miss Elliot,"</|quote|>(lowering his voice,) "as I was saying we shall never agree, I suppose, upon this point. No man and woman, would, probably. But let me observe that all histories are against you--all stories, prose and verse. If I had such a memory as Benwick, I could bring you fifty quotations in a moment on my side the argument, and I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men." "Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything." "But how shall we prove anything?" "We never shall. We never can expect to prove any thing upon such a point. It is a difference of opinion which does not admit of proof. We each begin, probably, with a little bias towards our own sex; and upon that bias build every circumstance in favour of it which has occurred within our own circle; many of which circumstances (perhaps those very cases which strike us the most) may be precisely such as cannot be brought forward without betraying a confidence, or in some respect saying what should not be said." "Ah!" cried Captain Harville, in a tone of strong feeling, "if I could but make you comprehend what a man suffers when he takes a last look at his wife and children, and watches the boat that he has sent them off in, as long as it is in sight, and then turns away and says, 'God knows whether we ever meet again!' And then, if I could convey to you the glow of his soul when he does see them again; when, coming back after a twelvemonth's absence, perhaps, and obliged to put into another port, he calculates how soon it be possible to get them there, pretending to deceive himself, and saying, 'They cannot be here till such a day,' but all the while hoping for them twelve hours sooner, and seeing them arrive at last, as if Heaven had given them wings, by many hours sooner still! If | an older acquaintance than he really was, strongly enforced the invitation. She roused herself and went to him. The window at which he stood was at the other end of the room from where the two ladies were sitting, and though nearer to Captain Wentworth's table, not very near. As she joined him, Captain Harville's countenance re-assumed the serious, thoughtful expression which seemed its natural character. "Look here," said he, unfolding a parcel in his hand, and displaying a small miniature painting, "do you know who that is?" "Certainly: Captain Benwick." "Yes, and you may guess who it is for. But," (in a deep tone,) "it was not done for her. Miss Elliot, do you remember our walking together at Lyme, and grieving for him? I little thought then--but no matter. This was drawn at the Cape. He met with a clever young German artist at the Cape, and in compliance with a promise to my poor sister, sat to him, and was bringing it home for her; and I have now the charge of getting it properly set for another! It was a commission to me! But who else was there to employ? I hope I can allow for him. I am not sorry, indeed, to make it over to another. He undertakes it;" (looking towards Captain Wentworth,) "he is writing about it now." And with a quivering lip he wound up the whole by adding, "Poor Fanny! she would not have forgotten him so soon!" "No," replied Anne, in a low, feeling voice. "That I can easily believe." "It was not in her nature. She doted on him." "It would not be the nature of any woman who truly loved." Captain Harville smiled, as much as to say, "Do you claim that for your sex?" and she answered the question, smiling also, "Yes. We certainly do not forget you as soon as you forget us. It is, perhaps, our fate rather than our merit. We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us. You are forced on exertion. You have always a profession, pursuits, business of some sort or other, to take you back into the world immediately, and continual occupation and change soon weaken impressions." "Granting your assertion that the world does all this so soon for men (which, however, I do not think I shall grant), it does not apply to Benwick. He has not been forced upon any exertion. The peace turned him on shore at the very moment, and he has been living with us, in our little family circle, ever since." "True," said Anne, "very true; I did not recollect; but what shall we say now, Captain Harville? If the change be not from outward circumstances, it must be from within; it must be nature, man's nature, which has done the business for Captain Benwick." "No, no, it is not man's nature. I will not allow it to be more man's nature than woman's to be inconstant and forget those they do love, or have loved. I believe the reverse. I believe in a true analogy between our bodily frames and our mental; and that as our bodies are the strongest, so are our feelings; capable of bearing most rough usage, and riding out the heaviest weather." "Your feelings may be the strongest," replied Anne, "but the same spirit of analogy will authorise me to assert that ours are the most tender. Man is more robust than woman, but he is not longer lived; which exactly explains my view of the nature of their attachments. Nay, it would be too hard upon you, if it were otherwise. You have difficulties, and privations, and dangers enough to struggle with. You are always labouring and toiling, exposed to every risk and hardship. Your home, country, friends, all quitted. Neither time, nor health, nor life, to be called your own. It would be hard, indeed" (with a faltering voice), "if woman's feelings were to be added to all this." "We shall never agree upon this question," Captain Harville was beginning to say, when a slight noise called their attention to Captain Wentworth's hitherto perfectly quiet division of the room. It was nothing more than that his pen had fallen down; but Anne was startled at finding him nearer than she had supposed, and half inclined to suspect that the pen had only fallen because he had been occupied by them, striving to catch sounds, which yet she did not think he could have caught. "Have you finished your letter?" said Captain Harville. "Not quite, a few lines more. I shall have done in five minutes." "There is no hurry on my side. I am only ready whenever you are. I am in very good anchorage here," (smiling at Anne,)<|quote|>"well supplied, and want for nothing. No hurry for a signal at all. Well, Miss Elliot,"</|quote|>(lowering his voice,) "as I was saying we shall never agree, I suppose, upon this point. No man and woman, would, probably. But let me observe that all histories are against you--all stories, prose and verse. If I had such a memory as Benwick, I could bring you fifty quotations in a moment on my side the argument, and I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men." "Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything." "But how shall we prove anything?" "We never shall. We never can expect to prove any thing upon such a point. It is a difference of opinion which does not admit of proof. We each begin, probably, with a little bias towards our own sex; and upon that bias build every circumstance in favour of it which has occurred within our own circle; many of which circumstances (perhaps those very cases which strike us the most) may be precisely such as cannot be brought forward without betraying a confidence, or in some respect saying what should not be said." "Ah!" cried Captain Harville, in a tone of strong feeling, "if I could but make you comprehend what a man suffers when he takes a last look at his wife and children, and watches the boat that he has sent them off in, as long as it is in sight, and then turns away and says, 'God knows whether we ever meet again!' And then, if I could convey to you the glow of his soul when he does see them again; when, coming back after a twelvemonth's absence, perhaps, and obliged to put into another port, he calculates how soon it be possible to get them there, pretending to deceive himself, and saying, 'They cannot be here till such a day,' but all the while hoping for them twelve hours sooner, and seeing them arrive at last, as if Heaven had given them wings, by many hours sooner still! If I could explain to you all this, and all that a man can bear and do, and glories to do, for the sake of these treasures of his existence! I speak, you know, only of such men as have hearts!" pressing his own with emotion. "Oh!" cried Anne eagerly, "I hope I do justice to all that is felt by you, and by those who resemble you. God forbid that I should undervalue the warm and faithful feelings of any of my fellow-creatures! I should deserve utter contempt if I dared to suppose that true attachment and constancy were known only by woman. No, I believe you capable of everything great and good in your married lives. I believe you equal to every important exertion, and to every domestic forbearance, so long as--if I may be allowed the expression--so long as you have an object. I mean while the woman you love lives, and lives for you. All the privilege I claim for my own sex (it is not a very enviable one; you need not covet it), is that of loving longest, when existence or when hope is gone." She could not immediately have uttered another sentence; her heart was too full, her breath too much oppressed. "You are a good soul," cried Captain Harville, putting his hand on her arm, quite affectionately. "There is no quarrelling with you. And when I think of Benwick, my tongue is tied." Their attention was called towards the others. Mrs Croft was taking leave. "Here, Frederick, you and I part company, I believe," said she. "I am going home, and you have an engagement with your friend. To-night we may have the pleasure of all meeting again at your party," (turning to Anne.) "We had your sister's card yesterday, and I understood Frederick had a card too, though I did not see it; and you are disengaged, Frederick, are you not, as well as ourselves?" Captain Wentworth was folding up a letter in great haste, and either could not or would not answer fully. "Yes," said he, "very true; here we separate, but Harville and I shall soon be after you; that is, Harville, if you are ready, I am in half a minute. I know you will not be sorry to be off. I shall be at your service in half a minute." Mrs Croft left them, and Captain Wentworth, having | or have loved. I believe the reverse. I believe in a true analogy between our bodily frames and our mental; and that as our bodies are the strongest, so are our feelings; capable of bearing most rough usage, and riding out the heaviest weather." "Your feelings may be the strongest," replied Anne, "but the same spirit of analogy will authorise me to assert that ours are the most tender. Man is more robust than woman, but he is not longer lived; which exactly explains my view of the nature of their attachments. Nay, it would be too hard upon you, if it were otherwise. You have difficulties, and privations, and dangers enough to struggle with. You are always labouring and toiling, exposed to every risk and hardship. Your home, country, friends, all quitted. Neither time, nor health, nor life, to be called your own. It would be hard, indeed" (with a faltering voice), "if woman's feelings were to be added to all this." "We shall never agree upon this question," Captain Harville was beginning to say, when a slight noise called their attention to Captain Wentworth's hitherto perfectly quiet division of the room. It was nothing more than that his pen had fallen down; but Anne was startled at finding him nearer than she had supposed, and half inclined to suspect that the pen had only fallen because he had been occupied by them, striving to catch sounds, which yet she did not think he could have caught. "Have you finished your letter?" said Captain Harville. "Not quite, a few lines more. I shall have done in five minutes." "There is no hurry on my side. I am only ready whenever you are. I am in very good anchorage here," (smiling at Anne,)<|quote|>"well supplied, and want for nothing. No hurry for a signal at all. Well, Miss Elliot,"</|quote|>(lowering his voice,) "as I was saying we shall never agree, I suppose, upon this point. No man and woman, would, probably. But let me observe that all histories are against you--all stories, prose and verse. If I had such a memory as Benwick, I could bring you fifty quotations in a moment on my side the argument, and I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men." "Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything." "But how shall we prove anything?" "We never shall. We never can expect to prove any thing upon such a point. It is a difference of opinion which does not admit of proof. We each begin, probably, with a little bias towards our own sex; and upon that bias build every circumstance in favour of it which has occurred within our own circle; many of which circumstances (perhaps those very cases which strike us the most) may be precisely such as cannot be brought forward without betraying a confidence, or in some respect saying what should not be said." "Ah!" cried Captain Harville, in a tone of strong feeling, "if I could but make you comprehend what a man suffers when he takes a last look at his wife and children, and watches the boat that he has sent them off in, as long as it is in sight, and then turns away and says, 'God knows whether we ever meet again!' And then, if I could convey to you the glow of his soul when he does see them again; when, coming back after a twelvemonth's absence, perhaps, and obliged to put into another port, he calculates how soon it be possible to get them there, pretending to deceive himself, and saying, 'They cannot be here till such a day,' but all the while hoping for them twelve hours sooner, and seeing them arrive at last, as if Heaven had given them wings, by many hours sooner still! If I could explain to you all this, and all that a man can bear and do, and glories to do, for the sake of these treasures of his existence! I speak, you know, only of such men as have hearts!" pressing his own with emotion. "Oh!" cried Anne eagerly, "I hope I do justice to all that is felt by you, and by those who resemble you. God forbid that I should undervalue the warm and faithful feelings of any of my fellow-creatures! I should deserve utter contempt if I dared to suppose that true attachment and constancy were known only by woman. No, I believe you capable of everything great and good in your married lives. I believe you equal | Persuasion |
"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn't it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn't caught her by her sash just in the nick of time she'd fallen in and prob'ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime." | Anne Shirley | of beatification impossible to describe.<|quote|>"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn't it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn't caught her by her sash just in the nick of time she'd fallen in and prob'ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime."</|quote|>That evening Marilla told the | Green Gables in a state of beatification impossible to describe.<|quote|>"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn't it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn't caught her by her sash just in the nick of time she'd fallen in and prob'ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime."</|quote|>That evening Marilla told the whole story to Matthew over | Marilla," exclaimed Anne, flying to the washstand. "Five minutes ago I was so miserable I was wishing I'd never been born and now I wouldn't change places with an angel!" That night a thoroughly happy, completely tired-out Anne returned to Green Gables in a state of beatification impossible to describe.<|quote|>"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn't it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn't caught her by her sash just in the nick of time she'd fallen in and prob'ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime."</|quote|>That evening Marilla told the whole story to Matthew over her stocking basket. "I'm willing to own up that I made a mistake," she concluded candidly, "but I've learned a lesson. I have to laugh when I think of Anne's ?confession,' although I suppose I shouldn't for it really was | an hour before they have tea. Wash your face and comb your hair and put on your gingham. I'll fill a basket for you. There's plenty of stuff baked in the house. And I'll get Jerry to hitch up the sorrel and drive you down to the picnic ground." "Oh, Marilla," exclaimed Anne, flying to the washstand. "Five minutes ago I was so miserable I was wishing I'd never been born and now I wouldn't change places with an angel!" That night a thoroughly happy, completely tired-out Anne returned to Green Gables in a state of beatification impossible to describe.<|quote|>"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn't it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn't caught her by her sash just in the nick of time she'd fallen in and prob'ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime."</|quote|>That evening Marilla told the whole story to Matthew over her stocking basket. "I'm willing to own up that I made a mistake," she concluded candidly, "but I've learned a lesson. I have to laugh when I think of Anne's ?confession,' although I suppose I shouldn't for it really was a falsehood. But it doesn't seem as bad as the other would have been, somehow, and anyhow I'm responsible for it. That child is hard to understand in some respects. But I believe she'll turn out all right yet. And there's one thing certain, no house will ever be dull | all! But I was wrong--I see that now. I shouldn't have doubted your word when I'd never known you to tell a story. Of course, it wasn't right for you to confess to a thing you hadn't done--it was very wrong to do so. But I drove you to it. So if you'll forgive me, Anne, I'll forgive you and we'll start square again. And now get yourself ready for the picnic." Anne flew up like a rocket. "Oh, Marilla, isn't it too late?" "No, it's only two o'clock. They won't be more than well gathered yet and it'll be an hour before they have tea. Wash your face and comb your hair and put on your gingham. I'll fill a basket for you. There's plenty of stuff baked in the house. And I'll get Jerry to hitch up the sorrel and drive you down to the picnic ground." "Oh, Marilla," exclaimed Anne, flying to the washstand. "Five minutes ago I was so miserable I was wishing I'd never been born and now I wouldn't change places with an angel!" That night a thoroughly happy, completely tired-out Anne returned to Green Gables in a state of beatification impossible to describe.<|quote|>"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn't it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn't caught her by her sash just in the nick of time she'd fallen in and prob'ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime."</|quote|>That evening Marilla told the whole story to Matthew over her stocking basket. "I'm willing to own up that I made a mistake," she concluded candidly, "but I've learned a lesson. I have to laugh when I think of Anne's ?confession,' although I suppose I shouldn't for it really was a falsehood. But it doesn't seem as bad as the other would have been, somehow, and anyhow I'm responsible for it. That child is hard to understand in some respects. But I believe she'll turn out all right yet. And there's one thing certain, no house will ever be dull that she's in." CHAPTER XV. A Tempest in the School Teapot "WHAT a splendid day!" said Anne, drawing a long breath. "Isn't it good just to be alive on a day like this? I pity the people who aren't born yet for missing it. They may have good days, of course, but they can never have this one. And it's splendider still to have such a lovely way to go to school by, isn't it?" "It's a lot nicer than going round by the road; that is so dusty and hot," said Diana practically, peeping into her dinner basket and | pond. Whatever did that girl mean by saying she took it and lost it? I declare I believe Green Gables is bewitched. I remember now that when I took off my shawl Monday afternoon I laid it on the bureau for a minute. I suppose the brooch got caught in it somehow. Well!" Marilla betook herself to the east gable, brooch in hand. Anne had cried herself out and was sitting dejectedly by the window. "Anne Shirley," said Marilla solemnly, "I've just found my brooch hanging to my black lace shawl. Now I want to know what that rigmarole you told me this morning meant." "Why, you said you'd keep me here until I confessed," returned Anne wearily, "and so I decided to confess because I was bound to get to the picnic. I thought out a confession last night after I went to bed and made it as interesting as I could. And I said it over and over so that I wouldn't forget it. But you wouldn't let me go to the picnic after all, so all my trouble was wasted." Marilla had to laugh in spite of herself. But her conscience pricked her. "Anne, you do beat all! But I was wrong--I see that now. I shouldn't have doubted your word when I'd never known you to tell a story. Of course, it wasn't right for you to confess to a thing you hadn't done--it was very wrong to do so. But I drove you to it. So if you'll forgive me, Anne, I'll forgive you and we'll start square again. And now get yourself ready for the picnic." Anne flew up like a rocket. "Oh, Marilla, isn't it too late?" "No, it's only two o'clock. They won't be more than well gathered yet and it'll be an hour before they have tea. Wash your face and comb your hair and put on your gingham. I'll fill a basket for you. There's plenty of stuff baked in the house. And I'll get Jerry to hitch up the sorrel and drive you down to the picnic ground." "Oh, Marilla," exclaimed Anne, flying to the washstand. "Five minutes ago I was so miserable I was wishing I'd never been born and now I wouldn't change places with an angel!" That night a thoroughly happy, completely tired-out Anne returned to Green Gables in a state of beatification impossible to describe.<|quote|>"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn't it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn't caught her by her sash just in the nick of time she'd fallen in and prob'ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime."</|quote|>That evening Marilla told the whole story to Matthew over her stocking basket. "I'm willing to own up that I made a mistake," she concluded candidly, "but I've learned a lesson. I have to laugh when I think of Anne's ?confession,' although I suppose I shouldn't for it really was a falsehood. But it doesn't seem as bad as the other would have been, somehow, and anyhow I'm responsible for it. That child is hard to understand in some respects. But I believe she'll turn out all right yet. And there's one thing certain, no house will ever be dull that she's in." CHAPTER XV. A Tempest in the School Teapot "WHAT a splendid day!" said Anne, drawing a long breath. "Isn't it good just to be alive on a day like this? I pity the people who aren't born yet for missing it. They may have good days, of course, but they can never have this one. And it's splendider still to have such a lovely way to go to school by, isn't it?" "It's a lot nicer than going round by the road; that is so dusty and hot," said Diana practically, peeping into her dinner basket and mentally calculating if the three juicy, toothsome, raspberry tarts reposing there were divided among ten girls how many bites each girl would have. The little girls of Avonlea school always pooled their lunches, and to eat three raspberry tarts all alone or even to share them only with one's best chum would have forever and ever branded as "awful mean" the girl who did it. And yet, when the tarts were divided among ten girls you just got enough to tantalize you. The way Anne and Diana went to school _was_ a pretty one. Anne thought those walks to and from school with Diana couldn't be improved upon even by imagination. Going around by the main road would have been so unromantic; but to go by Lover's Lane and Willowmere and Violet Vale and the Birch Path was romantic, if ever anything was. Lover's Lane opened out below the orchard at Green Gables and stretched far up into the woods to the end of the Cuthbert farm. It was the way by which the cows were taken to the back pasture and the wood hauled home in winter. Anne had named it Lover's Lane before she had been a month | I forgive you. But please don't ask me to eat anything, especially boiled pork and greens. Boiled pork and greens are so unromantic when one is in affliction." Exasperated, Marilla returned to the kitchen and poured out her tale of woe to Matthew, who, between his sense of justice and his unlawful sympathy with Anne, was a miserable man. "Well now, she shouldn't have taken the brooch, Marilla, or told stories about it," he admitted, mournfully surveying his plateful of unromantic pork and greens as if he, like Anne, thought it a food unsuited to crises of feeling, "but she's such a little thing--such an interesting little thing. Don't you think it's pretty rough not to let her go to the picnic when she's so set on it?" "Matthew Cuthbert, I'm amazed at you. I think I've let her off entirely too easy. And she doesn't appear to realize how wicked she's been at all--that's what worries me most. If she'd really felt sorry it wouldn't be so bad. And you don't seem to realize it, neither; you're making excuses for her all the time to yourself--I can see that." "Well now, she's such a little thing," feebly reiterated Matthew. "And there should be allowances made, Marilla. You know she's never had any bringing up." "Well, she's having it now" retorted Marilla. The retort silenced Matthew if it did not convince him. That dinner was a very dismal meal. The only cheerful thing about it was Jerry Buote, the hired boy, and Marilla resented his cheerfulness as a personal insult. When her dishes were washed and her bread sponge set and her hens fed Marilla remembered that she had noticed a small rent in her best black lace shawl when she had taken it off on Monday afternoon on returning from the Ladies' Aid. She would go and mend it. The shawl was in a box in her trunk. As Marilla lifted it out, the sunlight, falling through the vines that clustered thickly about the window, struck upon something caught in the shawl--something that glittered and sparkled in facets of violet light. Marilla snatched at it with a gasp. It was the amethyst brooch, hanging to a thread of the lace by its catch! "Dear life and heart," said Marilla blankly, "what does this mean? Here's my brooch safe and sound that I thought was at the bottom of Barry's pond. Whatever did that girl mean by saying she took it and lost it? I declare I believe Green Gables is bewitched. I remember now that when I took off my shawl Monday afternoon I laid it on the bureau for a minute. I suppose the brooch got caught in it somehow. Well!" Marilla betook herself to the east gable, brooch in hand. Anne had cried herself out and was sitting dejectedly by the window. "Anne Shirley," said Marilla solemnly, "I've just found my brooch hanging to my black lace shawl. Now I want to know what that rigmarole you told me this morning meant." "Why, you said you'd keep me here until I confessed," returned Anne wearily, "and so I decided to confess because I was bound to get to the picnic. I thought out a confession last night after I went to bed and made it as interesting as I could. And I said it over and over so that I wouldn't forget it. But you wouldn't let me go to the picnic after all, so all my trouble was wasted." Marilla had to laugh in spite of herself. But her conscience pricked her. "Anne, you do beat all! But I was wrong--I see that now. I shouldn't have doubted your word when I'd never known you to tell a story. Of course, it wasn't right for you to confess to a thing you hadn't done--it was very wrong to do so. But I drove you to it. So if you'll forgive me, Anne, I'll forgive you and we'll start square again. And now get yourself ready for the picnic." Anne flew up like a rocket. "Oh, Marilla, isn't it too late?" "No, it's only two o'clock. They won't be more than well gathered yet and it'll be an hour before they have tea. Wash your face and comb your hair and put on your gingham. I'll fill a basket for you. There's plenty of stuff baked in the house. And I'll get Jerry to hitch up the sorrel and drive you down to the picnic ground." "Oh, Marilla," exclaimed Anne, flying to the washstand. "Five minutes ago I was so miserable I was wishing I'd never been born and now I wouldn't change places with an angel!" That night a thoroughly happy, completely tired-out Anne returned to Green Gables in a state of beatification impossible to describe.<|quote|>"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn't it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn't caught her by her sash just in the nick of time she'd fallen in and prob'ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime."</|quote|>That evening Marilla told the whole story to Matthew over her stocking basket. "I'm willing to own up that I made a mistake," she concluded candidly, "but I've learned a lesson. I have to laugh when I think of Anne's ?confession,' although I suppose I shouldn't for it really was a falsehood. But it doesn't seem as bad as the other would have been, somehow, and anyhow I'm responsible for it. That child is hard to understand in some respects. But I believe she'll turn out all right yet. And there's one thing certain, no house will ever be dull that she's in." CHAPTER XV. A Tempest in the School Teapot "WHAT a splendid day!" said Anne, drawing a long breath. "Isn't it good just to be alive on a day like this? I pity the people who aren't born yet for missing it. They may have good days, of course, but they can never have this one. And it's splendider still to have such a lovely way to go to school by, isn't it?" "It's a lot nicer than going round by the road; that is so dusty and hot," said Diana practically, peeping into her dinner basket and mentally calculating if the three juicy, toothsome, raspberry tarts reposing there were divided among ten girls how many bites each girl would have. The little girls of Avonlea school always pooled their lunches, and to eat three raspberry tarts all alone or even to share them only with one's best chum would have forever and ever branded as "awful mean" the girl who did it. And yet, when the tarts were divided among ten girls you just got enough to tantalize you. The way Anne and Diana went to school _was_ a pretty one. Anne thought those walks to and from school with Diana couldn't be improved upon even by imagination. Going around by the main road would have been so unromantic; but to go by Lover's Lane and Willowmere and Violet Vale and the Birch Path was romantic, if ever anything was. Lover's Lane opened out below the orchard at Green Gables and stretched far up into the woods to the end of the Cuthbert farm. It was the way by which the cows were taken to the back pasture and the wood hauled home in winter. Anne had named it Lover's Lane before she had been a month at Green Gables. "Not that lovers ever really walk there," she explained to Marilla, "but Diana and I are reading a perfectly magnificent book and there's a Lover's Lane in it. So we want to have one, too. And it's a very pretty name, don't you think? So romantic! We can't imagine the lovers into it, you know. I like that lane because you can think out loud there without people calling you crazy." Anne, starting out alone in the morning, went down Lover's Lane as far as the brook. Here Diana met her, and the two little girls went on up the lane under the leafy arch of maples--" "maples are such sociable trees," said Anne; "they're always rustling and whispering to you" "--until they came to a rustic bridge. Then they left the lane and walked through Mr. Barry's back field and past Willowmere. Beyond Willowmere came Violet Vale--a little green dimple in the shadow of Mr. Andrew Bell's big woods. "Of course there are no violets there now," Anne told Marilla, "but Diana says there are millions of them in spring. Oh, Marilla, can't you just imagine you see them? It actually takes away my breath. I named it Violet Vale. Diana says she never saw the beat of me for hitting on fancy names for places. It's nice to be clever at something, isn't it? But Diana named the Birch Path. She wanted to, so I let her; but I'm sure I could have found something more poetical than plain Birch Path. Anybody can think of a name like that. But the Birch Path is one of the prettiest places in the world, Marilla." It was. Other people besides Anne thought so when they stumbled on it. It was a little narrow, twisting path, winding down over a long hill straight through Mr. Bell's woods, where the light came down sifted through so many emerald screens that it was as flawless as the heart of a diamond. It was fringed in all its length with slim young birches, white stemmed and lissom boughed; ferns and starflowers and wild lilies-of-the-valley and scarlet tufts of pigeonberries grew thickly along it; and always there was a delightful spiciness in the air and music of bird calls and the murmur and laugh of wood winds in the trees overhead. Now and then you might see a rabbit skipping across the | convince him. That dinner was a very dismal meal. The only cheerful thing about it was Jerry Buote, the hired boy, and Marilla resented his cheerfulness as a personal insult. When her dishes were washed and her bread sponge set and her hens fed Marilla remembered that she had noticed a small rent in her best black lace shawl when she had taken it off on Monday afternoon on returning from the Ladies' Aid. She would go and mend it. The shawl was in a box in her trunk. As Marilla lifted it out, the sunlight, falling through the vines that clustered thickly about the window, struck upon something caught in the shawl--something that glittered and sparkled in facets of violet light. Marilla snatched at it with a gasp. It was the amethyst brooch, hanging to a thread of the lace by its catch! "Dear life and heart," said Marilla blankly, "what does this mean? Here's my brooch safe and sound that I thought was at the bottom of Barry's pond. Whatever did that girl mean by saying she took it and lost it? I declare I believe Green Gables is bewitched. I remember now that when I took off my shawl Monday afternoon I laid it on the bureau for a minute. I suppose the brooch got caught in it somehow. Well!" Marilla betook herself to the east gable, brooch in hand. Anne had cried herself out and was sitting dejectedly by the window. "Anne Shirley," said Marilla solemnly, "I've just found my brooch hanging to my black lace shawl. Now I want to know what that rigmarole you told me this morning meant." "Why, you said you'd keep me here until I confessed," returned Anne wearily, "and so I decided to confess because I was bound to get to the picnic. I thought out a confession last night after I went to bed and made it as interesting as I could. And I said it over and over so that I wouldn't forget it. But you wouldn't let me go to the picnic after all, so all my trouble was wasted." Marilla had to laugh in spite of herself. But her conscience pricked her. "Anne, you do beat all! But I was wrong--I see that now. I shouldn't have doubted your word when I'd never known you to tell a story. Of course, it wasn't right for you to confess to a thing you hadn't done--it was very wrong to do so. But I drove you to it. So if you'll forgive me, Anne, I'll forgive you and we'll start square again. And now get yourself ready for the picnic." Anne flew up like a rocket. "Oh, Marilla, isn't it too late?" "No, it's only two o'clock. They won't be more than well gathered yet and it'll be an hour before they have tea. Wash your face and comb your hair and put on your gingham. I'll fill a basket for you. There's plenty of stuff baked in the house. And I'll get Jerry to hitch up the sorrel and drive you down to the picnic ground." "Oh, Marilla," exclaimed Anne, flying to the washstand. "Five minutes ago I was so miserable I was wishing I'd never been born and now I wouldn't change places with an angel!" That night a thoroughly happy, completely tired-out Anne returned to Green Gables in a state of beatification impossible to describe.<|quote|>"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn't it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn't caught her by her sash just in the nick of time she'd fallen in and prob'ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime."</|quote|>That evening Marilla told the whole story to Matthew over her stocking basket. "I'm willing to own up that I made a mistake," she concluded candidly, "but I've learned a lesson. I have to laugh when I think of Anne's ?confession,' although I suppose I shouldn't for it really was a falsehood. But it doesn't seem as bad as the other would have been, somehow, and anyhow I'm responsible for it. That child is hard to understand in some respects. But I believe she'll turn out all right yet. And there's one thing certain, no house will ever be dull that she's in." CHAPTER XV. A Tempest in the School Teapot "WHAT a splendid day!" said Anne, drawing a long breath. "Isn't it good just to be alive on a day like this? I pity the people who aren't born yet for missing it. They may have good days, of course, but they can never have this one. And it's splendider still to have such a lovely way to go to school by, isn't it?" "It's a lot nicer than going round by the road; that is so dusty and hot," said Diana practically, peeping into her dinner basket and mentally calculating if the three juicy, toothsome, raspberry tarts reposing there were divided among ten girls how many bites each girl would have. The little girls of Avonlea school always pooled their lunches, and to eat three raspberry tarts all alone or even to share them only with one's best chum would have forever and ever branded as "awful mean" the girl who did it. And yet, when the tarts were divided among ten girls you just got enough to tantalize you. The way Anne and Diana went to school _was_ a pretty one. Anne thought those walks to and from school with Diana couldn't be improved upon | Anne Of Green Gables |
"just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." | Gabriel Syme | the same," replied Syme patiently,<|quote|>"just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree."</|quote|>Then after a pause he | in green and gold." "All the same," replied Syme patiently,<|quote|>"just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree."</|quote|>Then after a pause he said, "But may I ask | lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently,<|quote|>"just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree."</|quote|>Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end | in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently,<|quote|>"just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree."</|quote|>Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no | than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently,<|quote|>"just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree."</|quote|>Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, | heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently,<|quote|>"just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree."</|quote|>Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this | away. With surprise, but with a curious pleasure, he found Rosamond Gregory still in his company. "Mr. Syme," she said, "do the people who talk like you and my brother often mean what they say? Do you mean what you say now?" Syme smiled. "Do you?" he asked. "What do you mean?" asked the girl, with grave eyes. "My dear Miss Gregory," said Syme gently, "there are many kinds of sincerity and insincerity. When you say thank you' for the salt, do you mean what you say? No. When you say the world is round,' do you mean what you say? No. It is true, but you don't mean it. Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if you prefer it, in that nonsense." She drew her broad brows together and said abruptly "He wouldn't really use bombs or that sort of thing?" Syme broke into a great laugh, that seemed too large for his slight and somewhat dandified figure. "Good Lord, no!" he said, "that has to be done anonymously." And at that the corners of her own mouth broke into a smile, and she thought with a simultaneous pleasure of Gregory's absurdity and of his safety. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety. All the time there was a smell of lilac all round him. Once he heard very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently,<|quote|>"just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree."</|quote|>Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat. "Your offer," he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the road. The two got into it in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will | When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently,<|quote|>"just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree."</|quote|>Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what | The Man Who Was Thursday |
"I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." | Lord Henry | Lord Henry, shrugging his shoulders.<|quote|>"I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better."</|quote|>"Still, the East End is | with everything except suffering," said Lord Henry, shrugging his shoulders.<|quote|>"I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better."</|quote|>"Still, the East End is a very important problem," remarked | would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders.<|quote|>"I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better."</|quote|>"Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do | you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders.<|quote|>"I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better."</|quote|>"Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to | reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect." "I do not understand you," said Sir Thomas, growing rather red. "I do, Lord Henry," murmured Mr. Erskine, with a smile. "Paradoxes are all very well in their way...." rejoined the baronet. "Was that a paradox?" asked Mr. Erskine. "I did not think so. Perhaps it was. Well, the way of paradoxes is the way of truth. To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders.<|quote|>"I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better."</|quote|>"Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no | wish I could afford to do the same." "They say that when good Americans die they go to Paris," chuckled Sir Thomas, who had a large wardrobe of Humour s cast-off clothes. "Really! And where do bad Americans go to when they die?" inquired the duchess. "They go to America," murmured Lord Henry. Sir Thomas frowned. "I am afraid that your nephew is prejudiced against that great country," he said to Lady Agatha. "I have travelled all over it in cars provided by the directors, who, in such matters, are extremely civil. I assure you that it is an education to visit it." "But must we really see Chicago in order to be educated?" asked Mr. Erskine plaintively. "I don t feel up to the journey." Sir Thomas waved his hand. "Mr. Erskine of Treadley has the world on his shelves. We practical men like to see things, not to read about them. The Americans are an extremely interesting people. They are absolutely reasonable. I think that is their distinguishing characteristic. Yes, Mr. Erskine, an absolutely reasonable people. I assure you there is no nonsense about the Americans." "How dreadful!" cried Lord Henry. "I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect." "I do not understand you," said Sir Thomas, growing rather red. "I do, Lord Henry," murmured Mr. Erskine, with a smile. "Paradoxes are all very well in their way...." rejoined the baronet. "Was that a paradox?" asked Mr. Erskine. "I did not think so. Perhaps it was. Well, the way of paradoxes is the way of truth. To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders.<|quote|>"I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better."</|quote|>"Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess," remarked Lord Henry. "Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh | the Liberals, in accordance with a wise and well-known rule. The post on her left was occupied by Mr. Erskine of Treadley, an old gentleman of considerable charm and culture, who had fallen, however, into bad habits of silence, having, as he explained once to Lady Agatha, said everything that he had to say before he was thirty. His own neighbour was Mrs. Vandeleur, one of his aunt s oldest friends, a perfect saint amongst women, but so dreadfully dowdy that she reminded one of a badly bound hymn-book. Fortunately for him she had on the other side Lord Faudel, a most intelligent middle-aged mediocrity, as bald as a ministerial statement in the House of Commons, with whom she was conversing in that intensely earnest manner which is the one unpardonable error, as he remarked once himself, that all really good people fall into, and from which none of them ever quite escape. "We are talking about poor Dartmoor, Lord Henry," cried the duchess, nodding pleasantly to him across the table. "Do you think he will really marry this fascinating young person?" "I believe she has made up her mind to propose to him, Duchess." "How dreadful!" exclaimed Lady Agatha. "Really, some one should interfere." "I am told, on excellent authority, that her father keeps an American dry-goods store," said Sir Thomas Burdon, looking supercilious. "My uncle has already suggested pork-packing, Sir Thomas." "Dry-goods! What are American dry-goods?" asked the duchess, raising her large hands in wonder and accentuating the verb. "American novels," answered Lord Henry, helping himself to some quail. The duchess looked puzzled. "Don t mind him, my dear," whispered Lady Agatha. "He never means anything that he says." "When America was discovered," said the Radical member and he began to give some wearisome facts. Like all people who try to exhaust a subject, he exhausted his listeners. The duchess sighed and exercised her privilege of interruption. "I wish to goodness it never had been discovered at all!" she exclaimed. "Really, our girls have no chance nowadays. It is most unfair." "Perhaps, after all, America never has been discovered," said Mr. Erskine; "I myself would say that it had merely been detected." "Oh! but I have seen specimens of the inhabitants," answered the duchess vaguely. "I must confess that most of them are extremely pretty. And they dress well, too. They get all their dresses in Paris. I wish I could afford to do the same." "They say that when good Americans die they go to Paris," chuckled Sir Thomas, who had a large wardrobe of Humour s cast-off clothes. "Really! And where do bad Americans go to when they die?" inquired the duchess. "They go to America," murmured Lord Henry. Sir Thomas frowned. "I am afraid that your nephew is prejudiced against that great country," he said to Lady Agatha. "I have travelled all over it in cars provided by the directors, who, in such matters, are extremely civil. I assure you that it is an education to visit it." "But must we really see Chicago in order to be educated?" asked Mr. Erskine plaintively. "I don t feel up to the journey." Sir Thomas waved his hand. "Mr. Erskine of Treadley has the world on his shelves. We practical men like to see things, not to read about them. The Americans are an extremely interesting people. They are absolutely reasonable. I think that is their distinguishing characteristic. Yes, Mr. Erskine, an absolutely reasonable people. I assure you there is no nonsense about the Americans." "How dreadful!" cried Lord Henry. "I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect." "I do not understand you," said Sir Thomas, growing rather red. "I do, Lord Henry," murmured Mr. Erskine, with a smile. "Paradoxes are all very well in their way...." rejoined the baronet. "Was that a paradox?" asked Mr. Erskine. "I did not think so. Perhaps it was. Well, the way of paradoxes is the way of truth. To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders.<|quote|>"I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better."</|quote|>"Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess," remarked Lord Henry. "Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair. "How annoying!" she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have a scene in this bonnet. It is far too fragile. A harsh word would ruin it. No, I must go, dear Agatha. Good-bye, Lord Henry, you are quite delightful and dreadfully demoralizing. I am sure I don t know what to say about your views. You must come and dine with us some night. Tuesday? Are you disengaged Tuesday?" "For you I would throw over anybody, Duchess," said Lord Henry with a bow. "Ah! that is very nice, and very wrong of you," she | Mr. Erskine; "I myself would say that it had merely been detected." "Oh! but I have seen specimens of the inhabitants," answered the duchess vaguely. "I must confess that most of them are extremely pretty. And they dress well, too. They get all their dresses in Paris. I wish I could afford to do the same." "They say that when good Americans die they go to Paris," chuckled Sir Thomas, who had a large wardrobe of Humour s cast-off clothes. "Really! And where do bad Americans go to when they die?" inquired the duchess. "They go to America," murmured Lord Henry. Sir Thomas frowned. "I am afraid that your nephew is prejudiced against that great country," he said to Lady Agatha. "I have travelled all over it in cars provided by the directors, who, in such matters, are extremely civil. I assure you that it is an education to visit it." "But must we really see Chicago in order to be educated?" asked Mr. Erskine plaintively. "I don t feel up to the journey." Sir Thomas waved his hand. "Mr. Erskine of Treadley has the world on his shelves. We practical men like to see things, not to read about them. The Americans are an extremely interesting people. They are absolutely reasonable. I think that is their distinguishing characteristic. Yes, Mr. Erskine, an absolutely reasonable people. I assure you there is no nonsense about the Americans." "How dreadful!" cried Lord Henry. "I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect." "I do not understand you," said Sir Thomas, growing rather red. "I do, Lord Henry," murmured Mr. Erskine, with a smile. "Paradoxes are all very well in their way...." rejoined the baronet. "Was that a paradox?" asked Mr. Erskine. "I did not think so. Perhaps it was. Well, the way of paradoxes is the way of truth. To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders.<|quote|>"I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better."</|quote|>"Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess," remarked Lord Henry. "Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners | The Picture Of Dorian Gray |
At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing. | No speaker | added, "I expect you do."<|quote|>At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing.</|quote|>"You must go in," said | about for certain; but," she added, "I expect you do."<|quote|>At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing.</|quote|>"You must go in," said Katharine, rousing herself. "He s | Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do."<|quote|>At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing.</|quote|>"You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near the top of the house, and they both looked at it and waited for a moment. A flight of semicircular steps ran | the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do."<|quote|>At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing.</|quote|>"You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near the top of the house, and they both looked at it and waited for a moment. A flight of semicircular steps ran up to the hall, and Mary slowly mounted the first two or three, and paused, looking down upon Katharine. "I think you underrate the value of that emotion," she said slowly, and a little awkwardly. She climbed another step and looked down once more upon the figure that was only | unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do."<|quote|>At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing.</|quote|>"You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near the top of the house, and they both looked at it and waited for a moment. A flight of semicircular steps ran up to the hall, and Mary slowly mounted the first two or three, and paused, looking down upon Katharine. "I think you underrate the value of that emotion," she said slowly, and a little awkwardly. She climbed another step and looked down once more upon the figure that was only partly lit up, standing in the street with a colorless face turned upwards. As Mary hesitated, a cab came by and Katharine turned and stopped it, saying as she opened the door: "Remember, I want to belong to your society remember," she added, having to raise her voice a little, and shutting the door upon the rest of her words. Mary mounted the stairs step by step, as if she had to lift her body up an extremely steep ascent. She had had to wrench herself forcibly away from Katharine, and every step vanquished her desire. She held on grimly, | anger rising, to her own surprise. "You know it s not. How can it be? I ve no right to interfere" She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do."<|quote|>At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing.</|quote|>"You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near the top of the house, and they both looked at it and waited for a moment. A flight of semicircular steps ran up to the hall, and Mary slowly mounted the first two or three, and paused, looking down upon Katharine. "I think you underrate the value of that emotion," she said slowly, and a little awkwardly. She climbed another step and looked down once more upon the figure that was only partly lit up, standing in the street with a colorless face turned upwards. As Mary hesitated, a cab came by and Katharine turned and stopped it, saying as she opened the door: "Remember, I want to belong to your society remember," she added, having to raise her voice a little, and shutting the door upon the rest of her words. Mary mounted the stairs step by step, as if she had to lift her body up an extremely steep ascent. She had had to wrench herself forcibly away from Katharine, and every step vanquished her desire. She held on grimly, encouraging herself as though she were actually making some great physical effort in climbing a height. She was conscious that Mr. Basnett, sitting at the top of the stairs with his documents, offered her solid footing if she were capable of reaching it. The knowledge gave her a faint sense of exaltation. Mr. Basnett raised his eyes as she opened the door. "I ll go on where I left off," he said. "Stop me if you want anything explained." He had been re-reading the document, and making pencil notes in the margin while he waited, and he went on again as if there had been no interruption. Mary sat down among the flat cushions, lit another cigarette, and listened with a frown upon her face. Katharine leant back in the corner of the cab that carried her to Chelsea, conscious of fatigue, and conscious, too, of the sober and satisfactory nature of such industry as she had just witnessed. The thought of it composed and calmed her. When she reached home she let herself in as quietly as she could, in the hope that the household was already gone to bed. But her excursion had occupied less time than she | man whom we still recall every now and then, although we know only the clerk, barrister, Governmental official, or workingman variety of him. Not that Mr. Basnett, giving his days to commerce and his spare time to social reform, would long carry about him any trace of his possibilities of completeness; but, for the moment, in his youth and ardor, still speculative, still uncramped, one might imagine him the citizen of a nobler state than ours. Katharine turned over her small stock of information, and wondered what their society might be going to attempt. Then she remembered that she was hindering their business, and rose, still thinking of this society, and thus thinking, she said to Mr. Basnett: "Well, you ll ask me to join when the time comes, I hope." He nodded, and took his pipe from his mouth, but, being unable to think of anything to say, he put it back again, although he would have been glad if she had stayed. Against her wish, Mary insisted upon taking her downstairs, and then, as there was no cab to be seen, they stood in the street together, looking about them. "Go back," Katharine urged her, thinking of Mr. Basnett with his papers in his hand. "You can t wander about the streets alone in those clothes," said Mary, but the desire to find a cab was not her true reason for standing beside Katharine for a minute or two. Unfortunately for her composure, Mr. Basnett and his papers seemed to her an incidental diversion of life s serious purpose compared with some tremendous fact which manifested itself as she stood alone with Katharine. It may have been their common womanhood. "Have you seen Ralph?" she asked suddenly, without preface. "Yes," said Katharine directly, but she did not remember when or where she had seen him. It took her a moment or two to remember why Mary should ask her if she had seen Ralph. "I believe I m jealous," said Mary. "Nonsense, Mary," said Katharine, rather distractedly, taking her arm and beginning to walk up the street in the direction of the main road. "Let me see; we went to Kew, and we agreed to be friends. Yes, that s what happened." Mary was silent, in the hope that Katharine would tell her more. But Katharine said nothing. "It s not a question of friendship," Mary exclaimed, her anger rising, to her own surprise. "You know it s not. How can it be? I ve no right to interfere" She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do."<|quote|>At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing.</|quote|>"You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near the top of the house, and they both looked at it and waited for a moment. A flight of semicircular steps ran up to the hall, and Mary slowly mounted the first two or three, and paused, looking down upon Katharine. "I think you underrate the value of that emotion," she said slowly, and a little awkwardly. She climbed another step and looked down once more upon the figure that was only partly lit up, standing in the street with a colorless face turned upwards. As Mary hesitated, a cab came by and Katharine turned and stopped it, saying as she opened the door: "Remember, I want to belong to your society remember," she added, having to raise her voice a little, and shutting the door upon the rest of her words. Mary mounted the stairs step by step, as if she had to lift her body up an extremely steep ascent. She had had to wrench herself forcibly away from Katharine, and every step vanquished her desire. She held on grimly, encouraging herself as though she were actually making some great physical effort in climbing a height. She was conscious that Mr. Basnett, sitting at the top of the stairs with his documents, offered her solid footing if she were capable of reaching it. The knowledge gave her a faint sense of exaltation. Mr. Basnett raised his eyes as she opened the door. "I ll go on where I left off," he said. "Stop me if you want anything explained." He had been re-reading the document, and making pencil notes in the margin while he waited, and he went on again as if there had been no interruption. Mary sat down among the flat cushions, lit another cigarette, and listened with a frown upon her face. Katharine leant back in the corner of the cab that carried her to Chelsea, conscious of fatigue, and conscious, too, of the sober and satisfactory nature of such industry as she had just witnessed. The thought of it composed and calmed her. When she reached home she let herself in as quietly as she could, in the hope that the household was already gone to bed. But her excursion had occupied less time than she thought, and she heard sounds of unmistakable liveliness upstairs. A door opened, and she drew herself into a ground-floor room in case the sound meant that Mr. Peyton were taking his leave. From where she stood she could see the stairs, though she was herself invisible. Some one was coming down the stairs, and now she saw that it was William Rodney. He looked a little strange, as if he were walking in his sleep; his lips moved as if he were acting some part to himself. He came down very slowly, step by step, with one hand upon the banisters to guide himself. She thought he looked as if he were in some mood of high exaltation, which it made her uncomfortable to witness any longer unseen. She stepped into the hall. He gave a great start upon seeing her and stopped. "Katharine!" he exclaimed. "You ve been out?" he asked. "Yes.... Are they still up?" He did not answer, and walked into the ground-floor room through the door which stood open. "It s been more wonderful than I can tell you," he said, "I m incredibly happy" He was scarcely addressing her, and she said nothing. For a moment they stood at opposite sides of a table saying nothing. Then he asked her quickly, "But tell me, how did it seem to you? What did you think, Katharine? Is there a chance that she likes me? Tell me, Katharine!" Before she could answer a door opened on the landing above and disturbed them. It disturbed William excessively. He started back, walked rapidly into the hall, and said in a loud and ostentatiously ordinary tone: "Good night, Katharine. Go to bed now. I shall see you soon. I hope I shall be able to come to-morrow." Next moment he was gone. She went upstairs and found Cassandra on the landing. She held two or three books in her hand, and she was stooping to look at others in a little bookcase. She said that she could never tell which book she wanted to read in bed, poetry, biography, or metaphysics. "What do you read in bed, Katharine?" she asked, as they walked upstairs side by side. "Sometimes one thing sometimes another," said Katharine vaguely. Cassandra looked at her. "D you know, you re extraordinarily queer," she said. "Every one seems to me a little queer. Perhaps it s the | She stopped. "Only I d rather Ralph wasn t hurt," she concluded. "I think he seems able to take care of himself," Katharine observed. Without either of them wishing it, a feeling of hostility had risen between them. "Do you really think it s worth it?" said Mary, after a pause. "How can one tell?" Katharine asked. "Have you ever cared for any one?" Mary demanded rashly and foolishly. "I can t wander about London discussing my feelings Here s a cab no, there s some one in it." "We don t want to quarrel," said Mary. "Ought I to have told him that I wouldn t be his friend?" Katharine asked. "Shall I tell him that? If so, what reason shall I give him?" "Of course you can t tell him that," said Mary, controlling herself. "I believe I shall, though," said Katharine suddenly. "I lost my temper, Katharine; I shouldn t have said what I did." "The whole thing s foolish," said Katharine, peremptorily. "That s what I say. It s not worth it." She spoke with unnecessary vehemence, but it was not directed against Mary Datchet. Their animosity had completely disappeared, and upon both of them a cloud of difficulty and darkness rested, obscuring the future, in which they had both to find a way. "No, no, it s not worth it," Katharine repeated. "Suppose, as you say, it s out of the question this friendship; he falls in love with me. I don t want that. Still," she added, "I believe you exaggerate; love s not everything; marriage itself is only one of the things" They had reached the main thoroughfare, and stood looking at the omnibuses and passers-by, who seemed, for the moment, to illustrate what Katharine had said of the diversity of human interests. For both of them it had become one of those moments of extreme detachment, when it seems unnecessary ever again to shoulder the burden of happiness and self-assertive existence. Their neighbors were welcome to their possessions. "I don t lay down any rules," said Mary, recovering herself first, as they turned after a long pause of this description. "All I say is that you should know what you re about for certain; but," she added, "I expect you do."<|quote|>At the same time she was profoundly perplexed, not only by what she knew of the arrangements for Katharine s marriage, but by the impression which she had of her, there on her arm, dark and inscrutable. They walked back again and reached the steps which led up to Mary s flat. Here they stopped and paused for a moment, saying nothing.</|quote|>"You must go in," said Katharine, rousing herself. "He s waiting all this time to go on with his reading." She glanced up at the lighted window near the top of the house, and they both looked at it and waited for a moment. A flight of semicircular steps ran up to the hall, and Mary slowly mounted the first two or three, and paused, looking down upon Katharine. "I think you underrate the value of that emotion," she said slowly, and a little awkwardly. She climbed another step and looked down once more upon the figure that was only partly lit up, standing in the street with a colorless face turned upwards. As Mary hesitated, a cab came by and Katharine turned and stopped it, saying as she opened the door: "Remember, I want to belong to your society remember," she added, having to raise her voice a little, and shutting the door upon the rest of her words. Mary mounted the stairs step by step, as if she had to lift her body up an extremely steep ascent. She had had to wrench herself forcibly away from Katharine, and every step vanquished her desire. She held on grimly, encouraging herself as though she were actually making some great physical effort in climbing a height. She was conscious that Mr. Basnett, sitting at the top of the stairs with his documents, offered her solid footing if she were capable of reaching it. The knowledge gave her a faint sense of exaltation. Mr. Basnett raised his eyes as she opened the door. "I ll go on where I left off," he said. "Stop me if you want anything explained." He had been re-reading the document, and making pencil notes in the margin while he waited, and he went on again as if there had been no interruption. Mary sat down among the flat cushions, lit another cigarette, and listened with a frown upon her face. Katharine leant back in the corner of the cab that carried her to Chelsea, conscious of fatigue, and conscious, too, of the sober and satisfactory nature of such industry as she had just witnessed. The thought of it composed and calmed her. When she reached home she let herself in as quietly as she could, in the hope that the household was already gone to bed. But her excursion had occupied less time than she thought, and she heard sounds of unmistakable liveliness upstairs. A door opened, and she drew herself into a ground-floor room in case the sound meant that Mr. Peyton were taking his leave. From where she stood she could see the stairs, though she was herself invisible. Some one was coming down the stairs, and now she saw that it was William Rodney. He looked a little strange, as if he were walking in his sleep; his lips moved as if he were acting some part to himself. He came down very slowly, step by step, with one hand upon the banisters to guide himself. She thought he looked as if he were in some mood of high exaltation, which it made her uncomfortable to witness any longer unseen. She stepped into the hall. He gave a great start upon seeing her and stopped. "Katharine!" he exclaimed. "You ve been out?" he asked. "Yes.... Are they still up?" He did not answer, and walked into the ground-floor room through the door which stood open. "It s been more wonderful than I can tell you," he said, "I m incredibly happy" He was scarcely addressing her, and | Night And Day |
“Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” | Daisy | out the string of pearls.<|quote|>“Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”</|quote|>She began to cry—she cried | on the bed and pulled out the string of pearls.<|quote|>“Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”</|quote|>She began to cry—she cried and cried. I rushed out | drink before, but oh how I do enjoy it.” “What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls.<|quote|>“Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”</|quote|>She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, | hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered. “Never had a drink before, but oh how I do enjoy it.” “What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls.<|quote|>“Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”</|quote|>She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, | the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered. “Never had a drink before, but oh how I do enjoy it.” “What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls.<|quote|>“Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”</|quote|>She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She | was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man. That was nineteen-seventeen. By the next year I had a few beaux myself, and I began to play in tournaments, so I didn’t see Daisy very often. She went with a slightly older crowd—when she went with anyone at all. Wild rumours were circulating about her—how her mother had found her packing her bag one winter night to go to New York and say goodbye to a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered. “Never had a drink before, but oh how I do enjoy it.” “What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls.<|quote|>“Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”</|quote|>She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to settle down. Daisy was popular in Chicago, as you know. They moved with a fast crowd, all of them young and rich and wild, but she came out with an absolutely perfect reputation. Perhaps because she doesn’t drink. It’s a great advantage not to drink among hard-drinking people. You can hold your tongue and, moreover, you can time any little irregularity of your own so that | insisted on paying the check. As the waiter brought my change I caught sight of Tom Buchanan across the crowded room. “Come along with me for a minute,” I said; “I’ve got to say hello to someone.” When he saw us Tom jumped up and took half a dozen steps in our direction. “Where’ve you been?” he demanded eagerly. “Daisy’s furious because you haven’t called up.” “This is Mr. Gatsby, Mr. Buchanan.” They shook hands briefly, and a strained, unfamiliar look of embarrassment came over Gatsby’s face. “How’ve you been, anyhow?” demanded Tom of me. “How’d you happen to come up this far to eat?” “I’ve been having lunch with Mr. Gatsby.” I turned toward Mr. Gatsby, but he was no longer there. ------------------------------------------------------------------------ One October day in nineteen-seventeen— (said Jordan Baker that afternoon, sitting up very straight on a straight chair in the tea-garden at the Plaza Hotel) —I was walking along from one place to another, half on the sidewalks and half on the lawns. I was happier on the lawns because I had on shoes from England with rubber knobs on the soles that bit into the soft ground. I had on a new plaid skirt also that blew a little in the wind, and whenever this happened the red, white, and blue banners in front of all the houses stretched out stiff and said tut-tut-tut-tut, in a disapproving way. The largest of the banners and the largest of the lawns belonged to Daisy Fay’s house. She was just eighteen, two years older than me, and by far the most popular of all the young girls in Louisville. She dressed in white, and had a little white roadster, and all day long the telephone rang in her house and excited young officers from Camp Taylor demanded the privilege of monopolizing her that night. “Anyways, for an hour!” When I came opposite her house that morning her white roadster was beside the kerb, and she was sitting in it with a lieutenant I had never seen before. They were so engrossed in each other that she didn’t see me until I was five feet away. “Hello, Jordan.” she called unexpectedly. “Please come here.” I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross to make bandages. I was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man. That was nineteen-seventeen. By the next year I had a few beaux myself, and I began to play in tournaments, so I didn’t see Daisy very often. She went with a slightly older crowd—when she went with anyone at all. Wild rumours were circulating about her—how her mother had found her packing her bag one winter night to go to New York and say goodbye to a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered. “Never had a drink before, but oh how I do enjoy it.” “What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls.<|quote|>“Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”</|quote|>She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to settle down. Daisy was popular in Chicago, as you know. They moved with a fast crowd, all of them young and rich and wild, but she came out with an absolutely perfect reputation. Perhaps because she doesn’t drink. It’s a great advantage not to drink among hard-drinking people. You can hold your tongue and, moreover, you can time any little irregularity of your own so that everybody else is so blind that they don’t see or care. Perhaps Daisy never went in for amour at all—and yet there’s something in that voice of hers … Well, about six weeks ago, she heard the name Gatsby for the first time in years. It was when I asked you—do you remember?—if you knew Gatsby in West Egg. After you had gone home she came into my room and woke me up, and said: “What Gatsby?” and when I described him—I was half asleep—she said in the strangest voice that it must be the man she used to know. It wasn’t until then that I connected this Gatsby with the officer in her white car. ------------------------------------------------------------------------ When Jordan Baker had finished telling all this we had left the Plaza for half an hour and were driving in a victoria through Central Park. The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the clear voices of children, already gathered like crickets on the grass, rose through the hot twilight: “I’m the Sheik of Araby. Your love belongs to me. At night when you’re asleep Into your tent I’ll creep—” “It was a strange coincidence,” I said. “But it wasn’t a coincidence at all.” “Why not?” “Gatsby bought that house so that Daisy would be just across the bay.” Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendour. “He wants to know,” continued Jordan, “if you’ll invite Daisy to your house some afternoon and then let him come over.” The modesty of the demand shook me. He had waited five years and bought a mansion where he dispensed starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden. “Did I have to know all this before he could ask such a little thing?” “He’s afraid, he’s waited so long. He thought you might be offended. You see, he’s regular tough underneath it all.” Something worried me. “Why didn’t he ask you to arrange a meeting?” “He wants her to see his house,” she explained. “And your house is right next door.” “Oh!” “I think he half expected her to wander into one of his parties, some night,” went on Jordan, “but she never did. Then | she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all. By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars. I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. “ ’Gratulate me,” she muttered. “Never had a drink before, but oh how I do enjoy it.” “What’s the matter, Daisy?” I was scared, I can tell you; I’d never seen a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls.<|quote|>“Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”</|quote|>She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to settle down. Daisy was popular in Chicago, as you know. They moved with a fast crowd, all of them young and rich and wild, but she came out with an absolutely perfect reputation. Perhaps because she doesn’t drink. It’s a great advantage not to drink among hard-drinking people. You can hold your tongue and, moreover, you can time any little irregularity of your own so that everybody else is so blind that they don’t see or care. Perhaps Daisy never went in for amour at all—and yet there’s something in that voice of hers … Well, about six weeks ago, she heard the name Gatsby for the first time in years. It was when I asked you—do you remember?—if you knew Gatsby in West Egg. After you had gone home she came into my room and woke me up, and said: “What Gatsby?” and when I described him—I was half asleep—she said in the strangest voice that it must be the man she used to know. It wasn’t until then that I connected this Gatsby with the officer in her white car. ------------------------------------------------------------------------ When Jordan Baker had finished telling all this we had left the Plaza for half an hour and were driving in a victoria through Central Park. The | The Great Gatsby |
"Series of mistakes." | Margaret | the books are down here?"<|quote|>"Series of mistakes."</|quote|>"And a great deal of | how is it that all the books are down here?"<|quote|>"Series of mistakes."</|quote|>"And a great deal of furniture has been unpacked." "All." | not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?"<|quote|>"Series of mistakes."</|quote|>"And a great deal of furniture has been unpacked." "All." "Who lives here, then?" "No one." "I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my | of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?"<|quote|>"Series of mistakes."</|quote|>"And a great deal of furniture has been unpacked." "All." "Who lives here, then?" "No one." "I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband | Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?"<|quote|>"Series of mistakes."</|quote|>"And a great deal of furniture has been unpacked." "All." "Who lives here, then?" "No one." "I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s | stopped living haphazard. One can t go through a great deal of --" "--she left out the noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait." "I believe you would never have told me." "Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?"<|quote|>"Series of mistakes."</|quote|>"And a great deal of furniture has been unpacked." "All." "Who lives here, then?" "No one." "I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is a nuisance, but no good trying." Something had come between them. Perhaps it was Society, which henceforward would exclude Helen. Perhaps it was a third life, already potent as a spirit. They could find no meeting-place. Both suffered acutely, and were not comforted by the knowledge that affection survived. "Look here, Meg, is the coast clear?" "You mean that you want to go away from me?" "I suppose so--dear old lady! it isn t any use. I knew we should | "perhaps not now." The pack was breaking up. At a sign from his master, Crane also went back into the car. "Now, Henry, you," she said gently. None of her bitterness had been directed at him. "Go away now, dear. I shall want your advice later, no doubt. Forgive me if I have been cross. But, seriously, you must go." He was too stupid to leave her. Now it was Mr. Mansbridge who called in a low voice to him. "I shall soon find you down at Dolly s," she called, as the gate at last clanged between them. The fly moved out of the way, the motor backed, turned a little, backed again, and turned in the narrow road. A string of farm carts came up in the middle; but she waited through all, for there was no hurry. When all was over and the car had started, she opened the door. "Oh, my darling!" she said. "My darling, forgive me." Helen was standing in the hall. CHAPTER XXXVII Margaret bolted the door on the inside. Then she would have kissed her sister, but Helen, in a dignified voice, that came strangely from her, said: "Convenient! You did not tell me that the books were unpacked. I have found nearly everything that I want." "I told you nothing that was true." "It has been a great surprise, certainly. Has Aunt Juley been ill?" "Helen, you wouldn t think I d invent that?" "I suppose not," said Helen, turning away, and crying a very little. "But one loses faith in everything after this." "We thought it was illness, but even then--I haven t behaved worthily." Helen selected another book. "I ought not to have consulted any one. What would our father have thought of me?" She did not think of questioning her sister, or of rebuking her. Both might be necessary in the future, but she had first to purge a greater crime than any that Helen could have committed--that want of confidence that is the work of the devil. "Yes, I am annoyed," replied Helen. "My wishes should have been respected. I would have gone through this meeting if it was necessary, but after Aunt Juley recovered, it was not necessary. Planning my life, as I now have to do." "Come away from those books," called Margaret. "Helen, do talk to me." "I was just saying that I have stopped living haphazard. One can t go through a great deal of --" "--she left out the noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait." "I believe you would never have told me." "Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?"<|quote|>"Series of mistakes."</|quote|>"And a great deal of furniture has been unpacked." "All." "Who lives here, then?" "No one." "I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is a nuisance, but no good trying." Something had come between them. Perhaps it was Society, which henceforward would exclude Helen. Perhaps it was a third life, already potent as a spirit. They could find no meeting-place. Both suffered acutely, and were not comforted by the knowledge that affection survived. "Look here, Meg, is the coast clear?" "You mean that you want to go away from me?" "I suppose so--dear old lady! it isn t any use. I knew we should have nothing to say. Give my love to Aunt Juley and Tibby, and take more yourself than I can say. Promise to come and see me in Munich later." "Certainly, dearest." "For that is all we can do." It seemed so. Most ghastly of all was Helen s common sense; Monica had been extraordinarily good for her. "I am glad to have seen you and the things." She looked at the bookcase lovingly, as if she was saying farewell to the past. Margaret unbolted the door. She remarked: "The car has gone, and here s your cab." She led the way to it, glancing at the leaves and the sky. The spring had never seemed more beautiful. The driver, who was leaning on the gate, called out, "Please, lady, a message," and handed her Henry s visiting-card through the bars. "How did this come?" she asked. Crane had returned with it almost at once. She read the card with annoyance. It was covered with instructions in domestic French. When she and her sister had talked she was to come back for the night to Dolly s. "Il faut dormir sur ce sujet." while Helen was to be found une comfortable chambre a l hotel. The final sentence displeased her greatly until she remembered that the Charles s had only one spare room, and so could not invite a third guest. "Henry would have done what he could," she interpreted. Helen had not followed her into the garden. The door once open, she lost her inclination to fly. She remained in the hall, going from bookcase to table. She grew more like the old Helen, irresponsible and charming. "This IS Mr. Wilcox s house?" she inquired. "Surely you remember Howards End?" "Remember? I who remember everything! But it looks to be ours now." "Miss Avery was extraordinary," said Margaret, her own spirits lightening a little. Again she was invaded by a slight feeling of disloyalty. But it brought her relief, and she yielded to it. "She loved Mrs. Wilcox, and would rather furnish her home with our things than think of it empty. In consequence here are all the library books." "Not all the books. She hasn t unpacked the Art books, in which she may show her sense. And we never used to have the sword here." "The sword looks well, though." "Magnificent." "Yes, doesn t it?" "Where s the | mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?"<|quote|>"Series of mistakes."</|quote|>"And a great deal of furniture has been unpacked." "All." "Who lives here, then?" "No one." "I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is a nuisance, but no good trying." Something had come between them. Perhaps it was Society, which henceforward would exclude Helen. Perhaps it was a third life, already potent as a spirit. They could find no meeting-place. Both suffered acutely, and were not comforted by the knowledge that affection survived. "Look here, Meg, is the coast clear?" "You mean that you want to go away from me?" "I suppose so--dear old lady! it isn t any use. I knew we should have nothing to say. Give my love to Aunt Juley and Tibby, and take more yourself than I can say. Promise to come and see me in Munich later." "Certainly, dearest." "For that is all we can do." It seemed so. Most ghastly of all was Helen s common sense; Monica had been extraordinarily good for her. "I am glad to have seen you and the things." She looked at the bookcase lovingly, as if she was saying farewell to the past. Margaret unbolted the door. She remarked: "The car has gone, and here s your cab." She led the way to it, glancing at the leaves and the sky. The spring had never seemed more beautiful. The driver, who was leaning on the gate, called out, "Please, lady, a message," and handed her Henry s visiting-card through the bars. "How did this come?" she asked. Crane had returned with | Howards End |
"It's of a woman; the hag that nursed his mother. Where is she?" | Monks | subject of poor Oliver's vices.<|quote|>"It's of a woman; the hag that nursed his mother. Where is she?"</|quote|>"Where is she?" said Mr. | of a tirade on the subject of poor Oliver's vices.<|quote|>"It's of a woman; the hag that nursed his mother. Where is she?"</|quote|>"Where is she?" said Mr. Bumble, whom the gin-and-water had | mean Oliver! Young Twist!" said Mr. Bumble; "I remember him, of course. There wasn't a obstinater young rascal" "It's not of him I want to hear; I've heard enough of him," said the stranger, stopping Mr. Bumble in the outset of a tirade on the subject of poor Oliver's vices.<|quote|>"It's of a woman; the hag that nursed his mother. Where is she?"</|quote|>"Where is she?" said Mr. Bumble, whom the gin-and-water had rendered facetious. "It would be hard to tell. There's no midwifery there, whichever place she's gone to; so I suppose she's out of employment, anyway." "What do you mean?" demanded the stranger, sternly. "That she died last winter," rejoined Mr. | murrain on the young devils!" cried the stranger; "I speak of one; a meek-looking, pale-faced boy, who was apprenticed down here, to a coffin-maker I wish he had made his coffin, and screwed his body in it and who afterwards ran away to London, as it was supposed." "Why, you mean Oliver! Young Twist!" said Mr. Bumble; "I remember him, of course. There wasn't a obstinater young rascal" "It's not of him I want to hear; I've heard enough of him," said the stranger, stopping Mr. Bumble in the outset of a tirade on the subject of poor Oliver's vices.<|quote|>"It's of a woman; the hag that nursed his mother. Where is she?"</|quote|>"Where is she?" said Mr. Bumble, whom the gin-and-water had rendered facetious. "It would be hard to tell. There's no midwifery there, whichever place she's gone to; so I suppose she's out of employment, anyway." "What do you mean?" demanded the stranger, sternly. "That she died last winter," rejoined Mr. Bumble. The man looked fixedly at him when he had given this information, and although he did not withdraw his eyes for some time afterwards, his gaze gradually became vacant and abstracted, and he seemed lost in thought. For some time, he appeared doubtful whether he ought to be relieved | "It's a long time," said Mr. Bumble. "Very good. I've done it." "The scene, the workhouse." "Good!" "And the time, night." "Yes." "And the place, the crazy hole, wherever it was, in which miserable drabs brought forth the life and health so often denied to themselves gave birth to puling children for the parish to rear; and hid their shame, rot 'em in the grave!" "The lying-in room, I suppose?" said Mr. Bumble, not quite following the stranger's excited description. "Yes," said the stranger. "A boy was born there." "A many boys," observed Mr. Bumble, shaking his head, despondingly. "A murrain on the young devils!" cried the stranger; "I speak of one; a meek-looking, pale-faced boy, who was apprenticed down here, to a coffin-maker I wish he had made his coffin, and screwed his body in it and who afterwards ran away to London, as it was supposed." "Why, you mean Oliver! Young Twist!" said Mr. Bumble; "I remember him, of course. There wasn't a obstinater young rascal" "It's not of him I want to hear; I've heard enough of him," said the stranger, stopping Mr. Bumble in the outset of a tirade on the subject of poor Oliver's vices.<|quote|>"It's of a woman; the hag that nursed his mother. Where is she?"</|quote|>"Where is she?" said Mr. Bumble, whom the gin-and-water had rendered facetious. "It would be hard to tell. There's no midwifery there, whichever place she's gone to; so I suppose she's out of employment, anyway." "What do you mean?" demanded the stranger, sternly. "That she died last winter," rejoined Mr. Bumble. The man looked fixedly at him when he had given this information, and although he did not withdraw his eyes for some time afterwards, his gaze gradually became vacant and abstracted, and he seemed lost in thought. For some time, he appeared doubtful whether he ought to be relieved or disappointed by the intelligence; but at length he breathed more freely; and withdrawing his eyes, observed that it was no great matter. With that he rose, as if to depart. But Mr. Bumble was cunning enough; and he at once saw that an opportunity was opened, for the lucrative disposal of some secret in the possession of his better half. He well remembered the night of old Sally's death, which the occurrences of that day had given him good reason to recollect, as the occasion on which he had proposed to Mrs. Corney; and although that lady had never | You like it so, I suppose?" "Not too strong," replied Mr. Bumble, with a delicate cough. "You understand what that means, landlord!" said the stranger, drily. The host smiled, disappeared, and shortly afterwards returned with a steaming jorum: of which, the first gulp brought the water into Mr. Bumble's eyes. "Now listen to me," said the stranger, after closing the door and window. "I came down to this place, to-day, to find you out; and, by one of those chances which the devil throws in the way of his friends sometimes, you walked into the very room I was sitting in, while you were uppermost in my mind. I want some information from you. I don't ask you to give it for nothing, slight as it is. Put up that, to begin with." As he spoke, he pushed a couple of sovereigns across the table to his companion, carefully, as though unwilling that the chinking of money should be heard without. When Mr. Bumble had scrupulously examined the coins, to see that they were genuine, and had put them up, with much satisfaction, in his waistcoat-pocket, he went on: "Carry your memory back let me see twelve years, last winter." "It's a long time," said Mr. Bumble. "Very good. I've done it." "The scene, the workhouse." "Good!" "And the time, night." "Yes." "And the place, the crazy hole, wherever it was, in which miserable drabs brought forth the life and health so often denied to themselves gave birth to puling children for the parish to rear; and hid their shame, rot 'em in the grave!" "The lying-in room, I suppose?" said Mr. Bumble, not quite following the stranger's excited description. "Yes," said the stranger. "A boy was born there." "A many boys," observed Mr. Bumble, shaking his head, despondingly. "A murrain on the young devils!" cried the stranger; "I speak of one; a meek-looking, pale-faced boy, who was apprenticed down here, to a coffin-maker I wish he had made his coffin, and screwed his body in it and who afterwards ran away to London, as it was supposed." "Why, you mean Oliver! Young Twist!" said Mr. Bumble; "I remember him, of course. There wasn't a obstinater young rascal" "It's not of him I want to hear; I've heard enough of him," said the stranger, stopping Mr. Bumble in the outset of a tirade on the subject of poor Oliver's vices.<|quote|>"It's of a woman; the hag that nursed his mother. Where is she?"</|quote|>"Where is she?" said Mr. Bumble, whom the gin-and-water had rendered facetious. "It would be hard to tell. There's no midwifery there, whichever place she's gone to; so I suppose she's out of employment, anyway." "What do you mean?" demanded the stranger, sternly. "That she died last winter," rejoined Mr. Bumble. The man looked fixedly at him when he had given this information, and although he did not withdraw his eyes for some time afterwards, his gaze gradually became vacant and abstracted, and he seemed lost in thought. For some time, he appeared doubtful whether he ought to be relieved or disappointed by the intelligence; but at length he breathed more freely; and withdrawing his eyes, observed that it was no great matter. With that he rose, as if to depart. But Mr. Bumble was cunning enough; and he at once saw that an opportunity was opened, for the lucrative disposal of some secret in the possession of his better half. He well remembered the night of old Sally's death, which the occurrences of that day had given him good reason to recollect, as the occasion on which he had proposed to Mrs. Corney; and although that lady had never confided to him the disclosure of which she had been the solitary witness, he had heard enough to know that it related to something that had occurred in the old woman's attendance, as workhouse nurse, upon the young mother of Oliver Twist. Hastily calling this circumstance to mind, he informed the stranger, with an air of mystery, that one woman had been closeted with the old harridan shortly before she died; and that she could, as he had reason to believe, throw some light on the subject of his inquiry. "How can I find her?" said the stranger, thrown off his guard; and plainly showing that all his fears (whatever they were) were aroused afresh by the intelligence. "Only through me," rejoined Mr. Bumble. "When?" cried the stranger, hastily. "To-morrow," rejoined Bumble. "At nine in the evening," said the stranger, producing a scrap of paper, and writing down upon it, an obscure address by the water-side, in characters that betrayed his agitation; "at nine in the evening, bring her to me there. I needn't tell you to be secret. It's your interest." With these words, he led the way to the door, after stopping to pay for the liquor that | distrust and suspicion, unlike anything he had ever observed before, and repulsive to behold. When they had encountered each other's glance several times in this way, the stranger, in a harsh, deep voice, broke silence. "Were you looking for me," he said, "when you peered in at the window?" "Not that I am aware of, unless you're Mr." Here Mr. Bumble stopped short; for he was curious to know the stranger's name, and thought in his impatience, he might supply the blank. "I see you were not," said the stranger; an expression of quiet sarcasm playing about his mouth; "or you have known my name. You don't know it. I would recommend you not to ask for it." "I meant no harm, young man," observed Mr. Bumble, majestically. "And have done none," said the stranger. Another silence succeeded this short dialogue: which was again broken by the stranger. "I have seen you before, I think?" said he. "You were differently dressed at that time, and I only passed you in the street, but I should know you again. You were beadle here, once; were you not?" "I was," said Mr. Bumble, in some surprise; "porochial beadle." "Just so," rejoined the other, nodding his head. "It was in that character I saw you. What are you now?" "Master of the workhouse," rejoined Mr. Bumble, slowly and impressively, to check any undue familiarity the stranger might otherwise assume. "Master of the workhouse, young man!" "You have the same eye to your own interest, that you always had, I doubt not?" resumed the stranger, looking keenly into Mr. Bumble's eyes, as he raised them in astonishment at the question. "Don't scruple to answer freely, man. I know you pretty well, you see." "I suppose, a married man," replied Mr. Bumble, shading his eyes with his hand, and surveying the stranger, from head to foot, in evident perplexity, "is not more averse to turning an honest penny when he can, than a single one. Porochial officers are not so well paid that they can afford to refuse any little extra fee, when it comes to them in a civil and proper manner." The stranger smiled, and nodded his head again: as much to say, he had not mistaken his man; then rang the bell. "Fill this glass again," he said, handing Mr. Bumble's empty tumbler to the landlord. "Let it be strong and hot. You like it so, I suppose?" "Not too strong," replied Mr. Bumble, with a delicate cough. "You understand what that means, landlord!" said the stranger, drily. The host smiled, disappeared, and shortly afterwards returned with a steaming jorum: of which, the first gulp brought the water into Mr. Bumble's eyes. "Now listen to me," said the stranger, after closing the door and window. "I came down to this place, to-day, to find you out; and, by one of those chances which the devil throws in the way of his friends sometimes, you walked into the very room I was sitting in, while you were uppermost in my mind. I want some information from you. I don't ask you to give it for nothing, slight as it is. Put up that, to begin with." As he spoke, he pushed a couple of sovereigns across the table to his companion, carefully, as though unwilling that the chinking of money should be heard without. When Mr. Bumble had scrupulously examined the coins, to see that they were genuine, and had put them up, with much satisfaction, in his waistcoat-pocket, he went on: "Carry your memory back let me see twelve years, last winter." "It's a long time," said Mr. Bumble. "Very good. I've done it." "The scene, the workhouse." "Good!" "And the time, night." "Yes." "And the place, the crazy hole, wherever it was, in which miserable drabs brought forth the life and health so often denied to themselves gave birth to puling children for the parish to rear; and hid their shame, rot 'em in the grave!" "The lying-in room, I suppose?" said Mr. Bumble, not quite following the stranger's excited description. "Yes," said the stranger. "A boy was born there." "A many boys," observed Mr. Bumble, shaking his head, despondingly. "A murrain on the young devils!" cried the stranger; "I speak of one; a meek-looking, pale-faced boy, who was apprenticed down here, to a coffin-maker I wish he had made his coffin, and screwed his body in it and who afterwards ran away to London, as it was supposed." "Why, you mean Oliver! Young Twist!" said Mr. Bumble; "I remember him, of course. There wasn't a obstinater young rascal" "It's not of him I want to hear; I've heard enough of him," said the stranger, stopping Mr. Bumble in the outset of a tirade on the subject of poor Oliver's vices.<|quote|>"It's of a woman; the hag that nursed his mother. Where is she?"</|quote|>"Where is she?" said Mr. Bumble, whom the gin-and-water had rendered facetious. "It would be hard to tell. There's no midwifery there, whichever place she's gone to; so I suppose she's out of employment, anyway." "What do you mean?" demanded the stranger, sternly. "That she died last winter," rejoined Mr. Bumble. The man looked fixedly at him when he had given this information, and although he did not withdraw his eyes for some time afterwards, his gaze gradually became vacant and abstracted, and he seemed lost in thought. For some time, he appeared doubtful whether he ought to be relieved or disappointed by the intelligence; but at length he breathed more freely; and withdrawing his eyes, observed that it was no great matter. With that he rose, as if to depart. But Mr. Bumble was cunning enough; and he at once saw that an opportunity was opened, for the lucrative disposal of some secret in the possession of his better half. He well remembered the night of old Sally's death, which the occurrences of that day had given him good reason to recollect, as the occasion on which he had proposed to Mrs. Corney; and although that lady had never confided to him the disclosure of which she had been the solitary witness, he had heard enough to know that it related to something that had occurred in the old woman's attendance, as workhouse nurse, upon the young mother of Oliver Twist. Hastily calling this circumstance to mind, he informed the stranger, with an air of mystery, that one woman had been closeted with the old harridan shortly before she died; and that she could, as he had reason to believe, throw some light on the subject of his inquiry. "How can I find her?" said the stranger, thrown off his guard; and plainly showing that all his fears (whatever they were) were aroused afresh by the intelligence. "Only through me," rejoined Mr. Bumble. "When?" cried the stranger, hastily. "To-morrow," rejoined Bumble. "At nine in the evening," said the stranger, producing a scrap of paper, and writing down upon it, an obscure address by the water-side, in characters that betrayed his agitation; "at nine in the evening, bring her to me there. I needn't tell you to be secret. It's your interest." With these words, he led the way to the door, after stopping to pay for the liquor that had been drunk. Shortly remarking that their roads were different, he departed, without more ceremony than an emphatic repetition of the hour of appointment for the following night. On glancing at the address, the parochial functionary observed that it contained no name. The stranger had not gone far, so he made after him to ask it. "What do you want?" cried the man, turning quickly round, as Bumble touched him on the arm. "Following me?" "Only to ask a question," said the other, pointing to the scrap of paper. "What name am I to ask for?" "Monks!" rejoined the man; and strode hastily away. CHAPTER XXXVIII. CONTAINING AN ACCOUNT OF WHAT PASSED BETWEEN MR. AND MRS. BUMBLE, AND MR. MONKS, AT THEIR NOCTURNAL INTERVIEW It was a dull, close, overcast summer evening. The clouds, which had been threatening all day, spread out in a dense and sluggish mass of vapour, already yielded large drops of rain, and seemed to presage a violent thunder-storm, when Mr. and Mrs. Bumble, turning out of the main street of the town, directed their course towards a scattered little colony of ruinous houses, distant from it some mile and a-half, or thereabouts, and erected on a low unwholesome swamp, bordering upon the river. They were both wrapped in old and shabby outer garments, which might, perhaps, serve the double purpose of protecting their persons from the rain, and sheltering them from observation. The husband carried a lantern, from which, however, no light yet shone; and trudged on, a few paces in front, as though the way being dirty to give his wife the benefit of treading in his heavy footprints. They went on, in profound silence; every now and then, Mr. Bumble relaxed his pace, and turned his head as if to make sure that his helpmate was following; then, discovering that she was close at his heels, he mended his rate of walking, and proceeded, at a considerable increase of speed, towards their place of destination. This was far from being a place of doubtful character; for it had long been known as the residence of none but low ruffians, who, under various pretences of living by their labour, subsisted chiefly on plunder and crime. It was a collection of mere hovels: some, hastily built with loose bricks: others, of old worm-eaten ship-timber: jumbled together without any attempt at order or arrangement, and planted, | to find you out; and, by one of those chances which the devil throws in the way of his friends sometimes, you walked into the very room I was sitting in, while you were uppermost in my mind. I want some information from you. I don't ask you to give it for nothing, slight as it is. Put up that, to begin with." As he spoke, he pushed a couple of sovereigns across the table to his companion, carefully, as though unwilling that the chinking of money should be heard without. When Mr. Bumble had scrupulously examined the coins, to see that they were genuine, and had put them up, with much satisfaction, in his waistcoat-pocket, he went on: "Carry your memory back let me see twelve years, last winter." "It's a long time," said Mr. Bumble. "Very good. I've done it." "The scene, the workhouse." "Good!" "And the time, night." "Yes." "And the place, the crazy hole, wherever it was, in which miserable drabs brought forth the life and health so often denied to themselves gave birth to puling children for the parish to rear; and hid their shame, rot 'em in the grave!" "The lying-in room, I suppose?" said Mr. Bumble, not quite following the stranger's excited description. "Yes," said the stranger. "A boy was born there." "A many boys," observed Mr. Bumble, shaking his head, despondingly. "A murrain on the young devils!" cried the stranger; "I speak of one; a meek-looking, pale-faced boy, who was apprenticed down here, to a coffin-maker I wish he had made his coffin, and screwed his body in it and who afterwards ran away to London, as it was supposed." "Why, you mean Oliver! Young Twist!" said Mr. Bumble; "I remember him, of course. There wasn't a obstinater young rascal" "It's not of him I want to hear; I've heard enough of him," said the stranger, stopping Mr. Bumble in the outset of a tirade on the subject of poor Oliver's vices.<|quote|>"It's of a woman; the hag that nursed his mother. Where is she?"</|quote|>"Where is she?" said Mr. Bumble, whom the gin-and-water had rendered facetious. "It would be hard to tell. There's no midwifery there, whichever place she's gone to; so I suppose she's out of employment, anyway." "What do you mean?" demanded the stranger, sternly. "That she died last winter," rejoined Mr. Bumble. The man looked fixedly at him when he had given this information, and although he did not withdraw his eyes for some time afterwards, his gaze gradually became vacant and abstracted, and he seemed lost in thought. For some time, he appeared doubtful whether he ought to be relieved or disappointed by the intelligence; but at length he breathed more freely; and withdrawing his eyes, observed that it was no great matter. With that he rose, as if to depart. But Mr. Bumble was cunning enough; and he at once saw that an opportunity was opened, for the lucrative disposal of some secret in the possession of his better half. He well remembered the night of old Sally's death, which the occurrences of that day had given him good reason to recollect, as the occasion on which he had proposed to Mrs. Corney; and although that lady had never confided to him the disclosure of which she had been the solitary witness, he had heard enough to know that it related to something that had occurred in the old woman's attendance, as workhouse nurse, upon the young mother of Oliver Twist. Hastily calling this circumstance to mind, he informed the stranger, with an air of mystery, that one woman had been closeted with the old harridan shortly before she died; and that she could, as he had reason to believe, throw some light on the subject of his inquiry. "How can I find her?" said the stranger, thrown off his guard; and plainly showing that all his fears (whatever they were) were aroused afresh by the intelligence. "Only through me," rejoined Mr. Bumble. "When?" cried the stranger, hastily. "To-morrow," rejoined Bumble. "At nine in the evening," said the stranger, producing a scrap of paper, and writing down upon it, an obscure address by the water-side, in characters that betrayed his agitation; "at nine in the evening, bring her to me there. I needn't tell you to be secret. It's your interest." With these words, he led the way to the door, after stopping to pay for the liquor that had been drunk. Shortly remarking that their roads were different, he departed, without more ceremony than an emphatic repetition of the hour of appointment for the following night. On glancing at the address, the parochial functionary observed that it contained no name. The stranger had not gone far, so he made after him to ask it. "What do you want?" cried the man, turning quickly round, as Bumble touched him on the arm. "Following me?" "Only to ask a question," said the other, pointing to the scrap of paper. "What name am I to ask for?" "Monks!" rejoined the man; and strode hastily away. | Oliver Twist |
“Maybe he did,” | Jake | He found it all right!”<|quote|>“Maybe he did,”</|quote|>said Jake grimly. “There’s something | and felt for the trigger. He found it all right!”<|quote|>“Maybe he did,”</|quote|>said Jake grimly. “There’s something mighty queer about it.” “Now | saying. Otto misunderstood her. “Why, mam, it was simple enough; he pulled the trigger with his big toe. He layed over on his side and put the end of the barrel in his mouth, then he drew up one foot and felt for the trigger. He found it all right!”<|quote|>“Maybe he did,”</|quote|>said Jake grimly. “There’s something mighty queer about it.” “Now what do you mean, Jake?” grandmother asked sharply. “Well, mam, I found Krajiek’s axe under the manger, and I picks it up and carries it over to the corpse, and I take my oath it just fit the gash in | peg, and his boots was under the bed. He’d took off that silk neckcloth he always wore, and folded it smooth and stuck his pin through it. He turned back his shirt at the neck and rolled up his sleeves.” “I don’t see how he could do it!” grandmother kept saying. Otto misunderstood her. “Why, mam, it was simple enough; he pulled the trigger with his big toe. He layed over on his side and put the end of the barrel in his mouth, then he drew up one foot and felt for the trigger. He found it all right!”<|quote|>“Maybe he did,”</|quote|>said Jake grimly. “There’s something mighty queer about it.” “Now what do you mean, Jake?” grandmother asked sharply. “Well, mam, I found Krajiek’s axe under the manger, and I picks it up and carries it over to the corpse, and I take my oath it just fit the gash in the front of the old man’s face. That there Krajiek had been sneakin’ round, pale and quiet, and when he seen me examinin’ the axe, he begun whimperin’, ‘My God, man, don’t do that!’ ‘I reckon I’m a-goin’ to look into this,’ says I. Then he begun to squeal like | was done the dishes. Ántonia heated the water for him. Then he put on a clean shirt and clean socks, and after he was dressed he kissed her and the little one and took his gun and said he was going out to hunt rabbits. He must have gone right down to the barn and done it then. He layed down on that bunk-bed, close to the ox stalls, where he always slept. When we found him, everything was decent except,” —Fuchs wrinkled his brow and hesitated,— “except what he could n’t nowise foresee. His coat was hung on a peg, and his boots was under the bed. He’d took off that silk neckcloth he always wore, and folded it smooth and stuck his pin through it. He turned back his shirt at the neck and rolled up his sleeves.” “I don’t see how he could do it!” grandmother kept saying. Otto misunderstood her. “Why, mam, it was simple enough; he pulled the trigger with his big toe. He layed over on his side and put the end of the barrel in his mouth, then he drew up one foot and felt for the trigger. He found it all right!”<|quote|>“Maybe he did,”</|quote|>said Jake grimly. “There’s something mighty queer about it.” “Now what do you mean, Jake?” grandmother asked sharply. “Well, mam, I found Krajiek’s axe under the manger, and I picks it up and carries it over to the corpse, and I take my oath it just fit the gash in the front of the old man’s face. That there Krajiek had been sneakin’ round, pale and quiet, and when he seen me examinin’ the axe, he begun whimperin’, ‘My God, man, don’t do that!’ ‘I reckon I’m a-goin’ to look into this,’ says I. Then he begun to squeal like a rat and run about wringin’ his hands. ‘They’ll hang me!’ says he. ‘My God, they’ll hang me sure!’” Fuchs spoke up impatiently. “Krajiek’s gone silly, Jake, and so have you. The old man would n’t have made all them preparations for Krajiek to murder him, would he? It don’t hang together. The gun was right beside him when Ambrosch found him.” “Krajiek could ’a’ put it there, could n’t he?” Jake demanded. Grandmother broke in excitedly: “See here, Jake Marpole, don’t you go trying to add murder to suicide. We’re deep enough in trouble. Otto reads you too many | began to talk excitedly, disregarding grandmother’s warning glances. I held my tongue, but I listened with all my ears. “No, sir,” Fuchs said in answer to a question from grandfather, “nobody heard the gun go off. Ambrosch was out with the ox team, trying to break a road, and the women folks was shut up tight in their cave. When Ambrosch come in it was dark and he did n’t see nothing, but the oxen acted kind of queer. One of ’em ripped around and got away from him—bolted clean out of the stable. His hands is blistered where the rope run through. He got a lantern and went back and found the old man, just as we seen him.” “Poor soul, poor soul!” grandmother groaned. “I’d like to think he never done it. He was always considerate and un-wishful to give trouble. How could he forget himself and bring this on us!” “I don’t think he was out of his head for a minute, Mrs. Burden,” Fuchs declared. “He done everything natural. You know he was always sort of fixy, and fixy he was to the last. He shaved after dinner, and washed hisself all over after the girls was done the dishes. Ántonia heated the water for him. Then he put on a clean shirt and clean socks, and after he was dressed he kissed her and the little one and took his gun and said he was going out to hunt rabbits. He must have gone right down to the barn and done it then. He layed down on that bunk-bed, close to the ox stalls, where he always slept. When we found him, everything was decent except,” —Fuchs wrinkled his brow and hesitated,— “except what he could n’t nowise foresee. His coat was hung on a peg, and his boots was under the bed. He’d took off that silk neckcloth he always wore, and folded it smooth and stuck his pin through it. He turned back his shirt at the neck and rolled up his sleeves.” “I don’t see how he could do it!” grandmother kept saying. Otto misunderstood her. “Why, mam, it was simple enough; he pulled the trigger with his big toe. He layed over on his side and put the end of the barrel in his mouth, then he drew up one foot and felt for the trigger. He found it all right!”<|quote|>“Maybe he did,”</|quote|>said Jake grimly. “There’s something mighty queer about it.” “Now what do you mean, Jake?” grandmother asked sharply. “Well, mam, I found Krajiek’s axe under the manger, and I picks it up and carries it over to the corpse, and I take my oath it just fit the gash in the front of the old man’s face. That there Krajiek had been sneakin’ round, pale and quiet, and when he seen me examinin’ the axe, he begun whimperin’, ‘My God, man, don’t do that!’ ‘I reckon I’m a-goin’ to look into this,’ says I. Then he begun to squeal like a rat and run about wringin’ his hands. ‘They’ll hang me!’ says he. ‘My God, they’ll hang me sure!’” Fuchs spoke up impatiently. “Krajiek’s gone silly, Jake, and so have you. The old man would n’t have made all them preparations for Krajiek to murder him, would he? It don’t hang together. The gun was right beside him when Ambrosch found him.” “Krajiek could ’a’ put it there, could n’t he?” Jake demanded. Grandmother broke in excitedly: “See here, Jake Marpole, don’t you go trying to add murder to suicide. We’re deep enough in trouble. Otto reads you too many of them detective stories.” “It will be easy to decide all that, Emmaline,” said grandfather quietly. “If he shot himself in the way they think, the gash will be torn from the inside outward.” “Just so it is, Mr. Burden,” Otto affirmed. “I seen bunches of hair and stuff sticking to the poles and straw along the roof. They was blown up there by gunshot, no question.” Grandmother told grandfather she meant to go over to the Shimerdas with him. “There is nothing you can do,” he said doubtfully. “The body can’t be touched until we get the coroner here from Black Hawk, and that will be a matter of several days, this weather.” “Well, I can take them some victuals, anyway, and say a word of comfort to them poor little girls. The oldest one was his darling, and was like a right hand to him. He might have thought of her. He’s left her alone in a hard world.” She glanced distrustfully at Ambrosch, who was now eating his breakfast at the kitchen table. Fuchs, although he had been up in the cold nearly all night, was going to make the long ride to Black Hawk to fetch | and plunged again into the drifts. They made a tunnel under the snow to the henhouse, with walls so solid that grandmother and I could walk back and forth in it. We found the chickens asleep; perhaps they thought night had come to stay. One old rooster was stirring about, pecking at the solid lump of ice in their water-tin. When we flashed the lantern in their eyes, the hens set up a great cackling and flew about clumsily, scattering down-feathers. The mottled, pin-headed guinea-hens, always resentful of captivity, ran screeching out into the tunnel and tried to poke their ugly, painted faces through the snow walls. By five o’clock the chores were done—just when it was time to begin them all over again! That was a strange, unnatural sort of day. XIV ON the morning of the 22d I wakened with a start. Before I opened my eyes, I seemed to know that something had happened. I heard excited voices in the kitchen—grandmother’s was so shrill that I knew she must be almost beside herself. I looked forward to any new crisis with delight. What could it be, I wondered, as I hurried into my clothes. Perhaps the barn had burned; perhaps the cattle had frozen to death; perhaps a neighbor was lost in the storm. Down in the kitchen grandfather was standing before the stove with his hands behind him. Jake and Otto had taken off their boots and were rubbing their woolen socks. Their clothes and boots were steaming, and they both looked exhausted. On the bench behind the stove lay a man, covered up with a blanket. Grandmother motioned me to the dining-room. I obeyed reluctantly. I watched her as she came and went, carrying dishes. Her lips were tightly compressed and she kept whispering to herself: “Oh, dear Saviour!” “Lord, Thou knowest!” Presently grandfather came in and spoke to me: “Jimmy, we will not have prayers this morning, because we have a great deal to do. Old Mr. Shimerda is dead, and his family are in great distress. Ambrosch came over here in the middle of the night, and Jake and Otto went back with him. The boys have had a hard night, and you must not bother them with questions. That is Ambrosch, asleep on the bench. Come in to breakfast, boys.” After Jake and Otto had swallowed their first cup of coffee, they began to talk excitedly, disregarding grandmother’s warning glances. I held my tongue, but I listened with all my ears. “No, sir,” Fuchs said in answer to a question from grandfather, “nobody heard the gun go off. Ambrosch was out with the ox team, trying to break a road, and the women folks was shut up tight in their cave. When Ambrosch come in it was dark and he did n’t see nothing, but the oxen acted kind of queer. One of ’em ripped around and got away from him—bolted clean out of the stable. His hands is blistered where the rope run through. He got a lantern and went back and found the old man, just as we seen him.” “Poor soul, poor soul!” grandmother groaned. “I’d like to think he never done it. He was always considerate and un-wishful to give trouble. How could he forget himself and bring this on us!” “I don’t think he was out of his head for a minute, Mrs. Burden,” Fuchs declared. “He done everything natural. You know he was always sort of fixy, and fixy he was to the last. He shaved after dinner, and washed hisself all over after the girls was done the dishes. Ántonia heated the water for him. Then he put on a clean shirt and clean socks, and after he was dressed he kissed her and the little one and took his gun and said he was going out to hunt rabbits. He must have gone right down to the barn and done it then. He layed down on that bunk-bed, close to the ox stalls, where he always slept. When we found him, everything was decent except,” —Fuchs wrinkled his brow and hesitated,— “except what he could n’t nowise foresee. His coat was hung on a peg, and his boots was under the bed. He’d took off that silk neckcloth he always wore, and folded it smooth and stuck his pin through it. He turned back his shirt at the neck and rolled up his sleeves.” “I don’t see how he could do it!” grandmother kept saying. Otto misunderstood her. “Why, mam, it was simple enough; he pulled the trigger with his big toe. He layed over on his side and put the end of the barrel in his mouth, then he drew up one foot and felt for the trigger. He found it all right!”<|quote|>“Maybe he did,”</|quote|>said Jake grimly. “There’s something mighty queer about it.” “Now what do you mean, Jake?” grandmother asked sharply. “Well, mam, I found Krajiek’s axe under the manger, and I picks it up and carries it over to the corpse, and I take my oath it just fit the gash in the front of the old man’s face. That there Krajiek had been sneakin’ round, pale and quiet, and when he seen me examinin’ the axe, he begun whimperin’, ‘My God, man, don’t do that!’ ‘I reckon I’m a-goin’ to look into this,’ says I. Then he begun to squeal like a rat and run about wringin’ his hands. ‘They’ll hang me!’ says he. ‘My God, they’ll hang me sure!’” Fuchs spoke up impatiently. “Krajiek’s gone silly, Jake, and so have you. The old man would n’t have made all them preparations for Krajiek to murder him, would he? It don’t hang together. The gun was right beside him when Ambrosch found him.” “Krajiek could ’a’ put it there, could n’t he?” Jake demanded. Grandmother broke in excitedly: “See here, Jake Marpole, don’t you go trying to add murder to suicide. We’re deep enough in trouble. Otto reads you too many of them detective stories.” “It will be easy to decide all that, Emmaline,” said grandfather quietly. “If he shot himself in the way they think, the gash will be torn from the inside outward.” “Just so it is, Mr. Burden,” Otto affirmed. “I seen bunches of hair and stuff sticking to the poles and straw along the roof. They was blown up there by gunshot, no question.” Grandmother told grandfather she meant to go over to the Shimerdas with him. “There is nothing you can do,” he said doubtfully. “The body can’t be touched until we get the coroner here from Black Hawk, and that will be a matter of several days, this weather.” “Well, I can take them some victuals, anyway, and say a word of comfort to them poor little girls. The oldest one was his darling, and was like a right hand to him. He might have thought of her. He’s left her alone in a hard world.” She glanced distrustfully at Ambrosch, who was now eating his breakfast at the kitchen table. Fuchs, although he had been up in the cold nearly all night, was going to make the long ride to Black Hawk to fetch the priest and the coroner. On the gray gelding, our best horse, he would try to pick his way across the country with no roads to guide him. “Don’t you worry about me, Mrs. Burden,” he said cheerfully, as he put on a second pair of socks. “I’ve got a good nose for directions, and I never did need much sleep. It’s the gray I’m worried about. I’ll save him what I can, but it’ll strain him, as sure as I’m telling you!” “This is no time to be over-considerate of animals, Otto; do the best you can for yourself. Stop at the Widow Steavens’s for dinner. She’s a good woman, and she’ll do well by you.” After Fuchs rode away, I was left with Ambrosch. I saw a side of him I had not seen before. He was deeply, even slavishly, devout. He did not say a word all morning, but sat with his rosary in his hands, praying, now silently, now aloud. He never looked away from his beads, nor lifted his hands except to cross himself. Several times the poor boy fell asleep where he sat, wakened with a start, and began to pray again. No wagon could be got to the Shimerdas’ until a road was broken, and that would be a day’s job. Grandfather came from the barn on one of our big black horses, and Jake lifted grandmother up behind him. She wore her black hood and was bundled up in shawls. Grandfather tucked his bushy white beard inside his overcoat. They looked very Biblical as they set off, I thought. Jake and Ambrosch followed them, riding the other black and my pony, carrying bundles of clothes that we had got together for Mrs. Shimerda. I watched them go past the pond and over the hill by the drifted cornfield. Then, for the first time, I realized that I was alone in the house. I felt a considerable extension of power and authority, and was anxious to acquit myself creditably. I carried in cobs and wood from the long cellar, and filled both the stoves. I remembered that in the hurry and excitement of the morning nobody had thought of the chickens, and the eggs had not been gathered. Going out through the tunnel, I gave the hens their corn, emptied the ice from their drinking-pan, and filled it with water. After the cat | lost in the storm. Down in the kitchen grandfather was standing before the stove with his hands behind him. Jake and Otto had taken off their boots and were rubbing their woolen socks. Their clothes and boots were steaming, and they both looked exhausted. On the bench behind the stove lay a man, covered up with a blanket. Grandmother motioned me to the dining-room. I obeyed reluctantly. I watched her as she came and went, carrying dishes. Her lips were tightly compressed and she kept whispering to herself: “Oh, dear Saviour!” “Lord, Thou knowest!” Presently grandfather came in and spoke to me: “Jimmy, we will not have prayers this morning, because we have a great deal to do. Old Mr. Shimerda is dead, and his family are in great distress. Ambrosch came over here in the middle of the night, and Jake and Otto went back with him. The boys have had a hard night, and you must not bother them with questions. That is Ambrosch, asleep on the bench. Come in to breakfast, boys.” After Jake and Otto had swallowed their first cup of coffee, they began to talk excitedly, disregarding grandmother’s warning glances. I held my tongue, but I listened with all my ears. “No, sir,” Fuchs said in answer to a question from grandfather, “nobody heard the gun go off. Ambrosch was out with the ox team, trying to break a road, and the women folks was shut up tight in their cave. When Ambrosch come in it was dark and he did n’t see nothing, but the oxen acted kind of queer. One of ’em ripped around and got away from him—bolted clean out of the stable. His hands is blistered where the rope run through. He got a lantern and went back and found the old man, just as we seen him.” “Poor soul, poor soul!” grandmother groaned. “I’d like to think he never done it. He was always considerate and un-wishful to give trouble. How could he forget himself and bring this on us!” “I don’t think he was out of his head for a minute, Mrs. Burden,” Fuchs declared. “He done everything natural. You know he was always sort of fixy, and fixy he was to the last. He shaved after dinner, and washed hisself all over after the girls was done the dishes. Ántonia heated the water for him. Then he put on a clean shirt and clean socks, and after he was dressed he kissed her and the little one and took his gun and said he was going out to hunt rabbits. He must have gone right down to the barn and done it then. He layed down on that bunk-bed, close to the ox stalls, where he always slept. When we found him, everything was decent except,” —Fuchs wrinkled his brow and hesitated,— “except what he could n’t nowise foresee. His coat was hung on a peg, and his boots was under the bed. He’d took off that silk neckcloth he always wore, and folded it smooth and stuck his pin through it. He turned back his shirt at the neck and rolled up his sleeves.” “I don’t see how he could do it!” grandmother kept saying. Otto misunderstood her. “Why, mam, it was simple enough; he pulled the trigger with his big toe. He layed over on his side and put the end of the barrel in his mouth, then he drew up one foot and felt for the trigger. He found it all right!”<|quote|>“Maybe he did,”</|quote|>said Jake grimly. “There’s something mighty queer about it.” “Now what do you mean, Jake?” grandmother asked sharply. “Well, mam, I found Krajiek’s axe under the manger, and I picks it up and carries it over to the corpse, and I take my oath it just fit the gash in the front of the old man’s face. That there Krajiek had been sneakin’ round, pale and quiet, and when he seen me examinin’ the axe, he begun whimperin’, ‘My God, man, don’t do that!’ ‘I reckon I’m a-goin’ to look into this,’ says I. Then he begun to squeal like a rat and run about wringin’ his hands. ‘They’ll hang me!’ says he. ‘My God, they’ll hang me sure!’” Fuchs spoke up impatiently. “Krajiek’s gone silly, Jake, and so have you. The old man would n’t have made all them preparations for Krajiek to murder him, would he? It don’t hang together. The gun was right beside him when Ambrosch found him.” “Krajiek could ’a’ put it there, could n’t he?” Jake demanded. Grandmother broke in excitedly: “See here, Jake Marpole, don’t you go trying to add murder to suicide. We’re deep enough in trouble. Otto reads you too many of them detective stories.” “It will be easy to decide all that, Emmaline,” said grandfather quietly. “If he shot himself in the way they think, the gash will be torn from the inside outward.” “Just so it is, Mr. Burden,” Otto affirmed. “I seen bunches of hair and stuff sticking to the poles and straw along the roof. They was blown up there by gunshot, no question.” Grandmother told grandfather she meant to go over to the Shimerdas with him. | My Antonia |
"Rum game, arn't it?" | Jem Wimble | "Mornin', Mas' Don," he said.<|quote|>"Rum game, arn't it?"</|quote|>"Do you think he'll take | and Jem returned the stare. "Mornin', Mas' Don," he said.<|quote|>"Rum game, arn't it?"</|quote|>"Do you think he'll take my message, Jem?" "Not a | my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said.<|quote|>"Rum game, arn't it?"</|quote|>"Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out | the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend. "You'll take my message?" "Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said.<|quote|>"Rum game, arn't it?"</|quote|>"Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out o' one o' the shutter hinges as I were going to put in to-day." "Jem, we must escape them." "All right, Mas' Don, sir. 'Arter breakfast." "Breakfast? Who is to eat breakfast?" "I am, sir. Feels as if it would do me good." "But we must escape, Jem--escape." "Yes, sir; | aboard ship to scratch the crew's backs." "You are laughing at me," cried Don angrily. "Not a bit of it, my lad. If I was to do what you want, I should be tied up to-morrow, and have my back scratched." "Flogged?" "That's it." "For doing a kind act? For saving my poor mother from trouble and anxiety?" "For not doing my dooty, my lad. There, a voyage or two won't hurt you. Why, I was a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend. "You'll take my message?" "Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said.<|quote|>"Rum game, arn't it?"</|quote|>"Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out o' one o' the shutter hinges as I were going to put in to-day." "Jem, we must escape them." "All right, Mas' Don, sir. 'Arter breakfast." "Breakfast? Who is to eat breakfast?" "I am, sir. Feels as if it would do me good." "But we must escape, Jem--escape." "Yes, sir; that's right," said Jem, taking off the cup, and sniffing at the jug. "Coffee, sir. Got pretty well knocked about last night, and I'm as sore this morning as if they'd been rolling casks all over me. But a man must eat." "Eat then, and drink then, for goodness' sake," cried Don impatiently. "Thankye, sir," said Jem; and he poured out a cup of steaming coffee, sipped it, sipped again, took three or four mouthfuls of bread and butter, and then drained the cup. "Mas' Don!" he cried, "it's lovely. Do have a cup. Make you see clear." As he | was a fair-sized pile of bread and butter. "There you are, messmates; say your grace and fall to." "Look here," said Don quickly. "You know we were taken by the press-gang last night?" "Do I know? Why, didn't I help?" "Oh!" ejaculated Don, with a look of revulsion, which he tried to conceal. "Look here," he said; "if you will take a message for me to my mother, in Jamaica Street, you shall have a guinea." "Well, that's handsome, anyhow," said the man, laughing. "What am I to say to the old lady?" "That we have been seized by the press-gang, and my uncle is to try and get us away." "That all?" "Yes, that's all. Will you go?" "Hadn't you better have your breakfuss?" "Breakfast? No," said Don. "I can't eat." "Better. Keep you going, my lad." "Will you take my message?" "No, I won't." "You shall have two guineas." "Where are they?" "My mother will gladly give them to you." "Dessay she will." "And you will go?" "Do you know what a bosun's mate is, my lad?" "I? No. I know nothing about the sea." "You will afore long. Well, I'll tell you; bosun's mate's a gentleman kep' aboard ship to scratch the crew's backs." "You are laughing at me," cried Don angrily. "Not a bit of it, my lad. If I was to do what you want, I should be tied up to-morrow, and have my back scratched." "Flogged?" "That's it." "For doing a kind act? For saving my poor mother from trouble and anxiety?" "For not doing my dooty, my lad. There, a voyage or two won't hurt you. Why, I was a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend. "You'll take my message?" "Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said.<|quote|>"Rum game, arn't it?"</|quote|>"Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out o' one o' the shutter hinges as I were going to put in to-day." "Jem, we must escape them." "All right, Mas' Don, sir. 'Arter breakfast." "Breakfast? Who is to eat breakfast?" "I am, sir. Feels as if it would do me good." "But we must escape, Jem--escape." "Yes, sir; that's right," said Jem, taking off the cup, and sniffing at the jug. "Coffee, sir. Got pretty well knocked about last night, and I'm as sore this morning as if they'd been rolling casks all over me. But a man must eat." "Eat then, and drink then, for goodness' sake," cried Don impatiently. "Thankye, sir," said Jem; and he poured out a cup of steaming coffee, sipped it, sipped again, took three or four mouthfuls of bread and butter, and then drained the cup. "Mas' Don!" he cried, "it's lovely. Do have a cup. Make you see clear." As he spoke he refilled the mug and handed it to Don, who took it mechanically, and placed it to his lips, one drop suggesting another till he had finished the cup. "Now a bit o' bread and butter, Mas' Don?" Don shook his head, but took the top piece, and began mechanically to eat, while Jem partook of another cup, there being a liberal allowance of some three pints. "That's the way, sir. Wonderful what a difference breakfuss makes in a man. Eat away, sir; and if they don't look out we'll give them press-gang." "Yes, but how, Jem? How?" "Lots o' ways, sir. We'll get away, for one thing, or fasten that there trap-door down; and then they'll be the prisoners, not us. 'Nother cup, sir? Go on with the bread and butter. I say, sir, do I look lively?" "Lively?" "I mean much knocked about? My face feels as if the skin was too tight, and as if I couldn't get on my hat." "It does not matter, Jem," said Don, quietly. "You have no hat." "More I haven't. I remember feeling it come off, and it wasn't half wore out. Have some more coffee, Mas' Don. 'Tarnt so | he sat down painfully upon the floor, drawing his knees up to his chin, embracing them, and laying his head upon them. He wanted to think of his position, of his folly, and of the trouble which it had brought upon him. Jem's heavy breathing came regularly from somewhere to his left, and he found himself, as he crouched together there in the darkness, envying the poor fellow, much as he was injured. "But then he has not so much on his mind as I have," thought Don. "Once let me get clear away from here, how different I will be." CHAPTER THIRTEEN. HOW TO ESCAPE? _Rumble_! _Bump_! Don started and stared, for something had shaken him as if a sudden blow had been given against the floor. What did it all mean? Where was he? What window was that through which the sun shone brightly, and why was he in that rough loft, in company with a man lying asleep on some sacks? Memory filled up the vacuum directly, and he knew that his head was aching, and that he had been fast asleep. _Crash_! That was a bolt shot back, and the noise which awakened him must have been the big step ladder placed against the beam beneath the trap-door. As Don watched he saw the trap, like a square piece of the floor, rise up slowly, and a rough, red face appear, framed in hair. "Ship ahoy!" shouted the owner of the face. "What cheer, messmates? Want your hot water?" Just then the man, whose hands were out of sight, and who had kept on pushing up the trap-door with his head, gave it a final thrust, and the door fell over with a loud _flap_, which made Jem Wimble sit up, with his face so swollen and bruised that his eyes were half-closed; and this and his dirty face gave him an aspect that was more ludicrous than strange. "What's the matter?" he said sharply. "Who are you? I--where--was--to me. Have I been a-dreaming? No: we're pressed!" "Pressed you are, my lads; and Bosun Jones has sent you up some hot slops and soft tack. There you are. Find your own tablecloth and silliver spoons." He placed a large blue jug before them, in which was some steaming compound, covered by a large breakfast cup, stuck in the mouth of the jug, while on a plate was a fair-sized pile of bread and butter. "There you are, messmates; say your grace and fall to." "Look here," said Don quickly. "You know we were taken by the press-gang last night?" "Do I know? Why, didn't I help?" "Oh!" ejaculated Don, with a look of revulsion, which he tried to conceal. "Look here," he said; "if you will take a message for me to my mother, in Jamaica Street, you shall have a guinea." "Well, that's handsome, anyhow," said the man, laughing. "What am I to say to the old lady?" "That we have been seized by the press-gang, and my uncle is to try and get us away." "That all?" "Yes, that's all. Will you go?" "Hadn't you better have your breakfuss?" "Breakfast? No," said Don. "I can't eat." "Better. Keep you going, my lad." "Will you take my message?" "No, I won't." "You shall have two guineas." "Where are they?" "My mother will gladly give them to you." "Dessay she will." "And you will go?" "Do you know what a bosun's mate is, my lad?" "I? No. I know nothing about the sea." "You will afore long. Well, I'll tell you; bosun's mate's a gentleman kep' aboard ship to scratch the crew's backs." "You are laughing at me," cried Don angrily. "Not a bit of it, my lad. If I was to do what you want, I should be tied up to-morrow, and have my back scratched." "Flogged?" "That's it." "For doing a kind act? For saving my poor mother from trouble and anxiety?" "For not doing my dooty, my lad. There, a voyage or two won't hurt you. Why, I was a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend. "You'll take my message?" "Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said.<|quote|>"Rum game, arn't it?"</|quote|>"Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out o' one o' the shutter hinges as I were going to put in to-day." "Jem, we must escape them." "All right, Mas' Don, sir. 'Arter breakfast." "Breakfast? Who is to eat breakfast?" "I am, sir. Feels as if it would do me good." "But we must escape, Jem--escape." "Yes, sir; that's right," said Jem, taking off the cup, and sniffing at the jug. "Coffee, sir. Got pretty well knocked about last night, and I'm as sore this morning as if they'd been rolling casks all over me. But a man must eat." "Eat then, and drink then, for goodness' sake," cried Don impatiently. "Thankye, sir," said Jem; and he poured out a cup of steaming coffee, sipped it, sipped again, took three or four mouthfuls of bread and butter, and then drained the cup. "Mas' Don!" he cried, "it's lovely. Do have a cup. Make you see clear." As he spoke he refilled the mug and handed it to Don, who took it mechanically, and placed it to his lips, one drop suggesting another till he had finished the cup. "Now a bit o' bread and butter, Mas' Don?" Don shook his head, but took the top piece, and began mechanically to eat, while Jem partook of another cup, there being a liberal allowance of some three pints. "That's the way, sir. Wonderful what a difference breakfuss makes in a man. Eat away, sir; and if they don't look out we'll give them press-gang." "Yes, but how, Jem? How?" "Lots o' ways, sir. We'll get away, for one thing, or fasten that there trap-door down; and then they'll be the prisoners, not us. 'Nother cup, sir? Go on with the bread and butter. I say, sir, do I look lively?" "Lively?" "I mean much knocked about? My face feels as if the skin was too tight, and as if I couldn't get on my hat." "It does not matter, Jem," said Don, quietly. "You have no hat." "More I haven't. I remember feeling it come off, and it wasn't half wore out. Have some more coffee, Mas' Don. 'Tarnt so good as my Sally makes. I'd forgot all about her just then. Wonder whether she's eating her breakfast?" Don sighed and went on eating. He was horribly low-spirited, but his youthful appetite once started, he felt the need of food, and kept on in silence, passing and receiving the cup till all was gone. "That job's done," said Jem, placing the jug on the plate, and the cup in the mouth of the jug. "Now then, I'm ready, Mas' Don. You said escape, didn't you, sir?" "Yes. What shall we do?" "Well, we can't go down that way, sir, because the trap-door's bolted." "There is the window, Jem." "Skylights, you mean, sir," said Jem, looking up at the sloping panes in the roof. "Well, let's have a look. Will you get a-top o' my shoulders, or shall I get a-top o' yourn?" "I couldn't bear you, Jem." "Then up you gets, my lad, like the tumblers do at the fair." It seemed easy enough to get up and stand on the sturdy fellow's shoulders, but upon putting it to the test, Don found it very hard, and after a couple of failures he gave up, and they stood together looking up at the sloping window, which was far beyond their reach. "Dessay it's fastened, so that we couldn't open it," said Jem. "The fox said the grapes were sour when he could not get at them, Jem." "That's true, Mas' Don. Well, how are we to get up?" They looked round the loft, but, with the exception of the old sacking lying at one end, the place was bare. "Here, come to the end, Jem, and let me have another try," said Don. "Right, sir; come on," cried Jem; and going right to the end of the loft, he bent his body a little and leaned his hands against the wall. This simplified matters. "Stand fast, Jem," cried Don, and taking a spring, he landed upon his companion's broad back, leap-frog fashion, but only to jump off again. "What's the matter, Mas' Don?" "Only going to take off my shoes." "Ah, 'twill be better. I didn't grumble before, but you did hurt, sir." Don slipped off his shoes, uttered a word or two of warning, and once more mounted on Jem's back. It was easy then to get into a kneeling, and then to a standing, position, the wall being | will take a message for me to my mother, in Jamaica Street, you shall have a guinea." "Well, that's handsome, anyhow," said the man, laughing. "What am I to say to the old lady?" "That we have been seized by the press-gang, and my uncle is to try and get us away." "That all?" "Yes, that's all. Will you go?" "Hadn't you better have your breakfuss?" "Breakfast? No," said Don. "I can't eat." "Better. Keep you going, my lad." "Will you take my message?" "No, I won't." "You shall have two guineas." "Where are they?" "My mother will gladly give them to you." "Dessay she will." "And you will go?" "Do you know what a bosun's mate is, my lad?" "I? No. I know nothing about the sea." "You will afore long. Well, I'll tell you; bosun's mate's a gentleman kep' aboard ship to scratch the crew's backs." "You are laughing at me," cried Don angrily. "Not a bit of it, my lad. If I was to do what you want, I should be tied up to-morrow, and have my back scratched." "Flogged?" "That's it." "For doing a kind act? For saving my poor mother from trouble and anxiety?" "For not doing my dooty, my lad. There, a voyage or two won't hurt you. Why, I was a pressed man, and look at me." "Main-top ahoy! Are you coming down?" came from below. "Ay, ay, sir!" shouted the sailor. "Wasn't that the man who had us shut up here?" cried Don. "To be sure: Bosun Jones," said the man, running to the trap and beginning to descend. "You'll take my message?" "Nay, not I," said the man, shaking his head. "There, eat your breakfuss, and keep your head to the wind, my lads." _Bang_! The door was shut heavily and the rusty bolt shot. Then the two prisoners listened to the descending footsteps and to the murmur of voices from below, after which Don looked across the steaming jug at Jem, and Jem returned the stare. "Mornin', Mas' Don," he said.<|quote|>"Rum game, arn't it?"</|quote|>"Do you think he'll take my message, Jem?" "Not a bit on it, sir. You may take your oath o' that." "Will they take us aboard ship?" "Yes, sir, and make sailors on us, and your uncle's yard 'll go to rack and ruin; and there was two screws out o' one o' the shutter hinges as I were going to put in to-day." "Jem, we must escape them." "All right, Mas' Don, sir. 'Arter breakfast." "Breakfast? Who is to eat breakfast?" "I am, sir. Feels as if it would do me good." "But we must escape, Jem--escape." "Yes, sir; that's right," said Jem, taking off the cup, and sniffing at the jug. "Coffee, sir. Got pretty well knocked about last night, and I'm as sore this morning as if they'd been rolling casks all over me. But a man must eat." "Eat then, and drink then, for goodness' sake," cried Don impatiently. "Thankye, sir," said Jem; and he poured out a cup of steaming coffee, sipped it, sipped again, took three or four mouthfuls of bread and butter, and then drained the cup. "Mas' Don!" he cried, "it's lovely. Do have a cup. Make you see clear." As he spoke he refilled the mug and handed it to Don, who took it mechanically, and placed it to his lips, one drop suggesting another till he had finished the cup. "Now a bit o' bread and butter, Mas' Don?" Don shook his head, but took the top piece, and began mechanically to eat, while Jem partook of another cup, there being a liberal allowance of some three pints. "That's the way, sir. Wonderful what a difference breakfuss makes in a man. Eat away, sir; and if they don't look out we'll give them press-gang." "Yes, but how, Jem? How?" "Lots o' ways, sir. We'll get away, for one thing, or fasten that there trap-door down; and then they'll be the prisoners, not us. 'Nother cup, sir? Go on with the bread and | Don Lavington |
"what a terrible effect you seem to have. He's never like this as a rule." | Brenda | mind." "Oh dear," said Brenda,<|quote|>"what a terrible effect you seem to have. He's never like this as a rule."</|quote|>When they had gone nanny | do it hard? I shouldn't mind." "Oh dear," said Brenda,<|quote|>"what a terrible effect you seem to have. He's never like this as a rule."</|quote|>When they had gone nanny threw open another window. "Poof!" | was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda,<|quote|>"what a terrible effect you seem to have. He's never like this as a rule."</|quote|>When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was | in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda,<|quote|>"what a terrible effect you seem to have. He's never like this as a rule."</|quote|>When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's | is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda,<|quote|>"what a terrible effect you seem to have. He's never like this as a rule."</|quote|>When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly | once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda,<|quote|>"what a terrible effect you seem to have. He's never like this as a rule."</|quote|>When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want | said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely, "and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy." "What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda,<|quote|>"what a terrible effect you seem to have. He's never like this as a rule."</|quote|>When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my | his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda,<|quote|>"what a terrible effect you seem to have. He's never like this as a rule."</|quote|>When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." | A Handful Of Dust |
James Harthouse looked at her with an incredulous smile upon his lips; but her mind looked over and beyond him, and the smile was quite thrown away. He bit his lip, and took a little time for consideration. | No speaker | true. There is no hope."<|quote|>James Harthouse looked at her with an incredulous smile upon his lips; but her mind looked over and beyond him, and the smile was quite thrown away. He bit his lip, and took a little time for consideration.</|quote|>"Well! If it should unhappily | and won't" "It is still true. There is no hope."<|quote|>James Harthouse looked at her with an incredulous smile upon his lips; but her mind looked over and beyond him, and the smile was quite thrown away. He bit his lip, and took a little time for consideration.</|quote|>"Well! If it should unhappily appear," he said, "after due | no more hope of your ever speaking with her again, than there would be if she had died when she came home last night." "Must believe? But if I can't or if I should, by infirmity of nature, be obstinate and won't" "It is still true. There is no hope."<|quote|>James Harthouse looked at her with an incredulous smile upon his lips; but her mind looked over and beyond him, and the smile was quite thrown away. He bit his lip, and took a little time for consideration.</|quote|>"Well! If it should unhappily appear," he said, "after due pains and duty on my part, that I am brought to a position so desolate as this banishment, I shall not become the lady's persecutor. But you said you had no commission from her?" "I have only the commission of | my saying that I cling to the belief that there is yet hope that I am not condemned to perpetual exile from that lady's presence." "There is not the least hope. The first object of my coming here, sir, is to assure you that you must believe that there is no more hope of your ever speaking with her again, than there would be if she had died when she came home last night." "Must believe? But if I can't or if I should, by infirmity of nature, be obstinate and won't" "It is still true. There is no hope."<|quote|>James Harthouse looked at her with an incredulous smile upon his lips; but her mind looked over and beyond him, and the smile was quite thrown away. He bit his lip, and took a little time for consideration.</|quote|>"Well! If it should unhappily appear," he said, "after due pains and duty on my part, that I am brought to a position so desolate as this banishment, I shall not become the lady's persecutor. But you said you had no commission from her?" "I have only the commission of my love for her, and her love for me. I have no other trust, than that I have been with her since she came home, and that she has given me her confidence. I have no further trust, than that I know something of her character and her marriage. O | and against which he knew any of his usual weapons would fall so powerless; that not a word could he rally to his relief. At last he said: "So startling an announcement, so confidently made, and by such lips, is really disconcerting in the last degree. May I be permitted to inquire, if you are charged to convey that information to me in those hopeless words, by the lady of whom we speak?" "I have no charge from her." "The drowning man catches at the straw. With no disrespect for your judgment, and with no doubt of your sincerity, excuse my saying that I cling to the belief that there is yet hope that I am not condemned to perpetual exile from that lady's presence." "There is not the least hope. The first object of my coming here, sir, is to assure you that you must believe that there is no more hope of your ever speaking with her again, than there would be if she had died when she came home last night." "Must believe? But if I can't or if I should, by infirmity of nature, be obstinate and won't" "It is still true. There is no hope."<|quote|>James Harthouse looked at her with an incredulous smile upon his lips; but her mind looked over and beyond him, and the smile was quite thrown away. He bit his lip, and took a little time for consideration.</|quote|>"Well! If it should unhappily appear," he said, "after due pains and duty on my part, that I am brought to a position so desolate as this banishment, I shall not become the lady's persecutor. But you said you had no commission from her?" "I have only the commission of my love for her, and her love for me. I have no other trust, than that I have been with her since she came home, and that she has given me her confidence. I have no further trust, than that I know something of her character and her marriage. O Mr. Harthouse, I think you had that trust too!" He was touched in the cavity where his heart should have been in that nest of addled eggs, where the birds of heaven would have lived if they had not been whistled away by the fervour of this reproach. "I am not a moral sort of fellow," he said, "and I never make any pretensions to the character of a moral sort of fellow. I am as immoral as need be. At the same time, in bringing any distress upon the lady who is the subject of the present conversation, or | as many years)," he returned, "on a lady's account. The hopes I have been encouraged to form that you come from that lady, do not deceive me, I trust." "I left her within an hour." "At !" "At her father's." Mr. Harthouse's face lengthened in spite of his coolness, and his perplexity increased. "Then I certainly," he thought, "do _not_ see where we are going." "She hurried there last night. She arrived there in great agitation, and was insensible all through the night. I live at her father's, and was with her. You may be sure, sir, you will never see her again as long as you live." Mr. Harthouse drew a long breath; and, if ever man found himself in the position of not knowing what to say, made the discovery beyond all question that he was so circumstanced. The child-like ingenuousness with which his visitor spoke, her modest fearlessness, her truthfulness which put all artifice aside, her entire forgetfulness of herself in her earnest quiet holding to the object with which she had come; all this, together with her reliance on his easily given promise which in itself shamed him presented something in which he was so inexperienced, and against which he knew any of his usual weapons would fall so powerless; that not a word could he rally to his relief. At last he said: "So startling an announcement, so confidently made, and by such lips, is really disconcerting in the last degree. May I be permitted to inquire, if you are charged to convey that information to me in those hopeless words, by the lady of whom we speak?" "I have no charge from her." "The drowning man catches at the straw. With no disrespect for your judgment, and with no doubt of your sincerity, excuse my saying that I cling to the belief that there is yet hope that I am not condemned to perpetual exile from that lady's presence." "There is not the least hope. The first object of my coming here, sir, is to assure you that you must believe that there is no more hope of your ever speaking with her again, than there would be if she had died when she came home last night." "Must believe? But if I can't or if I should, by infirmity of nature, be obstinate and won't" "It is still true. There is no hope."<|quote|>James Harthouse looked at her with an incredulous smile upon his lips; but her mind looked over and beyond him, and the smile was quite thrown away. He bit his lip, and took a little time for consideration.</|quote|>"Well! If it should unhappily appear," he said, "after due pains and duty on my part, that I am brought to a position so desolate as this banishment, I shall not become the lady's persecutor. But you said you had no commission from her?" "I have only the commission of my love for her, and her love for me. I have no other trust, than that I have been with her since she came home, and that she has given me her confidence. I have no further trust, than that I know something of her character and her marriage. O Mr. Harthouse, I think you had that trust too!" He was touched in the cavity where his heart should have been in that nest of addled eggs, where the birds of heaven would have lived if they had not been whistled away by the fervour of this reproach. "I am not a moral sort of fellow," he said, "and I never make any pretensions to the character of a moral sort of fellow. I am as immoral as need be. At the same time, in bringing any distress upon the lady who is the subject of the present conversation, or in unfortunately compromising her in any way, or in committing myself by any expression of sentiments towards her, not perfectly reconcilable with in fact with the domestic hearth; or in taking any advantage of her father's being a machine, or of her brother's being a whelp, or of her husband's being a bear; I beg to be allowed to assure you that I have had no particularly evil intentions, but have glided on from one step to another with a smoothness so perfectly diabolical, that I had not the slightest idea the catalogue was half so long until I began to turn it over. Whereas I find," said Mr. James Harthouse, in conclusion, "that it is really in several volumes." Though he said all this in his frivolous way, the way seemed, for that once, a conscious polishing of but an ugly surface. He was silent for a moment; and then proceeded with a more self-possessed air, though with traces of vexation and disappointment that would not be polished out. "After what has been just now represented to me, in a manner I find it impossible to doubt I know of hardly any other source from which I could have | waiter appeared and said, at once mysteriously and apologetically: "Beg your pardon, sir. You're wanted, sir, if you please." A general recollection that this was the kind of thing the Police said to the swell mob, caused Mr. Harthouse to ask the waiter in return, with bristling indignation, what the Devil he meant by "wanted'? "Beg your pardon, sir. Young lady outside, sir, wishes to see you." "Outside? Where?" "Outside this door, sir." Giving the waiter to the personage before mentioned, as a block-head duly qualified for that consignment, Mr. Harthouse hurried into the gallery. A young woman whom he had never seen stood there. Plainly dressed, very quiet, very pretty. As he conducted her into the room and placed a chair for her, he observed, by the light of the candles, that she was even prettier than he had at first believed. Her face was innocent and youthful, and its expression remarkably pleasant. She was not afraid of him, or in any way disconcerted; she seemed to have her mind entirely preoccupied with the occasion of her visit, and to have substituted that consideration for herself. "I speak to Mr. Harthouse?" she said, when they were alone. "To Mr. Harthouse." He added in his mind, "And you speak to him with the most confiding eyes I ever saw, and the most earnest voice (though so quiet) I ever heard." "If I do not understand and I do not, sir'" said Sissy, "what your honour as a gentleman binds you to, in other matters:" the blood really rose in his face as she began in these words: "I am sure I may rely upon it to keep my visit secret, and to keep secret what I am going to say. I will rely upon it, if you will tell me I may so far trust" "You may, I assure you." "I am young, as you see; I am alone, as you see. In coming to you, sir, I have no advice or encouragement beyond my own hope." He thought, "But that is very strong," as he followed the momentary upward glance of her eyes. He thought besides, "This is a very odd beginning. I don't see where we are going." "I think," said Sissy, "you have already guessed whom I left just now!" "I have been in the greatest concern and uneasiness during the last four-and-twenty hours (which have appeared as many years)," he returned, "on a lady's account. The hopes I have been encouraged to form that you come from that lady, do not deceive me, I trust." "I left her within an hour." "At !" "At her father's." Mr. Harthouse's face lengthened in spite of his coolness, and his perplexity increased. "Then I certainly," he thought, "do _not_ see where we are going." "She hurried there last night. She arrived there in great agitation, and was insensible all through the night. I live at her father's, and was with her. You may be sure, sir, you will never see her again as long as you live." Mr. Harthouse drew a long breath; and, if ever man found himself in the position of not knowing what to say, made the discovery beyond all question that he was so circumstanced. The child-like ingenuousness with which his visitor spoke, her modest fearlessness, her truthfulness which put all artifice aside, her entire forgetfulness of herself in her earnest quiet holding to the object with which she had come; all this, together with her reliance on his easily given promise which in itself shamed him presented something in which he was so inexperienced, and against which he knew any of his usual weapons would fall so powerless; that not a word could he rally to his relief. At last he said: "So startling an announcement, so confidently made, and by such lips, is really disconcerting in the last degree. May I be permitted to inquire, if you are charged to convey that information to me in those hopeless words, by the lady of whom we speak?" "I have no charge from her." "The drowning man catches at the straw. With no disrespect for your judgment, and with no doubt of your sincerity, excuse my saying that I cling to the belief that there is yet hope that I am not condemned to perpetual exile from that lady's presence." "There is not the least hope. The first object of my coming here, sir, is to assure you that you must believe that there is no more hope of your ever speaking with her again, than there would be if she had died when she came home last night." "Must believe? But if I can't or if I should, by infirmity of nature, be obstinate and won't" "It is still true. There is no hope."<|quote|>James Harthouse looked at her with an incredulous smile upon his lips; but her mind looked over and beyond him, and the smile was quite thrown away. He bit his lip, and took a little time for consideration.</|quote|>"Well! If it should unhappily appear," he said, "after due pains and duty on my part, that I am brought to a position so desolate as this banishment, I shall not become the lady's persecutor. But you said you had no commission from her?" "I have only the commission of my love for her, and her love for me. I have no other trust, than that I have been with her since she came home, and that she has given me her confidence. I have no further trust, than that I know something of her character and her marriage. O Mr. Harthouse, I think you had that trust too!" He was touched in the cavity where his heart should have been in that nest of addled eggs, where the birds of heaven would have lived if they had not been whistled away by the fervour of this reproach. "I am not a moral sort of fellow," he said, "and I never make any pretensions to the character of a moral sort of fellow. I am as immoral as need be. At the same time, in bringing any distress upon the lady who is the subject of the present conversation, or in unfortunately compromising her in any way, or in committing myself by any expression of sentiments towards her, not perfectly reconcilable with in fact with the domestic hearth; or in taking any advantage of her father's being a machine, or of her brother's being a whelp, or of her husband's being a bear; I beg to be allowed to assure you that I have had no particularly evil intentions, but have glided on from one step to another with a smoothness so perfectly diabolical, that I had not the slightest idea the catalogue was half so long until I began to turn it over. Whereas I find," said Mr. James Harthouse, in conclusion, "that it is really in several volumes." Though he said all this in his frivolous way, the way seemed, for that once, a conscious polishing of but an ugly surface. He was silent for a moment; and then proceeded with a more self-possessed air, though with traces of vexation and disappointment that would not be polished out. "After what has been just now represented to me, in a manner I find it impossible to doubt I know of hardly any other source from which I could have accepted it so readily I feel bound to say to you, in whom the confidence you have mentioned has been reposed, that I cannot refuse to contemplate the possibility (however unexpected) of my seeing the lady no more. I am solely to blame for the thing having come to this and and, I cannot say," he added, rather hard up for a general peroration, "that I have any sanguine expectation of ever becoming a moral sort of fellow, or that I have any belief in any moral sort of fellow whatever." Sissy's face sufficiently showed that her appeal to him was not finished. "You spoke," he resumed, as she raised her eyes to him again, "of your first object. I may assume that there is a second to be mentioned?" "Yes." "Will you oblige me by confiding it?" "Mr. Harthouse," returned Sissy, with a blending of gentleness and steadiness that quite defeated him, and with a simple confidence in his being bound to do what she required, that held him at a singular disadvantage, "the only reparation that remains with you, is to leave here immediately and finally. I am quite sure that you can mitigate in no other way the wrong and harm you have done. I am quite sure that it is the only compensation you have left it in your power to make. I do not say that it is much, or that it is enough; but it is something, and it is necessary. Therefore, though without any other authority than I have given you, and even without the knowledge of any other person than yourself and myself, I ask you to depart from this place to-night, under an obligation never to return to it." If she had asserted any influence over him beyond her plain faith in the truth and right of what she said; if she had concealed the least doubt or irresolution, or had harboured for the best purpose any reserve or pretence; if she had shown, or felt, the lightest trace of any sensitiveness to his ridicule or his astonishment, or any remonstrance he might offer; he would have carried it against her at this point. But he could as easily have changed a clear sky by looking at it in surprise, as affect her. "But do you know," he asked, quite at a loss, "the extent of what you ask? You probably | rely upon it to keep my visit secret, and to keep secret what I am going to say. I will rely upon it, if you will tell me I may so far trust" "You may, I assure you." "I am young, as you see; I am alone, as you see. In coming to you, sir, I have no advice or encouragement beyond my own hope." He thought, "But that is very strong," as he followed the momentary upward glance of her eyes. He thought besides, "This is a very odd beginning. I don't see where we are going." "I think," said Sissy, "you have already guessed whom I left just now!" "I have been in the greatest concern and uneasiness during the last four-and-twenty hours (which have appeared as many years)," he returned, "on a lady's account. The hopes I have been encouraged to form that you come from that lady, do not deceive me, I trust." "I left her within an hour." "At !" "At her father's." Mr. Harthouse's face lengthened in spite of his coolness, and his perplexity increased. "Then I certainly," he thought, "do _not_ see where we are going." "She hurried there last night. She arrived there in great agitation, and was insensible all through the night. I live at her father's, and was with her. You may be sure, sir, you will never see her again as long as you live." Mr. Harthouse drew a long breath; and, if ever man found himself in the position of not knowing what to say, made the discovery beyond all question that he was so circumstanced. The child-like ingenuousness with which his visitor spoke, her modest fearlessness, her truthfulness which put all artifice aside, her entire forgetfulness of herself in her earnest quiet holding to the object with which she had come; all this, together with her reliance on his easily given promise which in itself shamed him presented something in which he was so inexperienced, and against which he knew any of his usual weapons would fall so powerless; that not a word could he rally to his relief. At last he said: "So startling an announcement, so confidently made, and by such lips, is really disconcerting in the last degree. May I be permitted to inquire, if you are charged to convey that information to me in those hopeless words, by the lady of whom we speak?" "I have no charge from her." "The drowning man catches at the straw. With no disrespect for your judgment, and with no doubt of your sincerity, excuse my saying that I cling to the belief that there is yet hope that I am not condemned to perpetual exile from that lady's presence." "There is not the least hope. The first object of my coming here, sir, is to assure you that you must believe that there is no more hope of your ever speaking with her again, than there would be if she had died when she came home last night." "Must believe? But if I can't or if I should, by infirmity of nature, be obstinate and won't" "It is still true. There is no hope."<|quote|>James Harthouse looked at her with an incredulous smile upon his lips; but her mind looked over and beyond him, and the smile was quite thrown away. He bit his lip, and took a little time for consideration.</|quote|>"Well! If it should unhappily appear," he said, "after due pains and duty on my part, that I am brought to a position so desolate as this banishment, I shall not become the lady's persecutor. But you said you had no commission from her?" "I have only the commission of my love for her, and her love for me. I have no other trust, than that I have been with her since she came home, and that she has given me her confidence. I have no further trust, than that I know something of her character and her marriage. O Mr. Harthouse, I think you had that trust too!" He was touched in the cavity where his heart should have been in that nest of addled eggs, where the birds of heaven would have lived if they had not been whistled away by the fervour of this reproach. "I am not a moral sort of fellow," he said, "and I never make any pretensions to the character of a moral sort of fellow. I am as immoral as need be. At the same time, in bringing any distress upon the lady who is the subject of the present conversation, or in unfortunately compromising her in any way, or in committing myself by any expression of sentiments towards her, not perfectly reconcilable with in fact with the domestic hearth; or in taking any advantage of her father's being a machine, or of her brother's being a whelp, or of her husband's being a bear; I beg to be allowed to assure you that I have had no particularly evil intentions, but have glided on from one step to another with a smoothness so perfectly diabolical, that I had not the slightest idea the catalogue was half so long until I began to turn it over. Whereas I find," said Mr. James Harthouse, in conclusion, "that it is really in several volumes." Though he said all this in his frivolous way, the way seemed, for that once, a conscious polishing of but an ugly surface. He was silent for a moment; and then proceeded with a more self-possessed air, though with traces of vexation and disappointment that would not be polished out. | Hard Times |
The train seemed to shake him towards her. He was resolved that though a dozen people were looking, he would yet take her in his arms. | No speaker | it anything like that?" "Yes."<|quote|>The train seemed to shake him towards her. He was resolved that though a dozen people were looking, he would yet take her in his arms.</|quote|>"I m terribly lonely, or | you lonely?" he whispered. "Is it anything like that?" "Yes."<|quote|>The train seemed to shake him towards her. He was resolved that though a dozen people were looking, he would yet take her in his arms.</|quote|>"I m terribly lonely, or I wouldn t speak. I | to be mysterious. I ve wanted often to tell you, and then been afraid. I could never tell any one else, certainly no woman, and I think you re the one man who might understand and not be disgusted." "Are you lonely?" he whispered. "Is it anything like that?" "Yes."<|quote|>The train seemed to shake him towards her. He was resolved that though a dozen people were looking, he would yet take her in his arms.</|quote|>"I m terribly lonely, or I wouldn t speak. I think you must know already." Their faces were crimson, as if the same thought was surging through them both. "Perhaps I do." He came close to her. "Perhaps I could speak instead. But if you will say the word plainly | much tragedy, the South had brought them together in the end. That laughter in the theatre, those silver stars in the purple sky, even the violets of a departed spring, all had helped, and sorrow had helped also, and so had tenderness to others. "It is tempting," she repeated, "not to be mysterious. I ve wanted often to tell you, and then been afraid. I could never tell any one else, certainly no woman, and I think you re the one man who might understand and not be disgusted." "Are you lonely?" he whispered. "Is it anything like that?" "Yes."<|quote|>The train seemed to shake him towards her. He was resolved that though a dozen people were looking, he would yet take her in his arms.</|quote|>"I m terribly lonely, or I wouldn t speak. I think you must know already." Their faces were crimson, as if the same thought was surging through them both. "Perhaps I do." He came close to her. "Perhaps I could speak instead. But if you will say the word plainly you ll never be sorry; I will thank you for it all my life." She said plainly, "That I love him." Then she broke down. Her body was shaken with sobs, and lest there should be any doubt she cried between the sobs for Gino! Gino! Gino! He heard himself | and I don t know what besides. I won t stand it. You ve gone too far to turn mysterious. I ll quote what you said to me: Don t be mysterious; there isn t the time. I ll quote something else: I and my life must be where I live. You can t live at Sawston." He had moved her at last. She whispered to herself hurriedly. "It is tempting--" And those three words threw him into a tumult of joy. What was tempting to her? After all was the greatest of things possible? Perhaps, after long estrangement, after much tragedy, the South had brought them together in the end. That laughter in the theatre, those silver stars in the purple sky, even the violets of a departed spring, all had helped, and sorrow had helped also, and so had tenderness to others. "It is tempting," she repeated, "not to be mysterious. I ve wanted often to tell you, and then been afraid. I could never tell any one else, certainly no woman, and I think you re the one man who might understand and not be disgusted." "Are you lonely?" he whispered. "Is it anything like that?" "Yes."<|quote|>The train seemed to shake him towards her. He was resolved that though a dozen people were looking, he would yet take her in his arms.</|quote|>"I m terribly lonely, or I wouldn t speak. I think you must know already." Their faces were crimson, as if the same thought was surging through them both. "Perhaps I do." He came close to her. "Perhaps I could speak instead. But if you will say the word plainly you ll never be sorry; I will thank you for it all my life." She said plainly, "That I love him." Then she broke down. Her body was shaken with sobs, and lest there should be any doubt she cried between the sobs for Gino! Gino! Gino! He heard himself remark "Rather! I love him too! When I can forget how he hurt me that evening. Though whenever we shake hands--" One of them must have moved a step or two, for when she spoke again she was already a little way apart. "You ve upset me." She stifled something that was perilously near hysterics. "I thought I was past all this. You re taking it wrongly. I m in love with Gino--don t pass it off--I mean it crudely--you know what I mean. So laugh at me." "Laugh at love?" asked Philip. "Yes. Pull it to pieces. Tell me | wonderful things: that tower in the sunlight--do you remember it, and all you said to me? The theatre, even. And the next day--in the church; and our times with Gino." "All the wonderful things are over," she said. "That is just where it is." "I don t believe it. At all events not for me. The most wonderful things may be to come--" "The wonderful things are over," she repeated, and looked at him so mournfully that he dare not contradict her. The train was crawling up the last ascent towards the Campanile of Airolo and the entrance of the tunnel. "Miss Abbott," he murmured, speaking quickly, as if their free intercourse might soon be ended, "what is the matter with you? I thought I understood you, and I don t. All those two great first days at Monteriano I read you as clearly as you read me still. I saw why you had come, and why you changed sides, and afterwards I saw your wonderful courage and pity. And now you re frank with me one moment, as you used to be, and the next moment you shut me up. You see I owe too much to you--my life, and I don t know what besides. I won t stand it. You ve gone too far to turn mysterious. I ll quote what you said to me: Don t be mysterious; there isn t the time. I ll quote something else: I and my life must be where I live. You can t live at Sawston." He had moved her at last. She whispered to herself hurriedly. "It is tempting--" And those three words threw him into a tumult of joy. What was tempting to her? After all was the greatest of things possible? Perhaps, after long estrangement, after much tragedy, the South had brought them together in the end. That laughter in the theatre, those silver stars in the purple sky, even the violets of a departed spring, all had helped, and sorrow had helped also, and so had tenderness to others. "It is tempting," she repeated, "not to be mysterious. I ve wanted often to tell you, and then been afraid. I could never tell any one else, certainly no woman, and I think you re the one man who might understand and not be disgusted." "Are you lonely?" he whispered. "Is it anything like that?" "Yes."<|quote|>The train seemed to shake him towards her. He was resolved that though a dozen people were looking, he would yet take her in his arms.</|quote|>"I m terribly lonely, or I wouldn t speak. I think you must know already." Their faces were crimson, as if the same thought was surging through them both. "Perhaps I do." He came close to her. "Perhaps I could speak instead. But if you will say the word plainly you ll never be sorry; I will thank you for it all my life." She said plainly, "That I love him." Then she broke down. Her body was shaken with sobs, and lest there should be any doubt she cried between the sobs for Gino! Gino! Gino! He heard himself remark "Rather! I love him too! When I can forget how he hurt me that evening. Though whenever we shake hands--" One of them must have moved a step or two, for when she spoke again she was already a little way apart. "You ve upset me." She stifled something that was perilously near hysterics. "I thought I was past all this. You re taking it wrongly. I m in love with Gino--don t pass it off--I mean it crudely--you know what I mean. So laugh at me." "Laugh at love?" asked Philip. "Yes. Pull it to pieces. Tell me I m a fool or worse--that he s a cad. Say all you said when Lilia fell in love with him. That s the help I want. I dare tell you this because I like you--and because you re without passion; you look on life as a spectacle; you don t enter it; you only find it funny or beautiful. So I can trust you to cure me. Mr. Herriton, isn t it funny?" She tried to laugh herself, but became frightened and had to stop. "He s not a gentleman, nor a Christian, nor good in any way. He s never flattered me nor honoured me. But because he s handsome, that s been enough. The son of an Italian dentist, with a pretty face." She repeated the phrase as if it was a charm against passion. "Oh, Mr. Herriton, isn t it funny!" Then, to his relief, she began to cry. "I love him, and I m not ashamed of it. I love him, and I m going to Sawston, and if I mayn t speak about him to you sometimes, I shall die." In that terrible discovery Philip managed to think not of himself but of her. | had supposed, but it was even less complete. He had seen the need for strenuous work and for righteousness. And now he saw what a very little way those things would go. "Is Harriet going to be all right?" he asked. Miss Abbott had come back to him. "She will soon be her old self," was the reply. For Harriet, after a short paroxysm of illness and remorse, was quickly returning to her normal state. She had been "thoroughly upset" as she phrased it, but she soon ceased to realize that anything was wrong beyond the death of a poor little child. Already she spoke of "this unlucky accident," and "the mysterious frustration of one s attempts to make things better." Miss Abbott had seen that she was comfortable, and had given her a kind kiss. But she returned feeling that Harriet, like her mother, considered the affair as settled. "I m clear enough about Harriet s future, and about parts of my own. But I ask again, What about yours?" "Sawston and work," said Miss Abbott. "No." "Why not?" she asked, smiling. "You ve seen too much. You ve seen as much and done more than I have." "But it s so different. Of course I shall go to Sawston. You forget my father; and even if he wasn t there, I ve a hundred ties: my district--I m neglecting it shamefully--my evening classes, the St. James --" "Silly nonsense!" he exploded, suddenly moved to have the whole thing out with her. "You re too good--about a thousand times better than I am. You can t live in that hole; you must go among people who can hope to understand you. I mind for myself. I want to see you often--again and again." "Of course we shall meet whenever you come down; and I hope that it will mean often." "It s not enough; it ll only be in the old horrible way, each with a dozen relatives round us. No, Miss Abbott; it s not good enough." "We can write at all events." "You will write?" he cried, with a flush of pleasure. At times his hopes seemed so solid. "I will indeed." "But I say it s not enough--you can t go back to the old life if you wanted to. Too much has happened." "I know that," she said sadly. "Not only pain and sorrow, but wonderful things: that tower in the sunlight--do you remember it, and all you said to me? The theatre, even. And the next day--in the church; and our times with Gino." "All the wonderful things are over," she said. "That is just where it is." "I don t believe it. At all events not for me. The most wonderful things may be to come--" "The wonderful things are over," she repeated, and looked at him so mournfully that he dare not contradict her. The train was crawling up the last ascent towards the Campanile of Airolo and the entrance of the tunnel. "Miss Abbott," he murmured, speaking quickly, as if their free intercourse might soon be ended, "what is the matter with you? I thought I understood you, and I don t. All those two great first days at Monteriano I read you as clearly as you read me still. I saw why you had come, and why you changed sides, and afterwards I saw your wonderful courage and pity. And now you re frank with me one moment, as you used to be, and the next moment you shut me up. You see I owe too much to you--my life, and I don t know what besides. I won t stand it. You ve gone too far to turn mysterious. I ll quote what you said to me: Don t be mysterious; there isn t the time. I ll quote something else: I and my life must be where I live. You can t live at Sawston." He had moved her at last. She whispered to herself hurriedly. "It is tempting--" And those three words threw him into a tumult of joy. What was tempting to her? After all was the greatest of things possible? Perhaps, after long estrangement, after much tragedy, the South had brought them together in the end. That laughter in the theatre, those silver stars in the purple sky, even the violets of a departed spring, all had helped, and sorrow had helped also, and so had tenderness to others. "It is tempting," she repeated, "not to be mysterious. I ve wanted often to tell you, and then been afraid. I could never tell any one else, certainly no woman, and I think you re the one man who might understand and not be disgusted." "Are you lonely?" he whispered. "Is it anything like that?" "Yes."<|quote|>The train seemed to shake him towards her. He was resolved that though a dozen people were looking, he would yet take her in his arms.</|quote|>"I m terribly lonely, or I wouldn t speak. I think you must know already." Their faces were crimson, as if the same thought was surging through them both. "Perhaps I do." He came close to her. "Perhaps I could speak instead. But if you will say the word plainly you ll never be sorry; I will thank you for it all my life." She said plainly, "That I love him." Then she broke down. Her body was shaken with sobs, and lest there should be any doubt she cried between the sobs for Gino! Gino! Gino! He heard himself remark "Rather! I love him too! When I can forget how he hurt me that evening. Though whenever we shake hands--" One of them must have moved a step or two, for when she spoke again she was already a little way apart. "You ve upset me." She stifled something that was perilously near hysterics. "I thought I was past all this. You re taking it wrongly. I m in love with Gino--don t pass it off--I mean it crudely--you know what I mean. So laugh at me." "Laugh at love?" asked Philip. "Yes. Pull it to pieces. Tell me I m a fool or worse--that he s a cad. Say all you said when Lilia fell in love with him. That s the help I want. I dare tell you this because I like you--and because you re without passion; you look on life as a spectacle; you don t enter it; you only find it funny or beautiful. So I can trust you to cure me. Mr. Herriton, isn t it funny?" She tried to laugh herself, but became frightened and had to stop. "He s not a gentleman, nor a Christian, nor good in any way. He s never flattered me nor honoured me. But because he s handsome, that s been enough. The son of an Italian dentist, with a pretty face." She repeated the phrase as if it was a charm against passion. "Oh, Mr. Herriton, isn t it funny!" Then, to his relief, she began to cry. "I love him, and I m not ashamed of it. I love him, and I m going to Sawston, and if I mayn t speak about him to you sometimes, I shall die." In that terrible discovery Philip managed to think not of himself but of her. He did not lament. He did not even speak to her kindly, for he saw that she could not stand it. A flippant reply was what she asked and needed--something flippant and a little cynical. And indeed it was the only reply he could trust himself to make. "Perhaps it is what the books call a passing fancy ?" She shook her head. Even this question was too pathetic. For as far as she knew anything about herself, she knew that her passions, once aroused, were sure. "If I saw him often," she said, "I might remember what he is like. Or he might grow old. But I dare not risk it, so nothing can alter me now." "Well, if the fancy does pass, let me know." After all, he could say what he wanted. "Oh, you shall know quick enough--" "But before you retire to Sawston--are you so mighty sure?" "What of?" She had stopped crying. He was treating her exactly as she had hoped. "That you and he--" He smiled bitterly at the thought of them together. Here was the cruel antique malice of the gods, such as they once sent forth against Pasiphae. Centuries of aspiration and culture--and the world could not escape it. "I was going to say--whatever have you got in common?" "Nothing except the times we have seen each other." Again her face was crimson. He turned his own face away. "Which--which times?" "The time I thought you weak and heedless, and went instead of you to get the baby. That began it, as far as I know the beginning. Or it may have begun when you took us to the theatre, and I saw him mixed up with music and light. But didn t understand till the morning. Then you opened the door--and I knew why I had been so happy. Afterwards, in the church, I prayed for us all; not for anything new, but that we might just be as we were--he with the child he loved, you and I and Harriet safe out of the place--and that I might never see him or speak to him again. I could have pulled through then--the thing was only coming near, like a wreath of smoke; it hadn t wrapped me round." "But through my fault," said Philip solemnly, "he is parted from the child he loves. And because my life was in danger | dozen relatives round us. No, Miss Abbott; it s not good enough." "We can write at all events." "You will write?" he cried, with a flush of pleasure. At times his hopes seemed so solid. "I will indeed." "But I say it s not enough--you can t go back to the old life if you wanted to. Too much has happened." "I know that," she said sadly. "Not only pain and sorrow, but wonderful things: that tower in the sunlight--do you remember it, and all you said to me? The theatre, even. And the next day--in the church; and our times with Gino." "All the wonderful things are over," she said. "That is just where it is." "I don t believe it. At all events not for me. The most wonderful things may be to come--" "The wonderful things are over," she repeated, and looked at him so mournfully that he dare not contradict her. The train was crawling up the last ascent towards the Campanile of Airolo and the entrance of the tunnel. "Miss Abbott," he murmured, speaking quickly, as if their free intercourse might soon be ended, "what is the matter with you? I thought I understood you, and I don t. All those two great first days at Monteriano I read you as clearly as you read me still. I saw why you had come, and why you changed sides, and afterwards I saw your wonderful courage and pity. And now you re frank with me one moment, as you used to be, and the next moment you shut me up. You see I owe too much to you--my life, and I don t know what besides. I won t stand it. You ve gone too far to turn mysterious. I ll quote what you said to me: Don t be mysterious; there isn t the time. I ll quote something else: I and my life must be where I live. You can t live at Sawston." He had moved her at last. She whispered to herself hurriedly. "It is tempting--" And those three words threw him into a tumult of joy. What was tempting to her? After all was the greatest of things possible? Perhaps, after long estrangement, after much tragedy, the South had brought them together in the end. That laughter in the theatre, those silver stars in the purple sky, even the violets of a departed spring, all had helped, and sorrow had helped also, and so had tenderness to others. "It is tempting," she repeated, "not to be mysterious. I ve wanted often to tell you, and then been afraid. I could never tell any one else, certainly no woman, and I think you re the one man who might understand and not be disgusted." "Are you lonely?" he whispered. "Is it anything like that?" "Yes."<|quote|>The train seemed to shake him towards her. He was resolved that though a dozen people were looking, he would yet take her in his arms.</|quote|>"I m terribly lonely, or I wouldn t speak. I think you must know already." Their faces were crimson, as if the same thought was surging through them both. "Perhaps I do." He came close to her. "Perhaps I could speak instead. But if you will say the word plainly you ll never be sorry; I will thank you for it all my life." She said plainly, "That I love him." Then she broke down. Her body was shaken with sobs, and lest there should be any doubt she cried between the sobs for Gino! Gino! Gino! He heard himself remark "Rather! I love him too! When I can forget how he hurt me that evening. Though whenever we shake hands--" One of them must have moved a step or two, for when she spoke again she was already a little way apart. "You ve upset me." She stifled something that was perilously near hysterics. "I thought I was past all this. You re taking it wrongly. I m in love with Gino--don t pass it off--I mean it crudely--you know what I mean. So laugh at me." "Laugh at love?" asked Philip. "Yes. Pull it to pieces. Tell me I m a fool or worse--that he s a cad. Say all you said when Lilia fell in love with him. That s the help I want. I dare tell you this because I like you--and because you re without passion; you look on life as a spectacle; you don t enter it; you only find it funny or beautiful. So I can trust you to cure me. Mr. Herriton, isn t it funny?" She tried to laugh herself, but became frightened and had to stop. "He s not a gentleman, nor a Christian, nor good in any way. He s never flattered me nor honoured me. But because he s handsome, that s been enough. The son of an Italian dentist, with a pretty face." She repeated the phrase as if it was a charm against passion. "Oh, Mr. Herriton, isn t it funny!" Then, to his relief, she began to cry. "I love him, and I m not ashamed of it. I love him, and | Where Angels Fear To Tread |
"Oh, yes. Thunderclap's terribly fresh. I've never known her like this." | John Andrew | "Oh." "Are you enjoying yourself?"<|quote|>"Oh, yes. Thunderclap's terribly fresh. I've never known her like this."</|quote|>There was a long wait | "Hounds are drawing the covert." "Oh." "Are you enjoying yourself?"<|quote|>"Oh, yes. Thunderclap's terribly fresh. I've never known her like this."</|quote|>There was a long wait as the horn sounded in | rest, cropping the tufts of sedge that lay round the woods. Miss Ripon was much out of breath, and her hands shook as she fiddled with veil, bun and bowler. John rode up to Jock's side. "What's happening, Mr Grant-Menzies?" "Hounds are drawing the covert." "Oh." "Are you enjoying yourself?"<|quote|>"Oh, yes. Thunderclap's terribly fresh. I've never known her like this."</|quote|>There was a long wait as the horn sounded in the heart of the wood. Everyone stood in the corner of the big field, near a gate. Everyone, that is to say, except Miss Ripon, who some minutes ago had disappeared suddenly, indeed in the middle of a sentence, at | at a gallop; she was flushed in the face and her bun was askew; she leant back, pulling with all her weight. "That girl will come to no good," said Jock. They encountered her later at the covert. Her horse was sweating and lathered at the bridle but temporarily at rest, cropping the tufts of sedge that lay round the woods. Miss Ripon was much out of breath, and her hands shook as she fiddled with veil, bun and bowler. John rode up to Jock's side. "What's happening, Mr Grant-Menzies?" "Hounds are drawing the covert." "Oh." "Are you enjoying yourself?"<|quote|>"Oh, yes. Thunderclap's terribly fresh. I've never known her like this."</|quote|>There was a long wait as the horn sounded in the heart of the wood. Everyone stood in the corner of the big field, near a gate. Everyone, that is to say, except Miss Ripon, who some minutes ago had disappeared suddenly, indeed in the middle of a sentence, at full gallop towards Hetton Hills. After half an hour Jock said, "They're calling hounds off." "Does that mean it's a blank?" "I'm afraid so." "I hate this happening in _our_ woods," said Ben. "Looks bad." Indeed the Pigstanton were already beginning to forget their hospitality and to ask each other | ominously and grumbling about her. They all knew that horse. Miss Ripon's father had been trying to sell him all the season, and had lately come down to eighty pounds. He was a good jumper on occasions but a beast of a horse to ride. Did Miss Ripon's father really imagine he was improving his chances of a sale by letting Miss Ripon make an exhibition of herself? It was like that skinflint, Miss Ripon's father, to risk Miss Ripon's neck for eighty pounds. And, anyway, Miss Ripon had no business out on _any_ horse... Presently she shot past them at a gallop; she was flushed in the face and her bun was askew; she leant back, pulling with all her weight. "That girl will come to no good," said Jock. They encountered her later at the covert. Her horse was sweating and lathered at the bridle but temporarily at rest, cropping the tufts of sedge that lay round the woods. Miss Ripon was much out of breath, and her hands shook as she fiddled with veil, bun and bowler. John rode up to Jock's side. "What's happening, Mr Grant-Menzies?" "Hounds are drawing the covert." "Oh." "Are you enjoying yourself?"<|quote|>"Oh, yes. Thunderclap's terribly fresh. I've never known her like this."</|quote|>There was a long wait as the horn sounded in the heart of the wood. Everyone stood in the corner of the big field, near a gate. Everyone, that is to say, except Miss Ripon, who some minutes ago had disappeared suddenly, indeed in the middle of a sentence, at full gallop towards Hetton Hills. After half an hour Jock said, "They're calling hounds off." "Does that mean it's a blank?" "I'm afraid so." "I hate this happening in _our_ woods," said Ben. "Looks bad." Indeed the Pigstanton were already beginning to forget their hospitality and to ask each other what did one expect when Last did not hunt himself, and to circulate dark reports of how one of the keepers had been observed last week burying Something late in the evening. They moved off again, away from Hetton. Ben began to feel his responsibility. "D'you think I ought to take the young gentleman home, sir?" "What did Mr Last say?" "He said he could go as far as the covert. He didn't say which, sir." "I'm afraid it sounds as if he ought to go." "_Oh, Mr Menzies!_" "Yes, come along, Master John. You've had enough for to-day." "But | him so as to be able to catch the reins if she looked like bolting. Once, boring forwards with her head, she took John by surprise and pulled him forwards out of his balance; he caught hold of the front of the saddle to steady himself and looked guiltily at Ben. "I'm afraid I'm riding very badly to-day. D'you think anyone has noticed?" "That's all right, son. You can't keep riding-school manners when you're hunting." Jock and Mrs Rattery trotted side by side. "I rather like this absurd horse," she said. She rode astride and it was evident from the moment she mounted that she rode extremely well. The members of the Pigstanton noted this with ill-concealed resentment, for it disturbed their fixed opinion, according to which, while all fellow members of the hunt were clowns and poltroons, strangers were, without exception, mannerless lunatics, and a serious menace to anyone within a quarter of a mile of them. Half-way through the village Miss Ripon had difficulties in getting past a stationary baker's van. Her horse plunged and reared, trembling all over, turning about and slipping frantically over the tarmac. They rode round her, giving his heels the widest berth, scowling ominously and grumbling about her. They all knew that horse. Miss Ripon's father had been trying to sell him all the season, and had lately come down to eighty pounds. He was a good jumper on occasions but a beast of a horse to ride. Did Miss Ripon's father really imagine he was improving his chances of a sale by letting Miss Ripon make an exhibition of herself? It was like that skinflint, Miss Ripon's father, to risk Miss Ripon's neck for eighty pounds. And, anyway, Miss Ripon had no business out on _any_ horse... Presently she shot past them at a gallop; she was flushed in the face and her bun was askew; she leant back, pulling with all her weight. "That girl will come to no good," said Jock. They encountered her later at the covert. Her horse was sweating and lathered at the bridle but temporarily at rest, cropping the tufts of sedge that lay round the woods. Miss Ripon was much out of breath, and her hands shook as she fiddled with veil, bun and bowler. John rode up to Jock's side. "What's happening, Mr Grant-Menzies?" "Hounds are drawing the covert." "Oh." "Are you enjoying yourself?"<|quote|>"Oh, yes. Thunderclap's terribly fresh. I've never known her like this."</|quote|>There was a long wait as the horn sounded in the heart of the wood. Everyone stood in the corner of the big field, near a gate. Everyone, that is to say, except Miss Ripon, who some minutes ago had disappeared suddenly, indeed in the middle of a sentence, at full gallop towards Hetton Hills. After half an hour Jock said, "They're calling hounds off." "Does that mean it's a blank?" "I'm afraid so." "I hate this happening in _our_ woods," said Ben. "Looks bad." Indeed the Pigstanton were already beginning to forget their hospitality and to ask each other what did one expect when Last did not hunt himself, and to circulate dark reports of how one of the keepers had been observed last week burying Something late in the evening. They moved off again, away from Hetton. Ben began to feel his responsibility. "D'you think I ought to take the young gentleman home, sir?" "What did Mr Last say?" "He said he could go as far as the covert. He didn't say which, sir." "I'm afraid it sounds as if he ought to go." "_Oh, Mr Menzies!_" "Yes, come along, Master John. You've had enough for to-day." "But I haven't had _any_." "If you come back in good time to-day your dad will be all the more willing to let you come out another day." "But there mayn't _be_ another day. The world may come to an end. _Please_, Ben. _Please_, Mr Menzies." "It is a shame they shouldn't have found," said Ben. "He's been looking forward to it." "Still, I think Mr Last would want him to go back," said Jock. So John's fate was decided; hounds went in one direction, he and Ben in another. John was very near tears as they reached the main road. "Look," said Ben, to encourage him. "Here comes Miss Ripon on that nappy bay. Seems as if she's going in, too. Had a fall by the looks of her." Miss Ripon's hat and back were covered with mud and moss. She had had a bad twenty minutes after her disappearance. "I'm taking him away," she said. "I can't do anything with him this morning." She jogged along beside them towards the village. "I thought perhaps Mr Last would let me come up to the house and telephone for the car. I don't feel like hacking him home in his present | upper windows; it was not her day. She had been out of temper while dressing him. "If I'm in at the death I expect Colonel Inch will blood me." "You won't see any death," said nanny. Now she stood with her eyes at an arrow slit gazing rather resentfully at the animated scene below. "It's all a lot of nonsense of Ben Hacket's," she thought. She deplored it all, hounds, Master, field, huntsman and whippers-in, Mr Tendril's niece in her mackintosh, Jock in a rat-catcher, Mrs Rattery in tall hat and cutaway coat, oblivious of the suspicious glances of the subscribers, Tony smiling and chatting to his guests, the crazy old man with the terriers, the Press photographer, pretty Miss Ripon in difficulties with a young horse, titupping sideways over the lawn, the grooms and second horses, the humble, unknown followers in the background--it was all a lot of nonsense of Ben Hacket's. "It was after eleven before the child got to sleep last night," she reflected, "he was that over-excited." Presently they moved off towards Bruton Wood. The way lay down the south drive through Compton Last, along the main road for half a mile, and then through fields. "He can ride with them as far as the covert," Tony had said. "Yes, sir, and there'd be no harm in his stayin' a bit to see hounds working, would there?" "No, I suppose not." "And if he breaks away towards home, there'd be no harm in our following a bit, if we keeps to the lanes and gates, would there, sir?" "No, but he's not to stay out more than an hour." "You wouldn't have me take him home with hounds running, would you, sir?" "Well, he's got to be in before one." "I'll see to that, sir. Don't you worry, my beauty," he said to John, "you'll get a hunt right enough." They waited until the end of the line of horses and then trotted soberly behind them. Close at their heels followed the motor-cars, at low gear, in a fog of exhaust. John was breathless and slightly dizzy. Thunderclap was tossing her head and worrying at her snaffle. Twice while the field was moving off she had tried to get away and had taken John round in a little circle, so that Ben had said, "Hold on to her, son" ", and had come up close beside him so as to be able to catch the reins if she looked like bolting. Once, boring forwards with her head, she took John by surprise and pulled him forwards out of his balance; he caught hold of the front of the saddle to steady himself and looked guiltily at Ben. "I'm afraid I'm riding very badly to-day. D'you think anyone has noticed?" "That's all right, son. You can't keep riding-school manners when you're hunting." Jock and Mrs Rattery trotted side by side. "I rather like this absurd horse," she said. She rode astride and it was evident from the moment she mounted that she rode extremely well. The members of the Pigstanton noted this with ill-concealed resentment, for it disturbed their fixed opinion, according to which, while all fellow members of the hunt were clowns and poltroons, strangers were, without exception, mannerless lunatics, and a serious menace to anyone within a quarter of a mile of them. Half-way through the village Miss Ripon had difficulties in getting past a stationary baker's van. Her horse plunged and reared, trembling all over, turning about and slipping frantically over the tarmac. They rode round her, giving his heels the widest berth, scowling ominously and grumbling about her. They all knew that horse. Miss Ripon's father had been trying to sell him all the season, and had lately come down to eighty pounds. He was a good jumper on occasions but a beast of a horse to ride. Did Miss Ripon's father really imagine he was improving his chances of a sale by letting Miss Ripon make an exhibition of herself? It was like that skinflint, Miss Ripon's father, to risk Miss Ripon's neck for eighty pounds. And, anyway, Miss Ripon had no business out on _any_ horse... Presently she shot past them at a gallop; she was flushed in the face and her bun was askew; she leant back, pulling with all her weight. "That girl will come to no good," said Jock. They encountered her later at the covert. Her horse was sweating and lathered at the bridle but temporarily at rest, cropping the tufts of sedge that lay round the woods. Miss Ripon was much out of breath, and her hands shook as she fiddled with veil, bun and bowler. John rode up to Jock's side. "What's happening, Mr Grant-Menzies?" "Hounds are drawing the covert." "Oh." "Are you enjoying yourself?"<|quote|>"Oh, yes. Thunderclap's terribly fresh. I've never known her like this."</|quote|>There was a long wait as the horn sounded in the heart of the wood. Everyone stood in the corner of the big field, near a gate. Everyone, that is to say, except Miss Ripon, who some minutes ago had disappeared suddenly, indeed in the middle of a sentence, at full gallop towards Hetton Hills. After half an hour Jock said, "They're calling hounds off." "Does that mean it's a blank?" "I'm afraid so." "I hate this happening in _our_ woods," said Ben. "Looks bad." Indeed the Pigstanton were already beginning to forget their hospitality and to ask each other what did one expect when Last did not hunt himself, and to circulate dark reports of how one of the keepers had been observed last week burying Something late in the evening. They moved off again, away from Hetton. Ben began to feel his responsibility. "D'you think I ought to take the young gentleman home, sir?" "What did Mr Last say?" "He said he could go as far as the covert. He didn't say which, sir." "I'm afraid it sounds as if he ought to go." "_Oh, Mr Menzies!_" "Yes, come along, Master John. You've had enough for to-day." "But I haven't had _any_." "If you come back in good time to-day your dad will be all the more willing to let you come out another day." "But there mayn't _be_ another day. The world may come to an end. _Please_, Ben. _Please_, Mr Menzies." "It is a shame they shouldn't have found," said Ben. "He's been looking forward to it." "Still, I think Mr Last would want him to go back," said Jock. So John's fate was decided; hounds went in one direction, he and Ben in another. John was very near tears as they reached the main road. "Look," said Ben, to encourage him. "Here comes Miss Ripon on that nappy bay. Seems as if she's going in, too. Had a fall by the looks of her." Miss Ripon's hat and back were covered with mud and moss. She had had a bad twenty minutes after her disappearance. "I'm taking him away," she said. "I can't do anything with him this morning." She jogged along beside them towards the village. "I thought perhaps Mr Last would let me come up to the house and telephone for the car. I don't feel like hacking him home in his present state. I can't think what's come over him," she added loyally. "He was out on Saturday. I've never known him like this before." "He wants a man up," said Ben. "Oh, he's no better with the groom, and daddy won't go near him," said Miss Ripon, stung to indiscretion. "At least... I mean... I don't think that they'd be any better with him in this state." He was quiet enough at that moment, keeping pace with the other horses. They rode abreast, she on the outside with John's pony between her and Ben. Then this happened: they reached a turn in the road and came face to face with one of the single-decker country buses that covered that neighbourhood. It was not going fast and, seeing the horses, the driver slowed down still further and drew into the side. Mr Tendril's niece, who had also despaired of the day's sport, was following behind them at a short distance on her motor bicycle; she too slowed down, and, observing that Miss Ripon's horse was likely to be difficult, stopped. Ben said, "Let me go first, Miss. He'll follow. Don't hold too hard on his mouth and just give him a tap." Miss Ripon did as she was told; everyone in fact behaved with complete good sense. They drew abreast of the omnibus. Miss Ripon's horse did not like it, but it seemed as though he would get by. The passengers watched with amusement. At that moment the motor bicycle, running gently in neutral gear, fired back into the cylinder with a sharp detonation. For a second Miss Ripon's horse stood rigid with alarm; then, menaced in front and behind, he did what was natural to him and shied sideways, cannoning violently into the pony at his side. John was knocked from the saddle and fell on the road while Miss Ripon's bay, rearing and skidding, continued to plunge away from the bus. "Take a hold of him, Miss. Use your whip," shouted Ben. "The boy's down." She hit him and the horse collected himself and bolted up the road into the village, but before he went one of his heels struck out and sent John into the ditch, where he lay bent double, perfectly still. Everyone agreed that it was nobody's fault. * * * * * It was nearly an hour before the news reached Jock and Mrs Rattery where | from the moment she mounted that she rode extremely well. The members of the Pigstanton noted this with ill-concealed resentment, for it disturbed their fixed opinion, according to which, while all fellow members of the hunt were clowns and poltroons, strangers were, without exception, mannerless lunatics, and a serious menace to anyone within a quarter of a mile of them. Half-way through the village Miss Ripon had difficulties in getting past a stationary baker's van. Her horse plunged and reared, trembling all over, turning about and slipping frantically over the tarmac. They rode round her, giving his heels the widest berth, scowling ominously and grumbling about her. They all knew that horse. Miss Ripon's father had been trying to sell him all the season, and had lately come down to eighty pounds. He was a good jumper on occasions but a beast of a horse to ride. Did Miss Ripon's father really imagine he was improving his chances of a sale by letting Miss Ripon make an exhibition of herself? It was like that skinflint, Miss Ripon's father, to risk Miss Ripon's neck for eighty pounds. And, anyway, Miss Ripon had no business out on _any_ horse... Presently she shot past them at a gallop; she was flushed in the face and her bun was askew; she leant back, pulling with all her weight. "That girl will come to no good," said Jock. They encountered her later at the covert. Her horse was sweating and lathered at the bridle but temporarily at rest, cropping the tufts of sedge that lay round the woods. Miss Ripon was much out of breath, and her hands shook as she fiddled with veil, bun and bowler. John rode up to Jock's side. "What's happening, Mr Grant-Menzies?" "Hounds are drawing the covert." "Oh." "Are you enjoying yourself?"<|quote|>"Oh, yes. Thunderclap's terribly fresh. I've never known her like this."</|quote|>There was a long wait as the horn sounded in the heart of the wood. Everyone stood in the corner of the big field, near a gate. Everyone, that is to say, except Miss Ripon, who some minutes ago had disappeared suddenly, indeed in the middle of a sentence, at full gallop towards Hetton Hills. After half an hour Jock said, "They're calling hounds off." "Does that mean it's a blank?" "I'm afraid so." "I hate this happening in _our_ woods," said Ben. "Looks bad." Indeed the Pigstanton were already beginning to forget their hospitality and to ask each other what did one expect when Last did not hunt himself, and to circulate dark reports of how one of the keepers had been observed last week burying Something late in the evening. They moved off again, away from Hetton. Ben began to feel his responsibility. "D'you think I ought to take the young gentleman home, sir?" "What did Mr Last say?" "He said he could go as far as the covert. He didn't say which, sir." "I'm afraid it sounds as if he ought to go." "_Oh, Mr Menzies!_" "Yes, come along, Master John. You've had enough for to-day." "But I haven't had _any_." "If you come back in good time to-day your dad will be all the more willing to let you come out another day." "But there mayn't _be_ another day. The world may come to an end. _Please_, Ben. _Please_, Mr Menzies." "It is a shame they shouldn't have found," said Ben. "He's been looking forward to it." "Still, I think Mr Last would want him to go back," said Jock. So John's fate was decided; hounds went in one direction, he and Ben in another. John was very near tears as they reached the main road. "Look," said Ben, to encourage him. "Here comes Miss Ripon on that nappy bay. Seems as if she's going in, too. Had a fall by the looks of her." Miss Ripon's hat and back were covered with mud and moss. She had had a bad twenty minutes after her disappearance. "I'm taking him away," she said. "I can't do anything with him this morning." She jogged along beside them towards the village. "I thought perhaps Mr Last would let me come up to the house and telephone for the car. I don't feel like hacking him home in his present state. I can't think what's come over him," she added loyally. "He was out on Saturday. I've never known him like this before." "He wants a man up," said Ben. "Oh, he's no better with the groom, and daddy won't go near him," said Miss Ripon, stung to indiscretion. "At least... I mean... I don't think that they'd be any better with him in this state." He was quiet enough at that moment, keeping pace with the other horses. They rode abreast, she on the outside with John's pony between her and Ben. Then this happened: they reached a turn in the road and came face to face with one of the single-decker country buses that covered that neighbourhood. It was not going fast and, seeing the horses, the driver slowed down still further and drew into the side. Mr Tendril's niece, who had | A Handful Of Dust |
"Because I shall never be able to open a window without worrying you," | Newland Archer | echoed with a strained laugh.<|quote|>"Because I shall never be able to open a window without worrying you,"</|quote|>he rejoined, laughing also. For | said. "Poor? Why poor?" she echoed with a strained laugh.<|quote|>"Because I shall never be able to open a window without worrying you,"</|quote|>he rejoined, laughing also. For a moment she was silent; | there must be something strange in his own. "Newland! Are you ill?" He shook his head and turned toward his arm-chair. She bent over her work-frame, and as he passed he laid his hand on her hair. "Poor May!" he said. "Poor? Why poor?" she echoed with a strained laugh.<|quote|>"Because I shall never be able to open a window without worrying you,"</|quote|>he rejoined, laughing also. For a moment she was silent; then she said very low, her head bowed over her work: "I shall never worry if you're happy." "Ah, my dear; and I shall never be happy unless I can open the windows!" "In THIS weather?" she remonstrated; and with | strike him. He simply felt that chance had given him a new possibility to which his sick soul might cling. Yes, May might die--people did: young people, healthy people like herself: she might die, and set him suddenly free. She glanced up, and he saw by her widening eyes that there must be something strange in his own. "Newland! Are you ill?" He shook his head and turned toward his arm-chair. She bent over her work-frame, and as he passed he laid his hand on her hair. "Poor May!" he said. "Poor? Why poor?" she echoed with a strained laugh.<|quote|>"Because I shall never be able to open a window without worrying you,"</|quote|>he rejoined, laughing also. For a moment she was silent; then she said very low, her head bowed over her work: "I shall never worry if you're happy." "Ah, my dear; and I shall never be happy unless I can open the windows!" "In THIS weather?" she remonstrated; and with a sigh he buried his head in his book. Six or seven days passed. Archer heard nothing from Madame Olenska, and became aware that her name would not be mentioned in his presence by any member of the family. He did not try to see her; to do so while | the window. You'll catch your death." He pulled the sash down and turned back. "Catch my death!" he echoed; and he felt like adding: "But I've caught it already. I AM dead--I've been dead for months and months." And suddenly the play of the word flashed up a wild suggestion. What if it were SHE who was dead! If she were going to die--to die soon--and leave him free! The sensation of standing there, in that warm familiar room, and looking at her, and wishing her dead, was so strange, so fascinating and overmastering, that its enormity did not immediately strike him. He simply felt that chance had given him a new possibility to which his sick soul might cling. Yes, May might die--people did: young people, healthy people like herself: she might die, and set him suddenly free. She glanced up, and he saw by her widening eyes that there must be something strange in his own. "Newland! Are you ill?" He shook his head and turned toward his arm-chair. She bent over her work-frame, and as he passed he laid his hand on her hair. "Poor May!" he said. "Poor? Why poor?" she echoed with a strained laugh.<|quote|>"Because I shall never be able to open a window without worrying you,"</|quote|>he rejoined, laughing also. For a moment she was silent; then she said very low, her head bowed over her work: "I shall never worry if you're happy." "Ah, my dear; and I shall never be happy unless I can open the windows!" "In THIS weather?" she remonstrated; and with a sigh he buried his head in his book. Six or seven days passed. Archer heard nothing from Madame Olenska, and became aware that her name would not be mentioned in his presence by any member of the family. He did not try to see her; to do so while she was at old Catherine's guarded bedside would have been almost impossible. In the uncertainty of the situation he let himself drift, conscious, somewhere below the surface of his thoughts, of a resolve which had come to him when he had leaned out from his library window into the icy night. The strength of that resolve made it easy to wait and make no sign. Then one day May told him that Mrs. Manson Mingott had asked to see him. There was nothing surprising in the request, for the old lady was steadily recovering, and she had always openly declared | romance on their short courting: the function was exhausted because the need was past. Now she was simply ripening into a copy of her mother, and mysteriously, by the very process, trying to turn him into a Mr. Welland. He laid down his book and stood up impatiently; and at once she raised her head. "What's the matter?" "The room is stifling: I want a little air." He had insisted that the library curtains should draw backward and forward on a rod, so that they might be closed in the evening, instead of remaining nailed to a gilt cornice, and immovably looped up over layers of lace, as in the drawing-room; and he pulled them back and pushed up the sash, leaning out into the icy night. The mere fact of not looking at May, seated beside his table, under his lamp, the fact of seeing other houses, roofs, chimneys, of getting the sense of other lives outside his own, other cities beyond New York, and a whole world beyond his world, cleared his brain and made it easier to breathe. After he had leaned out into the darkness for a few minutes he heard her say: "Newland! Do shut the window. You'll catch your death." He pulled the sash down and turned back. "Catch my death!" he echoed; and he felt like adding: "But I've caught it already. I AM dead--I've been dead for months and months." And suddenly the play of the word flashed up a wild suggestion. What if it were SHE who was dead! If she were going to die--to die soon--and leave him free! The sensation of standing there, in that warm familiar room, and looking at her, and wishing her dead, was so strange, so fascinating and overmastering, that its enormity did not immediately strike him. He simply felt that chance had given him a new possibility to which his sick soul might cling. Yes, May might die--people did: young people, healthy people like herself: she might die, and set him suddenly free. She glanced up, and he saw by her widening eyes that there must be something strange in his own. "Newland! Are you ill?" He shook his head and turned toward his arm-chair. She bent over her work-frame, and as he passed he laid his hand on her hair. "Poor May!" he said. "Poor? Why poor?" she echoed with a strained laugh.<|quote|>"Because I shall never be able to open a window without worrying you,"</|quote|>he rejoined, laughing also. For a moment she was silent; then she said very low, her head bowed over her work: "I shall never worry if you're happy." "Ah, my dear; and I shall never be happy unless I can open the windows!" "In THIS weather?" she remonstrated; and with a sigh he buried his head in his book. Six or seven days passed. Archer heard nothing from Madame Olenska, and became aware that her name would not be mentioned in his presence by any member of the family. He did not try to see her; to do so while she was at old Catherine's guarded bedside would have been almost impossible. In the uncertainty of the situation he let himself drift, conscious, somewhere below the surface of his thoughts, of a resolve which had come to him when he had leaned out from his library window into the icy night. The strength of that resolve made it easy to wait and make no sign. Then one day May told him that Mrs. Manson Mingott had asked to see him. There was nothing surprising in the request, for the old lady was steadily recovering, and she had always openly declared that she preferred Archer to any of her other grandsons-in-law. May gave the message with evident pleasure: she was proud of old Catherine's appreciation of her husband. There was a moment's pause, and then Archer felt it incumbent on him to say: "All right. Shall we go together this afternoon?" His wife's face brightened, but she instantly answered: "Oh, you'd much better go alone. It bores Granny to see the same people too often." Archer's heart was beating violently when he rang old Mrs. Mingott's bell. He had wanted above all things to go alone, for he felt sure the visit would give him the chance of saying a word in private to the Countess Olenska. He had determined to wait till the chance presented itself naturally; and here it was, and here he was on the doorstep. Behind the door, behind the curtains of the yellow damask room next to the hall, she was surely awaiting him; in another moment he should see her, and be able to speak to her before she led him to the sick-room. He wanted only to put one question: after that his course would be clear. What he wished to ask was simply | answered that Mrs. Mingott was still improving, but had been rather disturbed by the last news about the Beauforts. "What news?" "It seems they're going to stay in New York. I believe he's going into an insurance business, or something. They're looking about for a small house." The preposterousness of the case was beyond discussion, and they went in to dinner. During dinner their talk moved in its usual limited circle; but Archer noticed that his wife made no allusion to Madame Olenska, nor to old Catherine's reception of her. He was thankful for the fact, yet felt it to be vaguely ominous. They went up to the library for coffee, and Archer lit a cigar and took down a volume of Michelet. He had taken to history in the evenings since May had shown a tendency to ask him to read aloud whenever she saw him with a volume of poetry: not that he disliked the sound of his own voice, but because he could always foresee her comments on what he read. In the days of their engagement she had simply (as he now perceived) echoed what he told her; but since he had ceased to provide her with opinions she had begun to hazard her own, with results destructive to his enjoyment of the works commented on. Seeing that he had chosen history she fetched her workbasket, drew up an arm-chair to the green-shaded student lamp, and uncovered a cushion she was embroidering for his sofa. She was not a clever needle-woman; her large capable hands were made for riding, rowing and open-air activities; but since other wives embroidered cushions for their husbands she did not wish to omit this last link in her devotion. She was so placed that Archer, by merely raising his eyes, could see her bent above her work-frame, her ruffled elbow-sleeves slipping back from her firm round arms, the betrothal sapphire shining on her left hand above her broad gold wedding-ring, and the right hand slowly and laboriously stabbing the canvas. As she sat thus, the lamplight full on her clear brow, he said to himself with a secret dismay that he would always know the thoughts behind it, that never, in all the years to come, would she surprise him by an unexpected mood, by a new idea, a weakness, a cruelty or an emotion. She had spent her poetry and romance on their short courting: the function was exhausted because the need was past. Now she was simply ripening into a copy of her mother, and mysteriously, by the very process, trying to turn him into a Mr. Welland. He laid down his book and stood up impatiently; and at once she raised her head. "What's the matter?" "The room is stifling: I want a little air." He had insisted that the library curtains should draw backward and forward on a rod, so that they might be closed in the evening, instead of remaining nailed to a gilt cornice, and immovably looped up over layers of lace, as in the drawing-room; and he pulled them back and pushed up the sash, leaning out into the icy night. The mere fact of not looking at May, seated beside his table, under his lamp, the fact of seeing other houses, roofs, chimneys, of getting the sense of other lives outside his own, other cities beyond New York, and a whole world beyond his world, cleared his brain and made it easier to breathe. After he had leaned out into the darkness for a few minutes he heard her say: "Newland! Do shut the window. You'll catch your death." He pulled the sash down and turned back. "Catch my death!" he echoed; and he felt like adding: "But I've caught it already. I AM dead--I've been dead for months and months." And suddenly the play of the word flashed up a wild suggestion. What if it were SHE who was dead! If she were going to die--to die soon--and leave him free! The sensation of standing there, in that warm familiar room, and looking at her, and wishing her dead, was so strange, so fascinating and overmastering, that its enormity did not immediately strike him. He simply felt that chance had given him a new possibility to which his sick soul might cling. Yes, May might die--people did: young people, healthy people like herself: she might die, and set him suddenly free. She glanced up, and he saw by her widening eyes that there must be something strange in his own. "Newland! Are you ill?" He shook his head and turned toward his arm-chair. She bent over her work-frame, and as he passed he laid his hand on her hair. "Poor May!" he said. "Poor? Why poor?" she echoed with a strained laugh.<|quote|>"Because I shall never be able to open a window without worrying you,"</|quote|>he rejoined, laughing also. For a moment she was silent; then she said very low, her head bowed over her work: "I shall never worry if you're happy." "Ah, my dear; and I shall never be happy unless I can open the windows!" "In THIS weather?" she remonstrated; and with a sigh he buried his head in his book. Six or seven days passed. Archer heard nothing from Madame Olenska, and became aware that her name would not be mentioned in his presence by any member of the family. He did not try to see her; to do so while she was at old Catherine's guarded bedside would have been almost impossible. In the uncertainty of the situation he let himself drift, conscious, somewhere below the surface of his thoughts, of a resolve which had come to him when he had leaned out from his library window into the icy night. The strength of that resolve made it easy to wait and make no sign. Then one day May told him that Mrs. Manson Mingott had asked to see him. There was nothing surprising in the request, for the old lady was steadily recovering, and she had always openly declared that she preferred Archer to any of her other grandsons-in-law. May gave the message with evident pleasure: she was proud of old Catherine's appreciation of her husband. There was a moment's pause, and then Archer felt it incumbent on him to say: "All right. Shall we go together this afternoon?" His wife's face brightened, but she instantly answered: "Oh, you'd much better go alone. It bores Granny to see the same people too often." Archer's heart was beating violently when he rang old Mrs. Mingott's bell. He had wanted above all things to go alone, for he felt sure the visit would give him the chance of saying a word in private to the Countess Olenska. He had determined to wait till the chance presented itself naturally; and here it was, and here he was on the doorstep. Behind the door, behind the curtains of the yellow damask room next to the hall, she was surely awaiting him; in another moment he should see her, and be able to speak to her before she led him to the sick-room. He wanted only to put one question: after that his course would be clear. What he wished to ask was simply the date of her return to Washington; and that question she could hardly refuse to answer. But in the yellow sitting-room it was the mulatto maid who waited. Her white teeth shining like a keyboard, she pushed back the sliding doors and ushered him into old Catherine's presence. The old woman sat in a vast throne-like arm-chair near her bed. Beside her was a mahogany stand bearing a cast bronze lamp with an engraved globe, over which a green paper shade had been balanced. There was not a book or a newspaper in reach, nor any evidence of feminine employment: conversation had always been Mrs. Mingott's sole pursuit, and she would have scorned to feign an interest in fancywork. Archer saw no trace of the slight distortion left by her stroke. She merely looked paler, with darker shadows in the folds and recesses of her obesity; and, in the fluted mob-cap tied by a starched bow between her first two chins, and the muslin kerchief crossed over her billowing purple dressing-gown, she seemed like some shrewd and kindly ancestress of her own who might have yielded too freely to the pleasures of the table. She held out one of the little hands that nestled in a hollow of her huge lap like pet animals, and called to the maid: "Don't let in any one else. If my daughters call, say I'm asleep." The maid disappeared, and the old lady turned to her grandson. "My dear, am I perfectly hideous?" she asked gaily, launching out one hand in search of the folds of muslin on her inaccessible bosom. "My daughters tell me it doesn't matter at my age--as if hideousness didn't matter all the more the harder it gets to conceal!" "My dear, you're handsomer than ever!" Archer rejoined in the same tone; and she threw back her head and laughed. "Ah, but not as handsome as Ellen!" she jerked out, twinkling at him maliciously; and before he could answer she added: "Was she so awfully handsome the day you drove her up from the ferry?" He laughed, and she continued: "Was it because you told her so that she had to put you out on the way? In my youth young men didn't desert pretty women unless they were made to!" She gave another chuckle, and interrupted it to say almost querulously: "It's a pity she didn't marry you; I | student lamp, and uncovered a cushion she was embroidering for his sofa. She was not a clever needle-woman; her large capable hands were made for riding, rowing and open-air activities; but since other wives embroidered cushions for their husbands she did not wish to omit this last link in her devotion. She was so placed that Archer, by merely raising his eyes, could see her bent above her work-frame, her ruffled elbow-sleeves slipping back from her firm round arms, the betrothal sapphire shining on her left hand above her broad gold wedding-ring, and the right hand slowly and laboriously stabbing the canvas. As she sat thus, the lamplight full on her clear brow, he said to himself with a secret dismay that he would always know the thoughts behind it, that never, in all the years to come, would she surprise him by an unexpected mood, by a new idea, a weakness, a cruelty or an emotion. She had spent her poetry and romance on their short courting: the function was exhausted because the need was past. Now she was simply ripening into a copy of her mother, and mysteriously, by the very process, trying to turn him into a Mr. Welland. He laid down his book and stood up impatiently; and at once she raised her head. "What's the matter?" "The room is stifling: I want a little air." He had insisted that the library curtains should draw backward and forward on a rod, so that they might be closed in the evening, instead of remaining nailed to a gilt cornice, and immovably looped up over layers of lace, as in the drawing-room; and he pulled them back and pushed up the sash, leaning out into the icy night. The mere fact of not looking at May, seated beside his table, under his lamp, the fact of seeing other houses, roofs, chimneys, of getting the sense of other lives outside his own, other cities beyond New York, and a whole world beyond his world, cleared his brain and made it easier to breathe. After he had leaned out into the darkness for a few minutes he heard her say: "Newland! Do shut the window. You'll catch your death." He pulled the sash down and turned back. "Catch my death!" he echoed; and he felt like adding: "But I've caught it already. I AM dead--I've been dead for months and months." And suddenly the play of the word flashed up a wild suggestion. What if it were SHE who was dead! If she were going to die--to die soon--and leave him free! The sensation of standing there, in that warm familiar room, and looking at her, and wishing her dead, was so strange, so fascinating and overmastering, that its enormity did not immediately strike him. He simply felt that chance had given him a new possibility to which his sick soul might cling. Yes, May might die--people did: young people, healthy people like herself: she might die, and set him suddenly free. She glanced up, and he saw by her widening eyes that there must be something strange in his own. "Newland! Are you ill?" He shook his head and turned toward his arm-chair. She bent over her work-frame, and as he passed he laid his hand on her hair. "Poor May!" he said. "Poor? Why poor?" she echoed with a strained laugh.<|quote|>"Because I shall never be able to open a window without worrying you,"</|quote|>he rejoined, laughing also. For a moment she was silent; then she said very low, her head bowed over her work: "I shall never worry if you're happy." "Ah, my dear; and I shall never be happy unless I can open the windows!" "In THIS weather?" she remonstrated; and with a sigh he buried his head in his book. Six or seven days passed. Archer heard nothing from Madame Olenska, and became aware that her name would not be mentioned in his presence by any member of the family. He did not try to see her; to do so while she was at old Catherine's guarded bedside would have been almost impossible. In the uncertainty of the situation he let himself drift, conscious, somewhere below the surface of his thoughts, of a resolve which had come to him when he had leaned out from his library window into the icy night. The strength of that resolve made it easy to wait and make no sign. Then one day May told him that Mrs. Manson Mingott had asked to see him. There was nothing surprising in the request, for the old lady was steadily recovering, and she had always openly declared that she preferred Archer to any of her other grandsons-in-law. May gave the message with evident pleasure: she was proud of old Catherine's appreciation of her husband. There was a moment's pause, and then Archer felt it incumbent on him to say: "All right. Shall we go together this afternoon?" His wife's face brightened, but she instantly answered: "Oh, you'd much better go alone. It bores Granny to see the same people too often." Archer's heart was beating violently when he rang old Mrs. Mingott's bell. He had wanted above all things to go alone, for he felt sure the visit would give him the chance of saying a word in private to the Countess Olenska. He had determined to wait till the chance presented itself naturally; and here it was, and here he was on the doorstep. Behind the door, behind the curtains of the yellow damask room next to the hall, she was surely awaiting him; in another moment he should see her, and be able to speak to her before she led him to the sick-room. He wanted only to put one question: after that his course would be clear. What he wished to ask was simply the date of her return to Washington; and that question she could hardly refuse to answer. But in the yellow sitting-room it was the mulatto maid who waited. Her white teeth shining like a keyboard, she pushed back the sliding doors and ushered him into old Catherine's presence. The old woman sat in a vast throne-like arm-chair near her bed. Beside her was a mahogany stand bearing a cast bronze lamp with an engraved globe, over which a green | The Age Of Innocence |
. I crushed, compressed, and bruised, but as fast as I managed it on one side it burst out on another, and defied me to cram it into the narrow box of Possum Gully. | No speaker | pleased God to call me”<|quote|>. I crushed, compressed, and bruised, but as fast as I managed it on one side it burst out on another, and defied me to cram it into the narrow box of Possum Gully.</|quote|>“The restless throbbings and burnings | life into which it has pleased God to call me”<|quote|>. I crushed, compressed, and bruised, but as fast as I managed it on one side it burst out on another, and defied me to cram it into the narrow box of Possum Gully.</|quote|>“The restless throbbings and burnings That hope unsatisfied brings, The | requisite. Fate had thought fit to deny me even one advantage or opportunity, thus I was helpless. I set to work to cut my coat according to my cloth. I manfully endeavoured to squeeze my spirit into “that state of life into which it has pleased God to call me”<|quote|>. I crushed, compressed, and bruised, but as fast as I managed it on one side it burst out on another, and defied me to cram it into the narrow box of Possum Gully.</|quote|>“The restless throbbings and burnings That hope unsatisfied brings, The weary longings and yearnings For the mystical better things, Are the sands on which is reflected The pitiless moving lake, Where the wanderer falls dejected, By a thirst he never can slake.” In a vain endeavour to slake that cruel | sage you seem; Your pitcher will break on the musty shelf, And mine by the dazzling stream.” I had sense sufficient to see the uselessness of attempting to be other than I was. In these days of fierce competition there was no chance for me—opportunity, not talent, was the main requisite. Fate had thought fit to deny me even one advantage or opportunity, thus I was helpless. I set to work to cut my coat according to my cloth. I manfully endeavoured to squeeze my spirit into “that state of life into which it has pleased God to call me”<|quote|>. I crushed, compressed, and bruised, but as fast as I managed it on one side it burst out on another, and defied me to cram it into the narrow box of Possum Gully.</|quote|>“The restless throbbings and burnings That hope unsatisfied brings, The weary longings and yearnings For the mystical better things, Are the sands on which is reflected The pitiless moving lake, Where the wanderer falls dejected, By a thirst he never can slake.” In a vain endeavour to slake that cruel thirst my soul groped in strange dark places. It went out in quest of a God, and finding one not, grew weary. By the unknown way that the atmosphere of the higher life penetrated to me, so came a knowledge of the sin and sorrow abroad in the world—the cry | the pitcher that goes to the sparkling rill Too oft gets broken at last, There are scores of others its place to fill When its earth to the earth is cast. Keep that pitcher at home, let it never roam, But lie like a useless clod; Yet sooner or later the hour will come When its chips are thrown to the sod. “Is it wise, then, say, in the waning day, When the vessel is crack’d and old, To cherish the battered potter’s clay As though it were virgin gold? Take care of yourself, dull, boorish elf, Though prudent and sage you seem; Your pitcher will break on the musty shelf, And mine by the dazzling stream.” I had sense sufficient to see the uselessness of attempting to be other than I was. In these days of fierce competition there was no chance for me—opportunity, not talent, was the main requisite. Fate had thought fit to deny me even one advantage or opportunity, thus I was helpless. I set to work to cut my coat according to my cloth. I manfully endeavoured to squeeze my spirit into “that state of life into which it has pleased God to call me”<|quote|>. I crushed, compressed, and bruised, but as fast as I managed it on one side it burst out on another, and defied me to cram it into the narrow box of Possum Gully.</|quote|>“The restless throbbings and burnings That hope unsatisfied brings, The weary longings and yearnings For the mystical better things, Are the sands on which is reflected The pitiless moving lake, Where the wanderer falls dejected, By a thirst he never can slake.” In a vain endeavour to slake that cruel thirst my soul groped in strange dark places. It went out in quest of a God, and finding one not, grew weary. By the unknown way that the atmosphere of the higher life penetrated to me, so came a knowledge of the sin and sorrow abroad in the world—the cry of the millions oppressed, downtrodden, God-forsaken! The wheels of social mechanism needed readjusting—things were awry. Oh, that I might find a cure and give it to my fellows! I dizzied my brain with the problem; I was too much for myself. A man with these notions is a curse to himself, but a woman—pity help a woman of that description! She is not merely a creature out of her sphere, she is a creature without a sphere—a lonely being! Recognizing this, I turned and cursed God for casting upon me a burden greater than I could bear—cursed Him bitterly, and | brought into requisition, but without avail. It was like using common nostrums on a disease which could be treated by none but a special physician. I was treated to a great deal of harping on that tiresome old string, “Whatsoever your hand findeth to do, do it with all your might.” It was daily dinned into my cars that the little things of life were the noblest, and that all the great people I mooned about said the same. I usually retorted to the effect that I was well aware that it was noble, and that I could write as good an essay on it as any philosopher. It was all very well for great people to point out the greatness of the little, empty, humdrum life. Why didn’t they adopt it themselves? “The toad beneath the harrow knows Exactly where each tooth-point goes. The butterfly upon the road Preaches contentment to the toad.” I wasn’t anxious to patronize the dull kind of tame nobility of the toad; I longed for a few of the triumphs of the butterfly, decried though they are as hollow bubbles. I desired life while young enough to live, and quoted as my motto: “Though the pitcher that goes to the sparkling rill Too oft gets broken at last, There are scores of others its place to fill When its earth to the earth is cast. Keep that pitcher at home, let it never roam, But lie like a useless clod; Yet sooner or later the hour will come When its chips are thrown to the sod. “Is it wise, then, say, in the waning day, When the vessel is crack’d and old, To cherish the battered potter’s clay As though it were virgin gold? Take care of yourself, dull, boorish elf, Though prudent and sage you seem; Your pitcher will break on the musty shelf, And mine by the dazzling stream.” I had sense sufficient to see the uselessness of attempting to be other than I was. In these days of fierce competition there was no chance for me—opportunity, not talent, was the main requisite. Fate had thought fit to deny me even one advantage or opportunity, thus I was helpless. I set to work to cut my coat according to my cloth. I manfully endeavoured to squeeze my spirit into “that state of life into which it has pleased God to call me”<|quote|>. I crushed, compressed, and bruised, but as fast as I managed it on one side it burst out on another, and defied me to cram it into the narrow box of Possum Gully.</|quote|>“The restless throbbings and burnings That hope unsatisfied brings, The weary longings and yearnings For the mystical better things, Are the sands on which is reflected The pitiless moving lake, Where the wanderer falls dejected, By a thirst he never can slake.” In a vain endeavour to slake that cruel thirst my soul groped in strange dark places. It went out in quest of a God, and finding one not, grew weary. By the unknown way that the atmosphere of the higher life penetrated to me, so came a knowledge of the sin and sorrow abroad in the world—the cry of the millions oppressed, downtrodden, God-forsaken! The wheels of social mechanism needed readjusting—things were awry. Oh, that I might find a cure and give it to my fellows! I dizzied my brain with the problem; I was too much for myself. A man with these notions is a curse to himself, but a woman—pity help a woman of that description! She is not merely a creature out of her sphere, she is a creature without a sphere—a lonely being! Recognizing this, I turned and cursed God for casting upon me a burden greater than I could bear—cursed Him bitterly, and from within came a whisper that there was nothing there to curse. There was no God. I was an unbeliever. It was not that I sought after or desired atheism. I longed to be a Christian, and fought against unbelief. I asked the Christians around me for help. Unsophisticated fool! I might as well have announced that I was a harlot. My respectability vanished in one slap. Some said it was impossible to disbelieve in the existence of a God: I was only doing it for notoriety, and they washed their hands of me at once. Not believe in God! I was mad! If there really was a God, would they kindly tell me how to find Him? Pray! pray! I prayed, often and ardently, but ever came that heart-stilling whisper that there was nothing to pray to. Ah, the bitter, hopeless heart-hunger of godlessness none but an atheist can understand! Nothing to live for in life—no hope beyond the grave. It plunged me into fits of profound melancholy. Had my father occupied one of the fat positions of the land, no doubt as his daughter my life would have been so full of pleasant occupation and pleasure that I | more than ordinary intelligence, and especially if you are plain with it, hide your brains, cramp your mind, study to appear unintellectual—it is your only chance. Provided a woman is beautiful allowance will be made for all her shortcomings. She can be unchaste, vapid, untruthful, flippant, heartless, and even clever; so long as she is fair to see men will stand by her, and as men, in this world, are “the dog on top” , they are the power to truckle to. A plain woman will have nothing forgiven her. Her fate is such that the parents of uncomely female infants should be compelled to put them to death at their birth. The next unpleasant discovery I made in regard to myself was that I was woefully out of my sphere. I studied the girls of my age around me, and compared myself with them. We had been reared side by side. They had had equal advantages; some, indeed, had had greater. We all moved in the one little, dull world, but they were not only in their world, they were of it; I was not. Their daily tasks and their little pleasures provided sufficient oil for the lamp of their existence—mine demanded more than Possum Gully could supply. They were totally ignorant of the outside world. Patti, Melba, Irving, Terry, Kipling, Caine, Corelli, and even the name of Gladstone, were only names to them. Whether they were islands or racehorses they knew not and cared not. With me it was different. Where I obtained my information, unless it was born in me, I do not know. We took none but the local paper regularly, I saw few books, had the pleasure of conversing with an educated person from the higher walks of life about once in a twelvemonth, yet I knew of every celebrity in literature, art, music, and drama; their world was my world, and in fancy I lived with them. My parents discouraged me in that species of foolishness. They had been fond of literature and the higher arts, but now, having no use for them, had lost interest therein. I was discontented and restless, and longed unendurably to be out in the stream of life. “Action! Action! Give me action!” was my cry. My mother did her best with me according to her lights. She energetically preached at me. All the old saws and homilies were brought into requisition, but without avail. It was like using common nostrums on a disease which could be treated by none but a special physician. I was treated to a great deal of harping on that tiresome old string, “Whatsoever your hand findeth to do, do it with all your might.” It was daily dinned into my cars that the little things of life were the noblest, and that all the great people I mooned about said the same. I usually retorted to the effect that I was well aware that it was noble, and that I could write as good an essay on it as any philosopher. It was all very well for great people to point out the greatness of the little, empty, humdrum life. Why didn’t they adopt it themselves? “The toad beneath the harrow knows Exactly where each tooth-point goes. The butterfly upon the road Preaches contentment to the toad.” I wasn’t anxious to patronize the dull kind of tame nobility of the toad; I longed for a few of the triumphs of the butterfly, decried though they are as hollow bubbles. I desired life while young enough to live, and quoted as my motto: “Though the pitcher that goes to the sparkling rill Too oft gets broken at last, There are scores of others its place to fill When its earth to the earth is cast. Keep that pitcher at home, let it never roam, But lie like a useless clod; Yet sooner or later the hour will come When its chips are thrown to the sod. “Is it wise, then, say, in the waning day, When the vessel is crack’d and old, To cherish the battered potter’s clay As though it were virgin gold? Take care of yourself, dull, boorish elf, Though prudent and sage you seem; Your pitcher will break on the musty shelf, And mine by the dazzling stream.” I had sense sufficient to see the uselessness of attempting to be other than I was. In these days of fierce competition there was no chance for me—opportunity, not talent, was the main requisite. Fate had thought fit to deny me even one advantage or opportunity, thus I was helpless. I set to work to cut my coat according to my cloth. I manfully endeavoured to squeeze my spirit into “that state of life into which it has pleased God to call me”<|quote|>. I crushed, compressed, and bruised, but as fast as I managed it on one side it burst out on another, and defied me to cram it into the narrow box of Possum Gully.</|quote|>“The restless throbbings and burnings That hope unsatisfied brings, The weary longings and yearnings For the mystical better things, Are the sands on which is reflected The pitiless moving lake, Where the wanderer falls dejected, By a thirst he never can slake.” In a vain endeavour to slake that cruel thirst my soul groped in strange dark places. It went out in quest of a God, and finding one not, grew weary. By the unknown way that the atmosphere of the higher life penetrated to me, so came a knowledge of the sin and sorrow abroad in the world—the cry of the millions oppressed, downtrodden, God-forsaken! The wheels of social mechanism needed readjusting—things were awry. Oh, that I might find a cure and give it to my fellows! I dizzied my brain with the problem; I was too much for myself. A man with these notions is a curse to himself, but a woman—pity help a woman of that description! She is not merely a creature out of her sphere, she is a creature without a sphere—a lonely being! Recognizing this, I turned and cursed God for casting upon me a burden greater than I could bear—cursed Him bitterly, and from within came a whisper that there was nothing there to curse. There was no God. I was an unbeliever. It was not that I sought after or desired atheism. I longed to be a Christian, and fought against unbelief. I asked the Christians around me for help. Unsophisticated fool! I might as well have announced that I was a harlot. My respectability vanished in one slap. Some said it was impossible to disbelieve in the existence of a God: I was only doing it for notoriety, and they washed their hands of me at once. Not believe in God! I was mad! If there really was a God, would they kindly tell me how to find Him? Pray! pray! I prayed, often and ardently, but ever came that heart-stilling whisper that there was nothing to pray to. Ah, the bitter, hopeless heart-hunger of godlessness none but an atheist can understand! Nothing to live for in life—no hope beyond the grave. It plunged me into fits of profound melancholy. Had my father occupied one of the fat positions of the land, no doubt as his daughter my life would have been so full of pleasant occupation and pleasure that I would not have developed the spirit which torments me now. Or had I a friend—one who knew, who had suffered and understood, one in whom I could lose myself, one on whom I could lean—I might have grown a nicer character. But in all the wide world there was not a soul to hold out a hand to me, and I said bitterly, “There is no good in the world.” In softer moods I said, “Ah, the tangle of it! Those who have the heart to help have not the power, and those who have the power have not the heart.” Bad, like a too-strong opponent in a game of chess, is ever at the elbow of good to checkmate it like a weakly managed king. I am sadly lacking in self-reliance. I needed some one to help me over the rough spots in life, and finding them not, at the age of sixteen I was as rank a cynic and infidel as could be found in three days’ march. CHAPTER EIGHT Possum Gully Left Behind. Hurrah! Hurrah! If a Sydney man has friends residing at Goulburn, he says they are up the country. If a Goulburn man has friends at Yass, he says they are up the country. If a Yass man has friends at Young, he says they are up the country, and so on. Caddagat is “up the country” . Bound thither on the second Wednesday in August 1896, I bought a ticket at the Goulburn railway station, and at some time about 1 a.m. took my seat in a second class carriage of the mail-train on its way to Melbourne. I had three or four hours to travel in this train when I would have to change to a branch line for two hours longer. I was the only one from Goulburn in that carriage; all the other passengers had been in some time and were asleep. One or two opened their eyes strugglingly, stared glumly at the intruder, and then went to sleep again. The motion of the train was a joy to me, and sleep never entered my head. I stood up, and pressing my forehead to the cold window-pane, vainly attempted, through the inky blackness of the foggy night, to discern the objects which flew by. I was too full of pleasant anticipation of what was ahead of me to think of those | Melba, Irving, Terry, Kipling, Caine, Corelli, and even the name of Gladstone, were only names to them. Whether they were islands or racehorses they knew not and cared not. With me it was different. Where I obtained my information, unless it was born in me, I do not know. We took none but the local paper regularly, I saw few books, had the pleasure of conversing with an educated person from the higher walks of life about once in a twelvemonth, yet I knew of every celebrity in literature, art, music, and drama; their world was my world, and in fancy I lived with them. My parents discouraged me in that species of foolishness. They had been fond of literature and the higher arts, but now, having no use for them, had lost interest therein. I was discontented and restless, and longed unendurably to be out in the stream of life. “Action! Action! Give me action!” was my cry. My mother did her best with me according to her lights. She energetically preached at me. All the old saws and homilies were brought into requisition, but without avail. It was like using common nostrums on a disease which could be treated by none but a special physician. I was treated to a great deal of harping on that tiresome old string, “Whatsoever your hand findeth to do, do it with all your might.” It was daily dinned into my cars that the little things of life were the noblest, and that all the great people I mooned about said the same. I usually retorted to the effect that I was well aware that it was noble, and that I could write as good an essay on it as any philosopher. It was all very well for great people to point out the greatness of the little, empty, humdrum life. Why didn’t they adopt it themselves? “The toad beneath the harrow knows Exactly where each tooth-point goes. The butterfly upon the road Preaches contentment to the toad.” I wasn’t anxious to patronize the dull kind of tame nobility of the toad; I longed for a few of the triumphs of the butterfly, decried though they are as hollow bubbles. I desired life while young enough to live, and quoted as my motto: “Though the pitcher that goes to the sparkling rill Too oft gets broken at last, There are scores of others its place to fill When its earth to the earth is cast. Keep that pitcher at home, let it never roam, But lie like a useless clod; Yet sooner or later the hour will come When its chips are thrown to the sod. “Is it wise, then, say, in the waning day, When the vessel is crack’d and old, To cherish the battered potter’s clay As though it were virgin gold? Take care of yourself, dull, boorish elf, Though prudent and sage you seem; Your pitcher will break on the musty shelf, And mine by the dazzling stream.” I had sense sufficient to see the uselessness of attempting to be other than I was. In these days of fierce competition there was no chance for me—opportunity, not talent, was the main requisite. Fate had thought fit to deny me even one advantage or opportunity, thus I was helpless. I set to work to cut my coat according to my cloth. I manfully endeavoured to squeeze my spirit into “that state of life into which it has pleased God to call me”<|quote|>. I crushed, compressed, and bruised, but as fast as I managed it on one side it burst out on another, and defied me to cram it into the narrow box of Possum Gully.</|quote|>“The restless throbbings and burnings That hope unsatisfied brings, The weary longings and yearnings For the mystical better things, Are the sands on which is reflected The pitiless moving lake, Where the wanderer falls dejected, By a thirst he never can slake.” In a vain endeavour to slake that cruel thirst my soul groped in strange dark places. It went out in quest of a God, and finding one not, grew weary. By the unknown way that the atmosphere of the higher life penetrated to me, so came a knowledge of the sin and sorrow abroad in the world—the cry of the millions oppressed, downtrodden, God-forsaken! The wheels of social mechanism needed readjusting—things were awry. Oh, that I might find a cure and give it to my fellows! I dizzied my brain with the problem; I was too much for myself. A man with these notions is a curse to himself, but a woman—pity help a woman of that description! She is not merely a creature out of her sphere, she is a creature without a sphere—a lonely being! Recognizing this, I turned and cursed God for casting upon me a burden greater than I could bear—cursed Him bitterly, and from within came a whisper that there was nothing there to curse. There was no God. I was an unbeliever. It was not that I sought after or desired atheism. I longed to be a Christian, and fought against unbelief. I asked the Christians around me for help. Unsophisticated fool! I might as well have announced that I was a harlot. My respectability vanished in one slap. Some said it was impossible to disbelieve in the existence of a God: I was only doing it for notoriety, and they washed their hands of me at once. Not believe in God! I was mad! If there really was a God, would they kindly tell me how to find Him? Pray! pray! I prayed, often and ardently, but ever came that heart-stilling whisper that there was nothing to pray to. Ah, the bitter, hopeless heart-hunger of godlessness none but an atheist can understand! Nothing to live for in life—no hope beyond the grave. It plunged me into fits of profound melancholy. Had my father occupied one of the fat positions of the land, no doubt as his daughter my life would have been so full of pleasant occupation and pleasure that I would not have developed the spirit which torments me now. Or had I a friend—one who knew, who had suffered and understood, one in whom I could lose myself, one on whom I could lean—I might have grown a nicer character. But in all the wide world there was not a soul to hold out a hand to me, and I said bitterly, “There is no good in the world.” In softer moods I said, “Ah, the tangle of it! Those who have the heart to help have not the power, and those who have the power have not the heart.” Bad, like a too-strong opponent in a game of chess, is ever at the elbow of good to checkmate it like a weakly managed king. I am sadly lacking in self-reliance. I needed some one to help me over the rough spots in life, and finding them not, at the age of sixteen I was as rank a cynic and infidel as could be found in three days’ march. CHAPTER EIGHT Possum Gully Left Behind. Hurrah! Hurrah! If a | My Brilliant Career |
"I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian," | Lord Henry | as I had found her."<|quote|>"I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian,"</|quote|>interrupted Lord Henry. "But I | to leave her as flowerlike as I had found her."<|quote|>"I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian,"</|quote|>interrupted Lord Henry. "But I can finish your idyll for | two or three times a week. Yesterday she met me in a little orchard. The apple-blossoms kept tumbling down on her hair, and she was laughing. We were to have gone away together this morning at dawn. Suddenly I determined to leave her as flowerlike as I had found her."<|quote|>"I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian,"</|quote|>interrupted Lord Henry. "But I can finish your idyll for you. You gave her good advice and broke her heart. That was the beginning of your reformation." "Harry, you are horrible! You mustn t say these dreadful things. Hetty s heart is not broken. Of course, she cried and all | Well, Hetty was not one of our own class, of course. She was simply a girl in a village. But I really loved her. I am quite sure that I loved her. All during this wonderful May that we have been having, I used to run down and see her two or three times a week. Yesterday she met me in a little orchard. The apple-blossoms kept tumbling down on her hair, and she was laughing. We were to have gone away together this morning at dawn. Suddenly I determined to leave her as flowerlike as I had found her."<|quote|>"I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian,"</|quote|>interrupted Lord Henry. "But I can finish your idyll for you. You gave her good advice and broke her heart. That was the beginning of your reformation." "Harry, you are horrible! You mustn t say these dreadful things. Hetty s heart is not broken. Of course, she cried and all that. But there is no disgrace upon her. She can live, like Perdita, in her garden of mint and marigold." "And weep over a faithless Florizel," said Lord Henry, laughing, as he leaned back in his chair. "My dear Dorian, you have the most curiously boyish moods. Do you think | good action was. Or did you say you had done more than one?" asked his companion as he spilled into his plate a little crimson pyramid of seeded strawberries and, through a perforated, shell-shaped spoon, snowed white sugar upon them. "I can tell you, Harry. It is not a story I could tell to any one else. I spared somebody. It sounds vain, but you understand what I mean. She was quite beautiful and wonderfully like Sibyl Vane. I think it was that which first attracted me to her. You remember Sibyl, don t you? How long ago that seems! Well, Hetty was not one of our own class, of course. She was simply a girl in a village. But I really loved her. I am quite sure that I loved her. All during this wonderful May that we have been having, I used to run down and see her two or three times a week. Yesterday she met me in a little orchard. The apple-blossoms kept tumbling down on her hair, and she was laughing. We were to have gone away together this morning at dawn. Suddenly I determined to leave her as flowerlike as I had found her."<|quote|>"I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian,"</|quote|>interrupted Lord Henry. "But I can finish your idyll for you. You gave her good advice and broke her heart. That was the beginning of your reformation." "Harry, you are horrible! You mustn t say these dreadful things. Hetty s heart is not broken. Of course, she cried and all that. But there is no disgrace upon her. She can live, like Perdita, in her garden of mint and marigold." "And weep over a faithless Florizel," said Lord Henry, laughing, as he leaned back in his chair. "My dear Dorian, you have the most curiously boyish moods. Do you think this girl will ever be really content now with any one of her own rank? I suppose she will be married some day to a rough carter or a grinning ploughman. Well, the fact of having met you, and loved you, will teach her to despise her husband, and she will be wretched. From a moral point of view, I cannot say that I think much of your great renunciation. Even as a beginning, it is poor. Besides, how do you know that Hetty isn t floating at the present moment in some starlit mill-pond, with lovely water-lilies round her, | be good," cried Lord Henry, dipping his white fingers into a red copper bowl filled with rose-water. "You are quite perfect. Pray, don t change." Dorian Gray shook his head. "No, Harry, I have done too many dreadful things in my life. I am not going to do any more. I began my good actions yesterday." "Where were you yesterday?" "In the country, Harry. I was staying at a little inn by myself." "My dear boy," said Lord Henry, smiling, "anybody can be good in the country. There are no temptations there. That is the reason why people who live out of town are so absolutely uncivilized. Civilization is not by any means an easy thing to attain to. There are only two ways by which man can reach it. One is by being cultured, the other by being corrupt. Country people have no opportunity of being either, so they stagnate." "Culture and corruption," echoed Dorian. "I have known something of both. It seems terrible to me now that they should ever be found together. For I have a new ideal, Harry. I am going to alter. I think I have altered." "You have not yet told me what your good action was. Or did you say you had done more than one?" asked his companion as he spilled into his plate a little crimson pyramid of seeded strawberries and, through a perforated, shell-shaped spoon, snowed white sugar upon them. "I can tell you, Harry. It is not a story I could tell to any one else. I spared somebody. It sounds vain, but you understand what I mean. She was quite beautiful and wonderfully like Sibyl Vane. I think it was that which first attracted me to her. You remember Sibyl, don t you? How long ago that seems! Well, Hetty was not one of our own class, of course. She was simply a girl in a village. But I really loved her. I am quite sure that I loved her. All during this wonderful May that we have been having, I used to run down and see her two or three times a week. Yesterday she met me in a little orchard. The apple-blossoms kept tumbling down on her hair, and she was laughing. We were to have gone away together this morning at dawn. Suddenly I determined to leave her as flowerlike as I had found her."<|quote|>"I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian,"</|quote|>interrupted Lord Henry. "But I can finish your idyll for you. You gave her good advice and broke her heart. That was the beginning of your reformation." "Harry, you are horrible! You mustn t say these dreadful things. Hetty s heart is not broken. Of course, she cried and all that. But there is no disgrace upon her. She can live, like Perdita, in her garden of mint and marigold." "And weep over a faithless Florizel," said Lord Henry, laughing, as he leaned back in his chair. "My dear Dorian, you have the most curiously boyish moods. Do you think this girl will ever be really content now with any one of her own rank? I suppose she will be married some day to a rough carter or a grinning ploughman. Well, the fact of having met you, and loved you, will teach her to despise her husband, and she will be wretched. From a moral point of view, I cannot say that I think much of your great renunciation. Even as a beginning, it is poor. Besides, how do you know that Hetty isn t floating at the present moment in some starlit mill-pond, with lovely water-lilies round her, like Ophelia?" "I can t bear this, Harry! You mock at everything, and then suggest the most serious tragedies. I am sorry I told you now. I don t care what you say to me. I know I was right in acting as I did. Poor Hetty! As I rode past the farm this morning, I saw her white face at the window, like a spray of jasmine. Don t let us talk about it any more, and don t try to persuade me that the first good action I have done for years, the first little bit of self-sacrifice I have ever known, is really a sort of sin. I want to be better. I am going to be better. Tell me something about yourself. What is going on in town? I have not been to the club for days." "The people are still discussing poor Basil s disappearance." "I should have thought they had got tired of that by this time," said Dorian, pouring himself out some wine and frowning slightly. "My dear boy, they have only been talking about it for six weeks, and the British public are really not equal to the mental strain of having | it at once." "It is in an empty stable in the Home Farm, sir. The folk don t like to have that sort of thing in their houses. They say a corpse brings bad luck." "The Home Farm! Go there at once and meet me. Tell one of the grooms to bring my horse round. No. Never mind. I ll go to the stables myself. It will save time." In less than a quarter of an hour, Dorian Gray was galloping down the long avenue as hard as he could go. The trees seemed to sweep past him in spectral procession, and wild shadows to fling themselves across his path. Once the mare swerved at a white gate-post and nearly threw him. He lashed her across the neck with his crop. She cleft the dusky air like an arrow. The stones flew from her hoofs. At last he reached the Home Farm. Two men were loitering in the yard. He leaped from the saddle and threw the reins to one of them. In the farthest stable a light was glimmering. Something seemed to tell him that the body was there, and he hurried to the door and put his hand upon the latch. There he paused for a moment, feeling that he was on the brink of a discovery that would either make or mar his life. Then he thrust the door open and entered. On a heap of sacking in the far corner was lying the dead body of a man dressed in a coarse shirt and a pair of blue trousers. A spotted handkerchief had been placed over the face. A coarse candle, stuck in a bottle, sputtered beside it. Dorian Gray shuddered. He felt that his could not be the hand to take the handkerchief away, and called out to one of the farm-servants to come to him. "Take that thing off the face. I wish to see it," he said, clutching at the door-post for support. When the farm-servant had done so, he stepped forward. A cry of joy broke from his lips. The man who had been shot in the thicket was James Vane. He stood there for some minutes looking at the dead body. As he rode home, his eyes were full of tears, for he knew he was safe. CHAPTER XIX. "There is no use your telling me that you are going to be good," cried Lord Henry, dipping his white fingers into a red copper bowl filled with rose-water. "You are quite perfect. Pray, don t change." Dorian Gray shook his head. "No, Harry, I have done too many dreadful things in my life. I am not going to do any more. I began my good actions yesterday." "Where were you yesterday?" "In the country, Harry. I was staying at a little inn by myself." "My dear boy," said Lord Henry, smiling, "anybody can be good in the country. There are no temptations there. That is the reason why people who live out of town are so absolutely uncivilized. Civilization is not by any means an easy thing to attain to. There are only two ways by which man can reach it. One is by being cultured, the other by being corrupt. Country people have no opportunity of being either, so they stagnate." "Culture and corruption," echoed Dorian. "I have known something of both. It seems terrible to me now that they should ever be found together. For I have a new ideal, Harry. I am going to alter. I think I have altered." "You have not yet told me what your good action was. Or did you say you had done more than one?" asked his companion as he spilled into his plate a little crimson pyramid of seeded strawberries and, through a perforated, shell-shaped spoon, snowed white sugar upon them. "I can tell you, Harry. It is not a story I could tell to any one else. I spared somebody. It sounds vain, but you understand what I mean. She was quite beautiful and wonderfully like Sibyl Vane. I think it was that which first attracted me to her. You remember Sibyl, don t you? How long ago that seems! Well, Hetty was not one of our own class, of course. She was simply a girl in a village. But I really loved her. I am quite sure that I loved her. All during this wonderful May that we have been having, I used to run down and see her two or three times a week. Yesterday she met me in a little orchard. The apple-blossoms kept tumbling down on her hair, and she was laughing. We were to have gone away together this morning at dawn. Suddenly I determined to leave her as flowerlike as I had found her."<|quote|>"I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian,"</|quote|>interrupted Lord Henry. "But I can finish your idyll for you. You gave her good advice and broke her heart. That was the beginning of your reformation." "Harry, you are horrible! You mustn t say these dreadful things. Hetty s heart is not broken. Of course, she cried and all that. But there is no disgrace upon her. She can live, like Perdita, in her garden of mint and marigold." "And weep over a faithless Florizel," said Lord Henry, laughing, as he leaned back in his chair. "My dear Dorian, you have the most curiously boyish moods. Do you think this girl will ever be really content now with any one of her own rank? I suppose she will be married some day to a rough carter or a grinning ploughman. Well, the fact of having met you, and loved you, will teach her to despise her husband, and she will be wretched. From a moral point of view, I cannot say that I think much of your great renunciation. Even as a beginning, it is poor. Besides, how do you know that Hetty isn t floating at the present moment in some starlit mill-pond, with lovely water-lilies round her, like Ophelia?" "I can t bear this, Harry! You mock at everything, and then suggest the most serious tragedies. I am sorry I told you now. I don t care what you say to me. I know I was right in acting as I did. Poor Hetty! As I rode past the farm this morning, I saw her white face at the window, like a spray of jasmine. Don t let us talk about it any more, and don t try to persuade me that the first good action I have done for years, the first little bit of self-sacrifice I have ever known, is really a sort of sin. I want to be better. I am going to be better. Tell me something about yourself. What is going on in town? I have not been to the club for days." "The people are still discussing poor Basil s disappearance." "I should have thought they had got tired of that by this time," said Dorian, pouring himself out some wine and frowning slightly. "My dear boy, they have only been talking about it for six weeks, and the British public are really not equal to the mental strain of having more than one topic every three months. They have been very fortunate lately, however. They have had my own divorce-case and Alan Campbell s suicide. Now they have got the mysterious disappearance of an artist. Scotland Yard still insists that the man in the grey ulster who left for Paris by the midnight train on the ninth of November was poor Basil, and the French police declare that Basil never arrived in Paris at all. I suppose in about a fortnight we shall be told that he has been seen in San Francisco. It is an odd thing, but every one who disappears is said to be seen at San Francisco. It must be a delightful city, and possess all the attractions of the next world." "What do you think has happened to Basil?" asked Dorian, holding up his Burgundy against the light and wondering how it was that he could discuss the matter so calmly. "I have not the slightest idea. If Basil chooses to hide himself, it is no business of mine. If he is dead, I don t want to think about him. Death is the only thing that ever terrifies me. I hate it." "Why?" said the younger man wearily. "Because," said Lord Henry, passing beneath his nostrils the gilt trellis of an open vinaigrette box, "one can survive everything nowadays except that. Death and vulgarity are the only two facts in the nineteenth century that one cannot explain away. Let us have our coffee in the music-room, Dorian. You must play Chopin to me. The man with whom my wife ran away played Chopin exquisitely. Poor Victoria! I was very fond of her. The house is rather lonely without her. Of course, married life is merely a habit, a bad habit. But then one regrets the loss even of one s worst habits. Perhaps one regrets them the most. They are such an essential part of one s personality." Dorian said nothing, but rose from the table, and passing into the next room, sat down to the piano and let his fingers stray across the white and black ivory of the keys. After the coffee had been brought in, he stopped, and looking over at Lord Henry, said, "Harry, did it ever occur to you that Basil was murdered?" Lord Henry yawned. "Basil was very popular, and always wore a Waterbury watch. Why should he | face. A coarse candle, stuck in a bottle, sputtered beside it. Dorian Gray shuddered. He felt that his could not be the hand to take the handkerchief away, and called out to one of the farm-servants to come to him. "Take that thing off the face. I wish to see it," he said, clutching at the door-post for support. When the farm-servant had done so, he stepped forward. A cry of joy broke from his lips. The man who had been shot in the thicket was James Vane. He stood there for some minutes looking at the dead body. As he rode home, his eyes were full of tears, for he knew he was safe. CHAPTER XIX. "There is no use your telling me that you are going to be good," cried Lord Henry, dipping his white fingers into a red copper bowl filled with rose-water. "You are quite perfect. Pray, don t change." Dorian Gray shook his head. "No, Harry, I have done too many dreadful things in my life. I am not going to do any more. I began my good actions yesterday." "Where were you yesterday?" "In the country, Harry. I was staying at a little inn by myself." "My dear boy," said Lord Henry, smiling, "anybody can be good in the country. There are no temptations there. That is the reason why people who live out of town are so absolutely uncivilized. Civilization is not by any means an easy thing to attain to. There are only two ways by which man can reach it. One is by being cultured, the other by being corrupt. Country people have no opportunity of being either, so they stagnate." "Culture and corruption," echoed Dorian. "I have known something of both. It seems terrible to me now that they should ever be found together. For I have a new ideal, Harry. I am going to alter. I think I have altered." "You have not yet told me what your good action was. Or did you say you had done more than one?" asked his companion as he spilled into his plate a little crimson pyramid of seeded strawberries and, through a perforated, shell-shaped spoon, snowed white sugar upon them. "I can tell you, Harry. It is not a story I could tell to any one else. I spared somebody. It sounds vain, but you understand what I mean. She was quite beautiful and wonderfully like Sibyl Vane. I think it was that which first attracted me to her. You remember Sibyl, don t you? How long ago that seems! Well, Hetty was not one of our own class, of course. She was simply a girl in a village. But I really loved her. I am quite sure that I loved her. All during this wonderful May that we have been having, I used to run down and see her two or three times a week. Yesterday she met me in a little orchard. The apple-blossoms kept tumbling down on her hair, and she was laughing. We were to have gone away together this morning at dawn. Suddenly I determined to leave her as flowerlike as I had found her."<|quote|>"I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian,"</|quote|>interrupted Lord Henry. "But I can finish your idyll for you. You gave her good advice and broke her heart. That was the beginning of your reformation." "Harry, you are horrible! You mustn t say these dreadful things. Hetty s heart is not broken. Of course, she cried and all that. But there is no disgrace upon her. She can live, like Perdita, in her garden of mint and marigold." "And weep over a faithless Florizel," said Lord Henry, laughing, as he leaned back in his chair. "My dear Dorian, you have the most curiously boyish moods. Do you think this girl will ever be really content now with any one of her own rank? I suppose she will be married some day to a rough carter or a grinning ploughman. Well, the fact of having met you, and loved you, will teach her to despise her husband, and she will be wretched. From a moral point of view, I cannot say that I think much of your great renunciation. Even as a beginning, it is poor. Besides, how do you know that Hetty isn t floating at the present moment in some starlit mill-pond, with lovely water-lilies round her, like Ophelia?" | The Picture Of Dorian Gray |
"Merely Gowland," | Sir Walter Elliot | thing in particular?" "No, nothing."<|quote|>"Merely Gowland,"</|quote|>he supposed. "No, nothing at | Had she been using any thing in particular?" "No, nothing."<|quote|>"Merely Gowland,"</|quote|>he supposed. "No, nothing at all." "Ha! he was surprised | the same morning, Anne and her father chancing to be alone together, he began to compliment her on her improved looks; he thought her "less thin in her person, in her cheeks; her skin, her complexion, greatly improved; clearer, fresher. Had she been using any thing in particular?" "No, nothing."<|quote|>"Merely Gowland,"</|quote|>he supposed. "No, nothing at all." "Ha! he was surprised at that;" and added, "certainly you cannot do better than to continue as you are; you cannot be better than well; or I should recommend Gowland, the constant use of Gowland, during the spring months. Mrs Clay has been using | Clay stealing a glance at Elizabeth and herself. Her countenance, perhaps, might express some watchfulness; but the praise of the fine mind did not appear to excite a thought in her sister. The lady could not but yield to such joint entreaties, and promise to stay. In the course of the same morning, Anne and her father chancing to be alone together, he began to compliment her on her improved looks; he thought her "less thin in her person, in her cheeks; her skin, her complexion, greatly improved; clearer, fresher. Had she been using any thing in particular?" "No, nothing."<|quote|>"Merely Gowland,"</|quote|>he supposed. "No, nothing at all." "Ha! he was surprised at that;" and added, "certainly you cannot do better than to continue as you are; you cannot be better than well; or I should recommend Gowland, the constant use of Gowland, during the spring months. Mrs Clay has been using it at my recommendation, and you see what it has done for her. You see how it has carried away her freckles." If Elizabeth could but have heard this! Such personal praise might have struck her, especially as it did not appear to Anne that the freckles were at all | assure you I feel it none. She is nothing to me, compared with you;" and she was in full time to hear her father say, "My dear madam, this must not be. As yet, you have seen nothing of Bath. You have been here only to be useful. You must not run away from us now. You must stay to be acquainted with Mrs Wallis, the beautiful Mrs Wallis. To your fine mind, I well know the sight of beauty is a real gratification." He spoke and looked so much in earnest, that Anne was not surprised to see Mrs Clay stealing a glance at Elizabeth and herself. Her countenance, perhaps, might express some watchfulness; but the praise of the fine mind did not appear to excite a thought in her sister. The lady could not but yield to such joint entreaties, and promise to stay. In the course of the same morning, Anne and her father chancing to be alone together, he began to compliment her on her improved looks; he thought her "less thin in her person, in her cheeks; her skin, her complexion, greatly improved; clearer, fresher. Had she been using any thing in particular?" "No, nothing."<|quote|>"Merely Gowland,"</|quote|>he supposed. "No, nothing at all." "Ha! he was surprised at that;" and added, "certainly you cannot do better than to continue as you are; you cannot be better than well; or I should recommend Gowland, the constant use of Gowland, during the spring months. Mrs Clay has been using it at my recommendation, and you see what it has done for her. You see how it has carried away her freckles." If Elizabeth could but have heard this! Such personal praise might have struck her, especially as it did not appear to Anne that the freckles were at all lessened. But everything must take its chance. The evil of a marriage would be much diminished, if Elizabeth were also to marry. As for herself, she might always command a home with Lady Russell. Lady Russell's composed mind and polite manners were put to some trial on this point, in her intercourse in Camden Place. The sight of Mrs Clay in such favour, and of Anne so overlooked, was a perpetual provocation to her there; and vexed her as much when she was away, as a person in Bath who drinks the water, gets all the new publications, and has | she must have suffered in witnessing it. He staid an hour with them. The elegant little clock on the mantel-piece had struck "eleven with its silver sounds," and the watchman was beginning to be heard at a distance telling the same tale, before Mr Elliot or any of them seemed to feel that he had been there long. Anne could not have supposed it possible that her first evening in Camden Place could have passed so well! Chapter 16 There was one point which Anne, on returning to her family, would have been more thankful to ascertain even than Mr Elliot's being in love with Elizabeth, which was, her father's not being in love with Mrs Clay; and she was very far from easy about it, when she had been at home a few hours. On going down to breakfast the next morning, she found there had just been a decent pretence on the lady's side of meaning to leave them. She could imagine Mrs Clay to have said, that "now Miss Anne was come, she could not suppose herself at all wanted;" for Elizabeth was replying in a sort of whisper, "That must not be any reason, indeed. I assure you I feel it none. She is nothing to me, compared with you;" and she was in full time to hear her father say, "My dear madam, this must not be. As yet, you have seen nothing of Bath. You have been here only to be useful. You must not run away from us now. You must stay to be acquainted with Mrs Wallis, the beautiful Mrs Wallis. To your fine mind, I well know the sight of beauty is a real gratification." He spoke and looked so much in earnest, that Anne was not surprised to see Mrs Clay stealing a glance at Elizabeth and herself. Her countenance, perhaps, might express some watchfulness; but the praise of the fine mind did not appear to excite a thought in her sister. The lady could not but yield to such joint entreaties, and promise to stay. In the course of the same morning, Anne and her father chancing to be alone together, he began to compliment her on her improved looks; he thought her "less thin in her person, in her cheeks; her skin, her complexion, greatly improved; clearer, fresher. Had she been using any thing in particular?" "No, nothing."<|quote|>"Merely Gowland,"</|quote|>he supposed. "No, nothing at all." "Ha! he was surprised at that;" and added, "certainly you cannot do better than to continue as you are; you cannot be better than well; or I should recommend Gowland, the constant use of Gowland, during the spring months. Mrs Clay has been using it at my recommendation, and you see what it has done for her. You see how it has carried away her freckles." If Elizabeth could but have heard this! Such personal praise might have struck her, especially as it did not appear to Anne that the freckles were at all lessened. But everything must take its chance. The evil of a marriage would be much diminished, if Elizabeth were also to marry. As for herself, she might always command a home with Lady Russell. Lady Russell's composed mind and polite manners were put to some trial on this point, in her intercourse in Camden Place. The sight of Mrs Clay in such favour, and of Anne so overlooked, was a perpetual provocation to her there; and vexed her as much when she was away, as a person in Bath who drinks the water, gets all the new publications, and has a very large acquaintance, has time to be vexed. As Mr Elliot became known to her, she grew more charitable, or more indifferent, towards the others. His manners were an immediate recommendation; and on conversing with him she found the solid so fully supporting the superficial, that she was at first, as she told Anne, almost ready to exclaim, "Can this be Mr Elliot?" and could not seriously picture to herself a more agreeable or estimable man. Everything united in him; good understanding, correct opinions, knowledge of the world, and a warm heart. He had strong feelings of family attachment and family honour, without pride or weakness; he lived with the liberality of a man of fortune, without display; he judged for himself in everything essential, without defying public opinion in any point of worldly decorum. He was steady, observant, moderate, candid; never run away with by spirits or by selfishness, which fancied itself strong feeling; and yet, with a sensibility to what was amiable and lovely, and a value for all the felicities of domestic life, which characters of fancied enthusiasm and violent agitation seldom really possess. She was sure that he had not been happy in marriage. Colonel | to certify that. His tone, his expressions, his choice of subject, his knowing where to stop; it was all the operation of a sensible, discerning mind. As soon as he could, he began to talk to her of Lyme, wanting to compare opinions respecting the place, but especially wanting to speak of the circumstance of their happening to be guests in the same inn at the same time; to give his own route, understand something of hers, and regret that he should have lost such an opportunity of paying his respects to her. She gave him a short account of her party and business at Lyme. His regret increased as he listened. He had spent his whole solitary evening in the room adjoining theirs; had heard voices, mirth continually; thought they must be a most delightful set of people, longed to be with them, but certainly without the smallest suspicion of his possessing the shadow of a right to introduce himself. If he had but asked who the party were! The name of Musgrove would have told him enough. "Well, it would serve to cure him of an absurd practice of never asking a question at an inn, which he had adopted, when quite a young man, on the principal of its being very ungenteel to be curious." "The notions of a young man of one or two and twenty," said he, "as to what is necessary in manners to make him quite the thing, are more absurd, I believe, than those of any other set of beings in the world. The folly of the means they often employ is only to be equalled by the folly of what they have in view." But he must not be addressing his reflections to Anne alone: he knew it; he was soon diffused again among the others, and it was only at intervals that he could return to Lyme. His enquiries, however, produced at length an account of the scene she had been engaged in there, soon after his leaving the place. Having alluded to "an accident," he must hear the whole. When he questioned, Sir Walter and Elizabeth began to question also, but the difference in their manner of doing it could not be unfelt. She could only compare Mr Elliot to Lady Russell, in the wish of really comprehending what had passed, and in the degree of concern for what she must have suffered in witnessing it. He staid an hour with them. The elegant little clock on the mantel-piece had struck "eleven with its silver sounds," and the watchman was beginning to be heard at a distance telling the same tale, before Mr Elliot or any of them seemed to feel that he had been there long. Anne could not have supposed it possible that her first evening in Camden Place could have passed so well! Chapter 16 There was one point which Anne, on returning to her family, would have been more thankful to ascertain even than Mr Elliot's being in love with Elizabeth, which was, her father's not being in love with Mrs Clay; and she was very far from easy about it, when she had been at home a few hours. On going down to breakfast the next morning, she found there had just been a decent pretence on the lady's side of meaning to leave them. She could imagine Mrs Clay to have said, that "now Miss Anne was come, she could not suppose herself at all wanted;" for Elizabeth was replying in a sort of whisper, "That must not be any reason, indeed. I assure you I feel it none. She is nothing to me, compared with you;" and she was in full time to hear her father say, "My dear madam, this must not be. As yet, you have seen nothing of Bath. You have been here only to be useful. You must not run away from us now. You must stay to be acquainted with Mrs Wallis, the beautiful Mrs Wallis. To your fine mind, I well know the sight of beauty is a real gratification." He spoke and looked so much in earnest, that Anne was not surprised to see Mrs Clay stealing a glance at Elizabeth and herself. Her countenance, perhaps, might express some watchfulness; but the praise of the fine mind did not appear to excite a thought in her sister. The lady could not but yield to such joint entreaties, and promise to stay. In the course of the same morning, Anne and her father chancing to be alone together, he began to compliment her on her improved looks; he thought her "less thin in her person, in her cheeks; her skin, her complexion, greatly improved; clearer, fresher. Had she been using any thing in particular?" "No, nothing."<|quote|>"Merely Gowland,"</|quote|>he supposed. "No, nothing at all." "Ha! he was surprised at that;" and added, "certainly you cannot do better than to continue as you are; you cannot be better than well; or I should recommend Gowland, the constant use of Gowland, during the spring months. Mrs Clay has been using it at my recommendation, and you see what it has done for her. You see how it has carried away her freckles." If Elizabeth could but have heard this! Such personal praise might have struck her, especially as it did not appear to Anne that the freckles were at all lessened. But everything must take its chance. The evil of a marriage would be much diminished, if Elizabeth were also to marry. As for herself, she might always command a home with Lady Russell. Lady Russell's composed mind and polite manners were put to some trial on this point, in her intercourse in Camden Place. The sight of Mrs Clay in such favour, and of Anne so overlooked, was a perpetual provocation to her there; and vexed her as much when she was away, as a person in Bath who drinks the water, gets all the new publications, and has a very large acquaintance, has time to be vexed. As Mr Elliot became known to her, she grew more charitable, or more indifferent, towards the others. His manners were an immediate recommendation; and on conversing with him she found the solid so fully supporting the superficial, that she was at first, as she told Anne, almost ready to exclaim, "Can this be Mr Elliot?" and could not seriously picture to herself a more agreeable or estimable man. Everything united in him; good understanding, correct opinions, knowledge of the world, and a warm heart. He had strong feelings of family attachment and family honour, without pride or weakness; he lived with the liberality of a man of fortune, without display; he judged for himself in everything essential, without defying public opinion in any point of worldly decorum. He was steady, observant, moderate, candid; never run away with by spirits or by selfishness, which fancied itself strong feeling; and yet, with a sensibility to what was amiable and lovely, and a value for all the felicities of domestic life, which characters of fancied enthusiasm and violent agitation seldom really possess. She was sure that he had not been happy in marriage. Colonel Wallis said it, and Lady Russell saw it; but it had been no unhappiness to sour his mind, nor (she began pretty soon to suspect) to prevent his thinking of a second choice. Her satisfaction in Mr Elliot outweighed all the plague of Mrs Clay. It was now some years since Anne had begun to learn that she and her excellent friend could sometimes think differently; and it did not surprise her, therefore, that Lady Russell should see nothing suspicious or inconsistent, nothing to require more motives than appeared, in Mr Elliot's great desire of a reconciliation. In Lady Russell's view, it was perfectly natural that Mr Elliot, at a mature time of life, should feel it a most desirable object, and what would very generally recommend him among all sensible people, to be on good terms with the head of his family; the simplest process in the world of time upon a head naturally clear, and only erring in the heyday of youth. Anne presumed, however, still to smile about it, and at last to mention "Elizabeth." Lady Russell listened, and looked, and made only this cautious reply:--" "Elizabeth! very well; time will explain." It was a reference to the future, which Anne, after a little observation, felt she must submit to. She could determine nothing at present. In that house Elizabeth must be first; and she was in the habit of such general observance as "Miss Elliot," that any particularity of attention seemed almost impossible. Mr Elliot, too, it must be remembered, had not been a widower seven months. A little delay on his side might be very excusable. In fact, Anne could never see the crape round his hat, without fearing that she was the inexcusable one, in attributing to him such imaginations; for though his marriage had not been very happy, still it had existed so many years that she could not comprehend a very rapid recovery from the awful impression of its being dissolved. However it might end, he was without any question their pleasantest acquaintance in Bath: she saw nobody equal to him; and it was a great indulgence now and then to talk to him about Lyme, which he seemed to have as lively a wish to see again, and to see more of, as herself. They went through the particulars of their first meeting a great many times. He gave her to | at length an account of the scene she had been engaged in there, soon after his leaving the place. Having alluded to "an accident," he must hear the whole. When he questioned, Sir Walter and Elizabeth began to question also, but the difference in their manner of doing it could not be unfelt. She could only compare Mr Elliot to Lady Russell, in the wish of really comprehending what had passed, and in the degree of concern for what she must have suffered in witnessing it. He staid an hour with them. The elegant little clock on the mantel-piece had struck "eleven with its silver sounds," and the watchman was beginning to be heard at a distance telling the same tale, before Mr Elliot or any of them seemed to feel that he had been there long. Anne could not have supposed it possible that her first evening in Camden Place could have passed so well! Chapter 16 There was one point which Anne, on returning to her family, would have been more thankful to ascertain even than Mr Elliot's being in love with Elizabeth, which was, her father's not being in love with Mrs Clay; and she was very far from easy about it, when she had been at home a few hours. On going down to breakfast the next morning, she found there had just been a decent pretence on the lady's side of meaning to leave them. She could imagine Mrs Clay to have said, that "now Miss Anne was come, she could not suppose herself at all wanted;" for Elizabeth was replying in a sort of whisper, "That must not be any reason, indeed. I assure you I feel it none. She is nothing to me, compared with you;" and she was in full time to hear her father say, "My dear madam, this must not be. As yet, you have seen nothing of Bath. You have been here only to be useful. You must not run away from us now. You must stay to be acquainted with Mrs Wallis, the beautiful Mrs Wallis. To your fine mind, I well know the sight of beauty is a real gratification." He spoke and looked so much in earnest, that Anne was not surprised to see Mrs Clay stealing a glance at Elizabeth and herself. Her countenance, perhaps, might express some watchfulness; but the praise of the fine mind did not appear to excite a thought in her sister. The lady could not but yield to such joint entreaties, and promise to stay. In the course of the same morning, Anne and her father chancing to be alone together, he began to compliment her on her improved looks; he thought her "less thin in her person, in her cheeks; her skin, her complexion, greatly improved; clearer, fresher. Had she been using any thing in particular?" "No, nothing."<|quote|>"Merely Gowland,"</|quote|>he supposed. "No, nothing at all." "Ha! he was surprised at that;" and added, "certainly you cannot do better than to continue as you are; you cannot be better than well; or I should recommend Gowland, the constant use of Gowland, during the spring months. Mrs Clay has been using it at my recommendation, and you see what it has done for her. You see how it has carried away her freckles." If Elizabeth could but have heard this! Such personal praise might have struck her, especially as it did not appear to Anne that the freckles were at all lessened. But everything must take its chance. The evil of a marriage would be much diminished, if Elizabeth were also to marry. As for herself, she might always command a home with Lady Russell. Lady Russell's composed mind and polite manners were put to some trial on this point, in her intercourse in Camden Place. The sight of Mrs Clay in such favour, and of Anne so overlooked, was a perpetual provocation to her there; and vexed her as much when she was away, as a person in Bath who drinks the water, gets all the new publications, and has a very large acquaintance, has time to be vexed. As Mr Elliot became known to her, she grew more charitable, or more indifferent, towards the others. His manners were an immediate recommendation; and on conversing with him she found the solid so fully supporting the superficial, that she was at first, as she told Anne, almost ready to exclaim, "Can this be Mr Elliot?" and could not seriously picture to herself a more agreeable or estimable man. Everything united in him; good understanding, correct opinions, knowledge of the world, and a warm heart. He had strong feelings of family attachment and family honour, without pride or weakness; he lived with the liberality of a man of fortune, without display; he judged for himself in everything essential, without defying public opinion in any point of worldly decorum. He was steady, observant, moderate, candid; never run away with by spirits or by selfishness, which fancied itself strong feeling; and yet, with a sensibility to what was amiable and lovely, and a value for all the felicities of domestic life, which characters of fancied enthusiasm and violent agitation seldom really possess. She was sure that he had not been happy in marriage. Colonel Wallis said it, and Lady Russell saw it; but it had been no unhappiness to sour his mind, nor (she began pretty soon to suspect) to prevent his thinking of a second choice. Her satisfaction in Mr Elliot outweighed all the plague of Mrs Clay. It was now some years since Anne had begun to learn that she and her excellent friend could sometimes think differently; and it did not surprise her, therefore, that Lady Russell should see nothing suspicious or inconsistent, nothing to require more motives than appeared, in Mr Elliot's great desire of a reconciliation. In Lady Russell's view, it was perfectly natural that Mr Elliot, at a mature time of life, should feel it a most desirable object, and what would very generally recommend him among all sensible people, to be on good terms with the head of his family; the simplest process in the world of time upon a head naturally clear, and only erring in the heyday of youth. Anne presumed, however, still to smile about it, and at last to mention "Elizabeth." Lady Russell listened, and looked, and made only this cautious reply:--" "Elizabeth! very well; time will explain." It was a reference to | Persuasion |
The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed. | No speaker | as if I warn't here."<|quote|>The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed.</|quote|>"I'm rested now, Jem," said | go on climbing down, just as if I warn't here."<|quote|>The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed.</|quote|>"I'm rested now, Jem," said Don. "Of course you are, | you are. That's the way. Two heads is better than one." "Can you bear my weight, Jem?" "Can I bear your weight? Why? You may stand there for a week. Now just you rest your wristies a bit, and then go on climbing down, just as if I warn't here."<|quote|>The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed.</|quote|>"I'm rested now, Jem," said Don. "Of course you are, my lad. Well, then, now you can climb down aside me. 'Tarn't so much farther to the bottom." "Can you reach out far enough for me to come between you and the rock?" "Just you try, Mas' Don." By this | till he was exactly beneath. "Now, one moment. That's it." As he spoke he drew himself up a little, taking fast hold of the stem of a bush, and of a projecting stone, while he found foot-hold in a wide crevice. "Now then, rest your foot on my shoulders. There you are. That's the way. Two heads is better than one." "Can you bear my weight, Jem?" "Can I bear your weight? Why? You may stand there for a week. Now just you rest your wristies a bit, and then go on climbing down, just as if I warn't here."<|quote|>The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed.</|quote|>"I'm rested now, Jem," said Don. "Of course you are, my lad. Well, then, now you can climb down aside me. 'Tarn't so much farther to the bottom." "Can you reach out far enough for me to come between you and the rock?" "Just you try, Mas' Don." By this time Don had found a fresh hold for his feet; and nerving himself, he descended slowly, Jem forcing himself out, so that there was enough room for any one to pass; but as Don cleared him, and got right below, the bush to which Jem clung with one hand came | I fall?" "'Bout two foot ten," said Jem, after a glance below them at the sheer precipice. "Then I had better drop." "If you do you will knock me to the bottom, so just you hold on till I tells you." Jem kept up his jocular way of speaking; but if any one could have looked on, he would have seen that his face was curiously mottled with sallow, while his hands were trembling when at liberty, and that there was a curiously wild, set look in his eyes. "There, Mas' Don," he said cheerily, as he finished climbing sidewise till he was exactly beneath. "Now, one moment. That's it." As he spoke he drew himself up a little, taking fast hold of the stem of a bush, and of a projecting stone, while he found foot-hold in a wide crevice. "Now then, rest your foot on my shoulders. There you are. That's the way. Two heads is better than one." "Can you bear my weight, Jem?" "Can I bear your weight? Why? You may stand there for a week. Now just you rest your wristies a bit, and then go on climbing down, just as if I warn't here."<|quote|>The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed.</|quote|>"I'm rested now, Jem," said Don. "Of course you are, my lad. Well, then, now you can climb down aside me. 'Tarn't so much farther to the bottom." "Can you reach out far enough for me to come between you and the rock?" "Just you try, Mas' Don." By this time Don had found a fresh hold for his feet; and nerving himself, he descended slowly, Jem forcing himself out, so that there was enough room for any one to pass; but as Don cleared him, and got right below, the bush to which Jem clung with one hand came slowly out of the interstices of the stones, and but for the exercise of a large amount of muscular power and rigidity of will, he would have swung round and fallen headlong. "I'm all right now, Jem!" cried Don from below. "Glad of it, my lad," muttered Jem, "because I arn't." "Come along down now." "How, Mas' Don?" said Jem grimly. "The same way as I did." "Oh! All right; but the bush I held on by is gone." "Well take hold of another." "Just you get from under me, Mas' Don." "Why? What do you mean?" "I'm too heavy | course I can. How are you getting on?" Don did not reply, but drew a long breath, as he slowly descended the perilous natural ladder, which seemed interminable. They were now going down pretty close together, and nearly on a level, presence and example giving to each nerve and endurance to perform the task. "Steady, dear lad, steady!" cried Jem suddenly, as there was a sharp crack and a slip. "Piece I was resting on gave way," said Don hoarsely, as he hung at the full length of his arms, vainly trying to get a resting-place for his feet. Jem grasped the position in an instant, but remained perfectly cool. "Don't kick, Mas' Don." "But I can't hang here long, Jem." "Nobody wants you to, my lad. Wait a minute, and I'll be under you, and set you right. "`There was a man in Bristol city,'" he sang cheerily, as he struggled sidewise. "`Fol de--' I say, Mas' Don, he was a clever one, but I believe this here would ha' bothered him. It's hold on by your eyelids one minute, and wish you was a fly next." "Jem." "Hullo, lad?" "If I let go and dropped, how far should I fall?" "'Bout two foot ten," said Jem, after a glance below them at the sheer precipice. "Then I had better drop." "If you do you will knock me to the bottom, so just you hold on till I tells you." Jem kept up his jocular way of speaking; but if any one could have looked on, he would have seen that his face was curiously mottled with sallow, while his hands were trembling when at liberty, and that there was a curiously wild, set look in his eyes. "There, Mas' Don," he said cheerily, as he finished climbing sidewise till he was exactly beneath. "Now, one moment. That's it." As he spoke he drew himself up a little, taking fast hold of the stem of a bush, and of a projecting stone, while he found foot-hold in a wide crevice. "Now then, rest your foot on my shoulders. There you are. That's the way. Two heads is better than one." "Can you bear my weight, Jem?" "Can I bear your weight? Why? You may stand there for a week. Now just you rest your wristies a bit, and then go on climbing down, just as if I warn't here."<|quote|>The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed.</|quote|>"I'm rested now, Jem," said Don. "Of course you are, my lad. Well, then, now you can climb down aside me. 'Tarn't so much farther to the bottom." "Can you reach out far enough for me to come between you and the rock?" "Just you try, Mas' Don." By this time Don had found a fresh hold for his feet; and nerving himself, he descended slowly, Jem forcing himself out, so that there was enough room for any one to pass; but as Don cleared him, and got right below, the bush to which Jem clung with one hand came slowly out of the interstices of the stones, and but for the exercise of a large amount of muscular power and rigidity of will, he would have swung round and fallen headlong. "I'm all right now, Jem!" cried Don from below. "Glad of it, my lad," muttered Jem, "because I arn't." "Come along down now." "How, Mas' Don?" said Jem grimly. "The same way as I did." "Oh! All right; but the bush I held on by is gone." "Well take hold of another." "Just you get from under me, Mas' Don." "Why? What do you mean?" "I'm too heavy to ketch like a cricket ball. That's all, my lad." "Oh, Jem, don't say you are in danger." "Not I, my lad, if you don't want me to; but it is awk'ard. Stand clear," he shouted. "I'm coming down. No, I arn't," he said directly after, as he made a tremendous effort to reach a tough stem below, failed, and then dropped and caught it, and swung first by one hand and then by two. "I say, Mas' Don, I thought I was gone." "You made my heart seem to jump into my mouth." "Did I, lad? Well, it was awk'ard. I was scared lest I should knock you off. Felt just as I did when the chain broke, and you could see the link opening, and a big sugar-hogshead threatening to come down. All right now, my lad. Let's get on down. Think we're birds' nesting, Mas' Don, and it'll be all right." Don had to nerve himself once more, and they steadily lowered themselves from tuft to tuft, and from stone to stone, with more confidence, till they were about thirty feet from the foot, when farther progress became impossible, for, in place of being perpendicular, the cliff | Jem began to whistle as he lowered himself over the edge of the precipice, a few feet to Don's right; and directly after he began to sing merrily,-- "`There was a man in Bristol city, Fol de rol de riddle-lol-de-ri. And that's the first o' this here ditty, Fol de rol de-riddle-lol-de-ri.' "Say, Mas' Don, 'tarn't so bad, after all." "It's terrible, Jem!" panted Don, "Can we do it?" "Can we do it? Ha, ha, ha!" cried Jem. "Can we do it? Hark at him! We're just the boys as can do it. Why, it arn't half so bad as being up on the main-top gallant yard. "`Fol de rol de-riddle-lol-de-ri.'" "Don't make that noise, Jem, pray." "Why not, my lad? That's your sort; try all the roots before you trust 'em. I'm getting on splen--" _Rush_! "Jem!" "All right, Mas' Don! Only slipped ten foot of an easy bit to save tumbles." "It isn't true. I was looking at you, and I saw that root you were holding come out of the rock." "Did you, Mas' Don? Oh, I thought I did that o' purpose," came from below. "Where are you?" "Sitting straddling on a big bit o' bush." "Where? I can't see you." "Here, all right. 'Tarn't ten foot, it's about five and twenty-- "`De-riddle-lol-de-ri.'" "Jem, we must climb back. It is too risky." "No, we mustn't, Mas' Don; and it arn't a bit too risky. Come along, and I'll wait for you." Don hesitated for a minute, and then continued his descent, which seemed to grow more perilous each moment. "Say, Mas' Don," cried Jem cheerily, "what a chance for them birds. Couldn't they dig their bills into us now!" "Don't talk so, Jem. I can't answer you." "Must talk, my lad. Them fern things is as rotten as mud. Don't you hold on by them. Steady! Steady!" "Yes. Slipped a little." "Well, then, don't slip a little. What's your hands for? "`There was a man in Bristol city, Fol de rol de--'" "Say, Mas' Don, think there's any monkeys here?" "No, no." "'Cause how one o' they would scramble down this precipit. Rather pricky, arn't it?" "Yes; don't talk so." "All right! "`De-riddle-liddle-lol.' "I'm getting on first rate now, Mas' Don--I say." "Yes!" "No press-gang waiting for us down at the bottom here, Mas' Don?" "Can you manage it, Jem?" "Can I manage it? Why, in course I can. How are you getting on?" Don did not reply, but drew a long breath, as he slowly descended the perilous natural ladder, which seemed interminable. They were now going down pretty close together, and nearly on a level, presence and example giving to each nerve and endurance to perform the task. "Steady, dear lad, steady!" cried Jem suddenly, as there was a sharp crack and a slip. "Piece I was resting on gave way," said Don hoarsely, as he hung at the full length of his arms, vainly trying to get a resting-place for his feet. Jem grasped the position in an instant, but remained perfectly cool. "Don't kick, Mas' Don." "But I can't hang here long, Jem." "Nobody wants you to, my lad. Wait a minute, and I'll be under you, and set you right. "`There was a man in Bristol city,'" he sang cheerily, as he struggled sidewise. "`Fol de--' I say, Mas' Don, he was a clever one, but I believe this here would ha' bothered him. It's hold on by your eyelids one minute, and wish you was a fly next." "Jem." "Hullo, lad?" "If I let go and dropped, how far should I fall?" "'Bout two foot ten," said Jem, after a glance below them at the sheer precipice. "Then I had better drop." "If you do you will knock me to the bottom, so just you hold on till I tells you." Jem kept up his jocular way of speaking; but if any one could have looked on, he would have seen that his face was curiously mottled with sallow, while his hands were trembling when at liberty, and that there was a curiously wild, set look in his eyes. "There, Mas' Don," he said cheerily, as he finished climbing sidewise till he was exactly beneath. "Now, one moment. That's it." As he spoke he drew himself up a little, taking fast hold of the stem of a bush, and of a projecting stone, while he found foot-hold in a wide crevice. "Now then, rest your foot on my shoulders. There you are. That's the way. Two heads is better than one." "Can you bear my weight, Jem?" "Can I bear your weight? Why? You may stand there for a week. Now just you rest your wristies a bit, and then go on climbing down, just as if I warn't here."<|quote|>The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed.</|quote|>"I'm rested now, Jem," said Don. "Of course you are, my lad. Well, then, now you can climb down aside me. 'Tarn't so much farther to the bottom." "Can you reach out far enough for me to come between you and the rock?" "Just you try, Mas' Don." By this time Don had found a fresh hold for his feet; and nerving himself, he descended slowly, Jem forcing himself out, so that there was enough room for any one to pass; but as Don cleared him, and got right below, the bush to which Jem clung with one hand came slowly out of the interstices of the stones, and but for the exercise of a large amount of muscular power and rigidity of will, he would have swung round and fallen headlong. "I'm all right now, Jem!" cried Don from below. "Glad of it, my lad," muttered Jem, "because I arn't." "Come along down now." "How, Mas' Don?" said Jem grimly. "The same way as I did." "Oh! All right; but the bush I held on by is gone." "Well take hold of another." "Just you get from under me, Mas' Don." "Why? What do you mean?" "I'm too heavy to ketch like a cricket ball. That's all, my lad." "Oh, Jem, don't say you are in danger." "Not I, my lad, if you don't want me to; but it is awk'ard. Stand clear," he shouted. "I'm coming down. No, I arn't," he said directly after, as he made a tremendous effort to reach a tough stem below, failed, and then dropped and caught it, and swung first by one hand and then by two. "I say, Mas' Don, I thought I was gone." "You made my heart seem to jump into my mouth." "Did I, lad? Well, it was awk'ard. I was scared lest I should knock you off. Felt just as I did when the chain broke, and you could see the link opening, and a big sugar-hogshead threatening to come down. All right now, my lad. Let's get on down. Think we're birds' nesting, Mas' Don, and it'll be all right." Don had to nerve himself once more, and they steadily lowered themselves from tuft to tuft, and from stone to stone, with more confidence, till they were about thirty feet from the foot, when farther progress became impossible, for, in place of being perpendicular, the cliff face sloped inward for some distance before becoming perpendicular once more. "Well, I do call that stoopid," said Jem, as he stared helplessly at Don. "What are we going to do now?" "I don't know, Jem. If we had a bit of rope we could easily descend." "And if we'd got wings, Mas' Don, we might fly." "We must climb back, Jem, as--Look here, would these trees bear us?" "Not likely," said Jem, staring hard at a couple of young kauri pines, which grew up at the foot of the precipice, and whose fine pointed tops were within a few feet of where they clung. "But if we could reach them and get fast hold, they would bend and let us down." "They'd let us down," said Jem drily; "but I don't know 'bout bending." Don clung to the face of the rock, hesitating, and wondering whether by any possibility they could get down another way, and finding that it was absolutely hopeless, he made up his mind to act. "It is next to impossible to climb up, Jem," he said. "Yes, Mas' Don." "And we can't get down." "No, Mas' Don. We shall have to live here for a bit, only I don't know how we're going to eat and sleep." "Jem." "Yes, Mas' Don." "I'm going to jump into that tree." "No, Mas' Don, you mustn't risk it." "And if it breaks--" "Never mind about the tree breaking. What I don't like is, s'pose you break." "I shall go first, and you can try afterwards." "No, no, Mas' Don; let me try first." Don paid no heed to his words, but turned himself completely round, so that he held on, with his back to the stony wall, and his heels upon a couple of rough projections, in so perilous a position that Jem looked on aghast, afraid now to speak. In front of Don, about nine feet away, and the top level with his feet, was the tree of which he had spoken. As far as support was concerned, it was about as reasonable to trust to a tall fishing-rod; but it appeared to be the only chance, and Don hesitated no longer than was necessary to calculate his chances. "Don't do it, Mas' Don. It's impossible, and like chucking yourself away. Let's climb up again; it's the only chance; and if we can't get to the village | Why, in course I can. How are you getting on?" Don did not reply, but drew a long breath, as he slowly descended the perilous natural ladder, which seemed interminable. They were now going down pretty close together, and nearly on a level, presence and example giving to each nerve and endurance to perform the task. "Steady, dear lad, steady!" cried Jem suddenly, as there was a sharp crack and a slip. "Piece I was resting on gave way," said Don hoarsely, as he hung at the full length of his arms, vainly trying to get a resting-place for his feet. Jem grasped the position in an instant, but remained perfectly cool. "Don't kick, Mas' Don." "But I can't hang here long, Jem." "Nobody wants you to, my lad. Wait a minute, and I'll be under you, and set you right. "`There was a man in Bristol city,'" he sang cheerily, as he struggled sidewise. "`Fol de--' I say, Mas' Don, he was a clever one, but I believe this here would ha' bothered him. It's hold on by your eyelids one minute, and wish you was a fly next." "Jem." "Hullo, lad?" "If I let go and dropped, how far should I fall?" "'Bout two foot ten," said Jem, after a glance below them at the sheer precipice. "Then I had better drop." "If you do you will knock me to the bottom, so just you hold on till I tells you." Jem kept up his jocular way of speaking; but if any one could have looked on, he would have seen that his face was curiously mottled with sallow, while his hands were trembling when at liberty, and that there was a curiously wild, set look in his eyes. "There, Mas' Don," he said cheerily, as he finished climbing sidewise till he was exactly beneath. "Now, one moment. That's it." As he spoke he drew himself up a little, taking fast hold of the stem of a bush, and of a projecting stone, while he found foot-hold in a wide crevice. "Now then, rest your foot on my shoulders. There you are. That's the way. Two heads is better than one." "Can you bear my weight, Jem?" "Can I bear your weight? Why? You may stand there for a week. Now just you rest your wristies a bit, and then go on climbing down, just as if I warn't here."<|quote|>The minute before Don had felt that he could bear the strain no longer. Now the despairing sensation which came over him had gone, his heart felt lighter as he stood on Jem's shoulders, and sought another hold for his hands lower down. The wild, fluttering pulsation ceased, and he grew composed.</|quote|>"I'm rested now, Jem," said Don. "Of course you are, my lad. Well, then, now you can climb down aside me. 'Tarn't so much farther to the bottom." "Can you reach out far enough for me to come between you and the rock?" "Just you try, Mas' Don." By this time Don had found a fresh hold for his feet; and nerving himself, he descended slowly, Jem forcing himself out, so that there was enough room for any one to pass; but as Don cleared him, and got right below, the bush to which Jem clung with one hand came slowly out of the interstices of the stones, and but for the exercise of a large amount of muscular power and rigidity of will, he would have swung round and fallen headlong. "I'm all right now, Jem!" cried Don from below. "Glad of it, my lad," muttered Jem, "because I arn't." "Come along down now." "How, Mas' Don?" said Jem grimly. "The same way as I did." "Oh! All right; but the bush I held on by is gone." "Well take hold of another." "Just you get from under me, Mas' Don." "Why? What do you mean?" "I'm too heavy to ketch like a cricket ball. That's all, my lad." "Oh, Jem, don't say you are in danger." "Not I, my lad, if you don't want me to; but it is awk'ard. Stand clear," he shouted. "I'm coming down. No, I arn't," he said directly after, as he made a tremendous effort to reach a tough stem below, failed, and then dropped and caught it, and swung first by one hand and then by two. "I say, Mas' Don, I thought I was gone." "You made my heart seem to jump into my mouth." "Did I, lad? Well, it was awk'ard. I was scared lest I should knock you off. Felt just as I did when the chain broke, and you could see the link opening, and a big sugar-hogshead threatening to come down. All right now, my lad. Let's get on down. Think we're birds' nesting, Mas' Don, and it'll be all right." Don had to nerve himself once more, and they steadily lowered themselves from tuft to tuft, and from stone to stone, with more confidence, till they were about thirty feet from the foot, when farther progress became impossible, for, in place of being perpendicular, the cliff face sloped inward for some distance before becoming perpendicular once more. "Well, I do call that stoopid," said Jem, as he stared helplessly at Don. "What are we going to do now?" "I don't know, Jem. If we had a bit of rope we could easily descend." "And if we'd got wings, Mas' Don, we might fly." "We must climb back, Jem, as--Look here, would these trees bear us?" "Not likely," said Jem, staring hard at a couple of young kauri pines, which grew up at the foot of the precipice, and whose fine pointed tops were within a few feet of where they clung. "But if we could reach them and get fast hold, they would bend and let us down." "They'd let us down," said Jem drily; "but I don't know 'bout bending." Don clung to the face of the rock, hesitating, and wondering whether by any possibility they could get down another way, | Don Lavington |
he exclaimed. | No speaker | kind of analysis is disastrous!"<|quote|>he exclaimed.</|quote|>"I should have done it | farce?" he asked. "But this kind of analysis is disastrous!"<|quote|>he exclaimed.</|quote|>"I should have done it before," she said gloomily. "You | I haven t got the sort of feeling love, I mean I don t know what to call it" she looked vaguely towards the horizon sunk under mist "but, anyhow, without it our marriage would be a farce" "How a farce?" he asked. "But this kind of analysis is disastrous!"<|quote|>he exclaimed.</|quote|>"I should have done it before," she said gloomily. "You make yourself think things you don t think," he continued, becoming demonstrative with his hands, as his manner was. "Believe me, Katharine, before we came here we were perfectly happy. You were full of plans for our house the chair-covers, | mother, for example, or Henry?" "No, no, of course not," she said, stirring the leaves with her hand. "But you don t understand me, William" "Help me to understand you" "You don t understand, I mean, my real feelings; how could you? I ve only now faced them myself. But I haven t got the sort of feeling love, I mean I don t know what to call it" she looked vaguely towards the horizon sunk under mist "but, anyhow, without it our marriage would be a farce" "How a farce?" he asked. "But this kind of analysis is disastrous!"<|quote|>he exclaimed.</|quote|>"I should have done it before," she said gloomily. "You make yourself think things you don t think," he continued, becoming demonstrative with his hands, as his manner was. "Believe me, Katharine, before we came here we were perfectly happy. You were full of plans for our house the chair-covers, don t you remember? like any other woman who is about to be married. Now, for no reason whatever, you begin to fret about your feeling and about my feeling, with the usual result. I assure you, Katharine, I ve been through it all myself. At one time I was | it. I admit I was unreasonable the first night when you found that your clothes had been left behind. Still, where s the fault in that? I could promise you never to interfere with your clothes again. I admit I was cross when I found you upstairs with Henry. Perhaps I showed it too openly. But that s not unreasonable either when one s engaged. Ask your mother. And now this terrible thing" He broke off, unable for the moment to proceed any further. "This decision you say you ve come to have you discussed it with any one? Your mother, for example, or Henry?" "No, no, of course not," she said, stirring the leaves with her hand. "But you don t understand me, William" "Help me to understand you" "You don t understand, I mean, my real feelings; how could you? I ve only now faced them myself. But I haven t got the sort of feeling love, I mean I don t know what to call it" she looked vaguely towards the horizon sunk under mist "but, anyhow, without it our marriage would be a farce" "How a farce?" he asked. "But this kind of analysis is disastrous!"<|quote|>he exclaimed.</|quote|>"I should have done it before," she said gloomily. "You make yourself think things you don t think," he continued, becoming demonstrative with his hands, as his manner was. "Believe me, Katharine, before we came here we were perfectly happy. You were full of plans for our house the chair-covers, don t you remember? like any other woman who is about to be married. Now, for no reason whatever, you begin to fret about your feeling and about my feeling, with the usual result. I assure you, Katharine, I ve been through it all myself. At one time I was always asking myself absurd questions which came to nothing either. What you want, if I may say so, is some occupation to take you out of yourself when this morbid mood comes on. If it hadn t been for my poetry, I assure you, I should often have been very much in the same state myself. To let you into a secret," he continued, with his little chuckle, which now sounded almost assured, "I ve often gone home from seeing you in such a state of nerves that I had to force myself to write a page or two before | a desperate sense that this horror must, at all costs, be stopped, she then put her arms about him, drew his head for a moment upon her shoulder, and led him on, murmuring words of consolation, until he heaved a great sigh. They held fast to each other; her tears, too, ran down her cheeks; and were both quite silent. Noticing the difficulty with which he walked, and feeling the same extreme lassitude in her own limbs, she proposed that they should rest for a moment where the bracken was brown and shriveled beneath an oak-tree. He assented. Once more he gave a great sigh, and wiped his eyes with a childlike unconsciousness, and began to speak without a trace of his previous anger. The idea came to her that they were like the children in the fairy tale who were lost in a wood, and with this in her mind she noticed the scattering of dead leaves all round them which had been blown by the wind into heaps, a foot or two deep, here and there. "When did you begin to feel this, Katharine?" he said; "for it isn t true to say that you ve always felt it. I admit I was unreasonable the first night when you found that your clothes had been left behind. Still, where s the fault in that? I could promise you never to interfere with your clothes again. I admit I was cross when I found you upstairs with Henry. Perhaps I showed it too openly. But that s not unreasonable either when one s engaged. Ask your mother. And now this terrible thing" He broke off, unable for the moment to proceed any further. "This decision you say you ve come to have you discussed it with any one? Your mother, for example, or Henry?" "No, no, of course not," she said, stirring the leaves with her hand. "But you don t understand me, William" "Help me to understand you" "You don t understand, I mean, my real feelings; how could you? I ve only now faced them myself. But I haven t got the sort of feeling love, I mean I don t know what to call it" she looked vaguely towards the horizon sunk under mist "but, anyhow, without it our marriage would be a farce" "How a farce?" he asked. "But this kind of analysis is disastrous!"<|quote|>he exclaimed.</|quote|>"I should have done it before," she said gloomily. "You make yourself think things you don t think," he continued, becoming demonstrative with his hands, as his manner was. "Believe me, Katharine, before we came here we were perfectly happy. You were full of plans for our house the chair-covers, don t you remember? like any other woman who is about to be married. Now, for no reason whatever, you begin to fret about your feeling and about my feeling, with the usual result. I assure you, Katharine, I ve been through it all myself. At one time I was always asking myself absurd questions which came to nothing either. What you want, if I may say so, is some occupation to take you out of yourself when this morbid mood comes on. If it hadn t been for my poetry, I assure you, I should often have been very much in the same state myself. To let you into a secret," he continued, with his little chuckle, which now sounded almost assured, "I ve often gone home from seeing you in such a state of nerves that I had to force myself to write a page or two before I could get you out of my head. Ask Denham; he ll tell you how he met me one night; he ll tell you what a state he found me in." Katharine started with displeasure at the mention of Ralph s name. The thought of the conversation in which her conduct had been made a subject for discussion with Denham roused her anger; but, as she instantly felt, she had scarcely the right to grudge William any use of her name, seeing what her fault against him had been from first to last. And yet Denham! She had a view of him as a judge. She figured him sternly weighing instances of her levity in this masculine court of inquiry into feminine morality and gruffly dismissing both her and her family with some half-sarcastic, half-tolerant phrase which sealed her doom, as far as he was concerned, for ever. Having met him so lately, the sense of his character was strong in her. The thought was not a pleasant one for a proud woman, but she had yet to learn the art of subduing her expression. Her eyes fixed upon the ground, her brows drawn together, gave William a very fair | which sustains youth midway between heaven and earth, a desperate attempt to reconcile herself with facts she could only recall a moment, as of waking from a dream, which now seemed to her a moment of surrender. But who could give reasons such as these for doing what she had done? She shook her head very sadly. "But you re not a child you re not a woman of moods," Rodney persisted. "You couldn t have accepted me if you hadn t loved me!" he cried. A sense of her own misbehavior, which she had succeeded in keeping from her by sharpening her consciousness of Rodney s faults, now swept over her and almost overwhelmed her. What were his faults in comparison with the fact that he cared for her? What were her virtues in comparison with the fact that she did not care for him? In a flash the conviction that not to care is the uttermost sin of all stamped itself upon her inmost thought; and she felt herself branded for ever. He had taken her arm, and held her hand firmly in his, nor had she the force to resist what now seemed to her his enormously superior strength. Very well; she would submit, as her mother and her aunt and most women, perhaps, had submitted; and yet she knew that every second of such submission to his strength was a second of treachery to him. "I did say I would marry you, but it was wrong," she forced herself to say, and she stiffened her arm as if to annul even the seeming submission of that separate part of her; "for I don t love you, William; you ve noticed it, every one s noticed it; why should we go on pretending? When I told you I loved you, I was wrong. I said what I knew to be untrue." As none of her words seemed to her at all adequate to represent what she felt, she repeated them, and emphasized them without realizing the effect that they might have upon a man who cared for her. She was completely taken aback by finding her arm suddenly dropped; then she saw his face most strangely contorted; was he laughing, it flashed across her? In another moment she saw that he was in tears. In her bewilderment at this apparition she stood aghast for a second. With a desperate sense that this horror must, at all costs, be stopped, she then put her arms about him, drew his head for a moment upon her shoulder, and led him on, murmuring words of consolation, until he heaved a great sigh. They held fast to each other; her tears, too, ran down her cheeks; and were both quite silent. Noticing the difficulty with which he walked, and feeling the same extreme lassitude in her own limbs, she proposed that they should rest for a moment where the bracken was brown and shriveled beneath an oak-tree. He assented. Once more he gave a great sigh, and wiped his eyes with a childlike unconsciousness, and began to speak without a trace of his previous anger. The idea came to her that they were like the children in the fairy tale who were lost in a wood, and with this in her mind she noticed the scattering of dead leaves all round them which had been blown by the wind into heaps, a foot or two deep, here and there. "When did you begin to feel this, Katharine?" he said; "for it isn t true to say that you ve always felt it. I admit I was unreasonable the first night when you found that your clothes had been left behind. Still, where s the fault in that? I could promise you never to interfere with your clothes again. I admit I was cross when I found you upstairs with Henry. Perhaps I showed it too openly. But that s not unreasonable either when one s engaged. Ask your mother. And now this terrible thing" He broke off, unable for the moment to proceed any further. "This decision you say you ve come to have you discussed it with any one? Your mother, for example, or Henry?" "No, no, of course not," she said, stirring the leaves with her hand. "But you don t understand me, William" "Help me to understand you" "You don t understand, I mean, my real feelings; how could you? I ve only now faced them myself. But I haven t got the sort of feeling love, I mean I don t know what to call it" she looked vaguely towards the horizon sunk under mist "but, anyhow, without it our marriage would be a farce" "How a farce?" he asked. "But this kind of analysis is disastrous!"<|quote|>he exclaimed.</|quote|>"I should have done it before," she said gloomily. "You make yourself think things you don t think," he continued, becoming demonstrative with his hands, as his manner was. "Believe me, Katharine, before we came here we were perfectly happy. You were full of plans for our house the chair-covers, don t you remember? like any other woman who is about to be married. Now, for no reason whatever, you begin to fret about your feeling and about my feeling, with the usual result. I assure you, Katharine, I ve been through it all myself. At one time I was always asking myself absurd questions which came to nothing either. What you want, if I may say so, is some occupation to take you out of yourself when this morbid mood comes on. If it hadn t been for my poetry, I assure you, I should often have been very much in the same state myself. To let you into a secret," he continued, with his little chuckle, which now sounded almost assured, "I ve often gone home from seeing you in such a state of nerves that I had to force myself to write a page or two before I could get you out of my head. Ask Denham; he ll tell you how he met me one night; he ll tell you what a state he found me in." Katharine started with displeasure at the mention of Ralph s name. The thought of the conversation in which her conduct had been made a subject for discussion with Denham roused her anger; but, as she instantly felt, she had scarcely the right to grudge William any use of her name, seeing what her fault against him had been from first to last. And yet Denham! She had a view of him as a judge. She figured him sternly weighing instances of her levity in this masculine court of inquiry into feminine morality and gruffly dismissing both her and her family with some half-sarcastic, half-tolerant phrase which sealed her doom, as far as he was concerned, for ever. Having met him so lately, the sense of his character was strong in her. The thought was not a pleasant one for a proud woman, but she had yet to learn the art of subduing her expression. Her eyes fixed upon the ground, her brows drawn together, gave William a very fair picture of the resentment that she was forcing herself to control. A certain degree of apprehension, occasionally culminating in a kind of fear, had always entered into his love for her, and had increased, rather to his surprise, in the greater intimacy of their engagement. Beneath her steady, exemplary surface ran a vein of passion which seemed to him now perverse, now completely irrational, for it never took the normal channel of glorification of him and his doings; and, indeed, he almost preferred the steady good sense, which had always marked their relationship, to a more romantic bond. But passion she had, he could not deny it, and hitherto he had tried to see it employed in his thoughts upon the lives of the children who were to be born to them. "She will make a perfect mother a mother of sons," he thought; but seeing her sitting there, gloomy and silent, he began to have his doubts on this point. "A farce, a farce," he thought to himself. "She said that our marriage would be a farce," and he became suddenly aware of their situation, sitting upon the ground, among the dead leaves, not fifty yards from the main road, so that it was quite possible for some one passing to see and recognize them. He brushed off his face any trace that might remain of that unseemly exhibition of emotion. But he was more troubled by Katharine s appearance, as she sat rapt in thought upon the ground, than by his own; there was something improper to him in her self-forgetfulness. A man naturally alive to the conventions of society, he was strictly conventional where women were concerned, and especially if the women happened to be in any way connected with him. He noticed with distress the long strand of dark hair touching her shoulder and two or three dead beech-leaves attached to her dress; but to recall her mind in their present circumstances to a sense of these details was impossible. She sat there, seeming unconscious of everything. He suspected that in her silence she was reproaching herself; but he wished that she would think of her hair and of the dead beech-leaves, which were of more immediate importance to him than anything else. Indeed, these trifles drew his attention strangely from his own doubtful and uneasy state of mind; for relief, mixing itself with pain, stirred | bracken was brown and shriveled beneath an oak-tree. He assented. Once more he gave a great sigh, and wiped his eyes with a childlike unconsciousness, and began to speak without a trace of his previous anger. The idea came to her that they were like the children in the fairy tale who were lost in a wood, and with this in her mind she noticed the scattering of dead leaves all round them which had been blown by the wind into heaps, a foot or two deep, here and there. "When did you begin to feel this, Katharine?" he said; "for it isn t true to say that you ve always felt it. I admit I was unreasonable the first night when you found that your clothes had been left behind. Still, where s the fault in that? I could promise you never to interfere with your clothes again. I admit I was cross when I found you upstairs with Henry. Perhaps I showed it too openly. But that s not unreasonable either when one s engaged. Ask your mother. And now this terrible thing" He broke off, unable for the moment to proceed any further. "This decision you say you ve come to have you discussed it with any one? Your mother, for example, or Henry?" "No, no, of course not," she said, stirring the leaves with her hand. "But you don t understand me, William" "Help me to understand you" "You don t understand, I mean, my real feelings; how could you? I ve only now faced them myself. But I haven t got the sort of feeling love, I mean I don t know what to call it" she looked vaguely towards the horizon sunk under mist "but, anyhow, without it our marriage would be a farce" "How a farce?" he asked. "But this kind of analysis is disastrous!"<|quote|>he exclaimed.</|quote|>"I should have done it before," she said gloomily. "You make yourself think things you don t think," he continued, becoming demonstrative with his hands, as his manner was. "Believe me, Katharine, before we came here we were perfectly happy. You were full of plans for our house the chair-covers, don t you remember? like any other woman who is about to be married. Now, for no reason whatever, you begin to fret about your feeling and about my feeling, with the usual result. I assure you, Katharine, I ve been through it all myself. At one time I was always asking myself absurd questions which came to nothing either. What you want, if I may say so, is some occupation to take you out of yourself when this morbid mood comes on. If it hadn t been for my poetry, I assure you, I should often have been very much in the same state myself. To let you into a secret," he continued, with his little chuckle, which now sounded almost assured, "I ve often gone home from seeing you in such a state of nerves that I had to force myself to write a page or two before I could get you out of my head. Ask Denham; he ll tell you how he met me one night; he ll tell you what a state he found me in." Katharine | Night And Day |
remarked Lord Henry. | No speaker | blush is very becoming, Duchess,"<|quote|>remarked Lord Henry.</|quote|>"Only when one is young," | face without a blush." "A blush is very becoming, Duchess,"<|quote|>remarked Lord Henry.</|quote|>"Only when one is young," she answered. "When an old | warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess,"<|quote|>remarked Lord Henry.</|quote|>"Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your | have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess,"<|quote|>remarked Lord Henry.</|quote|>"Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into | of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess,"<|quote|>remarked Lord Henry.</|quote|>"Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and | To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." "Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess,"<|quote|>remarked Lord Henry.</|quote|>"Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried | "He never means anything that he says." "When America was discovered," said the Radical member and he began to give some wearisome facts. Like all people who try to exhaust a subject, he exhausted his listeners. The duchess sighed and exercised her privilege of interruption. "I wish to goodness it never had been discovered at all!" she exclaimed. "Really, our girls have no chance nowadays. It is most unfair." "Perhaps, after all, America never has been discovered," said Mr. Erskine; "I myself would say that it had merely been detected." "Oh! but I have seen specimens of the inhabitants," answered the duchess vaguely. "I must confess that most of them are extremely pretty. And they dress well, too. They get all their dresses in Paris. I wish I could afford to do the same." "They say that when good Americans die they go to Paris," chuckled Sir Thomas, who had a large wardrobe of Humour s cast-off clothes. "Really! And where do bad Americans go to when they die?" inquired the duchess. "They go to America," murmured Lord Henry. Sir Thomas frowned. "I am afraid that your nephew is prejudiced against that great country," he said to Lady Agatha. "I have travelled all over it in cars provided by the directors, who, in such matters, are extremely civil. I assure you that it is an education to visit it." "But must we really see Chicago in order to be educated?" asked Mr. Erskine plaintively. "I don t feel up to the journey." Sir Thomas waved his hand. "Mr. Erskine of Treadley has the world on his shelves. We practical men like to see things, not to read about them. The Americans are an extremely interesting people. They are absolutely reasonable. I think that is their distinguishing characteristic. Yes, Mr. Erskine, an absolutely reasonable people. I assure you there is no nonsense about the Americans." "How dreadful!" cried Lord Henry. "I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect." "I do not understand you," said Sir Thomas, growing rather red. "I do, Lord Henry," murmured Mr. Erskine, with a smile. "Paradoxes are all very well in their way...." rejoined the baronet. "Was that a paradox?" asked Mr. Erskine. "I did not think so. Perhaps it was. Well, the way of paradoxes is the way of truth. To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." "Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess,"<|quote|>remarked Lord Henry.</|quote|>"Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair. "How annoying!" she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have a scene in this bonnet. It is far too fragile. A harsh word would ruin it. No, I must go, dear Agatha. Good-bye, Lord Henry, you are quite delightful and dreadfully demoralizing. I am sure I don t know what to say about your views. You must come and dine with us some night. Tuesday? Are you disengaged Tuesday?" "For you I would throw over anybody, Duchess," said Lord Henry with a bow. "Ah! that is very nice, and very wrong of you," she cried; "so mind you come" "; and she swept out of the room, followed by Lady Agatha and the other ladies. When Lord Henry had sat down again, Mr. Erskine moved round, and taking a chair close to him, placed his hand upon his arm. "You talk books away," he said; "why don t you write one?" "I am too fond of reading books to care to write them, Mr. Erskine. I should like to write a novel certainly, a novel that would be as lovely as a Persian carpet and as unreal. But there is no literary public in England for anything except newspapers, primers, and encyclopaedias. Of all people in the world the English have the least sense of the beauty of literature." "I fear you are right," answered Mr. Erskine. "I myself used to have literary ambitions, but I gave them up long ago. And now, my dear young friend, if you will allow me to call you so, may I ask if you really meant all that you said to us at lunch?" "I quite forget what I said," smiled Lord Henry. "Was it all very bad?" "Very bad indeed. In fact I consider you extremely dangerous, and if anything happens to our good duchess, we shall all look on you as being primarily responsible. But I should like to talk to you about life. The generation into | they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." "Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess,"<|quote|>remarked Lord Henry.</|quote|>"Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair. "How annoying!" she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have a scene in this bonnet. It is far too fragile. A harsh word would ruin it. No, I must go, dear Agatha. Good-bye, Lord Henry, you are quite delightful and dreadfully demoralizing. I am sure I don t know what to say about your views. You must come and dine with us some night. Tuesday? Are you disengaged Tuesday?" "For you I would throw over anybody, Duchess," said Lord Henry with a bow. "Ah! | The Picture Of Dorian Gray |
she insisted. | No speaker | Unless you've got a reason,"<|quote|>she insisted.</|quote|>"Oh, my dear, I back | get at them through Letterblair. Unless you've got a reason,"<|quote|>she insisted.</|quote|>"Oh, my dear, I back you to hold your own | with a clutch of little pale nails like bird-claws. "Why not?" she searchingly repeated. Archer, under the exposure of her gaze, had recovered his self-possession. "Oh, I don't count--I'm too insignificant." "Well, you're Letterblair's partner, ain't you? You've got to get at them through Letterblair. Unless you've got a reason,"<|quote|>she insisted.</|quote|>"Oh, my dear, I back you to hold your own against them all without my help; but you shall have it if you need it," he reassured her. "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among | persuaded me. I'm not well enough yet to fight them one by one, and you've got to do it for me." "I?" he stammered. "You. Why not?" she jerked back at him, her round eyes suddenly as sharp as pen-knives. Her hand fluttered from its chair-arm and lit on his with a clutch of little pale nails like bird-claws. "Why not?" she searchingly repeated. Archer, under the exposure of her gaze, had recovered his self-possession. "Oh, I don't count--I'm too insignificant." "Well, you're Letterblair's partner, ain't you? You've got to get at them through Letterblair. Unless you've got a reason,"<|quote|>she insisted.</|quote|>"Oh, my dear, I back you to hold your own against them all without my help; but you shall have it if you need it," he reassured her. "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among the cushions: "I always knew you'd back us up, because they never quote you when they talk about its being her duty to go home." He winced a little at her terrifying perspicacity, and longed to ask: "And May--do they quote her?" But he judged it safer to turn the | knew you were on her side; and that's why I sent for you today, and why I said to your pretty wife, when she proposed to come with you: 'No, my dear, I'm pining to see Newland, and I don't want anybody to share our transports.' For you see, my dear--" she drew her head back as far as its tethering chins permitted, and looked him full in the eyes--" "you see, we shall have a fight yet. The family don't want her here, and they'll say it's because I've been ill, because I'm a weak old woman, that she's persuaded me. I'm not well enough yet to fight them one by one, and you've got to do it for me." "I?" he stammered. "You. Why not?" she jerked back at him, her round eyes suddenly as sharp as pen-knives. Her hand fluttered from its chair-arm and lit on his with a clutch of little pale nails like bird-claws. "Why not?" she searchingly repeated. Archer, under the exposure of her gaze, had recovered his self-possession. "Oh, I don't count--I'm too insignificant." "Well, you're Letterblair's partner, ain't you? You've got to get at them through Letterblair. Unless you've got a reason,"<|quote|>she insisted.</|quote|>"Oh, my dear, I back you to hold your own against them all without my help; but you shall have it if you need it," he reassured her. "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among the cushions: "I always knew you'd back us up, because they never quote you when they talk about its being her duty to go home." He winced a little at her terrifying perspicacity, and longed to ask: "And May--do they quote her?" But he judged it safer to turn the question. "And Madame Olenska? When am I to see her?" he said. The old lady chuckled, crumpled her lids, and went through the pantomime of archness. "Not today. One at a time, please. Madame Olenska's gone out." He flushed with disappointment, and she went on: "She's gone out, my child: gone in my carriage to see Regina Beaufort." She paused for this announcement to produce its effect. "That's what she's reduced me to already. The day after she got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call | settled that she's to stay here and nurse her Granny as long as there's a Granny to nurse. It's not a gay prospect, but she doesn't mind; and of course I've told Letterblair that she's to be given her proper allowance." The young man heard her with veins aglow; but in his confusion of mind he hardly knew whether her news brought joy or pain. He had so definitely decided on the course he meant to pursue that for the moment he could not readjust his thoughts. But gradually there stole over him the delicious sense of difficulties deferred and opportunities miraculously provided. If Ellen had consented to come and live with her grandmother it must surely be because she had recognised the impossibility of giving him up. This was her answer to his final appeal of the other day: if she would not take the extreme step he had urged, she had at last yielded to half-measures. He sank back into the thought with the involuntary relief of a man who has been ready to risk everything, and suddenly tastes the dangerous sweetness of security. "She couldn't have gone back--it was impossible!" he exclaimed. "Ah, my dear, I always knew you were on her side; and that's why I sent for you today, and why I said to your pretty wife, when she proposed to come with you: 'No, my dear, I'm pining to see Newland, and I don't want anybody to share our transports.' For you see, my dear--" she drew her head back as far as its tethering chins permitted, and looked him full in the eyes--" "you see, we shall have a fight yet. The family don't want her here, and they'll say it's because I've been ill, because I'm a weak old woman, that she's persuaded me. I'm not well enough yet to fight them one by one, and you've got to do it for me." "I?" he stammered. "You. Why not?" she jerked back at him, her round eyes suddenly as sharp as pen-knives. Her hand fluttered from its chair-arm and lit on his with a clutch of little pale nails like bird-claws. "Why not?" she searchingly repeated. Archer, under the exposure of her gaze, had recovered his self-possession. "Oh, I don't count--I'm too insignificant." "Well, you're Letterblair's partner, ain't you? You've got to get at them through Letterblair. Unless you've got a reason,"<|quote|>she insisted.</|quote|>"Oh, my dear, I back you to hold your own against them all without my help; but you shall have it if you need it," he reassured her. "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among the cushions: "I always knew you'd back us up, because they never quote you when they talk about its being her duty to go home." He winced a little at her terrifying perspicacity, and longed to ask: "And May--do they quote her?" But he judged it safer to turn the question. "And Madame Olenska? When am I to see her?" he said. The old lady chuckled, crumpled her lids, and went through the pantomime of archness. "Not today. One at a time, please. Madame Olenska's gone out." He flushed with disappointment, and she went on: "She's gone out, my child: gone in my carriage to see Regina Beaufort." She paused for this announcement to produce its effect. "That's what she's reduced me to already. The day after she got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call on Regina Beaufort." 'I don't know her; who is she?' "says I." 'She's your grand-niece, and a most unhappy woman,' "she says." 'She's the wife of a scoundrel,' "I answered." 'Well,' "she says," 'and so am I, and yet all my family want me to go back to him.' "Well, that floored me, and I let her go; and finally one day she said it was raining too hard to go out on foot, and she wanted me to lend her my carriage." 'What for?' "I asked her; and she said:" 'To go and see cousin Regina' "--COUSIN! Now, my dear, I looked out of the window, and saw it wasn't raining a drop; but I understood her, and I let her have the carriage.... After all, Regina's a brave woman, and so is she; and I've always liked courage above everything." Archer bent down and pressed his lips on the little hand that still lay on his. "Eh--eh--eh! Whose hand did you think you were kissing, young man--your wife's, I hope?" the old lady snapped out with her mocking cackle; and as he rose to go she called out after him: "Give her her Granny's love; but you'd better | my daughters call, say I'm asleep." The maid disappeared, and the old lady turned to her grandson. "My dear, am I perfectly hideous?" she asked gaily, launching out one hand in search of the folds of muslin on her inaccessible bosom. "My daughters tell me it doesn't matter at my age--as if hideousness didn't matter all the more the harder it gets to conceal!" "My dear, you're handsomer than ever!" Archer rejoined in the same tone; and she threw back her head and laughed. "Ah, but not as handsome as Ellen!" she jerked out, twinkling at him maliciously; and before he could answer she added: "Was she so awfully handsome the day you drove her up from the ferry?" He laughed, and she continued: "Was it because you told her so that she had to put you out on the way? In my youth young men didn't desert pretty women unless they were made to!" She gave another chuckle, and interrupted it to say almost querulously: "It's a pity she didn't marry you; I always told her so. It would have spared me all this worry. But who ever thought of sparing their grandmother worry?" Archer wondered if her illness had blurred her faculties; but suddenly she broke out: "Well, it's settled, anyhow: she's going to stay with me, whatever the rest of the family say! She hadn't been here five minutes before I'd have gone down on my knees to keep her--if only, for the last twenty years, I'd been able to see where the floor was!" Archer listened in silence, and she went on: "They'd talked me over, as no doubt you know: persuaded me, Lovell, and Letterblair, and Augusta Welland, and all the rest of them, that I must hold out and cut off her allowance, till she was made to see that it was her duty to go back to Olenski. They thought they'd convinced me when the secretary, or whatever he was, came out with the last proposals: handsome proposals I confess they were. After all, marriage is marriage, and money's money--both useful things in their way ... and I didn't know what to answer--" She broke off and drew a long breath, as if speaking had become an effort. "But the minute I laid eyes on her, I said:" 'You sweet bird, you! Shut you up in that cage again? Never!' "And now it's settled that she's to stay here and nurse her Granny as long as there's a Granny to nurse. It's not a gay prospect, but she doesn't mind; and of course I've told Letterblair that she's to be given her proper allowance." The young man heard her with veins aglow; but in his confusion of mind he hardly knew whether her news brought joy or pain. He had so definitely decided on the course he meant to pursue that for the moment he could not readjust his thoughts. But gradually there stole over him the delicious sense of difficulties deferred and opportunities miraculously provided. If Ellen had consented to come and live with her grandmother it must surely be because she had recognised the impossibility of giving him up. This was her answer to his final appeal of the other day: if she would not take the extreme step he had urged, she had at last yielded to half-measures. He sank back into the thought with the involuntary relief of a man who has been ready to risk everything, and suddenly tastes the dangerous sweetness of security. "She couldn't have gone back--it was impossible!" he exclaimed. "Ah, my dear, I always knew you were on her side; and that's why I sent for you today, and why I said to your pretty wife, when she proposed to come with you: 'No, my dear, I'm pining to see Newland, and I don't want anybody to share our transports.' For you see, my dear--" she drew her head back as far as its tethering chins permitted, and looked him full in the eyes--" "you see, we shall have a fight yet. The family don't want her here, and they'll say it's because I've been ill, because I'm a weak old woman, that she's persuaded me. I'm not well enough yet to fight them one by one, and you've got to do it for me." "I?" he stammered. "You. Why not?" she jerked back at him, her round eyes suddenly as sharp as pen-knives. Her hand fluttered from its chair-arm and lit on his with a clutch of little pale nails like bird-claws. "Why not?" she searchingly repeated. Archer, under the exposure of her gaze, had recovered his self-possession. "Oh, I don't count--I'm too insignificant." "Well, you're Letterblair's partner, ain't you? You've got to get at them through Letterblair. Unless you've got a reason,"<|quote|>she insisted.</|quote|>"Oh, my dear, I back you to hold your own against them all without my help; but you shall have it if you need it," he reassured her. "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among the cushions: "I always knew you'd back us up, because they never quote you when they talk about its being her duty to go home." He winced a little at her terrifying perspicacity, and longed to ask: "And May--do they quote her?" But he judged it safer to turn the question. "And Madame Olenska? When am I to see her?" he said. The old lady chuckled, crumpled her lids, and went through the pantomime of archness. "Not today. One at a time, please. Madame Olenska's gone out." He flushed with disappointment, and she went on: "She's gone out, my child: gone in my carriage to see Regina Beaufort." She paused for this announcement to produce its effect. "That's what she's reduced me to already. The day after she got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call on Regina Beaufort." 'I don't know her; who is she?' "says I." 'She's your grand-niece, and a most unhappy woman,' "she says." 'She's the wife of a scoundrel,' "I answered." 'Well,' "she says," 'and so am I, and yet all my family want me to go back to him.' "Well, that floored me, and I let her go; and finally one day she said it was raining too hard to go out on foot, and she wanted me to lend her my carriage." 'What for?' "I asked her; and she said:" 'To go and see cousin Regina' "--COUSIN! Now, my dear, I looked out of the window, and saw it wasn't raining a drop; but I understood her, and I let her have the carriage.... After all, Regina's a brave woman, and so is she; and I've always liked courage above everything." Archer bent down and pressed his lips on the little hand that still lay on his. "Eh--eh--eh! Whose hand did you think you were kissing, young man--your wife's, I hope?" the old lady snapped out with her mocking cackle; and as he rose to go she called out after him: "Give her her Granny's love; but you'd better not say anything about our talk." XXXI. Archer had been stunned by old Catherine's news. It was only natural that Madame Olenska should have hastened from Washington in response to her grandmother's summons; but that she should have decided to remain under her roof--especially now that Mrs. Mingott had almost regained her health--was less easy to explain. Archer was sure that Madame Olenska's decision had not been influenced by the change in her financial situation. He knew the exact figure of the small income which her husband had allowed her at their separation. Without the addition of her grandmother's allowance it was hardly enough to live on, in any sense known to the Mingott vocabulary; and now that Medora Manson, who shared her life, had been ruined, such a pittance would barely keep the two women clothed and fed. Yet Archer was convinced that Madame Olenska had not accepted her grandmother's offer from interested motives. She had the heedless generosity and the spasmodic extravagance of persons used to large fortunes, and indifferent to money; but she could go without many things which her relations considered indispensable, and Mrs. Lovell Mingott and Mrs. Welland had often been heard to deplore that any one who had enjoyed the cosmopolitan luxuries of Count Olenski's establishments should care so little about "how things were done." Moreover, as Archer knew, several months had passed since her allowance had been cut off; yet in the interval she had made no effort to regain her grandmother's favour. Therefore if she had changed her course it must be for a different reason. He did not have far to seek for that reason. On the way from the ferry she had told him that he and she must remain apart; but she had said it with her head on his breast. He knew that there was no calculated coquetry in her words; she was fighting her fate as he had fought his, and clinging desperately to her resolve that they should not break faith with the people who trusted them. But during the ten days which had elapsed since her return to New York she had perhaps guessed from his silence, and from the fact of his making no attempt to see her, that he was meditating a decisive step, a step from which there was no turning back. At the thought, a sudden fear of her own weakness | that she's to stay here and nurse her Granny as long as there's a Granny to nurse. It's not a gay prospect, but she doesn't mind; and of course I've told Letterblair that she's to be given her proper allowance." The young man heard her with veins aglow; but in his confusion of mind he hardly knew whether her news brought joy or pain. He had so definitely decided on the course he meant to pursue that for the moment he could not readjust his thoughts. But gradually there stole over him the delicious sense of difficulties deferred and opportunities miraculously provided. If Ellen had consented to come and live with her grandmother it must surely be because she had recognised the impossibility of giving him up. This was her answer to his final appeal of the other day: if she would not take the extreme step he had urged, she had at last yielded to half-measures. He sank back into the thought with the involuntary relief of a man who has been ready to risk everything, and suddenly tastes the dangerous sweetness of security. "She couldn't have gone back--it was impossible!" he exclaimed. "Ah, my dear, I always knew you were on her side; and that's why I sent for you today, and why I said to your pretty wife, when she proposed to come with you: 'No, my dear, I'm pining to see Newland, and I don't want anybody to share our transports.' For you see, my dear--" she drew her head back as far as its tethering chins permitted, and looked him full in the eyes--" "you see, we shall have a fight yet. The family don't want her here, and they'll say it's because I've been ill, because I'm a weak old woman, that she's persuaded me. I'm not well enough yet to fight them one by one, and you've got to do it for me." "I?" he stammered. "You. Why not?" she jerked back at him, her round eyes suddenly as sharp as pen-knives. Her hand fluttered from its chair-arm and lit on his with a clutch of little pale nails like bird-claws. "Why not?" she searchingly repeated. Archer, under the exposure of her gaze, had recovered his self-possession. "Oh, I don't count--I'm too insignificant." "Well, you're Letterblair's partner, ain't you? You've got to get at them through Letterblair. Unless you've got a reason,"<|quote|>she insisted.</|quote|>"Oh, my dear, I back you to hold your own against them all without my help; but you shall have it if you need it," he reassured her. "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among the cushions: "I always knew you'd back us up, because they never quote you when they talk about its being her duty to go home." He winced a little at her terrifying perspicacity, and longed to ask: "And May--do they quote her?" But he judged it safer to turn the question. "And Madame Olenska? When am I to see her?" he said. The old lady chuckled, crumpled her lids, and went through the pantomime of archness. "Not today. One at a time, please. Madame Olenska's gone out." He flushed with disappointment, and she went on: "She's gone out, my child: gone in my carriage to see Regina Beaufort." She paused for this announcement to produce its effect. "That's what she's reduced me to already. The day after she got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call on Regina Beaufort." 'I don't know her; who is she?' "says I." 'She's your grand-niece, and a most unhappy woman,' "she says." 'She's the wife of a scoundrel,' "I answered." 'Well,' "she says," 'and so am I, and yet all my family want me to go back to him.' "Well, that floored me, and I let her go; and finally one day she said it was raining too hard to go out on foot, and she wanted me to lend her my carriage." 'What for?' "I asked her; and she said:" 'To go and see cousin Regina' "--COUSIN! Now, my dear, I looked out of the window, and saw it wasn't raining a drop; but I understood her, and I let | The Age Of Innocence |
"He's a fool," | Georgette | idea what she was saying.<|quote|>"He's a fool,"</|quote|>Georgette said. "Oh, it was | was liable to have no idea what she was saying.<|quote|>"He's a fool,"</|quote|>Georgette said. "Oh, it was a joke, then," Mrs. Braddocks | have the same name," Mrs. Braddocks insisted cordially. "No," said Georgette. "Not at all. My name is Hobin." "But Mr. Barnes introduced you as Mademoiselle Georgette Leblanc. Surely he did," insisted Mrs. Braddocks, who in the excitement of talking French was liable to have no idea what she was saying.<|quote|>"He's a fool,"</|quote|>Georgette said. "Oh, it was a joke, then," Mrs. Braddocks said. "Yes," said Georgette. "To laugh at." "Did you hear that, Henry?" Mrs. Braddocks called down the table to Braddocks. "Mr. Barnes introduced his fianc e as Mademoiselle Leblanc, and her name is actually Hobin." "Of course, darling. Mademoiselle Hobin, | and Braddocks and the men at his table stood up. "I wish to present my fianc e, Mademoiselle Georgette Leblanc," I said. Georgette smiled that wonderful smile, and we shook hands all round. "Are you related to Georgette Leblanc, the singer?" Mrs. Braddocks asked. "Connais pas," Georgette answered. "But you have the same name," Mrs. Braddocks insisted cordially. "No," said Georgette. "Not at all. My name is Hobin." "But Mr. Barnes introduced you as Mademoiselle Georgette Leblanc. Surely he did," insisted Mrs. Braddocks, who in the excitement of talking French was liable to have no idea what she was saying.<|quote|>"He's a fool,"</|quote|>Georgette said. "Oh, it was a joke, then," Mrs. Braddocks said. "Yes," said Georgette. "To laugh at." "Did you hear that, Henry?" Mrs. Braddocks called down the table to Braddocks. "Mr. Barnes introduced his fianc e as Mademoiselle Leblanc, and her name is actually Hobin." "Of course, darling. Mademoiselle Hobin, I've known her for a very long time." "Oh, Mademoiselle Hobin," Frances Clyne called, speaking French very rapidly and not seeming so proud and astonished as Mrs. Braddocks at its coming out really French. "Have you been in Paris long? Do you like it here? You love Paris, do you | I said. I went back to the small room. "Who are your friends?" Georgette asked. "Writers and artists." "There are lots of those on this side of the river." "Too many." "I think so. Still, some of them make money." "Oh, yes." We finished the meal and the wine. "Come on," I said. "We're going to have coffee with the others." Georgette opened her bag, made a few passes at her face as she looked in the little mirror, re-defined her lips with the lipstick, and straightened her hat. "Good," she said. We went into the room full of people and Braddocks and the men at his table stood up. "I wish to present my fianc e, Mademoiselle Georgette Leblanc," I said. Georgette smiled that wonderful smile, and we shook hands all round. "Are you related to Georgette Leblanc, the singer?" Mrs. Braddocks asked. "Connais pas," Georgette answered. "But you have the same name," Mrs. Braddocks insisted cordially. "No," said Georgette. "Not at all. My name is Hobin." "But Mr. Barnes introduced you as Mademoiselle Georgette Leblanc. Surely he did," insisted Mrs. Braddocks, who in the excitement of talking French was liable to have no idea what she was saying.<|quote|>"He's a fool,"</|quote|>Georgette said. "Oh, it was a joke, then," Mrs. Braddocks said. "Yes," said Georgette. "To laugh at." "Did you hear that, Henry?" Mrs. Braddocks called down the table to Braddocks. "Mr. Barnes introduced his fianc e as Mademoiselle Leblanc, and her name is actually Hobin." "Of course, darling. Mademoiselle Hobin, I've known her for a very long time." "Oh, Mademoiselle Hobin," Frances Clyne called, speaking French very rapidly and not seeming so proud and astonished as Mrs. Braddocks at its coming out really French. "Have you been in Paris long? Do you like it here? You love Paris, do you not?" "Who's she?" Georgette turned to me. "Do I have to talk to her?" She turned to Frances, sitting smiling, her hands folded, her head poised on her long neck, her lips pursed ready to start talking again. "No, I don't like Paris. It's expensive and dirty." "Really? I find it so extraordinarily clean. One of the cleanest cities in all Europe." "I find it dirty." "How strange! But perhaps you have not been here very long." "I've been here long enough." "But it does have nice people in it. One must grant that." Georgette turned to me. "You have | and we touched glasses. "You're not a bad type," she said. "It's a shame you're sick. We get on well. What's the matter with you, anyway?" "I got hurt in the war," I said. "Oh, that dirty war." We would probably have gone on and discussed the war and agreed that it was in reality a calamity for civilization, and perhaps would have been better avoided. I was bored enough. Just then from the other room some one called: "Barnes! I say, Barnes! Jacob Barnes!" "It's a friend calling me," I explained, and went out. There was Braddocks at a big table with a party: Cohn, Frances Clyne, Mrs. Braddocks, several people I did not know. "You're coming to the dance, aren't you?" Braddocks asked. "What dance?" "Why, the dancings. Don't you know we've revived them?" Mrs. Braddocks put in. "You must come, Jake. We're all going," Frances said from the end of the table. She was tall and had a smile. "Of course, he's coming," Braddocks said. "Come in and have coffee with us, Barnes." "Right." "And bring your friend," said Mrs. Braddocks laughing. She was a Canadian and had all their easy social graces. "Thanks, we'll be in," I said. I went back to the small room. "Who are your friends?" Georgette asked. "Writers and artists." "There are lots of those on this side of the river." "Too many." "I think so. Still, some of them make money." "Oh, yes." We finished the meal and the wine. "Come on," I said. "We're going to have coffee with the others." Georgette opened her bag, made a few passes at her face as she looked in the little mirror, re-defined her lips with the lipstick, and straightened her hat. "Good," she said. We went into the room full of people and Braddocks and the men at his table stood up. "I wish to present my fianc e, Mademoiselle Georgette Leblanc," I said. Georgette smiled that wonderful smile, and we shook hands all round. "Are you related to Georgette Leblanc, the singer?" Mrs. Braddocks asked. "Connais pas," Georgette answered. "But you have the same name," Mrs. Braddocks insisted cordially. "No," said Georgette. "Not at all. My name is Hobin." "But Mr. Barnes introduced you as Mademoiselle Georgette Leblanc. Surely he did," insisted Mrs. Braddocks, who in the excitement of talking French was liable to have no idea what she was saying.<|quote|>"He's a fool,"</|quote|>Georgette said. "Oh, it was a joke, then," Mrs. Braddocks said. "Yes," said Georgette. "To laugh at." "Did you hear that, Henry?" Mrs. Braddocks called down the table to Braddocks. "Mr. Barnes introduced his fianc e as Mademoiselle Leblanc, and her name is actually Hobin." "Of course, darling. Mademoiselle Hobin, I've known her for a very long time." "Oh, Mademoiselle Hobin," Frances Clyne called, speaking French very rapidly and not seeming so proud and astonished as Mrs. Braddocks at its coming out really French. "Have you been in Paris long? Do you like it here? You love Paris, do you not?" "Who's she?" Georgette turned to me. "Do I have to talk to her?" She turned to Frances, sitting smiling, her hands folded, her head poised on her long neck, her lips pursed ready to start talking again. "No, I don't like Paris. It's expensive and dirty." "Really? I find it so extraordinarily clean. One of the cleanest cities in all Europe." "I find it dirty." "How strange! But perhaps you have not been here very long." "I've been here long enough." "But it does have nice people in it. One must grant that." Georgette turned to me. "You have nice friends." Frances was a little drunk and would have liked to have kept it up but the coffee came, and Lavigne with the liqueurs, and after that we all went out and started for Braddocks's dancing-club. The dancing-club was a _bal musette_ in the Rue de la Montagne Sainte Genevi ve. Five nights a week the working people of the Pantheon quarter danced there. One night a week it was the dancing-club. On Monday nights it was closed. When we arrived it was quite empty, except for a policeman sitting near the door, the wife of the proprietor back of the zinc bar, and the proprietor himself. The daughter of the house came downstairs as we went in. There were long benches, and tables ran across the room, and at the far end a dancing-floor. "I wish people would come earlier," Braddocks said. The daughter came up and wanted to know what we would drink. The proprietor got up on a high stool beside the dancing-floor and began to play the accordion. He had a string of bells around one of his ankles and beat time with his foot as he played. Every one danced. It was hot and | a rather pretty girl. I paid for the saucers and we walked out to the street. I hailed a horse-cab and the driver pulled up at the curb. Settled back in the slow, smoothly rolling _fiacre_ we moved up the Avenue de l'Op ra, passed the locked doors of the shops, their windows lighted, the Avenue broad and shiny and almost deserted. The cab passed the New York _Herald_ bureau with the window full of clocks. "What are all the clocks for?" she asked. "They show the hour all over America." "Don't kid me." We turned off the Avenue up the Rue des Pyramides, through the traffic of the Rue de Rivoli, and through a dark gate into the Tuileries. She cuddled against me and I put my arm around her. She looked up to be kissed. She touched me with one hand and I put her hand away. "Never mind." "What's the matter? You sick?" "Yes." "Everybody's sick. I'm sick, too." We came out of the Tuileries into the light and crossed the Seine and then turned up the Rue des Saints P res. "You oughtn't to drink pernod if you're sick." "You neither." "It doesn't make any difference with me. It doesn't make any difference with a woman." "What are you called?" "Georgette. How are you called?" "Jacob." "That's a Flemish name." "American too." "You're not Flamand?" "No, American." "Good, I detest Flamands." By this time we were at the restaurant. I called to the _cocher_ to stop. We got out and Georgette did not like the looks of the place. "This is no great thing of a restaurant." "No," I said. "Maybe you would rather go to Foyot's. Why don't you keep the cab and go on?" I had picked her up because of a vague sentimental idea that it would be nice to eat with some one. It was a long time since I had dined with a _poule_, and I had forgotten how dull it could be. We went into the restaurant, passed Madame Lavigne at the desk and into a little room. Georgette cheered up a little under the food. "It isn't bad here," she said. "It isn't chic, but the food is all right." "Better than you eat in Li ge." "Brussels, you mean." We had another bottle of wine and Georgette made a joke. She smiled and showed all her bad teeth, and we touched glasses. "You're not a bad type," she said. "It's a shame you're sick. We get on well. What's the matter with you, anyway?" "I got hurt in the war," I said. "Oh, that dirty war." We would probably have gone on and discussed the war and agreed that it was in reality a calamity for civilization, and perhaps would have been better avoided. I was bored enough. Just then from the other room some one called: "Barnes! I say, Barnes! Jacob Barnes!" "It's a friend calling me," I explained, and went out. There was Braddocks at a big table with a party: Cohn, Frances Clyne, Mrs. Braddocks, several people I did not know. "You're coming to the dance, aren't you?" Braddocks asked. "What dance?" "Why, the dancings. Don't you know we've revived them?" Mrs. Braddocks put in. "You must come, Jake. We're all going," Frances said from the end of the table. She was tall and had a smile. "Of course, he's coming," Braddocks said. "Come in and have coffee with us, Barnes." "Right." "And bring your friend," said Mrs. Braddocks laughing. She was a Canadian and had all their easy social graces. "Thanks, we'll be in," I said. I went back to the small room. "Who are your friends?" Georgette asked. "Writers and artists." "There are lots of those on this side of the river." "Too many." "I think so. Still, some of them make money." "Oh, yes." We finished the meal and the wine. "Come on," I said. "We're going to have coffee with the others." Georgette opened her bag, made a few passes at her face as she looked in the little mirror, re-defined her lips with the lipstick, and straightened her hat. "Good," she said. We went into the room full of people and Braddocks and the men at his table stood up. "I wish to present my fianc e, Mademoiselle Georgette Leblanc," I said. Georgette smiled that wonderful smile, and we shook hands all round. "Are you related to Georgette Leblanc, the singer?" Mrs. Braddocks asked. "Connais pas," Georgette answered. "But you have the same name," Mrs. Braddocks insisted cordially. "No," said Georgette. "Not at all. My name is Hobin." "But Mr. Barnes introduced you as Mademoiselle Georgette Leblanc. Surely he did," insisted Mrs. Braddocks, who in the excitement of talking French was liable to have no idea what she was saying.<|quote|>"He's a fool,"</|quote|>Georgette said. "Oh, it was a joke, then," Mrs. Braddocks said. "Yes," said Georgette. "To laugh at." "Did you hear that, Henry?" Mrs. Braddocks called down the table to Braddocks. "Mr. Barnes introduced his fianc e as Mademoiselle Leblanc, and her name is actually Hobin." "Of course, darling. Mademoiselle Hobin, I've known her for a very long time." "Oh, Mademoiselle Hobin," Frances Clyne called, speaking French very rapidly and not seeming so proud and astonished as Mrs. Braddocks at its coming out really French. "Have you been in Paris long? Do you like it here? You love Paris, do you not?" "Who's she?" Georgette turned to me. "Do I have to talk to her?" She turned to Frances, sitting smiling, her hands folded, her head poised on her long neck, her lips pursed ready to start talking again. "No, I don't like Paris. It's expensive and dirty." "Really? I find it so extraordinarily clean. One of the cleanest cities in all Europe." "I find it dirty." "How strange! But perhaps you have not been here very long." "I've been here long enough." "But it does have nice people in it. One must grant that." Georgette turned to me. "You have nice friends." Frances was a little drunk and would have liked to have kept it up but the coffee came, and Lavigne with the liqueurs, and after that we all went out and started for Braddocks's dancing-club. The dancing-club was a _bal musette_ in the Rue de la Montagne Sainte Genevi ve. Five nights a week the working people of the Pantheon quarter danced there. One night a week it was the dancing-club. On Monday nights it was closed. When we arrived it was quite empty, except for a policeman sitting near the door, the wife of the proprietor back of the zinc bar, and the proprietor himself. The daughter of the house came downstairs as we went in. There were long benches, and tables ran across the room, and at the far end a dancing-floor. "I wish people would come earlier," Braddocks said. The daughter came up and wanted to know what we would drink. The proprietor got up on a high stool beside the dancing-floor and began to play the accordion. He had a string of bells around one of his ankles and beat time with his foot as he played. Every one danced. It was hot and we came off the floor perspiring. "My God," Georgette said. "What a box to sweat in!" "It's hot." "Hot, my God!" "Take off your hat." "That's a good idea." Some one asked Georgette to dance, and I went over to the bar. It was really very hot and the accordion music was pleasant in the hot night. I drank a beer, standing in the doorway and getting the cool breath of wind from the street. Two taxis were coming down the steep street. They both stopped in front of the Bal. A crowd of young men, some in jerseys and some in their shirt-sleeves, got out. I could see their hands and newly washed, wavy hair in the light from the door. The policeman standing by the door looked at me and smiled. They came in. As they went in, under the light I saw white hands, wavy hair, white faces, grimacing, gesturing, talking. With them was Brett. She looked very lovely and she was very much with them. One of them saw Georgette and said: "I do declare. There is an actual harlot. I'm going to dance with her, Lett. You watch me." The tall dark one, called Lett, said: "Don't you be rash." The wavy blond one answered: "Don't you worry, dear." And with them was Brett. I was very angry. Somehow they always made me angry. I know they are supposed to be amusing, and you should be tolerant, but I wanted to swing on one, any one, anything to shatter that superior, simpering composure. Instead, I walked down the street and had a beer at the bar at the next Bal. The beer was not good and I had a worse cognac to take the taste out of my mouth. When I came back to the Bal there was a crowd on the floor and Georgette was dancing with the tall blond youth, who danced big-hippily, carrying his head on one side, his eyes lifted as he danced. As soon as the music stopped another one of them asked her to dance. She had been taken up by them. I knew then that they would all dance with her. They are like that. I sat down at a table. Cohn was sitting there. Frances was dancing. Mrs. Braddocks brought up somebody and introduced him as Robert Prentiss. He was from New York by way of Chicago, | her up because of a vague sentimental idea that it would be nice to eat with some one. It was a long time since I had dined with a _poule_, and I had forgotten how dull it could be. We went into the restaurant, passed Madame Lavigne at the desk and into a little room. Georgette cheered up a little under the food. "It isn't bad here," she said. "It isn't chic, but the food is all right." "Better than you eat in Li ge." "Brussels, you mean." We had another bottle of wine and Georgette made a joke. She smiled and showed all her bad teeth, and we touched glasses. "You're not a bad type," she said. "It's a shame you're sick. We get on well. What's the matter with you, anyway?" "I got hurt in the war," I said. "Oh, that dirty war." We would probably have gone on and discussed the war and agreed that it was in reality a calamity for civilization, and perhaps would have been better avoided. I was bored enough. Just then from the other room some one called: "Barnes! I say, Barnes! Jacob Barnes!" "It's a friend calling me," I explained, and went out. There was Braddocks at a big table with a party: Cohn, Frances Clyne, Mrs. Braddocks, several people I did not know. "You're coming to the dance, aren't you?" Braddocks asked. "What dance?" "Why, the dancings. Don't you know we've revived them?" Mrs. Braddocks put in. "You must come, Jake. We're all going," Frances said from the end of the table. She was tall and had a smile. "Of course, he's coming," Braddocks said. "Come in and have coffee with us, Barnes." "Right." "And bring your friend," said Mrs. Braddocks laughing. She was a Canadian and had all their easy social graces. "Thanks, we'll be in," I said. I went back to the small room. "Who are your friends?" Georgette asked. "Writers and artists." "There are lots of those on this side of the river." "Too many." "I think so. Still, some of them make money." "Oh, yes." We finished the meal and the wine. "Come on," I said. "We're going to have coffee with the others." Georgette opened her bag, made a few passes at her face as she looked in the little mirror, re-defined her lips with the lipstick, and straightened her hat. "Good," she said. We went into the room full of people and Braddocks and the men at his table stood up. "I wish to present my fianc e, Mademoiselle Georgette Leblanc," I said. Georgette smiled that wonderful smile, and we shook hands all round. "Are you related to Georgette Leblanc, the singer?" Mrs. Braddocks asked. "Connais pas," Georgette answered. "But you have the same name," Mrs. Braddocks insisted cordially. "No," said Georgette. "Not at all. My name is Hobin." "But Mr. Barnes introduced you as Mademoiselle Georgette Leblanc. Surely he did," insisted Mrs. Braddocks, who in the excitement of talking French was liable to have no idea what she was saying.<|quote|>"He's a fool,"</|quote|>Georgette said. "Oh, it was a joke, then," Mrs. Braddocks said. "Yes," said Georgette. "To laugh at." "Did you hear that, Henry?" Mrs. Braddocks called down the table to Braddocks. "Mr. Barnes introduced his fianc e as Mademoiselle Leblanc, and her name is actually Hobin." "Of course, darling. Mademoiselle Hobin, I've known her for a very long time." "Oh, Mademoiselle Hobin," Frances Clyne called, speaking French very rapidly and not seeming so proud and astonished as Mrs. Braddocks at its coming out really French. "Have you been in Paris long? Do you like it here? You love Paris, do you not?" "Who's she?" Georgette turned to me. "Do I have to talk to her?" She turned to Frances, sitting smiling, her hands folded, her head poised on her long neck, her lips pursed ready to start talking again. "No, I don't like Paris. It's expensive and dirty." "Really? I find it so extraordinarily clean. One of the cleanest cities in all Europe." "I find it dirty." "How strange! But perhaps you have not been here very long." "I've been here long enough." "But it does have nice people in it. One must grant that." Georgette turned to me. "You have nice friends." Frances was a little drunk and would have liked to have kept it up but the coffee came, and Lavigne with the liqueurs, and after that we all went out and started for Braddocks's dancing-club. The dancing-club was a _bal musette_ in the Rue de la Montagne Sainte Genevi ve. Five nights a week the working people of the Pantheon quarter danced there. One night a week it was the dancing-club. On Monday nights it was closed. When we arrived it was quite empty, except for a policeman sitting near the door, the wife of the proprietor back of the zinc bar, and the proprietor himself. The daughter of the house came downstairs as we went in. There were long benches, and tables ran across the room, and at the far end a dancing-floor. "I wish people would come earlier," Braddocks said. The daughter came up and wanted to know what we would drink. The proprietor got up on a high stool beside the dancing-floor and began to play the | The Sun Also Rises |
"Well then, answer him," | Katharine Hilbery | misunderstood every word I said!"<|quote|>"Well then, answer him,"</|quote|>Katharine whispered back. "No, I | "Idiot!" he whispered. "He s misunderstood every word I said!"<|quote|>"Well then, answer him,"</|quote|>Katharine whispered back. "No, I shan t! They d only | a pale-faced young man with sad eyes was already on his feet, delivering an accurately worded speech with perfect composure. William Rodney listened with a curious lifting of his upper lip, although his face was still quivering slightly with emotion. "Idiot!" he whispered. "He s misunderstood every word I said!"<|quote|>"Well then, answer him,"</|quote|>Katharine whispered back. "No, I shan t! They d only laugh at me. Why did I let you persuade me that these sort of people care for literature?" he continued. There was much to be said both for and against Mr. Rodney s paper. It had been crammed with assertions | you! It was terrible! terrible! terrible!" "Hush! You must answer their questions," Katharine whispered, desiring, at all costs, to keep him quiet. Oddly enough, when the speaker was no longer in front of them, there seemed to be much that was suggestive in what he had said. At any rate, a pale-faced young man with sad eyes was already on his feet, delivering an accurately worded speech with perfect composure. William Rodney listened with a curious lifting of his upper lip, although his face was still quivering slightly with emotion. "Idiot!" he whispered. "He s misunderstood every word I said!"<|quote|>"Well then, answer him,"</|quote|>Katharine whispered back. "No, I shan t! They d only laugh at me. Why did I let you persuade me that these sort of people care for literature?" he continued. There was much to be said both for and against Mr. Rodney s paper. It had been crammed with assertions that such-and-such passages, taken liberally from English, French, and Italian, are the supreme pearls of literature. Further, he was fond of using metaphors which, compounded in the study, were apt to sound either cramped or out of place as he delivered them in fragments. Literature was a fresh garland of | was going through for their benefit, it would be hard to say. At length Mr. Rodney sat down impulsively in the middle of a sentence, and, after a pause of bewilderment, the audience expressed its relief at being able to laugh aloud in a decided outburst of applause. Mr. Rodney acknowledged this with a wild glance round him, and, instead of waiting to answer questions, he jumped up, thrust himself through the seated bodies into the corner where Katharine was sitting, and exclaimed, very audibly: "Well, Katharine, I hope I ve made a big enough fool of myself even for you! It was terrible! terrible! terrible!" "Hush! You must answer their questions," Katharine whispered, desiring, at all costs, to keep him quiet. Oddly enough, when the speaker was no longer in front of them, there seemed to be much that was suggestive in what he had said. At any rate, a pale-faced young man with sad eyes was already on his feet, delivering an accurately worded speech with perfect composure. William Rodney listened with a curious lifting of his upper lip, although his face was still quivering slightly with emotion. "Idiot!" he whispered. "He s misunderstood every word I said!"<|quote|>"Well then, answer him,"</|quote|>Katharine whispered back. "No, I shan t! They d only laugh at me. Why did I let you persuade me that these sort of people care for literature?" he continued. There was much to be said both for and against Mr. Rodney s paper. It had been crammed with assertions that such-and-such passages, taken liberally from English, French, and Italian, are the supreme pearls of literature. Further, he was fond of using metaphors which, compounded in the study, were apt to sound either cramped or out of place as he delivered them in fragments. Literature was a fresh garland of spring flowers, he said, in which yew-berries and the purple nightshade mingled with the various tints of the anemone; and somehow or other this garland encircled marble brows. He had read very badly some very beautiful quotations. But through his manner and his confusion of language there had emerged some passion of feeling which, as he spoke, formed in the majority of the audience a little picture or an idea which each now was eager to give expression to. Most of the people there proposed to spend their lives in the practice either of writing or painting, and merely by | drew no pity, as in the case of a more imposing personage, but a desire to laugh, which was, however, entirely lacking in malice. Mr. Rodney was evidently so painfully conscious of the oddity of his appearance, and his very redness and the starts to which his body was liable gave such proof of his own discomfort, that there was something endearing in this ridiculous susceptibility, although most people would probably have echoed Denham s private exclamation, "Fancy marrying a creature like that!" His paper was carefully written out, but in spite of this precaution Mr. Rodney managed to turn over two sheets instead of one, to choose the wrong sentence where two were written together, and to discover his own handwriting suddenly illegible. When he found himself possessed of a coherent passage, he shook it at his audience almost aggressively, and then fumbled for another. After a distressing search a fresh discovery would be made, and produced in the same way, until, by means of repeated attacks, he had stirred his audience to a degree of animation quite remarkable in these gatherings. Whether they were stirred by his enthusiasm for poetry or by the contortions which a human being was going through for their benefit, it would be hard to say. At length Mr. Rodney sat down impulsively in the middle of a sentence, and, after a pause of bewilderment, the audience expressed its relief at being able to laugh aloud in a decided outburst of applause. Mr. Rodney acknowledged this with a wild glance round him, and, instead of waiting to answer questions, he jumped up, thrust himself through the seated bodies into the corner where Katharine was sitting, and exclaimed, very audibly: "Well, Katharine, I hope I ve made a big enough fool of myself even for you! It was terrible! terrible! terrible!" "Hush! You must answer their questions," Katharine whispered, desiring, at all costs, to keep him quiet. Oddly enough, when the speaker was no longer in front of them, there seemed to be much that was suggestive in what he had said. At any rate, a pale-faced young man with sad eyes was already on his feet, delivering an accurately worded speech with perfect composure. William Rodney listened with a curious lifting of his upper lip, although his face was still quivering slightly with emotion. "Idiot!" he whispered. "He s misunderstood every word I said!"<|quote|>"Well then, answer him,"</|quote|>Katharine whispered back. "No, I shan t! They d only laugh at me. Why did I let you persuade me that these sort of people care for literature?" he continued. There was much to be said both for and against Mr. Rodney s paper. It had been crammed with assertions that such-and-such passages, taken liberally from English, French, and Italian, are the supreme pearls of literature. Further, he was fond of using metaphors which, compounded in the study, were apt to sound either cramped or out of place as he delivered them in fragments. Literature was a fresh garland of spring flowers, he said, in which yew-berries and the purple nightshade mingled with the various tints of the anemone; and somehow or other this garland encircled marble brows. He had read very badly some very beautiful quotations. But through his manner and his confusion of language there had emerged some passion of feeling which, as he spoke, formed in the majority of the audience a little picture or an idea which each now was eager to give expression to. Most of the people there proposed to spend their lives in the practice either of writing or painting, and merely by looking at them it could be seen that, as they listened to Mr. Purvis first, and then to Mr. Greenhalgh, they were seeing something done by these gentlemen to a possession which they thought to be their own. One person after another rose, and, as with an ill-balanced axe, attempted to hew out his conception of art a little more clearly, and sat down with the feeling that, for some reason which he could not grasp, his strokes had gone awry. As they sat down they turned almost invariably to the person sitting next them, and rectified and continued what they had just said in public. Before long, therefore, the groups on the mattresses and the groups on the chairs were all in communication with each other, and Mary Datchet, who had begun to darn stockings again, stooped down and remarked to Ralph: "That was what I call a first-rate paper." Both of them instinctively turned their eyes in the direction of the reader of the paper. He was lying back against the wall, with his eyes apparently shut, and his chin sunk upon his collar. Katharine was turning over the pages of his manuscript as if she were looking | rather foolishly. The room very soon contained between twenty and thirty people, who found seats for the most part upon the floor, occupying the mattresses, and hunching themselves together into triangular shapes. They were all young and some of them seemed to make a protest by their hair and dress, and something somber and truculent in the expression of their faces, against the more normal type, who would have passed unnoticed in an omnibus or an underground railway. It was notable that the talk was confined to groups, and was, at first, entirely spasmodic in character, and muttered in undertones as if the speakers were suspicious of their fellow-guests. Katharine Hilbery came in rather late, and took up a position on the floor, with her back against the wall. She looked round quickly, recognized about half a dozen people, to whom she nodded, but failed to see Ralph, or, if so, had already forgotten to attach any name to him. But in a second these heterogeneous elements were all united by the voice of Mr. Rodney, who suddenly strode up to the table, and began very rapidly in high-strained tones: "In undertaking to speak of the Elizabethan use of metaphor in poetry" All the different heads swung slightly or steadied themselves into a position in which they could gaze straight at the speaker s face, and the same rather solemn expression was visible on all of them. But, at the same time, even the faces that were most exposed to view, and therefore most tautly under control, disclosed a sudden impulsive tremor which, unless directly checked, would have developed into an outburst of laughter. The first sight of Mr. Rodney was irresistibly ludicrous. He was very red in the face, whether from the cool November night or nervousness, and every movement, from the way he wrung his hands to the way he jerked his head to right and left, as though a vision drew him now to the door, now to the window, bespoke his horrible discomfort under the stare of so many eyes. He was scrupulously well dressed, and a pearl in the center of his tie seemed to give him a touch of aristocratic opulence. But the rather prominent eyes and the impulsive stammering manner, which seemed to indicate a torrent of ideas intermittently pressing for utterance and always checked in their course by a clutch of nervousness, drew no pity, as in the case of a more imposing personage, but a desire to laugh, which was, however, entirely lacking in malice. Mr. Rodney was evidently so painfully conscious of the oddity of his appearance, and his very redness and the starts to which his body was liable gave such proof of his own discomfort, that there was something endearing in this ridiculous susceptibility, although most people would probably have echoed Denham s private exclamation, "Fancy marrying a creature like that!" His paper was carefully written out, but in spite of this precaution Mr. Rodney managed to turn over two sheets instead of one, to choose the wrong sentence where two were written together, and to discover his own handwriting suddenly illegible. When he found himself possessed of a coherent passage, he shook it at his audience almost aggressively, and then fumbled for another. After a distressing search a fresh discovery would be made, and produced in the same way, until, by means of repeated attacks, he had stirred his audience to a degree of animation quite remarkable in these gatherings. Whether they were stirred by his enthusiasm for poetry or by the contortions which a human being was going through for their benefit, it would be hard to say. At length Mr. Rodney sat down impulsively in the middle of a sentence, and, after a pause of bewilderment, the audience expressed its relief at being able to laugh aloud in a decided outburst of applause. Mr. Rodney acknowledged this with a wild glance round him, and, instead of waiting to answer questions, he jumped up, thrust himself through the seated bodies into the corner where Katharine was sitting, and exclaimed, very audibly: "Well, Katharine, I hope I ve made a big enough fool of myself even for you! It was terrible! terrible! terrible!" "Hush! You must answer their questions," Katharine whispered, desiring, at all costs, to keep him quiet. Oddly enough, when the speaker was no longer in front of them, there seemed to be much that was suggestive in what he had said. At any rate, a pale-faced young man with sad eyes was already on his feet, delivering an accurately worded speech with perfect composure. William Rodney listened with a curious lifting of his upper lip, although his face was still quivering slightly with emotion. "Idiot!" he whispered. "He s misunderstood every word I said!"<|quote|>"Well then, answer him,"</|quote|>Katharine whispered back. "No, I shan t! They d only laugh at me. Why did I let you persuade me that these sort of people care for literature?" he continued. There was much to be said both for and against Mr. Rodney s paper. It had been crammed with assertions that such-and-such passages, taken liberally from English, French, and Italian, are the supreme pearls of literature. Further, he was fond of using metaphors which, compounded in the study, were apt to sound either cramped or out of place as he delivered them in fragments. Literature was a fresh garland of spring flowers, he said, in which yew-berries and the purple nightshade mingled with the various tints of the anemone; and somehow or other this garland encircled marble brows. He had read very badly some very beautiful quotations. But through his manner and his confusion of language there had emerged some passion of feeling which, as he spoke, formed in the majority of the audience a little picture or an idea which each now was eager to give expression to. Most of the people there proposed to spend their lives in the practice either of writing or painting, and merely by looking at them it could be seen that, as they listened to Mr. Purvis first, and then to Mr. Greenhalgh, they were seeing something done by these gentlemen to a possession which they thought to be their own. One person after another rose, and, as with an ill-balanced axe, attempted to hew out his conception of art a little more clearly, and sat down with the feeling that, for some reason which he could not grasp, his strokes had gone awry. As they sat down they turned almost invariably to the person sitting next them, and rectified and continued what they had just said in public. Before long, therefore, the groups on the mattresses and the groups on the chairs were all in communication with each other, and Mary Datchet, who had begun to darn stockings again, stooped down and remarked to Ralph: "That was what I call a first-rate paper." Both of them instinctively turned their eyes in the direction of the reader of the paper. He was lying back against the wall, with his eyes apparently shut, and his chin sunk upon his collar. Katharine was turning over the pages of his manuscript as if she were looking for some passage that had particularly struck her, and had a difficulty in finding it. "Let s go and tell him how much we liked it," said Mary, thus suggesting an action which Ralph was anxious to take, though without her he would have been too proud to do it, for he suspected that he had more interest in Katharine than she had in him. "That was a very interesting paper," Mary began, without any shyness, seating herself on the floor opposite to Rodney and Katharine. "Will you lend me the manuscript to read in peace?" Rodney, who had opened his eyes on their approach, regarded her for a moment in suspicious silence. "Do you say that merely to disguise the fact of my ridiculous failure?" he asked. Katharine looked up from her reading with a smile. "He says he doesn t mind what we think of him," she remarked. "He says we don t care a rap for art of any kind." "I asked her to pity me, and she teases me!" Rodney exclaimed. "I don t intend to pity you, Mr. Rodney," Mary remarked, kindly, but firmly. "When a paper s a failure, nobody says anything, whereas now, just listen to them!" The sound, which filled the room, with its hurry of short syllables, its sudden pauses, and its sudden attacks, might be compared to some animal hubbub, frantic and inarticulate. "D you think that s all about my paper?" Rodney inquired, after a moment s attention, with a distinct brightening of expression. "Of course it is," said Mary. "It was a very suggestive paper." She turned to Denham for confirmation, and he corroborated her. "It s the ten minutes after a paper is read that proves whether it s been a success or not," he said. "If I were you, Rodney, I should be very pleased with myself." This commendation seemed to comfort Mr. Rodney completely, and he began to bethink him of all the passages in his paper which deserved to be called "suggestive." "Did you agree at all, Denham, with what I said about Shakespeare s later use of imagery? I m afraid I didn t altogether make my meaning plain." Here he gathered himself together, and by means of a series of frog-like jerks, succeeded in bringing himself close to Denham. Denham answered him with the brevity which is the result of having another | of ideas intermittently pressing for utterance and always checked in their course by a clutch of nervousness, drew no pity, as in the case of a more imposing personage, but a desire to laugh, which was, however, entirely lacking in malice. Mr. Rodney was evidently so painfully conscious of the oddity of his appearance, and his very redness and the starts to which his body was liable gave such proof of his own discomfort, that there was something endearing in this ridiculous susceptibility, although most people would probably have echoed Denham s private exclamation, "Fancy marrying a creature like that!" His paper was carefully written out, but in spite of this precaution Mr. Rodney managed to turn over two sheets instead of one, to choose the wrong sentence where two were written together, and to discover his own handwriting suddenly illegible. When he found himself possessed of a coherent passage, he shook it at his audience almost aggressively, and then fumbled for another. After a distressing search a fresh discovery would be made, and produced in the same way, until, by means of repeated attacks, he had stirred his audience to a degree of animation quite remarkable in these gatherings. Whether they were stirred by his enthusiasm for poetry or by the contortions which a human being was going through for their benefit, it would be hard to say. At length Mr. Rodney sat down impulsively in the middle of a sentence, and, after a pause of bewilderment, the audience expressed its relief at being able to laugh aloud in a decided outburst of applause. Mr. Rodney acknowledged this with a wild glance round him, and, instead of waiting to answer questions, he jumped up, thrust himself through the seated bodies into the corner where Katharine was sitting, and exclaimed, very audibly: "Well, Katharine, I hope I ve made a big enough fool of myself even for you! It was terrible! terrible! terrible!" "Hush! You must answer their questions," Katharine whispered, desiring, at all costs, to keep him quiet. Oddly enough, when the speaker was no longer in front of them, there seemed to be much that was suggestive in what he had said. At any rate, a pale-faced young man with sad eyes was already on his feet, delivering an accurately worded speech with perfect composure. William Rodney listened with a curious lifting of his upper lip, although his face was still quivering slightly with emotion. "Idiot!" he whispered. "He s misunderstood every word I said!"<|quote|>"Well then, answer him,"</|quote|>Katharine whispered back. "No, I shan t! They d only laugh at me. Why did I let you persuade me that these sort of people care for literature?" he continued. There was much to be said both for and against Mr. Rodney s paper. It had been crammed with assertions that such-and-such passages, taken liberally from English, French, and Italian, are the supreme pearls of literature. Further, he was fond of using metaphors which, compounded in the study, were apt to sound either cramped or out of place as he delivered them in fragments. Literature was a fresh garland of spring flowers, he said, in which yew-berries and the purple nightshade mingled with the various tints of the anemone; and somehow or other this garland encircled marble brows. He had read very badly some very beautiful quotations. But through his manner and his confusion of language there had emerged some passion of feeling which, as he spoke, formed in the majority of the audience a little picture or an idea which each now was eager to give expression to. Most of the people there proposed to spend their lives in the practice either of writing or painting, and merely by looking at them it could be seen that, as they listened to Mr. Purvis first, and then to Mr. Greenhalgh, they were seeing something done by these gentlemen to a possession which they thought to be their own. One person after another rose, and, as with an ill-balanced axe, attempted to hew out his conception of art a little more clearly, and sat down with the feeling that, for some reason which he could not grasp, his strokes had gone awry. As they sat down they turned almost invariably to the person sitting next them, and rectified and continued what they had just said in public. Before long, therefore, the groups on the mattresses and the groups on the chairs were all in communication with each other, and Mary Datchet, who had begun to darn stockings again, stooped down and remarked to Ralph: "That was what I call a first-rate paper." Both of them instinctively turned their eyes in the direction of the reader of the paper. He | Night And Day |
"my letter don t be frightened was to tell you that Sibyl Vane is dead." | Lord Henry | them tightly. "Dorian," he said,<|quote|>"my letter don t be frightened was to tell you that Sibyl Vane is dead."</|quote|>A cry of pain broke | in his own and held them tightly. "Dorian," he said,<|quote|>"my letter don t be frightened was to tell you that Sibyl Vane is dead."</|quote|>A cry of pain broke from the lad s lips, | something in it that I wouldn t like. You cut life to pieces with your epigrams." "You know nothing then?" "What do you mean?" Lord Henry walked across the room, and sitting down by Dorian Gray, took both his hands in his own and held them tightly. "Dorian," he said,<|quote|>"my letter don t be frightened was to tell you that Sibyl Vane is dead."</|quote|>A cry of pain broke from the lad s lips, and he leaped to his feet, tearing his hands away from Lord Henry s grasp. "Dead! Sibyl dead! It is not true! It is a horrible lie! How dare you say it?" "It is quite true, Dorian," said Lord Henry, | She is to be my wife." "Your wife! Dorian! ... Didn t you get my letter? I wrote to you this morning, and sent the note down by my own man." "Your letter? Oh, yes, I remember. I have not read it yet, Harry. I was afraid there might be something in it that I wouldn t like. You cut life to pieces with your epigrams." "You know nothing then?" "What do you mean?" Lord Henry walked across the room, and sitting down by Dorian Gray, took both his hands in his own and held them tightly. "Dorian," he said,<|quote|>"my letter don t be frightened was to tell you that Sibyl Vane is dead."</|quote|>A cry of pain broke from the lad s lips, and he leaped to his feet, tearing his hands away from Lord Henry s grasp. "Dead! Sibyl dead! It is not true! It is a horrible lie! How dare you say it?" "It is quite true, Dorian," said Lord Henry, gravely. "It is in all the morning papers. I wrote down to you to ask you not to see any one till I came. There will have to be an inquest, of course, and you must not be mixed up in it. Things like that make a man fashionable in | t bear the idea of my soul being hideous." "A very charming artistic basis for ethics, Dorian! I congratulate you on it. But how are you going to begin?" "By marrying Sibyl Vane." "Marrying Sibyl Vane!" cried Lord Henry, standing up and looking at him in perplexed amazement. "But, my dear Dorian" "Yes, Harry, I know what you are going to say. Something dreadful about marriage. Don t say it. Don t ever say things of that kind to me again. Two days ago I asked Sibyl to marry me. I am not going to break my word to her. She is to be my wife." "Your wife! Dorian! ... Didn t you get my letter? I wrote to you this morning, and sent the note down by my own man." "Your letter? Oh, yes, I remember. I have not read it yet, Harry. I was afraid there might be something in it that I wouldn t like. You cut life to pieces with your epigrams." "You know nothing then?" "What do you mean?" Lord Henry walked across the room, and sitting down by Dorian Gray, took both his hands in his own and held them tightly. "Dorian," he said,<|quote|>"my letter don t be frightened was to tell you that Sibyl Vane is dead."</|quote|>A cry of pain broke from the lad s lips, and he leaped to his feet, tearing his hands away from Lord Henry s grasp. "Dead! Sibyl dead! It is not true! It is a horrible lie! How dare you say it?" "It is quite true, Dorian," said Lord Henry, gravely. "It is in all the morning papers. I wrote down to you to ask you not to see any one till I came. There will have to be an inquest, of course, and you must not be mixed up in it. Things like that make a man fashionable in Paris. But in London people are so prejudiced. Here, one should never make one s _d but_ with a scandal. One should reserve that to give an interest to one s old age. I suppose they don t know your name at the theatre? If they don t, it is all right. Did any one see you going round to her room? That is an important point." Dorian did not answer for a few moments. He was dazed with horror. Finally he stammered, in a stifled voice, "Harry, did you say an inquest? What did you mean by that? Did | as he entered. "But you must not think too much about it." "Do you mean about Sibyl Vane?" asked the lad. "Yes, of course," answered Lord Henry, sinking into a chair and slowly pulling off his yellow gloves. "It is dreadful, from one point of view, but it was not your fault. Tell me, did you go behind and see her, after the play was over?" "Yes." "I felt sure you had. Did you make a scene with her?" "I was brutal, Harry perfectly brutal. But it is all right now. I am not sorry for anything that has happened. It has taught me to know myself better." "Ah, Dorian, I am so glad you take it in that way! I was afraid I would find you plunged in remorse and tearing that nice curly hair of yours." "I have got through all that," said Dorian, shaking his head and smiling. "I am perfectly happy now. I know what conscience is, to begin with. It is not what you told me it was. It is the divinest thing in us. Don t sneer at it, Harry, any more at least not before me. I want to be good. I can t bear the idea of my soul being hideous." "A very charming artistic basis for ethics, Dorian! I congratulate you on it. But how are you going to begin?" "By marrying Sibyl Vane." "Marrying Sibyl Vane!" cried Lord Henry, standing up and looking at him in perplexed amazement. "But, my dear Dorian" "Yes, Harry, I know what you are going to say. Something dreadful about marriage. Don t say it. Don t ever say things of that kind to me again. Two days ago I asked Sibyl to marry me. I am not going to break my word to her. She is to be my wife." "Your wife! Dorian! ... Didn t you get my letter? I wrote to you this morning, and sent the note down by my own man." "Your letter? Oh, yes, I remember. I have not read it yet, Harry. I was afraid there might be something in it that I wouldn t like. You cut life to pieces with your epigrams." "You know nothing then?" "What do you mean?" Lord Henry walked across the room, and sitting down by Dorian Gray, took both his hands in his own and held them tightly. "Dorian," he said,<|quote|>"my letter don t be frightened was to tell you that Sibyl Vane is dead."</|quote|>A cry of pain broke from the lad s lips, and he leaped to his feet, tearing his hands away from Lord Henry s grasp. "Dead! Sibyl dead! It is not true! It is a horrible lie! How dare you say it?" "It is quite true, Dorian," said Lord Henry, gravely. "It is in all the morning papers. I wrote down to you to ask you not to see any one till I came. There will have to be an inquest, of course, and you must not be mixed up in it. Things like that make a man fashionable in Paris. But in London people are so prejudiced. Here, one should never make one s _d but_ with a scandal. One should reserve that to give an interest to one s old age. I suppose they don t know your name at the theatre? If they don t, it is all right. Did any one see you going round to her room? That is an important point." Dorian did not answer for a few moments. He was dazed with horror. Finally he stammered, in a stifled voice, "Harry, did you say an inquest? What did you mean by that? Did Sibyl ? Oh, Harry, I can t bear it! But be quick. Tell me everything at once." "I have no doubt it was not an accident, Dorian, though it must be put in that way to the public. It seems that as she was leaving the theatre with her mother, about half-past twelve or so, she said she had forgotten something upstairs. They waited some time for her, but she did not come down again. They ultimately found her lying dead on the floor of her dressing-room. She had swallowed something by mistake, some dreadful thing they use at theatres. I don t know what it was, but it had either prussic acid or white lead in it. I should fancy it was prussic acid, as she seems to have died instantaneously." "Harry, Harry, it is terrible!" cried the lad. "Yes; it is very tragic, of course, but you must not get yourself mixed up in it. I see by _The Standard_ that she was seventeen. I should have thought she was almost younger than that. She looked such a child, and seemed to know so little about acting. Dorian, you mustn t let this thing get on your nerves. | that it had done for him. It had made him conscious how unjust, how cruel, he had been to Sibyl Vane. It was not too late to make reparation for that. She could still be his wife. His unreal and selfish love would yield to some higher influence, would be transformed into some nobler passion, and the portrait that Basil Hallward had painted of him would be a guide to him through life, would be to him what holiness is to some, and conscience to others, and the fear of God to us all. There were opiates for remorse, drugs that could lull the moral sense to sleep. But here was a visible symbol of the degradation of sin. Here was an ever-present sign of the ruin men brought upon their souls. Three o clock struck, and four, and the half-hour rang its double chime, but Dorian Gray did not stir. He was trying to gather up the scarlet threads of life and to weave them into a pattern; to find his way through the sanguine labyrinth of passion through which he was wandering. He did not know what to do, or what to think. Finally, he went over to the table and wrote a passionate letter to the girl he had loved, imploring her forgiveness and accusing himself of madness. He covered page after page with wild words of sorrow and wilder words of pain. There is a luxury in self-reproach. When we blame ourselves, we feel that no one else has a right to blame us. It is the confession, not the priest, that gives us absolution. When Dorian had finished the letter, he felt that he had been forgiven. Suddenly there came a knock to the door, and he heard Lord Henry s voice outside. "My dear boy, I must see you. Let me in at once. I can t bear your shutting yourself up like this." He made no answer at first, but remained quite still. The knocking still continued and grew louder. Yes, it was better to let Lord Henry in, and to explain to him the new life he was going to lead, to quarrel with him if it became necessary to quarrel, to part if parting was inevitable. He jumped up, drew the screen hastily across the picture, and unlocked the door. "I am so sorry for it all, Dorian," said Lord Henry as he entered. "But you must not think too much about it." "Do you mean about Sibyl Vane?" asked the lad. "Yes, of course," answered Lord Henry, sinking into a chair and slowly pulling off his yellow gloves. "It is dreadful, from one point of view, but it was not your fault. Tell me, did you go behind and see her, after the play was over?" "Yes." "I felt sure you had. Did you make a scene with her?" "I was brutal, Harry perfectly brutal. But it is all right now. I am not sorry for anything that has happened. It has taught me to know myself better." "Ah, Dorian, I am so glad you take it in that way! I was afraid I would find you plunged in remorse and tearing that nice curly hair of yours." "I have got through all that," said Dorian, shaking his head and smiling. "I am perfectly happy now. I know what conscience is, to begin with. It is not what you told me it was. It is the divinest thing in us. Don t sneer at it, Harry, any more at least not before me. I want to be good. I can t bear the idea of my soul being hideous." "A very charming artistic basis for ethics, Dorian! I congratulate you on it. But how are you going to begin?" "By marrying Sibyl Vane." "Marrying Sibyl Vane!" cried Lord Henry, standing up and looking at him in perplexed amazement. "But, my dear Dorian" "Yes, Harry, I know what you are going to say. Something dreadful about marriage. Don t say it. Don t ever say things of that kind to me again. Two days ago I asked Sibyl to marry me. I am not going to break my word to her. She is to be my wife." "Your wife! Dorian! ... Didn t you get my letter? I wrote to you this morning, and sent the note down by my own man." "Your letter? Oh, yes, I remember. I have not read it yet, Harry. I was afraid there might be something in it that I wouldn t like. You cut life to pieces with your epigrams." "You know nothing then?" "What do you mean?" Lord Henry walked across the room, and sitting down by Dorian Gray, took both his hands in his own and held them tightly. "Dorian," he said,<|quote|>"my letter don t be frightened was to tell you that Sibyl Vane is dead."</|quote|>A cry of pain broke from the lad s lips, and he leaped to his feet, tearing his hands away from Lord Henry s grasp. "Dead! Sibyl dead! It is not true! It is a horrible lie! How dare you say it?" "It is quite true, Dorian," said Lord Henry, gravely. "It is in all the morning papers. I wrote down to you to ask you not to see any one till I came. There will have to be an inquest, of course, and you must not be mixed up in it. Things like that make a man fashionable in Paris. But in London people are so prejudiced. Here, one should never make one s _d but_ with a scandal. One should reserve that to give an interest to one s old age. I suppose they don t know your name at the theatre? If they don t, it is all right. Did any one see you going round to her room? That is an important point." Dorian did not answer for a few moments. He was dazed with horror. Finally he stammered, in a stifled voice, "Harry, did you say an inquest? What did you mean by that? Did Sibyl ? Oh, Harry, I can t bear it! But be quick. Tell me everything at once." "I have no doubt it was not an accident, Dorian, though it must be put in that way to the public. It seems that as she was leaving the theatre with her mother, about half-past twelve or so, she said she had forgotten something upstairs. They waited some time for her, but she did not come down again. They ultimately found her lying dead on the floor of her dressing-room. She had swallowed something by mistake, some dreadful thing they use at theatres. I don t know what it was, but it had either prussic acid or white lead in it. I should fancy it was prussic acid, as she seems to have died instantaneously." "Harry, Harry, it is terrible!" cried the lad. "Yes; it is very tragic, of course, but you must not get yourself mixed up in it. I see by _The Standard_ that she was seventeen. I should have thought she was almost younger than that. She looked such a child, and seemed to know so little about acting. Dorian, you mustn t let this thing get on your nerves. You must come and dine with me, and afterwards we will look in at the opera. It is a Patti night, and everybody will be there. You can come to my sister s box. She has got some smart women with her." "So I have murdered Sibyl Vane," said Dorian Gray, half to himself, "murdered her as surely as if I had cut her little throat with a knife. Yet the roses are not less lovely for all that. The birds sing just as happily in my garden. And to-night I am to dine with you, and then go on to the opera, and sup somewhere, I suppose, afterwards. How extraordinarily dramatic life is! If I had read all this in a book, Harry, I think I would have wept over it. Somehow, now that it has happened actually, and to me, it seems far too wonderful for tears. Here is the first passionate love-letter I have ever written in my life. Strange, that my first passionate love-letter should have been addressed to a dead girl. Can they feel, I wonder, those white silent people we call the dead? Sibyl! Can she feel, or know, or listen? Oh, Harry, how I loved her once! It seems years ago to me now. She was everything to me. Then came that dreadful night was it really only last night? when she played so badly, and my heart almost broke. She explained it all to me. It was terribly pathetic. But I was not moved a bit. I thought her shallow. Suddenly something happened that made me afraid. I can t tell you what it was, but it was terrible. I said I would go back to her. I felt I had done wrong. And now she is dead. My God! My God! Harry, what shall I do? You don t know the danger I am in, and there is nothing to keep me straight. She would have done that for me. She had no right to kill herself. It was selfish of her." "My dear Dorian," answered Lord Henry, taking a cigarette from his case and producing a gold-latten matchbox, "the only way a woman can ever reform a man is by boring him so completely that he loses all possible interest in life. If you had married this girl, you would have been wretched. Of course, you would have treated her | see you. Let me in at once. I can t bear your shutting yourself up like this." He made no answer at first, but remained quite still. The knocking still continued and grew louder. Yes, it was better to let Lord Henry in, and to explain to him the new life he was going to lead, to quarrel with him if it became necessary to quarrel, to part if parting was inevitable. He jumped up, drew the screen hastily across the picture, and unlocked the door. "I am so sorry for it all, Dorian," said Lord Henry as he entered. "But you must not think too much about it." "Do you mean about Sibyl Vane?" asked the lad. "Yes, of course," answered Lord Henry, sinking into a chair and slowly pulling off his yellow gloves. "It is dreadful, from one point of view, but it was not your fault. Tell me, did you go behind and see her, after the play was over?" "Yes." "I felt sure you had. Did you make a scene with her?" "I was brutal, Harry perfectly brutal. But it is all right now. I am not sorry for anything that has happened. It has taught me to know myself better." "Ah, Dorian, I am so glad you take it in that way! I was afraid I would find you plunged in remorse and tearing that nice curly hair of yours." "I have got through all that," said Dorian, shaking his head and smiling. "I am perfectly happy now. I know what conscience is, to begin with. It is not what you told me it was. It is the divinest thing in us. Don t sneer at it, Harry, any more at least not before me. I want to be good. I can t bear the idea of my soul being hideous." "A very charming artistic basis for ethics, Dorian! I congratulate you on it. But how are you going to begin?" "By marrying Sibyl Vane." "Marrying Sibyl Vane!" cried Lord Henry, standing up and looking at him in perplexed amazement. "But, my dear Dorian" "Yes, Harry, I know what you are going to say. Something dreadful about marriage. Don t say it. Don t ever say things of that kind to me again. Two days ago I asked Sibyl to marry me. I am not going to break my word to her. She is to be my wife." "Your wife! Dorian! ... Didn t you get my letter? I wrote to you this morning, and sent the note down by my own man." "Your letter? Oh, yes, I remember. I have not read it yet, Harry. I was afraid there might be something in it that I wouldn t like. You cut life to pieces with your epigrams." "You know nothing then?" "What do you mean?" Lord Henry walked across the room, and sitting down by Dorian Gray, took both his hands in his own and held them tightly. "Dorian," he said,<|quote|>"my letter don t be frightened was to tell you that Sibyl Vane is dead."</|quote|>A cry of pain broke from the lad s lips, and he leaped to his feet, tearing his hands away from Lord Henry s grasp. "Dead! Sibyl dead! It is not true! It is a horrible lie! How dare you say it?" "It is quite true, Dorian," said Lord Henry, gravely. "It is in all the morning papers. I wrote down to you to ask you not to see any one till I came. There will have to be an inquest, of course, and you must not be mixed up in it. Things like that make a man fashionable in Paris. But in London people are so prejudiced. Here, one should never make one s _d but_ with a scandal. One should reserve that to give an interest to one s old age. I suppose they don t know your name at the theatre? If they don t, it is all right. Did any one see you going round to her room? That is an important point." Dorian did not answer for a few moments. He was dazed with horror. Finally he stammered, in a stifled voice, "Harry, did you say an inquest? What did you mean by that? Did Sibyl ? Oh, Harry, I can t bear it! But be quick. Tell me everything at once." "I have no doubt it was not an accident, Dorian, though it must be put in that way to the public. It seems that as she was leaving the theatre with her mother, about half-past twelve or so, she said she had forgotten something upstairs. They waited some time for her, but she did not come down again. They ultimately found her lying dead on the floor of her dressing-room. She had | The Picture Of Dorian Gray |
"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A _grande passion_ is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don t be afraid. There are exquisite things in store for you. This is merely the beginning." | Lord Henry | It is horrid of you!"<|quote|>"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A _grande passion_ is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don t be afraid. There are exquisite things in store for you. This is merely the beginning."</|quote|>"Do you think my nature | I see you are laughing. It is horrid of you!"<|quote|>"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A _grande passion_ is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don t be afraid. There are exquisite things in store for you. This is merely the beginning."</|quote|>"Do you think my nature so shallow?" cried Dorian Gray | guinea for the stage-box. To the present day I can t make out why I did so; and yet if I hadn t my dear Harry, if I hadn t I should have missed the greatest romance of my life. I see you are laughing. It is horrid of you!"<|quote|>"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A _grande passion_ is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don t be afraid. There are exquisite things in store for you. This is merely the beginning."</|quote|>"Do you think my nature so shallow?" cried Dorian Gray angrily. "No; I think your nature so deep." "How do you mean?" "My dear boy, the people who love only once in their lives are really the shallow people. What they call their loyalty, and their fidelity, I call either | my Lord? "he said, when he saw me, and he took off his hat with an air of gorgeous servility. There was something about him, Harry, that amused me. He was such a monster. You will laugh at me, I know, but I really went in and paid a whole guinea for the stage-box. To the present day I can t make out why I did so; and yet if I hadn t my dear Harry, if I hadn t I should have missed the greatest romance of my life. I see you are laughing. It is horrid of you!"<|quote|>"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A _grande passion_ is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don t be afraid. There are exquisite things in store for you. This is merely the beginning."</|quote|>"Do you think my nature so shallow?" cried Dorian Gray angrily. "No; I think your nature so deep." "How do you mean?" "My dear boy, the people who love only once in their lives are really the shallow people. What they call their loyalty, and their fidelity, I call either the lethargy of custom or their lack of imagination. Faithfulness is to the emotional life what consistency is to the life of the intellect simply a confession of failure. Faithfulness! I must analyse it some day. The passion for property is in it. There are many things that we would | dined together, about the search for beauty being the real secret of life. I don t know what I expected, but I went out and wandered eastward, soon losing my way in a labyrinth of grimy streets and black grassless squares. About half-past eight I passed by an absurd little theatre, with great flaring gas-jets and gaudy play-bills. A hideous Jew, in the most amazing waistcoat I ever beheld in my life, was standing at the entrance, smoking a vile cigar. He had greasy ringlets, and an enormous diamond blazed in the centre of a soiled shirt." Have a box, my Lord? "he said, when he saw me, and he took off his hat with an air of gorgeous servility. There was something about him, Harry, that amused me. He was such a monster. You will laugh at me, I know, but I really went in and paid a whole guinea for the stage-box. To the present day I can t make out why I did so; and yet if I hadn t my dear Harry, if I hadn t I should have missed the greatest romance of my life. I see you are laughing. It is horrid of you!"<|quote|>"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A _grande passion_ is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don t be afraid. There are exquisite things in store for you. This is merely the beginning."</|quote|>"Do you think my nature so shallow?" cried Dorian Gray angrily. "No; I think your nature so deep." "How do you mean?" "My dear boy, the people who love only once in their lives are really the shallow people. What they call their loyalty, and their fidelity, I call either the lethargy of custom or their lack of imagination. Faithfulness is to the emotional life what consistency is to the life of the intellect simply a confession of failure. Faithfulness! I must analyse it some day. The passion for property is in it. There are many things that we would throw away if we were not afraid that others might pick them up. But I don t want to interrupt you. Go on with your story." "Well, I found myself seated in a horrid little private box, with a vulgar drop-scene staring me in the face. I looked out from behind the curtain and surveyed the house. It was a tawdry affair, all Cupids and cornucopias, like a third-rate wedding-cake. The gallery and pit were fairly full, but the two rows of dingy stalls were quite empty, and there was hardly a person in what I suppose they called the | have you known her?" "About three weeks." "And where did you come across her?" "I will tell you, Harry, but you mustn t be unsympathetic about it. After all, it never would have happened if I had not met you. You filled me with a wild desire to know everything about life. For days after I met you, something seemed to throb in my veins. As I lounged in the park, or strolled down Piccadilly, I used to look at every one who passed me and wonder, with a mad curiosity, what sort of lives they led. Some of them fascinated me. Others filled me with terror. There was an exquisite poison in the air. I had a passion for sensations.... Well, one evening about seven o clock, I determined to go out in search of some adventure. I felt that this grey monstrous London of ours, with its myriads of people, its sordid sinners, and its splendid sins, as you once phrased it, must have something in store for me. I fancied a thousand things. The mere danger gave me a sense of delight. I remembered what you had said to me on that wonderful evening when we first dined together, about the search for beauty being the real secret of life. I don t know what I expected, but I went out and wandered eastward, soon losing my way in a labyrinth of grimy streets and black grassless squares. About half-past eight I passed by an absurd little theatre, with great flaring gas-jets and gaudy play-bills. A hideous Jew, in the most amazing waistcoat I ever beheld in my life, was standing at the entrance, smoking a vile cigar. He had greasy ringlets, and an enormous diamond blazed in the centre of a soiled shirt." Have a box, my Lord? "he said, when he saw me, and he took off his hat with an air of gorgeous servility. There was something about him, Harry, that amused me. He was such a monster. You will laugh at me, I know, but I really went in and paid a whole guinea for the stage-box. To the present day I can t make out why I did so; and yet if I hadn t my dear Harry, if I hadn t I should have missed the greatest romance of my life. I see you are laughing. It is horrid of you!"<|quote|>"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A _grande passion_ is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don t be afraid. There are exquisite things in store for you. This is merely the beginning."</|quote|>"Do you think my nature so shallow?" cried Dorian Gray angrily. "No; I think your nature so deep." "How do you mean?" "My dear boy, the people who love only once in their lives are really the shallow people. What they call their loyalty, and their fidelity, I call either the lethargy of custom or their lack of imagination. Faithfulness is to the emotional life what consistency is to the life of the intellect simply a confession of failure. Faithfulness! I must analyse it some day. The passion for property is in it. There are many things that we would throw away if we were not afraid that others might pick them up. But I don t want to interrupt you. Go on with your story." "Well, I found myself seated in a horrid little private box, with a vulgar drop-scene staring me in the face. I looked out from behind the curtain and surveyed the house. It was a tawdry affair, all Cupids and cornucopias, like a third-rate wedding-cake. The gallery and pit were fairly full, but the two rows of dingy stalls were quite empty, and there was hardly a person in what I suppose they called the dress-circle. Women went about with oranges and ginger-beer, and there was a terrible consumption of nuts going on." "It must have been just like the palmy days of the British drama." "Just like, I should fancy, and very depressing. I began to wonder what on earth I should do when I caught sight of the play-bill. What do you think the play was, Harry?" "I should think The Idiot Boy , or Dumb but Innocent . Our fathers used to like that sort of piece, I believe. The longer I live, Dorian, the more keenly I feel that whatever was good enough for our fathers is not good enough for us. In art, as in politics, _les grandp res ont toujours tort_." "This play was good enough for us, Harry. It was Romeo and Juliet. I must admit that I was rather annoyed at the idea of seeing Shakespeare done in such a wretched hole of a place. Still, I felt interested, in a sort of way. At any rate, I determined to wait for the first act. There was a dreadful orchestra, presided over by a young Hebrew who sat at a cracked piano, that nearly drove me away, | that had been out all night in the rain, she flitted out of the room, leaving a faint odour of frangipanni. Then he lit a cigarette and flung himself down on the sofa. "Never marry a woman with straw-coloured hair, Dorian," he said after a few puffs. "Why, Harry?" "Because they are so sentimental." "But I like sentimental people." "Never marry at all, Dorian. Men marry because they are tired; women, because they are curious: both are disappointed." "I don t think I am likely to marry, Harry. I am too much in love. That is one of your aphorisms. I am putting it into practice, as I do everything that you say." "Who are you in love with?" asked Lord Henry after a pause. "With an actress," said Dorian Gray, blushing. Lord Henry shrugged his shoulders. "That is a rather commonplace _d but_." "You would not say so if you saw her, Harry." "Who is she?" "Her name is Sibyl Vane." "Never heard of her." "No one has. People will some day, however. She is a genius." "My dear boy, no woman is a genius. Women are a decorative sex. They never have anything to say, but they say it charmingly. Women represent the triumph of matter over mind, just as men represent the triumph of mind over morals." "Harry, how can you?" "My dear Dorian, it is quite true. I am analysing women at present, so I ought to know. The subject is not so abstruse as I thought it was. I find that, ultimately, there are only two kinds of women, the plain and the coloured. The plain women are very useful. If you want to gain a reputation for respectability, you have merely to take them down to supper. The other women are very charming. They commit one mistake, however. They paint in order to try and look young. Our grandmothers painted in order to try and talk brilliantly. _Rouge_ and _esprit_ used to go together. That is all over now. As long as a woman can look ten years younger than her own daughter, she is perfectly satisfied. As for conversation, there are only five women in London worth talking to, and two of these can t be admitted into decent society. However, tell me about your genius. How long have you known her?" "Ah! Harry, your views terrify me." "Never mind that. How long have you known her?" "About three weeks." "And where did you come across her?" "I will tell you, Harry, but you mustn t be unsympathetic about it. After all, it never would have happened if I had not met you. You filled me with a wild desire to know everything about life. For days after I met you, something seemed to throb in my veins. As I lounged in the park, or strolled down Piccadilly, I used to look at every one who passed me and wonder, with a mad curiosity, what sort of lives they led. Some of them fascinated me. Others filled me with terror. There was an exquisite poison in the air. I had a passion for sensations.... Well, one evening about seven o clock, I determined to go out in search of some adventure. I felt that this grey monstrous London of ours, with its myriads of people, its sordid sinners, and its splendid sins, as you once phrased it, must have something in store for me. I fancied a thousand things. The mere danger gave me a sense of delight. I remembered what you had said to me on that wonderful evening when we first dined together, about the search for beauty being the real secret of life. I don t know what I expected, but I went out and wandered eastward, soon losing my way in a labyrinth of grimy streets and black grassless squares. About half-past eight I passed by an absurd little theatre, with great flaring gas-jets and gaudy play-bills. A hideous Jew, in the most amazing waistcoat I ever beheld in my life, was standing at the entrance, smoking a vile cigar. He had greasy ringlets, and an enormous diamond blazed in the centre of a soiled shirt." Have a box, my Lord? "he said, when he saw me, and he took off his hat with an air of gorgeous servility. There was something about him, Harry, that amused me. He was such a monster. You will laugh at me, I know, but I really went in and paid a whole guinea for the stage-box. To the present day I can t make out why I did so; and yet if I hadn t my dear Harry, if I hadn t I should have missed the greatest romance of my life. I see you are laughing. It is horrid of you!"<|quote|>"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A _grande passion_ is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don t be afraid. There are exquisite things in store for you. This is merely the beginning."</|quote|>"Do you think my nature so shallow?" cried Dorian Gray angrily. "No; I think your nature so deep." "How do you mean?" "My dear boy, the people who love only once in their lives are really the shallow people. What they call their loyalty, and their fidelity, I call either the lethargy of custom or their lack of imagination. Faithfulness is to the emotional life what consistency is to the life of the intellect simply a confession of failure. Faithfulness! I must analyse it some day. The passion for property is in it. There are many things that we would throw away if we were not afraid that others might pick them up. But I don t want to interrupt you. Go on with your story." "Well, I found myself seated in a horrid little private box, with a vulgar drop-scene staring me in the face. I looked out from behind the curtain and surveyed the house. It was a tawdry affair, all Cupids and cornucopias, like a third-rate wedding-cake. The gallery and pit were fairly full, but the two rows of dingy stalls were quite empty, and there was hardly a person in what I suppose they called the dress-circle. Women went about with oranges and ginger-beer, and there was a terrible consumption of nuts going on." "It must have been just like the palmy days of the British drama." "Just like, I should fancy, and very depressing. I began to wonder what on earth I should do when I caught sight of the play-bill. What do you think the play was, Harry?" "I should think The Idiot Boy , or Dumb but Innocent . Our fathers used to like that sort of piece, I believe. The longer I live, Dorian, the more keenly I feel that whatever was good enough for our fathers is not good enough for us. In art, as in politics, _les grandp res ont toujours tort_." "This play was good enough for us, Harry. It was Romeo and Juliet. I must admit that I was rather annoyed at the idea of seeing Shakespeare done in such a wretched hole of a place. Still, I felt interested, in a sort of way. At any rate, I determined to wait for the first act. There was a dreadful orchestra, presided over by a young Hebrew who sat at a cracked piano, that nearly drove me away, but at last the drop-scene was drawn up and the play began. Romeo was a stout elderly gentleman, with corked eyebrows, a husky tragedy voice, and a figure like a beer-barrel. Mercutio was almost as bad. He was played by the low-comedian, who had introduced gags of his own and was on most friendly terms with the pit. They were both as grotesque as the scenery, and that looked as if it had come out of a country-booth. But Juliet! Harry, imagine a girl, hardly seventeen years of age, with a little, flowerlike face, a small Greek head with plaited coils of dark-brown hair, eyes that were violet wells of passion, lips that were like the petals of a rose. She was the loveliest thing I had ever seen in my life. You said to me once that pathos left you unmoved, but that beauty, mere beauty, could fill your eyes with tears. I tell you, Harry, I could hardly see this girl for the mist of tears that came across me. And her voice I never heard such a voice. It was very low at first, with deep mellow notes that seemed to fall singly upon one s ear. Then it became a little louder, and sounded like a flute or a distant hautboy. In the garden-scene it had all the tremulous ecstasy that one hears just before dawn when nightingales are singing. There were moments, later on, when it had the wild passion of violins. You know how a voice can stir one. Your voice and the voice of Sibyl Vane are two things that I shall never forget. When I close my eyes, I hear them, and each of them says something different. I don t know which to follow. Why should I not love her? Harry, I do love her. She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her die in the gloom of an Italian tomb, sucking the poison from her lover s lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear and bitter herbs to taste of. | I determined to go out in search of some adventure. I felt that this grey monstrous London of ours, with its myriads of people, its sordid sinners, and its splendid sins, as you once phrased it, must have something in store for me. I fancied a thousand things. The mere danger gave me a sense of delight. I remembered what you had said to me on that wonderful evening when we first dined together, about the search for beauty being the real secret of life. I don t know what I expected, but I went out and wandered eastward, soon losing my way in a labyrinth of grimy streets and black grassless squares. About half-past eight I passed by an absurd little theatre, with great flaring gas-jets and gaudy play-bills. A hideous Jew, in the most amazing waistcoat I ever beheld in my life, was standing at the entrance, smoking a vile cigar. He had greasy ringlets, and an enormous diamond blazed in the centre of a soiled shirt." Have a box, my Lord? "he said, when he saw me, and he took off his hat with an air of gorgeous servility. There was something about him, Harry, that amused me. He was such a monster. You will laugh at me, I know, but I really went in and paid a whole guinea for the stage-box. To the present day I can t make out why I did so; and yet if I hadn t my dear Harry, if I hadn t I should have missed the greatest romance of my life. I see you are laughing. It is horrid of you!"<|quote|>"I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A _grande passion_ is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don t be afraid. There are exquisite things in store for you. This is merely the beginning."</|quote|>"Do you think my nature so shallow?" cried Dorian Gray angrily. "No; I think your nature so deep." "How do you mean?" "My dear boy, the people who love only once in their lives are really the shallow people. What they call their loyalty, and their fidelity, I call either the lethargy of custom or their lack of imagination. Faithfulness is to the emotional life what consistency is to the life of the intellect simply a confession of failure. Faithfulness! I must analyse it some day. The passion for property is in it. There are many things that we would throw away if we were not afraid that others might pick them up. But I don t want to interrupt you. Go on with your story." "Well, I found myself seated in a horrid little private box, with a vulgar drop-scene staring me in the face. I looked out from behind the curtain and surveyed the house. It was a tawdry affair, all Cupids and cornucopias, like a third-rate wedding-cake. The gallery and pit were fairly full, but the two rows of dingy stalls were quite empty, and there was hardly a person in what I suppose they called the dress-circle. Women went about with oranges and ginger-beer, and there was a terrible consumption of nuts going on." "It must have been just like the palmy days of the British drama." "Just like, I should fancy, and very depressing. I began to wonder what on earth I should do when I caught sight of the play-bill. What do you think the play was, Harry?" "I should think The Idiot Boy , or Dumb but Innocent . Our fathers used to like that sort of piece, I believe. The longer I live, Dorian, the more keenly I feel that whatever was good | The Picture Of Dorian Gray |
"The more fool you, I think," | Josiah Bounderby | were patient wi' her." ("<|quote|>"The more fool you, I think,"</|quote|>said Mr. Bounderby, in confidence | and played old Gooseberry." "I were patient wi' her." ("<|quote|>"The more fool you, I think,"</|quote|>said Mr. Bounderby, in confidence to his wine-glass.) "I were | Well! She went bad soon. Not along of me. Gonnows I were not a unkind husband to her." "I have heard all this before," said Mr. Bounderby. "She took to drinking, left off working, sold the furniture, pawned the clothes, and played old Gooseberry." "I were patient wi' her." ("<|quote|>"The more fool you, I think,"</|quote|>said Mr. Bounderby, in confidence to his wine-glass.) "I were very patient wi' her. I tried to wean her fra 't ower and ower agen. I tried this, I tried that, I tried t'other. I ha' gone home, many's the time, and found all vanished as I had in the | "Fire away!" "I ha' coom," Stephen began, raising his eyes from the floor, after a moment's consideration, "to ask yo yor advice. I need 't overmuch. I were married on Eas'r Monday nineteen year sin, long and dree. She were a young lass pretty enow wi' good accounts of herseln. Well! She went bad soon. Not along of me. Gonnows I were not a unkind husband to her." "I have heard all this before," said Mr. Bounderby. "She took to drinking, left off working, sold the furniture, pawned the clothes, and played old Gooseberry." "I were patient wi' her." ("<|quote|>"The more fool you, I think,"</|quote|>said Mr. Bounderby, in confidence to his wine-glass.) "I were very patient wi' her. I tried to wean her fra 't ower and ower agen. I tried this, I tried that, I tried t'other. I ha' gone home, many's the time, and found all vanished as I had in the world, and her without a sense left to bless herseln lying on bare ground. I ha' dun 't not once, not twice twenty time!" Every line in his face deepened as he said it, and put in its affecting evidence of the suffering he had undergone. "From bad to worse, | hasn't been very high up the tree ah, up at the top of the tree! Now, if you have got anything to say that can't be said before a born lady, this lady will leave the room. If what you have got to say _can_ be said before a born lady, this lady will stay where she is." "Sir, I hope I never had nowt to say, not fitten for a born lady to year, sin' I were born mysen'," was the reply, accompanied with a slight flush. "Very well," said Mr. Bounderby, pushing away his plate, and leaning back. "Fire away!" "I ha' coom," Stephen began, raising his eyes from the floor, after a moment's consideration, "to ask yo yor advice. I need 't overmuch. I were married on Eas'r Monday nineteen year sin, long and dree. She were a young lass pretty enow wi' good accounts of herseln. Well! She went bad soon. Not along of me. Gonnows I were not a unkind husband to her." "I have heard all this before," said Mr. Bounderby. "She took to drinking, left off working, sold the furniture, pawned the clothes, and played old Gooseberry." "I were patient wi' her." ("<|quote|>"The more fool you, I think,"</|quote|>said Mr. Bounderby, in confidence to his wine-glass.) "I were very patient wi' her. I tried to wean her fra 't ower and ower agen. I tried this, I tried that, I tried t'other. I ha' gone home, many's the time, and found all vanished as I had in the world, and her without a sense left to bless herseln lying on bare ground. I ha' dun 't not once, not twice twenty time!" Every line in his face deepened as he said it, and put in its affecting evidence of the suffering he had undergone. "From bad to worse, from worse to worsen. She left me. She disgraced herseln everyways, bitter and bad. She coom back, she coom back, she coom back. What could I do t' hinder her? I ha' walked the streets nights long, ere ever I'd go home. I ha' gone t' th' brigg, minded to fling myseln ower, and ha' no more on't. I ha' bore that much, that I were owd when I were young." Mrs. Sparsit, easily ambling along with her netting-needles, raised the Coriolanian eyebrows and shook her head, as much as to say, "The great know trouble as well as the | Bounderby always represented this to be the sole, immediate, and direct object of any Hand who was not entirely satisfied; "and therefore I know already that you have not come here to make a complaint. Now, you know, I am certain of that, beforehand." "No, sir, sure I ha' not coom for nowt o' th' kind." Mr. Bounderby seemed agreeably surprised, notwithstanding his previous strong conviction. "Very well," he returned. "You're a steady Hand, and I was not mistaken. Now, let me hear what it's all about. As it's not that, let me hear what it is. What have you got to say? Out with it, lad!" Stephen happened to glance towards Mrs. Sparsit. "I can go, Mr. Bounderby, if you wish it," said that self-sacrificing lady, making a feint of taking her foot out of the stirrup. Mr. Bounderby stayed her, by holding a mouthful of chop in suspension before swallowing it, and putting out his left hand. Then, withdrawing his hand and swallowing his mouthful of chop, he said to Stephen: "Now you know, this good lady is a born lady, a high lady. You are not to suppose because she keeps my house for me, that she hasn't been very high up the tree ah, up at the top of the tree! Now, if you have got anything to say that can't be said before a born lady, this lady will leave the room. If what you have got to say _can_ be said before a born lady, this lady will stay where she is." "Sir, I hope I never had nowt to say, not fitten for a born lady to year, sin' I were born mysen'," was the reply, accompanied with a slight flush. "Very well," said Mr. Bounderby, pushing away his plate, and leaning back. "Fire away!" "I ha' coom," Stephen began, raising his eyes from the floor, after a moment's consideration, "to ask yo yor advice. I need 't overmuch. I were married on Eas'r Monday nineteen year sin, long and dree. She were a young lass pretty enow wi' good accounts of herseln. Well! She went bad soon. Not along of me. Gonnows I were not a unkind husband to her." "I have heard all this before," said Mr. Bounderby. "She took to drinking, left off working, sold the furniture, pawned the clothes, and played old Gooseberry." "I were patient wi' her." ("<|quote|>"The more fool you, I think,"</|quote|>said Mr. Bounderby, in confidence to his wine-glass.) "I were very patient wi' her. I tried to wean her fra 't ower and ower agen. I tried this, I tried that, I tried t'other. I ha' gone home, many's the time, and found all vanished as I had in the world, and her without a sense left to bless herseln lying on bare ground. I ha' dun 't not once, not twice twenty time!" Every line in his face deepened as he said it, and put in its affecting evidence of the suffering he had undergone. "From bad to worse, from worse to worsen. She left me. She disgraced herseln everyways, bitter and bad. She coom back, she coom back, she coom back. What could I do t' hinder her? I ha' walked the streets nights long, ere ever I'd go home. I ha' gone t' th' brigg, minded to fling myseln ower, and ha' no more on't. I ha' bore that much, that I were owd when I were young." Mrs. Sparsit, easily ambling along with her netting-needles, raised the Coriolanian eyebrows and shook her head, as much as to say, "The great know trouble as well as the small. Please to turn your humble eye in My direction." "I ha' paid her to keep awa' fra' me. These five year I ha' paid her. I ha' gotten decent fewtrils about me agen. I ha' lived hard and sad, but not ashamed and fearfo' a' the minnits o' my life. Last night, I went home. There she lay upon my har-stone! There she is!" In the strength of his misfortune, and the energy of his distress, he fired for the moment like a proud man. In another moment, he stood as he had stood all the time his usual stoop upon him; his pondering face addressed to Mr. Bounderby, with a curious expression on it, half shrewd, half perplexed, as if his mind were set upon unravelling something very difficult; his hat held tight in his left hand, which rested on his hip; his right arm, with a rugged propriety and force of action, very earnestly emphasizing what he said: not least so when it always paused, a little bent, but not withdrawn, as he paused. "I was acquainted with all this, you know," said Mr. Bounderby, "except the last clause, long ago. It's a bad job; that's what | on. The rain fell, and the Smoke-serpents, submissive to the curse of all that tribe, trailed themselves upon the earth. In the waste-yard outside, the steam from the escape pipe, the litter of barrels and old iron, the shining heaps of coals, the ashes everywhere, were shrouded in a veil of mist and rain. The work went on, until the noon-bell rang. More clattering upon the pavements. The looms, and wheels, and Hands all out of gear for an hour. Stephen came out of the hot mill into the damp wind and cold wet streets, haggard and worn. He turned from his own class and his own quarter, taking nothing but a little bread as he walked along, towards the hill on which his principal employer lived, in a red house with black outside shutters, green inside blinds, a black street door, up two white steps, BOUNDERBY (in letters very like himself) upon a brazen plate, and a round brazen door-handle underneath it, like a brazen full-stop. Mr. Bounderby was at his lunch. So Stephen had expected. Would his servant say that one of the Hands begged leave to speak to him? Message in return, requiring name of such Hand. Stephen Blackpool. There was nothing troublesome against Stephen Blackpool; yes, he might come in. Stephen Blackpool in the parlour. Mr. Bounderby (whom he just knew by sight), at lunch on chop and sherry. Mrs. Sparsit netting at the fireside, in a side-saddle attitude, with one foot in a cotton stirrup. It was a part, at once of Mrs. Sparsit's dignity and service, not to lunch. She supervised the meal officially, but implied that in her own stately person she considered lunch a weakness. "Now, Stephen," said Mr. Bounderby, "what's the matter with _you_?" Stephen made a bow. Not a servile one these Hands will never do that! Lord bless you, sir, you'll never catch them at that, if they have been with you twenty years! and, as a complimentary toilet for Mrs. Sparsit, tucked his neckerchief ends into his waistcoat. "Now, you know," said Mr. Bounderby, taking some sherry, "we have never had any difficulty with you, and you have never been one of the unreasonable ones. You don't expect to be set up in a coach and six, and to be fed on turtle soup and venison, with a gold spoon, as a good many of 'em do!" Mr. Bounderby always represented this to be the sole, immediate, and direct object of any Hand who was not entirely satisfied; "and therefore I know already that you have not come here to make a complaint. Now, you know, I am certain of that, beforehand." "No, sir, sure I ha' not coom for nowt o' th' kind." Mr. Bounderby seemed agreeably surprised, notwithstanding his previous strong conviction. "Very well," he returned. "You're a steady Hand, and I was not mistaken. Now, let me hear what it's all about. As it's not that, let me hear what it is. What have you got to say? Out with it, lad!" Stephen happened to glance towards Mrs. Sparsit. "I can go, Mr. Bounderby, if you wish it," said that self-sacrificing lady, making a feint of taking her foot out of the stirrup. Mr. Bounderby stayed her, by holding a mouthful of chop in suspension before swallowing it, and putting out his left hand. Then, withdrawing his hand and swallowing his mouthful of chop, he said to Stephen: "Now you know, this good lady is a born lady, a high lady. You are not to suppose because she keeps my house for me, that she hasn't been very high up the tree ah, up at the top of the tree! Now, if you have got anything to say that can't be said before a born lady, this lady will leave the room. If what you have got to say _can_ be said before a born lady, this lady will stay where she is." "Sir, I hope I never had nowt to say, not fitten for a born lady to year, sin' I were born mysen'," was the reply, accompanied with a slight flush. "Very well," said Mr. Bounderby, pushing away his plate, and leaning back. "Fire away!" "I ha' coom," Stephen began, raising his eyes from the floor, after a moment's consideration, "to ask yo yor advice. I need 't overmuch. I were married on Eas'r Monday nineteen year sin, long and dree. She were a young lass pretty enow wi' good accounts of herseln. Well! She went bad soon. Not along of me. Gonnows I were not a unkind husband to her." "I have heard all this before," said Mr. Bounderby. "She took to drinking, left off working, sold the furniture, pawned the clothes, and played old Gooseberry." "I were patient wi' her." ("<|quote|>"The more fool you, I think,"</|quote|>said Mr. Bounderby, in confidence to his wine-glass.) "I were very patient wi' her. I tried to wean her fra 't ower and ower agen. I tried this, I tried that, I tried t'other. I ha' gone home, many's the time, and found all vanished as I had in the world, and her without a sense left to bless herseln lying on bare ground. I ha' dun 't not once, not twice twenty time!" Every line in his face deepened as he said it, and put in its affecting evidence of the suffering he had undergone. "From bad to worse, from worse to worsen. She left me. She disgraced herseln everyways, bitter and bad. She coom back, she coom back, she coom back. What could I do t' hinder her? I ha' walked the streets nights long, ere ever I'd go home. I ha' gone t' th' brigg, minded to fling myseln ower, and ha' no more on't. I ha' bore that much, that I were owd when I were young." Mrs. Sparsit, easily ambling along with her netting-needles, raised the Coriolanian eyebrows and shook her head, as much as to say, "The great know trouble as well as the small. Please to turn your humble eye in My direction." "I ha' paid her to keep awa' fra' me. These five year I ha' paid her. I ha' gotten decent fewtrils about me agen. I ha' lived hard and sad, but not ashamed and fearfo' a' the minnits o' my life. Last night, I went home. There she lay upon my har-stone! There she is!" In the strength of his misfortune, and the energy of his distress, he fired for the moment like a proud man. In another moment, he stood as he had stood all the time his usual stoop upon him; his pondering face addressed to Mr. Bounderby, with a curious expression on it, half shrewd, half perplexed, as if his mind were set upon unravelling something very difficult; his hat held tight in his left hand, which rested on his hip; his right arm, with a rugged propriety and force of action, very earnestly emphasizing what he said: not least so when it always paused, a little bent, but not withdrawn, as he paused. "I was acquainted with all this, you know," said Mr. Bounderby, "except the last clause, long ago. It's a bad job; that's what it is. You had better have been satisfied as you were, and not have got married. However, it's too late to say that." "Was it an unequal marriage, sir, in point of years?" asked Mrs. Sparsit. "You hear what this lady asks. Was it an unequal marriage in point of years, this unlucky job of yours?" said Mr. Bounderby. "Not e'en so. I were one-and-twenty myseln; she were twenty nighbut." "Indeed, sir?" said Mrs. Sparsit to her Chief, with great placidity. "I inferred, from its being so miserable a marriage, that it was probably an unequal one in point of years." Mr. Bounderby looked very hard at the good lady in a side-long way that had an odd sheepishness about it. He fortified himself with a little more sherry. "Well? Why don't you go on?" he then asked, turning rather irritably on Stephen Blackpool. "I ha' coom to ask yo, sir, how I am to be ridded o' this woman." Stephen infused a yet deeper gravity into the mixed expression of his attentive face. Mrs. Sparsit uttered a gentle ejaculation, as having received a moral shock. "What do you mean?" said Bounderby, getting up to lean his back against the chimney-piece. "What are you talking about? You took her for better for worse." "I mun' be ridden o' her. I cannot bear 't nommore. I ha' lived under 't so long, for that I ha' had'n the pity and comforting words o' th' best lass living or dead. Haply, but for her, I should ha' gone battering mad." "He wishes to be free, to marry the female of whom he speaks, I fear, sir," observed Mrs. Sparsit in an undertone, and much dejected by the immorality of the people. "I do. The lady says what's right. I do. I were a coming to 't. I ha' read i' th' papers that great folk (fair faw 'em a'! I wishes 'em no hurt!) are not bonded together for better for worst so fast, but that they can be set free fro' _their_ misfortnet marriages, an' marry ower agen. When they dunnot agree, for that their tempers is ill-sorted, they has rooms o' one kind an' another in their houses, above a bit, and they can live asunders. We fok ha' only one room, and we can't. When that won't do, they ha' gowd an' other cash, an' they can say" "This | Sparsit, tucked his neckerchief ends into his waistcoat. "Now, you know," said Mr. Bounderby, taking some sherry, "we have never had any difficulty with you, and you have never been one of the unreasonable ones. You don't expect to be set up in a coach and six, and to be fed on turtle soup and venison, with a gold spoon, as a good many of 'em do!" Mr. Bounderby always represented this to be the sole, immediate, and direct object of any Hand who was not entirely satisfied; "and therefore I know already that you have not come here to make a complaint. Now, you know, I am certain of that, beforehand." "No, sir, sure I ha' not coom for nowt o' th' kind." Mr. Bounderby seemed agreeably surprised, notwithstanding his previous strong conviction. "Very well," he returned. "You're a steady Hand, and I was not mistaken. Now, let me hear what it's all about. As it's not that, let me hear what it is. What have you got to say? Out with it, lad!" Stephen happened to glance towards Mrs. Sparsit. "I can go, Mr. Bounderby, if you wish it," said that self-sacrificing lady, making a feint of taking her foot out of the stirrup. Mr. Bounderby stayed her, by holding a mouthful of chop in suspension before swallowing it, and putting out his left hand. Then, withdrawing his hand and swallowing his mouthful of chop, he said to Stephen: "Now you know, this good lady is a born lady, a high lady. You are not to suppose because she keeps my house for me, that she hasn't been very high up the tree ah, up at the top of the tree! Now, if you have got anything to say that can't be said before a born lady, this lady will leave the room. If what you have got to say _can_ be said before a born lady, this lady will stay where she is." "Sir, I hope I never had nowt to say, not fitten for a born lady to year, sin' I were born mysen'," was the reply, accompanied with a slight flush. "Very well," said Mr. Bounderby, pushing away his plate, and leaning back. "Fire away!" "I ha' coom," Stephen began, raising his eyes from the floor, after a moment's consideration, "to ask yo yor advice. I need 't overmuch. I were married on Eas'r Monday nineteen year sin, long and dree. She were a young lass pretty enow wi' good accounts of herseln. Well! She went bad soon. Not along of me. Gonnows I were not a unkind husband to her." "I have heard all this before," said Mr. Bounderby. "She took to drinking, left off working, sold the furniture, pawned the clothes, and played old Gooseberry." "I were patient wi' her." ("<|quote|>"The more fool you, I think,"</|quote|>said Mr. Bounderby, in confidence to his wine-glass.) "I were very patient wi' her. I tried to wean her fra 't ower and ower agen. I tried this, I tried that, I tried t'other. I ha' gone home, many's the time, and found all vanished as I had in the world, and her without a sense left to bless herseln lying on bare ground. I ha' dun 't not once, not twice twenty time!" Every line in his face deepened as he said it, and put in its affecting evidence of the suffering he had undergone. "From bad to worse, from worse to worsen. She left me. She disgraced herseln everyways, bitter and bad. She coom back, she coom back, she coom back. What could I do t' hinder her? I ha' walked the streets nights long, ere ever I'd go home. I ha' gone t' th' brigg, minded to fling myseln ower, and ha' no more on't. I ha' bore that much, that I were owd when I were young." Mrs. Sparsit, easily ambling along with her netting-needles, raised the Coriolanian eyebrows and shook her head, as much as to say, "The great know trouble as well as the small. Please to turn your humble eye in My direction." "I ha' paid her to keep awa' fra' me. These five year I ha' paid her. I ha' gotten decent fewtrils about me agen. I ha' lived hard and sad, but not ashamed and fearfo' a' the minnits o' my life. Last night, I went home. There she lay upon my har-stone! There she is!" In the strength of his misfortune, and the energy of his distress, he fired for the moment like a proud man. In another moment, he stood as he had stood all the time his usual stoop upon him; his pondering face addressed to Mr. Bounderby, with a curious expression on it, half shrewd, half perplexed, as if his mind were set upon unravelling something very difficult; his hat held tight in his left hand, which rested on his hip; his right arm, with a rugged propriety and force of action, very earnestly emphasizing what he said: not least so when it always paused, a little bent, but not withdrawn, as he paused. "I was acquainted with all this, you know," said Mr. Bounderby, "except the last clause, long ago. It's a bad job; that's what it is. You had better have been satisfied as you were, and not have got married. However, it's too late to say that." "Was it an unequal marriage, sir, in point of years?" asked Mrs. Sparsit. "You hear what this lady asks. Was it an unequal marriage in point of years, this unlucky job of yours?" said Mr. Bounderby. "Not e'en so. I were one-and-twenty myseln; she were twenty nighbut." "Indeed, sir?" said Mrs. Sparsit to her Chief, with great placidity. "I inferred, from its being so miserable a marriage, that it was probably an unequal one in point of years." Mr. Bounderby looked very hard at the good lady in a side-long way that had an odd sheepishness about it. He fortified himself with a little more sherry. "Well? Why don't you go on?" he then asked, | Hard Times |
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