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"Come, _that's_ a good thing!" | Alice | generally, "You are all pardoned."<|quote|>"Come, _that's_ a good thing!"</|quote|>she said to herself, for | low voice, to the company generally, "You are all pardoned."<|quote|>"Come, _that's_ a good thing!"</|quote|>she said to herself, for she had felt quite unhappy | made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned."<|quote|>"Come, _that's_ a good thing!"</|quote|>she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, | Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned."<|quote|>"Come, _that's_ a good thing!"</|quote|>she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the | shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned."<|quote|>"Come, _that's_ a good thing!"</|quote|>she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in | loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned."<|quote|>"Come, _that's_ a good thing!"</|quote|>she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, | go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned."<|quote|>"Come, _that's_ a good thing!"</|quote|>she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! | to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned."<|quote|>"Come, _that's_ a good thing!"</|quote|>she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old | Alices Adventures In Wonderland |
"but I can t believe it s a good one this time. What is your reason?" | Katharine Hilbery | them down the bears throats,<|quote|>"but I can t believe it s a good one this time. What is your reason?"</|quote|>He refused to tell her. | bun into parts and tossing them down the bears throats,<|quote|>"but I can t believe it s a good one this time. What is your reason?"</|quote|>He refused to tell her. He could not explain to | pay," said Ralph peremptorily, refusing the coin which Katharine tendered. "I have a reason for what I do," he added, seeing her smile at his tone of decision. "I believe you have a reason for everything," she agreed, breaking the bun into parts and tossing them down the bears throats,<|quote|>"but I can t believe it s a good one this time. What is your reason?"</|quote|>He refused to tell her. He could not explain to her that he was offering up consciously all his happiness to her, and wished, absurdly enough, to pour every possession he had upon the blazing pyre, even his silver and gold. He wished to keep this distance between them the | the counter piled with little paper bags, and each simultaneously produced a shilling and pressed it upon the young lady, who did not know whether to oblige the lady or the gentleman, but decided, from conventional reasons, that it was the part of the gentleman to pay. "I wish to pay," said Ralph peremptorily, refusing the coin which Katharine tendered. "I have a reason for what I do," he added, seeing her smile at his tone of decision. "I believe you have a reason for everything," she agreed, breaking the bun into parts and tossing them down the bears throats,<|quote|>"but I can t believe it s a good one this time. What is your reason?"</|quote|>He refused to tell her. He could not explain to her that he was offering up consciously all his happiness to her, and wished, absurdly enough, to pour every possession he had upon the blazing pyre, even his silver and gold. He wished to keep this distance between them the distance which separates the devotee from the image in the shrine. Circumstances conspired to make this easier than it would have been, had they been seated in a drawing-room, for example, with a tea-tray between them. He saw her against a background of pale grottos and sleek hides; camels slanted | ll soon get over that," she replied. The detachment expressed by her voice puzzled Ralph, and he would have been glad if she had explained her meaning further. But he was not going to press her for explanations. Each moment was to be, as far as he could make it, complete in itself, owing nothing of its happiness to explanations, borrowing neither bright nor dark tints from the future. "The bears seem happy," he remarked. "But we must buy them a bag of something. There s the place to buy buns. Let s go and get them." They walked to the counter piled with little paper bags, and each simultaneously produced a shilling and pressed it upon the young lady, who did not know whether to oblige the lady or the gentleman, but decided, from conventional reasons, that it was the part of the gentleman to pay. "I wish to pay," said Ralph peremptorily, refusing the coin which Katharine tendered. "I have a reason for what I do," he added, seeing her smile at his tone of decision. "I believe you have a reason for everything," she agreed, breaking the bun into parts and tossing them down the bears throats,<|quote|>"but I can t believe it s a good one this time. What is your reason?"</|quote|>He refused to tell her. He could not explain to her that he was offering up consciously all his happiness to her, and wished, absurdly enough, to pour every possession he had upon the blazing pyre, even his silver and gold. He wished to keep this distance between them the distance which separates the devotee from the image in the shrine. Circumstances conspired to make this easier than it would have been, had they been seated in a drawing-room, for example, with a tea-tray between them. He saw her against a background of pale grottos and sleek hides; camels slanted their heavy-lidded eyes at her, giraffes fastidiously observed her from their melancholy eminence, and the pink-lined trunks of elephants cautiously abstracted buns from her outstretched hands. Then there were the hothouses. He saw her bending over pythons coiled upon the sand, or considering the brown rock breaking the stagnant water of the alligators pool, or searching some minute section of tropical forest for the golden eye of a lizard or the indrawn movement of the green frogs flanks. In particular, he saw her outlined against the deep green waters, in which squadrons of silvery fish wheeled incessantly, or ogled her | for the first time, she felt consciously womanly, and as if William might conceivably wish later on to confide in her. She forgot all about the psychology of animals, and the recurrence of blue eyes and brown, and became instantly engrossed in her feelings as a woman who could administer consolation, and she hoped that Katharine would keep ahead with Mr. Denham, as a child who plays at being grown-up hopes that her mother won t come in just yet, and spoil the game. Or was it not rather that she had ceased to play at being grown-up, and was conscious, suddenly, that she was alarmingly mature and in earnest? There was still unbroken silence between Katharine and Ralph Denham, but the occupants of the different cages served instead of speech. "What have you been doing since we met?" Ralph asked at length. "Doing?" she pondered. "Walking in and out of other people s houses. I wonder if these animals are happy?" she speculated, stopping before a gray bear, who was philosophically playing with a tassel which once, perhaps, formed part of a lady s parasol. "I m afraid Rodney didn t like my coming," Ralph remarked. "No. But he ll soon get over that," she replied. The detachment expressed by her voice puzzled Ralph, and he would have been glad if she had explained her meaning further. But he was not going to press her for explanations. Each moment was to be, as far as he could make it, complete in itself, owing nothing of its happiness to explanations, borrowing neither bright nor dark tints from the future. "The bears seem happy," he remarked. "But we must buy them a bag of something. There s the place to buy buns. Let s go and get them." They walked to the counter piled with little paper bags, and each simultaneously produced a shilling and pressed it upon the young lady, who did not know whether to oblige the lady or the gentleman, but decided, from conventional reasons, that it was the part of the gentleman to pay. "I wish to pay," said Ralph peremptorily, refusing the coin which Katharine tendered. "I have a reason for what I do," he added, seeing her smile at his tone of decision. "I believe you have a reason for everything," she agreed, breaking the bun into parts and tossing them down the bears throats,<|quote|>"but I can t believe it s a good one this time. What is your reason?"</|quote|>He refused to tell her. He could not explain to her that he was offering up consciously all his happiness to her, and wished, absurdly enough, to pour every possession he had upon the blazing pyre, even his silver and gold. He wished to keep this distance between them the distance which separates the devotee from the image in the shrine. Circumstances conspired to make this easier than it would have been, had they been seated in a drawing-room, for example, with a tea-tray between them. He saw her against a background of pale grottos and sleek hides; camels slanted their heavy-lidded eyes at her, giraffes fastidiously observed her from their melancholy eminence, and the pink-lined trunks of elephants cautiously abstracted buns from her outstretched hands. Then there were the hothouses. He saw her bending over pythons coiled upon the sand, or considering the brown rock breaking the stagnant water of the alligators pool, or searching some minute section of tropical forest for the golden eye of a lizard or the indrawn movement of the green frogs flanks. In particular, he saw her outlined against the deep green waters, in which squadrons of silvery fish wheeled incessantly, or ogled her for a moment, pressing their distorted mouths against the glass, quivering their tails straight out behind them. Again, there was the insect house, where she lifted the blinds of the little cages, and marveled at the purple circles marked upon the rich tussore wings of some lately emerged and semi-conscious butterfly, or at caterpillars immobile like the knobbed twigs of a pale-skinned tree, or at slim green snakes stabbing the glass wall again and again with their flickering cleft tongues. The heat of the air, and the bloom of heavy flowers, which swam in water or rose stiffly from great red jars, together with the display of curious patterns and fantastic shapes, produced an atmosphere in which human beings tended to look pale and to fall silent. Opening the door of a house which rang with the mocking and profoundly unhappy laughter of monkeys, they discovered William and Cassandra. William appeared to be tempting some small reluctant animal to descend from an upper perch to partake of half an apple. Cassandra was reading out, in her high-pitched tones, an account of this creature s secluded disposition and nocturnal habits. She saw Katharine and exclaimed: "Here you are! Do prevent William | ocean of humanity, concluded, a little smilingly, that she would do. They meant that she would in all probability marry some young man whose mother they respected. William Rodney was fertile in suggestions. He knew of little galleries, and select concerts, and private performances, and somehow made time to meet Katharine and Cassandra, and to give them tea or dinner or supper in his rooms afterwards. Each one of her fourteen days thus promised to bear some bright illumination in its sober text. But Sunday approached. The day is usually dedicated to Nature. The weather was almost kindly enough for an expedition. But Cassandra rejected Hampton Court, Greenwich, Richmond, and Kew in favor of the Zoological Gardens. She had once trifled with the psychology of animals, and still knew something about inherited characteristics. On Sunday afternoon, therefore, Katharine, Cassandra, and William Rodney drove off to the Zoo. As their cab approached the entrance, Katharine bent forward and waved her hand to a young man who was walking rapidly in the same direction. "There s Ralph Denham!" she exclaimed. "I told him to meet us here," she added. She had even come provided with a ticket for him. William s objection that he would not be admitted was, therefore, silenced directly. But the way in which the two men greeted each other was significant of what was going to happen. As soon as they had admired the little birds in the large cage William and Cassandra lagged behind, and Ralph and Katharine pressed on rather in advance. It was an arrangement in which William took his part, and one that suited his convenience, but he was annoyed all the same. He thought that Katharine should have told him that she had invited Denham to meet them. "One of Katharine s friends," he said rather sharply. It was clear that he was irritated, and Cassandra felt for his annoyance. They were standing by the pen of some Oriental hog, and she was prodding the brute gently with the point of her umbrella, when a thousand little observations seemed, in some way, to collect in one center. The center was one of intense and curious emotion. Were they happy? She dismissed the question as she asked it, scorning herself for applying such simple measures to the rare and splendid emotions of so unique a couple. Nevertheless, her manner became immediately different, as if, for the first time, she felt consciously womanly, and as if William might conceivably wish later on to confide in her. She forgot all about the psychology of animals, and the recurrence of blue eyes and brown, and became instantly engrossed in her feelings as a woman who could administer consolation, and she hoped that Katharine would keep ahead with Mr. Denham, as a child who plays at being grown-up hopes that her mother won t come in just yet, and spoil the game. Or was it not rather that she had ceased to play at being grown-up, and was conscious, suddenly, that she was alarmingly mature and in earnest? There was still unbroken silence between Katharine and Ralph Denham, but the occupants of the different cages served instead of speech. "What have you been doing since we met?" Ralph asked at length. "Doing?" she pondered. "Walking in and out of other people s houses. I wonder if these animals are happy?" she speculated, stopping before a gray bear, who was philosophically playing with a tassel which once, perhaps, formed part of a lady s parasol. "I m afraid Rodney didn t like my coming," Ralph remarked. "No. But he ll soon get over that," she replied. The detachment expressed by her voice puzzled Ralph, and he would have been glad if she had explained her meaning further. But he was not going to press her for explanations. Each moment was to be, as far as he could make it, complete in itself, owing nothing of its happiness to explanations, borrowing neither bright nor dark tints from the future. "The bears seem happy," he remarked. "But we must buy them a bag of something. There s the place to buy buns. Let s go and get them." They walked to the counter piled with little paper bags, and each simultaneously produced a shilling and pressed it upon the young lady, who did not know whether to oblige the lady or the gentleman, but decided, from conventional reasons, that it was the part of the gentleman to pay. "I wish to pay," said Ralph peremptorily, refusing the coin which Katharine tendered. "I have a reason for what I do," he added, seeing her smile at his tone of decision. "I believe you have a reason for everything," she agreed, breaking the bun into parts and tossing them down the bears throats,<|quote|>"but I can t believe it s a good one this time. What is your reason?"</|quote|>He refused to tell her. He could not explain to her that he was offering up consciously all his happiness to her, and wished, absurdly enough, to pour every possession he had upon the blazing pyre, even his silver and gold. He wished to keep this distance between them the distance which separates the devotee from the image in the shrine. Circumstances conspired to make this easier than it would have been, had they been seated in a drawing-room, for example, with a tea-tray between them. He saw her against a background of pale grottos and sleek hides; camels slanted their heavy-lidded eyes at her, giraffes fastidiously observed her from their melancholy eminence, and the pink-lined trunks of elephants cautiously abstracted buns from her outstretched hands. Then there were the hothouses. He saw her bending over pythons coiled upon the sand, or considering the brown rock breaking the stagnant water of the alligators pool, or searching some minute section of tropical forest for the golden eye of a lizard or the indrawn movement of the green frogs flanks. In particular, he saw her outlined against the deep green waters, in which squadrons of silvery fish wheeled incessantly, or ogled her for a moment, pressing their distorted mouths against the glass, quivering their tails straight out behind them. Again, there was the insect house, where she lifted the blinds of the little cages, and marveled at the purple circles marked upon the rich tussore wings of some lately emerged and semi-conscious butterfly, or at caterpillars immobile like the knobbed twigs of a pale-skinned tree, or at slim green snakes stabbing the glass wall again and again with their flickering cleft tongues. The heat of the air, and the bloom of heavy flowers, which swam in water or rose stiffly from great red jars, together with the display of curious patterns and fantastic shapes, produced an atmosphere in which human beings tended to look pale and to fall silent. Opening the door of a house which rang with the mocking and profoundly unhappy laughter of monkeys, they discovered William and Cassandra. William appeared to be tempting some small reluctant animal to descend from an upper perch to partake of half an apple. Cassandra was reading out, in her high-pitched tones, an account of this creature s secluded disposition and nocturnal habits. She saw Katharine and exclaimed: "Here you are! Do prevent William from torturing this unfortunate aye-aye." "We thought we d lost you," said William. He looked from one to the other, and seemed to take stock of Denham s unfashionable appearance. He seemed to wish to find some outlet for malevolence, but, failing one, he remained silent. The glance, the slight quiver of the upper lip, were not lost upon Katharine. "William isn t kind to animals," she remarked. "He doesn t know what they like and what they don t like." "I take it you re well versed in these matters, Denham," said Rodney, withdrawing his hand with the apple. "It s mainly a question of knowing how to stroke them," Denham replied. "Which is the way to the Reptile House?" Cassandra asked him, not from a genuine desire to visit the reptiles, but in obedience to her new-born feminine susceptibility, which urged her to charm and conciliate the other sex. Denham began to give her directions, and Katharine and William moved on together. "I hope you ve had a pleasant afternoon," William remarked. "I like Ralph Denham," she replied. "a se voit," William returned, with superficial urbanity. Many retorts were obvious, but wishing, on the whole, for peace, Katharine merely inquired: "Are you coming back to tea?" "Cassandra and I thought of having tea at a little shop in Portland Place," he replied. "I don t know whether you and Denham would care to join us." "I ll ask him," she replied, turning her head to look for him. But he and Cassandra were absorbed in the aye-aye once more. William and Katharine watched them for a moment, and each looked curiously at the object of the other s preference. But resting his eye upon Cassandra, to whose elegance the dressmakers had now done justice, William said sharply: "If you come, I hope you won t do your best to make me ridiculous." "If that s what you re afraid of I certainly shan t come," Katharine replied. They were professedly looking into the enormous central cage of monkeys, and being thoroughly annoyed by William, she compared him to a wretched misanthropical ape, huddled in a scrap of old shawl at the end of a pole, darting peevish glances of suspicion and distrust at his companions. Her tolerance was deserting her. The events of the past week had worn it thin. She was in one of those moods, perhaps | immediately different, as if, for the first time, she felt consciously womanly, and as if William might conceivably wish later on to confide in her. She forgot all about the psychology of animals, and the recurrence of blue eyes and brown, and became instantly engrossed in her feelings as a woman who could administer consolation, and she hoped that Katharine would keep ahead with Mr. Denham, as a child who plays at being grown-up hopes that her mother won t come in just yet, and spoil the game. Or was it not rather that she had ceased to play at being grown-up, and was conscious, suddenly, that she was alarmingly mature and in earnest? There was still unbroken silence between Katharine and Ralph Denham, but the occupants of the different cages served instead of speech. "What have you been doing since we met?" Ralph asked at length. "Doing?" she pondered. "Walking in and out of other people s houses. I wonder if these animals are happy?" she speculated, stopping before a gray bear, who was philosophically playing with a tassel which once, perhaps, formed part of a lady s parasol. "I m afraid Rodney didn t like my coming," Ralph remarked. "No. But he ll soon get over that," she replied. The detachment expressed by her voice puzzled Ralph, and he would have been glad if she had explained her meaning further. But he was not going to press her for explanations. Each moment was to be, as far as he could make it, complete in itself, owing nothing of its happiness to explanations, borrowing neither bright nor dark tints from the future. "The bears seem happy," he remarked. "But we must buy them a bag of something. There s the place to buy buns. Let s go and get them." They walked to the counter piled with little paper bags, and each simultaneously produced a shilling and pressed it upon the young lady, who did not know whether to oblige the lady or the gentleman, but decided, from conventional reasons, that it was the part of the gentleman to pay. "I wish to pay," said Ralph peremptorily, refusing the coin which Katharine tendered. "I have a reason for what I do," he added, seeing her smile at his tone of decision. "I believe you have a reason for everything," she agreed, breaking the bun into parts and tossing them down the bears throats,<|quote|>"but I can t believe it s a good one this time. What is your reason?"</|quote|>He refused to tell her. He could not explain to her that he was offering up consciously all his happiness to her, and wished, absurdly enough, to pour every possession he had upon the blazing pyre, even his silver and gold. He wished to keep this distance between them the distance which separates the devotee from the image in the shrine. Circumstances conspired to make this easier than it would have been, had they been seated in a drawing-room, for example, with a tea-tray between them. He saw her against a background of pale grottos and sleek hides; camels slanted their heavy-lidded eyes at her, giraffes fastidiously observed her from their melancholy eminence, and the pink-lined trunks of elephants cautiously abstracted buns from her outstretched hands. Then there were the hothouses. He saw her bending over pythons coiled upon the sand, or considering the brown rock breaking the stagnant water of the alligators pool, or searching some minute section of tropical forest for the golden eye of a lizard or the indrawn movement of the green frogs flanks. In particular, he saw her outlined against the deep green waters, in which squadrons of silvery fish wheeled incessantly, or ogled her for a moment, pressing their distorted mouths against the glass, quivering their tails straight out behind them. Again, there was the insect house, where she lifted the blinds of the little cages, and marveled at the purple circles marked upon the rich tussore wings of some lately emerged and semi-conscious butterfly, or at caterpillars immobile like the knobbed twigs of a pale-skinned tree, or at slim green snakes stabbing the glass wall again and again with their flickering cleft tongues. The heat of the air, and the bloom of heavy flowers, which swam in water or rose stiffly from great red jars, together with the display of curious patterns and fantastic shapes, produced an atmosphere in which human beings tended to look pale and to fall silent. Opening the door of a house which rang with the mocking and profoundly unhappy laughter of monkeys, they discovered William and Cassandra. William appeared to be tempting some small reluctant animal to descend from an upper perch to partake of half an apple. Cassandra was reading out, in her high-pitched tones, an account of this creature s secluded disposition and nocturnal habits. She saw Katharine and | Night And Day |
"If Tanya and you had a son, I would make a horticulturist of him," | Yegor Semyonitch | and stood in the doorway.<|quote|>"If Tanya and you had a son, I would make a horticulturist of him,"</|quote|>he said, after a moment's | the door to go out, and stood in the doorway.<|quote|>"If Tanya and you had a son, I would make a horticulturist of him,"</|quote|>he said, after a moment's thought. "However, this is idle | am proud of you. If Tanya and you could get up a romance somehow, then--well! I should be very glad and even happy. I tell you this plainly, without mincing matters, like an honest man." Kovrin laughed. Yegor Semyonitch opened the door to go out, and stood in the doorway.<|quote|>"If Tanya and you had a son, I would make a horticulturist of him,"</|quote|>he said, after a moment's thought. "However, this is idle dreaming. Goodnight." Left alone, Kovrin settled himself more comfortably on the sofa and took up the articles. The title of one was "On Intercropping" ; of another, "A few Words on the Remarks of Monsieur Z. concerning the Trenching of | plainly: you are the only man to whom I should not be afraid to marry my daughter. You are a clever man with a good heart, and would not let my beloved work go to ruin; and the chief reason is that I love you as a son, and I am proud of you. If Tanya and you could get up a romance somehow, then--well! I should be very glad and even happy. I tell you this plainly, without mincing matters, like an honest man." Kovrin laughed. Yegor Semyonitch opened the door to go out, and stood in the doorway.<|quote|>"If Tanya and you had a son, I would make a horticulturist of him,"</|quote|>he said, after a moment's thought. "However, this is idle dreaming. Goodnight." Left alone, Kovrin settled himself more comfortably on the sofa and took up the articles. The title of one was "On Intercropping" ; of another, "A few Words on the Remarks of Monsieur Z. concerning the Trenching of the Soil for a New Garden" ; a third, "Additional Matter concerning Grafting with a Dormant Bud" ; and they were all of the same sort. But what a restless, jerky tone! What nervous, almost hysterical passion! Here was an article, one would have thought, with most peaceable and impersonal | know it quite well; but I can't bear to see him! Altogether, my boy, I am very queer. I know that." Yegor Semyonitch got up and walked about the room in excitement, and it was evident that he wanted to say something very important, but could not bring himself to it. "I am very fond of you, and so I am going to speak to you openly," he decided at last, thrusting his hands into his pockets. "I deal plainly with certain delicate questions, and say exactly what I think, and I cannot endure so-called hidden thoughts. I will speak plainly: you are the only man to whom I should not be afraid to marry my daughter. You are a clever man with a good heart, and would not let my beloved work go to ruin; and the chief reason is that I love you as a son, and I am proud of you. If Tanya and you could get up a romance somehow, then--well! I should be very glad and even happy. I tell you this plainly, without mincing matters, like an honest man." Kovrin laughed. Yegor Semyonitch opened the door to go out, and stood in the doorway.<|quote|>"If Tanya and you had a son, I would make a horticulturist of him,"</|quote|>he said, after a moment's thought. "However, this is idle dreaming. Goodnight." Left alone, Kovrin settled himself more comfortably on the sofa and took up the articles. The title of one was "On Intercropping" ; of another, "A few Words on the Remarks of Monsieur Z. concerning the Trenching of the Soil for a New Garden" ; a third, "Additional Matter concerning Grafting with a Dormant Bud" ; and they were all of the same sort. But what a restless, jerky tone! What nervous, almost hysterical passion! Here was an article, one would have thought, with most peaceable and impersonal contents: the subject of it was the Russian Antonovsky Apple. But Yegor Semyonitch began it with "Audiatur altera pars," and finished it with "Sapienti sat" ; and between these two quotations a perfect torrent of venomous phrases directed "at the learned ignorance of our recognised horticultural authorities, who observe Nature from the height of their university chairs," or at Monsieur Gaucher, "whose success has been the work of the vulgar and the dilettanti." And then followed an inappropriate, affected, and insincere regret that peasants who stole fruit and broke the branches could not nowadays be flogged. "It is beautiful, charming, | not a cockchafer, and not the frost, but any outside person." "And Tanya?" asked Kovrin, laughing. "She can't be more harmful than a hare? She loves the work and understands it." "Yes, she loves it and understands it. If after my death the garden goes to her and she is the mistress, of course nothing better could be wished. But if, which God forbid, she should marry," Yegor Semyonitch whispered, and looked with a frightened look at Kovrin, "that's just it. If she marries and children come, she will have no time to think about the garden. What I fear most is: she will marry some fine gentleman, and he will be greedy, and he will let the garden to people who will run it for profit, and everything will go to the devil the very first year! In our work females are the scourge of God!" Yegor Semyonitch sighed and paused for a while. "Perhaps it is egoism, but I tell you frankly: I don't want Tanya to get married. I am afraid of it! There is one young dandy comes to see us, bringing his violin and scraping on it; I know Tanya will not marry him, I know it quite well; but I can't bear to see him! Altogether, my boy, I am very queer. I know that." Yegor Semyonitch got up and walked about the room in excitement, and it was evident that he wanted to say something very important, but could not bring himself to it. "I am very fond of you, and so I am going to speak to you openly," he decided at last, thrusting his hands into his pockets. "I deal plainly with certain delicate questions, and say exactly what I think, and I cannot endure so-called hidden thoughts. I will speak plainly: you are the only man to whom I should not be afraid to marry my daughter. You are a clever man with a good heart, and would not let my beloved work go to ruin; and the chief reason is that I love you as a son, and I am proud of you. If Tanya and you could get up a romance somehow, then--well! I should be very glad and even happy. I tell you this plainly, without mincing matters, like an honest man." Kovrin laughed. Yegor Semyonitch opened the door to go out, and stood in the doorway.<|quote|>"If Tanya and you had a son, I would make a horticulturist of him,"</|quote|>he said, after a moment's thought. "However, this is idle dreaming. Goodnight." Left alone, Kovrin settled himself more comfortably on the sofa and took up the articles. The title of one was "On Intercropping" ; of another, "A few Words on the Remarks of Monsieur Z. concerning the Trenching of the Soil for a New Garden" ; a third, "Additional Matter concerning Grafting with a Dormant Bud" ; and they were all of the same sort. But what a restless, jerky tone! What nervous, almost hysterical passion! Here was an article, one would have thought, with most peaceable and impersonal contents: the subject of it was the Russian Antonovsky Apple. But Yegor Semyonitch began it with "Audiatur altera pars," and finished it with "Sapienti sat" ; and between these two quotations a perfect torrent of venomous phrases directed "at the learned ignorance of our recognised horticultural authorities, who observe Nature from the height of their university chairs," or at Monsieur Gaucher, "whose success has been the work of the vulgar and the dilettanti." And then followed an inappropriate, affected, and insincere regret that peasants who stole fruit and broke the branches could not nowadays be flogged. "It is beautiful, charming, healthy work, but even in this there is strife and passion," thought Kovrin, "I suppose that everywhere and in all careers men of ideas are nervous, and marked by exaggerated sensitiveness. Most likely it must be so." He thought of Tanya, who was so pleased with Yegor Semyonitch's articles. Small, pale, and so thin that her shoulder-blades stuck out, her eyes, wide and open, dark and intelligent, had an intent gaze, as though looking for something. She walked like her father with a little hurried step. She talked a great deal and was fond of arguing, accompanying every phrase, however insignificant, with expressive mimicry and gesticulation. No doubt she was nervous in the extreme. Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the | way. "In that case, begin with Gaucher's article and these Russian articles," he muttered, turning over the pamphlets with a trembling hand, "or else you won't understand. Before you read my objections, you must know what I am objecting to. But it's all nonsense ... tiresome stuff. Besides, I believe it's bedtime." Tanya went away. Yegor Semyonitch sat down on the sofa by Kovrin and heaved a deep sigh. "Yes, my boy ..." he began after a pause. "That's how it is, my dear lecturer. Here I write articles, and take part in exhibitions, and receive medals.... Pesotsky, they say, has apples the size of a head, and Pesotsky, they say, has made his fortune with his garden. In short, 'Kotcheby is rich and glorious.' But one asks oneself: what is it all for? The garden is certainly fine, a model. It's not really a garden, but a regular institution, which is of the greatest public importance because it marks, so to say, a new era in Russian agriculture and Russian industry. But, what's it for? What's the object of it?" "The fact speaks for itself." "I do not mean in that sense. I meant to ask: what will happen to the garden when I die? In the condition in which you see it now, it would not be maintained for one month without me. The whole secret of success lies not in its being a big garden or a great number of labourers being employed in it, but in the fact that I love the work. Do you understand? I love it perhaps more than myself. Look at me; I do everything myself. I work from morning to night: I do all the grafting myself, the pruning myself, the planting myself. I do it all myself: when any one helps me I am jealous and irritable till I am rude. The whole secret lies in loving it--that is, in the sharp eye of the master; yes, and in the master's hands, and in the feeling that makes one, when one goes anywhere for an hour's visit, sit, ill at ease, with one's heart far away, afraid that something may have happened in the garden. But when I die, who will look after it? Who will work? The gardener? The labourers? Yes? But I will tell you, my dear fellow, the worst enemy in the garden is not a hare, not a cockchafer, and not the frost, but any outside person." "And Tanya?" asked Kovrin, laughing. "She can't be more harmful than a hare? She loves the work and understands it." "Yes, she loves it and understands it. If after my death the garden goes to her and she is the mistress, of course nothing better could be wished. But if, which God forbid, she should marry," Yegor Semyonitch whispered, and looked with a frightened look at Kovrin, "that's just it. If she marries and children come, she will have no time to think about the garden. What I fear most is: she will marry some fine gentleman, and he will be greedy, and he will let the garden to people who will run it for profit, and everything will go to the devil the very first year! In our work females are the scourge of God!" Yegor Semyonitch sighed and paused for a while. "Perhaps it is egoism, but I tell you frankly: I don't want Tanya to get married. I am afraid of it! There is one young dandy comes to see us, bringing his violin and scraping on it; I know Tanya will not marry him, I know it quite well; but I can't bear to see him! Altogether, my boy, I am very queer. I know that." Yegor Semyonitch got up and walked about the room in excitement, and it was evident that he wanted to say something very important, but could not bring himself to it. "I am very fond of you, and so I am going to speak to you openly," he decided at last, thrusting his hands into his pockets. "I deal plainly with certain delicate questions, and say exactly what I think, and I cannot endure so-called hidden thoughts. I will speak plainly: you are the only man to whom I should not be afraid to marry my daughter. You are a clever man with a good heart, and would not let my beloved work go to ruin; and the chief reason is that I love you as a son, and I am proud of you. If Tanya and you could get up a romance somehow, then--well! I should be very glad and even happy. I tell you this plainly, without mincing matters, like an honest man." Kovrin laughed. Yegor Semyonitch opened the door to go out, and stood in the doorway.<|quote|>"If Tanya and you had a son, I would make a horticulturist of him,"</|quote|>he said, after a moment's thought. "However, this is idle dreaming. Goodnight." Left alone, Kovrin settled himself more comfortably on the sofa and took up the articles. The title of one was "On Intercropping" ; of another, "A few Words on the Remarks of Monsieur Z. concerning the Trenching of the Soil for a New Garden" ; a third, "Additional Matter concerning Grafting with a Dormant Bud" ; and they were all of the same sort. But what a restless, jerky tone! What nervous, almost hysterical passion! Here was an article, one would have thought, with most peaceable and impersonal contents: the subject of it was the Russian Antonovsky Apple. But Yegor Semyonitch began it with "Audiatur altera pars," and finished it with "Sapienti sat" ; and between these two quotations a perfect torrent of venomous phrases directed "at the learned ignorance of our recognised horticultural authorities, who observe Nature from the height of their university chairs," or at Monsieur Gaucher, "whose success has been the work of the vulgar and the dilettanti." And then followed an inappropriate, affected, and insincere regret that peasants who stole fruit and broke the branches could not nowadays be flogged. "It is beautiful, charming, healthy work, but even in this there is strife and passion," thought Kovrin, "I suppose that everywhere and in all careers men of ideas are nervous, and marked by exaggerated sensitiveness. Most likely it must be so." He thought of Tanya, who was so pleased with Yegor Semyonitch's articles. Small, pale, and so thin that her shoulder-blades stuck out, her eyes, wide and open, dark and intelligent, had an intent gaze, as though looking for something. She walked like her father with a little hurried step. She talked a great deal and was fond of arguing, accompanying every phrase, however insignificant, with expressive mimicry and gesticulation. No doubt she was nervous in the extreme. Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long. "But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations," he thought; and he felt happy again. He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the book did not satisfy him. He wanted something gigantic, unfathomable, stupendous. Towards morning he undressed and reluctantly went to bed: he ought to sleep. When he heard the footsteps of Yegor Semyonitch going out into the garden, Kovrin rang the bell and asked the footman to bring him some wine. He drank several glasses of Lafitte, then wrapped himself up, head and all; his consciousness grew clouded and he fell asleep. IV Yegor Semyonitch and Tanya often quarrelled and said nasty things to each other. They quarrelled about something that morning. Tanya burst out crying and went to her room. She would not come down to dinner nor to tea. At first Yegor Semyonitch went about looking sulky and dignified, as though to give every one to understand that for him the claims of justice and good order were more important than anything else in the world; but he could not keep it up for long, and soon sank into depression. He walked about the park dejectedly, continually sighing: "Oh, my God! My God!" and at dinner did not eat a morsel. At last, guilty and conscience-stricken, he knocked at the locked door and called timidly: "Tanya! Tanya!" And from behind the door came a faint voice, weak with crying but still determined: "Leave me alone, if you please." The depression of the master and mistress was reflected in the whole household, even in the labourers working in the garden. Kovrin was absorbed in his interesting work, but at last he, too, felt dreary and uncomfortable. To dissipate the general ill-humour in some way, he made up his mind to intervene, and towards evening he knocked at Tanya's door. He was admitted. "Fie, fie, for shame!" he began playfully, looking with surprise at Tanya's tear-stained, woebegone face, flushed in patches with crying. "Is it really so serious? Fie, fie!" "But if you knew how he tortures | the feeling that makes one, when one goes anywhere for an hour's visit, sit, ill at ease, with one's heart far away, afraid that something may have happened in the garden. But when I die, who will look after it? Who will work? The gardener? The labourers? Yes? But I will tell you, my dear fellow, the worst enemy in the garden is not a hare, not a cockchafer, and not the frost, but any outside person." "And Tanya?" asked Kovrin, laughing. "She can't be more harmful than a hare? She loves the work and understands it." "Yes, she loves it and understands it. If after my death the garden goes to her and she is the mistress, of course nothing better could be wished. But if, which God forbid, she should marry," Yegor Semyonitch whispered, and looked with a frightened look at Kovrin, "that's just it. If she marries and children come, she will have no time to think about the garden. What I fear most is: she will marry some fine gentleman, and he will be greedy, and he will let the garden to people who will run it for profit, and everything will go to the devil the very first year! In our work females are the scourge of God!" Yegor Semyonitch sighed and paused for a while. "Perhaps it is egoism, but I tell you frankly: I don't want Tanya to get married. I am afraid of it! There is one young dandy comes to see us, bringing his violin and scraping on it; I know Tanya will not marry him, I know it quite well; but I can't bear to see him! Altogether, my boy, I am very queer. I know that." Yegor Semyonitch got up and walked about the room in excitement, and it was evident that he wanted to say something very important, but could not bring himself to it. "I am very fond of you, and so I am going to speak to you openly," he decided at last, thrusting his hands into his pockets. "I deal plainly with certain delicate questions, and say exactly what I think, and I cannot endure so-called hidden thoughts. I will speak plainly: you are the only man to whom I should not be afraid to marry my daughter. You are a clever man with a good heart, and would not let my beloved work go to ruin; and the chief reason is that I love you as a son, and I am proud of you. If Tanya and you could get up a romance somehow, then--well! I should be very glad and even happy. I tell you this plainly, without mincing matters, like an honest man." Kovrin laughed. Yegor Semyonitch opened the door to go out, and stood in the doorway.<|quote|>"If Tanya and you had a son, I would make a horticulturist of him,"</|quote|>he said, after a moment's thought. "However, this is idle dreaming. Goodnight." Left alone, Kovrin settled himself more comfortably on the sofa and took up the articles. The title of one was "On Intercropping" ; of another, "A few Words on the Remarks of Monsieur Z. concerning the Trenching of the Soil for a New Garden" ; a third, "Additional Matter concerning Grafting with a Dormant Bud" ; and they were all of the same sort. But what a restless, jerky tone! What nervous, almost hysterical passion! Here was an article, one would have thought, with most peaceable and impersonal contents: the subject of it was the Russian Antonovsky Apple. But Yegor Semyonitch began it with "Audiatur altera pars," and finished it with "Sapienti sat" ; and between these two quotations a perfect torrent of venomous phrases directed "at the learned ignorance of our recognised horticultural authorities, who observe Nature from the height of their university chairs," or at Monsieur Gaucher, "whose success has been the work of the vulgar and the dilettanti." And then followed an inappropriate, affected, and insincere regret that peasants who stole fruit and broke the branches could not nowadays be flogged. "It is beautiful, charming, healthy work, but even in this there is strife and passion," thought Kovrin, "I suppose that everywhere and in all careers men of ideas are nervous, and marked by exaggerated sensitiveness. Most likely it must be so." He thought of Tanya, who was so pleased with Yegor Semyonitch's articles. Small, pale, and so thin that her shoulder-blades stuck out, her eyes, wide and open, dark and intelligent, had an intent gaze, as though looking for something. She walked like her father with a little hurried step. She talked a great deal and was fond of arguing, accompanying every phrase, however insignificant, with expressive mimicry and gesticulation. No doubt she was nervous in the extreme. Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long. "But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations," he thought; and he felt happy again. He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the book did not satisfy him. He wanted something gigantic, unfathomable, stupendous. Towards morning he undressed and reluctantly went to bed: he ought to sleep. When he heard the footsteps of Yegor Semyonitch going out into the garden, Kovrin rang the bell and asked the | The Lady and the Dog and Other Stories (6) |
“Why, you’ll get a sunstroke; do take my hat.” | Archie Goodchum | he remarked, and turning round,<|quote|>“Why, you’ll get a sunstroke; do take my hat.”</|quote|>I demurred, he pressed the | hearts interlaced. “That’ll do nicely,” he remarked, and turning round,<|quote|>“Why, you’ll get a sunstroke; do take my hat.”</|quote|>I demurred, he pressed the matter, and I agreed on | proposal. “I will make it allegorical,” he remarked, setting to work. He was very deft with his penknife, and in a few minutes had carved S. P. M. and A. S. G., encircling the initials by a ring and two hearts interlaced. “That’ll do nicely,” he remarked, and turning round,<|quote|>“Why, you’ll get a sunstroke; do take my hat.”</|quote|>I demurred, he pressed the matter, and I agreed on condition he allowed me to tie his handkerchief over his head. I was wearing his hat and tying the ends of a big silk handkerchief beneath his chin when the cracking of a twig caused me to look up and | did the honours of the fern grots to my companion. We went on and on, soon getting out of sight of the others. “What do you say to my carving our names on a gum-tree, the bark is so nice and soft?” said the bank clerk; and I seconded the proposal. “I will make it allegorical,” he remarked, setting to work. He was very deft with his penknife, and in a few minutes had carved S. P. M. and A. S. G., encircling the initials by a ring and two hearts interlaced. “That’ll do nicely,” he remarked, and turning round,<|quote|>“Why, you’ll get a sunstroke; do take my hat.”</|quote|>I demurred, he pressed the matter, and I agreed on condition he allowed me to tie his handkerchief over his head. I was wearing his hat and tying the ends of a big silk handkerchief beneath his chin when the cracking of a twig caused me to look up and see Harold Beecham with an expression on his face that startled me. “Your aunt sent me on with your hood,” he said jerkily. “You can wear it—I’ve been promoted,” I said flippantly, raising my head-gear to him and bowing. He did not laugh as he usually did at my tricks, | said, making a suggestive move in my direction. I ran, and he followed, grannie reappearing from the dining-room just in time to see me bang the garden gate with great force on my pursuer. “What on earth is the girl doing now?” I heard her inquire. However, Mr Goodchum did not execute his threat; instead we walked along decorously in the direction of the nearest ferns, while Harold and aunt Helen followed, the latter carrying a sun-bonnet for me. After we had climbed some distance up a gully aunt Helen called out that she and Harold would rest while I did the honours of the fern grots to my companion. We went on and on, soon getting out of sight of the others. “What do you say to my carving our names on a gum-tree, the bark is so nice and soft?” said the bank clerk; and I seconded the proposal. “I will make it allegorical,” he remarked, setting to work. He was very deft with his penknife, and in a few minutes had carved S. P. M. and A. S. G., encircling the initials by a ring and two hearts interlaced. “That’ll do nicely,” he remarked, and turning round,<|quote|>“Why, you’ll get a sunstroke; do take my hat.”</|quote|>I demurred, he pressed the matter, and I agreed on condition he allowed me to tie his handkerchief over his head. I was wearing his hat and tying the ends of a big silk handkerchief beneath his chin when the cracking of a twig caused me to look up and see Harold Beecham with an expression on his face that startled me. “Your aunt sent me on with your hood,” he said jerkily. “You can wear it—I’ve been promoted,” I said flippantly, raising my head-gear to him and bowing. He did not laugh as he usually did at my tricks, but frowned darkly instead. “We’ve been carving our names—at least, I have,” remarked Goodchum. Harold tossed my sun-bonnet on the ground, and said shortly, “Come on, Goodchum, we must be going.” “Oh, don’t go, Mr Beecham. I thought you came on purpose for my birthday tea. Auntie has made me a tremendous cake. You must stay. We never dreamt of you doing anything else.” “I’ve changed my mind,” he replied, striding on at such a pace that we had difficulty in keeping near him. As we resumed our own head-wear, Goodchum whispered, “A bulldog ant must have stung the boss. | identity until now. It was right enough to be unearthed as Miss Melvyn, grand-daughter of Mrs Bossier of Caddagat, and great friend and intimate of the swell Beechams of Five-Bob Downs station. At Goulburn I was only the daughter of old Dick Melvyn, broken-down farmer-cockatoo, well known by reason of his sprees about the commonest pubs in town. Mr Goodchum told us it was his first experience of the country, and therefore he was enjoying himself immensely. He also mentioned that he was anxious to see some of the gullies around Caddagat, which, he had heard, were renowned for the beauty of their ferns. Aunt Helen, accordingly, proposed a walk in the direction of one of them, and hurried off to attend to a little matter before starting. While waiting for her, Harold happened to say it was my birthday, and Mr Goodchum tendered me the orthodox wishes, remarking, “It is surely pardonable at your time of life to ask what age you have attained today?” “Seventeen.” “Oh! oh! ‘sweet seventeen, and never been kissed’; but I suppose you cannot truthfully say that, Miss Melvyn?” “Oh yes, I can.” “Well, you won’t be able to say it much longer,” he said, making a suggestive move in my direction. I ran, and he followed, grannie reappearing from the dining-room just in time to see me bang the garden gate with great force on my pursuer. “What on earth is the girl doing now?” I heard her inquire. However, Mr Goodchum did not execute his threat; instead we walked along decorously in the direction of the nearest ferns, while Harold and aunt Helen followed, the latter carrying a sun-bonnet for me. After we had climbed some distance up a gully aunt Helen called out that she and Harold would rest while I did the honours of the fern grots to my companion. We went on and on, soon getting out of sight of the others. “What do you say to my carving our names on a gum-tree, the bark is so nice and soft?” said the bank clerk; and I seconded the proposal. “I will make it allegorical,” he remarked, setting to work. He was very deft with his penknife, and in a few minutes had carved S. P. M. and A. S. G., encircling the initials by a ring and two hearts interlaced. “That’ll do nicely,” he remarked, and turning round,<|quote|>“Why, you’ll get a sunstroke; do take my hat.”</|quote|>I demurred, he pressed the matter, and I agreed on condition he allowed me to tie his handkerchief over his head. I was wearing his hat and tying the ends of a big silk handkerchief beneath his chin when the cracking of a twig caused me to look up and see Harold Beecham with an expression on his face that startled me. “Your aunt sent me on with your hood,” he said jerkily. “You can wear it—I’ve been promoted,” I said flippantly, raising my head-gear to him and bowing. He did not laugh as he usually did at my tricks, but frowned darkly instead. “We’ve been carving our names—at least, I have,” remarked Goodchum. Harold tossed my sun-bonnet on the ground, and said shortly, “Come on, Goodchum, we must be going.” “Oh, don’t go, Mr Beecham. I thought you came on purpose for my birthday tea. Auntie has made me a tremendous cake. You must stay. We never dreamt of you doing anything else.” “I’ve changed my mind,” he replied, striding on at such a pace that we had difficulty in keeping near him. As we resumed our own head-wear, Goodchum whispered, “A bulldog ant must have stung the boss. Let’s ask him.” On reaching the house we found other company had arrived in the persons of young Mr Goodjay from Cummabella, his sister, her governess, and a couple of jackeroos. They were seated on the veranda, and uncle Jay-Jay, attired in his shirt-sleeves, was appearing through the dining-room door with half a dozen bottles of home-made ginger ale in his arms. Dumping them down on the floor, he produced a couple of tots from his shirt-pockets, saying, “Who votes for a draw of beer? Everyone must feel inclined for a swig. Harry, you want some; you don’t look as though the heat was good for your temper. Hullo, Archie! Got up this far. Take a draw out of one of these bottles. If there had been a dozen pubs on the road, I’d have drunk every one of ’em dry today. I never felt such a daddy of a thirst on me before.” “Good gracious, Julius!” exclaimed grannie, as he offered the governess a pot full of beer, “Miss Craddock can’t drink out of that pint.” “Those who don’t approve of my pints, let ’em bring their own,” said that mischievous uncle Jay-Jay, who was a great hand at | can assist me with these flowers. So might Mr Goodchum, if he feels disposed.” Harold accepted the proposal, and remarked: “What is the matter with your niece? It is the first time I ever saw her quiet.” “Yes; she is a noisy little article—a perfect whirlwind in the house—but she is a little tired this afternoon; she has been seeing those sheep through today.” “Don’t you think it would be a good lark if I get something and tickle her?” said Goodchum. “Yes, do,” said Harold; “but look out for squalls. She is a great little fizzer.” “Then she might be insulted.” “Not she,” interposed auntie. “No one will enjoy the fun more than herself.” I had my eyes half open beneath the net, so saw him cautiously approach with a rose-stem between his fingers. Being extremely sensitive to tickling, so soon as touched under the ear I took a flying leap from the chair somewhat disconcerting my tormentor. He was a pleasant-looking young fellow somewhere about twenty, whose face was quite familiar to me. He smiled so good-humouredly at me that I widely did the same in return, and he came forward with extended hand, exclaiming, “At last!” The others looked on in surprise, Harold remarking suspiciously, “You said you were unacquainted with Miss Melvyn, but an introduction does not seem necessary.” “Oh, yes it is,” chirped Mr Goodchum. “I haven’t the slightest idea of the young lady’s name.” “Don’t know each other!” ejaculated Harold; and grannie, who had appeared upon the scene, inquired stiffly what we meant by such capers if unacquainted. Mr Goodchum hastened to explain. “I have seen the young lady on several occasions in the bank where I am employed, and I had the good fortune to be of a little service to her one day when I was out biking. Her harness, or at least the harness on the horse she was driving, broke, and I came to the rescue with my pocket-knife and some string, thereby proving, if not ornamental, I was useful. After that I tried hard to find out who she was, but my inquiries always came to nothing. I little dreamt who Miss Melvyn was when Harry, telling me she was a Goulburn girl, asked if I knew her.” “Quite romantic,” said aunt Helen, smiling; and a great thankfulness overcame me that Mr Goodchum had been unable to discover my identity until now. It was right enough to be unearthed as Miss Melvyn, grand-daughter of Mrs Bossier of Caddagat, and great friend and intimate of the swell Beechams of Five-Bob Downs station. At Goulburn I was only the daughter of old Dick Melvyn, broken-down farmer-cockatoo, well known by reason of his sprees about the commonest pubs in town. Mr Goodchum told us it was his first experience of the country, and therefore he was enjoying himself immensely. He also mentioned that he was anxious to see some of the gullies around Caddagat, which, he had heard, were renowned for the beauty of their ferns. Aunt Helen, accordingly, proposed a walk in the direction of one of them, and hurried off to attend to a little matter before starting. While waiting for her, Harold happened to say it was my birthday, and Mr Goodchum tendered me the orthodox wishes, remarking, “It is surely pardonable at your time of life to ask what age you have attained today?” “Seventeen.” “Oh! oh! ‘sweet seventeen, and never been kissed’; but I suppose you cannot truthfully say that, Miss Melvyn?” “Oh yes, I can.” “Well, you won’t be able to say it much longer,” he said, making a suggestive move in my direction. I ran, and he followed, grannie reappearing from the dining-room just in time to see me bang the garden gate with great force on my pursuer. “What on earth is the girl doing now?” I heard her inquire. However, Mr Goodchum did not execute his threat; instead we walked along decorously in the direction of the nearest ferns, while Harold and aunt Helen followed, the latter carrying a sun-bonnet for me. After we had climbed some distance up a gully aunt Helen called out that she and Harold would rest while I did the honours of the fern grots to my companion. We went on and on, soon getting out of sight of the others. “What do you say to my carving our names on a gum-tree, the bark is so nice and soft?” said the bank clerk; and I seconded the proposal. “I will make it allegorical,” he remarked, setting to work. He was very deft with his penknife, and in a few minutes had carved S. P. M. and A. S. G., encircling the initials by a ring and two hearts interlaced. “That’ll do nicely,” he remarked, and turning round,<|quote|>“Why, you’ll get a sunstroke; do take my hat.”</|quote|>I demurred, he pressed the matter, and I agreed on condition he allowed me to tie his handkerchief over his head. I was wearing his hat and tying the ends of a big silk handkerchief beneath his chin when the cracking of a twig caused me to look up and see Harold Beecham with an expression on his face that startled me. “Your aunt sent me on with your hood,” he said jerkily. “You can wear it—I’ve been promoted,” I said flippantly, raising my head-gear to him and bowing. He did not laugh as he usually did at my tricks, but frowned darkly instead. “We’ve been carving our names—at least, I have,” remarked Goodchum. Harold tossed my sun-bonnet on the ground, and said shortly, “Come on, Goodchum, we must be going.” “Oh, don’t go, Mr Beecham. I thought you came on purpose for my birthday tea. Auntie has made me a tremendous cake. You must stay. We never dreamt of you doing anything else.” “I’ve changed my mind,” he replied, striding on at such a pace that we had difficulty in keeping near him. As we resumed our own head-wear, Goodchum whispered, “A bulldog ant must have stung the boss. Let’s ask him.” On reaching the house we found other company had arrived in the persons of young Mr Goodjay from Cummabella, his sister, her governess, and a couple of jackeroos. They were seated on the veranda, and uncle Jay-Jay, attired in his shirt-sleeves, was appearing through the dining-room door with half a dozen bottles of home-made ginger ale in his arms. Dumping them down on the floor, he produced a couple of tots from his shirt-pockets, saying, “Who votes for a draw of beer? Everyone must feel inclined for a swig. Harry, you want some; you don’t look as though the heat was good for your temper. Hullo, Archie! Got up this far. Take a draw out of one of these bottles. If there had been a dozen pubs on the road, I’d have drunk every one of ’em dry today. I never felt such a daddy of a thirst on me before.” “Good gracious, Julius!” exclaimed grannie, as he offered the governess a pot full of beer, “Miss Craddock can’t drink out of that pint.” “Those who don’t approve of my pints, let ’em bring their own,” said that mischievous uncle Jay-Jay, who was a great hand at acting the clown when he felt that way inclined. I was dispatched for glasses, and after emptying the bottles uncle proposed a game of tennis first, while the light lasted, and tea afterwards. This proposition being carried with acclamation, we proceeded to the tennis court. Harold came too—he had apparently altered his intention of going home immediately. There were strawberries to be had in the orchard, also some late cherries, so uncle ordered me to go and get some. I procured a basket, and willingly agreed to obey him. Mr Goodchum offered to accompany me, but Harold stepped forward saying he would go, in such a resolute tragic manner that Goodchum winked audaciously, saying waggishly, “Behold, the hero descends into the burning mine!” CHAPTER TWENTY-THREE Ah, For One Hour of Burning Love, ’Tis Worth an Age of Cold Respect! We walked in perfect silence, Harold not offering to carry my little basket. I did not dare lift my eyes, as something told me the face of the big man would not be pleasant to look upon just then. I twirled the ring he had given me round and round my finger. I occasionally put it on, wearing the stones on the palm-side of my finger, so that it would not be taken for other than one of two or three aunt Helen had lent me, saying I was at liberty to use them while at Caddagat, if it gave me any pleasure. The Caddagat orchard contained six acres, and being a narrow enclosure, and the cherries growing at the extreme end from the house, it took us some time to reach them. I led the way to our destination—a secluded nook where grape-vines clambered up fig-trees, and where the top of gooseberry bushes met the lower limbs of cherry-trees. Blue and yellow lupins stood knee-high, and strawberries grew wild among them. We had not uttered a sound, and I had not glanced at my companion. I stopped; he wheeled abruptly and grasped my wrist in a manner which sent the basket whirling from my hand. I looked up at his face, which was blazing with passion, and dark with a darker tinge than Nature and the sun had given it, from the shapely swelling neck, in its soft well-turned-down collar, to where the stiff black hair, wet with perspiration, hung on the wide forehead. “Unhand me, sir!” I said shortly, | I can.” “Well, you won’t be able to say it much longer,” he said, making a suggestive move in my direction. I ran, and he followed, grannie reappearing from the dining-room just in time to see me bang the garden gate with great force on my pursuer. “What on earth is the girl doing now?” I heard her inquire. However, Mr Goodchum did not execute his threat; instead we walked along decorously in the direction of the nearest ferns, while Harold and aunt Helen followed, the latter carrying a sun-bonnet for me. After we had climbed some distance up a gully aunt Helen called out that she and Harold would rest while I did the honours of the fern grots to my companion. We went on and on, soon getting out of sight of the others. “What do you say to my carving our names on a gum-tree, the bark is so nice and soft?” said the bank clerk; and I seconded the proposal. “I will make it allegorical,” he remarked, setting to work. He was very deft with his penknife, and in a few minutes had carved S. P. M. and A. S. G., encircling the initials by a ring and two hearts interlaced. “That’ll do nicely,” he remarked, and turning round,<|quote|>“Why, you’ll get a sunstroke; do take my hat.”</|quote|>I demurred, he pressed the matter, and I agreed on condition he allowed me to tie his handkerchief over his head. I was wearing his hat and tying the ends of a big silk handkerchief beneath his chin when the cracking of a twig caused me to look up and see Harold Beecham with an expression on his face that startled me. “Your aunt sent me on with your hood,” he said jerkily. “You can wear it—I’ve been promoted,” I said flippantly, raising my head-gear to him and bowing. He did not laugh as he usually did at my tricks, but frowned darkly instead. “We’ve been carving our names—at least, I have,” remarked Goodchum. Harold tossed my sun-bonnet on the ground, and said shortly, “Come on, Goodchum, we must be going.” “Oh, don’t go, Mr Beecham. I thought you came on purpose for my birthday tea. Auntie has made me a tremendous cake. You must stay. We never dreamt of you doing anything else.” “I’ve changed my mind,” he replied, striding on at such a pace that we had difficulty in keeping near him. As we resumed our own head-wear, Goodchum whispered, “A bulldog ant must have stung the boss. Let’s ask him.” On reaching the house we found other company had arrived in the persons of young Mr Goodjay from Cummabella, his sister, her governess, and a couple of jackeroos. They were seated on the veranda, and uncle Jay-Jay, attired in his shirt-sleeves, was appearing through the dining-room door with half a dozen bottles of home-made ginger ale in his arms. Dumping them down on the floor, he produced a couple of tots from his shirt-pockets, saying, “Who votes for a draw of beer? Everyone must feel inclined for a swig. Harry, you want some; you don’t look as though the heat was good for your temper. Hullo, Archie! Got up this far. Take a draw out of one of these bottles. If there had been a dozen pubs on the road, I’d have drunk every one of ’em dry today. I never felt such a daddy of a thirst on me before.” “Good gracious, Julius!” exclaimed grannie, as he offered the governess a pot full of beer, “Miss Craddock can’t drink out of that pint.” “Those who don’t approve of my pints, let ’em bring their own,” said that mischievous uncle Jay-Jay, who was a great hand at acting the clown when he felt that way inclined. I was dispatched for glasses, and after emptying the bottles uncle proposed a game of tennis first, while the light lasted, and tea afterwards. This proposition being carried | My Brilliant Career |
replied the little invalid: with a look of great astonishment. | No speaker | "My name is Oliver, sir,"<|quote|>replied the little invalid: with a look of great astonishment.</|quote|>"Oliver," said Mr. Brownlow; "Oliver | Wouldn't they, Tom White, eh?" "My name is Oliver, sir,"<|quote|>replied the little invalid: with a look of great astonishment.</|quote|>"Oliver," said Mr. Brownlow; "Oliver what? Oliver White, eh?" "No, | to intimate that between slops, and broth will compounded, there existed no affinity or connection whatsoever. "Ugh!" said Mr. Brownlow, with a slight shudder; "a couple of glasses of port wine would have done him a great deal more good. Wouldn't they, Tom White, eh?" "My name is Oliver, sir,"<|quote|>replied the little invalid: with a look of great astonishment.</|quote|>"Oliver," said Mr. Brownlow; "Oliver what? Oliver White, eh?" "No, sir, Twist, Oliver Twist." "Queer name!" said the old gentleman. "What made you tell the magistrate your name was White?" "I never told him so, sir," returned Oliver in amazement. This sounded so like a falsehood, that the old gentleman | grateful indeed, sir, for your goodness to me." "Good by," said Mr. Brownlow, stoutly. "Have you given him any nourishment, Bedwin? Any slops, eh?" "He has just had a basin of beautiful strong broth, sir," replied Mrs. Bedwin: drawing herself up slightly, and laying strong emphasis on the last word: to intimate that between slops, and broth will compounded, there existed no affinity or connection whatsoever. "Ugh!" said Mr. Brownlow, with a slight shudder; "a couple of glasses of port wine would have done him a great deal more good. Wouldn't they, Tom White, eh?" "My name is Oliver, sir,"<|quote|>replied the little invalid: with a look of great astonishment.</|quote|>"Oliver," said Mr. Brownlow; "Oliver what? Oliver White, eh?" "No, sir, Twist, Oliver Twist." "Queer name!" said the old gentleman. "What made you tell the magistrate your name was White?" "I never told him so, sir," returned Oliver in amazement. This sounded so like a falsehood, that the old gentleman looked somewhat sternly in Oliver's face. It was impossible to doubt him; there was truth in every one of its thin and sharpened lineaments. "Some mistake," said Mr. Brownlow. But, although his motive for looking steadily at Oliver no longer existed, the old idea of the resemblance between his features | supply of tears into his eyes, by some hydraulic process which we are not sufficiently philosophical to be in a condition to explain. "Poor boy, poor boy!" said Mr. Brownlow, clearing his throat. "I'm rather hoarse this morning, Mrs. Bedwin. I'm afraid I have caught cold." "I hope not, sir," said Mrs. Bedwin. "Everything you have had, has been well aired, sir." "I don't know, Bedwin. I don't know," said Mr. Brownlow; "I rather think I had a damp napkin at dinner-time yesterday; but never mind that. How do you feel, my dear?" "Very happy, sir," replied Oliver. "And very grateful indeed, sir, for your goodness to me." "Good by," said Mr. Brownlow, stoutly. "Have you given him any nourishment, Bedwin? Any slops, eh?" "He has just had a basin of beautiful strong broth, sir," replied Mrs. Bedwin: drawing herself up slightly, and laying strong emphasis on the last word: to intimate that between slops, and broth will compounded, there existed no affinity or connection whatsoever. "Ugh!" said Mr. Brownlow, with a slight shudder; "a couple of glasses of port wine would have done him a great deal more good. Wouldn't they, Tom White, eh?" "My name is Oliver, sir,"<|quote|>replied the little invalid: with a look of great astonishment.</|quote|>"Oliver," said Mr. Brownlow; "Oliver what? Oliver White, eh?" "No, sir, Twist, Oliver Twist." "Queer name!" said the old gentleman. "What made you tell the magistrate your name was White?" "I never told him so, sir," returned Oliver in amazement. This sounded so like a falsehood, that the old gentleman looked somewhat sternly in Oliver's face. It was impossible to doubt him; there was truth in every one of its thin and sharpened lineaments. "Some mistake," said Mr. Brownlow. But, although his motive for looking steadily at Oliver no longer existed, the old idea of the resemblance between his features and some familiar face came upon him so strongly, that he could not withdraw his gaze. "I hope you are not angry with me, sir?" said Oliver, raising his eyes beseechingly. "No, no," replied the old gentleman. "Why! what's this? Bedwin, look there!" As he spoke, he pointed hastily to the picture over Oliver's head, and then to the boy's face. There was its living copy. The eyes, the head, the mouth; every feature was the same. The expression was, for the instant, so precisely alike, that the minutest line seemed copied with startling accuracy! Oliver knew not the cause | he had not altered his position; but he thought it better not to worry the kind old lady; so he smiled gently when she looked at him; and Mrs. Bedwin, satisfied that he felt more comfortable, salted and broke bits of toasted bread into the broth, with all the bustle befitting so solemn a preparation. Oliver got through it with extraordinary expedition. He had scarcely swallowed the last spoonful, when there came a soft rap at the door. "Come in," said the old lady; and in walked Mr. Brownlow. Now, the old gentleman came in as brisk as need be; but, he had no sooner raised his spectacles on his forehead, and thrust his hands behind the skirts of his dressing-gown to take a good long look at Oliver, than his countenance underwent a very great variety of odd contortions. Oliver looked very worn and shadowy from sickness, and made an ineffectual attempt to stand up, out of respect to his benefactor, which terminated in his sinking back into the chair again; and the fact is, if the truth must be told, that Mr. Brownlow's heart, being large enough for any six ordinary old gentlemen of humane disposition, forced a supply of tears into his eyes, by some hydraulic process which we are not sufficiently philosophical to be in a condition to explain. "Poor boy, poor boy!" said Mr. Brownlow, clearing his throat. "I'm rather hoarse this morning, Mrs. Bedwin. I'm afraid I have caught cold." "I hope not, sir," said Mrs. Bedwin. "Everything you have had, has been well aired, sir." "I don't know, Bedwin. I don't know," said Mr. Brownlow; "I rather think I had a damp napkin at dinner-time yesterday; but never mind that. How do you feel, my dear?" "Very happy, sir," replied Oliver. "And very grateful indeed, sir, for your goodness to me." "Good by," said Mr. Brownlow, stoutly. "Have you given him any nourishment, Bedwin? Any slops, eh?" "He has just had a basin of beautiful strong broth, sir," replied Mrs. Bedwin: drawing herself up slightly, and laying strong emphasis on the last word: to intimate that between slops, and broth will compounded, there existed no affinity or connection whatsoever. "Ugh!" said Mr. Brownlow, with a slight shudder; "a couple of glasses of port wine would have done him a great deal more good. Wouldn't they, Tom White, eh?" "My name is Oliver, sir,"<|quote|>replied the little invalid: with a look of great astonishment.</|quote|>"Oliver," said Mr. Brownlow; "Oliver what? Oliver White, eh?" "No, sir, Twist, Oliver Twist." "Queer name!" said the old gentleman. "What made you tell the magistrate your name was White?" "I never told him so, sir," returned Oliver in amazement. This sounded so like a falsehood, that the old gentleman looked somewhat sternly in Oliver's face. It was impossible to doubt him; there was truth in every one of its thin and sharpened lineaments. "Some mistake," said Mr. Brownlow. But, although his motive for looking steadily at Oliver no longer existed, the old idea of the resemblance between his features and some familiar face came upon him so strongly, that he could not withdraw his gaze. "I hope you are not angry with me, sir?" said Oliver, raising his eyes beseechingly. "No, no," replied the old gentleman. "Why! what's this? Bedwin, look there!" As he spoke, he pointed hastily to the picture over Oliver's head, and then to the boy's face. There was its living copy. The eyes, the head, the mouth; every feature was the same. The expression was, for the instant, so precisely alike, that the minutest line seemed copied with startling accuracy! Oliver knew not the cause of this sudden exclamation; for, not being strong enough to bear the start it gave him, he fainted away. A weakness on his part, which affords the narrative an opportunity of relieving the reader from suspense, in behalf of the two young pupils of the Merry Old Gentleman; and of recording That when the Dodger, and his accomplished friend Master Bates, joined in the hue-and-cry which was raised at Oliver's heels, in consequence of their executing an illegal conveyance of Mr. Brownlow's personal property, as has been already described, they were actuated by a very laudable and becoming regard for themselves; and forasmuch as the freedom of the subject and the liberty of the individual are among the first and proudest boasts of a true-hearted Englishman, so, I need hardly beg the reader to observe, that this action should tend to exalt them in the opinion of all public and patriotic men, in almost as great a degree as this strong proof of their anxiety for their own preservation and safety goes to corroborate and confirm the little code of laws which certain profound and sound-judging philosophers have laid down as the main-springs of all Nature's deeds and actions: the | doctor says Mr. Brownlow may come in to see you this morning; and we must get up our best looks, because the better we look, the more he'll be pleased." And with this, the old lady applied herself to warming up, in a little saucepan, a basin full of broth: strong enough, Oliver thought, to furnish an ample dinner, when reduced to the regulation strength, for three hundred and fifty paupers, at the lowest computation. "Are you fond of pictures, dear?" inquired the old lady, seeing that Oliver had fixed his eyes, most intently, on a portrait which hung against the wall; just opposite his chair. "I don't quite know, ma'am," said Oliver, without taking his eyes from the canvas; "I have seen so few that I hardly know. What a beautiful, mild face that lady's is!" "Ah!" said the old lady, "painters always make ladies out prettier than they are, or they wouldn't get any custom, child. The man that invented the machine for taking likenesses might have known that would never succeed; it's a deal too honest. A deal," said the old lady, laughing very heartily at her own acuteness. "Is is that a likeness, ma'am?" said Oliver. "Yes," said the old lady, looking up for a moment from the broth; "that's a portrait." "Whose, ma'am?" asked Oliver. "Why, really, my dear, I don't know," answered the old lady in a good-humoured manner. "It's not a likeness of anybody that you or I know, I expect. It seems to strike your fancy, dear." "It is so pretty," replied Oliver. "Why, sure you're not afraid of it?" said the old lady: observing in great surprise, the look of awe with which the child regarded the painting. "Oh no, no," returned Oliver quickly; "but the eyes look so sorrowful; and where I sit, they seem fixed upon me. It makes my heart beat," added Oliver in a low voice, "as if it was alive, and wanted to speak to me, but couldn't." "Lord save us!" exclaimed the old lady, starting; "don't talk in that way, child. You're weak and nervous after your illness. Let me wheel your chair round to the other side; and then you won't see it. There!" said the old lady, suiting the action to the word; "you don't see it now, at all events." Oliver _did_ see it in his mind's eye as distinctly as if he had not altered his position; but he thought it better not to worry the kind old lady; so he smiled gently when she looked at him; and Mrs. Bedwin, satisfied that he felt more comfortable, salted and broke bits of toasted bread into the broth, with all the bustle befitting so solemn a preparation. Oliver got through it with extraordinary expedition. He had scarcely swallowed the last spoonful, when there came a soft rap at the door. "Come in," said the old lady; and in walked Mr. Brownlow. Now, the old gentleman came in as brisk as need be; but, he had no sooner raised his spectacles on his forehead, and thrust his hands behind the skirts of his dressing-gown to take a good long look at Oliver, than his countenance underwent a very great variety of odd contortions. Oliver looked very worn and shadowy from sickness, and made an ineffectual attempt to stand up, out of respect to his benefactor, which terminated in his sinking back into the chair again; and the fact is, if the truth must be told, that Mr. Brownlow's heart, being large enough for any six ordinary old gentlemen of humane disposition, forced a supply of tears into his eyes, by some hydraulic process which we are not sufficiently philosophical to be in a condition to explain. "Poor boy, poor boy!" said Mr. Brownlow, clearing his throat. "I'm rather hoarse this morning, Mrs. Bedwin. I'm afraid I have caught cold." "I hope not, sir," said Mrs. Bedwin. "Everything you have had, has been well aired, sir." "I don't know, Bedwin. I don't know," said Mr. Brownlow; "I rather think I had a damp napkin at dinner-time yesterday; but never mind that. How do you feel, my dear?" "Very happy, sir," replied Oliver. "And very grateful indeed, sir, for your goodness to me." "Good by," said Mr. Brownlow, stoutly. "Have you given him any nourishment, Bedwin? Any slops, eh?" "He has just had a basin of beautiful strong broth, sir," replied Mrs. Bedwin: drawing herself up slightly, and laying strong emphasis on the last word: to intimate that between slops, and broth will compounded, there existed no affinity or connection whatsoever. "Ugh!" said Mr. Brownlow, with a slight shudder; "a couple of glasses of port wine would have done him a great deal more good. Wouldn't they, Tom White, eh?" "My name is Oliver, sir,"<|quote|>replied the little invalid: with a look of great astonishment.</|quote|>"Oliver," said Mr. Brownlow; "Oliver what? Oliver White, eh?" "No, sir, Twist, Oliver Twist." "Queer name!" said the old gentleman. "What made you tell the magistrate your name was White?" "I never told him so, sir," returned Oliver in amazement. This sounded so like a falsehood, that the old gentleman looked somewhat sternly in Oliver's face. It was impossible to doubt him; there was truth in every one of its thin and sharpened lineaments. "Some mistake," said Mr. Brownlow. But, although his motive for looking steadily at Oliver no longer existed, the old idea of the resemblance between his features and some familiar face came upon him so strongly, that he could not withdraw his gaze. "I hope you are not angry with me, sir?" said Oliver, raising his eyes beseechingly. "No, no," replied the old gentleman. "Why! what's this? Bedwin, look there!" As he spoke, he pointed hastily to the picture over Oliver's head, and then to the boy's face. There was its living copy. The eyes, the head, the mouth; every feature was the same. The expression was, for the instant, so precisely alike, that the minutest line seemed copied with startling accuracy! Oliver knew not the cause of this sudden exclamation; for, not being strong enough to bear the start it gave him, he fainted away. A weakness on his part, which affords the narrative an opportunity of relieving the reader from suspense, in behalf of the two young pupils of the Merry Old Gentleman; and of recording That when the Dodger, and his accomplished friend Master Bates, joined in the hue-and-cry which was raised at Oliver's heels, in consequence of their executing an illegal conveyance of Mr. Brownlow's personal property, as has been already described, they were actuated by a very laudable and becoming regard for themselves; and forasmuch as the freedom of the subject and the liberty of the individual are among the first and proudest boasts of a true-hearted Englishman, so, I need hardly beg the reader to observe, that this action should tend to exalt them in the opinion of all public and patriotic men, in almost as great a degree as this strong proof of their anxiety for their own preservation and safety goes to corroborate and confirm the little code of laws which certain profound and sound-judging philosophers have laid down as the main-springs of all Nature's deeds and actions: the said philosophers very wisely reducing the good lady's proceedings to matters of maxim and theory: and, by a very neat and pretty compliment to her exalted wisdom and understanding, putting entirely out of sight any considerations of heart, or generous impulse and feeling. For, these are matters totally beneath a female who is acknowledged by universal admission to be far above the numerous little foibles and weaknesses of her sex. If I wanted any further proof of the strictly philosophical nature of the conduct of these young gentlemen in their very delicate predicament, I should at once find it in the fact (also recorded in a foregoing part of this narrative), of their quitting the pursuit, when the general attention was fixed upon Oliver; and making immediately for their home by the shortest possible cut. Although I do not mean to assert that it is usually the practice of renowned and learned sages, to shorten the road to any great conclusion (their course indeed being rather to lengthen the distance, by various circumlocutions and discursive staggerings, like unto those in which drunken men under the pressure of a too mighty flow of ideas, are prone to indulge); still, I do mean to say, and do say distinctly, that it is the invariable practice of many mighty philosophers, in carrying out their theories, to evince great wisdom and foresight in providing against every possible contingency which can be supposed at all likely to affect themselves. Thus, to do a great right, you may do a little wrong; and you may take any means which the end to be attained, will justify; the amount of the right, or the amount of the wrong, or indeed the distinction between the two, being left entirely to the philosopher concerned, to be settled and determined by his clear, comprehensive, and impartial view of his own particular case. It was not until the two boys had scoured, with great rapidity, through a most intricate maze of narrow streets and courts, that they ventured to halt beneath a low and dark archway. Having remained silent here, just long enough to recover breath to speak, Master Bates uttered an exclamation of amusement and delight; and, bursting into an uncontrollable fit of laughter, flung himself upon a doorstep, and rolled thereon in a transport of mirth. "What's the matter?" inquired the Dodger. "Ha! ha! ha!" roared Charley Bates. "Hold | is so pretty," replied Oliver. "Why, sure you're not afraid of it?" said the old lady: observing in great surprise, the look of awe with which the child regarded the painting. "Oh no, no," returned Oliver quickly; "but the eyes look so sorrowful; and where I sit, they seem fixed upon me. It makes my heart beat," added Oliver in a low voice, "as if it was alive, and wanted to speak to me, but couldn't." "Lord save us!" exclaimed the old lady, starting; "don't talk in that way, child. You're weak and nervous after your illness. Let me wheel your chair round to the other side; and then you won't see it. There!" said the old lady, suiting the action to the word; "you don't see it now, at all events." Oliver _did_ see it in his mind's eye as distinctly as if he had not altered his position; but he thought it better not to worry the kind old lady; so he smiled gently when she looked at him; and Mrs. Bedwin, satisfied that he felt more comfortable, salted and broke bits of toasted bread into the broth, with all the bustle befitting so solemn a preparation. Oliver got through it with extraordinary expedition. He had scarcely swallowed the last spoonful, when there came a soft rap at the door. "Come in," said the old lady; and in walked Mr. Brownlow. Now, the old gentleman came in as brisk as need be; but, he had no sooner raised his spectacles on his forehead, and thrust his hands behind the skirts of his dressing-gown to take a good long look at Oliver, than his countenance underwent a very great variety of odd contortions. Oliver looked very worn and shadowy from sickness, and made an ineffectual attempt to stand up, out of respect to his benefactor, which terminated in his sinking back into the chair again; and the fact is, if the truth must be told, that Mr. Brownlow's heart, being large enough for any six ordinary old gentlemen of humane disposition, forced a supply of tears into his eyes, by some hydraulic process which we are not sufficiently philosophical to be in a condition to explain. "Poor boy, poor boy!" said Mr. Brownlow, clearing his throat. "I'm rather hoarse this morning, Mrs. Bedwin. I'm afraid I have caught cold." "I hope not, sir," said Mrs. Bedwin. "Everything you have had, has been well aired, sir." "I don't know, Bedwin. I don't know," said Mr. Brownlow; "I rather think I had a damp napkin at dinner-time yesterday; but never mind that. How do you feel, my dear?" "Very happy, sir," replied Oliver. "And very grateful indeed, sir, for your goodness to me." "Good by," said Mr. Brownlow, stoutly. "Have you given him any nourishment, Bedwin? Any slops, eh?" "He has just had a basin of beautiful strong broth, sir," replied Mrs. Bedwin: drawing herself up slightly, and laying strong emphasis on the last word: to intimate that between slops, and broth will compounded, there existed no affinity or connection whatsoever. "Ugh!" said Mr. Brownlow, with a slight shudder; "a couple of glasses of port wine would have done him a great deal more good. Wouldn't they, Tom White, eh?" "My name is Oliver, sir,"<|quote|>replied the little invalid: with a look of great astonishment.</|quote|>"Oliver," said Mr. Brownlow; "Oliver what? Oliver White, eh?" "No, sir, Twist, Oliver Twist." "Queer name!" said the old gentleman. "What made you tell the magistrate your name was White?" "I never told him so, sir," returned Oliver in amazement. This sounded so like a falsehood, that the old gentleman looked somewhat sternly in Oliver's face. It was impossible to doubt him; there was truth in every one of its thin and sharpened lineaments. "Some mistake," said Mr. Brownlow. But, although his motive for looking steadily at Oliver no longer existed, the old idea of the resemblance between his features and some familiar face came upon him so strongly, that he could not withdraw his gaze. "I hope you are not angry with me, sir?" said Oliver, raising his eyes beseechingly. "No, no," replied the old gentleman. "Why! what's this? Bedwin, look there!" As he spoke, he pointed hastily to the picture over Oliver's head, and then to the boy's face. There was its living copy. The eyes, the head, the mouth; every feature was the same. The expression was, for the instant, so precisely alike, that the minutest line seemed copied with startling accuracy! Oliver knew not the cause of this sudden exclamation; for, not being strong enough to bear the start it gave him, | Oliver Twist |
Kitty, a fair but frozen maid. | No speaker | could recollect more of it."<|quote|>Kitty, a fair but frozen maid.</|quote|>"The name makes me think | "Aye, very true.--I wish I could recollect more of it."<|quote|>Kitty, a fair but frozen maid.</|quote|>"The name makes me think of poor Isabella; for she | is very clever all the way through. But I think, my dear, you said you had got it." "Yes, papa, it is written out in our second page. We copied it from the Elegant Extracts. It was Garrick's, you know." "Aye, very true.--I wish I could recollect more of it."<|quote|>Kitty, a fair but frozen maid.</|quote|>"The name makes me think of poor Isabella; for she was very near being christened Catherine after her grandmama. I hope we shall have her here next week. Have you thought, my dear, where you shall put her--and what room there will be for the children?" "Oh! yes--she will have | recollect the first stanza; and there are several." Kitty, a fair but frozen maid, Kindled a flame I yet deplore, The hood-wink'd boy I called to aid, Though of his near approach afraid, So fatal to my suit before. "And that is all that I can recollect of it--but it is very clever all the way through. But I think, my dear, you said you had got it." "Yes, papa, it is written out in our second page. We copied it from the Elegant Extracts. It was Garrick's, you know." "Aye, very true.--I wish I could recollect more of it."<|quote|>Kitty, a fair but frozen maid.</|quote|>"The name makes me think of poor Isabella; for she was very near being christened Catherine after her grandmama. I hope we shall have her here next week. Have you thought, my dear, where you shall put her--and what room there will be for the children?" "Oh! yes--she will have her own room, of course; the room she always has;--and there is the nursery for the children,--just as usual, you know. Why should there be any change?" "I do not know, my dear--but it is so long since she was here!--not since last Easter, and then only for a few | conclusion. "Aye, that's very just, indeed, that's very properly said. Very true." 'Woman, lovely woman.' "It is such a pretty charade, my dear, that I can easily guess what fairy brought it.--Nobody could have written so prettily, but you, Emma." Emma only nodded, and smiled.--After a little thinking, and a very tender sigh, he added, "Ah! it is no difficulty to see who you take after! Your dear mother was so clever at all those things! If I had but her memory! But I can remember nothing;--not even that particular riddle which you have heard me mention; I can only recollect the first stanza; and there are several." Kitty, a fair but frozen maid, Kindled a flame I yet deplore, The hood-wink'd boy I called to aid, Though of his near approach afraid, So fatal to my suit before. "And that is all that I can recollect of it--but it is very clever all the way through. But I think, my dear, you said you had got it." "Yes, papa, it is written out in our second page. We copied it from the Elegant Extracts. It was Garrick's, you know." "Aye, very true.--I wish I could recollect more of it."<|quote|>Kitty, a fair but frozen maid.</|quote|>"The name makes me think of poor Isabella; for she was very near being christened Catherine after her grandmama. I hope we shall have her here next week. Have you thought, my dear, where you shall put her--and what room there will be for the children?" "Oh! yes--she will have her own room, of course; the room she always has;--and there is the nursery for the children,--just as usual, you know. Why should there be any change?" "I do not know, my dear--but it is so long since she was here!--not since last Easter, and then only for a few days.--Mr. John Knightley's being a lawyer is very inconvenient.--Poor Isabella!--she is sadly taken away from us all!--and how sorry she will be when she comes, not to see Miss Taylor here!" "She will not be surprized, papa, at least." "I do not know, my dear. I am sure I was very much surprized when I first heard she was going to be married." "We must ask Mr. and Mrs. Weston to dine with us, while Isabella is here." "Yes, my dear, if there is time.--But--" (in a very depressed tone) "--she is coming for only one week. There will not | affixed to it. Do not be overpowered by such a little tribute of admiration. If he had been anxious for secrecy, he would not have left the paper while I was by; but he rather pushed it towards me than towards you. Do not let us be too solemn on the business. He has encouragement enough to proceed, without our sighing out our souls over this charade." "Oh! no--I hope I shall not be ridiculous about it. Do as you please." Mr. Woodhouse came in, and very soon led to the subject again, by the recurrence of his very frequent inquiry of "Well, my dears, how does your book go on?--Have you got any thing fresh?" "Yes, papa; we have something to read you, something quite fresh. A piece of paper was found on the table this morning--(dropt, we suppose, by a fairy)--containing a very pretty charade, and we have just copied it in." She read it to him, just as he liked to have any thing read, slowly and distinctly, and two or three times over, with explanations of every part as she proceeded--and he was very much pleased, and, as she had foreseen, especially struck with the complimentary conclusion. "Aye, that's very just, indeed, that's very properly said. Very true." 'Woman, lovely woman.' "It is such a pretty charade, my dear, that I can easily guess what fairy brought it.--Nobody could have written so prettily, but you, Emma." Emma only nodded, and smiled.--After a little thinking, and a very tender sigh, he added, "Ah! it is no difficulty to see who you take after! Your dear mother was so clever at all those things! If I had but her memory! But I can remember nothing;--not even that particular riddle which you have heard me mention; I can only recollect the first stanza; and there are several." Kitty, a fair but frozen maid, Kindled a flame I yet deplore, The hood-wink'd boy I called to aid, Though of his near approach afraid, So fatal to my suit before. "And that is all that I can recollect of it--but it is very clever all the way through. But I think, my dear, you said you had got it." "Yes, papa, it is written out in our second page. We copied it from the Elegant Extracts. It was Garrick's, you know." "Aye, very true.--I wish I could recollect more of it."<|quote|>Kitty, a fair but frozen maid.</|quote|>"The name makes me think of poor Isabella; for she was very near being christened Catherine after her grandmama. I hope we shall have her here next week. Have you thought, my dear, where you shall put her--and what room there will be for the children?" "Oh! yes--she will have her own room, of course; the room she always has;--and there is the nursery for the children,--just as usual, you know. Why should there be any change?" "I do not know, my dear--but it is so long since she was here!--not since last Easter, and then only for a few days.--Mr. John Knightley's being a lawyer is very inconvenient.--Poor Isabella!--she is sadly taken away from us all!--and how sorry she will be when she comes, not to see Miss Taylor here!" "She will not be surprized, papa, at least." "I do not know, my dear. I am sure I was very much surprized when I first heard she was going to be married." "We must ask Mr. and Mrs. Weston to dine with us, while Isabella is here." "Yes, my dear, if there is time.--But--" (in a very depressed tone) "--she is coming for only one week. There will not be time for any thing." "It is unfortunate that they cannot stay longer--but it seems a case of necessity. Mr. John Knightley must be in town again on the 28th, and we ought to be thankful, papa, that we are to have the whole of the time they can give to the country, that two or three days are not to be taken out for the Abbey. Mr. Knightley promises to give up his claim this Christmas--though you know it is longer since they were with him, than with us." "It would be very hard, indeed, my dear, if poor Isabella were to be anywhere but at Hartfield." Mr. Woodhouse could never allow for Mr. Knightley's claims on his brother, or any body's claims on Isabella, except his own. He sat musing a little while, and then said, "But I do not see why poor Isabella should be obliged to go back so soon, though he does. I think, Emma, I shall try and persuade her to stay longer with us. She and the children might stay very well." "Ah! papa--that is what you never have been able to accomplish, and I do not think you ever will. Isabella cannot | or say I have found it out?--Oh! Miss Woodhouse, what can we do about that?" "Leave it to me. You do nothing. He will be here this evening, I dare say, and then I will give it him back, and some nonsense or other will pass between us, and you shall not be committed.--Your soft eyes shall chuse their own time for beaming. Trust to me." "Oh! Miss Woodhouse, what a pity that I must not write this beautiful charade into my book! I am sure I have not got one half so good." "Leave out the two last lines, and there is no reason why you should not write it into your book." "Oh! but those two lines are" "-- --" "The best of all. Granted;--for private enjoyment; and for private enjoyment keep them. They are not at all the less written you know, because you divide them. The couplet does not cease to be, nor does its meaning change. But take it away, and all _appropriation_ ceases, and a very pretty gallant charade remains, fit for any collection. Depend upon it, he would not like to have his charade slighted, much better than his passion. A poet in love must be encouraged in both capacities, or neither. Give me the book, I will write it down, and then there can be no possible reflection on you." Harriet submitted, though her mind could hardly separate the parts, so as to feel quite sure that her friend were not writing down a declaration of love. It seemed too precious an offering for any degree of publicity. "I shall never let that book go out of my own hands," said she. "Very well," replied Emma; "a most natural feeling; and the longer it lasts, the better I shall be pleased. But here is my father coming: you will not object to my reading the charade to him. It will be giving him so much pleasure! He loves any thing of the sort, and especially any thing that pays woman a compliment. He has the tenderest spirit of gallantry towards us all!--You must let me read it to him." Harriet looked grave. "My dear Harriet, you must not refine too much upon this charade.--You will betray your feelings improperly, if you are too conscious and too quick, and appear to affix more meaning, or even quite all the meaning which may be affixed to it. Do not be overpowered by such a little tribute of admiration. If he had been anxious for secrecy, he would not have left the paper while I was by; but he rather pushed it towards me than towards you. Do not let us be too solemn on the business. He has encouragement enough to proceed, without our sighing out our souls over this charade." "Oh! no--I hope I shall not be ridiculous about it. Do as you please." Mr. Woodhouse came in, and very soon led to the subject again, by the recurrence of his very frequent inquiry of "Well, my dears, how does your book go on?--Have you got any thing fresh?" "Yes, papa; we have something to read you, something quite fresh. A piece of paper was found on the table this morning--(dropt, we suppose, by a fairy)--containing a very pretty charade, and we have just copied it in." She read it to him, just as he liked to have any thing read, slowly and distinctly, and two or three times over, with explanations of every part as she proceeded--and he was very much pleased, and, as she had foreseen, especially struck with the complimentary conclusion. "Aye, that's very just, indeed, that's very properly said. Very true." 'Woman, lovely woman.' "It is such a pretty charade, my dear, that I can easily guess what fairy brought it.--Nobody could have written so prettily, but you, Emma." Emma only nodded, and smiled.--After a little thinking, and a very tender sigh, he added, "Ah! it is no difficulty to see who you take after! Your dear mother was so clever at all those things! If I had but her memory! But I can remember nothing;--not even that particular riddle which you have heard me mention; I can only recollect the first stanza; and there are several." Kitty, a fair but frozen maid, Kindled a flame I yet deplore, The hood-wink'd boy I called to aid, Though of his near approach afraid, So fatal to my suit before. "And that is all that I can recollect of it--but it is very clever all the way through. But I think, my dear, you said you had got it." "Yes, papa, it is written out in our second page. We copied it from the Elegant Extracts. It was Garrick's, you know." "Aye, very true.--I wish I could recollect more of it."<|quote|>Kitty, a fair but frozen maid.</|quote|>"The name makes me think of poor Isabella; for she was very near being christened Catherine after her grandmama. I hope we shall have her here next week. Have you thought, my dear, where you shall put her--and what room there will be for the children?" "Oh! yes--she will have her own room, of course; the room she always has;--and there is the nursery for the children,--just as usual, you know. Why should there be any change?" "I do not know, my dear--but it is so long since she was here!--not since last Easter, and then only for a few days.--Mr. John Knightley's being a lawyer is very inconvenient.--Poor Isabella!--she is sadly taken away from us all!--and how sorry she will be when she comes, not to see Miss Taylor here!" "She will not be surprized, papa, at least." "I do not know, my dear. I am sure I was very much surprized when I first heard she was going to be married." "We must ask Mr. and Mrs. Weston to dine with us, while Isabella is here." "Yes, my dear, if there is time.--But--" (in a very depressed tone) "--she is coming for only one week. There will not be time for any thing." "It is unfortunate that they cannot stay longer--but it seems a case of necessity. Mr. John Knightley must be in town again on the 28th, and we ought to be thankful, papa, that we are to have the whole of the time they can give to the country, that two or three days are not to be taken out for the Abbey. Mr. Knightley promises to give up his claim this Christmas--though you know it is longer since they were with him, than with us." "It would be very hard, indeed, my dear, if poor Isabella were to be anywhere but at Hartfield." Mr. Woodhouse could never allow for Mr. Knightley's claims on his brother, or any body's claims on Isabella, except his own. He sat musing a little while, and then said, "But I do not see why poor Isabella should be obliged to go back so soon, though he does. I think, Emma, I shall try and persuade her to stay longer with us. She and the children might stay very well." "Ah! papa--that is what you never have been able to accomplish, and I do not think you ever will. Isabella cannot bear to stay behind her husband." This was too true for contradiction. Unwelcome as it was, Mr. Woodhouse could only give a submissive sigh; and as Emma saw his spirits affected by the idea of his daughter's attachment to her husband, she immediately led to such a branch of the subject as must raise them. "Harriet must give us as much of her company as she can while my brother and sister are here. I am sure she will be pleased with the children. We are very proud of the children, are not we, papa? I wonder which she will think the handsomest, Henry or John?" "Aye, I wonder which she will. Poor little dears, how glad they will be to come. They are very fond of being at Hartfield, Harriet." "I dare say they are, sir. I am sure I do not know who is not." "Henry is a fine boy, but John is very like his mama. Henry is the eldest, he was named after me, not after his father. John, the second, is named after his father. Some people are surprized, I believe, that the eldest was not, but Isabella would have him called Henry, which I thought very pretty of her. And he is a very clever boy, indeed. They are all remarkably clever; and they have so many pretty ways. They will come and stand by my chair, and say," 'Grandpapa, can you give me a bit of string?' "and once Henry asked me for a knife, but I told him knives were only made for grandpapas. I think their father is too rough with them very often." "He appears rough to you," said Emma, "because you are so very gentle yourself; but if you could compare him with other papas, you would not think him rough. He wishes his boys to be active and hardy; and if they misbehave, can give them a sharp word now and then; but he is an affectionate father--certainly Mr. John Knightley is an affectionate father. The children are all fond of him." "And then their uncle comes in, and tosses them up to the ceiling in a very frightful way!" "But they like it, papa; there is nothing they like so much. It is such enjoyment to them, that if their uncle did not lay down the rule of their taking turns, whichever began would never give way | no possible reflection on you." Harriet submitted, though her mind could hardly separate the parts, so as to feel quite sure that her friend were not writing down a declaration of love. It seemed too precious an offering for any degree of publicity. "I shall never let that book go out of my own hands," said she. "Very well," replied Emma; "a most natural feeling; and the longer it lasts, the better I shall be pleased. But here is my father coming: you will not object to my reading the charade to him. It will be giving him so much pleasure! He loves any thing of the sort, and especially any thing that pays woman a compliment. He has the tenderest spirit of gallantry towards us all!--You must let me read it to him." Harriet looked grave. "My dear Harriet, you must not refine too much upon this charade.--You will betray your feelings improperly, if you are too conscious and too quick, and appear to affix more meaning, or even quite all the meaning which may be affixed to it. Do not be overpowered by such a little tribute of admiration. If he had been anxious for secrecy, he would not have left the paper while I was by; but he rather pushed it towards me than towards you. Do not let us be too solemn on the business. He has encouragement enough to proceed, without our sighing out our souls over this charade." "Oh! no--I hope I shall not be ridiculous about it. Do as you please." Mr. Woodhouse came in, and very soon led to the subject again, by the recurrence of his very frequent inquiry of "Well, my dears, how does your book go on?--Have you got any thing fresh?" "Yes, papa; we have something to read you, something quite fresh. A piece of paper was found on the table this morning--(dropt, we suppose, by a fairy)--containing a very pretty charade, and we have just copied it in." She read it to him, just as he liked to have any thing read, slowly and distinctly, and two or three times over, with explanations of every part as she proceeded--and he was very much pleased, and, as she had foreseen, especially struck with the complimentary conclusion. "Aye, that's very just, indeed, that's very properly said. Very true." 'Woman, lovely woman.' "It is such a pretty charade, my dear, that I can easily guess what fairy brought it.--Nobody could have written so prettily, but you, Emma." Emma only nodded, and smiled.--After a little thinking, and a very tender sigh, he added, "Ah! it is no difficulty to see who you take after! Your dear mother was so clever at all those things! If I had but her memory! But I can remember nothing;--not even that particular riddle which you have heard me mention; I can only recollect the first stanza; and there are several." Kitty, a fair but frozen maid, Kindled a flame I yet deplore, The hood-wink'd boy I called to aid, Though of his near approach afraid, So fatal to my suit before. "And that is all that I can recollect of it--but it is very clever all the way through. But I think, my dear, you said you had got it." "Yes, papa, it is written out in our second page. We copied it from the Elegant Extracts. It was Garrick's, you know." "Aye, very true.--I wish I could recollect more of it."<|quote|>Kitty, a fair but frozen maid.</|quote|>"The name makes me think of poor Isabella; for she was very near being christened Catherine after her grandmama. I hope we shall have her here next week. Have you thought, my dear, where you shall put her--and what room there will be for the children?" "Oh! yes--she will have her own room, of course; the room she always has;--and there is the nursery for the children,--just as usual, you know. Why should there be any change?" "I do not know, my dear--but it is so long since she was here!--not since last Easter, and then only for a few days.--Mr. John Knightley's being a lawyer is very inconvenient.--Poor Isabella!--she is sadly taken away from us all!--and how sorry she will be when she comes, not to see Miss Taylor here!" "She will not be surprized, papa, at least." "I do not know, my dear. I am sure I was very much surprized when I first heard she was going to be married." "We must ask Mr. and Mrs. Weston to dine with us, while Isabella is here." "Yes, my dear, if there is time.--But--" (in a very depressed tone) "--she is coming for only one week. There will not be time for any thing." "It is unfortunate that they cannot stay longer--but it seems a case of necessity. Mr. John Knightley must be in town again on the 28th, and we ought to be thankful, papa, that we are to have the whole of the time they can give to the country, that two or three days are not to be taken out for the Abbey. Mr. Knightley promises to give up his claim this Christmas--though you know it is longer since they were with him, than with us." "It would be very hard, indeed, my dear, if poor Isabella were to be anywhere but at Hartfield." Mr. Woodhouse could never allow for Mr. Knightley's claims on his brother, or any body's claims on Isabella, except his own. He sat musing a little while, and then said, "But I do not see why poor Isabella should be | Emma |
said Jem. | No speaker | he's insensible, or only shamming?"<|quote|>said Jem.</|quote|>"Insensible--quite! I'm afraid he's dead." | THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?"<|quote|>said Jem.</|quote|>"Insensible--quite! I'm afraid he's dead." "I arn't," muttered Jem. "You | "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?"<|quote|>said Jem.</|quote|>"Insensible--quite! I'm afraid he's dead." "I arn't," muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he | days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?"<|quote|>said Jem.</|quote|>"Insensible--quite! I'm afraid he's dead." "I arn't," muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. | last night send you half mad?" "Mad? No!" "Then, p'r'aps it's because you had no sleep. Here's a chap comes hunting of us down with a cutlash, ready to do anything; and now he's floored and we're all right, you want to make a pet on him. Why, it's my belief that if you met a tiger with the toothache you'd want to take out his tusk." "Very likely, Jem," said Don, laughing. "Ah, and as soon as you'd done it, `thankye, my lad,' says the tiger, `that tooth's been so bad that I haven't made a comf'table meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?"<|quote|>said Jem.</|quote|>"Insensible--quite! I'm afraid he's dead." "I arn't," muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come | him a pillow, and cover him up with the other, poor fellow, so as he may get better and go and tell 'em we're here." "Don't talk like that, Jem!" cried Don. "Why not? Soon as he gets better he'll try and do us all the harm he can." "Poor fellow! I'm afraid he's dead," whispered Don. "Then he won't want no more cutlashes and pistols," said Jem, coolly appropriating the arms; "these here will be useful to us." "But they are the king's property, Jem." "Ah! Well, I dessay if the king knew how bad we wanted 'em, he'd lend 'em to us. He shall have 'em again when we've done with them." As he spoke Jem helped himself to the ammunition, and then stood looking on as Don dragged Ramsden's head round, so that the wind blew in his face. "How I should like to jump on him!" growled Jem. "I hate him like poison, and I would if I'd got on a pair o' boots. Shouldn't hurt him a bit like this." "Don't talk nonsense, Jem. Mr Jones might hear us. Let's hail; he can't be very far off." "I say, Mas' Don, did our ugly swim last night send you half mad?" "Mad? No!" "Then, p'r'aps it's because you had no sleep. Here's a chap comes hunting of us down with a cutlash, ready to do anything; and now he's floored and we're all right, you want to make a pet on him. Why, it's my belief that if you met a tiger with the toothache you'd want to take out his tusk." "Very likely, Jem," said Don, laughing. "Ah, and as soon as you'd done it, `thankye, my lad,' says the tiger, `that tooth's been so bad that I haven't made a comf'table meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?"<|quote|>said Jem.</|quote|>"Insensible--quite! I'm afraid he's dead." "I arn't," muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" he cried, as he tore open his sailor's shirt and placed his hand upon his throat. Then, starting up, he sent forth a tremendous hail. "Ahoy!" "Ahoy!" came back from several places, like the echoes of his call. "Come on here! Quick!" he shouted, with his hands to his mouth. "Ahoy!" came from a distance; and from nearer at hand, "Ay, ay, sir; ay, ay!" From where Don and Jem stood they could see the boatswain's every movement, as, after once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a | `good job, too,' 'cause it wouldn't be nice," said Jem, with a chuckle. "What shall us do?" "Do?" cried Don. "We must help him." "What, get him out? If we do, he'll be down on us." "We can't help that, Jem. We must not leave a fellow-creature to die," replied Don; and hurrying forward, he gave a glance toward the mouth of the cave, to satisfy himself that the good-natured boatswain was not there, and then, holding his breath, he stooped down and raised Ramsden into a sitting posture, Jem coming forward at once to help him. "Goes ag'in the grain, Mas' Don," he muttered; "but I s'pose we must." "Must? Yes! Now, what shall we do?" "Dunno," said Jem; "s'pose fresh air'd be best for him." "Let's get him to the mouth, then," said Don. "But the boatswain 'll see us, and we shall be took." "I can't help that, Jem; the man will die here." "Well, we don't want him. He's a hennymee." "Jem!" "Oh, all right, Mas' Don. I'll do as you say, but as I says, and I says it again, it goes ag'in the grain." They each took one hand and placed their arms beneath those of the prostrate man; and, little as they stooped, they inhaled sufficient of the powerful gas to make them wince and cough; but, rising upright, taking a full breath and starting off, they dragged Ramsden backwards as rapidly as they could to where the fresh air blew into the mouth of the cave, and there they laid the man down. But before doing so, Don went upon his knees, and placing his face close to the rocky floor, inhaled the air several times. "It seems all right here," he said. "Try it, Jem." "Oh! I'll try it," said Jem, grumpily; "only I don't see why we should take so much trouble about such a thing as this." "Yes; it's all right," he said, after puffing and blowing down by the ground. "Rum, arn't it, that the air should be bad yonder and not close in here!" "The cave goes downward," said Don; "and the foul air lies in the bottom, just as it does in a well. Do you think he's dead?" "Him dead!" said Jem, contemptuously; "I don't believe you could kill a thing like that. Here, let's roll up one of these here blanket things and make him a pillow, and cover him up with the other, poor fellow, so as he may get better and go and tell 'em we're here." "Don't talk like that, Jem!" cried Don. "Why not? Soon as he gets better he'll try and do us all the harm he can." "Poor fellow! I'm afraid he's dead," whispered Don. "Then he won't want no more cutlashes and pistols," said Jem, coolly appropriating the arms; "these here will be useful to us." "But they are the king's property, Jem." "Ah! Well, I dessay if the king knew how bad we wanted 'em, he'd lend 'em to us. He shall have 'em again when we've done with them." As he spoke Jem helped himself to the ammunition, and then stood looking on as Don dragged Ramsden's head round, so that the wind blew in his face. "How I should like to jump on him!" growled Jem. "I hate him like poison, and I would if I'd got on a pair o' boots. Shouldn't hurt him a bit like this." "Don't talk nonsense, Jem. Mr Jones might hear us. Let's hail; he can't be very far off." "I say, Mas' Don, did our ugly swim last night send you half mad?" "Mad? No!" "Then, p'r'aps it's because you had no sleep. Here's a chap comes hunting of us down with a cutlash, ready to do anything; and now he's floored and we're all right, you want to make a pet on him. Why, it's my belief that if you met a tiger with the toothache you'd want to take out his tusk." "Very likely, Jem," said Don, laughing. "Ah, and as soon as you'd done it, `thankye, my lad,' says the tiger, `that tooth's been so bad that I haven't made a comf'table meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?"<|quote|>said Jem.</|quote|>"Insensible--quite! I'm afraid he's dead." "I arn't," muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" he cried, as he tore open his sailor's shirt and placed his hand upon his throat. Then, starting up, he sent forth a tremendous hail. "Ahoy!" "Ahoy!" came back from several places, like the echoes of his call. "Come on here! Quick!" he shouted, with his hands to his mouth. "Ahoy!" came from a distance; and from nearer at hand, "Ay, ay, sir; ay, ay!" From where Don and Jem stood they could see the boatswain's every movement, as, after once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a fit. More water. Don't be afraid!" Each of the men who had climbed up carried a supply, and a quantity was dashed over Ramsden's face with the effect that he began to display signs of returning consciousness, and at last sat up and stared. "What's matter, mate?" said one of the men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate," said one of the men, and Ramsden swallowed some water with avidity. "Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can." "Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you." "But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer | like that, Jem!" cried Don. "Why not? Soon as he gets better he'll try and do us all the harm he can." "Poor fellow! I'm afraid he's dead," whispered Don. "Then he won't want no more cutlashes and pistols," said Jem, coolly appropriating the arms; "these here will be useful to us." "But they are the king's property, Jem." "Ah! Well, I dessay if the king knew how bad we wanted 'em, he'd lend 'em to us. He shall have 'em again when we've done with them." As he spoke Jem helped himself to the ammunition, and then stood looking on as Don dragged Ramsden's head round, so that the wind blew in his face. "How I should like to jump on him!" growled Jem. "I hate him like poison, and I would if I'd got on a pair o' boots. Shouldn't hurt him a bit like this." "Don't talk nonsense, Jem. Mr Jones might hear us. Let's hail; he can't be very far off." "I say, Mas' Don, did our ugly swim last night send you half mad?" "Mad? No!" "Then, p'r'aps it's because you had no sleep. Here's a chap comes hunting of us down with a cutlash, ready to do anything; and now he's floored and we're all right, you want to make a pet on him. Why, it's my belief that if you met a tiger with the toothache you'd want to take out his tusk." "Very likely, Jem," said Don, laughing. "Ah, and as soon as you'd done it, `thankye, my lad,' says the tiger, `that tooth's been so bad that I haven't made a comf'table meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?"<|quote|>said Jem.</|quote|>"Insensible--quite! I'm afraid he's dead." "I arn't," muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" | Don Lavington |
he said, handing Mr. Bumble's empty tumbler to the landlord. | No speaker | bell. "Fill this glass again,"<|quote|>he said, handing Mr. Bumble's empty tumbler to the landlord.</|quote|>"Let it be strong and | his man; then rang the bell. "Fill this glass again,"<|quote|>he said, handing Mr. Bumble's empty tumbler to the landlord.</|quote|>"Let it be strong and hot. You like it so, | so well paid that they can afford to refuse any little extra fee, when it comes to them in a civil and proper manner." The stranger smiled, and nodded his head again: as much to say, he had not mistaken his man; then rang the bell. "Fill this glass again,"<|quote|>he said, handing Mr. Bumble's empty tumbler to the landlord.</|quote|>"Let it be strong and hot. You like it so, I suppose?" "Not too strong," replied Mr. Bumble, with a delicate cough. "You understand what that means, landlord!" said the stranger, drily. The host smiled, disappeared, and shortly afterwards returned with a steaming jorum: of which, the first gulp brought | you pretty well, you see." "I suppose, a married man," replied Mr. Bumble, shading his eyes with his hand, and surveying the stranger, from head to foot, in evident perplexity, "is not more averse to turning an honest penny when he can, than a single one. Porochial officers are not so well paid that they can afford to refuse any little extra fee, when it comes to them in a civil and proper manner." The stranger smiled, and nodded his head again: as much to say, he had not mistaken his man; then rang the bell. "Fill this glass again,"<|quote|>he said, handing Mr. Bumble's empty tumbler to the landlord.</|quote|>"Let it be strong and hot. You like it so, I suppose?" "Not too strong," replied Mr. Bumble, with a delicate cough. "You understand what that means, landlord!" said the stranger, drily. The host smiled, disappeared, and shortly afterwards returned with a steaming jorum: of which, the first gulp brought the water into Mr. Bumble's eyes. "Now listen to me," said the stranger, after closing the door and window. "I came down to this place, to-day, to find you out; and, by one of those chances which the devil throws in the way of his friends sometimes, you walked into | you not?" "I was," said Mr. Bumble, in some surprise; "porochial beadle." "Just so," rejoined the other, nodding his head. "It was in that character I saw you. What are you now?" "Master of the workhouse," rejoined Mr. Bumble, slowly and impressively, to check any undue familiarity the stranger might otherwise assume. "Master of the workhouse, young man!" "You have the same eye to your own interest, that you always had, I doubt not?" resumed the stranger, looking keenly into Mr. Bumble's eyes, as he raised them in astonishment at the question. "Don't scruple to answer freely, man. I know you pretty well, you see." "I suppose, a married man," replied Mr. Bumble, shading his eyes with his hand, and surveying the stranger, from head to foot, in evident perplexity, "is not more averse to turning an honest penny when he can, than a single one. Porochial officers are not so well paid that they can afford to refuse any little extra fee, when it comes to them in a civil and proper manner." The stranger smiled, and nodded his head again: as much to say, he had not mistaken his man; then rang the bell. "Fill this glass again,"<|quote|>he said, handing Mr. Bumble's empty tumbler to the landlord.</|quote|>"Let it be strong and hot. You like it so, I suppose?" "Not too strong," replied Mr. Bumble, with a delicate cough. "You understand what that means, landlord!" said the stranger, drily. The host smiled, disappeared, and shortly afterwards returned with a steaming jorum: of which, the first gulp brought the water into Mr. Bumble's eyes. "Now listen to me," said the stranger, after closing the door and window. "I came down to this place, to-day, to find you out; and, by one of those chances which the devil throws in the way of his friends sometimes, you walked into the very room I was sitting in, while you were uppermost in my mind. I want some information from you. I don't ask you to give it for nothing, slight as it is. Put up that, to begin with." As he spoke, he pushed a couple of sovereigns across the table to his companion, carefully, as though unwilling that the chinking of money should be heard without. When Mr. Bumble had scrupulously examined the coins, to see that they were genuine, and had put them up, with much satisfaction, in his waistcoat-pocket, he went on: "Carry your memory back let | expression of the stranger's eye, which was keen and bright, but shadowed by a scowl of distrust and suspicion, unlike anything he had ever observed before, and repulsive to behold. When they had encountered each other's glance several times in this way, the stranger, in a harsh, deep voice, broke silence. "Were you looking for me," he said, "when you peered in at the window?" "Not that I am aware of, unless you're Mr." Here Mr. Bumble stopped short; for he was curious to know the stranger's name, and thought in his impatience, he might supply the blank. "I see you were not," said the stranger; an expression of quiet sarcasm playing about his mouth; "or you have known my name. You don't know it. I would recommend you not to ask for it." "I meant no harm, young man," observed Mr. Bumble, majestically. "And have done none," said the stranger. Another silence succeeded this short dialogue: which was again broken by the stranger. "I have seen you before, I think?" said he. "You were differently dressed at that time, and I only passed you in the street, but I should know you again. You were beadle here, once; were you not?" "I was," said Mr. Bumble, in some surprise; "porochial beadle." "Just so," rejoined the other, nodding his head. "It was in that character I saw you. What are you now?" "Master of the workhouse," rejoined Mr. Bumble, slowly and impressively, to check any undue familiarity the stranger might otherwise assume. "Master of the workhouse, young man!" "You have the same eye to your own interest, that you always had, I doubt not?" resumed the stranger, looking keenly into Mr. Bumble's eyes, as he raised them in astonishment at the question. "Don't scruple to answer freely, man. I know you pretty well, you see." "I suppose, a married man," replied Mr. Bumble, shading his eyes with his hand, and surveying the stranger, from head to foot, in evident perplexity, "is not more averse to turning an honest penny when he can, than a single one. Porochial officers are not so well paid that they can afford to refuse any little extra fee, when it comes to them in a civil and proper manner." The stranger smiled, and nodded his head again: as much to say, he had not mistaken his man; then rang the bell. "Fill this glass again,"<|quote|>he said, handing Mr. Bumble's empty tumbler to the landlord.</|quote|>"Let it be strong and hot. You like it so, I suppose?" "Not too strong," replied Mr. Bumble, with a delicate cough. "You understand what that means, landlord!" said the stranger, drily. The host smiled, disappeared, and shortly afterwards returned with a steaming jorum: of which, the first gulp brought the water into Mr. Bumble's eyes. "Now listen to me," said the stranger, after closing the door and window. "I came down to this place, to-day, to find you out; and, by one of those chances which the devil throws in the way of his friends sometimes, you walked into the very room I was sitting in, while you were uppermost in my mind. I want some information from you. I don't ask you to give it for nothing, slight as it is. Put up that, to begin with." As he spoke, he pushed a couple of sovereigns across the table to his companion, carefully, as though unwilling that the chinking of money should be heard without. When Mr. Bumble had scrupulously examined the coins, to see that they were genuine, and had put them up, with much satisfaction, in his waistcoat-pocket, he went on: "Carry your memory back let me see twelve years, last winter." "It's a long time," said Mr. Bumble. "Very good. I've done it." "The scene, the workhouse." "Good!" "And the time, night." "Yes." "And the place, the crazy hole, wherever it was, in which miserable drabs brought forth the life and health so often denied to themselves gave birth to puling children for the parish to rear; and hid their shame, rot 'em in the grave!" "The lying-in room, I suppose?" said Mr. Bumble, not quite following the stranger's excited description. "Yes," said the stranger. "A boy was born there." "A many boys," observed Mr. Bumble, shaking his head, despondingly. "A murrain on the young devils!" cried the stranger; "I speak of one; a meek-looking, pale-faced boy, who was apprenticed down here, to a coffin-maker I wish he had made his coffin, and screwed his body in it and who afterwards ran away to London, as it was supposed." "Why, you mean Oliver! Young Twist!" said Mr. Bumble; "I remember him, of course. There wasn't a obstinater young rascal" "It's not of him I want to hear; I've heard enough of him," said the stranger, stopping Mr. Bumble in the outset of a tirade on | door, the titterings of the paupers broke into a shrill chuckle of irrepressible delight. It wanted but this. He was degraded in their eyes; he had lost caste and station before the very paupers; he had fallen from all the height and pomp of beadleship, to the lowest depth of the most snubbed hen-peckery. "All in two months!" said Mr. Bumble, filled with dismal thoughts. "Two months! No more than two months ago, I was not only my own master, but everybody else's, so far as the porochial workhouse was concerned, and now!" It was too much. Mr. Bumble boxed the ears of the boy who opened the gate for him (for he had reached the portal in his reverie); and walked, distractedly, into the street. He walked up one street, and down another, until exercise had abated the first passion of his grief; and then the revulsion of feeling made him thirsty. He passed a great many public-houses; but, at length paused before one in a by-way, whose parlour, as he gathered from a hasty peep over the blinds, was deserted, save by one solitary customer. It began to rain, heavily, at the moment. This determined him. Mr. Bumble stepped in; and ordering something to drink, as he passed the bar, entered the apartment into which he had looked from the street. The man who was seated there, was tall and dark, and wore a large cloak. He had the air of a stranger; and seemed, by a certain haggardness in his look, as well as by the dusty soils on his dress, to have travelled some distance. He eyed Bumble askance, as he entered, but scarcely deigned to nod his head in acknowledgment of his salutation. Mr. Bumble had quite dignity enough for two; supposing even that the stranger had been more familiar: so he drank his gin-and-water in silence, and read the paper with great show of pomp and circumstance. It so happened, however: as it will happen very often, when men fall into company under such circumstances: that Mr. Bumble felt, every now and then, a powerful inducement, which he could not resist, to steal a look at the stranger: and that whenever he did so, he withdrew his eyes, in some confusion, to find that the stranger was at that moment stealing a look at him. Mr. Bumble's awkwardness was enhanced by the very remarkable expression of the stranger's eye, which was keen and bright, but shadowed by a scowl of distrust and suspicion, unlike anything he had ever observed before, and repulsive to behold. When they had encountered each other's glance several times in this way, the stranger, in a harsh, deep voice, broke silence. "Were you looking for me," he said, "when you peered in at the window?" "Not that I am aware of, unless you're Mr." Here Mr. Bumble stopped short; for he was curious to know the stranger's name, and thought in his impatience, he might supply the blank. "I see you were not," said the stranger; an expression of quiet sarcasm playing about his mouth; "or you have known my name. You don't know it. I would recommend you not to ask for it." "I meant no harm, young man," observed Mr. Bumble, majestically. "And have done none," said the stranger. Another silence succeeded this short dialogue: which was again broken by the stranger. "I have seen you before, I think?" said he. "You were differently dressed at that time, and I only passed you in the street, but I should know you again. You were beadle here, once; were you not?" "I was," said Mr. Bumble, in some surprise; "porochial beadle." "Just so," rejoined the other, nodding his head. "It was in that character I saw you. What are you now?" "Master of the workhouse," rejoined Mr. Bumble, slowly and impressively, to check any undue familiarity the stranger might otherwise assume. "Master of the workhouse, young man!" "You have the same eye to your own interest, that you always had, I doubt not?" resumed the stranger, looking keenly into Mr. Bumble's eyes, as he raised them in astonishment at the question. "Don't scruple to answer freely, man. I know you pretty well, you see." "I suppose, a married man," replied Mr. Bumble, shading his eyes with his hand, and surveying the stranger, from head to foot, in evident perplexity, "is not more averse to turning an honest penny when he can, than a single one. Porochial officers are not so well paid that they can afford to refuse any little extra fee, when it comes to them in a civil and proper manner." The stranger smiled, and nodded his head again: as much to say, he had not mistaken his man; then rang the bell. "Fill this glass again,"<|quote|>he said, handing Mr. Bumble's empty tumbler to the landlord.</|quote|>"Let it be strong and hot. You like it so, I suppose?" "Not too strong," replied Mr. Bumble, with a delicate cough. "You understand what that means, landlord!" said the stranger, drily. The host smiled, disappeared, and shortly afterwards returned with a steaming jorum: of which, the first gulp brought the water into Mr. Bumble's eyes. "Now listen to me," said the stranger, after closing the door and window. "I came down to this place, to-day, to find you out; and, by one of those chances which the devil throws in the way of his friends sometimes, you walked into the very room I was sitting in, while you were uppermost in my mind. I want some information from you. I don't ask you to give it for nothing, slight as it is. Put up that, to begin with." As he spoke, he pushed a couple of sovereigns across the table to his companion, carefully, as though unwilling that the chinking of money should be heard without. When Mr. Bumble had scrupulously examined the coins, to see that they were genuine, and had put them up, with much satisfaction, in his waistcoat-pocket, he went on: "Carry your memory back let me see twelve years, last winter." "It's a long time," said Mr. Bumble. "Very good. I've done it." "The scene, the workhouse." "Good!" "And the time, night." "Yes." "And the place, the crazy hole, wherever it was, in which miserable drabs brought forth the life and health so often denied to themselves gave birth to puling children for the parish to rear; and hid their shame, rot 'em in the grave!" "The lying-in room, I suppose?" said Mr. Bumble, not quite following the stranger's excited description. "Yes," said the stranger. "A boy was born there." "A many boys," observed Mr. Bumble, shaking his head, despondingly. "A murrain on the young devils!" cried the stranger; "I speak of one; a meek-looking, pale-faced boy, who was apprenticed down here, to a coffin-maker I wish he had made his coffin, and screwed his body in it and who afterwards ran away to London, as it was supposed." "Why, you mean Oliver! Young Twist!" said Mr. Bumble; "I remember him, of course. There wasn't a obstinater young rascal" "It's not of him I want to hear; I've heard enough of him," said the stranger, stopping Mr. Bumble in the outset of a tirade on the subject of poor Oliver's vices. "It's of a woman; the hag that nursed his mother. Where is she?" "Where is she?" said Mr. Bumble, whom the gin-and-water had rendered facetious. "It would be hard to tell. There's no midwifery there, whichever place she's gone to; so I suppose she's out of employment, anyway." "What do you mean?" demanded the stranger, sternly. "That she died last winter," rejoined Mr. Bumble. The man looked fixedly at him when he had given this information, and although he did not withdraw his eyes for some time afterwards, his gaze gradually became vacant and abstracted, and he seemed lost in thought. For some time, he appeared doubtful whether he ought to be relieved or disappointed by the intelligence; but at length he breathed more freely; and withdrawing his eyes, observed that it was no great matter. With that he rose, as if to depart. But Mr. Bumble was cunning enough; and he at once saw that an opportunity was opened, for the lucrative disposal of some secret in the possession of his better half. He well remembered the night of old Sally's death, which the occurrences of that day had given him good reason to recollect, as the occasion on which he had proposed to Mrs. Corney; and although that lady had never confided to him the disclosure of which she had been the solitary witness, he had heard enough to know that it related to something that had occurred in the old woman's attendance, as workhouse nurse, upon the young mother of Oliver Twist. Hastily calling this circumstance to mind, he informed the stranger, with an air of mystery, that one woman had been closeted with the old harridan shortly before she died; and that she could, as he had reason to believe, throw some light on the subject of his inquiry. "How can I find her?" said the stranger, thrown off his guard; and plainly showing that all his fears (whatever they were) were aroused afresh by the intelligence. "Only through me," rejoined Mr. Bumble. "When?" cried the stranger, hastily. "To-morrow," rejoined Bumble. "At nine in the evening," said the stranger, producing a scrap of paper, and writing down upon it, an obscure address by the water-side, in characters that betrayed his agitation; "at nine in the evening, bring her to me there. I needn't tell you to be secret. It's your | Bumble stopped short; for he was curious to know the stranger's name, and thought in his impatience, he might supply the blank. "I see you were not," said the stranger; an expression of quiet sarcasm playing about his mouth; "or you have known my name. You don't know it. I would recommend you not to ask for it." "I meant no harm, young man," observed Mr. Bumble, majestically. "And have done none," said the stranger. Another silence succeeded this short dialogue: which was again broken by the stranger. "I have seen you before, I think?" said he. "You were differently dressed at that time, and I only passed you in the street, but I should know you again. You were beadle here, once; were you not?" "I was," said Mr. Bumble, in some surprise; "porochial beadle." "Just so," rejoined the other, nodding his head. "It was in that character I saw you. What are you now?" "Master of the workhouse," rejoined Mr. Bumble, slowly and impressively, to check any undue familiarity the stranger might otherwise assume. "Master of the workhouse, young man!" "You have the same eye to your own interest, that you always had, I doubt not?" resumed the stranger, looking keenly into Mr. Bumble's eyes, as he raised them in astonishment at the question. "Don't scruple to answer freely, man. I know you pretty well, you see." "I suppose, a married man," replied Mr. Bumble, shading his eyes with his hand, and surveying the stranger, from head to foot, in evident perplexity, "is not more averse to turning an honest penny when he can, than a single one. Porochial officers are not so well paid that they can afford to refuse any little extra fee, when it comes to them in a civil and proper manner." The stranger smiled, and nodded his head again: as much to say, he had not mistaken his man; then rang the bell. "Fill this glass again,"<|quote|>he said, handing Mr. Bumble's empty tumbler to the landlord.</|quote|>"Let it be strong and hot. You like it so, I suppose?" "Not too strong," replied Mr. Bumble, with a delicate cough. "You understand what that means, landlord!" said the stranger, drily. The host smiled, disappeared, and shortly afterwards returned with a steaming jorum: of which, the first gulp brought the water into Mr. Bumble's eyes. "Now listen to me," said the stranger, after closing the door and window. "I came down to this place, to-day, to find you out; and, by one of those chances which the devil throws in the way of his friends sometimes, you walked into the very room I was sitting in, while you were uppermost in my mind. I want some information from you. I don't ask you to give it for nothing, slight as it is. Put up that, to begin with." As he spoke, he pushed a couple of sovereigns across the table to his companion, carefully, as though unwilling that the chinking of money should be heard without. When Mr. Bumble had scrupulously examined the coins, to see that they were genuine, and had put them up, with much satisfaction, in his waistcoat-pocket, he went on: "Carry your memory back let me see twelve years, last winter." "It's a long time," said Mr. Bumble. "Very good. I've done it." "The scene, the workhouse." "Good!" "And the time, night." "Yes." "And the place, the crazy hole, wherever it was, in which miserable drabs brought forth the life and health so | Oliver Twist |
"It's my first time too." | John Andrew | the first time this year."<|quote|>"It's my first time too."</|quote|>"We shall both be terribly | find a horse. It'll be the first time this year."<|quote|>"It's my first time too."</|quote|>"We shall both be terribly stiff." She spoke to him | Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year."<|quote|>"It's my first time too."</|quote|>"We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * | against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year."<|quote|>"It's my first time too."</|quote|>"We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said, "It's delightful your coming down. What d'you think of Tony?" "Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this | for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year."<|quote|>"It's my first time too."</|quote|>"We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said, "It's delightful your coming down. What d'you think of Tony?" "Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at | conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year."<|quote|>"It's my first time too."</|quote|>"We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said, "It's delightful your coming down. What d'you think of Tony?" "Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is | you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year."<|quote|>"It's my first time too."</|quote|>"We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said, "It's delightful your coming down. What d'you think of Tony?" "Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay near the boundary of three packs; the Pigstanton, who hunted it, had, in the division of territory, come off with the worst country and they cherished a permanent resentment about some woods near Bayton. They were a somewhat ill-tempered lot, contemptuous of each other's performance, hostile to strangers, torn by internal rancour, united only in their dislike of the Master. In the case of Colonel Inch this unpopularity, traditional to the hunt, was quite undeserved; he was a timid, inconspicuous man who provided the neighbourhood with sport of a kind at great personal expense. He himself was seldom in sight of hounds and could often be found in another part of the country morosely nibbling ginger-nut biscuits in a lane or towards the end of the day cantering heavily across country, quite lost, a lonely scarlet figure against the ploughed land, staring about him in the deepening twilight and shouting at yokels for information. The only pleasure he gained from his position, but that a substantial one, was in referring to it casually at Board Meetings of the various companies he directed. The Pigstanton met twice a week. There was seldom a large field on Wednesday, but the Hetton meet was popular; it lay in their best country and the prospect of stirrup-cups had drawn many leathery old ladies from the neighbouring packs. There were also followers on foot and in every kind of vehicle, some hanging back diffidently, others, more or less known to Tony, crowding round the refreshment table. Mr Tendril had a niece staying with him, who appeared on a motor bicycle. John stood beside Thunderclap, solemn with excitement. Ben had secured a powerful, square-headed mare from a neighbouring farmer; he hoped to have a hunt after John had been taken home; at John's earnest entreaty nanny was confined indoors, among the housemaids whose heads obtruded at the upper windows; it was not her day. She had been out of temper while dressing him. "If I'm in at the death | about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year."<|quote|>"It's my first time too."</|quote|>"We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said, "It's delightful your coming down. What d'you think of Tony?" "Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he | A Handful Of Dust |
Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing. | No speaker | weeks. Try another one, girl."<|quote|>Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing.</|quote|>"Good!" said Martin, but he | could do something in two weeks. Try another one, girl."<|quote|>Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing.</|quote|>"Good!" said Martin, but he immediately returned to his cold | you understand? But did you see the grit she went at it with? Just took the bit in her teeth and got away. Haw, haw, haw! Now, that 's what I like. If all you girls had that spirit, we could do something in two weeks. Try another one, girl."<|quote|>Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing.</|quote|>"Good!" said Martin, but he immediately returned to his cold manner. "You watch these girls close and see what they do, and to-morrow be prepared to go into line and move as well as sing." He immediately turned his attention from her to the chorus, but no slight that he | company. The tears came into her eyes, and she was about giving way when she caught a reassuring nod and smile from Hattie Sterling, and seized on this as a last hope. "Haw, haw, haw!" laughed Martin, "haw, haw, haw! The little one was scared, see? She was scared, d' you understand? But did you see the grit she went at it with? Just took the bit in her teeth and got away. Haw, haw, haw! Now, that 's what I like. If all you girls had that spirit, we could do something in two weeks. Try another one, girl."<|quote|>Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing.</|quote|>"Good!" said Martin, but he immediately returned to his cold manner. "You watch these girls close and see what they do, and to-morrow be prepared to go into line and move as well as sing." He immediately turned his attention from her to the chorus, but no slight that he could inflict upon her now could take away the sweet truth that she was engaged and to-morrow would begin work. She wished she could go over and embrace Hattie Sterling. She thought kindly of Joe, and promised herself to give him a present out of her first month's earnings. On | concert, where only her immediate acquaintances and townspeople were present. Now to sing before all these strange people, themselves singers, made her feel faint and awkward. But the courage of desperation came to her, and she struck into the song. At the first her voice wavered and threatened to fail her. It must not. She choked back her fright and forced the music from her lips. When she was done, she was startled to hear Martin burst into a raucous laugh. Such humiliation! She had failed, and instead of telling her, he was bringing her to shame before the whole company. The tears came into her eyes, and she was about giving way when she caught a reassuring nod and smile from Hattie Sterling, and seized on this as a last hope. "Haw, haw, haw!" laughed Martin, "haw, haw, haw! The little one was scared, see? She was scared, d' you understand? But did you see the grit she went at it with? Just took the bit in her teeth and got away. Haw, haw, haw! Now, that 's what I like. If all you girls had that spirit, we could do something in two weeks. Try another one, girl."<|quote|>Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing.</|quote|>"Good!" said Martin, but he immediately returned to his cold manner. "You watch these girls close and see what they do, and to-morrow be prepared to go into line and move as well as sing." He immediately turned his attention from her to the chorus, but no slight that he could inflict upon her now could take away the sweet truth that she was engaged and to-morrow would begin work. She wished she could go over and embrace Hattie Sterling. She thought kindly of Joe, and promised herself to give him a present out of her first month's earnings. On the first night of the show pretty little Kitty Hamilton was pointed out as a girl who would n't be in the chorus long. The mother, who was soon to be Mrs. Gibson, sat in the balcony, a grieved, pained look on her face. Joe was in a front row with some of the rest of the gang. He took many drinks between the acts, because he was proud. Mr. Thomas was there. He also was proud, and after the performance he waited for Kitty at the stage door and went forward to meet her as she came out. The | believe it. She felt that the independence which she had known from babyhood would assert itself, and that she would talk back to him, even as Hattie Sterling did. She felt scared and discouraged, but every now and then her friend smiled encouragingly upon her across the ranks of moving singers. Finally, however, her thoughts were broken in upon by hearing Mr. Martin cry: "Oh, quit, quit, and go rest yourselves, you ancient pieces of hickory, and let me forget you for a minute before I go crazy. Where 's that new girl now?" Kitty rose and went toward him, trembling so that she could hardly walk. "What can you do?" "I can sing," very faintly. "Well, if that 's the voice you 're going to sing in, there won't be many that 'll know whether it 's good or bad. Well, let 's hear something. Do you know any of these?" And he ran over the titles of several songs. She knew some of them, and he selected one. "Try this. Here, Tom, play it for her." It was an ordeal for the girl to go through. She had never sung before at anything more formidable than a church concert, where only her immediate acquaintances and townspeople were present. Now to sing before all these strange people, themselves singers, made her feel faint and awkward. But the courage of desperation came to her, and she struck into the song. At the first her voice wavered and threatened to fail her. It must not. She choked back her fright and forced the music from her lips. When she was done, she was startled to hear Martin burst into a raucous laugh. Such humiliation! She had failed, and instead of telling her, he was bringing her to shame before the whole company. The tears came into her eyes, and she was about giving way when she caught a reassuring nod and smile from Hattie Sterling, and seized on this as a last hope. "Haw, haw, haw!" laughed Martin, "haw, haw, haw! The little one was scared, see? She was scared, d' you understand? But did you see the grit she went at it with? Just took the bit in her teeth and got away. Haw, haw, haw! Now, that 's what I like. If all you girls had that spirit, we could do something in two weeks. Try another one, girl."<|quote|>Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing.</|quote|>"Good!" said Martin, but he immediately returned to his cold manner. "You watch these girls close and see what they do, and to-morrow be prepared to go into line and move as well as sing." He immediately turned his attention from her to the chorus, but no slight that he could inflict upon her now could take away the sweet truth that she was engaged and to-morrow would begin work. She wished she could go over and embrace Hattie Sterling. She thought kindly of Joe, and promised herself to give him a present out of her first month's earnings. On the first night of the show pretty little Kitty Hamilton was pointed out as a girl who would n't be in the chorus long. The mother, who was soon to be Mrs. Gibson, sat in the balcony, a grieved, pained look on her face. Joe was in a front row with some of the rest of the gang. He took many drinks between the acts, because he was proud. Mr. Thomas was there. He also was proud, and after the performance he waited for Kitty at the stage door and went forward to meet her as she came out. The look she gave him stopped him, and he let her pass without a word. "Who 'd 'a' thought," he mused, "that the kid had that much nerve? Well, if they don't want to find out things, what do they come to N' Yawk for? It ain't nobody's old Sunday-school picnic. Guess I got out easy, anyhow." Hattie Sterling took Joe home in a hansom. "Say," she said, "if you come this way for me again, it 's all over, see? Your little sister 's a comer, and I 've got to hustle to keep up with her." Joe growled and fell asleep in his chair. One must needs have a strong head or a strong will when one is the brother of a celebrity and would celebrate the distinguished one's success. XIII THE OAKLEYS A year after the arrest of Berry Hamilton, and at a time when New York had shown to the eyes of his family so many strange new sights, there were few changes to be noted in the condition of affairs at the Oakley place. Maurice Oakley was perhaps a shade more distrustful of his servants, and consequently more testy with them. Mrs. Oakley was the same | She felt like rushing out of the room. She could never face this terrible man. She trembled more as she found his eyes fixed upon her. "Who 's that?" he asked, disregarding her, as if she had been a stick or a stone. "Well, don't snap her head off. It 's a girl friend of mine that wants a place," said Hattie. She was the only one who would brave Martin. "Humph. Let her wait. I ain't got no time to hear any one now. Get yourselves in line, you all who are on to that first chorus, while I 'm getting into my sweat-shirt." He disappeared behind a screen, whence he emerged arrayed, or only half arrayed, in a thick absorbing shirt and a thin pair of woollen trousers. Then the work began. The man was indefatigable. He was like the spirit of energy. He was in every place about the stage at once, leading the chorus, showing them steps, twisting some awkward girl into shape, shouting, gesticulating, abusing the pianist. "Now, now," he would shout, "the left foot on that beat. Bah, bah, stop! You walk like a lot of tin soldiers. Are your joints rusty? Do you want oil? Look here, Taylor, if I did n't know you, I 'd take you for a truck. Pick up your feet, open your mouths, and move, move, move! Oh!" and he would drop his head in despair. "And to think that I 've got to do something with these things in two weeks--two weeks!" Then he would turn to them again with a sudden reaccession of eagerness. "Now, at it again, at it again! Hold that note, hold it! Now whirl, and on the left foot. Stop that music, stop it! Miss Coster, you 'll learn that step in about a thousand years, and I 've got nine hundred and ninety-nine years and fifty weeks less time than that to spare. Come here and try that step with me. Don't be afraid to move. Step like a chicken on a hot griddle!" And some blushing girl would come forward and go through the step alone before all the rest. Kitty contemplated the scene with a mind equally divided between fear and anger. What should she do if he should so speak to her? Like the others, no doubt, smile sheepishly and obey him. But she did not like to believe it. She felt that the independence which she had known from babyhood would assert itself, and that she would talk back to him, even as Hattie Sterling did. She felt scared and discouraged, but every now and then her friend smiled encouragingly upon her across the ranks of moving singers. Finally, however, her thoughts were broken in upon by hearing Mr. Martin cry: "Oh, quit, quit, and go rest yourselves, you ancient pieces of hickory, and let me forget you for a minute before I go crazy. Where 's that new girl now?" Kitty rose and went toward him, trembling so that she could hardly walk. "What can you do?" "I can sing," very faintly. "Well, if that 's the voice you 're going to sing in, there won't be many that 'll know whether it 's good or bad. Well, let 's hear something. Do you know any of these?" And he ran over the titles of several songs. She knew some of them, and he selected one. "Try this. Here, Tom, play it for her." It was an ordeal for the girl to go through. She had never sung before at anything more formidable than a church concert, where only her immediate acquaintances and townspeople were present. Now to sing before all these strange people, themselves singers, made her feel faint and awkward. But the courage of desperation came to her, and she struck into the song. At the first her voice wavered and threatened to fail her. It must not. She choked back her fright and forced the music from her lips. When she was done, she was startled to hear Martin burst into a raucous laugh. Such humiliation! She had failed, and instead of telling her, he was bringing her to shame before the whole company. The tears came into her eyes, and she was about giving way when she caught a reassuring nod and smile from Hattie Sterling, and seized on this as a last hope. "Haw, haw, haw!" laughed Martin, "haw, haw, haw! The little one was scared, see? She was scared, d' you understand? But did you see the grit she went at it with? Just took the bit in her teeth and got away. Haw, haw, haw! Now, that 's what I like. If all you girls had that spirit, we could do something in two weeks. Try another one, girl."<|quote|>Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing.</|quote|>"Good!" said Martin, but he immediately returned to his cold manner. "You watch these girls close and see what they do, and to-morrow be prepared to go into line and move as well as sing." He immediately turned his attention from her to the chorus, but no slight that he could inflict upon her now could take away the sweet truth that she was engaged and to-morrow would begin work. She wished she could go over and embrace Hattie Sterling. She thought kindly of Joe, and promised herself to give him a present out of her first month's earnings. On the first night of the show pretty little Kitty Hamilton was pointed out as a girl who would n't be in the chorus long. The mother, who was soon to be Mrs. Gibson, sat in the balcony, a grieved, pained look on her face. Joe was in a front row with some of the rest of the gang. He took many drinks between the acts, because he was proud. Mr. Thomas was there. He also was proud, and after the performance he waited for Kitty at the stage door and went forward to meet her as she came out. The look she gave him stopped him, and he let her pass without a word. "Who 'd 'a' thought," he mused, "that the kid had that much nerve? Well, if they don't want to find out things, what do they come to N' Yawk for? It ain't nobody's old Sunday-school picnic. Guess I got out easy, anyhow." Hattie Sterling took Joe home in a hansom. "Say," she said, "if you come this way for me again, it 's all over, see? Your little sister 's a comer, and I 've got to hustle to keep up with her." Joe growled and fell asleep in his chair. One must needs have a strong head or a strong will when one is the brother of a celebrity and would celebrate the distinguished one's success. XIII THE OAKLEYS A year after the arrest of Berry Hamilton, and at a time when New York had shown to the eyes of his family so many strange new sights, there were few changes to be noted in the condition of affairs at the Oakley place. Maurice Oakley was perhaps a shade more distrustful of his servants, and consequently more testy with them. Mrs. Oakley was the same acquiescent woman, with unbounded faith in her husband's wisdom and judgment. With complacent minds both went their ways, drank their wine, and said their prayers, and wished that brother Frank's five years were past. They had letters from him now and then, never very cheerful in tone, but always breathing the deepest love and gratitude to them. His brother found deep cause for congratulation in the tone of these epistles. "Frank is getting down to work," he would cry exultantly. "He is past the first buoyant enthusiasm of youth. Ah, Leslie, when a man begins to be serious, then he begins to be something." And her only answer would be, "I wonder, Maurice, if Claire Lessing will wait for him?" The two had frequent questions to answer as to Frank's doing and prospects, and they had always bright things to say of him, even when his letters gave them no such warrant. Their love for him made them read large between the lines, and all they read was good. Between Maurice and his brother no word of the guilty servant ever passed. They each avoided it as an unpleasant subject. Frank had never asked and his brother had never proffered aught of the outcome of the case. Mrs. Oakley had once suggested it. "Brother ought to know," she said, "that Berry is being properly punished." "By no means," replied her husband. "You know that it would only hurt him. He shall never know if I have to tell him." "You are right, Maurice, you are always right. We must shield Frank from the pain it would cause him. Poor fellow! he is so sensitive." Their hearts were still steadfastly fixed upon the union of this younger brother with Claire Lessing. She had lately come into a fortune, and there was nothing now to prevent it. They would have written Frank to urge it, but they both believed that to try to woo him away from his art was but to make him more wayward. That any woman could have power enough to take him away from this jealous mistress they very much doubted. But they could hope, and hope made them eager to open every letter that bore the French postmark. Always it might contain news that he was coming home, or that he had made a great success, or, better, some inquiry after Claire. A long time they had | and try that step with me. Don't be afraid to move. Step like a chicken on a hot griddle!" And some blushing girl would come forward and go through the step alone before all the rest. Kitty contemplated the scene with a mind equally divided between fear and anger. What should she do if he should so speak to her? Like the others, no doubt, smile sheepishly and obey him. But she did not like to believe it. She felt that the independence which she had known from babyhood would assert itself, and that she would talk back to him, even as Hattie Sterling did. She felt scared and discouraged, but every now and then her friend smiled encouragingly upon her across the ranks of moving singers. Finally, however, her thoughts were broken in upon by hearing Mr. Martin cry: "Oh, quit, quit, and go rest yourselves, you ancient pieces of hickory, and let me forget you for a minute before I go crazy. Where 's that new girl now?" Kitty rose and went toward him, trembling so that she could hardly walk. "What can you do?" "I can sing," very faintly. "Well, if that 's the voice you 're going to sing in, there won't be many that 'll know whether it 's good or bad. Well, let 's hear something. Do you know any of these?" And he ran over the titles of several songs. She knew some of them, and he selected one. "Try this. Here, Tom, play it for her." It was an ordeal for the girl to go through. She had never sung before at anything more formidable than a church concert, where only her immediate acquaintances and townspeople were present. Now to sing before all these strange people, themselves singers, made her feel faint and awkward. But the courage of desperation came to her, and she struck into the song. At the first her voice wavered and threatened to fail her. It must not. She choked back her fright and forced the music from her lips. When she was done, she was startled to hear Martin burst into a raucous laugh. Such humiliation! She had failed, and instead of telling her, he was bringing her to shame before the whole company. The tears came into her eyes, and she was about giving way when she caught a reassuring nod and smile from Hattie Sterling, and seized on this as a last hope. "Haw, haw, haw!" laughed Martin, "haw, haw, haw! The little one was scared, see? She was scared, d' you understand? But did you see the grit she went at it with? Just took the bit in her teeth and got away. Haw, haw, haw! Now, that 's what I like. If all you girls had that spirit, we could do something in two weeks. Try another one, girl."<|quote|>Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing.</|quote|>"Good!" said Martin, but he immediately returned to his cold manner. "You watch these girls close and see what they do, and to-morrow be prepared to go into line and move as well as sing." He immediately turned his attention from her to the chorus, but no slight that he could inflict upon her now could take away the sweet truth that she was engaged and to-morrow would begin work. She wished she could go over and embrace Hattie Sterling. She thought kindly of Joe, and promised herself to give him a present out of her first month's earnings. On the first night of the show pretty little Kitty Hamilton was pointed out as a girl who would n't be in the chorus long. The mother, who was soon to be Mrs. Gibson, sat in the balcony, a grieved, pained look on her face. Joe was in a front row with some of the rest of the gang. He took many drinks between the acts, because he was proud. Mr. Thomas was there. He also was proud, and after the performance he waited for Kitty at the stage door and went forward to meet her as she came out. The look she gave him stopped him, and he let her pass without a word. "Who 'd 'a' thought," he mused, "that the kid had that much nerve? Well, if they don't want to find out things, what do they come to N' Yawk for? It ain't nobody's old Sunday-school picnic. Guess I got out easy, anyhow." Hattie Sterling took Joe home in a hansom. "Say," she said, "if you come this way for me again, it 's all over, see? Your little sister 's a comer, and I 've got to hustle to keep up with her." Joe growled and fell asleep in his chair. One must needs have a strong head or a strong will when one is the brother of a celebrity and would celebrate the distinguished one's success. XIII THE OAKLEYS A year after the arrest of Berry Hamilton, and at a time when New York had shown to the eyes of his family so many strange new sights, there | The Sport Of The Gods |
said John, pulling at her coat. | No speaker | hasn't it?" "Oh, come on,"<|quote|>said John, pulling at her coat.</|quote|>"We must go and see | "It has an uncanny fascination, hasn't it?" "Oh, come on,"<|quote|>said John, pulling at her coat.</|quote|>"We must go and see Thunderclap." So Tony returned alone | stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on,"<|quote|>said John, pulling at her coat.</|quote|>"We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, | tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on,"<|quote|>said John, pulling at her coat.</|quote|>"We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say | wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on,"<|quote|>said John, pulling at her coat.</|quote|>"We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise | Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on,"<|quote|>said John, pulling at her coat.</|quote|>"We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, | to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on,"<|quote|>said John, pulling at her coat.</|quote|>"We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are | rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on,"<|quote|>said John, pulling at her coat.</|quote|>"We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't | A Handful Of Dust |
He was sure that she was not impulsive, but did not dare to say so. Her ability frightened him. All his life he had been her puppet. She let him worship Italy, and reform Sawston--just as she had let Harriet be Low Church. She had let him talk as much as he liked. But when she wanted a thing she always got it. And though she was frightening him, she did not inspire him with reverence. Her life, he saw, was without meaning. To what purpose was her diplomacy, her insincerity, her continued repression of vigour? Did they make any one better or happier? Did they even bring happiness to herself? Harriet with her gloomy peevish creed, Lilia with her clutches after pleasure, were after all more divine than this well-ordered, active, useless machine. Now that his mother had wounded his vanity he could criticize her thus. But he could not rebel. To the end of his days he could probably go on doing what she wanted. He watched with a cold interest the duel between her and Miss Abbott. Mrs. Herriton s policy only appeared gradually. It was to prevent Miss Abbott interfering with the child at all costs, and if possible to prevent her at a small cost. Pride was the only solid element in her disposition. She could not bear to seem less charitable than others. | No speaker | care if I am impulsive."<|quote|>He was sure that she was not impulsive, but did not dare to say so. Her ability frightened him. All his life he had been her puppet. She let him worship Italy, and reform Sawston--just as she had let Harriet be Low Church. She had let him talk as much as he liked. But when she wanted a thing she always got it. And though she was frightening him, she did not inspire him with reverence. Her life, he saw, was without meaning. To what purpose was her diplomacy, her insincerity, her continued repression of vigour? Did they make any one better or happier? Did they even bring happiness to herself? Harriet with her gloomy peevish creed, Lilia with her clutches after pleasure, were after all more divine than this well-ordered, active, useless machine. Now that his mother had wounded his vanity he could criticize her thus. But he could not rebel. To the end of his days he could probably go on doing what she wanted. He watched with a cold interest the duel between her and Miss Abbott. Mrs. Herriton s policy only appeared gradually. It was to prevent Miss Abbott interfering with the child at all costs, and if possible to prevent her at a small cost. Pride was the only solid element in her disposition. She could not bear to seem less charitable than others.</|quote|>"I am planning what can | have him. I don t care if I am impulsive."<|quote|>He was sure that she was not impulsive, but did not dare to say so. Her ability frightened him. All his life he had been her puppet. She let him worship Italy, and reform Sawston--just as she had let Harriet be Low Church. She had let him talk as much as he liked. But when she wanted a thing she always got it. And though she was frightening him, she did not inspire him with reverence. Her life, he saw, was without meaning. To what purpose was her diplomacy, her insincerity, her continued repression of vigour? Did they make any one better or happier? Did they even bring happiness to herself? Harriet with her gloomy peevish creed, Lilia with her clutches after pleasure, were after all more divine than this well-ordered, active, useless machine. Now that his mother had wounded his vanity he could criticize her thus. But he could not rebel. To the end of his days he could probably go on doing what she wanted. He watched with a cold interest the duel between her and Miss Abbott. Mrs. Herriton s policy only appeared gradually. It was to prevent Miss Abbott interfering with the child at all costs, and if possible to prevent her at a small cost. Pride was the only solid element in her disposition. She could not bear to seem less charitable than others.</|quote|>"I am planning what can be done," she would tell | said she, flushing at what she knew to be an insult. "Say, if you choose, that I talk like Irma. That child has seen the thing more clearly than any of us. She longs for her little brother. She shall have him. I don t care if I am impulsive."<|quote|>He was sure that she was not impulsive, but did not dare to say so. Her ability frightened him. All his life he had been her puppet. She let him worship Italy, and reform Sawston--just as she had let Harriet be Low Church. She had let him talk as much as he liked. But when she wanted a thing she always got it. And though she was frightening him, she did not inspire him with reverence. Her life, he saw, was without meaning. To what purpose was her diplomacy, her insincerity, her continued repression of vigour? Did they make any one better or happier? Did they even bring happiness to herself? Harriet with her gloomy peevish creed, Lilia with her clutches after pleasure, were after all more divine than this well-ordered, active, useless machine. Now that his mother had wounded his vanity he could criticize her thus. But he could not rebel. To the end of his days he could probably go on doing what she wanted. He watched with a cold interest the duel between her and Miss Abbott. Mrs. Herriton s policy only appeared gradually. It was to prevent Miss Abbott interfering with the child at all costs, and if possible to prevent her at a small cost. Pride was the only solid element in her disposition. She could not bear to seem less charitable than others.</|quote|>"I am planning what can be done," she would tell people, "and that kind Caroline Abbott is helping me. It is no business of either of us, but we are getting to feel that the baby must not be left entirely to that horrible man. It would be unfair to | impertinent. None the less she is showing me my duty. If I can rescue poor Lilia s baby from that horrible man, who will bring it up either as Papist or infidel--who will certainly bring it up to be vicious--I shall do it." "You talk like Harriet." "And why not?" said she, flushing at what she knew to be an insult. "Say, if you choose, that I talk like Irma. That child has seen the thing more clearly than any of us. She longs for her little brother. She shall have him. I don t care if I am impulsive."<|quote|>He was sure that she was not impulsive, but did not dare to say so. Her ability frightened him. All his life he had been her puppet. She let him worship Italy, and reform Sawston--just as she had let Harriet be Low Church. She had let him talk as much as he liked. But when she wanted a thing she always got it. And though she was frightening him, she did not inspire him with reverence. Her life, he saw, was without meaning. To what purpose was her diplomacy, her insincerity, her continued repression of vigour? Did they make any one better or happier? Did they even bring happiness to herself? Harriet with her gloomy peevish creed, Lilia with her clutches after pleasure, were after all more divine than this well-ordered, active, useless machine. Now that his mother had wounded his vanity he could criticize her thus. But he could not rebel. To the end of his days he could probably go on doing what she wanted. He watched with a cold interest the duel between her and Miss Abbott. Mrs. Herriton s policy only appeared gradually. It was to prevent Miss Abbott interfering with the child at all costs, and if possible to prevent her at a small cost. Pride was the only solid element in her disposition. She could not bear to seem less charitable than others.</|quote|>"I am planning what can be done," she would tell people, "and that kind Caroline Abbott is helping me. It is no business of either of us, but we are getting to feel that the baby must not be left entirely to that horrible man. It would be unfair to little Irma; after all, he is her half-brother. No, we have come to nothing definite." Miss Abbott was equally civil, but not to be appeased by good intentions. The child s welfare was a sacred duty to her, not a matter of pride or even of sentiment. By it alone, | frankly," she continued, "that after all we may have responsibilities." "I don t understand you, Mother. You are turning absolutely round. What are you up to?" In one moment an impenetrable barrier had been erected between them. They were no longer in smiling confidence. Mrs. Herriton was off on tactics of her own--tactics which might be beyond or beneath him. His remark offended her. "Up to? I am wondering whether I ought not to adopt the child. Is that sufficiently plain?" "And this is the result of half-a-dozen idiocies of Miss Abbott?" "It is. I repeat, she has been extremely impertinent. None the less she is showing me my duty. If I can rescue poor Lilia s baby from that horrible man, who will bring it up either as Papist or infidel--who will certainly bring it up to be vicious--I shall do it." "You talk like Harriet." "And why not?" said she, flushing at what she knew to be an insult. "Say, if you choose, that I talk like Irma. That child has seen the thing more clearly than any of us. She longs for her little brother. She shall have him. I don t care if I am impulsive."<|quote|>He was sure that she was not impulsive, but did not dare to say so. Her ability frightened him. All his life he had been her puppet. She let him worship Italy, and reform Sawston--just as she had let Harriet be Low Church. She had let him talk as much as he liked. But when she wanted a thing she always got it. And though she was frightening him, she did not inspire him with reverence. Her life, he saw, was without meaning. To what purpose was her diplomacy, her insincerity, her continued repression of vigour? Did they make any one better or happier? Did they even bring happiness to herself? Harriet with her gloomy peevish creed, Lilia with her clutches after pleasure, were after all more divine than this well-ordered, active, useless machine. Now that his mother had wounded his vanity he could criticize her thus. But he could not rebel. To the end of his days he could probably go on doing what she wanted. He watched with a cold interest the duel between her and Miss Abbott. Mrs. Herriton s policy only appeared gradually. It was to prevent Miss Abbott interfering with the child at all costs, and if possible to prevent her at a small cost. Pride was the only solid element in her disposition. She could not bear to seem less charitable than others.</|quote|>"I am planning what can be done," she would tell people, "and that kind Caroline Abbott is helping me. It is no business of either of us, but we are getting to feel that the baby must not be left entirely to that horrible man. It would be unfair to little Irma; after all, he is her half-brother. No, we have come to nothing definite." Miss Abbott was equally civil, but not to be appeased by good intentions. The child s welfare was a sacred duty to her, not a matter of pride or even of sentiment. By it alone, she felt, could she undo a little of the evil that she had permitted to come into the world. To her imagination Monteriano had become a magic city of vice, beneath whose towers no person could grow up happy or pure. Sawston, with its semi-detached houses and snobby schools, its book teas and bazaars, was certainly petty and dull; at times she found it even contemptible. But it was not a place of sin, and at Sawston, either with the Herritons or with herself, the baby should grow up. As soon as it was inevitable, Mrs. Herriton wrote a letter | and sent back to Sunday-school." His mother said nothing. "But don t you see--she is practically threatening us? You can t put her off with Mrs. Theobald; she knows as well as we do that she is a nonentity. If we don t do anything she s going to raise a scandal--that we neglect our relatives, &c., which is, of course, a lie. Still she ll say it. Oh, dear, sweet, sober Caroline Abbott has a screw loose! We knew it at Monteriano. I had my suspicions last year one day in the train; and here it is again. The young person is mad." She still said nothing. "Shall I go round at once and give it her well? I d really enjoy it." In a low, serious voice--such a voice as she had not used to him for months--Mrs. Herriton said, "Caroline has been extremely impertinent. Yet there may be something in what she says after all. Ought the child to grow up in that place--and with that father?" Philip started and shuddered. He saw that his mother was not sincere. Her insincerity to others had amused him, but it was disheartening when used against himself. "Let us admit frankly," she continued, "that after all we may have responsibilities." "I don t understand you, Mother. You are turning absolutely round. What are you up to?" In one moment an impenetrable barrier had been erected between them. They were no longer in smiling confidence. Mrs. Herriton was off on tactics of her own--tactics which might be beyond or beneath him. His remark offended her. "Up to? I am wondering whether I ought not to adopt the child. Is that sufficiently plain?" "And this is the result of half-a-dozen idiocies of Miss Abbott?" "It is. I repeat, she has been extremely impertinent. None the less she is showing me my duty. If I can rescue poor Lilia s baby from that horrible man, who will bring it up either as Papist or infidel--who will certainly bring it up to be vicious--I shall do it." "You talk like Harriet." "And why not?" said she, flushing at what she knew to be an insult. "Say, if you choose, that I talk like Irma. That child has seen the thing more clearly than any of us. She longs for her little brother. She shall have him. I don t care if I am impulsive."<|quote|>He was sure that she was not impulsive, but did not dare to say so. Her ability frightened him. All his life he had been her puppet. She let him worship Italy, and reform Sawston--just as she had let Harriet be Low Church. She had let him talk as much as he liked. But when she wanted a thing she always got it. And though she was frightening him, she did not inspire him with reverence. Her life, he saw, was without meaning. To what purpose was her diplomacy, her insincerity, her continued repression of vigour? Did they make any one better or happier? Did they even bring happiness to herself? Harriet with her gloomy peevish creed, Lilia with her clutches after pleasure, were after all more divine than this well-ordered, active, useless machine. Now that his mother had wounded his vanity he could criticize her thus. But he could not rebel. To the end of his days he could probably go on doing what she wanted. He watched with a cold interest the duel between her and Miss Abbott. Mrs. Herriton s policy only appeared gradually. It was to prevent Miss Abbott interfering with the child at all costs, and if possible to prevent her at a small cost. Pride was the only solid element in her disposition. She could not bear to seem less charitable than others.</|quote|>"I am planning what can be done," she would tell people, "and that kind Caroline Abbott is helping me. It is no business of either of us, but we are getting to feel that the baby must not be left entirely to that horrible man. It would be unfair to little Irma; after all, he is her half-brother. No, we have come to nothing definite." Miss Abbott was equally civil, but not to be appeased by good intentions. The child s welfare was a sacred duty to her, not a matter of pride or even of sentiment. By it alone, she felt, could she undo a little of the evil that she had permitted to come into the world. To her imagination Monteriano had become a magic city of vice, beneath whose towers no person could grow up happy or pure. Sawston, with its semi-detached houses and snobby schools, its book teas and bazaars, was certainly petty and dull; at times she found it even contemptible. But it was not a place of sin, and at Sawston, either with the Herritons or with herself, the baby should grow up. As soon as it was inevitable, Mrs. Herriton wrote a letter for Waters and Adamson to send to Gino--the oddest letter; Philip saw a copy of it afterwards. Its ostensible purpose was to complain of the picture postcards. Right at the end, in a few nonchalant sentences, she offered to adopt the child, provided that Gino would undertake never to come near it, and would surrender some of Lilia s money for its education. "What do you think of it?" she asked her son. "It would not do to let him know that we are anxious for it." "Certainly he will never suppose that." "But what effect will the letter have on him?" "When he gets it he will do a sum. If it is less expensive in the long run to part with a little money and to be clear of the baby, he will part with it. If he would lose, he will adopt the tone of the loving father." "Dear, you re shockingly cynical." After a pause she added, "How would the sum work out?" "I don t know, I m sure. But if you wanted to ensure the baby being posted by return, you should have sent a little sum to HIM. Oh, I m not cynical--at | well knowing what the matter was. "Yes, I have. I came to ask you; have any steps been taken?" Philip was astonished. The question was impertinent in the extreme. He had a regard for Miss Abbott, and regretted that she had been guilty of it. "About the baby?" asked Mrs. Herriton pleasantly. "Yes." "As far as I know, no steps. Mrs. Theobald may have decided on something, but I have not heard of it." "I was meaning, had you decided on anything?" "The child is no relation of ours," said Philip. "It is therefore scarcely for us to interfere." His mother glanced at him nervously. "Poor Lilia was almost a daughter to me once. I know what Miss Abbott means. But now things have altered. Any initiative would naturally come from Mrs. Theobald." "But does not Mrs. Theobald always take any initiative from you?" asked Miss Abbott. Mrs. Herriton could not help colouring. "I sometimes have given her advice in the past. I should not presume to do so now." "Then is nothing to be done for the child at all?" "It is extraordinarily good of you to take this unexpected interest," said Philip. "The child came into the world through my negligence," replied Miss Abbott. "It is natural I should take an interest in it." "My dear Caroline," said Mrs. Herriton, "you must not brood over the thing. Let bygones be bygones. The child should worry you even less than it worries us. We never even mention it. It belongs to another world." Miss Abbott got up without replying and turned to go. Her extreme gravity made Mrs. Herriton uneasy. "Of course," she added, "if Mrs. Theobald decides on any plan that seems at all practicable--I must say I don t see any such--I shall ask if I may join her in it, for Irma s sake, and share in any possible expenses." "Please would you let me know if she decides on anything. I should like to join as well." "My dear, how you throw about your money! We would never allow it." "And if she decides on nothing, please also let me know. Let me know in any case." Mrs. Herriton made a point of kissing her. "Is the young person mad?" burst out Philip as soon as she had departed. "Never in my life have I seen such colossal impertinence. She ought to be well smacked, and sent back to Sunday-school." His mother said nothing. "But don t you see--she is practically threatening us? You can t put her off with Mrs. Theobald; she knows as well as we do that she is a nonentity. If we don t do anything she s going to raise a scandal--that we neglect our relatives, &c., which is, of course, a lie. Still she ll say it. Oh, dear, sweet, sober Caroline Abbott has a screw loose! We knew it at Monteriano. I had my suspicions last year one day in the train; and here it is again. The young person is mad." She still said nothing. "Shall I go round at once and give it her well? I d really enjoy it." In a low, serious voice--such a voice as she had not used to him for months--Mrs. Herriton said, "Caroline has been extremely impertinent. Yet there may be something in what she says after all. Ought the child to grow up in that place--and with that father?" Philip started and shuddered. He saw that his mother was not sincere. Her insincerity to others had amused him, but it was disheartening when used against himself. "Let us admit frankly," she continued, "that after all we may have responsibilities." "I don t understand you, Mother. You are turning absolutely round. What are you up to?" In one moment an impenetrable barrier had been erected between them. They were no longer in smiling confidence. Mrs. Herriton was off on tactics of her own--tactics which might be beyond or beneath him. His remark offended her. "Up to? I am wondering whether I ought not to adopt the child. Is that sufficiently plain?" "And this is the result of half-a-dozen idiocies of Miss Abbott?" "It is. I repeat, she has been extremely impertinent. None the less she is showing me my duty. If I can rescue poor Lilia s baby from that horrible man, who will bring it up either as Papist or infidel--who will certainly bring it up to be vicious--I shall do it." "You talk like Harriet." "And why not?" said she, flushing at what she knew to be an insult. "Say, if you choose, that I talk like Irma. That child has seen the thing more clearly than any of us. She longs for her little brother. She shall have him. I don t care if I am impulsive."<|quote|>He was sure that she was not impulsive, but did not dare to say so. Her ability frightened him. All his life he had been her puppet. She let him worship Italy, and reform Sawston--just as she had let Harriet be Low Church. She had let him talk as much as he liked. But when she wanted a thing she always got it. And though she was frightening him, she did not inspire him with reverence. Her life, he saw, was without meaning. To what purpose was her diplomacy, her insincerity, her continued repression of vigour? Did they make any one better or happier? Did they even bring happiness to herself? Harriet with her gloomy peevish creed, Lilia with her clutches after pleasure, were after all more divine than this well-ordered, active, useless machine. Now that his mother had wounded his vanity he could criticize her thus. But he could not rebel. To the end of his days he could probably go on doing what she wanted. He watched with a cold interest the duel between her and Miss Abbott. Mrs. Herriton s policy only appeared gradually. It was to prevent Miss Abbott interfering with the child at all costs, and if possible to prevent her at a small cost. Pride was the only solid element in her disposition. She could not bear to seem less charitable than others.</|quote|>"I am planning what can be done," she would tell people, "and that kind Caroline Abbott is helping me. It is no business of either of us, but we are getting to feel that the baby must not be left entirely to that horrible man. It would be unfair to little Irma; after all, he is her half-brother. No, we have come to nothing definite." Miss Abbott was equally civil, but not to be appeased by good intentions. The child s welfare was a sacred duty to her, not a matter of pride or even of sentiment. By it alone, she felt, could she undo a little of the evil that she had permitted to come into the world. To her imagination Monteriano had become a magic city of vice, beneath whose towers no person could grow up happy or pure. Sawston, with its semi-detached houses and snobby schools, its book teas and bazaars, was certainly petty and dull; at times she found it even contemptible. But it was not a place of sin, and at Sawston, either with the Herritons or with herself, the baby should grow up. As soon as it was inevitable, Mrs. Herriton wrote a letter for Waters and Adamson to send to Gino--the oddest letter; Philip saw a copy of it afterwards. Its ostensible purpose was to complain of the picture postcards. Right at the end, in a few nonchalant sentences, she offered to adopt the child, provided that Gino would undertake never to come near it, and would surrender some of Lilia s money for its education. "What do you think of it?" she asked her son. "It would not do to let him know that we are anxious for it." "Certainly he will never suppose that." "But what effect will the letter have on him?" "When he gets it he will do a sum. If it is less expensive in the long run to part with a little money and to be clear of the baby, he will part with it. If he would lose, he will adopt the tone of the loving father." "Dear, you re shockingly cynical." After a pause she added, "How would the sum work out?" "I don t know, I m sure. But if you wanted to ensure the baby being posted by return, you should have sent a little sum to HIM. Oh, I m not cynical--at least I only go by what I know of him. But I am weary of the whole show. Weary of Italy. Weary, weary, weary. Sawston s a kind, pitiful place, isn t it? I will go walk in it and seek comfort." He smiled as he spoke, for the sake of not appearing serious. When he had left her she began to smile also. It was to the Abbotts that he walked. Mr. Abbott offered him tea, and Caroline, who was keeping up her Italian in the next room, came in to pour it out. He told them that his mother had written to Signor Carella, and they both uttered fervent wishes for her success. "Very fine of Mrs. Herriton, very fine indeed," said Mr. Abbott, who, like every one else, knew nothing of his daughter s exasperating behaviour. "I m afraid it will mean a lot of expense. She will get nothing out of Italy without paying." "There are sure to be incidental expenses," said Philip cautiously. Then he turned to Miss Abbott and said, "Do you suppose we shall have difficulty with the man?" "It depends," she replied, with equal caution. "From what you saw of him, should you conclude that he would make an affectionate parent?" "I don t go by what I saw of him, but by what I know of him." "Well, what do you conclude from that?" "That he is a thoroughly wicked man." "Yet thoroughly wicked men have loved their children. Look at Rodrigo Borgia, for example." "I have also seen examples of that in my district." With this remark the admirable young woman rose, and returned to keep up her Italian. She puzzled Philip extremely. He could understand enthusiasm, but she did not seem the least enthusiastic. He could understand pure cussedness, but it did not seem to be that either. Apparently she was deriving neither amusement nor profit from the struggle. Why, then, had she undertaken it? Perhaps she was not sincere. Perhaps, on the whole, that was most likely. She must be professing one thing and aiming at another. What the other thing could be he did not stop to consider. Insincerity was becoming his stock explanation for anything unfamiliar, whether that thing was a kindly action or a high ideal. "She fences well," he said to his mother afterwards. "What had you to fence about?" she said suavely. Her | added, "if Mrs. Theobald decides on any plan that seems at all practicable--I must say I don t see any such--I shall ask if I may join her in it, for Irma s sake, and share in any possible expenses." "Please would you let me know if she decides on anything. I should like to join as well." "My dear, how you throw about your money! We would never allow it." "And if she decides on nothing, please also let me know. Let me know in any case." Mrs. Herriton made a point of kissing her. "Is the young person mad?" burst out Philip as soon as she had departed. "Never in my life have I seen such colossal impertinence. She ought to be well smacked, and sent back to Sunday-school." His mother said nothing. "But don t you see--she is practically threatening us? You can t put her off with Mrs. Theobald; she knows as well as we do that she is a nonentity. If we don t do anything she s going to raise a scandal--that we neglect our relatives, &c., which is, of course, a lie. Still she ll say it. Oh, dear, sweet, sober Caroline Abbott has a screw loose! We knew it at Monteriano. I had my suspicions last year one day in the train; and here it is again. The young person is mad." She still said nothing. "Shall I go round at once and give it her well? I d really enjoy it." In a low, serious voice--such a voice as she had not used to him for months--Mrs. Herriton said, "Caroline has been extremely impertinent. Yet there may be something in what she says after all. Ought the child to grow up in that place--and with that father?" Philip started and shuddered. He saw that his mother was not sincere. Her insincerity to others had amused him, but it was disheartening when used against himself. "Let us admit frankly," she continued, "that after all we may have responsibilities." "I don t understand you, Mother. You are turning absolutely round. What are you up to?" In one moment an impenetrable barrier had been erected between them. They were no longer in smiling confidence. Mrs. Herriton was off on tactics of her own--tactics which might be beyond or beneath him. His remark offended her. "Up to? I am wondering whether I ought not to adopt the child. Is that sufficiently plain?" "And this is the result of half-a-dozen idiocies of Miss Abbott?" "It is. I repeat, she has been extremely impertinent. None the less she is showing me my duty. If I can rescue poor Lilia s baby from that horrible man, who will bring it up either as Papist or infidel--who will certainly bring it up to be vicious--I shall do it." "You talk like Harriet." "And why not?" said she, flushing at what she knew to be an insult. "Say, if you choose, that I talk like Irma. That child has seen the thing more clearly than any of us. She longs for her little brother. She shall have him. I don t care if I am impulsive."<|quote|>He was sure that she was not impulsive, but did not dare to say so. Her ability frightened him. All his life he had been her puppet. She let him worship Italy, and reform Sawston--just as she had let Harriet be Low Church. She had let him talk as much as he liked. But when she wanted a thing she always got it. And though she was frightening him, she did not inspire him with reverence. Her life, he saw, was without meaning. To what purpose was her diplomacy, her insincerity, her continued repression of vigour? Did they make any one better or happier? Did they even bring happiness to herself? Harriet with her gloomy peevish creed, Lilia with her clutches after pleasure, were after all more divine than this well-ordered, active, useless machine. Now that his mother had wounded his vanity he could criticize her thus. But he could not rebel. To the end of his days he could probably go on doing what she wanted. He watched with a cold interest the duel between her and Miss Abbott. Mrs. Herriton s policy only appeared gradually. It was to prevent Miss Abbott interfering with the child at all costs, and if possible to prevent her at a small cost. Pride was the only solid element in her disposition. She could not bear to seem less charitable than others.</|quote|>"I am planning what can be done," she would tell people, "and that kind Caroline Abbott is helping me. It is no business of either of us, but we are getting to feel that the baby must not be left entirely to that horrible man. It would be unfair to little Irma; after all, he is her half-brother. No, we have come to nothing definite." Miss Abbott was equally civil, but not to be appeased by good intentions. The child s welfare was a sacred duty to her, not a matter of pride or even of sentiment. By it alone, she felt, could she undo a little of the evil that she had permitted to come into the world. To her imagination Monteriano had become a magic city of vice, beneath whose towers no person could grow up happy or pure. Sawston, with its semi-detached houses and snobby schools, its book teas and bazaars, was certainly petty and dull; at times she found it even contemptible. But it was not a place of sin, and at Sawston, either with the Herritons or with herself, the baby should grow up. As soon as it was inevitable, Mrs. Herriton wrote a letter for Waters and Adamson to send to Gino--the oddest letter; Philip saw a copy of it afterwards. Its ostensible purpose was to complain of the picture postcards. Right at the end, in a few nonchalant sentences, she offered to adopt the child, provided that Gino would undertake never to come near it, and would surrender some of Lilia s money for its education. "What do you think of it?" she asked her son. "It would not do to let him know that we are anxious for it." "Certainly he will never suppose that." "But what effect will the letter have on him?" "When he gets it he will do a sum. If it is less expensive in the long run to part with a little money and to be clear of the baby, he will part with it. If he would lose, he will adopt the tone of the loving father." "Dear, you re shockingly cynical." After a pause she added, "How would the sum work out?" "I don t know, I m sure. But if you wanted to ensure the baby being posted by return, you should have sent a little sum to HIM. Oh, I m not cynical--at least I only go by what I know of him. But I am weary of the whole show. Weary of Italy. Weary, weary, weary. Sawston s a kind, pitiful place, isn t it? I will go walk in it and seek comfort." He smiled as he spoke, for the sake of not appearing serious. When he had left her she began to smile also. It was to the Abbotts that he walked. Mr. Abbott offered him tea, and Caroline, who was keeping up her Italian in the next room, came in to pour it out. He told them that his mother had written to Signor Carella, and they both uttered fervent wishes for her success. "Very fine of Mrs. Herriton, very fine indeed," said Mr. Abbott, who, like every one else, knew nothing of his daughter s exasperating behaviour. "I m afraid it will mean a lot of expense. She will get | Where Angels Fear To Tread |
he said, | No speaker | find Potapitch awaiting me. "Sir,"<|quote|>he said,</|quote|>"my mistress is asking for | and I opened it to find Potapitch awaiting me. "Sir,"<|quote|>he said,</|quote|>"my mistress is asking for you." "Indeed? But she is | the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir,"<|quote|>he said,</|quote|>"my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms | hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir,"<|quote|>he said,</|quote|>"my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does | of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!" cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further. "If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir,"<|quote|>he said,</|quote|>"my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s | bring you good of any sort." [3] Translated literally The Great Poulterer. Polina coloured hotly, and even I started. "For," thought I to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!" cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further. "If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir,"<|quote|>he said,</|quote|>"my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s chair happened to be passing, I bowed and withdrew. "What folly!" the Grandmother shouted after me. "Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry me along." I failed to find Mr. Astley, and returned home. It was now growing late it was past midnight, but I subsequently learnt from Potapitch how the Grandmother s day had ended. She had lost all the money which, earlier in the day, I had got for her paper securities a sum amounting to about ten thousand roubles. This she did under the direction of the Pole whom, that afternoon, she had dowered with two ten-g lden pieces. But before his arrival on the scene, she had commanded Potapitch to stake for her; until at length she had told him also to go about his business. Upon that the Pole had leapt into the breach. Not only did it happen that he knew the Russian language, but also he could speak a mixture of three different dialects, so that the pair were able to understand one another. Yet the old lady never ceased to abuse him, despite his | of it if you liked, and keep away from me for weeks together. Will you come with me or will you not?" "First of all, let me ask of _you_," replied Polina, "whether you are intending to depart at once?" "What? You suppose me to be jesting? I have said that I am going, and I _am_ going. Today I have squandered fifteen thousand roubles at that accursed roulette of yours, and though, five years ago, I promised the people of a certain suburb of Moscow to build them a stone church in place of a wooden one, I have been fooling away my money here! However, I am going back now to build my church." "But what about the waters, Grandmamma? Surely you came here to take the waters?" "You and your waters! Do not anger me, Prascovia. Surely you are trying to? Say, then: will you, or will you not, come with me?" "Grandmamma," Polina replied with deep feeling, "I am very, very grateful to you for the shelter which you have so kindly offered me. Also, to a certain extent you have guessed my position aright, and I am beholden to you to such an extent that it may be that I _will_ come and live with you, and that very soon; yet there are important reasons why why I cannot make up my mind just yet. If you would let me have, say, a couple of weeks to decide in ?" "You mean that you are _not_ coming?" "I mean only that I cannot come just yet. At all events, I could not well leave my little brother and sister here, since, since if I were to leave them they would be abandoned altogether. But if, Grandmamma, you would take the little ones _and_ myself, then, of course, I could come with you, and would do all I could to serve you" (this she said with great earnestness). "Only, without the little ones I _cannot_ come." "Do not make a fuss" (as a matter of fact Polina never at any time either fussed or wept). "The Great Foster-Father" [3] "can find for all his chicks a place. You are not coming without the children? But see here, Prascovia. I wish you well, and nothing but well: yet I have divined the reason why you will not come. Yes, I know all, Prascovia. That Frenchman will never bring you good of any sort." [3] Translated literally The Great Poulterer. Polina coloured hotly, and even I started. "For," thought I to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!" cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further. "If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir,"<|quote|>he said,</|quote|>"my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s chair happened to be passing, I bowed and withdrew. "What folly!" the Grandmother shouted after me. "Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry me along." I failed to find Mr. Astley, and returned home. It was now growing late it was past midnight, but I subsequently learnt from Potapitch how the Grandmother s day had ended. She had lost all the money which, earlier in the day, I had got for her paper securities a sum amounting to about ten thousand roubles. This she did under the direction of the Pole whom, that afternoon, she had dowered with two ten-g lden pieces. But before his arrival on the scene, she had commanded Potapitch to stake for her; until at length she had told him also to go about his business. Upon that the Pole had leapt into the breach. Not only did it happen that he knew the Russian language, but also he could speak a mixture of three different dialects, so that the pair were able to understand one another. Yet the old lady never ceased to abuse him, despite his deferential manner, and to compare him unfavourably with myself (so, at all events, Potapitch declared). "_You_," the old chamberlain said to me, "treated her as a gentleman should, but he he robbed her right and left, as I could see with my own eyes. Twice she caught him at it, and rated him soundly. On one occasion she even pulled his hair, so that the bystanders burst out laughing. Yet she lost everything, sir that is to say, she lost all that you had changed for her. Then we brought her home, and, after asking for some water and saying her prayers, she went to bed. So worn out was she that she fell asleep at once. May God send her dreams of angels! And _this_ is all that foreign travel has done for us! Oh, my own Moscow! For what have we not at home there, in Moscow? Such a garden and flowers as you could never see here, and fresh air and apple-trees coming into blossom, and a beautiful view to look upon. Ah, but what must she do but go travelling abroad? Alack, alack!" XIII Almost a month has passed since I last touched these notes notes which I began under the influence of impressions at once poignant and disordered. The crisis which I then felt to be approaching has now arrived, but in a form a hundred times more extensive and unexpected than I had looked for. To me it all seems strange, uncouth, and tragic. Certain occurrences have befallen me which border upon the marvellous. At all events, that is how I view them. I view them so in one regard at least. I refer to the whirlpool of events in which, at the time, I was revolving. But the most curious feature of all is my relation to those events, for hitherto I had never clearly understood myself. Yet now the actual crisis has passed away like a dream. Even my passion for Polina is dead. _Was_ it ever so strong and genuine as I thought? If so, what has become of it now? At times I fancy that I must be mad; that somewhere I am sitting in a madhouse; that these events have merely _seemed_ to happen; that still they merely _seem_ to be happening. I have been arranging and re-perusing my notes (perhaps for the purpose of convincing myself that I | course, I could come with you, and would do all I could to serve you" (this she said with great earnestness). "Only, without the little ones I _cannot_ come." "Do not make a fuss" (as a matter of fact Polina never at any time either fussed or wept). "The Great Foster-Father" [3] "can find for all his chicks a place. You are not coming without the children? But see here, Prascovia. I wish you well, and nothing but well: yet I have divined the reason why you will not come. Yes, I know all, Prascovia. That Frenchman will never bring you good of any sort." [3] Translated literally The Great Poulterer. Polina coloured hotly, and even I started. "For," thought I to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!" cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further. "If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir,"<|quote|>he said,</|quote|>"my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s chair happened to be passing, I bowed and withdrew. "What folly!" the Grandmother shouted after me. "Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry me along." I failed to find Mr. Astley, and returned home. It was now growing late it was past midnight, but I subsequently learnt from Potapitch how the Grandmother s day had ended. She had lost all the money which, earlier in the day, I had got for her paper securities a sum amounting to about ten thousand roubles. This she did under the direction of the Pole whom, that afternoon, she had dowered with two ten-g lden pieces. But before his arrival on the scene, she had commanded Potapitch to stake for her; until at length she had told him also to go about his business. Upon that the Pole had leapt into the breach. Not only did it happen that he knew the Russian language, but also he could speak a mixture of three different dialects, so that the pair were able to understand one another. Yet the old lady never ceased to abuse him, despite his deferential manner, and to compare him unfavourably with myself (so, at all events, Potapitch declared). "_You_," the old chamberlain said to me, "treated her as a gentleman should, but he he robbed her right and left, as I could see with my own eyes. Twice she caught him at it, and rated him soundly. On one occasion she even pulled his | The Gambler |
"Do you know any dirt?" | Jake Barnes | only half of them written.<|quote|>"Do you know any dirt?"</|quote|>I asked. "No." "None of | a week's mail stories, and only half of them written.<|quote|>"Do you know any dirt?"</|quote|>I asked. "No." "None of your exalted connections getting divorces?" | know. I never wanted to go. Too expensive. You can see all the South Americans you want in Paris anyway." "They're not the real South Americans." "They look awfully real to me." I had a boat train to catch with a week's mail stories, and only half of them written.<|quote|>"Do you know any dirt?"</|quote|>I asked. "No." "None of your exalted connections getting divorces?" "No; listen, Jake. If I handled both our expenses, would you go to South America with me?" "Why me?" "You can talk Spanish. And it would be more fun with two of us." "No," I said, "I like this town | off. I did not realize the extent to which it had set him off until one day he came into my office. "Hello, Robert," I said. "Did you come in to cheer me up?" "Would you like to go to South America, Jake?" he asked. "No." "Why not?" "I don't know. I never wanted to go. Too expensive. You can see all the South Americans you want in Paris anyway." "They're not the real South Americans." "They look awfully real to me." I had a boat train to catch with a week's mail stories, and only half of them written.<|quote|>"Do you know any dirt?"</|quote|>I asked. "No." "None of your exalted connections getting divorces?" "No; listen, Jake. If I handled both our expenses, would you go to South America with me?" "Why me?" "You can talk Spanish. And it would be more fun with two of us." "No," I said, "I like this town and I go to Spain in the summer-time." "All my life I've wanted to go on a trip like that," Cohn said. He sat down. "I'll be too old before I can ever do it." "Don't be a fool," I said. "You can go anywhere you want. You've got plenty | well described. For a man to take it at thirty-four as a guide-book to what life holds is about as safe as it would be for a man of the same age to enter Wall Street direct from a French convent, equipped with a complete set of the more practical Alger books. Cohn, I believe, took every word of "The Purple Land" as literally as though it had been an R. G. Dun report. You understand me, he made some reservations, but on the whole the book to him was sound. It was all that was needed to set him off. I did not realize the extent to which it had set him off until one day he came into my office. "Hello, Robert," I said. "Did you come in to cheer me up?" "Would you like to go to South America, Jake?" he asked. "No." "Why not?" "I don't know. I never wanted to go. Too expensive. You can see all the South Americans you want in Paris anyway." "They're not the real South Americans." "They look awfully real to me." I had a boat train to catch with a week's mail stories, and only half of them written.<|quote|>"Do you know any dirt?"</|quote|>I asked. "No." "None of your exalted connections getting divorces?" "No; listen, Jake. If I handled both our expenses, would you go to South America with me?" "Why me?" "You can talk Spanish. And it would be more fun with two of us." "No," I said, "I like this town and I go to Spain in the summer-time." "All my life I've wanted to go on a trip like that," Cohn said. He sat down. "I'll be too old before I can ever do it." "Don't be a fool," I said. "You can go anywhere you want. You've got plenty of money." "I know. But I can't get started." "Cheer up," I said. "All countries look just like the moving pictures." But I felt sorry for him. He had it badly. "I can't stand it to think my life is going so fast and I'm not really living it." "Nobody ever lives their life all the way up except bull-fighters." "I'm not interested in bull-fighters. That's an abnormal life. I want to go back in the country in South America. We could have a great trip." "Did you ever think about going to British East Africa to shoot?" "No, I | time he had in college, and Frances took him on the rebound from his discovery that he had not been everything to his first wife. He was not in love yet but he realized that he was an attractive quantity to women, and that the fact of a woman caring for him and wanting to live with him was not simply a divine miracle. This changed him so that he was not so pleasant to have around. Also, playing for higher stakes than he could afford in some rather steep bridge games with his New York connections, he had held cards and won several hundred dollars. It made him rather vain of his bridge game, and he talked several times of how a man could always make a living at bridge if he were ever forced to. Then there was another thing. He had been reading W. H. Hudson. That sounds like an innocent occupation, but Cohn had read and reread "The Purple Land." "The Purple Land" is a very sinister book if read too late in life. It recounts splendid imaginary amorous adventures of a perfect English gentleman in an intensely romantic land, the scenery of which is very well described. For a man to take it at thirty-four as a guide-book to what life holds is about as safe as it would be for a man of the same age to enter Wall Street direct from a French convent, equipped with a complete set of the more practical Alger books. Cohn, I believe, took every word of "The Purple Land" as literally as though it had been an R. G. Dun report. You understand me, he made some reservations, but on the whole the book to him was sound. It was all that was needed to set him off. I did not realize the extent to which it had set him off until one day he came into my office. "Hello, Robert," I said. "Did you come in to cheer me up?" "Would you like to go to South America, Jake?" he asked. "No." "Why not?" "I don't know. I never wanted to go. Too expensive. You can see all the South Americans you want in Paris anyway." "They're not the real South Americans." "They look awfully real to me." I had a boat train to catch with a week's mail stories, and only half of them written.<|quote|>"Do you know any dirt?"</|quote|>I asked. "No." "None of your exalted connections getting divorces?" "No; listen, Jake. If I handled both our expenses, would you go to South America with me?" "Why me?" "You can talk Spanish. And it would be more fun with two of us." "No," I said, "I like this town and I go to Spain in the summer-time." "All my life I've wanted to go on a trip like that," Cohn said. He sat down. "I'll be too old before I can ever do it." "Don't be a fool," I said. "You can go anywhere you want. You've got plenty of money." "I know. But I can't get started." "Cheer up," I said. "All countries look just like the moving pictures." But I felt sorry for him. He had it badly. "I can't stand it to think my life is going so fast and I'm not really living it." "Nobody ever lives their life all the way up except bull-fighters." "I'm not interested in bull-fighters. That's an abnormal life. I want to go back in the country in South America. We could have a great trip." "Did you ever think about going to British East Africa to shoot?" "No, I wouldn't like that." "I'd go there with you." "No; that doesn't interest me." "That's because you never read a book about it. Go on and read a book all full of love affairs with the beautiful shiny black princesses." "I want to go to South America." He had a hard, Jewish, stubborn streak. "Come on down-stairs and have a drink." "Aren't you working?" "No," I said. We went down the stairs to the caf on the ground floor. I had discovered that was the best way to get rid of friends. Once you had a drink all you had to say was: "Well, I've got to get back and get off some cables," and it was done. It is very important to discover graceful exits like that in the newspaper business, where it is such an important part of the ethics that you should never seem to be working. Anyway, we went down-stairs to the bar and had a whiskey and soda. Cohn looked at the bottles in bins around the wall. "This is a good place," he said. "There's a lot of liquor," I agreed. "Listen, Jake," he leaned forward on the bar. "Don't you ever get the feeling | up to Bruges, or to the Ardennes." Cohn looked relieved. I was not kicked again. I said good-night and went out. Cohn said he wanted to buy a paper and would walk to the corner with me. "For God's sake," he said, "why did you say that about that girl in Strasbourg for? Didn't you see Frances?" "No, why should I? If I know an American girl that lives in Strasbourg what the hell is it to Frances?" "It doesn't make any difference. Any girl. I couldn't go, that would be all." "Don't be silly." "You don't know Frances. Any girl at all. Didn't you see the way she looked?" "Oh, well," I said, "let's go to Senlis." "Don't get sore." "I'm not sore. Senlis is a good place and we can stay at the Grand Cerf and take a hike in the woods and come home." "Good, that will be fine." "Well, I'll see you to-morrow at the courts," I said. "Good-night, Jake," he said, and started back to the caf . "You forgot to get your paper," I said. "That's so." He walked with me up to the kiosque at the corner. "You are not sore, are you, Jake?" He turned with the paper in his hand. "No, why should I be?" "See you at tennis," he said. I watched him walk back to the caf holding his paper. I rather liked him and evidently she led him quite a life. CHAPTER 2 That winter Robert Cohn went over to America with his novel, and it was accepted by a fairly good publisher. His going made an awful row I heard, and I think that was where Frances lost him, because several women were nice to him in New York, and when he came back he was quite changed. He was more enthusiastic about America than ever, and he was not so simple, and he was not so nice. The publishers had praised his novel pretty highly and it rather went to his head. Then several women had put themselves out to be nice to him, and his horizons had all shifted. For four years his horizon had been absolutely limited to his wife. For three years, or almost three years, he had never seen beyond Frances. I am sure he had never been in love in his life. He had married on the rebound from the rotten time he had in college, and Frances took him on the rebound from his discovery that he had not been everything to his first wife. He was not in love yet but he realized that he was an attractive quantity to women, and that the fact of a woman caring for him and wanting to live with him was not simply a divine miracle. This changed him so that he was not so pleasant to have around. Also, playing for higher stakes than he could afford in some rather steep bridge games with his New York connections, he had held cards and won several hundred dollars. It made him rather vain of his bridge game, and he talked several times of how a man could always make a living at bridge if he were ever forced to. Then there was another thing. He had been reading W. H. Hudson. That sounds like an innocent occupation, but Cohn had read and reread "The Purple Land." "The Purple Land" is a very sinister book if read too late in life. It recounts splendid imaginary amorous adventures of a perfect English gentleman in an intensely romantic land, the scenery of which is very well described. For a man to take it at thirty-four as a guide-book to what life holds is about as safe as it would be for a man of the same age to enter Wall Street direct from a French convent, equipped with a complete set of the more practical Alger books. Cohn, I believe, took every word of "The Purple Land" as literally as though it had been an R. G. Dun report. You understand me, he made some reservations, but on the whole the book to him was sound. It was all that was needed to set him off. I did not realize the extent to which it had set him off until one day he came into my office. "Hello, Robert," I said. "Did you come in to cheer me up?" "Would you like to go to South America, Jake?" he asked. "No." "Why not?" "I don't know. I never wanted to go. Too expensive. You can see all the South Americans you want in Paris anyway." "They're not the real South Americans." "They look awfully real to me." I had a boat train to catch with a week's mail stories, and only half of them written.<|quote|>"Do you know any dirt?"</|quote|>I asked. "No." "None of your exalted connections getting divorces?" "No; listen, Jake. If I handled both our expenses, would you go to South America with me?" "Why me?" "You can talk Spanish. And it would be more fun with two of us." "No," I said, "I like this town and I go to Spain in the summer-time." "All my life I've wanted to go on a trip like that," Cohn said. He sat down. "I'll be too old before I can ever do it." "Don't be a fool," I said. "You can go anywhere you want. You've got plenty of money." "I know. But I can't get started." "Cheer up," I said. "All countries look just like the moving pictures." But I felt sorry for him. He had it badly. "I can't stand it to think my life is going so fast and I'm not really living it." "Nobody ever lives their life all the way up except bull-fighters." "I'm not interested in bull-fighters. That's an abnormal life. I want to go back in the country in South America. We could have a great trip." "Did you ever think about going to British East Africa to shoot?" "No, I wouldn't like that." "I'd go there with you." "No; that doesn't interest me." "That's because you never read a book about it. Go on and read a book all full of love affairs with the beautiful shiny black princesses." "I want to go to South America." He had a hard, Jewish, stubborn streak. "Come on down-stairs and have a drink." "Aren't you working?" "No," I said. We went down the stairs to the caf on the ground floor. I had discovered that was the best way to get rid of friends. Once you had a drink all you had to say was: "Well, I've got to get back and get off some cables," and it was done. It is very important to discover graceful exits like that in the newspaper business, where it is such an important part of the ethics that you should never seem to be working. Anyway, we went down-stairs to the bar and had a whiskey and soda. Cohn looked at the bottles in bins around the wall. "This is a good place," he said. "There's a lot of liquor," I agreed. "Listen, Jake," he leaned forward on the bar. "Don't you ever get the feeling that all your life is going by and you're not taking advantage of it? Do you realize you've lived nearly half the time you have to live already?" "Yes, every once in a while." "Do you know that in about thirty-five years more we'll be dead?" "What the hell, Robert," I said. "What the hell." "I'm serious." "It's one thing I don't worry about," I said. "You ought to." "I've had plenty to worry about one time or other. I'm through worrying." "Well, I want to go to South America." "Listen, Robert, going to another country doesn't make any difference. I've tried all that. You can't get away from yourself by moving from one place to another. There's nothing to that." "But you've never been to South America." "South America hell! If you went there the way you feel now it would be exactly the same. This is a good town. Why don't you start living your life in Paris?" "I'm sick of Paris, and I'm sick of the Quarter." "Stay away from the Quarter. Cruise around by yourself and see what happens to you." "Nothing happens to me. I walked alone all one night and nothing happened except a bicycle cop stopped me and asked to see my papers." "Wasn't the town nice at night?" "I don't care for Paris." So there you were. I was sorry for him, but it was not a thing you could do anything about, because right away you ran up against the two stubbornnesses: South America could fix it and he did not like Paris. He got the first idea out of a book, and I suppose the second came out of a book too. "Well," I said, "I've got to go up-stairs and get off some cables." "Do you really have to go?" "Yes, I've got to get these cables off." "Do you mind if I come up and sit around the office?" "No, come on up." He sat in the outer room and read the papers, and the Editor and Publisher and I worked hard for two hours. Then I sorted out the carbons, stamped on a by-line, put the stuff in a couple of big manila envelopes and rang for a boy to take them to the Gare St. Lazare. I went out into the other room and there was Robert Cohn asleep in the big chair. He was asleep | well described. For a man to take it at thirty-four as a guide-book to what life holds is about as safe as it would be for a man of the same age to enter Wall Street direct from a French convent, equipped with a complete set of the more practical Alger books. Cohn, I believe, took every word of "The Purple Land" as literally as though it had been an R. G. Dun report. You understand me, he made some reservations, but on the whole the book to him was sound. It was all that was needed to set him off. I did not realize the extent to which it had set him off until one day he came into my office. "Hello, Robert," I said. "Did you come in to cheer me up?" "Would you like to go to South America, Jake?" he asked. "No." "Why not?" "I don't know. I never wanted to go. Too expensive. You can see all the South Americans you want in Paris anyway." "They're not the real South Americans." "They look awfully real to me." I had a boat train to catch with a week's mail stories, and only half of them written.<|quote|>"Do you know any dirt?"</|quote|>I asked. "No." "None of your exalted connections getting divorces?" "No; listen, Jake. If I handled both our expenses, would you go to South America with me?" "Why me?" "You can talk Spanish. And it would be more fun with two of us." "No," I said, "I like this town and I go to Spain in the summer-time." "All my life I've wanted to go on a trip like that," Cohn said. He sat down. "I'll be too old before I can ever do it." "Don't be a fool," I said. "You can go anywhere you want. You've got plenty of money." "I know. But I can't get started." "Cheer up," I said. "All countries look just like the moving pictures." But I felt sorry for him. He had it badly. "I can't stand it to think my life is going so fast and I'm not really living it." "Nobody ever lives their life all the way up except bull-fighters." "I'm not interested in bull-fighters. That's an abnormal life. I want to go back in the country in South America. We could have a great trip." "Did you ever think about going to British East Africa to shoot?" "No, I wouldn't like that." "I'd go there with you." "No; that doesn't interest me." "That's because you never read a book about it. Go on and read a book all full of love affairs with the beautiful shiny black princesses." "I want to go to South America." He had a hard, Jewish, stubborn streak. "Come on down-stairs and have a drink." "Aren't you working?" "No," I said. We went down the stairs to the caf on the ground floor. I had discovered that was the best way to get rid of friends. Once you had a drink all you had to say was: "Well, I've got to get back and get off some cables," and it was done. It is very important to discover graceful exits like that in the newspaper business, where it is such an important part of the ethics that you should never seem to be working. Anyway, we went down-stairs to the bar and had a whiskey and soda. Cohn looked at the bottles in bins around the wall. "This is a good place," he said. "There's a lot of liquor," I agreed. "Listen, Jake," he leaned forward on the bar. "Don't you ever get the feeling that all your life is going by and you're not taking advantage of it? Do you realize you've lived nearly half the time you have to live already?" "Yes, every once in a while." "Do you know that in about thirty-five years more we'll be dead?" "What the hell, Robert," I said. "What the hell." "I'm serious." "It's one thing I don't worry about," I said. "You ought to." "I've had plenty to worry about one time or other. I'm through worrying." "Well, I want to go to South America." "Listen, Robert, going to another country doesn't make any difference. I've tried all that. You can't get away from yourself by moving from one place to another. There's nothing to that." "But you've never been to South America." "South America hell! If you went there the way you feel now it would be exactly the same. This is a good town. Why don't you | The Sun Also Rises |
"when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now," | Alice | at home," thought poor Alice,<|quote|>"when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,"</|quote|>she added in a sorrowful | unhappy. "It was much pleasanter at home," thought poor Alice,<|quote|>"when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,"</|quote|>she added in a sorrowful tone; "at least there's no | bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice,<|quote|>"when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,"</|quote|>she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice, "shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I | round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What _will_ become of me?" Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice,<|quote|>"when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,"</|quote|>she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice, "shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_" "Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of | ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself "That's quite enough--I hope I shan't grow any more--As it is, I can't get out at the door--I do wish I hadn't drunk quite so much!" Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What _will_ become of me?" Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice,<|quote|>"when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,"</|quote|>she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice, "shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_" "Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened | minute, nurse! But I've got to see that the mouse doesn't get out.' Only I don't think," Alice went on, "that they'd let Dinah stop in the house if it began ordering people about like that!" By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words "DRINK ME," but nevertheless she uncorked it and put it to her lips. "I know _something_ interesting is sure to happen," she said to herself, "whenever I eat or drink anything; so I'll just see what this bottle does. I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!" It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself "That's quite enough--I hope I shan't grow any more--As it is, I can't get out at the door--I do wish I hadn't drunk quite so much!" Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What _will_ become of me?" Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice,<|quote|>"when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,"</|quote|>she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice, "shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_" "Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself "Then I'll go round and get in at the window." "_That_ you won't!" thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall, and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort. Next came an angry voice--the Rabbit's--" "Pat! Pat! Where are you?" And then a voice she had never heard before, "Sure then I'm here! Digging for apples, yer honour!" "Digging for apples, indeed!" said the Rabbit angrily. "Here! Come and help me out of _this!_" (Sounds of more broken glass.) "Now tell me, Pat, what's that in the window?" "Sure, it's an arm, yer honour!" (He pronounced it "arrum.") "An arm, you goose! Who ever saw one that size? Why, it fills the whole window!" "Sure, it does, yer honour: but it's an arm for all | to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance, and she looked up eagerly, half hoping that the Mouse had changed his mind, and was coming back to finish his story. CHAPTER IV. The Rabbit Sends in a Little Bill It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself "The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets! Where _can_ I have dropped them, I wonder?" Alice guessed in a moment that it was looking for the fan and the pair of white kid gloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her in an angry tone, "Why, Mary Ann, what _are_ you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!" And Alice was so much frightened that she ran off at once in the direction it pointed to, without trying to explain the mistake it had made. "He took me for his housemaid," she said to herself as she ran. "How surprised he'll be when he finds out who I am! But I'd better take him his fan and gloves--that is, if I can find them." As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name "W. RABBIT," engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves. "How queer it seems," Alice said to herself, "to be going messages for a rabbit! I suppose Dinah'll be sending me on messages next!" And she began fancying the sort of thing that would happen: "'Miss Alice! Come here directly, and get ready for your walk!' 'Coming in a minute, nurse! But I've got to see that the mouse doesn't get out.' Only I don't think," Alice went on, "that they'd let Dinah stop in the house if it began ordering people about like that!" By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words "DRINK ME," but nevertheless she uncorked it and put it to her lips. "I know _something_ interesting is sure to happen," she said to herself, "whenever I eat or drink anything; so I'll just see what this bottle does. I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!" It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself "That's quite enough--I hope I shan't grow any more--As it is, I can't get out at the door--I do wish I hadn't drunk quite so much!" Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What _will_ become of me?" Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice,<|quote|>"when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,"</|quote|>she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice, "shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_" "Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself "Then I'll go round and get in at the window." "_That_ you won't!" thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall, and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort. Next came an angry voice--the Rabbit's--" "Pat! Pat! Where are you?" And then a voice she had never heard before, "Sure then I'm here! Digging for apples, yer honour!" "Digging for apples, indeed!" said the Rabbit angrily. "Here! Come and help me out of _this!_" (Sounds of more broken glass.) "Now tell me, Pat, what's that in the window?" "Sure, it's an arm, yer honour!" (He pronounced it "arrum.") "An arm, you goose! Who ever saw one that size? Why, it fills the whole window!" "Sure, it does, yer honour: but it's an arm for all that." "Well, it's got no business there, at any rate: go and take it away!" There was a long silence after this, and Alice could only hear whispers now and then; such as, "Sure, I don't like it, yer honour, at all, at all!" "Do as I tell you, you coward!" and at last she spread out her hand again, and made another snatch in the air. This time there were _two_ little shrieks, and more sounds of broken glass. "What a number of cucumber-frames there must be!" thought Alice. "I wonder what they'll do next! As for pulling me out of the window, I only wish they _could!_ I'm sure _I_ don't want to stay in here any longer!" She waited for some time without hearing anything more: at last came a rumbling of little cartwheels, and the sound of a good many voices all talking together: she made out the words: "Where's the other ladder?--Why, I hadn't to bring but one; Bill's got the other--Bill! fetch it here, lad!--Here, put 'em up at this corner--No, tie 'em together first--they don't reach half high enough yet--Oh! they'll do well enough; don't be particular--Here, Bill! catch hold of this rope--Will the roof bear?--Mind that loose slate--Oh, it's coming down! Heads below!" (a loud crash)--"Now, who did that?--It was Bill, I fancy--Who's to go down the chimney?--Nay, _I_ shan't! _You_ do it!--_That_ I won't, then!--Bill's to go down--Here, Bill! the master says you're to go down the chimney!" "Oh! So Bill's got to come down the chimney, has he?" said Alice to herself. "Shy, they seem to put everything upon Bill! I wouldn't be in Bill's place for a good deal: this fireplace is narrow, to be sure; but I _think_ I can kick a little!" She drew her foot as far down the chimney as she could, and waited till she heard a little animal (she couldn't guess of what sort it was) scratching and scrambling about in the chimney close above her: then, saying to herself "This is Bill," she gave one sharp kick, and waited to see what would happen next. The first thing she heard was a general chorus of "There goes Bill!" then the Rabbit's voice along--" "Catch him, you by the hedge!" then silence, and then another confusion of voices--"Hold up his head--Brandy now--Don't choke him--How was it, old fellow? What happened to you? Tell | gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words "DRINK ME," but nevertheless she uncorked it and put it to her lips. "I know _something_ interesting is sure to happen," she said to herself, "whenever I eat or drink anything; so I'll just see what this bottle does. I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!" It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself "That's quite enough--I hope I shan't grow any more--As it is, I can't get out at the door--I do wish I hadn't drunk quite so much!" Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What _will_ become of me?" Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. "It was much pleasanter at home," thought poor Alice,<|quote|>"when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what _can_ have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,"</|quote|>she added in a sorrowful tone; "at least there's no room to grow up any more _here_." "But then," thought Alice, "shall I _never_ get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like _that!_" "Oh, you foolish Alice!" she answered herself. "How can you learn lessons in here? Why, there's hardly room for _you_, and no room at all for any lesson-books!" And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself "Then I'll go round and get in at the window." "_That_ you won't!" thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall, and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort. Next came an angry voice--the Rabbit's--" "Pat! Pat! Where are you?" And then a voice she had never heard before, "Sure then I'm here! Digging for apples, yer honour!" "Digging for apples, indeed!" said the Rabbit angrily. "Here! Come and help me out of _this!_" (Sounds of more broken glass.) "Now tell me, Pat, what's that in the window?" "Sure, it's an arm, yer honour!" (He pronounced it "arrum.") "An arm, you goose! Who ever saw one that size? Why, it fills the whole window!" "Sure, it does, yer honour: but it's an arm for all that." "Well, it's got no business there, at any rate: go and take it away!" There was a long silence after this, and Alice could only hear whispers now and then; such as, "Sure, I don't like it, yer honour, at all, at all!" "Do as I tell you, you coward!" and at last she spread out her hand again, and made another snatch in the air. This time there were _two_ little shrieks, and more sounds of broken glass. "What a number of cucumber-frames there must be!" thought Alice. "I wonder what they'll do next! As for pulling | Alices Adventures In Wonderland |
said Matthew eagerly. | No speaker | Lynde?" "Yes--apologize--that's the very word,"<|quote|>said Matthew eagerly.</|quote|>"Just smooth it over so | you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word,"<|quote|>said Matthew eagerly.</|quote|>"Just smooth it over so to speak. That's what I | you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word,"<|quote|>said Matthew eagerly.</|quote|>"Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I | lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word,"<|quote|>said Matthew eagerly.</|quote|>"Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so | minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word,"<|quote|>said Matthew eagerly.</|quote|>"Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I | ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She'll have her meals regular, and I'll carry them up to her myself. But she'll stay up there until she's willing to apologize to Mrs. Lynde, and that's final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word,"<|quote|>said Matthew eagerly.</|quote|>"Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla | ask Mrs. Lynde to forgive me." "We're not in the habit of shutting people up in dark damp dungeons," said Marilla drily, "especially as they're rather scarce in Avonlea. But apologize to Mrs. Lynde you must and shall and you'll stay here in your room until you can tell me you're willing to do it." "I shall have to stay here forever then," said Anne mournfully, "because I can't tell Mrs. Lynde I'm sorry I said those things to her. How can I? I'm _not_ sorry. I'm sorry I've vexed you; but I'm _glad_ I told her just what I did. It was a great satisfaction. I can't say I'm sorry when I'm not, can I? I can't even _imagine_ I'm sorry." "Perhaps your imagination will be in better working order by the morning," said Marilla, rising to depart. "You'll have the night to think over your conduct in and come to a better frame of mind. You said you would try to be a very good girl if we kept you at Green Gables, but I must say it hasn't seemed very much like it this evening." Leaving this Parthian shaft to rankle in Anne's stormy bosom, Marilla descended to the kitchen, grievously troubled in mind and vexed in soul. She was as angry with herself as with Anne, because, whenever she recalled Mrs. Rachel's dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh. CHAPTER X. Anne's Apology |MARILLA said nothing to Matthew about the affair that evening; but when Anne proved still refractory the next morning an explanation had to be made to account for her absence from the breakfast table. Marilla told Matthew the whole story, taking pains to impress him with a due sense of the enormity of Anne's behavior. "It's a good thing Rachel Lynde got a calling down; she's a meddlesome old gossip," was Matthew's consolatory rejoinder. "Matthew Cuthbert, I'm astonished at you. You know that Anne's behavior was dreadful, and yet you take her part! I suppose you'll be saying next thing that she oughtn't to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don't be too hard on her, Marilla. Recollect she hasn't ever had anyone to teach her right. You're--you're going to give her something to eat, aren't you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She'll have her meals regular, and I'll carry them up to her myself. But she'll stay up there until she's willing to apologize to Mrs. Lynde, and that's final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word,"<|quote|>said Matthew eagerly.</|quote|>"Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. | astonished at you. You know that Anne's behavior was dreadful, and yet you take her part! I suppose you'll be saying next thing that she oughtn't to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don't be too hard on her, Marilla. Recollect she hasn't ever had anyone to teach her right. You're--you're going to give her something to eat, aren't you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She'll have her meals regular, and I'll carry them up to her myself. But she'll stay up there until she's willing to apologize to Mrs. Lynde, and that's final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word,"<|quote|>said Matthew eagerly.</|quote|>"Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I | Anne Of Green Gables |
"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?" | Hercule Poirot | full approval." "Oh, certainly, sir."<|quote|>"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?"</|quote|>"Yes, sir. But I don't | to you with Mr. Cavendish's full approval." "Oh, certainly, sir."<|quote|>"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?"</|quote|>"Yes, sir. But I don't know that I ought" Dorcas | "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir."<|quote|>"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?"</|quote|>"Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly. "My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and | of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir."<|quote|>"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?"</|quote|>"Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly. "My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice." "Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in | Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir."<|quote|>"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?"</|quote|>"Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly. "My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice." "Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a bit later. Well, sir, as I said, I happened to be passing along, | on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside. "Now, my friend," said Poirot briskly, "we will go. I should like to ask a few questions of the parlourmaid Dorcas, her name is, is it not?" We passed through Alfred Inglethorp's room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorp's room as before. I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I am here, my friend." He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds. "Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?" "Yes, I believe they were at it yesterday afternoon. But come in Dorcas is here." "_Eh bien, eh bien!_ Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir."<|quote|>"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?"</|quote|>"Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly. "My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice." "Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didn't exactly mean to listen, but well, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly." You have lied to me, and deceived me,' "she said. I didn't hear what Mr. Inglethorp replied. He spoke a good bit lower than she did but she answered:" How dare you? I have kept you and clothed you and fed you! You owe everything to me! And this is how you repay me! By bringing disgrace upon our name!' "Again I didn't hear what he said, but she went on:" Nothing that you can say will make any difference. I see my duty clearly. My mind is made up. You need not think that any fear of publicity, or scandal between husband and wife will deter me.' "Then I thought I heard them coming out, so I went off quickly." "You are sure it was Mr. Inglethorp's voice you heard?" "Oh, yes, sir, whose else's could it be?" "Well, what happened next?" "Later, I came back to the hall; but it was all quiet. At | not to the point." "It was very likely done last night. We were very agitated. Or perhaps Mrs. Inglethorp herself dropped her candle." "You brought only one candle into the room?" "Yes. Lawrence Cavendish was carrying it. But he was very upset. He seemed to see something over here" I indicated the mantelpiece "that absolutely paralysed him." "That is interesting," said Poirot quickly. "Yes, it is suggestive" his eye sweeping the whole length of the wall "but it was not his candle that made this great patch, for you perceive that this is white grease; whereas Monsieur Lawrence's candle, which is still on the dressing-table, is pink. On the other hand, Mrs. Inglethorp had no candlestick in the room, only a reading-lamp." "Then," I said, "what do you deduce?" To which my friend only made a rather irritating reply, urging me to use my own natural faculties. "And the sixth point?" I asked. "I suppose it is the sample of cocoa." "No," said Poirot thoughtfully. "I might have included that in the six, but I did not. No, the sixth point I will keep to myself for the present." He looked quickly round the room. "There is nothing more to be done here, I think, unless" he stared earnestly and long at the dead ashes in the grate. "The fire burns and it destroys. But by chance there might be let us see!" Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation. "The forceps, Hastings!" I quickly handed them to him, and with skill he extracted a small piece of half charred paper. "There, _mon ami!_" he cried. "What do you think of that?" I scrutinized the fragment. This is an exact reproduction of it: [Illustration] I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me. "Poirot!" I cried. "This is a fragment of a will!" "Exactly." I looked up at him sharply. "You are not surprised?" "No," he said gravely, "I expected it." I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside. "Now, my friend," said Poirot briskly, "we will go. I should like to ask a few questions of the parlourmaid Dorcas, her name is, is it not?" We passed through Alfred Inglethorp's room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorp's room as before. I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I am here, my friend." He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds. "Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?" "Yes, I believe they were at it yesterday afternoon. But come in Dorcas is here." "_Eh bien, eh bien!_ Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir."<|quote|>"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?"</|quote|>"Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly. "My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice." "Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didn't exactly mean to listen, but well, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly." You have lied to me, and deceived me,' "she said. I didn't hear what Mr. Inglethorp replied. He spoke a good bit lower than she did but she answered:" How dare you? I have kept you and clothed you and fed you! You owe everything to me! And this is how you repay me! By bringing disgrace upon our name!' "Again I didn't hear what he said, but she went on:" Nothing that you can say will make any difference. I see my duty clearly. My mind is made up. You need not think that any fear of publicity, or scandal between husband and wife will deter me.' "Then I thought I heard them coming out, so I went off quickly." "You are sure it was Mr. Inglethorp's voice you heard?" "Oh, yes, sir, whose else's could it be?" "Well, what happened next?" "Later, I came back to the hall; but it was all quiet. At five o'clock, Mrs. Inglethorp rang the bell and told me to bring her a cup of tea nothing to eat to the boudoir. She was looking dreadful so white and upset." Dorcas,' "she says," I've had a great shock.' I'm sorry for that, m'm,' "I says." You'll feel better after a nice hot cup of tea, m'm.' "She had something in her hand. I don't know if it was a letter, or just a piece of paper, but it had writing on it, and she kept staring at it, almost as if she couldn't believe what was written there. She whispered to herself, as though she had forgotten I was there:" These few words and everything's changed.' "And then she says to me:" Never trust a man, Dorcas, they're not worth it!' "I hurried off, and got her a good strong cup of tea, and she thanked me, and said she'd feel better when she'd drunk it." I don't know what to do,' "she says." Scandal between husband and wife is a dreadful thing, Dorcas. I'd rather hush it up if I could.' "Mrs. Cavendish came in just then, so she didn't say any more." "She still had the letter, or whatever it was, in her hand?" "Yes, sir." "What would she be likely to do with it afterwards?" "Well, I don't know, sir, I expect she would lock it up in that purple case of hers." "Is that where she usually kept important papers?" "Yes, sir. She brought it down with her every morning, and took it up every night." "When did she lose the key of it?" "She missed it yesterday at lunch-time, sir, and told me to look carefully for it. She was very much put out about it." "But she had a duplicate key?" "Oh, yes, sir." Dorcas was looking very curiously at him and, to tell the truth, so was I. What was all this about a lost key? Poirot smiled. "Never mind, Dorcas, it is my business to know things. Is this the key that was lost?" He drew from his pocket the key that he had found in the lock of the despatch-case upstairs. Dorcas's eyes looked as though they would pop out of her head. "That's it, sir, right enough. But where did you find it? I looked everywhere for it." "Ah, but you see it was not in the same place | and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I am here, my friend." He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds. "Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?" "Yes, I believe they were at it yesterday afternoon. But come in Dorcas is here." "_Eh bien, eh bien!_ Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir."<|quote|>"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?"</|quote|>"Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly. "My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice." "Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didn't exactly mean to listen, but well, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly." You have lied to me, and deceived me,' "she said. I didn't hear what Mr. Inglethorp replied. He spoke a good bit lower than she did but she answered:" How dare you? I have kept you and clothed you and fed you! You owe everything to me! And this is how you repay me! By bringing disgrace upon our name!' "Again I didn't hear what he said, but she went on:" Nothing that you can say will make any difference. I see my duty clearly. My mind is made up. You need not think that any fear of publicity, or scandal between husband and wife will deter me.' "Then I thought I heard them coming out, so I went off quickly." "You are sure it was Mr. Inglethorp's voice you heard?" "Oh, yes, sir, whose else's could it be?" "Well, what happened next?" "Later, I came back to the hall; but it was all quiet. At five o'clock, Mrs. Inglethorp rang the bell and told me to bring her a cup of tea nothing to eat to the boudoir. She was looking dreadful so white and upset." Dorcas,' "she says," I've had a great shock.' I'm sorry for that, m'm,' "I says." You'll feel better after a nice hot cup of tea, m'm.' "She had something in her hand. I don't know if it was a letter, or just a piece of paper, but it had writing on it, and she kept staring at it, almost as if she couldn't believe what was written there. She whispered to herself, as though she had forgotten I was there:" These few words and everything's changed.' "And then she says to me:" Never trust a man, Dorcas, they're not worth it!' "I hurried off, and got her a good strong cup of tea, and she thanked me, and said she'd feel better when she'd drunk it." I don't know what to do,' "she says." Scandal between husband and wife is a dreadful thing, Dorcas. I'd | The Mysterious Affair At Styles |
Kat raises his voice, | No speaker | again says A1---- "And then,"<|quote|>Kat raises his voice,</|quote|>"the fellow says to him: | before him, the staff surgeon again says A1---- "And then,"<|quote|>Kat raises his voice,</|quote|>"the fellow says to him: 'I already have a wooden | from the Vosges to Flanders;--of the staff surgeon who reads the names on the list, and when a man comes before him, without looking up, says: "A1. We need soldiers up there." A fellow with a wooden leg comes up before him, the staff surgeon again says A1---- "And then,"<|quote|>Kat raises his voice,</|quote|>"the fellow says to him: 'I already have a wooden leg, but when I go back again and they shoot off my head, then I will get a wooden head made and become a staff surgeon." This answer tickles us all immensely. There may be good doctors, and there are, | surgeons who, with the War Service Cross in his button-hole, says to him: "What, one leg a bit short? If you have any pluck you don't need to run at the front. The man is A1. Dismiss!" Kat tells a story that has travelled the whole length of the front from the Vosges to Flanders;--of the staff surgeon who reads the names on the list, and when a man comes before him, without looking up, says: "A1. We need soldiers up there." A fellow with a wooden leg comes up before him, the staff surgeon again says A1---- "And then,"<|quote|>Kat raises his voice,</|quote|>"the fellow says to him: 'I already have a wooden leg, but when I go back again and they shoot off my head, then I will get a wooden head made and become a staff surgeon." This answer tickles us all immensely. There may be good doctors, and there are, lots of them; all the same, every soldier some time during his hundreds of inspections falls into the clutches of one of these countless hero-grabbers who pride themselves on changing as many C3's and B3's as possible into A1's. There are many such stories, they are mostly far more bitter. | let themselves be shot down. A single flyer routed two companies of them for a joke, just as they came fresh from the train--before they had ever heard of such a thing as cover. "Germany ought to be empty soon," says Kat. We have given up hope that some day an end may come. We never think so far. A man can stop a bullet and be killed; he can get wounded, and then the hospital is his next stop. There, if they do not amputate him, he sooner or later falls into the hands of one of those staff surgeons who, with the War Service Cross in his button-hole, says to him: "What, one leg a bit short? If you have any pluck you don't need to run at the front. The man is A1. Dismiss!" Kat tells a story that has travelled the whole length of the front from the Vosges to Flanders;--of the staff surgeon who reads the names on the list, and when a man comes before him, without looking up, says: "A1. We need soldiers up there." A fellow with a wooden leg comes up before him, the staff surgeon again says A1---- "And then,"<|quote|>Kat raises his voice,</|quote|>"the fellow says to him: 'I already have a wooden leg, but when I go back again and they shoot off my head, then I will get a wooden head made and become a staff surgeon." This answer tickles us all immensely. There may be good doctors, and there are, lots of them; all the same, every soldier some time during his hundreds of inspections falls into the clutches of one of these countless hero-grabbers who pride themselves on changing as many C3's and B3's as possible into A1's. There are many such stories, they are mostly far more bitter. All the same, they have nothing to do with mutiny or lead-swinging. They are merely honest and call a thing by its name; for there is a very great deal of fraud, injustice, and baseness in the army.--Is it nothing that regiment after regiment returns again and again to the ever more hopeless struggle, that attack follows attack along the weakening, retreating, crumbling line? From a mockery the tanks have become a terrible weapon. Armoured they come rolling on in long lines, and more than anything else embody for us the horror of war. We do not see the guns | not likely to remain long undisturbed. Our lines are falling back. There are too many fresh English and American regiments over there. There's too much corned beef and white wheaten bread. Too many new guns. Too many aeroplanes. But we are emaciated and starved. Our food is so bad and mixed up with so much substitute stuff that it makes us ill. The factory owners in Germany have grown wealthy;--dysentery dissolves our bowels. The latrine poles are always densely crowded; the people at home ought to be shown these grey, yellow, miserable, wasted faces here, these bent figures from whose bodies the colic wrings out the blood, and who with lips trembling and distorted with pain, grin at one another and say: "It is not much sense pulling up one's trousers again----" Our artillery is fired out, it has too few shells and the barrels are so worn that they shoot uncertainly, and scatter so widely as even to fall on ourselves. We have too few horses. Our fresh troops are anaemic boys in need of rest, who cannot carry a pack, but merely know how to die. By thousands. They understand nothing about warfare, they simply go on and let themselves be shot down. A single flyer routed two companies of them for a joke, just as they came fresh from the train--before they had ever heard of such a thing as cover. "Germany ought to be empty soon," says Kat. We have given up hope that some day an end may come. We never think so far. A man can stop a bullet and be killed; he can get wounded, and then the hospital is his next stop. There, if they do not amputate him, he sooner or later falls into the hands of one of those staff surgeons who, with the War Service Cross in his button-hole, says to him: "What, one leg a bit short? If you have any pluck you don't need to run at the front. The man is A1. Dismiss!" Kat tells a story that has travelled the whole length of the front from the Vosges to Flanders;--of the staff surgeon who reads the names on the list, and when a man comes before him, without looking up, says: "A1. We need soldiers up there." A fellow with a wooden leg comes up before him, the staff surgeon again says A1---- "And then,"<|quote|>Kat raises his voice,</|quote|>"the fellow says to him: 'I already have a wooden leg, but when I go back again and they shoot off my head, then I will get a wooden head made and become a staff surgeon." This answer tickles us all immensely. There may be good doctors, and there are, lots of them; all the same, every soldier some time during his hundreds of inspections falls into the clutches of one of these countless hero-grabbers who pride themselves on changing as many C3's and B3's as possible into A1's. There are many such stories, they are mostly far more bitter. All the same, they have nothing to do with mutiny or lead-swinging. They are merely honest and call a thing by its name; for there is a very great deal of fraud, injustice, and baseness in the army.--Is it nothing that regiment after regiment returns again and again to the ever more hopeless struggle, that attack follows attack along the weakening, retreating, crumbling line? From a mockery the tanks have become a terrible weapon. Armoured they come rolling on in long lines, and more than anything else embody for us the horror of war. We do not see the guns that bombard us; the attacking lines of the enemy infantry are men like ourselves; but these tanks are machines, their caterpillars run on as endless as the war, they are annihilation, they roll without feeling into the craters, and climb up again without stopping, a fleet of roaring, smoke-belching armour-clads, invulnerable steel beasts squashing the dead and the wounded--we shrivel up in our thin skin before them, against their colossal weight our arms are sticks of straw, and our hand-grenades matches. Shells, gas clouds, and flotillas of tanks--shattering, starvation, death. Dysentery, influenza, typhus--murder, burning, death. Trenches, hospitals, the common grave--there are no other possibilities. * * In one attack our Company Commander, Bertinck, falls. He was one of those superb front-line officers who are foremost in every hot place. He was with us for two years without being wounded, so that something had to happen in the end. We occupy a crater and get surrounded. The stink of petroleum or oil blows across with the fumes of powder. Two fellows with a flame-thrower are seen, one carries the tin on his back, the other has the hose in his hands from which the fire spouts. If they get so near | us. Our machine-gun sweeps over the semicircle in front of us. The cooling-water evaporates, we hastily pass round the case, every man pisses in it, and thus we again have water, and are able to continue firing. But behind us the attack crashes ever nearer. A few minutes and we are lost. Then, at closest range, a second machine-gun bursts out. It is set up in a crater alongside us; Berger has fetched it, and now the counter-attack comes over from behind; we are set free and make contact with the rear. Afterwards, as we lie in comparatively good cover, one of the food-carriers reports that a couple of hundred yards distant there lies a wounded messenger-dog. "Where?" asks Berger. The other describes the place to him. Berger goes off either to fetch the beast in or to shoot it. Six months ago he would not have cared, he would have been reasonable. We try to prevent him. Then, as he goes off grimly, all we can say is: "You're mad," and let him go. For these cases of front-line madness become dangerous if one is not able to fling the man to the ground and hold him fast. And Berger is six feet and the most powerful man in the company. He is absolutely mad for he has to pass through the barrage; but this lightning that lowers somewhere above us all has struck him and made him demented. It affects others so that they begin to rave, to run away--there was one man who even tried to dig himself into the ground with hands, feet, and teeth. It is true, such things are often simulated, but the pretence itself is a symptom. Berger, who means to finish off the dog, is carried off with a wound in the pelvis, and one of the fellows who carry him gets a bullet in the cheek while doing it. * * Müller is dead. Someone shot him point blank with a Verey light in the stomach. He lived for half an hour, quite conscious, and in terrible pain. Before he died he handed over his pocketbook to me, and bequeathed me his boots--the same that he once inherited from Kemmerich. I wear them, for they fit me quite well. After me Tjaden will get them, I have promised them to him. We have been able to bury Müller, but he is not likely to remain long undisturbed. Our lines are falling back. There are too many fresh English and American regiments over there. There's too much corned beef and white wheaten bread. Too many new guns. Too many aeroplanes. But we are emaciated and starved. Our food is so bad and mixed up with so much substitute stuff that it makes us ill. The factory owners in Germany have grown wealthy;--dysentery dissolves our bowels. The latrine poles are always densely crowded; the people at home ought to be shown these grey, yellow, miserable, wasted faces here, these bent figures from whose bodies the colic wrings out the blood, and who with lips trembling and distorted with pain, grin at one another and say: "It is not much sense pulling up one's trousers again----" Our artillery is fired out, it has too few shells and the barrels are so worn that they shoot uncertainly, and scatter so widely as even to fall on ourselves. We have too few horses. Our fresh troops are anaemic boys in need of rest, who cannot carry a pack, but merely know how to die. By thousands. They understand nothing about warfare, they simply go on and let themselves be shot down. A single flyer routed two companies of them for a joke, just as they came fresh from the train--before they had ever heard of such a thing as cover. "Germany ought to be empty soon," says Kat. We have given up hope that some day an end may come. We never think so far. A man can stop a bullet and be killed; he can get wounded, and then the hospital is his next stop. There, if they do not amputate him, he sooner or later falls into the hands of one of those staff surgeons who, with the War Service Cross in his button-hole, says to him: "What, one leg a bit short? If you have any pluck you don't need to run at the front. The man is A1. Dismiss!" Kat tells a story that has travelled the whole length of the front from the Vosges to Flanders;--of the staff surgeon who reads the names on the list, and when a man comes before him, without looking up, says: "A1. We need soldiers up there." A fellow with a wooden leg comes up before him, the staff surgeon again says A1---- "And then,"<|quote|>Kat raises his voice,</|quote|>"the fellow says to him: 'I already have a wooden leg, but when I go back again and they shoot off my head, then I will get a wooden head made and become a staff surgeon." This answer tickles us all immensely. There may be good doctors, and there are, lots of them; all the same, every soldier some time during his hundreds of inspections falls into the clutches of one of these countless hero-grabbers who pride themselves on changing as many C3's and B3's as possible into A1's. There are many such stories, they are mostly far more bitter. All the same, they have nothing to do with mutiny or lead-swinging. They are merely honest and call a thing by its name; for there is a very great deal of fraud, injustice, and baseness in the army.--Is it nothing that regiment after regiment returns again and again to the ever more hopeless struggle, that attack follows attack along the weakening, retreating, crumbling line? From a mockery the tanks have become a terrible weapon. Armoured they come rolling on in long lines, and more than anything else embody for us the horror of war. We do not see the guns that bombard us; the attacking lines of the enemy infantry are men like ourselves; but these tanks are machines, their caterpillars run on as endless as the war, they are annihilation, they roll without feeling into the craters, and climb up again without stopping, a fleet of roaring, smoke-belching armour-clads, invulnerable steel beasts squashing the dead and the wounded--we shrivel up in our thin skin before them, against their colossal weight our arms are sticks of straw, and our hand-grenades matches. Shells, gas clouds, and flotillas of tanks--shattering, starvation, death. Dysentery, influenza, typhus--murder, burning, death. Trenches, hospitals, the common grave--there are no other possibilities. * * In one attack our Company Commander, Bertinck, falls. He was one of those superb front-line officers who are foremost in every hot place. He was with us for two years without being wounded, so that something had to happen in the end. We occupy a crater and get surrounded. The stink of petroleum or oil blows across with the fumes of powder. Two fellows with a flame-thrower are seen, one carries the tin on his back, the other has the hose in his hands from which the fire spouts. If they get so near that they can reach us we are done for, we cannot retreat yet. We open fire on them. But they work nearer and things begin to look bad. Bertinck is lying in the hole with us. When he sees that we cannot escape because under the sharp fire we must make the most of this cover, he takes a rifle, crawls out of the hole, and lying down propped on his elbows, he takes aim. He fires--the same moment a bullet smacks into him, they have got him. Still he lies and aims again;--once he shifts and again takes his aim; at last the rifle cracks. Bertinck lets the gun drop and says: "Good," and slips back into the hole. The hindermost of the two flame-throwers is hit, he falls, the hose slips away from the other fellow, the fire squirts about on all sides and the man burns. Bertinck has a chest wound. After a while a fragment smashes away his chin, and the same fragment has sufficient force to tear open Leer's hip. Leer groans as he supports himself on his arm, he bleeds quickly, no one can help him. Like an emptying tube, after a couple of minutes he collapses. What use is it to him now that he was such a good mathematician at school. * * The months pass by. The summer of 1918 is the most bloody and the most terrible. The days stand like angels in gold and blue, incomprehensible, above the ring of annihilation. Every man here knows that we are losing the war. Not much is said about it, we are falling back, we will not be able to attack again after this big offensive, we have no more men and no more ammunition. Still the campaign goes on--the dying goes on---- Summer of 1918--Never has life in its niggardliness seemed to us so desirable as now;--the red poppies in the meadows round our billets, the smooth beetles on the blades of grass, the warm evenings in the cool, dim rooms, the black, mysterious trees of the twilight, the stars and the flowing waters, dreams and long sleep----. O Life, life, life! Summer of 1918--Never was so much silently suffered as in the moment when we depart once again for the front-line. Wild, tormenting rumours of an armistice and peace are in the air, they lay hold on our hearts and | able to bury Müller, but he is not likely to remain long undisturbed. Our lines are falling back. There are too many fresh English and American regiments over there. There's too much corned beef and white wheaten bread. Too many new guns. Too many aeroplanes. But we are emaciated and starved. Our food is so bad and mixed up with so much substitute stuff that it makes us ill. The factory owners in Germany have grown wealthy;--dysentery dissolves our bowels. The latrine poles are always densely crowded; the people at home ought to be shown these grey, yellow, miserable, wasted faces here, these bent figures from whose bodies the colic wrings out the blood, and who with lips trembling and distorted with pain, grin at one another and say: "It is not much sense pulling up one's trousers again----" Our artillery is fired out, it has too few shells and the barrels are so worn that they shoot uncertainly, and scatter so widely as even to fall on ourselves. We have too few horses. Our fresh troops are anaemic boys in need of rest, who cannot carry a pack, but merely know how to die. By thousands. They understand nothing about warfare, they simply go on and let themselves be shot down. A single flyer routed two companies of them for a joke, just as they came fresh from the train--before they had ever heard of such a thing as cover. "Germany ought to be empty soon," says Kat. We have given up hope that some day an end may come. We never think so far. A man can stop a bullet and be killed; he can get wounded, and then the hospital is his next stop. There, if they do not amputate him, he sooner or later falls into the hands of one of those staff surgeons who, with the War Service Cross in his button-hole, says to him: "What, one leg a bit short? If you have any pluck you don't need to run at the front. The man is A1. Dismiss!" Kat tells a story that has travelled the whole length of the front from the Vosges to Flanders;--of the staff surgeon who reads the names on the list, and when a man comes before him, without looking up, says: "A1. We need soldiers up there." A fellow with a wooden leg comes up before him, the staff surgeon again says A1---- "And then,"<|quote|>Kat raises his voice,</|quote|>"the fellow says to him: 'I already have a wooden leg, but when I go back again and they shoot off my head, then I will get a wooden head made and become a staff surgeon." This answer tickles us all immensely. There may be good doctors, and there are, lots of them; all the same, every soldier some time during his hundreds of inspections falls into the clutches of one of these countless hero-grabbers who pride themselves on changing as many C3's and B3's as possible into A1's. There are many such stories, they are mostly far more bitter. All the same, they have nothing to do with mutiny or lead-swinging. They are merely honest and call a thing by its name; for there is a very great deal of fraud, injustice, and baseness in the army.--Is it nothing that regiment after regiment returns again and again to the ever more hopeless struggle, that attack follows attack along the weakening, retreating, crumbling line? From a mockery the tanks have become a terrible weapon. Armoured they come rolling on in long lines, and more than anything else embody for us the horror of war. We do not see the guns that bombard us; the attacking lines of the enemy infantry are men like ourselves; but these tanks are machines, their caterpillars run on as endless as the war, they are annihilation, they roll without feeling into the craters, and climb up again without stopping, a fleet of roaring, smoke-belching armour-clads, invulnerable steel beasts squashing the dead and the wounded--we shrivel up in our thin skin before them, against their colossal weight our arms are sticks of straw, and our hand-grenades matches. Shells, gas clouds, and flotillas of tanks--shattering, starvation, death. Dysentery, influenza, typhus--murder, burning, death. Trenches, hospitals, the common grave--there are no other possibilities. * * In one attack our Company Commander, Bertinck, falls. He was one of those superb front-line officers who are foremost in every hot place. He was with us for two years without being wounded, so that something had to happen in the end. We occupy a crater and get surrounded. The stink of petroleum or oil blows across with the fumes of powder. Two fellows with a flame-thrower are seen, one | All Quiet on the Western Front |
said Cynthia graciously, | No speaker | us have it to-night?" "Well,"<|quote|>said Cynthia graciously,</|quote|>"we are very busy, but | think you could possibly let us have it to-night?" "Well,"<|quote|>said Cynthia graciously,</|quote|>"we are very busy, but if we have time it | door." I gathered from the little nurse's expression that there was not the least likelihood of her having the hardihood to retail this message to the dreaded "Sister". "So now it can't be done until to-morrow," finished Cynthia. "Don't you think you could possibly let us have it to-night?" "Well,"<|quote|>said Cynthia graciously,</|quote|>"we are very busy, but if we have time it shall be done." The little nurse withdrew, and Cynthia promptly took a jar from the shelf, refilled the bottle, and placed it on the table outside the door. I laughed. "Discipline must be maintained?" "Exactly. Come out on our little | Nibs, who waved her towards Cynthia with the somewhat enigmatical remark: "_I_'m not really here to-day." Cynthia took the bottle and examined it with the severity of a judge. "This should have been sent up this morning." "Sister is very sorry. She forgot." "Sister should read the rules outside the door." I gathered from the little nurse's expression that there was not the least likelihood of her having the hardihood to retail this message to the dreaded "Sister". "So now it can't be done until to-morrow," finished Cynthia. "Don't you think you could possibly let us have it to-night?" "Well,"<|quote|>said Cynthia graciously,</|quote|>"we are very busy, but if we have time it shall be done." The little nurse withdrew, and Cynthia promptly took a jar from the shelf, refilled the bottle, and placed it on the table outside the door. I laughed. "Discipline must be maintained?" "Exactly. Come out on our little balcony. You can see all the outside wards there." I followed Cynthia and her friend and they pointed out the different wards to me. Lawrence remained behind, but after a few moments Cynthia called to him over her shoulder to come and join us. Then she looked at her watch. | by mistake, you wouldn't joke about it. Come on, let's have tea. We've got all sorts of secret stores in that cupboard. No, Lawrence that's the poison cupboard. The big cupboard that's right." We had a very cheery tea, and assisted Cynthia to wash up afterwards. We had just put away the last tea-spoon when a knock came at the door. The countenances of Cynthia and Nibs were suddenly petrified into a stern and forbidding expression. "Come in," said Cynthia, in a sharp professional tone. A young and rather scared looking nurse appeared with a bottle which she proffered to Nibs, who waved her towards Cynthia with the somewhat enigmatical remark: "_I_'m not really here to-day." Cynthia took the bottle and examined it with the severity of a judge. "This should have been sent up this morning." "Sister is very sorry. She forgot." "Sister should read the rules outside the door." I gathered from the little nurse's expression that there was not the least likelihood of her having the hardihood to retail this message to the dreaded "Sister". "So now it can't be done until to-morrow," finished Cynthia. "Don't you think you could possibly let us have it to-night?" "Well,"<|quote|>said Cynthia graciously,</|quote|>"we are very busy, but if we have time it shall be done." The little nurse withdrew, and Cynthia promptly took a jar from the shelf, refilled the bottle, and placed it on the table outside the door. I laughed. "Discipline must be maintained?" "Exactly. Come out on our little balcony. You can see all the outside wards there." I followed Cynthia and her friend and they pointed out the different wards to me. Lawrence remained behind, but after a few moments Cynthia called to him over her shoulder to come and join us. Then she looked at her watch. "Nothing more to do, Nibs?" "No." "All right. Then we can lock up and go." I had seen Lawrence in quite a different light that afternoon. Compared to John, he was an astoundingly difficult person to get to know. He was the opposite of his brother in almost every respect, being unusually shy and reserved. Yet he had a certain charm of manner, and I fancied that, if one really knew him well, one could have a deep affection for him. I had always fancied that his manner to Cynthia was rather constrained, and that she on her side was | we should return by Tadminster, which was barely a mile out of our way, and pay a visit to Cynthia in her dispensary. Mrs. Inglethorp replied that this was an excellent idea, but as she had several letters to write she would drop us there, and we could come back with Cynthia in the pony-trap. We were detained under suspicion by the hospital porter, until Cynthia appeared to vouch for us, looking very cool and sweet in her long white overall. She took us up to her sanctum, and introduced us to her fellow dispenser, a rather awe-inspiring individual, whom Cynthia cheerily addressed as "Nibs." "What a lot of bottles!" I exclaimed, as my eye travelled round the small room. "Do you really know what's in them all?" "Say something original," groaned Cynthia. "Every single person who comes up here says that. We are really thinking of bestowing a prize on the first individual who does _not_ say:" What a lot of bottles!' "And I know the next thing you're going to say is: How many people have you poisoned?" '" I pleaded guilty with a laugh. "If you people only knew how fatally easy it is to poison someone by mistake, you wouldn't joke about it. Come on, let's have tea. We've got all sorts of secret stores in that cupboard. No, Lawrence that's the poison cupboard. The big cupboard that's right." We had a very cheery tea, and assisted Cynthia to wash up afterwards. We had just put away the last tea-spoon when a knock came at the door. The countenances of Cynthia and Nibs were suddenly petrified into a stern and forbidding expression. "Come in," said Cynthia, in a sharp professional tone. A young and rather scared looking nurse appeared with a bottle which she proffered to Nibs, who waved her towards Cynthia with the somewhat enigmatical remark: "_I_'m not really here to-day." Cynthia took the bottle and examined it with the severity of a judge. "This should have been sent up this morning." "Sister is very sorry. She forgot." "Sister should read the rules outside the door." I gathered from the little nurse's expression that there was not the least likelihood of her having the hardihood to retail this message to the dreaded "Sister". "So now it can't be done until to-morrow," finished Cynthia. "Don't you think you could possibly let us have it to-night?" "Well,"<|quote|>said Cynthia graciously,</|quote|>"we are very busy, but if we have time it shall be done." The little nurse withdrew, and Cynthia promptly took a jar from the shelf, refilled the bottle, and placed it on the table outside the door. I laughed. "Discipline must be maintained?" "Exactly. Come out on our little balcony. You can see all the outside wards there." I followed Cynthia and her friend and they pointed out the different wards to me. Lawrence remained behind, but after a few moments Cynthia called to him over her shoulder to come and join us. Then she looked at her watch. "Nothing more to do, Nibs?" "No." "All right. Then we can lock up and go." I had seen Lawrence in quite a different light that afternoon. Compared to John, he was an astoundingly difficult person to get to know. He was the opposite of his brother in almost every respect, being unusually shy and reserved. Yet he had a certain charm of manner, and I fancied that, if one really knew him well, one could have a deep affection for him. I had always fancied that his manner to Cynthia was rather constrained, and that she on her side was inclined to be shy of him. But they were both gay enough this afternoon, and chatted together like a couple of children. As we drove through the village, I remembered that I wanted some stamps, so accordingly we pulled up at the post office. As I came out again, I cannoned into a little man who was just entering. I drew aside and apologised, when suddenly, with a loud exclamation, he clasped me in his arms and kissed me warmly. "_Mon ami_ Hastings!" he cried. "It is indeed _mon ami_ Hastings!" "Poirot!" I exclaimed. I turned to the pony-trap. "This is a very pleasant meeting for me, Miss Cynthia. This is my old friend, Monsieur Poirot, whom I have not seen for years." "Oh, we know Monsieur Poirot," said Cynthia gaily. "But I had no idea he was a friend of yours." "Yes, indeed," said Poirot seriously. "I know Mademoiselle Cynthia. It is by the charity of that good Mrs. Inglethorp that I am here." Then, as I looked at him inquiringly: "Yes, my friend, she had kindly extended hospitality to seven of my countrypeople who, alas, are refugees from their native land. We Belgians will always remember her with | working as a nurse at the big hospital in Middlingham, a manufacturing town some fifteen miles away, and begging me to let her know if Mrs. Inglethorp should show any wish to be reconciled. The only fly in the ointment of my peaceful days was Mrs. Cavendish's extraordinary, and, for my part, unaccountable preference for the society of Dr. Bauerstein. What she saw in the man I cannot imagine, but she was always asking him up to the house, and often went off for long expeditions with him. I must confess that I was quite unable to see his attraction. The 16th of July fell on a Monday. It was a day of turmoil. The famous bazaar had taken place on Saturday, and an entertainment, in connection with the same charity, at which Mrs. Inglethorp was to recite a War poem, was to be held that night. We were all busy during the morning arranging and decorating the Hall in the village where it was to take place. We had a late luncheon and spent the afternoon resting in the garden. I noticed that John's manner was somewhat unusual. He seemed very excited and restless. After tea, Mrs. Inglethorp went to lie down to rest before her efforts in the evening and I challenged Mary Cavendish to a single at tennis. About a quarter to seven, Mrs. Inglethorp called us that we should be late as supper was early that night. We had rather a scramble to get ready in time; and before the meal was over the motor was waiting at the door. The entertainment was a great success, Mrs. Inglethorp's recitation receiving tremendous applause. There were also some tableaux in which Cynthia took part. She did not return with us, having been asked to a supper party, and to remain the night with some friends who had been acting with her in the tableaux. The following morning, Mrs. Inglethorp stayed in bed to breakfast, as she was rather overtired; but she appeared in her briskest mood about 12.30, and swept Lawrence and myself off to a luncheon party. "Such a charming invitation from Mrs. Rolleston. Lady Tadminster's sister, you know. The Rollestons came over with the Conqueror one of our oldest families." Mary had excused herself on the plea of an engagement with Dr. Bauerstein. We had a pleasant luncheon, and as we drove away Lawrence suggested that we should return by Tadminster, which was barely a mile out of our way, and pay a visit to Cynthia in her dispensary. Mrs. Inglethorp replied that this was an excellent idea, but as she had several letters to write she would drop us there, and we could come back with Cynthia in the pony-trap. We were detained under suspicion by the hospital porter, until Cynthia appeared to vouch for us, looking very cool and sweet in her long white overall. She took us up to her sanctum, and introduced us to her fellow dispenser, a rather awe-inspiring individual, whom Cynthia cheerily addressed as "Nibs." "What a lot of bottles!" I exclaimed, as my eye travelled round the small room. "Do you really know what's in them all?" "Say something original," groaned Cynthia. "Every single person who comes up here says that. We are really thinking of bestowing a prize on the first individual who does _not_ say:" What a lot of bottles!' "And I know the next thing you're going to say is: How many people have you poisoned?" '" I pleaded guilty with a laugh. "If you people only knew how fatally easy it is to poison someone by mistake, you wouldn't joke about it. Come on, let's have tea. We've got all sorts of secret stores in that cupboard. No, Lawrence that's the poison cupboard. The big cupboard that's right." We had a very cheery tea, and assisted Cynthia to wash up afterwards. We had just put away the last tea-spoon when a knock came at the door. The countenances of Cynthia and Nibs were suddenly petrified into a stern and forbidding expression. "Come in," said Cynthia, in a sharp professional tone. A young and rather scared looking nurse appeared with a bottle which she proffered to Nibs, who waved her towards Cynthia with the somewhat enigmatical remark: "_I_'m not really here to-day." Cynthia took the bottle and examined it with the severity of a judge. "This should have been sent up this morning." "Sister is very sorry. She forgot." "Sister should read the rules outside the door." I gathered from the little nurse's expression that there was not the least likelihood of her having the hardihood to retail this message to the dreaded "Sister". "So now it can't be done until to-morrow," finished Cynthia. "Don't you think you could possibly let us have it to-night?" "Well,"<|quote|>said Cynthia graciously,</|quote|>"we are very busy, but if we have time it shall be done." The little nurse withdrew, and Cynthia promptly took a jar from the shelf, refilled the bottle, and placed it on the table outside the door. I laughed. "Discipline must be maintained?" "Exactly. Come out on our little balcony. You can see all the outside wards there." I followed Cynthia and her friend and they pointed out the different wards to me. Lawrence remained behind, but after a few moments Cynthia called to him over her shoulder to come and join us. Then she looked at her watch. "Nothing more to do, Nibs?" "No." "All right. Then we can lock up and go." I had seen Lawrence in quite a different light that afternoon. Compared to John, he was an astoundingly difficult person to get to know. He was the opposite of his brother in almost every respect, being unusually shy and reserved. Yet he had a certain charm of manner, and I fancied that, if one really knew him well, one could have a deep affection for him. I had always fancied that his manner to Cynthia was rather constrained, and that she on her side was inclined to be shy of him. But they were both gay enough this afternoon, and chatted together like a couple of children. As we drove through the village, I remembered that I wanted some stamps, so accordingly we pulled up at the post office. As I came out again, I cannoned into a little man who was just entering. I drew aside and apologised, when suddenly, with a loud exclamation, he clasped me in his arms and kissed me warmly. "_Mon ami_ Hastings!" he cried. "It is indeed _mon ami_ Hastings!" "Poirot!" I exclaimed. I turned to the pony-trap. "This is a very pleasant meeting for me, Miss Cynthia. This is my old friend, Monsieur Poirot, whom I have not seen for years." "Oh, we know Monsieur Poirot," said Cynthia gaily. "But I had no idea he was a friend of yours." "Yes, indeed," said Poirot seriously. "I know Mademoiselle Cynthia. It is by the charity of that good Mrs. Inglethorp that I am here." Then, as I looked at him inquiringly: "Yes, my friend, she had kindly extended hospitality to seven of my countrypeople who, alas, are refugees from their native land. We Belgians will always remember her with gratitude." Poirot was an extraordinary looking little man. He was hardly more than five feet, four inches, but carried himself with great dignity. His head was exactly the shape of an egg, and he always perched it a little on one side. His moustache was very stiff and military. The neatness of his attire was almost incredible. I believe a speck of dust would have caused him more pain than a bullet wound. Yet this quaint dandified little man who, I was sorry to see, now limped badly, had been in his time one of the most celebrated members of the Belgian police. As a detective, his _flair_ had been extraordinary, and he had achieved triumphs by unravelling some of the most baffling cases of the day. He pointed out to me the little house inhabited by him and his fellow Belgians, and I promised to go and see him at an early date. Then he raised his hat with a flourish to Cynthia, and we drove away. "He's a dear little man," said Cynthia. "I'd no idea you knew him." "You've been entertaining a celebrity unawares," I replied. And, for the rest of the way home, I recited to them the various exploits and triumphs of Hercule Poirot. We arrived back in a very cheerful mood. As we entered the hall, Mrs. Inglethorp came out of her boudoir. She looked flushed and upset. "Oh, it's you," she said. "Is there anything the matter, Aunt Emily?" asked Cynthia. "Certainly not," said Mrs. Inglethorp sharply. "What should there be?" Then catching sight of Dorcas, the parlourmaid, going into the dining-room, she called to her to bring some stamps into the boudoir. "Yes, m'm." The old servant hesitated, then added diffidently: "Don't you think, m'm, you'd better get to bed? You're looking very tired." "Perhaps you're right, Dorcas yes no not now. I've some letters I must finish by post-time. Have you lighted the fire in my room as I told you?" "Yes, m'm." "Then I'll go to bed directly after supper." She went into the boudoir again, and Cynthia stared after her. "Goodness gracious! I wonder what's up?" she said to Lawrence. He did not seem to have heard her, for without a word he turned on his heel and went out of the house. I suggested a quick game of tennis before supper and, Cynthia agreeing, I ran upstairs to | "If you people only knew how fatally easy it is to poison someone by mistake, you wouldn't joke about it. Come on, let's have tea. We've got all sorts of secret stores in that cupboard. No, Lawrence that's the poison cupboard. The big cupboard that's right." We had a very cheery tea, and assisted Cynthia to wash up afterwards. We had just put away the last tea-spoon when a knock came at the door. The countenances of Cynthia and Nibs were suddenly petrified into a stern and forbidding expression. "Come in," said Cynthia, in a sharp professional tone. A young and rather scared looking nurse appeared with a bottle which she proffered to Nibs, who waved her towards Cynthia with the somewhat enigmatical remark: "_I_'m not really here to-day." Cynthia took the bottle and examined it with the severity of a judge. "This should have been sent up this morning." "Sister is very sorry. She forgot." "Sister should read the rules outside the door." I gathered from the little nurse's expression that there was not the least likelihood of her having the hardihood to retail this message to the dreaded "Sister". "So now it can't be done until to-morrow," finished Cynthia. "Don't you think you could possibly let us have it to-night?" "Well,"<|quote|>said Cynthia graciously,</|quote|>"we are very busy, but if we have time it shall be done." The little nurse withdrew, and Cynthia promptly took a jar from the shelf, refilled the bottle, and placed it on the table outside the door. I laughed. "Discipline must be maintained?" "Exactly. Come out on our little balcony. You can see all the outside wards there." I followed Cynthia and her friend and they pointed out the different wards to me. Lawrence remained behind, but after a few moments Cynthia called to him over her shoulder to come and join us. Then she looked at her watch. "Nothing more to do, Nibs?" "No." "All right. Then we can lock up and go." I had seen Lawrence in quite a different light that afternoon. Compared to John, he was an astoundingly difficult person to get to know. He was the opposite of his brother in almost every respect, being unusually shy and reserved. Yet he had a certain charm of manner, and I fancied that, if one really knew him well, one could have a deep affection for him. I had always fancied that his manner to Cynthia was rather constrained, and that she on her side was inclined to be shy of him. But they were both gay enough this afternoon, and chatted together like a couple of children. As we drove through the village, I remembered that I wanted some stamps, so accordingly we pulled up at the post office. As I came out again, I cannoned into a little man who was just entering. I drew aside and apologised, when suddenly, with a loud exclamation, he clasped me in his arms and kissed me warmly. "_Mon ami_ Hastings!" he cried. "It is indeed _mon ami_ Hastings!" "Poirot!" I exclaimed. I turned to the pony-trap. "This is a very pleasant meeting for me, Miss Cynthia. This is my old friend, Monsieur Poirot, whom I have not seen for years." "Oh, we know Monsieur Poirot," said Cynthia gaily. "But I had no idea he was a friend of yours." "Yes, indeed," said Poirot seriously. "I know Mademoiselle Cynthia. It is by the charity of that good Mrs. Inglethorp that I am here." Then, as I looked at him inquiringly: "Yes, my friend, she had kindly extended hospitality to seven of my countrypeople who, alas, are refugees from their native land. We Belgians will always remember her with gratitude." Poirot was an extraordinary looking little man. He was hardly more than five feet, four inches, but carried himself with great dignity. His head was exactly the shape of an egg, and he always perched it a little on one side. His moustache was very stiff and military. The neatness of his attire was almost incredible. I believe a speck of dust would have caused him more pain than a bullet wound. Yet this quaint dandified little man who, I was sorry to see, now limped badly, had been in his time one of the most celebrated members of the Belgian | The Mysterious Affair At Styles |
I said; | No speaker | was a swell fiesta." "Yes,"<|quote|>I said;</|quote|>"something doing all the time." | while Bill said: "Well, it was a swell fiesta." "Yes,"<|quote|>I said;</|quote|>"something doing all the time." "You wouldn't believe it. It's | to hell with him." "What do you suppose he'll do?" "Pick up with his old girl, probably." "Who was his old girl?" "Somebody named Frances." We had another absinthe. "When do you go back?" I asked. "To-morrow." After a little while Bill said: "Well, it was a swell fiesta." "Yes,"<|quote|>I said;</|quote|>"something doing all the time." "You wouldn't believe it. It's like a wonderful nightmare." "Sure," I said. "I'd believe anything. Including nightmares." "What's the matter? Feel low?" "Low as hell." "Have another absinthe. Here, waiter! Another absinthe for this se or." "I feel like hell," I said. "Drink that," said | better. I drank it without sugar in the dripping glass, and it was pleasantly bitter. "I feel sorry about Cohn," Bill said. "He had an awful time." "Oh, to hell with Cohn," I said. "Where do you suppose he went?" "Up to Paris." "What do you suppose he'll do?" "Oh, to hell with him." "What do you suppose he'll do?" "Pick up with his old girl, probably." "Who was his old girl?" "Somebody named Frances." We had another absinthe. "When do you go back?" I asked. "To-morrow." After a little while Bill said: "Well, it was a swell fiesta." "Yes,"<|quote|>I said;</|quote|>"something doing all the time." "You wouldn't believe it. It's like a wonderful nightmare." "Sure," I said. "I'd believe anything. Including nightmares." "What's the matter? Feel low?" "Low as hell." "Have another absinthe. Here, waiter! Another absinthe for this se or." "I feel like hell," I said. "Drink that," said Bill. "Drink it slow." It was beginning to get dark. The fiesta was going on. I began to feel drunk but I did not feel any better. "How do you feel?" "I feel like hell." "Have another?" "It won't do any good." "Try it. You can't tell; maybe this is | day of the fiesta. Outside it was beginning to be cloudy again. The square was full of people and the fireworks experts were making up their set pieces for the night and covering them over with beech branches. Boys were watching. We passed stands of rockets with long bamboo stems. Outside the caf there was a great crowd. The music and the dancing were going on. The giants and the dwarfs were passing. "Where's Edna?" I asked Bill. "I don't know." We watched the beginning of the evening of the last night of the fiesta. The absinthe made everything seem better. I drank it without sugar in the dripping glass, and it was pleasantly bitter. "I feel sorry about Cohn," Bill said. "He had an awful time." "Oh, to hell with Cohn," I said. "Where do you suppose he went?" "Up to Paris." "What do you suppose he'll do?" "Oh, to hell with him." "What do you suppose he'll do?" "Pick up with his old girl, probably." "Who was his old girl?" "Somebody named Frances." We had another absinthe. "When do you go back?" I asked. "To-morrow." After a little while Bill said: "Well, it was a swell fiesta." "Yes,"<|quote|>I said;</|quote|>"something doing all the time." "You wouldn't believe it. It's like a wonderful nightmare." "Sure," I said. "I'd believe anything. Including nightmares." "What's the matter? Feel low?" "Low as hell." "Have another absinthe. Here, waiter! Another absinthe for this se or." "I feel like hell," I said. "Drink that," said Bill. "Drink it slow." It was beginning to get dark. The fiesta was going on. I began to feel drunk but I did not feel any better. "How do you feel?" "I feel like hell." "Have another?" "It won't do any good." "Try it. You can't tell; maybe this is the one that gets it. Hey, waiter! Another absinthe for this se or!" I poured the water directly into it and stirred it instead of letting it drip. Bill put in a lump of ice. I stirred the ice around with a spoon in the brownish, cloudy mixture. "How is it?" "Fine." "Don't drink it fast that way. It will make you sick." I set down the glass. I had not meant to drink it fast. "I feel tight." "You ought to." "That's what you wanted, wasn't it?" "Sure. Get tight. Get over your damn depression." "Well, I'm tight. Is | him and lifted him. It was uncomfortable and his legs were spraddled and his body was very sore. They were lifting him and all running toward the gate. He had his hand on somebody's shoulder. He looked around at us apologetically. The crowd, running, went out the gate with him. We all three went back to the hotel. Brett went up-stairs. Bill and I sat in the down-stairs dining-room and ate some hard-boiled eggs and drank several bottles of beer. Belmonte came down in his street clothes with his manager and two other men. They sat at the next table and ate. Belmonte ate very little. They were leaving on the seven o'clock train for Barcelona. Belmonte wore a blue-striped shirt and a dark suit, and ate soft-boiled eggs. The others ate a big meal. Belmonte did not talk. He only answered questions. Bill was tired after the bull-fight. So was I. We both took a bull-fight very hard. We sat and ate the eggs and I watched Belmonte and the people at his table. The men with him were tough-looking and businesslike. "Come on over to the caf ," Bill said. "I want an absinthe." It was the last day of the fiesta. Outside it was beginning to be cloudy again. The square was full of people and the fireworks experts were making up their set pieces for the night and covering them over with beech branches. Boys were watching. We passed stands of rockets with long bamboo stems. Outside the caf there was a great crowd. The music and the dancing were going on. The giants and the dwarfs were passing. "Where's Edna?" I asked Bill. "I don't know." We watched the beginning of the evening of the last night of the fiesta. The absinthe made everything seem better. I drank it without sugar in the dripping glass, and it was pleasantly bitter. "I feel sorry about Cohn," Bill said. "He had an awful time." "Oh, to hell with Cohn," I said. "Where do you suppose he went?" "Up to Paris." "What do you suppose he'll do?" "Oh, to hell with him." "What do you suppose he'll do?" "Pick up with his old girl, probably." "Who was his old girl?" "Somebody named Frances." We had another absinthe. "When do you go back?" I asked. "To-morrow." After a little while Bill said: "Well, it was a swell fiesta." "Yes,"<|quote|>I said;</|quote|>"something doing all the time." "You wouldn't believe it. It's like a wonderful nightmare." "Sure," I said. "I'd believe anything. Including nightmares." "What's the matter? Feel low?" "Low as hell." "Have another absinthe. Here, waiter! Another absinthe for this se or." "I feel like hell," I said. "Drink that," said Bill. "Drink it slow." It was beginning to get dark. The fiesta was going on. I began to feel drunk but I did not feel any better. "How do you feel?" "I feel like hell." "Have another?" "It won't do any good." "Try it. You can't tell; maybe this is the one that gets it. Hey, waiter! Another absinthe for this se or!" I poured the water directly into it and stirred it instead of letting it drip. Bill put in a lump of ice. I stirred the ice around with a spoon in the brownish, cloudy mixture. "How is it?" "Fine." "Don't drink it fast that way. It will make you sick." I set down the glass. I had not meant to drink it fast. "I feel tight." "You ought to." "That's what you wanted, wasn't it?" "Sure. Get tight. Get over your damn depression." "Well, I'm tight. Is that what you want?" "Sit down." "I won't sit down," I said. "I'm going over to the hotel." I was very drunk. I was drunker than I ever remembered having been. At the hotel I went up-stairs. Brett's door was open. I put my head in the room. Mike was sitting on the bed. He waved a bottle. "Jake," he said. "Come in, Jake." I went in and sat down. The room was unstable unless I looked at some fixed point. "Brett, you know. She's gone off with the bull-fighter chap." "No." "Yes. She looked for you to say good-bye. They went on the seven o'clock train." "Did they?" "Bad thing to do," Mike said. "She shouldn't have done it." "No." "Have a drink? Wait while I ring for some beer." "I'm drunk," I said. "I'm going in and lie down." "Are you blind? I was blind myself." "Yes," I said, "I'm blind." "Well, bung-o," Mike said. "Get some sleep, old Jake." I went out the door and into my own room and lay on the bed. The bed went sailing off and I sat up in bed and looked at the wall to make it stop. Outside in the | and sighted along the blade. The bull watched him. Romero spoke to the bull and tapped one of his feet. The bull charged and Romero waited for the charge, the muleta held low, sighting along the blade, his feet firm. Then without taking a step forward, he became one with the bull, the sword was in high between the shoulders, the bull had followed the low-swung flannel, that disappeared as Romero lurched clear to the left, and it was over. The bull tried to go forward, his legs commenced to settle, he swung from side to side, hesitated, then went down on his knees, and Romero's older brother leaned forward behind him and drove a short knife into the bull's neck at the base of the horns. The first time he missed. He drove the knife in again, and the bull went over, twitching and rigid. Romero's brother, holding the bull's horn in one hand, the knife in the other, looked up at the President's box. Handkerchiefs were waving all over the bull-ring. The President looked down from the box and waved his handkerchief. The brother cut the notched black ear from the dead bull and trotted over with it to Romero. The bull lay heavy and black on the sand, his tongue out. Boys were running toward him from all parts of the arena, making a little circle around him. They were starting to dance around the bull. Romero took the ear from his brother and held it up toward the President. The President bowed and Romero, running to get ahead of the crowd, came toward us. He leaned up against the barrera and gave the ear to Brett. He nodded his head and smiled. The crowd were all about him. Brett held down the cape. "You liked it?" Romero called. Brett did not say anything. They looked at each other and smiled. Brett had the ear in her hand. "Don't get bloody," Romero said, and grinned. The crowd wanted him. Several boys shouted at Brett. The crowd was the boys, the dancers, and the drunks. Romero turned and tried to get through the crowd. They were all around him trying to lift him and put him on their shoulders. He fought and twisted away, and started running, in the midst of them, toward the exit. He did not want to be carried on people's shoulders. But they held him and lifted him. It was uncomfortable and his legs were spraddled and his body was very sore. They were lifting him and all running toward the gate. He had his hand on somebody's shoulder. He looked around at us apologetically. The crowd, running, went out the gate with him. We all three went back to the hotel. Brett went up-stairs. Bill and I sat in the down-stairs dining-room and ate some hard-boiled eggs and drank several bottles of beer. Belmonte came down in his street clothes with his manager and two other men. They sat at the next table and ate. Belmonte ate very little. They were leaving on the seven o'clock train for Barcelona. Belmonte wore a blue-striped shirt and a dark suit, and ate soft-boiled eggs. The others ate a big meal. Belmonte did not talk. He only answered questions. Bill was tired after the bull-fight. So was I. We both took a bull-fight very hard. We sat and ate the eggs and I watched Belmonte and the people at his table. The men with him were tough-looking and businesslike. "Come on over to the caf ," Bill said. "I want an absinthe." It was the last day of the fiesta. Outside it was beginning to be cloudy again. The square was full of people and the fireworks experts were making up their set pieces for the night and covering them over with beech branches. Boys were watching. We passed stands of rockets with long bamboo stems. Outside the caf there was a great crowd. The music and the dancing were going on. The giants and the dwarfs were passing. "Where's Edna?" I asked Bill. "I don't know." We watched the beginning of the evening of the last night of the fiesta. The absinthe made everything seem better. I drank it without sugar in the dripping glass, and it was pleasantly bitter. "I feel sorry about Cohn," Bill said. "He had an awful time." "Oh, to hell with Cohn," I said. "Where do you suppose he went?" "Up to Paris." "What do you suppose he'll do?" "Oh, to hell with him." "What do you suppose he'll do?" "Pick up with his old girl, probably." "Who was his old girl?" "Somebody named Frances." We had another absinthe. "When do you go back?" I asked. "To-morrow." After a little while Bill said: "Well, it was a swell fiesta." "Yes,"<|quote|>I said;</|quote|>"something doing all the time." "You wouldn't believe it. It's like a wonderful nightmare." "Sure," I said. "I'd believe anything. Including nightmares." "What's the matter? Feel low?" "Low as hell." "Have another absinthe. Here, waiter! Another absinthe for this se or." "I feel like hell," I said. "Drink that," said Bill. "Drink it slow." It was beginning to get dark. The fiesta was going on. I began to feel drunk but I did not feel any better. "How do you feel?" "I feel like hell." "Have another?" "It won't do any good." "Try it. You can't tell; maybe this is the one that gets it. Hey, waiter! Another absinthe for this se or!" I poured the water directly into it and stirred it instead of letting it drip. Bill put in a lump of ice. I stirred the ice around with a spoon in the brownish, cloudy mixture. "How is it?" "Fine." "Don't drink it fast that way. It will make you sick." I set down the glass. I had not meant to drink it fast. "I feel tight." "You ought to." "That's what you wanted, wasn't it?" "Sure. Get tight. Get over your damn depression." "Well, I'm tight. Is that what you want?" "Sit down." "I won't sit down," I said. "I'm going over to the hotel." I was very drunk. I was drunker than I ever remembered having been. At the hotel I went up-stairs. Brett's door was open. I put my head in the room. Mike was sitting on the bed. He waved a bottle. "Jake," he said. "Come in, Jake." I went in and sat down. The room was unstable unless I looked at some fixed point. "Brett, you know. She's gone off with the bull-fighter chap." "No." "Yes. She looked for you to say good-bye. They went on the seven o'clock train." "Did they?" "Bad thing to do," Mike said. "She shouldn't have done it." "No." "Have a drink? Wait while I ring for some beer." "I'm drunk," I said. "I'm going in and lie down." "Are you blind? I was blind myself." "Yes," I said, "I'm blind." "Well, bung-o," Mike said. "Get some sleep, old Jake." I went out the door and into my own room and lay on the bed. The bed went sailing off and I sat up in bed and looked at the wall to make it stop. Outside in the square the fiesta was going on. It did not mean anything. Later Bill and Mike came in to get me to go down and eat with them. I pretended to be asleep. "He's asleep. Better let him alone." "He's blind as a tick," Mike said. They went out. I got up and went to the balcony and looked out at the dancing in the square. The world was not wheeling any more. It was just very clear and bright, and inclined to blur at the edges. I washed, brushed my hair. I looked strange to myself in the glass, and went down-stairs to the dining-room. "Here he is!" said Bill. "Good old Jake! I knew you wouldn't pass out." "Hello, you old drunk," Mike said. "I got hungry and woke up." "Eat some soup," Bill said. The three of us sat at the table, and it seemed as though about six people were missing. BOOK III CHAPTER 19 In the morning it was all over. The fiesta was finished. I woke about nine o'clock, had a bath, dressed, and went down-stairs. The square was empty and there were no people on the streets. A few children were picking up rocket-sticks in the square. The caf s were just opening and the waiters were carrying out the comfortable white wicker chairs and arranging them around the marble-topped tables in the shade of the arcade. They were sweeping the streets and sprinkling them with a hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I | soft-boiled eggs. The others ate a big meal. Belmonte did not talk. He only answered questions. Bill was tired after the bull-fight. So was I. We both took a bull-fight very hard. We sat and ate the eggs and I watched Belmonte and the people at his table. The men with him were tough-looking and businesslike. "Come on over to the caf ," Bill said. "I want an absinthe." It was the last day of the fiesta. Outside it was beginning to be cloudy again. The square was full of people and the fireworks experts were making up their set pieces for the night and covering them over with beech branches. Boys were watching. We passed stands of rockets with long bamboo stems. Outside the caf there was a great crowd. The music and the dancing were going on. The giants and the dwarfs were passing. "Where's Edna?" I asked Bill. "I don't know." We watched the beginning of the evening of the last night of the fiesta. The absinthe made everything seem better. I drank it without sugar in the dripping glass, and it was pleasantly bitter. "I feel sorry about Cohn," Bill said. "He had an awful time." "Oh, to hell with Cohn," I said. "Where do you suppose he went?" "Up to Paris." "What do you suppose he'll do?" "Oh, to hell with him." "What do you suppose he'll do?" "Pick up with his old girl, probably." "Who was his old girl?" "Somebody named Frances." We had another absinthe. "When do you go back?" I asked. "To-morrow." After a little while Bill said: "Well, it was a swell fiesta." "Yes,"<|quote|>I said;</|quote|>"something doing all the time." "You wouldn't believe it. It's like a wonderful nightmare." "Sure," I said. "I'd believe anything. Including nightmares." "What's the matter? Feel low?" "Low as hell." "Have another absinthe. Here, waiter! Another absinthe for this se or." "I feel like hell," I said. "Drink that," said Bill. "Drink it slow." It was beginning to get dark. The fiesta was going on. I began to feel drunk but I did not feel any better. "How do you feel?" "I feel like hell." "Have another?" "It won't do any good." "Try it. You can't tell; maybe this is the one that gets it. Hey, waiter! Another absinthe for this se or!" I poured the water directly into it and stirred it instead of letting it drip. Bill put in a lump of ice. I stirred the ice around with a spoon in the brownish, cloudy mixture. "How is it?" "Fine." "Don't drink it fast that way. It will make you sick." I set down the glass. I had not meant to drink it fast. "I feel tight." "You ought to." "That's what you wanted, wasn't it?" "Sure. Get tight. Get over your damn depression." "Well, I'm tight. Is that what you want?" "Sit down." "I won't sit down," I said. "I'm going over to the hotel." I was very drunk. I was drunker than I ever remembered having been. At the hotel I | The Sun Also Rises |
"A dinner--why?" | Newland Archer | at his wife with surprise.<|quote|>"A dinner--why?"</|quote|>he interrogated. Her colour rose. | to Washington; and Archer looked at his wife with surprise.<|quote|>"A dinner--why?"</|quote|>he interrogated. Her colour rose. "But you like Ellen--I thought | little wistfully at Archer. It was that evening, on his return home, that May announced her intention of giving a farewell dinner to her cousin. Madame Olenska's name had not been pronounced between them since the night of her flight to Washington; and Archer looked at his wife with surprise.<|quote|>"A dinner--why?"</|quote|>he interrogated. Her colour rose. "But you like Ellen--I thought you'd be pleased." "It's awfully nice--your putting it in that way. But I really don't see--" "I mean to do it, Newland," she said, quietly rising and going to her desk. "Here are the invitations all written. Mother helped me--she | shall miss her." Two tears, the parched tears of the old, rolled down her puffy cheeks and vanished in the abysses of her bosom. "All I ask is," she concluded, "that they shouldn't bother me any more. I must really be allowed to digest my gruel...." And she twinkled a little wistfully at Archer. It was that evening, on his return home, that May announced her intention of giving a farewell dinner to her cousin. Madame Olenska's name had not been pronounced between them since the night of her flight to Washington; and Archer looked at his wife with surprise.<|quote|>"A dinner--why?"</|quote|>he interrogated. Her colour rose. "But you like Ellen--I thought you'd be pleased." "It's awfully nice--your putting it in that way. But I really don't see--" "I mean to do it, Newland," she said, quietly rising and going to her desk. "Here are the invitations all written. Mother helped me--she agrees that we ought to." She paused, embarrassed and yet smiling, and Archer suddenly saw before him the embodied image of the Family. "Oh, all right," he said, staring with unseeing eyes at the list of guests that she had put in his hand. When he entered the drawing-room before | a finished scoundrel; but life with him must have been a good deal gayer than it is in Fifth Avenue. Not that the family would admit that: they think Fifth Avenue is Heaven with the rue de la Paix thrown in. And poor Ellen, of course, has no idea of going back to her husband. She held out as firmly as ever against that. So she's to settle down in Paris with that fool Medora.... Well, Paris is Paris; and you can keep a carriage there on next to nothing. But she was as gay as a bird, and I shall miss her." Two tears, the parched tears of the old, rolled down her puffy cheeks and vanished in the abysses of her bosom. "All I ask is," she concluded, "that they shouldn't bother me any more. I must really be allowed to digest my gruel...." And she twinkled a little wistfully at Archer. It was that evening, on his return home, that May announced her intention of giving a farewell dinner to her cousin. Madame Olenska's name had not been pronounced between them since the night of her flight to Washington; and Archer looked at his wife with surprise.<|quote|>"A dinner--why?"</|quote|>he interrogated. Her colour rose. "But you like Ellen--I thought you'd be pleased." "It's awfully nice--your putting it in that way. But I really don't see--" "I mean to do it, Newland," she said, quietly rising and going to her desk. "Here are the invitations all written. Mother helped me--she agrees that we ought to." She paused, embarrassed and yet smiling, and Archer suddenly saw before him the embodied image of the Family. "Oh, all right," he said, staring with unseeing eyes at the list of guests that she had put in his hand. When he entered the drawing-room before dinner May was stooping over the fire and trying to coax the logs to burn in their unaccustomed setting of immaculate tiles. The tall lamps were all lit, and Mr. van der Luyden's orchids had been conspicuously disposed in various receptacles of modern porcelain and knobby silver. Mrs. Newland Archer's drawing-room was generally thought a great success. A gilt bamboo jardiniere, in which the primulas and cinerarias were punctually renewed, blocked the access to the bay window (where the old-fashioned would have preferred a bronze reduction of the Venus of Milo); the sofas and arm-chairs of pale brocade were cleverly | transgressions; but--but on the other side ... I wouldn't put my hand in the fire ... well, that there hadn't been tit for tat ... with the young champion...." Mr. Letterblair unlocked a drawer and pushed a folded paper toward Archer. "This report, the result of discreet enquiries ..." And then, as Archer made no effort to glance at the paper or to repudiate the suggestion, the lawyer somewhat flatly continued: "I don't say it's conclusive, you observe; far from it. But straws show ... and on the whole it's eminently satisfactory for all parties that this dignified solution has been reached." "Oh, eminently," Archer assented, pushing back the paper. A day or two later, on responding to a summons from Mrs. Manson Mingott, his soul had been more deeply tried. He had found the old lady depressed and querulous. "You know she's deserted me?" she began at once; and without waiting for his reply: "Oh, don't ask me why! She gave so many reasons that I've forgotten them all. My private belief is that she couldn't face the boredom. At any rate that's what Augusta and my daughters-in-law think. And I don't know that I altogether blame her. Olenski's a finished scoundrel; but life with him must have been a good deal gayer than it is in Fifth Avenue. Not that the family would admit that: they think Fifth Avenue is Heaven with the rue de la Paix thrown in. And poor Ellen, of course, has no idea of going back to her husband. She held out as firmly as ever against that. So she's to settle down in Paris with that fool Medora.... Well, Paris is Paris; and you can keep a carriage there on next to nothing. But she was as gay as a bird, and I shall miss her." Two tears, the parched tears of the old, rolled down her puffy cheeks and vanished in the abysses of her bosom. "All I ask is," she concluded, "that they shouldn't bother me any more. I must really be allowed to digest my gruel...." And she twinkled a little wistfully at Archer. It was that evening, on his return home, that May announced her intention of giving a farewell dinner to her cousin. Madame Olenska's name had not been pronounced between them since the night of her flight to Washington; and Archer looked at his wife with surprise.<|quote|>"A dinner--why?"</|quote|>he interrogated. Her colour rose. "But you like Ellen--I thought you'd be pleased." "It's awfully nice--your putting it in that way. But I really don't see--" "I mean to do it, Newland," she said, quietly rising and going to her desk. "Here are the invitations all written. Mother helped me--she agrees that we ought to." She paused, embarrassed and yet smiling, and Archer suddenly saw before him the embodied image of the Family. "Oh, all right," he said, staring with unseeing eyes at the list of guests that she had put in his hand. When he entered the drawing-room before dinner May was stooping over the fire and trying to coax the logs to burn in their unaccustomed setting of immaculate tiles. The tall lamps were all lit, and Mr. van der Luyden's orchids had been conspicuously disposed in various receptacles of modern porcelain and knobby silver. Mrs. Newland Archer's drawing-room was generally thought a great success. A gilt bamboo jardiniere, in which the primulas and cinerarias were punctually renewed, blocked the access to the bay window (where the old-fashioned would have preferred a bronze reduction of the Venus of Milo); the sofas and arm-chairs of pale brocade were cleverly grouped about little plush tables densely covered with silver toys, porcelain animals and efflorescent photograph frames; and tall rosy-shaded lamps shot up like tropical flowers among the palms. "I don't think Ellen has ever seen this room lighted up," said May, rising flushed from her struggle, and sending about her a glance of pardonable pride. The brass tongs which she had propped against the side of the chimney fell with a crash that drowned her husband's answer; and before he could restore them Mr. and Mrs. van der Luyden were announced. The other guests quickly followed, for it was known that the van der Luydens liked to dine punctually. The room was nearly full, and Archer was engaged in showing to Mrs. Selfridge Merry a small highly-varnished Verbeckhoven "Study of Sheep," which Mr. Welland had given May for Christmas, when he found Madame Olenska at his side. She was excessively pale, and her pallor made her dark hair seem denser and heavier than ever. Perhaps that, or the fact that she had wound several rows of amber beads about her neck, reminded him suddenly of the little Ellen Mingott he had danced with at children's parties, when Medora Manson had | in tissue paper, and sent to his office in a sealed envelope addressed in her hand. This retort to his last appeal might have been interpreted as a classic move in a familiar game; but the young man chose to give it a different meaning. She was still fighting against her fate; but she was going to Europe, and she was not returning to her husband. Nothing, therefore, was to prevent his following her; and once he had taken the irrevocable step, and had proved to her that it was irrevocable, he believed she would not send him away. This confidence in the future had steadied him to play his part in the present. It had kept him from writing to her, or betraying, by any sign or act, his misery and mortification. It seemed to him that in the deadly silent game between them the trumps were still in his hands; and he waited. There had been, nevertheless, moments sufficiently difficult to pass; as when Mr. Letterblair, the day after Madame Olenska's departure, had sent for him to go over the details of the trust which Mrs. Manson Mingott wished to create for her granddaughter. For a couple of hours Archer had examined the terms of the deed with his senior, all the while obscurely feeling that if he had been consulted it was for some reason other than the obvious one of his cousinship; and that the close of the conference would reveal it. "Well, the lady can't deny that it's a handsome arrangement," Mr. Letterblair had summed up, after mumbling over a summary of the settlement. "In fact I'm bound to say she's been treated pretty handsomely all round." "All round?" Archer echoed with a touch of derision. "Do you refer to her husband's proposal to give her back her own money?" Mr. Letterblair's bushy eyebrows went up a fraction of an inch. "My dear sir, the law's the law; and your wife's cousin was married under the French law. It's to be presumed she knew what that meant." "Even if she did, what happened subsequently--." But Archer paused. Mr. Letterblair had laid his pen-handle against his big corrugated nose, and was looking down it with the expression assumed by virtuous elderly gentlemen when they wish their youngers to understand that virtue is not synonymous with ignorance. "My dear sir, I've no wish to extenuate the Count's transgressions; but--but on the other side ... I wouldn't put my hand in the fire ... well, that there hadn't been tit for tat ... with the young champion...." Mr. Letterblair unlocked a drawer and pushed a folded paper toward Archer. "This report, the result of discreet enquiries ..." And then, as Archer made no effort to glance at the paper or to repudiate the suggestion, the lawyer somewhat flatly continued: "I don't say it's conclusive, you observe; far from it. But straws show ... and on the whole it's eminently satisfactory for all parties that this dignified solution has been reached." "Oh, eminently," Archer assented, pushing back the paper. A day or two later, on responding to a summons from Mrs. Manson Mingott, his soul had been more deeply tried. He had found the old lady depressed and querulous. "You know she's deserted me?" she began at once; and without waiting for his reply: "Oh, don't ask me why! She gave so many reasons that I've forgotten them all. My private belief is that she couldn't face the boredom. At any rate that's what Augusta and my daughters-in-law think. And I don't know that I altogether blame her. Olenski's a finished scoundrel; but life with him must have been a good deal gayer than it is in Fifth Avenue. Not that the family would admit that: they think Fifth Avenue is Heaven with the rue de la Paix thrown in. And poor Ellen, of course, has no idea of going back to her husband. She held out as firmly as ever against that. So she's to settle down in Paris with that fool Medora.... Well, Paris is Paris; and you can keep a carriage there on next to nothing. But she was as gay as a bird, and I shall miss her." Two tears, the parched tears of the old, rolled down her puffy cheeks and vanished in the abysses of her bosom. "All I ask is," she concluded, "that they shouldn't bother me any more. I must really be allowed to digest my gruel...." And she twinkled a little wistfully at Archer. It was that evening, on his return home, that May announced her intention of giving a farewell dinner to her cousin. Madame Olenska's name had not been pronounced between them since the night of her flight to Washington; and Archer looked at his wife with surprise.<|quote|>"A dinner--why?"</|quote|>he interrogated. Her colour rose. "But you like Ellen--I thought you'd be pleased." "It's awfully nice--your putting it in that way. But I really don't see--" "I mean to do it, Newland," she said, quietly rising and going to her desk. "Here are the invitations all written. Mother helped me--she agrees that we ought to." She paused, embarrassed and yet smiling, and Archer suddenly saw before him the embodied image of the Family. "Oh, all right," he said, staring with unseeing eyes at the list of guests that she had put in his hand. When he entered the drawing-room before dinner May was stooping over the fire and trying to coax the logs to burn in their unaccustomed setting of immaculate tiles. The tall lamps were all lit, and Mr. van der Luyden's orchids had been conspicuously disposed in various receptacles of modern porcelain and knobby silver. Mrs. Newland Archer's drawing-room was generally thought a great success. A gilt bamboo jardiniere, in which the primulas and cinerarias were punctually renewed, blocked the access to the bay window (where the old-fashioned would have preferred a bronze reduction of the Venus of Milo); the sofas and arm-chairs of pale brocade were cleverly grouped about little plush tables densely covered with silver toys, porcelain animals and efflorescent photograph frames; and tall rosy-shaded lamps shot up like tropical flowers among the palms. "I don't think Ellen has ever seen this room lighted up," said May, rising flushed from her struggle, and sending about her a glance of pardonable pride. The brass tongs which she had propped against the side of the chimney fell with a crash that drowned her husband's answer; and before he could restore them Mr. and Mrs. van der Luyden were announced. The other guests quickly followed, for it was known that the van der Luydens liked to dine punctually. The room was nearly full, and Archer was engaged in showing to Mrs. Selfridge Merry a small highly-varnished Verbeckhoven "Study of Sheep," which Mr. Welland had given May for Christmas, when he found Madame Olenska at his side. She was excessively pale, and her pallor made her dark hair seem denser and heavier than ever. Perhaps that, or the fact that she had wound several rows of amber beads about her neck, reminded him suddenly of the little Ellen Mingott he had danced with at children's parties, when Medora Manson had first brought her to New York. The amber beads were trying to her complexion, or her dress was perhaps unbecoming: her face looked lustreless and almost ugly, and he had never loved it as he did at that minute. Their hands met, and he thought he heard her say: "Yes, we're sailing tomorrow in the Russia--"; then there was an unmeaning noise of opening doors, and after an interval May's voice: "Newland! Dinner's been announced. Won't you please take Ellen in?" Madame Olenska put her hand on his arm, and he noticed that the hand was ungloved, and remembered how he had kept his eyes fixed on it the evening that he had sat with her in the little Twenty-third Street drawing-room. All the beauty that had forsaken her face seemed to have taken refuge in the long pale fingers and faintly dimpled knuckles on his sleeve, and he said to himself: "If it were only to see her hand again I should have to follow her--." It was only at an entertainment ostensibly offered to a "foreign visitor" that Mrs. van der Luyden could suffer the diminution of being placed on her host's left. The fact of Madame Olenska's "foreignness" could hardly have been more adroitly emphasised than by this farewell tribute; and Mrs. van der Luyden accepted her displacement with an affability which left no doubt as to her approval. There were certain things that had to be done, and if done at all, done handsomely and thoroughly; and one of these, in the old New York code, was the tribal rally around a kinswoman about to be eliminated from the tribe. There was nothing on earth that the Wellands and Mingotts would not have done to proclaim their unalterable affection for the Countess Olenska now that her passage for Europe was engaged; and Archer, at the head of his table, sat marvelling at the silent untiring activity with which her popularity had been retrieved, grievances against her silenced, her past countenanced, and her present irradiated by the family approval. Mrs. van der Luyden shone on her with the dim benevolence which was her nearest approach to cordiality, and Mr. van der Luyden, from his seat at May's right, cast down the table glances plainly intended to justify all the carnations he had sent from Skuytercliff. Archer, who seemed to be assisting at the scene in a state | the French law. It's to be presumed she knew what that meant." "Even if she did, what happened subsequently--." But Archer paused. Mr. Letterblair had laid his pen-handle against his big corrugated nose, and was looking down it with the expression assumed by virtuous elderly gentlemen when they wish their youngers to understand that virtue is not synonymous with ignorance. "My dear sir, I've no wish to extenuate the Count's transgressions; but--but on the other side ... I wouldn't put my hand in the fire ... well, that there hadn't been tit for tat ... with the young champion...." Mr. Letterblair unlocked a drawer and pushed a folded paper toward Archer. "This report, the result of discreet enquiries ..." And then, as Archer made no effort to glance at the paper or to repudiate the suggestion, the lawyer somewhat flatly continued: "I don't say it's conclusive, you observe; far from it. But straws show ... and on the whole it's eminently satisfactory for all parties that this dignified solution has been reached." "Oh, eminently," Archer assented, pushing back the paper. A day or two later, on responding to a summons from Mrs. Manson Mingott, his soul had been more deeply tried. He had found the old lady depressed and querulous. "You know she's deserted me?" she began at once; and without waiting for his reply: "Oh, don't ask me why! She gave so many reasons that I've forgotten them all. My private belief is that she couldn't face the boredom. At any rate that's what Augusta and my daughters-in-law think. And I don't know that I altogether blame her. Olenski's a finished scoundrel; but life with him must have been a good deal gayer than it is in Fifth Avenue. Not that the family would admit that: they think Fifth Avenue is Heaven with the rue de la Paix thrown in. And poor Ellen, of course, has no idea of going back to her husband. She held out as firmly as ever against that. So she's to settle down in Paris with that fool Medora.... Well, Paris is Paris; and you can keep a carriage there on next to nothing. But she was as gay as a bird, and I shall miss her." Two tears, the parched tears of the old, rolled down her puffy cheeks and vanished in the abysses of her bosom. "All I ask is," she concluded, "that they shouldn't bother me any more. I must really be allowed to digest my gruel...." And she twinkled a little wistfully at Archer. It was that evening, on his return home, that May announced her intention of giving a farewell dinner to her cousin. Madame Olenska's name had not been pronounced between them since the night of her flight to Washington; and Archer looked at his wife with surprise.<|quote|>"A dinner--why?"</|quote|>he interrogated. Her colour rose. "But you like Ellen--I thought you'd be pleased." "It's awfully nice--your putting it in that way. But I really don't see--" "I mean to do it, Newland," she said, quietly rising and going to her desk. "Here are the invitations all written. Mother helped me--she agrees that we ought to." She paused, embarrassed and yet smiling, and Archer suddenly saw before him the embodied image of the Family. "Oh, all right," he said, staring with unseeing eyes at the list of guests that she had put in his hand. When he entered the drawing-room before dinner May was stooping over the fire and trying to coax the logs to burn in their unaccustomed setting of immaculate tiles. The tall lamps were all lit, and Mr. van der Luyden's orchids had been conspicuously disposed in various receptacles of modern porcelain and knobby silver. Mrs. Newland Archer's drawing-room was generally thought a great success. A gilt bamboo jardiniere, in which the primulas and cinerarias were punctually renewed, blocked the access to the bay window (where the old-fashioned would have preferred a bronze reduction of the Venus of Milo); the sofas and arm-chairs of pale brocade were cleverly grouped about little plush tables densely covered with silver toys, porcelain animals and efflorescent photograph frames; and tall rosy-shaded lamps shot up like tropical flowers among the palms. "I don't think Ellen has ever seen this room lighted up," said May, rising flushed from her struggle, and sending about her a glance of pardonable pride. The brass tongs which she had propped against the side of the chimney fell with a crash that drowned her husband's answer; and before he could restore them Mr. and Mrs. van der Luyden were announced. The other guests quickly followed, for it was known that the van der Luydens liked to dine punctually. The room was nearly full, and Archer was engaged in showing to Mrs. Selfridge Merry a small highly-varnished Verbeckhoven "Study of Sheep," which Mr. Welland had given May for Christmas, when he found Madame Olenska at his side. She was excessively pale, | The Age Of Innocence |
said Jem, dubiously. | No speaker | the water's edge. "That depends,"<|quote|>said Jem, dubiously.</|quote|>"What is it?" "Karaka," said | tattooed Englishman, coming down to the water's edge. "That depends,"<|quote|>said Jem, dubiously.</|quote|>"What is it?" "Karaka," said their new friend, offering a | and I can't help hesitating now it comes to the point." "That's just what I felt, Mas' Don," said Jem, with a perplexed look on his face. "Come, Jem, who's stealing some one else's ideas now?" "Like fruit?" said the tattooed Englishman, coming down to the water's edge. "That depends,"<|quote|>said Jem, dubiously.</|quote|>"What is it?" "Karaka," said their new friend, offering a basket of an olive-like fruit. "Good to eat?" "Yes; try it." "S'pose you eat some first," said Jem suspiciously. The Englishman laughed, and took some of the fruit, and began to chew it. "Afraid these would drug you so that | and I'm in that sort o' way of thinking that they've only got to coax me a bit, and swear as there shall be no tattooing and meat-pie nonsense, and I'd go ashore with them now." "No, Jem, that would not do till we know a little more of them, and I can't help hesitating now it comes to the point." "That's just what I felt, Mas' Don," said Jem, with a perplexed look on his face. "Come, Jem, who's stealing some one else's ideas now?" "Like fruit?" said the tattooed Englishman, coming down to the water's edge. "That depends,"<|quote|>said Jem, dubiously.</|quote|>"What is it?" "Karaka," said their new friend, offering a basket of an olive-like fruit. "Good to eat?" "Yes; try it." "S'pose you eat some first," said Jem suspiciously. The Englishman laughed, and took some of the fruit, and began to chew it. "Afraid these would drug you so that I could steal the boat?" "I didn't know. Wouldn't be the first who has stolen a boat, I suppose" said Jem sulkily. "Wouldn't be the first who has stolen a boat, I suppose." Don took some of the berries, and began to eat, and this emboldened Jem, who tasted one | doing wrong in taking stolen goods back to them as they belong to." "No, Jem, I s'pose not." "Very well then, Mas' Don; the question is this--Will you or won't you?" "I will, Jem." "First chance?" "Yes, I am decided." "That's a bargain then, my lad. So shake hands on it. Why! How rough and hard and tarry your hands have grown!" "Look out, Jem!" Don caught hold of the grapnel rope ready to haul up and get away from the shore, but Jem seized his hand. "It's all right, Mas' Don. Only them two running back with a basket, and I'm in that sort o' way of thinking that they've only got to coax me a bit, and swear as there shall be no tattooing and meat-pie nonsense, and I'd go ashore with them now." "No, Jem, that would not do till we know a little more of them, and I can't help hesitating now it comes to the point." "That's just what I felt, Mas' Don," said Jem, with a perplexed look on his face. "Come, Jem, who's stealing some one else's ideas now?" "Like fruit?" said the tattooed Englishman, coming down to the water's edge. "That depends,"<|quote|>said Jem, dubiously.</|quote|>"What is it?" "Karaka," said their new friend, offering a basket of an olive-like fruit. "Good to eat?" "Yes; try it." "S'pose you eat some first," said Jem suspiciously. The Englishman laughed, and took some of the fruit, and began to chew it. "Afraid these would drug you so that I could steal the boat?" "I didn't know. Wouldn't be the first who has stolen a boat, I suppose" said Jem sulkily. "Wouldn't be the first who has stolen a boat, I suppose." Don took some of the berries, and began to eat, and this emboldened Jem, who tasted one in a very suspicious and doubting way. "Hullo!" he said, with his countenance brightening; "know what these here taste like, Mas' Don?" "Very mellow apple?" "No; like the medlars that grew in my grandmother's garden." "That's right!" said the Englishman; and his New Zealand companion began to select the best and ripest of the fruit from the basket and handed them to Don, watching him eat with what was meant for a pleasant smile; but as his face resembled one that had been carved in a piece of mahogany, and afterwards ornamented with streaks and scrolls, the effect was more | Jem," said Don quickly. Jem was balanced on the edge, and at those words he threw himself backward with his heels in the air, and after he had struggled up with some difficulty, he stood rubbing his head. "Where 'bouts--where 'bouts, sir?" "I did not see a shark, Jem, but the place swarms with them, and I thought it was a risk." "Well, I do call that a trick," grumbled Jem. "Hit my nut such a whack, I did, and just in the worst place." "Better than having a leg torn off, Jem. Well, what were you going to say?" "Bottom of the boat's nearly knocked it all out of my head," said Jem, rubbing the tender spot. "What I meant to say was that I was stolen." "Well, I suppose we may call it so." "Stolen from my wife, as I belongs to." "Yes, Jem." "And you belongs to your mother and your Uncle Josiah, so you was stolen, too." "Yes, Jem, if you put it in that way, I suppose we were." "Well, then," said Jem triumphantly, "they may call it cowardly, or desertion, or what they like; but what I say is this, a man can't be doing wrong in taking stolen goods back to them as they belong to." "No, Jem, I s'pose not." "Very well then, Mas' Don; the question is this--Will you or won't you?" "I will, Jem." "First chance?" "Yes, I am decided." "That's a bargain then, my lad. So shake hands on it. Why! How rough and hard and tarry your hands have grown!" "Look out, Jem!" Don caught hold of the grapnel rope ready to haul up and get away from the shore, but Jem seized his hand. "It's all right, Mas' Don. Only them two running back with a basket, and I'm in that sort o' way of thinking that they've only got to coax me a bit, and swear as there shall be no tattooing and meat-pie nonsense, and I'd go ashore with them now." "No, Jem, that would not do till we know a little more of them, and I can't help hesitating now it comes to the point." "That's just what I felt, Mas' Don," said Jem, with a perplexed look on his face. "Come, Jem, who's stealing some one else's ideas now?" "Like fruit?" said the tattooed Englishman, coming down to the water's edge. "That depends,"<|quote|>said Jem, dubiously.</|quote|>"What is it?" "Karaka," said their new friend, offering a basket of an olive-like fruit. "Good to eat?" "Yes; try it." "S'pose you eat some first," said Jem suspiciously. The Englishman laughed, and took some of the fruit, and began to chew it. "Afraid these would drug you so that I could steal the boat?" "I didn't know. Wouldn't be the first who has stolen a boat, I suppose" said Jem sulkily. "Wouldn't be the first who has stolen a boat, I suppose." Don took some of the berries, and began to eat, and this emboldened Jem, who tasted one in a very suspicious and doubting way. "Hullo!" he said, with his countenance brightening; "know what these here taste like, Mas' Don?" "Very mellow apple?" "No; like the medlars that grew in my grandmother's garden." "That's right!" said the Englishman; and his New Zealand companion began to select the best and ripest of the fruit from the basket and handed them to Don, watching him eat with what was meant for a pleasant smile; but as his face resembled one that had been carved in a piece of mahogany, and afterwards ornamented with streaks and scrolls, the effect was more repellent than attractive. "My pakeha," said the great fellow with a childlike show of satisfaction; and he looked from one to the other and laughed. "Here, he's took to you regular, youngster; only look out, for he'll want _utu_ for it some time. Eh, Ngati? Utu?" "_Utu_, _utu_" said the chief, smiling. "What's utu?" said Jem, in a surly tone. "Payment." "Oh, then we'll give him a bit of 'bacco." He offered the New Zealander his tobacco-bag, which was quietly annexed with a smile. "There, we'll leave you the fruit. They're good eating, my lads, and if at any time before you go, you feel disposed to settle down with us, there's plenty of room, and it won't be very long before you'll grow into chiefs." He nodded, and then said a few words to his companion, who smiled at the two strangers in turn, after which they went off together into the forest, and were gone. "Ugh!" ejaculated Jem. "Don't know whether it arn't safer aboard ship after all." "Why do you say that?" cried Don. "Because whenever that black chap looks at me, he gives me the shivers." "Why?" "Seems to me that he's too fond of you, | TWENTY TWO. DON'S DECISION. "It's tempting, Jem," said Don. "Yes, Mas' Don; and it's untempting, too. I had a book once about manners and customs of foreign parts, but it didn't say things so plain as you've found 'em here." "Yes, I'm afraid it won't do, Jem. Even if we got away from the ship, it might be to a life that would be worse." "That's it, sir, as I said afore, `out of the frying-pan into the fire.' Wonder how long they'll be 'fore they come back." "Not till sundown. I say, shall we try it or sha'n't we?" Jem scratched his head, and seemed to be hesitating. "I don't know what to say, Jem. If they treated us well on board, I should be disposed to say let's put up with our life till we get back home." "But then they don't treat us well, Mas' Don. I don't grumble to you, but it's a reg'lar dog's life I lead; bully and cuss and swear at you, and then not even well fed." "But we are to be paid for it, Jem," said Don, bitterly. "Paid, Mas' Don!" replied Jem, contemptuously. "What paying will make up for what we go through?" "And I suppose we should have prize-money if we fought and took a French ship." "But then we're sent right out here, Mas' Don, where there's no French ships to fight; and if there were, the prize-money is shared among them as aren't killed." "Of course." "Well, how do we know as we shouldn't be killed? No, Mas' Don, they don't behave well to us, and I want to get home again, and so do you." "Yes, Jem." "P'r'aps it's cowardly, and they'll call it desertion." "Yes, Jem." "But we sha'n't be there to hear 'em call it so." "No, Jem." "Therefore it don't matter, Mas' Don; I've thought this all over hundreds o' times when you've been asleep." "And I've thought it over, Jem, hundreds of times when you've been asleep." "There you go again, sir, taking the ideas out of a man's brain. You shouldn't, Mas' Don. I always play fair with you." "Yes, of course you do." "Well, then, you ought to play fair with me. Now look here, Mas' Don," continued Jem, seating himself on the gunwale of the boat, so as to let his bare feet hang in the water. "'Ware sharks, Jem," said Don quickly. Jem was balanced on the edge, and at those words he threw himself backward with his heels in the air, and after he had struggled up with some difficulty, he stood rubbing his head. "Where 'bouts--where 'bouts, sir?" "I did not see a shark, Jem, but the place swarms with them, and I thought it was a risk." "Well, I do call that a trick," grumbled Jem. "Hit my nut such a whack, I did, and just in the worst place." "Better than having a leg torn off, Jem. Well, what were you going to say?" "Bottom of the boat's nearly knocked it all out of my head," said Jem, rubbing the tender spot. "What I meant to say was that I was stolen." "Well, I suppose we may call it so." "Stolen from my wife, as I belongs to." "Yes, Jem." "And you belongs to your mother and your Uncle Josiah, so you was stolen, too." "Yes, Jem, if you put it in that way, I suppose we were." "Well, then," said Jem triumphantly, "they may call it cowardly, or desertion, or what they like; but what I say is this, a man can't be doing wrong in taking stolen goods back to them as they belong to." "No, Jem, I s'pose not." "Very well then, Mas' Don; the question is this--Will you or won't you?" "I will, Jem." "First chance?" "Yes, I am decided." "That's a bargain then, my lad. So shake hands on it. Why! How rough and hard and tarry your hands have grown!" "Look out, Jem!" Don caught hold of the grapnel rope ready to haul up and get away from the shore, but Jem seized his hand. "It's all right, Mas' Don. Only them two running back with a basket, and I'm in that sort o' way of thinking that they've only got to coax me a bit, and swear as there shall be no tattooing and meat-pie nonsense, and I'd go ashore with them now." "No, Jem, that would not do till we know a little more of them, and I can't help hesitating now it comes to the point." "That's just what I felt, Mas' Don," said Jem, with a perplexed look on his face. "Come, Jem, who's stealing some one else's ideas now?" "Like fruit?" said the tattooed Englishman, coming down to the water's edge. "That depends,"<|quote|>said Jem, dubiously.</|quote|>"What is it?" "Karaka," said their new friend, offering a basket of an olive-like fruit. "Good to eat?" "Yes; try it." "S'pose you eat some first," said Jem suspiciously. The Englishman laughed, and took some of the fruit, and began to chew it. "Afraid these would drug you so that I could steal the boat?" "I didn't know. Wouldn't be the first who has stolen a boat, I suppose" said Jem sulkily. "Wouldn't be the first who has stolen a boat, I suppose." Don took some of the berries, and began to eat, and this emboldened Jem, who tasted one in a very suspicious and doubting way. "Hullo!" he said, with his countenance brightening; "know what these here taste like, Mas' Don?" "Very mellow apple?" "No; like the medlars that grew in my grandmother's garden." "That's right!" said the Englishman; and his New Zealand companion began to select the best and ripest of the fruit from the basket and handed them to Don, watching him eat with what was meant for a pleasant smile; but as his face resembled one that had been carved in a piece of mahogany, and afterwards ornamented with streaks and scrolls, the effect was more repellent than attractive. "My pakeha," said the great fellow with a childlike show of satisfaction; and he looked from one to the other and laughed. "Here, he's took to you regular, youngster; only look out, for he'll want _utu_ for it some time. Eh, Ngati? Utu?" "_Utu_, _utu_" said the chief, smiling. "What's utu?" said Jem, in a surly tone. "Payment." "Oh, then we'll give him a bit of 'bacco." He offered the New Zealander his tobacco-bag, which was quietly annexed with a smile. "There, we'll leave you the fruit. They're good eating, my lads, and if at any time before you go, you feel disposed to settle down with us, there's plenty of room, and it won't be very long before you'll grow into chiefs." He nodded, and then said a few words to his companion, who smiled at the two strangers in turn, after which they went off together into the forest, and were gone. "Ugh!" ejaculated Jem. "Don't know whether it arn't safer aboard ship after all." "Why do you say that?" cried Don. "Because whenever that black chap looks at me, he gives me the shivers." "Why?" "Seems to me that he's too fond of you, Mas' Don, and as if he was thinking how good you'd be." "Nonsense!" cried Don, who was enjoying the fruit. "Have some more of these. I wonder whether there are any more good kinds of fruit grow ashore." "Sure to be." "Do you think if we left the ship, Jem, and found our way right along the coast to some place where we could live till the ship had gone, and then wait till another ship came, we could get enough to eat?" "Dessay we could." "Because if we did, we should be quite independent, and could do as we liked." "To be sure, that's the way it seems to me; but just now, Mas' Don, I can only think of one thing." "What's that, Jem?" "How to get a bit of sleep, for the sun has made me as drowsy as a beedle." "Well, then, sit down and sleep." Jem wanted no persuasion, and in five minutes he was breathing very heavily, while Don sat watching the beauties of nature, the clouds of steam floating above the volcanic island, the wondrous sheen of the sea in the sun, the great lace-like tree-ferns which drooped over the mossy growth at the forest edge, and the beautiful butterflies which floated about like gaily-painted flowers in the golden light. Every now and then there was the sweet note of some bird ringing clearly in the air; then a loud and piercing screech heralded the coming of a parrot or cockatoo, which seemed tame enough to care little for the stranger who was watching its actions. Then all would be still again--a dreamy, sleepy stillness that was wonderfully attractive to Don as he sat with his eyes half-closed. In the distance he could see some of the Maoris coming and going in a listless, careless way, as if their life was a very pleasant indolence without a care. It was very beautiful and wonderfully attractive. On board the ship there were hard work, hard living, peremptory orders, and what seemed to the proud boy a state of slavery, while on shore offered itself a life of ease where there would be no battling with storm, and risk of war or shipwreck. Why should he not take advantage of this or some other opportunity, and steal ashore? It would be desertion, and setting aside the punishment held out to the one who forsook his | if you put it in that way, I suppose we were." "Well, then," said Jem triumphantly, "they may call it cowardly, or desertion, or what they like; but what I say is this, a man can't be doing wrong in taking stolen goods back to them as they belong to." "No, Jem, I s'pose not." "Very well then, Mas' Don; the question is this--Will you or won't you?" "I will, Jem." "First chance?" "Yes, I am decided." "That's a bargain then, my lad. So shake hands on it. Why! How rough and hard and tarry your hands have grown!" "Look out, Jem!" Don caught hold of the grapnel rope ready to haul up and get away from the shore, but Jem seized his hand. "It's all right, Mas' Don. Only them two running back with a basket, and I'm in that sort o' way of thinking that they've only got to coax me a bit, and swear as there shall be no tattooing and meat-pie nonsense, and I'd go ashore with them now." "No, Jem, that would not do till we know a little more of them, and I can't help hesitating now it comes to the point." "That's just what I felt, Mas' Don," said Jem, with a perplexed look on his face. "Come, Jem, who's stealing some one else's ideas now?" "Like fruit?" said the tattooed Englishman, coming down to the water's edge. "That depends,"<|quote|>said Jem, dubiously.</|quote|>"What is it?" "Karaka," said their new friend, offering a basket of an olive-like fruit. "Good to eat?" "Yes; try it." "S'pose you eat some first," said Jem suspiciously. The Englishman laughed, and took some of the fruit, and began to chew it. "Afraid these would drug you so that I could steal the boat?" "I didn't know. Wouldn't be the first who has stolen a boat, I suppose" said Jem sulkily. "Wouldn't be the first who has stolen a boat, I suppose." Don took some of the berries, and began to eat, and this emboldened Jem, who tasted one in a very suspicious and doubting way. "Hullo!" he said, with his countenance brightening; "know what these here taste like, Mas' Don?" "Very mellow apple?" "No; like the medlars that grew in my grandmother's garden." "That's right!" said the Englishman; and his New Zealand companion began to select the best and ripest of the fruit from the basket and handed them to Don, watching him eat with what was meant for a pleasant smile; but as his face resembled one that had been carved in a piece of mahogany, and afterwards ornamented with streaks and scrolls, the effect was more repellent than attractive. "My pakeha," said the great fellow with a childlike show of satisfaction; and he looked from one to the other and laughed. "Here, he's took to you regular, youngster; only look out, for he'll want _utu_ for it some time. Eh, Ngati? Utu?" "_Utu_, _utu_" said the chief, smiling. "What's utu?" said Jem, in a surly tone. "Payment." "Oh, then we'll give him a bit of 'bacco." He offered the New Zealander his tobacco-bag, which was quietly annexed with a smile. "There, we'll leave you the fruit. They're good eating, my lads, and if at any time before you go, you feel disposed to settle down with us, there's plenty of room, and it won't be very long before you'll grow into chiefs." He nodded, and then said a few words to his companion, who smiled at the two strangers in turn, after which they went off together into the forest, and were gone. "Ugh!" ejaculated Jem. "Don't know whether it arn't safer aboard ship after all." "Why do you say that?" cried Don. "Because whenever that black chap looks at me, he gives me the shivers." "Why?" "Seems to me | Don Lavington |
"Leonard is a better growth than madness," | Margaret | been trying to count them.<|quote|>"Leonard is a better growth than madness,"</|quote|>she said. "I was afraid | see them gleam. She had been trying to count them.<|quote|>"Leonard is a better growth than madness,"</|quote|>she said. "I was afraid that you would react against | Paul?" Margaret did not speak for a moment. So tired was she that her attention had actually wandered to the teeth--the teeth that had been thrust into the tree s bark to medicate it. From where she sat she could see them gleam. She had been trying to count them.<|quote|>"Leonard is a better growth than madness,"</|quote|>she said. "I was afraid that you would react against Paul until you went over the verge." "I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is | I wanted to give him money and feel finished. Oh, Meg, the little that is known about these things!" She laid her face against the tree. "The little, too, that is known about growth! Both times it was loneliness, and the night, and panic afterwards. Did Leonard grow out of Paul?" Margaret did not speak for a moment. So tired was she that her attention had actually wandered to the teeth--the teeth that had been thrust into the tree s bark to medicate it. From where she sat she could see them gleam. She had been trying to count them.<|quote|>"Leonard is a better growth than madness,"</|quote|>she said. "I was afraid that you would react against Paul until you went over the verge." "I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy." Margaret did not reply. "Yes," repeated Helen, her voice growing more tender, "I do at last understand." "Except Mrs. Wilcox, dearest, no one understands our little movements." "Because | pressed him to tell me. He said no one must know; it was something to do with his wife. Right up to the end we were Mr. Bast and Miss Schlegel. I was going to tell him that he must be frank with me when I saw his eyes, and guessed that Mr. Wilcox had ruined him in two ways, not one. I drew him to me. I made him tell me. I felt very lonely myself. He is not to blame. He would have gone on worshipping me. I want never to see him again, though it sounds appalling. I wanted to give him money and feel finished. Oh, Meg, the little that is known about these things!" She laid her face against the tree. "The little, too, that is known about growth! Both times it was loneliness, and the night, and panic afterwards. Did Leonard grow out of Paul?" Margaret did not speak for a moment. So tired was she that her attention had actually wandered to the teeth--the teeth that had been thrust into the tree s bark to medicate it. From where she sat she could see them gleam. She had been trying to count them.<|quote|>"Leonard is a better growth than madness,"</|quote|>she said. "I was afraid that you would react against Paul until you went over the verge." "I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy." Margaret did not reply. "Yes," repeated Helen, her voice growing more tender, "I do at last understand." "Except Mrs. Wilcox, dearest, no one understands our little movements." "Because in death--I agree." "Not quite. I feel that you and I and Henry are only fragments of that woman s mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt | Helen slowly. "I isolated Mr. Wilcox from the other forces that were pulling Leonard downhill. Consequently, I was full of pity, and almost of revenge. For weeks I had blamed Mr. Wilcox only, and so, when your letters came--" "I need never have written them," sighed Margaret. "They never shielded Henry. How hopeless it is to tidy away the past, even for others!" "I did not know that it was your own idea to dismiss the Basts." "Looking back, that was wrong of me." "Looking back, darling, I know that it was right. It is right to save the man whom one loves. I am less enthusiastic about justice now. But we both thought you wrote at his dictation. It seemed the last touch of his callousness. Being very much wrought up by this time--and Mrs. Bast was upstairs. I had not seen her, and had talked for a long time to Leonard--I had snubbed him for no reason, and that should have warned me I was in danger. So when the notes came I wanted us to go to you for an explanation. He said that he guessed the explanation--he knew of it, and you mustn t know. I pressed him to tell me. He said no one must know; it was something to do with his wife. Right up to the end we were Mr. Bast and Miss Schlegel. I was going to tell him that he must be frank with me when I saw his eyes, and guessed that Mr. Wilcox had ruined him in two ways, not one. I drew him to me. I made him tell me. I felt very lonely myself. He is not to blame. He would have gone on worshipping me. I want never to see him again, though it sounds appalling. I wanted to give him money and feel finished. Oh, Meg, the little that is known about these things!" She laid her face against the tree. "The little, too, that is known about growth! Both times it was loneliness, and the night, and panic afterwards. Did Leonard grow out of Paul?" Margaret did not speak for a moment. So tired was she that her attention had actually wandered to the teeth--the teeth that had been thrust into the tree s bark to medicate it. From where she sat she could see them gleam. She had been trying to count them.<|quote|>"Leonard is a better growth than madness,"</|quote|>she said. "I was afraid that you would react against Paul until you went over the verge." "I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy." Margaret did not reply. "Yes," repeated Helen, her voice growing more tender, "I do at last understand." "Except Mrs. Wilcox, dearest, no one understands our little movements." "Because in death--I agree." "Not quite. I feel that you and I and Henry are only fragments of that woman s mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt that she knew when Henry deceived her." "Good-night, Mrs. Wilcox," called a voice. "Oh, good-night, Miss Avery." "Why should Miss Avery work for us?" Helen murmured. "Why, indeed?" Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games. "This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of tourists." "We shall be that everywhere, and for ever." "But affectionate tourists." "But tourists who pretend each hotel is their home." "I can t pretend very long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon | to see where things will lead to. He had a strong regard for honesty, and his word, once given, had always been kept up to now. He was deeply vexed, not only for the harm he had done Helen, but for the flaw he had discovered in his own equipment. "I see--you are in his confidence. They met at your rooms. Oh, what a family, what a family! God help the poor pater--" And Tibby found himself alone. CHAPTER XL Leonard--he would figure at length in a newspaper report, but that evening he did not count for much. The foot of the tree was in shadow, since the moon was still hidden behind the house. But above, to right, to left, down the long meadow the moonlight was streaming. Leonard seemed not a man, but a cause. Perhaps it was Helen s way of falling in love--a curious way to Margaret, whose agony and whose contempt of Henry were yet imprinted with his image. Helen forgot people. They were husks that had enclosed her emotion. She could pity, or sacrifice herself, or have instincts, but had she ever loved in the noblest way, where man and woman, having lost themselves in sex, desire to lose sex itself in comradeship? Margaret wondered, but said no word of blame. This was Helen s evening. Troubles enough lay ahead of her--the loss of friends and of social advantages, the agony, the supreme agony, of motherhood, which is not even yet a matter of common knowledge. For the present let the moon shine brightly and the breezes of the spring blow gently, dying away from the gale of the day, and let the earth, that brings increase, bring peace. Not even to herself dare she blame Helen. She could not assess her trespass by any moral code; it was everything or nothing. Morality can tell us that murder is worse than stealing, and group most sins in an order all must approve, but it cannot group Helen. The surer its pronouncements on this point, the surer may we be that morality is not speaking. Christ was evasive when they questioned Him. It is those that cannot connect who hasten to cast the first stone. This was Helen s evening--won at what cost, and not to be marred by the sorrows of others. Of her own tragedy Margaret never uttered a word. "One isolates," said Helen slowly. "I isolated Mr. Wilcox from the other forces that were pulling Leonard downhill. Consequently, I was full of pity, and almost of revenge. For weeks I had blamed Mr. Wilcox only, and so, when your letters came--" "I need never have written them," sighed Margaret. "They never shielded Henry. How hopeless it is to tidy away the past, even for others!" "I did not know that it was your own idea to dismiss the Basts." "Looking back, that was wrong of me." "Looking back, darling, I know that it was right. It is right to save the man whom one loves. I am less enthusiastic about justice now. But we both thought you wrote at his dictation. It seemed the last touch of his callousness. Being very much wrought up by this time--and Mrs. Bast was upstairs. I had not seen her, and had talked for a long time to Leonard--I had snubbed him for no reason, and that should have warned me I was in danger. So when the notes came I wanted us to go to you for an explanation. He said that he guessed the explanation--he knew of it, and you mustn t know. I pressed him to tell me. He said no one must know; it was something to do with his wife. Right up to the end we were Mr. Bast and Miss Schlegel. I was going to tell him that he must be frank with me when I saw his eyes, and guessed that Mr. Wilcox had ruined him in two ways, not one. I drew him to me. I made him tell me. I felt very lonely myself. He is not to blame. He would have gone on worshipping me. I want never to see him again, though it sounds appalling. I wanted to give him money and feel finished. Oh, Meg, the little that is known about these things!" She laid her face against the tree. "The little, too, that is known about growth! Both times it was loneliness, and the night, and panic afterwards. Did Leonard grow out of Paul?" Margaret did not speak for a moment. So tired was she that her attention had actually wandered to the teeth--the teeth that had been thrust into the tree s bark to medicate it. From where she sat she could see them gleam. She had been trying to count them.<|quote|>"Leonard is a better growth than madness,"</|quote|>she said. "I was afraid that you would react against Paul until you went over the verge." "I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy." Margaret did not reply. "Yes," repeated Helen, her voice growing more tender, "I do at last understand." "Except Mrs. Wilcox, dearest, no one understands our little movements." "Because in death--I agree." "Not quite. I feel that you and I and Henry are only fragments of that woman s mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt that she knew when Henry deceived her." "Good-night, Mrs. Wilcox," called a voice. "Oh, good-night, Miss Avery." "Why should Miss Avery work for us?" Helen murmured. "Why, indeed?" Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games. "This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of tourists." "We shall be that everywhere, and for ever." "But affectionate tourists." "But tourists who pretend each hotel is their home." "I can t pretend very long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind. "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again. "Sleep now," said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear for a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox s mind? CHAPTER XLI Far different was Leonard s development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out, "Brute--you brute, I couldn t have--" and be rent into two people who held dialogues. Or brown rain would descend, blotting out faces and the sky. Even Jacky noticed the change in him. Most terrible were his sufferings when he awoke from sleep. Sometimes he was happy at first, but grew conscious of a burden hanging to him and weighing down his thoughts when they would move. Or little irons scorched | her, and had talked for a long time to Leonard--I had snubbed him for no reason, and that should have warned me I was in danger. So when the notes came I wanted us to go to you for an explanation. He said that he guessed the explanation--he knew of it, and you mustn t know. I pressed him to tell me. He said no one must know; it was something to do with his wife. Right up to the end we were Mr. Bast and Miss Schlegel. I was going to tell him that he must be frank with me when I saw his eyes, and guessed that Mr. Wilcox had ruined him in two ways, not one. I drew him to me. I made him tell me. I felt very lonely myself. He is not to blame. He would have gone on worshipping me. I want never to see him again, though it sounds appalling. I wanted to give him money and feel finished. Oh, Meg, the little that is known about these things!" She laid her face against the tree. "The little, too, that is known about growth! Both times it was loneliness, and the night, and panic afterwards. Did Leonard grow out of Paul?" Margaret did not speak for a moment. So tired was she that her attention had actually wandered to the teeth--the teeth that had been thrust into the tree s bark to medicate it. From where she sat she could see them gleam. She had been trying to count them.<|quote|>"Leonard is a better growth than madness,"</|quote|>she said. "I was afraid that you would react against Paul until you went over the verge." "I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy." Margaret did not reply. "Yes," repeated Helen, her voice growing more tender, "I do at last understand." "Except Mrs. Wilcox, dearest, no one understands our little movements." "Because in death--I agree." "Not quite. I feel that you and I and Henry are only fragments of that woman s mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt that she knew when Henry deceived her." "Good-night, Mrs. Wilcox," called a voice. "Oh, good-night, Miss Avery." "Why should Miss Avery work for us?" Helen murmured. "Why, indeed?" Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games. "This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of | Howards End |
“We _may_” | Bender | sure he’ll be deeply interested----”<|quote|>“We _may_”</|quote|>--Mr. Bender took it straight | right away.” “Well, as I’m sure he’ll be deeply interested----”<|quote|>“We _may_”</|quote|>--Mr. Bender took it straight up-- “get news next week?” | spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----”<|quote|>“We _may_”</|quote|>--Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a | “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----”<|quote|>“We _may_”</|quote|>--Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their | I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----”<|quote|>“We _may_”</|quote|>--Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to | collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----”<|quote|>“We _may_”</|quote|>--Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite | the very small number.” “Then do you consider that you account for this one?” “I believe I shall if you’ll give me time.” “Oh, time!” Mr. Bender impatiently sighed. “But we’ll give you all we’ve got--only I guess it isn’t much.” And he appeared freely to invite their companions to join in this estimate. They listened to him, however, they watched him, for the moment, but in silence, and with the next he had gone on: “How much higher--if your idea is correct about it--would Lord Theign’s picture come?” Hugh turned to that nobleman. “Does Mr. Bender mean come to _him_, my lord?” Lord Theign looked again hard at Hugh, and then harder than he had done yet at his other invader. “I don’t know _what_ Mr. Bender means!” With which he turned off. “Well, I guess I mean that it would come higher to me than to any one! But how _much_ higher?” the American continued to Hugh. “How much higher to _you?_” “Oh, I can size _that_. How much higher as a Mantovano?” Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay. “To any one?” “To any one.” “Than as a Moretto?” Hugh continued. It even acted on Lord John’s nerves. “That’s what we’re talking about--really!” But Hugh still took his ease; as if, with his eyes first on Bender and then on Lord Theign, whose back was practically presented, he were covertly studying signs. “Well,” he presently said, “in view of the very great interest combined with the very great rarity, more than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----”<|quote|>“We _may_”</|quote|>--Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, “is too cheap--for a Yankee ‘on the spend.’” “Then the Mantovano wouldn’t be.” “It remains to be proved that it _is_ a Mantovano.” “Well,” said Lord John, “go into it.” “Hanged if I won’t!” his friend broke out after a moment. “It _would_ suit me. I mean” --the explanation came after a brief intensity of thought-- “the possible size of his cheque would.” “Oh,” said Lord John gaily, “I guess there’s no limit to the possible size of his cheque!” “Yes, it would suit me, it would suit me!” the elder man, standing there, audibly mused. But his air changed | all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----”<|quote|>“We _may_”</|quote|>--Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign; “and if you want another look at her I’ll presently come and take one too.” “I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert | The Outcry |
“They’ve been living over that garage for eleven years. And Tom’s the first sweetie she ever had.” | Catherine | him,” resumed Catherine to me.<|quote|>“They’ve been living over that garage for eleven years. And Tom’s the first sweetie she ever had.”</|quote|>The bottle of whisky—a second | ought to get away from him,” resumed Catherine to me.<|quote|>“They’ve been living over that garage for eleven years. And Tom’s the first sweetie she ever had.”</|quote|>The bottle of whisky—a second one—was now in constant demand | he was out: ‘Oh, is that your suit?’ I said. ‘This is the first I ever heard about it.’ But I gave it to him and then I lay down and cried to beat the band all afternoon.” “She really ought to get away from him,” resumed Catherine to me.<|quote|>“They’ve been living over that garage for eleven years. And Tom’s the first sweetie she ever had.”</|quote|>The bottle of whisky—a second one—was now in constant demand by all present, excepting Catherine, who “felt just as good on nothing at all.” Tom rang for the janitor and sent him for some celebrated sandwiches, which were a complete supper in themselves. I wanted to get out and walk | my expression that I expected no affection. “The only crazy I was was when I married him. I knew right away I made a mistake. He borrowed somebody’s best suit to get married in, and never even told me about it, and the man came after it one day when he was out: ‘Oh, is that your suit?’ I said. ‘This is the first I ever heard about it.’ But I gave it to him and then I lay down and cried to beat the band all afternoon.” “She really ought to get away from him,” resumed Catherine to me.<|quote|>“They’ve been living over that garage for eleven years. And Tom’s the first sweetie she ever had.”</|quote|>The bottle of whisky—a second one—was now in constant demand by all present, excepting Catherine, who “felt just as good on nothing at all.” Tom rang for the janitor and sent him for some celebrated sandwiches, which were a complete supper in themselves. I wanted to get out and walk eastward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of | difference between your case and mine.” “Why did you, Myrtle?” demanded Catherine. “Nobody forced you to.” Myrtle considered. “I married him because I thought he was a gentleman,” she said finally. “I thought he knew something about breeding, but he wasn’t fit to lick my shoe.” “You were crazy about him for a while,” said Catherine. “Crazy about him!” cried Myrtle incredulously. “Who said I was crazy about him? I never was any more crazy about him than I was about that man there.” She pointed suddenly at me, and everyone looked at me accusingly. I tried to show by my expression that I expected no affection. “The only crazy I was was when I married him. I knew right away I made a mistake. He borrowed somebody’s best suit to get married in, and never even told me about it, and the man came after it one day when he was out: ‘Oh, is that your suit?’ I said. ‘This is the first I ever heard about it.’ But I gave it to him and then I lay down and cried to beat the band all afternoon.” “She really ought to get away from him,” resumed Catherine to me.<|quote|>“They’ve been living over that garage for eleven years. And Tom’s the first sweetie she ever had.”</|quote|>The bottle of whisky—a second one—was now in constant demand by all present, excepting Catherine, who “felt just as good on nothing at all.” Tom rang for the janitor and sent him for some celebrated sandwiches, which were a complete supper in themselves. I wanted to get out and walk eastward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I saw him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life. Myrtle pulled her chair close to mine, and suddenly her warm breath poured over me the story of her first meeting with Tom. “It was on the two little seats facing each other that are always the last ones left on the train. I was going up to New York to see my sister and spend the night. He had on a dress suit and patent | discreet to go to Europe.” “Oh, do you like Europe?” she exclaimed surprisingly. “I just got back from Monte Carlo.” “Really.” “Just last year. I went over there with another girl.” “Stay long?” “No, we just went to Monte Carlo and back. We went by way of Marseilles. We had over twelve hundred dollars when we started, but we got gyped out of it all in two days in the private rooms. We had an awful time getting back, I can tell you. God, how I hated that town!” The late afternoon sky bloomed in the window for a moment like the blue honey of the Mediterranean—then the shrill voice of Mrs. McKee called me back into the room. “I almost made a mistake, too,” she declared vigorously. “I almost married a little kike who’d been after me for years. I knew he was below me. Everybody kept saying to me: ‘Lucille, that man’s way below you!’ But if I hadn’t met Chester, he’d of got me sure.” “Yes, but listen,” said Myrtle Wilson, nodding her head up and down, “at least you didn’t marry him.” “I know I didn’t.” “Well, I married him,” said Myrtle, ambiguously. “And that’s the difference between your case and mine.” “Why did you, Myrtle?” demanded Catherine. “Nobody forced you to.” Myrtle considered. “I married him because I thought he was a gentleman,” she said finally. “I thought he knew something about breeding, but he wasn’t fit to lick my shoe.” “You were crazy about him for a while,” said Catherine. “Crazy about him!” cried Myrtle incredulously. “Who said I was crazy about him? I never was any more crazy about him than I was about that man there.” She pointed suddenly at me, and everyone looked at me accusingly. I tried to show by my expression that I expected no affection. “The only crazy I was was when I married him. I knew right away I made a mistake. He borrowed somebody’s best suit to get married in, and never even told me about it, and the man came after it one day when he was out: ‘Oh, is that your suit?’ I said. ‘This is the first I ever heard about it.’ But I gave it to him and then I lay down and cried to beat the band all afternoon.” “She really ought to get away from him,” resumed Catherine to me.<|quote|>“They’ve been living over that garage for eleven years. And Tom’s the first sweetie she ever had.”</|quote|>The bottle of whisky—a second one—was now in constant demand by all present, excepting Catherine, who “felt just as good on nothing at all.” Tom rang for the janitor and sent him for some celebrated sandwiches, which were a complete supper in themselves. I wanted to get out and walk eastward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I saw him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life. Myrtle pulled her chair close to mine, and suddenly her warm breath poured over me the story of her first meeting with Tom. “It was on the two little seats facing each other that are always the last ones left on the train. I was going up to New York to see my sister and spend the night. He had on a dress suit and patent leather shoes, and I couldn’t keep my eyes off him, but every time he looked at me I had to pretend to be looking at the advertisement over his head. When we came into the station he was next to me, and his white shirtfront pressed against my arm, and so I told him I’d have to call a policeman, but he knew I lied. I was so excited that when I got into a taxi with him I didn’t hardly know I wasn’t getting into a subway train. All I kept thinking about, over and over, was ‘You can’t live forever; you can’t live forever.’ ” She turned to Mrs. McKee and the room rang full of her artificial laughter. “My dear,” she cried, “I’m going to give you this dress as soon as I’m through with it. I’ve got to get another one tomorrow. I’m going to make a list of all the things I’ve got to get. A massage and a wave, and a collar for the dog, and one of those cute little ashtrays where you touch a spring, and a wreath with a black silk bow for mother’s grave that’ll last all summer. I got | One of them I call Montauk Point—The Gulls, and the other I call Montauk Point—The Sea.” The sister Catherine sat down beside me on the couch. “Do you live down on Long Island, too?” she inquired. “I live at West Egg.” “Really? I was down there at a party about a month ago. At a man named Gatsby’s. Do you know him?” “I live next door to him.” “Well, they say he’s a nephew or a cousin of Kaiser Wilhelm’s. That’s where all his money comes from.” “Really?” She nodded. “I’m scared of him. I’d hate to have him get anything on me.” This absorbing information about my neighbour was interrupted by Mrs. McKee’s pointing suddenly at Catherine: “Chester, I think you could do something with her,” she broke out, but Mr. McKee only nodded in a bored way, and turned his attention to Tom. “I’d like to do more work on Long Island, if I could get the entry. All I ask is that they should give me a start.” “Ask Myrtle,” said Tom, breaking into a short shout of laughter as Mrs. Wilson entered with a tray. “She’ll give you a letter of introduction, won’t you, Myrtle?” “Do what?” she asked, startled. “You’ll give McKee a letter of introduction to your husband, so he can do some studies of him.” His lips moved silently for a moment as he invented, “ ‘George B. Wilson at the Gasoline Pump,’ or something like that.” Catherine leaned close to me and whispered in my ear: “Neither of them can stand the person they’re married to.” “Can’t they?” “Can’t stand them.” She looked at Myrtle and then at Tom. “What I say is, why go on living with them if they can’t stand them? If I was them I’d get a divorce and get married to each other right away.” “Doesn’t she like Wilson either?” The answer to this was unexpected. It came from Myrtle, who had overheard the question, and it was violent and obscene. “You see,” cried Catherine triumphantly. She lowered her voice again. “It’s really his wife that’s keeping them apart. She’s a Catholic, and they don’t believe in divorce.” Daisy was not a Catholic, and I was a little shocked at the elaborateness of the lie. “When they do get married,” continued Catherine, “they’re going West to live for a while until it blows over.” “It’d be more discreet to go to Europe.” “Oh, do you like Europe?” she exclaimed surprisingly. “I just got back from Monte Carlo.” “Really.” “Just last year. I went over there with another girl.” “Stay long?” “No, we just went to Monte Carlo and back. We went by way of Marseilles. We had over twelve hundred dollars when we started, but we got gyped out of it all in two days in the private rooms. We had an awful time getting back, I can tell you. God, how I hated that town!” The late afternoon sky bloomed in the window for a moment like the blue honey of the Mediterranean—then the shrill voice of Mrs. McKee called me back into the room. “I almost made a mistake, too,” she declared vigorously. “I almost married a little kike who’d been after me for years. I knew he was below me. Everybody kept saying to me: ‘Lucille, that man’s way below you!’ But if I hadn’t met Chester, he’d of got me sure.” “Yes, but listen,” said Myrtle Wilson, nodding her head up and down, “at least you didn’t marry him.” “I know I didn’t.” “Well, I married him,” said Myrtle, ambiguously. “And that’s the difference between your case and mine.” “Why did you, Myrtle?” demanded Catherine. “Nobody forced you to.” Myrtle considered. “I married him because I thought he was a gentleman,” she said finally. “I thought he knew something about breeding, but he wasn’t fit to lick my shoe.” “You were crazy about him for a while,” said Catherine. “Crazy about him!” cried Myrtle incredulously. “Who said I was crazy about him? I never was any more crazy about him than I was about that man there.” She pointed suddenly at me, and everyone looked at me accusingly. I tried to show by my expression that I expected no affection. “The only crazy I was was when I married him. I knew right away I made a mistake. He borrowed somebody’s best suit to get married in, and never even told me about it, and the man came after it one day when he was out: ‘Oh, is that your suit?’ I said. ‘This is the first I ever heard about it.’ But I gave it to him and then I lay down and cried to beat the band all afternoon.” “She really ought to get away from him,” resumed Catherine to me.<|quote|>“They’ve been living over that garage for eleven years. And Tom’s the first sweetie she ever had.”</|quote|>The bottle of whisky—a second one—was now in constant demand by all present, excepting Catherine, who “felt just as good on nothing at all.” Tom rang for the janitor and sent him for some celebrated sandwiches, which were a complete supper in themselves. I wanted to get out and walk eastward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I saw him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life. Myrtle pulled her chair close to mine, and suddenly her warm breath poured over me the story of her first meeting with Tom. “It was on the two little seats facing each other that are always the last ones left on the train. I was going up to New York to see my sister and spend the night. He had on a dress suit and patent leather shoes, and I couldn’t keep my eyes off him, but every time he looked at me I had to pretend to be looking at the advertisement over his head. When we came into the station he was next to me, and his white shirtfront pressed against my arm, and so I told him I’d have to call a policeman, but he knew I lied. I was so excited that when I got into a taxi with him I didn’t hardly know I wasn’t getting into a subway train. All I kept thinking about, over and over, was ‘You can’t live forever; you can’t live forever.’ ” She turned to Mrs. McKee and the room rang full of her artificial laughter. “My dear,” she cried, “I’m going to give you this dress as soon as I’m through with it. I’ve got to get another one tomorrow. I’m going to make a list of all the things I’ve got to get. A massage and a wave, and a collar for the dog, and one of those cute little ashtrays where you touch a spring, and a wreath with a black silk bow for mother’s grave that’ll last all summer. I got to write down a list so I won’t forget all the things I got to do.” It was nine o’clock—almost immediately afterward I looked at my watch and found it was ten. Mr. McKee was asleep on a chair with his fists clenched in his lap, like a photograph of a man of action. Taking out my handkerchief I wiped from his cheek the spot of dried lather that had worried me all the afternoon. The little dog was sitting on the table looking with blind eyes through the smoke, and from time to time groaning faintly. People disappeared, reappeared, made plans to go somewhere, and then lost each other, searched for each other, found each other a few feet away. Some time toward midnight Tom Buchanan and Mrs. Wilson stood face to face discussing, in impassioned voices, whether Mrs. Wilson had any right to mention Daisy’s name. “Daisy! Daisy! Daisy!” shouted Mrs. Wilson. “I’ll say it whenever I want to! Daisy! Dai—” Making a short deft movement, Tom Buchanan broke her nose with his open hand. Then there were bloody towels upon the bathroom floor, and women’s voices scolding, and high over the confusion a long broken wail of pain. Mr. McKee awoke from his doze and started in a daze toward the door. When he had gone halfway he turned around and stared at the scene—his wife and Catherine scolding and consoling as they stumbled here and there among the crowded furniture with articles of aid, and the despairing figure on the couch, bleeding fluently, and trying to spread a copy of Town Tattle over the tapestry scenes of Versailles. Then Mr. McKee turned and continued on out the door. Taking my hat from the chandelier, I followed. “Come to lunch some day,” he suggested, as we groaned down in the elevator. “Where?” “Anywhere.” “Keep your hands off the lever,” snapped the elevator boy. “I beg your pardon,” said Mr. McKee with dignity, “I didn’t know I was touching it.” “All right,” I agreed, “I’ll be glad to.” … I was standing beside his bed and he was sitting up between the sheets, clad in his underwear, with a great portfolio in his hands. “Beauty and the Beast … Loneliness … Old Grocery Horse … Brook’n Bridge …” Then I was lying half asleep in the cold lower level of the Pennsylvania Station, staring at the morning Tribune, | the difference between your case and mine.” “Why did you, Myrtle?” demanded Catherine. “Nobody forced you to.” Myrtle considered. “I married him because I thought he was a gentleman,” she said finally. “I thought he knew something about breeding, but he wasn’t fit to lick my shoe.” “You were crazy about him for a while,” said Catherine. “Crazy about him!” cried Myrtle incredulously. “Who said I was crazy about him? I never was any more crazy about him than I was about that man there.” She pointed suddenly at me, and everyone looked at me accusingly. I tried to show by my expression that I expected no affection. “The only crazy I was was when I married him. I knew right away I made a mistake. He borrowed somebody’s best suit to get married in, and never even told me about it, and the man came after it one day when he was out: ‘Oh, is that your suit?’ I said. ‘This is the first I ever heard about it.’ But I gave it to him and then I lay down and cried to beat the band all afternoon.” “She really ought to get away from him,” resumed Catherine to me.<|quote|>“They’ve been living over that garage for eleven years. And Tom’s the first sweetie she ever had.”</|quote|>The bottle of whisky—a second one—was now in constant demand by all present, excepting Catherine, who “felt just as good on nothing at all.” Tom rang for the janitor and sent him for some celebrated sandwiches, which were a complete supper in themselves. I wanted to get out and walk eastward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I saw him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life. Myrtle pulled her chair close to mine, and suddenly her warm breath poured over me the story of her first meeting with Tom. “It was on the two little seats facing each other that are always the last ones left on the train. I was going up to New York to see my sister and spend the night. He had on a dress suit and patent leather shoes, and I couldn’t keep my eyes off him, but every time he looked at me I had to pretend to be looking at the advertisement over his head. When we came into the station he was next to me, and his white shirtfront pressed against my arm, and so I told him I’d have to call a policeman, but he knew I lied. I was so excited that when I got into a taxi with him I didn’t hardly know I wasn’t getting into a subway train. All I kept thinking about, over and over, was ‘You can’t live forever; you can’t live forever.’ ” She turned to Mrs. McKee and the room rang full of her artificial laughter. “My dear,” she cried, “I’m going to give you this dress as soon as I’m through with it. I’ve got to get another one tomorrow. I’m going to make a list of all the things I’ve got to get. A massage and a wave, and a collar for the dog, and one of those cute little ashtrays where you touch a spring, and a wreath with a black silk bow for mother’s grave that’ll last all summer. I got to write down a list so I won’t forget all the things I got to do.” It was nine o’clock—almost immediately afterward I looked at my watch and found it was ten. Mr. McKee was asleep on a chair with his fists clenched in his | The Great Gatsby |
“You mean that he ought to allow _you_ as much?” | Lord John | his companion remarked with amusement.<|quote|>“You mean that he ought to allow _you_ as much?”</|quote|>Lord John inquired. “I’m sure | you can’t help it now,” his companion remarked with amusement.<|quote|>“You mean that he ought to allow _you_ as much?”</|quote|>Lord John inquired. “I’m sure you’re right, and that he | her everything.” Lord John appeared struck. “Yes--and he still allows her two thousand.” “I’m glad to hear it--she has never told me how much!” the girl undisguisedly smiled. “Then perhaps I oughtn’t!” --he glowed with the light of contrition. “Well, you can’t help it now,” his companion remarked with amusement.<|quote|>“You mean that he ought to allow _you_ as much?”</|quote|>Lord John inquired. “I’m sure you’re right, and that he will,” he continued quite as in good faith; “but I want you to understand that I don’t care in the least what it may be!” The subject of his suit took the longest look at him she had taken yet. | feel, it won’t be because you are right about your being nice, but because _he_ is!” “You mean that if I were wrong about it he would still insist that he isn’t?” Lady Grace was indeed sure. “Absolutely--if he had begun so! He began so with Kitty--that is with allowing her everything.” Lord John appeared struck. “Yes--and he still allows her two thousand.” “I’m glad to hear it--she has never told me how much!” the girl undisguisedly smiled. “Then perhaps I oughtn’t!” --he glowed with the light of contrition. “Well, you can’t help it now,” his companion remarked with amusement.<|quote|>“You mean that he ought to allow _you_ as much?”</|quote|>Lord John inquired. “I’m sure you’re right, and that he will,” he continued quite as in good faith; “but I want you to understand that I don’t care in the least what it may be!” The subject of his suit took the longest look at him she had taken yet. “You’re very good to say so!” If this was ironic the touch fell short, thanks to his perception that they had practically just ceased to be alone. They were in presence of a third figure, who had arrived from the terrace, but whose approach to them was not so immediate | horrid for reflecting so on my nearest and dearest, it’s not on the side on which he has most confidence in his elder daughter that his youngest is moved to have most confidence in _him_.” Lord John stared as if she had shaken some odd bright fluttering object in his face; but then recovering himself: “He hasn’t perhaps an absolutely boundless confidence--” “In any one in the world but himself?” --she had taken him straight up. “He hasn’t indeed, and that’s what we must come to; so that even if he likes you as much as you doubtless very justly feel, it won’t be because you are right about your being nice, but because _he_ is!” “You mean that if I were wrong about it he would still insist that he isn’t?” Lady Grace was indeed sure. “Absolutely--if he had begun so! He began so with Kitty--that is with allowing her everything.” Lord John appeared struck. “Yes--and he still allows her two thousand.” “I’m glad to hear it--she has never told me how much!” the girl undisguisedly smiled. “Then perhaps I oughtn’t!” --he glowed with the light of contrition. “Well, you can’t help it now,” his companion remarked with amusement.<|quote|>“You mean that he ought to allow _you_ as much?”</|quote|>Lord John inquired. “I’m sure you’re right, and that he will,” he continued quite as in good faith; “but I want you to understand that I don’t care in the least what it may be!” The subject of his suit took the longest look at him she had taken yet. “You’re very good to say so!” If this was ironic the touch fell short, thanks to his perception that they had practically just ceased to be alone. They were in presence of a third figure, who had arrived from the terrace, but whose approach to them was not so immediate as to deprive Lord John of time for another question. “Will you let _him_ tell you, at all events, how good he thinks me?--and then let me come back and have it from you again?” Lady Grace’s answer to this was to turn, as he drew nearer, to the person by whom they were now joined. “Lord John desires you should tell me, father, how good you think him.” “‘Good,’ my dear?--good for what?” said Lord Theign a trifle absurdly, but looking from one of them to the other. “I feel I must ask _him_ to tell you.” “Then I | attentuate a little the freedom of which he went on: “May I fondly hope that if Lady Imber too should wish to put in another word for me----?” “Will I listen to her?” --it brought Lady Grace straight down. “No, Lord John, let me tell you at once that I’ll do nothing of the sort Kitty’s quite another affair, and I never listen to her a bit more than I can help.” Lord John appeared to feel, on this, that he mustn’t too easily, in honour, abandon a person who had presented herself to him as an ally. “Ah, you strike me as a little hard on her. Your father himself--in his looser moments!--takes pleasure in what she says.” Our young woman’s eyes, as they rested on him after this remark, had no mercy for its extreme feebleness. “If you mean that she’s the most reckless rattle one knows, and that she never looks so beautiful as when she’s at her worst, and that, always clever for where she makes out her interest, she has learnt to ‘get round’ him till he only sees through her eyes--if you mean _that_ I understand you perfectly. But even if you think me horrid for reflecting so on my nearest and dearest, it’s not on the side on which he has most confidence in his elder daughter that his youngest is moved to have most confidence in _him_.” Lord John stared as if she had shaken some odd bright fluttering object in his face; but then recovering himself: “He hasn’t perhaps an absolutely boundless confidence--” “In any one in the world but himself?” --she had taken him straight up. “He hasn’t indeed, and that’s what we must come to; so that even if he likes you as much as you doubtless very justly feel, it won’t be because you are right about your being nice, but because _he_ is!” “You mean that if I were wrong about it he would still insist that he isn’t?” Lady Grace was indeed sure. “Absolutely--if he had begun so! He began so with Kitty--that is with allowing her everything.” Lord John appeared struck. “Yes--and he still allows her two thousand.” “I’m glad to hear it--she has never told me how much!” the girl undisguisedly smiled. “Then perhaps I oughtn’t!” --he glowed with the light of contrition. “Well, you can’t help it now,” his companion remarked with amusement.<|quote|>“You mean that he ought to allow _you_ as much?”</|quote|>Lord John inquired. “I’m sure you’re right, and that he will,” he continued quite as in good faith; “but I want you to understand that I don’t care in the least what it may be!” The subject of his suit took the longest look at him she had taken yet. “You’re very good to say so!” If this was ironic the touch fell short, thanks to his perception that they had practically just ceased to be alone. They were in presence of a third figure, who had arrived from the terrace, but whose approach to them was not so immediate as to deprive Lord John of time for another question. “Will you let _him_ tell you, at all events, how good he thinks me?--and then let me come back and have it from you again?” Lady Grace’s answer to this was to turn, as he drew nearer, to the person by whom they were now joined. “Lord John desires you should tell me, father, how good you think him.” “‘Good,’ my dear?--good for what?” said Lord Theign a trifle absurdly, but looking from one of them to the other. “I feel I must ask _him_ to tell you.” “Then I shall give him a chance--as I should particularly like you to go back and deal with those overwhelming children.” “Ah, they don’t overwhelm _you_, father!” --the girl put it with some point. “If you mean to say I overwhelmed _them_, I dare say I did,” he replied-- “from my view of that vast collective gape of six hundred painfully plain and perfectly expressionless faces. But that was only for the time: I pumped advice--oh _such_ advice!--and they held the large bucket as still as my pet pointer, when I scratch him, holds his back. The bucket, under the stream--” “Was bound to overflow?” Lady Grace suggested. “Well, the strong recoil of the wave of intelligence has been not unnaturally followed by the formidable break. You must really,” Lord Theign insisted, “go and deal with it.” His daughter’s smile, for all this, was perceptibly cold. “You work people up, father, and then leave others to let them down.” “The two things,” he promptly replied, “require different natures.” To which he simply added, as with the habit of authority, though not of harshness, “Go!” It was absolute and she yielded; only pausing an instant to look as with a certain gathered meaning | appeared not to prevent, however, a second and more anxious thought. “Too great for _you?_” “Well, he makes me feel--even as his daughter--my extreme comparative smallness.” It was easy, Lord John indicated, to see what she meant “He’s a _grand seigneur_, and a serious one--that’s what he is: the very type and model of it, down to the ground. So you can imagine,” the young man said, “what he makes me feel--most of all when he’s so awfully good-natured to me. His being as ‘great’ as you say and yet backing me--such as I am!--doesn’t _that_ strike you as a good note for me, the best you could possibly require? For he really _would_ like what I propose to you.” She might have been noting, while she thought, that he had risen to ingenuity, to fineness, on the wings of his argument; under the effect of which her reply had the air of a concession. “Yes--he would like it.” “Then he _has_ spoken to you?” her suitor eagerly asked. “He hasn’t needed--he has ways of letting one know.” “Yes, yes, he has ways; all his own--like everything else he has. He’s wonderful.” She fully agreed. “He’s wonderful.” The tone of it appeared somehow to shorten at once for Lord John the rest of his approach to a conclusion. “So you do see your way?” “Ah--!” she said with a quick sad shrinkage. “I mean,” her visitor hastened to explain, “if he does put it to you as the very best idea he has for you. When he does that--as I believe him ready to do--will you really and fairly listen to him? I’m certain, honestly, that when you know me better--!” His confidence in short donned a bravery. “I’ve been feeling this quarter of an hour,” the girl returned, “that I do know you better.” “Then isn’t that all I want?--unless indeed I ought perhaps to ask rather if it isn’t all _you_ do! At any rate,” said Lord John, “I may see you again here?” She waited a moment. “You must have patience with me.” “I _am_ having it But _after_ your father’s appeal.” “Well,” she said, “that must come first.” “Then you won’t dodge it?” She looked at him straight “I don’t dodge, Lord John.” He admired the manner of it “You look awfully handsome as you say so--and you see what _that_ does to me.” As to attentuate a little the freedom of which he went on: “May I fondly hope that if Lady Imber too should wish to put in another word for me----?” “Will I listen to her?” --it brought Lady Grace straight down. “No, Lord John, let me tell you at once that I’ll do nothing of the sort Kitty’s quite another affair, and I never listen to her a bit more than I can help.” Lord John appeared to feel, on this, that he mustn’t too easily, in honour, abandon a person who had presented herself to him as an ally. “Ah, you strike me as a little hard on her. Your father himself--in his looser moments!--takes pleasure in what she says.” Our young woman’s eyes, as they rested on him after this remark, had no mercy for its extreme feebleness. “If you mean that she’s the most reckless rattle one knows, and that she never looks so beautiful as when she’s at her worst, and that, always clever for where she makes out her interest, she has learnt to ‘get round’ him till he only sees through her eyes--if you mean _that_ I understand you perfectly. But even if you think me horrid for reflecting so on my nearest and dearest, it’s not on the side on which he has most confidence in his elder daughter that his youngest is moved to have most confidence in _him_.” Lord John stared as if she had shaken some odd bright fluttering object in his face; but then recovering himself: “He hasn’t perhaps an absolutely boundless confidence--” “In any one in the world but himself?” --she had taken him straight up. “He hasn’t indeed, and that’s what we must come to; so that even if he likes you as much as you doubtless very justly feel, it won’t be because you are right about your being nice, but because _he_ is!” “You mean that if I were wrong about it he would still insist that he isn’t?” Lady Grace was indeed sure. “Absolutely--if he had begun so! He began so with Kitty--that is with allowing her everything.” Lord John appeared struck. “Yes--and he still allows her two thousand.” “I’m glad to hear it--she has never told me how much!” the girl undisguisedly smiled. “Then perhaps I oughtn’t!” --he glowed with the light of contrition. “Well, you can’t help it now,” his companion remarked with amusement.<|quote|>“You mean that he ought to allow _you_ as much?”</|quote|>Lord John inquired. “I’m sure you’re right, and that he will,” he continued quite as in good faith; “but I want you to understand that I don’t care in the least what it may be!” The subject of his suit took the longest look at him she had taken yet. “You’re very good to say so!” If this was ironic the touch fell short, thanks to his perception that they had practically just ceased to be alone. They were in presence of a third figure, who had arrived from the terrace, but whose approach to them was not so immediate as to deprive Lord John of time for another question. “Will you let _him_ tell you, at all events, how good he thinks me?--and then let me come back and have it from you again?” Lady Grace’s answer to this was to turn, as he drew nearer, to the person by whom they were now joined. “Lord John desires you should tell me, father, how good you think him.” “‘Good,’ my dear?--good for what?” said Lord Theign a trifle absurdly, but looking from one of them to the other. “I feel I must ask _him_ to tell you.” “Then I shall give him a chance--as I should particularly like you to go back and deal with those overwhelming children.” “Ah, they don’t overwhelm _you_, father!” --the girl put it with some point. “If you mean to say I overwhelmed _them_, I dare say I did,” he replied-- “from my view of that vast collective gape of six hundred painfully plain and perfectly expressionless faces. But that was only for the time: I pumped advice--oh _such_ advice!--and they held the large bucket as still as my pet pointer, when I scratch him, holds his back. The bucket, under the stream--” “Was bound to overflow?” Lady Grace suggested. “Well, the strong recoil of the wave of intelligence has been not unnaturally followed by the formidable break. You must really,” Lord Theign insisted, “go and deal with it.” His daughter’s smile, for all this, was perceptibly cold. “You work people up, father, and then leave others to let them down.” “The two things,” he promptly replied, “require different natures.” To which he simply added, as with the habit of authority, though not of harshness, “Go!” It was absolute and she yielded; only pausing an instant to look as with a certain gathered meaning from one of the men to the other. Faintly and resignedly sighing she passed away to the terrace and disappeared. “The nature that _can_ let you down--I rather like it, you know!” Lord John threw off. Which, for an airy elegance in them, were perhaps just slightly rash words--his companion gave him so sharp a look as the two were left together. VI Face to face with his visitor the master of Dedborough betrayed the impression his daughter appeared to have given him. “She didn’t want to go?” And then before Lord John could reply: “What the deuce is the matter with her?” Lord John took his time. “I think perhaps a little Mr. Crimble.” “And who the deuce is a little Mr. Crimble?” “A young man who was just with her--and whom she appears to have invited.” “Where is he then?” Lord Theign demanded. “Off there among the pictures--which he seems partly to have come for.” “Oh!” --it made his lordship easier. “Then he’s all right--on such a day.” His companion could none the less just wonder. “Hadn’t Lady Grace told you?” “That he was coming? Not that I remember.” But Lord Theign, perceptibly preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day. “But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?” “Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and | do see your way?” “Ah--!” she said with a quick sad shrinkage. “I mean,” her visitor hastened to explain, “if he does put it to you as the very best idea he has for you. When he does that--as I believe him ready to do--will you really and fairly listen to him? I’m certain, honestly, that when you know me better--!” His confidence in short donned a bravery. “I’ve been feeling this quarter of an hour,” the girl returned, “that I do know you better.” “Then isn’t that all I want?--unless indeed I ought perhaps to ask rather if it isn’t all _you_ do! At any rate,” said Lord John, “I may see you again here?” She waited a moment. “You must have patience with me.” “I _am_ having it But _after_ your father’s appeal.” “Well,” she said, “that must come first.” “Then you won’t dodge it?” She looked at him straight “I don’t dodge, Lord John.” He admired the manner of it “You look awfully handsome as you say so--and you see what _that_ does to me.” As to attentuate a little the freedom of which he went on: “May I fondly hope that if Lady Imber too should wish to put in another word for me----?” “Will I listen to her?” --it brought Lady Grace straight down. “No, Lord John, let me tell you at once that I’ll do nothing of the sort Kitty’s quite another affair, and I never listen to her a bit more than I can help.” Lord John appeared to feel, on this, that he mustn’t too easily, in honour, abandon a person who had presented herself to him as an ally. “Ah, you strike me as a little hard on her. Your father himself--in his looser moments!--takes pleasure in what she says.” Our young woman’s eyes, as they rested on him after this remark, had no mercy for its extreme feebleness. “If you mean that she’s the most reckless rattle one knows, and that she never looks so beautiful as when she’s at her worst, and that, always clever for where she makes out her interest, she has learnt to ‘get round’ him till he only sees through her eyes--if you mean _that_ I understand you perfectly. But even if you think me horrid for reflecting so on my nearest and dearest, it’s not on the side on which he has most confidence in his elder daughter that his youngest is moved to have most confidence in _him_.” Lord John stared as if she had shaken some odd bright fluttering object in his face; but then recovering himself: “He hasn’t perhaps an absolutely boundless confidence--” “In any one in the world but himself?” --she had taken him straight up. “He hasn’t indeed, and that’s what we must come to; so that even if he likes you as much as you doubtless very justly feel, it won’t be because you are right about your being nice, but because _he_ is!” “You mean that if I were wrong about it he would still insist that he isn’t?” Lady Grace was indeed sure. “Absolutely--if he had begun so! He began so with Kitty--that is with allowing her everything.” Lord John appeared struck. “Yes--and he still allows her two thousand.” “I’m glad to hear it--she has never told me how much!” the girl undisguisedly smiled. “Then perhaps I oughtn’t!” --he glowed with the light of contrition. “Well, you can’t help it now,” his companion remarked with amusement.<|quote|>“You mean that he ought to allow _you_ as much?”</|quote|>Lord John inquired. “I’m sure you’re right, and that he will,” he continued quite as in good faith; “but I want you to understand that I don’t care in the least what it may be!” The subject of his suit took the longest look at him she had taken yet. “You’re very good to say so!” If this was ironic the touch fell short, thanks to his perception that they had practically just ceased to be alone. They were in presence of a third figure, who had arrived from the terrace, but whose approach to them was not so immediate as to deprive Lord John of time for another question. “Will you let _him_ tell you, at all events, how good he thinks me?--and then let me come back and have it from you again?” Lady Grace’s answer to this was to turn, as he drew nearer, to the person by whom they were now joined. “Lord John desires you should tell me, father, how good you think him.” “‘Good,’ my dear?--good for what?” said Lord Theign a trifle absurdly, but looking from one of them to the other. “I feel I must ask _him_ to tell you.” “Then I shall give him a chance--as I should particularly like you to go back and | The Outcry |
"Dear Mr. Archer--almost my cousin Newland!" | The Marchioness | advancing, held out her hand.<|quote|>"Dear Mr. Archer--almost my cousin Newland!"</|quote|>she said. "I am the | his appearance, and the lady, advancing, held out her hand.<|quote|>"Dear Mr. Archer--almost my cousin Newland!"</|quote|>she said. "I am the Marchioness Manson." Archer bowed, and | sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand.<|quote|>"Dear Mr. Archer--almost my cousin Newland!"</|quote|>she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know | moved his arms with large pawing gestures, as though he were distributing lay blessings to a kneeling multitude. These three persons stood together on the hearth-rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand.<|quote|>"Dear Mr. Archer--almost my cousin Newland!"</|quote|>she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! | had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered her rheumatic hands. Beside her, in a cloud of cigar-smoke, stood the owners of the two overcoats, both in morning clothes that they had evidently not taken off since morning. In one of the two, Archer, to his surprise, recognised Ned Winsett; the other and older, who was unknown to him, and whose gigantic frame declared him to be the wearer of the "Macfarlane," had a feebly leonine head with crumpled grey hair, and moved his arms with large pawing gestures, as though he were distributing lay blessings to a kneeling multitude. These three persons stood together on the hearth-rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand.<|quote|>"Dear Mr. Archer--almost my cousin Newland!"</|quote|>she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she | The overcoats were in fact the very strangest he had ever seen under a polite roof; and it took but a glance to assure himself that neither of them belonged to Julius Beaufort. One was a shaggy yellow ulster of "reach-me-down" cut, the other a very old and rusty cloak with a cape--something like what the French called a "Macfarlane." This garment, which appeared to be made for a person of prodigious size, had evidently seen long and hard wear, and its greenish-black folds gave out a moist sawdusty smell suggestive of prolonged sessions against bar-room walls. On it lay a ragged grey scarf and an odd felt hat of semiclerical shape. Archer raised his eyebrows enquiringly at Nastasia, who raised hers in return with a fatalistic "Gia!" as she threw open the drawing-room door. The young man saw at once that his hostess was not in the room; then, with surprise, he discovered another lady standing by the fire. This lady, who was long, lean and loosely put together, was clad in raiment intricately looped and fringed, with plaids and stripes and bands of plain colour disposed in a design to which the clue seemed missing. Her hair, which had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered her rheumatic hands. Beside her, in a cloud of cigar-smoke, stood the owners of the two overcoats, both in morning clothes that they had evidently not taken off since morning. In one of the two, Archer, to his surprise, recognised Ned Winsett; the other and older, who was unknown to him, and whose gigantic frame declared him to be the wearer of the "Macfarlane," had a feebly leonine head with crumpled grey hair, and moved his arms with large pawing gestures, as though he were distributing lay blessings to a kneeling multitude. These three persons stood together on the hearth-rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand.<|quote|>"Dear Mr. Archer--almost my cousin Newland!"</|quote|>she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message." Dr. Carver looked slightly disappointed at this conclusion, | Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes." Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter. "When can I see you?" he asked, as she walked with him to the door of the room. "Whenever you like; but it must be soon if you want to see the little house again. I am moving next week." A pang shot through him at the memory of his lamplit hours in the low-studded drawing-room. Few as they had been, they were thick with memories. "Tomorrow evening?" She nodded. "Tomorrow; yes; but early. I'm going out." The next day was a Sunday, and if she were "going out" on a Sunday evening it could, of course, be only to Mrs. Lemuel Struthers's. He felt a slight movement of annoyance, not so much at her going there (for he rather liked her going where she pleased in spite of the van der Luydens), but because it was the kind of house at which she was sure to meet Beaufort, where she must have known beforehand that she would meet him--and where she was probably going for that purpose. "Very well; tomorrow evening," he repeated, inwardly resolved that he would not go early, and that by reaching her door late he would either prevent her from going to Mrs. Struthers's, or else arrive after she had started--which, all things considered, would no doubt be the simplest solution. It was only half-past eight, after all, when he rang the bell under the wisteria; not as late as he had intended by half an hour--but a singular restlessness had driven him to her door. He reflected, however, that Mrs. Struthers's Sunday evenings were not like a ball, and that her guests, as if to minimise their delinquency, usually went early. The one thing he had not counted on, in entering Madame Olenska's hall, was to find hats and overcoats there. Why had she bidden him to come early if she was having people to dine? On a closer inspection of the garments besides which Nastasia was laying his own, his resentment gave way to curiosity. The overcoats were in fact the very strangest he had ever seen under a polite roof; and it took but a glance to assure himself that neither of them belonged to Julius Beaufort. One was a shaggy yellow ulster of "reach-me-down" cut, the other a very old and rusty cloak with a cape--something like what the French called a "Macfarlane." This garment, which appeared to be made for a person of prodigious size, had evidently seen long and hard wear, and its greenish-black folds gave out a moist sawdusty smell suggestive of prolonged sessions against bar-room walls. On it lay a ragged grey scarf and an odd felt hat of semiclerical shape. Archer raised his eyebrows enquiringly at Nastasia, who raised hers in return with a fatalistic "Gia!" as she threw open the drawing-room door. The young man saw at once that his hostess was not in the room; then, with surprise, he discovered another lady standing by the fire. This lady, who was long, lean and loosely put together, was clad in raiment intricately looped and fringed, with plaids and stripes and bands of plain colour disposed in a design to which the clue seemed missing. Her hair, which had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered her rheumatic hands. Beside her, in a cloud of cigar-smoke, stood the owners of the two overcoats, both in morning clothes that they had evidently not taken off since morning. In one of the two, Archer, to his surprise, recognised Ned Winsett; the other and older, who was unknown to him, and whose gigantic frame declared him to be the wearer of the "Macfarlane," had a feebly leonine head with crumpled grey hair, and moved his arms with large pawing gestures, as though he were distributing lay blessings to a kneeling multitude. These three persons stood together on the hearth-rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand.<|quote|>"Dear Mr. Archer--almost my cousin Newland!"</|quote|>she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message." Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure. "I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters: +---------------------------+ | Agathon Carver | | The Valley of Love | | Kittasquattamy, N. Y. | +---------------------------+ Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat. "Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you." Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have done for her. Your wise advice: your courageous firmness--thank heaven it was not too late!" The young man listened with considerable embarrassment. Was there any one, he wondered, to whom Madame Olenska had not proclaimed his intervention in her private affairs? "Madame Olenska exaggerates; I simply gave her a legal opinion, as she asked me to." "Ah, but in doing it--in doing it you were the unconscious instrument of--of--what word have we moderns for Providence, Mr. Archer?" cried the lady, tilting her head on one side and drooping her lids mysteriously. "Little did you know that at that very moment I was being appealed to: being approached, in fact--from the other side of the Atlantic!" She glanced over her shoulder, as though fearful of being overheard, and then, drawing her chair nearer, and raising a tiny ivory fan to her lips, breathed behind it: "By the Count himself--my poor, mad, foolish Olenski; who asks only to take her back on her own terms." "Good God!" Archer exclaimed, springing up. "You are horrified? Yes, of course; I understand. I don't | "Gia!" as she threw open the drawing-room door. The young man saw at once that his hostess was not in the room; then, with surprise, he discovered another lady standing by the fire. This lady, who was long, lean and loosely put together, was clad in raiment intricately looped and fringed, with plaids and stripes and bands of plain colour disposed in a design to which the clue seemed missing. Her hair, which had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered her rheumatic hands. Beside her, in a cloud of cigar-smoke, stood the owners of the two overcoats, both in morning clothes that they had evidently not taken off since morning. In one of the two, Archer, to his surprise, recognised Ned Winsett; the other and older, who was unknown to him, and whose gigantic frame declared him to be the wearer of the "Macfarlane," had a feebly leonine head with crumpled grey hair, and moved his arms with large pawing gestures, as though he were distributing lay blessings to a kneeling multitude. These three persons stood together on the hearth-rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand.<|quote|>"Dear Mr. Archer--almost my cousin Newland!"</|quote|>she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears." Winsett remained on | The Age Of Innocence |
"That shows you wanted me to," | Newland Archer | smiled. "I knew you'd come!"<|quote|>"That shows you wanted me to,"</|quote|>he returned, with a disproportionate | looked up at him and smiled. "I knew you'd come!"<|quote|>"That shows you wanted me to,"</|quote|>he returned, with a disproportionate joy in their nonsense. The | barks. For a moment Archer stood watching, his gaze delighted by the flash of the red meteor against the snow; then he started after her, and they met, panting and laughing, at a wicket that led into the park. She looked up at him and smiled. "I knew you'd come!"<|quote|>"That shows you wanted me to,"</|quote|>he returned, with a disproportionate joy in their nonsense. The white glitter of the trees filled the air with its own mysterious brightness, and as they walked on over the snow the ground seemed to sing under their feet. "Where did you come from?" Madame Olenska asked. He told her, | his temples and he caught a fold of her cloak. "Ellen--what is it? You must tell me." "Oh, presently--let's run a race first: my feet are freezing to the ground," she cried; and gathering up the cloak she fled away across the snow, the dog leaping about her with challenging barks. For a moment Archer stood watching, his gaze delighted by the flash of the red meteor against the snow; then he started after her, and they met, panting and laughing, at a wicket that led into the park. She looked up at him and smiled. "I knew you'd come!"<|quote|>"That shows you wanted me to,"</|quote|>he returned, with a disproportionate joy in their nonsense. The white glitter of the trees filled the air with its own mysterious brightness, and as they walked on over the snow the ground seemed to sing under their feet. "Where did you come from?" Madame Olenska asked. He told her, and added: "It was because I got your note." After a pause she said, with a just perceptible chill in her voice: "May asked you to take care of me." "I didn't need any asking." "You mean--I'm so evidently helpless and defenceless? What a poor thing you must all think | The red cloak made her look gay and vivid, like the Ellen Mingott of old days; and he laughed as he took her hand, and answered: "I came to see what you were running away from." Her face clouded over, but she answered: "Ah, well--you will see, presently." The answer puzzled him. "Why--do you mean that you've been overtaken?" She shrugged her shoulders, with a little movement like Nastasia's, and rejoined in a lighter tone: "Shall we walk on? I'm so cold after the sermon. And what does it matter, now you're here to protect me?" The blood rose to his temples and he caught a fold of her cloak. "Ellen--what is it? You must tell me." "Oh, presently--let's run a race first: my feet are freezing to the ground," she cried; and gathering up the cloak she fled away across the snow, the dog leaping about her with challenging barks. For a moment Archer stood watching, his gaze delighted by the flash of the red meteor against the snow; then he started after her, and they met, panting and laughing, at a wicket that led into the park. She looked up at him and smiled. "I knew you'd come!"<|quote|>"That shows you wanted me to,"</|quote|>he returned, with a disproportionate joy in their nonsense. The white glitter of the trees filled the air with its own mysterious brightness, and as they walked on over the snow the ground seemed to sing under their feet. "Where did you come from?" Madame Olenska asked. He told her, and added: "It was because I got your note." After a pause she said, with a just perceptible chill in her voice: "May asked you to take care of me." "I didn't need any asking." "You mean--I'm so evidently helpless and defenceless? What a poor thing you must all think me! But women here seem not--seem never to feel the need: any more than the blessed in heaven." He lowered his voice to ask: "What sort of a need?" "Ah, don't ask me! I don't speak your language," she retorted petulantly. The answer smote him like a blow, and he stood still in the path, looking down at her. "What did I come for, if I don't speak yours?" "Oh, my friend--!" She laid her hand lightly on his arm, and he pleaded earnestly: "Ellen--why won't you tell me what's happened?" She shrugged again. "Does anything ever happen in heaven?" | van der Luyden exactly three quarters of an hour earlier. "Mr. van der Luyden," the butler continued, "is in, sir; but my impression is that he is either finishing his nap or else reading yesterday's Evening Post. I heard him say, sir, on his return from church this morning, that he intended to look through the Evening Post after luncheon; if you like, sir, I might go to the library door and listen--" But Archer, thanking him, said that he would go and meet the ladies; and the butler, obviously relieved, closed the door on him majestically. A groom took the cutter to the stables, and Archer struck through the park to the high-road. The village of Skuytercliff was only a mile and a half away, but he knew that Mrs. van der Luyden never walked, and that he must keep to the road to meet the carriage. Presently, however, coming down a foot-path that crossed the highway, he caught sight of a slight figure in a red cloak, with a big dog running ahead. He hurried forward, and Madame Olenska stopped short with a smile of welcome. "Ah, you've come!" she said, and drew her hand from her muff. The red cloak made her look gay and vivid, like the Ellen Mingott of old days; and he laughed as he took her hand, and answered: "I came to see what you were running away from." Her face clouded over, but she answered: "Ah, well--you will see, presently." The answer puzzled him. "Why--do you mean that you've been overtaken?" She shrugged her shoulders, with a little movement like Nastasia's, and rejoined in a lighter tone: "Shall we walk on? I'm so cold after the sermon. And what does it matter, now you're here to protect me?" The blood rose to his temples and he caught a fold of her cloak. "Ellen--what is it? You must tell me." "Oh, presently--let's run a race first: my feet are freezing to the ground," she cried; and gathering up the cloak she fled away across the snow, the dog leaping about her with challenging barks. For a moment Archer stood watching, his gaze delighted by the flash of the red meteor against the snow; then he started after her, and they met, panting and laughing, at a wicket that led into the park. She looked up at him and smiled. "I knew you'd come!"<|quote|>"That shows you wanted me to,"</|quote|>he returned, with a disproportionate joy in their nonsense. The white glitter of the trees filled the air with its own mysterious brightness, and as they walked on over the snow the ground seemed to sing under their feet. "Where did you come from?" Madame Olenska asked. He told her, and added: "It was because I got your note." After a pause she said, with a just perceptible chill in her voice: "May asked you to take care of me." "I didn't need any asking." "You mean--I'm so evidently helpless and defenceless? What a poor thing you must all think me! But women here seem not--seem never to feel the need: any more than the blessed in heaven." He lowered his voice to ask: "What sort of a need?" "Ah, don't ask me! I don't speak your language," she retorted petulantly. The answer smote him like a blow, and he stood still in the path, looking down at her. "What did I come for, if I don't speak yours?" "Oh, my friend--!" She laid her hand lightly on his arm, and he pleaded earnestly: "Ellen--why won't you tell me what's happened?" She shrugged again. "Does anything ever happen in heaven?" He was silent, and they walked on a few yards without exchanging a word. Finally she said: "I will tell you--but where, where, where? One can't be alone for a minute in that great seminary of a house, with all the doors wide open, and always a servant bringing tea, or a log for the fire, or the newspaper! Is there nowhere in an American house where one may be by one's self? You're so shy, and yet you're so public. I always feel as if I were in the convent again--or on the stage, before a dreadfully polite audience that never applauds." "Ah, you don't like us!" Archer exclaimed. They were walking past the house of the old Patroon, with its squat walls and small square windows compactly grouped about a central chimney. The shutters stood wide, and through one of the newly-washed windows Archer caught the light of a fire. "Why--the house is open!" he said. She stood still. "No; only for today, at least. I wanted to see it, and Mr. van der Luyden had the fire lit and the windows opened, so that we might stop there on the way back from church this morning." She | the farm" with Reggie, and listened, in the elaborately appointed stables, to long and impressive disquisitions on the horse; after tea he talked in a corner of the firelit hall with a young lady who had professed herself broken-hearted when his engagement was announced, but was now eager to tell him of her own matrimonial hopes; and finally, about midnight, he assisted in putting a gold-fish in one visitor's bed, dressed up a burglar in the bath-room of a nervous aunt, and saw in the small hours by joining in a pillow-fight that ranged from the nurseries to the basement. But on Sunday after luncheon he borrowed a cutter, and drove over to Skuytercliff. People had always been told that the house at Skuytercliff was an Italian villa. Those who had never been to Italy believed it; so did some who had. The house had been built by Mr. van der Luyden in his youth, on his return from the "grand tour," and in anticipation of his approaching marriage with Miss Louisa Dagonet. It was a large square wooden structure, with tongued and grooved walls painted pale green and white, a Corinthian portico, and fluted pilasters between the windows. From the high ground on which it stood a series of terraces bordered by balustrades and urns descended in the steel-engraving style to a small irregular lake with an asphalt edge overhung by rare weeping conifers. To the right and left, the famous weedless lawns studded with "specimen" trees (each of a different variety) rolled away to long ranges of grass crested with elaborate cast-iron ornaments; and below, in a hollow, lay the four-roomed stone house which the first Patroon had built on the land granted him in 1612. Against the uniform sheet of snow and the greyish winter sky the Italian villa loomed up rather grimly; even in summer it kept its distance, and the boldest coleus bed had never ventured nearer than thirty feet from its awful front. Now, as Archer rang the bell, the long tinkle seemed to echo through a mausoleum; and the surprise of the butler who at length responded to the call was as great as though he had been summoned from his final sleep. Happily Archer was of the family, and therefore, irregular though his arrival was, entitled to be informed that the Countess Olenska was out, having driven to afternoon service with Mrs. van der Luyden exactly three quarters of an hour earlier. "Mr. van der Luyden," the butler continued, "is in, sir; but my impression is that he is either finishing his nap or else reading yesterday's Evening Post. I heard him say, sir, on his return from church this morning, that he intended to look through the Evening Post after luncheon; if you like, sir, I might go to the library door and listen--" But Archer, thanking him, said that he would go and meet the ladies; and the butler, obviously relieved, closed the door on him majestically. A groom took the cutter to the stables, and Archer struck through the park to the high-road. The village of Skuytercliff was only a mile and a half away, but he knew that Mrs. van der Luyden never walked, and that he must keep to the road to meet the carriage. Presently, however, coming down a foot-path that crossed the highway, he caught sight of a slight figure in a red cloak, with a big dog running ahead. He hurried forward, and Madame Olenska stopped short with a smile of welcome. "Ah, you've come!" she said, and drew her hand from her muff. The red cloak made her look gay and vivid, like the Ellen Mingott of old days; and he laughed as he took her hand, and answered: "I came to see what you were running away from." Her face clouded over, but she answered: "Ah, well--you will see, presently." The answer puzzled him. "Why--do you mean that you've been overtaken?" She shrugged her shoulders, with a little movement like Nastasia's, and rejoined in a lighter tone: "Shall we walk on? I'm so cold after the sermon. And what does it matter, now you're here to protect me?" The blood rose to his temples and he caught a fold of her cloak. "Ellen--what is it? You must tell me." "Oh, presently--let's run a race first: my feet are freezing to the ground," she cried; and gathering up the cloak she fled away across the snow, the dog leaping about her with challenging barks. For a moment Archer stood watching, his gaze delighted by the flash of the red meteor against the snow; then he started after her, and they met, panting and laughing, at a wicket that led into the park. She looked up at him and smiled. "I knew you'd come!"<|quote|>"That shows you wanted me to,"</|quote|>he returned, with a disproportionate joy in their nonsense. The white glitter of the trees filled the air with its own mysterious brightness, and as they walked on over the snow the ground seemed to sing under their feet. "Where did you come from?" Madame Olenska asked. He told her, and added: "It was because I got your note." After a pause she said, with a just perceptible chill in her voice: "May asked you to take care of me." "I didn't need any asking." "You mean--I'm so evidently helpless and defenceless? What a poor thing you must all think me! But women here seem not--seem never to feel the need: any more than the blessed in heaven." He lowered his voice to ask: "What sort of a need?" "Ah, don't ask me! I don't speak your language," she retorted petulantly. The answer smote him like a blow, and he stood still in the path, looking down at her. "What did I come for, if I don't speak yours?" "Oh, my friend--!" She laid her hand lightly on his arm, and he pleaded earnestly: "Ellen--why won't you tell me what's happened?" She shrugged again. "Does anything ever happen in heaven?" He was silent, and they walked on a few yards without exchanging a word. Finally she said: "I will tell you--but where, where, where? One can't be alone for a minute in that great seminary of a house, with all the doors wide open, and always a servant bringing tea, or a log for the fire, or the newspaper! Is there nowhere in an American house where one may be by one's self? You're so shy, and yet you're so public. I always feel as if I were in the convent again--or on the stage, before a dreadfully polite audience that never applauds." "Ah, you don't like us!" Archer exclaimed. They were walking past the house of the old Patroon, with its squat walls and small square windows compactly grouped about a central chimney. The shutters stood wide, and through one of the newly-washed windows Archer caught the light of a fire. "Why--the house is open!" he said. She stood still. "No; only for today, at least. I wanted to see it, and Mr. van der Luyden had the fire lit and the windows opened, so that we might stop there on the way back from church this morning." She ran up the steps and tried the door. "It's still unlocked--what luck! Come in and we can have a quiet talk. Mrs. van der Luyden has driven over to see her old aunts at Rhinebeck and we shan't be missed at the house for another hour." He followed her into the narrow passage. His spirits, which had dropped at her last words, rose with an irrational leap. The homely little house stood there, its panels and brasses shining in the firelight, as if magically created to receive them. A big bed of embers still gleamed in the kitchen chimney, under an iron pot hung from an ancient crane. Rush-bottomed arm-chairs faced each other across the tiled hearth, and rows of Delft plates stood on shelves against the walls. Archer stooped over and threw a log upon the embers. Madame Olenska, dropping her cloak, sat down in one of the chairs. Archer leaned against the chimney and looked at her. "You're laughing now; but when you wrote me you were unhappy," he said. "Yes." She paused. "But I can't feel unhappy when you're here." "I sha'n't be here long," he rejoined, his lips stiffening with the effort to say just so much and no more. "No; I know. But I'm improvident: I live in the moment when I'm happy." The words stole through him like a temptation, and to close his senses to it he moved away from the hearth and stood gazing out at the black tree-boles against the snow. But it was as if she too had shifted her place, and he still saw her, between himself and the trees, drooping over the fire with her indolent smile. Archer's heart was beating insubordinately. What if it were from him that she had been running away, and if she had waited to tell him so till they were here alone together in this secret room? "Ellen, if I'm really a help to you--if you really wanted me to come--tell me what's wrong, tell me what it is you're running away from," he insisted. He spoke without shifting his position, without even turning to look at her: if the thing was to happen, it was to happen in this way, with the whole width of the room between them, and his eyes still fixed on the outer snow. For a long moment she was silent; and in that moment Archer imagined | his return from church this morning, that he intended to look through the Evening Post after luncheon; if you like, sir, I might go to the library door and listen--" But Archer, thanking him, said that he would go and meet the ladies; and the butler, obviously relieved, closed the door on him majestically. A groom took the cutter to the stables, and Archer struck through the park to the high-road. The village of Skuytercliff was only a mile and a half away, but he knew that Mrs. van der Luyden never walked, and that he must keep to the road to meet the carriage. Presently, however, coming down a foot-path that crossed the highway, he caught sight of a slight figure in a red cloak, with a big dog running ahead. He hurried forward, and Madame Olenska stopped short with a smile of welcome. "Ah, you've come!" she said, and drew her hand from her muff. The red cloak made her look gay and vivid, like the Ellen Mingott of old days; and he laughed as he took her hand, and answered: "I came to see what you were running away from." Her face clouded over, but she answered: "Ah, well--you will see, presently." The answer puzzled him. "Why--do you mean that you've been overtaken?" She shrugged her shoulders, with a little movement like Nastasia's, and rejoined in a lighter tone: "Shall we walk on? I'm so cold after the sermon. And what does it matter, now you're here to protect me?" The blood rose to his temples and he caught a fold of her cloak. "Ellen--what is it? You must tell me." "Oh, presently--let's run a race first: my feet are freezing to the ground," she cried; and gathering up the cloak she fled away across the snow, the dog leaping about her with challenging barks. For a moment Archer stood watching, his gaze delighted by the flash of the red meteor against the snow; then he started after her, and they met, panting and laughing, at a wicket that led into the park. She looked up at him and smiled. "I knew you'd come!"<|quote|>"That shows you wanted me to,"</|quote|>he returned, with a disproportionate joy in their nonsense. The white glitter of the trees filled the air with its own mysterious brightness, and as they walked on over the snow the ground seemed to sing under their feet. "Where did you come from?" Madame Olenska asked. He told her, and added: "It was because I got your note." After a pause she said, with a just perceptible chill in her voice: "May asked you to take care of me." "I didn't need any asking." "You mean--I'm so evidently helpless and defenceless? What a poor thing you must all think me! But women here seem not--seem never to feel the need: any more than the blessed in heaven." He lowered his voice to ask: "What sort of a need?" "Ah, don't ask me! I don't speak your language," she retorted petulantly. The answer smote him like a blow, and he stood still in the path, looking down at her. "What did I come for, if I don't speak yours?" "Oh, my friend--!" She laid her hand lightly on his arm, and he pleaded earnestly: "Ellen--why won't you tell me what's happened?" She shrugged again. "Does anything ever happen in heaven?" He was silent, and they walked on a few yards without exchanging a word. Finally she said: "I will tell you--but where, where, where? One can't be alone for a minute in that great seminary of a house, with all the doors wide open, and always a servant bringing tea, or a log for the fire, or the newspaper! Is there nowhere in an American house where one may be by one's self? You're so shy, and yet you're so public. I always feel as if I were in the convent again--or on the stage, before a dreadfully polite audience that never applauds." "Ah, you don't like us!" Archer exclaimed. They were walking past the house of the old Patroon, with its squat walls and small square windows compactly grouped about a central chimney. The shutters stood wide, and through one of the newly-washed windows Archer caught the light of a fire. "Why--the | The Age Of Innocence |
"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." | Mr. Hastings | forgotten that," I said thoughtfully.<|quote|>"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair."</|quote|>"Precisely. It was an astonishing | and her mother-in-law?" "I had forgotten that," I said thoughtfully.<|quote|>"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair."</|quote|>"Precisely. It was an astonishing thing for a woman of | it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully.<|quote|>"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair."</|quote|>"Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the | last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully.<|quote|>"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair."</|quote|>"Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was | with admirable clearness. Proceed." "Well," I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully.<|quote|>"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair."</|quote|>"Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. | his wife would be poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed." "Well," I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully.<|quote|>"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair."</|quote|>"Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper: "Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed | boots would have left such a heavy deposit." "I strolled to the window, and saw at once that the begonia beds had been newly planted. The mould in the beds was exactly similar to that on the floor of the boudoir, and also I learnt from you that they _had_ been planted yesterday afternoon. I was now sure that one, or possibly both of the gardeners for there were two sets of footprints in the bed had entered the boudoir, for if Mrs. Inglethorp had merely wished to speak to them she would in all probability have stood at the window, and they would not have come into the room at all. I was now quite convinced that she had made a fresh will, and had called the two gardeners in to witness her signature. Events proved that I was right in my supposition." "That was very ingenious," I could not help admitting. "I must confess that the conclusions I drew from those few scribbled words were quite erroneous." He smiled. "You gave too much rein to your imagination. Imagination is a good servant, and a bad master. The simplest explanation is always the most likely." "Another point how did you know that the key of the despatch-case had been lost?" "I did not know it. It was a guess that turned out to be correct. You observed that it had a piece of twisted wire through the handle. That suggested to me at once that it had possibly been wrenched off a flimsy key-ring. Now, if it had been lost and recovered, Mrs. Inglethorp would at once have replaced it on her bunch; but on her bunch I found what was obviously the duplicate key, very new and bright, which led me to the hypothesis that somebody else had inserted the original key in the lock of the despatch-case." "Yes," I said, "Alfred Inglethorp, without doubt." Poirot looked at me curiously. "You are very sure of his guilt?" "Well, naturally. Every fresh circumstance seems to establish it more clearly." "On the contrary," said Poirot quietly, "there are several points in his favour." "Oh, come now!" "Yes." "I see only one." "And that?" "That he was not in the house last night." "Bad shot!' as you English say! You have chosen the one point that to my mind tells against him." "How is that?" "Because if Mr. Inglethorp knew that his wife would be poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed." "Well," I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully.<|quote|>"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair."</|quote|>"Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper: "Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. He was so tremendously sure of himself. As though he read my thoughts, he nodded gently. "Oh, yes, _mon ami_, I would do what I say." He got up and laid his hand on my shoulder. His physiognomy underwent a complete change. Tears came into his eyes. "In all this, you see, I think of that poor Mrs. Inglethorp who is dead. She was not extravagantly loved | "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed." "Well," I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully.<|quote|>"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair."</|quote|>"Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper: "Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young | The Mysterious Affair At Styles |
The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. | No speaker | name!" cried Jem, stepping forward.<|quote|>The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub.</|quote|>"Here, I say, don't!" cried | a fellow by his right name!" cried Jem, stepping forward.<|quote|>The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub.</|quote|>"Here, I say, don't!" cried Jem, struggling to free himself, | was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,-- "My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward.<|quote|>The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub.</|quote|>"Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at | with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger. The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,-- "My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward.<|quote|>The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub.</|quote|>"Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd | Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger. The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,-- "My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward.<|quote|>The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub.</|quote|>"Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, | front of the cave, as it flew by. "All right, Mas' Don; I arn't going to hargue. You think your way, and I'll think mine; but if that wasn't saying in New Zealandee as those two misfortunate chaps is hiding in this here hole, I never lived in Bristol city, and I don't know sugar from tobacker." "Hist!" whispered Don. _Hiss-s-s-s_ came from far in the depths of the cave. _Gurgle-urgle-gugg-pap_! Went something of a liquid kind. "Here, I can't stand this here, Mas' Don," whispered Jem; "let's make a rush of it; and get right away in the woods." "Hush! There's some one coming," whispered Don, drawing his companion farther back into the darkness. "All right, Mas' Don! Take me in again where the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger. The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,-- "My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward.<|quote|>The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub.</|quote|>"Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said | and down rapidly, gradually growing more excited, and chattering all the while, as it ended by dancing first on one leg and then on the other, in the most eccentric fashion. "I should like to have that bird, Jem," said Don at last. "Should you? Then you wouldn't have me along with you." "I don't like him. I like a bird as can behave itself and whistle and sing and perch; but I don't like one as goes through all them monkey tricks. Wish I'd got a stone, I'd try and knock him off his perch." _Chur-r-r-r_! Shrieked the bird, and it let itself fall over backwards, dropping down head over heels like a tumbler pigeon, or an unfortunate which had been shot, and disappearing among the leaves far below. "There!" cried Jem, triumphantly; "now, what do you say to that? Heard what I said, he did, and thought I was going to throw." "Nonsense, Jem!" "Ah! You may call it nonsense, Mas' Don, because you don't know better, but you didn't see him fall." "Yes, I saw him fall, and--hist! Creep back; there's some one coming!" The secret of the bird's sudden disappearance was explained for there was a rustling among the ferns far behind, as if some large body was forcing its way along the ravine; and as Jem backed slowly into the cavern, Don cautiously peered from behind a mass of stone into the hollow, to see that some one or something was approaching rapidly, as if with the intention of scaling the rock, and climbing to where they lay. CHAPTER THIRTY FOUR. AMONG FRIENDS AGAIN. "It's all over with us, Mas' Don," whispered Jem, as soon as they were some little distance in the retreat. "That blackguard Ramsden's sure, after all, that we're in here, and that Tom Hoppers has come to his senses, and felt it was me as hissed at him, and they're coming to hunt us out." "Let's hope not, Jem." "Yah! What's the good o' hoping." _Churr-urrt_ shrieked the cockatoo from far below. "There now," said Jem. "Hark at that! He's telling 'em we're in here, and coming on before to show 'em the way." "What nonsense, Jem!" _Churr-ur_! Shrieked the cockatoo, ever so much nearer. "Well, do you call that nonsense?" whispered Jem. "The bird's being cheered on; some one coming." _Churr_--_churr_--_churr-ur-ur_! Shrieked the cockatoo nearer, nearer, and then right in front of the cave, as it flew by. "All right, Mas' Don; I arn't going to hargue. You think your way, and I'll think mine; but if that wasn't saying in New Zealandee as those two misfortunate chaps is hiding in this here hole, I never lived in Bristol city, and I don't know sugar from tobacker." "Hist!" whispered Don. _Hiss-s-s-s_ came from far in the depths of the cave. _Gurgle-urgle-gugg-pap_! Went something of a liquid kind. "Here, I can't stand this here, Mas' Don," whispered Jem; "let's make a rush of it; and get right away in the woods." "Hush! There's some one coming," whispered Don, drawing his companion farther back into the darkness. "All right, Mas' Don! Take me in again where the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger. The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,-- "My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward.<|quote|>The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub.</|quote|>"Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said; "that means going away and leaving you two behind. You don't seemed pleased." Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at Don. "Come on," said the Englishman. "I must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the | Shrieked the cockatoo, ever so much nearer. "Well, do you call that nonsense?" whispered Jem. "The bird's being cheered on; some one coming." _Churr_--_churr_--_churr-ur-ur_! Shrieked the cockatoo nearer, nearer, and then right in front of the cave, as it flew by. "All right, Mas' Don; I arn't going to hargue. You think your way, and I'll think mine; but if that wasn't saying in New Zealandee as those two misfortunate chaps is hiding in this here hole, I never lived in Bristol city, and I don't know sugar from tobacker." "Hist!" whispered Don. _Hiss-s-s-s_ came from far in the depths of the cave. _Gurgle-urgle-gugg-pap_! Went something of a liquid kind. "Here, I can't stand this here, Mas' Don," whispered Jem; "let's make a rush of it; and get right away in the woods." "Hush! There's some one coming," whispered Don, drawing his companion farther back into the darkness. "All right, Mas' Don! Take me in again where the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger. The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,-- "My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward.<|quote|>The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub.</|quote|>"Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one | Don Lavington |
"No, sir," | The Secretary | together for a dignified outburst.<|quote|>"No, sir,"</|quote|>he said sternly "there has | to be foremost, drew himself together for a dignified outburst.<|quote|>"No, sir,"</|quote|>he said sternly "there has been no massacre. I bring | came out simultaneously into the broad sunlight of the morning and the broad sunlight of Sunday's smile. "Delightful!" he said. "So pleased to see you all. What an exquisite day it is. Is the Czar dead?" The Secretary, who happened to be foremost, drew himself together for a dignified outburst.<|quote|>"No, sir,"</|quote|>he said sternly "there has been no massacre. I bring you news of no such disgusting spectacles." "Disgusting spectacles?" repeated the President, with a bright, inquiring smile. "You mean Dr. Bull's spectacles?" The Secretary choked for a moment, and the President went on with a sort of smooth appeal "Of | and Bull prevailed for the latter course, though the Secretary to the last asked them why they attacked Sunday so rashly. "My reason is quite simple," said Syme. "I attack him rashly because I am afraid of him." They followed Syme up the dark stair in silence, and they all came out simultaneously into the broad sunlight of the morning and the broad sunlight of Sunday's smile. "Delightful!" he said. "So pleased to see you all. What an exquisite day it is. Is the Czar dead?" The Secretary, who happened to be foremost, drew himself together for a dignified outburst.<|quote|>"No, sir,"</|quote|>he said sternly "there has been no massacre. I bring you news of no such disgusting spectacles." "Disgusting spectacles?" repeated the President, with a bright, inquiring smile. "You mean Dr. Bull's spectacles?" The Secretary choked for a moment, and the President went on with a sort of smooth appeal "Of course, we all have our opinions and even our eyes, but really to call them disgusting before the man himself" Dr. Bull tore off his spectacles and broke them on the table. "My spectacles are blackguardly," he said, "but I'm not. Look at my face." "I dare say it's the | Square, and though the hotel was in the opposite corner, they saw at once the little balcony and a figure that looked too big for it. He was sitting alone with bent head, poring over a newspaper. But all his councillors, who had come to vote him down, crossed that Square as if they were watched out of heaven by a hundred eyes. They had disputed much upon their policy, about whether they should leave the unmasked Gogol without and begin diplomatically, or whether they should bring him in and blow up the gunpowder at once. The influence of Syme and Bull prevailed for the latter course, though the Secretary to the last asked them why they attacked Sunday so rashly. "My reason is quite simple," said Syme. "I attack him rashly because I am afraid of him." They followed Syme up the dark stair in silence, and they all came out simultaneously into the broad sunlight of the morning and the broad sunlight of Sunday's smile. "Delightful!" he said. "So pleased to see you all. What an exquisite day it is. Is the Czar dead?" The Secretary, who happened to be foremost, drew himself together for a dignified outburst.<|quote|>"No, sir,"</|quote|>he said sternly "there has been no massacre. I bring you news of no such disgusting spectacles." "Disgusting spectacles?" repeated the President, with a bright, inquiring smile. "You mean Dr. Bull's spectacles?" The Secretary choked for a moment, and the President went on with a sort of smooth appeal "Of course, we all have our opinions and even our eyes, but really to call them disgusting before the man himself" Dr. Bull tore off his spectacles and broke them on the table. "My spectacles are blackguardly," he said, "but I'm not. Look at my face." "I dare say it's the sort of face that grows on one," said the President, "in fact, it grows on you; and who am I to quarrel with the wild fruits upon the Tree of Life? I dare say it will grow on me some day." "We have no time for tomfoolery," said the Secretary, breaking in savagely. "We have come to know what all this means. Who are you? What are you? Why did you get us all here? Do you know who and what we are? Are you a half-witted man playing the conspirator, or are you a clever man playing the fool? | tell you I've seen him!" said Dr. Bull, with thick emphasis. "Whom?" asked Syme quickly. "Not the President?" "Not so bad as that," said Dr. Bull, with unnecessary laughter, "not so bad as that. I've got him here." "Got whom here?" asked Syme impatiently. "Hairy man," said the other lucidly, "man that used to be hairy man Gogol. Here he is," and he pulled forward by a reluctant elbow the identical young man who five days before had marched out of the Council with thin red hair and a pale face, the first of all the sham anarchists who had been exposed. "Why do you worry with me?" he cried. "You have expelled me as a spy." "We are all spies!" whispered Syme. "We're all spies!" shouted Dr. Bull. "Come and have a drink." Next morning the battalion of the reunited six marched stolidly towards the hotel in Leicester Square. "This is more cheerful," said Dr. Bull; "we are six men going to ask one man what he means." "I think it is a bit queerer than that," said Syme. "I think it is six men going to ask one man what they mean." They turned in silence into the Square, and though the hotel was in the opposite corner, they saw at once the little balcony and a figure that looked too big for it. He was sitting alone with bent head, poring over a newspaper. But all his councillors, who had come to vote him down, crossed that Square as if they were watched out of heaven by a hundred eyes. They had disputed much upon their policy, about whether they should leave the unmasked Gogol without and begin diplomatically, or whether they should bring him in and blow up the gunpowder at once. The influence of Syme and Bull prevailed for the latter course, though the Secretary to the last asked them why they attacked Sunday so rashly. "My reason is quite simple," said Syme. "I attack him rashly because I am afraid of him." They followed Syme up the dark stair in silence, and they all came out simultaneously into the broad sunlight of the morning and the broad sunlight of Sunday's smile. "Delightful!" he said. "So pleased to see you all. What an exquisite day it is. Is the Czar dead?" The Secretary, who happened to be foremost, drew himself together for a dignified outburst.<|quote|>"No, sir,"</|quote|>he said sternly "there has been no massacre. I bring you news of no such disgusting spectacles." "Disgusting spectacles?" repeated the President, with a bright, inquiring smile. "You mean Dr. Bull's spectacles?" The Secretary choked for a moment, and the President went on with a sort of smooth appeal "Of course, we all have our opinions and even our eyes, but really to call them disgusting before the man himself" Dr. Bull tore off his spectacles and broke them on the table. "My spectacles are blackguardly," he said, "but I'm not. Look at my face." "I dare say it's the sort of face that grows on one," said the President, "in fact, it grows on you; and who am I to quarrel with the wild fruits upon the Tree of Life? I dare say it will grow on me some day." "We have no time for tomfoolery," said the Secretary, breaking in savagely. "We have come to know what all this means. Who are you? What are you? Why did you get us all here? Do you know who and what we are? Are you a half-witted man playing the conspirator, or are you a clever man playing the fool? Answer me, I tell you." "Candidates," murmured Sunday, "are only required to answer eight out of the seventeen questions on the paper. As far as I can make out, you want me to tell you what I am, and what you are, and what this table is, and what this Council is, and what this world is for all I know. Well, I will go so far as to rend the veil of one mystery. If you want to know what you are, you are a set of highly well-intentioned young jackasses." "And you," said Syme, leaning forward, "what are you?" "I? What am I?" roared the President, and he rose slowly to an incredible height, like some enormous wave about to arch above them and break. "You want to know what I am, do you? Bull, you are a man of science. Grub in the roots of those trees and find out the truth about them. Syme, you are a poet. Stare at those morning clouds. But I tell you this, that you will have found out the truth of the last tree and the top-most cloud before the truth about me. You will understand the sea, and I | in order to approach the supposed enemy as fellow-conspirators. Syme had to explain how they had fled with such swiftness through a civilised country. But above all these matters of detail which could be explained, rose the central mountain of the matter that they could not explain. What did it all mean? If they were all harmless officers, what was Sunday? If he had not seized the world, what on earth had he been up to? Inspector Ratcliffe was still gloomy about this. "I can't make head or tail of old Sunday's little game any more than you can," he said. "But whatever else Sunday is, he isn't a blameless citizen. Damn it! do you remember his face?" "I grant you," answered Syme, "that I have never been able to forget it." "Well," said the Secretary, "I suppose we can find out soon, for tomorrow we have our next general meeting. You will excuse me," he said, with a rather ghastly smile, "for being well acquainted with my secretarial duties." "I suppose you are right," said the Professor reflectively. "I suppose we might find it out from him; but I confess that I should feel a bit afraid of asking Sunday who he really is." "Why," asked the Secretary, "for fear of bombs?" "No," said the Professor, "for fear he might tell me." "Let us have some drinks," said Dr. Bull, after a silence. Throughout their whole journey by boat and train they were highly convivial, but they instinctively kept together. Dr. Bull, who had always been the optimist of the party, endeavoured to persuade the other four that the whole company could take the same hansom cab from Victoria; but this was over-ruled, and they went in a four-wheeler, with Dr. Bull on the box, singing. They finished their journey at an hotel in Piccadilly Circus, so as to be close to the early breakfast next morning in Leicester Square. Yet even then the adventures of the day were not entirely over. Dr. Bull, discontented with the general proposal to go to bed, had strolled out of the hotel at about eleven to see and taste some of the beauties of London. Twenty minutes afterwards, however, he came back and made quite a clamour in the hall. Syme, who tried at first to soothe him, was forced at last to listen to his communication with quite new attention. "I tell you I've seen him!" said Dr. Bull, with thick emphasis. "Whom?" asked Syme quickly. "Not the President?" "Not so bad as that," said Dr. Bull, with unnecessary laughter, "not so bad as that. I've got him here." "Got whom here?" asked Syme impatiently. "Hairy man," said the other lucidly, "man that used to be hairy man Gogol. Here he is," and he pulled forward by a reluctant elbow the identical young man who five days before had marched out of the Council with thin red hair and a pale face, the first of all the sham anarchists who had been exposed. "Why do you worry with me?" he cried. "You have expelled me as a spy." "We are all spies!" whispered Syme. "We're all spies!" shouted Dr. Bull. "Come and have a drink." Next morning the battalion of the reunited six marched stolidly towards the hotel in Leicester Square. "This is more cheerful," said Dr. Bull; "we are six men going to ask one man what he means." "I think it is a bit queerer than that," said Syme. "I think it is six men going to ask one man what they mean." They turned in silence into the Square, and though the hotel was in the opposite corner, they saw at once the little balcony and a figure that looked too big for it. He was sitting alone with bent head, poring over a newspaper. But all his councillors, who had come to vote him down, crossed that Square as if they were watched out of heaven by a hundred eyes. They had disputed much upon their policy, about whether they should leave the unmasked Gogol without and begin diplomatically, or whether they should bring him in and blow up the gunpowder at once. The influence of Syme and Bull prevailed for the latter course, though the Secretary to the last asked them why they attacked Sunday so rashly. "My reason is quite simple," said Syme. "I attack him rashly because I am afraid of him." They followed Syme up the dark stair in silence, and they all came out simultaneously into the broad sunlight of the morning and the broad sunlight of Sunday's smile. "Delightful!" he said. "So pleased to see you all. What an exquisite day it is. Is the Czar dead?" The Secretary, who happened to be foremost, drew himself together for a dignified outburst.<|quote|>"No, sir,"</|quote|>he said sternly "there has been no massacre. I bring you news of no such disgusting spectacles." "Disgusting spectacles?" repeated the President, with a bright, inquiring smile. "You mean Dr. Bull's spectacles?" The Secretary choked for a moment, and the President went on with a sort of smooth appeal "Of course, we all have our opinions and even our eyes, but really to call them disgusting before the man himself" Dr. Bull tore off his spectacles and broke them on the table. "My spectacles are blackguardly," he said, "but I'm not. Look at my face." "I dare say it's the sort of face that grows on one," said the President, "in fact, it grows on you; and who am I to quarrel with the wild fruits upon the Tree of Life? I dare say it will grow on me some day." "We have no time for tomfoolery," said the Secretary, breaking in savagely. "We have come to know what all this means. Who are you? What are you? Why did you get us all here? Do you know who and what we are? Are you a half-witted man playing the conspirator, or are you a clever man playing the fool? Answer me, I tell you." "Candidates," murmured Sunday, "are only required to answer eight out of the seventeen questions on the paper. As far as I can make out, you want me to tell you what I am, and what you are, and what this table is, and what this Council is, and what this world is for all I know. Well, I will go so far as to rend the veil of one mystery. If you want to know what you are, you are a set of highly well-intentioned young jackasses." "And you," said Syme, leaning forward, "what are you?" "I? What am I?" roared the President, and he rose slowly to an incredible height, like some enormous wave about to arch above them and break. "You want to know what I am, do you? Bull, you are a man of science. Grub in the roots of those trees and find out the truth about them. Syme, you are a poet. Stare at those morning clouds. But I tell you this, that you will have found out the truth of the last tree and the top-most cloud before the truth about me. You will understand the sea, and I shall be still a riddle; you shall know what the stars are, and not know what I am. Since the beginning of the world all men have hunted me like a wolf kings and sages, and poets and lawgivers, all the churches, and all the philosophies. But I have never been caught yet, and the skies will fall in the time I turn to bay. I have given them a good run for their money, and I will now." Before one of them could move, the monstrous man had swung himself like some huge ourang-outang over the balustrade of the balcony. Yet before he dropped he pulled himself up again as on a horizontal bar, and thrusting his great chin over the edge of the balcony, said solemnly "There's one thing I'll tell you though about who I am. I am the man in the dark room, who made you all policemen." With that he fell from the balcony, bouncing on the stones below like a great ball of india-rubber, and went bounding off towards the corner of the Alhambra, where he hailed a hansom-cab and sprang inside it. The six detectives had been standing thunderstruck and livid in the light of his last assertion; but when he disappeared into the cab, Syme's practical senses returned to him, and leaping over the balcony so recklessly as almost to break his legs, he called another cab. He and Bull sprang into the cab together, the Professor and the Inspector into another, while the Secretary and the late Gogol scrambled into a third just in time to pursue the flying Syme, who was pursuing the flying President. Sunday led them a wild chase towards the north-west, his cabman, evidently under the influence of more than common inducements, urging the horse at breakneck speed. But Syme was in no mood for delicacies, and he stood up in his own cab shouting, "Stop thief!" until crowds ran along beside his cab, and policemen began to stop and ask questions. All this had its influence upon the President's cabman, who began to look dubious, and to slow down to a trot. He opened the trap to talk reasonably to his fare, and in so doing let the long whip droop over the front of the cab. Sunday leant forward, seized it, and jerked it violently out of the man's hand. Then standing up in front | Dr. Bull, after a silence. Throughout their whole journey by boat and train they were highly convivial, but they instinctively kept together. Dr. Bull, who had always been the optimist of the party, endeavoured to persuade the other four that the whole company could take the same hansom cab from Victoria; but this was over-ruled, and they went in a four-wheeler, with Dr. Bull on the box, singing. They finished their journey at an hotel in Piccadilly Circus, so as to be close to the early breakfast next morning in Leicester Square. Yet even then the adventures of the day were not entirely over. Dr. Bull, discontented with the general proposal to go to bed, had strolled out of the hotel at about eleven to see and taste some of the beauties of London. Twenty minutes afterwards, however, he came back and made quite a clamour in the hall. Syme, who tried at first to soothe him, was forced at last to listen to his communication with quite new attention. "I tell you I've seen him!" said Dr. Bull, with thick emphasis. "Whom?" asked Syme quickly. "Not the President?" "Not so bad as that," said Dr. Bull, with unnecessary laughter, "not so bad as that. I've got him here." "Got whom here?" asked Syme impatiently. "Hairy man," said the other lucidly, "man that used to be hairy man Gogol. Here he is," and he pulled forward by a reluctant elbow the identical young man who five days before had marched out of the Council with thin red hair and a pale face, the first of all the sham anarchists who had been exposed. "Why do you worry with me?" he cried. "You have expelled me as a spy." "We are all spies!" whispered Syme. "We're all spies!" shouted Dr. Bull. "Come and have a drink." Next morning the battalion of the reunited six marched stolidly towards the hotel in Leicester Square. "This is more cheerful," said Dr. Bull; "we are six men going to ask one man what he means." "I think it is a bit queerer than that," said Syme. "I think it is six men going to ask one man what they mean." They turned in silence into the Square, and though the hotel was in the opposite corner, they saw at once the little balcony and a figure that looked too big for it. He was sitting alone with bent head, poring over a newspaper. But all his councillors, who had come to vote him down, crossed that Square as if they were watched out of heaven by a hundred eyes. They had disputed much upon their policy, about whether they should leave the unmasked Gogol without and begin diplomatically, or whether they should bring him in and blow up the gunpowder at once. The influence of Syme and Bull prevailed for the latter course, though the Secretary to the last asked them why they attacked Sunday so rashly. "My reason is quite simple," said Syme. "I attack him rashly because I am afraid of him." They followed Syme up the dark stair in silence, and they all came out simultaneously into the broad sunlight of the morning and the broad sunlight of Sunday's smile. "Delightful!" he said. "So pleased to see you all. What an exquisite day it is. Is the Czar dead?" The Secretary, who happened to be foremost, drew himself together for a dignified outburst.<|quote|>"No, sir,"</|quote|>he said sternly "there has been no massacre. I bring you news of no such disgusting spectacles." "Disgusting spectacles?" repeated the President, with a bright, inquiring smile. "You mean Dr. Bull's spectacles?" The Secretary choked for a moment, and the President went on with a sort of smooth appeal "Of course, we all have our opinions and even our eyes, but really to call them disgusting before the man himself" Dr. Bull tore off his spectacles and broke them on the table. "My spectacles are blackguardly," he said, "but I'm not. Look at my face." "I dare say it's the sort of face that grows on one," said the President, "in fact, it grows on you; and who am I to quarrel with the wild fruits upon the Tree of Life? I dare say it will grow on me some day." "We have no time for tomfoolery," said the Secretary, breaking in savagely. "We have come to know what all this means. Who are you? What are you? Why did you get us all here? Do you know who and what we are? Are you a half-witted man playing the conspirator, or are you a clever man playing the fool? Answer me, I tell you." "Candidates," murmured Sunday, "are only required to answer eight out of the seventeen questions on the paper. As far as I can make out, you want me to tell you what I am, and what you are, and what this table is, and what this Council is, and what this world is for | The Man Who Was Thursday |
"And _I_ shall write to you, Fanny, when I have anything worth writing about, anything to say that I think you will like to hear, and that you will not hear so soon from any other quarter." | Edmund | then added in a whisper,<|quote|>"And _I_ shall write to you, Fanny, when I have anything worth writing about, anything to say that I think you will like to hear, and that you will not hear so soon from any other quarter."</|quote|>Had she doubted his meaning | Edmund, at a convenient moment, then added in a whisper,<|quote|>"And _I_ shall write to you, Fanny, when I have anything worth writing about, anything to say that I think you will like to hear, and that you will not hear so soon from any other quarter."</|quote|>Had she doubted his meaning while she listened, the glow | them with any remains of liberty. Once afterwards she was alluded to by him. Lady Bertram had been telling her niece in the evening to write to her soon and often, and promising to be a good correspondent herself; and Edmund, at a convenient moment, then added in a whisper,<|quote|>"And _I_ shall write to you, Fanny, when I have anything worth writing about, anything to say that I think you will like to hear, and that you will not hear so soon from any other quarter."</|quote|>Had she doubted his meaning while she listened, the glow in his face, when she looked up at him, would have been decisive. For this letter she must try to arm herself. That a letter from Edmund should be a subject of terror! She began to feel that she had | told Fanny of it. She knew so much already, that she must know everything. It made the substance of one other confidential discourse about Miss Crawford; and Fanny was the more affected from feeling it to be the last time in which Miss Crawford's name would ever be mentioned between them with any remains of liberty. Once afterwards she was alluded to by him. Lady Bertram had been telling her niece in the evening to write to her soon and often, and promising to be a good correspondent herself; and Edmund, at a convenient moment, then added in a whisper,<|quote|>"And _I_ shall write to you, Fanny, when I have anything worth writing about, anything to say that I think you will like to hear, and that you will not hear so soon from any other quarter."</|quote|>Had she doubted his meaning while she listened, the glow in his face, when she looked up at him, would have been decisive. For this letter she must try to arm herself. That a letter from Edmund should be a subject of terror! She began to feel that she had not yet gone through all the changes of opinion and sentiment which the progress of time and variation of circumstances occasion in this world of changes. The vicissitudes of the human mind had not yet been exhausted by her. Poor Fanny! though going as she did willingly and eagerly, the | years' absence, perhaps, begun. Edmund's plans were affected by this Portsmouth journey, this absence of Fanny's. He too had a sacrifice to make to Mansfield Park as well as his aunt. He had intended, about this time, to be going to London; but he could not leave his father and mother just when everybody else of most importance to their comfort was leaving them; and with an effort, felt but not boasted of, he delayed for a week or two longer a journey which he was looking forward to with the hope of its fixing his happiness for ever. He told Fanny of it. She knew so much already, that she must know everything. It made the substance of one other confidential discourse about Miss Crawford; and Fanny was the more affected from feeling it to be the last time in which Miss Crawford's name would ever be mentioned between them with any remains of liberty. Once afterwards she was alluded to by him. Lady Bertram had been telling her niece in the evening to write to her soon and often, and promising to be a good correspondent herself; and Edmund, at a convenient moment, then added in a whisper,<|quote|>"And _I_ shall write to you, Fanny, when I have anything worth writing about, anything to say that I think you will like to hear, and that you will not hear so soon from any other quarter."</|quote|>Had she doubted his meaning while she listened, the glow in his face, when she looked up at him, would have been decisive. For this letter she must try to arm herself. That a letter from Edmund should be a subject of terror! She began to feel that she had not yet gone through all the changes of opinion and sentiment which the progress of time and variation of circumstances occasion in this world of changes. The vicissitudes of the human mind had not yet been exhausted by her. Poor Fanny! though going as she did willingly and eagerly, the last evening at Mansfield Park must still be wretchedness. Her heart was completely sad at parting. She had tears for every room in the house, much more for every beloved inhabitant. She clung to her aunt, because she would miss her; she kissed the hand of her uncle with struggling sobs, because she had displeased him; and as for Edmund, she could neither speak, nor look, nor think, when the last moment came with _him_; and it was not till it was over that she knew he was giving her the affectionate farewell of a brother. All this passed overnight, | and she could not help thinking her poor dear sister Price would feel it very unkind of her not to come by such an opportunity. William and Fanny were horror-struck at the idea. All the comfort of their comfortable journey would be destroyed at once. With woeful countenances they looked at each other. Their suspense lasted an hour or two. No one interfered to encourage or dissuade. Mrs. Norris was left to settle the matter by herself; and it ended, to the infinite joy of her nephew and niece, in the recollection that she could not possibly be spared from Mansfield Park at present; that she was a great deal too necessary to Sir Thomas and Lady Bertram for her to be able to answer it to herself to leave them even for a week, and therefore must certainly sacrifice every other pleasure to that of being useful to them. It had, in fact, occurred to her, that though taken to Portsmouth for nothing, it would be hardly possible for her to avoid paying her own expenses back again. So her poor dear sister Price was left to all the disappointment of her missing such an opportunity, and another twenty years' absence, perhaps, begun. Edmund's plans were affected by this Portsmouth journey, this absence of Fanny's. He too had a sacrifice to make to Mansfield Park as well as his aunt. He had intended, about this time, to be going to London; but he could not leave his father and mother just when everybody else of most importance to their comfort was leaving them; and with an effort, felt but not boasted of, he delayed for a week or two longer a journey which he was looking forward to with the hope of its fixing his happiness for ever. He told Fanny of it. She knew so much already, that she must know everything. It made the substance of one other confidential discourse about Miss Crawford; and Fanny was the more affected from feeling it to be the last time in which Miss Crawford's name would ever be mentioned between them with any remains of liberty. Once afterwards she was alluded to by him. Lady Bertram had been telling her niece in the evening to write to her soon and often, and promising to be a good correspondent herself; and Edmund, at a convenient moment, then added in a whisper,<|quote|>"And _I_ shall write to you, Fanny, when I have anything worth writing about, anything to say that I think you will like to hear, and that you will not hear so soon from any other quarter."</|quote|>Had she doubted his meaning while she listened, the glow in his face, when she looked up at him, would have been decisive. For this letter she must try to arm herself. That a letter from Edmund should be a subject of terror! She began to feel that she had not yet gone through all the changes of opinion and sentiment which the progress of time and variation of circumstances occasion in this world of changes. The vicissitudes of the human mind had not yet been exhausted by her. Poor Fanny! though going as she did willingly and eagerly, the last evening at Mansfield Park must still be wretchedness. Her heart was completely sad at parting. She had tears for every room in the house, much more for every beloved inhabitant. She clung to her aunt, because she would miss her; she kissed the hand of her uncle with struggling sobs, because she had displeased him; and as for Edmund, she could neither speak, nor look, nor think, when the last moment came with _him_; and it was not till it was over that she knew he was giving her the affectionate farewell of a brother. All this passed overnight, for the journey was to begin very early in the morning; and when the small, diminished party met at breakfast, William and Fanny were talked of as already advanced one stage. CHAPTER XXXVIII The novelty of travelling, and the happiness of being with William, soon produced their natural effect on Fanny's spirits, when Mansfield Park was fairly left behind; and by the time their first stage was ended, and they were to quit Sir Thomas's carriage, she was able to take leave of the old coachman, and send back proper messages, with cheerful looks. Of pleasant talk between the brother and sister there was no end. Everything supplied an amusement to the high glee of William's mind, and he was full of frolic and joke in the intervals of their higher-toned subjects, all of which ended, if they did not begin, in praise of the Thrush, conjectures how she would be employed, schemes for an action with some superior force, which (supposing the first lieutenant out of the way, and William was not very merciful to the first lieutenant) was to give himself the next step as soon as possible, or speculations upon prize-money, which was to be generously distributed | to be to each other. William was almost as happy in the plan as his sister. It would be the greatest pleasure to him to have her there to the last moment before he sailed, and perhaps find her there still when he came in from his first cruise. And besides, he wanted her so very much to see the Thrush before she went out of harbour the Thrush was certainly the finest sloop in the service and there were several improvements in the dockyard, too, which he quite longed to shew her. He did not scruple to add that her being at home for a while would be a great advantage to everybody. "I do not know how it is," said he; "but we seem to want some of your nice ways and orderliness at my father's. The house is always in confusion. You will set things going in a better way, I am sure. You will tell my mother how it all ought to be, and you will be so useful to Susan, and you will teach Betsey, and make the boys love and mind you. How right and comfortable it will all be!" By the time Mrs. Price's answer arrived, there remained but a very few days more to be spent at Mansfield; and for part of one of those days the young travellers were in a good deal of alarm on the subject of their journey, for when the mode of it came to be talked of, and Mrs. Norris found that all her anxiety to save her brother-in-law's money was vain, and that in spite of her wishes and hints for a less expensive conveyance of Fanny, they were to travel post; when she saw Sir Thomas actually give William notes for the purpose, she was struck with the idea of there being room for a third in the carriage, and suddenly seized with a strong inclination to go with them, to go and see her poor dear sister Price. She proclaimed her thoughts. She must say that she had more than half a mind to go with the young people; it would be such an indulgence to her; she had not seen her poor dear sister Price for more than twenty years; and it would be a help to the young people in their journey to have her older head to manage for them; and she could not help thinking her poor dear sister Price would feel it very unkind of her not to come by such an opportunity. William and Fanny were horror-struck at the idea. All the comfort of their comfortable journey would be destroyed at once. With woeful countenances they looked at each other. Their suspense lasted an hour or two. No one interfered to encourage or dissuade. Mrs. Norris was left to settle the matter by herself; and it ended, to the infinite joy of her nephew and niece, in the recollection that she could not possibly be spared from Mansfield Park at present; that she was a great deal too necessary to Sir Thomas and Lady Bertram for her to be able to answer it to herself to leave them even for a week, and therefore must certainly sacrifice every other pleasure to that of being useful to them. It had, in fact, occurred to her, that though taken to Portsmouth for nothing, it would be hardly possible for her to avoid paying her own expenses back again. So her poor dear sister Price was left to all the disappointment of her missing such an opportunity, and another twenty years' absence, perhaps, begun. Edmund's plans were affected by this Portsmouth journey, this absence of Fanny's. He too had a sacrifice to make to Mansfield Park as well as his aunt. He had intended, about this time, to be going to London; but he could not leave his father and mother just when everybody else of most importance to their comfort was leaving them; and with an effort, felt but not boasted of, he delayed for a week or two longer a journey which he was looking forward to with the hope of its fixing his happiness for ever. He told Fanny of it. She knew so much already, that she must know everything. It made the substance of one other confidential discourse about Miss Crawford; and Fanny was the more affected from feeling it to be the last time in which Miss Crawford's name would ever be mentioned between them with any remains of liberty. Once afterwards she was alluded to by him. Lady Bertram had been telling her niece in the evening to write to her soon and often, and promising to be a good correspondent herself; and Edmund, at a convenient moment, then added in a whisper,<|quote|>"And _I_ shall write to you, Fanny, when I have anything worth writing about, anything to say that I think you will like to hear, and that you will not hear so soon from any other quarter."</|quote|>Had she doubted his meaning while she listened, the glow in his face, when she looked up at him, would have been decisive. For this letter she must try to arm herself. That a letter from Edmund should be a subject of terror! She began to feel that she had not yet gone through all the changes of opinion and sentiment which the progress of time and variation of circumstances occasion in this world of changes. The vicissitudes of the human mind had not yet been exhausted by her. Poor Fanny! though going as she did willingly and eagerly, the last evening at Mansfield Park must still be wretchedness. Her heart was completely sad at parting. She had tears for every room in the house, much more for every beloved inhabitant. She clung to her aunt, because she would miss her; she kissed the hand of her uncle with struggling sobs, because she had displeased him; and as for Edmund, she could neither speak, nor look, nor think, when the last moment came with _him_; and it was not till it was over that she knew he was giving her the affectionate farewell of a brother. All this passed overnight, for the journey was to begin very early in the morning; and when the small, diminished party met at breakfast, William and Fanny were talked of as already advanced one stage. CHAPTER XXXVIII The novelty of travelling, and the happiness of being with William, soon produced their natural effect on Fanny's spirits, when Mansfield Park was fairly left behind; and by the time their first stage was ended, and they were to quit Sir Thomas's carriage, she was able to take leave of the old coachman, and send back proper messages, with cheerful looks. Of pleasant talk between the brother and sister there was no end. Everything supplied an amusement to the high glee of William's mind, and he was full of frolic and joke in the intervals of their higher-toned subjects, all of which ended, if they did not begin, in praise of the Thrush, conjectures how she would be employed, schemes for an action with some superior force, which (supposing the first lieutenant out of the way, and William was not very merciful to the first lieutenant) was to give himself the next step as soon as possible, or speculations upon prize-money, which was to be generously distributed at home, with only the reservation of enough to make the little cottage comfortable, in which he and Fanny were to pass all their middle and later life together. Fanny's immediate concerns, as far as they involved Mr. Crawford, made no part of their conversation. William knew what had passed, and from his heart lamented that his sister's feelings should be so cold towards a man whom he must consider as the first of human characters; but he was of an age to be all for love, and therefore unable to blame; and knowing her wish on the subject, he would not distress her by the slightest allusion. She had reason to suppose herself not yet forgotten by Mr. Crawford. She had heard repeatedly from his sister within the three weeks which had passed since their leaving Mansfield, and in each letter there had been a few lines from himself, warm and determined like his speeches. It was a correspondence which Fanny found quite as unpleasant as she had feared. Miss Crawford's style of writing, lively and affectionate, was itself an evil, independent of what she was thus forced into reading from the brother's pen, for Edmund would never rest till she had read the chief of the letter to him; and then she had to listen to his admiration of her language, and the warmth of her attachments. There had, in fact, been so much of message, of allusion, of recollection, so much of Mansfield in every letter, that Fanny could not but suppose it meant for him to hear; and to find herself forced into a purpose of that kind, compelled into a correspondence which was bringing her the addresses of the man she did not love, and obliging her to administer to the adverse passion of the man she did, was cruelly mortifying. Here, too, her present removal promised advantage. When no longer under the same roof with Edmund, she trusted that Miss Crawford would have no motive for writing strong enough to overcome the trouble, and that at Portsmouth their correspondence would dwindle into nothing. With such thoughts as these, among ten hundred others, Fanny proceeded in her journey safely and cheerfully, and as expeditiously as could rationally be hoped in the dirty month of February. They entered Oxford, but she could take only a hasty glimpse of Edmund's college as they passed along, and made | conveyance of Fanny, they were to travel post; when she saw Sir Thomas actually give William notes for the purpose, she was struck with the idea of there being room for a third in the carriage, and suddenly seized with a strong inclination to go with them, to go and see her poor dear sister Price. She proclaimed her thoughts. She must say that she had more than half a mind to go with the young people; it would be such an indulgence to her; she had not seen her poor dear sister Price for more than twenty years; and it would be a help to the young people in their journey to have her older head to manage for them; and she could not help thinking her poor dear sister Price would feel it very unkind of her not to come by such an opportunity. William and Fanny were horror-struck at the idea. All the comfort of their comfortable journey would be destroyed at once. With woeful countenances they looked at each other. Their suspense lasted an hour or two. No one interfered to encourage or dissuade. Mrs. Norris was left to settle the matter by herself; and it ended, to the infinite joy of her nephew and niece, in the recollection that she could not possibly be spared from Mansfield Park at present; that she was a great deal too necessary to Sir Thomas and Lady Bertram for her to be able to answer it to herself to leave them even for a week, and therefore must certainly sacrifice every other pleasure to that of being useful to them. It had, in fact, occurred to her, that though taken to Portsmouth for nothing, it would be hardly possible for her to avoid paying her own expenses back again. So her poor dear sister Price was left to all the disappointment of her missing such an opportunity, and another twenty years' absence, perhaps, begun. Edmund's plans were affected by this Portsmouth journey, this absence of Fanny's. He too had a sacrifice to make to Mansfield Park as well as his aunt. He had intended, about this time, to be going to London; but he could not leave his father and mother just when everybody else of most importance to their comfort was leaving them; and with an effort, felt but not boasted of, he delayed for a week or two longer a journey which he was looking forward to with the hope of its fixing his happiness for ever. He told Fanny of it. She knew so much already, that she must know everything. It made the substance of one other confidential discourse about Miss Crawford; and Fanny was the more affected from feeling it to be the last time in which Miss Crawford's name would ever be mentioned between them with any remains of liberty. Once afterwards she was alluded to by him. Lady Bertram had been telling her niece in the evening to write to her soon and often, and promising to be a good correspondent herself; and Edmund, at a convenient moment, then added in a whisper,<|quote|>"And _I_ shall write to you, Fanny, when I have anything worth writing about, anything to say that I think you will like to hear, and that you will not hear so soon from any other quarter."</|quote|>Had she doubted his meaning while she listened, the glow in his face, when she looked up at him, would have been decisive. For this letter she must try to arm herself. That a letter from Edmund should be a subject of terror! She began to feel that she had not yet gone through all the changes of opinion and sentiment which the progress of time and variation of circumstances occasion in this world of changes. The vicissitudes of the human mind had not yet been exhausted by her. Poor Fanny! though going as she did willingly and eagerly, the last evening at Mansfield Park must still be wretchedness. Her heart was completely sad at parting. She had tears for every room in the house, much more for every beloved inhabitant. She clung to her aunt, because she would miss her; she kissed the hand of her uncle with struggling sobs, because she had displeased him; and as for Edmund, she could neither speak, nor look, nor think, when the last moment came with _him_; and it was not till it was over that she knew he was giving her the affectionate farewell of a brother. All this passed overnight, for the journey was to begin very early in the morning; and when the small, diminished party met at breakfast, William and Fanny were talked of as already advanced one stage. CHAPTER XXXVIII The novelty of travelling, and the happiness of being with William, soon produced their natural effect on Fanny's spirits, when Mansfield Park was fairly left behind; and by the time their first stage was ended, and they were to quit Sir Thomas's carriage, she was able to take leave of the old coachman, and send back proper messages, with cheerful looks. Of pleasant talk between the brother and sister there was no end. Everything supplied an amusement to the high glee of William's mind, and he was full of frolic and joke in the intervals of their higher-toned subjects, all of which ended, if they did not begin, in praise of the Thrush, conjectures how she would be employed, schemes for an action with some superior force, which (supposing the first lieutenant out of the way, and William was not very merciful to the first lieutenant) was to give himself the next step as soon as possible, or speculations upon prize-money, which was to be generously distributed at home, with only the reservation of enough to make the little cottage comfortable, in which he and Fanny were to pass all their middle and later life together. Fanny's immediate concerns, as far as they involved Mr. Crawford, made no part of their conversation. William knew what had passed, and from his heart lamented that his sister's feelings should be so cold towards a man whom he must consider as the first of human characters; but he was of an age to be all for love, and therefore unable to blame; and knowing her wish on the subject, he would not distress her by the slightest allusion. She had reason to suppose herself not yet forgotten by Mr. Crawford. She had heard repeatedly from his sister within the | Mansfield Park |
"Yes, of course." | Tony Last | of education. Can you read?"<|quote|>"Yes, of course."</|quote|>"It is not everyone who | died. He was a man of education. Can you read?"<|quote|>"Yes, of course."</|quote|>"It is not everyone who is so fortunate. I cannot." | Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"<|quote|>"Yes, of course."</|quote|>"It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least | you are English?" "My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"<|quote|>"Yes, of course."</|quote|>"It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. | My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?" "My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"<|quote|>"Yes, of course."</|quote|>"It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango | bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?" "My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"<|quote|>"Yes, of course."</|quote|>"It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a | name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?" "My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"<|quote|>"Yes, of course."</|quote|>"It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well," said Tony lightly, "they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the | why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?" "My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"<|quote|>"Yes, of course."</|quote|>"It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than | A Handful Of Dust |
he asked. | No speaker | of wine with us, sir?"<|quote|>he asked.</|quote|>"No. Thanks awfully. I have | "Will you take a glass of wine with us, sir?"<|quote|>he asked.</|quote|>"No. Thanks awfully. I have to go." "Really going?" Brett | in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?"<|quote|>he asked.</|quote|>"No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be | patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?"<|quote|>he asked.</|quote|>"No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day." "Good night, sir," said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables | do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?"<|quote|>he asked.</|quote|>"No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day." "Good night, sir," said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I | I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky. "I say, do I look too much of a mess?" She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?"<|quote|>he asked.</|quote|>"No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day." "Good night, sir," said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One was a bank statement. It showed a balance of $2432.60. I got out my check-book and deducted four checks drawn since the first of the month, and discovered I had a balance of $1832.60. I wrote this on the back of the statement. The other letter was a wedding announcement. Mr. and Mrs. Aloysius Kirby announce the marriage of their daughter Katherine--I knew neither the girl nor the man she was marrying. They must be circularizing the town. It was a funny name. I felt sure I could remember anybody with a name like Aloysius. It was a good Catholic name. There was a crest on the announcement. Like Zizi the Greek duke. | eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things. "And there's not a damn thing we could do," I said. "I don't know," she said. "I don't want to go through that hell again." "We'd better keep away from each other." "But, darling, I have to see you. It isn't all that you know." "No, but it always gets to be." "That's my fault. Don't we pay for all the things we do, though?" She had been looking into my eyes all the time. Her eyes had different depths, sometimes they seemed perfectly flat. Now you could see all the way into them. "When I think of the hell I've put chaps through. I'm paying for it all now." "Don't talk like a fool," I said. "Besides, what happened to me is supposed to be funny. I never think about it." "Oh, no. I'll lay you don't." "Well, let's shut up about it." "I laughed about it too, myself, once." She wasn't looking at me. "A friend of my brother's came home that way from Mons. It seemed like a hell of a joke. Chaps never know anything, do they?" "No," I said. "Nobody ever knows anything." I was pretty well through with the subject. At one time or another I had probably considered it from most of its various angles, including the one that certain injuries or imperfections are a subject of merriment while remaining quite serious for the person possessing them. "It's funny," I said. "It's very funny. And it's a lot of fun, too, to be in love." "Do you think so?" her eyes looked flat again. "I don't mean fun that way. In a way it's an enjoyable feeling." "No," she said. "I think it's hell on earth." "It's good to see each other." "No. I don't think it is." "Don't you want to?" "I have to." We were sitting now like two strangers. On the right was the Parc Montsouris. The restaurant where they have the pool of live trout and where you can sit and look out over the park was closed and dark. The driver leaned his head around. "Where do you want to go?" I asked. Brett turned her head away. "Oh, go to the Select." "Caf Select," I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky. "I say, do I look too much of a mess?" She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?"<|quote|>he asked.</|quote|>"No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day." "Good night, sir," said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One was a bank statement. It showed a balance of $2432.60. I got out my check-book and deducted four checks drawn since the first of the month, and discovered I had a balance of $1832.60. I wrote this on the back of the statement. The other letter was a wedding announcement. Mr. and Mrs. Aloysius Kirby announce the marriage of their daughter Katherine--I knew neither the girl nor the man she was marrying. They must be circularizing the town. It was a funny name. I felt sure I could remember anybody with a name like Aloysius. It was a good Catholic name. There was a crest on the announcement. Like Zizi the Greek duke. And that count. The count was funny. Brett had a title, too. Lady Ashley. To hell with Brett. To hell with you, Lady Ashley. I lit the lamp beside the bed, turned off the gas, and opened the wide windows. The bed was far back from the windows, and I sat with the windows open and undressed by the bed. Outside a night train, running on the street-car tracks, went by carrying vegetables to the markets. They were noisy at night when you could not sleep. Undressing, I looked at myself in the mirror of the big armoire beside the bed. That was a typically French way to furnish a room. Practical, too, I suppose. Of all the ways to be wounded. I suppose it was funny. I put on my pajamas and got into bed. I had the two bull-fight papers, and I took their wrappers off. One was orange. The other yellow. They would both have the same news, so whichever I read first would spoil the other. _Le Toril_ was the better paper, so I started to read it. I read it all the way through, including the Petite Correspondance and the Cornigrams. I blew out the lamp. Perhaps I would be able to sleep. My head started to work. The old grievance. Well, it was a rotten way to be wounded and flying on a joke front like the Italian. In the Italian hospital we were going to form a society. It had a funny name in Italian. I wonder what became of the others, the Italians. That was in the Ospedale Maggiore in Milano, Padiglione Ponte. The next building was the Padiglione Zonda. There was a statue of Ponte, or maybe it was Zonda. That was where the liaison colonel came to visit me. That was funny. That was about the first funny thing. I was all bandaged up. But they had told him about it. Then he made that wonderful speech: "You, a foreigner, an Englishman" (any foreigner was an Englishman) "have given more than your life." What a speech! I would like to have it illuminated to hang in the office. He never laughed. He was putting himself in my place, I guess. "Che mala fortuna! Che mala fortuna!" I never used to realize it, I guess. I try and play it along and just not make trouble for people. Probably I never | in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky. "I say, do I look too much of a mess?" She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?"<|quote|>he asked.</|quote|>"No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day." "Good night, sir," said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One was a bank statement. It showed a balance of $2432.60. I got out my check-book and deducted four checks drawn since the first of the month, and discovered I had a balance of $1832.60. I wrote this on the back of the statement. The other letter was a wedding announcement. Mr. and Mrs. Aloysius Kirby announce the marriage of their daughter Katherine--I knew neither the girl nor the man she was marrying. They must be circularizing the town. It was a funny name. I felt sure I could remember anybody with a name like Aloysius. It was a good Catholic name. There was a crest on the announcement. Like Zizi the Greek duke. And that count. The count was funny. Brett had a title, too. Lady Ashley. To hell with Brett. To hell with you, Lady Ashley. I lit the lamp beside the bed, turned off the gas, and opened the wide windows. The bed was far back from the windows, and I sat with the windows open and undressed by the bed. Outside a night train, running on the street-car tracks, went by carrying vegetables to the markets. They were noisy at night when you could not sleep. Undressing, I looked at myself in the mirror of the big armoire beside the bed. That was a typically French way to furnish a room. Practical, too, I suppose. Of all the ways to be wounded. I suppose it was funny. I put on my pajamas and got into bed. I had the two bull-fight papers, and I took their wrappers off. One was orange. The other yellow. They would both have the same news, | The Sun Also Rises |
"Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?" | Elizabeth | once to know every thing."<|quote|>"Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?"</|quote|>"My real purpose was to | and I was determined at once to know every thing."<|quote|>"Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?"</|quote|>"My real purpose was to see _you_, and to judge, | removing all my doubts. I am not indebted for my present happiness to your eager desire of expressing your gratitude. I was not in a humour to wait for any opening of your's. My aunt's intelligence had given me hope, and I was determined at once to know every thing."<|quote|>"Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?"</|quote|>"My real purpose was to see _you_, and to judge, if I could, whether I might ever hope to make you love me. My avowed one, or what I avowed to myself, was to see whether your sister were still partial to Bingley, and if she were, to make the | for what becomes of the moral, if our comfort springs from a breach of promise, for I ought not to have mentioned the subject? This will never do." "You need not distress yourself. The moral will be perfectly fair. Lady Catherine's unjustifiable endeavours to separate us, were the means of removing all my doubts. I am not indebted for my present happiness to your eager desire of expressing your gratitude. I was not in a humour to wait for any opening of your's. My aunt's intelligence had given me hope, and I was determined at once to know every thing."<|quote|>"Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?"</|quote|>"My real purpose was to see _you_, and to judge, if I could, whether I might ever hope to make you love me. My avowed one, or what I avowed to myself, was to see whether your sister were still partial to Bingley, and if she were, to make the confession to him which I have since made." "Shall you ever have courage to announce to Lady Catherine, what is to befall her?" "I am more likely to want time than courage, Elizabeth. But it ought to be done, and if you will give me a sheet of paper, it | no encouragement." "But I was embarrassed." "And so was I." "You might have talked to me more when you came to dinner." "A man who had felt less, might." "How unlucky that you should have a reasonable answer to give, and that I should be so reasonable as to admit it! But I wonder how long you _would_ have gone on, if you had been left to yourself. I wonder when you _would_ have spoken, if I had not asked you! My resolution of thanking you for your kindness to Lydia had certainly great effect. _Too much_, I am afraid; for what becomes of the moral, if our comfort springs from a breach of promise, for I ought not to have mentioned the subject? This will never do." "You need not distress yourself. The moral will be perfectly fair. Lady Catherine's unjustifiable endeavours to separate us, were the means of removing all my doubts. I am not indebted for my present happiness to your eager desire of expressing your gratitude. I was not in a humour to wait for any opening of your's. My aunt's intelligence had given me hope, and I was determined at once to know every thing."<|quote|>"Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?"</|quote|>"My real purpose was to see _you_, and to judge, if I could, whether I might ever hope to make you love me. My avowed one, or what I avowed to myself, was to see whether your sister were still partial to Bingley, and if she were, to make the confession to him which I have since made." "Shall you ever have courage to announce to Lady Catherine, what is to befall her?" "I am more likely to want time than courage, Elizabeth. But it ought to be done, and if you will give me a sheet of paper, it shall be done directly." "And if I had not a letter to write myself, I might sit by you, and admire the evenness of your writing, as another young lady once did. But I have an aunt, too, who must not be longer neglected." From an unwillingness to confess how much her intimacy with Mr. Darcy had been over-rated, Elizabeth had never yet answered Mrs. Gardiner's long letter, but now, having _that_ to communicate which she knew would be most welcome, she was almost ashamed to find, that her uncle and aunt had already lost three days of happiness, and | pains you took to disguise yourself, your feelings were always noble and just; and in your heart, you thoroughly despised the persons who so assiduously courted you. There--I have saved you the trouble of accounting for it; and really, all things considered, I begin to think it perfectly reasonable. To be sure, you knew no actual good of me--but nobody thinks of _that_ when they fall in love." "Was there no good in your affectionate behaviour to Jane, while she was ill at Netherfield?" "Dearest Jane! who could have done less for her? But make a virtue of it by all means. My good qualities are under your protection, and you are to exaggerate them as much as possible; and, in return, it belongs to me to find occasions for teazing and quarrelling with you as often as may be; and I shall begin directly by asking you what made you so unwilling to come to the point at last. What made you so shy of me, when you first called, and afterwards dined here? Why, especially, when you called, did you look as if you did not care about me?" "Because you were grave and silent, and gave me no encouragement." "But I was embarrassed." "And so was I." "You might have talked to me more when you came to dinner." "A man who had felt less, might." "How unlucky that you should have a reasonable answer to give, and that I should be so reasonable as to admit it! But I wonder how long you _would_ have gone on, if you had been left to yourself. I wonder when you _would_ have spoken, if I had not asked you! My resolution of thanking you for your kindness to Lydia had certainly great effect. _Too much_, I am afraid; for what becomes of the moral, if our comfort springs from a breach of promise, for I ought not to have mentioned the subject? This will never do." "You need not distress yourself. The moral will be perfectly fair. Lady Catherine's unjustifiable endeavours to separate us, were the means of removing all my doubts. I am not indebted for my present happiness to your eager desire of expressing your gratitude. I was not in a humour to wait for any opening of your's. My aunt's intelligence had given me hope, and I was determined at once to know every thing."<|quote|>"Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?"</|quote|>"My real purpose was to see _you_, and to judge, if I could, whether I might ever hope to make you love me. My avowed one, or what I avowed to myself, was to see whether your sister were still partial to Bingley, and if she were, to make the confession to him which I have since made." "Shall you ever have courage to announce to Lady Catherine, what is to befall her?" "I am more likely to want time than courage, Elizabeth. But it ought to be done, and if you will give me a sheet of paper, it shall be done directly." "And if I had not a letter to write myself, I might sit by you, and admire the evenness of your writing, as another young lady once did. But I have an aunt, too, who must not be longer neglected." From an unwillingness to confess how much her intimacy with Mr. Darcy had been over-rated, Elizabeth had never yet answered Mrs. Gardiner's long letter, but now, having _that_ to communicate which she knew would be most welcome, she was almost ashamed to find, that her uncle and aunt had already lost three days of happiness, and immediately wrote as follows: "I would have thanked you before, my dear aunt, as I ought to have done, for your long, kind, satisfactory, detail of particulars; but to say the truth, I was too cross to write. You supposed more than really existed. But _now_ suppose as much as you chuse; give a loose to your fancy, indulge your imagination in every possible flight which the subject will afford, and unless you believe me actually married, you cannot greatly err. You must write again very soon, and praise him a great deal more than you did in your last. I thank you, again and again, for not going to the Lakes. How could I be so silly as to wish it! Your idea of the ponies is delightful. We will go round the Park every day. I am the happiest creature in the world. Perhaps other people have said so before, but not one with such justice. I am happier even than Jane; she only smiles, I laugh. Mr. Darcy sends you all the love in the world, that he can spare from me. You are all to come to Pemberley at Christmas. Your's, &c." Mr. Darcy's letter to | special licence. You must and shall be married by a special licence. But my dearest love, tell me what dish Mr. Darcy is particularly fond of, that I may have it to-morrow." This was a sad omen of what her mother's behaviour to the gentleman himself might be; and Elizabeth found, that though in the certain possession of his warmest affection, and secure of her relations' consent, there was still something to be wished for. But the morrow passed off much better than she expected; for Mrs. Bennet luckily stood in such awe of her intended son-in-law, that she ventured not to speak to him, unless it was in her power to offer him any attention, or mark her deference for his opinion. Elizabeth had the satisfaction of seeing her father taking pains to get acquainted with him; and Mr. Bennet soon assured her that he was rising every hour in his esteem. "I admire all my three sons-in-law highly," said he. "Wickham, perhaps, is my favourite; but I think I shall like _your_ husband quite as well as Jane's." CHAPTER XVIII. Elizabeth's spirits soon rising to playfulness again, she wanted Mr. Darcy to account for his having ever fallen in love with her. "How could you begin?" said she. "I can comprehend your going on charmingly, when you had once made a beginning; but what could set you off in the first place?" "I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I _had_ begun." "My beauty you had early withstood, and as for my manners--my behaviour to _you_ was at least always bordering on the uncivil, and I never spoke to you without rather wishing to give you pain than not. Now be sincere; did you admire me for my impertinence?" "For the liveliness of your mind, I did." "You may as well call it impertinence at once. It was very little less. The fact is, that you were sick of civility, of deference, of officious attention. You were disgusted with the women who were always speaking and looking, and thinking for _your_ approbation alone. I roused, and interested you, because I was so unlike _them_. Had you not been really amiable you would have hated me for it; but in spite of the pains you took to disguise yourself, your feelings were always noble and just; and in your heart, you thoroughly despised the persons who so assiduously courted you. There--I have saved you the trouble of accounting for it; and really, all things considered, I begin to think it perfectly reasonable. To be sure, you knew no actual good of me--but nobody thinks of _that_ when they fall in love." "Was there no good in your affectionate behaviour to Jane, while she was ill at Netherfield?" "Dearest Jane! who could have done less for her? But make a virtue of it by all means. My good qualities are under your protection, and you are to exaggerate them as much as possible; and, in return, it belongs to me to find occasions for teazing and quarrelling with you as often as may be; and I shall begin directly by asking you what made you so unwilling to come to the point at last. What made you so shy of me, when you first called, and afterwards dined here? Why, especially, when you called, did you look as if you did not care about me?" "Because you were grave and silent, and gave me no encouragement." "But I was embarrassed." "And so was I." "You might have talked to me more when you came to dinner." "A man who had felt less, might." "How unlucky that you should have a reasonable answer to give, and that I should be so reasonable as to admit it! But I wonder how long you _would_ have gone on, if you had been left to yourself. I wonder when you _would_ have spoken, if I had not asked you! My resolution of thanking you for your kindness to Lydia had certainly great effect. _Too much_, I am afraid; for what becomes of the moral, if our comfort springs from a breach of promise, for I ought not to have mentioned the subject? This will never do." "You need not distress yourself. The moral will be perfectly fair. Lady Catherine's unjustifiable endeavours to separate us, were the means of removing all my doubts. I am not indebted for my present happiness to your eager desire of expressing your gratitude. I was not in a humour to wait for any opening of your's. My aunt's intelligence had given me hope, and I was determined at once to know every thing."<|quote|>"Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?"</|quote|>"My real purpose was to see _you_, and to judge, if I could, whether I might ever hope to make you love me. My avowed one, or what I avowed to myself, was to see whether your sister were still partial to Bingley, and if she were, to make the confession to him which I have since made." "Shall you ever have courage to announce to Lady Catherine, what is to befall her?" "I am more likely to want time than courage, Elizabeth. But it ought to be done, and if you will give me a sheet of paper, it shall be done directly." "And if I had not a letter to write myself, I might sit by you, and admire the evenness of your writing, as another young lady once did. But I have an aunt, too, who must not be longer neglected." From an unwillingness to confess how much her intimacy with Mr. Darcy had been over-rated, Elizabeth had never yet answered Mrs. Gardiner's long letter, but now, having _that_ to communicate which she knew would be most welcome, she was almost ashamed to find, that her uncle and aunt had already lost three days of happiness, and immediately wrote as follows: "I would have thanked you before, my dear aunt, as I ought to have done, for your long, kind, satisfactory, detail of particulars; but to say the truth, I was too cross to write. You supposed more than really existed. But _now_ suppose as much as you chuse; give a loose to your fancy, indulge your imagination in every possible flight which the subject will afford, and unless you believe me actually married, you cannot greatly err. You must write again very soon, and praise him a great deal more than you did in your last. I thank you, again and again, for not going to the Lakes. How could I be so silly as to wish it! Your idea of the ponies is delightful. We will go round the Park every day. I am the happiest creature in the world. Perhaps other people have said so before, but not one with such justice. I am happier even than Jane; she only smiles, I laugh. Mr. Darcy sends you all the love in the world, that he can spare from me. You are all to come to Pemberley at Christmas. Your's, &c." Mr. Darcy's letter to Lady Catherine, was in a different style; and still different from either, was what Mr. Bennet sent to Mr. Collins, in reply to his last. "DEAR SIR," "I must trouble you once more for congratulations. Elizabeth will soon be the wife of Mr. Darcy. Console Lady Catherine as well as you can. But, if I were you, I would stand by the nephew. He has more to give." "Your's sincerely, &c." Miss Bingley's congratulations to her brother, on his approaching marriage, were all that was affectionate and insincere. She wrote even to Jane on the occasion, to express her delight, and repeat all her former professions of regard. Jane was not deceived, but she was affected; and though feeling no reliance on her, could not help writing her a much kinder answer than she knew was deserved. The joy which Miss Darcy expressed on receiving similar information, was as sincere as her brother's in sending it. Four sides of paper were insufficient to contain all her delight, and all her earnest desire of being loved by her sister. Before any answer could arrive from Mr. Collins, or any congratulations to Elizabeth, from his wife, the Longbourn family heard that the Collinses were come themselves to Lucas lodge. The reason of this sudden removal was soon evident. Lady Catherine had been rendered so exceedingly angry by the contents of her nephew's letter, that Charlotte, really rejoicing in the match, was anxious to get away till the storm was blown over. At such a moment, the arrival of her friend was a sincere pleasure to Elizabeth, though in the course of their meetings she must sometimes think the pleasure dearly bought, when she saw Mr. Darcy exposed to all the parading and obsequious civility of her husband. He bore it however with admirable calmness. He could even listen to Sir William Lucas, when he complimented him on carrying away the brightest jewel of the country, and expressed his hopes of their all meeting frequently at St. James's, with very decent composure. If he did shrug his shoulders, it was not till Sir William was out of sight. Mrs. Philips's vulgarity was another, and perhaps a greater tax on his forbearance; and though Mrs. Philips, as well as her sister, stood in too much awe of him to speak with the familiarity which Bingley's good humour encouraged, yet, whenever she _did_ speak, she | your affectionate behaviour to Jane, while she was ill at Netherfield?" "Dearest Jane! who could have done less for her? But make a virtue of it by all means. My good qualities are under your protection, and you are to exaggerate them as much as possible; and, in return, it belongs to me to find occasions for teazing and quarrelling with you as often as may be; and I shall begin directly by asking you what made you so unwilling to come to the point at last. What made you so shy of me, when you first called, and afterwards dined here? Why, especially, when you called, did you look as if you did not care about me?" "Because you were grave and silent, and gave me no encouragement." "But I was embarrassed." "And so was I." "You might have talked to me more when you came to dinner." "A man who had felt less, might." "How unlucky that you should have a reasonable answer to give, and that I should be so reasonable as to admit it! But I wonder how long you _would_ have gone on, if you had been left to yourself. I wonder when you _would_ have spoken, if I had not asked you! My resolution of thanking you for your kindness to Lydia had certainly great effect. _Too much_, I am afraid; for what becomes of the moral, if our comfort springs from a breach of promise, for I ought not to have mentioned the subject? This will never do." "You need not distress yourself. The moral will be perfectly fair. Lady Catherine's unjustifiable endeavours to separate us, were the means of removing all my doubts. I am not indebted for my present happiness to your eager desire of expressing your gratitude. I was not in a humour to wait for any opening of your's. My aunt's intelligence had given me hope, and I was determined at once to know every thing."<|quote|>"Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?"</|quote|>"My real purpose was to see _you_, and to judge, if I could, whether I might ever hope to make you love me. My avowed one, or what I avowed to myself, was to see whether your sister were still partial to Bingley, and if she were, to make the confession to him which I have since made." "Shall you ever have courage to announce to Lady Catherine, what is to befall her?" "I am more likely to want time than courage, Elizabeth. But it ought to be done, and if you will give me a sheet of paper, it shall be done directly." "And if I had not a letter to write myself, I might sit by you, and admire the evenness of your writing, as another young lady once did. But I have an aunt, too, who must not be longer neglected." From an unwillingness to confess how much her intimacy with Mr. Darcy had been over-rated, Elizabeth had never yet answered Mrs. Gardiner's long letter, but now, having _that_ to communicate which she knew would be most welcome, she was almost ashamed to find, that her uncle and aunt had already lost three days of happiness, and immediately wrote as follows: "I would have thanked you before, my dear aunt, as I ought to have done, for your long, kind, satisfactory, detail of particulars; but to say the truth, I was too cross to write. You supposed more than really existed. But _now_ suppose as much as you chuse; give a loose to your fancy, indulge your imagination in every possible flight which the subject will afford, and unless you believe me actually married, you cannot greatly err. | Pride And Prejudice |
Although Mr. Bounderby carried it off in these terms, holding the door open for the company to depart, there was a blustering sheepishness upon him, at once extremely crestfallen and superlatively absurd. Detected as the Bully of humility, who had built his windy reputation upon lies, and in his boastfulness had put the honest truth as far away from him as if he had advanced the mean claim (there is no meaner) to tack himself on to a pedigree, he cut a most ridiculous figure. With the people filing off at the door he held, who he knew would carry what had passed to the whole town, to be given to the four winds, he could not have looked a Bully more shorn and forlorn, if he had had his ears cropped. Even that unlucky female, Mrs. Sparsit, fallen from her pinnacle of exultation into the Slough of Despond, was not in so bad a plight as that remarkable man and self-made Humbug, Josiah Bounderby of Coketown. Rachael and Sissy, leaving Mrs. Pegler to occupy a bed at her son's for that night, walked together to the gate of Stone Lodge and there parted. Mr. Gradgrind joined them before they had gone very far, and spoke with much interest of Stephen Blackpool; for whom he thought this signal failure of the suspicions against Mrs. Pegler was likely to work well. As to the whelp; throughout this scene as on all other late occasions, he had stuck close to Bounderby. He seemed to feel that as long as Bounderby could make no discovery without his knowledge, he was so far safe. He never visited his sister, and had only seen her once since she went home: that is to say on the night when he still stuck close to Bounderby, as already related. There was one dim unformed fear lingering about his sister's mind, to which she never gave utterance, which surrounded the graceless and ungrateful boy with a dreadful mystery. The same dark possibility had presented itself in the same shapeless guise, this very day, to Sissy, when Rachael spoke of some one who would be confounded by Stephen's return, having put him out of the way. Louisa had never spoken of harbouring any suspicion of her brother in connexion with the robbery, she and Sissy had held no confidence on the subject, save in that one interchange of looks when the unconscious father rested his gray head on his hand; but it was understood between them, and they both knew it. This other fear was so awful, that it hovered about each of them like a ghostly shadow; neither daring to think of its being near herself, far less of its being near the other. And still the forced spirit which the whelp had plucked up, throve with him. If Stephen Blackpool was not the thief, let him show himself. Why didn't he? Another night. Another day and night. No Stephen Blackpool. Where was the man, and why did he not come back? CHAPTER VI THE STARLIGHT THE Sunday was a bright Sunday in autumn, clear and cool, when early in the morning Sissy and Rachael met, to walk in the country. As Coketown cast ashes not only on its own head but on the neighbourhood's too after the manner of those pious persons who do penance for their own sins by putting other people into sackcloth it was customary for those who now and then thirsted for a draught of pure air, which is not absolutely the most wicked among the vanities of life, to get a few miles away by the railroad, and then begin their walk, or their lounge in the fields. Sissy and Rachael helped themselves out of the smoke by the usual means, and were put down at a station about midway between the town and Mr. Bounderby's retreat. Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. They walked on across the fields and down the shady lanes, sometimes getting over a fragment of a fence so rotten that it dropped at a touch of the foot, sometimes passing near a wreck of bricks and beams overgrown with grass, marking the site of deserted works. They followed paths and tracks, however slight. Mounds where the grass was rank and high, and where brambles, dock-weed, and such-like vegetation, were confusedly heaped together, they always avoided; for dismal stories were told in that country of the old pits hidden beneath such indications. The sun was high when they sat down to rest. They had seen no one, near or distant, for a long time; and the solitude remained unbroken. | No speaker | whether or no. Good evening!"<|quote|>Although Mr. Bounderby carried it off in these terms, holding the door open for the company to depart, there was a blustering sheepishness upon him, at once extremely crestfallen and superlatively absurd. Detected as the Bully of humility, who had built his windy reputation upon lies, and in his boastfulness had put the honest truth as far away from him as if he had advanced the mean claim (there is no meaner) to tack himself on to a pedigree, he cut a most ridiculous figure. With the people filing off at the door he held, who he knew would carry what had passed to the whole town, to be given to the four winds, he could not have looked a Bully more shorn and forlorn, if he had had his ears cropped. Even that unlucky female, Mrs. Sparsit, fallen from her pinnacle of exultation into the Slough of Despond, was not in so bad a plight as that remarkable man and self-made Humbug, Josiah Bounderby of Coketown. Rachael and Sissy, leaving Mrs. Pegler to occupy a bed at her son's for that night, walked together to the gate of Stone Lodge and there parted. Mr. Gradgrind joined them before they had gone very far, and spoke with much interest of Stephen Blackpool; for whom he thought this signal failure of the suspicions against Mrs. Pegler was likely to work well. As to the whelp; throughout this scene as on all other late occasions, he had stuck close to Bounderby. He seemed to feel that as long as Bounderby could make no discovery without his knowledge, he was so far safe. He never visited his sister, and had only seen her once since she went home: that is to say on the night when he still stuck close to Bounderby, as already related. There was one dim unformed fear lingering about his sister's mind, to which she never gave utterance, which surrounded the graceless and ungrateful boy with a dreadful mystery. The same dark possibility had presented itself in the same shapeless guise, this very day, to Sissy, when Rachael spoke of some one who would be confounded by Stephen's return, having put him out of the way. Louisa had never spoken of harbouring any suspicion of her brother in connexion with the robbery, she and Sissy had held no confidence on the subject, save in that one interchange of looks when the unconscious father rested his gray head on his hand; but it was understood between them, and they both knew it. This other fear was so awful, that it hovered about each of them like a ghostly shadow; neither daring to think of its being near herself, far less of its being near the other. And still the forced spirit which the whelp had plucked up, throve with him. If Stephen Blackpool was not the thief, let him show himself. Why didn't he? Another night. Another day and night. No Stephen Blackpool. Where was the man, and why did he not come back? CHAPTER VI THE STARLIGHT THE Sunday was a bright Sunday in autumn, clear and cool, when early in the morning Sissy and Rachael met, to walk in the country. As Coketown cast ashes not only on its own head but on the neighbourhood's too after the manner of those pious persons who do penance for their own sins by putting other people into sackcloth it was customary for those who now and then thirsted for a draught of pure air, which is not absolutely the most wicked among the vanities of life, to get a few miles away by the railroad, and then begin their walk, or their lounge in the fields. Sissy and Rachael helped themselves out of the smoke by the usual means, and were put down at a station about midway between the town and Mr. Bounderby's retreat. Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. They walked on across the fields and down the shady lanes, sometimes getting over a fragment of a fence so rotten that it dropped at a touch of the foot, sometimes passing near a wreck of bricks and beams overgrown with grass, marking the site of deserted works. They followed paths and tracks, however slight. Mounds where the grass was rank and high, and where brambles, dock-weed, and such-like vegetation, were confusedly heaped together, they always avoided; for dismal stories were told in that country of the old pits hidden beneath such indications. The sun was high when they sat down to rest. They had seen no one, near or distant, for a long time; and the solitude remained unbroken.</|quote|>"It is so still here, | hate over-officiousness at all times, whether or no. Good evening!"<|quote|>Although Mr. Bounderby carried it off in these terms, holding the door open for the company to depart, there was a blustering sheepishness upon him, at once extremely crestfallen and superlatively absurd. Detected as the Bully of humility, who had built his windy reputation upon lies, and in his boastfulness had put the honest truth as far away from him as if he had advanced the mean claim (there is no meaner) to tack himself on to a pedigree, he cut a most ridiculous figure. With the people filing off at the door he held, who he knew would carry what had passed to the whole town, to be given to the four winds, he could not have looked a Bully more shorn and forlorn, if he had had his ears cropped. Even that unlucky female, Mrs. Sparsit, fallen from her pinnacle of exultation into the Slough of Despond, was not in so bad a plight as that remarkable man and self-made Humbug, Josiah Bounderby of Coketown. Rachael and Sissy, leaving Mrs. Pegler to occupy a bed at her son's for that night, walked together to the gate of Stone Lodge and there parted. Mr. Gradgrind joined them before they had gone very far, and spoke with much interest of Stephen Blackpool; for whom he thought this signal failure of the suspicions against Mrs. Pegler was likely to work well. As to the whelp; throughout this scene as on all other late occasions, he had stuck close to Bounderby. He seemed to feel that as long as Bounderby could make no discovery without his knowledge, he was so far safe. He never visited his sister, and had only seen her once since she went home: that is to say on the night when he still stuck close to Bounderby, as already related. There was one dim unformed fear lingering about his sister's mind, to which she never gave utterance, which surrounded the graceless and ungrateful boy with a dreadful mystery. The same dark possibility had presented itself in the same shapeless guise, this very day, to Sissy, when Rachael spoke of some one who would be confounded by Stephen's return, having put him out of the way. Louisa had never spoken of harbouring any suspicion of her brother in connexion with the robbery, she and Sissy had held no confidence on the subject, save in that one interchange of looks when the unconscious father rested his gray head on his hand; but it was understood between them, and they both knew it. This other fear was so awful, that it hovered about each of them like a ghostly shadow; neither daring to think of its being near herself, far less of its being near the other. And still the forced spirit which the whelp had plucked up, throve with him. If Stephen Blackpool was not the thief, let him show himself. Why didn't he? Another night. Another day and night. No Stephen Blackpool. Where was the man, and why did he not come back? CHAPTER VI THE STARLIGHT THE Sunday was a bright Sunday in autumn, clear and cool, when early in the morning Sissy and Rachael met, to walk in the country. As Coketown cast ashes not only on its own head but on the neighbourhood's too after the manner of those pious persons who do penance for their own sins by putting other people into sackcloth it was customary for those who now and then thirsted for a draught of pure air, which is not absolutely the most wicked among the vanities of life, to get a few miles away by the railroad, and then begin their walk, or their lounge in the fields. Sissy and Rachael helped themselves out of the smoke by the usual means, and were put down at a station about midway between the town and Mr. Bounderby's retreat. Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. They walked on across the fields and down the shady lanes, sometimes getting over a fragment of a fence so rotten that it dropped at a touch of the foot, sometimes passing near a wreck of bricks and beams overgrown with grass, marking the site of deserted works. They followed paths and tracks, however slight. Mounds where the grass was rank and high, and where brambles, dock-weed, and such-like vegetation, were confusedly heaped together, they always avoided; for dismal stories were told in that country of the old pits hidden beneath such indications. The sun was high when they sat down to rest. They had seen no one, near or distant, for a long time; and the solitude remained unbroken.</|quote|>"It is so still here, Rachael, and the way is | will be disappointed particularly Tom Gradgrind, and he can't know it too soon. In reference to the Bank robbery, there has been a mistake made, concerning my mother. If there hadn't been over-officiousness it wouldn't have been made, and I hate over-officiousness at all times, whether or no. Good evening!"<|quote|>Although Mr. Bounderby carried it off in these terms, holding the door open for the company to depart, there was a blustering sheepishness upon him, at once extremely crestfallen and superlatively absurd. Detected as the Bully of humility, who had built his windy reputation upon lies, and in his boastfulness had put the honest truth as far away from him as if he had advanced the mean claim (there is no meaner) to tack himself on to a pedigree, he cut a most ridiculous figure. With the people filing off at the door he held, who he knew would carry what had passed to the whole town, to be given to the four winds, he could not have looked a Bully more shorn and forlorn, if he had had his ears cropped. Even that unlucky female, Mrs. Sparsit, fallen from her pinnacle of exultation into the Slough of Despond, was not in so bad a plight as that remarkable man and self-made Humbug, Josiah Bounderby of Coketown. Rachael and Sissy, leaving Mrs. Pegler to occupy a bed at her son's for that night, walked together to the gate of Stone Lodge and there parted. Mr. Gradgrind joined them before they had gone very far, and spoke with much interest of Stephen Blackpool; for whom he thought this signal failure of the suspicions against Mrs. Pegler was likely to work well. As to the whelp; throughout this scene as on all other late occasions, he had stuck close to Bounderby. He seemed to feel that as long as Bounderby could make no discovery without his knowledge, he was so far safe. He never visited his sister, and had only seen her once since she went home: that is to say on the night when he still stuck close to Bounderby, as already related. There was one dim unformed fear lingering about his sister's mind, to which she never gave utterance, which surrounded the graceless and ungrateful boy with a dreadful mystery. The same dark possibility had presented itself in the same shapeless guise, this very day, to Sissy, when Rachael spoke of some one who would be confounded by Stephen's return, having put him out of the way. Louisa had never spoken of harbouring any suspicion of her brother in connexion with the robbery, she and Sissy had held no confidence on the subject, save in that one interchange of looks when the unconscious father rested his gray head on his hand; but it was understood between them, and they both knew it. This other fear was so awful, that it hovered about each of them like a ghostly shadow; neither daring to think of its being near herself, far less of its being near the other. And still the forced spirit which the whelp had plucked up, throve with him. If Stephen Blackpool was not the thief, let him show himself. Why didn't he? Another night. Another day and night. No Stephen Blackpool. Where was the man, and why did he not come back? CHAPTER VI THE STARLIGHT THE Sunday was a bright Sunday in autumn, clear and cool, when early in the morning Sissy and Rachael met, to walk in the country. As Coketown cast ashes not only on its own head but on the neighbourhood's too after the manner of those pious persons who do penance for their own sins by putting other people into sackcloth it was customary for those who now and then thirsted for a draught of pure air, which is not absolutely the most wicked among the vanities of life, to get a few miles away by the railroad, and then begin their walk, or their lounge in the fields. Sissy and Rachael helped themselves out of the smoke by the usual means, and were put down at a station about midway between the town and Mr. Bounderby's retreat. Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. They walked on across the fields and down the shady lanes, sometimes getting over a fragment of a fence so rotten that it dropped at a touch of the foot, sometimes passing near a wreck of bricks and beams overgrown with grass, marking the site of deserted works. They followed paths and tracks, however slight. Mounds where the grass was rank and high, and where brambles, dock-weed, and such-like vegetation, were confusedly heaped together, they always avoided; for dismal stories were told in that country of the old pits hidden beneath such indications. The sun was high when they sat down to rest. They had seen no one, near or distant, for a long time; and the solitude remained unbroken.</|quote|>"It is so still here, Rachael, and the way is so untrodden, that I think we must be the first who have been here all the summer." As Sissy said it, her eyes were attracted by another of those rotten fragments of fence upon the ground. She got up to | satisfied or not, perhaps they'll be so good as to disperse. I'm not bound to deliver a lecture on my family affairs, I have not undertaken to do it, and I'm not a going to do it. Therefore those who expect any explanation whatever upon that branch of the subject, will be disappointed particularly Tom Gradgrind, and he can't know it too soon. In reference to the Bank robbery, there has been a mistake made, concerning my mother. If there hadn't been over-officiousness it wouldn't have been made, and I hate over-officiousness at all times, whether or no. Good evening!"<|quote|>Although Mr. Bounderby carried it off in these terms, holding the door open for the company to depart, there was a blustering sheepishness upon him, at once extremely crestfallen and superlatively absurd. Detected as the Bully of humility, who had built his windy reputation upon lies, and in his boastfulness had put the honest truth as far away from him as if he had advanced the mean claim (there is no meaner) to tack himself on to a pedigree, he cut a most ridiculous figure. With the people filing off at the door he held, who he knew would carry what had passed to the whole town, to be given to the four winds, he could not have looked a Bully more shorn and forlorn, if he had had his ears cropped. Even that unlucky female, Mrs. Sparsit, fallen from her pinnacle of exultation into the Slough of Despond, was not in so bad a plight as that remarkable man and self-made Humbug, Josiah Bounderby of Coketown. Rachael and Sissy, leaving Mrs. Pegler to occupy a bed at her son's for that night, walked together to the gate of Stone Lodge and there parted. Mr. Gradgrind joined them before they had gone very far, and spoke with much interest of Stephen Blackpool; for whom he thought this signal failure of the suspicions against Mrs. Pegler was likely to work well. As to the whelp; throughout this scene as on all other late occasions, he had stuck close to Bounderby. He seemed to feel that as long as Bounderby could make no discovery without his knowledge, he was so far safe. He never visited his sister, and had only seen her once since she went home: that is to say on the night when he still stuck close to Bounderby, as already related. There was one dim unformed fear lingering about his sister's mind, to which she never gave utterance, which surrounded the graceless and ungrateful boy with a dreadful mystery. The same dark possibility had presented itself in the same shapeless guise, this very day, to Sissy, when Rachael spoke of some one who would be confounded by Stephen's return, having put him out of the way. Louisa had never spoken of harbouring any suspicion of her brother in connexion with the robbery, she and Sissy had held no confidence on the subject, save in that one interchange of looks when the unconscious father rested his gray head on his hand; but it was understood between them, and they both knew it. This other fear was so awful, that it hovered about each of them like a ghostly shadow; neither daring to think of its being near herself, far less of its being near the other. And still the forced spirit which the whelp had plucked up, throve with him. If Stephen Blackpool was not the thief, let him show himself. Why didn't he? Another night. Another day and night. No Stephen Blackpool. Where was the man, and why did he not come back? CHAPTER VI THE STARLIGHT THE Sunday was a bright Sunday in autumn, clear and cool, when early in the morning Sissy and Rachael met, to walk in the country. As Coketown cast ashes not only on its own head but on the neighbourhood's too after the manner of those pious persons who do penance for their own sins by putting other people into sackcloth it was customary for those who now and then thirsted for a draught of pure air, which is not absolutely the most wicked among the vanities of life, to get a few miles away by the railroad, and then begin their walk, or their lounge in the fields. Sissy and Rachael helped themselves out of the smoke by the usual means, and were put down at a station about midway between the town and Mr. Bounderby's retreat. Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. They walked on across the fields and down the shady lanes, sometimes getting over a fragment of a fence so rotten that it dropped at a touch of the foot, sometimes passing near a wreck of bricks and beams overgrown with grass, marking the site of deserted works. They followed paths and tracks, however slight. Mounds where the grass was rank and high, and where brambles, dock-weed, and such-like vegetation, were confusedly heaped together, they always avoided; for dismal stories were told in that country of the old pits hidden beneath such indications. The sun was high when they sat down to rest. They had seen no one, near or distant, for a long time; and the solitude remained unbroken.</|quote|>"It is so still here, Rachael, and the way is so untrodden, that I think we must be the first who have been here all the summer." As Sissy said it, her eyes were attracted by another of those rotten fragments of fence upon the ground. She got up to look at it. "And yet I don't know. This has not been broken very long. The wood is quite fresh where it gave way. Here are footsteps too. O Rachael!" She ran back, and caught her round the neck. Rachael had already started up. "What is the matter?" "I don't | son standing here to tell you so different!" The bystanders, on and off the dining-room chairs, raised a murmur of sympathy with Mrs. Pegler, and Mr. Gradgrind felt himself innocently placed in a very distressing predicament, when Mr. Bounderby, who had never ceased walking up and down, and had every moment swelled larger and larger, and grown redder and redder, stopped short. "I don't exactly know," said Mr. Bounderby, "how I come to be favoured with the attendance of the present company, but I don't inquire. When they're quite satisfied, perhaps they'll be so good as to disperse; whether they're satisfied or not, perhaps they'll be so good as to disperse. I'm not bound to deliver a lecture on my family affairs, I have not undertaken to do it, and I'm not a going to do it. Therefore those who expect any explanation whatever upon that branch of the subject, will be disappointed particularly Tom Gradgrind, and he can't know it too soon. In reference to the Bank robbery, there has been a mistake made, concerning my mother. If there hadn't been over-officiousness it wouldn't have been made, and I hate over-officiousness at all times, whether or no. Good evening!"<|quote|>Although Mr. Bounderby carried it off in these terms, holding the door open for the company to depart, there was a blustering sheepishness upon him, at once extremely crestfallen and superlatively absurd. Detected as the Bully of humility, who had built his windy reputation upon lies, and in his boastfulness had put the honest truth as far away from him as if he had advanced the mean claim (there is no meaner) to tack himself on to a pedigree, he cut a most ridiculous figure. With the people filing off at the door he held, who he knew would carry what had passed to the whole town, to be given to the four winds, he could not have looked a Bully more shorn and forlorn, if he had had his ears cropped. Even that unlucky female, Mrs. Sparsit, fallen from her pinnacle of exultation into the Slough of Despond, was not in so bad a plight as that remarkable man and self-made Humbug, Josiah Bounderby of Coketown. Rachael and Sissy, leaving Mrs. Pegler to occupy a bed at her son's for that night, walked together to the gate of Stone Lodge and there parted. Mr. Gradgrind joined them before they had gone very far, and spoke with much interest of Stephen Blackpool; for whom he thought this signal failure of the suspicions against Mrs. Pegler was likely to work well. As to the whelp; throughout this scene as on all other late occasions, he had stuck close to Bounderby. He seemed to feel that as long as Bounderby could make no discovery without his knowledge, he was so far safe. He never visited his sister, and had only seen her once since she went home: that is to say on the night when he still stuck close to Bounderby, as already related. There was one dim unformed fear lingering about his sister's mind, to which she never gave utterance, which surrounded the graceless and ungrateful boy with a dreadful mystery. The same dark possibility had presented itself in the same shapeless guise, this very day, to Sissy, when Rachael spoke of some one who would be confounded by Stephen's return, having put him out of the way. Louisa had never spoken of harbouring any suspicion of her brother in connexion with the robbery, she and Sissy had held no confidence on the subject, save in that one interchange of looks when the unconscious father rested his gray head on his hand; but it was understood between them, and they both knew it. This other fear was so awful, that it hovered about each of them like a ghostly shadow; neither daring to think of its being near herself, far less of its being near the other. And still the forced spirit which the whelp had plucked up, throve with him. If Stephen Blackpool was not the thief, let him show himself. Why didn't he? Another night. Another day and night. No Stephen Blackpool. Where was the man, and why did he not come back? CHAPTER VI THE STARLIGHT THE Sunday was a bright Sunday in autumn, clear and cool, when early in the morning Sissy and Rachael met, to walk in the country. As Coketown cast ashes not only on its own head but on the neighbourhood's too after the manner of those pious persons who do penance for their own sins by putting other people into sackcloth it was customary for those who now and then thirsted for a draught of pure air, which is not absolutely the most wicked among the vanities of life, to get a few miles away by the railroad, and then begin their walk, or their lounge in the fields. Sissy and Rachael helped themselves out of the smoke by the usual means, and were put down at a station about midway between the town and Mr. Bounderby's retreat. Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. They walked on across the fields and down the shady lanes, sometimes getting over a fragment of a fence so rotten that it dropped at a touch of the foot, sometimes passing near a wreck of bricks and beams overgrown with grass, marking the site of deserted works. They followed paths and tracks, however slight. Mounds where the grass was rank and high, and where brambles, dock-weed, and such-like vegetation, were confusedly heaped together, they always avoided; for dismal stories were told in that country of the old pits hidden beneath such indications. The sun was high when they sat down to rest. They had seen no one, near or distant, for a long time; and the solitude remained unbroken.</|quote|>"It is so still here, Rachael, and the way is so untrodden, that I think we must be the first who have been here all the summer." As Sissy said it, her eyes were attracted by another of those rotten fragments of fence upon the ground. She got up to look at it. "And yet I don't know. This has not been broken very long. The wood is quite fresh where it gave way. Here are footsteps too. O Rachael!" She ran back, and caught her round the neck. Rachael had already started up. "What is the matter?" "I don't know. There is a hat lying in the grass." They went forward together. Rachael took it up, shaking from head to foot. She broke into a passion of tears and lamentations: Stephen Blackpool was written in his own hand on the inside. "O the poor lad, the poor lad! He has been made away with. He is lying murdered here!" "Is there has the hat any blood upon it?" Sissy faltered. They were afraid to look; but they did examine it, and found no mark of violence, inside or out. It had been lying there some days, for rain and | but a little village shop, he never forgot her, but pensioned me on thirty pound a year more than I want, for I put by out of it only making the condition that I was to keep down in my own part, and make no boasts about him, and not trouble him. And I never have, except with looking at him once a year, when he has never knowed it. And it's right," said poor old Mrs. Pegler, in affectionate championship, "that I _should_ keep down in my own part, and I have no doubts that if I was here I should do a many unbefitting things, and I am well contented, and I can keep my pride in my Josiah to myself, and I can love for love's own sake! And I am ashamed of you, sir," said Mrs. Pegler, lastly, "for your slanders and suspicions. And I never stood here before, nor never wanted to stand here when my dear son said no. And I shouldn't be here now, if it hadn't been for being brought here. And for shame upon you, Oh, for shame, to accuse me of being a bad mother to my son, with my son standing here to tell you so different!" The bystanders, on and off the dining-room chairs, raised a murmur of sympathy with Mrs. Pegler, and Mr. Gradgrind felt himself innocently placed in a very distressing predicament, when Mr. Bounderby, who had never ceased walking up and down, and had every moment swelled larger and larger, and grown redder and redder, stopped short. "I don't exactly know," said Mr. Bounderby, "how I come to be favoured with the attendance of the present company, but I don't inquire. When they're quite satisfied, perhaps they'll be so good as to disperse; whether they're satisfied or not, perhaps they'll be so good as to disperse. I'm not bound to deliver a lecture on my family affairs, I have not undertaken to do it, and I'm not a going to do it. Therefore those who expect any explanation whatever upon that branch of the subject, will be disappointed particularly Tom Gradgrind, and he can't know it too soon. In reference to the Bank robbery, there has been a mistake made, concerning my mother. If there hadn't been over-officiousness it wouldn't have been made, and I hate over-officiousness at all times, whether or no. Good evening!"<|quote|>Although Mr. Bounderby carried it off in these terms, holding the door open for the company to depart, there was a blustering sheepishness upon him, at once extremely crestfallen and superlatively absurd. Detected as the Bully of humility, who had built his windy reputation upon lies, and in his boastfulness had put the honest truth as far away from him as if he had advanced the mean claim (there is no meaner) to tack himself on to a pedigree, he cut a most ridiculous figure. With the people filing off at the door he held, who he knew would carry what had passed to the whole town, to be given to the four winds, he could not have looked a Bully more shorn and forlorn, if he had had his ears cropped. Even that unlucky female, Mrs. Sparsit, fallen from her pinnacle of exultation into the Slough of Despond, was not in so bad a plight as that remarkable man and self-made Humbug, Josiah Bounderby of Coketown. Rachael and Sissy, leaving Mrs. Pegler to occupy a bed at her son's for that night, walked together to the gate of Stone Lodge and there parted. Mr. Gradgrind joined them before they had gone very far, and spoke with much interest of Stephen Blackpool; for whom he thought this signal failure of the suspicions against Mrs. Pegler was likely to work well. As to the whelp; throughout this scene as on all other late occasions, he had stuck close to Bounderby. He seemed to feel that as long as Bounderby could make no discovery without his knowledge, he was so far safe. He never visited his sister, and had only seen her once since she went home: that is to say on the night when he still stuck close to Bounderby, as already related. There was one dim unformed fear lingering about his sister's mind, to which she never gave utterance, which surrounded the graceless and ungrateful boy with a dreadful mystery. The same dark possibility had presented itself in the same shapeless guise, this very day, to Sissy, when Rachael spoke of some one who would be confounded by Stephen's return, having put him out of the way. Louisa had never spoken of harbouring any suspicion of her brother in connexion with the robbery, she and Sissy had held no confidence on the subject, save in that one interchange of looks when the unconscious father rested his gray head on his hand; but it was understood between them, and they both knew it. This other fear was so awful, that it hovered about each of them like a ghostly shadow; neither daring to think of its being near herself, far less of its being near the other. And still the forced spirit which the whelp had plucked up, throve with him. If Stephen Blackpool was not the thief, let him show himself. Why didn't he? Another night. Another day and night. No Stephen Blackpool. Where was the man, and why did he not come back? CHAPTER VI THE STARLIGHT THE Sunday was a bright Sunday in autumn, clear and cool, when early in the morning Sissy and Rachael met, to walk in the country. As Coketown cast ashes not only on its own head but on the neighbourhood's too after the manner of those pious persons who do penance for their own sins by putting other people into sackcloth it was customary for those who now and then thirsted for a draught of pure air, which is not absolutely the most wicked among the vanities of life, to get a few miles away by the railroad, and then begin their walk, or their lounge in the fields. Sissy and Rachael helped themselves out of the smoke by the usual means, and were put down at a station about midway between the town and Mr. Bounderby's retreat. Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. They walked on across the fields and down the shady lanes, sometimes getting over a fragment of a fence so rotten that it dropped at a touch of the foot, sometimes passing near a wreck of bricks and beams overgrown with grass, marking the site of deserted works. They followed paths and tracks, however slight. Mounds where the grass was rank and high, and where brambles, dock-weed, and such-like vegetation, were confusedly heaped together, they always avoided; for dismal stories were told in that country of the old pits hidden beneath such indications. The sun was high when they sat down to rest. They had seen no one, near or distant, for a long time; and the solitude remained unbroken.</|quote|>"It is so still here, Rachael, and the way is so untrodden, that I think we must be the first who have been here all the summer." As Sissy said it, her eyes were attracted by another of those rotten fragments of fence upon the ground. She got up to look at it. "And yet I don't know. This has not been broken very long. The wood is quite fresh where it gave way. Here are footsteps too. O Rachael!" She ran back, and caught her round the neck. Rachael had already started up. "What is the matter?" "I don't know. There is a hat lying in the grass." They went forward together. Rachael took it up, shaking from head to foot. She broke into a passion of tears and lamentations: Stephen Blackpool was written in his own hand on the inside. "O the poor lad, the poor lad! He has been made away with. He is lying murdered here!" "Is there has the hat any blood upon it?" Sissy faltered. They were afraid to look; but they did examine it, and found no mark of violence, inside or out. It had been lying there some days, for rain and dew had stained it, and the mark of its shape was on the grass where it had fallen. They looked fearfully about them, without moving, but could see nothing more. "Rachael," Sissy whispered, "I will go on a little by myself." She had unclasped her hand, and was in the act of stepping forward, when Rachael caught her in both arms with a scream that resounded over the wide landscape. Before them, at their very feet, was the brink of a black ragged chasm hidden by the thick grass. They sprang back, and fell upon their knees, each hiding her face upon the other's neck. "O, my good Lord! He's down there! Down there!" At first this, and her terrific screams, were all that could be got from Rachael, by any tears, by any prayers, by any representations, by any means. It was impossible to hush her; and it was deadly necessary to hold her, or she would have flung herself down the shaft. "Rachael, dear Rachael, good Rachael, for the love of Heaven, not these dreadful cries! Think of Stephen, think of Stephen, think of Stephen!" By an earnest repetition of this entreaty, poured out in all the agony | long dining-table, while the spectators greedily took in every syllable of Mrs. Pegler's appeal, and at each succeeding syllable became more and more round-eyed. Mr. Bounderby still walking up and down when Mrs. Pegler had done, Mr. Gradgrind addressed that maligned old lady: "I am surprised, madam," he observed with severity, "that in your old age you have the face to claim Mr. Bounderby for your son, after your unnatural and inhuman treatment of him." "_Me_ unnatural!" cried poor old Mrs. Pegler. "_Me_ inhuman! To my dear boy?" "Dear!" repeated Mr. Gradgrind. "Yes; dear in his self-made prosperity, madam, I dare say. Not very dear, however, when you deserted him in his infancy, and left him to the brutality of a drunken grandmother." "_I_ deserted my Josiah!" cried Mrs. Pegler, clasping her hands. "Now, Lord forgive you, sir, for your wicked imaginations, and for your scandal against the memory of my poor mother, who died in my arms before Josiah was born. May you repent of it, sir, and live to know better!" She was so very earnest and injured, that Mr. Gradgrind, shocked by the possibility which dawned upon him, said in a gentler tone: "Do you deny, then, madam, that you left your son to to be brought up in the gutter?" "Josiah in the gutter!" exclaimed Mrs. Pegler. "No such a thing, sir. Never! For shame on you! My dear boy knows, and will give _you_ to know, that though he come of humble parents, he come of parents that loved him as dear as the best could, and never thought it hardship on themselves to pinch a bit that he might write and cipher beautiful, and I've his books at home to show it! Aye, have I!" said Mrs. Pegler, with indignant pride. "And my dear boy knows, and will give _you_ to know, sir, that after his beloved father died, when he was eight years old, his mother, too, could pinch a bit, as it was her duty and her pleasure and her pride to do it, to help him out in life, and put him 'prentice. And a steady lad he was, and a kind master he had to lend him a hand, and well he worked his own way forward to be rich and thriving. And _I_'ll give you to know, sir for this my dear boy won't that though his mother kept but a little village shop, he never forgot her, but pensioned me on thirty pound a year more than I want, for I put by out of it only making the condition that I was to keep down in my own part, and make no boasts about him, and not trouble him. And I never have, except with looking at him once a year, when he has never knowed it. And it's right," said poor old Mrs. Pegler, in affectionate championship, "that I _should_ keep down in my own part, and I have no doubts that if I was here I should do a many unbefitting things, and I am well contented, and I can keep my pride in my Josiah to myself, and I can love for love's own sake! And I am ashamed of you, sir," said Mrs. Pegler, lastly, "for your slanders and suspicions. And I never stood here before, nor never wanted to stand here when my dear son said no. And I shouldn't be here now, if it hadn't been for being brought here. And for shame upon you, Oh, for shame, to accuse me of being a bad mother to my son, with my son standing here to tell you so different!" The bystanders, on and off the dining-room chairs, raised a murmur of sympathy with Mrs. Pegler, and Mr. Gradgrind felt himself innocently placed in a very distressing predicament, when Mr. Bounderby, who had never ceased walking up and down, and had every moment swelled larger and larger, and grown redder and redder, stopped short. "I don't exactly know," said Mr. Bounderby, "how I come to be favoured with the attendance of the present company, but I don't inquire. When they're quite satisfied, perhaps they'll be so good as to disperse; whether they're satisfied or not, perhaps they'll be so good as to disperse. I'm not bound to deliver a lecture on my family affairs, I have not undertaken to do it, and I'm not a going to do it. Therefore those who expect any explanation whatever upon that branch of the subject, will be disappointed particularly Tom Gradgrind, and he can't know it too soon. In reference to the Bank robbery, there has been a mistake made, concerning my mother. If there hadn't been over-officiousness it wouldn't have been made, and I hate over-officiousness at all times, whether or no. Good evening!"<|quote|>Although Mr. Bounderby carried it off in these terms, holding the door open for the company to depart, there was a blustering sheepishness upon him, at once extremely crestfallen and superlatively absurd. Detected as the Bully of humility, who had built his windy reputation upon lies, and in his boastfulness had put the honest truth as far away from him as if he had advanced the mean claim (there is no meaner) to tack himself on to a pedigree, he cut a most ridiculous figure. With the people filing off at the door he held, who he knew would carry what had passed to the whole town, to be given to the four winds, he could not have looked a Bully more shorn and forlorn, if he had had his ears cropped. Even that unlucky female, Mrs. Sparsit, fallen from her pinnacle of exultation into the Slough of Despond, was not in so bad a plight as that remarkable man and self-made Humbug, Josiah Bounderby of Coketown. Rachael and Sissy, leaving Mrs. Pegler to occupy a bed at her son's for that night, walked together to the gate of Stone Lodge and there parted. Mr. Gradgrind joined them before they had gone very far, and spoke with much interest of Stephen Blackpool; for whom he thought this signal failure of the suspicions against Mrs. Pegler was likely to work well. As to the whelp; throughout this scene as on all other late occasions, he had stuck close to Bounderby. He seemed to feel that as long as Bounderby could make no discovery without his knowledge, he was so far safe. He never visited his sister, and had only seen her once since she went home: that is to say on the night when he still stuck close to Bounderby, as already related. There was one dim unformed fear lingering about his sister's mind, to which she never gave utterance, which surrounded the graceless and ungrateful boy with a dreadful mystery. The same dark possibility had presented itself in the same shapeless guise, this very day, to Sissy, when Rachael spoke of some one who would be confounded by Stephen's return, having put him out of the way. Louisa had never spoken of harbouring any suspicion of her brother in connexion with the robbery, she and Sissy had held no confidence on the subject, save in that one interchange of looks when the unconscious father rested his gray head on his hand; but it was understood between them, and they both knew it. This other fear was so awful, that it hovered about each of them like a ghostly shadow; neither daring to think of its being near herself, far less of its being near the other. And still the forced spirit which the whelp had plucked up, throve with him. If Stephen Blackpool was not the thief, let him show himself. Why didn't he? Another night. Another day and night. No Stephen Blackpool. Where was the man, and why did he not come back? CHAPTER VI THE STARLIGHT THE Sunday was a bright Sunday in autumn, clear and cool, when early in the morning Sissy and Rachael met, to walk in the country. As Coketown cast ashes not only on its own head but on the neighbourhood's too after the manner of those pious persons who do penance for their own sins by putting other people into sackcloth it was customary for those who now and then thirsted for a draught of pure air, which is not absolutely the most wicked among the vanities of life, to get a few miles away by the railroad, and then begin their walk, or their lounge in the fields. Sissy and Rachael helped themselves out of the smoke by the usual means, and were put down at a station about midway between the town and Mr. Bounderby's retreat. Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. They walked on across the fields and down the shady lanes, sometimes getting over a fragment of a fence so rotten that it dropped at a touch of the foot, sometimes passing near a wreck of bricks and beams overgrown with grass, marking the site of deserted works. They followed paths and tracks, however slight. Mounds where the grass was rank and high, and where brambles, dock-weed, and such-like vegetation, were confusedly heaped together, they always avoided; for dismal stories were told in that country of the old pits hidden beneath such indications. The sun was high when they sat down to rest. They had seen no one, near or distant, for a long time; and the solitude remained unbroken.</|quote|>"It is so still here, Rachael, and the way is so untrodden, that I think we must be the first who have been here all the summer." As Sissy said it, her eyes were attracted by another of those rotten fragments of fence upon the ground. She got up to look at it. "And yet I don't know. This has not been broken very long. The wood is quite fresh where it gave way. Here are footsteps too. O Rachael!" She ran back, and caught her round the neck. Rachael had already started up. "What is the matter?" "I don't know. There is a hat lying in the grass." They went forward together. Rachael took it up, shaking from head to foot. She broke into a passion of tears and lamentations: Stephen Blackpool was written in his own hand on the inside. "O the poor lad, the poor lad! He has been made away with. He is lying murdered here!" "Is there has the hat any blood upon it?" Sissy faltered. They were afraid to look; but they did examine it, and found no mark of violence, inside or out. It had been lying there some days, for rain and dew had stained it, and the mark of its shape was on the grass where it had fallen. They looked fearfully about them, without moving, but could see nothing more. "Rachael," Sissy whispered, "I will go on a little by myself." She had unclasped her hand, and was in the act of stepping forward, when Rachael caught her in both arms with a scream that resounded over the wide landscape. Before them, at their very feet, was the brink of a black ragged chasm hidden by the thick grass. They sprang back, and fell upon their knees, each hiding her face upon the other's neck. "O, my good Lord! He's down there! Down there!" At first this, and her terrific screams, were all that could be got from Rachael, by any tears, by any prayers, by any representations, by any means. It was impossible to hush her; and it was deadly necessary to hold her, or she would have flung herself down the shaft. "Rachael, dear Rachael, good Rachael, for the love of Heaven, not these dreadful cries! Think of Stephen, think of Stephen, think of Stephen!" By an earnest repetition of this entreaty, poured out in all the agony of such a moment, Sissy at last brought her to be silent, and to look at her with a tearless face of stone. "Rachael, Stephen may be living. You wouldn't leave him lying maimed at the bottom of this dreadful place, a moment, if you could bring help to him?" "No, no, no!" "Don't stir from here, for his sake! Let me go and listen." She shuddered to approach the pit; but she crept towards it on her hands and knees, and called to him as loud as she could call. She listened, but no sound replied. She called again and listened; still no answering sound. She did this, twenty, thirty times. She took a little clod of earth from the broken ground where he had stumbled, and threw it in. She could not hear it fall. The wide prospect, so beautiful in its stillness but a few minutes ago, almost carried despair to her brave heart, as she rose and looked all round her, seeing no help. "Rachael, we must lose not a moment. We must go in different directions, seeking aid. You shall go by the way we have come, and I will go forward by the path. Tell any one you see, and every one what has happened. Think of Stephen, think of Stephen!" She knew by Rachael's face that she might trust her now. And after standing for a moment to see her running, wringing her hands as she ran, she turned and went upon her own search; she stopped at the hedge to tie her shawl there as a guide to the place, then threw her bonnet aside, and ran as she had never run before. Run, Sissy, run, in Heaven's name! Don't stop for breath. Run, run! Quickening herself by carrying such entreaties in her thoughts, she ran from field to field, and lane to lane, and place to place, as she had never run before; until she came to a shed by an engine-house, where two men lay in the shade, asleep on straw. First to wake them, and next to tell them, all so wild and breathless as she was, what had brought her there, were difficulties; but they no sooner understood her than their spirits were on fire like hers. One of the men was in a drunken slumber, but on his comrade's shouting to him that a man had fallen | of you, sir," said Mrs. Pegler, lastly, "for your slanders and suspicions. And I never stood here before, nor never wanted to stand here when my dear son said no. And I shouldn't be here now, if it hadn't been for being brought here. And for shame upon you, Oh, for shame, to accuse me of being a bad mother to my son, with my son standing here to tell you so different!" The bystanders, on and off the dining-room chairs, raised a murmur of sympathy with Mrs. Pegler, and Mr. Gradgrind felt himself innocently placed in a very distressing predicament, when Mr. Bounderby, who had never ceased walking up and down, and had every moment swelled larger and larger, and grown redder and redder, stopped short. "I don't exactly know," said Mr. Bounderby, "how I come to be favoured with the attendance of the present company, but I don't inquire. When they're quite satisfied, perhaps they'll be so good as to disperse; whether they're satisfied or not, perhaps they'll be so good as to disperse. I'm not bound to deliver a lecture on my family affairs, I have not undertaken to do it, and I'm not a going to do it. Therefore those who expect any explanation whatever upon that branch of the subject, will be disappointed particularly Tom Gradgrind, and he can't know it too soon. In reference to the Bank robbery, there has been a mistake made, concerning my mother. If there hadn't been over-officiousness it wouldn't have been made, and I hate over-officiousness at all times, whether or no. Good evening!"<|quote|>Although Mr. Bounderby carried it off in these terms, holding the door open for the company to depart, there was a blustering sheepishness upon him, at once extremely crestfallen and superlatively absurd. Detected as the Bully of humility, who had built his windy reputation upon lies, and in his boastfulness had put the honest truth as far away from him as if he had advanced the mean claim (there is no meaner) to tack himself on to a pedigree, he cut a most ridiculous figure. With the people filing off at the door he held, who he knew would carry what had passed to the whole town, to be given to the four winds, he could not have looked a Bully more shorn and forlorn, if he had had his ears cropped. Even that unlucky female, Mrs. Sparsit, fallen from her pinnacle of exultation into the Slough of Despond, was not in so bad a plight as that remarkable man and self-made Humbug, Josiah Bounderby of Coketown. Rachael and Sissy, leaving Mrs. Pegler to occupy a bed at her son's for that night, walked together to the gate of Stone Lodge and there parted. Mr. Gradgrind joined them before they had gone very far, and spoke with much interest of Stephen Blackpool; for whom he thought this signal failure of the suspicions against Mrs. Pegler was likely to work well. As to the whelp; throughout this scene as on all other late occasions, he had stuck close to Bounderby. He seemed to feel that as long as Bounderby could make no discovery without his knowledge, he was so far safe. He never visited his sister, and had only seen her once since she went home: that is to say on the night when he still stuck close to Bounderby, as already related. There was one dim unformed fear lingering about his sister's mind, to which she never gave utterance, which surrounded the graceless and ungrateful boy with a dreadful mystery. The same dark possibility had presented itself in the same shapeless guise, this very day, to Sissy, when Rachael spoke of some one who would be confounded by Stephen's return, having put him out of the way. Louisa had never spoken of harbouring any suspicion of her brother in connexion with the robbery, she and Sissy had held no confidence on the subject, save in that one interchange of looks when the unconscious father rested his gray head on his hand; but it was understood between them, and they both knew it. This other fear was so awful, that it hovered about each of them like a ghostly shadow; neither daring to think of its being near herself, far less of its being near the other. And still the forced spirit which the whelp had plucked up, throve with him. If Stephen Blackpool was not the thief, let him show himself. Why didn't he? Another night. Another day and night. No Stephen Blackpool. Where was the man, and why did he not come back? CHAPTER VI THE STARLIGHT THE Sunday was a bright Sunday in autumn, clear and cool, when early in the morning Sissy and Rachael met, to walk in the country. As Coketown cast ashes not only on its own head but on the neighbourhood's too after the manner of those pious persons who do penance for their own sins by putting other people into sackcloth it was customary for those who now and then thirsted for a draught of pure air, which is not absolutely the most wicked among the vanities of life, to get a few miles away by the railroad, and then begin their walk, or their lounge in the fields. Sissy and Rachael helped themselves out of the smoke by the usual means, and were put down at a station about midway between the town and Mr. Bounderby's retreat. Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. They walked on across the fields and down the shady lanes, sometimes getting over a fragment of a fence so rotten that it dropped at a touch of the foot, sometimes passing near a wreck of bricks and beams overgrown with grass, marking the site of deserted works. They followed paths and tracks, however slight. Mounds where the grass was rank and high, and where brambles, dock-weed, and such-like vegetation, were confusedly heaped together, they always avoided; for dismal stories were told in that country of the old pits hidden beneath such indications. The sun was high when they sat down to rest. They had seen no one, near or distant, for a long time; and the solitude remained unbroken.</|quote|>"It is so still here, Rachael, and the way is so untrodden, that I think we must be the first who have been here all the summer." As Sissy said it, her eyes were attracted by another of those rotten fragments of fence upon the ground. She got up to look at it. "And yet I don't know. This has not been broken very long. The wood is quite fresh where it gave way. Here are footsteps too. O Rachael!" She ran back, and caught her round the neck. Rachael had already started up. "What is the matter?" "I don't know. There is a hat lying in the grass." They went forward together. Rachael took it up, shaking from head to foot. She broke into a passion of tears and lamentations: Stephen Blackpool was written in his own hand on the inside. "O the poor lad, the poor lad! He has been made away with. He is lying murdered here!" "Is there has the hat any blood upon it?" Sissy faltered. They were afraid to look; but they did examine it, and found no mark of violence, inside or out. It had been lying there some days, for rain and dew had stained it, and the mark of its shape was on the grass where it had fallen. They looked fearfully about them, without moving, but could see nothing more. "Rachael," Sissy whispered, "I will go on a little by myself." She had unclasped her hand, and was in the act of stepping forward, when Rachael caught her in both arms with a scream that resounded over the wide landscape. Before them, at their very feet, was the brink of a black ragged chasm hidden by the thick grass. They sprang back, and fell upon their knees, each hiding her face upon the other's neck. "O, my good Lord! He's down there! Down there!" At first this, and her terrific screams, were all that could be got from Rachael, by any tears, by any prayers, by any representations, by any means. It was impossible to hush her; and it was deadly necessary to hold her, or she would have flung herself down the shaft. "Rachael, dear Rachael, good Rachael, for the love of Heaven, not these dreadful cries! Think of Stephen, think of Stephen, think of Stephen!" By an earnest repetition of this entreaty, poured out in all the agony of such a moment, Sissy at last brought her to be silent, and to look at her with a tearless face of stone. "Rachael, Stephen may be living. You wouldn't leave him lying maimed at the bottom of this dreadful place, a moment, if you could bring help to him?" "No, no, no!" "Don't stir from here, for his sake! Let me go and listen." She shuddered to approach the pit; but she crept towards it on her hands and knees, and called to him as loud as she could call. She listened, but no sound replied. She called again and listened; still no answering sound. She did this, twenty, thirty times. She took a little clod of earth from the broken ground | Hard Times |
cried Helen, at that moment coming into the room with her cousin. | No speaker | careful, too." "Careful over what?"<|quote|>cried Helen, at that moment coming into the room with her cousin.</|quote|>"Nothing" said Margaret, seized with | careful." "And Helen must be careful, too." "Careful over what?"<|quote|>cried Helen, at that moment coming into the room with her cousin.</|quote|>"Nothing" said Margaret, seized with a momentary awkwardness. "Careful over | a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?"<|quote|>cried Helen, at that moment coming into the room with her cousin.</|quote|>"Nothing" said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from | Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?"<|quote|>cried Helen, at that moment coming into the room with her cousin.</|quote|>"Nothing" said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," | most questionable statement--that any emotion, any interest once vividly aroused, can wholly die. "I also have the honour to inform you that the Wilcoxes are bored with us. I didn t tell you at the time--it might have made you angry, and you had enough to worry you--but I wrote a letter to Mrs. W, and apologised for the trouble that Helen had given them. She didn t answer it." "How very rude!" "I wonder. Or was it sensible?" "No, Margaret, most rude." "In either case one can class it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?"<|quote|>cried Helen, at that moment coming into the room with her cousin.</|quote|>"Nothing" said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at | explained. "She has plenty of other things and other people to think about. She made a false start with the Wilcoxes, and she ll be as willing as we are to have nothing more to do with them." "For a clever girl, dear, how very oddly you do talk. Helen ll HAVE to have something more to do with them, now that they re all opposite. She may meet that Paul in the street. She cannot very well not bow." "Of course she must bow. But look here; let s do the flowers. I was going to say, the will to be interested in him has died, and what else matters? I look on that disastrous episode (over which you were so kind) as the killing of a nerve in Helen. It s dead, and she ll never be troubled with it again. The only things that matter are the things that interest one. Bowing, even calling and leaving cards, even a dinner-party--we can do all those things to the Wilcoxes, if they find it agreeable; but the other thing, the one important thing--never again. Don t you see?" Mrs. Munt did not see, and indeed Margaret was making a most questionable statement--that any emotion, any interest once vividly aroused, can wholly die. "I also have the honour to inform you that the Wilcoxes are bored with us. I didn t tell you at the time--it might have made you angry, and you had enough to worry you--but I wrote a letter to Mrs. W, and apologised for the trouble that Helen had given them. She didn t answer it." "How very rude!" "I wonder. Or was it sensible?" "No, Margaret, most rude." "In either case one can class it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?"<|quote|>cried Helen, at that moment coming into the room with her cousin.</|quote|>"Nothing" said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said: "Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson." "Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that | likes of him. From the darkness beyond the kitchen a voice called, "Len?" "You in bed?" he asked, his forehead twitching. "All right." Presently she called him again. "I must clean my boots ready for the morning," he answered. Presently she called him again. "I rather want to get this chapter done." "What?" He closed his ears against her. "What s that?" "All right, Jacky, nothing; I m reading a book." "What?" "What?" he answered, catching her degraded deafness. Presently she called him again. Ruskin had visited Torcello by this time, and was ordering his gondoliers to take him to Murano. It occurred to him, as he glided over the whispering lagoons, that the power of Nature could not be shortened by the folly, nor her beauty altogether saddened by the misery of such as Leonard. CHAPTER VII "Oh, Margaret," cried her aunt next morning, "such a most unfortunate thing has happened. I could not get you alone." The most unfortunate thing was not very serious. One of the flats in the ornate block opposite had been taken furnished by the Wilcox family, "coming up, no doubt, in the hope of getting into London society." That Mrs. Munt should be the first to discover the misfortune was not remarkable, for she was so interested in the flats, that she watched their every mutation with unwearying care. In theory she despised them--they took away that old-world look--they cut off the sun--flats house a flashy type of person. But if the truth had been known, she found her visits to Wickham Place twice as amusing since Wickham Mansions had arisen, and would in a couple of days learn more about them than her nieces in a couple of months, or her nephew in a couple of years. She would stroll across and make friends with the porters, and inquire what the rents were, exclaiming for example: "What! a hundred and twenty for a basement? You ll never get it!" And they would answer: "One can but try, madam." The passenger lifts, the arrangement for coals (a great temptation for a dishonest porter), were all familiar matters to her, and perhaps a relief from the politico-economical-esthetic atmosphere that reigned at the Schlegels. Margaret received the information calmly, and did not agree that it would throw a cloud over poor Helen s life. "Oh, but Helen isn t a girl with no interests," she explained. "She has plenty of other things and other people to think about. She made a false start with the Wilcoxes, and she ll be as willing as we are to have nothing more to do with them." "For a clever girl, dear, how very oddly you do talk. Helen ll HAVE to have something more to do with them, now that they re all opposite. She may meet that Paul in the street. She cannot very well not bow." "Of course she must bow. But look here; let s do the flowers. I was going to say, the will to be interested in him has died, and what else matters? I look on that disastrous episode (over which you were so kind) as the killing of a nerve in Helen. It s dead, and she ll never be troubled with it again. The only things that matter are the things that interest one. Bowing, even calling and leaving cards, even a dinner-party--we can do all those things to the Wilcoxes, if they find it agreeable; but the other thing, the one important thing--never again. Don t you see?" Mrs. Munt did not see, and indeed Margaret was making a most questionable statement--that any emotion, any interest once vividly aroused, can wholly die. "I also have the honour to inform you that the Wilcoxes are bored with us. I didn t tell you at the time--it might have made you angry, and you had enough to worry you--but I wrote a letter to Mrs. W, and apologised for the trouble that Helen had given them. She didn t answer it." "How very rude!" "I wonder. Or was it sensible?" "No, Margaret, most rude." "In either case one can class it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?"<|quote|>cried Helen, at that moment coming into the room with her cousin.</|quote|>"Nothing" said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said: "Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson." "Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that motor drive--well, you d have reached the house a perfect wreck. Oh, Margaret, you don t know what you are in for! They re all bottled up against the drawing-room window. There s Mrs. Wilcox--I ve seen her. There s Paul. There s Evie, who is a minx. There s Charles--I saw him to start with. And who would an elderly man with a moustache and a copper-coloured face be?" "Mr. Wilcox, possibly." "I knew it. And there s Mr. Wilcox." "It s a shame to call his face copper colour," complained Margaret. "He has a remarkably good complexion for a man of his age." Mrs. Munt, triumphant elsewhere, could afford to concede Mr. Wilcox his complexion. She passed on from it to the plan of campaign that her nieces should pursue in the future. Margaret tried to stop her. "Helen did not take the news quite as I expected, but the Wilcox nerve is dead in her really, so there s no need for plans." "It s as well to be prepared." "No--it s as well not to be prepared." "Why?" "Because--" Her thought drew being from the obscure borderland. She could not explain in so many words, but she felt that those who prepare for all the emergencies of life beforehand may equip themselves at the expense of joy. It is necessary to prepare for an examination, or a dinner-party, or a possible fall in the price of stock: those who attempt human relations must adopt another method, or fail. "Because I d sooner risk it," was her lame conclusion. "But imagine the evenings," exclaimed her aunt, pointing to the Mansions with the spout of the watering can. "Turn the electric light on here or there, and it s almost the same room. One evening they may forget to draw their blinds down, and you ll see them; and the next, you yours, and they ll see you. Impossible to sit out on the balconies. Impossible to water the plants, or even speak. Imagine going out of the front-door, and they come out opposite at the same moment. And yet you tell me that plans are unnecessary, and you d rather risk it." "I hope to risk things all my life." "Oh, Margaret, most dangerous." "But after all," she continued with a smile, "there s never any great risk as long as you have money." "Oh, shame! What | the will to be interested in him has died, and what else matters? I look on that disastrous episode (over which you were so kind) as the killing of a nerve in Helen. It s dead, and she ll never be troubled with it again. The only things that matter are the things that interest one. Bowing, even calling and leaving cards, even a dinner-party--we can do all those things to the Wilcoxes, if they find it agreeable; but the other thing, the one important thing--never again. Don t you see?" Mrs. Munt did not see, and indeed Margaret was making a most questionable statement--that any emotion, any interest once vividly aroused, can wholly die. "I also have the honour to inform you that the Wilcoxes are bored with us. I didn t tell you at the time--it might have made you angry, and you had enough to worry you--but I wrote a letter to Mrs. W, and apologised for the trouble that Helen had given them. She didn t answer it." "How very rude!" "I wonder. Or was it sensible?" "No, Margaret, most rude." "In either case one can class it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?"<|quote|>cried Helen, at that moment coming into the room with her cousin.</|quote|>"Nothing" said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said: "Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson." "Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that motor drive--well, you d have reached the house a perfect wreck. Oh, Margaret, you don t know what | Howards End |
"You go if you like. I can't possibly get away." | Tony Last | it sounds an amusing party."<|quote|>"You go if you like. I can't possibly get away."</|quote|>"That's all right. I knew | won't." "I guessed not... though it sounds an amusing party."<|quote|>"You go if you like. I can't possibly get away."</|quote|>"That's all right. I knew it would be "no" before | a long time." "Well, you must write the speech. I'm getting too old for the girlish one I used to give them all. And Angela says, will we stay for the New Year?" "That's easy. Not on her life, we won't." "I guessed not... though it sounds an amusing party."<|quote|>"You go if you like. I can't possibly get away."</|quote|>"That's all right. I knew it would be "no" before I opened the letter." "Well, what sort of pleasure can there be in going all the way to Yorkshire in the middle of winter?" "Darling, don't be cross. I know we aren't going. I'm not making a thing about it. | she had. "Anything interesting?" He picked up some of the letters. "No. Mama wants nanny to send John's measurements. She's knitting him something for Christmas. And the mayor wants me to open something next month. I needn't, need I?" "I think you'd better, we haven't done anything for him for a long time." "Well, you must write the speech. I'm getting too old for the girlish one I used to give them all. And Angela says, will we stay for the New Year?" "That's easy. Not on her life, we won't." "I guessed not... though it sounds an amusing party."<|quote|>"You go if you like. I can't possibly get away."</|quote|>"That's all right. I knew it would be "no" before I opened the letter." "Well, what sort of pleasure can there be in going all the way to Yorkshire in the middle of winter?" "Darling, don't be cross. I know we aren't going. I'm not making a thing about it. I just thought it might be fun to eat someone else's food for a bit." Then Brenda's maid brought in the other tray. He had it put by the window seat, and began opening his letters. He looked out of the window. Only four of the six church towers were | the dais. She had insisted on a modern bed. Her tray was beside her and the quilt was littered with envelopes, letters and the daily papers. Her head was propped against a very small blue pillow; clean of make-up, her face was almost colourless, rose-pearl, scarcely deeper in tone than her arms and neck. "Well?" said Tony. "Kiss." He sat by the tray at the head of the bed; she leant forward to him (a nereid emerging from fathomless depths of clear water). She turned her lips away and rubbed against his cheek like a cat. It was a way she had. "Anything interesting?" He picked up some of the letters. "No. Mama wants nanny to send John's measurements. She's knitting him something for Christmas. And the mayor wants me to open something next month. I needn't, need I?" "I think you'd better, we haven't done anything for him for a long time." "Well, you must write the speech. I'm getting too old for the girlish one I used to give them all. And Angela says, will we stay for the New Year?" "That's easy. Not on her life, we won't." "I guessed not... though it sounds an amusing party."<|quote|>"You go if you like. I can't possibly get away."</|quote|>"That's all right. I knew it would be "no" before I opened the letter." "Well, what sort of pleasure can there be in going all the way to Yorkshire in the middle of winter?" "Darling, don't be cross. I know we aren't going. I'm not making a thing about it. I just thought it might be fun to eat someone else's food for a bit." Then Brenda's maid brought in the other tray. He had it put by the window seat, and began opening his letters. He looked out of the window. Only four of the six church towers were visible that morning. Presently he said, "As a matter of fact I probably _can_ manage to get away that week-end." "Darling, are you sure you wouldn't hate it?" "I daresay not." While he ate his breakfast Brenda read to him from the papers. "Reggie's been making another speech... There's such an extraordinary picture of Babe and Jock... a woman in America has had twins by two different husbands. Would you have thought that possible?... Two more chaps in gas ovens... a little girl has been strangled in a cemetery with a bootlace... that play we went to about a farm | to its contents, so that it now formed a gallery representative of every phase of his adolescence--the framed picture of a dreadnought (a coloured supplement from _Chums_), all its guns spouting flame and smoke; a photographic group of his private school; a cabinet called "the Museum", filled with the fruits of a dozen desultory hobbies, eggs, butterflies, fossils, coins; his parents, in the leather diptych which had stood by his bed at school; Brenda, eight years ago when he had been trying to get engaged to her; Brenda with John, taken just after the christening; an aquatint of Hetton, as it had stood until his great-grandfather demolished it; some shelves of books, _Bevis_, _Woodwork at Home_, _Conjuring for All_, _The Young Visiters_, _The Law of Landlord and Tenant_, _Farewell to Arms_. * * * * * All over England people were waking up, queasy and despondent. Tony lay for ten minutes very happily planning the renovation of his ceiling. Then he rang the bell. "Has her ladyship been called yet?" "About a quarter of an hour ago, sir." "Then I'll have breakfast in her room." He put on his dressing-gown and slippers and went through into Guinevere. Brenda lay on the dais. She had insisted on a modern bed. Her tray was beside her and the quilt was littered with envelopes, letters and the daily papers. Her head was propped against a very small blue pillow; clean of make-up, her face was almost colourless, rose-pearl, scarcely deeper in tone than her arms and neck. "Well?" said Tony. "Kiss." He sat by the tray at the head of the bed; she leant forward to him (a nereid emerging from fathomless depths of clear water). She turned her lips away and rubbed against his cheek like a cat. It was a way she had. "Anything interesting?" He picked up some of the letters. "No. Mama wants nanny to send John's measurements. She's knitting him something for Christmas. And the mayor wants me to open something next month. I needn't, need I?" "I think you'd better, we haven't done anything for him for a long time." "Well, you must write the speech. I'm getting too old for the girlish one I used to give them all. And Angela says, will we stay for the New Year?" "That's easy. Not on her life, we won't." "I guessed not... though it sounds an amusing party."<|quote|>"You go if you like. I can't possibly get away."</|quote|>"That's all right. I knew it would be "no" before I opened the letter." "Well, what sort of pleasure can there be in going all the way to Yorkshire in the middle of winter?" "Darling, don't be cross. I know we aren't going. I'm not making a thing about it. I just thought it might be fun to eat someone else's food for a bit." Then Brenda's maid brought in the other tray. He had it put by the window seat, and began opening his letters. He looked out of the window. Only four of the six church towers were visible that morning. Presently he said, "As a matter of fact I probably _can_ manage to get away that week-end." "Darling, are you sure you wouldn't hate it?" "I daresay not." While he ate his breakfast Brenda read to him from the papers. "Reggie's been making another speech... There's such an extraordinary picture of Babe and Jock... a woman in America has had twins by two different husbands. Would you have thought that possible?... Two more chaps in gas ovens... a little girl has been strangled in a cemetery with a bootlace... that play we went to about a farm is coming off." Then she read him the serial. He lit his pipe. "I don't believe you're listening. Why doesn't Sylvia want Rupert to get the letter?" "Eh? Oh well, you see, she doesn't really trust Rupert." "I _knew_ it. There's no such character as Rupert in the story. I shall never read to you again." "Well, to tell you the truth I was just thinking." "Oh." "I was thinking how delightful it is, that it's Saturday morning and we haven't got anyone coming for the week-end." "Oh, you thought that?" "Don't you?" "Well, it sometimes seems to me rather pointless keeping up a house this size if we don't now and then ask some other people to stay in it." "_Pointless?_ I can't think what you mean. I don't keep up this house to be a hostel for a lot of bores to come and gossip in. We've always lived here and I hope John will be able to keep it on after me. One has a duty towards one's employees, and towards the place too. It's a definite part of English life which would be a serious loss if..." Then Tony stopped short in his speech and looked | grills of cast-iron trefoils from the antiquated heating apparatus below; the cavernous chill of the more remote corridors where, economizing in coke, he had had the pipes shut off; the dining-hall with its hammer-beam roof and pitch-pine minstrels" gallery; the bedrooms with their brass bedsteads, each with a frieze of Gothic text, each named from Malory, Yseult, Elaine, Mordred and Merlin, Gawaine and Bedivere, Lancelot, Perceval, Tristram, Galahad, his own dressing-room, Morgan le Fay, and Brenda's Guinevere, where the bed stood on a dais, the walls were hung with tapestry, the fireplace was like a tomb of the thirteenth century, from whose bay window one could count, on days of exceptional clearness, the spires of six churches--all these things with which he had grown up were a source of constant delight and exultation to Tony; things of tender memory and proud possession. They were not in the fashion, he fully realized. Twenty years ago people had liked half timber and old pewter; now it was urns and colonnades; but the time would come, perhaps in John Andrew's day, when opinion would reinstate Hetton in its proper place. Already it was referred to as "amusing", and a very civil young man had asked permission to photograph it for an architectural review. * * * * * The ceiling of Morgan le Fay was not in perfect repair. In order to make an appearance of coffered wood, moulded slats had been nailed in a chequer across the plaster. They were painted in chevrons of blue and gold. The squares between were decorated alternately with Tudor roses and fleurs-de-lis. But damp had penetrated into one corner, leaving a large patch where the gilt had tarnished and the colour flaked away; in another place the wooden laths had become warped and separated from the plaster. Lying in bed, in the grave ten minutes between waking and ringing, Tony studied these defects and resolved anew to have them put right. He wondered whether it would be easy, nowadays, to find craftsmen capable of such delicate work. Morgan le Fay had been his room since he left the night-nursery. He had been put there so that he would be within calling distance of his parents (inseparable in Guinevere), for until quite late in his life he was subject to nightmares. He had taken nothing from the room since he had slept there, but every year added to its contents, so that it now formed a gallery representative of every phase of his adolescence--the framed picture of a dreadnought (a coloured supplement from _Chums_), all its guns spouting flame and smoke; a photographic group of his private school; a cabinet called "the Museum", filled with the fruits of a dozen desultory hobbies, eggs, butterflies, fossils, coins; his parents, in the leather diptych which had stood by his bed at school; Brenda, eight years ago when he had been trying to get engaged to her; Brenda with John, taken just after the christening; an aquatint of Hetton, as it had stood until his great-grandfather demolished it; some shelves of books, _Bevis_, _Woodwork at Home_, _Conjuring for All_, _The Young Visiters_, _The Law of Landlord and Tenant_, _Farewell to Arms_. * * * * * All over England people were waking up, queasy and despondent. Tony lay for ten minutes very happily planning the renovation of his ceiling. Then he rang the bell. "Has her ladyship been called yet?" "About a quarter of an hour ago, sir." "Then I'll have breakfast in her room." He put on his dressing-gown and slippers and went through into Guinevere. Brenda lay on the dais. She had insisted on a modern bed. Her tray was beside her and the quilt was littered with envelopes, letters and the daily papers. Her head was propped against a very small blue pillow; clean of make-up, her face was almost colourless, rose-pearl, scarcely deeper in tone than her arms and neck. "Well?" said Tony. "Kiss." He sat by the tray at the head of the bed; she leant forward to him (a nereid emerging from fathomless depths of clear water). She turned her lips away and rubbed against his cheek like a cat. It was a way she had. "Anything interesting?" He picked up some of the letters. "No. Mama wants nanny to send John's measurements. She's knitting him something for Christmas. And the mayor wants me to open something next month. I needn't, need I?" "I think you'd better, we haven't done anything for him for a long time." "Well, you must write the speech. I'm getting too old for the girlish one I used to give them all. And Angela says, will we stay for the New Year?" "That's easy. Not on her life, we won't." "I guessed not... though it sounds an amusing party."<|quote|>"You go if you like. I can't possibly get away."</|quote|>"That's all right. I knew it would be "no" before I opened the letter." "Well, what sort of pleasure can there be in going all the way to Yorkshire in the middle of winter?" "Darling, don't be cross. I know we aren't going. I'm not making a thing about it. I just thought it might be fun to eat someone else's food for a bit." Then Brenda's maid brought in the other tray. He had it put by the window seat, and began opening his letters. He looked out of the window. Only four of the six church towers were visible that morning. Presently he said, "As a matter of fact I probably _can_ manage to get away that week-end." "Darling, are you sure you wouldn't hate it?" "I daresay not." While he ate his breakfast Brenda read to him from the papers. "Reggie's been making another speech... There's such an extraordinary picture of Babe and Jock... a woman in America has had twins by two different husbands. Would you have thought that possible?... Two more chaps in gas ovens... a little girl has been strangled in a cemetery with a bootlace... that play we went to about a farm is coming off." Then she read him the serial. He lit his pipe. "I don't believe you're listening. Why doesn't Sylvia want Rupert to get the letter?" "Eh? Oh well, you see, she doesn't really trust Rupert." "I _knew_ it. There's no such character as Rupert in the story. I shall never read to you again." "Well, to tell you the truth I was just thinking." "Oh." "I was thinking how delightful it is, that it's Saturday morning and we haven't got anyone coming for the week-end." "Oh, you thought that?" "Don't you?" "Well, it sometimes seems to me rather pointless keeping up a house this size if we don't now and then ask some other people to stay in it." "_Pointless?_ I can't think what you mean. I don't keep up this house to be a hostel for a lot of bores to come and gossip in. We've always lived here and I hope John will be able to keep it on after me. One has a duty towards one's employees, and towards the place too. It's a definite part of English life which would be a serious loss if..." Then Tony stopped short in his speech and looked at the bed. Brenda had turned on her face and only the top of her head appeared above the sheets. "Oh God," she said into the pillow. "What have I done?" "I say, am I being pompous again?" She turned sideways so that her nose and one eye emerged. "Oh no, darling, not _pompous_. You wouldn't know how." "Sorry." Brenda sat up. "And, please, I didn't mean it. I'm jolly glad too, that no one's coming." (These scenes of domestic playfulness had been more or less continuous in Tony and Brenda's life for seven years.) Outside, it was soft English weather; mist in the hollows and pale sunshine on the hills; the coverts had ceased dripping, for there were no leaves to hold the recent rain, but the undergrowth was wet, dark in the shadows, iridescent where the sun caught it; the lanes were soggy and there was water running in the ditches. John Andrew sat his pony, solemn and stiff as a Lifeguard, while Ben fixed the jump. Thunderclap had been a present on his sixth birthday from Uncle Reggie. It was John who had named her, after lengthy consultation. Originally she had been called Christabelle which, as Ben said, was more the name for a hound than a horse. Ben had known a strawberry roan called Thunderclap who killed two riders and won the local point-to-point four years running. He had been a lovely little horse, said Ben, till he staked himself in the guts, hunting, and had to be shot. Ben knew stories about a great many different horses. There was one called Zero on whom he had won five Jimmy-o-goblins at ten to three at Chester one year. And there was a mule he had known during the war, called Peppermint, who had died of drinking the company's rum ration. But John was not going to name his pony after a drunken mule. So in the end they had decided on Thunderclap, in spite of her imperturbable disposition. She was a dark bay, with long tail and mane. Ben had left her legs shaggy. She cropped the grass, resisting John's attempts to keep her head up. Before her arrival riding had been a very different thing. He had jogged round the paddock on a little Shetland pony called Bunny, with his nurse panting at the bridle. Now it was a man's business. Nanny sat at a | But damp had penetrated into one corner, leaving a large patch where the gilt had tarnished and the colour flaked away; in another place the wooden laths had become warped and separated from the plaster. Lying in bed, in the grave ten minutes between waking and ringing, Tony studied these defects and resolved anew to have them put right. He wondered whether it would be easy, nowadays, to find craftsmen capable of such delicate work. Morgan le Fay had been his room since he left the night-nursery. He had been put there so that he would be within calling distance of his parents (inseparable in Guinevere), for until quite late in his life he was subject to nightmares. He had taken nothing from the room since he had slept there, but every year added to its contents, so that it now formed a gallery representative of every phase of his adolescence--the framed picture of a dreadnought (a coloured supplement from _Chums_), all its guns spouting flame and smoke; a photographic group of his private school; a cabinet called "the Museum", filled with the fruits of a dozen desultory hobbies, eggs, butterflies, fossils, coins; his parents, in the leather diptych which had stood by his bed at school; Brenda, eight years ago when he had been trying to get engaged to her; Brenda with John, taken just after the christening; an aquatint of Hetton, as it had stood until his great-grandfather demolished it; some shelves of books, _Bevis_, _Woodwork at Home_, _Conjuring for All_, _The Young Visiters_, _The Law of Landlord and Tenant_, _Farewell to Arms_. * * * * * All over England people were waking up, queasy and despondent. Tony lay for ten minutes very happily planning the renovation of his ceiling. Then he rang the bell. "Has her ladyship been called yet?" "About a quarter of an hour ago, sir." "Then I'll have breakfast in her room." He put on his dressing-gown and slippers and went through into Guinevere. Brenda lay on the dais. She had insisted on a modern bed. Her tray was beside her and the quilt was littered with envelopes, letters and the daily papers. Her head was propped against a very small blue pillow; clean of make-up, her face was almost colourless, rose-pearl, scarcely deeper in tone than her arms and neck. "Well?" said Tony. "Kiss." He sat by the tray at the head of the bed; she leant forward to him (a nereid emerging from fathomless depths of clear water). She turned her lips away and rubbed against his cheek like a cat. It was a way she had. "Anything interesting?" He picked up some of the letters. "No. Mama wants nanny to send John's measurements. She's knitting him something for Christmas. And the mayor wants me to open something next month. I needn't, need I?" "I think you'd better, we haven't done anything for him for a long time." "Well, you must write the speech. I'm getting too old for the girlish one I used to give them all. And Angela says, will we stay for the New Year?" "That's easy. Not on her life, we won't." "I guessed not... though it sounds an amusing party."<|quote|>"You go if you like. I can't possibly get away."</|quote|>"That's all right. I knew it would be "no" before I opened the letter." "Well, what sort of pleasure can there be in going all the way to Yorkshire in the middle of winter?" "Darling, don't be cross. I know we aren't going. I'm not making a thing about it. I just thought it might be fun to eat someone else's food for a bit." Then Brenda's maid brought in the other tray. He had it put by the window seat, and began opening his letters. He looked out of the window. Only four of the six church towers were visible that morning. Presently he said, "As a matter of fact I probably _can_ manage to get away that week-end." "Darling, are you sure you wouldn't hate it?" "I daresay not." While he ate his breakfast Brenda read to him from the papers. "Reggie's been making another speech... There's such an extraordinary picture of Babe and Jock... a woman in America has had twins by two different husbands. Would you have thought that possible?... Two more chaps in gas ovens... a little girl has been strangled in a cemetery with a bootlace... that play we went to about a farm is coming off." Then she read him the serial. He lit his pipe. "I don't believe you're listening. Why doesn't Sylvia want Rupert to get the letter?" "Eh? Oh well, you see, she doesn't really trust Rupert." "I _knew_ it. There's no such character as Rupert in the story. I shall never read to you again." "Well, to tell you the truth I was just thinking." "Oh." "I was thinking how delightful it is, that it's Saturday morning and we haven't got anyone coming for the week-end." "Oh, you thought that?" "Don't you?" "Well, it sometimes seems to me rather pointless keeping up a house this size if we don't now and then ask some other people to stay in it." "_Pointless?_ I can't think what you mean. I don't keep up this house to be a hostel for a lot of bores to come and gossip in. We've always lived here and I hope John will be able to keep it on after me. One has a duty towards one's employees, and towards the place too. It's a definite part of English life which would be a serious loss if..." Then Tony stopped short in his speech and looked at the bed. Brenda had turned on her face and only the top of her head appeared above the sheets. "Oh God," she said into the pillow. "What have I done?" "I say, am I being pompous again?" She | A Handful Of Dust |
"No, I don't think I do." | Tony Last | himself alternately Ponsonby and FitzClarence?"<|quote|>"No, I don't think I do."</|quote|>"You are fortunate. That man | chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?"<|quote|>"No, I don't think I do."</|quote|>"You are fortunate. That man has just robbed me of | shortly," said Dr Messinger, "to Brazil. At least it may be Brazil or Dutch Guiana. One cannot tell. The frontier has never been demarcated. I ought to have started last week, only my plans were upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?"<|quote|>"No, I don't think I do."</|quote|>"You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can | his face ended abruptly along the line of his forehead, which rose in a pale dome; he wore steel-rimmed spectacles and there was something about his blue serge suit which suggested that the wearer found it uncomfortable. Tony admitted that he was considering taking a cruise. "I am going away shortly," said Dr Messinger, "to Brazil. At least it may be Brazil or Dutch Guiana. One cannot tell. The frontier has never been demarcated. I ought to have started last week, only my plans were upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?"<|quote|>"No, I don't think I do."</|quote|>"You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can take it from me that it's not easy. You can't just walk into a shop and order machine guns." "No, I suppose not." "Still, at a pinch I can do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the | club of intellectual flavour, composed of dons, a few writers and the officials of museums and learned societies. It had a tradition of garrulity, so that he was not surprised when, seated in an armchair and surrounded with his illustrated folders, he was addressed by a member unknown to him who asked if he were thinking of going away. He was more surprised when he looked up and studied the questioner. Dr Messinger, though quite young, was bearded, and Tony knew few young men with beards. He was also very small, very sunburned and prematurely bald; the ruddy brown of his face ended abruptly along the line of his forehead, which rose in a pale dome; he wore steel-rimmed spectacles and there was something about his blue serge suit which suggested that the wearer found it uncomfortable. Tony admitted that he was considering taking a cruise. "I am going away shortly," said Dr Messinger, "to Brazil. At least it may be Brazil or Dutch Guiana. One cannot tell. The frontier has never been demarcated. I ought to have started last week, only my plans were upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?"<|quote|>"No, I don't think I do."</|quote|>"You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can take it from me that it's not easy. You can't just walk into a shop and order machine guns." "No, I suppose not." "Still, at a pinch I can do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the harbour at Agadir. Dr Messinger looked over his shoulder at it. "Ah yes," he said, "interesting little place. I expect you know Zingermaun there?" "No, I've not been there yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador." Then he continued dreamily, "The pity is I can't let the R.G.S. in on this expedition. I've got to find the | from Hetton, and Brenda did not like leaving John Andrew. Thus Tony had no very ambitious ideas about travel, and when he decided to go abroad his first act was to call at a tourist agency and come away laden with a sheaf of brightly coloured prospectuses, which advertised commodious cruises among palm trees, Negresses and ruined arches. He was going away because it seemed to be the conduct expected of a husband in his circumstances, because the associations of Hetton were for the time poisoned for him, because he wanted to live for a few months away from people who would know him or Brenda, in places where there was no expectation of meeting her or Beaver or Reggie St Cloud at every corner he frequented, and, with this feeling of evasion dominant in his mind, he took the prospectuses to read at the Greville Club. He had been a member there for some years, but rarely used it; his resignation was postponed only by his recurrent omission to cancel the banker's order for his subscription. Now that Bratt's and Brown's were distasteful to him he felt thankful that he had kept on with the Greville. It was a club of intellectual flavour, composed of dons, a few writers and the officials of museums and learned societies. It had a tradition of garrulity, so that he was not surprised when, seated in an armchair and surrounded with his illustrated folders, he was addressed by a member unknown to him who asked if he were thinking of going away. He was more surprised when he looked up and studied the questioner. Dr Messinger, though quite young, was bearded, and Tony knew few young men with beards. He was also very small, very sunburned and prematurely bald; the ruddy brown of his face ended abruptly along the line of his forehead, which rose in a pale dome; he wore steel-rimmed spectacles and there was something about his blue serge suit which suggested that the wearer found it uncomfortable. Tony admitted that he was considering taking a cruise. "I am going away shortly," said Dr Messinger, "to Brazil. At least it may be Brazil or Dutch Guiana. One cannot tell. The frontier has never been demarcated. I ought to have started last week, only my plans were upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?"<|quote|>"No, I don't think I do."</|quote|>"You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can take it from me that it's not easy. You can't just walk into a shop and order machine guns." "No, I suppose not." "Still, at a pinch I can do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the harbour at Agadir. Dr Messinger looked over his shoulder at it. "Ah yes," he said, "interesting little place. I expect you know Zingermaun there?" "No, I've not been there yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador." Then he continued dreamily, "The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up and lunch," said Dr Messinger. Tony had not intended to lunch at the Greville but there was something compelling about the invitation; moreover, he had no other engagement. Dr Messinger lunched off apples and a rice pudding. (" "I have to be very careful what I eat," he said.) Tony ate cold steak and kidney pie. They sat at a window in the big dining-room upstairs. The places round them were soon filled with members, who even carried the tradition of general conversation so far as to lean back in their chairs and chat over their shoulders from table to table--a practice which greatly hindered the already imperfect service. But Tony remained oblivious to all that was said, absorbed in what Dr Messinger was telling him. "...You see, there has been a continuous tradition about the City since the first explorers of the sixteenth century. It has been variously allocated, sometimes down in Matto Grosso, sometimes on the upper Orinoco in what is now Venezuela. I myself | met him, seemed entirely human. Tony had spent very little of his life abroad. At the age of eighteen, before going to the University, he had been boarded for the summer with an elderly gentleman near Tours, with the intention that he should learn the language. (...a grey stone house surrounded by vines. There was a stuffed spaniel in the bathroom. The old man had called it "Stop" because it was chic at that time to give dogs an English name. Tony had bicycled along straight, white roads to visit the chateaux; he carried rolls of bread and cold veal tied to the back of the machine, and the soft dust seeped into them through the paper and gritted against his teeth. There were two other English boys there, so he had learned little French. One of them fell in love and the other got drunk for the first time on sparkling Vouvray at a fair that had been held in the town. That evening Tony won a live pigeon at a tombola; he set it free and later saw it being recaptured by the proprietor of the stall with a butterfly net...) Later he had gone to Central Europe for a few weeks with a friend from Balliol. (They had found themselves suddenly rich with the falling mark and had lived in unaccustomed grandeur in the largest hotel suites. Tony had bought a fur for a few shillings and given it to a girl in Munich who spoke no English.) Later still his honeymoon with Brenda in a villa, lent to them, on the Italian Riviera. (...Cypress and olive trees, a domed church half-way down the hill, between the villa and the harbour, a caf? where they sat out in the evening, watching the fishing-boats and the lights reflected in the quiet water, waiting for the sudden agitation of sound and motion as the speed-boat came in. It had been owned by a dashing young official, who called it _Jazz Girl_. He seemed to spend twenty hours a day running in and out of the little harbour...) Once Brenda and he had gone to Le Touquet with Bratt's golf team. That was all. After his father died he had not left England. They could not easily afford it; it was one of the things they postponed until death duties were paid off; besides that, he was never happy away from Hetton, and Brenda did not like leaving John Andrew. Thus Tony had no very ambitious ideas about travel, and when he decided to go abroad his first act was to call at a tourist agency and come away laden with a sheaf of brightly coloured prospectuses, which advertised commodious cruises among palm trees, Negresses and ruined arches. He was going away because it seemed to be the conduct expected of a husband in his circumstances, because the associations of Hetton were for the time poisoned for him, because he wanted to live for a few months away from people who would know him or Brenda, in places where there was no expectation of meeting her or Beaver or Reggie St Cloud at every corner he frequented, and, with this feeling of evasion dominant in his mind, he took the prospectuses to read at the Greville Club. He had been a member there for some years, but rarely used it; his resignation was postponed only by his recurrent omission to cancel the banker's order for his subscription. Now that Bratt's and Brown's were distasteful to him he felt thankful that he had kept on with the Greville. It was a club of intellectual flavour, composed of dons, a few writers and the officials of museums and learned societies. It had a tradition of garrulity, so that he was not surprised when, seated in an armchair and surrounded with his illustrated folders, he was addressed by a member unknown to him who asked if he were thinking of going away. He was more surprised when he looked up and studied the questioner. Dr Messinger, though quite young, was bearded, and Tony knew few young men with beards. He was also very small, very sunburned and prematurely bald; the ruddy brown of his face ended abruptly along the line of his forehead, which rose in a pale dome; he wore steel-rimmed spectacles and there was something about his blue serge suit which suggested that the wearer found it uncomfortable. Tony admitted that he was considering taking a cruise. "I am going away shortly," said Dr Messinger, "to Brazil. At least it may be Brazil or Dutch Guiana. One cannot tell. The frontier has never been demarcated. I ought to have started last week, only my plans were upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?"<|quote|>"No, I don't think I do."</|quote|>"You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can take it from me that it's not easy. You can't just walk into a shop and order machine guns." "No, I suppose not." "Still, at a pinch I can do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the harbour at Agadir. Dr Messinger looked over his shoulder at it. "Ah yes," he said, "interesting little place. I expect you know Zingermaun there?" "No, I've not been there yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador." Then he continued dreamily, "The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up and lunch," said Dr Messinger. Tony had not intended to lunch at the Greville but there was something compelling about the invitation; moreover, he had no other engagement. Dr Messinger lunched off apples and a rice pudding. (" "I have to be very careful what I eat," he said.) Tony ate cold steak and kidney pie. They sat at a window in the big dining-room upstairs. The places round them were soon filled with members, who even carried the tradition of general conversation so far as to lean back in their chairs and chat over their shoulders from table to table--a practice which greatly hindered the already imperfect service. But Tony remained oblivious to all that was said, absorbed in what Dr Messinger was telling him. "...You see, there has been a continuous tradition about the City since the first explorers of the sixteenth century. It has been variously allocated, sometimes down in Matto Grosso, sometimes on the upper Orinoco in what is now Venezuela. I myself used to think it lay somewhere on the Uraricuera. I was out there last year and it was then that I established contact with the Pie-wie Indians; no white man had ever visited them and got out alive. And it was from the Pie-wies that I learned where to look. None of them had ever visited the City, of course, but they _knew about it_. Every Indian between Ciudad Bolivar and Para knows about it. But they won't talk. Queer people. But I became blood-brother with a Pie-wie--interesting ceremony. They buried me up to the neck in mud and all the women of the tribe spat on my head. Then we ate a toad and snake and a beetle and after that I was blood-brother--well, he told me that the City lies between the head waters of the Courantyne and the Takutu. There's a vast track of unexplored country there. I've often thought of visiting it." "I've been looking up the historical side too, and I more or less know how the City got there. It was the result of a migration from Peru at the beginning of the fifteenth century, when the Incas were at the height of their power. It is mentioned in all the early Spanish documents as a popular legend. One of the younger princes rebelled and led his people off into the forest. Most of the tribes had a tradition in one form or another of a strange race passing through their territory." "But what do you suppose this city will be like?" "Impossible to say. Every tribe has a different word for it. The Pie-wies call it the 'Shining' or 'Glittering', the Arekuna the 'Many Watered', the Patamonas the 'Bright Feathered', the Warau, oddly enough, use the same word for it that they use for a kind of aromatic jam they make. Of course, one can't tell how a civilization may have developed or degenerated in five hundred years of isolation..." Before Tony left the Greville that day, he tore up his sheaf of cruise prospectuses, for he had arranged to join Dr Messinger in his expedition. * * * * * "Done much of that kind of thing?" "No, to tell you the truth it is the first time." "Ah. Well, I daresay it's more interesting than it sounds," conceded the genial passenger, "else people wouldn't do it so much." The ship, so | _Jazz Girl_. He seemed to spend twenty hours a day running in and out of the little harbour...) Once Brenda and he had gone to Le Touquet with Bratt's golf team. That was all. After his father died he had not left England. They could not easily afford it; it was one of the things they postponed until death duties were paid off; besides that, he was never happy away from Hetton, and Brenda did not like leaving John Andrew. Thus Tony had no very ambitious ideas about travel, and when he decided to go abroad his first act was to call at a tourist agency and come away laden with a sheaf of brightly coloured prospectuses, which advertised commodious cruises among palm trees, Negresses and ruined arches. He was going away because it seemed to be the conduct expected of a husband in his circumstances, because the associations of Hetton were for the time poisoned for him, because he wanted to live for a few months away from people who would know him or Brenda, in places where there was no expectation of meeting her or Beaver or Reggie St Cloud at every corner he frequented, and, with this feeling of evasion dominant in his mind, he took the prospectuses to read at the Greville Club. He had been a member there for some years, but rarely used it; his resignation was postponed only by his recurrent omission to cancel the banker's order for his subscription. Now that Bratt's and Brown's were distasteful to him he felt thankful that he had kept on with the Greville. It was a club of intellectual flavour, composed of dons, a few writers and the officials of museums and learned societies. It had a tradition of garrulity, so that he was not surprised when, seated in an armchair and surrounded with his illustrated folders, he was addressed by a member unknown to him who asked if he were thinking of going away. He was more surprised when he looked up and studied the questioner. Dr Messinger, though quite young, was bearded, and Tony knew few young men with beards. He was also very small, very sunburned and prematurely bald; the ruddy brown of his face ended abruptly along the line of his forehead, which rose in a pale dome; he wore steel-rimmed spectacles and there was something about his blue serge suit which suggested that the wearer found it uncomfortable. Tony admitted that he was considering taking a cruise. "I am going away shortly," said Dr Messinger, "to Brazil. At least it may be Brazil or Dutch Guiana. One cannot tell. The frontier has never been demarcated. I ought to have started last week, only my plans were upset. Do you by any chance know a Nicaraguan calling himself alternately Ponsonby and FitzClarence?"<|quote|>"No, I don't think I do."</|quote|>"You are fortunate. That man has just robbed me of two hundred pounds and some machine guns." "Machine guns?" "Yes, I travel with one or two, mostly for show, you know, or for trade, and they are not easy to buy nowadays. Have you ever tried?" "No." "Well you can take it from me that it's not easy. You can't just walk into a shop and order machine guns." "No, I suppose not." "Still, at a pinch I can do without them. But I can't do without two hundred pounds." Tony had, open on his knee, a photograph of the harbour at Agadir. Dr Messinger looked over his shoulder at it. "Ah yes," he said, "interesting little place. I expect you know Zingermaun there?" "No, I've not been there yet." "You'd like him--a very straight fellow. He used to do quite a lot, selling ammunition to the Atlas caids before the pacification. Of course it was easy money with the capitulations, but he did it better than most of them. I believe he's running a restaurant now in Mogador." Then he continued dreamily, "The pity is I can't let the R.G.S. in on this expedition. I've got to find the money privately." It was one o'clock and the room was beginning to fill up; an Egyptologist was exhibiting a handkerchief-ful of scarabs to the editor of a church weekly. "We'd better go up and lunch," said Dr Messinger. Tony had not intended to lunch at the Greville but there was something compelling about the invitation; moreover, he had no other engagement. Dr Messinger lunched off apples and a rice pudding. (" "I have to be very careful what I eat," he said.) Tony ate cold steak and kidney pie. They sat at a window in the big dining-room upstairs. The places round them were soon filled with members, who even carried the tradition of general conversation so far as to lean back in their chairs and chat over their shoulders from table to table--a practice which greatly hindered the already imperfect service. But Tony remained oblivious to all that was said, absorbed in what Dr Messinger was telling him. "...You see, there has been a continuous tradition about the City since the first explorers of the sixteenth century. It has been variously allocated, sometimes down in Matto Grosso, sometimes on the upper Orinoco in what is now Venezuela. I myself used to think it lay somewhere on the Uraricuera. I was out there last year and it was then that I established contact with the Pie-wie Indians; no white man had ever visited them and got out alive. And it was from the Pie-wies that I learned where to look. None of them had ever visited the City, of course, but they _knew about it_. Every Indian between Ciudad Bolivar and Para knows about it. But they won't talk. Queer people. But I became blood-brother with a Pie-wie--interesting ceremony. They buried me up to the neck in mud and all the women of the tribe spat on my head. Then we ate a toad and snake and a beetle and after that I was blood-brother--well, he told me that the City lies between the head waters of the Courantyne and the Takutu. | A Handful Of Dust |
"and don't mind what I said about Arobin, or having some one to stay with you." | Madame Ratignolle | neglect me," entreated Madame Ratignolle;<|quote|>"and don't mind what I said about Arobin, or having some one to stay with you."</|quote|>"Of course not," Edna laughed. | the step!" cried Edna. "Don't neglect me," entreated Madame Ratignolle;<|quote|>"and don't mind what I said about Arobin, or having some one to stay with you."</|quote|>"Of course not," Edna laughed. "You may say anything you | not. I believe he is a decent fellow as far as that goes. But his character is so well known among the men. I shan't be able to come back and see you; it was very, very imprudent to-day." "Mind the step!" cried Edna. "Don't neglect me," entreated Madame Ratignolle;<|quote|>"and don't mind what I said about Arobin, or having some one to stay with you."</|quote|>"Of course not," Edna laughed. "You may say anything you like to me." They kissed each other good-by. Madame Ratignolle had not far to go, and Edna stood on the porch a while watching her walk down the street. Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made | Arobin visiting you. Of course, it wouldn't matter if Mr. Arobin had not such a dreadful reputation. Monsieur Ratignolle was telling me that his attentions alone are considered enough to ruin a woman's name." "Does he boast of his successes?" asked Edna, indifferently, squinting at her picture. "No, I think not. I believe he is a decent fellow as far as that goes. But his character is so well known among the men. I shan't be able to come back and see you; it was very, very imprudent to-day." "Mind the step!" cried Edna. "Don't neglect me," entreated Madame Ratignolle;<|quote|>"and don't mind what I said about Arobin, or having some one to stay with you."</|quote|>"Of course not," Edna laughed. "You may say anything you like to me." They kissed each other good-by. Madame Ratignolle had not far to go, and Edna stood on the porch a while watching her walk down the street. Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made their "party call." Edna felt that they might have dispensed with the formality. They had also come to invite her to play _vingt-et-un_ one evening at Mrs. Merriman's. She was asked to go early, to dinner, and Mr. Merriman or Mr. Arobin would take her home. Edna accepted in a | said: "In some way you seem to me like a child, Edna. You seem to act without a certain amount of reflection which is necessary in this life. That is the reason I want to say you mustn't mind if I advise you to be a little careful while you are living here alone. Why don't you have some one come and stay with you? Wouldn't Mademoiselle Reisz come?" "No; she wouldn't wish to come, and I shouldn't want her always with me." "Well, the reason you know how evil-minded the world is some one was talking of Alc e Arobin visiting you. Of course, it wouldn't matter if Mr. Arobin had not such a dreadful reputation. Monsieur Ratignolle was telling me that his attentions alone are considered enough to ruin a woman's name." "Does he boast of his successes?" asked Edna, indifferently, squinting at her picture. "No, I think not. I believe he is a decent fellow as far as that goes. But his character is so well known among the men. I shan't be able to come back and see you; it was very, very imprudent to-day." "Mind the step!" cried Edna. "Don't neglect me," entreated Madame Ratignolle;<|quote|>"and don't mind what I said about Arobin, or having some one to stay with you."</|quote|>"Of course not," Edna laughed. "You may say anything you like to me." They kissed each other good-by. Madame Ratignolle had not far to go, and Edna stood on the porch a while watching her walk down the street. Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made their "party call." Edna felt that they might have dispensed with the formality. They had also come to invite her to play _vingt-et-un_ one evening at Mrs. Merriman's. She was asked to go early, to dinner, and Mr. Merriman or Mr. Arobin would take her home. Edna accepted in a half-hearted way. She sometimes felt very tired of Mrs. Highcamp and Mrs. Merriman. Late in the afternoon she sought refuge with Mademoiselle Reisz, and stayed there alone, waiting for her, feeling a kind of repose invade her with the very atmosphere of the shabby, unpretentious little room. Edna sat at the window, which looked out over the house-tops and across the river. The window frame was filled with pots of flowers, and she sat and picked the dry leaves from a rose geranium. The day was warm, and the breeze which blew from the river was very pleasant. She removed | been quite filled up, and it was for a rest, for a refuge, and to talk about Robert, that she sought out her friend. She had worked at her canvas a young Italian character study all the morning, completing the work without the model; but there had been many interruptions, some incident to her modest housekeeping, and others of a social nature. Madame Ratignolle had dragged herself over, avoiding the too public thoroughfares, she said. She complained that Edna had neglected her much of late. Besides, she was consumed with curiosity to see the little house and the manner in which it was conducted. She wanted to hear all about the dinner party; Monsieur Ratignolle had left _so_ early. What had happened after he left? The champagne and grapes which Edna sent over were _too_ delicious. She had so little appetite; they had refreshed and toned her stomach. Where on earth was she going to put Mr. Pontellier in that little house, and the boys? And then she made Edna promise to go to her when her hour of trial overtook her. "At any time any time of the day or night, dear," Edna assured her. Before leaving Madame Ratignolle said: "In some way you seem to me like a child, Edna. You seem to act without a certain amount of reflection which is necessary in this life. That is the reason I want to say you mustn't mind if I advise you to be a little careful while you are living here alone. Why don't you have some one come and stay with you? Wouldn't Mademoiselle Reisz come?" "No; she wouldn't wish to come, and I shouldn't want her always with me." "Well, the reason you know how evil-minded the world is some one was talking of Alc e Arobin visiting you. Of course, it wouldn't matter if Mr. Arobin had not such a dreadful reputation. Monsieur Ratignolle was telling me that his attentions alone are considered enough to ruin a woman's name." "Does he boast of his successes?" asked Edna, indifferently, squinting at her picture. "No, I think not. I believe he is a decent fellow as far as that goes. But his character is so well known among the men. I shan't be able to come back and see you; it was very, very imprudent to-day." "Mind the step!" cried Edna. "Don't neglect me," entreated Madame Ratignolle;<|quote|>"and don't mind what I said about Arobin, or having some one to stay with you."</|quote|>"Of course not," Edna laughed. "You may say anything you like to me." They kissed each other good-by. Madame Ratignolle had not far to go, and Edna stood on the porch a while watching her walk down the street. Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made their "party call." Edna felt that they might have dispensed with the formality. They had also come to invite her to play _vingt-et-un_ one evening at Mrs. Merriman's. She was asked to go early, to dinner, and Mr. Merriman or Mr. Arobin would take her home. Edna accepted in a half-hearted way. She sometimes felt very tired of Mrs. Highcamp and Mrs. Merriman. Late in the afternoon she sought refuge with Mademoiselle Reisz, and stayed there alone, waiting for her, feeling a kind of repose invade her with the very atmosphere of the shabby, unpretentious little room. Edna sat at the window, which looked out over the house-tops and across the river. The window frame was filled with pots of flowers, and she sat and picked the dry leaves from a rose geranium. The day was warm, and the breeze which blew from the river was very pleasant. She removed her hat and laid it on the piano. She went on picking the leaves and digging around the plants with her hat pin. Once she thought she heard Mademoiselle Reisz approaching. But it was a young black girl, who came in, bringing a small bundle of laundry, which she deposited in the adjoining room, and went away. Edna seated herself at the piano, and softly picked out with one hand the bars of a piece of music which lay open before her. A half-hour went by. There was the occasional sound of people going and coming in the lower hall. She was growing interested in her occupation of picking out the aria, when there was a second rap at the door. She vaguely wondered what these people did when they found Mademoiselle's door locked. "Come in," she called, turning her face toward the door. And this time it was Robert Lebrun who presented himself. She attempted to rise; she could not have done so without betraying the agitation which mastered her at sight of him, so she fell back upon the stool, only exclaiming, "Why, Robert!" He came and clasped her hand, seemingly without knowing what he was saying or | their express wagon. It was a thousand times more fun to haul real chips for old lame Susie's real fire than to drag painted blocks along the banquette on Esplanade Street! She went with them herself to see the pigs and the cows, to look at the darkies laying the cane, to thrash the pecan trees, and catch fish in the back lake. She lived with them a whole week long, giving them all of herself, and gathering and filling herself with their young existence. They listened, breathless, when she told them the house in Esplanade Street was crowded with workmen, hammering, nailing, sawing, and filling the place with clatter. They wanted to know where their bed was; what had been done with their rocking-horse; and where did Joe sleep, and where had Ellen gone, and the cook? But, above all, they were fired with a desire to see the little house around the block. Was there any place to play? Were there any boys next door? Raoul, with pessimistic foreboding, was convinced that there were only girls next door. Where would they sleep, and where would papa sleep? She told them the fairies would fix it all right. The old Madame was charmed with Edna's visit, and showered all manner of delicate attentions upon her. She was delighted to know that the Esplanade Street house was in a dismantled condition. It gave her the promise and pretext to keep the children indefinitely. It was with a wrench and a pang that Edna left her children. She carried away with her the sound of their voices and the touch of their cheeks. All along the journey homeward their presence lingered with her like the memory of a delicious song. But by the time she had regained the city the song no longer echoed in her soul. She was again alone. XXXIII It happened sometimes when Edna went to see Mademoiselle Reisz that the little musician was absent, giving a lesson or making some small necessary household purchase. The key was always left in a secret hiding-place in the entry, which Edna knew. If Mademoiselle happened to be away, Edna would usually enter and wait for her return. When she knocked at Mademoiselle Reisz's door one afternoon there was no response; so unlocking the door, as usual, she entered and found the apartment deserted, as she had expected. Her day had been quite filled up, and it was for a rest, for a refuge, and to talk about Robert, that she sought out her friend. She had worked at her canvas a young Italian character study all the morning, completing the work without the model; but there had been many interruptions, some incident to her modest housekeeping, and others of a social nature. Madame Ratignolle had dragged herself over, avoiding the too public thoroughfares, she said. She complained that Edna had neglected her much of late. Besides, she was consumed with curiosity to see the little house and the manner in which it was conducted. She wanted to hear all about the dinner party; Monsieur Ratignolle had left _so_ early. What had happened after he left? The champagne and grapes which Edna sent over were _too_ delicious. She had so little appetite; they had refreshed and toned her stomach. Where on earth was she going to put Mr. Pontellier in that little house, and the boys? And then she made Edna promise to go to her when her hour of trial overtook her. "At any time any time of the day or night, dear," Edna assured her. Before leaving Madame Ratignolle said: "In some way you seem to me like a child, Edna. You seem to act without a certain amount of reflection which is necessary in this life. That is the reason I want to say you mustn't mind if I advise you to be a little careful while you are living here alone. Why don't you have some one come and stay with you? Wouldn't Mademoiselle Reisz come?" "No; she wouldn't wish to come, and I shouldn't want her always with me." "Well, the reason you know how evil-minded the world is some one was talking of Alc e Arobin visiting you. Of course, it wouldn't matter if Mr. Arobin had not such a dreadful reputation. Monsieur Ratignolle was telling me that his attentions alone are considered enough to ruin a woman's name." "Does he boast of his successes?" asked Edna, indifferently, squinting at her picture. "No, I think not. I believe he is a decent fellow as far as that goes. But his character is so well known among the men. I shan't be able to come back and see you; it was very, very imprudent to-day." "Mind the step!" cried Edna. "Don't neglect me," entreated Madame Ratignolle;<|quote|>"and don't mind what I said about Arobin, or having some one to stay with you."</|quote|>"Of course not," Edna laughed. "You may say anything you like to me." They kissed each other good-by. Madame Ratignolle had not far to go, and Edna stood on the porch a while watching her walk down the street. Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made their "party call." Edna felt that they might have dispensed with the formality. They had also come to invite her to play _vingt-et-un_ one evening at Mrs. Merriman's. She was asked to go early, to dinner, and Mr. Merriman or Mr. Arobin would take her home. Edna accepted in a half-hearted way. She sometimes felt very tired of Mrs. Highcamp and Mrs. Merriman. Late in the afternoon she sought refuge with Mademoiselle Reisz, and stayed there alone, waiting for her, feeling a kind of repose invade her with the very atmosphere of the shabby, unpretentious little room. Edna sat at the window, which looked out over the house-tops and across the river. The window frame was filled with pots of flowers, and she sat and picked the dry leaves from a rose geranium. The day was warm, and the breeze which blew from the river was very pleasant. She removed her hat and laid it on the piano. She went on picking the leaves and digging around the plants with her hat pin. Once she thought she heard Mademoiselle Reisz approaching. But it was a young black girl, who came in, bringing a small bundle of laundry, which she deposited in the adjoining room, and went away. Edna seated herself at the piano, and softly picked out with one hand the bars of a piece of music which lay open before her. A half-hour went by. There was the occasional sound of people going and coming in the lower hall. She was growing interested in her occupation of picking out the aria, when there was a second rap at the door. She vaguely wondered what these people did when they found Mademoiselle's door locked. "Come in," she called, turning her face toward the door. And this time it was Robert Lebrun who presented himself. She attempted to rise; she could not have done so without betraying the agitation which mastered her at sight of him, so she fell back upon the stool, only exclaiming, "Why, Robert!" He came and clasped her hand, seemingly without knowing what he was saying or doing. "Mrs. Pontellier! How do you happen oh! how well you look! Is Mademoiselle Reisz not here? I never expected to see you." "When did you come back?" asked Edna in an unsteady voice, wiping her face with her handkerchief. She seemed ill at ease on the piano stool, and he begged her to take the chair by the window. She did so, mechanically, while he seated himself on the stool. "I returned day before yesterday," he answered, while he leaned his arm on the keys, bringing forth a crash of discordant sound. "Day before yesterday!" she repeated, aloud; and went on thinking to herself, "day before yesterday," in a sort of an uncomprehending way. She had pictured him seeking her at the very first hour, and he had lived under the same sky since day before yesterday; while only by accident had he stumbled upon her. Mademoiselle must have lied when she said, "Poor fool, he loves you." "Day before yesterday," she repeated, breaking off a spray of Mademoiselle's geranium; "then if you had not met me here to-day you wouldn't when that is, didn't you mean to come and see me?" "Of course, I should have gone to see you. There have been so many things" he turned the leaves of Mademoiselle's music nervously. "I started in at once yesterday with the old firm. After all there is as much chance for me here as there was there that is, I might find it profitable some day. The Mexicans were not very congenial." So he had come back because the Mexicans were not congenial; because business was as profitable here as there; because of any reason, and not because he cared to be near her. She remembered the day she sat on the floor, turning the pages of his letter, seeking the reason which was left untold. She had not noticed how he looked only feeling his presence; but she turned deliberately and observed him. After all, he had been absent but a few months, and was not changed. His hair the color of hers waved back from his temples in the same way as before. His skin was not more burned than it had been at Grand Isle. She found in his eyes, when he looked at her for one silent moment, the same tender caress, with an added warmth and entreaty which had not been there | as usual, she entered and found the apartment deserted, as she had expected. Her day had been quite filled up, and it was for a rest, for a refuge, and to talk about Robert, that she sought out her friend. She had worked at her canvas a young Italian character study all the morning, completing the work without the model; but there had been many interruptions, some incident to her modest housekeeping, and others of a social nature. Madame Ratignolle had dragged herself over, avoiding the too public thoroughfares, she said. She complained that Edna had neglected her much of late. Besides, she was consumed with curiosity to see the little house and the manner in which it was conducted. She wanted to hear all about the dinner party; Monsieur Ratignolle had left _so_ early. What had happened after he left? The champagne and grapes which Edna sent over were _too_ delicious. She had so little appetite; they had refreshed and toned her stomach. Where on earth was she going to put Mr. Pontellier in that little house, and the boys? And then she made Edna promise to go to her when her hour of trial overtook her. "At any time any time of the day or night, dear," Edna assured her. Before leaving Madame Ratignolle said: "In some way you seem to me like a child, Edna. You seem to act without a certain amount of reflection which is necessary in this life. That is the reason I want to say you mustn't mind if I advise you to be a little careful while you are living here alone. Why don't you have some one come and stay with you? Wouldn't Mademoiselle Reisz come?" "No; she wouldn't wish to come, and I shouldn't want her always with me." "Well, the reason you know how evil-minded the world is some one was talking of Alc e Arobin visiting you. Of course, it wouldn't matter if Mr. Arobin had not such a dreadful reputation. Monsieur Ratignolle was telling me that his attentions alone are considered enough to ruin a woman's name." "Does he boast of his successes?" asked Edna, indifferently, squinting at her picture. "No, I think not. I believe he is a decent fellow as far as that goes. But his character is so well known among the men. I shan't be able to come back and see you; it was very, very imprudent to-day." "Mind the step!" cried Edna. "Don't neglect me," entreated Madame Ratignolle;<|quote|>"and don't mind what I said about Arobin, or having some one to stay with you."</|quote|>"Of course not," Edna laughed. "You may say anything you like to me." They kissed each other good-by. Madame Ratignolle had not far to go, and Edna stood on the porch a while watching her walk down the street. Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made their "party call." Edna felt that they might have dispensed with the formality. They had also come to invite her to play _vingt-et-un_ one evening at Mrs. Merriman's. She was asked to go early, to dinner, and Mr. Merriman or Mr. Arobin would take her home. Edna accepted in a half-hearted way. She sometimes felt very tired of Mrs. Highcamp and Mrs. Merriman. Late in the afternoon she sought refuge with Mademoiselle Reisz, and stayed there alone, waiting for her, feeling a kind of repose invade her with the very atmosphere of the shabby, unpretentious little room. Edna sat at the window, which looked out over the house-tops and across the river. The window frame was filled with pots of flowers, and she sat and picked the dry leaves from a rose geranium. The day was warm, and the breeze which blew from the river was very pleasant. She removed her hat and laid it on the piano. She went on picking the leaves and digging around the plants with her hat pin. Once she thought she heard Mademoiselle Reisz approaching. But it was a young black girl, who came in, bringing a small bundle of laundry, which she deposited in the adjoining room, and went away. Edna seated herself at the piano, and softly picked out with one hand the bars of a piece of music which lay open before her. A half-hour went by. There was the occasional sound of people going and coming in the lower hall. She was growing interested in her occupation of picking out the aria, when there was a second rap at the door. She vaguely wondered what these people did when they found Mademoiselle's door locked. "Come in," she called, turning her face toward the door. And this time it was Robert Lebrun who presented himself. She attempted to rise; she could not have done so without betraying the agitation which mastered her at sight of him, so she fell back upon the stool, only exclaiming, "Why, Robert!" He came and clasped her hand, seemingly without knowing what he was saying or doing. "Mrs. Pontellier! How do you happen oh! how well you look! Is Mademoiselle Reisz not here? I never expected to see you." "When did you come back?" asked Edna in an unsteady voice, wiping her face with her handkerchief. She seemed ill at ease on the piano stool, and he begged her to take the chair by the window. She did so, | The Awakening |
While the horses drew in the water, and nosed each other, and then drank again, Ántonia sat down on the windmill step and rested her head on her hand. | No speaker | very much corn this fall.”<|quote|>While the horses drew in the water, and nosed each other, and then drank again, Ántonia sat down on the windmill step and rested her head on her hand.</|quote|>“You see the big prairie | me. I want we have very much corn this fall.”<|quote|>While the horses drew in the water, and nosed each other, and then drank again, Ántonia sat down on the windmill step and rested her head on her hand.</|quote|>“You see the big prairie fire from your place last | ploughing she had done that day. Ambrosch, she said, was on the north quarter, breaking sod with the oxen. “Jim, you ask Jake how much he ploughed to-day. I don’t want that Jake get more done in one day than me. I want we have very much corn this fall.”<|quote|>While the horses drew in the water, and nosed each other, and then drank again, Ántonia sat down on the windmill step and rested her head on her hand.</|quote|>“You see the big prairie fire from your place last night? I hope your grandpa ain’t lose no stacks?” “No, we did n’t. I came to ask you something, Tony. Grandmother wants to know if you can’t go to the term of school that begins next week over at the | as brown as a sailor’s. Her neck came up strongly out of her shoulders, like the bole of a tree out of the turf. One sees that draft-horse neck among the peasant women in all old countries. She greeted me gayly, and began at once to tell me how much ploughing she had done that day. Ambrosch, she said, was on the north quarter, breaking sod with the oxen. “Jim, you ask Jake how much he ploughed to-day. I don’t want that Jake get more done in one day than me. I want we have very much corn this fall.”<|quote|>While the horses drew in the water, and nosed each other, and then drank again, Ántonia sat down on the windmill step and rested her head on her hand.</|quote|>“You see the big prairie fire from your place last night? I hope your grandpa ain’t lose no stacks?” “No, we did n’t. I came to ask you something, Tony. Grandmother wants to know if you can’t go to the term of school that begins next week over at the sod schoolhouse. She says there’s a good teacher, and you’d learn a lot.” Ántonia stood up, lifting and dropping her shoulders as if they were stiff. “I ain’t got time to learn. I can work like mans now. My mother can’t say no more how Ambrosch do all and nobody | with her team. How much older she had grown in eight months! She had come to us a child, and now she was a tall, strong young girl, although her fifteenth birthday had just slipped by. I ran out and met her as she brought her horses up to the windmill to water them. She wore the boots her father had so thoughtfully taken off before he shot himself, and his old fur cap. Her outgrown cotton dress switched about her calves, over the boot-tops. She kept her sleeves rolled up all day, and her arms and throat were burned as brown as a sailor’s. Her neck came up strongly out of her shoulders, like the bole of a tree out of the turf. One sees that draft-horse neck among the peasant women in all old countries. She greeted me gayly, and began at once to tell me how much ploughing she had done that day. Ambrosch, she said, was on the north quarter, breaking sod with the oxen. “Jim, you ask Jake how much he ploughed to-day. I don’t want that Jake get more done in one day than me. I want we have very much corn this fall.”<|quote|>While the horses drew in the water, and nosed each other, and then drank again, Ántonia sat down on the windmill step and rested her head on her hand.</|quote|>“You see the big prairie fire from your place last night? I hope your grandpa ain’t lose no stacks?” “No, we did n’t. I came to ask you something, Tony. Grandmother wants to know if you can’t go to the term of school that begins next week over at the sod schoolhouse. She says there’s a good teacher, and you’d learn a lot.” Ántonia stood up, lifting and dropping her shoulders as if they were stiff. “I ain’t got time to learn. I can work like mans now. My mother can’t say no more how Ambrosch do all and nobody to help him. I can work as much as him. School is all right for little boys. I help make this land one good farm.” She clucked to her team and started for the barn. I walked beside her, feeling vexed. Was she going to grow up boastful like her mother, I wondered? Before we reached the stable, I felt something tense in her silence, and glancing up I saw that she was crying. She turned her face from me and looked off at the red streak of dying light, over the dark prairie. I climbed up into the loft | She seemed to think that my elders withheld helpful information, and that from me she might get valuable secrets. On this occasion she asked me very craftily when grandfather expected to begin planting corn. I told her, adding that he thought we should have a dry spring and that the corn would not be held back by too much rain, as it had been last year. She gave me a shrewd glance. “He not Jesus,” she blustered; “he not know about the wet and the dry.” I did not answer her; what was the use? As I sat waiting for the hour when Ambrosch and Ántonia would return from the fields, I watched Mrs. Shimerda at her work. She took from the oven a coffee-cake which she wanted to keep warm for supper, and wrapped it in a quilt stuffed with feathers. I have seen her put even a roast goose in this quilt to keep it hot. When the neighbors were there building the new house they saw her do this, and the story got abroad that the Shimerdas kept their food in their feather beds. When the sun was dropping low, Ántonia came up the big south draw with her team. How much older she had grown in eight months! She had come to us a child, and now she was a tall, strong young girl, although her fifteenth birthday had just slipped by. I ran out and met her as she brought her horses up to the windmill to water them. She wore the boots her father had so thoughtfully taken off before he shot himself, and his old fur cap. Her outgrown cotton dress switched about her calves, over the boot-tops. She kept her sleeves rolled up all day, and her arms and throat were burned as brown as a sailor’s. Her neck came up strongly out of her shoulders, like the bole of a tree out of the turf. One sees that draft-horse neck among the peasant women in all old countries. She greeted me gayly, and began at once to tell me how much ploughing she had done that day. Ambrosch, she said, was on the north quarter, breaking sod with the oxen. “Jim, you ask Jake how much he ploughed to-day. I don’t want that Jake get more done in one day than me. I want we have very much corn this fall.”<|quote|>While the horses drew in the water, and nosed each other, and then drank again, Ántonia sat down on the windmill step and rested her head on her hand.</|quote|>“You see the big prairie fire from your place last night? I hope your grandpa ain’t lose no stacks?” “No, we did n’t. I came to ask you something, Tony. Grandmother wants to know if you can’t go to the term of school that begins next week over at the sod schoolhouse. She says there’s a good teacher, and you’d learn a lot.” Ántonia stood up, lifting and dropping her shoulders as if they were stiff. “I ain’t got time to learn. I can work like mans now. My mother can’t say no more how Ambrosch do all and nobody to help him. I can work as much as him. School is all right for little boys. I help make this land one good farm.” She clucked to her team and started for the barn. I walked beside her, feeling vexed. Was she going to grow up boastful like her mother, I wondered? Before we reached the stable, I felt something tense in her silence, and glancing up I saw that she was crying. She turned her face from me and looked off at the red streak of dying light, over the dark prairie. I climbed up into the loft and threw down the hay for her, while she unharnessed her team. We walked slowly back toward the house. Ambrosch had come in from the north quarter, and was watering his oxen at the tank. Ántonia took my hand. “Sometime you will tell me all those nice things you learn at the school, won’t you, Jimmy?” she asked with a sudden rush of feeling in her voice. “My father, he went much to school. He know a great deal; how to make the fine cloth like what you not got here. He play horn and violin, and he read so many books that the priests in Bohemie come to talk to him. You won’t forget my father, Jim?” “No,” I said, “I will never forget him.” Mrs. Shimerda asked me to stay for supper. After Ambrosch and Ántonia had washed the field dust from their hands and faces at the wash-basin by the kitchen door, we sat down at the oilcloth-covered table. Mrs. Shimerda ladled meal mush out of an iron pot and poured milk on it. After the mush we had fresh bread and sorghum molasses, and coffee with the cake that had been kept warm in the feathers. | I loved the spirit that could not carry out the sentence—the error from the surveyed lines, the clemency of the soft earth roads along which the home-coming wagons rattled after sunset. Never a tired driver passed the wooden cross, I am sure, without wishing well to the sleeper. XVII WHEN spring came, after that hard winter, one could not get enough of the nimble air. Every morning I wakened with a fresh consciousness that winter was over. There were none of the signs of spring for which I used to watch in Virginia, no budding woods or blooming gardens. There was only—spring itself; the throb of it, the light restlessness, the vital essence of it everywhere; in the sky, in the swift clouds, in the pale sunshine, and in the warm, high wind—rising suddenly, sinking suddenly, impulsive and playful like a big puppy that pawed you and then lay down to be petted. If I had been tossed down blindfold on that red prairie, I should have known that it was spring. Everywhere now there was the smell of burning grass. Our neighbors burned off their pasture before the new grass made a start, so that the fresh growth would not be mixed with the dead stand of last year. Those light, swift fires, running about the country, seemed a part of the same kindling that was in the air. The Shimerdas were in their new log house by then. The neighbors had helped them to build it in March. It stood directly in front of their old cave, which they used as a cellar. The family were now fairly equipped to begin their struggle with the soil. They had four comfortable rooms to live in, a new windmill,—bought on credit,—a chicken-house and poultry. Mrs. Shimerda had paid grandfather ten dollars for a milk cow, and was to give him fifteen more as soon as they harvested their first crop. When I rode up to the Shimerdas’ one bright windy afternoon in April, Yulka ran out to meet me. It was to her, now, that I gave reading lessons; Ántonia was busy with other things. I tied my pony and went into the kitchen where Mrs. Shimerda was baking bread, chewing poppy seeds as she worked. By this time she could speak enough English to ask me a great many questions about what our men were doing in the fields. She seemed to think that my elders withheld helpful information, and that from me she might get valuable secrets. On this occasion she asked me very craftily when grandfather expected to begin planting corn. I told her, adding that he thought we should have a dry spring and that the corn would not be held back by too much rain, as it had been last year. She gave me a shrewd glance. “He not Jesus,” she blustered; “he not know about the wet and the dry.” I did not answer her; what was the use? As I sat waiting for the hour when Ambrosch and Ántonia would return from the fields, I watched Mrs. Shimerda at her work. She took from the oven a coffee-cake which she wanted to keep warm for supper, and wrapped it in a quilt stuffed with feathers. I have seen her put even a roast goose in this quilt to keep it hot. When the neighbors were there building the new house they saw her do this, and the story got abroad that the Shimerdas kept their food in their feather beds. When the sun was dropping low, Ántonia came up the big south draw with her team. How much older she had grown in eight months! She had come to us a child, and now she was a tall, strong young girl, although her fifteenth birthday had just slipped by. I ran out and met her as she brought her horses up to the windmill to water them. She wore the boots her father had so thoughtfully taken off before he shot himself, and his old fur cap. Her outgrown cotton dress switched about her calves, over the boot-tops. She kept her sleeves rolled up all day, and her arms and throat were burned as brown as a sailor’s. Her neck came up strongly out of her shoulders, like the bole of a tree out of the turf. One sees that draft-horse neck among the peasant women in all old countries. She greeted me gayly, and began at once to tell me how much ploughing she had done that day. Ambrosch, she said, was on the north quarter, breaking sod with the oxen. “Jim, you ask Jake how much he ploughed to-day. I don’t want that Jake get more done in one day than me. I want we have very much corn this fall.”<|quote|>While the horses drew in the water, and nosed each other, and then drank again, Ántonia sat down on the windmill step and rested her head on her hand.</|quote|>“You see the big prairie fire from your place last night? I hope your grandpa ain’t lose no stacks?” “No, we did n’t. I came to ask you something, Tony. Grandmother wants to know if you can’t go to the term of school that begins next week over at the sod schoolhouse. She says there’s a good teacher, and you’d learn a lot.” Ántonia stood up, lifting and dropping her shoulders as if they were stiff. “I ain’t got time to learn. I can work like mans now. My mother can’t say no more how Ambrosch do all and nobody to help him. I can work as much as him. School is all right for little boys. I help make this land one good farm.” She clucked to her team and started for the barn. I walked beside her, feeling vexed. Was she going to grow up boastful like her mother, I wondered? Before we reached the stable, I felt something tense in her silence, and glancing up I saw that she was crying. She turned her face from me and looked off at the red streak of dying light, over the dark prairie. I climbed up into the loft and threw down the hay for her, while she unharnessed her team. We walked slowly back toward the house. Ambrosch had come in from the north quarter, and was watering his oxen at the tank. Ántonia took my hand. “Sometime you will tell me all those nice things you learn at the school, won’t you, Jimmy?” she asked with a sudden rush of feeling in her voice. “My father, he went much to school. He know a great deal; how to make the fine cloth like what you not got here. He play horn and violin, and he read so many books that the priests in Bohemie come to talk to him. You won’t forget my father, Jim?” “No,” I said, “I will never forget him.” Mrs. Shimerda asked me to stay for supper. After Ambrosch and Ántonia had washed the field dust from their hands and faces at the wash-basin by the kitchen door, we sat down at the oilcloth-covered table. Mrs. Shimerda ladled meal mush out of an iron pot and poured milk on it. After the mush we had fresh bread and sorghum molasses, and coffee with the cake that had been kept warm in the feathers. Ántonia and Ambrosch were talking in Bohemian; disputing about which of them had done more ploughing that day. Mrs. Shimerda egged them on, chuckling while she gobbled her food. [Illustration: Ántonia ploughing in the field] Presently Ambrosch said sullenly in English: “You take them ox to-morrow and try the sod plough. Then you not be so smart.” His sister laughed. “Don’t be mad. I know it’s awful hard work for break sod. I milk the cow for you to-morrow, if you want.” Mrs. Shimerda turned quickly to me. “That cow not give so much milk like what your grandpa say. If he make talk about fifteen dollars, I send him back the cow.” “He does n’t talk about the fifteen dollars,” I exclaimed indignantly. “He does n’t find fault with people.” “He say I break his saw when we build, and I never,” grumbled Ambrosch. I knew he had broken the saw, and then hid it and lied about it. I began to wish I had not stayed for supper. Everything was disagreeable to me. Ántonia ate so noisily now, like a man, and she yawned often at the table and kept stretching her arms over her head, as if they ached. Grandmother had said, “Heavy field work’ll spoil that girl. She’ll lose all her nice ways and get rough ones.” She had lost them already. After supper I rode home through the sad, soft spring twilight. Since winter I had seen very little of Ántonia. She was out in the fields from sun-up until sun-down. If I rode over to see her where she was ploughing, she stopped at the end of a row to chat for a moment, then gripped her plough-handles, clucked to her team, and waded on down the furrow, making me feel that she was now grown up and had no time for me. On Sundays she helped her mother make garden or sewed all day. Grandfather was pleased with Ántonia. When we complained of her, he only smiled and said, “She will help some fellow get ahead in the world.” Nowadays Tony could talk of nothing but the prices of things, or how much she could lift and endure. She was too proud of her strength. I knew, too, that Ambrosch put upon her some chores a girl ought not to do, and that the farmhands around the country joked in a nasty way | could speak enough English to ask me a great many questions about what our men were doing in the fields. She seemed to think that my elders withheld helpful information, and that from me she might get valuable secrets. On this occasion she asked me very craftily when grandfather expected to begin planting corn. I told her, adding that he thought we should have a dry spring and that the corn would not be held back by too much rain, as it had been last year. She gave me a shrewd glance. “He not Jesus,” she blustered; “he not know about the wet and the dry.” I did not answer her; what was the use? As I sat waiting for the hour when Ambrosch and Ántonia would return from the fields, I watched Mrs. Shimerda at her work. She took from the oven a coffee-cake which she wanted to keep warm for supper, and wrapped it in a quilt stuffed with feathers. I have seen her put even a roast goose in this quilt to keep it hot. When the neighbors were there building the new house they saw her do this, and the story got abroad that the Shimerdas kept their food in their feather beds. When the sun was dropping low, Ántonia came up the big south draw with her team. How much older she had grown in eight months! She had come to us a child, and now she was a tall, strong young girl, although her fifteenth birthday had just slipped by. I ran out and met her as she brought her horses up to the windmill to water them. She wore the boots her father had so thoughtfully taken off before he shot himself, and his old fur cap. Her outgrown cotton dress switched about her calves, over the boot-tops. She kept her sleeves rolled up all day, and her arms and throat were burned as brown as a sailor’s. Her neck came up strongly out of her shoulders, like the bole of a tree out of the turf. One sees that draft-horse neck among the peasant women in all old countries. She greeted me gayly, and began at once to tell me how much ploughing she had done that day. Ambrosch, she said, was on the north quarter, breaking sod with the oxen. “Jim, you ask Jake how much he ploughed to-day. I don’t want that Jake get more done in one day than me. I want we have very much corn this fall.”<|quote|>While the horses drew in the water, and nosed each other, and then drank again, Ántonia sat down on the windmill step and rested her head on her hand.</|quote|>“You see the big prairie fire from your place last night? I hope your grandpa ain’t lose no stacks?” “No, we did n’t. I came to ask you something, Tony. Grandmother wants to know if you can’t go to the term of school that begins next week over at the sod schoolhouse. She says there’s a good teacher, and you’d learn a lot.” Ántonia stood up, lifting and dropping her shoulders as if they were stiff. “I ain’t got time to learn. I can work like mans now. My mother can’t say no more how Ambrosch do all and nobody to help him. I can work as much as him. School is all right for little boys. I help make this land one good farm.” She clucked to her team and started for the barn. I walked beside her, feeling vexed. Was she going to grow up boastful like her mother, I wondered? Before we reached the stable, I felt something tense in her silence, and glancing up I saw that she was crying. She turned her face from me and looked off at the red streak of dying light, over the dark prairie. I climbed up into the loft and threw down the hay for her, while she unharnessed her team. We walked slowly back toward the house. Ambrosch had come in from the north quarter, and was watering his oxen at the tank. Ántonia took my hand. “Sometime you will tell me all those nice things you learn at the school, won’t you, Jimmy?” she asked with a sudden rush of feeling in her voice. “My father, he went much to school. He know a great deal; how to make the fine cloth like what you not got here. He play horn and violin, and he read so many books that the priests in Bohemie come to talk to him. You won’t forget my father, Jim?” “No,” I said, “I will never forget him.” Mrs. Shimerda asked me to stay for supper. After Ambrosch and Ántonia had washed the field dust from their hands and faces at the wash-basin by the kitchen door, we sat down at the oilcloth-covered table. Mrs. Shimerda ladled meal mush out of an iron pot and poured milk on it. After the mush we had fresh bread and sorghum molasses, and coffee with the cake that had been kept warm in the feathers. Ántonia and Ambrosch were talking in Bohemian; disputing about which of them had done more ploughing that day. Mrs. Shimerda egged them on, chuckling while she gobbled her food. [Illustration: Ántonia ploughing in the field] | My Antonia |
"you see Mr. Palmer expects you; so you cannot refuse to come." | Charlotte | "There now," said his lady,<|quote|>"you see Mr. Palmer expects you; so you cannot refuse to come."</|quote|>They both eagerly and resolutely | Devonshire with no other view." "There now," said his lady,<|quote|>"you see Mr. Palmer expects you; so you cannot refuse to come."</|quote|>They both eagerly and resolutely declined her invitation. "But indeed | You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady,<|quote|>"you see Mr. Palmer expects you; so you cannot refuse to come."</|quote|>They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so | to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady,<|quote|>"you see Mr. Palmer expects you; so you cannot refuse to come."</|quote|>They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body | bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady,<|quote|>"you see Mr. Palmer expects you; so you cannot refuse to come."</|quote|>They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I | with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you." Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady,<|quote|>"you see Mr. Palmer expects you; so you cannot refuse to come."</|quote|>They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you would, he is so pleasant; and Mr. Palmer is excessively pleased with you and your sisters I can tell you, and you can t think how disappointed he will be if you don t come to Cleveland. I can t imagine why you should object to it." Elinor was again obliged to decline her invitation; and by changing the subject, put a stop to her entreaties. She thought it probable that as they lived in the same county, Mrs. Palmer might be able to give some more particular account of Willoughby s general character, than could be gathered from the Middletons partial | into public." They thanked her; but were obliged to resist all her entreaties. "Oh, my love," cried Mrs. Palmer to her husband, who just then entered the room "you must help me to persuade the Miss Dashwoods to go to town this winter." Her love made no answer; and after slightly bowing to the ladies, began complaining of the weather. "How horrid all this is!" said he. "Such weather makes every thing and every body disgusting. Dullness is as much produced within doors as without, by rain. It makes one detest all one s acquaintance. What the devil does Sir John mean by not having a billiard room in his house? How few people know what comfort is! Sir John is as stupid as the weather." The rest of the company soon dropt in. "I am afraid, Miss Marianne," said Sir John, "you have not been able to take your usual walk to Allenham today." Marianne looked very grave and said nothing. "Oh, don t be so sly before us," said Mrs. Palmer; "for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say." "Much nearer thirty," said her husband. "Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place." "As vile a spot as I ever saw in my life," said Mr. Palmer. Marianne remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you." Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady,<|quote|>"you see Mr. Palmer expects you; so you cannot refuse to come."</|quote|>They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you would, he is so pleasant; and Mr. Palmer is excessively pleased with you and your sisters I can tell you, and you can t think how disappointed he will be if you don t come to Cleveland. I can t imagine why you should object to it." Elinor was again obliged to decline her invitation; and by changing the subject, put a stop to her entreaties. She thought it probable that as they lived in the same county, Mrs. Palmer might be able to give some more particular account of Willoughby s general character, than could be gathered from the Middletons partial acquaintance with him; and she was eager to gain from any one, such a confirmation of his merits as might remove the possibility of fear from Marianne. She began by inquiring if they saw much of Mr. Willoughby at Cleveland, and whether they were intimately acquainted with him. "Oh dear, yes; I know him extremely well," replied Mrs. Palmer; "Not that I ever spoke to him, indeed; but I have seen him for ever in town. Somehow or other I never happened to be staying at Barton while he was at Allenham. Mama saw him here once before; but I was with my uncle at Weymouth. However, I dare say we should have seen a great deal of him in Somersetshire, if it had not happened very unluckily that we should never have been in the country together. He is very little at Combe, I believe; but if he were ever so much there, I do not think Mr. Palmer would visit him, for he is in the opposition, you know, and besides it is such a way off. I know why you inquire about him, very well; your sister is to marry him. I am monstrous glad of it, for then I shall have her for a neighbour you know." "Upon my word," replied Elinor, "you know much more of the matter than I do, if you have any reason to expect such a match." "Don t pretend to deny it, because you know it is what every body talks of. I assure you I heard of it in my way through town." "My dear Mrs. Palmer!" "Upon my honour I did. I met Colonel Brandon Monday morning in Bond-street, just before we left town, and he told me of it directly." "You surprise me very much. Colonel Brandon tell you of it! Surely you must be mistaken. To give such intelligence to a person who could not be interested in it, even if it were true, is not what I should expect Colonel Brandon to do." "But I do assure you it was so, for all that, and I will tell you how it happened. When we met him, he turned back and walked with us; and so we began talking of my brother and sister, and one thing and another, and I said to him, So, Colonel, there is a new family come to Barton cottage, I | be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you." Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted. "Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady,<|quote|>"you see Mr. Palmer expects you; so you cannot refuse to come."</|quote|>They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She | Sense And Sensibility |
And then this Bear, Pooh Bear, Winnie-the-Pooh, F.O.P. (Friend of Piglet's), R.C. (Rabbit's Companion), P.D. (Pole Discoverer), E.C. and T.F. (Eeyore's Comforter and Tail-finder)--in fact, Pooh himself--said something so clever that Christopher Robin could only look at him with mouth open and eyes staring, wondering if this was really the Bear of Very Little Brain whom he had known and loved so long. | No speaker | Bear, what shall we do?"<|quote|>And then this Bear, Pooh Bear, Winnie-the-Pooh, F.O.P. (Friend of Piglet's), R.C. (Rabbit's Companion), P.D. (Pole Discoverer), E.C. and T.F. (Eeyore's Comforter and Tail-finder)--in fact, Pooh himself--said something so clever that Christopher Robin could only look at him with mouth open and eyes staring, wondering if this was really the Bear of Very Little Brain whom he had known and loved so long.</|quote|>"We might go in your | it smaller still. Oh, Pooh Bear, what shall we do?"<|quote|>And then this Bear, Pooh Bear, Winnie-the-Pooh, F.O.P. (Friend of Piglet's), R.C. (Rabbit's Companion), P.D. (Pole Discoverer), E.C. and T.F. (Eeyore's Comforter and Tail-finder)--in fact, Pooh himself--said something so clever that Christopher Robin could only look at him with mouth open and eyes staring, wondering if this was really the Bear of Very Little Brain whom he had known and loved so long.</|quote|>"We might go in your umbrella," said Pooh. "?" "We | and the more Christopher Robin thought this, the more Pooh looked modestly down his nose and tried to pretend he wasn't. "But it's too small for two of us," said Christopher Robin sadly. "Three of us with Piglet." "That makes it smaller still. Oh, Pooh Bear, what shall we do?"<|quote|>And then this Bear, Pooh Bear, Winnie-the-Pooh, F.O.P. (Friend of Piglet's), R.C. (Rabbit's Companion), P.D. (Pole Discoverer), E.C. and T.F. (Eeyore's Comforter and Tail-finder)--in fact, Pooh himself--said something so clever that Christopher Robin could only look at him with mouth open and eyes staring, wondering if this was really the Bear of Very Little Brain whom he had known and loved so long.</|quote|>"We might go in your umbrella," said Pooh. "?" "We might go in your umbrella," said Pooh. "? ?" "We might go in your umbrella," said Pooh. "!!!!!!" For suddenly Christopher Robin saw that they might. He opened his umbrella and put it point downwards in the water. It floated | "On whether I'm on the top of it or underneath it." "Oh! Well, where is it?" "There!" said Pooh, pointing proudly to _The Floating Bear_. It wasn't what Christopher Robin expected, and the more he looked at it, the more he thought what a Brave and Clever Bear Pooh was, and the more Christopher Robin thought this, the more Pooh looked modestly down his nose and tried to pretend he wasn't. "But it's too small for two of us," said Christopher Robin sadly. "Three of us with Piglet." "That makes it smaller still. Oh, Pooh Bear, what shall we do?"<|quote|>And then this Bear, Pooh Bear, Winnie-the-Pooh, F.O.P. (Friend of Piglet's), R.C. (Rabbit's Companion), P.D. (Pole Discoverer), E.C. and T.F. (Eeyore's Comforter and Tail-finder)--in fact, Pooh himself--said something so clever that Christopher Robin could only look at him with mouth open and eyes staring, wondering if this was really the Bear of Very Little Brain whom he had known and loved so long.</|quote|>"We might go in your umbrella," said Pooh. "?" "We might go in your umbrella," said Pooh. "? ?" "We might go in your umbrella," said Pooh. "!!!!!!" For suddenly Christopher Robin saw that they might. He opened his umbrella and put it point downwards in the water. It floated but wobbled. Pooh got in. He was just beginning to say that it was all right now, when he found that it wasn't, so after a short drink which he didn't really want he waded back to Christopher Robin. Then they both got in together, and it wobbled no longer. | muscles----" "Then would you fly to him at _once_ and say that Rescue is Coming? And Pooh and I will think of a Rescue and come as quick as ever we can. Oh, don't _talk_, Owl, go on quick!" And, still thinking of something to say, Owl flew off. "Now then, Pooh," said Christopher Robin, "where's your boat?" "I ought to say," explained Pooh as they walked down to the shore of the island, "that it isn't just an ordinary sort of boat. Sometimes it's a Boat, and sometimes it's more of an Accident. It all depends." "Depends on what?" "On whether I'm on the top of it or underneath it." "Oh! Well, where is it?" "There!" said Pooh, pointing proudly to _The Floating Bear_. It wasn't what Christopher Robin expected, and the more he looked at it, the more he thought what a Brave and Clever Bear Pooh was, and the more Christopher Robin thought this, the more Pooh looked modestly down his nose and tried to pretend he wasn't. "But it's too small for two of us," said Christopher Robin sadly. "Three of us with Piglet." "That makes it smaller still. Oh, Pooh Bear, what shall we do?"<|quote|>And then this Bear, Pooh Bear, Winnie-the-Pooh, F.O.P. (Friend of Piglet's), R.C. (Rabbit's Companion), P.D. (Pole Discoverer), E.C. and T.F. (Eeyore's Comforter and Tail-finder)--in fact, Pooh himself--said something so clever that Christopher Robin could only look at him with mouth open and eyes staring, wondering if this was really the Bear of Very Little Brain whom he had known and loved so long.</|quote|>"We might go in your umbrella," said Pooh. "?" "We might go in your umbrella," said Pooh. "? ?" "We might go in your umbrella," said Pooh. "!!!!!!" For suddenly Christopher Robin saw that they might. He opened his umbrella and put it point downwards in the water. It floated but wobbled. Pooh got in. He was just beginning to say that it was all right now, when he found that it wasn't, so after a short drink which he didn't really want he waded back to Christopher Robin. Then they both got in together, and it wobbled no longer. "I shall call this boat _The Brain of Pooh_," said Christopher Robin, and _The Brain of Pooh_ set sail forthwith in a south-westerly direction, revolving gracefully. You can imagine Piglet's joy when at last the ship came in sight of him. In after-years he liked to think that he had been in Very Great Danger during the Terrible Flood, but the only danger he had really been in was in the last half-hour of his imprisonment, when Owl, who had just flown up, sat on a branch of his tree to comfort him, and told him a very long story | "Pooh isn't there," he said. "Not there?" "Has _been_ there. He's been sitting on a branch of his tree outside his house with nine pots of honey. But he isn't there now." "Oh, Pooh!" cried Christopher Robin. "Where _are_ you?" "Here I am," said a growly voice behind him. "Pooh!" They rushed into each other's arms. "How did you get here, Pooh?" asked Christopher Robin, when he was ready to talk again. "On my boat," said Pooh proudly. "I had a Very Important Missage sent me in a bottle, and owing to having got some water in my eyes, I couldn't read it, so I brought it to you. On my boat." With these proud words he gave Christopher Robin the missage. "But it's from Piglet!" cried Christopher Robin when he had read it. "Isn't there anything about Pooh in it?" asked Bear, looking over his shoulder. Christopher Robin read the message aloud. "Oh, are those 'P's' piglets? I thought they were poohs." "We must rescue him at once! I thought he was with _you_, Pooh. Owl, could you rescue him on your back?" "I don't think so," said Owl, after grave thought. "It is doubtful if the necessary dorsal muscles----" "Then would you fly to him at _once_ and say that Rescue is Coming? And Pooh and I will think of a Rescue and come as quick as ever we can. Oh, don't _talk_, Owl, go on quick!" And, still thinking of something to say, Owl flew off. "Now then, Pooh," said Christopher Robin, "where's your boat?" "I ought to say," explained Pooh as they walked down to the shore of the island, "that it isn't just an ordinary sort of boat. Sometimes it's a Boat, and sometimes it's more of an Accident. It all depends." "Depends on what?" "On whether I'm on the top of it or underneath it." "Oh! Well, where is it?" "There!" said Pooh, pointing proudly to _The Floating Bear_. It wasn't what Christopher Robin expected, and the more he looked at it, the more he thought what a Brave and Clever Bear Pooh was, and the more Christopher Robin thought this, the more Pooh looked modestly down his nose and tried to pretend he wasn't. "But it's too small for two of us," said Christopher Robin sadly. "Three of us with Piglet." "That makes it smaller still. Oh, Pooh Bear, what shall we do?"<|quote|>And then this Bear, Pooh Bear, Winnie-the-Pooh, F.O.P. (Friend of Piglet's), R.C. (Rabbit's Companion), P.D. (Pole Discoverer), E.C. and T.F. (Eeyore's Comforter and Tail-finder)--in fact, Pooh himself--said something so clever that Christopher Robin could only look at him with mouth open and eyes staring, wondering if this was really the Bear of Very Little Brain whom he had known and loved so long.</|quote|>"We might go in your umbrella," said Pooh. "?" "We might go in your umbrella," said Pooh. "? ?" "We might go in your umbrella," said Pooh. "!!!!!!" For suddenly Christopher Robin saw that they might. He opened his umbrella and put it point downwards in the water. It floated but wobbled. Pooh got in. He was just beginning to say that it was all right now, when he found that it wasn't, so after a short drink which he didn't really want he waded back to Christopher Robin. Then they both got in together, and it wobbled no longer. "I shall call this boat _The Brain of Pooh_," said Christopher Robin, and _The Brain of Pooh_ set sail forthwith in a south-westerly direction, revolving gracefully. You can imagine Piglet's joy when at last the ship came in sight of him. In after-years he liked to think that he had been in Very Great Danger during the Terrible Flood, but the only danger he had really been in was in the last half-hour of his imprisonment, when Owl, who had just flown up, sat on a branch of his tree to comfort him, and told him a very long story about an aunt who had once laid a seagull's egg by mistake, and the story went on and on, rather like this sentence, until Piglet who was listening out of his window without much hope, went to sleep quietly and naturally, slipping slowly out of the window towards the water until he was only hanging on by his toes, at which moment luckily, a sudden loud squawk from Owl, which was really part of the story, being what his aunt said, woke the Piglet up and just gave him time to jerk himself back into safety and say, "How interesting, and did she?" when--well, you can imagine his joy when at last he saw the good ship, _Brain of Pooh_ (_Captain_, C. Robin; _1st Mate_, P. Bear) coming over the sea to rescue him. Christopher Robin and Pooh again.... And that is really the end of the story, and I am very tired after that last sentence, I think I shall stop there. CHAPTER X IN WHICH CHRISTOPHER ROBIN GIVES POOH A PARTY, AND WE SAY GOOD-BYE One day when the sun had come back over the Forest, bringing with it the scent of may, and all the streams of | _The Floating Bear_ were uncertain as to which of them was meant to be on the top, but after trying one or two different positions, they settled down with _The Floating Bear_ underneath and Pooh triumphantly astride it, paddling vigorously with his feet. * * * * * Christopher Robin lived at the very top of the Forest. It rained, and it rained, and it rained, but the water couldn't come up to _his_ house. It was rather jolly to look down into the valleys and see the water all round him, but it rained so hard that he stayed indoors most of the time, and thought about things. Every morning he went out with his umbrella and put a stick in the place where the water came up to, and every next morning he went out and couldn't see his stick any more, so he put another stick in the place where the water came up to, and then he walked home again, and each morning he had a shorter way to walk than he had had the morning before. On the morning of the fifth day he saw the water all round him, and knew that for the first time in his life he was on a real island. Which was very exciting. It was on this morning that Owl came flying over the water to say "How do you do," to his friend Christopher Robin. "I say, Owl," said Christopher Robin, "isn't this fun? I'm on an island!" "The atmospheric conditions have been very unfavourable lately," said Owl. "The what?" "It has been raining," explained Owl. "Yes," said Christopher Robin. "It has." "The flood-level has reached an unprecedented height." "The who?" "There's a lot of water about," explained Owl. "Yes," said Christopher Robin, "there is." "However, the prospects are rapidly becoming more favourable. At any moment----" "Have you seen Pooh?" "No. At any moment----" "I hope he's all right," said Christopher Robin. "I've been wondering about him. I expect Piglet's with him. Do you think they're all right, Owl?" "I expect so. You see, at any moment----" "Do go and see, Owl. Because Pooh hasn't got very much brain, and he might do something silly, and I do love him so, Owl. Do you see, Owl?" "That's all right," said Owl. "I'll go. Back directly." And he flew off. In a little while he was back again. "Pooh isn't there," he said. "Not there?" "Has _been_ there. He's been sitting on a branch of his tree outside his house with nine pots of honey. But he isn't there now." "Oh, Pooh!" cried Christopher Robin. "Where _are_ you?" "Here I am," said a growly voice behind him. "Pooh!" They rushed into each other's arms. "How did you get here, Pooh?" asked Christopher Robin, when he was ready to talk again. "On my boat," said Pooh proudly. "I had a Very Important Missage sent me in a bottle, and owing to having got some water in my eyes, I couldn't read it, so I brought it to you. On my boat." With these proud words he gave Christopher Robin the missage. "But it's from Piglet!" cried Christopher Robin when he had read it. "Isn't there anything about Pooh in it?" asked Bear, looking over his shoulder. Christopher Robin read the message aloud. "Oh, are those 'P's' piglets? I thought they were poohs." "We must rescue him at once! I thought he was with _you_, Pooh. Owl, could you rescue him on your back?" "I don't think so," said Owl, after grave thought. "It is doubtful if the necessary dorsal muscles----" "Then would you fly to him at _once_ and say that Rescue is Coming? And Pooh and I will think of a Rescue and come as quick as ever we can. Oh, don't _talk_, Owl, go on quick!" And, still thinking of something to say, Owl flew off. "Now then, Pooh," said Christopher Robin, "where's your boat?" "I ought to say," explained Pooh as they walked down to the shore of the island, "that it isn't just an ordinary sort of boat. Sometimes it's a Boat, and sometimes it's more of an Accident. It all depends." "Depends on what?" "On whether I'm on the top of it or underneath it." "Oh! Well, where is it?" "There!" said Pooh, pointing proudly to _The Floating Bear_. It wasn't what Christopher Robin expected, and the more he looked at it, the more he thought what a Brave and Clever Bear Pooh was, and the more Christopher Robin thought this, the more Pooh looked modestly down his nose and tried to pretend he wasn't. "But it's too small for two of us," said Christopher Robin sadly. "Three of us with Piglet." "That makes it smaller still. Oh, Pooh Bear, what shall we do?"<|quote|>And then this Bear, Pooh Bear, Winnie-the-Pooh, F.O.P. (Friend of Piglet's), R.C. (Rabbit's Companion), P.D. (Pole Discoverer), E.C. and T.F. (Eeyore's Comforter and Tail-finder)--in fact, Pooh himself--said something so clever that Christopher Robin could only look at him with mouth open and eyes staring, wondering if this was really the Bear of Very Little Brain whom he had known and loved so long.</|quote|>"We might go in your umbrella," said Pooh. "?" "We might go in your umbrella," said Pooh. "? ?" "We might go in your umbrella," said Pooh. "!!!!!!" For suddenly Christopher Robin saw that they might. He opened his umbrella and put it point downwards in the water. It floated but wobbled. Pooh got in. He was just beginning to say that it was all right now, when he found that it wasn't, so after a short drink which he didn't really want he waded back to Christopher Robin. Then they both got in together, and it wobbled no longer. "I shall call this boat _The Brain of Pooh_," said Christopher Robin, and _The Brain of Pooh_ set sail forthwith in a south-westerly direction, revolving gracefully. You can imagine Piglet's joy when at last the ship came in sight of him. In after-years he liked to think that he had been in Very Great Danger during the Terrible Flood, but the only danger he had really been in was in the last half-hour of his imprisonment, when Owl, who had just flown up, sat on a branch of his tree to comfort him, and told him a very long story about an aunt who had once laid a seagull's egg by mistake, and the story went on and on, rather like this sentence, until Piglet who was listening out of his window without much hope, went to sleep quietly and naturally, slipping slowly out of the window towards the water until he was only hanging on by his toes, at which moment luckily, a sudden loud squawk from Owl, which was really part of the story, being what his aunt said, woke the Piglet up and just gave him time to jerk himself back into safety and say, "How interesting, and did she?" when--well, you can imagine his joy when at last he saw the good ship, _Brain of Pooh_ (_Captain_, C. Robin; _1st Mate_, P. Bear) coming over the sea to rescue him. Christopher Robin and Pooh again.... And that is really the end of the story, and I am very tired after that last sentence, I think I shall stop there. CHAPTER X IN WHICH CHRISTOPHER ROBIN GIVES POOH A PARTY, AND WE SAY GOOD-BYE One day when the sun had come back over the Forest, bringing with it the scent of may, and all the streams of the Forest were tinkling happily to find themselves their own pretty shape again, and the little pools lay dreaming of the life they had seen and the big things they had done, and in the warmth and quiet of the Forest the cuckoo was trying over his voice carefully and listening to see if he liked it, and wood-pigeons were complaining gently to themselves in their lazy comfortable way that it was the other fellow's fault, but it didn't matter very much; on such a day as this Christopher Robin whistled in a special way he had, and Owl came flying out of the Hundred Acre Wood to see what was wanted. "Owl," said Christopher Robin, "I am going to give a party." "You are, are you?" said Owl. "And it's to be a special sort of party, because it's because of what Pooh did when he did what he did to save Piglet from the flood." "Oh, that's what it's for, is it?" said Owl. "Yes, so will you tell Pooh as quickly as you can, and all the others, because it will be to-morrow." "Oh, it will, will it?" said Owl, still being as helpful as possible. "So will you go and tell them, Owl?" Owl tried to think of something very wise to say, but couldn't, so he flew off to tell the others. And the first person he told was Pooh. "Pooh," he said, "Christopher Robin is giving a party." "Oh!" said Pooh. And then seeing that Owl expected him to say something else, he said "Will there be those little cake things with pink sugar icing?" Owl felt that it was rather beneath him to talk about little cake things with pink sugar icing, so he told Pooh exactly what Christopher Robin had said, and flew off to Eeyore. "A party for Me?" thought Pooh to himself. "How grand!" And he began to wonder if all the other animals would know that it was a special Pooh Party, and if Christopher Robin had told them about _The Floating Bear_ and the _Brain of Pooh_ and all the wonderful ships he had invented and sailed on, and he began to think how awful it would be if everybody had forgotten about it, and nobody quite knew what the party was for; and the more he thought like this, the more the party got muddled in his | at any moment----" "Do go and see, Owl. Because Pooh hasn't got very much brain, and he might do something silly, and I do love him so, Owl. Do you see, Owl?" "That's all right," said Owl. "I'll go. Back directly." And he flew off. In a little while he was back again. "Pooh isn't there," he said. "Not there?" "Has _been_ there. He's been sitting on a branch of his tree outside his house with nine pots of honey. But he isn't there now." "Oh, Pooh!" cried Christopher Robin. "Where _are_ you?" "Here I am," said a growly voice behind him. "Pooh!" They rushed into each other's arms. "How did you get here, Pooh?" asked Christopher Robin, when he was ready to talk again. "On my boat," said Pooh proudly. "I had a Very Important Missage sent me in a bottle, and owing to having got some water in my eyes, I couldn't read it, so I brought it to you. On my boat." With these proud words he gave Christopher Robin the missage. "But it's from Piglet!" cried Christopher Robin when he had read it. "Isn't there anything about Pooh in it?" asked Bear, looking over his shoulder. Christopher Robin read the message aloud. "Oh, are those 'P's' piglets? I thought they were poohs." "We must rescue him at once! I thought he was with _you_, Pooh. Owl, could you rescue him on your back?" "I don't think so," said Owl, after grave thought. "It is doubtful if the necessary dorsal muscles----" "Then would you fly to him at _once_ and say that Rescue is Coming? And Pooh and I will think of a Rescue and come as quick as ever we can. Oh, don't _talk_, Owl, go on quick!" And, still thinking of something to say, Owl flew off. "Now then, Pooh," said Christopher Robin, "where's your boat?" "I ought to say," explained Pooh as they walked down to the shore of the island, "that it isn't just an ordinary sort of boat. Sometimes it's a Boat, and sometimes it's more of an Accident. It all depends." "Depends on what?" "On whether I'm on the top of it or underneath it." "Oh! Well, where is it?" "There!" said Pooh, pointing proudly to _The Floating Bear_. It wasn't what Christopher Robin expected, and the more he looked at it, the more he thought what a Brave and Clever Bear Pooh was, and the more Christopher Robin thought this, the more Pooh looked modestly down his nose and tried to pretend he wasn't. "But it's too small for two of us," said Christopher Robin sadly. "Three of us with Piglet." "That makes it smaller still. Oh, Pooh Bear, what shall we do?"<|quote|>And then this Bear, Pooh Bear, Winnie-the-Pooh, F.O.P. (Friend of Piglet's), R.C. (Rabbit's Companion), P.D. (Pole Discoverer), E.C. and T.F. (Eeyore's Comforter and Tail-finder)--in fact, Pooh himself--said something so clever that Christopher Robin could only look at him with mouth open and eyes staring, wondering if this was really the Bear of Very Little Brain whom he had known and loved so long.</|quote|>"We might go in your umbrella," said Pooh. "?" "We might go in your umbrella," said Pooh. "? ?" "We might go in your umbrella," said Pooh. "!!!!!!" For suddenly Christopher Robin saw that they might. He opened his umbrella and put it point downwards in the water. It floated but wobbled. Pooh got in. He was just beginning to say that it was all right now, when he found that it wasn't, so after a short drink which he didn't really want he waded back to Christopher Robin. Then they both got in together, and it wobbled no longer. "I shall call this boat _The Brain of Pooh_," said Christopher Robin, and _The Brain of Pooh_ set sail forthwith in a south-westerly direction, revolving gracefully. You can imagine Piglet's joy when at last the ship came in sight of him. In after-years he liked to think that he had been in Very Great Danger during the Terrible Flood, but the only danger he had really been in was in the last half-hour of his imprisonment, when Owl, who had just flown up, sat on a branch of his tree to comfort him, and told him a very long story about an aunt who had once laid a seagull's egg by mistake, and the story went on and on, rather like this sentence, | Winnie The Pooh |
I asked. | No speaker | "Did you see the show?"<|quote|>I asked.</|quote|>"Yes. We were all there." | the street were looking in. "Did you see the show?"<|quote|>I asked.</|quote|>"Yes. We were all there." "Anybody get hurt?" "One of | out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in. "Did you see the show?"<|quote|>I asked.</|quote|>"Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We | the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in. "Did you see the show?"<|quote|>I asked.</|quote|>"Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and | packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in. "Did you see the show?"<|quote|>I asked.</|quote|>"Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not | the first meal of the prices being doubled for the fiesta, and there were several new courses. After the dinner we were out in the town. I remember resolving that I would stay up all night to watch the bulls go through the streets at six o'clock in the morning, and being so sleepy that I went to bed around four o'clock. The others stayed up. My own room was locked and I could not find the key, so I went up-stairs and slept on one of the beds in Cohn's room. The fiesta was going on outside in the night, but I was too sleepy for it to keep me awake. When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. They would race through the streets and out to the bull-ring. I had been sleeping heavily and I woke feeling I was too late. I put on a coat of Cohn's and went out on the balcony. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in. "Did you see the show?"<|quote|>I asked.</|quote|>"Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll | del Mono." As he said Anis del Mono one of the men at the table looked up, brought out a bottle from inside his smock, and handed it to me. "No," I said. "No, thanks!" "Yes. Yes. Arriba! Up with the bottle!" I took a drink. It tasted of licorice and warmed all the way. I could feel it warming in my stomach. "Where the hell is Cohn?" "I don't know," Mike said. "I'll ask. Where is the drunken comrade?" he asked in Spanish. "You want to see him?" "Yes," I said. "Not me," said Mike. "This gent." The Anis del Mono man wiped his mouth and stood up. "Come on." In a back room Robert Cohn was sleeping quietly on some wine-casks. It was almost too dark to see his face. They had covered him with a coat and another coat was folded under his head. Around his neck and on his chest was a big wreath of twisted garlics. "Let him sleep," the man whispered. "He's all right." Two hours later Cohn appeared. He came into the front room still with the wreath of garlics around his neck. The Spaniards shouted when he came in. Cohn wiped his eyes and grinned. "I must have been sleeping," he said. "Oh, not at all," Brett said. "You were only dead," Bill said. "Aren't we going to go and have some supper?" Cohn asked. "Do you want to eat?" "Yes. Why not? I'm hungry." "Eat those garlics, Robert," Mike said. "I say. Do eat those garlics." Cohn stood there. His sleep had made him quite all right. "Do let's go and eat," Brett said. "I must get a bath." "Come on," Bill said. "Let's translate Brett to the hotel." We said good-bye to many people and shook hands with many people and went out. Outside it was dark. "What time is it do you suppose?" Cohn asked. "It's to-morrow," Mike said. "You've been asleep two days." "No," said Cohn, "what time is it?" "It's ten o'clock." "What a lot we've drunk." "You mean what a lot _we've_ drunk. You went to sleep." Going down the dark streets to the hotel we saw the sky-rockets going up in the square. Down the side streets that led to the square we saw the square solid with people, those in the centre all dancing. It was a big meal at the hotel. It was the first meal of the prices being doubled for the fiesta, and there were several new courses. After the dinner we were out in the town. I remember resolving that I would stay up all night to watch the bulls go through the streets at six o'clock in the morning, and being so sleepy that I went to bed around four o'clock. The others stayed up. My own room was locked and I could not find the key, so I went up-stairs and slept on one of the beds in Cohn's room. The fiesta was going on outside in the night, but I was too sleepy for it to keep me awake. When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. They would race through the streets and out to the bull-ring. I had been sleeping heavily and I woke feeling I was too late. I put on a coat of Cohn's and went out on the balcony. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in. "Did you see the show?"<|quote|>I asked.</|quote|>"Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over to the hotel to get the glasses and the wine-skin," I said. "See you back here. Don't get cock-eyed." "I'll come along," Bill said. Brett smiled at us. We walked around through the arcade to avoid the heat of the square. "That Cohn gets me," Bill said. "He's got this Jewish superiority so strong that he thinks the only emotion he'll get out of the fight will be being bored." "We'll watch him with the glasses," I said. "Oh, to hell with him!" "He spends a lot of time there." "I want him to stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is | asked. "Do you want to eat?" "Yes. Why not? I'm hungry." "Eat those garlics, Robert," Mike said. "I say. Do eat those garlics." Cohn stood there. His sleep had made him quite all right. "Do let's go and eat," Brett said. "I must get a bath." "Come on," Bill said. "Let's translate Brett to the hotel." We said good-bye to many people and shook hands with many people and went out. Outside it was dark. "What time is it do you suppose?" Cohn asked. "It's to-morrow," Mike said. "You've been asleep two days." "No," said Cohn, "what time is it?" "It's ten o'clock." "What a lot we've drunk." "You mean what a lot _we've_ drunk. You went to sleep." Going down the dark streets to the hotel we saw the sky-rockets going up in the square. Down the side streets that led to the square we saw the square solid with people, those in the centre all dancing. It was a big meal at the hotel. It was the first meal of the prices being doubled for the fiesta, and there were several new courses. After the dinner we were out in the town. I remember resolving that I would stay up all night to watch the bulls go through the streets at six o'clock in the morning, and being so sleepy that I went to bed around four o'clock. The others stayed up. My own room was locked and I could not find the key, so I went up-stairs and slept on one of the beds in Cohn's room. The fiesta was going on outside in the night, but I was too sleepy for it to keep me awake. When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. They would race through the streets and out to the bull-ring. I had been sleeping heavily and I woke feeling I was too late. I put on a coat of Cohn's and went out on the balcony. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in. "Did you see the show?"<|quote|>I asked.</|quote|>"Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over to the hotel to get the glasses and the wine-skin," I said. "See you back here. Don't get cock-eyed." "I'll come along," Bill said. Brett smiled at us. We walked around through the arcade | The Sun Also Rises |
“My husband’s not at home, sir. Can I do anything?” | Antonia | voice I remembered so well.<|quote|>“My husband’s not at home, sir. Can I do anything?”</|quote|>“Don’t you remember me, Ántonia? | me in the husky, breathy voice I remembered so well.<|quote|>“My husband’s not at home, sir. Can I do anything?”</|quote|>“Don’t you remember me, Ántonia? Have I changed so much?” | at so many thousands of human faces. As I confronted her, the changes grew less apparent to me, her identity stronger. She was there, in the full vigor of her personality, battered but not diminished, looking at me, speaking to me in the husky, breathy voice I remembered so well.<|quote|>“My husband’s not at home, sir. Can I do anything?”</|quote|>“Don’t you remember me, Ántonia? Have I changed so much?” She frowned into the slanting sunlight that made her brown hair look redder than it was. Suddenly her eyes widened, her whole face seemed to grow broader. She caught her breath and put out two hard-worked hands. “Why, it’s Jim! | after long years, especially if they have lived as much and as hard as this woman had. We stood looking at each other. The eyes that peered anxiously at me were—simply Ántonia’s eyes. I had seen no others like them since I looked into them last, though I had looked at so many thousands of human faces. As I confronted her, the changes grew less apparent to me, her identity stronger. She was there, in the full vigor of her personality, battered but not diminished, looking at me, speaking to me in the husky, breathy voice I remembered so well.<|quote|>“My husband’s not at home, sir. Can I do anything?”</|quote|>“Don’t you remember me, Ántonia? Have I changed so much?” She frowned into the slanting sunlight that made her brown hair look redder than it was. Suddenly her eyes widened, her whole face seemed to grow broader. She caught her breath and put out two hard-worked hands. “Why, it’s Jim! Anna, Yulka, it’s Jim Burden!” She had no sooner caught my hands than she looked alarmed. “What’s happened? Is anybody dead?” I patted her arm. “No. I did n’t come to a funeral this time. I got off the train at Hastings and drove down to see you and your | wore shoes and stockings, came to the door to admit me. She was a buxom girl with dark hair and eyes, calm and self-possessed. “Won’t you come in? Mother will be here in a minute.” Before I could sit down in the chair she offered me, the miracle happened; one of those quiet moments that clutch the heart, and take more courage than the noisy, excited passages in life. Ántonia came in and stood before me; a stalwart, brown woman, flat-chested, her curly brown hair a little grizzled. It was a shock, of course. It always is, to meet people after long years, especially if they have lived as much and as hard as this woman had. We stood looking at each other. The eyes that peered anxiously at me were—simply Ántonia’s eyes. I had seen no others like them since I looked into them last, though I had looked at so many thousands of human faces. As I confronted her, the changes grew less apparent to me, her identity stronger. She was there, in the full vigor of her personality, battered but not diminished, looking at me, speaking to me in the husky, breathy voice I remembered so well.<|quote|>“My husband’s not at home, sir. Can I do anything?”</|quote|>“Don’t you remember me, Ántonia? Have I changed so much?” She frowned into the slanting sunlight that made her brown hair look redder than it was. Suddenly her eyes widened, her whole face seemed to grow broader. She caught her breath and put out two hard-worked hands. “Why, it’s Jim! Anna, Yulka, it’s Jim Burden!” She had no sooner caught my hands than she looked alarmed. “What’s happened? Is anybody dead?” I patted her arm. “No. I did n’t come to a funeral this time. I got off the train at Hastings and drove down to see you and your family.” She dropped my hand and began rushing about. “Anton, Yulka, Nina, where are you all? Run, Anna, and hunt for the boys. They’re off looking for that dog, somewhere. And call Leo. Where is that Leo!” She pulled them out of corners and came bringing them like a mother cat bringing in her kittens. “You don’t have to go right off, Jim? My oldest boy’s not here. He’s gone with papa to the street fair at Wilber. I won’t let you go! You’ve got to stay and see Rudolph and our papa.” She looked at me imploringly, panting with | this chap, fair-skinned and freckled, with red cheeks and a ruddy pelt as thick as a lamb’s wool, growing down on his neck in little tufts. He tied my team with two flourishes of his hands, and nodded when I asked him if his mother was at home. As he glanced at me, his face dimpled with a seizure of irrelevant merriment, and he shot up the windmill tower with a lightness that struck me as disdainful. I knew he was peering down at me as I walked toward the house. Ducks and geese ran quacking across my path. White cats were sunning themselves among yellow pumpkins on the porch steps. I looked through the wire screen into a big, light kitchen with a white floor. I saw a long table, rows of wooden chairs against the wall, and a shining range in one corner. Two girls were washing dishes at the sink, laughing and chattering, and a little one, in a short pinafore, sat on a stool playing with a rag baby. When I asked for their mother, one of the girls dropped her towel, ran across the floor with noiseless bare feet, and disappeared. The older one, who wore shoes and stockings, came to the door to admit me. She was a buxom girl with dark hair and eyes, calm and self-possessed. “Won’t you come in? Mother will be here in a minute.” Before I could sit down in the chair she offered me, the miracle happened; one of those quiet moments that clutch the heart, and take more courage than the noisy, excited passages in life. Ántonia came in and stood before me; a stalwart, brown woman, flat-chested, her curly brown hair a little grizzled. It was a shock, of course. It always is, to meet people after long years, especially if they have lived as much and as hard as this woman had. We stood looking at each other. The eyes that peered anxiously at me were—simply Ántonia’s eyes. I had seen no others like them since I looked into them last, though I had looked at so many thousands of human faces. As I confronted her, the changes grew less apparent to me, her identity stronger. She was there, in the full vigor of her personality, battered but not diminished, looking at me, speaking to me in the husky, breathy voice I remembered so well.<|quote|>“My husband’s not at home, sir. Can I do anything?”</|quote|>“Don’t you remember me, Ántonia? Have I changed so much?” She frowned into the slanting sunlight that made her brown hair look redder than it was. Suddenly her eyes widened, her whole face seemed to grow broader. She caught her breath and put out two hard-worked hands. “Why, it’s Jim! Anna, Yulka, it’s Jim Burden!” She had no sooner caught my hands than she looked alarmed. “What’s happened? Is anybody dead?” I patted her arm. “No. I did n’t come to a funeral this time. I got off the train at Hastings and drove down to see you and your family.” She dropped my hand and began rushing about. “Anton, Yulka, Nina, where are you all? Run, Anna, and hunt for the boys. They’re off looking for that dog, somewhere. And call Leo. Where is that Leo!” She pulled them out of corners and came bringing them like a mother cat bringing in her kittens. “You don’t have to go right off, Jim? My oldest boy’s not here. He’s gone with papa to the street fair at Wilber. I won’t let you go! You’ve got to stay and see Rudolph and our papa.” She looked at me imploringly, panting with excitement. While I reassured her and told her there would be plenty of time, the barefooted boys from outside were slipping into the kitchen and gathering about her. “Now, tell me their names, and how old they are.” As she told them off in turn, she made several mistakes about ages, and they roared with laughter. When she came to my light-footed friend of the windmill, she said, “This is Leo, and he’s old enough to be better than he is.” He ran up to her and butted her playfully with his curly head, like a little ram, but his voice was quite desperate. “You’ve forgot! You always forget mine. It’s mean! Please tell him, mother!” He clenched his fists in vexation and looked up at her impetuously. She wound her forefinger in his yellow fleece and pulled it, watching him. “Well, how old are you?” “I’m twelve,” he panted, looking not at me but at her; “I’m twelve years old, and I was born on Easter day!” She nodded to me. “It’s true. He was an Easter baby.” The children all looked at me, as if they expected me to exhibit astonishment or delight at this information. Clearly, they | account of Ántonia and urged me to make her a visit. “You really ought to go, Jim. It would be such a satisfaction to her. Never mind what Tiny says. There’s nothing the matter with Cuzak. You’d like him. He is n’t a hustler, but a rough man would never have suited Tony. Tony has nice children—ten or eleven of them by this time, I guess. I should n’t care for a family of that size myself, but somehow it’s just right for Tony. She’d love to show them to you.” On my way East I broke my journey at Hastings, in Nebraska, and set off with an open buggy and a fairly good livery team to find the Cuzak farm. At a little past midday, I knew I must be nearing my destination. Set back on a swell of land at my right, I saw a wide farmhouse, with a red barn and an ash grove, and cattle yards in front that sloped down to the high road. I drew up my horses and was wondering whether I should drive in here, when I heard low voices. Ahead of me, in a plum thicket beside the road, I saw two boys bending over a dead dog. The little one, not more than four or five, was on his knees, his hands folded, and his close-clipped, bare head drooping forward in deep dejection. The other stood beside him, a hand on his shoulder, and was comforting him in a language I had not heard for a long while. When I stopped my horses opposite them, the older boy took his brother by the hand and came toward me. He, too, looked grave. This was evidently a sad afternoon for them. “Are you Mrs. Cuzak’s boys?” I asked. The younger one did not look up; he was submerged in his own feelings, but his brother met me with intelligent gray eyes. “Yes, sir.” “Does she live up there on the hill? I am going to see her. Get in and ride up with me.” He glanced at his reluctant little brother. “I guess we’d better walk. But we’ll open the gate for you.” I drove along the side-road and they followed slowly behind. When I pulled up at the windmill, another boy, barefooted and curly-headed, ran out of the barn to tie my team for me. He was a handsome one, this chap, fair-skinned and freckled, with red cheeks and a ruddy pelt as thick as a lamb’s wool, growing down on his neck in little tufts. He tied my team with two flourishes of his hands, and nodded when I asked him if his mother was at home. As he glanced at me, his face dimpled with a seizure of irrelevant merriment, and he shot up the windmill tower with a lightness that struck me as disdainful. I knew he was peering down at me as I walked toward the house. Ducks and geese ran quacking across my path. White cats were sunning themselves among yellow pumpkins on the porch steps. I looked through the wire screen into a big, light kitchen with a white floor. I saw a long table, rows of wooden chairs against the wall, and a shining range in one corner. Two girls were washing dishes at the sink, laughing and chattering, and a little one, in a short pinafore, sat on a stool playing with a rag baby. When I asked for their mother, one of the girls dropped her towel, ran across the floor with noiseless bare feet, and disappeared. The older one, who wore shoes and stockings, came to the door to admit me. She was a buxom girl with dark hair and eyes, calm and self-possessed. “Won’t you come in? Mother will be here in a minute.” Before I could sit down in the chair she offered me, the miracle happened; one of those quiet moments that clutch the heart, and take more courage than the noisy, excited passages in life. Ántonia came in and stood before me; a stalwart, brown woman, flat-chested, her curly brown hair a little grizzled. It was a shock, of course. It always is, to meet people after long years, especially if they have lived as much and as hard as this woman had. We stood looking at each other. The eyes that peered anxiously at me were—simply Ántonia’s eyes. I had seen no others like them since I looked into them last, though I had looked at so many thousands of human faces. As I confronted her, the changes grew less apparent to me, her identity stronger. She was there, in the full vigor of her personality, battered but not diminished, looking at me, speaking to me in the husky, breathy voice I remembered so well.<|quote|>“My husband’s not at home, sir. Can I do anything?”</|quote|>“Don’t you remember me, Ántonia? Have I changed so much?” She frowned into the slanting sunlight that made her brown hair look redder than it was. Suddenly her eyes widened, her whole face seemed to grow broader. She caught her breath and put out two hard-worked hands. “Why, it’s Jim! Anna, Yulka, it’s Jim Burden!” She had no sooner caught my hands than she looked alarmed. “What’s happened? Is anybody dead?” I patted her arm. “No. I did n’t come to a funeral this time. I got off the train at Hastings and drove down to see you and your family.” She dropped my hand and began rushing about. “Anton, Yulka, Nina, where are you all? Run, Anna, and hunt for the boys. They’re off looking for that dog, somewhere. And call Leo. Where is that Leo!” She pulled them out of corners and came bringing them like a mother cat bringing in her kittens. “You don’t have to go right off, Jim? My oldest boy’s not here. He’s gone with papa to the street fair at Wilber. I won’t let you go! You’ve got to stay and see Rudolph and our papa.” She looked at me imploringly, panting with excitement. While I reassured her and told her there would be plenty of time, the barefooted boys from outside were slipping into the kitchen and gathering about her. “Now, tell me their names, and how old they are.” As she told them off in turn, she made several mistakes about ages, and they roared with laughter. When she came to my light-footed friend of the windmill, she said, “This is Leo, and he’s old enough to be better than he is.” He ran up to her and butted her playfully with his curly head, like a little ram, but his voice was quite desperate. “You’ve forgot! You always forget mine. It’s mean! Please tell him, mother!” He clenched his fists in vexation and looked up at her impetuously. She wound her forefinger in his yellow fleece and pulled it, watching him. “Well, how old are you?” “I’m twelve,” he panted, looking not at me but at her; “I’m twelve years old, and I was born on Easter day!” She nodded to me. “It’s true. He was an Easter baby.” The children all looked at me, as if they expected me to exhibit astonishment or delight at this information. Clearly, they were proud of each other, and of being so many. When they had all been introduced, Anna, the eldest daughter, who had met me at the door, scattered them gently, and came bringing a white apron which she tied round her mother’s waist. “Now, mother, sit down and talk to Mr. Burden. We’ll finish the dishes quietly and not disturb you.” Ántonia looked about, quite distracted. “Yes, child, but why don’t we take him into the parlor, now that we’ve got a nice parlor for company?” The daughter laughed indulgently, and took my hat from me. “Well, you’re here, now, mother, and if you talk here, Yulka and I can listen, too. You can show him the parlor after while.” She smiled at me, and went back to the dishes, with her sister. The little girl with the rag doll found a place on the bottom step of an enclosed back stairway, and sat with her toes curled up, looking out at us expectantly. “She’s Nina, after Nina Harling,” Ántonia explained. “Ain’t her eyes like Nina’s? I declare, Jim, I loved you children almost as much as I love my own. These children know all about you and Charley and Sally, like as if they’d grown up with you. I can’t think of what I want to say, you’ve got me so stirred up. And then, I’ve forgot my English so. I don’t often talk it any more. I tell the children I used to speak real well.” She said they always spoke Bohemian at home. The little ones could not speak English at all—did n’t learn it until they went to school. “I can’t believe it’s you, sitting here, in my own kitchen. You would n’t have known me, would you, Jim? You’ve kept so young, yourself. But it’s easier for a man. I can’t see how my Anton looks any older than the day I married him. His teeth have kept so nice. I have n’t got many left. But I feel just as young as I used to, and I can do as much work. Oh, we don’t have to work so hard now! We’ve got plenty to help us, papa and me. And how many have you got, Jim?” When I told her I had no children she seemed embarrassed. “Oh, ain’t that too bad! Maybe you could take one of my bad ones, now? That | beside him, a hand on his shoulder, and was comforting him in a language I had not heard for a long while. When I stopped my horses opposite them, the older boy took his brother by the hand and came toward me. He, too, looked grave. This was evidently a sad afternoon for them. “Are you Mrs. Cuzak’s boys?” I asked. The younger one did not look up; he was submerged in his own feelings, but his brother met me with intelligent gray eyes. “Yes, sir.” “Does she live up there on the hill? I am going to see her. Get in and ride up with me.” He glanced at his reluctant little brother. “I guess we’d better walk. But we’ll open the gate for you.” I drove along the side-road and they followed slowly behind. When I pulled up at the windmill, another boy, barefooted and curly-headed, ran out of the barn to tie my team for me. He was a handsome one, this chap, fair-skinned and freckled, with red cheeks and a ruddy pelt as thick as a lamb’s wool, growing down on his neck in little tufts. He tied my team with two flourishes of his hands, and nodded when I asked him if his mother was at home. As he glanced at me, his face dimpled with a seizure of irrelevant merriment, and he shot up the windmill tower with a lightness that struck me as disdainful. I knew he was peering down at me as I walked toward the house. Ducks and geese ran quacking across my path. White cats were sunning themselves among yellow pumpkins on the porch steps. I looked through the wire screen into a big, light kitchen with a white floor. I saw a long table, rows of wooden chairs against the wall, and a shining range in one corner. Two girls were washing dishes at the sink, laughing and chattering, and a little one, in a short pinafore, sat on a stool playing with a rag baby. When I asked for their mother, one of the girls dropped her towel, ran across the floor with noiseless bare feet, and disappeared. The older one, who wore shoes and stockings, came to the door to admit me. She was a buxom girl with dark hair and eyes, calm and self-possessed. “Won’t you come in? Mother will be here in a minute.” Before I could sit down in the chair she offered me, the miracle happened; one of those quiet moments that clutch the heart, and take more courage than the noisy, excited passages in life. Ántonia came in and stood before me; a stalwart, brown woman, flat-chested, her curly brown hair a little grizzled. It was a shock, of course. It always is, to meet people after long years, especially if they have lived as much and as hard as this woman had. We stood looking at each other. The eyes that peered anxiously at me were—simply Ántonia’s eyes. I had seen no others like them since I looked into them last, though I had looked at so many thousands of human faces. As I confronted her, the changes grew less apparent to me, her identity stronger. She was there, in the full vigor of her personality, battered but not diminished, looking at me, speaking to me in the husky, breathy voice I remembered so well.<|quote|>“My husband’s not at home, sir. Can I do anything?”</|quote|>“Don’t you remember me, Ántonia? Have I changed so much?” She frowned into the slanting sunlight that made her brown hair look redder than it was. Suddenly her eyes widened, her whole face seemed to grow broader. She caught her breath and put out two hard-worked hands. “Why, it’s Jim! Anna, Yulka, it’s Jim Burden!” She had no sooner caught my hands than she looked alarmed. “What’s happened? Is anybody dead?” I patted her arm. “No. I did n’t come to a funeral this time. I got off the train at Hastings and drove down to see you and your family.” She dropped my hand and began rushing about. “Anton, Yulka, Nina, where are you all? Run, Anna, and hunt for the boys. They’re off looking for that dog, somewhere. And call Leo. Where is that Leo!” She pulled them out of corners and came bringing them like a mother cat bringing in her kittens. “You don’t have to go right off, Jim? My oldest boy’s not here. He’s gone with papa to the street fair at Wilber. I won’t let you go! You’ve got to stay and see Rudolph and our papa.” She looked at me imploringly, panting with excitement. While I reassured her and told her there would be plenty of time, the barefooted boys from outside were slipping into the kitchen and gathering about her. “Now, tell me their names, and how old they are.” As she told them off in turn, she made several mistakes about ages, and they roared with laughter. When she came to my light-footed friend of the windmill, she said, “This is Leo, and he’s old enough to be better than he is.” He ran up to her and butted her playfully with his curly head, like a little ram, but his voice was quite desperate. “You’ve forgot! You always forget mine. It’s mean! Please tell him, mother!” He clenched his fists in vexation and looked up at her impetuously. She wound her forefinger in his yellow fleece and pulled it, watching him. “Well, how old are you?” “I’m twelve,” he panted, looking not at me but at her; “I’m twelve years old, and I was born on Easter day!” She nodded to me. “It’s true. He was an Easter baby.” The children all looked at me, as if they expected me to exhibit astonishment or delight at this information. Clearly, they were proud of each other, and of being so many. When they had all been introduced, Anna, the eldest daughter, who had met me at the door, scattered them gently, and came bringing a white apron which she tied round her mother’s waist. “Now, mother, sit down and talk to Mr. Burden. We’ll finish the dishes quietly and not disturb you.” Ántonia looked about, quite distracted. “Yes, child, but why don’t we take him into the parlor, now that we’ve got a nice parlor for company?” The daughter laughed indulgently, and took my hat from me. “Well, you’re here, now, mother, and if you talk here, Yulka and I can | My Antonia |
"You ve not read The Idiot !" | Cassandra Otway | rose high in its excitement.<|quote|>"You ve not read The Idiot !"</|quote|>she exclaimed. "I ve read | his name. Cassandra s voice rose high in its excitement.<|quote|>"You ve not read The Idiot !"</|quote|>she exclaimed. "I ve read War and Peace ," William | principles of the art. Mrs. Hilbery thought to herself that she had never seen him to such advantage; yes, he was somehow different; he reminded her of some one who was dead, some one who was distinguished she had forgotten his name. Cassandra s voice rose high in its excitement.<|quote|>"You ve not read The Idiot !"</|quote|>she exclaimed. "I ve read War and Peace ," William replied, a little testily. "_War and Peace_!" she echoed, in a tone of derision. "I confess I don t understand the Russians." "Shake hands! Shake hands!" boomed Uncle Aubrey from across the table. "Neither do I. And I hazard the | as far as memory served them, the different aspects of Rodney s drama. She said nothing that jarred upon him, and untrained daring had the power to stimulate experience to such an extent that Rodney was frequently seen to hold his fork suspended before him, while he debated the first principles of the art. Mrs. Hilbery thought to herself that she had never seen him to such advantage; yes, he was somehow different; he reminded her of some one who was dead, some one who was distinguished she had forgotten his name. Cassandra s voice rose high in its excitement.<|quote|>"You ve not read The Idiot !"</|quote|>she exclaimed. "I ve read War and Peace ," William replied, a little testily. "_War and Peace_!" she echoed, in a tone of derision. "I confess I don t understand the Russians." "Shake hands! Shake hands!" boomed Uncle Aubrey from across the table. "Neither do I. And I hazard the opinion that they don t themselves." The old gentleman had ruled a large part of the Indian Empire, but he was in the habit of saying that he had rather have written the works of Dickens. The table now took possession of a subject much to its liking. Aunt Eleanor | it would gain by being acted. But then does Shakespeare gain? Henry and I are always arguing about Shakespeare. I m certain he s wrong, but I can t prove it because I ve only seen Shakespeare acted once in Lincoln. But I m quite positive," she insisted, "that Shakespeare wrote for the stage." "You re perfectly right," Rodney exclaimed. "I was hoping you were on that side. Henry s wrong entirely wrong. Of course, I ve failed, as all the moderns fail. Dear, dear, I wish I d consulted you before." From this point they proceeded to go over, as far as memory served them, the different aspects of Rodney s drama. She said nothing that jarred upon him, and untrained daring had the power to stimulate experience to such an extent that Rodney was frequently seen to hold his fork suspended before him, while he debated the first principles of the art. Mrs. Hilbery thought to herself that she had never seen him to such advantage; yes, he was somehow different; he reminded her of some one who was dead, some one who was distinguished she had forgotten his name. Cassandra s voice rose high in its excitement.<|quote|>"You ve not read The Idiot !"</|quote|>she exclaimed. "I ve read War and Peace ," William replied, a little testily. "_War and Peace_!" she echoed, in a tone of derision. "I confess I don t understand the Russians." "Shake hands! Shake hands!" boomed Uncle Aubrey from across the table. "Neither do I. And I hazard the opinion that they don t themselves." The old gentleman had ruled a large part of the Indian Empire, but he was in the habit of saying that he had rather have written the works of Dickens. The table now took possession of a subject much to its liking. Aunt Eleanor showed premonitory signs of pronouncing an opinion. Although she had blunted her taste upon some form of philanthropy for twenty-five years, she had a fine natural instinct for an upstart or a pretender, and knew to a hairbreadth what literature should be and what it should not be. She was born to the knowledge, and scarcely thought it a matter to be proud of. "Insanity is not a fit subject for fiction," she announced positively. "There s the well-known case of Hamlet," Mr. Hilbery interposed, in his leisurely, half-humorous tones. "Ah, but poetry s different, Trevor," said Aunt Eleanor, as | use in her pleasure of his first name. "You never _once_ look out of the window; you read _all_ the time." "And what facts do you deduce from that?" Mr. Peyton asked. "Oh, that he s a poet, of course," said Cassandra. "But I must confess that I knew that before, so it isn t fair. I ve got your manuscript with me," she went on, disregarding Mr. Peyton in a shameless way. "I ve got all sorts of things I want to ask you about it." William inclined his head and tried to conceal the pleasure that her remark gave him. But the pleasure was not unalloyed. However susceptible to flattery William might be, he would never tolerate it from people who showed a gross or emotional taste in literature, and if Cassandra erred even slightly from what he considered essential in this respect he would express his discomfort by flinging out his hands and wrinkling his forehead; he would find no pleasure in her flattery after that. "First of all," she proceeded, "I want to know why you chose to write a play?" "Ah! You mean it s not dramatic?" "I mean that I don t see what it would gain by being acted. But then does Shakespeare gain? Henry and I are always arguing about Shakespeare. I m certain he s wrong, but I can t prove it because I ve only seen Shakespeare acted once in Lincoln. But I m quite positive," she insisted, "that Shakespeare wrote for the stage." "You re perfectly right," Rodney exclaimed. "I was hoping you were on that side. Henry s wrong entirely wrong. Of course, I ve failed, as all the moderns fail. Dear, dear, I wish I d consulted you before." From this point they proceeded to go over, as far as memory served them, the different aspects of Rodney s drama. She said nothing that jarred upon him, and untrained daring had the power to stimulate experience to such an extent that Rodney was frequently seen to hold his fork suspended before him, while he debated the first principles of the art. Mrs. Hilbery thought to herself that she had never seen him to such advantage; yes, he was somehow different; he reminded her of some one who was dead, some one who was distinguished she had forgotten his name. Cassandra s voice rose high in its excitement.<|quote|>"You ve not read The Idiot !"</|quote|>she exclaimed. "I ve read War and Peace ," William replied, a little testily. "_War and Peace_!" she echoed, in a tone of derision. "I confess I don t understand the Russians." "Shake hands! Shake hands!" boomed Uncle Aubrey from across the table. "Neither do I. And I hazard the opinion that they don t themselves." The old gentleman had ruled a large part of the Indian Empire, but he was in the habit of saying that he had rather have written the works of Dickens. The table now took possession of a subject much to its liking. Aunt Eleanor showed premonitory signs of pronouncing an opinion. Although she had blunted her taste upon some form of philanthropy for twenty-five years, she had a fine natural instinct for an upstart or a pretender, and knew to a hairbreadth what literature should be and what it should not be. She was born to the knowledge, and scarcely thought it a matter to be proud of. "Insanity is not a fit subject for fiction," she announced positively. "There s the well-known case of Hamlet," Mr. Hilbery interposed, in his leisurely, half-humorous tones. "Ah, but poetry s different, Trevor," said Aunt Eleanor, as if she had special authority from Shakespeare to say so. "Different altogether. And I ve never thought, for my part, that Hamlet was as mad as they make out. What is your opinion, Mr. Peyton?" For, as there was a minister of literature present in the person of the editor of an esteemed review, she deferred to him. Mr. Peyton leant a little back in his chair, and, putting his head rather on one side, observed that that was a question that he had never been able to answer entirely to his satisfaction. There was much to be said on both sides, but as he considered upon which side he should say it, Mrs. Hilbery broke in upon his judicious meditations. "Lovely, lovely Ophelia!" she exclaimed. "What a wonderful power it is poetry! I wake up in the morning all bedraggled; there s a yellow fog outside; little Emily turns on the electric light when she brings me my tea, and says," Oh, ma am, the water s frozen in the cistern, and cook s cut her finger to the bone. "And then I open a little green book, and the birds are singing, the stars shining, the flowers twinkling" | world held no more for her to marvel at, it is true; but it held other people; and each other person possessed in Cassandra s mind some fragment of what privately she called "reality." It was a gift that they would impart if you asked them for it, and thus no dinner-party could possibly be dull, and little Mr. Peyton on her right and William Rodney on her left were in equal measure endowed with the quality which seemed to her so unmistakable and so precious that the way people neglected to demand it was a constant source of surprise to her. She scarcely knew, indeed, whether she was talking to Mr. Peyton or to William Rodney. But to one who, by degrees, assumed the shape of an elderly man with a mustache, she described how she had arrived in London that very afternoon, and how she had taken a cab and driven through the streets. Mr. Peyton, an editor of fifty years, bowed his bald head repeatedly, with apparent understanding. At least, he understood that she was very young and pretty, and saw that she was excited, though he could not gather at once from her words or remember from his own experience what there was to be excited about. "Were there any buds on the trees?" he asked. "Which line did she travel by?" He was cut short in these amiable inquiries by her desire to know whether he was one of those who read, or one of those who look out of the window? Mr. Peyton was by no means sure which he did. He rather thought he did both. He was told that he had made a most dangerous confession. She could deduce his entire history from that one fact. He challenged her to proceed; and she proclaimed him a Liberal Member of Parliament. William, nominally engaged in a desultory conversation with Aunt Eleanor, heard every word, and taking advantage of the fact that elderly ladies have little continuity of conversation, at least with those whom they esteem for their youth and their sex, he asserted his presence by a very nervous laugh. Cassandra turned to him directly. She was enchanted to find that, instantly and with such ease, another of these fascinating beings was offering untold wealth for her extraction. "There s no doubt what _you_ do in a railway carriage, William," she said, making use in her pleasure of his first name. "You never _once_ look out of the window; you read _all_ the time." "And what facts do you deduce from that?" Mr. Peyton asked. "Oh, that he s a poet, of course," said Cassandra. "But I must confess that I knew that before, so it isn t fair. I ve got your manuscript with me," she went on, disregarding Mr. Peyton in a shameless way. "I ve got all sorts of things I want to ask you about it." William inclined his head and tried to conceal the pleasure that her remark gave him. But the pleasure was not unalloyed. However susceptible to flattery William might be, he would never tolerate it from people who showed a gross or emotional taste in literature, and if Cassandra erred even slightly from what he considered essential in this respect he would express his discomfort by flinging out his hands and wrinkling his forehead; he would find no pleasure in her flattery after that. "First of all," she proceeded, "I want to know why you chose to write a play?" "Ah! You mean it s not dramatic?" "I mean that I don t see what it would gain by being acted. But then does Shakespeare gain? Henry and I are always arguing about Shakespeare. I m certain he s wrong, but I can t prove it because I ve only seen Shakespeare acted once in Lincoln. But I m quite positive," she insisted, "that Shakespeare wrote for the stage." "You re perfectly right," Rodney exclaimed. "I was hoping you were on that side. Henry s wrong entirely wrong. Of course, I ve failed, as all the moderns fail. Dear, dear, I wish I d consulted you before." From this point they proceeded to go over, as far as memory served them, the different aspects of Rodney s drama. She said nothing that jarred upon him, and untrained daring had the power to stimulate experience to such an extent that Rodney was frequently seen to hold his fork suspended before him, while he debated the first principles of the art. Mrs. Hilbery thought to herself that she had never seen him to such advantage; yes, he was somehow different; he reminded her of some one who was dead, some one who was distinguished she had forgotten his name. Cassandra s voice rose high in its excitement.<|quote|>"You ve not read The Idiot !"</|quote|>she exclaimed. "I ve read War and Peace ," William replied, a little testily. "_War and Peace_!" she echoed, in a tone of derision. "I confess I don t understand the Russians." "Shake hands! Shake hands!" boomed Uncle Aubrey from across the table. "Neither do I. And I hazard the opinion that they don t themselves." The old gentleman had ruled a large part of the Indian Empire, but he was in the habit of saying that he had rather have written the works of Dickens. The table now took possession of a subject much to its liking. Aunt Eleanor showed premonitory signs of pronouncing an opinion. Although she had blunted her taste upon some form of philanthropy for twenty-five years, she had a fine natural instinct for an upstart or a pretender, and knew to a hairbreadth what literature should be and what it should not be. She was born to the knowledge, and scarcely thought it a matter to be proud of. "Insanity is not a fit subject for fiction," she announced positively. "There s the well-known case of Hamlet," Mr. Hilbery interposed, in his leisurely, half-humorous tones. "Ah, but poetry s different, Trevor," said Aunt Eleanor, as if she had special authority from Shakespeare to say so. "Different altogether. And I ve never thought, for my part, that Hamlet was as mad as they make out. What is your opinion, Mr. Peyton?" For, as there was a minister of literature present in the person of the editor of an esteemed review, she deferred to him. Mr. Peyton leant a little back in his chair, and, putting his head rather on one side, observed that that was a question that he had never been able to answer entirely to his satisfaction. There was much to be said on both sides, but as he considered upon which side he should say it, Mrs. Hilbery broke in upon his judicious meditations. "Lovely, lovely Ophelia!" she exclaimed. "What a wonderful power it is poetry! I wake up in the morning all bedraggled; there s a yellow fog outside; little Emily turns on the electric light when she brings me my tea, and says," Oh, ma am, the water s frozen in the cistern, and cook s cut her finger to the bone. "And then I open a little green book, and the birds are singing, the stars shining, the flowers twinkling" She looked about her as if these presences had suddenly manifested themselves round her dining-room table. "Has the cook cut her finger badly?" Aunt Eleanor demanded, addressing herself naturally to Katharine. "Oh, the cook s finger is only my way of putting it," said Mrs. Hilbery. "But if she had cut her arm off, Katharine would have sewn it on again," she remarked, with an affectionate glance at her daughter, who looked, she thought, a little sad. "But what horrid, horrid thoughts," she wound up, laying down her napkin and pushing her chair back. "Come, let us find something more cheerful to talk about upstairs." Upstairs in the drawing-room Cassandra found fresh sources of pleasure, first in the distinguished and expectant look of the room, and then in the chance of exercising her divining-rod upon a new assortment of human beings. But the low tones of the women, their meditative silences, the beauty which, to her at least, shone even from black satin and the knobs of amber which encircled elderly necks, changed her wish to chatter to a more subdued desire merely to watch and to whisper. She entered with delight into an atmosphere in which private matters were being interchanged freely, almost in monosyllables, by the older women who now accepted her as one of themselves. Her expression became very gentle and sympathetic, as if she, too, were full of solicitude for the world which was somehow being cared for, managed and deprecated by Aunt Maggie and Aunt Eleanor. After a time she perceived that Katharine was outside the community in some way, and, suddenly, she threw aside her wisdom and gentleness and concern and began to laugh. "What are you laughing at?" Katharine asked. A joke so foolish and unfilial wasn t worth explaining. "It was nothing ridiculous in the worst of taste, but still, if you half shut your eyes and looked" Katharine half shut her eyes and looked, but she looked in the wrong direction, and Cassandra laughed more than ever, and was still laughing and doing her best to explain in a whisper that Aunt Eleanor, through half-shut eyes, was like the parrot in the cage at Stogdon House, when the gentlemen came in and Rodney walked straight up to them and wanted to know what they were laughing at. "I utterly refuse to tell you!" Cassandra replied, standing up straight, clasping her hands | his presence by a very nervous laugh. Cassandra turned to him directly. She was enchanted to find that, instantly and with such ease, another of these fascinating beings was offering untold wealth for her extraction. "There s no doubt what _you_ do in a railway carriage, William," she said, making use in her pleasure of his first name. "You never _once_ look out of the window; you read _all_ the time." "And what facts do you deduce from that?" Mr. Peyton asked. "Oh, that he s a poet, of course," said Cassandra. "But I must confess that I knew that before, so it isn t fair. I ve got your manuscript with me," she went on, disregarding Mr. Peyton in a shameless way. "I ve got all sorts of things I want to ask you about it." William inclined his head and tried to conceal the pleasure that her remark gave him. But the pleasure was not unalloyed. However susceptible to flattery William might be, he would never tolerate it from people who showed a gross or emotional taste in literature, and if Cassandra erred even slightly from what he considered essential in this respect he would express his discomfort by flinging out his hands and wrinkling his forehead; he would find no pleasure in her flattery after that. "First of all," she proceeded, "I want to know why you chose to write a play?" "Ah! You mean it s not dramatic?" "I mean that I don t see what it would gain by being acted. But then does Shakespeare gain? Henry and I are always arguing about Shakespeare. I m certain he s wrong, but I can t prove it because I ve only seen Shakespeare acted once in Lincoln. But I m quite positive," she insisted, "that Shakespeare wrote for the stage." "You re perfectly right," Rodney exclaimed. "I was hoping you were on that side. Henry s wrong entirely wrong. Of course, I ve failed, as all the moderns fail. Dear, dear, I wish I d consulted you before." From this point they proceeded to go over, as far as memory served them, the different aspects of Rodney s drama. She said nothing that jarred upon him, and untrained daring had the power to stimulate experience to such an extent that Rodney was frequently seen to hold his fork suspended before him, while he debated the first principles of the art. Mrs. Hilbery thought to herself that she had never seen him to such advantage; yes, he was somehow different; he reminded her of some one who was dead, some one who was distinguished she had forgotten his name. Cassandra s voice rose high in its excitement.<|quote|>"You ve not read The Idiot !"</|quote|>she exclaimed. "I ve read War and Peace ," William replied, a little testily. "_War and Peace_!" she echoed, in a tone of derision. "I confess I don t understand the Russians." "Shake hands! Shake hands!" boomed Uncle Aubrey from across the table. "Neither do I. And I hazard the opinion that they don t themselves." The old gentleman had ruled a large part of the Indian Empire, but he was in the habit of saying that he had rather have written the works of Dickens. The table now took possession of a subject much to its liking. Aunt Eleanor showed premonitory signs of pronouncing an opinion. Although she had blunted her taste upon some form of philanthropy for twenty-five years, she had a fine natural instinct for an upstart or a pretender, and knew to a hairbreadth what literature should be and what it should not be. She was born to the knowledge, and scarcely thought it a matter to be proud of. "Insanity is not a fit subject for fiction," she announced positively. "There s the well-known case of Hamlet," Mr. Hilbery interposed, in his leisurely, half-humorous tones. "Ah, but poetry s different, Trevor," said Aunt Eleanor, as if she had special authority from Shakespeare to say so. "Different altogether. And I ve never thought, for my part, that Hamlet was as mad as they make out. What is your opinion, Mr. Peyton?" For, as there was a minister of literature present in the person of the editor of an esteemed review, she deferred to him. Mr. Peyton leant a little back in his chair, and, putting his head rather on one side, observed that that was a question that he had never been able to answer entirely to his satisfaction. There was much to be said on both sides, but as he considered upon which side he should say it, Mrs. Hilbery broke in upon his judicious meditations. "Lovely, lovely Ophelia!" she exclaimed. "What a wonderful power it is poetry! I wake up in the morning all bedraggled; there s a yellow fog outside; little Emily turns on the electric light when she brings me my tea, and says," Oh, ma am, the water s frozen in the cistern, and cook s cut her finger to the bone. "And then I open a little green book, and the birds are singing, the stars shining, the flowers twinkling" She looked about her as if these presences had suddenly manifested themselves round her dining-room table. "Has the cook cut her finger badly?" Aunt Eleanor demanded, addressing herself naturally to Katharine. "Oh, the cook s finger is only my way of putting it," said Mrs. Hilbery. "But if she had cut her arm | Night And Day |
"No, no, my dear, I know you're not," | Fagin | putting her elbows upon it.<|quote|>"No, no, my dear, I know you're not,"</|quote|>said the Jew; "but" and | up to the table, and putting her elbows upon it.<|quote|>"No, no, my dear, I know you're not,"</|quote|>said the Jew; "but" and again the old man paused. | girl, do you, Fagin?" he asked at length. "You've known her long enough to trust her, or the Devil's in it. She ain't one to blab. Are you Nancy?" "_I_ should think not!" replied the young lady: drawing her chair up to the table, and putting her elbows upon it.<|quote|>"No, no, my dear, I know you're not,"</|quote|>said the Jew; "but" and again the old man paused. "But wot?" inquired Sikes. "I didn't know whether she mightn't p'r'aps be out of sorts, you know, my dear, as she was the other night," replied the Jew. At this confession, Miss Nancy burst into a loud laugh; and, swallowing | seat very composedly. "I tell you I do!" replied Sikes. "Nonsense," rejoined the girl coolly, "Go on, Fagin. I know what he's going to say, Bill; he needn't mind me." The Jew still hesitated. Sikes looked from one to the other in some surprise. "Why, you don't mind the old girl, do you, Fagin?" he asked at length. "You've known her long enough to trust her, or the Devil's in it. She ain't one to blab. Are you Nancy?" "_I_ should think not!" replied the young lady: drawing her chair up to the table, and putting her elbows upon it.<|quote|>"No, no, my dear, I know you're not,"</|quote|>said the Jew; "but" and again the old man paused. "But wot?" inquired Sikes. "I didn't know whether she mightn't p'r'aps be out of sorts, you know, my dear, as she was the other night," replied the Jew. At this confession, Miss Nancy burst into a loud laugh; and, swallowing a glass of brandy, shook her head with an air of defiance, and burst into sundry exclamations of "Keep the game a-going!" "Never say die!" and the like. These seemed to have the effect of re-assuring both gentlemen; for the Jew nodded his head with a satisfied air, and resumed | trade, in a year or two." "No more we should," acquiesced the Jew, who had been considering during this speech, and had only caught the last sentence. "Bill!" "What now?" inquired Sikes. The Jew nodded his head towards Nancy, who was still gazing at the fire; and intimated, by a sign, that he would have her told to leave the room. Sikes shrugged his shoulders impatiently, as if he thought the precaution unnecessary; but complied, nevertheless, by requesting Miss Nancy to fetch him a jug of beer. "You don't want any beer," said Nancy, folding her arms, and retaining her seat very composedly. "I tell you I do!" replied Sikes. "Nonsense," rejoined the girl coolly, "Go on, Fagin. I know what he's going to say, Bill; he needn't mind me." The Jew still hesitated. Sikes looked from one to the other in some surprise. "Why, you don't mind the old girl, do you, Fagin?" he asked at length. "You've known her long enough to trust her, or the Devil's in it. She ain't one to blab. Are you Nancy?" "_I_ should think not!" replied the young lady: drawing her chair up to the table, and putting her elbows upon it.<|quote|>"No, no, my dear, I know you're not,"</|quote|>said the Jew; "but" and again the old man paused. "But wot?" inquired Sikes. "I didn't know whether she mightn't p'r'aps be out of sorts, you know, my dear, as she was the other night," replied the Jew. At this confession, Miss Nancy burst into a loud laugh; and, swallowing a glass of brandy, shook her head with an air of defiance, and burst into sundry exclamations of "Keep the game a-going!" "Never say die!" and the like. These seemed to have the effect of re-assuring both gentlemen; for the Jew nodded his head with a satisfied air, and resumed his seat: as did Mr. Sikes likewise. "Now, Fagin," said Nancy with a laugh. "Tell Bill at once, about Oliver!" "Ha! you're a clever one, my dear: the sharpest girl I ever saw!" said the Jew, patting her on the neck. "It _was_ about Oliver I was going to speak, sure enough. Ha! ha! ha!" "What about him?" demanded Sikes. "He's the boy for you, my dear," replied the Jew in a hoarse whisper; laying his finger on the side of his nose, and grinning frightfully. "He!" exclaimed Sikes. "Have him, Bill!" said Nancy. "I would, if I was in | it without me, I know; but it's best to be on the safe side when one deals with you." "As you like, my dear, as you like" replied the Jew. "Is there no help wanted, but yours and Toby's?" "None," said Sikes. "Cept a centre-bit and a boy. The first we've both got; the second you must find us." "A boy!" exclaimed the Jew. "Oh! then it's a panel, eh?" "Never mind wot it is!" replied Sikes. "I want a boy, and he musn't be a big 'un. Lord!" said Mr. Sikes, reflectively, "if I'd only got that young boy of Ned, the chimbley-sweeper's! He kept him small on purpose, and let him out by the job. But the father gets lagged; and then the Juvenile Delinquent Society comes, and takes the boy away from a trade where he was earning money, teaches him to read and write, and in time makes a 'prentice of him. And so they go on," said Mr. Sikes, his wrath rising with the recollection of his wrongs, "so they go on; and, if they'd got money enough (which it's a Providence they haven't,) we shouldn't have half a dozen boys left in the whole trade, in a year or two." "No more we should," acquiesced the Jew, who had been considering during this speech, and had only caught the last sentence. "Bill!" "What now?" inquired Sikes. The Jew nodded his head towards Nancy, who was still gazing at the fire; and intimated, by a sign, that he would have her told to leave the room. Sikes shrugged his shoulders impatiently, as if he thought the precaution unnecessary; but complied, nevertheless, by requesting Miss Nancy to fetch him a jug of beer. "You don't want any beer," said Nancy, folding her arms, and retaining her seat very composedly. "I tell you I do!" replied Sikes. "Nonsense," rejoined the girl coolly, "Go on, Fagin. I know what he's going to say, Bill; he needn't mind me." The Jew still hesitated. Sikes looked from one to the other in some surprise. "Why, you don't mind the old girl, do you, Fagin?" he asked at length. "You've known her long enough to trust her, or the Devil's in it. She ain't one to blab. Are you Nancy?" "_I_ should think not!" replied the young lady: drawing her chair up to the table, and putting her elbows upon it.<|quote|>"No, no, my dear, I know you're not,"</|quote|>said the Jew; "but" and again the old man paused. "But wot?" inquired Sikes. "I didn't know whether she mightn't p'r'aps be out of sorts, you know, my dear, as she was the other night," replied the Jew. At this confession, Miss Nancy burst into a loud laugh; and, swallowing a glass of brandy, shook her head with an air of defiance, and burst into sundry exclamations of "Keep the game a-going!" "Never say die!" and the like. These seemed to have the effect of re-assuring both gentlemen; for the Jew nodded his head with a satisfied air, and resumed his seat: as did Mr. Sikes likewise. "Now, Fagin," said Nancy with a laugh. "Tell Bill at once, about Oliver!" "Ha! you're a clever one, my dear: the sharpest girl I ever saw!" said the Jew, patting her on the neck. "It _was_ about Oliver I was going to speak, sure enough. Ha! ha! ha!" "What about him?" demanded Sikes. "He's the boy for you, my dear," replied the Jew in a hoarse whisper; laying his finger on the side of his nose, and grinning frightfully. "He!" exclaimed Sikes. "Have him, Bill!" said Nancy. "I would, if I was in your place. He mayn't be so much up, as any of the others; but that's not what you want, if he's only to open a door for you. Depend upon it he's a safe one, Bill." "I know he is," rejoined Fagin. "He's been in good training these last few weeks, and it's time he began to work for his bread. Besides, the others are all too big." "Well, he is just the size I want," said Mr. Sikes, ruminating. "And will do everything you want, Bill, my dear," interposed the Jew; "he can't help himself. That is, if you frighten him enough." "Frighten him!" echoed Sikes. "It'll be no sham frightening, mind you. If there's anything queer about him when we once get into the work; in for a penny, in for a pound. You won't see him alive again, Fagin. Think of that, before you send him. Mark my words!" said the robber, poising a crowbar, which he had drawn from under the bedstead. "I've thought of it all," said the Jew with energy. "I've I've had my eye upon him, my dears, close close. Once let him feel that he is one of us; once fill his | by flash Toby Crackit?" said the Jew incredulously. "Think what women are, Bill," "No; not even by flash Toby Crackit," replied Sikes. "He says he's worn sham whiskers, and a canary waistcoat, the whole blessed time he's been loitering down there, and it's all of no use." "He should have tried mustachios and a pair of military trousers, my dear," said the Jew. "So he did," rejoined Sikes, "and they warn't of no more use than the other plant." The Jew looked blank at this information. After ruminating for some minutes with his chin sunk on his breast, he raised his head and said, with a deep sigh, that if flash Toby Crackit reported aright, he feared the game was up. "And yet," said the old man, dropping his hands on his knees, "it's a sad thing, my dear, to lose so much when we had set our hearts upon it." "So it is," said Mr. Sikes. "Worse luck!" A long silence ensued; during which the Jew was plunged in deep thought, with his face wrinkled into an expression of villainy perfectly demoniacal. Sikes eyed him furtively from time to time. Nancy, apparently fearful of irritating the housebreaker, sat with her eyes fixed upon the fire, as if she had been deaf to all that passed. "Fagin," said Sikes, abruptly breaking the stillness that prevailed; "is it worth fifty shiners extra, if it's safely done from the outside?" "Yes," said the Jew, as suddenly rousing himself. "Is it a bargain?" inquired Sikes. "Yes, my dear, yes," rejoined the Jew; his eyes glistening, and every muscle in his face working, with the excitement that the inquiry had awakened. "Then," said Sikes, thrusting aside the Jew's hand, with some disdain, "let it come off as soon as you like. Toby and me were over the garden-wall the night afore last, sounding the panels of the door and shutters. The crib's barred up at night like a jail; but there's one part we can crack, safe and softly." "Which is that, Bill?" asked the Jew eagerly. "Why," whispered Sikes, "as you cross the lawn" "Yes?" said the Jew, bending his head forward, with his eyes almost starting out of it. "Umph!" cried Sikes, stopping short, as the girl, scarcely moving her head, looked suddenly round, and pointed for an instant to the Jew's face. "Never mind which part it is. You can't do it without me, I know; but it's best to be on the safe side when one deals with you." "As you like, my dear, as you like" replied the Jew. "Is there no help wanted, but yours and Toby's?" "None," said Sikes. "Cept a centre-bit and a boy. The first we've both got; the second you must find us." "A boy!" exclaimed the Jew. "Oh! then it's a panel, eh?" "Never mind wot it is!" replied Sikes. "I want a boy, and he musn't be a big 'un. Lord!" said Mr. Sikes, reflectively, "if I'd only got that young boy of Ned, the chimbley-sweeper's! He kept him small on purpose, and let him out by the job. But the father gets lagged; and then the Juvenile Delinquent Society comes, and takes the boy away from a trade where he was earning money, teaches him to read and write, and in time makes a 'prentice of him. And so they go on," said Mr. Sikes, his wrath rising with the recollection of his wrongs, "so they go on; and, if they'd got money enough (which it's a Providence they haven't,) we shouldn't have half a dozen boys left in the whole trade, in a year or two." "No more we should," acquiesced the Jew, who had been considering during this speech, and had only caught the last sentence. "Bill!" "What now?" inquired Sikes. The Jew nodded his head towards Nancy, who was still gazing at the fire; and intimated, by a sign, that he would have her told to leave the room. Sikes shrugged his shoulders impatiently, as if he thought the precaution unnecessary; but complied, nevertheless, by requesting Miss Nancy to fetch him a jug of beer. "You don't want any beer," said Nancy, folding her arms, and retaining her seat very composedly. "I tell you I do!" replied Sikes. "Nonsense," rejoined the girl coolly, "Go on, Fagin. I know what he's going to say, Bill; he needn't mind me." The Jew still hesitated. Sikes looked from one to the other in some surprise. "Why, you don't mind the old girl, do you, Fagin?" he asked at length. "You've known her long enough to trust her, or the Devil's in it. She ain't one to blab. Are you Nancy?" "_I_ should think not!" replied the young lady: drawing her chair up to the table, and putting her elbows upon it.<|quote|>"No, no, my dear, I know you're not,"</|quote|>said the Jew; "but" and again the old man paused. "But wot?" inquired Sikes. "I didn't know whether she mightn't p'r'aps be out of sorts, you know, my dear, as she was the other night," replied the Jew. At this confession, Miss Nancy burst into a loud laugh; and, swallowing a glass of brandy, shook her head with an air of defiance, and burst into sundry exclamations of "Keep the game a-going!" "Never say die!" and the like. These seemed to have the effect of re-assuring both gentlemen; for the Jew nodded his head with a satisfied air, and resumed his seat: as did Mr. Sikes likewise. "Now, Fagin," said Nancy with a laugh. "Tell Bill at once, about Oliver!" "Ha! you're a clever one, my dear: the sharpest girl I ever saw!" said the Jew, patting her on the neck. "It _was_ about Oliver I was going to speak, sure enough. Ha! ha! ha!" "What about him?" demanded Sikes. "He's the boy for you, my dear," replied the Jew in a hoarse whisper; laying his finger on the side of his nose, and grinning frightfully. "He!" exclaimed Sikes. "Have him, Bill!" said Nancy. "I would, if I was in your place. He mayn't be so much up, as any of the others; but that's not what you want, if he's only to open a door for you. Depend upon it he's a safe one, Bill." "I know he is," rejoined Fagin. "He's been in good training these last few weeks, and it's time he began to work for his bread. Besides, the others are all too big." "Well, he is just the size I want," said Mr. Sikes, ruminating. "And will do everything you want, Bill, my dear," interposed the Jew; "he can't help himself. That is, if you frighten him enough." "Frighten him!" echoed Sikes. "It'll be no sham frightening, mind you. If there's anything queer about him when we once get into the work; in for a penny, in for a pound. You won't see him alive again, Fagin. Think of that, before you send him. Mark my words!" said the robber, poising a crowbar, which he had drawn from under the bedstead. "I've thought of it all," said the Jew with energy. "I've I've had my eye upon him, my dears, close close. Once let him feel that he is one of us; once fill his mind with the idea that he has been a thief; and he's ours! Ours for his life. Oho! It couldn't have come about better!" The old man crossed his arms upon his breast; and, drawing his head and shoulders into a heap, literally hugged himself for joy. "Ours!" said Sikes. "Yours, you mean." "Perhaps I do, my dear," said the Jew, with a shrill chuckle. "Mine, if you like, Bill." "And wot," said Sikes, scowling fiercely on his agreeable friend, "wot makes you take so much pains about one chalk-faced kid, when you know there are fifty boys snoozing about Common Garden every night, as you might pick and choose from?" "Because they're of no use to me, my dear," replied the Jew, with some confusion, "not worth the taking. Their looks convict 'em when they get into trouble, and I lose 'em all. With this boy, properly managed, my dears, I could do what I couldn't with twenty of them. Besides," said the Jew, recovering his self-possession, "he has us now if he could only give us leg-bail again; and he must be in the same boat with us. Never mind how he came there; it's quite enough for my power over him that he was in a robbery; that's all I want. Now, how much better this is, than being obliged to put the poor leetle boy out of the way which would be dangerous, and we should lose by it besides." "When is it to be done?" asked Nancy, stopping some turbulent exclamation on the part of Mr. Sikes, expressive of the disgust with which he received Fagin's affectation of humanity. "Ah, to be sure," said the Jew; "when is it to be done, Bill?" "I planned with Toby, the night arter to-morrow," rejoined Sikes in a surly voice, "if he heerd nothing from me to the contrairy." "Good," said the Jew; "there's no moon." "No," rejoined Sikes. "It's all arranged about bringing off the swag, is it?" asked the Jew. Sikes nodded. "And about" "Oh, ah, it's all planned," rejoined Sikes, interrupting him. "Never mind particulars. You'd better bring the boy here to-morrow night. I shall get off the stone an hour arter daybreak. Then you hold your tongue, and keep the melting-pot ready, and that's all you'll have to do." After some discussion, in which all three took an active part, it was decided that | fire, as if she had been deaf to all that passed. "Fagin," said Sikes, abruptly breaking the stillness that prevailed; "is it worth fifty shiners extra, if it's safely done from the outside?" "Yes," said the Jew, as suddenly rousing himself. "Is it a bargain?" inquired Sikes. "Yes, my dear, yes," rejoined the Jew; his eyes glistening, and every muscle in his face working, with the excitement that the inquiry had awakened. "Then," said Sikes, thrusting aside the Jew's hand, with some disdain, "let it come off as soon as you like. Toby and me were over the garden-wall the night afore last, sounding the panels of the door and shutters. The crib's barred up at night like a jail; but there's one part we can crack, safe and softly." "Which is that, Bill?" asked the Jew eagerly. "Why," whispered Sikes, "as you cross the lawn" "Yes?" said the Jew, bending his head forward, with his eyes almost starting out of it. "Umph!" cried Sikes, stopping short, as the girl, scarcely moving her head, looked suddenly round, and pointed for an instant to the Jew's face. "Never mind which part it is. You can't do it without me, I know; but it's best to be on the safe side when one deals with you." "As you like, my dear, as you like" replied the Jew. "Is there no help wanted, but yours and Toby's?" "None," said Sikes. "Cept a centre-bit and a boy. The first we've both got; the second you must find us." "A boy!" exclaimed the Jew. "Oh! then it's a panel, eh?" "Never mind wot it is!" replied Sikes. "I want a boy, and he musn't be a big 'un. Lord!" said Mr. Sikes, reflectively, "if I'd only got that young boy of Ned, the chimbley-sweeper's! He kept him small on purpose, and let him out by the job. But the father gets lagged; and then the Juvenile Delinquent Society comes, and takes the boy away from a trade where he was earning money, teaches him to read and write, and in time makes a 'prentice of him. And so they go on," said Mr. Sikes, his wrath rising with the recollection of his wrongs, "so they go on; and, if they'd got money enough (which it's a Providence they haven't,) we shouldn't have half a dozen boys left in the whole trade, in a year or two." "No more we should," acquiesced the Jew, who had been considering during this speech, and had only caught the last sentence. "Bill!" "What now?" inquired Sikes. The Jew nodded his head towards Nancy, who was still gazing at the fire; and intimated, by a sign, that he would have her told to leave the room. Sikes shrugged his shoulders impatiently, as if he thought the precaution unnecessary; but complied, nevertheless, by requesting Miss Nancy to fetch him a jug of beer. "You don't want any beer," said Nancy, folding her arms, and retaining her seat very composedly. "I tell you I do!" replied Sikes. "Nonsense," rejoined the girl coolly, "Go on, Fagin. I know what he's going to say, Bill; he needn't mind me." The Jew still hesitated. Sikes looked from one to the other in some surprise. "Why, you don't mind the old girl, do you, Fagin?" he asked at length. "You've known her long enough to trust her, or the Devil's in it. She ain't one to blab. Are you Nancy?" "_I_ should think not!" replied the young lady: drawing her chair up to the table, and putting her elbows upon it.<|quote|>"No, no, my dear, I know you're not,"</|quote|>said the Jew; "but" and again the old man paused. "But wot?" inquired Sikes. "I didn't know whether she mightn't p'r'aps be out of sorts, you know, my dear, as she was the other night," replied the Jew. At this confession, Miss Nancy burst into a loud laugh; and, swallowing a glass of brandy, shook her head with an air of defiance, and burst into sundry exclamations of "Keep the game a-going!" "Never say die!" and the like. These seemed to have the effect of re-assuring both gentlemen; for the Jew nodded his head with a satisfied air, and resumed his seat: as did Mr. Sikes likewise. "Now, Fagin," said Nancy with a laugh. "Tell Bill at once, about Oliver!" "Ha! you're a clever one, my dear: the sharpest girl I ever saw!" said the Jew, patting her on the neck. "It _was_ about Oliver I was going to speak, sure enough. Ha! ha! ha!" "What about him?" demanded Sikes. "He's the boy for you, my dear," replied the Jew in a hoarse whisper; laying his finger on the side of his nose, and grinning frightfully. "He!" exclaimed Sikes. "Have him, Bill!" said Nancy. "I would, if I was in your place. He mayn't be so much up, as any of the others; but that's not what you want, if he's only to open a door for you. Depend upon it he's a safe one, Bill." "I know he is," rejoined Fagin. "He's been in good training these last few weeks, and it's time he began to work for his bread. Besides, the others are all too big." "Well, he is just the size I want," said Mr. Sikes, ruminating. "And will do everything you want, Bill, my dear," interposed the Jew; "he can't help himself. That is, if you frighten him enough." "Frighten him!" echoed Sikes. "It'll be no sham frightening, mind you. If there's anything queer about him when we once get into the work; in for a penny, in for a pound. You won't see him alive again, Fagin. Think of that, before you send him. Mark my words!" said the robber, poising a crowbar, which he had drawn from under the bedstead. "I've thought of it all," said the Jew with energy. "I've I've had my eye upon him, my dears, close close. Once let him feel that he is one of us; once fill his mind with the idea that he has been a | Oliver Twist |
"what can you be thinking of? Why, Colonel Brandon s only object is to be of use to Mr. Ferrars." | Elinor | dear ma am," said Elinor,<|quote|>"what can you be thinking of? Why, Colonel Brandon s only object is to be of use to Mr. Ferrars."</|quote|>"Lord bless you, my dear! | is in orders already." "My dear ma am," said Elinor,<|quote|>"what can you be thinking of? Why, Colonel Brandon s only object is to be of use to Mr. Ferrars."</|quote|>"Lord bless you, my dear! Sure you do not mean | be very glad to do a kindness by poor Mr. Ferrars, I do think it is not worth while to wait two or three months for him. Sure somebody else might be found that would do as well; somebody that is in orders already." "My dear ma am," said Elinor,<|quote|>"what can you be thinking of? Why, Colonel Brandon s only object is to be of use to Mr. Ferrars."</|quote|>"Lord bless you, my dear! Sure you do not mean to persuade me that the Colonel only marries you for the sake of giving ten guineas to Mr. Ferrars!" The deception could not continue after this; and an explanation immediately took place, by which both gained considerable amusement for the | or three months will complete his ordination." "Two or three months!" cried Mrs. Jennings; "Lord! my dear, how calmly you talk of it; and can the Colonel wait two or three months! Lord bless me! I am sure it would put _me_ quite out of patience! And though one would be very glad to do a kindness by poor Mr. Ferrars, I do think it is not worth while to wait two or three months for him. Sure somebody else might be found that would do as well; somebody that is in orders already." "My dear ma am," said Elinor,<|quote|>"what can you be thinking of? Why, Colonel Brandon s only object is to be of use to Mr. Ferrars."</|quote|>"Lord bless you, my dear! Sure you do not mean to persuade me that the Colonel only marries you for the sake of giving ten guineas to Mr. Ferrars!" The deception could not continue after this; and an explanation immediately took place, by which both gained considerable amusement for the moment, without any material loss of happiness to either, for Mrs. Jennings only exchanged one form of delight for another, and still without forfeiting her expectation of the first. "Aye, aye, the parsonage is but a small one," said she, after the first ebullition of surprise and satisfaction was over, | she reverted to it again as soon as Elinor appeared. "Well, my dear," she cried, "I sent you up the young man. Did not I do right? And I suppose you had no great difficulty You did not find him very unwilling to accept your proposal?" "No, ma am; _that_ was not very likely." "Well, and how soon will he be ready? For it seems all to depend upon that." "Really," said Elinor, "I know so little of these kind of forms, that I can hardly even conjecture as to the time, or the preparation necessary; but I suppose two or three months will complete his ordination." "Two or three months!" cried Mrs. Jennings; "Lord! my dear, how calmly you talk of it; and can the Colonel wait two or three months! Lord bless me! I am sure it would put _me_ quite out of patience! And though one would be very glad to do a kindness by poor Mr. Ferrars, I do think it is not worth while to wait two or three months for him. Sure somebody else might be found that would do as well; somebody that is in orders already." "My dear ma am," said Elinor,<|quote|>"what can you be thinking of? Why, Colonel Brandon s only object is to be of use to Mr. Ferrars."</|quote|>"Lord bless you, my dear! Sure you do not mean to persuade me that the Colonel only marries you for the sake of giving ten guineas to Mr. Ferrars!" The deception could not continue after this; and an explanation immediately took place, by which both gained considerable amusement for the moment, without any material loss of happiness to either, for Mrs. Jennings only exchanged one form of delight for another, and still without forfeiting her expectation of the first. "Aye, aye, the parsonage is but a small one," said she, after the first ebullition of surprise and satisfaction was over, "and very likely _may_ be out of repair; but to hear a man apologising, as I thought, for a house that to my knowledge has five sitting rooms on the ground-floor, and I think the housekeeper told me could make up fifteen beds! and to you too, that had been used to live in Barton cottage! It seems quite ridiculous. But, my dear, we must touch up the Colonel to do some thing to the parsonage, and make it comfortable for them, before Lucy goes to it." "But Colonel Brandon does not seem to have any idea of the living | chair. Elinor told him the number of the house. "I must hurry away then, to give him those thanks which you will not allow me to give _you;_ to assure him that he has made me a very an exceedingly happy man." Elinor did not offer to detain him; and they parted, with a very earnest assurance on _her_ side of her unceasing good wishes for his happiness in every change of situation that might befall him; on _his_, with rather an attempt to return the same good will, than the power of expressing it. "When I see him again," said Elinor to herself, as the door shut him out, "I shall see him the husband of Lucy." And with this pleasing anticipation, she sat down to reconsider the past, recall the words and endeavour to comprehend all the feelings of Edward; and, of course, to reflect on her own with discontent. When Mrs. Jennings came home, though she returned from seeing people whom she had never seen before, and of whom therefore she must have a great deal to say, her mind was so much more occupied by the important secret in her possession, than by anything else, that she reverted to it again as soon as Elinor appeared. "Well, my dear," she cried, "I sent you up the young man. Did not I do right? And I suppose you had no great difficulty You did not find him very unwilling to accept your proposal?" "No, ma am; _that_ was not very likely." "Well, and how soon will he be ready? For it seems all to depend upon that." "Really," said Elinor, "I know so little of these kind of forms, that I can hardly even conjecture as to the time, or the preparation necessary; but I suppose two or three months will complete his ordination." "Two or three months!" cried Mrs. Jennings; "Lord! my dear, how calmly you talk of it; and can the Colonel wait two or three months! Lord bless me! I am sure it would put _me_ quite out of patience! And though one would be very glad to do a kindness by poor Mr. Ferrars, I do think it is not worth while to wait two or three months for him. Sure somebody else might be found that would do as well; somebody that is in orders already." "My dear ma am," said Elinor,<|quote|>"what can you be thinking of? Why, Colonel Brandon s only object is to be of use to Mr. Ferrars."</|quote|>"Lord bless you, my dear! Sure you do not mean to persuade me that the Colonel only marries you for the sake of giving ten guineas to Mr. Ferrars!" The deception could not continue after this; and an explanation immediately took place, by which both gained considerable amusement for the moment, without any material loss of happiness to either, for Mrs. Jennings only exchanged one form of delight for another, and still without forfeiting her expectation of the first. "Aye, aye, the parsonage is but a small one," said she, after the first ebullition of surprise and satisfaction was over, "and very likely _may_ be out of repair; but to hear a man apologising, as I thought, for a house that to my knowledge has five sitting rooms on the ground-floor, and I think the housekeeper told me could make up fifteen beds! and to you too, that had been used to live in Barton cottage! It seems quite ridiculous. But, my dear, we must touch up the Colonel to do some thing to the parsonage, and make it comfortable for them, before Lucy goes to it." "But Colonel Brandon does not seem to have any idea of the living s being enough to allow them to marry." "The Colonel is a ninny, my dear; because he has two thousand a-year himself, he thinks that nobody else can marry on less. Take my word for it, that, if I am alive, I shall be paying a visit at Delaford Parsonage before Michaelmas; and I am sure I shan t go if Lucy an t there." Elinor was quite of her opinion, as to the probability of their not waiting for any thing more. CHAPTER XLI. Edward, having carried his thanks to Colonel Brandon, proceeded with his happiness to Lucy; and such was the excess of it by the time he reached Bartlett s Buildings, that she was able to assure Mrs. Jennings, who called on her again the next day with her congratulations, that she had never seen him in such spirits before in her life. Her own happiness, and her own spirits, were at least very certain; and she joined Mrs. Jennings most heartily in her expectation of their being all comfortably together in Delaford Parsonage before Michaelmas. So far was she, at the same time, from any backwardness to give Elinor that credit which Edward _would_ give her, | behaviour on the present occasion." "Colonel Brandon give _me_ a living! Can it be possible?" "The unkindness of your own relations has made you astonished to find friendship any where." "No," replied he, with sudden consciousness, "not to find it in _you;_ for I cannot be ignorant that to you, to your goodness, I owe it all. I feel it I would express it if I could but, as you well know, I am no orator." "You are very much mistaken. I do assure you that you owe it entirely, at least almost entirely, to your own merit, and Colonel Brandon s discernment of it. I have had no hand in it. I did not even know, till I understood his design, that the living was vacant; nor had it ever occurred to me that he might have had such a living in his gift. As a friend of mine, of my family, he may, perhaps indeed I know he _has_, still greater pleasure in bestowing it; but, upon my word, you owe nothing to my solicitation." Truth obliged her to acknowledge some small share in the action, but she was at the same time so unwilling to appear as the benefactress of Edward, that she acknowledged it with hesitation; which probably contributed to fix that suspicion in his mind which had recently entered it. For a short time he sat deep in thought, after Elinor had ceased to speak; at last, and as if it were rather an effort, he said, "Colonel Brandon seems a man of great worth and respectability. I have always heard him spoken of as such, and your brother I know esteems him highly. He is undoubtedly a sensible man, and in his manners perfectly the gentleman." "Indeed," replied Elinor, "I believe that you will find him, on farther acquaintance, all that you have heard him to be, and as you will be such very near neighbours (for I understand the parsonage is almost close to the mansion-house,) it is particularly important that he _should_ be all this." Edward made no answer; but when she had turned away her head, gave her a look so serious, so earnest, so uncheerful, as seemed to say, that he might hereafter wish the distance between the parsonage and the mansion-house much greater. "Colonel Brandon, I think, lodges in St. James Street," said he, soon afterwards, rising from his chair. Elinor told him the number of the house. "I must hurry away then, to give him those thanks which you will not allow me to give _you;_ to assure him that he has made me a very an exceedingly happy man." Elinor did not offer to detain him; and they parted, with a very earnest assurance on _her_ side of her unceasing good wishes for his happiness in every change of situation that might befall him; on _his_, with rather an attempt to return the same good will, than the power of expressing it. "When I see him again," said Elinor to herself, as the door shut him out, "I shall see him the husband of Lucy." And with this pleasing anticipation, she sat down to reconsider the past, recall the words and endeavour to comprehend all the feelings of Edward; and, of course, to reflect on her own with discontent. When Mrs. Jennings came home, though she returned from seeing people whom she had never seen before, and of whom therefore she must have a great deal to say, her mind was so much more occupied by the important secret in her possession, than by anything else, that she reverted to it again as soon as Elinor appeared. "Well, my dear," she cried, "I sent you up the young man. Did not I do right? And I suppose you had no great difficulty You did not find him very unwilling to accept your proposal?" "No, ma am; _that_ was not very likely." "Well, and how soon will he be ready? For it seems all to depend upon that." "Really," said Elinor, "I know so little of these kind of forms, that I can hardly even conjecture as to the time, or the preparation necessary; but I suppose two or three months will complete his ordination." "Two or three months!" cried Mrs. Jennings; "Lord! my dear, how calmly you talk of it; and can the Colonel wait two or three months! Lord bless me! I am sure it would put _me_ quite out of patience! And though one would be very glad to do a kindness by poor Mr. Ferrars, I do think it is not worth while to wait two or three months for him. Sure somebody else might be found that would do as well; somebody that is in orders already." "My dear ma am," said Elinor,<|quote|>"what can you be thinking of? Why, Colonel Brandon s only object is to be of use to Mr. Ferrars."</|quote|>"Lord bless you, my dear! Sure you do not mean to persuade me that the Colonel only marries you for the sake of giving ten guineas to Mr. Ferrars!" The deception could not continue after this; and an explanation immediately took place, by which both gained considerable amusement for the moment, without any material loss of happiness to either, for Mrs. Jennings only exchanged one form of delight for another, and still without forfeiting her expectation of the first. "Aye, aye, the parsonage is but a small one," said she, after the first ebullition of surprise and satisfaction was over, "and very likely _may_ be out of repair; but to hear a man apologising, as I thought, for a house that to my knowledge has five sitting rooms on the ground-floor, and I think the housekeeper told me could make up fifteen beds! and to you too, that had been used to live in Barton cottage! It seems quite ridiculous. But, my dear, we must touch up the Colonel to do some thing to the parsonage, and make it comfortable for them, before Lucy goes to it." "But Colonel Brandon does not seem to have any idea of the living s being enough to allow them to marry." "The Colonel is a ninny, my dear; because he has two thousand a-year himself, he thinks that nobody else can marry on less. Take my word for it, that, if I am alive, I shall be paying a visit at Delaford Parsonage before Michaelmas; and I am sure I shan t go if Lucy an t there." Elinor was quite of her opinion, as to the probability of their not waiting for any thing more. CHAPTER XLI. Edward, having carried his thanks to Colonel Brandon, proceeded with his happiness to Lucy; and such was the excess of it by the time he reached Bartlett s Buildings, that she was able to assure Mrs. Jennings, who called on her again the next day with her congratulations, that she had never seen him in such spirits before in her life. Her own happiness, and her own spirits, were at least very certain; and she joined Mrs. Jennings most heartily in her expectation of their being all comfortably together in Delaford Parsonage before Michaelmas. So far was she, at the same time, from any backwardness to give Elinor that credit which Edward _would_ give her, that she spoke of her friendship for them both with the most grateful warmth, was ready to own all their obligation to her, and openly declared that no exertion for their good on Miss Dashwood s part, either present or future, would ever surprise her, for she believed her capable of doing any thing in the world for those she really valued. As for Colonel Brandon, she was not only ready to worship him as a saint, but was moreover truly anxious that he should be treated as one in all worldly concerns; anxious that his tithes should be raised to the utmost; and secretly resolved to avail herself, at Delaford, as far as she possibly could, of his servants, his carriage, his cows, and his poultry. It was now above a week since John Dashwood had called in Berkeley Street, and as since that time no notice had been taken by them of his wife s indisposition, beyond one verbal enquiry, Elinor began to feel it necessary to pay her a visit. This was an obligation, however, which not only opposed her own inclination, but which had not the assistance of any encouragement from her companions. Marianne, not contented with absolutely refusing to go herself, was very urgent to prevent her sister s going at all; and Mrs. Jennings, though her carriage was always at Elinor s service, so very much disliked Mrs. John Dashwood, that not even her curiosity to see how she looked after the late discovery, nor her strong desire to affront her by taking Edward s part, could overcome her unwillingness to be in her company again. The consequence was, that Elinor set out by herself to pay a visit, for which no one could really have less inclination, and to run the risk of a t te- -t te with a woman, whom neither of the others had so much reason to dislike. Mrs. Dashwood was denied; but before the carriage could turn from the house, her husband accidentally came out. He expressed great pleasure in meeting Elinor, told her that he had been just going to call in Berkeley Street, and, assuring her that Fanny would be very glad to see her, invited her to come in. They walked up stairs in to the drawing-room. Nobody was there. "Fanny is in her own room, I suppose," said he: "I will go to her | And with this pleasing anticipation, she sat down to reconsider the past, recall the words and endeavour to comprehend all the feelings of Edward; and, of course, to reflect on her own with discontent. When Mrs. Jennings came home, though she returned from seeing people whom she had never seen before, and of whom therefore she must have a great deal to say, her mind was so much more occupied by the important secret in her possession, than by anything else, that she reverted to it again as soon as Elinor appeared. "Well, my dear," she cried, "I sent you up the young man. Did not I do right? And I suppose you had no great difficulty You did not find him very unwilling to accept your proposal?" "No, ma am; _that_ was not very likely." "Well, and how soon will he be ready? For it seems all to depend upon that." "Really," said Elinor, "I know so little of these kind of forms, that I can hardly even conjecture as to the time, or the preparation necessary; but I suppose two or three months will complete his ordination." "Two or three months!" cried Mrs. Jennings; "Lord! my dear, how calmly you talk of it; and can the Colonel wait two or three months! Lord bless me! I am sure it would put _me_ quite out of patience! And though one would be very glad to do a kindness by poor Mr. Ferrars, I do think it is not worth while to wait two or three months for him. Sure somebody else might be found that would do as well; somebody that is in orders already." "My dear ma am," said Elinor,<|quote|>"what can you be thinking of? Why, Colonel Brandon s only object is to be of use to Mr. Ferrars."</|quote|>"Lord bless you, my dear! Sure you do not mean to persuade me that the Colonel only marries you for the sake of giving ten guineas to Mr. Ferrars!" The deception could not continue after this; and an explanation immediately took place, by which both gained considerable amusement for the moment, without any material loss of happiness to either, for Mrs. Jennings only exchanged one form of delight for another, and still without forfeiting her expectation of the first. "Aye, aye, the parsonage is but a small one," said she, after the first ebullition of surprise and satisfaction was over, "and very likely _may_ be out of repair; but to hear a man apologising, as I thought, for a house that to my knowledge has five sitting rooms on the ground-floor, and I think the housekeeper told me could make up fifteen beds! and to you too, that had been used to live in Barton cottage! It seems quite ridiculous. But, my dear, we must touch up the Colonel to do some thing to the parsonage, and make it comfortable for them, before Lucy goes to it." "But Colonel Brandon does not seem to have any idea of the living s being enough to allow them to marry." "The Colonel is a ninny, my dear; because he has two thousand a-year himself, he thinks that nobody else can marry on less. Take my word for it, that, if I am alive, I shall be paying a visit at Delaford Parsonage before Michaelmas; and I am sure I shan t go if Lucy an t there." Elinor was quite of her opinion, as to the probability of their not waiting for any thing more. CHAPTER XLI. Edward, having carried his thanks to Colonel Brandon, proceeded with his happiness to Lucy; and such was the excess of it by the time he reached Bartlett s Buildings, that she was able to assure Mrs. Jennings, who called on her again the next day with her congratulations, that she had never seen him in such spirits before in her life. Her own happiness, and her own spirits, were at least very certain; and she joined Mrs. Jennings most heartily in her expectation of their being all comfortably together in Delaford Parsonage before Michaelmas. So far was she, at the same time, from any backwardness to give Elinor that credit which Edward _would_ give her, that she spoke of her friendship for them both with the most grateful warmth, was ready to own all their obligation to her, and openly declared that no exertion for their good on Miss Dashwood s part, either present or future, would ever surprise her, for she believed her capable of doing any thing in the world for those she really valued. As for Colonel Brandon, she was not only ready to worship him as a saint, but was moreover truly anxious that he should be treated as one in all worldly concerns; anxious that his tithes should be raised to the utmost; and secretly resolved to avail herself, at Delaford, as far as she possibly could, of his servants, his carriage, his cows, and his poultry. It was now above a week since John Dashwood had called in Berkeley Street, and as since that time no notice had been taken by them of his wife s indisposition, beyond one verbal enquiry, Elinor began to feel it necessary to pay her | Sense And Sensibility |
“Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” | Crimble | “‘Only’?” he continued to laugh.<|quote|>“Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,”</|quote|>he added, “a most barefaced | she cried in bright alarm. “‘Only’?” he continued to laugh.<|quote|>“Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,”</|quote|>he added, “a most barefaced ‘Rubens’ there in the library.” | take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh.<|quote|>“Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,”</|quote|>he added, “a most barefaced ‘Rubens’ there in the library.” “It isn’t a Rubens?” “No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be | some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh.<|quote|>“Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,”</|quote|>he added, “a most barefaced ‘Rubens’ there in the library.” “It isn’t a Rubens?” “No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of | was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh.<|quote|>“Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,”</|quote|>he added, “a most barefaced ‘Rubens’ there in the library.” “It isn’t a Rubens?” “No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But | but at the cost of some effect of earnest abruptness she surmounted it. “What does your American--Mr. Bender--want?” Lord Theign plainly felt the challenge. “‘My’ American? He’s none of mine!” “Well then Lord John’s.” “He’s none of his either--more, I mean, than any one else’s. He’s every one’s American, literally--to all appearance; and I’ve not to tell _you_, surely, with the freedom of your own visitors, how people stalk in and out here.” “No, father--certainly,” she said. “You’re splendidly generous.” His eyes seemed rather sharply to ask her then how he could improve on that; but he added as if it were enough: “What the man must by this time want more than anything else is his car.” “Not then anything of ours?” she still insisted. “Of ‘ours’?” he echoed with a frown. “Are you afraid he has an eye to something of _yours?_” “Why, if we’ve a new treasure--which we certainly have if we possess a Mantovano--haven’t we all, even I, an immense interest in it?” And before he could answer, “Is _that_ exposed?” she asked. Lord Theign, a little unready, cast about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh.<|quote|>“Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,”</|quote|>he added, “a most barefaced ‘Rubens’ there in the library.” “It isn’t a Rubens?” “No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he | like him and believe in him--and I’ve found him pleasant and clever.” “He has never had,” Lord Theign more or less ingeniously explained, “what I call a real show.” But the character under discussion could after all be summed up without searching analysis. “I consider nevertheless that there’s plenty in him.” It was a moderate claim, to which Lady Grace might assent. “He strikes me as naturally quick and--well, nice. But I agree with you than he hasn’t had a chance.” “Then if you can see your way by sympathy and confidence to help him to one I dare say you’ll find your reward.” For a third time she considered, as if a certain curtness in her companion’s manner rather hindered, in such a question, than helped. Didn’t he simplify too much, you would have felt her ask, and wasn’t his visible wish for brevity of debate a sign of his uncomfortable and indeed rather irritated sense of his not making a figure in it? “Do you desire it very particularly?” was, however, all she at last brought out. “I should like it exceedingly--if you act from conviction. Then of course only; but of one thing I’m myself convinced--of what he thinks of yourself and feels for you.” “Then would you mind my waiting a little?” she asked. “I mean to be absolutely sure of myself.” After which, on his delaying to agree, she added frankly, as to help her case: “Upon my word, father, I should like to do what would please you.” But it determined in him a sharper impatience. “Ah, what would please _me!_ Don’t put it off on ‘me’! Judge absolutely for yourself” --he slightly took himself up-- “in the light of my having consented to do for him what I always _hate_ to do: deviate from my normal practice of never intermeddling. If I’ve deviated now you can judge. But to do so all round, of course, take--in reason!--your time.” “May I ask then,” she said, “for still a little more?” He looked for this, verily, as if it was not in reason. “You know,” he then returned, “what he’ll feel that a sign of.” “Well, I’ll tell him what I mean.” “Then I’ll send him to you.” He glanced at his watch and was going, but after a “Thanks, father,” she had stopped him. “There’s one thing more.” An embarrassment showed in her manner, but at the cost of some effect of earnest abruptness she surmounted it. “What does your American--Mr. Bender--want?” Lord Theign plainly felt the challenge. “‘My’ American? He’s none of mine!” “Well then Lord John’s.” “He’s none of his either--more, I mean, than any one else’s. He’s every one’s American, literally--to all appearance; and I’ve not to tell _you_, surely, with the freedom of your own visitors, how people stalk in and out here.” “No, father--certainly,” she said. “You’re splendidly generous.” His eyes seemed rather sharply to ask her then how he could improve on that; but he added as if it were enough: “What the man must by this time want more than anything else is his car.” “Not then anything of ours?” she still insisted. “Of ‘ours’?” he echoed with a frown. “Are you afraid he has an eye to something of _yours?_” “Why, if we’ve a new treasure--which we certainly have if we possess a Mantovano--haven’t we all, even I, an immense interest in it?” And before he could answer, “Is _that_ exposed?” she asked. Lord Theign, a little unready, cast about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh.<|quote|>“Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,”</|quote|>he added, “a most barefaced ‘Rubens’ there in the library.” “It isn’t a Rubens?” “No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.” “Well, it _was_, to me, half an hour ago,” she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked. “Millions of times.” Sad, almost sombre, she hadn’t a shade of coquetry. “Kitty has debts--great heaped-up gaming debts.” “But to such amounts?” “Incredible amounts it appears. And mountains | surmounted it. “What does your American--Mr. Bender--want?” Lord Theign plainly felt the challenge. “‘My’ American? He’s none of mine!” “Well then Lord John’s.” “He’s none of his either--more, I mean, than any one else’s. He’s every one’s American, literally--to all appearance; and I’ve not to tell _you_, surely, with the freedom of your own visitors, how people stalk in and out here.” “No, father--certainly,” she said. “You’re splendidly generous.” His eyes seemed rather sharply to ask her then how he could improve on that; but he added as if it were enough: “What the man must by this time want more than anything else is his car.” “Not then anything of ours?” she still insisted. “Of ‘ours’?” he echoed with a frown. “Are you afraid he has an eye to something of _yours?_” “Why, if we’ve a new treasure--which we certainly have if we possess a Mantovano--haven’t we all, even I, an immense interest in it?” And before he could answer, “Is _that_ exposed?” she asked. Lord Theign, a little unready, cast about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh.<|quote|>“Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,”</|quote|>he added, “a most barefaced ‘Rubens’ there in the library.” “It isn’t a Rubens?” “No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously | The Outcry |
"All right, Roo, I'm coming," | Christopher Robin - Story | others in front of them.<|quote|>"All right, Roo, I'm coming,"</|quote|>called Christopher Robin. "Get something | were calling out to the others in front of them.<|quote|>"All right, Roo, I'm coming,"</|quote|>called Christopher Robin. "Get something across the stream lower down, | with his back to the accident was grumbling quietly to himself, and saying, "All this washing; but catch on to my tail, little Roo, and you'll be all right" "; and, Christopher Robin and Rabbit came hurrying past Eeyore, and were calling out to the others in front of them.<|quote|>"All right, Roo, I'm coming,"</|quote|>called Christopher Robin. "Get something across the stream lower down, some of you fellows," called Rabbit. But Pooh was getting something. Two pools below Roo he was standing with a long pole in his paws, and Kanga came up and took one end of it, and between them they held | Kanga was jumping along the bank, saying "Are you _sure_ you're all right, Roo dear?" to which Roo, from whatever pool he was in at the moment, was answering "Look at me swimming!" Eeyore had turned round and hung his tail over the first pool into which Roo fell, and with his back to the accident was grumbling quietly to himself, and saying, "All this washing; but catch on to my tail, little Roo, and you'll be all right" "; and, Christopher Robin and Rabbit came hurrying past Eeyore, and were calling out to the others in front of them.<|quote|>"All right, Roo, I'm coming,"</|quote|>called Christopher Robin. "Get something across the stream lower down, some of you fellows," called Rabbit. But Pooh was getting something. Two pools below Roo he was standing with a long pole in his paws, and Kanga came up and took one end of it, and between them they held it across the lower part of the pool; and Roo, still bubbling proudly, "Look at me swimming," drifted up against it, and climbed out. "Did you see me swimming?" squeaked Roo excitedly, while Kanga scolded him and rubbed him down. "Pooh, did you see me swimming? That's called swimming, what | Christopher Robin came rushing down to the rescue. "Look at me swimming!" squeaked Roo from the middle of his pool, and was hurried down a waterfall into the next pool. "Are you all right, Roo dear?" called Kanga anxiously. "Yes!" said Roo. "Look at me sw----" and down he went over the next waterfall into another pool. Everybody was doing something to help. Piglet, wide awake suddenly, was jumping up and down and making "Oo, I say" noises; Owl was explaining that in a case of Sudden and Temporary Immersion the Important Thing was to keep the Head Above Water; Kanga was jumping along the bank, saying "Are you _sure_ you're all right, Roo dear?" to which Roo, from whatever pool he was in at the moment, was answering "Look at me swimming!" Eeyore had turned round and hung his tail over the first pool into which Roo fell, and with his back to the accident was grumbling quietly to himself, and saying, "All this washing; but catch on to my tail, little Roo, and you'll be all right" "; and, Christopher Robin and Rabbit came hurrying past Eeyore, and were calling out to the others in front of them.<|quote|>"All right, Roo, I'm coming,"</|quote|>called Christopher Robin. "Get something across the stream lower down, some of you fellows," called Rabbit. But Pooh was getting something. Two pools below Roo he was standing with a long pole in his paws, and Kanga came up and took one end of it, and between them they held it across the lower part of the pool; and Roo, still bubbling proudly, "Look at me swimming," drifted up against it, and climbed out. "Did you see me swimming?" squeaked Roo excitedly, while Kanga scolded him and rubbed him down. "Pooh, did you see me swimming? That's called swimming, what I was doing. Rabbit, did you see what I was doing? Swimming. Hallo, Piglet! I say, Piglet! What do you think I was doing! Swimming! Christopher Robin, did you see me----" But Christopher Robin wasn't listening. He was looking at Pooh. "Pooh," he said, "where did you find that pole?" Pooh looked at the pole in his hands. "I just found it," he said. "I thought it ought to be useful. I just picked it up." "Pooh," said Christopher Robin solemnly, "the Expedition is over. You have found the North Pole!" "Oh!" said Pooh. Eeyore was sitting with his tail | "I suppose it's just a pole stuck in the ground?" "Sure to be a pole," said Rabbit, "because of calling it a pole, and if it's a pole, well, I should think it would be sticking in the ground, shouldn't you, because there'd be nowhere else to stick it." "Yes, that's what I thought." "The only thing," said Rabbit, "is, _where is it sticking_?" "That's what we're looking for," said Christopher Robin. They went back to the others. Piglet was lying on his back, sleeping peacefully. Roo was washing his face and paws in the stream, while Kanga explained to everybody proudly that this was the first time he had ever washed his face himself, and Owl was telling Kanga an Interesting Anecdote full of long words like Encyclop dia and Rhododendron to which Kanga wasn't listening. "I don't hold with all this washing," grumbled Eeyore. "This modern Behind-the-ears nonsense. What do _you_ think, Pooh?" "Well," said Pooh, "_I_ think----" But we shall never know what Pooh thought, for there came a sudden squeak from Roo, a splash, and a loud cry of alarm from Kanga. "So much for _washing_," said Eeyore. "Roo's fallen in!" cried Rabbit, and he and Christopher Robin came rushing down to the rescue. "Look at me swimming!" squeaked Roo from the middle of his pool, and was hurried down a waterfall into the next pool. "Are you all right, Roo dear?" called Kanga anxiously. "Yes!" said Roo. "Look at me sw----" and down he went over the next waterfall into another pool. Everybody was doing something to help. Piglet, wide awake suddenly, was jumping up and down and making "Oo, I say" noises; Owl was explaining that in a case of Sudden and Temporary Immersion the Important Thing was to keep the Head Above Water; Kanga was jumping along the bank, saying "Are you _sure_ you're all right, Roo dear?" to which Roo, from whatever pool he was in at the moment, was answering "Look at me swimming!" Eeyore had turned round and hung his tail over the first pool into which Roo fell, and with his back to the accident was grumbling quietly to himself, and saying, "All this washing; but catch on to my tail, little Roo, and you'll be all right" "; and, Christopher Robin and Rabbit came hurrying past Eeyore, and were calling out to the others in front of them.<|quote|>"All right, Roo, I'm coming,"</|quote|>called Christopher Robin. "Get something across the stream lower down, some of you fellows," called Rabbit. But Pooh was getting something. Two pools below Roo he was standing with a long pole in his paws, and Kanga came up and took one end of it, and between them they held it across the lower part of the pool; and Roo, still bubbling proudly, "Look at me swimming," drifted up against it, and climbed out. "Did you see me swimming?" squeaked Roo excitedly, while Kanga scolded him and rubbed him down. "Pooh, did you see me swimming? That's called swimming, what I was doing. Rabbit, did you see what I was doing? Swimming. Hallo, Piglet! I say, Piglet! What do you think I was doing! Swimming! Christopher Robin, did you see me----" But Christopher Robin wasn't listening. He was looking at Pooh. "Pooh," he said, "where did you find that pole?" Pooh looked at the pole in his hands. "I just found it," he said. "I thought it ought to be useful. I just picked it up." "Pooh," said Christopher Robin solemnly, "the Expedition is over. You have found the North Pole!" "Oh!" said Pooh. Eeyore was sitting with his tail in the water when they all got back to him. "Tell Roo to be quick, somebody," he said. "My tail's getting cold. I don't want to mention it, but I just mention it. I don't want to complain but there it is. My tail's cold." "Here I am!" squeaked Roo. "Oh, there you are." "Did you see me swimming?" Eeyore took his tail out of the water, and swished it from side to side. "As I expected," he said. "Lost all feeling. Numbed it. That's what it's done. Numbed it. Well, as long as nobody minds, I suppose it's all right." "Poor old Eeyore. I'll dry it for you," said Christopher Robin, and he took out his handkerchief and rubbed it up. "Thank you, Christopher Robin. You're the only one who seems to understand about tails. They don't think--that's what the matter with some of these others. They've no imagination. A tail isn't a tail to _them_, it's just a Little Bit Extra at the back." "Never mind, Eeyore," said Christopher Robin, rubbing his hardest. "Is _that_ better?" "It's feeling more like a tail perhaps. It Belongs again, if you know what I mean." "Hullo, Eeyore," said Pooh, coming up | an Ambush was, said that a gorse-bush had sprung at him suddenly one day when he fell off a tree, and he had taken six days to get all the prickles out of himself. "We are not _talking_ about gorse-bushes," said Owl a little crossly. "I am," said Pooh. They were climbing very cautiously up the stream now, going from rock to rock, and after they had gone a little way they came to a place where the banks widened out at each side, so that on each side of the water there was a level strip of grass on which they could sit down and rest. As soon as he saw this, Christopher Robin called "Halt!" and they all sat down and rested. "I think," said Christopher Robin, "that we ought to eat all our Provisions now, so that we shan't have so much to carry." "Eat all our what?" said Pooh. "All that we've brought," said Piglet, getting to work. "That's a good idea," said Pooh, and he got to work too. "Have you all got something?" asked Christopher Robin with his mouth full. "All except me," said Eeyore. "As Usual." He looked round at them in his melancholy way. "I suppose none of you are sitting on a thistle by any chance?" "I believe I am," said Pooh. "Ow!" He got up, and looked behind him. "Yes, I was. I thought so." "Thank you, Pooh. If you've quite finished with it." He moved across to Pooh's place, and began to eat. "It don't do them any Good, you know, sitting on them," he went on, as he looked up munching. "Takes all the Life out of them. Remember that another time, all of you. A little Consideration, a little Thought for Others, makes all the difference." As soon as he had finished his lunch Christopher Robin whispered to Rabbit, and Rabbit said "Yes, yes, of course," and they walked a little way up the stream together. "I didn't want the others to hear," said Christopher Robin. "Quite so," said Rabbit, looking important. "It's--I wondered--It's only--Rabbit, I suppose _you_ don't know, What does the North Pole _look_ like?" "Well," said Rabbit, stroking his whiskers. "Now you're asking me." "I did know once, only I've sort of forgotten," said Christopher Robin carelessly. "It's a funny thing," said Rabbit, "but I've sort of forgotten too, although I did know _once_." "I suppose it's just a pole stuck in the ground?" "Sure to be a pole," said Rabbit, "because of calling it a pole, and if it's a pole, well, I should think it would be sticking in the ground, shouldn't you, because there'd be nowhere else to stick it." "Yes, that's what I thought." "The only thing," said Rabbit, "is, _where is it sticking_?" "That's what we're looking for," said Christopher Robin. They went back to the others. Piglet was lying on his back, sleeping peacefully. Roo was washing his face and paws in the stream, while Kanga explained to everybody proudly that this was the first time he had ever washed his face himself, and Owl was telling Kanga an Interesting Anecdote full of long words like Encyclop dia and Rhododendron to which Kanga wasn't listening. "I don't hold with all this washing," grumbled Eeyore. "This modern Behind-the-ears nonsense. What do _you_ think, Pooh?" "Well," said Pooh, "_I_ think----" But we shall never know what Pooh thought, for there came a sudden squeak from Roo, a splash, and a loud cry of alarm from Kanga. "So much for _washing_," said Eeyore. "Roo's fallen in!" cried Rabbit, and he and Christopher Robin came rushing down to the rescue. "Look at me swimming!" squeaked Roo from the middle of his pool, and was hurried down a waterfall into the next pool. "Are you all right, Roo dear?" called Kanga anxiously. "Yes!" said Roo. "Look at me sw----" and down he went over the next waterfall into another pool. Everybody was doing something to help. Piglet, wide awake suddenly, was jumping up and down and making "Oo, I say" noises; Owl was explaining that in a case of Sudden and Temporary Immersion the Important Thing was to keep the Head Above Water; Kanga was jumping along the bank, saying "Are you _sure_ you're all right, Roo dear?" to which Roo, from whatever pool he was in at the moment, was answering "Look at me swimming!" Eeyore had turned round and hung his tail over the first pool into which Roo fell, and with his back to the accident was grumbling quietly to himself, and saying, "All this washing; but catch on to my tail, little Roo, and you'll be all right" "; and, Christopher Robin and Rabbit came hurrying past Eeyore, and were calling out to the others in front of them.<|quote|>"All right, Roo, I'm coming,"</|quote|>called Christopher Robin. "Get something across the stream lower down, some of you fellows," called Rabbit. But Pooh was getting something. Two pools below Roo he was standing with a long pole in his paws, and Kanga came up and took one end of it, and between them they held it across the lower part of the pool; and Roo, still bubbling proudly, "Look at me swimming," drifted up against it, and climbed out. "Did you see me swimming?" squeaked Roo excitedly, while Kanga scolded him and rubbed him down. "Pooh, did you see me swimming? That's called swimming, what I was doing. Rabbit, did you see what I was doing? Swimming. Hallo, Piglet! I say, Piglet! What do you think I was doing! Swimming! Christopher Robin, did you see me----" But Christopher Robin wasn't listening. He was looking at Pooh. "Pooh," he said, "where did you find that pole?" Pooh looked at the pole in his hands. "I just found it," he said. "I thought it ought to be useful. I just picked it up." "Pooh," said Christopher Robin solemnly, "the Expedition is over. You have found the North Pole!" "Oh!" said Pooh. Eeyore was sitting with his tail in the water when they all got back to him. "Tell Roo to be quick, somebody," he said. "My tail's getting cold. I don't want to mention it, but I just mention it. I don't want to complain but there it is. My tail's cold." "Here I am!" squeaked Roo. "Oh, there you are." "Did you see me swimming?" Eeyore took his tail out of the water, and swished it from side to side. "As I expected," he said. "Lost all feeling. Numbed it. That's what it's done. Numbed it. Well, as long as nobody minds, I suppose it's all right." "Poor old Eeyore. I'll dry it for you," said Christopher Robin, and he took out his handkerchief and rubbed it up. "Thank you, Christopher Robin. You're the only one who seems to understand about tails. They don't think--that's what the matter with some of these others. They've no imagination. A tail isn't a tail to _them_, it's just a Little Bit Extra at the back." "Never mind, Eeyore," said Christopher Robin, rubbing his hardest. "Is _that_ better?" "It's feeling more like a tail perhaps. It Belongs again, if you know what I mean." "Hullo, Eeyore," said Pooh, coming up to them with his pole. "Hullo, Pooh. Thank you for asking, but I shall be able to use it again in a day or two." "Use what?" said Pooh. "What we are talking about." "I wasn't talking about anything," said Pooh, looking puzzled. "My mistake again. I thought you were saying how sorry you were about my tail, being all numb, and could you do anything to help?" "No," said Pooh. "That wasn't me," he said. He thought for a little and then suggested helpfully, "Perhaps it was somebody else." "Well, thank him for me when you see him." Pooh looked anxiously at Christopher Robin. "Pooh's found the North Pole," said Christopher Robin. "Isn't that lovely?" Pooh looked modestly down. "Is that it?" said Eeyore. "Yes," said Christopher Robin. "Is that what we were looking for?" "Yes," said Pooh. "Oh!" said Eeyore. "Well, anyhow--it didn't rain," he said. They stuck the pole in the ground, and Christopher Robin tied a message on to it. NORTH POLE DISCOVERED BY POOH POOH FOUND IT. Then they all went home again. And I think, but I am not quite sure, that Roo had a hot bath and went straight to bed. But Pooh went back to his own house, and feeling very proud of what he had done, had a little something to revive himself. CHAPTER IX IN WHICH PIGLET IS ENTIRELY SURROUNDED BY WATER It rained and it rained and it rained. Piglet told himself that never in all his life, and _he_ was goodness knows _how_ old--three, was it, or four?--never had he seen so much rain. Days and days and days. "If only," he thought, as he looked out of the window, "I had been in Pooh's house, or Christopher Robin's house, or Rabbit's house when it began to rain, then I should have had Company all this time, instead of being here all alone, with nothing to do except wonder when it will stop." And he imagined himself with Pooh, saying, "Did you ever see such rain, Pooh?" and Pooh saying, "Isn't it _awful_, Piglet?" and Piglet saying, "I wonder how it is over Christopher Robin's way" and Pooh saying, "I should think poor old Rabbit is about flooded out by this time." It would have been jolly to talk like this, and really, it wasn't much good having anything exciting like floods, if you couldn't share them with | Kanga. "So much for _washing_," said Eeyore. "Roo's fallen in!" cried Rabbit, and he and Christopher Robin came rushing down to the rescue. "Look at me swimming!" squeaked Roo from the middle of his pool, and was hurried down a waterfall into the next pool. "Are you all right, Roo dear?" called Kanga anxiously. "Yes!" said Roo. "Look at me sw----" and down he went over the next waterfall into another pool. Everybody was doing something to help. Piglet, wide awake suddenly, was jumping up and down and making "Oo, I say" noises; Owl was explaining that in a case of Sudden and Temporary Immersion the Important Thing was to keep the Head Above Water; Kanga was jumping along the bank, saying "Are you _sure_ you're all right, Roo dear?" to which Roo, from whatever pool he was in at the moment, was answering "Look at me swimming!" Eeyore had turned round and hung his tail over the first pool into which Roo fell, and with his back to the accident was grumbling quietly to himself, and saying, "All this washing; but catch on to my tail, little Roo, and you'll be all right" "; and, Christopher Robin and Rabbit came hurrying past Eeyore, and were calling out to the others in front of them.<|quote|>"All right, Roo, I'm coming,"</|quote|>called Christopher Robin. "Get something across the stream lower down, some of you fellows," called Rabbit. But Pooh was getting something. Two pools below Roo he was standing with a long pole in his paws, and Kanga came up and took one end of it, and between them they held it across the lower part of the pool; and Roo, still bubbling proudly, "Look at me swimming," drifted up against it, and climbed out. "Did you see me swimming?" squeaked Roo excitedly, while Kanga scolded him and rubbed him down. "Pooh, did you see me swimming? That's called swimming, what I was doing. Rabbit, did you see what I was doing? Swimming. Hallo, Piglet! I say, Piglet! What do you think I was doing! Swimming! Christopher Robin, did you see me----" But Christopher Robin wasn't listening. He was looking at Pooh. "Pooh," he said, "where did you find that pole?" Pooh looked at the pole in his hands. "I just found it," he said. "I thought it ought to be useful. I just picked it up." "Pooh," said Christopher Robin solemnly, "the Expedition is over. You have found the North Pole!" "Oh!" said Pooh. Eeyore was sitting with his tail in the water when they all got back to him. "Tell Roo to be quick, somebody," he said. "My tail's getting cold. I don't want to mention it, but I just mention it. I don't want to complain but there it is. My tail's cold." "Here I am!" squeaked Roo. "Oh, there you are." "Did you see me swimming?" Eeyore took his tail out of the water, and swished it from side to side. "As I expected," | Winnie The Pooh |
"I saw you out of the window," | Bill Gorton | the edge of the bed.<|quote|>"I saw you out of the window,"</|quote|>he said. "Didn't want to | was awake and sitting on the edge of the bed.<|quote|>"I saw you out of the window,"</|quote|>he said. "Didn't want to interrupt you. What were you | and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed.<|quote|>"I saw you out of the window,"</|quote|>he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and | drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed.<|quote|>"I saw you out of the window,"</|quote|>he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted | dressed, put on my shoes outside in the hall, and went down-stairs. No one was stirring down-stairs, so I unbolted the door and went out. It was cool outside in the early morning and the sun had not yet dried the dew that had come when the wind died down. I hunted around in the shed behind the inn and found a sort of mattock, and went down toward the stream to try and dig some worms for bait. The stream was clear and shallow but it did not look trouty. On the grassy bank where it was damp I drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed.<|quote|>"I saw you out of the window,"</|quote|>he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . | here," Bill said. The girl brought in a big bowl of hot vegetable soup and the wine. We had fried trout afterward and some sort of a stew and a big bowl full of wild strawberries. We did not lose money on the wine, and the girl was shy but nice about bringing it The old woman looked in once and counted the empty bottles. After supper we went up-stairs and smoked and read in bed to keep warm. Once in the night I woke and heard the wind blowing. It felt good to be warm and in bed. CHAPTER 12 When I woke in the morning I went to the window and looked out. It had cleared and there were no clouds on the mountains. Outside under the window were some carts and an old diligence, the wood of the roof cracked and split by the weather. It must have been left from the days before the motor-buses. A goat hopped up on one of the carts and then to the roof of the diligence. He jerked his head at the other goats below and when I waved at him he bounded down. Bill was still sleeping, so I dressed, put on my shoes outside in the hall, and went down-stairs. No one was stirring down-stairs, so I unbolted the door and went out. It was cool outside in the early morning and the sun had not yet dried the dew that had come when the wind died down. I hunted around in the shed behind the inn and found a sort of mattock, and went down toward the stream to try and dig some worms for bait. The stream was clear and shallow but it did not look trouty. On the grassy bank where it was damp I drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed.<|quote|>"I saw you out of the window,"</|quote|>he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?" "That's not ironical. I wish I could talk Spanish." The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. | room was on the north side of the inn. We washed, put on sweaters, and came down-stairs into the dining-room. It had a stone floor, low ceiling, and was oak-panelled. The shutters were up and it was so cold you could see your breath. "My God!" said Bill. "It can't be this cold to-morrow. I'm not going to wade a stream in this weather." There was an upright piano in the far corner of the room beyond the wooden tables and Bill went over and started to play. "I got to keep warm," he said. I went out to find the woman and ask her how much the room and board was. She put her hands under her apron and looked away from me. "Twelve pesetas." "Why, we only paid that in Pamplona." She did not say anything, just took off her glasses and wiped them on her apron. "That's too much," I said. "We didn't pay more than that at a big hotel." "We've put in a bathroom." "Haven't you got anything cheaper?" "Not in the summer. Now is the big season." We were the only people in the inn. Well, I thought, it's only a few days. "Is the wine included?" "Oh, yes." "Well," I said. "It's all right." I went back to Bill. He blew his breath at me to show how cold it was, and went on playing. I sat at one of the tables and looked at the pictures on the wall. There was one panel of rabbits, dead, one of pheasants, also dead, and one panel of dead ducks. The panels were all dark and smoky-looking. There was a cupboard full of liqueur bottles. I looked at them all. Bill was still playing. "How about a hot rum punch?" he said. "This isn't going to keep me warm permanently." I went out and told the woman what a rum punch was and how to make it. In a few minutes a girl brought a stone pitcher, steaming, into the room. Bill came over from the piano and we drank the hot punch and listened to the wind. "There isn't too much rum in that." I went over to the cupboard and brought the rum bottle and poured a half-tumblerful into the pitcher. "Direct action," said Bill. "It beats legislation." The girl came in and laid the table for supper. "It blows like hell up here," Bill said. The girl brought in a big bowl of hot vegetable soup and the wine. We had fried trout afterward and some sort of a stew and a big bowl full of wild strawberries. We did not lose money on the wine, and the girl was shy but nice about bringing it The old woman looked in once and counted the empty bottles. After supper we went up-stairs and smoked and read in bed to keep warm. Once in the night I woke and heard the wind blowing. It felt good to be warm and in bed. CHAPTER 12 When I woke in the morning I went to the window and looked out. It had cleared and there were no clouds on the mountains. Outside under the window were some carts and an old diligence, the wood of the roof cracked and split by the weather. It must have been left from the days before the motor-buses. A goat hopped up on one of the carts and then to the roof of the diligence. He jerked his head at the other goats below and when I waved at him he bounded down. Bill was still sleeping, so I dressed, put on my shoes outside in the hall, and went down-stairs. No one was stirring down-stairs, so I unbolted the door and went out. It was cool outside in the early morning and the sun had not yet dried the dew that had come when the wind died down. I hunted around in the shed behind the inn and found a sort of mattock, and went down toward the stream to try and dig some worms for bait. The stream was clear and shallow but it did not look trouty. On the grassy bank where it was damp I drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed.<|quote|>"I saw you out of the window,"</|quote|>he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?" "That's not ironical. I wish I could talk Spanish." The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee," I said. "Good. Coffee is good for you. It's the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what's the trouble with you? You're an expatriate. One of the worst type. Haven't you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers." He drank the coffee. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around caf s." "It sounds like a swell life," I said. "When do I work?" "You don't work. One group claims women support you. Another group claims you're impotent." "No," I said. "I just had an accident." "Never mention that," Bill said. "That's the sort of thing that can't be spoken of. That's what you ought to work up into a mystery. Like Henry's bicycle." He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I wanted to start him again. "It wasn't a bicycle," I said. "He was riding horseback." "I heard it was a tricycle." "Well," I said. "A plane is sort of like a tricycle. The joystick works the same way." "But you don't pedal it." "No," I said, | bed to keep warm. Once in the night I woke and heard the wind blowing. It felt good to be warm and in bed. CHAPTER 12 When I woke in the morning I went to the window and looked out. It had cleared and there were no clouds on the mountains. Outside under the window were some carts and an old diligence, the wood of the roof cracked and split by the weather. It must have been left from the days before the motor-buses. A goat hopped up on one of the carts and then to the roof of the diligence. He jerked his head at the other goats below and when I waved at him he bounded down. Bill was still sleeping, so I dressed, put on my shoes outside in the hall, and went down-stairs. No one was stirring down-stairs, so I unbolted the door and went out. It was cool outside in the early morning and the sun had not yet dried the dew that had come when the wind died down. I hunted around in the shed behind the inn and found a sort of mattock, and went down toward the stream to try and dig some worms for bait. The stream was clear and shallow but it did not look trouty. On the grassy bank where it was damp I drove the mattock into the earth and loosened a chunk of sod. There were worms underneath. They slid out of sight as I lifted the sod and I dug carefully and got a good many. Digging at the edge of the damp ground I filled two empty tobacco-tins with worms and sifted dirt onto them. The goats watched me dig. When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed.<|quote|>"I saw you out of the window,"</|quote|>he said. "Didn't want to interrupt you. What were you doing? Burying your money?" "You lazy bum!" "Been working for the common good? Splendid. I want you to do that every morning." "Come on," I said. "Get up." "What? Get up? I never get up." He climbed into bed and pulled the sheet up to his chin. "Try and argue me into getting up." I went on looking for the tackle and putting it all together in the tackle-bag. "Aren't you interested?" Bill asked. "I'm going down and eat." "Eat? Why didn't you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you're reasonable. You go out and dig some more worms and I'll be right down." "Oh, go to hell!" "Work for the good of all." Bill stepped into his underclothes. "Show irony and pity." I started out of the room with the tackle-bag, the nets, and the rod-case. "Hey! come back!" I put my head in the door. "Aren't you going to show a little irony and pity?" I thumbed my nose. "That's not irony." As I went down-stairs I heard Bill singing, "Irony and Pity. When you're feeling . . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they're feeling . . . Just a little irony. Just a little pity . . ." He kept on singing until he came down-stairs. The tune was: "The Bells are Ringing for Me and my Gal." I was reading a week-old Spanish paper. "What's all this irony and pity?" "What? Don't you know about Irony and Pity?" "No. Who got it up?" "Everybody. They're mad about it in New York. It's just like the Fratellinis used to be." The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered. "Ask her if she's got any jam," Bill said. "Be ironical with her." "Have you got any jam?" "That's not ironical. I wish I could talk Spanish." The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam. "Thank you." "Hey! that's not the way," Bill said. "Say something ironical. Make some crack about Primo de Rivera." "I could ask her what kind of a jam they think they've gotten into in the Riff." "Poor," said Bill. "Very poor. You can't do it. That's all. You don't understand irony. You have no pity. Say something pitiful." "Robert Cohn." "Not so bad. That's better. Now why is Cohn pitiful? Be ironic." He took a big gulp of coffee. "Aw, hell!" I said. "It's too early in the morning." "There you go. And you claim you want to be a writer, too. You're only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity." "Go on," I said. "Who did you get this stuff from?" "Everybody. Don't you read? Don't you ever see anybody? You know what you are? You're an expatriate. Why don't you live in New York? Then you'd know these things. What do you want me to do? Come over here and tell you every year?" "Take some more coffee," | The Sun Also Rises |
She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear. | No speaker | matter how unfounded they were."<|quote|>She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear.</|quote|>"What harm could such accusations, | if--" "If--?" "I mean: no matter how unfounded they were."<|quote|>She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear.</|quote|>"What harm could such accusations, even if he made them | Archer continued, "that if your husband chooses to fight the case--as he threatens to--" "Yes--?" "He can say things--things that might be unpl--might be disagreeable to you: say them publicly, so that they would get about, and harm you even if--" "If--?" "I mean: no matter how unfounded they were."<|quote|>She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear.</|quote|>"What harm could such accusations, even if he made them publicly, do me here?" It was on his lips to exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small | But how much truth was behind it? Only Count Olenski's wife could tell. "I've looked through the papers you gave to Mr. Letterblair," he said at length. "Well--can there be anything more abominable?" "No." She changed her position slightly, screening her eyes with her lifted hand. "Of course you know," Archer continued, "that if your husband chooses to fight the case--as he threatens to--" "Yes--?" "He can say things--things that might be unpl--might be disagreeable to you: say them publicly, so that they would get about, and harm you even if--" "If--?" "I mean: no matter how unfounded they were."<|quote|>She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear.</|quote|>"What harm could such accusations, even if he made them publicly, do me here?" It was on his lips to exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small world compared with the one you've lived in. And it's ruled, in spite of appearances, by a few people with--well, rather old-fashioned ideas." She said nothing, and he continued: "Our ideas about marriage and divorce are particularly old-fashioned. Our legislation favours divorce--our social customs don't." "Never?" "Well--not if the woman, | he hesitated--" "perhaps I ought to know a little more." She seemed surprised. "You know about my husband--my life with him?" He made a sign of assent. "Well--then--what more is there? In this country are such things tolerated? I'm a Protestant--our church does not forbid divorce in such cases." "Certainly not." They were both silent again, and Archer felt the spectre of Count Olenski's letter grimacing hideously between them. The letter filled only half a page, and was just what he had described it to be in speaking of it to Mr. Letterblair: the vague charge of an angry blackguard. But how much truth was behind it? Only Count Olenski's wife could tell. "I've looked through the papers you gave to Mr. Letterblair," he said at length. "Well--can there be anything more abominable?" "No." She changed her position slightly, screening her eyes with her lifted hand. "Of course you know," Archer continued, "that if your husband chooses to fight the case--as he threatens to--" "Yes--?" "He can say things--things that might be unpl--might be disagreeable to you: say them publicly, so that they would get about, and harm you even if--" "If--?" "I mean: no matter how unfounded they were."<|quote|>She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear.</|quote|>"What harm could such accusations, even if he made them publicly, do me here?" It was on his lips to exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small world compared with the one you've lived in. And it's ruled, in spite of appearances, by a few people with--well, rather old-fashioned ideas." She said nothing, and he continued: "Our ideas about marriage and divorce are particularly old-fashioned. Our legislation favours divorce--our social customs don't." "Never?" "Well--not if the woman, however injured, however irreproachable, has appearances in the least degree against her, has exposed herself by any unconventional action to--to offensive insinuations--" She drooped her head a little lower, and he waited again, intensely hoping for a flash of indignation, or at least a brief cry of denial. None came. A little travelling clock ticked purringly at her elbow, and a log broke in two and sent up a shower of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. | so much easier!" Her tone touched him, and his confidence grew with his self-satisfaction. He perceived that she had spoken of business to Beaufort simply to get rid of him; and to have routed Beaufort was something of a triumph. "I am here to talk about it," he repeated. She sat silent, her head still propped by the arm that rested on the back of the sofa. Her face looked pale and extinguished, as if dimmed by the rich red of her dress. She struck Archer, of a sudden, as a pathetic and even pitiful figure. "Now we're coming to hard facts," he thought, conscious in himself of the same instinctive recoil that he had so often criticised in his mother and her contemporaries. How little practice he had had in dealing with unusual situations! Their very vocabulary was unfamiliar to him, and seemed to belong to fiction and the stage. In face of what was coming he felt as awkward and embarrassed as a boy. After a pause Madame Olenska broke out with unexpected vehemence: "I want to be free; I want to wipe out all the past." "I understand that." Her face warmed. "Then you'll help me?" "First--" he hesitated--" "perhaps I ought to know a little more." She seemed surprised. "You know about my husband--my life with him?" He made a sign of assent. "Well--then--what more is there? In this country are such things tolerated? I'm a Protestant--our church does not forbid divorce in such cases." "Certainly not." They were both silent again, and Archer felt the spectre of Count Olenski's letter grimacing hideously between them. The letter filled only half a page, and was just what he had described it to be in speaking of it to Mr. Letterblair: the vague charge of an angry blackguard. But how much truth was behind it? Only Count Olenski's wife could tell. "I've looked through the papers you gave to Mr. Letterblair," he said at length. "Well--can there be anything more abominable?" "No." She changed her position slightly, screening her eyes with her lifted hand. "Of course you know," Archer continued, "that if your husband chooses to fight the case--as he threatens to--" "Yes--?" "He can say things--things that might be unpl--might be disagreeable to you: say them publicly, so that they would get about, and harm you even if--" "If--?" "I mean: no matter how unfounded they were."<|quote|>She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear.</|quote|>"What harm could such accusations, even if he made them publicly, do me here?" It was on his lips to exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small world compared with the one you've lived in. And it's ruled, in spite of appearances, by a few people with--well, rather old-fashioned ideas." She said nothing, and he continued: "Our ideas about marriage and divorce are particularly old-fashioned. Our legislation favours divorce--our social customs don't." "Never?" "Well--not if the woman, however injured, however irreproachable, has appearances in the least degree against her, has exposed herself by any unconventional action to--to offensive insinuations--" She drooped her head a little lower, and he waited again, intensely hoping for a flash of indignation, or at least a brief cry of denial. None came. A little travelling clock ticked purringly at her elbow, and a log broke in two and sent up a shower of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. "It's not unnatural--" "OUR family," she corrected herself; and Archer coloured. "For you'll be my cousin soon," she continued gently. "I hope so." "And you take their view?" He stood up at this, wandered across the room, stared with void eyes at one of the pictures against the old red damask, and came back irresolutely to her side. How could he say: "Yes, if what your husband hints is true, or if you've no way of disproving it?" "Sincerely--" she interjected, as he was about to speak. He looked down into the fire. "Sincerely, then--what should you gain that would compensate for the possibility--the certainty--of a lot of beastly talk?" "But my freedom--is that nothing?" It flashed across him at that instant that the charge in the letter was true, and that she hoped to marry the partner of her guilt. How was he to tell her that, if she really cherished such a plan, the laws of the State were inexorably opposed to it? The mere suspicion that the thought was in her mind made him feel harshly and impatiently toward her. "But aren't you as free as air as it is?" he returned. "Who can touch you? Mr. | felt it, and being unused to dismissals, stood staring at her with an obstinate line between his eyes. "Why not now?" "It's too serious a question to decide at this late hour." "Do you call it late?" She returned his glance coolly. "Yes; because I have still to talk business with Mr. Archer for a little while." "Ah," Beaufort snapped. There was no appeal from her tone, and with a slight shrug he recovered his composure, took her hand, which he kissed with a practised air, and calling out from the threshold: "I say, Newland, if you can persuade the Countess to stop in town of course you're included in the supper," left the room with his heavy important step. For a moment Archer fancied that Mr. Letterblair must have told her of his coming; but the irrelevance of her next remark made him change his mind. "You know painters, then? You live in their milieu?" she asked, her eyes full of interest. "Oh, not exactly. I don't know that the arts have a milieu here, any of them; they're more like a very thinly settled outskirt." "But you care for such things?" "Immensely. When I'm in Paris or London I never miss an exhibition. I try to keep up." She looked down at the tip of the little satin boot that peeped from her long draperies. "I used to care immensely too: my life was full of such things. But now I want to try not to." "You want to try not to?" "Yes: I want to cast off all my old life, to become just like everybody else here." Archer reddened. "You'll never be like everybody else," he said. She raised her straight eyebrows a little. "Ah, don't say that. If you knew how I hate to be different!" Her face had grown as sombre as a tragic mask. She leaned forward, clasping her knee in her thin hands, and looking away from him into remote dark distances. "I want to get away from it all," she insisted. He waited a moment and cleared his throat. "I know. Mr. Letterblair has told me." "Ah?" "That's the reason I've come. He asked me to--you see I'm in the firm." She looked slightly surprised, and then her eyes brightened. "You mean you can manage it for me? I can talk to you instead of Mr. Letterblair? Oh, that will be so much easier!" Her tone touched him, and his confidence grew with his self-satisfaction. He perceived that she had spoken of business to Beaufort simply to get rid of him; and to have routed Beaufort was something of a triumph. "I am here to talk about it," he repeated. She sat silent, her head still propped by the arm that rested on the back of the sofa. Her face looked pale and extinguished, as if dimmed by the rich red of her dress. She struck Archer, of a sudden, as a pathetic and even pitiful figure. "Now we're coming to hard facts," he thought, conscious in himself of the same instinctive recoil that he had so often criticised in his mother and her contemporaries. How little practice he had had in dealing with unusual situations! Their very vocabulary was unfamiliar to him, and seemed to belong to fiction and the stage. In face of what was coming he felt as awkward and embarrassed as a boy. After a pause Madame Olenska broke out with unexpected vehemence: "I want to be free; I want to wipe out all the past." "I understand that." Her face warmed. "Then you'll help me?" "First--" he hesitated--" "perhaps I ought to know a little more." She seemed surprised. "You know about my husband--my life with him?" He made a sign of assent. "Well--then--what more is there? In this country are such things tolerated? I'm a Protestant--our church does not forbid divorce in such cases." "Certainly not." They were both silent again, and Archer felt the spectre of Count Olenski's letter grimacing hideously between them. The letter filled only half a page, and was just what he had described it to be in speaking of it to Mr. Letterblair: the vague charge of an angry blackguard. But how much truth was behind it? Only Count Olenski's wife could tell. "I've looked through the papers you gave to Mr. Letterblair," he said at length. "Well--can there be anything more abominable?" "No." She changed her position slightly, screening her eyes with her lifted hand. "Of course you know," Archer continued, "that if your husband chooses to fight the case--as he threatens to--" "Yes--?" "He can say things--things that might be unpl--might be disagreeable to you: say them publicly, so that they would get about, and harm you even if--" "If--?" "I mean: no matter how unfounded they were."<|quote|>She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear.</|quote|>"What harm could such accusations, even if he made them publicly, do me here?" It was on his lips to exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small world compared with the one you've lived in. And it's ruled, in spite of appearances, by a few people with--well, rather old-fashioned ideas." She said nothing, and he continued: "Our ideas about marriage and divorce are particularly old-fashioned. Our legislation favours divorce--our social customs don't." "Never?" "Well--not if the woman, however injured, however irreproachable, has appearances in the least degree against her, has exposed herself by any unconventional action to--to offensive insinuations--" She drooped her head a little lower, and he waited again, intensely hoping for a flash of indignation, or at least a brief cry of denial. None came. A little travelling clock ticked purringly at her elbow, and a log broke in two and sent up a shower of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. "It's not unnatural--" "OUR family," she corrected herself; and Archer coloured. "For you'll be my cousin soon," she continued gently. "I hope so." "And you take their view?" He stood up at this, wandered across the room, stared with void eyes at one of the pictures against the old red damask, and came back irresolutely to her side. How could he say: "Yes, if what your husband hints is true, or if you've no way of disproving it?" "Sincerely--" she interjected, as he was about to speak. He looked down into the fire. "Sincerely, then--what should you gain that would compensate for the possibility--the certainty--of a lot of beastly talk?" "But my freedom--is that nothing?" It flashed across him at that instant that the charge in the letter was true, and that she hoped to marry the partner of her guilt. How was he to tell her that, if she really cherished such a plan, the laws of the State were inexorably opposed to it? The mere suspicion that the thought was in her mind made him feel harshly and impatiently toward her. "But aren't you as free as air as it is?" he returned. "Who can touch you? Mr. Letterblair tells me the financial question has been settled--" "Oh, yes," she said indifferently. "Well, then: is it worth while to risk what may be infinitely disagreeable and painful? Think of the newspapers--their vileness! It's all stupid and narrow and unjust--but one can't make over society." "No," she acquiesced; and her tone was so faint and desolate that he felt a sudden remorse for his own hard thoughts. "The individual, in such cases, is nearly always sacrificed to what is supposed to be the collective interest: people cling to any convention that keeps the family together--protects the children, if there are any," he rambled on, pouring out all the stock phrases that rose to his lips in his intense desire to cover over the ugly reality which her silence seemed to have laid bare. Since she would not or could not say the one word that would have cleared the air, his wish was not to let her feel that he was trying to probe into her secret. Better keep on the surface, in the prudent old New York way, than risk uncovering a wound he could not heal. "It's my business, you know," he went on, "to help you to see these things as the people who are fondest of you see them. The Mingotts, the Wellands, the van der Luydens, all your friends and relations: if I didn't show you honestly how they judge such questions, it wouldn't be fair of me, would it?" He spoke insistently, almost pleading with her in his eagerness to cover up that yawning silence. She said slowly: "No; it wouldn't be fair." The fire had crumbled down to greyness, and one of the lamps made a gurgling appeal for attention. Madame Olenska rose, wound it up and returned to the fire, but without resuming her seat. Her remaining on her feet seemed to signify that there was nothing more for either of them to say, and Archer stood up also. "Very well; I will do what you wish," she said abruptly. The blood rushed to his forehead; and, taken aback by the suddenness of her surrender, he caught her two hands awkwardly in his. "I--I do want to help you," he said. "You do help me. Good night, my cousin." He bent and laid his lips on her hands, which were cold and lifeless. She drew them away, and he turned to | boot that peeped from her long draperies. "I used to care immensely too: my life was full of such things. But now I want to try not to." "You want to try not to?" "Yes: I want to cast off all my old life, to become just like everybody else here." Archer reddened. "You'll never be like everybody else," he said. She raised her straight eyebrows a little. "Ah, don't say that. If you knew how I hate to be different!" Her face had grown as sombre as a tragic mask. She leaned forward, clasping her knee in her thin hands, and looking away from him into remote dark distances. "I want to get away from it all," she insisted. He waited a moment and cleared his throat. "I know. Mr. Letterblair has told me." "Ah?" "That's the reason I've come. He asked me to--you see I'm in the firm." She looked slightly surprised, and then her eyes brightened. "You mean you can manage it for me? I can talk to you instead of Mr. Letterblair? Oh, that will be so much easier!" Her tone touched him, and his confidence grew with his self-satisfaction. He perceived that she had spoken of business to Beaufort simply to get rid of him; and to have routed Beaufort was something of a triumph. "I am here to talk about it," he repeated. She sat silent, her head still propped by the arm that rested on the back of the sofa. Her face looked pale and extinguished, as if dimmed by the rich red of her dress. She struck Archer, of a sudden, as a pathetic and even pitiful figure. "Now we're coming to hard facts," he thought, conscious in himself of the same instinctive recoil that he had so often criticised in his mother and her contemporaries. How little practice he had had in dealing with unusual situations! Their very vocabulary was unfamiliar to him, and seemed to belong to fiction and the stage. In face of what was coming he felt as awkward and embarrassed as a boy. After a pause Madame Olenska broke out with unexpected vehemence: "I want to be free; I want to wipe out all the past." "I understand that." Her face warmed. "Then you'll help me?" "First--" he hesitated--" "perhaps I ought to know a little more." She seemed surprised. "You know about my husband--my life with him?" He made a sign of assent. "Well--then--what more is there? In this country are such things tolerated? I'm a Protestant--our church does not forbid divorce in such cases." "Certainly not." They were both silent again, and Archer felt the spectre of Count Olenski's letter grimacing hideously between them. The letter filled only half a page, and was just what he had described it to be in speaking of it to Mr. Letterblair: the vague charge of an angry blackguard. But how much truth was behind it? Only Count Olenski's wife could tell. "I've looked through the papers you gave to Mr. Letterblair," he said at length. "Well--can there be anything more abominable?" "No." She changed her position slightly, screening her eyes with her lifted hand. "Of course you know," Archer continued, "that if your husband chooses to fight the case--as he threatens to--" "Yes--?" "He can say things--things that might be unpl--might be disagreeable to you: say them publicly, so that they would get about, and harm you even if--" "If--?" "I mean: no matter how unfounded they were."<|quote|>She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear.</|quote|>"What harm could such accusations, even if he made them publicly, do me here?" It was on his lips to exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small world compared with the one you've lived in. And it's ruled, in spite of appearances, by a few people with--well, rather old-fashioned ideas." She said nothing, and he continued: "Our ideas about marriage and divorce are particularly old-fashioned. Our legislation favours divorce--our social customs don't." "Never?" "Well--not if the woman, however injured, however irreproachable, has appearances in the least degree against her, has exposed herself by any unconventional action to--to offensive insinuations--" She drooped her head a little lower, and he waited again, intensely hoping for a flash of indignation, or at least a brief cry of denial. None came. A little travelling clock ticked purringly at her elbow, and a log broke in two and sent up a shower of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. "It's not unnatural--" "OUR family," she corrected herself; and Archer coloured. "For you'll be my cousin soon," she continued gently. "I hope so." "And you take their view?" He stood up at this, wandered across the room, stared with void eyes at one of the pictures against the old red damask, and came back irresolutely to her side. How could he say: "Yes, if what your husband hints is true, or if you've no way of disproving it?" "Sincerely--" she interjected, as he was about to speak. He looked down into the fire. "Sincerely, then--what should you gain that would compensate for the possibility--the certainty--of a lot of beastly talk?" "But my freedom--is that nothing?" It flashed across him at that instant that the charge in the letter was true, and that she hoped to marry the partner of her guilt. How was he to tell her that, if she really cherished such a plan, the laws of the State were inexorably opposed to it? The mere suspicion that the thought was in her mind made him feel harshly and impatiently toward her. "But aren't you as free as air as it is?" he returned. "Who can touch you? Mr. Letterblair tells me the financial question has been settled--" "Oh, yes," she said indifferently. "Well, then: is it worth while to risk what may be infinitely disagreeable and painful? Think of the newspapers--their vileness! It's all stupid and narrow and unjust--but one can't make over society." "No," she acquiesced; and her tone was so faint and desolate that he felt a sudden remorse for his own hard thoughts. "The individual, in such cases, is nearly always sacrificed to what is supposed to be the collective interest: people cling to any convention that keeps the family together--protects the children, if there are any," he rambled on, pouring out all the stock phrases that rose to his lips in his intense desire to cover over the ugly reality which her silence seemed to have laid bare. Since she would not or could not say the one word that would have cleared the air, his wish was not to let her feel that he was trying to probe into her secret. Better keep on the surface, in the prudent old New York way, | The Age Of Innocence |
"All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out." | Marilla Cuthbert | little Anne will distinguish herself?"<|quote|>"All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out."</|quote|>Anne sighed and betook herself | but don't you hope your little Anne will distinguish herself?"<|quote|>"All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out."</|quote|>Anne sighed and betook herself to the back yard, over | in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don't you hope your little Anne will distinguish herself?"<|quote|>"All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out."</|quote|>Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative | lend me her slippers because I haven't any of my own. It's necessary for fairies to have slippers, you know. You couldn't imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir mottoes with pink tissue-paper roses in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don't you hope your little Anne will distinguish herself?"<|quote|>"All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out."</|quote|>Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative and sympathetic listener in this instance at least. "Well now, I reckon it's going to be a pretty good concert. And I expect you'll do your part fine," he said, smiling down into her eager, vivacious little face. Anne smiled back at him. Those two were the best of friends | because she didn't get the part she wanted in the dialogue. She wanted to be the fairy queen. That would have been ridiculous, for who ever heard of a fairy queen as fat as Josie? Fairy queens must be slender. Jane Andrews is to be the queen and I am to be one of her maids of honor. Josie says she thinks a red-haired fairy is just as ridiculous as a fat one, but I do not let myself mind what Josie says. I'm to have a wreath of white roses on my hair and Ruby Gillis is going to lend me her slippers because I haven't any of my own. It's necessary for fairies to have slippers, you know. You couldn't imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir mottoes with pink tissue-paper roses in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don't you hope your little Anne will distinguish herself?"<|quote|>"All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out."</|quote|>Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative and sympathetic listener in this instance at least. "Well now, I reckon it's going to be a pretty good concert. And I expect you'll do your part fine," he said, smiling down into her eager, vivacious little face. Anne smiled back at him. Those two were the best of friends and Matthew thanked his stars many a time and oft that he had nothing to do with bringing her up. That was Marilla's exclusive duty; if it had been his he would have been worried over frequent conflicts between inclination and said duty. As it was, he was free to, "spoil Anne" "--Marilla's phrasing--as much as he liked. But it was not such a bad arrangement after all; a little "appreciation" sometimes does quite as much good as all the conscientious "bringing up" in the world. CHAPTER XXV. Matthew Insists on Puffed Sleeves MATTHEW was having a bad ten minutes | "But think of the worthy object," pleaded Anne. "A flag will cultivate a spirit of patriotism, Marilla." "Fudge! There's precious little patriotism in the thoughts of any of you. All you want is a good time." "Well, when you can combine patriotism and fun, isn't it all right? Of course it's real nice to be getting up a concert. We're going to have six choruses and Diana is to sing a solo. I'm in two dialogues--?The Society for the Suppression of Gossip' and ?The Fairy Queen.' The boys are going to have a dialogue too. And I'm to have two recitations, Marilla. I just tremble when I think of it, but it's a nice thrilly kind of tremble. And we're to have a tableau at the last--?Faith, Hope and Charity.' Diana and Ruby and I are to be in it, all draped in white with flowing hair. I'm to be Hope, with my hands clasped--so--and my eyes uplifted. I'm going to practice my recitations in the garret. Don't be alarmed if you hear me groaning. I have to groan heartrendingly in one of them, and it's really hard to get up a good artistic groan, Marilla. Josie Pye is sulky because she didn't get the part she wanted in the dialogue. She wanted to be the fairy queen. That would have been ridiculous, for who ever heard of a fairy queen as fat as Josie? Fairy queens must be slender. Jane Andrews is to be the queen and I am to be one of her maids of honor. Josie says she thinks a red-haired fairy is just as ridiculous as a fat one, but I do not let myself mind what Josie says. I'm to have a wreath of white roses on my hair and Ruby Gillis is going to lend me her slippers because I haven't any of my own. It's necessary for fairies to have slippers, you know. You couldn't imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir mottoes with pink tissue-paper roses in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don't you hope your little Anne will distinguish herself?"<|quote|>"All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out."</|quote|>Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative and sympathetic listener in this instance at least. "Well now, I reckon it's going to be a pretty good concert. And I expect you'll do your part fine," he said, smiling down into her eager, vivacious little face. Anne smiled back at him. Those two were the best of friends and Matthew thanked his stars many a time and oft that he had nothing to do with bringing her up. That was Marilla's exclusive duty; if it had been his he would have been worried over frequent conflicts between inclination and said duty. As it was, he was free to, "spoil Anne" "--Marilla's phrasing--as much as he liked. But it was not such a bad arrangement after all; a little "appreciation" sometimes does quite as much good as all the conscientious "bringing up" in the world. CHAPTER XXV. Matthew Insists on Puffed Sleeves MATTHEW was having a bad ten minutes of it. He had come into the kitchen, in the twilight of a cold, gray December evening, and had sat down in the woodbox corner to take off his heavy boots, unconscious of the fact that Anne and a bevy of her schoolmates were having a practice of "The Fairy Queen" in the sitting room. Presently they came trooping through the hall and out into the kitchen, laughing and chattering gaily. They did not see Matthew, who shrank bashfully back into the shadows beyond the woodbox with a boot in one hand and a bootjack in the other, and he watched them shyly for the aforesaid ten minutes as they put on caps and jackets and talked about the dialogue and the concert. Anne stood among them, bright eyed and animated as they; but Matthew suddenly became conscious that there was something about her different from her mates. And what worried Matthew was that the difference impressed him as being something that should not exist. Anne had a brighter face, and bigger, starrier eyes, and more delicate features than the other; even shy, unobservant Matthew had learned to take note of these things; but the difference that disturbed him did | Miss Stacy explains everything so beautifully. We have to write compositions on our field afternoons and I write the best ones." "It's very vain of you to say so then. You'd better let your teacher say it." "But she _did_ say it, Marilla. And indeed I'm not vain about it. How can I be, when I'm such a dunce at geometry? Although I'm really beginning to see through it a little, too. Miss Stacy makes it so clear. Still, I'll never be good at it and I assure you it is a humbling reflection. But I love writing compositions. Mostly Miss Stacy lets us choose our own subjects; but next week we are to write a composition on some remarkable person. It's hard to choose among so many remarkable people who have lived. Mustn't it be splendid to be remarkable and have compositions written about you after you're dead? Oh, I would dearly love to be remarkable. I think when I grow up I'll be a trained nurse and go with the Red Crosses to the field of battle as a messenger of mercy. That is, if I don't go out as a foreign missionary. That would be very romantic, but one would have to be very good to be a missionary, and that would be a stumbling block. We have physical culture exercises every day, too. They make you graceful and promote digestion." "Promote fiddlesticks!" said Marilla, who honestly thought it was all nonsense. But all the field afternoons and recitation Fridays and physical culture contortions paled before a project which Miss Stacy brought forward in November. This was that the scholars of Avonlea school should get up a concert and hold it in the hall on Christmas Night, for the laudable purpose of helping to pay for a schoolhouse flag. The pupils one and all taking graciously to this plan, the preparations for a program were begun at once. And of all the excited performers-elect none was so excited as Anne Shirley, who threw herself into the undertaking heart and soul, hampered as she was by Marilla's disapproval. Marilla thought it all rank foolishness. "It's just filling your heads up with nonsense and taking time that ought to be put on your lessons," she grumbled. "I don't approve of children's getting up concerts and racing about to practices. It makes them vain and forward and fond of gadding." "But think of the worthy object," pleaded Anne. "A flag will cultivate a spirit of patriotism, Marilla." "Fudge! There's precious little patriotism in the thoughts of any of you. All you want is a good time." "Well, when you can combine patriotism and fun, isn't it all right? Of course it's real nice to be getting up a concert. We're going to have six choruses and Diana is to sing a solo. I'm in two dialogues--?The Society for the Suppression of Gossip' and ?The Fairy Queen.' The boys are going to have a dialogue too. And I'm to have two recitations, Marilla. I just tremble when I think of it, but it's a nice thrilly kind of tremble. And we're to have a tableau at the last--?Faith, Hope and Charity.' Diana and Ruby and I are to be in it, all draped in white with flowing hair. I'm to be Hope, with my hands clasped--so--and my eyes uplifted. I'm going to practice my recitations in the garret. Don't be alarmed if you hear me groaning. I have to groan heartrendingly in one of them, and it's really hard to get up a good artistic groan, Marilla. Josie Pye is sulky because she didn't get the part she wanted in the dialogue. She wanted to be the fairy queen. That would have been ridiculous, for who ever heard of a fairy queen as fat as Josie? Fairy queens must be slender. Jane Andrews is to be the queen and I am to be one of her maids of honor. Josie says she thinks a red-haired fairy is just as ridiculous as a fat one, but I do not let myself mind what Josie says. I'm to have a wreath of white roses on my hair and Ruby Gillis is going to lend me her slippers because I haven't any of my own. It's necessary for fairies to have slippers, you know. You couldn't imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir mottoes with pink tissue-paper roses in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don't you hope your little Anne will distinguish herself?"<|quote|>"All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out."</|quote|>Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative and sympathetic listener in this instance at least. "Well now, I reckon it's going to be a pretty good concert. And I expect you'll do your part fine," he said, smiling down into her eager, vivacious little face. Anne smiled back at him. Those two were the best of friends and Matthew thanked his stars many a time and oft that he had nothing to do with bringing her up. That was Marilla's exclusive duty; if it had been his he would have been worried over frequent conflicts between inclination and said duty. As it was, he was free to, "spoil Anne" "--Marilla's phrasing--as much as he liked. But it was not such a bad arrangement after all; a little "appreciation" sometimes does quite as much good as all the conscientious "bringing up" in the world. CHAPTER XXV. Matthew Insists on Puffed Sleeves MATTHEW was having a bad ten minutes of it. He had come into the kitchen, in the twilight of a cold, gray December evening, and had sat down in the woodbox corner to take off his heavy boots, unconscious of the fact that Anne and a bevy of her schoolmates were having a practice of "The Fairy Queen" in the sitting room. Presently they came trooping through the hall and out into the kitchen, laughing and chattering gaily. They did not see Matthew, who shrank bashfully back into the shadows beyond the woodbox with a boot in one hand and a bootjack in the other, and he watched them shyly for the aforesaid ten minutes as they put on caps and jackets and talked about the dialogue and the concert. Anne stood among them, bright eyed and animated as they; but Matthew suddenly became conscious that there was something about her different from her mates. And what worried Matthew was that the difference impressed him as being something that should not exist. Anne had a brighter face, and bigger, starrier eyes, and more delicate features than the other; even shy, unobservant Matthew had learned to take note of these things; but the difference that disturbed him did not consist in any of these respects. Then in what did it consist? Matthew was haunted by this question long after the girls had gone, arm in arm, down the long, hard-frozen lane and Anne had betaken herself to her books. He could not refer it to Marilla, who, he felt, would be quite sure to sniff scornfully and remark that the only difference she saw between Anne and the other girls was that they sometimes kept their tongues quiet while Anne never did. This, Matthew felt, would be no great help. He had recourse to his pipe that evening to help him study it out, much to Marilla's disgust. After two hours of smoking and hard reflection Matthew arrived at a solution of his problem. Anne was not dressed like the other girls! The more Matthew thought about the matter the more he was convinced that Anne never had been dressed like the other girls--never since she had come to Green Gables. Marilla kept her clothed in plain, dark dresses, all made after the same unvarying pattern. If Matthew knew there was such a thing as fashion in dress it was as much as he did; but he was quite sure that Anne's sleeves did not look at all like the sleeves the other girls wore. He recalled the cluster of little girls he had seen around her that evening--all gay in waists of red and blue and pink and white--and he wondered why Marilla always kept her so plainly and soberly gowned. Of course, it must be all right. Marilla knew best and Marilla was bringing her up. Probably some wise, inscrutable motive was to be served thereby. But surely it would do no harm to let the child have one pretty dress--something like Diana Barry always wore. Matthew decided that he would give her one; that surely could not be objected to as an unwarranted putting in of his oar. Christmas was only a fortnight off. A nice new dress would be the very thing for a present. Matthew, with a sigh of satisfaction, put away his pipe and went to bed, while Marilla opened all the doors and aired the house. The very next evening Matthew betook himself to Carmody to buy the dress, determined to get the worst over and have done with it. It would be, he felt assured, no trifling ordeal. There were | day, too. They make you graceful and promote digestion." "Promote fiddlesticks!" said Marilla, who honestly thought it was all nonsense. But all the field afternoons and recitation Fridays and physical culture contortions paled before a project which Miss Stacy brought forward in November. This was that the scholars of Avonlea school should get up a concert and hold it in the hall on Christmas Night, for the laudable purpose of helping to pay for a schoolhouse flag. The pupils one and all taking graciously to this plan, the preparations for a program were begun at once. And of all the excited performers-elect none was so excited as Anne Shirley, who threw herself into the undertaking heart and soul, hampered as she was by Marilla's disapproval. Marilla thought it all rank foolishness. "It's just filling your heads up with nonsense and taking time that ought to be put on your lessons," she grumbled. "I don't approve of children's getting up concerts and racing about to practices. It makes them vain and forward and fond of gadding." "But think of the worthy object," pleaded Anne. "A flag will cultivate a spirit of patriotism, Marilla." "Fudge! There's precious little patriotism in the thoughts of any of you. All you want is a good time." "Well, when you can combine patriotism and fun, isn't it all right? Of course it's real nice to be getting up a concert. We're going to have six choruses and Diana is to sing a solo. I'm in two dialogues--?The Society for the Suppression of Gossip' and ?The Fairy Queen.' The boys are going to have a dialogue too. And I'm to have two recitations, Marilla. I just tremble when I think of it, but it's a nice thrilly kind of tremble. And we're to have a tableau at the last--?Faith, Hope and Charity.' Diana and Ruby and I are to be in it, all draped in white with flowing hair. I'm to be Hope, with my hands clasped--so--and my eyes uplifted. I'm going to practice my recitations in the garret. Don't be alarmed if you hear me groaning. I have to groan heartrendingly in one of them, and it's really hard to get up a good artistic groan, Marilla. Josie Pye is sulky because she didn't get the part she wanted in the dialogue. She wanted to be the fairy queen. That would have been ridiculous, for who ever heard of a fairy queen as fat as Josie? Fairy queens must be slender. Jane Andrews is to be the queen and I am to be one of her maids of honor. Josie says she thinks a red-haired fairy is just as ridiculous as a fat one, but I do not let myself mind what Josie says. I'm to have a wreath of white roses on my hair and Ruby Gillis is going to lend me her slippers because I haven't any of my own. It's necessary for fairies to have slippers, you know. You couldn't imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir mottoes with pink tissue-paper roses in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don't you hope your little Anne will distinguish herself?"<|quote|>"All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out."</|quote|>Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative and sympathetic listener in this instance at least. "Well now, I reckon it's going to be a pretty good concert. And I expect you'll do your part fine," he said, smiling down into her eager, vivacious little face. Anne smiled back at him. Those two were the best of friends and Matthew thanked his stars many a time and oft that he had nothing to do with bringing her up. That was Marilla's exclusive duty; if it had been his he would have been worried over frequent conflicts between inclination and said duty. As it was, he was free to, "spoil Anne" "--Marilla's phrasing--as much as he liked. But it was not such a bad arrangement after all; a little "appreciation" sometimes does quite as much good as all the conscientious "bringing up" in the world. CHAPTER XXV. Matthew Insists on Puffed Sleeves MATTHEW was having a bad ten minutes of it. He had come into the kitchen, in the twilight of a cold, gray December evening, and had sat down in the woodbox corner to take off his heavy boots, unconscious of the fact that Anne and a bevy of her schoolmates were having a practice of "The Fairy Queen" in the sitting room. Presently they came trooping through the hall and out into the kitchen, laughing and chattering gaily. They did not see Matthew, who shrank bashfully back into the shadows beyond the woodbox with a boot in one hand and a bootjack in the other, and he watched them shyly for the aforesaid ten minutes as they put on caps and jackets and talked about the dialogue and the concert. Anne stood among them, bright eyed and animated as they; but Matthew suddenly became conscious that there was something about her different from her mates. And what worried Matthew was that the difference impressed him as being something that should not exist. Anne had a brighter face, and bigger, starrier eyes, and more delicate features than the other; even shy, unobservant Matthew had learned to take note of these things; but the difference that disturbed him did not consist in any of these respects. Then in what did it consist? Matthew was haunted by this question long after the girls had gone, arm in arm, down the long, hard-frozen lane and Anne had betaken herself to her books. He could not refer it to Marilla, who, he felt, would be quite sure to sniff scornfully and remark that the only difference she saw between Anne and the other girls was that they sometimes kept their tongues quiet while Anne never did. This, Matthew felt, would be no great help. He had recourse to his pipe that evening to help him study it out, much to Marilla's disgust. After two hours of smoking and hard reflection Matthew arrived at a solution of his problem. Anne was not dressed like the other girls! The more Matthew thought about the matter the more he was convinced that Anne never had been dressed like the other girls--never since she had come to Green Gables. Marilla kept her clothed in plain, dark dresses, all made after the same unvarying pattern. If Matthew knew there | Anne Of Green Gables |
And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen. | No speaker | it. Let me see it."<|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen.</|quote|>"Basil," he said, looking very | is an admirable place for it. Let me see it."<|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen.</|quote|>"Basil," he said, looking very pale, "you must not look | imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."<|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen.</|quote|>"Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of | it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."<|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen.</|quote|>"Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us." Hallward was thunderstruck. He looked at Dorian | her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."<|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen.</|quote|>"Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us." Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it | point in his art. He could not bear the idea of reproaching him any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble. "Well, Dorian," he said at length, with a sad smile, "I won t speak to you again about this horrible thing, after to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."<|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen.</|quote|>"Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us." Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would | You come down here to console me. That is charming of you. You find me consoled, and you are furious. How like a sympathetic person! You remind me of a story Harry told me about a certain philanthropist who spent twenty years of his life in trying to get some grievance redressed, or some unjust law altered I forget exactly what it was. Finally he succeeded, and nothing could exceed his disappointment. He had absolutely nothing to do, almost died of _ennui_, and became a confirmed misanthrope. And besides, my dear old Basil, if you really want to console me, teach me rather to forget what has happened, or to see it from a proper artistic point of view. Was it not Gautier who used to write about _la consolation des arts_? I remember picking up a little vellum-covered book in your studio one day and chancing on that delightful phrase. Well, I am not like that young man you told me of when we were down at Marlow together, the young man who used to say that yellow satin could console one for all the miseries of life. I love beautiful things that one can touch and handle. Old brocades, green bronzes, lacquer-work, carved ivories, exquisite surroundings, luxury, pomp there is much to be got from all these. But the artistic temperament that they create, or at any rate reveal, is still more to me. To become the spectator of one s own life, as Harry says, is to escape the suffering of life. I know you are surprised at my talking to you like this. You have not realized how I have developed. I was a schoolboy when you knew me. I am a man now. I have new passions, new thoughts, new ideas. I am different, but you must not like me less. I am changed, but you must always be my friend. Of course, I am very fond of Harry. But I know that you are better than he is. You are not stronger you are too much afraid of life but you are better. And how happy we used to be together! Don t leave me, Basil, and don t quarrel with me. I am what I am. There is nothing more to be said." The painter felt strangely moved. The lad was infinitely dear to him, and his personality had been the great turning point in his art. He could not bear the idea of reproaching him any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble. "Well, Dorian," he said at length, with a sad smile, "I won t speak to you again about this horrible thing, after to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."<|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen.</|quote|>"Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us." Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that your moods are rather meaningless. You can t have forgotten that you assured me most solemnly that nothing in the world would induce you to send it to any exhibition. You told Harry exactly the same thing." He stopped suddenly, and a gleam of light came into his eyes. He remembered that Lord Henry had said to him once, half seriously and half in jest, "If you want to have a strange quarter of an hour, get Basil to tell you why he won t exhibit your picture. He told me why he wouldn t, and it was a revelation to me." Yes, perhaps Basil, too, had his secret. He would ask him and try. "Basil," he said, coming over quite close and looking him straight in the face, "we have each of us a secret. Let me know yours, and I shall tell you mine. What was your reason for refusing to exhibit my picture?" The painter shuddered in spite of himself. "Dorian, if I told you, you might like me less than you do, and you would certainly laugh at me. I could not bear your doing either of those two things. If you wish me never to look at your picture again, I am content. I have always you to look at. If you wish the best work I have ever done to be hidden from the world, I am satisfied. Your friendship is dearer to me than any fame or reputation." "No, Basil, you must tell me," insisted Dorian Gray. "I think I have a right to know." His feeling of terror had passed away, and curiosity had taken its place. He was determined to find out Basil Hallward s mystery. "Let us sit down, Dorian," said the painter, looking troubled. "Let us sit down. And just answer me one question. Have you noticed in the picture something curious? something that probably at first did not strike you, but that revealed itself to you suddenly?" "Basil!" cried the lad, clutching the arms of his chair with trembling hands and gazing at him with wild startled eyes. "I see you did. Don t speak. Wait till you hear what I have to say. Dorian, from | my friend. Of course, I am very fond of Harry. But I know that you are better than he is. You are not stronger you are too much afraid of life but you are better. And how happy we used to be together! Don t leave me, Basil, and don t quarrel with me. I am what I am. There is nothing more to be said." The painter felt strangely moved. The lad was infinitely dear to him, and his personality had been the great turning point in his art. He could not bear the idea of reproaching him any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble. "Well, Dorian," he said at length, with a sad smile, "I won t speak to you again about this horrible thing, after to-day. I only trust your name won t be mentioned in connection with it. The inquest is to take place this afternoon. Have they summoned you?" Dorian shook his head, and a look of annoyance passed over his face at the mention of the word "inquest." There was something so crude and vulgar about everything of the kind. "They don t know my name," he answered. "But surely she did?" "Only my Christian name, and that I am quite sure she never mentioned to any one. She told me once that they were all rather curious to learn who I was, and that she invariably told them my name was Prince Charming. It was pretty of her. You must do me a drawing of Sibyl, Basil. I should like to have something more of her than the memory of a few kisses and some broken pathetic words." "I will try and do something, Dorian, if it would please you. But you must come and sit to me yourself again. I can t get on without you." "I can never sit to you again, Basil. It is impossible!" he exclaimed, starting back. The painter stared at him. "My dear boy, what nonsense!" he cried. "Do you mean to say you don t like what I did of you? Where is it? Why have you pulled the screen in front of it? Let me look at it. It is the best thing I have ever done. Do take the screen away, Dorian. It is simply disgraceful of your servant hiding my work like that. I felt the room looked different as I came in." "My servant has nothing to do with it, Basil. You don t imagine I let him arrange my room for me? He settles my flowers for me sometimes that is all. No; I did it myself. The light was too strong on the portrait." "Too strong! Surely not, my dear fellow? It is an admirable place for it. Let me see it."<|quote|>And Hallward walked towards the corner of the room. A cry of terror broke from Dorian Gray s lips, and he rushed between the painter and the screen.</|quote|>"Basil," he said, looking very pale, "you must not look at it. I don t wish you to." "Not look at my own work! You are not serious. Why shouldn t I look at it?" exclaimed Hallward, laughing. "If you try to look at it, Basil, on my word of honour I will never speak to you again as long as I live. I am quite serious. I don t offer any explanation, and you are not to ask for any. But, remember, if you touch this screen, everything is over between us." Hallward was thunderstruck. He looked at Dorian Gray in absolute amazement. He had never seen him like this before. The lad was actually pallid with rage. His hands were clenched, and the pupils of his eyes were like disks of blue fire. He was trembling all over. "Dorian!" "Don t speak!" "But what is the matter? Of course I won t look at it if you don t want me to," he said, rather coldly, turning on his heel and going over towards the window. "But, really, it seems rather absurd that I shouldn t see my own work, especially as I am going to exhibit it in Paris in the autumn. I shall probably have to give it another coat of varnish before that, so I must see it some day, and why not to-day?" "To exhibit it! You want to exhibit it?" exclaimed Dorian Gray, a strange sense of terror creeping over him. Was the world going to be shown his secret? Were people to gape at the mystery of his life? That was impossible. Something he did not know what had to be done at once. "Yes; I don t suppose you will object to that. Georges Petit is going to collect all my best pictures for a special exhibition in the Rue de S ze, which will open the first week in October. The portrait will only be away a month. I should think you could easily spare it for that time. In fact, you are sure to be out of town. And if you keep it always behind a screen, you can t care much about it." Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. "You told me a month ago that you would never exhibit it," he cried. "Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that your moods are rather meaningless. You can t have forgotten that you assured me most solemnly that nothing in the world would induce you to send it to any exhibition. You told Harry exactly the same thing." He stopped suddenly, and a gleam of light came into his eyes. He remembered that Lord Henry had said to him once, half seriously and half in jest, "If you want to have a strange quarter of an hour, get | The Picture Of Dorian Gray |
mumbled one old crone, rolling her bleared and jealous eyes with glee. | No speaker | knowed it, I knowed it,"<|quote|>mumbled one old crone, rolling her bleared and jealous eyes with glee.</|quote|>"W'enevah you see niggahs gittin' | of their high-toned airs. "I knowed it, I knowed it,"<|quote|>mumbled one old crone, rolling her bleared and jealous eyes with glee.</|quote|>"W'enevah you see niggahs gittin' so high dat dey own | account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs. "I knowed it, I knowed it,"<|quote|>mumbled one old crone, rolling her bleared and jealous eyes with glee.</|quote|>"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out." "W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' | Minty, when she met huh on de street. I reckon she come down off'n huh high hoss now." The fact of the matter was that Minty Brown was no better than she should have been, and did not deserve to be spoken to. But none of this was taken into account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs. "I knowed it, I knowed it,"<|quote|>mumbled one old crone, rolling her bleared and jealous eyes with glee.</|quote|>"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out." "W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'." "Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, | not. "Tell me, tell me," said one, "you need n't tell me dat a bird kin fly so high dat he don' have to come down some time. An' w'en he do light, honey, my Lawd, how he flop!" "Mistah Rich Niggah," said another. "He wanted to dress his wife an' chillen lak white folks, did he? Well, he foun' out, he foun' out. By de time de jedge git thoo wid him he won't be hol'in' his haid so high." "Wy, dat gal o' his'n," broke in old Isaac Brown indignantly, "w'y, she would n' speak to my gal, Minty, when she met huh on de street. I reckon she come down off'n huh high hoss now." The fact of the matter was that Minty Brown was no better than she should have been, and did not deserve to be spoken to. But none of this was taken into account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs. "I knowed it, I knowed it,"<|quote|>mumbled one old crone, rolling her bleared and jealous eyes with glee.</|quote|>"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out." "W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'." "Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say." The women suddenly became interested in this half assertion, and the old hag, seeing that she had made the desired impression, lapsed into silence. The whites were not neglecting to review and comment on the case also. It had been long since so great a bit of wrong-doing in a negro had given them cause for speculation and recrimination. "I tell you," said old Horace Talbot, who was noted for his kindliness towards people of colour, "I tell you, I pity that darky more than I blame him. Now, here 's my theory." They | to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not. "Tell me, tell me," said one, "you need n't tell me dat a bird kin fly so high dat he don' have to come down some time. An' w'en he do light, honey, my Lawd, how he flop!" "Mistah Rich Niggah," said another. "He wanted to dress his wife an' chillen lak white folks, did he? Well, he foun' out, he foun' out. By de time de jedge git thoo wid him he won't be hol'in' his haid so high." "Wy, dat gal o' his'n," broke in old Isaac Brown indignantly, "w'y, she would n' speak to my gal, Minty, when she met huh on de street. I reckon she come down off'n huh high hoss now." The fact of the matter was that Minty Brown was no better than she should have been, and did not deserve to be spoken to. But none of this was taken into account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs. "I knowed it, I knowed it,"<|quote|>mumbled one old crone, rolling her bleared and jealous eyes with glee.</|quote|>"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out." "W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'." "Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say." The women suddenly became interested in this half assertion, and the old hag, seeing that she had made the desired impression, lapsed into silence. The whites were not neglecting to review and comment on the case also. It had been long since so great a bit of wrong-doing in a negro had given them cause for speculation and recrimination. "I tell you," said old Horace Talbot, who was noted for his kindliness towards people of colour, "I tell you, I pity that darky more than I blame him. Now, here 's my theory." They were in the bar of the Continental Hotel, and the old gentleman sipped his liquor as he talked. "It 's just like this: The North thought they were doing a great thing when they come down here and freed all the slaves. They thought they were doing a great thing, and I 'm not saying a word against them. I give them the credit for having the courage of their convictions. But I maintain that they were all wrong, now, in turning these people loose upon the country the way they did, without knowledge of what the first principle of liberty was. The natural result is that these people are irresponsible. They are unacquainted with the ways of our higher civilisation, and it 'll take them a long time to learn. You know Rome was n't built in a day. I know Berry, and I 've known him for a long while, and a politer, likelier darky than him you would have to go far to find. And I have n't the least doubt in the world that he took that money absolutely without a thought of wrong, sir, absolutely. He saw it. He took it, and to his mental | perfectly plain, and Mr. Oakley knows better than any of us, you know." Fannie, her last hope gone, flung herself on the floor, crying, "O Gawd! O Gawd! he 's gone fu' sho'!" Her husband bent over her, the tears dropping from his eyes. "Nevah min', Fannie," he said, "nevah min'. Hit 's boun' to come out all right." She raised her head, and seizing his manacled hands pressed them to her breast, wailing in a low monotone, "Gone! gone!" They disengaged her hands, and led Berry away. "Take her out," said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, "I did n't think it of him." There were only a few who dared to say, "I don't believe it of him." The first act of his lodge, "The Tribe of Benjamin," whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not. "Tell me, tell me," said one, "you need n't tell me dat a bird kin fly so high dat he don' have to come down some time. An' w'en he do light, honey, my Lawd, how he flop!" "Mistah Rich Niggah," said another. "He wanted to dress his wife an' chillen lak white folks, did he? Well, he foun' out, he foun' out. By de time de jedge git thoo wid him he won't be hol'in' his haid so high." "Wy, dat gal o' his'n," broke in old Isaac Brown indignantly, "w'y, she would n' speak to my gal, Minty, when she met huh on de street. I reckon she come down off'n huh high hoss now." The fact of the matter was that Minty Brown was no better than she should have been, and did not deserve to be spoken to. But none of this was taken into account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs. "I knowed it, I knowed it,"<|quote|>mumbled one old crone, rolling her bleared and jealous eyes with glee.</|quote|>"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out." "W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'." "Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say." The women suddenly became interested in this half assertion, and the old hag, seeing that she had made the desired impression, lapsed into silence. The whites were not neglecting to review and comment on the case also. It had been long since so great a bit of wrong-doing in a negro had given them cause for speculation and recrimination. "I tell you," said old Horace Talbot, who was noted for his kindliness towards people of colour, "I tell you, I pity that darky more than I blame him. Now, here 's my theory." They were in the bar of the Continental Hotel, and the old gentleman sipped his liquor as he talked. "It 's just like this: The North thought they were doing a great thing when they come down here and freed all the slaves. They thought they were doing a great thing, and I 'm not saying a word against them. I give them the credit for having the courage of their convictions. But I maintain that they were all wrong, now, in turning these people loose upon the country the way they did, without knowledge of what the first principle of liberty was. The natural result is that these people are irresponsible. They are unacquainted with the ways of our higher civilisation, and it 'll take them a long time to learn. You know Rome was n't built in a day. I know Berry, and I 've known him for a long while, and a politer, likelier darky than him you would have to go far to find. And I have n't the least doubt in the world that he took that money absolutely without a thought of wrong, sir, absolutely. He saw it. He took it, and to his mental process, that was the end of it. To him there was no injury inflicted on any one, there was no crime committed. His elemental reasoning was simply this: This man has more money than I have; here is some of his surplus,--I 'll just take it. Why, gentlemen, I maintain that that man took that money with the same innocence of purpose with which one of our servants a few years ago would have appropriated a stray ham." "I disagree with you entirely, Mr. Talbot," broke in Mr. Beachfield Davis, who was a mighty hunter.--" "Make mine the same, Jerry, only add a little syrup.--I disagree with you. It 's simply total depravity, that 's all. All niggers are alike, and there 's no use trying to do anything with them. Look at that man, Dodson, of mine. I had one of the finest young hounds in the State. You know that white pup of mine, Mr. Talbot, that I bought from Hiram Gaskins? Mighty fine breed. Well, I was spendin' all my time and patience trainin' that dog in the daytime. At night I put him in that nigger's care to feed and bed. Well, do you know, I came home the other night and found that black rascal gone? I went out to see if the dog was properly bedded, and by Jove, the dog was gone too. Then I got suspicious. When a nigger and a dog go out together at night, one draws certain conclusions. I thought I had heard bayin' way out towards the edge of the town. So I stayed outside and watched. In about an hour here came Dodson with a possum hung over his shoulder and my dog trottin' at his heels. He 'd been possum huntin' with my hound--with the finest hound in the State, sir. Now, I appeal to you all, gentlemen, if that ain't total depravity, what is total depravity?" "Not total depravity, Beachfield, I maintain, but the very irresponsibility of which I have spoken. Why, gentlemen, I foresee the day when these people themselves shall come to us Southerners of their own accord and ask to be re-enslaved until such time as they shall be fit for freedom." Old Horace was nothing if not logical. "Well, do you think there 's any doubt of the darky's guilt?" asked Colonel Saunders hesitatingly. He was the only man who had | then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not. "Tell me, tell me," said one, "you need n't tell me dat a bird kin fly so high dat he don' have to come down some time. An' w'en he do light, honey, my Lawd, how he flop!" "Mistah Rich Niggah," said another. "He wanted to dress his wife an' chillen lak white folks, did he? Well, he foun' out, he foun' out. By de time de jedge git thoo wid him he won't be hol'in' his haid so high." "Wy, dat gal o' his'n," broke in old Isaac Brown indignantly, "w'y, she would n' speak to my gal, Minty, when she met huh on de street. I reckon she come down off'n huh high hoss now." The fact of the matter was that Minty Brown was no better than she should have been, and did not deserve to be spoken to. But none of this was taken into account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs. "I knowed it, I knowed it,"<|quote|>mumbled one old crone, rolling her bleared and jealous eyes with glee.</|quote|>"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out." "W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'." "Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say." The women suddenly became interested in this half assertion, and the old hag, seeing that she had made the desired impression, lapsed into silence. The whites were not neglecting to review and comment on the case also. It had been long since so great a bit of wrong-doing in a negro had given them cause for speculation and recrimination. "I tell you," said old Horace Talbot, who was noted for his kindliness towards people of colour, "I tell you, I pity that darky more than I blame him. Now, here 's my theory." They were in the bar of the Continental Hotel, and the old gentleman sipped his liquor as he talked. "It 's just like this: The North thought they were doing a great thing when they come down here and freed all the slaves. They thought they were doing a great thing, and I 'm not saying a word against them. I give them the credit for having the courage of their convictions. But I maintain that they were all wrong, now, in turning these people loose upon the country the way they did, without knowledge of what the first principle of liberty was. The natural result is that these people are irresponsible. They are unacquainted with the ways of our higher civilisation, and it 'll take them a long time to learn. You know Rome was n't built in a day. I know Berry, and I 've known him for a long while, and a politer, likelier darky than him you would have to go far to find. And I have n't the least doubt in the world that he took that money absolutely without a thought of wrong, sir, absolutely. He saw it. He took it, and to his mental process, that was the end of it. To him there was no injury inflicted on any one, there was no crime committed. His | The Sport Of The Gods |
This was the handsome offer with which Mr. Grimwig backed and confirmed nearly every assertion he made; and it was the more singular in his case, because, even admitting for the sake of argument, the possibility of scientific improvements being brought to that pass which will enable a gentleman to eat his own head in the event of his being so disposed, Mr. Grimwig's head was such a particularly large one, that the most sanguine man alive could hardly entertain a hope of being able to get through it at a sitting to put entirely out of the question, a very thick coating of powder. | No speaker | eat my own head, sir!"<|quote|>This was the handsome offer with which Mr. Grimwig backed and confirmed nearly every assertion he made; and it was the more singular in his case, because, even admitting for the sake of argument, the possibility of scientific improvements being brought to that pass which will enable a gentleman to eat his own head in the event of his being so disposed, Mr. Grimwig's head was such a particularly large one, that the most sanguine man alive could hardly entertain a hope of being able to get through it at a sitting to put entirely out of the question, a very thick coating of powder.</|quote|>"I'll eat my head, sir," | or I'll be content to eat my own head, sir!"<|quote|>This was the handsome offer with which Mr. Grimwig backed and confirmed nearly every assertion he made; and it was the more singular in his case, because, even admitting for the sake of argument, the possibility of scientific improvements being brought to that pass which will enable a gentleman to eat his own head in the event of his being so disposed, Mr. Grimwig's head was such a particularly large one, that the most sanguine man alive could hardly entertain a hope of being able to get through it at a sitting to put entirely out of the question, a very thick coating of powder.</|quote|>"I'll eat my head, sir," repeated Mr. Grimwig, striking his | most wonderful and extraordinary thing that I can't call at a man's house but I find a piece of this poor surgeon's friend on the staircase? I've been lamed with orange-peel once, and I know orange-peel will be my death, or I'll be content to eat my own head, sir!"<|quote|>This was the handsome offer with which Mr. Grimwig backed and confirmed nearly every assertion he made; and it was the more singular in his case, because, even admitting for the sake of argument, the possibility of scientific improvements being brought to that pass which will enable a gentleman to eat his own head in the event of his being so disposed, Mr. Grimwig's head was such a particularly large one, that the most sanguine man alive could hardly entertain a hope of being able to get through it at a sitting to put entirely out of the question, a very thick coating of powder.</|quote|>"I'll eat my head, sir," repeated Mr. Grimwig, striking his stick upon the ground. "Hallo! what's that!" looking at Oliver, and retreating a pace or two. "This is young Oliver Twist, whom we were speaking about," said Mr. Brownlow. Oliver bowed. "You don't mean to say that's the boy who | at the same time: which irresistibly reminded the beholder of a parrot. In this attitude, he fixed himself, the moment he made his appearance; and, holding out a small piece of orange-peel at arm's length, exclaimed, in a growling, discontented voice. "Look here! do you see this! Isn't it a most wonderful and extraordinary thing that I can't call at a man's house but I find a piece of this poor surgeon's friend on the staircase? I've been lamed with orange-peel once, and I know orange-peel will be my death, or I'll be content to eat my own head, sir!"<|quote|>This was the handsome offer with which Mr. Grimwig backed and confirmed nearly every assertion he made; and it was the more singular in his case, because, even admitting for the sake of argument, the possibility of scientific improvements being brought to that pass which will enable a gentleman to eat his own head in the event of his being so disposed, Mr. Grimwig's head was such a particularly large one, that the most sanguine man alive could hardly entertain a hope of being able to get through it at a sitting to put entirely out of the question, a very thick coating of powder.</|quote|>"I'll eat my head, sir," repeated Mr. Grimwig, striking his stick upon the ground. "Hallo! what's that!" looking at Oliver, and retreating a pace or two. "This is young Oliver Twist, whom we were speaking about," said Mr. Brownlow. Oliver bowed. "You don't mean to say that's the boy who had the fever, I hope?" said Mr. Grimwig, recoiling a little more. "Wait a minute! Don't speak! Stop" continued Mr. Grimwig, abruptly, losing all dread of the fever in his triumph at the discovery; "that's the boy who had the orange! If that's not the boy, sir, who had the | coat, striped waistcoat, nankeen breeches and gaiters, and a broad-brimmed white hat, with the sides turned up with green. A very small-plaited shirt frill stuck out from his waistcoat; and a very long steel watch-chain, with nothing but a key at the end, dangled loosely below it. The ends of his white neckerchief were twisted into a ball about the size of an orange; the variety of shapes into which his countenance was twisted, defy description. He had a manner of screwing his head on one side when he spoke; and of looking out of the corners of his eyes at the same time: which irresistibly reminded the beholder of a parrot. In this attitude, he fixed himself, the moment he made his appearance; and, holding out a small piece of orange-peel at arm's length, exclaimed, in a growling, discontented voice. "Look here! do you see this! Isn't it a most wonderful and extraordinary thing that I can't call at a man's house but I find a piece of this poor surgeon's friend on the staircase? I've been lamed with orange-peel once, and I know orange-peel will be my death, or I'll be content to eat my own head, sir!"<|quote|>This was the handsome offer with which Mr. Grimwig backed and confirmed nearly every assertion he made; and it was the more singular in his case, because, even admitting for the sake of argument, the possibility of scientific improvements being brought to that pass which will enable a gentleman to eat his own head in the event of his being so disposed, Mr. Grimwig's head was such a particularly large one, that the most sanguine man alive could hardly entertain a hope of being able to get through it at a sitting to put entirely out of the question, a very thick coating of powder.</|quote|>"I'll eat my head, sir," repeated Mr. Grimwig, striking his stick upon the ground. "Hallo! what's that!" looking at Oliver, and retreating a pace or two. "This is young Oliver Twist, whom we were speaking about," said Mr. Brownlow. Oliver bowed. "You don't mean to say that's the boy who had the fever, I hope?" said Mr. Grimwig, recoiling a little more. "Wait a minute! Don't speak! Stop" continued Mr. Grimwig, abruptly, losing all dread of the fever in his triumph at the discovery; "that's the boy who had the orange! If that's not the boy, sir, who had the orange, and threw this bit of peel upon the staircase, I'll eat my head, and his too." "No, no, he has not had one," said Mr. Brownlow, laughing. "Come! Put down your hat; and speak to my young friend." "I feel strongly on this subject, sir," said the irritable old gentleman, drawing off his gloves. "There's always more or less orange-peel on the pavement in our street; and I _know_ it's put there by the surgeon's boy at the corner. A young woman stumbled over a bit last night, and fell against my garden-railings; directly she got up I saw | you got into the company in which I found you. Speak the truth, and you shall not be friendless while I live." Oliver's sobs checked his utterance for some minutes; when he was on the point of beginning to relate how he had been brought up at the farm, and carried to the workhouse by Mr. Bumble, a peculiarly impatient little double-knock was heard at the street-door: and the servant, running upstairs, announced Mr. Grimwig. "Is he coming up?" inquired Mr. Brownlow. "Yes, sir," replied the servant. "He asked if there were any muffins in the house; and, when I told him yes, he said he had come to tea." Mr. Brownlow smiled; and, turning to Oliver, said that Mr. Grimwig was an old friend of his, and he must not mind his being a little rough in his manners; for he was a worthy creature at bottom, as he had reason to know. "Shall I go downstairs, sir?" inquired Oliver. "No," replied Mr. Brownlow, "I would rather you remained here." At this moment, there walked into the room: supporting himself by a thick stick: a stout old gentleman, rather lame in one leg, who was dressed in a blue coat, striped waistcoat, nankeen breeches and gaiters, and a broad-brimmed white hat, with the sides turned up with green. A very small-plaited shirt frill stuck out from his waistcoat; and a very long steel watch-chain, with nothing but a key at the end, dangled loosely below it. The ends of his white neckerchief were twisted into a ball about the size of an orange; the variety of shapes into which his countenance was twisted, defy description. He had a manner of screwing his head on one side when he spoke; and of looking out of the corners of his eyes at the same time: which irresistibly reminded the beholder of a parrot. In this attitude, he fixed himself, the moment he made his appearance; and, holding out a small piece of orange-peel at arm's length, exclaimed, in a growling, discontented voice. "Look here! do you see this! Isn't it a most wonderful and extraordinary thing that I can't call at a man's house but I find a piece of this poor surgeon's friend on the staircase? I've been lamed with orange-peel once, and I know orange-peel will be my death, or I'll be content to eat my own head, sir!"<|quote|>This was the handsome offer with which Mr. Grimwig backed and confirmed nearly every assertion he made; and it was the more singular in his case, because, even admitting for the sake of argument, the possibility of scientific improvements being brought to that pass which will enable a gentleman to eat his own head in the event of his being so disposed, Mr. Grimwig's head was such a particularly large one, that the most sanguine man alive could hardly entertain a hope of being able to get through it at a sitting to put entirely out of the question, a very thick coating of powder.</|quote|>"I'll eat my head, sir," repeated Mr. Grimwig, striking his stick upon the ground. "Hallo! what's that!" looking at Oliver, and retreating a pace or two. "This is young Oliver Twist, whom we were speaking about," said Mr. Brownlow. Oliver bowed. "You don't mean to say that's the boy who had the fever, I hope?" said Mr. Grimwig, recoiling a little more. "Wait a minute! Don't speak! Stop" continued Mr. Grimwig, abruptly, losing all dread of the fever in his triumph at the discovery; "that's the boy who had the orange! If that's not the boy, sir, who had the orange, and threw this bit of peel upon the staircase, I'll eat my head, and his too." "No, no, he has not had one," said Mr. Brownlow, laughing. "Come! Put down your hat; and speak to my young friend." "I feel strongly on this subject, sir," said the irritable old gentleman, drawing off his gloves. "There's always more or less orange-peel on the pavement in our street; and I _know_ it's put there by the surgeon's boy at the corner. A young woman stumbled over a bit last night, and fell against my garden-railings; directly she got up I saw her look towards his infernal red lamp with the pantomime-light. Don't go to him,' I called out of the window, he's an assassin! A man-trap!' So he is. If he is not" Here the irascible old gentleman gave a great knock on the ground with his stick; which was always understood, by his friends, to imply the customary offer, whenever it was not expressed in words. Then, still keeping his stick in his hand, he sat down; and, opening a double eye-glass, which he wore attached to a broad black riband, took a view of Oliver: who, seeing that he was the object of inspection, coloured, and bowed again. "That's the boy, is it?" said Mr. Grimwig, at length. "That's the boy," replied Mr. Brownlow. "How are you, boy?" said Mr. Grimwig. "A great deal better, thank you, sir," replied Oliver. Mr. Brownlow, seeming to apprehend that his singular friend was about to say something disagreeable, asked Oliver to step downstairs and tell Mrs. Bedwin they were ready for tea; which, as he did not half like the visitor's manner, he was very happy to do. "He is a nice-looking boy, is he not?" inquired Mr. Brownlow. "I don't know," | which Oliver, not understanding, paid no very great attention to. "Now," said Mr. Brownlow, speaking if possible in a kinder, but at the same time in a much more serious manner, than Oliver had ever known him assume yet, "I want you to pay great attention, my boy, to what I am going to say. I shall talk to you without any reserve; because I am sure you are well able to understand me, as many older persons would be." "Oh, don't tell you are going to send me away, sir, pray!" exclaimed Oliver, alarmed at the serious tone of the old gentleman's commencement! "Don't turn me out of doors to wander in the streets again. Let me stay here, and be a servant. Don't send me back to the wretched place I came from. Have mercy upon a poor boy, sir!" "My dear child," said the old gentleman, moved by the warmth of Oliver's sudden appeal; "you need not be afraid of my deserting you, unless you give me cause." "I never, never will, sir," interposed Oliver. "I hope not," rejoined the old gentleman. "I do not think you ever will. I have been deceived, before, in the objects whom I have endeavoured to benefit; but I feel strongly disposed to trust you, nevertheless; and I am more interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love, lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up, forever, on my best affections. Deep affliction has but strengthened and refined them." As the old gentleman said this in a low voice: more to himself than to his companion: and as he remained silent for a short time afterwards: Oliver sat quite still. "Well, well!" said the old gentleman at length, in a more cheerful tone, "I only say this, because you have a young heart; and knowing that I have suffered great pain and sorrow, you will be more careful, perhaps, not to wound me again. You say you are an orphan, without a friend in the world; all the inquiries I have been able to make, confirm the statement. Let me hear your story; where you come from; who brought you up; and how you got into the company in which I found you. Speak the truth, and you shall not be friendless while I live." Oliver's sobs checked his utterance for some minutes; when he was on the point of beginning to relate how he had been brought up at the farm, and carried to the workhouse by Mr. Bumble, a peculiarly impatient little double-knock was heard at the street-door: and the servant, running upstairs, announced Mr. Grimwig. "Is he coming up?" inquired Mr. Brownlow. "Yes, sir," replied the servant. "He asked if there were any muffins in the house; and, when I told him yes, he said he had come to tea." Mr. Brownlow smiled; and, turning to Oliver, said that Mr. Grimwig was an old friend of his, and he must not mind his being a little rough in his manners; for he was a worthy creature at bottom, as he had reason to know. "Shall I go downstairs, sir?" inquired Oliver. "No," replied Mr. Brownlow, "I would rather you remained here." At this moment, there walked into the room: supporting himself by a thick stick: a stout old gentleman, rather lame in one leg, who was dressed in a blue coat, striped waistcoat, nankeen breeches and gaiters, and a broad-brimmed white hat, with the sides turned up with green. A very small-plaited shirt frill stuck out from his waistcoat; and a very long steel watch-chain, with nothing but a key at the end, dangled loosely below it. The ends of his white neckerchief were twisted into a ball about the size of an orange; the variety of shapes into which his countenance was twisted, defy description. He had a manner of screwing his head on one side when he spoke; and of looking out of the corners of his eyes at the same time: which irresistibly reminded the beholder of a parrot. In this attitude, he fixed himself, the moment he made his appearance; and, holding out a small piece of orange-peel at arm's length, exclaimed, in a growling, discontented voice. "Look here! do you see this! Isn't it a most wonderful and extraordinary thing that I can't call at a man's house but I find a piece of this poor surgeon's friend on the staircase? I've been lamed with orange-peel once, and I know orange-peel will be my death, or I'll be content to eat my own head, sir!"<|quote|>This was the handsome offer with which Mr. Grimwig backed and confirmed nearly every assertion he made; and it was the more singular in his case, because, even admitting for the sake of argument, the possibility of scientific improvements being brought to that pass which will enable a gentleman to eat his own head in the event of his being so disposed, Mr. Grimwig's head was such a particularly large one, that the most sanguine man alive could hardly entertain a hope of being able to get through it at a sitting to put entirely out of the question, a very thick coating of powder.</|quote|>"I'll eat my head, sir," repeated Mr. Grimwig, striking his stick upon the ground. "Hallo! what's that!" looking at Oliver, and retreating a pace or two. "This is young Oliver Twist, whom we were speaking about," said Mr. Brownlow. Oliver bowed. "You don't mean to say that's the boy who had the fever, I hope?" said Mr. Grimwig, recoiling a little more. "Wait a minute! Don't speak! Stop" continued Mr. Grimwig, abruptly, losing all dread of the fever in his triumph at the discovery; "that's the boy who had the orange! If that's not the boy, sir, who had the orange, and threw this bit of peel upon the staircase, I'll eat my head, and his too." "No, no, he has not had one," said Mr. Brownlow, laughing. "Come! Put down your hat; and speak to my young friend." "I feel strongly on this subject, sir," said the irritable old gentleman, drawing off his gloves. "There's always more or less orange-peel on the pavement in our street; and I _know_ it's put there by the surgeon's boy at the corner. A young woman stumbled over a bit last night, and fell against my garden-railings; directly she got up I saw her look towards his infernal red lamp with the pantomime-light. Don't go to him,' I called out of the window, he's an assassin! A man-trap!' So he is. If he is not" Here the irascible old gentleman gave a great knock on the ground with his stick; which was always understood, by his friends, to imply the customary offer, whenever it was not expressed in words. Then, still keeping his stick in his hand, he sat down; and, opening a double eye-glass, which he wore attached to a broad black riband, took a view of Oliver: who, seeing that he was the object of inspection, coloured, and bowed again. "That's the boy, is it?" said Mr. Grimwig, at length. "That's the boy," replied Mr. Brownlow. "How are you, boy?" said Mr. Grimwig. "A great deal better, thank you, sir," replied Oliver. Mr. Brownlow, seeming to apprehend that his singular friend was about to say something disagreeable, asked Oliver to step downstairs and tell Mrs. Bedwin they were ready for tea; which, as he did not half like the visitor's manner, he was very happy to do. "He is a nice-looking boy, is he not?" inquired Mr. Brownlow. "I don't know," replied Mr. Grimwig, pettishly. "Don't know?" "No. I don't know. I never see any difference in boys. I only knew two sort of boys. Mealy boys, and beef-faced boys." "And which is Oliver?" "Mealy. I know a friend who has a beef-faced boy; a fine boy, they call him; with a round head, and red cheeks, and glaring eyes; a horrid boy; with a body and limbs that appear to be swelling out of the seams of his blue clothes; with the voice of a pilot, and the appetite of a wolf. I know him! The wretch!" "Come," said Mr. Brownlow, "these are not the characteristics of young Oliver Twist; so he needn't excite your wrath." "They are not," replied Mr. Grimwig. "He may have worse." Here, Mr. Brownlow coughed impatiently; which appeared to afford Mr. Grimwig the most exquisite delight. "He may have worse, I say," repeated Mr. Grimwig. "Where does he come from! Who is he? What is he? He has had a fever. What of that? Fevers are not peculiar to good people; are they? Bad people have fevers sometimes; haven't they, eh? I knew a man who was hung in Jamaica for murdering his master. He had had a fever six times; he wasn't recommended to mercy on that account. Pooh! nonsense!" Now, the fact was, that in the inmost recesses of his own heart, Mr. Grimwig was strongly disposed to admit that Oliver's appearance and manner were unusually prepossessing; but he had a strong appetite for contradiction, sharpened on this occasion by the finding of the orange-peel; and, inwardly determining that no man should dictate to him whether a boy was well-looking or not, he had resolved, from the first, to oppose his friend. When Mr. Brownlow admitted that on no one point of inquiry could he yet return a satisfactory answer; and that he had postponed any investigation into Oliver's previous history until he thought the boy was strong enough to hear it; Mr. Grimwig chuckled maliciously. And he demanded, with a sneer, whether the housekeeper was in the habit of counting the plate at night; because if she didn't find a table-spoon or two missing some sunshiny morning, why, he would be content to and so forth. All this, Mr. Brownlow, although himself somewhat of an impetuous gentleman: knowing his friend's peculiarities, bore with great good humour; as Mr. Grimwig, at tea, was | am more interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love, lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up, forever, on my best affections. Deep affliction has but strengthened and refined them." As the old gentleman said this in a low voice: more to himself than to his companion: and as he remained silent for a short time afterwards: Oliver sat quite still. "Well, well!" said the old gentleman at length, in a more cheerful tone, "I only say this, because you have a young heart; and knowing that I have suffered great pain and sorrow, you will be more careful, perhaps, not to wound me again. You say you are an orphan, without a friend in the world; all the inquiries I have been able to make, confirm the statement. Let me hear your story; where you come from; who brought you up; and how you got into the company in which I found you. Speak the truth, and you shall not be friendless while I live." Oliver's sobs checked his utterance for some minutes; when he was on the point of beginning to relate how he had been brought up at the farm, and carried to the workhouse by Mr. Bumble, a peculiarly impatient little double-knock was heard at the street-door: and the servant, running upstairs, announced Mr. Grimwig. "Is he coming up?" inquired Mr. Brownlow. "Yes, sir," replied the servant. "He asked if there were any muffins in the house; and, when I told him yes, he said he had come to tea." Mr. Brownlow smiled; and, turning to Oliver, said that Mr. Grimwig was an old friend of his, and he must not mind his being a little rough in his manners; for he was a worthy creature at bottom, as he had reason to know. "Shall I go downstairs, sir?" inquired Oliver. "No," replied Mr. Brownlow, "I would rather you remained here." At this moment, there walked into the room: supporting himself by a thick stick: a stout old gentleman, rather lame in one leg, who was dressed in a blue coat, striped waistcoat, nankeen breeches and gaiters, and a broad-brimmed white hat, with the sides turned up with green. A very small-plaited shirt frill stuck out from his waistcoat; and a very long steel watch-chain, with nothing but a key at the end, dangled loosely below it. The ends of his white neckerchief were twisted into a ball about the size of an orange; the variety of shapes into which his countenance was twisted, defy description. He had a manner of screwing his head on one side when he spoke; and of looking out of the corners of his eyes at the same time: which irresistibly reminded the beholder of a parrot. In this attitude, he fixed himself, the moment he made his appearance; and, holding out a small piece of orange-peel at arm's length, exclaimed, in a growling, discontented voice. "Look here! do you see this! Isn't it a most wonderful and extraordinary thing that I can't call at a man's house but I find a piece of this poor surgeon's friend on the staircase? I've been lamed with orange-peel once, and I know orange-peel will be my death, or I'll be content to eat my own head, sir!"<|quote|>This was the handsome offer with which Mr. Grimwig backed and confirmed nearly every assertion he made; and it was the more singular in his case, because, even admitting for the sake of argument, the possibility of scientific improvements being brought to that pass which will enable a gentleman to eat his own head in the event of his being so disposed, Mr. Grimwig's head was such a particularly large one, that the most sanguine man alive could hardly entertain a hope of being able to get through it at a sitting to put entirely out of the question, a very thick coating of powder.</|quote|>"I'll eat my head, sir," repeated Mr. Grimwig, striking his stick upon the ground. "Hallo! what's that!" looking at Oliver, and retreating a pace or two. "This is young Oliver Twist, whom we were speaking about," said Mr. Brownlow. Oliver bowed. "You don't mean to say that's the boy who had the fever, I hope?" said Mr. Grimwig, recoiling a little more. "Wait a minute! Don't speak! Stop" continued Mr. Grimwig, abruptly, losing all dread of the fever in his triumph at the discovery; "that's the boy who had the orange! If that's not the boy, sir, who had the orange, and threw this bit of peel upon the staircase, I'll eat my head, and his too." "No, no, he has not had one," said Mr. Brownlow, laughing. "Come! Put down your hat; and speak to my young friend." "I feel strongly on this subject, sir," said the irritable old gentleman, drawing off his gloves. "There's always more or less orange-peel on the pavement in our street; and I _know_ it's put there by the surgeon's boy at the corner. A young woman stumbled over a bit last night, and fell against my garden-railings; directly she got up I saw her look towards his infernal red lamp with the pantomime-light. Don't go to him,' I called out of the window, he's an assassin! A man-trap!' So he is. If he is not" Here the irascible old gentleman gave a great knock on the ground with his stick; which was always understood, by his friends, to imply the customary offer, whenever it was not expressed in words. Then, still keeping his stick in his hand, he sat down; and, opening a double eye-glass, which he wore attached to a broad black riband, took a view of Oliver: who, seeing that he was the object of inspection, coloured, and bowed again. "That's the boy, is it?" said Mr. Grimwig, at length. "That's the boy," replied Mr. Brownlow. "How are you, boy?" said Mr. Grimwig. "A great deal better, thank you, sir," replied Oliver. Mr. Brownlow, seeming to apprehend that his singular friend was about to say something disagreeable, asked Oliver to step downstairs and tell Mrs. Bedwin they were ready for tea; which, as he | Oliver Twist |
she asked slowly, smiling, throwing back her head, and glancing at him from head to foot, | No speaker | pretty. "Does Mr. Winterbourne think,"<|quote|>she asked slowly, smiling, throwing back her head, and glancing at him from head to foot,</|quote|>"that, to save my reputation, | her cheek; she was tremendously pretty. "Does Mr. Winterbourne think,"<|quote|>she asked slowly, smiling, throwing back her head, and glancing at him from head to foot,</|quote|>"that, to save my reputation, I ought to get into | enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think,"<|quote|>she asked slowly, smiling, throwing back her head, and glancing at him from head to foot,</|quote|>"that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply | very agreeably; Winterbourne thought it a most unpleasant scene. "I don t think I want to know what you mean," said Daisy presently. "I don t think I should like it." Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think,"<|quote|>she asked slowly, smiling, throwing back her head, and glancing at him from head to foot,</|quote|>"that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I | saw that she scented interference. "My mother never walked ten steps in her life. And then, you know," she added with a laugh, "I am more than five years old." "You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about." Daisy looked at Mrs. Walker, smiling intensely. "Talked about? What do you mean?" "Come into my carriage, and I will tell you." Daisy turned her quickened glance again from one of the gentlemen beside her to the other. Mr. Giovanelli was bowing to and fro, rubbing down his gloves and laughing very agreeably; Winterbourne thought it a most unpleasant scene. "I don t think I want to know what you mean," said Daisy presently. "I don t think I should like it." Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think,"<|quote|>she asked slowly, smiling, throwing back her head, and glancing at him from head to foot,</|quote|>"that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker," she pursued, "then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in here, sir," she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon | retraced her steps with a perfect good grace and with Mr. Giovanelli at her side. She declared that she was delighted to have a chance to present this gentleman to Mrs. Walker. She immediately achieved the introduction, and declared that she had never in her life seen anything so lovely as Mrs. Walker s carriage rug. "I am glad you admire it," said this lady, smiling sweetly. "Will you get in and let me put it over you?" "Oh, no, thank you," said Daisy. "I shall admire it much more as I see you driving round with it." "Do get in and drive with me!" said Mrs. Walker. "That would be charming, but it s so enchanting just as I am!" and Daisy gave a brilliant glance at the gentlemen on either side of her. "It may be enchanting, dear child, but it is not the custom here," urged Mrs. Walker, leaning forward in her victoria, with her hands devoutly clasped. "Well, it ought to be, then!" said Daisy. "If I didn t walk I should expire." "You should walk with your mother, dear," cried the lady from Geneva, losing patience. "With my mother dear!" exclaimed the young girl. Winterbourne saw that she scented interference. "My mother never walked ten steps in her life. And then, you know," she added with a laugh, "I am more than five years old." "You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about." Daisy looked at Mrs. Walker, smiling intensely. "Talked about? What do you mean?" "Come into my carriage, and I will tell you." Daisy turned her quickened glance again from one of the gentlemen beside her to the other. Mr. Giovanelli was bowing to and fro, rubbing down his gloves and laughing very agreeably; Winterbourne thought it a most unpleasant scene. "I don t think I want to know what you mean," said Daisy presently. "I don t think I should like it." Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think,"<|quote|>she asked slowly, smiling, throwing back her head, and glancing at him from head to foot,</|quote|>"that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker," she pursued, "then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in here, sir," she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon Mrs. Walker declared that if he refused her this favor she would never speak to him again. She was evidently in earnest. Winterbourne overtook Daisy and her companion, and, offering the young girl his hand, told her that Mrs. Walker had made an imperious claim upon his society. He expected that in answer she would say something rather free, something to commit herself still further to that "recklessness" from which Mrs. Walker had so charitably endeavored to dissuade her. But she only shook his hand, hardly looking at him, while Mr. Giovanelli bade him farewell with a too emphatic flourish of the hat. Winterbourne was not in the best possible humor as he took his seat in Mrs. Walker s victoria. "That was not clever of you," he said candidly, while the vehicle mingled again with the throng of carriages. "In such a case," his companion answered, "I don t wish to be clever; I wish to be EARNEST!" "Well, your earnestness has only offended her and put her off." "It has happened very well," said Mrs. Walker. "If she is so perfectly determined to compromise herself, the sooner one knows it the better; one can act accordingly." "I suspect | as the object of one of those sentiments which are called by romancers "lawless passions." That she should seem to wish to get rid of him would help him to think more lightly of her, and to be able to think more lightly of her would make her much less perplexing. But Daisy, on this occasion, continued to present herself as an inscrutable combination of audacity and innocence. She had been walking some quarter of an hour, attended by her two cavaliers, and responding in a tone of very childish gaiety, as it seemed to Winterbourne, to the pretty speeches of Mr. Giovanelli, when a carriage that had detached itself from the revolving train drew up beside the path. At the same moment Winterbourne perceived that his friend Mrs. Walker--the lady whose house he had lately left--was seated in the vehicle and was beckoning to him. Leaving Miss Miller s side, he hastened to obey her summons. Mrs. Walker was flushed; she wore an excited air. "It is really too dreadful," she said. "That girl must not do this sort of thing. She must not walk here with you two men. Fifty people have noticed her." Winterbourne raised his eyebrows. "I think it s a pity to make too much fuss about it." "It s a pity to let the girl ruin herself!" "She is very innocent," said Winterbourne. "She s very crazy!" cried Mrs. Walker. "Did you ever see anything so imbecile as her mother? After you had all left me just now, I could not sit still for thinking of it. It seemed too pitiful, not even to attempt to save her. I ordered the carriage and put on my bonnet, and came here as quickly as possible. Thank Heaven I have found you!" "What do you propose to do with us?" asked Winterbourne, smiling. "To ask her to get in, to drive her about here for half an hour, so that the world may see she is not running absolutely wild, and then to take her safely home." "I don t think it s a very happy thought," said Winterbourne; "but you can try." Mrs. Walker tried. The young man went in pursuit of Miss Miller, who had simply nodded and smiled at his interlocutor in the carriage and had gone her way with her companion. Daisy, on learning that Mrs. Walker wished to speak to her, retraced her steps with a perfect good grace and with Mr. Giovanelli at her side. She declared that she was delighted to have a chance to present this gentleman to Mrs. Walker. She immediately achieved the introduction, and declared that she had never in her life seen anything so lovely as Mrs. Walker s carriage rug. "I am glad you admire it," said this lady, smiling sweetly. "Will you get in and let me put it over you?" "Oh, no, thank you," said Daisy. "I shall admire it much more as I see you driving round with it." "Do get in and drive with me!" said Mrs. Walker. "That would be charming, but it s so enchanting just as I am!" and Daisy gave a brilliant glance at the gentlemen on either side of her. "It may be enchanting, dear child, but it is not the custom here," urged Mrs. Walker, leaning forward in her victoria, with her hands devoutly clasped. "Well, it ought to be, then!" said Daisy. "If I didn t walk I should expire." "You should walk with your mother, dear," cried the lady from Geneva, losing patience. "With my mother dear!" exclaimed the young girl. Winterbourne saw that she scented interference. "My mother never walked ten steps in her life. And then, you know," she added with a laugh, "I am more than five years old." "You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about." Daisy looked at Mrs. Walker, smiling intensely. "Talked about? What do you mean?" "Come into my carriage, and I will tell you." Daisy turned her quickened glance again from one of the gentlemen beside her to the other. Mr. Giovanelli was bowing to and fro, rubbing down his gloves and laughing very agreeably; Winterbourne thought it a most unpleasant scene. "I don t think I want to know what you mean," said Daisy presently. "I don t think I should like it." Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think,"<|quote|>she asked slowly, smiling, throwing back her head, and glancing at him from head to foot,</|quote|>"that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker," she pursued, "then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in here, sir," she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon Mrs. Walker declared that if he refused her this favor she would never speak to him again. She was evidently in earnest. Winterbourne overtook Daisy and her companion, and, offering the young girl his hand, told her that Mrs. Walker had made an imperious claim upon his society. He expected that in answer she would say something rather free, something to commit herself still further to that "recklessness" from which Mrs. Walker had so charitably endeavored to dissuade her. But she only shook his hand, hardly looking at him, while Mr. Giovanelli bade him farewell with a too emphatic flourish of the hat. Winterbourne was not in the best possible humor as he took his seat in Mrs. Walker s victoria. "That was not clever of you," he said candidly, while the vehicle mingled again with the throng of carriages. "In such a case," his companion answered, "I don t wish to be clever; I wish to be EARNEST!" "Well, your earnestness has only offended her and put her off." "It has happened very well," said Mrs. Walker. "If she is so perfectly determined to compromise herself, the sooner one knows it the better; one can act accordingly." "I suspect she meant no harm," Winterbourne rejoined. "So I thought a month ago. But she has been going too far." "What has she been doing?" "Everything that is not done here. Flirting with any man she could pick up; sitting in corners with mysterious Italians; dancing all the evening with the same partners; receiving visits at eleven o clock at night. Her mother goes away when visitors come." "But her brother," said Winterbourne, laughing, "sits up till midnight." "He must be edified by what he sees. I m told that at their hotel everyone is talking about her, and that a smile goes round among all the servants when a gentleman comes and asks for Miss Miller." "The servants be hanged!" said Winterbourne angrily. "The poor girl s only fault," he presently added, "is that she is very uncultivated." "She is naturally indelicate," Mrs. Walker declared. "Take that example this morning. How long had you known her at Vevey?" "A couple of days." "Fancy, then, her making it a personal matter that you should have left the place!" Winterbourne was silent for some moments; then he said, "I suspect, Mrs. Walker, that you and I have lived too long at Geneva!" And he added a request that she should inform him with what particular design she had made him enter her carriage. "I wished to beg you to cease your relations with Miss Miller--not to flirt with her--to give her no further opportunity to expose herself--to let her alone, in short." "I m afraid I can t do that," said Winterbourne. "I like her extremely." "All the more reason that you shouldn t help her to make a scandal." "There shall be nothing scandalous in my attentions to her." "There certainly will be in the way she takes them. But I have said what I had on my conscience," Mrs. Walker pursued. "If you wish to rejoin the young lady I will put you down. Here, by the way, you have a chance." The carriage was traversing that part of the Pincian Garden that overhangs the wall of Rome and overlooks the beautiful Villa Borghese. It is bordered by a large parapet, near which there are several seats. One of the seats at a distance was occupied by a gentleman and a lady, toward whom Mrs. Walker gave a toss of her head. At the same moment these persons rose and | Winterbourne saw that she scented interference. "My mother never walked ten steps in her life. And then, you know," she added with a laugh, "I am more than five years old." "You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about." Daisy looked at Mrs. Walker, smiling intensely. "Talked about? What do you mean?" "Come into my carriage, and I will tell you." Daisy turned her quickened glance again from one of the gentlemen beside her to the other. Mr. Giovanelli was bowing to and fro, rubbing down his gloves and laughing very agreeably; Winterbourne thought it a most unpleasant scene. "I don t think I want to know what you mean," said Daisy presently. "I don t think I should like it." Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think,"<|quote|>she asked slowly, smiling, throwing back her head, and glancing at him from head to foot,</|quote|>"that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker," she pursued, "then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in here, sir," she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon Mrs. Walker declared that if he refused her this favor she would never speak to him again. She was evidently in earnest. Winterbourne overtook Daisy and her companion, and, offering the young girl his hand, told her that Mrs. Walker had made an imperious claim upon his society. He expected that in answer she would say something rather free, something to commit herself still further to that "recklessness" from which Mrs. Walker had so charitably endeavored to dissuade her. But she only shook his hand, hardly looking at him, while Mr. Giovanelli bade him farewell with a too emphatic flourish of the hat. Winterbourne was not in the best possible humor as he took his seat in Mrs. Walker s victoria. "That was not clever of you," he said candidly, while the vehicle mingled again with the throng of carriages. "In such a case," his companion answered, "I don t wish to be clever; I wish to be EARNEST!" "Well, your earnestness has only offended her and put her off." "It has happened very well," said Mrs. Walker. "If she is so perfectly determined to compromise herself, the sooner one knows it the better; one can act accordingly." "I suspect she meant no harm," Winterbourne rejoined. "So I thought a month ago. But she has been going too far." "What has she been doing?" "Everything that is not done here. Flirting with any man she could pick up; sitting in corners with mysterious Italians; dancing all the evening with the same partners; receiving visits at eleven o clock at night. Her mother goes away when visitors come." "But her brother," said Winterbourne, laughing, "sits up till midnight." "He must be edified by what he sees. I m told that at their hotel everyone is talking about her, and that a smile goes round among all the servants when a gentleman comes and asks for Miss Miller." "The servants be hanged!" said Winterbourne angrily. "The poor girl s only fault," he presently added, "is that she is very uncultivated." "She is naturally indelicate," | Daisy Miller |
"Stone dead!" | _unknowable | fell lifeless on the bed.<|quote|>"Stone dead!"</|quote|>said one of the old | sounds in her throat, and fell lifeless on the bed.<|quote|>"Stone dead!"</|quote|>said one of the old women, hurrying in as soon | cried the other. She was bending eagerly over the woman to hear her reply; but drew back, instinctively, as she once again rose, slowly and stiffly, into a sitting posture; then, clutching the coverlid with both hands, muttered some indistinct sounds in her throat, and fell lifeless on the bed.<|quote|>"Stone dead!"</|quote|>said one of the old women, hurrying in as soon as the door was opened. "And nothing to tell, after all," rejoined the matron, walking carelessly away. The two crones, to all appearance, too busily occupied in the preparations for their dreadful duties to make any reply, were left alone, | whether it be boy or girl, raise up some friends for it in this troubled world, and take pity upon a lonely desolate child, abandoned to its mercy!'" "The boy's name?" demanded the matron. "They _called_ him Oliver," replied the woman, feebly. "The gold I stole was" "Yes, yes what?" cried the other. She was bending eagerly over the woman to hear her reply; but drew back, instinctively, as she once again rose, slowly and stiffly, into a sitting posture; then, clutching the coverlid with both hands, muttered some indistinct sounds in her throat, and fell lifeless on the bed.<|quote|>"Stone dead!"</|quote|>said one of the old women, hurrying in as soon as the door was opened. "And nothing to tell, after all," rejoined the matron, walking carelessly away. The two crones, to all appearance, too busily occupied in the preparations for their dreadful duties to make any reply, were left alone, hovering about the body. CHAPTER XXV. WHEREIN THIS HISTORY REVERTS TO MR. FAGIN AND COMPANY While these things were passing in the country workhouse, Mr. Fagin sat in the old den the same from which Oliver had been removed by the girl brooding over a dull, smoky fire. He held | told you all, have I?" "No, no," replied the matron, inclining her head to catch the words, as they came more faintly from the dying woman. "Be quick, or it may be too late!" "The mother," said the woman, making a more violent effort than before; "the mother, when the pains of death first came upon her, whispered in my ear that if her baby was born alive, and thrived, the day might come when it would not feel so much disgraced to hear its poor young mother named." And oh, kind Heaven!' "she said, folding her thin hands together," whether it be boy or girl, raise up some friends for it in this troubled world, and take pity upon a lonely desolate child, abandoned to its mercy!'" "The boy's name?" demanded the matron. "They _called_ him Oliver," replied the woman, feebly. "The gold I stole was" "Yes, yes what?" cried the other. She was bending eagerly over the woman to hear her reply; but drew back, instinctively, as she once again rose, slowly and stiffly, into a sitting posture; then, clutching the coverlid with both hands, muttered some indistinct sounds in her throat, and fell lifeless on the bed.<|quote|>"Stone dead!"</|quote|>said one of the old women, hurrying in as soon as the door was opened. "And nothing to tell, after all," rejoined the matron, walking carelessly away. The two crones, to all appearance, too busily occupied in the preparations for their dreadful duties to make any reply, were left alone, hovering about the body. CHAPTER XXV. WHEREIN THIS HISTORY REVERTS TO MR. FAGIN AND COMPANY While these things were passing in the country workhouse, Mr. Fagin sat in the old den the same from which Oliver had been removed by the girl brooding over a dull, smoky fire. He held a pair of bellows upon his knee, with which he had apparently been endeavouring to rouse it into more cheerful action; but he had fallen into deep thought; and with his arms folded on them, and his chin resting on his thumbs, fixed his eyes, abstractedly, on the rusty bars. At a table behind him sat the Artful Dodger, Master Charles Bates, and Mr. Chitling: all intent upon a game of whist; the Artful taking dummy against Master Bates and Mr. Chitling. The countenance of the first-named gentleman, peculiarly intelligent at all times, acquired great additional interest from his close | she would call for help. "_It_!" replied the woman, laying her hand over the other's mouth. "The only thing she had. She wanted clothes to keep her warm, and food to eat; but she had kept it safe, and had it in her bosom. It was gold, I tell you! Rich gold, that might have saved her life!" "Gold!" echoed the matron, bending eagerly over the woman as she fell back. "Go on, go on yes what of it? Who was the mother? When was it?" "She charged me to keep it safe," replied the woman with a groan, "and trusted me as the only woman about her. I stole it in my heart when she first showed it me hanging round her neck; and the child's death, perhaps, is on me besides! They would have treated him better, if they had known it all!" "Known what?" asked the other. "Speak!" "The boy grew so like his mother," said the woman, rambling on, and not heeding the question, "that I could never forget it when I saw his face. Poor girl! poor girl! She was so young, too! Such a gentle lamb! Wait; there's more to tell. I have not told you all, have I?" "No, no," replied the matron, inclining her head to catch the words, as they came more faintly from the dying woman. "Be quick, or it may be too late!" "The mother," said the woman, making a more violent effort than before; "the mother, when the pains of death first came upon her, whispered in my ear that if her baby was born alive, and thrived, the day might come when it would not feel so much disgraced to hear its poor young mother named." And oh, kind Heaven!' "she said, folding her thin hands together," whether it be boy or girl, raise up some friends for it in this troubled world, and take pity upon a lonely desolate child, abandoned to its mercy!'" "The boy's name?" demanded the matron. "They _called_ him Oliver," replied the woman, feebly. "The gold I stole was" "Yes, yes what?" cried the other. She was bending eagerly over the woman to hear her reply; but drew back, instinctively, as she once again rose, slowly and stiffly, into a sitting posture; then, clutching the coverlid with both hands, muttered some indistinct sounds in her throat, and fell lifeless on the bed.<|quote|>"Stone dead!"</|quote|>said one of the old women, hurrying in as soon as the door was opened. "And nothing to tell, after all," rejoined the matron, walking carelessly away. The two crones, to all appearance, too busily occupied in the preparations for their dreadful duties to make any reply, were left alone, hovering about the body. CHAPTER XXV. WHEREIN THIS HISTORY REVERTS TO MR. FAGIN AND COMPANY While these things were passing in the country workhouse, Mr. Fagin sat in the old den the same from which Oliver had been removed by the girl brooding over a dull, smoky fire. He held a pair of bellows upon his knee, with which he had apparently been endeavouring to rouse it into more cheerful action; but he had fallen into deep thought; and with his arms folded on them, and his chin resting on his thumbs, fixed his eyes, abstractedly, on the rusty bars. At a table behind him sat the Artful Dodger, Master Charles Bates, and Mr. Chitling: all intent upon a game of whist; the Artful taking dummy against Master Bates and Mr. Chitling. The countenance of the first-named gentleman, peculiarly intelligent at all times, acquired great additional interest from his close observance of the game, and his attentive perusal of Mr. Chitling's hand; upon which, from time to time, as occasion served, he bestowed a variety of earnest glances: wisely regulating his own play by the result of his observations upon his neighbour's cards. It being a cold night, the Dodger wore his hat, as, indeed, was often his custom within doors. He also sustained a clay pipe between his teeth, which he only removed for a brief space when he deemed it necessary to apply for refreshment to a quart pot upon the table, which stood ready filled with gin-and-water for the accommodation of the company. Master Bates was also attentive to the play; but being of a more excitable nature than his accomplished friend, it was observable that he more frequently applied himself to the gin-and-water, and moreover indulged in many jests and irrelevant remarks, all highly unbecoming a scientific rubber. Indeed, the Artful, presuming upon their close attachment, more than once took occasion to reason gravely with his companion upon these improprieties; all of which remonstrances, Master Bates received in extremely good part; merely requesting his friend to be "blowed," or to insert his head in a sack, | you!" She was bouncing away, when a cry from the two women, who had turned towards the bed, caused her to look round. The patient had raised herself upright, and was stretching her arms towards them. "Who's that?" she cried, in a hollow voice. "Hush, hush!" said one of the women, stooping over her. "Lie down, lie down!" "I'll never lie down again alive!" said the woman, struggling. "I _will_ tell her! Come here! Nearer! Let me whisper in your ear." She clutched the matron by the arm, and forcing her into a chair by the bedside, was about to speak, when looking round, she caught sight of the two old women bending forward in the attitude of eager listeners. "Turn them away," said the woman, drowsily; "make haste! make haste!" The two old crones, chiming in together, began pouring out many piteous lamentations that the poor dear was too far gone to know her best friends; and were uttering sundry protestations that they would never leave her, when the superior pushed them from the room, closed the door, and returned to the bedside. On being excluded, the old ladies changed their tone, and cried through the keyhole that old Sally was drunk; which, indeed, was not unlikely; since, in addition to a moderate dose of opium prescribed by the apothecary, she was labouring under the effects of a final taste of gin-and-water which had been privily administered, in the openness of their hearts, by the worthy old ladies themselves. "Now listen to me," said the dying woman aloud, as if making a great effort to revive one latent spark of energy. "In this very room in this very bed I once nursed a pretty young creetur', that was brought into the house with her feet cut and bruised with walking, and all soiled with dust and blood. She gave birth to a boy, and died. Let me think what was the year again!" "Never mind the year," said the impatient auditor; "what about her?" "Ay," murmured the sick woman, relapsing into her former drowsy state, "what about her? what about I know!" she cried, jumping fiercely up: her face flushed, and her eyes starting from her head "I robbed her, so I did! She wasn't cold I tell you she wasn't cold, when I stole it!" "Stole what, for God's sake?" cried the matron, with a gesture as if she would call for help. "_It_!" replied the woman, laying her hand over the other's mouth. "The only thing she had. She wanted clothes to keep her warm, and food to eat; but she had kept it safe, and had it in her bosom. It was gold, I tell you! Rich gold, that might have saved her life!" "Gold!" echoed the matron, bending eagerly over the woman as she fell back. "Go on, go on yes what of it? Who was the mother? When was it?" "She charged me to keep it safe," replied the woman with a groan, "and trusted me as the only woman about her. I stole it in my heart when she first showed it me hanging round her neck; and the child's death, perhaps, is on me besides! They would have treated him better, if they had known it all!" "Known what?" asked the other. "Speak!" "The boy grew so like his mother," said the woman, rambling on, and not heeding the question, "that I could never forget it when I saw his face. Poor girl! poor girl! She was so young, too! Such a gentle lamb! Wait; there's more to tell. I have not told you all, have I?" "No, no," replied the matron, inclining her head to catch the words, as they came more faintly from the dying woman. "Be quick, or it may be too late!" "The mother," said the woman, making a more violent effort than before; "the mother, when the pains of death first came upon her, whispered in my ear that if her baby was born alive, and thrived, the day might come when it would not feel so much disgraced to hear its poor young mother named." And oh, kind Heaven!' "she said, folding her thin hands together," whether it be boy or girl, raise up some friends for it in this troubled world, and take pity upon a lonely desolate child, abandoned to its mercy!'" "The boy's name?" demanded the matron. "They _called_ him Oliver," replied the woman, feebly. "The gold I stole was" "Yes, yes what?" cried the other. She was bending eagerly over the woman to hear her reply; but drew back, instinctively, as she once again rose, slowly and stiffly, into a sitting posture; then, clutching the coverlid with both hands, muttered some indistinct sounds in her throat, and fell lifeless on the bed.<|quote|>"Stone dead!"</|quote|>said one of the old women, hurrying in as soon as the door was opened. "And nothing to tell, after all," rejoined the matron, walking carelessly away. The two crones, to all appearance, too busily occupied in the preparations for their dreadful duties to make any reply, were left alone, hovering about the body. CHAPTER XXV. WHEREIN THIS HISTORY REVERTS TO MR. FAGIN AND COMPANY While these things were passing in the country workhouse, Mr. Fagin sat in the old den the same from which Oliver had been removed by the girl brooding over a dull, smoky fire. He held a pair of bellows upon his knee, with which he had apparently been endeavouring to rouse it into more cheerful action; but he had fallen into deep thought; and with his arms folded on them, and his chin resting on his thumbs, fixed his eyes, abstractedly, on the rusty bars. At a table behind him sat the Artful Dodger, Master Charles Bates, and Mr. Chitling: all intent upon a game of whist; the Artful taking dummy against Master Bates and Mr. Chitling. The countenance of the first-named gentleman, peculiarly intelligent at all times, acquired great additional interest from his close observance of the game, and his attentive perusal of Mr. Chitling's hand; upon which, from time to time, as occasion served, he bestowed a variety of earnest glances: wisely regulating his own play by the result of his observations upon his neighbour's cards. It being a cold night, the Dodger wore his hat, as, indeed, was often his custom within doors. He also sustained a clay pipe between his teeth, which he only removed for a brief space when he deemed it necessary to apply for refreshment to a quart pot upon the table, which stood ready filled with gin-and-water for the accommodation of the company. Master Bates was also attentive to the play; but being of a more excitable nature than his accomplished friend, it was observable that he more frequently applied himself to the gin-and-water, and moreover indulged in many jests and irrelevant remarks, all highly unbecoming a scientific rubber. Indeed, the Artful, presuming upon their close attachment, more than once took occasion to reason gravely with his companion upon these improprieties; all of which remonstrances, Master Bates received in extremely good part; merely requesting his friend to be "blowed," or to insert his head in a sack, or replying with some other neatly-turned witticism of a similar kind, the happy application of which, excited considerable admiration in the mind of Mr. Chitling. It was remarkable that the latter gentleman and his partner invariably lost; and that the circumstance, so far from angering Master Bates, appeared to afford him the highest amusement, inasmuch as he laughed most uproariously at the end of every deal, and protested that he had never seen such a jolly game in all his born days. "That's two doubles and the rub," said Mr. Chitling, with a very long face, as he drew half-a-crown from his waistcoat-pocket. "I never see such a feller as you, Jack; you win everything. Even when we've good cards, Charley and I can't make nothing of 'em." Either the master or the manner of this remark, which was made very ruefully, delighted Charley Bates so much, that his consequent shout of laughter roused the Jew from his reverie, and induced him to inquire what was the matter. "Matter, Fagin!" cried Charley. "I wish you had watched the play. Tommy Chitling hasn't won a point; and I went partners with him against the Artfull and dumb." "Ay, ay!" said the Jew, with a grin, which sufficiently demonstrated that he was at no loss to understand the reason. "Try 'em again, Tom; try 'em again." "No more of it for me, thank 'ee, Fagin," replied Mr. Chitling; "I've had enough. That 'ere Dodger has such a run of luck that there's no standing again' him." "Ha! ha! my dear," replied the Jew, "you must get up very early in the morning, to win against the Dodger." "Morning!" said Charley Bates; "you must put your boots on over-night, and have a telescope at each eye, and a opera-glass between your shoulders, if you want to come over him." Mr. Dawkins received these handsome compliments with much philosophy, and offered to cut any gentleman in company, for the first picture-card, at a shilling at a time. Nobody accepting the challenge, and his pipe being by this time smoked out, he proceeded to amuse himself by sketching a ground-plan of Newgate on the table with the piece of chalk which had served him in lieu of counters; whistling, meantime, with peculiar shrillness. "How precious dull you are, Tommy!" said the Dodger, stopping short when there had been a long silence; and addressing Mr. Chitling. | wasn't cold I tell you she wasn't cold, when I stole it!" "Stole what, for God's sake?" cried the matron, with a gesture as if she would call for help. "_It_!" replied the woman, laying her hand over the other's mouth. "The only thing she had. She wanted clothes to keep her warm, and food to eat; but she had kept it safe, and had it in her bosom. It was gold, I tell you! Rich gold, that might have saved her life!" "Gold!" echoed the matron, bending eagerly over the woman as she fell back. "Go on, go on yes what of it? Who was the mother? When was it?" "She charged me to keep it safe," replied the woman with a groan, "and trusted me as the only woman about her. I stole it in my heart when she first showed it me hanging round her neck; and the child's death, perhaps, is on me besides! They would have treated him better, if they had known it all!" "Known what?" asked the other. "Speak!" "The boy grew so like his mother," said the woman, rambling on, and not heeding the question, "that I could never forget it when I saw his face. Poor girl! poor girl! She was so young, too! Such a gentle lamb! Wait; there's more to tell. I have not told you all, have I?" "No, no," replied the matron, inclining her head to catch the words, as they came more faintly from the dying woman. "Be quick, or it may be too late!" "The mother," said the woman, making a more violent effort than before; "the mother, when the pains of death first came upon her, whispered in my ear that if her baby was born alive, and thrived, the day might come when it would not feel so much disgraced to hear its poor young mother named." And oh, kind Heaven!' "she said, folding her thin hands together," whether it be boy or girl, raise up some friends for it in this troubled world, and take pity upon a lonely desolate child, abandoned to its mercy!'" "The boy's name?" demanded the matron. "They _called_ him Oliver," replied the woman, feebly. "The gold I stole was" "Yes, yes what?" cried the other. She was bending eagerly over the woman to hear her reply; but drew back, instinctively, as she once again rose, slowly and stiffly, into a sitting posture; then, clutching the coverlid with both hands, muttered some indistinct sounds in her throat, and fell lifeless on the bed.<|quote|>"Stone dead!"</|quote|>said one of the old women, hurrying in as soon as the door was opened. "And nothing to tell, after all," rejoined the matron, walking carelessly away. The two crones, to all appearance, too busily occupied in the preparations for their dreadful duties to make any reply, were left alone, hovering about the body. CHAPTER XXV. WHEREIN THIS HISTORY REVERTS TO MR. FAGIN AND COMPANY While these things were passing in the country workhouse, Mr. Fagin sat in the old den the same from which Oliver had been removed by the girl brooding over a dull, smoky fire. He held a pair of bellows upon his knee, with which he had apparently been endeavouring to rouse it into more cheerful action; but he had fallen into deep thought; and with his arms folded on them, and his chin resting on his thumbs, fixed his eyes, abstractedly, on the rusty bars. At a table behind him sat the Artful Dodger, Master Charles Bates, and Mr. Chitling: all intent upon a game of whist; the Artful taking dummy against Master Bates and Mr. Chitling. The countenance of the first-named gentleman, peculiarly intelligent at all times, acquired great additional interest from his close observance of the game, and his attentive perusal of Mr. Chitling's hand; upon which, from time to time, as occasion served, he bestowed a variety of earnest glances: wisely regulating his own play by the result of his observations upon his neighbour's cards. It being a cold night, the Dodger wore his hat, as, indeed, was often his custom within doors. He also sustained a clay pipe between his teeth, which he only removed for a brief space when he deemed it necessary to apply for refreshment to a quart pot upon the table, which stood ready filled with gin-and-water for the accommodation of the company. | Oliver Twist |
"Why--aren't you well?" | Dallas | there a moment," he said.<|quote|>"Why--aren't you well?"</|quote|>his son exclaimed. "Oh, perfectly. | trees. "I believe I'll sit there a moment," he said.<|quote|>"Why--aren't you well?"</|quote|>his son exclaimed. "Oh, perfectly. But I should like you, | remained motionless, gazing at the upper windows as if the end of their pilgrimage had been attained. "I say, you know, it's nearly six," his son at length reminded him. The father glanced away at an empty bench under the trees. "I believe I'll sit there a moment," he said.<|quote|>"Why--aren't you well?"</|quote|>his son exclaimed. "Oh, perfectly. But I should like you, please, to go up without me." Dallas paused before him, visibly bewildered. "But, I say, Dad: do you mean you won't come up at all?" "I don't know," said Archer slowly. "If you don't she won't understand." "Go, my boy; | the square, the awnings were still lowered, as though the sun had just left it. "I wonder which floor--?" Dallas conjectured; and moving toward the porte-cochere he put his head into the porter's lodge, and came back to say: "The fifth. It must be the one with the awnings." Archer remained motionless, gazing at the upper windows as if the end of their pilgrimage had been attained. "I say, you know, it's nearly six," his son at length reminded him. The father glanced away at an empty bench under the trees. "I believe I'll sit there a moment," he said.<|quote|>"Why--aren't you well?"</|quote|>his son exclaimed. "Oh, perfectly. But I should like you, please, to go up without me." Dallas paused before him, visibly bewildered. "But, I say, Dad: do you mean you won't come up at all?" "I don't know," said Archer slowly. "If you don't she won't understand." "Go, my boy; perhaps I shall follow you." Dallas gave him a long look through the twilight. "But what on earth shall I say?" "My dear fellow, don't you always know what to say?" his father rejoined with a smile. "Very well. I shall say you're old-fashioned, and prefer walking up the five | fading into a soft sun-shot haze, pricked here and there by a yellow electric light, and passers were rare in the little square into which they had turned. Dallas stopped again, and looked up. "It must be here," he said, slipping his arm through his father's with a movement from which Archer's shyness did not shrink; and they stood together looking up at the house. It was a modern building, without distinctive character, but many-windowed, and pleasantly balconied up its wide cream-coloured front. On one of the upper balconies, which hung well above the rounded tops of the horse-chestnuts in the square, the awnings were still lowered, as though the sun had just left it. "I wonder which floor--?" Dallas conjectured; and moving toward the porte-cochere he put his head into the porter's lodge, and came back to say: "The fifth. It must be the one with the awnings." Archer remained motionless, gazing at the upper windows as if the end of their pilgrimage had been attained. "I say, you know, it's nearly six," his son at length reminded him. The father glanced away at an empty bench under the trees. "I believe I'll sit there a moment," he said.<|quote|>"Why--aren't you well?"</|quote|>his son exclaimed. "Oh, perfectly. But I should like you, please, to go up without me." Dallas paused before him, visibly bewildered. "But, I say, Dad: do you mean you won't come up at all?" "I don't know," said Archer slowly. "If you don't she won't understand." "Go, my boy; perhaps I shall follow you." Dallas gave him a long look through the twilight. "But what on earth shall I say?" "My dear fellow, don't you always know what to say?" his father rejoined with a smile. "Very well. I shall say you're old-fashioned, and prefer walking up the five flights because you don't like lifts." His father smiled again. "Say I'm old-fashioned: that's enough." Dallas looked at him again, and then, with an incredulous gesture, passed out of sight under the vaulted doorway. Archer sat down on the bench and continued to gaze at the awninged balcony. He calculated the time it would take his son to be carried up in the lift to the fifth floor, to ring the bell, and be admitted to the hall, and then ushered into the drawing-room. He pictured Dallas entering that room with his quick assured step and his delightful smile, and | had once said to him: "Ah, good conversation--there is nothing like it, is there?" Archer had not seen M. Riviere, or heard of him, for nearly thirty years; and that fact gave the measure of his ignorance of Madame Olenska's existence. More than half a lifetime divided them, and she had spent the long interval among people he did not know, in a society he but faintly guessed at, in conditions he would never wholly understand. During that time he had been living with his youthful memory of her; but she had doubtless had other and more tangible companionship. Perhaps she too had kept her memory of him as something apart; but if she had, it must have been like a relic in a small dim chapel, where there was not time to pray every day.... They had crossed the Place des Invalides, and were walking down one of the thoroughfares flanking the building. It was a quiet quarter, after all, in spite of its splendour and its history; and the fact gave one an idea of the riches Paris had to draw on, since such scenes as this were left to the few and the indifferent. The day was fading into a soft sun-shot haze, pricked here and there by a yellow electric light, and passers were rare in the little square into which they had turned. Dallas stopped again, and looked up. "It must be here," he said, slipping his arm through his father's with a movement from which Archer's shyness did not shrink; and they stood together looking up at the house. It was a modern building, without distinctive character, but many-windowed, and pleasantly balconied up its wide cream-coloured front. On one of the upper balconies, which hung well above the rounded tops of the horse-chestnuts in the square, the awnings were still lowered, as though the sun had just left it. "I wonder which floor--?" Dallas conjectured; and moving toward the porte-cochere he put his head into the porter's lodge, and came back to say: "The fifth. It must be the one with the awnings." Archer remained motionless, gazing at the upper windows as if the end of their pilgrimage had been attained. "I say, you know, it's nearly six," his son at length reminded him. The father glanced away at an empty bench under the trees. "I believe I'll sit there a moment," he said.<|quote|>"Why--aren't you well?"</|quote|>his son exclaimed. "Oh, perfectly. But I should like you, please, to go up without me." Dallas paused before him, visibly bewildered. "But, I say, Dad: do you mean you won't come up at all?" "I don't know," said Archer slowly. "If you don't she won't understand." "Go, my boy; perhaps I shall follow you." Dallas gave him a long look through the twilight. "But what on earth shall I say?" "My dear fellow, don't you always know what to say?" his father rejoined with a smile. "Very well. I shall say you're old-fashioned, and prefer walking up the five flights because you don't like lifts." His father smiled again. "Say I'm old-fashioned: that's enough." Dallas looked at him again, and then, with an incredulous gesture, passed out of sight under the vaulted doorway. Archer sat down on the bench and continued to gaze at the awninged balcony. He calculated the time it would take his son to be carried up in the lift to the fifth floor, to ring the bell, and be admitted to the hall, and then ushered into the drawing-room. He pictured Dallas entering that room with his quick assured step and his delightful smile, and wondered if the people were right who said that his boy "took after him." Then he tried to see the persons already in the room--for probably at that sociable hour there would be more than one--and among them a dark lady, pale and dark, who would look up quickly, half rise, and hold out a long thin hand with three rings on it.... He thought she would be sitting in a sofa-corner near the fire, with azaleas banked behind her on a table. "It's more real to me here than if I went up," he suddenly heard himself say; and the fear lest that last shadow of reality should lose its edge kept him rooted to his seat as the minutes succeeded each other. He sat for a long time on the bench in the thickening dusk, his eyes never turning from the balcony. At length a light shone through the windows, and a moment later a man-servant came out on the balcony, drew up the awnings, and closed the shutters. At that, as if it had been the signal he waited for, Newland Archer got up slowly and walked back alone to his hotel. | went back to the hotel, where he and Dallas were to meet; and together they walked again across the Place de la Concorde and over the bridge that leads to the Chamber of Deputies. Dallas, unconscious of what was going on in his father's mind, was talking excitedly and abundantly of Versailles. He had had but one previous glimpse of it, during a holiday trip in which he had tried to pack all the sights he had been deprived of when he had had to go with the family to Switzerland; and tumultuous enthusiasm and cock-sure criticism tripped each other up on his lips. As Archer listened, his sense of inadequacy and inexpressiveness increased. The boy was not insensitive, he knew; but he had the facility and self-confidence that came of looking at fate not as a master but as an equal. "That's it: they feel equal to things--they know their way about," he mused, thinking of his son as the spokesman of the new generation which had swept away all the old landmarks, and with them the sign-posts and the danger-signal. Suddenly Dallas stopped short, grasping his father's arm. "Oh, by Jove," he exclaimed. They had come out into the great tree-planted space before the Invalides. The dome of Mansart floated ethereally above the budding trees and the long grey front of the building: drawing up into itself all the rays of afternoon light, it hung there like the visible symbol of the race's glory. Archer knew that Madame Olenska lived in a square near one of the avenues radiating from the Invalides; and he had pictured the quarter as quiet and almost obscure, forgetting the central splendour that lit it up. Now, by some queer process of association, that golden light became for him the pervading illumination in which she lived. For nearly thirty years, her life--of which he knew so strangely little--had been spent in this rich atmosphere that he already felt to be too dense and yet too stimulating for his lungs. He thought of the theatres she must have been to, the pictures she must have looked at, the sober and splendid old houses she must have frequented, the people she must have talked with, the incessant stir of ideas, curiosities, images and associations thrown out by an intensely social race in a setting of immemorial manners; and suddenly he remembered the young Frenchman who had once said to him: "Ah, good conversation--there is nothing like it, is there?" Archer had not seen M. Riviere, or heard of him, for nearly thirty years; and that fact gave the measure of his ignorance of Madame Olenska's existence. More than half a lifetime divided them, and she had spent the long interval among people he did not know, in a society he but faintly guessed at, in conditions he would never wholly understand. During that time he had been living with his youthful memory of her; but she had doubtless had other and more tangible companionship. Perhaps she too had kept her memory of him as something apart; but if she had, it must have been like a relic in a small dim chapel, where there was not time to pray every day.... They had crossed the Place des Invalides, and were walking down one of the thoroughfares flanking the building. It was a quiet quarter, after all, in spite of its splendour and its history; and the fact gave one an idea of the riches Paris had to draw on, since such scenes as this were left to the few and the indifferent. The day was fading into a soft sun-shot haze, pricked here and there by a yellow electric light, and passers were rare in the little square into which they had turned. Dallas stopped again, and looked up. "It must be here," he said, slipping his arm through his father's with a movement from which Archer's shyness did not shrink; and they stood together looking up at the house. It was a modern building, without distinctive character, but many-windowed, and pleasantly balconied up its wide cream-coloured front. On one of the upper balconies, which hung well above the rounded tops of the horse-chestnuts in the square, the awnings were still lowered, as though the sun had just left it. "I wonder which floor--?" Dallas conjectured; and moving toward the porte-cochere he put his head into the porter's lodge, and came back to say: "The fifth. It must be the one with the awnings." Archer remained motionless, gazing at the upper windows as if the end of their pilgrimage had been attained. "I say, you know, it's nearly six," his son at length reminded him. The father glanced away at an empty bench under the trees. "I believe I'll sit there a moment," he said.<|quote|>"Why--aren't you well?"</|quote|>his son exclaimed. "Oh, perfectly. But I should like you, please, to go up without me." Dallas paused before him, visibly bewildered. "But, I say, Dad: do you mean you won't come up at all?" "I don't know," said Archer slowly. "If you don't she won't understand." "Go, my boy; perhaps I shall follow you." Dallas gave him a long look through the twilight. "But what on earth shall I say?" "My dear fellow, don't you always know what to say?" his father rejoined with a smile. "Very well. I shall say you're old-fashioned, and prefer walking up the five flights because you don't like lifts." His father smiled again. "Say I'm old-fashioned: that's enough." Dallas looked at him again, and then, with an incredulous gesture, passed out of sight under the vaulted doorway. Archer sat down on the bench and continued to gaze at the awninged balcony. He calculated the time it would take his son to be carried up in the lift to the fifth floor, to ring the bell, and be admitted to the hall, and then ushered into the drawing-room. He pictured Dallas entering that room with his quick assured step and his delightful smile, and wondered if the people were right who said that his boy "took after him." Then he tried to see the persons already in the room--for probably at that sociable hour there would be more than one--and among them a dark lady, pale and dark, who would look up quickly, half rise, and hold out a long thin hand with three rings on it.... He thought she would be sitting in a sofa-corner near the fire, with azaleas banked behind her on a table. "It's more real to me here than if I went up," he suddenly heard himself say; and the fear lest that last shadow of reality should lose its edge kept him rooted to his seat as the minutes succeeded each other. He sat for a long time on the bench in the thickening dusk, his eyes never turning from the balcony. At length a light shone through the windows, and a moment later a man-servant came out on the balcony, drew up the awnings, and closed the shutters. At that, as if it had been the signal he waited for, Newland Archer got up slowly and walked back alone to his hotel. | near one of the avenues radiating from the Invalides; and he had pictured the quarter as quiet and almost obscure, forgetting the central splendour that lit it up. Now, by some queer process of association, that golden light became for him the pervading illumination in which she lived. For nearly thirty years, her life--of which he knew so strangely little--had been spent in this rich atmosphere that he already felt to be too dense and yet too stimulating for his lungs. He thought of the theatres she must have been to, the pictures she must have looked at, the sober and splendid old houses she must have frequented, the people she must have talked with, the incessant stir of ideas, curiosities, images and associations thrown out by an intensely social race in a setting of immemorial manners; and suddenly he remembered the young Frenchman who had once said to him: "Ah, good conversation--there is nothing like it, is there?" Archer had not seen M. Riviere, or heard of him, for nearly thirty years; and that fact gave the measure of his ignorance of Madame Olenska's existence. More than half a lifetime divided them, and she had spent the long interval among people he did not know, in a society he but faintly guessed at, in conditions he would never wholly understand. During that time he had been living with his youthful memory of her; but she had doubtless had other and more tangible companionship. Perhaps she too had kept her memory of him as something apart; but if she had, it must have been like a relic in a small dim chapel, where there was not time to pray every day.... They had crossed the Place des Invalides, and were walking down one of the thoroughfares flanking the building. It was a quiet quarter, after all, in spite of its splendour and its history; and the fact gave one an idea of the riches Paris had to draw on, since such scenes as this were left to the few and the indifferent. The day was fading into a soft sun-shot haze, pricked here and there by a yellow electric light, and passers were rare in the little square into which they had turned. Dallas stopped again, and looked up. "It must be here," he said, slipping his arm through his father's with a movement from which Archer's shyness did not shrink; and they stood together looking up at the house. It was a modern building, without distinctive character, but many-windowed, and pleasantly balconied up its wide cream-coloured front. On one of the upper balconies, which hung well above the rounded tops of the horse-chestnuts in the square, the awnings were still lowered, as though the sun had just left it. "I wonder which floor--?" Dallas conjectured; and moving toward the porte-cochere he put his head into the porter's lodge, and came back to say: "The fifth. It must be the one with the awnings." Archer remained motionless, gazing at the upper windows as if the end of their pilgrimage had been attained. "I say, you know, it's nearly six," his son at length reminded him. The father glanced away at an empty bench under the trees. "I believe I'll sit there a moment," he said.<|quote|>"Why--aren't you well?"</|quote|>his son exclaimed. "Oh, perfectly. But I should like you, please, to go up without me." Dallas paused before him, visibly bewildered. "But, I say, Dad: do you mean you won't come up at all?" "I don't know," said Archer slowly. "If you don't she won't understand." "Go, my boy; perhaps I shall follow you." Dallas gave him a long look through the twilight. "But what on earth shall I say?" "My dear fellow, don't you always know what to say?" his father rejoined with a smile. "Very well. I shall say you're old-fashioned, and prefer walking up the five flights because you don't like lifts." His father smiled again. "Say I'm old-fashioned: that's enough." Dallas looked at him again, and then, with an incredulous gesture, passed out of sight under the vaulted doorway. Archer sat down on the bench and continued to gaze at the awninged balcony. He calculated the time it would take his son to be carried up in the lift to the fifth floor, to ring the bell, and be admitted to the hall, and then ushered into the drawing-room. He pictured Dallas entering that room with his quick assured step and his delightful smile, and wondered if the people were right who said that his boy "took after him." Then he tried to see the persons already in the room--for probably at that sociable hour there would be more than one--and among them a dark lady, pale and dark, who would look up quickly, half rise, and hold out a long thin hand with three rings on it.... He thought she would be sitting in a sofa-corner near the fire, with azaleas banked behind her on a table. "It's more real to me here than if I went up," he suddenly heard himself say; and the fear lest that last shadow of reality should lose its edge kept him rooted to his seat as the minutes succeeded each other. He sat for a long time on the bench in the thickening dusk, his eyes never turning from the balcony. At length a light shone through the windows, and a moment later a man-servant came out on the balcony, | The Age Of Innocence |
"You turn it over in your own minds, both of you, my lads. There, my pipe's out, and I think we'll go. Stop here long?" | Tattooed Englishman | I'm afraid I never should."<|quote|>"You turn it over in your own minds, both of you, my lads. There, my pipe's out, and I think we'll go. Stop here long?"</|quote|>"Do you mean the ship, | we cut and run here, I'm afraid I never should."<|quote|>"You turn it over in your own minds, both of you, my lads. There, my pipe's out, and I think we'll go. Stop here long?"</|quote|>"Do you mean the ship, or here with the boat?" | the galley to speak to the cook without feeling that he's wondering which jynte of you he shall use first. No thankye; it's a werry lovely country, but I want to get home to my Sally some day; and if we cut and run here, I'm afraid I never should."<|quote|>"You turn it over in your own minds, both of you, my lads. There, my pipe's out, and I think we'll go. Stop here long?"</|quote|>"Do you mean the ship, or here with the boat?" "Here with the boat," said the Englishman, holding out his hand. "Till our party comes back," said Jem. "I may see you again," said the Englishman; and shaking hands, he said a few words to his companion, and then began | to war with some of the others, and they got hold of you--" "Say, Mas' Don," said Jem interrupting the speaker, "I don't like being a sort of white nigger aboard ship, and being kept a prisoner, and told it's to serve the king; but a man can go into the galley to speak to the cook without feeling that he's wondering which jynte of you he shall use first. No thankye; it's a werry lovely country, but I want to get home to my Sally some day; and if we cut and run here, I'm afraid I never should."<|quote|>"You turn it over in your own minds, both of you, my lads. There, my pipe's out, and I think we'll go. Stop here long?"</|quote|>"Do you mean the ship, or here with the boat?" "Here with the boat," said the Englishman, holding out his hand. "Till our party comes back," said Jem. "I may see you again," said the Englishman; and shaking hands, he said a few words to his companion, and then began to wade ashore. The savage smiled and shook hands in turn, after which he patted Don on the shoulder again. "My pakeha," he said, sharply; "Maori pakeha--my." He followed his leader; and Don and Jem watched them till they disappeared amongst the abundant growth. CHAPTER TWENTY TWO. DON'S DECISION. "It's | me, that gets over them: it's a wonder they can't understand. And lots of other things we know are puzzles to them, and so they think us big. You consider it over a bit, my lad; and if you decide to run for it, I'll see as you don't come to no harm." "And him too?" "Oh, yes; he shall be all right too; I'll see to that." "Shouldn't be too tempting for 'em, eh? Should I?" said Jem. "Not for our tribes here," said the Englishman, laughing; "but I may as well be plain with you. If we went to war with some of the others, and they got hold of you--" "Say, Mas' Don," said Jem interrupting the speaker, "I don't like being a sort of white nigger aboard ship, and being kept a prisoner, and told it's to serve the king; but a man can go into the galley to speak to the cook without feeling that he's wondering which jynte of you he shall use first. No thankye; it's a werry lovely country, but I want to get home to my Sally some day; and if we cut and run here, I'm afraid I never should."<|quote|>"You turn it over in your own minds, both of you, my lads. There, my pipe's out, and I think we'll go. Stop here long?"</|quote|>"Do you mean the ship, or here with the boat?" "Here with the boat," said the Englishman, holding out his hand. "Till our party comes back," said Jem. "I may see you again," said the Englishman; and shaking hands, he said a few words to his companion, and then began to wade ashore. The savage smiled and shook hands in turn, after which he patted Don on the shoulder again. "My pakeha," he said, sharply; "Maori pakeha--my." He followed his leader; and Don and Jem watched them till they disappeared amongst the abundant growth. CHAPTER TWENTY TWO. DON'S DECISION. "It's tempting, Jem," said Don. "Yes, Mas' Don; and it's untempting, too. I had a book once about manners and customs of foreign parts, but it didn't say things so plain as you've found 'em here." "Yes, I'm afraid it won't do, Jem. Even if we got away from the ship, it might be to a life that would be worse." "That's it, sir, as I said afore, `out of the frying-pan into the fire.' Wonder how long they'll be 'fore they come back." "Not till sundown. I say, shall we try it or sha'n't we?" Jem scratched his head, and | said the man. "There, you think it over. Ngati here will be ready to take care of you, youngster; and matey here shall soon have a chief to take care of him." "I don't know so much about that," said Jem. "I should be ready enough to come ashore, but you've got some precious unpleasant ways out here as wouldn't suit me." "You'd soon get used to them," said the Englishman, drily; "and after leading a rough life, and being bullied by everybody, it isn't half bad to be a chief, and have a big canoe of your own, and make people do as you like." "But then you're a great powerful man," said Don. "They'd obey you, but they wouldn't obey me." "Oh, yes, they would, if you went the right way to work. It isn't only being big. They're big, much bigger all round than Englishmen, and stronger and more active. They're not afraid of your body, but of your mind; that's what they can't understand. If I was to write down something on a bit of wood or a leaf--we don't often see paper here--and give it to you to read, and you did the same to me, that gets over them: it's a wonder they can't understand. And lots of other things we know are puzzles to them, and so they think us big. You consider it over a bit, my lad; and if you decide to run for it, I'll see as you don't come to no harm." "And him too?" "Oh, yes; he shall be all right too; I'll see to that." "Shouldn't be too tempting for 'em, eh? Should I?" said Jem. "Not for our tribes here," said the Englishman, laughing; "but I may as well be plain with you. If we went to war with some of the others, and they got hold of you--" "Say, Mas' Don," said Jem interrupting the speaker, "I don't like being a sort of white nigger aboard ship, and being kept a prisoner, and told it's to serve the king; but a man can go into the galley to speak to the cook without feeling that he's wondering which jynte of you he shall use first. No thankye; it's a werry lovely country, but I want to get home to my Sally some day; and if we cut and run here, I'm afraid I never should."<|quote|>"You turn it over in your own minds, both of you, my lads. There, my pipe's out, and I think we'll go. Stop here long?"</|quote|>"Do you mean the ship, or here with the boat?" "Here with the boat," said the Englishman, holding out his hand. "Till our party comes back," said Jem. "I may see you again," said the Englishman; and shaking hands, he said a few words to his companion, and then began to wade ashore. The savage smiled and shook hands in turn, after which he patted Don on the shoulder again. "My pakeha," he said, sharply; "Maori pakeha--my." He followed his leader; and Don and Jem watched them till they disappeared amongst the abundant growth. CHAPTER TWENTY TWO. DON'S DECISION. "It's tempting, Jem," said Don. "Yes, Mas' Don; and it's untempting, too. I had a book once about manners and customs of foreign parts, but it didn't say things so plain as you've found 'em here." "Yes, I'm afraid it won't do, Jem. Even if we got away from the ship, it might be to a life that would be worse." "That's it, sir, as I said afore, `out of the frying-pan into the fire.' Wonder how long they'll be 'fore they come back." "Not till sundown. I say, shall we try it or sha'n't we?" Jem scratched his head, and seemed to be hesitating. "I don't know what to say, Jem. If they treated us well on board, I should be disposed to say let's put up with our life till we get back home." "But then they don't treat us well, Mas' Don. I don't grumble to you, but it's a reg'lar dog's life I lead; bully and cuss and swear at you, and then not even well fed." "But we are to be paid for it, Jem," said Don, bitterly. "Paid, Mas' Don!" replied Jem, contemptuously. "What paying will make up for what we go through?" "And I suppose we should have prize-money if we fought and took a French ship." "But then we're sent right out here, Mas' Don, where there's no French ships to fight; and if there were, the prize-money is shared among them as aren't killed." "Of course." "Well, how do we know as we shouldn't be killed? No, Mas' Don, they don't behave well to us, and I want to get home again, and so do you." "Yes, Jem." "P'r'aps it's cowardly, and they'll call it desertion." "Yes, Jem." "But we sha'n't be there to hear 'em call it so." "No, Jem." "Therefore | moved toward Don, and smiled at him, tapping him on the shoulder with his hand, and seeming to nod approval. "Pakeha!" he said, excitedly; "my pakeha; Maori pakeha." "What does he mean by that?" said Don, after he had suffered these attentions patiently for a few minutes. "Means he wants you to be his pakeha." "Yes: my pakeha; Maori pakeha!" cried the chief eagerly. "But what is a pakeha?" "Why, you're a pakeha, I'm a pakeha. They call foreigners pakehas; and he wants to claim you as his." "What, his slave?" cried Don. "No, no; he means his foreign brother. If you become his pakeha, he will be bound to fight for you. Eh, Ngati?" The savage gave vent to a fierce shout, and went through his former performance, but with more flourish, as if he were slaying numbers of enemies, and his facial distortion was hideous. "Well, when I was a little un, and went to school," said Jem, "I used to get spanks if I put out my tongue. Seems as if it's a fine thing to do out here." "Yes; it's a way they have when they're going to fight," said the Englishman thoughtfully. "S'pose it would mean trouble if I were to set you on to do it; but it wouldn't be at all bad for me if you were both of you to leave the ship and come ashore." "To be cooked?" said Jem. "Bah! Stuff! They'd treat you well. Youngster here's all right; Ngati would make him his pakeha." "My pakeha," cried the chief, patting Don again. "Much powder; much gun." "Pupil of mine," said the Englishman, smiling; "I taught him our lingo." "What does he mean?" said Don; "that he'd give me a big gun and plenty of powder?" The Englishman laughed. "No, no; he wants you to bring plenty of guns and powder ashore with you when you come." "When I come!" said Don, thoughtfully. "I sha'n't persuade you, my lad; but you might do worse. You'd be all right with us; and there are Englishmen here and there beginning to settle." "And how often is there a post goes out for England?" "Post? For England? Letters?" "Yes." "I don't know; I've been here a long time now, and I never had a letter and I never sent one away." "Then how should I be able to send to my Sally." "Dunno," said the man. "There, you think it over. Ngati here will be ready to take care of you, youngster; and matey here shall soon have a chief to take care of him." "I don't know so much about that," said Jem. "I should be ready enough to come ashore, but you've got some precious unpleasant ways out here as wouldn't suit me." "You'd soon get used to them," said the Englishman, drily; "and after leading a rough life, and being bullied by everybody, it isn't half bad to be a chief, and have a big canoe of your own, and make people do as you like." "But then you're a great powerful man," said Don. "They'd obey you, but they wouldn't obey me." "Oh, yes, they would, if you went the right way to work. It isn't only being big. They're big, much bigger all round than Englishmen, and stronger and more active. They're not afraid of your body, but of your mind; that's what they can't understand. If I was to write down something on a bit of wood or a leaf--we don't often see paper here--and give it to you to read, and you did the same to me, that gets over them: it's a wonder they can't understand. And lots of other things we know are puzzles to them, and so they think us big. You consider it over a bit, my lad; and if you decide to run for it, I'll see as you don't come to no harm." "And him too?" "Oh, yes; he shall be all right too; I'll see to that." "Shouldn't be too tempting for 'em, eh? Should I?" said Jem. "Not for our tribes here," said the Englishman, laughing; "but I may as well be plain with you. If we went to war with some of the others, and they got hold of you--" "Say, Mas' Don," said Jem interrupting the speaker, "I don't like being a sort of white nigger aboard ship, and being kept a prisoner, and told it's to serve the king; but a man can go into the galley to speak to the cook without feeling that he's wondering which jynte of you he shall use first. No thankye; it's a werry lovely country, but I want to get home to my Sally some day; and if we cut and run here, I'm afraid I never should."<|quote|>"You turn it over in your own minds, both of you, my lads. There, my pipe's out, and I think we'll go. Stop here long?"</|quote|>"Do you mean the ship, or here with the boat?" "Here with the boat," said the Englishman, holding out his hand. "Till our party comes back," said Jem. "I may see you again," said the Englishman; and shaking hands, he said a few words to his companion, and then began to wade ashore. The savage smiled and shook hands in turn, after which he patted Don on the shoulder again. "My pakeha," he said, sharply; "Maori pakeha--my." He followed his leader; and Don and Jem watched them till they disappeared amongst the abundant growth. CHAPTER TWENTY TWO. DON'S DECISION. "It's tempting, Jem," said Don. "Yes, Mas' Don; and it's untempting, too. I had a book once about manners and customs of foreign parts, but it didn't say things so plain as you've found 'em here." "Yes, I'm afraid it won't do, Jem. Even if we got away from the ship, it might be to a life that would be worse." "That's it, sir, as I said afore, `out of the frying-pan into the fire.' Wonder how long they'll be 'fore they come back." "Not till sundown. I say, shall we try it or sha'n't we?" Jem scratched his head, and seemed to be hesitating. "I don't know what to say, Jem. If they treated us well on board, I should be disposed to say let's put up with our life till we get back home." "But then they don't treat us well, Mas' Don. I don't grumble to you, but it's a reg'lar dog's life I lead; bully and cuss and swear at you, and then not even well fed." "But we are to be paid for it, Jem," said Don, bitterly. "Paid, Mas' Don!" replied Jem, contemptuously. "What paying will make up for what we go through?" "And I suppose we should have prize-money if we fought and took a French ship." "But then we're sent right out here, Mas' Don, where there's no French ships to fight; and if there were, the prize-money is shared among them as aren't killed." "Of course." "Well, how do we know as we shouldn't be killed? No, Mas' Don, they don't behave well to us, and I want to get home again, and so do you." "Yes, Jem." "P'r'aps it's cowardly, and they'll call it desertion." "Yes, Jem." "But we sha'n't be there to hear 'em call it so." "No, Jem." "Therefore it don't matter, Mas' Don; I've thought this all over hundreds o' times when you've been asleep." "And I've thought it over, Jem, hundreds of times when you've been asleep." "There you go again, sir, taking the ideas out of a man's brain. You shouldn't, Mas' Don. I always play fair with you." "Yes, of course you do." "Well, then, you ought to play fair with me. Now look here, Mas' Don," continued Jem, seating himself on the gunwale of the boat, so as to let his bare feet hang in the water. "'Ware sharks, Jem," said Don quickly. Jem was balanced on the edge, and at those words he threw himself backward with his heels in the air, and after he had struggled up with some difficulty, he stood rubbing his head. "Where 'bouts--where 'bouts, sir?" "I did not see a shark, Jem, but the place swarms with them, and I thought it was a risk." "Well, I do call that a trick," grumbled Jem. "Hit my nut such a whack, I did, and just in the worst place." "Better than having a leg torn off, Jem. Well, what were you going to say?" "Bottom of the boat's nearly knocked it all out of my head," said Jem, rubbing the tender spot. "What I meant to say was that I was stolen." "Well, I suppose we may call it so." "Stolen from my wife, as I belongs to." "Yes, Jem." "And you belongs to your mother and your Uncle Josiah, so you was stolen, too." "Yes, Jem, if you put it in that way, I suppose we were." "Well, then," said Jem triumphantly, "they may call it cowardly, or desertion, or what they like; but what I say is this, a man can't be doing wrong in taking stolen goods back to them as they belong to." "No, Jem, I s'pose not." "Very well then, Mas' Don; the question is this--Will you or won't you?" "I will, Jem." "First chance?" "Yes, I am decided." "That's a bargain then, my lad. So shake hands on it. Why! How rough and hard and tarry your hands have grown!" "Look out, Jem!" Don caught hold of the grapnel rope ready to haul up and get away from the shore, but Jem seized his hand. "It's all right, Mas' Don. Only them two running back with a basket, and I'm in that sort | were to set you on to do it; but it wouldn't be at all bad for me if you were both of you to leave the ship and come ashore." "To be cooked?" said Jem. "Bah! Stuff! They'd treat you well. Youngster here's all right; Ngati would make him his pakeha." "My pakeha," cried the chief, patting Don again. "Much powder; much gun." "Pupil of mine," said the Englishman, smiling; "I taught him our lingo." "What does he mean?" said Don; "that he'd give me a big gun and plenty of powder?" The Englishman laughed. "No, no; he wants you to bring plenty of guns and powder ashore with you when you come." "When I come!" said Don, thoughtfully. "I sha'n't persuade you, my lad; but you might do worse. You'd be all right with us; and there are Englishmen here and there beginning to settle." "And how often is there a post goes out for England?" "Post? For England? Letters?" "Yes." "I don't know; I've been here a long time now, and I never had a letter and I never sent one away." "Then how should I be able to send to my Sally." "Dunno," said the man. "There, you think it over. Ngati here will be ready to take care of you, youngster; and matey here shall soon have a chief to take care of him." "I don't know so much about that," said Jem. "I should be ready enough to come ashore, but you've got some precious unpleasant ways out here as wouldn't suit me." "You'd soon get used to them," said the Englishman, drily; "and after leading a rough life, and being bullied by everybody, it isn't half bad to be a chief, and have a big canoe of your own, and make people do as you like." "But then you're a great powerful man," said Don. "They'd obey you, but they wouldn't obey me." "Oh, yes, they would, if you went the right way to work. It isn't only being big. They're big, much bigger all round than Englishmen, and stronger and more active. They're not afraid of your body, but of your mind; that's what they can't understand. If I was to write down something on a bit of wood or a leaf--we don't often see paper here--and give it to you to read, and you did the same to me, that gets over them: it's a wonder they can't understand. And lots of other things we know are puzzles to them, and so they think us big. You consider it over a bit, my lad; and if you decide to run for it, I'll see as you don't come to no harm." "And him too?" "Oh, yes; he shall be all right too; I'll see to that." "Shouldn't be too tempting for 'em, eh? Should I?" said Jem. "Not for our tribes here," said the Englishman, laughing; "but I may as well be plain with you. If we went to war with some of the others, and they got hold of you--" "Say, Mas' Don," said Jem interrupting the speaker, "I don't like being a sort of white nigger aboard ship, and being kept a prisoner, and told it's to serve the king; but a man can go into the galley to speak to the cook without feeling that he's wondering which jynte of you he shall use first. No thankye; it's a werry lovely country, but I want to get home to my Sally some day; and if we cut and run here, I'm afraid I never should."<|quote|>"You turn it over in your own minds, both of you, my lads. There, my pipe's out, and I think we'll go. Stop here long?"</|quote|>"Do you mean the ship, or here with the boat?" "Here with the boat," said the Englishman, holding out his hand. "Till our party comes back," said Jem. "I may see you again," said the Englishman; and shaking hands, he said a few words to his companion, and then began to wade ashore. The savage smiled and shook hands in turn, after which he patted Don on the shoulder again. "My pakeha," he said, sharply; "Maori pakeha--my." He followed his leader; and Don and Jem watched them till they disappeared amongst the abundant growth. CHAPTER TWENTY TWO. DON'S DECISION. "It's tempting, Jem," said Don. "Yes, Mas' Don; and it's untempting, too. I had a book once about manners and customs of foreign parts, but it didn't say things so plain as you've found 'em here." "Yes, I'm afraid it won't do, Jem. Even if we got away from the ship, it might be to a life that would be worse." "That's it, sir, as I said afore, `out of the frying-pan into the fire.' Wonder how long they'll be 'fore they come back." "Not till sundown. I say, shall we try it or sha'n't we?" Jem scratched his head, and seemed to be hesitating. "I don't know what to say, Jem. If they treated us well on board, I should be disposed to say let's put up with our life till we get back home." "But then they don't treat us well, Mas' Don. I don't grumble to you, but it's a reg'lar dog's life I lead; bully and cuss and swear at you, and then not even well fed." "But we are to be paid for it, Jem," said Don, bitterly. "Paid, Mas' Don!" replied Jem, contemptuously. "What paying will make up for what we go through?" "And I suppose we should have prize-money if we fought and took a French ship." "But then we're sent right out here, Mas' Don, where there's no French ships to fight; and if there were, the prize-money is shared among them as aren't killed." "Of course." "Well, how do we know as we shouldn't be killed? No, Mas' Don, they don't behave well to us, and I want to get home again, and so do you." "Yes, Jem." "P'r'aps it's cowardly, and they'll call it desertion." "Yes, Jem." "But we sha'n't be there to hear 'em call it so." "No, Jem." "Therefore it don't matter, Mas' Don; I've thought this all over hundreds o' times when you've been asleep." "And I've thought it over, | Don Lavington |
"It's bad enough," | Eeyore | "Oh, I see," said Pooh.<|quote|>"It's bad enough,"</|quote|>said Eeyore, almost breaking down, | on my birthday, do you?" "Oh, I see," said Pooh.<|quote|>"It's bad enough,"</|quote|>said Eeyore, almost breaking down, "being miserable myself, what with | Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh.<|quote|>"It's bad enough,"</|quote|>said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as | to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh.<|quote|>"It's bad enough,"</|quote|>said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as he turned and hurried back home as quick as he could; for he felt that he must get poor Eeyore a present of _some_ sort at once, and he could always think of a proper one afterwards. Outside his house he found Piglet, jumping up and down trying to reach | Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh.<|quote|>"It's bad enough,"</|quote|>said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as he turned and hurried back home as quick as he could; for he felt that he must get poor Eeyore a present of _some_ sort at once, and he could always think of a proper one afterwards. Outside his house he found Piglet, jumping up and down trying to reach the knocker. "Hallo, Piglet," he said. "Hallo, Pooh," said Piglet. "What are _you_ trying to do?" "I was trying to reach the knocker," said Piglet. "I just came round----" "Let me do it for you," said Pooh kindly. So he reached up and knocked at the door. "I have just seen Eeyore," he began, "and poor Eeyore is in a Very Sad Condition, because it's his birthday, and nobody has taken any notice of it, and he's very Gloomy--you know what Eeyore is--and there he was, and----What a long time whoever lives here is answering this door." And he knocked | rubbing his nose. "Gaiety. Song-and-dance. Here we go round the mulberry bush." "Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh.<|quote|>"It's bad enough,"</|quote|>said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as he turned and hurried back home as quick as he could; for he felt that he must get poor Eeyore a present of _some_ sort at once, and he could always think of a proper one afterwards. Outside his house he found Piglet, jumping up and down trying to reach the knocker. "Hallo, Piglet," he said. "Hallo, Pooh," said Piglet. "What are _you_ trying to do?" "I was trying to reach the knocker," said Piglet. "I just came round----" "Let me do it for you," said Pooh kindly. So he reached up and knocked at the door. "I have just seen Eeyore," he began, "and poor Eeyore is in a Very Sad Condition, because it's his birthday, and nobody has taken any notice of it, and he's very Gloomy--you know what Eeyore is--and there he was, and----What a long time whoever lives here is answering this door." And he knocked again. "But Pooh," said Piglet, "it's your own house!" "Oh!" said Pooh. "So it is," he said. "Well, let's go in." So in they went. The first thing Pooh did was to go to the cupboard to see if he had quite a small jar of honey left; and he had, so he took it down. "I'm giving this to Eeyore," he explained, "as a present. What are _you_ going to give?" "Couldn't I give it too?" said Piglet. "From both of us?" "No," said Pooh. "That would _not_ be a good plan." "All right, then, I'll give him a balloon. I've got one left from my party. I'll go and get it now, shall I?" "That, Piglet, is a _very_ good idea. It is just what Eeyore wants to cheer him up. Nobody can be uncheered with a balloon." So off Piglet trotted; and in the other direction went Pooh, with his jar of honey. It was a warm day, and he had a long way to go. He hadn't gone more than half-way when a sort of funny feeling began to creep all over him. It began at the tip of his nose and trickled all through him | "Whatever's the matter, Piglet?" said Christopher Robin, who was just getting up. "Heff," said Piglet, breathing so hard that he could hardly speak, "a Heff--a Heff--a Heffalump." "Where?" "Up there," said Piglet, waving his paw. "What did it look like?" "Like--like----It had the biggest head you ever saw, Christopher Robin. A great enormous thing, like--like nothing. A huge big--well, like a--I don't know--like an enormous big nothing. Like a jar." "Well," said Christopher Robin, putting on his shoes, "I shall go and look at it. Come on." Piglet wasn't afraid if he had Christopher Robin with him, so off they went.... "I can hear it, can't you?" said Piglet anxiously, as they got near. "I can hear _something_," said Christopher Robin. It was Pooh bumping his head against a tree-root he had found. "There!" said Piglet. "Isn't it _awful_?" And he held on tight to Christopher Robin's hand. Suddenly Christopher Robin began to laugh ... and he laughed ... and he laughed ... and he laughed. And while he was still laughing--_Crash_ went the Heffalump's head against the tree-root, Smash went the jar, and out came Pooh's head again.... Then Piglet saw what a Foolish Piglet he had been, and he was so ashamed of himself that he ran straight off home and went to bed with a headache. But Christopher Robin and Pooh went home to breakfast together. "Oh, Bear!" said Christopher Robin. "How I do love you!" "So do I," said Pooh. CHAPTER VI IN WHICH EEYORE HAS A BIRTHDAY AND GETS TWO PRESENTS Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought," he said. "No better from _this_ side. But nobody minds. Nobody cares. Pathetic, that's what it is." There was a crackling noise in the bracken behind him, and out came Pooh. "Good morning, Eeyore," said Pooh. "Good morning, Pooh Bear," said Eeyore gloomily. "If it _is_ a good morning," he said. "Which I doubt," said he. "Why, what's the matter?" "Nothing, Pooh Bear, nothing. We can't all, and some of us don't. That's all there is to it." "Can't all _what_?" said Pooh, rubbing his nose. "Gaiety. Song-and-dance. Here we go round the mulberry bush." "Oh!" said Pooh. He thought for a long time, and then asked, "What mulberry bush is that?" "Bon-hommy," went on Eeyore gloomily. "French word meaning bonhommy," he explained. "I'm not complaining, but There It Is." Pooh sat down on a large stone, and tried to think this out. It sounded to him like a riddle, and he was never much good at riddles, being a Bear of Very Little Brain. So he sang _Cottleston Pie_ instead: "Cottleston, Cottleston, Cottleston Pie, A fly can't bird, but a bird can fly. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie._"" That was the first verse. When he had finished it, Eeyore didn't actually say that he didn't like it, so Pooh very kindly sang the second verse to him: "Cottleston, Cottleston, Cottleston Pie, A fish can't whistle and neither can I. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" Eeyore still said nothing at all, so Pooh hummed the third verse quietly to himself: "Cottleston, Cottleston, Cottleston Pie, Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh.<|quote|>"It's bad enough,"</|quote|>said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as he turned and hurried back home as quick as he could; for he felt that he must get poor Eeyore a present of _some_ sort at once, and he could always think of a proper one afterwards. Outside his house he found Piglet, jumping up and down trying to reach the knocker. "Hallo, Piglet," he said. "Hallo, Pooh," said Piglet. "What are _you_ trying to do?" "I was trying to reach the knocker," said Piglet. "I just came round----" "Let me do it for you," said Pooh kindly. So he reached up and knocked at the door. "I have just seen Eeyore," he began, "and poor Eeyore is in a Very Sad Condition, because it's his birthday, and nobody has taken any notice of it, and he's very Gloomy--you know what Eeyore is--and there he was, and----What a long time whoever lives here is answering this door." And he knocked again. "But Pooh," said Piglet, "it's your own house!" "Oh!" said Pooh. "So it is," he said. "Well, let's go in." So in they went. The first thing Pooh did was to go to the cupboard to see if he had quite a small jar of honey left; and he had, so he took it down. "I'm giving this to Eeyore," he explained, "as a present. What are _you_ going to give?" "Couldn't I give it too?" said Piglet. "From both of us?" "No," said Pooh. "That would _not_ be a good plan." "All right, then, I'll give him a balloon. I've got one left from my party. I'll go and get it now, shall I?" "That, Piglet, is a _very_ good idea. It is just what Eeyore wants to cheer him up. Nobody can be uncheered with a balloon." So off Piglet trotted; and in the other direction went Pooh, with his jar of honey. It was a warm day, and he had a long way to go. He hadn't gone more than half-way when a sort of funny feeling began to creep all over him. It began at the tip of his nose and trickled all through him and out at the soles of his feet. It was just as if somebody inside him were saying, "Now then, Pooh, time for a little something." "Dear, dear," said Pooh, "I didn't know it was as late as that." So he sat down and took the top off his jar of honey. "Lucky I brought this with me," he thought. "Many a bear going out on a warm day like this would never have thought of bringing a little something with him." And he began to eat. "Now let me see," he thought, as he took his last lick of the inside of the jar, "where was I going? Ah, yes, Eeyore." He got up slowly. And then, suddenly, he remembered. He had eaten Eeyore's birthday present! "_Bother!_" said Pooh. "What _shall_ I do? I _must_ give him _something_." For a little while he couldn't think of anything. Then he thought: "Well, it's a very nice pot, even if there's no honey in it, and if I washed it clean, and got somebody to write '_A Happy Birthday_' on it, Eeyore could keep things in it, which might be Useful." So, as he was just passing the Hundred Acre Wood, he went inside to call on Owl, who lived there. "Good morning, Owl," he said. "Good morning, Pooh," said Owl. "Many happy returns of Eeyore's birthday," said Pooh. "Oh, is that what it is?" "What are you giving him, Owl?" "What are _you_ giving him, Pooh?" "I'm giving him a Useful Pot to Keep Things In, and I wanted to ask you----" "Is this it?" said Owl, taking it out of Pooh's paw. "Yes, and I wanted to ask you----" "Somebody has been keeping honey in it," said Owl. "You can keep _anything_ in it," said Pooh earnestly. "It's Very Useful like that. And I wanted to ask you----" "You ought to write '_A Happy Birthday_' on it." "_That_ was what I wanted to ask you," said Pooh. "Because my spelling is Wobbly. It's good spelling but it Wobbles, and the letters get in the wrong places. Would _you_ write 'A Happy Birthday' on it for me?" "It's a nice pot," said Owl, looking at it all round. "Couldn't I give it too? From both of us?" "No," said Pooh. "That would _not_ be a good plan. Now I'll just wash it first, and then you can write on it." | Why does a chicken, I don't know why. Ask me a riddle and I reply: "_Cottleston, Cottleston, Cottleston Pie_."" "That's right," said Eeyore. "Sing. Umty-tiddly, umty-too. Here we go gathering Nuts and May. Enjoy yourself." "I am," said Pooh. "Some can," said Eeyore. "Why, what's the matter?" "_Is_ anything the matter?" "You seem so sad, Eeyore." "Sad? Why should I be sad? It's my birthday. The happiest day of the year." "Your birthday?" said Pooh in great surprise. "Of course it is. Can't you see? Look at all the presents I have had." He waved a foot from side to side. "Look at the birthday cake. Candles and pink sugar." Pooh looked--first to the right and then to the left. "Presents?" said Pooh. "Birthday cake?" said Pooh. "_Where?_" "Can't you see them?" "No," said Pooh. "Neither can I," said Eeyore. "Joke," he explained. "Ha ha!" Pooh scratched his head, being a little puzzled by all this. "But is it really your birthday?" he asked. "It is." "Oh! Well, Many happy returns of the day, Eeyore." "And many happy returns to you, Pooh Bear." "But it isn't _my_ birthday." "No, it's mine." "But you said 'Many happy returns'----" "Well, why not? You don't always want to be miserable on my birthday, do you?" "Oh, I see," said Pooh.<|quote|>"It's bad enough,"</|quote|>said Eeyore, almost breaking down, "being miserable myself, what with no presents and no cake and no candles, and no proper notice taken of me at all, but if everybody else is going to be miserable too----" This was too much for Pooh. "Stay there!" he called to Eeyore, as he turned and hurried back home as quick as he could; for he felt that he must get poor Eeyore a present of _some_ sort at once, and he could always think of a proper one afterwards. Outside his house he found Piglet, jumping up and down trying to reach the knocker. "Hallo, Piglet," he said. "Hallo, Pooh," said Piglet. "What are _you_ trying to do?" "I was trying to reach the knocker," said Piglet. "I just came round----" "Let me do it for you," said Pooh kindly. So he reached up and knocked at the door. "I have just seen Eeyore," he began, "and poor Eeyore is in a Very Sad Condition, because it's his birthday, and nobody has taken any notice of it, and he's very Gloomy--you know what Eeyore is--and there he was, and----What a long time whoever lives here is answering this door." And he knocked again. "But Pooh," said Piglet, "it's your own house!" "Oh!" said Pooh. "So it is," he said. "Well, let's go in." So in they went. The first thing Pooh did was to go to the cupboard to see if he had quite a small jar of honey left; and he had, so he took it down. "I'm giving this to Eeyore," he explained, "as a present. What are _you_ | Winnie The Pooh |
"Leave it as it is. Let Saturday settle it. I must be off. Breakfast here next Sunday." | The President | yawn like an unobtrusive earthquake.<|quote|>"Leave it as it is. Let Saturday settle it. I must be off. Breakfast here next Sunday."</|quote|>But the late loud scenes | said the President with a yawn like an unobtrusive earthquake.<|quote|>"Leave it as it is. Let Saturday settle it. I must be off. Breakfast here next Sunday."</|quote|>But the late loud scenes had whipped up the almost | a Humanitarian meeting." The Secretary turned to him with working eyebrows. "Would it not be better," he said a little sharply, "to discuss further the details of our project, now that the spy has left us?" "No, I think not," said the President with a yawn like an unobtrusive earthquake.<|quote|>"Leave it as it is. Let Saturday settle it. I must be off. Breakfast here next Sunday."</|quote|>But the late loud scenes had whipped up the almost naked nerves of the Secretary. He was one of those men who are conscientious even in crime. "I must protest, President, that the thing is irregular," he said. "It is a fundamental rule of our society that all plans shall | showed that the departing detective had not minded the step. "Time is flying," said the President in his gayest manner, after glancing at his watch, which like everything about him seemed bigger than it ought to be. "I must go off at once; I have to take the chair at a Humanitarian meeting." The Secretary turned to him with working eyebrows. "Would it not be better," he said a little sharply, "to discuss further the details of our project, now that the spy has left us?" "No, I think not," said the President with a yawn like an unobtrusive earthquake.<|quote|>"Leave it as it is. Let Saturday settle it. I must be off. Breakfast here next Sunday."</|quote|>But the late loud scenes had whipped up the almost naked nerves of the Secretary. He was one of those men who are conscientious even in crime. "I must protest, President, that the thing is irregular," he said. "It is a fundamental rule of our society that all plans shall be debated in full council. Of course, I fully appreciate your forethought when in the actual presence of a traitor" "Secretary," said the President seriously, "if you'd take your head home and boil it for a turnip it might be useful. I can't say. But it might." The Secretary reared | and a half minutes if I heard that you had died in torments. Well, if you ever tell the police or any human soul about us, I shall have that two and a half minutes of discomfort. On your discomfort I will not dwell. Good day. Mind the step." The red-haired detective who had masqueraded as Gogol rose to his feet without a word, and walked out of the room with an air of perfect nonchalance. Yet the astonished Syme was able to realise that this ease was suddenly assumed; for there was a slight stumble outside the door, which showed that the departing detective had not minded the step. "Time is flying," said the President in his gayest manner, after glancing at his watch, which like everything about him seemed bigger than it ought to be. "I must go off at once; I have to take the chair at a Humanitarian meeting." The Secretary turned to him with working eyebrows. "Would it not be better," he said a little sharply, "to discuss further the details of our project, now that the spy has left us?" "No, I think not," said the President with a yawn like an unobtrusive earthquake.<|quote|>"Leave it as it is. Let Saturday settle it. I must be off. Breakfast here next Sunday."</|quote|>But the late loud scenes had whipped up the almost naked nerves of the Secretary. He was one of those men who are conscientious even in crime. "I must protest, President, that the thing is irregular," he said. "It is a fundamental rule of our society that all plans shall be debated in full council. Of course, I fully appreciate your forethought when in the actual presence of a traitor" "Secretary," said the President seriously, "if you'd take your head home and boil it for a turnip it might be useful. I can't say. But it might." The Secretary reared back in a kind of equine anger. "I really fail to understand" he began in high offense. "That's it, that's it," said the President, nodding a great many times. "That's where you fail right enough. You fail to understand. Why, you dancing donkey," he roared, rising, "you didn't want to be overheard by a spy, didn't you? How do you know you aren't overheard now?" And with these words he shouldered his way out of the room, shaking with incomprehensible scorn. Four of the men left behind gaped after him without any apparent glimmering of his meaning. Syme alone had | you are in this company shall we say _de trop?_" "Right oh!" said the late Gogol. It made everyone jump to hear a clear, commercial and somewhat cockney voice coming out of that forest of foreign hair. It was irrational, as if a Chinaman had suddenly spoken with a Scotch accent. "I gather that you fully understand your position," said Sunday. "You bet," answered the Pole. "I see it's a fair cop. All I say is, I don't believe any Pole could have imitated my accent like I did his." "I concede the point," said Sunday. "I believe your own accent to be inimitable, though I shall practise it in my bath. Do you mind leaving your beard with your card?" "Not a bit," answered Gogol; and with one finger he ripped off the whole of his shaggy head-covering, emerging with thin red hair and a pale, pert face. "It was hot," he added. "I will do you the justice to say," said Sunday, not without a sort of brutal admiration, "that you seem to have kept pretty cool under it. Now listen to me. I like you. The consequence is that it would annoy me for just about two and a half minutes if I heard that you had died in torments. Well, if you ever tell the police or any human soul about us, I shall have that two and a half minutes of discomfort. On your discomfort I will not dwell. Good day. Mind the step." The red-haired detective who had masqueraded as Gogol rose to his feet without a word, and walked out of the room with an air of perfect nonchalance. Yet the astonished Syme was able to realise that this ease was suddenly assumed; for there was a slight stumble outside the door, which showed that the departing detective had not minded the step. "Time is flying," said the President in his gayest manner, after glancing at his watch, which like everything about him seemed bigger than it ought to be. "I must go off at once; I have to take the chair at a Humanitarian meeting." The Secretary turned to him with working eyebrows. "Would it not be better," he said a little sharply, "to discuss further the details of our project, now that the spy has left us?" "No, I think not," said the President with a yawn like an unobtrusive earthquake.<|quote|>"Leave it as it is. Let Saturday settle it. I must be off. Breakfast here next Sunday."</|quote|>But the late loud scenes had whipped up the almost naked nerves of the Secretary. He was one of those men who are conscientious even in crime. "I must protest, President, that the thing is irregular," he said. "It is a fundamental rule of our society that all plans shall be debated in full council. Of course, I fully appreciate your forethought when in the actual presence of a traitor" "Secretary," said the President seriously, "if you'd take your head home and boil it for a turnip it might be useful. I can't say. But it might." The Secretary reared back in a kind of equine anger. "I really fail to understand" he began in high offense. "That's it, that's it," said the President, nodding a great many times. "That's where you fail right enough. You fail to understand. Why, you dancing donkey," he roared, rising, "you didn't want to be overheard by a spy, didn't you? How do you know you aren't overheard now?" And with these words he shouldered his way out of the room, shaking with incomprehensible scorn. Four of the men left behind gaped after him without any apparent glimmering of his meaning. Syme alone had even a glimmering, and such as it was it froze him to the bone. If the last words of the President meant anything, they meant that he had not after all passed unsuspected. They meant that while Sunday could not denounce him like Gogol, he still could not trust him like the others. The other four got to their feet grumbling more or less, and betook themselves elsewhere to find lunch, for it was already well past midday. The Professor went last, very slowly and painfully. Syme sat long after the rest had gone, revolving his strange position. He had escaped a thunderbolt, but he was still under a cloud. At last he rose and made his way out of the hotel into Leicester Square. The bright, cold day had grown increasingly colder, and when he came out into the street he was surprised by a few flakes of snow. While he still carried the sword-stick and the rest of Gregory's portable luggage, he had thrown the cloak down and left it somewhere, perhaps on the steam-tug, perhaps on the balcony. Hoping, therefore, that the snow-shower might be slight, he stepped back out of the street for a moment and | this festival of freedom. Strangers overhearing us matters nothing. They assume that we are joking. But what would matter, even unto death, is this, that there should be one actually among us who is not of us, who knows our grave purpose, but does not share it, who" The Secretary screamed out suddenly like a woman. "It can't be!" he cried, leaping. "There can't" The President flapped his large flat hand on the table like the fin of some huge fish. "Yes," he said slowly, "there is a spy in this room. There is a traitor at this table. I will waste no more words. His name" Syme half rose from his seat, his finger firm on the trigger. "His name is Gogol," said the President. "He is that hairy humbug over there who pretends to be a Pole." Gogol sprang to his feet, a pistol in each hand. With the same flash three men sprang at his throat. Even the Professor made an effort to rise. But Syme saw little of the scene, for he was blinded with a beneficent darkness; he had sunk down into his seat shuddering, in a palsy of passionate relief. CHAPTER VII. THE UNACCOUNTABLE CONDUCT OF PROFESSOR DE WORMS "Sit down!" said Sunday in a voice that he used once or twice in his life, a voice that made men drop drawn swords. The three who had risen fell away from Gogol, and that equivocal person himself resumed his seat. "Well, my man," said the President briskly, addressing him as one addresses a total stranger, "will you oblige me by putting your hand in your upper waistcoat pocket and showing me what you have there?" The alleged Pole was a little pale under his tangle of dark hair, but he put two fingers into the pocket with apparent coolness and pulled out a blue strip of card. When Syme saw it lying on the table, he woke up again to the world outside him. For although the card lay at the other extreme of the table, and he could read nothing of the inscription on it, it bore a startling resemblance to the blue card in his own pocket, the card which had been given to him when he joined the anti-anarchist constabulary. "Pathetic Slav," said the President, "tragic child of Poland, are you prepared in the presence of that card to deny that you are in this company shall we say _de trop?_" "Right oh!" said the late Gogol. It made everyone jump to hear a clear, commercial and somewhat cockney voice coming out of that forest of foreign hair. It was irrational, as if a Chinaman had suddenly spoken with a Scotch accent. "I gather that you fully understand your position," said Sunday. "You bet," answered the Pole. "I see it's a fair cop. All I say is, I don't believe any Pole could have imitated my accent like I did his." "I concede the point," said Sunday. "I believe your own accent to be inimitable, though I shall practise it in my bath. Do you mind leaving your beard with your card?" "Not a bit," answered Gogol; and with one finger he ripped off the whole of his shaggy head-covering, emerging with thin red hair and a pale, pert face. "It was hot," he added. "I will do you the justice to say," said Sunday, not without a sort of brutal admiration, "that you seem to have kept pretty cool under it. Now listen to me. I like you. The consequence is that it would annoy me for just about two and a half minutes if I heard that you had died in torments. Well, if you ever tell the police or any human soul about us, I shall have that two and a half minutes of discomfort. On your discomfort I will not dwell. Good day. Mind the step." The red-haired detective who had masqueraded as Gogol rose to his feet without a word, and walked out of the room with an air of perfect nonchalance. Yet the astonished Syme was able to realise that this ease was suddenly assumed; for there was a slight stumble outside the door, which showed that the departing detective had not minded the step. "Time is flying," said the President in his gayest manner, after glancing at his watch, which like everything about him seemed bigger than it ought to be. "I must go off at once; I have to take the chair at a Humanitarian meeting." The Secretary turned to him with working eyebrows. "Would it not be better," he said a little sharply, "to discuss further the details of our project, now that the spy has left us?" "No, I think not," said the President with a yawn like an unobtrusive earthquake.<|quote|>"Leave it as it is. Let Saturday settle it. I must be off. Breakfast here next Sunday."</|quote|>But the late loud scenes had whipped up the almost naked nerves of the Secretary. He was one of those men who are conscientious even in crime. "I must protest, President, that the thing is irregular," he said. "It is a fundamental rule of our society that all plans shall be debated in full council. Of course, I fully appreciate your forethought when in the actual presence of a traitor" "Secretary," said the President seriously, "if you'd take your head home and boil it for a turnip it might be useful. I can't say. But it might." The Secretary reared back in a kind of equine anger. "I really fail to understand" he began in high offense. "That's it, that's it," said the President, nodding a great many times. "That's where you fail right enough. You fail to understand. Why, you dancing donkey," he roared, rising, "you didn't want to be overheard by a spy, didn't you? How do you know you aren't overheard now?" And with these words he shouldered his way out of the room, shaking with incomprehensible scorn. Four of the men left behind gaped after him without any apparent glimmering of his meaning. Syme alone had even a glimmering, and such as it was it froze him to the bone. If the last words of the President meant anything, they meant that he had not after all passed unsuspected. They meant that while Sunday could not denounce him like Gogol, he still could not trust him like the others. The other four got to their feet grumbling more or less, and betook themselves elsewhere to find lunch, for it was already well past midday. The Professor went last, very slowly and painfully. Syme sat long after the rest had gone, revolving his strange position. He had escaped a thunderbolt, but he was still under a cloud. At last he rose and made his way out of the hotel into Leicester Square. The bright, cold day had grown increasingly colder, and when he came out into the street he was surprised by a few flakes of snow. While he still carried the sword-stick and the rest of Gregory's portable luggage, he had thrown the cloak down and left it somewhere, perhaps on the steam-tug, perhaps on the balcony. Hoping, therefore, that the snow-shower might be slight, he stepped back out of the street for a moment and stood up under the doorway of a small and greasy hair-dresser's shop, the front window of which was empty, except for a sickly wax lady in evening dress. Snow, however, began to thicken and fall fast; and Syme, having found one glance at the wax lady quite sufficient to depress his spirits, stared out instead into the white and empty street. He was considerably astonished to see, standing quite still outside the shop and staring into the window, a man. His top hat was loaded with snow like the hat of Father Christmas, the white drift was rising round his boots and ankles; but it seemed as if nothing could tear him away from the contemplation of the colourless wax doll in dirty evening dress. That any human being should stand in such weather looking into such a shop was a matter of sufficient wonder to Syme; but his idle wonder turned suddenly into a personal shock; for he realised that the man standing there was the paralytic old Professor de Worms. It scarcely seemed the place for a person of his years and infirmities. Syme was ready to believe anything about the perversions of this dehumanized brotherhood; but even he could not believe that the Professor had fallen in love with that particular wax lady. He could only suppose that the man's malady (whatever it was) involved some momentary fits of rigidity or trance. He was not inclined, however, to feel in this case any very compassionate concern. On the contrary, he rather congratulated himself that the Professor's stroke and his elaborate and limping walk would make it easy to escape from him and leave him miles behind. For Syme thirsted first and last to get clear of the whole poisonous atmosphere, if only for an hour. Then he could collect his thoughts, formulate his policy, and decide finally whether he should or should not keep faith with Gregory. He strolled away through the dancing snow, turned up two or three streets, down through two or three others, and entered a small Soho restaurant for lunch. He partook reflectively of four small and quaint courses, drank half a bottle of red wine, and ended up over black coffee and a black cigar, still thinking. He had taken his seat in the upper room of the restaurant, which was full of the chink of knives and the chatter of foreigners. | coming out of that forest of foreign hair. It was irrational, as if a Chinaman had suddenly spoken with a Scotch accent. "I gather that you fully understand your position," said Sunday. "You bet," answered the Pole. "I see it's a fair cop. All I say is, I don't believe any Pole could have imitated my accent like I did his." "I concede the point," said Sunday. "I believe your own accent to be inimitable, though I shall practise it in my bath. Do you mind leaving your beard with your card?" "Not a bit," answered Gogol; and with one finger he ripped off the whole of his shaggy head-covering, emerging with thin red hair and a pale, pert face. "It was hot," he added. "I will do you the justice to say," said Sunday, not without a sort of brutal admiration, "that you seem to have kept pretty cool under it. Now listen to me. I like you. The consequence is that it would annoy me for just about two and a half minutes if I heard that you had died in torments. Well, if you ever tell the police or any human soul about us, I shall have that two and a half minutes of discomfort. On your discomfort I will not dwell. Good day. Mind the step." The red-haired detective who had masqueraded as Gogol rose to his feet without a word, and walked out of the room with an air of perfect nonchalance. Yet the astonished Syme was able to realise that this ease was suddenly assumed; for there was a slight stumble outside the door, which showed that the departing detective had not minded the step. "Time is flying," said the President in his gayest manner, after glancing at his watch, which like everything about him seemed bigger than it ought to be. "I must go off at once; I have to take the chair at a Humanitarian meeting." The Secretary turned to him with working eyebrows. "Would it not be better," he said a little sharply, "to discuss further the details of our project, now that the spy has left us?" "No, I think not," said the President with a yawn like an unobtrusive earthquake.<|quote|>"Leave it as it is. Let Saturday settle it. I must be off. Breakfast here next Sunday."</|quote|>But the late loud scenes had whipped up the almost naked nerves of the Secretary. He was one of those men who are conscientious even in crime. "I must protest, President, that the thing is irregular," he said. "It is a fundamental rule of our society that all plans shall be debated in full council. Of course, I fully appreciate your forethought when in the actual presence of a traitor" "Secretary," said the President seriously, "if you'd take your head home and boil it for a turnip it might be useful. I can't say. But it might." The Secretary reared back in a kind of equine anger. "I really fail to understand" he began in high offense. "That's it, that's it," said the President, nodding a great many times. "That's where you fail right enough. You fail to understand. Why, you dancing donkey," he roared, rising, "you didn't want to be overheard by a spy, didn't you? How do you know you aren't overheard now?" And with these words he shouldered his way out of the room, shaking with incomprehensible scorn. Four of the men left behind gaped after him without any apparent glimmering of his meaning. Syme alone had even a glimmering, and such as it was it froze him to the bone. If the last words of the President meant anything, they meant that he had not after all passed unsuspected. They meant that while Sunday could not denounce him like Gogol, he still could not trust him like the others. The other four got | The Man Who Was Thursday |
"You had better have said at first," | Mrs. Costello | was very charming to me."<|quote|>"You had better have said at first,"</|quote|>said Mrs. Costello with dignity, | a courier, and yet she was very charming to me."<|quote|>"You had better have said at first,"</|quote|>said Mrs. Costello with dignity, "that you had made her | them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me."<|quote|>"You had better have said at first,"</|quote|>said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." | courier like a familiar friend--like a gentleman. I shouldn t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady s idea of a count. He sits with them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me."<|quote|>"You had better have said at first,"</|quote|>said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. | you mean, of course," said Winterbourne after another pause. "She has that charming look that they all have," his aunt resumed. "I can t think where they pick it up; and she dresses in perfection--no, you don t know how well she dresses. I can t think where they get their taste." "But, my dear aunt, she is not, after all, a Comanche savage." "She is a young lady," said Mrs. Costello, "who has an intimacy with her mamma s courier." "An intimacy with the courier?" the young man demanded. "Oh, the mother is just as bad! They treat the courier like a familiar friend--like a gentleman. I shouldn t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady s idea of a count. He sits with them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me."<|quote|>"You had better have said at first,"</|quote|>said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began | s aunt. Mrs. Costello had not seen him for many years, and she was greatly pleased with him, manifesting her approbation by initiating him into many of the secrets of that social sway which, as she gave him to understand, she exerted in the American capital. She admitted that she was very exclusive; but, if he were acquainted with New York, he would see that one had to be. And her picture of the minutely hierarchical constitution of the society of that city, which she presented to him in many different lights, was, to Winterbourne s imagination, almost oppressively striking. He immediately perceived, from her tone, that Miss Daisy Miller s place in the social scale was low. "I am afraid you don t approve of them," he said. "They are very common," Mrs. Costello declared. "They are the sort of Americans that one does one s duty by not--not accepting." "Ah, you don t accept them?" said the young man. "I can t, my dear Frederick. I would if I could, but I can t." "The young girl is very pretty," said Winterbourne in a moment. "Of course she s pretty. But she is very common." "I see what you mean, of course," said Winterbourne after another pause. "She has that charming look that they all have," his aunt resumed. "I can t think where they pick it up; and she dresses in perfection--no, you don t know how well she dresses. I can t think where they get their taste." "But, my dear aunt, she is not, after all, a Comanche savage." "She is a young lady," said Mrs. Costello, "who has an intimacy with her mamma s courier." "An intimacy with the courier?" the young man demanded. "Oh, the mother is just as bad! They treat the courier like a familiar friend--like a gentleman. I shouldn t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady s idea of a count. He sits with them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me."<|quote|>"You had better have said at first,"</|quote|>said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello, "I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!" "But don t they all do these | t back out?" she said. "I shall not be happy till we go!" he protested. "And you are staying in this hotel?" she went on. "And you are really an American?" The courier stood looking at Winterbourne offensively. The young man, at least, thought his manner of looking an offense to Miss Miller; it conveyed an imputation that she "picked up" acquaintances. "I shall have the honor of presenting to you a person who will tell you all about me," he said, smiling and referring to his aunt. "Oh, well, we ll go some day," said Miss Miller. And she gave him a smile and turned away. She put up her parasol and walked back to the inn beside Eugenio. Winterbourne stood looking after her; and as she moved away, drawing her muslin furbelows over the gravel, said to himself that she had the tournure of a princess. He had, however, engaged to do more than proved feasible, in promising to present his aunt, Mrs. Costello, to Miss Daisy Miller. As soon as the former lady had got better of her headache, he waited upon her in her apartment; and, after the proper inquiries in regard to her health, he asked her if she had observed in the hotel an American family--a mamma, a daughter, and a little boy. "And a courier?" said Mrs. Costello. "Oh yes, I have observed them. Seen them--heard them--and kept out of their way." Mrs. Costello was a widow with a fortune; a person of much distinction, who frequently intimated that, if she were not so dreadfully liable to sick headaches, she would probably have left a deeper impress upon her time. She had a long, pale face, a high nose, and a great deal of very striking white hair, which she wore in large puffs and rouleaux over the top of her head. She had two sons married in New York and another who was now in Europe. This young man was amusing himself at Hamburg, and, though he was on his travels, was rarely perceived to visit any particular city at the moment selected by his mother for her own appearance there. Her nephew, who had come up to Vevey expressly to see her, was therefore more attentive than those who, as she said, were nearer to her. He had imbibed at Geneva the idea that one must always be attentive to one s aunt. Mrs. Costello had not seen him for many years, and she was greatly pleased with him, manifesting her approbation by initiating him into many of the secrets of that social sway which, as she gave him to understand, she exerted in the American capital. She admitted that she was very exclusive; but, if he were acquainted with New York, he would see that one had to be. And her picture of the minutely hierarchical constitution of the society of that city, which she presented to him in many different lights, was, to Winterbourne s imagination, almost oppressively striking. He immediately perceived, from her tone, that Miss Daisy Miller s place in the social scale was low. "I am afraid you don t approve of them," he said. "They are very common," Mrs. Costello declared. "They are the sort of Americans that one does one s duty by not--not accepting." "Ah, you don t accept them?" said the young man. "I can t, my dear Frederick. I would if I could, but I can t." "The young girl is very pretty," said Winterbourne in a moment. "Of course she s pretty. But she is very common." "I see what you mean, of course," said Winterbourne after another pause. "She has that charming look that they all have," his aunt resumed. "I can t think where they pick it up; and she dresses in perfection--no, you don t know how well she dresses. I can t think where they get their taste." "But, my dear aunt, she is not, after all, a Comanche savage." "She is a young lady," said Mrs. Costello, "who has an intimacy with her mamma s courier." "An intimacy with the courier?" the young man demanded. "Oh, the mother is just as bad! They treat the courier like a familiar friend--like a gentleman. I shouldn t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady s idea of a count. He sits with them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me."<|quote|>"You had better have said at first,"</|quote|>said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello, "I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!" "But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly. Though he was impatient to see her, he hardly knew what he should say to her about his aunt s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave of her till the morrow. Miss Daisy Miller seemed very glad to see him; she declared it was the longest evening she had ever passed. "Have you been all alone?" he asked. "I have been walking round with mother. But mother gets tired walking round," she answered. "Has she gone to bed?" "No; she doesn t like to go to bed," said the young girl. "She doesn t sleep--not three hours. She says she doesn t know how she lives. She s dreadfully nervous. I guess she sleeps more than she thinks. She s gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn t like to go to bed." "Let us hope she will persuade him," observed Winterbourne. "She will talk to him all she can; but he doesn t like her to talk to him," said Miss Daisy, opening her fan. "She s going to try to get Eugenio to talk to him. But he isn t afraid of Eugenio. Eugenio s a splendid courier, but he can t make much impression on Randolph! I don t believe he ll go to bed before eleven." It appeared that Randolph s vigil was in fact triumphantly prolonged, for Winterbourne | her head. She had two sons married in New York and another who was now in Europe. This young man was amusing himself at Hamburg, and, though he was on his travels, was rarely perceived to visit any particular city at the moment selected by his mother for her own appearance there. Her nephew, who had come up to Vevey expressly to see her, was therefore more attentive than those who, as she said, were nearer to her. He had imbibed at Geneva the idea that one must always be attentive to one s aunt. Mrs. Costello had not seen him for many years, and she was greatly pleased with him, manifesting her approbation by initiating him into many of the secrets of that social sway which, as she gave him to understand, she exerted in the American capital. She admitted that she was very exclusive; but, if he were acquainted with New York, he would see that one had to be. And her picture of the minutely hierarchical constitution of the society of that city, which she presented to him in many different lights, was, to Winterbourne s imagination, almost oppressively striking. He immediately perceived, from her tone, that Miss Daisy Miller s place in the social scale was low. "I am afraid you don t approve of them," he said. "They are very common," Mrs. Costello declared. "They are the sort of Americans that one does one s duty by not--not accepting." "Ah, you don t accept them?" said the young man. "I can t, my dear Frederick. I would if I could, but I can t." "The young girl is very pretty," said Winterbourne in a moment. "Of course she s pretty. But she is very common." "I see what you mean, of course," said Winterbourne after another pause. "She has that charming look that they all have," his aunt resumed. "I can t think where they pick it up; and she dresses in perfection--no, you don t know how well she dresses. I can t think where they get their taste." "But, my dear aunt, she is not, after all, a Comanche savage." "She is a young lady," said Mrs. Costello, "who has an intimacy with her mamma s courier." "An intimacy with the courier?" the young man demanded. "Oh, the mother is just as bad! They treat the courier like a familiar friend--like a gentleman. I shouldn t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady s idea of a count. He sits with them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me."<|quote|>"You had better have said at first,"</|quote|>said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, | Daisy Miller |
"well, the sunset is very lovely too. I sometimes think that poetry isn t so much what we write as what we feel, Mr. Denham." | Mrs. Hilbery | setting.... Ah dear," she sighed,<|quote|>"well, the sunset is very lovely too. I sometimes think that poetry isn t so much what we write as what we feel, Mr. Denham."</|quote|>During this speech of her | barges swimming past, the sun setting.... Ah dear," she sighed,<|quote|>"well, the sunset is very lovely too. I sometimes think that poetry isn t so much what we write as what we feel, Mr. Denham."</|quote|>During this speech of her mother s Katharine had turned | poetry," she added. "And all the things that aren t written down, but but" She waved her hand, as if to indicate the wealth of unwritten poetry all about them. "The night and the stars, the dawn coming up, the barges swimming past, the sun setting.... Ah dear," she sighed,<|quote|>"well, the sunset is very lovely too. I sometimes think that poetry isn t so much what we write as what we feel, Mr. Denham."</|quote|>During this speech of her mother s Katharine had turned away, and Ralph felt that Mrs. Hilbery was talking to him apart, with a desire to ascertain something about him which she veiled purposely by the vagueness of her words. He felt curiously encouraged and heartened by the beam in | eyes," Mrs. Hilbery continued. (" "The windows of the soul," she added parenthetically.) "I don t know much about the law," she went on, "though many of my relations were lawyers. Some of them looked very handsome, too, in their wigs. But I think I do know a little about poetry," she added. "And all the things that aren t written down, but but" She waved her hand, as if to indicate the wealth of unwritten poetry all about them. "The night and the stars, the dawn coming up, the barges swimming past, the sun setting.... Ah dear," she sighed,<|quote|>"well, the sunset is very lovely too. I sometimes think that poetry isn t so much what we write as what we feel, Mr. Denham."</|quote|>During this speech of her mother s Katharine had turned away, and Ralph felt that Mrs. Hilbery was talking to him apart, with a desire to ascertain something about him which she veiled purposely by the vagueness of her words. He felt curiously encouraged and heartened by the beam in her eye rather than by her actual words. From the distance of her age and sex she seemed to be waving to him, hailing him as a ship sinking beneath the horizon might wave its flag of greeting to another setting out upon the same voyage. He bent his head, | "Why are you wandering about?" "I m sure I should like your poetry better than I like Lord Byron s," said Mrs. Hilbery, addressing Ralph Denham. "Mr. Denham doesn t write poetry; he has written articles for father, for the Review," Katharine said, as if prompting her memory. "Oh dear! How dull!" Mrs. Hilbery exclaimed, with a sudden laugh that rather puzzled her daughter. Ralph found that she had turned upon him a gaze that was at once very vague and very penetrating. "But I m sure you read poetry at night. I always judge by the expression of the eyes," Mrs. Hilbery continued. (" "The windows of the soul," she added parenthetically.) "I don t know much about the law," she went on, "though many of my relations were lawyers. Some of them looked very handsome, too, in their wigs. But I think I do know a little about poetry," she added. "And all the things that aren t written down, but but" She waved her hand, as if to indicate the wealth of unwritten poetry all about them. "The night and the stars, the dawn coming up, the barges swimming past, the sun setting.... Ah dear," she sighed,<|quote|>"well, the sunset is very lovely too. I sometimes think that poetry isn t so much what we write as what we feel, Mr. Denham."</|quote|>During this speech of her mother s Katharine had turned away, and Ralph felt that Mrs. Hilbery was talking to him apart, with a desire to ascertain something about him which she veiled purposely by the vagueness of her words. He felt curiously encouraged and heartened by the beam in her eye rather than by her actual words. From the distance of her age and sex she seemed to be waving to him, hailing him as a ship sinking beneath the horizon might wave its flag of greeting to another setting out upon the same voyage. He bent his head, saying nothing, but with a curious certainty that she had read an answer to her inquiry that satisfied her. At any rate, she rambled off into a description of the Law Courts which turned to a denunciation of English justice, which, according to her, imprisoned poor men who couldn t pay their debts. "Tell me, shall we ever do without it all?" she asked, but at this point Katharine gently insisted that her mother should go to bed. Looking back from half-way up the staircase, Katharine seemed to see Denham s eyes watching her steadily and intently with an expression | seemed, as usual, bound on some quest of her own which was interrupted pleasantly but strangely by running into one of those queer, unnecessary ceremonies that other people thought fit to indulge in. "Please don t let me interrupt you, Mr." she was at a loss, as usual, for the name, and Katharine thought that she did not recognize him. "I hope you ve found something nice to read," she added, pointing to the book upon the table. "Byron ah, Byron. I ve known people who knew Lord Byron," she said. Katharine, who had risen in some confusion, could not help smiling at the thought that her mother found it perfectly natural and desirable that her daughter should be reading Byron in the dining-room late at night alone with a strange young man. She blessed a disposition that was so convenient, and felt tenderly towards her mother and her mother s eccentricities. But Ralph observed that although Mrs. Hilbery held the book so close to her eyes she was not reading a word. "My dear mother, why aren t you in bed?" Katharine exclaimed, changing astonishingly in the space of a minute to her usual condition of authoritative good sense. "Why are you wandering about?" "I m sure I should like your poetry better than I like Lord Byron s," said Mrs. Hilbery, addressing Ralph Denham. "Mr. Denham doesn t write poetry; he has written articles for father, for the Review," Katharine said, as if prompting her memory. "Oh dear! How dull!" Mrs. Hilbery exclaimed, with a sudden laugh that rather puzzled her daughter. Ralph found that she had turned upon him a gaze that was at once very vague and very penetrating. "But I m sure you read poetry at night. I always judge by the expression of the eyes," Mrs. Hilbery continued. (" "The windows of the soul," she added parenthetically.) "I don t know much about the law," she went on, "though many of my relations were lawyers. Some of them looked very handsome, too, in their wigs. But I think I do know a little about poetry," she added. "And all the things that aren t written down, but but" She waved her hand, as if to indicate the wealth of unwritten poetry all about them. "The night and the stars, the dawn coming up, the barges swimming past, the sun setting.... Ah dear," she sighed,<|quote|>"well, the sunset is very lovely too. I sometimes think that poetry isn t so much what we write as what we feel, Mr. Denham."</|quote|>During this speech of her mother s Katharine had turned away, and Ralph felt that Mrs. Hilbery was talking to him apart, with a desire to ascertain something about him which she veiled purposely by the vagueness of her words. He felt curiously encouraged and heartened by the beam in her eye rather than by her actual words. From the distance of her age and sex she seemed to be waving to him, hailing him as a ship sinking beneath the horizon might wave its flag of greeting to another setting out upon the same voyage. He bent his head, saying nothing, but with a curious certainty that she had read an answer to her inquiry that satisfied her. At any rate, she rambled off into a description of the Law Courts which turned to a denunciation of English justice, which, according to her, imprisoned poor men who couldn t pay their debts. "Tell me, shall we ever do without it all?" she asked, but at this point Katharine gently insisted that her mother should go to bed. Looking back from half-way up the staircase, Katharine seemed to see Denham s eyes watching her steadily and intently with an expression that she had guessed in them when he stood looking at the windows across the road. CHAPTER XXXI The tray which brought Katharine s cup of tea the next morning brought, also, a note from her mother, announcing that it was her intention to catch an early train to Stratford-on-Avon that very day. "Please find out the best way of getting there," the note ran, "and wire to dear Sir John Burdett to expect me, with my love. I ve been dreaming all night of you and Shakespeare, dearest Katharine." This was no momentary impulse. Mrs. Hilbery had been dreaming of Shakespeare any time these six months, toying with the idea of an excursion to what she considered the heart of the civilized world. To stand six feet above Shakespeare s bones, to see the very stones worn by his feet, to reflect that the oldest man s oldest mother had very likely seen Shakespeare s daughter such thoughts roused an emotion in her, which she expressed at unsuitable moments, and with a passion that would not have been unseemly in a pilgrim to a sacred shrine. The only strange thing was that she wished to go by herself. But, | advise you to let me keep it for you," he replied, in the same tone of half-humorous gravity. "After what you ve said, I can hardly trust you unless you ll unsay what you ve said?" "Very well. I m not in love with you." "But I think you _are_ in love with me.... As I am with you," she added casually enough. "At least," she said slipping her ring back to its old position, "what other word describes the state we re in?" She looked at him gravely and inquiringly, as if in search of help. "It s when I m with you that I doubt it, not when I m alone," he stated. "So I thought," she replied. In order to explain to her his state of mind, Ralph recounted his experience with the photograph, the letter, and the flower picked at Kew. She listened very seriously. "And then you went raving about the streets," she mused. "Well, it s bad enough. But my state is worse than yours, because it hasn t anything to do with facts. It s an hallucination, pure and simple an intoxication.... One can be in love with pure reason?" she hazarded. "Because if you re in love with a vision, I believe that that s what I m in love with." This conclusion seemed fantastic and profoundly unsatisfactory to Ralph, but after the astonishing variations of his own sentiments during the past half-hour he could not accuse her of fanciful exaggeration. "Rodney seems to know his own mind well enough," he said almost bitterly. The music, which had ceased, had now begun again, and the melody of Mozart seemed to express the easy and exquisite love of the two upstairs. "Cassandra never doubted for a moment. But we" she glanced at him as if to ascertain his position, "we see each other only now and then" "Like lights in a storm" "In the midst of a hurricane," she concluded, as the window shook beneath the pressure of the wind. They listened to the sound in silence. Here the door opened with considerable hesitation, and Mrs. Hilbery s head appeared, at first with an air of caution, but having made sure that she had admitted herself to the dining-room and not to some more unusual region, she came completely inside and seemed in no way taken aback by the sight she saw. She seemed, as usual, bound on some quest of her own which was interrupted pleasantly but strangely by running into one of those queer, unnecessary ceremonies that other people thought fit to indulge in. "Please don t let me interrupt you, Mr." she was at a loss, as usual, for the name, and Katharine thought that she did not recognize him. "I hope you ve found something nice to read," she added, pointing to the book upon the table. "Byron ah, Byron. I ve known people who knew Lord Byron," she said. Katharine, who had risen in some confusion, could not help smiling at the thought that her mother found it perfectly natural and desirable that her daughter should be reading Byron in the dining-room late at night alone with a strange young man. She blessed a disposition that was so convenient, and felt tenderly towards her mother and her mother s eccentricities. But Ralph observed that although Mrs. Hilbery held the book so close to her eyes she was not reading a word. "My dear mother, why aren t you in bed?" Katharine exclaimed, changing astonishingly in the space of a minute to her usual condition of authoritative good sense. "Why are you wandering about?" "I m sure I should like your poetry better than I like Lord Byron s," said Mrs. Hilbery, addressing Ralph Denham. "Mr. Denham doesn t write poetry; he has written articles for father, for the Review," Katharine said, as if prompting her memory. "Oh dear! How dull!" Mrs. Hilbery exclaimed, with a sudden laugh that rather puzzled her daughter. Ralph found that she had turned upon him a gaze that was at once very vague and very penetrating. "But I m sure you read poetry at night. I always judge by the expression of the eyes," Mrs. Hilbery continued. (" "The windows of the soul," she added parenthetically.) "I don t know much about the law," she went on, "though many of my relations were lawyers. Some of them looked very handsome, too, in their wigs. But I think I do know a little about poetry," she added. "And all the things that aren t written down, but but" She waved her hand, as if to indicate the wealth of unwritten poetry all about them. "The night and the stars, the dawn coming up, the barges swimming past, the sun setting.... Ah dear," she sighed,<|quote|>"well, the sunset is very lovely too. I sometimes think that poetry isn t so much what we write as what we feel, Mr. Denham."</|quote|>During this speech of her mother s Katharine had turned away, and Ralph felt that Mrs. Hilbery was talking to him apart, with a desire to ascertain something about him which she veiled purposely by the vagueness of her words. He felt curiously encouraged and heartened by the beam in her eye rather than by her actual words. From the distance of her age and sex she seemed to be waving to him, hailing him as a ship sinking beneath the horizon might wave its flag of greeting to another setting out upon the same voyage. He bent his head, saying nothing, but with a curious certainty that she had read an answer to her inquiry that satisfied her. At any rate, she rambled off into a description of the Law Courts which turned to a denunciation of English justice, which, according to her, imprisoned poor men who couldn t pay their debts. "Tell me, shall we ever do without it all?" she asked, but at this point Katharine gently insisted that her mother should go to bed. Looking back from half-way up the staircase, Katharine seemed to see Denham s eyes watching her steadily and intently with an expression that she had guessed in them when he stood looking at the windows across the road. CHAPTER XXXI The tray which brought Katharine s cup of tea the next morning brought, also, a note from her mother, announcing that it was her intention to catch an early train to Stratford-on-Avon that very day. "Please find out the best way of getting there," the note ran, "and wire to dear Sir John Burdett to expect me, with my love. I ve been dreaming all night of you and Shakespeare, dearest Katharine." This was no momentary impulse. Mrs. Hilbery had been dreaming of Shakespeare any time these six months, toying with the idea of an excursion to what she considered the heart of the civilized world. To stand six feet above Shakespeare s bones, to see the very stones worn by his feet, to reflect that the oldest man s oldest mother had very likely seen Shakespeare s daughter such thoughts roused an emotion in her, which she expressed at unsuitable moments, and with a passion that would not have been unseemly in a pilgrim to a sacred shrine. The only strange thing was that she wished to go by herself. But, naturally enough, she was well provided with friends who lived in the neighborhood of Shakespeare s tomb, and were delighted to welcome her; and she left later to catch her train in the best of spirits. There was a man selling violets in the street. It was a fine day. She would remember to send Mr. Hilbery the first daffodil she saw. And, as she ran back into the hall to tell Katharine, she felt, she had always felt, that Shakespeare s command to leave his bones undisturbed applied only to odious curiosity-mongers not to dear Sir John and herself. Leaving her daughter to cogitate the theory of Anne Hathaway s sonnets, and the buried manuscripts here referred to, with the implied menace to the safety of the heart of civilization itself, she briskly shut the door of her taxi-cab, and was whirled off upon the first stage of her pilgrimage. The house was oddly different without her. Katharine found the maids already in possession of her room, which they meant to clean thoroughly during her absence. To Katharine it seemed as if they had brushed away sixty years or so with the first flick of their damp dusters. It seemed to her that the work she had tried to do in that room was being swept into a very insignificant heap of dust. The china shepherdesses were already shining from a bath of hot water. The writing-table might have belonged to a professional man of methodical habits. Gathering together a few papers upon which she was at work, Katharine proceeded to her own room with the intention of looking through them, perhaps, in the course of the morning. But she was met on the stairs by Cassandra, who followed her up, but with such intervals between each step that Katharine began to feel her purpose dwindling before they had reached the door. Cassandra leant over the banisters, and looked down upon the Persian rug that lay on the floor of the hall. "Doesn t everything look odd this morning?" she inquired. "Are you really going to spend the morning with those dull old letters, because if so" The dull old letters, which would have turned the heads of the most sober of collectors, were laid upon a table, and, after a moment s pause, Cassandra, looking grave all of a sudden, asked Katharine where she should find the "History | the book upon the table. "Byron ah, Byron. I ve known people who knew Lord Byron," she said. Katharine, who had risen in some confusion, could not help smiling at the thought that her mother found it perfectly natural and desirable that her daughter should be reading Byron in the dining-room late at night alone with a strange young man. She blessed a disposition that was so convenient, and felt tenderly towards her mother and her mother s eccentricities. But Ralph observed that although Mrs. Hilbery held the book so close to her eyes she was not reading a word. "My dear mother, why aren t you in bed?" Katharine exclaimed, changing astonishingly in the space of a minute to her usual condition of authoritative good sense. "Why are you wandering about?" "I m sure I should like your poetry better than I like Lord Byron s," said Mrs. Hilbery, addressing Ralph Denham. "Mr. Denham doesn t write poetry; he has written articles for father, for the Review," Katharine said, as if prompting her memory. "Oh dear! How dull!" Mrs. Hilbery exclaimed, with a sudden laugh that rather puzzled her daughter. Ralph found that she had turned upon him a gaze that was at once very vague and very penetrating. "But I m sure you read poetry at night. I always judge by the expression of the eyes," Mrs. Hilbery continued. (" "The windows of the soul," she added parenthetically.) "I don t know much about the law," she went on, "though many of my relations were lawyers. Some of them looked very handsome, too, in their wigs. But I think I do know a little about poetry," she added. "And all the things that aren t written down, but but" She waved her hand, as if to indicate the wealth of unwritten poetry all about them. "The night and the stars, the dawn coming up, the barges swimming past, the sun setting.... Ah dear," she sighed,<|quote|>"well, the sunset is very lovely too. I sometimes think that poetry isn t so much what we write as what we feel, Mr. Denham."</|quote|>During this speech of her mother s Katharine had turned away, and Ralph felt that Mrs. Hilbery was talking to him apart, with a desire to ascertain something about him which she veiled purposely by the vagueness of her words. He felt curiously encouraged and heartened by the beam in her eye rather than by her actual words. From the distance of her age and sex she seemed to be waving to him, hailing him as a ship sinking beneath the horizon might wave its flag of greeting to another setting out upon the same voyage. He bent his head, saying nothing, but with a curious certainty that she had read an answer to her inquiry that satisfied her. At any rate, she rambled off into a description of the Law Courts which turned to a denunciation of English justice, which, according to her, imprisoned poor men who couldn t pay their debts. "Tell me, shall we ever do without it all?" she asked, but at this point Katharine gently insisted that her mother should go to bed. Looking back from half-way up the staircase, Katharine seemed to see Denham s eyes watching her steadily and intently with an expression that she had guessed in them when he stood looking at the windows across the road. CHAPTER XXXI The tray which brought Katharine s cup of tea the next morning brought, also, a note from her mother, announcing that it was her intention to catch an early train to Stratford-on-Avon that very day. "Please find out the best way of getting there," the note ran, "and wire to dear Sir John Burdett to expect me, with my love. I ve been dreaming all night of you and Shakespeare, dearest Katharine." This was no momentary impulse. Mrs. Hilbery had been dreaming of Shakespeare any time these six months, toying with the idea of an excursion to what she considered the heart of the civilized world. To stand six feet above Shakespeare s bones, to see the very stones worn by his feet, to reflect that the oldest man s oldest mother had very likely seen Shakespeare s daughter such thoughts roused an emotion in her, which she expressed at unsuitable moments, and with a passion that would not | Night And Day |
said Don to himself; and then he began to feel that, after all, it was a dream consequent upon his being so ill, and he lay back feeling more at ease, but only to jump up and stare wildly toward where the farm lay. | No speaker | some one who can understand,"<|quote|>said Don to himself; and then he began to feel that, after all, it was a dream consequent upon his being so ill, and he lay back feeling more at ease, but only to jump up and stare wildly toward where the farm lay.</|quote|>For, all at once, there | toward the farm. "He'll bring some one who can understand,"<|quote|>said Don to himself; and then he began to feel that, after all, it was a dream consequent upon his being so ill, and he lay back feeling more at ease, but only to jump up and stare wildly toward where the farm lay.</|quote|>For, all at once, there rose a shout, and directly | "Bad pakehas--go!" cried Don. "What shall I do? How am I to make him understand? Pakehas. Jem. Help!" At that Ngati seemed to have a glimmering of what his companion meant, and nodding quickly, he went off at a trot toward the farm. "He'll bring some one who can understand,"<|quote|>said Don to himself; and then he began to feel that, after all, it was a dream consequent upon his being so ill, and he lay back feeling more at ease, but only to jump up and stare wildly toward where the farm lay.</|quote|>For, all at once, there rose a shout, and directly after a shot was heard, followed by another and another. Then all was still for a few minutes, till, as Don lay gazing wildly toward where he had seen Ngati disappear, he caught sight of a stooping figure, then of | about bad, whether it did not mean good, and he gave a low grunt. "Bad pakehas. Fight. Jem," panted Don. Ngati could see that something was wrong, but in his mind it seemed to be connected with his English friend's health, and he laid his hand upon Don's burning brow. "Bad pakehas--go!" cried Don. "What shall I do? How am I to make him understand? Pakehas. Jem. Help!" At that Ngati seemed to have a glimmering of what his companion meant, and nodding quickly, he went off at a trot toward the farm. "He'll bring some one who can understand,"<|quote|>said Don to himself; and then he began to feel that, after all, it was a dream consequent upon his being so ill, and he lay back feeling more at ease, but only to jump up and stare wildly toward where the farm lay.</|quote|>For, all at once, there rose a shout, and directly after a shot was heard, followed by another and another. Then all was still for a few minutes, till, as Don lay gazing wildly toward where he had seen Ngati disappear, he caught sight of a stooping figure, then of another and another, hurrying to reach cover; and as he recognised the convicts, he could make out that each man carried a gun. He was holding himself up by grasping the bough of a tree, and gazing wildly at Mike and his brutal-looking friends; but they were looking in the | himself upon his elbow, and pointed in the direction of the house. "Ngati," he said excitedly, "danger!" The chief looked at him, then in the direction in which he pointed; but he could understand nothing, and Don felt as if he were trying to get some great dog to comprehend his wishes. He had learned scores of Maori words, but now that he wanted to use them, some would not come, and others would not fit. "Ngati!" he cried again piteously, as he pointed toward the farm, "pakehas--bad pakehas." The chief could understand pakehas--white men, but he was rather hazy about bad, whether it did not mean good, and he gave a low grunt. "Bad pakehas. Fight. Jem," panted Don. Ngati could see that something was wrong, but in his mind it seemed to be connected with his English friend's health, and he laid his hand upon Don's burning brow. "Bad pakehas--go!" cried Don. "What shall I do? How am I to make him understand? Pakehas. Jem. Help!" At that Ngati seemed to have a glimmering of what his companion meant, and nodding quickly, he went off at a trot toward the farm. "He'll bring some one who can understand,"<|quote|>said Don to himself; and then he began to feel that, after all, it was a dream consequent upon his being so ill, and he lay back feeling more at ease, but only to jump up and stare wildly toward where the farm lay.</|quote|>For, all at once, there rose a shout, and directly after a shot was heard, followed by another and another. Then all was still for a few minutes, till, as Don lay gazing wildly toward where he had seen Ngati disappear, he caught sight of a stooping figure, then of another and another, hurrying to reach cover; and as he recognised the convicts, he could make out that each man carried a gun. He was holding himself up by grasping the bough of a tree, and gazing wildly at Mike and his brutal-looking friends; but they were looking in the direction of the farm as they passed, and they did not see him. Then the agonising pain in his head seemed to rob him of the power to think, and he sank back among the ferns. Don had some consciousness of hearing voices, and of feeling hands touching him; but it was all during a time of confusion, and when he looked round again with the power to think, he was facing a tiny unglazed window, the shutter which was used to close it standing below. He was lying on a rough bed formed of sacking spread over dried fern | he said hastily; and, rising feebly to his feet, he set off for the farm, but only to catch wildly at the trees to save himself from falling. The vertigo passed off as quickly as it came on. "How absurd!" he said, with a faint laugh. "A moment's giddiness. That's all." He started again, but everything sailed round, and he sank upon the earth with a groan to try and make out whether it was all fancy or a dream. In a moment he seemed to be back at home with a bad headache, and his mother passing softly to and fro, while Kitty, full of sympathy, kept soaking handkerchiefs in vinegar and water to cool his heated brow. Then, as he lay with his eyes tightly closed, Uncle Josiah came into the room, and laid his hand pityingly upon his shoulder. Don gazed up at him, to see that it was Ngati's hideously tattooed countenance close to his, and he looked up confused and wondering at the great chief. Then the recollection of the convicts came back, and a spasm of horror shot through his brain. If it was true, what would happen at the little farm? He raised himself upon his elbow, and pointed in the direction of the house. "Ngati," he said excitedly, "danger!" The chief looked at him, then in the direction in which he pointed; but he could understand nothing, and Don felt as if he were trying to get some great dog to comprehend his wishes. He had learned scores of Maori words, but now that he wanted to use them, some would not come, and others would not fit. "Ngati!" he cried again piteously, as he pointed toward the farm, "pakehas--bad pakehas." The chief could understand pakehas--white men, but he was rather hazy about bad, whether it did not mean good, and he gave a low grunt. "Bad pakehas. Fight. Jem," panted Don. Ngati could see that something was wrong, but in his mind it seemed to be connected with his English friend's health, and he laid his hand upon Don's burning brow. "Bad pakehas--go!" cried Don. "What shall I do? How am I to make him understand? Pakehas. Jem. Help!" At that Ngati seemed to have a glimmering of what his companion meant, and nodding quickly, he went off at a trot toward the farm. "He'll bring some one who can understand,"<|quote|>said Don to himself; and then he began to feel that, after all, it was a dream consequent upon his being so ill, and he lay back feeling more at ease, but only to jump up and stare wildly toward where the farm lay.</|quote|>For, all at once, there rose a shout, and directly after a shot was heard, followed by another and another. Then all was still for a few minutes, till, as Don lay gazing wildly toward where he had seen Ngati disappear, he caught sight of a stooping figure, then of another and another, hurrying to reach cover; and as he recognised the convicts, he could make out that each man carried a gun. He was holding himself up by grasping the bough of a tree, and gazing wildly at Mike and his brutal-looking friends; but they were looking in the direction of the farm as they passed, and they did not see him. Then the agonising pain in his head seemed to rob him of the power to think, and he sank back among the ferns. Don had some consciousness of hearing voices, and of feeling hands touching him; but it was all during a time of confusion, and when he looked round again with the power to think, he was facing a tiny unglazed window, the shutter which was used to close it standing below. He was lying on a rough bed formed of sacking spread over dried fern leaves, and the shed he was in had for furniture a rough table formed by nailing a couple of pieces of board across a tub, another tub with part of the side sawn out formed an armchair; and the walls were ornamented with bunches of seeds tied up and hung there for preservation, a saddle and bridle, and some garden tools neatly arranged in a corner. Don lay wondering what it all meant, his eyes resting longest upon the open window, through which he could see the glorious sunshine, and the leaves moving in the gentle breeze. He felt very happy and comfortable, but when he tried to raise his head the effort was in vain, and this set him wondering again, till he closed his eyes and lay thinking. Suddenly he unclosed them again to lie listening, feeling the while that he had been asleep, for close beside him there was some one whistling in a very low tone--quite a whisper of a whistle--a familiar old Somersetshire melody, which seemed to carry him back to the sugar yard at Bristol, where he had heard Jem whistle that tune a score of times. This set him thinking of home, his | there could be any truth in Jem's fancies as to why they were being kept. Then there was a dull time of blank weariness, during which he saw nothing, till he seemed to be back in the convicts' lurking-place, and he saw Mike Bannock thrusting his head out from among the leaves, his face brown and scarred, and eyes glistening, as he looked from place to place. It was all so real that Don expected to see the scoundrel step out into the open, followed by his two companions. And this did happen a few minutes later. Mike Bannock, armed with a heavy club, and followed by his two brothers in crime, crept out. Then it seemed to be no longer the convicts' home, and Don started from his dreamy state, horrified at what he saw, for the scoundrels had not seen him, and were going cautiously toward the little settlement, whose occupants were all away hunting, fishing, and attending to their crops. Don alone was close at hand, and he in so semi-delirious and helpless a state, that when he tried to rise he felt as if it would be impossible to warn his friends of their danger, and prevent these ruffians from making their descent upon the pleasant little homes around. An acute pain across the brows made Don close his eyes, and when he re-opened them his head was throbbing, his mind confused, and as he looked hastily round, and could see nothing but the beautiful verdant scene, he felt that he had been deceived, and as if the figures that had passed out of the dense undergrowth had been merely creatures of his imagination. He still gazed wildly about, but all was peaceful, and not a sound save the birds' notes fell upon the ear. "It must have been fancy," he thought. "Where is Jem?" He sank back again in a strangely excited state, for the idea that, in his fleeing to this peaceful place, he had been the means of bringing three desperate men to perhaps rob, and murder, and destroy, where all was repose and peace, was too terrible to bear. One minute he was certain that it was all fancy, just as he had dreamed again and again of Mike and his ruffianly companions; the next he was as sure that what he had seen was real. "I'll go and find some one," he said hastily; and, rising feebly to his feet, he set off for the farm, but only to catch wildly at the trees to save himself from falling. The vertigo passed off as quickly as it came on. "How absurd!" he said, with a faint laugh. "A moment's giddiness. That's all." He started again, but everything sailed round, and he sank upon the earth with a groan to try and make out whether it was all fancy or a dream. In a moment he seemed to be back at home with a bad headache, and his mother passing softly to and fro, while Kitty, full of sympathy, kept soaking handkerchiefs in vinegar and water to cool his heated brow. Then, as he lay with his eyes tightly closed, Uncle Josiah came into the room, and laid his hand pityingly upon his shoulder. Don gazed up at him, to see that it was Ngati's hideously tattooed countenance close to his, and he looked up confused and wondering at the great chief. Then the recollection of the convicts came back, and a spasm of horror shot through his brain. If it was true, what would happen at the little farm? He raised himself upon his elbow, and pointed in the direction of the house. "Ngati," he said excitedly, "danger!" The chief looked at him, then in the direction in which he pointed; but he could understand nothing, and Don felt as if he were trying to get some great dog to comprehend his wishes. He had learned scores of Maori words, but now that he wanted to use them, some would not come, and others would not fit. "Ngati!" he cried again piteously, as he pointed toward the farm, "pakehas--bad pakehas." The chief could understand pakehas--white men, but he was rather hazy about bad, whether it did not mean good, and he gave a low grunt. "Bad pakehas. Fight. Jem," panted Don. Ngati could see that something was wrong, but in his mind it seemed to be connected with his English friend's health, and he laid his hand upon Don's burning brow. "Bad pakehas--go!" cried Don. "What shall I do? How am I to make him understand? Pakehas. Jem. Help!" At that Ngati seemed to have a glimmering of what his companion meant, and nodding quickly, he went off at a trot toward the farm. "He'll bring some one who can understand,"<|quote|>said Don to himself; and then he began to feel that, after all, it was a dream consequent upon his being so ill, and he lay back feeling more at ease, but only to jump up and stare wildly toward where the farm lay.</|quote|>For, all at once, there rose a shout, and directly after a shot was heard, followed by another and another. Then all was still for a few minutes, till, as Don lay gazing wildly toward where he had seen Ngati disappear, he caught sight of a stooping figure, then of another and another, hurrying to reach cover; and as he recognised the convicts, he could make out that each man carried a gun. He was holding himself up by grasping the bough of a tree, and gazing wildly at Mike and his brutal-looking friends; but they were looking in the direction of the farm as they passed, and they did not see him. Then the agonising pain in his head seemed to rob him of the power to think, and he sank back among the ferns. Don had some consciousness of hearing voices, and of feeling hands touching him; but it was all during a time of confusion, and when he looked round again with the power to think, he was facing a tiny unglazed window, the shutter which was used to close it standing below. He was lying on a rough bed formed of sacking spread over dried fern leaves, and the shed he was in had for furniture a rough table formed by nailing a couple of pieces of board across a tub, another tub with part of the side sawn out formed an armchair; and the walls were ornamented with bunches of seeds tied up and hung there for preservation, a saddle and bridle, and some garden tools neatly arranged in a corner. Don lay wondering what it all meant, his eyes resting longest upon the open window, through which he could see the glorious sunshine, and the leaves moving in the gentle breeze. He felt very happy and comfortable, but when he tried to raise his head the effort was in vain, and this set him wondering again, till he closed his eyes and lay thinking. Suddenly he unclosed them again to lie listening, feeling the while that he had been asleep, for close beside him there was some one whistling in a very low tone--quite a whisper of a whistle--a familiar old Somersetshire melody, which seemed to carry him back to the sugar yard at Bristol, where he had heard Jem whistle that tune a score of times. This set him thinking of home, his mother, and Cousin Kitty. Then of stern-looking Uncle Josiah, who, after all, did not seem to have been unkind. "Poor Mas' Don! Will he ever get well again?" a voice whispered close to his ear. "Jem!" "Oh, Mas' Don! Oh! Oh! Oh! Thank the great Lord o' mussy. Amen! Amen! Amen!" There was the sound of some one going down heavily upon his knees, a pair of clasped hands rested on Don's breast; and, as he turned his eyes sidewise, he could see the top of Jem's head as the bed shook, and there was the sound of some one sobbing violently, but in a choking, smothered way. "Jem! Is that you? What's the matter?" whispered Don feebly. "And he says, `What's the matter?'" cried Jem, raising his head, and bending over Don. "Dear lad, dear lad; how are you now?" "Quite well, thank you, Jem, only I can't lift up my head." "And don't you try, Mas' Don. Oh, the Lord be thanked! The Lord be thanked!" he muttered. "What should I ha' done?" "Have--have I been ill, Jem?" "I'll, Mas' Don? Why, I thought you was going to die, and no doctor, not even a drop of salts and senny to save your life." "Oh, nonsense, Jem! I never thought of doing such a thing! Ah, I remember now. I felt poorly. My head was bad." "Your head bad? I should think it was bad. Dear lad, what stuff you have been saying." "Have I, Jem? What, since I lay down among the ferns this morning?" "This morning, Mas' Don! Why, it's close upon a month ago." "What?" "That's so, my lad. We come back from cutting wood to find you lying under a tree, and when we got here it was to find poor old `my pakeha' with a shot-hole in him, and his head all beaten about with big clubs." "Oh, Jem!" "That's so, Mas' Don." "Is he better?" "Oh, yes; he's getting better. I don't think you could kill him. Sort o' chap that if you cut him to pieces some bit or another would be sure to grow again." "Why, it was Mike Bannock and those wretches, Jem." "That's what we thought, my lad, but we couldn't find out. It was some one, and whoever it was took away three guns." "I saw them, Jem." "You see 'em?" "Yes, as I lay back with | If it was true, what would happen at the little farm? He raised himself upon his elbow, and pointed in the direction of the house. "Ngati," he said excitedly, "danger!" The chief looked at him, then in the direction in which he pointed; but he could understand nothing, and Don felt as if he were trying to get some great dog to comprehend his wishes. He had learned scores of Maori words, but now that he wanted to use them, some would not come, and others would not fit. "Ngati!" he cried again piteously, as he pointed toward the farm, "pakehas--bad pakehas." The chief could understand pakehas--white men, but he was rather hazy about bad, whether it did not mean good, and he gave a low grunt. "Bad pakehas. Fight. Jem," panted Don. Ngati could see that something was wrong, but in his mind it seemed to be connected with his English friend's health, and he laid his hand upon Don's burning brow. "Bad pakehas--go!" cried Don. "What shall I do? How am I to make him understand? Pakehas. Jem. Help!" At that Ngati seemed to have a glimmering of what his companion meant, and nodding quickly, he went off at a trot toward the farm. "He'll bring some one who can understand,"<|quote|>said Don to himself; and then he began to feel that, after all, it was a dream consequent upon his being so ill, and he lay back feeling more at ease, but only to jump up and stare wildly toward where the farm lay.</|quote|>For, all at once, there rose a shout, and directly after a shot was heard, followed by another and another. Then all was still for a few minutes, till, as Don lay gazing wildly toward where he had seen Ngati disappear, he caught sight of a stooping figure, then of another and another, hurrying to reach cover; and as he recognised the convicts, he could make out that each man carried a gun. He was holding himself up by grasping the bough of a tree, and gazing wildly at Mike and his brutal-looking friends; but they were looking in the direction of the farm as they passed, and they did not see him. Then the agonising pain in his head seemed to rob him of the power to think, and he sank back among the ferns. Don had some consciousness of hearing voices, and of feeling hands touching him; but it was all during a time of confusion, and when he looked round again with the power to think, he was facing a tiny unglazed window, the shutter which was used to close it standing below. He was lying on a rough bed formed of sacking spread over dried fern leaves, and the shed he was in had for furniture a rough table formed by nailing a couple of pieces of board across a tub, another tub with part of the side sawn out formed an armchair; and the walls were ornamented with bunches of seeds tied up and hung there for preservation, a saddle and bridle, and some garden tools neatly arranged in a corner. Don lay wondering what it all meant, his eyes resting longest upon the open window, through which he could see the glorious sunshine, and the leaves moving in the gentle breeze. He felt very happy and comfortable, but when he tried to raise his head the effort was in vain, and this set him wondering again, till he closed his eyes and lay thinking. Suddenly he unclosed them again to lie listening, feeling the while that he had been asleep, for close beside him there was some one whistling in a very low tone--quite a | Don Lavington |
"never exactly understood," | Lucy | holiness of direct desire. She<|quote|>"never exactly understood,"</|quote|>she would say in after | he had shown her the holiness of direct desire. She<|quote|>"never exactly understood,"</|quote|>she would say in after years, "how he managed to | in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She<|quote|>"never exactly understood,"</|quote|>she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of | Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She<|quote|>"never exactly understood,"</|quote|>she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, | saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She<|quote|>"never exactly understood,"</|quote|>she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini. George said it was his old room. "No, it isn't," said Lucy; "because it is the room I had, and I had your father's room. I forget why; Charlotte made me, for some reason." He knelt on the tiled floor, and laid his face in her lap. "George, you baby, get up." "Why shouldn't I be a baby?" murmured George. | have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him," quavered Lucy. A look of contempt came over him, and he said, "Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She<|quote|>"never exactly understood,"</|quote|>she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini. George said it was his old room. "No, it isn't," said Lucy; "because it is the room I had, and I had your father's room. I forget why; Charlotte made me, for some reason." He knelt on the tiled floor, and laid his face in her lap. "George, you baby, get up." "Why shouldn't I be a baby?" murmured George. Unable to answer this question, she put down his sock, which she was trying to mend, and gazed out through the window. It was evening and again the spring. "Oh, bother Charlotte," she said thoughtfully. "What can such people be made of?" "Same stuff as parsons are made of." "Nonsense!" "Quite right. It is nonsense." "Now you get up off the cold floor, or you'll be starting rheumatism next, and you stop laughing and being so silly." "Why shouldn't I laugh?" he asked, pinning her with his elbows, and advancing his face to hers. "What's there to cry at? Kiss me here." He indicated the spot where a kiss would be welcome. He was a boy after all. When it came to the point, it was she who remembered the past, she into whose soul the iron had entered, she who knew whose room this had been last year. It endeared him to her strangely that he should be sometimes wrong. "Any letters?" he asked. "Just a line from Freddy." "Now kiss me here; then here." Then, threatened again with rheumatism, he strolled to the window, opened it (as the English will), and leant out. There was the parapet, there | love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal." Lucy began to cry with anger, and though her anger passed away soon, her tears remained. "I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him," quavered Lucy. A look of contempt came over him, and he said, "Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She<|quote|>"never exactly understood,"</|quote|>she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini. George said it was his old room. "No, it isn't," said Lucy; "because it is the room I had, and I had your father's room. I forget why; Charlotte made me, for some reason." He knelt on the tiled floor, and laid his face in her lap. "George, you baby, get up." "Why shouldn't I be a baby?" murmured George. Unable to answer this question, she put down his sock, which she was trying to mend, and gazed out through the window. It was evening and again the spring. "Oh, bother Charlotte," she said thoughtfully. "What can such people be made of?" "Same stuff as parsons are made of." "Nonsense!" "Quite right. It is nonsense." "Now you get up off the cold floor, or you'll be starting rheumatism next, and you stop laughing and being so silly." "Why shouldn't I laugh?" he asked, pinning her with his elbows, and advancing his face to hers. "What's there to cry at? Kiss me here." He indicated the spot where a kiss would be welcome. He was a boy after all. When it came to the point, it was she who remembered the past, she into whose soul the iron had entered, she who knew whose room this had been last year. It endeared him to her strangely that he should be sometimes wrong. "Any letters?" he asked. "Just a line from Freddy." "Now kiss me here; then here." Then, threatened again with rheumatism, he strolled to the window, opened it (as the English will), and leant out. There was the parapet, there the river, there to the left the beginnings of the hills. The cab-driver, who at once saluted him with the hiss of a serpent, might be that very Phaethon who had set this happiness in motion twelve months ago. A passion of gratitude--all feelings grow to passions in the South--came over the husband, and he blessed the people and the things who had taken so much trouble about a young fool. He had helped himself, it is true, but how stupidly! All the fighting that mattered had been done by others--by Italy, by his father, by his wife. "Lucy, you come and look at the cypresses; and the church, whatever its name is, still shows." "San Miniato. I'll just finish your sock." "Signorino, domani faremo uno giro," called the cabman, with engaging certainty. George told him that he was mistaken; they had no money to throw away on driving. And the people who had not meant to help--the Miss Lavishes, the Cecils, the Miss Bartletts! Ever prone to magnify Fate, George counted up the forces that had swept him into this contentment. "Anything good in Freddy's letter?" "Not yet." His own content was absolute, but hers held bitterness: the Honeychurches had not forgiven them; they were disgusted at her past hypocrisy; she had alienated Windy Corner, perhaps for ever. "What does he say?" "Silly boy! He thinks he's being dignified. He knew we should go off in the spring--he has known it for six months--that if mother wouldn't give her consent we should take the thing into our own hands. They had fair warning, and now he calls it an elopement. Ridiculous boy--" "Signorino, domani faremo uno giro--" "But it will all come right in the end. He has to build us both up from the beginning again. I wish, though, that Cecil had not turned so cynical about women. He has, for the second time, quite altered. Why will men have theories about women? I haven't any about men. I wish, too, that Mr. Beebe--" "You may well wish that." "He will never forgive us--I mean, he will never be interested in us again. I wish that he did not influence them so much at Windy Corner. I wish he hadn't--But if we act the truth, the people who really love us are sure to come back to us in the long run." "Perhaps." Then he said more gently: | me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him," quavered Lucy. A look of contempt came over him, and he said, "Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She<|quote|>"never exactly understood,"</|quote|>she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini. George said it was his old room. "No, it isn't," said Lucy; "because it is the room I had, and I had your father's room. I forget why; Charlotte made me, for some reason." He knelt on the tiled floor, and laid his face in her lap. "George, you baby, get up." "Why shouldn't I be a baby?" murmured George. Unable to answer this question, she put down his sock, which she was trying to mend, and gazed out through the window. It was evening and again the spring. "Oh, bother Charlotte," she said thoughtfully. "What can such people be made of?" "Same stuff as parsons are made of." "Nonsense!" "Quite right. It is nonsense." "Now you get up off the cold floor, or you'll be starting rheumatism next, and you stop laughing and being so silly." "Why shouldn't I laugh?" he asked, pinning her with his elbows, and advancing his face to hers. "What's there to cry at? Kiss me here." He indicated the spot where a kiss would be welcome. He was a boy after all. When it came to the point, it was she who remembered the past, she into whose soul the iron had entered, she who knew whose room this had been last year. It endeared him to her strangely that he should be sometimes wrong. "Any letters?" he asked. "Just a line from Freddy." "Now kiss me here; then here." Then, threatened again with rheumatism, he strolled to the window, opened it (as the English will), and leant out. There was the parapet, there the river, there to the left the beginnings of the hills. The cab-driver, who at once saluted him with the hiss of a serpent, might | A Room With A View |
Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur. | No speaker | you aggrawating savage!" cried Jem.<|quote|>Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur.</|quote|>"Let's have a bathe!" cried | cloud above the mountain. "Oh, you aggrawating savage!" cried Jem.<|quote|>Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur.</|quote|>"Let's have a bathe!" cried Jem eagerly. "Is there time?" | round. "Yes, I'm a-talking about you, old chap. I say, you're not to take us right up that mountain, and into a place where we shall tumble in." "_Tapu_! _tapu_!" said Ngati, nodding his head, and pointing toward the steaming cloud above the mountain. "Oh, you aggrawating savage!" cried Jem.<|quote|>Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur.</|quote|>"Let's have a bathe!" cried Jem eagerly. "Is there time?" He stepped forward, and was about to plunge in his hand, when Ngati seized his shoulders and dragged him back. "What yer doing that for?" cried Jem. The Maori stepped forward, and made as if to dip in one of | and grew louder again. Don looked inquiringly at Jem. "It's the big chimney of that mountain drawing, Mas' Don." "Nonsense!" "Nay, that's what it is; and what I say is this. It's all wery well getting away from them cannibals, but don't let's let old Ngati--" The chief looked sharply round. "Yes, I'm a-talking about you, old chap. I say, you're not to take us right up that mountain, and into a place where we shall tumble in." "_Tapu_! _tapu_!" said Ngati, nodding his head, and pointing toward the steaming cloud above the mountain. "Oh, you aggrawating savage!" cried Jem.<|quote|>Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur.</|quote|>"Let's have a bathe!" cried Jem eagerly. "Is there time?" He stepped forward, and was about to plunge in his hand, when Ngati seized his shoulders and dragged him back. "What yer doing that for?" cried Jem. The Maori stepped forward, and made as if to dip in one of his feet, but snatched it back as if in pain. Then, smiling, he twisted some strands of grass into a band, fastened the end to the palm basket, and gently lowered it, full of eggs, into the sapphire depths, a jet of steam and a series of bubbles rising to | kept on seeing from time to time, while, after several hours' climbing, often over the most arduous, rocky ground, he saw that they were once more entering upon a volcanic district. Pillars of steam rose here and there, and all at once he started aside as a gurgling noise arose from beyond a patch of vivid green which covered the edges of a mud-pool, so hot that it was painful to the hand. From time to time Ngati had stopped to listen, the shouts growing fainter each time, while, as they progressed, a heavy thunderous roar grew louder, died away, and grew louder again. Don looked inquiringly at Jem. "It's the big chimney of that mountain drawing, Mas' Don." "Nonsense!" "Nay, that's what it is; and what I say is this. It's all wery well getting away from them cannibals, but don't let's let old Ngati--" The chief looked sharply round. "Yes, I'm a-talking about you, old chap. I say, you're not to take us right up that mountain, and into a place where we shall tumble in." "_Tapu_! _tapu_!" said Ngati, nodding his head, and pointing toward the steaming cloud above the mountain. "Oh, you aggrawating savage!" cried Jem.<|quote|>Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur.</|quote|>"Let's have a bathe!" cried Jem eagerly. "Is there time?" He stepped forward, and was about to plunge in his hand, when Ngati seized his shoulders and dragged him back. "What yer doing that for?" cried Jem. The Maori stepped forward, and made as if to dip in one of his feet, but snatched it back as if in pain. Then, smiling, he twisted some strands of grass into a band, fastened the end to the palm basket, and gently lowered it, full of eggs, into the sapphire depths, a jet of steam and a series of bubbles rising to the surface as the basket sank. "Why, Jem," said Don laughing, "you wanted to bathe in the big copper." "How was I to know that this was a foreign out-door kitchen?" replied Jem laughing. "And the water's boiling hot," added Don. "You can see it bubbling just at this end." "Think o' that now!" said Jem. "I say, what a big fire there must be somewhere down b'low. Strikes me, Mas' Don, that when I makes my fortun' and buys an estate I sha'n't settle here." "No, Jem. `There's no place like home.'" "Well, home's where you settle, arn't it? | one side and return with eggs, which he carefully placed in the woven bag he had made. This went on till he had nearly a couple of dozen, at which, as he trudged along, Jem kept casting longing eyes. In spite of the danger and weariness, Don could not help admiring the beauty of the scene, as, from time to time, the gully opened out sufficiently for him to see that they were steadily rising toward a fine cone, which stood up high above a cluster of mountains, the silvery cloud that floated from its summit telling plainly of its volcanic nature. "_Tapu_! _tapu_!" Ngati said, every time he saw Don gazing at the mountain; but it was not till long after that he comprehended the meaning of the chiefs words, that the place was "tapu," or sacred, and that it would act as a refuge for them, could they reach it, as the ordinary Maoris would not dare to follow them there. Higher up the valley, where the waters were dashing furiously down in many a cascade, Don began to realise that they were following the bed of a river, whose source was somewhere high up the mountain he kept on seeing from time to time, while, after several hours' climbing, often over the most arduous, rocky ground, he saw that they were once more entering upon a volcanic district. Pillars of steam rose here and there, and all at once he started aside as a gurgling noise arose from beyond a patch of vivid green which covered the edges of a mud-pool, so hot that it was painful to the hand. From time to time Ngati had stopped to listen, the shouts growing fainter each time, while, as they progressed, a heavy thunderous roar grew louder, died away, and grew louder again. Don looked inquiringly at Jem. "It's the big chimney of that mountain drawing, Mas' Don." "Nonsense!" "Nay, that's what it is; and what I say is this. It's all wery well getting away from them cannibals, but don't let's let old Ngati--" The chief looked sharply round. "Yes, I'm a-talking about you, old chap. I say, you're not to take us right up that mountain, and into a place where we shall tumble in." "_Tapu_! _tapu_!" said Ngati, nodding his head, and pointing toward the steaming cloud above the mountain. "Oh, you aggrawating savage!" cried Jem.<|quote|>Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur.</|quote|>"Let's have a bathe!" cried Jem eagerly. "Is there time?" He stepped forward, and was about to plunge in his hand, when Ngati seized his shoulders and dragged him back. "What yer doing that for?" cried Jem. The Maori stepped forward, and made as if to dip in one of his feet, but snatched it back as if in pain. Then, smiling, he twisted some strands of grass into a band, fastened the end to the palm basket, and gently lowered it, full of eggs, into the sapphire depths, a jet of steam and a series of bubbles rising to the surface as the basket sank. "Why, Jem," said Don laughing, "you wanted to bathe in the big copper." "How was I to know that this was a foreign out-door kitchen?" replied Jem laughing. "And the water's boiling hot," added Don. "You can see it bubbling just at this end." "Think o' that now!" said Jem. "I say, what a big fire there must be somewhere down b'low. Strikes me, Mas' Don, that when I makes my fortun' and buys an estate I sha'n't settle here." "No, Jem. `There's no place like home.'" "Well, home's where you settle, arn't it? But this won't do for me. It's dangerous to be safe." Meanwhile, Ngati was listening intently, but, save the hissing of steam, the gurgling of boiling water, and the softened roar that seemed now distant, now close at hand, there was nothing to be heard, so he signed to them to sit down and rest. He set the example, and Don followed, to lie upon his back, restfully gazing up at the blue sky above, when Jem, who had been more particular about the choice of a place, slowly sat down, remained stationary for a few moments, and then sprang up, uttering a cry of pain. "Why, that stone's red hot!" he cried. This was not the truth, but it was quite hot enough to make it a painful seat, and he chose another. "Well, of all the rum places, Mas' Don!" He said no more on the subject, for just then Ngati rose, and carefully drew the bag of eggs from the boiling pool. "And I called him a pig!" said Jem, self-reproachfully. "No: no pig," said Ngati, who caught the word. "Well, I didn't say there was, obstinit," said Jem. "Here, give us an egg. Fruit and young | across him, and who seemed to have sprung out of the bush. "Why, I thought it was one o' they cannibals," said Jem, lowering the spear. "Good job it wasn't dark, old chap, or I should have given you a dig. What d'yer want?" "Sleep," said Ngati laconically, and, taking Jem's spear, he pointed to where Don was lying. "Me? What, already? Lie down?" "Sleep," said Ngati again; and he patted Jem on the shoulder. "All right, I'll go. Didn't think I'd been watching so long." He nodded and walked away. "Wish he wouldn't pat me on the back that way. It makes me feel suspicious. It's just as if he wanted to feel if I was getting fat enough." Don was sleeping peacefully as Jem lay down and uttered a faint groan, for his left shoulder was very painful and stiff. "Wonder how long wounds take to heal," he said softly. "Cuts arn't much more than a week. Heigh-ho-hum! I'm very tired, but I sha'n't be able to go to--" He was asleep almost as soon as he lay down, and directly after, as it seemed to him, he started into wakefulness, to find Ngati standing a few yards away, shading his eyes and gazing down the gully, and Don poking him with his spear. "All right, Sally, I'll get up. I--Oh, it's you, Mas' Don." "Quick, Jem! The Maoris are coming." Jem sprang to his feet and seized the spear offered to him, as Ngati came forward, brushed the ferns about so as to destroy the traces of their bivouac, and then, holding up his hand for silence, he stood listening. A faint shout was heard, followed by another, nearer; and signing them to follow, the Maori went along up the gully, with the stream on their right. It was arduous work, for the ground was rapidly rising; but they were forced to hurry along, for every time they halted, they could hear the shouts of their pursuers, who seemed to be coming on with a pertinacity that there was no shaking off. It was hot in the extreme, but a crisp, cool air was blowing to refresh them, and, of its kind, there was plenty of food, Ngati cautiously picking and breaking in places where the disarrangement was not likely to be seen. Every now and then, too, they saw him make quite an eager dash on one side and return with eggs, which he carefully placed in the woven bag he had made. This went on till he had nearly a couple of dozen, at which, as he trudged along, Jem kept casting longing eyes. In spite of the danger and weariness, Don could not help admiring the beauty of the scene, as, from time to time, the gully opened out sufficiently for him to see that they were steadily rising toward a fine cone, which stood up high above a cluster of mountains, the silvery cloud that floated from its summit telling plainly of its volcanic nature. "_Tapu_! _tapu_!" Ngati said, every time he saw Don gazing at the mountain; but it was not till long after that he comprehended the meaning of the chiefs words, that the place was "tapu," or sacred, and that it would act as a refuge for them, could they reach it, as the ordinary Maoris would not dare to follow them there. Higher up the valley, where the waters were dashing furiously down in many a cascade, Don began to realise that they were following the bed of a river, whose source was somewhere high up the mountain he kept on seeing from time to time, while, after several hours' climbing, often over the most arduous, rocky ground, he saw that they were once more entering upon a volcanic district. Pillars of steam rose here and there, and all at once he started aside as a gurgling noise arose from beyond a patch of vivid green which covered the edges of a mud-pool, so hot that it was painful to the hand. From time to time Ngati had stopped to listen, the shouts growing fainter each time, while, as they progressed, a heavy thunderous roar grew louder, died away, and grew louder again. Don looked inquiringly at Jem. "It's the big chimney of that mountain drawing, Mas' Don." "Nonsense!" "Nay, that's what it is; and what I say is this. It's all wery well getting away from them cannibals, but don't let's let old Ngati--" The chief looked sharply round. "Yes, I'm a-talking about you, old chap. I say, you're not to take us right up that mountain, and into a place where we shall tumble in." "_Tapu_! _tapu_!" said Ngati, nodding his head, and pointing toward the steaming cloud above the mountain. "Oh, you aggrawating savage!" cried Jem.<|quote|>Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur.</|quote|>"Let's have a bathe!" cried Jem eagerly. "Is there time?" He stepped forward, and was about to plunge in his hand, when Ngati seized his shoulders and dragged him back. "What yer doing that for?" cried Jem. The Maori stepped forward, and made as if to dip in one of his feet, but snatched it back as if in pain. Then, smiling, he twisted some strands of grass into a band, fastened the end to the palm basket, and gently lowered it, full of eggs, into the sapphire depths, a jet of steam and a series of bubbles rising to the surface as the basket sank. "Why, Jem," said Don laughing, "you wanted to bathe in the big copper." "How was I to know that this was a foreign out-door kitchen?" replied Jem laughing. "And the water's boiling hot," added Don. "You can see it bubbling just at this end." "Think o' that now!" said Jem. "I say, what a big fire there must be somewhere down b'low. Strikes me, Mas' Don, that when I makes my fortun' and buys an estate I sha'n't settle here." "No, Jem. `There's no place like home.'" "Well, home's where you settle, arn't it? But this won't do for me. It's dangerous to be safe." Meanwhile, Ngati was listening intently, but, save the hissing of steam, the gurgling of boiling water, and the softened roar that seemed now distant, now close at hand, there was nothing to be heard, so he signed to them to sit down and rest. He set the example, and Don followed, to lie upon his back, restfully gazing up at the blue sky above, when Jem, who had been more particular about the choice of a place, slowly sat down, remained stationary for a few moments, and then sprang up, uttering a cry of pain. "Why, that stone's red hot!" he cried. This was not the truth, but it was quite hot enough to make it a painful seat, and he chose another. "Well, of all the rum places, Mas' Don!" He said no more on the subject, for just then Ngati rose, and carefully drew the bag of eggs from the boiling pool. "And I called him a pig!" said Jem, self-reproachfully. "No: no pig," said Ngati, who caught the word. "Well, I didn't say there was, obstinit," said Jem. "Here, give us an egg. Fruit and young wood's all werry well; but there's no spoons and no salt!" In spite of these drawbacks, and amid a series of remarks on the convenience of cooking cauldrons all over the place, Jem made a hearty meal of new laid eggs, which they had just finished when Ngati looked up and seized his spear. "What's the matter?" cried Don listening. Ngati pointed, and bent down, holding his hand to his ear. "I can hear nothing," said Jem. Ngati pointed down the ravine again, his keen sense having detected the sound of voices inaudible to his companions. Then carefully gathering up the egg shells, so as to leave no traces, he took the bag with the rest of the eggs, and led the way onward at a rapid rate. The path grew more wild and rugged, and the roar increased as they ascended, till, after turning an angle in the winding gully, the sound came continuously with a deep-toned, thunderous bellow. "There, what did I tell you?" said Jem, as the top of the mountain was plainly in view, emitting steam, and about a mile distant. "That's the chimney roaring." "It's a great waterfall somewhere on ahead," replied Don; and a few yards farther on they came once more upon the edge of the river, which here ran foaming along at the bottom of what was a mere jagged crack stretching down from high up the mountain, and with precipitous walls, a couple of hundred feet down. Ngati seemed more satisfied after a while, and they sat down in a narrow valley they were ascending to finish the eggs, whose shells were thrown into the torrent. "I should like to know where he's going to take us," said Jem, all at once. "It does not matter, so long as it is into safety," said Don. "For my part, I--Lie down, quick!" Jem obeyed, and bending low, Don seized the Maori's arm, pointing the while down the way they had come at a couple of naked savages, leaping from stone to stone, spear armed, and each wearing the white-tipped tail feathers of a bird in his hair. Ngati saw the danger instantly, fell flat on his breast, and signing to his companions to follow, began to crawl in and out among the rocks and bushes, making for every point likely to afford shelter, while, in an agony of apprehension as to whether | and that it would act as a refuge for them, could they reach it, as the ordinary Maoris would not dare to follow them there. Higher up the valley, where the waters were dashing furiously down in many a cascade, Don began to realise that they were following the bed of a river, whose source was somewhere high up the mountain he kept on seeing from time to time, while, after several hours' climbing, often over the most arduous, rocky ground, he saw that they were once more entering upon a volcanic district. Pillars of steam rose here and there, and all at once he started aside as a gurgling noise arose from beyond a patch of vivid green which covered the edges of a mud-pool, so hot that it was painful to the hand. From time to time Ngati had stopped to listen, the shouts growing fainter each time, while, as they progressed, a heavy thunderous roar grew louder, died away, and grew louder again. Don looked inquiringly at Jem. "It's the big chimney of that mountain drawing, Mas' Don." "Nonsense!" "Nay, that's what it is; and what I say is this. It's all wery well getting away from them cannibals, but don't let's let old Ngati--" The chief looked sharply round. "Yes, I'm a-talking about you, old chap. I say, you're not to take us right up that mountain, and into a place where we shall tumble in." "_Tapu_! _tapu_!" said Ngati, nodding his head, and pointing toward the steaming cloud above the mountain. "Oh, you aggrawating savage!" cried Jem.<|quote|>Ngati took it as a compliment, and smiled. Then, pointing to a cluster of rocks where a jet of steam was being forced out violently, he led the way there, when they had to pass over a tiny stream of hot water, and a few yards farther on, they came to its source, a beautiful bright fount of the loveliest sapphire blue, with an edge that looked like a marble bath of a roseate tint, fringed every here and there with crystals of sulphur.</|quote|>"Let's have a bathe!" cried Jem eagerly. "Is there time?" He stepped forward, and was about to plunge in his hand, when Ngati seized his shoulders and dragged him back. "What yer doing that for?" cried Jem. The Maori stepped forward, and made as if to dip in one of his feet, but snatched it back as if in pain. Then, smiling, he twisted some strands of grass into a band, fastened the end to the palm basket, and gently lowered it, full of eggs, into the sapphire depths, a jet of steam and a series of bubbles rising to the surface as the basket sank. "Why, Jem," said Don laughing, "you wanted to bathe in the big copper." "How was I to know that this was a foreign out-door kitchen?" replied Jem laughing. "And the water's boiling hot," added Don. "You can see it bubbling just at this end." "Think o' that now!" said Jem. "I say, what a big fire there must be somewhere down b'low. Strikes me, Mas' Don, that when I makes my fortun' and buys an estate I sha'n't settle here." "No, Jem. `There's no place like home.'" "Well, home's where you settle, arn't it? But this won't do for me. It's dangerous to be safe." Meanwhile, Ngati was listening intently, but, save the hissing of steam, the gurgling of boiling water, and the softened roar that seemed now distant, now close at hand, there was nothing to be heard, so he signed to them to sit down and rest. He set the example, and Don followed, to lie upon his back, restfully gazing up at the blue sky above, when Jem, who had been more particular about the choice of a place, slowly sat down, remained stationary for a few moments, and then sprang up, uttering a cry of pain. "Why, that stone's red hot!" he cried. This was not the truth, but it was quite hot enough to make it a painful seat, and he chose another. "Well, of all the rum places, Mas' Don!" He said no more on the subject, for just then Ngati rose, and carefully drew the bag of eggs from the boiling pool. "And I called him a pig!" said Jem, self-reproachfully. "No: no pig," said Ngati, who caught the word. "Well, I didn't say there was, obstinit," said Jem. "Here, give us an egg. Fruit and young wood's all werry well; but there's no spoons and no salt!" In spite of these drawbacks, and amid a series of remarks on the convenience of cooking cauldrons all over the place, Jem made a hearty meal of new laid eggs, which they had just finished when Ngati looked up and seized his spear. "What's the matter?" cried Don listening. Ngati pointed, and bent down, holding his hand to his ear. "I can hear nothing," said Jem. Ngati pointed down the ravine again, his keen sense having detected the sound of voices inaudible to his companions. | Don Lavington |
"I wish I had our Dinah here, I know I do!" | Alice | the patience of an oyster!"<|quote|>"I wish I had our Dinah here, I know I do!"</|quote|>said Alice aloud, addressing nobody | snappishly. "You're enough to try the patience of an oyster!"<|quote|>"I wish I had our Dinah here, I know I do!"</|quote|>said Alice aloud, addressing nobody in particular. "She'd soon fetch | out of sight; and an old Crab took the opportunity of saying to her daughter "Ah, my dear! Let this be a lesson to you never to lose _your_ temper!" "Hold your tongue, Ma!" said the young Crab, a little snappishly. "You're enough to try the patience of an oyster!"<|quote|>"I wish I had our Dinah here, I know I do!"</|quote|>said Alice aloud, addressing nobody in particular. "She'd soon fetch it back!" "And who is Dinah, if I might venture to ask the question?" said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: "Dinah's our cat. And she's such a capital one for | reply. "Please come back and finish your story!" Alice called after it; and the others all joined in chorus, "Yes, please do!" but the Mouse only shook its head impatiently, and walked a little quicker. "What a pity it wouldn't stay!" sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter "Ah, my dear! Let this be a lesson to you never to lose _your_ temper!" "Hold your tongue, Ma!" said the young Crab, a little snappishly. "You're enough to try the patience of an oyster!"<|quote|>"I wish I had our Dinah here, I know I do!"</|quote|>said Alice aloud, addressing nobody in particular. "She'd soon fetch it back!" "And who is Dinah, if I might venture to ask the question?" said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: "Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!" This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping | Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded poor Alice. "But you're so easily offended, you know!" The Mouse only growled in reply. "Please come back and finish your story!" Alice called after it; and the others all joined in chorus, "Yes, please do!" but the Mouse only shook its head impatiently, and walked a little quicker. "What a pity it wouldn't stay!" sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter "Ah, my dear! Let this be a lesson to you never to lose _your_ temper!" "Hold your tongue, Ma!" said the young Crab, a little snappishly. "You're enough to try the patience of an oyster!"<|quote|>"I wish I had our Dinah here, I know I do!"</|quote|>said Alice aloud, addressing nobody in particular. "She'd soon fetch it back!" "And who is Dinah, if I might venture to ask the question?" said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: "Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!" This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping itself up very carefully, remarking, "I really must be getting home; the night-air doesn't suit my throat!" and a Canary called out in a trembling voice to its children, "Come away, my dears! It's high time you were all in bed!" On various pretexts they all moved off, and Alice was soon left alone. "I wish I hadn't mentioned Dinah!" she said to herself in a melancholy tone. "Nobody seems to like her, down here, and I'm sure she's the best cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any more!" And | was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded poor Alice. "But you're so easily offended, you know!" The Mouse only growled in reply. "Please come back and finish your story!" Alice called after it; and the others all joined in chorus, "Yes, please do!" but the Mouse only shook its head impatiently, and walked a little quicker. "What a pity it wouldn't stay!" sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter "Ah, my dear! Let this be a lesson to you never to lose _your_ temper!" "Hold your tongue, Ma!" said the young Crab, a little snappishly. "You're enough to try the patience of an oyster!"<|quote|>"I wish I had our Dinah here, I know I do!"</|quote|>said Alice aloud, addressing nobody in particular. "She'd soon fetch it back!" "And who is Dinah, if I might venture to ask the question?" said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: "Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!" This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping itself up very carefully, remarking, "I really must be getting home; the night-air doesn't suit my throat!" and a Canary called out in a trembling voice to its children, "Come away, my dears! It's high time you were all in bed!" On various pretexts they all moved off, and Alice was soon left alone. "I wish I hadn't mentioned Dinah!" she said to herself in a melancholy tone. "Nobody seems to like her, down here, and I'm sure she's the best cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any more!" And here poor Alice began to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance, and she looked up eagerly, half hoping that the Mouse had changed his mind, and was coming back to finish his story. CHAPTER IV. The Rabbit Sends in a Little Bill It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself "The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets! Where _can_ I have dropped them, I wonder?" Alice guessed in a moment that it was looking for the fan and the pair of white kid gloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her in an angry | matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded poor Alice. "But you're so easily offended, you know!" The Mouse only growled in reply. "Please come back and finish your story!" Alice called after it; and the others all joined in chorus, "Yes, please do!" but the Mouse only shook its head impatiently, and walked a little quicker. "What a pity it wouldn't stay!" sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter "Ah, my dear! Let this be a lesson to you never to lose _your_ temper!" "Hold your tongue, Ma!" said the young Crab, a little snappishly. "You're enough to try the patience of an oyster!"<|quote|>"I wish I had our Dinah here, I know I do!"</|quote|>said Alice aloud, addressing nobody in particular. "She'd soon fetch it back!" "And who is Dinah, if I might venture to ask the question?" said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: "Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!" This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping itself up very carefully, remarking, "I really must be getting home; the night-air doesn't suit my throat!" and a Canary called out in a trembling voice to its children, "Come away, my dears! It's high time you were all in bed!" On various pretexts they all moved off, and Alice was soon left alone. "I wish I hadn't mentioned Dinah!" she said to herself in a melancholy tone. "Nobody seems to like her, down here, and I'm sure she's the best cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any more!" And here poor Alice began to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance, and she looked up eagerly, half hoping that the Mouse had changed his mind, and was coming back to finish his story. CHAPTER IV. The Rabbit Sends in a Little Bill It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself "The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets! Where _can_ I have dropped them, I wonder?" Alice guessed in a moment that it was looking for the fan and the pair of white kid gloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her in an angry tone, "Why, Mary Ann, what _are_ you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!" And Alice was so much frightened that she ran off at once in the direction it pointed to, without trying to explain the mistake it had made. "He took me for his housemaid," she said to herself as she ran. "How surprised he'll be when he finds out who I am! But I'd better take him his fan and gloves--that is, if I can find them." As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name "W. RABBIT," engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves. "How queer it seems," Alice said to herself, "to be going messages for a rabbit! I suppose Dinah'll be sending me on messages next!" And she began fancying the sort of thing that would happen: "'Miss Alice! Come here directly, and get ready for your walk!' 'Coming in a minute, nurse! But I've got to see that the mouse doesn't get out.' Only I don't think," Alice went on, "that they'd let Dinah stop in the house if it began ordering people about like that!" By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words "DRINK ME," but nevertheless she uncorked it and put it to her lips. "I know _something_ interesting is sure to happen," she said to herself, "whenever I eat or drink anything; so I'll just see what this bottle does. I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!" It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her | small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded poor Alice. "But you're so easily offended, you know!" The Mouse only growled in reply. "Please come back and finish your story!" Alice called after it; and the others all joined in chorus, "Yes, please do!" but the Mouse only shook its head impatiently, and walked a little quicker. "What a pity it wouldn't stay!" sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter "Ah, my dear! Let this be a lesson to you never to lose _your_ temper!" "Hold your tongue, Ma!" said the young Crab, a little snappishly. "You're enough to try the patience of an oyster!"<|quote|>"I wish I had our Dinah here, I know I do!"</|quote|>said Alice aloud, addressing nobody in particular. "She'd soon fetch it back!" "And who is Dinah, if I might venture to ask the question?" said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: "Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!" This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping itself up very carefully, remarking, "I really must be getting home; the night-air doesn't suit my throat!" and a Canary called out in a trembling voice to its children, "Come away, my dears! It's high time you were all in bed!" On various pretexts they all moved off, and Alice was soon left alone. "I wish I hadn't mentioned Dinah!" she said to herself in a melancholy tone. "Nobody seems to like her, down here, and I'm sure she's the best cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any more!" And here poor Alice began to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance, and she looked up eagerly, half hoping that the Mouse had | Alices Adventures In Wonderland |
"do not let the idea of her anger distress you. It is anger to be talked of rather than felt. Her heart is made for love and kindness, not for resentment. I wish you could have overheard her tribute of praise; I wish you could have seen her countenance, when she said that you _should_ be Henry's wife. And I observed that she always spoke of you as Fanny,' which she was never used to do; and it had a sound of most sisterly cordiality." | Edmund | her arm closer to him,<|quote|>"do not let the idea of her anger distress you. It is anger to be talked of rather than felt. Her heart is made for love and kindness, not for resentment. I wish you could have overheard her tribute of praise; I wish you could have seen her countenance, when she said that you _should_ be Henry's wife. And I observed that she always spoke of you as Fanny,' which she was never used to do; and it had a sound of most sisterly cordiality."</|quote|>"And Mrs. Grant, did she | dearest Fanny," cried Edmund, pressing her arm closer to him,<|quote|>"do not let the idea of her anger distress you. It is anger to be talked of rather than felt. Her heart is made for love and kindness, not for resentment. I wish you could have overheard her tribute of praise; I wish you could have seen her countenance, when she said that you _should_ be Henry's wife. And I observed that she always spoke of you as Fanny,' which she was never used to do; and it had a sound of most sisterly cordiality."</|quote|>"And Mrs. Grant, did she say did she speak; was | right to everything he may wish for, at the first moment. She is hurt, as you would be for William; but she loves and esteems you with all her heart." "I knew she would be very angry with me." "My dearest Fanny," cried Edmund, pressing her arm closer to him,<|quote|>"do not let the idea of her anger distress you. It is anger to be talked of rather than felt. Her heart is made for love and kindness, not for resentment. I wish you could have overheard her tribute of praise; I wish you could have seen her countenance, when she said that you _should_ be Henry's wife. And I observed that she always spoke of you as Fanny,' which she was never used to do; and it had a sound of most sisterly cordiality."</|quote|>"And Mrs. Grant, did she say did she speak; was she there all the time?" "Yes, she was agreeing exactly with her sister. The surprise of your refusal, Fanny, seems to have been unbounded. That you could refuse such a man as Henry Crawford seems more than they can understand. | have been best. You will see her, however, before she goes. She is very angry with you, Fanny; you must be prepared for that. She calls herself very angry, but you can imagine her anger. It is the regret and disappointment of a sister, who thinks her brother has a right to everything he may wish for, at the first moment. She is hurt, as you would be for William; but she loves and esteems you with all her heart." "I knew she would be very angry with me." "My dearest Fanny," cried Edmund, pressing her arm closer to him,<|quote|>"do not let the idea of her anger distress you. It is anger to be talked of rather than felt. Her heart is made for love and kindness, not for resentment. I wish you could have overheard her tribute of praise; I wish you could have seen her countenance, when she said that you _should_ be Henry's wife. And I observed that she always spoke of you as Fanny,' which she was never used to do; and it had a sound of most sisterly cordiality."</|quote|>"And Mrs. Grant, did she say did she speak; was she there all the time?" "Yes, she was agreeing exactly with her sister. The surprise of your refusal, Fanny, seems to have been unbounded. That you could refuse such a man as Henry Crawford seems more than they can understand. I said what I could for you; but in good truth, as they stated the case you must prove yourself to be in your senses as soon as you can by a different conduct; nothing else will satisfy them. But this is teasing you. I have done. Do not turn | in the room five minutes before she began introducing it with all that openness of heart, and sweet peculiarity of manner, that spirit and ingenuousness which are so much a part of herself. Mrs. Grant laughed at her for her rapidity." "Was Mrs. Grant in the room, then?" "Yes, when I reached the house I found the two sisters together by themselves; and when once we had begun, we had not done with you, Fanny, till Crawford and Dr. Grant came in." "It is above a week since I saw Miss Crawford." "Yes, she laments it; yet owns it may have been best. You will see her, however, before she goes. She is very angry with you, Fanny; you must be prepared for that. She calls herself very angry, but you can imagine her anger. It is the regret and disappointment of a sister, who thinks her brother has a right to everything he may wish for, at the first moment. She is hurt, as you would be for William; but she loves and esteems you with all her heart." "I knew she would be very angry with me." "My dearest Fanny," cried Edmund, pressing her arm closer to him,<|quote|>"do not let the idea of her anger distress you. It is anger to be talked of rather than felt. Her heart is made for love and kindness, not for resentment. I wish you could have overheard her tribute of praise; I wish you could have seen her countenance, when she said that you _should_ be Henry's wife. And I observed that she always spoke of you as Fanny,' which she was never used to do; and it had a sound of most sisterly cordiality."</|quote|>"And Mrs. Grant, did she say did she speak; was she there all the time?" "Yes, she was agreeing exactly with her sister. The surprise of your refusal, Fanny, seems to have been unbounded. That you could refuse such a man as Henry Crawford seems more than they can understand. I said what I could for you; but in good truth, as they stated the case you must prove yourself to be in your senses as soon as you can by a different conduct; nothing else will satisfy them. But this is teasing you. I have done. Do not turn away from me." "I _should_ have thought," said Fanny, after a pause of recollection and exertion, "that every woman must have felt the possibility of a man's not being approved, not being loved by some one of her sex at least, let him be ever so generally agreeable. Let him have all the perfections in the world, I think it ought not to be set down as certain that a man must be acceptable to every woman he may happen to like himself. But, even supposing it is so, allowing Mr. Crawford to have all the claims which his sisters | no common interest in Crawford's well-doing. Next to your happiness, Fanny, his has the first claim on me. You are aware of my having no common interest in Crawford." Fanny was too well aware of it to have anything to say; and they walked on together some fifty yards in mutual silence and abstraction. Edmund first began again "I was very much pleased by her manner of speaking of it yesterday, particularly pleased, because I had not depended upon her seeing everything in so just a light. I knew she was very fond of you; but yet I was afraid of her not estimating your worth to her brother quite as it deserved, and of her regretting that he had not rather fixed on some woman of distinction or fortune. I was afraid of the bias of those worldly maxims, which she has been too much used to hear. But it was very different. She spoke of you, Fanny, just as she ought. She desires the connexion as warmly as your uncle or myself. We had a long talk about it. I should not have mentioned the subject, though very anxious to know her sentiments; but I had not been in the room five minutes before she began introducing it with all that openness of heart, and sweet peculiarity of manner, that spirit and ingenuousness which are so much a part of herself. Mrs. Grant laughed at her for her rapidity." "Was Mrs. Grant in the room, then?" "Yes, when I reached the house I found the two sisters together by themselves; and when once we had begun, we had not done with you, Fanny, till Crawford and Dr. Grant came in." "It is above a week since I saw Miss Crawford." "Yes, she laments it; yet owns it may have been best. You will see her, however, before she goes. She is very angry with you, Fanny; you must be prepared for that. She calls herself very angry, but you can imagine her anger. It is the regret and disappointment of a sister, who thinks her brother has a right to everything he may wish for, at the first moment. She is hurt, as you would be for William; but she loves and esteems you with all her heart." "I knew she would be very angry with me." "My dearest Fanny," cried Edmund, pressing her arm closer to him,<|quote|>"do not let the idea of her anger distress you. It is anger to be talked of rather than felt. Her heart is made for love and kindness, not for resentment. I wish you could have overheard her tribute of praise; I wish you could have seen her countenance, when she said that you _should_ be Henry's wife. And I observed that she always spoke of you as Fanny,' which she was never used to do; and it had a sound of most sisterly cordiality."</|quote|>"And Mrs. Grant, did she say did she speak; was she there all the time?" "Yes, she was agreeing exactly with her sister. The surprise of your refusal, Fanny, seems to have been unbounded. That you could refuse such a man as Henry Crawford seems more than they can understand. I said what I could for you; but in good truth, as they stated the case you must prove yourself to be in your senses as soon as you can by a different conduct; nothing else will satisfy them. But this is teasing you. I have done. Do not turn away from me." "I _should_ have thought," said Fanny, after a pause of recollection and exertion, "that every woman must have felt the possibility of a man's not being approved, not being loved by some one of her sex at least, let him be ever so generally agreeable. Let him have all the perfections in the world, I think it ought not to be set down as certain that a man must be acceptable to every woman he may happen to like himself. But, even supposing it is so, allowing Mr. Crawford to have all the claims which his sisters think he has, how was I to be prepared to meet him with any feeling answerable to his own? He took me wholly by surprise. I had not an idea that his behaviour to me before had any meaning; and surely I was not to be teaching myself to like him only because he was taking what seemed very idle notice of me. In my situation, it would have been the extreme of vanity to be forming expectations on Mr. Crawford. I am sure his sisters, rating him as they do, must have thought it so, supposing he had meant nothing. How, then, was I to be to be in love with him the moment he said he was with me? How was I to have an attachment at his service, as soon as it was asked for? His sisters should consider me as well as him. The higher his deserts, the more improper for me ever to have thought of him. And, and we think very differently of the nature of women, if they can imagine a woman so very soon capable of returning an affection as this seems to imply." "My dear, dear Fanny, now I have the | some one of his being in love with Julia; but I could never see anything of it. And, Fanny, though I hope I do justice to my sisters' good qualities, I think it very possible that they might, one or both, be more desirous of being admired by Crawford, and might shew that desire rather more unguardedly than was perfectly prudent. I can remember that they were evidently fond of his society; and with such encouragement, a man like Crawford, lively, and it may be, a little unthinking, might be led on to there could be nothing very striking, because it is clear that he had no pretensions: his heart was reserved for you. And I must say, that its being for you has raised him inconceivably in my opinion. It does him the highest honour; it shews his proper estimation of the blessing of domestic happiness and pure attachment. It proves him unspoilt by his uncle. It proves him, in short, everything that I had been used to wish to believe him, and feared he was not." "I am persuaded that he does not think, as he ought, on serious subjects." "Say, rather, that he has not thought at all upon serious subjects, which I believe to be a good deal the case. How could it be otherwise, with such an education and adviser? Under the disadvantages, indeed, which both have had, is it not wonderful that they should be what they are? Crawford's _feelings_, I am ready to acknowledge, have hitherto been too much his guides. Happily, those feelings have generally been good. You will supply the rest; and a most fortunate man he is to attach himself to such a creature to a woman who, firm as a rock in her own principles, has a gentleness of character so well adapted to recommend them. He has chosen his partner, indeed, with rare felicity. He will make you happy, Fanny; I know he will make you happy; but you will make him everything." "I would not engage in such a charge," cried Fanny, in a shrinking accent; "in such an office of high responsibility!" "As usual, believing yourself unequal to anything! fancying everything too much for you! Well, though I may not be able to persuade you into different feelings, you will be persuaded into them, I trust. I confess myself sincerely anxious that you may. I have no common interest in Crawford's well-doing. Next to your happiness, Fanny, his has the first claim on me. You are aware of my having no common interest in Crawford." Fanny was too well aware of it to have anything to say; and they walked on together some fifty yards in mutual silence and abstraction. Edmund first began again "I was very much pleased by her manner of speaking of it yesterday, particularly pleased, because I had not depended upon her seeing everything in so just a light. I knew she was very fond of you; but yet I was afraid of her not estimating your worth to her brother quite as it deserved, and of her regretting that he had not rather fixed on some woman of distinction or fortune. I was afraid of the bias of those worldly maxims, which she has been too much used to hear. But it was very different. She spoke of you, Fanny, just as she ought. She desires the connexion as warmly as your uncle or myself. We had a long talk about it. I should not have mentioned the subject, though very anxious to know her sentiments; but I had not been in the room five minutes before she began introducing it with all that openness of heart, and sweet peculiarity of manner, that spirit and ingenuousness which are so much a part of herself. Mrs. Grant laughed at her for her rapidity." "Was Mrs. Grant in the room, then?" "Yes, when I reached the house I found the two sisters together by themselves; and when once we had begun, we had not done with you, Fanny, till Crawford and Dr. Grant came in." "It is above a week since I saw Miss Crawford." "Yes, she laments it; yet owns it may have been best. You will see her, however, before she goes. She is very angry with you, Fanny; you must be prepared for that. She calls herself very angry, but you can imagine her anger. It is the regret and disappointment of a sister, who thinks her brother has a right to everything he may wish for, at the first moment. She is hurt, as you would be for William; but she loves and esteems you with all her heart." "I knew she would be very angry with me." "My dearest Fanny," cried Edmund, pressing her arm closer to him,<|quote|>"do not let the idea of her anger distress you. It is anger to be talked of rather than felt. Her heart is made for love and kindness, not for resentment. I wish you could have overheard her tribute of praise; I wish you could have seen her countenance, when she said that you _should_ be Henry's wife. And I observed that she always spoke of you as Fanny,' which she was never used to do; and it had a sound of most sisterly cordiality."</|quote|>"And Mrs. Grant, did she say did she speak; was she there all the time?" "Yes, she was agreeing exactly with her sister. The surprise of your refusal, Fanny, seems to have been unbounded. That you could refuse such a man as Henry Crawford seems more than they can understand. I said what I could for you; but in good truth, as they stated the case you must prove yourself to be in your senses as soon as you can by a different conduct; nothing else will satisfy them. But this is teasing you. I have done. Do not turn away from me." "I _should_ have thought," said Fanny, after a pause of recollection and exertion, "that every woman must have felt the possibility of a man's not being approved, not being loved by some one of her sex at least, let him be ever so generally agreeable. Let him have all the perfections in the world, I think it ought not to be set down as certain that a man must be acceptable to every woman he may happen to like himself. But, even supposing it is so, allowing Mr. Crawford to have all the claims which his sisters think he has, how was I to be prepared to meet him with any feeling answerable to his own? He took me wholly by surprise. I had not an idea that his behaviour to me before had any meaning; and surely I was not to be teaching myself to like him only because he was taking what seemed very idle notice of me. In my situation, it would have been the extreme of vanity to be forming expectations on Mr. Crawford. I am sure his sisters, rating him as they do, must have thought it so, supposing he had meant nothing. How, then, was I to be to be in love with him the moment he said he was with me? How was I to have an attachment at his service, as soon as it was asked for? His sisters should consider me as well as him. The higher his deserts, the more improper for me ever to have thought of him. And, and we think very differently of the nature of women, if they can imagine a woman so very soon capable of returning an affection as this seems to imply." "My dear, dear Fanny, now I have the truth. I know this to be the truth; and most worthy of you are such feelings. I had attributed them to you before. I thought I could understand you. You have now given exactly the explanation which I ventured to make for you to your friend and Mrs. Grant, and they were both better satisfied, though your warm-hearted friend was still run away with a little by the enthusiasm of her fondness for Henry. I told them that you were of all human creatures the one over whom habit had most power and novelty least; and that the very circumstance of the novelty of Crawford's addresses was against him. Their being so new and so recent was all in their disfavour; that you could tolerate nothing that you were not used to; and a great deal more to the same purpose, to give them a knowledge of your character. Miss Crawford made us laugh by her plans of encouragement for her brother. She meant to urge him to persevere in the hope of being loved in time, and of having his addresses most kindly received at the end of about ten years' happy marriage." Fanny could with difficulty give the smile that was here asked for. Her feelings were all in revolt. She feared she had been doing wrong: saying too much, overacting the caution which she had been fancying necessary; in guarding against one evil, laying herself open to another; and to have Miss Crawford's liveliness repeated to her at such a moment, and on such a subject, was a bitter aggravation. Edmund saw weariness and distress in her face, and immediately resolved to forbear all farther discussion; and not even to mention the name of Crawford again, except as it might be connected with what _must_ be agreeable to her. On this principle, he soon afterwards observed "They go on Monday. You are sure, therefore, of seeing your friend either to-morrow or Sunday. They really go on Monday; and I was within a trifle of being persuaded to stay at Lessingby till that very day! I had almost promised it. What a difference it might have made! Those five or six days more at Lessingby might have been felt all my life." "You were near staying there?" "Very. I was most kindly pressed, and had nearly consented. Had I received any letter from Mansfield, to tell me how | much for you! Well, though I may not be able to persuade you into different feelings, you will be persuaded into them, I trust. I confess myself sincerely anxious that you may. I have no common interest in Crawford's well-doing. Next to your happiness, Fanny, his has the first claim on me. You are aware of my having no common interest in Crawford." Fanny was too well aware of it to have anything to say; and they walked on together some fifty yards in mutual silence and abstraction. Edmund first began again "I was very much pleased by her manner of speaking of it yesterday, particularly pleased, because I had not depended upon her seeing everything in so just a light. I knew she was very fond of you; but yet I was afraid of her not estimating your worth to her brother quite as it deserved, and of her regretting that he had not rather fixed on some woman of distinction or fortune. I was afraid of the bias of those worldly maxims, which she has been too much used to hear. But it was very different. She spoke of you, Fanny, just as she ought. She desires the connexion as warmly as your uncle or myself. We had a long talk about it. I should not have mentioned the subject, though very anxious to know her sentiments; but I had not been in the room five minutes before she began introducing it with all that openness of heart, and sweet peculiarity of manner, that spirit and ingenuousness which are so much a part of herself. Mrs. Grant laughed at her for her rapidity." "Was Mrs. Grant in the room, then?" "Yes, when I reached the house I found the two sisters together by themselves; and when once we had begun, we had not done with you, Fanny, till Crawford and Dr. Grant came in." "It is above a week since I saw Miss Crawford." "Yes, she laments it; yet owns it may have been best. You will see her, however, before she goes. She is very angry with you, Fanny; you must be prepared for that. She calls herself very angry, but you can imagine her anger. It is the regret and disappointment of a sister, who thinks her brother has a right to everything he may wish for, at the first moment. She is hurt, as you would be for William; but she loves and esteems you with all her heart." "I knew she would be very angry with me." "My dearest Fanny," cried Edmund, pressing her arm closer to him,<|quote|>"do not let the idea of her anger distress you. It is anger to be talked of rather than felt. Her heart is made for love and kindness, not for resentment. I wish you could have overheard her tribute of praise; I wish you could have seen her countenance, when she said that you _should_ be Henry's wife. And I observed that she always spoke of you as Fanny,' which she was never used to do; and it had a sound of most sisterly cordiality."</|quote|>"And Mrs. Grant, did she say did she speak; was she there all the time?" "Yes, she was agreeing exactly with her sister. The surprise of your refusal, Fanny, seems to have been unbounded. That you could refuse such a man as Henry Crawford seems more than they can understand. I said what I could for you; but in good truth, as they stated the case you must prove yourself to be in your senses as soon as you can by a different conduct; nothing else will satisfy them. But this is teasing you. I have done. Do not turn away from me." "I _should_ have thought," said Fanny, after a pause of recollection and exertion, "that every woman must have felt the possibility of a man's not being approved, not being loved by some one of her sex at least, let him be ever so generally agreeable. Let him have all the perfections in the world, I think it ought not to be set down as certain that a man must be acceptable to every woman he may happen to like himself. But, even supposing it is so, allowing Mr. Crawford to have all the claims which his sisters think he has, how was I to be prepared to meet him with any feeling answerable to his own? He took me wholly by surprise. I had not an idea that his behaviour to me before had any meaning; and surely I was not to be teaching myself to like him only because he was taking what seemed very idle notice of me. In my situation, it would have been the extreme of vanity to be forming expectations on Mr. Crawford. I am sure his sisters, rating him as they do, must have thought it so, supposing he had meant nothing. How, then, was I to be to be in love with him the moment he said he was with me? How was I to have an attachment at his service, as soon as it was asked for? His sisters should consider me as well as him. The higher his deserts, the more improper for me ever to have thought of him. And, and we think very differently of the nature of women, if they can imagine a woman so very soon capable of returning an affection as this seems to imply." "My dear, dear Fanny, now I have the truth. I know this to be the truth; and most worthy of you are such feelings. I had attributed them to you before. I thought I could understand you. You have now given exactly the explanation which I ventured to make for you to your friend and Mrs. Grant, and they were both better satisfied, though your warm-hearted friend was still run away with a little by the enthusiasm of her fondness for Henry. I told them that you were of all human creatures the one over whom habit had most power and novelty least; and that the very circumstance of the novelty of Crawford's addresses was against him. Their being so new and so recent was all in their disfavour; that you could tolerate nothing that you were not used to; and a great deal more to the same purpose, to give them a knowledge of your character. Miss Crawford made us laugh by her plans of encouragement for her brother. She meant to urge him to persevere in the hope of being | Mansfield Park |
"What a place to find one s divinity in!" | Lord Henry | corks came from the bar.<|quote|>"What a place to find one s divinity in!"</|quote|>said Lord Henry. "Yes!" answered | sound of the popping of corks came from the bar.<|quote|>"What a place to find one s divinity in!"</|quote|>said Lord Henry. "Yes!" answered Dorian Gray. "It was here | hung them over the side. They talked to each other across the theatre and shared their oranges with the tawdry girls who sat beside them. Some women were laughing in the pit. Their voices were horribly shrill and discordant. The sound of the popping of corks came from the bar.<|quote|>"What a place to find one s divinity in!"</|quote|>said Lord Henry. "Yes!" answered Dorian Gray. "It was here I found her, and she is divine beyond all living things. When she acts, you will forget everything. These common rough people, with their coarse faces and brutal gestures, become quite different when she is on the stage. They sit | real genius and gone bankrupt over a poet. Hallward amused himself with watching the faces in the pit. The heat was terribly oppressive, and the huge sunlight flamed like a monstrous dahlia with petals of yellow fire. The youths in the gallery had taken off their coats and waistcoats and hung them over the side. They talked to each other across the theatre and shared their oranges with the tawdry girls who sat beside them. Some women were laughing in the pit. Their voices were horribly shrill and discordant. The sound of the popping of corks came from the bar.<|quote|>"What a place to find one s divinity in!"</|quote|>said Lord Henry. "Yes!" answered Dorian Gray. "It was here I found her, and she is divine beyond all living things. When she acts, you will forget everything. These common rough people, with their coarse faces and brutal gestures, become quite different when she is on the stage. They sit silently and watch her. They weep and laugh as she wills them to do. She makes them as responsive as a violin. She spiritualizes them, and one feels that they are of the same flesh and blood as one s self." "The same flesh and blood as one s self! | the door was beaming from ear to ear with an oily tremulous smile. He escorted them to their box with a sort of pompous humility, waving his fat jewelled hands and talking at the top of his voice. Dorian Gray loathed him more than ever. He felt as if he had come to look for Miranda and had been met by Caliban. Lord Henry, upon the other hand, rather liked him. At least he declared he did, and insisted on shaking him by the hand and assuring him that he was proud to meet a man who had discovered a real genius and gone bankrupt over a poet. Hallward amused himself with watching the faces in the pit. The heat was terribly oppressive, and the huge sunlight flamed like a monstrous dahlia with petals of yellow fire. The youths in the gallery had taken off their coats and waistcoats and hung them over the side. They talked to each other across the theatre and shared their oranges with the tawdry girls who sat beside them. Some women were laughing in the pit. Their voices were horribly shrill and discordant. The sound of the popping of corks came from the bar.<|quote|>"What a place to find one s divinity in!"</|quote|>said Lord Henry. "Yes!" answered Dorian Gray. "It was here I found her, and she is divine beyond all living things. When she acts, you will forget everything. These common rough people, with their coarse faces and brutal gestures, become quite different when she is on the stage. They sit silently and watch her. They weep and laugh as she wills them to do. She makes them as responsive as a violin. She spiritualizes them, and one feels that they are of the same flesh and blood as one s self." "The same flesh and blood as one s self! Oh, I hope not!" exclaimed Lord Henry, who was scanning the occupants of the gallery through his opera-glass. "Don t pay any attention to him, Dorian," said the painter. "I understand what you mean, and I believe in this girl. Any one you love must be marvellous, and any girl who has the effect you describe must be fine and noble. To spiritualize one s age that is something worth doing. If this girl can give a soul to those who have lived without one, if she can create the sense of beauty in people whose lives have been sordid | is so much more real than life. Let us go. Dorian, you will come with me. I am so sorry, Basil, but there is only room for two in the brougham. You must follow us in a hansom." They got up and put on their coats, sipping their coffee standing. The painter was silent and preoccupied. There was a gloom over him. He could not bear this marriage, and yet it seemed to him to be better than many other things that might have happened. After a few minutes, they all passed downstairs. He drove off by himself, as had been arranged, and watched the flashing lights of the little brougham in front of him. A strange sense of loss came over him. He felt that Dorian Gray would never again be to him all that he had been in the past. Life had come between them.... His eyes darkened, and the crowded flaring streets became blurred to his eyes. When the cab drew up at the theatre, it seemed to him that he had grown years older. CHAPTER VII. For some reason or other, the house was crowded that night, and the fat Jew manager who met them at the door was beaming from ear to ear with an oily tremulous smile. He escorted them to their box with a sort of pompous humility, waving his fat jewelled hands and talking at the top of his voice. Dorian Gray loathed him more than ever. He felt as if he had come to look for Miranda and had been met by Caliban. Lord Henry, upon the other hand, rather liked him. At least he declared he did, and insisted on shaking him by the hand and assuring him that he was proud to meet a man who had discovered a real genius and gone bankrupt over a poet. Hallward amused himself with watching the faces in the pit. The heat was terribly oppressive, and the huge sunlight flamed like a monstrous dahlia with petals of yellow fire. The youths in the gallery had taken off their coats and waistcoats and hung them over the side. They talked to each other across the theatre and shared their oranges with the tawdry girls who sat beside them. Some women were laughing in the pit. Their voices were horribly shrill and discordant. The sound of the popping of corks came from the bar.<|quote|>"What a place to find one s divinity in!"</|quote|>said Lord Henry. "Yes!" answered Dorian Gray. "It was here I found her, and she is divine beyond all living things. When she acts, you will forget everything. These common rough people, with their coarse faces and brutal gestures, become quite different when she is on the stage. They sit silently and watch her. They weep and laugh as she wills them to do. She makes them as responsive as a violin. She spiritualizes them, and one feels that they are of the same flesh and blood as one s self." "The same flesh and blood as one s self! Oh, I hope not!" exclaimed Lord Henry, who was scanning the occupants of the gallery through his opera-glass. "Don t pay any attention to him, Dorian," said the painter. "I understand what you mean, and I believe in this girl. Any one you love must be marvellous, and any girl who has the effect you describe must be fine and noble. To spiritualize one s age that is something worth doing. If this girl can give a soul to those who have lived without one, if she can create the sense of beauty in people whose lives have been sordid and ugly, if she can strip them of their selfishness and lend them tears for sorrows that are not their own, she is worthy of all your adoration, worthy of the adoration of the world. This marriage is quite right. I did not think so at first, but I admit it now. The gods made Sibyl Vane for you. Without her you would have been incomplete." "Thanks, Basil," answered Dorian Gray, pressing his hand. "I knew that you would understand me. Harry is so cynical, he terrifies me. But here is the orchestra. It is quite dreadful, but it only lasts for about five minutes. Then the curtain rises, and you will see the girl to whom I am going to give all my life, to whom I have given everything that is good in me." A quarter of an hour afterwards, amidst an extraordinary turmoil of applause, Sibyl Vane stepped on to the stage. Yes, she was certainly lovely to look at one of the loveliest creatures, Lord Henry thought, that he had ever seen. There was something of the fawn in her shy grace and startled eyes. A faint blush, like the shadow of a rose in a | has ceased to use in fact. Believe me, no civilized man ever regrets a pleasure, and no uncivilized man ever knows what a pleasure is." "I know what pleasure is," cried Dorian Gray. "It is to adore some one." "That is certainly better than being adored," he answered, toying with some fruits. "Being adored is a nuisance. Women treat us just as humanity treats its gods. They worship us, and are always bothering us to do something for them." "I should have said that whatever they ask for they had first given to us," murmured the lad gravely. "They create love in our natures. They have a right to demand it back." "That is quite true, Dorian," cried Hallward. "Nothing is ever quite true," said Lord Henry. "This is," interrupted Dorian. "You must admit, Harry, that women give to men the very gold of their lives." "Possibly," he sighed, "but they invariably want it back in such very small change. That is the worry. Women, as some witty Frenchman once put it, inspire us with the desire to do masterpieces and always prevent us from carrying them out." "Harry, you are dreadful! I don t know why I like you so much." "You will always like me, Dorian," he replied. "Will you have some coffee, you fellows? Waiter, bring coffee, and _fine-champagne_, and some cigarettes. No, don t mind the cigarettes I have some. Basil, I can t allow you to smoke cigars. You must have a cigarette. A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want? Yes, Dorian, you will always be fond of me. I represent to you all the sins you have never had the courage to commit." "What nonsense you talk, Harry!" cried the lad, taking a light from a fire-breathing silver dragon that the waiter had placed on the table. "Let us go down to the theatre. When Sibyl comes on the stage you will have a new ideal of life. She will represent something to you that you have never known." "I have known everything," said Lord Henry, with a tired look in his eyes, "but I am always ready for a new emotion. I am afraid, however, that, for me at any rate, there is no such thing. Still, your wonderful girl may thrill me. I love acting. It is so much more real than life. Let us go. Dorian, you will come with me. I am so sorry, Basil, but there is only room for two in the brougham. You must follow us in a hansom." They got up and put on their coats, sipping their coffee standing. The painter was silent and preoccupied. There was a gloom over him. He could not bear this marriage, and yet it seemed to him to be better than many other things that might have happened. After a few minutes, they all passed downstairs. He drove off by himself, as had been arranged, and watched the flashing lights of the little brougham in front of him. A strange sense of loss came over him. He felt that Dorian Gray would never again be to him all that he had been in the past. Life had come between them.... His eyes darkened, and the crowded flaring streets became blurred to his eyes. When the cab drew up at the theatre, it seemed to him that he had grown years older. CHAPTER VII. For some reason or other, the house was crowded that night, and the fat Jew manager who met them at the door was beaming from ear to ear with an oily tremulous smile. He escorted them to their box with a sort of pompous humility, waving his fat jewelled hands and talking at the top of his voice. Dorian Gray loathed him more than ever. He felt as if he had come to look for Miranda and had been met by Caliban. Lord Henry, upon the other hand, rather liked him. At least he declared he did, and insisted on shaking him by the hand and assuring him that he was proud to meet a man who had discovered a real genius and gone bankrupt over a poet. Hallward amused himself with watching the faces in the pit. The heat was terribly oppressive, and the huge sunlight flamed like a monstrous dahlia with petals of yellow fire. The youths in the gallery had taken off their coats and waistcoats and hung them over the side. They talked to each other across the theatre and shared their oranges with the tawdry girls who sat beside them. Some women were laughing in the pit. Their voices were horribly shrill and discordant. The sound of the popping of corks came from the bar.<|quote|>"What a place to find one s divinity in!"</|quote|>said Lord Henry. "Yes!" answered Dorian Gray. "It was here I found her, and she is divine beyond all living things. When she acts, you will forget everything. These common rough people, with their coarse faces and brutal gestures, become quite different when she is on the stage. They sit silently and watch her. They weep and laugh as she wills them to do. She makes them as responsive as a violin. She spiritualizes them, and one feels that they are of the same flesh and blood as one s self." "The same flesh and blood as one s self! Oh, I hope not!" exclaimed Lord Henry, who was scanning the occupants of the gallery through his opera-glass. "Don t pay any attention to him, Dorian," said the painter. "I understand what you mean, and I believe in this girl. Any one you love must be marvellous, and any girl who has the effect you describe must be fine and noble. To spiritualize one s age that is something worth doing. If this girl can give a soul to those who have lived without one, if she can create the sense of beauty in people whose lives have been sordid and ugly, if she can strip them of their selfishness and lend them tears for sorrows that are not their own, she is worthy of all your adoration, worthy of the adoration of the world. This marriage is quite right. I did not think so at first, but I admit it now. The gods made Sibyl Vane for you. Without her you would have been incomplete." "Thanks, Basil," answered Dorian Gray, pressing his hand. "I knew that you would understand me. Harry is so cynical, he terrifies me. But here is the orchestra. It is quite dreadful, but it only lasts for about five minutes. Then the curtain rises, and you will see the girl to whom I am going to give all my life, to whom I have given everything that is good in me." A quarter of an hour afterwards, amidst an extraordinary turmoil of applause, Sibyl Vane stepped on to the stage. Yes, she was certainly lovely to look at one of the loveliest creatures, Lord Henry thought, that he had ever seen. There was something of the fawn in her shy grace and startled eyes. A faint blush, like the shadow of a rose in a mirror of silver, came to her cheeks as she glanced at the crowded enthusiastic house. She stepped back a few paces and her lips seemed to tremble. Basil Hallward leaped to his feet and began to applaud. Motionless, and as one in a dream, sat Dorian Gray, gazing at her. Lord Henry peered through his glasses, murmuring, "Charming! charming!" The scene was the hall of Capulet s house, and Romeo in his pilgrim s dress had entered with Mercutio and his other friends. The band, such as it was, struck up a few bars of music, and the dance began. Through the crowd of ungainly, shabbily dressed actors, Sibyl Vane moved like a creature from a finer world. Her body swayed, while she danced, as a plant sways in the water. The curves of her throat were the curves of a white lily. Her hands seemed to be made of cool ivory. Yet she was curiously listless. She showed no sign of joy when her eyes rested on Romeo. The few words she had to speak Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims hands do touch, And palm to palm is holy palmers kiss with the brief dialogue that follows, were spoken in a thoroughly artificial manner. The voice was exquisite, but from the point of view of tone it was absolutely false. It was wrong in colour. It took away all the life from the verse. It made the passion unreal. Dorian Gray grew pale as he watched her. He was puzzled and anxious. Neither of his friends dared to say anything to him. She seemed to them to be absolutely incompetent. They were horribly disappointed. Yet they felt that the true test of any Juliet is the balcony scene of the second act. They waited for that. If she failed there, there was nothing in her. She looked charming as she came out in the moonlight. That could not be denied. But the staginess of her acting was unbearable, and grew worse as she went on. Her gestures became absurdly artificial. She overemphasized everything that she had to say. The beautiful passage Thou knowest the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night was declaimed with the painful | the house was crowded that night, and the fat Jew manager who met them at the door was beaming from ear to ear with an oily tremulous smile. He escorted them to their box with a sort of pompous humility, waving his fat jewelled hands and talking at the top of his voice. Dorian Gray loathed him more than ever. He felt as if he had come to look for Miranda and had been met by Caliban. Lord Henry, upon the other hand, rather liked him. At least he declared he did, and insisted on shaking him by the hand and assuring him that he was proud to meet a man who had discovered a real genius and gone bankrupt over a poet. Hallward amused himself with watching the faces in the pit. The heat was terribly oppressive, and the huge sunlight flamed like a monstrous dahlia with petals of yellow fire. The youths in the gallery had taken off their coats and waistcoats and hung them over the side. They talked to each other across the theatre and shared their oranges with the tawdry girls who sat beside them. Some women were laughing in the pit. Their voices were horribly shrill and discordant. The sound of the popping of corks came from the bar.<|quote|>"What a place to find one s divinity in!"</|quote|>said Lord Henry. "Yes!" answered Dorian Gray. "It was here I found her, and she is divine beyond all living things. When she acts, you will forget everything. These common rough people, with their coarse faces and brutal gestures, become quite different when she is on the stage. They sit silently and watch her. They weep and laugh as she wills them to do. She makes them as responsive as a violin. She spiritualizes them, and one feels that they are of the same flesh and blood as one s self." "The same flesh and blood as one s self! Oh, I hope not!" exclaimed Lord Henry, who was scanning the occupants of the gallery through his opera-glass. "Don t pay any attention to him, Dorian," said the painter. "I understand what you mean, and I believe in this girl. Any one you love must be marvellous, and any girl who has the effect you describe must be fine and noble. To spiritualize one s age that is something worth doing. If this girl can give a soul to those who have lived without one, if she can create the sense of beauty in people whose lives have been sordid and ugly, if she can strip them of their selfishness and lend them tears for sorrows that are not their own, she is worthy of all your adoration, worthy of the adoration of the world. This marriage is quite right. I did not think so at first, but I admit it now. The gods made Sibyl Vane for you. Without her you would have been incomplete." "Thanks, Basil," answered Dorian Gray, pressing his hand. "I knew that you would understand me. Harry is so cynical, he terrifies me. But here is the orchestra. It is quite dreadful, but it only lasts for about five minutes. Then the curtain rises, and you will see the girl to whom I am going to give all my life, to whom I have given everything that is good in me." A quarter of an hour afterwards, amidst an extraordinary turmoil of applause, Sibyl Vane stepped on to the stage. Yes, she was certainly lovely to look at one of the loveliest creatures, Lord Henry thought, that he had ever seen. There was something of the fawn in her shy grace and startled eyes. A faint blush, like the shadow of a rose in a mirror of silver, came to her cheeks as she glanced at the crowded enthusiastic house. She stepped back a few paces and her lips seemed to tremble. Basil Hallward leaped to his feet and began to applaud. Motionless, and as one in a dream, sat Dorian Gray, gazing at her. Lord Henry peered through his glasses, murmuring, "Charming! charming!" The scene was the hall of Capulet s house, and Romeo in his pilgrim s dress had entered with Mercutio and his other friends. The band, such as it was, struck up a few bars | The Picture Of Dorian Gray |
"The letter!" | Maurice Oakley | stirred and his hands gripped.<|quote|>"The letter!"</|quote|>he gasped. "Yes, dear, I | between his lips. Finally he stirred and his hands gripped.<|quote|>"The letter!"</|quote|>he gasped. "Yes, dear, I have it; I have it." | servants came they found Mrs. Oakley as white as her lord. But with firm hands and compressed lips she ministered to his needs pending the doctor's arrival. She bathed his face and temples, chafed his hands, and forced the brandy between his lips. Finally he stirred and his hands gripped.<|quote|>"The letter!"</|quote|>he gasped. "Yes, dear, I have it; I have it." "Give it to me," he cried. She handed it to him. He seized it and thrust it into his breast. "Did--did--you read it?" "Yes, I did not know----" "Oh, my God, I did not intend that you should see it. | but one letter to tell me of this. Do not plead with me, do not forgive me, do not seek to find me, for from this time I shall be as one who has perished from the earth; I shall be no more." "Your brother, FRANK." By the time the servants came they found Mrs. Oakley as white as her lord. But with firm hands and compressed lips she ministered to his needs pending the doctor's arrival. She bathed his face and temples, chafed his hands, and forced the brandy between his lips. Finally he stirred and his hands gripped.<|quote|>"The letter!"</|quote|>he gasped. "Yes, dear, I have it; I have it." "Give it to me," he cried. She handed it to him. He seized it and thrust it into his breast. "Did--did--you read it?" "Yes, I did not know----" "Oh, my God, I did not intend that you should see it. I wanted the secret for my own. I wanted to carry it to my grave with me. Oh, Frank, Frank, Frank!" "Never mind, Maurice. It is as if you alone knew it." "It is not, I say, it is not!" He turned upon his face and began to weep passionately, | dinner, I woke from my frenzy to find all that I had was gone. I would have asked you for more, and you would have given it; but that strange, ridiculous something which we misname Southern honour, that honour which strains at a gnat and swallows a camel, withheld me, and I preferred to do worse. So I lied to you. The money from my cabinet was not stolen save by myself. I am a liar and a thief, but your eyes shall never tell me so." "Tell the truth and have Berry released. I can stand it. Write me but one letter to tell me of this. Do not plead with me, do not forgive me, do not seek to find me, for from this time I shall be as one who has perished from the earth; I shall be no more." "Your brother, FRANK." By the time the servants came they found Mrs. Oakley as white as her lord. But with firm hands and compressed lips she ministered to his needs pending the doctor's arrival. She bathed his face and temples, chafed his hands, and forced the brandy between his lips. Finally he stirred and his hands gripped.<|quote|>"The letter!"</|quote|>he gasped. "Yes, dear, I have it; I have it." "Give it to me," he cried. She handed it to him. He seized it and thrust it into his breast. "Did--did--you read it?" "Yes, I did not know----" "Oh, my God, I did not intend that you should see it. I wanted the secret for my own. I wanted to carry it to my grave with me. Oh, Frank, Frank, Frank!" "Never mind, Maurice. It is as if you alone knew it." "It is not, I say, it is not!" He turned upon his face and began to weep passionately, not like a man, but like a child whose last toy has been broken. "Oh, my God," he moaned, "my brother, my brother!" "'Sh, dearie, think--it 's--it 's--Frank." "That 's it, that 's it--that 's what I can't forget. It 's Frank,--Frank, my brother." Suddenly he sat up and his eyes stared straight into hers. "Leslie, no one must ever know what is in this letter," he said calmly. "No one shall, Maurice; come, let us burn it." "Burn it? No, no," he cried, clutching at his breast. "It must not be burned. What! burn my brother's secret? No, no, | was waiting for me? She did not know how truly she spoke, though I fancy she saw how I flushed when she said it: for I was already in love--madly so." "I need not describe her. I need say nothing about her, for I know that nothing I say can ever persuade you to forgive her for taking me from you. This has gone on since I first came here, and I dared not tell you, for I saw whither your eyes had turned. I loved this girl, and she both inspired and hindered my work. Perhaps I would have been successful had I not met her, perhaps not." "I love her too well to marry her and make of our devotion a stale, prosy thing of duty and compulsion. When a man does not marry a woman, he must keep her better than he would a wife. It costs. All that you gave me went to make her happy." "Then, when I was about leaving you, the catastrophe came. I wanted much to carry back to her. I gambled to make more. I would surprise her. Luck was against me. Night after night I lost. Then, just before the dinner, I woke from my frenzy to find all that I had was gone. I would have asked you for more, and you would have given it; but that strange, ridiculous something which we misname Southern honour, that honour which strains at a gnat and swallows a camel, withheld me, and I preferred to do worse. So I lied to you. The money from my cabinet was not stolen save by myself. I am a liar and a thief, but your eyes shall never tell me so." "Tell the truth and have Berry released. I can stand it. Write me but one letter to tell me of this. Do not plead with me, do not forgive me, do not seek to find me, for from this time I shall be as one who has perished from the earth; I shall be no more." "Your brother, FRANK." By the time the servants came they found Mrs. Oakley as white as her lord. But with firm hands and compressed lips she ministered to his needs pending the doctor's arrival. She bathed his face and temples, chafed his hands, and forced the brandy between his lips. Finally he stirred and his hands gripped.<|quote|>"The letter!"</|quote|>he gasped. "Yes, dear, I have it; I have it." "Give it to me," he cried. She handed it to him. He seized it and thrust it into his breast. "Did--did--you read it?" "Yes, I did not know----" "Oh, my God, I did not intend that you should see it. I wanted the secret for my own. I wanted to carry it to my grave with me. Oh, Frank, Frank, Frank!" "Never mind, Maurice. It is as if you alone knew it." "It is not, I say, it is not!" He turned upon his face and began to weep passionately, not like a man, but like a child whose last toy has been broken. "Oh, my God," he moaned, "my brother, my brother!" "'Sh, dearie, think--it 's--it 's--Frank." "That 's it, that 's it--that 's what I can't forget. It 's Frank,--Frank, my brother." Suddenly he sat up and his eyes stared straight into hers. "Leslie, no one must ever know what is in this letter," he said calmly. "No one shall, Maurice; come, let us burn it." "Burn it? No, no," he cried, clutching at his breast. "It must not be burned. What! burn my brother's secret? No, no, I must carry it with me,--carry it with me to the grave." "But, Maurice----" "I must carry it with me." She saw that he was overwrought, and so did not argue with him. When the doctor came, he found Maurice Oakley in bed, but better. The medical man diagnosed the case and decided that he had received some severe shock. He feared too for his heart, for the patient constantly held his hands pressed against his bosom. In vain the doctor pleaded; he would not take them down, and when the wife added her word, the physician gave up, and after prescribing, left, much puzzled in mind. "It 's a strange case," he said; "there 's something more than the nervous shock that makes him clutch his chest like that, and yet I have never noticed signs of heart trouble in Oakley. Oh, well, business worry will produce anything in anybody." It was soon common talk about the town about Maurice Oakley's attack. In the seclusion of his chamber he was saying to his wife: "Ah, Leslie, you and I will keep the secret. No one shall ever know." "Yes, dear, but--but--what of Berry?" "What of Berry?" he cried, starting | soon as she was alone, she loosed the crumpled sheets from his hand, for she felt that this must have been the cause of her husband's strange attack. Without a thought of wrong, for they had no secrets from each other, she glanced at the opening lines. Then she forgot the unconscious man at her feet and read the letter through to the end. The letter was in Frank's neat hand, a little shaken, perhaps, by nervousness. "DEAR BROTHER," it ran, "I know you will grieve at receiving this, and I wish that I might bear your grief for you, but I cannot, though I have as heavy a burden as this can bring to you. Mine would have been lighter to-day, perhaps, had you been more straightforward with me. I am not blaming you, however, for I know that my hypocrisy made you believe me possessed of a really soft heart, and you thought to spare me. Until yesterday, when in a letter from Esterton he casually mentioned the matter, I did not know that Berry was in prison, else this letter would have been written sooner. I have been wanting to write it for so long, and yet have been too great a coward to do so." "I know that you will be disappointed in me, and just what that disappointment will cost you I know; but you must hear the truth. I shall never see your face again, or I should not dare to tell it even now. You will remember that I begged you to be easy on your servant. You thought it was only my kindness of heart. It was not; I had a deeper reason. I knew where the money had gone and dared not tell. Berry is as innocent as yourself--and I--well, it is a story, and let me tell it to you." "You have had so much confidence in me, and I hate to tell you that it was all misplaced. I have no doubt that I should not be doing it now but that I have drunken absinthe enough to give me the emotional point of view, which I shall regret to-morrow. I do not mean that I am drunk. I can think clearly and write clearly, but my emotions are extremely active." "Do you remember Claire's saying at the table that night of the farewell dinner that some dark-eyed mademoiselle was waiting for me? She did not know how truly she spoke, though I fancy she saw how I flushed when she said it: for I was already in love--madly so." "I need not describe her. I need say nothing about her, for I know that nothing I say can ever persuade you to forgive her for taking me from you. This has gone on since I first came here, and I dared not tell you, for I saw whither your eyes had turned. I loved this girl, and she both inspired and hindered my work. Perhaps I would have been successful had I not met her, perhaps not." "I love her too well to marry her and make of our devotion a stale, prosy thing of duty and compulsion. When a man does not marry a woman, he must keep her better than he would a wife. It costs. All that you gave me went to make her happy." "Then, when I was about leaving you, the catastrophe came. I wanted much to carry back to her. I gambled to make more. I would surprise her. Luck was against me. Night after night I lost. Then, just before the dinner, I woke from my frenzy to find all that I had was gone. I would have asked you for more, and you would have given it; but that strange, ridiculous something which we misname Southern honour, that honour which strains at a gnat and swallows a camel, withheld me, and I preferred to do worse. So I lied to you. The money from my cabinet was not stolen save by myself. I am a liar and a thief, but your eyes shall never tell me so." "Tell the truth and have Berry released. I can stand it. Write me but one letter to tell me of this. Do not plead with me, do not forgive me, do not seek to find me, for from this time I shall be as one who has perished from the earth; I shall be no more." "Your brother, FRANK." By the time the servants came they found Mrs. Oakley as white as her lord. But with firm hands and compressed lips she ministered to his needs pending the doctor's arrival. She bathed his face and temples, chafed his hands, and forced the brandy between his lips. Finally he stirred and his hands gripped.<|quote|>"The letter!"</|quote|>he gasped. "Yes, dear, I have it; I have it." "Give it to me," he cried. She handed it to him. He seized it and thrust it into his breast. "Did--did--you read it?" "Yes, I did not know----" "Oh, my God, I did not intend that you should see it. I wanted the secret for my own. I wanted to carry it to my grave with me. Oh, Frank, Frank, Frank!" "Never mind, Maurice. It is as if you alone knew it." "It is not, I say, it is not!" He turned upon his face and began to weep passionately, not like a man, but like a child whose last toy has been broken. "Oh, my God," he moaned, "my brother, my brother!" "'Sh, dearie, think--it 's--it 's--Frank." "That 's it, that 's it--that 's what I can't forget. It 's Frank,--Frank, my brother." Suddenly he sat up and his eyes stared straight into hers. "Leslie, no one must ever know what is in this letter," he said calmly. "No one shall, Maurice; come, let us burn it." "Burn it? No, no," he cried, clutching at his breast. "It must not be burned. What! burn my brother's secret? No, no, I must carry it with me,--carry it with me to the grave." "But, Maurice----" "I must carry it with me." She saw that he was overwrought, and so did not argue with him. When the doctor came, he found Maurice Oakley in bed, but better. The medical man diagnosed the case and decided that he had received some severe shock. He feared too for his heart, for the patient constantly held his hands pressed against his bosom. In vain the doctor pleaded; he would not take them down, and when the wife added her word, the physician gave up, and after prescribing, left, much puzzled in mind. "It 's a strange case," he said; "there 's something more than the nervous shock that makes him clutch his chest like that, and yet I have never noticed signs of heart trouble in Oakley. Oh, well, business worry will produce anything in anybody." It was soon common talk about the town about Maurice Oakley's attack. In the seclusion of his chamber he was saying to his wife: "Ah, Leslie, you and I will keep the secret. No one shall ever know." "Yes, dear, but--but--what of Berry?" "What of Berry?" he cried, starting up excitedly. "What is Berry to Frank? What is that nigger to my brother? What are his sufferings to the honour of my family and name?" "Never mind, Maurice, never mind, you are right." "It must never be known, I say, if Berry has to rot in jail." So they wrote a lie to Frank, and buried the secret in their breasts, and Oakley wore its visible form upon his heart. XIV FRANKENSTEIN Five years is but a short time in the life of a man, and yet many things may happen therein. For instance, the whole way of a family's life may be changed. Good natures may be made into bad ones and out of a soul of faith grow a spirit of unbelief. The independence of respectability may harden into the insolence of defiance, and the sensitive cheek of modesty into the brazen face of shamelessness. It may be true that the habits of years are hard to change, but this is not true of the first sixteen or seventeen years of a young person's life, else Kitty Hamilton and Joe could not so easily have become what they were. It had taken barely five years to accomplish an entire metamorphosis of their characters. In Joe's case even a shorter time was needed. He was so ready to go down that it needed but a gentle push to start him, and once started, there was nothing within him to hold him back from the depths. For his will was as flabby as his conscience, and his pride, which stands to some men for conscience, had no definite aim or direction. Hattie Sterling had given him both his greatest impulse for evil and for good. She had at first given him his gentle push, but when she saw that his collapse would lose her a faithful and useful slave she had sought to check his course. Her threat of the severance of their relations had held him up for a little time, and she began to believe that he was safe again. He went back to the work he had neglected, drank moderately, and acted in most things as a sound, sensible being. Then, all of a sudden, he went down again, and went down badly. She kept her promise and threw him over. Then he became a hanger-on at the clubs, a genteel loafer. He used to say | say nothing about her, for I know that nothing I say can ever persuade you to forgive her for taking me from you. This has gone on since I first came here, and I dared not tell you, for I saw whither your eyes had turned. I loved this girl, and she both inspired and hindered my work. Perhaps I would have been successful had I not met her, perhaps not." "I love her too well to marry her and make of our devotion a stale, prosy thing of duty and compulsion. When a man does not marry a woman, he must keep her better than he would a wife. It costs. All that you gave me went to make her happy." "Then, when I was about leaving you, the catastrophe came. I wanted much to carry back to her. I gambled to make more. I would surprise her. Luck was against me. Night after night I lost. Then, just before the dinner, I woke from my frenzy to find all that I had was gone. I would have asked you for more, and you would have given it; but that strange, ridiculous something which we misname Southern honour, that honour which strains at a gnat and swallows a camel, withheld me, and I preferred to do worse. So I lied to you. The money from my cabinet was not stolen save by myself. I am a liar and a thief, but your eyes shall never tell me so." "Tell the truth and have Berry released. I can stand it. Write me but one letter to tell me of this. Do not plead with me, do not forgive me, do not seek to find me, for from this time I shall be as one who has perished from the earth; I shall be no more." "Your brother, FRANK." By the time the servants came they found Mrs. Oakley as white as her lord. But with firm hands and compressed lips she ministered to his needs pending the doctor's arrival. She bathed his face and temples, chafed his hands, and forced the brandy between his lips. Finally he stirred and his hands gripped.<|quote|>"The letter!"</|quote|>he gasped. "Yes, dear, I have it; I have it." "Give it to me," he cried. She handed it to him. He seized it and thrust it into his breast. "Did--did--you read it?" "Yes, I did not know----" "Oh, my God, I did not intend that you should see it. I wanted the secret for my own. I wanted to carry it to my grave with me. Oh, Frank, Frank, Frank!" "Never mind, Maurice. It is as if you alone knew it." "It is not, I say, it is not!" He turned upon his face and began to weep passionately, not like a man, but like a child whose last toy has been broken. "Oh, my God," he moaned, "my brother, my brother!" "'Sh, dearie, think--it 's--it 's--Frank." "That 's it, that 's it--that 's what I can't forget. It 's Frank,--Frank, my brother." Suddenly he sat up and his eyes stared straight into hers. "Leslie, no one must ever know what is in this letter," he said calmly. "No one shall, Maurice; come, let us burn it." "Burn it? No, no," he cried, clutching at his breast. "It must not be burned. What! burn my brother's secret? No, no, I must carry it with me,--carry it with me to the grave." "But, Maurice----" "I must carry it with me." She saw that he was overwrought, and so did not argue with him. When the doctor came, he found Maurice Oakley in bed, but better. The medical man diagnosed the case and decided that he had received some severe shock. He feared too for his heart, for the patient constantly held his hands pressed against his bosom. In vain the doctor pleaded; he would not take them down, and when the wife | The Sport Of The Gods |
"How do you do?" | Adela Quested | "I have, sahib, I have."<|quote|>"How do you do?"</|quote|>said Adela, likewise pulling herself | polo again?" said Ronny tepidly. "I have, sahib, I have."<|quote|>"How do you do?"</|quote|>said Adela, likewise pulling herself together. She held out her | of his voice, causing both of them to start. "What most improbable statement have I heard? An English lady useless? No, no, no, no, no." He laughed genially, sure, within limits, of his welcome. "Hallo, Nawab Bahadur! Been watching the polo again?" said Ronny tepidly. "I have, sahib, I have."<|quote|>"How do you do?"</|quote|>said Adela, likewise pulling herself together. She held out her hand. The old gentleman judged from so wanton a gesture that she was new to his country, but he paid little heed. Women who exposed their face became by that one act so mysterious to him that he took them | else. "McBryde has an illustrated bird book," he said dejectedly. "I'm no good at all at birds, in fact I'm useless at any information outside my own job. It's a great pity." "So am I. I'm useless at everything." "What do I hear?" shouted the Nawab Bahadur at the top of his voice, causing both of them to start. "What most improbable statement have I heard? An English lady useless? No, no, no, no, no." He laughed genially, sure, within limits, of his welcome. "Hallo, Nawab Bahadur! Been watching the polo again?" said Ronny tepidly. "I have, sahib, I have."<|quote|>"How do you do?"</|quote|>said Adela, likewise pulling herself together. She held out her hand. The old gentleman judged from so wanton a gesture that she was new to his country, but he paid little heed. Women who exposed their face became by that one act so mysterious to him that he took them at the valuation of their men folk rather than at his own. Perhaps they were not immoral, and anyhow they were not his affair. On seeing the City Magistrate alone with a maiden at twilight, he had borne down on them with hospitable intent. He had a new little car, | Of course they were friends, and for ever. "Do you know what the name of that green bird up above us is?" she asked, putting her shoulder rather nearer to his. "Bee-eater." "Oh no, Ronny, it has red bars on its wings." "Parrot," he hazarded. "Good gracious no." The bird in question dived into the dome of the tree. It was of no importance, yet they would have liked to identify it, it would somehow have solaced their hearts. But nothing in India is identifiable, the mere asking of a question causes it to disappear or to merge in something else. "McBryde has an illustrated bird book," he said dejectedly. "I'm no good at all at birds, in fact I'm useless at any information outside my own job. It's a great pity." "So am I. I'm useless at everything." "What do I hear?" shouted the Nawab Bahadur at the top of his voice, causing both of them to start. "What most improbable statement have I heard? An English lady useless? No, no, no, no, no." He laughed genially, sure, within limits, of his welcome. "Hallo, Nawab Bahadur! Been watching the polo again?" said Ronny tepidly. "I have, sahib, I have."<|quote|>"How do you do?"</|quote|>said Adela, likewise pulling herself together. She held out her hand. The old gentleman judged from so wanton a gesture that she was new to his country, but he paid little heed. Women who exposed their face became by that one act so mysterious to him that he took them at the valuation of their men folk rather than at his own. Perhaps they were not immoral, and anyhow they were not his affair. On seeing the City Magistrate alone with a maiden at twilight, he had borne down on them with hospitable intent. He had a new little car, and wished to place it at their disposal; the City Magistrate would decide whether the offer was acceptable. Ronny was by this time rather ashamed of his curtness to Aziz and Godbole, and here was an opportunity of showing that he could treat Indians with consideration when they deserved it. So he said to Adela, with the same sad friendliness that he had employed when discussing the bird, "Would half an hour's spin entertain you at all?" "Oughtn't we to get back to the bungalow." "Why?" He gazed at her. "I think perhaps I ought to see your mother and | skip and prepared to go to bed. Some Indian wild bird. "Yes, nothing else," she repeated, feeling that a profound and passionate speech ought to have been delivered by one or both of them. "We've been awfully British over it, but I suppose that's all right." "As we are British, I suppose it is." "Anyhow we've not quarrelled, Ronny." "Oh, that would have been too absurd. Why should we quarrel?" "I think we shall keep friends." "I know we shall." "Quite so." As soon as they had exchanged this admission, a wave of relief passed through them both, and then transformed itself into a wave of tenderness, and passed back. They were softened by their own honesty, and began to feel lonely and unwise. Experiences, not character, divided them; they were not dissimilar, as humans go; indeed, when compared with the people who stood nearest to them in point of space they became practically identical. The Bhil who was holding an officer's polo pony, the Eurasian who drove the Nawab Bahadur's car, the Nawab Bahadur himself, the Nawab Bahadur's debauched grandson none would have examined a difficulty so frankly and coolly. The mere fact of examination caused it to diminish. Of course they were friends, and for ever. "Do you know what the name of that green bird up above us is?" she asked, putting her shoulder rather nearer to his. "Bee-eater." "Oh no, Ronny, it has red bars on its wings." "Parrot," he hazarded. "Good gracious no." The bird in question dived into the dome of the tree. It was of no importance, yet they would have liked to identify it, it would somehow have solaced their hearts. But nothing in India is identifiable, the mere asking of a question causes it to disappear or to merge in something else. "McBryde has an illustrated bird book," he said dejectedly. "I'm no good at all at birds, in fact I'm useless at any information outside my own job. It's a great pity." "So am I. I'm useless at everything." "What do I hear?" shouted the Nawab Bahadur at the top of his voice, causing both of them to start. "What most improbable statement have I heard? An English lady useless? No, no, no, no, no." He laughed genially, sure, within limits, of his welcome. "Hallo, Nawab Bahadur! Been watching the polo again?" said Ronny tepidly. "I have, sahib, I have."<|quote|>"How do you do?"</|quote|>said Adela, likewise pulling herself together. She held out her hand. The old gentleman judged from so wanton a gesture that she was new to his country, but he paid little heed. Women who exposed their face became by that one act so mysterious to him that he took them at the valuation of their men folk rather than at his own. Perhaps they were not immoral, and anyhow they were not his affair. On seeing the City Magistrate alone with a maiden at twilight, he had borne down on them with hospitable intent. He had a new little car, and wished to place it at their disposal; the City Magistrate would decide whether the offer was acceptable. Ronny was by this time rather ashamed of his curtness to Aziz and Godbole, and here was an opportunity of showing that he could treat Indians with consideration when they deserved it. So he said to Adela, with the same sad friendliness that he had employed when discussing the bird, "Would half an hour's spin entertain you at all?" "Oughtn't we to get back to the bungalow." "Why?" He gazed at her. "I think perhaps I ought to see your mother and discuss future plans." "That's as you like, but there's no hurry, is there?" "Let me take you to the bungalow, and first the little spin," cried the old man, and hastened to the car. "He may show you some aspect of the country I can't, and he's a real loyalist. I thought you might care for a bit of a change." Determined to give him no more trouble, she agreed, but her desire to see India had suddenly decreased. There had been a factitious element in it. How should they seat themselves in the car? The elegant grandson had to be left behind. The Nawab Bahadur got up in front, for he had no intention of neighbouring an English girl. "Despite my advanced years, I am learning to drive," he said. "Man can learn everything if he will but try." And foreseeing a further difficulty, he added, "I do not do the actual steering. I sit and ask my chauffeur questions, and thus learn the reason for everything that is done before I do it myself. By this method serious and I may say ludicrous accidents, such as befell one of my compatriots during that delightful reception at the English | "I've finally decided we are not going to be married, my dear boy." The news hurt Ronny very much. He had heard Aziz announce that she would not return to the country, but had paid no attention to the remark, for he never dreamt that an Indian could be a channel of communication between two English people. He controlled himself and said gently, "You never said we should marry, my dear girl; you never bound either yourself or me don't let this upset you." She felt ashamed. How decent he was! He might force his opinions down her throat, but did not press her to an "engagement," because he believed, like herself, in the sanctity of personal relationships: it was this that had drawn them together at their first meeting, which had occurred among the grand scenery of the English Lakes. Her ordeal was over, but she felt it should have been more painful and longer. Adela will not marry Ronny. It seemed slipping away like a dream. She said, "But let us discuss things; it's all so frightfully important, we mustn't make false steps. I want next to hear your point of view about me it might help us both." His manner was unhappy and reserved. "I don't much believe in this discussing besides, I'm so dead with all this extra work Mohurram's bringing, if you'll excuse me." "I only want everything to be absolutely clear between us, and to answer any questions you care to put to me on my conduct." "But I haven't got any questions. You've acted within your rights, you were quite right to come out and have a look at me doing my work, it was an excellent plan, and anyhow it's no use talking further we should only get up steam." He felt angry and bruised; he was too proud to tempt her back, but he did not consider that she had behaved badly, because where his compatriots were concerned he had a generous mind. "I suppose that there is nothing else; it's unpardonable of me to have given you and your mother all this bother," said Miss Quested heavily, and frowned up at the tree beneath which they were sitting. A little green bird was observing her, so brilliant and neat that it might have hopped straight out of a shop. On catching her eye it closed its own, gave a small skip and prepared to go to bed. Some Indian wild bird. "Yes, nothing else," she repeated, feeling that a profound and passionate speech ought to have been delivered by one or both of them. "We've been awfully British over it, but I suppose that's all right." "As we are British, I suppose it is." "Anyhow we've not quarrelled, Ronny." "Oh, that would have been too absurd. Why should we quarrel?" "I think we shall keep friends." "I know we shall." "Quite so." As soon as they had exchanged this admission, a wave of relief passed through them both, and then transformed itself into a wave of tenderness, and passed back. They were softened by their own honesty, and began to feel lonely and unwise. Experiences, not character, divided them; they were not dissimilar, as humans go; indeed, when compared with the people who stood nearest to them in point of space they became practically identical. The Bhil who was holding an officer's polo pony, the Eurasian who drove the Nawab Bahadur's car, the Nawab Bahadur himself, the Nawab Bahadur's debauched grandson none would have examined a difficulty so frankly and coolly. The mere fact of examination caused it to diminish. Of course they were friends, and for ever. "Do you know what the name of that green bird up above us is?" she asked, putting her shoulder rather nearer to his. "Bee-eater." "Oh no, Ronny, it has red bars on its wings." "Parrot," he hazarded. "Good gracious no." The bird in question dived into the dome of the tree. It was of no importance, yet they would have liked to identify it, it would somehow have solaced their hearts. But nothing in India is identifiable, the mere asking of a question causes it to disappear or to merge in something else. "McBryde has an illustrated bird book," he said dejectedly. "I'm no good at all at birds, in fact I'm useless at any information outside my own job. It's a great pity." "So am I. I'm useless at everything." "What do I hear?" shouted the Nawab Bahadur at the top of his voice, causing both of them to start. "What most improbable statement have I heard? An English lady useless? No, no, no, no, no." He laughed genially, sure, within limits, of his welcome. "Hallo, Nawab Bahadur! Been watching the polo again?" said Ronny tepidly. "I have, sahib, I have."<|quote|>"How do you do?"</|quote|>said Adela, likewise pulling herself together. She held out her hand. The old gentleman judged from so wanton a gesture that she was new to his country, but he paid little heed. Women who exposed their face became by that one act so mysterious to him that he took them at the valuation of their men folk rather than at his own. Perhaps they were not immoral, and anyhow they were not his affair. On seeing the City Magistrate alone with a maiden at twilight, he had borne down on them with hospitable intent. He had a new little car, and wished to place it at their disposal; the City Magistrate would decide whether the offer was acceptable. Ronny was by this time rather ashamed of his curtness to Aziz and Godbole, and here was an opportunity of showing that he could treat Indians with consideration when they deserved it. So he said to Adela, with the same sad friendliness that he had employed when discussing the bird, "Would half an hour's spin entertain you at all?" "Oughtn't we to get back to the bungalow." "Why?" He gazed at her. "I think perhaps I ought to see your mother and discuss future plans." "That's as you like, but there's no hurry, is there?" "Let me take you to the bungalow, and first the little spin," cried the old man, and hastened to the car. "He may show you some aspect of the country I can't, and he's a real loyalist. I thought you might care for a bit of a change." Determined to give him no more trouble, she agreed, but her desire to see India had suddenly decreased. There had been a factitious element in it. How should they seat themselves in the car? The elegant grandson had to be left behind. The Nawab Bahadur got up in front, for he had no intention of neighbouring an English girl. "Despite my advanced years, I am learning to drive," he said. "Man can learn everything if he will but try." And foreseeing a further difficulty, he added, "I do not do the actual steering. I sit and ask my chauffeur questions, and thus learn the reason for everything that is done before I do it myself. By this method serious and I may say ludicrous accidents, such as befell one of my compatriots during that delightful reception at the English Club, are avoided. Our good Panna Lal! I hope, sahib, that great damage was not done to your flowers. Let us have our little spin down the Gangavati road. Half one league onwards!" He fell asleep. Ronny instructed the chauffeur to take the Marabar road rather than the Gangavati, since the latter was under repair, and settled himself down beside the lady he had lost. The car made a burring noise and rushed along a chauss e that ran upon an embankment above melancholy fields. Trees of a poor quality bordered the road, indeed the whole scene was inferior, and suggested that the country-side was too vast to admit of excellence. In vain did each item in it call out, "Come, come." There was not enough god to go round. The two young people conversed feebly and felt unimportant. When the darkness began, it seemed to well out of the meagre vegetation, entirely covering the fields each side of them before it brimmed over the road. Ronny's face grew dim an event that always increased her esteem for his character. Her hand touched his, owing to a jolt, and one of the thrills so frequent in the animal kingdom passed between them, and announced that all their difficulties were only a lovers' quarrel. Each was too proud to increase the pressure, but neither withdrew it, and a spurious unity descended on them, as local and temporary as the gleam that inhabits a firefly. It would vanish in a moment, perhaps to reappear, but the darkness is alone durable. And the night that encircled them, absolute as it seemed, was itself only a spurious unity, being modified by the gleams of day that leaked up round the edges of the earth, and by the stars. They gripped . . . bump, jump, a swerve, two wheels lifted in the air, breaks on, bump with tree at edge of embankment, standstill. An accident. A slight one. Nobody hurt. The Nawab Bahadur awoke. He cried out in Arabic, and violently tugged his beard. "What's the damage?" enquired Ronny, after the moment's pause that he permitted himself before taking charge of a situation. The Eurasian, inclined to be flustered, rallied to the sound of his voice, and, every inch an Englishman, replied, "You give me five minutes' time, I'll take you any dam anywhere." "Frightened, Adela?" He released her hand. "Not a bit." "I | this extra work Mohurram's bringing, if you'll excuse me." "I only want everything to be absolutely clear between us, and to answer any questions you care to put to me on my conduct." "But I haven't got any questions. You've acted within your rights, you were quite right to come out and have a look at me doing my work, it was an excellent plan, and anyhow it's no use talking further we should only get up steam." He felt angry and bruised; he was too proud to tempt her back, but he did not consider that she had behaved badly, because where his compatriots were concerned he had a generous mind. "I suppose that there is nothing else; it's unpardonable of me to have given you and your mother all this bother," said Miss Quested heavily, and frowned up at the tree beneath which they were sitting. A little green bird was observing her, so brilliant and neat that it might have hopped straight out of a shop. On catching her eye it closed its own, gave a small skip and prepared to go to bed. Some Indian wild bird. "Yes, nothing else," she repeated, feeling that a profound and passionate speech ought to have been delivered by one or both of them. "We've been awfully British over it, but I suppose that's all right." "As we are British, I suppose it is." "Anyhow we've not quarrelled, Ronny." "Oh, that would have been too absurd. Why should we quarrel?" "I think we shall keep friends." "I know we shall." "Quite so." As soon as they had exchanged this admission, a wave of relief passed through them both, and then transformed itself into a wave of tenderness, and passed back. They were softened by their own honesty, and began to feel lonely and unwise. Experiences, not character, divided them; they were not dissimilar, as humans go; indeed, when compared with the people who stood nearest to them in point of space they became practically identical. The Bhil who was holding an officer's polo pony, the Eurasian who drove the Nawab Bahadur's car, the Nawab Bahadur himself, the Nawab Bahadur's debauched grandson none would have examined a difficulty so frankly and coolly. The mere fact of examination caused it to diminish. Of course they were friends, and for ever. "Do you know what the name of that green bird up above us is?" she asked, putting her shoulder rather nearer to his. "Bee-eater." "Oh no, Ronny, it has red bars on its wings." "Parrot," he hazarded. "Good gracious no." The bird in question dived into the dome of the tree. It was of no importance, yet they would have liked to identify it, it would somehow have solaced their hearts. But nothing in India is identifiable, the mere asking of a question causes it to disappear or to merge in something else. "McBryde has an illustrated bird book," he said dejectedly. "I'm no good at all at birds, in fact I'm useless at any information outside my own job. It's a great pity." "So am I. I'm useless at everything." "What do I hear?" shouted the Nawab Bahadur at the top of his voice, causing both of them to start. "What most improbable statement have I heard? An English lady useless? No, no, no, no, no." He laughed genially, sure, within limits, of his welcome. "Hallo, Nawab Bahadur! Been watching the polo again?" said Ronny tepidly. "I have, sahib, I have."<|quote|>"How do you do?"</|quote|>said Adela, likewise pulling herself together. She held out her hand. The old gentleman judged from so wanton a gesture that she was new to his country, but he paid little heed. Women who exposed their face became by that one act so mysterious to him that he took them at the valuation of their men folk rather than at his own. Perhaps they were not immoral, and anyhow they were not his affair. On seeing the City Magistrate alone with a maiden at twilight, he had borne down on them with hospitable intent. He had a new little car, and wished to place it at their disposal; the City Magistrate would decide whether the offer was acceptable. Ronny was by this time rather ashamed of his curtness to Aziz and Godbole, and here was an opportunity of showing that he could treat Indians with consideration when they deserved it. So he said to Adela, with the same sad friendliness that he had employed when discussing the bird, "Would half an hour's spin entertain you at all?" "Oughtn't we to get back to the bungalow." "Why?" He gazed at her. "I think perhaps I ought to see your mother and discuss future plans." "That's as you like, but there's no hurry, is there?" "Let me take you to the bungalow, and first the little spin," cried the old man, and hastened to the car. | A Passage To India |
"Syme," | The Secretary | because it was so good."<|quote|>"Syme,"</|quote|>exclaimed the Secretary, "are you | because it was so beautiful, because it was so good."<|quote|>"Syme,"</|quote|>exclaimed the Secretary, "are you ill?" "It was like the | hotel, and coming round the other side of him, saw his face in the sunlight. His face frightened me, as it did everyone; but not because it was brutal, not because it was evil. On the contrary, it frightened me because it was so beautiful, because it was so good."<|quote|>"Syme,"</|quote|>exclaimed the Secretary, "are you ill?" "It was like the face of some ancient archangel, judging justly after heroic wars. There was laughter in the eyes, and in the mouth honour and sorrow. There was the same white hair, the same great, grey-clad shoulders that I had seen from behind. | at once the revolting fancy that this was not a man at all, but a beast dressed up in men's clothes." "Get on," said Dr. Bull. "And then the queer thing happened. I had seen his back from the street, as he sat in the balcony. Then I entered the hotel, and coming round the other side of him, saw his face in the sunlight. His face frightened me, as it did everyone; but not because it was brutal, not because it was evil. On the contrary, it frightened me because it was so beautiful, because it was so good."<|quote|>"Syme,"</|quote|>exclaimed the Secretary, "are you ill?" "It was like the face of some ancient archangel, judging justly after heroic wars. There was laughter in the eyes, and in the mouth honour and sorrow. There was the same white hair, the same great, grey-clad shoulders that I had seen from behind. But when I saw him from behind I was certain he was an animal, and when I saw him in front I knew he was a god." "Pan," said the Professor dreamily, "was a god and an animal." "Then, and again and always," went on Syme like a man talking | still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world." "Get on a little faster, Syme," said Bull; "never mind the balloon." "When I first saw Sunday," said Syme slowly, "I only saw his back; and when I saw his back, I knew he was the worst man in the world. His neck and shoulders were brutal, like those of some apish god. His head had a stoop that was hardly human, like the stoop of an ox. In fact, I had at once the revolting fancy that this was not a man at all, but a beast dressed up in men's clothes." "Get on," said Dr. Bull. "And then the queer thing happened. I had seen his back from the street, as he sat in the balcony. Then I entered the hotel, and coming round the other side of him, saw his face in the sunlight. His face frightened me, as it did everyone; but not because it was brutal, not because it was evil. On the contrary, it frightened me because it was so beautiful, because it was so good."<|quote|>"Syme,"</|quote|>exclaimed the Secretary, "are you ill?" "It was like the face of some ancient archangel, judging justly after heroic wars. There was laughter in the eyes, and in the mouth honour and sorrow. There was the same white hair, the same great, grey-clad shoulders that I had seen from behind. But when I saw him from behind I was certain he was an animal, and when I saw him in front I knew he was a god." "Pan," said the Professor dreamily, "was a god and an animal." "Then, and again and always," went on Syme like a man talking to himself, "that has been for me the mystery of Sunday, and it is also the mystery of the world. When I see the horrible back, I am sure the noble face is but a mask. When I see the face but for an instant, I know the back is only a jest. Bad is so bad, that we cannot but think good an accident; good is so good, that we feel certain that evil could be explained. But the whole came to a kind of crest yesterday when I raced Sunday for the cab, and was just behind him | whether your face, Bull, is a face or a combination in perspective. Perhaps one black disc of your beastly glasses is quite close and another fifty miles away. Oh, the doubts of a materialist are not worth a dump. Sunday has taught me the last and the worst doubts, the doubts of a spiritualist. I am a Buddhist, I suppose; and Buddhism is not a creed, it is a doubt. My poor dear Bull, I do not believe that you really have a face. I have not faith enough to believe in matter." Syme's eyes were still fixed upon the errant orb, which, reddened in the evening light, looked like some rosier and more innocent world. "Have you noticed an odd thing," he said, "about all your descriptions? Each man of you finds Sunday quite different, yet each man of you can only find one thing to compare him to the universe itself. Bull finds him like the earth in spring, Gogol like the sun at noonday. The Secretary is reminded of the shapeless protoplasm, and the Inspector of the carelessness of virgin forests. The Professor says he is like a changing landscape. This is queer, but it is queerer still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world." "Get on a little faster, Syme," said Bull; "never mind the balloon." "When I first saw Sunday," said Syme slowly, "I only saw his back; and when I saw his back, I knew he was the worst man in the world. His neck and shoulders were brutal, like those of some apish god. His head had a stoop that was hardly human, like the stoop of an ox. In fact, I had at once the revolting fancy that this was not a man at all, but a beast dressed up in men's clothes." "Get on," said Dr. Bull. "And then the queer thing happened. I had seen his back from the street, as he sat in the balcony. Then I entered the hotel, and coming round the other side of him, saw his face in the sunlight. His face frightened me, as it did everyone; but not because it was brutal, not because it was evil. On the contrary, it frightened me because it was so beautiful, because it was so good."<|quote|>"Syme,"</|quote|>exclaimed the Secretary, "are you ill?" "It was like the face of some ancient archangel, judging justly after heroic wars. There was laughter in the eyes, and in the mouth honour and sorrow. There was the same white hair, the same great, grey-clad shoulders that I had seen from behind. But when I saw him from behind I was certain he was an animal, and when I saw him in front I knew he was a god." "Pan," said the Professor dreamily, "was a god and an animal." "Then, and again and always," went on Syme like a man talking to himself, "that has been for me the mystery of Sunday, and it is also the mystery of the world. When I see the horrible back, I am sure the noble face is but a mask. When I see the face but for an instant, I know the back is only a jest. Bad is so bad, that we cannot but think good an accident; good is so good, that we feel certain that evil could be explained. But the whole came to a kind of crest yesterday when I raced Sunday for the cab, and was just behind him all the way." "Had you time for thinking then?" asked Ratcliffe. "Time," replied Syme, "for one outrageous thought. I was suddenly possessed with the idea that the blind, blank back of his head really was his face an awful, eyeless face staring at me! And I fancied that the figure running in front of me was really a figure running backwards, and dancing as he ran." "Horrible!" said Dr. Bull, and shuddered. "Horrible is not the word," said Syme. "It was exactly the worst instant of my life. And yet ten minutes afterwards, when he put his head out of the cab and made a grimace like a gargoyle, I knew that he was only like a father playing hide-and-seek with his children." "It is a long game," said the Secretary, and frowned at his broken boots. "Listen to me," cried Syme with extraordinary emphasis. "Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you | he happens to see you, will apologise. But how will you bear an absentminded man who, if he happens to see you, will kill you? That is what tries the nerves, abstraction combined with cruelty. Men have felt it sometimes when they went through wild forests, and felt that the animals there were at once innocent and pitiless. They might ignore or slay. How would you like to pass ten mortal hours in a parlour with an absent-minded tiger?" "And what do you think of Sunday, Gogol?" asked Syme. "I don't think of Sunday on principle," said Gogol simply, "any more than I stare at the sun at noonday." "Well, that is a point of view," said Syme thoughtfully. "What do you say, Professor?" The Professor was walking with bent head and trailing stick, and he did not answer at all. "Wake up, Professor!" said Syme genially. "Tell us what you think of Sunday." The Professor spoke at last very slowly. "I think something," he said, "that I cannot say clearly. Or, rather, I think something that I cannot even think clearly. But it is something like this. My early life, as you know, was a bit too large and loose." "Well, when I saw Sunday's face I thought it was too large everybody does, but I also thought it was too loose. The face was so big, that one couldn't focus it or make it a face at all. The eye was so far away from the nose, that it wasn't an eye. The mouth was so much by itself, that one had to think of it by itself. The whole thing is too hard to explain." He paused for a little, still trailing his stick, and then went on "But put it this way. Walking up a road at night, I have seen a lamp and a lighted window and a cloud make together a most complete and unmistakable face. If anyone in heaven has that face I shall know him again. Yet when I walked a little farther I found that there was no face, that the window was ten yards away, the lamp ten hundred yards, the cloud beyond the world. Well, Sunday's face escaped me; it ran away to right and left, as such chance pictures run away. And so his face has made me, somehow, doubt whether there are any faces. I don't know whether your face, Bull, is a face or a combination in perspective. Perhaps one black disc of your beastly glasses is quite close and another fifty miles away. Oh, the doubts of a materialist are not worth a dump. Sunday has taught me the last and the worst doubts, the doubts of a spiritualist. I am a Buddhist, I suppose; and Buddhism is not a creed, it is a doubt. My poor dear Bull, I do not believe that you really have a face. I have not faith enough to believe in matter." Syme's eyes were still fixed upon the errant orb, which, reddened in the evening light, looked like some rosier and more innocent world. "Have you noticed an odd thing," he said, "about all your descriptions? Each man of you finds Sunday quite different, yet each man of you can only find one thing to compare him to the universe itself. Bull finds him like the earth in spring, Gogol like the sun at noonday. The Secretary is reminded of the shapeless protoplasm, and the Inspector of the carelessness of virgin forests. The Professor says he is like a changing landscape. This is queer, but it is queerer still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world." "Get on a little faster, Syme," said Bull; "never mind the balloon." "When I first saw Sunday," said Syme slowly, "I only saw his back; and when I saw his back, I knew he was the worst man in the world. His neck and shoulders were brutal, like those of some apish god. His head had a stoop that was hardly human, like the stoop of an ox. In fact, I had at once the revolting fancy that this was not a man at all, but a beast dressed up in men's clothes." "Get on," said Dr. Bull. "And then the queer thing happened. I had seen his back from the street, as he sat in the balcony. Then I entered the hotel, and coming round the other side of him, saw his face in the sunlight. His face frightened me, as it did everyone; but not because it was brutal, not because it was evil. On the contrary, it frightened me because it was so beautiful, because it was so good."<|quote|>"Syme,"</|quote|>exclaimed the Secretary, "are you ill?" "It was like the face of some ancient archangel, judging justly after heroic wars. There was laughter in the eyes, and in the mouth honour and sorrow. There was the same white hair, the same great, grey-clad shoulders that I had seen from behind. But when I saw him from behind I was certain he was an animal, and when I saw him in front I knew he was a god." "Pan," said the Professor dreamily, "was a god and an animal." "Then, and again and always," went on Syme like a man talking to himself, "that has been for me the mystery of Sunday, and it is also the mystery of the world. When I see the horrible back, I am sure the noble face is but a mask. When I see the face but for an instant, I know the back is only a jest. Bad is so bad, that we cannot but think good an accident; good is so good, that we feel certain that evil could be explained. But the whole came to a kind of crest yesterday when I raced Sunday for the cab, and was just behind him all the way." "Had you time for thinking then?" asked Ratcliffe. "Time," replied Syme, "for one outrageous thought. I was suddenly possessed with the idea that the blind, blank back of his head really was his face an awful, eyeless face staring at me! And I fancied that the figure running in front of me was really a figure running backwards, and dancing as he ran." "Horrible!" said Dr. Bull, and shuddered. "Horrible is not the word," said Syme. "It was exactly the worst instant of my life. And yet ten minutes afterwards, when he put his head out of the cab and made a grimace like a gargoyle, I knew that he was only like a father playing hide-and-seek with his children." "It is a long game," said the Secretary, and frowned at his broken boots. "Listen to me," cried Syme with extraordinary emphasis. "Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front" "Look!" cried out Bull clamorously, "the balloon is coming down!" There was no need to cry out to Syme, who had never taken his eyes off it. He saw the great luminous globe suddenly stagger in the sky, right itself, and then sink slowly behind the trees like a setting sun. The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit. "He is dead!" he cried. "And now I know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs," said the Professor. "The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of the exclamations. "It fell over there," he said shortly. "Let us follow it!" Then he added with an indescribable gesture "Oh, if he has cheated us all by getting killed! It would be like one of his larks." He strode off towards the distant trees with a new energy, his rags and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field. Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken along with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood. "Gentlemen," he said, "my master has a carriage waiting for you in the road just | Perhaps one black disc of your beastly glasses is quite close and another fifty miles away. Oh, the doubts of a materialist are not worth a dump. Sunday has taught me the last and the worst doubts, the doubts of a spiritualist. I am a Buddhist, I suppose; and Buddhism is not a creed, it is a doubt. My poor dear Bull, I do not believe that you really have a face. I have not faith enough to believe in matter." Syme's eyes were still fixed upon the errant orb, which, reddened in the evening light, looked like some rosier and more innocent world. "Have you noticed an odd thing," he said, "about all your descriptions? Each man of you finds Sunday quite different, yet each man of you can only find one thing to compare him to the universe itself. Bull finds him like the earth in spring, Gogol like the sun at noonday. The Secretary is reminded of the shapeless protoplasm, and the Inspector of the carelessness of virgin forests. The Professor says he is like a changing landscape. This is queer, but it is queerer still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world." "Get on a little faster, Syme," said Bull; "never mind the balloon." "When I first saw Sunday," said Syme slowly, "I only saw his back; and when I saw his back, I knew he was the worst man in the world. His neck and shoulders were brutal, like those of some apish god. His head had a stoop that was hardly human, like the stoop of an ox. In fact, I had at once the revolting fancy that this was not a man at all, but a beast dressed up in men's clothes." "Get on," said Dr. Bull. "And then the queer thing happened. I had seen his back from the street, as he sat in the balcony. Then I entered the hotel, and coming round the other side of him, saw his face in the sunlight. His face frightened me, as it did everyone; but not because it was brutal, not because it was evil. On the contrary, it frightened me because it was so beautiful, because it was so good."<|quote|>"Syme,"</|quote|>exclaimed the Secretary, "are you ill?" "It was like the face of some ancient archangel, judging justly after heroic wars. There was laughter in the eyes, and in the mouth honour and sorrow. There was the same white hair, the same great, grey-clad shoulders that I had seen from behind. But when I saw him from behind I was certain he was an animal, and when I saw him in front I knew he was a god." "Pan," said the Professor dreamily, "was a god and an animal." "Then, and again and always," went on Syme like a man talking to himself, "that has been for me the mystery of Sunday, and it is also the mystery of the world. When I see the horrible back, I am sure the noble face is but a mask. When I see the face but for an instant, I know the back is only a jest. Bad is so bad, that we cannot but think good an accident; good is so good, that we feel certain that evil could be explained. But the whole came to a kind of crest yesterday when I raced Sunday for the cab, and was just behind him all the way." "Had you time for thinking then?" asked Ratcliffe. "Time," replied Syme, "for one outrageous thought. I was suddenly possessed with the idea that the blind, blank back of his head really was his face an awful, eyeless face staring at me! And I | The Man Who Was Thursday |
"My good mother," | The General | returned also in a whisper.<|quote|>"My good mother,"</|quote|>he said as he approached | and stop her yourself," I returned also in a whisper.<|quote|>"My good mother,"</|quote|>he said as he approached her, "my good mother, pray | bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued to wheel the old lady along. "Stop her, stop her," whispered the General in consternation. "You had better try and stop her yourself," I returned also in a whisper.<|quote|>"My good mother,"</|quote|>he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and | want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued to wheel the old lady along. "Stop her, stop her," whispered the General in consternation. "You had better try and stop her yourself," I returned also in a whisper.<|quote|>"My good mother,"</|quote|>he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl | me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued to wheel the old lady along. "Stop her, stop her," whispered the General in consternation. "You had better try and stop her yourself," I returned also in a whisper.<|quote|>"My good mother,"</|quote|>he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl almost of a wild beast. "Du lait, de l herbe fraiche" the idyll, the ideal of the Parisian bourgeois his whole outlook upon "la nature et la verit "! "Have done with you and your milk!" cried the old lady. "Go and stuff _yourself_ as much as you like, but my stomach simply recoils from the idea. What are you stopping for? I have nothing to say to you." "Here we are, Madame," I announced. "Here is the moneychanger s office." I entered to get the securities changed, while the Grandmother remained outside in the porch, and the rest waited | is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued to wheel the old lady along. "Stop her, stop her," whispered the General in consternation. "You had better try and stop her yourself," I returned also in a whisper.<|quote|>"My good mother,"</|quote|>he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl almost of a wild beast. "Du lait, de l herbe fraiche" the idyll, the ideal of the Parisian bourgeois his whole outlook upon "la nature et la verit "! "Have done with you and your milk!" cried the old lady. "Go and stuff _yourself_ as much as you like, but my stomach simply recoils from the idea. What are you stopping for? I have nothing to say to you." "Here we are, Madame," I announced. "Here is the moneychanger s office." I entered to get the securities changed, while the Grandmother remained outside in the porch, and the rest waited at a little distance, in doubt as to their best course of action. At length the old lady turned such an angry stare upon them that they departed along the road towards the Casino. The process of changing involved complicated calculations which soon necessitated my return to the Grandmother for instructions. "The thieves!" she exclaimed as she clapped her hands together. "Never mind, though. Get the documents cashed No; send the banker out to me," she added as an afterthought. "Would one of the clerks do, Madame?" "Yes, one of the clerks. The thieves!" The clerk consented to come out when he perceived that he was being asked for by an old lady who was too infirm to walk; after which the Grandmother began to upbraid him at length, and with great vehemence, for his alleged usuriousness, and to bargain with him in a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently nodded his head. At the Grandmother, in particular, he gazed with a curiosity which almost bordered upon rudeness. At length, too, he smiled. "Pray recollect yourself!" cried the old lady. "And may my money choke you! Alexis | should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered, "such a quantity of money" "Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued to wheel the old lady along. "Stop her, stop her," whispered the General in consternation. "You had better try and stop her yourself," I returned also in a whisper.<|quote|>"My good mother,"</|quote|>he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl almost of a wild beast. "Du lait, de l herbe fraiche" the idyll, the ideal of the Parisian bourgeois his whole outlook upon "la nature et la verit "! "Have done with you and your milk!" cried the old lady. "Go and stuff _yourself_ as much as you like, but my stomach simply recoils from the idea. What are you stopping for? I have nothing to say to you." "Here we are, Madame," I announced. "Here is the moneychanger s office." I entered to get the securities changed, while the Grandmother remained outside in the porch, and the rest waited at a little distance, in doubt as to their best course of action. At length the old lady turned such an angry stare upon them that they departed along the road towards the Casino. The process of changing involved complicated calculations which soon necessitated my return to the Grandmother for instructions. "The thieves!" she exclaimed as she clapped her hands together. "Never mind, though. Get the documents cashed No; send the banker out to me," she added as an afterthought. "Would one of the clerks do, Madame?" "Yes, one of the clerks. The thieves!" The clerk consented to come out when he perceived that he was being asked for by an old lady who was too infirm to walk; after which the Grandmother began to upbraid him at length, and with great vehemence, for his alleged usuriousness, and to bargain with him in a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently nodded his head. At the Grandmother, in particular, he gazed with a curiosity which almost bordered upon rudeness. At length, too, he smiled. "Pray recollect yourself!" cried the old lady. "And may my money choke you! Alexis Ivanovitch, tell him that we can easily repair to someone else." "The clerk says that others will give you even less than he." Of what the ultimate calculations consisted I do not exactly remember, but at all events they were alarming. Receiving twelve thousand florins in gold, I took also the statement of accounts, and carried it out to the Grandmother. "Well, well," she said, "I am no accountant. Let us hurry away, hurry away." And she waved the paper aside. "Neither upon that accursed zero, however, nor upon that equally accursed red do I mean to stake a cent," I muttered to myself as I entered the Casino. This time I did all I could to persuade the old lady to stake as little as possible saying that a turn would come in the chances when she would be at liberty to stake more. But she was so impatient that, though at first she agreed to do as I suggested, nothing could stop her when once she had begun. By way of prelude she won stakes of a hundred and two hundred g lden. "There you are!" she said as she nudged me. "See what we have won! Surely it would be worth our while to stake four thousand instead of a hundred, for we might win another four thousand, and then ! Oh, it was YOUR fault before all your fault!" I felt greatly put out as I watched her play, but I decided to hold my tongue, and to give her no more advice. Suddenly De Griers appeared on the scene. It seemed that all this while he and his companions had been standing beside us though I noticed that Mlle. Blanche had withdrawn a little from the rest, and was engaged in flirting with the Prince. Clearly the General was greatly put out at this. Indeed, he was in a perfect agony of vexation. But Mlle. was careful never to look his way, though he did his best to attract her notice. Poor General! By turns his face blanched and reddened, and he was trembling to such an extent that he could scarcely follow the old lady s play. At length Mlle. and the Prince took their departure, and the General followed them. "Madame, Madame," sounded the honeyed accents of De Griers as he leant over to whisper in the Grandmother s ear. "That stake will | reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued to wheel the old lady along. "Stop her, stop her," whispered the General in consternation. "You had better try and stop her yourself," I returned also in a whisper.<|quote|>"My good mother,"</|quote|>he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl almost of a wild beast. "Du lait, de l herbe fraiche" the idyll, the ideal of the Parisian bourgeois his whole outlook upon "la nature et la verit "! "Have done with you and your milk!" cried the old lady. "Go and stuff _yourself_ as much as you like, but my stomach simply recoils from the idea. What are you stopping for? I have nothing to say to you." "Here we are, Madame," I announced. "Here is the moneychanger s office." I entered to get the securities changed, while the Grandmother remained outside in the porch, and the rest waited at a little distance, in doubt as to their best course of action. At length the old lady turned such an angry stare upon them that they departed along the road towards the Casino. The process of changing involved complicated calculations which soon necessitated my return to the Grandmother for instructions. "The thieves!" she exclaimed as she clapped her hands together. "Never mind, though. Get the documents cashed No; send the banker out to me," she added as an afterthought. "Would one of the clerks do, Madame?" "Yes, one | The Gambler |
"I don't know how much you've got, and I dare say you hardly know yourself, as it would take a pretty long time to count it," | Bill Sikes | haven't so much as would"<|quote|>"I don't know how much you've got, and I dare say you hardly know yourself, as it would take a pretty long time to count it,"</|quote|>said Sikes; "but I must | holding up is hands. "I haven't so much as would"<|quote|>"I don't know how much you've got, and I dare say you hardly know yourself, as it would take a pretty long time to count it,"</|quote|>said Sikes; "but I must have some to-night; and that's | Mr. Sikes; "but I must have some blunt from you to-night." "I haven't a piece of coin about me," replied the Jew. "Then you've got lots at home," retorted Sikes; "and I must have some from there." "Lots!" cried Fagin, holding up is hands. "I haven't so much as would"<|quote|>"I don't know how much you've got, and I dare say you hardly know yourself, as it would take a pretty long time to count it,"</|quote|>said Sikes; "but I must have some to-night; and that's flat." "Well, well," said Fagin, with a sigh, "I'll send the Artful round presently." "You won't do nothing of the kind," rejoined Mr. Sikes. "The Artful's a deal too artful, and would forget to come, or lose his way, or | flow of spirits, gradually brought Mr. Sikes into a better temper, by affecting to regard his threats as a little pleasant banter; and, moreover, by laughing very heartily at one or two rough jokes, which, after repeated applications to the spirit-bottle, he condescended to make. "It's all very well," said Mr. Sikes; "but I must have some blunt from you to-night." "I haven't a piece of coin about me," replied the Jew. "Then you've got lots at home," retorted Sikes; "and I must have some from there." "Lots!" cried Fagin, holding up is hands. "I haven't so much as would"<|quote|>"I don't know how much you've got, and I dare say you hardly know yourself, as it would take a pretty long time to count it,"</|quote|>said Sikes; "but I must have some to-night; and that's flat." "Well, well," said Fagin, with a sigh, "I'll send the Artful round presently." "You won't do nothing of the kind," rejoined Mr. Sikes. "The Artful's a deal too artful, and would forget to come, or lose his way, or get dodged by traps and so be perwented, or anything for an excuse, if you put him up to it. Nancy shall go to the ken and fetch it, to make all sure; and I'll lie down and have a snooze while she's gone." After a great deal of haggling | If it hadn't been for the girl, I might have died." "There now, Bill," remonstrated Fagin, eagerly catching at the word. "If it hadn't been for the girl! Who but poor ould Fagin was the means of your having such a handy girl about you?" "He says true enough there!" said Nancy, coming hastily forward. "Let him be; let him be." Nancy's appearance gave a new turn to the conversation; for the boys, receiving a sly wink from the wary old Jew, began to ply her with liquor: of which, however, she took very sparingly; while Fagin, assuming an unusual flow of spirits, gradually brought Mr. Sikes into a better temper, by affecting to regard his threats as a little pleasant banter; and, moreover, by laughing very heartily at one or two rough jokes, which, after repeated applications to the spirit-bottle, he condescended to make. "It's all very well," said Mr. Sikes; "but I must have some blunt from you to-night." "I haven't a piece of coin about me," replied the Jew. "Then you've got lots at home," retorted Sikes; "and I must have some from there." "Lots!" cried Fagin, holding up is hands. "I haven't so much as would"<|quote|>"I don't know how much you've got, and I dare say you hardly know yourself, as it would take a pretty long time to count it,"</|quote|>said Sikes; "but I must have some to-night; and that's flat." "Well, well," said Fagin, with a sigh, "I'll send the Artful round presently." "You won't do nothing of the kind," rejoined Mr. Sikes. "The Artful's a deal too artful, and would forget to come, or lose his way, or get dodged by traps and so be perwented, or anything for an excuse, if you put him up to it. Nancy shall go to the ken and fetch it, to make all sure; and I'll lie down and have a snooze while she's gone." After a great deal of haggling and squabbling, Fagin beat down the amount of the required advance from five pounds to three pounds four and sixpence: protesting with many solemn asseverations that that would only leave him eighteen-pence to keep house with; Mr. Sikes sullenly remarking that if he couldn't get any more he must accompany him home; with the Dodger and Master Bates put the eatables in the cupboard. The Jew then, taking leave of his affectionate friend, returned homeward, attended by Nancy and the boys: Mr. Sikes, meanwhile, flinging himself on the bed, and composing himself to sleep away the time until the young | bed: still growling angrily. "What have you got to say for yourself, you withered old fence, eh?" "I was away from London, a week and more, my dear, on a plant," replied the Jew. "And what about the other fortnight?" demanded Sikes. "What about the other fortnight that you've left me lying here, like a sick rat in his hole?" "I couldn't help it, Bill. I can't go into a long explanation before company; but I couldn't help it, upon my honour." "Upon your what?" growled Sikes, with excessive disgust. "Here! Cut me off a piece of that pie, one of you boys, to take the taste of that out of my mouth, or it'll choke me dead." "Don't be out of temper, my dear," urged Fagin, submissively. "I have never forgot you, Bill; never once." "No! I'll pound it that you han't," replied Sikes, with a bitter grin. "You've been scheming and plotting away, every hour that I have laid shivering and burning here; and Bill was to do this; and Bill was to do that; and Bill was to do it all, dirt cheap, as soon as he got well: and was quite poor enough for your work. If it hadn't been for the girl, I might have died." "There now, Bill," remonstrated Fagin, eagerly catching at the word. "If it hadn't been for the girl! Who but poor ould Fagin was the means of your having such a handy girl about you?" "He says true enough there!" said Nancy, coming hastily forward. "Let him be; let him be." Nancy's appearance gave a new turn to the conversation; for the boys, receiving a sly wink from the wary old Jew, began to ply her with liquor: of which, however, she took very sparingly; while Fagin, assuming an unusual flow of spirits, gradually brought Mr. Sikes into a better temper, by affecting to regard his threats as a little pleasant banter; and, moreover, by laughing very heartily at one or two rough jokes, which, after repeated applications to the spirit-bottle, he condescended to make. "It's all very well," said Mr. Sikes; "but I must have some blunt from you to-night." "I haven't a piece of coin about me," replied the Jew. "Then you've got lots at home," retorted Sikes; "and I must have some from there." "Lots!" cried Fagin, holding up is hands. "I haven't so much as would"<|quote|>"I don't know how much you've got, and I dare say you hardly know yourself, as it would take a pretty long time to count it,"</|quote|>said Sikes; "but I must have some to-night; and that's flat." "Well, well," said Fagin, with a sigh, "I'll send the Artful round presently." "You won't do nothing of the kind," rejoined Mr. Sikes. "The Artful's a deal too artful, and would forget to come, or lose his way, or get dodged by traps and so be perwented, or anything for an excuse, if you put him up to it. Nancy shall go to the ken and fetch it, to make all sure; and I'll lie down and have a snooze while she's gone." After a great deal of haggling and squabbling, Fagin beat down the amount of the required advance from five pounds to three pounds four and sixpence: protesting with many solemn asseverations that that would only leave him eighteen-pence to keep house with; Mr. Sikes sullenly remarking that if he couldn't get any more he must accompany him home; with the Dodger and Master Bates put the eatables in the cupboard. The Jew then, taking leave of his affectionate friend, returned homeward, attended by Nancy and the boys: Mr. Sikes, meanwhile, flinging himself on the bed, and composing himself to sleep away the time until the young lady's return. In due course, they arrived at Fagin's abode, where they found Toby Crackit and Mr. Chitling intent upon their fifteenth game at cribbage, which it is scarcely necessary to say the latter gentleman lost, and with it, his fifteenth and last sixpence: much to the amusement of his young friends. Mr. Crackit, apparently somewhat ashamed at being found relaxing himself with a gentleman so much his inferior in station and mental endowments, yawned, and inquiring after Sikes, took up his hat to go. "Has nobody been, Toby?" asked Fagin. "Not a living leg," answered Mr. Crackit, pulling up his collar; "it's been as dull as swipes. You ought to stand something handsome, Fagin, to recompense me for keeping house so long. Damme, I'm as flat as a juryman; and should have gone to sleep, as fast as Newgate, if I hadn't had the good natur' to amuse this youngster. Horrid dull, I'm blessed if I an't!" With these and other ejaculations of the same kind, Mr. Toby Crackit swept up his winnings, and crammed them into his waistcoat pocket with a haughty air, as though such small pieces of silver were wholly beneath the consideration of a man | bundle, which was of large size, and formed of an old table-cloth; and handed the articles it contained, one by one, to Charley Bates: who placed them on the table, with various encomiums on their rarity and excellence. "Sitch a rabbit pie, Bill," exclaimed that young gentleman, disclosing to view a huge pasty; "sitch delicate creeturs, with sitch tender limbs, Bill, that the wery bones melt in your mouth, and there's no occasion to pick 'em; half a pound of seven and six-penny green, so precious strong that if you mix it with biling water, it'll go nigh to blow the lid of the tea-pot off; a pound and a half of moist sugar that the niggers didn't work at all at, afore they got it up to sitch a pitch of goodness, oh no! Two half-quartern brans; pound of best fresh; piece of double Glo'ster; and, to wind up all, some of the richest sort you ever lushed!" Uttering this last panegyric, Master Bates produced, from one of his extensive pockets, a full-sized wine-bottle, carefully corked; while Mr. Dawkins, at the same instant, poured out a wine-glassful of raw spirits from the bottle he carried: which the invalid tossed down his throat without a moment's hesitation. "Ah!" said Fagin, rubbing his hands with great satisfaction. "You'll do, Bill; you'll do now." "Do!" exclaimed Mr. Sikes; "I might have been done for, twenty times over, afore you'd have done anything to help me. What do you mean by leaving a man in this state, three weeks and more, you false-hearted wagabond?" "Only hear him, boys!" said Fagin, shrugging his shoulders. "And us come to bring him all these beau-ti-ful things." "The things is well enough in their way," observed Mr. Sikes: a little soothed as he glanced over the table; "but what have you got to say for yourself, why you should leave me here, down in the mouth, health, blunt, and everything else; and take no more notice of me, all this mortal time, than if I was that 'ere dog. Drive him down, Charley!" "I never see such a jolly dog as that," cried Master Bates, doing as he was desired. "Smelling the grub like a old lady a going to market! He'd make his fortun' on the stage that dog would, and rewive the drayma besides." "Hold your din," cried Sikes, as the dog retreated under the bed: still growling angrily. "What have you got to say for yourself, you withered old fence, eh?" "I was away from London, a week and more, my dear, on a plant," replied the Jew. "And what about the other fortnight?" demanded Sikes. "What about the other fortnight that you've left me lying here, like a sick rat in his hole?" "I couldn't help it, Bill. I can't go into a long explanation before company; but I couldn't help it, upon my honour." "Upon your what?" growled Sikes, with excessive disgust. "Here! Cut me off a piece of that pie, one of you boys, to take the taste of that out of my mouth, or it'll choke me dead." "Don't be out of temper, my dear," urged Fagin, submissively. "I have never forgot you, Bill; never once." "No! I'll pound it that you han't," replied Sikes, with a bitter grin. "You've been scheming and plotting away, every hour that I have laid shivering and burning here; and Bill was to do this; and Bill was to do that; and Bill was to do it all, dirt cheap, as soon as he got well: and was quite poor enough for your work. If it hadn't been for the girl, I might have died." "There now, Bill," remonstrated Fagin, eagerly catching at the word. "If it hadn't been for the girl! Who but poor ould Fagin was the means of your having such a handy girl about you?" "He says true enough there!" said Nancy, coming hastily forward. "Let him be; let him be." Nancy's appearance gave a new turn to the conversation; for the boys, receiving a sly wink from the wary old Jew, began to ply her with liquor: of which, however, she took very sparingly; while Fagin, assuming an unusual flow of spirits, gradually brought Mr. Sikes into a better temper, by affecting to regard his threats as a little pleasant banter; and, moreover, by laughing very heartily at one or two rough jokes, which, after repeated applications to the spirit-bottle, he condescended to make. "It's all very well," said Mr. Sikes; "but I must have some blunt from you to-night." "I haven't a piece of coin about me," replied the Jew. "Then you've got lots at home," retorted Sikes; "and I must have some from there." "Lots!" cried Fagin, holding up is hands. "I haven't so much as would"<|quote|>"I don't know how much you've got, and I dare say you hardly know yourself, as it would take a pretty long time to count it,"</|quote|>said Sikes; "but I must have some to-night; and that's flat." "Well, well," said Fagin, with a sigh, "I'll send the Artful round presently." "You won't do nothing of the kind," rejoined Mr. Sikes. "The Artful's a deal too artful, and would forget to come, or lose his way, or get dodged by traps and so be perwented, or anything for an excuse, if you put him up to it. Nancy shall go to the ken and fetch it, to make all sure; and I'll lie down and have a snooze while she's gone." After a great deal of haggling and squabbling, Fagin beat down the amount of the required advance from five pounds to three pounds four and sixpence: protesting with many solemn asseverations that that would only leave him eighteen-pence to keep house with; Mr. Sikes sullenly remarking that if he couldn't get any more he must accompany him home; with the Dodger and Master Bates put the eatables in the cupboard. The Jew then, taking leave of his affectionate friend, returned homeward, attended by Nancy and the boys: Mr. Sikes, meanwhile, flinging himself on the bed, and composing himself to sleep away the time until the young lady's return. In due course, they arrived at Fagin's abode, where they found Toby Crackit and Mr. Chitling intent upon their fifteenth game at cribbage, which it is scarcely necessary to say the latter gentleman lost, and with it, his fifteenth and last sixpence: much to the amusement of his young friends. Mr. Crackit, apparently somewhat ashamed at being found relaxing himself with a gentleman so much his inferior in station and mental endowments, yawned, and inquiring after Sikes, took up his hat to go. "Has nobody been, Toby?" asked Fagin. "Not a living leg," answered Mr. Crackit, pulling up his collar; "it's been as dull as swipes. You ought to stand something handsome, Fagin, to recompense me for keeping house so long. Damme, I'm as flat as a juryman; and should have gone to sleep, as fast as Newgate, if I hadn't had the good natur' to amuse this youngster. Horrid dull, I'm blessed if I an't!" With these and other ejaculations of the same kind, Mr. Toby Crackit swept up his winnings, and crammed them into his waistcoat pocket with a haughty air, as though such small pieces of silver were wholly beneath the consideration of a man of his figure; this done, he swaggered out of the room, with so much elegance and gentility, that Mr. Chitling, bestowing numerous admiring glances on his legs and boots till they were out of sight, assured the company that he considered his acquaintance cheap at fifteen sixpences an interview, and that he didn't value his losses the snap of his little finger. "Wot a rum chap you are, Tom!" said Master Bates, highly amused by this declaration. "Not a bit of it," replied Mr. Chitling. "Am I, Fagin?" "A very clever fellow, my dear," said Fagin, patting him on the shoulder, and winking to his other pupils. "And Mr. Crackit is a heavy swell; an't he, Fagin?" asked Tom. "No doubt at all of that, my dear." "And it is a creditable thing to have his acquaintance; an't it, Fagin?" pursued Tom. "Very much so, indeed, my dear. They're only jealous, Tom, because he won't give it to them." "Ah!" cried Tom, triumphantly, "that's where it is! He has cleaned me out. But I can go and earn some more, when I like; can't I, Fagin?" "To be sure you can, and the sooner you go the better, Tom; so make up your loss at once, and don't lose any more time. Dodger! Charley! It's time you were on the lay. Come! It's near ten, and nothing done yet." In obedience to this hint, the boys, nodding to Nancy, took up their hats, and left the room; the Dodger and his vivacious friend indulging, as they went, in many witticisms at the expense of Mr. Chitling; in whose conduct, it is but justice to say, there was nothing very conspicuous or peculiar: inasmuch as there are a great number of spirited young bloods upon town, who pay a much higher price than Mr. Chitling for being seen in good society: and a great number of fine gentlemen (composing the good society aforesaid) who established their reputation upon very much the same footing as flash Toby Crackit. "Now," said Fagin, when they had left the room, "I'll go and get you that cash, Nancy. This is only the key of a little cupboard where I keep a few odd things the boys get, my dear. I never lock up my money, for I've got none to lock up, my dear ha! ha! ha! none to lock up. It's a poor trade, | about the other fortnight?" demanded Sikes. "What about the other fortnight that you've left me lying here, like a sick rat in his hole?" "I couldn't help it, Bill. I can't go into a long explanation before company; but I couldn't help it, upon my honour." "Upon your what?" growled Sikes, with excessive disgust. "Here! Cut me off a piece of that pie, one of you boys, to take the taste of that out of my mouth, or it'll choke me dead." "Don't be out of temper, my dear," urged Fagin, submissively. "I have never forgot you, Bill; never once." "No! I'll pound it that you han't," replied Sikes, with a bitter grin. "You've been scheming and plotting away, every hour that I have laid shivering and burning here; and Bill was to do this; and Bill was to do that; and Bill was to do it all, dirt cheap, as soon as he got well: and was quite poor enough for your work. If it hadn't been for the girl, I might have died." "There now, Bill," remonstrated Fagin, eagerly catching at the word. "If it hadn't been for the girl! Who but poor ould Fagin was the means of your having such a handy girl about you?" "He says true enough there!" said Nancy, coming hastily forward. "Let him be; let him be." Nancy's appearance gave a new turn to the conversation; for the boys, receiving a sly wink from the wary old Jew, began to ply her with liquor: of which, however, she took very sparingly; while Fagin, assuming an unusual flow of spirits, gradually brought Mr. Sikes into a better temper, by affecting to regard his threats as a little pleasant banter; and, moreover, by laughing very heartily at one or two rough jokes, which, after repeated applications to the spirit-bottle, he condescended to make. "It's all very well," said Mr. Sikes; "but I must have some blunt from you to-night." "I haven't a piece of coin about me," replied the Jew. "Then you've got lots at home," retorted Sikes; "and I must have some from there." "Lots!" cried Fagin, holding up is hands. "I haven't so much as would"<|quote|>"I don't know how much you've got, and I dare say you hardly know yourself, as it would take a pretty long time to count it,"</|quote|>said Sikes; "but I must have some to-night; and that's flat." "Well, well," said Fagin, with a sigh, "I'll send the Artful round presently." "You won't do nothing of the kind," rejoined Mr. Sikes. "The Artful's a deal too artful, and would forget to come, or lose his way, or get dodged by traps and so be perwented, or anything for an excuse, if you put him up to it. Nancy shall go to the ken and fetch it, to make all sure; and I'll lie down and have a snooze while she's gone." After a great deal of haggling and squabbling, Fagin beat down the amount of the required advance from five pounds to three pounds four and sixpence: protesting with many solemn asseverations that that would only leave him eighteen-pence to keep house with; Mr. Sikes sullenly remarking that if he couldn't get any more he must accompany him home; with the Dodger and Master Bates put the eatables in the cupboard. The Jew then, taking leave of his affectionate friend, returned homeward, attended by Nancy and the boys: Mr. Sikes, meanwhile, flinging himself on the bed, and composing himself to sleep away the time until the young lady's return. In due course, they arrived at Fagin's abode, where they found Toby Crackit and Mr. Chitling intent upon their fifteenth game at cribbage, which it is scarcely necessary to say the latter gentleman lost, and with it, his fifteenth and last sixpence: much to the amusement of his young friends. Mr. Crackit, apparently somewhat ashamed at being found relaxing himself with a gentleman so much his inferior in station and mental endowments, yawned, and inquiring after Sikes, took up his hat to go. "Has nobody been, Toby?" asked Fagin. "Not a living leg," answered Mr. Crackit, pulling up his collar; "it's been as | Oliver Twist |
Dear old Dorcas! As she stood there, with her honest face upturned to mine, I thought what a fine specimen she was of the old-fashioned servant that is so fast dying out. I thought I might as well go down to the village at once, and look up Poirot; but I met him half-way, coming up to the house, and at once gave him Dorcas's message. | No speaker | a most polite spoken gentleman."<|quote|>Dear old Dorcas! As she stood there, with her honest face upturned to mine, I thought what a fine specimen she was of the old-fashioned servant that is so fast dying out. I thought I might as well go down to the village at once, and look up Poirot; but I met him half-way, coming up to the house, and at once gave him Dorcas's message.</|quote|>"Ah, the brave Dorcas! We | of foreigners, and certainly he's a most polite spoken gentleman."<|quote|>Dear old Dorcas! As she stood there, with her honest face upturned to mine, I thought what a fine specimen she was of the old-fashioned servant that is so fast dying out. I thought I might as well go down to the village at once, and look up Poirot; but I met him half-way, coming up to the house, and at once gave him Dorcas's message.</|quote|>"Ah, the brave Dorcas! We will look at the chest, | class from them two detectives from London, what goes prying about, and asking questions. I don't hold with foreigners as a rule, but from what the newspapers say I make out as how these brave Belges isn't the ordinary run of foreigners, and certainly he's a most polite spoken gentleman."<|quote|>Dear old Dorcas! As she stood there, with her honest face upturned to mine, I thought what a fine specimen she was of the old-fashioned servant that is so fast dying out. I thought I might as well go down to the village at once, and look up Poirot; but I met him half-way, coming up to the house, and at once gave him Dorcas's message.</|quote|>"Ah, the brave Dorcas! We will look at the chest, although but no matter we will examine it all the same." We entered the house by one of the windows. There was no one in the hall, and we went straight up to the attic. Sure enough, there was the | dresses, and what not. And it came to me sudden like that there might be a green dress amongst them. So, if you'd tell the Belgian gentleman" "I will tell him, Dorcas," I promised. "Thank you very much, sir. A very nice gentleman he is, sir. And quite a different class from them two detectives from London, what goes prying about, and asking questions. I don't hold with foreigners as a rule, but from what the newspapers say I make out as how these brave Belges isn't the ordinary run of foreigners, and certainly he's a most polite spoken gentleman."<|quote|>Dear old Dorcas! As she stood there, with her honest face upturned to mine, I thought what a fine specimen she was of the old-fashioned servant that is so fast dying out. I thought I might as well go down to the village at once, and look up Poirot; but I met him half-way, coming up to the house, and at once gave him Dorcas's message.</|quote|>"Ah, the brave Dorcas! We will look at the chest, although but no matter we will examine it all the same." We entered the house by one of the windows. There was no one in the hall, and we went straight up to the attic. Sure enough, there was the chest, a fine old piece, all studded with brass nails, and full to overflowing with every imaginable type of garment. Poirot bundled everything out on the floor with scant ceremony. There were one or two green fabrics of varying shades; but Poirot shook his head over them all. He seemed | might have a few words with me. "Certainly. What is it, Dorcas?" "Well, it's just this, sir. You'll be seeing the Belgian gentleman to-day perhaps?" I nodded. "Well, sir, you know how he asked me so particular if the mistress, or anyone else, had a green dress?" "Yes, yes. You have found one?" My interest was aroused. "No, not that, sir. But since then I've remembered what the young gentlemen" John and Lawrence were still the "young gentlemen" to Dorcas "call the dressing-up box.' It's up in the front attic, sir. A great chest, full of old clothes and fancy dresses, and what not. And it came to me sudden like that there might be a green dress amongst them. So, if you'd tell the Belgian gentleman" "I will tell him, Dorcas," I promised. "Thank you very much, sir. A very nice gentleman he is, sir. And quite a different class from them two detectives from London, what goes prying about, and asking questions. I don't hold with foreigners as a rule, but from what the newspapers say I make out as how these brave Belges isn't the ordinary run of foreigners, and certainly he's a most polite spoken gentleman."<|quote|>Dear old Dorcas! As she stood there, with her honest face upturned to mine, I thought what a fine specimen she was of the old-fashioned servant that is so fast dying out. I thought I might as well go down to the village at once, and look up Poirot; but I met him half-way, coming up to the house, and at once gave him Dorcas's message.</|quote|>"Ah, the brave Dorcas! We will look at the chest, although but no matter we will examine it all the same." We entered the house by one of the windows. There was no one in the hall, and we went straight up to the attic. Sure enough, there was the chest, a fine old piece, all studded with brass nails, and full to overflowing with every imaginable type of garment. Poirot bundled everything out on the floor with scant ceremony. There were one or two green fabrics of varying shades; but Poirot shook his head over them all. He seemed somewhat apathetic in the search, as though he expected no great results from it. Suddenly he gave an exclamation. "What is it?" "Look!" The chest was nearly empty, and there, reposing right at the bottom, was a magnificent black beard. "_Oh !_" said Poirot. "_Oh !_" He turned it over in his hands, examining it closely. "New," he remarked. "Yes, quite new." After a moment's hesitation, he replaced it in the chest, heaped all the other things on top of it as before, and made his way briskly downstairs. He went straight to the pantry, where we found Dorcas busily | and we all, with the exception of Lawrence, who seemed unalterably gloomy and nervous, were quietly cheerful, at the opening of a new and hopeful future. The papers, of course, had been full of the tragedy. Glaring headlines, sandwiched biographies of every member of the household, subtle innuendoes, the usual familiar tag about the police having a clue. Nothing was spared us. It was a slack time. The war was momentarily inactive, and the newspapers seized with avidity on this crime in fashionable life: "The Mysterious Affair at Styles" was the topic of the moment. Naturally it was very annoying for the Cavendishes. The house was constantly besieged by reporters, who were consistently denied admission, but who continued to haunt the village and the grounds, where they lay in wait with cameras, for any unwary members of the household. We all lived in a blast of publicity. The Scotland Yard men came and went, examining, questioning, lynx-eyed and reserved of tongue. Towards what end they were working, we did not know. Had they any clue, or would the whole thing remain in the category of undiscovered crimes? After breakfast, Dorcas came up to me rather mysteriously, and asked if she might have a few words with me. "Certainly. What is it, Dorcas?" "Well, it's just this, sir. You'll be seeing the Belgian gentleman to-day perhaps?" I nodded. "Well, sir, you know how he asked me so particular if the mistress, or anyone else, had a green dress?" "Yes, yes. You have found one?" My interest was aroused. "No, not that, sir. But since then I've remembered what the young gentlemen" John and Lawrence were still the "young gentlemen" to Dorcas "call the dressing-up box.' It's up in the front attic, sir. A great chest, full of old clothes and fancy dresses, and what not. And it came to me sudden like that there might be a green dress amongst them. So, if you'd tell the Belgian gentleman" "I will tell him, Dorcas," I promised. "Thank you very much, sir. A very nice gentleman he is, sir. And quite a different class from them two detectives from London, what goes prying about, and asking questions. I don't hold with foreigners as a rule, but from what the newspapers say I make out as how these brave Belges isn't the ordinary run of foreigners, and certainly he's a most polite spoken gentleman."<|quote|>Dear old Dorcas! As she stood there, with her honest face upturned to mine, I thought what a fine specimen she was of the old-fashioned servant that is so fast dying out. I thought I might as well go down to the village at once, and look up Poirot; but I met him half-way, coming up to the house, and at once gave him Dorcas's message.</|quote|>"Ah, the brave Dorcas! We will look at the chest, although but no matter we will examine it all the same." We entered the house by one of the windows. There was no one in the hall, and we went straight up to the attic. Sure enough, there was the chest, a fine old piece, all studded with brass nails, and full to overflowing with every imaginable type of garment. Poirot bundled everything out on the floor with scant ceremony. There were one or two green fabrics of varying shades; but Poirot shook his head over them all. He seemed somewhat apathetic in the search, as though he expected no great results from it. Suddenly he gave an exclamation. "What is it?" "Look!" The chest was nearly empty, and there, reposing right at the bottom, was a magnificent black beard. "_Oh !_" said Poirot. "_Oh !_" He turned it over in his hands, examining it closely. "New," he remarked. "Yes, quite new." After a moment's hesitation, he replaced it in the chest, heaped all the other things on top of it as before, and made his way briskly downstairs. He went straight to the pantry, where we found Dorcas busily polishing her silver. Poirot wished her good morning with Gallic politeness, and went on: "We have been looking through that chest, Dorcas. I am much obliged to you for mentioning it. There is, indeed, a fine collection there. Are they often used, may I ask?" "Well, sir, not very often nowadays, though from time to time we do have what the young gentlemen call" a dress-up night.' "And very funny it is sometimes, sir. Mr. Lawrence, he's wonderful. Most comic! I shall never forget the night he came down as the Char of Persia, I think he called it a sort of Eastern King it was. He had the big paper knife in his hand, and" Mind, Dorcas,' "he says," you'll have to be very respectful. This is my specially sharpened scimitar, and it's off with your head if I'm at all displeased with you!' "Miss Cynthia, she was what they call an Apache, or some such name a Frenchified sort of cut-throat, I take it to be. A real sight she looked. You'd never have believed a pretty young lady like that could have made herself into such a ruffian. Nobody would have known her." "These evenings must have | had it tested," replied Poirot quietly. "Well, then?" "Well, I have a fancy for having it analysed again, that is all." And not another word on the subject could I drag out of him. This proceeding of Poirot's, in respect of the cocoa, puzzled me intensely. I could see neither rhyme nor reason in it. However, my confidence in him, which at one time had rather waned, was fully restored since his belief in Alfred Inglethorp's innocence had been so triumphantly vindicated. The funeral of Mrs. Inglethorp took place the following day, and on Monday, as I came down to a late breakfast, John drew me aside, and informed me that Mr. Inglethorp was leaving that morning, to take up his quarters at the Stylites Arms until he should have completed his plans. "And really it's a great relief to think he's going, Hastings," continued my honest friend. "It was bad enough before, when we thought he'd done it, but I'm hanged if it isn't worse now, when we all feel guilty for having been so down on the fellow. The fact is, we've treated him abominably. Of course, things did look black against him. I don't see how anyone could blame us for jumping to the conclusions we did. Still, there it is, we were in the wrong, and now there's a beastly feeling that one ought to make amends; which is difficult, when one doesn't like the fellow a bit better than one did before. The whole thing's damned awkward! And I'm thankful he's had the tact to take himself off. It's a good thing Styles wasn't the mater's to leave to him. Couldn't bear to think of the fellow lording it here. He's welcome to her money." "You'll be able to keep up the place all right?" I asked. "Oh, yes. There are the death duties, of course, but half my father's money goes with the place, and Lawrence will stay with us for the present, so there is his share as well. We shall be pinched at first, of course, because, as I once told you, I am in a bit of a hole financially myself. Still, the Johnnies will wait now." In the general relief at Inglethorp's approaching departure, we had the most genial breakfast we had experienced since the tragedy. Cynthia, whose young spirits were naturally buoyant, was looking quite her pretty self again, and we all, with the exception of Lawrence, who seemed unalterably gloomy and nervous, were quietly cheerful, at the opening of a new and hopeful future. The papers, of course, had been full of the tragedy. Glaring headlines, sandwiched biographies of every member of the household, subtle innuendoes, the usual familiar tag about the police having a clue. Nothing was spared us. It was a slack time. The war was momentarily inactive, and the newspapers seized with avidity on this crime in fashionable life: "The Mysterious Affair at Styles" was the topic of the moment. Naturally it was very annoying for the Cavendishes. The house was constantly besieged by reporters, who were consistently denied admission, but who continued to haunt the village and the grounds, where they lay in wait with cameras, for any unwary members of the household. We all lived in a blast of publicity. The Scotland Yard men came and went, examining, questioning, lynx-eyed and reserved of tongue. Towards what end they were working, we did not know. Had they any clue, or would the whole thing remain in the category of undiscovered crimes? After breakfast, Dorcas came up to me rather mysteriously, and asked if she might have a few words with me. "Certainly. What is it, Dorcas?" "Well, it's just this, sir. You'll be seeing the Belgian gentleman to-day perhaps?" I nodded. "Well, sir, you know how he asked me so particular if the mistress, or anyone else, had a green dress?" "Yes, yes. You have found one?" My interest was aroused. "No, not that, sir. But since then I've remembered what the young gentlemen" John and Lawrence were still the "young gentlemen" to Dorcas "call the dressing-up box.' It's up in the front attic, sir. A great chest, full of old clothes and fancy dresses, and what not. And it came to me sudden like that there might be a green dress amongst them. So, if you'd tell the Belgian gentleman" "I will tell him, Dorcas," I promised. "Thank you very much, sir. A very nice gentleman he is, sir. And quite a different class from them two detectives from London, what goes prying about, and asking questions. I don't hold with foreigners as a rule, but from what the newspapers say I make out as how these brave Belges isn't the ordinary run of foreigners, and certainly he's a most polite spoken gentleman."<|quote|>Dear old Dorcas! As she stood there, with her honest face upturned to mine, I thought what a fine specimen she was of the old-fashioned servant that is so fast dying out. I thought I might as well go down to the village at once, and look up Poirot; but I met him half-way, coming up to the house, and at once gave him Dorcas's message.</|quote|>"Ah, the brave Dorcas! We will look at the chest, although but no matter we will examine it all the same." We entered the house by one of the windows. There was no one in the hall, and we went straight up to the attic. Sure enough, there was the chest, a fine old piece, all studded with brass nails, and full to overflowing with every imaginable type of garment. Poirot bundled everything out on the floor with scant ceremony. There were one or two green fabrics of varying shades; but Poirot shook his head over them all. He seemed somewhat apathetic in the search, as though he expected no great results from it. Suddenly he gave an exclamation. "What is it?" "Look!" The chest was nearly empty, and there, reposing right at the bottom, was a magnificent black beard. "_Oh !_" said Poirot. "_Oh !_" He turned it over in his hands, examining it closely. "New," he remarked. "Yes, quite new." After a moment's hesitation, he replaced it in the chest, heaped all the other things on top of it as before, and made his way briskly downstairs. He went straight to the pantry, where we found Dorcas busily polishing her silver. Poirot wished her good morning with Gallic politeness, and went on: "We have been looking through that chest, Dorcas. I am much obliged to you for mentioning it. There is, indeed, a fine collection there. Are they often used, may I ask?" "Well, sir, not very often nowadays, though from time to time we do have what the young gentlemen call" a dress-up night.' "And very funny it is sometimes, sir. Mr. Lawrence, he's wonderful. Most comic! I shall never forget the night he came down as the Char of Persia, I think he called it a sort of Eastern King it was. He had the big paper knife in his hand, and" Mind, Dorcas,' "he says," you'll have to be very respectful. This is my specially sharpened scimitar, and it's off with your head if I'm at all displeased with you!' "Miss Cynthia, she was what they call an Apache, or some such name a Frenchified sort of cut-throat, I take it to be. A real sight she looked. You'd never have believed a pretty young lady like that could have made herself into such a ruffian. Nobody would have known her." "These evenings must have been great fun," said Poirot genially. "I suppose Mr. Lawrence wore that fine black beard in the chest upstairs, when he was Shah of Persia?" "He did have a beard, sir," replied Dorcas, smiling. "And well I know it, for he borrowed two skeins of my black wool to make it with! And I'm sure it looked wonderfully natural at a distance. I didn't know as there was a beard up there at all. It must have been got quite lately, I think. There was a red wig, I know, but nothing else in the way of hair. Burnt corks they use mostly though tis messy getting it off again. Miss Cynthia was a nigger once, and, oh, the trouble she had." "So Dorcas knows nothing about that black beard," said Poirot thoughtfully, as we walked out into the hall again. "Do you think it is _the_ one?" I whispered eagerly. Poirot nodded. "I do. You notice it had been trimmed?" "No." "Yes. It was cut exactly the shape of Mr. Inglethorp's, and I found one or two snipped hairs. Hastings, this affair is very deep." "Who put it in the chest, I wonder?" "Someone with a good deal of intelligence," remarked Poirot dryly. "You realize that he chose the one place in the house to hide it where its presence would not be remarked? Yes, he is intelligent. But we must be more intelligent. We must be so intelligent that he does not suspect us of being intelligent at all." I acquiesced. "There, _mon ami_, you will be of great assistance to me." I was pleased with the compliment. There had been times when I hardly thought that Poirot appreciated me at my true worth. "Yes," he continued, staring at me thoughtfully, "you will be invaluable." This was naturally gratifying, but Poirot's next words were not so welcome. "I must have an ally in the house," he observed reflectively. "You have me," I protested. "True, but you are not sufficient." I was hurt, and showed it. Poirot hurried to explain himself. "You do not quite take my meaning. You are known to be working with me. I want somebody who is not associated with us in any way." "Oh, I see. How about John?" "No, I think not." "The dear fellow isn't perhaps very bright," I said thoughtfully. "Here comes Miss Howard," said Poirot suddenly. "She is the very | himself off. It's a good thing Styles wasn't the mater's to leave to him. Couldn't bear to think of the fellow lording it here. He's welcome to her money." "You'll be able to keep up the place all right?" I asked. "Oh, yes. There are the death duties, of course, but half my father's money goes with the place, and Lawrence will stay with us for the present, so there is his share as well. We shall be pinched at first, of course, because, as I once told you, I am in a bit of a hole financially myself. Still, the Johnnies will wait now." In the general relief at Inglethorp's approaching departure, we had the most genial breakfast we had experienced since the tragedy. Cynthia, whose young spirits were naturally buoyant, was looking quite her pretty self again, and we all, with the exception of Lawrence, who seemed unalterably gloomy and nervous, were quietly cheerful, at the opening of a new and hopeful future. The papers, of course, had been full of the tragedy. Glaring headlines, sandwiched biographies of every member of the household, subtle innuendoes, the usual familiar tag about the police having a clue. Nothing was spared us. It was a slack time. The war was momentarily inactive, and the newspapers seized with avidity on this crime in fashionable life: "The Mysterious Affair at Styles" was the topic of the moment. Naturally it was very annoying for the Cavendishes. The house was constantly besieged by reporters, who were consistently denied admission, but who continued to haunt the village and the grounds, where they lay in wait with cameras, for any unwary members of the household. We all lived in a blast of publicity. The Scotland Yard men came and went, examining, questioning, lynx-eyed and reserved of tongue. Towards what end they were working, we did not know. Had they any clue, or would the whole thing remain in the category of undiscovered crimes? After breakfast, Dorcas came up to me rather mysteriously, and asked if she might have a few words with me. "Certainly. What is it, Dorcas?" "Well, it's just this, sir. You'll be seeing the Belgian gentleman to-day perhaps?" I nodded. "Well, sir, you know how he asked me so particular if the mistress, or anyone else, had a green dress?" "Yes, yes. You have found one?" My interest was aroused. "No, not that, sir. But since then I've remembered what the young gentlemen" John and Lawrence were still the "young gentlemen" to Dorcas "call the dressing-up box.' It's up in the front attic, sir. A great chest, full of old clothes and fancy dresses, and what not. And it came to me sudden like that there might be a green dress amongst them. So, if you'd tell the Belgian gentleman" "I will tell him, Dorcas," I promised. "Thank you very much, sir. A very nice gentleman he is, sir. And quite a different class from them two detectives from London, what goes prying about, and asking questions. I don't hold with foreigners as a rule, but from what the newspapers say I make out as how these brave Belges isn't the ordinary run of foreigners, and certainly he's a most polite spoken gentleman."<|quote|>Dear old Dorcas! As she stood there, with her honest face upturned to mine, I thought what a fine specimen she was of the old-fashioned servant that is so fast dying out. I thought I might as well go down to the village at once, and look up Poirot; but I met him half-way, coming up to the house, and at once gave him Dorcas's message.</|quote|>"Ah, the brave Dorcas! We will look at the chest, although but no matter we will examine it all the same." We entered the house by one of the windows. There was no one in the hall, and we went straight up to the attic. Sure enough, there was the chest, a fine old piece, all studded with brass nails, and full to overflowing with every imaginable type of garment. Poirot bundled everything out on the floor with scant ceremony. There were one or two green fabrics of varying shades; but Poirot shook his head over them all. He seemed somewhat apathetic in the search, as though he expected no great results from it. Suddenly he gave an exclamation. "What is it?" "Look!" The chest was nearly empty, and there, reposing right at the bottom, was a magnificent black beard. "_Oh !_" said Poirot. "_Oh !_" He turned it over in his hands, examining it closely. "New," he remarked. "Yes, quite new." After a moment's hesitation, he replaced it in the chest, heaped all the other things on top of it as before, and made his way briskly downstairs. He went straight to the pantry, where we found Dorcas busily polishing her silver. Poirot wished her good morning with Gallic politeness, and went on: "We have been looking through that chest, Dorcas. I am much obliged to you for mentioning it. There is, indeed, a fine collection there. Are they often used, may I ask?" "Well, sir, not very often nowadays, though from time to time we do have what the young gentlemen call" a dress-up night.' "And very funny it is sometimes, sir. Mr. Lawrence, he's wonderful. Most comic! I shall never forget the night he came down as the Char of Persia, I think he called it a sort of Eastern King it was. He had the big paper knife in his hand, and" Mind, Dorcas,' "he says," you'll have | The Mysterious Affair At Styles |
Kropp wants to know. | No speaker | was the Battle of Zana?"<|quote|>Kropp wants to know.</|quote|>"You lack the studious mind, | life, Bäumer," croaks Müller. "When was the Battle of Zana?"<|quote|>Kropp wants to know.</|quote|>"You lack the studious mind, Kropp, sit down, three minus----" | 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?"<|quote|>Kropp wants to know.</|quote|>"You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear | four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?"<|quote|>Kropp wants to know.</|quote|>"You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been | Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?"<|quote|>Kropp wants to know.</|quote|>"You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any | that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?"<|quote|>Kropp wants to know.</|quote|>"You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we | Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is nearest, so he favours him. "Well, you here too?" But Albert's no friend of his. "A bit longer than you, I fancy," he retorts. The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?"<|quote|>Kropp wants to know.</|quote|>"You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and then we'll be able to live by ourselves in a wood," I say, but at once feel ashamed of this absurd idea. "But what will really happen when we go back?" wonders Müller, and even he is troubled. Kropp gives a shrug. "I don't know. Let's get back first, then we'll find out." We are all utterly at a loss. "What could we do?" I ask. "I don't want to do anything," replies Kropp wearily. "You'll be dead one day, so what does it matter? I don't think we'll ever go back." "When I think about it, Albert," I say after a while, rolling over on my back, "when I hear the word 'peace time,' it goes to my head; and if it really came, I think I would do some unimaginable thing--something, you know, that it's worth having lain here in the muck for. But I can't even imagine anything. All I do know is that this business about professions and studies and salaries and so on--it makes me sick, it is and always was disgusting. I don't see anything--I don't see anything at all, Albert." All at once everything seems to me confused and hopeless. Kropp feels it too. "It will go pretty hard with us all. But nobody at home seems to worry much about it. Two years of shells and bombs--a man won't peel that off as easy as a sock." We agree that it's the same for everyone; not only for us here, but everywhere, for everyone who is of our age; to some more, and to others less. It is the common fate of our generation. Albert expresses it: "The war has ruined us for everything." He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war. * * The Orderly Room shows signs of life. Himmelstoss seems to have stirred them up. At the head of the column trots the fat sergeant-major. It is queer that almost all pay-sergeant-majors are fat. Himmelstoss follows him, thirsting for vengeance. His boots gleam in the sun. We get up. "Where's Tjaden?" the sergeant puffs. No one knows, of course. Himmelstoss glowers at us wrathfully. "You know very well. You won't say, that's the fact of the matter. Out with it!" Fatty looks round enquiringly; but Tjaden is not to be seen. He tries another way. "Tjaden will report at the | The red moustache twitches: "You don't recognize me any more, what?" Tjaden now opens his eyes. "I do though." Himmelstoss turns to him: "Tjaden, isn't it?" Tjaden lifts his head. "And do you know what you are?" Himmelstoss is disconcerted. "Since when have we become so familiar? I don't remember that we ever slept in the gutter together?" He has no idea what to make of the situation. He didn't expect this open hostility. But he is on his guard: someone has already dinned some rot into him about getting a shot in the back. The question about the gutter makes Tjaden so mad that he becomes almost witty: "No, you slept there by yourself." Himmelstoss begins to boil. But Tjaden gets in ahead of him. He must bring off his insult: "Wouldn't you like to know what you are? A dirty hound, that's what you are. I've been wanting to tell you that for a long time." The satisfaction of months shines in his dull pig's eyes as he spits out: Dirty hound! Himmelstoss lets fly too, now. "What's that, you muck-rake, you dirty peat-stealer? Stand up there, bring your heels together when your superior officer speaks to you." Tjaden winks solemnly. "You take a run and jump at yourself, Himmelstoss." Himmelstoss is a raging book of army regulations. The Kaiser couldn't be more insulted. "Tjaden, I command you, as your superior officer: Stand up!" "Anything else you would like?" asks Tjaden. "Will you obey my order or not?" Tjaden replies, without knowing it, in the well-known classical phrase. At the same time he ventilates his backside. "I'll have you court-martialled," storms Himmelstoss. We watch him disappear in the direction of the Orderly Room. Haie and Tjaden burst into a regular peat-digger's bellow. Haie laughs so much that he dislocates his jaw, and suddenly stands there helpless with his mouth wide open. Albert has to put it back again by giving it a blow with his fist. Kat is troubled: "If he reports you, it'll be pretty serious." "Do you think he will?" asks Tjaden. "Sure to," I say. "The least you'll get will be five days close arrest," says Kat. That doesn't worry Tjaden. "Five days clink are five days rest." "And if they send you to the Fortress?" urges the thoroughgoing Müller. "Well, for the time being the war will be over so far as I am concerned." Tjaden is a cheerful soul. There aren't any worries for him. He goes off with Haie and Leer so that they won't find him in the first flush of the excitement. * * Müller hasn't finished yet. He tackles Kropp again. "Albert, if you were really at home now, what would you do?" Kropp is contented now and more accommodating: "How many of us were there in the class exactly?" We count up: out of twenty, seven are dead, four wounded, one in a mad-house. That makes twelve privates. "Three of them are lieutenants," says Müller. "Do you think they would still let Kantorek sit on them?" We guess not: we wouldn't let ourselves be sat on for that matter. "What do you mean by the three-fold theme in 'William Tell'?" says Kropp reminiscently, and roars with laughter. "What was the purpose of the Poetic League of Göttingen?" asks Müller suddenly and earnestly. "How many children had Charles the Bald?" I interrupt gently. "You'll never make anything of your life, Bäumer," croaks Müller. "When was the Battle of Zana?"<|quote|>Kropp wants to know.</|quote|>"You lack the studious mind, Kropp, sit down, three minus----" I wink. "What offices did Lycurgus consider the most important for the state?" asks Müller, pretending to take off his pince-nez. "Does it go: 'We Germans fear God and none else in the whole world,' or 'We, the Germans, fear God and----'" I submit. "How many inhabitants has Melbourne?" asks Müller. "How do you expect to succeed in life if you don't know that?" I ask Albert hotly. Which he caps with: "What is meant by Cohesion?" We remember mighty little of all that rubbish. Anyway, it has never been the slightest use to us. At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood--nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs. Müller says thoughtfully: "What's the use. We'll have to go back and sit on the forms again." I consider that out of the question. "We might take a special exam." "That needs preparation. And if you do get through, what then? A student's life isn't any better. If you have no money, you have to work like the devil." "It's a bit better. But it's rot all the same, everything they teach you." Kropp supports me: "How can a man take all that stuff seriously when he's once been out here?" "Still you must have an occupation of some sort," insists Müller, as though he were Kantorek himself. Albert cleans his nails with a knife. We are surprised at this delicacy. But it is merely pensiveness. He puts the knife away and continues: "That's just it. Kat and Detering and Haie will go back to their jobs because they had them already. Himmelstoss too. But we never had any. How will we ever get used to one after this, here?" --he makes a gesture toward the front. "We'll want a private income, and | All Quiet on the Western Front |
"she hasn't been associating with any one. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the street-cars, getting in after dark. I tell you she's peculiar. I don't like it; I feel a little worried over it." | Leonce Pontellier | trouble," broke in Mr. Pontellier,<|quote|>"she hasn't been associating with any one. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the street-cars, getting in after dark. I tell you she's peculiar. I don't like it; I feel a little worried over it."</|quote|>This was a new aspect | me about them." "That's the trouble," broke in Mr. Pontellier,<|quote|>"she hasn't been associating with any one. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the street-cars, getting in after dark. I tell you she's peculiar. I don't like it; I feel a little worried over it."</|quote|>This was a new aspect for the Doctor. "Nothing hereditary?" | cushioned fingertips. "What have you been doing to her, Pontellier?" "Doing! _Parbleu!_" "Has she," asked the Doctor, with a smile, "has she been associating of late with a circle of pseudo-intellectual women super-spiritual superior beings? My wife has been telling me about them." "That's the trouble," broke in Mr. Pontellier,<|quote|>"she hasn't been associating with any one. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the street-cars, getting in after dark. I tell you she's peculiar. I don't like it; I feel a little worried over it."</|quote|>This was a new aspect for the Doctor. "Nothing hereditary?" he asked, seriously. "Nothing peculiar about her family antecedents, is there?" "Oh, no, indeed! She comes of sound old Presbyterian Kentucky stock. The old gentleman, her father, I have heard, used to atone for his weekday sins with his Sunday | on nervously. "She's got some sort of notion in her head concerning the eternal rights of women; and you understand we meet in the morning at the breakfast table." The old gentleman lifted his shaggy eyebrows, protruded his thick nether lip, and tapped the arms of his chair with his cushioned fingertips. "What have you been doing to her, Pontellier?" "Doing! _Parbleu!_" "Has she," asked the Doctor, with a smile, "has she been associating of late with a circle of pseudo-intellectual women super-spiritual superior beings? My wife has been telling me about them." "That's the trouble," broke in Mr. Pontellier,<|quote|>"she hasn't been associating with any one. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the street-cars, getting in after dark. I tell you she's peculiar. I don't like it; I feel a little worried over it."</|quote|>This was a new aspect for the Doctor. "Nothing hereditary?" he asked, seriously. "Nothing peculiar about her family antecedents, is there?" "Oh, no, indeed! She comes of sound old Presbyterian Kentucky stock. The old gentleman, her father, I have heard, used to atone for his weekday sins with his Sunday devotions. I know for a fact, that his race horses literally ran away with the prettiest bit of Kentucky farming land I ever laid eyes upon. Margaret you know Margaret she has all the Presbyterianism undiluted. And the youngest is something of a vixen. By the way, she gets married | said Mr. Pontellier, throwing himself back in his chair. "She lets the housekeeping go to the dickens." "Well, well; women are not all alike, my dear Pontellier. We've got to consider" "I know that; I told you I couldn't explain. Her whole attitude toward me and everybody and everything has changed. You know I have a quick temper, but I don't want to quarrel or be rude to a woman, especially my wife; yet I'm driven to it, and feel like ten thousand devils after I've made a fool of myself. She's making it devilishly uncomfortable for me," he went on nervously. "She's got some sort of notion in her head concerning the eternal rights of women; and you understand we meet in the morning at the breakfast table." The old gentleman lifted his shaggy eyebrows, protruded his thick nether lip, and tapped the arms of his chair with his cushioned fingertips. "What have you been doing to her, Pontellier?" "Doing! _Parbleu!_" "Has she," asked the Doctor, with a smile, "has she been associating of late with a circle of pseudo-intellectual women super-spiritual superior beings? My wife has been telling me about them." "That's the trouble," broke in Mr. Pontellier,<|quote|>"she hasn't been associating with any one. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the street-cars, getting in after dark. I tell you she's peculiar. I don't like it; I feel a little worried over it."</|quote|>This was a new aspect for the Doctor. "Nothing hereditary?" he asked, seriously. "Nothing peculiar about her family antecedents, is there?" "Oh, no, indeed! She comes of sound old Presbyterian Kentucky stock. The old gentleman, her father, I have heard, used to atone for his weekday sins with his Sunday devotions. I know for a fact, that his race horses literally ran away with the prettiest bit of Kentucky farming land I ever laid eyes upon. Margaret you know Margaret she has all the Presbyterianism undiluted. And the youngest is something of a vixen. By the way, she gets married in a couple of weeks from now." "Send your wife up to the wedding," exclaimed the Doctor, foreseeing a happy solution. "Let her stay among her own people for a while; it will do her good." "That's what I want her to do. She won't go to the marriage. She says a wedding is one of the most lamentable spectacles on earth. Nice thing for a woman to say to her husband!" exclaimed Mr. Pontellier, fuming anew at the recollection. "Pontellier," said the Doctor, after a moment's reflection, "let your wife alone for a while. Don't bother her, and don't | over his eye-glasses as Mr. Pontellier entered, wondering who had the temerity to disturb him at that hour of the morning. "Ah, Pontellier! Not sick, I hope. Come and have a seat. What news do you bring this morning?" He was quite portly, with a profusion of gray hair, and small blue eyes which age had robbed of much of their brightness but none of their penetration. "Oh! I'm never sick, Doctor. You know that I come of tough fiber of that old Creole race of Pontelliers that dry up and finally blow away. I came to consult no, not precisely to consult to talk to you about Edna. I don't know what ails her." "Madame Pontellier not well," marveled the Doctor. "Why, I saw her I think it was a week ago walking along Canal Street, the picture of health, it seemed to me." "Yes, yes; she seems quite well," said Mr. Pontellier, leaning forward and whirling his stick between his two hands; "but she doesn't act well. She's odd, she's not like herself. I can't make her out, and I thought perhaps you'd help me." "How does she act?" inquired the Doctor. "Well, it isn't easy to explain," said Mr. Pontellier, throwing himself back in his chair. "She lets the housekeeping go to the dickens." "Well, well; women are not all alike, my dear Pontellier. We've got to consider" "I know that; I told you I couldn't explain. Her whole attitude toward me and everybody and everything has changed. You know I have a quick temper, but I don't want to quarrel or be rude to a woman, especially my wife; yet I'm driven to it, and feel like ten thousand devils after I've made a fool of myself. She's making it devilishly uncomfortable for me," he went on nervously. "She's got some sort of notion in her head concerning the eternal rights of women; and you understand we meet in the morning at the breakfast table." The old gentleman lifted his shaggy eyebrows, protruded his thick nether lip, and tapped the arms of his chair with his cushioned fingertips. "What have you been doing to her, Pontellier?" "Doing! _Parbleu!_" "Has she," asked the Doctor, with a smile, "has she been associating of late with a circle of pseudo-intellectual women super-spiritual superior beings? My wife has been telling me about them." "That's the trouble," broke in Mr. Pontellier,<|quote|>"she hasn't been associating with any one. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the street-cars, getting in after dark. I tell you she's peculiar. I don't like it; I feel a little worried over it."</|quote|>This was a new aspect for the Doctor. "Nothing hereditary?" he asked, seriously. "Nothing peculiar about her family antecedents, is there?" "Oh, no, indeed! She comes of sound old Presbyterian Kentucky stock. The old gentleman, her father, I have heard, used to atone for his weekday sins with his Sunday devotions. I know for a fact, that his race horses literally ran away with the prettiest bit of Kentucky farming land I ever laid eyes upon. Margaret you know Margaret she has all the Presbyterianism undiluted. And the youngest is something of a vixen. By the way, she gets married in a couple of weeks from now." "Send your wife up to the wedding," exclaimed the Doctor, foreseeing a happy solution. "Let her stay among her own people for a while; it will do her good." "That's what I want her to do. She won't go to the marriage. She says a wedding is one of the most lamentable spectacles on earth. Nice thing for a woman to say to her husband!" exclaimed Mr. Pontellier, fuming anew at the recollection. "Pontellier," said the Doctor, after a moment's reflection, "let your wife alone for a while. Don't bother her, and don't let her bother you. Woman, my dear friend, is a very peculiar and delicate organism a sensitive and highly organized woman, such as I know Mrs. Pontellier to be, is especially peculiar. It would require an inspired psychologist to deal successfully with them. And when ordinary fellows like you and me attempt to cope with their idiosyncrasies the result is bungling. Most women are moody and whimsical. This is some passing whim of your wife, due to some cause or causes which you and I needn't try to fathom. But it will pass happily over, especially if you let her alone. Send her around to see me." "Oh! I couldn't do that; there'd be no reason for it," objected Mr. Pontellier. "Then I'll go around and see her," said the Doctor. "I'll drop in to dinner some evening _en bon ami_." "Do! by all means," urged Mr. Pontellier. "What evening will you come? Say Thursday. Will you come Thursday?" he asked, rising to take his leave. "Very well; Thursday. My wife may possibly have some engagement for me Thursday. In case she has, I shall let you know. Otherwise, you may expect me." Mr. Pontellier turned before leaving to say: | further comment arose and went to the piano. Mademoiselle played a soft interlude. It was an improvisation. She sat low at the instrument, and the lines of her body settled into ungraceful curves and angles that gave it an appearance of deformity. Gradually and imperceptibly the interlude melted into the soft opening minor chords of the Chopin Impromptu. Edna did not know when the Impromptu began or ended. She sat in the sofa corner reading Robert's letter by the fading light. Mademoiselle had glided from the Chopin into the quivering love notes of Isolde's song, and back again to the Impromptu with its soulful and poignant longing. The shadows deepened in the little room. The music grew strange and fantastic turbulent, insistent, plaintive and soft with entreaty. The shadows grew deeper. The music filled the room. It floated out upon the night, over the housetops, the crescent of the river, losing itself in the silence of the upper air. Edna was sobbing, just as she had wept one midnight at Grand Isle when strange, new voices awoke in her. She arose in some agitation to take her departure. "May I come again, Mademoiselle?" she asked at the threshold. "Come whenever you feel like it. Be careful; the stairs and landings are dark; don't stumble." Mademoiselle reentered and lit a candle. Robert's letter was on the floor. She stooped and picked it up. It was crumpled and damp with tears. Mademoiselle smoothed the letter out, restored it to the envelope, and replaced it in the table drawer. XXII One morning on his way into town Mr. Pontellier stopped at the house of his old friend and family physician, Doctor Mandelet. The Doctor was a semi-retired physician, resting, as the saying is, upon his laurels. He bore a reputation for wisdom rather than skill leaving the active practice of medicine to his assistants and younger contemporaries and was much sought for in matters of consultation. A few families, united to him by bonds of friendship, he still attended when they required the services of a physician. The Pontelliers were among these. Mr. Pontellier found the Doctor reading at the open window of his study. His house stood rather far back from the street, in the center of a delightful garden, so that it was quiet and peaceful at the old gentleman's study window. He was a great reader. He stared up disapprovingly over his eye-glasses as Mr. Pontellier entered, wondering who had the temerity to disturb him at that hour of the morning. "Ah, Pontellier! Not sick, I hope. Come and have a seat. What news do you bring this morning?" He was quite portly, with a profusion of gray hair, and small blue eyes which age had robbed of much of their brightness but none of their penetration. "Oh! I'm never sick, Doctor. You know that I come of tough fiber of that old Creole race of Pontelliers that dry up and finally blow away. I came to consult no, not precisely to consult to talk to you about Edna. I don't know what ails her." "Madame Pontellier not well," marveled the Doctor. "Why, I saw her I think it was a week ago walking along Canal Street, the picture of health, it seemed to me." "Yes, yes; she seems quite well," said Mr. Pontellier, leaning forward and whirling his stick between his two hands; "but she doesn't act well. She's odd, she's not like herself. I can't make her out, and I thought perhaps you'd help me." "How does she act?" inquired the Doctor. "Well, it isn't easy to explain," said Mr. Pontellier, throwing himself back in his chair. "She lets the housekeeping go to the dickens." "Well, well; women are not all alike, my dear Pontellier. We've got to consider" "I know that; I told you I couldn't explain. Her whole attitude toward me and everybody and everything has changed. You know I have a quick temper, but I don't want to quarrel or be rude to a woman, especially my wife; yet I'm driven to it, and feel like ten thousand devils after I've made a fool of myself. She's making it devilishly uncomfortable for me," he went on nervously. "She's got some sort of notion in her head concerning the eternal rights of women; and you understand we meet in the morning at the breakfast table." The old gentleman lifted his shaggy eyebrows, protruded his thick nether lip, and tapped the arms of his chair with his cushioned fingertips. "What have you been doing to her, Pontellier?" "Doing! _Parbleu!_" "Has she," asked the Doctor, with a smile, "has she been associating of late with a circle of pseudo-intellectual women super-spiritual superior beings? My wife has been telling me about them." "That's the trouble," broke in Mr. Pontellier,<|quote|>"she hasn't been associating with any one. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the street-cars, getting in after dark. I tell you she's peculiar. I don't like it; I feel a little worried over it."</|quote|>This was a new aspect for the Doctor. "Nothing hereditary?" he asked, seriously. "Nothing peculiar about her family antecedents, is there?" "Oh, no, indeed! She comes of sound old Presbyterian Kentucky stock. The old gentleman, her father, I have heard, used to atone for his weekday sins with his Sunday devotions. I know for a fact, that his race horses literally ran away with the prettiest bit of Kentucky farming land I ever laid eyes upon. Margaret you know Margaret she has all the Presbyterianism undiluted. And the youngest is something of a vixen. By the way, she gets married in a couple of weeks from now." "Send your wife up to the wedding," exclaimed the Doctor, foreseeing a happy solution. "Let her stay among her own people for a while; it will do her good." "That's what I want her to do. She won't go to the marriage. She says a wedding is one of the most lamentable spectacles on earth. Nice thing for a woman to say to her husband!" exclaimed Mr. Pontellier, fuming anew at the recollection. "Pontellier," said the Doctor, after a moment's reflection, "let your wife alone for a while. Don't bother her, and don't let her bother you. Woman, my dear friend, is a very peculiar and delicate organism a sensitive and highly organized woman, such as I know Mrs. Pontellier to be, is especially peculiar. It would require an inspired psychologist to deal successfully with them. And when ordinary fellows like you and me attempt to cope with their idiosyncrasies the result is bungling. Most women are moody and whimsical. This is some passing whim of your wife, due to some cause or causes which you and I needn't try to fathom. But it will pass happily over, especially if you let her alone. Send her around to see me." "Oh! I couldn't do that; there'd be no reason for it," objected Mr. Pontellier. "Then I'll go around and see her," said the Doctor. "I'll drop in to dinner some evening _en bon ami_." "Do! by all means," urged Mr. Pontellier. "What evening will you come? Say Thursday. Will you come Thursday?" he asked, rising to take his leave. "Very well; Thursday. My wife may possibly have some engagement for me Thursday. In case she has, I shall let you know. Otherwise, you may expect me." Mr. Pontellier turned before leaving to say: "I am going to New York on business very soon. I have a big scheme on hand, and want to be on the field proper to pull the ropes and handle the ribbons. We'll let you in on the inside if you say so, Doctor," he laughed. "No, I thank you, my dear sir," returned the Doctor. "I leave such ventures to you younger men with the fever of life still in your blood." "What I wanted to say," continued Mr. Pontellier, with his hand on the knob; "I may have to be absent a good while. Would you advise me to take Edna along?" "By all means, if she wishes to go. If not, leave her here. Don't contradict her. The mood will pass, I assure you. It may take a month, two, three months possibly longer, but it will pass; have patience." "Well, good-by, _ jeudi_," said Mr. Pontellier, as he let himself out. The Doctor would have liked during the course of conversation to ask, "Is there any man in the case?" but he knew his Creole too well to make such a blunder as that. He did not resume his book immediately, but sat for a while meditatively looking out into the garden. XXIII Edna's father was in the city, and had been with them several days. She was not very warmly or deeply attached to him, but they had certain tastes in common, and when together they were companionable. His coming was in the nature of a welcome disturbance; it seemed to furnish a new direction for her emotions. He had come to purchase a wedding gift for his daughter, Janet, and an outfit for himself in which he might make a creditable appearance at her marriage. Mr. Pontellier had selected the bridal gift, as every one immediately connected with him always deferred to his taste in such matters. And his suggestions on the question of dress which too often assumes the nature of a problem were of inestimable value to his father-in-law. But for the past few days the old gentleman had been upon Edna's hands, and in his society she was becoming acquainted with a new set of sensations. He had been a colonel in the Confederate army, and still maintained, with the title, the military bearing which had always accompanied it. His hair and mustache were white and silky, emphasizing the rugged | old gentleman's study window. He was a great reader. He stared up disapprovingly over his eye-glasses as Mr. Pontellier entered, wondering who had the temerity to disturb him at that hour of the morning. "Ah, Pontellier! Not sick, I hope. Come and have a seat. What news do you bring this morning?" He was quite portly, with a profusion of gray hair, and small blue eyes which age had robbed of much of their brightness but none of their penetration. "Oh! I'm never sick, Doctor. You know that I come of tough fiber of that old Creole race of Pontelliers that dry up and finally blow away. I came to consult no, not precisely to consult to talk to you about Edna. I don't know what ails her." "Madame Pontellier not well," marveled the Doctor. "Why, I saw her I think it was a week ago walking along Canal Street, the picture of health, it seemed to me." "Yes, yes; she seems quite well," said Mr. Pontellier, leaning forward and whirling his stick between his two hands; "but she doesn't act well. She's odd, she's not like herself. I can't make her out, and I thought perhaps you'd help me." "How does she act?" inquired the Doctor. "Well, it isn't easy to explain," said Mr. Pontellier, throwing himself back in his chair. "She lets the housekeeping go to the dickens." "Well, well; women are not all alike, my dear Pontellier. We've got to consider" "I know that; I told you I couldn't explain. Her whole attitude toward me and everybody and everything has changed. You know I have a quick temper, but I don't want to quarrel or be rude to a woman, especially my wife; yet I'm driven to it, and feel like ten thousand devils after I've made a fool of myself. She's making it devilishly uncomfortable for me," he went on nervously. "She's got some sort of notion in her head concerning the eternal rights of women; and you understand we meet in the morning at the breakfast table." The old gentleman lifted his shaggy eyebrows, protruded his thick nether lip, and tapped the arms of his chair with his cushioned fingertips. "What have you been doing to her, Pontellier?" "Doing! _Parbleu!_" "Has she," asked the Doctor, with a smile, "has she been associating of late with a circle of pseudo-intellectual women super-spiritual superior beings? My wife has been telling me about them." "That's the trouble," broke in Mr. Pontellier,<|quote|>"she hasn't been associating with any one. She has abandoned her Tuesdays at home, has thrown over all her acquaintances, and goes tramping about by herself, moping in the street-cars, getting in after dark. I tell you she's peculiar. I don't like it; I feel a little worried over it."</|quote|>This was a new aspect for the Doctor. "Nothing hereditary?" he asked, seriously. "Nothing peculiar about her family antecedents, is there?" "Oh, no, indeed! She comes of sound old Presbyterian Kentucky stock. The old gentleman, her father, I have heard, used to atone for his weekday sins with his Sunday devotions. I know for a fact, that his race horses literally ran away with the prettiest bit of Kentucky farming land I ever laid eyes upon. Margaret you know Margaret she has all the Presbyterianism undiluted. And the youngest is something of a vixen. By the way, she gets married in a couple of weeks from now." "Send your wife up to the wedding," exclaimed the Doctor, foreseeing a happy solution. "Let her stay among her own people for a while; it will do her good." "That's what I want her to do. She won't go to the marriage. She says a wedding is one of the most lamentable spectacles on earth. Nice thing for a woman to say to her husband!" exclaimed Mr. Pontellier, fuming anew at the recollection. "Pontellier," said the Doctor, after a moment's reflection, "let your wife alone for a while. Don't bother her, and don't let her bother you. Woman, my dear friend, is a very peculiar and delicate organism a sensitive and highly organized woman, such as I know Mrs. Pontellier to be, is especially peculiar. | The Awakening |
said Mr. Gardiner. | No speaker | as handsome as her brother?"<|quote|>said Mr. Gardiner.</|quote|>"Oh! yes--the handsomest young lady | old. "And is Miss Darcy as handsome as her brother?"<|quote|>said Mr. Gardiner.</|quote|>"Oh! yes--the handsomest young lady that ever was seen; and | as they used to be then. He was very fond of them." This accounted to Elizabeth for Mr. Wickham's being among them. Mrs. Reynolds then directed their attention to one of Miss Darcy, drawn when she was only eight years old. "And is Miss Darcy as handsome as her brother?"<|quote|>said Mr. Gardiner.</|quote|>"Oh! yes--the handsomest young lady that ever was seen; and so accomplished!--She plays and sings all day long. In the next room is a new instrument just come down for her--a present from my master; she comes here to-morrow with him." Mr. Gardiner, whose manners were easy and pleasant, encouraged | not you think him a very handsome gentleman, Ma'am?" "Yes, very handsome." "I am sure _I_ know none so handsome; but in the gallery up stairs you will see a finer, larger picture of him than this. This room was my late master's favourite room, and these miniatures are just as they used to be then. He was very fond of them." This accounted to Elizabeth for Mr. Wickham's being among them. Mrs. Reynolds then directed their attention to one of Miss Darcy, drawn when she was only eight years old. "And is Miss Darcy as handsome as her brother?"<|quote|>said Mr. Gardiner.</|quote|>"Oh! yes--the handsomest young lady that ever was seen; and so accomplished!--She plays and sings all day long. In the next room is a new instrument just come down for her--a present from my master; she comes here to-morrow with him." Mr. Gardiner, whose manners were easy and pleasant, encouraged her communicativeness by his questions and remarks; Mrs. Reynolds, either from pride or attachment, had evidently great pleasure in talking of her master and his sister. "Is your master much at Pemberley in the course of the year?" "Not so much as I could wish, Sir; but I dare say | but Elizabeth could not return it. "And that," said Mrs. Reynolds, pointing to another of the miniatures, "is my master--and very like him. It was drawn at the same time as the other--about eight years ago." "I have heard much of your master's fine person," said Mrs. Gardiner, looking at the picture; "it is a handsome face. But, Lizzy, you can tell us whether it is like or not." Mrs. Reynolds's respect for Elizabeth seemed to increase on this intimation of her knowing her master. "Does that young lady know Mr. Darcy?" Elizabeth coloured, and said--" "A little." "And do not you think him a very handsome gentleman, Ma'am?" "Yes, very handsome." "I am sure _I_ know none so handsome; but in the gallery up stairs you will see a finer, larger picture of him than this. This room was my late master's favourite room, and these miniatures are just as they used to be then. He was very fond of them." This accounted to Elizabeth for Mr. Wickham's being among them. Mrs. Reynolds then directed their attention to one of Miss Darcy, drawn when she was only eight years old. "And is Miss Darcy as handsome as her brother?"<|quote|>said Mr. Gardiner.</|quote|>"Oh! yes--the handsomest young lady that ever was seen; and so accomplished!--She plays and sings all day long. In the next room is a new instrument just come down for her--a present from my master; she comes here to-morrow with him." Mr. Gardiner, whose manners were easy and pleasant, encouraged her communicativeness by his questions and remarks; Mrs. Reynolds, either from pride or attachment, had evidently great pleasure in talking of her master and his sister. "Is your master much at Pemberley in the course of the year?" "Not so much as I could wish, Sir; but I dare say he may spend half his time here; and Miss Darcy is always down for the summer months." "Except," thought Elizabeth, "when she goes to Ramsgate." "If your master would marry, you might see more of him." "Yes, Sir; but I do not know when _that_ will be. I do not know who is good enough for him." Mr. and Mrs. Gardiner smiled. Elizabeth could not help saying, "It is very much to his credit, I am sure, that you should think so." "I say no more than the truth, and what every body will say that knows him," replied the | never be: my uncle and aunt would have been lost to me: I should not have been allowed to invite them." This was a lucky recollection--it saved her from something like regret. She longed to enquire of the housekeeper, whether her master were really absent, but had not courage for it. At length, however, the question was asked by her uncle; and she turned away with alarm, while Mrs. Reynolds replied, that he was, adding, "but we expect him to-morrow, with a large party of friends." How rejoiced was Elizabeth that their own journey had not by any circumstance been delayed a day! Her aunt now called her to look at a picture. She approached, and saw the likeness of Mr. Wickham suspended, amongst several other miniatures, over the mantle-piece. Her aunt asked her, smilingly, how she liked it. The housekeeper came forward, and told them it was the picture of a young gentleman, the son of her late master's steward, who had been brought up by him at his own expence.--" "He is now gone into the army," she added, "but I am afraid he has turned out very wild." Mrs. Gardiner looked at her niece with a smile, but Elizabeth could not return it. "And that," said Mrs. Reynolds, pointing to another of the miniatures, "is my master--and very like him. It was drawn at the same time as the other--about eight years ago." "I have heard much of your master's fine person," said Mrs. Gardiner, looking at the picture; "it is a handsome face. But, Lizzy, you can tell us whether it is like or not." Mrs. Reynolds's respect for Elizabeth seemed to increase on this intimation of her knowing her master. "Does that young lady know Mr. Darcy?" Elizabeth coloured, and said--" "A little." "And do not you think him a very handsome gentleman, Ma'am?" "Yes, very handsome." "I am sure _I_ know none so handsome; but in the gallery up stairs you will see a finer, larger picture of him than this. This room was my late master's favourite room, and these miniatures are just as they used to be then. He was very fond of them." This accounted to Elizabeth for Mr. Wickham's being among them. Mrs. Reynolds then directed their attention to one of Miss Darcy, drawn when she was only eight years old. "And is Miss Darcy as handsome as her brother?"<|quote|>said Mr. Gardiner.</|quote|>"Oh! yes--the handsomest young lady that ever was seen; and so accomplished!--She plays and sings all day long. In the next room is a new instrument just come down for her--a present from my master; she comes here to-morrow with him." Mr. Gardiner, whose manners were easy and pleasant, encouraged her communicativeness by his questions and remarks; Mrs. Reynolds, either from pride or attachment, had evidently great pleasure in talking of her master and his sister. "Is your master much at Pemberley in the course of the year?" "Not so much as I could wish, Sir; but I dare say he may spend half his time here; and Miss Darcy is always down for the summer months." "Except," thought Elizabeth, "when she goes to Ramsgate." "If your master would marry, you might see more of him." "Yes, Sir; but I do not know when _that_ will be. I do not know who is good enough for him." Mr. and Mrs. Gardiner smiled. Elizabeth could not help saying, "It is very much to his credit, I am sure, that you should think so." "I say no more than the truth, and what every body will say that knows him," replied the other. Elizabeth thought this was going pretty far; and she listened with increasing astonishment as the housekeeper added, "I have never had a cross word from him in my life, and I have known him ever since he was four years old." This was praise, of all others most extraordinary, most opposite to her ideas. That he was not a good-tempered man, had been her firmest opinion. Her keenest attention was awakened; she longed to hear more, and was grateful to her uncle for saying, "There are very few people of whom so much can be said. You are lucky in having such a master." "Yes, Sir, I know I am. If I was to go through the world, I could not meet with a better. But I have always observed, that they who are good-natured when children, are good-natured when they grow up; and he was always the sweetest-tempered, most generous-hearted, boy in the world." Elizabeth almost stared at her.--" "Can this be Mr. Darcy!" thought she. "His father was an excellent man," said Mrs. Gardiner. "Yes, Ma'am, that he was indeed; and his son will be just like him--just as affable to the poor." Elizabeth listened, wondered, doubted, | a valley, into which the road with some abruptness wound. It was a large, handsome, stone building, standing well on rising ground, and backed by a ridge of high woody hills;--and in front, a stream of some natural importance was swelled into greater, but without any artificial appearance. Its banks were neither formal, nor falsely adorned. Elizabeth was delighted. She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste. They were all of them warm in their admiration; and at that moment she felt, that to be mistress of Pemberley might be something! They descended the hill, crossed the bridge, and drove to the door; and, while examining the nearer aspect of the house, all her apprehensions of meeting its owner returned. She dreaded lest the chambermaid had been mistaken. On applying to see the place, they were admitted into the hall; and Elizabeth, as they waited for the housekeeper, had leisure to wonder at her being where she was. The housekeeper came; a respectable-looking, elderly woman, much less fine, and more civil, than she had any notion of finding her. They followed her into the dining-parlour. It was a large, well-proportioned room, handsomely fitted up. Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen. The rooms were lofty and handsome, and their furniture suitable to the fortune of their proprietor; but Elizabeth saw, with admiration of his taste, that it was neither gaudy nor uselessly fine; with less of splendor, and more real elegance, than the furniture of Rosings. "And of this place," thought she, "I might have been mistress! With these rooms I might now have been familiarly acquainted! Instead of viewing them as a stranger, I might have rejoiced in them as my own, and welcomed to them as visitors my uncle and aunt.--But no," "--recollecting herself,--" "that could never be: my uncle and aunt would have been lost to me: I should not have been allowed to invite them." This was a lucky recollection--it saved her from something like regret. She longed to enquire of the housekeeper, whether her master were really absent, but had not courage for it. At length, however, the question was asked by her uncle; and she turned away with alarm, while Mrs. Reynolds replied, that he was, adding, "but we expect him to-morrow, with a large party of friends." How rejoiced was Elizabeth that their own journey had not by any circumstance been delayed a day! Her aunt now called her to look at a picture. She approached, and saw the likeness of Mr. Wickham suspended, amongst several other miniatures, over the mantle-piece. Her aunt asked her, smilingly, how she liked it. The housekeeper came forward, and told them it was the picture of a young gentleman, the son of her late master's steward, who had been brought up by him at his own expence.--" "He is now gone into the army," she added, "but I am afraid he has turned out very wild." Mrs. Gardiner looked at her niece with a smile, but Elizabeth could not return it. "And that," said Mrs. Reynolds, pointing to another of the miniatures, "is my master--and very like him. It was drawn at the same time as the other--about eight years ago." "I have heard much of your master's fine person," said Mrs. Gardiner, looking at the picture; "it is a handsome face. But, Lizzy, you can tell us whether it is like or not." Mrs. Reynolds's respect for Elizabeth seemed to increase on this intimation of her knowing her master. "Does that young lady know Mr. Darcy?" Elizabeth coloured, and said--" "A little." "And do not you think him a very handsome gentleman, Ma'am?" "Yes, very handsome." "I am sure _I_ know none so handsome; but in the gallery up stairs you will see a finer, larger picture of him than this. This room was my late master's favourite room, and these miniatures are just as they used to be then. He was very fond of them." This accounted to Elizabeth for Mr. Wickham's being among them. Mrs. Reynolds then directed their attention to one of Miss Darcy, drawn when she was only eight years old. "And is Miss Darcy as handsome as her brother?"<|quote|>said Mr. Gardiner.</|quote|>"Oh! yes--the handsomest young lady that ever was seen; and so accomplished!--She plays and sings all day long. In the next room is a new instrument just come down for her--a present from my master; she comes here to-morrow with him." Mr. Gardiner, whose manners were easy and pleasant, encouraged her communicativeness by his questions and remarks; Mrs. Reynolds, either from pride or attachment, had evidently great pleasure in talking of her master and his sister. "Is your master much at Pemberley in the course of the year?" "Not so much as I could wish, Sir; but I dare say he may spend half his time here; and Miss Darcy is always down for the summer months." "Except," thought Elizabeth, "when she goes to Ramsgate." "If your master would marry, you might see more of him." "Yes, Sir; but I do not know when _that_ will be. I do not know who is good enough for him." Mr. and Mrs. Gardiner smiled. Elizabeth could not help saying, "It is very much to his credit, I am sure, that you should think so." "I say no more than the truth, and what every body will say that knows him," replied the other. Elizabeth thought this was going pretty far; and she listened with increasing astonishment as the housekeeper added, "I have never had a cross word from him in my life, and I have known him ever since he was four years old." This was praise, of all others most extraordinary, most opposite to her ideas. That he was not a good-tempered man, had been her firmest opinion. Her keenest attention was awakened; she longed to hear more, and was grateful to her uncle for saying, "There are very few people of whom so much can be said. You are lucky in having such a master." "Yes, Sir, I know I am. If I was to go through the world, I could not meet with a better. But I have always observed, that they who are good-natured when children, are good-natured when they grow up; and he was always the sweetest-tempered, most generous-hearted, boy in the world." Elizabeth almost stared at her.--" "Can this be Mr. Darcy!" thought she. "His father was an excellent man," said Mrs. Gardiner. "Yes, Ma'am, that he was indeed; and his son will be just like him--just as affable to the poor." Elizabeth listened, wondered, doubted, and was impatient for more. Mrs. Reynolds could interest her on no other point. She related the subject of the pictures, the dimensions of the rooms, and the price of the furniture, in vain. Mr. Gardiner, highly amused by the kind of family prejudice, to which he attributed her excessive commendation of her master, soon led again to the subject; and she dwelt with energy on his many merits, as they proceeded together up the great staircase. "He is the best landlord, and the best master," said she, "that ever lived. Not like the wild young men now-a-days, who think of nothing but themselves. There is not one of his tenants or servants but what will give him a good name. Some people call him proud; but I am sure I never saw any thing of it. To my fancy, it is only because he does not rattle away like other young men." "In what an amiable light does this place him!" thought Elizabeth. "This fine account of him," whispered her aunt, as they walked, "is not quite consistent with his behaviour to our poor friend." "Perhaps we might be deceived." "That is not very likely; our authority was too good." On reaching the spacious lobby above, they were shewn into a very pretty sitting-room, lately fitted up with greater elegance and lightness than the apartments below; and were informed that it was but just done, to give pleasure to Miss Darcy, who had taken a liking to the room, when last at Pemberley. "He is certainly a good brother," said Elizabeth, as she walked towards one of the windows. Mrs. Reynolds anticipated Miss Darcy's delight, when she should enter the room. "And this is always the way with him," she added.--" "Whatever can give his sister any pleasure, is sure to be done in a moment. There is nothing he would not do for her." The picture gallery, and two or three of the principal bed-rooms, were all that remained to be shewn. In the former were many good paintings; but Elizabeth knew nothing of the art; and from such as had been already visible below, she had willingly turned to look at some drawings of Miss Darcy's, in crayons, whose subjects were usually more interesting, and also more intelligible. In the gallery there were many family portraits, but they could have little to fix the attention of a | master's steward, who had been brought up by him at his own expence.--" "He is now gone into the army," she added, "but I am afraid he has turned out very wild." Mrs. Gardiner looked at her niece with a smile, but Elizabeth could not return it. "And that," said Mrs. Reynolds, pointing to another of the miniatures, "is my master--and very like him. It was drawn at the same time as the other--about eight years ago." "I have heard much of your master's fine person," said Mrs. Gardiner, looking at the picture; "it is a handsome face. But, Lizzy, you can tell us whether it is like or not." Mrs. Reynolds's respect for Elizabeth seemed to increase on this intimation of her knowing her master. "Does that young lady know Mr. Darcy?" Elizabeth coloured, and said--" "A little." "And do not you think him a very handsome gentleman, Ma'am?" "Yes, very handsome." "I am sure _I_ know none so handsome; but in the gallery up stairs you will see a finer, larger picture of him than this. This room was my late master's favourite room, and these miniatures are just as they used to be then. He was very fond of them." This accounted to Elizabeth for Mr. Wickham's being among them. Mrs. Reynolds then directed their attention to one of Miss Darcy, drawn when she was only eight years old. "And is Miss Darcy as handsome as her brother?"<|quote|>said Mr. Gardiner.</|quote|>"Oh! yes--the handsomest young lady that ever was seen; and so accomplished!--She plays and sings all day long. In the next room is a new instrument just come down for her--a present from my master; she comes here to-morrow with him." Mr. Gardiner, whose manners were easy and pleasant, encouraged her communicativeness by his questions and remarks; Mrs. Reynolds, either from pride or attachment, had evidently great pleasure in talking of her master and his sister. "Is your master much at Pemberley in the course of the year?" "Not so much as I could wish, Sir; but I dare say he may spend half his time here; and Miss Darcy is always down for the summer months." "Except," thought Elizabeth, "when she goes to Ramsgate." "If your master would marry, you might see more of him." "Yes, Sir; but I do not know when _that_ will be. I do not know who is good enough for him." Mr. and Mrs. Gardiner smiled. Elizabeth could not help saying, "It is very much to his credit, I am sure, that you should think so." "I say no more than the truth, and what every body will say that knows him," replied the other. Elizabeth thought this was going pretty far; and she listened with increasing astonishment as the housekeeper added, "I have never had a cross word from him in my life, and I have known him ever since he was four years old." This was praise, of all others most extraordinary, most opposite to her ideas. That he was not | Pride And Prejudice |
I say as calmly as I can. | No speaker | there aren't any women, mother,"<|quote|>I say as calmly as I can.</|quote|>"And be very careful at | it over? "Where we are there aren't any women, mother,"<|quote|>I say as calmly as I can.</|quote|>"And be very careful at the front, Paul." Ah, Mother, | always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother,"<|quote|>I say as calmly as I can.</|quote|>"And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go | very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother,"<|quote|>I say as calmly as I can.</|quote|>"And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You | to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps." She is silent. Then she asks gently: "Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother,"<|quote|>I say as calmly as I can.</|quote|>"And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to | says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps." She is silent. Then she asks gently: "Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother,"<|quote|>I say as calmly as I can.</|quote|>"And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to eat out there. You can make much better use of them here." How destitute she lies there in her bed, she, that loves me more than all the world. As I am about to leave, she says hastily: "I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack." Ah! Mother! I know what these underpants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying, and we have so much to say, that we could never say it. "Good-night, mother." "Good-night, my child." The room is dark. I hear my mother's breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack which lies there already made up, because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never | hours pass quickly if a man broods. I pull myself together, and go with my sister to the butcher's to get a pound of bones. That is a great luxury and people line up early in the morning and stand waiting. Many of them faint. We have no luck. After waiting by turns for three hours the queue disperses. The bones have not lasted out. It is a good thing I get my rations. I bring them to my mother and in that way we all get something decent to eat. The days grow ever more strained and my mother's eyes more sorrowful. Four days left now. I must go and see Kemmerich's mother. * * I cannot write that down. This quaking, sobbing woman who shakes me and cries out on me: "Why are you living then, when he is dead?" --who drowns me in tears and calls out: "What are you there for at all, child, when you----" --who drops into a chair and wails: "Did you see him? Did you see him then? How did he die?" I tell her he was shot through the heart and died instantaneously. She looks at me, she doubts me: "You lie. I know better. I have felt how terribly he died. I have heard his voice at night, I have felt his anguish--tell the truth, I want to know it, I must know it." "No," I say, "I was beside him. He died at once." She pleads with me gently: "Tell me. You must tell me. I know you want to comfort me, but don't you see, you torment me far more than if you told me the truth? I cannot bear the uncertainty. Tell me how it was and even though it will be terrible, it will be far better than what I have to think if you don't." I will never tell her, she can make mincemeat out of me first. I console her, but she strikes me as rather stupid all the same. Why doesn't she stop worrying? Kemmerich will stay dead whether she knows about it or not. When a man has seen so many dead he cannot understand any longer why there should be so much anguish over a single individual. So I say rather impatiently: "He died immediately. He felt absolutely nothing at all. His face was quite calm." She is silent. Then she says slowly: "Will you swear it?" "Yes." "By everything that is sacred to you?" Good God, what is there that is sacred to me?--such things change pretty quickly with us. "Yes, he died at once." "Are you willing never to come back yourself, if it isn't true?" "May I never come back if he wasn't killed instantaneously." I would swear to anything. But she seems to believe me. She moans and weeps steadily. I have to tell how it happened so I invent a story and I almost believe it myself. As I leave she kisses me and gives me a picture of him. In his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps." She is silent. Then she asks gently: "Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother,"<|quote|>I say as calmly as I can.</|quote|>"And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to eat out there. You can make much better use of them here." How destitute she lies there in her bed, she, that loves me more than all the world. As I am about to leave, she says hastily: "I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack." Ah! Mother! I know what these underpants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying, and we have so much to say, that we could never say it. "Good-night, mother." "Good-night, my child." The room is dark. I hear my mother's breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack which lies there already made up, because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;--I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave. CHAPTER VIII I already know the camp on the moors. It was here that Himmelstoss gave Tjaden his education. But now I know hardly anyone here; as ever, all is altered. There are only a few people that I have occasionally met before. I go through the routine mechanically. In the evenings I generally go to the Soldiers' Home, where the newspapers are laid out, but which I do not read; still, there is a piano there that I am glad enough to play on. Two girls are in attendance, one of them is young. The camp is surrounded with high barbed-wire fences. If we come back late from the Soldiers' Home we have to show passes. But those who are on good terms with the guard can get through, of course. Between the junipers and the birch trees on the moor we practice company-drill each day. It is bearable if one expects nothing better. We advance at a run, fling ourselves down, and our panting breath moves the stalks of the grasses and the flowers of the heather to and fro. Looked at so closely one sees the fine sand is composed of millions of the tiniest pebbles as clear as if they had been made in a laboratory It is strangely inviting to dig one's hands into it. But most beautiful are the woods with their line of birch trees. Their colour changes with every minute. Now the stems gleam purest white, and between them airy and silken, hangs the pastel-green of the leaves; the next moment all changes to an opalescent blue, as the shivering breezes pass down from the heights and touch the green lightly away; and again in one place it deepens almost to black as a cloud passes over the sun. And this shadow moves like a ghost through the dim trunks and passes far out over the moor to the sky--then the birches stand out again like gay banners on white poles, with their red and gold patches of autumn-tinted leaves. I often become so lost in the play | his recruit's uniform he leans on a round rustic table with legs made of birch branches. Behind him a wood is painted on a curtain, and on the table stands a mug of beer. * * It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. "Go and sleep, mother, you will catch cold here." "I can sleep enough later," she says. I sit up. "I don't go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps." She is silent. Then she asks gently: "Are you very much afraid?" "No, mother." "I would like to tell you to be on your guard against the women out in France. They are no good." Ah! Mother, Mother! You still think I am a child--why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted, too, indeed I am little more than a child; in the wardrobe still hang my short, boy's trousers--it is such a little time ago, why is it over? "Where we are there aren't any women, mother,"<|quote|>I say as calmly as I can.</|quote|>"And be very careful at the front, Paul." Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! "Yes, mother, I will." "I will pray for you every day, Paul." Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, Mother! "Perhaps you can get a job that is not so dangerous." "Yes, mother, perhaps I can get into the cook-house, that can easily be done." "You do it then, and if the others say anything----" "That won't worry me, mother----" She sighs. Her face is a white gleam in the darkness. "Now you must go to sleep, mother." She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. "And you must get well again, mother, before I come back." "Yes, yes, my child." "You ought not to send your things to me, mother. We have plenty to eat out there. You can make much better use of them here." How destitute she lies there in her bed, she, that loves me more than all the world. As I am about to leave, she says hastily: "I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack." Ah! Mother! I know what these underpants have | All Quiet on the Western Front |
but checked herself hastily, and said | No speaker | to say "I once tasted--"<|quote|>but checked herself hastily, and said</|quote|>"No, never" ") "--so you | to a lobster--" (Alice began to say "I once tasted--"<|quote|>but checked herself hastily, and said</|quote|>"No, never" ") "--so you can have no idea what | At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--"<|quote|>but checked herself hastily, and said</|quote|>"No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, | of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--"<|quote|>but checked herself hastily, and said</|quote|>"No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire | Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--"<|quote|>but checked herself hastily, and said</|quote|>"No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, | a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--"<|quote|>but checked herself hastily, and said</|quote|>"No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up | she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--"<|quote|>but checked herself hastily, and said</|quote|>"No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering | with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--"<|quote|>but checked herself hastily, and said</|quote|>"No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk | Alices Adventures In Wonderland |
"Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see." | Tattooed Englishman | sooner?" "Hail sooner?" said Jem.<|quote|>"Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see."</|quote|>"We couldn't hail," said Jem, | you. Why didn't you hail sooner?" "Hail sooner?" said Jem.<|quote|>"Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see."</|quote|>"We couldn't hail," said Jem, sulkily. "It would have brought | when they were guarding the boat, was kneeling down and gently rubbing Don. "Is he dead?" said Jem in a whisper. "No, not this time," said the gruff voice out of the darkness. "Pretty nigh touch, though, for both of you. Why didn't you hail sooner?" "Hail sooner?" said Jem.<|quote|>"Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see."</|quote|>"We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you | Somersetshire man's bold attempt at the making of an Irish bull. "My pakeha! My pakeha!" said a deep voice; and Jem became aware of the fact that the big chief he had so often seen on board the ship, and who had come to them with the present of fruit when they were guarding the boat, was kneeling down and gently rubbing Don. "Is he dead?" said Jem in a whisper. "No, not this time," said the gruff voice out of the darkness. "Pretty nigh touch, though, for both of you. Why didn't you hail sooner?" "Hail sooner?" said Jem.<|quote|>"Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see."</|quote|>"We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you must talk to him." "My pakeha!" cried the big chief excitedly. "That isn't his name, is it?" said Jem. "No. Nonsense! Pakeha means white man. I was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a | another grunting sound, it turned and dashed straight for a sandy beach, resolving itself into a long New Zealand war canoe, into which Don and Jem had been drawn, to lie half insensible till the beach was neared when Jem slowly and wonderingly sat up. "Where's Mas' Don?" he said in a sharp ill-used tone. "Here he is," said a gruff voice, and Jem looked wonderingly in a savage's indistinctly seen face, and then down in the bottom of the long canoe, into which they had been dragged. "Mas' Don--don't say you're drowned, Mas' Don," he said pitifully, with a Somersetshire man's bold attempt at the making of an Irish bull. "My pakeha! My pakeha!" said a deep voice; and Jem became aware of the fact that the big chief he had so often seen on board the ship, and who had come to them with the present of fruit when they were guarding the boat, was kneeling down and gently rubbing Don. "Is he dead?" said Jem in a whisper. "No, not this time," said the gruff voice out of the darkness. "Pretty nigh touch, though, for both of you. Why didn't you hail sooner?" "Hail sooner?" said Jem.<|quote|>"Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see."</|quote|>"We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you must talk to him." "My pakeha!" cried the big chief excitedly. "That isn't his name, is it?" said Jem. "No. Nonsense! Pakeha means white man. I was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a personal claim, and ready to resist Jem's interference. The difficulty was ended by Don giving himself a shake, and slowly rising. "Jem! Where's Jem?" "Here! All right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief. "Lookye here," cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' | water flash as it came on, and there was, as it were, a thin new-moon-like curve of light at its breast, while from its tail the sparkling phosphorescence spread widely as it was left behind. The low grumbling sound came again, but it was not heard by those drowning, nor was the light seen as it glided on nearer and nearer, till it reached the spot. One dart from the long raised neck, one snap of the fierce jaws--another dart and another snap, and the sea monster had its prey, and glided rapidly on, probably in search of more in its nightly hunt. Nothing of the kind! The long creature endued with life darted on, but the long neck and horned head were not darted down, but guided past those who where drowning. Everything was stiff and rigid but the playing fins. But there was another dull, low grunt, the fins seemed to cease by magic; and, instead of being snapped up by the monster's mouth, the two sufferers were drawn in over its side. Then the water flashed golden again, the monster made a curve and rushed through the water, and sped away for miles till, in obedience to another grunting sound, it turned and dashed straight for a sandy beach, resolving itself into a long New Zealand war canoe, into which Don and Jem had been drawn, to lie half insensible till the beach was neared when Jem slowly and wonderingly sat up. "Where's Mas' Don?" he said in a sharp ill-used tone. "Here he is," said a gruff voice, and Jem looked wonderingly in a savage's indistinctly seen face, and then down in the bottom of the long canoe, into which they had been dragged. "Mas' Don--don't say you're drowned, Mas' Don," he said pitifully, with a Somersetshire man's bold attempt at the making of an Irish bull. "My pakeha! My pakeha!" said a deep voice; and Jem became aware of the fact that the big chief he had so often seen on board the ship, and who had come to them with the present of fruit when they were guarding the boat, was kneeling down and gently rubbing Don. "Is he dead?" said Jem in a whisper. "No, not this time," said the gruff voice out of the darkness. "Pretty nigh touch, though, for both of you. Why didn't you hail sooner?" "Hail sooner?" said Jem.<|quote|>"Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see."</|quote|>"We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you must talk to him." "My pakeha!" cried the big chief excitedly. "That isn't his name, is it?" said Jem. "No. Nonsense! Pakeha means white man. I was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a personal claim, and ready to resist Jem's interference. The difficulty was ended by Don giving himself a shake, and slowly rising. "Jem! Where's Jem?" "Here! All right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief. "Lookye here," cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' at me in that there aggravating way, I shall hit him in the mouth." "Ah! You're rusty," said the tattooed Englishman. "Man always is when he's been under water." "I dunno what you mean by being rusty," said Jem snappishly. "What I say is, leave a man alone." "All right!" said the Englishman. "I'll let you alone. How's your young mate?" "My head aches dreadfully," said Don; "and there's a horrible pain at the back of my neck." "Oh, that'll soon go off, my lad. And now what are you going to do?" "Do?" interrupted Jem. "Why, you don't mean to give us up, do you?" "I don't mean to do anything or know anything," said the man. "Your skipper'll come to me to-morrow if he don't think you're drowned, or--I say, did you feel anything of 'em?" "Feel anything--of what?" said Don. "Sharks, my lad. The shallow waters here swarm with them." "Sharks!" cried Don and Jem in a breath. "Yes. Didn't you know?" "I'd forgotten all about the sharks, Jem," said Don. "So had I, my lad, or I dursen't have swum for it as we did. Of course I thought about 'em at first starting, but I | caught Don in a firm grip with one hand, as he struck wildly out with the other. Four or five steady strokes, and then his arm seemed to lose its power, and his strokes were feeble. "Mas' Don," he groaned; "I did try hard; but it's all over. I'm dead beat, too." CHAPTER TWENTY EIGHT. FRIENDLY ATTENTIONS. A peculiar pale light played and flashed from the surface of the black water which was being churned up by the desperate struggles of the drowning pair. It was as if myriads of tiny stars started into being where all was dark before, and went hurrying here and there, some to the surface, others deep down into the transparent purity of the sea. A minute before Jem Wimble had kept command of himself, and swam as a carefully tutored man keeps himself afloat; that minute passed, all teaching was forgotten in a weak, frantic struggle with the strangling water which closed over their heads. A few moments, during which the phosphorescent tiny creatures played here and there, and then once more the two helpless and nearly exhausted fugitives were beating the surface, which flashed and sent forth lambent rays of light. But it was not there alone that the phosphorescence of the sea was visible. About a hundred yards away there was what seemed to be a double line of pale gold liquid fire changing into bluish green, and between the lines of light something whose blackness was greater than the darkness of the sea or night. There was a dull low splashing, and at every splash the liquid fire seemed to fly. The double line of fire lengthened and sparkled, till it was as so much greenish golden foam reaching more and more toward where the drowning pair were struggling. Then came a low, growling, grinding sound, as if the long lines of light were made by the beating fins of the dark object, which was some habitant of the deep roused from slumbers by the light of the golden foam formed by those who drowned. And it rushed on and on to seize its prey, invisible before, but now plainly seen by the struggles and the resulting phosphorescent light. Long, low, and with its head raised high out of the water, horrent, grotesque and strange, the great sea monster glided along over the smooth sea. Full five-and-twenty fins aside made the water flash as it came on, and there was, as it were, a thin new-moon-like curve of light at its breast, while from its tail the sparkling phosphorescence spread widely as it was left behind. The low grumbling sound came again, but it was not heard by those drowning, nor was the light seen as it glided on nearer and nearer, till it reached the spot. One dart from the long raised neck, one snap of the fierce jaws--another dart and another snap, and the sea monster had its prey, and glided rapidly on, probably in search of more in its nightly hunt. Nothing of the kind! The long creature endued with life darted on, but the long neck and horned head were not darted down, but guided past those who where drowning. Everything was stiff and rigid but the playing fins. But there was another dull, low grunt, the fins seemed to cease by magic; and, instead of being snapped up by the monster's mouth, the two sufferers were drawn in over its side. Then the water flashed golden again, the monster made a curve and rushed through the water, and sped away for miles till, in obedience to another grunting sound, it turned and dashed straight for a sandy beach, resolving itself into a long New Zealand war canoe, into which Don and Jem had been drawn, to lie half insensible till the beach was neared when Jem slowly and wonderingly sat up. "Where's Mas' Don?" he said in a sharp ill-used tone. "Here he is," said a gruff voice, and Jem looked wonderingly in a savage's indistinctly seen face, and then down in the bottom of the long canoe, into which they had been dragged. "Mas' Don--don't say you're drowned, Mas' Don," he said pitifully, with a Somersetshire man's bold attempt at the making of an Irish bull. "My pakeha! My pakeha!" said a deep voice; and Jem became aware of the fact that the big chief he had so often seen on board the ship, and who had come to them with the present of fruit when they were guarding the boat, was kneeling down and gently rubbing Don. "Is he dead?" said Jem in a whisper. "No, not this time," said the gruff voice out of the darkness. "Pretty nigh touch, though, for both of you. Why didn't you hail sooner?" "Hail sooner?" said Jem.<|quote|>"Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see."</|quote|>"We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you must talk to him." "My pakeha!" cried the big chief excitedly. "That isn't his name, is it?" said Jem. "No. Nonsense! Pakeha means white man. I was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a personal claim, and ready to resist Jem's interference. The difficulty was ended by Don giving himself a shake, and slowly rising. "Jem! Where's Jem?" "Here! All right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief. "Lookye here," cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' at me in that there aggravating way, I shall hit him in the mouth." "Ah! You're rusty," said the tattooed Englishman. "Man always is when he's been under water." "I dunno what you mean by being rusty," said Jem snappishly. "What I say is, leave a man alone." "All right!" said the Englishman. "I'll let you alone. How's your young mate?" "My head aches dreadfully," said Don; "and there's a horrible pain at the back of my neck." "Oh, that'll soon go off, my lad. And now what are you going to do?" "Do?" interrupted Jem. "Why, you don't mean to give us up, do you?" "I don't mean to do anything or know anything," said the man. "Your skipper'll come to me to-morrow if he don't think you're drowned, or--I say, did you feel anything of 'em?" "Feel anything--of what?" said Don. "Sharks, my lad. The shallow waters here swarm with them." "Sharks!" cried Don and Jem in a breath. "Yes. Didn't you know?" "I'd forgotten all about the sharks, Jem," said Don. "So had I, my lad, or I dursen't have swum for it as we did. Of course I thought about 'em at first starting, but I forgot all about 'em afterwards." "Jem," said Don, shuddering; "what an escape!" "Well, don't get making a fuss about it now it's all over, Mas' Don. Here we are safe, but I must say you're the wussest swimmer I ever met.--Here, what are they going to do?" "Run ashore," said the Englishman, as there was a buzz of excitement among the New Zealanders, many of whom stepped over into the shallow water, and seized the sides of the boat, which was rapidly run up the dark shore, where, amidst a low gobbling noise, the two wet passengers were landed to stand shivering with cold. "There you are," said the Englishman, "safe and sound." "Well, who said we weren't?" grumbled Jem. "Not you, squire," continued the Englishman. "There; I don't know anything about you, and you'd better lie close till the ship's gone, for they may come after you." "Where shall we hide?" said Don eagerly. "Oh, you leave it to Ngati; he'll find you a place where you can lie snug." "Ngati," said the owner of the name quickly, for he had been listening intently, and trying to grasp what was said. "Ngati! My pakeha." "Oh, I say: do leave off," cried Jem testily. "Pakeha again. Say, Mas' Don, him and I's going to have a row before we've done." The chief said something quickly to the Englishman, who nodded and then turned to the fugitives. "Ngati says he will take you where you can dry yourselves, and put on warm things." "He won't be up to any games, will he?" said Jem. "No, no; you may trust him. You can't do better than go with him till the search is over." The Englishman turned to a tall young savage, and said some words to him, with the result that the young man placed himself behind Don, and began to carefully obliterate the footprints left by the fugitives upon the sand. Don noticed this and wondered, for in the darkness the footprints were hardly perceptible; but he appreciated the act, though he felt no one but a native would distinguish between the footprints of the two people. "My pakeha," said Ngati just then, making Jem wince and utter an angry gesticulation. "Gunpowder, gun, pow-gun, gun-pow." "Eh?" said Jem harshly. "My pakeha, powder-gun. Pow-gun, gun-pow. No?" "He says his pakeha was to have brought plenty of guns and powder, and he | for miles till, in obedience to another grunting sound, it turned and dashed straight for a sandy beach, resolving itself into a long New Zealand war canoe, into which Don and Jem had been drawn, to lie half insensible till the beach was neared when Jem slowly and wonderingly sat up. "Where's Mas' Don?" he said in a sharp ill-used tone. "Here he is," said a gruff voice, and Jem looked wonderingly in a savage's indistinctly seen face, and then down in the bottom of the long canoe, into which they had been dragged. "Mas' Don--don't say you're drowned, Mas' Don," he said pitifully, with a Somersetshire man's bold attempt at the making of an Irish bull. "My pakeha! My pakeha!" said a deep voice; and Jem became aware of the fact that the big chief he had so often seen on board the ship, and who had come to them with the present of fruit when they were guarding the boat, was kneeling down and gently rubbing Don. "Is he dead?" said Jem in a whisper. "No, not this time," said the gruff voice out of the darkness. "Pretty nigh touch, though, for both of you. Why didn't you hail sooner?" "Hail sooner?" said Jem.<|quote|>"Yes. We came in the canoe to fetch you, but you didn't hail, and it was too dark to see."</|quote|>"We couldn't hail," said Jem, sulkily. "It would have brought the boats down upon us." "Ah, so it would," said the owner of the gruff voice. "There's three boats out after you." "And shall you give us up?" "Give you up? Not I. I've nothing to do with it; you must talk to him." "My pakeha!" cried the big chief excitedly. "That isn't his name, is it?" said Jem. "No. Nonsense! Pakeha means white man. I was a pakeha once." "Let me help him up," said Jem eagerly. "My pakeha! My pakeha!" said the chief, as if putting in a personal claim, and ready to resist Jem's interference. The difficulty was ended by Don giving himself a shake, and slowly rising. "Jem! Where's Jem?" "Here! All right, Mas' Don. We're in the canoe." "Hah!" ejaculated Don; and he shuddered as if chilled. "Where are the boats?" "Miles away," said the tattooed Englishman. "But look here, I'm only on board. This is Ngati's doing. I know nothing about you two." "My pakeha! My pakeha!" cried the chief. "Lookye here," cried Jem, speaking in the irritable fashion of those just rescued from drowning; "if that there chief keeps on saying, `_My pakeha_' at me in that there aggravating way, I shall hit him in the mouth." "Ah! You're rusty," said the tattooed Englishman. "Man always is when he's been under water." "I dunno what you mean by being rusty," said Jem snappishly. "What I say is, leave a man alone." "All right!" said the Englishman. "I'll let you alone. How's your young mate?" "My head aches dreadfully," said Don; "and there's a horrible pain at the back of my neck." "Oh, that'll soon go off, my lad. And now what are you going to do?" "Do?" interrupted Jem. "Why, you don't mean to give us up, do you?" "I don't mean to do anything or know anything," said the man. "Your skipper'll come to me to-morrow if he don't think you're drowned, or--I say, did you feel anything of 'em?" "Feel anything--of what?" said Don. "Sharks, my lad. The shallow waters here swarm with them." "Sharks!" cried Don and Jem in a breath. "Yes. Didn't you know?" "I'd forgotten all about the sharks, Jem," said Don. "So had I, my lad, or I dursen't have swum for it as we did. Of course I thought about 'em at first starting, but I forgot all about 'em afterwards." "Jem," said Don, shuddering; "what an escape!" "Well, don't get making a fuss about it now it's all over, Mas' Don. Here we are safe, but I must say you're the wussest swimmer I ever met.--Here, what are they going | Don Lavington |
In that case his dear Theign could tell him. | No speaker | chap’s letter was so offensive.”<|quote|>In that case his dear Theign could tell him.</|quote|>“Because it was a tissue | my dear Theign, the poor chap’s letter was so offensive.”<|quote|>In that case his dear Theign could tell him.</|quote|>“Because it was a tissue of expressions that may pass | as with the air of something that had been working in him rather vehemently, though under due caution too, as a consequence of this exchange, during which he had apprehensively watched his elder. “I don’t think I quite see _how_, my dear Theign, the poor chap’s letter was so offensive.”<|quote|>In that case his dear Theign could tell him.</|quote|>“Because it was a tissue of expressions that may pass current--over counters and in awful newspapers--in _his_ extraordinary world or country, but that I decline to take time to puzzle out here.” “If he didn’t make himself understood,” Lord John took leave to laugh, “it must indeed have been an | as the successive cracks of a discharged revolver; yet when the light smoke cleared Lady Sand-gate at least was still left standing and smiling. “Yes, why in mercy’s name can’t he choose _which?_--and why does he write him, dreadful Breckenridge, such tiresome argumentative letters?” Lord John took up her idea as with the air of something that had been working in him rather vehemently, though under due caution too, as a consequence of this exchange, during which he had apprehensively watched his elder. “I don’t think I quite see _how_, my dear Theign, the poor chap’s letter was so offensive.”<|quote|>In that case his dear Theign could tell him.</|quote|>“Because it was a tissue of expressions that may pass current--over counters and in awful newspapers--in _his_ extraordinary world or country, but that I decline to take time to puzzle out here.” “If he didn’t make himself understood,” Lord John took leave to laugh, “it must indeed have been an unusual production for Bender.” “Oh, I often, with the wild beauty, if you will, of so many of his turns, haven’t a notion,” Lady Sandgate confessed with an equal gaiety, “of what he’s talking about.” “I think I never miss his weird sense,” her younger guest again loyally contended-- “and | rarity--” “That that mendacious young cad who has bamboozled Grace,” Lord Theign broke in, “tried to befool us, for his beggarly reasons, into claiming for it?” Lady Sandgate renewed her mild influence. “Ah, the knowing people haven’t had their last word--the possible Mantovano isn’t exploded _yet!_” Her noble friend, however, declined the offered spell. “I’ve had enough of the knowing people--the knowing people are serpents! My picture’s to take or to leave--and it’s what I’ve come back, if you please, John, to say to your man to his face.” This declaration had a report as sharp and almost as multiplied as the successive cracks of a discharged revolver; yet when the light smoke cleared Lady Sand-gate at least was still left standing and smiling. “Yes, why in mercy’s name can’t he choose _which?_--and why does he write him, dreadful Breckenridge, such tiresome argumentative letters?” Lord John took up her idea as with the air of something that had been working in him rather vehemently, though under due caution too, as a consequence of this exchange, during which he had apprehensively watched his elder. “I don’t think I quite see _how_, my dear Theign, the poor chap’s letter was so offensive.”<|quote|>In that case his dear Theign could tell him.</|quote|>“Because it was a tissue of expressions that may pass current--over counters and in awful newspapers--in _his_ extraordinary world or country, but that I decline to take time to puzzle out here.” “If he didn’t make himself understood,” Lord John took leave to laugh, “it must indeed have been an unusual production for Bender.” “Oh, I often, with the wild beauty, if you will, of so many of his turns, haven’t a notion,” Lady Sandgate confessed with an equal gaiety, “of what he’s talking about.” “I think I never miss his weird sense,” her younger guest again loyally contended-- “and in fact as a general thing I rather like it!” “I happen to like nothing that I don’t enjoy,” Lord Theign rejoined with some asperity-- “and so far as I do follow the fellow he assumes on my part an interest in his expenditure of purchase-money that I neither feel nor pretend to. He doesn’t want--by what I spell out--the picture he refused at Dedborough; he may possibly want--if one reads it so--the picture on view in Bond Street; and he yet appears to make, with great emphasis, the stupid ambiguous point that these two ‘articles’ (the greatest of Morettos | addition to all those (and plenty of ‘em!) one damnably does.” Lady Sandgate, by a turn of the hand, dropped oil from her golden cruse. “Ah, you did _that_, in your own grand way, before you went abroad!” “I don’t speak of the matter, my dear man, in the light of its effect on _you_,” Lord John importantly explained-- “but in the light of its effect on Bender; who so consumedly wants the picture, if he _is_ to have it, to be a Mantovano, but seems unable to get it taken at last for anything but the fine old Moretto that of course it has always been.” Lord Theign, in growing disgust at the whole beastly complication, betrayed more and more the odd pitch of the temper that had abruptly restored him with such incalculable weight to the scene of action. “Well, isn’t a fine old Moretto good enough for him; confound him?” It pulled up not a little Lord John, who yet made his point. “A fine old Moretto, you know, was exactly what he declined at Dedborough--for its comparative, strictly comparative, insignificance; and he only thought of the picture when the wind began to rise for the enormous rarity--” “That that mendacious young cad who has bamboozled Grace,” Lord Theign broke in, “tried to befool us, for his beggarly reasons, into claiming for it?” Lady Sandgate renewed her mild influence. “Ah, the knowing people haven’t had their last word--the possible Mantovano isn’t exploded _yet!_” Her noble friend, however, declined the offered spell. “I’ve had enough of the knowing people--the knowing people are serpents! My picture’s to take or to leave--and it’s what I’ve come back, if you please, John, to say to your man to his face.” This declaration had a report as sharp and almost as multiplied as the successive cracks of a discharged revolver; yet when the light smoke cleared Lady Sand-gate at least was still left standing and smiling. “Yes, why in mercy’s name can’t he choose _which?_--and why does he write him, dreadful Breckenridge, such tiresome argumentative letters?” Lord John took up her idea as with the air of something that had been working in him rather vehemently, though under due caution too, as a consequence of this exchange, during which he had apprehensively watched his elder. “I don’t think I quite see _how_, my dear Theign, the poor chap’s letter was so offensive.”<|quote|>In that case his dear Theign could tell him.</|quote|>“Because it was a tissue of expressions that may pass current--over counters and in awful newspapers--in _his_ extraordinary world or country, but that I decline to take time to puzzle out here.” “If he didn’t make himself understood,” Lord John took leave to laugh, “it must indeed have been an unusual production for Bender.” “Oh, I often, with the wild beauty, if you will, of so many of his turns, haven’t a notion,” Lady Sandgate confessed with an equal gaiety, “of what he’s talking about.” “I think I never miss his weird sense,” her younger guest again loyally contended-- “and in fact as a general thing I rather like it!” “I happen to like nothing that I don’t enjoy,” Lord Theign rejoined with some asperity-- “and so far as I do follow the fellow he assumes on my part an interest in his expenditure of purchase-money that I neither feel nor pretend to. He doesn’t want--by what I spell out--the picture he refused at Dedborough; he may possibly want--if one reads it so--the picture on view in Bond Street; and he yet appears to make, with great emphasis, the stupid ambiguous point that these two ‘articles’ (the greatest of Morettos an ‘article’!) haven’t been ‘by now’ proved different: as if I engaged with him that I myself would so prove them!” Lord John indulged in a pause--but also in a suggestion. “He must allude to your hoping--when you allowed us to place the picture with Mackintosh--that it would show to all London in the most precious light conceivable.” “Well, if it hasn’t so shown” --and Lord Theign stared as if mystified-- “what in the world’s the meaning of this preposterous racket?” “The racket is largely,” his young friend explained, “the vociferation of the people who contradict each other about it.” On which their hostess sought to enliven the gravity of the question. “Some--yes--shouting on the housetops that’s a Mantovano of the Mantovanos, and others shrieking back at them that they’re donkeys if not criminals.” “He may take it for whatever he likes,” said Lord Theign, heedless of these contributions, “he may father it on Michael Angelo himself if he’ll but clear out with it and let me alone!” “What he’d _like_ to take it for,” Lord John at this point saw his way to remark, “is something in the nature of a Hundred Thousand.” “A Hundred Thousand?” cried his astonished | Theign seemed about to ask for the meaning of this remark, but his other companion’s apprehension had already overflowed. “You haven’t come back, have you--to whatever it may be!--for _trouble_ of any sort with Breckenridge?” His lordship transferred his penetration to this fair friend, “Have you become so intensely absorbed--these remarkable days!--in ‘Breckenridge’?” She felt the shadow, you would have seen, of his claimed right, or at least privilege, of search--yet easily, after an instant, emerged clear. “I’ve thought and dreamt but of _you_--suspicious man!--in proportion as the clamour has spread; and Mr. Bender meanwhile, if you want to know, hasn’t been near me once!” Lord John came in a manner, and however unconsciously, to her aid. “You’d have seen, if he had been, what’s the matter with him, I think--and what perhaps Theign has seen from his own letter: since,” he went on to his fellow-visitor, “I understood him a week ago to have been much taken up with writing you.” Lord Theign received this without comment, only again with an air of expertly sounding the speaker; after which he gave himself afresh for a moment to Lady Sandgate. “I’ve not come home for any clamour, as you surely know me well enough to believe; or to notice for a minute the cheapest insolence and aggression--which frankly scarce reached me out there; or which, so far as it did, I was daily washed clean of by those blest waters. I returned on Mr. Bender’s letter,” he then vouchsafed to Lord John-- “three extraordinarily vulgar pages about the egregious Pap-pendick!” “About his having suddenly turned up in person, yes, and, as Breckenridge says, marked the picture down?” --the young man was clearly all-knowing. “That _has_ of course weighed on Bender--being confirmed apparently, on the whole, by the drift of public opinion.” Lord Theign took, on this, with a frank show of reaction from some of his friend’s terms, a sharp turn off; he even ironically indicated the babbler or at least the blunderer in question to Lady Sandgate. “He too has known me so long, and he comes here to talk to me of ‘the drift of public opinion’!” After which he quite charged at his vain informant. “Am I to tell you again that I snap my fingers at the drift of public opinion?--which is but another name for the chatter of all the fools one doesn’t know, in addition to all those (and plenty of ‘em!) one damnably does.” Lady Sandgate, by a turn of the hand, dropped oil from her golden cruse. “Ah, you did _that_, in your own grand way, before you went abroad!” “I don’t speak of the matter, my dear man, in the light of its effect on _you_,” Lord John importantly explained-- “but in the light of its effect on Bender; who so consumedly wants the picture, if he _is_ to have it, to be a Mantovano, but seems unable to get it taken at last for anything but the fine old Moretto that of course it has always been.” Lord Theign, in growing disgust at the whole beastly complication, betrayed more and more the odd pitch of the temper that had abruptly restored him with such incalculable weight to the scene of action. “Well, isn’t a fine old Moretto good enough for him; confound him?” It pulled up not a little Lord John, who yet made his point. “A fine old Moretto, you know, was exactly what he declined at Dedborough--for its comparative, strictly comparative, insignificance; and he only thought of the picture when the wind began to rise for the enormous rarity--” “That that mendacious young cad who has bamboozled Grace,” Lord Theign broke in, “tried to befool us, for his beggarly reasons, into claiming for it?” Lady Sandgate renewed her mild influence. “Ah, the knowing people haven’t had their last word--the possible Mantovano isn’t exploded _yet!_” Her noble friend, however, declined the offered spell. “I’ve had enough of the knowing people--the knowing people are serpents! My picture’s to take or to leave--and it’s what I’ve come back, if you please, John, to say to your man to his face.” This declaration had a report as sharp and almost as multiplied as the successive cracks of a discharged revolver; yet when the light smoke cleared Lady Sand-gate at least was still left standing and smiling. “Yes, why in mercy’s name can’t he choose _which?_--and why does he write him, dreadful Breckenridge, such tiresome argumentative letters?” Lord John took up her idea as with the air of something that had been working in him rather vehemently, though under due caution too, as a consequence of this exchange, during which he had apprehensively watched his elder. “I don’t think I quite see _how_, my dear Theign, the poor chap’s letter was so offensive.”<|quote|>In that case his dear Theign could tell him.</|quote|>“Because it was a tissue of expressions that may pass current--over counters and in awful newspapers--in _his_ extraordinary world or country, but that I decline to take time to puzzle out here.” “If he didn’t make himself understood,” Lord John took leave to laugh, “it must indeed have been an unusual production for Bender.” “Oh, I often, with the wild beauty, if you will, of so many of his turns, haven’t a notion,” Lady Sandgate confessed with an equal gaiety, “of what he’s talking about.” “I think I never miss his weird sense,” her younger guest again loyally contended-- “and in fact as a general thing I rather like it!” “I happen to like nothing that I don’t enjoy,” Lord Theign rejoined with some asperity-- “and so far as I do follow the fellow he assumes on my part an interest in his expenditure of purchase-money that I neither feel nor pretend to. He doesn’t want--by what I spell out--the picture he refused at Dedborough; he may possibly want--if one reads it so--the picture on view in Bond Street; and he yet appears to make, with great emphasis, the stupid ambiguous point that these two ‘articles’ (the greatest of Morettos an ‘article’!) haven’t been ‘by now’ proved different: as if I engaged with him that I myself would so prove them!” Lord John indulged in a pause--but also in a suggestion. “He must allude to your hoping--when you allowed us to place the picture with Mackintosh--that it would show to all London in the most precious light conceivable.” “Well, if it hasn’t so shown” --and Lord Theign stared as if mystified-- “what in the world’s the meaning of this preposterous racket?” “The racket is largely,” his young friend explained, “the vociferation of the people who contradict each other about it.” On which their hostess sought to enliven the gravity of the question. “Some--yes--shouting on the housetops that’s a Mantovano of the Mantovanos, and others shrieking back at them that they’re donkeys if not criminals.” “He may take it for whatever he likes,” said Lord Theign, heedless of these contributions, “he may father it on Michael Angelo himself if he’ll but clear out with it and let me alone!” “What he’d _like_ to take it for,” Lord John at this point saw his way to remark, “is something in the nature of a Hundred Thousand.” “A Hundred Thousand?” cried his astonished friend. “Quite, I dare say, a Hundred Thousand” --the young man enjoyed clearly handling even by the lips so round a sum. Lady Sandgate disclaimed however with agility any appearance of having gaped. “Why, haven’t you yet realised, Theign, that those are the American figures?” His lordship looked at her fixedly and then did the same by Lord John, after which he waited a little. “I’ve nothing to do with the American figures--which seem to me, if you press me, you know, quite intolerably vulgar.” “Well, I’d be as vulgar as anybody for a Hundred Thousand!” Lady Sandgate hastened to proclaim. “Didn’t he let us know at Dedborough,” Lord John asked of the master of that seat, “that he had no use, as he said, for lower values?” “I’ve heard him remark myself,” said their companion, rising to the monstrous memory, “that he wouldn’t take a cheap picture--even though a ‘handsome’ one--as a present.” “And does he call the thing round the corner a cheap picture?” the proprietor of the work demanded. Lord John threw up his arms with a grin of impatience. “All he wants to do, don’t you see? is to prevent your _making_ it one!” Lord Theign glared at this imputation to him of a low ductility. “I offered the thing, as it was, at an estimate worthy of it--and of _me_.” “My dear reckless friend,” his young adviser protested, “you named no figure _at all_ when it came to the point----!” “It _didn’t_ come to the point! Nothing came to the point but that I put a Moretto on view; as a thing, yes, perfectly” --Lord Theign accepted the reminding gesture-- “on which a rich American had an eye and in which he had, so to speak, an interest. That was what I wanted, and so we left it--parting each of us ready but neither of us bound.” “Ah, Mr. Bender’s bound, as he’d say,” Lady Sand-gate interposed-- “‘bound’ to make you swallow the enormous luscious plum that your appetite so morbidly rejects!” “My appetite, as morbid as you like” --her old friend had shrewdly turned on her-- “is my own affair, and if the fellow must deal in enormities I warn him to carry them elsewhere!” Lord John, plainly, by this time, was quite exasperated at the absurdity of him. “But how can’t you see that it’s only a plum, as she says, for a | of the picture when the wind began to rise for the enormous rarity--” “That that mendacious young cad who has bamboozled Grace,” Lord Theign broke in, “tried to befool us, for his beggarly reasons, into claiming for it?” Lady Sandgate renewed her mild influence. “Ah, the knowing people haven’t had their last word--the possible Mantovano isn’t exploded _yet!_” Her noble friend, however, declined the offered spell. “I’ve had enough of the knowing people--the knowing people are serpents! My picture’s to take or to leave--and it’s what I’ve come back, if you please, John, to say to your man to his face.” This declaration had a report as sharp and almost as multiplied as the successive cracks of a discharged revolver; yet when the light smoke cleared Lady Sand-gate at least was still left standing and smiling. “Yes, why in mercy’s name can’t he choose _which?_--and why does he write him, dreadful Breckenridge, such tiresome argumentative letters?” Lord John took up her idea as with the air of something that had been working in him rather vehemently, though under due caution too, as a consequence of this exchange, during which he had apprehensively watched his elder. “I don’t think I quite see _how_, my dear Theign, the poor chap’s letter was so offensive.”<|quote|>In that case his dear Theign could tell him.</|quote|>“Because it was a tissue of expressions that may pass current--over counters and in awful newspapers--in _his_ extraordinary world or country, but that I decline to take time to puzzle out here.” “If he didn’t make himself understood,” Lord John took leave to laugh, “it must indeed have been an unusual production for Bender.” “Oh, I often, with the wild beauty, if you will, of so many of his turns, haven’t a notion,” Lady Sandgate confessed with an equal gaiety, “of what he’s talking about.” “I think I never miss his weird sense,” her younger guest again loyally contended-- “and in fact as a general thing I rather like it!” “I happen to like nothing that I don’t enjoy,” Lord Theign rejoined with some asperity-- “and so far as I do follow the fellow he assumes on my part an interest in his expenditure of purchase-money that I neither feel nor pretend to. He doesn’t want--by what I spell out--the picture he refused at Dedborough; he may possibly want--if one reads it so--the picture on view in Bond Street; and he yet appears to make, with great emphasis, the stupid ambiguous point that these two ‘articles’ (the greatest of Morettos an ‘article’!) haven’t been ‘by now’ proved different: as if I engaged with him that I myself would so prove them!” Lord John indulged in a pause--but also in a suggestion. “He must allude to your hoping--when you allowed us to place the picture with Mackintosh--that it would show to all London in the most precious light conceivable.” “Well, if it hasn’t so shown” --and Lord Theign stared as if mystified-- “what in the world’s the meaning of this preposterous racket?” “The racket is largely,” his young friend explained, “the vociferation of the people who contradict each other about it.” On which their hostess sought to enliven the gravity of the question. “Some--yes--shouting on the housetops that’s a Mantovano of the Mantovanos, and others shrieking back at them that they’re donkeys if not criminals.” “He may take it for whatever he likes,” said Lord | The Outcry |
“Well,” | Grace | have to want it more!”<|quote|>“Well,”</|quote|>she anxiously felt it her | indecently much. Then _we_ shall have to want it more!”<|quote|>“Well,”</|quote|>she anxiously felt it her duty to remind him, “you | that will be only if he wants and decides for the picture.” “We must make him then want and decide for it--decide, that is, for ‘ours.’ To save it we must work him up--he’ll in that case want it so indecently much. Then _we_ shall have to want it more!”<|quote|>“Well,”</|quote|>she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that | breadth of his view. “Our own policy must be to _organise_ to that end the inevitable outcry. Organise Bender himself--organise him to scandal.” Hugh had already even pity to spare for their victim. “He won’t know it from a boom.” Though carried along, however, Lady Grace could still measure. “But that will be only if he wants and decides for the picture.” “We must make him then want and decide for it--decide, that is, for ‘ours.’ To save it we must work him up--he’ll in that case want it so indecently much. Then _we_ shall have to want it more!”<|quote|>“Well,”</|quote|>she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one | the beast, all the same, bolt with him and throw him.” And Hugh further pointed the moral. “If in such proceedings all he knows is publicity the thing is to give him publicity, and it’s only a question of giving him enough. By the time he has enough for himself, you see, he’ll have too much for every one else--so that we shall ‘up’ in a body and slay him.” The girl’s eyebrows, in her wondering face, rose to a question. “But if he has meanwhile got the picture?” “We’ll slay him before he gets it!” He revelled in the breadth of his view. “Our own policy must be to _organise_ to that end the inevitable outcry. Organise Bender himself--organise him to scandal.” Hugh had already even pity to spare for their victim. “He won’t know it from a boom.” Though carried along, however, Lady Grace could still measure. “But that will be only if he wants and decides for the picture.” “We must make him then want and decide for it--decide, that is, for ‘ours.’ To save it we must work him up--he’ll in that case want it so indecently much. Then _we_ shall have to want it more!”<|quote|>“Well,”</|quote|>she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,” said Lady Grace at once. “I’ll stay three minutes.” | his calculations. “How early do the papers get to you?” “At Dedborough? Oh, quite for breakfast--which isn’t, however, very early.” “Then that’s what has caused his wire to Bender.” “But how will such talk strike _him_?” the girl asked. Hugh meanwhile, visibly, had not only followed his train of thought, he had let it lead him to certainty. “It will have moved Mr. Bender to absolute rapture.” “Rather,” Lady Grace wondered, “than have put him off?” “It will have put him prodigiously _on!_ Mr. Bender--as he said to me at Dedborough of his noble host there,” Hugh pursued-- “is ‘a very nice man’; but he’s a product of the world of advertisment, and advertisement is all he sees and aims at. He lives in it as a saint in glory or a fish in water.” She took it from him as half doubting. “But mayn’t advertisement, in so special a case, turn, on the whole, against him?” Hugh shook a negative forefinger with an expression he might have caught from foreign comrades. “He rides the biggest whirlwind--he has got it saddled and bitted.” She faced the image, but cast about “Then where does our success come in?” “In our making the beast, all the same, bolt with him and throw him.” And Hugh further pointed the moral. “If in such proceedings all he knows is publicity the thing is to give him publicity, and it’s only a question of giving him enough. By the time he has enough for himself, you see, he’ll have too much for every one else--so that we shall ‘up’ in a body and slay him.” The girl’s eyebrows, in her wondering face, rose to a question. “But if he has meanwhile got the picture?” “We’ll slay him before he gets it!” He revelled in the breadth of his view. “Our own policy must be to _organise_ to that end the inevitable outcry. Organise Bender himself--organise him to scandal.” Hugh had already even pity to spare for their victim. “He won’t know it from a boom.” Though carried along, however, Lady Grace could still measure. “But that will be only if he wants and decides for the picture.” “We must make him then want and decide for it--decide, that is, for ‘ours.’ To save it we must work him up--he’ll in that case want it so indecently much. Then _we_ shall have to want it more!”<|quote|>“Well,”</|quote|>she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,” said Lady Grace at once. “I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, | dim consideration for her, I didn’t do, either. But they’ve a leader this morning about Lady Lappington and her Longhi, and on Bender and his hauls, and on the certainty--if we don’t do something energetic--of more and more Benders to come: such a conquering horde as invaded the old civilisation, only armed now with huge cheque-books instead of with spears and battle-axes. They refer to the rumour current--as too horrific to believe--of Lord Theign’s putting up his Moretto; with the question of how properly to qualify any such sad purpose in him should the further report prove true of a new and momentous opinion about the picture entertained by several eminent authorities.” “Of whom,” said the girl, intensely attached to this recital, “you’re of course seen as not the least.” “Of whom, of course, Lady Grace, I’m as yet--however I’m ‘seen’--the whole collection. But we’ve time” --he rested on that “The fat, if you’ll allow me the expression, is on the fire--which, as I see the matter, is where this particular fat _should_ be.” “Is the article, then,” his companion appealed, “very severe?” “I prefer to call it very enlightened and very intelligent--and the great thing is that it immensely ‘marks,’ as they say. It will have made a big public difference--from this day; though it’s of course aimed not so much at persons as at conditions; which it calls upon us all somehow to tackle.” “Exactly” --she was full of the saving vision; “but as the conditions are directly embodied in persons----” “Oh, of course it here and there bells the cat; which means that it bells three or four.” “Yes,” she richly brooded-- “Lady Lappington _is_ a cat!” “She will have been ‘belled,’ at any rate, with your father,” Hugh amusedly went on, “to the certainty of a row; and a row can only be good for us--I mean for _us_ in particular.” Yet he had to bethink himself. “The case depends a good deal of course on how your father _takes_ such a resounding rap.” “Oh, I know how he’ll take it!” --her perception went all the way. “In the very highest and properest spirit?” “Well, you’ll see.” She was as brave as she was clear. “Or at least I shall!” Struck with all this in her he renewed his homage. “You _are_, yes, splendid!” “I even,” she laughed, “surprise myself.” But he was already back at his calculations. “How early do the papers get to you?” “At Dedborough? Oh, quite for breakfast--which isn’t, however, very early.” “Then that’s what has caused his wire to Bender.” “But how will such talk strike _him_?” the girl asked. Hugh meanwhile, visibly, had not only followed his train of thought, he had let it lead him to certainty. “It will have moved Mr. Bender to absolute rapture.” “Rather,” Lady Grace wondered, “than have put him off?” “It will have put him prodigiously _on!_ Mr. Bender--as he said to me at Dedborough of his noble host there,” Hugh pursued-- “is ‘a very nice man’; but he’s a product of the world of advertisment, and advertisement is all he sees and aims at. He lives in it as a saint in glory or a fish in water.” She took it from him as half doubting. “But mayn’t advertisement, in so special a case, turn, on the whole, against him?” Hugh shook a negative forefinger with an expression he might have caught from foreign comrades. “He rides the biggest whirlwind--he has got it saddled and bitted.” She faced the image, but cast about “Then where does our success come in?” “In our making the beast, all the same, bolt with him and throw him.” And Hugh further pointed the moral. “If in such proceedings all he knows is publicity the thing is to give him publicity, and it’s only a question of giving him enough. By the time he has enough for himself, you see, he’ll have too much for every one else--so that we shall ‘up’ in a body and slay him.” The girl’s eyebrows, in her wondering face, rose to a question. “But if he has meanwhile got the picture?” “We’ll slay him before he gets it!” He revelled in the breadth of his view. “Our own policy must be to _organise_ to that end the inevitable outcry. Organise Bender himself--organise him to scandal.” Hugh had already even pity to spare for their victim. “He won’t know it from a boom.” Though carried along, however, Lady Grace could still measure. “But that will be only if he wants and decides for the picture.” “We must make him then want and decide for it--decide, that is, for ‘ours.’ To save it we must work him up--he’ll in that case want it so indecently much. Then _we_ shall have to want it more!”<|quote|>“Well,”</|quote|>she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,” said Lady Grace at once. “I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed, “that I think I had best leave it to you!” His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have I done that _you_ should go back on me--after working me up so down there? The worst I’ve done,” Mr. Bender continued, “is to refuse that Moretto.” “Has it deplorably been _offered_ you?” our young man cried, unmistakably and sincerely affected. After which he went on, as his fellow-visitor only eyed him hard, not, on second thoughts, giving the owner of the great work away: “Then why are you--as if you were a banished Romeo--so keen for news from Verona?” To this odd mixture of business and literature Mr. Bender made no reply, contenting himself with but a large vague blandness that wore in him somehow the mark of tested utility; so that Hugh put him another question: “Aren’t you here, sir, on the chance of the Mantovano?” “I’m here,” he then imperturbably said, “because Lord Theign has wired me to meet him. Ain’t you here for that yourself?” Hugh betrayed for a moment his enjoyment of a “big” choice of answers. “Dear, no! I’ve but been in, by Lady Sandgate’s leave, to see that grand Lawrence.” “Ah yes, she’s very kind about it--one does go ‘in.’” After which Mr. Bender had, even in the atmosphere of his danger, a throb of curiosity. “Is any one _after_ that grand Lawrence?” “Oh, I hope not,” Hugh laughed, “unless you again dreadfully are: wonderful thing as it is and so just in its right place there.” “You call it,” Mr. Bender impartially inquired, “a _very_ wonderful thing?” “Well, as a Lawrence, it has quite bowled me over” --Hugh spoke as for the strictly aesthetic awkwardness of that. “But you know I take my pictures hard.” He gave a punch to his hat, pressed for time in this connection as he was glad truly to appear to his friend. “I must make my little _rapport_.” Yet before it he did seek | fish in water.” She took it from him as half doubting. “But mayn’t advertisement, in so special a case, turn, on the whole, against him?” Hugh shook a negative forefinger with an expression he might have caught from foreign comrades. “He rides the biggest whirlwind--he has got it saddled and bitted.” She faced the image, but cast about “Then where does our success come in?” “In our making the beast, all the same, bolt with him and throw him.” And Hugh further pointed the moral. “If in such proceedings all he knows is publicity the thing is to give him publicity, and it’s only a question of giving him enough. By the time he has enough for himself, you see, he’ll have too much for every one else--so that we shall ‘up’ in a body and slay him.” The girl’s eyebrows, in her wondering face, rose to a question. “But if he has meanwhile got the picture?” “We’ll slay him before he gets it!” He revelled in the breadth of his view. “Our own policy must be to _organise_ to that end the inevitable outcry. Organise Bender himself--organise him to scandal.” Hugh had already even pity to spare for their victim. “He won’t know it from a boom.” Though carried along, however, Lady Grace could still measure. “But that will be only if he wants and decides for the picture.” “We must make him then want and decide for it--decide, that is, for ‘ours.’ To save it we must work him up--he’ll in that case want it so indecently much. Then _we_ shall have to want it more!”<|quote|>“Well,”</|quote|>she anxiously felt it her duty to remind him, “you can take a horse to water----!” “Oh, trust me to make him drink!” There appeared a note in this that convinced her. “It’s you, Mr. Crimble, who are ‘splendid’!” “Well, I shall be--with my jolly wire!” And all on that scent again, “May I come back to you from the club with Pappendick’s news?” he asked. “Why, rather, of course, come back!” “Only not,” he debated, “till your father has left.” Lady Grace considered too, but sharply decided. “Come when you _have_ it. But tell me first,” she added, “one thing.” She hung fire a little while he waited, but she brought it out. “Was it you who got the ‘Journal’ to speak?” “Ah, one scarcely ‘gets’ the ‘Journal’!” “Who then gave them their ‘tip’?” “About the Mantovano and its peril?” Well, he took a moment--but only not to say; in addition to which the butler had reappeared, entering from the lobby. “I’ll tell you,” he laughed, “when I come back!” Gotch had his manner of announcement while the visitor was mounting the stairs. “Mr. Breckenridge Bender!” “Ah then I go,” said Lady Grace at once. “I’ll stay three minutes.” Hugh turned with her, alertly, to the easier issue, signalling hope and cheer from that threshold as he watched her disappear; after which he faced about with as brave a smile and as ready for immediate action as if she had there within kissed her hand to him. Mr. Bender emerged at the same instant, Gotch withdrawing and closing the door behind him; and the former personage, recognising his young friend, threw up his hands for friendly pleasure. III “Ah, Mr. Crimble,” he cordially inquired, “you’ve come with your great news?” Hugh caught the allusion, it would have seemed, but after a moment. “News of the Moretto? No, Mr. Bender, I haven’t news _yet_.” But he added as with high candour for the visitor’s motion of disappointment: “I think I warned you, you know, that it would take three or four weeks.” “Well, in _my_ country,” Mr. Bender returned with disgust, “it would take three or four minutes! Can’t you make ‘em step more lively?” “I’m expecting, sir,” said Hugh good-humouredly, “a report from hour to hour.” “Then will you let me have it right off?” Hugh indulged in a pause; after which very frankly: “Ah, it’s scarcely for you, Mr. Bender, that I’m acting!” The great collector was but briefly checked. “Well, can’t you just act for Art?” “Oh, you’re doing that yourself so powerfully,” Hugh laughed, “that I think I had best leave it to you!” His friend looked at him as some inspector on circuit might look at a new improvement. “Don’t you want to go round acting _with_ me?” “Go ‘on tour,’ as it were? Oh, frankly, Mr. Bender,” Hugh said, “if I had any weight----!” “You’d add it to your end of the beam? Why, what have | The Outcry |
"I shall be very glad to look it over," | Mr. Knightley | to blame in his conduct.<|quote|>"I shall be very glad to look it over,"</|quote|>said he; "but it seems | Knightley, had seen so much to blame in his conduct.<|quote|>"I shall be very glad to look it over,"</|quote|>said he; "but it seems long. I will take it | as heartily as ever. She thought so well of the letter, that when Mr. Knightley came again, she desired him to read it. She was sure of Mrs. Weston's wishing it to be communicated; especially to one, who, like Mr. Knightley, had seen so much to blame in his conduct.<|quote|>"I shall be very glad to look it over,"</|quote|>said he; "but it seems long. I will take it home with me at night." But that would not do. Mr. Weston was to call in the evening, and she must return it by him. "I would rather be talking to you," he replied; "but as it seems a matter | had supposed--and he had suffered, and was very sorry--and he was so grateful to Mrs. Weston, and so much in love with Miss Fairfax, and she was so happy herself, that there was no being severe; and could he have entered the room, she must have shaken hands with him as heartily as ever. She thought so well of the letter, that when Mr. Knightley came again, she desired him to read it. She was sure of Mrs. Weston's wishing it to be communicated; especially to one, who, like Mr. Knightley, had seen so much to blame in his conduct.<|quote|>"I shall be very glad to look it over,"</|quote|>said he; "but it seems long. I will take it home with me at night." But that would not do. Mr. Weston was to call in the evening, and she must return it by him. "I would rather be talking to you," he replied; "but as it seems a matter of justice, it shall be done." He began--stopping, however, almost directly to say, "Had I been offered the sight of one of this gentleman's letters to his mother-in-law a few months ago, Emma, it would not have been taken with such indifference." He proceeded a little farther, reading to himself; | the justice that Mrs. Weston foretold. As soon as she came to her own name, it was irresistible; every line relating to herself was interesting, and almost every line agreeable; and when this charm ceased, the subject could still maintain itself, by the natural return of her former regard for the writer, and the very strong attraction which any picture of love must have for her at that moment. She never stopt till she had gone through the whole; and though it was impossible not to feel that he had been wrong, yet he had been less wrong than she had supposed--and he had suffered, and was very sorry--and he was so grateful to Mrs. Weston, and so much in love with Miss Fairfax, and she was so happy herself, that there was no being severe; and could he have entered the room, she must have shaken hands with him as heartily as ever. She thought so well of the letter, that when Mr. Knightley came again, she desired him to read it. She was sure of Mrs. Weston's wishing it to be communicated; especially to one, who, like Mr. Knightley, had seen so much to blame in his conduct.<|quote|>"I shall be very glad to look it over,"</|quote|>said he; "but it seems long. I will take it home with me at night." But that would not do. Mr. Weston was to call in the evening, and she must return it by him. "I would rather be talking to you," he replied; "but as it seems a matter of justice, it shall be done." He began--stopping, however, almost directly to say, "Had I been offered the sight of one of this gentleman's letters to his mother-in-law a few months ago, Emma, it would not have been taken with such indifference." He proceeded a little farther, reading to himself; and then, with a smile, observed, "Humph! a fine complimentary opening: But it is his way. One man's style must not be the rule of another's. We will not be severe." "It will be natural for me," he added shortly afterwards, "to speak my opinion aloud as I read. By doing it, I shall feel that I am near you. It will not be so great a loss of time: but if you dislike it--" "Not at all. I should wish it." Mr. Knightley returned to his reading with greater alacrity. "He trifles here," said he, "as to the temptation. | at the time of day when, from my knowledge of their late breakfast hour, I was certain of a good chance of finding her alone.--I was not disappointed; and at last I was not disappointed either in the object of my journey. A great deal of very reasonable, very just displeasure I had to persuade away. But it is done; we are reconciled, dearer, much dearer, than ever, and no moment's uneasiness can ever occur between us again. Now, my dear madam, I will release you; but I could not conclude before. A thousand and a thousand thanks for all the kindness you have ever shewn me, and ten thousand for the attentions your heart will dictate towards her.--If you think me in a way to be happier than I deserve, I am quite of your opinion.--Miss W. calls me the child of good fortune. I hope she is right.--In one respect, my good fortune is undoubted, that of being able to subscribe myself," "Your obliged and affectionate Son, F. C. WESTON CHURCHILL." CHAPTER XV This letter must make its way to Emma's feelings. She was obliged, in spite of her previous determination to the contrary, to do it all the justice that Mrs. Weston foretold. As soon as she came to her own name, it was irresistible; every line relating to herself was interesting, and almost every line agreeable; and when this charm ceased, the subject could still maintain itself, by the natural return of her former regard for the writer, and the very strong attraction which any picture of love must have for her at that moment. She never stopt till she had gone through the whole; and though it was impossible not to feel that he had been wrong, yet he had been less wrong than she had supposed--and he had suffered, and was very sorry--and he was so grateful to Mrs. Weston, and so much in love with Miss Fairfax, and she was so happy herself, that there was no being severe; and could he have entered the room, she must have shaken hands with him as heartily as ever. She thought so well of the letter, that when Mr. Knightley came again, she desired him to read it. She was sure of Mrs. Weston's wishing it to be communicated; especially to one, who, like Mr. Knightley, had seen so much to blame in his conduct.<|quote|>"I shall be very glad to look it over,"</|quote|>said he; "but it seems long. I will take it home with me at night." But that would not do. Mr. Weston was to call in the evening, and she must return it by him. "I would rather be talking to you," he replied; "but as it seems a matter of justice, it shall be done." He began--stopping, however, almost directly to say, "Had I been offered the sight of one of this gentleman's letters to his mother-in-law a few months ago, Emma, it would not have been taken with such indifference." He proceeded a little farther, reading to himself; and then, with a smile, observed, "Humph! a fine complimentary opening: But it is his way. One man's style must not be the rule of another's. We will not be severe." "It will be natural for me," he added shortly afterwards, "to speak my opinion aloud as I read. By doing it, I shall feel that I am near you. It will not be so great a loss of time: but if you dislike it--" "Not at all. I should wish it." Mr. Knightley returned to his reading with greater alacrity. "He trifles here," said he, "as to the temptation. He knows he is wrong, and has nothing rational to urge.--Bad.--He ought not to have formed the engagement.--" 'His father's disposition:' "--he is unjust, however, to his father. Mr. Weston's sanguine temper was a blessing on all his upright and honourable exertions; but Mr. Weston earned every present comfort before he endeavoured to gain it.--Very true; he did not come till Miss Fairfax was here." "And I have not forgotten," said Emma, "how sure you were that he might have come sooner if he would. You pass it over very handsomely--but you were perfectly right." "I was not quite impartial in my judgment, Emma:--but yet, I think--had _you_ not been in the case--I should still have distrusted him." When he came to Miss Woodhouse, he was obliged to read the whole of it aloud--all that related to her, with a smile; a look; a shake of the head; a word or two of assent, or disapprobation; or merely of love, as the subject required; concluding, however, seriously, and, after steady reflection, thus-- "Very bad--though it might have been worse.--Playing a most dangerous game. Too much indebted to the event for his acquittal.--No judge of his own manners by you.--Always deceived | a few lines, to satisfy her, remained without any uneasiness.--I was rather disappointed that I did not hear from her again speedily; but I made excuses for her, and was too busy, and--may I add?--too cheerful in my views to be captious.--We removed to Windsor; and two days afterwards I received a parcel from her, my own letters all returned!--and a few lines at the same time by the post, stating her extreme surprize at not having had the smallest reply to her last; and adding, that as silence on such a point could not be misconstrued, and as it must be equally desirable to both to have every subordinate arrangement concluded as soon as possible, she now sent me, by a safe conveyance, all my letters, and requested, that if I could not directly command hers, so as to send them to Highbury within a week, I would forward them after that period to her at--: in short, the full direction to Mr. Smallridge's, near Bristol, stared me in the face. I knew the name, the place, I knew all about it, and instantly saw what she had been doing. It was perfectly accordant with that resolution of character which I knew her to possess; and the secrecy she had maintained, as to any such design in her former letter, was equally descriptive of its anxious delicacy. For the world would not she have seemed to threaten me.--Imagine the shock; imagine how, till I had actually detected my own blunder, I raved at the blunders of the post.--What was to be done?--One thing only.--I must speak to my uncle. Without his sanction I could not hope to be listened to again.--I spoke; circumstances were in my favour; the late event had softened away his pride, and he was, earlier than I could have anticipated, wholly reconciled and complying; and could say at last, poor man! with a deep sigh, that he wished I might find as much happiness in the marriage state as he had done.--I felt that it would be of a different sort.--Are you disposed to pity me for what I must have suffered in opening the cause to him, for my suspense while all was at stake?--No; do not pity me till I reached Highbury, and saw how ill I had made her. Do not pity me till I saw her wan, sick looks.--I reached Highbury at the time of day when, from my knowledge of their late breakfast hour, I was certain of a good chance of finding her alone.--I was not disappointed; and at last I was not disappointed either in the object of my journey. A great deal of very reasonable, very just displeasure I had to persuade away. But it is done; we are reconciled, dearer, much dearer, than ever, and no moment's uneasiness can ever occur between us again. Now, my dear madam, I will release you; but I could not conclude before. A thousand and a thousand thanks for all the kindness you have ever shewn me, and ten thousand for the attentions your heart will dictate towards her.--If you think me in a way to be happier than I deserve, I am quite of your opinion.--Miss W. calls me the child of good fortune. I hope she is right.--In one respect, my good fortune is undoubted, that of being able to subscribe myself," "Your obliged and affectionate Son, F. C. WESTON CHURCHILL." CHAPTER XV This letter must make its way to Emma's feelings. She was obliged, in spite of her previous determination to the contrary, to do it all the justice that Mrs. Weston foretold. As soon as she came to her own name, it was irresistible; every line relating to herself was interesting, and almost every line agreeable; and when this charm ceased, the subject could still maintain itself, by the natural return of her former regard for the writer, and the very strong attraction which any picture of love must have for her at that moment. She never stopt till she had gone through the whole; and though it was impossible not to feel that he had been wrong, yet he had been less wrong than she had supposed--and he had suffered, and was very sorry--and he was so grateful to Mrs. Weston, and so much in love with Miss Fairfax, and she was so happy herself, that there was no being severe; and could he have entered the room, she must have shaken hands with him as heartily as ever. She thought so well of the letter, that when Mr. Knightley came again, she desired him to read it. She was sure of Mrs. Weston's wishing it to be communicated; especially to one, who, like Mr. Knightley, had seen so much to blame in his conduct.<|quote|>"I shall be very glad to look it over,"</|quote|>said he; "but it seems long. I will take it home with me at night." But that would not do. Mr. Weston was to call in the evening, and she must return it by him. "I would rather be talking to you," he replied; "but as it seems a matter of justice, it shall be done." He began--stopping, however, almost directly to say, "Had I been offered the sight of one of this gentleman's letters to his mother-in-law a few months ago, Emma, it would not have been taken with such indifference." He proceeded a little farther, reading to himself; and then, with a smile, observed, "Humph! a fine complimentary opening: But it is his way. One man's style must not be the rule of another's. We will not be severe." "It will be natural for me," he added shortly afterwards, "to speak my opinion aloud as I read. By doing it, I shall feel that I am near you. It will not be so great a loss of time: but if you dislike it--" "Not at all. I should wish it." Mr. Knightley returned to his reading with greater alacrity. "He trifles here," said he, "as to the temptation. He knows he is wrong, and has nothing rational to urge.--Bad.--He ought not to have formed the engagement.--" 'His father's disposition:' "--he is unjust, however, to his father. Mr. Weston's sanguine temper was a blessing on all his upright and honourable exertions; but Mr. Weston earned every present comfort before he endeavoured to gain it.--Very true; he did not come till Miss Fairfax was here." "And I have not forgotten," said Emma, "how sure you were that he might have come sooner if he would. You pass it over very handsomely--but you were perfectly right." "I was not quite impartial in my judgment, Emma:--but yet, I think--had _you_ not been in the case--I should still have distrusted him." When he came to Miss Woodhouse, he was obliged to read the whole of it aloud--all that related to her, with a smile; a look; a shake of the head; a word or two of assent, or disapprobation; or merely of love, as the subject required; concluding, however, seriously, and, after steady reflection, thus-- "Very bad--though it might have been worse.--Playing a most dangerous game. Too much indebted to the event for his acquittal.--No judge of his own manners by you.--Always deceived in fact by his own wishes, and regardless of little besides his own convenience.--Fancying you to have fathomed his secret. Natural enough!--his own mind full of intrigue, that he should suspect it in others.--Mystery; Finesse--how they pervert the understanding! My Emma, does not every thing serve to prove more and more the beauty of truth and sincerity in all our dealings with each other?" Emma agreed to it, and with a blush of sensibility on Harriet's account, which she could not give any sincere explanation of. "You had better go on," said she. He did so, but very soon stopt again to say, "the pianoforte! Ah! That was the act of a very, very young man, one too young to consider whether the inconvenience of it might not very much exceed the pleasure. A boyish scheme, indeed!--I cannot comprehend a man's wishing to give a woman any proof of affection which he knows she would rather dispense with; and he did know that she would have prevented the instrument's coming if she could." After this, he made some progress without any pause. Frank Churchill's confession of having behaved shamefully was the first thing to call for more than a word in passing. "I perfectly agree with you, sir," "--was then his remark. "You did behave very shamefully. You never wrote a truer line." And having gone through what immediately followed of the basis of their disagreement, and his persisting to act in direct opposition to Jane Fairfax's sense of right, he made a fuller pause to say, "This is very bad.--He had induced her to place herself, for his sake, in a situation of extreme difficulty and uneasiness, and it should have been his first object to prevent her from suffering unnecessarily.--She must have had much more to contend with, in carrying on the correspondence, than he could. He should have respected even unreasonable scruples, had there been such; but hers were all reasonable. We must look to her one fault, and remember that she had done a wrong thing in consenting to the engagement, to bear that she should have been in such a state of punishment." Emma knew that he was now getting to the Box Hill party, and grew uncomfortable. Her own behaviour had been so very improper! She was deeply ashamed, and a little afraid of his next look. It was all read, however, steadily, attentively, | at last, poor man! with a deep sigh, that he wished I might find as much happiness in the marriage state as he had done.--I felt that it would be of a different sort.--Are you disposed to pity me for what I must have suffered in opening the cause to him, for my suspense while all was at stake?--No; do not pity me till I reached Highbury, and saw how ill I had made her. Do not pity me till I saw her wan, sick looks.--I reached Highbury at the time of day when, from my knowledge of their late breakfast hour, I was certain of a good chance of finding her alone.--I was not disappointed; and at last I was not disappointed either in the object of my journey. A great deal of very reasonable, very just displeasure I had to persuade away. But it is done; we are reconciled, dearer, much dearer, than ever, and no moment's uneasiness can ever occur between us again. Now, my dear madam, I will release you; but I could not conclude before. A thousand and a thousand thanks for all the kindness you have ever shewn me, and ten thousand for the attentions your heart will dictate towards her.--If you think me in a way to be happier than I deserve, I am quite of your opinion.--Miss W. calls me the child of good fortune. I hope she is right.--In one respect, my good fortune is undoubted, that of being able to subscribe myself," "Your obliged and affectionate Son, F. C. WESTON CHURCHILL." CHAPTER XV This letter must make its way to Emma's feelings. She was obliged, in spite of her previous determination to the contrary, to do it all the justice that Mrs. Weston foretold. As soon as she came to her own name, it was irresistible; every line relating to herself was interesting, and almost every line agreeable; and when this charm ceased, the subject could still maintain itself, by the natural return of her former regard for the writer, and the very strong attraction which any picture of love must have for her at that moment. She never stopt till she had gone through the whole; and though it was impossible not to feel that he had been wrong, yet he had been less wrong than she had supposed--and he had suffered, and was very sorry--and he was so grateful to Mrs. Weston, and so much in love with Miss Fairfax, and she was so happy herself, that there was no being severe; and could he have entered the room, she must have shaken hands with him as heartily as ever. She thought so well of the letter, that when Mr. Knightley came again, she desired him to read it. She was sure of Mrs. Weston's wishing it to be communicated; especially to one, who, like Mr. Knightley, had seen so much to blame in his conduct.<|quote|>"I shall be very glad to look it over,"</|quote|>said he; "but it seems long. I will take it home with me at night." But that would not do. Mr. Weston was to call in the evening, and she must return it by him. "I would rather be talking to you," he replied; "but as it seems a matter of justice, it shall be done." He began--stopping, however, almost directly to say, "Had I been offered the sight of one of this gentleman's letters to his mother-in-law a few months ago, Emma, it would not have been taken with such indifference." He proceeded a little farther, reading to himself; and then, with a smile, observed, "Humph! a fine complimentary opening: But it is his way. One man's style must not be the rule of another's. We will not be severe." "It will be natural for me," he added shortly afterwards, "to speak my opinion aloud as I read. By doing it, I shall feel that I am near you. It will not be so great a loss of time: but if you dislike it--" "Not at all. I should wish it." Mr. Knightley returned to his reading with greater alacrity. "He trifles here," said he, "as to the temptation. He knows he is wrong, and has nothing rational to urge.--Bad.--He ought not to have formed the engagement.--" 'His father's disposition:' "--he is unjust, however, to his father. Mr. Weston's sanguine temper was a blessing on all his upright and honourable exertions; but Mr. Weston earned every present comfort before he endeavoured to gain it.--Very true; he did not come till Miss Fairfax was here." "And I have not forgotten," said Emma, "how sure you were that he might have come sooner if he would. You pass it over very handsomely--but you were perfectly right." "I was not quite impartial in my judgment, Emma:--but yet, I think--had _you_ not been in the case--I should still have distrusted him." When he came to Miss Woodhouse, he was obliged to read the whole of it aloud--all that related to her, with a smile; a look; a shake of the head; a word or two of assent, or disapprobation; or merely of love, as the subject required; concluding, however, seriously, and, after steady reflection, thus-- "Very bad--though it might have been worse.--Playing a most dangerous game. Too much indebted to the event for his acquittal.--No judge of his own manners by you.--Always deceived in fact by his own wishes, and regardless of little besides his own convenience.--Fancying you to have fathomed his secret. Natural enough!--his own mind full of intrigue, that he should suspect it in others.--Mystery; Finesse--how they pervert the understanding! My Emma, does not every thing serve to prove more and more the beauty of truth and sincerity in all our dealings with each other?" Emma agreed to it, and with a blush of sensibility on Harriet's account, which she could not give any sincere explanation of. "You had better go on," said she. He did so, but very soon stopt again to say, "the pianoforte! Ah! That was the act of a very, very young man, one too young to consider whether the inconvenience of it might not very much exceed the pleasure. A boyish scheme, indeed!--I cannot comprehend a man's | Emma |
“I told him nobody wanted to drownd themselves, but if we did n’t have rain soon we’d have to pump water for the cattle. | Antonia | himself in one of ’em.’<|quote|>“I told him nobody wanted to drownd themselves, but if we did n’t have rain soon we’d have to pump water for the cattle.</|quote|>“‘Oh, cattle,’ he says, ‘you’ll | a man could n’t drownd himself in one of ’em.’<|quote|>“I told him nobody wanted to drownd themselves, but if we did n’t have rain soon we’d have to pump water for the cattle.</|quote|>“‘Oh, cattle,’ he says, ‘you’ll all take care of your | long while, and his eyes was awful red and wild, like he had some sickness. He comes right up and begins to talk like he knows me already. He says: ‘The ponds in this country is done got so low a man could n’t drownd himself in one of ’em.’<|quote|>“I told him nobody wanted to drownd themselves, but if we did n’t have rain soon we’d have to pump water for the cattle.</|quote|>“‘Oh, cattle,’ he says, ‘you’ll all take care of your cattle! Ain’t you got no beer here?’ I told him he’d have to go to the Bohemians for beer; the Norwegians did n’t have none when they thrashed. ‘My God!’ he says, ‘so it’s Norwegians now, is it? I thought | The sun was so hot like it was going to burn the world up. After a while I see a man coming across the stubble, and when he got close I see it was a tramp. His toes stuck out of his shoes, and he had n’t shaved for a long while, and his eyes was awful red and wild, like he had some sickness. He comes right up and begins to talk like he knows me already. He says: ‘The ponds in this country is done got so low a man could n’t drownd himself in one of ’em.’<|quote|>“I told him nobody wanted to drownd themselves, but if we did n’t have rain soon we’d have to pump water for the cattle.</|quote|>“‘Oh, cattle,’ he says, ‘you’ll all take care of your cattle! Ain’t you got no beer here?’ I told him he’d have to go to the Bohemians for beer; the Norwegians did n’t have none when they thrashed. ‘My God!’ he says, ‘so it’s Norwegians now, is it? I thought this was Americy.’ “Then he goes up to the machine and yells out to Ole Iverson, ‘Hello, partner, let me up there. I can cut bands, and I’m tired of trampin’. I won’t go no farther.’ “I tried to make signs to Ole, ’cause I thought that man was crazy | yourself, Tony?” She knew what heavy work it was. “Yes, mam, I did. I could shovel just as fast as that fat Andern boy that drove the other wagon. One day it was just awful hot. When we got back to the field from dinner, we took things kind of easy. The men put in the horses and got the machine going, and Ole Iverson was up on the deck, cutting bands. I was sitting against a straw stack, trying to get some shade. My wagon was n’t going out first, and somehow I felt the heat awful that day. The sun was so hot like it was going to burn the world up. After a while I see a man coming across the stubble, and when he got close I see it was a tramp. His toes stuck out of his shoes, and he had n’t shaved for a long while, and his eyes was awful red and wild, like he had some sickness. He comes right up and begins to talk like he knows me already. He says: ‘The ponds in this country is done got so low a man could n’t drownd himself in one of ’em.’<|quote|>“I told him nobody wanted to drownd themselves, but if we did n’t have rain soon we’d have to pump water for the cattle.</|quote|>“‘Oh, cattle,’ he says, ‘you’ll all take care of your cattle! Ain’t you got no beer here?’ I told him he’d have to go to the Bohemians for beer; the Norwegians did n’t have none when they thrashed. ‘My God!’ he says, ‘so it’s Norwegians now, is it? I thought this was Americy.’ “Then he goes up to the machine and yells out to Ole Iverson, ‘Hello, partner, let me up there. I can cut bands, and I’m tired of trampin’. I won’t go no farther.’ “I tried to make signs to Ole, ’cause I thought that man was crazy and might get the machine stopped up. But Ole, he was glad to get down out of the sun and chaff—it gets down your neck and sticks to you something awful when it’s hot like that. So Ole jumped down and crawled under one of the wagons for shade, and the tramp got on the machine. He cut bands all right for a few minutes, and then, Mrs. Harling, he waved his hand to me and jumped head-first right into the thrashing machine after the wheat. “I begun to scream, and the men run to stop the horses, but the | which she had already cooked three meals that day. While we sat in the kitchen waiting for the cookies to bake or the taffy to cool, Nina used to coax Ántonia to tell her stories—about the calf that broke its leg, or how Yulka saved her little turkeys from drowning in the freshet, or about old Christmases and weddings in Bohemia. Nina interpreted the stories about the crêche fancifully, and in spite of our derision she cherished a belief that Christ was born in Bohemia a short time before the Shimerdas left that country. We all liked Tony’s stories. Her voice had a peculiarly engaging quality; it was deep, a little husky, and one always heard the breath vibrating behind it. Everything she said seemed to come right out of her heart. One evening when we were picking out kernels for walnut taffy, Tony told us a new story. “Mrs. Harling, did you ever hear about what happened up in the Norwegian settlement last summer, when I was thrashing there? We were at Iversons’, and I was driving one of the grain wagons.” Mrs. Harling came out and sat down among us. “Could you throw the wheat into the bin yourself, Tony?” She knew what heavy work it was. “Yes, mam, I did. I could shovel just as fast as that fat Andern boy that drove the other wagon. One day it was just awful hot. When we got back to the field from dinner, we took things kind of easy. The men put in the horses and got the machine going, and Ole Iverson was up on the deck, cutting bands. I was sitting against a straw stack, trying to get some shade. My wagon was n’t going out first, and somehow I felt the heat awful that day. The sun was so hot like it was going to burn the world up. After a while I see a man coming across the stubble, and when he got close I see it was a tramp. His toes stuck out of his shoes, and he had n’t shaved for a long while, and his eyes was awful red and wild, like he had some sickness. He comes right up and begins to talk like he knows me already. He says: ‘The ponds in this country is done got so low a man could n’t drownd himself in one of ’em.’<|quote|>“I told him nobody wanted to drownd themselves, but if we did n’t have rain soon we’d have to pump water for the cattle.</|quote|>“‘Oh, cattle,’ he says, ‘you’ll all take care of your cattle! Ain’t you got no beer here?’ I told him he’d have to go to the Bohemians for beer; the Norwegians did n’t have none when they thrashed. ‘My God!’ he says, ‘so it’s Norwegians now, is it? I thought this was Americy.’ “Then he goes up to the machine and yells out to Ole Iverson, ‘Hello, partner, let me up there. I can cut bands, and I’m tired of trampin’. I won’t go no farther.’ “I tried to make signs to Ole, ’cause I thought that man was crazy and might get the machine stopped up. But Ole, he was glad to get down out of the sun and chaff—it gets down your neck and sticks to you something awful when it’s hot like that. So Ole jumped down and crawled under one of the wagons for shade, and the tramp got on the machine. He cut bands all right for a few minutes, and then, Mrs. Harling, he waved his hand to me and jumped head-first right into the thrashing machine after the wheat. “I begun to scream, and the men run to stop the horses, but the belt had sucked him down, and by the time they got her stopped he was all beat and cut to pieces. He was wedged in so tight it was a hard job to get him out, and the machine ain’t never worked right since.” “Was he clear dead, Tony?” we cried. “Was he dead? Well, I guess so! There, now, Nina’s all upset. We won’t talk about it. Don’t you cry, Nina. No old tramp won’t get you while Tony’s here.” Mrs. Harling spoke up sternly. “Stop crying, Nina, or I’ll always send you upstairs when Ántonia tells us about the country. Did they never find out where he came from, Ántonia?” “Never, mam. He had n’t been seen nowhere except in a little town they call Conway. He tried to get beer there, but there was n’t any saloon. Maybe he came in on a freight, but the brakeman had n’t seen him. They could n’t find no letters nor nothing on him; nothing but an old penknife in his pocket and the wishbone of a chicken wrapped up in a piece of paper, and some poetry.” “Some poetry?” we exclaimed. “I remember,” said Frances. “It was ‘The Old | home. I can remember how glad I was when there happened to be a light in the church, and the painted glass window shone out at us as we came along the frozen street. In the winter bleakness a hunger for color came over people, like the Laplander’s craving for fats and sugar. Without knowing why, we used to linger on the sidewalk outside the church when the lamps were lighted early for choir practice or prayer-meeting, shivering and talking until our feet were like lumps of ice. The crude reds and greens and blues of that colored glass held us there. On winter nights, the lights in the Harlings’ windows drew me like the painted glass. Inside that warm, roomy house there was color, too. After supper I used to catch up my cap, stick my hands in my pockets, and dive through the willow hedge as if witches were after me. Of course, if Mr. Harling was at home, if his shadow stood out on the blind of the west room, I did not go in, but turned and walked home by the long way, through the street, wondering what book I should read as I sat down with the two old people. Such disappointments only gave greater zest to the nights when we acted charades, or had a costume ball in the back parlor, with Sally always dressed like a boy. Frances taught us to dance that winter, and she said, from the first lesson, that Ántonia would make the best dancer among us. On Saturday nights, Mrs. Harling used to play the old operas for us,— “Martha,” “Norma,” “Rigoletto,” —telling us the story while she played. Every Saturday night was like a party. The parlor, the back parlor, and the dining-room were warm and brightly lighted, with comfortable chairs and sofas, and gay pictures on the walls. One always felt at ease there. Ántonia brought her sewing and sat with us—she was already beginning to make pretty clothes for herself. After the long winter evenings on the prairie, with Ambrosch’s sullen silences and her mother’s complaints, the Harlings’ house seemed, as she said, “like Heaven” to her. She was never too tired to make taffy or chocolate cookies for us. If Sally whispered in her ear, or Charley gave her three winks, Tony would rush into the kitchen and build a fire in the range on which she had already cooked three meals that day. While we sat in the kitchen waiting for the cookies to bake or the taffy to cool, Nina used to coax Ántonia to tell her stories—about the calf that broke its leg, or how Yulka saved her little turkeys from drowning in the freshet, or about old Christmases and weddings in Bohemia. Nina interpreted the stories about the crêche fancifully, and in spite of our derision she cherished a belief that Christ was born in Bohemia a short time before the Shimerdas left that country. We all liked Tony’s stories. Her voice had a peculiarly engaging quality; it was deep, a little husky, and one always heard the breath vibrating behind it. Everything she said seemed to come right out of her heart. One evening when we were picking out kernels for walnut taffy, Tony told us a new story. “Mrs. Harling, did you ever hear about what happened up in the Norwegian settlement last summer, when I was thrashing there? We were at Iversons’, and I was driving one of the grain wagons.” Mrs. Harling came out and sat down among us. “Could you throw the wheat into the bin yourself, Tony?” She knew what heavy work it was. “Yes, mam, I did. I could shovel just as fast as that fat Andern boy that drove the other wagon. One day it was just awful hot. When we got back to the field from dinner, we took things kind of easy. The men put in the horses and got the machine going, and Ole Iverson was up on the deck, cutting bands. I was sitting against a straw stack, trying to get some shade. My wagon was n’t going out first, and somehow I felt the heat awful that day. The sun was so hot like it was going to burn the world up. After a while I see a man coming across the stubble, and when he got close I see it was a tramp. His toes stuck out of his shoes, and he had n’t shaved for a long while, and his eyes was awful red and wild, like he had some sickness. He comes right up and begins to talk like he knows me already. He says: ‘The ponds in this country is done got so low a man could n’t drownd himself in one of ’em.’<|quote|>“I told him nobody wanted to drownd themselves, but if we did n’t have rain soon we’d have to pump water for the cattle.</|quote|>“‘Oh, cattle,’ he says, ‘you’ll all take care of your cattle! Ain’t you got no beer here?’ I told him he’d have to go to the Bohemians for beer; the Norwegians did n’t have none when they thrashed. ‘My God!’ he says, ‘so it’s Norwegians now, is it? I thought this was Americy.’ “Then he goes up to the machine and yells out to Ole Iverson, ‘Hello, partner, let me up there. I can cut bands, and I’m tired of trampin’. I won’t go no farther.’ “I tried to make signs to Ole, ’cause I thought that man was crazy and might get the machine stopped up. But Ole, he was glad to get down out of the sun and chaff—it gets down your neck and sticks to you something awful when it’s hot like that. So Ole jumped down and crawled under one of the wagons for shade, and the tramp got on the machine. He cut bands all right for a few minutes, and then, Mrs. Harling, he waved his hand to me and jumped head-first right into the thrashing machine after the wheat. “I begun to scream, and the men run to stop the horses, but the belt had sucked him down, and by the time they got her stopped he was all beat and cut to pieces. He was wedged in so tight it was a hard job to get him out, and the machine ain’t never worked right since.” “Was he clear dead, Tony?” we cried. “Was he dead? Well, I guess so! There, now, Nina’s all upset. We won’t talk about it. Don’t you cry, Nina. No old tramp won’t get you while Tony’s here.” Mrs. Harling spoke up sternly. “Stop crying, Nina, or I’ll always send you upstairs when Ántonia tells us about the country. Did they never find out where he came from, Ántonia?” “Never, mam. He had n’t been seen nowhere except in a little town they call Conway. He tried to get beer there, but there was n’t any saloon. Maybe he came in on a freight, but the brakeman had n’t seen him. They could n’t find no letters nor nothing on him; nothing but an old penknife in his pocket and the wishbone of a chicken wrapped up in a piece of paper, and some poetry.” “Some poetry?” we exclaimed. “I remember,” said Frances. “It was ‘The Old Oaken Bucket,’ cut out of a newspaper and nearly worn out. Ole Iverson brought it into the office and showed it to me.” “Now, was n’t that strange, Miss Frances?” Tony asked thoughtfully. “What would anybody want to kill themselves in summer for? In thrashing time, too! It’s nice everywhere then.” “So it is, Ántonia,” said Mrs. Harling heartily. “Maybe I’ll go home and help you thrash next summer. Is n’t that taffy nearly ready to eat? I’ve been smelling it a long while.” There was a basic harmony between Ántonia and her mistress. They had strong, independent natures, both of them. They knew what they liked, and were not always trying to imitate other people. They loved children and animals and music, and rough play and digging in the earth. They liked to prepare rich, hearty food and to see people eat it; to make up soft white beds and to see youngsters asleep in them. They ridiculed conceited people and were quick to help unfortunate ones. Deep down in each of them there was a kind of hearty joviality, a relish of life, not over-delicate, but very invigorating. I never tried to define it, but I was distinctly conscious of it. I could not imagine Ántonia’s living for a week in any other house in Black Hawk than the Harlings’. VII WINTER lies too long in country towns; hangs on until it is stale and shabby, old and sullen. On the farm the weather was the great fact, and men’s affairs went on underneath it, as the streams creep under the ice. But in Black Hawk the scene of human life was spread out shrunken and pinched, frozen down to the bare stalk. Through January and February I went to the river with the Harlings on clear nights, and we skated up to the big island and made bonfires on the frozen sand. But by March the ice was rough and choppy, and the snow on the river bluffs was gray and mournful-looking. I was tired of school, tired of winter clothes, of the rutted streets, of the dirty drifts and the piles of cinders that had lain in the yards so long. There was only one break in the dreary monotony of that month; when Blind d’Arnault, the negro pianist, came to town. He gave a concert at the Opera House on Monday night, and he and | Every Saturday night was like a party. The parlor, the back parlor, and the dining-room were warm and brightly lighted, with comfortable chairs and sofas, and gay pictures on the walls. One always felt at ease there. Ántonia brought her sewing and sat with us—she was already beginning to make pretty clothes for herself. After the long winter evenings on the prairie, with Ambrosch’s sullen silences and her mother’s complaints, the Harlings’ house seemed, as she said, “like Heaven” to her. She was never too tired to make taffy or chocolate cookies for us. If Sally whispered in her ear, or Charley gave her three winks, Tony would rush into the kitchen and build a fire in the range on which she had already cooked three meals that day. While we sat in the kitchen waiting for the cookies to bake or the taffy to cool, Nina used to coax Ántonia to tell her stories—about the calf that broke its leg, or how Yulka saved her little turkeys from drowning in the freshet, or about old Christmases and weddings in Bohemia. Nina interpreted the stories about the crêche fancifully, and in spite of our derision she cherished a belief that Christ was born in Bohemia a short time before the Shimerdas left that country. We all liked Tony’s stories. Her voice had a peculiarly engaging quality; it was deep, a little husky, and one always heard the breath vibrating behind it. Everything she said seemed to come right out of her heart. One evening when we were picking out kernels for walnut taffy, Tony told us a new story. “Mrs. Harling, did you ever hear about what happened up in the Norwegian settlement last summer, when I was thrashing there? We were at Iversons’, and I was driving one of the grain wagons.” Mrs. Harling came out and sat down among us. “Could you throw the wheat into the bin yourself, Tony?” She knew what heavy work it was. “Yes, mam, I did. I could shovel just as fast as that fat Andern boy that drove the other wagon. One day it was just awful hot. When we got back to the field from dinner, we took things kind of easy. The men put in the horses and got the machine going, and Ole Iverson was up on the deck, cutting bands. I was sitting against a straw stack, trying to get some shade. My wagon was n’t going out first, and somehow I felt the heat awful that day. The sun was so hot like it was going to burn the world up. After a while I see a man coming across the stubble, and when he got close I see it was a tramp. His toes stuck out of his shoes, and he had n’t shaved for a long while, and his eyes was awful red and wild, like he had some sickness. He comes right up and begins to talk like he knows me already. He says: ‘The ponds in this country is done got so low a man could n’t drownd himself in one of ’em.’<|quote|>“I told him nobody wanted to drownd themselves, but if we did n’t have rain soon we’d have to pump water for the cattle.</|quote|>“‘Oh, cattle,’ he says, ‘you’ll all take care of your cattle! Ain’t you got no beer here?’ I told him he’d have to go to the Bohemians for beer; the Norwegians did n’t have none when they thrashed. ‘My God!’ he says, ‘so it’s Norwegians now, is it? I thought this was Americy.’ “Then he goes up to the machine and yells out to Ole Iverson, ‘Hello, partner, let me up there. I can cut bands, and I’m tired of trampin’. I won’t go no farther.’ “I tried to make signs to Ole, ’cause I thought that man was crazy and might get the machine stopped up. But Ole, he was glad to get down out of the sun and chaff—it gets down your neck and sticks to you something awful when it’s hot like that. So Ole jumped down and crawled under one of the wagons for shade, and the tramp got on the machine. He cut bands all right for a few minutes, and then, Mrs. Harling, he waved his hand to me and jumped head-first right into the thrashing machine after the wheat. “I begun to scream, and the men run to stop the horses, but the belt had sucked him down, and by the time they got her stopped he was all beat and cut to pieces. He was wedged in so tight it was a hard job to get him out, and the machine ain’t never worked right since.” “Was he clear dead, Tony?” we cried. “Was he dead? Well, I guess so! There, now, Nina’s all upset. We won’t talk about it. Don’t you cry, Nina. No old tramp won’t get you while Tony’s here.” Mrs. Harling spoke up sternly. “Stop crying, Nina, or I’ll always send you upstairs when Ántonia tells us about the country. Did they never find out where he came from, Ántonia?” “Never, mam. He had n’t been seen nowhere except in a little town they call | My Antonia |
"Are you sure it is your mother? Can you distinguish her in this thick dusk?" | Winterbourne | Suddenly it seemed to pause.<|quote|>"Are you sure it is your mother? Can you distinguish her in this thick dusk?"</|quote|>Winterbourne asked. "Well!" cried Miss | a slow and wavering movement. Suddenly it seemed to pause.<|quote|>"Are you sure it is your mother? Can you distinguish her in this thick dusk?"</|quote|>Winterbourne asked. "Well!" cried Miss Daisy Miller with a laugh; | walk, gave an exclamation in quite another tone. "Well, here s Mother! I guess she hasn t got Randolph to go to bed." The figure of a lady appeared at a distance, very indistinct in the darkness, and advancing with a slow and wavering movement. Suddenly it seemed to pause.<|quote|>"Are you sure it is your mother? Can you distinguish her in this thick dusk?"</|quote|>Winterbourne asked. "Well!" cried Miss Daisy Miller with a laugh; "I guess I know my own mother. And when she has got on my shawl, too! She is always wearing my things." The lady in question, ceasing to advance, hovered vaguely about the spot at which she had checked her | then, for the instant, quite ready to sacrifice his aunt, conversationally; to admit that she was a proud, rude woman, and to declare that they needn t mind her. But before he had time to commit himself to this perilous mixture of gallantry and impiety, the young lady, resuming her walk, gave an exclamation in quite another tone. "Well, here s Mother! I guess she hasn t got Randolph to go to bed." The figure of a lady appeared at a distance, very indistinct in the darkness, and advancing with a slow and wavering movement. Suddenly it seemed to pause.<|quote|>"Are you sure it is your mother? Can you distinguish her in this thick dusk?"</|quote|>Winterbourne asked. "Well!" cried Miss Daisy Miller with a laugh; "I guess I know my own mother. And when she has got on my shawl, too! She is always wearing my things." The lady in question, ceasing to advance, hovered vaguely about the spot at which she had checked her steps. "I am afraid your mother doesn t see you," said Winterbourne. "Or perhaps," he added, thinking, with Miss Miller, the joke permissible--" "perhaps she feels guilty about your shawl." "Oh, it s a fearful old thing!" the young girl replied serenely. "I told her she could wear it. She | the garden, and in front of her was the starlit lake. There was a vague sheen upon its surface, and in the distance were dimly seen mountain forms. Daisy Miller looked out upon the mysterious prospect and then she gave another little laugh. "Gracious! she IS exclusive!" she said. Winterbourne wondered whether she was seriously wounded, and for a moment almost wished that her sense of injury might be such as to make it becoming in him to attempt to reassure and comfort her. He had a pleasant sense that she would be very approachable for consolatory purposes. He felt then, for the instant, quite ready to sacrifice his aunt, conversationally; to admit that she was a proud, rude woman, and to declare that they needn t mind her. But before he had time to commit himself to this perilous mixture of gallantry and impiety, the young lady, resuming her walk, gave an exclamation in quite another tone. "Well, here s Mother! I guess she hasn t got Randolph to go to bed." The figure of a lady appeared at a distance, very indistinct in the darkness, and advancing with a slow and wavering movement. Suddenly it seemed to pause.<|quote|>"Are you sure it is your mother? Can you distinguish her in this thick dusk?"</|quote|>Winterbourne asked. "Well!" cried Miss Daisy Miller with a laugh; "I guess I know my own mother. And when she has got on my shawl, too! She is always wearing my things." The lady in question, ceasing to advance, hovered vaguely about the spot at which she had checked her steps. "I am afraid your mother doesn t see you," said Winterbourne. "Or perhaps," he added, thinking, with Miss Miller, the joke permissible--" "perhaps she feels guilty about your shawl." "Oh, it s a fearful old thing!" the young girl replied serenely. "I told her she could wear it. She won t come here because she sees you." "Ah, then," said Winterbourne, "I had better leave you." "Oh, no; come on!" urged Miss Daisy Miller. "I m afraid your mother doesn t approve of my walking with you." Miss Miller gave him a serious glance. "It isn t for me; it s for you--that is, it s for HER. Well, I don t know who it s for! But mother doesn t like any of my gentlemen friends. She s right down timid. She always makes a fuss if I introduce a gentleman. But I DO introduce them--almost always. If | suppose it s about the same thing. Anyway, I shall be ever so glad to know your aunt." Winterbourne was embarrassed. "She would be most happy," he said; "but I am afraid those headaches will interfere." The young girl looked at him through the dusk. "But I suppose she doesn t have a headache every day," she said sympathetically. Winterbourne was silent a moment. "She tells me she does," he answered at last, not knowing what to say. Miss Daisy Miller stopped and stood looking at him. Her prettiness was still visible in the darkness; she was opening and closing her enormous fan. "She doesn t want to know me!" she said suddenly. "Why don t you say so? You needn t be afraid. I m not afraid!" And she gave a little laugh. Winterbourne fancied there was a tremor in her voice; he was touched, shocked, mortified by it. "My dear young lady," he protested, "she knows no one. It s her wretched health." The young girl walked on a few steps, laughing still. "You needn t be afraid," she repeated. "Why should she want to know me?" Then she paused again; she was close to the parapet of the garden, and in front of her was the starlit lake. There was a vague sheen upon its surface, and in the distance were dimly seen mountain forms. Daisy Miller looked out upon the mysterious prospect and then she gave another little laugh. "Gracious! she IS exclusive!" she said. Winterbourne wondered whether she was seriously wounded, and for a moment almost wished that her sense of injury might be such as to make it becoming in him to attempt to reassure and comfort her. He had a pleasant sense that she would be very approachable for consolatory purposes. He felt then, for the instant, quite ready to sacrifice his aunt, conversationally; to admit that she was a proud, rude woman, and to declare that they needn t mind her. But before he had time to commit himself to this perilous mixture of gallantry and impiety, the young lady, resuming her walk, gave an exclamation in quite another tone. "Well, here s Mother! I guess she hasn t got Randolph to go to bed." The figure of a lady appeared at a distance, very indistinct in the darkness, and advancing with a slow and wavering movement. Suddenly it seemed to pause.<|quote|>"Are you sure it is your mother? Can you distinguish her in this thick dusk?"</|quote|>Winterbourne asked. "Well!" cried Miss Daisy Miller with a laugh; "I guess I know my own mother. And when she has got on my shawl, too! She is always wearing my things." The lady in question, ceasing to advance, hovered vaguely about the spot at which she had checked her steps. "I am afraid your mother doesn t see you," said Winterbourne. "Or perhaps," he added, thinking, with Miss Miller, the joke permissible--" "perhaps she feels guilty about your shawl." "Oh, it s a fearful old thing!" the young girl replied serenely. "I told her she could wear it. She won t come here because she sees you." "Ah, then," said Winterbourne, "I had better leave you." "Oh, no; come on!" urged Miss Daisy Miller. "I m afraid your mother doesn t approve of my walking with you." Miss Miller gave him a serious glance. "It isn t for me; it s for you--that is, it s for HER. Well, I don t know who it s for! But mother doesn t like any of my gentlemen friends. She s right down timid. She always makes a fuss if I introduce a gentleman. But I DO introduce them--almost always. If I didn t introduce my gentlemen friends to Mother," the young girl added in her little soft, flat monotone, "I shouldn t think I was natural." "To introduce me," said Winterbourne, "you must know my name." And he proceeded to pronounce it. "Oh, dear, I can t say all that!" said his companion with a laugh. But by this time they had come up to Mrs. Miller, who, as they drew near, walked to the parapet of the garden and leaned upon it, looking intently at the lake and turning her back to them. "Mother!" said the young girl in a tone of decision. Upon this the elder lady turned round. "Mr. Winterbourne," said Miss Daisy Miller, introducing the young man very frankly and prettily. "Common," she was, as Mrs. Costello had pronounced her; yet it was a wonder to Winterbourne that, with her commonness, she had a singularly delicate grace. Her mother was a small, spare, light person, with a wandering eye, a very exiguous nose, and a large forehead, decorated with a certain amount of thin, much frizzled hair. Like her daughter, Mrs. Miller was dressed with extreme elegance; she had enormous diamonds in her ears. So far | his aunt, had been sitting with her since dinner, and had just taken leave of her till the morrow. Miss Daisy Miller seemed very glad to see him; she declared it was the longest evening she had ever passed. "Have you been all alone?" he asked. "I have been walking round with mother. But mother gets tired walking round," she answered. "Has she gone to bed?" "No; she doesn t like to go to bed," said the young girl. "She doesn t sleep--not three hours. She says she doesn t know how she lives. She s dreadfully nervous. I guess she sleeps more than she thinks. She s gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn t like to go to bed." "Let us hope she will persuade him," observed Winterbourne. "She will talk to him all she can; but he doesn t like her to talk to him," said Miss Daisy, opening her fan. "She s going to try to get Eugenio to talk to him. But he isn t afraid of Eugenio. Eugenio s a splendid courier, but he can t make much impression on Randolph! I don t believe he ll go to bed before eleven." It appeared that Randolph s vigil was in fact triumphantly prolonged, for Winterbourne strolled about with the young girl for some time without meeting her mother. "I have been looking round for that lady you want to introduce me to," his companion resumed. "She s your aunt." Then, on Winterbourne s admitting the fact and expressing some curiosity as to how she had learned it, she said she had heard all about Mrs. Costello from the chambermaid. She was very quiet and very comme il faut; she wore white puffs; she spoke to no one, and she never dined at the table d hote. Every two days she had a headache. "I think that s a lovely description, headache and all!" said Miss Daisy, chattering along in her thin, gay voice. "I want to know her ever so much. I know just what YOUR aunt would be; I know I should like her. She would be very exclusive. I like a lady to be exclusive; I m dying to be exclusive myself. Well, we ARE exclusive, mother and I. We don t speak to everyone--or they don t speak to us. I suppose it s about the same thing. Anyway, I shall be ever so glad to know your aunt." Winterbourne was embarrassed. "She would be most happy," he said; "but I am afraid those headaches will interfere." The young girl looked at him through the dusk. "But I suppose she doesn t have a headache every day," she said sympathetically. Winterbourne was silent a moment. "She tells me she does," he answered at last, not knowing what to say. Miss Daisy Miller stopped and stood looking at him. Her prettiness was still visible in the darkness; she was opening and closing her enormous fan. "She doesn t want to know me!" she said suddenly. "Why don t you say so? You needn t be afraid. I m not afraid!" And she gave a little laugh. Winterbourne fancied there was a tremor in her voice; he was touched, shocked, mortified by it. "My dear young lady," he protested, "she knows no one. It s her wretched health." The young girl walked on a few steps, laughing still. "You needn t be afraid," she repeated. "Why should she want to know me?" Then she paused again; she was close to the parapet of the garden, and in front of her was the starlit lake. There was a vague sheen upon its surface, and in the distance were dimly seen mountain forms. Daisy Miller looked out upon the mysterious prospect and then she gave another little laugh. "Gracious! she IS exclusive!" she said. Winterbourne wondered whether she was seriously wounded, and for a moment almost wished that her sense of injury might be such as to make it becoming in him to attempt to reassure and comfort her. He had a pleasant sense that she would be very approachable for consolatory purposes. He felt then, for the instant, quite ready to sacrifice his aunt, conversationally; to admit that she was a proud, rude woman, and to declare that they needn t mind her. But before he had time to commit himself to this perilous mixture of gallantry and impiety, the young lady, resuming her walk, gave an exclamation in quite another tone. "Well, here s Mother! I guess she hasn t got Randolph to go to bed." The figure of a lady appeared at a distance, very indistinct in the darkness, and advancing with a slow and wavering movement. Suddenly it seemed to pause.<|quote|>"Are you sure it is your mother? Can you distinguish her in this thick dusk?"</|quote|>Winterbourne asked. "Well!" cried Miss Daisy Miller with a laugh; "I guess I know my own mother. And when she has got on my shawl, too! She is always wearing my things." The lady in question, ceasing to advance, hovered vaguely about the spot at which she had checked her steps. "I am afraid your mother doesn t see you," said Winterbourne. "Or perhaps," he added, thinking, with Miss Miller, the joke permissible--" "perhaps she feels guilty about your shawl." "Oh, it s a fearful old thing!" the young girl replied serenely. "I told her she could wear it. She won t come here because she sees you." "Ah, then," said Winterbourne, "I had better leave you." "Oh, no; come on!" urged Miss Daisy Miller. "I m afraid your mother doesn t approve of my walking with you." Miss Miller gave him a serious glance. "It isn t for me; it s for you--that is, it s for HER. Well, I don t know who it s for! But mother doesn t like any of my gentlemen friends. She s right down timid. She always makes a fuss if I introduce a gentleman. But I DO introduce them--almost always. If I didn t introduce my gentlemen friends to Mother," the young girl added in her little soft, flat monotone, "I shouldn t think I was natural." "To introduce me," said Winterbourne, "you must know my name." And he proceeded to pronounce it. "Oh, dear, I can t say all that!" said his companion with a laugh. But by this time they had come up to Mrs. Miller, who, as they drew near, walked to the parapet of the garden and leaned upon it, looking intently at the lake and turning her back to them. "Mother!" said the young girl in a tone of decision. Upon this the elder lady turned round. "Mr. Winterbourne," said Miss Daisy Miller, introducing the young man very frankly and prettily. "Common," she was, as Mrs. Costello had pronounced her; yet it was a wonder to Winterbourne that, with her commonness, she had a singularly delicate grace. Her mother was a small, spare, light person, with a wandering eye, a very exiguous nose, and a large forehead, decorated with a certain amount of thin, much frizzled hair. Like her daughter, Mrs. Miller was dressed with extreme elegance; she had enormous diamonds in her ears. So far as Winterbourne could observe, she gave him no greeting--she certainly was not looking at him. Daisy was near her, pulling her shawl straight. "What are you doing, poking round here?" this young lady inquired, but by no means with that harshness of accent which her choice of words may imply. "I don t know," said her mother, turning toward the lake again. "I shouldn t think you d want that shawl!" Daisy exclaimed. "Well I do!" her mother answered with a little laugh. "Did you get Randolph to go to bed?" asked the young girl. "No; I couldn t induce him," said Mrs. Miller very gently. "He wants to talk to the waiter. He likes to talk to that waiter." "I was telling Mr. Winterbourne," the young girl went on; and to the young man s ear her tone might have indicated that she had been uttering his name all her life. "Oh, yes!" said Winterbourne; "I have the pleasure of knowing your son." Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke. "Well, I don t see how he lives!" "Anyhow, it isn t so bad as it was at Dover," said Daisy Miller. "And what occurred at Dover?" Winterbourne asked. "He wouldn t go to bed at all. I guess he sat up all night in the public parlor. He wasn t in bed at twelve o clock: I know that." "It was half-past twelve," declared Mrs. Miller with mild emphasis. "Does he sleep much during the day?" Winterbourne demanded. "I guess he doesn t sleep much," Daisy rejoined. "I wish he would!" said her mother. "It seems as if he couldn t." "I think he s real tiresome," Daisy pursued. Then, for some moments, there was silence. "Well, Daisy Miller," said the elder lady, presently, "I shouldn t think you d want to talk against your own brother!" "Well, he IS tiresome, Mother," said Daisy, quite without the asperity of a retort. "He s only nine," urged Mrs. Miller. "Well, he wouldn t go to that castle," said the young girl. "I m going there with Mr. Winterbourne." To this announcement, very placidly made, Daisy s mamma offered no response. Winterbourne took for granted that she deeply disapproved of the projected excursion; but he said to himself that she was a simple, easily managed person, and that a few | be most happy," he said; "but I am afraid those headaches will interfere." The young girl looked at him through the dusk. "But I suppose she doesn t have a headache every day," she said sympathetically. Winterbourne was silent a moment. "She tells me she does," he answered at last, not knowing what to say. Miss Daisy Miller stopped and stood looking at him. Her prettiness was still visible in the darkness; she was opening and closing her enormous fan. "She doesn t want to know me!" she said suddenly. "Why don t you say so? You needn t be afraid. I m not afraid!" And she gave a little laugh. Winterbourne fancied there was a tremor in her voice; he was touched, shocked, mortified by it. "My dear young lady," he protested, "she knows no one. It s her wretched health." The young girl walked on a few steps, laughing still. "You needn t be afraid," she repeated. "Why should she want to know me?" Then she paused again; she was close to the parapet of the garden, and in front of her was the starlit lake. There was a vague sheen upon its surface, and in the distance were dimly seen mountain forms. Daisy Miller looked out upon the mysterious prospect and then she gave another little laugh. "Gracious! she IS exclusive!" she said. Winterbourne wondered whether she was seriously wounded, and for a moment almost wished that her sense of injury might be such as to make it becoming in him to attempt to reassure and comfort her. He had a pleasant sense that she would be very approachable for consolatory purposes. He felt then, for the instant, quite ready to sacrifice his aunt, conversationally; to admit that she was a proud, rude woman, and to declare that they needn t mind her. But before he had time to commit himself to this perilous mixture of gallantry and impiety, the young lady, resuming her walk, gave an exclamation in quite another tone. "Well, here s Mother! I guess she hasn t got Randolph to go to bed." The figure of a lady appeared at a distance, very indistinct in the darkness, and advancing with a slow and wavering movement. Suddenly it seemed to pause.<|quote|>"Are you sure it is your mother? Can you distinguish her in this thick dusk?"</|quote|>Winterbourne asked. "Well!" cried Miss Daisy Miller with a laugh; "I guess I know my own mother. And when she has got on my shawl, too! She is always wearing my things." The lady in question, ceasing to advance, hovered vaguely about the spot at which she had checked her steps. "I am afraid your mother doesn t see you," said Winterbourne. "Or perhaps," he added, thinking, with Miss Miller, the joke permissible--" "perhaps she feels guilty about your shawl." "Oh, it s a fearful old thing!" the young girl replied serenely. "I told her she could wear it. She won t come here because she sees you." "Ah, then," said Winterbourne, "I had better leave you." "Oh, no; come on!" urged Miss Daisy Miller. "I m afraid your mother doesn t approve of my walking with you." Miss Miller gave him a serious glance. "It isn t for me; it s for you--that is, it s for HER. Well, I don t know who it s for! But mother doesn t like any of my gentlemen friends. She s right down timid. She always makes a fuss if I introduce a gentleman. But I DO introduce them--almost always. If I didn t introduce my gentlemen friends to Mother," the young girl added in her little soft, flat monotone, "I shouldn t think I was natural." "To introduce me," said Winterbourne, "you must know my name." And he proceeded to pronounce it. "Oh, dear, I can t say all that!" said his companion with a laugh. But by this time they had come up to Mrs. Miller, who, as they drew near, walked to the parapet of the garden and leaned upon it, looking intently at the lake and turning her back to them. "Mother!" said the young girl in a tone of decision. Upon this the elder lady turned round. "Mr. Winterbourne," said Miss Daisy Miller, introducing the young man very frankly and prettily. "Common," she was, as Mrs. Costello had pronounced her; yet it was a wonder to Winterbourne that, with her commonness, she had a singularly delicate grace. Her mother was a small, spare, light person, with a wandering eye, a very exiguous nose, and a large forehead, decorated with a certain amount of thin, much frizzled hair. Like her daughter, Mrs. Miller was dressed with extreme elegance; she had enormous diamonds in her ears. So far as Winterbourne could observe, she gave him no greeting--she certainly was not looking at him. Daisy was near her, pulling her shawl straight. "What are you doing, poking round here?" this young lady inquired, but by no | Daisy Miller |
"My aunt played Wagner badly. It was a painful subject. We are always being insulted about it." | Gabriel Syme | my family," said Syme firmly.<|quote|>"My aunt played Wagner badly. It was a painful subject. We are always being insulted about it."</|quote|>"This seems most extraordinary," said | "It was an allusion to my family," said Syme firmly.<|quote|>"My aunt played Wagner badly. It was a painful subject. We are always being insulted about it."</|quote|>"This seems most extraordinary," said the gentleman who was _d | wonder. "He has been sitting here all the time." "Ah, it was what he said!" said Syme darkly. "I said nothing at all," said the Marquis, "except something about the band. I only said that I liked Wagner played well." "It was an allusion to my family," said Syme firmly.<|quote|>"My aunt played Wagner badly. It was a painful subject. We are always being insulted about it."</|quote|>"This seems most extraordinary," said the gentleman who was _d cor _, looking doubtfully at the Marquis. "Oh, I assure you," said Syme earnestly, "the whole of your conversation was simply packed with sinister allusions to my aunt's weaknesses." "This is nonsense!" said the second gentleman. "I for one have | gentleman with the red rosette, "when?" "Oh, just now," said Syme recklessly. "He insulted my mother." "Insulted your mother!" exclaimed the gentleman incredulously. "Well, anyhow," said Syme, conceding a point, "my aunt." "But how can the Marquis have insulted your aunt just now?" said the second gentleman with some legitimate wonder. "He has been sitting here all the time." "Ah, it was what he said!" said Syme darkly. "I said nothing at all," said the Marquis, "except something about the band. I only said that I liked Wagner played well." "It was an allusion to my family," said Syme firmly.<|quote|>"My aunt played Wagner badly. It was a painful subject. We are always being insulted about it."</|quote|>"This seems most extraordinary," said the gentleman who was _d cor _, looking doubtfully at the Marquis. "Oh, I assure you," said Syme earnestly, "the whole of your conversation was simply packed with sinister allusions to my aunt's weaknesses." "This is nonsense!" said the second gentleman. "I for one have said nothing for half an hour except that I liked the singing of that girl with black hair." "Well, there you are again!" said Syme indignantly. "My aunt's was red." "It seems to me," said the other, "that you are simply seeking a pretext to insult the Marquis." "By George!" | going to pull that meeting's great ugly, mahogany-coloured nose." He stepped across swiftly, if not quite steadily. The Marquis, seeing him, arched his black Assyrian eyebrows in surprise, but smiled politely. "You are Mr. Syme, I think," he said. Syme bowed. "And you are the Marquis de Saint Eustache," he said gracefully. "Permit me to pull your nose." He leant over to do so, but the Marquis started backwards, upsetting his chair, and the two men in top hats held Syme back by the shoulders. "This man has insulted me!" said Syme, with gestures of explanation. "Insulted you?" cried the gentleman with the red rosette, "when?" "Oh, just now," said Syme recklessly. "He insulted my mother." "Insulted your mother!" exclaimed the gentleman incredulously. "Well, anyhow," said Syme, conceding a point, "my aunt." "But how can the Marquis have insulted your aunt just now?" said the second gentleman with some legitimate wonder. "He has been sitting here all the time." "Ah, it was what he said!" said Syme darkly. "I said nothing at all," said the Marquis, "except something about the band. I only said that I liked Wagner played well." "It was an allusion to my family," said Syme firmly.<|quote|>"My aunt played Wagner badly. It was a painful subject. We are always being insulted about it."</|quote|>"This seems most extraordinary," said the gentleman who was _d cor _, looking doubtfully at the Marquis. "Oh, I assure you," said Syme earnestly, "the whole of your conversation was simply packed with sinister allusions to my aunt's weaknesses." "This is nonsense!" said the second gentleman. "I for one have said nothing for half an hour except that I liked the singing of that girl with black hair." "Well, there you are again!" said Syme indignantly. "My aunt's was red." "It seems to me," said the other, "that you are simply seeking a pretext to insult the Marquis." "By George!" said Syme, facing round and looking at him, "what a clever chap you are!" The Marquis started up with eyes flaming like a tiger's. "Seeking a quarrel with me!" he cried. "Seeking a fight with me! By God! there was never a man who had to seek long. These gentlemen will perhaps act for me. There are still four hours of daylight. Let us fight this evening." Syme bowed with a quite beautiful graciousness. "Marquis," he said, "your action is worthy of your fame and blood. Permit me to consult for a moment with the gentlemen in whose hands I | to the little table where the Marquis sat. The man had two companions now, solemn Frenchmen in frock-coats and silk hats, one of them with the red rosette of the Legion of Honour, evidently people of a solid social position. Besides these black, cylindrical costumes, the Marquis, in his loose straw hat and light spring clothes, looked Bohemian and even barbaric; but he looked the Marquis. Indeed, one might say that he looked the king, with his animal elegance, his scornful eyes, and his proud head lifted against the purple sea. But he was no Christian king, at any rate; he was, rather, some swarthy despot, half Greek, half Asiatic, who in the days when slavery seemed natural looked down on the Mediterranean, on his galley and his groaning slaves. Just so, Syme thought, would the brown-gold face of such a tyrant have shown against the dark green olives and the burning blue. "Are you going to address the meeting?" asked the Professor peevishly, seeing that Syme still stood up without moving. Syme drained his last glass of sparkling wine. "I am," he said, pointing across to the Marquis and his companions, "that meeting. That meeting displeases me. I am going to pull that meeting's great ugly, mahogany-coloured nose." He stepped across swiftly, if not quite steadily. The Marquis, seeing him, arched his black Assyrian eyebrows in surprise, but smiled politely. "You are Mr. Syme, I think," he said. Syme bowed. "And you are the Marquis de Saint Eustache," he said gracefully. "Permit me to pull your nose." He leant over to do so, but the Marquis started backwards, upsetting his chair, and the two men in top hats held Syme back by the shoulders. "This man has insulted me!" said Syme, with gestures of explanation. "Insulted you?" cried the gentleman with the red rosette, "when?" "Oh, just now," said Syme recklessly. "He insulted my mother." "Insulted your mother!" exclaimed the gentleman incredulously. "Well, anyhow," said Syme, conceding a point, "my aunt." "But how can the Marquis have insulted your aunt just now?" said the second gentleman with some legitimate wonder. "He has been sitting here all the time." "Ah, it was what he said!" said Syme darkly. "I said nothing at all," said the Marquis, "except something about the band. I only said that I liked Wagner played well." "It was an allusion to my family," said Syme firmly.<|quote|>"My aunt played Wagner badly. It was a painful subject. We are always being insulted about it."</|quote|>"This seems most extraordinary," said the gentleman who was _d cor _, looking doubtfully at the Marquis. "Oh, I assure you," said Syme earnestly, "the whole of your conversation was simply packed with sinister allusions to my aunt's weaknesses." "This is nonsense!" said the second gentleman. "I for one have said nothing for half an hour except that I liked the singing of that girl with black hair." "Well, there you are again!" said Syme indignantly. "My aunt's was red." "It seems to me," said the other, "that you are simply seeking a pretext to insult the Marquis." "By George!" said Syme, facing round and looking at him, "what a clever chap you are!" The Marquis started up with eyes flaming like a tiger's. "Seeking a quarrel with me!" he cried. "Seeking a fight with me! By God! there was never a man who had to seek long. These gentlemen will perhaps act for me. There are still four hours of daylight. Let us fight this evening." Syme bowed with a quite beautiful graciousness. "Marquis," he said, "your action is worthy of your fame and blood. Permit me to consult for a moment with the gentlemen in whose hands I shall place myself." In three long strides he rejoined his companions, and they, who had seen his champagne-inspired attack and listened to his idiotic explanations, were quite startled at the look of him. For now that he came back to them he was quite sober, a little pale, and he spoke in a low voice of passionate practicality. "I have done it," he said hoarsely. "I have fixed a fight on the beast. But look here, and listen carefully. There is no time for talk. You are my seconds, and everything must come from you. Now you must insist, and insist absolutely, on the duel coming off after seven tomorrow, so as to give me the chance of preventing him from catching the 7.45 for Paris. If he misses that he misses his crime. He can't refuse to meet you on such a small point of time and place. But this is what he will do. He will choose a field somewhere near a wayside station, where he can pick up the train. He is a very good swordsman, and he will trust to killing me in time to catch it. But I can fence well too, and I think | "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically. "Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy." "But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir, you have an intellect beyond the common. You will make a name." "Oh, you're as drunk as an owl!" said the Doctor. "It only remains," continued Syme quite unperturbed, "to adopt some other method of breaking the ice (if I may so express it) between myself and the man I wish to kill. And since the course of a dialogue cannot be predicted by one of its parties alone (as you have pointed out with such recondite acumen), the only thing to be done, I suppose, is for the one party, as far as possible, to do all the dialogue by himself. And so I will, by George!" And he stood up suddenly, his yellow hair blowing in the slight sea breeze. A band was playing in a _caf chantant_ hidden somewhere among the trees, and a woman had just stopped singing. On Syme's heated head the bray of the brass band seemed like the jar and jingle of that barrel-organ in Leicester Square, to the tune of which he had once stood up to die. He looked across to the little table where the Marquis sat. The man had two companions now, solemn Frenchmen in frock-coats and silk hats, one of them with the red rosette of the Legion of Honour, evidently people of a solid social position. Besides these black, cylindrical costumes, the Marquis, in his loose straw hat and light spring clothes, looked Bohemian and even barbaric; but he looked the Marquis. Indeed, one might say that he looked the king, with his animal elegance, his scornful eyes, and his proud head lifted against the purple sea. But he was no Christian king, at any rate; he was, rather, some swarthy despot, half Greek, half Asiatic, who in the days when slavery seemed natural looked down on the Mediterranean, on his galley and his groaning slaves. Just so, Syme thought, would the brown-gold face of such a tyrant have shown against the dark green olives and the burning blue. "Are you going to address the meeting?" asked the Professor peevishly, seeing that Syme still stood up without moving. Syme drained his last glass of sparkling wine. "I am," he said, pointing across to the Marquis and his companions, "that meeting. That meeting displeases me. I am going to pull that meeting's great ugly, mahogany-coloured nose." He stepped across swiftly, if not quite steadily. The Marquis, seeing him, arched his black Assyrian eyebrows in surprise, but smiled politely. "You are Mr. Syme, I think," he said. Syme bowed. "And you are the Marquis de Saint Eustache," he said gracefully. "Permit me to pull your nose." He leant over to do so, but the Marquis started backwards, upsetting his chair, and the two men in top hats held Syme back by the shoulders. "This man has insulted me!" said Syme, with gestures of explanation. "Insulted you?" cried the gentleman with the red rosette, "when?" "Oh, just now," said Syme recklessly. "He insulted my mother." "Insulted your mother!" exclaimed the gentleman incredulously. "Well, anyhow," said Syme, conceding a point, "my aunt." "But how can the Marquis have insulted your aunt just now?" said the second gentleman with some legitimate wonder. "He has been sitting here all the time." "Ah, it was what he said!" said Syme darkly. "I said nothing at all," said the Marquis, "except something about the band. I only said that I liked Wagner played well." "It was an allusion to my family," said Syme firmly.<|quote|>"My aunt played Wagner badly. It was a painful subject. We are always being insulted about it."</|quote|>"This seems most extraordinary," said the gentleman who was _d cor _, looking doubtfully at the Marquis. "Oh, I assure you," said Syme earnestly, "the whole of your conversation was simply packed with sinister allusions to my aunt's weaknesses." "This is nonsense!" said the second gentleman. "I for one have said nothing for half an hour except that I liked the singing of that girl with black hair." "Well, there you are again!" said Syme indignantly. "My aunt's was red." "It seems to me," said the other, "that you are simply seeking a pretext to insult the Marquis." "By George!" said Syme, facing round and looking at him, "what a clever chap you are!" The Marquis started up with eyes flaming like a tiger's. "Seeking a quarrel with me!" he cried. "Seeking a fight with me! By God! there was never a man who had to seek long. These gentlemen will perhaps act for me. There are still four hours of daylight. Let us fight this evening." Syme bowed with a quite beautiful graciousness. "Marquis," he said, "your action is worthy of your fame and blood. Permit me to consult for a moment with the gentlemen in whose hands I shall place myself." In three long strides he rejoined his companions, and they, who had seen his champagne-inspired attack and listened to his idiotic explanations, were quite startled at the look of him. For now that he came back to them he was quite sober, a little pale, and he spoke in a low voice of passionate practicality. "I have done it," he said hoarsely. "I have fixed a fight on the beast. But look here, and listen carefully. There is no time for talk. You are my seconds, and everything must come from you. Now you must insist, and insist absolutely, on the duel coming off after seven tomorrow, so as to give me the chance of preventing him from catching the 7.45 for Paris. If he misses that he misses his crime. He can't refuse to meet you on such a small point of time and place. But this is what he will do. He will choose a field somewhere near a wayside station, where he can pick up the train. He is a very good swordsman, and he will trust to killing me in time to catch it. But I can fence well too, and I think I can keep him in play, at any rate, until the train is lost. Then perhaps he may kill me to console his feelings. You understand? Very well then, let me introduce you to some charming friends of mine," and leading them quickly across the parade, he presented them to the Marquis's seconds by two very aristocratic names of which they had not previously heard. Syme was subject to spasms of singular common sense, not otherwise a part of his character. They were (as he said of his impulse about the spectacles) poetic intuitions, and they sometimes rose to the exaltation of prophecy. He had correctly calculated in this case the policy of his opponent. When the Marquis was informed by his seconds that Syme could only fight in the morning, he must fully have realised that an obstacle had suddenly arisen between him and his bomb-throwing business in the capital. Naturally he could not explain this objection to his friends, so he chose the course which Syme had predicted. He induced his seconds to settle on a small meadow not far from the railway, and he trusted to the fatality of the first engagement. When he came down very coolly to the field of honour, no one could have guessed that he had any anxiety about a journey; his hands were in his pockets, his straw hat on the back of his head, his handsome face brazen in the sun. But it might have struck a stranger as odd that there appeared in his train, not only his seconds carrying the sword-case, but two of his servants carrying a portmanteau and a luncheon basket. Early as was the hour, the sun soaked everything in warmth, and Syme was vaguely surprised to see so many spring flowers burning gold and silver in the tall grass in which the whole company stood almost knee-deep. With the exception of the Marquis, all the men were in sombre and solemn morning-dress, with hats like black chimney-pots; the little Doctor especially, with the addition of his black spectacles, looked like an undertaker in a farce. Syme could not help feeling a comic contrast between this funereal church parade of apparel and the rich and glistening meadow, growing wild flowers everywhere. But, indeed, this comic contrast between the yellow blossoms and the black hats was but a symbol of the tragic contrast between the yellow | am going to pull that meeting's great ugly, mahogany-coloured nose." He stepped across swiftly, if not quite steadily. The Marquis, seeing him, arched his black Assyrian eyebrows in surprise, but smiled politely. "You are Mr. Syme, I think," he said. Syme bowed. "And you are the Marquis de Saint Eustache," he said gracefully. "Permit me to pull your nose." He leant over to do so, but the Marquis started backwards, upsetting his chair, and the two men in top hats held Syme back by the shoulders. "This man has insulted me!" said Syme, with gestures of explanation. "Insulted you?" cried the gentleman with the red rosette, "when?" "Oh, just now," said Syme recklessly. "He insulted my mother." "Insulted your mother!" exclaimed the gentleman incredulously. "Well, anyhow," said Syme, conceding a point, "my aunt." "But how can the Marquis have insulted your aunt just now?" said the second gentleman with some legitimate wonder. "He has been sitting here all the time." "Ah, it was what he said!" said Syme darkly. "I said nothing at all," said the Marquis, "except something about the band. I only said that I liked Wagner played well." "It was an allusion to my family," said Syme firmly.<|quote|>"My aunt played Wagner badly. It was a painful subject. We are always being insulted about it."</|quote|>"This seems most extraordinary," said the gentleman who was _d cor _, looking doubtfully at the Marquis. "Oh, I assure you," said Syme earnestly, "the whole of your conversation was simply packed with sinister allusions to my aunt's weaknesses." "This is nonsense!" said the second gentleman. "I for one have said nothing for half an hour except that I liked the singing of that girl with black hair." "Well, there you are again!" said Syme indignantly. "My aunt's was red." "It seems to me," said the other, "that you are simply seeking a pretext to insult the Marquis." "By George!" said Syme, facing round and looking at him, "what a clever chap you are!" The Marquis started up with eyes flaming like a tiger's. "Seeking a quarrel with me!" he cried. "Seeking a fight with me! By God! there was never a man who had to seek long. These gentlemen will perhaps act for me. There are still four hours of daylight. Let us fight this evening." Syme bowed with a quite beautiful graciousness. "Marquis," he said, "your action is worthy of your fame and blood. Permit me to consult for a moment with the gentlemen in whose hands I shall place myself." In three long strides he rejoined his companions, and they, who had seen his champagne-inspired attack and listened to his idiotic explanations, were quite startled at the look of him. For now that he came back to them he was quite sober, a little pale, and he spoke in a low voice of passionate practicality. "I have done it," he said hoarsely. "I have fixed a fight on the beast. But look here, and listen carefully. There is no time for talk. You are my seconds, and everything must come from you. Now you must insist, and insist absolutely, on the duel coming off after seven tomorrow, so as to give me the chance of preventing him from catching the 7.45 for Paris. If he misses that he misses his crime. He can't refuse to meet you on such a small point of time and place. But this is what he will do. He will choose a field somewhere near a wayside station, where he can pick up the train. He is a very good | The Man Who Was Thursday |
"Oh, you idle boy!" | Lilia | or sitting astride it disconsolately.<|quote|>"Oh, you idle boy!"</|quote|>she cried, pinching his muscles. | loggia leaning over the parapet or sitting astride it disconsolately.<|quote|>"Oh, you idle boy!"</|quote|>she cried, pinching his muscles. "Go and play pallone." "I | of Irma or any English child being educated at Monteriano. Gino became terribly depressed over the solicitors letter, more depressed than she thought necessary. There was no more to do in the house, and he spent whole days in the loggia leaning over the parapet or sitting astride it disconsolately.<|quote|>"Oh, you idle boy!"</|quote|>she cried, pinching his muscles. "Go and play pallone." "I am a married man," he answered, without raising his head. "I do not play games any more." "Go and see your friends then." "I have no friends now." "Silly, silly, silly! You can t stop indoors all day!" "I want | out and live with them. "The air is good, so is the food; she will be happy here, and we shall not have to part with the money." But Lilia had not the courage even to suggest this to the Herritons, and an unexpected terror seized her at the thought of Irma or any English child being educated at Monteriano. Gino became terribly depressed over the solicitors letter, more depressed than she thought necessary. There was no more to do in the house, and he spent whole days in the loggia leaning over the parapet or sitting astride it disconsolately.<|quote|>"Oh, you idle boy!"</|quote|>she cried, pinching his muscles. "Go and play pallone." "I am a married man," he answered, without raising his head. "I do not play games any more." "Go and see your friends then." "I have no friends now." "Silly, silly, silly! You can t stop indoors all day!" "I want to see no one but you." He spat on to an olive-tree. "Now, Gino, don t be silly. Go and see your friends, and bring them to see me. We both of us like society." He looked puzzled, but allowed himself to be persuaded, went out, found that he was | do exactly as she liked. "It mayn t be heaven below," she thought, "but it s better than Charles." And all the time the boy was watching her, and growing up. She was reminded of Charles by a disagreeable letter from the solicitors, bidding her disgorge a large sum of money for Irma, in accordance with her late husband s will. It was just like Charles s suspicious nature to have provided against a second marriage. Gino was equally indignant, and between them they composed a stinging reply, which had no effect. He then said that Irma had better come out and live with them. "The air is good, so is the food; she will be happy here, and we shall not have to part with the money." But Lilia had not the courage even to suggest this to the Herritons, and an unexpected terror seized her at the thought of Irma or any English child being educated at Monteriano. Gino became terribly depressed over the solicitors letter, more depressed than she thought necessary. There was no more to do in the house, and he spent whole days in the loggia leaning over the parapet or sitting astride it disconsolately.<|quote|>"Oh, you idle boy!"</|quote|>she cried, pinching his muscles. "Go and play pallone." "I am a married man," he answered, without raising his head. "I do not play games any more." "Go and see your friends then." "I have no friends now." "Silly, silly, silly! You can t stop indoors all day!" "I want to see no one but you." He spat on to an olive-tree. "Now, Gino, don t be silly. Go and see your friends, and bring them to see me. We both of us like society." He looked puzzled, but allowed himself to be persuaded, went out, found that he was not as friendless as he supposed, and returned after several hours in altered spirits. Lilia congratulated herself on her good management. "I m ready, too, for people now," she said. "I mean to wake you all up, just as I woke up Sawston. Let s have plenty of men--and make them bring their womenkind. I mean to have real English tea-parties." "There is my aunt and her husband; but I thought you did not want to receive my relatives." "I never said such a--" "But you would be right," he said earnestly. "They are not for you. Many of them | nothing to do except give orders to smiling workpeople, and a devoted husband as interpreter. She wrote a jaunty account of her happiness to Mrs. Herriton, and Harriet answered the letter, saying (1) that all future communications should be addressed to the solicitors; (2) would Lilia return an inlaid box which Harriet had lent her--but not given--to keep handkerchiefs and collars in? "Look what I am giving up to live with you!" she said to Gino, never omitting to lay stress on her condescension. He took her to mean the inlaid box, and said that she need not give it up at all. "Silly fellow, no! I mean the life. Those Herritons are very well connected. They lead Sawston society. But what do I care, so long as I have my silly fellow!" She always treated him as a boy, which he was, and as a fool, which he was not, thinking herself so immeasurably superior to him that she neglected opportunity after opportunity of establishing her rule. He was good-looking and indolent; therefore he must be stupid. He was poor; therefore he would never dare to criticize his benefactress. He was passionately in love with her; therefore she could do exactly as she liked. "It mayn t be heaven below," she thought, "but it s better than Charles." And all the time the boy was watching her, and growing up. She was reminded of Charles by a disagreeable letter from the solicitors, bidding her disgorge a large sum of money for Irma, in accordance with her late husband s will. It was just like Charles s suspicious nature to have provided against a second marriage. Gino was equally indignant, and between them they composed a stinging reply, which had no effect. He then said that Irma had better come out and live with them. "The air is good, so is the food; she will be happy here, and we shall not have to part with the money." But Lilia had not the courage even to suggest this to the Herritons, and an unexpected terror seized her at the thought of Irma or any English child being educated at Monteriano. Gino became terribly depressed over the solicitors letter, more depressed than she thought necessary. There was no more to do in the house, and he spent whole days in the loggia leaning over the parapet or sitting astride it disconsolately.<|quote|>"Oh, you idle boy!"</|quote|>she cried, pinching his muscles. "Go and play pallone." "I am a married man," he answered, without raising his head. "I do not play games any more." "Go and see your friends then." "I have no friends now." "Silly, silly, silly! You can t stop indoors all day!" "I want to see no one but you." He spat on to an olive-tree. "Now, Gino, don t be silly. Go and see your friends, and bring them to see me. We both of us like society." He looked puzzled, but allowed himself to be persuaded, went out, found that he was not as friendless as he supposed, and returned after several hours in altered spirits. Lilia congratulated herself on her good management. "I m ready, too, for people now," she said. "I mean to wake you all up, just as I woke up Sawston. Let s have plenty of men--and make them bring their womenkind. I mean to have real English tea-parties." "There is my aunt and her husband; but I thought you did not want to receive my relatives." "I never said such a--" "But you would be right," he said earnestly. "They are not for you. Many of them are in trade, and even we are little more; you should have gentlefolk and nobility for your friends." "Poor fellow," thought Lilia. "It is sad for him to discover that his people are vulgar." She began to tell him that she loved him just for his silly self, and he flushed and began tugging at his moustache. "But besides your relatives I must have other people here. Your friends have wives and sisters, haven t they?" "Oh, yes; but of course I scarcely know them." "Not know your friends people?" "Why, no. If they are poor and have to work for their living I may see them--but not otherwise. Except--" He stopped. The chief exception was a young lady, to whom he had once been introduced for matrimonial purposes. But the dowry had proved inadequate, and the acquaintance terminated. "How funny! But I mean to change all that. Bring your friends to see me, and I will make them bring their people." He looked at her rather hopelessly. "Well, who are the principal people here? Who leads society?" The governor of the prison, he supposed, and the officers who assisted him. "Well, are they married?" "Yes." "There we are. Do | concern, where all the family should have their rooms and meet together for meals, and was perfectly willing to give up the new practice at Poggibonsi and preside. Gino was quite willing too, for he was an affectionate youth who liked a large home-circle, and he told it as a pleasant bit of news to Lilia, who did not attempt to conceal her horror. At once he was horrified too; saw that the idea was monstrous; abused himself to her for having suggested it; rushed off to tell his father that it was impossible. His father complained that prosperity was already corrupting him and making him unsympathetic and hard; his mother cried; his sisters accused him of blocking their social advance. He was apologetic, and even cringing, until they turned on Lilia. Then he turned on them, saying that they could not understand, much less associate with, the English lady who was his wife; that there should be one master in that house--himself. Lilia praised and petted him on his return, calling him brave and a hero and other endearing epithets. But he was rather blue when his clan left Monteriano in much dignity--a dignity which was not at all impaired by the acceptance of a cheque. They took the cheque not to Poggibonsi, after all, but to Empoli--a lively, dusty town some twenty miles off. There they settled down in comfort, and the sisters said they had been driven to it by Gino. The cheque was, of course, Lilia s, who was extremely generous, and was quite willing to know anybody so long as she had not to live with them, relations-in-law being on her nerves. She liked nothing better than finding out some obscure and distant connection--there were several of them--and acting the lady bountiful, leaving behind her bewilderment, and too often discontent. Gino wondered how it was that all his people, who had formerly seemed so pleasant, had suddenly become plaintive and disagreeable. He put it down to his lady wife s magnificence, in comparison with which all seemed common. Her money flew apace, in spite of the cheap living. She was even richer than he expected; and he remembered with shame how he had once regretted his inability to accept the thousand lire that Philip Herriton offered him in exchange for her. It would have been a shortsighted bargain. Lilia enjoyed settling into the house, with nothing to do except give orders to smiling workpeople, and a devoted husband as interpreter. She wrote a jaunty account of her happiness to Mrs. Herriton, and Harriet answered the letter, saying (1) that all future communications should be addressed to the solicitors; (2) would Lilia return an inlaid box which Harriet had lent her--but not given--to keep handkerchiefs and collars in? "Look what I am giving up to live with you!" she said to Gino, never omitting to lay stress on her condescension. He took her to mean the inlaid box, and said that she need not give it up at all. "Silly fellow, no! I mean the life. Those Herritons are very well connected. They lead Sawston society. But what do I care, so long as I have my silly fellow!" She always treated him as a boy, which he was, and as a fool, which he was not, thinking herself so immeasurably superior to him that she neglected opportunity after opportunity of establishing her rule. He was good-looking and indolent; therefore he must be stupid. He was poor; therefore he would never dare to criticize his benefactress. He was passionately in love with her; therefore she could do exactly as she liked. "It mayn t be heaven below," she thought, "but it s better than Charles." And all the time the boy was watching her, and growing up. She was reminded of Charles by a disagreeable letter from the solicitors, bidding her disgorge a large sum of money for Irma, in accordance with her late husband s will. It was just like Charles s suspicious nature to have provided against a second marriage. Gino was equally indignant, and between them they composed a stinging reply, which had no effect. He then said that Irma had better come out and live with them. "The air is good, so is the food; she will be happy here, and we shall not have to part with the money." But Lilia had not the courage even to suggest this to the Herritons, and an unexpected terror seized her at the thought of Irma or any English child being educated at Monteriano. Gino became terribly depressed over the solicitors letter, more depressed than she thought necessary. There was no more to do in the house, and he spent whole days in the loggia leaning over the parapet or sitting astride it disconsolately.<|quote|>"Oh, you idle boy!"</|quote|>she cried, pinching his muscles. "Go and play pallone." "I am a married man," he answered, without raising his head. "I do not play games any more." "Go and see your friends then." "I have no friends now." "Silly, silly, silly! You can t stop indoors all day!" "I want to see no one but you." He spat on to an olive-tree. "Now, Gino, don t be silly. Go and see your friends, and bring them to see me. We both of us like society." He looked puzzled, but allowed himself to be persuaded, went out, found that he was not as friendless as he supposed, and returned after several hours in altered spirits. Lilia congratulated herself on her good management. "I m ready, too, for people now," she said. "I mean to wake you all up, just as I woke up Sawston. Let s have plenty of men--and make them bring their womenkind. I mean to have real English tea-parties." "There is my aunt and her husband; but I thought you did not want to receive my relatives." "I never said such a--" "But you would be right," he said earnestly. "They are not for you. Many of them are in trade, and even we are little more; you should have gentlefolk and nobility for your friends." "Poor fellow," thought Lilia. "It is sad for him to discover that his people are vulgar." She began to tell him that she loved him just for his silly self, and he flushed and began tugging at his moustache. "But besides your relatives I must have other people here. Your friends have wives and sisters, haven t they?" "Oh, yes; but of course I scarcely know them." "Not know your friends people?" "Why, no. If they are poor and have to work for their living I may see them--but not otherwise. Except--" He stopped. The chief exception was a young lady, to whom he had once been introduced for matrimonial purposes. But the dowry had proved inadequate, and the acquaintance terminated. "How funny! But I mean to change all that. Bring your friends to see me, and I will make them bring their people." He looked at her rather hopelessly. "Well, who are the principal people here? Who leads society?" The governor of the prison, he supposed, and the officers who assisted him. "Well, are they married?" "Yes." "There we are. Do you know them?" "Yes--in a way." "I see," she exclaimed angrily. "They look down on you, do they, poor boy? Wait!" He assented. "Wait! I ll soon stop that. Now, who else is there?" "The marchese, sometimes, and the canons of the Collegiate Church." "Married?" "The canons--" he began with twinkling eyes. "Oh, I forgot your horrid celibacy. In England they would be the centre of everything. But why shouldn t I know them? Would it make it easier if I called all round? Isn t that your foreign way?" He did not think it would make it easier. "But I must know some one! Who were the men you were talking to this afternoon?" Low-class men. He could scarcely recollect their names. "But, Gino dear, if they re low class, why did you talk to them? Don t you care about your position?" All Gino cared about at present was idleness and pocket-money, and his way of expressing it was to exclaim, "Ouf-pouf! How hot it is in here. No air; I sweat all over. I expire. I must cool myself, or I shall never get to sleep." In his funny abrupt way he ran out on to the loggia, where he lay full length on the parapet, and began to smoke and spit under the silence of the stars. Lilia gathered somehow from this conversation that Continental society was not the go-as-you-please thing she had expected. Indeed she could not see where Continental society was. Italy is such a delightful place to live in if you happen to be a man. There one may enjoy that exquisite luxury of Socialism--that true Socialism which is based not on equality of income or character, but on the equality of manners. In the democracy of the caffe or the street the great question of our life has been solved, and the brotherhood of man is a reality. But is accomplished at the expense of the sisterhood of women. Why should you not make friends with your neighbour at the theatre or in the train, when you know and he knows that feminine criticism and feminine insight and feminine prejudice will never come between you? Though you become as David and Jonathan, you need never enter his home, nor he yours. All your lives you will meet under the open air, the only roof-tree of the South, under which he will spit | anybody so long as she had not to live with them, relations-in-law being on her nerves. She liked nothing better than finding out some obscure and distant connection--there were several of them--and acting the lady bountiful, leaving behind her bewilderment, and too often discontent. Gino wondered how it was that all his people, who had formerly seemed so pleasant, had suddenly become plaintive and disagreeable. He put it down to his lady wife s magnificence, in comparison with which all seemed common. Her money flew apace, in spite of the cheap living. She was even richer than he expected; and he remembered with shame how he had once regretted his inability to accept the thousand lire that Philip Herriton offered him in exchange for her. It would have been a shortsighted bargain. Lilia enjoyed settling into the house, with nothing to do except give orders to smiling workpeople, and a devoted husband as interpreter. She wrote a jaunty account of her happiness to Mrs. Herriton, and Harriet answered the letter, saying (1) that all future communications should be addressed to the solicitors; (2) would Lilia return an inlaid box which Harriet had lent her--but not given--to keep handkerchiefs and collars in? "Look what I am giving up to live with you!" she said to Gino, never omitting to lay stress on her condescension. He took her to mean the inlaid box, and said that she need not give it up at all. "Silly fellow, no! I mean the life. Those Herritons are very well connected. They lead Sawston society. But what do I care, so long as I have my silly fellow!" She always treated him as a boy, which he was, and as a fool, which he was not, thinking herself so immeasurably superior to him that she neglected opportunity after opportunity of establishing her rule. He was good-looking and indolent; therefore he must be stupid. He was poor; therefore he would never dare to criticize his benefactress. He was passionately in love with her; therefore she could do exactly as she liked. "It mayn t be heaven below," she thought, "but it s better than Charles." And all the time the boy was watching her, and growing up. She was reminded of Charles by a disagreeable letter from the solicitors, bidding her disgorge a large sum of money for Irma, in accordance with her late husband s will. It was just like Charles s suspicious nature to have provided against a second marriage. Gino was equally indignant, and between them they composed a stinging reply, which had no effect. He then said that Irma had better come out and live with them. "The air is good, so is the food; she will be happy here, and we shall not have to part with the money." But Lilia had not the courage even to suggest this to the Herritons, and an unexpected terror seized her at the thought of Irma or any English child being educated at Monteriano. Gino became terribly depressed over the solicitors letter, more depressed than she thought necessary. There was no more to do in the house, and he spent whole days in the loggia leaning over the parapet or sitting astride it disconsolately.<|quote|>"Oh, you idle boy!"</|quote|>she cried, pinching his muscles. "Go and play pallone." "I am a married man," he answered, without raising his head. "I do not play games any more." "Go and see your friends then." "I have no friends now." "Silly, silly, silly! You can t stop indoors all day!" "I want to see no one but you." He spat on to an olive-tree. "Now, Gino, don t be silly. Go and see your friends, and bring them to see me. We both of us like society." He looked puzzled, but allowed himself to be persuaded, went out, found that he was not as friendless as he supposed, and returned after several hours in altered spirits. Lilia congratulated herself on her good management. "I m ready, too, for people now," she said. "I mean to wake you all up, just as I woke up Sawston. Let s have plenty of men--and make them bring their womenkind. I mean to have real English tea-parties." "There is my aunt and her husband; but I thought you did not want to receive my relatives." "I never said such a--" "But you would be right," he said earnestly. "They are not for you. Many of them are in trade, and even we are little more; you should have gentlefolk and nobility for your friends." "Poor fellow," thought Lilia. "It is sad for him to discover that his people are vulgar." She began to tell him that she loved him just for his silly self, and he flushed and began tugging at his moustache. "But besides your relatives I must have other people here. Your friends have wives and sisters, haven t they?" "Oh, yes; but of course I scarcely know them." "Not know your friends people?" "Why, no. If they are poor and have to work for their living I may see them--but not otherwise. Except--" He stopped. The chief exception was a young lady, to whom he had once been introduced for matrimonial purposes. But the dowry had proved inadequate, and the acquaintance terminated. "How funny! But I mean to change all that. Bring your friends to see me, and I will make them bring their people." He looked at her rather hopelessly. "Well, who are the principal people here? Who leads society?" The governor of the prison, he supposed, and the officers who assisted him. "Well, are they married?" "Yes." "There we are. Do you know them?" "Yes--in a way." "I see," she exclaimed angrily. "They look down on you, do they, poor boy? Wait!" He assented. "Wait! I ll soon stop that. Now, who else is there?" "The marchese, sometimes, and the canons of the Collegiate Church." "Married?" "The canons--" he began with twinkling eyes. "Oh, I forgot your horrid celibacy. In England they would be the centre of everything. But why shouldn t I know them? Would it make it easier if I called all round? Isn t that your foreign way?" He did not think it would make it easier. "But I must know | Where Angels Fear To Tread |
"We have our careers," | Brett Ashley | our own lives," I said.<|quote|>"We have our careers,"</|quote|>Brett said. "Come on. Let's | two?" "We want to lead our own lives," I said.<|quote|>"We have our careers,"</|quote|>Brett said. "Come on. Let's get out of this." "Have | go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said.<|quote|>"We have our careers,"</|quote|>Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like | in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said.<|quote|>"We have our careers,"</|quote|>Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in | your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said.<|quote|>"We have our careers,"</|quote|>Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where | his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?" Brett turned to me. "I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said.<|quote|>"We have our careers,"</|quote|>Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it | never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?" Brett turned to me. "I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said.<|quote|>"We have our careers,"</|quote|>Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ." the drummer chanted. Then turned to his sticks. "Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, | look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?" Brett turned to me. "I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said.<|quote|>"We have our careers,"</|quote|>Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever | The Sun Also Rises |
"Hold your tongue!" | The Gryphon | did," said the Mock Turtle.<|quote|>"Hold your tongue!"</|quote|>added the Gryphon, before Alice | I didn't!" interrupted Alice. "You did," said the Mock Turtle.<|quote|>"Hold your tongue!"</|quote|>added the Gryphon, before Alice could speak again. The Mock | the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle.<|quote|>"Hold your tongue!"</|quote|>added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little | he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle.<|quote|>"Hold your tongue!"</|quote|>added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, | Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle.<|quote|>"Hold your tongue!"</|quote|>added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I | they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle.<|quote|>"Hold your tongue!"</|quote|>added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to | merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle.<|quote|>"Hold your tongue!"</|quote|>added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, | the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle.<|quote|>"Hold your tongue!"</|quote|>added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and | Alices Adventures In Wonderland |
“to have my inquiry, as it seems to me, eloquently answered. You flounced away from poor John, you took, as he tells me, ‘his head off,’ just to repay me for what you chose to regard as my snub on the score of your challenging my entertainment of a possible purchaser; a rebuke launched at me, practically, in the presence of a most inferior person, a stranger and an intruder, from whom you had all the air of taking your cue for naming me the great condition on which you’d gratify my hope. Am I to understand, in other words,” | Theign | rehearsal of his wrongs broadened--<|quote|>“to have my inquiry, as it seems to me, eloquently answered. You flounced away from poor John, you took, as he tells me, ‘his head off,’ just to repay me for what you chose to regard as my snub on the score of your challenging my entertainment of a possible purchaser; a rebuke launched at me, practically, in the presence of a most inferior person, a stranger and an intruder, from whom you had all the air of taking your cue for naming me the great condition on which you’d gratify my hope. Am I to understand, in other words,”</|quote|>--and his lordship mounted to | a higher consistency as his rehearsal of his wrongs broadened--<|quote|>“to have my inquiry, as it seems to me, eloquently answered. You flounced away from poor John, you took, as he tells me, ‘his head off,’ just to repay me for what you chose to regard as my snub on the score of your challenging my entertainment of a possible purchaser; a rebuke launched at me, practically, in the presence of a most inferior person, a stranger and an intruder, from whom you had all the air of taking your cue for naming me the great condition on which you’d gratify my hope. Am I to understand, in other words,”</|quote|>--and his lordship mounted to a climax-- “that you sent | by my refusal to discuss with you at such a crisis the question of my disposition of a particular item of my property. I’ve only to look at you, for that matter,” Lord Theign continued--always with a finer point and a higher consistency as his rehearsal of his wrongs broadened--<|quote|>“to have my inquiry, as it seems to me, eloquently answered. You flounced away from poor John, you took, as he tells me, ‘his head off,’ just to repay me for what you chose to regard as my snub on the score of your challenging my entertainment of a possible purchaser; a rebuke launched at me, practically, in the presence of a most inferior person, a stranger and an intruder, from whom you had all the air of taking your cue for naming me the great condition on which you’d gratify my hope. Am I to understand, in other words,”</|quote|>--and his lordship mounted to a climax-- “that you sent us about our business because I failed to gratify _your_ hope: that of my knocking under to your sudden monstrous pretension to lay down the law for my choice of ways and means of raising, to my best convenience, a | I may say, Grace: to remind you of whom you’re addressing when you jibe at me, and to make of you assuredly a plain demand--exactly as to whether you judged us to have actively _incurred_ your treatment of our unhappy friend, to have brought it upon us, he and I, by my refusal to discuss with you at such a crisis the question of my disposition of a particular item of my property. I’ve only to look at you, for that matter,” Lord Theign continued--always with a finer point and a higher consistency as his rehearsal of his wrongs broadened--<|quote|>“to have my inquiry, as it seems to me, eloquently answered. You flounced away from poor John, you took, as he tells me, ‘his head off,’ just to repay me for what you chose to regard as my snub on the score of your challenging my entertainment of a possible purchaser; a rebuke launched at me, practically, in the presence of a most inferior person, a stranger and an intruder, from whom you had all the air of taking your cue for naming me the great condition on which you’d gratify my hope. Am I to understand, in other words,”</|quote|>--and his lordship mounted to a climax-- “that you sent us about our business because I failed to gratify _your_ hope: that of my knocking under to your sudden monstrous pretension to lay down the law for my choice of ways and means of raising, to my best convenience, a considerable sum of money? You’ll be so good as to understand, once for all, that I recognise there no right of interference from any quarter--and also to let that knowledge govern your behaviour in my absence.” Lady Grace had thus for some minutes waited on his words--waited even as almost | relation as father and daughter.” “You understand me no better than I fear I understand you,” Lady Grace returned, “if what you expect of me is really to take back my words to Lord John.” And then as he didn’t answer, while their breach gaped like a jostled wound, “Have you seriously come to propose--and from _him_ again,” she added-- “that I shall reconsider my resolute act and lend myself to your beautiful arrangement?” It had so the sound of unmixed ridicule that he could only, for his dignity, not give way to passion. “I’ve come, above all, for _this_, I may say, Grace: to remind you of whom you’re addressing when you jibe at me, and to make of you assuredly a plain demand--exactly as to whether you judged us to have actively _incurred_ your treatment of our unhappy friend, to have brought it upon us, he and I, by my refusal to discuss with you at such a crisis the question of my disposition of a particular item of my property. I’ve only to look at you, for that matter,” Lord Theign continued--always with a finer point and a higher consistency as his rehearsal of his wrongs broadened--<|quote|>“to have my inquiry, as it seems to me, eloquently answered. You flounced away from poor John, you took, as he tells me, ‘his head off,’ just to repay me for what you chose to regard as my snub on the score of your challenging my entertainment of a possible purchaser; a rebuke launched at me, practically, in the presence of a most inferior person, a stranger and an intruder, from whom you had all the air of taking your cue for naming me the great condition on which you’d gratify my hope. Am I to understand, in other words,”</|quote|>--and his lordship mounted to a climax-- “that you sent us about our business because I failed to gratify _your_ hope: that of my knocking under to your sudden monstrous pretension to lay down the law for my choice of ways and means of raising, to my best convenience, a considerable sum of money? You’ll be so good as to understand, once for all, that I recognise there no right of interference from any quarter--and also to let that knowledge govern your behaviour in my absence.” Lady Grace had thus for some minutes waited on his words--waited even as almost with anxiety for the safe conduct he might look to from some of the more extravagant of them. But he at least felt at the end--if it was an end--all he owed them; so that there was nothing for her but to accept as achieved his dreadful felicity. “You’re very angry with me, and I hope you won’t feel me simply ‘aggravating’ if I say that, thinking everything over, I’ve done my best to allow for that. But I _can_ answer your question if I do answer it by saying that my discovery of your possible sacrifice of one of | with the more cruel effect that calculated blow on the mouth!” It was clear that in the girl’s great gravity embarrassment had no share. “They so come down on you I understand then, father, that you’re obliged to come down on _me?_” “Assuredly--for some better satisfaction than your just moping here without a sign!” “But a sign of what, father?” she asked--as helpless as a lone islander scanning the horizon for a sail. “Of your appreciating, of your in some degree dutifully considering, the predicament into which you’ve put me!” “Hasn’t it occurred to you in the least that you’ve rather put _me_ into one?” He threw back his head as from exasperated nerves. “I put you certainly in the predicament of your receiving by my care a handsome settlement in life--which all the elements that would make for your enjoying it had every appearance of successfully commending to you.” The perfect readiness of which on his lips had, like a higher wave, the virtue of lifting and dropping him to still more tangible ground. “And if I understand you aright as wishing to know whether I apologise for that zeal, why you take a most preposterous view of our relation as father and daughter.” “You understand me no better than I fear I understand you,” Lady Grace returned, “if what you expect of me is really to take back my words to Lord John.” And then as he didn’t answer, while their breach gaped like a jostled wound, “Have you seriously come to propose--and from _him_ again,” she added-- “that I shall reconsider my resolute act and lend myself to your beautiful arrangement?” It had so the sound of unmixed ridicule that he could only, for his dignity, not give way to passion. “I’ve come, above all, for _this_, I may say, Grace: to remind you of whom you’re addressing when you jibe at me, and to make of you assuredly a plain demand--exactly as to whether you judged us to have actively _incurred_ your treatment of our unhappy friend, to have brought it upon us, he and I, by my refusal to discuss with you at such a crisis the question of my disposition of a particular item of my property. I’ve only to look at you, for that matter,” Lord Theign continued--always with a finer point and a higher consistency as his rehearsal of his wrongs broadened--<|quote|>“to have my inquiry, as it seems to me, eloquently answered. You flounced away from poor John, you took, as he tells me, ‘his head off,’ just to repay me for what you chose to regard as my snub on the score of your challenging my entertainment of a possible purchaser; a rebuke launched at me, practically, in the presence of a most inferior person, a stranger and an intruder, from whom you had all the air of taking your cue for naming me the great condition on which you’d gratify my hope. Am I to understand, in other words,”</|quote|>--and his lordship mounted to a climax-- “that you sent us about our business because I failed to gratify _your_ hope: that of my knocking under to your sudden monstrous pretension to lay down the law for my choice of ways and means of raising, to my best convenience, a considerable sum of money? You’ll be so good as to understand, once for all, that I recognise there no right of interference from any quarter--and also to let that knowledge govern your behaviour in my absence.” Lady Grace had thus for some minutes waited on his words--waited even as almost with anxiety for the safe conduct he might look to from some of the more extravagant of them. But he at least felt at the end--if it was an end--all he owed them; so that there was nothing for her but to accept as achieved his dreadful felicity. “You’re very angry with me, and I hope you won’t feel me simply ‘aggravating’ if I say that, thinking everything over, I’ve done my best to allow for that. But I _can_ answer your question if I do answer it by saying that my discovery of your possible sacrifice of one of our most beautiful things didn’t predispose me to decide in favour of a person--however ‘backed’ by you--for whose benefit the sacrifice was to take place. Frankly,” the girl pushed on, “I did quite hate, for the moment, everything that might make for such a mistake; and took the darkest view, let me also confess, of every one, without exception, connected with it I interceded with you, earnestly, for our precious picture, and you wouldn’t on any terms _have_ my intercession. On top of that Lord John blundered in, without timeliness or tact--and I’m afraid that, as I hadn’t been the least in love with him even before, he did have to take the consequence.” Lord Theign, with an elated swing of his person, greeted this as all he could possibly want. “You recognise then that your reception of him _was_ purely vindictive!--the meaning of which is that unless my conduct of my private interests, of which you know nothing whatever, happens to square with your superior wisdom you’ll put me under boycott all round! While you chatter about mistakes and blunders, and about our charming friend’s lack of the discretion of which you yourself set so grand an example, what | fact: “I’ve thought accordingly that before I go I should--on this first possible occasion since that odious occurrence at Dedborough--like to leave you a little more food for meditation, in my absence, on the painfully false position in which you there placed me.” He carried himself restlessly even perhaps with a shade of awkwardness, to which her stillness was a contrast; she just waited, wholly passive--possibly indeed a trifle portentous. “If you had plotted and planned it in advance,” he none the less firmly pursued, “if you had acted from some uncanny or malignant motive, you couldn’t have arranged more perfectly to incommode, to disconcert and, to all intents and purposes, make light of me and insult me.” Even before this charge she made no sign; with her eyes now attached to the ground she let him proceed. “I had practically guaranteed to our excellent, our charming friend, your favourable view of his appeal--which you yourself too, remember, had left him in so little doubt of!--so that, having by your performance so egregiously failed him, I have the pleasure of their coming down on me for explanations, for compensations, and for God knows what besides.” Lady Grace, looking up at last, left him in no doubt of the rigour of her attention. “I’m sorry indeed, father, to have done you any wrong; but may I ask whom, in such a connection, you refer to as ‘they’?” “‘They’?” he echoed in the manner of a man who has had handed back to his more careful eye, across the counter, some questionable coin that he has tried to pass. “Why, your own sister to begin with--whose interest in what may make for your happiness I suppose you decently recognise; and _his_ people, one and all, the delightful old Duchess in particular, who only wanted to be charming to you, and who are as good people, and as pleasant and as clever, damn it, when all’s said and done, as any others that are likely to come your way.” It clearly did his lordship good to work out thus his case, which grew more and more coherent to him and glowed with irresistible colour. “Letting alone gallant John himself, most amiable of men, about whose merits and whose claims you appear to have pretended to agree with me just that you might, when he presumed, poor chap, ardently to urge them, deal him with the more cruel effect that calculated blow on the mouth!” It was clear that in the girl’s great gravity embarrassment had no share. “They so come down on you I understand then, father, that you’re obliged to come down on _me?_” “Assuredly--for some better satisfaction than your just moping here without a sign!” “But a sign of what, father?” she asked--as helpless as a lone islander scanning the horizon for a sail. “Of your appreciating, of your in some degree dutifully considering, the predicament into which you’ve put me!” “Hasn’t it occurred to you in the least that you’ve rather put _me_ into one?” He threw back his head as from exasperated nerves. “I put you certainly in the predicament of your receiving by my care a handsome settlement in life--which all the elements that would make for your enjoying it had every appearance of successfully commending to you.” The perfect readiness of which on his lips had, like a higher wave, the virtue of lifting and dropping him to still more tangible ground. “And if I understand you aright as wishing to know whether I apologise for that zeal, why you take a most preposterous view of our relation as father and daughter.” “You understand me no better than I fear I understand you,” Lady Grace returned, “if what you expect of me is really to take back my words to Lord John.” And then as he didn’t answer, while their breach gaped like a jostled wound, “Have you seriously come to propose--and from _him_ again,” she added-- “that I shall reconsider my resolute act and lend myself to your beautiful arrangement?” It had so the sound of unmixed ridicule that he could only, for his dignity, not give way to passion. “I’ve come, above all, for _this_, I may say, Grace: to remind you of whom you’re addressing when you jibe at me, and to make of you assuredly a plain demand--exactly as to whether you judged us to have actively _incurred_ your treatment of our unhappy friend, to have brought it upon us, he and I, by my refusal to discuss with you at such a crisis the question of my disposition of a particular item of my property. I’ve only to look at you, for that matter,” Lord Theign continued--always with a finer point and a higher consistency as his rehearsal of his wrongs broadened--<|quote|>“to have my inquiry, as it seems to me, eloquently answered. You flounced away from poor John, you took, as he tells me, ‘his head off,’ just to repay me for what you chose to regard as my snub on the score of your challenging my entertainment of a possible purchaser; a rebuke launched at me, practically, in the presence of a most inferior person, a stranger and an intruder, from whom you had all the air of taking your cue for naming me the great condition on which you’d gratify my hope. Am I to understand, in other words,”</|quote|>--and his lordship mounted to a climax-- “that you sent us about our business because I failed to gratify _your_ hope: that of my knocking under to your sudden monstrous pretension to lay down the law for my choice of ways and means of raising, to my best convenience, a considerable sum of money? You’ll be so good as to understand, once for all, that I recognise there no right of interference from any quarter--and also to let that knowledge govern your behaviour in my absence.” Lady Grace had thus for some minutes waited on his words--waited even as almost with anxiety for the safe conduct he might look to from some of the more extravagant of them. But he at least felt at the end--if it was an end--all he owed them; so that there was nothing for her but to accept as achieved his dreadful felicity. “You’re very angry with me, and I hope you won’t feel me simply ‘aggravating’ if I say that, thinking everything over, I’ve done my best to allow for that. But I _can_ answer your question if I do answer it by saying that my discovery of your possible sacrifice of one of our most beautiful things didn’t predispose me to decide in favour of a person--however ‘backed’ by you--for whose benefit the sacrifice was to take place. Frankly,” the girl pushed on, “I did quite hate, for the moment, everything that might make for such a mistake; and took the darkest view, let me also confess, of every one, without exception, connected with it I interceded with you, earnestly, for our precious picture, and you wouldn’t on any terms _have_ my intercession. On top of that Lord John blundered in, without timeliness or tact--and I’m afraid that, as I hadn’t been the least in love with him even before, he did have to take the consequence.” Lord Theign, with an elated swing of his person, greeted this as all he could possibly want. “You recognise then that your reception of him _was_ purely vindictive!--the meaning of which is that unless my conduct of my private interests, of which you know nothing whatever, happens to square with your superior wisdom you’ll put me under boycott all round! While you chatter about mistakes and blunders, and about our charming friend’s lack of the discretion of which you yourself set so grand an example, what account have you to offer of the scene you made me there before that fellow--your confederate, as he had all the air of being!--by giving it me with such effrontery that, if I had eminently done with him after his remarkable display, you at least were but the more determined to see him keep it up?” The girl’s justification, clearly, was very present to her, and not less obviously the truth that to make it strong she must, avoiding every side-issue, keep it very simple, “The only account I can give you, I think, is that I could but speak at such a moment as I felt, and that I felt--well, how can I say how deeply? If you can really bear to know, I feel so still I care in fact more than ever that we shouldn’t do such things. I care, if you like, to indiscretion--I care, if you like, to offence, to arrogance, to folly. But even as my last word to you before you leave England on the conclusion of such a step, I’m ready to cry out to you that you oughtn’t, you oughtn’t, you oughtn’t!” Her father, with wonder-moved, elevated brows and high commanding hand, checked her as in an act really of violence--save that, like an inflamed young priestess, she had already, in essence, delivered her message. “Hallo, hallo, hallo, my distracted daughter--no ‘crying out,’ if you please!” After which, while arrested but unabashed, she still kept her lighted eyes on him, he gave back her conscious stare for a minute, inwardly and rapidly turning things over, making connections, taking, as after some long and lamentable lapse of observation, a new strange measure of her: all to the upshot of his then speaking with a difference of tone, a recognition of still more of the odious than he had supposed, so that the case might really call for some coolness. “You keep bad company, Grace--it pays the devil with your sense of proportion. If you make this row when I sell a picture, what will be left to you when I forge a cheque?” “If you had arrived at the necessity of forging a cheque,” she answered, “I should then resign myself to that of your selling a picture.” “But not short of that!” “Not short of that. Not one of ours.” “But I couldn’t,” said his lordship with his best and coldest | mouth!” It was clear that in the girl’s great gravity embarrassment had no share. “They so come down on you I understand then, father, that you’re obliged to come down on _me?_” “Assuredly--for some better satisfaction than your just moping here without a sign!” “But a sign of what, father?” she asked--as helpless as a lone islander scanning the horizon for a sail. “Of your appreciating, of your in some degree dutifully considering, the predicament into which you’ve put me!” “Hasn’t it occurred to you in the least that you’ve rather put _me_ into one?” He threw back his head as from exasperated nerves. “I put you certainly in the predicament of your receiving by my care a handsome settlement in life--which all the elements that would make for your enjoying it had every appearance of successfully commending to you.” The perfect readiness of which on his lips had, like a higher wave, the virtue of lifting and dropping him to still more tangible ground. “And if I understand you aright as wishing to know whether I apologise for that zeal, why you take a most preposterous view of our relation as father and daughter.” “You understand me no better than I fear I understand you,” Lady Grace returned, “if what you expect of me is really to take back my words to Lord John.” And then as he didn’t answer, while their breach gaped like a jostled wound, “Have you seriously come to propose--and from _him_ again,” she added-- “that I shall reconsider my resolute act and lend myself to your beautiful arrangement?” It had so the sound of unmixed ridicule that he could only, for his dignity, not give way to passion. “I’ve come, above all, for _this_, I may say, Grace: to remind you of whom you’re addressing when you jibe at me, and to make of you assuredly a plain demand--exactly as to whether you judged us to have actively _incurred_ your treatment of our unhappy friend, to have brought it upon us, he and I, by my refusal to discuss with you at such a crisis the question of my disposition of a particular item of my property. I’ve only to look at you, for that matter,” Lord Theign continued--always with a finer point and a higher consistency as his rehearsal of his wrongs broadened--<|quote|>“to have my inquiry, as it seems to me, eloquently answered. You flounced away from poor John, you took, as he tells me, ‘his head off,’ just to repay me for what you chose to regard as my snub on the score of your challenging my entertainment of a possible purchaser; a rebuke launched at me, practically, in the presence of a most inferior person, a stranger and an intruder, from whom you had all the air of taking your cue for naming me the great condition on which you’d gratify my hope. Am I to understand, in other words,”</|quote|>--and his lordship mounted to a climax-- “that you sent us about our business because I failed to gratify _your_ hope: that of my knocking under to your sudden monstrous pretension to lay down the law for my choice of ways and means of raising, to my best convenience, a considerable sum of money? You’ll be so good as to understand, once for all, that I recognise there no right of interference from any quarter--and also to let that knowledge govern your behaviour in my absence.” Lady Grace had thus for some minutes waited on his words--waited even as almost with anxiety for the safe conduct he might look to from some of the more extravagant of them. But he at least felt at the end--if it was an end--all he owed them; so that there was nothing for her but to accept as achieved his dreadful felicity. “You’re very angry with me, and I hope you won’t feel me simply ‘aggravating’ if I say that, thinking everything over, I’ve done my best to allow for that. But I _can_ answer your question if I do answer it by saying that my discovery of your possible sacrifice of one of our most beautiful things didn’t predispose me to decide in favour of a person--however ‘backed’ by you--for whose benefit the sacrifice was to take place. Frankly,” the girl pushed on, “I did quite hate, for the moment, everything that might make for such a mistake; and took the darkest view, let me also confess, of every one, without exception, connected with it I interceded with you, earnestly, | The Outcry |
"Down with it!" | Toby Crackit | the man's face; "indeed, I"<|quote|>"Down with it!"</|quote|>echoed Toby. "Do you think | Oliver, looking piteously up into the man's face; "indeed, I"<|quote|>"Down with it!"</|quote|>echoed Toby. "Do you think I don't know what's good | empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I"<|quote|>"Down with it!"</|quote|>echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" | with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table, "Success to the crack!" He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I"<|quote|>"Down with it!"</|quote|>echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" Frightened by the menacing gestures of the two men, Oliver hastily swallowed the contents of the glass, and immediately fell into a violent fit of coughing: which delighted Toby Crackit and Barney, and even drew a smile from the surly Mr. Sikes. This done, and Sikes having satisfied his appetite | over his recumbant friend, he whispered a few words in his ear: at which Mr. Crackit laughed immensely, and honoured Oliver with a long stare of astonishment. "Now," said Sikes, as he resumed his seat, "if you'll give us something to eat and drink while we're waiting, you'll put some heart in us; or in me, at all events. Sit down by the fire, younker, and rest yourself; for you'll have to go out with us again to-night, though not very far off." Oliver looked at Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table, "Success to the crack!" He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I"<|quote|>"Down with it!"</|quote|>echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" Frightened by the menacing gestures of the two men, Oliver hastily swallowed the contents of the glass, and immediately fell into a violent fit of coughing: which delighted Toby Crackit and Barney, and even drew a smile from the surly Mr. Sikes. This done, and Sikes having satisfied his appetite (Oliver could eat nothing but a small crust of bread which they made him swallow), the two men laid themselves down on chairs for a short nap. Oliver retained his stool by the fire; Barney wrapped in a blanket, stretched himself on the floor: close outside the fender. They slept, or appeared to sleep, for some time; nobody stirring but Barney, who rose once or twice to throw coals on the fire. Oliver fell into a heavy doze: imagining himself straying along the gloomy lanes, or wandering about the dark churchyard, or retracing some one or other of the scenes | hair, either upon his head or face; but what he had, was of a reddish dye, and tortured into long corkscrew curls, through which he occasionally thrust some very dirty fingers, ornamented with large common rings. He was a trifle above the middle size, and apparently rather weak in the legs; but this circumstance by no means detracted from his own admiration of his top-boots, which he contemplated, in their elevated situation, with lively satisfaction. "Bill, my boy!" said this figure, turning his head towards the door, "I'm glad to see you. I was almost afraid you'd given it up: in which case I should have made a personal wentur. Hallo!" Uttering this exclamation in a tone of great surprise, as his eyes rested on Oliver, Mr. Toby Crackit brought himself into a sitting posture, and demanded who that was. "The boy. Only the boy!" replied Sikes, drawing a chair towards the fire. "Wud of Bister Fagid's lads," exclaimed Barney, with a grin. "Fagin's, eh!" exclaimed Toby, looking at Oliver. "Wot an inwalable boy that'll make, for the old ladies' pockets in chapels! His mug is a fortin' to him." "There there's enough of that," interposed Sikes, impatiently; and stooping over his recumbant friend, he whispered a few words in his ear: at which Mr. Crackit laughed immensely, and honoured Oliver with a long stare of astonishment. "Now," said Sikes, as he resumed his seat, "if you'll give us something to eat and drink while we're waiting, you'll put some heart in us; or in me, at all events. Sit down by the fire, younker, and rest yourself; for you'll have to go out with us again to-night, though not very far off." Oliver looked at Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table, "Success to the crack!" He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I"<|quote|>"Down with it!"</|quote|>echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" Frightened by the menacing gestures of the two men, Oliver hastily swallowed the contents of the glass, and immediately fell into a violent fit of coughing: which delighted Toby Crackit and Barney, and even drew a smile from the surly Mr. Sikes. This done, and Sikes having satisfied his appetite (Oliver could eat nothing but a small crust of bread which they made him swallow), the two men laid themselves down on chairs for a short nap. Oliver retained his stool by the fire; Barney wrapped in a blanket, stretched himself on the floor: close outside the fender. They slept, or appeared to sleep, for some time; nobody stirring but Barney, who rose once or twice to throw coals on the fire. Oliver fell into a heavy doze: imagining himself straying along the gloomy lanes, or wandering about the dark churchyard, or retracing some one or other of the scenes of the past day: when he was roused by Toby Crackit jumping up and declaring it was half-past one. In an instant, the other two were on their legs, and all were actively engaged in busy preparation. Sikes and his companion enveloped their necks and chins in large dark shawls, and drew on their great-coats; Barney, opening a cupboard, brought forth several articles, which he hastily crammed into the pockets. "Barkers for me, Barney," said Toby Crackit. "Here they are," replied Barney, producing a pair of pistols. "You loaded them yourself." "All right!" replied Toby, stowing them away. "The persuaders?" "I've got 'em," replied Sikes. "Crape, keys, centre-bits, darkies nothing forgotten?" inquired Toby: fastening a small crowbar to a loop inside the skirt of his coat. "All right," rejoined his companion. "Bring them bits of timber, Barney. That's the time of day." With these words, he took a thick stick from Barney's hands, who, having delivered another to Toby, busied himself in fastening on Oliver's cape. "Now then!" said Sikes, holding out his hand. Oliver: who was completely stupified by the unwonted exercise, and the air, and the drink which had been forced upon him: put his hand mechanically into | a window on each side of the dilapidated entrance; and one story above; but no light was visible. The house was dark, dismantled: and, to all appearance, uninhabited. Sikes, with Oliver's hand still in his, softly approached the low porch, and raised the latch. The door yielded to the pressure, and they passed in together. CHAPTER XXII. THE BURGLARY "Hallo!" cried a loud, hoarse voice, as soon as they set foot in the passage. "Don't make such a row," said Sikes, bolting the door. "Show a glim, Toby." "Aha! my pal!" cried the same voice. "A glim, Barney, a glim! Show the gentleman in, Barney; wake up first, if convenient." The speaker appeared to throw a boot-jack, or some such article, at the person he addressed, to rouse him from his slumbers: for the noise of a wooden body, falling violently, was heard; and then an indistinct muttering, as of a man between sleep and awake. "Do you hear?" cried the same voice. "There's Bill Sikes in the passage with nobody to do the civil to him; and you sleeping there, as if you took laudanum with your meals, and nothing stronger. Are you any fresher now, or do you want the iron candlestick to wake you thoroughly?" A pair of slipshod feet shuffled, hastily, across the bare floor of the room, as this interrogatory was put; and there issued, from a door on the right hand; first, a feeble candle: and next, the form of the same individual who has been heretofore described as labouring under the infirmity of speaking through his nose, and officiating as waiter at the public-house on Saffron Hill. "Bister Sikes!" exclaimed Barney, with real or counterfeit joy; "cub id, sir; cub id." "Here! you get on first," said Sikes, putting Oliver in front of him. "Quicker! or I shall tread upon your heels." Muttering a curse upon his tardiness, Sikes pushed Oliver before him; and they entered a low dark room with a smoky fire, two or three broken chairs, a table, and a very old couch: on which, with his legs much higher than his head, a man was reposing at full length, smoking a long clay pipe. He was dressed in a smartly-cut snuff-coloured coat, with large brass buttons; an orange neckerchief; a coarse, staring, shawl-pattern waistcoat; and drab breeches. Mr. Crackit (for he it was) had no very great quantity of hair, either upon his head or face; but what he had, was of a reddish dye, and tortured into long corkscrew curls, through which he occasionally thrust some very dirty fingers, ornamented with large common rings. He was a trifle above the middle size, and apparently rather weak in the legs; but this circumstance by no means detracted from his own admiration of his top-boots, which he contemplated, in their elevated situation, with lively satisfaction. "Bill, my boy!" said this figure, turning his head towards the door, "I'm glad to see you. I was almost afraid you'd given it up: in which case I should have made a personal wentur. Hallo!" Uttering this exclamation in a tone of great surprise, as his eyes rested on Oliver, Mr. Toby Crackit brought himself into a sitting posture, and demanded who that was. "The boy. Only the boy!" replied Sikes, drawing a chair towards the fire. "Wud of Bister Fagid's lads," exclaimed Barney, with a grin. "Fagin's, eh!" exclaimed Toby, looking at Oliver. "Wot an inwalable boy that'll make, for the old ladies' pockets in chapels! His mug is a fortin' to him." "There there's enough of that," interposed Sikes, impatiently; and stooping over his recumbant friend, he whispered a few words in his ear: at which Mr. Crackit laughed immensely, and honoured Oliver with a long stare of astonishment. "Now," said Sikes, as he resumed his seat, "if you'll give us something to eat and drink while we're waiting, you'll put some heart in us; or in me, at all events. Sit down by the fire, younker, and rest yourself; for you'll have to go out with us again to-night, though not very far off." Oliver looked at Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table, "Success to the crack!" He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I"<|quote|>"Down with it!"</|quote|>echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" Frightened by the menacing gestures of the two men, Oliver hastily swallowed the contents of the glass, and immediately fell into a violent fit of coughing: which delighted Toby Crackit and Barney, and even drew a smile from the surly Mr. Sikes. This done, and Sikes having satisfied his appetite (Oliver could eat nothing but a small crust of bread which they made him swallow), the two men laid themselves down on chairs for a short nap. Oliver retained his stool by the fire; Barney wrapped in a blanket, stretched himself on the floor: close outside the fender. They slept, or appeared to sleep, for some time; nobody stirring but Barney, who rose once or twice to throw coals on the fire. Oliver fell into a heavy doze: imagining himself straying along the gloomy lanes, or wandering about the dark churchyard, or retracing some one or other of the scenes of the past day: when he was roused by Toby Crackit jumping up and declaring it was half-past one. In an instant, the other two were on their legs, and all were actively engaged in busy preparation. Sikes and his companion enveloped their necks and chins in large dark shawls, and drew on their great-coats; Barney, opening a cupboard, brought forth several articles, which he hastily crammed into the pockets. "Barkers for me, Barney," said Toby Crackit. "Here they are," replied Barney, producing a pair of pistols. "You loaded them yourself." "All right!" replied Toby, stowing them away. "The persuaders?" "I've got 'em," replied Sikes. "Crape, keys, centre-bits, darkies nothing forgotten?" inquired Toby: fastening a small crowbar to a loop inside the skirt of his coat. "All right," rejoined his companion. "Bring them bits of timber, Barney. That's the time of day." With these words, he took a thick stick from Barney's hands, who, having delivered another to Toby, busied himself in fastening on Oliver's cape. "Now then!" said Sikes, holding out his hand. Oliver: who was completely stupified by the unwonted exercise, and the air, and the drink which had been forced upon him: put his hand mechanically into that which Sikes extended for the purpose. "Take his other hand, Toby," said Sikes. "Look out, Barney." The man went to the door, and returned to announce that all was quiet. The two robbers issued forth with Oliver between them. Barney, having made all fast, rolled himself up as before, and was soon asleep again. It was now intensely dark. The fog was much heavier than it had been in the early part of the night; and the atmosphere was so damp, that, although no rain fell, Oliver's hair and eyebrows, within a few minutes after leaving the house, had become stiff with the half-frozen moisture that was floating about. They crossed the bridge, and kept on towards the lights which he had seen before. They were at no great distance off; and, as they walked pretty briskly, they soon arrived at Chertsey. "Slap through the town," whispered Sikes; "there'll be nobody in the way, to-night, to see us." Toby acquiesced; and they hurried through the main street of the little town, which at that late hour was wholly deserted. A dim light shone at intervals from some bed-room window; and the hoarse barking of dogs occasionally broke the silence of the night. But there was nobody abroad. They had cleared the town, as the church-bell struck two. Quickening their pace, they turned up a road upon the left hand. After walking about a quarter of a mile, they stopped before a detached house surrounded by a wall: to the top of which, Toby Crackit, scarcely pausing to take breath, climbed in a twinkling. "The boy next," said Toby. "Hoist him up; I'll catch hold of him." Before Oliver had time to look round, Sikes had caught him under the arms; and in three or four seconds he and Toby were lying on the grass on the other side. Sikes followed directly. And they stole cautiously towards the house. And now, for the first time, Oliver, well-nigh mad with grief and terror, saw that housebreaking and robbery, if not murder, were the objects of the expedition. He clasped his hands together, and involuntarily uttered a subdued exclamation of horror. A mist came before his eyes; the cold sweat stood upon his ashy face; his limbs failed him; and he sank upon his knees. "Get up!" murmured Sikes, trembling with rage, and drawing the pistol from his pocket; "Get up, or | boy!" replied Sikes, drawing a chair towards the fire. "Wud of Bister Fagid's lads," exclaimed Barney, with a grin. "Fagin's, eh!" exclaimed Toby, looking at Oliver. "Wot an inwalable boy that'll make, for the old ladies' pockets in chapels! His mug is a fortin' to him." "There there's enough of that," interposed Sikes, impatiently; and stooping over his recumbant friend, he whispered a few words in his ear: at which Mr. Crackit laughed immensely, and honoured Oliver with a long stare of astonishment. "Now," said Sikes, as he resumed his seat, "if you'll give us something to eat and drink while we're waiting, you'll put some heart in us; or in me, at all events. Sit down by the fire, younker, and rest yourself; for you'll have to go out with us again to-night, though not very far off." Oliver looked at Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table, "Success to the crack!" He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I"<|quote|>"Down with it!"</|quote|>echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" Frightened by the menacing gestures of the two men, Oliver hastily swallowed the contents of the glass, and immediately fell into a violent fit of coughing: which delighted Toby Crackit and Barney, and even drew a smile from the surly Mr. Sikes. This done, and Sikes having satisfied his appetite (Oliver could eat nothing but a small crust of bread which they made him swallow), the two men laid themselves down on chairs for a short nap. Oliver retained his stool by the fire; Barney wrapped in a blanket, stretched himself on the floor: close outside the fender. They slept, or appeared to sleep, for some time; nobody stirring but Barney, who rose once or twice to throw coals on the fire. Oliver fell into a heavy doze: imagining himself straying along the gloomy lanes, or wandering about the dark churchyard, or retracing some one or other of the scenes of the past day: when he was roused by Toby Crackit jumping up and declaring it was half-past one. In an instant, the other two were on their legs, and all were actively engaged in busy preparation. Sikes and his | Oliver Twist |
"The evenings do not appear long to me. I love to hear my uncle talk of the West Indies. I could listen to him for an hour together. It entertains _me_ more than many other things have done; but then I am unlike other people, I dare say." | Fanny Price | than other people," said Fanny.<|quote|>"The evenings do not appear long to me. I love to hear my uncle talk of the West Indies. I could listen to him for an hour together. It entertains _me_ more than many other things have done; but then I am unlike other people, I dare say."</|quote|>"Why should you dare say | "I suppose I am graver than other people," said Fanny.<|quote|>"The evenings do not appear long to me. I love to hear my uncle talk of the West Indies. I could listen to him for an hour together. It entertains _me_ more than many other things have done; but then I am unlike other people, I dare say."</|quote|>"Why should you dare say _that_?" (smiling). "Do you want | to what they were, than assuming a new character. The novelty was in their being lively. Yet, how strong the impression that only a few weeks will give! I have been feeling as if we had never lived so before." "I suppose I am graver than other people," said Fanny.<|quote|>"The evenings do not appear long to me. I love to hear my uncle talk of the West Indies. I could listen to him for an hour together. It entertains _me_ more than many other things have done; but then I am unlike other people, I dare say."</|quote|>"Why should you dare say _that_?" (smiling). "Do you want to be told that you are only unlike other people in being more wise and discreet? But when did you, or anybody, ever get a compliment from me, Fanny? Go to my father if you want to be complimented. He | that our evenings formerly were ever merry, except when my uncle was in town. No young people's are, I suppose, when those they look up to are at home" ". "I believe you are right, Fanny," was his reply, after a short consideration. "I believe our evenings are rather returned to what they were, than assuming a new character. The novelty was in their being lively. Yet, how strong the impression that only a few weeks will give! I have been feeling as if we had never lived so before." "I suppose I am graver than other people," said Fanny.<|quote|>"The evenings do not appear long to me. I love to hear my uncle talk of the West Indies. I could listen to him for an hour together. It entertains _me_ more than many other things have done; but then I am unlike other people, I dare say."</|quote|>"Why should you dare say _that_?" (smiling). "Do you want to be told that you are only unlike other people in being more wise and discreet? But when did you, or anybody, ever get a compliment from me, Fanny? Go to my father if you want to be complimented. He will satisfy you. Ask your uncle what he thinks, and you will hear compliments enough: and though they may be chiefly on your person, you must put up with it, and trust to his seeing as much beauty of mind in time." Such language was so new to Fanny that | think he values the very quietness you speak of, and that the repose of his own family circle is all he wants. And it does not appear to me that we are more serious than we used to be I mean before my uncle went abroad. As well as I can recollect, it was always much the same. There was never much laughing in his presence; or, if there is any difference, it is not more, I think, than such an absence has a tendency to produce at first. There must be a sort of shyness; but I cannot recollect that our evenings formerly were ever merry, except when my uncle was in town. No young people's are, I suppose, when those they look up to are at home" ". "I believe you are right, Fanny," was his reply, after a short consideration. "I believe our evenings are rather returned to what they were, than assuming a new character. The novelty was in their being lively. Yet, how strong the impression that only a few weeks will give! I have been feeling as if we had never lived so before." "I suppose I am graver than other people," said Fanny.<|quote|>"The evenings do not appear long to me. I love to hear my uncle talk of the West Indies. I could listen to him for an hour together. It entertains _me_ more than many other things have done; but then I am unlike other people, I dare say."</|quote|>"Why should you dare say _that_?" (smiling). "Do you want to be told that you are only unlike other people in being more wise and discreet? But when did you, or anybody, ever get a compliment from me, Fanny? Go to my father if you want to be complimented. He will satisfy you. Ask your uncle what he thinks, and you will hear compliments enough: and though they may be chiefly on your person, you must put up with it, and trust to his seeing as much beauty of mind in time." Such language was so new to Fanny that it quite embarrassed her. "Your uncle thinks you very pretty, dear Fanny and that is the long and the short of the matter. Anybody but myself would have made something more of it, and anybody but you would resent that you had not been thought very pretty before; but the truth is, that your uncle never did admire you till now and now he does. Your complexion is so improved! and you have gained so much countenance! and your figure nay, Fanny, do not turn away about it it is but an uncle. If you cannot bear an uncle's admiration, | one quarter. The Rushworths were the only addition to his own domestic circle which he could solicit. Edmund did not wonder that such should be his father's feelings, nor could he regret anything but the exclusion of the Grants. "But they," he observed to Fanny, "have a claim. They seem to belong to us; they seem to be part of ourselves. I could wish my father were more sensible of their very great attention to my mother and sisters while he was away. I am afraid they may feel themselves neglected. But the truth is, that my father hardly knows them. They had not been here a twelvemonth when he left England. If he knew them better, he would value their society as it deserves; for they are in fact exactly the sort of people he would like. We are sometimes a little in want of animation among ourselves: my sisters seem out of spirits, and Tom is certainly not at his ease. Dr. and Mrs. Grant would enliven us, and make our evenings pass away with more enjoyment even to my father." "Do you think so?" said Fanny: "in my opinion, my uncle would not like _any_ addition. I think he values the very quietness you speak of, and that the repose of his own family circle is all he wants. And it does not appear to me that we are more serious than we used to be I mean before my uncle went abroad. As well as I can recollect, it was always much the same. There was never much laughing in his presence; or, if there is any difference, it is not more, I think, than such an absence has a tendency to produce at first. There must be a sort of shyness; but I cannot recollect that our evenings formerly were ever merry, except when my uncle was in town. No young people's are, I suppose, when those they look up to are at home" ". "I believe you are right, Fanny," was his reply, after a short consideration. "I believe our evenings are rather returned to what they were, than assuming a new character. The novelty was in their being lively. Yet, how strong the impression that only a few weeks will give! I have been feeling as if we had never lived so before." "I suppose I am graver than other people," said Fanny.<|quote|>"The evenings do not appear long to me. I love to hear my uncle talk of the West Indies. I could listen to him for an hour together. It entertains _me_ more than many other things have done; but then I am unlike other people, I dare say."</|quote|>"Why should you dare say _that_?" (smiling). "Do you want to be told that you are only unlike other people in being more wise and discreet? But when did you, or anybody, ever get a compliment from me, Fanny? Go to my father if you want to be complimented. He will satisfy you. Ask your uncle what he thinks, and you will hear compliments enough: and though they may be chiefly on your person, you must put up with it, and trust to his seeing as much beauty of mind in time." Such language was so new to Fanny that it quite embarrassed her. "Your uncle thinks you very pretty, dear Fanny and that is the long and the short of the matter. Anybody but myself would have made something more of it, and anybody but you would resent that you had not been thought very pretty before; but the truth is, that your uncle never did admire you till now and now he does. Your complexion is so improved! and you have gained so much countenance! and your figure nay, Fanny, do not turn away about it it is but an uncle. If you cannot bear an uncle's admiration, what is to become of you? You must really begin to harden yourself to the idea of being worth looking at. You must try not to mind growing up into a pretty woman." "Oh! don't talk so, don't talk so," cried Fanny, distressed by more feelings than he was aware of; but seeing that she was distressed, he had done with the subject, and only added more seriously "Your uncle is disposed to be pleased with you in every respect; and I only wish you would talk to him more. You are one of those who are too silent in the evening circle." "But I do talk to him more than I used. I am sure I do. Did not you hear me ask him about the slave-trade last night?" "I did and was in hopes the question would be followed up by others. It would have pleased your uncle to be inquired of farther." "And I longed to do it but there was such a dead silence! And while my cousins were sitting by without speaking a word, or seeming at all interested in the subject, I did not like I thought it would appear as if I wanted | dinner, and felt it a blessing. By all the others it was mentioned with regret; and his merits honoured with due gradation of feeling from the sincerity of Edmund's too partial regard, to the unconcern of his mother speaking entirely by rote. Mrs. Norris began to look about her, and wonder that his falling in love with Julia had come to nothing; and could almost fear that she had been remiss herself in forwarding it; but with so many to care for, how was it possible for even _her_ activity to keep pace with her wishes? Another day or two, and Mr. Yates was gone likewise. In _his_ departure Sir Thomas felt the chief interest: wanting to be alone with his family, the presence of a stranger superior to Mr. Yates must have been irksome; but of him, trifling and confident, idle and expensive, it was every way vexatious. In himself he was wearisome, but as the friend of Tom and the admirer of Julia he became offensive. Sir Thomas had been quite indifferent to Mr. Crawford's going or staying: but his good wishes for Mr. Yates's having a pleasant journey, as he walked with him to the hall-door, were given with genuine satisfaction. Mr. Yates had staid to see the destruction of every theatrical preparation at Mansfield, the removal of everything appertaining to the play: he left the house in all the soberness of its general character; and Sir Thomas hoped, in seeing him out of it, to be rid of the worst object connected with the scheme, and the last that must be inevitably reminding him of its existence. Mrs. Norris contrived to remove one article from his sight that might have distressed him. The curtain, over which she had presided with such talent and such success, went off with her to her cottage, where she happened to be particularly in want of green baize. CHAPTER XXI Sir Thomas's return made a striking change in the ways of the family, independent of Lovers' Vows. Under his government, Mansfield was an altered place. Some members of their society sent away, and the spirits of many others saddened it was all sameness and gloom compared with the past a sombre family party rarely enlivened. There was little intercourse with the Parsonage. Sir Thomas, drawing back from intimacies in general, was particularly disinclined, at this time, for any engagements but in one quarter. The Rushworths were the only addition to his own domestic circle which he could solicit. Edmund did not wonder that such should be his father's feelings, nor could he regret anything but the exclusion of the Grants. "But they," he observed to Fanny, "have a claim. They seem to belong to us; they seem to be part of ourselves. I could wish my father were more sensible of their very great attention to my mother and sisters while he was away. I am afraid they may feel themselves neglected. But the truth is, that my father hardly knows them. They had not been here a twelvemonth when he left England. If he knew them better, he would value their society as it deserves; for they are in fact exactly the sort of people he would like. We are sometimes a little in want of animation among ourselves: my sisters seem out of spirits, and Tom is certainly not at his ease. Dr. and Mrs. Grant would enliven us, and make our evenings pass away with more enjoyment even to my father." "Do you think so?" said Fanny: "in my opinion, my uncle would not like _any_ addition. I think he values the very quietness you speak of, and that the repose of his own family circle is all he wants. And it does not appear to me that we are more serious than we used to be I mean before my uncle went abroad. As well as I can recollect, it was always much the same. There was never much laughing in his presence; or, if there is any difference, it is not more, I think, than such an absence has a tendency to produce at first. There must be a sort of shyness; but I cannot recollect that our evenings formerly were ever merry, except when my uncle was in town. No young people's are, I suppose, when those they look up to are at home" ". "I believe you are right, Fanny," was his reply, after a short consideration. "I believe our evenings are rather returned to what they were, than assuming a new character. The novelty was in their being lively. Yet, how strong the impression that only a few weeks will give! I have been feeling as if we had never lived so before." "I suppose I am graver than other people," said Fanny.<|quote|>"The evenings do not appear long to me. I love to hear my uncle talk of the West Indies. I could listen to him for an hour together. It entertains _me_ more than many other things have done; but then I am unlike other people, I dare say."</|quote|>"Why should you dare say _that_?" (smiling). "Do you want to be told that you are only unlike other people in being more wise and discreet? But when did you, or anybody, ever get a compliment from me, Fanny? Go to my father if you want to be complimented. He will satisfy you. Ask your uncle what he thinks, and you will hear compliments enough: and though they may be chiefly on your person, you must put up with it, and trust to his seeing as much beauty of mind in time." Such language was so new to Fanny that it quite embarrassed her. "Your uncle thinks you very pretty, dear Fanny and that is the long and the short of the matter. Anybody but myself would have made something more of it, and anybody but you would resent that you had not been thought very pretty before; but the truth is, that your uncle never did admire you till now and now he does. Your complexion is so improved! and you have gained so much countenance! and your figure nay, Fanny, do not turn away about it it is but an uncle. If you cannot bear an uncle's admiration, what is to become of you? You must really begin to harden yourself to the idea of being worth looking at. You must try not to mind growing up into a pretty woman." "Oh! don't talk so, don't talk so," cried Fanny, distressed by more feelings than he was aware of; but seeing that she was distressed, he had done with the subject, and only added more seriously "Your uncle is disposed to be pleased with you in every respect; and I only wish you would talk to him more. You are one of those who are too silent in the evening circle." "But I do talk to him more than I used. I am sure I do. Did not you hear me ask him about the slave-trade last night?" "I did and was in hopes the question would be followed up by others. It would have pleased your uncle to be inquired of farther." "And I longed to do it but there was such a dead silence! And while my cousins were sitting by without speaking a word, or seeming at all interested in the subject, I did not like I thought it would appear as if I wanted to set myself off at their expense, by shewing a curiosity and pleasure in his information which he must wish his own daughters to feel." "Miss Crawford was very right in what she said of you the other day: that you seemed almost as fearful of notice and praise as other women were of neglect. We were talking of you at the Parsonage, and those were her words. She has great discernment. I know nobody who distinguishes characters better. For so young a woman it is remarkable! She certainly understands _you_ better than you are understood by the greater part of those who have known you so long; and with regard to some others, I can perceive, from occasional lively hints, the unguarded expressions of the moment, that she could define _many_ as accurately, did not delicacy forbid it. I wonder what she thinks of my father! She must admire him as a fine-looking man, with most gentlemanlike, dignified, consistent manners; but perhaps, having seen him so seldom, his reserve may be a little repulsive. Could they be much together, I feel sure of their liking each other. He would enjoy her liveliness and she has talents to value his powers. I wish they met more frequently! I hope she does not suppose there is any dislike on his side." "She must know herself too secure of the regard of all the rest of you," said Fanny, with half a sigh, "to have any such apprehension. And Sir Thomas's wishing just at first to be only with his family, is so very natural, that she can argue nothing from that. After a little while, I dare say, we shall be meeting again in the same sort of way, allowing for the difference of the time of year." "This is the first October that she has passed in the country since her infancy. I do not call Tunbridge or Cheltenham the country; and November is a still more serious month, and I can see that Mrs. Grant is very anxious for her not finding Mansfield dull as winter comes on." Fanny could have said a great deal, but it was safer to say nothing, and leave untouched all Miss Crawford's resources her accomplishments, her spirits, her importance, her friends, lest it should betray her into any observations seemingly unhandsome. Miss Crawford's kind opinion of herself deserved at least a grateful forbearance, | observed to Fanny, "have a claim. They seem to belong to us; they seem to be part of ourselves. I could wish my father were more sensible of their very great attention to my mother and sisters while he was away. I am afraid they may feel themselves neglected. But the truth is, that my father hardly knows them. They had not been here a twelvemonth when he left England. If he knew them better, he would value their society as it deserves; for they are in fact exactly the sort of people he would like. We are sometimes a little in want of animation among ourselves: my sisters seem out of spirits, and Tom is certainly not at his ease. Dr. and Mrs. Grant would enliven us, and make our evenings pass away with more enjoyment even to my father." "Do you think so?" said Fanny: "in my opinion, my uncle would not like _any_ addition. I think he values the very quietness you speak of, and that the repose of his own family circle is all he wants. And it does not appear to me that we are more serious than we used to be I mean before my uncle went abroad. As well as I can recollect, it was always much the same. There was never much laughing in his presence; or, if there is any difference, it is not more, I think, than such an absence has a tendency to produce at first. There must be a sort of shyness; but I cannot recollect that our evenings formerly were ever merry, except when my uncle was in town. No young people's are, I suppose, when those they look up to are at home" ". "I believe you are right, Fanny," was his reply, after a short consideration. "I believe our evenings are rather returned to what they were, than assuming a new character. The novelty was in their being lively. Yet, how strong the impression that only a few weeks will give! I have been feeling as if we had never lived so before." "I suppose I am graver than other people," said Fanny.<|quote|>"The evenings do not appear long to me. I love to hear my uncle talk of the West Indies. I could listen to him for an hour together. It entertains _me_ more than many other things have done; but then I am unlike other people, I dare say."</|quote|>"Why should you dare say _that_?" (smiling). "Do you want to be told that you are only unlike other people in being more wise and discreet? But when did you, or anybody, ever get a compliment from me, Fanny? Go to my father if you want to be complimented. He will satisfy you. Ask your uncle what he thinks, and you will hear compliments enough: and though they may be chiefly on your person, you must put up with it, and trust to his seeing as much beauty of mind in time." Such language was so new to Fanny that it quite embarrassed her. "Your uncle thinks you very pretty, dear Fanny and that is the long and the short of the matter. Anybody but myself would have made something more of it, and anybody but you would resent that you had not been thought very pretty before; but the truth is, that your uncle never did admire you till now and now he does. Your complexion is so improved! and you have gained so much countenance! and your figure nay, Fanny, do not turn away about it it is but an uncle. If you cannot bear an uncle's admiration, what is | Mansfield Park |
Darcy shook his head in silent acquiesence. | No speaker | It is every way horrible!"<|quote|>Darcy shook his head in silent acquiesence.</|quote|>"When _my_ eyes were opened | have not the smallest hope. It is every way horrible!"<|quote|>Darcy shook his head in silent acquiesence.</|quote|>"When _my_ eyes were opened to his real character.--Oh! had | shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!"<|quote|>Darcy shook his head in silent acquiesence.</|quote|>"When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the | together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!"<|quote|>Darcy shook his head in silent acquiesence.</|quote|>"When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his | to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!"<|quote|>Darcy shook his head in silent acquiesence.</|quote|>"When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love must be vain. But self, though it would intrude, could not engross her. Lydia--the humiliation, the misery, she was bringing on them all, soon swallowed up every private care; and covering her face with her handkerchief, Elizabeth was soon lost to every thing else; and, after a pause of several minutes, was only recalled to | almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn." She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again. "I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!"<|quote|>Darcy shook his head in silent acquiesence.</|quote|>"When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love must be vain. But self, though it would intrude, could not engross her. Lydia--the humiliation, the misery, she was bringing on them all, soon swallowed up every private care; and covering her face with her handkerchief, Elizabeth was soon lost to every thing else; and, after a pause of several minutes, was only recalled to a sense of her situation by the voice of her companion, who, in a manner, which though it spoke compassion, spoke likewise restraint, said, "I am afraid you have been long desiring my absence, nor have I any thing to plead in excuse of my stay, but real, though unavailing, concern. Would to heaven that any thing could be either said or done on my part, that might offer consolation to such distress.--But I will not torment you with vain wishes, which may seem purposely to ask for your thanks. This unfortunate affair will, I fear, prevent my sister's having the pleasure of seeing you at Pemberley to-day." "Oh, yes. Be so kind as to apologize for us to Miss Darcy. Say that urgent business calls us home immediately. Conceal the unhappy truth as long as it is possible.--I know it cannot be long." He readily assured her of his secrecy--again expressed his sorrow for her distress, wished it a happier conclusion than there was at present reason to hope, and leaving his compliments for her relations, with only one serious, parting, look, went away. As he quitted the room, Elizabeth felt how improbable it was that they should ever | their attachment; but as it was a matter of confidence one cannot wonder. I am truly glad, dearest Lizzy, that you have been spared something of these distressing scenes; but now as the first shock is over, shall I own that I long for your return? I am not so selfish, however, as to press for it, if inconvenient. Adieu. I take up my pen again to do, what I have just told you I would not, but circumstances are such, that I cannot help earnestly begging you all to come here, as soon as possible. I know my dear uncle and aunt so well, that I am not afraid of requesting it, though I have still something more to ask of the former. My father is going to London with Colonel Forster instantly, to try to discover her. What he means to do, I am sure I know not; but his excessive distress will not allow him to pursue any measure in the best and safest way, and Colonel Forster is obliged to be at Brighton again to-morrow evening. In such an exigence my uncle's advice and assistance would be every thing in the world; he will immediately comprehend what I must feel, and I rely upon his goodness." "Oh! where, where is my uncle?" cried Elizabeth, darting from her seat as she finished the letter, in eagerness to follow him, without losing a moment of the time so precious; but as she reached the door, it was opened by a servant, and Mr. Darcy appeared. Her pale face and impetuous manner made him start, and before he could recover himself enough to speak, she, in whose mind every idea was superseded by Lydia's situation, hastily exclaimed, "I beg your pardon, but I must leave you. I must find Mr. Gardiner this moment, on business that cannot be delayed; I have not an instant to lose." "Good God! what is the matter?" cried he, with more feeling than politeness; then recollecting himself, "I will not detain you a minute, but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough;--you cannot go yourself." Elizabeth hesitated, but her knees trembled under her, and she felt how little would be gained by her attempting to pursue them. Calling back the servant, therefore, she commissioned him, though in so breathless an accent as made her almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn." She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again. "I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!"<|quote|>Darcy shook his head in silent acquiesence.</|quote|>"When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love must be vain. But self, though it would intrude, could not engross her. Lydia--the humiliation, the misery, she was bringing on them all, soon swallowed up every private care; and covering her face with her handkerchief, Elizabeth was soon lost to every thing else; and, after a pause of several minutes, was only recalled to a sense of her situation by the voice of her companion, who, in a manner, which though it spoke compassion, spoke likewise restraint, said, "I am afraid you have been long desiring my absence, nor have I any thing to plead in excuse of my stay, but real, though unavailing, concern. Would to heaven that any thing could be either said or done on my part, that might offer consolation to such distress.--But I will not torment you with vain wishes, which may seem purposely to ask for your thanks. This unfortunate affair will, I fear, prevent my sister's having the pleasure of seeing you at Pemberley to-day." "Oh, yes. Be so kind as to apologize for us to Miss Darcy. Say that urgent business calls us home immediately. Conceal the unhappy truth as long as it is possible.--I know it cannot be long." He readily assured her of his secrecy--again expressed his sorrow for her distress, wished it a happier conclusion than there was at present reason to hope, and leaving his compliments for her relations, with only one serious, parting, look, went away. As he quitted the room, Elizabeth felt how improbable it was that they should ever see each other again on such terms of cordiality as had marked their several meetings in Derbyshire; and as she threw a retrospective glance over the whole of their acquaintance, so full of contradictions and varieties, sighed at the perverseness of those feelings which would now have promoted its continuance, and would formerly have rejoiced in its termination. If gratitude and esteem are good foundations of affection, Elizabeth's change of sentiment will be neither improbable nor faulty. But if otherwise, if the regard springing from such sources is unreasonable or unnatural, in comparison of what is so often described as arising on a first interview with its object, and even before two words have been exchanged, nothing can be said in her defence, except that she had given somewhat of a trial to the latter method, in her partiality for Wickham, and that its ill-success might perhaps authorise her to seek the other less interesting mode of attachment. Be that as it may, she saw him go with regret; and in this early example of what Lydia's infamy must produce, found additional anguish as she reflected on that wretched business. Never, since reading Jane's second letter, had she entertained a hope of Wickham's meaning to marry her. No one but Jane, she thought, could flatter herself with such an expectation. Surprise was the least of her feelings on this developement. While the contents of the first letter remained on her mind, she was all surprise--all astonishment that Wickham should marry a girl, whom it was impossible he could marry for money; and how Lydia could ever have attached him, had appeared incomprehensible. But now it was all too natural. For such an attachment as this, she might have sufficient charms; and though she did not suppose Lydia to be deliberately engaging in an elopement, without the intention of marriage, she had no difficulty in believing that neither her virtue nor her understanding would preserve her from falling an easy prey. She had never perceived, while the regiment was in Hertfordshire, that Lydia had any partiality for him, but she was convinced that Lydia had wanted only encouragement to attach herself to any body. Sometimes one officer, sometimes another had been her favourite, as their attentions raised them in her opinion. Her affections had been continually fluctuating, but never without an object. The mischief of neglect and mistaken indulgence towards such | "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn." She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again. "I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!"<|quote|>Darcy shook his head in silent acquiesence.</|quote|>"When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love must be vain. But self, though it would intrude, could not engross her. Lydia--the humiliation, the misery, she was bringing on them all, soon swallowed up every private care; and covering her face with her handkerchief, Elizabeth was soon lost to every thing else; and, after a pause of several minutes, was only recalled to a sense of her situation by the voice of her companion, who, in a manner, which though it spoke compassion, spoke likewise restraint, said, "I am afraid you have been long desiring my absence, nor have I any thing to plead in excuse of my stay, but real, though unavailing, concern. Would to heaven that any | Pride And Prejudice |
said the Professor. | No speaker | for fun." "Clashing his hoofs,"<|quote|>said the Professor.</|quote|>"The colts do, and so | a field, kicking his legs for fun." "Clashing his hoofs,"<|quote|>said the Professor.</|quote|>"The colts do, and so did Pan." "Pan again!" said | know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs,"<|quote|>said the Professor.</|quote|>"The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of | luminous globe suddenly stagger in the sky, right itself, and then sink slowly behind the trees like a setting sun. The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit. "He is dead!" he cried. "And now I know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs,"<|quote|>said the Professor.</|quote|>"The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of the exclamations. "It fell over there," he said shortly. "Let us follow it!" Then he added with an indescribable gesture "Oh, if he has cheated us all by getting killed! It would be like one of his larks." He strode off towards the distant trees with a new energy, his | you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front" "Look!" cried out Bull clamorously, "the balloon is coming down!" There was no need to cry out to Syme, who had never taken his eyes off it. He saw the great luminous globe suddenly stagger in the sky, right itself, and then sink slowly behind the trees like a setting sun. The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit. "He is dead!" he cried. "And now I know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs,"<|quote|>said the Professor.</|quote|>"The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of the exclamations. "It fell over there," he said shortly. "Let us follow it!" Then he added with an indescribable gesture "Oh, if he has cheated us all by getting killed! It would be like one of his larks." He strode off towards the distant trees with a new energy, his rags and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field. Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken | back is only a jest. Bad is so bad, that we cannot but think good an accident; good is so good, that we feel certain that evil could be explained. But the whole came to a kind of crest yesterday when I raced Sunday for the cab, and was just behind him all the way." "Had you time for thinking then?" asked Ratcliffe. "Time," replied Syme, "for one outrageous thought. I was suddenly possessed with the idea that the blind, blank back of his head really was his face an awful, eyeless face staring at me! And I fancied that the figure running in front of me was really a figure running backwards, and dancing as he ran." "Horrible!" said Dr. Bull, and shuddered. "Horrible is not the word," said Syme. "It was exactly the worst instant of my life. And yet ten minutes afterwards, when he put his head out of the cab and made a grimace like a gargoyle, I knew that he was only like a father playing hide-and-seek with his children." "It is a long game," said the Secretary, and frowned at his broken boots. "Listen to me," cried Syme with extraordinary emphasis. "Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front" "Look!" cried out Bull clamorously, "the balloon is coming down!" There was no need to cry out to Syme, who had never taken his eyes off it. He saw the great luminous globe suddenly stagger in the sky, right itself, and then sink slowly behind the trees like a setting sun. The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit. "He is dead!" he cried. "And now I know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs,"<|quote|>said the Professor.</|quote|>"The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of the exclamations. "It fell over there," he said shortly. "Let us follow it!" Then he added with an indescribable gesture "Oh, if he has cheated us all by getting killed! It would be like one of his larks." He strode off towards the distant trees with a new energy, his rags and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field. Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken along with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood. "Gentlemen," he said, "my master has a carriage waiting for you in the road just by." "Who is your master?" asked Syme, standing quite still. "I was told you knew his name," said the man respectfully. There was a silence, and then the Secretary said "Where is this carriage?" "It has been waiting only a few moments," said the stranger. "My master has only just come home." Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky. "Show us the place," Syme said briefly, and without a word the man in the violet coat turned his back and | to the universe itself. Bull finds him like the earth in spring, Gogol like the sun at noonday. The Secretary is reminded of the shapeless protoplasm, and the Inspector of the carelessness of virgin forests. The Professor says he is like a changing landscape. This is queer, but it is queerer still that I also have had my odd notion about the President, and I also find that I think of Sunday as I think of the whole world." "Get on a little faster, Syme," said Bull; "never mind the balloon." "When I first saw Sunday," said Syme slowly, "I only saw his back; and when I saw his back, I knew he was the worst man in the world. His neck and shoulders were brutal, like those of some apish god. His head had a stoop that was hardly human, like the stoop of an ox. In fact, I had at once the revolting fancy that this was not a man at all, but a beast dressed up in men's clothes." "Get on," said Dr. Bull. "And then the queer thing happened. I had seen his back from the street, as he sat in the balcony. Then I entered the hotel, and coming round the other side of him, saw his face in the sunlight. His face frightened me, as it did everyone; but not because it was brutal, not because it was evil. On the contrary, it frightened me because it was so beautiful, because it was so good." "Syme," exclaimed the Secretary, "are you ill?" "It was like the face of some ancient archangel, judging justly after heroic wars. There was laughter in the eyes, and in the mouth honour and sorrow. There was the same white hair, the same great, grey-clad shoulders that I had seen from behind. But when I saw him from behind I was certain he was an animal, and when I saw him in front I knew he was a god." "Pan," said the Professor dreamily, "was a god and an animal." "Then, and again and always," went on Syme like a man talking to himself, "that has been for me the mystery of Sunday, and it is also the mystery of the world. When I see the horrible back, I am sure the noble face is but a mask. When I see the face but for an instant, I know the back is only a jest. Bad is so bad, that we cannot but think good an accident; good is so good, that we feel certain that evil could be explained. But the whole came to a kind of crest yesterday when I raced Sunday for the cab, and was just behind him all the way." "Had you time for thinking then?" asked Ratcliffe. "Time," replied Syme, "for one outrageous thought. I was suddenly possessed with the idea that the blind, blank back of his head really was his face an awful, eyeless face staring at me! And I fancied that the figure running in front of me was really a figure running backwards, and dancing as he ran." "Horrible!" said Dr. Bull, and shuddered. "Horrible is not the word," said Syme. "It was exactly the worst instant of my life. And yet ten minutes afterwards, when he put his head out of the cab and made a grimace like a gargoyle, I knew that he was only like a father playing hide-and-seek with his children." "It is a long game," said the Secretary, and frowned at his broken boots. "Listen to me," cried Syme with extraordinary emphasis. "Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front" "Look!" cried out Bull clamorously, "the balloon is coming down!" There was no need to cry out to Syme, who had never taken his eyes off it. He saw the great luminous globe suddenly stagger in the sky, right itself, and then sink slowly behind the trees like a setting sun. The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit. "He is dead!" he cried. "And now I know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs,"<|quote|>said the Professor.</|quote|>"The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of the exclamations. "It fell over there," he said shortly. "Let us follow it!" Then he added with an indescribable gesture "Oh, if he has cheated us all by getting killed! It would be like one of his larks." He strode off towards the distant trees with a new energy, his rags and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field. Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken along with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood. "Gentlemen," he said, "my master has a carriage waiting for you in the road just by." "Who is your master?" asked Syme, standing quite still. "I was told you knew his name," said the man respectfully. There was a silence, and then the Secretary said "Where is this carriage?" "It has been waiting only a few moments," said the stranger. "My master has only just come home." Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky. "Show us the place," Syme said briefly, and without a word the man in the violet coat turned his back and walked towards a gap in the hedge, which let in suddenly the light of a white road. As the six wanderers broke out upon this thoroughfare, they saw the white road blocked by what looked like a long row of carriages, such a row of carriages as might close the approach to some house in Park Lane. Along the side of these carriages stood a rank of splendid servants, all dressed in the grey-blue uniform, and all having a certain quality of stateliness and freedom which would not commonly belong to the servants of a gentleman, but rather to the officials and ambassadors of a great king. There were no less than six carriages waiting, one for each of the tattered and miserable band. All the attendants (as if in court-dress) wore swords, and as each man crawled into his carriage they drew them, and saluted with a sudden blaze of steel. "What can it all mean?" asked Bull of Syme as they separated. "Is this another joke of Sunday's?" "I don't know," said Syme as he sank wearily back in the cushions of his carriage; "but if it is, it's one of the jokes you talk about. It's a good-natured one." The six adventurers had passed through many adventures, but not one had carried them so utterly off their feet as this last adventure of comfort. They had all become inured to things going roughly; but things suddenly going smoothly swamped them. They could not even feebly imagine what the carriages were; it was enough for them to know that they were carriages, and carriages with cushions. They could not conceive who the old man was who had led them; but it was quite enough that he had certainly led them to the carriages. Syme drove through a drifting darkness of trees in utter abandonment. It was typical of him that while he had carried his bearded chin forward fiercely so long as anything could be done, when the whole business was taken out of his hands he fell back on the cushions in a frank collapse. Very gradually and very vaguely he realised into what rich roads the carriage was carrying him. He saw that they passed the stone gates of what might have been a park, that they began gradually to climb a hill which, while wooded on both sides, was somewhat more orderly than a forest. | I was suddenly possessed with the idea that the blind, blank back of his head really was his face an awful, eyeless face staring at me! And I fancied that the figure running in front of me was really a figure running backwards, and dancing as he ran." "Horrible!" said Dr. Bull, and shuddered. "Horrible is not the word," said Syme. "It was exactly the worst instant of my life. And yet ten minutes afterwards, when he put his head out of the cab and made a grimace like a gargoyle, I knew that he was only like a father playing hide-and-seek with his children." "It is a long game," said the Secretary, and frowned at his broken boots. "Listen to me," cried Syme with extraordinary emphasis. "Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front" "Look!" cried out Bull clamorously, "the balloon is coming down!" There was no need to cry out to Syme, who had never taken his eyes off it. He saw the great luminous globe suddenly stagger in the sky, right itself, and then sink slowly behind the trees like a setting sun. The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit. "He is dead!" he cried. "And now I know he was my friend my friend in the dark!" "Dead!" snorted the Secretary. "You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun." "Clashing his hoofs,"<|quote|>said the Professor.</|quote|>"The colts do, and so did Pan." "Pan again!" said Dr. Bull irritably. "You seem to think Pan is everything." "So he is," said the Professor, "in Greek. He means everything." "Don't forget," said the Secretary, looking down, "that he also means Panic." Syme had stood without hearing any of the exclamations. "It fell over there," he said shortly. "Let us follow it!" Then he added with an indescribable gesture "Oh, if he has cheated us all by getting killed! It would be like one of his larks." He strode off towards the distant trees with a new energy, his rags and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field. Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken along with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood. "Gentlemen," he said, "my master has a carriage waiting for you in the road just by." "Who is your master?" asked Syme, standing quite still. "I was told you knew his name," said the man respectfully. There was a silence, and then the Secretary said "Where is this carriage?" "It has been waiting only a few moments," said the stranger. "My master has only just come home." Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland. He looked the mysterious ambassador up and down, but he could discover nothing except that the man's coat was the exact colour of the purple shadows, and that the man's face was the exact colour of the red and brown and golden sky. "Show us the place," Syme said briefly, and without a word the man in the violet coat turned his back and walked towards a gap in the hedge, which let in suddenly the light of a white road. As the six wanderers broke out upon this thoroughfare, they saw the white road blocked by what looked like a long row of carriages, such a row of carriages as might close the approach to some house in Park Lane. Along the side of these carriages stood a rank of splendid servants, all dressed in the grey-blue uniform, and all having a certain quality of stateliness and freedom which would not commonly belong to the servants of a gentleman, but rather to the officials and ambassadors of a great king. There were no less than six carriages waiting, one for each of the tattered and miserable band. All the attendants (as if in court-dress) wore swords, and as each man crawled into his carriage they drew them, and saluted with a sudden blaze of steel. "What can it all mean?" asked Bull of Syme as they separated. "Is this another joke of Sunday's?" "I don't know," said Syme as he sank wearily back in the cushions of his carriage; | The Man Who Was Thursday |
"is that you can have our rooms, and we'll have yours. We'll change." | Mr. Emerson | "What I mean," he continued,<|quote|>"is that you can have our rooms, and we'll have yours. We'll change."</|quote|>The better class of tourist | who was about to speak. "What I mean," he continued,<|quote|>"is that you can have our rooms, and we'll have yours. We'll change."</|quote|>The better class of tourist was shocked at this, and | when he spoke to her, and then said: "A view? Oh, a view! How delightful a view is!" "This is my son," said the old man; "his name's George. He has a view too." "Ah," said Miss Bartlett, repressing Lucy, who was about to speak. "What I mean," he continued,<|quote|>"is that you can have our rooms, and we'll have yours. We'll change."</|quote|>The better class of tourist was shocked at this, and sympathized with the new-comers. Miss Bartlett, in reply, opened her mouth as little as possible, and said "Thank you very much indeed; that is out of the question." "Why?" said the old man, with both fists on the table. "Because | not the childishness of senility. What exactly it was Miss Bartlett did not stop to consider, for her glance passed on to his clothes. These did not attract her. He was probably trying to become acquainted with them before they got into the swim. So she assumed a dazed expression when he spoke to her, and then said: "A view? Oh, a view! How delightful a view is!" "This is my son," said the old man; "his name's George. He has a view too." "Ah," said Miss Bartlett, repressing Lucy, who was about to speak. "What I mean," he continued,<|quote|>"is that you can have our rooms, and we'll have yours. We'll change."</|quote|>The better class of tourist was shocked at this, and sympathized with the new-comers. Miss Bartlett, in reply, opened her mouth as little as possible, and said "Thank you very much indeed; that is out of the question." "Why?" said the old man, with both fists on the table. "Because it is quite out of the question, thank you." "You see, we don't like to take--" began Lucy. Her cousin again repressed her. "But why?" he persisted. "Women like looking at a view; men don't." And he thumped with his fists like a naughty child, and turned to his son, | the ill-bred people whom one does meet abroad--leant forward over the table and actually intruded into their argument. He said: "I have a view, I have a view." Miss Bartlett was startled. Generally at a pension people looked them over for a day or two before speaking, and often did not find out that they would "do" till they had gone. She knew that the intruder was ill-bred, even before she glanced at him. He was an old man, of heavy build, with a fair, shaven face and large eyes. There was something childish in those eyes, though it was not the childishness of senility. What exactly it was Miss Bartlett did not stop to consider, for her glance passed on to his clothes. These did not attract her. He was probably trying to become acquainted with them before they got into the swim. So she assumed a dazed expression when he spoke to her, and then said: "A view? Oh, a view! How delightful a view is!" "This is my son," said the old man; "his name's George. He has a view too." "Ah," said Miss Bartlett, repressing Lucy, who was about to speak. "What I mean," he continued,<|quote|>"is that you can have our rooms, and we'll have yours. We'll change."</|quote|>The better class of tourist was shocked at this, and sympathized with the new-comers. Miss Bartlett, in reply, opened her mouth as little as possible, and said "Thank you very much indeed; that is out of the question." "Why?" said the old man, with both fists on the table. "Because it is quite out of the question, thank you." "You see, we don't like to take--" began Lucy. Her cousin again repressed her. "But why?" he persisted. "Women like looking at a view; men don't." And he thumped with his fists like a naughty child, and turned to his son, saying, "George, persuade them!" "It's so obvious they should have the rooms," said the son. "There's nothing else to say." He did not look at the ladies as he spoke, but his voice was perplexed and sorrowful. Lucy, too, was perplexed; but she saw that they were in for what is known as "quite a scene," and she had an odd feeling that whenever these ill-bred tourists spoke the contest widened and deepened till it dealt, not with rooms and views, but with--well, with something quite different, whose existence she had not realized before. Now the old man attacked Miss | other things are just outside. I suppose it is one's being so tired." "This meat has surely been used for soup," said Miss Bartlett, laying down her fork. "I want so to see the Arno. The rooms the Signora promised us in her letter would have looked over the Arno. The Signora had no business to do it at all. Oh, it is a shame!" "Any nook does for me," Miss Bartlett continued; "but it does seem hard that you shouldn't have a view." Lucy felt that she had been selfish. "Charlotte, you mustn't spoil me: of course, you must look over the Arno, too. I meant that. The first vacant room in the front--" "You must have it," said Miss Bartlett, part of whose travelling expenses were paid by Lucy's mother--a piece of generosity to which she made many a tactful allusion. "No, no. You must have it." "I insist on it. Your mother would never forgive me, Lucy." "She would never forgive me." The ladies' voices grew animated, and--if the sad truth be owned--a little peevish. They were tired, and under the guise of unselfishness they wrangled. Some of their neighbours interchanged glances, and one of them--one of the ill-bred people whom one does meet abroad--leant forward over the table and actually intruded into their argument. He said: "I have a view, I have a view." Miss Bartlett was startled. Generally at a pension people looked them over for a day or two before speaking, and often did not find out that they would "do" till they had gone. She knew that the intruder was ill-bred, even before she glanced at him. He was an old man, of heavy build, with a fair, shaven face and large eyes. There was something childish in those eyes, though it was not the childishness of senility. What exactly it was Miss Bartlett did not stop to consider, for her glance passed on to his clothes. These did not attract her. He was probably trying to become acquainted with them before they got into the swim. So she assumed a dazed expression when he spoke to her, and then said: "A view? Oh, a view! How delightful a view is!" "This is my son," said the old man; "his name's George. He has a view too." "Ah," said Miss Bartlett, repressing Lucy, who was about to speak. "What I mean," he continued,<|quote|>"is that you can have our rooms, and we'll have yours. We'll change."</|quote|>The better class of tourist was shocked at this, and sympathized with the new-comers. Miss Bartlett, in reply, opened her mouth as little as possible, and said "Thank you very much indeed; that is out of the question." "Why?" said the old man, with both fists on the table. "Because it is quite out of the question, thank you." "You see, we don't like to take--" began Lucy. Her cousin again repressed her. "But why?" he persisted. "Women like looking at a view; men don't." And he thumped with his fists like a naughty child, and turned to his son, saying, "George, persuade them!" "It's so obvious they should have the rooms," said the son. "There's nothing else to say." He did not look at the ladies as he spoke, but his voice was perplexed and sorrowful. Lucy, too, was perplexed; but she saw that they were in for what is known as "quite a scene," and she had an odd feeling that whenever these ill-bred tourists spoke the contest widened and deepened till it dealt, not with rooms and views, but with--well, with something quite different, whose existence she had not realized before. Now the old man attacked Miss Bartlett almost violently: Why should she not change? What possible objection had she? They would clear out in half an hour. Miss Bartlett, though skilled in the delicacies of conversation, was powerless in the presence of brutality. It was impossible to snub any one so gross. Her face reddened with displeasure. She looked around as much as to say, "Are you all like this?" And two little old ladies, who were sitting further up the table, with shawls hanging over the backs of the chairs, looked back, clearly indicating "We are not; we are genteel." "Eat your dinner, dear," she said to Lucy, and began to toy again with the meat that she had once censured. Lucy mumbled that those seemed very odd people opposite. "Eat your dinner, dear. This pension is a failure. To-morrow we will make a change." Hardly had she announced this fell decision when she reversed it. The curtains at the end of the room parted, and revealed a clergyman, stout but attractive, who hurried forward to take his place at the table, cheerfully apologizing for his lateness. Lucy, who had not yet acquired decency, at once rose to her feet, exclaiming: "Oh, oh! Why, it's | PART ONE Chapter I: The Bertolini "The Signora had no business to do it," said Miss Bartlett, "no business at all. She promised us south rooms with a view close together, instead of which here are north rooms, looking into a courtyard, and a long way apart. Oh, Lucy!" "And a Cockney, besides!" said Lucy, who had been further saddened by the Signora's unexpected accent. "It might be London." She looked at the two rows of English people who were sitting at the table; at the row of white bottles of water and red bottles of wine that ran between the English people; at the portraits of the late Queen and the late Poet Laureate that hung behind the English people, heavily framed; at the notice of the English church (Rev. Cuthbert Eager, M. A. Oxon.), that was the only other decoration of the wall. "Charlotte, don't you feel, too, that we might be in London? I can hardly believe that all kinds of other things are just outside. I suppose it is one's being so tired." "This meat has surely been used for soup," said Miss Bartlett, laying down her fork. "I want so to see the Arno. The rooms the Signora promised us in her letter would have looked over the Arno. The Signora had no business to do it at all. Oh, it is a shame!" "Any nook does for me," Miss Bartlett continued; "but it does seem hard that you shouldn't have a view." Lucy felt that she had been selfish. "Charlotte, you mustn't spoil me: of course, you must look over the Arno, too. I meant that. The first vacant room in the front--" "You must have it," said Miss Bartlett, part of whose travelling expenses were paid by Lucy's mother--a piece of generosity to which she made many a tactful allusion. "No, no. You must have it." "I insist on it. Your mother would never forgive me, Lucy." "She would never forgive me." The ladies' voices grew animated, and--if the sad truth be owned--a little peevish. They were tired, and under the guise of unselfishness they wrangled. Some of their neighbours interchanged glances, and one of them--one of the ill-bred people whom one does meet abroad--leant forward over the table and actually intruded into their argument. He said: "I have a view, I have a view." Miss Bartlett was startled. Generally at a pension people looked them over for a day or two before speaking, and often did not find out that they would "do" till they had gone. She knew that the intruder was ill-bred, even before she glanced at him. He was an old man, of heavy build, with a fair, shaven face and large eyes. There was something childish in those eyes, though it was not the childishness of senility. What exactly it was Miss Bartlett did not stop to consider, for her glance passed on to his clothes. These did not attract her. He was probably trying to become acquainted with them before they got into the swim. So she assumed a dazed expression when he spoke to her, and then said: "A view? Oh, a view! How delightful a view is!" "This is my son," said the old man; "his name's George. He has a view too." "Ah," said Miss Bartlett, repressing Lucy, who was about to speak. "What I mean," he continued,<|quote|>"is that you can have our rooms, and we'll have yours. We'll change."</|quote|>The better class of tourist was shocked at this, and sympathized with the new-comers. Miss Bartlett, in reply, opened her mouth as little as possible, and said "Thank you very much indeed; that is out of the question." "Why?" said the old man, with both fists on the table. "Because it is quite out of the question, thank you." "You see, we don't like to take--" began Lucy. Her cousin again repressed her. "But why?" he persisted. "Women like looking at a view; men don't." And he thumped with his fists like a naughty child, and turned to his son, saying, "George, persuade them!" "It's so obvious they should have the rooms," said the son. "There's nothing else to say." He did not look at the ladies as he spoke, but his voice was perplexed and sorrowful. Lucy, too, was perplexed; but she saw that they were in for what is known as "quite a scene," and she had an odd feeling that whenever these ill-bred tourists spoke the contest widened and deepened till it dealt, not with rooms and views, but with--well, with something quite different, whose existence she had not realized before. Now the old man attacked Miss Bartlett almost violently: Why should she not change? What possible objection had she? They would clear out in half an hour. Miss Bartlett, though skilled in the delicacies of conversation, was powerless in the presence of brutality. It was impossible to snub any one so gross. Her face reddened with displeasure. She looked around as much as to say, "Are you all like this?" And two little old ladies, who were sitting further up the table, with shawls hanging over the backs of the chairs, looked back, clearly indicating "We are not; we are genteel." "Eat your dinner, dear," she said to Lucy, and began to toy again with the meat that she had once censured. Lucy mumbled that those seemed very odd people opposite. "Eat your dinner, dear. This pension is a failure. To-morrow we will make a change." Hardly had she announced this fell decision when she reversed it. The curtains at the end of the room parted, and revealed a clergyman, stout but attractive, who hurried forward to take his place at the table, cheerfully apologizing for his lateness. Lucy, who had not yet acquired decency, at once rose to her feet, exclaiming: "Oh, oh! Why, it's Mr. Beebe! Oh, how perfectly lovely! Oh, Charlotte, we must stop now, however bad the rooms are. Oh!" Miss Bartlett said, with more restraint: "How do you do, Mr. Beebe? I expect that you have forgotten us: Miss Bartlett and Miss Honeychurch, who were at Tunbridge Wells when you helped the Vicar of St. Peter's that very cold Easter." The clergyman, who had the air of one on a holiday, did not remember the ladies quite as clearly as they remembered him. But he came forward pleasantly enough and accepted the chair into which he was beckoned by Lucy. "I AM so glad to see you," said the girl, who was in a state of spiritual starvation, and would have been glad to see the waiter if her cousin had permitted it. "Just fancy how small the world is. Summer Street, too, makes it so specially funny." "Miss Honeychurch lives in the parish of Summer Street," said Miss Bartlett, filling up the gap, "and she happened to tell me in the course of conversation that you have just accepted the living--" "Yes, I heard from mother so last week. She didn't know that I knew you at Tunbridge Wells; but I wrote back at once, and I said: 'Mr. Beebe is--'" "Quite right," said the clergyman. "I move into the Rectory at Summer Street next June. I am lucky to be appointed to such a charming neighbourhood." "Oh, how glad I am! The name of our house is Windy Corner." Mr. Beebe bowed. "There is mother and me generally, and my brother, though it's not often we get him to ch---- The church is rather far off, I mean." "Lucy, dearest, let Mr. Beebe eat his dinner." "I am eating it, thank you, and enjoying it." He preferred to talk to Lucy, whose playing he remembered, rather than to Miss Bartlett, who probably remembered his sermons. He asked the girl whether she knew Florence well, and was informed at some length that she had never been there before. It is delightful to advise a newcomer, and he was first in the field. "Don't neglect the country round," his advice concluded. "The first fine afternoon drive up to Fiesole, and round by Settignano, or something of that sort." "No!" cried a voice from the top of the table. "Mr. Beebe, you are wrong. The first fine afternoon your ladies must go | PART ONE Chapter I: The Bertolini "The Signora had no business to do it," said Miss Bartlett, "no business at all. She promised us south rooms with a view close together, instead of which here are north rooms, looking into a courtyard, and a long way apart. Oh, Lucy!" "And a Cockney, besides!" said Lucy, who had been further saddened by the Signora's unexpected accent. "It might be London." She looked at the two rows of English people who were sitting at the table; at the row of white bottles of water and red bottles of wine that ran between the English people; at the portraits of the late Queen and the late Poet Laureate that hung behind the English people, heavily framed; at the notice of the English church (Rev. Cuthbert Eager, M. A. Oxon.), that was the only other decoration of the wall. "Charlotte, don't you feel, too, that we might be in London? I can hardly believe that all kinds of other things are just outside. I suppose it is one's being so tired." "This meat has surely been used for soup," said Miss Bartlett, laying down her fork. "I want so to see the Arno. The rooms the Signora promised us in her letter would have looked over the Arno. The Signora had no business to do it at all. Oh, it is a shame!" "Any nook does for me," Miss Bartlett continued; "but it does seem hard that you shouldn't have a view." Lucy felt that she had been selfish. "Charlotte, you mustn't spoil me: of course, you must look over the Arno, too. I meant that. The first vacant room in the front--" "You must have it," said Miss Bartlett, part of whose travelling expenses were paid by Lucy's mother--a piece of generosity to which she made many a tactful allusion. "No, no. You must have it." "I insist on it. Your mother would never forgive me, Lucy." "She would never forgive me." The ladies' voices grew animated, and--if the sad truth be owned--a little peevish. They were tired, and under the guise of unselfishness they wrangled. Some of their neighbours interchanged glances, and one of them--one of the ill-bred people whom one does meet abroad--leant forward over the table and actually intruded into their argument. He said: "I have a view, I have a view." Miss Bartlett was startled. Generally at a pension people looked them over for a day or two before speaking, and often did not find out that they would "do" till they had gone. She knew that the intruder was ill-bred, even before she glanced at him. He was an old man, of heavy build, with a fair, shaven face and large eyes. There was something childish in those eyes, though it was not the childishness of senility. What exactly it was Miss Bartlett did not stop to consider, for her glance passed on to his clothes. These did not attract her. He was probably trying to become acquainted with them before they got into the swim. So she assumed a dazed expression when he spoke to her, and then said: "A view? Oh, a view! How delightful a view is!" "This is my son," said the old man; "his name's George. He has a view too." "Ah," said Miss Bartlett, repressing Lucy, who was about to speak. "What I mean," he continued,<|quote|>"is that you can have our rooms, and we'll have yours. We'll change."</|quote|>The better class of tourist was shocked at this, and sympathized with the new-comers. Miss Bartlett, in reply, opened her mouth as little as possible, and said "Thank you very much indeed; that is out of the question." "Why?" said the old man, with both fists on the table. "Because it is quite out of the question, thank you." "You see, we don't like to take--" began Lucy. Her cousin again repressed her. "But why?" he persisted. "Women like looking at a view; men don't." And he thumped with his fists like a naughty child, and turned to his son, saying, "George, persuade them!" "It's so obvious they should have the rooms," said the son. "There's nothing else to say." He did not look at the ladies as he spoke, but his voice was perplexed and sorrowful. Lucy, too, was perplexed; but she saw that they were in for what is known as "quite a scene," and she had an odd feeling that whenever these ill-bred tourists spoke the contest widened and deepened till it dealt, not with rooms and views, but with--well, with something quite different, whose existence she had not realized before. Now the old man attacked Miss Bartlett almost violently: Why should she not change? What possible objection had she? They would clear out in half an hour. Miss Bartlett, though skilled in the delicacies | A Room With A View |
"Rum-looking customer stopping at the Coach and Horses," | Mr. Teddy Henfrey | "What s that?" he asked.<|quote|>"Rum-looking customer stopping at the Coach and Horses,"</|quote|>said Teddy. "My sakes!" And | Hall very sociably pulled up. "What s that?" he asked.<|quote|>"Rum-looking customer stopping at the Coach and Horses,"</|quote|>said Teddy. "My sakes!" And he proceeded to give Hall | Sidderbridge Junction, coming towards him on his return from that place. Hall had evidently been "stopping a bit" at Sidderbridge, to judge by his driving. "Ow do, Teddy?" he said, passing. "You got a rum un up home!" said Teddy. Hall very sociably pulled up. "What s that?" he asked.<|quote|>"Rum-looking customer stopping at the Coach and Horses,"</|quote|>said Teddy. "My sakes!" And he proceeded to give Hall a vivid description of his grotesque guest. "Looks a bit like a disguise, don t it? I d like to see a man s face if I had him stopping in _my_ place," said Henfrey. "But women are that trustful | again, "Seemingly not. If the police was wanting you you couldn t be more wropped and bandaged." At Gleeson s corner he saw Hall, who had recently married the stranger s hostess at the "Coach and Horses," and who now drove the Iping conveyance, when occasional people required it, to Sidderbridge Junction, coming towards him on his return from that place. Hall had evidently been "stopping a bit" at Sidderbridge, to judge by his driving. "Ow do, Teddy?" he said, passing. "You got a rum un up home!" said Teddy. Hall very sociably pulled up. "What s that?" he asked.<|quote|>"Rum-looking customer stopping at the Coach and Horses,"</|quote|>said Teddy. "My sakes!" And he proceeded to give Hall a vivid description of his grotesque guest. "Looks a bit like a disguise, don t it? I d like to see a man s face if I had him stopping in _my_ place," said Henfrey. "But women are that trustful where strangers are concerned. He s took your rooms and he ain t even given a name, Hall." "You don t say so!" said Hall, who was a man of sluggish apprehension. "Yes," said Teddy. "By the week. Whatever he is, you can t get rid of him under the | with that introductory shot. "The weather" he began. "Why don t you finish and go?" said the rigid figure, evidently in a state of painfully suppressed rage. "All you ve got to do is to fix the hour-hand on its axle. You re simply humbugging" "Certainly, sir one minute more. I overlooked" and Mr. Henfrey finished and went. But he went feeling excessively annoyed. "Damn it!" said Mr. Henfrey to himself, trudging down the village through the thawing snow; "a man must do a clock at times, surely." And again, "Can t a man look at you? Ugly!" And yet again, "Seemingly not. If the police was wanting you you couldn t be more wropped and bandaged." At Gleeson s corner he saw Hall, who had recently married the stranger s hostess at the "Coach and Horses," and who now drove the Iping conveyance, when occasional people required it, to Sidderbridge Junction, coming towards him on his return from that place. Hall had evidently been "stopping a bit" at Sidderbridge, to judge by his driving. "Ow do, Teddy?" he said, passing. "You got a rum un up home!" said Teddy. Hall very sociably pulled up. "What s that?" he asked.<|quote|>"Rum-looking customer stopping at the Coach and Horses,"</|quote|>said Teddy. "My sakes!" And he proceeded to give Hall a vivid description of his grotesque guest. "Looks a bit like a disguise, don t it? I d like to see a man s face if I had him stopping in _my_ place," said Henfrey. "But women are that trustful where strangers are concerned. He s took your rooms and he ain t even given a name, Hall." "You don t say so!" said Hall, who was a man of sluggish apprehension. "Yes," said Teddy. "By the week. Whatever he is, you can t get rid of him under the week. And he s got a lot of luggage coming to-morrow, so he says. Let s hope it won t be stones in boxes, Hall." He told Hall how his aunt at Hastings had been swindled by a stranger with empty portmanteaux. Altogether he left Hall vaguely suspicious. "Get up, old girl," said Hall. "I s pose I must see bout this." Teddy trudged on his way with his mind considerably relieved. Instead of "seeing bout it," however, Hall on his return was severely rated by his wife on the length of time he had spent in Sidderbridge, and his | the face, but extracted the works; and he tried to work in as slow and quiet and unassuming a manner as possible. He worked with the lamp close to him, and the green shade threw a brilliant light upon his hands, and upon the frame and wheels, and left the rest of the room shadowy. When he looked up, coloured patches swam in his eyes. Being constitutionally of a curious nature, he had removed the works a quite unnecessary proceeding with the idea of delaying his departure and perhaps falling into conversation with the stranger. But the stranger stood there, perfectly silent and still. So still, it got on Henfrey s nerves. He felt alone in the room and looked up, and there, grey and dim, was the bandaged head and huge blue lenses staring fixedly, with a mist of green spots drifting in front of them. It was so uncanny to Henfrey that for a minute they remained staring blankly at one another. Then Henfrey looked down again. Very uncomfortable position! One would like to say something. Should he remark that the weather was very cold for the time of year? He looked up as if to take aim with that introductory shot. "The weather" he began. "Why don t you finish and go?" said the rigid figure, evidently in a state of painfully suppressed rage. "All you ve got to do is to fix the hour-hand on its axle. You re simply humbugging" "Certainly, sir one minute more. I overlooked" and Mr. Henfrey finished and went. But he went feeling excessively annoyed. "Damn it!" said Mr. Henfrey to himself, trudging down the village through the thawing snow; "a man must do a clock at times, surely." And again, "Can t a man look at you? Ugly!" And yet again, "Seemingly not. If the police was wanting you you couldn t be more wropped and bandaged." At Gleeson s corner he saw Hall, who had recently married the stranger s hostess at the "Coach and Horses," and who now drove the Iping conveyance, when occasional people required it, to Sidderbridge Junction, coming towards him on his return from that place. Hall had evidently been "stopping a bit" at Sidderbridge, to judge by his driving. "Ow do, Teddy?" he said, passing. "You got a rum un up home!" said Teddy. Hall very sociably pulled up. "What s that?" he asked.<|quote|>"Rum-looking customer stopping at the Coach and Horses,"</|quote|>said Teddy. "My sakes!" And he proceeded to give Hall a vivid description of his grotesque guest. "Looks a bit like a disguise, don t it? I d like to see a man s face if I had him stopping in _my_ place," said Henfrey. "But women are that trustful where strangers are concerned. He s took your rooms and he ain t even given a name, Hall." "You don t say so!" said Hall, who was a man of sluggish apprehension. "Yes," said Teddy. "By the week. Whatever he is, you can t get rid of him under the week. And he s got a lot of luggage coming to-morrow, so he says. Let s hope it won t be stones in boxes, Hall." He told Hall how his aunt at Hastings had been swindled by a stranger with empty portmanteaux. Altogether he left Hall vaguely suspicious. "Get up, old girl," said Hall. "I s pose I must see bout this." Teddy trudged on his way with his mind considerably relieved. Instead of "seeing bout it," however, Hall on his return was severely rated by his wife on the length of time he had spent in Sidderbridge, and his mild inquiries were answered snappishly and in a manner not to the point. But the seed of suspicion Teddy had sown germinated in the mind of Mr. Hall in spite of these discouragements. "You wim don t know everything," said Mr. Hall, resolved to ascertain more about the personality of his guest at the earliest possible opportunity. And after the stranger had gone to bed, which he did about half-past nine, Mr. Hall went very aggressively into the parlour and looked very hard at his wife s furniture, just to show that the stranger wasn t master there, and scrutinised closely and a little contemptuously a sheet of mathematical computations the stranger had left. When retiring for the night he instructed Mrs. Hall to look very closely at the stranger s luggage when it came next day. "You mind your own business, Hall," said Mrs. Hall, "and I ll mind mine." She was all the more inclined to snap at Hall because the stranger was undoubtedly an unusually strange sort of stranger, and she was by no means assured about him in her own mind. In the middle of the night she woke up dreaming of huge white heads like | hesitation in Mr. Henfrey s manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger turned round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over." Mrs. Hall was about to leave the room she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey when her visitor asked her if she had made any arrangements about his boxes at Bramblehurst. She told him she had mentioned the matter to the postman, and that the carrier could bring them over on the morrow. "You are certain that is the earliest?" he said. She was certain, with a marked coldness. "I should explain," he added, "what I was really too cold and fatigued to do before, that I am an experimental investigator." "Indeed, sir," said Mrs. Hall, much impressed. "And my baggage contains apparatus and appliances." "Very useful things indeed they are, sir," said Mrs. Hall. "And I m very naturally anxious to get on with my inquiries." "Of course, sir." "My reason for coming to Iping," he proceeded, with a certain deliberation of manner, "was ... a desire for solitude. I do not wish to be disturbed in my work. In addition to my work, an accident" "I thought as much," said Mrs. Hall to herself. "necessitates a certain retirement. My eyes are sometimes so weak and painful that I have to shut myself up in the dark for hours together. Lock myself up. Sometimes now and then. Not at present, certainly. At such times the slightest disturbance, the entry of a stranger into the room, is a source of excruciating annoyance to me it is well these things should be understood." "Certainly, sir," said Mrs. Hall. "And if I might make so bold as to ask" "That I think, is all," said the stranger, with that quietly irresistible air of finality he could assume at will. Mrs. Hall reserved her question and sympathy for a better occasion. After Mrs. Hall had left the room, he remained standing in front of the fire, glaring, so Mr. Henfrey puts it, at the clock-mending. Mr. Henfrey not only took off the hands of the clock, and the face, but extracted the works; and he tried to work in as slow and quiet and unassuming a manner as possible. He worked with the lamp close to him, and the green shade threw a brilliant light upon his hands, and upon the frame and wheels, and left the rest of the room shadowy. When he looked up, coloured patches swam in his eyes. Being constitutionally of a curious nature, he had removed the works a quite unnecessary proceeding with the idea of delaying his departure and perhaps falling into conversation with the stranger. But the stranger stood there, perfectly silent and still. So still, it got on Henfrey s nerves. He felt alone in the room and looked up, and there, grey and dim, was the bandaged head and huge blue lenses staring fixedly, with a mist of green spots drifting in front of them. It was so uncanny to Henfrey that for a minute they remained staring blankly at one another. Then Henfrey looked down again. Very uncomfortable position! One would like to say something. Should he remark that the weather was very cold for the time of year? He looked up as if to take aim with that introductory shot. "The weather" he began. "Why don t you finish and go?" said the rigid figure, evidently in a state of painfully suppressed rage. "All you ve got to do is to fix the hour-hand on its axle. You re simply humbugging" "Certainly, sir one minute more. I overlooked" and Mr. Henfrey finished and went. But he went feeling excessively annoyed. "Damn it!" said Mr. Henfrey to himself, trudging down the village through the thawing snow; "a man must do a clock at times, surely." And again, "Can t a man look at you? Ugly!" And yet again, "Seemingly not. If the police was wanting you you couldn t be more wropped and bandaged." At Gleeson s corner he saw Hall, who had recently married the stranger s hostess at the "Coach and Horses," and who now drove the Iping conveyance, when occasional people required it, to Sidderbridge Junction, coming towards him on his return from that place. Hall had evidently been "stopping a bit" at Sidderbridge, to judge by his driving. "Ow do, Teddy?" he said, passing. "You got a rum un up home!" said Teddy. Hall very sociably pulled up. "What s that?" he asked.<|quote|>"Rum-looking customer stopping at the Coach and Horses,"</|quote|>said Teddy. "My sakes!" And he proceeded to give Hall a vivid description of his grotesque guest. "Looks a bit like a disguise, don t it? I d like to see a man s face if I had him stopping in _my_ place," said Henfrey. "But women are that trustful where strangers are concerned. He s took your rooms and he ain t even given a name, Hall." "You don t say so!" said Hall, who was a man of sluggish apprehension. "Yes," said Teddy. "By the week. Whatever he is, you can t get rid of him under the week. And he s got a lot of luggage coming to-morrow, so he says. Let s hope it won t be stones in boxes, Hall." He told Hall how his aunt at Hastings had been swindled by a stranger with empty portmanteaux. Altogether he left Hall vaguely suspicious. "Get up, old girl," said Hall. "I s pose I must see bout this." Teddy trudged on his way with his mind considerably relieved. Instead of "seeing bout it," however, Hall on his return was severely rated by his wife on the length of time he had spent in Sidderbridge, and his mild inquiries were answered snappishly and in a manner not to the point. But the seed of suspicion Teddy had sown germinated in the mind of Mr. Hall in spite of these discouragements. "You wim don t know everything," said Mr. Hall, resolved to ascertain more about the personality of his guest at the earliest possible opportunity. And after the stranger had gone to bed, which he did about half-past nine, Mr. Hall went very aggressively into the parlour and looked very hard at his wife s furniture, just to show that the stranger wasn t master there, and scrutinised closely and a little contemptuously a sheet of mathematical computations the stranger had left. When retiring for the night he instructed Mrs. Hall to look very closely at the stranger s luggage when it came next day. "You mind your own business, Hall," said Mrs. Hall, "and I ll mind mine." She was all the more inclined to snap at Hall because the stranger was undoubtedly an unusually strange sort of stranger, and she was by no means assured about him in her own mind. In the middle of the night she woke up dreaming of huge white heads like turnips, that came trailing after her, at the end of interminable necks, and with vast black eyes. But being a sensible woman, she subdued her terrors and turned over and went to sleep again. CHAPTER III. THE THOUSAND AND ONE BOTTLES So it was that on the twenty-ninth day of February, at the beginning of the thaw, this singular person fell out of infinity into Iping village. Next day his luggage arrived through the slush and very remarkable luggage it was. There were a couple of trunks indeed, such as a rational man might need, but in addition there were a box of books big, fat books, of which some were just in an incomprehensible handwriting and a dozen or more crates, boxes, and cases, containing objects packed in straw, as it seemed to Hall, tugging with a casual curiosity at the straw glass bottles. The stranger, muffled in hat, coat, gloves, and wrapper, came out impatiently to meet Fearenside s cart, while Hall was having a word or so of gossip preparatory to helping bring them in. Out he came, not noticing Fearenside s dog, who was sniffing in a _dilettante_ spirit at Hall s legs. "Come along with those boxes," he said. "I ve been waiting long enough." And he came down the steps towards the tail of the cart as if to lay hands on the smaller crate. No sooner had Fearenside s dog caught sight of him, however, than it began to bristle and growl savagely, and when he rushed down the steps it gave an undecided hop, and then sprang straight at his hand. "Whup!" cried Hall, jumping back, for he was no hero with dogs, and Fearenside howled, "Lie down!" and snatched his whip. They saw the dog s teeth had slipped the hand, heard a kick, saw the dog execute a flanking jump and get home on the stranger s leg, and heard the rip of his trousering. Then the finer end of Fearenside s whip reached his property, and the dog, yelping with dismay, retreated under the wheels of the waggon. It was all the business of a swift half-minute. No one spoke, everyone shouted. The stranger glanced swiftly at his torn glove and at his leg, made as if he would stoop to the latter, then turned and rushed swiftly up the steps into the inn. They heard him go headlong | was very cold for the time of year? He looked up as if to take aim with that introductory shot. "The weather" he began. "Why don t you finish and go?" said the rigid figure, evidently in a state of painfully suppressed rage. "All you ve got to do is to fix the hour-hand on its axle. You re simply humbugging" "Certainly, sir one minute more. I overlooked" and Mr. Henfrey finished and went. But he went feeling excessively annoyed. "Damn it!" said Mr. Henfrey to himself, trudging down the village through the thawing snow; "a man must do a clock at times, surely." And again, "Can t a man look at you? Ugly!" And yet again, "Seemingly not. If the police was wanting you you couldn t be more wropped and bandaged." At Gleeson s corner he saw Hall, who had recently married the stranger s hostess at the "Coach and Horses," and who now drove the Iping conveyance, when occasional people required it, to Sidderbridge Junction, coming towards him on his return from that place. Hall had evidently been "stopping a bit" at Sidderbridge, to judge by his driving. "Ow do, Teddy?" he said, passing. "You got a rum un up home!" said Teddy. Hall very sociably pulled up. "What s that?" he asked.<|quote|>"Rum-looking customer stopping at the Coach and Horses,"</|quote|>said Teddy. "My sakes!" And he proceeded to give Hall a vivid description of his grotesque guest. "Looks a bit like a disguise, don t it? I d like to see a man s face if I had him stopping in _my_ place," said Henfrey. "But women are that trustful where strangers are concerned. He s took your rooms and he ain t even given a name, Hall." "You don t say so!" said Hall, who was a man of sluggish apprehension. "Yes," said Teddy. "By the week. Whatever he is, you can t get rid of him under the week. And he s got a lot of luggage coming to-morrow, so he says. Let s hope it won t be stones in boxes, Hall." He told Hall how his aunt at Hastings had been swindled by a stranger with empty portmanteaux. Altogether he left Hall vaguely suspicious. "Get up, old girl," said Hall. "I s pose I must see bout this." Teddy trudged on his way with his mind considerably relieved. Instead of "seeing bout it," however, Hall on his return was severely rated by his wife on the length of time he had spent in Sidderbridge, and his mild inquiries were answered snappishly and in a manner not to the point. But the seed of suspicion Teddy had sown germinated in the mind of Mr. Hall in spite of these discouragements. "You wim don t know everything," said Mr. Hall, resolved to ascertain more about the personality of his guest at the earliest possible opportunity. And after the stranger had gone to bed, which he did about half-past nine, Mr. Hall went very aggressively into the parlour and looked very hard at his wife s furniture, just to show that the stranger wasn t master there, and scrutinised closely and a little contemptuously a sheet of mathematical computations the stranger had left. When retiring for the night he instructed Mrs. Hall to look very closely at the stranger s luggage when it came next day. "You mind your own business, Hall," said Mrs. Hall, "and I ll mind mine." She was all the more inclined to snap at Hall because the stranger was undoubtedly an unusually strange sort of stranger, and she was by no means assured about him in her own mind. In the middle of | The Invisible Man |
"Quite the contrary," | Elinor | "Do you gain no ground?"<|quote|>"Quite the contrary,"</|quote|>replied Elinor, looking expressively at | civility," said Edward to Elinor, "Do you gain no ground?"<|quote|>"Quite the contrary,"</|quote|>replied Elinor, looking expressively at Marianne. "My judgment," he returned, | acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?" "You have not been able to bring your sister over to your plan of general civility," said Edward to Elinor, "Do you gain no ground?"<|quote|>"Quite the contrary,"</|quote|>replied Elinor, looking expressively at Marianne. "My judgment," he returned, "is all on your side of the question; but I am afraid my practice is much more on your sister s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am | been your doctrine, I am sure." "No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?" "You have not been able to bring your sister over to your plan of general civility," said Edward to Elinor, "Do you gain no ground?"<|quote|>"Quite the contrary,"</|quote|>replied Elinor, looking expressively at Marianne. "My judgment," he returned, "is all on your side of the question; but I am afraid my practice is much more on your sister s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural awkwardness. I have frequently thought that I must have been intended by nature to be fond of low company, I am so little at my ease among strangers of gentility!" "Marianne has not shyness to excuse any inattention of hers," said Elinor. "She knows | of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than they really are, and I can hardly tell why or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge." "But I thought it was right, Elinor," said Marianne, "to be guided wholly by the opinion of other people. I thought our judgments were given us merely to be subservient to those of neighbours. This has always been your doctrine, I am sure." "No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?" "You have not been able to bring your sister over to your plan of general civility," said Edward to Elinor, "Do you gain no ground?"<|quote|>"Quite the contrary,"</|quote|>replied Elinor, looking expressively at Marianne. "My judgment," he returned, "is all on your side of the question; but I am afraid my practice is much more on your sister s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural awkwardness. I have frequently thought that I must have been intended by nature to be fond of low company, I am so little at my ease among strangers of gentility!" "Marianne has not shyness to excuse any inattention of hers," said Elinor. "She knows her own worth too well for false shame," replied Edward. "Shyness is only the effect of a sense of inferiority in some way or other. If I could persuade myself that my manners were perfectly easy and graceful, I should not be shy." "But you would still be reserved," said Marianne, "and that is worse." Edward started "Reserved! Am I reserved, Marianne?" "Yes, very." "I do not understand you," replied he, colouring. "Reserved! how, in what manner? What am I to tell you? What can you suppose?" Elinor looked surprised at his emotion; but trying to laugh off the subject, | who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than she was." "Nay, Edward," said Marianne, "_you_ need not reproach me. You are not very gay yourself." "Why should you think so!" replied he, with a sigh. "But gaiety never was a part of _my_ character." "Nor do I think it a part of Marianne s," said Elinor; "I should hardly call her a lively girl she is very earnest, very eager in all she does sometimes talks a great deal and always with animation but she is not often really merry." "I believe you are right," he replied, "and yet I have always set her down as a lively girl." "I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than they really are, and I can hardly tell why or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge." "But I thought it was right, Elinor," said Marianne, "to be guided wholly by the opinion of other people. I thought our judgments were given us merely to be subservient to those of neighbours. This has always been your doctrine, I am sure." "No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?" "You have not been able to bring your sister over to your plan of general civility," said Edward to Elinor, "Do you gain no ground?"<|quote|>"Quite the contrary,"</|quote|>replied Elinor, looking expressively at Marianne. "My judgment," he returned, "is all on your side of the question; but I am afraid my practice is much more on your sister s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural awkwardness. I have frequently thought that I must have been intended by nature to be fond of low company, I am so little at my ease among strangers of gentility!" "Marianne has not shyness to excuse any inattention of hers," said Elinor. "She knows her own worth too well for false shame," replied Edward. "Shyness is only the effect of a sense of inferiority in some way or other. If I could persuade myself that my manners were perfectly easy and graceful, I should not be shy." "But you would still be reserved," said Marianne, "and that is worse." Edward started "Reserved! Am I reserved, Marianne?" "Yes, very." "I do not understand you," replied he, colouring. "Reserved! how, in what manner? What am I to tell you? What can you suppose?" Elinor looked surprised at his emotion; but trying to laugh off the subject, she said to him, "Do not you know my sister well enough to understand what she means? Do not you know she calls every one reserved who does not talk as fast, and admire what she admires as rapturously as herself?" Edward made no answer. His gravity and thoughtfulness returned on him in their fullest extent and he sat for some time silent and dull. CHAPTER XVIII. Elinor saw, with great uneasiness the low spirits of her friend. His visit afforded her but a very partial satisfaction, while his own enjoyment in it appeared so imperfect. It was evident that he was unhappy; she wished it were equally evident that he still distinguished her by the same affection which once she had felt no doubt of inspiring; but hitherto the continuance of his preference seemed very uncertain; and the reservedness of his manner towards her contradicted one moment what a more animated look had intimated the preceding one. He joined her and Marianne in the breakfast-room the next morning before the others were down; and Marianne, who was always eager to promote their happiness as far as she could, soon left them to themselves. But before she was half way | sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness. "We are all unanimous in that wish, I suppose," said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than she was." "Nay, Edward," said Marianne, "_you_ need not reproach me. You are not very gay yourself." "Why should you think so!" replied he, with a sigh. "But gaiety never was a part of _my_ character." "Nor do I think it a part of Marianne s," said Elinor; "I should hardly call her a lively girl she is very earnest, very eager in all she does sometimes talks a great deal and always with animation but she is not often really merry." "I believe you are right," he replied, "and yet I have always set her down as a lively girl." "I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than they really are, and I can hardly tell why or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge." "But I thought it was right, Elinor," said Marianne, "to be guided wholly by the opinion of other people. I thought our judgments were given us merely to be subservient to those of neighbours. This has always been your doctrine, I am sure." "No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?" "You have not been able to bring your sister over to your plan of general civility," said Edward to Elinor, "Do you gain no ground?"<|quote|>"Quite the contrary,"</|quote|>replied Elinor, looking expressively at Marianne. "My judgment," he returned, "is all on your side of the question; but I am afraid my practice is much more on your sister s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural awkwardness. I have frequently thought that I must have been intended by nature to be fond of low company, I am so little at my ease among strangers of gentility!" "Marianne has not shyness to excuse any inattention of hers," said Elinor. "She knows her own worth too well for false shame," replied Edward. "Shyness is only the effect of a sense of inferiority in some way or other. If I could persuade myself that my manners were perfectly easy and graceful, I should not be shy." "But you would still be reserved," said Marianne, "and that is worse." Edward started "Reserved! Am I reserved, Marianne?" "Yes, very." "I do not understand you," replied he, colouring. "Reserved! how, in what manner? What am I to tell you? What can you suppose?" Elinor looked surprised at his emotion; but trying to laugh off the subject, she said to him, "Do not you know my sister well enough to understand what she means? Do not you know she calls every one reserved who does not talk as fast, and admire what she admires as rapturously as herself?" Edward made no answer. His gravity and thoughtfulness returned on him in their fullest extent and he sat for some time silent and dull. CHAPTER XVIII. Elinor saw, with great uneasiness the low spirits of her friend. His visit afforded her but a very partial satisfaction, while his own enjoyment in it appeared so imperfect. It was evident that he was unhappy; she wished it were equally evident that he still distinguished her by the same affection which once she had felt no doubt of inspiring; but hitherto the continuance of his preference seemed very uncertain; and the reservedness of his manner towards her contradicted one moment what a more animated look had intimated the preceding one. He joined her and Marianne in the breakfast-room the next morning before the others were down; and Marianne, who was always eager to promote their happiness as far as she could, soon left them to themselves. But before she was half way upstairs she heard the parlour door open, and, turning round, was astonished to see Edward himself come out. "I am going into the village to see my horses," said he, "as you are not yet ready for breakfast; I shall be back again presently." Edward returned to them with fresh admiration of the surrounding country; in his walk to the village, he had seen many parts of the valley to advantage; and the village itself, in a much higher situation than the cottage, afforded a general view of the whole, which had exceedingly pleased him. This was a subject which ensured Marianne s attention, and she was beginning to describe her own admiration of these scenes, and to question him more minutely on the objects that had particularly struck him, when Edward interrupted her by saying, "You must not enquire too far, Marianne remember I have no knowledge in the picturesque, and I shall offend you by my ignorance and want of taste if we come to particulars. I shall call hills steep, which ought to be bold; surfaces strange and uncouth, which ought to be irregular and rugged; and distant objects out of sight, which ought only to be indistinct through the soft medium of a hazy atmosphere. You must be satisfied with such admiration as I can honestly give. I call it a very fine country the hills are steep, the woods seem full of fine timber, and the valley looks comfortable and snug with rich meadows and several neat farm houses scattered here and there. It exactly answers my idea of a fine country, because it unites beauty with utility and I dare say it is a picturesque one too, because you admire it; I can easily believe it to be full of rocks and promontories, grey moss and brush wood, but these are all lost on me. I know nothing of the picturesque." "I am afraid it is but too true," said Marianne; "but why should you boast of it?" "I suspect," said Elinor, "that to avoid one kind of affectation, Edward here falls into another. Because he believes many people pretend to more admiration of the beauties of nature than they really feel, and is disgusted with such pretensions, he affects greater indifference and less discrimination in viewing them himself than he possesses. He is fastidious and will have an affectation of his own." "It | whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than she was." "Nay, Edward," said Marianne, "_you_ need not reproach me. You are not very gay yourself." "Why should you think so!" replied he, with a sigh. "But gaiety never was a part of _my_ character." "Nor do I think it a part of Marianne s," said Elinor; "I should hardly call her a lively girl she is very earnest, very eager in all she does sometimes talks a great deal and always with animation but she is not often really merry." "I believe you are right," he replied, "and yet I have always set her down as a lively girl." "I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than they really are, and I can hardly tell why or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge." "But I thought it was right, Elinor," said Marianne, "to be guided wholly by the opinion of other people. I thought our judgments were given us merely to be subservient to those of neighbours. This has always been your doctrine, I am sure." "No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?" "You have not been able to bring your sister over to your plan of general civility," said Edward to Elinor, "Do you gain no ground?"<|quote|>"Quite the contrary,"</|quote|>replied Elinor, looking expressively at Marianne. "My judgment," he returned, "is all on your side of the question; but I am afraid my practice is much more on your sister s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural awkwardness. I have frequently thought that I must have been intended by nature to be fond of low company, I am so little at my ease among strangers of gentility!" "Marianne has not shyness to excuse any inattention of hers," said Elinor. "She knows her own worth too well for false shame," replied Edward. "Shyness is only the effect of a sense of inferiority in some way or other. If I could persuade myself that my manners were perfectly easy and graceful, I should not be shy." "But you would still be reserved," said Marianne, "and that is worse." Edward started "Reserved! Am I reserved, Marianne?" "Yes, very." "I do not understand you," replied he, colouring. "Reserved! how, in what manner? What am I to tell you? What can you suppose?" Elinor looked surprised at his emotion; but trying to laugh off the subject, she said to him, "Do not you know my sister well enough to understand what she means? Do not you know she calls every one reserved who does not talk as fast, and admire what she admires as rapturously as herself?" Edward made no answer. His gravity and thoughtfulness returned on him in their fullest extent and he sat for some time silent and dull. CHAPTER XVIII. Elinor saw, with great uneasiness the low spirits of her friend. His visit afforded her but a very partial satisfaction, while his own enjoyment in it appeared so imperfect. It was evident that he was unhappy; she wished it were equally evident that he still distinguished her by the same affection which once she had felt no doubt of inspiring; but hitherto the continuance of his preference seemed very uncertain; and the reservedness of his manner towards her contradicted one moment what a more animated look had intimated the preceding one. He joined her and Marianne in the breakfast-room the next morning before the others were down; and Marianne, who was always eager to promote their happiness as far as she could, soon left them to themselves. But before she was half way upstairs she heard the parlour door open, and, turning round, was astonished to see Edward himself come out. "I am going | Sense And Sensibility |
said Matthew after a few moments' profound reflection. | No speaker | you must mean the Avenue,"<|quote|>said Matthew after a few moments' profound reflection.</|quote|>"It is a kind of | place--what was it?" "Well now, you must mean the Avenue,"<|quote|>said Matthew after a few moments' profound reflection.</|quote|>"It is a kind of pretty place." "Pretty? Oh, _pretty_ | another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue,"<|quote|>said Matthew after a few moments' profound reflection.</|quote|>"It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put | She could keep silence, it was evident, as energetically as she could talk. "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven't very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue,"<|quote|>said Matthew after a few moments' profound reflection.</|quote|>"It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put one hand on her breast--" "it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But | the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven't very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue,"<|quote|>said Matthew after a few moments' profound reflection.</|quote|>"It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put one hand on her breast--" "it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name? When I don't like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only | "Well now, no, I haven't," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don't know exactly." "Neither do I. I can never decide. But it doesn't make much real difference for it isn't likely I'll ever be either. It's certain I'll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven't very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue,"<|quote|>said Matthew after a few moments' profound reflection.</|quote|>"It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put one hand on her breast--" "it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name? When I don't like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly | you are. I know just exactly how you feel, little trees.' "I felt sorry to leave them behind this morning. You do get so attached to things like that, don't you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there's one right below the house." "Fancy. It's always been one of my dreams to live near a brook. I never expected I would, though. Dreams don't often come true, do they? Wouldn't it be nice if they did? But just now I feel pretty nearly perfectly happy. I can't feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew's eyes. Matthew was not used to deciding on the tints of ladies' tresses, but in this case there couldn't be much doubt. "It's red, ain't it?" he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it's red," she said resignedly. "Now you see why I can't be perfectly happy. Nobody could who has red hair. I don't mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I _cannot_ imagine that red hair away. I do my best. I think to myself," ?Now my hair is a glorious black, black as the raven's wing.' "But all the time I _know_ it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn't red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I'm afraid I can't," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go-round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven't," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don't know exactly." "Neither do I. I can never decide. But it doesn't make much real difference for it isn't likely I'll ever be either. It's certain I'll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven't very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue,"<|quote|>said Matthew after a few moments' profound reflection.</|quote|>"It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put one hand on her breast--" "it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name? When I don't like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and | eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I _cannot_ imagine that red hair away. I do my best. I think to myself," ?Now my hair is a glorious black, black as the raven's wing.' "But all the time I _know_ it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn't red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I'm afraid I can't," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go-round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven't," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don't know exactly." "Neither do I. I can never decide. But it doesn't make much real difference for it isn't likely I'll ever be either. It's certain I'll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven't very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue,"<|quote|>said Matthew after a few moments' profound reflection.</|quote|>"It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put one hand on her breast--" "it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name? When I don't like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't | Anne Of Green Gables |
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