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Kemp laughed. | No speaker | "No doubt, to you, but"<|quote|>Kemp laughed.</|quote|>"Well, yes; to me it | head on an invisible hand. "No doubt, to you, but"<|quote|>Kemp laughed.</|quote|>"Well, yes; to me it seemed wonderful at first, no | as he looked across to where Griffin sat at the breakfast-table a headless, handless dressing-gown, wiping unseen lips on a miraculously held serviette. "It s simple enough and credible enough," said Griffin, putting the serviette aside and leaning the invisible head on an invisible hand. "No doubt, to you, but"<|quote|>Kemp laughed.</|quote|>"Well, yes; to me it seemed wonderful at first, no doubt. But now, great God! ... But we will do great things yet! I came on the stuff first at Chesilstowe." "Chesilstowe?" "I went there after I left London. You know I dropped medicine and took up physics? No; well, | else," said Kemp, "I must understand a little more about this invisibility of yours." He had sat down, after one nervous glance out of the window, with the air of a man who has talking to do. His doubts of the sanity of the entire business flashed and vanished again as he looked across to where Griffin sat at the breakfast-table a headless, handless dressing-gown, wiping unseen lips on a miraculously held serviette. "It s simple enough and credible enough," said Griffin, putting the serviette aside and leaning the invisible head on an invisible hand. "No doubt, to you, but"<|quote|>Kemp laughed.</|quote|>"Well, yes; to me it seemed wonderful at first, no doubt. But now, great God! ... But we will do great things yet! I came on the stuff first at Chesilstowe." "Chesilstowe?" "I went there after I left London. You know I dropped medicine and took up physics? No; well, I did. _Light_ fascinated me." "Ah!" "Optical density! The whole subject is a network of riddles a network with solutions glimmering elusively through. And being but two-and-twenty and full of enthusiasm, I said," I will devote my life to this. This is worth while. "You know what fools we are | happened in Iping, and down the hill. The world has become aware of its invisible citizen. But no one knows you are here." The Invisible Man swore. "The secret s out. I gather it was a secret. I don t know what your plans are, but of course I m anxious to help you." The Invisible Man sat down on the bed. "There s breakfast upstairs," said Kemp, speaking as easily as possible, and he was delighted to find his strange guest rose willingly. Kemp led the way up the narrow staircase to the belvedere. "Before we can do anything else," said Kemp, "I must understand a little more about this invisibility of yours." He had sat down, after one nervous glance out of the window, with the air of a man who has talking to do. His doubts of the sanity of the entire business flashed and vanished again as he looked across to where Griffin sat at the breakfast-table a headless, handless dressing-gown, wiping unseen lips on a miraculously held serviette. "It s simple enough and credible enough," said Griffin, putting the serviette aside and leaning the invisible head on an invisible hand. "No doubt, to you, but"<|quote|>Kemp laughed.</|quote|>"Well, yes; to me it seemed wonderful at first, no doubt. But now, great God! ... But we will do great things yet! I came on the stuff first at Chesilstowe." "Chesilstowe?" "I went there after I left London. You know I dropped medicine and took up physics? No; well, I did. _Light_ fascinated me." "Ah!" "Optical density! The whole subject is a network of riddles a network with solutions glimmering elusively through. And being but two-and-twenty and full of enthusiasm, I said," I will devote my life to this. This is worth while. "You know what fools we are at two-and-twenty?" "Fools then or fools now," said Kemp. "As though knowing could be any satisfaction to a man!" "But I went to work like a slave. And I had hardly worked and thought about the matter six months before light came through one of the meshes suddenly blindingly! I found a general principle of pigments and refraction a formula, a geometrical expression involving four dimensions. Fools, common men, even common mathematicians, do not know anything of what some general expression may mean to the student of molecular physics. In the books the books that tramp has hidden there are | upstairs free as the air. What on earth ought I to do?" "For instance, would it be a breach of faith if ? No." He went to a little untidy desk in the corner, and began a note. He tore this up half written, and wrote another. He read it over and considered it. Then he took an envelope and addressed it to "Colonel Adye, Port Burdock." The Invisible Man awoke even as Kemp was doing this. He awoke in an evil temper, and Kemp, alert for every sound, heard his pattering feet rush suddenly across the bedroom overhead. Then a chair was flung over and the wash-hand stand tumbler smashed. Kemp hurried upstairs and rapped eagerly. CHAPTER XIX. CERTAIN FIRST PRINCIPLES "What s the matter?" asked Kemp, when the Invisible Man admitted him. "Nothing," was the answer. "But, confound it! The smash?" "Fit of temper," said the Invisible Man. "Forgot this arm; and it s sore." "You re rather liable to that sort of thing." "I am." Kemp walked across the room and picked up the fragments of broken glass. "All the facts are out about you," said Kemp, standing up with the glass in his hand; "all that happened in Iping, and down the hill. The world has become aware of its invisible citizen. But no one knows you are here." The Invisible Man swore. "The secret s out. I gather it was a secret. I don t know what your plans are, but of course I m anxious to help you." The Invisible Man sat down on the bed. "There s breakfast upstairs," said Kemp, speaking as easily as possible, and he was delighted to find his strange guest rose willingly. Kemp led the way up the narrow staircase to the belvedere. "Before we can do anything else," said Kemp, "I must understand a little more about this invisibility of yours." He had sat down, after one nervous glance out of the window, with the air of a man who has talking to do. His doubts of the sanity of the entire business flashed and vanished again as he looked across to where Griffin sat at the breakfast-table a headless, handless dressing-gown, wiping unseen lips on a miraculously held serviette. "It s simple enough and credible enough," said Griffin, putting the serviette aside and leaning the invisible head on an invisible hand. "No doubt, to you, but"<|quote|>Kemp laughed.</|quote|>"Well, yes; to me it seemed wonderful at first, no doubt. But now, great God! ... But we will do great things yet! I came on the stuff first at Chesilstowe." "Chesilstowe?" "I went there after I left London. You know I dropped medicine and took up physics? No; well, I did. _Light_ fascinated me." "Ah!" "Optical density! The whole subject is a network of riddles a network with solutions glimmering elusively through. And being but two-and-twenty and full of enthusiasm, I said," I will devote my life to this. This is worth while. "You know what fools we are at two-and-twenty?" "Fools then or fools now," said Kemp. "As though knowing could be any satisfaction to a man!" "But I went to work like a slave. And I had hardly worked and thought about the matter six months before light came through one of the meshes suddenly blindingly! I found a general principle of pigments and refraction a formula, a geometrical expression involving four dimensions. Fools, common men, even common mathematicians, do not know anything of what some general expression may mean to the student of molecular physics. In the books the books that tramp has hidden there are marvels, miracles! But this was not a method, it was an idea, that might lead to a method by which it would be possible, without changing any other property of matter except, in some instances colours to lower the refractive index of a substance, solid or liquid, to that of air so far as all practical purposes are concerned." "Phew!" said Kemp. "That s odd! But still I don t see quite ... I can understand that thereby you could spoil a valuable stone, but personal invisibility is a far cry." "Precisely," said Griffin. "But consider, visibility depends on the action of the visible bodies on light. Either a body absorbs light, or it reflects or refracts it, or does all these things. If it neither reflects nor refracts nor absorbs light, it cannot of itself be visible. You see an opaque red box, for instance, because the colour absorbs some of the light and reflects the rest, all the red part of the light, to you. If it did not absorb any particular part of the light, but reflected it all, then it would be a shining white box. Silver! A diamond box would neither absorb much of the | previous afternoon, that have already been described. Over the leaf the report in the morning paper had been reprinted. He re-read it. "Ran through the streets striking right and left. Jaffers insensible. Mr. Huxter in great pain still unable to describe what he saw. Painful humiliation vicar. Woman ill with terror! Windows smashed. This extraordinary story probably a fabrication. Too good not to print _cum grano_!" He dropped the paper and stared blankly in front of him. "Probably a fabrication!" He caught up the paper again, and re-read the whole business. "But when does the Tramp come in? Why the deuce was he chasing a tramp?" He sat down abruptly on the surgical bench. "He s not only invisible," he said, "but he s mad! Homicidal!" When dawn came to mingle its pallor with the lamp-light and cigar smoke of the dining-room, Kemp was still pacing up and down, trying to grasp the incredible. He was altogether too excited to sleep. His servants, descending sleepily, discovered him, and were inclined to think that over-study had worked this ill on him. He gave them extraordinary but quite explicit instructions to lay breakfast for two in the belvedere study and then to confine themselves to the basement and ground-floor. Then he continued to pace the dining-room until the morning s paper came. That had much to say and little to tell, beyond the confirmation of the evening before, and a very badly written account of another remarkable tale from Port Burdock. This gave Kemp the essence of the happenings at the "Jolly Cricketers," and the name of Marvel. "He has made me keep with him twenty-four hours," Marvel testified. Certain minor facts were added to the Iping story, notably the cutting of the village telegraph-wire. But there was nothing to throw light on the connexion between the Invisible Man and the Tramp; for Mr. Marvel had supplied no information about the three books, or the money with which he was lined. The incredulous tone had vanished and a shoal of reporters and inquirers were already at work elaborating the matter. Kemp read every scrap of the report and sent his housemaid out to get every one of the morning papers she could. These also he devoured. "He is invisible!" he said. "And it reads like rage growing to mania! The things he may do! The things he may do! And he s upstairs free as the air. What on earth ought I to do?" "For instance, would it be a breach of faith if ? No." He went to a little untidy desk in the corner, and began a note. He tore this up half written, and wrote another. He read it over and considered it. Then he took an envelope and addressed it to "Colonel Adye, Port Burdock." The Invisible Man awoke even as Kemp was doing this. He awoke in an evil temper, and Kemp, alert for every sound, heard his pattering feet rush suddenly across the bedroom overhead. Then a chair was flung over and the wash-hand stand tumbler smashed. Kemp hurried upstairs and rapped eagerly. CHAPTER XIX. CERTAIN FIRST PRINCIPLES "What s the matter?" asked Kemp, when the Invisible Man admitted him. "Nothing," was the answer. "But, confound it! The smash?" "Fit of temper," said the Invisible Man. "Forgot this arm; and it s sore." "You re rather liable to that sort of thing." "I am." Kemp walked across the room and picked up the fragments of broken glass. "All the facts are out about you," said Kemp, standing up with the glass in his hand; "all that happened in Iping, and down the hill. The world has become aware of its invisible citizen. But no one knows you are here." The Invisible Man swore. "The secret s out. I gather it was a secret. I don t know what your plans are, but of course I m anxious to help you." The Invisible Man sat down on the bed. "There s breakfast upstairs," said Kemp, speaking as easily as possible, and he was delighted to find his strange guest rose willingly. Kemp led the way up the narrow staircase to the belvedere. "Before we can do anything else," said Kemp, "I must understand a little more about this invisibility of yours." He had sat down, after one nervous glance out of the window, with the air of a man who has talking to do. His doubts of the sanity of the entire business flashed and vanished again as he looked across to where Griffin sat at the breakfast-table a headless, handless dressing-gown, wiping unseen lips on a miraculously held serviette. "It s simple enough and credible enough," said Griffin, putting the serviette aside and leaning the invisible head on an invisible hand. "No doubt, to you, but"<|quote|>Kemp laughed.</|quote|>"Well, yes; to me it seemed wonderful at first, no doubt. But now, great God! ... But we will do great things yet! I came on the stuff first at Chesilstowe." "Chesilstowe?" "I went there after I left London. You know I dropped medicine and took up physics? No; well, I did. _Light_ fascinated me." "Ah!" "Optical density! The whole subject is a network of riddles a network with solutions glimmering elusively through. And being but two-and-twenty and full of enthusiasm, I said," I will devote my life to this. This is worth while. "You know what fools we are at two-and-twenty?" "Fools then or fools now," said Kemp. "As though knowing could be any satisfaction to a man!" "But I went to work like a slave. And I had hardly worked and thought about the matter six months before light came through one of the meshes suddenly blindingly! I found a general principle of pigments and refraction a formula, a geometrical expression involving four dimensions. Fools, common men, even common mathematicians, do not know anything of what some general expression may mean to the student of molecular physics. In the books the books that tramp has hidden there are marvels, miracles! But this was not a method, it was an idea, that might lead to a method by which it would be possible, without changing any other property of matter except, in some instances colours to lower the refractive index of a substance, solid or liquid, to that of air so far as all practical purposes are concerned." "Phew!" said Kemp. "That s odd! But still I don t see quite ... I can understand that thereby you could spoil a valuable stone, but personal invisibility is a far cry." "Precisely," said Griffin. "But consider, visibility depends on the action of the visible bodies on light. Either a body absorbs light, or it reflects or refracts it, or does all these things. If it neither reflects nor refracts nor absorbs light, it cannot of itself be visible. You see an opaque red box, for instance, because the colour absorbs some of the light and reflects the rest, all the red part of the light, to you. If it did not absorb any particular part of the light, but reflected it all, then it would be a shining white box. Silver! A diamond box would neither absorb much of the light nor reflect much from the general surface, but just here and there where the surfaces were favourable the light would be reflected and refracted, so that you would get a brilliant appearance of flashing reflections and translucencies a sort of skeleton of light. A glass box would not be so brilliant, nor so clearly visible, as a diamond box, because there would be less refraction and reflection. See that? From certain points of view you would see quite clearly through it. Some kinds of glass would be more visible than others, a box of flint glass would be brighter than a box of ordinary window glass. A box of very thin common glass would be hard to see in a bad light, because it would absorb hardly any light and refract and reflect very little. And if you put a sheet of common white glass in water, still more if you put it in some denser liquid than water, it would vanish almost altogether, because light passing from water to glass is only slightly refracted or reflected or indeed affected in any way. It is almost as invisible as a jet of coal gas or hydrogen is in air. And for precisely the same reason!" "Yes," said Kemp, "that is pretty plain sailing." "And here is another fact you will know to be true. If a sheet of glass is smashed, Kemp, and beaten into a powder, it becomes much more visible while it is in the air; it becomes at last an opaque white powder. This is because the powdering multiplies the surfaces of the glass at which refraction and reflection occur. In the sheet of glass there are only two surfaces; in the powder the light is reflected or refracted by each grain it passes through, and very little gets right through the powder. But if the white powdered glass is put into water, it forthwith vanishes. The powdered glass and water have much the same refractive index; that is, the light undergoes very little refraction or reflection in passing from one to the other." "You make the glass invisible by putting it into a liquid of nearly the same refractive index; a transparent thing becomes invisible if it is put in any medium of almost the same refractive index. And if you will consider only a second, you will see also that the powder of glass | tone had vanished and a shoal of reporters and inquirers were already at work elaborating the matter. Kemp read every scrap of the report and sent his housemaid out to get every one of the morning papers she could. These also he devoured. "He is invisible!" he said. "And it reads like rage growing to mania! The things he may do! The things he may do! And he s upstairs free as the air. What on earth ought I to do?" "For instance, would it be a breach of faith if ? No." He went to a little untidy desk in the corner, and began a note. He tore this up half written, and wrote another. He read it over and considered it. Then he took an envelope and addressed it to "Colonel Adye, Port Burdock." The Invisible Man awoke even as Kemp was doing this. He awoke in an evil temper, and Kemp, alert for every sound, heard his pattering feet rush suddenly across the bedroom overhead. Then a chair was flung over and the wash-hand stand tumbler smashed. Kemp hurried upstairs and rapped eagerly. CHAPTER XIX. CERTAIN FIRST PRINCIPLES "What s the matter?" asked Kemp, when the Invisible Man admitted him. "Nothing," was the answer. "But, confound it! The smash?" "Fit of temper," said the Invisible Man. "Forgot this arm; and it s sore." "You re rather liable to that sort of thing." "I am." Kemp walked across the room and picked up the fragments of broken glass. "All the facts are out about you," said Kemp, standing up with the glass in his hand; "all that happened in Iping, and down the hill. The world has become aware of its invisible citizen. But no one knows you are here." The Invisible Man swore. "The secret s out. I gather it was a secret. I don t know what your plans are, but of course I m anxious to help you." The Invisible Man sat down on the bed. "There s breakfast upstairs," said Kemp, speaking as easily as possible, and he was delighted to find his strange guest rose willingly. Kemp led the way up the narrow staircase to the belvedere. "Before we can do anything else," said Kemp, "I must understand a little more about this invisibility of yours." He had sat down, after one nervous glance out of the window, with the air of a man who has talking to do. His doubts of the sanity of the entire business flashed and vanished again as he looked across to where Griffin sat at the breakfast-table a headless, handless dressing-gown, wiping unseen lips on a miraculously held serviette. "It s simple enough and credible enough," said Griffin, putting the serviette aside and leaning the invisible head on an invisible hand. "No doubt, to you, but"<|quote|>Kemp laughed.</|quote|>"Well, yes; to me it seemed wonderful at first, no doubt. But now, great God! ... But we will do great things yet! I came on the stuff first at Chesilstowe." "Chesilstowe?" "I went there after I left London. You know I dropped medicine and took up physics? No; well, I did. _Light_ fascinated me." "Ah!" "Optical density! The whole subject is a network of riddles a network with solutions glimmering elusively through. And being but two-and-twenty and full of enthusiasm, I said," I will devote my life to this. This is worth while. "You know what fools we are at two-and-twenty?" "Fools then or fools now," said Kemp. "As though knowing could be any satisfaction to a man!" "But I went to work like a slave. And I had hardly worked and thought about the matter six months before light came through one of the meshes suddenly blindingly! I found a general principle of pigments and refraction a formula, a geometrical expression involving four dimensions. Fools, common men, even common mathematicians, do not know anything of what some general expression may mean to the student of molecular physics. In the books the books that tramp has hidden there are marvels, miracles! But this was not a method, it was an idea, that might lead to a method by which it would be possible, without changing any other property of matter except, in some instances colours to lower the refractive index of a substance, solid or liquid, to that of air so far as all practical purposes are concerned." "Phew!" said Kemp. "That s odd! But still I don t see quite ... I can understand that thereby you could spoil a valuable stone, but personal invisibility is a far cry." "Precisely," said Griffin. "But consider, visibility depends on the action of the visible bodies on light. Either a body absorbs light, or it reflects or refracts it, or does all these things. If it neither reflects nor refracts nor absorbs light, it cannot of itself be visible. You see an opaque red box, for instance, because the colour absorbs some of the light and reflects the rest, all the red part of the light, to you. If it did not absorb any particular part of the light, but reflected it all, then it would be a shining white box. Silver! A diamond box would neither absorb much of the light nor reflect much from the general surface, but just here and there where the surfaces were favourable the light would be reflected and refracted, so that you would get a brilliant appearance of flashing reflections and translucencies a sort of skeleton of light. A | The Invisible Man |
"There's something so stylish about you, Anne," | Diana Barry | around Anne's slim milk-white throat.<|quote|>"There's something so stylish about you, Anne,"</|quote|>said Diana, with unenvious admiration. | beads, which were thereupon tied around Anne's slim milk-white throat.<|quote|>"There's something so stylish about you, Anne,"</|quote|>said Diana, with unenvious admiration. "You hold your head with | Anne. "Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat.<|quote|>"There's something so stylish about you, Anne,"</|quote|>said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you | so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat.<|quote|>"There's something so stylish about you, Anne,"</|quote|>said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I | not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat.<|quote|>"There's something so stylish about you, Anne,"</|quote|>said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn't she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she'll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy's the most unserviceable stuff | than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better," said Diana. "It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat.<|quote|>"There's something so stylish about you, Anne,"</|quote|>said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn't she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she'll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy's the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it _is_ too damp for my dress," said Anne anxiously. "Not a bit of it," said Diana, pulling up the window blind. "It's a perfect night, and there won't be any dew. Look at the moonlight." "I'm so glad my window looks east into the sun rising," said Anne, going over to Diana. "It's so splendid to see the morning coming up over those long hills and glowing through those sharp fir | the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. The velvet carpet with the pink roses and the pink silk curtains of Anne's early visions had certainly never materialized; but her dreams had kept pace with her growth, and it is not probable she lamented them. The floor was covered with a pretty matting, and the curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy's photograph occupied the place of honor, and Anne made a sentimental point of keeping fresh flowers on the bracket under it. Tonight a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn't think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better," said Diana. "It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat.<|quote|>"There's something so stylish about you, Anne,"</|quote|>said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn't she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she'll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy's the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it _is_ too damp for my dress," said Anne anxiously. "Not a bit of it," said Diana, pulling up the window blind. "It's a perfect night, and there won't be any dew. Look at the moonlight." "I'm so glad my window looks east into the sun rising," said Anne, going over to Diana. "It's so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It's new every morning, and I feel as if I washed my very soul in that bath of earliest sunshine. Oh, Diana, I love this little room so dearly. I don't know how I'll get along without it when I go to town next month." "Don't speak of your going away tonight," begged Diana. "I don't want to think of it, it makes me so miserable, and I do want to have a good time this evening. What are you going to recite, Anne? And are you nervous?" "Not a bit. I've recited so often in public I don't mind at all now. I've decided to give ?The Maiden's Vow.' It's so pathetic. Laura Spencer is going to give a comic recitation, but I'd rather make people cry than laugh." "What will you recite if they encore you?" "They won't dream of encoring me," scoffed Anne, who was not without her own secret hopes that they would, and already visioned herself telling Matthew all about it at the next morning's breakfast table. "There are Billy and Jane now--I hear the wheels. Come on." Billy Andrews insisted that Anne should ride on the front seat with him, so she unwillingly climbed up. She would have much preferred to sit back with the girls, where she could have laughed and chattered to her heart's content. There was not much of either laughter or chatter in Billy. He was a big, fat, stolid youth of twenty, with a round, expressionless face, and a painful lack of conversational gifts. But he admired Anne immensely, and was puffed up with pride over the prospect of driving to White Sands with that slim, upright figure beside him. Anne, by dint of talking over her shoulder to the girls and occasionally passing a sop of civility to Billy--who grinned and chuckled and never could think of any reply until it was too late--contrived to enjoy the drive in spite of all. It was a night for enjoyment. The road was full of buggies, all bound for the hotel, and laughter, silver clear, echoed and reechoed along it. When they reached the hotel it was a blaze of light from top to bottom. They were met by the ladies of the concert committee, one of whom took Anne off to the performers' dressing room which was filled with the members of a Charlottetown Symphony Club, among whom | and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don't think it's as pretty as my blue-flowered muslin--and it certainly isn't so fashionable." "But it suits you ever so much better," said Diana. "It's so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen's taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I'm going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don't pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he'd like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne's slim milk-white throat.<|quote|>"There's something so stylish about you, Anne,"</|quote|>said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it's your figure. I am just a dumpling. I've always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn't she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she'll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy's the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it _is_ too damp for my dress," said Anne anxiously. "Not a bit of it," said Diana, pulling up the window blind. "It's a perfect night, and there won't be any dew. Look at the moonlight." "I'm so glad my window looks east into the sun | Anne Of Green Gables |
"I m sure Mr. Winterbourne wants to take me," | Daisy Miller | she d rather go indoors."<|quote|>"I m sure Mr. Winterbourne wants to take me,"</|quote|>Daisy declared. "He s so | her mother. "I should think she d rather go indoors."<|quote|>"I m sure Mr. Winterbourne wants to take me,"</|quote|>Daisy declared. "He s so awfully devoted!" "I will row | to let her go," said Winterbourne ardently; for he had never yet enjoyed the sensation of guiding through the summer starlight a skiff freighted with a fresh and beautiful young girl. "I shouldn t think she d want to," said her mother. "I should think she d rather go indoors."<|quote|>"I m sure Mr. Winterbourne wants to take me,"</|quote|>Daisy declared. "He s so awfully devoted!" "I will row you over to Chillon in the starlight." "I don t believe it!" said Daisy. "Well!" ejaculated the elder lady again. "You haven t spoken to me for half an hour," her daughter went on. "I have been having some very | hearing his name very distinctly pronounced by Mrs. Miller s unprotected daughter. "Mr. Winterbourne!" murmured Daisy. "Mademoiselle!" said the young man. "Don t you want to take me out in a boat?" "At present?" he asked. "Of course!" said Daisy. "Well, Annie Miller!" exclaimed her mother. "I beg you, madam, to let her go," said Winterbourne ardently; for he had never yet enjoyed the sensation of guiding through the summer starlight a skiff freighted with a fresh and beautiful young girl. "I shouldn t think she d want to," said her mother. "I should think she d rather go indoors."<|quote|>"I m sure Mr. Winterbourne wants to take me,"</|quote|>Daisy declared. "He s so awfully devoted!" "I will row you over to Chillon in the starlight." "I don t believe it!" said Daisy. "Well!" ejaculated the elder lady again. "You haven t spoken to me for half an hour," her daughter went on. "I have been having some very pleasant conversation with your mother," said Winterbourne. "Well, I want you to take me out in a boat!" Daisy repeated. They had all stopped, and she had turned round and was looking at Winterbourne. Her face wore a charming smile, her pretty eyes were gleaming, she was swinging her great | a tete-a-tete with the young lady, who was still strolling along in front of them, softly vocalizing. "You are not disposed, madam," he inquired, "to undertake it yourself?" Daisy s mother looked at him an instant askance, and then walked forward in silence. Then--" "I guess she had better go alone," she said simply. Winterbourne observed to himself that this was a very different type of maternity from that of the vigilant matrons who massed themselves in the forefront of social intercourse in the dark old city at the other end of the lake. But his meditations were interrupted by hearing his name very distinctly pronounced by Mrs. Miller s unprotected daughter. "Mr. Winterbourne!" murmured Daisy. "Mademoiselle!" said the young man. "Don t you want to take me out in a boat?" "At present?" he asked. "Of course!" said Daisy. "Well, Annie Miller!" exclaimed her mother. "I beg you, madam, to let her go," said Winterbourne ardently; for he had never yet enjoyed the sensation of guiding through the summer starlight a skiff freighted with a fresh and beautiful young girl. "I shouldn t think she d want to," said her mother. "I should think she d rather go indoors."<|quote|>"I m sure Mr. Winterbourne wants to take me,"</|quote|>Daisy declared. "He s so awfully devoted!" "I will row you over to Chillon in the starlight." "I don t believe it!" said Daisy. "Well!" ejaculated the elder lady again. "You haven t spoken to me for half an hour," her daughter went on. "I have been having some very pleasant conversation with your mother," said Winterbourne. "Well, I want you to take me out in a boat!" Daisy repeated. They had all stopped, and she had turned round and was looking at Winterbourne. Her face wore a charming smile, her pretty eyes were gleaming, she was swinging her great fan about. No; it s impossible to be prettier than that, thought Winterbourne. "There are half a dozen boats moored at that landing place," he said, pointing to certain steps which descended from the garden to the lake. "If you will do me the honor to accept my arm, we will go and select one of them." Daisy stood there smiling; she threw back her head and gave a little, light laugh. "I like a gentleman to be formal!" she declared. "I assure you it s a formal offer." "I was bound I would make you say something," Daisy went | yet he was quite prepared to find that, as a matter of course, she meant to accompany her daughter. "We ve been thinking ever so much about going," she pursued; "but it seems as if we couldn t. Of course Daisy--she wants to go round. But there s a lady here--I don t know her name--she says she shouldn t think we d want to go to see castles HERE; she should think we d want to wait till we got to Italy. It seems as if there would be so many there," continued Mrs. Miller with an air of increasing confidence. "Of course we only want to see the principal ones. We visited several in England," she presently added. "Ah yes! in England there are beautiful castles," said Winterbourne. "But Chillon here, is very well worth seeing." "Well, if Daisy feels up to it--" said Mrs. Miller, in a tone impregnated with a sense of the magnitude of the enterprise. "It seems as if there was nothing she wouldn t undertake." "Oh, I think she ll enjoy it!" Winterbourne declared. And he desired more and more to make it a certainty that he was to have the privilege of a tete-a-tete with the young lady, who was still strolling along in front of them, softly vocalizing. "You are not disposed, madam," he inquired, "to undertake it yourself?" Daisy s mother looked at him an instant askance, and then walked forward in silence. Then--" "I guess she had better go alone," she said simply. Winterbourne observed to himself that this was a very different type of maternity from that of the vigilant matrons who massed themselves in the forefront of social intercourse in the dark old city at the other end of the lake. But his meditations were interrupted by hearing his name very distinctly pronounced by Mrs. Miller s unprotected daughter. "Mr. Winterbourne!" murmured Daisy. "Mademoiselle!" said the young man. "Don t you want to take me out in a boat?" "At present?" he asked. "Of course!" said Daisy. "Well, Annie Miller!" exclaimed her mother. "I beg you, madam, to let her go," said Winterbourne ardently; for he had never yet enjoyed the sensation of guiding through the summer starlight a skiff freighted with a fresh and beautiful young girl. "I shouldn t think she d want to," said her mother. "I should think she d rather go indoors."<|quote|>"I m sure Mr. Winterbourne wants to take me,"</|quote|>Daisy declared. "He s so awfully devoted!" "I will row you over to Chillon in the starlight." "I don t believe it!" said Daisy. "Well!" ejaculated the elder lady again. "You haven t spoken to me for half an hour," her daughter went on. "I have been having some very pleasant conversation with your mother," said Winterbourne. "Well, I want you to take me out in a boat!" Daisy repeated. They had all stopped, and she had turned round and was looking at Winterbourne. Her face wore a charming smile, her pretty eyes were gleaming, she was swinging her great fan about. No; it s impossible to be prettier than that, thought Winterbourne. "There are half a dozen boats moored at that landing place," he said, pointing to certain steps which descended from the garden to the lake. "If you will do me the honor to accept my arm, we will go and select one of them." Daisy stood there smiling; she threw back her head and gave a little, light laugh. "I like a gentleman to be formal!" she declared. "I assure you it s a formal offer." "I was bound I would make you say something," Daisy went on. "You see, it s not very difficult," said Winterbourne. "But I am afraid you are chaffing me." "I think not, sir," remarked Mrs. Miller very gently. "Do, then, let me give you a row," he said to the young girl. "It s quite lovely, the way you say that!" cried Daisy. "It will be still more lovely to do it." "Yes, it would be lovely!" said Daisy. But she made no movement to accompany him; she only stood there laughing. "I should think you had better find out what time it is," interposed her mother. "It is eleven o clock, madam," said a voice, with a foreign accent, out of the neighboring darkness; and Winterbourne, turning, perceived the florid personage who was in attendance upon the two ladies. He had apparently just approached. "Oh, Eugenio," said Daisy, "I am going out in a boat!" Eugenio bowed. "At eleven o clock, mademoiselle?" "I am going with Mr. Winterbourne--this very minute." "Do tell her she can t," said Mrs. Miller to the courier. "I think you had better not go out in a boat, mademoiselle," Eugenio declared. Winterbourne wished to Heaven this pretty girl were not so familiar with her courier; | very gently. "He wants to talk to the waiter. He likes to talk to that waiter." "I was telling Mr. Winterbourne," the young girl went on; and to the young man s ear her tone might have indicated that she had been uttering his name all her life. "Oh, yes!" said Winterbourne; "I have the pleasure of knowing your son." Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke. "Well, I don t see how he lives!" "Anyhow, it isn t so bad as it was at Dover," said Daisy Miller. "And what occurred at Dover?" Winterbourne asked. "He wouldn t go to bed at all. I guess he sat up all night in the public parlor. He wasn t in bed at twelve o clock: I know that." "It was half-past twelve," declared Mrs. Miller with mild emphasis. "Does he sleep much during the day?" Winterbourne demanded. "I guess he doesn t sleep much," Daisy rejoined. "I wish he would!" said her mother. "It seems as if he couldn t." "I think he s real tiresome," Daisy pursued. Then, for some moments, there was silence. "Well, Daisy Miller," said the elder lady, presently, "I shouldn t think you d want to talk against your own brother!" "Well, he IS tiresome, Mother," said Daisy, quite without the asperity of a retort. "He s only nine," urged Mrs. Miller. "Well, he wouldn t go to that castle," said the young girl. "I m going there with Mr. Winterbourne." To this announcement, very placidly made, Daisy s mamma offered no response. Winterbourne took for granted that she deeply disapproved of the projected excursion; but he said to himself that she was a simple, easily managed person, and that a few deferential protestations would take the edge from her displeasure. "Yes," he began; "your daughter has kindly allowed me the honor of being her guide." Mrs. Miller s wandering eyes attached themselves, with a sort of appealing air, to Daisy, who, however, strolled a few steps farther, gently humming to herself. "I presume you will go in the cars," said her mother. "Yes, or in the boat," said Winterbourne. "Well, of course, I don t know," Mrs. Miller rejoined. "I have never been to that castle." "It is a pity you shouldn t go," said Winterbourne, beginning to feel reassured as to her opposition. And yet he was quite prepared to find that, as a matter of course, she meant to accompany her daughter. "We ve been thinking ever so much about going," she pursued; "but it seems as if we couldn t. Of course Daisy--she wants to go round. But there s a lady here--I don t know her name--she says she shouldn t think we d want to go to see castles HERE; she should think we d want to wait till we got to Italy. It seems as if there would be so many there," continued Mrs. Miller with an air of increasing confidence. "Of course we only want to see the principal ones. We visited several in England," she presently added. "Ah yes! in England there are beautiful castles," said Winterbourne. "But Chillon here, is very well worth seeing." "Well, if Daisy feels up to it--" said Mrs. Miller, in a tone impregnated with a sense of the magnitude of the enterprise. "It seems as if there was nothing she wouldn t undertake." "Oh, I think she ll enjoy it!" Winterbourne declared. And he desired more and more to make it a certainty that he was to have the privilege of a tete-a-tete with the young lady, who was still strolling along in front of them, softly vocalizing. "You are not disposed, madam," he inquired, "to undertake it yourself?" Daisy s mother looked at him an instant askance, and then walked forward in silence. Then--" "I guess she had better go alone," she said simply. Winterbourne observed to himself that this was a very different type of maternity from that of the vigilant matrons who massed themselves in the forefront of social intercourse in the dark old city at the other end of the lake. But his meditations were interrupted by hearing his name very distinctly pronounced by Mrs. Miller s unprotected daughter. "Mr. Winterbourne!" murmured Daisy. "Mademoiselle!" said the young man. "Don t you want to take me out in a boat?" "At present?" he asked. "Of course!" said Daisy. "Well, Annie Miller!" exclaimed her mother. "I beg you, madam, to let her go," said Winterbourne ardently; for he had never yet enjoyed the sensation of guiding through the summer starlight a skiff freighted with a fresh and beautiful young girl. "I shouldn t think she d want to," said her mother. "I should think she d rather go indoors."<|quote|>"I m sure Mr. Winterbourne wants to take me,"</|quote|>Daisy declared. "He s so awfully devoted!" "I will row you over to Chillon in the starlight." "I don t believe it!" said Daisy. "Well!" ejaculated the elder lady again. "You haven t spoken to me for half an hour," her daughter went on. "I have been having some very pleasant conversation with your mother," said Winterbourne. "Well, I want you to take me out in a boat!" Daisy repeated. They had all stopped, and she had turned round and was looking at Winterbourne. Her face wore a charming smile, her pretty eyes were gleaming, she was swinging her great fan about. No; it s impossible to be prettier than that, thought Winterbourne. "There are half a dozen boats moored at that landing place," he said, pointing to certain steps which descended from the garden to the lake. "If you will do me the honor to accept my arm, we will go and select one of them." Daisy stood there smiling; she threw back her head and gave a little, light laugh. "I like a gentleman to be formal!" she declared. "I assure you it s a formal offer." "I was bound I would make you say something," Daisy went on. "You see, it s not very difficult," said Winterbourne. "But I am afraid you are chaffing me." "I think not, sir," remarked Mrs. Miller very gently. "Do, then, let me give you a row," he said to the young girl. "It s quite lovely, the way you say that!" cried Daisy. "It will be still more lovely to do it." "Yes, it would be lovely!" said Daisy. But she made no movement to accompany him; she only stood there laughing. "I should think you had better find out what time it is," interposed her mother. "It is eleven o clock, madam," said a voice, with a foreign accent, out of the neighboring darkness; and Winterbourne, turning, perceived the florid personage who was in attendance upon the two ladies. He had apparently just approached. "Oh, Eugenio," said Daisy, "I am going out in a boat!" Eugenio bowed. "At eleven o clock, mademoiselle?" "I am going with Mr. Winterbourne--this very minute." "Do tell her she can t," said Mrs. Miller to the courier. "I think you had better not go out in a boat, mademoiselle," Eugenio declared. Winterbourne wished to Heaven this pretty girl were not so familiar with her courier; but he said nothing. "I suppose you don t think it s proper!" Daisy exclaimed. "Eugenio doesn t think anything s proper." "I am at your service," said Winterbourne. "Does mademoiselle propose to go alone?" asked Eugenio of Mrs. Miller. "Oh, no; with this gentleman!" answered Daisy s mamma. The courier looked for a moment at Winterbourne--the latter thought he was smiling--and then, solemnly, with a bow, "As mademoiselle pleases!" he said. "Oh, I hoped you would make a fuss!" said Daisy. "I don t care to go now." "I myself shall make a fuss if you don t go," said Winterbourne. "That s all I want--a little fuss!" And the young girl began to laugh again. "Mr. Randolph has gone to bed!" the courier announced frigidly. "Oh, Daisy; now we can go!" said Mrs. Miller. Daisy turned away from Winterbourne, looking at him, smiling and fanning herself. "Good night," she said; "I hope you are disappointed, or disgusted, or something!" He looked at her, taking the hand she offered him. "I am puzzled," he answered. "Well, I hope it won t keep you awake!" she said very smartly; and, under the escort of the privileged Eugenio, the two ladies passed toward the house. Winterbourne stood looking after them; he was indeed puzzled. He lingered beside the lake for a quarter of an hour, turning over the mystery of the young girl s sudden familiarities and caprices. But the only very definite conclusion he came to was that he should enjoy deucedly "going off" with her somewhere. Two days afterward he went off with her to the Castle of Chillon. He waited for her in the large hall of the hotel, where the couriers, the servants, the foreign tourists, were lounging about and staring. It was not the place he should have chosen, but she had appointed it. She came tripping downstairs, buttoning her long gloves, squeezing her folded parasol against her pretty figure, dressed in the perfection of a soberly elegant traveling costume. Winterbourne was a man of imagination and, as our ancestors used to say, sensibility; as he looked at her dress and, on the great staircase, her little rapid, confiding step, he felt as if there were something romantic going forward. He could have believed he was going to elope with her. He passed out with her among all the idle people that were assembled there; they | beautiful castles," said Winterbourne. "But Chillon here, is very well worth seeing." "Well, if Daisy feels up to it--" said Mrs. Miller, in a tone impregnated with a sense of the magnitude of the enterprise. "It seems as if there was nothing she wouldn t undertake." "Oh, I think she ll enjoy it!" Winterbourne declared. And he desired more and more to make it a certainty that he was to have the privilege of a tete-a-tete with the young lady, who was still strolling along in front of them, softly vocalizing. "You are not disposed, madam," he inquired, "to undertake it yourself?" Daisy s mother looked at him an instant askance, and then walked forward in silence. Then--" "I guess she had better go alone," she said simply. Winterbourne observed to himself that this was a very different type of maternity from that of the vigilant matrons who massed themselves in the forefront of social intercourse in the dark old city at the other end of the lake. But his meditations were interrupted by hearing his name very distinctly pronounced by Mrs. Miller s unprotected daughter. "Mr. Winterbourne!" murmured Daisy. "Mademoiselle!" said the young man. "Don t you want to take me out in a boat?" "At present?" he asked. "Of course!" said Daisy. "Well, Annie Miller!" exclaimed her mother. "I beg you, madam, to let her go," said Winterbourne ardently; for he had never yet enjoyed the sensation of guiding through the summer starlight a skiff freighted with a fresh and beautiful young girl. "I shouldn t think she d want to," said her mother. "I should think she d rather go indoors."<|quote|>"I m sure Mr. Winterbourne wants to take me,"</|quote|>Daisy declared. "He s so awfully devoted!" "I will row you over to Chillon in the starlight." "I don t believe it!" said Daisy. "Well!" ejaculated the elder lady again. "You haven t spoken to me for half an hour," her daughter went on. "I have been having some very pleasant conversation with your mother," said Winterbourne. "Well, I want you to take me out in a boat!" Daisy repeated. They had all stopped, and she had turned round and was looking at Winterbourne. Her face wore a charming smile, her pretty eyes were gleaming, she was swinging her great fan about. No; it s impossible to be prettier than that, thought Winterbourne. "There are half a dozen boats moored at that landing place," he said, pointing to certain steps which descended from the garden to the lake. "If you will do me the honor to accept my arm, we will go and select one of them." Daisy stood there smiling; she threw back her head and gave a little, light laugh. "I like a gentleman to be formal!" she declared. "I assure you it s a formal offer." "I was bound I would make you say something," Daisy went on. "You see, it s not very difficult," said Winterbourne. "But I am afraid you are chaffing me." "I think not, sir," remarked Mrs. Miller very gently. "Do, then, let me give you a row," he said to the young girl. "It s quite lovely, the way you say that!" cried Daisy. "It will be still more lovely to do it." "Yes, it would be lovely!" said Daisy. But she made no movement to accompany him; she only stood there laughing. "I should think you had better find out what time it is," interposed her mother. "It is eleven o clock, madam," said a voice, with a foreign accent, out of the neighboring darkness; and Winterbourne, turning, perceived the florid personage who was in attendance upon the two ladies. He had apparently just approached. "Oh, Eugenio," said Daisy, "I am going out in a boat!" Eugenio bowed. "At eleven o clock, mademoiselle?" "I am going with Mr. Winterbourne--this very minute." "Do tell her she can t," said Mrs. Miller to the courier. "I think you had better not go out in a boat, mademoiselle," Eugenio declared. Winterbourne wished to Heaven this pretty girl were not so familiar with her courier; but he said nothing. "I suppose you don t think it s proper!" Daisy exclaimed. "Eugenio doesn t think anything s proper." "I am at your service," said Winterbourne. "Does mademoiselle propose to go alone?" asked Eugenio of Mrs. Miller. "Oh, no; with this gentleman!" answered Daisy s mamma. The courier looked for a moment at Winterbourne--the latter thought he was smiling--and then, solemnly, with a bow, "As mademoiselle pleases!" he said. "Oh, I hoped you would make a fuss!" said Daisy. "I don t | Daisy Miller |
"You must not say anything against him. I love him." | Sibyl Vane | good." "Stop, Jim!" she exclaimed.<|quote|>"You must not say anything against him. I love him."</|quote|>"Why, you don t even | him? He means you no good." "Stop, Jim!" she exclaimed.<|quote|>"You must not say anything against him. I love him."</|quote|>"Why, you don t even know his name," answered the | "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you mean, Jim?" she asked. "You have a new friend, I hear. Who is he? Why have you not told me about him? He means you no good." "Stop, Jim!" she exclaimed.<|quote|>"You must not say anything against him. I love him."</|quote|>"Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the | a word I am saying, Jim," cried Sibyl, "and I am making the most delightful plans for your future. Do say something." "What do you want me to say?" "Oh! that you will be a good boy and not forget us," she answered, smiling at him. He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you mean, Jim?" she asked. "You have a new friend, I hear. Who is he? Why have you not told me about him? He means you no good." "Stop, Jim!" she exclaimed.<|quote|>"You must not say anything against him. I love him."</|quote|>"Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am | sometimes they forgive them. His mother! He had something on his mind to ask of her, something that he had brooded on for many months of silence. A chance phrase that he had heard at the theatre, a whispered sneer that had reached his ears one night as he waited at the stage-door, had set loose a train of horrible thoughts. He remembered it as if it had been the lash of a hunting-crop across his face. His brows knit together into a wedge-like furrow, and with a twitch of pain he bit his underlip. "You are not listening to a word I am saying, Jim," cried Sibyl, "and I am making the most delightful plans for your future. Do say something." "What do you want me to say?" "Oh! that you will be a good boy and not forget us," she answered, smiling at him. He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you mean, Jim?" she asked. "You have a new friend, I hear. Who is he? Why have you not told me about him? He means you no good." "Stop, Jim!" she exclaimed.<|quote|>"You must not say anything against him. I love him."</|quote|>"Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I | was only a year older than he was, but she knew so much more of life. He must be sure, also, to write to her by every mail, and to say his prayers each night before he went to sleep. God was very good, and would watch over him. She would pray for him, too, and in a few years he would come back quite rich and happy. The lad listened sulkily to her and made no answer. He was heart-sick at leaving home. Yet it was not this alone that made him gloomy and morose. Inexperienced though he was, he had still a strong sense of the danger of Sibyl s position. This young dandy who was making love to her could mean her no good. He was a gentleman, and he hated him for that, hated him through some curious race-instinct for which he could not account, and which for that reason was all the more dominant within him. He was conscious also of the shallowness and vanity of his mother s nature, and in that saw infinite peril for Sibyl and Sibyl s happiness. Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them. His mother! He had something on his mind to ask of her, something that he had brooded on for many months of silence. A chance phrase that he had heard at the theatre, a whispered sneer that had reached his ears one night as he waited at the stage-door, had set loose a train of horrible thoughts. He remembered it as if it had been the lash of a hunting-crop across his face. His brows knit together into a wedge-like furrow, and with a twitch of pain he bit his underlip. "You are not listening to a word I am saying, Jim," cried Sibyl, "and I am making the most delightful plans for your future. Do say something." "What do you want me to say?" "Oh! that you will be a good boy and not forget us," she answered, smiling at him. He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you mean, Jim?" she asked. "You have a new friend, I hear. Who is he? Why have you not told me about him? He means you no good." "Stop, Jim!" she exclaimed.<|quote|>"You must not say anything against him. I love him."</|quote|>"Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two | the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious of the effect she was producing. Her love was trembling in laughter on her lips. She was thinking of Prince Charming, and, that she might think of him all the more, she did not talk of him, but prattled on about the ship in which Jim was going to sail, about the gold he was certain to find, about the wonderful heiress whose life he was to save from the wicked, red-shirted bushrangers. For he was not to remain a sailor, or a supercargo, or whatever he was going to be. Oh, no! A sailor s existence was dreadful. Fancy being cooped up in a horrid ship, with the hoarse, hump-backed waves trying to get in, and a black wind blowing the masts down and tearing the sails into long screaming ribands! He was to leave the vessel at Melbourne, bid a polite good-bye to the captain, and go off at once to the gold-fields. Before a week was over he was to come across a large nugget of pure gold, the largest nugget that had ever been discovered, and bring it down to the coast in a waggon guarded by six mounted policemen. The bushrangers were to attack them three times, and be defeated with immense slaughter. Or, no. He was not to go to the gold-fields at all. They were horrid places, where men got intoxicated, and shot each other in bar-rooms, and used bad language. He was to be a nice sheep-farmer, and one evening, as he was riding home, he was to see the beautiful heiress being carried off by a robber on a black horse, and give chase, and rescue her. Of course, she would fall in love with him, and he with her, and they would get married, and come home, and live in an immense house in London. Yes, there were delightful things in store for him. But he must be very good, and not lose his temper, or spend his money foolishly. She was only a year older than he was, but she knew so much more of life. He must be sure, also, to write to her by every mail, and to say his prayers each night before he went to sleep. God was very good, and would watch over him. She would pray for him, too, and in a few years he would come back quite rich and happy. The lad listened sulkily to her and made no answer. He was heart-sick at leaving home. Yet it was not this alone that made him gloomy and morose. Inexperienced though he was, he had still a strong sense of the danger of Sibyl s position. This young dandy who was making love to her could mean her no good. He was a gentleman, and he hated him for that, hated him through some curious race-instinct for which he could not account, and which for that reason was all the more dominant within him. He was conscious also of the shallowness and vanity of his mother s nature, and in that saw infinite peril for Sibyl and Sibyl s happiness. Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them. His mother! He had something on his mind to ask of her, something that he had brooded on for many months of silence. A chance phrase that he had heard at the theatre, a whispered sneer that had reached his ears one night as he waited at the stage-door, had set loose a train of horrible thoughts. He remembered it as if it had been the lash of a hunting-crop across his face. His brows knit together into a wedge-like furrow, and with a twitch of pain he bit his underlip. "You are not listening to a word I am saying, Jim," cried Sibyl, "and I am making the most delightful plans for your future. Do say something." "What do you want me to say?" "Oh! that you will be a good boy and not forget us," she answered, smiling at him. He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you mean, Jim?" she asked. "You have a new friend, I hear. Who is he? Why have you not told me about him? He means you no good." "Stop, Jim!" she exclaimed.<|quote|>"You must not say anything against him. I love him."</|quote|>"Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by." They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet. "There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever does you any wrong, I shall kill him." She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her tittered. "Come away, Jim; come away," she whispered. He followed her doggedly as she passed through the crowd. He felt glad at what he had said. When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that is all. How can you say such horrible things? You don t know what you are talking about. You are simply jealous and unkind. Ah! I wish you would fall in love. Love makes people good, and what you said was wicked." "I am sixteen," he answered, "and I know what I am about. Mother is no | was, he had still a strong sense of the danger of Sibyl s position. This young dandy who was making love to her could mean her no good. He was a gentleman, and he hated him for that, hated him through some curious race-instinct for which he could not account, and which for that reason was all the more dominant within him. He was conscious also of the shallowness and vanity of his mother s nature, and in that saw infinite peril for Sibyl and Sibyl s happiness. Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them. His mother! He had something on his mind to ask of her, something that he had brooded on for many months of silence. A chance phrase that he had heard at the theatre, a whispered sneer that had reached his ears one night as he waited at the stage-door, had set loose a train of horrible thoughts. He remembered it as if it had been the lash of a hunting-crop across his face. His brows knit together into a wedge-like furrow, and with a twitch of pain he bit his underlip. "You are not listening to a word I am saying, Jim," cried Sibyl, "and I am making the most delightful plans for your future. Do say something." "What do you want me to say?" "Oh! that you will be a good boy and not forget us," she answered, smiling at him. He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you mean, Jim?" she asked. "You have a new friend, I hear. Who is he? Why have you not told me about him? He means you no good." "Stop, Jim!" she exclaimed.<|quote|>"You must not say anything against him. I love him."</|quote|>"Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by." They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint | The Picture Of Dorian Gray |
"I am waiting, Basil," | Dorian Gray | their throbbing cores of flame.<|quote|>"I am waiting, Basil,"</|quote|>said the young man in | with their frostlike ashes and their throbbing cores of flame.<|quote|>"I am waiting, Basil,"</|quote|>said the young man in a hard clear voice. He | of Dorian Gray? If he had done a tithe of what was rumoured about him, how much he must have suffered! Then he straightened himself up, and walked over to the fire-place, and stood there, looking at the burning logs with their frostlike ashes and their throbbing cores of flame.<|quote|>"I am waiting, Basil,"</|quote|>said the young man in a hard clear voice. He turned round. "What I have to say is this," he cried. "You must give me some answer to these horrible charges that are made against you. If you tell me that they are absolutely untrue from beginning to end, I | stanch friend to you." "Don t touch me. Finish what you have to say." A twisted flash of pain shot across the painter s face. He paused for a moment, and a wild feeling of pity came over him. After all, what right had he to pry into the life of Dorian Gray? If he had done a tithe of what was rumoured about him, how much he must have suffered! Then he straightened himself up, and walked over to the fire-place, and stood there, looking at the burning logs with their frostlike ashes and their throbbing cores of flame.<|quote|>"I am waiting, Basil,"</|quote|>said the young man in a hard clear voice. He turned round. "What I have to say is this," he cried. "You must give me some answer to these horrible charges that are made against you. If you tell me that they are absolutely untrue from beginning to end, I shall believe you. Deny them, Dorian, deny them! Can t you see what I am going through? My God! don t tell me that you are bad, and corrupt, and shameful." Dorian Gray smiled. There was a curl of contempt in his lips. "Come upstairs, Basil," he said quietly. "I | rest of his life with the hideous memory of what he had done. "Yes," he continued, coming closer to him and looking steadfastly into his stern eyes, "I shall show you my soul. You shall see the thing that you fancy only God can see." Hallward started back. "This is blasphemy, Dorian!" he cried. "You must not say things like that. They are horrible, and they don t mean anything." "You think so?" He laughed again. "I know so. As for what I said to you to-night, I said it for your good. You know I have been always a stanch friend to you." "Don t touch me. Finish what you have to say." A twisted flash of pain shot across the painter s face. He paused for a moment, and a wild feeling of pity came over him. After all, what right had he to pry into the life of Dorian Gray? If he had done a tithe of what was rumoured about him, how much he must have suffered! Then he straightened himself up, and walked over to the fire-place, and stood there, looking at the burning logs with their frostlike ashes and their throbbing cores of flame.<|quote|>"I am waiting, Basil,"</|quote|>said the young man in a hard clear voice. He turned round. "What I have to say is this," he cried. "You must give me some answer to these horrible charges that are made against you. If you tell me that they are absolutely untrue from beginning to end, I shall believe you. Deny them, Dorian, deny them! Can t you see what I am going through? My God! don t tell me that you are bad, and corrupt, and shameful." Dorian Gray smiled. There was a curl of contempt in his lips. "Come upstairs, Basil," he said quietly. "I keep a diary of my life from day to day, and it never leaves the room in which it is written. I shall show it to you if you come with me." "I shall come with you, Dorian, if you wish it. I see I have missed my train. That makes no matter. I can go to-morrow. But don t ask me to read anything to-night. All I want is a plain answer to my question." "That shall be given to you upstairs. I could not give it here. You will not have to read long." CHAPTER XIII. He passed | starting up from the sofa and turning almost white from fear. "Yes," answered Hallward gravely, and with deep-toned sorrow in his voice, "to see your soul. But only God can do that." A bitter laugh of mockery broke from the lips of the younger man. "You shall see it yourself, to-night!" he cried, seizing a lamp from the table. "Come: it is your own handiwork. Why shouldn t you look at it? You can tell the world all about it afterwards, if you choose. Nobody would believe you. If they did believe you, they would like me all the better for it. I know the age better than you do, though you will prate about it so tediously. Come, I tell you. You have chattered enough about corruption. Now you shall look on it face to face." There was the madness of pride in every word he uttered. He stamped his foot upon the ground in his boyish insolent manner. He felt a terrible joy at the thought that some one else was to share his secret, and that the man who had painted the portrait that was the origin of all his shame was to be burdened for the rest of his life with the hideous memory of what he had done. "Yes," he continued, coming closer to him and looking steadfastly into his stern eyes, "I shall show you my soul. You shall see the thing that you fancy only God can see." Hallward started back. "This is blasphemy, Dorian!" he cried. "You must not say things like that. They are horrible, and they don t mean anything." "You think so?" He laughed again. "I know so. As for what I said to you to-night, I said it for your good. You know I have been always a stanch friend to you." "Don t touch me. Finish what you have to say." A twisted flash of pain shot across the painter s face. He paused for a moment, and a wild feeling of pity came over him. After all, what right had he to pry into the life of Dorian Gray? If he had done a tithe of what was rumoured about him, how much he must have suffered! Then he straightened himself up, and walked over to the fire-place, and stood there, looking at the burning logs with their frostlike ashes and their throbbing cores of flame.<|quote|>"I am waiting, Basil,"</|quote|>said the young man in a hard clear voice. He turned round. "What I have to say is this," he cried. "You must give me some answer to these horrible charges that are made against you. If you tell me that they are absolutely untrue from beginning to end, I shall believe you. Deny them, Dorian, deny them! Can t you see what I am going through? My God! don t tell me that you are bad, and corrupt, and shameful." Dorian Gray smiled. There was a curl of contempt in his lips. "Come upstairs, Basil," he said quietly. "I keep a diary of my life from day to day, and it never leaves the room in which it is written. I shall show it to you if you come with me." "I shall come with you, Dorian, if you wish it. I see I have missed my train. That makes no matter. I can go to-morrow. But don t ask me to read anything to-night. All I want is a plain answer to my question." "That shall be given to you upstairs. I could not give it here. You will not have to read long." CHAPTER XIII. He passed out of the room and began the ascent, Basil Hallward following close behind. They walked softly, as men do instinctively at night. The lamp cast fantastic shadows on the wall and staircase. A rising wind made some of the windows rattle. When they reached the top landing, Dorian set the lamp down on the floor, and taking out the key, turned it in the lock. "You insist on knowing, Basil?" he asked in a low voice. "Yes." "I am delighted," he answered, smiling. Then he added, somewhat harshly, "You are the one man in the world who is entitled to know everything about me. You have had more to do with my life than you think" "; and, taking up the lamp, he opened the door and went in. A cold current of air passed them, and the light shot up for a moment in a flame of murky orange. He shuddered. "Shut the door behind you," he whispered, as he placed the lamp on the table. Hallward glanced round him with a puzzled expression. The room looked as if it had not been lived in for years. A faded Flemish tapestry, a curtained picture, an old Italian _cassone_, and | Basil. You go too far." "I must speak, and you must listen. You shall listen. When you met Lady Gwendolen, not a breath of scandal had ever touched her. Is there a single decent woman in London now who would drive with her in the park? Why, even her children are not allowed to live with her. Then there are other stories stories that you have been seen creeping at dawn out of dreadful houses and slinking in disguise into the foulest dens in London. Are they true? Can they be true? When I first heard them, I laughed. I hear them now, and they make me shudder. What about your country-house and the life that is led there? Dorian, you don t know what is said about you. I won t tell you that I don t want to preach to you. I remember Harry saying once that every man who turned himself into an amateur curate for the moment always began by saying that, and then proceeded to break his word. I do want to preach to you. I want you to lead such a life as will make the world respect you. I want you to have a clean name and a fair record. I want you to get rid of the dreadful people you associate with. Don t shrug your shoulders like that. Don t be so indifferent. You have a wonderful influence. Let it be for good, not for evil. They say that you corrupt every one with whom you become intimate, and that it is quite sufficient for you to enter a house for shame of some kind to follow after. I don t know whether it is so or not. How should I know? But it is said of you. I am told things that it seems impossible to doubt. Lord Gloucester was one of my greatest friends at Oxford. He showed me a letter that his wife had written to him when she was dying alone in her villa at Mentone. Your name was implicated in the most terrible confession I ever read. I told him that it was absurd that I knew you thoroughly and that you were incapable of anything of the kind. Know you? I wonder do I know you? Before I could answer that, I should have to see your soul." "To see my soul!" muttered Dorian Gray, starting up from the sofa and turning almost white from fear. "Yes," answered Hallward gravely, and with deep-toned sorrow in his voice, "to see your soul. But only God can do that." A bitter laugh of mockery broke from the lips of the younger man. "You shall see it yourself, to-night!" he cried, seizing a lamp from the table. "Come: it is your own handiwork. Why shouldn t you look at it? You can tell the world all about it afterwards, if you choose. Nobody would believe you. If they did believe you, they would like me all the better for it. I know the age better than you do, though you will prate about it so tediously. Come, I tell you. You have chattered enough about corruption. Now you shall look on it face to face." There was the madness of pride in every word he uttered. He stamped his foot upon the ground in his boyish insolent manner. He felt a terrible joy at the thought that some one else was to share his secret, and that the man who had painted the portrait that was the origin of all his shame was to be burdened for the rest of his life with the hideous memory of what he had done. "Yes," he continued, coming closer to him and looking steadfastly into his stern eyes, "I shall show you my soul. You shall see the thing that you fancy only God can see." Hallward started back. "This is blasphemy, Dorian!" he cried. "You must not say things like that. They are horrible, and they don t mean anything." "You think so?" He laughed again. "I know so. As for what I said to you to-night, I said it for your good. You know I have been always a stanch friend to you." "Don t touch me. Finish what you have to say." A twisted flash of pain shot across the painter s face. He paused for a moment, and a wild feeling of pity came over him. After all, what right had he to pry into the life of Dorian Gray? If he had done a tithe of what was rumoured about him, how much he must have suffered! Then he straightened himself up, and walked over to the fire-place, and stood there, looking at the burning logs with their frostlike ashes and their throbbing cores of flame.<|quote|>"I am waiting, Basil,"</|quote|>said the young man in a hard clear voice. He turned round. "What I have to say is this," he cried. "You must give me some answer to these horrible charges that are made against you. If you tell me that they are absolutely untrue from beginning to end, I shall believe you. Deny them, Dorian, deny them! Can t you see what I am going through? My God! don t tell me that you are bad, and corrupt, and shameful." Dorian Gray smiled. There was a curl of contempt in his lips. "Come upstairs, Basil," he said quietly. "I keep a diary of my life from day to day, and it never leaves the room in which it is written. I shall show it to you if you come with me." "I shall come with you, Dorian, if you wish it. I see I have missed my train. That makes no matter. I can go to-morrow. But don t ask me to read anything to-night. All I want is a plain answer to my question." "That shall be given to you upstairs. I could not give it here. You will not have to read long." CHAPTER XIII. He passed out of the room and began the ascent, Basil Hallward following close behind. They walked softly, as men do instinctively at night. The lamp cast fantastic shadows on the wall and staircase. A rising wind made some of the windows rattle. When they reached the top landing, Dorian set the lamp down on the floor, and taking out the key, turned it in the lock. "You insist on knowing, Basil?" he asked in a low voice. "Yes." "I am delighted," he answered, smiling. Then he added, somewhat harshly, "You are the one man in the world who is entitled to know everything about me. You have had more to do with my life than you think" "; and, taking up the lamp, he opened the door and went in. A cold current of air passed them, and the light shot up for a moment in a flame of murky orange. He shuddered. "Shut the door behind you," he whispered, as he placed the lamp on the table. Hallward glanced round him with a puzzled expression. The room looked as if it had not been lived in for years. A faded Flemish tapestry, a curtained picture, an old Italian _cassone_, and an almost empty book-case that was all that it seemed to contain, besides a chair and a table. As Dorian Gray was lighting a half-burned candle that was standing on the mantelshelf, he saw that the whole place was covered with dust and that the carpet was in holes. A mouse ran scuffling behind the wainscoting. There was a damp odour of mildew. "So you think that it is only God who sees the soul, Basil? Draw that curtain back, and you will see mine." The voice that spoke was cold and cruel. "You are mad, Dorian, or playing a part," muttered Hallward, frowning. "You won t? Then I must do it myself," said the young man, and he tore the curtain from its rod and flung it on the ground. An exclamation of horror broke from the painter s lips as he saw in the dim light the hideous face on the canvas grinning at him. There was something in its expression that filled him with disgust and loathing. Good heavens! it was Dorian Gray s own face that he was looking at! The horror, whatever it was, had not yet entirely spoiled that marvellous beauty. There was still some gold in the thinning hair and some scarlet on the sensual mouth. The sodden eyes had kept something of the loveliness of their blue, the noble curves had not yet completely passed away from chiselled nostrils and from plastic throat. Yes, it was Dorian himself. But who had done it? He seemed to recognize his own brushwork, and the frame was his own design. The idea was monstrous, yet he felt afraid. He seized the lighted candle, and held it to the picture. In the left-hand corner was his own name, traced in long letters of bright vermilion. It was some foul parody, some infamous ignoble satire. He had never done that. Still, it was his own picture. He knew it, and he felt as if his blood had changed in a moment from fire to sluggish ice. His own picture! What did it mean? Why had it altered? He turned and looked at Dorian Gray with the eyes of a sick man. His mouth twitched, and his parched tongue seemed unable to articulate. He passed his hand across his forehead. It was dank with clammy sweat. The young man was leaning against the mantelshelf, watching him with that | that was the origin of all his shame was to be burdened for the rest of his life with the hideous memory of what he had done. "Yes," he continued, coming closer to him and looking steadfastly into his stern eyes, "I shall show you my soul. You shall see the thing that you fancy only God can see." Hallward started back. "This is blasphemy, Dorian!" he cried. "You must not say things like that. They are horrible, and they don t mean anything." "You think so?" He laughed again. "I know so. As for what I said to you to-night, I said it for your good. You know I have been always a stanch friend to you." "Don t touch me. Finish what you have to say." A twisted flash of pain shot across the painter s face. He paused for a moment, and a wild feeling of pity came over him. After all, what right had he to pry into the life of Dorian Gray? If he had done a tithe of what was rumoured about him, how much he must have suffered! Then he straightened himself up, and walked over to the fire-place, and stood there, looking at the burning logs with their frostlike ashes and their throbbing cores of flame.<|quote|>"I am waiting, Basil,"</|quote|>said the young man in a hard clear voice. He turned round. "What I have to say is this," he cried. "You must give me some answer to these horrible charges that are made against you. If you tell me that they are absolutely untrue from beginning to end, I shall believe you. Deny them, Dorian, deny them! Can t you see what I am going through? My God! don t tell me that you are bad, and corrupt, and shameful." Dorian Gray smiled. There was a curl of contempt in his lips. "Come upstairs, Basil," he said quietly. "I keep a diary of my life from day to day, and it never leaves the room in which it is written. I shall show it to you if you come with me." "I shall come with you, Dorian, if you wish it. I see I have missed my train. That makes no matter. I can go to-morrow. But don t ask me to read anything to-night. All I want is a plain answer to my question." "That shall be given to you upstairs. I could not give it here. You will not have to read long." CHAPTER XIII. He passed out of the room and began the ascent, Basil Hallward following close behind. They walked softly, as men do instinctively at night. The lamp cast fantastic shadows on the wall and staircase. A rising wind made some of the windows rattle. When they reached the top landing, Dorian set the lamp down on the floor, and taking out the key, turned it in the lock. "You insist on knowing, Basil?" he asked in a low voice. "Yes." "I am delighted," he answered, smiling. Then he added, somewhat harshly, "You are the one man in the world who is entitled to know everything about me. You have had more to do with my life than you think" "; and, taking up the lamp, he opened the door and went in. A cold current | The Picture Of Dorian Gray |
"Would you like to go by train or car?" | Tony Last | knee... When do we start?"<|quote|>"Would you like to go by train or car?"</|quote|>"Oh, train. Winnie's sick if | fell off and cut her knee... When do we start?"<|quote|>"Would you like to go by train or car?"</|quote|>"Oh, train. Winnie's sick if she goes in a car." | clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?"<|quote|>"Would you like to go by train or car?"</|quote|>"Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. | called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?"<|quote|>"Would you like to go by train or car?"</|quote|>"Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back | It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?"<|quote|>"Would you like to go by train or car?"</|quote|>"Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, | They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?"<|quote|>"Would you like to go by train or car?"</|quote|>"Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought | and supply the evidence. She wore a red wig. It was quite successful." "I don't think that would do in this case." "No. Exactly. I was merely quoting it as a matter of interest." "I expect I shall be able to find someone," said Tony. "I have no doubt of it," said the solicitor, bowing politely. But when he came to discuss the question later with Jock, it did not seem so easy. "It's not a thing one can ask every girl to do," he said, "whichever way you put it. If you say it is merely a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment." "No, indeed." The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?"<|quote|>"Would you like to go by train or car?"</|quote|>"Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing. "I hope you don't imagine she's coming with us." "Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' | band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?"<|quote|>"Would you like to go by train or car?"</|quote|>"Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted | A Handful Of Dust |
"Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!" | Cecilia Jupe | with a nod of intelligence.<|quote|>"Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!"</|quote|>"And you were his comfort | the people laugh?" said Louisa, with a nod of intelligence.<|quote|>"Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!"</|quote|>"And you were his comfort through everything?" She nodded, with | me more about him," said Louisa, "I will never ask you again. Where did you live?" "We travelled about the country, and had no fixed place to live in. Father's a;" Sissy whispered the awful word, "a clown." "To make the people laugh?" said Louisa, with a nod of intelligence.<|quote|>"Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!"</|quote|>"And you were his comfort through everything?" She nodded, with the tears rolling down her face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be | understands him as I do; nobody knows him as I do. When he left me for my good he never would have left me for his own I know he was almost broken-hearted with the trial. He will not be happy for a single minute, till he comes back." "Tell me more about him," said Louisa, "I will never ask you again. Where did you live?" "We travelled about the country, and had no fixed place to live in. Father's a;" Sissy whispered the awful word, "a clown." "To make the people laugh?" said Louisa, with a nod of intelligence.<|quote|>"Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!"</|quote|>"And you were his comfort through everything?" She nodded, with the tears rolling down her face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal, and be different from him. I used to read to him to cheer his courage, and he was very fond of that. They were wrong books I am never to speak of them here but we didn't | she was quite a scholar. She died when I was born. She was;" Sissy made the terrible communication nervously; "she was a dancer." "Did your father love her?" Louisa asked these questions with a strong, wild, wandering interest peculiar to her; an interest gone astray like a banished creature, and hiding in solitary places. "O yes! As dearly as he loves me. Father loved me, first, for her sake. He carried me about with him when I was quite a baby. We have never been asunder from that time." "Yet he leaves you now, Sissy?" "Only for my good. Nobody understands him as I do; nobody knows him as I do. When he left me for my good he never would have left me for his own I know he was almost broken-hearted with the trial. He will not be happy for a single minute, till he comes back." "Tell me more about him," said Louisa, "I will never ask you again. Where did you live?" "We travelled about the country, and had no fixed place to live in. Father's a;" Sissy whispered the awful word, "a clown." "To make the people laugh?" said Louisa, with a nod of intelligence.<|quote|>"Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!"</|quote|>"And you were his comfort through everything?" She nodded, with the tears rolling down her face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal, and be different from him. I used to read to him to cheer his courage, and he was very fond of that. They were wrong books I am never to speak of them here but we didn't know there was any harm in them." "And he liked them?" said Louisa, with a searching gaze on Sissy all this time. "O very much! They kept him, many times, from what did him real harm. And often and often of a night, he used to forget all his troubles in wondering whether the Sultan would let the lady go on with the story, or would have her head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her | to her greatest error; "I said it was nothing." "Nothing, Sissy?" "Nothing, Miss to the relations and friends of the people who were killed. I shall never learn," said Sissy. "And the worst of all is, that although my poor father wished me so much to learn, and although I am so anxious to learn, because he wished me to, I am afraid I don't like it." Louisa stood looking at the pretty modest head, as it drooped abashed before her, until it was raised again to glance at her face. Then she asked: "Did your father know so much himself, that he wished you to be well taught too, Sissy?" Sissy hesitated before replying, and so plainly showed her sense that they were entering on forbidden ground, that Louisa added, "No one hears us; and if any one did, I am sure no harm could be found in such an innocent question." "No, Miss Louisa," answered Sissy, upon this encouragement, shaking her head; "father knows very little indeed. It's as much as he can do to write; and it's more than people in general can do to read his writing. Though it's plain to _me_." "Your mother?" "Father says she was quite a scholar. She died when I was born. She was;" Sissy made the terrible communication nervously; "she was a dancer." "Did your father love her?" Louisa asked these questions with a strong, wild, wandering interest peculiar to her; an interest gone astray like a banished creature, and hiding in solitary places. "O yes! As dearly as he loves me. Father loved me, first, for her sake. He carried me about with him when I was quite a baby. We have never been asunder from that time." "Yet he leaves you now, Sissy?" "Only for my good. Nobody understands him as I do; nobody knows him as I do. When he left me for my good he never would have left me for his own I know he was almost broken-hearted with the trial. He will not be happy for a single minute, till he comes back." "Tell me more about him," said Louisa, "I will never ask you again. Where did you live?" "We travelled about the country, and had no fixed place to live in. Father's a;" Sissy whispered the awful word, "a clown." "To make the people laugh?" said Louisa, with a nod of intelligence.<|quote|>"Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!"</|quote|>"And you were his comfort through everything?" She nodded, with the tears rolling down her face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal, and be different from him. I used to read to him to cheer his courage, and he was very fond of that. They were wrong books I am never to speak of them here but we didn't know there was any harm in them." "And he liked them?" said Louisa, with a searching gaze on Sissy all this time. "O very much! They kept him, many times, from what did him real harm. And often and often of a night, he used to forget all his troubles in wondering whether the Sultan would let the lady go on with the story, or would have her head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her hands. "Kinder and kinder than I can tell. He was angry only one night, and that was not to me, but Merrylegs. Merrylegs;" she whispered the awful fact; "is his performing dog." "Why was he angry with the dog?" Louisa demanded. "Father, soon after they came home from performing, told Merrylegs to jump up on the backs of the two chairs and stand across them which is one of his tricks. He looked at father, and didn't do it at once. Everything of father's had gone wrong that night, and he hadn't pleased the public at all. He cried out that the very dog knew he was failing, and had no compassion on him. Then he beat the dog, and I was frightened, and said," "Father, father! Pray don't hurt the creature who is so fond of you! O Heaven forgive you, father, stop!" "And he stopped, and the dog was bloody, and father lay down crying on the floor with the dog in his arms, and the dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left | natural to me." "Mr. and Mrs. M'Choakumchild never make any mistakes themselves, I suppose, Sissy?" "O no!" she eagerly returned. "They know everything." "Tell me some of your mistakes." "I am almost ashamed," said Sissy, with reluctance. "But to-day, for instance, Mr. M'Choakumchild was explaining to us about Natural Prosperity." "National, I think it must have been," observed Louisa. "Yes, it was. But isn't it the same?" she timidly asked. "You had better say, National, as he said so," returned Louisa, with her dry reserve. "National Prosperity. And he said, Now, this schoolroom is a Nation. And in this nation, there are fifty millions of money. Isn't this a prosperous nation? Girl number twenty, isn't this a prosperous nation, and a'n't you in a thriving state?" "What did you say?" asked Louisa. "Miss Louisa, I said I didn't know. I thought I couldn't know whether it was a prosperous nation or not, and whether I was in a thriving state or not, unless I knew who had got the money, and whether any of it was mine. But that had nothing to do with it. It was not in the figures at all," said Sissy, wiping her eyes. "That was a great mistake of yours," observed Louisa. "Yes, Miss Louisa, I know it was, now. Then Mr. M'Choakumchild said he would try me again. And he said, This schoolroom is an immense town, and in it there are a million of inhabitants, and only five-and-twenty are starved to death in the streets, in the course of a year. What is your remark on that proportion? And my remark was for I couldn't think of a better one that I thought it must be just as hard upon those who were starved, whether the others were a million, or a million million. And that was wrong, too." "Of course it was." "Then Mr. M'Choakumchild said he would try me once more. And he said, Here are the stutterings" "Statistics," said Louisa. "Yes, Miss Louisa they always remind me of stutterings, and that's another of my mistakes of accidents upon the sea. And I find (Mr. M'Choakumchild said) that in a given time a hundred thousand persons went to sea on long voyages, and only five hundred of them were drowned or burnt to death. What is the percentage? And I said, Miss;" here Sissy fairly sobbed as confessing with extreme contrition to her greatest error; "I said it was nothing." "Nothing, Sissy?" "Nothing, Miss to the relations and friends of the people who were killed. I shall never learn," said Sissy. "And the worst of all is, that although my poor father wished me so much to learn, and although I am so anxious to learn, because he wished me to, I am afraid I don't like it." Louisa stood looking at the pretty modest head, as it drooped abashed before her, until it was raised again to glance at her face. Then she asked: "Did your father know so much himself, that he wished you to be well taught too, Sissy?" Sissy hesitated before replying, and so plainly showed her sense that they were entering on forbidden ground, that Louisa added, "No one hears us; and if any one did, I am sure no harm could be found in such an innocent question." "No, Miss Louisa," answered Sissy, upon this encouragement, shaking her head; "father knows very little indeed. It's as much as he can do to write; and it's more than people in general can do to read his writing. Though it's plain to _me_." "Your mother?" "Father says she was quite a scholar. She died when I was born. She was;" Sissy made the terrible communication nervously; "she was a dancer." "Did your father love her?" Louisa asked these questions with a strong, wild, wandering interest peculiar to her; an interest gone astray like a banished creature, and hiding in solitary places. "O yes! As dearly as he loves me. Father loved me, first, for her sake. He carried me about with him when I was quite a baby. We have never been asunder from that time." "Yet he leaves you now, Sissy?" "Only for my good. Nobody understands him as I do; nobody knows him as I do. When he left me for my good he never would have left me for his own I know he was almost broken-hearted with the trial. He will not be happy for a single minute, till he comes back." "Tell me more about him," said Louisa, "I will never ask you again. Where did you live?" "We travelled about the country, and had no fixed place to live in. Father's a;" Sissy whispered the awful word, "a clown." "To make the people laugh?" said Louisa, with a nod of intelligence.<|quote|>"Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!"</|quote|>"And you were his comfort through everything?" She nodded, with the tears rolling down her face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal, and be different from him. I used to read to him to cheer his courage, and he was very fond of that. They were wrong books I am never to speak of them here but we didn't know there was any harm in them." "And he liked them?" said Louisa, with a searching gaze on Sissy all this time. "O very much! They kept him, many times, from what did him real harm. And often and often of a night, he used to forget all his troubles in wondering whether the Sultan would let the lady go on with the story, or would have her head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her hands. "Kinder and kinder than I can tell. He was angry only one night, and that was not to me, but Merrylegs. Merrylegs;" she whispered the awful fact; "is his performing dog." "Why was he angry with the dog?" Louisa demanded. "Father, soon after they came home from performing, told Merrylegs to jump up on the backs of the two chairs and stand across them which is one of his tricks. He looked at father, and didn't do it at once. Everything of father's had gone wrong that night, and he hadn't pleased the public at all. He cried out that the very dog knew he was failing, and had no compassion on him. Then he beat the dog, and I was frightened, and said," "Father, father! Pray don't hurt the creature who is so fond of you! O Heaven forgive you, father, stop!" "And he stopped, and the dog was bloody, and father lay down crying on the floor with the dog in his arms, and the dog licked his face." Louisa saw that she was sobbing; and going to her, kissed her, took her hand, and sat down beside her. "Finish by telling me how your father left you, Sissy. Now that I have asked you so much, tell me the end. The blame, if there is any blame, is mine, not yours." "Dear Miss Louisa," said Sissy, covering her eyes, and sobbing yet; "I came home from the school that afternoon, and found poor father just come home too, from the booth. And he sat rocking himself over the fire, as if he was in pain. And I said," "Have you hurt yourself, father?" "(as he did sometimes, like they all did), and he said," "A little, my darling." "And when I came to stoop down and look up at his face, I saw that he was crying. The more I spoke to him, the more he hid his face; and at first he shook all over, and said nothing but" "My darling;" "and" "My love!"" Here Tom came lounging in, and stared at the two with a coolness not particularly savouring of interest in anything but himself, and not much of that at present. "I am asking Sissy a few questions, Tom," observed his sister. "You have no occasion to go away; but don't interrupt us for a moment, Tom dear." "Oh! very well!" returned Tom. "Only father has brought old Bounderby home, and I want you to come into the drawing-room. Because if you come, there's a good chance of old Bounderby's asking me to dinner; and if you don't, there's none." "I'll come directly." "I'll wait for you," said Tom, "to make sure." Sissy resumed in a lower voice. "At last poor father said that he had given no satisfaction again, and never did give any satisfaction now, and that he was a shame and disgrace, and I should have done better without him all along. I said all the affectionate things to him that came into my heart, and presently he was quiet and I sat down by him, and told him all about the school and everything that had been said and done there. When I had no more left to tell, he put his arms round my neck, and kissed me a great many times. Then he asked me to fetch some of the stuff he used, for the little hurt he had had, and to get it at the best place, which was at the other end of town from there; and then, after kissing me again, he let me | only five hundred of them were drowned or burnt to death. What is the percentage? And I said, Miss;" here Sissy fairly sobbed as confessing with extreme contrition to her greatest error; "I said it was nothing." "Nothing, Sissy?" "Nothing, Miss to the relations and friends of the people who were killed. I shall never learn," said Sissy. "And the worst of all is, that although my poor father wished me so much to learn, and although I am so anxious to learn, because he wished me to, I am afraid I don't like it." Louisa stood looking at the pretty modest head, as it drooped abashed before her, until it was raised again to glance at her face. Then she asked: "Did your father know so much himself, that he wished you to be well taught too, Sissy?" Sissy hesitated before replying, and so plainly showed her sense that they were entering on forbidden ground, that Louisa added, "No one hears us; and if any one did, I am sure no harm could be found in such an innocent question." "No, Miss Louisa," answered Sissy, upon this encouragement, shaking her head; "father knows very little indeed. It's as much as he can do to write; and it's more than people in general can do to read his writing. Though it's plain to _me_." "Your mother?" "Father says she was quite a scholar. She died when I was born. She was;" Sissy made the terrible communication nervously; "she was a dancer." "Did your father love her?" Louisa asked these questions with a strong, wild, wandering interest peculiar to her; an interest gone astray like a banished creature, and hiding in solitary places. "O yes! As dearly as he loves me. Father loved me, first, for her sake. He carried me about with him when I was quite a baby. We have never been asunder from that time." "Yet he leaves you now, Sissy?" "Only for my good. Nobody understands him as I do; nobody knows him as I do. When he left me for my good he never would have left me for his own I know he was almost broken-hearted with the trial. He will not be happy for a single minute, till he comes back." "Tell me more about him," said Louisa, "I will never ask you again. Where did you live?" "We travelled about the country, and had no fixed place to live in. Father's a;" Sissy whispered the awful word, "a clown." "To make the people laugh?" said Louisa, with a nod of intelligence.<|quote|>"Yes. But they wouldn't laugh sometimes, and then father cried. Lately, they very often wouldn't laugh, and he used to come home despairing. Father's not like most. Those who didn't know him as well as I do, and didn't love him as dearly as I do, might believe he was not quite right. Sometimes they played tricks upon him; but they never knew how he felt them, and shrunk up, when he was alone with me. He was far, far timider than they thought!"</|quote|>"And you were his comfort through everything?" She nodded, with the tears rolling down her face. "I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal, and be different from him. I used to read to him to cheer his courage, and he was very fond of that. They were wrong books I am never to speak of them here but we didn't know there was any harm in them." "And he liked them?" said Louisa, with a searching gaze on Sissy all this time. "O very much! They kept him, many times, from what did him real harm. And often and often of a night, he used to forget all his troubles in wondering whether the Sultan would let the lady go on with the story, or would have her head cut off before it was finished." "And your father was always kind? To the last?" asked Louisa contravening the great principle, and wondering very much. "Always, always!" returned Sissy, clasping her hands. "Kinder and kinder than I can tell. He was angry only one night, and that was not to me, but Merrylegs. Merrylegs;" she whispered the awful fact; "is his performing dog." "Why was he angry with the dog?" Louisa demanded. "Father, soon after they came home from performing, told Merrylegs to jump up on the backs of the two chairs and stand across them which is one of his tricks. He looked at father, and didn't do it at once. Everything of father's had gone wrong that night, and he hadn't pleased the public at all. He cried out that the very dog knew he was failing, and had no compassion on him. Then he beat the dog, and I was frightened, and said," "Father, father! Pray don't hurt the creature who is so fond of you! O Heaven forgive you, father, stop!" "And he stopped, and the dog was bloody, and father lay down crying on the floor with the dog in his arms, and the dog licked his face." Louisa saw that she was sobbing; and going to | Hard Times |
"Your friend, is he aficionado, too?" | Montoya | people who would not understand.<|quote|>"Your friend, is he aficionado, too?"</|quote|>Montoya smiled at Bill. "Yes. | do to expose it to people who would not understand.<|quote|>"Your friend, is he aficionado, too?"</|quote|>Montoya smiled at Bill. "Yes. He came all the way | two of us; a rather shocking but really very deep secret that we knew about. He always smiled as though there were something lewd about the secret to outsiders, but that it was something that we understood. It would not do to expose it to people who would not understand.<|quote|>"Your friend, is he aficionado, too?"</|quote|>Montoya smiled at Bill. "Yes. He came all the way from New York to see the San Fermines." "Yes?" Montoya politely disbelieved. "But he's not aficionado like you." He put his hand on my shoulder again embarrassedly. "Yes," I said. "He's a real aficionado." "But he's not aficionado like you | they bring in the Villar bulls, and to-morrow come the Miuras. Do you all go down?" "Oh, yes. They've never seen a desencajonada." Montoya put his hand on my shoulder. "I'll see you there." He smiled again. He always smiled as though bull-fighting were a very special secret between the two of us; a rather shocking but really very deep secret that we knew about. He always smiled as though there were something lewd about the secret to outsiders, but that it was something that we understood. It would not do to expose it to people who would not understand.<|quote|>"Your friend, is he aficionado, too?"</|quote|>Montoya smiled at Bill. "Yes. He came all the way from New York to see the San Fermines." "Yes?" Montoya politely disbelieved. "But he's not aficionado like you." He put his hand on my shoulder again embarrassedly. "Yes," I said. "He's a real aficionado." "But he's not aficionado like you are." Aficion means passion. An aficionado is one who is passionate about the bull-fights. All the good bull-fighters stayed at Montoya's hotel; that is, those with aficion stayed there. The commercial bull-fighters stayed once, perhaps, and then did not come back. The good ones came each year. In Montoya's room | stairs I met Montoya. He shook hands with us, smiling in his embarrassed way. "Your friends are here," he said. "Mr. Campbell?" "Yes. Mr. Cohn and Mr. Campbell and Lady Ashley." He smiled as though there were something I would hear about. "When did they get in?" "Yesterday. I've saved you the rooms you had." "That's fine. Did you give Mr. Campbell the room on the plaza?" "Yes. All the rooms we looked at." "Where are our friends now?" "I think they went to the pelota." "And how about the bulls?" Montoya smiled. "To-night," he said. "To-night at seven o'clock they bring in the Villar bulls, and to-morrow come the Miuras. Do you all go down?" "Oh, yes. They've never seen a desencajonada." Montoya put his hand on my shoulder. "I'll see you there." He smiled again. He always smiled as though bull-fighting were a very special secret between the two of us; a rather shocking but really very deep secret that we knew about. He always smiled as though there were something lewd about the secret to outsiders, but that it was something that we understood. It would not do to expose it to people who would not understand.<|quote|>"Your friend, is he aficionado, too?"</|quote|>Montoya smiled at Bill. "Yes. He came all the way from New York to see the San Fermines." "Yes?" Montoya politely disbelieved. "But he's not aficionado like you." He put his hand on my shoulder again embarrassedly. "Yes," I said. "He's a real aficionado." "But he's not aficionado like you are." Aficion means passion. An aficionado is one who is passionate about the bull-fights. All the good bull-fighters stayed at Montoya's hotel; that is, those with aficion stayed there. The commercial bull-fighters stayed once, perhaps, and then did not come back. The good ones came each year. In Montoya's room were their photographs. The photographs were dedicated to Juanito Montoya or to his sister. The photographs of bull-fighters Montoya had really believed in were framed. Photographs of bull-fighters who had been without aficion Montoya kept in a drawer of his desk. They often had the most flattering inscriptions. But they did not mean anything. One day Montoya took them all out and dropped them in the waste-basket. He did not want them around. We often talked about bulls and bull-fighters. I had stopped at the Montoya for several years. We never talked for very long at a time. It was | in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. I only thought if you fished them some time it might remind you of what a good time we had." The bus started. Harris stood in front of the post-office. He waved. As we started along the road he turned and walked back toward the inn. "Say, wasn't that Harris nice?" Bill said. "I think he really did have a good time." "Harris? You bet he did." "I wish he'd come into Pamplona." "He wanted to fish." "Yes. You couldn't tell how English would mix with each other, anyway." "I suppose not." We got into Pamplona late in the afternoon and the bus stopped in front of the Hotel Montoya. Out in the plaza they were stringing electric-light wires to light the plaza for the fiesta. A few kids came up when the bus stopped, and a customs officer for the town made all the people getting down from the bus open their bundles on the sidewalk. We went into the hotel and on the stairs I met Montoya. He shook hands with us, smiling in his embarrassed way. "Your friends are here," he said. "Mr. Campbell?" "Yes. Mr. Cohn and Mr. Campbell and Lady Ashley." He smiled as though there were something I would hear about. "When did they get in?" "Yesterday. I've saved you the rooms you had." "That's fine. Did you give Mr. Campbell the room on the plaza?" "Yes. All the rooms we looked at." "Where are our friends now?" "I think they went to the pelota." "And how about the bulls?" Montoya smiled. "To-night," he said. "To-night at seven o'clock they bring in the Villar bulls, and to-morrow come the Miuras. Do you all go down?" "Oh, yes. They've never seen a desencajonada." Montoya put his hand on my shoulder. "I'll see you there." He smiled again. He always smiled as though bull-fighting were a very special secret between the two of us; a rather shocking but really very deep secret that we knew about. He always smiled as though there were something lewd about the secret to outsiders, but that it was something that we understood. It would not do to expose it to people who would not understand.<|quote|>"Your friend, is he aficionado, too?"</|quote|>Montoya smiled at Bill. "Yes. He came all the way from New York to see the San Fermines." "Yes?" Montoya politely disbelieved. "But he's not aficionado like you." He put his hand on my shoulder again embarrassedly. "Yes," I said. "He's a real aficionado." "But he's not aficionado like you are." Aficion means passion. An aficionado is one who is passionate about the bull-fights. All the good bull-fighters stayed at Montoya's hotel; that is, those with aficion stayed there. The commercial bull-fighters stayed once, perhaps, and then did not come back. The good ones came each year. In Montoya's room were their photographs. The photographs were dedicated to Juanito Montoya or to his sister. The photographs of bull-fighters Montoya had really believed in were framed. Photographs of bull-fighters who had been without aficion Montoya kept in a drawer of his desk. They often had the most flattering inscriptions. But they did not mean anything. One day Montoya took them all out and dropped them in the waste-basket. He did not want them around. We often talked about bulls and bull-fighters. I had stopped at the Montoya for several years. We never talked for very long at a time. It was simply the pleasure of discovering what we each felt. Men would come in from distant towns and before they left Pamplona stop and talk for a few minutes with Montoya about bulls. These men were aficionados. Those who were aficionados could always get rooms even when the hotel was full. Montoya introduced me to some of them. They were always very polite at first, and it amused them very much that I should be an American. Somehow it was taken for granted that an American could not have aficion. He might simulate it or confuse it with excitement, but he could not really have it. When they saw that I had aficion, and there was no password, no set questions that could bring it out, rather it was a sort of oral spiritual examination with the questions always a little on the defensive and never apparent, there was this same embarrassed putting the hand on the shoulder, or a "Buen hombre." But nearly always there was the actual touching. It seemed as though they wanted to touch you to make it certain. Montoya could forgive anything of a bull-fighter who had aficion. He could forgive attacks of nerves, panic, bad | "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my eyes deceive me?" "It has the look of a pub," Bill said. "It looks to me like a pub," I said. "I say," said Harris, "let's utilize it." He had taken up utilizing from Bill. We had a bottle of wine apiece. Harris would not let us pay. He talked Spanish quite well, and the innkeeper would not take our money. "I say. You don't know what it's meant to me to have you chaps up here." "We've had a grand time, Harris." Harris was a little tight. "I say. Really you don't know how much it means. I've not had much fun since the war." "We'll fish together again, some time. Don't you forget it, Harris." "We must. We _have_ had such a jolly good time." "How about another bottle around?" "Jolly good idea," said Harris. "This is mine," said Bill. "Or we don't drink it." "I wish you'd let me pay for it. It _does_ give me pleasure, you know." "This is going to give me pleasure," Bill said. The innkeeper brought in the fourth bottle. We had kept the same glasses. Harris lifted his glass. "I say. You know this does utilize well." Bill slapped him on the back. "Good old Harris." "I say. You know my name isn't really Harris. It's Wilson-Harris. All one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all." "Drink up, Harris." We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus he handed us each an envelope. I opened mine and there were a dozen flies in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. I only thought if you fished them some time it might remind you of what a good time we had." The bus started. Harris stood in front of the post-office. He waved. As we started along the road he turned and walked back toward the inn. "Say, wasn't that Harris nice?" Bill said. "I think he really did have a good time." "Harris? You bet he did." "I wish he'd come into Pamplona." "He wanted to fish." "Yes. You couldn't tell how English would mix with each other, anyway." "I suppose not." We got into Pamplona late in the afternoon and the bus stopped in front of the Hotel Montoya. Out in the plaza they were stringing electric-light wires to light the plaza for the fiesta. A few kids came up when the bus stopped, and a customs officer for the town made all the people getting down from the bus open their bundles on the sidewalk. We went into the hotel and on the stairs I met Montoya. He shook hands with us, smiling in his embarrassed way. "Your friends are here," he said. "Mr. Campbell?" "Yes. Mr. Cohn and Mr. Campbell and Lady Ashley." He smiled as though there were something I would hear about. "When did they get in?" "Yesterday. I've saved you the rooms you had." "That's fine. Did you give Mr. Campbell the room on the plaza?" "Yes. All the rooms we looked at." "Where are our friends now?" "I think they went to the pelota." "And how about the bulls?" Montoya smiled. "To-night," he said. "To-night at seven o'clock they bring in the Villar bulls, and to-morrow come the Miuras. Do you all go down?" "Oh, yes. They've never seen a desencajonada." Montoya put his hand on my shoulder. "I'll see you there." He smiled again. He always smiled as though bull-fighting were a very special secret between the two of us; a rather shocking but really very deep secret that we knew about. He always smiled as though there were something lewd about the secret to outsiders, but that it was something that we understood. It would not do to expose it to people who would not understand.<|quote|>"Your friend, is he aficionado, too?"</|quote|>Montoya smiled at Bill. "Yes. He came all the way from New York to see the San Fermines." "Yes?" Montoya politely disbelieved. "But he's not aficionado like you." He put his hand on my shoulder again embarrassedly. "Yes," I said. "He's a real aficionado." "But he's not aficionado like you are." Aficion means passion. An aficionado is one who is passionate about the bull-fights. All the good bull-fighters stayed at Montoya's hotel; that is, those with aficion stayed there. The commercial bull-fighters stayed once, perhaps, and then did not come back. The good ones came each year. In Montoya's room were their photographs. The photographs were dedicated to Juanito Montoya or to his sister. The photographs of bull-fighters Montoya had really believed in were framed. Photographs of bull-fighters who had been without aficion Montoya kept in a drawer of his desk. They often had the most flattering inscriptions. But they did not mean anything. One day Montoya took them all out and dropped them in the waste-basket. He did not want them around. We often talked about bulls and bull-fighters. I had stopped at the Montoya for several years. We never talked for very long at a time. It was simply the pleasure of discovering what we each felt. Men would come in from distant towns and before they left Pamplona stop and talk for a few minutes with Montoya about bulls. These men were aficionados. Those who were aficionados could always get rooms even when the hotel was full. Montoya introduced me to some of them. They were always very polite at first, and it amused them very much that I should be an American. Somehow it was taken for granted that an American could not have aficion. He might simulate it or confuse it with excitement, but he could not really have it. When they saw that I had aficion, and there was no password, no set questions that could bring it out, rather it was a sort of oral spiritual examination with the questions always a little on the defensive and never apparent, there was this same embarrassed putting the hand on the shoulder, or a "Buen hombre." But nearly always there was the actual touching. It seemed as though they wanted to touch you to make it certain. Montoya could forgive anything of a bull-fighter who had aficion. He could forgive attacks of nerves, panic, bad unexplainable actions, all sorts of lapses. For one who had aficion he could forgive anything. At once he forgave me all my friends. Without his ever saying anything they were simply a little something shameful between us, like the spilling open of the horses in bull-fighting. Bill had gone up-stairs as we came in, and I found him washing and changing in his room. "Well," he said, "talk a lot of Spanish?" "He was telling me about the bulls coming in to-night." "Let's find the gang and go down." "All right. They'll probably be at the caf ." "Have you got tickets?" "Yes. I got them for all the unloadings." "What's it like?" He was pulling his cheek before the glass, looking to see if there were unshaved patches under the line of the jaw. "It's pretty good," I said. "They let the bulls out of the cages one at a time, and they have steers in the corral to receive them and keep them from fighting, and the bulls tear in at the steers and the steers run around like old maids trying to quiet them down." "Do they ever gore the steers?" "Sure. Sometimes they go right after them and kill them." "Can't the steers do anything?" "No. They're trying to make friends." "What do they have them in for?" "To quiet down the bulls and keep them from breaking horns against the stone walls, or goring each other." "Must be swell being a steer." We went down the stairs and out of the door and walked across the square toward the Caf Iru a. There were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because | the fourth bottle. We had kept the same glasses. Harris lifted his glass. "I say. You know this does utilize well." Bill slapped him on the back. "Good old Harris." "I say. You know my name isn't really Harris. It's Wilson-Harris. All one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all." "Drink up, Harris." We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus he handed us each an envelope. I opened mine and there were a dozen flies in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. I only thought if you fished them some time it might remind you of what a good time we had." The bus started. Harris stood in front of the post-office. He waved. As we started along the road he turned and walked back toward the inn. "Say, wasn't that Harris nice?" Bill said. "I think he really did have a good time." "Harris? You bet he did." "I wish he'd come into Pamplona." "He wanted to fish." "Yes. You couldn't tell how English would mix with each other, anyway." "I suppose not." We got into Pamplona late in the afternoon and the bus stopped in front of the Hotel Montoya. Out in the plaza they were stringing electric-light wires to light the plaza for the fiesta. A few kids came up when the bus stopped, and a customs officer for the town made all the people getting down from the bus open their bundles on the sidewalk. We went into the hotel and on the stairs I met Montoya. He shook hands with us, smiling in his embarrassed way. "Your friends are here," he said. "Mr. Campbell?" "Yes. Mr. Cohn and Mr. Campbell and Lady Ashley." He smiled as though there were something I would hear about. "When did they get in?" "Yesterday. I've saved you the rooms you had." "That's fine. Did you give Mr. Campbell the room on the plaza?" "Yes. All the rooms we looked at." "Where are our friends now?" "I think they went to the pelota." "And how about the bulls?" Montoya smiled. "To-night," he said. "To-night at seven o'clock they bring in the Villar bulls, and to-morrow come the Miuras. Do you all go down?" "Oh, yes. They've never seen a desencajonada." Montoya put his hand on my shoulder. "I'll see you there." He smiled again. He always smiled as though bull-fighting were a very special secret between the two of us; a rather shocking but really very deep secret that we knew about. He always smiled as though there were something lewd about the secret to outsiders, but that it was something that we understood. It would not do to expose it to people who would not understand.<|quote|>"Your friend, is he aficionado, too?"</|quote|>Montoya smiled at Bill. "Yes. He came all the way from New York to see the San Fermines." "Yes?" Montoya politely disbelieved. "But he's not aficionado like you." He put his hand on my shoulder again embarrassedly. "Yes," I said. "He's a real aficionado." "But he's not aficionado like you are." Aficion means passion. An aficionado is one who is passionate about the bull-fights. All the good bull-fighters stayed at Montoya's hotel; that is, those with aficion stayed there. The commercial bull-fighters stayed once, perhaps, and then did not come back. The good ones came each year. In Montoya's room were their photographs. The photographs were dedicated to Juanito Montoya or to his sister. The photographs of bull-fighters Montoya had really believed in were framed. Photographs of bull-fighters who had been without aficion Montoya kept in a drawer of his desk. They often had the most flattering inscriptions. But they did not mean anything. One day Montoya took them all out and dropped them in the waste-basket. He did not want them around. We often talked about bulls and bull-fighters. I had stopped at the Montoya for several years. We never talked for very long at a time. It was simply the pleasure of discovering what we each felt. Men would come in from distant towns and before they left Pamplona stop and talk for a few minutes with Montoya about bulls. These men were aficionados. Those who were aficionados could always get rooms even when the hotel was full. Montoya introduced me to some of them. They were always very polite at first, and it amused them very much that I should be an American. Somehow it was taken for granted that an American could not have aficion. He might simulate it or confuse it with excitement, but he could not really have it. When they saw that I had aficion, and there was no password, no set questions that could bring it out, rather it was a sort of oral spiritual examination with the questions always a little on the defensive and never apparent, there was this same embarrassed putting the hand on the shoulder, or a "Buen hombre." But nearly always there was the actual touching. It seemed as though they wanted to touch you to make it certain. Montoya could forgive anything of a bull-fighter who had aficion. He could forgive attacks of nerves, panic, bad unexplainable actions, all sorts of lapses. For one who had aficion he could forgive anything. At once he forgave me all my friends. Without his ever saying anything they were simply a little something shameful between us, like the | The Sun Also Rises |
Rachael burst into tears. | No speaker | you why he made it?"<|quote|>Rachael burst into tears.</|quote|>"I didn't seek it of | that promise. Might I ask you why he made it?"<|quote|>Rachael burst into tears.</|quote|>"I didn't seek it of him, poor lad. I prayed | between them?" Rachael shook her head in silence. "He fell into suspicion," said Louisa, "with his fellow-weavers, because he had made a promise not to be one of them. I think it must have been to you that he made that promise. Might I ask you why he made it?"<|quote|>Rachael burst into tears.</|quote|>"I didn't seek it of him, poor lad. I prayed him to avoid trouble for his own good, little thinking he'd come to it through me. But I know he'd die a hundred deaths, ere ever he'd break his word. I know that of him well." Stephen had remained quietly | that you mean by a bad name?" "The name of being troublesome." "Then, by the prejudices of his own class, and by the prejudices of the other, he is sacrificed alike? Are the two so deeply separated in this town, that there is no place whatever for an honest workman between them?" Rachael shook her head in silence. "He fell into suspicion," said Louisa, "with his fellow-weavers, because he had made a promise not to be one of them. I think it must have been to you that he made that promise. Might I ask you why he made it?"<|quote|>Rachael burst into tears.</|quote|>"I didn't seek it of him, poor lad. I prayed him to avoid trouble for his own good, little thinking he'd come to it through me. But I know he'd die a hundred deaths, ere ever he'd break his word. I know that of him well." Stephen had remained quietly attentive, in his usual thoughtful attitude, with his hand at his chin. He now spoke in a voice rather less steady than usual. "No one, excepting myseln, can ever know what honour, an' what love, an' respect, I bear to Rachael, or wi' what cause. When I passed that promess, | instinctively addressed himself to her, so she now instinctively addressed herself to Rachael. Her manner was short and abrupt, yet faltering and timid. "He has told you what has passed between himself and my husband? You would be his first resource, I think." "I have heard the end of it, young lady," said Rachael. "Did I understand, that, being rejected by one employer, he would probably be rejected by all? I thought he said as much?" "The chances are very small, young lady next to nothing for a man who gets a bad name among them." "What shall I understand that you mean by a bad name?" "The name of being troublesome." "Then, by the prejudices of his own class, and by the prejudices of the other, he is sacrificed alike? Are the two so deeply separated in this town, that there is no place whatever for an honest workman between them?" Rachael shook her head in silence. "He fell into suspicion," said Louisa, "with his fellow-weavers, because he had made a promise not to be one of them. I think it must have been to you that he made that promise. Might I ask you why he made it?"<|quote|>Rachael burst into tears.</|quote|>"I didn't seek it of him, poor lad. I prayed him to avoid trouble for his own good, little thinking he'd come to it through me. But I know he'd die a hundred deaths, ere ever he'd break his word. I know that of him well." Stephen had remained quietly attentive, in his usual thoughtful attitude, with his hand at his chin. He now spoke in a voice rather less steady than usual. "No one, excepting myseln, can ever know what honour, an' what love, an' respect, I bear to Rachael, or wi' what cause. When I passed that promess, I towd her true, she were th' Angel o' my life. 'Twere a solemn promess. 'Tis gone fro' me, for ever." Louisa turned her head to him, and bent it with a deference that was new in her. She looked from him to Rachael, and her features softened. "What will you do?" she asked him. And her voice had softened too. "Weel, ma'am," said Stephen, making the best of it, with a smile; "when I ha finished off, I mun quit this part, and try another. Fortnet or misfortnet, a man can but try; there's nowt to be done wi'out | some harm and waste (chiefly to itself), and fell again; this she knew the Coketown Hands to be. But, she had scarcely thought more of separating them into units, than of separating the sea itself into its component drops. She stood for some moments looking round the room. From the few chairs, the few books, the common prints, and the bed, she glanced to the two women, and to Stephen. "I have come to speak to you, in consequence of what passed just now. I should like to be serviceable to you, if you will let me. Is this your wife?" Rachael raised her eyes, and they sufficiently answered no, and dropped again. "I remember," said Louisa, reddening at her mistake; "I recollect, now, to have heard your domestic misfortunes spoken of, though I was not attending to the particulars at the time. It was not my meaning to ask a question that would give pain to any one here. If I should ask any other question that may happen to have that result, give me credit, if you please, for being in ignorance how to speak to you as I ought." As Stephen had but a little while ago instinctively addressed himself to her, so she now instinctively addressed herself to Rachael. Her manner was short and abrupt, yet faltering and timid. "He has told you what has passed between himself and my husband? You would be his first resource, I think." "I have heard the end of it, young lady," said Rachael. "Did I understand, that, being rejected by one employer, he would probably be rejected by all? I thought he said as much?" "The chances are very small, young lady next to nothing for a man who gets a bad name among them." "What shall I understand that you mean by a bad name?" "The name of being troublesome." "Then, by the prejudices of his own class, and by the prejudices of the other, he is sacrificed alike? Are the two so deeply separated in this town, that there is no place whatever for an honest workman between them?" Rachael shook her head in silence. "He fell into suspicion," said Louisa, "with his fellow-weavers, because he had made a promise not to be one of them. I think it must have been to you that he made that promise. Might I ask you why he made it?"<|quote|>Rachael burst into tears.</|quote|>"I didn't seek it of him, poor lad. I prayed him to avoid trouble for his own good, little thinking he'd come to it through me. But I know he'd die a hundred deaths, ere ever he'd break his word. I know that of him well." Stephen had remained quietly attentive, in his usual thoughtful attitude, with his hand at his chin. He now spoke in a voice rather less steady than usual. "No one, excepting myseln, can ever know what honour, an' what love, an' respect, I bear to Rachael, or wi' what cause. When I passed that promess, I towd her true, she were th' Angel o' my life. 'Twere a solemn promess. 'Tis gone fro' me, for ever." Louisa turned her head to him, and bent it with a deference that was new in her. She looked from him to Rachael, and her features softened. "What will you do?" she asked him. And her voice had softened too. "Weel, ma'am," said Stephen, making the best of it, with a smile; "when I ha finished off, I mun quit this part, and try another. Fortnet or misfortnet, a man can but try; there's nowt to be done wi'out tryin' cept laying down and dying." "How will you travel?" "Afoot, my kind ledy, afoot." Louisa coloured, and a purse appeared in her hand. The rustling of a bank-note was audible, as she unfolded one and laid it on the table. "Rachael, will you tell him for you know how, without offence that this is freely his, to help him on his way? Will you entreat him to take it?" "I canna do that, young lady," she answered, turning her head aside. "Bless you for thinking o' the poor lad wi' such tenderness. But 'tis for him to know his heart, and what is right according to it." Louisa looked, in part incredulous, in part frightened, in part overcome with quick sympathy, when this man of so much self-command, who had been so plain and steady through the late interview, lost his composure in a moment, and now stood with his hand before his face. She stretched out hers, as if she would have touched him; then checked herself, and remained still. "Not e'en Rachael," said Stephen, when he stood again with his face uncovered, "could mak sitch a kind offerin, by onny words, kinder. T' show that I'm not | voice, starting up from the table. "Oh hide me! Don't let me be seen for the world. Don't let him come up till I've got away. Pray, pray!" She trembled, and was excessively agitated; getting behind Rachael, when Rachael tried to reassure her; and not seeming to know what she was about. "But hearken, missus, hearken," said Stephen, astonished. "'Tisn't Mr. Bounderby; 'tis his wife. Yo'r not fearfo' o' her. Yo was hey-go-mad about her, but an hour sin." "But are you sure it's the lady, and not the gentleman?" she asked, still trembling. "Certain sure!" "Well then, pray don't speak to me, nor yet take any notice of me," said the old woman. "Let me be quite to myself in this corner." Stephen nodded; looking to Rachael for an explanation, which she was quite unable to give him; took the candle, went downstairs, and in a few moments returned, lighting Louisa into the room. She was followed by the whelp. Rachael had risen, and stood apart with her shawl and bonnet in her hand, when Stephen, himself profoundly astonished by this visit, put the candle on the table. Then he too stood, with his doubled hand upon the table near it, waiting to be addressed. For the first time in her life Louisa had come into one of the dwellings of the Coketown Hands; for the first time in her life she was face to face with anything like individuality in connection with them. She knew of their existence by hundreds and by thousands. She knew what results in work a given number of them would produce in a given space of time. She knew them in crowds passing to and from their nests, like ants or beetles. But she knew from her reading infinitely more of the ways of toiling insects than of these toiling men and women. Something to be worked so much and paid so much, and there ended; something to be infallibly settled by laws of supply and demand; something that blundered against those laws, and floundered into difficulty; something that was a little pinched when wheat was dear, and over-ate itself when wheat was cheap; something that increased at such a rate of percentage, and yielded such another percentage of crime, and such another percentage of pauperism; something wholesale, of which vast fortunes were made; something that occasionally rose like a sea, and did some harm and waste (chiefly to itself), and fell again; this she knew the Coketown Hands to be. But, she had scarcely thought more of separating them into units, than of separating the sea itself into its component drops. She stood for some moments looking round the room. From the few chairs, the few books, the common prints, and the bed, she glanced to the two women, and to Stephen. "I have come to speak to you, in consequence of what passed just now. I should like to be serviceable to you, if you will let me. Is this your wife?" Rachael raised her eyes, and they sufficiently answered no, and dropped again. "I remember," said Louisa, reddening at her mistake; "I recollect, now, to have heard your domestic misfortunes spoken of, though I was not attending to the particulars at the time. It was not my meaning to ask a question that would give pain to any one here. If I should ask any other question that may happen to have that result, give me credit, if you please, for being in ignorance how to speak to you as I ought." As Stephen had but a little while ago instinctively addressed himself to her, so she now instinctively addressed herself to Rachael. Her manner was short and abrupt, yet faltering and timid. "He has told you what has passed between himself and my husband? You would be his first resource, I think." "I have heard the end of it, young lady," said Rachael. "Did I understand, that, being rejected by one employer, he would probably be rejected by all? I thought he said as much?" "The chances are very small, young lady next to nothing for a man who gets a bad name among them." "What shall I understand that you mean by a bad name?" "The name of being troublesome." "Then, by the prejudices of his own class, and by the prejudices of the other, he is sacrificed alike? Are the two so deeply separated in this town, that there is no place whatever for an honest workman between them?" Rachael shook her head in silence. "He fell into suspicion," said Louisa, "with his fellow-weavers, because he had made a promise not to be one of them. I think it must have been to you that he made that promise. Might I ask you why he made it?"<|quote|>Rachael burst into tears.</|quote|>"I didn't seek it of him, poor lad. I prayed him to avoid trouble for his own good, little thinking he'd come to it through me. But I know he'd die a hundred deaths, ere ever he'd break his word. I know that of him well." Stephen had remained quietly attentive, in his usual thoughtful attitude, with his hand at his chin. He now spoke in a voice rather less steady than usual. "No one, excepting myseln, can ever know what honour, an' what love, an' respect, I bear to Rachael, or wi' what cause. When I passed that promess, I towd her true, she were th' Angel o' my life. 'Twere a solemn promess. 'Tis gone fro' me, for ever." Louisa turned her head to him, and bent it with a deference that was new in her. She looked from him to Rachael, and her features softened. "What will you do?" she asked him. And her voice had softened too. "Weel, ma'am," said Stephen, making the best of it, with a smile; "when I ha finished off, I mun quit this part, and try another. Fortnet or misfortnet, a man can but try; there's nowt to be done wi'out tryin' cept laying down and dying." "How will you travel?" "Afoot, my kind ledy, afoot." Louisa coloured, and a purse appeared in her hand. The rustling of a bank-note was audible, as she unfolded one and laid it on the table. "Rachael, will you tell him for you know how, without offence that this is freely his, to help him on his way? Will you entreat him to take it?" "I canna do that, young lady," she answered, turning her head aside. "Bless you for thinking o' the poor lad wi' such tenderness. But 'tis for him to know his heart, and what is right according to it." Louisa looked, in part incredulous, in part frightened, in part overcome with quick sympathy, when this man of so much self-command, who had been so plain and steady through the late interview, lost his composure in a moment, and now stood with his hand before his face. She stretched out hers, as if she would have touched him; then checked herself, and remained still. "Not e'en Rachael," said Stephen, when he stood again with his face uncovered, "could mak sitch a kind offerin, by onny words, kinder. T' show that I'm not a man wi'out reason and gratitude, I'll tak two pound. I'll borrow 't for t' pay 't back. 'Twill be the sweetest work as ever I ha done, that puts it in my power t' acknowledge once more my lastin thankfulness for this present action." She was fain to take up the note again, and to substitute the much smaller sum he had named. He was neither courtly, nor handsome, nor picturesque, in any respect; and yet his manner of accepting it, and of expressing his thanks without more words, had a grace in it that Lord Chesterfield could not have taught his son in a century. Tom had sat upon the bed, swinging one leg and sucking his walking-stick with sufficient unconcern, until the visit had attained this stage. Seeing his sister ready to depart, he got up, rather hurriedly, and put in a word. "Just wait a moment, Loo! Before we go, I should like to speak to him a moment. Something comes into my head. If you'll step out on the stairs, Blackpool, I'll mention it. Never mind a light, man!" Tom was remarkably impatient of his moving towards the cupboard, to get one. "It don't want a light." Stephen followed him out, and Tom closed the room door, and held the lock in his hand. "I say!" he whispered. "I think I can do you a good turn. Don't ask me what it is, because it may not come to anything. But there's no harm in my trying." His breath fell like a flame of fire on Stephen's ear, it was so hot. "That was our light porter at the Bank," said Tom, "who brought you the message to-night. I call him our light porter, because I belong to the Bank too." Stephen thought, "What a hurry he is in!" He spoke so confusedly. "Well!" said Tom. "Now look here! When are you off?" "T' day's Monday," replied Stephen, considering. "Why, sir, Friday or Saturday, nigh 'bout." "Friday or Saturday," said Tom. "Now look here! I am not sure that I can do you the good turn I want to do you that's my sister, you know, in your room but I may be able to, and if I should not be able to, there's no harm done. So I tell you what. You'll know our light porter again?" "Yes, sure," said Stephen. "Very well," returned | such another percentage of crime, and such another percentage of pauperism; something wholesale, of which vast fortunes were made; something that occasionally rose like a sea, and did some harm and waste (chiefly to itself), and fell again; this she knew the Coketown Hands to be. But, she had scarcely thought more of separating them into units, than of separating the sea itself into its component drops. She stood for some moments looking round the room. From the few chairs, the few books, the common prints, and the bed, she glanced to the two women, and to Stephen. "I have come to speak to you, in consequence of what passed just now. I should like to be serviceable to you, if you will let me. Is this your wife?" Rachael raised her eyes, and they sufficiently answered no, and dropped again. "I remember," said Louisa, reddening at her mistake; "I recollect, now, to have heard your domestic misfortunes spoken of, though I was not attending to the particulars at the time. It was not my meaning to ask a question that would give pain to any one here. If I should ask any other question that may happen to have that result, give me credit, if you please, for being in ignorance how to speak to you as I ought." As Stephen had but a little while ago instinctively addressed himself to her, so she now instinctively addressed herself to Rachael. Her manner was short and abrupt, yet faltering and timid. "He has told you what has passed between himself and my husband? You would be his first resource, I think." "I have heard the end of it, young lady," said Rachael. "Did I understand, that, being rejected by one employer, he would probably be rejected by all? I thought he said as much?" "The chances are very small, young lady next to nothing for a man who gets a bad name among them." "What shall I understand that you mean by a bad name?" "The name of being troublesome." "Then, by the prejudices of his own class, and by the prejudices of the other, he is sacrificed alike? Are the two so deeply separated in this town, that there is no place whatever for an honest workman between them?" Rachael shook her head in silence. "He fell into suspicion," said Louisa, "with his fellow-weavers, because he had made a promise not to be one of them. I think it must have been to you that he made that promise. Might I ask you why he made it?"<|quote|>Rachael burst into tears.</|quote|>"I didn't seek it of him, poor lad. I prayed him to avoid trouble for his own good, little thinking he'd come to it through me. But I know he'd die a hundred deaths, ere ever he'd break his word. I know that of him well." Stephen had remained quietly attentive, in his usual thoughtful attitude, with his hand at his chin. He now spoke in a voice rather less steady than usual. "No one, excepting myseln, can ever know what honour, an' what love, an' respect, I bear to Rachael, or wi' what cause. When I passed that promess, I towd her true, she were th' Angel o' my life. 'Twere a solemn promess. 'Tis gone fro' me, for ever." Louisa turned her head to him, and bent it with a deference that was new in her. She looked from him to Rachael, and her features softened. "What will you do?" she asked him. And her voice had softened too. "Weel, ma'am," said Stephen, making the best of it, with a smile; "when I ha finished off, I mun quit this part, and try another. Fortnet or misfortnet, a man can but try; there's nowt to be done wi'out tryin' cept laying down and dying." "How will you travel?" "Afoot, my kind ledy, afoot." Louisa coloured, and a purse appeared in her hand. The rustling of a bank-note was audible, as she unfolded one and laid it on the table. "Rachael, will you tell him for you know how, without offence that this is freely | Hard Times |
; that her husband was not a man of much force, and she had had a hard life. Perhaps it was cowardice that kept me away so long. My business took me West several times every year, and it was always in the back of my mind that I would stop in Nebraska some day and go to see Ántonia. But I kept putting it off until the next trip. I did not want to find her aged and broken; I really dreaded it. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again. I owe it to Lena Lingard that I went to see Ántonia at last. I was in San Francisco two summers ago when both Lena and Tiny Soderball were in town. Tiny lives in a house of her own, and Lena’s shop is in an apartment house just around the corner. It interested me, after so many years, to see the two women together. Tiny audits Lena’s accounts occasionally, and invests her money for her; and Lena, apparently, takes care that Tiny does n’t grow too miserly. | No speaker | had not “done very well”<|quote|>; that her husband was not a man of much force, and she had had a hard life. Perhaps it was cowardice that kept me away so long. My business took me West several times every year, and it was always in the back of my mind that I would stop in Nebraska some day and go to see Ántonia. But I kept putting it off until the next trip. I did not want to find her aged and broken; I really dreaded it. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again. I owe it to Lena Lingard that I went to see Ántonia at last. I was in San Francisco two summers ago when both Lena and Tiny Soderball were in town. Tiny lives in a house of her own, and Lena’s shop is in an apartment house just around the corner. It interested me, after so many years, to see the two women together. Tiny audits Lena’s accounts occasionally, and invests her money for her; and Lena, apparently, takes care that Tiny does n’t grow too miserly.</|quote|>“If there’s anything I can’t | she told me that Ántonia had not “done very well”<|quote|>; that her husband was not a man of much force, and she had had a hard life. Perhaps it was cowardice that kept me away so long. My business took me West several times every year, and it was always in the back of my mind that I would stop in Nebraska some day and go to see Ántonia. But I kept putting it off until the next trip. I did not want to find her aged and broken; I really dreaded it. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again. I owe it to Lena Lingard that I went to see Ántonia at last. I was in San Francisco two summers ago when both Lena and Tiny Soderball were in town. Tiny lives in a house of her own, and Lena’s shop is in an apartment house just around the corner. It interested me, after so many years, to see the two women together. Tiny audits Lena’s accounts occasionally, and invests her money for her; and Lena, apparently, takes care that Tiny does n’t grow too miserly.</|quote|>“If there’s anything I can’t stand,” she said to me | some photographs of her native village. Months afterward came a letter from her, telling me the names and ages of her many children, but little else; signed, “Your old friend, Ántonia Cuzak.” When I met Tiny Soderball in Salt Lake, she told me that Ántonia had not “done very well”<|quote|>; that her husband was not a man of much force, and she had had a hard life. Perhaps it was cowardice that kept me away so long. My business took me West several times every year, and it was always in the back of my mind that I would stop in Nebraska some day and go to see Ántonia. But I kept putting it off until the next trip. I did not want to find her aged and broken; I really dreaded it. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again. I owe it to Lena Lingard that I went to see Ántonia at last. I was in San Francisco two summers ago when both Lena and Tiny Soderball were in town. Tiny lives in a house of her own, and Lena’s shop is in an apartment house just around the corner. It interested me, after so many years, to see the two women together. Tiny audits Lena’s accounts occasionally, and invests her money for her; and Lena, apparently, takes care that Tiny does n’t grow too miserly.</|quote|>“If there’s anything I can’t stand,” she said to me in Tiny’s presence, “it’s a shabby rich woman.” Tiny smiled grimly and assured me that Lena would never be either shabby or rich. “And I don’t want to be,” the other agreed complacently. Lena gave me a cheerful account of | I heard of her from time to time; that she married, very soon after I last saw her, a young Bohemian, a cousin of Anton Jelinek; that they were poor, and had a large family. Once when I was abroad I went into Bohemia, and from Prague I sent Ántonia some photographs of her native village. Months afterward came a letter from her, telling me the names and ages of her many children, but little else; signed, “Your old friend, Ántonia Cuzak.” When I met Tiny Soderball in Salt Lake, she told me that Ántonia had not “done very well”<|quote|>; that her husband was not a man of much force, and she had had a hard life. Perhaps it was cowardice that kept me away so long. My business took me West several times every year, and it was always in the back of my mind that I would stop in Nebraska some day and go to see Ántonia. But I kept putting it off until the next trip. I did not want to find her aged and broken; I really dreaded it. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again. I owe it to Lena Lingard that I went to see Ántonia at last. I was in San Francisco two summers ago when both Lena and Tiny Soderball were in town. Tiny lives in a house of her own, and Lena’s shop is in an apartment house just around the corner. It interested me, after so many years, to see the two women together. Tiny audits Lena’s accounts occasionally, and invests her money for her; and Lena, apparently, takes care that Tiny does n’t grow too miserly.</|quote|>“If there’s anything I can’t stand,” she said to me in Tiny’s presence, “it’s a shabby rich woman.” Tiny smiled grimly and assured me that Lena would never be either shabby or rich. “And I don’t want to be,” the other agreed complacently. Lena gave me a cheerful account of Ántonia and urged me to make her a visit. “You really ought to go, Jim. It would be such a satisfaction to her. Never mind what Tiny says. There’s nothing the matter with Cuzak. You’d like him. He is n’t a hustler, but a rough man would never have suited | of my memory. “I’ll come back,” I said earnestly, through the soft, intrusive darkness. “Perhaps you will” —I felt rather than saw her smile. “But even if you don’t, you’re here, like my father. So I won’t be lonesome.” As I went back alone over that familiar road, I could almost believe that a boy and girl ran along beside me, as our shadows used to do, laughing and whispering to each other in the grass. BOOK V—CUZAK’S BOYS I I TOLD Ántonia I would come back, but life intervened, and it was twenty years before I kept my promise. I heard of her from time to time; that she married, very soon after I last saw her, a young Bohemian, a cousin of Anton Jelinek; that they were poor, and had a large family. Once when I was abroad I went into Bohemia, and from Prague I sent Ántonia some photographs of her native village. Months afterward came a letter from her, telling me the names and ages of her many children, but little else; signed, “Your old friend, Ántonia Cuzak.” When I met Tiny Soderball in Salt Lake, she told me that Ántonia had not “done very well”<|quote|>; that her husband was not a man of much force, and she had had a hard life. Perhaps it was cowardice that kept me away so long. My business took me West several times every year, and it was always in the back of my mind that I would stop in Nebraska some day and go to see Ántonia. But I kept putting it off until the next trip. I did not want to find her aged and broken; I really dreaded it. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again. I owe it to Lena Lingard that I went to see Ántonia at last. I was in San Francisco two summers ago when both Lena and Tiny Soderball were in town. Tiny lives in a house of her own, and Lena’s shop is in an apartment house just around the corner. It interested me, after so many years, to see the two women together. Tiny audits Lena’s accounts occasionally, and invests her money for her; and Lena, apparently, takes care that Tiny does n’t grow too miserly.</|quote|>“If there’s anything I can’t stand,” she said to me in Tiny’s presence, “it’s a shabby rich woman.” Tiny smiled grimly and assured me that Lena would never be either shabby or rich. “And I don’t want to be,” the other agreed complacently. Lena gave me a cheerful account of Ántonia and urged me to make her a visit. “You really ought to go, Jim. It would be such a satisfaction to her. Never mind what Tiny says. There’s nothing the matter with Cuzak. You’d like him. He is n’t a hustler, but a rough man would never have suited Tony. Tony has nice children—ten or eleven of them by this time, I guess. I should n’t care for a family of that size myself, but somehow it’s just right for Tony. She’d love to show them to you.” On my way East I broke my journey at Hastings, in Nebraska, and set off with an open buggy and a fairly good livery team to find the Cuzak farm. At a little past midday, I knew I must be nearing my destination. Set back on a swell of land at my right, I saw a wide farmhouse, with a red | rose color, thin as a bubble or a ghost-moon. For five, perhaps ten minutes, the two luminaries confronted each other across the level land, resting on opposite edges of the world. In that singular light every little tree and shock of wheat, every sunflower stalk and clump of snow-on-the-mountain, drew itself up high and pointed; the very clods and furrows in the fields seemed to stand up sharply. I felt the old pull of the earth, the solemn magic that comes out of those fields at nightfall. I wished I could be a little boy again, and that my way could end there. We reached the edge of the field, where our ways parted. I took her hands and held them against my breast, feeling once more how strong and warm and good they were, those brown hands, and remembering how many kind things they had done for me. I held them now a long while, over my heart. About us it was growing darker and darker, and I had to look hard to see her face, which I meant always to carry with me; the closest, realest face, under all the shadows of women’s faces, at the very bottom of my memory. “I’ll come back,” I said earnestly, through the soft, intrusive darkness. “Perhaps you will” —I felt rather than saw her smile. “But even if you don’t, you’re here, like my father. So I won’t be lonesome.” As I went back alone over that familiar road, I could almost believe that a boy and girl ran along beside me, as our shadows used to do, laughing and whispering to each other in the grass. BOOK V—CUZAK’S BOYS I I TOLD Ántonia I would come back, but life intervened, and it was twenty years before I kept my promise. I heard of her from time to time; that she married, very soon after I last saw her, a young Bohemian, a cousin of Anton Jelinek; that they were poor, and had a large family. Once when I was abroad I went into Bohemia, and from Prague I sent Ántonia some photographs of her native village. Months afterward came a letter from her, telling me the names and ages of her many children, but little else; signed, “Your old friend, Ántonia Cuzak.” When I met Tiny Soderball in Salt Lake, she told me that Ántonia had not “done very well”<|quote|>; that her husband was not a man of much force, and she had had a hard life. Perhaps it was cowardice that kept me away so long. My business took me West several times every year, and it was always in the back of my mind that I would stop in Nebraska some day and go to see Ántonia. But I kept putting it off until the next trip. I did not want to find her aged and broken; I really dreaded it. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again. I owe it to Lena Lingard that I went to see Ántonia at last. I was in San Francisco two summers ago when both Lena and Tiny Soderball were in town. Tiny lives in a house of her own, and Lena’s shop is in an apartment house just around the corner. It interested me, after so many years, to see the two women together. Tiny audits Lena’s accounts occasionally, and invests her money for her; and Lena, apparently, takes care that Tiny does n’t grow too miserly.</|quote|>“If there’s anything I can’t stand,” she said to me in Tiny’s presence, “it’s a shabby rich woman.” Tiny smiled grimly and assured me that Lena would never be either shabby or rich. “And I don’t want to be,” the other agreed complacently. Lena gave me a cheerful account of Ántonia and urged me to make her a visit. “You really ought to go, Jim. It would be such a satisfaction to her. Never mind what Tiny says. There’s nothing the matter with Cuzak. You’d like him. He is n’t a hustler, but a rough man would never have suited Tony. Tony has nice children—ten or eleven of them by this time, I guess. I should n’t care for a family of that size myself, but somehow it’s just right for Tony. She’d love to show them to you.” On my way East I broke my journey at Hastings, in Nebraska, and set off with an open buggy and a fairly good livery team to find the Cuzak farm. At a little past midday, I knew I must be nearing my destination. Set back on a swell of land at my right, I saw a wide farmhouse, with a red barn and an ash grove, and cattle yards in front that sloped down to the high road. I drew up my horses and was wondering whether I should drive in here, when I heard low voices. Ahead of me, in a plum thicket beside the road, I saw two boys bending over a dead dog. The little one, not more than four or five, was on his knees, his hands folded, and his close-clipped, bare head drooping forward in deep dejection. The other stood beside him, a hand on his shoulder, and was comforting him in a language I had not heard for a long while. When I stopped my horses opposite them, the older boy took his brother by the hand and came toward me. He, too, looked grave. This was evidently a sad afternoon for them. “Are you Mrs. Cuzak’s boys?” I asked. The younger one did not look up; he was submerged in his own feelings, but his brother met me with intelligent gray eyes. “Yes, sir.” “Does she live up there on the hill? I am going to see her. Get in and ride up with me.” He glanced at his reluctant little brother. “I guess | means you are going away from us for good,” she said with a sigh. “But that don’t mean I’ll lose you. Look at my papa here; he’s been dead all these years, and yet he is more real to me than almost anybody else. He never goes out of my life. I talk to him and consult him all the time. The older I grow, the better I know him and the more I understand him.” She asked me whether I had learned to like big cities. “I’d always be miserable in a city. I’d die of lonesomeness. I like to be where I know every stack and tree, and where all the ground is friendly. I want to live and die here. Father Kelly says everybody’s put into this world for something, and I know what I’ve got to do. I’m going to see that my little girl has a better chance than ever I had. I’m going to take care of that girl, Jim.” I told her I knew she would. “Do you know, Ántonia, since I’ve been away, I think of you more often than of any one else in this part of the world. I’d have liked to have you for a sweetheart, or a wife, or my mother or my sister—anything that a woman can be to a man. The idea of you is a part of my mind; you influence my likes and dislikes, all my tastes, hundreds of times when I don’t realize it. You really are a part of me.” She turned her bright, believing eyes to me, and the tears came up in them slowly. “How can it be like that, when you know so many people, and when I’ve disappointed you so? Ain’t it wonderful, Jim, how much people can mean to each other? I’m so glad we had each other when we were little. I can’t wait till my little girl’s old enough to tell her about all the things we used to do. You’ll always remember me when you think about old times, won’t you? And I guess everybody thinks about old times, even the happiest people.” As we walked homeward across the fields, the sun dropped and lay like a great golden globe in the low west. While it hung there, the moon rose in the east, as big as a cartwheel, pale silver and streaked with rose color, thin as a bubble or a ghost-moon. For five, perhaps ten minutes, the two luminaries confronted each other across the level land, resting on opposite edges of the world. In that singular light every little tree and shock of wheat, every sunflower stalk and clump of snow-on-the-mountain, drew itself up high and pointed; the very clods and furrows in the fields seemed to stand up sharply. I felt the old pull of the earth, the solemn magic that comes out of those fields at nightfall. I wished I could be a little boy again, and that my way could end there. We reached the edge of the field, where our ways parted. I took her hands and held them against my breast, feeling once more how strong and warm and good they were, those brown hands, and remembering how many kind things they had done for me. I held them now a long while, over my heart. About us it was growing darker and darker, and I had to look hard to see her face, which I meant always to carry with me; the closest, realest face, under all the shadows of women’s faces, at the very bottom of my memory. “I’ll come back,” I said earnestly, through the soft, intrusive darkness. “Perhaps you will” —I felt rather than saw her smile. “But even if you don’t, you’re here, like my father. So I won’t be lonesome.” As I went back alone over that familiar road, I could almost believe that a boy and girl ran along beside me, as our shadows used to do, laughing and whispering to each other in the grass. BOOK V—CUZAK’S BOYS I I TOLD Ántonia I would come back, but life intervened, and it was twenty years before I kept my promise. I heard of her from time to time; that she married, very soon after I last saw her, a young Bohemian, a cousin of Anton Jelinek; that they were poor, and had a large family. Once when I was abroad I went into Bohemia, and from Prague I sent Ántonia some photographs of her native village. Months afterward came a letter from her, telling me the names and ages of her many children, but little else; signed, “Your old friend, Ántonia Cuzak.” When I met Tiny Soderball in Salt Lake, she told me that Ántonia had not “done very well”<|quote|>; that her husband was not a man of much force, and she had had a hard life. Perhaps it was cowardice that kept me away so long. My business took me West several times every year, and it was always in the back of my mind that I would stop in Nebraska some day and go to see Ántonia. But I kept putting it off until the next trip. I did not want to find her aged and broken; I really dreaded it. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again. I owe it to Lena Lingard that I went to see Ántonia at last. I was in San Francisco two summers ago when both Lena and Tiny Soderball were in town. Tiny lives in a house of her own, and Lena’s shop is in an apartment house just around the corner. It interested me, after so many years, to see the two women together. Tiny audits Lena’s accounts occasionally, and invests her money for her; and Lena, apparently, takes care that Tiny does n’t grow too miserly.</|quote|>“If there’s anything I can’t stand,” she said to me in Tiny’s presence, “it’s a shabby rich woman.” Tiny smiled grimly and assured me that Lena would never be either shabby or rich. “And I don’t want to be,” the other agreed complacently. Lena gave me a cheerful account of Ántonia and urged me to make her a visit. “You really ought to go, Jim. It would be such a satisfaction to her. Never mind what Tiny says. There’s nothing the matter with Cuzak. You’d like him. He is n’t a hustler, but a rough man would never have suited Tony. Tony has nice children—ten or eleven of them by this time, I guess. I should n’t care for a family of that size myself, but somehow it’s just right for Tony. She’d love to show them to you.” On my way East I broke my journey at Hastings, in Nebraska, and set off with an open buggy and a fairly good livery team to find the Cuzak farm. At a little past midday, I knew I must be nearing my destination. Set back on a swell of land at my right, I saw a wide farmhouse, with a red barn and an ash grove, and cattle yards in front that sloped down to the high road. I drew up my horses and was wondering whether I should drive in here, when I heard low voices. Ahead of me, in a plum thicket beside the road, I saw two boys bending over a dead dog. The little one, not more than four or five, was on his knees, his hands folded, and his close-clipped, bare head drooping forward in deep dejection. The other stood beside him, a hand on his shoulder, and was comforting him in a language I had not heard for a long while. When I stopped my horses opposite them, the older boy took his brother by the hand and came toward me. He, too, looked grave. This was evidently a sad afternoon for them. “Are you Mrs. Cuzak’s boys?” I asked. The younger one did not look up; he was submerged in his own feelings, but his brother met me with intelligent gray eyes. “Yes, sir.” “Does she live up there on the hill? I am going to see her. Get in and ride up with me.” He glanced at his reluctant little brother. “I guess we’d better walk. But we’ll open the gate for you.” I drove along the side-road and they followed slowly behind. When I pulled up at the windmill, another boy, barefooted and curly-headed, ran out of the barn to tie my team for me. He was a handsome one, this chap, fair-skinned and freckled, with red cheeks and a ruddy pelt as thick as a lamb’s wool, growing down on his neck in little tufts. He tied my team with two flourishes of his hands, and nodded when I asked him if his mother was at home. As he glanced at me, his face dimpled with a seizure of irrelevant merriment, and he shot up the windmill tower with a lightness that struck me as disdainful. I knew he was peering down at me as I walked toward the house. Ducks and geese ran quacking across my path. White cats were sunning themselves among yellow pumpkins on the porch steps. I looked through the wire screen into a big, light kitchen with a white floor. I saw a long table, rows of wooden chairs against the wall, and a shining range in one corner. Two girls were washing dishes at the sink, laughing and chattering, and a little one, in a short pinafore, sat on a stool playing with a rag baby. When I asked for their mother, one of the girls dropped her towel, ran across the floor with noiseless bare feet, and disappeared. The older one, who wore shoes and stockings, came to the door to admit me. She was a buxom girl with dark hair and eyes, calm and self-possessed. “Won’t you come in? Mother will be here in a minute.” Before I could sit down in the chair she offered me, the miracle happened; one of those quiet moments that clutch the heart, and take more courage than the noisy, excited passages in life. Ántonia came in and stood before me; a stalwart, brown woman, flat-chested, her curly brown hair a little grizzled. It was a shock, of course. It always is, to meet people after long years, especially if they have lived as much and as hard as this woman had. We stood looking at each other. The eyes that peered anxiously at me were—simply Ántonia’s eyes. I had seen no others like them since I looked into them last, though I had looked at so | of me.” She turned her bright, believing eyes to me, and the tears came up in them slowly. “How can it be like that, when you know so many people, and when I’ve disappointed you so? Ain’t it wonderful, Jim, how much people can mean to each other? I’m so glad we had each other when we were little. I can’t wait till my little girl’s old enough to tell her about all the things we used to do. You’ll always remember me when you think about old times, won’t you? And I guess everybody thinks about old times, even the happiest people.” As we walked homeward across the fields, the sun dropped and lay like a great golden globe in the low west. While it hung there, the moon rose in the east, as big as a cartwheel, pale silver and streaked with rose color, thin as a bubble or a ghost-moon. For five, perhaps ten minutes, the two luminaries confronted each other across the level land, resting on opposite edges of the world. In that singular light every little tree and shock of wheat, every sunflower stalk and clump of snow-on-the-mountain, drew itself up high and pointed; the very clods and furrows in the fields seemed to stand up sharply. I felt the old pull of the earth, the solemn magic that comes out of those fields at nightfall. I wished I could be a little boy again, and that my way could end there. We reached the edge of the field, where our ways parted. I took her hands and held them against my breast, feeling once more how strong and warm and good they were, those brown hands, and remembering how many kind things they had done for me. I held them now a long while, over my heart. About us it was growing darker and darker, and I had to look hard to see her face, which I meant always to carry with me; the closest, realest face, under all the shadows of women’s faces, at the very bottom of my memory. “I’ll come back,” I said earnestly, through the soft, intrusive darkness. “Perhaps you will” —I felt rather than saw her smile. “But even if you don’t, you’re here, like my father. So I won’t be lonesome.” As I went back alone over that familiar road, I could almost believe that a boy and girl ran along beside me, as our shadows used to do, laughing and whispering to each other in the grass. BOOK V—CUZAK’S BOYS I I TOLD Ántonia I would come back, but life intervened, and it was twenty years before I kept my promise. I heard of her from time to time; that she married, very soon after I last saw her, a young Bohemian, a cousin of Anton Jelinek; that they were poor, and had a large family. Once when I was abroad I went into Bohemia, and from Prague I sent Ántonia some photographs of her native village. Months afterward came a letter from her, telling me the names and ages of her many children, but little else; signed, “Your old friend, Ántonia Cuzak.” When I met Tiny Soderball in Salt Lake, she told me that Ántonia had not “done very well”<|quote|>; that her husband was not a man of much force, and she had had a hard life. Perhaps it was cowardice that kept me away so long. My business took me West several times every year, and it was always in the back of my mind that I would stop in Nebraska some day and go to see Ántonia. But I kept putting it off until the next trip. I did not want to find her aged and broken; I really dreaded it. In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again. I owe it to Lena Lingard that I went to see Ántonia at last. I was in San Francisco two summers ago when both Lena and Tiny Soderball were in town. Tiny lives in a house of her own, and Lena’s shop is in an apartment house just around the corner. It interested me, after so many years, to see the two women together. Tiny audits Lena’s accounts occasionally, and invests her money for her; and Lena, apparently, takes care that Tiny does n’t grow too miserly.</|quote|>“If there’s anything I can’t stand,” she said to me in Tiny’s presence, “it’s a shabby rich woman.” Tiny smiled grimly and assured me that Lena would never be either shabby or rich. “And I don’t want to be,” the other agreed complacently. Lena gave me a cheerful account of Ántonia and urged me to make her a visit. “You really ought to go, Jim. It would be such a satisfaction to her. Never mind what Tiny says. There’s nothing the matter with Cuzak. You’d like him. He is n’t a hustler, but a rough man would never have suited Tony. Tony has nice children—ten or eleven of them by this time, I guess. I should n’t care for a family of that size myself, but somehow it’s just right for Tony. She’d love to show them to you.” On my way East I broke my journey at Hastings, in Nebraska, and set off with an open buggy and a fairly good livery team to find the Cuzak farm. At a little past midday, I knew I must be nearing my destination. Set back on a swell of land at my right, I saw a wide farmhouse, with a red barn and an ash grove, and cattle yards in front that sloped down to the high road. I drew up my horses and was wondering whether I should drive in here, when I heard low voices. Ahead of me, in a plum thicket beside the road, I saw two boys bending over a dead dog. The little one, not more than four or five, was on his knees, his hands folded, and his close-clipped, bare head drooping forward in deep dejection. The other stood beside him, a hand on his shoulder, and was comforting him in a language I had not heard for a long while. When I stopped my horses opposite them, the older boy took his brother by the hand and came toward me. He, too, looked grave. This was evidently a sad afternoon for them. “Are you Mrs. Cuzak’s boys?” I asked. The younger one did not look up; he was submerged in his own feelings, but his brother met me with intelligent gray eyes. “Yes, sir.” “Does she live up there on the hill? I am going to see her. Get in and ride up with me.” He glanced at his reluctant little brother. “I guess we’d better walk. But we’ll open the gate for you.” I drove along the side-road and they followed slowly behind. When I pulled up at the windmill, another boy, barefooted and curly-headed, ran out of the barn to tie my team for me. He was a handsome one, this chap, fair-skinned and freckled, with red cheeks and a ruddy pelt as thick as a lamb’s wool, growing down on his neck in little tufts. He tied my team with two flourishes of his hands, and nodded when I asked him if his mother was at home. As he glanced at me, his face dimpled with a seizure of irrelevant merriment, and he shot up the windmill tower with a lightness that struck me as disdainful. I knew he was peering down at me as I walked toward the house. Ducks and geese ran quacking across my path. White cats were sunning themselves among yellow pumpkins on the porch steps. I looked through the wire screen into a big, light kitchen with a white | My Antonia |
"You know the picture is yours, Dorian. I gave it to you before it existed." | Basil Hallward | call me a silly boy."<|quote|>"You know the picture is yours, Dorian. I gave it to you before it existed."</|quote|>"And you know you have | don t allow people to call me a silly boy."<|quote|>"You know the picture is yours, Dorian. I gave it to you before it existed."</|quote|>"And you know you have been a little silly, Mr. | had much better let me have it, Basil. This silly boy doesn t really want it, and I really do." "If you let any one have it but me, Basil, I shall never forgive you!" cried Dorian Gray; "and I don t allow people to call me a silly boy."<|quote|>"You know the picture is yours, Dorian. I gave it to you before it existed."</|quote|>"And you know you have been a little silly, Mr. Gray, and that you don t really object to being reminded that you are extremely young." "I should have objected very strongly this morning, Lord Henry." "Ah! this morning! You have lived since then." There came a knock at the | of you! I wonder who it was defined man as a rational animal. It was the most premature definition ever given. Man is many things, but he is not rational. I am glad he is not, after all though I wish you chaps would not squabble over the picture. You had much better let me have it, Basil. This silly boy doesn t really want it, and I really do." "If you let any one have it but me, Basil, I shall never forgive you!" cried Dorian Gray; "and I don t allow people to call me a silly boy."<|quote|>"You know the picture is yours, Dorian. I gave it to you before it existed."</|quote|>"And you know you have been a little silly, Mr. Gray, and that you don t really object to being reminded that you are extremely young." "I should have objected very strongly this morning, Lord Henry." "Ah! this morning! You have lived since then." There came a knock at the door, and the butler entered with a laden tea-tray and set it down upon a small Japanese table. There was a rattle of cups and saucers and the hissing of a fluted Georgian urn. Two globe-shaped china dishes were brought in by a page. Dorian Gray went over and poured | love with it, Basil. It is part of myself. I feel that." "Well, as soon as you are dry, you shall be varnished, and framed, and sent home. Then you can do what you like with yourself." And he walked across the room and rang the bell for tea. "You will have tea, of course, Dorian? And so will you, Harry? Or do you object to such simple pleasures?" "I adore simple pleasures," said Lord Henry. "They are the last refuge of the complex. But I don t like scenes, except on the stage. What absurd fellows you are, both of you! I wonder who it was defined man as a rational animal. It was the most premature definition ever given. Man is many things, but he is not rational. I am glad he is not, after all though I wish you chaps would not squabble over the picture. You had much better let me have it, Basil. This silly boy doesn t really want it, and I really do." "If you let any one have it but me, Basil, I shall never forgive you!" cried Dorian Gray; "and I don t allow people to call me a silly boy."<|quote|>"You know the picture is yours, Dorian. I gave it to you before it existed."</|quote|>"And you know you have been a little silly, Mr. Gray, and that you don t really object to being reminded that you are extremely young." "I should have objected very strongly this morning, Lord Henry." "Ah! this morning! You have lived since then." There came a knock at the door, and the butler entered with a laden tea-tray and set it down upon a small Japanese table. There was a rattle of cups and saucers and the hissing of a fluted Georgian urn. Two globe-shaped china dishes were brought in by a page. Dorian Gray went over and poured out the tea. The two men sauntered languidly to the table and examined what was under the covers. "Let us go to the theatre to-night," said Lord Henry. "There is sure to be something on, somewhere. I have promised to dine at White s, but it is only with an old friend, so I can send him a wire to say that I am ill, or that I am prevented from coming in consequence of a subsequent engagement. I think that would be a rather nice excuse: it would have all the surprise of candour." "It is such a bore | between you both you have made me hate the finest piece of work I have ever done, and I will destroy it. What is it but canvas and colour? I will not let it come across our three lives and mar them." Dorian Gray lifted his golden head from the pillow, and with pallid face and tear-stained eyes, looked at him as he walked over to the deal painting-table that was set beneath the high curtained window. What was he doing there? His fingers were straying about among the litter of tin tubes and dry brushes, seeking for something. Yes, it was for the long palette-knife, with its thin blade of lithe steel. He had found it at last. He was going to rip up the canvas. With a stifled sob the lad leaped from the couch, and, rushing over to Hallward, tore the knife out of his hand, and flung it to the end of the studio. "Don t, Basil, don t!" he cried. "It would be murder!" "I am glad you appreciate my work at last, Dorian," said the painter coldly when he had recovered from his surprise. "I never thought you would." "Appreciate it? I am in love with it, Basil. It is part of myself. I feel that." "Well, as soon as you are dry, you shall be varnished, and framed, and sent home. Then you can do what you like with yourself." And he walked across the room and rang the bell for tea. "You will have tea, of course, Dorian? And so will you, Harry? Or do you object to such simple pleasures?" "I adore simple pleasures," said Lord Henry. "They are the last refuge of the complex. But I don t like scenes, except on the stage. What absurd fellows you are, both of you! I wonder who it was defined man as a rational animal. It was the most premature definition ever given. Man is many things, but he is not rational. I am glad he is not, after all though I wish you chaps would not squabble over the picture. You had much better let me have it, Basil. This silly boy doesn t really want it, and I really do." "If you let any one have it but me, Basil, I shall never forgive you!" cried Dorian Gray; "and I don t allow people to call me a silly boy."<|quote|>"You know the picture is yours, Dorian. I gave it to you before it existed."</|quote|>"And you know you have been a little silly, Mr. Gray, and that you don t really object to being reminded that you are extremely young." "I should have objected very strongly this morning, Lord Henry." "Ah! this morning! You have lived since then." There came a knock at the door, and the butler entered with a laden tea-tray and set it down upon a small Japanese table. There was a rattle of cups and saucers and the hissing of a fluted Georgian urn. Two globe-shaped china dishes were brought in by a page. Dorian Gray went over and poured out the tea. The two men sauntered languidly to the table and examined what was under the covers. "Let us go to the theatre to-night," said Lord Henry. "There is sure to be something on, somewhere. I have promised to dine at White s, but it is only with an old friend, so I can send him a wire to say that I am ill, or that I am prevented from coming in consequence of a subsequent engagement. I think that would be a rather nice excuse: it would have all the surprise of candour." "It is such a bore putting on one s dress-clothes," muttered Hallward. "And, when one has them on, they are so horrid." "Yes," answered Lord Henry dreamily, "the costume of the nineteenth century is detestable. It is so sombre, so depressing. Sin is the only real colour-element left in modern life." "You really must not say things like that before Dorian, Harry." "Before which Dorian? The one who is pouring out tea for us, or the one in the picture?" "Before either." "I should like to come to the theatre with you, Lord Henry," said the lad. "Then you shall come; and you will come, too, Basil, won t you?" "I can t, really. I would sooner not. I have a lot of work to do." "Well, then, you and I will go alone, Mr. Gray." "I should like that awfully." The painter bit his lip and walked over, cup in hand, to the picture. "I shall stay with the real Dorian," he said, sadly. "Is it the real Dorian?" cried the original of the portrait, strolling across to him. "Am I really like that?" "Yes; you are just like that." "How wonderful, Basil!" "At least you are like it in appearance. But it will | cried Lord Henry, laughing. "It would be rather hard lines on your work." "I should object very strongly, Harry," said Hallward. Dorian Gray turned and looked at him. "I believe you would, Basil. You like your art better than your friends. I am no more to you than a green bronze figure. Hardly as much, I dare say." The painter stared in amazement. It was so unlike Dorian to speak like that. What had happened? He seemed quite angry. His face was flushed and his cheeks burning. "Yes," he continued, "I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one loses one s good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself." Hallward turned pale and caught his hand. "Dorian! Dorian!" he cried, "don t talk like that. I have never had such a friend as you, and I shall never have such another. You are not jealous of material things, are you? you who are finer than any of them!" "I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I must lose? Every moment that passes takes something from me and gives something to it. Oh, if it were only the other way! If the picture could change, and I could be always what I am now! Why did you paint it? It will mock me some day mock me horribly!" The hot tears welled into his eyes; he tore his hand away and, flinging himself on the divan, he buried his face in the cushions, as though he was praying. "This is your doing, Harry," said the painter bitterly. Lord Henry shrugged his shoulders. "It is the real Dorian Gray that is all." "It is not." "If it is not, what have I to do with it?" "You should have gone away when I asked you," he muttered. "I stayed when you asked me," was Lord Henry s answer. "Harry, I can t quarrel with my two best friends at once, but between you both you have made me hate the finest piece of work I have ever done, and I will destroy it. What is it but canvas and colour? I will not let it come across our three lives and mar them." Dorian Gray lifted his golden head from the pillow, and with pallid face and tear-stained eyes, looked at him as he walked over to the deal painting-table that was set beneath the high curtained window. What was he doing there? His fingers were straying about among the litter of tin tubes and dry brushes, seeking for something. Yes, it was for the long palette-knife, with its thin blade of lithe steel. He had found it at last. He was going to rip up the canvas. With a stifled sob the lad leaped from the couch, and, rushing over to Hallward, tore the knife out of his hand, and flung it to the end of the studio. "Don t, Basil, don t!" he cried. "It would be murder!" "I am glad you appreciate my work at last, Dorian," said the painter coldly when he had recovered from his surprise. "I never thought you would." "Appreciate it? I am in love with it, Basil. It is part of myself. I feel that." "Well, as soon as you are dry, you shall be varnished, and framed, and sent home. Then you can do what you like with yourself." And he walked across the room and rang the bell for tea. "You will have tea, of course, Dorian? And so will you, Harry? Or do you object to such simple pleasures?" "I adore simple pleasures," said Lord Henry. "They are the last refuge of the complex. But I don t like scenes, except on the stage. What absurd fellows you are, both of you! I wonder who it was defined man as a rational animal. It was the most premature definition ever given. Man is many things, but he is not rational. I am glad he is not, after all though I wish you chaps would not squabble over the picture. You had much better let me have it, Basil. This silly boy doesn t really want it, and I really do." "If you let any one have it but me, Basil, I shall never forgive you!" cried Dorian Gray; "and I don t allow people to call me a silly boy."<|quote|>"You know the picture is yours, Dorian. I gave it to you before it existed."</|quote|>"And you know you have been a little silly, Mr. Gray, and that you don t really object to being reminded that you are extremely young." "I should have objected very strongly this morning, Lord Henry." "Ah! this morning! You have lived since then." There came a knock at the door, and the butler entered with a laden tea-tray and set it down upon a small Japanese table. There was a rattle of cups and saucers and the hissing of a fluted Georgian urn. Two globe-shaped china dishes were brought in by a page. Dorian Gray went over and poured out the tea. The two men sauntered languidly to the table and examined what was under the covers. "Let us go to the theatre to-night," said Lord Henry. "There is sure to be something on, somewhere. I have promised to dine at White s, but it is only with an old friend, so I can send him a wire to say that I am ill, or that I am prevented from coming in consequence of a subsequent engagement. I think that would be a rather nice excuse: it would have all the surprise of candour." "It is such a bore putting on one s dress-clothes," muttered Hallward. "And, when one has them on, they are so horrid." "Yes," answered Lord Henry dreamily, "the costume of the nineteenth century is detestable. It is so sombre, so depressing. Sin is the only real colour-element left in modern life." "You really must not say things like that before Dorian, Harry." "Before which Dorian? The one who is pouring out tea for us, or the one in the picture?" "Before either." "I should like to come to the theatre with you, Lord Henry," said the lad. "Then you shall come; and you will come, too, Basil, won t you?" "I can t, really. I would sooner not. I have a lot of work to do." "Well, then, you and I will go alone, Mr. Gray." "I should like that awfully." The painter bit his lip and walked over, cup in hand, to the picture. "I shall stay with the real Dorian," he said, sadly. "Is it the real Dorian?" cried the original of the portrait, strolling across to him. "Am I really like that?" "Yes; you are just like that." "How wonderful, Basil!" "At least you are like it in appearance. But it will never alter," sighed Hallward. "That is something." "What a fuss people make about fidelity!" exclaimed Lord Henry. "Why, even in love it is purely a question for physiology. It has nothing to do with our own will. Young men want to be faithful, and are not; old men want to be faithless, and cannot: that is all one can say." "Don t go to the theatre to-night, Dorian," said Hallward. "Stop and dine with me." "I can t, Basil." "Why?" "Because I have promised Lord Henry Wotton to go with him." "He won t like you the better for keeping your promises. He always breaks his own. I beg you not to go." Dorian Gray laughed and shook his head. "I entreat you." The lad hesitated, and looked over at Lord Henry, who was watching them from the tea-table with an amused smile. "I must go, Basil," he answered. "Very well," said Hallward, and he went over and laid down his cup on the tray. "It is rather late, and, as you have to dress, you had better lose no time. Good-bye, Harry. Good-bye, Dorian. Come and see me soon. Come to-morrow." "Certainly." "You won t forget?" "No, of course not," cried Dorian. "And ... Harry!" "Yes, Basil?" "Remember what I asked you, when we were in the garden this morning." "I have forgotten it." "I trust you." "I wish I could trust myself," said Lord Henry, laughing. "Come, Mr. Gray, my hansom is outside, and I can drop you at your own place. Good-bye, Basil. It has been a most interesting afternoon." As the door closed behind them, the painter flung himself down on a sofa, and a look of pain came into his face. CHAPTER III. At half-past twelve next day Lord Henry Wotton strolled from Curzon Street over to the Albany to call on his uncle, Lord Fermor, a genial if somewhat rough-mannered old bachelor, whom the outside world called selfish because it derived no particular benefit from him, but who was considered generous by Society as he fed the people who amused him. His father had been our ambassador at Madrid when Isabella was young and Prim unthought of, but had retired from the diplomatic service in a capricious moment of annoyance on not being offered the Embassy at Paris, a post to which he considered that he was fully entitled by reason of his birth, | should have gone away when I asked you," he muttered. "I stayed when you asked me," was Lord Henry s answer. "Harry, I can t quarrel with my two best friends at once, but between you both you have made me hate the finest piece of work I have ever done, and I will destroy it. What is it but canvas and colour? I will not let it come across our three lives and mar them." Dorian Gray lifted his golden head from the pillow, and with pallid face and tear-stained eyes, looked at him as he walked over to the deal painting-table that was set beneath the high curtained window. What was he doing there? His fingers were straying about among the litter of tin tubes and dry brushes, seeking for something. Yes, it was for the long palette-knife, with its thin blade of lithe steel. He had found it at last. He was going to rip up the canvas. With a stifled sob the lad leaped from the couch, and, rushing over to Hallward, tore the knife out of his hand, and flung it to the end of the studio. "Don t, Basil, don t!" he cried. "It would be murder!" "I am glad you appreciate my work at last, Dorian," said the painter coldly when he had recovered from his surprise. "I never thought you would." "Appreciate it? I am in love with it, Basil. It is part of myself. I feel that." "Well, as soon as you are dry, you shall be varnished, and framed, and sent home. Then you can do what you like with yourself." And he walked across the room and rang the bell for tea. "You will have tea, of course, Dorian? And so will you, Harry? Or do you object to such simple pleasures?" "I adore simple pleasures," said Lord Henry. "They are the last refuge of the complex. But I don t like scenes, except on the stage. What absurd fellows you are, both of you! I wonder who it was defined man as a rational animal. It was the most premature definition ever given. Man is many things, but he is not rational. I am glad he is not, after all though I wish you chaps would not squabble over the picture. You had much better let me have it, Basil. This silly boy doesn t really want it, and I really do." "If you let any one have it but me, Basil, I shall never forgive you!" cried Dorian Gray; "and I don t allow people to call me a silly boy."<|quote|>"You know the picture is yours, Dorian. I gave it to you before it existed."</|quote|>"And you know you have been a little silly, Mr. Gray, and that you don t really object to being reminded that you are extremely young." "I should have objected very strongly this morning, Lord Henry." "Ah! this morning! You have lived since then." There came a knock at the door, and the butler entered with a laden tea-tray and set it down upon a small Japanese table. There was a rattle of cups and saucers and the hissing of a fluted Georgian urn. Two globe-shaped china dishes were brought in by a page. Dorian Gray went over and poured out the tea. The two men sauntered languidly to the table and examined what was under the covers. "Let us go to the theatre to-night," said Lord Henry. "There is sure to be something on, somewhere. I have promised to dine at White s, but it is only with an old friend, so I can send him a wire to say that I am ill, or that I am prevented from coming in consequence of a subsequent engagement. I think that would be a rather nice excuse: it would have all the surprise of candour." "It is such a bore putting on one s dress-clothes," muttered Hallward. "And, when one has them on, they are so horrid." "Yes," answered Lord Henry dreamily, "the costume of the nineteenth century is detestable. It is so sombre, so depressing. Sin is the only real colour-element left in modern life." "You really must not say things like that before Dorian, Harry." "Before which Dorian? The one who is pouring out tea for us, or the one in the picture?" "Before either." "I should like to come to the theatre with you, Lord Henry," said the lad. "Then you shall come; and you will come, too, Basil, won t you?" "I can t, really. I would sooner not. I have a lot of work to do." "Well, then, you and I will go alone, Mr. Gray." "I should like that awfully." The painter bit his lip and walked over, cup in hand, to the picture. "I shall stay with the real Dorian," he said, sadly. "Is it the real Dorian?" cried the original of the portrait, strolling across to him. "Am I really like that?" "Yes; you are just like that." "How wonderful, Basil!" "At least you are like it in appearance. But it will never alter," sighed Hallward. "That is something." "What a fuss people make about fidelity!" exclaimed Lord Henry. "Why, even in love it is purely a question for physiology. It has nothing to do with our own will. Young men want to be faithful, and are not; old men want to be faithless, and cannot: that is all one can say." "Don t go to the theatre to-night, Dorian," said Hallward. "Stop and dine with me." "I can t, Basil." "Why?" "Because I have promised Lord Henry Wotton to go with him." "He won t like you the better for keeping your promises. He always breaks his own. I beg you not to | The Picture Of Dorian Gray |
"That I am sure you would. Indeed I do you justice, my good friend. Under that peculiar sort of dry, blunt manner, I know you have the warmest heart. As I tell Mr. E., you are a thorough humourist.--Yes, believe me, Knightley, I am fully sensible of your attention to me in the whole of this scheme. You have hit upon the very thing to please me." | Mrs. Elton | to your taste as possible."<|quote|>"That I am sure you would. Indeed I do you justice, my good friend. Under that peculiar sort of dry, blunt manner, I know you have the warmest heart. As I tell Mr. E., you are a thorough humourist.--Yes, believe me, Knightley, I am fully sensible of your attention to me in the whole of this scheme. You have hit upon the very thing to please me."</|quote|>Mr. Knightley had another reason | thing to be as much to your taste as possible."<|quote|>"That I am sure you would. Indeed I do you justice, my good friend. Under that peculiar sort of dry, blunt manner, I know you have the warmest heart. As I tell Mr. E., you are a thorough humourist.--Yes, believe me, Knightley, I am fully sensible of your attention to me in the whole of this scheme. You have hit upon the very thing to please me."</|quote|>Mr. Knightley had another reason for avoiding a table in | is dirt." "You will not find either, between Donwell and Highbury. Donwell Lane is never dusty, and now it is perfectly dry. Come on a donkey, however, if you prefer it. You can borrow Mrs. Cole's. I would wish every thing to be as much to your taste as possible."<|quote|>"That I am sure you would. Indeed I do you justice, my good friend. Under that peculiar sort of dry, blunt manner, I know you have the warmest heart. As I tell Mr. E., you are a thorough humourist.--Yes, believe me, Knightley, I am fully sensible of your attention to me in the whole of this scheme. You have hit upon the very thing to please me."</|quote|>Mr. Knightley had another reason for avoiding a table in the shade. He wished to persuade Mr. Woodhouse, as well as Emma, to join the party; and he knew that to have any of them sitting down out of doors to eat would inevitably make him ill. Mr. Woodhouse must | a donkey. In a country life I conceive it to be a sort of necessary; for, let a woman have ever so many resources, it is not possible for her to be always shut up at home;--and very long walks, you know--in summer there is dust, and in winter there is dirt." "You will not find either, between Donwell and Highbury. Donwell Lane is never dusty, and now it is perfectly dry. Come on a donkey, however, if you prefer it. You can borrow Mrs. Cole's. I would wish every thing to be as much to your taste as possible."<|quote|>"That I am sure you would. Indeed I do you justice, my good friend. Under that peculiar sort of dry, blunt manner, I know you have the warmest heart. As I tell Mr. E., you are a thorough humourist.--Yes, believe me, Knightley, I am fully sensible of your attention to me in the whole of this scheme. You have hit upon the very thing to please me."</|quote|>Mr. Knightley had another reason for avoiding a table in the shade. He wished to persuade Mr. Woodhouse, as well as Emma, to join the party; and he knew that to have any of them sitting down out of doors to eat would inevitably make him ill. Mr. Woodhouse must not, under the specious pretence of a morning drive, and an hour or two spent at Donwell, be tempted away to his misery. He was invited on good faith. No lurking horrors were to upbraid him for his easy credulity. He did consent. He had not been at Donwell for | be of any use to you with our opinion?--Pray be sincere, Knightley. If you wish me to talk to Mrs. Hodges, or to inspect anything--" "I have not the least wish for it, I thank you." "Well--but if any difficulties should arise, my housekeeper is extremely clever." "I will answer for it, that mine thinks herself full as clever, and would spurn any body's assistance." "I wish we had a donkey. The thing would be for us all to come on donkeys, Jane, Miss Bates, and me--and my caro sposo walking by. I really must talk to him about purchasing a donkey. In a country life I conceive it to be a sort of necessary; for, let a woman have ever so many resources, it is not possible for her to be always shut up at home;--and very long walks, you know--in summer there is dust, and in winter there is dirt." "You will not find either, between Donwell and Highbury. Donwell Lane is never dusty, and now it is perfectly dry. Come on a donkey, however, if you prefer it. You can borrow Mrs. Cole's. I would wish every thing to be as much to your taste as possible."<|quote|>"That I am sure you would. Indeed I do you justice, my good friend. Under that peculiar sort of dry, blunt manner, I know you have the warmest heart. As I tell Mr. E., you are a thorough humourist.--Yes, believe me, Knightley, I am fully sensible of your attention to me in the whole of this scheme. You have hit upon the very thing to please me."</|quote|>Mr. Knightley had another reason for avoiding a table in the shade. He wished to persuade Mr. Woodhouse, as well as Emma, to join the party; and he knew that to have any of them sitting down out of doors to eat would inevitably make him ill. Mr. Woodhouse must not, under the specious pretence of a morning drive, and an hour or two spent at Donwell, be tempted away to his misery. He was invited on good faith. No lurking horrors were to upbraid him for his easy credulity. He did consent. He had not been at Donwell for two years. "Some very fine morning, he, and Emma, and Harriet, could go very well; and he could sit still with Mrs. Weston, while the dear girls walked about the gardens. He did not suppose they could be damp now, in the middle of the day. He should like to see the old house again exceedingly, and should be very happy to meet Mr. and Mrs. Elton, and any other of his neighbours.--He could not see any objection at all to his, and Emma's, and Harriet's going there some very fine morning. He thought it very well done of Mr. | see Jane every day:--but as you like. It is to be a morning scheme, you know, Knightley; quite a simple thing. I shall wear a large bonnet, and bring one of my little baskets hanging on my arm. Here,--probably this basket with pink ribbon. Nothing can be more simple, you see. And Jane will have such another. There is to be no form or parade--a sort of gipsy party. We are to walk about your gardens, and gather the strawberries ourselves, and sit under trees;--and whatever else you may like to provide, it is to be all out of doors--a table spread in the shade, you know. Every thing as natural and simple as possible. Is not that your idea?" "Not quite. My idea of the simple and the natural will be to have the table spread in the dining-room. The nature and the simplicity of gentlemen and ladies, with their servants and furniture, I think is best observed by meals within doors. When you are tired of eating strawberries in the garden, there shall be cold meat in the house." "Well--as you please; only don't have a great set out. And, by the bye, can I or my housekeeper be of any use to you with our opinion?--Pray be sincere, Knightley. If you wish me to talk to Mrs. Hodges, or to inspect anything--" "I have not the least wish for it, I thank you." "Well--but if any difficulties should arise, my housekeeper is extremely clever." "I will answer for it, that mine thinks herself full as clever, and would spurn any body's assistance." "I wish we had a donkey. The thing would be for us all to come on donkeys, Jane, Miss Bates, and me--and my caro sposo walking by. I really must talk to him about purchasing a donkey. In a country life I conceive it to be a sort of necessary; for, let a woman have ever so many resources, it is not possible for her to be always shut up at home;--and very long walks, you know--in summer there is dust, and in winter there is dirt." "You will not find either, between Donwell and Highbury. Donwell Lane is never dusty, and now it is perfectly dry. Come on a donkey, however, if you prefer it. You can borrow Mrs. Cole's. I would wish every thing to be as much to your taste as possible."<|quote|>"That I am sure you would. Indeed I do you justice, my good friend. Under that peculiar sort of dry, blunt manner, I know you have the warmest heart. As I tell Mr. E., you are a thorough humourist.--Yes, believe me, Knightley, I am fully sensible of your attention to me in the whole of this scheme. You have hit upon the very thing to please me."</|quote|>Mr. Knightley had another reason for avoiding a table in the shade. He wished to persuade Mr. Woodhouse, as well as Emma, to join the party; and he knew that to have any of them sitting down out of doors to eat would inevitably make him ill. Mr. Woodhouse must not, under the specious pretence of a morning drive, and an hour or two spent at Donwell, be tempted away to his misery. He was invited on good faith. No lurking horrors were to upbraid him for his easy credulity. He did consent. He had not been at Donwell for two years. "Some very fine morning, he, and Emma, and Harriet, could go very well; and he could sit still with Mrs. Weston, while the dear girls walked about the gardens. He did not suppose they could be damp now, in the middle of the day. He should like to see the old house again exceedingly, and should be very happy to meet Mr. and Mrs. Elton, and any other of his neighbours.--He could not see any objection at all to his, and Emma's, and Harriet's going there some very fine morning. He thought it very well done of Mr. Knightley to invite them--very kind and sensible--much cleverer than dining out.--He was not fond of dining out." Mr. Knightley was fortunate in every body's most ready concurrence. The invitation was everywhere so well received, that it seemed as if, like Mrs. Elton, they were all taking the scheme as a particular compliment to themselves.--Emma and Harriet professed very high expectations of pleasure from it; and Mr. Weston, unasked, promised to get Frank over to join them, if possible; a proof of approbation and gratitude which could have been dispensed with.--Mr. Knightley was then obliged to say that he should be glad to see him; and Mr. Weston engaged to lose no time in writing, and spare no arguments to induce him to come. In the meanwhile the lame horse recovered so fast, that the party to Box Hill was again under happy consideration; and at last Donwell was settled for one day, and Box Hill for the next,--the weather appearing exactly right. Under a bright mid-day sun, at almost Midsummer, Mr. Woodhouse was safely conveyed in his carriage, with one window down, to partake of this al-fresco party; and in one of the most comfortable rooms in the Abbey, especially | Mr. Knightley. "That may be done without horses. Come, and eat my strawberries. They are ripening fast." If Mr. Knightley did not begin seriously, he was obliged to proceed so, for his proposal was caught at with delight; and the "Oh! I should like it of all things," was not plainer in words than manner. Donwell was famous for its strawberry-beds, which seemed a plea for the invitation: but no plea was necessary; cabbage-beds would have been enough to tempt the lady, who only wanted to be going somewhere. She promised him again and again to come--much oftener than he doubted--and was extremely gratified by such a proof of intimacy, such a distinguishing compliment as she chose to consider it. "You may depend upon me," said she. "I certainly will come. Name your day, and I will come. You will allow me to bring Jane Fairfax?" "I cannot name a day," said he, "till I have spoken to some others whom I would wish to meet you." "Oh! leave all that to me. Only give me a carte-blanche.--I am Lady Patroness, you know. It is my party. I will bring friends with me." "I hope you will bring Elton," said he: "but I will not trouble you to give any other invitations." "Oh! now you are looking very sly. But consider--you need not be afraid of delegating power to _me_. I am no young lady on her preferment. Married women, you know, may be safely authorised. It is my party. Leave it all to me. I will invite your guests." "No," "--he calmly replied,--" "there is but one married woman in the world whom I can ever allow to invite what guests she pleases to Donwell, and that one is--" "--Mrs. Weston, I suppose," interrupted Mrs. Elton, rather mortified. "No--Mrs. Knightley;--and till she is in being, I will manage such matters myself." "Ah! you are an odd creature!" she cried, satisfied to have no one preferred to herself.--" "You are a humourist, and may say what you like. Quite a humourist. Well, I shall bring Jane with me--Jane and her aunt.--The rest I leave to you. I have no objections at all to meeting the Hartfield family. Don't scruple. I know you are attached to them." "You certainly will meet them if I can prevail; and I shall call on Miss Bates in my way home." "That's quite unnecessary; I see Jane every day:--but as you like. It is to be a morning scheme, you know, Knightley; quite a simple thing. I shall wear a large bonnet, and bring one of my little baskets hanging on my arm. Here,--probably this basket with pink ribbon. Nothing can be more simple, you see. And Jane will have such another. There is to be no form or parade--a sort of gipsy party. We are to walk about your gardens, and gather the strawberries ourselves, and sit under trees;--and whatever else you may like to provide, it is to be all out of doors--a table spread in the shade, you know. Every thing as natural and simple as possible. Is not that your idea?" "Not quite. My idea of the simple and the natural will be to have the table spread in the dining-room. The nature and the simplicity of gentlemen and ladies, with their servants and furniture, I think is best observed by meals within doors. When you are tired of eating strawberries in the garden, there shall be cold meat in the house." "Well--as you please; only don't have a great set out. And, by the bye, can I or my housekeeper be of any use to you with our opinion?--Pray be sincere, Knightley. If you wish me to talk to Mrs. Hodges, or to inspect anything--" "I have not the least wish for it, I thank you." "Well--but if any difficulties should arise, my housekeeper is extremely clever." "I will answer for it, that mine thinks herself full as clever, and would spurn any body's assistance." "I wish we had a donkey. The thing would be for us all to come on donkeys, Jane, Miss Bates, and me--and my caro sposo walking by. I really must talk to him about purchasing a donkey. In a country life I conceive it to be a sort of necessary; for, let a woman have ever so many resources, it is not possible for her to be always shut up at home;--and very long walks, you know--in summer there is dust, and in winter there is dirt." "You will not find either, between Donwell and Highbury. Donwell Lane is never dusty, and now it is perfectly dry. Come on a donkey, however, if you prefer it. You can borrow Mrs. Cole's. I would wish every thing to be as much to your taste as possible."<|quote|>"That I am sure you would. Indeed I do you justice, my good friend. Under that peculiar sort of dry, blunt manner, I know you have the warmest heart. As I tell Mr. E., you are a thorough humourist.--Yes, believe me, Knightley, I am fully sensible of your attention to me in the whole of this scheme. You have hit upon the very thing to please me."</|quote|>Mr. Knightley had another reason for avoiding a table in the shade. He wished to persuade Mr. Woodhouse, as well as Emma, to join the party; and he knew that to have any of them sitting down out of doors to eat would inevitably make him ill. Mr. Woodhouse must not, under the specious pretence of a morning drive, and an hour or two spent at Donwell, be tempted away to his misery. He was invited on good faith. No lurking horrors were to upbraid him for his easy credulity. He did consent. He had not been at Donwell for two years. "Some very fine morning, he, and Emma, and Harriet, could go very well; and he could sit still with Mrs. Weston, while the dear girls walked about the gardens. He did not suppose they could be damp now, in the middle of the day. He should like to see the old house again exceedingly, and should be very happy to meet Mr. and Mrs. Elton, and any other of his neighbours.--He could not see any objection at all to his, and Emma's, and Harriet's going there some very fine morning. He thought it very well done of Mr. Knightley to invite them--very kind and sensible--much cleverer than dining out.--He was not fond of dining out." Mr. Knightley was fortunate in every body's most ready concurrence. The invitation was everywhere so well received, that it seemed as if, like Mrs. Elton, they were all taking the scheme as a particular compliment to themselves.--Emma and Harriet professed very high expectations of pleasure from it; and Mr. Weston, unasked, promised to get Frank over to join them, if possible; a proof of approbation and gratitude which could have been dispensed with.--Mr. Knightley was then obliged to say that he should be glad to see him; and Mr. Weston engaged to lose no time in writing, and spare no arguments to induce him to come. In the meanwhile the lame horse recovered so fast, that the party to Box Hill was again under happy consideration; and at last Donwell was settled for one day, and Box Hill for the next,--the weather appearing exactly right. Under a bright mid-day sun, at almost Midsummer, Mr. Woodhouse was safely conveyed in his carriage, with one window down, to partake of this al-fresco party; and in one of the most comfortable rooms in the Abbey, especially prepared for him by a fire all the morning, he was happily placed, quite at his ease, ready to talk with pleasure of what had been achieved, and advise every body to come and sit down, and not to heat themselves.--Mrs. Weston, who seemed to have walked there on purpose to be tired, and sit all the time with him, remained, when all the others were invited or persuaded out, his patient listener and sympathiser. It was so long since Emma had been at the Abbey, that as soon as she was satisfied of her father's comfort, she was glad to leave him, and look around her; eager to refresh and correct her memory with more particular observation, more exact understanding of a house and grounds which must ever be so interesting to her and all her family. She felt all the honest pride and complacency which her alliance with the present and future proprietor could fairly warrant, as she viewed the respectable size and style of the building, its suitable, becoming, characteristic situation, low and sheltered--its ample gardens stretching down to meadows washed by a stream, of which the Abbey, with all the old neglect of prospect, had scarcely a sight--and its abundance of timber in rows and avenues, which neither fashion nor extravagance had rooted up.--The house was larger than Hartfield, and totally unlike it, covering a good deal of ground, rambling and irregular, with many comfortable, and one or two handsome rooms.--It was just what it ought to be, and it looked what it was--and Emma felt an increasing respect for it, as the residence of a family of such true gentility, untainted in blood and understanding.--Some faults of temper John Knightley had; but Isabella had connected herself unexceptionably. She had given them neither men, nor names, nor places, that could raise a blush. These were pleasant feelings, and she walked about and indulged them till it was necessary to do as the others did, and collect round the strawberry-beds.--The whole party were assembled, excepting Frank Churchill, who was expected every moment from Richmond; and Mrs. Elton, in all her apparatus of happiness, her large bonnet and her basket, was very ready to lead the way in gathering, accepting, or talking--strawberries, and only strawberries, could now be thought or spoken of.--" "The best fruit in England--every body's favourite--always wholesome.--These the finest beds and finest sorts.--Delightful to gather | what you like. Quite a humourist. Well, I shall bring Jane with me--Jane and her aunt.--The rest I leave to you. I have no objections at all to meeting the Hartfield family. Don't scruple. I know you are attached to them." "You certainly will meet them if I can prevail; and I shall call on Miss Bates in my way home." "That's quite unnecessary; I see Jane every day:--but as you like. It is to be a morning scheme, you know, Knightley; quite a simple thing. I shall wear a large bonnet, and bring one of my little baskets hanging on my arm. Here,--probably this basket with pink ribbon. Nothing can be more simple, you see. And Jane will have such another. There is to be no form or parade--a sort of gipsy party. We are to walk about your gardens, and gather the strawberries ourselves, and sit under trees;--and whatever else you may like to provide, it is to be all out of doors--a table spread in the shade, you know. Every thing as natural and simple as possible. Is not that your idea?" "Not quite. My idea of the simple and the natural will be to have the table spread in the dining-room. The nature and the simplicity of gentlemen and ladies, with their servants and furniture, I think is best observed by meals within doors. When you are tired of eating strawberries in the garden, there shall be cold meat in the house." "Well--as you please; only don't have a great set out. And, by the bye, can I or my housekeeper be of any use to you with our opinion?--Pray be sincere, Knightley. If you wish me to talk to Mrs. Hodges, or to inspect anything--" "I have not the least wish for it, I thank you." "Well--but if any difficulties should arise, my housekeeper is extremely clever." "I will answer for it, that mine thinks herself full as clever, and would spurn any body's assistance." "I wish we had a donkey. The thing would be for us all to come on donkeys, Jane, Miss Bates, and me--and my caro sposo walking by. I really must talk to him about purchasing a donkey. In a country life I conceive it to be a sort of necessary; for, let a woman have ever so many resources, it is not possible for her to be always shut up at home;--and very long walks, you know--in summer there is dust, and in winter there is dirt." "You will not find either, between Donwell and Highbury. Donwell Lane is never dusty, and now it is perfectly dry. Come on a donkey, however, if you prefer it. You can borrow Mrs. Cole's. I would wish every thing to be as much to your taste as possible."<|quote|>"That I am sure you would. Indeed I do you justice, my good friend. Under that peculiar sort of dry, blunt manner, I know you have the warmest heart. As I tell Mr. E., you are a thorough humourist.--Yes, believe me, Knightley, I am fully sensible of your attention to me in the whole of this scheme. You have hit upon the very thing to please me."</|quote|>Mr. Knightley had another reason for avoiding a table in the shade. He wished to persuade Mr. Woodhouse, as well as Emma, to join the party; and he knew that to have any of them sitting down out of doors to eat would inevitably make him ill. Mr. Woodhouse must not, under the specious pretence of a morning drive, and an hour or two spent at Donwell, be tempted away to his misery. He was invited on good faith. No lurking horrors were to upbraid him for his easy credulity. He did consent. He had not been at Donwell for two years. "Some very fine morning, he, and Emma, and Harriet, could go very well; and he could sit still with Mrs. Weston, while the dear girls walked about the gardens. He did not suppose they could be damp now, in the middle of the day. He should like to see the old house again exceedingly, and should be very happy to meet Mr. and Mrs. Elton, and any other of his neighbours.--He could not see any objection at all to his, and Emma's, and Harriet's going there some very fine morning. He thought it very well done of Mr. Knightley to invite them--very kind and sensible--much cleverer than dining out.--He was not fond of dining out." Mr. Knightley was fortunate in every body's most ready concurrence. The invitation was everywhere so well received, that it seemed as if, like Mrs. Elton, they were all taking the scheme as a particular compliment to themselves.--Emma and Harriet professed very high expectations of pleasure from it; and Mr. Weston, unasked, promised to get Frank over to join them, if possible; a proof of approbation and gratitude which could have been dispensed with.--Mr. Knightley was then obliged to say that he should be glad to see him; and Mr. Weston engaged to lose no time in writing, and spare no arguments to induce him to come. In the meanwhile the lame horse recovered so fast, that the party to Box Hill was again under happy consideration; and at last Donwell was settled for one day, and Box Hill for the next,--the weather appearing exactly right. Under a bright mid-day sun, at almost Midsummer, Mr. Woodhouse was safely conveyed in his carriage, with one window down, to partake of this al-fresco party; and in one of the most comfortable rooms in the Abbey, especially prepared for him by a fire all the morning, he was happily placed, quite at his ease, ready to talk with pleasure of what had been achieved, and advise every body to come and sit down, and not to heat themselves.--Mrs. Weston, who seemed to have walked there on purpose to be tired, and sit all the time with him, remained, when all the others were invited or persuaded out, his patient listener and sympathiser. It was so long since Emma had been at the Abbey, that as soon as she was satisfied of her father's comfort, she was glad to leave him, and look around her; eager to refresh and correct her memory with more particular observation, more exact understanding of a house and grounds which must ever be so interesting to her and all her family. She felt all the honest | Emma |
replied Randolph. | No speaker | m going up the Alps,"<|quote|>replied Randolph.</|quote|>"This is the way!" And | "what ARE you doing?" "I m going up the Alps,"<|quote|>replied Randolph.</|quote|>"This is the way!" And he gave another little jump, | which overlooked the lake. The little boy had now converted his alpenstock into a vaulting pole, by the aid of which he was springing about in the gravel and kicking it up not a little. "Randolph," said the young lady, "what ARE you doing?" "I m going up the Alps,"<|quote|>replied Randolph.</|quote|>"This is the way!" And he gave another little jump, scattering the pebbles about Winterbourne s ears. "That s the way they come down," said Winterbourne. "He s an American man!" cried Randolph, in his little hard voice. The young lady gave no heed to this announcement, but looked straight | her hand a large parasol, with a deep border of embroidery; and she was strikingly, admirably pretty. "How pretty they are!" thought Winterbourne, straightening himself in his seat, as if he were prepared to rise. The young lady paused in front of his bench, near the parapet of the garden, which overlooked the lake. The little boy had now converted his alpenstock into a vaulting pole, by the aid of which he was springing about in the gravel and kicking it up not a little. "Randolph," said the young lady, "what ARE you doing?" "I m going up the Alps,"<|quote|>replied Randolph.</|quote|>"This is the way!" And he gave another little jump, scattering the pebbles about Winterbourne s ears. "That s the way they come down," said Winterbourne. "He s an American man!" cried Randolph, in his little hard voice. The young lady gave no heed to this announcement, but looked straight at her brother. "Well, I guess you had better be quiet," she simply observed. It seemed to Winterbourne that he had been in a manner presented. He got up and stepped slowly toward the young girl, throwing away his cigarette. "This little boy and I have made acquaintance," he said, | at about this age. "Here comes my sister!" cried the child in a moment. "She s an American girl." Winterbourne looked along the path and saw a beautiful young lady advancing. "American girls are the best girls," he said cheerfully to his young companion. "My sister ain t the best!" the child declared. "She s always blowing at me." "I imagine that is your fault, not hers," said Winterbourne. The young lady meanwhile had drawn near. She was dressed in white muslin, with a hundred frills and flounces, and knots of pale-colored ribbon. She was bareheaded, but she balanced in her hand a large parasol, with a deep border of embroidery; and she was strikingly, admirably pretty. "How pretty they are!" thought Winterbourne, straightening himself in his seat, as if he were prepared to rise. The young lady paused in front of his bench, near the parapet of the garden, which overlooked the lake. The little boy had now converted his alpenstock into a vaulting pole, by the aid of which he was springing about in the gravel and kicking it up not a little. "Randolph," said the young lady, "what ARE you doing?" "I m going up the Alps,"<|quote|>replied Randolph.</|quote|>"This is the way!" And he gave another little jump, scattering the pebbles about Winterbourne s ears. "That s the way they come down," said Winterbourne. "He s an American man!" cried Randolph, in his little hard voice. The young lady gave no heed to this announcement, but looked straight at her brother. "Well, I guess you had better be quiet," she simply observed. It seemed to Winterbourne that he had been in a manner presented. He got up and stepped slowly toward the young girl, throwing away his cigarette. "This little boy and I have made acquaintance," he said, with great civility. In Geneva, as he had been perfectly aware, a young man was not at liberty to speak to a young unmarried lady except under certain rarely occurring conditions; but here at Vevey, what conditions could be better than these?--a pretty American girl coming and standing in front of you in a garden. This pretty American girl, however, on hearing Winterbourne s observation, simply glanced at him; she then turned her head and looked over the parapet, at the lake and the opposite mountains. He wondered whether he had gone too far, but he decided that he must | night, and one came out right afterward. She said she d slap me if any more came out. I can t help it. It s this old Europe. It s the climate that makes them come out. In America they didn t come out. It s these hotels." Winterbourne was much amused. "If you eat three lumps of sugar, your mother will certainly slap you," he said. "She s got to give me some candy, then," rejoined his young interlocutor. "I can t get any candy here--any American candy. American candy s the best candy." "And are American little boys the best little boys?" asked Winterbourne. "I don t know. I m an American boy," said the child. "I see you are one of the best!" laughed Winterbourne. "Are you an American man?" pursued this vivacious infant. And then, on Winterbourne s affirmative reply--" "American men are the best," he declared. His companion thanked him for the compliment, and the child, who had now got astride of his alpenstock, stood looking about him, while he attacked a second lump of sugar. Winterbourne wondered if he himself had been like this in his infancy, for he had been brought to Europe at about this age. "Here comes my sister!" cried the child in a moment. "She s an American girl." Winterbourne looked along the path and saw a beautiful young lady advancing. "American girls are the best girls," he said cheerfully to his young companion. "My sister ain t the best!" the child declared. "She s always blowing at me." "I imagine that is your fault, not hers," said Winterbourne. The young lady meanwhile had drawn near. She was dressed in white muslin, with a hundred frills and flounces, and knots of pale-colored ribbon. She was bareheaded, but she balanced in her hand a large parasol, with a deep border of embroidery; and she was strikingly, admirably pretty. "How pretty they are!" thought Winterbourne, straightening himself in his seat, as if he were prepared to rise. The young lady paused in front of his bench, near the parapet of the garden, which overlooked the lake. The little boy had now converted his alpenstock into a vaulting pole, by the aid of which he was springing about in the gravel and kicking it up not a little. "Randolph," said the young lady, "what ARE you doing?" "I m going up the Alps,"<|quote|>replied Randolph.</|quote|>"This is the way!" And he gave another little jump, scattering the pebbles about Winterbourne s ears. "That s the way they come down," said Winterbourne. "He s an American man!" cried Randolph, in his little hard voice. The young lady gave no heed to this announcement, but looked straight at her brother. "Well, I guess you had better be quiet," she simply observed. It seemed to Winterbourne that he had been in a manner presented. He got up and stepped slowly toward the young girl, throwing away his cigarette. "This little boy and I have made acquaintance," he said, with great civility. In Geneva, as he had been perfectly aware, a young man was not at liberty to speak to a young unmarried lady except under certain rarely occurring conditions; but here at Vevey, what conditions could be better than these?--a pretty American girl coming and standing in front of you in a garden. This pretty American girl, however, on hearing Winterbourne s observation, simply glanced at him; she then turned her head and looked over the parapet, at the lake and the opposite mountains. He wondered whether he had gone too far, but he decided that he must advance farther, rather than retreat. While he was thinking of something else to say, the young lady turned to the little boy again. "I should like to know where you got that pole," she said. "I bought it," responded Randolph. "You don t mean to say you re going to take it to Italy?" "Yes, I am going to take it to Italy," the child declared. The young girl glanced over the front of her dress and smoothed out a knot or two of ribbon. Then she rested her eyes upon the prospect again. "Well, I guess you had better leave it somewhere," she said after a moment. "Are you going to Italy?" Winterbourne inquired in a tone of great respect. The young lady glanced at him again. "Yes, sir," she replied. And she said nothing more. "Are you--a--going over the Simplon?" Winterbourne pursued, a little embarrassed. "I don t know," she said. "I suppose it s some mountain. Randolph, what mountain are we going over?" "Going where?" the child demanded. "To Italy," Winterbourne explained. "I don t know," said Randolph. "I don t want to go to Italy. I want to go to America." "Oh, Italy is a beautiful | as a boy, and he had afterward gone to college there--circumstances which had led to his forming a great many youthful friendships. Many of these he had kept, and they were a source of great satisfaction to him. After knocking at his aunt s door and learning that she was indisposed, he had taken a walk about the town, and then he had come in to his breakfast. He had now finished his breakfast; but he was drinking a small cup of coffee, which had been served to him on a little table in the garden by one of the waiters who looked like an attache. At last he finished his coffee and lit a cigarette. Presently a small boy came walking along the path--an urchin of nine or ten. The child, who was diminutive for his years, had an aged expression of countenance, a pale complexion, and sharp little features. He was dressed in knickerbockers, with red stockings, which displayed his poor little spindle-shanks; he also wore a brilliant red cravat. He carried in his hand a long alpenstock, the sharp point of which he thrust into everything that he approached--the flowerbeds, the garden benches, the trains of the ladies dresses. In front of Winterbourne he paused, looking at him with a pair of bright, penetrating little eyes. "Will you give me a lump of sugar?" he asked in a sharp, hard little voice--a voice immature and yet, somehow, not young. Winterbourne glanced at the small table near him, on which his coffee service rested, and saw that several morsels of sugar remained. "Yes, you may take one," he answered; "but I don t think sugar is good for little boys." This little boy stepped forward and carefully selected three of the coveted fragments, two of which he buried in the pocket of his knickerbockers, depositing the other as promptly in another place. He poked his alpenstock, lance-fashion, into Winterbourne s bench and tried to crack the lump of sugar with his teeth. "Oh, blazes; it s har-r-d!" he exclaimed, pronouncing the adjective in a peculiar manner. Winterbourne had immediately perceived that he might have the honor of claiming him as a fellow countryman. "Take care you don t hurt your teeth," he said, paternally. "I haven t got any teeth to hurt. They have all come out. I have only got seven teeth. My mother counted them last night, and one came out right afterward. She said she d slap me if any more came out. I can t help it. It s this old Europe. It s the climate that makes them come out. In America they didn t come out. It s these hotels." Winterbourne was much amused. "If you eat three lumps of sugar, your mother will certainly slap you," he said. "She s got to give me some candy, then," rejoined his young interlocutor. "I can t get any candy here--any American candy. American candy s the best candy." "And are American little boys the best little boys?" asked Winterbourne. "I don t know. I m an American boy," said the child. "I see you are one of the best!" laughed Winterbourne. "Are you an American man?" pursued this vivacious infant. And then, on Winterbourne s affirmative reply--" "American men are the best," he declared. His companion thanked him for the compliment, and the child, who had now got astride of his alpenstock, stood looking about him, while he attacked a second lump of sugar. Winterbourne wondered if he himself had been like this in his infancy, for he had been brought to Europe at about this age. "Here comes my sister!" cried the child in a moment. "She s an American girl." Winterbourne looked along the path and saw a beautiful young lady advancing. "American girls are the best girls," he said cheerfully to his young companion. "My sister ain t the best!" the child declared. "She s always blowing at me." "I imagine that is your fault, not hers," said Winterbourne. The young lady meanwhile had drawn near. She was dressed in white muslin, with a hundred frills and flounces, and knots of pale-colored ribbon. She was bareheaded, but she balanced in her hand a large parasol, with a deep border of embroidery; and she was strikingly, admirably pretty. "How pretty they are!" thought Winterbourne, straightening himself in his seat, as if he were prepared to rise. The young lady paused in front of his bench, near the parapet of the garden, which overlooked the lake. The little boy had now converted his alpenstock into a vaulting pole, by the aid of which he was springing about in the gravel and kicking it up not a little. "Randolph," said the young lady, "what ARE you doing?" "I m going up the Alps,"<|quote|>replied Randolph.</|quote|>"This is the way!" And he gave another little jump, scattering the pebbles about Winterbourne s ears. "That s the way they come down," said Winterbourne. "He s an American man!" cried Randolph, in his little hard voice. The young lady gave no heed to this announcement, but looked straight at her brother. "Well, I guess you had better be quiet," she simply observed. It seemed to Winterbourne that he had been in a manner presented. He got up and stepped slowly toward the young girl, throwing away his cigarette. "This little boy and I have made acquaintance," he said, with great civility. In Geneva, as he had been perfectly aware, a young man was not at liberty to speak to a young unmarried lady except under certain rarely occurring conditions; but here at Vevey, what conditions could be better than these?--a pretty American girl coming and standing in front of you in a garden. This pretty American girl, however, on hearing Winterbourne s observation, simply glanced at him; she then turned her head and looked over the parapet, at the lake and the opposite mountains. He wondered whether he had gone too far, but he decided that he must advance farther, rather than retreat. While he was thinking of something else to say, the young lady turned to the little boy again. "I should like to know where you got that pole," she said. "I bought it," responded Randolph. "You don t mean to say you re going to take it to Italy?" "Yes, I am going to take it to Italy," the child declared. The young girl glanced over the front of her dress and smoothed out a knot or two of ribbon. Then she rested her eyes upon the prospect again. "Well, I guess you had better leave it somewhere," she said after a moment. "Are you going to Italy?" Winterbourne inquired in a tone of great respect. The young lady glanced at him again. "Yes, sir," she replied. And she said nothing more. "Are you--a--going over the Simplon?" Winterbourne pursued, a little embarrassed. "I don t know," she said. "I suppose it s some mountain. Randolph, what mountain are we going over?" "Going where?" the child demanded. "To Italy," Winterbourne explained. "I don t know," said Randolph. "I don t want to go to Italy. I want to go to America." "Oh, Italy is a beautiful place!" rejoined the young man. "Can you get candy there?" Randolph loudly inquired. "I hope not," said his sister. "I guess you have had enough candy, and mother thinks so too." "I haven t had any for ever so long--for a hundred weeks!" cried the boy, still jumping about. The young lady inspected her flounces and smoothed her ribbons again; and Winterbourne presently risked an observation upon the beauty of the view. He was ceasing to be embarrassed, for he had begun to perceive that she was not in the least embarrassed herself. There had not been the slightest alteration in her charming complexion; she was evidently neither offended nor flattered. If she looked another way when he spoke to her, and seemed not particularly to hear him, this was simply her habit, her manner. Yet, as he talked a little more and pointed out some of the objects of interest in the view, with which she appeared quite unacquainted, she gradually gave him more of the benefit of her glance; and then he saw that this glance was perfectly direct and unshrinking. It was not, however, what would have been called an immodest glance, for the young girl s eyes were singularly honest and fresh. They were wonderfully pretty eyes; and, indeed, Winterbourne had not seen for a long time anything prettier than his fair countrywoman s various features--her complexion, her nose, her ears, her teeth. He had a great relish for feminine beauty; he was addicted to observing and analyzing it; and as regards this young lady s face he made several observations. It was not at all insipid, but it was not exactly expressive; and though it was eminently delicate, Winterbourne mentally accused it--very forgivingly--of a want of finish. He thought it very possible that Master Randolph s sister was a coquette; he was sure she had a spirit of her own; but in her bright, sweet, superficial little visage there was no mockery, no irony. Before long it became obvious that she was much disposed toward conversation. She told him that they were going to Rome for the winter--she and her mother and Randolph. She asked him if he was a "real American" "; she shouldn t have taken him for one; he seemed more like a German--this was said after a little hesitation--especially when he spoke. Winterbourne, laughing, answered that he had met Germans who | perceived that he might have the honor of claiming him as a fellow countryman. "Take care you don t hurt your teeth," he said, paternally. "I haven t got any teeth to hurt. They have all come out. I have only got seven teeth. My mother counted them last night, and one came out right afterward. She said she d slap me if any more came out. I can t help it. It s this old Europe. It s the climate that makes them come out. In America they didn t come out. It s these hotels." Winterbourne was much amused. "If you eat three lumps of sugar, your mother will certainly slap you," he said. "She s got to give me some candy, then," rejoined his young interlocutor. "I can t get any candy here--any American candy. American candy s the best candy." "And are American little boys the best little boys?" asked Winterbourne. "I don t know. I m an American boy," said the child. "I see you are one of the best!" laughed Winterbourne. "Are you an American man?" pursued this vivacious infant. And then, on Winterbourne s affirmative reply--" "American men are the best," he declared. His companion thanked him for the compliment, and the child, who had now got astride of his alpenstock, stood looking about him, while he attacked a second lump of sugar. Winterbourne wondered if he himself had been like this in his infancy, for he had been brought to Europe at about this age. "Here comes my sister!" cried the child in a moment. "She s an American girl." Winterbourne looked along the path and saw a beautiful young lady advancing. "American girls are the best girls," he said cheerfully to his young companion. "My sister ain t the best!" the child declared. "She s always blowing at me." "I imagine that is your fault, not hers," said Winterbourne. The young lady meanwhile had drawn near. She was dressed in white muslin, with a hundred frills and flounces, and knots of pale-colored ribbon. She was bareheaded, but she balanced in her hand a large parasol, with a deep border of embroidery; and she was strikingly, admirably pretty. "How pretty they are!" thought Winterbourne, straightening himself in his seat, as if he were prepared to rise. The young lady paused in front of his bench, near the parapet of the garden, which overlooked the lake. The little boy had now converted his alpenstock into a vaulting pole, by the aid of which he was springing about in the gravel and kicking it up not a little. "Randolph," said the young lady, "what ARE you doing?" "I m going up the Alps,"<|quote|>replied Randolph.</|quote|>"This is the way!" And he gave another little jump, scattering the pebbles about Winterbourne s ears. "That s the way they come down," said Winterbourne. "He s an American man!" cried Randolph, in his little hard voice. The young lady gave no heed to this announcement, but looked straight at her brother. "Well, I guess you had better be quiet," she simply observed. It seemed to Winterbourne that he had been in a manner presented. He got up and stepped slowly toward the young girl, throwing away his cigarette. "This little boy and I have made acquaintance," he said, with great civility. In Geneva, as he had been perfectly aware, a young man was not at liberty to speak to a young unmarried lady except under certain rarely occurring conditions; but here at Vevey, what conditions could be better than these?--a pretty American girl coming and standing in front of you in a garden. This pretty American girl, however, on hearing Winterbourne s observation, simply glanced at him; she then turned her head and looked over the parapet, at the lake and the opposite mountains. He wondered whether he had gone too far, but he decided that he must advance farther, rather than retreat. While he was thinking of something else to say, the young lady turned to the little boy again. "I should like to know where you got that pole," she said. "I bought it," responded Randolph. "You don t mean to say you re going to take it to Italy?" "Yes, I am going to take it to Italy," the child declared. The young girl glanced over the front of her dress and smoothed out a knot or two of ribbon. Then she rested her eyes upon the prospect again. "Well, I guess you had better leave it somewhere," she said after a moment. "Are you going to Italy?" Winterbourne inquired in a tone of great respect. The young lady glanced at him again. "Yes, sir," she replied. And she said nothing more. "Are you--a--going over the Simplon?" Winterbourne pursued, a little embarrassed. "I don t know," she said. "I suppose it s some mountain. Randolph, what mountain are we going over?" "Going where?" the child demanded. "To Italy," Winterbourne explained. "I don t know," said Randolph. "I don t want to go to Italy. I want to go to America." "Oh, Italy is a beautiful place!" rejoined the young man. "Can you get candy there?" Randolph loudly inquired. "I hope not," said his sister. "I guess you have had enough candy, and mother thinks so too." "I haven t had any for ever so long--for a hundred weeks!" cried the boy, still jumping about. The young lady inspected her flounces and smoothed her ribbons again; and Winterbourne presently risked an observation upon the beauty of the view. He was ceasing to be embarrassed, for he had begun to perceive that she was not in the least embarrassed herself. There had not been the slightest alteration in her charming complexion; she was evidently neither offended nor flattered. If she looked another way when he spoke to her, and seemed not particularly to hear him, this was simply her habit, her manner. Yet, as he talked a little more and pointed out some of the objects of interest in the view, with which she appeared | Daisy Miller |
"Why don't they change him?" | Brett Ashley | would not order him replaced.<|quote|>"Why don't they change him?"</|quote|>Brett asked. "They've paid for | the lures, but the President would not order him replaced.<|quote|>"Why don't they change him?"</|quote|>Brett asked. "They've paid for him. They don't want to | the vision was impaired. He worked accordingly. It was not brilliant bull-fighting. It was only perfect bull-fighting. The crowd wanted the bull changed. They made a great row. Nothing very fine could happen with a bull that could not see the lures, but the President would not order him replaced.<|quote|>"Why don't they change him?"</|quote|>Brett asked. "They've paid for him. They don't want to lose their money." "It's hardly fair to Romero." "Watch how he handles a bull that can't see the color." "It's the sort of thing I don't like to see." It was not nice to watch if you cared anything about | came away toward the applause, his hand on his hip, his cape on his arm, and the bull watching his back going away. In his own bulls he was perfect. His first bull did not see well. After the first two passes with the cape Romero knew exactly how bad the vision was impaired. He worked accordingly. It was not brilliant bull-fighting. It was only perfect bull-fighting. The crowd wanted the bull changed. They made a great row. Nothing very fine could happen with a bull that could not see the lures, but the President would not order him replaced.<|quote|>"Why don't they change him?"</|quote|>Brett asked. "They've paid for him. They don't want to lose their money." "It's hardly fair to Romero." "Watch how he handles a bull that can't see the color." "It's the sort of thing I don't like to see." It was not nice to watch if you cared anything about the person who was doing it. With the bull who could not see the colors of the capes, or the scarlet flannel of the muleta, Romero had to make the bull consent with his body. He had to get so close that the bull saw his body, and would start | At the end of the pass they were facing each other again. Romero smiled. The bull wanted it again, and Romero's cape filled again, this time on the other side. Each time he let the bull pass so close that the man and the bull and the cape that filled and pivoted ahead of the bull were all one sharply etched mass. It was all so slow and so controlled. It was as though he were rocking the bull to sleep. He made four veronicas like that, and finished with a half-veronica that turned his back on the bull and came away toward the applause, his hand on his hip, his cape on his arm, and the bull watching his back going away. In his own bulls he was perfect. His first bull did not see well. After the first two passes with the cape Romero knew exactly how bad the vision was impaired. He worked accordingly. It was not brilliant bull-fighting. It was only perfect bull-fighting. The crowd wanted the bull changed. They made a great row. Nothing very fine could happen with a bull that could not see the lures, but the President would not order him replaced.<|quote|>"Why don't they change him?"</|quote|>Brett asked. "They've paid for him. They don't want to lose their money." "It's hardly fair to Romero." "Watch how he handles a bull that can't see the color." "It's the sort of thing I don't like to see." It was not nice to watch if you cared anything about the person who was doing it. With the bull who could not see the colors of the capes, or the scarlet flannel of the muleta, Romero had to make the bull consent with his body. He had to get so close that the bull saw his body, and would start for it, and then shift the bull's charge to the flannel and finish out the pass in the classic manner. The Biarritz crowd did not like it They thought Romero was afraid, and that was why he gave that little sidestep each time as he transferred the bull's charge from his own body to the flannel. They preferred Belmonte's imitation of himself or Marcial's imitation of Belmonte. There were three of them in the row behind us. "What's he afraid of the bull for? The bull's so dumb he only goes after the cloth." "He's just a young bull-fighter. He | point of the pic. Romero, watching, saw the bull start to turn his head. He did not want to charge. Romero flicked his cape so the color caught the bull's eye. The bull charged with the reflex, charged, and found not the flash of color but a white horse, and a man leaned far over the horse, shot the steel point of the long hickory shaft into the hump of muscle on the bull's shoulder, and pulled his horse sideways as he pivoted on the pic, making a wound, enforcing the iron into the bull's shoulder, making him bleed for Belmonte. The bull did not insist under the iron. He did not really want to get at the horse. He turned and the group broke apart and Romero was taking him out with his cape. He took him out softly and smoothly, and then stopped and, standing squarely in front of the bull, offered him the cape. The bull's tail went up and he charged, and Romero moved his arms ahead of the bull, wheeling, his feet firmed. The dampened, mud-weighted cape swung open and full as a sail fills, and Romero pivoted with it just ahead of the bull. At the end of the pass they were facing each other again. Romero smiled. The bull wanted it again, and Romero's cape filled again, this time on the other side. Each time he let the bull pass so close that the man and the bull and the cape that filled and pivoted ahead of the bull were all one sharply etched mass. It was all so slow and so controlled. It was as though he were rocking the bull to sleep. He made four veronicas like that, and finished with a half-veronica that turned his back on the bull and came away toward the applause, his hand on his hip, his cape on his arm, and the bull watching his back going away. In his own bulls he was perfect. His first bull did not see well. After the first two passes with the cape Romero knew exactly how bad the vision was impaired. He worked accordingly. It was not brilliant bull-fighting. It was only perfect bull-fighting. The crowd wanted the bull changed. They made a great row. Nothing very fine could happen with a bull that could not see the lures, but the President would not order him replaced.<|quote|>"Why don't they change him?"</|quote|>Brett asked. "They've paid for him. They don't want to lose their money." "It's hardly fair to Romero." "Watch how he handles a bull that can't see the color." "It's the sort of thing I don't like to see." It was not nice to watch if you cared anything about the person who was doing it. With the bull who could not see the colors of the capes, or the scarlet flannel of the muleta, Romero had to make the bull consent with his body. He had to get so close that the bull saw his body, and would start for it, and then shift the bull's charge to the flannel and finish out the pass in the classic manner. The Biarritz crowd did not like it They thought Romero was afraid, and that was why he gave that little sidestep each time as he transferred the bull's charge from his own body to the flannel. They preferred Belmonte's imitation of himself or Marcial's imitation of Belmonte. There were three of them in the row behind us. "What's he afraid of the bull for? The bull's so dumb he only goes after the cloth." "He's just a young bull-fighter. He hasn't learned it yet." "But I thought he was fine with the cape before." "Probably he's nervous now." Out in the centre of the ring, all alone, Romero was going on with the same thing, getting so close that the bull could see him plainly, offering the body, offering it again a little closer, the bull watching dully, then so close that the bull thought he had him, offering again and finally drawing the charge and then, just before the horns came, giving the bull the red cloth to follow with at little, almost imperceptible, jerk that so offended the critical judgment of the Biarritz bull-fight experts. "He's going to kill now," I said to Brett. "The bull's still strong. He wouldn't wear himself out." Out in the centre of the ring Romero profiled in front of the bull, drew the sword out from the folds of the muleta, rose on his toes, and sighted along the blade. The bull charged as Romero charged. Romero's left hand dropped the muleta over the bull's muzzle to blind him, his left shoulder went forward between the horns as the sword went in, and for just an instant he and the bull were | even the American ambassador saw it, finally. It was a competition that Belmonte would not enter because it would lead only to a bad horn wound or death. Belmonte was no longer well enough. He no longer had his greatest moments in the bull-ring. He was not sure that there were any great moments. Things were not the same and now life only came in flashes. He had flashes of the old greatness with his bulls, but they were not of value because he had discounted them in advance when he had picked the bulls out for their safety, getting out of a motor and leaning on a fence, looking over at the herd on the ranch of his friend the bull-breeder. So he had two small, manageable bulls without much horns, and when he felt the greatness again coming, just a little of it through the pain that was always with him, it had been discounted and sold in advance, and it did not give him a good feeling. It was the greatness, but it did not make bull-fighting wonderful to him any more. Pedro Romero had the greatness. He loved bull-fighting, and I think he loved the bulls, and I think he loved Brett. Everything of which he could control the locality he did in front of her all that afternoon. Never once did he look up. He made it stronger that way, and did it for himself, too, as well as for her. Because he did not look up to ask if it pleased he did it all for himself inside, and it strengthened him, and yet he did it for her, too. But he did not do it for her at any loss to himself. He gained by it all through the afternoon. His first "quite" was directly below us. The three matadors take the bull in turn after each charge he makes at a picador. Belmonte was the first. Marcial was the second. Then came Romero. The three of them were standing at the left of the horse. The picador, his hat down over his eyes, the shaft of his pic angling sharply toward the bull, kicked in the spurs and held them and with the reins in his left hand walked the horse forward toward the bull. The bull was watching. Seemingly he watched the white horse, but really he watched the triangular steel point of the pic. Romero, watching, saw the bull start to turn his head. He did not want to charge. Romero flicked his cape so the color caught the bull's eye. The bull charged with the reflex, charged, and found not the flash of color but a white horse, and a man leaned far over the horse, shot the steel point of the long hickory shaft into the hump of muscle on the bull's shoulder, and pulled his horse sideways as he pivoted on the pic, making a wound, enforcing the iron into the bull's shoulder, making him bleed for Belmonte. The bull did not insist under the iron. He did not really want to get at the horse. He turned and the group broke apart and Romero was taking him out with his cape. He took him out softly and smoothly, and then stopped and, standing squarely in front of the bull, offered him the cape. The bull's tail went up and he charged, and Romero moved his arms ahead of the bull, wheeling, his feet firmed. The dampened, mud-weighted cape swung open and full as a sail fills, and Romero pivoted with it just ahead of the bull. At the end of the pass they were facing each other again. Romero smiled. The bull wanted it again, and Romero's cape filled again, this time on the other side. Each time he let the bull pass so close that the man and the bull and the cape that filled and pivoted ahead of the bull were all one sharply etched mass. It was all so slow and so controlled. It was as though he were rocking the bull to sleep. He made four veronicas like that, and finished with a half-veronica that turned his back on the bull and came away toward the applause, his hand on his hip, his cape on his arm, and the bull watching his back going away. In his own bulls he was perfect. His first bull did not see well. After the first two passes with the cape Romero knew exactly how bad the vision was impaired. He worked accordingly. It was not brilliant bull-fighting. It was only perfect bull-fighting. The crowd wanted the bull changed. They made a great row. Nothing very fine could happen with a bull that could not see the lures, but the President would not order him replaced.<|quote|>"Why don't they change him?"</|quote|>Brett asked. "They've paid for him. They don't want to lose their money." "It's hardly fair to Romero." "Watch how he handles a bull that can't see the color." "It's the sort of thing I don't like to see." It was not nice to watch if you cared anything about the person who was doing it. With the bull who could not see the colors of the capes, or the scarlet flannel of the muleta, Romero had to make the bull consent with his body. He had to get so close that the bull saw his body, and would start for it, and then shift the bull's charge to the flannel and finish out the pass in the classic manner. The Biarritz crowd did not like it They thought Romero was afraid, and that was why he gave that little sidestep each time as he transferred the bull's charge from his own body to the flannel. They preferred Belmonte's imitation of himself or Marcial's imitation of Belmonte. There were three of them in the row behind us. "What's he afraid of the bull for? The bull's so dumb he only goes after the cloth." "He's just a young bull-fighter. He hasn't learned it yet." "But I thought he was fine with the cape before." "Probably he's nervous now." Out in the centre of the ring, all alone, Romero was going on with the same thing, getting so close that the bull could see him plainly, offering the body, offering it again a little closer, the bull watching dully, then so close that the bull thought he had him, offering again and finally drawing the charge and then, just before the horns came, giving the bull the red cloth to follow with at little, almost imperceptible, jerk that so offended the critical judgment of the Biarritz bull-fight experts. "He's going to kill now," I said to Brett. "The bull's still strong. He wouldn't wear himself out." Out in the centre of the ring Romero profiled in front of the bull, drew the sword out from the folds of the muleta, rose on his toes, and sighted along the blade. The bull charged as Romero charged. Romero's left hand dropped the muleta over the bull's muzzle to blind him, his left shoulder went forward between the horns as the sword went in, and for just an instant he and the bull were one, Romero way out over the bull, the right arm extended high up to where the hilt of the sword had gone in between the bull's shoulders. Then the figure was broken. There was a little jolt as Romero came clear, and then he was standing, one hand up, facing the bull, his shirt ripped out from under his sleeve, the white blowing in the wind, and the bull, the red sword hilt tight between his shoulders, his head going down and his legs settling. "There he goes," Bill said. Romero was close enough so the bull could see him. His hand still up, he spoke to the bull. The bull gathered himself, then his head went forward and he went over slowly, then all over, suddenly, four feet in the air. They handed the sword to Romero, and carrying it blade down, the muleta in his other hand, he walked over to in front of the President's box, bowed, straightened, and came over to the barrera and handed over the sword and muleta. "Bad one," said the sword-handler. "He made me sweat," said Romero. He wiped off his face. The sword-handler handed him the water-jug. Romero wiped his lips. It hurt him to drink out of the jug. He did not look up at us. Marcial had a big day. They were still applauding him when Romero's last bull came in. It was the bull that had sprinted out and killed the man in the morning running. During Romero's first bull his hurt face had been very noticeable. Everything he did showed it. All the concentration of the awkwardly delicate working with the bull that could not see well brought it out. The fight with Cohn had not touched his spirit but his face had been smashed and his body hurt. He was wiping all that out now. Each thing that he did with this bull wiped that out a little cleaner. It was a good bull, a big bull, and with horns, and it turned and recharged easily and surely. He was what Romero wanted in bulls. When he had finished his work with the muleta and was ready to kill, the crowd made him go on. They did not want the bull killed yet, they did not want it to be over. Romero went on. It was like a course in bull-fighting. All the passes he linked | did not insist under the iron. He did not really want to get at the horse. He turned and the group broke apart and Romero was taking him out with his cape. He took him out softly and smoothly, and then stopped and, standing squarely in front of the bull, offered him the cape. The bull's tail went up and he charged, and Romero moved his arms ahead of the bull, wheeling, his feet firmed. The dampened, mud-weighted cape swung open and full as a sail fills, and Romero pivoted with it just ahead of the bull. At the end of the pass they were facing each other again. Romero smiled. The bull wanted it again, and Romero's cape filled again, this time on the other side. Each time he let the bull pass so close that the man and the bull and the cape that filled and pivoted ahead of the bull were all one sharply etched mass. It was all so slow and so controlled. It was as though he were rocking the bull to sleep. He made four veronicas like that, and finished with a half-veronica that turned his back on the bull and came away toward the applause, his hand on his hip, his cape on his arm, and the bull watching his back going away. In his own bulls he was perfect. His first bull did not see well. After the first two passes with the cape Romero knew exactly how bad the vision was impaired. He worked accordingly. It was not brilliant bull-fighting. It was only perfect bull-fighting. The crowd wanted the bull changed. They made a great row. Nothing very fine could happen with a bull that could not see the lures, but the President would not order him replaced.<|quote|>"Why don't they change him?"</|quote|>Brett asked. "They've paid for him. They don't want to lose their money." "It's hardly fair to Romero." "Watch how he handles a bull that can't see the color." "It's the sort of thing I don't like to see." It was not nice to watch if you cared anything about the person who was doing it. With the bull who could not see the colors of the capes, or the scarlet flannel of the muleta, Romero had to make the bull consent with his body. He had to get so close that the bull saw his body, and would start for it, and then shift the bull's charge to the flannel and finish out the pass in the classic manner. The Biarritz crowd did not like it They thought Romero was afraid, and that was why he gave that little sidestep each time as he transferred the bull's charge from his own body to the flannel. They preferred Belmonte's imitation of himself or Marcial's imitation of Belmonte. There were three of them in the row behind us. "What's he afraid of the bull for? The bull's so dumb he only goes after the cloth." "He's just a young bull-fighter. He hasn't learned it yet." "But I thought he was fine with the cape before." "Probably he's nervous now." Out in the centre of the ring, all alone, Romero was going on with the same thing, getting so close that the bull could see him plainly, offering the body, offering it again a little closer, the bull watching dully, then so close that the bull thought he had him, offering again and finally drawing the charge and then, just before the horns came, giving the bull the red cloth to follow with at little, almost imperceptible, jerk that so offended the critical judgment of the Biarritz bull-fight experts. "He's going to kill now," I said to Brett. "The bull's still strong. He wouldn't wear himself out." Out in the centre of the ring Romero profiled in front of the bull, drew the sword out from the folds of the muleta, rose on his toes, and sighted along the blade. The bull charged as Romero charged. Romero's left hand dropped the muleta over the bull's muzzle to blind him, his left shoulder went forward between the horns as the sword went in, and for just an instant he and the bull were one, Romero way out over the bull, the right arm extended high up to where the hilt of the sword had gone in between the bull's shoulders. Then the figure was broken. There was a little jolt as Romero came clear, and then he was standing, one hand up, facing the bull, his shirt ripped out from under his sleeve, the white blowing in the wind, and the bull, the red sword hilt tight between his shoulders, his head going down and his legs settling. "There he goes," Bill said. Romero was close enough so the bull could see him. His hand still up, he spoke to the bull. The bull gathered himself, then his head went forward and he went over slowly, then all over, suddenly, four feet in the air. They handed the sword to Romero, and carrying it blade down, the muleta in his other hand, he walked over to | The Sun Also Rises |
"Look, Jem. What are they doing there?" | Don Lavington | all at once, of course."<|quote|>"Look, Jem. What are they doing there?"</|quote|>Don nodded his head in | o' these here savages. Not all at once, of course."<|quote|>"Look, Jem. What are they doing there?"</|quote|>Don nodded his head in the direction of the broken | and bear it all, I suppose, Jem. How hot the sun is; and, ill as I am, I should be so glad of something to eat and drink." "I'm that hungry, Mas' Don," growled Jem, "that I could eat one o' these here savages. Not all at once, of course."<|quote|>"Look, Jem. What are they doing there?"</|quote|>Don nodded his head in the direction of the broken fence; and together they looked down from the eminence on which the _pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy | when a cut smarted a lot. So I s'pose my wound's first rate, for it smarts like a furze bush in a fit." "I wish I could bathe it for you, Jem." "Thank ye, Mas' Don. I wish my Sally could do it. More in her way." "We must try and bear it all, I suppose, Jem. How hot the sun is; and, ill as I am, I should be so glad of something to eat and drink." "I'm that hungry, Mas' Don," growled Jem, "that I could eat one o' these here savages. Not all at once, of course."<|quote|>"Look, Jem. What are they doing there?"</|quote|>Don nodded his head in the direction of the broken fence; and together they looked down from the eminence on which the _pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy there running to and fro, and the spectators were not long left in doubt as to what they were doing, for amid a great deal of shouting one of the huge war canoes was run down over the sand and launched, a couple of men being left to keep her | to advance threateningly, spear in hand, if a prisoner attempted to move. Where Don and Jem were sitting a portion of the great fence was broken, and they could see through it down to the shore. "What a shame it seems on such a glorious morning, Jem!" "Shame! Mas' Don? I should just like to shame 'em. Head hurt much?" "Not so very much, Jem. How is your shoulder?" "Rather pickly." "Rather what?" "Pickly, as if there was vinegar and pepper and salt being rubbed into it. But my old mother used to say that it was a good sign when a cut smarted a lot. So I s'pose my wound's first rate, for it smarts like a furze bush in a fit." "I wish I could bathe it for you, Jem." "Thank ye, Mas' Don. I wish my Sally could do it. More in her way." "We must try and bear it all, I suppose, Jem. How hot the sun is; and, ill as I am, I should be so glad of something to eat and drink." "I'm that hungry, Mas' Don," growled Jem, "that I could eat one o' these here savages. Not all at once, of course."<|quote|>"Look, Jem. What are they doing there?"</|quote|>Don nodded his head in the direction of the broken fence; and together they looked down from the eminence on which the _pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy there running to and fro, and the spectators were not long left in doubt as to what they were doing, for amid a great deal of shouting one of the huge war canoes was run down over the sand and launched, a couple of men being left to keep her by the shore, while their comrades busied themselves in launching others, till every canoe belonging to the conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." | interfering with nobody, when these warmints came; and look at things now." "Yes," said Don, sadly, as he looked round; "half the men dead, the others wounded and prisoners, with the women and children." "And the village--I s'pose they calls this a village; I don't, for there arn't no church--all racked and ruined." They sat together, with their hands tightly bound behind them, gazing at the desolation. The prisoners were all huddled together, perfectly silent, and with a dull, sullen, despairing look in their countenances, which seemed to suggest that they were accepting their fate as a matter of course. It was a horrible scene, so many of the warriors being badly wounded, but they made no complaint; and, truth to tell, most of those who were now helpless prisoners had taken part in raids to inflict the pain they now suffered themselves. The dead had been dragged away before Don woke that morning, but there were hideous traces on the trampled ground, with broken weapons scattered here and there, while the wounded were lying together perfectly untended, many of them bound, to prevent escape--hardly possible even to an uninjured man, for a guard was keeping watch over them ready to advance threateningly, spear in hand, if a prisoner attempted to move. Where Don and Jem were sitting a portion of the great fence was broken, and they could see through it down to the shore. "What a shame it seems on such a glorious morning, Jem!" "Shame! Mas' Don? I should just like to shame 'em. Head hurt much?" "Not so very much, Jem. How is your shoulder?" "Rather pickly." "Rather what?" "Pickly, as if there was vinegar and pepper and salt being rubbed into it. But my old mother used to say that it was a good sign when a cut smarted a lot. So I s'pose my wound's first rate, for it smarts like a furze bush in a fit." "I wish I could bathe it for you, Jem." "Thank ye, Mas' Don. I wish my Sally could do it. More in her way." "We must try and bear it all, I suppose, Jem. How hot the sun is; and, ill as I am, I should be so glad of something to eat and drink." "I'm that hungry, Mas' Don," growled Jem, "that I could eat one o' these here savages. Not all at once, of course."<|quote|>"Look, Jem. What are they doing there?"</|quote|>Don nodded his head in the direction of the broken fence; and together they looked down from the eminence on which the _pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy there running to and fro, and the spectators were not long left in doubt as to what they were doing, for amid a great deal of shouting one of the huge war canoes was run down over the sand and launched, a couple of men being left to keep her by the shore, while their comrades busied themselves in launching others, till every canoe belonging to the conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." "More can't I, Mas' Don. It's a werry bad job. Lookye yonder now." Don was already looking, for a great deal of excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite | wakefulness again, and stare wildly at the faintly-seen fence of the great _pah_, right over his head, and through which he could see the twinkling of a star. As he realised where he was once more, he whispered Jem's name again and again, but a heavy breathing was the only response, and he lay thinking of home and of his bedroom all those thousand miles away. And as he thought of Bristol, a curious feeling of thankfulness came over him that his mother was in ignorance of the fate that had befallen her son. "What would she say--what would she think, if she knew that I was lying here on the ground, a prisoner, and wounded--here at the mercy of a set of savages--what would she say?" A short time before Don had been thinking that fate had done its worst for him, and that his position could not possibly have been more grave. But he thought now that it might have been far worse, for his mother was spared his horror. And then as he lay helpless there, and in pain, with his companion badly hurt, and the low moan of some wounded savage now and then making him shudder, the scene of the desperate fight seemed to come back, and he felt feverish and wild. But after a time that passed off, and the pain and chill troubled him, but only to pass off as well, and be succeeded by a drowsy sensation. And then as he lay there, the words of the old, old prayers he had repeated at his mother's knee rose to his lips, and he was repeating them as sleep fell upon his weary eyes; and the agony and horrors of that terrible time were as nothing to him then. The Adventures of Don Lavington--by George Manville Fenn CHAPTER FORTY ONE. PRISONERS OF WAR. "I wish our old ship was here, and I was at one of the guns to help give these beggars a broadside." "It is very, very horrible, Jem." "Ten times as horrid as that, Mas' Don. Here was we all as quiet and comf'table as could be--taking our warm baths. I say, shouldn't I like one now! I'm that stiff and sore I can hardly move." "Yes, it would be a comfort, Jem." "Yes, and as I was saying, here was we going on as quiet as could be, and interfering with nobody, when these warmints came; and look at things now." "Yes," said Don, sadly, as he looked round; "half the men dead, the others wounded and prisoners, with the women and children." "And the village--I s'pose they calls this a village; I don't, for there arn't no church--all racked and ruined." They sat together, with their hands tightly bound behind them, gazing at the desolation. The prisoners were all huddled together, perfectly silent, and with a dull, sullen, despairing look in their countenances, which seemed to suggest that they were accepting their fate as a matter of course. It was a horrible scene, so many of the warriors being badly wounded, but they made no complaint; and, truth to tell, most of those who were now helpless prisoners had taken part in raids to inflict the pain they now suffered themselves. The dead had been dragged away before Don woke that morning, but there were hideous traces on the trampled ground, with broken weapons scattered here and there, while the wounded were lying together perfectly untended, many of them bound, to prevent escape--hardly possible even to an uninjured man, for a guard was keeping watch over them ready to advance threateningly, spear in hand, if a prisoner attempted to move. Where Don and Jem were sitting a portion of the great fence was broken, and they could see through it down to the shore. "What a shame it seems on such a glorious morning, Jem!" "Shame! Mas' Don? I should just like to shame 'em. Head hurt much?" "Not so very much, Jem. How is your shoulder?" "Rather pickly." "Rather what?" "Pickly, as if there was vinegar and pepper and salt being rubbed into it. But my old mother used to say that it was a good sign when a cut smarted a lot. So I s'pose my wound's first rate, for it smarts like a furze bush in a fit." "I wish I could bathe it for you, Jem." "Thank ye, Mas' Don. I wish my Sally could do it. More in her way." "We must try and bear it all, I suppose, Jem. How hot the sun is; and, ill as I am, I should be so glad of something to eat and drink." "I'm that hungry, Mas' Don," growled Jem, "that I could eat one o' these here savages. Not all at once, of course."<|quote|>"Look, Jem. What are they doing there?"</|quote|>Don nodded his head in the direction of the broken fence; and together they looked down from the eminence on which the _pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy there running to and fro, and the spectators were not long left in doubt as to what they were doing, for amid a great deal of shouting one of the huge war canoes was run down over the sand and launched, a couple of men being left to keep her by the shore, while their comrades busied themselves in launching others, till every canoe belonging to the conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." "More can't I, Mas' Don. It's a werry bad job. Lookye yonder now." Don was already looking, for a great deal of excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud. For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear. Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and now, after sitting very silent and thoughtful, watching the faint smoke which came up from the fire, and eagerly drinking in the various sounds, Don turned his eyes in a curiously furtive manner to steal a look at Jem. He did not move his head, but proceeded with the greatest caution, so as to try and read his companion's countenance, when, to his surprise, he found that Jem was stealing a | drowsy sensation. And then as he lay there, the words of the old, old prayers he had repeated at his mother's knee rose to his lips, and he was repeating them as sleep fell upon his weary eyes; and the agony and horrors of that terrible time were as nothing to him then. The Adventures of Don Lavington--by George Manville Fenn CHAPTER FORTY ONE. PRISONERS OF WAR. "I wish our old ship was here, and I was at one of the guns to help give these beggars a broadside." "It is very, very horrible, Jem." "Ten times as horrid as that, Mas' Don. Here was we all as quiet and comf'table as could be--taking our warm baths. I say, shouldn't I like one now! I'm that stiff and sore I can hardly move." "Yes, it would be a comfort, Jem." "Yes, and as I was saying, here was we going on as quiet as could be, and interfering with nobody, when these warmints came; and look at things now." "Yes," said Don, sadly, as he looked round; "half the men dead, the others wounded and prisoners, with the women and children." "And the village--I s'pose they calls this a village; I don't, for there arn't no church--all racked and ruined." They sat together, with their hands tightly bound behind them, gazing at the desolation. The prisoners were all huddled together, perfectly silent, and with a dull, sullen, despairing look in their countenances, which seemed to suggest that they were accepting their fate as a matter of course. It was a horrible scene, so many of the warriors being badly wounded, but they made no complaint; and, truth to tell, most of those who were now helpless prisoners had taken part in raids to inflict the pain they now suffered themselves. The dead had been dragged away before Don woke that morning, but there were hideous traces on the trampled ground, with broken weapons scattered here and there, while the wounded were lying together perfectly untended, many of them bound, to prevent escape--hardly possible even to an uninjured man, for a guard was keeping watch over them ready to advance threateningly, spear in hand, if a prisoner attempted to move. Where Don and Jem were sitting a portion of the great fence was broken, and they could see through it down to the shore. "What a shame it seems on such a glorious morning, Jem!" "Shame! Mas' Don? I should just like to shame 'em. Head hurt much?" "Not so very much, Jem. How is your shoulder?" "Rather pickly." "Rather what?" "Pickly, as if there was vinegar and pepper and salt being rubbed into it. But my old mother used to say that it was a good sign when a cut smarted a lot. So I s'pose my wound's first rate, for it smarts like a furze bush in a fit." "I wish I could bathe it for you, Jem." "Thank ye, Mas' Don. I wish my Sally could do it. More in her way." "We must try and bear it all, I suppose, Jem. How hot the sun is; and, ill as I am, I should be so glad of something to eat and drink." "I'm that hungry, Mas' Don," growled Jem, "that I could eat one o' these here savages. Not all at once, of course."<|quote|>"Look, Jem. What are they doing there?"</|quote|>Don nodded his head in the direction of the broken fence; and together they looked down from the eminence on which the _pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy there running to and fro, and the spectators were not long left in doubt as to what they were doing, for amid a great deal of shouting one of the huge war canoes was run down over the sand and launched, a couple of men being left to keep her by the shore, while their comrades busied themselves in launching others, till every canoe belonging to the conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." "More can't I, Mas' Don. It's a werry bad job. Lookye yonder now." Don was already looking, for a great deal of excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud. For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear. Just at that moment, however, a loud | Don Lavington |
whispered the other man. They listened intently. | No speaker | your work. Hark!" "What's that?"<|quote|>whispered the other man. They listened intently.</|quote|>"Nothing," said Sikes, releasing his | leave go of you, do your work. Hark!" "What's that?"<|quote|>whispered the other man. They listened intently.</|quote|>"Nothing," said Sikes, releasing his hold of Oliver. "Now!" In | pistol-barrel, briefly advised him to take notice that he was within shot all the way; and that if he faltered, he would fall dead that instant. "It's done in a minute," said Sikes, in the same low whisper. "Directly I leave go of you, do your work. Hark!" "What's that?"<|quote|>whispered the other man. They listened intently.</|quote|>"Nothing," said Sikes, releasing his hold of Oliver. "Now!" In the short time he had had to collect his senses, the boy had firmly resolved that, whether he died in the attempt or not, he would make one effort to dart upstairs from the hall, and alarm the family. Filled | the window with his feet first; and, without leaving hold of his collar, planted him safely on the floor inside. "Take this lantern," said Sikes, looking into the room. "You see the stairs afore you?" Oliver, more dead than alive, gasped out, "Yes." Sikes, pointing to the street-door with the pistol-barrel, briefly advised him to take notice that he was within shot all the way; and that if he faltered, he would fall dead that instant. "It's done in a minute," said Sikes, in the same low whisper. "Directly I leave go of you, do your work. Hark!" "What's that?"<|quote|>whispered the other man. They listened intently.</|quote|>"Nothing," said Sikes, releasing his hold of Oliver. "Now!" In the short time he had had to collect his senses, the boy had firmly resolved that, whether he died in the attempt or not, he would make one effort to dart upstairs from the hall, and alarm the family. Filled with this idea, he advanced at once, but stealthily. "Come back!" suddenly cried Sikes aloud. "Back! back!" Scared by the sudden breaking of the dead stillness of the place, and by a loud cry which followed it, Oliver let his lantern fall, and knew not whether to advance or fly. | walk up and down the passage when he feels wakeful. Ha! ha! Barney 'ticed him away to-night. So neat!" Although Mr. Crackit spoke in a scarcely audible whisper, and laughed without noise, Sikes imperiously commanded him to be silent, and to get to work. Toby complied, by first producing his lantern, and placing it on the ground; then by planting himself firmly with his head against the wall beneath the window, and his hands upon his knees, so as to make a step of his back. This was no sooner done, than Sikes, mounting upon him, put Oliver gently through the window with his feet first; and, without leaving hold of his collar, planted him safely on the floor inside. "Take this lantern," said Sikes, looking into the room. "You see the stairs afore you?" Oliver, more dead than alive, gasped out, "Yes." Sikes, pointing to the street-door with the pistol-barrel, briefly advised him to take notice that he was within shot all the way; and that if he faltered, he would fall dead that instant. "It's done in a minute," said Sikes, in the same low whisper. "Directly I leave go of you, do your work. Hark!" "What's that?"<|quote|>whispered the other man. They listened intently.</|quote|>"Nothing," said Sikes, releasing his hold of Oliver. "Now!" In the short time he had had to collect his senses, the boy had firmly resolved that, whether he died in the attempt or not, he would make one effort to dart upstairs from the hall, and alarm the family. Filled with this idea, he advanced at once, but stealthily. "Come back!" suddenly cried Sikes aloud. "Back! back!" Scared by the sudden breaking of the dead stillness of the place, and by a loud cry which followed it, Oliver let his lantern fall, and knew not whether to advance or fly. The cry was repeated a light appeared a vision of two terrified half-dressed men at the top of the stairs swam before his eyes a flash a loud noise a smoke a crash somewhere, but where he knew not, and he staggered back. Sikes had disappeared for an instant; but he was up again, and had him by the collar before the smoke had cleared away. He fired his own pistol after the men, who were already retreating; and dragged the boy up. "Clasp your arm tighter," said Sikes, as he drew him through the window. "Give me a shawl | that the inmates had probably not thought it worth while to defend it more securely; but it was large enough to admit a boy of Oliver's size, nevertheless. A very brief exercise of Mr. Sike's art, sufficed to overcome the fastening of the lattice; and it soon stood wide open also. "Now listen, you young limb," whispered Sikes, drawing a dark lantern from his pocket, and throwing the glare full on Oliver's face; "I'm a going to put you through there. Take this light; go softly up the steps straight afore you, and along the little hall, to the street door; unfasten it, and let us in." "There's a bolt at the top, you won't be able to reach," interposed Toby. "Stand upon one of the hall chairs. There are three there, Bill, with a jolly large blue unicorn and gold pitchfork on 'em: which is the old lady's arms." "Keep quiet, can't you?" replied Sikes, with a threatening look. "The room-door is open, is it?" "Wide," replied Toby, after peeping in to satisfy himself. "The game of that is, that they always leave it open with a catch, so that the dog, who's got a bed in here, may walk up and down the passage when he feels wakeful. Ha! ha! Barney 'ticed him away to-night. So neat!" Although Mr. Crackit spoke in a scarcely audible whisper, and laughed without noise, Sikes imperiously commanded him to be silent, and to get to work. Toby complied, by first producing his lantern, and placing it on the ground; then by planting himself firmly with his head against the wall beneath the window, and his hands upon his knees, so as to make a step of his back. This was no sooner done, than Sikes, mounting upon him, put Oliver gently through the window with his feet first; and, without leaving hold of his collar, planted him safely on the floor inside. "Take this lantern," said Sikes, looking into the room. "You see the stairs afore you?" Oliver, more dead than alive, gasped out, "Yes." Sikes, pointing to the street-door with the pistol-barrel, briefly advised him to take notice that he was within shot all the way; and that if he faltered, he would fall dead that instant. "It's done in a minute," said Sikes, in the same low whisper. "Directly I leave go of you, do your work. Hark!" "What's that?"<|quote|>whispered the other man. They listened intently.</|quote|>"Nothing," said Sikes, releasing his hold of Oliver. "Now!" In the short time he had had to collect his senses, the boy had firmly resolved that, whether he died in the attempt or not, he would make one effort to dart upstairs from the hall, and alarm the family. Filled with this idea, he advanced at once, but stealthily. "Come back!" suddenly cried Sikes aloud. "Back! back!" Scared by the sudden breaking of the dead stillness of the place, and by a loud cry which followed it, Oliver let his lantern fall, and knew not whether to advance or fly. The cry was repeated a light appeared a vision of two terrified half-dressed men at the top of the stairs swam before his eyes a flash a loud noise a smoke a crash somewhere, but where he knew not, and he staggered back. Sikes had disappeared for an instant; but he was up again, and had him by the collar before the smoke had cleared away. He fired his own pistol after the men, who were already retreating; and dragged the boy up. "Clasp your arm tighter," said Sikes, as he drew him through the window. "Give me a shawl here. They've hit him. Quick! How the boy bleeds!" Then came the loud ringing of a bell, mingled with the noise of fire-arms, and the shouts of men, and the sensation of being carried over uneven ground at a rapid pace. And then, the noises grew confused in the distance; and a cold deadly feeling crept over the boy's heart; and he saw or heard no more. CHAPTER XXIII. WHICH CONTAINS THE SUBSTANCE OF A PLEASANT CONVERSATION BETWEEN MR. BUMBLE AND A LADY; AND SHOWS THAT EVEN A BEADLE MAY BE SUSCEPTIBLE ON SOME POINTS The night was bitter cold. The snow lay on the ground, frozen into a hard thick crust, so that only the heaps that had drifted into byways and corners were affected by the sharp wind that howled abroad: which, as if expending increased fury on such prey as it found, caught it savagely up in clouds, and, whirling it into a thousand misty eddies, scattered it in air. Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire and thank God they were at home; and for the homeless, starving wretch to lay him down | wall: to the top of which, Toby Crackit, scarcely pausing to take breath, climbed in a twinkling. "The boy next," said Toby. "Hoist him up; I'll catch hold of him." Before Oliver had time to look round, Sikes had caught him under the arms; and in three or four seconds he and Toby were lying on the grass on the other side. Sikes followed directly. And they stole cautiously towards the house. And now, for the first time, Oliver, well-nigh mad with grief and terror, saw that housebreaking and robbery, if not murder, were the objects of the expedition. He clasped his hands together, and involuntarily uttered a subdued exclamation of horror. A mist came before his eyes; the cold sweat stood upon his ashy face; his limbs failed him; and he sank upon his knees. "Get up!" murmured Sikes, trembling with rage, and drawing the pistol from his pocket; "Get up, or I'll strew your brains upon the grass." "Oh! for God's sake let me go!" cried Oliver; "let me run away and die in the fields. I will never come near London; never, never! Oh! pray have mercy on me, and do not make me steal. For the love of all the bright Angels that rest in Heaven, have mercy upon me!" The man to whom this appeal was made, swore a dreadful oath, and had cocked the pistol, when Toby, striking it from his grasp, placed his hand upon the boy's mouth, and dragged him to the house. "Hush!" cried the man; "it won't answer here. Say another word, and I'll do your business myself with a crack on the head. That makes no noise, and is quite as certain, and more genteel. Here, Bill, wrench the shutter open. He's game enough now, I'll engage. I've seen older hands of his age took the same way, for a minute or two, on a cold night." Sikes, invoking terrific imprecations upon Fagin's head for sending Oliver on such an errand, plied the crowbar vigorously, but with little noise. After some delay, and some assistance from Toby, the shutter to which he had referred, swung open on its hinges. It was a little lattice window, about five feet and a half above the ground, at the back of the house: which belonged to a scullery, or small brewing-place, at the end of the passage. The aperture was so small, that the inmates had probably not thought it worth while to defend it more securely; but it was large enough to admit a boy of Oliver's size, nevertheless. A very brief exercise of Mr. Sike's art, sufficed to overcome the fastening of the lattice; and it soon stood wide open also. "Now listen, you young limb," whispered Sikes, drawing a dark lantern from his pocket, and throwing the glare full on Oliver's face; "I'm a going to put you through there. Take this light; go softly up the steps straight afore you, and along the little hall, to the street door; unfasten it, and let us in." "There's a bolt at the top, you won't be able to reach," interposed Toby. "Stand upon one of the hall chairs. There are three there, Bill, with a jolly large blue unicorn and gold pitchfork on 'em: which is the old lady's arms." "Keep quiet, can't you?" replied Sikes, with a threatening look. "The room-door is open, is it?" "Wide," replied Toby, after peeping in to satisfy himself. "The game of that is, that they always leave it open with a catch, so that the dog, who's got a bed in here, may walk up and down the passage when he feels wakeful. Ha! ha! Barney 'ticed him away to-night. So neat!" Although Mr. Crackit spoke in a scarcely audible whisper, and laughed without noise, Sikes imperiously commanded him to be silent, and to get to work. Toby complied, by first producing his lantern, and placing it on the ground; then by planting himself firmly with his head against the wall beneath the window, and his hands upon his knees, so as to make a step of his back. This was no sooner done, than Sikes, mounting upon him, put Oliver gently through the window with his feet first; and, without leaving hold of his collar, planted him safely on the floor inside. "Take this lantern," said Sikes, looking into the room. "You see the stairs afore you?" Oliver, more dead than alive, gasped out, "Yes." Sikes, pointing to the street-door with the pistol-barrel, briefly advised him to take notice that he was within shot all the way; and that if he faltered, he would fall dead that instant. "It's done in a minute," said Sikes, in the same low whisper. "Directly I leave go of you, do your work. Hark!" "What's that?"<|quote|>whispered the other man. They listened intently.</|quote|>"Nothing," said Sikes, releasing his hold of Oliver. "Now!" In the short time he had had to collect his senses, the boy had firmly resolved that, whether he died in the attempt or not, he would make one effort to dart upstairs from the hall, and alarm the family. Filled with this idea, he advanced at once, but stealthily. "Come back!" suddenly cried Sikes aloud. "Back! back!" Scared by the sudden breaking of the dead stillness of the place, and by a loud cry which followed it, Oliver let his lantern fall, and knew not whether to advance or fly. The cry was repeated a light appeared a vision of two terrified half-dressed men at the top of the stairs swam before his eyes a flash a loud noise a smoke a crash somewhere, but where he knew not, and he staggered back. Sikes had disappeared for an instant; but he was up again, and had him by the collar before the smoke had cleared away. He fired his own pistol after the men, who were already retreating; and dragged the boy up. "Clasp your arm tighter," said Sikes, as he drew him through the window. "Give me a shawl here. They've hit him. Quick! How the boy bleeds!" Then came the loud ringing of a bell, mingled with the noise of fire-arms, and the shouts of men, and the sensation of being carried over uneven ground at a rapid pace. And then, the noises grew confused in the distance; and a cold deadly feeling crept over the boy's heart; and he saw or heard no more. CHAPTER XXIII. WHICH CONTAINS THE SUBSTANCE OF A PLEASANT CONVERSATION BETWEEN MR. BUMBLE AND A LADY; AND SHOWS THAT EVEN A BEADLE MAY BE SUSCEPTIBLE ON SOME POINTS The night was bitter cold. The snow lay on the ground, frozen into a hard thick crust, so that only the heaps that had drifted into byways and corners were affected by the sharp wind that howled abroad: which, as if expending increased fury on such prey as it found, caught it savagely up in clouds, and, whirling it into a thousand misty eddies, scattered it in air. Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire and thank God they were at home; and for the homeless, starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets, at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world. Such was the aspect of out-of-doors affairs, when Mrs. Corney, the matron of the workhouse to which our readers have been already introduced as the birthplace of Oliver Twist, sat herself down before a cheerful fire in her own little room, and glanced, with no small degree of complacency, at a small round table: on which stood a tray of corresponding size, furnished with all necessary materials for the most grateful meal that matrons enjoy. In fact, Mrs. Corney was about to solace herself with a cup of tea. As she glanced from the table to the fireplace, where the smallest of all possible kettles was singing a small song in a small voice, her inward satisfaction evidently increased, so much so, indeed, that Mrs. Corney smiled. "Well!" said the matron, leaning her elbow on the table, and looking reflectively at the fire; "I'm sure we have all on us a great deal to be grateful for! A great deal, if we did but know it. Ah!" Mrs. Corney shook her head mournfully, as if deploring the mental blindness of those paupers who did not know it; and thrusting a silver spoon (private property) into the inmost recesses of a two-ounce tin tea-caddy, proceeded to make the tea. How slight a thing will disturb the equanimity of our frail minds! The black teapot, being very small and easily filled, ran over while Mrs. Corney was moralising; and the water slightly scalded Mrs. Corney's hand. "Drat the pot!" said the worthy matron, setting it down very hastily on the hob; "a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except," said Mrs. Corney, pausing, "except to a poor desolate creature like me. Oh dear!" With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. "I shall never get another!" said Mrs. Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to | placed his hand upon the boy's mouth, and dragged him to the house. "Hush!" cried the man; "it won't answer here. Say another word, and I'll do your business myself with a crack on the head. That makes no noise, and is quite as certain, and more genteel. Here, Bill, wrench the shutter open. He's game enough now, I'll engage. I've seen older hands of his age took the same way, for a minute or two, on a cold night." Sikes, invoking terrific imprecations upon Fagin's head for sending Oliver on such an errand, plied the crowbar vigorously, but with little noise. After some delay, and some assistance from Toby, the shutter to which he had referred, swung open on its hinges. It was a little lattice window, about five feet and a half above the ground, at the back of the house: which belonged to a scullery, or small brewing-place, at the end of the passage. The aperture was so small, that the inmates had probably not thought it worth while to defend it more securely; but it was large enough to admit a boy of Oliver's size, nevertheless. A very brief exercise of Mr. Sike's art, sufficed to overcome the fastening of the lattice; and it soon stood wide open also. "Now listen, you young limb," whispered Sikes, drawing a dark lantern from his pocket, and throwing the glare full on Oliver's face; "I'm a going to put you through there. Take this light; go softly up the steps straight afore you, and along the little hall, to the street door; unfasten it, and let us in." "There's a bolt at the top, you won't be able to reach," interposed Toby. "Stand upon one of the hall chairs. There are three there, Bill, with a jolly large blue unicorn and gold pitchfork on 'em: which is the old lady's arms." "Keep quiet, can't you?" replied Sikes, with a threatening look. "The room-door is open, is it?" "Wide," replied Toby, after peeping in to satisfy himself. "The game of that is, that they always leave it open with a catch, so that the dog, who's got a bed in here, may walk up and down the passage when he feels wakeful. Ha! ha! Barney 'ticed him away to-night. So neat!" Although Mr. Crackit spoke in a scarcely audible whisper, and laughed without noise, Sikes imperiously commanded him to be silent, and to get to work. Toby complied, by first producing his lantern, and placing it on the ground; then by planting himself firmly with his head against the wall beneath the window, and his hands upon his knees, so as to make a step of his back. This was no sooner done, than Sikes, mounting upon him, put Oliver gently through the window with his feet first; and, without leaving hold of his collar, planted him safely on the floor inside. "Take this lantern," said Sikes, looking into the room. "You see the stairs afore you?" Oliver, more dead than alive, gasped out, "Yes." Sikes, pointing to the street-door with the pistol-barrel, briefly advised him to take notice that he was within shot all the way; and that if he faltered, he would fall dead that instant. "It's done in a minute," said Sikes, in the same low whisper. "Directly I leave go of you, do your work. Hark!" "What's that?"<|quote|>whispered the other man. They listened intently.</|quote|>"Nothing," said Sikes, releasing his hold of Oliver. "Now!" In the short time he had had to collect his senses, the boy had firmly resolved that, whether he died in the attempt or not, he would make one effort to dart upstairs from the hall, and alarm the family. Filled with this idea, he advanced at once, but stealthily. "Come back!" suddenly cried Sikes aloud. "Back! back!" Scared by the sudden breaking of the dead stillness of the place, and by a loud cry which followed it, Oliver let his lantern fall, and knew not whether to advance or fly. The cry was repeated a light appeared a vision of two terrified half-dressed men at the top of the stairs swam before his eyes a flash a loud noise a smoke a crash somewhere, but where he knew not, and he staggered back. Sikes had disappeared for an instant; but he was up again, and had him by the collar before the smoke had cleared away. He fired his own pistol after the men, who were already retreating; and dragged the boy up. "Clasp your arm tighter," said Sikes, as he drew him through the window. "Give me a shawl here. They've hit him. Quick! How the boy bleeds!" Then came the loud ringing of a bell, mingled with the noise of fire-arms, and the shouts of men, and the sensation of being carried over uneven ground at a rapid pace. And then, the noises grew confused in the distance; and a cold deadly feeling crept over the boy's heart; and he saw or heard | Oliver Twist |
"If you shout, I ll smash your face," | The Invisible Man | moment and then lay still.<|quote|>"If you shout, I ll smash your face,"</|quote|>said the Invisible Man, relieving | ear. Kemp struggled for another moment and then lay still.<|quote|>"If you shout, I ll smash your face,"</|quote|>said the Invisible Man, relieving his mouth. "I m an | "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still.<|quote|>"If you shout, I ll smash your face,"</|quote|>said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you | his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still.<|quote|>"If you shout, I ll smash your face,"</|quote|>said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck. "I am Griffin, of University College, and I have made myself invisible. I am just an | bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still.<|quote|>"If you shout, I ll smash your face,"</|quote|>said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck. "I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible." "Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on | educated, retain some superstitious inklings. The feeling that is called "eerie" came upon him. He closed the door of the room, came forward to the dressing-table, and put down his burdens. Suddenly, with a start, he perceived a coiled and blood-stained bandage of linen rag hanging in mid-air, between him and the wash-hand stand. He stared at this in amazement. It was an empty bandage, a bandage properly tied but quite empty. He would have advanced to grasp it, but a touch arrested him, and a voice speaking quite close to him. "Kemp!" said the Voice. "Eh?" said Kemp, with his mouth open. "Keep your nerve," said the Voice. "I m an Invisible Man." Kemp made no answer for a space, simply stared at the bandage. "Invisible Man," he said. "I am an Invisible Man," repeated the Voice. The story he had been active to ridicule only that morning rushed through Kemp s brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later. "I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still.<|quote|>"If you shout, I ll smash your face,"</|quote|>said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck. "I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible." "Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, and knuckled his eyes. "Give me some whiskey. I m near dead." "It didn t feel so. Where are you? If I get up shall I run into you? _There_! all right. Whiskey? Here. Where shall I give it to you?" The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is | ticking of the clock and the subdued shrillness of his quill, hurrying in the very centre of the circle of light his lampshade threw on his table. It was two o clock before Dr. Kemp had finished his work for the night. He rose, yawned, and went downstairs to bed. He had already removed his coat and vest, when he noticed that he was thirsty. He took a candle and went down to the dining-room in search of a syphon and whiskey. Dr. Kemp s scientific pursuits have made him a very observant man, and as he recrossed the hall, he noticed a dark spot on the linoleum near the mat at the foot of the stairs. He went on upstairs, and then it suddenly occurred to him to ask himself what the spot on the linoleum might be. Apparently some subconscious element was at work. At any rate, he turned with his burden, went back to the hall, put down the syphon and whiskey, and bending down, touched the spot. Without any great surprise he found it had the stickiness and colour of drying blood. He took up his burden again, and returned upstairs, looking about him and trying to account for the blood-spot. On the landing he saw something and stopped astonished. The door-handle of his own room was blood-stained. He looked at his own hand. It was quite clean, and then he remembered that the door of his room had been open when he came down from his study, and that consequently he had not touched the handle at all. He went straight into his room, his face quite calm perhaps a trifle more resolute than usual. His glance, wandering inquisitively, fell on the bed. On the counterpane was a mess of blood, and the sheet had been torn. He had not noticed this before because he had walked straight to the dressing-table. On the further side the bedclothes were depressed as if someone had been recently sitting there. Then he had an odd impression that he had heard a low voice say, "Good Heavens! Kemp!" But Dr. Kemp was no believer in voices. He stood staring at the tumbled sheets. Was that really a voice? He looked about again, but noticed nothing further than the disordered and blood-stained bed. Then he distinctly heard a movement across the room, near the wash-hand stand. All men, however highly educated, retain some superstitious inklings. The feeling that is called "eerie" came upon him. He closed the door of the room, came forward to the dressing-table, and put down his burdens. Suddenly, with a start, he perceived a coiled and blood-stained bandage of linen rag hanging in mid-air, between him and the wash-hand stand. He stared at this in amazement. It was an empty bandage, a bandage properly tied but quite empty. He would have advanced to grasp it, but a touch arrested him, and a voice speaking quite close to him. "Kemp!" said the Voice. "Eh?" said Kemp, with his mouth open. "Keep your nerve," said the Voice. "I m an Invisible Man." Kemp made no answer for a space, simply stared at the bandage. "Invisible Man," he said. "I am an Invisible Man," repeated the Voice. The story he had been active to ridicule only that morning rushed through Kemp s brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later. "I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still.<|quote|>"If you shout, I ll smash your face,"</|quote|>said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck. "I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible." "Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, and knuckled his eyes. "Give me some whiskey. I m near dead." "It didn t feel so. Where are you? If I get up shall I run into you? _There_! all right. Whiskey? Here. Where shall I give it to you?" The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is this must be hypnotism. You have suggested you are invisible." "Nonsense," said the Voice. "It s frantic." "Listen to me." "I demonstrated conclusively this morning," began Kemp, "that invisibility" "Never mind what you ve demonstrated! I m starving," said the Voice, "and the night is chilly to a man without clothes." "Food?" said Kemp. The tumbler of whiskey tilted itself. "Yes," said the Invisible Man rapping it down. "Have you a dressing-gown?" Kemp made some exclamation in an undertone. He walked to a wardrobe and produced a robe of dingy scarlet. "This do?" he asked. It was taken from him. It hung limp for a moment in mid-air, fluttered weirdly, stood full and decorous buttoning itself, and sat down in his chair. "Drawers, socks, slippers would be a comfort," said the Unseen, curtly. "And food." "Anything. But this is the insanest thing I ever was in, in my life!" He turned out his drawers for the articles, and then went downstairs to ransack his larder. He came back with some cold cutlets and bread, pulled up a light table, and placed them before his guest. "Never mind knives," said his visitor, and a cutlet hung in mid-air, with a sound of gnawing. "Invisible!" said Kemp, and sat down on a bedroom chair. "I always like to get something about me before I eat," said the Invisible Man, with a full mouth, eating greedily. "Queer fancy!" "I suppose that wrist is all right," said Kemp. "Trust me," said the Invisible Man. "Of all the strange and wonderful" "Exactly. But it s odd I should blunder into _your_ house to get my bandaging. My first stroke of luck! Anyhow I meant to sleep in this house to-night. You must stand that! It s a filthy nuisance, my blood showing, isn t it? Quite a clot over there. Gets visible as it coagulates, I see. It s only the living tissue I ve changed, and only for as long as I m alive.... I ve been in the house three hours." "But how s it done?" began Kemp, in a tone of exasperation. "Confound it! The whole business it s unreasonable from beginning to end." "Quite reasonable," said the Invisible Man. "Perfectly reasonable." He reached over and secured the whiskey bottle. Kemp stared at the devouring dressing gown. A ray of candle-light penetrating a torn patch in the right shoulder, made a triangle | The feeling that is called "eerie" came upon him. He closed the door of the room, came forward to the dressing-table, and put down his burdens. Suddenly, with a start, he perceived a coiled and blood-stained bandage of linen rag hanging in mid-air, between him and the wash-hand stand. He stared at this in amazement. It was an empty bandage, a bandage properly tied but quite empty. He would have advanced to grasp it, but a touch arrested him, and a voice speaking quite close to him. "Kemp!" said the Voice. "Eh?" said Kemp, with his mouth open. "Keep your nerve," said the Voice. "I m an Invisible Man." Kemp made no answer for a space, simply stared at the bandage. "Invisible Man," he said. "I am an Invisible Man," repeated the Voice. The story he had been active to ridicule only that morning rushed through Kemp s brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later. "I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still.<|quote|>"If you shout, I ll smash your face,"</|quote|>said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck. "I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible." "Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, and knuckled his eyes. "Give me some whiskey. I m near dead." "It didn t feel so. Where are you? If I get up shall I run into you? _There_! all right. Whiskey? Here. Where shall I give it to you?" The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is this must be hypnotism. You have suggested you are invisible." "Nonsense," said the Voice. "It s frantic." "Listen to me." "I demonstrated conclusively this morning," began Kemp, "that invisibility" "Never mind what you ve demonstrated! I m starving," said the Voice, "and the night is chilly to a man without clothes." "Food?" said Kemp. The tumbler of whiskey tilted itself. "Yes," said the Invisible Man rapping it down. "Have you a dressing-gown?" Kemp made some exclamation in an undertone. He walked to a wardrobe and produced a robe of dingy scarlet. "This do?" he asked. It was taken from him. It hung limp for a moment in mid-air, fluttered weirdly, stood full and decorous buttoning itself, and sat down in his chair. "Drawers, socks, slippers would be a comfort," said the Unseen, curtly. "And food." | The Invisible Man |
But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat her to use her own fancy in the perusal of Matilda s woes. Catherine, recollecting herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. "Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid." As they drew near the end of their journey, her impatience for a sight of the abbey for some time suspended by his conversation on subjects very different returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge into the very grounds of Northanger, without having discerned even an antique chimney. She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet; and she was actually under the abbey walls, was springing, with Henry s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery to herself, or one moment s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft the sighs of the murdered to her; it had wafted nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was. An abbey! Yes, it was delightful to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion and elegance of modern taste. The fireplace, where she had expected the ample width and ponderous carving of former times, was contracted to a Rumford, with slabs of plain though handsome marble, and ornaments over it of the prettiest English china. The windows, to which she looked with peculiar dependence, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed. To be sure, the pointed arch was preserved the form of them was Gothic they might be even casements but every pane was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing. The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice and was proceeding to mention the costly gilding of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger. Returning through the large and lofty hall, they ascended a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty that she would make as little alteration as possible in her dress. CHAPTER 21 A moment s glance was enough to satisfy Catherine that her apartment was very unlike the one which Henry had endeavoured to alarm her by the description of. It was by no means unreasonably large, and contained neither tapestry nor velvet. The walls were papered, the floor was carpeted; the windows were neither less perfect nor more dim than those of the drawing-room below; the furniture, though not of the latest fashion, was handsome and comfortable, and the air of the room altogether far from uncheerful. Her heart instantaneously at ease on this point, she resolved to lose no time in particular examination of anything, as she greatly dreaded disobliging the general by any delay. Her habit therefore was thrown off with all possible haste, and she was preparing to unpin the linen package, which the chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her: "This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it cost me what it may, I will look into it and directly too by daylight. If I stay till evening my candle may go out." She advanced and examined it closely: it was of cedar, curiously inlaid with some darker wood, and raised, about a foot from the ground, on a carved stand of the same. The lock was silver, though tarnished from age; at each end were the imperfect remains of handles also of silver, broken perhaps prematurely by some strange violence; and, on the centre of the lid, was a mysterious cipher, in the same metal. Catherine bent over it intently, but without being able to distinguish anything with certainty. She could not, in whatever direction she took it, believe the last letter to be a _T;_ and yet that it should be anything else in that house was a circumstance to raise no common degree of astonishment. If not originally theirs, by what strange events could it have fallen into the Tilney family? Her fearful curiosity was every moment growing greater; and seizing, with trembling hands, the hasp of the lock, she resolved at all hazards to satisfy herself at least as to its contents. With difficulty, for something seemed to resist her efforts, she raised the lid a few inches; but at that moment a sudden knocking at the door of the room made her, starting, quit her hold, and the lid closed with alarming violence. This ill-timed intruder was Miss Tilney s maid, sent by her mistress to be of use to Miss Morland; and though Catherine immediately dismissed her, it recalled her to the sense of what she ought to be doing, and forced her, in spite of her anxious desire to penetrate this mystery, to proceed in her dressing without further delay. Her progress was not quick, for her thoughts and her eyes were still bent on the object so well calculated to interest and alarm; and though she dared not waste a moment upon a second attempt, she could not remain many paces from the chest. At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished that the impatience of her curiosity might safely be indulged. One moment surely might be spared; and, so desperate should be the exertion of her strength, that, unless secured by supernatural means, the lid in one moment should be thrown back. With this spirit she sprang forward, and her confidence did not deceive her. Her resolute effort threw back the lid, and gave to her astonished eyes the view of a white cotton counterpane, properly folded, reposing at one end of the chest in undisputed possession! She was gazing on it with the first blush of surprise when Miss Tilney, anxious for her friend s being ready, entered the room, and to the rising shame of having harboured for some minutes an absurd expectation, was then added the shame of being caught in so idle a search. | No speaker | say so. Well, go on."<|quote|>But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat her to use her own fancy in the perusal of Matilda s woes. Catherine, recollecting herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. "Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid." As they drew near the end of their journey, her impatience for a sight of the abbey for some time suspended by his conversation on subjects very different returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge into the very grounds of Northanger, without having discerned even an antique chimney. She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet; and she was actually under the abbey walls, was springing, with Henry s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery to herself, or one moment s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft the sighs of the murdered to her; it had wafted nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was. An abbey! Yes, it was delightful to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion and elegance of modern taste. The fireplace, where she had expected the ample width and ponderous carving of former times, was contracted to a Rumford, with slabs of plain though handsome marble, and ornaments over it of the prettiest English china. The windows, to which she looked with peculiar dependence, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed. To be sure, the pointed arch was preserved the form of them was Gothic they might be even casements but every pane was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing. The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice and was proceeding to mention the costly gilding of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger. Returning through the large and lofty hall, they ascended a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty that she would make as little alteration as possible in her dress. CHAPTER 21 A moment s glance was enough to satisfy Catherine that her apartment was very unlike the one which Henry had endeavoured to alarm her by the description of. It was by no means unreasonably large, and contained neither tapestry nor velvet. The walls were papered, the floor was carpeted; the windows were neither less perfect nor more dim than those of the drawing-room below; the furniture, though not of the latest fashion, was handsome and comfortable, and the air of the room altogether far from uncheerful. Her heart instantaneously at ease on this point, she resolved to lose no time in particular examination of anything, as she greatly dreaded disobliging the general by any delay. Her habit therefore was thrown off with all possible haste, and she was preparing to unpin the linen package, which the chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her: "This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it cost me what it may, I will look into it and directly too by daylight. If I stay till evening my candle may go out." She advanced and examined it closely: it was of cedar, curiously inlaid with some darker wood, and raised, about a foot from the ground, on a carved stand of the same. The lock was silver, though tarnished from age; at each end were the imperfect remains of handles also of silver, broken perhaps prematurely by some strange violence; and, on the centre of the lid, was a mysterious cipher, in the same metal. Catherine bent over it intently, but without being able to distinguish anything with certainty. She could not, in whatever direction she took it, believe the last letter to be a _T;_ and yet that it should be anything else in that house was a circumstance to raise no common degree of astonishment. If not originally theirs, by what strange events could it have fallen into the Tilney family? Her fearful curiosity was every moment growing greater; and seizing, with trembling hands, the hasp of the lock, she resolved at all hazards to satisfy herself at least as to its contents. With difficulty, for something seemed to resist her efforts, she raised the lid a few inches; but at that moment a sudden knocking at the door of the room made her, starting, quit her hold, and the lid closed with alarming violence. This ill-timed intruder was Miss Tilney s maid, sent by her mistress to be of use to Miss Morland; and though Catherine immediately dismissed her, it recalled her to the sense of what she ought to be doing, and forced her, in spite of her anxious desire to penetrate this mystery, to proceed in her dressing without further delay. Her progress was not quick, for her thoughts and her eyes were still bent on the object so well calculated to interest and alarm; and though she dared not waste a moment upon a second attempt, she could not remain many paces from the chest. At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished that the impatience of her curiosity might safely be indulged. One moment surely might be spared; and, so desperate should be the exertion of her strength, that, unless secured by supernatural means, the lid in one moment should be thrown back. With this spirit she sprang forward, and her confidence did not deceive her. Her resolute effort threw back the lid, and gave to her astonished eyes the view of a white cotton counterpane, properly folded, reposing at one end of the chest in undisputed possession! She was gazing on it with the first blush of surprise when Miss Tilney, anxious for her friend s being ready, entered the room, and to the rising shame of having harboured for some minutes an absurd expectation, was then added the shame of being caught in so idle a search.</|quote|>"That is a curious old | "Oh! No, no do not say so. Well, go on."<|quote|>But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat her to use her own fancy in the perusal of Matilda s woes. Catherine, recollecting herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. "Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid." As they drew near the end of their journey, her impatience for a sight of the abbey for some time suspended by his conversation on subjects very different returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge into the very grounds of Northanger, without having discerned even an antique chimney. She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet; and she was actually under the abbey walls, was springing, with Henry s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery to herself, or one moment s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft the sighs of the murdered to her; it had wafted nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was. An abbey! Yes, it was delightful to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion and elegance of modern taste. The fireplace, where she had expected the ample width and ponderous carving of former times, was contracted to a Rumford, with slabs of plain though handsome marble, and ornaments over it of the prettiest English china. The windows, to which she looked with peculiar dependence, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed. To be sure, the pointed arch was preserved the form of them was Gothic they might be even casements but every pane was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing. The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice and was proceeding to mention the costly gilding of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger. Returning through the large and lofty hall, they ascended a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty that she would make as little alteration as possible in her dress. CHAPTER 21 A moment s glance was enough to satisfy Catherine that her apartment was very unlike the one which Henry had endeavoured to alarm her by the description of. It was by no means unreasonably large, and contained neither tapestry nor velvet. The walls were papered, the floor was carpeted; the windows were neither less perfect nor more dim than those of the drawing-room below; the furniture, though not of the latest fashion, was handsome and comfortable, and the air of the room altogether far from uncheerful. Her heart instantaneously at ease on this point, she resolved to lose no time in particular examination of anything, as she greatly dreaded disobliging the general by any delay. Her habit therefore was thrown off with all possible haste, and she was preparing to unpin the linen package, which the chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her: "This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it cost me what it may, I will look into it and directly too by daylight. If I stay till evening my candle may go out." She advanced and examined it closely: it was of cedar, curiously inlaid with some darker wood, and raised, about a foot from the ground, on a carved stand of the same. The lock was silver, though tarnished from age; at each end were the imperfect remains of handles also of silver, broken perhaps prematurely by some strange violence; and, on the centre of the lid, was a mysterious cipher, in the same metal. Catherine bent over it intently, but without being able to distinguish anything with certainty. She could not, in whatever direction she took it, believe the last letter to be a _T;_ and yet that it should be anything else in that house was a circumstance to raise no common degree of astonishment. If not originally theirs, by what strange events could it have fallen into the Tilney family? Her fearful curiosity was every moment growing greater; and seizing, with trembling hands, the hasp of the lock, she resolved at all hazards to satisfy herself at least as to its contents. With difficulty, for something seemed to resist her efforts, she raised the lid a few inches; but at that moment a sudden knocking at the door of the room made her, starting, quit her hold, and the lid closed with alarming violence. This ill-timed intruder was Miss Tilney s maid, sent by her mistress to be of use to Miss Morland; and though Catherine immediately dismissed her, it recalled her to the sense of what she ought to be doing, and forced her, in spite of her anxious desire to penetrate this mystery, to proceed in her dressing without further delay. Her progress was not quick, for her thoughts and her eyes were still bent on the object so well calculated to interest and alarm; and though she dared not waste a moment upon a second attempt, she could not remain many paces from the chest. At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished that the impatience of her curiosity might safely be indulged. One moment surely might be spared; and, so desperate should be the exertion of her strength, that, unless secured by supernatural means, the lid in one moment should be thrown back. With this spirit she sprang forward, and her confidence did not deceive her. Her resolute effort threw back the lid, and gave to her astonished eyes the view of a white cotton counterpane, properly folded, reposing at one end of the chest in undisputed possession! She was gazing on it with the first blush of surprise when Miss Tilney, anxious for her friend s being ready, entered the room, and to the rising shame of having harboured for some minutes an absurd expectation, was then added the shame of being caught in so idle a search.</|quote|>"That is a curious old chest, is not it?" said | chamber, but scarcely have you been able to decipher Oh! Thou whomsoever thou mayst be, into whose hands these memoirs of the wretched Matilda may fall when your lamp suddenly expires in the socket, and leaves you in total darkness." "Oh! No, no do not say so. Well, go on."<|quote|>But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat her to use her own fancy in the perusal of Matilda s woes. Catherine, recollecting herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. "Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid." As they drew near the end of their journey, her impatience for a sight of the abbey for some time suspended by his conversation on subjects very different returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge into the very grounds of Northanger, without having discerned even an antique chimney. She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet; and she was actually under the abbey walls, was springing, with Henry s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery to herself, or one moment s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft the sighs of the murdered to her; it had wafted nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was. An abbey! Yes, it was delightful to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion and elegance of modern taste. The fireplace, where she had expected the ample width and ponderous carving of former times, was contracted to a Rumford, with slabs of plain though handsome marble, and ornaments over it of the prettiest English china. The windows, to which she looked with peculiar dependence, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed. To be sure, the pointed arch was preserved the form of them was Gothic they might be even casements but every pane was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing. The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice and was proceeding to mention the costly gilding of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger. Returning through the large and lofty hall, they ascended a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty that she would make as little alteration as possible in her dress. CHAPTER 21 A moment s glance was enough to satisfy Catherine that her apartment was very unlike the one which Henry had endeavoured to alarm her by the description of. It was by no means unreasonably large, and contained neither tapestry nor velvet. The walls were papered, the floor was carpeted; the windows were neither less perfect nor more dim than those of the drawing-room below; the furniture, though not of the latest fashion, was handsome and comfortable, and the air of the room altogether far from uncheerful. Her heart instantaneously at ease on this point, she resolved to lose no time in particular examination of anything, as she greatly dreaded disobliging the general by any delay. Her habit therefore was thrown off with all possible haste, and she was preparing to unpin the linen package, which the chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her: "This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it cost me what it may, I will look into it and directly too by daylight. If I stay till evening my candle may go out." She advanced and examined it closely: it was of cedar, curiously inlaid with some darker wood, and raised, about a foot from the ground, on a carved stand of the same. The lock was silver, though tarnished from age; at each end were the imperfect remains of handles also of silver, broken perhaps prematurely by some strange violence; and, on the centre of the lid, was a mysterious cipher, in the same metal. Catherine bent over it intently, but without being able to distinguish anything with certainty. She could not, in whatever direction she took it, believe the last letter to be a _T;_ and yet that it should be anything else in that house was a circumstance to raise no common degree of astonishment. If not originally theirs, by what strange events could it have fallen into the Tilney family? Her fearful curiosity was every moment growing greater; and seizing, with trembling hands, the hasp of the lock, she resolved at all hazards to satisfy herself at least as to its contents. With difficulty, for something seemed to resist her efforts, she raised the lid a few inches; but at that moment a sudden knocking at the door of the room made her, starting, quit her hold, and the lid closed with alarming violence. This ill-timed intruder was Miss Tilney s maid, sent by her mistress to be of use to Miss Morland; and though Catherine immediately dismissed her, it recalled her to the sense of what she ought to be doing, and forced her, in spite of her anxious desire to penetrate this mystery, to proceed in her dressing without further delay. Her progress was not quick, for her thoughts and her eyes were still bent on the object so well calculated to interest and alarm; and though she dared not waste a moment upon a second attempt, she could not remain many paces from the chest. At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished that the impatience of her curiosity might safely be indulged. One moment surely might be spared; and, so desperate should be the exertion of her strength, that, unless secured by supernatural means, the lid in one moment should be thrown back. With this spirit she sprang forward, and her confidence did not deceive her. Her resolute effort threw back the lid, and gave to her astonished eyes the view of a white cotton counterpane, properly folded, reposing at one end of the chest in undisputed possession! She was gazing on it with the first blush of surprise when Miss Tilney, anxious for her friend s being ready, entered the room, and to the rising shame of having harboured for some minutes an absurd expectation, was then added the shame of being caught in so idle a search.</|quote|>"That is a curious old chest, is not it?" said Miss Tilney, as Catherine hastily closed it and turned away to the glass. "It is impossible to say how many generations it has been here. How it came to be first put in this room I know not, but I | time without discovering anything of importance perhaps nothing but a considerable hoard of diamonds. At last, however, by touching a secret spring, an inner compartment will open a roll of paper appears you seize it it contains many sheets of manuscript you hasten with the precious treasure into your own chamber, but scarcely have you been able to decipher Oh! Thou whomsoever thou mayst be, into whose hands these memoirs of the wretched Matilda may fall when your lamp suddenly expires in the socket, and leaves you in total darkness." "Oh! No, no do not say so. Well, go on."<|quote|>But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat her to use her own fancy in the perusal of Matilda s woes. Catherine, recollecting herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. "Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid." As they drew near the end of their journey, her impatience for a sight of the abbey for some time suspended by his conversation on subjects very different returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge into the very grounds of Northanger, without having discerned even an antique chimney. She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet; and she was actually under the abbey walls, was springing, with Henry s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery to herself, or one moment s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft the sighs of the murdered to her; it had wafted nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was. An abbey! Yes, it was delightful to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion and elegance of modern taste. The fireplace, where she had expected the ample width and ponderous carving of former times, was contracted to a Rumford, with slabs of plain though handsome marble, and ornaments over it of the prettiest English china. The windows, to which she looked with peculiar dependence, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed. To be sure, the pointed arch was preserved the form of them was Gothic they might be even casements but every pane was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing. The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice and was proceeding to mention the costly gilding of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger. Returning through the large and lofty hall, they ascended a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty that she would make as little alteration as possible in her dress. CHAPTER 21 A moment s glance was enough to satisfy Catherine that her apartment was very unlike the one which Henry had endeavoured to alarm her by the description of. It was by no means unreasonably large, and contained neither tapestry nor velvet. The walls were papered, the floor was carpeted; the windows were neither less perfect nor more dim than those of the drawing-room below; the furniture, though not of the latest fashion, was handsome and comfortable, and the air of the room altogether far from uncheerful. Her heart instantaneously at ease on this point, she resolved to lose no time in particular examination of anything, as she greatly dreaded disobliging the general by any delay. Her habit therefore was thrown off with all possible haste, and she was preparing to unpin the linen package, which the chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her: "This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it cost me what it may, I will look into it and directly too by daylight. If I stay till evening my candle may go out." She advanced and examined it closely: it was of cedar, curiously inlaid with some darker wood, and raised, about a foot from the ground, on a carved stand of the same. The lock was silver, though tarnished from age; at each end were the imperfect remains of handles also of silver, broken perhaps prematurely by some strange violence; and, on the centre of the lid, was a mysterious cipher, in the same metal. Catherine bent over it intently, but without being able to distinguish anything with certainty. She could not, in whatever direction she took it, believe the last letter to be a _T;_ and yet that it should be anything else in that house was a circumstance to raise no common degree of astonishment. If not originally theirs, by what strange events could it have fallen into the Tilney family? Her fearful curiosity was every moment growing greater; and seizing, with trembling hands, the hasp of the lock, she resolved at all hazards to satisfy herself at least as to its contents. With difficulty, for something seemed to resist her efforts, she raised the lid a few inches; but at that moment a sudden knocking at the door of the room made her, starting, quit her hold, and the lid closed with alarming violence. This ill-timed intruder was Miss Tilney s maid, sent by her mistress to be of use to Miss Morland; and though Catherine immediately dismissed her, it recalled her to the sense of what she ought to be doing, and forced her, in spite of her anxious desire to penetrate this mystery, to proceed in her dressing without further delay. Her progress was not quick, for her thoughts and her eyes were still bent on the object so well calculated to interest and alarm; and though she dared not waste a moment upon a second attempt, she could not remain many paces from the chest. At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished that the impatience of her curiosity might safely be indulged. One moment surely might be spared; and, so desperate should be the exertion of her strength, that, unless secured by supernatural means, the lid in one moment should be thrown back. With this spirit she sprang forward, and her confidence did not deceive her. Her resolute effort threw back the lid, and gave to her astonished eyes the view of a white cotton counterpane, properly folded, reposing at one end of the chest in undisputed possession! She was gazing on it with the first blush of surprise when Miss Tilney, anxious for her friend s being ready, entered the room, and to the rising shame of having harboured for some minutes an absurd expectation, was then added the shame of being caught in so idle a search.</|quote|>"That is a curious old chest, is not it?" said Miss Tilney, as Catherine hastily closed it and turned away to the glass. "It is impossible to say how many generations it has been here. How it came to be first put in this room I know not, but I have not had it moved, because I thought it might sometimes be of use in holding hats and bonnets. The worst of it is that its weight makes it difficult to open. In that corner, however, it is at least out of the way." Catherine had no leisure for speech, | dagger, in another a few drops of blood, and in a third the remains of some instrument of torture; but there being nothing in all this out of the common way, and your lamp being nearly exhausted, you will return towards your own apartment. In repassing through the small vaulted room, however, your eyes will be attracted towards a large, old-fashioned cabinet of ebony and gold, which, though narrowly examining the furniture before, you had passed unnoticed. Impelled by an irresistible presentiment, you will eagerly advance to it, unlock its folding doors, and search into every drawer but for some time without discovering anything of importance perhaps nothing but a considerable hoard of diamonds. At last, however, by touching a secret spring, an inner compartment will open a roll of paper appears you seize it it contains many sheets of manuscript you hasten with the precious treasure into your own chamber, but scarcely have you been able to decipher Oh! Thou whomsoever thou mayst be, into whose hands these memoirs of the wretched Matilda may fall when your lamp suddenly expires in the socket, and leaves you in total darkness." "Oh! No, no do not say so. Well, go on."<|quote|>But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat her to use her own fancy in the perusal of Matilda s woes. Catherine, recollecting herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. "Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid." As they drew near the end of their journey, her impatience for a sight of the abbey for some time suspended by his conversation on subjects very different returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge into the very grounds of Northanger, without having discerned even an antique chimney. She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet; and she was actually under the abbey walls, was springing, with Henry s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery to herself, or one moment s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft the sighs of the murdered to her; it had wafted nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was. An abbey! Yes, it was delightful to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion and elegance of modern taste. The fireplace, where she had expected the ample width and ponderous carving of former times, was contracted to a Rumford, with slabs of plain though handsome marble, and ornaments over it of the prettiest English china. The windows, to which she looked with peculiar dependence, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed. To be sure, the pointed arch was preserved the form of them was Gothic they might be even casements but every pane was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing. The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice and was proceeding to mention the costly gilding of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger. Returning through the large and lofty hall, they ascended a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty that she would make as little alteration as possible in her dress. CHAPTER 21 A moment s glance was enough to satisfy Catherine that her apartment was very unlike the one which Henry had endeavoured to alarm her by the description of. It was by no means unreasonably large, and contained neither tapestry nor velvet. The walls were papered, the floor was carpeted; the windows were neither less perfect nor more dim than those of the drawing-room below; the furniture, though not of the latest fashion, was handsome and comfortable, and the air of the room altogether far from uncheerful. Her heart instantaneously at ease on this point, she resolved to lose no time in particular examination of anything, as she greatly dreaded disobliging the general by any delay. Her habit therefore was thrown off with all possible haste, and she was preparing to unpin the linen package, which the chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her: "This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it cost me what it may, I will look into it and directly too by daylight. If I stay till evening my candle may go out." She advanced and examined it closely: it was of cedar, curiously inlaid with some darker wood, and raised, about a foot from the ground, on a carved stand of the same. The lock was silver, though tarnished from age; at each end were the imperfect remains of handles also of silver, broken perhaps prematurely by some strange violence; and, on the centre of the lid, was a mysterious cipher, in the same metal. Catherine bent over it intently, but without being able to distinguish anything with certainty. She could not, in whatever direction she took it, believe the last letter to be a _T;_ and yet that it should be anything else in that house was a circumstance to raise no common degree of astonishment. If not originally theirs, by what strange events could it have fallen into the Tilney family? Her fearful curiosity was every moment growing greater; and seizing, with trembling hands, the hasp of the lock, she resolved at all hazards to satisfy herself at least as to its contents. With difficulty, for something seemed to resist her efforts, she raised the lid a few inches; but at that moment a sudden knocking at the door of the room made her, starting, quit her hold, and the lid closed with alarming violence. This ill-timed intruder was Miss Tilney s maid, sent by her mistress to be of use to Miss Morland; and though Catherine immediately dismissed her, it recalled her to the sense of what she ought to be doing, and forced her, in spite of her anxious desire to penetrate this mystery, to proceed in her dressing without further delay. Her progress was not quick, for her thoughts and her eyes were still bent on the object so well calculated to interest and alarm; and though she dared not waste a moment upon a second attempt, she could not remain many paces from the chest. At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished that the impatience of her curiosity might safely be indulged. One moment surely might be spared; and, so desperate should be the exertion of her strength, that, unless secured by supernatural means, the lid in one moment should be thrown back. With this spirit she sprang forward, and her confidence did not deceive her. Her resolute effort threw back the lid, and gave to her astonished eyes the view of a white cotton counterpane, properly folded, reposing at one end of the chest in undisputed possession! She was gazing on it with the first blush of surprise when Miss Tilney, anxious for her friend s being ready, entered the room, and to the rising shame of having harboured for some minutes an absurd expectation, was then added the shame of being caught in so idle a search.</|quote|>"That is a curious old chest, is not it?" said Miss Tilney, as Catherine hastily closed it and turned away to the glass. "It is impossible to say how many generations it has been here. How it came to be first put in this room I know not, but I have not had it moved, because I thought it might sometimes be of use in holding hats and bonnets. The worst of it is that its weight makes it difficult to open. In that corner, however, it is at least out of the way." Catherine had no leisure for speech, being at once blushing, tying her gown, and forming wise resolutions with the most violent dispatch. Miss Tilney gently hinted her fear of being late; and in half a minute they ran downstairs together, in an alarm not wholly unfounded, for General Tilney was pacing the drawing-room, his watch in his hand, and having, on the very instant of their entering, pulled the bell with violence, ordered "Dinner to be on table _directly!_" Catherine trembled at the emphasis with which he spoke, and sat pale and breathless, in a most humble mood, concerned for his children, and detesting old chests; | you will probably think you discern (for your lamp is not extinguished) one part of the hanging more violently agitated than the rest. Unable of course to repress your curiosity in so favourable a moment for indulging it, you will instantly arise, and throwing your dressing-gown around you, proceed to examine this mystery. After a very short search, you will discover a division in the tapestry so artfully constructed as to defy the minutest inspection, and on opening it, a door will immediately appear which door, being only secured by massy bars and a padlock, you will, after a few efforts, succeed in opening and, with your lamp in your hand, will pass through it into a small vaulted room." "No, indeed; I should be too much frightened to do any such thing." "What! Not when Dorothy has given you to understand that there is a secret subterraneous communication between your apartment and the chapel of St. Anthony, scarcely two miles off? Could you shrink from so simple an adventure? No, no, you will proceed into this small vaulted room, and through this into several others, without perceiving anything very remarkable in either. In one perhaps there may be a dagger, in another a few drops of blood, and in a third the remains of some instrument of torture; but there being nothing in all this out of the common way, and your lamp being nearly exhausted, you will return towards your own apartment. In repassing through the small vaulted room, however, your eyes will be attracted towards a large, old-fashioned cabinet of ebony and gold, which, though narrowly examining the furniture before, you had passed unnoticed. Impelled by an irresistible presentiment, you will eagerly advance to it, unlock its folding doors, and search into every drawer but for some time without discovering anything of importance perhaps nothing but a considerable hoard of diamonds. At last, however, by touching a secret spring, an inner compartment will open a roll of paper appears you seize it it contains many sheets of manuscript you hasten with the precious treasure into your own chamber, but scarcely have you been able to decipher Oh! Thou whomsoever thou mayst be, into whose hands these memoirs of the wretched Matilda may fall when your lamp suddenly expires in the socket, and leaves you in total darkness." "Oh! No, no do not say so. Well, go on."<|quote|>But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat her to use her own fancy in the perusal of Matilda s woes. Catherine, recollecting herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. "Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid." As they drew near the end of their journey, her impatience for a sight of the abbey for some time suspended by his conversation on subjects very different returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge into the very grounds of Northanger, without having discerned even an antique chimney. She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet; and she was actually under the abbey walls, was springing, with Henry s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery to herself, or one moment s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft the sighs of the murdered to her; it had wafted nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was. An abbey! Yes, it was delightful to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion and elegance of modern taste. The fireplace, where she had expected the ample width and ponderous carving of former times, was contracted to a Rumford, with slabs of plain though handsome marble, and ornaments over it of the prettiest English china. The windows, to which she looked with peculiar dependence, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed. To be sure, the pointed arch was preserved the form of them was Gothic they might be even casements but every pane was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing. The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice and was proceeding to mention the costly gilding of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger. Returning through the large and lofty hall, they ascended a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty that she would make as little alteration as possible in her dress. CHAPTER 21 A moment s glance was enough to satisfy Catherine that her apartment was very unlike the one which Henry had endeavoured to alarm her by the description of. It was by no means unreasonably large, and contained neither tapestry nor velvet. The walls were papered, the floor was carpeted; the windows were neither less perfect nor more dim than those of the drawing-room below; the furniture, though not of the latest fashion, was handsome and comfortable, and the air of the room altogether far from uncheerful. Her heart instantaneously at ease on this point, she resolved to lose no time in particular examination of anything, as she greatly dreaded disobliging the general by any delay. Her habit therefore was thrown off with all possible haste, and she was preparing to unpin the linen package, which the chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her: "This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it cost me what it may, I will look into it and directly too by daylight. If I stay till evening my candle may go out." She advanced and examined it closely: it was of cedar, curiously inlaid with some darker wood, and raised, about a foot from the ground, on a carved stand of the same. The lock was silver, though tarnished from age; at each end were the imperfect remains of handles also of silver, broken perhaps prematurely by some strange violence; and, on the centre of the lid, was a mysterious cipher, in the same metal. Catherine bent over it intently, but without being able to distinguish anything with certainty. She could not, in whatever direction she took it, believe the last letter to be a _T;_ and yet that it should be anything else in that house was a circumstance to raise no common degree of astonishment. If not originally theirs, by what strange events could it have fallen into the Tilney family? Her fearful curiosity was every moment growing greater; and seizing, with trembling hands, the hasp of the lock, she resolved at all hazards to satisfy herself at least as to its contents. With difficulty, for something seemed to resist her efforts, she raised the lid a few inches; but at that moment a sudden knocking at the door of the room made her, starting, quit her hold, and the lid closed with alarming violence. This ill-timed intruder was Miss Tilney s maid, sent by her mistress to be of use to Miss Morland; and though Catherine immediately dismissed her, it recalled her to the sense of what she ought to be doing, and forced her, in spite of her anxious desire to penetrate this mystery, to proceed in her dressing without further delay. Her progress was not quick, for her thoughts and her eyes were still bent on the object so well calculated to interest and alarm; and though she dared not waste a moment upon a second attempt, she could not remain many paces from the chest. At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished that the impatience of her curiosity might safely be indulged. One moment surely might be spared; and, so desperate should be the exertion of her strength, that, unless secured by supernatural means, the lid in one moment should be thrown back. With this spirit she sprang forward, and her confidence did not deceive her. Her resolute effort threw back the lid, and gave to her astonished eyes the view of a white cotton counterpane, properly folded, reposing at one end of the chest in undisputed possession! She was gazing on it with the first blush of surprise when Miss Tilney, anxious for her friend s being ready, entered the room, and to the rising shame of having harboured for some minutes an absurd expectation, was then added the shame of being caught in so idle a search.</|quote|>"That is a curious old chest, is not it?" said Miss Tilney, as Catherine hastily closed it and turned away to the glass. "It is impossible to say how many generations it has been here. How it came to be first put in this room I know not, but I have not had it moved, because I thought it might sometimes be of use in holding hats and bonnets. The worst of it is that its weight makes it difficult to open. In that corner, however, it is at least out of the way." Catherine had no leisure for speech, being at once blushing, tying her gown, and forming wise resolutions with the most violent dispatch. Miss Tilney gently hinted her fear of being late; and in half a minute they ran downstairs together, in an alarm not wholly unfounded, for General Tilney was pacing the drawing-room, his watch in his hand, and having, on the very instant of their entering, pulled the bell with violence, ordered "Dinner to be on table _directly!_" Catherine trembled at the emphasis with which he spoke, and sat pale and breathless, in a most humble mood, concerned for his children, and detesting old chests; and the general, recovering his politeness as he looked at her, spent the rest of his time in scolding his daughter for so foolishly hurrying her fair friend, who was absolutely out of breath from haste, when there was not the least occasion for hurry in the world: but Catherine could not at all get over the double distress of having involved her friend in a lecture and been a great simpleton herself, till they were happily seated at the dinner-table, when the general s complacent smiles, and a good appetite of her own, restored her to peace. The dining-parlour was a noble room, suitable in its dimensions to a much larger drawing-room than the one in common use, and fitted up in a style of luxury and expense which was almost lost on the unpractised eye of Catherine, who saw little more than its spaciousness and the number of their attendants. Of the former, she spoke aloud her admiration; and the general, with a very gracious countenance, acknowledged that it was by no means an ill-sized room, and further confessed that, though as careless on such subjects as most people, he did look upon a tolerably large eating-room as | Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?" "Oh! But this will not happen to me, I am sure." "How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off you listen to the sound of her receding footsteps as long as the last echo can reach you and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock." "Oh! Mr. Tilney, how frightful! This is just like a book! But it cannot really happen to me. I am sure your housekeeper is not really Dorothy. Well, what then?" "Nothing further to alarm perhaps may occur the first night. After surmounting your _unconquerable_ horror of the bed, you will retire to rest, and get a few hours unquiet slumber. But on the second, or at farthest the _third_ night after your arrival, you will probably have a violent storm. Peals of thunder so loud as to seem to shake the edifice to its foundation will roll round the neighbouring mountains and during the frightful gusts of wind which accompany it, you will probably think you discern (for your lamp is not extinguished) one part of the hanging more violently agitated than the rest. Unable of course to repress your curiosity in so favourable a moment for indulging it, you will instantly arise, and throwing your dressing-gown around you, proceed to examine this mystery. After a very short search, you will discover a division in the tapestry so artfully constructed as to defy the minutest inspection, and on opening it, a door will immediately appear which door, being only secured by massy bars and a padlock, you will, after a few efforts, succeed in opening and, with your lamp in your hand, will pass through it into a small vaulted room." "No, indeed; I should be too much frightened to do any such thing." "What! Not when Dorothy has given you to understand that there is a secret subterraneous communication between your apartment and the chapel of St. Anthony, scarcely two miles off? Could you shrink from so simple an adventure? No, no, you will proceed into this small vaulted room, and through this into several others, without perceiving anything very remarkable in either. In one perhaps there may be a dagger, in another a few drops of blood, and in a third the remains of some instrument of torture; but there being nothing in all this out of the common way, and your lamp being nearly exhausted, you will return towards your own apartment. In repassing through the small vaulted room, however, your eyes will be attracted towards a large, old-fashioned cabinet of ebony and gold, which, though narrowly examining the furniture before, you had passed unnoticed. Impelled by an irresistible presentiment, you will eagerly advance to it, unlock its folding doors, and search into every drawer but for some time without discovering anything of importance perhaps nothing but a considerable hoard of diamonds. At last, however, by touching a secret spring, an inner compartment will open a roll of paper appears you seize it it contains many sheets of manuscript you hasten with the precious treasure into your own chamber, but scarcely have you been able to decipher Oh! Thou whomsoever thou mayst be, into whose hands these memoirs of the wretched Matilda may fall when your lamp suddenly expires in the socket, and leaves you in total darkness." "Oh! No, no do not say so. Well, go on."<|quote|>But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat her to use her own fancy in the perusal of Matilda s woes. Catherine, recollecting herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. "Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid." As they drew near the end of their journey, her impatience for a sight of the abbey for some time suspended by his conversation on subjects very different returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge into the very grounds of Northanger, without having discerned even an antique chimney. She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet; and she was actually under the abbey walls, was springing, with Henry s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery to herself, or one moment s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft the sighs of the murdered to her; it had wafted nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was. An abbey! Yes, it was delightful to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion and elegance of modern taste. The fireplace, where she had expected the ample width and ponderous carving of former times, was contracted to a Rumford, with slabs of plain though handsome marble, and ornaments over it of the prettiest English china. The windows, to which she looked with peculiar dependence, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed. To be sure, the pointed arch was preserved the form of them was Gothic they might be even casements but every pane was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing. The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice and was proceeding to mention the costly gilding of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger. Returning through the large and lofty hall, they ascended a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty that she would make as little alteration as possible in her dress. CHAPTER 21 A moment s glance was enough to satisfy Catherine that her apartment was very unlike the one which Henry had endeavoured to alarm her by the description of. It was by no means unreasonably large, and contained neither tapestry nor velvet. The walls were papered, the floor was carpeted; the windows were neither less perfect nor more dim than those of the drawing-room below; the furniture, though not of the latest fashion, was handsome and comfortable, and the air of the room altogether far from uncheerful. Her heart instantaneously at ease on this point, she resolved to lose no time in particular examination of anything, as she greatly dreaded disobliging the general by any delay. Her habit therefore was thrown off with all possible haste, and she was preparing to unpin the linen package, which the chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her: "This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it cost me what it may, I will look into it and directly too by daylight. If I stay till evening my candle may go out." She advanced and examined it closely: it was of cedar, curiously inlaid with some darker wood, and raised, about a foot from the ground, on a carved stand of the same. The lock was silver, though tarnished from age; at each end were the imperfect remains of handles also of silver, broken perhaps prematurely by some strange violence; and, on the centre of the lid, was a mysterious cipher, in the same metal. Catherine bent over it intently, but without being able to distinguish anything with certainty. She could not, in whatever direction she took it, believe the last letter to be a _T;_ and yet that it should be anything else in that house was a circumstance to raise no common degree of astonishment. If not originally theirs, by what strange events could it have fallen into the Tilney family? Her fearful curiosity was every moment growing greater; and seizing, with trembling hands, the hasp of the lock, she resolved at all hazards to satisfy herself at least as to its contents. With difficulty, for something seemed to resist her efforts, she raised the lid a few inches; but at that moment a sudden knocking at the door of the room made her, starting, quit her hold, and the lid closed with alarming violence. This ill-timed intruder was Miss Tilney s maid, sent by her mistress to be of use to Miss Morland; and though Catherine immediately dismissed her, it recalled her to the sense of what she ought to be doing, and forced her, in spite of her anxious desire to penetrate this mystery, to proceed in her dressing without further delay. Her progress was not quick, for her thoughts and her eyes were still bent on the object so well calculated to interest and alarm; and though she dared not waste a moment upon a second attempt, she could not remain many paces from the chest. At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished that the impatience of her curiosity might safely be indulged. One moment surely might be spared; and, so desperate should be the exertion of her strength, that, unless secured by supernatural means, the lid in one moment should be thrown back. With this spirit she sprang forward, and her confidence did not deceive her. Her resolute effort threw back the lid, and gave to her astonished eyes the view of a white cotton counterpane, properly folded, reposing at one end of the chest in undisputed possession! She was gazing on it with the first blush of surprise when Miss Tilney, anxious for her friend s being ready, entered the room, and to the rising shame of having harboured for some minutes an absurd expectation, was then added the shame of being caught in so idle a search.</|quote|>"That is a curious old chest, is not it?" said Miss Tilney, as Catherine hastily closed it and turned away to the glass. "It is impossible to say how many generations it has been here. How it came to be first put in this room I know not, but I have not had it moved, because I thought it might sometimes be of use in holding hats and bonnets. The worst of it is that its weight makes it difficult to open. In that corner, however, it is at least out of the way." Catherine had no leisure for speech, being at once blushing, tying her gown, and forming wise resolutions with the most violent dispatch. Miss Tilney gently hinted her fear of being late; and in half a minute they ran downstairs together, in an alarm not wholly unfounded, for General Tilney was pacing the drawing-room, his watch in his hand, and having, on the very instant of their entering, pulled the bell with violence, ordered "Dinner to be on table _directly!_" Catherine trembled at the emphasis with which he spoke, and sat pale and breathless, in a most humble mood, concerned for his children, and detesting old chests; and the general, recovering his politeness as he looked at her, spent the rest of his time in scolding his daughter for so foolishly hurrying her fair friend, who was absolutely out of breath from haste, when there was not the least occasion for hurry in the world: but Catherine could not at all get over the double distress of having involved her friend in a lecture and been a great simpleton herself, till they were happily seated at the dinner-table, when the general s complacent smiles, and a good appetite of her own, restored her to peace. The dining-parlour was a noble room, suitable in its dimensions to a much larger drawing-room than the one in common use, and fitted up in a style of luxury and expense which was almost lost on the unpractised eye of Catherine, who saw little more than its spaciousness and the number of their attendants. Of the former, she spoke aloud her admiration; and the general, with a very gracious countenance, acknowledged that it was by no means an ill-sized room, and further confessed that, though as careless on such subjects as most people, he did look upon a tolerably large eating-room as one of the necessaries of life; he supposed, however, "that she must have been used to much better-sized apartments at Mr. Allen s?" "No, indeed," was Catherine s honest assurance; "Mr. Allen s dining-parlour was not more than half as large," and she had never seen so large a room as this in her life. The general s good humour increased. Why, as he _had_ such rooms, he thought it would be simple not to make use of them; but, upon his honour, he believed there might be more comfort in rooms of only half their size. Mr. Allen s house, he was sure, must be exactly of the true size for rational happiness. The evening passed without any further disturbance, and, in the occasional absence of General Tilney, with much positive cheerfulness. It was only in his presence that Catherine felt the smallest fatigue from her journey; and even then, even in moments of languor or restraint, a sense of general happiness preponderated, and she could think of her friends in Bath without one wish of being with them. The night was stormy; the wind had been rising at intervals the whole afternoon; and by the time the party broke up, it blew and rained violently. Catherine, as she crossed the hall, listened to the tempest with sensations of awe; and, when she heard it rage round a corner of the ancient building and close with sudden fury a distant door, felt for the first time that she was really in an abbey. Yes, these were characteristic sounds; they brought to her recollection a countless variety of dreadful situations and horrid scenes, which such buildings had witnessed, and such storms ushered in; and most heartily did she rejoice in the happier circumstances attending her entrance within walls so solemn! _She_ had nothing to dread from midnight assassins or drunken gallants. Henry had certainly been only in jest in what he had told her that morning. In a house so furnished, and so guarded, she could have nothing to explore or to suffer, and might go to her bedroom as securely as if it had been her own chamber at Fullerton. Thus wisely fortifying her mind, as she proceeded upstairs, she was enabled, especially on perceiving that Miss Tilney slept only two doors from her, to enter her room with a tolerably stout heart; and her spirits were immediately assisted | it has no lock." "Oh! Mr. Tilney, how frightful! This is just like a book! But it cannot really happen to me. I am sure your housekeeper is not really Dorothy. Well, what then?" "Nothing further to alarm perhaps may occur the first night. After surmounting your _unconquerable_ horror of the bed, you will retire to rest, and get a few hours unquiet slumber. But on the second, or at farthest the _third_ night after your arrival, you will probably have a violent storm. Peals of thunder so loud as to seem to shake the edifice to its foundation will roll round the neighbouring mountains and during the frightful gusts of wind which accompany it, you will probably think you discern (for your lamp is not extinguished) one part of the hanging more violently agitated than the rest. Unable of course to repress your curiosity in so favourable a moment for indulging it, you will instantly arise, and throwing your dressing-gown around you, proceed to examine this mystery. After a very short search, you will discover a division in the tapestry so artfully constructed as to defy the minutest inspection, and on opening it, a door will immediately appear which door, being only secured by massy bars and a padlock, you will, after a few efforts, succeed in opening and, with your lamp in your hand, will pass through it into a small vaulted room." "No, indeed; I should be too much frightened to do any such thing." "What! Not when Dorothy has given you to understand that there is a secret subterraneous communication between your apartment and the chapel of St. Anthony, scarcely two miles off? Could you shrink from so simple an adventure? No, no, you will proceed into this small vaulted room, and through this into several others, without perceiving anything very remarkable in either. In one perhaps there may be a dagger, in another a few drops of blood, and in a third the remains of some instrument of torture; but there being nothing in all this out of the common way, and your lamp being nearly exhausted, you will return towards your own apartment. In repassing through the small vaulted room, however, your eyes will be attracted towards a large, old-fashioned cabinet of ebony and gold, which, though narrowly examining the furniture before, you had passed unnoticed. Impelled by an irresistible presentiment, you will eagerly advance to it, unlock its folding doors, and search into every drawer but for some time without discovering anything of importance perhaps nothing but a considerable hoard of diamonds. At last, however, by touching a secret spring, an inner compartment will open a roll of paper appears you seize it it contains many sheets of manuscript you hasten with the precious treasure into your own chamber, but scarcely have you been able to decipher Oh! Thou whomsoever thou mayst be, into whose hands these memoirs of the wretched Matilda may fall when your lamp suddenly expires in the socket, and leaves you in total darkness." "Oh! No, no do not say so. Well, go on."<|quote|>But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat her to use her own fancy in the perusal of Matilda s woes. Catherine, recollecting herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. "Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid." As they drew near the end of their journey, her impatience for a sight of the abbey for some time suspended by his conversation on subjects very different returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge into the very grounds of Northanger, without having discerned even an antique chimney. She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet; and she was actually under the abbey walls, was springing, with Henry s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery to herself, or one moment s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft the sighs of the murdered to her; it had wafted nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was. An abbey! Yes, it was delightful to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion and elegance of modern taste. The fireplace, where she had expected the ample width and ponderous carving of former times, was contracted to a Rumford, with slabs of plain though handsome marble, and ornaments over it of the prettiest English china. The windows, to which she looked with peculiar dependence, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed. To be sure, the pointed arch was preserved the form of them was Gothic they might be even casements but every pane was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing. The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice and was proceeding to mention the costly gilding of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger. Returning through the large and lofty hall, they ascended a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty that she would make as little alteration as possible in her dress. CHAPTER 21 A moment s glance was enough to satisfy Catherine that her apartment was very unlike the one which Henry had endeavoured to alarm her by the description of. It was by no means unreasonably large, and contained neither tapestry nor velvet. The walls were papered, the floor was carpeted; the windows were neither less perfect nor more dim than those of the drawing-room below; the furniture, though not of the latest fashion, was handsome and comfortable, and the air of the room altogether far from uncheerful. Her heart instantaneously at ease on this point, she resolved to lose no time in particular examination of anything, as she greatly dreaded disobliging the general by any delay. Her habit therefore was thrown off with all possible haste, and she was preparing to unpin the linen package, which the chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her: "This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it cost me what it may, I will look into it and directly too by daylight. If I stay till evening my candle may go out." She advanced and examined it closely: it was of cedar, curiously inlaid with some darker wood, and raised, about a foot from the ground, on a carved stand of the same. The lock was silver, though tarnished from age; at each end were the imperfect remains of handles also of silver, broken perhaps prematurely by some strange violence; and, on the centre of the lid, was a mysterious cipher, in the same metal. Catherine bent over it intently, but without being able to distinguish anything with certainty. She could not, in whatever direction she took it, believe the last letter to be a _T;_ and yet that it should be anything else in that house was a circumstance to raise no common degree of astonishment. If not originally theirs, by what strange events could it have fallen into the Tilney family? Her fearful curiosity was every moment growing greater; and seizing, with trembling hands, the hasp of the lock, she resolved at all hazards to satisfy herself at least as to its contents. With difficulty, for something seemed to resist her efforts, she raised the lid a few inches; but at that moment a sudden knocking at the door of the room made her, starting, quit her hold, and the lid closed with alarming violence. This ill-timed intruder was Miss Tilney s maid, sent by her mistress to be of use to Miss Morland; and though Catherine immediately dismissed her, it recalled her to the sense of what she ought to be doing, and forced her, in spite of her anxious desire to penetrate this mystery, to proceed in her dressing without further delay. Her progress was not quick, for her thoughts and her eyes were still bent on the object so well calculated to interest and alarm; and though she dared not waste a moment upon a second attempt, she could not remain many paces from the chest. At length, however, having slipped one arm into her gown, her toilette seemed so nearly finished that the impatience of her curiosity might safely be indulged. One moment surely might be spared; and, so desperate should be the exertion of her strength, that, unless secured by supernatural means, the lid in one moment should be thrown back. With this spirit she sprang forward, and her confidence did not deceive her. Her resolute effort threw back the lid, and gave to her astonished eyes the view of a white cotton counterpane, properly folded, reposing at one end of the chest in undisputed possession! She was gazing on it with the first blush of surprise when Miss Tilney, anxious for her friend s being ready, entered the room, and to the rising shame of having harboured for some minutes an absurd expectation, was then added the shame of being caught in so idle a search.</|quote|>"That is a curious old chest, is not it?" said Miss Tilney, as Catherine hastily closed it and turned away to the glass. "It is impossible to say how many generations it has been here. How it came to be first put in this room I know not, but I have not had it moved, because I thought it might sometimes be of use in holding hats and bonnets. The worst of it is that its weight makes it difficult to open. In that corner, however, it is at least out of the way." Catherine had no leisure for speech, being at once blushing, tying her gown, and forming wise resolutions with the most violent dispatch. Miss Tilney gently hinted her fear of being late; and in half a minute they ran downstairs together, in an alarm not wholly unfounded, for General Tilney was pacing the drawing-room, his watch in his hand, and having, on the very instant of their entering, pulled the bell with violence, ordered "Dinner to be on table _directly!_" Catherine trembled at the emphasis with which he spoke, and sat pale and breathless, in a most humble mood, concerned for his children, and detesting old chests; and the general, recovering his politeness as he looked at her, spent the rest of his time in scolding his daughter for so foolishly hurrying her fair friend, who was absolutely out of breath from haste, when there was not the least occasion for hurry in the world: but Catherine could not at all get over the double distress of having involved her friend in a lecture and been a great simpleton herself, till they were happily seated at the dinner-table, when the general s complacent smiles, and a good appetite of her own, restored her to peace. The dining-parlour was a noble room, suitable in its dimensions to a much larger drawing-room than the one in common use, and fitted up in a style of luxury and expense which was almost lost on the unpractised eye of Catherine, who saw little more than its spaciousness and the number of their attendants. Of the former, she spoke aloud her admiration; and the general, with a very gracious countenance, acknowledged that it was by no means an ill-sized room, and further confessed that, though as careless on such subjects as most people, he did look upon a tolerably large eating-room as one of the necessaries of life; he supposed, however, "that she must have been used to much better-sized apartments at Mr. Allen s?" "No, indeed," was Catherine s honest assurance; "Mr. Allen s dining-parlour was not more than half as large," and she had never seen so large a room as this in her life. The general s good humour increased. Why, as he _had_ such rooms, he thought it would be simple not to make use of them; but, upon his honour, he believed there might be more comfort in rooms of only half their size. Mr. Allen s house, he was sure, must be exactly of the true size for rational happiness. The evening passed without any further disturbance, and, in the occasional absence of General Tilney, with much positive cheerfulness. It was only in his presence that Catherine felt the smallest | Northanger Abbey |
“I wish I could find out exactly how Ántonia’s marriage fell through.” | Jim | “Mrs. Harling,” I said presently,<|quote|>“I wish I could find out exactly how Ántonia’s marriage fell through.”</|quote|>“Why don’t you go out | a nest in its branches. “Mrs. Harling,” I said presently,<|quote|>“I wish I could find out exactly how Ántonia’s marriage fell through.”</|quote|>“Why don’t you go out and see your grandfather’s tenant, | I liked the feel of it under my hand. I took the spade away from Mrs. Harling, and while I loosened the earth around the tree, she sat down on the steps and talked about the oriole family that had a nest in its branches. “Mrs. Harling,” I said presently,<|quote|>“I wish I could find out exactly how Ántonia’s marriage fell through.”</|quote|>“Why don’t you go out and see your grandfather’s tenant, the Widow Steavens? She knows more about it than anybody else. She helped Ántonia get ready to be married, and she was there when Ántonia came back. She took care of her when the baby was born. She could tell | mountain-ash tree. It was a dry summer, and she had now no boy to help her. Charley was off in his battleship, cruising somewhere on the Caribbean sea. I turned in at the gate—it was with a feeling of pleasure that I opened and shut that gate in those days; I liked the feel of it under my hand. I took the spade away from Mrs. Harling, and while I loosened the earth around the tree, she sat down on the steps and talked about the oriole family that had a nest in its branches. “Mrs. Harling,” I said presently,<|quote|>“I wish I could find out exactly how Ántonia’s marriage fell through.”</|quote|>“Why don’t you go out and see your grandfather’s tenant, the Widow Steavens? She knows more about it than anybody else. She helped Ántonia get ready to be married, and she was there when Ántonia came back. She took care of her when the baby was born. She could tell you everything. Besides, the Widow Steavens is a good talker, and she has a remarkable memory.” III ON the first or second day of August I got a horse and cart and set out for the high country, to visit the Widow Steavens. The wheat harvest was over, and here | married or single, into his confidence; walked them up and down in the moonlight, telling them what a mistake he had made by not entering the office branch of the service, and how much better fitted he was to fill the post of General Passenger Agent in Denver than the roughshod man who then bore that title. His unappreciated worth was the tender secret Larry shared with his sweethearts, and he was always able to make some foolish heart ache over it. As I drew near home that morning, I saw Mrs. Harling out in her yard, digging round her mountain-ash tree. It was a dry summer, and she had now no boy to help her. Charley was off in his battleship, cruising somewhere on the Caribbean sea. I turned in at the gate—it was with a feeling of pleasure that I opened and shut that gate in those days; I liked the feel of it under my hand. I took the spade away from Mrs. Harling, and while I loosened the earth around the tree, she sat down on the steps and talked about the oriole family that had a nest in its branches. “Mrs. Harling,” I said presently,<|quote|>“I wish I could find out exactly how Ántonia’s marriage fell through.”</|quote|>“Why don’t you go out and see your grandfather’s tenant, the Widow Steavens? She knows more about it than anybody else. She helped Ántonia get ready to be married, and she was there when Ántonia came back. She took care of her when the baby was born. She could tell you everything. Besides, the Widow Steavens is a good talker, and she has a remarkable memory.” III ON the first or second day of August I got a horse and cart and set out for the high country, to visit the Widow Steavens. The wheat harvest was over, and here and there along the horizon I could see black puffs of smoke from the steam thrashing-machines. The old pasture land was now being broken up into wheatfields and cornfields, the red grass was disappearing, and the whole face of the country was changing. There were wooden houses where the old sod dwellings used to be, and little orchards, and big red barns; all this meant happy children, contented women, and men who saw their lives coming to a fortunate issue. The windy springs and the blazing summers, one after another, had enriched and mellowed that flat tableland; all the human | sight, but Tony, of course, must have its picture on exhibition at the town photographer’s, in a great gilt frame. How like her! I could forgive her, I told myself, if she had n’t thrown herself away on such a cheap sort of fellow. Larry Donovan was a passenger conductor, one of those train-crew aristocrats who are always afraid that some one may ask them to put up a car-window, and who, if requested to perform such a menial service, silently point to the button that calls the porter. Larry wore this air of official aloofness even on the street, where there were no car-windows to compromise his dignity. At the end of his run he stepped indifferently from the train along with the passengers, his street hat on his head and his conductor’s cap in an alligator-skin bag, went directly into the station and changed his clothes. It was a matter of the utmost importance to him never to be seen in his blue trousers away from his train. He was usually cold and distant with men, but with all women he had a silent, grave familiarity, a special handshake, accompanied by a significant, deliberate look. He took women, married or single, into his confidence; walked them up and down in the moonlight, telling them what a mistake he had made by not entering the office branch of the service, and how much better fitted he was to fill the post of General Passenger Agent in Denver than the roughshod man who then bore that title. His unappreciated worth was the tender secret Larry shared with his sweethearts, and he was always able to make some foolish heart ache over it. As I drew near home that morning, I saw Mrs. Harling out in her yard, digging round her mountain-ash tree. It was a dry summer, and she had now no boy to help her. Charley was off in his battleship, cruising somewhere on the Caribbean sea. I turned in at the gate—it was with a feeling of pleasure that I opened and shut that gate in those days; I liked the feel of it under my hand. I took the spade away from Mrs. Harling, and while I loosened the earth around the tree, she sat down on the steps and talked about the oriole family that had a nest in its branches. “Mrs. Harling,” I said presently,<|quote|>“I wish I could find out exactly how Ántonia’s marriage fell through.”</|quote|>“Why don’t you go out and see your grandfather’s tenant, the Widow Steavens? She knows more about it than anybody else. She helped Ántonia get ready to be married, and she was there when Ántonia came back. She took care of her when the baby was born. She could tell you everything. Besides, the Widow Steavens is a good talker, and she has a remarkable memory.” III ON the first or second day of August I got a horse and cart and set out for the high country, to visit the Widow Steavens. The wheat harvest was over, and here and there along the horizon I could see black puffs of smoke from the steam thrashing-machines. The old pasture land was now being broken up into wheatfields and cornfields, the red grass was disappearing, and the whole face of the country was changing. There were wooden houses where the old sod dwellings used to be, and little orchards, and big red barns; all this meant happy children, contented women, and men who saw their lives coming to a fortunate issue. The windy springs and the blazing summers, one after another, had enriched and mellowed that flat tableland; all the human effort that had gone into it was coming back in long, sweeping lines of fertility. The changes seemed beautiful and harmonious to me; it was like watching the growth of a great man or of a great idea. I recognized every tree and sandbank and rugged draw. I found that I remembered the conformation of the land as one remembers the modeling of human faces. When I drew up to our old windmill, the Widow Steavens came out to meet me. She was brown as an Indian woman, tall, and very strong. When I was little, her massive head had always seemed to me like a Roman senator’s. I told her at once why I had come. “You’ll stay the night with us, Jimmy? I’ll talk to you after supper. I can take more interest when my work is off my mind. You’ve no prejudice against hot biscuit for supper? Some have, these days.” While I was putting my horse away I heard a rooster squawking. I looked at my watch and sighed; it was three o’clock, and I knew that I must eat him at six. After supper Mrs. Steavens and I went upstairs to the old sitting-room, while | two human beings of whom she spoke with any feeling were the Swede, Johnson, who had given her his claim, and Lena Lingard. She had persuaded Lena to come to San Francisco and go into business there. “Lincoln was never any place for her,” Tiny remarked. “In a town of that size Lena would always be gossiped about. Frisco’s the right field for her. She has a fine class of trade. Oh, she’s just the same as she always was! She’s careless, but she’s level-headed. She’s the only person I know who never gets any older. It’s fine for me to have her there; somebody who enjoys things like that. She keeps an eye on me and won’t let me be shabby. When she thinks I need a new dress, she makes it and sends it home—with a bill that’s long enough, I can tell you!” Tiny limped slightly when she walked. The claim on Hunker Creek took toll from its possessors. Tiny had been caught in a sudden turn of weather, like poor Johnson. She lost three toes from one of those pretty little feet that used to trip about Black Hawk in pointed slippers and striped stockings. Tiny mentioned this mutilation quite casually—did n’t seem sensitive about it. She was satisfied with her success, but not elated. She was like some one in whom the faculty of becoming interested is worn out. II SOON after I got home that summer I persuaded my grandparents to have their photographs taken, and one morning I went into the photographer’s shop to arrange for sittings. While I was waiting for him to come out of his developing-room, I walked about trying to recognize the likenesses on his walls: girls in Commencement dresses, country brides and grooms holding hands, family groups of three generations. I noticed, in a heavy frame, one of those depressing “crayon enlargements” often seen in farmhouse parlors, the subject being a round-eyed baby in short dresses. The photographer came out and gave a constrained, apologetic laugh. “That’s Tony Shimerda’s baby. You remember her; she used to be the Harling’s Tony. Too bad! She seems proud of the baby, though; would n’t hear to a cheap frame for the picture. I expect her brother will be in for it Saturday.” I went away feeling that I must see Ántonia again. Another girl would have kept her baby out of sight, but Tony, of course, must have its picture on exhibition at the town photographer’s, in a great gilt frame. How like her! I could forgive her, I told myself, if she had n’t thrown herself away on such a cheap sort of fellow. Larry Donovan was a passenger conductor, one of those train-crew aristocrats who are always afraid that some one may ask them to put up a car-window, and who, if requested to perform such a menial service, silently point to the button that calls the porter. Larry wore this air of official aloofness even on the street, where there were no car-windows to compromise his dignity. At the end of his run he stepped indifferently from the train along with the passengers, his street hat on his head and his conductor’s cap in an alligator-skin bag, went directly into the station and changed his clothes. It was a matter of the utmost importance to him never to be seen in his blue trousers away from his train. He was usually cold and distant with men, but with all women he had a silent, grave familiarity, a special handshake, accompanied by a significant, deliberate look. He took women, married or single, into his confidence; walked them up and down in the moonlight, telling them what a mistake he had made by not entering the office branch of the service, and how much better fitted he was to fill the post of General Passenger Agent in Denver than the roughshod man who then bore that title. His unappreciated worth was the tender secret Larry shared with his sweethearts, and he was always able to make some foolish heart ache over it. As I drew near home that morning, I saw Mrs. Harling out in her yard, digging round her mountain-ash tree. It was a dry summer, and she had now no boy to help her. Charley was off in his battleship, cruising somewhere on the Caribbean sea. I turned in at the gate—it was with a feeling of pleasure that I opened and shut that gate in those days; I liked the feel of it under my hand. I took the spade away from Mrs. Harling, and while I loosened the earth around the tree, she sat down on the steps and talked about the oriole family that had a nest in its branches. “Mrs. Harling,” I said presently,<|quote|>“I wish I could find out exactly how Ántonia’s marriage fell through.”</|quote|>“Why don’t you go out and see your grandfather’s tenant, the Widow Steavens? She knows more about it than anybody else. She helped Ántonia get ready to be married, and she was there when Ántonia came back. She took care of her when the baby was born. She could tell you everything. Besides, the Widow Steavens is a good talker, and she has a remarkable memory.” III ON the first or second day of August I got a horse and cart and set out for the high country, to visit the Widow Steavens. The wheat harvest was over, and here and there along the horizon I could see black puffs of smoke from the steam thrashing-machines. The old pasture land was now being broken up into wheatfields and cornfields, the red grass was disappearing, and the whole face of the country was changing. There were wooden houses where the old sod dwellings used to be, and little orchards, and big red barns; all this meant happy children, contented women, and men who saw their lives coming to a fortunate issue. The windy springs and the blazing summers, one after another, had enriched and mellowed that flat tableland; all the human effort that had gone into it was coming back in long, sweeping lines of fertility. The changes seemed beautiful and harmonious to me; it was like watching the growth of a great man or of a great idea. I recognized every tree and sandbank and rugged draw. I found that I remembered the conformation of the land as one remembers the modeling of human faces. When I drew up to our old windmill, the Widow Steavens came out to meet me. She was brown as an Indian woman, tall, and very strong. When I was little, her massive head had always seemed to me like a Roman senator’s. I told her at once why I had come. “You’ll stay the night with us, Jimmy? I’ll talk to you after supper. I can take more interest when my work is off my mind. You’ve no prejudice against hot biscuit for supper? Some have, these days.” While I was putting my horse away I heard a rooster squawking. I looked at my watch and sighed; it was three o’clock, and I knew that I must eat him at six. After supper Mrs. Steavens and I went upstairs to the old sitting-room, while her grave, silent brother remained in the basement to read his farm papers. All the windows were open. The white summer moon was shining outside, the windmill was pumping lazily in the light breeze. My hostess put the lamp on a stand in the corner, and turned it low because of the heat. She sat down in her favorite rocking-chair and settled a little stool comfortably under her tired feet. “I’m troubled with callouses, Jim; getting old,” she sighed cheerfully. She crossed her hands in her lap and sat as if she were at a meeting of some kind. “Now, it’s about that dear Ántonia you want to know? Well, you’ve come to the right person. I’ve watched her like she’d been my own daughter. “When she came home to do her sewing that summer before she was to be married, she was over here about every day. They’ve never had a sewing machine at the Shimerdas’, and she made all her things here. I taught her hemstitching, and I helped her to cut and fit. She used to sit there at that machine by the window, pedaling the life out of it—she was so strong—and always singing them queer Bohemian songs, like she was the happiest thing in the world. “‘Ántonia,’ I used to say, ‘don’t run that machine so fast. You won’t hasten the day none that way.’ “Then she’d laugh and slow down for a little, but she’d soon forget and begin to pedal and sing again. I never saw a girl work harder to go to housekeeping right and well-prepared. Lovely table linen the Harlings had given her, and Lena Lingard had sent her nice things from Lincoln. We hemstitched all the tablecloths and pillow-cases, and some of the sheets. Old Mrs. Shimerda knit yards and yards of lace for her underclothes. Tony told me just how she meant to have everything in her house. She’d even bought silver spoons and forks, and kept them in her trunk. She was always coaxing brother to go to the post-office. Her young man did write her real often, from the different towns along his run. “The first thing that troubled her was when he wrote that his run had been changed, and they would likely have to live in Denver. ‘I’m a country girl,’ she said, ‘and I doubt if I’ll be able to manage so well for | on exhibition at the town photographer’s, in a great gilt frame. How like her! I could forgive her, I told myself, if she had n’t thrown herself away on such a cheap sort of fellow. Larry Donovan was a passenger conductor, one of those train-crew aristocrats who are always afraid that some one may ask them to put up a car-window, and who, if requested to perform such a menial service, silently point to the button that calls the porter. Larry wore this air of official aloofness even on the street, where there were no car-windows to compromise his dignity. At the end of his run he stepped indifferently from the train along with the passengers, his street hat on his head and his conductor’s cap in an alligator-skin bag, went directly into the station and changed his clothes. It was a matter of the utmost importance to him never to be seen in his blue trousers away from his train. He was usually cold and distant with men, but with all women he had a silent, grave familiarity, a special handshake, accompanied by a significant, deliberate look. He took women, married or single, into his confidence; walked them up and down in the moonlight, telling them what a mistake he had made by not entering the office branch of the service, and how much better fitted he was to fill the post of General Passenger Agent in Denver than the roughshod man who then bore that title. His unappreciated worth was the tender secret Larry shared with his sweethearts, and he was always able to make some foolish heart ache over it. As I drew near home that morning, I saw Mrs. Harling out in her yard, digging round her mountain-ash tree. It was a dry summer, and she had now no boy to help her. Charley was off in his battleship, cruising somewhere on the Caribbean sea. I turned in at the gate—it was with a feeling of pleasure that I opened and shut that gate in those days; I liked the feel of it under my hand. I took the spade away from Mrs. Harling, and while I loosened the earth around the tree, she sat down on the steps and talked about the oriole family that had a nest in its branches. “Mrs. Harling,” I said presently,<|quote|>“I wish I could find out exactly how Ántonia’s marriage fell through.”</|quote|>“Why don’t you go out and see your grandfather’s tenant, the Widow Steavens? She knows more about it than anybody else. She helped Ántonia get ready to be married, and she was there when Ántonia came back. She took care of her when the baby was born. She could tell you everything. Besides, the Widow Steavens is a good talker, and she has a remarkable memory.” III ON the first or second day of August I got a horse and cart and set out for the high country, to visit the Widow Steavens. The wheat harvest was over, and here and there along the horizon I could see black puffs of smoke from the steam thrashing-machines. The old pasture land was now being broken up into wheatfields and cornfields, the red grass was disappearing, and the whole face of the country was changing. There were wooden houses where the old sod dwellings used to be, and little orchards, and big red barns; all this meant happy children, contented women, and men who saw their lives coming to a fortunate issue. The windy springs and the blazing summers, one after another, had enriched and mellowed that flat tableland; all the human effort that had gone into it was coming back in long, sweeping lines of fertility. The changes seemed beautiful and harmonious to me; it was like watching the growth of a great man or of a great idea. I recognized every tree and sandbank and rugged draw. I found that I remembered the conformation of the land as one remembers the modeling of human faces. When I drew up to our old windmill, the Widow Steavens came out to meet me. She was brown as an Indian woman, tall, and very strong. When I was little, her massive head had always seemed to me like a Roman senator’s. I told her at once why I had come. “You’ll stay the night with us, Jimmy? I’ll talk to you after supper. I can take more interest when my work is off my mind. You’ve no prejudice against hot biscuit for supper? Some have, these days.” While I was putting my horse away I heard a rooster squawking. I looked at my watch and sighed; it was three o’clock, and I knew that I must eat him at six. After supper Mrs. Steavens and I went upstairs to the old sitting-room, while her grave, silent brother remained in the basement to read his farm papers. All the windows were open. The white summer moon was shining outside, the windmill was pumping lazily in the light breeze. My hostess put the lamp on a stand in the corner, and turned it low because of the heat. She sat down in her favorite rocking-chair and settled a little stool comfortably under her tired feet. “I’m troubled with callouses, Jim; getting old,” she sighed cheerfully. She crossed her hands in her lap and sat as if she were at a meeting of some kind. “Now, it’s about that dear Ántonia you want to know? Well, you’ve come to the right person. | My Antonia |
"Well," | Mrs Smith | happened to be at Lyme."<|quote|>"Well,"</|quote|>continued Mrs Smith, triumphantly, "grant | very true. At Lyme. I happened to be at Lyme."<|quote|>"Well,"</|quote|>continued Mrs Smith, triumphantly, "grant my friend the credit due | So says my historian, at least. Is this true? Did he see you last summer or autumn, 'somewhere down in the west,' to use her own words, without knowing it to be you?" "He certainly did. So far it is very true. At Lyme. I happened to be at Lyme."<|quote|>"Well,"</|quote|>continued Mrs Smith, triumphantly, "grant my friend the credit due to the establishment of the first point asserted. He saw you then at Lyme, and liked you so well as to be exceedingly pleased to meet with you again in Camden Place, as Miss Anne Elliot, and from that moment, | be able to judge of the general credit due, by listening to some particulars which you can yourself immediately contradict or confirm. Nobody supposes that you were his first inducement. He had seen you indeed, before he came to Bath, and admired you, but without knowing it to be you. So says my historian, at least. Is this true? Did he see you last summer or autumn, 'somewhere down in the west,' to use her own words, without knowing it to be you?" "He certainly did. So far it is very true. At Lyme. I happened to be at Lyme."<|quote|>"Well,"</|quote|>continued Mrs Smith, triumphantly, "grant my friend the credit due to the establishment of the first point asserted. He saw you then at Lyme, and liked you so well as to be exceedingly pleased to meet with you again in Camden Place, as Miss Anne Elliot, and from that moment, I have no doubt, had a double motive in his visits there. But there was another, and an earlier, which I will now explain. If there is anything in my story which you know to be either false or improbable, stop me. My account states, that your sister's friend, the | will not in the least account for the efforts he made towards a reconciliation with my father. That was all prior to my coming to Bath. I found them on the most friendly terms when I arrived." "I know you did; I know it all perfectly, but--" "Indeed, Mrs Smith, we must not expect to get real information in such a line. Facts or opinions which are to pass through the hands of so many, to be misconceived by folly in one, and ignorance in another, can hardly have much truth left." "Only give me a hearing. You will soon be able to judge of the general credit due, by listening to some particulars which you can yourself immediately contradict or confirm. Nobody supposes that you were his first inducement. He had seen you indeed, before he came to Bath, and admired you, but without knowing it to be you. So says my historian, at least. Is this true? Did he see you last summer or autumn, 'somewhere down in the west,' to use her own words, without knowing it to be you?" "He certainly did. So far it is very true. At Lyme. I happened to be at Lyme."<|quote|>"Well,"</|quote|>continued Mrs Smith, triumphantly, "grant my friend the credit due to the establishment of the first point asserted. He saw you then at Lyme, and liked you so well as to be exceedingly pleased to meet with you again in Camden Place, as Miss Anne Elliot, and from that moment, I have no doubt, had a double motive in his visits there. But there was another, and an earlier, which I will now explain. If there is anything in my story which you know to be either false or improbable, stop me. My account states, that your sister's friend, the lady now staying with you, whom I have heard you mention, came to Bath with Miss Elliot and Sir Walter as long ago as September (in short when they first came themselves), and has been staying there ever since; that she is a clever, insinuating, handsome woman, poor and plausible, and altogether such in situation and manner, as to give a general idea, among Sir Walter's acquaintance, of her meaning to be Lady Elliot, and as general a surprise that Miss Elliot should be apparently, blind to the danger." Here Mrs Smith paused a moment; but Anne had not a | give you my authority: his friend Colonel Wallis." "Colonel Wallis! you are acquainted with him?" "No. It does not come to me in quite so direct a line as that; it takes a bend or two, but nothing of consequence. The stream is as good as at first; the little rubbish it collects in the turnings is easily moved away. Mr Elliot talks unreservedly to Colonel Wallis of his views on you, which said Colonel Wallis, I imagine to be, in himself, a sensible, careful, discerning sort of character; but Colonel Wallis has a very pretty silly wife, to whom he tells things which he had better not, and he repeats it all to her. She in the overflowing spirits of her recovery, repeats it all to her nurse; and the nurse knowing my acquaintance with you, very naturally brings it all to me. On Monday evening, my good friend Mrs Rooke let me thus much into the secrets of Marlborough Buildings. When I talked of a whole history, therefore, you see I was not romancing so much as you supposed." "My dear Mrs Smith, your authority is deficient. This will not do. Mr Elliot's having any views on me will not in the least account for the efforts he made towards a reconciliation with my father. That was all prior to my coming to Bath. I found them on the most friendly terms when I arrived." "I know you did; I know it all perfectly, but--" "Indeed, Mrs Smith, we must not expect to get real information in such a line. Facts or opinions which are to pass through the hands of so many, to be misconceived by folly in one, and ignorance in another, can hardly have much truth left." "Only give me a hearing. You will soon be able to judge of the general credit due, by listening to some particulars which you can yourself immediately contradict or confirm. Nobody supposes that you were his first inducement. He had seen you indeed, before he came to Bath, and admired you, but without knowing it to be you. So says my historian, at least. Is this true? Did he see you last summer or autumn, 'somewhere down in the west,' to use her own words, without knowing it to be you?" "He certainly did. So far it is very true. At Lyme. I happened to be at Lyme."<|quote|>"Well,"</|quote|>continued Mrs Smith, triumphantly, "grant my friend the credit due to the establishment of the first point asserted. He saw you then at Lyme, and liked you so well as to be exceedingly pleased to meet with you again in Camden Place, as Miss Anne Elliot, and from that moment, I have no doubt, had a double motive in his visits there. But there was another, and an earlier, which I will now explain. If there is anything in my story which you know to be either false or improbable, stop me. My account states, that your sister's friend, the lady now staying with you, whom I have heard you mention, came to Bath with Miss Elliot and Sir Walter as long ago as September (in short when they first came themselves), and has been staying there ever since; that she is a clever, insinuating, handsome woman, poor and plausible, and altogether such in situation and manner, as to give a general idea, among Sir Walter's acquaintance, of her meaning to be Lady Elliot, and as general a surprise that Miss Elliot should be apparently, blind to the danger." Here Mrs Smith paused a moment; but Anne had not a word to say, and she continued-- "This was the light in which it appeared to those who knew the family, long before you returned to it; and Colonel Wallis had his eye upon your father enough to be sensible of it, though he did not then visit in Camden Place; but his regard for Mr Elliot gave him an interest in watching all that was going on there, and when Mr Elliot came to Bath for a day or two, as he happened to do a little before Christmas, Colonel Wallis made him acquainted with the appearance of things, and the reports beginning to prevail. Now you are to understand, that time had worked a very material change in Mr Elliot's opinions as to the value of a baronetcy. Upon all points of blood and connexion he is a completely altered man. Having long had as much money as he could spend, nothing to wish for on the side of avarice or indulgence, he has been gradually learning to pin his happiness upon the consequence he is heir to. I thought it coming on before our acquaintance ceased, but it is now a confirmed feeling. He cannot bear the idea | your services, being in cash again. Give me joy: I have got rid of Sir Walter and Miss. They are gone back to Kellynch, and almost made me swear to visit them this summer; but my first visit to Kellynch will be with a surveyor, to tell me how to bring it with best advantage to the hammer. The baronet, nevertheless, is not unlikely to marry again; he is quite fool enough. If he does, however, they will leave me in peace, which may be a decent equivalent for the reversion. He is worse than last year." "I wish I had any name but Elliot. I am sick of it. The name of Walter I can drop, thank God! and I desire you will never insult me with my second W. again, meaning, for the rest of my life, to be only yours truly,--Wm. Elliot." Such a letter could not be read without putting Anne in a glow; and Mrs Smith, observing the high colour in her face, said-- "The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?" Anne could not immediately get over the shock and mortification of finding such words applied to her father. She was obliged to recollect that her seeing the letter was a violation of the laws of honour, that no one ought to be judged or to be known by such testimonies, that no private correspondence could bear the eye of others, before she could recover calmness enough to return the letter which she had been meditating over, and say-- "Thank you. This is full proof undoubtedly; proof of every thing you were saying. But why be acquainted with us now?" "I can explain this too," cried Mrs Smith, smiling. "Can you really?" "Yes. I have shewn you Mr Elliot as he was a dozen years ago, and I will shew him as he is now. I cannot produce written proof again, but I can give as authentic oral testimony as you can desire, of what he is now wanting, and what he is now doing. He is no hypocrite now. He truly wants to marry you. His present attentions to your family are very sincere: quite from the heart. I will give you my authority: his friend Colonel Wallis." "Colonel Wallis! you are acquainted with him?" "No. It does not come to me in quite so direct a line as that; it takes a bend or two, but nothing of consequence. The stream is as good as at first; the little rubbish it collects in the turnings is easily moved away. Mr Elliot talks unreservedly to Colonel Wallis of his views on you, which said Colonel Wallis, I imagine to be, in himself, a sensible, careful, discerning sort of character; but Colonel Wallis has a very pretty silly wife, to whom he tells things which he had better not, and he repeats it all to her. She in the overflowing spirits of her recovery, repeats it all to her nurse; and the nurse knowing my acquaintance with you, very naturally brings it all to me. On Monday evening, my good friend Mrs Rooke let me thus much into the secrets of Marlborough Buildings. When I talked of a whole history, therefore, you see I was not romancing so much as you supposed." "My dear Mrs Smith, your authority is deficient. This will not do. Mr Elliot's having any views on me will not in the least account for the efforts he made towards a reconciliation with my father. That was all prior to my coming to Bath. I found them on the most friendly terms when I arrived." "I know you did; I know it all perfectly, but--" "Indeed, Mrs Smith, we must not expect to get real information in such a line. Facts or opinions which are to pass through the hands of so many, to be misconceived by folly in one, and ignorance in another, can hardly have much truth left." "Only give me a hearing. You will soon be able to judge of the general credit due, by listening to some particulars which you can yourself immediately contradict or confirm. Nobody supposes that you were his first inducement. He had seen you indeed, before he came to Bath, and admired you, but without knowing it to be you. So says my historian, at least. Is this true? Did he see you last summer or autumn, 'somewhere down in the west,' to use her own words, without knowing it to be you?" "He certainly did. So far it is very true. At Lyme. I happened to be at Lyme."<|quote|>"Well,"</|quote|>continued Mrs Smith, triumphantly, "grant my friend the credit due to the establishment of the first point asserted. He saw you then at Lyme, and liked you so well as to be exceedingly pleased to meet with you again in Camden Place, as Miss Anne Elliot, and from that moment, I have no doubt, had a double motive in his visits there. But there was another, and an earlier, which I will now explain. If there is anything in my story which you know to be either false or improbable, stop me. My account states, that your sister's friend, the lady now staying with you, whom I have heard you mention, came to Bath with Miss Elliot and Sir Walter as long ago as September (in short when they first came themselves), and has been staying there ever since; that she is a clever, insinuating, handsome woman, poor and plausible, and altogether such in situation and manner, as to give a general idea, among Sir Walter's acquaintance, of her meaning to be Lady Elliot, and as general a surprise that Miss Elliot should be apparently, blind to the danger." Here Mrs Smith paused a moment; but Anne had not a word to say, and she continued-- "This was the light in which it appeared to those who knew the family, long before you returned to it; and Colonel Wallis had his eye upon your father enough to be sensible of it, though he did not then visit in Camden Place; but his regard for Mr Elliot gave him an interest in watching all that was going on there, and when Mr Elliot came to Bath for a day or two, as he happened to do a little before Christmas, Colonel Wallis made him acquainted with the appearance of things, and the reports beginning to prevail. Now you are to understand, that time had worked a very material change in Mr Elliot's opinions as to the value of a baronetcy. Upon all points of blood and connexion he is a completely altered man. Having long had as much money as he could spend, nothing to wish for on the side of avarice or indulgence, he has been gradually learning to pin his happiness upon the consequence he is heir to. I thought it coming on before our acquaintance ceased, but it is now a confirmed feeling. He cannot bear the idea of not being Sir William. You may guess, therefore, that the news he heard from his friend could not be very agreeable, and you may guess what it produced; the resolution of coming back to Bath as soon as possible, and of fixing himself here for a time, with the view of renewing his former acquaintance, and recovering such a footing in the family as might give him the means of ascertaining the degree of his danger, and of circumventing the lady if he found it material. This was agreed upon between the two friends as the only thing to be done; and Colonel Wallis was to assist in every way that he could. He was to be introduced, and Mrs Wallis was to be introduced, and everybody was to be introduced. Mr Elliot came back accordingly; and on application was forgiven, as you know, and re-admitted into the family; and there it was his constant object, and his only object (till your arrival added another motive), to watch Sir Walter and Mrs Clay. He omitted no opportunity of being with them, threw himself in their way, called at all hours; but I need not be particular on this subject. You can imagine what an artful man would do; and with this guide, perhaps, may recollect what you have seen him do." "Yes," said Anne, "you tell me nothing which does not accord with what I have known, or could imagine. There is always something offensive in the details of cunning. The manoeuvres of selfishness and duplicity must ever be revolting, but I have heard nothing which really surprises me. I know those who would be shocked by such a representation of Mr Elliot, who would have difficulty in believing it; but I have never been satisfied. I have always wanted some other motive for his conduct than appeared. I should like to know his present opinion, as to the probability of the event he has been in dread of; whether he considers the danger to be lessening or not." "Lessening, I understand," replied Mrs Smith. "He thinks Mrs Clay afraid of him, aware that he sees through her, and not daring to proceed as she might do in his absence. But since he must be absent some time or other, I do not perceive how he can ever be secure while she holds her present influence. Mrs Wallis has | see I was not romancing so much as you supposed." "My dear Mrs Smith, your authority is deficient. This will not do. Mr Elliot's having any views on me will not in the least account for the efforts he made towards a reconciliation with my father. That was all prior to my coming to Bath. I found them on the most friendly terms when I arrived." "I know you did; I know it all perfectly, but--" "Indeed, Mrs Smith, we must not expect to get real information in such a line. Facts or opinions which are to pass through the hands of so many, to be misconceived by folly in one, and ignorance in another, can hardly have much truth left." "Only give me a hearing. You will soon be able to judge of the general credit due, by listening to some particulars which you can yourself immediately contradict or confirm. Nobody supposes that you were his first inducement. He had seen you indeed, before he came to Bath, and admired you, but without knowing it to be you. So says my historian, at least. Is this true? Did he see you last summer or autumn, 'somewhere down in the west,' to use her own words, without knowing it to be you?" "He certainly did. So far it is very true. At Lyme. I happened to be at Lyme."<|quote|>"Well,"</|quote|>continued Mrs Smith, triumphantly, "grant my friend the credit due to the establishment of the first point asserted. He saw you then at Lyme, and liked you so well as to be exceedingly pleased to meet with you again in Camden Place, as Miss Anne Elliot, and from that moment, I have no doubt, had a double motive in his visits there. But there was another, and an earlier, which I will now explain. If there is anything in my story which you know to be either false or improbable, stop me. My account states, that your sister's friend, the lady now staying with you, whom I have heard you mention, came to Bath with Miss Elliot and Sir Walter as long ago as September (in short when they first came themselves), and has been staying there ever since; that she is a clever, insinuating, handsome woman, poor and plausible, and altogether such in situation and manner, as to give a general idea, among Sir Walter's acquaintance, of her meaning to be Lady Elliot, and as general a surprise that Miss Elliot should be apparently, blind to the danger." Here Mrs Smith paused a moment; but Anne had not a word to say, and she continued-- "This was the light in which it appeared to those who knew the family, long before you returned to it; and Colonel Wallis had his eye upon your father enough to be sensible of it, though he did not then visit in Camden Place; but his regard for Mr Elliot gave him an interest in watching all that was going on there, and when Mr Elliot came to Bath for a day or two, as he happened to do a little before Christmas, Colonel Wallis made him acquainted with the appearance of things, and the reports beginning to prevail. Now you are to understand, that time had worked a very material change in Mr Elliot's opinions as to the value of a baronetcy. Upon all points of blood and connexion he is a completely altered man. Having long had as much | Persuasion |
"Oh no, oh no, no," | Cyril Fielding | one of the Marabar caves."<|quote|>"Oh no, oh no, no,"</|quote|>gasped the other, feeling sickish. | Quested has been insulted in one of the Marabar caves."<|quote|>"Oh no, oh no, no,"</|quote|>gasped the other, feeling sickish. "She escaped by God's grace." | was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves."<|quote|>"Oh no, oh no, no,"</|quote|>gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to | while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves."<|quote|>"Oh no, oh no, no,"</|quote|>gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its | in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves."<|quote|>"Oh no, oh no, no,"</|quote|>gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it | am under instructions not to say." "Don't answer me like that. Produce your warrant." "Sir, excuse me, no warrant is required under these particular circumstances. Refer to Mr. McBryde." "Very well, so we will. Come along, Aziz, old man; nothing to fuss about, some blunder." "Dr. Aziz, will you kindly come? a closed conveyance stands in readiness." The young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves."<|quote|>"Oh no, oh no, no,"</|quote|>gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of infamy." "It does indeed rest upon a mistake," came the thin, biting voice of the other. "It does indeed. I have had twenty-five years' experience of this country" he paused, and "twenty-five years" seemed to fill the waiting-room with their staleness and ungenerosity "and during | If money goes, money comes. If money stays, death comes. Did you ever hear that useful Urdu proverb? Probably not, for I have just invented it." "My proverbs are: A penny saved is a penny earned; A stitch in time saves nine; Look before you leap; and the British Empire rests on them. You will never kick us out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I got excited over your damned countrymen, certainly; but if they'll let me get on with my profession and not be too rude to me officially, I really don't ask for more." "But you do; you take them to a picnic." "This picnic is nothing to do with English or Indian; it is an expedition of friends." So the cavalcade ended, partly pleasant, partly not; the Brahman cook was picked up, the train arrived, pushing its burning throat over the plain, and the twentieth century took over from the sixteenth. Mrs. Moore entered her carriage, the three men went to theirs, adjusted the shutters, turned on the electric fan and tried to get some sleep. In the twilight, all resembled corpses, and the train itself seemed dead though it moved a coffin from the scientific north which troubled the scenery four times a day. As it left the Marabars, their nasty little cosmos disappeared, and gave place to the Marabars seen from a distance, finite and rather romantic. The train halted once under a pump, to drench the stock of coal in its tender. Then it caught sight of the main line in the distance, took courage, and bumped forward, rounded the civil station, surmounted the level-crossing (the rails were scorching now), and clanked to a stand-still. Chandrapore, Chandrapore! The expedition was over. And as it ended, as they sat up in the gloom and prepared to enter ordinary life, suddenly the long drawn strangeness of the morning snapped. Mr. Haq, the Inspector of Police, flung open the door of their carriage and said in shrill tones: "Dr. Aziz, it is my highly painful duty to arrest you." "Hullo, some mistake," said Fielding, at once taking charge of the situation. "Sir, they are my instructions. I know nothing." "On what charge do you arrest him?" "I am under instructions not to say." "Don't answer me like that. Produce your warrant." "Sir, excuse me, no warrant is required under these particular circumstances. Refer to Mr. McBryde." "Very well, so we will. Come along, Aziz, old man; nothing to fuss about, some blunder." "Dr. Aziz, will you kindly come? a closed conveyance stands in readiness." The young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves."<|quote|>"Oh no, oh no, no,"</|quote|>gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of infamy." "It does indeed rest upon a mistake," came the thin, biting voice of the other. "It does indeed. I have had twenty-five years' experience of this country" he paused, and "twenty-five years" seemed to fill the waiting-room with their staleness and ungenerosity "and during those twenty-five years I have never known anything but disaster result when English people and Indians attempt to be intimate socially. Intercourse, yes. Courtesy, by all means. Intimacy never, never. The whole weight of my authority is against it. I have been in charge at Chandrapore for six years, and if everything has gone smoothly, if there has been mutual respect and esteem, it is because both peoples kept to this simple rule. New-comers set our traditions aside, and in an instant what you see happens, the work of years is undone and the good name of my District ruined for a generation. I I can't see the end of this day's work, Mr. Fielding. You, who are imbued with modern ideas no doubt you can. I wish I had never lived to see its beginning, I know that. It is the end of me. That a lady, that a young lady engaged to my most valued subordinate that she an English girl fresh from England that I should have lived" Involved in his own emotions, he broke down. What he had said was both dignified and pathetic, but had it anything to do with Aziz? Nothing at all, if Fielding was right. It is impossible to regard a tragedy from two points of view, and whereas Turton had decided to avenge the girl, he hoped to save the man. He wanted to get away and talk to McBryde, who had always been friendly to him, was on the whole sensible, and could, anyhow, be trusted to keep cool. "I came down particularly on your account while poor Heaslop got his mother away. I regarded it as the most friendly thing I could do. I meant to tell you that there will be an informal meeting at the club this evening to discuss the situation, but I am doubtful whether you will care to come. Your visits there are always infrequent." "I shall certainly come, sir, and I am most grateful to you for all the trouble you have taken over me. May I venture to ask where Miss Quested is." He replied with a gesture; she was ill. "Worse and worse, appalling," he said feelingly. But the Collector looked at him sternly, because he was keeping his head. He had not gone mad at the phrase "an English girl fresh from England," he had not rallied to the banner | I know nothing." "On what charge do you arrest him?" "I am under instructions not to say." "Don't answer me like that. Produce your warrant." "Sir, excuse me, no warrant is required under these particular circumstances. Refer to Mr. McBryde." "Very well, so we will. Come along, Aziz, old man; nothing to fuss about, some blunder." "Dr. Aziz, will you kindly come? a closed conveyance stands in readiness." The young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves."<|quote|>"Oh no, oh no, no,"</|quote|>gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of | A Passage To India |
said Mrs. Bumble, in reply; | No speaker | purpose. "You are a fool,"<|quote|>said Mrs. Bumble, in reply;</|quote|>"and had better hold your | persons trained down for the purpose. "You are a fool,"<|quote|>said Mrs. Bumble, in reply;</|quote|>"and had better hold your tongue." "He had better have | lantern with fierce determination; and plainly showed, by the alarmed expression of every feature, that he _did_ want a little rousing, and not a little, prior to making any very warlike demonstration: unless, indeed, against paupers, or other person or persons trained down for the purpose. "You are a fool,"<|quote|>said Mrs. Bumble, in reply;</|quote|>"and had better hold your tongue." "He had better have cut it out, before he came, if he can't speak in a lower tone," said Monks, grimly. "So! He's your husband, eh?" "He my husband!" tittered the matron, parrying the question. "I thought as much, when you came in," rejoined | he has heerd: I say I have no doubt Mr. Monks has heerd, my dear: that I am a very determined officer, with very uncommon strength, if I'm once roused. I only want a little rousing; that's all." As Mr. Bumble spoke, he made a melancholy feint of grasping his lantern with fierce determination; and plainly showed, by the alarmed expression of every feature, that he _did_ want a little rousing, and not a little, prior to making any very warlike demonstration: unless, indeed, against paupers, or other person or persons trained down for the purpose. "You are a fool,"<|quote|>said Mrs. Bumble, in reply;</|quote|>"and had better hold your tongue." "He had better have cut it out, before he came, if he can't speak in a lower tone," said Monks, grimly. "So! He's your husband, eh?" "He my husband!" tittered the matron, parrying the question. "I thought as much, when you came in," rejoined Monks, marking the angry glance which the lady darted at her spouse as she spoke. "So much the better; I have less hesitation in dealing with two people, when I find that there's only one will between them. I'm in earnest. See here!" He thrust his hand into a side-pocket; | it for nothing?" asked Monks, hesitating. "You can easily take it away again," replied the matron. "I am but a woman; alone here; and unprotected." "Not alone, my dear, nor unprotected, neither," submitted Mr. Bumble, in a voice tremulous with fear: "_I_ am here, my dear. And besides," said Mr. Bumble, his teeth chattering as he spoke, "Mr. Monks is too much of a gentleman to attempt any violence on porochial persons. Mr. Monks is aware that I am not a young man, my dear, and also that I am a little run to seed, as I may say; but he has heerd: I say I have no doubt Mr. Monks has heerd, my dear: that I am a very determined officer, with very uncommon strength, if I'm once roused. I only want a little rousing; that's all." As Mr. Bumble spoke, he made a melancholy feint of grasping his lantern with fierce determination; and plainly showed, by the alarmed expression of every feature, that he _did_ want a little rousing, and not a little, prior to making any very warlike demonstration: unless, indeed, against paupers, or other person or persons trained down for the purpose. "You are a fool,"<|quote|>said Mrs. Bumble, in reply;</|quote|>"and had better hold your tongue." "He had better have cut it out, before he came, if he can't speak in a lower tone," said Monks, grimly. "So! He's your husband, eh?" "He my husband!" tittered the matron, parrying the question. "I thought as much, when you came in," rejoined Monks, marking the angry glance which the lady darted at her spouse as she spoke. "So much the better; I have less hesitation in dealing with two people, when I find that there's only one will between them. I'm in earnest. See here!" He thrust his hand into a side-pocket; and producing a canvas bag, told out twenty-five sovereigns on the table, and pushed them over to the woman. "Now," he said, "gather them up; and when this cursed peal of thunder, which I feel is coming up to break over the house-top, is gone, let's hear your story." The thunder, which seemed in fact much nearer, and to shiver and break almost over their heads, having subsided, Monks, raising his face from the table, bent forward to listen to what the woman should say. The faces of the three nearly touched, as the two men leant over the small | he directed towards his wife and Monks, by turns, in undisguised astonishment; increased, if possible, when the latter sternly demanded, what sum was required for the disclosure. "What's it worth to you?" asked the woman, as collectedly as before. "It may be nothing; it may be twenty pounds," replied Monks. "Speak out, and let me know which." "Add five pounds to the sum you have named; give me five-and-twenty pounds in gold," said the woman; "and I'll tell you all I know. Not before." "Five-and-twenty pounds!" exclaimed Monks, drawing back. "I spoke as plainly as I could," replied Mrs. Bumble. "It's not a large sum, either." "Not a large sum for a paltry secret, that may be nothing when it's told!" cried Monks impatiently; "and which has been lying dead for twelve years past or more!" "Such matters keep well, and, like good wine, often double their value in course of time," answered the matron, still preserving the resolute indifference she had assumed. "As to lying dead, there are those who will lie dead for twelve thousand years to come, or twelve million, for anything you or I know, who will tell strange tales at last!" "What if I pay it for nothing?" asked Monks, hesitating. "You can easily take it away again," replied the matron. "I am but a woman; alone here; and unprotected." "Not alone, my dear, nor unprotected, neither," submitted Mr. Bumble, in a voice tremulous with fear: "_I_ am here, my dear. And besides," said Mr. Bumble, his teeth chattering as he spoke, "Mr. Monks is too much of a gentleman to attempt any violence on porochial persons. Mr. Monks is aware that I am not a young man, my dear, and also that I am a little run to seed, as I may say; but he has heerd: I say I have no doubt Mr. Monks has heerd, my dear: that I am a very determined officer, with very uncommon strength, if I'm once roused. I only want a little rousing; that's all." As Mr. Bumble spoke, he made a melancholy feint of grasping his lantern with fierce determination; and plainly showed, by the alarmed expression of every feature, that he _did_ want a little rousing, and not a little, prior to making any very warlike demonstration: unless, indeed, against paupers, or other person or persons trained down for the purpose. "You are a fool,"<|quote|>said Mrs. Bumble, in reply;</|quote|>"and had better hold your tongue." "He had better have cut it out, before he came, if he can't speak in a lower tone," said Monks, grimly. "So! He's your husband, eh?" "He my husband!" tittered the matron, parrying the question. "I thought as much, when you came in," rejoined Monks, marking the angry glance which the lady darted at her spouse as she spoke. "So much the better; I have less hesitation in dealing with two people, when I find that there's only one will between them. I'm in earnest. See here!" He thrust his hand into a side-pocket; and producing a canvas bag, told out twenty-five sovereigns on the table, and pushed them over to the woman. "Now," he said, "gather them up; and when this cursed peal of thunder, which I feel is coming up to break over the house-top, is gone, let's hear your story." The thunder, which seemed in fact much nearer, and to shiver and break almost over their heads, having subsided, Monks, raising his face from the table, bent forward to listen to what the woman should say. The faces of the three nearly touched, as the two men leant over the small table in their eagerness to hear, and the woman also leant forward to render her whisper audible. The sickly rays of the suspended lantern falling directly upon them, aggravated the paleness and anxiety of their countenances: which, encircled by the deepest gloom and darkness, looked ghastly in the extreme. "When this woman, that we called old Sally, died," the matron began, "she and I were alone." "Was there no one by?" asked Monks, in the same hollow whisper; "No sick wretch or idiot in some other bed? No one who could hear, and might, by possibility, understand?" "Not a soul," replied the woman; "we were alone. _I_ stood alone beside the body when death came over it." "Good," said Monks, regarding her attentively. "Go on." "She spoke of a young creature," resumed the matron, "who had brought a child into the world some years before; not merely in the same room, but in the same bed, in which she then lay dying." "Ay?" said Monks, with quivering lip, and glancing over his shoulder, "Blood! How things come about!" "The child was the one you named to him last night," said the matron, nodding carelessly towards her husband; "the mother this | back. "Hear it! Rolling and crashing on as if it echoed through a thousand caverns where the devils were hiding from it. I hate the sound!" He remained silent for a few moments; and then, removing his hands suddenly from his face, showed, to the unspeakable discomposure of Mr. Bumble, that it was much distorted and discoloured. "These fits come over me, now and then," said Monks, observing his alarm; "and thunder sometimes brings them on. Don't mind me now; it's all over for this once." Thus speaking, he led the way up the ladder; and hastily closing the window-shutter of the room into which it led, lowered a lantern which hung at the end of a rope and pulley passed through one of the heavy beams in the ceiling: and which cast a dim light upon an old table and three chairs that were placed beneath it. "Now," said Monks, when they had all three seated themselves, "the sooner we come to our business, the better for all. The woman know what it is, does she?" The question was addressed to Bumble; but his wife anticipated the reply, by intimating that she was perfectly acquainted with it. "He is right in saying that you were with this hag the night she died; and that she told you something" "About the mother of the boy you named," replied the matron interrupting him. "Yes." "The first question is, of what nature was her communication?" said Monks. "That's the second," observed the woman with much deliberation. "The first is, what may the communication be worth?" "Who the devil can tell that, without knowing of what kind it is?" asked Monks. "Nobody better than you, I am persuaded," answered Mrs. Bumble: who did not want for spirit, as her yoke-fellow could abundantly testify. "Humph!" said Monks significantly, and with a look of eager inquiry; "there may be money's worth to get, eh?" "Perhaps there may," was the composed reply. "Something that was taken from her," said Monks. "Something that she wore. Something that" "You had better bid," interrupted Mrs. Bumble. "I have heard enough, already, to assure me that you are the man I ought to talk to." Mr. Bumble, who had not yet been admitted by his better half into any greater share of the secret than he had originally possessed, listened to this dialogue with outstretched neck and distended eyes: which he directed towards his wife and Monks, by turns, in undisguised astonishment; increased, if possible, when the latter sternly demanded, what sum was required for the disclosure. "What's it worth to you?" asked the woman, as collectedly as before. "It may be nothing; it may be twenty pounds," replied Monks. "Speak out, and let me know which." "Add five pounds to the sum you have named; give me five-and-twenty pounds in gold," said the woman; "and I'll tell you all I know. Not before." "Five-and-twenty pounds!" exclaimed Monks, drawing back. "I spoke as plainly as I could," replied Mrs. Bumble. "It's not a large sum, either." "Not a large sum for a paltry secret, that may be nothing when it's told!" cried Monks impatiently; "and which has been lying dead for twelve years past or more!" "Such matters keep well, and, like good wine, often double their value in course of time," answered the matron, still preserving the resolute indifference she had assumed. "As to lying dead, there are those who will lie dead for twelve thousand years to come, or twelve million, for anything you or I know, who will tell strange tales at last!" "What if I pay it for nothing?" asked Monks, hesitating. "You can easily take it away again," replied the matron. "I am but a woman; alone here; and unprotected." "Not alone, my dear, nor unprotected, neither," submitted Mr. Bumble, in a voice tremulous with fear: "_I_ am here, my dear. And besides," said Mr. Bumble, his teeth chattering as he spoke, "Mr. Monks is too much of a gentleman to attempt any violence on porochial persons. Mr. Monks is aware that I am not a young man, my dear, and also that I am a little run to seed, as I may say; but he has heerd: I say I have no doubt Mr. Monks has heerd, my dear: that I am a very determined officer, with very uncommon strength, if I'm once roused. I only want a little rousing; that's all." As Mr. Bumble spoke, he made a melancholy feint of grasping his lantern with fierce determination; and plainly showed, by the alarmed expression of every feature, that he _did_ want a little rousing, and not a little, prior to making any very warlike demonstration: unless, indeed, against paupers, or other person or persons trained down for the purpose. "You are a fool,"<|quote|>said Mrs. Bumble, in reply;</|quote|>"and had better hold your tongue." "He had better have cut it out, before he came, if he can't speak in a lower tone," said Monks, grimly. "So! He's your husband, eh?" "He my husband!" tittered the matron, parrying the question. "I thought as much, when you came in," rejoined Monks, marking the angry glance which the lady darted at her spouse as she spoke. "So much the better; I have less hesitation in dealing with two people, when I find that there's only one will between them. I'm in earnest. See here!" He thrust his hand into a side-pocket; and producing a canvas bag, told out twenty-five sovereigns on the table, and pushed them over to the woman. "Now," he said, "gather them up; and when this cursed peal of thunder, which I feel is coming up to break over the house-top, is gone, let's hear your story." The thunder, which seemed in fact much nearer, and to shiver and break almost over their heads, having subsided, Monks, raising his face from the table, bent forward to listen to what the woman should say. The faces of the three nearly touched, as the two men leant over the small table in their eagerness to hear, and the woman also leant forward to render her whisper audible. The sickly rays of the suspended lantern falling directly upon them, aggravated the paleness and anxiety of their countenances: which, encircled by the deepest gloom and darkness, looked ghastly in the extreme. "When this woman, that we called old Sally, died," the matron began, "she and I were alone." "Was there no one by?" asked Monks, in the same hollow whisper; "No sick wretch or idiot in some other bed? No one who could hear, and might, by possibility, understand?" "Not a soul," replied the woman; "we were alone. _I_ stood alone beside the body when death came over it." "Good," said Monks, regarding her attentively. "Go on." "She spoke of a young creature," resumed the matron, "who had brought a child into the world some years before; not merely in the same room, but in the same bed, in which she then lay dying." "Ay?" said Monks, with quivering lip, and glancing over his shoulder, "Blood! How things come about!" "The child was the one you named to him last night," said the matron, nodding carelessly towards her husband; "the mother this nurse had robbed." "In life?" asked Monks. "In death," replied the woman, with something like a shudder. "She stole from the corpse, when it had hardly turned to one, that which the dead mother had prayed her, with her last breath, to keep for the infant's sake." "She sold it," cried Monks, with desperate eagerness; "did she sell it? Where? When? To whom? How long before?" "As she told me, with great difficulty, that she had done this," said the matron, "she fell back and died." "Without saying more?" cried Monks, in a voice which, from its very suppression, seemed only the more furious. "It's a lie! I'll not be played with. She said more. I'll tear the life out of you both, but I'll know what it was." "She didn't utter another word," said the woman, to all appearance unmoved (as Mr. Bumble was very far from being) by the strange man's violence; "but she clutched my gown, violently, with one hand, which was partly closed; and when I saw that she was dead, and so removed the hand by force, I found it clasped a scrap of dirty paper." "Which contained" interposed Monks, stretching forward. "Nothing," replied the woman; "it was a pawnbroker's duplicate." "For what?" demanded Monks. "In good time I'll tell you." said the woman. "I judge that she had kept the trinket, for some time, in the hope of turning it to better account; and then had pawned it; and had saved or scraped together money to pay the pawnbroker's interest year by year, and prevent its running out; so that if anything came of it, it could still be redeemed. Nothing had come of it; and, as I tell you, she died with the scrap of paper, all worn and tattered, in her hand. The time was out in two days; I thought something might one day come of it too; and so redeemed the pledge." "Where is it now?" asked Monks quickly. "_There_," replied the woman. And, as if glad to be relieved of it, she hastily threw upon the table a small kid bag scarcely large enough for a French watch, which Monks pouncing upon, tore open with trembling hands. It contained a little gold locket: in which were two locks of hair, and a plain gold wedding-ring. "It has the word Agnes' engraved on the inside," said the woman. "There is | persuaded," answered Mrs. Bumble: who did not want for spirit, as her yoke-fellow could abundantly testify. "Humph!" said Monks significantly, and with a look of eager inquiry; "there may be money's worth to get, eh?" "Perhaps there may," was the composed reply. "Something that was taken from her," said Monks. "Something that she wore. Something that" "You had better bid," interrupted Mrs. Bumble. "I have heard enough, already, to assure me that you are the man I ought to talk to." Mr. Bumble, who had not yet been admitted by his better half into any greater share of the secret than he had originally possessed, listened to this dialogue with outstretched neck and distended eyes: which he directed towards his wife and Monks, by turns, in undisguised astonishment; increased, if possible, when the latter sternly demanded, what sum was required for the disclosure. "What's it worth to you?" asked the woman, as collectedly as before. "It may be nothing; it may be twenty pounds," replied Monks. "Speak out, and let me know which." "Add five pounds to the sum you have named; give me five-and-twenty pounds in gold," said the woman; "and I'll tell you all I know. Not before." "Five-and-twenty pounds!" exclaimed Monks, drawing back. "I spoke as plainly as I could," replied Mrs. Bumble. "It's not a large sum, either." "Not a large sum for a paltry secret, that may be nothing when it's told!" cried Monks impatiently; "and which has been lying dead for twelve years past or more!" "Such matters keep well, and, like good wine, often double their value in course of time," answered the matron, still preserving the resolute indifference she had assumed. "As to lying dead, there are those who will lie dead for twelve thousand years to come, or twelve million, for anything you or I know, who will tell strange tales at last!" "What if I pay it for nothing?" asked Monks, hesitating. "You can easily take it away again," replied the matron. "I am but a woman; alone here; and unprotected." "Not alone, my dear, nor unprotected, neither," submitted Mr. Bumble, in a voice tremulous with fear: "_I_ am here, my dear. And besides," said Mr. Bumble, his teeth chattering as he spoke, "Mr. Monks is too much of a gentleman to attempt any violence on porochial persons. Mr. Monks is aware that I am not a young man, my dear, and also that I am a little run to seed, as I may say; but he has heerd: I say I have no doubt Mr. Monks has heerd, my dear: that I am a very determined officer, with very uncommon strength, if I'm once roused. I only want a little rousing; that's all." As Mr. Bumble spoke, he made a melancholy feint of grasping his lantern with fierce determination; and plainly showed, by the alarmed expression of every feature, that he _did_ want a little rousing, and not a little, prior to making any very warlike demonstration: unless, indeed, against paupers, or other person or persons trained down for the purpose. "You are a fool,"<|quote|>said Mrs. Bumble, in reply;</|quote|>"and had better hold your tongue." "He had better have cut it out, before he came, if he can't speak in a lower tone," said Monks, grimly. "So! He's your husband, eh?" "He my husband!" tittered the matron, parrying the question. "I thought as much, when you came in," rejoined Monks, marking the angry glance which the lady darted at her spouse as she spoke. "So much the better; I have less hesitation in dealing with two people, when I find that there's only one will between them. I'm in earnest. See here!" He thrust his hand into a side-pocket; and producing a canvas bag, told out twenty-five sovereigns on the table, and pushed them over to the woman. "Now," he said, "gather them up; and when this cursed peal of thunder, which I feel is coming up to break over the house-top, is gone, let's hear your story." The thunder, which seemed in fact much nearer, and to shiver and break almost over their heads, having subsided, Monks, raising his face from the table, bent forward to listen to what the woman should say. The faces of the three nearly touched, as the two men leant over the small table in their eagerness to hear, and the woman also leant forward to render her whisper audible. The sickly rays of the suspended lantern falling directly upon them, aggravated the paleness and anxiety of their countenances: which, encircled by the deepest gloom and darkness, looked ghastly in the extreme. "When this woman, that we called old Sally, died," the matron began, "she and I were alone." "Was there no one by?" asked Monks, in the same hollow whisper; "No sick wretch or idiot in some other bed? No one who could hear, and might, by possibility, understand?" "Not a soul," replied the woman; "we were alone. _I_ stood alone beside the body when death came over it." "Good," said Monks, regarding her attentively. "Go on." "She spoke of a young creature," resumed the matron, "who had brought a child into the world some years before; not merely in the same room, but in the same bed, in which she then lay dying." "Ay?" said Monks, with quivering lip, and glancing over his shoulder, "Blood! How things come about!" "The child was the one you named to him last night," said the matron, nodding carelessly towards her husband; "the mother this nurse had robbed." "In life?" asked Monks. "In death," replied the woman, with something like a shudder. "She stole from the corpse, when it had hardly turned to one, that which the dead mother had prayed her, with her last breath, to keep for the infant's sake." "She sold it," cried Monks, with desperate eagerness; "did she sell it? Where? When? To whom? How long before?" "As she told me, with great difficulty, that she had done this," said the matron, "she fell back and died." "Without saying more?" cried Monks, in a voice which, from its very suppression, seemed only the more furious. "It's a lie! I'll not be played with. She said more. I'll tear the life out of you both, but I'll know what it was." "She didn't utter another word," said the woman, to all appearance unmoved (as Mr. Bumble was very far from being) by the strange man's violence; "but she clutched my gown, violently, with one hand, which was partly closed; and when I saw that she was dead, and so removed the hand by | Oliver Twist |
"Comrades!" | Gabriel Syme | the guns had gone off.<|quote|>"Comrades!"</|quote|>he cried, in a voice | vault as if one of the guns had gone off.<|quote|>"Comrades!"</|quote|>he cried, in a voice that made every man jump | in oratory is an unexpected change in the voice. Mr. Gabriel Syme evidently understood oratory. Having said these first formal words in a moderated tone and with a brief simplicity, he made his next word ring and volley in the vault as if one of the guns had gone off.<|quote|>"Comrades!"</|quote|>he cried, in a voice that made every man jump out of his boots, "have we come here for this? Do we live underground like rats in order to listen to talk like this? This is talk we might listen to while eating buns at a Sunday School treat. Do | thick beard. By the sheer rush of routine, however, the motion would have been put and carried. But as the chairman was opening his mouth to put it, Syme sprang to his feet and said in a small and quiet voice "Yes, Mr. Chairman, I oppose." The most effective fact in oratory is an unexpected change in the voice. Mr. Gabriel Syme evidently understood oratory. Having said these first formal words in a moderated tone and with a brief simplicity, he made his next word ring and volley in the vault as if one of the guns had gone off.<|quote|>"Comrades!"</|quote|>he cried, in a voice that made every man jump out of his boots, "have we come here for this? Do we live underground like rats in order to listen to talk like this? This is talk we might listen to while eating buns at a Sunday School treat. Do we line these walls with weapons and bar that door with death lest anyone should come and hear Comrade Gregory saying to us, Be good, and you will be happy,' Honesty is the best policy,' and Virtue is its own reward'? There was not a word in Comrade Gregory's address | should pursue were I chosen as the representative of that body. Superbly careless of the slanders that represent us as assassins and enemies of human society, we shall pursue with moral courage and quiet intellectual pressure, the permanent ideals of brotherhood and simplicity." Gregory resumed his seat and passed his hand across his forehead. The silence was sudden and awkward, but the chairman rose like an automaton, and said in a colourless voice "Does anyone oppose the election of Comrade Gregory?" The assembly seemed vague and sub-consciously disappointed, and Comrade Witherspoon moved restlessly on his seat and muttered in his thick beard. By the sheer rush of routine, however, the motion would have been put and carried. But as the chairman was opening his mouth to put it, Syme sprang to his feet and said in a small and quiet voice "Yes, Mr. Chairman, I oppose." The most effective fact in oratory is an unexpected change in the voice. Mr. Gabriel Syme evidently understood oratory. Having said these first formal words in a moderated tone and with a brief simplicity, he made his next word ring and volley in the vault as if one of the guns had gone off.<|quote|>"Comrades!"</|quote|>he cried, in a voice that made every man jump out of his boots, "have we come here for this? Do we live underground like rats in order to listen to talk like this? This is talk we might listen to while eating buns at a Sunday School treat. Do we line these walls with weapons and bar that door with death lest anyone should come and hear Comrade Gregory saying to us, Be good, and you will be happy,' Honesty is the best policy,' and Virtue is its own reward'? There was not a word in Comrade Gregory's address to which a curate could not have listened with pleasure" (hear, hear). "But I am not a curate" (loud cheers), "and I did not listen to it with pleasure" (renewed cheers). "The man who is fitted to make a good curate is not fitted to make a resolute, forcible, and efficient Thursday" (hear, hear)." "Comrade Gregory has told us, in only too apologetic a tone, that we are not the enemies of society. But I say that we are the enemies of society, and so much the worse for society. We are the enemies of society, for society is the | indeed, extravagant; his appearance is ferocious, and even (to an ordinary taste) unattractive. But only the eye of a friendship as deep and delicate as mine can perceive the deep foundation of solid meekness which lies at the base of him, too deep even for himself to see. I repeat, we are the true early Christians, only that we come too late. We are simple, as they revere simple look at Comrade Witherspoon. We are modest, as they were modest look at me. We are merciful" "No, no!" called out Mr. Witherspoon with the velvet jacket. "I say we are merciful," repeated Gregory furiously, "as the early Christians were merciful. Yet this did not prevent their being accused of eating human flesh. We do not eat human flesh" "Shame!" cried Witherspoon. "Why not?" "Comrade Witherspoon," said Gregory, with a feverish gaiety, "is anxious to know why nobody eats him" (laughter). "In our society, at any rate, which loves him sincerely, which is founded upon love" "No, no!" said Witherspoon, "down with love." "Which is founded upon love," repeated Gregory, grinding his teeth, "there will be no difficulty about the aims which we shall pursue as a body, or which I should pursue were I chosen as the representative of that body. Superbly careless of the slanders that represent us as assassins and enemies of human society, we shall pursue with moral courage and quiet intellectual pressure, the permanent ideals of brotherhood and simplicity." Gregory resumed his seat and passed his hand across his forehead. The silence was sudden and awkward, but the chairman rose like an automaton, and said in a colourless voice "Does anyone oppose the election of Comrade Gregory?" The assembly seemed vague and sub-consciously disappointed, and Comrade Witherspoon moved restlessly on his seat and muttered in his thick beard. By the sheer rush of routine, however, the motion would have been put and carried. But as the chairman was opening his mouth to put it, Syme sprang to his feet and said in a small and quiet voice "Yes, Mr. Chairman, I oppose." The most effective fact in oratory is an unexpected change in the voice. Mr. Gabriel Syme evidently understood oratory. Having said these first formal words in a moderated tone and with a brief simplicity, he made his next word ring and volley in the vault as if one of the guns had gone off.<|quote|>"Comrades!"</|quote|>he cried, in a voice that made every man jump out of his boots, "have we come here for this? Do we live underground like rats in order to listen to talk like this? This is talk we might listen to while eating buns at a Sunday School treat. Do we line these walls with weapons and bar that door with death lest anyone should come and hear Comrade Gregory saying to us, Be good, and you will be happy,' Honesty is the best policy,' and Virtue is its own reward'? There was not a word in Comrade Gregory's address to which a curate could not have listened with pleasure" (hear, hear). "But I am not a curate" (loud cheers), "and I did not listen to it with pleasure" (renewed cheers). "The man who is fitted to make a good curate is not fitted to make a resolute, forcible, and efficient Thursday" (hear, hear)." "Comrade Gregory has told us, in only too apologetic a tone, that we are not the enemies of society. But I say that we are the enemies of society, and so much the worse for society. We are the enemies of society, for society is the enemy of humanity, its oldest and its most pitiless enemy" (hear, hear). "Comrade Gregory has told us (apologetically again) that we are not murderers. There I agree. We are not murderers, we are executioners (cheers)." Ever since Syme had risen Gregory had sat staring at him, his face idiotic with astonishment. Now in the pause his lips of clay parted, and he said, with an automatic and lifeless distinctness "You damnable hypocrite!" Syme looked straight into those frightful eyes with his own pale blue ones, and said with dignity "Comrade Gregory accuses me of hypocrisy. He knows as well as I do that I am keeping all my engagements and doing nothing but my duty. I do not mince words. I do not pretend to. I say that Comrade Gregory is unfit to be Thursday for all his amiable qualities. He is unfit to be Thursday because of his amiable qualities. We do not want the Supreme Council of Anarchy infected with a maudlin mercy" (hear, hear). "This is no time for ceremonial politeness, neither is it a time for ceremonial modesty. I set myself against Comrade Gregory as I would set myself against all the Governments of Europe, because | spite of all the people around him, in conveying an impression of the institution, subtly and delicately false. Syme had once thought that anarchists, under all their bravado, were only playing the fool. Could he not now, in the hour of peril, make Syme think so again? "Comrades," began Gregory, in a low but penetrating voice, "it is not necessary for me to tell you what is my policy, for it is your policy also. Our belief has been slandered, it has been disfigured, it has been utterly confused and concealed, but it has never been altered. Those who talk about anarchism and its dangers go everywhere and anywhere to get their information, except to us, except to the fountain head. They learn about anarchists from sixpenny novels; they learn about anarchists from tradesmen's newspapers; they learn about anarchists from _Ally Sloper's Half-Holiday_ and the _Sporting Times_. They never learn about anarchists from anarchists. We have no chance of denying the mountainous slanders which are heaped upon our heads from one end of Europe to another. The man who has always heard that we are walking plagues has never heard our reply. I know that he will not hear it tonight, though my passion were to rend the roof. For it is deep, deep under the earth that the persecuted are permitted to assemble, as the Christians assembled in the Catacombs. But if, by some incredible accident, there were here tonight a man who all his life had thus immensely misunderstood us, I would put this question to him: When those Christians met in those Catacombs, what sort of moral reputation had they in the streets above? What tales were told of their atrocities by one educated Roman to another? Suppose' (I would say to him), suppose that we are only repeating that still mysterious paradox of history. Suppose we seem as shocking as the Christians because we are really as harmless as the Christians. Suppose we seem as mad as the Christians because we are really as meek." "' The applause that had greeted the opening sentences had been gradually growing fainter, and at the last word it stopped suddenly. In the abrupt silence, the man with the velvet jacket said, in a high, squeaky voice "I'm not meek!" "Comrade Witherspoon tells us," resumed Gregory, "that he is not meek. Ah, how little he knows himself! His words are, indeed, extravagant; his appearance is ferocious, and even (to an ordinary taste) unattractive. But only the eye of a friendship as deep and delicate as mine can perceive the deep foundation of solid meekness which lies at the base of him, too deep even for himself to see. I repeat, we are the true early Christians, only that we come too late. We are simple, as they revere simple look at Comrade Witherspoon. We are modest, as they were modest look at me. We are merciful" "No, no!" called out Mr. Witherspoon with the velvet jacket. "I say we are merciful," repeated Gregory furiously, "as the early Christians were merciful. Yet this did not prevent their being accused of eating human flesh. We do not eat human flesh" "Shame!" cried Witherspoon. "Why not?" "Comrade Witherspoon," said Gregory, with a feverish gaiety, "is anxious to know why nobody eats him" (laughter). "In our society, at any rate, which loves him sincerely, which is founded upon love" "No, no!" said Witherspoon, "down with love." "Which is founded upon love," repeated Gregory, grinding his teeth, "there will be no difficulty about the aims which we shall pursue as a body, or which I should pursue were I chosen as the representative of that body. Superbly careless of the slanders that represent us as assassins and enemies of human society, we shall pursue with moral courage and quiet intellectual pressure, the permanent ideals of brotherhood and simplicity." Gregory resumed his seat and passed his hand across his forehead. The silence was sudden and awkward, but the chairman rose like an automaton, and said in a colourless voice "Does anyone oppose the election of Comrade Gregory?" The assembly seemed vague and sub-consciously disappointed, and Comrade Witherspoon moved restlessly on his seat and muttered in his thick beard. By the sheer rush of routine, however, the motion would have been put and carried. But as the chairman was opening his mouth to put it, Syme sprang to his feet and said in a small and quiet voice "Yes, Mr. Chairman, I oppose." The most effective fact in oratory is an unexpected change in the voice. Mr. Gabriel Syme evidently understood oratory. Having said these first formal words in a moderated tone and with a brief simplicity, he made his next word ring and volley in the vault as if one of the guns had gone off.<|quote|>"Comrades!"</|quote|>he cried, in a voice that made every man jump out of his boots, "have we come here for this? Do we live underground like rats in order to listen to talk like this? This is talk we might listen to while eating buns at a Sunday School treat. Do we line these walls with weapons and bar that door with death lest anyone should come and hear Comrade Gregory saying to us, Be good, and you will be happy,' Honesty is the best policy,' and Virtue is its own reward'? There was not a word in Comrade Gregory's address to which a curate could not have listened with pleasure" (hear, hear). "But I am not a curate" (loud cheers), "and I did not listen to it with pleasure" (renewed cheers). "The man who is fitted to make a good curate is not fitted to make a resolute, forcible, and efficient Thursday" (hear, hear)." "Comrade Gregory has told us, in only too apologetic a tone, that we are not the enemies of society. But I say that we are the enemies of society, and so much the worse for society. We are the enemies of society, for society is the enemy of humanity, its oldest and its most pitiless enemy" (hear, hear). "Comrade Gregory has told us (apologetically again) that we are not murderers. There I agree. We are not murderers, we are executioners (cheers)." Ever since Syme had risen Gregory had sat staring at him, his face idiotic with astonishment. Now in the pause his lips of clay parted, and he said, with an automatic and lifeless distinctness "You damnable hypocrite!" Syme looked straight into those frightful eyes with his own pale blue ones, and said with dignity "Comrade Gregory accuses me of hypocrisy. He knows as well as I do that I am keeping all my engagements and doing nothing but my duty. I do not mince words. I do not pretend to. I say that Comrade Gregory is unfit to be Thursday for all his amiable qualities. He is unfit to be Thursday because of his amiable qualities. We do not want the Supreme Council of Anarchy infected with a maudlin mercy" (hear, hear). "This is no time for ceremonial politeness, neither is it a time for ceremonial modesty. I set myself against Comrade Gregory as I would set myself against all the Governments of Europe, because the anarchist who has given himself to anarchy has forgotten modesty as much as he has forgotten pride" (cheers). "I am not a man at all. I am a cause" (renewed cheers). "I set myself against Comrade Gregory as impersonally and as calmly as I should choose one pistol rather than another out of that rack upon the wall; and I say that rather than have Gregory and his milk-and-water methods on the Supreme Council, I would offer myself for election" His sentence was drowned in a deafening cataract of applause. The faces, that had grown fiercer and fiercer with approval as his tirade grew more and more uncompromising, were now distorted with grins of anticipation or cloven with delighted cries. At the moment when he announced himself as ready to stand for the post of Thursday, a roar of excitement and assent broke forth, and became uncontrollable, and at the same moment Gregory sprang to his feet, with foam upon his mouth, and shouted against the shouting. "Stop, you blasted madmen!" he cried, at the top of a voice that tore his throat. "Stop, you" But louder than Gregory's shouting and louder than the roar of the room came the voice of Syme, still speaking in a peal of pitiless thunder "I do not go to the Council to rebut that slander that calls us murderers; I go to earn it" (loud and prolonged cheering). "To the priest who says these men are the enemies of religion, to the judge who says these men are the enemies of law, to the fat parliamentarian who says these men are the enemies of order and public decency, to all these I will reply, You are false kings, but you are true prophets. I am come to destroy you, and to fulfil your prophecies." '" The heavy clamour gradually died away, but before it had ceased Witherspoon had jumped to his feet, his hair and beard all on end, and had said "I move, as an amendment, that Comrade Syme be appointed to the post." "Stop all this, I tell you!" cried Gregory, with frantic face and hands. "Stop it, it is all" The voice of the chairman clove his speech with a cold accent. "Does anyone second this amendment?" he said. A tall, tired man, with melancholy eyes and an American chin beard, was observed on the back bench to be | if, by some incredible accident, there were here tonight a man who all his life had thus immensely misunderstood us, I would put this question to him: When those Christians met in those Catacombs, what sort of moral reputation had they in the streets above? What tales were told of their atrocities by one educated Roman to another? Suppose' (I would say to him), suppose that we are only repeating that still mysterious paradox of history. Suppose we seem as shocking as the Christians because we are really as harmless as the Christians. Suppose we seem as mad as the Christians because we are really as meek." "' The applause that had greeted the opening sentences had been gradually growing fainter, and at the last word it stopped suddenly. In the abrupt silence, the man with the velvet jacket said, in a high, squeaky voice "I'm not meek!" "Comrade Witherspoon tells us," resumed Gregory, "that he is not meek. Ah, how little he knows himself! His words are, indeed, extravagant; his appearance is ferocious, and even (to an ordinary taste) unattractive. But only the eye of a friendship as deep and delicate as mine can perceive the deep foundation of solid meekness which lies at the base of him, too deep even for himself to see. I repeat, we are the true early Christians, only that we come too late. We are simple, as they revere simple look at Comrade Witherspoon. We are modest, as they were modest look at me. We are merciful" "No, no!" called out Mr. Witherspoon with the velvet jacket. "I say we are merciful," repeated Gregory furiously, "as the early Christians were merciful. Yet this did not prevent their being accused of eating human flesh. We do not eat human flesh" "Shame!" cried Witherspoon. "Why not?" "Comrade Witherspoon," said Gregory, with a feverish gaiety, "is anxious to know why nobody eats him" (laughter). "In our society, at any rate, which loves him sincerely, which is founded upon love" "No, no!" said Witherspoon, "down with love." "Which is founded upon love," repeated Gregory, grinding his teeth, "there will be no difficulty about the aims which we shall pursue as a body, or which I should pursue were I chosen as the representative of that body. Superbly careless of the slanders that represent us as assassins and enemies of human society, we shall pursue with moral courage and quiet intellectual pressure, the permanent ideals of brotherhood and simplicity." Gregory resumed his seat and passed his hand across his forehead. The silence was sudden and awkward, but the chairman rose like an automaton, and said in a colourless voice "Does anyone oppose the election of Comrade Gregory?" The assembly seemed vague and sub-consciously disappointed, and Comrade Witherspoon moved restlessly on his seat and muttered in his thick beard. By the sheer rush of routine, however, the motion would have been put and carried. But as the chairman was opening his mouth to put it, Syme sprang to his feet and said in a small and quiet voice "Yes, Mr. Chairman, I oppose." The most effective fact in oratory is an unexpected change in the voice. Mr. Gabriel Syme evidently understood oratory. Having said these first formal words in a moderated tone and with a brief simplicity, he made his next word ring and volley in the vault as if one of the guns had gone off.<|quote|>"Comrades!"</|quote|>he cried, in a voice that made every man jump out of his boots, "have we come here for this? Do we live underground like rats in order to listen to talk like this? This is talk we might listen to while eating buns at a Sunday School treat. Do we line these walls with weapons and bar that door with death lest anyone should come and hear Comrade Gregory saying to us, Be good, and you will be happy,' Honesty is the best policy,' and Virtue is its own reward'? There was not a word in Comrade Gregory's address to which a curate could not have listened with pleasure" (hear, hear). "But I am not a curate" (loud cheers), "and I did not listen to it with pleasure" (renewed cheers). "The man who is fitted to make a good curate is not fitted to make a resolute, forcible, and efficient Thursday" (hear, hear)." "Comrade Gregory has told us, in only too apologetic a tone, that we are not the enemies of society. But I say that we are the enemies of society, and so much the worse for society. We are the enemies of society, for society is the enemy of humanity, its oldest and its most pitiless enemy" (hear, hear). "Comrade Gregory has told us (apologetically again) that we are not murderers. There I agree. We are not murderers, we are executioners (cheers)." Ever since Syme had risen Gregory had sat staring at him, his face idiotic with astonishment. Now in the pause his lips of clay parted, and he said, with an automatic and lifeless distinctness "You damnable hypocrite!" Syme looked straight into those frightful eyes with his own pale blue ones, and said with dignity "Comrade Gregory accuses me of hypocrisy. He knows as well as I do that I am keeping all my engagements and doing nothing but my duty. I do not mince words. I do not pretend to. I say that Comrade Gregory is unfit to be Thursday for all his amiable qualities. He is unfit to be Thursday because of his amiable qualities. We do not want the Supreme Council of Anarchy infected with a maudlin mercy" (hear, hear). "This is no time for ceremonial politeness, neither is it a time for ceremonial modesty. I set myself against Comrade Gregory as I would set myself against all the Governments of Europe, because the anarchist who has given himself to anarchy has forgotten modesty as much as he has forgotten pride" (cheers). "I am not a man at all. I am a cause" (renewed cheers). "I set myself against Comrade Gregory as impersonally and as calmly as I should choose one pistol rather than another out of that rack upon the wall; and I say that rather than have Gregory and his milk-and-water methods on the Supreme Council, I would offer myself for election" His sentence was drowned in a deafening cataract of applause. The faces, that had grown fiercer and fiercer with approval as his tirade grew more and more uncompromising, were now distorted with grins of anticipation or | The Man Who Was Thursday |
said Miss Morstan, | No speaker | will excuse me, Mr. Sholto,"<|quote|>said Miss Morstan,</|quote|>"but I am here at | the modern French school." "You will excuse me, Mr. Sholto,"<|quote|>said Miss Morstan,</|quote|>"but I am here at your request to learn something | patron of the arts. It is my weakness. The landscape is a genuine Corot, and, though a connoisseur might perhaps throw a doubt upon that Salvator Rosa, there cannot be the least question about the Bouguereau. I am partial to the modern French school." "You will excuse me, Mr. Sholto,"<|quote|>said Miss Morstan,</|quote|>"but I am here at your request to learn something which you desire to tell me. It is very late, and I should desire the interview to be as short as possible." "At the best it must take some time," he answered; "for we shall certainly have to go to | refined, tastes, and there is nothing more un sthetic than a policeman. I have a natural shrinking from all forms of rough materialism. I seldom come in contact with the rough crowd. I live, as you see, with some little atmosphere of elegance around me. I may call myself a patron of the arts. It is my weakness. The landscape is a genuine Corot, and, though a connoisseur might perhaps throw a doubt upon that Salvator Rosa, there cannot be the least question about the Bouguereau. I am partial to the modern French school." "You will excuse me, Mr. Sholto,"<|quote|>said Miss Morstan,</|quote|>"but I am here at your request to learn something which you desire to tell me. It is very late, and I should desire the interview to be as short as possible." "At the best it must take some time," he answered; "for we shall certainly have to go to Norwood and see Brother Bartholomew. We shall all go and try if we can get the better of Brother Bartholomew. He is very angry with me for taking the course which has seemed right to me. I had quite high words with him last night. You cannot imagine what a | the centre. "When I first determined to make this communication to you," said he, "I might have given you my address, but I feared that you might disregard my request and bring unpleasant people with you. I took the liberty, therefore, of making an appointment in such a way that my man Williams might be able to see you first. I have complete confidence in his discretion, and he had orders, if he were dissatisfied, to proceed no further in the matter. You will excuse these precautions, but I am a man of somewhat retiring, and I might even say refined, tastes, and there is nothing more un sthetic than a policeman. I have a natural shrinking from all forms of rough materialism. I seldom come in contact with the rough crowd. I live, as you see, with some little atmosphere of elegance around me. I may call myself a patron of the arts. It is my weakness. The landscape is a genuine Corot, and, though a connoisseur might perhaps throw a doubt upon that Salvator Rosa, there cannot be the least question about the Bouguereau. I am partial to the modern French school." "You will excuse me, Mr. Sholto,"<|quote|>said Miss Morstan,</|quote|>"but I am here at your request to learn something which you desire to tell me. It is very late, and I should desire the interview to be as short as possible." "At the best it must take some time," he answered; "for we shall certainly have to go to Norwood and see Brother Bartholomew. We shall all go and try if we can get the better of Brother Bartholomew. He is very angry with me for taking the course which has seemed right to me. I had quite high words with him last night. You cannot imagine what a terrible fellow he is when he is angry." "If we are to go to Norwood it would perhaps be as well to start at once," I ventured to remark. He laughed until his ears were quite red. "That would hardly do," he cried. "I don t know what he would say if I brought you in that sudden way. No, I must prepare you by showing you how we all stand to each other. In the first place, I must tell you that there are several points in the story of which I am myself ignorant. I can only lay | what I am about to do and say. The three of us can show a bold front to Brother Bartholomew. But let us have no outsiders, no police or officials. We can settle everything satisfactorily among ourselves, without any interference. Nothing would annoy Brother Bartholomew more than any publicity." He sat down upon a low settee and blinked at us inquiringly with his weak, watery blue eyes. "For my part," said Holmes, "whatever you may choose to say will go no further." I nodded to show my agreement. "That is well! That is well!" said he. "May I offer you a glass of Chianti, Miss Morstan? Or of Tokay? I keep no other wines. Shall I open a flask? No? Well, then, I trust that you have no objection to tobacco-smoke, to the mild balsamic odour of the Eastern tobacco. I am a little nervous, and I find my hookah an invaluable sedative." He applied a taper to the great bowl, and the smoke bubbled merrily through the rose-water. We sat all three in a semi-circle, with our heads advanced, and our chins upon our hands, while the strange, jerky little fellow, with his high, shining head, puffed uneasily in the centre. "When I first determined to make this communication to you," said he, "I might have given you my address, but I feared that you might disregard my request and bring unpleasant people with you. I took the liberty, therefore, of making an appointment in such a way that my man Williams might be able to see you first. I have complete confidence in his discretion, and he had orders, if he were dissatisfied, to proceed no further in the matter. You will excuse these precautions, but I am a man of somewhat retiring, and I might even say refined, tastes, and there is nothing more un sthetic than a policeman. I have a natural shrinking from all forms of rough materialism. I seldom come in contact with the rough crowd. I live, as you see, with some little atmosphere of elegance around me. I may call myself a patron of the arts. It is my weakness. The landscape is a genuine Corot, and, though a connoisseur might perhaps throw a doubt upon that Salvator Rosa, there cannot be the least question about the Bouguereau. I am partial to the modern French school." "You will excuse me, Mr. Sholto,"<|quote|>said Miss Morstan,</|quote|>"but I am here at your request to learn something which you desire to tell me. It is very late, and I should desire the interview to be as short as possible." "At the best it must take some time," he answered; "for we shall certainly have to go to Norwood and see Brother Bartholomew. We shall all go and try if we can get the better of Brother Bartholomew. He is very angry with me for taking the course which has seemed right to me. I had quite high words with him last night. You cannot imagine what a terrible fellow he is when he is angry." "If we are to go to Norwood it would perhaps be as well to start at once," I ventured to remark. He laughed until his ears were quite red. "That would hardly do," he cried. "I don t know what he would say if I brought you in that sudden way. No, I must prepare you by showing you how we all stand to each other. In the first place, I must tell you that there are several points in the story of which I am myself ignorant. I can only lay the facts before you as far as I know them myself." "My father was, as you may have guessed, Major John Sholto, once of the Indian army. He retired some eleven years ago, and came to live at Pondicherry Lodge in Upper Norwood. He had prospered in India, and brought back with him a considerable sum of money, a large collection of valuable curiosities, and a staff of native servants. With these advantages he bought himself a house, and lived in great luxury. My twin-brother Bartholomew and I were the only children." "I very well remember the sensation which was caused by the disappearance of Captain Morstan. We read the details in the papers, and, knowing that he had been a friend of our father s, we discussed the case freely in his presence. He used to join in our speculations as to what could have happened. Never for an instant did we suspect that he had the whole secret hidden in his own breast, that of all men he alone knew the fate of Arthur Morstan." "We did know, however, that some mystery some positive danger overhung our father. He was very fearful of going out alone, and he | as out of place as a diamond of the first water in a setting of brass. The richest and glossiest of curtains and tapestries draped the walls, looped back here and there to expose some richly-mounted painting or Oriental vase. The carpet was of amber-and-black, so soft and so thick that the foot sank pleasantly into it, as into a bed of moss. Two great tiger-skins thrown athwart it increased the suggestion of Eastern luxury, as did a huge hookah which stood upon a mat in the corner. A lamp in the fashion of a silver dove was hung from an almost invisible golden wire in the centre of the room. As it burned it filled the air with a subtle and aromatic odour. "Mr. Thaddeus Sholto," said the little man, still jerking and smiling. "That is my name. You are Miss Morstan, of course. And these gentlemen" "This is Mr. Sherlock Holmes, and this is Dr. Watson." "A doctor, eh?" cried he, much excited. "Have you your stethoscope? Might I ask you would you have the kindness? I have grave doubts as to my mitral valve, if you would be so very good. The aortic I may rely upon, but I should value your opinion upon the mitral." I listened to his heart, as requested, but was unable to find anything amiss, save indeed that he was in an ecstasy of fear, for he shivered from head to foot. "It appears to be normal," I said. "You have no cause for uneasiness." "You will excuse my anxiety, Miss Morstan," he remarked, airily. "I am a great sufferer, and I have long had suspicions as to that valve. I am delighted to hear that they are unwarranted. Had your father, Miss Morstan, refrained from throwing a strain upon his heart, he might have been alive now." I could have struck the man across the face, so hot was I at this callous and off-hand reference to so delicate a matter. Miss Morstan sat down, and her face grew white to the lips. "I knew in my heart that he was dead," said she. "I can give you every information," said he, "and, what is more, I can do you justice; and I will, too, whatever Brother Bartholomew may say. I am so glad to have your friends here, not only as an escort to you, but also as witnesses to what I am about to do and say. The three of us can show a bold front to Brother Bartholomew. But let us have no outsiders, no police or officials. We can settle everything satisfactorily among ourselves, without any interference. Nothing would annoy Brother Bartholomew more than any publicity." He sat down upon a low settee and blinked at us inquiringly with his weak, watery blue eyes. "For my part," said Holmes, "whatever you may choose to say will go no further." I nodded to show my agreement. "That is well! That is well!" said he. "May I offer you a glass of Chianti, Miss Morstan? Or of Tokay? I keep no other wines. Shall I open a flask? No? Well, then, I trust that you have no objection to tobacco-smoke, to the mild balsamic odour of the Eastern tobacco. I am a little nervous, and I find my hookah an invaluable sedative." He applied a taper to the great bowl, and the smoke bubbled merrily through the rose-water. We sat all three in a semi-circle, with our heads advanced, and our chins upon our hands, while the strange, jerky little fellow, with his high, shining head, puffed uneasily in the centre. "When I first determined to make this communication to you," said he, "I might have given you my address, but I feared that you might disregard my request and bring unpleasant people with you. I took the liberty, therefore, of making an appointment in such a way that my man Williams might be able to see you first. I have complete confidence in his discretion, and he had orders, if he were dissatisfied, to proceed no further in the matter. You will excuse these precautions, but I am a man of somewhat retiring, and I might even say refined, tastes, and there is nothing more un sthetic than a policeman. I have a natural shrinking from all forms of rough materialism. I seldom come in contact with the rough crowd. I live, as you see, with some little atmosphere of elegance around me. I may call myself a patron of the arts. It is my weakness. The landscape is a genuine Corot, and, though a connoisseur might perhaps throw a doubt upon that Salvator Rosa, there cannot be the least question about the Bouguereau. I am partial to the modern French school." "You will excuse me, Mr. Sholto,"<|quote|>said Miss Morstan,</|quote|>"but I am here at your request to learn something which you desire to tell me. It is very late, and I should desire the interview to be as short as possible." "At the best it must take some time," he answered; "for we shall certainly have to go to Norwood and see Brother Bartholomew. We shall all go and try if we can get the better of Brother Bartholomew. He is very angry with me for taking the course which has seemed right to me. I had quite high words with him last night. You cannot imagine what a terrible fellow he is when he is angry." "If we are to go to Norwood it would perhaps be as well to start at once," I ventured to remark. He laughed until his ears were quite red. "That would hardly do," he cried. "I don t know what he would say if I brought you in that sudden way. No, I must prepare you by showing you how we all stand to each other. In the first place, I must tell you that there are several points in the story of which I am myself ignorant. I can only lay the facts before you as far as I know them myself." "My father was, as you may have guessed, Major John Sholto, once of the Indian army. He retired some eleven years ago, and came to live at Pondicherry Lodge in Upper Norwood. He had prospered in India, and brought back with him a considerable sum of money, a large collection of valuable curiosities, and a staff of native servants. With these advantages he bought himself a house, and lived in great luxury. My twin-brother Bartholomew and I were the only children." "I very well remember the sensation which was caused by the disappearance of Captain Morstan. We read the details in the papers, and, knowing that he had been a friend of our father s, we discussed the case freely in his presence. He used to join in our speculations as to what could have happened. Never for an instant did we suspect that he had the whole secret hidden in his own breast, that of all men he alone knew the fate of Arthur Morstan." "We did know, however, that some mystery some positive danger overhung our father. He was very fearful of going out alone, and he always employed two prize-fighters to act as porters at Pondicherry Lodge. Williams, who drove you to-night, was one of them. He was once light-weight champion of England. Our father would never tell us what it was he feared, but he had a most marked aversion to men with wooden legs. On one occasion he actually fired his revolver at a wooden-legged man, who proved to be a harmless tradesman canvassing for orders. We had to pay a large sum to hush the matter up. My brother and I used to think this a mere whim of my father s, but events have since led us to change our opinion." "Early in 1882 my father received a letter from India which was a great shock to him. He nearly fainted at the breakfast-table when he opened it, and from that day he sickened to his death. What was in the letter we could never discover, but I could see as he held it that it was short and written in a scrawling hand. He had suffered for years from an enlarged spleen, but he now became rapidly worse, and towards the end of April we were informed that he was beyond all hope, and that he wished to make a last communication to us." "When we entered his room he was propped up with pillows and breathing heavily. He besought us to lock the door and to come upon either side of the bed. Then, grasping our hands, he made a remarkable statement to us, in a voice which was broken as much by emotion as by pain. I shall try and give it to you in his own very words." I have only one thing, "he said," which weighs upon my mind at this supreme moment. It is my treatment of poor Morstan s orphan. The cursed greed which has been my besetting sin through life has withheld from her the treasure, half at least of which should have been hers. And yet I have made no use of it myself, so blind and foolish a thing is avarice. The mere feeling of possession has been so dear to me that I could not bear to share it with another. See that chaplet dipped with pearls beside the quinine-bottle. Even that I could not bear to part with, although I had got it out with the design of sending it | face, so hot was I at this callous and off-hand reference to so delicate a matter. Miss Morstan sat down, and her face grew white to the lips. "I knew in my heart that he was dead," said she. "I can give you every information," said he, "and, what is more, I can do you justice; and I will, too, whatever Brother Bartholomew may say. I am so glad to have your friends here, not only as an escort to you, but also as witnesses to what I am about to do and say. The three of us can show a bold front to Brother Bartholomew. But let us have no outsiders, no police or officials. We can settle everything satisfactorily among ourselves, without any interference. Nothing would annoy Brother Bartholomew more than any publicity." He sat down upon a low settee and blinked at us inquiringly with his weak, watery blue eyes. "For my part," said Holmes, "whatever you may choose to say will go no further." I nodded to show my agreement. "That is well! That is well!" said he. "May I offer you a glass of Chianti, Miss Morstan? Or of Tokay? I keep no other wines. Shall I open a flask? No? Well, then, I trust that you have no objection to tobacco-smoke, to the mild balsamic odour of the Eastern tobacco. I am a little nervous, and I find my hookah an invaluable sedative." He applied a taper to the great bowl, and the smoke bubbled merrily through the rose-water. We sat all three in a semi-circle, with our heads advanced, and our chins upon our hands, while the strange, jerky little fellow, with his high, shining head, puffed uneasily in the centre. "When I first determined to make this communication to you," said he, "I might have given you my address, but I feared that you might disregard my request and bring unpleasant people with you. I took the liberty, therefore, of making an appointment in such a way that my man Williams might be able to see you first. I have complete confidence in his discretion, and he had orders, if he were dissatisfied, to proceed no further in the matter. You will excuse these precautions, but I am a man of somewhat retiring, and I might even say refined, tastes, and there is nothing more un sthetic than a policeman. I have a natural shrinking from all forms of rough materialism. I seldom come in contact with the rough crowd. I live, as you see, with some little atmosphere of elegance around me. I may call myself a patron of the arts. It is my weakness. The landscape is a genuine Corot, and, though a connoisseur might perhaps throw a doubt upon that Salvator Rosa, there cannot be the least question about the Bouguereau. I am partial to the modern French school." "You will excuse me, Mr. Sholto,"<|quote|>said Miss Morstan,</|quote|>"but I am here at your request to learn something which you desire to tell me. It is very late, and I should desire the interview to be as short as possible." "At the best it must take some time," he answered; "for we shall certainly have to go to Norwood and see Brother Bartholomew. We shall all go and try if we can get the better of Brother Bartholomew. He is very angry with me for taking the course which has seemed right to me. I had quite high words with him last night. You cannot imagine what a terrible fellow he is when he is angry." "If we are to go to Norwood it would perhaps be as well to start at once," I ventured to remark. He laughed until his ears were quite red. "That would hardly do," he cried. "I don t know what he would say if I brought you in that sudden way. No, I must prepare you by showing you how we all stand to each other. In the first place, I must tell you that there are several points in the story of which I am myself ignorant. I can only lay the facts before you as far as I know them myself." "My father was, as you may have guessed, Major John Sholto, once of the Indian army. He retired some eleven years ago, and came to live at Pondicherry Lodge in Upper Norwood. He had prospered in India, and brought back with him a considerable sum of money, a large collection of valuable curiosities, and a staff of native servants. With these advantages he bought himself a house, and lived in great luxury. My twin-brother Bartholomew and I were the only children." "I very well remember the sensation which was caused by the disappearance of Captain Morstan. We read the details in the papers, and, knowing that he had been a friend of our father s, we discussed the case freely in his presence. He used to join in our speculations as to what could have happened. Never for an instant did we suspect that he had the whole secret hidden in his own breast, that of all men he alone knew the fate of Arthur Morstan." "We did know, however, that some mystery some positive danger overhung our father. He was very fearful of going out alone, and he always employed two prize-fighters to act as porters at Pondicherry Lodge. Williams, who drove you to-night, was one of them. He was once light-weight champion of England. Our father would never tell us what it | The Sign Of The Four |
Cassandra asked, anticipating further possibilities of rapture. | No speaker | "Who s coming to dinner?"<|quote|>Cassandra asked, anticipating further possibilities of rapture.</|quote|>"There s William, and, I | distinction in the eighteenth century. "Who s coming to dinner?"<|quote|>Cassandra asked, anticipating further possibilities of rapture.</|quote|>"There s William, and, I believe, Aunt Eleanor and Uncle | and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?"<|quote|>Cassandra asked, anticipating further possibilities of rapture.</|quote|>"There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I think he s almost good enough for you, Katharine." "You shall sit next to him and | looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, of the small face with its long tapering nose and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?"<|quote|>Cassandra asked, anticipating further possibilities of rapture.</|quote|>"There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I think he s almost good enough for you, Katharine." "You shall sit next to him and tell him what you think of him." "I shan t dare do that," Cassandra asserted. "Why? You re not afraid of him, are you?" "A little because he s connected with you." Katharine smiled. "But then, with your well-known fidelity, considering that you re staying here at least a fortnight, | little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin, "my whole life s changed from this moment! I must write the man s name down at once, or I shall forget" Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, of the small face with its long tapering nose and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?"<|quote|>Cassandra asked, anticipating further possibilities of rapture.</|quote|>"There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I think he s almost good enough for you, Katharine." "You shall sit next to him and tell him what you think of him." "I shan t dare do that," Cassandra asserted. "Why? You re not afraid of him, are you?" "A little because he s connected with you." Katharine smiled. "But then, with your well-known fidelity, considering that you re staying here at least a fortnight, you won t have any illusions left about me by the time you go. I give you a week, Cassandra. I shall see my power fading day by day. Now it s at the climax; but to-morrow it ll have begun to fade. What am I to wear, I wonder? Find me a blue dress, Cassandra, over there in the long wardrobe." She spoke disconnectedly, handling brush and comb, and pulling out the little drawers in her dressing-table and leaving them open. Cassandra, sitting on the bed behind her, saw the reflection of her cousin s face in the looking-glass. | bareness, its silk dressing-gowns and crimson slippers, its shabby carpet and bare walls, had a powerful air of Katharine herself; she stood in the middle of the room and enjoyed the sensation; and then, with a desire to finger what her cousin was in the habit of fingering, Cassandra began to take down the books which stood in a row upon the shelf above the bed. In most houses this shelf is the ledge upon which the last relics of religious belief lodge themselves as if, late at night, in the heart of privacy, people, skeptical by day, find solace in sipping one draught of the old charm for such sorrows or perplexities as may steal from their hiding-places in the dark. But there was no hymn-book here. By their battered covers and enigmatical contents, Cassandra judged them to be old school-books belonging to Uncle Trevor, and piously, though eccentrically, preserved by his daughter. There was no end, she thought, to the unexpectedness of Katharine. She had once had a passion for geometry herself, and, curled upon Katharine s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin, "my whole life s changed from this moment! I must write the man s name down at once, or I shall forget" Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, of the small face with its long tapering nose and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?"<|quote|>Cassandra asked, anticipating further possibilities of rapture.</|quote|>"There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I think he s almost good enough for you, Katharine." "You shall sit next to him and tell him what you think of him." "I shan t dare do that," Cassandra asserted. "Why? You re not afraid of him, are you?" "A little because he s connected with you." Katharine smiled. "But then, with your well-known fidelity, considering that you re staying here at least a fortnight, you won t have any illusions left about me by the time you go. I give you a week, Cassandra. I shall see my power fading day by day. Now it s at the climax; but to-morrow it ll have begun to fade. What am I to wear, I wonder? Find me a blue dress, Cassandra, over there in the long wardrobe." She spoke disconnectedly, handling brush and comb, and pulling out the little drawers in her dressing-table and leaving them open. Cassandra, sitting on the bed behind her, saw the reflection of her cousin s face in the looking-glass. The face in the looking-glass was serious and intent, apparently occupied with other things besides the straightness of the parting which, however, was being driven as straight as a Roman road through the dark hair. Cassandra was impressed again by Katharine s maturity; and, as she enveloped herself in the blue dress which filled almost the whole of the long looking-glass with blue light and made it the frame of a picture, holding not only the slightly moving effigy of the beautiful woman, but shapes and colors of objects reflected from the background, Cassandra thought that no sight had ever been quite so romantic. It was all in keeping with the room and the house, and the city round them; for her ears had not yet ceased to notice the hum of distant wheels. They went downstairs rather late, in spite of Katharine s extreme speed in getting ready. To Cassandra s ears the buzz of voices inside the drawing-room was like the tuning up of the instruments of the orchestra. It seemed to her that there were numbers of people in the room, and that they were strangers, and that they were beautiful and dressed with the greatest distinction, | less capable of passing one. The more serious prediction that she could never possibly earn her living was also verified. But from all these short strands of different accomplishments Cassandra wove for herself an attitude, a cast of mind, which, if useless, was found by some people to have the not despicable virtues of vivacity and freshness. Katharine, for example, thought her a most charming companion. The cousins seemed to assemble between them a great range of qualities which are never found united in one person and seldom in half a dozen people. Where Katharine was simple, Cassandra was complex; where Katharine was solid and direct, Cassandra was vague and evasive. In short, they represented very well the manly and the womanly sides of the feminine nature, and, for foundation, there was the profound unity of common blood between them. If Cassandra adored Katharine she was incapable of adoring any one without refreshing her spirit with frequent draughts of raillery and criticism, and Katharine enjoyed her laughter at least as much as her respect. Respect was certainly uppermost in Cassandra s mind at the present moment. Katharine s engagement had appealed to her imagination as the first engagement in a circle of contemporaries is apt to appeal to the imaginations of the others; it was solemn, beautiful, and mysterious; it gave both parties the important air of those who have been initiated into some rite which is still concealed from the rest of the group. For Katharine s sake Cassandra thought William a most distinguished and interesting character, and welcomed first his conversation and then his manuscript as the marks of a friendship which it flattered and delighted her to inspire. Katharine was still out when she arrived at Cheyne Walk. After greeting her uncle and aunt and receiving, as usual, a present of two sovereigns for "cab fares and dissipation" from Uncle Trevor, whose favorite niece she was, she changed her dress and wandered into Katharine s room to await her. What a great looking-glass Katharine had, she thought, and how mature all the arrangements upon the dressing-table were compared to what she was used to at home. Glancing round, she thought that the bills stuck upon a skewer and stood for ornament upon the mantelpiece were astonishingly like Katharine, There wasn t a photograph of William anywhere to be seen. The room, with its combination of luxury and bareness, its silk dressing-gowns and crimson slippers, its shabby carpet and bare walls, had a powerful air of Katharine herself; she stood in the middle of the room and enjoyed the sensation; and then, with a desire to finger what her cousin was in the habit of fingering, Cassandra began to take down the books which stood in a row upon the shelf above the bed. In most houses this shelf is the ledge upon which the last relics of religious belief lodge themselves as if, late at night, in the heart of privacy, people, skeptical by day, find solace in sipping one draught of the old charm for such sorrows or perplexities as may steal from their hiding-places in the dark. But there was no hymn-book here. By their battered covers and enigmatical contents, Cassandra judged them to be old school-books belonging to Uncle Trevor, and piously, though eccentrically, preserved by his daughter. There was no end, she thought, to the unexpectedness of Katharine. She had once had a passion for geometry herself, and, curled upon Katharine s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin, "my whole life s changed from this moment! I must write the man s name down at once, or I shall forget" Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, of the small face with its long tapering nose and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?"<|quote|>Cassandra asked, anticipating further possibilities of rapture.</|quote|>"There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I think he s almost good enough for you, Katharine." "You shall sit next to him and tell him what you think of him." "I shan t dare do that," Cassandra asserted. "Why? You re not afraid of him, are you?" "A little because he s connected with you." Katharine smiled. "But then, with your well-known fidelity, considering that you re staying here at least a fortnight, you won t have any illusions left about me by the time you go. I give you a week, Cassandra. I shall see my power fading day by day. Now it s at the climax; but to-morrow it ll have begun to fade. What am I to wear, I wonder? Find me a blue dress, Cassandra, over there in the long wardrobe." She spoke disconnectedly, handling brush and comb, and pulling out the little drawers in her dressing-table and leaving them open. Cassandra, sitting on the bed behind her, saw the reflection of her cousin s face in the looking-glass. The face in the looking-glass was serious and intent, apparently occupied with other things besides the straightness of the parting which, however, was being driven as straight as a Roman road through the dark hair. Cassandra was impressed again by Katharine s maturity; and, as she enveloped herself in the blue dress which filled almost the whole of the long looking-glass with blue light and made it the frame of a picture, holding not only the slightly moving effigy of the beautiful woman, but shapes and colors of objects reflected from the background, Cassandra thought that no sight had ever been quite so romantic. It was all in keeping with the room and the house, and the city round them; for her ears had not yet ceased to notice the hum of distant wheels. They went downstairs rather late, in spite of Katharine s extreme speed in getting ready. To Cassandra s ears the buzz of voices inside the drawing-room was like the tuning up of the instruments of the orchestra. It seemed to her that there were numbers of people in the room, and that they were strangers, and that they were beautiful and dressed with the greatest distinction, although they proved to be mostly her relations, and the distinction of their clothing was confined, in the eyes of an impartial observer, to the white waistcoat which Rodney wore. But they all rose simultaneously, which was by itself impressive, and they all exclaimed, and shook hands, and she was introduced to Mr. Peyton, and the door sprang open, and dinner was announced, and they filed off, William Rodney offering her his slightly bent black arm, as she had secretly hoped he would. In short, had the scene been looked at only through her eyes, it must have been described as one of magical brilliancy. The pattern of the soup-plates, the stiff folds of the napkins, which rose by the side of each plate in the shape of arum lilies, the long sticks of bread tied with pink ribbon, the silver dishes and the sea-colored champagne glasses, with the flakes of gold congealed in their stems all these details, together with a curiously pervasive smell of kid gloves, contributed to her exhilaration, which must be repressed, however, because she was grown up, and the world held no more for her to marvel at. The world held no more for her to marvel at, it is true; but it held other people; and each other person possessed in Cassandra s mind some fragment of what privately she called "reality." It was a gift that they would impart if you asked them for it, and thus no dinner-party could possibly be dull, and little Mr. Peyton on her right and William Rodney on her left were in equal measure endowed with the quality which seemed to her so unmistakable and so precious that the way people neglected to demand it was a constant source of surprise to her. She scarcely knew, indeed, whether she was talking to Mr. Peyton or to William Rodney. But to one who, by degrees, assumed the shape of an elderly man with a mustache, she described how she had arrived in London that very afternoon, and how she had taken a cab and driven through the streets. Mr. Peyton, an editor of fifty years, bowed his bald head repeatedly, with apparent understanding. At least, he understood that she was very young and pretty, and saw that she was excited, though he could not gather at once from her words or remember from his own experience what there | astonishingly like Katharine, There wasn t a photograph of William anywhere to be seen. The room, with its combination of luxury and bareness, its silk dressing-gowns and crimson slippers, its shabby carpet and bare walls, had a powerful air of Katharine herself; she stood in the middle of the room and enjoyed the sensation; and then, with a desire to finger what her cousin was in the habit of fingering, Cassandra began to take down the books which stood in a row upon the shelf above the bed. In most houses this shelf is the ledge upon which the last relics of religious belief lodge themselves as if, late at night, in the heart of privacy, people, skeptical by day, find solace in sipping one draught of the old charm for such sorrows or perplexities as may steal from their hiding-places in the dark. But there was no hymn-book here. By their battered covers and enigmatical contents, Cassandra judged them to be old school-books belonging to Uncle Trevor, and piously, though eccentrically, preserved by his daughter. There was no end, she thought, to the unexpectedness of Katharine. She had once had a passion for geometry herself, and, curled upon Katharine s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin, "my whole life s changed from this moment! I must write the man s name down at once, or I shall forget" Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, of the small face with its long tapering nose and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?"<|quote|>Cassandra asked, anticipating further possibilities of rapture.</|quote|>"There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I think he s almost good enough for you, Katharine." "You shall sit next to him and tell him what you think of him." "I shan t dare do that," Cassandra asserted. "Why? You re not afraid of him, are you?" "A little because he s connected with you." Katharine smiled. "But then, with your well-known fidelity, considering that you re staying here at least a fortnight, you won t have any illusions left about me by the time you go. I give you a week, Cassandra. I shall see my power fading day by day. Now it s at the climax; but to-morrow it ll have begun to fade. What am I to wear, I wonder? Find me a blue dress, Cassandra, over there in the long wardrobe." She spoke disconnectedly, handling brush and comb, and pulling out the little drawers in her dressing-table and leaving them open. Cassandra, sitting on the bed behind her, saw the reflection of her cousin s face in the looking-glass. The face in the looking-glass was serious and intent, apparently occupied with other things besides the straightness of the parting which, however, was being driven as straight as a Roman road through the dark hair. Cassandra was impressed again by Katharine s maturity; and, as she enveloped herself in the blue dress which filled almost the whole of the long looking-glass with blue light and made it the frame of a picture, holding not only the slightly moving effigy of the beautiful woman, but shapes and colors of objects reflected from the background, Cassandra thought that no sight had ever been quite so romantic. It was all in keeping with the room and the house, and the city round them; for her ears had not yet ceased to notice the hum of distant wheels. They went downstairs rather late, in spite of Katharine s extreme speed | Night And Day |
"Yes, to my eternal confusion. You know how fond I am of you." | Cyril Fielding | called me a little rotter?"<|quote|>"Yes, to my eternal confusion. You know how fond I am of you."</|quote|>"That is nothing, of course, | made this morning?" "When you called me a little rotter?"<|quote|>"Yes, to my eternal confusion. You know how fond I am of you."</|quote|>"That is nothing, of course, we all of us make | by Mr. Ram Chand." He was out of sorts and uneasy. The conversation jumped from topic to topic in a broken-backed fashion. They were affectionate and intimate, but nothing clicked tight. "Aziz, you have forgiven me the stupid remark I made this morning?" "When you called me a little rotter?"<|quote|>"Yes, to my eternal confusion. You know how fond I am of you."</|quote|>"That is nothing, of course, we all of us make mistakes. In a friendship such as ours a few slips are of no consequence." But as he drove off, something depressed him a dull pain of body or mind, waiting to rise to the surface. When he reached the bungalow | trouble I'll bike." "But you haven't got your bicycle. My carriage fetched you let it take you away." "Sound reasoning," he said, trying to be gay. "I have not got my bicycle. But I am seen too often in your carriage. I am thought to take advantage of your generosity by Mr. Ram Chand." He was out of sorts and uneasy. The conversation jumped from topic to topic in a broken-backed fashion. They were affectionate and intimate, but nothing clicked tight. "Aziz, you have forgiven me the stupid remark I made this morning?" "When you called me a little rotter?"<|quote|>"Yes, to my eternal confusion. You know how fond I am of you."</|quote|>"That is nothing, of course, we all of us make mistakes. In a friendship such as ours a few slips are of no consequence." But as he drove off, something depressed him a dull pain of body or mind, waiting to rise to the surface. When he reached the bungalow he wanted to return and say something very affectionate; instead, he gave the sais a heavy tip, and sat down gloomily on the bed, and Hassan massaged him incompetently. The eye-flies had colonized the top of an almeira; the red stains on the durry were thicker, for Mohammed Latif had | a memory is intense, the past became the future, and he saw her with him in a quiet Hindu jungle native state, far away from foreigners. He said: "I suppose you will visit Miss Quested." "If I have time. It will be strange seeing her in Hampstead." "What is Hampstead?" "An artistic and thoughtful little suburb of London" "And there she lives in comfort: you will enjoy seeing her. . . . Dear me, I've got a headache this evening. Perhaps I am going to have cholera. With your permission, I'll leave early." "When would you like the carriage?" "Don't trouble I'll bike." "But you haven't got your bicycle. My carriage fetched you let it take you away." "Sound reasoning," he said, trying to be gay. "I have not got my bicycle. But I am seen too often in your carriage. I am thought to take advantage of your generosity by Mr. Ram Chand." He was out of sorts and uneasy. The conversation jumped from topic to topic in a broken-backed fashion. They were affectionate and intimate, but nothing clicked tight. "Aziz, you have forgiven me the stupid remark I made this morning?" "When you called me a little rotter?"<|quote|>"Yes, to my eternal confusion. You know how fond I am of you."</|quote|>"That is nothing, of course, we all of us make mistakes. In a friendship such as ours a few slips are of no consequence." But as he drove off, something depressed him a dull pain of body or mind, waiting to rise to the surface. When he reached the bungalow he wanted to return and say something very affectionate; instead, he gave the sais a heavy tip, and sat down gloomily on the bed, and Hassan massaged him incompetently. The eye-flies had colonized the top of an almeira; the red stains on the durry were thicker, for Mohammed Latif had slept here during his imprisonment and spat a good deal; the table drawer was scarred where the police had forced it open; everything in Chandrapore was used up, including the air. The trouble rose to the surface now: he was suspicious; he suspected his friend of intending to marry Miss Quested for the sake of her money, and of going to England for that purpose. "Huzoor?" for he had muttered. "Look at those flies on the ceiling. Why have you not drowned them?" "Huzoor, they return." "Like all evil things." To divert the conversation, Hassan related how the kitchen-boy had | is faded,' "for evermore. We know it's faded. Yet you can't have patriotic poetry of the India, my India' type, when it's nobody's India." "I like this conversation. It may lead to something interesting." "You are quite right in thinking that poetry must touch life. When I knew you first, you used it as an incantation." "I was a child when you knew me first. Everyone was my friend then. The Friend: a Persian expression for God. But I do not want to be a religious poet either." "I hoped you would be." "Why, when you yourself are an atheist?" "There is something in religion that may not be true, but has not yet been sung." "Explain in detail." "Something that the Hindus have perhaps found." "Let them sing it." "Hindus are unable to sing." "Cyril, you sometimes make a sensible remark. That will do for poetry for the present. Let us now return to your English visit." "We haven't discussed poetry for two seconds," said the other, smiling. But Aziz was addicted to cameos. He held the tiny conversation in his hand, and felt it epitomized his problem. For an instant he recalled his wife, and, as happens when a memory is intense, the past became the future, and he saw her with him in a quiet Hindu jungle native state, far away from foreigners. He said: "I suppose you will visit Miss Quested." "If I have time. It will be strange seeing her in Hampstead." "What is Hampstead?" "An artistic and thoughtful little suburb of London" "And there she lives in comfort: you will enjoy seeing her. . . . Dear me, I've got a headache this evening. Perhaps I am going to have cholera. With your permission, I'll leave early." "When would you like the carriage?" "Don't trouble I'll bike." "But you haven't got your bicycle. My carriage fetched you let it take you away." "Sound reasoning," he said, trying to be gay. "I have not got my bicycle. But I am seen too often in your carriage. I am thought to take advantage of your generosity by Mr. Ram Chand." He was out of sorts and uneasy. The conversation jumped from topic to topic in a broken-backed fashion. They were affectionate and intimate, but nothing clicked tight. "Aziz, you have forgiven me the stupid remark I made this morning?" "When you called me a little rotter?"<|quote|>"Yes, to my eternal confusion. You know how fond I am of you."</|quote|>"That is nothing, of course, we all of us make mistakes. In a friendship such as ours a few slips are of no consequence." But as he drove off, something depressed him a dull pain of body or mind, waiting to rise to the surface. When he reached the bungalow he wanted to return and say something very affectionate; instead, he gave the sais a heavy tip, and sat down gloomily on the bed, and Hassan massaged him incompetently. The eye-flies had colonized the top of an almeira; the red stains on the durry were thicker, for Mohammed Latif had slept here during his imprisonment and spat a good deal; the table drawer was scarred where the police had forced it open; everything in Chandrapore was used up, including the air. The trouble rose to the surface now: he was suspicious; he suspected his friend of intending to marry Miss Quested for the sake of her money, and of going to England for that purpose. "Huzoor?" for he had muttered. "Look at those flies on the ceiling. Why have you not drowned them?" "Huzoor, they return." "Like all evil things." To divert the conversation, Hassan related how the kitchen-boy had killed a snake, good, but killed it by cutting it in two, bad, because it becomes two snakes. "When he breaks a plate, does it become two plates?" "Glasses and a new teapot will similarly be required, also for myself a coat." Aziz sighed. Each for himself. One man needs a coat, another a rich wife; each approaches his goal by a clever detour. Fielding had saved the girl a fine of twenty thousand rupees, and now followed her to England. If he desired to marry her, all was explained; she would bring him a larger dowry. Aziz did not believe his own suspicions better if he had, for then he would have denounced and cleared the situation up. Suspicion and belief could in his mind exist side by side. They sprang from different sources, and need never intermingle. Suspicion in the Oriental is a sort of malignant tumour, a mental malady, that makes him self-conscious and unfriendly suddenly; he trusts and mistrusts at the same time in a way the Westerner cannot comprehend. It is his demon, as the Westerner's is hypocrisy. Aziz was seized by it, and his fancy built a satanic castle, of which the foundation had | modern the country gets, the worse'll be the crash. In the old eighteenth century, when cruelty and injustice raged, an invisible power repaired their ravages. Everything echoes now; there's no stopping the echo. The original sound may be harmless, but the echo is always evil." This reflection about an echo lay at the verge of Fielding's mind. He could never develop it. It belonged to the universe that he had missed or rejected. And the mosque missed it too. Like himself, those shallow arcades provided but a limited asylum. "There is no God but God" doesn't carry us far through the complexities of matter and spirit; it is only a game with words, really, a religious pun, not a religious truth. He found Aziz overtired and dispirited, and he determined not to allude to their misunderstanding until the end of the evening; it would be more acceptable then. He made a clean breast about the club said he had only gone under compulsion, and should never attend again unless the order was renewed. "In other words, probably never; for I am going quite soon to England." "I thought you might end in England," he said very quietly, then changed the conversation. Rather awkwardly they ate their dinner, then went out to sit in the Mogul garden-house. "I am only going for a little time. On official business. My service is anxious to get me away from Chandrapore for a bit. It is obliged to value me highly, but does not care for me. The situation is somewhat humorous." "What is the nature of the business? Will it leave you much spare time?" "Enough to see my friends." "I expected you to make such a reply. You are a faithful friend. Shall we now talk about something else?" "Willingly. What subject?" "Poetry," he said, with tears in his eyes. "Let us discuss why poetry has lost the power of making men brave. My mother's father was also a poet, and fought against you in the Mutiny. I might equal him if there was another mutiny. As it is, I am a doctor, who has won a case and has three children to support, and whose chief subject of conversation is official plans." "Let us talk about poetry." He turned his mind to the innocuous subject. "You people are sadly circumstanced. Whatever are you to write about? You cannot say," The rose is faded,' "for evermore. We know it's faded. Yet you can't have patriotic poetry of the India, my India' type, when it's nobody's India." "I like this conversation. It may lead to something interesting." "You are quite right in thinking that poetry must touch life. When I knew you first, you used it as an incantation." "I was a child when you knew me first. Everyone was my friend then. The Friend: a Persian expression for God. But I do not want to be a religious poet either." "I hoped you would be." "Why, when you yourself are an atheist?" "There is something in religion that may not be true, but has not yet been sung." "Explain in detail." "Something that the Hindus have perhaps found." "Let them sing it." "Hindus are unable to sing." "Cyril, you sometimes make a sensible remark. That will do for poetry for the present. Let us now return to your English visit." "We haven't discussed poetry for two seconds," said the other, smiling. But Aziz was addicted to cameos. He held the tiny conversation in his hand, and felt it epitomized his problem. For an instant he recalled his wife, and, as happens when a memory is intense, the past became the future, and he saw her with him in a quiet Hindu jungle native state, far away from foreigners. He said: "I suppose you will visit Miss Quested." "If I have time. It will be strange seeing her in Hampstead." "What is Hampstead?" "An artistic and thoughtful little suburb of London" "And there she lives in comfort: you will enjoy seeing her. . . . Dear me, I've got a headache this evening. Perhaps I am going to have cholera. With your permission, I'll leave early." "When would you like the carriage?" "Don't trouble I'll bike." "But you haven't got your bicycle. My carriage fetched you let it take you away." "Sound reasoning," he said, trying to be gay. "I have not got my bicycle. But I am seen too often in your carriage. I am thought to take advantage of your generosity by Mr. Ram Chand." He was out of sorts and uneasy. The conversation jumped from topic to topic in a broken-backed fashion. They were affectionate and intimate, but nothing clicked tight. "Aziz, you have forgiven me the stupid remark I made this morning?" "When you called me a little rotter?"<|quote|>"Yes, to my eternal confusion. You know how fond I am of you."</|quote|>"That is nothing, of course, we all of us make mistakes. In a friendship such as ours a few slips are of no consequence." But as he drove off, something depressed him a dull pain of body or mind, waiting to rise to the surface. When he reached the bungalow he wanted to return and say something very affectionate; instead, he gave the sais a heavy tip, and sat down gloomily on the bed, and Hassan massaged him incompetently. The eye-flies had colonized the top of an almeira; the red stains on the durry were thicker, for Mohammed Latif had slept here during his imprisonment and spat a good deal; the table drawer was scarred where the police had forced it open; everything in Chandrapore was used up, including the air. The trouble rose to the surface now: he was suspicious; he suspected his friend of intending to marry Miss Quested for the sake of her money, and of going to England for that purpose. "Huzoor?" for he had muttered. "Look at those flies on the ceiling. Why have you not drowned them?" "Huzoor, they return." "Like all evil things." To divert the conversation, Hassan related how the kitchen-boy had killed a snake, good, but killed it by cutting it in two, bad, because it becomes two snakes. "When he breaks a plate, does it become two plates?" "Glasses and a new teapot will similarly be required, also for myself a coat." Aziz sighed. Each for himself. One man needs a coat, another a rich wife; each approaches his goal by a clever detour. Fielding had saved the girl a fine of twenty thousand rupees, and now followed her to England. If he desired to marry her, all was explained; she would bring him a larger dowry. Aziz did not believe his own suspicions better if he had, for then he would have denounced and cleared the situation up. Suspicion and belief could in his mind exist side by side. They sprang from different sources, and need never intermingle. Suspicion in the Oriental is a sort of malignant tumour, a mental malady, that makes him self-conscious and unfriendly suddenly; he trusts and mistrusts at the same time in a way the Westerner cannot comprehend. It is his demon, as the Westerner's is hypocrisy. Aziz was seized by it, and his fancy built a satanic castle, of which the foundation had been laid when he talked at Dilkusha under the stars. The girl had surely been Cyril's mistress when she stopped in the College Mohammed Latif was right. But was that all? Perhaps it was Cyril who followed her into the cave. . . . No; impossible. Cyril hadn't been on the Kawa Dol at all. Impossible. Ridiculous. Yet the fancy left him trembling with misery. Such treachery if true would have been the worst in Indian history; nothing so vile, not even the murder of Afzul Khan by Sivaji. He was shaken, as though by a truth, and told Hassan to leave him. Next day he decided to take his children back to Mussoorie. They had come down for the trial, that he might bid them farewell, and had stayed on at Hamidullah's for the rejoicings. Major Roberts would give him leave, and during his absence Fielding would go off to England. The idea suited both his beliefs and his suspicions. Events would prove which was right, and preserve, in either case, his dignity. Fielding was conscious of something hostile, and because he was really fond of Aziz his optimism failed him. Travelling light is less easy as soon as affection is involved. Unable to jog forward in the serene hope that all would come right, he wrote an elaborate letter in the rather modern style: "It is on my mind that you think me a prude about women. I had rather you thought anything else of me. If I live impeccably now, it is only because I am well on the forties a period of revision. In the eighties I shall revise again. And before the nineties come I shall be revised! But, alive or dead, I am absolutely devoid of morals. Do kindly grasp this about me." Aziz did not care for the letter at all. It hurt his delicacy. He liked confidences, however gross, but generalizations and comparisons always repelled him. Life is not a scientific manual. He replied coldly, regretting his inability to return from Mussoorie before his friend sailed: "But I must take my poor little holiday while I can. All must be economy henceforward, all hopes of Kashmir have vanished for ever and ever. When you return I shall be slaving far away in some new post." And Fielding went, and in the last gutterings of Chandrapore heaven and earth both looking like toffee | life. When I knew you first, you used it as an incantation." "I was a child when you knew me first. Everyone was my friend then. The Friend: a Persian expression for God. But I do not want to be a religious poet either." "I hoped you would be." "Why, when you yourself are an atheist?" "There is something in religion that may not be true, but has not yet been sung." "Explain in detail." "Something that the Hindus have perhaps found." "Let them sing it." "Hindus are unable to sing." "Cyril, you sometimes make a sensible remark. That will do for poetry for the present. Let us now return to your English visit." "We haven't discussed poetry for two seconds," said the other, smiling. But Aziz was addicted to cameos. He held the tiny conversation in his hand, and felt it epitomized his problem. For an instant he recalled his wife, and, as happens when a memory is intense, the past became the future, and he saw her with him in a quiet Hindu jungle native state, far away from foreigners. He said: "I suppose you will visit Miss Quested." "If I have time. It will be strange seeing her in Hampstead." "What is Hampstead?" "An artistic and thoughtful little suburb of London" "And there she lives in comfort: you will enjoy seeing her. . . . Dear me, I've got a headache this evening. Perhaps I am going to have cholera. With your permission, I'll leave early." "When would you like the carriage?" "Don't trouble I'll bike." "But you haven't got your bicycle. My carriage fetched you let it take you away." "Sound reasoning," he said, trying to be gay. "I have not got my bicycle. But I am seen too often in your carriage. I am thought to take advantage of your generosity by Mr. Ram Chand." He was out of sorts and uneasy. The conversation jumped from topic to topic in a broken-backed fashion. They were affectionate and intimate, but nothing clicked tight. "Aziz, you have forgiven me the stupid remark I made this morning?" "When you called me a little rotter?"<|quote|>"Yes, to my eternal confusion. You know how fond I am of you."</|quote|>"That is nothing, of course, we all of us make mistakes. In a friendship such as ours a few slips are of no consequence." But as he drove off, something depressed him a dull pain of body or mind, waiting to rise to the surface. When he reached the bungalow he wanted to return and say something very affectionate; instead, he gave the sais a heavy tip, and sat down gloomily on the bed, and Hassan massaged him incompetently. The eye-flies had colonized the top of an almeira; the red stains on the durry were thicker, for Mohammed Latif had slept here during his imprisonment and spat a good deal; the table drawer was scarred where the police had forced it open; everything in Chandrapore was used up, including the air. The trouble rose to the surface now: he was suspicious; he suspected his friend of intending to marry Miss Quested for the sake of her money, and of going to England for that purpose. "Huzoor?" for he had muttered. "Look at those flies on the ceiling. Why have you not drowned them?" "Huzoor, they return." "Like all evil things." To divert the conversation, Hassan related how the kitchen-boy had killed a snake, good, but killed it by cutting it in two, bad, because it becomes two snakes. "When he breaks a plate, does it become two plates?" "Glasses and a new teapot will similarly be required, also for myself a coat." Aziz sighed. Each for himself. One man needs a coat, another a rich wife; each approaches his goal by a clever detour. Fielding had saved the girl a fine of twenty thousand rupees, and now followed her to England. If he desired to marry her, all was explained; she would bring him a larger dowry. Aziz did not believe his own suspicions better if he had, for then he would have denounced and cleared the situation up. Suspicion and belief could in his mind exist side by side. They sprang from different sources, and need never intermingle. Suspicion in the Oriental is a sort of malignant tumour, a mental malady, that makes him self-conscious and unfriendly suddenly; he trusts and mistrusts at the same time in a way the Westerner cannot comprehend. It is his demon, as the Westerner's is hypocrisy. Aziz was seized by it, and his fancy built a satanic castle, of which the foundation had been laid when he talked at Dilkusha under the stars. The girl had surely been Cyril's mistress when she stopped in the College Mohammed Latif was right. But was that all? Perhaps it was Cyril who followed her into the cave. . . . No; impossible. Cyril hadn't been on the Kawa Dol at all. Impossible. Ridiculous. Yet the fancy left him trembling with misery. Such treachery if true would have been the worst in Indian history; nothing so vile, not even the murder of Afzul Khan by Sivaji. He was shaken, as though by a truth, and told Hassan to leave him. Next day he decided to take his children back to Mussoorie. They had come down for the trial, that he might bid them | A Passage To India |
It was the first reference she had ever made to her contemptible behaviour. | No speaker | was as strange as anything."<|quote|>It was the first reference she had ever made to her contemptible behaviour.</|quote|>"Never mind," he said. "It | tragic. And what I did was as strange as anything."<|quote|>It was the first reference she had ever made to her contemptible behaviour.</|quote|>"Never mind," he said. "It s all over now. Let | person whom it might be well to cultivate. At first she annoyed him. They were talking, of course, about Lilia, when she broke the thread of vague commiseration and said abruptly, "It is all so strange as well as so tragic. And what I did was as strange as anything."<|quote|>It was the first reference she had ever made to her contemptible behaviour.</|quote|>"Never mind," he said. "It s all over now. Let the dead bury their dead. It s fallen out of our lives." "But that s why I can talk about it and tell you everything I have always wanted to. You thought me stupid and sentimental and wicked and mad, | expected something ghastly now. He was surprised. Miss Abbott, between Sawston and Charing Cross, revealed qualities which he had never guessed her to possess. Without being exactly original, she did show a commendable intelligence, and though at times she was gauche and even uncourtly, he felt that here was a person whom it might be well to cultivate. At first she annoyed him. They were talking, of course, about Lilia, when she broke the thread of vague commiseration and said abruptly, "It is all so strange as well as so tragic. And what I did was as strange as anything."<|quote|>It was the first reference she had ever made to her contemptible behaviour.</|quote|>"Never mind," he said. "It s all over now. Let the dead bury their dead. It s fallen out of our lives." "But that s why I can talk about it and tell you everything I have always wanted to. You thought me stupid and sentimental and wicked and mad, but you never really knew how much I was to blame." "Indeed I never think about it now," said Philip gently. He knew that her nature was in the main generous and upright: it was unnecessary for her to reveal her thoughts. "The first evening we got to Monteriano," she | say before Harriet. Her ideas are so crude. Really we do not want it known in Sawston that there is a baby. All peace and comfort would be lost if people came inquiring after it." His mother knew how to manage him. He agreed enthusiastically. And a few days later, when he chanced to travel up to London with Miss Abbott, he had all the time the pleasant thrill of one who is better informed. Their last journey together had been from Monteriano back across Europe. It had been a ghastly journey, and Philip, from the force of association, rather expected something ghastly now. He was surprised. Miss Abbott, between Sawston and Charing Cross, revealed qualities which he had never guessed her to possess. Without being exactly original, she did show a commendable intelligence, and though at times she was gauche and even uncourtly, he felt that here was a person whom it might be well to cultivate. At first she annoyed him. They were talking, of course, about Lilia, when she broke the thread of vague commiseration and said abruptly, "It is all so strange as well as so tragic. And what I did was as strange as anything."<|quote|>It was the first reference she had ever made to her contemptible behaviour.</|quote|>"Never mind," he said. "It s all over now. Let the dead bury their dead. It s fallen out of our lives." "But that s why I can talk about it and tell you everything I have always wanted to. You thought me stupid and sentimental and wicked and mad, but you never really knew how much I was to blame." "Indeed I never think about it now," said Philip gently. He knew that her nature was in the main generous and upright: it was unnecessary for her to reveal her thoughts. "The first evening we got to Monteriano," she persisted, "Lilia went out for a walk alone, saw that Italian in a picturesque position on a wall, and fell in love. He was shabbily dressed, and she did not even know he was the son of a dentist. I must tell you I was used to this sort of thing. Once or twice before I had had to send people about their business." "Yes; we counted on you," said Philip, with sudden sharpness. After all, if she would reveal her thoughts, she must take the consequences. "I know you did," she retorted with equal sharpness. "Lilia saw him several | settled, he went out and took an aimless and solitary walk. By the time he came back two important things had happened. Irma had been told of her mother s death, and Miss Abbott, who had called for a subscription, had been told also. Irma had wept loudly, had asked a few sensible questions and a good many silly ones, and had been content with evasive answers. Fortunately the school prize-giving was at hand, and that, together with the prospect of new black clothes, kept her from meditating on the fact that Lilia, who had been absent so long, would now be absent for ever. "As for Caroline," said Mrs. Herriton, "I was almost frightened. She broke down utterly. She cried even when she left the house. I comforted her as best I could, and I kissed her. It is something that the breach between her and ourselves is now entirely healed." "Did she ask no questions--as to the nature of Lilia s death, I mean?" "She did. But she has a mind of extraordinary delicacy. She saw that I was reticent, and she did not press me. You see, Philip, I can say to you what I could not say before Harriet. Her ideas are so crude. Really we do not want it known in Sawston that there is a baby. All peace and comfort would be lost if people came inquiring after it." His mother knew how to manage him. He agreed enthusiastically. And a few days later, when he chanced to travel up to London with Miss Abbott, he had all the time the pleasant thrill of one who is better informed. Their last journey together had been from Monteriano back across Europe. It had been a ghastly journey, and Philip, from the force of association, rather expected something ghastly now. He was surprised. Miss Abbott, between Sawston and Charing Cross, revealed qualities which he had never guessed her to possess. Without being exactly original, she did show a commendable intelligence, and though at times she was gauche and even uncourtly, he felt that here was a person whom it might be well to cultivate. At first she annoyed him. They were talking, of course, about Lilia, when she broke the thread of vague commiseration and said abruptly, "It is all so strange as well as so tragic. And what I did was as strange as anything."<|quote|>It was the first reference she had ever made to her contemptible behaviour.</|quote|>"Never mind," he said. "It s all over now. Let the dead bury their dead. It s fallen out of our lives." "But that s why I can talk about it and tell you everything I have always wanted to. You thought me stupid and sentimental and wicked and mad, but you never really knew how much I was to blame." "Indeed I never think about it now," said Philip gently. He knew that her nature was in the main generous and upright: it was unnecessary for her to reveal her thoughts. "The first evening we got to Monteriano," she persisted, "Lilia went out for a walk alone, saw that Italian in a picturesque position on a wall, and fell in love. He was shabbily dressed, and she did not even know he was the son of a dentist. I must tell you I was used to this sort of thing. Once or twice before I had had to send people about their business." "Yes; we counted on you," said Philip, with sudden sharpness. After all, if she would reveal her thoughts, she must take the consequences. "I know you did," she retorted with equal sharpness. "Lilia saw him several times again, and I knew I ought to interfere. I called her to my bedroom one night. She was very frightened, for she knew what it was about and how severe I could be. Do you love this man? I asked. Yes or no? She said Yes. And I said, Why don t you marry him if you think you ll be happy?" "Really--really," exploded Philip, as exasperated as if the thing had happened yesterday. "You knew Lilia all your life. Apart from everything else--as if she could choose what could make her happy!" "Had you ever let her choose?" she flashed out. "I m afraid that s rude," she added, trying to calm herself. "Let us rather say unhappily expressed," said Philip, who always adopted a dry satirical manner when he was puzzled. "I want to finish. Next morning I found Signor Carella and said the same to him. He--well, he was willing. That s all." "And the telegram?" He looked scornfully out of the window. Hitherto her voice had been hard, possibly in self-accusation, possibly in defiance. Now it became unmistakably sad. "Ah, the telegram! That was wrong. Lilia there was more cowardly than I was. We should | even see Mr. Kingcroft now. He, thank goodness, I hear, has at last consoled himself with someone else." "The child must know some time," persisted Philip, who felt a little displeased, though he could not tell with what. "The later the better. Every moment she is developing." "I must say it seems rather hard luck, doesn t it?" "On Irma? Why?" "On us, perhaps. We have morals and behaviour also, and I don t think this continual secrecy improves them." "There s no need to twist the thing round to that," said Harriet, rather disturbed. "Of course there isn t," said her mother. "Let s keep to the main issue. This baby s quite beside the point. Mrs. Theobald will do nothing, and it s no concern of ours." "It will make a difference in the money, surely," said he. "No, dear; very little. Poor Charles provided for every kind of contingency in his will. The money will come to you and Harriet, as Irma s guardians." "Good. Does the Italian get anything?" "He will get all hers. But you know what that is." "Good. So those are our tactics--to tell no one about the baby, not even Miss Abbott." "Most certainly this is the proper course," said Mrs. Herriton, preferring "course" to "tactics" for Harriet s sake. "And why ever should we tell Caroline?" "She was so mixed up in the affair." "Poor silly creature. The less she hears about it the better she will be pleased. I have come to be very sorry for Caroline. She, if any one, has suffered and been penitent. She burst into tears when I told her a little, only a little, of that terrible letter. I never saw such genuine remorse. We must forgive her and forget. Let the dead bury their dead. We will not trouble her with them." Philip saw that his mother was scarcely logical. But there was no advantage in saying so. "Here beginneth the New Life, then. Do you remember, mother, that was what we said when we saw Lilia off?" "Yes, dear; but now it is really a New Life, because we are all at accord. Then you were still infatuated with Italy. It may be full of beautiful pictures and churches, but we cannot judge a country by anything but its men." "That is quite true," he said sadly. And as the tactics were now settled, he went out and took an aimless and solitary walk. By the time he came back two important things had happened. Irma had been told of her mother s death, and Miss Abbott, who had called for a subscription, had been told also. Irma had wept loudly, had asked a few sensible questions and a good many silly ones, and had been content with evasive answers. Fortunately the school prize-giving was at hand, and that, together with the prospect of new black clothes, kept her from meditating on the fact that Lilia, who had been absent so long, would now be absent for ever. "As for Caroline," said Mrs. Herriton, "I was almost frightened. She broke down utterly. She cried even when she left the house. I comforted her as best I could, and I kissed her. It is something that the breach between her and ourselves is now entirely healed." "Did she ask no questions--as to the nature of Lilia s death, I mean?" "She did. But she has a mind of extraordinary delicacy. She saw that I was reticent, and she did not press me. You see, Philip, I can say to you what I could not say before Harriet. Her ideas are so crude. Really we do not want it known in Sawston that there is a baby. All peace and comfort would be lost if people came inquiring after it." His mother knew how to manage him. He agreed enthusiastically. And a few days later, when he chanced to travel up to London with Miss Abbott, he had all the time the pleasant thrill of one who is better informed. Their last journey together had been from Monteriano back across Europe. It had been a ghastly journey, and Philip, from the force of association, rather expected something ghastly now. He was surprised. Miss Abbott, between Sawston and Charing Cross, revealed qualities which he had never guessed her to possess. Without being exactly original, she did show a commendable intelligence, and though at times she was gauche and even uncourtly, he felt that here was a person whom it might be well to cultivate. At first she annoyed him. They were talking, of course, about Lilia, when she broke the thread of vague commiseration and said abruptly, "It is all so strange as well as so tragic. And what I did was as strange as anything."<|quote|>It was the first reference she had ever made to her contemptible behaviour.</|quote|>"Never mind," he said. "It s all over now. Let the dead bury their dead. It s fallen out of our lives." "But that s why I can talk about it and tell you everything I have always wanted to. You thought me stupid and sentimental and wicked and mad, but you never really knew how much I was to blame." "Indeed I never think about it now," said Philip gently. He knew that her nature was in the main generous and upright: it was unnecessary for her to reveal her thoughts. "The first evening we got to Monteriano," she persisted, "Lilia went out for a walk alone, saw that Italian in a picturesque position on a wall, and fell in love. He was shabbily dressed, and she did not even know he was the son of a dentist. I must tell you I was used to this sort of thing. Once or twice before I had had to send people about their business." "Yes; we counted on you," said Philip, with sudden sharpness. After all, if she would reveal her thoughts, she must take the consequences. "I know you did," she retorted with equal sharpness. "Lilia saw him several times again, and I knew I ought to interfere. I called her to my bedroom one night. She was very frightened, for she knew what it was about and how severe I could be. Do you love this man? I asked. Yes or no? She said Yes. And I said, Why don t you marry him if you think you ll be happy?" "Really--really," exploded Philip, as exasperated as if the thing had happened yesterday. "You knew Lilia all your life. Apart from everything else--as if she could choose what could make her happy!" "Had you ever let her choose?" she flashed out. "I m afraid that s rude," she added, trying to calm herself. "Let us rather say unhappily expressed," said Philip, who always adopted a dry satirical manner when he was puzzled. "I want to finish. Next morning I found Signor Carella and said the same to him. He--well, he was willing. That s all." "And the telegram?" He looked scornfully out of the window. Hitherto her voice had been hard, possibly in self-accusation, possibly in defiance. Now it became unmistakably sad. "Ah, the telegram! That was wrong. Lilia there was more cowardly than I was. We should have told the truth. It lost me my nerve, at all events. I came to the station meaning to tell you everything then. But we had started with a lie, and I got frightened. And at the end, when you left, I got frightened again and came with you." "Did you really mean to stop?" "For a time, at all events." "Would that have suited a newly married pair?" "It would have suited them. Lilia needed me. And as for him--I can t help feeling I might have got influence over him." "I am ignorant of these matters," said Philip; "but I should have thought that would have increased the difficulty of the situation." The crisp remark was wasted on her. She looked hopelessly at the raw over-built country, and said, "Well, I have explained." "But pardon me, Miss Abbott; of most of your conduct you have given a description rather than an explanation." He had fairly caught her, and expected that she would gape and collapse. To his surprise she answered with some spirit, "An explanation may bore you, Mr. Herriton: it drags in other topics." "Oh, never mind." "I hated Sawston, you see." He was delighted. "So did and do I. That s splendid. Go on." "I hated the idleness, the stupidity, the respectability, the petty unselfishness." "Petty selfishness," he corrected. Sawston psychology had long been his specialty. "Petty unselfishness," she repeated. "I had got an idea that every one here spent their lives in making little sacrifices for objects they didn t care for, to please people they didn t love; that they never learnt to be sincere--and, what s as bad, never learnt how to enjoy themselves. That s what I thought--what I thought at Monteriano." "Why, Miss Abbott," he cried, "you should have told me this before! Think it still! I agree with lots of it. Magnificent!" "Now Lilia," she went on, "though there were things about her I didn t like, had somehow kept the power of enjoying herself with sincerity. And Gino, I thought, was splendid, and young, and strong not only in body, and sincere as the day. If they wanted to marry, why shouldn t they do so? Why shouldn t she break with the deadening life where she had got into a groove, and would go on in it, getting more and more--worse than unhappy--apathetic till she died? Of course | and she did not press me. You see, Philip, I can say to you what I could not say before Harriet. Her ideas are so crude. Really we do not want it known in Sawston that there is a baby. All peace and comfort would be lost if people came inquiring after it." His mother knew how to manage him. He agreed enthusiastically. And a few days later, when he chanced to travel up to London with Miss Abbott, he had all the time the pleasant thrill of one who is better informed. Their last journey together had been from Monteriano back across Europe. It had been a ghastly journey, and Philip, from the force of association, rather expected something ghastly now. He was surprised. Miss Abbott, between Sawston and Charing Cross, revealed qualities which he had never guessed her to possess. Without being exactly original, she did show a commendable intelligence, and though at times she was gauche and even uncourtly, he felt that here was a person whom it might be well to cultivate. At first she annoyed him. They were talking, of course, about Lilia, when she broke the thread of vague commiseration and said abruptly, "It is all so strange as well as so tragic. And what I did was as strange as anything."<|quote|>It was the first reference she had ever made to her contemptible behaviour.</|quote|>"Never mind," he said. "It s all over now. Let the dead bury their dead. It s fallen out of our lives." "But that s why I can talk about it and tell you everything I have always wanted to. You thought me stupid and sentimental and wicked and mad, but you never really knew how much I was to blame." "Indeed I never think about it now," said Philip gently. He knew that her nature was in the main generous and upright: it was unnecessary for her to reveal her thoughts. "The first evening we got to Monteriano," she persisted, "Lilia went out for a walk alone, saw that Italian in a picturesque position on a wall, and fell in love. He was shabbily dressed, and she did not even know he was the son of a dentist. I must tell you I was used to this sort of thing. Once or twice before I had had to send people about their business." "Yes; we counted on you," said Philip, with sudden sharpness. After all, if she would reveal her thoughts, she must take the consequences. "I know you did," she retorted with equal sharpness. "Lilia saw him several times again, and | Where Angels Fear To Tread |
I said, | No speaker | one. "That Marquis of yours,"<|quote|>I said,</|quote|>"is _he_ also familiar with | answered this question with another one. "That Marquis of yours,"<|quote|>I said,</|quote|>"is _he_ also familiar with your family secrets?" "And why | old lady has remembered me in her will." "Yes, I believe that you _will_ come in for a good deal," I said with some assurance. "Yes, for she is fond of me. But how come you to think so?" I answered this question with another one. "That Marquis of yours,"<|quote|>I said,</|quote|>"is _he_ also familiar with your family secrets?" "And why are you yourself so interested in them?" was her retort as she eyed me with dry grimness. "Never mind. If I am not mistaken, the General has succeeded in borrowing money of the Marquis." "It may be so." "Is it | queried. "Of course all of us, and every minute of the day. For a year-and-a-half now we have been looking for this." "Looking for it?" "Yes, looking for it. I am not her blood relation, you know I am merely the General s step-daughter. Yet I am certain that the old lady has remembered me in her will." "Yes, I believe that you _will_ come in for a good deal," I said with some assurance. "Yes, for she is fond of me. But how come you to think so?" I answered this question with another one. "That Marquis of yours,"<|quote|>I said,</|quote|>"is _he_ also familiar with your family secrets?" "And why are you yourself so interested in them?" was her retort as she eyed me with dry grimness. "Never mind. If I am not mistaken, the General has succeeded in borrowing money of the Marquis." "It may be so." "Is it likely that the Marquis would have lent the money if he had not known something or other about your grandmother? Did you notice, too, that three times during luncheon, when speaking of her, he called her La Baboulenka ?" [1]. "What loving, friendly behaviour, to be sure!" [1] Dear little | least 2000 g lden, or even more. "Come what may, I _must_ have money," she said. "And get it somehow I will otherwise I shall be ruined." I asked her what had happened during my absence. "Nothing; except that two pieces of news have reached us from St. Petersburg. In the first place, my grandmother is very ill, and unlikely to last another couple of days. We had this from Timothy Petrovitch himself, and he is a reliable person. Every moment we are expecting to receive news of the end." "All of you are on the tiptoe of expectation?" I queried. "Of course all of us, and every minute of the day. For a year-and-a-half now we have been looking for this." "Looking for it?" "Yes, looking for it. I am not her blood relation, you know I am merely the General s step-daughter. Yet I am certain that the old lady has remembered me in her will." "Yes, I believe that you _will_ come in for a good deal," I said with some assurance. "Yes, for she is fond of me. But how come you to think so?" I answered this question with another one. "That Marquis of yours,"<|quote|>I said,</|quote|>"is _he_ also familiar with your family secrets?" "And why are you yourself so interested in them?" was her retort as she eyed me with dry grimness. "Never mind. If I am not mistaken, the General has succeeded in borrowing money of the Marquis." "It may be so." "Is it likely that the Marquis would have lent the money if he had not known something or other about your grandmother? Did you notice, too, that three times during luncheon, when speaking of her, he called her La Baboulenka ?" [1]. "What loving, friendly behaviour, to be sure!" [1] Dear little Grandmother. "Yes, that is true. As soon as ever he learnt that I was likely to inherit something from her he began to pay me his addresses. I thought you ought to know that." "Then he has only just begun his courting? Why, I thought he had been doing so a long while!" "You _know_ he has not," retorted Polina angrily. "But where on earth did you pick up this Englishman?" She said this after a pause. "I _knew_ you would ask about him!" Whereupon I told her of my previous encounters with Astley while travelling. "He is very shy," | the former to read, for example, extracts from the memoirs of General Perovski, who, in 1812, was a prisoner in the hands of the French. Finally Maria Philipovna said something to interrupt the conversation. The General was furious with me for having started the altercation with the Frenchman. On the other hand, Mr. Astley seemed to take great pleasure in my brush with Monsieur, and, rising from the table, proposed that we should go and have a drink together. The same afternoon, at four o clock, I went to have my customary talk with Polina Alexandrovna; and, the talk soon extended to a stroll. We entered the Park, and approached the Casino, where Polina seated herself upon a bench near the fountain, and sent Nadia away to a little distance to play with some other children. Mischa also I dispatched to play by the fountain, and in this fashion we that is to say, Polina and myself contrived to find ourselves alone. Of course, we began by talking on business matters. Polina seemed furious when I handed her only 700 g lden, for she had thought to receive from Paris, as the proceeds of the pledging of her diamonds, at least 2000 g lden, or even more. "Come what may, I _must_ have money," she said. "And get it somehow I will otherwise I shall be ruined." I asked her what had happened during my absence. "Nothing; except that two pieces of news have reached us from St. Petersburg. In the first place, my grandmother is very ill, and unlikely to last another couple of days. We had this from Timothy Petrovitch himself, and he is a reliable person. Every moment we are expecting to receive news of the end." "All of you are on the tiptoe of expectation?" I queried. "Of course all of us, and every minute of the day. For a year-and-a-half now we have been looking for this." "Looking for it?" "Yes, looking for it. I am not her blood relation, you know I am merely the General s step-daughter. Yet I am certain that the old lady has remembered me in her will." "Yes, I believe that you _will_ come in for a good deal," I said with some assurance. "Yes, for she is fond of me. But how come you to think so?" I answered this question with another one. "That Marquis of yours,"<|quote|>I said,</|quote|>"is _he_ also familiar with your family secrets?" "And why are you yourself so interested in them?" was her retort as she eyed me with dry grimness. "Never mind. If I am not mistaken, the General has succeeded in borrowing money of the Marquis." "It may be so." "Is it likely that the Marquis would have lent the money if he had not known something or other about your grandmother? Did you notice, too, that three times during luncheon, when speaking of her, he called her La Baboulenka ?" [1]. "What loving, friendly behaviour, to be sure!" [1] Dear little Grandmother. "Yes, that is true. As soon as ever he learnt that I was likely to inherit something from her he began to pay me his addresses. I thought you ought to know that." "Then he has only just begun his courting? Why, I thought he had been doing so a long while!" "You _know_ he has not," retorted Polina angrily. "But where on earth did you pick up this Englishman?" She said this after a pause. "I _knew_ you would ask about him!" Whereupon I told her of my previous encounters with Astley while travelling. "He is very shy," I said, "and susceptible. Also, he is in love with you." "Yes, he _is_ in love with me," she replied. "And he is ten times richer than the Frenchman. In fact, what does the Frenchman possess? To me it seems at least doubtful that he possesses anything at all." "Oh, no, there is no doubt about it. He does possess some ch teau or other. Last night the General told me that for certain. _Now_ are you satisfied?" "Nevertheless, in your place I should marry the Englishman." "And why?" asked Polina. "Because, though the Frenchman is the handsomer of the two, he is also the baser; whereas the Englishman is not only a man of honour, but ten times the wealthier of the pair." "Yes? But then the Frenchman is a marquis, and the cleverer of the two," remarked Polina imperturbably. "Is that so?" I repeated. "Yes; absolutely." Polina was not at all pleased at my questions; I could see that she was doing her best to irritate me with the brusquerie of her answers. But I took no notice of this. "It amuses me to see you grow angry," she continued. "However, inasmuch as I allow you to indulge | louder:" "Let me tell you that I am going to _spit_ into that coffee! Yes, and if you do not get me my passport visaed this very minute, I shall take it to Monsignor myself."" "What? While he is engaged with a Cardinal?" "screeched the sacristan, again shrinking back in horror. Then, rushing to the door, he spread out his arms as though he would rather die than let me enter." Thereupon I declared that I was a heretic and a barbarian "Je suis h r tique et barbare," I said, "and that these archbishops and cardinals and monsignors, and the rest of them, meant nothing at all to me. In a word, I showed him that I was not going to give way. He looked at me with an air of infinite resentment. Then he snatched up my passport, and departed with it upstairs. A minute later the passport had been visaed! Here it is now, if you care to see it," and I pulled out the document, and exhibited the Roman visa. "But" the General began. "What really saved you was the fact that you proclaimed yourself a heretic and a barbarian," remarked the Frenchman with a smile. "Cela n tait pas si b te." "But is _that_ how Russian subjects ought to be treated? Why, when they settle here they dare not utter even a word they are ready even to deny the fact that they are Russians! At all events, at my hotel in Paris I received far more attention from the company after I had told them about the fracas with the sacristan. A fat Polish nobleman, who had been the most offensive of all who were present at the table d h te, at once went upstairs, while some of the Frenchmen were simply disgusted when I told them that two years ago I had encountered a man at whom, in 1812, a French hero fired for the mere fun of discharging his musket. That man was then a boy of ten and his family are still residing in Moscow." "Impossible!" the Frenchman spluttered. "No French soldier would fire at a child!" "Nevertheless the incident was as I say," I replied. "A very respected ex-captain told me the story, and I myself could see the scar left on his cheek." The Frenchman then began chattering volubly, and the General supported him; but I recommended the former to read, for example, extracts from the memoirs of General Perovski, who, in 1812, was a prisoner in the hands of the French. Finally Maria Philipovna said something to interrupt the conversation. The General was furious with me for having started the altercation with the Frenchman. On the other hand, Mr. Astley seemed to take great pleasure in my brush with Monsieur, and, rising from the table, proposed that we should go and have a drink together. The same afternoon, at four o clock, I went to have my customary talk with Polina Alexandrovna; and, the talk soon extended to a stroll. We entered the Park, and approached the Casino, where Polina seated herself upon a bench near the fountain, and sent Nadia away to a little distance to play with some other children. Mischa also I dispatched to play by the fountain, and in this fashion we that is to say, Polina and myself contrived to find ourselves alone. Of course, we began by talking on business matters. Polina seemed furious when I handed her only 700 g lden, for she had thought to receive from Paris, as the proceeds of the pledging of her diamonds, at least 2000 g lden, or even more. "Come what may, I _must_ have money," she said. "And get it somehow I will otherwise I shall be ruined." I asked her what had happened during my absence. "Nothing; except that two pieces of news have reached us from St. Petersburg. In the first place, my grandmother is very ill, and unlikely to last another couple of days. We had this from Timothy Petrovitch himself, and he is a reliable person. Every moment we are expecting to receive news of the end." "All of you are on the tiptoe of expectation?" I queried. "Of course all of us, and every minute of the day. For a year-and-a-half now we have been looking for this." "Looking for it?" "Yes, looking for it. I am not her blood relation, you know I am merely the General s step-daughter. Yet I am certain that the old lady has remembered me in her will." "Yes, I believe that you _will_ come in for a good deal," I said with some assurance. "Yes, for she is fond of me. But how come you to think so?" I answered this question with another one. "That Marquis of yours,"<|quote|>I said,</|quote|>"is _he_ also familiar with your family secrets?" "And why are you yourself so interested in them?" was her retort as she eyed me with dry grimness. "Never mind. If I am not mistaken, the General has succeeded in borrowing money of the Marquis." "It may be so." "Is it likely that the Marquis would have lent the money if he had not known something or other about your grandmother? Did you notice, too, that three times during luncheon, when speaking of her, he called her La Baboulenka ?" [1]. "What loving, friendly behaviour, to be sure!" [1] Dear little Grandmother. "Yes, that is true. As soon as ever he learnt that I was likely to inherit something from her he began to pay me his addresses. I thought you ought to know that." "Then he has only just begun his courting? Why, I thought he had been doing so a long while!" "You _know_ he has not," retorted Polina angrily. "But where on earth did you pick up this Englishman?" She said this after a pause. "I _knew_ you would ask about him!" Whereupon I told her of my previous encounters with Astley while travelling. "He is very shy," I said, "and susceptible. Also, he is in love with you." "Yes, he _is_ in love with me," she replied. "And he is ten times richer than the Frenchman. In fact, what does the Frenchman possess? To me it seems at least doubtful that he possesses anything at all." "Oh, no, there is no doubt about it. He does possess some ch teau or other. Last night the General told me that for certain. _Now_ are you satisfied?" "Nevertheless, in your place I should marry the Englishman." "And why?" asked Polina. "Because, though the Frenchman is the handsomer of the two, he is also the baser; whereas the Englishman is not only a man of honour, but ten times the wealthier of the pair." "Yes? But then the Frenchman is a marquis, and the cleverer of the two," remarked Polina imperturbably. "Is that so?" I repeated. "Yes; absolutely." Polina was not at all pleased at my questions; I could see that she was doing her best to irritate me with the brusquerie of her answers. But I took no notice of this. "It amuses me to see you grow angry," she continued. "However, inasmuch as I allow you to indulge in these questions and conjectures, you ought to pay me something for the privilege." "I consider that I have a perfect right to put these questions to you," was my calm retort; "for the reason that I am ready to pay for them, and also care little what becomes of me." Polina giggled. "Last time you told me when on the Shlangenberg that at a word from me you would be ready to jump down a thousand feet into the abyss. Some day I may remind you of that saying, in order to see if you will be as good as your word. Yes, you may depend upon it that I shall do so. I hate you because I have allowed you to go to such lengths, and I also hate you and still more because you are so necessary to me. For the time being I want you, so I must keep you." Then she made a movement to rise. Her tone had sounded very angry. Indeed, of late her talks with me had invariably ended on a note of temper and irritation yes, of real temper. "May I ask you who is this Mlle. Blanche?" I inquired (since I did not wish Polina to depart without an explanation). "You _know_ who she is just Mlle. Blanche. Nothing further has transpired. Probably she will soon be Madame General that is to say, if the rumours that Grandmamma is nearing her end should prove true. Mlle. Blanche, with her mother and her cousin, the Marquis, know very well that, as things now stand, we are ruined." "And is the General at last in love?" "That has nothing to do with it. Listen to me. Take these 700 florins, and go and play roulette with them. Win as much for me as you can, for I am badly in need of money." So saying, she called Nadia back to her side, and entered the Casino, where she joined the rest of our party. For myself, I took, in musing astonishment, the first path to the left. Something had seemed to strike my brain when she told me to go and play roulette. Strangely enough, that something had also seemed to make me hesitate, and to set me analysing my feelings with regard to her. In fact, during the two weeks of my absence I had felt far more at my ease | the story, and I myself could see the scar left on his cheek." The Frenchman then began chattering volubly, and the General supported him; but I recommended the former to read, for example, extracts from the memoirs of General Perovski, who, in 1812, was a prisoner in the hands of the French. Finally Maria Philipovna said something to interrupt the conversation. The General was furious with me for having started the altercation with the Frenchman. On the other hand, Mr. Astley seemed to take great pleasure in my brush with Monsieur, and, rising from the table, proposed that we should go and have a drink together. The same afternoon, at four o clock, I went to have my customary talk with Polina Alexandrovna; and, the talk soon extended to a stroll. We entered the Park, and approached the Casino, where Polina seated herself upon a bench near the fountain, and sent Nadia away to a little distance to play with some other children. Mischa also I dispatched to play by the fountain, and in this fashion we that is to say, Polina and myself contrived to find ourselves alone. Of course, we began by talking on business matters. Polina seemed furious when I handed her only 700 g lden, for she had thought to receive from Paris, as the proceeds of the pledging of her diamonds, at least 2000 g lden, or even more. "Come what may, I _must_ have money," she said. "And get it somehow I will otherwise I shall be ruined." I asked her what had happened during my absence. "Nothing; except that two pieces of news have reached us from St. Petersburg. In the first place, my grandmother is very ill, and unlikely to last another couple of days. We had this from Timothy Petrovitch himself, and he is a reliable person. Every moment we are expecting to receive news of the end." "All of you are on the tiptoe of expectation?" I queried. "Of course all of us, and every minute of the day. For a year-and-a-half now we have been looking for this." "Looking for it?" "Yes, looking for it. I am not her blood relation, you know I am merely the General s step-daughter. Yet I am certain that the old lady has remembered me in her will." "Yes, I believe that you _will_ come in for a good deal," I said with some assurance. "Yes, for she is fond of me. But how come you to think so?" I answered this question with another one. "That Marquis of yours,"<|quote|>I said,</|quote|>"is _he_ also familiar with your family secrets?" "And why are you yourself so interested in them?" was her retort as she eyed me with dry grimness. "Never mind. If I am not mistaken, the General has succeeded in borrowing money of the Marquis." "It may be so." "Is it likely that the Marquis would have lent the money if he had not known something or other about your grandmother? Did you notice, too, that three times during luncheon, when speaking of her, he called her La Baboulenka ?" [1]. "What loving, friendly behaviour, to be sure!" [1] Dear little Grandmother. "Yes, that is true. As soon as ever he learnt that I was likely to inherit something from her he began to pay me his addresses. I thought you ought to know that." "Then he has only just begun his courting? Why, I thought he had been doing so a long while!" "You _know_ he has not," retorted Polina angrily. "But where on earth did you pick up this Englishman?" She said this after a pause. "I _knew_ you would ask about him!" Whereupon I told her of my previous encounters with Astley while travelling. "He is very shy," I said, "and susceptible. Also, he is in love with you." "Yes, he _is_ in love with me," she replied. "And he is ten times richer than the Frenchman. In fact, what does the Frenchman possess? To me it seems at least doubtful that he possesses anything at all." "Oh, no, there is no doubt about it. He does possess some ch teau or other. Last night the General told me that for certain. _Now_ are you satisfied?" "Nevertheless, in your place I should marry the Englishman." "And why?" asked Polina. "Because, though the Frenchman is the handsomer of the two, he is also the baser; whereas the Englishman is not only a man of honour, but ten times the wealthier of the pair." "Yes? But then the Frenchman is | The Gambler |
Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith. | No speaker | wheel, Rudolph?” “A Ferris wheel,”<|quote|>Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith.</|quote|>“We went to the big | what you call the big wheel, Rudolph?” “A Ferris wheel,”<|quote|>Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith.</|quote|>“We went to the big dance in the hall behind | street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,”<|quote|>Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith.</|quote|>“We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the | weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,”<|quote|>Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith.</|quote|>“We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped | a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,”<|quote|>Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith.</|quote|>“We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped a little behind, curious to know what their relations had become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove and look | smiled at herself. “I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.” “I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,”<|quote|>Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith.</|quote|>“We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped a little behind, curious to know what their relations had become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove and look at me from the side, but with frankness and good-nature. This trick did not suggest duplicity or secretiveness, but merely long habit, as with the horse. He had brought a tintype of himself and Rudolph for Ántonia’s collection, and several paper bags of candy for the children. He looked a little disappointed when his wife showed him a big box of candy I had got in Denver—she had n’t let the children touch it the night before. He put his candy away in the cupboard, “for when she rains,” and glanced at the box, chuckling. “I guess you must have hear about how my family ain’t so small,” he said. Cuzak sat down behind the stove and watched his women-folk and the little children with equal amusement. He thought they were nice, and he thought they were funny, evidently. He had been off dancing with the girls and forgetting that he was an old fellow, and now his family rather surprised him; he seemed to think it a joke that all these children should belong to him. As the younger ones slipped up to him in his retreat, he kept taking things out of his pockets; penny dolls, a wooden | Leo was wide awake and was tickling his brother’s leg with a dried cone-flower he had pulled out of the hay. Ambrosch kicked at him and turned over. I closed my eyes and pretended to be asleep. Leo lay on his back, elevated one foot, and began exercising his toes. He picked up dried flowers with his toes and brandished them in the belt of sunlight. After he had amused himself thus for some time, he rose on one elbow and began to look at me, cautiously, then critically, blinking his eyes in the light. His expression was droll; it dismissed me lightly. “This old fellow is no different from other people. He does n’t know my secret.” He seemed conscious of possessing a keener power of enjoyment than other people; his quick recognitions made him frantically impatient of deliberate judgments. He always knew what he wanted without thinking. After dressing in the hay, I washed my face in cold water at the windmill. Breakfast was ready when I entered the kitchen, and Yulka was baking griddle-cakes. The three older boys set off for the fields early. Leo and Yulka were to drive to town to meet their father, who would return from Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself. “I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.” “I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,”<|quote|>Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith.</|quote|>“We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped a little behind, curious to know what their relations had become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove and look at me from the side, but with frankness and good-nature. This trick did not suggest duplicity or secretiveness, but merely long habit, as with the horse. He had brought a tintype of himself and Rudolph for Ántonia’s collection, and several paper bags of candy for the children. He looked a little disappointed when his wife showed him a big box of candy I had got in Denver—she had n’t let the children touch it the night before. He put his candy away in the cupboard, “for when she rains,” and glanced at the box, chuckling. “I guess you must have hear about how my family ain’t so small,” he said. Cuzak sat down behind the stove and watched his women-folk and the little children with equal amusement. He thought they were nice, and he thought they were funny, evidently. He had been off dancing with the girls and forgetting that he was an old fellow, and now his family rather surprised him; he seemed to think it a joke that all these children should belong to him. As the younger ones slipped up to him in his retreat, he kept taking things out of his pockets; penny dolls, a wooden clown, a balloon pig that was inflated by a whistle. He beckoned to the little boy they called Jan, whispered to him, and presented him with a paper snake, gently, so as not to startle him. Looking over the boy’s head he said to me, “This one is bashful. He gets left.” Cuzak had brought home with him a roll of illustrated Bohemian papers. He opened them and began to tell his wife the news, much of which seemed to relate to one person. I heard the name Vasakova, Vasakova, repeated several times with lively interest, and presently I asked him whether he were talking about the singer, Maria Vasak. “You know? You have heard, maybe?” he asked incredulously. When I assured him that I had heard her, he pointed out her picture and told me that Vasak had broken her leg, climbing in the Austrian Alps, and would not be able to fill her engagements. He seemed delighted to find that I had heard her sing in London and in Vienna; got out his pipe and lit it to enjoy our talk the better. She came from his part of Prague. His father used to mend her shoes for her when she was a student. Cuzak questioned me about her looks, her popularity, her voice; but he particularly wanted to know whether I had noticed her tiny feet, and whether I thought she had saved much money. She was extravagant, of course, but he hoped she would n’t squander everything, and have nothing left when she was old. As a young man, working in Wienn, he had seen a good many artists who were old and poor, making one glass of beer last all evening, and “it was not very nice, that.” When the boys came in from milking and feeding, the long table was laid, and two brown geese, stuffed with apples, were put down sizzling before Ántonia. She began to carve, and Rudolph, who sat next his mother, started the plates on their way. When everybody was served, he looked across the table at me. “Have you been to Black Hawk lately, Mr. Burden? Then I wonder if you’ve heard about the Cutters?” No, I had heard nothing at all about them. “Then you must tell him, son, though it’s a terrible thing to talk about at supper. Now, all you children be quiet, Rudolph is going | return from Wilber on the noon train. “We’ll only have a lunch at noon,” Ántonia said, “and cook the geese for supper, when our papa will be here. I wish my Martha could come down to see you. They have a Ford car now, and she don’t seem so far away from me as she used to. But her husband’s crazy about his farm and about having everything just right, and they almost never get away except on Sundays. He’s a handsome boy, and he’ll be rich some day. Everything he takes hold of turns out well. When they bring that baby in here, and unwrap him, he looks like a little prince; Martha takes care of him so beautiful. I’m reconciled to her being away from me now, but at first I cried like I was putting her into her coffin.” We were alone in the kitchen, except for Anna, who was pouring cream into the churn. She looked up at me. “Yes, she did. We were just ashamed of mother. She went round crying, when Martha was so happy, and the rest of us were all glad. Joe certainly was patient with you, mother.” Ántonia nodded and smiled at herself. “I know it was silly, but I could n’t help it. I wanted her right here. She’d never been away from me a night since she was born. If Anton had made trouble about her when she was a baby, or wanted me to leave her with my mother, I would n’t have married him. I could n’t. But he always loved her like she was his own.” “I did n’t even know Martha was n’t my full sister until after she was engaged to Joe,” Anna told me. Toward the middle of the afternoon the wagon drove in, with the father and the eldest son. I was smoking in the orchard, and as I went out to meet them, Ántonia came running down from the house and hugged the two men as if they had been away for months. “Papa” interested me, from my first glimpse of him. He was shorter than his older sons; a crumpled little man, with run-over boot heels, and he carried one shoulder higher than the other. But he moved very quickly, and there was an air of jaunty liveliness about him. He had a strong, ruddy color, thick black hair, a little grizzled, a curly mustache, and red lips. His smile showed the strong teeth of which his wife was so proud, and as he saw me his lively, quizzical eyes told me that he knew all about me. He looked like a humorous philosopher who had hitched up one shoulder under the burdens of life, and gone on his way having a good time when he could. He advanced to meet me and gave me a hard hand, burned red on the back and heavily coated with hair. He wore his Sunday clothes, very thick and hot for the weather, an unstarched white shirt, and a blue necktie with big white dots, like a little boy’s, tied in a flowing bow. Cuzak began at once to talk about his holiday—from politeness he spoke in English. “Mama, I wish you had see the lady dance on the slack-wire in the street at night. They throw a bright light on her and she float through the air something beautiful, like a bird! They have a dancing bear, like in the old country, and two three merry-go-around, and people in balloons, and what you call the big wheel, Rudolph?” “A Ferris wheel,”<|quote|>Rudolph entered the conversation in a deep baritone voice. He was six foot two, and had a chest like a young blacksmith.</|quote|>“We went to the big dance in the hall behind the saloon last night, mother, and I danced with all the girls, and so did father. I never saw so many pretty girls. It was a Bohunk crowd, for sure. We did n’t hear a word of English on the street, except from the show people, did we, papa?” Cuzak nodded. “And very many send word to you, Ántonia. You will excuse” —turning to me— “if I tell her.” While we walked toward the house he related incidents and delivered messages in the tongue he spoke fluently, and I dropped a little behind, curious to know what their relations had become—or remained. The two seemed to be on terms of easy friendliness, touched with humor. Clearly, she was the impulse, and he the corrective. As they went up the hill he kept glancing at her sidewise, to see whether she got his point, or how she received it. I noticed later that he always looked at people sidewise, as a work-horse does at its yoke-mate. Even when he sat opposite me in the kitchen, talking, he would turn his head a little toward the clock or the stove and look at me from the side, but with frankness and good-nature. This trick did not suggest duplicity or secretiveness, but merely long habit, as with the horse. He had brought a tintype of himself and Rudolph for Ántonia’s collection, and several paper bags of candy for the children. He looked a little disappointed when his wife showed him a big box of candy I had got in | My Antonia |
"I am very sorry if I have offended him. It was the last thing I would willingly have done. But do not be unhappy, Eleanor. An engagement, you know, must be kept. I am only sorry it was not recollected sooner, that I might have written home. But it is of very little consequence." | Catherine Morland | "I am sure," said she,<|quote|>"I am very sorry if I have offended him. It was the last thing I would willingly have done. But do not be unhappy, Eleanor. An engagement, you know, must be kept. I am only sorry it was not recollected sooner, that I might have written home. But it is of very little consequence."</|quote|>"I hope, I earnestly hope, | sake that she attempted it. "I am sure," said she,<|quote|>"I am very sorry if I have offended him. It was the last thing I would willingly have done. But do not be unhappy, Eleanor. An engagement, you know, must be kept. I am only sorry it was not recollected sooner, that I might have written home. But it is of very little consequence."</|quote|>"I hope, I earnestly hope, that to your real safety | just at this moment seems important, but which I can hardly suppose you to have any concern in, for how is it possible?" It was with pain that Catherine could speak at all; and it was only for Eleanor s sake that she attempted it. "I am sure," said she,<|quote|>"I am very sorry if I have offended him. It was the last thing I would willingly have done. But do not be unhappy, Eleanor. An engagement, you know, must be kept. I am only sorry it was not recollected sooner, that I might have written home. But it is of very little consequence."</|quote|>"I hope, I earnestly hope, that to your real safety it will be of none; but to everything else it is of the greatest consequence: to comfort, appearance, propriety, to your family, to the world. Were your friends, the Allens, still in Bath, you might go to them with comparative | answer for, is that you can have given him no just cause of offence. He certainly is greatly, very greatly discomposed; I have seldom seen him more so. His temper is not happy, and something has now occurred to ruffle it in an uncommon degree; some disappointment, some vexation, which just at this moment seems important, but which I can hardly suppose you to have any concern in, for how is it possible?" It was with pain that Catherine could speak at all; and it was only for Eleanor s sake that she attempted it. "I am sure," said she,<|quote|>"I am very sorry if I have offended him. It was the last thing I would willingly have done. But do not be unhappy, Eleanor. An engagement, you know, must be kept. I am only sorry it was not recollected sooner, that I might have written home. But it is of very little consequence."</|quote|>"I hope, I earnestly hope, that to your real safety it will be of none; but to everything else it is of the greatest consequence: to comfort, appearance, propriety, to your family, to the world. Were your friends, the Allens, still in Bath, you might go to them with comparative ease; a few hours would take you there; but a journey of seventy miles, to be taken post by you, at your age, alone, unattended!" "Oh, the journey is nothing. Do not think about that. And if we are to part, a few hours sooner or later, you know, makes | this almost double distance from your home, to have you driven out of the house, without the considerations even of decent civility! Dear, dear Catherine, in being the bearer of such a message, I seem guilty myself of all its insult; yet, I trust you will acquit me, for you must have been long enough in this house to see that I am but a nominal mistress of it, that my real power is nothing." "Have I offended the general?" said Catherine in a faltering voice. "Alas! For my feelings as a daughter, all that I know, all that I answer for, is that you can have given him no just cause of offence. He certainly is greatly, very greatly discomposed; I have seldom seen him more so. His temper is not happy, and something has now occurred to ruffle it in an uncommon degree; some disappointment, some vexation, which just at this moment seems important, but which I can hardly suppose you to have any concern in, for how is it possible?" It was with pain that Catherine could speak at all; and it was only for Eleanor s sake that she attempted it. "I am sure," said she,<|quote|>"I am very sorry if I have offended him. It was the last thing I would willingly have done. But do not be unhappy, Eleanor. An engagement, you know, must be kept. I am only sorry it was not recollected sooner, that I might have written home. But it is of very little consequence."</|quote|>"I hope, I earnestly hope, that to your real safety it will be of none; but to everything else it is of the greatest consequence: to comfort, appearance, propriety, to your family, to the world. Were your friends, the Allens, still in Bath, you might go to them with comparative ease; a few hours would take you there; but a journey of seventy miles, to be taken post by you, at your age, alone, unattended!" "Oh, the journey is nothing. Do not think about that. And if we are to part, a few hours sooner or later, you know, makes no difference. I can be ready by seven. Let me be called in time." Eleanor saw that she wished to be alone; and believing it better for each that they should avoid any further conversation, now left her with, "I shall see you in the morning." Catherine s swelling heart needed relief. In Eleanor s presence friendship and pride had equally restrained her tears, but no sooner was she gone than they burst forth in torrents. Turned from the house, and in such a way! Without any reason that could justify, any apology that could atone for the abruptness, the | not be distressed, Eleanor, I can go on Monday very well. My father and mother s having no notice of it is of very little consequence. The general will send a servant with me, I dare say, half the way and then I shall soon be at Salisbury, and then I am only nine miles from home." "Ah, Catherine! Were it settled so, it would be somewhat less intolerable, though in such common attentions you would have received but half what you ought. But how can I tell you? tomorrow morning is fixed for your leaving us, and not even the hour is left to your choice; the very carriage is ordered, and will be here at seven o clock, and no servant will be offered you." Catherine sat down, breathless and speechless. "I could hardly believe my senses, when I heard it; and no displeasure, no resentment that you can feel at this moment, however justly great, can be more than I myself but I must not talk of what I felt. Oh! That I could suggest anything in extenuation! Good God! What will your father and mother say! After courting you from the protection of real friends to this almost double distance from your home, to have you driven out of the house, without the considerations even of decent civility! Dear, dear Catherine, in being the bearer of such a message, I seem guilty myself of all its insult; yet, I trust you will acquit me, for you must have been long enough in this house to see that I am but a nominal mistress of it, that my real power is nothing." "Have I offended the general?" said Catherine in a faltering voice. "Alas! For my feelings as a daughter, all that I know, all that I answer for, is that you can have given him no just cause of offence. He certainly is greatly, very greatly discomposed; I have seldom seen him more so. His temper is not happy, and something has now occurred to ruffle it in an uncommon degree; some disappointment, some vexation, which just at this moment seems important, but which I can hardly suppose you to have any concern in, for how is it possible?" It was with pain that Catherine could speak at all; and it was only for Eleanor s sake that she attempted it. "I am sure," said she,<|quote|>"I am very sorry if I have offended him. It was the last thing I would willingly have done. But do not be unhappy, Eleanor. An engagement, you know, must be kept. I am only sorry it was not recollected sooner, that I might have written home. But it is of very little consequence."</|quote|>"I hope, I earnestly hope, that to your real safety it will be of none; but to everything else it is of the greatest consequence: to comfort, appearance, propriety, to your family, to the world. Were your friends, the Allens, still in Bath, you might go to them with comparative ease; a few hours would take you there; but a journey of seventy miles, to be taken post by you, at your age, alone, unattended!" "Oh, the journey is nothing. Do not think about that. And if we are to part, a few hours sooner or later, you know, makes no difference. I can be ready by seven. Let me be called in time." Eleanor saw that she wished to be alone; and believing it better for each that they should avoid any further conversation, now left her with, "I shall see you in the morning." Catherine s swelling heart needed relief. In Eleanor s presence friendship and pride had equally restrained her tears, but no sooner was she gone than they burst forth in torrents. Turned from the house, and in such a way! Without any reason that could justify, any apology that could atone for the abruptness, the rudeness, nay, the insolence of it. Henry at a distance not able even to bid him farewell. Every hope, every expectation from him suspended, at least, and who could say how long? Who could say when they might meet again? And all this by such a man as General Tilney, so polite, so well bred, and heretofore so particularly fond of her! It was as incomprehensible as it was mortifying and grievous. From what it could arise, and where it would end, were considerations of equal perplexity and alarm. The manner in which it was done so grossly uncivil, hurrying her away without any reference to her own convenience, or allowing her even the appearance of choice as to the time or mode of her travelling; of two days, the earliest fixed on, and of that almost the earliest hour, as if resolved to have her gone before he was stirring in the morning, that he might not be obliged even to see her. What could all this mean but an intentional affront? By some means or other she must have had the misfortune to offend him. Eleanor had wished to spare her from so painful a notion, but Catherine | I tell you!" A new idea now darted into Catherine s mind, and turning as pale as her friend, she exclaimed, "Tis a messenger from Woodston!" "You are mistaken, indeed," returned Eleanor, looking at her most compassionately; "it is no one from Woodston. It is my father himself." Her voice faltered, and her eyes were turned to the ground as she mentioned his name. His unlooked-for return was enough in itself to make Catherine s heart sink, and for a few moments she hardly supposed there were anything worse to be told. She said nothing; and Eleanor, endeavouring to collect herself and speak with firmness, but with eyes still cast down, soon went on. "You are too good, I am sure, to think the worse of me for the part I am obliged to perform. I am indeed a most unwilling messenger. After what has so lately passed, so lately been settled between us how joyfully, how thankfully on my side! as to your continuing here as I hoped for many, many weeks longer, how can I tell you that your kindness is not to be accepted and that the happiness your company has hitherto given us is to be repaid by But I must not trust myself with words. My dear Catherine, we are to part. My father has recollected an engagement that takes our whole family away on Monday. We are going to Lord Longtown s, near Hereford, for a fortnight. Explanation and apology are equally impossible. I cannot attempt either." "My dear Eleanor," cried Catherine, suppressing her feelings as well as she could, "do not be so distressed. A second engagement must give way to a first. I am very, very sorry we are to part so soon, and so suddenly too; but I am not offended, indeed I am not. I can finish my visit here, you know, at any time; or I hope you will come to me. Can you, when you return from this lord s, come to Fullerton?" "It will not be in my power, Catherine." "Come when you can, then." Eleanor made no answer; and Catherine s thoughts recurring to something more directly interesting, she added, thinking aloud, "Monday so soon as Monday; and you _all_ go. Well, I am certain of I shall be able to take leave, however. I need not go till just before you do, you know. Do not be distressed, Eleanor, I can go on Monday very well. My father and mother s having no notice of it is of very little consequence. The general will send a servant with me, I dare say, half the way and then I shall soon be at Salisbury, and then I am only nine miles from home." "Ah, Catherine! Were it settled so, it would be somewhat less intolerable, though in such common attentions you would have received but half what you ought. But how can I tell you? tomorrow morning is fixed for your leaving us, and not even the hour is left to your choice; the very carriage is ordered, and will be here at seven o clock, and no servant will be offered you." Catherine sat down, breathless and speechless. "I could hardly believe my senses, when I heard it; and no displeasure, no resentment that you can feel at this moment, however justly great, can be more than I myself but I must not talk of what I felt. Oh! That I could suggest anything in extenuation! Good God! What will your father and mother say! After courting you from the protection of real friends to this almost double distance from your home, to have you driven out of the house, without the considerations even of decent civility! Dear, dear Catherine, in being the bearer of such a message, I seem guilty myself of all its insult; yet, I trust you will acquit me, for you must have been long enough in this house to see that I am but a nominal mistress of it, that my real power is nothing." "Have I offended the general?" said Catherine in a faltering voice. "Alas! For my feelings as a daughter, all that I know, all that I answer for, is that you can have given him no just cause of offence. He certainly is greatly, very greatly discomposed; I have seldom seen him more so. His temper is not happy, and something has now occurred to ruffle it in an uncommon degree; some disappointment, some vexation, which just at this moment seems important, but which I can hardly suppose you to have any concern in, for how is it possible?" It was with pain that Catherine could speak at all; and it was only for Eleanor s sake that she attempted it. "I am sure," said she,<|quote|>"I am very sorry if I have offended him. It was the last thing I would willingly have done. But do not be unhappy, Eleanor. An engagement, you know, must be kept. I am only sorry it was not recollected sooner, that I might have written home. But it is of very little consequence."</|quote|>"I hope, I earnestly hope, that to your real safety it will be of none; but to everything else it is of the greatest consequence: to comfort, appearance, propriety, to your family, to the world. Were your friends, the Allens, still in Bath, you might go to them with comparative ease; a few hours would take you there; but a journey of seventy miles, to be taken post by you, at your age, alone, unattended!" "Oh, the journey is nothing. Do not think about that. And if we are to part, a few hours sooner or later, you know, makes no difference. I can be ready by seven. Let me be called in time." Eleanor saw that she wished to be alone; and believing it better for each that they should avoid any further conversation, now left her with, "I shall see you in the morning." Catherine s swelling heart needed relief. In Eleanor s presence friendship and pride had equally restrained her tears, but no sooner was she gone than they burst forth in torrents. Turned from the house, and in such a way! Without any reason that could justify, any apology that could atone for the abruptness, the rudeness, nay, the insolence of it. Henry at a distance not able even to bid him farewell. Every hope, every expectation from him suspended, at least, and who could say how long? Who could say when they might meet again? And all this by such a man as General Tilney, so polite, so well bred, and heretofore so particularly fond of her! It was as incomprehensible as it was mortifying and grievous. From what it could arise, and where it would end, were considerations of equal perplexity and alarm. The manner in which it was done so grossly uncivil, hurrying her away without any reference to her own convenience, or allowing her even the appearance of choice as to the time or mode of her travelling; of two days, the earliest fixed on, and of that almost the earliest hour, as if resolved to have her gone before he was stirring in the morning, that he might not be obliged even to see her. What could all this mean but an intentional affront? By some means or other she must have had the misfortune to offend him. Eleanor had wished to spare her from so painful a notion, but Catherine could not believe it possible that any injury or any misfortune could provoke such ill will against a person not connected, or, at least, not supposed to be connected with it. Heavily passed the night. Sleep, or repose that deserved the name of sleep, was out of the question. That room, in which her disturbed imagination had tormented her on her first arrival, was again the scene of agitated spirits and unquiet slumbers. Yet how different now the source of her inquietude from what it had been then how mournfully superior in reality and substance! Her anxiety had foundation in fact, her fears in probability; and with a mind so occupied in the contemplation of actual and natural evil, the solitude of her situation, the darkness of her chamber, the antiquity of the building, were felt and considered without the smallest emotion; and though the wind was high, and often produced strange and sudden noises throughout the house, she heard it all as she lay awake, hour after hour, without curiosity or terror. Soon after six Eleanor entered her room, eager to show attention or give assistance where it was possible; but very little remained to be done. Catherine had not loitered; she was almost dressed, and her packing almost finished. The possibility of some conciliatory message from the general occurred to her as his daughter appeared. What so natural, as that anger should pass away and repentance succeed it? And she only wanted to know how far, after what had passed, an apology might properly be received by her. But the knowledge would have been useless here; it was not called for; neither clemency nor dignity was put to the trial Eleanor brought no message. Very little passed between them on meeting; each found her greatest safety in silence, and few and trivial were the sentences exchanged while they remained upstairs, Catherine in busy agitation completing her dress, and Eleanor with more goodwill than experience intent upon filling the trunk. When everything was done they left the room, Catherine lingering only half a minute behind her friend to throw a parting glance on every well-known, cherished object, and went down to the breakfast-parlour, where breakfast was prepared. She tried to eat, as well to save herself from the pain of being urged as to make her friend comfortable; but she had no appetite, and could not swallow many mouthfuls. | of real friends to this almost double distance from your home, to have you driven out of the house, without the considerations even of decent civility! Dear, dear Catherine, in being the bearer of such a message, I seem guilty myself of all its insult; yet, I trust you will acquit me, for you must have been long enough in this house to see that I am but a nominal mistress of it, that my real power is nothing." "Have I offended the general?" said Catherine in a faltering voice. "Alas! For my feelings as a daughter, all that I know, all that I answer for, is that you can have given him no just cause of offence. He certainly is greatly, very greatly discomposed; I have seldom seen him more so. His temper is not happy, and something has now occurred to ruffle it in an uncommon degree; some disappointment, some vexation, which just at this moment seems important, but which I can hardly suppose you to have any concern in, for how is it possible?" It was with pain that Catherine could speak at all; and it was only for Eleanor s sake that she attempted it. "I am sure," said she,<|quote|>"I am very sorry if I have offended him. It was the last thing I would willingly have done. But do not be unhappy, Eleanor. An engagement, you know, must be kept. I am only sorry it was not recollected sooner, that I might have written home. But it is of very little consequence."</|quote|>"I hope, I earnestly hope, that to your real safety it will be of none; but to everything else it is of the greatest consequence: to comfort, appearance, propriety, to your family, to the world. Were your friends, the Allens, still in Bath, you might go to them with comparative ease; a few hours would take you there; but a journey of seventy miles, to be taken post by you, at your age, alone, unattended!" "Oh, the journey is nothing. Do not think about that. And if we are to part, a few hours sooner or later, you know, makes no difference. I can be ready by seven. Let me be called in time." Eleanor saw that she wished to be alone; and believing it better for each that they should avoid any further conversation, now left her with, "I shall see you in the morning." Catherine s swelling heart needed relief. In Eleanor s presence friendship and pride had equally restrained her tears, but no sooner was she gone than they burst forth in torrents. Turned from the house, and in such a way! Without any reason that could justify, any apology that could atone for the abruptness, the rudeness, nay, the insolence of it. Henry at a distance not able even | Northanger Abbey |
"Indeed!" | Gabriel Syme | ever succeeded in doing before."<|quote|>"Indeed!"</|quote|>"Now I remember," resumed Gregory | man born of woman has ever succeeded in doing before."<|quote|>"Indeed!"</|quote|>"Now I remember," resumed Gregory reflectively, "one other person succeeded | he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before."<|quote|>"Indeed!"</|quote|>"Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be | if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before."<|quote|>"Indeed!"</|quote|>"Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible | of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before."<|quote|>"Indeed!"</|quote|>"Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall | her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before."<|quote|>"Indeed!"</|quote|>"Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? | means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if you prefer it, in that nonsense." She drew her broad brows together and said abruptly "He wouldn't really use bombs or that sort of thing?" Syme broke into a great laugh, that seemed too large for his slight and somewhat dandified figure. "Good Lord, no!" he said, "that has to be done anonymously." And at that the corners of her own mouth broke into a smile, and she thought with a simultaneous pleasure of Gregory's absurdity and of his safety. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety. All the time there was a smell of lilac all round him. Once he heard very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before."<|quote|>"Indeed!"</|quote|>"Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat. "Your offer," he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the road. The two got into it in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will you take a little supper?" asked Gregory politely. "The _p t de foie gras_ is not good here, but I can recommend the game." Syme received the remark with stolidity, imagining it to be a joke. Accepting the vein of humour, he said, with a well-bred indifference "Oh, bring me some lobster mayonnaise." To his indescribable astonishment, the man only said "Certainly, sir!" and went away apparently to get it. "What will you drink?" resumed Gregory, with the same careless yet apologetic air. "I shall only have a _cr me de menthe_ myself; I have dined. But the champagne can really be trusted. Do let me start you with a half-bottle | play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before."<|quote|>"Indeed!"</|quote|>"Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, | The Man Who Was Thursday |
"I _have_ heard from authority, which I thought _as good_, that it was left you conditionally only, and at the will of the present patron." | Elizabeth | when you were in Kent?"<|quote|>"I _have_ heard from authority, which I thought _as good_, that it was left you conditionally only, and at the will of the present patron."</|quote|>"You have. Yes, there was | hear Darcy mention the circumstance, when you were in Kent?"<|quote|>"I _have_ heard from authority, which I thought _as good_, that it was left you conditionally only, and at the will of the present patron."</|quote|>"You have. Yes, there was something in _that_; I told | not to repine;--but, to be sure, it would have been such a thing for me! The quiet, the retirement of such a life, would have answered all my ideas of happiness! But it was not to be. Did you ever hear Darcy mention the circumstance, when you were in Kent?"<|quote|>"I _have_ heard from authority, which I thought _as good_, that it was left you conditionally only, and at the will of the present patron."</|quote|>"You have. Yes, there was something in _that_; I told you so from the first, you may remember." "I _did_ hear, too, that there was a time, when sermon-making was not so palatable to you as it seems to be at present; that you actually declared your resolution of never | living which I ought to have had. A most delightful place!--Excellent Parsonage House! It would have suited me in every respect." "How should you have liked making sermons?" "Exceedingly well. I should have considered it as part of my duty, and the exertion would soon have been nothing. One ought not to repine;--but, to be sure, it would have been such a thing for me! The quiet, the retirement of such a life, would have answered all my ideas of happiness! But it was not to be. Did you ever hear Darcy mention the circumstance, when you were in Kent?"<|quote|>"I _have_ heard from authority, which I thought _as good_, that it was left you conditionally only, and at the will of the present patron."</|quote|>"You have. Yes, there was something in _that_; I told you so from the first, you may remember." "I _did_ hear, too, that there was a time, when sermon-making was not so palatable to you as it seems to be at present; that you actually declared your resolution of never taking orders, and that the business had been compromised accordingly." "You did! and it was not wholly without foundation. You may remember what I told you on that point, when first we talked of it." They were now almost at the door of the house, for she had walked fast | were at Lambton? I thought I understood from the Gardiners that you had." "Yes; he introduced us to his sister." "And do you like her?" "Very much." "I have heard, indeed, that she is uncommonly improved within this year or two. When I last saw her, she was not very promising. I am very glad you liked her. I hope she will turn out well." "I dare say she will; she has got over the most trying age." "Did you go by the village of Kympton?" "I do not recollect that we did." "I mention it, because it is the living which I ought to have had. A most delightful place!--Excellent Parsonage House! It would have suited me in every respect." "How should you have liked making sermons?" "Exceedingly well. I should have considered it as part of my duty, and the exertion would soon have been nothing. One ought not to repine;--but, to be sure, it would have been such a thing for me! The quiet, the retirement of such a life, would have answered all my ideas of happiness! But it was not to be. Did you ever hear Darcy mention the circumstance, when you were in Kent?"<|quote|>"I _have_ heard from authority, which I thought _as good_, that it was left you conditionally only, and at the will of the present patron."</|quote|>"You have. Yes, there was something in _that_; I told you so from the first, you may remember." "I _did_ hear, too, that there was a time, when sermon-making was not so palatable to you as it seems to be at present; that you actually declared your resolution of never taking orders, and that the business had been compromised accordingly." "You did! and it was not wholly without foundation. You may remember what I told you on that point, when first we talked of it." They were now almost at the door of the house, for she had walked fast to get rid of him; and unwilling for her sister's sake, to provoke him, she only said in reply, with a good-humoured smile, "Come, Mr. Wickham, we are brother and sister, you know. Do not let us quarrel about the past. In future, I hope we shall be always of one mind." She held out her hand; he kissed it with affectionate gallantry, though he hardly knew how to look, and they entered the house. CHAPTER XI. Mr. Wickham was so perfectly satisfied with this conversation, that he never again distressed himself, or provoked his dear sister Elizabeth, by introducing | not know. Mrs. Bennet and Lydia are going in the carriage to Meryton. And so, my dear sister, I find from our uncle and aunt, that you have actually seen Pemberley." She replied in the affirmative. "I almost envy you the pleasure, and yet I believe it would be too much for me, or else I could take it in my way to Newcastle. And you saw the old housekeeper, I suppose? Poor Reynolds, she was always very fond of me. But of course she did not mention my name to you." "Yes, she did." "And what did she say?" "That you were gone into the army, and she was afraid had--not turned out well. At such a distance as _that_, you know, things are strangely misrepresented." "Certainly," he replied, biting his lips. Elizabeth hoped she had silenced him; but he soon afterwards said, "I was surprised to see Darcy in town last month. We passed each other several times. I wonder what he can be doing there." "Perhaps preparing for his marriage with Miss de Bourgh," said Elizabeth. "It must be something particular, to take him there at this time of year." "Undoubtedly. Did you see him while you were at Lambton? I thought I understood from the Gardiners that you had." "Yes; he introduced us to his sister." "And do you like her?" "Very much." "I have heard, indeed, that she is uncommonly improved within this year or two. When I last saw her, she was not very promising. I am very glad you liked her. I hope she will turn out well." "I dare say she will; she has got over the most trying age." "Did you go by the village of Kympton?" "I do not recollect that we did." "I mention it, because it is the living which I ought to have had. A most delightful place!--Excellent Parsonage House! It would have suited me in every respect." "How should you have liked making sermons?" "Exceedingly well. I should have considered it as part of my duty, and the exertion would soon have been nothing. One ought not to repine;--but, to be sure, it would have been such a thing for me! The quiet, the retirement of such a life, would have answered all my ideas of happiness! But it was not to be. Did you ever hear Darcy mention the circumstance, when you were in Kent?"<|quote|>"I _have_ heard from authority, which I thought _as good_, that it was left you conditionally only, and at the will of the present patron."</|quote|>"You have. Yes, there was something in _that_; I told you so from the first, you may remember." "I _did_ hear, too, that there was a time, when sermon-making was not so palatable to you as it seems to be at present; that you actually declared your resolution of never taking orders, and that the business had been compromised accordingly." "You did! and it was not wholly without foundation. You may remember what I told you on that point, when first we talked of it." They were now almost at the door of the house, for she had walked fast to get rid of him; and unwilling for her sister's sake, to provoke him, she only said in reply, with a good-humoured smile, "Come, Mr. Wickham, we are brother and sister, you know. Do not let us quarrel about the past. In future, I hope we shall be always of one mind." She held out her hand; he kissed it with affectionate gallantry, though he hardly knew how to look, and they entered the house. CHAPTER XI. Mr. Wickham was so perfectly satisfied with this conversation, that he never again distressed himself, or provoked his dear sister Elizabeth, by introducing the subject of it; and she was pleased to find that she had said enough to keep him quiet. The day of his and Lydia's departure soon came, and Mrs. Bennet was forced to submit to a separation, which, as her husband by no means entered into her scheme of their all going to Newcastle, was likely to continue at least a twelvemonth. "Oh! my dear Lydia," she cried, "when shall we meet again?" "Oh, lord! I don't know. Not these two or three years perhaps." "Write to me very often, my dear." "As often as I can. But you know married women have never much time for writing. My sisters may write to _me_. They will have nothing else to do." Mr. Wickham's adieus were much more affectionate than his wife's. He smiled, looked handsome, and said many pretty things. "He is as fine a fellow," said Mr. Bennet, as soon as they were out of the house, "as ever I saw. He simpers, and smirks, and makes love to us all. I am prodigiously proud of him. I defy even Sir William Lucas himself, to produce a more valuable son-in-law." The loss of her daughter made Mrs. Bennet | all this for a girl whom he could neither regard nor esteem. Her heart did whisper, that he had done it for her. But it was a hope shortly checked by other considerations, and she soon felt that even her vanity was insufficient, when required to depend on his affection for her, for a woman who had already refused him, as able to overcome a sentiment so natural as abhorrence against relationship with Wickham. Brother-in-law of Wickham! Every kind of pride must revolt from the connection. He had to be sure done much. She was ashamed to think how much. But he had given a reason for his interference, which asked no extraordinary stretch of belief. It was reasonable that he should feel he had been wrong; he had liberality, and he had the means of exercising it; and though she would not place herself as his principal inducement, she could, perhaps, believe, that remaining partiality for her, might assist his endeavours in a cause where her peace of mind must be materially concerned. It was painful, exceedingly painful, to know that they were under obligations to a person who could never receive a return. They owed the restoration of Lydia, her character, every thing to him. Oh! how heartily did she grieve over every ungracious sensation she had ever encouraged, every saucy speech she had ever directed towards him. For herself she was humbled; but she was proud of him. Proud that in a cause of compassion and honour, he had been able to get the better of himself. She read over her aunt's commendation of him again and again. It was hardly enough; but it pleased her. She was even sensible of some pleasure, though mixed with regret, on finding how steadfastly both she and her uncle had been persuaded that affection and confidence subsisted between Mr. Darcy and herself. She was roused from her seat, and her reflections, by some one's approach; and before she could strike into another path, she was overtaken by Wickham. "I am afraid I interrupt your solitary ramble, my dear sister?" said he, as he joined her. "You certainly do," she replied with a smile; "but it does not follow that the interruption must be unwelcome." "I should be sorry indeed, if it were. _We_ were always good friends; and now we are better." "True. Are the others coming out?" "I do not know. Mrs. Bennet and Lydia are going in the carriage to Meryton. And so, my dear sister, I find from our uncle and aunt, that you have actually seen Pemberley." She replied in the affirmative. "I almost envy you the pleasure, and yet I believe it would be too much for me, or else I could take it in my way to Newcastle. And you saw the old housekeeper, I suppose? Poor Reynolds, she was always very fond of me. But of course she did not mention my name to you." "Yes, she did." "And what did she say?" "That you were gone into the army, and she was afraid had--not turned out well. At such a distance as _that_, you know, things are strangely misrepresented." "Certainly," he replied, biting his lips. Elizabeth hoped she had silenced him; but he soon afterwards said, "I was surprised to see Darcy in town last month. We passed each other several times. I wonder what he can be doing there." "Perhaps preparing for his marriage with Miss de Bourgh," said Elizabeth. "It must be something particular, to take him there at this time of year." "Undoubtedly. Did you see him while you were at Lambton? I thought I understood from the Gardiners that you had." "Yes; he introduced us to his sister." "And do you like her?" "Very much." "I have heard, indeed, that she is uncommonly improved within this year or two. When I last saw her, she was not very promising. I am very glad you liked her. I hope she will turn out well." "I dare say she will; she has got over the most trying age." "Did you go by the village of Kympton?" "I do not recollect that we did." "I mention it, because it is the living which I ought to have had. A most delightful place!--Excellent Parsonage House! It would have suited me in every respect." "How should you have liked making sermons?" "Exceedingly well. I should have considered it as part of my duty, and the exertion would soon have been nothing. One ought not to repine;--but, to be sure, it would have been such a thing for me! The quiet, the retirement of such a life, would have answered all my ideas of happiness! But it was not to be. Did you ever hear Darcy mention the circumstance, when you were in Kent?"<|quote|>"I _have_ heard from authority, which I thought _as good_, that it was left you conditionally only, and at the will of the present patron."</|quote|>"You have. Yes, there was something in _that_; I told you so from the first, you may remember." "I _did_ hear, too, that there was a time, when sermon-making was not so palatable to you as it seems to be at present; that you actually declared your resolution of never taking orders, and that the business had been compromised accordingly." "You did! and it was not wholly without foundation. You may remember what I told you on that point, when first we talked of it." They were now almost at the door of the house, for she had walked fast to get rid of him; and unwilling for her sister's sake, to provoke him, she only said in reply, with a good-humoured smile, "Come, Mr. Wickham, we are brother and sister, you know. Do not let us quarrel about the past. In future, I hope we shall be always of one mind." She held out her hand; he kissed it with affectionate gallantry, though he hardly knew how to look, and they entered the house. CHAPTER XI. Mr. Wickham was so perfectly satisfied with this conversation, that he never again distressed himself, or provoked his dear sister Elizabeth, by introducing the subject of it; and she was pleased to find that she had said enough to keep him quiet. The day of his and Lydia's departure soon came, and Mrs. Bennet was forced to submit to a separation, which, as her husband by no means entered into her scheme of their all going to Newcastle, was likely to continue at least a twelvemonth. "Oh! my dear Lydia," she cried, "when shall we meet again?" "Oh, lord! I don't know. Not these two or three years perhaps." "Write to me very often, my dear." "As often as I can. But you know married women have never much time for writing. My sisters may write to _me_. They will have nothing else to do." Mr. Wickham's adieus were much more affectionate than his wife's. He smiled, looked handsome, and said many pretty things. "He is as fine a fellow," said Mr. Bennet, as soon as they were out of the house, "as ever I saw. He simpers, and smirks, and makes love to us all. I am prodigiously proud of him. I defy even Sir William Lucas himself, to produce a more valuable son-in-law." The loss of her daughter made Mrs. Bennet very dull for several days. "I often think," said she, "that there is nothing so bad as parting with one's friends. One seems so forlorn without them." "This is the consequence you see, Madam, of marrying a daughter," said Elizabeth. "It must make you better satisfied that your other four are single." "It is no such thing. Lydia does not leave me because she is married; but only because her husband's regiment happens to be so far off. If that had been nearer, she would not have gone so soon." But the spiritless condition which this event threw her into, was shortly relieved, and her mind opened again to the agitation of hope, by an article of news, which then began to be in circulation. The housekeeper at Netherfield had received orders to prepare for the arrival of her master, who was coming down in a day or two, to shoot there for several weeks. Mrs. Bennet was quite in the fidgets. She looked at Jane, and smiled, and shook her head by turns. "Well, well, and so Mr. Bingley is coming down, sister," (for Mrs. Philips first brought her the news.) "Well, so much the better. Not that I care about it, though. He is nothing to us, you know, and I am sure _I_ never want to see him again. But, however, he is very welcome to come to Netherfield, if he likes it. And who knows what _may_ happen? But that is nothing to us. You know, sister, we agreed long ago never to mention a word about it. And so, is it quite certain he is coming?" "You may depend on it," replied the other, "for Mrs. Nicholls was in Meryton last night; I saw her passing by, and went out myself on purpose to know the truth of it; and she told me that it was certain true. He comes down on Thursday at the latest, very likely on Wednesday. She was going to the butcher's, she told me, on purpose to order in some meat on Wednesday, and she has got three couple of ducks, just fit to be killed." Miss Bennet had not been able to hear of his coming, without changing colour. It was many months since she had mentioned his name to Elizabeth; but now, as soon as they were alone together, she said, "I saw you look at me to-day, | afraid I interrupt your solitary ramble, my dear sister?" said he, as he joined her. "You certainly do," she replied with a smile; "but it does not follow that the interruption must be unwelcome." "I should be sorry indeed, if it were. _We_ were always good friends; and now we are better." "True. Are the others coming out?" "I do not know. Mrs. Bennet and Lydia are going in the carriage to Meryton. And so, my dear sister, I find from our uncle and aunt, that you have actually seen Pemberley." She replied in the affirmative. "I almost envy you the pleasure, and yet I believe it would be too much for me, or else I could take it in my way to Newcastle. And you saw the old housekeeper, I suppose? Poor Reynolds, she was always very fond of me. But of course she did not mention my name to you." "Yes, she did." "And what did she say?" "That you were gone into the army, and she was afraid had--not turned out well. At such a distance as _that_, you know, things are strangely misrepresented." "Certainly," he replied, biting his lips. Elizabeth hoped she had silenced him; but he soon afterwards said, "I was surprised to see Darcy in town last month. We passed each other several times. I wonder what he can be doing there." "Perhaps preparing for his marriage with Miss de Bourgh," said Elizabeth. "It must be something particular, to take him there at this time of year." "Undoubtedly. Did you see him while you were at Lambton? I thought I understood from the Gardiners that you had." "Yes; he introduced us to his sister." "And do you like her?" "Very much." "I have heard, indeed, that she is uncommonly improved within this year or two. When I last saw her, she was not very promising. I am very glad you liked her. I hope she will turn out well." "I dare say she will; she has got over the most trying age." "Did you go by the village of Kympton?" "I do not recollect that we did." "I mention it, because it is the living which I ought to have had. A most delightful place!--Excellent Parsonage House! It would have suited me in every respect." "How should you have liked making sermons?" "Exceedingly well. I should have considered it as part of my duty, and the exertion would soon have been nothing. One ought not to repine;--but, to be sure, it would have been such a thing for me! The quiet, the retirement of such a life, would have answered all my ideas of happiness! But it was not to be. Did you ever hear Darcy mention the circumstance, when you were in Kent?"<|quote|>"I _have_ heard from authority, which I thought _as good_, that it was left you conditionally only, and at the will of the present patron."</|quote|>"You have. Yes, there was something in _that_; I told you so from the first, you may remember." "I _did_ hear, too, that there was a time, when sermon-making was not so palatable to you as it seems to be at present; that you actually declared your resolution of never taking orders, and that the business had been compromised accordingly." "You did! and it was not wholly without foundation. You may remember what I told you on that point, when first we talked of it." They were now almost at the door of the house, for she had walked fast to get rid of him; and unwilling for her sister's sake, to provoke him, she only said in reply, with a good-humoured smile, "Come, Mr. Wickham, we are brother and sister, you know. Do not let us quarrel about the past. In future, I hope we shall be always of one mind." She held out her hand; he kissed it with affectionate gallantry, though he hardly knew how to look, and they entered the house. CHAPTER XI. Mr. Wickham was so perfectly satisfied with this conversation, that he never again distressed himself, or provoked his dear sister Elizabeth, by introducing the subject of it; and she was pleased to find that she had said enough to keep | Pride And Prejudice |
"I do not wonder Captain Wentworth is delighted! You see he cannot put the card out of his hand." | Mary Musgrove | everybody!" whispered Mary very audibly.<|quote|>"I do not wonder Captain Wentworth is delighted! You see he cannot put the card out of his hand."</|quote|>Anne caught his eye, saw | "Only think of Elizabeth's including everybody!" whispered Mary very audibly.<|quote|>"I do not wonder Captain Wentworth is delighted! You see he cannot put the card out of his hand."</|quote|>Anne caught his eye, saw his cheeks glow, and his | to believe that he had determined to accept such an offering, as an atonement for all the insolence of the past. Her spirits sank. He held the card in his hand after they were gone, as if deeply considering it. "Only think of Elizabeth's including everybody!" whispered Mary very audibly.<|quote|>"I do not wonder Captain Wentworth is delighted! You see he cannot put the card out of his hand."</|quote|>Anne caught his eye, saw his cheeks glow, and his mouth form itself into a momentary expression of contempt, and turned away, that she might neither see nor hear more to vex her. The party separated. The gentlemen had their own pursuits, the ladies proceeded on their own business, and | think only of the invitation she had with such astonishment witnessed, and of the manner in which it had been received; a manner of doubtful meaning, of surprise rather than gratification, of polite acknowledgement rather than acceptance. She knew him; she saw disdain in his eye, and could not venture to believe that he had determined to accept such an offering, as an atonement for all the insolence of the past. Her spirits sank. He held the card in his hand after they were gone, as if deeply considering it. "Only think of Elizabeth's including everybody!" whispered Mary very audibly.<|quote|>"I do not wonder Captain Wentworth is delighted! You see he cannot put the card out of his hand."</|quote|>Anne caught his eye, saw his cheeks glow, and his mouth form itself into a momentary expression of contempt, and turned away, that she might neither see nor hear more to vex her. The party separated. The gentlemen had their own pursuits, the ladies proceeded on their own business, and they met no more while Anne belonged to them. She was earnestly begged to return and dine, and give them all the rest of the day, but her spirits had been so long exerted that at present she felt unequal to more, and fit only for home, where she might | smile to all, and one smile and one card more decidedly for Captain Wentworth. The truth was, that Elizabeth had been long enough in Bath to understand the importance of a man of such an air and appearance as his. The past was nothing. The present was that Captain Wentworth would move about well in her drawing-room. The card was pointedly given, and Sir Walter and Elizabeth arose and disappeared. The interruption had been short, though severe, and ease and animation returned to most of those they left as the door shut them out, but not to Anne. She could think only of the invitation she had with such astonishment witnessed, and of the manner in which it had been received; a manner of doubtful meaning, of surprise rather than gratification, of polite acknowledgement rather than acceptance. She knew him; she saw disdain in his eye, and could not venture to believe that he had determined to accept such an offering, as an atonement for all the insolence of the past. Her spirits sank. He held the card in his hand after they were gone, as if deeply considering it. "Only think of Elizabeth's including everybody!" whispered Mary very audibly.<|quote|>"I do not wonder Captain Wentworth is delighted! You see he cannot put the card out of his hand."</|quote|>Anne caught his eye, saw his cheeks glow, and his mouth form itself into a momentary expression of contempt, and turned away, that she might neither see nor hear more to vex her. The party separated. The gentlemen had their own pursuits, the ladies proceeded on their own business, and they met no more while Anne belonged to them. She was earnestly begged to return and dine, and give them all the rest of the day, but her spirits had been so long exerted that at present she felt unequal to more, and fit only for home, where she might be sure of being as silent as she chose. Promising to be with them the whole of the following morning, therefore, she closed the fatigues of the present by a toilsome walk to Camden Place, there to spend the evening chiefly in listening to the busy arrangements of Elizabeth and Mrs Clay for the morrow's party, the frequent enumeration of the persons invited, and the continually improving detail of all the embellishments which were to make it the most completely elegant of its kind in Bath, while harassing herself with the never-ending question, of whether Captain Wentworth would come or | pity her. Their preparations, however, were stopped short. Alarming sounds were heard; other visitors approached, and the door was thrown open for Sir Walter and Miss Elliot, whose entrance seemed to give a general chill. Anne felt an instant oppression, and wherever she looked saw symptoms of the same. The comfort, the freedom, the gaiety of the room was over, hushed into cold composure, determined silence, or insipid talk, to meet the heartless elegance of her father and sister. How mortifying to feel that it was so! Her jealous eye was satisfied in one particular. Captain Wentworth was acknowledged again by each, by Elizabeth more graciously than before. She even addressed him once, and looked at him more than once. Elizabeth was, in fact, revolving a great measure. The sequel explained it. After the waste of a few minutes in saying the proper nothings, she began to give the invitation which was to comprise all the remaining dues of the Musgroves. "To-morrow evening, to meet a few friends: no formal party." It was all said very gracefully, and the cards with which she had provided herself, the "Miss Elliot at home," were laid on the table, with a courteous, comprehensive smile to all, and one smile and one card more decidedly for Captain Wentworth. The truth was, that Elizabeth had been long enough in Bath to understand the importance of a man of such an air and appearance as his. The past was nothing. The present was that Captain Wentworth would move about well in her drawing-room. The card was pointedly given, and Sir Walter and Elizabeth arose and disappeared. The interruption had been short, though severe, and ease and animation returned to most of those they left as the door shut them out, but not to Anne. She could think only of the invitation she had with such astonishment witnessed, and of the manner in which it had been received; a manner of doubtful meaning, of surprise rather than gratification, of polite acknowledgement rather than acceptance. She knew him; she saw disdain in his eye, and could not venture to believe that he had determined to accept such an offering, as an atonement for all the insolence of the past. Her spirits sank. He held the card in his hand after they were gone, as if deeply considering it. "Only think of Elizabeth's including everybody!" whispered Mary very audibly.<|quote|>"I do not wonder Captain Wentworth is delighted! You see he cannot put the card out of his hand."</|quote|>Anne caught his eye, saw his cheeks glow, and his mouth form itself into a momentary expression of contempt, and turned away, that she might neither see nor hear more to vex her. The party separated. The gentlemen had their own pursuits, the ladies proceeded on their own business, and they met no more while Anne belonged to them. She was earnestly begged to return and dine, and give them all the rest of the day, but her spirits had been so long exerted that at present she felt unequal to more, and fit only for home, where she might be sure of being as silent as she chose. Promising to be with them the whole of the following morning, therefore, she closed the fatigues of the present by a toilsome walk to Camden Place, there to spend the evening chiefly in listening to the busy arrangements of Elizabeth and Mrs Clay for the morrow's party, the frequent enumeration of the persons invited, and the continually improving detail of all the embellishments which were to make it the most completely elegant of its kind in Bath, while harassing herself with the never-ending question, of whether Captain Wentworth would come or not? They were reckoning him as certain, but with her it was a gnawing solicitude never appeased for five minutes together. She generally thought he would come, because she generally thought he ought; but it was a case which she could not so shape into any positive act of duty or discretion, as inevitably to defy the suggestions of very opposite feelings. She only roused herself from the broodings of this restless agitation, to let Mrs Clay know that she had been seen with Mr Elliot three hours after his being supposed to be out of Bath, for having watched in vain for some intimation of the interview from the lady herself, she determined to mention it, and it seemed to her there was guilt in Mrs Clay's face as she listened. It was transient: cleared away in an instant; but Anne could imagine she read there the consciousness of having, by some complication of mutual trick, or some overbearing authority of his, been obliged to attend (perhaps for half an hour) to his lectures and restrictions on her designs on Sir Walter. She exclaimed, however, with a very tolerable imitation of nature:-- "Oh! dear! very true. Only think, Miss | play, if Miss Anne could not be with us." Anne felt truly obliged to her for such kindness; and quite as much so for the opportunity it gave her of decidedly saying-- "If it depended only on my inclination, ma'am, the party at home (excepting on Mary's account) would not be the smallest impediment. I have no pleasure in the sort of meeting, and should be too happy to change it for a play, and with you. But, it had better not be attempted, perhaps." She had spoken it; but she trembled when it was done, conscious that her words were listened to, and daring not even to try to observe their effect. It was soon generally agreed that Tuesday should be the day; Charles only reserving the advantage of still teasing his wife, by persisting that he would go to the play to-morrow if nobody else would. Captain Wentworth left his seat, and walked to the fire-place; probably for the sake of walking away from it soon afterwards, and taking a station, with less bare-faced design, by Anne. "You have not been long enough in Bath," said he, "to enjoy the evening parties of the place." "Oh! no. The usual character of them has nothing for me. I am no card-player." "You were not formerly, I know. You did not use to like cards; but time makes many changes." "I am not yet so much changed," cried Anne, and stopped, fearing she hardly knew what misconstruction. After waiting a few moments he said, and as if it were the result of immediate feeling, "It is a period, indeed! Eight years and a half is a period." Whether he would have proceeded farther was left to Anne's imagination to ponder over in a calmer hour; for while still hearing the sounds he had uttered, she was startled to other subjects by Henrietta, eager to make use of the present leisure for getting out, and calling on her companions to lose no time, lest somebody else should come in. They were obliged to move. Anne talked of being perfectly ready, and tried to look it; but she felt that could Henrietta have known the regret and reluctance of her heart in quitting that chair, in preparing to quit the room, she would have found, in all her own sensations for her cousin, in the very security of his affection, wherewith to pity her. Their preparations, however, were stopped short. Alarming sounds were heard; other visitors approached, and the door was thrown open for Sir Walter and Miss Elliot, whose entrance seemed to give a general chill. Anne felt an instant oppression, and wherever she looked saw symptoms of the same. The comfort, the freedom, the gaiety of the room was over, hushed into cold composure, determined silence, or insipid talk, to meet the heartless elegance of her father and sister. How mortifying to feel that it was so! Her jealous eye was satisfied in one particular. Captain Wentworth was acknowledged again by each, by Elizabeth more graciously than before. She even addressed him once, and looked at him more than once. Elizabeth was, in fact, revolving a great measure. The sequel explained it. After the waste of a few minutes in saying the proper nothings, she began to give the invitation which was to comprise all the remaining dues of the Musgroves. "To-morrow evening, to meet a few friends: no formal party." It was all said very gracefully, and the cards with which she had provided herself, the "Miss Elliot at home," were laid on the table, with a courteous, comprehensive smile to all, and one smile and one card more decidedly for Captain Wentworth. The truth was, that Elizabeth had been long enough in Bath to understand the importance of a man of such an air and appearance as his. The past was nothing. The present was that Captain Wentworth would move about well in her drawing-room. The card was pointedly given, and Sir Walter and Elizabeth arose and disappeared. The interruption had been short, though severe, and ease and animation returned to most of those they left as the door shut them out, but not to Anne. She could think only of the invitation she had with such astonishment witnessed, and of the manner in which it had been received; a manner of doubtful meaning, of surprise rather than gratification, of polite acknowledgement rather than acceptance. She knew him; she saw disdain in his eye, and could not venture to believe that he had determined to accept such an offering, as an atonement for all the insolence of the past. Her spirits sank. He held the card in his hand after they were gone, as if deeply considering it. "Only think of Elizabeth's including everybody!" whispered Mary very audibly.<|quote|>"I do not wonder Captain Wentworth is delighted! You see he cannot put the card out of his hand."</|quote|>Anne caught his eye, saw his cheeks glow, and his mouth form itself into a momentary expression of contempt, and turned away, that she might neither see nor hear more to vex her. The party separated. The gentlemen had their own pursuits, the ladies proceeded on their own business, and they met no more while Anne belonged to them. She was earnestly begged to return and dine, and give them all the rest of the day, but her spirits had been so long exerted that at present she felt unequal to more, and fit only for home, where she might be sure of being as silent as she chose. Promising to be with them the whole of the following morning, therefore, she closed the fatigues of the present by a toilsome walk to Camden Place, there to spend the evening chiefly in listening to the busy arrangements of Elizabeth and Mrs Clay for the morrow's party, the frequent enumeration of the persons invited, and the continually improving detail of all the embellishments which were to make it the most completely elegant of its kind in Bath, while harassing herself with the never-ending question, of whether Captain Wentworth would come or not? They were reckoning him as certain, but with her it was a gnawing solicitude never appeased for five minutes together. She generally thought he would come, because she generally thought he ought; but it was a case which she could not so shape into any positive act of duty or discretion, as inevitably to defy the suggestions of very opposite feelings. She only roused herself from the broodings of this restless agitation, to let Mrs Clay know that she had been seen with Mr Elliot three hours after his being supposed to be out of Bath, for having watched in vain for some intimation of the interview from the lady herself, she determined to mention it, and it seemed to her there was guilt in Mrs Clay's face as she listened. It was transient: cleared away in an instant; but Anne could imagine she read there the consciousness of having, by some complication of mutual trick, or some overbearing authority of his, been obliged to attend (perhaps for half an hour) to his lectures and restrictions on her designs on Sir Walter. She exclaimed, however, with a very tolerable imitation of nature:-- "Oh! dear! very true. Only think, Miss Elliot, to my great surprise I met with Mr Elliot in Bath Street. I was never more astonished. He turned back and walked with me to the Pump Yard. He had been prevented setting off for Thornberry, but I really forget by what; for I was in a hurry, and could not much attend, and I can only answer for his being determined not to be delayed in his return. He wanted to know how early he might be admitted to-morrow. He was full of 'to-morrow,' and it is very evident that I have been full of it too, ever since I entered the house, and learnt the extension of your plan and all that had happened, or my seeing him could never have gone so entirely out of my head." Chapter 23 One day only had passed since Anne's conversation with Mrs Smith; but a keener interest had succeeded, and she was now so little touched by Mr Elliot's conduct, except by its effects in one quarter, that it became a matter of course the next morning, still to defer her explanatory visit in Rivers Street. She had promised to be with the Musgroves from breakfast to dinner. Her faith was plighted, and Mr Elliot's character, like the Sultaness Scheherazade's head, must live another day. She could not keep her appointment punctually, however; the weather was unfavourable, and she had grieved over the rain on her friends' account, and felt it very much on her own, before she was able to attempt the walk. When she reached the White Hart, and made her way to the proper apartment, she found herself neither arriving quite in time, nor the first to arrive. The party before her were, Mrs Musgrove, talking to Mrs Croft, and Captain Harville to Captain Wentworth; and she immediately heard that Mary and Henrietta, too impatient to wait, had gone out the moment it had cleared, but would be back again soon, and that the strictest injunctions had been left with Mrs Musgrove to keep her there till they returned. She had only to submit, sit down, be outwardly composed, and feel herself plunged at once in all the agitations which she had merely laid her account of tasting a little before the morning closed. There was no delay, no waste of time. She was deep in the happiness of such misery, or the misery of such | a half is a period." Whether he would have proceeded farther was left to Anne's imagination to ponder over in a calmer hour; for while still hearing the sounds he had uttered, she was startled to other subjects by Henrietta, eager to make use of the present leisure for getting out, and calling on her companions to lose no time, lest somebody else should come in. They were obliged to move. Anne talked of being perfectly ready, and tried to look it; but she felt that could Henrietta have known the regret and reluctance of her heart in quitting that chair, in preparing to quit the room, she would have found, in all her own sensations for her cousin, in the very security of his affection, wherewith to pity her. Their preparations, however, were stopped short. Alarming sounds were heard; other visitors approached, and the door was thrown open for Sir Walter and Miss Elliot, whose entrance seemed to give a general chill. Anne felt an instant oppression, and wherever she looked saw symptoms of the same. The comfort, the freedom, the gaiety of the room was over, hushed into cold composure, determined silence, or insipid talk, to meet the heartless elegance of her father and sister. How mortifying to feel that it was so! Her jealous eye was satisfied in one particular. Captain Wentworth was acknowledged again by each, by Elizabeth more graciously than before. She even addressed him once, and looked at him more than once. Elizabeth was, in fact, revolving a great measure. The sequel explained it. After the waste of a few minutes in saying the proper nothings, she began to give the invitation which was to comprise all the remaining dues of the Musgroves. "To-morrow evening, to meet a few friends: no formal party." It was all said very gracefully, and the cards with which she had provided herself, the "Miss Elliot at home," were laid on the table, with a courteous, comprehensive smile to all, and one smile and one card more decidedly for Captain Wentworth. The truth was, that Elizabeth had been long enough in Bath to understand the importance of a man of such an air and appearance as his. The past was nothing. The present was that Captain Wentworth would move about well in her drawing-room. The card was pointedly given, and Sir Walter and Elizabeth arose and disappeared. The interruption had been short, though severe, and ease and animation returned to most of those they left as the door shut them out, but not to Anne. She could think only of the invitation she had with such astonishment witnessed, and of the manner in which it had been received; a manner of doubtful meaning, of surprise rather than gratification, of polite acknowledgement rather than acceptance. She knew him; she saw disdain in his eye, and could not venture to believe that he had determined to accept such an offering, as an atonement for all the insolence of the past. Her spirits sank. He held the card in his hand after they were gone, as if deeply considering it. "Only think of Elizabeth's including everybody!" whispered Mary very audibly.<|quote|>"I do not wonder Captain Wentworth is delighted! You see he cannot put the card out of his hand."</|quote|>Anne caught his eye, saw his cheeks glow, and his mouth form itself into a momentary expression of contempt, and turned away, that she might neither see nor hear more to vex her. The party separated. The gentlemen had their own pursuits, the ladies proceeded on their own business, and they met no more while Anne belonged to them. She was earnestly begged to return and dine, and give them all the rest of the day, but her spirits had been so long exerted that at present she felt unequal to more, and fit only for home, where she might be sure of being as silent as she chose. Promising to be with them the whole of the following morning, therefore, she closed the fatigues of the present by a toilsome walk to Camden Place, there to spend the evening chiefly in listening to the busy arrangements of Elizabeth and Mrs Clay for the morrow's party, the frequent enumeration of the persons invited, and the continually improving detail of all the embellishments which were to make it the most completely elegant of its kind in Bath, while harassing herself with the never-ending question, of whether Captain Wentworth would come or not? They were reckoning him as certain, but with her it was a gnawing solicitude never appeased for five minutes together. She generally thought he would come, because she generally thought he ought; but it was a case which she could not so shape into any positive act of duty or discretion, as inevitably to defy the suggestions of very opposite feelings. She only roused herself from the broodings of this restless agitation, to let Mrs Clay know that she had been seen with Mr Elliot three hours after his being supposed to be out of Bath, for having watched in vain for some intimation of the interview from the lady herself, she determined to mention it, and it seemed to her there was guilt in Mrs Clay's face as she listened. It was transient: cleared away in an instant; but Anne could imagine she read there the consciousness of having, by some complication of mutual trick, or some overbearing authority of his, been obliged to attend (perhaps for half an hour) to his lectures and restrictions on her designs on Sir Walter. She exclaimed, however, with a very tolerable imitation of nature:-- "Oh! dear! very true. Only think, Miss Elliot, to my great surprise I met with Mr Elliot in Bath Street. I was never more astonished. He turned back and walked with me to the Pump Yard. He had been prevented setting off for Thornberry, but I really forget by what; for I was in a | Persuasion |
"You really think this is due to some--some intentional interference of Lawrence Lefferts's?" | Mr. Van Der Luyden | was the first to speak.<|quote|>"You really think this is due to some--some intentional interference of Lawrence Lefferts's?"</|quote|>he enquired, turning to Archer. | evenings. Mr. van der Luyden was the first to speak.<|quote|>"You really think this is due to some--some intentional interference of Lawrence Lefferts's?"</|quote|>he enquired, turning to Archer. "I'm certain of it, sir. | mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak.<|quote|>"You really think this is due to some--some intentional interference of Lawrence Lefferts's?"</|quote|>he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins | drawing a deep breath. There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak.<|quote|>"You really think this is due to some--some intentional interference of Lawrence Lefferts's?"</|quote|>he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using | looking with pleasant deliberation about the large shrouded room which to Archer was so complete an image of its owners. "But I hope you HAD finished your reading, Henry?" his wife interposed. "Quite--quite," he reassured her. "Then I should like Adeline to tell you--" "Oh, it's really Newland's story," said his mother smiling; and proceeded to rehearse once more the monstrous tale of the affront inflicted on Mrs. Lovell Mingott. "Of course," she ended, "Augusta Welland and Mary Mingott both felt that, especially in view of Newland's engagement, you and Henry OUGHT TO KNOW." "Ah--" said Mr. van der Luyden, drawing a deep breath. There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak.<|quote|>"You really think this is due to some--some intentional interference of Lawrence Lefferts's?"</|quote|>he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that," said Mr. van der Luyden firmly. "Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters | advance, she added, with the sweetest look: "Henry always enjoys seeing you, dear Adeline; and he will wish to congratulate Newland." The double doors had solemnly reopened and between them appeared Mr. Henry van der Luyden, tall, spare and frock-coated, with faded fair hair, a straight nose like his wife's and the same look of frozen gentleness in eyes that were merely pale grey instead of pale blue. Mr. van der Luyden greeted Mrs. Archer with cousinly affability, proffered to Newland low-voiced congratulations couched in the same language as his wife's, and seated himself in one of the brocade armchairs with the simplicity of a reigning sovereign. "I had just finished reading the Times," he said, laying his long finger-tips together. "In town my mornings are so much occupied that I find it more convenient to read the newspapers after luncheon." "Ah, there's a great deal to be said for that plan--indeed I think my uncle Egmont used to say he found it less agitating not to read the morning papers till after dinner," said Mrs. Archer responsively. "Yes: my good father abhorred hurry. But now we live in a constant rush," said Mr. van der Luyden in measured tones, looking with pleasant deliberation about the large shrouded room which to Archer was so complete an image of its owners. "But I hope you HAD finished your reading, Henry?" his wife interposed. "Quite--quite," he reassured her. "Then I should like Adeline to tell you--" "Oh, it's really Newland's story," said his mother smiling; and proceeded to rehearse once more the monstrous tale of the affront inflicted on Mrs. Lovell Mingott. "Of course," she ended, "Augusta Welland and Mary Mingott both felt that, especially in view of Newland's engagement, you and Henry OUGHT TO KNOW." "Ah--" said Mr. van der Luyden, drawing a deep breath. There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak.<|quote|>"You really think this is due to some--some intentional interference of Lawrence Lefferts's?"</|quote|>he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that," said Mr. van der Luyden firmly. "Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr. van der Luyden continued, "that things had come to such a pass." He paused, and looked at his wife again. "It occurs to me, my dear, that the Countess Olenska is already a sort of relation--through Medora Manson's | (since she never dined out) when she threw open her own doors to receive it. Her fair hair, which had faded without turning grey, was still parted in flat overlapping points on her forehead, and the straight nose that divided her pale blue eyes was only a little more pinched about the nostrils than when the portrait had been painted. She always, indeed, struck Newland Archer as having been rather gruesomely preserved in the airless atmosphere of a perfectly irreproachable existence, as bodies caught in glaciers keep for years a rosy life-in-death. Like all his family, he esteemed and admired Mrs. van der Luyden; but he found her gentle bending sweetness less approachable than the grimness of some of his mother's old aunts, fierce spinsters who said "No" on principle before they knew what they were going to be asked. Mrs. van der Luyden's attitude said neither yes nor no, but always appeared to incline to clemency till her thin lips, wavering into the shadow of a smile, made the almost invariable reply: "I shall first have to talk this over with my husband." She and Mr. van der Luyden were so exactly alike that Archer often wondered how, after forty years of the closest conjugality, two such merged identities ever separated themselves enough for anything as controversial as a talking-over. But as neither had ever reached a decision without prefacing it by this mysterious conclave, Mrs. Archer and her son, having set forth their case, waited resignedly for the familiar phrase. Mrs. van der Luyden, however, who had seldom surprised any one, now surprised them by reaching her long hand toward the bell-rope. "I think," she said, "I should like Henry to hear what you have told me." A footman appeared, to whom she gravely added: "If Mr. van der Luyden has finished reading the newspaper, please ask him to be kind enough to come." She said "reading the newspaper" in the tone in which a Minister's wife might have said: "Presiding at a Cabinet meeting"--not from any arrogance of mind, but because the habit of a life-time, and the attitude of her friends and relations, had led her to consider Mr. van der Luyden's least gesture as having an almost sacerdotal importance. Her promptness of action showed that she considered the case as pressing as Mrs. Archer; but, lest she should be thought to have committed herself in advance, she added, with the sweetest look: "Henry always enjoys seeing you, dear Adeline; and he will wish to congratulate Newland." The double doors had solemnly reopened and between them appeared Mr. Henry van der Luyden, tall, spare and frock-coated, with faded fair hair, a straight nose like his wife's and the same look of frozen gentleness in eyes that were merely pale grey instead of pale blue. Mr. van der Luyden greeted Mrs. Archer with cousinly affability, proffered to Newland low-voiced congratulations couched in the same language as his wife's, and seated himself in one of the brocade armchairs with the simplicity of a reigning sovereign. "I had just finished reading the Times," he said, laying his long finger-tips together. "In town my mornings are so much occupied that I find it more convenient to read the newspapers after luncheon." "Ah, there's a great deal to be said for that plan--indeed I think my uncle Egmont used to say he found it less agitating not to read the morning papers till after dinner," said Mrs. Archer responsively. "Yes: my good father abhorred hurry. But now we live in a constant rush," said Mr. van der Luyden in measured tones, looking with pleasant deliberation about the large shrouded room which to Archer was so complete an image of its owners. "But I hope you HAD finished your reading, Henry?" his wife interposed. "Quite--quite," he reassured her. "Then I should like Adeline to tell you--" "Oh, it's really Newland's story," said his mother smiling; and proceeded to rehearse once more the monstrous tale of the affront inflicted on Mrs. Lovell Mingott. "Of course," she ended, "Augusta Welland and Mary Mingott both felt that, especially in view of Newland's engagement, you and Henry OUGHT TO KNOW." "Ah--" said Mr. van der Luyden, drawing a deep breath. There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak.<|quote|>"You really think this is due to some--some intentional interference of Lawrence Lefferts's?"</|quote|>he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that," said Mr. van der Luyden firmly. "Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr. van der Luyden continued, "that things had come to such a pass." He paused, and looked at his wife again. "It occurs to me, my dear, that the Countess Olenska is already a sort of relation--through Medora Manson's first husband. At any rate, she will be when Newland marries." He turned toward the young man. "Have you read this morning's Times, Newland?" "Why, yes, sir," said Archer, who usually tossed off half a dozen papers with his morning coffee. Husband and wife looked at each other again. Their pale eyes clung together in prolonged and serious consultation; then a faint smile fluttered over Mrs. van der Luyden's face. She had evidently guessed and approved. Mr. van der Luyden turned to Mrs. Archer. "If Louisa's health allowed her to dine out--I wish you would say to Mrs. Lovell Mingott--she and I would have been happy to--er--fill the places of the Lawrence Leffertses at her dinner." He paused to let the irony of this sink in. "As you know, this is impossible." Mrs. Archer sounded a sympathetic assent. "But Newland tells me he has read this morning's Times; therefore he has probably seen that Louisa's relative, the Duke of St. Austrey, arrives next week on the Russia. He is coming to enter his new sloop, the Guinevere, in next summer's International Cup Race; and also to have a little canvasback shooting at Trevenna." Mr. van der Luyden paused again, and continued with increasing benevolence: "Before taking him down to Maryland we are inviting a few friends to meet him here--only a little dinner--with a reception afterward. I am sure Louisa will be as glad as I am if Countess Olenska will let us include her among our guests." He got up, bent his long body with a stiff friendliness toward his cousin, and added: "I think I have Louisa's authority for saying that she will herself leave the invitation to dine when she drives out presently: with our cards--of course with our cards." Mrs. Archer, who knew this to be a hint that the seventeen-hand chestnuts which were never kept waiting were at the door, rose with a hurried murmur of thanks. Mrs. van der Luyden beamed on her with the smile of Esther interceding with Ahasuerus; but her husband raised a protesting hand. "There is nothing to thank me for, dear Adeline; nothing whatever. This kind of thing must not happen in New York; it shall not, as long as I can help it," he pronounced with sovereign gentleness as he steered his cousins to the door. Two hours later, every one knew that the great C-spring barouche in | Archer and her son, having set forth their case, waited resignedly for the familiar phrase. Mrs. van der Luyden, however, who had seldom surprised any one, now surprised them by reaching her long hand toward the bell-rope. "I think," she said, "I should like Henry to hear what you have told me." A footman appeared, to whom she gravely added: "If Mr. van der Luyden has finished reading the newspaper, please ask him to be kind enough to come." She said "reading the newspaper" in the tone in which a Minister's wife might have said: "Presiding at a Cabinet meeting"--not from any arrogance of mind, but because the habit of a life-time, and the attitude of her friends and relations, had led her to consider Mr. van der Luyden's least gesture as having an almost sacerdotal importance. Her promptness of action showed that she considered the case as pressing as Mrs. Archer; but, lest she should be thought to have committed herself in advance, she added, with the sweetest look: "Henry always enjoys seeing you, dear Adeline; and he will wish to congratulate Newland." The double doors had solemnly reopened and between them appeared Mr. Henry van der Luyden, tall, spare and frock-coated, with faded fair hair, a straight nose like his wife's and the same look of frozen gentleness in eyes that were merely pale grey instead of pale blue. Mr. van der Luyden greeted Mrs. Archer with cousinly affability, proffered to Newland low-voiced congratulations couched in the same language as his wife's, and seated himself in one of the brocade armchairs with the simplicity of a reigning sovereign. "I had just finished reading the Times," he said, laying his long finger-tips together. "In town my mornings are so much occupied that I find it more convenient to read the newspapers after luncheon." "Ah, there's a great deal to be said for that plan--indeed I think my uncle Egmont used to say he found it less agitating not to read the morning papers till after dinner," said Mrs. Archer responsively. "Yes: my good father abhorred hurry. But now we live in a constant rush," said Mr. van der Luyden in measured tones, looking with pleasant deliberation about the large shrouded room which to Archer was so complete an image of its owners. "But I hope you HAD finished your reading, Henry?" his wife interposed. "Quite--quite," he reassured her. "Then I should like Adeline to tell you--" "Oh, it's really Newland's story," said his mother smiling; and proceeded to rehearse once more the monstrous tale of the affront inflicted on Mrs. Lovell Mingott. "Of course," she ended, "Augusta Welland and Mary Mingott both felt that, especially in view of Newland's engagement, you and Henry OUGHT TO KNOW." "Ah--" said Mr. van der Luyden, drawing a deep breath. There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak.<|quote|>"You really think this is due to some--some intentional interference of Lawrence Lefferts's?"</|quote|>he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that," said Mr. van der Luyden firmly. "Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy | The Age Of Innocence |
Bill said. | No speaker | This one is on me,"<|quote|>Bill said.</|quote|>"Has Brett any money?" He | another drink," Mike said. "Fine. This one is on me,"<|quote|>Bill said.</|quote|>"Has Brett any money?" He turned to Mike. "I shouldn't | on tick at this pub in Saint Jean." "What do you want to do about the car?" Bill asked me. "Do you want to keep it on?" "It doesn't make any difference. Seems sort of idiotic." "Come on, let's have another drink," Mike said. "Fine. This one is on me,"<|quote|>Bill said.</|quote|>"Has Brett any money?" He turned to Mike. "I shouldn't think so. She put up most of what I gave to old Montoya." "She hasn't any money with her?" I asked. "I shouldn't think so. She never has any money. She gets five hundred quid a year and pays three | pay Montoya. Damned lucky to have it, too." "I'll cash you a check," Bill said. "That's damned nice of you, but you see I can't write checks." "What are you going to do for money?" "Oh, some will come through. I've two weeks allowance should be here. I can live on tick at this pub in Saint Jean." "What do you want to do about the car?" Bill asked me. "Do you want to keep it on?" "It doesn't make any difference. Seems sort of idiotic." "Come on, let's have another drink," Mike said. "Fine. This one is on me,"<|quote|>Bill said.</|quote|>"Has Brett any money?" He turned to Mike. "I shouldn't think so. She put up most of what I gave to old Montoya." "She hasn't any money with her?" I asked. "I shouldn't think so. She never has any money. She gets five hundred quid a year and pays three hundred and fifty of it in interest to Jews." "I suppose they get it at the source," said Bill. "Quite. They're not really Jews. We just call them Jews. They're Scotsmen, I believe." "Hasn't she any at all with her?" I asked. "I hardly think so. She gave it all | first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said. "I'm stony. I've just twenty francs. Here, take twenty francs." Bill's face sort of changed. "I just had enough to pay Montoya. Damned lucky to have it, too." "I'll cash you a check," Bill said. "That's damned nice of you, but you see I can't write checks." "What are you going to do for money?" "Oh, some will come through. I've two weeks allowance should be here. I can live on tick at this pub in Saint Jean." "What do you want to do about the car?" Bill asked me. "Do you want to keep it on?" "It doesn't make any difference. Seems sort of idiotic." "Come on, let's have another drink," Mike said. "Fine. This one is on me,"<|quote|>Bill said.</|quote|>"Has Brett any money?" He turned to Mike. "I shouldn't think so. She put up most of what I gave to old Montoya." "She hasn't any money with her?" I asked. "I shouldn't think so. She never has any money. She gets five hundred quid a year and pays three hundred and fifty of it in interest to Jews." "I suppose they get it at the source," said Bill. "Quite. They're not really Jews. We just call them Jews. They're Scotsmen, I believe." "Hasn't she any at all with her?" I asked. "I hardly think so. She gave it all to me when she left." "Well," Bill said, "we might as well have another drink." "Damned good idea," Mike said. "One never gets anywhere by discussing finances." "No," said Bill. Bill and I rolled for the next two rounds. Bill lost and paid. We went out to the car. "Anywhere you'd like to go, Mike?" Bill asked. "Let's take a drive. It might do my credit good. Let's drive about a little." "Fine. I'd like to see the coast. Let's drive down toward Hendaye." "I haven't any credit along the coast." "You can't ever tell," said Bill. We drove out | wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike the spender," Bill said. We drove in to Biarritz and left the car outside a very Ritz place. We went into the bar and sat on high stools and drank a whiskey and soda. "That drink's mine," Mike said. "Let's roll for it." So we rolled poker dice out of a deep leather dice-cup. Bill was out first roll. Mike lost to me and handed the bartender a hundred-franc note. The whiskeys were twelve francs apiece. We had another round and Mike lost again. Each time he gave the bartender a good tip. In a room off the bar there was a good jazz band playing. It was a pleasant bar. We had another round. I went out on the first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said. "I'm stony. I've just twenty francs. Here, take twenty francs." Bill's face sort of changed. "I just had enough to pay Montoya. Damned lucky to have it, too." "I'll cash you a check," Bill said. "That's damned nice of you, but you see I can't write checks." "What are you going to do for money?" "Oh, some will come through. I've two weeks allowance should be here. I can live on tick at this pub in Saint Jean." "What do you want to do about the car?" Bill asked me. "Do you want to keep it on?" "It doesn't make any difference. Seems sort of idiotic." "Come on, let's have another drink," Mike said. "Fine. This one is on me,"<|quote|>Bill said.</|quote|>"Has Brett any money?" He turned to Mike. "I shouldn't think so. She put up most of what I gave to old Montoya." "She hasn't any money with her?" I asked. "I shouldn't think so. She never has any money. She gets five hundred quid a year and pays three hundred and fifty of it in interest to Jews." "I suppose they get it at the source," said Bill. "Quite. They're not really Jews. We just call them Jews. They're Scotsmen, I believe." "Hasn't she any at all with her?" I asked. "I hardly think so. She gave it all to me when she left." "Well," Bill said, "we might as well have another drink." "Damned good idea," Mike said. "One never gets anywhere by discussing finances." "No," said Bill. Bill and I rolled for the next two rounds. Bill lost and paid. We went out to the car. "Anywhere you'd like to go, Mike?" Bill asked. "Let's take a drive. It might do my credit good. Let's drive about a little." "Fine. I'd like to see the coast. Let's drive down toward Hendaye." "I haven't any credit along the coast." "You can't ever tell," said Bill. We drove out along the coast road. There was the green of the headlands, the white, red-roofed villas, patches of forest, and the ocean very blue with the tide out and the water curling far out along the beach. We drove through Saint Jean de Luz and passed through villages farther down the coast. Back of the rolling country we were going through we saw the mountains we had come over from Pamplona. The road went on ahead. Bill looked at his watch. It was time for us to go back. He knocked on the glass and told the driver to turn around. The driver backed the car out into the grass to turn it. In back of us were the woods, below a stretch of meadow, then the sea. At the hotel where Mike was going to stay in Saint Jean we stopped the car and he got out. The chauffeur carried in his bags. Mike stood by the side of the car. "Good-bye, you chaps," Mike said. "It was a damned fine fiesta." "So long, Mike," Bill said. "I'll see you around," I said. "Don't worry about money," Mike said. "You can pay for the car, Jake, and I'll send you | finished. I woke about nine o'clock, had a bath, dressed, and went down-stairs. The square was empty and there were no people on the streets. A few children were picking up rocket-sticks in the square. The caf s were just opening and the waiters were carrying out the comfortable white wicker chairs and arranging them around the marble-topped tables in the shade of the arcade. They were sweeping the streets and sprinkling them with a hose. I sat in one of the wicker chairs and leaned back comfortably. The waiter was in no hurry to come. The white-paper announcements of the unloading of the bulls and the big schedules of special trains were still up on the pillars of the arcade. A waiter wearing a blue apron came out with a bucket of water and a cloth, and commenced to tear down the notices, pulling the paper off in strips and washing and rubbing away the paper that stuck to the stone. The fiesta was over. I drank a coffee and after a while Bill came over. I watched him come walking across the square. He sat down at the table and ordered a coffee. "Well," he said, "it's all over." "Yes," I said. "When do you go?" "I don't know. We better get a car, I think. Aren't you going back to Paris?" "No. I can stay away another week. I think I'll go to San Sebastian." "I want to get back." "What's Mike going to do?" "He's going to Saint Jean de Luz." "Let's get a car and all go as far as Bayonne. You can get the train up from there to-night." "Good. Let's go after lunch." "All right. I'll get the car." We had lunch and paid the bill. Montoya did not come near us. One of the maids brought the bill. The car was outside. The chauffeur piled and strapped the bags on top of the car and put them in beside him in the front seat and we got in. The car went out of the square, along through the side streets, out under the trees and down the hill and away from Pamplona. It did not seem like a very long ride. Mike had a bottle of Fundador. I only took a couple of drinks. We came over the mountains and out of Spain and down the white roads and through the overfoliaged, wet, green, Basque country, and finally into Bayonne. We left Bill's baggage at the station, and he bought a ticket to Paris. His train left at seven-ten. We came out of the station. The car was standing out in front. "What shall we do about the car?" Bill asked. "Oh, bother the car," Mike said. "Let's just keep the car with us." "All right," Bill said. "Where shall we go?" "Let's go to Biarritz and have a drink." "Old Mike the spender," Bill said. We drove in to Biarritz and left the car outside a very Ritz place. We went into the bar and sat on high stools and drank a whiskey and soda. "That drink's mine," Mike said. "Let's roll for it." So we rolled poker dice out of a deep leather dice-cup. Bill was out first roll. Mike lost to me and handed the bartender a hundred-franc note. The whiskeys were twelve francs apiece. We had another round and Mike lost again. Each time he gave the bartender a good tip. In a room off the bar there was a good jazz band playing. It was a pleasant bar. We had another round. I went out on the first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said. "I'm stony. I've just twenty francs. Here, take twenty francs." Bill's face sort of changed. "I just had enough to pay Montoya. Damned lucky to have it, too." "I'll cash you a check," Bill said. "That's damned nice of you, but you see I can't write checks." "What are you going to do for money?" "Oh, some will come through. I've two weeks allowance should be here. I can live on tick at this pub in Saint Jean." "What do you want to do about the car?" Bill asked me. "Do you want to keep it on?" "It doesn't make any difference. Seems sort of idiotic." "Come on, let's have another drink," Mike said. "Fine. This one is on me,"<|quote|>Bill said.</|quote|>"Has Brett any money?" He turned to Mike. "I shouldn't think so. She put up most of what I gave to old Montoya." "She hasn't any money with her?" I asked. "I shouldn't think so. She never has any money. She gets five hundred quid a year and pays three hundred and fifty of it in interest to Jews." "I suppose they get it at the source," said Bill. "Quite. They're not really Jews. We just call them Jews. They're Scotsmen, I believe." "Hasn't she any at all with her?" I asked. "I hardly think so. She gave it all to me when she left." "Well," Bill said, "we might as well have another drink." "Damned good idea," Mike said. "One never gets anywhere by discussing finances." "No," said Bill. Bill and I rolled for the next two rounds. Bill lost and paid. We went out to the car. "Anywhere you'd like to go, Mike?" Bill asked. "Let's take a drive. It might do my credit good. Let's drive about a little." "Fine. I'd like to see the coast. Let's drive down toward Hendaye." "I haven't any credit along the coast." "You can't ever tell," said Bill. We drove out along the coast road. There was the green of the headlands, the white, red-roofed villas, patches of forest, and the ocean very blue with the tide out and the water curling far out along the beach. We drove through Saint Jean de Luz and passed through villages farther down the coast. Back of the rolling country we were going through we saw the mountains we had come over from Pamplona. The road went on ahead. Bill looked at his watch. It was time for us to go back. He knocked on the glass and told the driver to turn around. The driver backed the car out into the grass to turn it. In back of us were the woods, below a stretch of meadow, then the sea. At the hotel where Mike was going to stay in Saint Jean we stopped the car and he got out. The chauffeur carried in his bags. Mike stood by the side of the car. "Good-bye, you chaps," Mike said. "It was a damned fine fiesta." "So long, Mike," Bill said. "I'll see you around," I said. "Don't worry about money," Mike said. "You can pay for the car, Jake, and I'll send you my share." "So long, Mike." "So long, you chaps. You've been damned nice." We all shook hands. We waved from the car to Mike. He stood in the road watching. We got to Bayonne just before the train left. A porter carried Bill's bags in from the consigne. I went as far as the inner gate to the tracks. "So long, fella," Bill said. "So long, kid!" "It was swell. I've had a swell time." "Will you be in Paris?" "No, I have to sail on the 17th. So long, fella!" "So long, old kid!" He went in through the gate to the train. The porter went ahead with the bags. I watched the train pull out. Bill was at one of the windows. The window passed, the rest of the train passed, and the tracks were empty. I went outside to the car. "How much do we owe you?" I asked the driver. The price to Bayonne had been fixed at a hundred and fifty pesetas. "Two hundred pesetas." "How much more will it be if you drive me to San Sebastian on your way back?" "Fifty pesetas." "Don't kid me." "Thirty-five pesetas." "It's not worth it," I said. "Drive me to the Hotel Panier Fleuri." At the hotel I paid the driver and gave him a tip. The car was powdered with dust. I rubbed the rod-case through the dust. It seemed the last thing that connected me with Spain and the fiesta. The driver put the car in gear and went down the street. I watched it turn off to take the road to Spain. I went into the hotel and they gave me a room. It was the same room I had slept in when Bill and Cohn and I were in Bayonne. That seemed a very long time ago. I washed, changed my shirt, and went out in the town. At a newspaper kiosque I bought a copy of the New York _Herald_ and sat in a caf to read it. It felt strange to be in France again. There was a safe, suburban feeling. I wished I had gone up to Paris with Bill, except that Paris would have meant more fiesta-ing. I was through with fiestas for a while. It would be quiet in San Sebastian. The season does not open there until August. I could get a good hotel room and read | it." So we rolled poker dice out of a deep leather dice-cup. Bill was out first roll. Mike lost to me and handed the bartender a hundred-franc note. The whiskeys were twelve francs apiece. We had another round and Mike lost again. Each time he gave the bartender a good tip. In a room off the bar there was a good jazz band playing. It was a pleasant bar. We had another round. I went out on the first roll with four kings. Bill and Mike rolled. Mike won the first roll with four jacks. Bill won the second. On the final roll Mike had three kings and let them stay. He handed the dice-cup to Bill. Bill rattled them and rolled, and there were three kings, an ace, and a queen. "It's yours, Mike," Bill said. "Old Mike, the gambler." "I'm so sorry," Mike said. "I can't get it." "What's the matter?" "I've no money," Mike said. "I'm stony. I've just twenty francs. Here, take twenty francs." Bill's face sort of changed. "I just had enough to pay Montoya. Damned lucky to have it, too." "I'll cash you a check," Bill said. "That's damned nice of you, but you see I can't write checks." "What are you going to do for money?" "Oh, some will come through. I've two weeks allowance should be here. I can live on tick at this pub in Saint Jean." "What do you want to do about the car?" Bill asked me. "Do you want to keep it on?" "It doesn't make any difference. Seems sort of idiotic." "Come on, let's have another drink," Mike said. "Fine. This one is on me,"<|quote|>Bill said.</|quote|>"Has Brett any money?" He turned to Mike. "I shouldn't think so. She put up most of what I gave to old Montoya." "She hasn't any money with her?" I asked. "I shouldn't think so. She never has any money. She gets five hundred quid a year and pays three hundred and fifty of it in interest to Jews." "I suppose they get it at the source," said Bill. "Quite. They're not really Jews. We just call them Jews. They're Scotsmen, I believe." "Hasn't she any at all with her?" I asked. "I hardly think so. She gave it all to me when she left." "Well," Bill said, "we might as well have another drink." "Damned good idea," Mike said. "One never gets anywhere by discussing finances." "No," said Bill. Bill and I rolled for the next two rounds. Bill lost and paid. We went out to the car. "Anywhere you'd like to go, Mike?" Bill asked. "Let's take a drive. It might do my credit good. Let's drive about a little." "Fine. I'd like to see the coast. Let's drive down toward Hendaye." "I haven't any credit along the coast." "You can't ever tell," said Bill. We drove out along the coast road. There was the green of the headlands, the white, red-roofed villas, patches of forest, and the ocean very blue with the tide out and the water curling far out along the beach. We drove through Saint Jean de Luz and passed through villages farther down the coast. Back of the rolling country we were going through we saw the mountains we had come over from Pamplona. The road went on ahead. Bill looked at his watch. It was time for us to go back. He knocked on the glass and told the driver to turn around. The driver backed the car out into the grass to turn it. In back of us were the woods, below a stretch of meadow, then the sea. At the hotel where Mike was going to stay in Saint Jean we stopped the car and he got out. The chauffeur carried in his bags. Mike stood by the side of the car. "Good-bye, you chaps," Mike said. "It was a damned fine fiesta." "So long, Mike," Bill said. "I'll see you around," I said. "Don't worry about money," Mike said. "You can pay for the car, Jake, and I'll send you my share." "So long, Mike." "So long, you chaps. You've been damned nice." We all shook hands. We waved from the car to Mike. He stood in the road watching. We got to Bayonne just before the train left. A porter carried Bill's bags in from the consigne. I went as far as the inner gate to the tracks. "So long, fella," Bill said. "So long, kid!" "It was swell. I've had a swell time." "Will you be in Paris?" "No, I have to sail on the 17th. So long, fella!" "So long, old kid!" He went in through the gate to the train. The porter went ahead with the bags. I watched the train pull out. Bill was at one of the windows. The window passed, the rest of the train passed, and | The Sun Also Rises |
Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay. | No speaker | much higher as a Mantovano?”<|quote|>Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay.</|quote|>“To any one?” “To any | I can size _that_. How much higher as a Mantovano?”<|quote|>Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay.</|quote|>“To any one?” “To any one.” “Than as a Moretto?” | _what_ Mr. Bender means!” With which he turned off. “Well, I guess I mean that it would come higher to me than to any one! But how _much_ higher?” the American continued to Hugh. “How much higher to _you?_” “Oh, I can size _that_. How much higher as a Mantovano?”<|quote|>Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay.</|quote|>“To any one?” “To any one.” “Than as a Moretto?” Hugh continued. It even acted on Lord John’s nerves. “That’s what we’re talking about--really!” But Hugh still took his ease; as if, with his eyes first on Bender and then on Lord Theign, whose back was practically presented, he were | on: “How much higher--if your idea is correct about it--would Lord Theign’s picture come?” Hugh turned to that nobleman. “Does Mr. Bender mean come to _him_, my lord?” Lord Theign looked again hard at Hugh, and then harder than he had done yet at his other invader. “I don’t know _what_ Mr. Bender means!” With which he turned off. “Well, I guess I mean that it would come higher to me than to any one! But how _much_ higher?” the American continued to Hugh. “How much higher to _you?_” “Oh, I can size _that_. How much higher as a Mantovano?”<|quote|>Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay.</|quote|>“To any one?” “To any one.” “Than as a Moretto?” Hugh continued. It even acted on Lord John’s nerves. “That’s what we’re talking about--really!” But Hugh still took his ease; as if, with his eyes first on Bender and then on Lord Theign, whose back was practically presented, he were covertly studying signs. “Well,” he presently said, “in view of the very great interest combined with the very great rarity, more than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not | a Moretto?” “Why, sir,” the young man returned, “there aren’t any, as I’ve just stated, _to_ ‘come.’ I account--or I easily can--for every one of the very small number.” “Then do you consider that you account for this one?” “I believe I shall if you’ll give me time.” “Oh, time!” Mr. Bender impatiently sighed. “But we’ll give you all we’ve got--only I guess it isn’t much.” And he appeared freely to invite their companions to join in this estimate. They listened to him, however, they watched him, for the moment, but in silence, and with the next he had gone on: “How much higher--if your idea is correct about it--would Lord Theign’s picture come?” Hugh turned to that nobleman. “Does Mr. Bender mean come to _him_, my lord?” Lord Theign looked again hard at Hugh, and then harder than he had done yet at his other invader. “I don’t know _what_ Mr. Bender means!” With which he turned off. “Well, I guess I mean that it would come higher to me than to any one! But how _much_ higher?” the American continued to Hugh. “How much higher to _you?_” “Oh, I can size _that_. How much higher as a Mantovano?”<|quote|>Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay.</|quote|>“To any one?” “To any one.” “Than as a Moretto?” Hugh continued. It even acted on Lord John’s nerves. “That’s what we’re talking about--really!” But Hugh still took his ease; as if, with his eyes first on Bender and then on Lord Theign, whose back was practically presented, he were covertly studying signs. “Well,” he presently said, “in view of the very great interest combined with the very great rarity, more than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of | anyhow,” Mr. Bender cordially struck in; “and this remarkable exhibition of intelligence may just let him loose on the world, mayn’t it?” “Thank you, Mr. Bender!” --and Hugh obviously tried to look neither elated nor snubbed. “I’ve too much still to learn, but I’m learning every day, and I shall have learnt immensely this afternoon.” “Pretty well at my expense, however,” Lord Theign laughed, “if you demolish a name we’ve held for generations so dear.” “You may have held the name dear, my lord,” his young critic answered; “but my whole point is that, if I’m right, you’ve held the picture itself cheap.” “Because a Mantovano,” said Lord John, “is so much greater a value?” Hugh met his eyes a moment “Are you talking of values pecuniary?” “What values are _not_ pecuniary?” Hugh might, during his hesitation, have been imagined to stand off a little from the question. “Well, some things have in a higher degree that one, and some have the associational or the factitious, and some the clear artistic.” “And some,” Mr. Bender opined, “have them _all_--in the highest degree. But what you mean,” he went on, “is that a Mantovano would come higher under the hammer than a Moretto?” “Why, sir,” the young man returned, “there aren’t any, as I’ve just stated, _to_ ‘come.’ I account--or I easily can--for every one of the very small number.” “Then do you consider that you account for this one?” “I believe I shall if you’ll give me time.” “Oh, time!” Mr. Bender impatiently sighed. “But we’ll give you all we’ve got--only I guess it isn’t much.” And he appeared freely to invite their companions to join in this estimate. They listened to him, however, they watched him, for the moment, but in silence, and with the next he had gone on: “How much higher--if your idea is correct about it--would Lord Theign’s picture come?” Hugh turned to that nobleman. “Does Mr. Bender mean come to _him_, my lord?” Lord Theign looked again hard at Hugh, and then harder than he had done yet at his other invader. “I don’t know _what_ Mr. Bender means!” With which he turned off. “Well, I guess I mean that it would come higher to me than to any one! But how _much_ higher?” the American continued to Hugh. “How much higher to _you?_” “Oh, I can size _that_. How much higher as a Mantovano?”<|quote|>Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay.</|quote|>“To any one?” “To any one.” “Than as a Moretto?” Hugh continued. It even acted on Lord John’s nerves. “That’s what we’re talking about--really!” But Hugh still took his ease; as if, with his eyes first on Bender and then on Lord Theign, whose back was practically presented, he were covertly studying signs. “Well,” he presently said, “in view of the very great interest combined with the very great rarity, more than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, | suddenly, as I looked and looked and saw and saw, began to doubt, and now I know _why_ I doubted.” Lord Theign had during this speech kept his eyes on the ground; but he raised them to Mr. Crimble’s almost palpitating presence for the remark: “I’m bound to say that I hope you’ve some very good grounds!” “I’ve three or four, Lord Theign; they seem to me of the best--as yet. They made me wonder and wonder--and then light splendidly broke.” His lordship didn’t stint his attention. “Reflected, you mean, from _other_ Mantovanos--that I don’t know?” “I mean from those I know myself,” said Hugh; “and I mean from fine analogies with one in particular.” “Analogies that in all these years, these centuries, have so remarkably not been noticed?” “Well,” Hugh competently explained, “they’re a sort of thing the very sense of, the value and meaning of, are a highly modern--in fact a quite recent growth.” Lord John at this professed with cordiality that he at least quite understood. “Oh, we know a lot more about our pictures and things than ever our ancestors did!” “Well, I guess it’s enough for _me_,” Mr. Bender contributed, “that your ancestors knew enough to get ‘em!” “Ah, that doesn’t go so far,” cried Hugh, “unless we ourselves know enough to keep ‘em!” The words appeared to quicken in a manner Lord Theign’s view of the speaker. “Were _your_ ancestors, Mr. Crimble, great collectors?” Arrested, it might be, in his general assurance, Hugh wondered and smiled. “Mine--collectors? Oh, I’m afraid I haven’t any--to speak of. Only it has seemed to me for a long time,” he added, “that on that head we should all feel together.” Lord Theign looked for a moment as if these were rather large presumptions; then he put them in their place a little curtly. “It’s one thing to keep our possessions for ourselves--it’s another to keep them for other people.” “Well,” Hugh good-humouredly returned, “I’m perhaps not so absolutely sure of myself, if you press me, as that I sha’n’t be glad of a higher and wiser opinion--I mean than my own. It would be awfully interesting, if you’ll allow me to say so, to have the judgment of one or two of the great men.” “You’re not yourself, Mr. Crimble, one of the great men?” his host asked with tempered irony. “Well, I guess he’s going to be, anyhow,” Mr. Bender cordially struck in; “and this remarkable exhibition of intelligence may just let him loose on the world, mayn’t it?” “Thank you, Mr. Bender!” --and Hugh obviously tried to look neither elated nor snubbed. “I’ve too much still to learn, but I’m learning every day, and I shall have learnt immensely this afternoon.” “Pretty well at my expense, however,” Lord Theign laughed, “if you demolish a name we’ve held for generations so dear.” “You may have held the name dear, my lord,” his young critic answered; “but my whole point is that, if I’m right, you’ve held the picture itself cheap.” “Because a Mantovano,” said Lord John, “is so much greater a value?” Hugh met his eyes a moment “Are you talking of values pecuniary?” “What values are _not_ pecuniary?” Hugh might, during his hesitation, have been imagined to stand off a little from the question. “Well, some things have in a higher degree that one, and some have the associational or the factitious, and some the clear artistic.” “And some,” Mr. Bender opined, “have them _all_--in the highest degree. But what you mean,” he went on, “is that a Mantovano would come higher under the hammer than a Moretto?” “Why, sir,” the young man returned, “there aren’t any, as I’ve just stated, _to_ ‘come.’ I account--or I easily can--for every one of the very small number.” “Then do you consider that you account for this one?” “I believe I shall if you’ll give me time.” “Oh, time!” Mr. Bender impatiently sighed. “But we’ll give you all we’ve got--only I guess it isn’t much.” And he appeared freely to invite their companions to join in this estimate. They listened to him, however, they watched him, for the moment, but in silence, and with the next he had gone on: “How much higher--if your idea is correct about it--would Lord Theign’s picture come?” Hugh turned to that nobleman. “Does Mr. Bender mean come to _him_, my lord?” Lord Theign looked again hard at Hugh, and then harder than he had done yet at his other invader. “I don’t know _what_ Mr. Bender means!” With which he turned off. “Well, I guess I mean that it would come higher to me than to any one! But how _much_ higher?” the American continued to Hugh. “How much higher to _you?_” “Oh, I can size _that_. How much higher as a Mantovano?”<|quote|>Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay.</|quote|>“To any one?” “To any one.” “Than as a Moretto?” Hugh continued. It even acted on Lord John’s nerves. “That’s what we’re talking about--really!” But Hugh still took his ease; as if, with his eyes first on Bender and then on Lord Theign, whose back was practically presented, he were covertly studying signs. “Well,” he presently said, “in view of the very great interest combined with the very great rarity, more than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge | well at my expense, however,” Lord Theign laughed, “if you demolish a name we’ve held for generations so dear.” “You may have held the name dear, my lord,” his young critic answered; “but my whole point is that, if I’m right, you’ve held the picture itself cheap.” “Because a Mantovano,” said Lord John, “is so much greater a value?” Hugh met his eyes a moment “Are you talking of values pecuniary?” “What values are _not_ pecuniary?” Hugh might, during his hesitation, have been imagined to stand off a little from the question. “Well, some things have in a higher degree that one, and some have the associational or the factitious, and some the clear artistic.” “And some,” Mr. Bender opined, “have them _all_--in the highest degree. But what you mean,” he went on, “is that a Mantovano would come higher under the hammer than a Moretto?” “Why, sir,” the young man returned, “there aren’t any, as I’ve just stated, _to_ ‘come.’ I account--or I easily can--for every one of the very small number.” “Then do you consider that you account for this one?” “I believe I shall if you’ll give me time.” “Oh, time!” Mr. Bender impatiently sighed. “But we’ll give you all we’ve got--only I guess it isn’t much.” And he appeared freely to invite their companions to join in this estimate. They listened to him, however, they watched him, for the moment, but in silence, and with the next he had gone on: “How much higher--if your idea is correct about it--would Lord Theign’s picture come?” Hugh turned to that nobleman. “Does Mr. Bender mean come to _him_, my lord?” Lord Theign looked again hard at Hugh, and then harder than he had done yet at his other invader. “I don’t know _what_ Mr. Bender means!” With which he turned off. “Well, I guess I mean that it would come higher to me than to any one! But how _much_ higher?” the American continued to Hugh. “How much higher to _you?_” “Oh, I can size _that_. How much higher as a Mantovano?”<|quote|>Unmistakably--for us at least--our young man was gaining time; he had the instinct of circumspection and delay.</|quote|>“To any one?” “To any one.” “Than as a Moretto?” Hugh continued. It even acted on Lord John’s nerves. “That’s what we’re talking about--really!” But Hugh still took his ease; as if, with his eyes first on Bender and then on Lord Theign, whose back was practically presented, he were covertly studying signs. “Well,” he presently said, “in view of the very great interest combined with the very great rarity, more than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove | The Outcry |
said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated | No speaker | him to the Police Station,"<|quote|>said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated</|quote|>"Oh no," like a fool. | if you were seen accompanying him to the Police Station,"<|quote|>said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated</|quote|>"Oh no," like a fool. He couldn't frame other words. | feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station,"<|quote|>said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated</|quote|>"Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he | heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves." "Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station,"<|quote|>said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated</|quote|>"Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded | Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves." "Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station,"<|quote|>said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated</|quote|>"Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot | young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves." "Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station,"<|quote|>said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated</|quote|>"Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of infamy." "It does indeed rest upon a mistake," came the thin, biting voice of the other. "It does indeed. I have had twenty-five years' experience of this country" he paused, and "twenty-five years" seemed to fill the waiting-room with their staleness and ungenerosity "and during those twenty-five years I have never known anything but disaster result when English people and Indians attempt to be intimate socially. Intercourse, yes. Courtesy, by all means. Intimacy never, never. The whole weight of my authority is against it. I have been in charge at Chandrapore for six years, and if everything has gone smoothly, if there has been mutual respect and esteem, it is because both | out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I got excited over your damned countrymen, certainly; but if they'll let me get on with my profession and not be too rude to me officially, I really don't ask for more." "But you do; you take them to a picnic." "This picnic is nothing to do with English or Indian; it is an expedition of friends." So the cavalcade ended, partly pleasant, partly not; the Brahman cook was picked up, the train arrived, pushing its burning throat over the plain, and the twentieth century took over from the sixteenth. Mrs. Moore entered her carriage, the three men went to theirs, adjusted the shutters, turned on the electric fan and tried to get some sleep. In the twilight, all resembled corpses, and the train itself seemed dead though it moved a coffin from the scientific north which troubled the scenery four times a day. As it left the Marabars, their nasty little cosmos disappeared, and gave place to the Marabars seen from a distance, finite and rather romantic. The train halted once under a pump, to drench the stock of coal in its tender. Then it caught sight of the main line in the distance, took courage, and bumped forward, rounded the civil station, surmounted the level-crossing (the rails were scorching now), and clanked to a stand-still. Chandrapore, Chandrapore! The expedition was over. And as it ended, as they sat up in the gloom and prepared to enter ordinary life, suddenly the long drawn strangeness of the morning snapped. Mr. Haq, the Inspector of Police, flung open the door of their carriage and said in shrill tones: "Dr. Aziz, it is my highly painful duty to arrest you." "Hullo, some mistake," said Fielding, at once taking charge of the situation. "Sir, they are my instructions. I know nothing." "On what charge do you arrest him?" "I am under instructions not to say." "Don't answer me like that. Produce your warrant." "Sir, excuse me, no warrant is required under these particular circumstances. Refer to Mr. McBryde." "Very well, so we will. Come along, Aziz, old man; nothing to fuss about, some blunder." "Dr. Aziz, will you kindly come? a closed conveyance stands in readiness." The young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves." "Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station,"<|quote|>said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated</|quote|>"Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of infamy." "It does indeed rest upon a mistake," came the thin, biting voice of the other. "It does indeed. I have had twenty-five years' experience of this country" he paused, and "twenty-five years" seemed to fill the waiting-room with their staleness and ungenerosity "and during those twenty-five years I have never known anything but disaster result when English people and Indians attempt to be intimate socially. Intercourse, yes. Courtesy, by all means. Intimacy never, never. The whole weight of my authority is against it. I have been in charge at Chandrapore for six years, and if everything has gone smoothly, if there has been mutual respect and esteem, it is because both peoples kept to this simple rule. New-comers set our traditions aside, and in an instant what you see happens, the work of years is undone and the good name of my District ruined for a generation. I I can't see the end of this day's work, Mr. Fielding. You, who are imbued with modern ideas no doubt you can. I wish I had never lived to see its beginning, I know that. It is the end of me. That a lady, that a young lady engaged to my most valued subordinate that she an English girl fresh from England that I should have lived" Involved in his own emotions, he broke down. What he had said was both dignified and pathetic, but had it anything to do with Aziz? Nothing at all, if Fielding was right. It is impossible to regard a tragedy from two points of view, and whereas Turton had decided to avenge the girl, he hoped to save the man. He wanted to get away and talk to McBryde, who had always been friendly to him, was on the whole sensible, and could, anyhow, be trusted to keep cool. "I came down particularly on your account while poor Heaslop got his mother away. I regarded it as the most friendly thing I could do. I meant to tell you that there will be an informal meeting at the club this evening to discuss the situation, but I am doubtful whether you will care to come. Your visits there are always infrequent." "I shall certainly come, sir, and I am most grateful to you for all the trouble you have taken over me. May I venture to ask where Miss Quested is." He replied with a gesture; she was ill. "Worse and worse, appalling," he said feelingly. But the Collector looked at him sternly, because he was keeping his head. He had not gone mad at the phrase "an English girl fresh from England," he had not rallied to the banner of race. He was still after facts, though the herd had decided on emotion. Nothing enrages Anglo-India more than the lantern of reason if it is exhibited for one moment after its extinction is decreed. All over Chandrapore that day the Europeans were putting aside their normal personalities and sinking themselves in their community. Pity, wrath, heroism, filled them, but the power of putting two and two | in its tender. Then it caught sight of the main line in the distance, took courage, and bumped forward, rounded the civil station, surmounted the level-crossing (the rails were scorching now), and clanked to a stand-still. Chandrapore, Chandrapore! The expedition was over. And as it ended, as they sat up in the gloom and prepared to enter ordinary life, suddenly the long drawn strangeness of the morning snapped. Mr. Haq, the Inspector of Police, flung open the door of their carriage and said in shrill tones: "Dr. Aziz, it is my highly painful duty to arrest you." "Hullo, some mistake," said Fielding, at once taking charge of the situation. "Sir, they are my instructions. I know nothing." "On what charge do you arrest him?" "I am under instructions not to say." "Don't answer me like that. Produce your warrant." "Sir, excuse me, no warrant is required under these particular circumstances. Refer to Mr. McBryde." "Very well, so we will. Come along, Aziz, old man; nothing to fuss about, some blunder." "Dr. Aziz, will you kindly come? a closed conveyance stands in readiness." The young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said. "Miss Quested has been insulted in one of the Marabar caves." "Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station,"<|quote|>said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated</|quote|>"Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of infamy." "It does indeed rest upon a mistake," came the thin, biting voice of the other. "It does indeed. I have had twenty-five years' experience of this country" he paused, and "twenty-five years" seemed to fill the waiting-room with their staleness and ungenerosity "and during those twenty-five years I have never known anything but disaster result when English people and Indians attempt to be intimate socially. Intercourse, yes. Courtesy, by all means. Intimacy never, never. The whole weight of my | A Passage To India |
"have a drink." | Robert Cohn | "Come on, Jake," he said,<|quote|>"have a drink."</|quote|>We walked over to the | Mrs. Braddocks. Cohn came up. "Come on, Jake," he said,<|quote|>"have a drink."</|quote|>We walked over to the bar. "What's the matter with | was going to throw up." "Your fianc e is having a great success," Mrs. Braddocks looked out on the floor where Georgette was dancing in the arms of the tall, dark one, called Lett. "Isn't she?" I said. "Rather," said Mrs. Braddocks. Cohn came up. "Come on, Jake," he said,<|quote|>"have a drink."</|quote|>We walked over to the bar. "What's the matter with you? You seem all worked up over something?" "Nothing. This whole show makes me sick is all." Brett came up to the bar. "Hello, you chaps." "Hello, Brett," I said. "Why aren't you tight?" "Never going to get tight any | how charmingly you get angry," he said. "I wish I had that faculty." I got up and walked over toward the dancing-floor. Mrs. Braddocks followed me. "Don't be cross with Robert," she said. "He's still only a child, you know." "I wasn't cross," I said. "I just thought perhaps I was going to throw up." "Your fianc e is having a great success," Mrs. Braddocks looked out on the floor where Georgette was dancing in the arms of the tall, dark one, called Lett. "Isn't she?" I said. "Rather," said Mrs. Braddocks. Cohn came up. "Come on, Jake," he said,<|quote|>"have a drink."</|quote|>We walked over to the bar. "What's the matter with you? You seem all worked up over something?" "Nothing. This whole show makes me sick is all." Brett came up to the bar. "Hello, you chaps." "Hello, Brett," I said. "Why aren't you tight?" "Never going to get tight any more. I say, give a chap a brandy and soda." She stood holding the glass and I saw Robert Cohn looking at her. He looked a great deal as his compatriot must have looked when he saw the promised land. Cohn, of course, was much younger. But he had that | from New York by way of Chicago, and was a rising new novelist. He had some sort of an English accent. I asked him to have a drink. "Thanks so much," he said, "I've just had one." "Have another." "Thanks, I will then." We got the daughter of the house over and each had a _fine l'eau_. "You're from Kansas City, they tell me," he said. "Yes." "Do you find Paris amusing?" "Yes." "Really?" I was a little drunk. Not drunk in any positive sense but just enough to be careless. "For God's sake," I said, "yes. Don't you?" "Oh, how charmingly you get angry," he said. "I wish I had that faculty." I got up and walked over toward the dancing-floor. Mrs. Braddocks followed me. "Don't be cross with Robert," she said. "He's still only a child, you know." "I wasn't cross," I said. "I just thought perhaps I was going to throw up." "Your fianc e is having a great success," Mrs. Braddocks looked out on the floor where Georgette was dancing in the arms of the tall, dark one, called Lett. "Isn't she?" I said. "Rather," said Mrs. Braddocks. Cohn came up. "Come on, Jake," he said,<|quote|>"have a drink."</|quote|>We walked over to the bar. "What's the matter with you? You seem all worked up over something?" "Nothing. This whole show makes me sick is all." Brett came up to the bar. "Hello, you chaps." "Hello, Brett," I said. "Why aren't you tight?" "Never going to get tight any more. I say, give a chap a brandy and soda." She stood holding the glass and I saw Robert Cohn looking at her. He looked a great deal as his compatriot must have looked when he saw the promised land. Cohn, of course, was much younger. But he had that look of eager, deserving expectation. Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey. "It's a fine crowd you're with, Brett," I said. "Aren't they lovely? And you, my dear. Where did you get it?" "At the Napolitain." "And have you had a lovely evening?" "Oh, priceless," I said. Brett laughed. "It's wrong of you, Jake. It's an insult to | me." The tall dark one, called Lett, said: "Don't you be rash." The wavy blond one answered: "Don't you worry, dear." And with them was Brett. I was very angry. Somehow they always made me angry. I know they are supposed to be amusing, and you should be tolerant, but I wanted to swing on one, any one, anything to shatter that superior, simpering composure. Instead, I walked down the street and had a beer at the bar at the next Bal. The beer was not good and I had a worse cognac to take the taste out of my mouth. When I came back to the Bal there was a crowd on the floor and Georgette was dancing with the tall blond youth, who danced big-hippily, carrying his head on one side, his eyes lifted as he danced. As soon as the music stopped another one of them asked her to dance. She had been taken up by them. I knew then that they would all dance with her. They are like that. I sat down at a table. Cohn was sitting there. Frances was dancing. Mrs. Braddocks brought up somebody and introduced him as Robert Prentiss. He was from New York by way of Chicago, and was a rising new novelist. He had some sort of an English accent. I asked him to have a drink. "Thanks so much," he said, "I've just had one." "Have another." "Thanks, I will then." We got the daughter of the house over and each had a _fine l'eau_. "You're from Kansas City, they tell me," he said. "Yes." "Do you find Paris amusing?" "Yes." "Really?" I was a little drunk. Not drunk in any positive sense but just enough to be careless. "For God's sake," I said, "yes. Don't you?" "Oh, how charmingly you get angry," he said. "I wish I had that faculty." I got up and walked over toward the dancing-floor. Mrs. Braddocks followed me. "Don't be cross with Robert," she said. "He's still only a child, you know." "I wasn't cross," I said. "I just thought perhaps I was going to throw up." "Your fianc e is having a great success," Mrs. Braddocks looked out on the floor where Georgette was dancing in the arms of the tall, dark one, called Lett. "Isn't she?" I said. "Rather," said Mrs. Braddocks. Cohn came up. "Come on, Jake," he said,<|quote|>"have a drink."</|quote|>We walked over to the bar. "What's the matter with you? You seem all worked up over something?" "Nothing. This whole show makes me sick is all." Brett came up to the bar. "Hello, you chaps." "Hello, Brett," I said. "Why aren't you tight?" "Never going to get tight any more. I say, give a chap a brandy and soda." She stood holding the glass and I saw Robert Cohn looking at her. He looked a great deal as his compatriot must have looked when he saw the promised land. Cohn, of course, was much younger. But he had that look of eager, deserving expectation. Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey. "It's a fine crowd you're with, Brett," I said. "Aren't they lovely? And you, my dear. Where did you get it?" "At the Napolitain." "And have you had a lovely evening?" "Oh, priceless," I said. Brett laughed. "It's wrong of you, Jake. It's an insult to all of us. Look at Frances there, and Jo." This for Cohn's benefit. "It's in restraint of trade," Brett said. She laughed again. "You're wonderfully sober," I said. "Yes. Aren't I? And when one's with the crowd I'm with, one can drink in such safety, too." The music started and Robert Cohn said: "Will you dance this with me, Lady Brett?" Brett smiled at him. "I've promised to dance this with Jacob," she laughed. "You've a hell of a biblical name, Jake." "How about the next?" asked Cohn. "We're going," Brett said. "We've a date up at Montmartre." Dancing, I looked over Brett's shoulder and saw Cohn, standing at the bar, still watching her. "You've made a new one there," I said to her. "Don't talk about it. Poor chap. I never knew it till just now." "Oh, well," I said. "I suppose you like to add them up." "Don't talk like a fool." "You do." "Oh, well. What if I do?" "Nothing," I said. We were dancing to the accordion and some one was playing the banjo. It was hot and I felt happy. We passed close to Georgette dancing with another one of them. "What possessed you to | that." Georgette turned to me. "You have nice friends." Frances was a little drunk and would have liked to have kept it up but the coffee came, and Lavigne with the liqueurs, and after that we all went out and started for Braddocks's dancing-club. The dancing-club was a _bal musette_ in the Rue de la Montagne Sainte Genevi ve. Five nights a week the working people of the Pantheon quarter danced there. One night a week it was the dancing-club. On Monday nights it was closed. When we arrived it was quite empty, except for a policeman sitting near the door, the wife of the proprietor back of the zinc bar, and the proprietor himself. The daughter of the house came downstairs as we went in. There were long benches, and tables ran across the room, and at the far end a dancing-floor. "I wish people would come earlier," Braddocks said. The daughter came up and wanted to know what we would drink. The proprietor got up on a high stool beside the dancing-floor and began to play the accordion. He had a string of bells around one of his ankles and beat time with his foot as he played. Every one danced. It was hot and we came off the floor perspiring. "My God," Georgette said. "What a box to sweat in!" "It's hot." "Hot, my God!" "Take off your hat." "That's a good idea." Some one asked Georgette to dance, and I went over to the bar. It was really very hot and the accordion music was pleasant in the hot night. I drank a beer, standing in the doorway and getting the cool breath of wind from the street. Two taxis were coming down the steep street. They both stopped in front of the Bal. A crowd of young men, some in jerseys and some in their shirt-sleeves, got out. I could see their hands and newly washed, wavy hair in the light from the door. The policeman standing by the door looked at me and smiled. They came in. As they went in, under the light I saw white hands, wavy hair, white faces, grimacing, gesturing, talking. With them was Brett. She looked very lovely and she was very much with them. One of them saw Georgette and said: "I do declare. There is an actual harlot. I'm going to dance with her, Lett. You watch me." The tall dark one, called Lett, said: "Don't you be rash." The wavy blond one answered: "Don't you worry, dear." And with them was Brett. I was very angry. Somehow they always made me angry. I know they are supposed to be amusing, and you should be tolerant, but I wanted to swing on one, any one, anything to shatter that superior, simpering composure. Instead, I walked down the street and had a beer at the bar at the next Bal. The beer was not good and I had a worse cognac to take the taste out of my mouth. When I came back to the Bal there was a crowd on the floor and Georgette was dancing with the tall blond youth, who danced big-hippily, carrying his head on one side, his eyes lifted as he danced. As soon as the music stopped another one of them asked her to dance. She had been taken up by them. I knew then that they would all dance with her. They are like that. I sat down at a table. Cohn was sitting there. Frances was dancing. Mrs. Braddocks brought up somebody and introduced him as Robert Prentiss. He was from New York by way of Chicago, and was a rising new novelist. He had some sort of an English accent. I asked him to have a drink. "Thanks so much," he said, "I've just had one." "Have another." "Thanks, I will then." We got the daughter of the house over and each had a _fine l'eau_. "You're from Kansas City, they tell me," he said. "Yes." "Do you find Paris amusing?" "Yes." "Really?" I was a little drunk. Not drunk in any positive sense but just enough to be careless. "For God's sake," I said, "yes. Don't you?" "Oh, how charmingly you get angry," he said. "I wish I had that faculty." I got up and walked over toward the dancing-floor. Mrs. Braddocks followed me. "Don't be cross with Robert," she said. "He's still only a child, you know." "I wasn't cross," I said. "I just thought perhaps I was going to throw up." "Your fianc e is having a great success," Mrs. Braddocks looked out on the floor where Georgette was dancing in the arms of the tall, dark one, called Lett. "Isn't she?" I said. "Rather," said Mrs. Braddocks. Cohn came up. "Come on, Jake," he said,<|quote|>"have a drink."</|quote|>We walked over to the bar. "What's the matter with you? You seem all worked up over something?" "Nothing. This whole show makes me sick is all." Brett came up to the bar. "Hello, you chaps." "Hello, Brett," I said. "Why aren't you tight?" "Never going to get tight any more. I say, give a chap a brandy and soda." She stood holding the glass and I saw Robert Cohn looking at her. He looked a great deal as his compatriot must have looked when he saw the promised land. Cohn, of course, was much younger. But he had that look of eager, deserving expectation. Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey. "It's a fine crowd you're with, Brett," I said. "Aren't they lovely? And you, my dear. Where did you get it?" "At the Napolitain." "And have you had a lovely evening?" "Oh, priceless," I said. Brett laughed. "It's wrong of you, Jake. It's an insult to all of us. Look at Frances there, and Jo." This for Cohn's benefit. "It's in restraint of trade," Brett said. She laughed again. "You're wonderfully sober," I said. "Yes. Aren't I? And when one's with the crowd I'm with, one can drink in such safety, too." The music started and Robert Cohn said: "Will you dance this with me, Lady Brett?" Brett smiled at him. "I've promised to dance this with Jacob," she laughed. "You've a hell of a biblical name, Jake." "How about the next?" asked Cohn. "We're going," Brett said. "We've a date up at Montmartre." Dancing, I looked over Brett's shoulder and saw Cohn, standing at the bar, still watching her. "You've made a new one there," I said to her. "Don't talk about it. Poor chap. I never knew it till just now." "Oh, well," I said. "I suppose you like to add them up." "Don't talk like a fool." "You do." "Oh, well. What if I do?" "Nothing," I said. We were dancing to the accordion and some one was playing the banjo. It was hot and I felt happy. We passed close to Georgette dancing with another one of them. "What possessed you to bring her?" "I don't know, I just brought her." "You're getting damned romantic." "No, bored." "Now?" "No, not now." "Let's get out of here. She's well taken care of." "Do you want to?" "Would I ask you if I didn't want to?" We left the floor and I took my coat off a hanger on the wall and put it on. Brett stood by the bar. Cohn was talking to her. I stopped at the bar and asked them for an envelope. The patronne found one. I took a fifty-franc note from my pocket, put it in the envelope, sealed it, and handed it to the patronne. "If the girl I came with asks for me, will you give her this?" I said. "If she goes out with one of those gentlemen, will you save this for me?" "C'est entendu, Monsieur," the patronne said. "You go now? So early?" "Yes," I said. We started out the door. Cohn was still talking to Brett. She said good night and took my arm. "Good night, Cohn," I said. Outside in the street we looked for a taxi. "You're going to lose your fifty francs," Brett said. "Oh, yes." "No taxis." "We could walk up to the Pantheon and get one." "Come on and we'll get a drink in the pub next door and send for one." "You wouldn't walk across the street." "Not if I could help it." We went into the next bar and I sent a waiter for a taxi. "Well," I said, "we're out away from them." We stood against the tall zinc bar and did not talk and looked at each other. The waiter came and said the taxi was outside. Brett pressed my hand hard. I gave the waiter a franc and we went out. "Where should I tell him?" I asked. "Oh, tell him to drive around." I told the driver to go to the Parc Montsouris, and got in, and slammed the door. Brett was leaning back in the corner, her eyes closed. I got in and sat beside her. The cab started with a jerk. "Oh, darling, I've been so miserable," Brett said. CHAPTER 4 The taxi went up the hill, passed the lighted square, then on into the dark, still climbing, then levelled out onto a dark street behind St. Etienne du Mont, went smoothly down the asphalt, passed the trees and the | Mrs. Braddocks brought up somebody and introduced him as Robert Prentiss. He was from New York by way of Chicago, and was a rising new novelist. He had some sort of an English accent. I asked him to have a drink. "Thanks so much," he said, "I've just had one." "Have another." "Thanks, I will then." We got the daughter of the house over and each had a _fine l'eau_. "You're from Kansas City, they tell me," he said. "Yes." "Do you find Paris amusing?" "Yes." "Really?" I was a little drunk. Not drunk in any positive sense but just enough to be careless. "For God's sake," I said, "yes. Don't you?" "Oh, how charmingly you get angry," he said. "I wish I had that faculty." I got up and walked over toward the dancing-floor. Mrs. Braddocks followed me. "Don't be cross with Robert," she said. "He's still only a child, you know." "I wasn't cross," I said. "I just thought perhaps I was going to throw up." "Your fianc e is having a great success," Mrs. Braddocks looked out on the floor where Georgette was dancing in the arms of the tall, dark one, called Lett. "Isn't she?" I said. "Rather," said Mrs. Braddocks. Cohn came up. "Come on, Jake," he said,<|quote|>"have a drink."</|quote|>We walked over to the bar. "What's the matter with you? You seem all worked up over something?" "Nothing. This whole show makes me sick is all." Brett came up to the bar. "Hello, you chaps." "Hello, Brett," I said. "Why aren't you tight?" "Never going to get tight any more. I say, give a chap a brandy and soda." She stood holding the glass and I saw Robert Cohn looking at her. He looked a great deal as his compatriot must have looked when he saw the promised land. Cohn, of course, was much younger. But he had that look of eager, deserving expectation. Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey. "It's a fine crowd you're with, Brett," I said. "Aren't they lovely? And you, my dear. Where did you get it?" "At the Napolitain." "And have you had a lovely evening?" "Oh, priceless," I said. Brett laughed. "It's wrong of you, Jake. It's an insult to all of us. Look at Frances there, and Jo." This for Cohn's benefit. "It's in restraint of trade," Brett said. She laughed again. "You're wonderfully sober," I said. "Yes. Aren't I? And when one's with the crowd I'm with, one can drink in such safety, too." The music started and Robert Cohn said: "Will you dance this with me, Lady Brett?" Brett smiled at him. "I've promised to dance this with Jacob," she laughed. "You've a hell of a biblical name, Jake." "How about the next?" asked Cohn. "We're going," Brett said. "We've a date up at Montmartre." Dancing, I looked over Brett's shoulder and saw Cohn, standing at the bar, still watching her. "You've made a new one there," I said to her. "Don't talk about it. Poor chap. I never knew it till just now." "Oh, well," I said. "I suppose you like to add them up." "Don't talk like a fool." "You do." "Oh, well. What if I do?" "Nothing," I said. We were dancing to the accordion and some one was playing the banjo. It was hot and I felt happy. We passed close to Georgette dancing with another one of them. "What possessed you to bring her?" "I don't know, I just brought her." "You're getting damned romantic." "No, bored." "Now?" "No, not now." "Let's get out of here. She's well taken care of." "Do you want to?" "Would I ask you if I didn't want to?" We left the floor and I took my coat off a hanger on the wall and put it on. Brett stood by the bar. Cohn was talking to her. I stopped at the bar and asked them for an envelope. The patronne found one. I took a fifty-franc note from my pocket, put it in the envelope, sealed it, and handed it to the patronne. "If the girl I came with asks for me, will you give her this?" | The Sun Also Rises |
"Will you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out." | Mary Cavendish | enjoy the twilight?" she asked.<|quote|>"Will you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out."</|quote|>"Do not trouble, Mary," said | want lights, or do you enjoy the twilight?" she asked.<|quote|>"Will you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out."</|quote|>"Do not trouble, Mary," said Inglethorp. "I will take it | in here, Mary," she called. "I've just five minutes to catch the post." Cynthia and I went and sat by the open window in the drawing-room. Mary Cavendish brought our coffee to us. She seemed excited. "Do you young people want lights, or do you enjoy the twilight?" she asked.<|quote|>"Will you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out."</|quote|>"Do not trouble, Mary," said Inglethorp. "I will take it to Emily." He poured it out, and went out of the room carrying it carefully. Lawrence followed him, and Mrs. Cavendish sat down by us. We three sat for some time in silence. It was a glorious night, hot and | the meal there was a somewhat constrained silence. Inglethorp was unusually quiet. As a rule, he surrounded his wife with little attentions, placing a cushion at her back, and altogether playing the part of the devoted husband. Immediately after supper, Mrs. Inglethorp retired to her boudoir again. "Send my coffee in here, Mary," she called. "I've just five minutes to catch the post." Cynthia and I went and sat by the open window in the drawing-room. Mary Cavendish brought our coffee to us. She seemed excited. "Do you young people want lights, or do you enjoy the twilight?" she asked.<|quote|>"Will you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out."</|quote|>"Do not trouble, Mary," said Inglethorp. "I will take it to Emily." He poured it out, and went out of the room carrying it carefully. Lawrence followed him, and Mrs. Cavendish sat down by us. We three sat for some time in silence. It was a glorious night, hot and still. Mrs. Cavendish fanned herself gently with a palm leaf. "It's almost too hot," she murmured. "We shall have a thunderstorm." Alas, that these harmonious moments can never endure! My paradise was rudely shattered by the sound of a well known, and heartily disliked, voice in the hall. "Dr. Bauerstein!" | will never speak to him again." I was anxious to get hold of John, but he was nowhere to be seen. Evidently something very momentous had occurred that afternoon. I tried to forget the few words I had overheard; but, do what I would, I could not dismiss them altogether from my mind. What was Mary Cavendish's concern in the matter? Mr. Inglethorp was in the drawing-room when I came down to supper. His face was impassive as ever, and the strange unreality of the man struck me afresh. Mrs. Inglethorp came down last. She still looked agitated, and during the meal there was a somewhat constrained silence. Inglethorp was unusually quiet. As a rule, he surrounded his wife with little attentions, placing a cushion at her back, and altogether playing the part of the devoted husband. Immediately after supper, Mrs. Inglethorp retired to her boudoir again. "Send my coffee in here, Mary," she called. "I've just five minutes to catch the post." Cynthia and I went and sat by the open window in the drawing-room. Mary Cavendish brought our coffee to us. She seemed excited. "Do you young people want lights, or do you enjoy the twilight?" she asked.<|quote|>"Will you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out."</|quote|>"Do not trouble, Mary," said Inglethorp. "I will take it to Emily." He poured it out, and went out of the room carrying it carefully. Lawrence followed him, and Mrs. Cavendish sat down by us. We three sat for some time in silence. It was a glorious night, hot and still. Mrs. Cavendish fanned herself gently with a palm leaf. "It's almost too hot," she murmured. "We shall have a thunderstorm." Alas, that these harmonious moments can never endure! My paradise was rudely shattered by the sound of a well known, and heartily disliked, voice in the hall. "Dr. Bauerstein!" exclaimed Cynthia. "What a funny time to come." I glanced jealously at Mary Cavendish, but she seemed quite undisturbed, the delicate pallor of her cheeks did not vary. In a few moments, Alfred Inglethorp had ushered the doctor in, the latter laughing, and protesting that he was in no fit state for a drawing-room. In truth, he presented a sorry spectacle, being literally plastered with mud. "What have you been doing, doctor?" cried Mrs. Cavendish. "I must make my apologies," said the doctor. "I did not really mean to come in, but Mr. Inglethorp insisted." "Well, Bauerstein, you are in | the open boudoir window, and was unable to help overhearing the following scrap of dialogue. Mary Cavendish was saying in the voice of a woman desperately controlling herself: "Then you won't show it to me?" To which Mrs. Inglethorp replied: "My dear Mary, it has nothing to do with that matter." "Then show it to me." "I tell you it is not what you imagine. It does not concern you in the least." To which Mary Cavendish replied, with a rising bitterness: "Of course, I might have known you would shield him." Cynthia was waiting for me, and greeted me eagerly with: "I say! There's been the most awful row! I've got it all out of Dorcas." "What kind of a row?" "Between Aunt Emily and _him_. I do hope she's found him out at last!" "Was Dorcas there, then?" "Of course not. She" happened to be near the door'. "It was a real old bust-up. I do wish I knew what it was all about." I thought of Mrs. Raikes's gipsy face, and Evelyn Howard's warnings, but wisely decided to hold my peace, whilst Cynthia exhausted every possible hypothesis, and cheerfully hoped, "Aunt Emily will send him away, and will never speak to him again." I was anxious to get hold of John, but he was nowhere to be seen. Evidently something very momentous had occurred that afternoon. I tried to forget the few words I had overheard; but, do what I would, I could not dismiss them altogether from my mind. What was Mary Cavendish's concern in the matter? Mr. Inglethorp was in the drawing-room when I came down to supper. His face was impassive as ever, and the strange unreality of the man struck me afresh. Mrs. Inglethorp came down last. She still looked agitated, and during the meal there was a somewhat constrained silence. Inglethorp was unusually quiet. As a rule, he surrounded his wife with little attentions, placing a cushion at her back, and altogether playing the part of the devoted husband. Immediately after supper, Mrs. Inglethorp retired to her boudoir again. "Send my coffee in here, Mary," she called. "I've just five minutes to catch the post." Cynthia and I went and sat by the open window in the drawing-room. Mary Cavendish brought our coffee to us. She seemed excited. "Do you young people want lights, or do you enjoy the twilight?" she asked.<|quote|>"Will you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out."</|quote|>"Do not trouble, Mary," said Inglethorp. "I will take it to Emily." He poured it out, and went out of the room carrying it carefully. Lawrence followed him, and Mrs. Cavendish sat down by us. We three sat for some time in silence. It was a glorious night, hot and still. Mrs. Cavendish fanned herself gently with a palm leaf. "It's almost too hot," she murmured. "We shall have a thunderstorm." Alas, that these harmonious moments can never endure! My paradise was rudely shattered by the sound of a well known, and heartily disliked, voice in the hall. "Dr. Bauerstein!" exclaimed Cynthia. "What a funny time to come." I glanced jealously at Mary Cavendish, but she seemed quite undisturbed, the delicate pallor of her cheeks did not vary. In a few moments, Alfred Inglethorp had ushered the doctor in, the latter laughing, and protesting that he was in no fit state for a drawing-room. In truth, he presented a sorry spectacle, being literally plastered with mud. "What have you been doing, doctor?" cried Mrs. Cavendish. "I must make my apologies," said the doctor. "I did not really mean to come in, but Mr. Inglethorp insisted." "Well, Bauerstein, you are in a plight," said John, strolling in from the hall. "Have some coffee, and tell us what you have been up to." "Thank you, I will." He laughed rather ruefully, as he described how he had discovered a very rare species of fern in an inaccessible place, and in his efforts to obtain it had lost his footing, and slipped ignominiously into a neighbouring pond. "The sun soon dried me off," he added, "but I'm afraid my appearance is very disreputable." At this juncture, Mrs. Inglethorp called to Cynthia from the hall, and the girl ran out. "Just carry up my despatch-case, will you, dear? I'm going to bed." The door into the hall was a wide one. I had risen when Cynthia did, John was close by me. There were therefore three witnesses who could swear that Mrs. Inglethorp was carrying her coffee, as yet untasted, in her hand. My evening was utterly and entirely spoilt by the presence of Dr. Bauerstein. It seemed to me the man would never go. He rose at last, however, and I breathed a sigh of relief. "I'll walk down to the village with you," said Mr. Inglethorp. "I must see our agent over | had been extraordinary, and he had achieved triumphs by unravelling some of the most baffling cases of the day. He pointed out to me the little house inhabited by him and his fellow Belgians, and I promised to go and see him at an early date. Then he raised his hat with a flourish to Cynthia, and we drove away. "He's a dear little man," said Cynthia. "I'd no idea you knew him." "You've been entertaining a celebrity unawares," I replied. And, for the rest of the way home, I recited to them the various exploits and triumphs of Hercule Poirot. We arrived back in a very cheerful mood. As we entered the hall, Mrs. Inglethorp came out of her boudoir. She looked flushed and upset. "Oh, it's you," she said. "Is there anything the matter, Aunt Emily?" asked Cynthia. "Certainly not," said Mrs. Inglethorp sharply. "What should there be?" Then catching sight of Dorcas, the parlourmaid, going into the dining-room, she called to her to bring some stamps into the boudoir. "Yes, m'm." The old servant hesitated, then added diffidently: "Don't you think, m'm, you'd better get to bed? You're looking very tired." "Perhaps you're right, Dorcas yes no not now. I've some letters I must finish by post-time. Have you lighted the fire in my room as I told you?" "Yes, m'm." "Then I'll go to bed directly after supper." She went into the boudoir again, and Cynthia stared after her. "Goodness gracious! I wonder what's up?" she said to Lawrence. He did not seem to have heard her, for without a word he turned on his heel and went out of the house. I suggested a quick game of tennis before supper and, Cynthia agreeing, I ran upstairs to fetch my racquet. Mrs. Cavendish was coming down the stairs. It may have been my fancy, but she, too, was looking odd and disturbed. "Had a good walk with Dr. Bauerstein?" I asked, trying to appear as indifferent as I could. "I didn't go," she replied abruptly. "Where is Mrs. Inglethorp?" "In the boudoir." Her hand clenched itself on the banisters, then she seemed to nerve herself for some encounter, and went rapidly past me down the stairs across the hall to the boudoir, the door of which she shut behind her. As I ran out to the tennis court a few moments later, I had to pass the open boudoir window, and was unable to help overhearing the following scrap of dialogue. Mary Cavendish was saying in the voice of a woman desperately controlling herself: "Then you won't show it to me?" To which Mrs. Inglethorp replied: "My dear Mary, it has nothing to do with that matter." "Then show it to me." "I tell you it is not what you imagine. It does not concern you in the least." To which Mary Cavendish replied, with a rising bitterness: "Of course, I might have known you would shield him." Cynthia was waiting for me, and greeted me eagerly with: "I say! There's been the most awful row! I've got it all out of Dorcas." "What kind of a row?" "Between Aunt Emily and _him_. I do hope she's found him out at last!" "Was Dorcas there, then?" "Of course not. She" happened to be near the door'. "It was a real old bust-up. I do wish I knew what it was all about." I thought of Mrs. Raikes's gipsy face, and Evelyn Howard's warnings, but wisely decided to hold my peace, whilst Cynthia exhausted every possible hypothesis, and cheerfully hoped, "Aunt Emily will send him away, and will never speak to him again." I was anxious to get hold of John, but he was nowhere to be seen. Evidently something very momentous had occurred that afternoon. I tried to forget the few words I had overheard; but, do what I would, I could not dismiss them altogether from my mind. What was Mary Cavendish's concern in the matter? Mr. Inglethorp was in the drawing-room when I came down to supper. His face was impassive as ever, and the strange unreality of the man struck me afresh. Mrs. Inglethorp came down last. She still looked agitated, and during the meal there was a somewhat constrained silence. Inglethorp was unusually quiet. As a rule, he surrounded his wife with little attentions, placing a cushion at her back, and altogether playing the part of the devoted husband. Immediately after supper, Mrs. Inglethorp retired to her boudoir again. "Send my coffee in here, Mary," she called. "I've just five minutes to catch the post." Cynthia and I went and sat by the open window in the drawing-room. Mary Cavendish brought our coffee to us. She seemed excited. "Do you young people want lights, or do you enjoy the twilight?" she asked.<|quote|>"Will you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out."</|quote|>"Do not trouble, Mary," said Inglethorp. "I will take it to Emily." He poured it out, and went out of the room carrying it carefully. Lawrence followed him, and Mrs. Cavendish sat down by us. We three sat for some time in silence. It was a glorious night, hot and still. Mrs. Cavendish fanned herself gently with a palm leaf. "It's almost too hot," she murmured. "We shall have a thunderstorm." Alas, that these harmonious moments can never endure! My paradise was rudely shattered by the sound of a well known, and heartily disliked, voice in the hall. "Dr. Bauerstein!" exclaimed Cynthia. "What a funny time to come." I glanced jealously at Mary Cavendish, but she seemed quite undisturbed, the delicate pallor of her cheeks did not vary. In a few moments, Alfred Inglethorp had ushered the doctor in, the latter laughing, and protesting that he was in no fit state for a drawing-room. In truth, he presented a sorry spectacle, being literally plastered with mud. "What have you been doing, doctor?" cried Mrs. Cavendish. "I must make my apologies," said the doctor. "I did not really mean to come in, but Mr. Inglethorp insisted." "Well, Bauerstein, you are in a plight," said John, strolling in from the hall. "Have some coffee, and tell us what you have been up to." "Thank you, I will." He laughed rather ruefully, as he described how he had discovered a very rare species of fern in an inaccessible place, and in his efforts to obtain it had lost his footing, and slipped ignominiously into a neighbouring pond. "The sun soon dried me off," he added, "but I'm afraid my appearance is very disreputable." At this juncture, Mrs. Inglethorp called to Cynthia from the hall, and the girl ran out. "Just carry up my despatch-case, will you, dear? I'm going to bed." The door into the hall was a wide one. I had risen when Cynthia did, John was close by me. There were therefore three witnesses who could swear that Mrs. Inglethorp was carrying her coffee, as yet untasted, in her hand. My evening was utterly and entirely spoilt by the presence of Dr. Bauerstein. It seemed to me the man would never go. He rose at last, however, and I breathed a sigh of relief. "I'll walk down to the village with you," said Mr. Inglethorp. "I must see our agent over those estate accounts." He turned to John. "No one need sit up. I will take the latch-key." CHAPTER III. THE NIGHT OF THE TRAGEDY To make this part of my story clear, I append the following plan of the first floor of Styles. The servants' rooms are reached through the door B. They have no communication with the right wing, where the Inglethorps' rooms were situated. [Illustration] It seemed to be the middle of the night when I was awakened by Lawrence Cavendish. He had a candle in his hand, and the agitation of his face told me at once that something was seriously wrong. "What's the matter?" I asked, sitting up in bed, and trying to collect my scattered thoughts. "We are afraid my mother is very ill. She seems to be having some kind of fit. Unfortunately she has locked herself in." "I'll come at once." I sprang out of bed; and, pulling on a dressing-gown, followed Lawrence along the passage and the gallery to the right wing of the house. John Cavendish joined us, and one or two of the servants were standing round in a state of awe-stricken excitement. Lawrence turned to his brother. "What do you think we had better do?" Never, I thought, had his indecision of character been more apparent. John rattled the handle of Mrs. Inglethorp's door violently, but with no effect. It was obviously locked or bolted on the inside. The whole household was aroused by now. The most alarming sounds were audible from the interior of the room. Clearly something must be done. "Try going through Mr. Inglethorp's room, sir," cried Dorcas. "Oh, the poor mistress!" Suddenly I realized that Alfred Inglethorp was not with us that he alone had given no sign of his presence. John opened the door of his room. It was pitch dark, but Lawrence was following with the candle, and by its feeble light we saw that the bed had not been slept in, and that there was no sign of the room having been occupied. We went straight to the connecting door. That, too, was locked or bolted on the inside. What was to be done? "Oh, dear, sir," cried Dorcas, wringing her hands, "what ever shall we do?" "We must try and break the door in, I suppose. It'll be a tough job, though. Here, let one of the maids go down and | might have known you would shield him." Cynthia was waiting for me, and greeted me eagerly with: "I say! There's been the most awful row! I've got it all out of Dorcas." "What kind of a row?" "Between Aunt Emily and _him_. I do hope she's found him out at last!" "Was Dorcas there, then?" "Of course not. She" happened to be near the door'. "It was a real old bust-up. I do wish I knew what it was all about." I thought of Mrs. Raikes's gipsy face, and Evelyn Howard's warnings, but wisely decided to hold my peace, whilst Cynthia exhausted every possible hypothesis, and cheerfully hoped, "Aunt Emily will send him away, and will never speak to him again." I was anxious to get hold of John, but he was nowhere to be seen. Evidently something very momentous had occurred that afternoon. I tried to forget the few words I had overheard; but, do what I would, I could not dismiss them altogether from my mind. What was Mary Cavendish's concern in the matter? Mr. Inglethorp was in the drawing-room when I came down to supper. His face was impassive as ever, and the strange unreality of the man struck me afresh. Mrs. Inglethorp came down last. She still looked agitated, and during the meal there was a somewhat constrained silence. Inglethorp was unusually quiet. As a rule, he surrounded his wife with little attentions, placing a cushion at her back, and altogether playing the part of the devoted husband. Immediately after supper, Mrs. Inglethorp retired to her boudoir again. "Send my coffee in here, Mary," she called. "I've just five minutes to catch the post." Cynthia and I went and sat by the open window in the drawing-room. Mary Cavendish brought our coffee to us. She seemed excited. "Do you young people want lights, or do you enjoy the twilight?" she asked.<|quote|>"Will you take Mrs. Inglethorp her coffee, Cynthia? I will pour it out."</|quote|>"Do not trouble, Mary," said Inglethorp. "I will take it to Emily." He poured it out, and went out of the room carrying it carefully. Lawrence followed him, and Mrs. Cavendish sat down by us. We three sat for some time in silence. It was a glorious night, hot and still. Mrs. Cavendish fanned herself gently with a palm leaf. "It's almost too hot," she murmured. "We shall have a thunderstorm." Alas, that these harmonious moments can never endure! My paradise was rudely shattered by the sound of a well known, and heartily disliked, voice in the hall. "Dr. Bauerstein!" exclaimed Cynthia. "What a funny time to come." I glanced jealously at Mary Cavendish, but she seemed quite undisturbed, the delicate pallor of her cheeks did not vary. In a few moments, Alfred Inglethorp had ushered the doctor in, the latter laughing, and protesting that he was in no fit state for a drawing-room. In truth, he presented a sorry spectacle, being literally plastered with mud. "What have you been doing, doctor?" cried Mrs. Cavendish. "I must make my apologies," said the doctor. "I did not really mean to come in, but Mr. Inglethorp insisted." "Well, Bauerstein, you are in a plight," said John, strolling in from the hall. "Have some coffee, and tell us what you have been up to." "Thank you, I will." He laughed rather ruefully, as he described how he had discovered a very rare species of fern in an inaccessible place, and in his efforts to obtain it had lost his footing, and slipped ignominiously into a neighbouring pond. "The sun soon dried me off," he added, "but I'm afraid my appearance is very disreputable." At this juncture, Mrs. Inglethorp called to Cynthia from the hall, and the girl ran out. "Just carry up my despatch-case, will you, dear? I'm going to bed." The door into the hall was a wide one. I had risen when Cynthia did, John was close by me. There were therefore three witnesses who could swear that Mrs. Inglethorp was carrying her coffee, as yet untasted, in her hand. My evening was utterly and entirely spoilt by the presence of Dr. Bauerstein. It seemed to me the man would never go. He rose at last, however, and I breathed a sigh of relief. "I'll walk down to the village with you," said Mr. Inglethorp. "I must see our agent over those estate accounts." He turned to John. "No one need sit up. I will take the latch-key." CHAPTER III. THE NIGHT OF THE TRAGEDY To make this part of my story clear, I append the following plan of the first floor of Styles. The servants' rooms are reached through the door B. They have no communication with the right wing, where the Inglethorps' rooms were situated. [Illustration] It seemed to be the middle of the night when I was awakened by Lawrence Cavendish. He had a candle in his hand, and the agitation of his face told me at once that something was seriously wrong. "What's the matter?" I asked, sitting up in bed, and trying to collect my scattered thoughts. "We are afraid my mother is very ill. She seems to be | The Mysterious Affair At Styles |
"How annoying!" | Duchess Of Harley | her hands in mock despair.<|quote|>"How annoying!"</|quote|>she cried. "I must go. | carriage was waiting. She wrung her hands in mock despair.<|quote|>"How annoying!"</|quote|>she cried. "I must go. I have to call for | smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair.<|quote|>"How annoying!"</|quote|>she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have | he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair.<|quote|>"How annoying!"</|quote|>she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have a scene in this bonnet. It is far too fragile. A harsh word would ruin it. No, I must go, dear Agatha. Good-bye, Lord Henry, you are quite delightful and dreadfully demoralizing. I am sure I don t know what to say about your views. You must come and dine | her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair.<|quote|>"How annoying!"</|quote|>she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have a scene in this bonnet. It is far too fragile. A harsh word would ruin it. No, I must go, dear Agatha. Good-bye, Lord Henry, you are quite delightful and dreadfully demoralizing. I am sure I don t know what to say about your views. You must come and dine with us some night. Tuesday? Are you disengaged Tuesday?" "For you I would throw over anybody, Duchess," said Lord Henry with a bow. "Ah! that is very nice, and very wrong of you," she cried; "so mind you come" "; and she swept out of the room, followed by Lady Agatha and the other ladies. When Lord Henry had sat down again, Mr. Erskine moved round, and taking a chair close to him, placed his hand upon his arm. "You talk books away," he said; "why don t you write one?" "I am too fond of reading books to care | young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair.<|quote|>"How annoying!"</|quote|>she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have a scene in this bonnet. It is far too fragile. A harsh word would ruin it. No, I must go, dear Agatha. Good-bye, Lord Henry, you are quite delightful and dreadfully demoralizing. I am sure I don t know what to say about your views. You must come and dine with us some night. Tuesday? Are you disengaged Tuesday?" "For you I would throw over anybody, Duchess," said Lord Henry with a bow. "Ah! that is very nice, and very wrong of you," she cried; "so mind you come" "; and she swept out of the room, followed by Lady Agatha and the other ladies. When Lord Henry had sat down again, Mr. Erskine moved round, and taking a chair close to him, placed his hand upon his arm. "You talk books away," he said; "why don t you write one?" "I am too fond of reading books to care to write them, Mr. Erskine. I should like to write a novel certainly, a novel that would be as lovely as a Persian carpet and as unreal. But there is no literary public in England for anything except newspapers, primers, and encyclopaedias. Of all people in the world the English have the least sense of the beauty of literature." "I fear you are right," answered Mr. Erskine. "I myself used to have literary ambitions, but I gave them up long ago. And now, my dear young friend, if you will allow me to call you so, may I ask if you really meant all that you said to us at lunch?" "I quite forget what I said," smiled Lord Henry. "Was it all very bad?" "Very bad indeed. In fact I consider you extremely dangerous, and if anything happens to our good duchess, we shall all look on you as being primarily responsible. But I should like to talk to you about life. The generation into which I was born was tedious. Some day, when you are tired of London, come down to Treadley and expound to me your philosophy of pleasure over some admirable Burgundy I am fortunate enough | make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel," continued Lady Agatha. "I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." "Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess," remarked Lord Henry. "Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair.<|quote|>"How annoying!"</|quote|>she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have a scene in this bonnet. It is far too fragile. A harsh word would ruin it. No, I must go, dear Agatha. Good-bye, Lord Henry, you are quite delightful and dreadfully demoralizing. I am sure I don t know what to say about your views. You must come and dine with us some night. Tuesday? Are you disengaged Tuesday?" "For you I would throw over anybody, Duchess," said Lord Henry with a bow. "Ah! that is very nice, and very wrong of you," she cried; "so mind you come" "; and she swept out of the room, followed by Lady Agatha and the other ladies. When Lord Henry had sat down again, Mr. Erskine moved round, and taking a chair close to him, placed his hand upon his arm. "You talk books away," he said; "why don t you write one?" "I am too fond of reading books to care to write them, Mr. Erskine. I should like to write a novel certainly, a novel that would be as lovely as a Persian carpet and as unreal. But there is no literary public in England for anything except newspapers, primers, and encyclopaedias. Of all people in the world the English have the least sense of the beauty of literature." "I fear you are right," answered Mr. Erskine. "I myself used to have literary ambitions, but I gave them up long ago. And now, my dear young friend, if you will allow me to call you so, may I ask if you really meant all that you said to us at lunch?" "I quite forget what I said," smiled Lord Henry. "Was it all very bad?" "Very bad indeed. In fact I consider you extremely dangerous, and if anything happens to our good duchess, we shall all look on you as being primarily responsible. But I should like to talk to you about life. The generation into which I was born was tedious. Some day, when you are tired of London, come down to Treadley and expound to me your philosophy of pleasure over some admirable Burgundy I am fortunate enough to possess." "I shall be charmed. A visit to Treadley would be a great privilege. It has a perfect host, and a perfect library." "You will complete it," answered the old gentleman with a courteous bow. "And now I must bid good-bye to your excellent aunt. I am due at the Athenaeum. It is the hour when we sleep there." "All of you, Mr. Erskine?" "Forty of us, in forty arm-chairs. We are practising for an English Academy of Letters." Lord Henry laughed and rose. "I am going to the park," he cried. As he was passing out of the door, Dorian Gray touched him on the arm. "Let me come with you," he murmured. "But I thought you had promised Basil Hallward to go and see him," answered Lord Henry. "I would sooner come with you; yes, I feel I must come with you. Do let me. And you will promise to talk to me all the time? No one talks so wonderfully as you do." "Ah! I have talked quite enough for to-day," said Lord Henry, smiling. "All I want now is to look at life. You may come and look at it with me, if you care to." CHAPTER IV. One afternoon, a month later, Dorian Gray was reclining in a luxurious arm-chair, in the little library of Lord Henry s house in Mayfair. It was, in its way, a very charming room, with its high panelled wainscoting of olive-stained oak, its cream-coloured frieze and ceiling of raised plasterwork, and its brickdust felt carpet strewn with silk, long-fringed Persian rugs. On a tiny satinwood table stood a statuette by Clodion, and beside it lay a copy of Les Cent Nouvelles, bound for Margaret of Valois by Clovis Eve and powdered with the gilt daisies that Queen had selected for her device. Some large blue china jars and parrot-tulips were ranged on the mantelshelf, and through the small leaded panes of the window streamed the apricot-coloured light of a summer day in London. Lord Henry had not yet come in. He was always late on principle, his principle being that punctuality is the thief of time. So the lad was looking rather sulky, as with listless fingers he turned over the pages of an elaborately illustrated edition of Manon Lescaut that he had found in one of the book-cases. The formal monotonous ticking of the Louis Quatorze clock | blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair.<|quote|>"How annoying!"</|quote|>she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have a scene in this bonnet. It is far too fragile. A harsh word would ruin it. No, I must go, dear Agatha. Good-bye, Lord Henry, you are quite delightful and dreadfully demoralizing. I am sure I don t know what to say about your views. You must come and dine with us some night. Tuesday? Are you disengaged Tuesday?" "For you I would throw over anybody, Duchess," said Lord Henry with a bow. "Ah! that is very nice, and very wrong of you," she cried; "so mind you come" "; and she swept out of the room, followed by Lady Agatha and the other ladies. When Lord Henry had sat down again, Mr. Erskine moved round, and taking a chair close to him, placed his hand upon his arm. "You talk books away," he said; "why don t you write one?" "I am too fond of reading books to care to write them, Mr. Erskine. I should like to write a novel certainly, a novel that would be as lovely as a Persian carpet and as unreal. But there is no literary public in England for anything except newspapers, primers, and encyclopaedias. Of all people in the world the English have the least sense of the beauty of literature." "I fear you are right," answered Mr. Erskine. "I myself used to have literary ambitions, but I gave them up long ago. And now, my dear young friend, if you will allow me to call you so, may I ask if you really meant all that you said to us at lunch?" "I quite forget what I said," smiled Lord Henry. "Was it all very bad?" "Very bad indeed. In fact I consider you extremely dangerous, and if anything happens to our good duchess, we shall all look on you as being primarily responsible. But I should like to talk to you about life. The generation into which I was born was tedious. Some day, when you are tired of London, come down to Treadley and expound to me your philosophy of pleasure over some admirable | The Picture Of Dorian Gray |
said one of the men, and Ramsden swallowed some water with avidity. | No speaker | a drink o' this, mate,"<|quote|>said one of the men, and Ramsden swallowed some water with avidity.</|quote|>"Arn't seen a ghost, have | to his head. "Here, take a drink o' this, mate,"<|quote|>said one of the men, and Ramsden swallowed some water with avidity.</|quote|>"Arn't seen a ghost, have you?" "I recollect now, Mr | men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate,"<|quote|>said one of the men, and Ramsden swallowed some water with avidity.</|quote|>"Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that | More water. Don't be afraid!" Each of the men who had climbed up carried a supply, and a quantity was dashed over Ramsden's face with the effect that he began to display signs of returning consciousness, and at last sat up and stared. "What's matter, mate?" said one of the men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate,"<|quote|>said one of the men, and Ramsden swallowed some water with avidity.</|quote|>"Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down | once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a fit. More water. Don't be afraid!" Each of the men who had climbed up carried a supply, and a quantity was dashed over Ramsden's face with the effect that he began to display signs of returning consciousness, and at last sat up and stared. "What's matter, mate?" said one of the men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate,"<|quote|>said one of the men, and Ramsden swallowed some water with avidity.</|quote|>"Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can." "Well, we must get you down to the boat as soon as we can walk, if you | Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" he cried, as he tore open his sailor's shirt and placed his hand upon his throat. Then, starting up, he sent forth a tremendous hail. "Ahoy!" "Ahoy!" came back from several places, like the echoes of his call. "Come on here! Quick!" he shouted, with his hands to his mouth. "Ahoy!" came from a distance; and from nearer at hand, "Ay, ay, sir; ay, ay!" From where Don and Jem stood they could see the boatswain's every movement, as, after once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a fit. More water. Don't be afraid!" Each of the men who had climbed up carried a supply, and a quantity was dashed over Ramsden's face with the effect that he began to display signs of returning consciousness, and at last sat up and stared. "What's matter, mate?" said one of the men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate,"<|quote|>said one of the men, and Ramsden swallowed some water with avidity.</|quote|>"Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can." "Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you." "But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer done with them?" Don made an angry gesticulation, and turned to Jem, who had the pistols and cutlass in his hand and waistbelt, and felt as if he should like to hurl them away. "He must have dropped them inside. Here, one of you come with me and get them." Don shrank back into the stony passage as a man volunteered, but the boatswain hesitated. "No," he said, to Don's great relief; "I can't afford to run risks for the sake of a pair of pistols." "Let me go in," said the man. "I'm not going to send men where I'm afraid to go myself," said the boatswain bluntly. "Come on down." The | us. He shall have 'em again when we've done with them." As he spoke Jem helped himself to the ammunition, and then stood looking on as Don dragged Ramsden's head round, so that the wind blew in his face. "How I should like to jump on him!" growled Jem. "I hate him like poison, and I would if I'd got on a pair o' boots. Shouldn't hurt him a bit like this." "Don't talk nonsense, Jem. Mr Jones might hear us. Let's hail; he can't be very far off." "I say, Mas' Don, did our ugly swim last night send you half mad?" "Mad? No!" "Then, p'r'aps it's because you had no sleep. Here's a chap comes hunting of us down with a cutlash, ready to do anything; and now he's floored and we're all right, you want to make a pet on him. Why, it's my belief that if you met a tiger with the toothache you'd want to take out his tusk." "Very likely, Jem," said Don, laughing. "Ah, and as soon as you'd done it, `thankye, my lad,' says the tiger, `that tooth's been so bad that I haven't made a comf'table meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?" said Jem. "Insensible--quite! I'm afraid he's dead." "I arn't," muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" he cried, as he tore open his sailor's shirt and placed his hand upon his throat. Then, starting up, he sent forth a tremendous hail. "Ahoy!" "Ahoy!" came back from several places, like the echoes of his call. "Come on here! Quick!" he shouted, with his hands to his mouth. "Ahoy!" came from a distance; and from nearer at hand, "Ay, ay, sir; ay, ay!" From where Don and Jem stood they could see the boatswain's every movement, as, after once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a fit. More water. Don't be afraid!" Each of the men who had climbed up carried a supply, and a quantity was dashed over Ramsden's face with the effect that he began to display signs of returning consciousness, and at last sat up and stared. "What's matter, mate?" said one of the men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate,"<|quote|>said one of the men, and Ramsden swallowed some water with avidity.</|quote|>"Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can." "Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you." "But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer done with them?" Don made an angry gesticulation, and turned to Jem, who had the pistols and cutlass in his hand and waistbelt, and felt as if he should like to hurl them away. "He must have dropped them inside. Here, one of you come with me and get them." Don shrank back into the stony passage as a man volunteered, but the boatswain hesitated. "No," he said, to Don's great relief; "I can't afford to run risks for the sake of a pair of pistols." "Let me go in," said the man. "I'm not going to send men where I'm afraid to go myself," said the boatswain bluntly. "Come on down." The boatswain led the way, and Ramsden was helped down, the man who had volunteered to go in the cavern to fetch the pistols manoeuvring so as to be last, and as soon as the party had disappeared over the shelf he gave a glance after them, and turned sharply. "Foul air won't hurt me," he said; and he dived right in rapidly to regain the pistols and cutlass, so as to have the laugh of his messmates when they returned on board. CHAPTER THIRTY THREE. ANOTHER ALARM. "It's all over," thought Don, as the man came on, with discovery inevitable if he continued at his present rate. They were about fifty feet from the entrance, and they felt that if they moved they would be heard; and, as if urged by the same impulse, they stood fast, save that Jem doubled his fist and drew back his arm ready to strike. All at once the man stopped short. "He sees us," said Don, mentally. But he was wrong, for the sailor thrust his fingers into his mouth and gave a shrill whistle, which ran echoing through the place in a curiously hollow way. "That's a rum un," he said, with a laugh. "Blow some o' the foul air out. Wonder how far he went in?" He walked on slowly, and then stopped short as if he saw the hiding pair; but there was no gesture made, and of course his face was invisible to the fugitives, to whom he seemed to be nothing but a black figure. "Plaguey dark!" ejaculated the man aloud. _Hiss-s-s-s_! A tremendously loud sibillation came out of the darkness--such a noise as a mythical dragon might have made when a stranger had invaded his home. The effect was instantaneous. The young sailor spun round and darted back to the mouth of the cave, where he half lowered himself down over the shelf facing toward the entry, and supporting himself with one hand, shook his fist. "You wait till I come back with a lanthorn!" he cried. "I'll just show you. Don't you think I'm scared." _Whos-s-s-s-s_ came that hissing again, in a loud deep tone this time, and the sailor's head disappeared, for he dropped down and hastily descended after his messmates, flushed and excited, but trying hard to look perfectly unconcerned, and thoroughly determined to keep his own counsel as to what he had heard, | his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" he cried, as he tore open his sailor's shirt and placed his hand upon his throat. Then, starting up, he sent forth a tremendous hail. "Ahoy!" "Ahoy!" came back from several places, like the echoes of his call. "Come on here! Quick!" he shouted, with his hands to his mouth. "Ahoy!" came from a distance; and from nearer at hand, "Ay, ay, sir; ay, ay!" From where Don and Jem stood they could see the boatswain's every movement, as, after once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a fit. More water. Don't be afraid!" Each of the men who had climbed up carried a supply, and a quantity was dashed over Ramsden's face with the effect that he began to display signs of returning consciousness, and at last sat up and stared. "What's matter, mate?" said one of the men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate,"<|quote|>said one of the men, and Ramsden swallowed some water with avidity.</|quote|>"Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can." "Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you." "But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer done with them?" Don made an angry gesticulation, and turned to Jem, who had the pistols and cutlass in his hand | Don Lavington |
said the man. | No speaker | want?" he gasped. "Keep quiet,"<|quote|>said the man.</|quote|>"If you stir, I shoot | facing him. "What do you want?" he gasped. "Keep quiet,"<|quote|>said the man.</|quote|>"If you stir, I shoot you." "You are mad. What | a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet,"<|quote|>said the man.</|quote|>"If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane," was the answer, "and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in | him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet,"<|quote|>said the man.</|quote|>"If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane," was the answer, "and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night | terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet,"<|quote|>said the man.</|quote|>"If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane," was the answer, "and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to | He rushed out as if in pursuit. Dorian Gray hurried along the quay through the drizzling rain. His meeting with Adrian Singleton had strangely moved him, and he wondered if the ruin of that young life was really to be laid at his door, as Basil Hallward had said to him with such infamy of insult. He bit his lip, and for a few seconds his eyes grew sad. Yet, after all, what did it matter to him? One s days were too brief to take the burden of another s errors on one s shoulders. Each man lived his own life and paid his own price for living it. The only pity was one had to pay so often for a single fault. One had to pay over and over again, indeed. In her dealings with man, destiny never closed her accounts. There are moments, psychologists tell us, when the passion for sin, or for what the world calls sin, so dominates a nature that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet,"<|quote|>said the man.</|quote|>"If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane," was the answer, "and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long ago is it since your sister died? Quick, tell me!" "Eighteen years," said the man. "Why do you ask me? What do years matter?" "Eighteen years," laughed Dorian Gray, with a touch of triumph in his voice. "Eighteen years! Set me under the lamp and look at my face!" James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway. Dim and wavering as was the wind-blown light, yet it served to show him the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life. He loosened his hold and reeled back. "My God! my God!" he | after a pause. "On the wharf?" "Yes." "That mad-cat is sure to be there. They won t have her in this place now." Dorian shrugged his shoulders. "I am sick of women who love one. Women who hate one are much more interesting. Besides, the stuff is better." "Much the same." "I like it better. Come and have something to drink. I must have something." "I don t want anything," murmured the young man. "Never mind." Adrian Singleton rose up wearily and followed Dorian to the bar. A half-caste, in a ragged turban and a shabby ulster, grinned a hideous greeting as he thrust a bottle of brandy and two tumblers in front of them. The women sidled up and began to chatter. Dorian turned his back on them and said something in a low voice to Adrian Singleton. A crooked smile, like a Malay crease, writhed across the face of one of the women. "We are very proud to-night," she sneered. "For God s sake don t talk to me," cried Dorian, stamping his foot on the ground. "What do you want? Money? Here it is. Don t ever talk to me again." Two red sparks flashed for a moment in the woman s sodden eyes, then flickered out and left them dull and glazed. She tossed her head and raked the coins off the counter with greedy fingers. Her companion watched her enviously. "It s no use," sighed Adrian Singleton. "I don t care to go back. What does it matter? I am quite happy here." "You will write to me if you want anything, won t you?" said Dorian, after a pause. "Perhaps." "Good night, then." "Good night," answered the young man, passing up the steps and wiping his parched mouth with a handkerchief. Dorian walked to the door with a look of pain in his face. As he drew the curtain aside, a hideous laugh broke from the painted lips of the woman who had taken his money. "There goes the devil s bargain!" she hiccoughed, in a hoarse voice. "Curse you!" he answered, "don t call me that." She snapped her fingers. "Prince Charming is what you like to be called, ain t it?" she yelled after him. The drowsy sailor leaped to his feet as she spoke, and looked wildly round. The sound of the shutting of the hall door fell on his ear. He rushed out as if in pursuit. Dorian Gray hurried along the quay through the drizzling rain. His meeting with Adrian Singleton had strangely moved him, and he wondered if the ruin of that young life was really to be laid at his door, as Basil Hallward had said to him with such infamy of insult. He bit his lip, and for a few seconds his eyes grew sad. Yet, after all, what did it matter to him? One s days were too brief to take the burden of another s errors on one s shoulders. Each man lived his own life and paid his own price for living it. The only pity was one had to pay so often for a single fault. One had to pay over and over again, indeed. In her dealings with man, destiny never closed her accounts. There are moments, psychologists tell us, when the passion for sin, or for what the world calls sin, so dominates a nature that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet,"<|quote|>said the man.</|quote|>"If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane," was the answer, "and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long ago is it since your sister died? Quick, tell me!" "Eighteen years," said the man. "Why do you ask me? What do years matter?" "Eighteen years," laughed Dorian Gray, with a touch of triumph in his voice. "Eighteen years! Set me under the lamp and look at my face!" James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway. Dim and wavering as was the wind-blown light, yet it served to show him the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life. He loosened his hold and reeled back. "My God! my God!" he cried, "and I would have murdered you!" Dorian Gray drew a long breath. "You have been on the brink of committing a terrible crime, my man," he said, looking at him sternly. "Let this be a warning to you not to take vengeance into your own hands." "Forgive me, sir," muttered James Vane. "I was deceived. A chance word I heard in that damned den set me on the wrong track." "You had better go home and put that pistol away, or you may get into trouble," said Dorian, turning on his heel and going slowly down the street. James Vane stood on the pavement in horror. He was trembling from head to foot. After a little while, a black shadow that had been creeping along the dripping wall moved out into the light and came close to him with stealthy footsteps. He felt a hand laid on his arm and looked round with a start. It was one of the women who had been drinking at the bar. "Why didn t you kill him?" she hissed out, putting haggard face quite close to his. "I knew you were following him when you rushed out from Daly s. You fool! You should have killed him. He has lots of money, and he s as bad as bad." "He is not the man I am looking for," he answered, "and I want no man s money. I want a man s life. The man whose life I want must be nearly forty now. This one is little more than a boy. Thank God, I have not got his blood upon my hands." The woman gave a bitter laugh. "Little more than a boy!" she sneered. "Why, man, it s nigh on eighteen years since Prince Charming made me what I am." "You lie!" cried James Vane. She raised her hand up to heaven. "Before God I am telling the truth," she cried. "Before God?" "Strike me dumb if it ain t so. He is the worst one that comes here. They say he has sold himself to the devil for a pretty face. It s nigh on eighteen years since I met him. He hasn t changed much since then. I have, though," she added, with a sickly leer. "You swear this?" "I swear it," came in hoarse echo from her flat mouth. "But don t give me away to him," | hoarse voice. "Curse you!" he answered, "don t call me that." She snapped her fingers. "Prince Charming is what you like to be called, ain t it?" she yelled after him. The drowsy sailor leaped to his feet as she spoke, and looked wildly round. The sound of the shutting of the hall door fell on his ear. He rushed out as if in pursuit. Dorian Gray hurried along the quay through the drizzling rain. His meeting with Adrian Singleton had strangely moved him, and he wondered if the ruin of that young life was really to be laid at his door, as Basil Hallward had said to him with such infamy of insult. He bit his lip, and for a few seconds his eyes grew sad. Yet, after all, what did it matter to him? One s days were too brief to take the burden of another s errors on one s shoulders. Each man lived his own life and paid his own price for living it. The only pity was one had to pay so often for a single fault. One had to pay over and over again, indeed. In her dealings with man, destiny never closed her accounts. There are moments, psychologists tell us, when the passion for sin, or for what the world calls sin, so dominates a nature that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet,"<|quote|>said the man.</|quote|>"If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane," was the answer, "and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long ago is it since your sister died? Quick, tell me!" "Eighteen years," said the man. "Why do you ask me? What do years matter?" "Eighteen years," laughed Dorian Gray, with a touch of triumph in his voice. "Eighteen years! Set me under the lamp and look at my face!" James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway. Dim and wavering as was the wind-blown light, yet it served to show him the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life. He loosened his hold and reeled | The Picture Of Dorian Gray |
she suggested. | No speaker | your next party, Mr. Gatsby,”<|quote|>she suggested.</|quote|>“What do you say?” “Certainly; | “We’ll all come over to your next party, Mr. Gatsby,”<|quote|>she suggested.</|quote|>“What do you say?” “Certainly; I’d be delighted to have | so?” Tom turned to me. “You live near here, Nick?” “Next door.” “That so?” Mr. Sloane didn’t enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial. “We’ll all come over to your next party, Mr. Gatsby,”<|quote|>she suggested.</|quote|>“What do you say?” “Certainly; I’d be delighted to have you.” “Be ver’ nice,” said Mr. Sloane, without gratitude. “Well—think ought to be starting home.” “Please don’t hurry,” Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. “Why don’t you—why don’t you | the introduction as a stranger. “I believe we’ve met somewhere before, Mr. Buchanan.” “Oh, yes,” said Tom, gruffly polite, but obviously not remembering. “So we did. I remember very well.” “About two weeks ago.” “That’s right. You were with Nick here.” “I know your wife,” continued Gatsby, almost aggressively. “That so?” Tom turned to me. “You live near here, Nick?” “Next door.” “That so?” Mr. Sloane didn’t enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial. “We’ll all come over to your next party, Mr. Gatsby,”<|quote|>she suggested.</|quote|>“What do you say?” “Certainly; I’d be delighted to have you.” “Be ver’ nice,” said Mr. Sloane, without gratitude. “Well—think ought to be starting home.” “Please don’t hurry,” Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. “Why don’t you—why don’t you stay for supper? I wouldn’t be surprised if some other people dropped in from New York.” “You come to supper with me,” said the lady enthusiastically. “Both of you.” This included me. Mr. Sloane got to his feet. “Come along,” he said—but to her only. “I mean it,” she insisted. | He walked around the room quickly, ringing bells. “I’ll have something to drink for you in just a minute.” He was profoundly affected by the fact that Tom was there. But he would be uneasy anyhow until he had given them something, realizing in a vague way that that was all they came for. Mr. Sloane wanted nothing. A lemonade? No, thanks. A little champagne? Nothing at all, thanks … I’m sorry— “Did you have a nice ride?” “Very good roads around here.” “I suppose the automobiles—” “Yeah.” Moved by an irresistible impulse, Gatsby turned to Tom, who had accepted the introduction as a stranger. “I believe we’ve met somewhere before, Mr. Buchanan.” “Oh, yes,” said Tom, gruffly polite, but obviously not remembering. “So we did. I remember very well.” “About two weeks ago.” “That’s right. You were with Nick here.” “I know your wife,” continued Gatsby, almost aggressively. “That so?” Tom turned to me. “You live near here, Nick?” “Next door.” “That so?” Mr. Sloane didn’t enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial. “We’ll all come over to your next party, Mr. Gatsby,”<|quote|>she suggested.</|quote|>“What do you say?” “Certainly; I’d be delighted to have you.” “Be ver’ nice,” said Mr. Sloane, without gratitude. “Well—think ought to be starting home.” “Please don’t hurry,” Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. “Why don’t you—why don’t you stay for supper? I wouldn’t be surprised if some other people dropped in from New York.” “You come to supper with me,” said the lady enthusiastically. “Both of you.” This included me. Mr. Sloane got to his feet. “Come along,” he said—but to her only. “I mean it,” she insisted. “I’d love to have you. Lots of room.” Gatsby looked at me questioningly. He wanted to go and he didn’t see that Mr. Sloane had determined he shouldn’t. “I’m afraid I won’t be able to,” I said. “Well, you come,” she urged, concentrating on Gatsby. Mr. Sloane murmured something close to her ear. “We won’t be late if we start now,” she insisted aloud. “I haven’t got a horse,” said Gatsby. “I used to ride in the army, but I’ve never bought a horse. I’ll have to follow you in my car. Excuse me for just a minute.” The rest | of exploding those first wild rumours about his antecedents, which weren’t even faintly true. Moreover he told it to me at a time of confusion, when I had reached the point of believing everything and nothing about him. So I take advantage of this short halt, while Gatsby, so to speak, caught his breath, to clear this set of misconceptions away. It was a halt, too, in my association with his affairs. For several weeks I didn’t see him or hear his voice on the phone—mostly I was in New York, trotting around with Jordan and trying to ingratiate myself with her senile aunt—but finally I went over to his house one Sunday afternoon. I hadn’t been there two minutes when somebody brought Tom Buchanan in for a drink. I was startled, naturally, but the really surprising thing was that it hadn’t happened before. They were a party of three on horseback—Tom and a man named Sloane and a pretty woman in a brown riding-habit, who had been there previously. “I’m delighted to see you,” said Gatsby, standing on his porch. “I’m delighted that you dropped in.” As though they cared! “Sit right down. Have a cigarette or a cigar.” He walked around the room quickly, ringing bells. “I’ll have something to drink for you in just a minute.” He was profoundly affected by the fact that Tom was there. But he would be uneasy anyhow until he had given them something, realizing in a vague way that that was all they came for. Mr. Sloane wanted nothing. A lemonade? No, thanks. A little champagne? Nothing at all, thanks … I’m sorry— “Did you have a nice ride?” “Very good roads around here.” “I suppose the automobiles—” “Yeah.” Moved by an irresistible impulse, Gatsby turned to Tom, who had accepted the introduction as a stranger. “I believe we’ve met somewhere before, Mr. Buchanan.” “Oh, yes,” said Tom, gruffly polite, but obviously not remembering. “So we did. I remember very well.” “About two weeks ago.” “That’s right. You were with Nick here.” “I know your wife,” continued Gatsby, almost aggressively. “That so?” Tom turned to me. “You live near here, Nick?” “Next door.” “That so?” Mr. Sloane didn’t enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial. “We’ll all come over to your next party, Mr. Gatsby,”<|quote|>she suggested.</|quote|>“What do you say?” “Certainly; I’d be delighted to have you.” “Be ver’ nice,” said Mr. Sloane, without gratitude. “Well—think ought to be starting home.” “Please don’t hurry,” Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. “Why don’t you—why don’t you stay for supper? I wouldn’t be surprised if some other people dropped in from New York.” “You come to supper with me,” said the lady enthusiastically. “Both of you.” This included me. Mr. Sloane got to his feet. “Come along,” he said—but to her only. “I mean it,” she insisted. “I’d love to have you. Lots of room.” Gatsby looked at me questioningly. He wanted to go and he didn’t see that Mr. Sloane had determined he shouldn’t. “I’m afraid I won’t be able to,” I said. “Well, you come,” she urged, concentrating on Gatsby. Mr. Sloane murmured something close to her ear. “We won’t be late if we start now,” she insisted aloud. “I haven’t got a horse,” said Gatsby. “I used to ride in the army, but I’ve never bought a horse. I’ll have to follow you in my car. Excuse me for just a minute.” The rest of us walked out on the porch, where Sloane and the lady began an impassioned conversation aside. “My God, I believe the man’s coming,” said Tom. “Doesn’t he know she doesn’t want him?” “She says she does want him.” “She has a big dinner party and he won’t know a soul there.” He frowned. “I wonder where in the devil he met Daisy. By God, I may be old-fashioned in my ideas, but women run around too much these days to suit me. They meet all kinds of crazy fish.” Suddenly Mr. Sloane and the lady walked down the steps and mounted their horses. “Come on,” said Mr. Sloane to Tom, “we’re late. We’ve got to go.” And then to me: “Tell him we couldn’t wait, will you?” Tom and I shook hands, the rest of us exchanged a cool nod, and they trotted quickly down the drive, disappearing under the August foliage just as Gatsby, with hat and light overcoat in hand, came out the front door. Tom was evidently perturbed at Daisy’s running around alone, for on the following Saturday night he came with her to Gatsby’s party. Perhaps his presence gave the evening its peculiar quality of | to sea in a yacht, were common property of the turgid journalism in 1902. He had been coasting along all too hospitable shores for five years when he turned up as James Gatz’s destiny in Little Girl Bay. To young Gatz, resting on his oars and looking up at the railed deck, that yacht represented all the beauty and glamour in the world. I suppose he smiled at Cody—he had probably discovered that people liked him when he smiled. At any rate Cody asked him a few questions (one of them elicited the brand new name) and found that he was quick and extravagantly ambitious. A few days later he took him to Duluth and bought him a blue coat, six pairs of white duck trousers, and a yachting cap. And when the Tuolomee left for the West Indies and the Barbary Coast, Gatsby left too. He was employed in a vague personal capacity—while he remained with Cody he was in turn steward, mate, skipper, secretary, and even jailor, for Dan Cody sober knew what lavish doings Dan Cody drunk might soon be about, and he provided for such contingencies by reposing more and more trust in Gatsby. The arrangement lasted five years, during which the boat went three times around the Continent. It might have lasted indefinitely except for the fact that Ella Kaye came on board one night in Boston and a week later Dan Cody inhospitably died. I remember the portrait of him up in Gatsby’s bedroom, a grey, florid man with a hard, empty face—the pioneer debauchee, who during one phase of American life brought back to the Eastern seaboard the savage violence of the frontier brothel and saloon. It was indirectly due to Cody that Gatsby drank so little. Sometimes in the course of gay parties women used to rub champagne into his hair; for himself he formed the habit of letting liquor alone. And it was from Cody that he inherited money—a legacy of twenty-five thousand dollars. He didn’t get it. He never understood the legal device that was used against him, but what remained of the millions went intact to Ella Kaye. He was left with his singularly appropriate education; the vague contour of Jay Gatsby had filled out to the substantiality of a man. ------------------------------------------------------------------------ He told me all this very much later, but I’ve put it down here with the idea of exploding those first wild rumours about his antecedents, which weren’t even faintly true. Moreover he told it to me at a time of confusion, when I had reached the point of believing everything and nothing about him. So I take advantage of this short halt, while Gatsby, so to speak, caught his breath, to clear this set of misconceptions away. It was a halt, too, in my association with his affairs. For several weeks I didn’t see him or hear his voice on the phone—mostly I was in New York, trotting around with Jordan and trying to ingratiate myself with her senile aunt—but finally I went over to his house one Sunday afternoon. I hadn’t been there two minutes when somebody brought Tom Buchanan in for a drink. I was startled, naturally, but the really surprising thing was that it hadn’t happened before. They were a party of three on horseback—Tom and a man named Sloane and a pretty woman in a brown riding-habit, who had been there previously. “I’m delighted to see you,” said Gatsby, standing on his porch. “I’m delighted that you dropped in.” As though they cared! “Sit right down. Have a cigarette or a cigar.” He walked around the room quickly, ringing bells. “I’ll have something to drink for you in just a minute.” He was profoundly affected by the fact that Tom was there. But he would be uneasy anyhow until he had given them something, realizing in a vague way that that was all they came for. Mr. Sloane wanted nothing. A lemonade? No, thanks. A little champagne? Nothing at all, thanks … I’m sorry— “Did you have a nice ride?” “Very good roads around here.” “I suppose the automobiles—” “Yeah.” Moved by an irresistible impulse, Gatsby turned to Tom, who had accepted the introduction as a stranger. “I believe we’ve met somewhere before, Mr. Buchanan.” “Oh, yes,” said Tom, gruffly polite, but obviously not remembering. “So we did. I remember very well.” “About two weeks ago.” “That’s right. You were with Nick here.” “I know your wife,” continued Gatsby, almost aggressively. “That so?” Tom turned to me. “You live near here, Nick?” “Next door.” “That so?” Mr. Sloane didn’t enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial. “We’ll all come over to your next party, Mr. Gatsby,”<|quote|>she suggested.</|quote|>“What do you say?” “Certainly; I’d be delighted to have you.” “Be ver’ nice,” said Mr. Sloane, without gratitude. “Well—think ought to be starting home.” “Please don’t hurry,” Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. “Why don’t you—why don’t you stay for supper? I wouldn’t be surprised if some other people dropped in from New York.” “You come to supper with me,” said the lady enthusiastically. “Both of you.” This included me. Mr. Sloane got to his feet. “Come along,” he said—but to her only. “I mean it,” she insisted. “I’d love to have you. Lots of room.” Gatsby looked at me questioningly. He wanted to go and he didn’t see that Mr. Sloane had determined he shouldn’t. “I’m afraid I won’t be able to,” I said. “Well, you come,” she urged, concentrating on Gatsby. Mr. Sloane murmured something close to her ear. “We won’t be late if we start now,” she insisted aloud. “I haven’t got a horse,” said Gatsby. “I used to ride in the army, but I’ve never bought a horse. I’ll have to follow you in my car. Excuse me for just a minute.” The rest of us walked out on the porch, where Sloane and the lady began an impassioned conversation aside. “My God, I believe the man’s coming,” said Tom. “Doesn’t he know she doesn’t want him?” “She says she does want him.” “She has a big dinner party and he won’t know a soul there.” He frowned. “I wonder where in the devil he met Daisy. By God, I may be old-fashioned in my ideas, but women run around too much these days to suit me. They meet all kinds of crazy fish.” Suddenly Mr. Sloane and the lady walked down the steps and mounted their horses. “Come on,” said Mr. Sloane to Tom, “we’re late. We’ve got to go.” And then to me: “Tell him we couldn’t wait, will you?” Tom and I shook hands, the rest of us exchanged a cool nod, and they trotted quickly down the drive, disappearing under the August foliage just as Gatsby, with hat and light overcoat in hand, came out the front door. Tom was evidently perturbed at Daisy’s running around alone, for on the following Saturday night he came with her to Gatsby’s party. Perhaps his presence gave the evening its peculiar quality of oppressiveness—it stands out in my memory from Gatsby’s other parties that summer. There were the same people, or at least the same sort of people, the same profusion of champagne, the same many-coloured, many-keyed commotion, but I felt an unpleasantness in the air, a pervading harshness that hadn’t been there before. Or perhaps I had merely grown used to it, grown to accept West Egg as a world complete in itself, with its own standards and its own great figures, second to nothing because it had no consciousness of being so, and now I was looking at it again, through Daisy’s eyes. It is invariably saddening to look through new eyes at things upon which you have expended your own powers of adjustment. They arrived at twilight, and, as we strolled out among the sparkling hundreds, Daisy’s voice was playing murmurous tricks in her throat. “These things excite me so,” she whispered. “If you want to kiss me any time during the evening, Nick, just let me know and I’ll be glad to arrange it for you. Just mention my name. Or present a green card. I’m giving out green—” “Look around,” suggested Gatsby. “I’m looking around. I’m having a marvellous—” “You must see the faces of many people you’ve heard about.” Tom’s arrogant eyes roamed the crowd. “We don’t go around very much,” he said; “in fact, I was just thinking I don’t know a soul here.” “Perhaps you know that lady.” Gatsby indicated a gorgeous, scarcely human orchid of a woman who sat in state under a white-plum tree. Tom and Daisy stared, with that peculiarly unreal feeling that accompanies the recognition of a hitherto ghostly celebrity of the movies. “She’s lovely,” said Daisy. “The man bending over her is her director.” He took them ceremoniously from group to group: “Mrs. Buchanan … and Mr. Buchanan—” After an instant’s hesitation he added: “the polo player.” “Oh no,” objected Tom quickly, “not me.” But evidently the sound of it pleased Gatsby for Tom remained “the polo player” for the rest of the evening. “I’ve never met so many celebrities,” Daisy exclaimed. “I liked that man—what was his name?—with the sort of blue nose.” Gatsby identified him, adding that he was a small producer. “Well, I liked him anyhow.” “I’d a little rather not be the polo player,” said Tom pleasantly, “I’d rather look at all these famous people in—in | surprising thing was that it hadn’t happened before. They were a party of three on horseback—Tom and a man named Sloane and a pretty woman in a brown riding-habit, who had been there previously. “I’m delighted to see you,” said Gatsby, standing on his porch. “I’m delighted that you dropped in.” As though they cared! “Sit right down. Have a cigarette or a cigar.” He walked around the room quickly, ringing bells. “I’ll have something to drink for you in just a minute.” He was profoundly affected by the fact that Tom was there. But he would be uneasy anyhow until he had given them something, realizing in a vague way that that was all they came for. Mr. Sloane wanted nothing. A lemonade? No, thanks. A little champagne? Nothing at all, thanks … I’m sorry— “Did you have a nice ride?” “Very good roads around here.” “I suppose the automobiles—” “Yeah.” Moved by an irresistible impulse, Gatsby turned to Tom, who had accepted the introduction as a stranger. “I believe we’ve met somewhere before, Mr. Buchanan.” “Oh, yes,” said Tom, gruffly polite, but obviously not remembering. “So we did. I remember very well.” “About two weeks ago.” “That’s right. You were with Nick here.” “I know your wife,” continued Gatsby, almost aggressively. “That so?” Tom turned to me. “You live near here, Nick?” “Next door.” “That so?” Mr. Sloane didn’t enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial. “We’ll all come over to your next party, Mr. Gatsby,”<|quote|>she suggested.</|quote|>“What do you say?” “Certainly; I’d be delighted to have you.” “Be ver’ nice,” said Mr. Sloane, without gratitude. “Well—think ought to be starting home.” “Please don’t hurry,” Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. “Why don’t you—why don’t you stay for supper? I wouldn’t be surprised if some other people dropped in from New York.” “You come to supper with me,” said the lady enthusiastically. “Both of you.” This included me. Mr. Sloane got to his feet. “Come along,” he said—but to her only. “I mean it,” she insisted. “I’d love to have you. Lots of room.” Gatsby looked at me questioningly. He wanted to go and he didn’t see that Mr. Sloane had determined he shouldn’t. “I’m afraid I won’t be able to,” I said. “Well, you come,” she urged, concentrating on Gatsby. Mr. Sloane murmured something close to her ear. “We won’t be late if we start now,” she insisted aloud. “I haven’t got a horse,” said Gatsby. “I used to ride in the army, but I’ve never bought a horse. I’ll have to follow you in my car. Excuse me for just a minute.” The rest of us walked out on the porch, where Sloane and the lady began an impassioned | The Great Gatsby |
"What do I make by it?" | Mr. Thomas Marvel | ineffectual. He tried another tack.<|quote|>"What do I make by it?"</|quote|>he began again in a | Mr. Marvel. This was quite ineffectual. He tried another tack.<|quote|>"What do I make by it?"</|quote|>he began again in a tone of unendurable wrong. "Oh! | t justice," he said; "you must admit.... It seems to me I ve a perfect right" "_Get_ on!" said the Voice. Mr. Marvel mended his pace, and for a time they went in silence again. "It s devilish hard," said Mr. Marvel. This was quite ineffectual. He tried another tack.<|quote|>"What do I make by it?"</|quote|>he began again in a tone of unendurable wrong. "Oh! _shut up_!" said the Voice, with sudden amazing vigour. "I ll see to you all right. You do what you re told. You ll do it all right. You re a fool and all that, but you ll do" "I | you want." "_I ll_ stimulate you." "I wish you wouldn t. I wouldn t like to mess up your plans, you know. But I might out of sheer funk and misery." "You d better not," said the Voice, with quiet emphasis. "I wish I was dead," said Marvel. "It ain t justice," he said; "you must admit.... It seems to me I ve a perfect right" "_Get_ on!" said the Voice. Mr. Marvel mended his pace, and for a time they went in silence again. "It s devilish hard," said Mr. Marvel. This was quite ineffectual. He tried another tack.<|quote|>"What do I make by it?"</|quote|>he began again in a tone of unendurable wrong. "Oh! _shut up_!" said the Voice, with sudden amazing vigour. "I ll see to you all right. You do what you re told. You ll do it all right. You re a fool and all that, but you ll do" "I tell you, sir, I m not the man for it. Respectfully but it _is_ so" "If you don t shut up I shall twist your wrist again," said the Invisible Man. "I want to think." Presently two oblongs of yellow light appeared through the trees, and the square tower of | sharply overtaking him. "The fact is," said the Voice, "I shall have to make use of you.... You re a poor tool, but I must." "I m a _miserable_ tool," said Marvel. "You are," said the Voice. "I m the worst possible tool you could have," said Marvel. "I m not strong," he said after a discouraging silence. "I m not over strong," he repeated. "No?" "And my heart s weak. That little business I pulled it through, of course but bless you! I could have dropped." "Well?" "I haven t the nerve and strength for the sort of thing you want." "_I ll_ stimulate you." "I wish you wouldn t. I wouldn t like to mess up your plans, you know. But I might out of sheer funk and misery." "You d better not," said the Voice, with quiet emphasis. "I wish I was dead," said Marvel. "It ain t justice," he said; "you must admit.... It seems to me I ve a perfect right" "_Get_ on!" said the Voice. Mr. Marvel mended his pace, and for a time they went in silence again. "It s devilish hard," said Mr. Marvel. This was quite ineffectual. He tried another tack.<|quote|>"What do I make by it?"</|quote|>he began again in a tone of unendurable wrong. "Oh! _shut up_!" said the Voice, with sudden amazing vigour. "I ll see to you all right. You do what you re told. You ll do it all right. You re a fool and all that, but you ll do" "I tell you, sir, I m not the man for it. Respectfully but it _is_ so" "If you don t shut up I shall twist your wrist again," said the Invisible Man. "I want to think." Presently two oblongs of yellow light appeared through the trees, and the square tower of a church loomed through the gloaming. "I shall keep my hand on your shoulder," said the Voice, "all through the village. Go straight through and try no foolery. It will be the worse for you if you do." "I know that," sighed Mr. Marvel, "I know all that." The unhappy-looking figure in the obsolete silk hat passed up the street of the little village with his burdens, and vanished into the gathering darkness beyond the lights of the windows. CHAPTER XIV. AT PORT STOWE Ten o clock the next morning found Mr. Marvel, unshaven, dirty, and travel-stained, sitting with the | not far remote from tears. "I swear I didn t. I didn t know the blessed turning, that was all! How the devil was I to know the blessed turning? As it is, I ve been knocked about" "You ll get knocked about a great deal more if you don t mind," said the Voice, and Mr. Marvel abruptly became silent. He blew out his cheeks, and his eyes were eloquent of despair. "It s bad enough to let these floundering yokels explode my little secret, without _your_ cutting off with my books. It s lucky for some of them they cut and ran when they did! Here am I ... No one knew I was invisible! And now what am I to do?" "What am _I_ to do?" asked Marvel, _sotto voce_. "It s all about. It will be in the papers! Everybody will be looking for me; everyone on their guard" The Voice broke off into vivid curses and ceased. The despair of Mr. Marvel s face deepened, and his pace slackened. "Go on!" said the Voice. Mr. Marvel s face assumed a greyish tint between the ruddier patches. "Don t drop those books, stupid," said the Voice, sharply overtaking him. "The fact is," said the Voice, "I shall have to make use of you.... You re a poor tool, but I must." "I m a _miserable_ tool," said Marvel. "You are," said the Voice. "I m the worst possible tool you could have," said Marvel. "I m not strong," he said after a discouraging silence. "I m not over strong," he repeated. "No?" "And my heart s weak. That little business I pulled it through, of course but bless you! I could have dropped." "Well?" "I haven t the nerve and strength for the sort of thing you want." "_I ll_ stimulate you." "I wish you wouldn t. I wouldn t like to mess up your plans, you know. But I might out of sheer funk and misery." "You d better not," said the Voice, with quiet emphasis. "I wish I was dead," said Marvel. "It ain t justice," he said; "you must admit.... It seems to me I ve a perfect right" "_Get_ on!" said the Voice. Mr. Marvel mended his pace, and for a time they went in silence again. "It s devilish hard," said Mr. Marvel. This was quite ineffectual. He tried another tack.<|quote|>"What do I make by it?"</|quote|>he began again in a tone of unendurable wrong. "Oh! _shut up_!" said the Voice, with sudden amazing vigour. "I ll see to you all right. You do what you re told. You ll do it all right. You re a fool and all that, but you ll do" "I tell you, sir, I m not the man for it. Respectfully but it _is_ so" "If you don t shut up I shall twist your wrist again," said the Invisible Man. "I want to think." Presently two oblongs of yellow light appeared through the trees, and the square tower of a church loomed through the gloaming. "I shall keep my hand on your shoulder," said the Voice, "all through the village. Go straight through and try no foolery. It will be the worse for you if you do." "I know that," sighed Mr. Marvel, "I know all that." The unhappy-looking figure in the obsolete silk hat passed up the street of the little village with his burdens, and vanished into the gathering darkness beyond the lights of the windows. CHAPTER XIV. AT PORT STOWE Ten o clock the next morning found Mr. Marvel, unshaven, dirty, and travel-stained, sitting with the books beside him and his hands deep in his pockets, looking very weary, nervous, and uncomfortable, and inflating his cheeks at infrequent intervals, on the bench outside a little inn on the outskirts of Port Stowe. Beside him were the books, but now they were tied with string. The bundle had been abandoned in the pine-woods beyond Bramblehurst, in accordance with a change in the plans of the Invisible Man. Mr. Marvel sat on the bench, and although no one took the slightest notice of him, his agitation remained at fever heat. His hands would go ever and again to his various pockets with a curious nervous fumbling. When he had been sitting for the best part of an hour, however, an elderly mariner, carrying a newspaper, came out of the inn and sat down beside him. "Pleasant day," said the mariner. Mr. Marvel glanced about him with something very like terror. "Very," he said. "Just seasonable weather for the time of year," said the mariner, taking no denial. "Quite," said Mr. Marvel. The mariner produced a toothpick, and (saving his regard) was engrossed thereby for some minutes. His eyes meanwhile were at liberty to examine Mr. Marvel s dusty | You must figure the street full of running figures, of doors slamming and fights for hiding-places. You must figure the tumult suddenly striking on the unstable equilibrium of old Fletcher s planks and two chairs with cataclysmic results. You must figure an appalled couple caught dismally in a swing. And then the whole tumultuous rush has passed and the Iping street with its gauds and flags is deserted save for the still raging unseen, and littered with cocoanuts, overthrown canvas screens, and the scattered stock in trade of a sweetstuff stall. Everywhere there is a sound of closing shutters and shoving bolts, and the only visible humanity is an occasional flitting eye under a raised eyebrow in the corner of a window pane. The Invisible Man amused himself for a little while by breaking all the windows in the "Coach and Horses," and then he thrust a street lamp through the parlour window of Mrs. Gribble. He it must have been who cut the telegraph wire to Adderdean just beyond Higgins cottage on the Adderdean road. And after that, as his peculiar qualities allowed, he passed out of human perceptions altogether, and he was neither heard, seen, nor felt in Iping any more. He vanished absolutely. But it was the best part of two hours before any human being ventured out again into the desolation of Iping street. CHAPTER XIII. MR. MARVEL DISCUSSES HIS RESIGNATION When the dusk was gathering and Iping was just beginning to peep timorously forth again upon the shattered wreckage of its Bank Holiday, a short, thick-set man in a shabby silk hat was marching painfully through the twilight behind the beechwoods on the road to Bramblehurst. He carried three books bound together by some sort of ornamental elastic ligature, and a bundle wrapped in a blue table-cloth. His rubicund face expressed consternation and fatigue; he appeared to be in a spasmodic sort of hurry. He was accompanied by a voice other than his own, and ever and again he winced under the touch of unseen hands. "If you give me the slip again," said the Voice, "if you attempt to give me the slip again" "Lord!" said Mr. Marvel. "That shoulder s a mass of bruises as it is." "On my honour," said the Voice, "I will kill you." "I didn t try to give you the slip," said Marvel, in a voice that was not far remote from tears. "I swear I didn t. I didn t know the blessed turning, that was all! How the devil was I to know the blessed turning? As it is, I ve been knocked about" "You ll get knocked about a great deal more if you don t mind," said the Voice, and Mr. Marvel abruptly became silent. He blew out his cheeks, and his eyes were eloquent of despair. "It s bad enough to let these floundering yokels explode my little secret, without _your_ cutting off with my books. It s lucky for some of them they cut and ran when they did! Here am I ... No one knew I was invisible! And now what am I to do?" "What am _I_ to do?" asked Marvel, _sotto voce_. "It s all about. It will be in the papers! Everybody will be looking for me; everyone on their guard" The Voice broke off into vivid curses and ceased. The despair of Mr. Marvel s face deepened, and his pace slackened. "Go on!" said the Voice. Mr. Marvel s face assumed a greyish tint between the ruddier patches. "Don t drop those books, stupid," said the Voice, sharply overtaking him. "The fact is," said the Voice, "I shall have to make use of you.... You re a poor tool, but I must." "I m a _miserable_ tool," said Marvel. "You are," said the Voice. "I m the worst possible tool you could have," said Marvel. "I m not strong," he said after a discouraging silence. "I m not over strong," he repeated. "No?" "And my heart s weak. That little business I pulled it through, of course but bless you! I could have dropped." "Well?" "I haven t the nerve and strength for the sort of thing you want." "_I ll_ stimulate you." "I wish you wouldn t. I wouldn t like to mess up your plans, you know. But I might out of sheer funk and misery." "You d better not," said the Voice, with quiet emphasis. "I wish I was dead," said Marvel. "It ain t justice," he said; "you must admit.... It seems to me I ve a perfect right" "_Get_ on!" said the Voice. Mr. Marvel mended his pace, and for a time they went in silence again. "It s devilish hard," said Mr. Marvel. This was quite ineffectual. He tried another tack.<|quote|>"What do I make by it?"</|quote|>he began again in a tone of unendurable wrong. "Oh! _shut up_!" said the Voice, with sudden amazing vigour. "I ll see to you all right. You do what you re told. You ll do it all right. You re a fool and all that, but you ll do" "I tell you, sir, I m not the man for it. Respectfully but it _is_ so" "If you don t shut up I shall twist your wrist again," said the Invisible Man. "I want to think." Presently two oblongs of yellow light appeared through the trees, and the square tower of a church loomed through the gloaming. "I shall keep my hand on your shoulder," said the Voice, "all through the village. Go straight through and try no foolery. It will be the worse for you if you do." "I know that," sighed Mr. Marvel, "I know all that." The unhappy-looking figure in the obsolete silk hat passed up the street of the little village with his burdens, and vanished into the gathering darkness beyond the lights of the windows. CHAPTER XIV. AT PORT STOWE Ten o clock the next morning found Mr. Marvel, unshaven, dirty, and travel-stained, sitting with the books beside him and his hands deep in his pockets, looking very weary, nervous, and uncomfortable, and inflating his cheeks at infrequent intervals, on the bench outside a little inn on the outskirts of Port Stowe. Beside him were the books, but now they were tied with string. The bundle had been abandoned in the pine-woods beyond Bramblehurst, in accordance with a change in the plans of the Invisible Man. Mr. Marvel sat on the bench, and although no one took the slightest notice of him, his agitation remained at fever heat. His hands would go ever and again to his various pockets with a curious nervous fumbling. When he had been sitting for the best part of an hour, however, an elderly mariner, carrying a newspaper, came out of the inn and sat down beside him. "Pleasant day," said the mariner. Mr. Marvel glanced about him with something very like terror. "Very," he said. "Just seasonable weather for the time of year," said the mariner, taking no denial. "Quite," said Mr. Marvel. The mariner produced a toothpick, and (saving his regard) was engrossed thereby for some minutes. His eyes meanwhile were at liberty to examine Mr. Marvel s dusty figure, and the books beside him. As he had approached Mr. Marvel he had heard a sound like the dropping of coins into a pocket. He was struck by the contrast of Mr. Marvel s appearance with this suggestion of opulence. Thence his mind wandered back again to a topic that had taken a curiously firm hold of his imagination. "Books?" he said suddenly, noisily finishing with the toothpick. Mr. Marvel started and looked at them. "Oh, yes," he said. "Yes, they re books." "There s some extra-ordinary things in books," said the mariner. "I believe you," said Mr. Marvel. "And some extra-ordinary things out of em," said the mariner. "True likewise," said Mr. Marvel. He eyed his interlocutor, and then glanced about him. "There s some extra-ordinary things in newspapers, for example," said the mariner. "There are." "In _this_ newspaper," said the mariner. "Ah!" said Mr. Marvel. "There s a story," said the mariner, fixing Mr. Marvel with an eye that was firm and deliberate; "there s a story about an Invisible Man, for instance." Mr. Marvel pulled his mouth askew and scratched his cheek and felt his ears glowing. "What will they be writing next?" he asked faintly. "Ostria, or America?" "Neither," said the mariner. "_Here_." "Lord!" said Mr. Marvel, starting. "When I say _here_," said the mariner, to Mr. Marvel s intense relief, "I don t of course mean here in this place, I mean hereabouts." "An Invisible Man!" said Mr. Marvel. "And what s _he_ been up to?" "Everything," said the mariner, controlling Marvel with his eye, and then amplifying, "every blessed thing." "I ain t seen a paper these four days," said Marvel. "Iping s the place he started at," said the mariner. "In-_deed_!" said Mr. Marvel. "He started there. And where he came from, nobody don t seem to know. Here it is: Pe-culiar Story from Iping. And it says in this paper that the evidence is extra-ordinary strong extra-ordinary." "Lord!" said Mr. Marvel. "But then, it s an extra-ordinary story. There is a clergyman and a medical gent witnesses saw im all right and proper or leastways didn t see im. He was staying, it says, at the Coach an Horses, and no one don t seem to have been aware of his misfortune, it says, aware of his misfortune, until in an Altercation in the inn, it says, his bandages on his | bruises as it is." "On my honour," said the Voice, "I will kill you." "I didn t try to give you the slip," said Marvel, in a voice that was not far remote from tears. "I swear I didn t. I didn t know the blessed turning, that was all! How the devil was I to know the blessed turning? As it is, I ve been knocked about" "You ll get knocked about a great deal more if you don t mind," said the Voice, and Mr. Marvel abruptly became silent. He blew out his cheeks, and his eyes were eloquent of despair. "It s bad enough to let these floundering yokels explode my little secret, without _your_ cutting off with my books. It s lucky for some of them they cut and ran when they did! Here am I ... No one knew I was invisible! And now what am I to do?" "What am _I_ to do?" asked Marvel, _sotto voce_. "It s all about. It will be in the papers! Everybody will be looking for me; everyone on their guard" The Voice broke off into vivid curses and ceased. The despair of Mr. Marvel s face deepened, and his pace slackened. "Go on!" said the Voice. Mr. Marvel s face assumed a greyish tint between the ruddier patches. "Don t drop those books, stupid," said the Voice, sharply overtaking him. "The fact is," said the Voice, "I shall have to make use of you.... You re a poor tool, but I must." "I m a _miserable_ tool," said Marvel. "You are," said the Voice. "I m the worst possible tool you could have," said Marvel. "I m not strong," he said after a discouraging silence. "I m not over strong," he repeated. "No?" "And my heart s weak. That little business I pulled it through, of course but bless you! I could have dropped." "Well?" "I haven t the nerve and strength for the sort of thing you want." "_I ll_ stimulate you." "I wish you wouldn t. I wouldn t like to mess up your plans, you know. But I might out of sheer funk and misery." "You d better not," said the Voice, with quiet emphasis. "I wish I was dead," said Marvel. "It ain t justice," he said; "you must admit.... It seems to me I ve a perfect right" "_Get_ on!" said the Voice. Mr. Marvel mended his pace, and for a time they went in silence again. "It s devilish hard," said Mr. Marvel. This was quite ineffectual. He tried another tack.<|quote|>"What do I make by it?"</|quote|>he began again in a tone of unendurable wrong. "Oh! _shut up_!" said the Voice, with sudden amazing vigour. "I ll see to you all right. You do what you re told. You ll do it all right. You re a fool and all that, but you ll do" "I tell you, sir, I m not the man for it. Respectfully but it _is_ so" "If you don t shut up I shall twist your wrist again," said the Invisible Man. "I want to think." Presently two oblongs of yellow light appeared through the trees, and the square tower of a church loomed through the gloaming. "I shall keep my hand on your shoulder," said the Voice, "all through the village. Go straight through and try no foolery. It will be the worse for you if you do." "I know that," sighed Mr. Marvel, "I know all that." The unhappy-looking figure in the obsolete silk hat passed up the street of the little village with his burdens, and vanished into the gathering darkness beyond the lights of the windows. CHAPTER XIV. AT PORT STOWE Ten o clock the next morning found Mr. Marvel, unshaven, dirty, and travel-stained, sitting with the books beside him and his hands deep in his pockets, looking very weary, nervous, and uncomfortable, and inflating his cheeks at infrequent intervals, on the bench outside a little inn on the outskirts of Port Stowe. Beside him were the books, but now they | The Invisible Man |
“Mr. Carraway, this is my friend Mr. Wolfshiem.” | Gatsby | anteroom, talking to another man.<|quote|>“Mr. Carraway, this is my friend Mr. Wolfshiem.”</|quote|>A small, flat-nosed Jew raised | him out obscurely in the anteroom, talking to another man.<|quote|>“Mr. Carraway, this is my friend Mr. Wolfshiem.”</|quote|>A small, flat-nosed Jew raised his large head and regarded | bridge,” I thought; “anything at all …” Even Gatsby could happen, without any particular wonder. ------------------------------------------------------------------------ Roaring noon. In a well-fanned Forty-second Street cellar I met Gatsby for lunch. Blinking away the brightness of the street outside, my eyes picked him out obscurely in the anteroom, talking to another man.<|quote|>“Mr. Carraway, this is my friend Mr. Wolfshiem.”</|quote|>A small, flat-nosed Jew raised his large head and regarded me with two fine growths of hair which luxuriated in either nostril. After a moment I discovered his tiny eyes in the half-darkness. “—So I took one look at him,” said Mr. Wolfshiem, shaking my hand earnestly, “and what do | holiday. As we crossed Blackwell’s Island a limousine passed us, driven by a white chauffeur, in which sat three modish negroes, two bucks and a girl. I laughed aloud as the yolks of their eyeballs rolled toward us in haughty rivalry. “Anything can happen now that we’ve slid over this bridge,” I thought; “anything at all …” Even Gatsby could happen, without any particular wonder. ------------------------------------------------------------------------ Roaring noon. In a well-fanned Forty-second Street cellar I met Gatsby for lunch. Blinking away the brightness of the street outside, my eyes picked him out obscurely in the anteroom, talking to another man.<|quote|>“Mr. Carraway, this is my friend Mr. Wolfshiem.”</|quote|>A small, flat-nosed Jew raised his large head and regarded me with two fine growths of hair which luxuriated in either nostril. After a moment I discovered his tiny eyes in the half-darkness. “—So I took one look at him,” said Mr. Wolfshiem, shaking my hand earnestly, “and what do you think I did?” “What?” I inquired politely. But evidently he was not addressing me, for he dropped my hand and covered Gatsby with his expressive nose. “I handed the money to Katspaugh and I said: ‘All right, Katspaugh, don’t pay him a penny till he shuts his mouth.’ He | sugar lumps all built with a wish out of nonolfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world. A dead man passed us in a hearse heaped with blooms, followed by two carriages with drawn blinds, and by more cheerful carriages for friends. The friends looked out at us with the tragic eyes and short upper lips of southeastern Europe, and I was glad that the sight of Gatsby’s splendid car was included in their sombre holiday. As we crossed Blackwell’s Island a limousine passed us, driven by a white chauffeur, in which sat three modish negroes, two bucks and a girl. I laughed aloud as the yolks of their eyeballs rolled toward us in haughty rivalry. “Anything can happen now that we’ve slid over this bridge,” I thought; “anything at all …” Even Gatsby could happen, without any particular wonder. ------------------------------------------------------------------------ Roaring noon. In a well-fanned Forty-second Street cellar I met Gatsby for lunch. Blinking away the brightness of the street outside, my eyes picked him out obscurely in the anteroom, talking to another man.<|quote|>“Mr. Carraway, this is my friend Mr. Wolfshiem.”</|quote|>A small, flat-nosed Jew raised his large head and regarded me with two fine growths of hair which luxuriated in either nostril. After a moment I discovered his tiny eyes in the half-darkness. “—So I took one look at him,” said Mr. Wolfshiem, shaking my hand earnestly, “and what do you think I did?” “What?” I inquired politely. But evidently he was not addressing me, for he dropped my hand and covered Gatsby with his expressive nose. “I handed the money to Katspaugh and I said: ‘All right, Katspaugh, don’t pay him a penny till he shuts his mouth.’ He shut it then and there.” Gatsby took an arm of each of us and moved forward into the restaurant, whereupon Mr. Wolfshiem swallowed a new sentence he was starting and lapsed into a somnambulatory abstraction. “Highballs?” asked the head waiter. “This is a nice restaurant here,” said Mr. Wolfshiem, looking at the presbyterian nymphs on the ceiling. “But I like across the street better!” “Yes, highballs,” agreed Gatsby, and then to Mr. Wolfshiem: “It’s too hot over there.” “Hot and small—yes,” said Mr. Wolfshiem, “but full of memories.” “What place is that?” I asked. “The old Metropole.” “The old Metropole,” | as we neared the city. We passed Port Roosevelt, where there was a glimpse of red-belted oceangoing ships, and sped along a cobbled slum lined with the dark, undeserted saloons of the faded-gilt nineteen-hundreds. Then the valley of ashes opened out on both sides of us, and I had a glimpse of Mrs. Wilson straining at the garage pump with panting vitality as we went by. With fenders spread like wings we scattered light through half Astoria—only half, for as we twisted among the pillars of the elevated I heard the familiar “jug-jug-spat!” of a motorcycle, and a frantic policeman rode alongside. “All right, old sport,” called Gatsby. We slowed down. Taking a white card from his wallet, he waved it before the man’s eyes. “Right you are,” agreed the policeman, tipping his cap. “Know you next time, Mr. Gatsby. Excuse me!” “What was that?” I inquired. “The picture of Oxford?” “I was able to do the commissioner a favour once, and he sends me a Christmas card every year.” Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of nonolfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world. A dead man passed us in a hearse heaped with blooms, followed by two carriages with drawn blinds, and by more cheerful carriages for friends. The friends looked out at us with the tragic eyes and short upper lips of southeastern Europe, and I was glad that the sight of Gatsby’s splendid car was included in their sombre holiday. As we crossed Blackwell’s Island a limousine passed us, driven by a white chauffeur, in which sat three modish negroes, two bucks and a girl. I laughed aloud as the yolks of their eyeballs rolled toward us in haughty rivalry. “Anything can happen now that we’ve slid over this bridge,” I thought; “anything at all …” Even Gatsby could happen, without any particular wonder. ------------------------------------------------------------------------ Roaring noon. In a well-fanned Forty-second Street cellar I met Gatsby for lunch. Blinking away the brightness of the street outside, my eyes picked him out obscurely in the anteroom, talking to another man.<|quote|>“Mr. Carraway, this is my friend Mr. Wolfshiem.”</|quote|>A small, flat-nosed Jew raised his large head and regarded me with two fine growths of hair which luxuriated in either nostril. After a moment I discovered his tiny eyes in the half-darkness. “—So I took one look at him,” said Mr. Wolfshiem, shaking my hand earnestly, “and what do you think I did?” “What?” I inquired politely. But evidently he was not addressing me, for he dropped my hand and covered Gatsby with his expressive nose. “I handed the money to Katspaugh and I said: ‘All right, Katspaugh, don’t pay him a penny till he shuts his mouth.’ He shut it then and there.” Gatsby took an arm of each of us and moved forward into the restaurant, whereupon Mr. Wolfshiem swallowed a new sentence he was starting and lapsed into a somnambulatory abstraction. “Highballs?” asked the head waiter. “This is a nice restaurant here,” said Mr. Wolfshiem, looking at the presbyterian nymphs on the ceiling. “But I like across the street better!” “Yes, highballs,” agreed Gatsby, and then to Mr. Wolfshiem: “It’s too hot over there.” “Hot and small—yes,” said Mr. Wolfshiem, “but full of memories.” “What place is that?” I asked. “The old Metropole.” “The old Metropole,” brooded Mr. Wolfshiem gloomily. “Filled with faces dead and gone. Filled with friends gone now forever. I can’t forget so long as I live the night they shot Rosy Rosenthal there. It was six of us at the table, and Rosy had eat and drunk a lot all evening. When it was almost morning the waiter came up to him with a funny look and says somebody wants to speak to him outside. ‘All right,’ says Rosy, and begins to get up, and I pulled him down in his chair. “ ‘Let the bastards come in here if they want you, Rosy, but don’t you, so help me, move outside this room.’ “It was four o’clock in the morning then, and if we’d of raised the blinds we’d of seen daylight.” “Did he go?” I asked innocently. “Sure he went.” Mr. Wolfshiem’s nose flashed at me indignantly. “He turned around in the door and says: ‘Don’t let that waiter take away my coffee!’ Then he went out on the sidewalk, and they shot him three times in his full belly and drove away.” “Four of them were electrocuted,” I said, remembering. “Five, with Becker.” His nostrils turned to me in | Adriatic Sea!” Little Montenegro! He lifted up the words and nodded at them—with his smile. The smile comprehended Montenegro’s troubled history and sympathized with the brave struggles of the Montenegrin people. It appreciated fully the chain of national circumstances which had elicited this tribute from Montenegro’s warm little heart. My incredulity was submerged in fascination now; it was like skimming hastily through a dozen magazines. He reached in his pocket, and a piece of metal, slung on a ribbon, fell into my palm. “That’s the one from Montenegro.” To my astonishment, the thing had an authentic look. “Orderi di Danilo,” ran the circular legend, “Montenegro, Nicolas Rex.” “Turn it.” “Major Jay Gatsby,” I read, “For Valour Extraordinary.” “Here’s another thing I always carry. A souvenir of Oxford days. It was taken in Trinity Quad—the man on my left is now the Earl of Doncaster.” It was a photograph of half a dozen young men in blazers loafing in an archway through which were visible a host of spires. There was Gatsby, looking a little, not much, younger—with a cricket bat in his hand. Then it was all true. I saw the skins of tigers flaming in his palace on the Grand Canal; I saw him opening a chest of rubies to ease, with their crimson-lighted depths, the gnawings of his broken heart. “I’m going to make a big request of you today,” he said, pocketing his souvenirs with satisfaction, “so I thought you ought to know something about me. I didn’t want you to think I was just some nobody. You see, I usually find myself among strangers because I drift here and there trying to forget the sad things that happened to me.” He hesitated. “You’ll hear about it this afternoon.” “At lunch?” “No, this afternoon. I happened to find out that you’re taking Miss Baker to tea.” “Do you mean you’re in love with Miss Baker?” “No, old sport, I’m not. But Miss Baker has kindly consented to speak to you about this matter.” I hadn’t the faintest idea what “this matter” was, but I was more annoyed than interested. I hadn’t asked Jordan to tea in order to discuss Mr. Jay Gatsby. I was sure the request would be something utterly fantastic, and for a moment I was sorry I’d ever set foot upon his overpopulated lawn. He wouldn’t say another word. His correctness grew on him as we neared the city. We passed Port Roosevelt, where there was a glimpse of red-belted oceangoing ships, and sped along a cobbled slum lined with the dark, undeserted saloons of the faded-gilt nineteen-hundreds. Then the valley of ashes opened out on both sides of us, and I had a glimpse of Mrs. Wilson straining at the garage pump with panting vitality as we went by. With fenders spread like wings we scattered light through half Astoria—only half, for as we twisted among the pillars of the elevated I heard the familiar “jug-jug-spat!” of a motorcycle, and a frantic policeman rode alongside. “All right, old sport,” called Gatsby. We slowed down. Taking a white card from his wallet, he waved it before the man’s eyes. “Right you are,” agreed the policeman, tipping his cap. “Know you next time, Mr. Gatsby. Excuse me!” “What was that?” I inquired. “The picture of Oxford?” “I was able to do the commissioner a favour once, and he sends me a Christmas card every year.” Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of nonolfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world. A dead man passed us in a hearse heaped with blooms, followed by two carriages with drawn blinds, and by more cheerful carriages for friends. The friends looked out at us with the tragic eyes and short upper lips of southeastern Europe, and I was glad that the sight of Gatsby’s splendid car was included in their sombre holiday. As we crossed Blackwell’s Island a limousine passed us, driven by a white chauffeur, in which sat three modish negroes, two bucks and a girl. I laughed aloud as the yolks of their eyeballs rolled toward us in haughty rivalry. “Anything can happen now that we’ve slid over this bridge,” I thought; “anything at all …” Even Gatsby could happen, without any particular wonder. ------------------------------------------------------------------------ Roaring noon. In a well-fanned Forty-second Street cellar I met Gatsby for lunch. Blinking away the brightness of the street outside, my eyes picked him out obscurely in the anteroom, talking to another man.<|quote|>“Mr. Carraway, this is my friend Mr. Wolfshiem.”</|quote|>A small, flat-nosed Jew raised his large head and regarded me with two fine growths of hair which luxuriated in either nostril. After a moment I discovered his tiny eyes in the half-darkness. “—So I took one look at him,” said Mr. Wolfshiem, shaking my hand earnestly, “and what do you think I did?” “What?” I inquired politely. But evidently he was not addressing me, for he dropped my hand and covered Gatsby with his expressive nose. “I handed the money to Katspaugh and I said: ‘All right, Katspaugh, don’t pay him a penny till he shuts his mouth.’ He shut it then and there.” Gatsby took an arm of each of us and moved forward into the restaurant, whereupon Mr. Wolfshiem swallowed a new sentence he was starting and lapsed into a somnambulatory abstraction. “Highballs?” asked the head waiter. “This is a nice restaurant here,” said Mr. Wolfshiem, looking at the presbyterian nymphs on the ceiling. “But I like across the street better!” “Yes, highballs,” agreed Gatsby, and then to Mr. Wolfshiem: “It’s too hot over there.” “Hot and small—yes,” said Mr. Wolfshiem, “but full of memories.” “What place is that?” I asked. “The old Metropole.” “The old Metropole,” brooded Mr. Wolfshiem gloomily. “Filled with faces dead and gone. Filled with friends gone now forever. I can’t forget so long as I live the night they shot Rosy Rosenthal there. It was six of us at the table, and Rosy had eat and drunk a lot all evening. When it was almost morning the waiter came up to him with a funny look and says somebody wants to speak to him outside. ‘All right,’ says Rosy, and begins to get up, and I pulled him down in his chair. “ ‘Let the bastards come in here if they want you, Rosy, but don’t you, so help me, move outside this room.’ “It was four o’clock in the morning then, and if we’d of raised the blinds we’d of seen daylight.” “Did he go?” I asked innocently. “Sure he went.” Mr. Wolfshiem’s nose flashed at me indignantly. “He turned around in the door and says: ‘Don’t let that waiter take away my coffee!’ Then he went out on the sidewalk, and they shot him three times in his full belly and drove away.” “Four of them were electrocuted,” I said, remembering. “Five, with Becker.” His nostrils turned to me in an interested way. “I understand you’re looking for a business gonnegtion.” The juxtaposition of these two remarks was startling. Gatsby answered for me: “Oh, no,” he exclaimed, “this isn’t the man.” “No?” Mr. Wolfshiem seemed disappointed. “This is just a friend. I told you we’d talk about that some other time.” “I beg your pardon,” said Mr. Wolfshiem, “I had a wrong man.” A succulent hash arrived, and Mr. Wolfshiem, forgetting the more sentimental atmosphere of the old Metropole, began to eat with ferocious delicacy. His eyes, meanwhile, roved very slowly all around the room—he completed the arc by turning to inspect the people directly behind. I think that, except for my presence, he would have taken one short glance beneath our own table. “Look here, old sport,” said Gatsby, leaning toward me, “I’m afraid I made you a little angry this morning in the car.” There was the smile again, but this time I held out against it. “I don’t like mysteries,” I answered, “and I don’t understand why you won’t come out frankly and tell me what you want. Why has it all got to come through Miss Baker?” “Oh, it’s nothing underhand,” he assured me. “Miss Baker’s a great sportswoman, you know, and she’d never do anything that wasn’t all right.” Suddenly he looked at his watch, jumped up, and hurried from the room, leaving me with Mr. Wolfshiem at the table. “He has to telephone,” said Mr. Wolfshiem, following him with his eyes. “Fine fellow, isn’t he? Handsome to look at and a perfect gentleman.” “Yes.” “He’s an Oggsford man.” “Oh!” “He went to Oggsford College in England. You know Oggsford College?” “I’ve heard of it.” “It’s one of the most famous colleges in the world.” “Have you known Gatsby for a long time?” I inquired. “Several years,” he answered in a gratified way. “I made the pleasure of his acquaintance just after the war. But I knew I had discovered a man of fine breeding after I talked with him an hour. I said to myself: ‘There’s the kind of man you’d like to take home and introduce to your mother and sister.’ ” He paused. “I see you’re looking at my cuff buttons.” I hadn’t been looking at them, but I did now. They were composed of oddly familiar pieces of ivory. “Finest specimens of human molars,” he informed me. “Well!” I inspected them. | Mrs. Wilson straining at the garage pump with panting vitality as we went by. With fenders spread like wings we scattered light through half Astoria—only half, for as we twisted among the pillars of the elevated I heard the familiar “jug-jug-spat!” of a motorcycle, and a frantic policeman rode alongside. “All right, old sport,” called Gatsby. We slowed down. Taking a white card from his wallet, he waved it before the man’s eyes. “Right you are,” agreed the policeman, tipping his cap. “Know you next time, Mr. Gatsby. Excuse me!” “What was that?” I inquired. “The picture of Oxford?” “I was able to do the commissioner a favour once, and he sends me a Christmas card every year.” Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of nonolfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world. A dead man passed us in a hearse heaped with blooms, followed by two carriages with drawn blinds, and by more cheerful carriages for friends. The friends looked out at us with the tragic eyes and short upper lips of southeastern Europe, and I was glad that the sight of Gatsby’s splendid car was included in their sombre holiday. As we crossed Blackwell’s Island a limousine passed us, driven by a white chauffeur, in which sat three modish negroes, two bucks and a girl. I laughed aloud as the yolks of their eyeballs rolled toward us in haughty rivalry. “Anything can happen now that we’ve slid over this bridge,” I thought; “anything at all …” Even Gatsby could happen, without any particular wonder. ------------------------------------------------------------------------ Roaring noon. In a well-fanned Forty-second Street cellar I met Gatsby for lunch. Blinking away the brightness of the street outside, my eyes picked him out obscurely in the anteroom, talking to another man.<|quote|>“Mr. Carraway, this is my friend Mr. Wolfshiem.”</|quote|>A small, flat-nosed Jew raised his large head and regarded me with two fine growths of hair which luxuriated in either nostril. After a moment I discovered his tiny eyes in the half-darkness. “—So I took one look at him,” said Mr. Wolfshiem, shaking my hand earnestly, “and what do you think I did?” “What?” I inquired politely. But evidently he was not addressing me, for he dropped my hand and covered Gatsby with his expressive nose. “I handed the money to Katspaugh and I said: ‘All right, Katspaugh, don’t pay him a penny till he shuts his mouth.’ He shut it then and there.” Gatsby took an arm of each of us and moved forward into the restaurant, whereupon Mr. Wolfshiem swallowed a new sentence he was starting and lapsed into a somnambulatory abstraction. “Highballs?” asked the head waiter. “This is a nice restaurant here,” said Mr. Wolfshiem, looking at the presbyterian nymphs on the ceiling. “But I like across the street better!” “Yes, highballs,” agreed Gatsby, and then to Mr. Wolfshiem: “It’s too hot over there.” “Hot and small—yes,” said Mr. Wolfshiem, “but full of memories.” “What place is that?” I asked. “The old Metropole.” “The old Metropole,” brooded Mr. Wolfshiem gloomily. “Filled with faces dead and gone. Filled with friends gone now forever. I can’t forget so long as I live the night they shot Rosy Rosenthal there. It was six of us at the table, and Rosy had eat and drunk a lot all evening. When it was almost morning the waiter came up to him with a funny look and says somebody wants to speak to him outside. ‘All right,’ says Rosy, and begins to get up, and I pulled him down in his chair. “ ‘Let the bastards come in here if they want you, Rosy, but don’t you, so help me, move outside this room.’ “It was four o’clock in the morning then, and if we’d of raised the blinds we’d of seen daylight.” “Did he go?” I asked innocently. “Sure he went.” Mr. Wolfshiem’s nose flashed at me indignantly. “He turned around in the door and says: ‘Don’t let that waiter take away my coffee!’ Then he went out on the sidewalk, and they shot him three times in his full belly and drove away.” “Four of them were electrocuted,” I said, remembering. “Five, with Becker.” His nostrils turned to me in an interested way. “I understand you’re looking for a business gonnegtion.” The juxtaposition of these two remarks was startling. Gatsby answered for me: “Oh, no,” he exclaimed, “this isn’t the man.” “No?” Mr. Wolfshiem seemed disappointed. “This is just a friend. I told you we’d talk about that some other time.” “I beg your pardon,” said Mr. Wolfshiem, “I had a wrong man.” A succulent hash arrived, and Mr. Wolfshiem, forgetting the more sentimental atmosphere of the old Metropole, began to eat with ferocious delicacy. His eyes, meanwhile, roved very slowly all around the room—he completed the arc by turning to inspect the people directly behind. I think that, except for my presence, he would have taken one short glance beneath our own table. “Look here, old sport,” said Gatsby, leaning toward me, “I’m afraid I made you a little angry this morning in the car.” There was the smile again, but this time I held out against it. “I don’t like mysteries,” I answered, “and I don’t understand why you won’t come out frankly and | The Great Gatsby |
"All right. I said don't apologize." | Mrs. Turton | mean that . . ."<|quote|>"All right. I said don't apologize."</|quote|>"Those swine are always on | in the wrong." "I didn't mean that . . ."<|quote|>"All right. I said don't apologize."</|quote|>"Those swine are always on the look-out for a grievance," | Interested in the argument, he let Adela become dim in his mind. "In fact, you disapprove of the appeal I forwarded to Lady Mellanby," said Mrs. Turton with considerable heat. "Pray don't apologize, Mr. Heaslop; I am accustomed to being in the wrong." "I didn't mean that . . ."<|quote|>"All right. I said don't apologize."</|quote|>"Those swine are always on the look-out for a grievance," said Lesley, to propitiate her. "Swine, I should think so," the Major echoed. "And what's more, I'll tell you what. What's happened is a damn good thing really, barring of course its application to present company. It'll make them squeal | old Das really did possess moral courage of the Public School brand. He pointed out that from one point of view it was good that an Indian was taking the case. Conviction was inevitable; so better let an Indian pronounce it, there would be less fuss in the long run. Interested in the argument, he let Adela become dim in his mind. "In fact, you disapprove of the appeal I forwarded to Lady Mellanby," said Mrs. Turton with considerable heat. "Pray don't apologize, Mr. Heaslop; I am accustomed to being in the wrong." "I didn't mean that . . ."<|quote|>"All right. I said don't apologize."</|quote|>"Those swine are always on the look-out for a grievance," said Lesley, to propitiate her. "Swine, I should think so," the Major echoed. "And what's more, I'll tell you what. What's happened is a damn good thing really, barring of course its application to present company. It'll make them squeal and it's time they did squeal. I've put the fear of God into them at the hospital anyhow. You should see the grandson of our so-called leading loyalist." He tittered brutally as he described poor Nureddin's present appearance. "His beauty's gone, five upper teeth, two lower and a nostril. . | able to do nothing for myself." "But you're strictly forbidden to talk like that; you're wonderful." "Yes indeed," came the reverent chorus. "My old Das is all right," said Ronny, starting a new subject in low tones. "Not one of them's all right," contradicted Major Callendar. "Das is, really." "You mean he's more frightened of acquitting than convicting, because if he acquits he'll lose his job," said Lesley with a clever little laugh. Ronny did mean that, but he cherished "illusions" about his own subordinates (following the finer traditions of his service here), and he liked to maintain that his old Das really did possess moral courage of the Public School brand. He pointed out that from one point of view it was good that an Indian was taking the case. Conviction was inevitable; so better let an Indian pronounce it, there would be less fuss in the long run. Interested in the argument, he let Adela become dim in his mind. "In fact, you disapprove of the appeal I forwarded to Lady Mellanby," said Mrs. Turton with considerable heat. "Pray don't apologize, Mr. Heaslop; I am accustomed to being in the wrong." "I didn't mean that . . ."<|quote|>"All right. I said don't apologize."</|quote|>"Those swine are always on the look-out for a grievance," said Lesley, to propitiate her. "Swine, I should think so," the Major echoed. "And what's more, I'll tell you what. What's happened is a damn good thing really, barring of course its application to present company. It'll make them squeal and it's time they did squeal. I've put the fear of God into them at the hospital anyhow. You should see the grandson of our so-called leading loyalist." He tittered brutally as he described poor Nureddin's present appearance. "His beauty's gone, five upper teeth, two lower and a nostril. . . . Old Panna Lal brought him the looking-glass yesterday and he blubbered. . . . I laughed; I laughed, I tell you, and so would you; that used to be one of these buck niggers, I thought, now he's all septic; damn him, blast his soul er I believe he was unspeakably immoral er" He subsided, nudged in the ribs, but added, "I wish I'd had the cutting up of my late assistant too; nothing's too bad for these people." "At last some sense is being talked," Mrs. Turton cried, much to her husband's discomfort. "That's what I say; | break the strike, but why should the grotesque incident occur? And a number of Mohammedan ladies had sworn to take no food until the prisoner was acquitted; their death would make little difference, indeed, being invisible, they seemed dead already, nevertheless it was disquieting. A new spirit seemed abroad, a rearrangement, which no one in the stern little band of whites could explain. There was a tendency to see Fielding at the back of it: the idea that he was weak and cranky had been dropped. They abused Fielding vigorously: he had been seen driving up with the two counsels, Amritrao and Mahmoud Ali; he encouraged the Boy Scout movement for seditious reasons; he received letters with foreign stamps on them, and was probably a Japanese spy. This morning's verdict would break the renegade, but he had done his country and the Empire incalculable disservice. While they denounced him, Miss Quested lay back with her hands on the arms of her chair and her eyes closed, reserving her strength. They noticed her after a time, and felt ashamed of making so much noise. "Can we do nothing for you?" Miss Derek said. "I don't think so, Nancy, and I seem able to do nothing for myself." "But you're strictly forbidden to talk like that; you're wonderful." "Yes indeed," came the reverent chorus. "My old Das is all right," said Ronny, starting a new subject in low tones. "Not one of them's all right," contradicted Major Callendar. "Das is, really." "You mean he's more frightened of acquitting than convicting, because if he acquits he'll lose his job," said Lesley with a clever little laugh. Ronny did mean that, but he cherished "illusions" about his own subordinates (following the finer traditions of his service here), and he liked to maintain that his old Das really did possess moral courage of the Public School brand. He pointed out that from one point of view it was good that an Indian was taking the case. Conviction was inevitable; so better let an Indian pronounce it, there would be less fuss in the long run. Interested in the argument, he let Adela become dim in his mind. "In fact, you disapprove of the appeal I forwarded to Lady Mellanby," said Mrs. Turton with considerable heat. "Pray don't apologize, Mr. Heaslop; I am accustomed to being in the wrong." "I didn't mean that . . ."<|quote|>"All right. I said don't apologize."</|quote|>"Those swine are always on the look-out for a grievance," said Lesley, to propitiate her. "Swine, I should think so," the Major echoed. "And what's more, I'll tell you what. What's happened is a damn good thing really, barring of course its application to present company. It'll make them squeal and it's time they did squeal. I've put the fear of God into them at the hospital anyhow. You should see the grandson of our so-called leading loyalist." He tittered brutally as he described poor Nureddin's present appearance. "His beauty's gone, five upper teeth, two lower and a nostril. . . . Old Panna Lal brought him the looking-glass yesterday and he blubbered. . . . I laughed; I laughed, I tell you, and so would you; that used to be one of these buck niggers, I thought, now he's all septic; damn him, blast his soul er I believe he was unspeakably immoral er" He subsided, nudged in the ribs, but added, "I wish I'd had the cutting up of my late assistant too; nothing's too bad for these people." "At last some sense is being talked," Mrs. Turton cried, much to her husband's discomfort. "That's what I say; I say there's not such a thing as cruelty after a thing like this." "Exactly, and remember it afterwards, you men. You're weak, weak, weak. Why, they ought to crawl from here to the caves on their hands and knees whenever an Englishwoman's in sight, they oughtn't to be spoken to, they ought to be spat at, they ought to be ground into the dust, we've been far too kind with our Bridge Parties and the rest." She paused. Profiting by her wrath, the heat had invaded her. She subsided into a lemon squash, and continued between the sips to murmur, "Weak, weak." And the process was repeated. The issues Miss Quested had raised were so much more important than she was herself that people inevitably forgot her. Presently the case was called. Their chairs preceded them into the Court, for it was important that they should look dignified. And when the chuprassies had made all ready, they filed into the ramshackly room with a condescending air, as if it was a booth at a fair. The Collector made a small official joke as he sat down, at which his entourage smiled, and the Indians, who could not hear what | get my verdict, unless Mr. Das is most frightfully unjust." "You're bound to win," he said calmly, and did not remind her that there was bound to be an appeal. The Nawab Bahadur had financed the defence, and would ruin himself sooner than let an "innocent Moslem perish," and other interests, less reputable, were in the background too. The case might go up from court to court, with consequences that no official could foresee. Under his very eyes, the temper of Chandrapore was altering. As his car turned out of the compound, there was a tap of silly anger on its paint a pebble thrown by a child. Some larger stones were dropped near the mosque. In the Maidan, a squad of native police on motor cycles waited to escort them through the bazaars. The Collector was irritated and muttered, "McBryde's an old woman" "; but Mrs. Turton said, "Really, after Mohurram a show of force will do no harm; it's ridiculous to pretend they don't hate us, do give up that farce." He replied in an odd, sad voice, "I don't hate them, I don't know why," and he didn't hate them; for if he did, he would have had to condemn his own career as a bad investment. He retained a contemptuous affection for the pawns he had moved about for so many years, they must be worth his pains. "After all, it's our women who make everything more difficult out here," was his inmost thought, as he caught sight of some obscenities upon a long blank wall, and beneath his chivalry to Miss Quested resentment lurked, waiting its day perhaps there is a grain of resentment in all chivalry. Some students had gathered in front of the City Magistrate's Court hysterical boys whom he would have faced if alone, but he told the driver to work round to the rear of the building. The students jeered, and Rafi (hiding behind a comrade that he might not be identified) called out the English were cowards. They gained Ronny's private room, where a group of their own sort had collected. None were cowardly, all nervy, for queer reports kept coming in. The Sweepers had just struck, and half the commodes of Chandrapore remained desolate in consequence only half, and Sweepers from the District, who felt less strongly about the innocence of Dr. Aziz, would arrive in the afternoon, and break the strike, but why should the grotesque incident occur? And a number of Mohammedan ladies had sworn to take no food until the prisoner was acquitted; their death would make little difference, indeed, being invisible, they seemed dead already, nevertheless it was disquieting. A new spirit seemed abroad, a rearrangement, which no one in the stern little band of whites could explain. There was a tendency to see Fielding at the back of it: the idea that he was weak and cranky had been dropped. They abused Fielding vigorously: he had been seen driving up with the two counsels, Amritrao and Mahmoud Ali; he encouraged the Boy Scout movement for seditious reasons; he received letters with foreign stamps on them, and was probably a Japanese spy. This morning's verdict would break the renegade, but he had done his country and the Empire incalculable disservice. While they denounced him, Miss Quested lay back with her hands on the arms of her chair and her eyes closed, reserving her strength. They noticed her after a time, and felt ashamed of making so much noise. "Can we do nothing for you?" Miss Derek said. "I don't think so, Nancy, and I seem able to do nothing for myself." "But you're strictly forbidden to talk like that; you're wonderful." "Yes indeed," came the reverent chorus. "My old Das is all right," said Ronny, starting a new subject in low tones. "Not one of them's all right," contradicted Major Callendar. "Das is, really." "You mean he's more frightened of acquitting than convicting, because if he acquits he'll lose his job," said Lesley with a clever little laugh. Ronny did mean that, but he cherished "illusions" about his own subordinates (following the finer traditions of his service here), and he liked to maintain that his old Das really did possess moral courage of the Public School brand. He pointed out that from one point of view it was good that an Indian was taking the case. Conviction was inevitable; so better let an Indian pronounce it, there would be less fuss in the long run. Interested in the argument, he let Adela become dim in his mind. "In fact, you disapprove of the appeal I forwarded to Lady Mellanby," said Mrs. Turton with considerable heat. "Pray don't apologize, Mr. Heaslop; I am accustomed to being in the wrong." "I didn't mean that . . ."<|quote|>"All right. I said don't apologize."</|quote|>"Those swine are always on the look-out for a grievance," said Lesley, to propitiate her. "Swine, I should think so," the Major echoed. "And what's more, I'll tell you what. What's happened is a damn good thing really, barring of course its application to present company. It'll make them squeal and it's time they did squeal. I've put the fear of God into them at the hospital anyhow. You should see the grandson of our so-called leading loyalist." He tittered brutally as he described poor Nureddin's present appearance. "His beauty's gone, five upper teeth, two lower and a nostril. . . . Old Panna Lal brought him the looking-glass yesterday and he blubbered. . . . I laughed; I laughed, I tell you, and so would you; that used to be one of these buck niggers, I thought, now he's all septic; damn him, blast his soul er I believe he was unspeakably immoral er" He subsided, nudged in the ribs, but added, "I wish I'd had the cutting up of my late assistant too; nothing's too bad for these people." "At last some sense is being talked," Mrs. Turton cried, much to her husband's discomfort. "That's what I say; I say there's not such a thing as cruelty after a thing like this." "Exactly, and remember it afterwards, you men. You're weak, weak, weak. Why, they ought to crawl from here to the caves on their hands and knees whenever an Englishwoman's in sight, they oughtn't to be spoken to, they ought to be spat at, they ought to be ground into the dust, we've been far too kind with our Bridge Parties and the rest." She paused. Profiting by her wrath, the heat had invaded her. She subsided into a lemon squash, and continued between the sips to murmur, "Weak, weak." And the process was repeated. The issues Miss Quested had raised were so much more important than she was herself that people inevitably forgot her. Presently the case was called. Their chairs preceded them into the Court, for it was important that they should look dignified. And when the chuprassies had made all ready, they filed into the ramshackly room with a condescending air, as if it was a booth at a fair. The Collector made a small official joke as he sat down, at which his entourage smiled, and the Indians, who could not hear what he said, felt that some new cruelty was afoot, otherwise the sahibs would not chuckle. The Court was crowded and of course very hot, and the first person Adela noticed in it was the humblest of all who were present, a person who had no bearing officially upon the trial: the man who pulled the punkah. Almost naked, and splendidly formed, he sat on a raised platform near the back, in the middle of the central gangway, and he caught her attention as she came in, and he seemed to control the proceedings. He had the strength and beauty that sometimes come to flower in Indians of low birth. When that strange race nears the dust and is condemned as untouchable, then nature remembers the physical perfection that she accomplished elsewhere, and throws out a god not many, but one here and there, to prove to society how little its categories impress her. This man would have been notable anywhere: among the thin-hammed, flat-chested mediocrities of Chandrapore he stood out as divine, yet he was of the city, its garbage had nourished him, he would end on its rubbish heaps. Pulling the rope towards him, relaxing it rhythmically, sending swirls of air over others, receiving none himself, he seemed apart from human destinies, a male fate, a winnower of souls. Opposite him, also on a platform, sat the little assistant magistrate, cultivated, self-conscious, and conscientious. The punkah wallah was none of these things: he scarcely knew that he existed and did not understand why the Court was fuller than usual, indeed he did not know that it was fuller than usual, didn't even know he worked a fan, though he thought he pulled a rope. Something in his aloofness impressed the girl from middle-class England, and rebuked the narrowness of her sufferings. In virtue of what had she collected this roomful of people together? Her particular brand of opinions, and the suburban Jehovah who sanctified them by what right did they claim so much importance in the world, and assume the title of civilization? Mrs. Moore she looked round, but Mrs. Moore was far away on the sea; it was the kind of question they might have discussed on the voyage out before the old lady had turned disagreeable and queer. While thinking of Mrs. Moore she heard sounds, which gradually grew more distinct. The epoch-making trial had started, and | being invisible, they seemed dead already, nevertheless it was disquieting. A new spirit seemed abroad, a rearrangement, which no one in the stern little band of whites could explain. There was a tendency to see Fielding at the back of it: the idea that he was weak and cranky had been dropped. They abused Fielding vigorously: he had been seen driving up with the two counsels, Amritrao and Mahmoud Ali; he encouraged the Boy Scout movement for seditious reasons; he received letters with foreign stamps on them, and was probably a Japanese spy. This morning's verdict would break the renegade, but he had done his country and the Empire incalculable disservice. While they denounced him, Miss Quested lay back with her hands on the arms of her chair and her eyes closed, reserving her strength. They noticed her after a time, and felt ashamed of making so much noise. "Can we do nothing for you?" Miss Derek said. "I don't think so, Nancy, and I seem able to do nothing for myself." "But you're strictly forbidden to talk like that; you're wonderful." "Yes indeed," came the reverent chorus. "My old Das is all right," said Ronny, starting a new subject in low tones. "Not one of them's all right," contradicted Major Callendar. "Das is, really." "You mean he's more frightened of acquitting than convicting, because if he acquits he'll lose his job," said Lesley with a clever little laugh. Ronny did mean that, but he cherished "illusions" about his own subordinates (following the finer traditions of his service here), and he liked to maintain that his old Das really did possess moral courage of the Public School brand. He pointed out that from one point of view it was good that an Indian was taking the case. Conviction was inevitable; so better let an Indian pronounce it, there would be less fuss in the long run. Interested in the argument, he let Adela become dim in his mind. "In fact, you disapprove of the appeal I forwarded to Lady Mellanby," said Mrs. Turton with considerable heat. "Pray don't apologize, Mr. Heaslop; I am accustomed to being in the wrong." "I didn't mean that . . ."<|quote|>"All right. I said don't apologize."</|quote|>"Those swine are always on the look-out for a grievance," said Lesley, to propitiate her. "Swine, I should think so," the Major echoed. "And what's more, I'll tell you what. What's happened is a damn good thing really, barring of course its application to present company. It'll make them squeal and it's time they did squeal. I've put the fear of God into them at the hospital anyhow. You should see the grandson of our so-called leading loyalist." He tittered brutally as he described poor Nureddin's present appearance. "His beauty's gone, five upper teeth, two lower and a nostril. . . . Old Panna Lal brought him the looking-glass yesterday and he blubbered. . . . I laughed; I laughed, I tell you, and so would you; that used to be one of these buck niggers, I thought, now he's all septic; damn him, blast his soul er I believe he was unspeakably immoral er" He subsided, nudged in the ribs, but added, "I wish I'd had the cutting up of my late assistant too; nothing's too bad for these people." "At last some sense is being talked," Mrs. Turton cried, much to her husband's discomfort. "That's what I say; I say there's not such a thing as cruelty after a thing like this." "Exactly, and remember it afterwards, you men. You're weak, weak, weak. Why, they ought to crawl from here to | A Passage To India |
She looked at him, as he struck the table and made the teacups ring, with a proud colour in her face that was a new change, Mr. Harthouse thought. | No speaker | of Coketown, would have it?"<|quote|>She looked at him, as he struck the table and made the teacups ring, with a proud colour in her face that was a new change, Mr. Harthouse thought.</|quote|>"You are incomprehensible this morning," | well that I, Josiah Bounderby of Coketown, would have it?"<|quote|>She looked at him, as he struck the table and made the teacups ring, with a proud colour in her face that was a new change, Mr. Harthouse thought.</|quote|>"You are incomprehensible this morning," said Louisa. "Pray take no | delicate," Louisa answered him composedly: "I have never made that objection to you, either as a child or as a woman. I don't understand what you would have." "Have?" returned Mr. Bounderby. "Nothing. Otherwise, don't you, Loo Bounderby, know thoroughly well that I, Josiah Bounderby of Coketown, would have it?"<|quote|>She looked at him, as he struck the table and made the teacups ring, with a proud colour in her face that was a new change, Mr. Harthouse thought.</|quote|>"You are incomprehensible this morning," said Louisa. "Pray take no further trouble to explain yourself. I am not curious to know your meaning. What does it matter?" Nothing more was said on this theme, and Mr. Harthouse was soon idly gay on indifferent subjects. But from this day, the Sparsit | repeated Bounderby. "Do you suppose if there was any offence given me, I shouldn't name it, and request to have it corrected? I am a straightforward man, I believe. I don't go beating about for side-winds." "I suppose no one ever had occasion to think you too diffident, or too delicate," Louisa answered him composedly: "I have never made that objection to you, either as a child or as a woman. I don't understand what you would have." "Have?" returned Mr. Bounderby. "Nothing. Otherwise, don't you, Loo Bounderby, know thoroughly well that I, Josiah Bounderby of Coketown, would have it?"<|quote|>She looked at him, as he struck the table and made the teacups ring, with a proud colour in her face that was a new change, Mr. Harthouse thought.</|quote|>"You are incomprehensible this morning," said Louisa. "Pray take no further trouble to explain yourself. I am not curious to know your meaning. What does it matter?" Nothing more was said on this theme, and Mr. Harthouse was soon idly gay on indifferent subjects. But from this day, the Sparsit action upon Mr. Bounderby threw Louisa and James Harthouse more together, and strengthened the dangerous alienation from her husband and confidence against him with another, into which she had fallen by degrees so fine that she could not retrace them if she tried. But whether she ever tried or no, | very quietly, can't you, Loo?" said Mr. Bounderby, in a blustering way to his wife. "Of course. It is of no moment. Why should it be of any importance to me?" "Why should it be of any importance to any one, Mrs. Sparsit, ma'am?" said Mr. Bounderby, swelling with a sense of slight. "You attach too much importance to these things, ma'am. By George, you'll be corrupted in some of your notions here. You are old-fashioned, ma'am. You are behind Tom Gradgrind's children's time." "What is the matter with you?" asked Louisa, coldly surprised. "What has given you offence?" "Offence!" repeated Bounderby. "Do you suppose if there was any offence given me, I shouldn't name it, and request to have it corrected? I am a straightforward man, I believe. I don't go beating about for side-winds." "I suppose no one ever had occasion to think you too diffident, or too delicate," Louisa answered him composedly: "I have never made that objection to you, either as a child or as a woman. I don't understand what you would have." "Have?" returned Mr. Bounderby. "Nothing. Otherwise, don't you, Loo Bounderby, know thoroughly well that I, Josiah Bounderby of Coketown, would have it?"<|quote|>She looked at him, as he struck the table and made the teacups ring, with a proud colour in her face that was a new change, Mr. Harthouse thought.</|quote|>"You are incomprehensible this morning," said Louisa. "Pray take no further trouble to explain yourself. I am not curious to know your meaning. What does it matter?" Nothing more was said on this theme, and Mr. Harthouse was soon idly gay on indifferent subjects. But from this day, the Sparsit action upon Mr. Bounderby threw Louisa and James Harthouse more together, and strengthened the dangerous alienation from her husband and confidence against him with another, into which she had fallen by degrees so fine that she could not retrace them if she tried. But whether she ever tried or no, lay hidden in her own closed heart. Mrs. Sparsit was so much affected on this particular occasion, that, assisting Mr. Bounderby to his hat after breakfast, and being then alone with him in the hall, she imprinted a chaste kiss upon his hand, murmured "My benefactor!" and retired, overwhelmed with grief. Yet it is an indubitable fact, within the cognizance of this history, that five minutes after he had left the house in the self-same hat, the same descendant of the Scadgerses and connexion by matrimony of the Powlers, shook her right-hand mitten at his portrait, made a contemptuous grimace | that when Louisa appeared, she rose, protesting she never could think of sitting in that place under existing circumstances, often as she had had the honour of making Mr. Bounderby's breakfast, before Mrs. Gradgrind she begged pardon, she meant to say Miss Bounderby she hoped to be excused, but she really could not get it right yet, though she trusted to become familiar with it by and by had assumed her present position. It was only (she observed) because Miss Gradgrind happened to be a little late, and Mr. Bounderby's time was so very precious, and she knew it of old to be so essential that he should breakfast to the moment, that she had taken the liberty of complying with his request; long as his will had been a law to her. "There! Stop where you are, ma'am," said Mr. Bounderby, "stop where you are! Mrs. Bounderby will be very glad to be relieved of the trouble, I believe." "Don't say that, sir," returned Mrs. Sparsit, almost with severity, "because that is very unkind to Mrs. Bounderby. And to be unkind is not to be you, sir." "You may set your mind at rest, ma'am. You can take it very quietly, can't you, Loo?" said Mr. Bounderby, in a blustering way to his wife. "Of course. It is of no moment. Why should it be of any importance to me?" "Why should it be of any importance to any one, Mrs. Sparsit, ma'am?" said Mr. Bounderby, swelling with a sense of slight. "You attach too much importance to these things, ma'am. By George, you'll be corrupted in some of your notions here. You are old-fashioned, ma'am. You are behind Tom Gradgrind's children's time." "What is the matter with you?" asked Louisa, coldly surprised. "What has given you offence?" "Offence!" repeated Bounderby. "Do you suppose if there was any offence given me, I shouldn't name it, and request to have it corrected? I am a straightforward man, I believe. I don't go beating about for side-winds." "I suppose no one ever had occasion to think you too diffident, or too delicate," Louisa answered him composedly: "I have never made that objection to you, either as a child or as a woman. I don't understand what you would have." "Have?" returned Mr. Bounderby. "Nothing. Otherwise, don't you, Loo Bounderby, know thoroughly well that I, Josiah Bounderby of Coketown, would have it?"<|quote|>She looked at him, as he struck the table and made the teacups ring, with a proud colour in her face that was a new change, Mr. Harthouse thought.</|quote|>"You are incomprehensible this morning," said Louisa. "Pray take no further trouble to explain yourself. I am not curious to know your meaning. What does it matter?" Nothing more was said on this theme, and Mr. Harthouse was soon idly gay on indifferent subjects. But from this day, the Sparsit action upon Mr. Bounderby threw Louisa and James Harthouse more together, and strengthened the dangerous alienation from her husband and confidence against him with another, into which she had fallen by degrees so fine that she could not retrace them if she tried. But whether she ever tried or no, lay hidden in her own closed heart. Mrs. Sparsit was so much affected on this particular occasion, that, assisting Mr. Bounderby to his hat after breakfast, and being then alone with him in the hall, she imprinted a chaste kiss upon his hand, murmured "My benefactor!" and retired, overwhelmed with grief. Yet it is an indubitable fact, within the cognizance of this history, that five minutes after he had left the house in the self-same hat, the same descendant of the Scadgerses and connexion by matrimony of the Powlers, shook her right-hand mitten at his portrait, made a contemptuous grimace at that work of art, and said "Serve you right, you Noodle, and I am glad of it." Mr. Bounderby had not been long gone, when Bitzer appeared. Bitzer had come down by train, shrieking and rattling over the long line of arches that bestrode the wild country of past and present coal-pits, with an express from Stone Lodge. It was a hasty note to inform Louisa that Mrs. Gradgrind lay very ill. She had never been well within her daughter's knowledge; but, she had declined within the last few days, had continued sinking all through the night, and was now as nearly dead, as her limited capacity of being in any state that implied the ghost of an intention to get out of it, allowed. Accompanied by the lightest of porters, fit colourless servitor at Death's door when Mrs. Gradgrind knocked, Louisa rumbled to Coketown, over the coal-pits past and present, and was whirled into its smoky jaws. She dismissed the messenger to his own devices, and rode away to her old home. She had seldom been there since her marriage. Her father was usually sifting and sifting at his parliamentary cinder-heap in London (without being observed to turn | so mild in its expression as her voice was in its dulcet tones; "as regards the intimacies we form at one time, with individuals we were quite ignorant of, at another. I recall, sir, that on that occasion you went so far as to say you were actually apprehensive of Miss Gradgrind." "Your memory does me more honour than my insignificance deserves. I availed myself of your obliging hints to correct my timidity, and it is unnecessary to add that they were perfectly accurate. Mrs. Sparsit's talent for in fact for anything requiring accuracy with a combination of strength of mind and Family is too habitually developed to admit of any question." He was almost falling asleep over this compliment; it took him so long to get through, and his mind wandered so much in the course of its execution. "You found Miss Gradgrind I really cannot call her Mrs. Bounderby; it's very absurd of me as youthful as I described her?" asked Mrs. Sparsit, sweetly. "You drew her portrait perfectly," said Mr. Harthouse. "Presented her dead image." "Very engaging, sir," said Mrs. Sparsit, causing her mittens slowly to revolve over one another. "Highly so." "It used to be considered," said Mrs. Sparsit, "that Miss Gradgrind was wanting in animation, but I confess she appears to me considerably and strikingly improved in that respect. Ay, and indeed here _is_ Mr. Bounderby!" cried Mrs. Sparsit, nodding her head a great many times, as if she had been talking and thinking of no one else. "How do you find yourself this morning, sir? Pray let us see you cheerful, sir." Now, these persistent assuagements of his misery, and lightenings of his load, had by this time begun to have the effect of making Mr. Bounderby softer than usual towards Mrs. Sparsit, and harder than usual to most other people from his wife downward. So, when Mrs. Sparsit said with forced lightness of heart, "You want your breakfast, sir, but I dare say Miss Gradgrind will soon be here to preside at the table," Mr. Bounderby replied, "If I waited to be taken care of by my wife, ma'am, I believe you know pretty well I should wait till Doomsday, so I'll trouble _you_ to take charge of the teapot." Mrs. Sparsit complied, and assumed her old position at table. This again made the excellent woman vastly sentimental. She was so humble withal, that when Louisa appeared, she rose, protesting she never could think of sitting in that place under existing circumstances, often as she had had the honour of making Mr. Bounderby's breakfast, before Mrs. Gradgrind she begged pardon, she meant to say Miss Bounderby she hoped to be excused, but she really could not get it right yet, though she trusted to become familiar with it by and by had assumed her present position. It was only (she observed) because Miss Gradgrind happened to be a little late, and Mr. Bounderby's time was so very precious, and she knew it of old to be so essential that he should breakfast to the moment, that she had taken the liberty of complying with his request; long as his will had been a law to her. "There! Stop where you are, ma'am," said Mr. Bounderby, "stop where you are! Mrs. Bounderby will be very glad to be relieved of the trouble, I believe." "Don't say that, sir," returned Mrs. Sparsit, almost with severity, "because that is very unkind to Mrs. Bounderby. And to be unkind is not to be you, sir." "You may set your mind at rest, ma'am. You can take it very quietly, can't you, Loo?" said Mr. Bounderby, in a blustering way to his wife. "Of course. It is of no moment. Why should it be of any importance to me?" "Why should it be of any importance to any one, Mrs. Sparsit, ma'am?" said Mr. Bounderby, swelling with a sense of slight. "You attach too much importance to these things, ma'am. By George, you'll be corrupted in some of your notions here. You are old-fashioned, ma'am. You are behind Tom Gradgrind's children's time." "What is the matter with you?" asked Louisa, coldly surprised. "What has given you offence?" "Offence!" repeated Bounderby. "Do you suppose if there was any offence given me, I shouldn't name it, and request to have it corrected? I am a straightforward man, I believe. I don't go beating about for side-winds." "I suppose no one ever had occasion to think you too diffident, or too delicate," Louisa answered him composedly: "I have never made that objection to you, either as a child or as a woman. I don't understand what you would have." "Have?" returned Mr. Bounderby. "Nothing. Otherwise, don't you, Loo Bounderby, know thoroughly well that I, Josiah Bounderby of Coketown, would have it?"<|quote|>She looked at him, as he struck the table and made the teacups ring, with a proud colour in her face that was a new change, Mr. Harthouse thought.</|quote|>"You are incomprehensible this morning," said Louisa. "Pray take no further trouble to explain yourself. I am not curious to know your meaning. What does it matter?" Nothing more was said on this theme, and Mr. Harthouse was soon idly gay on indifferent subjects. But from this day, the Sparsit action upon Mr. Bounderby threw Louisa and James Harthouse more together, and strengthened the dangerous alienation from her husband and confidence against him with another, into which she had fallen by degrees so fine that she could not retrace them if she tried. But whether she ever tried or no, lay hidden in her own closed heart. Mrs. Sparsit was so much affected on this particular occasion, that, assisting Mr. Bounderby to his hat after breakfast, and being then alone with him in the hall, she imprinted a chaste kiss upon his hand, murmured "My benefactor!" and retired, overwhelmed with grief. Yet it is an indubitable fact, within the cognizance of this history, that five minutes after he had left the house in the self-same hat, the same descendant of the Scadgerses and connexion by matrimony of the Powlers, shook her right-hand mitten at his portrait, made a contemptuous grimace at that work of art, and said "Serve you right, you Noodle, and I am glad of it." Mr. Bounderby had not been long gone, when Bitzer appeared. Bitzer had come down by train, shrieking and rattling over the long line of arches that bestrode the wild country of past and present coal-pits, with an express from Stone Lodge. It was a hasty note to inform Louisa that Mrs. Gradgrind lay very ill. She had never been well within her daughter's knowledge; but, she had declined within the last few days, had continued sinking all through the night, and was now as nearly dead, as her limited capacity of being in any state that implied the ghost of an intention to get out of it, allowed. Accompanied by the lightest of porters, fit colourless servitor at Death's door when Mrs. Gradgrind knocked, Louisa rumbled to Coketown, over the coal-pits past and present, and was whirled into its smoky jaws. She dismissed the messenger to his own devices, and rode away to her old home. She had seldom been there since her marriage. Her father was usually sifting and sifting at his parliamentary cinder-heap in London (without being observed to turn up many precious articles among the rubbish), and was still hard at it in the national dust-yard. Her mother had taken it rather as a disturbance than otherwise, to be visited, as she reclined upon her sofa; young people, Louisa felt herself all unfit for; Sissy she had never softened to again, since the night when the stroller's child had raised her eyes to look at Mr. Bounderby's intended wife. She had no inducements to go back, and had rarely gone. Neither, as she approached her old home now, did any of the best influences of old home descend upon her. The dreams of childhood its airy fables; its graceful, beautiful, humane, impossible adornments of the world beyond: so good to be believed in once, so good to be remembered when outgrown, for then the least among them rises to the stature of a great Charity in the heart, suffering little children to come into the midst of it, and to keep with their pure hands a garden in the stony ways of this world, wherein it were better for all the children of Adam that they should oftener sun themselves, simple and trustful, and not worldly-wise what had she to do with these? Remembrances of how she had journeyed to the little that she knew, by the enchanted roads of what she and millions of innocent creatures had hoped and imagined; of how, first coming upon Reason through the tender light of Fancy, she had seen it a beneficent god, deferring to gods as great as itself; not a grim Idol, cruel and cold, with its victims bound hand to foot, and its big dumb shape set up with a sightless stare, never to be moved by anything but so many calculated tons of leverage what had she to do with these? Her remembrances of home and childhood were remembrances of the drying up of every spring and fountain in her young heart as it gushed out. The golden waters were not there. They were flowing for the fertilization of the land where grapes are gathered from thorns, and figs from thistles. She went, with a heavy, hardened kind of sorrow upon her, into the house and into her mother's room. Since the time of her leaving home, Sissy had lived with the rest of the family on equal terms. Sissy was at her mother's side; and Jane, her | _is_ Mr. Bounderby!" cried Mrs. Sparsit, nodding her head a great many times, as if she had been talking and thinking of no one else. "How do you find yourself this morning, sir? Pray let us see you cheerful, sir." Now, these persistent assuagements of his misery, and lightenings of his load, had by this time begun to have the effect of making Mr. Bounderby softer than usual towards Mrs. Sparsit, and harder than usual to most other people from his wife downward. So, when Mrs. Sparsit said with forced lightness of heart, "You want your breakfast, sir, but I dare say Miss Gradgrind will soon be here to preside at the table," Mr. Bounderby replied, "If I waited to be taken care of by my wife, ma'am, I believe you know pretty well I should wait till Doomsday, so I'll trouble _you_ to take charge of the teapot." Mrs. Sparsit complied, and assumed her old position at table. This again made the excellent woman vastly sentimental. She was so humble withal, that when Louisa appeared, she rose, protesting she never could think of sitting in that place under existing circumstances, often as she had had the honour of making Mr. Bounderby's breakfast, before Mrs. Gradgrind she begged pardon, she meant to say Miss Bounderby she hoped to be excused, but she really could not get it right yet, though she trusted to become familiar with it by and by had assumed her present position. It was only (she observed) because Miss Gradgrind happened to be a little late, and Mr. Bounderby's time was so very precious, and she knew it of old to be so essential that he should breakfast to the moment, that she had taken the liberty of complying with his request; long as his will had been a law to her. "There! Stop where you are, ma'am," said Mr. Bounderby, "stop where you are! Mrs. Bounderby will be very glad to be relieved of the trouble, I believe." "Don't say that, sir," returned Mrs. Sparsit, almost with severity, "because that is very unkind to Mrs. Bounderby. And to be unkind is not to be you, sir." "You may set your mind at rest, ma'am. You can take it very quietly, can't you, Loo?" said Mr. Bounderby, in a blustering way to his wife. "Of course. It is of no moment. Why should it be of any importance to me?" "Why should it be of any importance to any one, Mrs. Sparsit, ma'am?" said Mr. Bounderby, swelling with a sense of slight. "You attach too much importance to these things, ma'am. By George, you'll be corrupted in some of your notions here. You are old-fashioned, ma'am. You are behind Tom Gradgrind's children's time." "What is the matter with you?" asked Louisa, coldly surprised. "What has given you offence?" "Offence!" repeated Bounderby. "Do you suppose if there was any offence given me, I shouldn't name it, and request to have it corrected? I am a straightforward man, I believe. I don't go beating about for side-winds." "I suppose no one ever had occasion to think you too diffident, or too delicate," Louisa answered him composedly: "I have never made that objection to you, either as a child or as a woman. I don't understand what you would have." "Have?" returned Mr. Bounderby. "Nothing. Otherwise, don't you, Loo Bounderby, know thoroughly well that I, Josiah Bounderby of Coketown, would have it?"<|quote|>She looked at him, as he struck the table and made the teacups ring, with a proud colour in her face that was a new change, Mr. Harthouse thought.</|quote|>"You are incomprehensible this morning," said Louisa. "Pray take no further trouble to explain yourself. I am not curious to know your meaning. What does it matter?" Nothing more was said on this theme, and Mr. Harthouse was soon idly gay on indifferent subjects. But from this day, the Sparsit action upon Mr. Bounderby threw Louisa and James Harthouse more together, and strengthened the dangerous alienation from her husband and confidence against him with another, into which she had fallen by degrees so fine that she could not retrace them if she tried. But whether she ever tried or no, lay hidden in her own closed heart. Mrs. Sparsit was so much affected on this particular occasion, that, assisting Mr. Bounderby to his hat after breakfast, and being then alone with him in the hall, she imprinted a chaste kiss upon his hand, murmured "My benefactor!" and retired, overwhelmed with grief. Yet it is an indubitable fact, within the cognizance of this history, that five minutes after he had left the house in the self-same hat, the same descendant of the Scadgerses and connexion by matrimony of the Powlers, shook her right-hand mitten at his portrait, made a contemptuous grimace at that work of art, and said "Serve you right, you Noodle, and I am glad of it." Mr. Bounderby had not been long gone, when Bitzer appeared. Bitzer had come down by train, shrieking and rattling over the long line of arches that bestrode the wild country of past and present coal-pits, with an express from Stone Lodge. It was a hasty note to inform Louisa that Mrs. Gradgrind lay very ill. She had never been well | Hard Times |
and to have a clear understanding with her mother. I was in our yard when they came driving home, just before sunset. They laughed and waved to me as they passed, and I could see they were in great good humor. After supper, when grandfather set off to church, grandmother and I took my short cut through the willow hedge and went over to hear about the visit to the Shimerdas. We found Mrs. Harling with Charley and Sally on the front porch, resting after her hard drive. Julia was in the hammock—she was fond of repose—and Frances was at the piano, playing without a light and talking to her mother through the open window. Mrs. Harling laughed when she saw us coming. | No speaker | “what the girl came from”<|quote|>and to have a clear understanding with her mother. I was in our yard when they came driving home, just before sunset. They laughed and waved to me as they passed, and I could see they were in great good humor. After supper, when grandfather set off to church, grandmother and I took my short cut through the willow hedge and went over to hear about the visit to the Shimerdas. We found Mrs. Harling with Charley and Sally on the front porch, resting after her hard drive. Julia was in the hammock—she was fond of repose—and Frances was at the piano, playing without a light and talking to her mother through the open window. Mrs. Harling laughed when she saw us coming.</|quote|>“I expect you left your | said she wanted to see “what the girl came from”<|quote|>and to have a clear understanding with her mother. I was in our yard when they came driving home, just before sunset. They laughed and waved to me as they passed, and I could see they were in great good humor. After supper, when grandfather set off to church, grandmother and I took my short cut through the willow hedge and went over to hear about the visit to the Shimerdas. We found Mrs. Harling with Charley and Sally on the front porch, resting after her hard drive. Julia was in the hammock—she was fond of repose—and Frances was at the piano, playing without a light and talking to her mother through the open window. Mrs. Harling laughed when she saw us coming.</|quote|>“I expect you left your dishes on the table to-night, | he came to town, and pointed out to him that any connection with Christian Harling would strengthen his credit and be of advantage to him. One Sunday Mrs. Harling took the long ride out to the Shimerdas’ with Frances. She said she wanted to see “what the girl came from”<|quote|>and to have a clear understanding with her mother. I was in our yard when they came driving home, just before sunset. They laughed and waved to me as they passed, and I could see they were in great good humor. After supper, when grandfather set off to church, grandmother and I took my short cut through the willow hedge and went over to hear about the visit to the Shimerdas. We found Mrs. Harling with Charley and Sally on the front porch, resting after her hard drive. Julia was in the hammock—she was fond of repose—and Frances was at the piano, playing without a light and talking to her mother through the open window. Mrs. Harling laughed when she saw us coming.</|quote|>“I expect you left your dishes on the table to-night, Mrs. Burden,” she called. Frances shut the piano and came out to join us. They had liked Ántonia from their first glimpse of her; felt they knew exactly what kind of girl she was. As for Mrs. Shimerda, they found | so. She went to country funerals and weddings in all weathers. A farmer’s daughter who was to be married could count on a wedding present from Frances Harling. In August the Harlings’ Danish cook had to leave them. Grandmother entreated them to try Ántonia. She cornered Ambrosch the next time he came to town, and pointed out to him that any connection with Christian Harling would strengthen his credit and be of advantage to him. One Sunday Mrs. Harling took the long ride out to the Shimerdas’ with Frances. She said she wanted to see “what the girl came from”<|quote|>and to have a clear understanding with her mother. I was in our yard when they came driving home, just before sunset. They laughed and waved to me as they passed, and I could see they were in great good humor. After supper, when grandfather set off to church, grandmother and I took my short cut through the willow hedge and went over to hear about the visit to the Shimerdas. We found Mrs. Harling with Charley and Sally on the front porch, resting after her hard drive. Julia was in the hammock—she was fond of repose—and Frances was at the piano, playing without a light and talking to her mother through the open window. Mrs. Harling laughed when she saw us coming.</|quote|>“I expect you left your dishes on the table to-night, Mrs. Burden,” she called. Frances shut the piano and came out to join us. They had liked Ántonia from their first glimpse of her; felt they knew exactly what kind of girl she was. As for Mrs. Shimerda, they found her very amusing. Mrs. Harling chuckled whenever she spoke of her. “I expect I am more at home with that sort of bird than you are, Mrs. Burden. They’re a pair, Ambrosch and that old woman!” They had had a long argument with Ambrosch about Ántonia’s allowance for clothes and | he was feeding, what his liabilities were. Her interest in these people was more than a business interest. She carried them all in her mind as if they were characters in a book or a play. When Frances drove out into the country on business, she would go miles out of her way to call on some of the old people, or to see the women who seldom got to town. She was quick at understanding the grandmothers who spoke no English, and the most reticent and distrustful of them would tell her their story without realizing they were doing so. She went to country funerals and weddings in all weathers. A farmer’s daughter who was to be married could count on a wedding present from Frances Harling. In August the Harlings’ Danish cook had to leave them. Grandmother entreated them to try Ántonia. She cornered Ambrosch the next time he came to town, and pointed out to him that any connection with Christian Harling would strengthen his credit and be of advantage to him. One Sunday Mrs. Harling took the long ride out to the Shimerdas’ with Frances. She said she wanted to see “what the girl came from”<|quote|>and to have a clear understanding with her mother. I was in our yard when they came driving home, just before sunset. They laughed and waved to me as they passed, and I could see they were in great good humor. After supper, when grandfather set off to church, grandmother and I took my short cut through the willow hedge and went over to hear about the visit to the Shimerdas. We found Mrs. Harling with Charley and Sally on the front porch, resting after her hard drive. Julia was in the hammock—she was fond of repose—and Frances was at the piano, playing without a light and talking to her mother through the open window. Mrs. Harling laughed when she saw us coming.</|quote|>“I expect you left your dishes on the table to-night, Mrs. Burden,” she called. Frances shut the piano and came out to join us. They had liked Ántonia from their first glimpse of her; felt they knew exactly what kind of girl she was. As for Mrs. Shimerda, they found her very amusing. Mrs. Harling chuckled whenever she spoke of her. “I expect I am more at home with that sort of bird than you are, Mrs. Burden. They’re a pair, Ambrosch and that old woman!” They had had a long argument with Ambrosch about Ántonia’s allowance for clothes and pocket-money. It was his plan that every cent of his sister’s wages should be paid over to him each month, and he would provide her with such clothing as he thought necessary. When Mrs. Harling told him firmly that she would keep fifty dollars a year for Ántonia’s own use, he declared they wanted to take his sister to town and dress her up and make a fool of her. Mrs. Harling gave us a lively account of Ambrosch’s behavior throughout the interview; how he kept jumping up and putting on his cap as if he were through with the | paid her a good salary, but she had few holidays and never got away from her responsibilities. Even on Sundays she went to the office to open the mail and read the markets. With Charley, who was not interested in business, but was already preparing for Annapolis, Mr. Harling was very indulgent; bought him guns and tools and electric batteries, and never asked what he did with them. Frances was dark, like her father, and quite as tall. In winter she wore a sealskin coat and cap, and she and Mr. Harling used to walk home together in the evening, talking about grain-cars and cattle, like two men. Sometimes she came over to see grandfather after supper, and her visits flattered him. More than once they put their wits together to rescue some unfortunate farmer from the clutches of Wick Cutter, the Black Hawk money-lender. Grandfather said Frances Harling was as good a judge of credits as any banker in the county. The two or three men who had tried to take advantage of her in a deal acquired celebrity by their defeat. She knew every farmer for miles about; how much land he had under cultivation, how many cattle he was feeding, what his liabilities were. Her interest in these people was more than a business interest. She carried them all in her mind as if they were characters in a book or a play. When Frances drove out into the country on business, she would go miles out of her way to call on some of the old people, or to see the women who seldom got to town. She was quick at understanding the grandmothers who spoke no English, and the most reticent and distrustful of them would tell her their story without realizing they were doing so. She went to country funerals and weddings in all weathers. A farmer’s daughter who was to be married could count on a wedding present from Frances Harling. In August the Harlings’ Danish cook had to leave them. Grandmother entreated them to try Ántonia. She cornered Ambrosch the next time he came to town, and pointed out to him that any connection with Christian Harling would strengthen his credit and be of advantage to him. One Sunday Mrs. Harling took the long ride out to the Shimerdas’ with Frances. She said she wanted to see “what the girl came from”<|quote|>and to have a clear understanding with her mother. I was in our yard when they came driving home, just before sunset. They laughed and waved to me as they passed, and I could see they were in great good humor. After supper, when grandfather set off to church, grandmother and I took my short cut through the willow hedge and went over to hear about the visit to the Shimerdas. We found Mrs. Harling with Charley and Sally on the front porch, resting after her hard drive. Julia was in the hammock—she was fond of repose—and Frances was at the piano, playing without a light and talking to her mother through the open window. Mrs. Harling laughed when she saw us coming.</|quote|>“I expect you left your dishes on the table to-night, Mrs. Burden,” she called. Frances shut the piano and came out to join us. They had liked Ántonia from their first glimpse of her; felt they knew exactly what kind of girl she was. As for Mrs. Shimerda, they found her very amusing. Mrs. Harling chuckled whenever she spoke of her. “I expect I am more at home with that sort of bird than you are, Mrs. Burden. They’re a pair, Ambrosch and that old woman!” They had had a long argument with Ambrosch about Ántonia’s allowance for clothes and pocket-money. It was his plan that every cent of his sister’s wages should be paid over to him each month, and he would provide her with such clothing as he thought necessary. When Mrs. Harling told him firmly that she would keep fifty dollars a year for Ántonia’s own use, he declared they wanted to take his sister to town and dress her up and make a fool of her. Mrs. Harling gave us a lively account of Ambrosch’s behavior throughout the interview; how he kept jumping up and putting on his cap as if he were through with the whole business, and how his mother tweaked his coat-tail and prompted him in Bohemian. Mrs. Harling finally agreed to pay three dollars a week for Ántonia’s services—good wages in those days—and to keep her in shoes. There had been hot dispute about the shoes, Mrs. Shimerda finally saying persuasively that she would send Mrs. Harling three fat geese every year to “make even.” Ambrosch was to bring his sister to town next Saturday. “She’ll be awkward and rough at first, like enough,” grandmother said anxiously, “but unless she’s been spoiled by the hard life she’s led, she has it in her to be a real helpful girl.” Mrs. Harling laughed her quick, decided laugh. “Oh, I’m not worrying, Mrs. Burden! I can bring something out of that girl. She’s barely seventeen, not too old to learn new ways. She’s good-looking, too!” she added warmly. Frances turned to grandmother. “Oh, yes, Mrs. Burden, you did n’t tell us that! She was working in the garden when we got there, barefoot and ragged. But she has such fine brown legs and arms, and splendid color in her cheeks—like those big dark red plums.” We were pleased at this praise. Grandmother spoke feelingly. | Mrs. Harling had lived in Christiania until she was ten years old. Her husband was born in Minnesota. He was a grain merchant and cattle buyer, and was generally considered the most enterprising business man in our county. He controlled a line of grain elevators in the little towns along the railroad to the west of us, and was away from home a great deal. In his absence his wife was the head of the household. Mrs. Harling was short and square and sturdy-looking, like her house. Every inch of her was charged with an energy that made itself felt the moment she entered a room. Her face was rosy and solid, with bright, twinkling eyes and a stubborn little chin. She was quick to anger, quick to laughter, and jolly from the depths of her soul. How well I remember her laugh; it had in it the same sudden recognition that flashed into her eyes, was a burst of humor, short and intelligent. Her rapid footsteps shook her own floors, and she routed lassitude and indifference wherever she came. She could not be negative or perfunctory about anything. Her enthusiasm, and her violent likes and dislikes, asserted themselves in all the every-day occupations of life. Wash-day was interesting, never dreary, at the Harlings’. Preserving-time was a prolonged festival, and house-cleaning was like a revolution. When Mrs. Harling made garden that spring, we could feel the stir of her undertaking through the willow hedge that separated our place from hers. Three of the Harling children were near me in age. Charley, the only son,—they had lost an older boy,—was sixteen; Julia, who was known as the musical one, was fourteen when I was; and Sally, the tomboy with short hair, was a year younger. She was nearly as strong as I, and uncannily clever at all boys’ sports. Sally was a wild thing, with sunburned yellow hair, bobbed about her ears, and a brown skin, for she never wore a hat. She raced all over town on one roller skate, often cheated at “keeps,” but was such a quick shot one could n’t catch her at it. The grown-up daughter, Frances, was a very important person in our world. She was her father’s chief clerk, and virtually managed his Black Hawk office during his frequent absences. Because of her unusual business ability, he was stern and exacting with her. He paid her a good salary, but she had few holidays and never got away from her responsibilities. Even on Sundays she went to the office to open the mail and read the markets. With Charley, who was not interested in business, but was already preparing for Annapolis, Mr. Harling was very indulgent; bought him guns and tools and electric batteries, and never asked what he did with them. Frances was dark, like her father, and quite as tall. In winter she wore a sealskin coat and cap, and she and Mr. Harling used to walk home together in the evening, talking about grain-cars and cattle, like two men. Sometimes she came over to see grandfather after supper, and her visits flattered him. More than once they put their wits together to rescue some unfortunate farmer from the clutches of Wick Cutter, the Black Hawk money-lender. Grandfather said Frances Harling was as good a judge of credits as any banker in the county. The two or three men who had tried to take advantage of her in a deal acquired celebrity by their defeat. She knew every farmer for miles about; how much land he had under cultivation, how many cattle he was feeding, what his liabilities were. Her interest in these people was more than a business interest. She carried them all in her mind as if they were characters in a book or a play. When Frances drove out into the country on business, she would go miles out of her way to call on some of the old people, or to see the women who seldom got to town. She was quick at understanding the grandmothers who spoke no English, and the most reticent and distrustful of them would tell her their story without realizing they were doing so. She went to country funerals and weddings in all weathers. A farmer’s daughter who was to be married could count on a wedding present from Frances Harling. In August the Harlings’ Danish cook had to leave them. Grandmother entreated them to try Ántonia. She cornered Ambrosch the next time he came to town, and pointed out to him that any connection with Christian Harling would strengthen his credit and be of advantage to him. One Sunday Mrs. Harling took the long ride out to the Shimerdas’ with Frances. She said she wanted to see “what the girl came from”<|quote|>and to have a clear understanding with her mother. I was in our yard when they came driving home, just before sunset. They laughed and waved to me as they passed, and I could see they were in great good humor. After supper, when grandfather set off to church, grandmother and I took my short cut through the willow hedge and went over to hear about the visit to the Shimerdas. We found Mrs. Harling with Charley and Sally on the front porch, resting after her hard drive. Julia was in the hammock—she was fond of repose—and Frances was at the piano, playing without a light and talking to her mother through the open window. Mrs. Harling laughed when she saw us coming.</|quote|>“I expect you left your dishes on the table to-night, Mrs. Burden,” she called. Frances shut the piano and came out to join us. They had liked Ántonia from their first glimpse of her; felt they knew exactly what kind of girl she was. As for Mrs. Shimerda, they found her very amusing. Mrs. Harling chuckled whenever she spoke of her. “I expect I am more at home with that sort of bird than you are, Mrs. Burden. They’re a pair, Ambrosch and that old woman!” They had had a long argument with Ambrosch about Ántonia’s allowance for clothes and pocket-money. It was his plan that every cent of his sister’s wages should be paid over to him each month, and he would provide her with such clothing as he thought necessary. When Mrs. Harling told him firmly that she would keep fifty dollars a year for Ántonia’s own use, he declared they wanted to take his sister to town and dress her up and make a fool of her. Mrs. Harling gave us a lively account of Ambrosch’s behavior throughout the interview; how he kept jumping up and putting on his cap as if he were through with the whole business, and how his mother tweaked his coat-tail and prompted him in Bohemian. Mrs. Harling finally agreed to pay three dollars a week for Ántonia’s services—good wages in those days—and to keep her in shoes. There had been hot dispute about the shoes, Mrs. Shimerda finally saying persuasively that she would send Mrs. Harling three fat geese every year to “make even.” Ambrosch was to bring his sister to town next Saturday. “She’ll be awkward and rough at first, like enough,” grandmother said anxiously, “but unless she’s been spoiled by the hard life she’s led, she has it in her to be a real helpful girl.” Mrs. Harling laughed her quick, decided laugh. “Oh, I’m not worrying, Mrs. Burden! I can bring something out of that girl. She’s barely seventeen, not too old to learn new ways. She’s good-looking, too!” she added warmly. Frances turned to grandmother. “Oh, yes, Mrs. Burden, you did n’t tell us that! She was working in the garden when we got there, barefoot and ragged. But she has such fine brown legs and arms, and splendid color in her cheeks—like those big dark red plums.” We were pleased at this praise. Grandmother spoke feelingly. “When she first came to this country, Frances, and had that genteel old man to watch over her, she was as pretty a girl as ever I saw. But, dear me, what a life she’s led, out in the fields with those rough thrashers! Things would have been very different with poor Ántonia if her father had lived.” The Harlings begged us to tell them about Mr. Shimerda’s death and the big snowstorm. By the time we saw grandfather coming home from church we had told them pretty much all we knew of the Shimerdas. “The girl will be happy here, and she’ll forget those things,” said Mrs. Harling confidently, as we rose to take our leave. III ON Saturday Ambrosch drove up to the back gate, and Ántonia jumped down from the wagon and ran into our kitchen just as she used to do. She was wearing shoes and stockings, and was breathless and excited. She gave me a playful shake by the shoulders. Grandmother kissed her. “God bless you, child! Now you’ve come, you must try to do right and be a credit to us.” Ántonia looked eagerly about the house and admired everything. “Maybe I be the kind of girl you like better, now I come to town,” she suggested hopefully. How good it was to have Ántonia near us again; to see her every day and almost every night! Her greatest fault, Mrs. Harling found, was that she so often stopped her work and fell to playing with the children. She would race about the orchard with us, or take sides in our hay-fights in the barn, or be the old bear that came down from the mountain and carried off Nina. Tony learned English so quickly that by the time school began she could speak as well as any of us. I was jealous of Tony’s admiration for Charley Harling. Because he was always first in his classes at school, and could mend the water-pipes or the door-bell and take the clock to pieces, she seemed to think him a sort of prince. Nothing that Charley wanted was too much trouble for her. She loved to put up lunches for him when he went hunting, to mend his ball-gloves and sew buttons on his shooting-coat, baked the kind of nut-cake he liked, and fed his setter dog when he was away on trips with his | Because of her unusual business ability, he was stern and exacting with her. He paid her a good salary, but she had few holidays and never got away from her responsibilities. Even on Sundays she went to the office to open the mail and read the markets. With Charley, who was not interested in business, but was already preparing for Annapolis, Mr. Harling was very indulgent; bought him guns and tools and electric batteries, and never asked what he did with them. Frances was dark, like her father, and quite as tall. In winter she wore a sealskin coat and cap, and she and Mr. Harling used to walk home together in the evening, talking about grain-cars and cattle, like two men. Sometimes she came over to see grandfather after supper, and her visits flattered him. More than once they put their wits together to rescue some unfortunate farmer from the clutches of Wick Cutter, the Black Hawk money-lender. Grandfather said Frances Harling was as good a judge of credits as any banker in the county. The two or three men who had tried to take advantage of her in a deal acquired celebrity by their defeat. She knew every farmer for miles about; how much land he had under cultivation, how many cattle he was feeding, what his liabilities were. Her interest in these people was more than a business interest. She carried them all in her mind as if they were characters in a book or a play. When Frances drove out into the country on business, she would go miles out of her way to call on some of the old people, or to see the women who seldom got to town. She was quick at understanding the grandmothers who spoke no English, and the most reticent and distrustful of them would tell her their story without realizing they were doing so. She went to country funerals and weddings in all weathers. A farmer’s daughter who was to be married could count on a wedding present from Frances Harling. In August the Harlings’ Danish cook had to leave them. Grandmother entreated them to try Ántonia. She cornered Ambrosch the next time he came to town, and pointed out to him that any connection with Christian Harling would strengthen his credit and be of advantage to him. One Sunday Mrs. Harling took the long ride out to the Shimerdas’ with Frances. She said she wanted to see “what the girl came from”<|quote|>and to have a clear understanding with her mother. I was in our yard when they came driving home, just before sunset. They laughed and waved to me as they passed, and I could see they were in great good humor. After supper, when grandfather set off to church, grandmother and I took my short cut through the willow hedge and went over to hear about the visit to the Shimerdas. We found Mrs. Harling with Charley and Sally on the front porch, resting after her hard drive. Julia was in the hammock—she was fond of repose—and Frances was at the piano, playing without a light and talking to her mother through the open window. Mrs. Harling laughed when she saw us coming.</|quote|>“I expect you left your dishes on the table to-night, Mrs. Burden,” she called. Frances shut the piano and came out to join us. They had liked Ántonia from their first glimpse of her; felt they knew exactly what kind of girl she was. As for Mrs. Shimerda, they found her very amusing. Mrs. Harling chuckled whenever she spoke of her. “I expect I am more at home with that sort of bird than you are, Mrs. Burden. They’re a pair, Ambrosch and that old woman!” They had had a long argument with Ambrosch about Ántonia’s allowance for clothes and pocket-money. It was his plan that every cent of his sister’s wages should be paid over to him each month, and he would provide her with such clothing as he thought necessary. When Mrs. Harling told him firmly that she would keep fifty dollars a year for Ántonia’s own use, he declared they wanted to take his sister to town and dress her up and make a fool of her. Mrs. Harling gave us a lively account of Ambrosch’s behavior throughout the interview; how he kept jumping up and putting on his cap as if he were through with the whole business, and how his mother tweaked his coat-tail and prompted him in Bohemian. Mrs. Harling finally agreed to pay three dollars a week for Ántonia’s services—good wages in those days—and to keep her in shoes. There had been hot dispute about the shoes, Mrs. Shimerda finally saying persuasively that she would send Mrs. Harling three fat geese every year to “make even.” Ambrosch was to bring his sister to town next Saturday. “She’ll be awkward and rough at first, like enough,” grandmother said anxiously, “but unless she’s been spoiled by the hard life she’s led, she has it in her to be a real helpful girl.” | My Antonia |
"Any other evidence will be simply confirmatory, a mere matter of form." | Mr. Wells | on in his soothing manner:<|quote|>"Any other evidence will be simply confirmatory, a mere matter of form."</|quote|>"I see." A faint expression | ensued before the lawyer went on in his soothing manner:<|quote|>"Any other evidence will be simply confirmatory, a mere matter of form."</|quote|>"I see." A faint expression of relief swept over John's | believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner:<|quote|>"Any other evidence will be simply confirmatory, a mere matter of form."</|quote|>"I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem | of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner:<|quote|>"Any other evidence will be simply confirmatory, a mere matter of form."</|quote|>"I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since | most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner:<|quote|>"Any other evidence will be simply confirmatory, a mere matter of form."</|quote|>"I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer | as green as a cat's. He had heard or seen something that had affected him strongly but what was it? I do not usually label myself as dense, but I must confess that nothing out of the ordinary had attracted _my_ attention. In another moment, the door opened and Dorcas appeared. "Mr. Wells to see you, sir," she said to John. I remembered the name as being that of the lawyer to whom Mrs. Inglethorp had written the night before. John rose immediately. "Show him into my study." Then he turned to us. "My mother's lawyer," he explained. And in a lower voice: "He is also Coroner you understand. Perhaps you would like to come with me?" We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot: "There will be an inquest then?" Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner:<|quote|>"Any other evidence will be simply confirmatory, a mere matter of form."</|quote|>"I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law | some breakfast." Everyone was assembled in the dining-room. Under the circumstances, we were naturally not a cheerful party. The reaction after a shock is always trying, and I think we were all suffering from it. Decorum and good breeding naturally enjoined that our demeanour should be much as usual, yet I could not help wondering if this self-control were really a matter of great difficulty. There were no red eyes, no signs of secretly indulged grief. I felt that I was right in my opinion that Dorcas was the person most affected by the personal side of the tragedy. I pass over Alfred Inglethorp, who acted the bereaved widower in a manner that I felt to be disgusting in its hypocrisy. Did he know that we suspected him, I wondered. Surely he could not be unaware of the fact, conceal it as we would. Did he feel some secret stirring of fear, or was he confident that his crime would go unpunished? Surely the suspicion in the atmosphere must warn him that he was already a marked man. But did everyone suspect him? What about Mrs. Cavendish? I watched her as she sat at the head of the table, graceful, composed, enigmatic. In her soft grey frock, with white ruffles at the wrists falling over her slender hands, she looked very beautiful. When she chose, however, her face could be sphinx-like in its inscrutability. She was very silent, hardly opening her lips, and yet in some queer way I felt that the great strength of her personality was dominating us all. And little Cynthia? Did she suspect? She looked very tired and ill, I thought. The heaviness and languor of her manner were very marked. I asked her if she were feeling ill, and she answered frankly: "Yes, I've got the most beastly headache." "Have another cup of coffee, mademoiselle?" said Poirot solicitously. "It will revive you. It is unparalleled for the _mal de t te_." He jumped up and took her cup. "No sugar," said Cynthia, watching him, as he picked up the sugar-tongs. "No sugar? You abandon it in the war-time, eh?" "No, I never take it in coffee." "_Sacr !_" murmured Poirot to himself, as he brought back the replenished cup. Only I heard him, and glancing up curiously at the little man I saw that his face was working with suppressed excitement, and his eyes were as green as a cat's. He had heard or seen something that had affected him strongly but what was it? I do not usually label myself as dense, but I must confess that nothing out of the ordinary had attracted _my_ attention. In another moment, the door opened and Dorcas appeared. "Mr. Wells to see you, sir," she said to John. I remembered the name as being that of the lawyer to whom Mrs. Inglethorp had written the night before. John rose immediately. "Show him into my study." Then he turned to us. "My mother's lawyer," he explained. And in a lower voice: "He is also Coroner you understand. Perhaps you would like to come with me?" We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot: "There will be an inquest then?" Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner:<|quote|>"Any other evidence will be simply confirmatory, a mere matter of form."</|quote|>"I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know. She may have been." "She was," said John unexpectedly. "We were discussing the matter of wills being revoked by marriage only yesterday." "Ah! One more question, Mr. Wells. You say" her last will.' "Had Mrs. Inglethorp, then, made several former wills?" "On an average, she made a new will at least once a year," said Mr. Wells imperturbably. "She was given to changing her mind as to her testamentary dispositions, now benefiting one, now another member of her family." "Suppose," suggested Poirot, "that, unknown to you, she had made a new will in favour of someone who was not, in any sense of the word, a member of the family we will say Miss Howard, for instance would you be surprised?" "Not in the least." "Ah!" Poirot seemed to have exhausted his questions. I drew close to him, while John and the lawyer were debating the question of going through Mrs. Inglethorp's papers. "Do you think Mrs. Inglethorp made a will leaving all her money to Miss Howard?" I asked in a low voice, with some curiosity. Poirot smiled. "No." "Then why did you ask?" "Hush!" John Cavendish had turned to Poirot. "Will you come with us, Monsieur Poirot? We are going through my mother's papers. Mr. Inglethorp is quite willing to leave it entirely to Mr. Wells and myself." "Which simplifies matters very much," murmured the lawyer. "As technically, of course, he was entitled" He did not finish the sentence. "We will look through the desk in the boudoir first," explained John, "and go up to her bedroom afterwards. She kept her most important papers in a purple despatch-case, which we must look through carefully." "Yes," said the lawyer, "it is quite possible that there may be a later will than the one in my possession." "There _is_ a later will." It was Poirot who spoke. "What?" John and the lawyer looked at him startled. "Or, rather," pursued my friend imperturbably, "there _was_ one." "What do you mean there was one? Where is it now?" "Burnt!" "Burnt?" "Yes. See here." He took out the charred fragment we | little man I saw that his face was working with suppressed excitement, and his eyes were as green as a cat's. He had heard or seen something that had affected him strongly but what was it? I do not usually label myself as dense, but I must confess that nothing out of the ordinary had attracted _my_ attention. In another moment, the door opened and Dorcas appeared. "Mr. Wells to see you, sir," she said to John. I remembered the name as being that of the lawyer to whom Mrs. Inglethorp had written the night before. John rose immediately. "Show him into my study." Then he turned to us. "My mother's lawyer," he explained. And in a lower voice: "He is also Coroner you understand. Perhaps you would like to come with me?" We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot: "There will be an inquest then?" Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused. "What is it? You are not attending to what I say." "It is true, my friend. I am much worried." "Why?" "Because Mademoiselle Cynthia does not take sugar in her coffee." "What? You cannot be serious?" "But I am most serious. Ah, there is something there that I do not understand. My instinct was right." "What instinct?" "The instinct that led me to insist on examining those coffee-cups. _Chut!_ no more now!" We followed John into his study, and he closed the door behind us. Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence. "You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind." "Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate." "Yes, I suppose so." "Clever man, Bauerstein. Great authority on toxicology, I believe." "Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses all of us, I mean?" "You, of course and ah er Mr. er Inglethorp." A slight pause ensued before the lawyer went on in his soothing manner:<|quote|>"Any other evidence will be simply confirmatory, a mere matter of form."</|quote|>"I see." A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it. "If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?" "Yes." "Then that arrangement will suit you?" "Perfectly." "I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair." "Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room. "I?" "Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning." "I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance." "She gave you no hint as to what that matter might be?" "Unfortunately, no." "That is a pity," said John. "A great pity," agreed Poirot gravely. There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again. "Mr. Wells, there is one thing I should like to ask you that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?" The lawyer hesitated a moment, and then replied: "The knowledge will be public property very soon, so if Mr. Cavendish does not object" "Not at all," interpolated John. "I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish." "Was not that pardon the question, Mr. Cavendish rather unfair to her other stepson, Mr. Lawrence Cavendish?" "No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution." Poirot nodded thoughtfully. "I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?" Mr. Wells bowed his head. "As I was about to proceed, Monsieur Poirot, that document is now null and void." "_Hein!_" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?" "I do not know. She may have been." "She was," said John unexpectedly. "We were discussing the matter of wills being revoked by marriage only yesterday." "Ah! One more question, Mr. Wells. You say" her last will.' "Had Mrs. Inglethorp, then, made several former wills?" "On an average, she made a new will at least once a year," said Mr. Wells imperturbably. "She was given | The Mysterious Affair At Styles |
"Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:" | Hercule Poirot | the making of the will."<|quote|>"Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:"</|quote|>You need not think that | place after, and not before the making of the will."<|quote|>"Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:"</|quote|>You need not think that any fear of publicity, or | learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will."<|quote|>"Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:"</|quote|>You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but | to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will."<|quote|>"Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:"</|quote|>You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but the standpoint is different. She admits to Dorcas," I don't know what to do; scandal between husband and wife is a dreadful thing.' "At four o'clock she has been angry, but completely mistress of herself. At five o'clock she is in violent distress, and speaks of having had a great | had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will."<|quote|>"Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:"</|quote|>You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but the standpoint is different. She admits to Dorcas," I don't know what to do; scandal between husband and wife is a dreadful thing.' "At four o'clock she has been angry, but completely mistress of herself. At five o'clock she is in violent distress, and speaks of having had a great shock." "Looking at the matter psychologically, I drew one deduction which I was convinced was correct. The second scandal' she spoke of was not the same as the first and it concerned herself!" "Let us reconstruct. At four o'clock, Mrs. Inglethorp quarrels with her son, and threatens to denounce him to his wife who, by the way, overheard the greater part of the conversation. At four-thirty, Mrs. Inglethorp, in consequence of a conversation on the validity of wills, makes a will in favour of her husband, which the two gardeners witness. At five o'clock, Dorcas finds her mistress in a | but and this is significant I can find no one who saw her come from the other wing." He looked at Mary Cavendish. "Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will."<|quote|>"Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:"</|quote|>You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but the standpoint is different. She admits to Dorcas," I don't know what to do; scandal between husband and wife is a dreadful thing.' "At four o'clock she has been angry, but completely mistress of herself. At five o'clock she is in violent distress, and speaks of having had a great shock." "Looking at the matter psychologically, I drew one deduction which I was convinced was correct. The second scandal' she spoke of was not the same as the first and it concerned herself!" "Let us reconstruct. At four o'clock, Mrs. Inglethorp quarrels with her son, and threatens to denounce him to his wife who, by the way, overheard the greater part of the conversation. At four-thirty, Mrs. Inglethorp, in consequence of a conversation on the validity of wills, makes a will in favour of her husband, which the two gardeners witness. At five o'clock, Dorcas finds her mistress in a state of considerable agitation, with a slip of paper a letter,' Dorcas thinks in her hand, and it is then that she orders the fire in her room to be lighted. Presumably, then, between four-thirty and five o'clock, something has occurred to occasion a complete revolution of feeling, since she is now as anxious to destroy the will, as she was before to make it. What was that something?" "As far as we know, she was quite alone during that half-hour. Nobody entered or left that boudoir. What then occasioned this sudden change of sentiment?" "One can only guess, but I believe my guess to be correct. Mrs. Inglethorp had no stamps in her desk. We know this, because later she asked Dorcas to bring her some. Now in the opposite corner of the room stood her husband's desk locked. She was anxious to find some stamps, and, according to my theory, she tried her own keys in the desk. That one of them fitted I know. She therefore opened the desk, and in searching for the stamps she came across something else that slip of paper which Dorcas saw in her hand, and which assuredly was never meant for | on the inside!" I cried. "When I examined the room, yes. But in the first place we have only her word for it, since it was she who tried that particular door and reported it fastened. In the ensuing confusion she would have had ample opportunity to shoot the bolt across. I took an early opportunity of verifying my conjectures. To begin with, the fragment corresponds exactly with a tear in Mrs. Cavendish's armlet. Also, at the inquest, Mrs. Cavendish declared that she had heard, from her own room, the fall of the table by the bed. I took an early opportunity of testing that statement by stationing my friend Monsieur Hastings in the left wing of the building, just outside Mrs. Cavendish's door. I myself, in company with the police, went to the deceased's room, and whilst there I, apparently accidentally, knocked over the table in question, but found that, as I had expected, Monsieur Hastings had heard no sound at all. This confirmed my belief that Mrs. Cavendish was not speaking the truth when she declared that she had been dressing in her room at the time of the tragedy. In fact, I was convinced that, far from having been in her own room, Mrs. Cavendish was actually in the deceased's room when the alarm was given." I shot a quick glance at Mary. She was very pale, but smiling. "I proceeded to reason on that assumption. Mrs. Cavendish is in her mother-in-law's room. We will say that she is seeking for something and has not yet found it. Suddenly Mrs. Inglethorp awakens and is seized with an alarming paroxysm. She flings out her arm, overturning the bed table, and then pulls desperately at the bell. Mrs. Cavendish, startled, drops her candle, scattering the grease on the carpet. She picks it up, and retreats quickly to Mademoiselle Cynthia's room, closing the door behind her. She hurries out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing." He looked at Mary Cavendish. "Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will."<|quote|>"Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:"</|quote|>You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but the standpoint is different. She admits to Dorcas," I don't know what to do; scandal between husband and wife is a dreadful thing.' "At four o'clock she has been angry, but completely mistress of herself. At five o'clock she is in violent distress, and speaks of having had a great shock." "Looking at the matter psychologically, I drew one deduction which I was convinced was correct. The second scandal' she spoke of was not the same as the first and it concerned herself!" "Let us reconstruct. At four o'clock, Mrs. Inglethorp quarrels with her son, and threatens to denounce him to his wife who, by the way, overheard the greater part of the conversation. At four-thirty, Mrs. Inglethorp, in consequence of a conversation on the validity of wills, makes a will in favour of her husband, which the two gardeners witness. At five o'clock, Dorcas finds her mistress in a state of considerable agitation, with a slip of paper a letter,' Dorcas thinks in her hand, and it is then that she orders the fire in her room to be lighted. Presumably, then, between four-thirty and five o'clock, something has occurred to occasion a complete revolution of feeling, since she is now as anxious to destroy the will, as she was before to make it. What was that something?" "As far as we know, she was quite alone during that half-hour. Nobody entered or left that boudoir. What then occasioned this sudden change of sentiment?" "One can only guess, but I believe my guess to be correct. Mrs. Inglethorp had no stamps in her desk. We know this, because later she asked Dorcas to bring her some. Now in the opposite corner of the room stood her husband's desk locked. She was anxious to find some stamps, and, according to my theory, she tried her own keys in the desk. That one of them fitted I know. She therefore opened the desk, and in searching for the stamps she came across something else that slip of paper which Dorcas saw in her hand, and which assuredly was never meant for Mrs. Inglethorp's eyes. On the other hand, Mrs. Cavendish believed that the slip of paper to which her mother-in-law clung so tenaciously was a written proof of her own husband's infidelity. She demanded it from Mrs. Inglethorp who assured her, quite truly, that it had nothing to do with that matter. Mrs. Cavendish did not believe her. She thought that Mrs. Inglethorp was shielding her stepson. Now Mrs. Cavendish is a very resolute woman, and, behind her mask of reserve, she was madly jealous of her husband. She determined to get hold of that paper at all costs, and in this resolution chance came to her aid. She happened to pick up the key of Mrs. Inglethorp's despatch-case, which had been lost that morning. She knew that her mother-in-law invariably kept all important papers in this particular case." "Mrs. Cavendish, therefore, made her plans as only a woman driven desperate through jealousy could have done. Some time in the evening she unbolted the door leading into Mademoiselle Cynthia's room. Possibly she applied oil to the hinges, for I found that it opened quite noiselessly when I tried it. She put off her project until the early hours of the morning as being safer, since the servants were accustomed to hearing her move about her room at that time. She dressed completely in her land kit, and made her way quietly through Mademoiselle Cynthia's room into that of Mrs. Inglethorp." He paused a moment, and Cynthia interrupted: "But I should have woken up if anyone had come through my room?" "Not if you were drugged, mademoiselle." "Drugged?" "_Mais, oui!_" "You remember" he addressed us collectively again "that through all the tumult and noise next door Mademoiselle Cynthia slept. That admitted of two possibilities. Either her sleep was feigned which I did not believe or her unconsciousness was indeed by artificial means." "With this latter idea in my mind, I examined all the coffee-cups most carefully, remembering that it was Mrs. Cavendish who had brought Mademoiselle Cynthia her coffee the night before. I took a sample from each cup, and had them analysed with no result. I had counted the cups carefully, in the event of one having been removed. Six persons had taken coffee, and six cups were duly found. I had to confess myself mistaken." "Then I discovered that I had been guilty of a very grave oversight. Coffee had | room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing." He looked at Mary Cavendish. "Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will."<|quote|>"Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:"</|quote|>You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but the standpoint is different. She admits to Dorcas," I don't know what to do; scandal between husband and wife is a dreadful thing.' "At four o'clock she has been angry, but completely mistress of herself. At five o'clock she is in violent distress, and speaks of having had a great shock." "Looking at the matter psychologically, I drew one deduction which I was convinced was correct. The second scandal' she spoke of was not the same as the first and it concerned herself!" "Let us reconstruct. At four o'clock, Mrs. Inglethorp quarrels with her son, and threatens to denounce him to his wife who, by the way, overheard the greater part of the conversation. At four-thirty, Mrs. Inglethorp, in consequence of a conversation on the validity of wills, makes a will in favour of her husband, which the two gardeners witness. At five o'clock, Dorcas finds her mistress in a state of considerable agitation, with a slip of paper a letter,' Dorcas thinks in her hand, and it is then that she orders the fire in her room to be lighted. Presumably, then, between four-thirty and five o'clock, something has occurred to occasion a complete revolution of feeling, since she is now as anxious to destroy the will, as she was before to make it. What was that something?" "As far as we know, she was quite alone during that half-hour. Nobody entered or left that boudoir. What then occasioned this sudden change of sentiment?" "One can only guess, but I believe my guess to be correct. Mrs. Inglethorp had no stamps in her desk. We know this, because later she asked Dorcas to bring her some. Now in the opposite corner of the room stood her husband's desk locked. She was anxious to find some stamps, and, according to my theory, she tried her own keys in the desk. That one of them fitted I know. She therefore opened the | The Mysterious Affair At Styles |
"I will take you there," | Professor De Worms | asked Syme with eager eyes.<|quote|>"I will take you there,"</|quote|>said the Professor, and took | myself." "Will you tell me?" asked Syme with eager eyes.<|quote|>"I will take you there,"</|quote|>said the Professor, and took down his own hat from | President knows; certainly we don't know. The only man who does know is Dr. Bull." "Confound it!" cried Syme. "And we don't know where he is." "Yes," said the other in his curious, absent-minded way, "I know where he is myself." "Will you tell me?" asked Syme with eager eyes.<|quote|>"I will take you there,"</|quote|>said the Professor, and took down his own hat from a peg. Syme stood looking at him with a sort of rigid excitement. "What do you mean?" he asked sharply. "Will you join me? Will you take the risk?" "Young man," said the Professor pleasantly, "I am amused to observe | when we broke up rather hurriedly the whole arrangements for the atrocity were left in the private hands of the Marquis and Dr. Bull. The Marquis is by this time probably crossing the Channel. But where he will go and what he will do it is doubtful whether even the President knows; certainly we don't know. The only man who does know is Dr. Bull." "Confound it!" cried Syme. "And we don't know where he is." "Yes," said the other in his curious, absent-minded way, "I know where he is myself." "Will you tell me?" asked Syme with eager eyes.<|quote|>"I will take you there,"</|quote|>said the Professor, and took down his own hat from a peg. Syme stood looking at him with a sort of rigid excitement. "What do you mean?" he asked sharply. "Will you join me? Will you take the risk?" "Young man," said the Professor pleasantly, "I am amused to observe that you think I am a coward. As to that I will say only one word, and that shall be entirely in the manner of your own philosophical rhetoric. You think that it is possible to pull down the President. I know that it is impossible, and I am going | his pose. "Sunday is a fixed star," he said. "You shall see him a falling star," said Syme, and put on his hat. The decision of his gesture drew the Professor vaguely to his feet. "Have you any idea," he asked, with a sort of benevolent bewilderment, "exactly where you are going?" "Yes," replied Syme shortly, "I am going to prevent this bomb being thrown in Paris." "Have you any conception how?" inquired the other. "No," said Syme with equal decision. "You remember, of course," resumed the soi-disant de Worms, pulling his beard and looking out of the window, "that when we broke up rather hurriedly the whole arrangements for the atrocity were left in the private hands of the Marquis and Dr. Bull. The Marquis is by this time probably crossing the Channel. But where he will go and what he will do it is doubtful whether even the President knows; certainly we don't know. The only man who does know is Dr. Bull." "Confound it!" cried Syme. "And we don't know where he is." "Yes," said the other in his curious, absent-minded way, "I know where he is myself." "Will you tell me?" asked Syme with eager eyes.<|quote|>"I will take you there,"</|quote|>said the Professor, and took down his own hat from a peg. Syme stood looking at him with a sort of rigid excitement. "What do you mean?" he asked sharply. "Will you join me? Will you take the risk?" "Young man," said the Professor pleasantly, "I am amused to observe that you think I am a coward. As to that I will say only one word, and that shall be entirely in the manner of your own philosophical rhetoric. You think that it is possible to pull down the President. I know that it is impossible, and I am going to try it," and opening the tavern door, which let in a blast of bitter air, they went out together into the dark streets by the docks. Most of the snow was melted or trampled to mud, but here and there a clot of it still showed grey rather than white in the gloom. The small streets were sloppy and full of pools, which reflected the flaming lamps irregularly, and by accident, like fragments of some other and fallen world. Syme felt almost dazed as he stepped through this growing confusion of lights and shadows; but his companion walked on | and strike him on the mouth. If heaven were his throne and the earth his footstool, I swear that I would pull him down." "How?" asked the staring Professor. "Why?" "Because I am afraid of him," said Syme; "and no man should leave in the universe anything of which he is afraid." De Worms blinked at him with a sort of blind wonder. He made an effort to speak, but Syme went on in a low voice, but with an undercurrent of inhuman exaltation "Who would condescend to strike down the mere things that he does not fear? Who would debase himself to be merely brave, like any common prizefighter? Who would stoop to be fearless like a tree? Fight the thing that you fear. You remember the old tale of the English clergyman who gave the last rites to the brigand of Sicily, and how on his death-bed the great robber said," I can give you no money, but I can give you advice for a lifetime: your thumb on the blade, and strike upwards.' "So I say to you, strike upwards, if you strike at the stars." The other looked at the ceiling, one of the tricks of his pose. "Sunday is a fixed star," he said. "You shall see him a falling star," said Syme, and put on his hat. The decision of his gesture drew the Professor vaguely to his feet. "Have you any idea," he asked, with a sort of benevolent bewilderment, "exactly where you are going?" "Yes," replied Syme shortly, "I am going to prevent this bomb being thrown in Paris." "Have you any conception how?" inquired the other. "No," said Syme with equal decision. "You remember, of course," resumed the soi-disant de Worms, pulling his beard and looking out of the window, "that when we broke up rather hurriedly the whole arrangements for the atrocity were left in the private hands of the Marquis and Dr. Bull. The Marquis is by this time probably crossing the Channel. But where he will go and what he will do it is doubtful whether even the President knows; certainly we don't know. The only man who does know is Dr. Bull." "Confound it!" cried Syme. "And we don't know where he is." "Yes," said the other in his curious, absent-minded way, "I know where he is myself." "Will you tell me?" asked Syme with eager eyes.<|quote|>"I will take you there,"</|quote|>said the Professor, and took down his own hat from a peg. Syme stood looking at him with a sort of rigid excitement. "What do you mean?" he asked sharply. "Will you join me? Will you take the risk?" "Young man," said the Professor pleasantly, "I am amused to observe that you think I am a coward. As to that I will say only one word, and that shall be entirely in the manner of your own philosophical rhetoric. You think that it is possible to pull down the President. I know that it is impossible, and I am going to try it," and opening the tavern door, which let in a blast of bitter air, they went out together into the dark streets by the docks. Most of the snow was melted or trampled to mud, but here and there a clot of it still showed grey rather than white in the gloom. The small streets were sloppy and full of pools, which reflected the flaming lamps irregularly, and by accident, like fragments of some other and fallen world. Syme felt almost dazed as he stepped through this growing confusion of lights and shadows; but his companion walked on with a certain briskness, towards where, at the end of the street, an inch or two of the lamplit river looked like a bar of flame. "Where are you going?" Syme inquired. "Just now," answered the Professor, "I am going just round the corner to see whether Dr. Bull has gone to bed. He is hygienic, and retires early." "Dr. Bull!" exclaimed Syme. "Does he live round the corner?" "No," answered his friend. "As a matter of fact he lives some way off, on the other side of the river, but we can tell from here whether he has gone to bed." Turning the corner as he spoke, and facing the dim river, flecked with flame, he pointed with his stick to the other bank. On the Surrey side at this point there ran out into the Thames, seeming almost to overhang it, a bulk and cluster of those tall tenements, dotted with lighted windows, and rising like factory chimneys to an almost insane height. Their special poise and position made one block of buildings especially look like a Tower of Babel with a hundred eyes. Syme had never seen any of the sky-scraping buildings in America, so he could | over. The false Professor drank and wiped his false beard. "Did you know," he asked, "that that man Gogol was one of us?" "I? No, I didn't know it," answered Syme in some surprise. "But didn't you?" "I knew no more than the dead," replied the man who called himself de Worms. "I thought the President was talking about me, and I rattled in my boots." "And I thought he was talking about me," said Syme, with his rather reckless laughter. "I had my hand on my revolver all the time." "So had I," said the Professor grimly; "so had Gogol evidently." Syme struck the table with an exclamation. "Why, there were three of us there!" he cried. "Three out of seven is a fighting number. If we had only known that we were three!" The face of Professor de Worms darkened, and he did not look up. "We were three," he said. "If we had been three hundred we could still have done nothing." "Not if we were three hundred against four?" asked Syme, jeering rather boisterously. "No," said the Professor with sobriety, "not if we were three hundred against Sunday." And the mere name struck Syme cold and serious; his laughter had died in his heart before it could die on his lips. The face of the unforgettable President sprang into his mind as startling as a coloured photograph, and he remarked this difference between Sunday and all his satellites, that their faces, however fierce or sinister, became gradually blurred by memory like other human faces, whereas Sunday's seemed almost to grow more actual during absence, as if a man's painted portrait should slowly come alive. They were both silent for a measure of moments, and then Syme's speech came with a rush, like the sudden foaming of champagne. "Professor," he cried, "it is intolerable. Are you afraid of this man?" The Professor lifted his heavy lids, and gazed at Syme with large, wide-open, blue eyes of an almost ethereal honesty. "Yes, I am," he said mildly. "So are you." Syme was dumb for an instant. Then he rose to his feet erect, like an insulted man, and thrust the chair away from him. "Yes," he said in a voice indescribable, "you are right. I am afraid of him. Therefore I swear by God that I will seek out this man whom I fear until I find him, and strike him on the mouth. If heaven were his throne and the earth his footstool, I swear that I would pull him down." "How?" asked the staring Professor. "Why?" "Because I am afraid of him," said Syme; "and no man should leave in the universe anything of which he is afraid." De Worms blinked at him with a sort of blind wonder. He made an effort to speak, but Syme went on in a low voice, but with an undercurrent of inhuman exaltation "Who would condescend to strike down the mere things that he does not fear? Who would debase himself to be merely brave, like any common prizefighter? Who would stoop to be fearless like a tree? Fight the thing that you fear. You remember the old tale of the English clergyman who gave the last rites to the brigand of Sicily, and how on his death-bed the great robber said," I can give you no money, but I can give you advice for a lifetime: your thumb on the blade, and strike upwards.' "So I say to you, strike upwards, if you strike at the stars." The other looked at the ceiling, one of the tricks of his pose. "Sunday is a fixed star," he said. "You shall see him a falling star," said Syme, and put on his hat. The decision of his gesture drew the Professor vaguely to his feet. "Have you any idea," he asked, with a sort of benevolent bewilderment, "exactly where you are going?" "Yes," replied Syme shortly, "I am going to prevent this bomb being thrown in Paris." "Have you any conception how?" inquired the other. "No," said Syme with equal decision. "You remember, of course," resumed the soi-disant de Worms, pulling his beard and looking out of the window, "that when we broke up rather hurriedly the whole arrangements for the atrocity were left in the private hands of the Marquis and Dr. Bull. The Marquis is by this time probably crossing the Channel. But where he will go and what he will do it is doubtful whether even the President knows; certainly we don't know. The only man who does know is Dr. Bull." "Confound it!" cried Syme. "And we don't know where he is." "Yes," said the other in his curious, absent-minded way, "I know where he is myself." "Will you tell me?" asked Syme with eager eyes.<|quote|>"I will take you there,"</|quote|>said the Professor, and took down his own hat from a peg. Syme stood looking at him with a sort of rigid excitement. "What do you mean?" he asked sharply. "Will you join me? Will you take the risk?" "Young man," said the Professor pleasantly, "I am amused to observe that you think I am a coward. As to that I will say only one word, and that shall be entirely in the manner of your own philosophical rhetoric. You think that it is possible to pull down the President. I know that it is impossible, and I am going to try it," and opening the tavern door, which let in a blast of bitter air, they went out together into the dark streets by the docks. Most of the snow was melted or trampled to mud, but here and there a clot of it still showed grey rather than white in the gloom. The small streets were sloppy and full of pools, which reflected the flaming lamps irregularly, and by accident, like fragments of some other and fallen world. Syme felt almost dazed as he stepped through this growing confusion of lights and shadows; but his companion walked on with a certain briskness, towards where, at the end of the street, an inch or two of the lamplit river looked like a bar of flame. "Where are you going?" Syme inquired. "Just now," answered the Professor, "I am going just round the corner to see whether Dr. Bull has gone to bed. He is hygienic, and retires early." "Dr. Bull!" exclaimed Syme. "Does he live round the corner?" "No," answered his friend. "As a matter of fact he lives some way off, on the other side of the river, but we can tell from here whether he has gone to bed." Turning the corner as he spoke, and facing the dim river, flecked with flame, he pointed with his stick to the other bank. On the Surrey side at this point there ran out into the Thames, seeming almost to overhang it, a bulk and cluster of those tall tenements, dotted with lighted windows, and rising like factory chimneys to an almost insane height. Their special poise and position made one block of buildings especially look like a Tower of Babel with a hundred eyes. Syme had never seen any of the sky-scraping buildings in America, so he could only think of the buildings in a dream. Even as he stared, the highest light in this innumerably lighted turret abruptly went out, as if this black Argus had winked at him with one of his innumerable eyes. Professor de Worms swung round on his heel, and struck his stick against his boot. "We are too late," he said, "the hygienic Doctor has gone to bed." "What do you mean?" asked Syme. "Does he live over there, then?" "Yes," said de Worms, "behind that particular window which you can't see. Come along and get some dinner. We must call on him tomorrow morning." Without further parley, he led the way through several by-ways until they came out into the flare and clamour of the East India Dock Road. The Professor, who seemed to know his way about the neighbourhood, proceeded to a place where the line of lighted shops fell back into a sort of abrupt twilight and quiet, in which an old white inn, all out of repair, stood back some twenty feet from the road. "You can find good English inns left by accident everywhere, like fossils," explained the Professor. "I once found a decent place in the West End." "I suppose," said Syme, smiling, "that this is the corresponding decent place in the East End?" "It is," said the Professor reverently, and went in. In that place they dined and slept, both very thoroughly. The beans and bacon, which these unaccountable people cooked well, the astonishing emergence of Burgundy from their cellars, crowned Syme's sense of a new comradeship and comfort. Through all this ordeal his root horror had been isolation, and there are no words to express the abyss between isolation and having one ally. It may be conceded to the mathematicians that four is twice two. But two is not twice one; two is two thousand times one. That is why, in spite of a hundred disadvantages, the world will always return to monogamy. Syme was able to pour out for the first time the whole of his outrageous tale, from the time when Gregory had taken him to the little tavern by the river. He did it idly and amply, in a luxuriant monologue, as a man speaks with very old friends. On his side, also, the man who had impersonated Professor de Worms was not less communicative. His own story was almost as | he rose to his feet erect, like an insulted man, and thrust the chair away from him. "Yes," he said in a voice indescribable, "you are right. I am afraid of him. Therefore I swear by God that I will seek out this man whom I fear until I find him, and strike him on the mouth. If heaven were his throne and the earth his footstool, I swear that I would pull him down." "How?" asked the staring Professor. "Why?" "Because I am afraid of him," said Syme; "and no man should leave in the universe anything of which he is afraid." De Worms blinked at him with a sort of blind wonder. He made an effort to speak, but Syme went on in a low voice, but with an undercurrent of inhuman exaltation "Who would condescend to strike down the mere things that he does not fear? Who would debase himself to be merely brave, like any common prizefighter? Who would stoop to be fearless like a tree? Fight the thing that you fear. You remember the old tale of the English clergyman who gave the last rites to the brigand of Sicily, and how on his death-bed the great robber said," I can give you no money, but I can give you advice for a lifetime: your thumb on the blade, and strike upwards.' "So I say to you, strike upwards, if you strike at the stars." The other looked at the ceiling, one of the tricks of his pose. "Sunday is a fixed star," he said. "You shall see him a falling star," said Syme, and put on his hat. The decision of his gesture drew the Professor vaguely to his feet. "Have you any idea," he asked, with a sort of benevolent bewilderment, "exactly where you are going?" "Yes," replied Syme shortly, "I am going to prevent this bomb being thrown in Paris." "Have you any conception how?" inquired the other. "No," said Syme with equal decision. "You remember, of course," resumed the soi-disant de Worms, pulling his beard and looking out of the window, "that when we broke up rather hurriedly the whole arrangements for the atrocity were left in the private hands of the Marquis and Dr. Bull. The Marquis is by this time probably crossing the Channel. But where he will go and what he will do it is doubtful whether even the President knows; certainly we don't know. The only man who does know is Dr. Bull." "Confound it!" cried Syme. "And we don't know where he is." "Yes," said the other in his curious, absent-minded way, "I know where he is myself." "Will you tell me?" asked Syme with eager eyes.<|quote|>"I will take you there,"</|quote|>said the Professor, and took down his own hat from a peg. Syme stood looking at him with a sort of rigid excitement. "What do you mean?" he asked sharply. "Will you join me? Will you take the risk?" "Young man," said the Professor pleasantly, "I am amused to observe that you think I am a coward. As to that I will say only one word, and that shall be entirely in the manner of your own philosophical rhetoric. You think that it is possible to pull down the President. I know that it is impossible, and I am going to try it," and opening the tavern door, which let in a blast of bitter air, they went out together into the dark streets by the docks. Most of the snow was melted or trampled to mud, but here and there a clot of it still showed grey rather than white in the gloom. The small streets were sloppy and full of pools, which reflected the flaming lamps irregularly, and by accident, like fragments of some other and fallen world. Syme felt almost dazed as he stepped through this growing confusion of lights and shadows; but his companion walked on with a certain briskness, towards where, at the end of the street, an inch or two of the lamplit river looked like a bar of flame. "Where are you going?" Syme inquired. "Just now," answered the Professor, "I am going just round the corner to see whether Dr. Bull has gone to bed. He is hygienic, and retires early." "Dr. Bull!" exclaimed Syme. "Does he live round the corner?" "No," answered his friend. "As a matter of fact he lives some way off, on the other side of the river, but we can tell from here whether he has gone to bed." Turning the corner as he spoke, and facing the dim river, flecked with flame, he pointed with his stick to the other bank. On the Surrey side at this point there ran out into the Thames, seeming almost to overhang it, a bulk and cluster of those tall tenements, dotted with lighted windows, and rising like factory chimneys to an almost insane height. Their special poise and position made one block of buildings especially look like a Tower of Babel with a hundred eyes. Syme had never seen any of the sky-scraping buildings in America, so he could only think of the buildings in a dream. Even as he stared, the highest light in this innumerably lighted turret abruptly went out, as if this black Argus had winked at him with one of his innumerable | The Man Who Was Thursday |
"But where s your luggage?" | Katharine Hilbery | and she could only ask,<|quote|>"But where s your luggage?"</|quote|>in the vague belief that | or two, still failed her, and she could only ask,<|quote|>"But where s your luggage?"</|quote|>in the vague belief that to take lodgings depended entirely | became agitated and said that she must leave the house at once. She was not in a condition to go, had they known where to send her. Katharine s common sense, which had been in abeyance for the past week or two, still failed her, and she could only ask,<|quote|>"But where s your luggage?"</|quote|>in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted | recovered. "I ll go and ask him to come down to you." His own happiness had given him a confidence that every one else was bound to be happy too. But Cassandra had her uncle s commands and anger too vividly in her mind to dare any such defiance. She became agitated and said that she must leave the house at once. She was not in a condition to go, had they known where to send her. Katharine s common sense, which had been in abeyance for the past week or two, still failed her, and she could only ask,<|quote|>"But where s your luggage?"</|quote|>in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted to accompany a profound thanksgiving for his existence or some vow of eternal devotion than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of | with such heartiness at the sight of Cassandra Otway standing by the dining-room table that she put her finger to her lips and begged him to be quiet. "Nobody must know I m here," she explained in a sepulchral whisper. "I missed my train. I have been wandering about London all day. I can bear it no longer. Katharine, what am I to do?" Katharine pushed forward a chair; Ralph hastily found wine and poured it out for her. If not actually fainting, she was very near it. "William s upstairs," said Ralph, as soon as she appeared to be recovered. "I ll go and ask him to come down to you." His own happiness had given him a confidence that every one else was bound to be happy too. But Cassandra had her uncle s commands and anger too vividly in her mind to dare any such defiance. She became agitated and said that she must leave the house at once. She was not in a condition to go, had they known where to send her. Katharine s common sense, which had been in abeyance for the past week or two, still failed her, and she could only ask,<|quote|>"But where s your luggage?"</|quote|>in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted to accompany a profound thanksgiving for his existence or some vow of eternal devotion than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague | dark that one could fancy pushing farther into their density and still farther, exploring indefinitely. Whether there was any correspondence between the two prospects now opening before them they shared the same sense of the impending future, vast, mysterious, infinitely stored with undeveloped shapes which each would unwrap for the other to behold; but for the present the prospect of the future was enough to fill them with silent adoration. At any rate, their further attempts to communicate articulately were interrupted by a knock on the door, and the entrance of a maid who, with a due sense of mystery, announced that a lady wished to see Miss Hilbery, but refused to allow her name to be given. When Katharine rose, with a profound sigh, to resume her duties, Ralph went with her, and neither of them formulated any guess, on their way downstairs, as to who this anonymous lady might prove to be. Perhaps the fantastic notion that she was a little black hunchback provided with a steel knife, which she would plunge into Katharine s heart, appeared to Ralph more probable than another, and he pushed first into the dining-room to avert the blow. Then he exclaimed "Cassandra!" with such heartiness at the sight of Cassandra Otway standing by the dining-room table that she put her finger to her lips and begged him to be quiet. "Nobody must know I m here," she explained in a sepulchral whisper. "I missed my train. I have been wandering about London all day. I can bear it no longer. Katharine, what am I to do?" Katharine pushed forward a chair; Ralph hastily found wine and poured it out for her. If not actually fainting, she was very near it. "William s upstairs," said Ralph, as soon as she appeared to be recovered. "I ll go and ask him to come down to you." His own happiness had given him a confidence that every one else was bound to be happy too. But Cassandra had her uncle s commands and anger too vividly in her mind to dare any such defiance. She became agitated and said that she must leave the house at once. She was not in a condition to go, had they known where to send her. Katharine s common sense, which had been in abeyance for the past week or two, still failed her, and she could only ask,<|quote|>"But where s your luggage?"</|quote|>in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted to accompany a profound thanksgiving for his existence or some vow of eternal devotion than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way. "William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!" She seemed to have | The moment of exposure had been exquisitely painful the light shed startlingly vivid. She had now to get used to the fact that some one shared her loneliness. The bewilderment was half shame and half the prelude to profound rejoicing. Nor was she unconscious that on the surface the whole thing must appear of the utmost absurdity. She looked to see whether Ralph smiled, but found his gaze fixed on her with such gravity that she turned to the belief that she had committed no sacrilege but enriched herself, perhaps immeasurably, perhaps eternally. She hardly dared steep herself in the infinite bliss. But his glance seemed to ask for some assurance upon another point of vital interest to him. It beseeched her mutely to tell him whether what she had read upon his confused sheet had any meaning or truth to her. She bent her head once more to the papers she held. "I like your little dot with the flames round it," she said meditatively. Ralph nearly tore the page from her hand in shame and despair when he saw her actually contemplating the idiotic symbol of his most confused and emotional moments. He was convinced that it could mean nothing to another, although somehow to him it conveyed not only Katharine herself but all those states of mind which had clustered round her since he first saw her pouring out tea on a Sunday afternoon. It represented by its circumference of smudges surrounding a central blot all that encircling glow which for him surrounded, inexplicably, so many of the objects of life, softening their sharp outline, so that he could see certain streets, books, and situations wearing a halo almost perceptible to the physical eye. Did she smile? Did she put the paper down wearily, condemning it not only for its inadequacy but for its falsity? Was she going to protest once more that he only loved the vision of her? But it did not occur to her that this diagram had anything to do with her. She said simply, and in the same tone of reflection: "Yes, the world looks something like that to me too." He received her assurance with profound joy. Quietly and steadily there rose up behind the whole aspect of life that soft edge of fire which gave its red tint to the atmosphere and crowded the scene with shadows so deep and dark that one could fancy pushing farther into their density and still farther, exploring indefinitely. Whether there was any correspondence between the two prospects now opening before them they shared the same sense of the impending future, vast, mysterious, infinitely stored with undeveloped shapes which each would unwrap for the other to behold; but for the present the prospect of the future was enough to fill them with silent adoration. At any rate, their further attempts to communicate articulately were interrupted by a knock on the door, and the entrance of a maid who, with a due sense of mystery, announced that a lady wished to see Miss Hilbery, but refused to allow her name to be given. When Katharine rose, with a profound sigh, to resume her duties, Ralph went with her, and neither of them formulated any guess, on their way downstairs, as to who this anonymous lady might prove to be. Perhaps the fantastic notion that she was a little black hunchback provided with a steel knife, which she would plunge into Katharine s heart, appeared to Ralph more probable than another, and he pushed first into the dining-room to avert the blow. Then he exclaimed "Cassandra!" with such heartiness at the sight of Cassandra Otway standing by the dining-room table that she put her finger to her lips and begged him to be quiet. "Nobody must know I m here," she explained in a sepulchral whisper. "I missed my train. I have been wandering about London all day. I can bear it no longer. Katharine, what am I to do?" Katharine pushed forward a chair; Ralph hastily found wine and poured it out for her. If not actually fainting, she was very near it. "William s upstairs," said Ralph, as soon as she appeared to be recovered. "I ll go and ask him to come down to you." His own happiness had given him a confidence that every one else was bound to be happy too. But Cassandra had her uncle s commands and anger too vividly in her mind to dare any such defiance. She became agitated and said that she must leave the house at once. She was not in a condition to go, had they known where to send her. Katharine s common sense, which had been in abeyance for the past week or two, still failed her, and she could only ask,<|quote|>"But where s your luggage?"</|quote|>in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted to accompany a profound thanksgiving for his existence or some vow of eternal devotion than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way. "William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!" She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged representative of all those household duties which she had neglected. She ran hastily up to the drawing-room, and the rest followed her, for Mrs. Hilbery put her arm round Cassandra and drew her upstairs. They found Rodney observing the kettle with uneasiness but with such absence of mind that Katharine s catastrophe was in a fair way to be fulfilled. In putting the matter straight no greetings were exchanged, but Rodney and Cassandra chose seats as far apart as possible, and sat down with an air of people making a very temporary lodgment. Either Mrs. Hilbery was impervious to their discomfort, or chose to ignore it, or thought it high time that the subject was changed, for she did nothing but talk about Shakespeare s tomb. "So much earth and so much water and that sublime spirit brooding over it all," she mused, and went on to sing her strange, half-earthly song of dawns and sunsets, of great poets, and the unchanged spirit of noble loving which they had taught, so that nothing changes, and one age is linked with another, and no one dies, and we all meet in spirit, until she appeared oblivious of any one in the room. But suddenly her remarks seemed to contract the enormously wide circle in which they were soaring and to alight, airily and temporarily, upon matters of more immediate moment. "Katharine and Ralph," she said, as if to try the sound. "William and Cassandra." "I feel myself in an entirely false position," said William desperately, thrusting himself into this breach in her reflections. "I ve no right to be sitting here. Mr. Hilbery told me yesterday to leave the house. I d no intention of coming back again. I shall now" "I feel the same too," Cassandra interrupted. "After what Uncle Trevor said to me | but all those states of mind which had clustered round her since he first saw her pouring out tea on a Sunday afternoon. It represented by its circumference of smudges surrounding a central blot all that encircling glow which for him surrounded, inexplicably, so many of the objects of life, softening their sharp outline, so that he could see certain streets, books, and situations wearing a halo almost perceptible to the physical eye. Did she smile? Did she put the paper down wearily, condemning it not only for its inadequacy but for its falsity? Was she going to protest once more that he only loved the vision of her? But it did not occur to her that this diagram had anything to do with her. She said simply, and in the same tone of reflection: "Yes, the world looks something like that to me too." He received her assurance with profound joy. Quietly and steadily there rose up behind the whole aspect of life that soft edge of fire which gave its red tint to the atmosphere and crowded the scene with shadows so deep and dark that one could fancy pushing farther into their density and still farther, exploring indefinitely. Whether there was any correspondence between the two prospects now opening before them they shared the same sense of the impending future, vast, mysterious, infinitely stored with undeveloped shapes which each would unwrap for the other to behold; but for the present the prospect of the future was enough to fill them with silent adoration. At any rate, their further attempts to communicate articulately were interrupted by a knock on the door, and the entrance of a maid who, with a due sense of mystery, announced that a lady wished to see Miss Hilbery, but refused to allow her name to be given. When Katharine rose, with a profound sigh, to resume her duties, Ralph went with her, and neither of them formulated any guess, on their way downstairs, as to who this anonymous lady might prove to be. Perhaps the fantastic notion that she was a little black hunchback provided with a steel knife, which she would plunge into Katharine s heart, appeared to Ralph more probable than another, and he pushed first into the dining-room to avert the blow. Then he exclaimed "Cassandra!" with such heartiness at the sight of Cassandra Otway standing by the dining-room table that she put her finger to her lips and begged him to be quiet. "Nobody must know I m here," she explained in a sepulchral whisper. "I missed my train. I have been wandering about London all day. I can bear it no longer. Katharine, what am I to do?" Katharine pushed forward a chair; Ralph hastily found wine and poured it out for her. If not actually fainting, she was very near it. "William s upstairs," said Ralph, as soon as she appeared to be recovered. "I ll go and ask him to come down to you." His own happiness had given him a confidence that every one else was bound to be happy too. But Cassandra had her uncle s commands and anger too vividly in her mind to dare any such defiance. She became agitated and said that she must leave the house at once. She was not in a condition to go, had they known where to send her. Katharine s common sense, which had been in abeyance for the past week or two, still failed her, and she could only ask,<|quote|>"But where s your luggage?"</|quote|>in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted to accompany a profound thanksgiving for his existence or some vow of eternal devotion than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a | Night And Day |
and went on so long that they had to pinch it to make it stop. | No speaker | sleep "_Twinkle, twinkle, twinkle, twinkle_--"<|quote|>and went on so long that they had to pinch it to make it stop.</|quote|>"Well, I'd hardly finished the | and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--"<|quote|>and went on so long that they had to pinch it to make it stop.</|quote|>"Well, I'd hardly finished the first verse," said the Hatter, | the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--"<|quote|>and went on so long that they had to pinch it to make it stop.</|quote|>"Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! | he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--"<|quote|>and went on so long that they had to pinch it to make it stop.</|quote|>"Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep | nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--"<|quote|>and went on so long that they had to pinch it to make it stop.</|quote|>"Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a | said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--"<|quote|>and went on so long that they had to pinch it to make it stop.</|quote|>"Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: | know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--"<|quote|>and went on so long that they had to pinch it to make it stop.</|quote|>"Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?" said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was | course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--"<|quote|>and went on so long that they had to pinch it to make it stop.</|quote|>"Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," | Alices Adventures In Wonderland |
"Poirot!" | Mr. Hastings | Suddenly an idea struck me.<|quote|>"Poirot!"</|quote|>I cried. "This is a | thick, quite unlike ordinary notepaper. Suddenly an idea struck me.<|quote|>"Poirot!"</|quote|>I cried. "This is a fragment of a will!" "Exactly." | with skill he extracted a small piece of half charred paper. "There, _mon ami!_" he cried. "What do you think of that?" I scrutinized the fragment. This is an exact reproduction of it: [Illustration] I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me.<|quote|>"Poirot!"</|quote|>I cried. "This is a fragment of a will!" "Exactly." I looked up at him sharply. "You are not surprised?" "No," he said gravely, "I expected it." I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed | it destroys. But by chance there might be let us see!" Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation. "The forceps, Hastings!" I quickly handed them to him, and with skill he extracted a small piece of half charred paper. "There, _mon ami!_" he cried. "What do you think of that?" I scrutinized the fragment. This is an exact reproduction of it: [Illustration] I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me.<|quote|>"Poirot!"</|quote|>I cried. "This is a fragment of a will!" "Exactly." I looked up at him sharply. "You are not surprised?" "No," he said gravely, "I expected it." I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside. "Now, my friend," said | "Then," I said, "what do you deduce?" To which my friend only made a rather irritating reply, urging me to use my own natural faculties. "And the sixth point?" I asked. "I suppose it is the sample of cocoa." "No," said Poirot thoughtfully. "I might have included that in the six, but I did not. No, the sixth point I will keep to myself for the present." He looked quickly round the room. "There is nothing more to be done here, I think, unless" he stared earnestly and long at the dead ashes in the grate. "The fire burns and it destroys. But by chance there might be let us see!" Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation. "The forceps, Hastings!" I quickly handed them to him, and with skill he extracted a small piece of half charred paper. "There, _mon ami!_" he cried. "What do you think of that?" I scrutinized the fragment. This is an exact reproduction of it: [Illustration] I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me.<|quote|>"Poirot!"</|quote|>I cried. "This is a fragment of a will!" "Exactly." I looked up at him sharply. "You are not surprised?" "No," he said gravely, "I expected it." I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside. "Now, my friend," said Poirot briskly, "we will go. I should like to ask a few questions of the parlourmaid Dorcas, her name is, is it not?" We passed through Alfred Inglethorp's room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorp's room as before. I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I | in the envelope." "Yes. It may turn out to be a piece of one of Mrs. Inglethorp's own dresses, and quite unimportant. We shall see. Five, _this_!" With a dramatic gesture, he pointed to a large splash of candle grease on the floor by the writing-table. "It must have been done since yesterday, otherwise a good housemaid would have at once removed it with blotting-paper and a hot iron. One of my best hats once but that is not to the point." "It was very likely done last night. We were very agitated. Or perhaps Mrs. Inglethorp herself dropped her candle." "You brought only one candle into the room?" "Yes. Lawrence Cavendish was carrying it. But he was very upset. He seemed to see something over here" I indicated the mantelpiece "that absolutely paralysed him." "That is interesting," said Poirot quickly. "Yes, it is suggestive" his eye sweeping the whole length of the wall "but it was not his candle that made this great patch, for you perceive that this is white grease; whereas Monsieur Lawrence's candle, which is still on the dressing-table, is pink. On the other hand, Mrs. Inglethorp had no candlestick in the room, only a reading-lamp." "Then," I said, "what do you deduce?" To which my friend only made a rather irritating reply, urging me to use my own natural faculties. "And the sixth point?" I asked. "I suppose it is the sample of cocoa." "No," said Poirot thoughtfully. "I might have included that in the six, but I did not. No, the sixth point I will keep to myself for the present." He looked quickly round the room. "There is nothing more to be done here, I think, unless" he stared earnestly and long at the dead ashes in the grate. "The fire burns and it destroys. But by chance there might be let us see!" Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation. "The forceps, Hastings!" I quickly handed them to him, and with skill he extracted a small piece of half charred paper. "There, _mon ami!_" he cried. "What do you think of that?" I scrutinized the fragment. This is an exact reproduction of it: [Illustration] I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me.<|quote|>"Poirot!"</|quote|>I cried. "This is a fragment of a will!" "Exactly." I looked up at him sharply. "You are not surprised?" "No," he said gravely, "I expected it." I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside. "Now, my friend," said Poirot briskly, "we will go. I should like to ask a few questions of the parlourmaid Dorcas, her name is, is it not?" We passed through Alfred Inglethorp's room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorp's room as before. I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I am here, my friend." He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds. "Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?" "Yes, I believe they were at it yesterday afternoon. But come in Dorcas is here." "_Eh bien, eh bien!_ Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. | But see, the coffee-cup is absolutely smashed to powder." "Well," I said wearily, "I suppose someone must have stepped on it." "Exactly," said Poirot, in an odd voice. "Someone stepped on it." He rose from his knees, and walked slowly across to the mantelpiece, where he stood abstractedly fingering the ornaments, and straightening them a trick of his when he was agitated. "_Mon ami_," he said, turning to me, "somebody stepped on that cup, grinding it to powder, and the reason they did so was either because it contained strychnine or which is far more serious because it did not contain strychnine!" I made no reply. I was bewildered, but I knew that it was no good asking him to explain. In a moment or two he roused himself, and went on with his investigations. He picked up the bunch of keys from the floor, and twirling them round in his fingers finally selected one, very bright and shining, which he tried in the lock of the purple despatch-case. It fitted, and he opened the box, but after a moment's hesitation, closed and relocked it, and slipped the bunch of keys, as well as the key that had originally stood in the lock, into his own pocket. "I have no authority to go through these papers. But it should be done at once!" He then made a very careful examination of the drawers of the wash-stand. Crossing the room to the left-hand window, a round stain, hardly visible on the dark brown carpet, seemed to interest him particularly. He went down on his knees, examining it minutely even going so far as to smell it. Finally, he poured a few drops of the cocoa into a test tube, sealing it up carefully. His next proceeding was to take out a little notebook. "We have found in this room," he said, writing busily, "six points of interest. Shall I enumerate them, or will you?" "Oh, you," I replied hastily. "Very well, then. One, a coffee-cup that has been ground into powder; two, a despatch-case with a key in the lock; three, a stain on the floor." "That may have been done some time ago," I interrupted. "No, for it is still perceptibly damp and smells of coffee. Four, a fragment of some dark green fabric only a thread or two, but recognizable." "Ah!" I cried. "That was what you sealed up in the envelope." "Yes. It may turn out to be a piece of one of Mrs. Inglethorp's own dresses, and quite unimportant. We shall see. Five, _this_!" With a dramatic gesture, he pointed to a large splash of candle grease on the floor by the writing-table. "It must have been done since yesterday, otherwise a good housemaid would have at once removed it with blotting-paper and a hot iron. One of my best hats once but that is not to the point." "It was very likely done last night. We were very agitated. Or perhaps Mrs. Inglethorp herself dropped her candle." "You brought only one candle into the room?" "Yes. Lawrence Cavendish was carrying it. But he was very upset. He seemed to see something over here" I indicated the mantelpiece "that absolutely paralysed him." "That is interesting," said Poirot quickly. "Yes, it is suggestive" his eye sweeping the whole length of the wall "but it was not his candle that made this great patch, for you perceive that this is white grease; whereas Monsieur Lawrence's candle, which is still on the dressing-table, is pink. On the other hand, Mrs. Inglethorp had no candlestick in the room, only a reading-lamp." "Then," I said, "what do you deduce?" To which my friend only made a rather irritating reply, urging me to use my own natural faculties. "And the sixth point?" I asked. "I suppose it is the sample of cocoa." "No," said Poirot thoughtfully. "I might have included that in the six, but I did not. No, the sixth point I will keep to myself for the present." He looked quickly round the room. "There is nothing more to be done here, I think, unless" he stared earnestly and long at the dead ashes in the grate. "The fire burns and it destroys. But by chance there might be let us see!" Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation. "The forceps, Hastings!" I quickly handed them to him, and with skill he extracted a small piece of half charred paper. "There, _mon ami!_" he cried. "What do you think of that?" I scrutinized the fragment. This is an exact reproduction of it: [Illustration] I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me.<|quote|>"Poirot!"</|quote|>I cried. "This is a fragment of a will!" "Exactly." I looked up at him sharply. "You are not surprised?" "No," he said gravely, "I expected it." I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside. "Now, my friend," said Poirot briskly, "we will go. I should like to ask a few questions of the parlourmaid Dorcas, her name is, is it not?" We passed through Alfred Inglethorp's room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorp's room as before. I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I am here, my friend." He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds. "Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?" "Yes, I believe they were at it yesterday afternoon. But come in Dorcas is here." "_Eh bien, eh bien!_ Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir." "Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?" "Yes, sir. But I don't know that I ought" Dorcas hesitated. Poirot looked at her keenly. "My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice." "Amen to that," said Dorcas fiercely. "And, naming no names, there's _one_ in this house that none of us could ever abide! And an ill day it was when first _he_ darkened the threshold." Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked: "Now, as to this quarrel? What is the first you heard of it?" "Well, sir, I happened to be going along the hall outside yesterday" "What time was that?" "I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock or it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didn't exactly mean to listen, but well, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly." You have lied to me, and deceived me,' "she said. I didn't hear what Mr. Inglethorp replied. He spoke a good bit lower than she did but she answered:" How dare you? I have kept you and clothed you and fed you! You owe everything to me! And this is how you repay me! By bringing disgrace upon our name!' "Again | the mantelpiece "that absolutely paralysed him." "That is interesting," said Poirot quickly. "Yes, it is suggestive" his eye sweeping the whole length of the wall "but it was not his candle that made this great patch, for you perceive that this is white grease; whereas Monsieur Lawrence's candle, which is still on the dressing-table, is pink. On the other hand, Mrs. Inglethorp had no candlestick in the room, only a reading-lamp." "Then," I said, "what do you deduce?" To which my friend only made a rather irritating reply, urging me to use my own natural faculties. "And the sixth point?" I asked. "I suppose it is the sample of cocoa." "No," said Poirot thoughtfully. "I might have included that in the six, but I did not. No, the sixth point I will keep to myself for the present." He looked quickly round the room. "There is nothing more to be done here, I think, unless" he stared earnestly and long at the dead ashes in the grate. "The fire burns and it destroys. But by chance there might be let us see!" Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation. "The forceps, Hastings!" I quickly handed them to him, and with skill he extracted a small piece of half charred paper. "There, _mon ami!_" he cried. "What do you think of that?" I scrutinized the fragment. This is an exact reproduction of it: [Illustration] I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me.<|quote|>"Poirot!"</|quote|>I cried. "This is a fragment of a will!" "Exactly." I looked up at him sharply. "You are not surprised?" "No," he said gravely, "I expected it." I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside. "Now, my friend," said Poirot briskly, "we will go. I should like to ask a few questions of the parlourmaid Dorcas, her name is, is it not?" We passed through Alfred Inglethorp's room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs. Inglethorp's room as before. I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas. When I returned with her, however, the boudoir was empty. "Poirot," I cried, "where are you?" "I am here, my friend." He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds. "Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?" "Yes, I believe they were at it yesterday afternoon. But come in Dorcas is here." "_Eh bien, eh bien!_ Do not grudge me a moment's satisfaction of the eye." "Yes, but this affair is more important." "And how do you know that these fine begonias are not of equal importance?" I shrugged my shoulders. There was really no arguing with him if he chose to take that line. "You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas." Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair. "Pray be seated, mademoiselle." "Thank you, sir." "You have been with your mistress many years, is it not so?" "Ten years, sir." "That is a long time, and very faithful service. You were much attached to her, were you not?" "She was a very good mistress to me, sir." "Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval." "Oh, certainly, sir." "Then I will | The Mysterious Affair At Styles |
“Oh, to sit down would imply that my mother at some moment of the day gets up----!” | Lord John | just settling down to bridge.”<|quote|>“Oh, to sit down would imply that my mother at some moment of the day gets up----!”</|quote|>“Which the Duchess never does?” | to leave, by her preference, just settling down to bridge.”<|quote|>“Oh, to sit down would imply that my mother at some moment of the day gets up----!”</|quote|>“Which the Duchess never does?” --Lady Sand-gate only asked to | days at Chanter with my mother; whom, as she kindly lent me her car, I should have rather liked to bring.” Lady Sandgate left the unsaid, in this connection, languish no longer than was decent. “But whom you doubtless had to leave, by her preference, just settling down to bridge.”<|quote|>“Oh, to sit down would imply that my mother at some moment of the day gets up----!”</|quote|>“Which the Duchess never does?” --Lady Sand-gate only asked to be allowed to show how she saw it. “She fights to the last, invincible; gathering in the spoils and only routing her friends?” She abounded genially in her privileged vision. “Ah yes--we know something of that!” Lord John, who was | imagine it perfectly,” said Lady Sandgate, whom evidently no perceptions of that general order ever cost a strain. “It quite sticks out of you, and every one moreover has for some time past been waiting to see. But you haven’t then,” she added, “come from town?” “No, I’m for three days at Chanter with my mother; whom, as she kindly lent me her car, I should have rather liked to bring.” Lady Sandgate left the unsaid, in this connection, languish no longer than was decent. “But whom you doubtless had to leave, by her preference, just settling down to bridge.”<|quote|>“Oh, to sit down would imply that my mother at some moment of the day gets up----!”</|quote|>“Which the Duchess never does?” --Lady Sand-gate only asked to be allowed to show how she saw it. “She fights to the last, invincible; gathering in the spoils and only routing her friends?” She abounded genially in her privileged vision. “Ah yes--we know something of that!” Lord John, who was a young man of a rambling but not of an idle eye, fixed her an instant with a surprise that was yet not steeped in compassion. “You too then?” She wouldn’t, however, too meanly narrow it down. “Well, in this house generally; where I’m so often made welcome, you see, | by the extravagance with which he always overdoes it.” And the image itself appeared in some degree to prompt this particular edified friend to look at his watch and consider. “I should like to come in for the grand _finale_, but I rattled over in a great measure to meet a party, as he calls himself--and calls, if you please, even me!--who’s motoring down by appointment and whom I think I should be here to receive; as well as a little, I confess, in the hope of a glimpse of Lady Grace: if you can perhaps imagine _that!_” “I can imagine it perfectly,” said Lady Sandgate, whom evidently no perceptions of that general order ever cost a strain. “It quite sticks out of you, and every one moreover has for some time past been waiting to see. But you haven’t then,” she added, “come from town?” “No, I’m for three days at Chanter with my mother; whom, as she kindly lent me her car, I should have rather liked to bring.” Lady Sandgate left the unsaid, in this connection, languish no longer than was decent. “But whom you doubtless had to leave, by her preference, just settling down to bridge.”<|quote|>“Oh, to sit down would imply that my mother at some moment of the day gets up----!”</|quote|>“Which the Duchess never does?” --Lady Sand-gate only asked to be allowed to show how she saw it. “She fights to the last, invincible; gathering in the spoils and only routing her friends?” She abounded genially in her privileged vision. “Ah yes--we know something of that!” Lord John, who was a young man of a rambling but not of an idle eye, fixed her an instant with a surprise that was yet not steeped in compassion. “You too then?” She wouldn’t, however, too meanly narrow it down. “Well, in this house generally; where I’m so often made welcome, you see, and where----” “Where,” he broke in at once, “your jolly good footing quite sticks out of _you_, perhaps you’ll let me say!” She clearly didn’t mind his seeing her ask herself how she should deal with so much rather juvenile intelligence; and indeed she could only decide to deal quite simply. “You can’t say more than I feel--and am proud to feel!--at being of comfort when they’re worried.” This but fed the light flame of his easy perception--which lighted for him, if she would, all the facts equally. “And they’re worried now, you imply, because my terrible mother is capable | he was apt to discriminate with sharpness among possible claims on his attention. “I luckily find _you_ at least, Lady Sandgate--they tell me Theign’s off somewhere.” She replied as with the general habit, on her side, of bland reassurance; it mostly had easier consequences--for herself--than the perhaps more showy creation of alarm. “Only off in the park--open to-day for a school-feast from Dedborough, as you may have made out from the avenue; giving good advice, at the top of his lungs, to four hundred and fifty children.” It was such a scene, and such an aspect of the personage so accounted for, as Lord John could easily take in, and his recognition familiarly smiled. “Oh he’s so great on such occasions that I’m sorry to be missing it.” “I’ve _had_ to miss it,” Lady Sandgate sighed-- “that is to miss the peroration. I’ve just left them, but he had even then been going on for twenty minutes, and I dare say that if you care to take a look you’ll find him, poor dear victim of duty, still _at_ it.” “I’ll warrant--for, as I often tell him, he makes the idea of one’s duty an awful thing to his friends by the extravagance with which he always overdoes it.” And the image itself appeared in some degree to prompt this particular edified friend to look at his watch and consider. “I should like to come in for the grand _finale_, but I rattled over in a great measure to meet a party, as he calls himself--and calls, if you please, even me!--who’s motoring down by appointment and whom I think I should be here to receive; as well as a little, I confess, in the hope of a glimpse of Lady Grace: if you can perhaps imagine _that!_” “I can imagine it perfectly,” said Lady Sandgate, whom evidently no perceptions of that general order ever cost a strain. “It quite sticks out of you, and every one moreover has for some time past been waiting to see. But you haven’t then,” she added, “come from town?” “No, I’m for three days at Chanter with my mother; whom, as she kindly lent me her car, I should have rather liked to bring.” Lady Sandgate left the unsaid, in this connection, languish no longer than was decent. “But whom you doubtless had to leave, by her preference, just settling down to bridge.”<|quote|>“Oh, to sit down would imply that my mother at some moment of the day gets up----!”</|quote|>“Which the Duchess never does?” --Lady Sand-gate only asked to be allowed to show how she saw it. “She fights to the last, invincible; gathering in the spoils and only routing her friends?” She abounded genially in her privileged vision. “Ah yes--we know something of that!” Lord John, who was a young man of a rambling but not of an idle eye, fixed her an instant with a surprise that was yet not steeped in compassion. “You too then?” She wouldn’t, however, too meanly narrow it down. “Well, in this house generally; where I’m so often made welcome, you see, and where----” “Where,” he broke in at once, “your jolly good footing quite sticks out of _you_, perhaps you’ll let me say!” She clearly didn’t mind his seeing her ask herself how she should deal with so much rather juvenile intelligence; and indeed she could only decide to deal quite simply. “You can’t say more than I feel--and am proud to feel!--at being of comfort when they’re worried.” This but fed the light flame of his easy perception--which lighted for him, if she would, all the facts equally. “And they’re worried now, you imply, because my terrible mother is capable of heavy gains and of making a great noise if she isn’t paid? I ought to mind speaking of that truth,” he went on as with a practised glance in the direction of delicacy; “but I think I should like you to know that I myself am not a bit ignorant of why it has made such an impression here.” Lady Sandgate forestalled his knowledge. “Because poor Kitty Imber--who should either never touch a card or else learn to suffer in silence, as I’ve had to, goodness knows!--has thrown herself, with her impossible big debt, upon her father? whom she thinks herself entitled to ‘look to’ even more as a lovely young widow with a good jointure than she formerly did as the mere most beautiful daughter at home.” She had put the picture a shade interrogatively, but this was as nothing to the note of free inquiry in Lord John’s reply. “You mean that our lovely young widows--to say nothing of lovely young wives--ought by this time to have made out, in predicaments, how to turn round?” His temporary hostess, even with his eyes on her, appeared to decide after a moment not wholly to disown his thought. But | her hand, had partly before him, as an immediate effect, the high wide interior, still breathing the quiet air and the fair pannelled security of the couple of hushed and stored centuries, in which certain of the reputed treasures of Dedborough Place beautifully disposed themselves; and then, through ample apertures and beyond the stately stone outworks of the great seated and supported house--uplifting terrace, balanced, balustraded steps and containing basins where splash and spray were at rest--all the rich composed extension of garden and lawn and park. An ancient, an assured elegance seemed to reign; pictures and preserved “pieces,” cabinets and tapestries, spoke, each for itself, of fine selection and high distinction; while the originals of the old portraits, in more or less deserved salience, hung over the happy scene as the sworn members of a great guild might have sat, on the beautiful April day, at one of their annual feasts. Such was the setting confirmed by generous time, but the handsome woman of considerably more than forty whose entrance had all but coincided with that of Lord John either belonged, for the eye, to no such complacent company or enjoyed a relation to it in which the odd twists and turns of history must have been more frequent than any dull avenue or easy sequence. Lady Sandgate was shiningly modern, and perhaps at no point more so than by the effect of her express repudiation of a mundane future certain to be more and more offensive to women of real quality and of formed taste. Clearly, at any rate, in her hands, the clue to the antique confidence had lost itself, and repose, however founded, had given way to curiosity--that is to speculation--however disguised. She might have consented, or even attained, to being but gracefully stupid, but she would presumably have confessed, if put on her trial for restlessness or for intelligence, that she _was_, after all, almost clever enough to be vulgar. Unmistakably, moreover, she had still, with her fine stature, her disciplined figure, her cherished complexion, her bright important hair, her kind bold eyes and her large constant smile, the degree of beauty that might pretend to put every other question by. Lord John addressed her as with a significant manner that he might have had--that of a lack of need, or even of interest, for any explanation about herself: it would have been clear that he was apt to discriminate with sharpness among possible claims on his attention. “I luckily find _you_ at least, Lady Sandgate--they tell me Theign’s off somewhere.” She replied as with the general habit, on her side, of bland reassurance; it mostly had easier consequences--for herself--than the perhaps more showy creation of alarm. “Only off in the park--open to-day for a school-feast from Dedborough, as you may have made out from the avenue; giving good advice, at the top of his lungs, to four hundred and fifty children.” It was such a scene, and such an aspect of the personage so accounted for, as Lord John could easily take in, and his recognition familiarly smiled. “Oh he’s so great on such occasions that I’m sorry to be missing it.” “I’ve _had_ to miss it,” Lady Sandgate sighed-- “that is to miss the peroration. I’ve just left them, but he had even then been going on for twenty minutes, and I dare say that if you care to take a look you’ll find him, poor dear victim of duty, still _at_ it.” “I’ll warrant--for, as I often tell him, he makes the idea of one’s duty an awful thing to his friends by the extravagance with which he always overdoes it.” And the image itself appeared in some degree to prompt this particular edified friend to look at his watch and consider. “I should like to come in for the grand _finale_, but I rattled over in a great measure to meet a party, as he calls himself--and calls, if you please, even me!--who’s motoring down by appointment and whom I think I should be here to receive; as well as a little, I confess, in the hope of a glimpse of Lady Grace: if you can perhaps imagine _that!_” “I can imagine it perfectly,” said Lady Sandgate, whom evidently no perceptions of that general order ever cost a strain. “It quite sticks out of you, and every one moreover has for some time past been waiting to see. But you haven’t then,” she added, “come from town?” “No, I’m for three days at Chanter with my mother; whom, as she kindly lent me her car, I should have rather liked to bring.” Lady Sandgate left the unsaid, in this connection, languish no longer than was decent. “But whom you doubtless had to leave, by her preference, just settling down to bridge.”<|quote|>“Oh, to sit down would imply that my mother at some moment of the day gets up----!”</|quote|>“Which the Duchess never does?” --Lady Sand-gate only asked to be allowed to show how she saw it. “She fights to the last, invincible; gathering in the spoils and only routing her friends?” She abounded genially in her privileged vision. “Ah yes--we know something of that!” Lord John, who was a young man of a rambling but not of an idle eye, fixed her an instant with a surprise that was yet not steeped in compassion. “You too then?” She wouldn’t, however, too meanly narrow it down. “Well, in this house generally; where I’m so often made welcome, you see, and where----” “Where,” he broke in at once, “your jolly good footing quite sticks out of _you_, perhaps you’ll let me say!” She clearly didn’t mind his seeing her ask herself how she should deal with so much rather juvenile intelligence; and indeed she could only decide to deal quite simply. “You can’t say more than I feel--and am proud to feel!--at being of comfort when they’re worried.” This but fed the light flame of his easy perception--which lighted for him, if she would, all the facts equally. “And they’re worried now, you imply, because my terrible mother is capable of heavy gains and of making a great noise if she isn’t paid? I ought to mind speaking of that truth,” he went on as with a practised glance in the direction of delicacy; “but I think I should like you to know that I myself am not a bit ignorant of why it has made such an impression here.” Lady Sandgate forestalled his knowledge. “Because poor Kitty Imber--who should either never touch a card or else learn to suffer in silence, as I’ve had to, goodness knows!--has thrown herself, with her impossible big debt, upon her father? whom she thinks herself entitled to ‘look to’ even more as a lovely young widow with a good jointure than she formerly did as the mere most beautiful daughter at home.” She had put the picture a shade interrogatively, but this was as nothing to the note of free inquiry in Lord John’s reply. “You mean that our lovely young widows--to say nothing of lovely young wives--ought by this time to have made out, in predicaments, how to turn round?” His temporary hostess, even with his eyes on her, appeared to decide after a moment not wholly to disown his thought. But she smiled for it. “Well, in that set----!” “My mother’s set?” However, if she could smile he could laugh. “I’m much obliged!” “Oh,” she qualified, “I don’t criticise her Grace; but the ways and traditions and tone of this house----” “Make it” --he took her sense straight from her-- “the house in England where one feels most the false note of a dishevelled and bankrupt elder daughter breaking in with a list of her gaming debts--to say nothing of others!--and wishing to have at least those wiped out in the interest of her reputation? Exactly so,” he went on before she could meet it with a diplomatic ambiguity; “and just that, I assure you, is a large part of the reason I like to come here--since I personally don’t come with any such associations.” “Not the association of bankruptcy--no; as you represent the payee!” The young man appeared to regard this imputation for a moment almost as a liberty taken. “How do you know so well, Lady Sandgate, what I represent?” She bethought herself--but briefly and bravely. “Well, don’t you represent, by your own admission, certain fond aspirations? Don’t you represent the belief--very natural, I grant--that more than _one_ perverse and extravagant flower will be unlikely on such a fine healthy old stem; and, consistently with that, the hope of arranging with our admirable host here that he shall lend a helpful hand to your commending yourself to dear Grace?” nan “treatment” by which his negative nose had been enabled to look important and his meagre mouth to smile its spareness away. He had pleasant but hard little eyes--they glittered, handsomely, without promise--and a neatness, a coolness and an ease, a clear instinct for making point take, on his behalf, the place of weight and immunity that of capacity, which represented somehow the art of living at a high pitch and yet at a low cost. There was that in his satisfied air which still suggested sharp wants--and this was withal the ambiguity; for the temper of these appetites or views was certainly, you would have concluded, not such as always to sacrifice to form. If he really, for instance, wanted Lady Grace, the passion or the sense of his interest in it would scarce have been considerately irritable. “May I ask what you mean,” he inquired of Lady Sandgate, “by the question of my ‘arranging’?” “I mean that you’re | that if you care to take a look you’ll find him, poor dear victim of duty, still _at_ it.” “I’ll warrant--for, as I often tell him, he makes the idea of one’s duty an awful thing to his friends by the extravagance with which he always overdoes it.” And the image itself appeared in some degree to prompt this particular edified friend to look at his watch and consider. “I should like to come in for the grand _finale_, but I rattled over in a great measure to meet a party, as he calls himself--and calls, if you please, even me!--who’s motoring down by appointment and whom I think I should be here to receive; as well as a little, I confess, in the hope of a glimpse of Lady Grace: if you can perhaps imagine _that!_” “I can imagine it perfectly,” said Lady Sandgate, whom evidently no perceptions of that general order ever cost a strain. “It quite sticks out of you, and every one moreover has for some time past been waiting to see. But you haven’t then,” she added, “come from town?” “No, I’m for three days at Chanter with my mother; whom, as she kindly lent me her car, I should have rather liked to bring.” Lady Sandgate left the unsaid, in this connection, languish no longer than was decent. “But whom you doubtless had to leave, by her preference, just settling down to bridge.”<|quote|>“Oh, to sit down would imply that my mother at some moment of the day gets up----!”</|quote|>“Which the Duchess never does?” --Lady Sand-gate only asked to be allowed to show how she saw it. “She fights to the last, invincible; gathering in the spoils and only routing her friends?” She abounded genially in her privileged vision. “Ah yes--we know something of that!” Lord John, who was a young man of a rambling but not of an idle eye, fixed her an instant with a surprise that was yet not steeped in compassion. “You too then?” She wouldn’t, however, too meanly narrow it down. “Well, in this house generally; where I’m so often made welcome, you see, and where----” “Where,” he broke in at once, “your jolly good footing quite sticks out of _you_, perhaps you’ll let me say!” She clearly didn’t mind his seeing her ask herself how she should deal with so much rather juvenile intelligence; and indeed she could only decide to deal quite simply. “You can’t say more than I feel--and am proud to feel!--at being of comfort when they’re worried.” This but fed the light flame of his easy perception--which lighted for him, if she would, all the facts equally. “And they’re worried now, you imply, because my terrible mother is capable of heavy gains and of making a great noise if she isn’t paid? I ought to mind speaking of that truth,” he went on as with a practised glance in the direction of delicacy; “but I think I should like you to know that I myself am not a bit ignorant of why it has made such an impression here.” Lady Sandgate forestalled | The Outcry |
"It's all very well, Mas' Don," | Jem Wimble | effect of making Jem wroth.<|quote|>"It's all very well, Mas' Don,"</|quote|>he said, with his mouth | to himself, but with the effect of making Jem wroth.<|quote|>"It's all very well, Mas' Don,"</|quote|>he said, with his mouth full; "but if he comes | breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth.<|quote|>"It's all very well, Mas' Don,"</|quote|>he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose | to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION. "It arn't bad," said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth.<|quote|>"It's all very well, Mas' Don,"</|quote|>he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen | sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION. "It arn't bad," said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth.<|quote|>"It's all very well, Mas' Don,"</|quote|>he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of | of his personal appearance till Jem spoke. "Guy?" he said, laughing, as he ran his eye over Jem. "I say, did you ever hear the story of the pot and the kettle?" "Yes, of course; but I say, my lad, I don't look so rum as you, do I?" "I suppose you look just about the same, Jem." "Then the sooner they gets our clothes dry and we're into 'em again, the sooner we shall look like human beings. Say, Mas' Don, it's werry awkward; you can't say anything to that big savage without him shouting `pakeha.' How shall we ask for our clothes?" "Wait," said Don. "We've got to think about getting further away." "Think they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION. "It arn't bad," said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth.<|quote|>"It's all very well, Mas' Don,"</|quote|>he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of the _whare_ to return directly with the dried garments. Ngati signed to them to follow, and he led them, by a faintly marked track, in and out among the trees and the cleared patches which formed the natives' gardens, and all the while carefully avoiding any openings through which the harbour could be seen. Every now and then he turned to speak volubly, but though he interpolated a few English words, his meaning would have been incomprehensible but for his gestures and the warnings nature kept giving of danger. For every here and there, as they wound in and out among the trees, they came upon soft, boggy places, where the ground was hot; and as the pressure of the foot sent hissing forth a jet of steam, it was evident that a step to right or left of the narrow track meant being plunged into a pool of heated mud of unknown depth. In other places the hot mud bubbled up in rounded pools, spitting, hissing, and bursting with faint cracks that were terribly suggestive of danger. Over these heated spots the fertility and growth of the plants was astounding. They seemed to be shooting up out of a | which the volcanic water effervesced and gurgled, the followers of Ngati came and went busily, and a curious transformation came over the scene--the darkness seemed to undergo a change and become grey. Then as Don watched, he saw that above his head quite a cloud of steam was floating, through which a pale, sad light began to penetrate; and as he watched this, so pleasant and restful was the sensation that he felt as if he could sleep, till he took into consideration the fact that if he did, his body would become relaxed, and he would slip down with his head beneath the surface. As it grew lighter rapidly now, he could make out that the roughly thatched roof was merely stretched over a rough rocky nook in which the hot spring bubbled out of the mountain slope, and here a few rough slabs had been laid together, box-fashion, to retain the water and form the bath. Before he had more than realised the fact that Jem was in a shelter very similar to his own, the huge New Zealander was back with about a dozen of his men, and himself bearing a great native flax cloth marked with a broad pattern. Just as the sun had transformed everything without, and Don was gazing on a glorious prospect of lace-like tree-fern rising out of the steaming gully in which he stood, Jem Wimble came stalking out of the shelter where he had been dressing--a very simple operation, for it had consisted in draping himself in a great unbleached cloth--and looking squat and comical as a man in his circumstances could look. Ngati was close at hand with his men all standing in a group, and at first sight it seemed as if they were laughing at the little, stoutly-built, pink-faced man, but, on the contrary, they were smiles of admiration. "I couldn't ha' believed it, Mas' Don," said Jem; "I feel as fresh as a daisy, and--well, I never did! Mas' Don, what a guy you do look!" Don, after a momentary thought that he looked something like one of the old Romans in a toga, just as he had seen them in an engraving, had been so taken up with the beauty of the ferny gully, with the sun gilding here and there the steamy vapour which rose from the hot springs, that he had thought no more of his personal appearance till Jem spoke. "Guy?" he said, laughing, as he ran his eye over Jem. "I say, did you ever hear the story of the pot and the kettle?" "Yes, of course; but I say, my lad, I don't look so rum as you, do I?" "I suppose you look just about the same, Jem." "Then the sooner they gets our clothes dry and we're into 'em again, the sooner we shall look like human beings. Say, Mas' Don, it's werry awkward; you can't say anything to that big savage without him shouting `pakeha.' How shall we ask for our clothes?" "Wait," said Don. "We've got to think about getting further away." "Think they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION. "It arn't bad," said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth.<|quote|>"It's all very well, Mas' Don,"</|quote|>he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of the _whare_ to return directly with the dried garments. Ngati signed to them to follow, and he led them, by a faintly marked track, in and out among the trees and the cleared patches which formed the natives' gardens, and all the while carefully avoiding any openings through which the harbour could be seen. Every now and then he turned to speak volubly, but though he interpolated a few English words, his meaning would have been incomprehensible but for his gestures and the warnings nature kept giving of danger. For every here and there, as they wound in and out among the trees, they came upon soft, boggy places, where the ground was hot; and as the pressure of the foot sent hissing forth a jet of steam, it was evident that a step to right or left of the narrow track meant being plunged into a pool of heated mud of unknown depth. In other places the hot mud bubbled up in rounded pools, spitting, hissing, and bursting with faint cracks that were terribly suggestive of danger. Over these heated spots the fertility and growth of the plants was astounding. They seemed to be shooting up out of a natural hothouse, but where to attempt to pass them meant a terrible and instant death. "Look out, Mas' Don! This here's what I once heard a clown say, `It's dangerous to be safe.' I say, figgerhead, arn't there no other way?" "Ship! Men! Catchee, catchee," said Ngati, in a whisper. "Hear that, Mas' Don? Any one'd think we was babbies. Ketchy, ketchy, indeed! You ask him if there arn't no other way. I don't like walking in a place that's like so much hot soup." "Be quiet, and follow. Hist! Hark!" Don stopped short, for, from a distance, came a faint hail, followed by another nearer, which seemed to be in answer. "They're arter us, sir, and if we're to be ketched I don't mean to be ketched like this." "What are you going to do, Jem?" "Do?" said Jem, unrolling his bundled-up clothes, and preparing to sit down, "make myself look like an ornery Chrishtun." "Don't sit down there, Jem!" cried Don, as Ngati gave a warning cry at the same moment, and started back. But they were too late, for Jem had chosen a delicately green mossy and ferny patch, and plumped himself down, to utter a cry of horror, and snatch at the extended hands. For the green ferny patch was a thin covering over a noisome hole full of black boiling mud, into which the poor fellow was settling as he was dragged out. "Fah!" ejaculated Jem, pinching his nose. "Here, I've had 'most enough o' this place. Nice sort o' spot this would be to turn a donkey out to graze. Why, you wouldn't find nothing but the tips of his ears to-morrow morning." Another hail rang out, and was answered in two places. "I say, Mas' Don, they're hunting for us, and we shall have to run." He made signs to the chief indicative of a desire to run, but Ngati shook his head, and pointed onward. They followed on, listening to the shouts, which came nearer, till Ngati suddenly took a sharp turn round a great buttress of lava, and entered a wild, narrow, forbidding-looking chasm, where on either side the black, jagged masses of rock were piled up several hundred feet, and made glorious by streams which coursed among the delicately green ferns. "Look's damp," said Jem, as Ngati led them on for about fifty yards, and then began to climb, his | pink-faced man, but, on the contrary, they were smiles of admiration. "I couldn't ha' believed it, Mas' Don," said Jem; "I feel as fresh as a daisy, and--well, I never did! Mas' Don, what a guy you do look!" Don, after a momentary thought that he looked something like one of the old Romans in a toga, just as he had seen them in an engraving, had been so taken up with the beauty of the ferny gully, with the sun gilding here and there the steamy vapour which rose from the hot springs, that he had thought no more of his personal appearance till Jem spoke. "Guy?" he said, laughing, as he ran his eye over Jem. "I say, did you ever hear the story of the pot and the kettle?" "Yes, of course; but I say, my lad, I don't look so rum as you, do I?" "I suppose you look just about the same, Jem." "Then the sooner they gets our clothes dry and we're into 'em again, the sooner we shall look like human beings. Say, Mas' Don, it's werry awkward; you can't say anything to that big savage without him shouting `pakeha.' How shall we ask for our clothes?" "Wait," said Don. "We've got to think about getting further away." "Think they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION. "It arn't bad," said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth.<|quote|>"It's all very well, Mas' Don,"</|quote|>he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of the _whare_ to return directly with the dried garments. Ngati signed to them to follow, and he led them, by a faintly marked track, in and out among the trees and the cleared patches which formed the natives' gardens, and all the while carefully avoiding any openings through which the harbour could be seen. Every now and then he turned to speak volubly, but though he interpolated a few English words, his meaning would have been incomprehensible but for his gestures and the warnings nature kept giving of danger. For every here and there, as they wound in and out among the trees, they came upon soft, boggy places, where the ground was hot; and as the pressure of the foot sent hissing forth a jet of steam, it was evident that a step to right or left of the narrow track meant being plunged into a pool of heated mud of unknown depth. In other places the hot mud bubbled up in rounded pools, spitting, hissing, and bursting with faint cracks that were terribly suggestive of danger. Over these heated spots the fertility and growth of the plants was astounding. They seemed to be shooting up out of a natural hothouse, but where to attempt to | Don Lavington |
Something worried me. | No speaker | regular tough underneath it all.”<|quote|>Something worried me.</|quote|>“Why didn’t he ask you | be offended. You see, he’s regular tough underneath it all.”<|quote|>Something worried me.</|quote|>“Why didn’t he ask you to arrange a meeting?” “He | starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden. “Did I have to know all this before he could ask such a little thing?” “He’s afraid, he’s waited so long. He thought you might be offended. You see, he’s regular tough underneath it all.”<|quote|>Something worried me.</|quote|>“Why didn’t he ask you to arrange a meeting?” “He wants her to see his house,” she explained. “And your house is right next door.” “Oh!” “I think he half expected her to wander into one of his parties, some night,” went on Jordan, “but she never did. Then he | me, delivered suddenly from the womb of his purposeless splendour. “He wants to know,” continued Jordan, “if you’ll invite Daisy to your house some afternoon and then let him come over.” The modesty of the demand shook me. He had waited five years and bought a mansion where he dispensed starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden. “Did I have to know all this before he could ask such a little thing?” “He’s afraid, he’s waited so long. He thought you might be offended. You see, he’s regular tough underneath it all.”<|quote|>Something worried me.</|quote|>“Why didn’t he ask you to arrange a meeting?” “He wants her to see his house,” she explained. “And your house is right next door.” “Oh!” “I think he half expected her to wander into one of his parties, some night,” went on Jordan, “but she never did. Then he began asking people casually if they knew her, and I was the first one he found. It was that night he sent for me at his dance, and you should have heard the elaborate way he worked up to it. Of course, I immediately suggested a luncheon in New York—and | behind the tall apartments of the movie stars in the West Fifties, and the clear voices of children, already gathered like crickets on the grass, rose through the hot twilight: “I’m the Sheik of Araby. Your love belongs to me. At night when you’re asleep Into your tent I’ll creep—” “It was a strange coincidence,” I said. “But it wasn’t a coincidence at all.” “Why not?” “Gatsby bought that house so that Daisy would be just across the bay.” Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendour. “He wants to know,” continued Jordan, “if you’ll invite Daisy to your house some afternoon and then let him come over.” The modesty of the demand shook me. He had waited five years and bought a mansion where he dispensed starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden. “Did I have to know all this before he could ask such a little thing?” “He’s afraid, he’s waited so long. He thought you might be offended. You see, he’s regular tough underneath it all.”<|quote|>Something worried me.</|quote|>“Why didn’t he ask you to arrange a meeting?” “He wants her to see his house,” she explained. “And your house is right next door.” “Oh!” “I think he half expected her to wander into one of his parties, some night,” went on Jordan, “but she never did. Then he began asking people casually if they knew her, and I was the first one he found. It was that night he sent for me at his dance, and you should have heard the elaborate way he worked up to it. Of course, I immediately suggested a luncheon in New York—and I thought he’d go mad: “ ‘I don’t want to do anything out of the way!’ he kept saying. ‘I want to see her right next door.’ “When I said you were a particular friend of Tom’s, he started to abandon the whole idea. He doesn’t know very much about Tom, though he says he’s read a Chicago paper for years just on the chance of catching a glimpse of Daisy’s name.” It was dark now, and as we dipped under a little bridge I put my arm around Jordan’s golden shoulder and drew her toward me and asked her | fast crowd, all of them young and rich and wild, but she came out with an absolutely perfect reputation. Perhaps because she doesn’t drink. It’s a great advantage not to drink among hard-drinking people. You can hold your tongue and, moreover, you can time any little irregularity of your own so that everybody else is so blind that they don’t see or care. Perhaps Daisy never went in for amour at all—and yet there’s something in that voice of hers … Well, about six weeks ago, she heard the name Gatsby for the first time in years. It was when I asked you—do you remember?—if you knew Gatsby in West Egg. After you had gone home she came into my room and woke me up, and said: “What Gatsby?” and when I described him—I was half asleep—she said in the strangest voice that it must be the man she used to know. It wasn’t until then that I connected this Gatsby with the officer in her white car. ------------------------------------------------------------------------ When Jordan Baker had finished telling all this we had left the Plaza for half an hour and were driving in a victoria through Central Park. The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the clear voices of children, already gathered like crickets on the grass, rose through the hot twilight: “I’m the Sheik of Araby. Your love belongs to me. At night when you’re asleep Into your tent I’ll creep—” “It was a strange coincidence,” I said. “But it wasn’t a coincidence at all.” “Why not?” “Gatsby bought that house so that Daisy would be just across the bay.” Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendour. “He wants to know,” continued Jordan, “if you’ll invite Daisy to your house some afternoon and then let him come over.” The modesty of the demand shook me. He had waited five years and bought a mansion where he dispensed starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden. “Did I have to know all this before he could ask such a little thing?” “He’s afraid, he’s waited so long. He thought you might be offended. You see, he’s regular tough underneath it all.”<|quote|>Something worried me.</|quote|>“Why didn’t he ask you to arrange a meeting?” “He wants her to see his house,” she explained. “And your house is right next door.” “Oh!” “I think he half expected her to wander into one of his parties, some night,” went on Jordan, “but she never did. Then he began asking people casually if they knew her, and I was the first one he found. It was that night he sent for me at his dance, and you should have heard the elaborate way he worked up to it. Of course, I immediately suggested a luncheon in New York—and I thought he’d go mad: “ ‘I don’t want to do anything out of the way!’ he kept saying. ‘I want to see her right next door.’ “When I said you were a particular friend of Tom’s, he started to abandon the whole idea. He doesn’t know very much about Tom, though he says he’s read a Chicago paper for years just on the chance of catching a glimpse of Daisy’s name.” It was dark now, and as we dipped under a little bridge I put my arm around Jordan’s golden shoulder and drew her toward me and asked her to dinner. Suddenly I wasn’t thinking of Daisy and Gatsby any more, but of this clean, hard, limited person, who dealt in universal scepticism, and who leaned back jauntily just within the circle of my arm. A phrase began to beat in my ears with a sort of heady excitement: “There are only the pursued, the pursuing, the busy, and the tired.” “And Daisy ought to have something in her life,” murmured Jordan to me. “Does she want to see Gatsby?” “She’s not to know about it. Gatsby doesn’t want her to know. You’re just supposed to invite her to tea.” We passed a barrier of dark trees, and then the façade of Fifty-Ninth Street, a block of delicate pale light, beamed down into the park. Unlike Gatsby and Tom Buchanan, I had no girl whose disembodied face floated along the dark cornices and blinding signs, and so I drew up the girl beside me, tightening my arms. Her wan, scornful mouth smiled, and so I drew her up again closer, this time to my face. V When I came home to West Egg that night I was afraid for a moment that my house was on fire. Two o’clock | a girl like that before. “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ” She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow. But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas. I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together—it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken—she was one of the chambermaids in the Santa Barbara Hotel. The next April Daisy had her little girl, and they went to France for a year. I saw them one spring in Cannes, and later in Deauville, and then they came back to Chicago to settle down. Daisy was popular in Chicago, as you know. They moved with a fast crowd, all of them young and rich and wild, but she came out with an absolutely perfect reputation. Perhaps because she doesn’t drink. It’s a great advantage not to drink among hard-drinking people. You can hold your tongue and, moreover, you can time any little irregularity of your own so that everybody else is so blind that they don’t see or care. Perhaps Daisy never went in for amour at all—and yet there’s something in that voice of hers … Well, about six weeks ago, she heard the name Gatsby for the first time in years. It was when I asked you—do you remember?—if you knew Gatsby in West Egg. After you had gone home she came into my room and woke me up, and said: “What Gatsby?” and when I described him—I was half asleep—she said in the strangest voice that it must be the man she used to know. It wasn’t until then that I connected this Gatsby with the officer in her white car. ------------------------------------------------------------------------ When Jordan Baker had finished telling all this we had left the Plaza for half an hour and were driving in a victoria through Central Park. The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the clear voices of children, already gathered like crickets on the grass, rose through the hot twilight: “I’m the Sheik of Araby. Your love belongs to me. At night when you’re asleep Into your tent I’ll creep—” “It was a strange coincidence,” I said. “But it wasn’t a coincidence at all.” “Why not?” “Gatsby bought that house so that Daisy would be just across the bay.” Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendour. “He wants to know,” continued Jordan, “if you’ll invite Daisy to your house some afternoon and then let him come over.” The modesty of the demand shook me. He had waited five years and bought a mansion where he dispensed starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden. “Did I have to know all this before he could ask such a little thing?” “He’s afraid, he’s waited so long. He thought you might be offended. You see, he’s regular tough underneath it all.”<|quote|>Something worried me.</|quote|>“Why didn’t he ask you to arrange a meeting?” “He wants her to see his house,” she explained. “And your house is right next door.” “Oh!” “I think he half expected her to wander into one of his parties, some night,” went on Jordan, “but she never did. Then he began asking people casually if they knew her, and I was the first one he found. It was that night he sent for me at his dance, and you should have heard the elaborate way he worked up to it. Of course, I immediately suggested a luncheon in New York—and I thought he’d go mad: “ ‘I don’t want to do anything out of the way!’ he kept saying. ‘I want to see her right next door.’ “When I said you were a particular friend of Tom’s, he started to abandon the whole idea. He doesn’t know very much about Tom, though he says he’s read a Chicago paper for years just on the chance of catching a glimpse of Daisy’s name.” It was dark now, and as we dipped under a little bridge I put my arm around Jordan’s golden shoulder and drew her toward me and asked her to dinner. Suddenly I wasn’t thinking of Daisy and Gatsby any more, but of this clean, hard, limited person, who dealt in universal scepticism, and who leaned back jauntily just within the circle of my arm. A phrase began to beat in my ears with a sort of heady excitement: “There are only the pursued, the pursuing, the busy, and the tired.” “And Daisy ought to have something in her life,” murmured Jordan to me. “Does she want to see Gatsby?” “She’s not to know about it. Gatsby doesn’t want her to know. You’re just supposed to invite her to tea.” We passed a barrier of dark trees, and then the façade of Fifty-Ninth Street, a block of delicate pale light, beamed down into the park. Unlike Gatsby and Tom Buchanan, I had no girl whose disembodied face floated along the dark cornices and blinding signs, and so I drew up the girl beside me, tightening my arms. Her wan, scornful mouth smiled, and so I drew her up again closer, this time to my face. V When I came home to West Egg that night I was afraid for a moment that my house was on fire. Two o’clock and the whole corner of the peninsula was blazing with light, which fell unreal on the shrubbery and made thin elongating glints upon the roadside wires. Turning a corner, I saw that it was Gatsby’s house, lit from tower to cellar. At first I thought it was another party, a wild rout that had resolved itself into “hide-and-go-seek” or “sardines-in-the-box” with all the house thrown open to the game. But there wasn’t a sound. Only wind in the trees, which blew the wires and made the lights go off and on again as if the house had winked into the darkness. As my taxi groaned away I saw Gatsby walking toward me across his lawn. “Your place looks like the World’s Fair,” I said. “Does it?” He turned his eyes toward it absently. “I have been glancing into some of the rooms. Let’s go to Coney Island, old sport. In my car.” “It’s too late.” “Well, suppose we take a plunge in the swimming pool? I haven’t made use of it all summer.” “I’ve got to go to bed.” “All right.” He waited, looking at me with suppressed eagerness. “I talked with Miss Baker,” I said after a moment. “I’m going to call up Daisy tomorrow and invite her over here to tea.” “Oh, that’s all right,” he said carelessly. “I don’t want to put you to any trouble.” “What day would suit you?” “What day would suit you?” he corrected me quickly. “I don’t want to put you to any trouble, you see.” “How about the day after tomorrow?” He considered for a moment. Then, with reluctance: “I want to get the grass cut,” he said. We both looked down at the grass—there was a sharp line where my ragged lawn ended and the darker, well-kept expanse of his began. I suspected that he meant my grass. “There’s another little thing,” he said uncertainly, and hesitated. “Would you rather put it off for a few days?” I asked. “Oh, it isn’t about that. At least—” He fumbled with a series of beginnings. “Why, I thought—why, look here, old sport, you don’t make much money, do you?” “Not very much.” This seemed to reassure him and he continued more confidently. “I thought you didn’t, if you’ll pardon my—you see, I carry on a little business on the side, a sort of side line, you understand. And I thought that if | you can time any little irregularity of your own so that everybody else is so blind that they don’t see or care. Perhaps Daisy never went in for amour at all—and yet there’s something in that voice of hers … Well, about six weeks ago, she heard the name Gatsby for the first time in years. It was when I asked you—do you remember?—if you knew Gatsby in West Egg. After you had gone home she came into my room and woke me up, and said: “What Gatsby?” and when I described him—I was half asleep—she said in the strangest voice that it must be the man she used to know. It wasn’t until then that I connected this Gatsby with the officer in her white car. ------------------------------------------------------------------------ When Jordan Baker had finished telling all this we had left the Plaza for half an hour and were driving in a victoria through Central Park. The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the clear voices of children, already gathered like crickets on the grass, rose through the hot twilight: “I’m the Sheik of Araby. Your love belongs to me. At night when you’re asleep Into your tent I’ll creep—” “It was a strange coincidence,” I said. “But it wasn’t a coincidence at all.” “Why not?” “Gatsby bought that house so that Daisy would be just across the bay.” Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendour. “He wants to know,” continued Jordan, “if you’ll invite Daisy to your house some afternoon and then let him come over.” The modesty of the demand shook me. He had waited five years and bought a mansion where he dispensed starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden. “Did I have to know all this before he could ask such a little thing?” “He’s afraid, he’s waited so long. He thought you might be offended. You see, he’s regular tough underneath it all.”<|quote|>Something worried me.</|quote|>“Why didn’t he ask you to arrange a meeting?” “He wants her to see his house,” she explained. “And your house is right next door.” “Oh!” “I think he half expected her to wander into one of his parties, some night,” went on Jordan, “but she never did. Then he began asking people casually if they knew her, and I was the first one he found. It was that night he sent for me at his dance, and you should have heard the elaborate way he worked up to it. Of course, I immediately suggested a luncheon in New York—and I thought he’d go mad: “ ‘I don’t want to do anything out of the way!’ he kept saying. ‘I want to see her right next door.’ “When I said you were a particular friend of Tom’s, he started to abandon the whole idea. He doesn’t know very much about Tom, though he says he’s read a Chicago paper for years just on the chance of catching a glimpse of Daisy’s name.” It was dark now, and as we dipped under a little bridge I put my arm around Jordan’s golden shoulder and drew her toward me and asked her to dinner. Suddenly I wasn’t thinking of Daisy and Gatsby any more, but of this clean, hard, limited person, who dealt in universal scepticism, and who | The Great Gatsby |
Bill's face was red. | No speaker | "You've got to help me."<|quote|>Bill's face was red.</|quote|>"Come back in, Edna," he | of four fights," Edna said. "You've got to help me."<|quote|>Bill's face was red.</|quote|>"Come back in, Edna," he said. "Go on in there | Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me."<|quote|>Bill's face was red.</|quote|>"Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English | not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me."<|quote|>Bill's face was red.</|quote|>"Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice | a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said to him. "You must teach me Spanish." He sat down and looked at her across the table. I went out. The hard-eyed people at the bull-fighter table watched me go. It was not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me."<|quote|>Bill's face was red.</|quote|>"Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what | Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said to him. "You must teach me Spanish." He sat down and looked at her across the table. I went out. The hard-eyed people at the bull-fighter table watched me go. It was not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me."<|quote|>Bill's face was red.</|quote|>"Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it," Bill said. "Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take me away from here," she said, "you bankrupts." "What kind of a row was it?" I asked Edna. We were walking across the square to the Suizo. Bill was gone. "I don't know what happened, but some one had the police called to keep Mike out of the back room. There were some people that had known Mike at Cannes. What's the matter with Mike?" "Probably he owes them money" I said. "That's what people usually get bitter about." In front of the ticket-booths out in the square there were two lines of people waiting. They were sitting on chairs or crouched on the ground with blankets and newspapers around them. They were waiting for | looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said to him. "You must teach me Spanish." He sat down and looked at her across the table. I went out. The hard-eyed people at the bull-fighter table watched me go. It was not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me."<|quote|>Bill's face was red.</|quote|>"Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it," Bill said. "Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take me away from here," she said, "you bankrupts." "What kind of a row was it?" I asked Edna. We were walking across the square to the Suizo. Bill was gone. "I don't know what happened, but some one had the police called to keep Mike out of the back room. There were some people that had known Mike at Cannes. What's the matter with Mike?" "Probably he owes them money" I said. "That's what people usually get bitter about." In front of the ticket-booths out in the square there were two lines of people waiting. They were sitting on chairs or crouched on the ground with blankets and newspapers around them. They were waiting for the wickets to open in the morning to buy tickets for the bull-fight. The night was clearing and the moon was out. Some of the people in the line were sleeping. At the Caf Suizo we had just sat down and ordered Fundador when Robert Cohn came up. "Where's Brett?" he asked. "I don't know." "She was with you." "She must have gone to bed." "She's not." "I don't know where she is." His face was sallow under the light. He was standing up. "Tell me where she is." "Sit down," I said. "I don't know where she is." "The hell you don't!" "You can shut your face." "Tell me where Brett is." "I'll not tell you a damn thing." "You know where she is." "If I did I wouldn't tell you." "Oh, go to hell, Cohn," Mike called from the table. "Brett's gone off with the bull-fighter chap. They're on their honeymoon." "You shut up." "Oh, go to hell!" Mike said languidly. "Is that where she is?" Cohn turned to me. "Go to hell!" "She was with you. Is that where she is?" "Go to hell!" "I'll make you tell me" "--he stepped forward--" "you damned pimp." I swung at him and he ducked. I saw his face duck sideways in the light. He hit me and I sat down on the pavement. As I started to get on my feet he hit me twice. I went down backward under a table. I tried to get up and felt I did not have any legs. I felt I must get on my feet and try and hit him. Mike helped me up. Some one poured a carafe of water on my head. Mike had an arm around me, and I found I was sitting on a chair. Mike was pulling at my ears. "I say, you were cold," Mike said. "Where the hell were you?" "Oh, I was around." "You didn't want to mix in it?" "He knocked Mike down, too," Edna said. "He didn't knock me out," Mike said. "I just lay there." "Does this happen every night at your fiestas?" Edna asked. "Wasn't that Mr. Cohn?" "I'm all right," I said. "My head's a little wobbly." There were several waiters and a crowd of people standing around. "Vaya!" said Mike. "Get away. Go on." The waiters moved the people away. "It was quite a thing to watch," | flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said to him. "You must teach me Spanish." He sat down and looked at her across the table. I went out. The hard-eyed people at the bull-fighter table watched me go. It was not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me."<|quote|>Bill's face was red.</|quote|>"Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it," Bill said. "Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley Blackman, from Chicago," Bill said. "I was never in Chicago," Mike said. Edna started to laugh and could not stop. "Take me away from here," she said, "you bankrupts." "What kind of a row was it?" I asked Edna. We were walking across the square to the Suizo. Bill was gone. "I don't know what happened, but some one had the police called to keep Mike out of the back room. There were some people that had known Mike at Cannes. What's the matter with Mike?" "Probably he owes them money" I said. "That's what people usually get bitter about." In front of the ticket-booths out in the square there were two lines of people waiting. They were sitting on chairs or crouched on the ground with blankets and newspapers around them. They were waiting for the wickets to open in the morning to buy tickets for the bull-fight. The night was clearing and the moon was out. Some of the people in the line were sleeping. At the Caf Suizo we had just sat down and ordered Fundador when Robert Cohn came up. "Where's Brett?" he asked. "I don't know." | The Sun Also Rises |
Well, well, you must not do anything rash, or that you might repent. Let me hear all about it, Small. Give me the facts. | No speaker | the Governor-General? "said I, quietly."<|quote|>Well, well, you must not do anything rash, or that you might repent. Let me hear all about it, Small. Give me the facts.</|quote|>"I told him the whole | should give the information to the Governor-General? "said I, quietly."<|quote|>Well, well, you must not do anything rash, or that you might repent. Let me hear all about it, Small. Give me the facts.</|quote|>"I told him the whole story, with small changes so | it belongs to the first comer. " To government, Small, "he stammered," to government. But he said it in a halting fashion, and I knew in my heart that I had got him. " You think, then, sir, that I should give the information to the Governor-General? "said I, quietly."<|quote|>Well, well, you must not do anything rash, or that you might repent. Let me hear all about it, Small. Give me the facts.</|quote|>"I told him the whole story, with small changes so that he could not identify the places. When I had finished he stood stock still and full of thought. I could see by the twitch of his lip that there was a struggle going on within him." This is a | Half a million, Small? "he gasped, looking hard at me to see if I was in earnest." Quite that, sir, in jewels and pearls. It lies there ready for any one. And the queer thing about it is that the real owner is outlawed and cannot hold property, so that it belongs to the first comer. " To government, Small, "he stammered," to government. But he said it in a halting fashion, and I knew in my heart that I had got him. " You think, then, sir, that I should give the information to the Governor-General? "said I, quietly."<|quote|>Well, well, you must not do anything rash, or that you might repent. Let me hear all about it, Small. Give me the facts.</|quote|>"I told him the whole story, with small changes so that he could not identify the places. When I had finished he stood stock still and full of thought. I could see by the twitch of his lip that there was a struggle going on within him." This is a very important matter, Small, "he said, at last." You must not say a word to any one about it, and I shall see you again soon. "Two nights later he and his friend Captain Morstan came to my hut in the dead of the night with a lantern." I want | beach: so I took the chance of speaking to him." I wish to have your advice, major, "said I." Well, Small, what is it? "he asked, taking his cheroot from his lips." I wanted to ask you, sir, "said I," who is the proper person to whom hidden treasure should be handed over. I know where half a million worth lies, and, as I cannot use it myself, I thought perhaps the best thing that I could do would be to hand it over to the proper authorities, and then perhaps they would get my sentence shortened for me. " Half a million, Small? "he gasped, looking hard at me to see if I was in earnest." Quite that, sir, in jewels and pearls. It lies there ready for any one. And the queer thing about it is that the real owner is outlawed and cannot hold property, so that it belongs to the first comer. " To government, Small, "he stammered," to government. But he said it in a halting fashion, and I knew in my heart that I had got him. " You think, then, sir, that I should give the information to the Governor-General? "said I, quietly."<|quote|>Well, well, you must not do anything rash, or that you might repent. Let me hear all about it, Small. Give me the facts.</|quote|>"I told him the whole story, with small changes so that he could not identify the places. When I had finished he stood stock still and full of thought. I could see by the twitch of his lip that there was a struggle going on within him." This is a very important matter, Small, "he said, at last." You must not say a word to any one about it, and I shall see you again soon. "Two nights later he and his friend Captain Morstan came to my hut in the dead of the night with a lantern." I want you just to let Captain Morstan hear that story from your own lips, Small, "said he." "I repeated it as I had told it before." It rings true, eh? "said he." It s good enough to act upon? "Captain Morstan nodded." Look here, Small, "said the major." We have been talking it over, my friend here and I, and we have come to the conclusion that this secret of yours is hardly a government matter, after all, but is a private concern of your own, which of course you have the power of disposing of as you think best. Now, | the more keen they were to play. Major Sholto was the hardest hit. He used to pay in notes and gold at first, but soon it came to notes of hand and for big sums. He sometimes would win for a few deals, just to give him heart, and then the luck would set in against him worse than ever. All day he would wander about as black as thunder, and he took to drinking a deal more than was good for him." "One night he lost even more heavily than usual. I was sitting in my hut when he and Captain Morstan came stumbling along on the way to their quarters. They were bosom friends, those two, and never far apart. The major was raving about his losses." It s all up, Morstan, "he was saying, as they passed my hut." I shall have to send in my papers. I am a ruined man. " Nonsense, old chap! "said the other, slapping him upon the shoulder." I ve had a nasty facer myself, but "That was all I could hear, but it was enough to set me thinking." "A couple of days later Major Sholto was strolling on the beach: so I took the chance of speaking to him." I wish to have your advice, major, "said I." Well, Small, what is it? "he asked, taking his cheroot from his lips." I wanted to ask you, sir, "said I," who is the proper person to whom hidden treasure should be handed over. I know where half a million worth lies, and, as I cannot use it myself, I thought perhaps the best thing that I could do would be to hand it over to the proper authorities, and then perhaps they would get my sentence shortened for me. " Half a million, Small? "he gasped, looking hard at me to see if I was in earnest." Quite that, sir, in jewels and pearls. It lies there ready for any one. And the queer thing about it is that the real owner is outlawed and cannot hold property, so that it belongs to the first comer. " To government, Small, "he stammered," to government. But he said it in a halting fashion, and I knew in my heart that I had got him. " You think, then, sir, that I should give the information to the Governor-General? "said I, quietly."<|quote|>Well, well, you must not do anything rash, or that you might repent. Let me hear all about it, Small. Give me the facts.</|quote|>"I told him the whole story, with small changes so that he could not identify the places. When I had finished he stood stock still and full of thought. I could see by the twitch of his lip that there was a struggle going on within him." This is a very important matter, Small, "he said, at last." You must not say a word to any one about it, and I shall see you again soon. "Two nights later he and his friend Captain Morstan came to my hut in the dead of the night with a lantern." I want you just to let Captain Morstan hear that story from your own lips, Small, "said he." "I repeated it as I had told it before." It rings true, eh? "said he." It s good enough to act upon? "Captain Morstan nodded." Look here, Small, "said the major." We have been talking it over, my friend here and I, and we have come to the conclusion that this secret of yours is hardly a government matter, after all, but is a private concern of your own, which of course you have the power of disposing of as you think best. Now, the question is, what price would you ask for it? We might be inclined to take it up, and at least look into it, if we could agree as to terms. "He tried to speak in a cool, careless way, but his eyes were shining with excitement and greed." Why, as to that, gentlemen, "I answered, trying also to be cool, but feeling as excited as he did," there is only one bargain which a man in my position can make. I shall want you to help me to my freedom, and to help my three companions to theirs. We shall then take you into partnership, and give you a fifth share to divide between you. " Hum! "said he." A fifth share! That is not very tempting. " It would come to fifty thousand apiece, "said I." But how can we gain your freedom? You know very well that you ask an impossibility. " Nothing of the sort, "I answered." I have thought it all out to the last detail. The only bar to our escape is that we can get no boat fit for the voyage, and no provisions to last us for so long a time. There | sort of privileged person. I was given a hut in Hope Town, which is a small place on the slopes of Mount Harriet, and I was left pretty much to myself. It is a dreary, fever-stricken place, and all beyond our little clearings was infested with wild cannibal natives, who were ready enough to blow a poisoned dart at us if they saw a chance. There was digging, and ditching, and yam-planting, and a dozen other things to be done, so we were busy enough all day; though in the evening we had a little time to ourselves. Among other things, I learned to dispense drugs for the surgeon, and picked up a smattering of his knowledge. All the time I was on the lookout for a chance of escape; but it is hundreds of miles from any other land, and there is little or no wind in those seas: so it was a terribly difficult job to get away." "The surgeon, Dr. Somerton, was a fast, sporting young chap, and the other young officers would meet in his rooms of an evening and play cards. The surgery, where I used to make up my drugs, was next to his sitting-room, with a small window between us. Often, if I felt lonesome, I used to turn out the lamp in the surgery, and then, standing there, I could hear their talk and watch their play. I am fond of a hand at cards myself, and it was almost as good as having one to watch the others. There was Major Sholto, Captain Morstan, and Lieutenant Bromley Brown, who were in command of the native troops, and there was the surgeon himself, and two or three prison-officials, crafty old hands who played a nice sly safe game. A very snug little party they used to make." "Well, there was one thing which very soon struck me, and that was that the soldiers used always to lose and the civilians to win. Mind, I don t say that there was anything unfair, but so it was. These prison-chaps had done little else than play cards ever since they had been at the Andamans, and they knew each other s game to a point, while the others just played to pass the time and threw their cards down anyhow. Night after night the soldiers got up poorer men, and the poorer they got the more keen they were to play. Major Sholto was the hardest hit. He used to pay in notes and gold at first, but soon it came to notes of hand and for big sums. He sometimes would win for a few deals, just to give him heart, and then the luck would set in against him worse than ever. All day he would wander about as black as thunder, and he took to drinking a deal more than was good for him." "One night he lost even more heavily than usual. I was sitting in my hut when he and Captain Morstan came stumbling along on the way to their quarters. They were bosom friends, those two, and never far apart. The major was raving about his losses." It s all up, Morstan, "he was saying, as they passed my hut." I shall have to send in my papers. I am a ruined man. " Nonsense, old chap! "said the other, slapping him upon the shoulder." I ve had a nasty facer myself, but "That was all I could hear, but it was enough to set me thinking." "A couple of days later Major Sholto was strolling on the beach: so I took the chance of speaking to him." I wish to have your advice, major, "said I." Well, Small, what is it? "he asked, taking his cheroot from his lips." I wanted to ask you, sir, "said I," who is the proper person to whom hidden treasure should be handed over. I know where half a million worth lies, and, as I cannot use it myself, I thought perhaps the best thing that I could do would be to hand it over to the proper authorities, and then perhaps they would get my sentence shortened for me. " Half a million, Small? "he gasped, looking hard at me to see if I was in earnest." Quite that, sir, in jewels and pearls. It lies there ready for any one. And the queer thing about it is that the real owner is outlawed and cannot hold property, so that it belongs to the first comer. " To government, Small, "he stammered," to government. But he said it in a halting fashion, and I knew in my heart that I had got him. " You think, then, sir, that I should give the information to the Governor-General? "said I, quietly."<|quote|>Well, well, you must not do anything rash, or that you might repent. Let me hear all about it, Small. Give me the facts.</|quote|>"I told him the whole story, with small changes so that he could not identify the places. When I had finished he stood stock still and full of thought. I could see by the twitch of his lip that there was a struggle going on within him." This is a very important matter, Small, "he said, at last." You must not say a word to any one about it, and I shall see you again soon. "Two nights later he and his friend Captain Morstan came to my hut in the dead of the night with a lantern." I want you just to let Captain Morstan hear that story from your own lips, Small, "said he." "I repeated it as I had told it before." It rings true, eh? "said he." It s good enough to act upon? "Captain Morstan nodded." Look here, Small, "said the major." We have been talking it over, my friend here and I, and we have come to the conclusion that this secret of yours is hardly a government matter, after all, but is a private concern of your own, which of course you have the power of disposing of as you think best. Now, the question is, what price would you ask for it? We might be inclined to take it up, and at least look into it, if we could agree as to terms. "He tried to speak in a cool, careless way, but his eyes were shining with excitement and greed." Why, as to that, gentlemen, "I answered, trying also to be cool, but feeling as excited as he did," there is only one bargain which a man in my position can make. I shall want you to help me to my freedom, and to help my three companions to theirs. We shall then take you into partnership, and give you a fifth share to divide between you. " Hum! "said he." A fifth share! That is not very tempting. " It would come to fifty thousand apiece, "said I." But how can we gain your freedom? You know very well that you ask an impossibility. " Nothing of the sort, "I answered." I have thought it all out to the last detail. The only bar to our escape is that we can get no boat fit for the voyage, and no provisions to last us for so long a time. There are plenty of little yachts and yawls at Calcutta or Madras which would serve our turn well. Do you bring one over. We shall engage to get aboard her by night, and if you will drop us on any part of the Indian coast you will have done your part of the bargain. " If there were only one, "he said." None or all, "I answered." We have sworn it. The four of us must always act together. " You see, Morstan, "said he," Small is a man of his word. He does not flinch from his friend. I think we may very well trust him. " It s a dirty business, "the other answered." Yet, as you say, the money would save our commissions handsomely. " Well, Small, "said the major," we must, I suppose, try and meet you. We must first, of course, test the truth of your story. Tell me where the box is hid, and I shall get leave of absence and go back to India in the monthly relief-boat to inquire into the affair. " Not so fast, "said I, growing colder as he got hot." I must have the consent of my three comrades. I tell you that it is four or none with us. " Nonsense! "he broke in." What have three black fellows to do with our agreement? " Black or blue, "said I," they are in with me, and we all go together. "Well, the matter ended by a second meeting, at which Mahomet Singh, Abdullah Khan, and Dost Akbar were all present. We talked the matter over again, and at last we came to an arrangement. We were to provide both the officers with charts of the part of the Agra fort and mark the place in the wall where the treasure was hid. Major Sholto was to go to India to test our story. If he found the box he was to leave it there, to send out a small yacht provisioned for a voyage, which was to lie off Rutland Island, and to which we were to make our way, and finally to return to his duties. Captain Morstan was then to apply for leave of absence, to meet us at Agra, and there we were to have a final division of the treasure, he taking the major s share as well as his own. All this we | sitting-room, with a small window between us. Often, if I felt lonesome, I used to turn out the lamp in the surgery, and then, standing there, I could hear their talk and watch their play. I am fond of a hand at cards myself, and it was almost as good as having one to watch the others. There was Major Sholto, Captain Morstan, and Lieutenant Bromley Brown, who were in command of the native troops, and there was the surgeon himself, and two or three prison-officials, crafty old hands who played a nice sly safe game. A very snug little party they used to make." "Well, there was one thing which very soon struck me, and that was that the soldiers used always to lose and the civilians to win. Mind, I don t say that there was anything unfair, but so it was. These prison-chaps had done little else than play cards ever since they had been at the Andamans, and they knew each other s game to a point, while the others just played to pass the time and threw their cards down anyhow. Night after night the soldiers got up poorer men, and the poorer they got the more keen they were to play. Major Sholto was the hardest hit. He used to pay in notes and gold at first, but soon it came to notes of hand and for big sums. He sometimes would win for a few deals, just to give him heart, and then the luck would set in against him worse than ever. All day he would wander about as black as thunder, and he took to drinking a deal more than was good for him." "One night he lost even more heavily than usual. I was sitting in my hut when he and Captain Morstan came stumbling along on the way to their quarters. They were bosom friends, those two, and never far apart. The major was raving about his losses." It s all up, Morstan, "he was saying, as they passed my hut." I shall have to send in my papers. I am a ruined man. " Nonsense, old chap! "said the other, slapping him upon the shoulder." I ve had a nasty facer myself, but "That was all I could hear, but it was enough to set me thinking." "A couple of days later Major Sholto was strolling on the beach: so I took the chance of speaking to him." I wish to have your advice, major, "said I." Well, Small, what is it? "he asked, taking his cheroot from his lips." I wanted to ask you, sir, "said I," who is the proper person to whom hidden treasure should be handed over. I know where half a million worth lies, and, as I cannot use it myself, I thought perhaps the best thing that I could do would be to hand it over to the proper authorities, and then perhaps they would get my sentence shortened for me. " Half a million, Small? "he gasped, looking hard at me to see if I was in earnest." Quite that, sir, in jewels and pearls. It lies there ready for any one. And the queer thing about it is that the real owner is outlawed and cannot hold property, so that it belongs to the first comer. " To government, Small, "he stammered," to government. But he said it in a halting fashion, and I knew in my heart that I had got him. " You think, then, sir, that I should give the information to the Governor-General? "said I, quietly."<|quote|>Well, well, you must not do anything rash, or that you might repent. Let me hear all about it, Small. Give me the facts.</|quote|>"I told him the whole story, with small changes so that he could not identify the places. When I had finished he stood stock still and full of thought. I could see by the twitch of his lip that there was a struggle going on within him." This is a very important matter, Small, "he said, at last." You must not say a word to any one about it, and I shall see you again soon. "Two nights later he and his friend Captain Morstan came to my hut in the dead of the night with a lantern." I want you just to let Captain Morstan hear that story from your own lips, Small, "said he." "I repeated it as I had told it before." It rings true, eh? "said he." It s good enough to act upon? "Captain Morstan nodded." Look here, Small, "said the major." We have been talking it over, my friend here and I, and we have come to the conclusion that this secret of yours is hardly a government matter, after all, but is a private concern of your own, which of course you have the power of disposing of as you think best. Now, the question is, what price would you ask for it? We might be inclined to take it up, and at least look into it, if we could agree as to terms. "He tried to speak in a cool, careless way, but his eyes were shining with excitement and greed." Why, as to that, gentlemen, "I answered, trying also to be cool, but feeling as excited as he did," there is only one bargain which a man in my position can make. I shall want you to help me to my freedom, and to help my three companions to theirs. We shall then take you into partnership, and give you a fifth share to divide between you. " Hum! "said he." A fifth share! That is not very tempting. " It would come to fifty thousand apiece, "said I." But how can we gain your freedom? You know very well that you ask an impossibility. " Nothing of the sort, "I answered." I have thought it all out to the last detail. The only bar to our escape is that we can get no boat fit for the voyage, and no provisions to last us for so long a time. There are plenty of little yachts and yawls at Calcutta or Madras which would serve our turn well. Do you bring one over. We shall engage to get aboard her by night, and if you will drop us on any part of the Indian coast you will have done your part of the bargain. " If there were only one, "he said." None or all, "I answered." We have sworn it. The four of us must always act together. " You see, Morstan, "said he," Small is a man of his word. He does not flinch from his friend. I think we may very well trust him. " It s a dirty business, "the other answered." Yet, as you say, the money would save our commissions handsomely. " Well, Small, "said the major," we must, I suppose, try and meet you. We must first, of course, test the truth of your story. Tell me where the box is hid, and I shall get leave of absence and go back to India in the monthly relief-boat to inquire into the | The Sign Of The Four |
he cried; | No speaker | "What am I to do?"<|quote|>he cried;</|quote|>"it is not like the | seen no English lady pass. "What am I to do?"<|quote|>he cried;</|quote|>"it is not like the lady to be late. We | had become unreal. It was a relief to be out of the Siena gate. They drew up for a moment on the terrace. But there was no sign of Harriet. The driver called to the Dogana men. But they had seen no English lady pass. "What am I to do?"<|quote|>he cried;</|quote|>"it is not like the lady to be late. We shall miss the train." "Let us drive slowly," said the driver, "and you shall call her by name as we go." So they started down into the night, Philip calling "Harriet! Harriet! Harriet!" And there she was, waiting for them | into his lap. It was part of the idiot s malady only to receive what was just for his services. This was the change out of the nickel piece. "Go on!" shouted Philip, and flung the money into the road. He was frightened at the episode; the whole of life had become unreal. It was a relief to be out of the Siena gate. They drew up for a moment on the terrace. But there was no sign of Harriet. The driver called to the Dogana men. But they had seen no English lady pass. "What am I to do?"<|quote|>he cried;</|quote|>"it is not like the lady to be late. We shall miss the train." "Let us drive slowly," said the driver, "and you shall call her by name as we go." So they started down into the night, Philip calling "Harriet! Harriet! Harriet!" And there she was, waiting for them in the wet, at the first turn of the zigzag. "Harriet, why don t you answer?" "I heard you coming," said she, and got quickly in. Not till then did he see that she carried a bundle. "What s that?" "Hush--" "Whatever is that?" "Hush--sleeping." Harriet had succeeded where Miss | English. "She has gone for a walk--perhaps to wish good-bye to her little nephew. Preferring to come back another way, she has sent you this note by the poor idiot and is waiting for you outside the Siena gate. Many of my guests do this." There was nothing to do but to obey the message. He shook hands with the landlady, gave the messenger a nickel piece, and drove away. After a dozen yards the carriage stopped. The poor idiot was running and whimpering behind. "Go on," cried Philip. "I have paid him plenty." A horrible hand pushed three soldi into his lap. It was part of the idiot s malady only to receive what was just for his services. This was the change out of the nickel piece. "Go on!" shouted Philip, and flung the money into the road. He was frightened at the episode; the whole of life had become unreal. It was a relief to be out of the Siena gate. They drew up for a moment on the terrace. But there was no sign of Harriet. The driver called to the Dogana men. But they had seen no English lady pass. "What am I to do?"<|quote|>he cried;</|quote|>"it is not like the lady to be late. We shall miss the train." "Let us drive slowly," said the driver, "and you shall call her by name as we go." So they started down into the night, Philip calling "Harriet! Harriet! Harriet!" And there she was, waiting for them in the wet, at the first turn of the zigzag. "Harriet, why don t you answer?" "I heard you coming," said she, and got quickly in. Not till then did he see that she carried a bundle. "What s that?" "Hush--" "Whatever is that?" "Hush--sleeping." Harriet had succeeded where Miss Abbott and Philip had failed. It was the baby. She would not let him talk. The baby, she repeated, was asleep, and she put up an umbrella to shield it and her from the rain. He should hear all later, so he had to conjecture the course of the wonderful interview--an interview between the South pole and the North. It was quite easy to conjecture: Gino crumpling up suddenly before the intense conviction of Harriet; being told, perhaps, to his face that he was a villain; yielding his only son perhaps for money, perhaps for nothing. "Poor Gino," he thought. | H." "Did the lady give you this note?" he cried. The man was unintelligible. "Speak up!" exclaimed Philip. "Who gave it you--and where?" Nothing but horrible sighings and bubblings came out of the man. "Be patient with him," said the driver, turning round on the box. "It is the poor idiot." And the landlady came out of the hotel and echoed "The poor idiot. He cannot speak. He takes messages for us all." Philip then saw that the messenger was a ghastly creature, quite bald, with trickling eyes and grey twitching nose. In another country he would have been shut up; here he was accepted as a public institution, and part of Nature s scheme. "Ugh!" shuddered the Englishman. "Signora padrona, find out from him; this note is from my sister. What does it mean? Where did he see her?" "It is no good," said the landlady. "He understands everything but he can explain nothing." "He has visions of the saints," said the man who drove the cab. "But my sister--where has she gone? How has she met him?" "She has gone for a walk," asserted the landlady. It was a nasty evening, but she was beginning to understand the English. "She has gone for a walk--perhaps to wish good-bye to her little nephew. Preferring to come back another way, she has sent you this note by the poor idiot and is waiting for you outside the Siena gate. Many of my guests do this." There was nothing to do but to obey the message. He shook hands with the landlady, gave the messenger a nickel piece, and drove away. After a dozen yards the carriage stopped. The poor idiot was running and whimpering behind. "Go on," cried Philip. "I have paid him plenty." A horrible hand pushed three soldi into his lap. It was part of the idiot s malady only to receive what was just for his services. This was the change out of the nickel piece. "Go on!" shouted Philip, and flung the money into the road. He was frightened at the episode; the whole of life had become unreal. It was a relief to be out of the Siena gate. They drew up for a moment on the terrace. But there was no sign of Harriet. The driver called to the Dogana men. But they had seen no English lady pass. "What am I to do?"<|quote|>he cried;</|quote|>"it is not like the lady to be late. We shall miss the train." "Let us drive slowly," said the driver, "and you shall call her by name as we go." So they started down into the night, Philip calling "Harriet! Harriet! Harriet!" And there she was, waiting for them in the wet, at the first turn of the zigzag. "Harriet, why don t you answer?" "I heard you coming," said she, and got quickly in. Not till then did he see that she carried a bundle. "What s that?" "Hush--" "Whatever is that?" "Hush--sleeping." Harriet had succeeded where Miss Abbott and Philip had failed. It was the baby. She would not let him talk. The baby, she repeated, was asleep, and she put up an umbrella to shield it and her from the rain. He should hear all later, so he had to conjecture the course of the wonderful interview--an interview between the South pole and the North. It was quite easy to conjecture: Gino crumpling up suddenly before the intense conviction of Harriet; being told, perhaps, to his face that he was a villain; yielding his only son perhaps for money, perhaps for nothing. "Poor Gino," he thought. "He s no greater than I am, after all." Then he thought of Miss Abbott, whose carriage must be descending the darkness some mile or two below them, and his easy self-accusation failed. She, too, had conviction; he had felt its force; he would feel it again when she knew this day s sombre and unexpected close. "You have been pretty secret," he said; "you might tell me a little now. What do we pay for him? All we ve got?" "Hush!" answered Harriet, and dandled the bundle laboriously, like some bony prophetess--Judith, or Deborah, or Jael. He had last seen the baby sprawling on the knees of Miss Abbott, shining and naked, with twenty miles of view behind him, and his father kneeling by his feet. And that remembrance, together with Harriet, and the darkness, and the poor idiot, and the silent rain, filled him with sorrow and with the expectation of sorrow to come. Monteriano had long disappeared, and he could see nothing but the occasional wet stem of an olive, which their lamp illumined as they passed it. They travelled quickly, for this driver did not care how fast he went to the station, and would dash | She gripped his hand. "You sound despondent," he said, laughing. "Don t forget that you return victorious." "I suppose I do," she replied, more despondently than ever, and got into the carriage. He concluded that she was thinking of her reception at Sawston, whither her fame would doubtless precede her. Whatever would Mrs. Herriton do? She could make things quite unpleasant when she thought it right. She might think it right to be silent, but then there was Harriet. Who would bridle Harriet s tongue? Between the two of them Miss Abbott was bound to have a bad time. Her reputation, both for consistency and for moral enthusiasm, would be lost for ever. "It s hard luck on her," he thought. "She is a good person. I must do for her anything I can." Their intimacy had been very rapid, but he too hoped that it would not shift. He believed that he understood her, and that she, by now, had seen the worst of him. What if after a long time--if after all--he flushed like a boy as he looked after her carriage. He went into the dining-room to look for Harriet. Harriet was not to be found. Her bedroom, too, was empty. All that was left of her was the purple prayer-book which lay open on the bed. Philip took it up aimlessly, and saw--"Blessed be the Lord my God who teacheth my hands to war and my fingers to fight." He put the book in his pocket, and began to brood over more profitable themes. Santa Deodata gave out half past eight. All the luggage was on, and still Harriet had not appeared. "Depend upon it," said the landlady, "she has gone to Signor Carella s to say good-bye to her little nephew." Philip did not think it likely. They shouted all over the house and still there was no Harriet. He began to be uneasy. He was helpless without Miss Abbott; her grave, kind face had cheered him wonderfully, even when it looked displeased. Monteriano was sad without her; the rain was thickening; the scraps of Donizetti floated tunelessly out of the wineshops, and of the great tower opposite he could only see the base, fresh papered with the advertisements of quacks. A man came up the street with a note. Philip read, "Start at once. Pick me up outside the gate. Pay the bearer. H. H." "Did the lady give you this note?" he cried. The man was unintelligible. "Speak up!" exclaimed Philip. "Who gave it you--and where?" Nothing but horrible sighings and bubblings came out of the man. "Be patient with him," said the driver, turning round on the box. "It is the poor idiot." And the landlady came out of the hotel and echoed "The poor idiot. He cannot speak. He takes messages for us all." Philip then saw that the messenger was a ghastly creature, quite bald, with trickling eyes and grey twitching nose. In another country he would have been shut up; here he was accepted as a public institution, and part of Nature s scheme. "Ugh!" shuddered the Englishman. "Signora padrona, find out from him; this note is from my sister. What does it mean? Where did he see her?" "It is no good," said the landlady. "He understands everything but he can explain nothing." "He has visions of the saints," said the man who drove the cab. "But my sister--where has she gone? How has she met him?" "She has gone for a walk," asserted the landlady. It was a nasty evening, but she was beginning to understand the English. "She has gone for a walk--perhaps to wish good-bye to her little nephew. Preferring to come back another way, she has sent you this note by the poor idiot and is waiting for you outside the Siena gate. Many of my guests do this." There was nothing to do but to obey the message. He shook hands with the landlady, gave the messenger a nickel piece, and drove away. After a dozen yards the carriage stopped. The poor idiot was running and whimpering behind. "Go on," cried Philip. "I have paid him plenty." A horrible hand pushed three soldi into his lap. It was part of the idiot s malady only to receive what was just for his services. This was the change out of the nickel piece. "Go on!" shouted Philip, and flung the money into the road. He was frightened at the episode; the whole of life had become unreal. It was a relief to be out of the Siena gate. They drew up for a moment on the terrace. But there was no sign of Harriet. The driver called to the Dogana men. But they had seen no English lady pass. "What am I to do?"<|quote|>he cried;</|quote|>"it is not like the lady to be late. We shall miss the train." "Let us drive slowly," said the driver, "and you shall call her by name as we go." So they started down into the night, Philip calling "Harriet! Harriet! Harriet!" And there she was, waiting for them in the wet, at the first turn of the zigzag. "Harriet, why don t you answer?" "I heard you coming," said she, and got quickly in. Not till then did he see that she carried a bundle. "What s that?" "Hush--" "Whatever is that?" "Hush--sleeping." Harriet had succeeded where Miss Abbott and Philip had failed. It was the baby. She would not let him talk. The baby, she repeated, was asleep, and she put up an umbrella to shield it and her from the rain. He should hear all later, so he had to conjecture the course of the wonderful interview--an interview between the South pole and the North. It was quite easy to conjecture: Gino crumpling up suddenly before the intense conviction of Harriet; being told, perhaps, to his face that he was a villain; yielding his only son perhaps for money, perhaps for nothing. "Poor Gino," he thought. "He s no greater than I am, after all." Then he thought of Miss Abbott, whose carriage must be descending the darkness some mile or two below them, and his easy self-accusation failed. She, too, had conviction; he had felt its force; he would feel it again when she knew this day s sombre and unexpected close. "You have been pretty secret," he said; "you might tell me a little now. What do we pay for him? All we ve got?" "Hush!" answered Harriet, and dandled the bundle laboriously, like some bony prophetess--Judith, or Deborah, or Jael. He had last seen the baby sprawling on the knees of Miss Abbott, shining and naked, with twenty miles of view behind him, and his father kneeling by his feet. And that remembrance, together with Harriet, and the darkness, and the poor idiot, and the silent rain, filled him with sorrow and with the expectation of sorrow to come. Monteriano had long disappeared, and he could see nothing but the occasional wet stem of an olive, which their lamp illumined as they passed it. They travelled quickly, for this driver did not care how fast he went to the station, and would dash down each incline and scuttle perilously round the curves. "Look here, Harriet," he said at last, "I feel bad; I want to see the baby." "Hush!" "I don t mind if I do wake him up. I want to see him. I ve as much right in him as you." Harriet gave in. But it was too dark for him to see the child s face. "Wait a minute," he whispered, and before she could stop him he had lit a match under the shelter of her umbrella. "But he s awake!" he exclaimed. The match went out. "Good ickle quiet boysey, then." Philip winced. "His face, do you know, struck me as all wrong." "All wrong?" "All puckered queerly." "Of course--with the shadows--you couldn t see him." "Well, hold him up again." She did so. He lit another match. It went out quickly, but not before he had seen that the baby was crying. "Nonsense," said Harriet sharply. "We should hear him if he cried." "No, he s crying hard; I thought so before, and I m certain now." Harriet touched the child s face. It was bathed in tears. "Oh, the night air, I suppose," she said, "or perhaps the wet of the rain." "I say, you haven t hurt it, or held it the wrong way, or anything; it is too uncanny--crying and no noise. Why didn t you get Perfetta to carry it to the hotel instead of muddling with the messenger? It s a marvel he understood about the note." "Oh, he understands." And he could feel her shudder. "He tried to carry the baby--" "But why not Gino or Perfetta?" "Philip, don t talk. Must I say it again? Don t talk. The baby wants to sleep." She crooned harshly as they descended, and now and then she wiped up the tears which welled inexhaustibly from the little eyes. Philip looked away, winking at times himself. It was as if they were travelling with the whole world s sorrow, as if all the mystery, all the persistency of woe were gathered to a single fount. The roads were now coated with mud, and the carriage went more quietly but not less swiftly, sliding by long zigzags into the night. He knew the landmarks pretty well: here was the crossroad to Poggibonsi; and the last view of Monteriano, if they had light, would be from | my sister--where has she gone? How has she met him?" "She has gone for a walk," asserted the landlady. It was a nasty evening, but she was beginning to understand the English. "She has gone for a walk--perhaps to wish good-bye to her little nephew. Preferring to come back another way, she has sent you this note by the poor idiot and is waiting for you outside the Siena gate. Many of my guests do this." There was nothing to do but to obey the message. He shook hands with the landlady, gave the messenger a nickel piece, and drove away. After a dozen yards the carriage stopped. The poor idiot was running and whimpering behind. "Go on," cried Philip. "I have paid him plenty." A horrible hand pushed three soldi into his lap. It was part of the idiot s malady only to receive what was just for his services. This was the change out of the nickel piece. "Go on!" shouted Philip, and flung the money into the road. He was frightened at the episode; the whole of life had become unreal. It was a relief to be out of the Siena gate. They drew up for a moment on the terrace. But there was no sign of Harriet. The driver called to the Dogana men. But they had seen no English lady pass. "What am I to do?"<|quote|>he cried;</|quote|>"it is not like the lady to be late. We shall miss the train." "Let us drive slowly," said the driver, "and you shall call her by name as we go." So they started down into the night, Philip calling "Harriet! Harriet! Harriet!" And there she was, waiting for them in the wet, at the first turn of the zigzag. "Harriet, why don t you answer?" "I heard you coming," said she, and got quickly in. Not till then did he see that she carried a bundle. "What s that?" "Hush--" "Whatever is that?" "Hush--sleeping." Harriet had succeeded where Miss Abbott and Philip had failed. It was the baby. She would not let him talk. The baby, she repeated, was asleep, and she put up an umbrella to shield it and her from the rain. He should hear all later, so he had to conjecture the course of the wonderful interview--an interview between the South pole and the North. It was quite easy to conjecture: Gino crumpling up suddenly before the intense conviction of Harriet; being told, perhaps, to his face that he was a villain; yielding his only son perhaps for money, perhaps for nothing. "Poor Gino," he thought. "He s no greater than I am, after all." Then he thought of Miss Abbott, whose carriage must be descending the darkness some mile or two below them, and his easy self-accusation failed. She, too, had conviction; he had felt its force; he would feel it again when she knew this day s sombre and unexpected close. "You have been pretty secret," he said; "you might tell me a little now. What do we pay for him? All we ve got?" "Hush!" answered Harriet, and dandled the bundle laboriously, like some bony prophetess--Judith, or Deborah, or Jael. He had last seen the baby sprawling on the knees of Miss Abbott, shining and naked, with twenty miles of view behind him, and his father kneeling by his feet. And that remembrance, together with Harriet, and the darkness, and the poor idiot, and the silent rain, filled him with sorrow and with the expectation of sorrow to come. Monteriano had long disappeared, and he could see nothing but the occasional wet stem of an olive, which their lamp illumined as they passed it. They travelled quickly, for this driver did not care how fast he went to the station, and would dash down each incline and scuttle perilously round the curves. "Look here, Harriet," he said at last, "I feel bad; I want to see the baby." "Hush!" "I don t mind if I do wake him up. I want to see him. I ve as much right in him as you." Harriet gave in. But it was too dark for him to see the child s face. "Wait a minute," he whispered, and before she could stop him he had lit a match under the shelter of her umbrella. "But he s awake!" he exclaimed. The match went out. "Good ickle quiet boysey, then." Philip winced. "His face, do you know, struck me as all wrong." "All wrong?" "All puckered queerly." "Of course--with the shadows--you couldn t see him." "Well, hold him up again." She did so. He lit another match. It went out quickly, but not before he had seen that the baby was crying. "Nonsense," said Harriet sharply. "We should hear him if he cried." "No, he s crying hard; I thought so before, and I m | Where Angels Fear To Tread |
"I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." | Tony Last | the seaside." "No," said Tony.<|quote|>"I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her."</|quote|>"All right... One gentleman gave | her clothes. She does like the seaside." "No," said Tony.<|quote|>"I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her."</|quote|>"All right... One gentleman gave her a fairy-cycle for Christmas. | her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony.<|quote|>"I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her."</|quote|>"All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." | wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony.<|quote|>"I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her."</|quote|>"All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since | how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony.<|quote|>"I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her."</|quote|>"All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to | to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony.<|quote|>"I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her."</|quote|>"All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time | complaints, so we find it best to leave the choice to them. Lately we had a particularly delicate case involving a man of very rigid morality and a certain diffidence. In the end his own wife consented to go with him and supply the evidence. She wore a red wig. It was quite successful." "I don't think that would do in this case." "No. Exactly. I was merely quoting it as a matter of interest." "I expect I shall be able to find someone," said Tony. "I have no doubt of it," said the solicitor, bowing politely. But when he came to discuss the question later with Jock, it did not seem so easy. "It's not a thing one can ask every girl to do," he said, "whichever way you put it. If you say it is merely a legal form it is rather insulting, and if you suggest going the whole hog it's rather fresh--suddenly, I mean, if you've never paid any particular attention to her before and don't propose to carry on with it afterwards... Of course there's always old Sybil." But even Sybil refused. "I'd do it like a shot any other time," she said, "but just at the moment it wouldn't suit my book. There's a certain person who might hear about it and take it wrong... There's an awfully pretty girl called Jenny Abdul Akbar. I wonder if you've met her." "Yes, I've met her." "Well, won't she do?" "No." "Oh dear, I don't know who to suggest." "We'd better go and study the market at the Old Hundredth," said Jock. They dined at Jock's house. Lately they had found it a little gloomy at Brown's, for people tended to avoid anyone they knew to be unhappy. Though they drank a magnum of champagne they could not recapture the light-hearted mood in which they had last visited Sink Street. And then Tony said, "Is it any good going there yet?" "We may as well try. After all, we aren't going there for enjoyment." "No, indeed." The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony.<|quote|>"I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her."</|quote|>"All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing. "I hope you don't imagine she's coming with us." "Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie | good going there yet?" "We may as well try. After all, we aren't going there for enjoyment." "No, indeed." The doors were open at a Hundred Sink Street and the band was playing to an empty ballroom. The waiters were eating at a little table in the corner. Two or three girls were clustered round the Jack-Pot machine, losing shillings hard and complaining about the cold. They ordered a bottle of the Montmorency Wine Company's brand and sat down to wait. "Any of those do?" asked Jock. "I don't much care." "Better get someone you like. You've got to put in a lot of time with her." Presently Milly and Babs came downstairs. "How are the postmen's hats?" said Milly. They could not recognize the allusion. "You are the two boys who were here last month, aren't you?" "Yes. I'm afraid we were rather tight." "You don't say?" It was very seldom that Milly and Babs met anyone who was quite sober during their business hours. "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony.<|quote|>"I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her."</|quote|>"All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing. "I hope you don't imagine she's coming with us." "Yes, that the idea," said Milly. "She won't be any trouble--she's | A Handful Of Dust |
I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages. I was still staring, when I was startled and recalled by the verdict being given: "Wilful Murder against some person or persons unknown." CHAPTER VII. POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they emerged, and Poirot at once stepped forward, and accosted the shorter of the two. | No speaker | are moving quickly, my friend."<|quote|>I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages. I was still staring, when I was startled and recalled by the verdict being given: "Wilful Murder against some person or persons unknown." CHAPTER VII. POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they emerged, and Poirot at once stepped forward, and accosted the shorter of the two.</|quote|>"I fear you do not | from Scotland Yard too. Things are moving quickly, my friend."<|quote|>I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages. I was still staring, when I was startled and recalled by the verdict being given: "Wilful Murder against some person or persons unknown." CHAPTER VII. POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they emerged, and Poirot at once stepped forward, and accosted the shorter of the two.</|quote|>"I fear you do not remember me, Inspector Japp." "Why, | and fair. I questioned Poirot mutely. He put his lips to my ear. "Do you know who that little man is?" I shook my head. "That is Detective Inspector James Japp of Scotland Yard Jimmy Japp. The other man is from Scotland Yard too. Things are moving quickly, my friend."<|quote|>I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages. I was still staring, when I was startled and recalled by the verdict being given: "Wilful Murder against some person or persons unknown." CHAPTER VII. POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they emerged, and Poirot at once stepped forward, and accosted the shorter of the two.</|quote|>"I fear you do not remember me, Inspector Japp." "Why, if it isn't Mr. Poirot!" cried the Inspector. He turned to the other man. "You've heard me speak of Mr. Poirot? It was in 1904 he and I worked together the Abercrombie forgery case you remember, he was run down | seem to me to improve matters much for Inglethorp. In any case, he had had ample time to introduce the poison. At that point, Poirot nudged me gently, indicating two men who were sitting together near the door. One was a little, sharp, dark, ferret-faced man, the other was tall and fair. I questioned Poirot mutely. He put his lips to my ear. "Do you know who that little man is?" I shook my head. "That is Detective Inspector James Japp of Scotland Yard Jimmy Japp. The other man is from Scotland Yard too. Things are moving quickly, my friend."<|quote|>I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages. I was still staring, when I was startled and recalled by the verdict being given: "Wilful Murder against some person or persons unknown." CHAPTER VII. POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they emerged, and Poirot at once stepped forward, and accosted the shorter of the two.</|quote|>"I fear you do not remember me, Inspector Japp." "Why, if it isn't Mr. Poirot!" cried the Inspector. He turned to the other man. "You've heard me speak of Mr. Poirot? It was in 1904 he and I worked together the Abercrombie forgery case you remember, he was run down in Brussels. Ah, those were great days, moosier. Then, do you remember Baron' Altara? There was a pretty rogue for you! He eluded the clutches of half the police in Europe. But we nailed him in Antwerp thanks to Mr. Poirot here." As these friendly reminiscences were being indulged in, | on the contrary, an appeal to me." The Coroner reflected a moment, then he said: "I believe, Mr. Inglethorp, that you yourself poured out the coffee, and took it to your wife that evening?" "I poured it out, yes. But I did not take it to her. I meant to do so, but I was told that a friend was at the hall door, so I laid down the coffee on the hall table. When I came through the hall again a few minutes later, it was gone." This statement might, or might not, be true, but it did not seem to me to improve matters much for Inglethorp. In any case, he had had ample time to introduce the poison. At that point, Poirot nudged me gently, indicating two men who were sitting together near the door. One was a little, sharp, dark, ferret-faced man, the other was tall and fair. I questioned Poirot mutely. He put his lips to my ear. "Do you know who that little man is?" I shook my head. "That is Detective Inspector James Japp of Scotland Yard Jimmy Japp. The other man is from Scotland Yard too. Things are moving quickly, my friend."<|quote|>I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages. I was still staring, when I was startled and recalled by the verdict being given: "Wilful Murder against some person or persons unknown." CHAPTER VII. POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they emerged, and Poirot at once stepped forward, and accosted the shorter of the two.</|quote|>"I fear you do not remember me, Inspector Japp." "Why, if it isn't Mr. Poirot!" cried the Inspector. He turned to the other man. "You've heard me speak of Mr. Poirot? It was in 1904 he and I worked together the Abercrombie forgery case you remember, he was run down in Brussels. Ah, those were great days, moosier. Then, do you remember Baron' Altara? There was a pretty rogue for you! He eluded the clutches of half the police in Europe. But we nailed him in Antwerp thanks to Mr. Poirot here." As these friendly reminiscences were being indulged in, I drew nearer, and was introduced to Detective-Inspector Japp, who, in his turn, introduced us both to his companion, Superintendent Summerhaye. "I need hardly ask what you are doing here, gentlemen," remarked Poirot. Japp closed one eye knowingly. "No, indeed. Pretty clear case I should say." But Poirot answered gravely: "There I differ from you." "Oh, come!" said Summerhaye, opening his lips for the first time. "Surely the whole thing is clear as daylight. The man's caught red-handed. How he could be such a fool beats me!" But Japp was looking attentively at Poirot. "Hold your fire, Summerhaye," he remarked | from the house the entire afternoon." "Have you anyone who can testify to that?" "You have my word," said Inglethorp haughtily. The Coroner did not trouble to reply. "There are two witnesses who will swear to having heard your disagreement with Mrs. Inglethorp." "Those witnesses were mistaken." I was puzzled. The man spoke with such quiet assurance that I was staggered. I looked at Poirot. There was an expression of exultation on his face which I could not understand. Was he at last convinced of Alfred Inglethorp's guilt? "Mr. Inglethorp," said the Coroner, "you have heard your wife's dying words repeated here. Can you explain them in any way?" "Certainly I can." "You can?" "It seems to me very simple. The room was dimly lighted. Dr. Bauerstein is much of my height and build, and, like me, wears a beard. In the dim light, and suffering as she was, my poor wife mistook him for me." "Ah!" murmured Poirot to himself. "But it is an idea, that!" "You think it is true?" I whispered. "I do not say that. But it is truly an ingenious supposition." "You read my wife's last words as an accusation" Inglethorp was continuing "they were, on the contrary, an appeal to me." The Coroner reflected a moment, then he said: "I believe, Mr. Inglethorp, that you yourself poured out the coffee, and took it to your wife that evening?" "I poured it out, yes. But I did not take it to her. I meant to do so, but I was told that a friend was at the hall door, so I laid down the coffee on the hall table. When I came through the hall again a few minutes later, it was gone." This statement might, or might not, be true, but it did not seem to me to improve matters much for Inglethorp. In any case, he had had ample time to introduce the poison. At that point, Poirot nudged me gently, indicating two men who were sitting together near the door. One was a little, sharp, dark, ferret-faced man, the other was tall and fair. I questioned Poirot mutely. He put his lips to my ear. "Do you know who that little man is?" I shook my head. "That is Detective Inspector James Japp of Scotland Yard Jimmy Japp. The other man is from Scotland Yard too. Things are moving quickly, my friend."<|quote|>I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages. I was still staring, when I was startled and recalled by the verdict being given: "Wilful Murder against some person or persons unknown." CHAPTER VII. POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they emerged, and Poirot at once stepped forward, and accosted the shorter of the two.</|quote|>"I fear you do not remember me, Inspector Japp." "Why, if it isn't Mr. Poirot!" cried the Inspector. He turned to the other man. "You've heard me speak of Mr. Poirot? It was in 1904 he and I worked together the Abercrombie forgery case you remember, he was run down in Brussels. Ah, those were great days, moosier. Then, do you remember Baron' Altara? There was a pretty rogue for you! He eluded the clutches of half the police in Europe. But we nailed him in Antwerp thanks to Mr. Poirot here." As these friendly reminiscences were being indulged in, I drew nearer, and was introduced to Detective-Inspector Japp, who, in his turn, introduced us both to his companion, Superintendent Summerhaye. "I need hardly ask what you are doing here, gentlemen," remarked Poirot. Japp closed one eye knowingly. "No, indeed. Pretty clear case I should say." But Poirot answered gravely: "There I differ from you." "Oh, come!" said Summerhaye, opening his lips for the first time. "Surely the whole thing is clear as daylight. The man's caught red-handed. How he could be such a fool beats me!" But Japp was looking attentively at Poirot. "Hold your fire, Summerhaye," he remarked jocularly. "Me and Moosier here have met before and there's no man's judgment I'd sooner take than his. If I'm not greatly mistaken, he's got something up his sleeve. Isn't that so, moosier?" Poirot smiled. "I have drawn certain conclusions yes." Summerhaye was still looking rather sceptical, but Japp continued his scrutiny of Poirot. "It's this way," he said, "so far, we've only seen the case from the outside. That's where the Yard's at a disadvantage in a case of this kind, where the murder's only out, so to speak, after the inquest. A lot depends on being on the spot first thing, and that's where Mr. Poirot's had the start of us. We shouldn't have been here as soon as this even, if it hadn't been for the fact that there was a smart doctor on the spot, who gave us the tip through the Coroner. But you've been on the spot from the first, and you may have picked up some little hints. From the evidence at the inquest, Mr. Inglethorp murdered his wife as sure as I stand here, and if anyone but you hinted the contrary I'd laugh in his face. I must say I was | few words of stern censure, the Coroner dismissed the wretched Mr. Mace. Then, amidst a breathless silence, Alfred Inglethorp was called. Did he realize, I wondered, how closely the halter was being drawn around his neck? The Coroner went straight to the point. "On Monday evening last, did you purchase strychnine for the purpose of poisoning a dog?" Inglethorp replied with perfect calmness: "No, I did not. There is no dog at Styles, except an outdoor sheepdog, which is in perfect health." "You deny absolutely having purchased strychnine from Albert Mace on Monday last?" "I do." "Do you also deny _this_?" The Coroner handed him the register in which his signature was inscribed. "Certainly I do. The hand-writing is quite different from mine. I will show you." He took an old envelope out of his pocket, and wrote his name on it, handing it to the jury. It was certainly utterly dissimilar. "Then what is your explanation of Mr. Mace's statement?" Alfred Inglethorp replied imperturbably: "Mr. Mace must have been mistaken." The Coroner hesitated for a moment, and then said: "Mr. Inglethorp, as a mere matter of form, would you mind telling us where you were on the evening of Monday, July 16th?" "Really I cannot remember." "That is absurd, Mr. Inglethorp," said the Coroner sharply. "Think again." Inglethorp shook his head. "I cannot tell you. I have an idea that I was out walking." "In what direction?" "I really can't remember." The Coroner's face grew graver. "Were you in company with anyone?" "No." "Did you meet anyone on your walk?" "No." "That is a pity," said the Coroner dryly. "I am to take it then that you decline to say where you were at the time that Mr. Mace positively recognized you as entering the shop to purchase strychnine?" "If you like to take it that way, yes." "Be careful, Mr. Inglethorp." Poirot was fidgeting nervously. "_Sacr !_" he murmured. "Does this imbecile of a man _want_ to be arrested?" Inglethorp was indeed creating a bad impression. His futile denials would not have convinced a child. The Coroner, however, passed briskly to the next point, and Poirot drew a deep breath of relief. "You had a discussion with your wife on Tuesday afternoon?" "Pardon me," interrupted Alfred Inglethorp, "you have been misinformed. I had no quarrel with my dear wife. The whole story is absolutely untrue. I was absent from the house the entire afternoon." "Have you anyone who can testify to that?" "You have my word," said Inglethorp haughtily. The Coroner did not trouble to reply. "There are two witnesses who will swear to having heard your disagreement with Mrs. Inglethorp." "Those witnesses were mistaken." I was puzzled. The man spoke with such quiet assurance that I was staggered. I looked at Poirot. There was an expression of exultation on his face which I could not understand. Was he at last convinced of Alfred Inglethorp's guilt? "Mr. Inglethorp," said the Coroner, "you have heard your wife's dying words repeated here. Can you explain them in any way?" "Certainly I can." "You can?" "It seems to me very simple. The room was dimly lighted. Dr. Bauerstein is much of my height and build, and, like me, wears a beard. In the dim light, and suffering as she was, my poor wife mistook him for me." "Ah!" murmured Poirot to himself. "But it is an idea, that!" "You think it is true?" I whispered. "I do not say that. But it is truly an ingenious supposition." "You read my wife's last words as an accusation" Inglethorp was continuing "they were, on the contrary, an appeal to me." The Coroner reflected a moment, then he said: "I believe, Mr. Inglethorp, that you yourself poured out the coffee, and took it to your wife that evening?" "I poured it out, yes. But I did not take it to her. I meant to do so, but I was told that a friend was at the hall door, so I laid down the coffee on the hall table. When I came through the hall again a few minutes later, it was gone." This statement might, or might not, be true, but it did not seem to me to improve matters much for Inglethorp. In any case, he had had ample time to introduce the poison. At that point, Poirot nudged me gently, indicating two men who were sitting together near the door. One was a little, sharp, dark, ferret-faced man, the other was tall and fair. I questioned Poirot mutely. He put his lips to my ear. "Do you know who that little man is?" I shook my head. "That is Detective Inspector James Japp of Scotland Yard Jimmy Japp. The other man is from Scotland Yard too. Things are moving quickly, my friend."<|quote|>I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages. I was still staring, when I was startled and recalled by the verdict being given: "Wilful Murder against some person or persons unknown." CHAPTER VII. POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they emerged, and Poirot at once stepped forward, and accosted the shorter of the two.</|quote|>"I fear you do not remember me, Inspector Japp." "Why, if it isn't Mr. Poirot!" cried the Inspector. He turned to the other man. "You've heard me speak of Mr. Poirot? It was in 1904 he and I worked together the Abercrombie forgery case you remember, he was run down in Brussels. Ah, those were great days, moosier. Then, do you remember Baron' Altara? There was a pretty rogue for you! He eluded the clutches of half the police in Europe. But we nailed him in Antwerp thanks to Mr. Poirot here." As these friendly reminiscences were being indulged in, I drew nearer, and was introduced to Detective-Inspector Japp, who, in his turn, introduced us both to his companion, Superintendent Summerhaye. "I need hardly ask what you are doing here, gentlemen," remarked Poirot. Japp closed one eye knowingly. "No, indeed. Pretty clear case I should say." But Poirot answered gravely: "There I differ from you." "Oh, come!" said Summerhaye, opening his lips for the first time. "Surely the whole thing is clear as daylight. The man's caught red-handed. How he could be such a fool beats me!" But Japp was looking attentively at Poirot. "Hold your fire, Summerhaye," he remarked jocularly. "Me and Moosier here have met before and there's no man's judgment I'd sooner take than his. If I'm not greatly mistaken, he's got something up his sleeve. Isn't that so, moosier?" Poirot smiled. "I have drawn certain conclusions yes." Summerhaye was still looking rather sceptical, but Japp continued his scrutiny of Poirot. "It's this way," he said, "so far, we've only seen the case from the outside. That's where the Yard's at a disadvantage in a case of this kind, where the murder's only out, so to speak, after the inquest. A lot depends on being on the spot first thing, and that's where Mr. Poirot's had the start of us. We shouldn't have been here as soon as this even, if it hadn't been for the fact that there was a smart doctor on the spot, who gave us the tip through the Coroner. But you've been on the spot from the first, and you may have picked up some little hints. From the evidence at the inquest, Mr. Inglethorp murdered his wife as sure as I stand here, and if anyone but you hinted the contrary I'd laugh in his face. I must say I was surprised the jury didn't bring it in Wilful Murder against him right off. I think they would have, if it hadn't been for the Coroner he seemed to be holding them back." "Perhaps, though, you have a warrant for his arrest in your pocket now," suggested Poirot. A kind of wooden shutter of officialdom came down from Japp's expressive countenance. "Perhaps I have, and perhaps I haven't," he remarked dryly. Poirot looked at him thoughtfully. "I am very anxious, Messieurs, that he should not be arrested." "I dare say," observed Summerhaye sarcastically. Japp was regarding Poirot with comical perplexity. "Can't you go a little further, Mr. Poirot? A wink's as good as a nod from you. You've been on the spot and the Yard doesn't want to make any mistakes, you know." Poirot nodded gravely. "That is exactly what I thought. Well, I will tell you this. Use your warrant: Arrest Mr. Inglethorp. But it will bring you no kudos the case against him will be dismissed at once! _Comme a!_" And he snapped his fingers expressively. Japp's face grew grave, though Summerhaye gave an incredulous snort. As for me, I was literally dumb with astonishment. I could only conclude that Poirot was mad. Japp had taken out a handkerchief, and was gently dabbing his brow. "I daren't do it, Mr. Poirot. _I_'d take your word, but there's others over me who'll be asking what the devil I mean by it. Can't you give me a little more to go on?" Poirot reflected a moment. "It can be done," he said at last. "I admit I do not wish it. It forces my hand. I would have preferred to work in the dark just for the present, but what you say is very just the word of a Belgian policeman, whose day is past, is not enough! And Alfred Inglethorp must not be arrested. That I have sworn, as my friend Hastings here knows. See, then, my good Japp, you go at once to Styles?" "Well, in about half an hour. We're seeing the Coroner and the doctor first." "Good. Call for me in passing the last house in the village. I will go with you. At Styles, Mr. Inglethorp will give you, or if he refuses as is probable I will give you such proofs that shall satisfy you that the case against him could not possibly be sustained. | shook his head. "I cannot tell you. I have an idea that I was out walking." "In what direction?" "I really can't remember." The Coroner's face grew graver. "Were you in company with anyone?" "No." "Did you meet anyone on your walk?" "No." "That is a pity," said the Coroner dryly. "I am to take it then that you decline to say where you were at the time that Mr. Mace positively recognized you as entering the shop to purchase strychnine?" "If you like to take it that way, yes." "Be careful, Mr. Inglethorp." Poirot was fidgeting nervously. "_Sacr !_" he murmured. "Does this imbecile of a man _want_ to be arrested?" Inglethorp was indeed creating a bad impression. His futile denials would not have convinced a child. The Coroner, however, passed briskly to the next point, and Poirot drew a deep breath of relief. "You had a discussion with your wife on Tuesday afternoon?" "Pardon me," interrupted Alfred Inglethorp, "you have been misinformed. I had no quarrel with my dear wife. The whole story is absolutely untrue. I was absent from the house the entire afternoon." "Have you anyone who can testify to that?" "You have my word," said Inglethorp haughtily. The Coroner did not trouble to reply. "There are two witnesses who will swear to having heard your disagreement with Mrs. Inglethorp." "Those witnesses were mistaken." I was puzzled. The man spoke with such quiet assurance that I was staggered. I looked at Poirot. There was an expression of exultation on his face which I could not understand. Was he at last convinced of Alfred Inglethorp's guilt? "Mr. Inglethorp," said the Coroner, "you have heard your wife's dying words repeated here. Can you explain them in any way?" "Certainly I can." "You can?" "It seems to me very simple. The room was dimly lighted. Dr. Bauerstein is much of my height and build, and, like me, wears a beard. In the dim light, and suffering as she was, my poor wife mistook him for me." "Ah!" murmured Poirot to himself. "But it is an idea, that!" "You think it is true?" I whispered. "I do not say that. But it is truly an ingenious supposition." "You read my wife's last words as an accusation" Inglethorp was continuing "they were, on the contrary, an appeal to me." The Coroner reflected a moment, then he said: "I believe, Mr. Inglethorp, that you yourself poured out the coffee, and took it to your wife that evening?" "I poured it out, yes. But I did not take it to her. I meant to do so, but I was told that a friend was at the hall door, so I laid down the coffee on the hall table. When I came through the hall again a few minutes later, it was gone." This statement might, or might not, be true, but it did not seem to me to improve matters much for Inglethorp. In any case, he had had ample time to introduce the poison. At that point, Poirot nudged me gently, indicating two men who were sitting together near the door. One was a little, sharp, dark, ferret-faced man, the other was tall and fair. I questioned Poirot mutely. He put his lips to my ear. "Do you know who that little man is?" I shook my head. "That is Detective Inspector James Japp of Scotland Yard Jimmy Japp. The other man is from Scotland Yard too. Things are moving quickly, my friend."<|quote|>I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages. I was still staring, when I was startled and recalled by the verdict being given: "Wilful Murder against some person or persons unknown." CHAPTER VII. POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they emerged, and Poirot at once stepped forward, and accosted the shorter of the two.</|quote|>"I fear you do not remember me, Inspector Japp." "Why, if it isn't Mr. Poirot!" cried the Inspector. He turned to the other man. "You've heard me speak of Mr. Poirot? It was in 1904 he and I worked together the Abercrombie forgery case you remember, he was run down in Brussels. Ah, those were great days, moosier. Then, do you remember Baron' Altara? There was a pretty rogue for you! He eluded the clutches of half the police in Europe. But we nailed him in Antwerp thanks to Mr. Poirot here." As these friendly reminiscences were being indulged in, I drew nearer, and was introduced to Detective-Inspector Japp, who, in his turn, introduced us both to his companion, Superintendent Summerhaye. "I need hardly ask what you are doing here, gentlemen," remarked Poirot. Japp closed one eye knowingly. "No, indeed. Pretty clear case I should say." But Poirot answered gravely: "There I differ from you." "Oh, come!" said Summerhaye, opening his lips for the first time. "Surely the whole thing is clear as daylight. The man's caught red-handed. How he could be such a fool beats me!" But Japp was looking attentively at Poirot. "Hold your fire, Summerhaye," he remarked jocularly. "Me and Moosier here have met before and there's no man's judgment I'd sooner take than his. If I'm not greatly mistaken, he's got something up his sleeve. Isn't that so, moosier?" Poirot smiled. "I have drawn certain conclusions yes." Summerhaye was still looking rather sceptical, but Japp continued his scrutiny of Poirot. "It's this way," he said, "so far, we've only seen the case from the outside. That's where the Yard's at a disadvantage in a case of this kind, where the murder's only out, so to speak, after the inquest. A lot depends on being on the spot first thing, and that's where Mr. Poirot's had the start of us. We shouldn't have been here as soon as this even, if it hadn't been for the fact that there was a smart doctor on the spot, who gave us the tip through the Coroner. But you've been on the spot from the first, and you may have picked up some little hints. From the evidence at the inquest, Mr. Inglethorp murdered his wife as sure as I stand here, and if anyone but you hinted the contrary I'd laugh in his face. I must say I was surprised the jury didn't bring it in Wilful Murder against him right off. I think they would have, if it hadn't been for the Coroner he seemed to be holding them back." "Perhaps, though, you have a warrant for his arrest in your pocket now," suggested Poirot. A kind | The Mysterious Affair At Styles |
"Why, yes!" | Signor Carella | Has this woman money too?"<|quote|>"Why, yes!"</|quote|>he said irritably. "A little." | lie. You wanted her money. Has this woman money too?"<|quote|>"Why, yes!"</|quote|>he said irritably. "A little." "And I suppose you will | child who is suddenly forbidden a toy. "You have ruined one woman; I forbid you to ruin another. It is not a year since Lilia died. You pretended to me the other day that you loved her. It is a lie. You wanted her money. Has this woman money too?"<|quote|>"Why, yes!"</|quote|>he said irritably. "A little." "And I suppose you will say that you love her." "I shall not say it. It will be untrue. Now my poor wife--" He stopped, seeing that the comparison would involve him in difficulties. And indeed he had often found Lilia as agreeable as any | then!" He looked puzzled, but took it for some foreign banter, and laughed. "I forbid you!" repeated Miss Abbott, and all the indignation of her sex and her nationality went thrilling through the words. "But why?" He jumped up, frowning. His voice was squeaky and petulant, like that of a child who is suddenly forbidden a toy. "You have ruined one woman; I forbid you to ruin another. It is not a year since Lilia died. You pretended to me the other day that you loved her. It is a lie. You wanted her money. Has this woman money too?"<|quote|>"Why, yes!"</|quote|>he said irritably. "A little." "And I suppose you will say that you love her." "I shall not say it. It will be untrue. Now my poor wife--" He stopped, seeing that the comparison would involve him in difficulties. And indeed he had often found Lilia as agreeable as any one else. Miss Abbott was furious at this final insult to her dead acquaintance. She was glad that after all she could be so angry with the boy. She glowed and throbbed; her tongue moved nimbly. At the finish, if the real business of the day had been completed, she | have not come as a friend this time," she answered stiffly. "I am not likely, Signor Carella, to approve of anything you do." "Oh, Signorina!" He laughed, as if he found her piquant and amusing. "Surely you approve of marriage?" "Where there is love," said Miss Abbott, looking at him hard. His face had altered in the last year, but not for the worse, which was baffling. "Where there is love," said he, politely echoing the English view. Then he smiled on her, expecting congratulations. "Do I understand that you are proposing to marry again?" He nodded. "I forbid you, then!" He looked puzzled, but took it for some foreign banter, and laughed. "I forbid you!" repeated Miss Abbott, and all the indignation of her sex and her nationality went thrilling through the words. "But why?" He jumped up, frowning. His voice was squeaky and petulant, like that of a child who is suddenly forbidden a toy. "You have ruined one woman; I forbid you to ruin another. It is not a year since Lilia died. You pretended to me the other day that you loved her. It is a lie. You wanted her money. Has this woman money too?"<|quote|>"Why, yes!"</|quote|>he said irritably. "A little." "And I suppose you will say that you love her." "I shall not say it. It will be untrue. Now my poor wife--" He stopped, seeing that the comparison would involve him in difficulties. And indeed he had often found Lilia as agreeable as any one else. Miss Abbott was furious at this final insult to her dead acquaintance. She was glad that after all she could be so angry with the boy. She glowed and throbbed; her tongue moved nimbly. At the finish, if the real business of the day had been completed, she could have swept majestically from the house. But the baby still remained, asleep on a dirty rug. Gino was thoughtful, and stood scratching his head. He respected Miss Abbott. He wished that she would respect him. "So you do not advise me?" he said dolefully. "But why should it be a failure?" Miss Abbott tried to remember that he was really a child still--a child with the strength and the passions of a disreputable man. "How can it succeed," she said solemnly, "where there is no love?" "But she does love me! I forgot to tell you that." "Indeed." "Passionately." | to live here. My father wished to give up his practice at Empoli; my mother and sisters and two aunts were also willing. But it was impossible. They have their ways of doing things, and when I was younger I was content with them. But now I am a man. I have my own ways. Do you understand?" "Yes, I do," said Miss Abbott, thinking of her own dear father, whose tricks and habits, after twenty-five years spent in their company, were beginning to get on her nerves. She remembered, though, that she was not here to sympathize with Gino--at all events, not to show that she sympathized. She also reminded herself that he was not worthy of sympathy. "It is a large house," she repeated. "Immense; and the taxes! But it will be better when--Ah! but you have never guessed why I went to Poggibonsi--why it was that I was out when he called." "I cannot guess, Signor Carella. I am here on business." "But try." "I cannot; I hardly know you." "But we are old friends," he said, "and your approval will be grateful to me. You gave it me once before. Will you give it now?" "I have not come as a friend this time," she answered stiffly. "I am not likely, Signor Carella, to approve of anything you do." "Oh, Signorina!" He laughed, as if he found her piquant and amusing. "Surely you approve of marriage?" "Where there is love," said Miss Abbott, looking at him hard. His face had altered in the last year, but not for the worse, which was baffling. "Where there is love," said he, politely echoing the English view. Then he smiled on her, expecting congratulations. "Do I understand that you are proposing to marry again?" He nodded. "I forbid you, then!" He looked puzzled, but took it for some foreign banter, and laughed. "I forbid you!" repeated Miss Abbott, and all the indignation of her sex and her nationality went thrilling through the words. "But why?" He jumped up, frowning. His voice was squeaky and petulant, like that of a child who is suddenly forbidden a toy. "You have ruined one woman; I forbid you to ruin another. It is not a year since Lilia died. You pretended to me the other day that you loved her. It is a lie. You wanted her money. Has this woman money too?"<|quote|>"Why, yes!"</|quote|>he said irritably. "A little." "And I suppose you will say that you love her." "I shall not say it. It will be untrue. Now my poor wife--" He stopped, seeing that the comparison would involve him in difficulties. And indeed he had often found Lilia as agreeable as any one else. Miss Abbott was furious at this final insult to her dead acquaintance. She was glad that after all she could be so angry with the boy. She glowed and throbbed; her tongue moved nimbly. At the finish, if the real business of the day had been completed, she could have swept majestically from the house. But the baby still remained, asleep on a dirty rug. Gino was thoughtful, and stood scratching his head. He respected Miss Abbott. He wished that she would respect him. "So you do not advise me?" he said dolefully. "But why should it be a failure?" Miss Abbott tried to remember that he was really a child still--a child with the strength and the passions of a disreputable man. "How can it succeed," she said solemnly, "where there is no love?" "But she does love me! I forgot to tell you that." "Indeed." "Passionately." He laid his hand upon his own heart. "Then God help her!" He stamped impatiently. "Whatever I say displeases you, Signorina. God help you, for you are most unfair. You say that I ill-treated my dear wife. It is not so. I have never ill-treated any one. You complain that there is no love in this marriage. I prove that there is, and you become still more angry. What do you want? Do you suppose she will not be contented? Glad enough she is to get me, and she will do her duty well." "Her duty!" cried Miss Abbott, with all the bitterness of which she was capable. "Why, of course. She knows why I am marrying her." "To succeed where Lilia failed! To be your housekeeper, your slave, you--" The words she would like to have said were too violent for her. "To look after the baby, certainly," said he. "The baby--?" She had forgotten it. "It is an English marriage," he said proudly. "I do not care about the money. I am having her for my son. Did you not understand that?" "No," said Miss Abbott, utterly bewildered. Then, for a moment, she saw light. "It is not | accordingly. "What a fine child, Signor Carella. And how nice of you to talk to it. Though I see that the ungrateful little fellow is asleep! Seven months? No, eight; of course eight. Still, he is a remarkably fine child for his age." Italian is a bad medium for condescension. The patronizing words came out gracious and sincere, and he smiled with pleasure. "You must not stand. Let us sit on the loggia, where it is cool. I am afraid the room is very untidy," he added, with the air of a hostess who apologizes for a stray thread on the drawing-room carpet. Miss Abbott picked her way to the chair. He sat near her, astride the parapet, with one foot in the loggia and the other dangling into the view. His face was in profile, and its beautiful contours drove artfully against the misty green of the opposing hills. "Posing!" said Miss Abbott to herself. "A born artist s model." "Mr. Herriton called yesterday," she began, "but you were out." He started an elaborate and graceful explanation. He had gone for the day to Poggibonsi. Why had the Herritons not written to him, so that he could have received them properly? Poggibonsi would have done any day; not but what his business there was fairly important. What did she suppose that it was? Naturally she was not greatly interested. She had not come from Sawston to guess why he had been to Poggibonsi. She answered politely that she had no idea, and returned to her mission. "But guess!" he persisted, clapping the balustrade between his hands. She suggested, with gentle sarcasm, that perhaps he had gone to Poggibonsi to find something to do. He intimated that it was not as important as all that. Something to do--an almost hopeless quest! "E manca questo!" He rubbed his thumb and forefinger together, to indicate that he had no money. Then he sighed, and blew another smoke-ring. Miss Abbott took heart and turned diplomatic. "This house," she said, "is a large house." "Exactly," was his gloomy reply. "And when my poor wife died--" He got up, went in, and walked across the landing to the reception-room door, which he closed reverently. Then he shut the door of the living-room with his foot, returned briskly to his seat, and continued his sentence. "When my poor wife died I thought of having my relatives to live here. My father wished to give up his practice at Empoli; my mother and sisters and two aunts were also willing. But it was impossible. They have their ways of doing things, and when I was younger I was content with them. But now I am a man. I have my own ways. Do you understand?" "Yes, I do," said Miss Abbott, thinking of her own dear father, whose tricks and habits, after twenty-five years spent in their company, were beginning to get on her nerves. She remembered, though, that she was not here to sympathize with Gino--at all events, not to show that she sympathized. She also reminded herself that he was not worthy of sympathy. "It is a large house," she repeated. "Immense; and the taxes! But it will be better when--Ah! but you have never guessed why I went to Poggibonsi--why it was that I was out when he called." "I cannot guess, Signor Carella. I am here on business." "But try." "I cannot; I hardly know you." "But we are old friends," he said, "and your approval will be grateful to me. You gave it me once before. Will you give it now?" "I have not come as a friend this time," she answered stiffly. "I am not likely, Signor Carella, to approve of anything you do." "Oh, Signorina!" He laughed, as if he found her piquant and amusing. "Surely you approve of marriage?" "Where there is love," said Miss Abbott, looking at him hard. His face had altered in the last year, but not for the worse, which was baffling. "Where there is love," said he, politely echoing the English view. Then he smiled on her, expecting congratulations. "Do I understand that you are proposing to marry again?" He nodded. "I forbid you, then!" He looked puzzled, but took it for some foreign banter, and laughed. "I forbid you!" repeated Miss Abbott, and all the indignation of her sex and her nationality went thrilling through the words. "But why?" He jumped up, frowning. His voice was squeaky and petulant, like that of a child who is suddenly forbidden a toy. "You have ruined one woman; I forbid you to ruin another. It is not a year since Lilia died. You pretended to me the other day that you loved her. It is a lie. You wanted her money. Has this woman money too?"<|quote|>"Why, yes!"</|quote|>he said irritably. "A little." "And I suppose you will say that you love her." "I shall not say it. It will be untrue. Now my poor wife--" He stopped, seeing that the comparison would involve him in difficulties. And indeed he had often found Lilia as agreeable as any one else. Miss Abbott was furious at this final insult to her dead acquaintance. She was glad that after all she could be so angry with the boy. She glowed and throbbed; her tongue moved nimbly. At the finish, if the real business of the day had been completed, she could have swept majestically from the house. But the baby still remained, asleep on a dirty rug. Gino was thoughtful, and stood scratching his head. He respected Miss Abbott. He wished that she would respect him. "So you do not advise me?" he said dolefully. "But why should it be a failure?" Miss Abbott tried to remember that he was really a child still--a child with the strength and the passions of a disreputable man. "How can it succeed," she said solemnly, "where there is no love?" "But she does love me! I forgot to tell you that." "Indeed." "Passionately." He laid his hand upon his own heart. "Then God help her!" He stamped impatiently. "Whatever I say displeases you, Signorina. God help you, for you are most unfair. You say that I ill-treated my dear wife. It is not so. I have never ill-treated any one. You complain that there is no love in this marriage. I prove that there is, and you become still more angry. What do you want? Do you suppose she will not be contented? Glad enough she is to get me, and she will do her duty well." "Her duty!" cried Miss Abbott, with all the bitterness of which she was capable. "Why, of course. She knows why I am marrying her." "To succeed where Lilia failed! To be your housekeeper, your slave, you--" The words she would like to have said were too violent for her. "To look after the baby, certainly," said he. "The baby--?" She had forgotten it. "It is an English marriage," he said proudly. "I do not care about the money. I am having her for my son. Did you not understand that?" "No," said Miss Abbott, utterly bewildered. Then, for a moment, she saw light. "It is not necessary, Signor Carella. Since you are tired of the baby--" Ever after she remembered it to her credit that she saw her mistake at once. "I don t mean that," she added quickly. "I know," was his courteous response. "Ah, in a foreign language (and how perfectly you speak Italian) one is certain to make slips." She looked at his face. It was apparently innocent of satire. "You meant that we could not always be together yet, he and I. You are right. What is to be done? I cannot afford a nurse, and Perfetta is too rough. When he was ill I dare not let her touch him. When he has to be washed, which happens now and then, who does it? I. I feed him, or settle what he shall have. I sleep with him and comfort him when he is unhappy in the night. No one talks, no one may sing to him but I. Do not be unfair this time; I like to do these things. But nevertheless (his voice became pathetic) they take up a great deal of time, and are not all suitable for a young man." "Not at all suitable," said Miss Abbott, and closed her eyes wearily. Each moment her difficulties were increasing. She wished that she was not so tired, so open to contradictory impressions. She longed for Harriet s burly obtuseness or for the soulless diplomacy of Mrs. Herriton. "A little more wine?" asked Gino kindly. "Oh, no, thank you! But marriage, Signor Carella, is a very serious step. Could you not manage more simply? Your relative, for example--" "Empoli! I would as soon have him in England!" "England, then--" He laughed. "He has a grandmother there, you know--Mrs. Theobald." "He has a grandmother here. No, he is troublesome, but I must have him with me. I will not even have my father and mother too. For they would separate us," he added. "How?" "They would separate our thoughts." She was silent. This cruel, vicious fellow knew of strange refinements. The horrible truth, that wicked people are capable of love, stood naked before her, and her moral being was abashed. It was her duty to rescue the baby, to save it from contagion, and she still meant to do her duty. But the comfortable sense of virtue left her. She was in the presence of something greater than right or | find something to do. He intimated that it was not as important as all that. Something to do--an almost hopeless quest! "E manca questo!" He rubbed his thumb and forefinger together, to indicate that he had no money. Then he sighed, and blew another smoke-ring. Miss Abbott took heart and turned diplomatic. "This house," she said, "is a large house." "Exactly," was his gloomy reply. "And when my poor wife died--" He got up, went in, and walked across the landing to the reception-room door, which he closed reverently. Then he shut the door of the living-room with his foot, returned briskly to his seat, and continued his sentence. "When my poor wife died I thought of having my relatives to live here. My father wished to give up his practice at Empoli; my mother and sisters and two aunts were also willing. But it was impossible. They have their ways of doing things, and when I was younger I was content with them. But now I am a man. I have my own ways. Do you understand?" "Yes, I do," said Miss Abbott, thinking of her own dear father, whose tricks and habits, after twenty-five years spent in their company, were beginning to get on her nerves. She remembered, though, that she was not here to sympathize with Gino--at all events, not to show that she sympathized. She also reminded herself that he was not worthy of sympathy. "It is a large house," she repeated. "Immense; and the taxes! But it will be better when--Ah! but you have never guessed why I went to Poggibonsi--why it was that I was out when he called." "I cannot guess, Signor Carella. I am here on business." "But try." "I cannot; I hardly know you." "But we are old friends," he said, "and your approval will be grateful to me. You gave it me once before. Will you give it now?" "I have not come as a friend this time," she answered stiffly. "I am not likely, Signor Carella, to approve of anything you do." "Oh, Signorina!" He laughed, as if he found her piquant and amusing. "Surely you approve of marriage?" "Where there is love," said Miss Abbott, looking at him hard. His face had altered in the last year, but not for the worse, which was baffling. "Where there is love," said he, politely echoing the English view. Then he smiled on her, expecting congratulations. "Do I understand that you are proposing to marry again?" He nodded. "I forbid you, then!" He looked puzzled, but took it for some foreign banter, and laughed. "I forbid you!" repeated Miss Abbott, and all the indignation of her sex and her nationality went thrilling through the words. "But why?" He jumped up, frowning. His voice was squeaky and petulant, like that of a child who is suddenly forbidden a toy. "You have ruined one woman; I forbid you to ruin another. It is not a year since Lilia died. You pretended to me the other day that you loved her. It is a lie. You wanted her money. Has this woman money too?"<|quote|>"Why, yes!"</|quote|>he said irritably. "A little." "And I suppose you will say that you love her." "I shall not say it. It will be untrue. Now my poor wife--" He stopped, seeing that the comparison would involve him in difficulties. And indeed he had often found Lilia as agreeable as any one else. Miss Abbott was furious at this final insult to her dead acquaintance. She was glad that after all she could be so angry with the boy. She glowed and throbbed; her tongue moved nimbly. At the finish, if the real business of the day had been completed, she could have swept majestically from the house. But the baby still remained, asleep on a dirty rug. Gino was thoughtful, and stood scratching his head. He respected Miss Abbott. He wished that she would respect him. "So you do not advise me?" he said dolefully. "But why should it be a failure?" Miss Abbott tried to remember that he was really a child still--a child with the strength and the passions of a disreputable man. "How can it succeed," she said solemnly, "where there is no love?" "But she does love me! I forgot to tell you that." "Indeed." "Passionately." He laid his hand upon his own heart. "Then God help her!" He stamped impatiently. "Whatever I say displeases you, Signorina. God help you, for you are most unfair. You say that I ill-treated my dear wife. It is not so. I have never ill-treated any one. You complain that there is no love in this marriage. I prove that there is, and you become still more angry. What do you want? Do you suppose she will not be contented? Glad enough she is to get me, and she will do her duty well." "Her duty!" cried Miss Abbott, with all the bitterness of which she was capable. "Why, of course. She knows why I am marrying her." "To succeed where Lilia failed! To be your housekeeper, your slave, you--" The words she would like to have said were too violent for her. "To look after the baby, | Where Angels Fear To Tread |
"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him as he would have done; I never saw such a man for shutting doors and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold on my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down." | The Invisible Man | a sneeze just in time."<|quote|>"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him as he would have done; I never saw such a man for shutting doors and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold on my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down."</|quote|>"I waited in the little | my back. Twice I strangled a sneeze just in time."<|quote|>"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him as he would have done; I never saw such a man for shutting doors and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold on my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down."</|quote|>"I waited in the little parlour for an age, and | the little room, one going upstairs and one down, but they were all shut. I could not get out of the room while he was there; I could scarcely move because of his alertness, and there was a draught down my back. Twice I strangled a sneeze just in time."<|quote|>"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him as he would have done; I never saw such a man for shutting doors and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold on my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down."</|quote|>"I waited in the little parlour for an age, and at last he came up and opened the upstairs door. I just managed to get by him." "On the staircase he stopped suddenly, so that I very nearly blundered into him. He stood looking back right into my face and | of big masks in the corner. On the table was his belated breakfast, and it was a confoundedly exasperating thing for me, Kemp, to have to sniff his coffee and stand watching while he came in and resumed his meal. And his table manners were irritating. Three doors opened into the little room, one going upstairs and one down, but they were all shut. I could not get out of the room while he was there; I could scarcely move because of his alertness, and there was a draught down my back. Twice I strangled a sneeze just in time."<|quote|>"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him as he would have done; I never saw such a man for shutting doors and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold on my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down."</|quote|>"I waited in the little parlour for an age, and at last he came up and opened the upstairs door. I just managed to get by him." "On the staircase he stopped suddenly, so that I very nearly blundered into him. He stood looking back right into my face and listening." I could have sworn, "he said. His long hairy hand pulled at his lower lip. His eye went up and down the staircase. Then he grunted and went on up again." "His hand was on the handle of a door, and then he stopped again with the same puzzled | at the noise of my movement he stopped dead. I did so too, startled by his quickness of ear. He slammed the house door in my face." "I stood hesitating. Suddenly I heard his quick footsteps returning, and the door reopened. He stood looking about the shop like one who was still not satisfied. Then, murmuring to himself, he examined the back of the counter and peered behind some fixtures. Then he stood doubtful. He had left the house door open and I slipped into the inner room." "It was a queer little room, poorly furnished and with a number of big masks in the corner. On the table was his belated breakfast, and it was a confoundedly exasperating thing for me, Kemp, to have to sniff his coffee and stand watching while he came in and resumed his meal. And his table manners were irritating. Three doors opened into the little room, one going upstairs and one down, but they were all shut. I could not get out of the room while he was there; I could scarcely move because of his alertness, and there was a draught down my back. Twice I strangled a sneeze just in time."<|quote|>"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him as he would have done; I never saw such a man for shutting doors and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold on my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down."</|quote|>"I waited in the little parlour for an age, and at last he came up and opened the upstairs door. I just managed to get by him." "On the staircase he stopped suddenly, so that I very nearly blundered into him. He stood looking back right into my face and listening." I could have sworn, "he said. His long hairy hand pulled at his lower lip. His eye went up and down the staircase. Then he grunted and went on up again." "His hand was on the handle of a door, and then he stopped again with the same puzzled anger on his face. He was becoming aware of the faint sounds of my movements about him. The man must have had diabolically acute hearing. He suddenly flashed into rage." If there s anyone in this house "he cried with an oath, and left the threat unfinished. He put his hand in his pocket, failed to find what he wanted, and rushing past me went blundering noisily and pugnaciously downstairs. But I did not follow him. I sat on the head of the staircase until his return." "Presently he came up again, still muttering. He opened the door of the | I left it open, and walked round a bare costume stand, into a corner behind a cheval glass. For a minute or so no one came. Then I heard heavy feet striding across a room, and a man appeared down the shop." "My plans were now perfectly definite. I proposed to make my way into the house, secrete myself upstairs, watch my opportunity, and when everything was quiet, rummage out a wig, mask, spectacles, and costume, and go into the world, perhaps a grotesque but still a credible figure. And incidentally of course I could rob the house of any available money." "The man who had just entered the shop was a short, slight, hunched, beetle-browed man, with long arms and very short bandy legs. Apparently I had interrupted a meal. He stared about the shop with an expression of expectation. This gave way to surprise, and then to anger, as he saw the shop empty." Damn the boys! "he said. He went to stare up and down the street. He came in again in a minute, kicked the door to with his foot spitefully, and went muttering back to the house door." "I came forward to follow him, and at the noise of my movement he stopped dead. I did so too, startled by his quickness of ear. He slammed the house door in my face." "I stood hesitating. Suddenly I heard his quick footsteps returning, and the door reopened. He stood looking about the shop like one who was still not satisfied. Then, murmuring to himself, he examined the back of the counter and peered behind some fixtures. Then he stood doubtful. He had left the house door open and I slipped into the inner room." "It was a queer little room, poorly furnished and with a number of big masks in the corner. On the table was his belated breakfast, and it was a confoundedly exasperating thing for me, Kemp, to have to sniff his coffee and stand watching while he came in and resumed his meal. And his table manners were irritating. Three doors opened into the little room, one going upstairs and one down, but they were all shut. I could not get out of the room while he was there; I could scarcely move because of his alertness, and there was a draught down my back. Twice I strangled a sneeze just in time."<|quote|>"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him as he would have done; I never saw such a man for shutting doors and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold on my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down."</|quote|>"I waited in the little parlour for an age, and at last he came up and opened the upstairs door. I just managed to get by him." "On the staircase he stopped suddenly, so that I very nearly blundered into him. He stood looking back right into my face and listening." I could have sworn, "he said. His long hairy hand pulled at his lower lip. His eye went up and down the staircase. Then he grunted and went on up again." "His hand was on the handle of a door, and then he stopped again with the same puzzled anger on his face. He was becoming aware of the faint sounds of my movements about him. The man must have had diabolically acute hearing. He suddenly flashed into rage." If there s anyone in this house "he cried with an oath, and left the threat unfinished. He put his hand in his pocket, failed to find what he wanted, and rushing past me went blundering noisily and pugnaciously downstairs. But I did not follow him. I sat on the head of the staircase until his return." "Presently he came up again, still muttering. He opened the door of the room, and before I could enter, slammed it in my face." "I resolved to explore the house, and spent some time in doing so as noiselessly as possible. The house was very old and tumble-down, damp so that the paper in the attics was peeling from the walls, and rat infested. Some of the door handles were stiff and I was afraid to turn them. Several rooms I did inspect were unfurnished, and others were littered with theatrical lumber, bought second-hand, I judged, from its appearance. In one room next to his I found a lot of old clothes. I began routing among these, and in my eagerness forgot again the evident sharpness of his ears. I heard a stealthy footstep and, looking up just in time, saw him peering in at the tumbled heap and holding an old-fashioned revolver in his hand. I stood perfectly still while he stared about open-mouthed and suspicious." It must have been her, "he said slowly." Damn her! "He shut the door quietly, and immediately I heard the key turn in the lock. Then his footsteps retreated. I realised abruptly that I was locked in. For a minute I did not know what to | my ankles, floating smuts and dust upon my skin. I did not know how long it would be before I should become visible from that cause also. But I saw clearly it could not be for long." "Not in London at any rate." "I went into the slums towards Great Portland Street, and found myself at the end of the street in which I had lodged. I did not go that way, because of the crowd halfway down it opposite to the still smoking ruins of the house I had fired. My most immediate problem was to get clothing. What to do with my face puzzled me. Then I saw in one of those little miscellaneous shops news, sweets, toys, stationery, belated Christmas tomfoolery, and so forth an array of masks and noses. I realised that problem was solved. In a flash I saw my course. I turned about, no longer aimless, and went circuitously in order to avoid the busy ways, towards the back streets north of the Strand; for I remembered, though not very distinctly where, that some theatrical costumiers had shops in that district." "The day was cold, with a nipping wind down the northward running streets. I walked fast to avoid being overtaken. Every crossing was a danger, every passenger a thing to watch alertly. One man as I was about to pass him at the top of Bedford Street, turned upon me abruptly and came into me, sending me into the road and almost under the wheel of a passing hansom. The verdict of the cab-rank was that he had had some sort of stroke. I was so unnerved by this encounter that I went into Covent Garden Market and sat down for some time in a quiet corner by a stall of violets, panting and trembling. I found I had caught a fresh cold, and had to turn out after a time lest my sneezes should attract attention." "At last I reached the object of my quest, a dirty, fly-blown little shop in a by-way near Drury Lane, with a window full of tinsel robes, sham jewels, wigs, slippers, dominoes and theatrical photographs. The shop was old-fashioned and low and dark, and the house rose above it for four storeys, dark and dismal. I peered through the window and, seeing no one within, entered. The opening of the door set a clanking bell ringing. I left it open, and walked round a bare costume stand, into a corner behind a cheval glass. For a minute or so no one came. Then I heard heavy feet striding across a room, and a man appeared down the shop." "My plans were now perfectly definite. I proposed to make my way into the house, secrete myself upstairs, watch my opportunity, and when everything was quiet, rummage out a wig, mask, spectacles, and costume, and go into the world, perhaps a grotesque but still a credible figure. And incidentally of course I could rob the house of any available money." "The man who had just entered the shop was a short, slight, hunched, beetle-browed man, with long arms and very short bandy legs. Apparently I had interrupted a meal. He stared about the shop with an expression of expectation. This gave way to surprise, and then to anger, as he saw the shop empty." Damn the boys! "he said. He went to stare up and down the street. He came in again in a minute, kicked the door to with his foot spitefully, and went muttering back to the house door." "I came forward to follow him, and at the noise of my movement he stopped dead. I did so too, startled by his quickness of ear. He slammed the house door in my face." "I stood hesitating. Suddenly I heard his quick footsteps returning, and the door reopened. He stood looking about the shop like one who was still not satisfied. Then, murmuring to himself, he examined the back of the counter and peered behind some fixtures. Then he stood doubtful. He had left the house door open and I slipped into the inner room." "It was a queer little room, poorly furnished and with a number of big masks in the corner. On the table was his belated breakfast, and it was a confoundedly exasperating thing for me, Kemp, to have to sniff his coffee and stand watching while he came in and resumed his meal. And his table manners were irritating. Three doors opened into the little room, one going upstairs and one down, but they were all shut. I could not get out of the room while he was there; I could scarcely move because of his alertness, and there was a draught down my back. Twice I strangled a sneeze just in time."<|quote|>"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him as he would have done; I never saw such a man for shutting doors and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold on my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down."</|quote|>"I waited in the little parlour for an age, and at last he came up and opened the upstairs door. I just managed to get by him." "On the staircase he stopped suddenly, so that I very nearly blundered into him. He stood looking back right into my face and listening." I could have sworn, "he said. His long hairy hand pulled at his lower lip. His eye went up and down the staircase. Then he grunted and went on up again." "His hand was on the handle of a door, and then he stopped again with the same puzzled anger on his face. He was becoming aware of the faint sounds of my movements about him. The man must have had diabolically acute hearing. He suddenly flashed into rage." If there s anyone in this house "he cried with an oath, and left the threat unfinished. He put his hand in his pocket, failed to find what he wanted, and rushing past me went blundering noisily and pugnaciously downstairs. But I did not follow him. I sat on the head of the staircase until his return." "Presently he came up again, still muttering. He opened the door of the room, and before I could enter, slammed it in my face." "I resolved to explore the house, and spent some time in doing so as noiselessly as possible. The house was very old and tumble-down, damp so that the paper in the attics was peeling from the walls, and rat infested. Some of the door handles were stiff and I was afraid to turn them. Several rooms I did inspect were unfurnished, and others were littered with theatrical lumber, bought second-hand, I judged, from its appearance. In one room next to his I found a lot of old clothes. I began routing among these, and in my eagerness forgot again the evident sharpness of his ears. I heard a stealthy footstep and, looking up just in time, saw him peering in at the tumbled heap and holding an old-fashioned revolver in his hand. I stood perfectly still while he stared about open-mouthed and suspicious." It must have been her, "he said slowly." Damn her! "He shut the door quietly, and immediately I heard the key turn in the lock. Then his footsteps retreated. I realised abruptly that I was locked in. For a minute I did not know what to do. I walked from door to window and back, and stood perplexed. A gust of anger came upon me. But I decided to inspect the clothes before I did anything further, and my first attempt brought down a pile from an upper shelf. This brought him back, more sinister than ever. That time he actually touched me, jumped back with amazement and stood astonished in the middle of the room." "Presently he calmed a little." Rats, "he said in an undertone, fingers on lips. He was evidently a little scared. I edged quietly out of the room, but a plank creaked. Then the infernal little brute started going all over the house, revolver in hand and locking door after door and pocketing the keys. When I realised what he was up to I had a fit of rage I could hardly control myself sufficiently to watch my opportunity. By this time I knew he was alone in the house, and so I made no more ado, but knocked him on the head."" "Knocked him on the head?" exclaimed Kemp. "Yes stunned him as he was going downstairs. Hit him from behind with a stool that stood on the landing. He went downstairs like a bag of old boots." "But I say! The common conventions of humanity" "Are all very well for common people. But the point was, Kemp, that I had to get out of that house in a disguise without his seeing me. I couldn t think of any other way of doing it. And then I gagged him with a Louis Quatorze vest and tied him up in a sheet." "Tied him up in a sheet!" "Made a sort of bag of it. It was rather a good idea to keep the idiot scared and quiet, and a devilish hard thing to get out of head away from the string. My dear Kemp, it s no good your sitting glaring as though I was a murderer. It had to be done. He had his revolver. If once he saw me he would be able to describe me" "But still," said Kemp, "in England to-day. And the man was in his own house, and you were well, robbing." "Robbing! Confound it! You ll call me a thief next! Surely, Kemp, you re not fool enough to dance on the old strings. Can t you see my position?" "And his | secrete myself upstairs, watch my opportunity, and when everything was quiet, rummage out a wig, mask, spectacles, and costume, and go into the world, perhaps a grotesque but still a credible figure. And incidentally of course I could rob the house of any available money." "The man who had just entered the shop was a short, slight, hunched, beetle-browed man, with long arms and very short bandy legs. Apparently I had interrupted a meal. He stared about the shop with an expression of expectation. This gave way to surprise, and then to anger, as he saw the shop empty." Damn the boys! "he said. He went to stare up and down the street. He came in again in a minute, kicked the door to with his foot spitefully, and went muttering back to the house door." "I came forward to follow him, and at the noise of my movement he stopped dead. I did so too, startled by his quickness of ear. He slammed the house door in my face." "I stood hesitating. Suddenly I heard his quick footsteps returning, and the door reopened. He stood looking about the shop like one who was still not satisfied. Then, murmuring to himself, he examined the back of the counter and peered behind some fixtures. Then he stood doubtful. He had left the house door open and I slipped into the inner room." "It was a queer little room, poorly furnished and with a number of big masks in the corner. On the table was his belated breakfast, and it was a confoundedly exasperating thing for me, Kemp, to have to sniff his coffee and stand watching while he came in and resumed his meal. And his table manners were irritating. Three doors opened into the little room, one going upstairs and one down, but they were all shut. I could not get out of the room while he was there; I could scarcely move because of his alertness, and there was a draught down my back. Twice I strangled a sneeze just in time."<|quote|>"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him as he would have done; I never saw such a man for shutting doors and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold on my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down."</|quote|>"I waited in the little parlour for an age, and at last he came up and opened the upstairs door. I just managed to get by him." "On the staircase he stopped suddenly, so that I very nearly blundered into him. He stood looking back right into my face and listening." I could have sworn, "he said. His long hairy hand pulled at his lower lip. His eye went up and down the staircase. Then he grunted and went on up again." "His hand was on the handle of a door, and then he stopped again with the same puzzled anger on his face. He was becoming aware of the faint sounds of my movements about him. The man must have had diabolically acute hearing. He suddenly flashed into rage." If there s anyone in this house "he cried with an oath, and left the threat unfinished. He put his hand in his pocket, failed to find what he wanted, and rushing past me went blundering noisily and pugnaciously downstairs. But I did not follow him. I sat on the head of the staircase until his return." "Presently he came up again, still muttering. He opened the door of the room, and before I could enter, slammed it in my face." "I resolved to explore the house, and spent some time in doing so as noiselessly as possible. The house was very old and tumble-down, damp so that the paper in the attics was peeling from the walls, and rat infested. Some of the door handles were stiff and I was afraid to turn them. Several rooms I did inspect were unfurnished, and others were littered with theatrical lumber, bought second-hand, I judged, from its appearance. In one room next to his I found a lot of old clothes. I began routing among these, and in my eagerness forgot again the evident sharpness of his ears. I heard a stealthy footstep and, looking up just in time, saw him peering in at the tumbled heap and holding an old-fashioned revolver in his hand. I stood perfectly still while he stared about open-mouthed and suspicious." It must have been her, "he said slowly." Damn her! "He shut the door quietly, and immediately I heard | The Invisible Man |
Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke. | No speaker | pleasure of knowing your son."<|quote|>Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke.</|quote|>"Well, I don t see | said Winterbourne; "I have the pleasure of knowing your son."<|quote|>Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke.</|quote|>"Well, I don t see how he lives!" "Anyhow, it | likes to talk to that waiter." "I was telling Mr. Winterbourne," the young girl went on; and to the young man s ear her tone might have indicated that she had been uttering his name all her life. "Oh, yes!" said Winterbourne; "I have the pleasure of knowing your son."<|quote|>Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke.</|quote|>"Well, I don t see how he lives!" "Anyhow, it isn t so bad as it was at Dover," said Daisy Miller. "And what occurred at Dover?" Winterbourne asked. "He wouldn t go to bed at all. I guess he sat up all night in the public parlor. He wasn | t think you d want that shawl!" Daisy exclaimed. "Well I do!" her mother answered with a little laugh. "Did you get Randolph to go to bed?" asked the young girl. "No; I couldn t induce him," said Mrs. Miller very gently. "He wants to talk to the waiter. He likes to talk to that waiter." "I was telling Mr. Winterbourne," the young girl went on; and to the young man s ear her tone might have indicated that she had been uttering his name all her life. "Oh, yes!" said Winterbourne; "I have the pleasure of knowing your son."<|quote|>Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke.</|quote|>"Well, I don t see how he lives!" "Anyhow, it isn t so bad as it was at Dover," said Daisy Miller. "And what occurred at Dover?" Winterbourne asked. "He wouldn t go to bed at all. I guess he sat up all night in the public parlor. He wasn t in bed at twelve o clock: I know that." "It was half-past twelve," declared Mrs. Miller with mild emphasis. "Does he sleep much during the day?" Winterbourne demanded. "I guess he doesn t sleep much," Daisy rejoined. "I wish he would!" said her mother. "It seems as if he | very exiguous nose, and a large forehead, decorated with a certain amount of thin, much frizzled hair. Like her daughter, Mrs. Miller was dressed with extreme elegance; she had enormous diamonds in her ears. So far as Winterbourne could observe, she gave him no greeting--she certainly was not looking at him. Daisy was near her, pulling her shawl straight. "What are you doing, poking round here?" this young lady inquired, but by no means with that harshness of accent which her choice of words may imply. "I don t know," said her mother, turning toward the lake again. "I shouldn t think you d want that shawl!" Daisy exclaimed. "Well I do!" her mother answered with a little laugh. "Did you get Randolph to go to bed?" asked the young girl. "No; I couldn t induce him," said Mrs. Miller very gently. "He wants to talk to the waiter. He likes to talk to that waiter." "I was telling Mr. Winterbourne," the young girl went on; and to the young man s ear her tone might have indicated that she had been uttering his name all her life. "Oh, yes!" said Winterbourne; "I have the pleasure of knowing your son."<|quote|>Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke.</|quote|>"Well, I don t see how he lives!" "Anyhow, it isn t so bad as it was at Dover," said Daisy Miller. "And what occurred at Dover?" Winterbourne asked. "He wouldn t go to bed at all. I guess he sat up all night in the public parlor. He wasn t in bed at twelve o clock: I know that." "It was half-past twelve," declared Mrs. Miller with mild emphasis. "Does he sleep much during the day?" Winterbourne demanded. "I guess he doesn t sleep much," Daisy rejoined. "I wish he would!" said her mother. "It seems as if he couldn t." "I think he s real tiresome," Daisy pursued. Then, for some moments, there was silence. "Well, Daisy Miller," said the elder lady, presently, "I shouldn t think you d want to talk against your own brother!" "Well, he IS tiresome, Mother," said Daisy, quite without the asperity of a retort. "He s only nine," urged Mrs. Miller. "Well, he wouldn t go to that castle," said the young girl. "I m going there with Mr. Winterbourne." To this announcement, very placidly made, Daisy s mamma offered no response. Winterbourne took for granted that she deeply disapproved of the | who it s for! But mother doesn t like any of my gentlemen friends. She s right down timid. She always makes a fuss if I introduce a gentleman. But I DO introduce them--almost always. If I didn t introduce my gentlemen friends to Mother," the young girl added in her little soft, flat monotone, "I shouldn t think I was natural." "To introduce me," said Winterbourne, "you must know my name." And he proceeded to pronounce it. "Oh, dear, I can t say all that!" said his companion with a laugh. But by this time they had come up to Mrs. Miller, who, as they drew near, walked to the parapet of the garden and leaned upon it, looking intently at the lake and turning her back to them. "Mother!" said the young girl in a tone of decision. Upon this the elder lady turned round. "Mr. Winterbourne," said Miss Daisy Miller, introducing the young man very frankly and prettily. "Common," she was, as Mrs. Costello had pronounced her; yet it was a wonder to Winterbourne that, with her commonness, she had a singularly delicate grace. Her mother was a small, spare, light person, with a wandering eye, a very exiguous nose, and a large forehead, decorated with a certain amount of thin, much frizzled hair. Like her daughter, Mrs. Miller was dressed with extreme elegance; she had enormous diamonds in her ears. So far as Winterbourne could observe, she gave him no greeting--she certainly was not looking at him. Daisy was near her, pulling her shawl straight. "What are you doing, poking round here?" this young lady inquired, but by no means with that harshness of accent which her choice of words may imply. "I don t know," said her mother, turning toward the lake again. "I shouldn t think you d want that shawl!" Daisy exclaimed. "Well I do!" her mother answered with a little laugh. "Did you get Randolph to go to bed?" asked the young girl. "No; I couldn t induce him," said Mrs. Miller very gently. "He wants to talk to the waiter. He likes to talk to that waiter." "I was telling Mr. Winterbourne," the young girl went on; and to the young man s ear her tone might have indicated that she had been uttering his name all her life. "Oh, yes!" said Winterbourne; "I have the pleasure of knowing your son."<|quote|>Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke.</|quote|>"Well, I don t see how he lives!" "Anyhow, it isn t so bad as it was at Dover," said Daisy Miller. "And what occurred at Dover?" Winterbourne asked. "He wouldn t go to bed at all. I guess he sat up all night in the public parlor. He wasn t in bed at twelve o clock: I know that." "It was half-past twelve," declared Mrs. Miller with mild emphasis. "Does he sleep much during the day?" Winterbourne demanded. "I guess he doesn t sleep much," Daisy rejoined. "I wish he would!" said her mother. "It seems as if he couldn t." "I think he s real tiresome," Daisy pursued. Then, for some moments, there was silence. "Well, Daisy Miller," said the elder lady, presently, "I shouldn t think you d want to talk against your own brother!" "Well, he IS tiresome, Mother," said Daisy, quite without the asperity of a retort. "He s only nine," urged Mrs. Miller. "Well, he wouldn t go to that castle," said the young girl. "I m going there with Mr. Winterbourne." To this announcement, very placidly made, Daisy s mamma offered no response. Winterbourne took for granted that she deeply disapproved of the projected excursion; but he said to himself that she was a simple, easily managed person, and that a few deferential protestations would take the edge from her displeasure. "Yes," he began; "your daughter has kindly allowed me the honor of being her guide." Mrs. Miller s wandering eyes attached themselves, with a sort of appealing air, to Daisy, who, however, strolled a few steps farther, gently humming to herself. "I presume you will go in the cars," said her mother. "Yes, or in the boat," said Winterbourne. "Well, of course, I don t know," Mrs. Miller rejoined. "I have never been to that castle." "It is a pity you shouldn t go," said Winterbourne, beginning to feel reassured as to her opposition. And yet he was quite prepared to find that, as a matter of course, she meant to accompany her daughter. "We ve been thinking ever so much about going," she pursued; "but it seems as if we couldn t. Of course Daisy--she wants to go round. But there s a lady here--I don t know her name--she says she shouldn t think we d want to go to see castles HERE; she should think we d want to | afraid," she repeated. "Why should she want to know me?" Then she paused again; she was close to the parapet of the garden, and in front of her was the starlit lake. There was a vague sheen upon its surface, and in the distance were dimly seen mountain forms. Daisy Miller looked out upon the mysterious prospect and then she gave another little laugh. "Gracious! she IS exclusive!" she said. Winterbourne wondered whether she was seriously wounded, and for a moment almost wished that her sense of injury might be such as to make it becoming in him to attempt to reassure and comfort her. He had a pleasant sense that she would be very approachable for consolatory purposes. He felt then, for the instant, quite ready to sacrifice his aunt, conversationally; to admit that she was a proud, rude woman, and to declare that they needn t mind her. But before he had time to commit himself to this perilous mixture of gallantry and impiety, the young lady, resuming her walk, gave an exclamation in quite another tone. "Well, here s Mother! I guess she hasn t got Randolph to go to bed." The figure of a lady appeared at a distance, very indistinct in the darkness, and advancing with a slow and wavering movement. Suddenly it seemed to pause. "Are you sure it is your mother? Can you distinguish her in this thick dusk?" Winterbourne asked. "Well!" cried Miss Daisy Miller with a laugh; "I guess I know my own mother. And when she has got on my shawl, too! She is always wearing my things." The lady in question, ceasing to advance, hovered vaguely about the spot at which she had checked her steps. "I am afraid your mother doesn t see you," said Winterbourne. "Or perhaps," he added, thinking, with Miss Miller, the joke permissible--" "perhaps she feels guilty about your shawl." "Oh, it s a fearful old thing!" the young girl replied serenely. "I told her she could wear it. She won t come here because she sees you." "Ah, then," said Winterbourne, "I had better leave you." "Oh, no; come on!" urged Miss Daisy Miller. "I m afraid your mother doesn t approve of my walking with you." Miss Miller gave him a serious glance. "It isn t for me; it s for you--that is, it s for HER. Well, I don t know who it s for! But mother doesn t like any of my gentlemen friends. She s right down timid. She always makes a fuss if I introduce a gentleman. But I DO introduce them--almost always. If I didn t introduce my gentlemen friends to Mother," the young girl added in her little soft, flat monotone, "I shouldn t think I was natural." "To introduce me," said Winterbourne, "you must know my name." And he proceeded to pronounce it. "Oh, dear, I can t say all that!" said his companion with a laugh. But by this time they had come up to Mrs. Miller, who, as they drew near, walked to the parapet of the garden and leaned upon it, looking intently at the lake and turning her back to them. "Mother!" said the young girl in a tone of decision. Upon this the elder lady turned round. "Mr. Winterbourne," said Miss Daisy Miller, introducing the young man very frankly and prettily. "Common," she was, as Mrs. Costello had pronounced her; yet it was a wonder to Winterbourne that, with her commonness, she had a singularly delicate grace. Her mother was a small, spare, light person, with a wandering eye, a very exiguous nose, and a large forehead, decorated with a certain amount of thin, much frizzled hair. Like her daughter, Mrs. Miller was dressed with extreme elegance; she had enormous diamonds in her ears. So far as Winterbourne could observe, she gave him no greeting--she certainly was not looking at him. Daisy was near her, pulling her shawl straight. "What are you doing, poking round here?" this young lady inquired, but by no means with that harshness of accent which her choice of words may imply. "I don t know," said her mother, turning toward the lake again. "I shouldn t think you d want that shawl!" Daisy exclaimed. "Well I do!" her mother answered with a little laugh. "Did you get Randolph to go to bed?" asked the young girl. "No; I couldn t induce him," said Mrs. Miller very gently. "He wants to talk to the waiter. He likes to talk to that waiter." "I was telling Mr. Winterbourne," the young girl went on; and to the young man s ear her tone might have indicated that she had been uttering his name all her life. "Oh, yes!" said Winterbourne; "I have the pleasure of knowing your son."<|quote|>Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke.</|quote|>"Well, I don t see how he lives!" "Anyhow, it isn t so bad as it was at Dover," said Daisy Miller. "And what occurred at Dover?" Winterbourne asked. "He wouldn t go to bed at all. I guess he sat up all night in the public parlor. He wasn t in bed at twelve o clock: I know that." "It was half-past twelve," declared Mrs. Miller with mild emphasis. "Does he sleep much during the day?" Winterbourne demanded. "I guess he doesn t sleep much," Daisy rejoined. "I wish he would!" said her mother. "It seems as if he couldn t." "I think he s real tiresome," Daisy pursued. Then, for some moments, there was silence. "Well, Daisy Miller," said the elder lady, presently, "I shouldn t think you d want to talk against your own brother!" "Well, he IS tiresome, Mother," said Daisy, quite without the asperity of a retort. "He s only nine," urged Mrs. Miller. "Well, he wouldn t go to that castle," said the young girl. "I m going there with Mr. Winterbourne." To this announcement, very placidly made, Daisy s mamma offered no response. Winterbourne took for granted that she deeply disapproved of the projected excursion; but he said to himself that she was a simple, easily managed person, and that a few deferential protestations would take the edge from her displeasure. "Yes," he began; "your daughter has kindly allowed me the honor of being her guide." Mrs. Miller s wandering eyes attached themselves, with a sort of appealing air, to Daisy, who, however, strolled a few steps farther, gently humming to herself. "I presume you will go in the cars," said her mother. "Yes, or in the boat," said Winterbourne. "Well, of course, I don t know," Mrs. Miller rejoined. "I have never been to that castle." "It is a pity you shouldn t go," said Winterbourne, beginning to feel reassured as to her opposition. And yet he was quite prepared to find that, as a matter of course, she meant to accompany her daughter. "We ve been thinking ever so much about going," she pursued; "but it seems as if we couldn t. Of course Daisy--she wants to go round. But there s a lady here--I don t know her name--she says she shouldn t think we d want to go to see castles HERE; she should think we d want to wait till we got to Italy. It seems as if there would be so many there," continued Mrs. Miller with an air of increasing confidence. "Of course we only want to see the principal ones. We visited several in England," she presently added. "Ah yes! in England there are beautiful castles," said Winterbourne. "But Chillon here, is very well worth seeing." "Well, if Daisy feels up to it--" said Mrs. Miller, in a tone impregnated with a sense of the magnitude of the enterprise. "It seems as if there was nothing she wouldn t undertake." "Oh, I think she ll enjoy it!" Winterbourne declared. And he desired more and more to make it a certainty that he was to have the privilege of a tete-a-tete with the young lady, who was still strolling along in front of them, softly vocalizing. "You are not disposed, madam," he inquired, "to undertake it yourself?" Daisy s mother looked at him an instant askance, and then walked forward in silence. Then--" "I guess she had better go alone," she said simply. Winterbourne observed to himself that this was a very different type of maternity from that of the vigilant matrons who massed themselves in the forefront of social intercourse in the dark old city at the other end of the lake. But his meditations were interrupted by hearing his name very distinctly pronounced by Mrs. Miller s unprotected daughter. "Mr. Winterbourne!" murmured Daisy. "Mademoiselle!" said the young man. "Don t you want to take me out in a boat?" "At present?" he asked. "Of course!" said Daisy. "Well, Annie Miller!" exclaimed her mother. "I beg you, madam, to let her go," said Winterbourne ardently; for he had never yet enjoyed the sensation of guiding through the summer starlight a skiff freighted with a fresh and beautiful young girl. "I shouldn t think she d want to," said her mother. "I should think she d rather go indoors." "I m sure Mr. Winterbourne wants to take me," Daisy declared. "He s so awfully devoted!" "I will row you over to Chillon in the starlight." "I don t believe it!" said Daisy. "Well!" ejaculated the elder lady again. "You haven t spoken to me for half an hour," her daughter went on. "I have been having some very pleasant conversation with your mother," said Winterbourne. "Well, I want you to take me out in a boat!" | Daisy Miller, introducing the young man very frankly and prettily. "Common," she was, as Mrs. Costello had pronounced her; yet it was a wonder to Winterbourne that, with her commonness, she had a singularly delicate grace. Her mother was a small, spare, light person, with a wandering eye, a very exiguous nose, and a large forehead, decorated with a certain amount of thin, much frizzled hair. Like her daughter, Mrs. Miller was dressed with extreme elegance; she had enormous diamonds in her ears. So far as Winterbourne could observe, she gave him no greeting--she certainly was not looking at him. Daisy was near her, pulling her shawl straight. "What are you doing, poking round here?" this young lady inquired, but by no means with that harshness of accent which her choice of words may imply. "I don t know," said her mother, turning toward the lake again. "I shouldn t think you d want that shawl!" Daisy exclaimed. "Well I do!" her mother answered with a little laugh. "Did you get Randolph to go to bed?" asked the young girl. "No; I couldn t induce him," said Mrs. Miller very gently. "He wants to talk to the waiter. He likes to talk to that waiter." "I was telling Mr. Winterbourne," the young girl went on; and to the young man s ear her tone might have indicated that she had been uttering his name all her life. "Oh, yes!" said Winterbourne; "I have the pleasure of knowing your son."<|quote|>Randolph s mamma was silent; she turned her attention to the lake. But at last she spoke.</|quote|>"Well, I don t see how he lives!" "Anyhow, it isn t so bad as it was at Dover," said Daisy Miller. "And what occurred at Dover?" Winterbourne asked. "He wouldn t go to bed at all. I guess he sat up all night in the public parlor. He wasn t in bed at twelve o clock: I know that." "It was half-past twelve," declared Mrs. Miller with mild emphasis. "Does he sleep much during the day?" Winterbourne demanded. "I guess he doesn t sleep much," Daisy rejoined. "I wish he would!" said her mother. "It seems as if he couldn t." "I think he s real tiresome," Daisy pursued. Then, for some moments, there was silence. "Well, Daisy Miller," said the elder lady, presently, "I shouldn t think you d want to talk against your own brother!" "Well, he IS tiresome, Mother," said Daisy, quite without the asperity of a retort. "He s only nine," urged Mrs. Miller. "Well, he wouldn t go to that castle," said the young girl. "I m going there with Mr. Winterbourne." To this announcement, very placidly made, Daisy s mamma offered no response. Winterbourne took for granted that she deeply disapproved of the projected excursion; but he said to himself that she was a simple, easily managed person, and that a few deferential protestations would take the edge from her displeasure. "Yes," he began; "your daughter has kindly allowed me the honor of being her guide." Mrs. Miller s wandering eyes attached themselves, with a sort of appealing air, to Daisy, who, however, strolled a few steps farther, gently humming to herself. "I presume you will go in the cars," said her mother. "Yes, or in the boat," said Winterbourne. "Well, of course, I don t know," Mrs. Miller rejoined. "I have never been to that castle." "It is a pity you shouldn t go," said Winterbourne, beginning to feel reassured as to her opposition. And yet he was quite prepared to find that, as a matter of course, she meant to accompany her daughter. "We ve been thinking ever so much about going," she pursued; "but it seems as if we couldn t. Of course Daisy--she wants to go round. But there s a lady here--I don t know her name--she says she shouldn t think we d want to go to see castles HERE; she should think we d want to wait till we got to Italy. It seems as if there would be so many there," continued | Daisy Miller |
said Lucy again. | No speaker | hadn't arrived?" "I can't think,"<|quote|>said Lucy again.</|quote|>"When he insulted you, how | would have happened if I hadn't arrived?" "I can't think,"<|quote|>said Lucy again.</|quote|>"When he insulted you, how would you have replied?" "I | does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think,"<|quote|>said Lucy again.</|quote|>"When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--" She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes | him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think,"<|quote|>said Lucy again.</|quote|>"When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--" She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done. "Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. | do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think,"<|quote|>said Lucy again.</|quote|>"When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--" She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done. "Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, | silence him?" "The driver?" "My dear girl, no; Mr. George Emerson." Lucy began to pace up and down the room. "I don't understand," she said at last. She understood very well, but she no longer wished to be absolutely truthful. "How are you going to stop him talking about it?" "I have a feeling that talk is a thing he will never do." "I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves." "Exploits?" cried Lucy, wincing under the horrible plural. "My poor dear, did you suppose that this was his first? Come here and listen to me. I am only gathering it from his own remarks. Do you remember that day at lunch when he argued with Miss Alan that liking one person is an extra reason for liking another?" "Yes," said Lucy, whom at the time the argument had pleased. "Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think,"<|quote|>said Lucy again.</|quote|>"When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--" She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done. "Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train to Rome go?" "At eight." "Signora Bertolini would be upset." "We must face that," said Miss Bartlett, not liking to say that she had given notice already. "She will make us pay for a whole week's pension." "I expect she will. However, we shall be much more comfortable at the Vyses' hotel. Isn't afternoon tea given there for nothing?" "Yes, but they pay extra for wine." After this remark she remained motionless and silent. To her tired eyes Charlotte throbbed and swelled like a ghostly figure in a dream. They began to sort their clothes for packing, for there was no time to lose, if they were to catch the train to Rome. Lucy, when admonished, began to move to and fro between the rooms, more conscious of the discomforts of packing by candlelight than of a subtler | Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of--Charlotte, whose exterior concealed so much insight and love. The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all. "At last," thought she, "I shall understand myself. I shan't again be troubled by things that come out of nothing, and mean I don't know what." Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage. When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. In vain she tried to check, or at all events to accelerate, the tale. It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual tone of gentle reproach: "Well, dear, I at all events am ready for Bedfordshire. Come into my room, and I will give a good brush to your hair." With some solemnity the door was shut, and a cane chair placed for the girl. Then Miss Bartlett said "So what is to be done?" She was unprepared for the question. It had not occurred to her that she would have to do anything. A detailed exhibition of her emotions was all that she had counted upon. "What is to be done? A point, dearest, which you alone can settle." The rain was streaming down the black windows, and the great room felt damp and chilly, One candle burnt trembling on the chest of drawers close to Miss Bartlett's toque, which cast monstrous and fantastic shadows on the bolted door. A tram roared by in the dark, and Lucy felt unaccountably sad, though she had long since dried her eyes. She lifted them to the ceiling, where the griffins and bassoons were colourless and vague, the very ghosts of joy. "It has been raining for nearly four hours," she said at last. Miss Bartlett ignored the remark. "How do you propose to silence him?" "The driver?" "My dear girl, no; Mr. George Emerson." Lucy began to pace up and down the room. "I don't understand," she said at last. She understood very well, but she no longer wished to be absolutely truthful. "How are you going to stop him talking about it?" "I have a feeling that talk is a thing he will never do." "I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves." "Exploits?" cried Lucy, wincing under the horrible plural. "My poor dear, did you suppose that this was his first? Come here and listen to me. I am only gathering it from his own remarks. Do you remember that day at lunch when he argued with Miss Alan that liking one person is an extra reason for liking another?" "Yes," said Lucy, whom at the time the argument had pleased. "Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think,"<|quote|>said Lucy again.</|quote|>"When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--" She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done. "Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train to Rome go?" "At eight." "Signora Bertolini would be upset." "We must face that," said Miss Bartlett, not liking to say that she had given notice already. "She will make us pay for a whole week's pension." "I expect she will. However, we shall be much more comfortable at the Vyses' hotel. Isn't afternoon tea given there for nothing?" "Yes, but they pay extra for wine." After this remark she remained motionless and silent. To her tired eyes Charlotte throbbed and swelled like a ghostly figure in a dream. They began to sort their clothes for packing, for there was no time to lose, if they were to catch the train to Rome. Lucy, when admonished, began to move to and fro between the rooms, more conscious of the discomforts of packing by candlelight than of a subtler ill. Charlotte, who was practical without ability, knelt by the side of an empty trunk, vainly endeavouring to pave it with books of varying thickness and size. She gave two or three sighs, for the stooping posture hurt her back, and, for all her diplomacy, she felt that she was growing old. The girl heard her as she entered the room, and was seized with one of those emotional impulses to which she could never attribute a cause. She only felt that the candle would burn better, the packing go easier, the world be happier, if she could give and receive some human love. The impulse had come before to-day, but never so strongly. She knelt down by her cousin's side and took her in her arms. Miss Bartlett returned the embrace with tenderness and warmth. But she was not a stupid woman, and she knew perfectly well that Lucy did not love her, but needed her to love. For it was in ominous tones that she said, after a long pause: "Dearest Lucy, how will you ever forgive me?" Lucy was on her guard at once, knowing by bitter experience what forgiving Miss Bartlett meant. Her emotion relaxed, she modified her embrace a little, and she said: "Charlotte dear, what do you mean? As if I have anything to forgive!" "You have a great deal, and I have a very great deal to forgive myself, too. I know well how much I vex you at every turn." "But no--" Miss Bartlett assumed her favourite role, that of the prematurely aged martyr. "Ah, but yes! I feel that our tour together is hardly the success I had hoped. I might have known it would not do. You want someone younger and stronger and more in sympathy with you. I am too uninteresting and old-fashioned--only fit to pack and unpack your things." "Please--" "My only consolation was that you found people more to your taste, and were often able to leave me at home. I had my own poor ideas of what a lady ought to do, but I hope I did not inflict them on you more than was necessary. You had your own way about these rooms, at all events." "You mustn't say these things," said Lucy softly. She still clung to the hope that she and Charlotte loved each other, heart and soul. They continued to pack in | hours," she said at last. Miss Bartlett ignored the remark. "How do you propose to silence him?" "The driver?" "My dear girl, no; Mr. George Emerson." Lucy began to pace up and down the room. "I don't understand," she said at last. She understood very well, but she no longer wished to be absolutely truthful. "How are you going to stop him talking about it?" "I have a feeling that talk is a thing he will never do." "I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves." "Exploits?" cried Lucy, wincing under the horrible plural. "My poor dear, did you suppose that this was his first? Come here and listen to me. I am only gathering it from his own remarks. Do you remember that day at lunch when he argued with Miss Alan that liking one person is an extra reason for liking another?" "Yes," said Lucy, whom at the time the argument had pleased. "Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think,"<|quote|>said Lucy again.</|quote|>"When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--" She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done. "Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train to Rome go?" "At eight." "Signora Bertolini would be upset." "We must face that," said Miss Bartlett, not | A Room With A View |
"I have always pitied the delusion, always." | Mrs. Sparsit | "Yes, Bitzer," said Mrs. Sparsit.<|quote|>"I have always pitied the delusion, always."</|quote|>"As to an individual, ma'am," | be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit.<|quote|>"I have always pitied the delusion, always."</|quote|>"As to an individual, ma'am," said Bitzer, dropping his voice | on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit.<|quote|>"I have always pitied the delusion, always."</|quote|>"As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would | his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit.<|quote|>"I have always pitied the delusion, always."</|quote|>"As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit, "to take example by you, Bitzer." "Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go | again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit.<|quote|>"I have always pitied the delusion, always."</|quote|>"As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit, "to take example by you, Bitzer." "Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said | his ways at all." "Bitzer," said Mrs. Sparsit, in a very impressive manner, "do you recollect my having said anything to you respecting names?" "I beg your pardon, ma'am. It's quite true that you did object to names being used, and they're always best avoided." "Please to remember that I have a charge here," said Mrs. Sparsit, with her air of state. "I hold a trust here, Bitzer, under Mr. Bounderby. However improbable both Mr. Bounderby and myself might have deemed it years ago, that he would ever become my patron, making me an annual compliment, I cannot but regard him in that light. From Mr. Bounderby I have received every acknowledgment of my social station, and every recognition of my family descent, that I could possibly expect. More, far more. Therefore, to my patron I will be scrupulously true. And I do not consider, I will not consider, I cannot consider," said Mrs. Sparsit, with a most extensive stock on hand of honour and morality, "that I _should_ be scrupulously true, if I allowed names to be mentioned under this roof, that are unfortunately most unfortunately no doubt of that connected with his." Bitzer knuckled his forehead again, and again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit.<|quote|>"I have always pitied the delusion, always."</|quote|>"As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit, "to take example by you, Bitzer." "Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why don't they improve it, ma'am! It's the first consideration of a rational creature, and it's what they pretend to want." "Pretend indeed!" said Mrs. Sparsit. "I am sure we are constantly hearing, ma'am, till it becomes quite nauseous, concerning their wives and families," said Bitzer. "Why look at me, ma'am! I don't want a wife and family. Why should they?" "Because they are improvident," said Mrs. Sparsit. "Yes, ma'am," returned Bitzer, "that's where it is. If they were more provident and less perverse, ma'am, what would they do? They would say," "While my hat covers my family," "or" "while my bonnet covers my family," "as the case might be, ma'am" "I have only one to feed, and that's the person I most like to feed."" "To be sure," assented Mrs. Sparsit, eating muffin. "Thank you, ma'am," said Bitzer, knuckling | eye and seen that she was going to ask him something, he made a pretence of arranging the rulers, inkstands, and so forth, while that lady went on with her tea, glancing through the open window, down into the street. "Has it been a busy day, Bitzer?" asked Mrs. Sparsit. "Not a very busy day, my lady. About an average day." He now and then slided into my lady, instead of ma'am, as an involuntary acknowledgment of Mrs. Sparsit's personal dignity and claims to reverence. "The clerks," said Mrs. Sparsit, carefully brushing an imperceptible crumb of bread and butter from her left-hand mitten, "are trustworthy, punctual, and industrious, of course?" "Yes, ma'am, pretty fair, ma'am. With the usual exception." He held the respectable office of general spy and informer in the establishment, for which volunteer service he received a present at Christmas, over and above his weekly wage. He had grown into an extremely clear-headed, cautious, prudent young man, who was safe to rise in the world. His mind was so exactly regulated, that he had no affections or passions. All his proceedings were the result of the nicest and coldest calculation; and it was not without cause that Mrs. Sparsit habitually observed of him, that he was a young man of the steadiest principle she had ever known. Having satisfied himself, on his father's death, that his mother had a right of settlement in Coketown, this excellent young economist had asserted that right for her with such a steadfast adherence to the principle of the case, that she had been shut up in the workhouse ever since. It must be admitted that he allowed her half a pound of tea a year, which was weak in him: first, because all gifts have an inevitable tendency to pauperise the recipient, and secondly, because his only reasonable transaction in that commodity would have been to buy it for as little as he could possibly give, and sell it for as much as he could possibly get; it having been clearly ascertained by philosophers that in this is comprised the whole duty of man not a part of man's duty, but the whole. "Pretty fair, ma'am. With the usual exception, ma'am," repeated Bitzer. "Ah h!" said Mrs. Sparsit, shaking her head over her tea-cup, and taking a long gulp. "Mr. Thomas, ma'am, I doubt Mr. Thomas very much, ma'am, I don't like his ways at all." "Bitzer," said Mrs. Sparsit, in a very impressive manner, "do you recollect my having said anything to you respecting names?" "I beg your pardon, ma'am. It's quite true that you did object to names being used, and they're always best avoided." "Please to remember that I have a charge here," said Mrs. Sparsit, with her air of state. "I hold a trust here, Bitzer, under Mr. Bounderby. However improbable both Mr. Bounderby and myself might have deemed it years ago, that he would ever become my patron, making me an annual compliment, I cannot but regard him in that light. From Mr. Bounderby I have received every acknowledgment of my social station, and every recognition of my family descent, that I could possibly expect. More, far more. Therefore, to my patron I will be scrupulously true. And I do not consider, I will not consider, I cannot consider," said Mrs. Sparsit, with a most extensive stock on hand of honour and morality, "that I _should_ be scrupulously true, if I allowed names to be mentioned under this roof, that are unfortunately most unfortunately no doubt of that connected with his." Bitzer knuckled his forehead again, and again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit.<|quote|>"I have always pitied the delusion, always."</|quote|>"As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit, "to take example by you, Bitzer." "Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why don't they improve it, ma'am! It's the first consideration of a rational creature, and it's what they pretend to want." "Pretend indeed!" said Mrs. Sparsit. "I am sure we are constantly hearing, ma'am, till it becomes quite nauseous, concerning their wives and families," said Bitzer. "Why look at me, ma'am! I don't want a wife and family. Why should they?" "Because they are improvident," said Mrs. Sparsit. "Yes, ma'am," returned Bitzer, "that's where it is. If they were more provident and less perverse, ma'am, what would they do? They would say," "While my hat covers my family," "or" "while my bonnet covers my family," "as the case might be, ma'am" "I have only one to feed, and that's the person I most like to feed."" "To be sure," assented Mrs. Sparsit, eating muffin. "Thank you, ma'am," said Bitzer, knuckling his forehead again, in return for the favour of Mrs. Sparsit's improving conversation. "Would you wish a little more hot water, ma'am, or is there anything else that I could fetch you?" "Nothing just now, Bitzer." "Thank you, ma'am. I shouldn't wish to disturb you at your meals, ma'am, particularly tea, knowing your partiality for it," said Bitzer, craning a little to look over into the street from where he stood; "but there's a gentleman been looking up here for a minute or so, ma'am, and he has come across as if he was going to knock. That _is_ his knock, ma'am, no doubt." He stepped to the window; and looking out, and drawing in his head again, confirmed himself with, "Yes, ma'am. Would you wish the gentleman to be shown in, ma'am?" "I don't know who it can be," said Mrs. Sparsit, wiping her mouth and arranging her mittens. "A stranger, ma'am, evidently." "What a stranger can want at the Bank at this time of the evening, unless he comes upon some business for which he is too late, I don't know," said Mrs. Sparsit, "but I hold a charge in this establishment from Mr. Bounderby, and I will never shrink from it. If to see him is any part of the duty I have accepted, I will see him. Use your own discretion, Bitzer." Here the visitor, all unconscious of Mrs. Sparsit's magnanimous words, repeated his knock so loudly that the light porter hastened down to open the door; while Mrs. Sparsit took the precaution of concealing her little table, with all its appliances upon it, in a cupboard, and then decamped up-stairs, that she might appear, if needful, with the greater dignity. "If you please, ma'am, the gentleman would wish to see you," said Bitzer, with his light eye at Mrs. Sparsit's keyhole. So, Mrs. Sparsit, who had improved the interval by touching up her cap, took her classical features down-stairs again, and entered the board-room in the manner of a Roman matron going outside the city walls to treat with an invading general. The visitor having strolled to the window, and being then engaged in looking carelessly out, was as unmoved by this impressive entry as man could possibly be. He stood whistling to himself with all imaginable coolness, with his hat still on, and a certain air of exhaustion upon him, in part arising from | mentioned under this roof, that are unfortunately most unfortunately no doubt of that connected with his." Bitzer knuckled his forehead again, and again begged pardon. "No, Bitzer," continued Mrs. Sparsit, "say an individual, and I will hear you; say Mr. Thomas, and you must excuse me." "With the usual exception, ma'am," said Bitzer, trying back, "of an individual." "Ah h!" Mrs. Sparsit repeated the ejaculation, the shake of the head over her tea-cup, and the long gulp, as taking up the conversation again at the point where it had been interrupted. "An individual, ma'am," said Bitzer, "has never been what he ought to have been, since he first came into the place. He is a dissipated, extravagant idler. He is not worth his salt, ma'am. He wouldn't get it either, if he hadn't a friend and relation at court, ma'am!" "Ah h!" said Mrs. Sparsit, with another melancholy shake of her head. "I only hope, ma'am," pursued Bitzer, "that his friend and relation may not supply him with the means of carrying on. Otherwise, ma'am, we know out of whose pocket _that_ money comes." "Ah h!" sighed Mrs. Sparsit again, with another melancholy shake of her head. "He is to be pitied, ma'am. The last party I have alluded to, is to be pitied, ma'am," said Bitzer. "Yes, Bitzer," said Mrs. Sparsit.<|quote|>"I have always pitied the delusion, always."</|quote|>"As to an individual, ma'am," said Bitzer, dropping his voice and drawing nearer, "he is as improvident as any of the people in this town. And you know what _their_ improvidence is, ma'am. No one could wish to know it better than a lady of your eminence does." "They would do well," returned Mrs. Sparsit, "to take example by you, Bitzer." "Thank you, ma'am. But, since you do refer to me, now look at me, ma'am. I have put by a little, ma'am, already. That gratuity which I receive at Christmas, ma'am: I never touch it. I don't even go the length of my wages, though they're not high, ma'am. Why can't they do as I have done, ma'am? What one person can do, another can do." This, again, was among the fictions of Coketown. Any capitalist there, who had made sixty thousand pounds out of sixpence, always professed to wonder why the sixty thousand nearest Hands didn't each make sixty thousand pounds out of sixpence, and more or less reproached them every one for not accomplishing the little feat. What I did you can do. Why don't you go and do it? "As to their wanting recreations, ma'am," said Bitzer, "it's stuff and nonsense. _I_ don't want recreations. I never did, and I never shall; I don't like 'em. As to their combining together; there are many of them, I have no doubt, that by watching and informing upon one another could earn a trifle now and then, whether in money or good will, and improve their livelihood. Then, why don't they improve it, ma'am! It's the first consideration of a rational creature, and it's what they pretend to want." "Pretend indeed!" said Mrs. Sparsit. "I am sure we are constantly hearing, ma'am, till it becomes quite nauseous, concerning their wives and families," said Bitzer. "Why look at me, ma'am! I don't want a wife and family. Why should they?" "Because they are improvident," said Mrs. Sparsit. "Yes, ma'am," returned Bitzer, "that's where it is. If they were more provident and less perverse, ma'am, what would they do? They would say," "While my hat covers my family," "or" "while my bonnet covers my family," "as the case might be, ma'am" "I have only one to feed, and that's the person I most like to feed."" "To be sure," assented Mrs. Sparsit, eating muffin. "Thank you, ma'am," said Bitzer, knuckling his forehead again, in return for the favour of Mrs. Sparsit's improving conversation. "Would you wish a little more hot water, ma'am, or is there anything else that I could fetch you?" "Nothing just now, Bitzer." "Thank you, ma'am. I shouldn't wish to disturb you at your meals, ma'am, particularly tea, knowing your partiality for it," said Bitzer, craning a little to look over into the street from where he stood; "but there's a gentleman been looking up here for a minute or so, ma'am, and he has come across as if he was going to knock. That _is_ his knock, ma'am, no doubt." He stepped to the window; and looking out, and drawing in his head again, confirmed himself with, "Yes, ma'am. Would you wish the gentleman to be shown in, ma'am?" "I don't know who it can be," said Mrs. Sparsit, wiping her mouth and arranging her mittens. "A stranger, ma'am, evidently." "What a stranger can want | Hard Times |
she complained. | No speaker | the movies?” “It’s so hot,”<|quote|>she complained.</|quote|>“You go. We’ll ride around | going?” she cried. “How about the movies?” “It’s so hot,”<|quote|>she complained.</|quote|>“You go. We’ll ride around and meet you after.” With | going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,”<|quote|>she complained.</|quote|>“You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow | among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,”<|quote|>she complained.</|quote|>“You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street | inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,”<|quote|>she complained.</|quote|>“You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a | it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty—as if he had just got some poor girl with child. “I’ll let you have that car,” said Tom. “I’ll send it over tomorrow afternoon.” That locality was always vaguely disquieting, even in the broad glare of afternoon, and now I turned my head as though I had been warned of something behind. Over the ash-heaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. In one of the windows over the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,”<|quote|>she complained.</|quote|>“You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” | here,” objected Jordan. “I don’t want to get stalled in this baking heat.” Tom threw on both brakes impatiently, and we slid to an abrupt dusty stop under Wilson’s sign. After a moment the proprietor emerged from the interior of his establishment and gazed hollow-eyed at the car. “Let’s have some gas!” cried Tom roughly. “What do you think we stopped for—to admire the view?” “I’m sick,” said Wilson without moving. “Been sick all day.” “What’s the matter?” “I’m all run down.” “Well, shall I help myself?” Tom demanded. “You sounded well enough on the phone.” With an effort Wilson left the shade and support of the doorway and, breathing hard, unscrewed the cap of the tank. In the sunlight his face was green. “I didn’t mean to interrupt your lunch,” he said. “But I need money pretty bad, and I was wondering what you were going to do with your old car.” “How do you like this one?” inquired Tom. “I bought it last week.” “It’s a nice yellow one,” said Wilson, as he strained at the handle. “Like to buy it?” “Big chance,” Wilson smiled faintly. “No, but I could make some money on the other.” “What do you want money for, all of a sudden?” “I’ve been here too long. I want to get away. My wife and I want to go West.” “Your wife does,” exclaimed Tom, startled. “She’s been talking about it for ten years.” He rested for a moment against the pump, shading his eyes. “And now she’s going whether she wants to or not. I’m going to get her away.” The coupé flashed by us with a flurry of dust and the flash of a waving hand. “What do I owe you?” demanded Tom harshly. “I just got wised up to something funny the last two days,” remarked Wilson. “That’s why I want to get away. That’s why I been bothering you about the car.” “What do I owe you?” “Dollar twenty.” The relentless beating heat was beginning to confuse me and I had a bad moment there before I realized that so far his suspicions hadn’t alighted on Tom. He had discovered that Myrtle had some sort of life apart from him in another world, and the shock had made him physically sick. I stared at him and then at Tom, who had made a parallel discovery less than an hour before—and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty—as if he had just got some poor girl with child. “I’ll let you have that car,” said Tom. “I’ll send it over tomorrow afternoon.” That locality was always vaguely disquieting, even in the broad glare of afternoon, and now I turned my head as though I had been warned of something behind. Over the ash-heaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. In one of the windows over the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,”<|quote|>she complained.</|quote|>“You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we | peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,”<|quote|>she complained.</|quote|>“You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a | The Great Gatsby |
"In the name of wonder, idleness, and folly!" | Thomas Gradgrind | taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each | gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what | family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction | behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, | the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I | announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, | the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't | man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have | Hard Times |
"Thank God!" | Mr. Brownlow | his former benefactor and friend.<|quote|>"Thank God!"</|quote|>said the old gentleman. "This | being able to meet with his former benefactor and friend.<|quote|>"Thank God!"</|quote|>said the old gentleman. "This is great happiness to me, | in a few natural words, all that had befallen Oliver since he left Mr. Brownlow's house; reserving Nancy's information for that gentleman's private ear, and concluding with the assurance that his only sorrow, for some months past, had been not being able to meet with his former benefactor and friend.<|quote|>"Thank God!"</|quote|>said the old gentleman. "This is great happiness to me, great happiness. But you have not told me where he is now, Miss Maylie. You must pardon my finding fault with you, but why not have brought him?" "He is waiting in a coach at the door," replied Rose. "At | power of discovering him, and that since I have been absent from this country, my first impression that he had imposed upon me, and had been persuaded by his former associates to rob me, has been considerably shaken." Rose, who had had time to collect her thoughts, at once related, in a few natural words, all that had befallen Oliver since he left Mr. Brownlow's house; reserving Nancy's information for that gentleman's private ear, and concluding with the assurance that his only sorrow, for some months past, had been not being able to meet with his former benefactor and friend.<|quote|>"Thank God!"</|quote|>said the old gentleman. "This is great happiness to me, great happiness. But you have not told me where he is now, Miss Maylie. You must pardon my finding fault with you, but why not have brought him?" "He is waiting in a coach at the door," replied Rose. "At this door!" cried the old gentleman. With which he hurried out of the room, down the stairs, up the coachsteps, and into the coach, without another word. When the room-door closed behind him, Mr. Grimwig lifted up his head, and converting one of the hind legs of his chair into | Mr. Grimwig. "He would deserve to have it knocked off, if he does," said Mr. Brownlow. "And he'd uncommonly like to see any man offer to do it," responded Mr. Grimwig, knocking his stick upon the floor. Having gone thus far, the two old gentlemen severally took snuff, and afterwards shook hands, according to their invariable custom. "Now, Miss Maylie," said Mr. Brownlow, "to return to the subject in which your humanity is so much interested. Will you let me know what intelligence you have of this poor child: allowing me to promise that I exhausted every means in my power of discovering him, and that since I have been absent from this country, my first impression that he had imposed upon me, and had been persuaded by his former associates to rob me, has been considerably shaken." Rose, who had had time to collect her thoughts, at once related, in a few natural words, all that had befallen Oliver since he left Mr. Brownlow's house; reserving Nancy's information for that gentleman's private ear, and concluding with the assurance that his only sorrow, for some months past, had been not being able to meet with his former benefactor and friend.<|quote|>"Thank God!"</|quote|>said the old gentleman. "This is great happiness to me, great happiness. But you have not told me where he is now, Miss Maylie. You must pardon my finding fault with you, but why not have brought him?" "He is waiting in a coach at the door," replied Rose. "At this door!" cried the old gentleman. With which he hurried out of the room, down the stairs, up the coachsteps, and into the coach, without another word. When the room-door closed behind him, Mr. Grimwig lifted up his head, and converting one of the hind legs of his chair into a pivot, described three distinct circles with the assistance of his stick and the table; sitting in it all the time. After performing this evolution, he rose and limped as fast as he could up and down the room at least a dozen times, and then stopping suddenly before Rose, kissed her without the slightest preface. "Hush!" he said, as the young lady rose in some alarm at this unusual proceeding. "Don't be afraid. I'm old enough to be your grandfather. You're a sweet girl. I like you. Here they are!" In fact, as he threw himself at one dexterous | nobody else knows anything; and if you have it in your power to produce any evidence which will alter the unfavourable opinion I was once induced to entertain of that poor child, in Heaven's name put me in possession of it." "A bad one! I'll eat my head if he is not a bad one," growled Mr. Grimwig, speaking by some ventriloquial power, without moving a muscle of his face. "He is a child of a noble nature and a warm heart," said Rose, colouring; "and that Power which has thought fit to try him beyond his years, has planted in his breast affections and feelings which would do honour to many who have numbered his days six times over." "I'm only sixty-one," said Mr. Grimwig, with the same rigid face. "And, as the devil's in it if this Oliver is not twelve years old at least, I don't see the application of that remark." "Do not heed my friend, Miss Maylie," said Mr. Brownlow; "he does not mean what he says." "Yes, he does," growled Mr. Grimwig. "No, he does not," said Mr. Brownlow, obviously rising in wrath as he spoke. "He'll eat his head, if he doesn't," growled Mr. Grimwig. "He would deserve to have it knocked off, if he does," said Mr. Brownlow. "And he'd uncommonly like to see any man offer to do it," responded Mr. Grimwig, knocking his stick upon the floor. Having gone thus far, the two old gentlemen severally took snuff, and afterwards shook hands, according to their invariable custom. "Now, Miss Maylie," said Mr. Brownlow, "to return to the subject in which your humanity is so much interested. Will you let me know what intelligence you have of this poor child: allowing me to promise that I exhausted every means in my power of discovering him, and that since I have been absent from this country, my first impression that he had imposed upon me, and had been persuaded by his former associates to rob me, has been considerably shaken." Rose, who had had time to collect her thoughts, at once related, in a few natural words, all that had befallen Oliver since he left Mr. Brownlow's house; reserving Nancy's information for that gentleman's private ear, and concluding with the assurance that his only sorrow, for some months past, had been not being able to meet with his former benefactor and friend.<|quote|>"Thank God!"</|quote|>said the old gentleman. "This is great happiness to me, great happiness. But you have not told me where he is now, Miss Maylie. You must pardon my finding fault with you, but why not have brought him?" "He is waiting in a coach at the door," replied Rose. "At this door!" cried the old gentleman. With which he hurried out of the room, down the stairs, up the coachsteps, and into the coach, without another word. When the room-door closed behind him, Mr. Grimwig lifted up his head, and converting one of the hind legs of his chair into a pivot, described three distinct circles with the assistance of his stick and the table; sitting in it all the time. After performing this evolution, he rose and limped as fast as he could up and down the room at least a dozen times, and then stopping suddenly before Rose, kissed her without the slightest preface. "Hush!" he said, as the young lady rose in some alarm at this unusual proceeding. "Don't be afraid. I'm old enough to be your grandfather. You're a sweet girl. I like you. Here they are!" In fact, as he threw himself at one dexterous dive into his former seat, Mr. Brownlow returned, accompanied by Oliver, whom Mr. Grimwig received very graciously; and if the gratification of that moment had been the only reward for all her anxiety and care in Oliver's behalf, Rose Maylie would have been well repaid. "There is somebody else who should not be forgotten, by the bye," said Mr. Brownlow, ringing the bell. "Send Mrs. Bedwin here, if you please." The old housekeeper answered the summons with all dispatch; and dropping a curtsey at the door, waited for orders. "Why, you get blinder every day, Bedwin," said Mr. Brownlow, rather testily. "Well, that I do, sir," replied the old lady. "People's eyes, at my time of life, don't improve with age, sir." "I could have told you that," rejoined Mr. Brownlow; "but put on your glasses, and see if you can't find out what you were wanted for, will you?" The old lady began to rummage in her pocket for her spectacles. But Oliver's patience was not proof against this new trial; and yielding to his first impulse, he sprang into her arms. "God be good to me!" cried the old lady, embracing him; "it is my innocent boy!" "My | nankeen breeches and gaiters; who did not look particularly benevolent, and who was sitting with his hands clasped on the top of a thick stick, and his chin propped thereupon. "Dear me," said the gentleman, in the bottle-green coat, hastily rising with great politeness, "I beg your pardon, young lady I imagined it was some importunate person who I beg you will excuse me. Be seated, pray." "Mr. Brownlow, I believe, sir?" said Rose, glancing from the other gentleman to the one who had spoken. "That is my name," said the old gentleman. "This is my friend, Mr. Grimwig. Grimwig, will you leave us for a few minutes?" "I believe," interposed Miss Maylie, "that at this period of our interview, I need not give that gentleman the trouble of going away. If I am correctly informed, he is cognizant of the business on which I wish to speak to you." Mr. Brownlow inclined his head. Mr. Grimwig, who had made one very stiff bow, and risen from his chair, made another very stiff bow, and dropped into it again. "I shall surprise you very much, I have no doubt," said Rose, naturally embarrassed; "but you once showed great benevolence and goodness to a very dear young friend of mine, and I am sure you will take an interest in hearing of him again." "Indeed!" said Mr. Brownlow. "Oliver Twist you knew him as," replied Rose. The words no sooner escaped her lips, than Mr. Grimwig, who had been affecting to dip into a large book that lay on the table, upset it with a great crash, and falling back in his chair, discharged from his features every expression but one of unmitigated wonder, and indulged in a prolonged and vacant stare; then, as if ashamed of having betrayed so much emotion, he jerked himself, as it were, by a convulsion into his former attitude, and looking out straight before him emitted a long deep whistle, which seemed, at last, not to be discharged on empty air, but to die away in the innermost recesses of his stomach. Mr. Browlow was no less surprised, although his astonishment was not expressed in the same eccentric manner. He drew his chair nearer to Miss Maylie's, and said, "Do me the favour, my dear young lady, to leave entirely out of the question that goodness and benevolence of which you speak, and of which nobody else knows anything; and if you have it in your power to produce any evidence which will alter the unfavourable opinion I was once induced to entertain of that poor child, in Heaven's name put me in possession of it." "A bad one! I'll eat my head if he is not a bad one," growled Mr. Grimwig, speaking by some ventriloquial power, without moving a muscle of his face. "He is a child of a noble nature and a warm heart," said Rose, colouring; "and that Power which has thought fit to try him beyond his years, has planted in his breast affections and feelings which would do honour to many who have numbered his days six times over." "I'm only sixty-one," said Mr. Grimwig, with the same rigid face. "And, as the devil's in it if this Oliver is not twelve years old at least, I don't see the application of that remark." "Do not heed my friend, Miss Maylie," said Mr. Brownlow; "he does not mean what he says." "Yes, he does," growled Mr. Grimwig. "No, he does not," said Mr. Brownlow, obviously rising in wrath as he spoke. "He'll eat his head, if he doesn't," growled Mr. Grimwig. "He would deserve to have it knocked off, if he does," said Mr. Brownlow. "And he'd uncommonly like to see any man offer to do it," responded Mr. Grimwig, knocking his stick upon the floor. Having gone thus far, the two old gentlemen severally took snuff, and afterwards shook hands, according to their invariable custom. "Now, Miss Maylie," said Mr. Brownlow, "to return to the subject in which your humanity is so much interested. Will you let me know what intelligence you have of this poor child: allowing me to promise that I exhausted every means in my power of discovering him, and that since I have been absent from this country, my first impression that he had imposed upon me, and had been persuaded by his former associates to rob me, has been considerably shaken." Rose, who had had time to collect her thoughts, at once related, in a few natural words, all that had befallen Oliver since he left Mr. Brownlow's house; reserving Nancy's information for that gentleman's private ear, and concluding with the assurance that his only sorrow, for some months past, had been not being able to meet with his former benefactor and friend.<|quote|>"Thank God!"</|quote|>said the old gentleman. "This is great happiness to me, great happiness. But you have not told me where he is now, Miss Maylie. You must pardon my finding fault with you, but why not have brought him?" "He is waiting in a coach at the door," replied Rose. "At this door!" cried the old gentleman. With which he hurried out of the room, down the stairs, up the coachsteps, and into the coach, without another word. When the room-door closed behind him, Mr. Grimwig lifted up his head, and converting one of the hind legs of his chair into a pivot, described three distinct circles with the assistance of his stick and the table; sitting in it all the time. After performing this evolution, he rose and limped as fast as he could up and down the room at least a dozen times, and then stopping suddenly before Rose, kissed her without the slightest preface. "Hush!" he said, as the young lady rose in some alarm at this unusual proceeding. "Don't be afraid. I'm old enough to be your grandfather. You're a sweet girl. I like you. Here they are!" In fact, as he threw himself at one dexterous dive into his former seat, Mr. Brownlow returned, accompanied by Oliver, whom Mr. Grimwig received very graciously; and if the gratification of that moment had been the only reward for all her anxiety and care in Oliver's behalf, Rose Maylie would have been well repaid. "There is somebody else who should not be forgotten, by the bye," said Mr. Brownlow, ringing the bell. "Send Mrs. Bedwin here, if you please." The old housekeeper answered the summons with all dispatch; and dropping a curtsey at the door, waited for orders. "Why, you get blinder every day, Bedwin," said Mr. Brownlow, rather testily. "Well, that I do, sir," replied the old lady. "People's eyes, at my time of life, don't improve with age, sir." "I could have told you that," rejoined Mr. Brownlow; "but put on your glasses, and see if you can't find out what you were wanted for, will you?" The old lady began to rummage in her pocket for her spectacles. But Oliver's patience was not proof against this new trial; and yielding to his first impulse, he sprang into her arms. "God be good to me!" cried the old lady, embracing him; "it is my innocent boy!" "My dear old nurse!" cried Oliver. "He would come back I knew he would," said the old lady, holding him in her arms. "How well he looks, and how like a gentleman's son he is dressed again! Where have you been, this long, long while? Ah! the same sweet face, but not so pale; the same soft eye, but not so sad. I have never forgotten them or his quiet smile, but have seen them every day, side by side with those of my own dear children, dead and gone since I was a lightsome young creature." Running on thus, and now holding Oliver from her to mark how he had grown, now clasping him to her and passing her fingers fondly through his hair, the good soul laughed and wept upon his neck by turns. Leaving her and Oliver to compare notes at leisure, Mr. Brownlow led the way into another room; and there, heard from Rose a full narration of her interview with Nancy, which occasioned him no little surprise and perplexity. Rose also explained her reasons for not confiding in her friend Mr. Losberne in the first instance. The old gentleman considered that she had acted prudently, and readily undertook to hold solemn conference with the worthy doctor himself. To afford him an early opportunity for the execution of this design, it was arranged that he should call at the hotel at eight o'clock that evening, and that in the meantime Mrs. Maylie should be cautiously informed of all that had occurred. These preliminaries adjusted, Rose and Oliver returned home. Rose had by no means overrated the measure of the good doctor's wrath. Nancy's history was no sooner unfolded to him, than he poured forth a shower of mingled threats and execrations; threatened to make her the first victim of the combined ingenuity of Messrs. Blathers and Duff; and actually put on his hat preparatory to sallying forth to obtain the assistance of those worthies. And, doubtless, he would, in this first outbreak, have carried the intention into effect without a moment's consideration of the consequences, if he had not been restrained, in part, by corresponding violence on the side of Mr. Brownlow, who was himself of an irascible temperament, and party by such arguments and representations as seemed best calculated to dissuade him from his hotbrained purpose. "Then what the devil is to be done?" said the | said, "Do me the favour, my dear young lady, to leave entirely out of the question that goodness and benevolence of which you speak, and of which nobody else knows anything; and if you have it in your power to produce any evidence which will alter the unfavourable opinion I was once induced to entertain of that poor child, in Heaven's name put me in possession of it." "A bad one! I'll eat my head if he is not a bad one," growled Mr. Grimwig, speaking by some ventriloquial power, without moving a muscle of his face. "He is a child of a noble nature and a warm heart," said Rose, colouring; "and that Power which has thought fit to try him beyond his years, has planted in his breast affections and feelings which would do honour to many who have numbered his days six times over." "I'm only sixty-one," said Mr. Grimwig, with the same rigid face. "And, as the devil's in it if this Oliver is not twelve years old at least, I don't see the application of that remark." "Do not heed my friend, Miss Maylie," said Mr. Brownlow; "he does not mean what he says." "Yes, he does," growled Mr. Grimwig. "No, he does not," said Mr. Brownlow, obviously rising in wrath as he spoke. "He'll eat his head, if he doesn't," growled Mr. Grimwig. "He would deserve to have it knocked off, if he does," said Mr. Brownlow. "And he'd uncommonly like to see any man offer to do it," responded Mr. Grimwig, knocking his stick upon the floor. Having gone thus far, the two old gentlemen severally took snuff, and afterwards shook hands, according to their invariable custom. "Now, Miss Maylie," said Mr. Brownlow, "to return to the subject in which your humanity is so much interested. Will you let me know what intelligence you have of this poor child: allowing me to promise that I exhausted every means in my power of discovering him, and that since I have been absent from this country, my first impression that he had imposed upon me, and had been persuaded by his former associates to rob me, has been considerably shaken." Rose, who had had time to collect her thoughts, at once related, in a few natural words, all that had befallen Oliver since he left Mr. Brownlow's house; reserving Nancy's information for that gentleman's private ear, and concluding with the assurance that his only sorrow, for some months past, had been not being able to meet with his former benefactor and friend.<|quote|>"Thank God!"</|quote|>said the old gentleman. "This is great happiness to me, great happiness. But you have not told me where he is now, Miss Maylie. You must pardon my finding fault with you, but why not have brought him?" "He is waiting in a coach at the door," replied Rose. "At this door!" cried the old gentleman. With which he hurried out of the room, down the stairs, up the coachsteps, and into the coach, without another word. When the room-door closed behind him, Mr. Grimwig lifted up his head, and converting one of the hind legs of his chair into a pivot, described three distinct circles with the assistance of his stick and the table; sitting in it all the time. After performing this evolution, he rose and limped as fast as he could up and down the room at least a dozen times, and then stopping suddenly before Rose, kissed her without the slightest preface. "Hush!" he said, as the young lady rose in some alarm at this unusual proceeding. "Don't be afraid. I'm old enough to be your grandfather. You're a sweet girl. I like you. Here they are!" In fact, as he threw himself at one dexterous dive into his former seat, Mr. Brownlow returned, accompanied by Oliver, whom Mr. Grimwig received very graciously; and if the gratification of that moment had been the only reward for all her anxiety and care in Oliver's behalf, Rose Maylie would have been well repaid. "There is somebody else who should not be forgotten, by the bye," said Mr. Brownlow, ringing the bell. "Send Mrs. Bedwin here, if you please." The old housekeeper answered the summons with all dispatch; and dropping a curtsey at the door, waited for orders. "Why, you get blinder every day, Bedwin," said Mr. Brownlow, rather testily. "Well, that I do, sir," replied the old lady. "People's eyes, at my time of life, don't improve with age, sir." "I could have told you that," rejoined Mr. Brownlow; "but put on your glasses, and see if you can't find out what you were wanted for, will you?" The old lady began to rummage in her pocket for her spectacles. But Oliver's patience was not proof against this new trial; and yielding to his first impulse, he sprang into her arms. "God be good to me!" cried the old lady, embracing him; "it is my innocent boy!" "My dear old nurse!" cried Oliver. "He would come back I knew he would," said the old lady, holding him in her arms. "How well he looks, and how like a gentleman's son he is dressed again! Where | Oliver Twist |
"If he were not, there would be no battle." | Duchess Of Monmouth | care. He is very fascinating."<|quote|>"If he were not, there would be no battle."</|quote|>"Greek meets Greek, then?" "I | cousin. "You had better take care. He is very fascinating."<|quote|>"If he were not, there would be no battle."</|quote|>"Greek meets Greek, then?" "I am on the side of | don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating."<|quote|>"If he were not, there would be no battle."</|quote|>"Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That | he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating."<|quote|>"If he were not, there would be no battle."</|quote|>"Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival." "Who?" He laughed. "Lady Narborough," he whispered. "She perfectly adores | merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating."<|quote|>"If he were not, there would be no battle."</|quote|>"Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival." "Who?" He laughed. "Lady Narborough," he whispered. "She perfectly adores him." "You fill me with apprehension. The appeal to antiquity is fatal to us who are romanticists." "Romanticists! You have all the methods of science." "Men have educated us." "But not explained you." "Describe us as a sex," was her challenge. "Sphinxes without secrets." She looked at him, smiling. "How long Mr. Gray is!" she said. "Let us go and help him. I have not yet told him the colour of my frock." "Ah! you must suit your frock to his flowers, Gladys." "That would be a premature surrender." "Romantic art begins with its climax." "I must keep an opportunity | You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else," murmured Dorian. "Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating."<|quote|>"If he were not, there would be no battle."</|quote|>"Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival." "Who?" He laughed. "Lady Narborough," he whispered. "She perfectly adores him." "You fill me with apprehension. The appeal to antiquity is fatal to us who are romanticists." "Romanticists! You have all the methods of science." "Men have educated us." "But not explained you." "Describe us as a sex," was her challenge. "Sphinxes without secrets." She looked at him, smiling. "How long Mr. Gray is!" she said. "Let us go and help him. I have not yet told him the colour of my frock." "Ah! you must suit your frock to his flowers, Gladys." "That would be a premature surrender." "Romantic art begins with its climax." "I must keep an opportunity for retreat." "In the Parthian manner?" "They found safety in the desert. I could not do that." "Women are not always allowed a choice," he answered, but hardly had he finished the sentence before from the far end of the conservatory came a stifled groan, followed by the dull sound of a heavy fall. Everybody started up. The duchess stood motionless in horror. And with fear in his eyes, Lord Henry rushed through the flapping palms to find Dorian Gray lying face downwards on the tiled floor in a deathlike swoon. He was carried at once into the blue drawing-room and laid upon one of the sofas. After a short time, he came to himself and looked round with a dazed expression. "What has happened?" he asked. "Oh! I remember. Am I safe here, Harry?" He began to tremble. "My dear Dorian," answered Lord Henry, "you merely fainted. That was all. You must have overtired yourself. You had better not come down to dinner. I will take your place." "No, I will come down," he said, struggling to his feet. "I would rather come down. I must not be alone." He went to his room and dressed. There was a | than to be ugly." "Ugliness is one of the seven deadly sins, then?" cried the duchess. "What becomes of your simile about the orchid?" "Ugliness is one of the seven deadly virtues, Gladys. You, as a good Tory, must not underrate them. Beer, the Bible, and the seven deadly virtues have made our England what she is." "You don t like your country, then?" she asked. "I live in it." "That you may censure it the better." "Would you have me take the verdict of Europe on it?" he inquired. "What do they say of us?" "That Tartuffe has emigrated to England and opened a shop." "Is that yours, Harry?" "I give it to you." "I could not use it. It is too true." "You need not be afraid. Our countrymen never recognize a description." "They are practical." "They are more cunning than practical. When they make up their ledger, they balance stupidity by wealth, and vice by hypocrisy." "Still, we have done great things." "Great things have been thrust on us, Gladys." "We have carried their burden." "Only as far as the Stock Exchange." She shook her head. "I believe in the race," she cried. "It represents the survival of the pushing." "It has development." "Decay fascinates me more." "What of art?" she asked. "It is a malady." "Love?" "An illusion." "Religion?" "The fashionable substitute for belief." "You are a sceptic." "Never! Scepticism is the beginning of faith." "What are you?" "To define is to limit." "Give me a clue." "Threads snap. You would lose your way in the labyrinth." "You bewilder me. Let us talk of some one else." "Our host is a delightful topic. Years ago he was christened Prince Charming." "Ah! don t remind me of that," cried Dorian Gray. "Our host is rather horrid this evening," answered the duchess, colouring. "I believe he thinks that Monmouth married me on purely scientific principles as the best specimen he could find of a modern butterfly." "Well, I hope he won t stick pins into you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else," murmured Dorian. "Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating."<|quote|>"If he were not, there would be no battle."</|quote|>"Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival." "Who?" He laughed. "Lady Narborough," he whispered. "She perfectly adores him." "You fill me with apprehension. The appeal to antiquity is fatal to us who are romanticists." "Romanticists! You have all the methods of science." "Men have educated us." "But not explained you." "Describe us as a sex," was her challenge. "Sphinxes without secrets." She looked at him, smiling. "How long Mr. Gray is!" she said. "Let us go and help him. I have not yet told him the colour of my frock." "Ah! you must suit your frock to his flowers, Gladys." "That would be a premature surrender." "Romantic art begins with its climax." "I must keep an opportunity for retreat." "In the Parthian manner?" "They found safety in the desert. I could not do that." "Women are not always allowed a choice," he answered, but hardly had he finished the sentence before from the far end of the conservatory came a stifled groan, followed by the dull sound of a heavy fall. Everybody started up. The duchess stood motionless in horror. And with fear in his eyes, Lord Henry rushed through the flapping palms to find Dorian Gray lying face downwards on the tiled floor in a deathlike swoon. He was carried at once into the blue drawing-room and laid upon one of the sofas. After a short time, he came to himself and looked round with a dazed expression. "What has happened?" he asked. "Oh! I remember. Am I safe here, Harry?" He began to tremble. "My dear Dorian," answered Lord Henry, "you merely fainted. That was all. You must have overtired yourself. You had better not come down to dinner. I will take your place." "No, I will come down," he said, struggling to his feet. "I would rather come down. I must not be alone." He went to his room and dressed. There was a wild recklessness of gaiety in his manner as he sat at table, but now and then a thrill of terror ran through him when he remembered that, pressed against the window of the conservatory, like a white handkerchief, he had seen the face of James Vane watching him. CHAPTER XVIII. The next day he did not leave the house, and, indeed, spent most of the time in his own room, sick with a wild terror of dying, and yet indifferent to life itself. The consciousness of being hunted, snared, tracked down, had begun to dominate him. If the tapestry did but tremble in the wind, he shook. The dead leaves that were blown against the leaded panes seemed to him like his own wasted resolutions and wild regrets. When he closed his eyes, he saw again the sailor s face peering through the mist-stained glass, and horror seemed once more to lay its hand upon his heart. But perhaps it had been only his fancy that had called vengeance out of the night and set the hideous shapes of punishment before him. Actual life was chaos, but there was something terribly logical in the imagination. It was the imagination that set remorse to dog the feet of sin. It was the imagination that made each crime bear its misshapen brood. In the common world of fact the wicked were not punished, nor the good rewarded. Success was given to the strong, failure thrust upon the weak. That was all. Besides, had any stranger been prowling round the house, he would have been seen by the servants or the keepers. Had any foot-marks been found on the flower-beds, the gardeners would have reported it. Yes, it had been merely fancy. Sibyl Vane s brother had not come back to kill him. He had sailed away in his ship to founder in some winter sea. From him, at any rate, he was safe. Why, the man did not know who he was, could not know who he was. The mask of youth had saved him. And yet if it had been merely an illusion, how terrible it was to think that conscience could raise such fearful phantoms, and give them visible form, and make them move before one! What sort of life would his be if, day and night, shadows of his crime were to peer at him from silent corners, to | Charming." "Ah! don t remind me of that," cried Dorian Gray. "Our host is rather horrid this evening," answered the duchess, colouring. "I believe he thinks that Monmouth married me on purely scientific principles as the best specimen he could find of a modern butterfly." "Well, I hope he won t stick pins into you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else," murmured Dorian. "Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating."<|quote|>"If he were not, there would be no battle."</|quote|>"Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival." "Who?" He laughed. "Lady Narborough," he whispered. "She perfectly adores him." "You fill me with apprehension. The appeal to antiquity is fatal to us who are romanticists." "Romanticists! You have all the methods of science." "Men have educated us." "But not explained you." "Describe us as a sex," was her challenge. "Sphinxes without secrets." She looked at him, smiling. "How long Mr. Gray is!" she said. "Let us go and help him. I have not yet told him the colour of my frock." "Ah! you must suit your frock to his flowers, Gladys." "That would be a premature surrender." "Romantic art begins with its climax." "I must keep an opportunity for retreat." "In the Parthian manner?" "They found safety in the desert. I could not do that." "Women are not always allowed a choice," he answered, but hardly had he finished the sentence before from the far end of the conservatory came a stifled groan, followed by the dull sound of a heavy fall. Everybody started up. The duchess stood motionless in horror. And with fear in his eyes, Lord Henry rushed through the flapping palms to find Dorian Gray lying face downwards on the tiled floor in a deathlike swoon. He was carried at once into the blue drawing-room and laid upon one of the sofas. After a short time, he came to himself and looked round with a dazed expression. "What has happened?" he asked. "Oh! I remember. Am I safe here, Harry?" He began to tremble. "My dear Dorian," answered Lord Henry, "you merely fainted. That was all. You must have overtired yourself. You had better not come down to dinner. I will take your place." "No, I will come down," he said, struggling to his feet. "I would rather come down. I must not be alone." He went to his room and dressed. There was a wild recklessness of gaiety in his manner as he sat at table, but now and then a thrill of terror ran through him when he remembered that, pressed against the window of the conservatory, like a white handkerchief, he had seen the face of James Vane watching him. CHAPTER XVIII. The next day he did not leave the house, and, indeed, spent most of the time in his own room, sick with a wild terror of dying, and yet indifferent to life itself. The consciousness of being hunted, snared, tracked down, had begun to dominate him. If the tapestry did but tremble in the wind, he shook. The dead leaves that were blown against the leaded panes seemed to him like his own wasted resolutions and wild regrets. When he closed his eyes, he saw again the sailor s face | The Picture Of Dorian Gray |
He is silent and looks at me. | No speaker | to be separated at last."<|quote|>He is silent and looks at me.</|quote|>"Do you remember, Kat, how | say gloomily, "We are going to be separated at last."<|quote|>He is silent and looks at me.</|quote|>"Do you remember, Kat, how we commandeered the goose? And | properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last."<|quote|>He is silent and looks at me.</|quote|>"Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up | carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last."<|quote|>He is silent and looks at me.</|quote|>"Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With | take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last."<|quote|>He is silent and looks at me.</|quote|>"Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says. "Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." | and dissolved, the earth one dripping, soaked, oily mass in which lie the yellow pools with red spiral streams of blood and into which the dead, wounded, and survivors slowly sink down. The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans wearily to the silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we still live. Then the heat sinks heavily into our shell holes like a jelly fish, moist and oppressive, and on one of these late summer days, while bringing food, Kat falls. We two are alone. I bind up his wound; his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last."<|quote|>He is silent and looks at me.</|quote|>"Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says. "Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a while I begin to sort out the confusion of voices that falls on my ears. "You might have spared yourself that," says an orderly. I look at him without | about it, we are falling back, we will not be able to attack again after this big offensive, we have no more men and no more ammunition. Still the campaign goes on--the dying goes on---- Summer of 1918--Never has life in its niggardliness seemed to us so desirable as now;--the red poppies in the meadows round our billets, the smooth beetles on the blades of grass, the warm evenings in the cool, dim rooms, the black, mysterious trees of the twilight, the stars and the flowing waters, dreams and long sleep----. O Life, life, life! Summer of 1918--Never was so much silently suffered as in the moment when we depart once again for the front-line. Wild, tormenting rumours of an armistice and peace are in the air, they lay hold on our hearts and make the return to the front harder than ever. Summer of 1918--Never was life in the line more bitter and more full of horror than in the hours of the bombardment, when the blanched faces lie in the dirt, and the hands clutch at the one thought: No! No! Not now! Not now at the last moment! Summer of 1918--Breath of hope that sweeps over the scorched fields, raging fever of impatience, of disappointment, of the most agonizing terror of death, insensate question: Why? Why do they not make an end? And why do these rumours of an end fly about? * * There are so many airmen here, and they are so sure of themselves that they give chase to single individuals, just as though they were hares. For every one German plane there come at least five English and American. For one hungry, wretched German soldier come five of the enemy, fresh and fit. For one German army loaf there are fifty tins of canned beef over there. We are not beaten, for as soldiers we are better and more experienced; we are simply crushed and driven back by overwhelmingly superior forces. Behind us lie rainy weeks--grey sky, grey fluid earth, grey dying. If we go out, the rain at once soaks through our overcoat and clothing;--and we remain wet all the time we are in the line. We never get dry. Those who still wear high boots tie sand bags round the top so that the mud does not pour in so fast. The rifles are caked, the uniforms caked, everything is fluid and dissolved, the earth one dripping, soaked, oily mass in which lie the yellow pools with red spiral streams of blood and into which the dead, wounded, and survivors slowly sink down. The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans wearily to the silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we still live. Then the heat sinks heavily into our shell holes like a jelly fish, moist and oppressive, and on one of these late summer days, while bringing food, Kat falls. We two are alone. I bind up his wound; his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last."<|quote|>He is silent and looks at me.</|quote|>"Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says. "Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a while I begin to sort out the confusion of voices that falls on my ears. "You might have spared yourself that," says an orderly. I look at him without comprehending. He points to Kat. "He is stone dead." I do not understand him. "He has been hit in the shin," I say. The orderly stands still. "That as well." I turn round. My eyes are still dulled, the sweat breaks out on me again, it runs over my eyelids. I wipe it away and peer at Kat. He lies still. "Fainted," I say quickly. The orderly whistles softly. "I know better than that. He is dead. I'll lay any money on that." I shake my head: "Not possible. Only ten minutes ago I was talking to him. He has fainted." Kat's hands are warm, I pass my arm under his shoulders in order to rub his temples with some tea. I feel my fingers become moist. As I draw them away from behind his head, they are bloody. "You see----" The orderly whistles once more through his teeth. On the way without my having noticed it, Kat has caught a splinter in the head. There is just one little hole, it must have been a very tiny, stray splinter. But it has sufficed. Kat is dead. Slowly I get up. "Would you like to take his pay book and his things?" the lance-corporal asks me. I nod, and he gives them to me. The orderly is mystified. "You are not related, are you?" No, we are not related. No, we are not related. Do I walk? Have I feet still? I raise my eyes, I let them move round, and turn myself with them, one circle, one circle, and I stand in the midst. All is as usual. Only the Militiaman Stanislaus Katczinsky has died. Then I know nothing more. CHAPTER XII It is autumn. There are not many of the old hands left. I am the last of the seven fellows from our class. Everyone talks of peace and armistice. All wait. If it again proves an illusion, then they will break up; hope is high, it cannot be taken away again without an upheaval. If there is not peace, then there will be revolution. I have fourteen days rest, because I have swallowed a bit of gas; in a little garden I sit the whole day long in the sun. The armistice is coming soon, I believe it now too. Then we will go home. Here my thoughts stop and will not go any farther. All that | impatience, of disappointment, of the most agonizing terror of death, insensate question: Why? Why do they not make an end? And why do these rumours of an end fly about? * * There are so many airmen here, and they are so sure of themselves that they give chase to single individuals, just as though they were hares. For every one German plane there come at least five English and American. For one hungry, wretched German soldier come five of the enemy, fresh and fit. For one German army loaf there are fifty tins of canned beef over there. We are not beaten, for as soldiers we are better and more experienced; we are simply crushed and driven back by overwhelmingly superior forces. Behind us lie rainy weeks--grey sky, grey fluid earth, grey dying. If we go out, the rain at once soaks through our overcoat and clothing;--and we remain wet all the time we are in the line. We never get dry. Those who still wear high boots tie sand bags round the top so that the mud does not pour in so fast. The rifles are caked, the uniforms caked, everything is fluid and dissolved, the earth one dripping, soaked, oily mass in which lie the yellow pools with red spiral streams of blood and into which the dead, wounded, and survivors slowly sink down. The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans wearily to the silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we still live. Then the heat sinks heavily into our shell holes like a jelly fish, moist and oppressive, and on one of these late summer days, while bringing food, Kat falls. We two are alone. I bind up his wound; his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last."<|quote|>He is silent and looks at me.</|quote|>"Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says. "Perhaps we could do something together later on, Kat." I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside | All Quiet on the Western Front |
"I hope so." | Newland Archer | cousin soon," she continued gently.<|quote|>"I hope so."</|quote|>"And you take their view?" | coloured. "For you'll be my cousin soon," she continued gently.<|quote|>"I hope so."</|quote|>"And you take their view?" He stood up at this, | of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. "It's not unnatural--" "OUR family," she corrected herself; and Archer coloured. "For you'll be my cousin soon," she continued gently.<|quote|>"I hope so."</|quote|>"And you take their view?" He stood up at this, wandered across the room, stared with void eyes at one of the pictures against the old red damask, and came back irresolutely to her side. How could he say: "Yes, if what your husband hints is true, or if you've | offensive insinuations--" She drooped her head a little lower, and he waited again, intensely hoping for a flash of indignation, or at least a brief cry of denial. None came. A little travelling clock ticked purringly at her elbow, and a log broke in two and sent up a shower of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. "It's not unnatural--" "OUR family," she corrected herself; and Archer coloured. "For you'll be my cousin soon," she continued gently.<|quote|>"I hope so."</|quote|>"And you take their view?" He stood up at this, wandered across the room, stared with void eyes at one of the pictures against the old red damask, and came back irresolutely to her side. How could he say: "Yes, if what your husband hints is true, or if you've no way of disproving it?" "Sincerely--" she interjected, as he was about to speak. He looked down into the fire. "Sincerely, then--what should you gain that would compensate for the possibility--the certainty--of a lot of beastly talk?" "But my freedom--is that nothing?" It flashed across him at that instant that | exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small world compared with the one you've lived in. And it's ruled, in spite of appearances, by a few people with--well, rather old-fashioned ideas." She said nothing, and he continued: "Our ideas about marriage and divorce are particularly old-fashioned. Our legislation favours divorce--our social customs don't." "Never?" "Well--not if the woman, however injured, however irreproachable, has appearances in the least degree against her, has exposed herself by any unconventional action to--to offensive insinuations--" She drooped her head a little lower, and he waited again, intensely hoping for a flash of indignation, or at least a brief cry of denial. None came. A little travelling clock ticked purringly at her elbow, and a log broke in two and sent up a shower of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. "It's not unnatural--" "OUR family," she corrected herself; and Archer coloured. "For you'll be my cousin soon," she continued gently.<|quote|>"I hope so."</|quote|>"And you take their view?" He stood up at this, wandered across the room, stared with void eyes at one of the pictures against the old red damask, and came back irresolutely to her side. How could he say: "Yes, if what your husband hints is true, or if you've no way of disproving it?" "Sincerely--" she interjected, as he was about to speak. He looked down into the fire. "Sincerely, then--what should you gain that would compensate for the possibility--the certainty--of a lot of beastly talk?" "But my freedom--is that nothing?" It flashed across him at that instant that the charge in the letter was true, and that she hoped to marry the partner of her guilt. How was he to tell her that, if she really cherished such a plan, the laws of the State were inexorably opposed to it? The mere suspicion that the thought was in her mind made him feel harshly and impatiently toward her. "But aren't you as free as air as it is?" he returned. "Who can touch you? Mr. Letterblair tells me the financial question has been settled--" "Oh, yes," she said indifferently. "Well, then: is it worth while to risk what | described it to be in speaking of it to Mr. Letterblair: the vague charge of an angry blackguard. But how much truth was behind it? Only Count Olenski's wife could tell. "I've looked through the papers you gave to Mr. Letterblair," he said at length. "Well--can there be anything more abominable?" "No." She changed her position slightly, screening her eyes with her lifted hand. "Of course you know," Archer continued, "that if your husband chooses to fight the case--as he threatens to--" "Yes--?" "He can say things--things that might be unpl--might be disagreeable to you: say them publicly, so that they would get about, and harm you even if--" "If--?" "I mean: no matter how unfounded they were." She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear. "What harm could such accusations, even if he made them publicly, do me here?" It was on his lips to exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small world compared with the one you've lived in. And it's ruled, in spite of appearances, by a few people with--well, rather old-fashioned ideas." She said nothing, and he continued: "Our ideas about marriage and divorce are particularly old-fashioned. Our legislation favours divorce--our social customs don't." "Never?" "Well--not if the woman, however injured, however irreproachable, has appearances in the least degree against her, has exposed herself by any unconventional action to--to offensive insinuations--" She drooped her head a little lower, and he waited again, intensely hoping for a flash of indignation, or at least a brief cry of denial. None came. A little travelling clock ticked purringly at her elbow, and a log broke in two and sent up a shower of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. "It's not unnatural--" "OUR family," she corrected herself; and Archer coloured. "For you'll be my cousin soon," she continued gently.<|quote|>"I hope so."</|quote|>"And you take their view?" He stood up at this, wandered across the room, stared with void eyes at one of the pictures against the old red damask, and came back irresolutely to her side. How could he say: "Yes, if what your husband hints is true, or if you've no way of disproving it?" "Sincerely--" she interjected, as he was about to speak. He looked down into the fire. "Sincerely, then--what should you gain that would compensate for the possibility--the certainty--of a lot of beastly talk?" "But my freedom--is that nothing?" It flashed across him at that instant that the charge in the letter was true, and that she hoped to marry the partner of her guilt. How was he to tell her that, if she really cherished such a plan, the laws of the State were inexorably opposed to it? The mere suspicion that the thought was in her mind made him feel harshly and impatiently toward her. "But aren't you as free as air as it is?" he returned. "Who can touch you? Mr. Letterblair tells me the financial question has been settled--" "Oh, yes," she said indifferently. "Well, then: is it worth while to risk what may be infinitely disagreeable and painful? Think of the newspapers--their vileness! It's all stupid and narrow and unjust--but one can't make over society." "No," she acquiesced; and her tone was so faint and desolate that he felt a sudden remorse for his own hard thoughts. "The individual, in such cases, is nearly always sacrificed to what is supposed to be the collective interest: people cling to any convention that keeps the family together--protects the children, if there are any," he rambled on, pouring out all the stock phrases that rose to his lips in his intense desire to cover over the ugly reality which her silence seemed to have laid bare. Since she would not or could not say the one word that would have cleared the air, his wish was not to let her feel that he was trying to probe into her secret. Better keep on the surface, in the prudent old New York way, than risk uncovering a wound he could not heal. "It's my business, you know," he went on, "to help you to see these things as the people who are fondest of you see them. The Mingotts, the Wellands, the van der Luydens, all | raised her straight eyebrows a little. "Ah, don't say that. If you knew how I hate to be different!" Her face had grown as sombre as a tragic mask. She leaned forward, clasping her knee in her thin hands, and looking away from him into remote dark distances. "I want to get away from it all," she insisted. He waited a moment and cleared his throat. "I know. Mr. Letterblair has told me." "Ah?" "That's the reason I've come. He asked me to--you see I'm in the firm." She looked slightly surprised, and then her eyes brightened. "You mean you can manage it for me? I can talk to you instead of Mr. Letterblair? Oh, that will be so much easier!" Her tone touched him, and his confidence grew with his self-satisfaction. He perceived that she had spoken of business to Beaufort simply to get rid of him; and to have routed Beaufort was something of a triumph. "I am here to talk about it," he repeated. She sat silent, her head still propped by the arm that rested on the back of the sofa. Her face looked pale and extinguished, as if dimmed by the rich red of her dress. She struck Archer, of a sudden, as a pathetic and even pitiful figure. "Now we're coming to hard facts," he thought, conscious in himself of the same instinctive recoil that he had so often criticised in his mother and her contemporaries. How little practice he had had in dealing with unusual situations! Their very vocabulary was unfamiliar to him, and seemed to belong to fiction and the stage. In face of what was coming he felt as awkward and embarrassed as a boy. After a pause Madame Olenska broke out with unexpected vehemence: "I want to be free; I want to wipe out all the past." "I understand that." Her face warmed. "Then you'll help me?" "First--" he hesitated--" "perhaps I ought to know a little more." She seemed surprised. "You know about my husband--my life with him?" He made a sign of assent. "Well--then--what more is there? In this country are such things tolerated? I'm a Protestant--our church does not forbid divorce in such cases." "Certainly not." They were both silent again, and Archer felt the spectre of Count Olenski's letter grimacing hideously between them. The letter filled only half a page, and was just what he had described it to be in speaking of it to Mr. Letterblair: the vague charge of an angry blackguard. But how much truth was behind it? Only Count Olenski's wife could tell. "I've looked through the papers you gave to Mr. Letterblair," he said at length. "Well--can there be anything more abominable?" "No." She changed her position slightly, screening her eyes with her lifted hand. "Of course you know," Archer continued, "that if your husband chooses to fight the case--as he threatens to--" "Yes--?" "He can say things--things that might be unpl--might be disagreeable to you: say them publicly, so that they would get about, and harm you even if--" "If--?" "I mean: no matter how unfounded they were." She paused for a long interval; so long that, not wishing to keep his eyes on her shaded face, he had time to imprint on his mind the exact shape of her other hand, the one on her knee, and every detail of the three rings on her fourth and fifth fingers; among which, he noticed, a wedding ring did not appear. "What harm could such accusations, even if he made them publicly, do me here?" It was on his lips to exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small world compared with the one you've lived in. And it's ruled, in spite of appearances, by a few people with--well, rather old-fashioned ideas." She said nothing, and he continued: "Our ideas about marriage and divorce are particularly old-fashioned. Our legislation favours divorce--our social customs don't." "Never?" "Well--not if the woman, however injured, however irreproachable, has appearances in the least degree against her, has exposed herself by any unconventional action to--to offensive insinuations--" She drooped her head a little lower, and he waited again, intensely hoping for a flash of indignation, or at least a brief cry of denial. None came. A little travelling clock ticked purringly at her elbow, and a log broke in two and sent up a shower of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. "It's not unnatural--" "OUR family," she corrected herself; and Archer coloured. "For you'll be my cousin soon," she continued gently.<|quote|>"I hope so."</|quote|>"And you take their view?" He stood up at this, wandered across the room, stared with void eyes at one of the pictures against the old red damask, and came back irresolutely to her side. How could he say: "Yes, if what your husband hints is true, or if you've no way of disproving it?" "Sincerely--" she interjected, as he was about to speak. He looked down into the fire. "Sincerely, then--what should you gain that would compensate for the possibility--the certainty--of a lot of beastly talk?" "But my freedom--is that nothing?" It flashed across him at that instant that the charge in the letter was true, and that she hoped to marry the partner of her guilt. How was he to tell her that, if she really cherished such a plan, the laws of the State were inexorably opposed to it? The mere suspicion that the thought was in her mind made him feel harshly and impatiently toward her. "But aren't you as free as air as it is?" he returned. "Who can touch you? Mr. Letterblair tells me the financial question has been settled--" "Oh, yes," she said indifferently. "Well, then: is it worth while to risk what may be infinitely disagreeable and painful? Think of the newspapers--their vileness! It's all stupid and narrow and unjust--but one can't make over society." "No," she acquiesced; and her tone was so faint and desolate that he felt a sudden remorse for his own hard thoughts. "The individual, in such cases, is nearly always sacrificed to what is supposed to be the collective interest: people cling to any convention that keeps the family together--protects the children, if there are any," he rambled on, pouring out all the stock phrases that rose to his lips in his intense desire to cover over the ugly reality which her silence seemed to have laid bare. Since she would not or could not say the one word that would have cleared the air, his wish was not to let her feel that he was trying to probe into her secret. Better keep on the surface, in the prudent old New York way, than risk uncovering a wound he could not heal. "It's my business, you know," he went on, "to help you to see these things as the people who are fondest of you see them. The Mingotts, the Wellands, the van der Luydens, all your friends and relations: if I didn't show you honestly how they judge such questions, it wouldn't be fair of me, would it?" He spoke insistently, almost pleading with her in his eagerness to cover up that yawning silence. She said slowly: "No; it wouldn't be fair." The fire had crumbled down to greyness, and one of the lamps made a gurgling appeal for attention. Madame Olenska rose, wound it up and returned to the fire, but without resuming her seat. Her remaining on her feet seemed to signify that there was nothing more for either of them to say, and Archer stood up also. "Very well; I will do what you wish," she said abruptly. The blood rushed to his forehead; and, taken aback by the suddenness of her surrender, he caught her two hands awkwardly in his. "I--I do want to help you," he said. "You do help me. Good night, my cousin." He bent and laid his lips on her hands, which were cold and lifeless. She drew them away, and he turned to the door, found his coat and hat under the faint gas-light of the hall, and plunged out into the winter night bursting with the belated eloquence of the inarticulate. XIII. It was a crowded night at Wallack's theatre. The play was "The Shaughraun," with Dion Boucicault in the title role and Harry Montague and Ada Dyas as the lovers. The popularity of the admirable English company was at its height, and the Shaughraun always packed the house. In the galleries the enthusiasm was unreserved; in the stalls and boxes, people smiled a little at the hackneyed sentiments and clap-trap situations, and enjoyed the play as much as the galleries did. There was one episode, in particular, that held the house from floor to ceiling. It was that in which Harry Montague, after a sad, almost monosyllabic scene of parting with Miss Dyas, bade her good-bye, and turned to go. The actress, who was standing near the mantelpiece and looking down into the fire, wore a gray cashmere dress without fashionable loopings or trimmings, moulded to her tall figure and flowing in long lines about her feet. Around her neck was a narrow black velvet ribbon with the ends falling down her back. When her wooer turned from her she rested her arms against the mantel-shelf and bowed her face in her hands. On | if he made them publicly, do me here?" It was on his lips to exclaim: "My poor child--far more harm than anywhere else!" Instead, he answered, in a voice that sounded in his ears like Mr. Letterblair's: "New York society is a very small world compared with the one you've lived in. And it's ruled, in spite of appearances, by a few people with--well, rather old-fashioned ideas." She said nothing, and he continued: "Our ideas about marriage and divorce are particularly old-fashioned. Our legislation favours divorce--our social customs don't." "Never?" "Well--not if the woman, however injured, however irreproachable, has appearances in the least degree against her, has exposed herself by any unconventional action to--to offensive insinuations--" She drooped her head a little lower, and he waited again, intensely hoping for a flash of indignation, or at least a brief cry of denial. None came. A little travelling clock ticked purringly at her elbow, and a log broke in two and sent up a shower of sparks. The whole hushed and brooding room seemed to be waiting silently with Archer. "Yes," she murmured at length, "that's what my family tell me." He winced a little. "It's not unnatural--" "OUR family," she corrected herself; and Archer coloured. "For you'll be my cousin soon," she continued gently.<|quote|>"I hope so."</|quote|>"And you take their view?" He stood up at this, wandered across the room, stared with void eyes at one of the pictures against the old red damask, and came back irresolutely to her side. How could he say: "Yes, if what your husband hints is true, or if you've no way of disproving it?" "Sincerely--" she interjected, as he was about to speak. He looked down into the fire. "Sincerely, then--what should you gain that would compensate for the possibility--the certainty--of a lot of beastly talk?" "But my freedom--is that nothing?" It flashed across him at that instant that the charge in the letter was true, and that she hoped to marry the partner of her guilt. How was he to tell her that, if she really cherished such a plan, the laws of the State were inexorably opposed to it? The mere suspicion that the thought was in her mind made him feel harshly and impatiently toward her. "But aren't you as free as air as it is?" he returned. "Who can touch you? Mr. Letterblair tells me the financial question has been settled--" "Oh, yes," she said indifferently. "Well, then: is it worth while to risk what may be infinitely disagreeable and painful? Think of the newspapers--their vileness! It's all stupid and narrow and unjust--but one can't make over society." "No," she acquiesced; and her tone was so faint and desolate that he felt a sudden remorse for his own hard thoughts. "The individual, in such cases, is nearly always sacrificed to what is supposed to be the collective interest: people cling to any convention that keeps the family together--protects the children, if there are any," he rambled on, pouring out all the stock phrases that rose to his lips in his intense desire to cover over the ugly reality which her silence seemed to have laid bare. Since she would not or could not say the one word that would have cleared the air, his wish was not to let her feel that he was trying to probe into her secret. Better keep on the surface, in the prudent old New York way, than risk uncovering a wound he could not heal. "It's my business, you know," he went on, "to help you to see these things as the people who are fondest of you see them. The Mingotts, the Wellands, the van der Luydens, all your friends and relations: if I didn't show you honestly how they judge such questions, it wouldn't be fair of me, would it?" He spoke insistently, almost pleading with her in his eagerness to cover up that yawning silence. She said slowly: "No; it wouldn't be fair." The fire had crumbled down to greyness, and one of the lamps | The Age Of Innocence |
"I ve been waiting long enough." | The Invisible Man | with those boxes," he said.<|quote|>"I ve been waiting long enough."</|quote|>And he came down the | Hall s legs. "Come along with those boxes," he said.<|quote|>"I ve been waiting long enough."</|quote|>And he came down the steps towards the tail of | came out impatiently to meet Fearenside s cart, while Hall was having a word or so of gossip preparatory to helping bring them in. Out he came, not noticing Fearenside s dog, who was sniffing in a _dilettante_ spirit at Hall s legs. "Come along with those boxes," he said.<|quote|>"I ve been waiting long enough."</|quote|>And he came down the steps towards the tail of the cart as if to lay hands on the smaller crate. No sooner had Fearenside s dog caught sight of him, however, than it began to bristle and growl savagely, and when he rushed down the steps it gave an | big, fat books, of which some were just in an incomprehensible handwriting and a dozen or more crates, boxes, and cases, containing objects packed in straw, as it seemed to Hall, tugging with a casual curiosity at the straw glass bottles. The stranger, muffled in hat, coat, gloves, and wrapper, came out impatiently to meet Fearenside s cart, while Hall was having a word or so of gossip preparatory to helping bring them in. Out he came, not noticing Fearenside s dog, who was sniffing in a _dilettante_ spirit at Hall s legs. "Come along with those boxes," he said.<|quote|>"I ve been waiting long enough."</|quote|>And he came down the steps towards the tail of the cart as if to lay hands on the smaller crate. No sooner had Fearenside s dog caught sight of him, however, than it began to bristle and growl savagely, and when he rushed down the steps it gave an undecided hop, and then sprang straight at his hand. "Whup!" cried Hall, jumping back, for he was no hero with dogs, and Fearenside howled, "Lie down!" and snatched his whip. They saw the dog s teeth had slipped the hand, heard a kick, saw the dog execute a flanking jump | after her, at the end of interminable necks, and with vast black eyes. But being a sensible woman, she subdued her terrors and turned over and went to sleep again. CHAPTER III. THE THOUSAND AND ONE BOTTLES So it was that on the twenty-ninth day of February, at the beginning of the thaw, this singular person fell out of infinity into Iping village. Next day his luggage arrived through the slush and very remarkable luggage it was. There were a couple of trunks indeed, such as a rational man might need, but in addition there were a box of books big, fat books, of which some were just in an incomprehensible handwriting and a dozen or more crates, boxes, and cases, containing objects packed in straw, as it seemed to Hall, tugging with a casual curiosity at the straw glass bottles. The stranger, muffled in hat, coat, gloves, and wrapper, came out impatiently to meet Fearenside s cart, while Hall was having a word or so of gossip preparatory to helping bring them in. Out he came, not noticing Fearenside s dog, who was sniffing in a _dilettante_ spirit at Hall s legs. "Come along with those boxes," he said.<|quote|>"I ve been waiting long enough."</|quote|>And he came down the steps towards the tail of the cart as if to lay hands on the smaller crate. No sooner had Fearenside s dog caught sight of him, however, than it began to bristle and growl savagely, and when he rushed down the steps it gave an undecided hop, and then sprang straight at his hand. "Whup!" cried Hall, jumping back, for he was no hero with dogs, and Fearenside howled, "Lie down!" and snatched his whip. They saw the dog s teeth had slipped the hand, heard a kick, saw the dog execute a flanking jump and get home on the stranger s leg, and heard the rip of his trousering. Then the finer end of Fearenside s whip reached his property, and the dog, yelping with dismay, retreated under the wheels of the waggon. It was all the business of a swift half-minute. No one spoke, everyone shouted. The stranger glanced swiftly at his torn glove and at his leg, made as if he would stoop to the latter, then turned and rushed swiftly up the steps into the inn. They heard him go headlong across the passage and up the uncarpeted stairs to his | snappishly and in a manner not to the point. But the seed of suspicion Teddy had sown germinated in the mind of Mr. Hall in spite of these discouragements. "You wim don t know everything," said Mr. Hall, resolved to ascertain more about the personality of his guest at the earliest possible opportunity. And after the stranger had gone to bed, which he did about half-past nine, Mr. Hall went very aggressively into the parlour and looked very hard at his wife s furniture, just to show that the stranger wasn t master there, and scrutinised closely and a little contemptuously a sheet of mathematical computations the stranger had left. When retiring for the night he instructed Mrs. Hall to look very closely at the stranger s luggage when it came next day. "You mind your own business, Hall," said Mrs. Hall, "and I ll mind mine." She was all the more inclined to snap at Hall because the stranger was undoubtedly an unusually strange sort of stranger, and she was by no means assured about him in her own mind. In the middle of the night she woke up dreaming of huge white heads like turnips, that came trailing after her, at the end of interminable necks, and with vast black eyes. But being a sensible woman, she subdued her terrors and turned over and went to sleep again. CHAPTER III. THE THOUSAND AND ONE BOTTLES So it was that on the twenty-ninth day of February, at the beginning of the thaw, this singular person fell out of infinity into Iping village. Next day his luggage arrived through the slush and very remarkable luggage it was. There were a couple of trunks indeed, such as a rational man might need, but in addition there were a box of books big, fat books, of which some were just in an incomprehensible handwriting and a dozen or more crates, boxes, and cases, containing objects packed in straw, as it seemed to Hall, tugging with a casual curiosity at the straw glass bottles. The stranger, muffled in hat, coat, gloves, and wrapper, came out impatiently to meet Fearenside s cart, while Hall was having a word or so of gossip preparatory to helping bring them in. Out he came, not noticing Fearenside s dog, who was sniffing in a _dilettante_ spirit at Hall s legs. "Come along with those boxes," he said.<|quote|>"I ve been waiting long enough."</|quote|>And he came down the steps towards the tail of the cart as if to lay hands on the smaller crate. No sooner had Fearenside s dog caught sight of him, however, than it began to bristle and growl savagely, and when he rushed down the steps it gave an undecided hop, and then sprang straight at his hand. "Whup!" cried Hall, jumping back, for he was no hero with dogs, and Fearenside howled, "Lie down!" and snatched his whip. They saw the dog s teeth had slipped the hand, heard a kick, saw the dog execute a flanking jump and get home on the stranger s leg, and heard the rip of his trousering. Then the finer end of Fearenside s whip reached his property, and the dog, yelping with dismay, retreated under the wheels of the waggon. It was all the business of a swift half-minute. No one spoke, everyone shouted. The stranger glanced swiftly at his torn glove and at his leg, made as if he would stoop to the latter, then turned and rushed swiftly up the steps into the inn. They heard him go headlong across the passage and up the uncarpeted stairs to his bedroom. "You brute, you!" said Fearenside, climbing off the waggon with his whip in his hand, while the dog watched him through the wheel. "Come here," said Fearenside "You d better." Hall had stood gaping. "He wuz bit," said Hall. "I d better go and see to en," and he trotted after the stranger. He met Mrs. Hall in the passage. "Carrier s darg," he said "bit en." He went straight upstairs, and the stranger s door being ajar, he pushed it open and was entering without any ceremony, being of a naturally sympathetic turn of mind. The blind was down and the room dim. He caught a glimpse of a most singular thing, what seemed a handless arm waving towards him, and a face of three huge indeterminate spots on white, very like the face of a pale pansy. Then he was struck violently in the chest, hurled back, and the door slammed in his face and locked. It was so rapid that it gave him no time to observe. A waving of indecipherable shapes, a blow, and a concussion. There he stood on the dark little landing, wondering what it might be that he had seen. A couple | finish and go?" said the rigid figure, evidently in a state of painfully suppressed rage. "All you ve got to do is to fix the hour-hand on its axle. You re simply humbugging" "Certainly, sir one minute more. I overlooked" and Mr. Henfrey finished and went. But he went feeling excessively annoyed. "Damn it!" said Mr. Henfrey to himself, trudging down the village through the thawing snow; "a man must do a clock at times, surely." And again, "Can t a man look at you? Ugly!" And yet again, "Seemingly not. If the police was wanting you you couldn t be more wropped and bandaged." At Gleeson s corner he saw Hall, who had recently married the stranger s hostess at the "Coach and Horses," and who now drove the Iping conveyance, when occasional people required it, to Sidderbridge Junction, coming towards him on his return from that place. Hall had evidently been "stopping a bit" at Sidderbridge, to judge by his driving. "Ow do, Teddy?" he said, passing. "You got a rum un up home!" said Teddy. Hall very sociably pulled up. "What s that?" he asked. "Rum-looking customer stopping at the Coach and Horses," said Teddy. "My sakes!" And he proceeded to give Hall a vivid description of his grotesque guest. "Looks a bit like a disguise, don t it? I d like to see a man s face if I had him stopping in _my_ place," said Henfrey. "But women are that trustful where strangers are concerned. He s took your rooms and he ain t even given a name, Hall." "You don t say so!" said Hall, who was a man of sluggish apprehension. "Yes," said Teddy. "By the week. Whatever he is, you can t get rid of him under the week. And he s got a lot of luggage coming to-morrow, so he says. Let s hope it won t be stones in boxes, Hall." He told Hall how his aunt at Hastings had been swindled by a stranger with empty portmanteaux. Altogether he left Hall vaguely suspicious. "Get up, old girl," said Hall. "I s pose I must see bout this." Teddy trudged on his way with his mind considerably relieved. Instead of "seeing bout it," however, Hall on his return was severely rated by his wife on the length of time he had spent in Sidderbridge, and his mild inquiries were answered snappishly and in a manner not to the point. But the seed of suspicion Teddy had sown germinated in the mind of Mr. Hall in spite of these discouragements. "You wim don t know everything," said Mr. Hall, resolved to ascertain more about the personality of his guest at the earliest possible opportunity. And after the stranger had gone to bed, which he did about half-past nine, Mr. Hall went very aggressively into the parlour and looked very hard at his wife s furniture, just to show that the stranger wasn t master there, and scrutinised closely and a little contemptuously a sheet of mathematical computations the stranger had left. When retiring for the night he instructed Mrs. Hall to look very closely at the stranger s luggage when it came next day. "You mind your own business, Hall," said Mrs. Hall, "and I ll mind mine." She was all the more inclined to snap at Hall because the stranger was undoubtedly an unusually strange sort of stranger, and she was by no means assured about him in her own mind. In the middle of the night she woke up dreaming of huge white heads like turnips, that came trailing after her, at the end of interminable necks, and with vast black eyes. But being a sensible woman, she subdued her terrors and turned over and went to sleep again. CHAPTER III. THE THOUSAND AND ONE BOTTLES So it was that on the twenty-ninth day of February, at the beginning of the thaw, this singular person fell out of infinity into Iping village. Next day his luggage arrived through the slush and very remarkable luggage it was. There were a couple of trunks indeed, such as a rational man might need, but in addition there were a box of books big, fat books, of which some were just in an incomprehensible handwriting and a dozen or more crates, boxes, and cases, containing objects packed in straw, as it seemed to Hall, tugging with a casual curiosity at the straw glass bottles. The stranger, muffled in hat, coat, gloves, and wrapper, came out impatiently to meet Fearenside s cart, while Hall was having a word or so of gossip preparatory to helping bring them in. Out he came, not noticing Fearenside s dog, who was sniffing in a _dilettante_ spirit at Hall s legs. "Come along with those boxes," he said.<|quote|>"I ve been waiting long enough."</|quote|>And he came down the steps towards the tail of the cart as if to lay hands on the smaller crate. No sooner had Fearenside s dog caught sight of him, however, than it began to bristle and growl savagely, and when he rushed down the steps it gave an undecided hop, and then sprang straight at his hand. "Whup!" cried Hall, jumping back, for he was no hero with dogs, and Fearenside howled, "Lie down!" and snatched his whip. They saw the dog s teeth had slipped the hand, heard a kick, saw the dog execute a flanking jump and get home on the stranger s leg, and heard the rip of his trousering. Then the finer end of Fearenside s whip reached his property, and the dog, yelping with dismay, retreated under the wheels of the waggon. It was all the business of a swift half-minute. No one spoke, everyone shouted. The stranger glanced swiftly at his torn glove and at his leg, made as if he would stoop to the latter, then turned and rushed swiftly up the steps into the inn. They heard him go headlong across the passage and up the uncarpeted stairs to his bedroom. "You brute, you!" said Fearenside, climbing off the waggon with his whip in his hand, while the dog watched him through the wheel. "Come here," said Fearenside "You d better." Hall had stood gaping. "He wuz bit," said Hall. "I d better go and see to en," and he trotted after the stranger. He met Mrs. Hall in the passage. "Carrier s darg," he said "bit en." He went straight upstairs, and the stranger s door being ajar, he pushed it open and was entering without any ceremony, being of a naturally sympathetic turn of mind. The blind was down and the room dim. He caught a glimpse of a most singular thing, what seemed a handless arm waving towards him, and a face of three huge indeterminate spots on white, very like the face of a pale pansy. Then he was struck violently in the chest, hurled back, and the door slammed in his face and locked. It was so rapid that it gave him no time to observe. A waving of indecipherable shapes, a blow, and a concussion. There he stood on the dark little landing, wondering what it might be that he had seen. A couple of minutes after, he rejoined the little group that had formed outside the "Coach and Horses." There was Fearenside telling about it all over again for the second time; there was Mrs. Hall saying his dog didn t have no business to bite her guests; there was Huxter, the general dealer from over the road, interrogative; and Sandy Wadgers from the forge, judicial; besides women and children, all of them saying fatuities: "Wouldn t let en bite _me_, I knows"; " Tasn t right _have_ such dargs"; "Whad _e_ bite n for, then?" and so forth. Mr. Hall, staring at them from the steps and listening, found it incredible that he had seen anything so very remarkable happen upstairs. Besides, his vocabulary was altogether too limited to express his impressions. "He don t want no help, he says," he said in answer to his wife s inquiry. "We d better be a-takin of his luggage in." "He ought to have it cauterised at once," said Mr. Huxter; "especially if it s at all inflamed." "I d shoot en, that s what I d do," said a lady in the group. Suddenly the dog began growling again. "Come along," cried an angry voice in the doorway, and there stood the muffled stranger with his collar turned up, and his hat-brim bent down. "The sooner you get those things in the better I ll be pleased." It is stated by an anonymous bystander that his trousers and gloves had been changed. "Was you hurt, sir?" said Fearenside. "I m rare sorry the darg" "Not a bit," said the stranger. "Never broke the skin. Hurry up with those things." He then swore to himself, so Mr. Hall asserts. Directly the first crate was, in accordance with his directions, carried into the parlour, the stranger flung himself upon it with extraordinary eagerness, and began to unpack it, scattering the straw with an utter disregard of Mrs. Hall s carpet. And from it he began to produce bottles little fat bottles containing powders, small and slender bottles containing coloured and white fluids, fluted blue bottles labeled Poison, bottles with round bodies and slender necks, large green-glass bottles, large white-glass bottles, bottles with glass stoppers and frosted labels, bottles with fine corks, bottles with bungs, bottles with wooden caps, wine bottles, salad-oil bottles putting them in rows on the chiffonnier, on the mantel, on the table | when it came next day. "You mind your own business, Hall," said Mrs. Hall, "and I ll mind mine." She was all the more inclined to snap at Hall because the stranger was undoubtedly an unusually strange sort of stranger, and she was by no means assured about him in her own mind. In the middle of the night she woke up dreaming of huge white heads like turnips, that came trailing after her, at the end of interminable necks, and with vast black eyes. But being a sensible woman, she subdued her terrors and turned over and went to sleep again. CHAPTER III. THE THOUSAND AND ONE BOTTLES So it was that on the twenty-ninth day of February, at the beginning of the thaw, this singular person fell out of infinity into Iping village. Next day his luggage arrived through the slush and very remarkable luggage it was. There were a couple of trunks indeed, such as a rational man might need, but in addition there were a box of books big, fat books, of which some were just in an incomprehensible handwriting and a dozen or more crates, boxes, and cases, containing objects packed in straw, as it seemed to Hall, tugging with a casual curiosity at the straw glass bottles. The stranger, muffled in hat, coat, gloves, and wrapper, came out impatiently to meet Fearenside s cart, while Hall was having a word or so of gossip preparatory to helping bring them in. Out he came, not noticing Fearenside s dog, who was sniffing in a _dilettante_ spirit at Hall s legs. "Come along with those boxes," he said.<|quote|>"I ve been waiting long enough."</|quote|>And he came down the steps towards the tail of the cart as if to lay hands on the smaller crate. No sooner had Fearenside s dog caught sight of him, however, than it began to bristle and growl savagely, and when he rushed down the steps it gave an undecided hop, and then sprang straight at his hand. "Whup!" cried Hall, jumping back, for he was no hero with dogs, and Fearenside howled, "Lie down!" and snatched his whip. They saw the dog s teeth had slipped the hand, heard a kick, saw the dog execute a flanking jump and get home on the stranger s leg, and heard the rip of his trousering. Then the finer end of Fearenside s whip reached his property, and the dog, yelping with dismay, retreated under the wheels of the waggon. It was all the business of a swift half-minute. No one spoke, everyone shouted. The stranger glanced swiftly at his torn glove and at his leg, made as if he would stoop to the latter, then turned and rushed swiftly up the steps into the inn. They heard him go headlong across the passage and up the uncarpeted stairs to his bedroom. "You brute, you!" said Fearenside, climbing off the waggon with his whip in his hand, while the dog watched him through the wheel. "Come here," said Fearenside "You d better." Hall had stood gaping. "He wuz bit," said Hall. "I d better go and see to en," and he trotted after the stranger. He met Mrs. Hall in | The Invisible Man |
cried the Professor, and struck his forehead. | No speaker | "The gendarmes have joined them!"<|quote|>cried the Professor, and struck his forehead.</|quote|>"I am in the padded | stones in front of them. "The gendarmes have joined them!"<|quote|>cried the Professor, and struck his forehead.</|quote|>"I am in the padded cell," said Bull solidly. There | "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!"<|quote|>cried the Professor, and struck his forehead.</|quote|>"I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to | out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!"<|quote|>cried the Professor, and struck his forehead.</|quote|>"I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against | some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!"<|quote|>cried the Professor, and struck his forehead.</|quote|>"I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am | dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them. "The peasant!" cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!"<|quote|>cried the Professor, and struck his forehead.</|quote|>"I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is" "No! no! no!" cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was | world is insane!" said the Professor, and buried his face in his hands. "No," said Dr. Bull in adamantine humility, "it is I." "What are we going to do?" asked the Professor. "At this moment," said Syme, with a scientific detachment, "I think we are going to smash into a lamppost." The next instant the automobile had come with a catastrophic jar against an iron object. The instant after that four men had crawled out from under a chaos of metal, and a tall lean lamp-post that had stood up straight on the edge of the marine parade stood out, bent and twisted, like the branch of a broken tree. "Well, we smashed something," said the Professor, with a faint smile. "That's some comfort." "You're becoming an anarchist," said Syme, dusting his clothes with his instinct of daintiness. "Everyone is," said Ratcliffe. As they spoke, the white-haired horseman and his followers came thundering from above, and almost at the same moment a dark string of men ran shouting along the sea-front. Syme snatched a sword, and took it in his teeth; he stuck two others under his arm-pits, took a fourth in his left hand and the lantern in his right, and leapt off the high parade on to the beach below. The others leapt after him, with a common acceptance of such decisive action, leaving the debris and the gathering mob above them. "We have one more chance," said Syme, taking the steel out of his mouth. "Whatever all this pandemonium means, I suppose the police station will help us. We can't get there, for they hold the way. But there's a pier or breakwater runs out into the sea just here, which we could defend longer than anything else, like Horatius and his bridge. We must defend it till the Gendarmerie turn out. Keep after me." They followed him as he went crunching down the beach, and in a second or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them. "The peasant!" cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!"<|quote|>cried the Professor, and struck his forehead.</|quote|>"I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is" "No! no! no!" cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the sword in one hand and the lantern in the other. As if to destroy the last hope or doubt, the Colonel, who saw him coming, pointed his revolver at him and fired. The shot missed Syme, but struck his sword, breaking it short at the hilt. Syme rushed on, and swung the iron lantern above his head. "Judas before Herod!" he said, and struck the Colonel down upon the stones. Then he turned to the Secretary, whose frightful mouth was almost foaming now, and held the lamp high with so rigid and arresting a gesture, that the man was, as it were, frozen for a moment, and forced to hear. "Do you see this lantern?" cried Syme in a terrible voice. "Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind; you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy. It shall go where your empire of apes will never have the wit to find it." He struck the Secretary once with the lantern so that he staggered; and then, whirling it twice round his head, sent it flying far out to sea, where it flared like a roaring rocket and fell. "Swords!" shouted Syme, turning his flaming face to the three behind him. "Let us charge these dogs, for our time has come | arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them. "The peasant!" cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!"<|quote|>cried the Professor, and struck his forehead.</|quote|>"I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is" "No! no! no!" cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" | The Man Who Was Thursday |
And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. | No speaker | don't believe you do either!"<|quote|>And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.</|quote|>"What I was going to | words, and, what's more, I don't believe you do either!"<|quote|>And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.</|quote|>"What I was going to say," said the Dodo in | all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!"<|quote|>And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.</|quote|>"What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ | and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!"<|quote|>And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.</|quote|>"What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it | did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!"<|quote|>And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.</|quote|>"What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who | must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!"<|quote|>And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.</|quote|>"What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded | vulgar things! Don't let me hear the name again!" "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!"<|quote|>And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.</|quote|>"What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded | bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!"<|quote|>And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.</|quote|>"What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, | Alices Adventures In Wonderland |
"for fear he might tell me." | Professor De Worms | bombs?" "No," said the Professor,<|quote|>"for fear he might tell me."</|quote|>"Let us have some drinks," | the Secretary, "for fear of bombs?" "No," said the Professor,<|quote|>"for fear he might tell me."</|quote|>"Let us have some drinks," said Dr. Bull, after a | my secretarial duties." "I suppose you are right," said the Professor reflectively. "I suppose we might find it out from him; but I confess that I should feel a bit afraid of asking Sunday who he really is." "Why," asked the Secretary, "for fear of bombs?" "No," said the Professor,<|quote|>"for fear he might tell me."</|quote|>"Let us have some drinks," said Dr. Bull, after a silence. Throughout their whole journey by boat and train they were highly convivial, but they instinctively kept together. Dr. Bull, who had always been the optimist of the party, endeavoured to persuade the other four that the whole company could | face?" "I grant you," answered Syme, "that I have never been able to forget it." "Well," said the Secretary, "I suppose we can find out soon, for tomorrow we have our next general meeting. You will excuse me," he said, with a rather ghastly smile, "for being well acquainted with my secretarial duties." "I suppose you are right," said the Professor reflectively. "I suppose we might find it out from him; but I confess that I should feel a bit afraid of asking Sunday who he really is." "Why," asked the Secretary, "for fear of bombs?" "No," said the Professor,<|quote|>"for fear he might tell me."</|quote|>"Let us have some drinks," said Dr. Bull, after a silence. Throughout their whole journey by boat and train they were highly convivial, but they instinctively kept together. Dr. Bull, who had always been the optimist of the party, endeavoured to persuade the other four that the whole company could take the same hansom cab from Victoria; but this was over-ruled, and they went in a four-wheeler, with Dr. Bull on the box, singing. They finished their journey at an hotel in Piccadilly Circus, so as to be close to the early breakfast next morning in Leicester Square. Yet even | with such swiftness through a civilised country. But above all these matters of detail which could be explained, rose the central mountain of the matter that they could not explain. What did it all mean? If they were all harmless officers, what was Sunday? If he had not seized the world, what on earth had he been up to? Inspector Ratcliffe was still gloomy about this. "I can't make head or tail of old Sunday's little game any more than you can," he said. "But whatever else Sunday is, he isn't a blameless citizen. Damn it! do you remember his face?" "I grant you," answered Syme, "that I have never been able to forget it." "Well," said the Secretary, "I suppose we can find out soon, for tomorrow we have our next general meeting. You will excuse me," he said, with a rather ghastly smile, "for being well acquainted with my secretarial duties." "I suppose you are right," said the Professor reflectively. "I suppose we might find it out from him; but I confess that I should feel a bit afraid of asking Sunday who he really is." "Why," asked the Secretary, "for fear of bombs?" "No," said the Professor,<|quote|>"for fear he might tell me."</|quote|>"Let us have some drinks," said Dr. Bull, after a silence. Throughout their whole journey by boat and train they were highly convivial, but they instinctively kept together. Dr. Bull, who had always been the optimist of the party, endeavoured to persuade the other four that the whole company could take the same hansom cab from Victoria; but this was over-ruled, and they went in a four-wheeler, with Dr. Bull on the box, singing. They finished their journey at an hotel in Piccadilly Circus, so as to be close to the early breakfast next morning in Leicester Square. Yet even then the adventures of the day were not entirely over. Dr. Bull, discontented with the general proposal to go to bed, had strolled out of the hotel at about eleven to see and taste some of the beauties of London. Twenty minutes afterwards, however, he came back and made quite a clamour in the hall. Syme, who tried at first to soothe him, was forced at last to listen to his communication with quite new attention. "I tell you I've seen him!" said Dr. Bull, with thick emphasis. "Whom?" asked Syme quickly. "Not the President?" "Not so bad as that," | all a lot of silly policemen looking at each other. And all these nice people who have been peppering us with shot thought we were the dynamiters. I knew I couldn't be wrong about the mob," he said, beaming over the enormous multitude, which stretched away to the distance on both sides. "Vulgar people are never mad. I'm vulgar myself, and I know. I am now going on shore to stand a drink to everybody here." CHAPTER XIII. THE PURSUIT OF THE PRESIDENT Next morning five bewildered but hilarious people took the boat for Dover. The poor old Colonel might have had some cause to complain, having been first forced to fight for two factions that didn't exist, and then knocked down with an iron lantern. But he was a magnanimous old gentleman, and being much relieved that neither party had anything to do with dynamite, he saw them off on the pier with great geniality. The five reconciled detectives had a hundred details to explain to each other. The Secretary had to tell Syme how they had come to wear masks originally in order to approach the supposed enemy as fellow-conspirators. Syme had to explain how they had fled with such swiftness through a civilised country. But above all these matters of detail which could be explained, rose the central mountain of the matter that they could not explain. What did it all mean? If they were all harmless officers, what was Sunday? If he had not seized the world, what on earth had he been up to? Inspector Ratcliffe was still gloomy about this. "I can't make head or tail of old Sunday's little game any more than you can," he said. "But whatever else Sunday is, he isn't a blameless citizen. Damn it! do you remember his face?" "I grant you," answered Syme, "that I have never been able to forget it." "Well," said the Secretary, "I suppose we can find out soon, for tomorrow we have our next general meeting. You will excuse me," he said, with a rather ghastly smile, "for being well acquainted with my secretarial duties." "I suppose you are right," said the Professor reflectively. "I suppose we might find it out from him; but I confess that I should feel a bit afraid of asking Sunday who he really is." "Why," asked the Secretary, "for fear of bombs?" "No," said the Professor,<|quote|>"for fear he might tell me."</|quote|>"Let us have some drinks," said Dr. Bull, after a silence. Throughout their whole journey by boat and train they were highly convivial, but they instinctively kept together. Dr. Bull, who had always been the optimist of the party, endeavoured to persuade the other four that the whole company could take the same hansom cab from Victoria; but this was over-ruled, and they went in a four-wheeler, with Dr. Bull on the box, singing. They finished their journey at an hotel in Piccadilly Circus, so as to be close to the early breakfast next morning in Leicester Square. Yet even then the adventures of the day were not entirely over. Dr. Bull, discontented with the general proposal to go to bed, had strolled out of the hotel at about eleven to see and taste some of the beauties of London. Twenty minutes afterwards, however, he came back and made quite a clamour in the hall. Syme, who tried at first to soothe him, was forced at last to listen to his communication with quite new attention. "I tell you I've seen him!" said Dr. Bull, with thick emphasis. "Whom?" asked Syme quickly. "Not the President?" "Not so bad as that," said Dr. Bull, with unnecessary laughter, "not so bad as that. I've got him here." "Got whom here?" asked Syme impatiently. "Hairy man," said the other lucidly, "man that used to be hairy man Gogol. Here he is," and he pulled forward by a reluctant elbow the identical young man who five days before had marched out of the Council with thin red hair and a pale face, the first of all the sham anarchists who had been exposed. "Why do you worry with me?" he cried. "You have expelled me as a spy." "We are all spies!" whispered Syme. "We're all spies!" shouted Dr. Bull. "Come and have a drink." Next morning the battalion of the reunited six marched stolidly towards the hotel in Leicester Square. "This is more cheerful," said Dr. Bull; "we are six men going to ask one man what he means." "I think it is a bit queerer than that," said Syme. "I think it is six men going to ask one man what they mean." They turned in silence into the Square, and though the hotel was in the opposite corner, they saw at once the little balcony and a figure that looked too | you see this lantern?" cried Syme in a terrible voice. "Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind; you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy. It shall go where your empire of apes will never have the wit to find it." He struck the Secretary once with the lantern so that he staggered; and then, whirling it twice round his head, sent it flying far out to sea, where it flared like a roaring rocket and fell. "Swords!" shouted Syme, turning his flaming face to the three behind him. "Let us charge these dogs, for our time has come to die." His three companions came after him sword in hand. Syme's sword was broken, but he rent a bludgeon from the fist of a fisherman, flinging him down. In a moment they would have flung themselves upon the face of the mob and perished, when an interruption came. The Secretary, ever since Syme's speech, had stood with his hand to his stricken head as if dazed; now he suddenly pulled off his black mask. The pale face thus peeled in the lamplight revealed not so much rage as astonishment. He put up his hand with an anxious authority. "There is some mistake," he said. "Mr. Syme, I hardly think you understand your position. I arrest you in the name of the law." "Of the law?" said Syme, and dropped his stick. "Certainly!" said the Secretary. "I am a detective from Scotland Yard," and he took a small blue card from his pocket. "And what do you suppose we are?" asked the Professor, and threw up his arms. "You," said the Secretary stiffly, "are, as I know for a fact, members of the Supreme Anarchist Council. Disguised as one of you, I" Dr. Bull tossed his sword into the sea. "There never was any Supreme Anarchist Council," he said. "We were all a lot of silly policemen looking at each other. And all these nice people who have been peppering us with shot thought we were the dynamiters. I knew I couldn't be wrong about the mob," he said, beaming over the enormous multitude, which stretched away to the distance on both sides. "Vulgar people are never mad. I'm vulgar myself, and I know. I am now going on shore to stand a drink to everybody here." CHAPTER XIII. THE PURSUIT OF THE PRESIDENT Next morning five bewildered but hilarious people took the boat for Dover. The poor old Colonel might have had some cause to complain, having been first forced to fight for two factions that didn't exist, and then knocked down with an iron lantern. But he was a magnanimous old gentleman, and being much relieved that neither party had anything to do with dynamite, he saw them off on the pier with great geniality. The five reconciled detectives had a hundred details to explain to each other. The Secretary had to tell Syme how they had come to wear masks originally in order to approach the supposed enemy as fellow-conspirators. Syme had to explain how they had fled with such swiftness through a civilised country. But above all these matters of detail which could be explained, rose the central mountain of the matter that they could not explain. What did it all mean? If they were all harmless officers, what was Sunday? If he had not seized the world, what on earth had he been up to? Inspector Ratcliffe was still gloomy about this. "I can't make head or tail of old Sunday's little game any more than you can," he said. "But whatever else Sunday is, he isn't a blameless citizen. Damn it! do you remember his face?" "I grant you," answered Syme, "that I have never been able to forget it." "Well," said the Secretary, "I suppose we can find out soon, for tomorrow we have our next general meeting. You will excuse me," he said, with a rather ghastly smile, "for being well acquainted with my secretarial duties." "I suppose you are right," said the Professor reflectively. "I suppose we might find it out from him; but I confess that I should feel a bit afraid of asking Sunday who he really is." "Why," asked the Secretary, "for fear of bombs?" "No," said the Professor,<|quote|>"for fear he might tell me."</|quote|>"Let us have some drinks," said Dr. Bull, after a silence. Throughout their whole journey by boat and train they were highly convivial, but they instinctively kept together. Dr. Bull, who had always been the optimist of the party, endeavoured to persuade the other four that the whole company could take the same hansom cab from Victoria; but this was over-ruled, and they went in a four-wheeler, with Dr. Bull on the box, singing. They finished their journey at an hotel in Piccadilly Circus, so as to be close to the early breakfast next morning in Leicester Square. Yet even then the adventures of the day were not entirely over. Dr. Bull, discontented with the general proposal to go to bed, had strolled out of the hotel at about eleven to see and taste some of the beauties of London. Twenty minutes afterwards, however, he came back and made quite a clamour in the hall. Syme, who tried at first to soothe him, was forced at last to listen to his communication with quite new attention. "I tell you I've seen him!" said Dr. Bull, with thick emphasis. "Whom?" asked Syme quickly. "Not the President?" "Not so bad as that," said Dr. Bull, with unnecessary laughter, "not so bad as that. I've got him here." "Got whom here?" asked Syme impatiently. "Hairy man," said the other lucidly, "man that used to be hairy man Gogol. Here he is," and he pulled forward by a reluctant elbow the identical young man who five days before had marched out of the Council with thin red hair and a pale face, the first of all the sham anarchists who had been exposed. "Why do you worry with me?" he cried. "You have expelled me as a spy." "We are all spies!" whispered Syme. "We're all spies!" shouted Dr. Bull. "Come and have a drink." Next morning the battalion of the reunited six marched stolidly towards the hotel in Leicester Square. "This is more cheerful," said Dr. Bull; "we are six men going to ask one man what he means." "I think it is a bit queerer than that," said Syme. "I think it is six men going to ask one man what they mean." They turned in silence into the Square, and though the hotel was in the opposite corner, they saw at once the little balcony and a figure that looked too big for it. He was sitting alone with bent head, poring over a newspaper. But all his councillors, who had come to vote him down, crossed that Square as if they were watched out of heaven by a hundred eyes. They had disputed much upon their policy, about whether they should leave the unmasked Gogol without and begin diplomatically, or whether they should bring him in and blow up the gunpowder at once. The influence of Syme and Bull prevailed for the latter course, though the Secretary to the last asked them why they attacked Sunday so rashly. "My reason is quite simple," said Syme. "I attack him rashly because I am afraid of him." They followed Syme up the dark stair in silence, and they all came out simultaneously into the broad sunlight of the morning and the broad sunlight of Sunday's smile. "Delightful!" he said. "So pleased to see you all. What an exquisite day it is. Is the Czar dead?" The Secretary, who happened to be foremost, drew himself together for a dignified outburst. "No, sir," he said sternly "there has been no massacre. I bring you news of no such disgusting spectacles." "Disgusting spectacles?" repeated the President, with a bright, inquiring smile. "You mean Dr. Bull's spectacles?" The Secretary choked for a moment, and the President went on with a sort of smooth appeal "Of course, we all have our opinions and even our eyes, but really to call them disgusting before the man himself" Dr. Bull tore off his spectacles and broke them on the table. "My spectacles are blackguardly," he said, "but I'm not. Look at my face." "I dare say it's the sort of face that grows on one," said the President, "in fact, it grows on you; and who am I to quarrel with the wild fruits upon the Tree of Life? I dare say it will grow on me some day." "We have no time for tomfoolery," said the Secretary, breaking in savagely. "We have come to know what all this means. Who are you? What are you? Why did you get us all here? Do you know who and what we are? Are you a half-witted man playing the conspirator, or are you a clever man playing the fool? Answer me, I tell you." "Candidates," murmured Sunday, "are only required to answer eight out of the seventeen questions on the | blue card from his pocket. "And what do you suppose we are?" asked the Professor, and threw up his arms. "You," said the Secretary stiffly, "are, as I know for a fact, members of the Supreme Anarchist Council. Disguised as one of you, I" Dr. Bull tossed his sword into the sea. "There never was any Supreme Anarchist Council," he said. "We were all a lot of silly policemen looking at each other. And all these nice people who have been peppering us with shot thought we were the dynamiters. I knew I couldn't be wrong about the mob," he said, beaming over the enormous multitude, which stretched away to the distance on both sides. "Vulgar people are never mad. I'm vulgar myself, and I know. I am now going on shore to stand a drink to everybody here." CHAPTER XIII. THE PURSUIT OF THE PRESIDENT Next morning five bewildered but hilarious people took the boat for Dover. The poor old Colonel might have had some cause to complain, having been first forced to fight for two factions that didn't exist, and then knocked down with an iron lantern. But he was a magnanimous old gentleman, and being much relieved that neither party had anything to do with dynamite, he saw them off on the pier with great geniality. The five reconciled detectives had a hundred details to explain to each other. The Secretary had to tell Syme how they had come to wear masks originally in order to approach the supposed enemy as fellow-conspirators. Syme had to explain how they had fled with such swiftness through a civilised country. But above all these matters of detail which could be explained, rose the central mountain of the matter that they could not explain. What did it all mean? If they were all harmless officers, what was Sunday? If he had not seized the world, what on earth had he been up to? Inspector Ratcliffe was still gloomy about this. "I can't make head or tail of old Sunday's little game any more than you can," he said. "But whatever else Sunday is, he isn't a blameless citizen. Damn it! do you remember his face?" "I grant you," answered Syme, "that I have never been able to forget it." "Well," said the Secretary, "I suppose we can find out soon, for tomorrow we have our next general meeting. You will excuse me," he said, with a rather ghastly smile, "for being well acquainted with my secretarial duties." "I suppose you are right," said the Professor reflectively. "I suppose we might find it out from him; but I confess that I should feel a bit afraid of asking Sunday who he really is." "Why," asked the Secretary, "for fear of bombs?" "No," said the Professor,<|quote|>"for fear he might tell me."</|quote|>"Let us have some drinks," said Dr. Bull, after a silence. Throughout their whole journey by boat and train they were highly convivial, but they instinctively kept together. Dr. Bull, who had always been the optimist of the party, endeavoured to persuade the other four that the whole company could take the same hansom cab from Victoria; but this was over-ruled, and they went in a four-wheeler, with Dr. Bull on the box, singing. They finished their journey at an hotel in Piccadilly Circus, so as to be close to the early breakfast next morning in Leicester Square. Yet even then the adventures of the day were not entirely over. Dr. Bull, discontented with the general proposal to go to bed, had strolled out of the hotel at about eleven to see and taste some of the beauties of London. Twenty minutes afterwards, however, he came back and made quite a clamour in the hall. Syme, who tried at first to soothe him, was forced at last to listen to his communication with quite new attention. "I tell you I've seen him!" said Dr. Bull, with thick emphasis. "Whom?" asked Syme quickly. "Not the President?" "Not so bad as that," said Dr. Bull, with unnecessary laughter, "not so bad as that. I've got him here." "Got whom here?" asked Syme impatiently. "Hairy man," said the other lucidly, "man that used to be hairy man Gogol. Here he is," and he pulled forward by a reluctant elbow the identical young man who five days before had marched out of the Council with thin red hair and a pale face, the first of all the sham anarchists who had been exposed. "Why do you worry with me?" he cried. "You have expelled me as a spy." "We are all spies!" whispered Syme. "We're all spies!" shouted Dr. Bull. "Come and have a drink." Next morning the battalion of the reunited six marched stolidly towards the hotel in Leicester Square. "This is more cheerful," said Dr. Bull; "we are six men going to ask one man what he means." "I think it is a bit queerer than that," said Syme. "I think it is six men going to ask one man what they mean." They turned in silence into the Square, and though the hotel was in the opposite corner, they saw at once the little balcony and a figure that | The Man Who Was Thursday |
"Does this happen to you often?" | Korolyov | to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her | it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I | "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," | sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I | it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I | victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings | were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his | that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give | The Lady and the Dog and Other Stories (2) |
"I answered." | Mrs. Manson Mingott | the wife of a scoundrel,'<|quote|>"I answered."</|quote|>'Well,' "she says," 'and so | unhappy woman,' "she says." 'She's the wife of a scoundrel,'<|quote|>"I answered."</|quote|>'Well,' "she says," 'and so am I, and yet all | got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call on Regina Beaufort." 'I don't know her; who is she?' "says I." 'She's your grand-niece, and a most unhappy woman,' "she says." 'She's the wife of a scoundrel,'<|quote|>"I answered."</|quote|>'Well,' "she says," 'and so am I, and yet all my family want me to go back to him.' "Well, that floored me, and I let her go; and finally one day she said it was raining too hard to go out on foot, and she wanted me to lend | One at a time, please. Madame Olenska's gone out." He flushed with disappointment, and she went on: "She's gone out, my child: gone in my carriage to see Regina Beaufort." She paused for this announcement to produce its effect. "That's what she's reduced me to already. The day after she got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call on Regina Beaufort." 'I don't know her; who is she?' "says I." 'She's your grand-niece, and a most unhappy woman,' "she says." 'She's the wife of a scoundrel,'<|quote|>"I answered."</|quote|>'Well,' "she says," 'and so am I, and yet all my family want me to go back to him.' "Well, that floored me, and I let her go; and finally one day she said it was raining too hard to go out on foot, and she wanted me to lend her my carriage." 'What for?' "I asked her; and she said:" 'To go and see cousin Regina' "--COUSIN! Now, my dear, I looked out of the window, and saw it wasn't raining a drop; but I understood her, and I let her have the carriage.... After all, Regina's a brave | "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among the cushions: "I always knew you'd back us up, because they never quote you when they talk about its being her duty to go home." He winced a little at her terrifying perspicacity, and longed to ask: "And May--do they quote her?" But he judged it safer to turn the question. "And Madame Olenska? When am I to see her?" he said. The old lady chuckled, crumpled her lids, and went through the pantomime of archness. "Not today. One at a time, please. Madame Olenska's gone out." He flushed with disappointment, and she went on: "She's gone out, my child: gone in my carriage to see Regina Beaufort." She paused for this announcement to produce its effect. "That's what she's reduced me to already. The day after she got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call on Regina Beaufort." 'I don't know her; who is she?' "says I." 'She's your grand-niece, and a most unhappy woman,' "she says." 'She's the wife of a scoundrel,'<|quote|>"I answered."</|quote|>'Well,' "she says," 'and so am I, and yet all my family want me to go back to him.' "Well, that floored me, and I let her go; and finally one day she said it was raining too hard to go out on foot, and she wanted me to lend her my carriage." 'What for?' "I asked her; and she said:" 'To go and see cousin Regina' "--COUSIN! Now, my dear, I looked out of the window, and saw it wasn't raining a drop; but I understood her, and I let her have the carriage.... After all, Regina's a brave woman, and so is she; and I've always liked courage above everything." Archer bent down and pressed his lips on the little hand that still lay on his. "Eh--eh--eh! Whose hand did you think you were kissing, young man--your wife's, I hope?" the old lady snapped out with her mocking cackle; and as he rose to go she called out after him: "Give her her Granny's love; but you'd better not say anything about our talk." XXXI. Archer had been stunned by old Catherine's news. It was only natural that Madame Olenska should have hastened from Washington in response to | my dear, I'm pining to see Newland, and I don't want anybody to share our transports.' For you see, my dear--" she drew her head back as far as its tethering chins permitted, and looked him full in the eyes--" "you see, we shall have a fight yet. The family don't want her here, and they'll say it's because I've been ill, because I'm a weak old woman, that she's persuaded me. I'm not well enough yet to fight them one by one, and you've got to do it for me." "I?" he stammered. "You. Why not?" she jerked back at him, her round eyes suddenly as sharp as pen-knives. Her hand fluttered from its chair-arm and lit on his with a clutch of little pale nails like bird-claws. "Why not?" she searchingly repeated. Archer, under the exposure of her gaze, had recovered his self-possession. "Oh, I don't count--I'm too insignificant." "Well, you're Letterblair's partner, ain't you? You've got to get at them through Letterblair. Unless you've got a reason," she insisted. "Oh, my dear, I back you to hold your own against them all without my help; but you shall have it if you need it," he reassured her. "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among the cushions: "I always knew you'd back us up, because they never quote you when they talk about its being her duty to go home." He winced a little at her terrifying perspicacity, and longed to ask: "And May--do they quote her?" But he judged it safer to turn the question. "And Madame Olenska? When am I to see her?" he said. The old lady chuckled, crumpled her lids, and went through the pantomime of archness. "Not today. One at a time, please. Madame Olenska's gone out." He flushed with disappointment, and she went on: "She's gone out, my child: gone in my carriage to see Regina Beaufort." She paused for this announcement to produce its effect. "That's what she's reduced me to already. The day after she got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call on Regina Beaufort." 'I don't know her; who is she?' "says I." 'She's your grand-niece, and a most unhappy woman,' "she says." 'She's the wife of a scoundrel,'<|quote|>"I answered."</|quote|>'Well,' "she says," 'and so am I, and yet all my family want me to go back to him.' "Well, that floored me, and I let her go; and finally one day she said it was raining too hard to go out on foot, and she wanted me to lend her my carriage." 'What for?' "I asked her; and she said:" 'To go and see cousin Regina' "--COUSIN! Now, my dear, I looked out of the window, and saw it wasn't raining a drop; but I understood her, and I let her have the carriage.... After all, Regina's a brave woman, and so is she; and I've always liked courage above everything." Archer bent down and pressed his lips on the little hand that still lay on his. "Eh--eh--eh! Whose hand did you think you were kissing, young man--your wife's, I hope?" the old lady snapped out with her mocking cackle; and as he rose to go she called out after him: "Give her her Granny's love; but you'd better not say anything about our talk." XXXI. Archer had been stunned by old Catherine's news. It was only natural that Madame Olenska should have hastened from Washington in response to her grandmother's summons; but that she should have decided to remain under her roof--especially now that Mrs. Mingott had almost regained her health--was less easy to explain. Archer was sure that Madame Olenska's decision had not been influenced by the change in her financial situation. He knew the exact figure of the small income which her husband had allowed her at their separation. Without the addition of her grandmother's allowance it was hardly enough to live on, in any sense known to the Mingott vocabulary; and now that Medora Manson, who shared her life, had been ruined, such a pittance would barely keep the two women clothed and fed. Yet Archer was convinced that Madame Olenska had not accepted her grandmother's offer from interested motives. She had the heedless generosity and the spasmodic extravagance of persons used to large fortunes, and indifferent to money; but she could go without many things which her relations considered indispensable, and Mrs. Lovell Mingott and Mrs. Welland had often been heard to deplore that any one who had enjoyed the cosmopolitan luxuries of Count Olenski's establishments should care so little about "how things were done." Moreover, as Archer knew, several months had passed since | five minutes before I'd have gone down on my knees to keep her--if only, for the last twenty years, I'd been able to see where the floor was!" Archer listened in silence, and she went on: "They'd talked me over, as no doubt you know: persuaded me, Lovell, and Letterblair, and Augusta Welland, and all the rest of them, that I must hold out and cut off her allowance, till she was made to see that it was her duty to go back to Olenski. They thought they'd convinced me when the secretary, or whatever he was, came out with the last proposals: handsome proposals I confess they were. After all, marriage is marriage, and money's money--both useful things in their way ... and I didn't know what to answer--" She broke off and drew a long breath, as if speaking had become an effort. "But the minute I laid eyes on her, I said:" 'You sweet bird, you! Shut you up in that cage again? Never!' "And now it's settled that she's to stay here and nurse her Granny as long as there's a Granny to nurse. It's not a gay prospect, but she doesn't mind; and of course I've told Letterblair that she's to be given her proper allowance." The young man heard her with veins aglow; but in his confusion of mind he hardly knew whether her news brought joy or pain. He had so definitely decided on the course he meant to pursue that for the moment he could not readjust his thoughts. But gradually there stole over him the delicious sense of difficulties deferred and opportunities miraculously provided. If Ellen had consented to come and live with her grandmother it must surely be because she had recognised the impossibility of giving him up. This was her answer to his final appeal of the other day: if she would not take the extreme step he had urged, she had at last yielded to half-measures. He sank back into the thought with the involuntary relief of a man who has been ready to risk everything, and suddenly tastes the dangerous sweetness of security. "She couldn't have gone back--it was impossible!" he exclaimed. "Ah, my dear, I always knew you were on her side; and that's why I sent for you today, and why I said to your pretty wife, when she proposed to come with you: 'No, my dear, I'm pining to see Newland, and I don't want anybody to share our transports.' For you see, my dear--" she drew her head back as far as its tethering chins permitted, and looked him full in the eyes--" "you see, we shall have a fight yet. The family don't want her here, and they'll say it's because I've been ill, because I'm a weak old woman, that she's persuaded me. I'm not well enough yet to fight them one by one, and you've got to do it for me." "I?" he stammered. "You. Why not?" she jerked back at him, her round eyes suddenly as sharp as pen-knives. Her hand fluttered from its chair-arm and lit on his with a clutch of little pale nails like bird-claws. "Why not?" she searchingly repeated. Archer, under the exposure of her gaze, had recovered his self-possession. "Oh, I don't count--I'm too insignificant." "Well, you're Letterblair's partner, ain't you? You've got to get at them through Letterblair. Unless you've got a reason," she insisted. "Oh, my dear, I back you to hold your own against them all without my help; but you shall have it if you need it," he reassured her. "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among the cushions: "I always knew you'd back us up, because they never quote you when they talk about its being her duty to go home." He winced a little at her terrifying perspicacity, and longed to ask: "And May--do they quote her?" But he judged it safer to turn the question. "And Madame Olenska? When am I to see her?" he said. The old lady chuckled, crumpled her lids, and went through the pantomime of archness. "Not today. One at a time, please. Madame Olenska's gone out." He flushed with disappointment, and she went on: "She's gone out, my child: gone in my carriage to see Regina Beaufort." She paused for this announcement to produce its effect. "That's what she's reduced me to already. The day after she got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call on Regina Beaufort." 'I don't know her; who is she?' "says I." 'She's your grand-niece, and a most unhappy woman,' "she says." 'She's the wife of a scoundrel,'<|quote|>"I answered."</|quote|>'Well,' "she says," 'and so am I, and yet all my family want me to go back to him.' "Well, that floored me, and I let her go; and finally one day she said it was raining too hard to go out on foot, and she wanted me to lend her my carriage." 'What for?' "I asked her; and she said:" 'To go and see cousin Regina' "--COUSIN! Now, my dear, I looked out of the window, and saw it wasn't raining a drop; but I understood her, and I let her have the carriage.... After all, Regina's a brave woman, and so is she; and I've always liked courage above everything." Archer bent down and pressed his lips on the little hand that still lay on his. "Eh--eh--eh! Whose hand did you think you were kissing, young man--your wife's, I hope?" the old lady snapped out with her mocking cackle; and as he rose to go she called out after him: "Give her her Granny's love; but you'd better not say anything about our talk." XXXI. Archer had been stunned by old Catherine's news. It was only natural that Madame Olenska should have hastened from Washington in response to her grandmother's summons; but that she should have decided to remain under her roof--especially now that Mrs. Mingott had almost regained her health--was less easy to explain. Archer was sure that Madame Olenska's decision had not been influenced by the change in her financial situation. He knew the exact figure of the small income which her husband had allowed her at their separation. Without the addition of her grandmother's allowance it was hardly enough to live on, in any sense known to the Mingott vocabulary; and now that Medora Manson, who shared her life, had been ruined, such a pittance would barely keep the two women clothed and fed. Yet Archer was convinced that Madame Olenska had not accepted her grandmother's offer from interested motives. She had the heedless generosity and the spasmodic extravagance of persons used to large fortunes, and indifferent to money; but she could go without many things which her relations considered indispensable, and Mrs. Lovell Mingott and Mrs. Welland had often been heard to deplore that any one who had enjoyed the cosmopolitan luxuries of Count Olenski's establishments should care so little about "how things were done." Moreover, as Archer knew, several months had passed since her allowance had been cut off; yet in the interval she had made no effort to regain her grandmother's favour. Therefore if she had changed her course it must be for a different reason. He did not have far to seek for that reason. On the way from the ferry she had told him that he and she must remain apart; but she had said it with her head on his breast. He knew that there was no calculated coquetry in her words; she was fighting her fate as he had fought his, and clinging desperately to her resolve that they should not break faith with the people who trusted them. But during the ten days which had elapsed since her return to New York she had perhaps guessed from his silence, and from the fact of his making no attempt to see her, that he was meditating a decisive step, a step from which there was no turning back. At the thought, a sudden fear of her own weakness might have seized her, and she might have felt that, after all, it was better to accept the compromise usual in such cases, and follow the line of least resistance. An hour earlier, when he had rung Mrs. Mingott's bell, Archer had fancied that his path was clear before him. He had meant to have a word alone with Madame Olenska, and failing that, to learn from her grandmother on what day, and by which train, she was returning to Washington. In that train he intended to join her, and travel with her to Washington, or as much farther as she was willing to go. His own fancy inclined to Japan. At any rate she would understand at once that, wherever she went, he was going. He meant to leave a note for May that should cut off any other alternative. He had fancied himself not only nerved for this plunge but eager to take it; yet his first feeling on hearing that the course of events was changed had been one of relief. Now, however, as he walked home from Mrs. Mingott's, he was conscious of a growing distaste for what lay before him. There was nothing unknown or unfamiliar in the path he was presumably to tread; but when he had trodden it before it was as a free man, who was accountable to no one for his | drew her head back as far as its tethering chins permitted, and looked him full in the eyes--" "you see, we shall have a fight yet. The family don't want her here, and they'll say it's because I've been ill, because I'm a weak old woman, that she's persuaded me. I'm not well enough yet to fight them one by one, and you've got to do it for me." "I?" he stammered. "You. Why not?" she jerked back at him, her round eyes suddenly as sharp as pen-knives. Her hand fluttered from its chair-arm and lit on his with a clutch of little pale nails like bird-claws. "Why not?" she searchingly repeated. Archer, under the exposure of her gaze, had recovered his self-possession. "Oh, I don't count--I'm too insignificant." "Well, you're Letterblair's partner, ain't you? You've got to get at them through Letterblair. Unless you've got a reason," she insisted. "Oh, my dear, I back you to hold your own against them all without my help; but you shall have it if you need it," he reassured her. "Then we're safe!" she sighed; and smiling on him with all her ancient cunning she added, as she settled her head among the cushions: "I always knew you'd back us up, because they never quote you when they talk about its being her duty to go home." He winced a little at her terrifying perspicacity, and longed to ask: "And May--do they quote her?" But he judged it safer to turn the question. "And Madame Olenska? When am I to see her?" he said. The old lady chuckled, crumpled her lids, and went through the pantomime of archness. "Not today. One at a time, please. Madame Olenska's gone out." He flushed with disappointment, and she went on: "She's gone out, my child: gone in my carriage to see Regina Beaufort." She paused for this announcement to produce its effect. "That's what she's reduced me to already. The day after she got here she put on her best bonnet, and told me, as cool as a cucumber, that she was going to call on Regina Beaufort." 'I don't know her; who is she?' "says I." 'She's your grand-niece, and a most unhappy woman,' "she says." 'She's the wife of a scoundrel,'<|quote|>"I answered."</|quote|>'Well,' "she says," 'and so am I, and yet all my family want me to go back to him.' "Well, that floored me, and I let her go; and finally one day she said it was raining too hard to go out on foot, and she wanted me to lend her my carriage." 'What for?' "I asked her; and she said:" 'To go and see cousin Regina' "--COUSIN! Now, my dear, I looked out of the window, and saw it wasn't raining a drop; but I understood her, and I let her have the carriage.... After all, Regina's a brave woman, and so is she; and I've always liked courage above everything." Archer bent down and pressed his lips on the little hand that still lay on his. "Eh--eh--eh! Whose hand did you think you were kissing, young man--your wife's, I hope?" the old lady snapped out with her mocking cackle; and as he rose to go she called out after him: "Give her her Granny's love; but you'd better not say anything about our talk." XXXI. Archer had been stunned by old Catherine's news. It was only natural that Madame Olenska should have hastened from Washington in response to her grandmother's summons; but that she should have decided to remain under her roof--especially now that Mrs. Mingott had almost regained her health--was less easy to explain. Archer was sure that Madame Olenska's decision had | The Age Of Innocence |
"Well, then...?" | Brenda | "I hated her like hell."<|quote|>"Well, then...?"</|quote|>"Oh, it doesn't matter. I | think you liked her much." "I hated her like hell."<|quote|>"Well, then...?"</|quote|>"Oh, it doesn't matter. I suppose you must go back | staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell."<|quote|>"Well, then...?"</|quote|>"Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I | boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell."<|quote|>"Well, then...?"</|quote|>"Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet | What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell."<|quote|>"Well, then...?"</|quote|>"Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and | a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell."<|quote|>"Well, then...?"</|quote|>"Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please | "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell."<|quote|>"Well, then...?"</|quote|>"Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy | * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell."<|quote|>"Well, then...?"</|quote|>"Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. | A Handful Of Dust |
and sat lumberingly down again. | No speaker | Comrade Gregory be elected Thursday,"<|quote|>and sat lumberingly down again.</|quote|>"Does anyone second?" asked the | and said "I move that Comrade Gregory be elected Thursday,"<|quote|>and sat lumberingly down again.</|quote|>"Does anyone second?" asked the chairman. A little man with | his virtue and his innocence." There was a stir of almost inaudible applause, such as is sometimes heard in church. Then a large old man, with a long and venerable white beard, perhaps the only real working-man present, rose lumberingly and said "I move that Comrade Gregory be elected Thursday,"<|quote|>and sat lumberingly down again.</|quote|>"Does anyone second?" asked the chairman. A little man with a velvet coat and pointed beard seconded. "Before I put the matter to the vote," said the chairman, "I will call on Comrade Gregory to make a statement." Gregory rose amid a great rumble of applause. His face was deadly | present the man who shall be Thursday. If any comrade suggests a name I will put it to the vote. If no comrade suggests a name, I can only tell myself that that dear dynamiter, who is gone from us, has carried into the unknowable abysses the last secret of his virtue and his innocence." There was a stir of almost inaudible applause, such as is sometimes heard in church. Then a large old man, with a long and venerable white beard, perhaps the only real working-man present, rose lumberingly and said "I move that Comrade Gregory be elected Thursday,"<|quote|>and sat lumberingly down again.</|quote|>"Does anyone second?" asked the chairman. A little man with a velvet coat and pointed beard seconded. "Before I put the matter to the vote," said the chairman, "I will call on Comrade Gregory to make a statement." Gregory rose amid a great rumble of applause. His face was deadly pale, so that by contrast his queer red hair looked almost scarlet. But he was smiling and altogether at ease. He had made up his mind, and he saw his best policy quite plain in front of him like a white road. His best chance was to make a softened | pier. As you also know, his death was as self-denying as his life, for he died through his faith in a hygienic mixture of chalk and water as a substitute for milk, which beverage he regarded as barbaric, and as involving cruelty to the cow. Cruelty, or anything approaching to cruelty, revolted him always. But it is not to acclaim his virtues that we are met, but for a harder task. It is difficult properly to praise his qualities, but it is more difficult to replace them. Upon you, comrades, it devolves this evening to choose out of the company present the man who shall be Thursday. If any comrade suggests a name I will put it to the vote. If no comrade suggests a name, I can only tell myself that that dear dynamiter, who is gone from us, has carried into the unknowable abysses the last secret of his virtue and his innocence." There was a stir of almost inaudible applause, such as is sometimes heard in church. Then a large old man, with a long and venerable white beard, perhaps the only real working-man present, rose lumberingly and said "I move that Comrade Gregory be elected Thursday,"<|quote|>and sat lumberingly down again.</|quote|>"Does anyone second?" asked the chairman. A little man with a velvet coat and pointed beard seconded. "Before I put the matter to the vote," said the chairman, "I will call on Comrade Gregory to make a statement." Gregory rose amid a great rumble of applause. His face was deadly pale, so that by contrast his queer red hair looked almost scarlet. But he was smiling and altogether at ease. He had made up his mind, and he saw his best policy quite plain in front of him like a white road. His best chance was to make a softened and ambiguous speech, such as would leave on the detective's mind the impression that the anarchist brotherhood was a very mild affair after all. He believed in his own literary power, his capacity for suggesting fine shades and picking perfect words. He thought that with care he could succeed, in spite of all the people around him, in conveying an impression of the institution, subtly and delicately false. Syme had once thought that anarchists, under all their bravado, were only playing the fool. Could he not now, in the hour of peril, make Syme think so again? "Comrades," began Gregory, | all obligation of secrecy, a Syme who would simply walk to the nearest police station. After all, it was only one night's discussion, and only one detective who would know of it. He would let out as little as possible of their plans that night, and then let Syme go, and chance it. He strode across to the group of anarchists, which was already distributing itself along the benches. "I think it is time we began," he said; "the steam-tug is waiting on the river already. I move that Comrade Buttons takes the chair." This being approved by a show of hands, the little man with the papers slipped into the presidential seat. "Comrades," he began, as sharp as a pistol-shot, "our meeting tonight is important, though it need not be long. This branch has always had the honour of electing Thursdays for the Central European Council. We have elected many and splendid Thursdays. We all lament the sad decease of the heroic worker who occupied the post until last week. As you know, his services to the cause were considerable. He organised the great dynamite coup of Brighton which, under happier circumstances, ought to have killed everybody on the pier. As you also know, his death was as self-denying as his life, for he died through his faith in a hygienic mixture of chalk and water as a substitute for milk, which beverage he regarded as barbaric, and as involving cruelty to the cow. Cruelty, or anything approaching to cruelty, revolted him always. But it is not to acclaim his virtues that we are met, but for a harder task. It is difficult properly to praise his qualities, but it is more difficult to replace them. Upon you, comrades, it devolves this evening to choose out of the company present the man who shall be Thursday. If any comrade suggests a name I will put it to the vote. If no comrade suggests a name, I can only tell myself that that dear dynamiter, who is gone from us, has carried into the unknowable abysses the last secret of his virtue and his innocence." There was a stir of almost inaudible applause, such as is sometimes heard in church. Then a large old man, with a long and venerable white beard, perhaps the only real working-man present, rose lumberingly and said "I move that Comrade Gregory be elected Thursday,"<|quote|>and sat lumberingly down again.</|quote|>"Does anyone second?" asked the chairman. A little man with a velvet coat and pointed beard seconded. "Before I put the matter to the vote," said the chairman, "I will call on Comrade Gregory to make a statement." Gregory rose amid a great rumble of applause. His face was deadly pale, so that by contrast his queer red hair looked almost scarlet. But he was smiling and altogether at ease. He had made up his mind, and he saw his best policy quite plain in front of him like a white road. His best chance was to make a softened and ambiguous speech, such as would leave on the detective's mind the impression that the anarchist brotherhood was a very mild affair after all. He believed in his own literary power, his capacity for suggesting fine shades and picking perfect words. He thought that with care he could succeed, in spite of all the people around him, in conveying an impression of the institution, subtly and delicately false. Syme had once thought that anarchists, under all their bravado, were only playing the fool. Could he not now, in the hour of peril, make Syme think so again? "Comrades," began Gregory, in a low but penetrating voice, "it is not necessary for me to tell you what is my policy, for it is your policy also. Our belief has been slandered, it has been disfigured, it has been utterly confused and concealed, but it has never been altered. Those who talk about anarchism and its dangers go everywhere and anywhere to get their information, except to us, except to the fountain head. They learn about anarchists from sixpenny novels; they learn about anarchists from tradesmen's newspapers; they learn about anarchists from _Ally Sloper's Half-Holiday_ and the _Sporting Times_. They never learn about anarchists from anarchists. We have no chance of denying the mountainous slanders which are heaped upon our heads from one end of Europe to another. The man who has always heard that we are walking plagues has never heard our reply. I know that he will not hear it tonight, though my passion were to rend the roof. For it is deep, deep under the earth that the persecuted are permitted to assemble, as the Christians assembled in the Catacombs. But if, by some incredible accident, there were here tonight a man who all his life had thus immensely | believe in immortality," he said at last, "but if, after all this, you were to break your word, God would make a hell only for you, to howl in for ever." "I shall not break my word," said Syme sternly, "nor will you break yours. Here are your friends." The mass of the anarchists entered the room heavily, with a slouching and somewhat weary gait; but one little man, with a black beard and glasses a man somewhat of the type of Mr. Tim Healy detached himself, and bustled forward with some papers in his hand. "Comrade Gregory," he said, "I suppose this man is a delegate?" Gregory, taken by surprise, looked down and muttered the name of Syme; but Syme replied almost pertly "I am glad to see that your gate is well enough guarded to make it hard for anyone to be here who was not a delegate." The brow of the little man with the black beard was, however, still contracted with something like suspicion. "What branch do you represent?" he asked sharply. "I should hardly call it a branch," said Syme, laughing; "I should call it at the very least a root." "What do you mean?" "The fact is," said Syme serenely, "the truth is I am a Sabbatarian. I have been specially sent here to see that you show a due observance of Sunday." The little man dropped one of his papers, and a flicker of fear went over all the faces of the group. Evidently the awful President, whose name was Sunday, did sometimes send down such irregular ambassadors to such branch meetings. "Well, comrade," said the man with the papers after a pause, "I suppose we'd better give you a seat in the meeting?" "If you ask my advice as a friend," said Syme with severe benevolence, "I think you'd better." When Gregory heard the dangerous dialogue end, with a sudden safety for his rival, he rose abruptly and paced the floor in painful thought. He was, indeed, in an agony of diplomacy. It was clear that Syme's inspired impudence was likely to bring him out of all merely accidental dilemmas. Little was to be hoped from them. He could not himself betray Syme, partly from honour, but partly also because, if he betrayed him and for some reason failed to destroy him, the Syme who escaped would be a Syme freed from all obligation of secrecy, a Syme who would simply walk to the nearest police station. After all, it was only one night's discussion, and only one detective who would know of it. He would let out as little as possible of their plans that night, and then let Syme go, and chance it. He strode across to the group of anarchists, which was already distributing itself along the benches. "I think it is time we began," he said; "the steam-tug is waiting on the river already. I move that Comrade Buttons takes the chair." This being approved by a show of hands, the little man with the papers slipped into the presidential seat. "Comrades," he began, as sharp as a pistol-shot, "our meeting tonight is important, though it need not be long. This branch has always had the honour of electing Thursdays for the Central European Council. We have elected many and splendid Thursdays. We all lament the sad decease of the heroic worker who occupied the post until last week. As you know, his services to the cause were considerable. He organised the great dynamite coup of Brighton which, under happier circumstances, ought to have killed everybody on the pier. As you also know, his death was as self-denying as his life, for he died through his faith in a hygienic mixture of chalk and water as a substitute for milk, which beverage he regarded as barbaric, and as involving cruelty to the cow. Cruelty, or anything approaching to cruelty, revolted him always. But it is not to acclaim his virtues that we are met, but for a harder task. It is difficult properly to praise his qualities, but it is more difficult to replace them. Upon you, comrades, it devolves this evening to choose out of the company present the man who shall be Thursday. If any comrade suggests a name I will put it to the vote. If no comrade suggests a name, I can only tell myself that that dear dynamiter, who is gone from us, has carried into the unknowable abysses the last secret of his virtue and his innocence." There was a stir of almost inaudible applause, such as is sometimes heard in church. Then a large old man, with a long and venerable white beard, perhaps the only real working-man present, rose lumberingly and said "I move that Comrade Gregory be elected Thursday,"<|quote|>and sat lumberingly down again.</|quote|>"Does anyone second?" asked the chairman. A little man with a velvet coat and pointed beard seconded. "Before I put the matter to the vote," said the chairman, "I will call on Comrade Gregory to make a statement." Gregory rose amid a great rumble of applause. His face was deadly pale, so that by contrast his queer red hair looked almost scarlet. But he was smiling and altogether at ease. He had made up his mind, and he saw his best policy quite plain in front of him like a white road. His best chance was to make a softened and ambiguous speech, such as would leave on the detective's mind the impression that the anarchist brotherhood was a very mild affair after all. He believed in his own literary power, his capacity for suggesting fine shades and picking perfect words. He thought that with care he could succeed, in spite of all the people around him, in conveying an impression of the institution, subtly and delicately false. Syme had once thought that anarchists, under all their bravado, were only playing the fool. Could he not now, in the hour of peril, make Syme think so again? "Comrades," began Gregory, in a low but penetrating voice, "it is not necessary for me to tell you what is my policy, for it is your policy also. Our belief has been slandered, it has been disfigured, it has been utterly confused and concealed, but it has never been altered. Those who talk about anarchism and its dangers go everywhere and anywhere to get their information, except to us, except to the fountain head. They learn about anarchists from sixpenny novels; they learn about anarchists from tradesmen's newspapers; they learn about anarchists from _Ally Sloper's Half-Holiday_ and the _Sporting Times_. They never learn about anarchists from anarchists. We have no chance of denying the mountainous slanders which are heaped upon our heads from one end of Europe to another. The man who has always heard that we are walking plagues has never heard our reply. I know that he will not hear it tonight, though my passion were to rend the roof. For it is deep, deep under the earth that the persecuted are permitted to assemble, as the Christians assembled in the Catacombs. But if, by some incredible accident, there were here tonight a man who all his life had thus immensely misunderstood us, I would put this question to him: When those Christians met in those Catacombs, what sort of moral reputation had they in the streets above? What tales were told of their atrocities by one educated Roman to another? Suppose' (I would say to him), suppose that we are only repeating that still mysterious paradox of history. Suppose we seem as shocking as the Christians because we are really as harmless as the Christians. Suppose we seem as mad as the Christians because we are really as meek." "' The applause that had greeted the opening sentences had been gradually growing fainter, and at the last word it stopped suddenly. In the abrupt silence, the man with the velvet jacket said, in a high, squeaky voice "I'm not meek!" "Comrade Witherspoon tells us," resumed Gregory, "that he is not meek. Ah, how little he knows himself! His words are, indeed, extravagant; his appearance is ferocious, and even (to an ordinary taste) unattractive. But only the eye of a friendship as deep and delicate as mine can perceive the deep foundation of solid meekness which lies at the base of him, too deep even for himself to see. I repeat, we are the true early Christians, only that we come too late. We are simple, as they revere simple look at Comrade Witherspoon. We are modest, as they were modest look at me. We are merciful" "No, no!" called out Mr. Witherspoon with the velvet jacket. "I say we are merciful," repeated Gregory furiously, "as the early Christians were merciful. Yet this did not prevent their being accused of eating human flesh. We do not eat human flesh" "Shame!" cried Witherspoon. "Why not?" "Comrade Witherspoon," said Gregory, with a feverish gaiety, "is anxious to know why nobody eats him" (laughter). "In our society, at any rate, which loves him sincerely, which is founded upon love" "No, no!" said Witherspoon, "down with love." "Which is founded upon love," repeated Gregory, grinding his teeth, "there will be no difficulty about the aims which we shall pursue as a body, or which I should pursue were I chosen as the representative of that body. Superbly careless of the slanders that represent us as assassins and enemies of human society, we shall pursue with moral courage and quiet intellectual pressure, the permanent ideals of brotherhood and simplicity." Gregory resumed his seat and passed his | of it. He would let out as little as possible of their plans that night, and then let Syme go, and chance it. He strode across to the group of anarchists, which was already distributing itself along the benches. "I think it is time we began," he said; "the steam-tug is waiting on the river already. I move that Comrade Buttons takes the chair." This being approved by a show of hands, the little man with the papers slipped into the presidential seat. "Comrades," he began, as sharp as a pistol-shot, "our meeting tonight is important, though it need not be long. This branch has always had the honour of electing Thursdays for the Central European Council. We have elected many and splendid Thursdays. We all lament the sad decease of the heroic worker who occupied the post until last week. As you know, his services to the cause were considerable. He organised the great dynamite coup of Brighton which, under happier circumstances, ought to have killed everybody on the pier. As you also know, his death was as self-denying as his life, for he died through his faith in a hygienic mixture of chalk and water as a substitute for milk, which beverage he regarded as barbaric, and as involving cruelty to the cow. Cruelty, or anything approaching to cruelty, revolted him always. But it is not to acclaim his virtues that we are met, but for a harder task. It is difficult properly to praise his qualities, but it is more difficult to replace them. Upon you, comrades, it devolves this evening to choose out of the company present the man who shall be Thursday. If any comrade suggests a name I will put it to the vote. If no comrade suggests a name, I can only tell myself that that dear dynamiter, who is gone from us, has carried into the unknowable abysses the last secret of his virtue and his innocence." There was a stir of almost inaudible applause, such as is sometimes heard in church. Then a large old man, with a long and venerable white beard, perhaps the only real working-man present, rose lumberingly and said "I move that Comrade Gregory be elected Thursday,"<|quote|>and sat lumberingly down again.</|quote|>"Does anyone second?" asked the chairman. A little man with a velvet coat and pointed beard seconded. "Before I put the matter to the vote," said the chairman, "I will call on Comrade Gregory to make a statement." Gregory rose amid a great rumble of applause. His face was deadly pale, so that by contrast his queer red hair looked almost scarlet. But he was smiling and altogether at ease. He had made up his mind, and he saw his best policy quite plain in front of him like a white road. His best chance was to make a softened and ambiguous speech, such as would leave on the detective's mind the impression that the anarchist brotherhood was a very mild affair after all. He believed in his own literary power, his capacity for suggesting fine shades and picking perfect words. He thought that with care he could succeed, in spite of all the people around him, in conveying an impression of the institution, subtly and delicately false. Syme had once thought that anarchists, under all their bravado, were only playing the fool. Could he not now, in the hour of peril, make Syme think so again? "Comrades," began Gregory, in a low but penetrating voice, "it is not necessary for me to tell you what is my policy, for it is your policy also. Our belief has been slandered, it has been disfigured, it has been utterly confused and concealed, but it has never been altered. Those who talk about anarchism and its dangers go everywhere and anywhere to get their information, except to us, except to the fountain head. They learn about anarchists from sixpenny novels; they learn about anarchists from tradesmen's newspapers; they learn about anarchists from _Ally Sloper's Half-Holiday_ and the _Sporting Times_. They never learn about anarchists from anarchists. We have no chance of denying the mountainous slanders which are heaped upon our heads from one end of Europe to another. The man who has always heard that we are walking plagues has never heard our reply. I know that he will not hear it tonight, though my passion were to rend the roof. For it is deep, deep under the earth that the persecuted are permitted to assemble, as the Christians assembled in the Catacombs. But if, by some incredible accident, there were here tonight a man who all his life had thus immensely misunderstood us, I would put this question to him: When those Christians met in those Catacombs, what sort of moral reputation | The Man Who Was Thursday |
"You are not to say stink," | Helen | my brother-in-law, collected many tadpoles--"<|quote|>"You are not to say stink,"</|quote|>interrupted Helen; "at least, you | than salt? Why, then Victor, my brother-in-law, collected many tadpoles--"<|quote|>"You are not to say stink,"</|quote|>interrupted Helen; "at least, you may say it, but you | different. Salt water ought to have tides, and go up and down a great deal, or else it smells. Look, for instance, at an aquarium." "An aquarium! Oh, MEESIS Munt, you mean to tell me that fresh aquariums stink less than salt? Why, then Victor, my brother-in-law, collected many tadpoles--"<|quote|>"You are not to say stink,"</|quote|>interrupted Helen; "at least, you may say it, but you must pretend you are being funny while you say it." "Then smell. And the mud of your Pool down there--does it not smell, or may I say stink, ha, ha?" "There always has been mud in Poole Harbour," said Mrs. | Bad, Rugen, where beech-trees hang over the tideless Baltic, and cows may contemplate the brine. Rather unhealthy Mrs. Munt thought this would be, water being safer when it moved about. "And your English lakes--Vindermere, Grasmere they, then, unhealthy?" "No, Frau Liesecke; but that is because they are fresh water, and different. Salt water ought to have tides, and go up and down a great deal, or else it smells. Look, for instance, at an aquarium." "An aquarium! Oh, MEESIS Munt, you mean to tell me that fresh aquariums stink less than salt? Why, then Victor, my brother-in-law, collected many tadpoles--"<|quote|>"You are not to say stink,"</|quote|>interrupted Helen; "at least, you may say it, but you must pretend you are being funny while you say it." "Then smell. And the mud of your Pool down there--does it not smell, or may I say stink, ha, ha?" "There always has been mud in Poole Harbour," said Mrs. Munt, with a slight frown. "The rivers bring it down, and a most valuable oyster-fishery depends upon it." "Yes, that is so," conceded Frieda; and another international incident was closed. "Bournemouth is," resumed their hostess, quoting a local rhyme to which she was much attached--" "Bournemouth is, Poole was, and | working beneath that lucent sky to what final end! The reason fails, like a wave on the Swanage beach; the imagination swells, spreads, and deepens, until it becomes geographic and encircles England. So Frieda Mosebach, now Frau Architect Liesecke, and mother to her husband s baby, was brought up to these heights to be impressed, and, after a prolonged gaze, she said that the hills were more swelling here than in Pomerania, which was true, but did not seem to Mrs. Munt apposite. Poole Harbour was dry, which led her to praise the absence of muddy foreshore at Friedrich Wilhelms Bad, Rugen, where beech-trees hang over the tideless Baltic, and cows may contemplate the brine. Rather unhealthy Mrs. Munt thought this would be, water being safer when it moved about. "And your English lakes--Vindermere, Grasmere they, then, unhealthy?" "No, Frau Liesecke; but that is because they are fresh water, and different. Salt water ought to have tides, and go up and down a great deal, or else it smells. Look, for instance, at an aquarium." "An aquarium! Oh, MEESIS Munt, you mean to tell me that fresh aquariums stink less than salt? Why, then Victor, my brother-in-law, collected many tadpoles--"<|quote|>"You are not to say stink,"</|quote|>interrupted Helen; "at least, you may say it, but you must pretend you are being funny while you say it." "Then smell. And the mud of your Pool down there--does it not smell, or may I say stink, ha, ha?" "There always has been mud in Poole Harbour," said Mrs. Munt, with a slight frown. "The rivers bring it down, and a most valuable oyster-fishery depends upon it." "Yes, that is so," conceded Frieda; and another international incident was closed. "Bournemouth is," resumed their hostess, quoting a local rhyme to which she was much attached--" "Bournemouth is, Poole was, and Swanage is to be the most important town of all and biggest of the three. Now, Frau Liesecke, I have shown you Bournemouth, and I have shown you Poole, so let us walk backward a little, and look down again at Swanage." "Aunt Juley, wouldn t that be Meg s train?" A tiny puff of smoke had been circling the harbour, and now was bearing southwards towards them over the black and the gold. "Oh, dearest Margaret, I do hope she won t be overtired." "Oh, I do wonder--I do wonder whether she s taken the house." "I hope she | Avon--invisible, but far to the north the trained eye may see Clearbury Ring that guards it, and the imagination may leap beyond that on to Salisbury Plain itself, and beyond the Plain to all the glorious downs of Central England. Nor is Suburbia absent. Bournemouth s ignoble coast cowers to the right, heralding the pine-trees that mean, for all their beauty, red houses, and the Stock Exchange, and extend to the gates of London itself. So tremendous is the City s trail! But the cliffs of Freshwater it shall never touch, and the island will guard the Island s purity till the end of time. Seen from the west the Wight is beautiful beyond all laws of beauty. It is as if a fragment of England floated forward to greet the foreigner--chalk of our chalk, turf of our turf, epitome of what will follow. And behind the fragment lies Southampton, hostess to the nations, and Portsmouth, a latent fire, and all around it, with double and treble collision of tides, swirls the sea. How many villages appear in this view! How many castles! How many churches, vanished or triumphant! How many ships, railways, and roads! What incredible variety of men working beneath that lucent sky to what final end! The reason fails, like a wave on the Swanage beach; the imagination swells, spreads, and deepens, until it becomes geographic and encircles England. So Frieda Mosebach, now Frau Architect Liesecke, and mother to her husband s baby, was brought up to these heights to be impressed, and, after a prolonged gaze, she said that the hills were more swelling here than in Pomerania, which was true, but did not seem to Mrs. Munt apposite. Poole Harbour was dry, which led her to praise the absence of muddy foreshore at Friedrich Wilhelms Bad, Rugen, where beech-trees hang over the tideless Baltic, and cows may contemplate the brine. Rather unhealthy Mrs. Munt thought this would be, water being safer when it moved about. "And your English lakes--Vindermere, Grasmere they, then, unhealthy?" "No, Frau Liesecke; but that is because they are fresh water, and different. Salt water ought to have tides, and go up and down a great deal, or else it smells. Look, for instance, at an aquarium." "An aquarium! Oh, MEESIS Munt, you mean to tell me that fresh aquariums stink less than salt? Why, then Victor, my brother-in-law, collected many tadpoles--"<|quote|>"You are not to say stink,"</|quote|>interrupted Helen; "at least, you may say it, but you must pretend you are being funny while you say it." "Then smell. And the mud of your Pool down there--does it not smell, or may I say stink, ha, ha?" "There always has been mud in Poole Harbour," said Mrs. Munt, with a slight frown. "The rivers bring it down, and a most valuable oyster-fishery depends upon it." "Yes, that is so," conceded Frieda; and another international incident was closed. "Bournemouth is," resumed their hostess, quoting a local rhyme to which she was much attached--" "Bournemouth is, Poole was, and Swanage is to be the most important town of all and biggest of the three. Now, Frau Liesecke, I have shown you Bournemouth, and I have shown you Poole, so let us walk backward a little, and look down again at Swanage." "Aunt Juley, wouldn t that be Meg s train?" A tiny puff of smoke had been circling the harbour, and now was bearing southwards towards them over the black and the gold. "Oh, dearest Margaret, I do hope she won t be overtired." "Oh, I do wonder--I do wonder whether she s taken the house." "I hope she hasn t been hasty." "So do I--oh, SO do I." "Will it be as beautiful as Wickham Place?" Frieda asked. "I should think it would. Trust Mr. Wilcox for doing himself proud. All those Ducie Street houses are beautiful in their modern way, and I can t think why he doesn t keep on with it. But it s really for Evie that he went there, and now that Evie s going to be married--" "Ah!" "You ve never seen Miss Wilcox, Frieda. How absurdly matrimonial you are!" "But sister to that Paul?" "Yes." "And to that Charles," said Mrs. Munt with feeling. "Oh, Helen, Helen, what a time that was!" Helen laughed. "Meg and I haven t got such tender hearts. If there s a chance of a cheap house, we go for it." "Now look, Frau Liesecke, at my niece s train. You see, it is coming towards us--coming, coming; and, when it gets to Corfe, it will actually go THROUGH the downs, on which we are standing, so that, if we walk over, as I suggested, and look down on Swanage, we shall see it coming on the other side. Shall we?" Frieda assented, and in a | standing should take her seriously. As she sat, trying to do accounts in her empty house, amidst beautiful pictures and noble books, waves of emotion broke, as if a tide of passion was flowing through the night air. She shook her head, tried to concentrate her attention, and failed. In vain did she repeat: "But I ve been through this sort of thing before." She had never been through it; the big machinery, as opposed to the little, had been set in motion, and the idea that Mr. Wilcox loved, obsessed her before she came to love him in return. She would come to no decision yet. "Oh, sir, this is so sudden"--that prudish phrase exactly expressed her when her time came. Premonitions are not preparation. She must examine more closely her own nature and his; she must talk it over judicially with Helen. It had been a strange love-scene--the central radiance unacknowledged from first to last. She, in his place, would have said Ich liebe dich, but perhaps it was not his habit to open the heart. He might have done it if she had pressed him--as a matter of duty, perhaps; England expects every man to open his heart once; but the effort would have jarred him, and never, if she could avoid it, should he lose those defences that he had chosen to raise against the world. He must never be bothered with emotional talk, or with a display of sympathy. He was an elderly man now, and it would be futile and impudent to correct him. Mrs. Wilcox strayed in and out, ever a welcome ghost; surveying the scene, thought Margaret, without one hint of bitterness. CHAPTER XIX If one wanted to show a foreigner England, perhaps the wisest course would be to take him to the final section of the Purbeck Hills, and stand him on their summit, a few miles to the east of Corfe. Then system after system of our island would roll together under his feet. Beneath him is the valley of the Frome, and all the wild lands that come tossing down from Dorchester, black and gold, to mirror their gorse in the expanses of Poole. The valley of the Stour is beyond, unaccountable stream, dirty at Blandford, pure at Wimborne--the Stour, sliding out of fat fields, to marry the Avon beneath the tower of Christ church. The valley of the Avon--invisible, but far to the north the trained eye may see Clearbury Ring that guards it, and the imagination may leap beyond that on to Salisbury Plain itself, and beyond the Plain to all the glorious downs of Central England. Nor is Suburbia absent. Bournemouth s ignoble coast cowers to the right, heralding the pine-trees that mean, for all their beauty, red houses, and the Stock Exchange, and extend to the gates of London itself. So tremendous is the City s trail! But the cliffs of Freshwater it shall never touch, and the island will guard the Island s purity till the end of time. Seen from the west the Wight is beautiful beyond all laws of beauty. It is as if a fragment of England floated forward to greet the foreigner--chalk of our chalk, turf of our turf, epitome of what will follow. And behind the fragment lies Southampton, hostess to the nations, and Portsmouth, a latent fire, and all around it, with double and treble collision of tides, swirls the sea. How many villages appear in this view! How many castles! How many churches, vanished or triumphant! How many ships, railways, and roads! What incredible variety of men working beneath that lucent sky to what final end! The reason fails, like a wave on the Swanage beach; the imagination swells, spreads, and deepens, until it becomes geographic and encircles England. So Frieda Mosebach, now Frau Architect Liesecke, and mother to her husband s baby, was brought up to these heights to be impressed, and, after a prolonged gaze, she said that the hills were more swelling here than in Pomerania, which was true, but did not seem to Mrs. Munt apposite. Poole Harbour was dry, which led her to praise the absence of muddy foreshore at Friedrich Wilhelms Bad, Rugen, where beech-trees hang over the tideless Baltic, and cows may contemplate the brine. Rather unhealthy Mrs. Munt thought this would be, water being safer when it moved about. "And your English lakes--Vindermere, Grasmere they, then, unhealthy?" "No, Frau Liesecke; but that is because they are fresh water, and different. Salt water ought to have tides, and go up and down a great deal, or else it smells. Look, for instance, at an aquarium." "An aquarium! Oh, MEESIS Munt, you mean to tell me that fresh aquariums stink less than salt? Why, then Victor, my brother-in-law, collected many tadpoles--"<|quote|>"You are not to say stink,"</|quote|>interrupted Helen; "at least, you may say it, but you must pretend you are being funny while you say it." "Then smell. And the mud of your Pool down there--does it not smell, or may I say stink, ha, ha?" "There always has been mud in Poole Harbour," said Mrs. Munt, with a slight frown. "The rivers bring it down, and a most valuable oyster-fishery depends upon it." "Yes, that is so," conceded Frieda; and another international incident was closed. "Bournemouth is," resumed their hostess, quoting a local rhyme to which she was much attached--" "Bournemouth is, Poole was, and Swanage is to be the most important town of all and biggest of the three. Now, Frau Liesecke, I have shown you Bournemouth, and I have shown you Poole, so let us walk backward a little, and look down again at Swanage." "Aunt Juley, wouldn t that be Meg s train?" A tiny puff of smoke had been circling the harbour, and now was bearing southwards towards them over the black and the gold. "Oh, dearest Margaret, I do hope she won t be overtired." "Oh, I do wonder--I do wonder whether she s taken the house." "I hope she hasn t been hasty." "So do I--oh, SO do I." "Will it be as beautiful as Wickham Place?" Frieda asked. "I should think it would. Trust Mr. Wilcox for doing himself proud. All those Ducie Street houses are beautiful in their modern way, and I can t think why he doesn t keep on with it. But it s really for Evie that he went there, and now that Evie s going to be married--" "Ah!" "You ve never seen Miss Wilcox, Frieda. How absurdly matrimonial you are!" "But sister to that Paul?" "Yes." "And to that Charles," said Mrs. Munt with feeling. "Oh, Helen, Helen, what a time that was!" Helen laughed. "Meg and I haven t got such tender hearts. If there s a chance of a cheap house, we go for it." "Now look, Frau Liesecke, at my niece s train. You see, it is coming towards us--coming, coming; and, when it gets to Corfe, it will actually go THROUGH the downs, on which we are standing, so that, if we walk over, as I suggested, and look down on Swanage, we shall see it coming on the other side. Shall we?" Frieda assented, and in a few minutes they had crossed the ridge and exchanged the greater view for the lesser. Rather a dull valley lay below, backed by the slope of the coastward downs. They were looking across the Isle of Purbeck and on to Swanage, soon to be the most important town of all, and ugliest of the three. Margaret s train reappeared as promised, and was greeted with approval by her aunt. It came to a standstill in the middle distance, and there it had been planned that Tibby should meet her, and drive her, and a tea-basket, up to join them. "You see," continued Helen to her cousin, "the Wilcoxes collect houses as your Victor collects tadpoles. They have, one, Ducie Street; two, Howards End, where my great rumpus was; three, a country seat in Shropshire; four, Charles has a house in Hilton; and five, another near Epsom; and six, Evie will have a house when she marries, and probably a pied-a-terre in the country--which makes seven. Oh yes, and Paul a hut in Africa makes eight. I wish we could get Howards End. That was something like a dear little house! Didn t you think so, Aunt Juley?" "I had too much to do, dear, to look at it," said Mrs. Munt, with a gracious dignity. "I had everything to settle and explain, and Charles Wilcox to keep in his place besides. It isn t likely I should remember much. I just remember having lunch in your bedroom." "Yes, so do I. But, oh dear, dear, how dreadful it all seems! And in the autumn there began that anti-Pauline movement--you, and Frieda, and Meg, and Mrs. Wilcox, all obsessed with the idea that I might yet marry Paul." "You yet may," said Frieda despondently. Helen shook her head. "The Great Wilcox Peril will never return. If I m certain of anything it s of that." "One is certain of nothing but the truth of one s own emotions." The remark fell damply on the conversation. But Helen slipped her arm round her cousin, somehow liking her the better for making it. It was not an original remark, nor had Frieda appropriated it passionately, for she had a patriotic rather than a philosophic mind. Yet it betrayed that interest in the universal which the average Teuton possesses and the average Englishman does not. It was, however illogically, the good, the beautiful, the | the Stour is beyond, unaccountable stream, dirty at Blandford, pure at Wimborne--the Stour, sliding out of fat fields, to marry the Avon beneath the tower of Christ church. The valley of the Avon--invisible, but far to the north the trained eye may see Clearbury Ring that guards it, and the imagination may leap beyond that on to Salisbury Plain itself, and beyond the Plain to all the glorious downs of Central England. Nor is Suburbia absent. Bournemouth s ignoble coast cowers to the right, heralding the pine-trees that mean, for all their beauty, red houses, and the Stock Exchange, and extend to the gates of London itself. So tremendous is the City s trail! But the cliffs of Freshwater it shall never touch, and the island will guard the Island s purity till the end of time. Seen from the west the Wight is beautiful beyond all laws of beauty. It is as if a fragment of England floated forward to greet the foreigner--chalk of our chalk, turf of our turf, epitome of what will follow. And behind the fragment lies Southampton, hostess to the nations, and Portsmouth, a latent fire, and all around it, with double and treble collision of tides, swirls the sea. How many villages appear in this view! How many castles! How many churches, vanished or triumphant! How many ships, railways, and roads! What incredible variety of men working beneath that lucent sky to what final end! The reason fails, like a wave on the Swanage beach; the imagination swells, spreads, and deepens, until it becomes geographic and encircles England. So Frieda Mosebach, now Frau Architect Liesecke, and mother to her husband s baby, was brought up to these heights to be impressed, and, after a prolonged gaze, she said that the hills were more swelling here than in Pomerania, which was true, but did not seem to Mrs. Munt apposite. Poole Harbour was dry, which led her to praise the absence of muddy foreshore at Friedrich Wilhelms Bad, Rugen, where beech-trees hang over the tideless Baltic, and cows may contemplate the brine. Rather unhealthy Mrs. Munt thought this would be, water being safer when it moved about. "And your English lakes--Vindermere, Grasmere they, then, unhealthy?" "No, Frau Liesecke; but that is because they are fresh water, and different. Salt water ought to have tides, and go up and down a great deal, or else it smells. Look, for instance, at an aquarium." "An aquarium! Oh, MEESIS Munt, you mean to tell me that fresh aquariums stink less than salt? Why, then Victor, my brother-in-law, collected many tadpoles--"<|quote|>"You are not to say stink,"</|quote|>interrupted Helen; "at least, you may say it, but you must pretend you are being funny while you say it." "Then smell. And the mud of your Pool down there--does it not smell, or may I say stink, ha, ha?" "There always has been mud in Poole Harbour," said Mrs. Munt, with a slight frown. "The rivers bring it down, and a most valuable oyster-fishery depends upon it." "Yes, that is so," conceded Frieda; and another international incident was closed. "Bournemouth is," resumed their hostess, quoting a local rhyme to which she was much attached--" "Bournemouth is, Poole was, and Swanage is to be the most important town of all and biggest of the three. Now, Frau Liesecke, I have shown you Bournemouth, and I have shown you Poole, so let us walk backward a little, and look down again at Swanage." "Aunt Juley, wouldn t that be Meg s train?" A tiny puff of smoke had been circling the harbour, and now was bearing southwards towards them over the black and the gold. "Oh, dearest Margaret, I do hope she won t be overtired." "Oh, I do wonder--I do wonder whether she s taken the house." "I hope she hasn t been hasty." "So do I--oh, SO do I." "Will it be as beautiful as Wickham Place?" Frieda asked. "I should think it would. Trust Mr. Wilcox for doing himself proud. All those Ducie Street houses are beautiful in their modern way, and I can t think why he doesn t keep on with it. But it s really for Evie that he went there, and now that Evie s going to be married--" "Ah!" "You ve never seen Miss Wilcox, Frieda. How absurdly matrimonial you are!" "But sister to that Paul?" "Yes." "And to that Charles," said Mrs. Munt with feeling. "Oh, Helen, Helen, what a time that was!" Helen laughed. "Meg and I haven t got such tender hearts. If there s a chance of a cheap house, we go for it." "Now look, Frau Liesecke, at my niece s train. You see, it is coming towards us--coming, coming; and, when it gets to Corfe, it will actually go THROUGH the downs, on which we are standing, so that, if we walk over, as I suggested, and look down on Swanage, we shall see it coming on the other side. Shall we?" Frieda assented, and in a few minutes they had crossed the ridge and exchanged the greater view for the lesser. Rather a dull valley lay below, backed by the slope of the coastward downs. They were looking across the Isle of Purbeck and on to Swanage, soon to be the most important town of all, and ugliest of the three. Margaret s train reappeared as promised, and was greeted with approval by her aunt. It came to a standstill in the middle distance, and there it had been planned that Tibby should meet her, and drive her, and a tea-basket, up to join them. "You see," continued Helen to her cousin, "the Wilcoxes collect houses as your Victor collects tadpoles. They have, one, Ducie Street; two, Howards End, where my great rumpus was; three, a country seat in | Howards End |
"Yes, I think so." | Don Lavington | a lanthorn. Weren't there three?"<|quote|>"Yes, I think so."</|quote|>"Well, you can see two | the boats put off without a lanthorn. Weren't there three?"<|quote|>"Yes, I think so."</|quote|>"Well, you can see two of 'em easy like." "Yes, | he wished to go. But they swam steadily on for some time longer, Jem being the first to break the silence. "Say, Mas' Don," he whispered, "did you hear oars?" "No, Jem." "I thought I did. I fancy one of the boats put off without a lanthorn. Weren't there three?"<|quote|>"Yes, I think so."</|quote|>"Well, you can see two of 'em easy like." "Yes, Jem; I can see." "Then there's another cruising about in the dark, so we must be careful." There was another interval of steady swimming, during which they seemed to get no nearer to the shore, and at last Jem spoke | seemed to have scared its occupants away, and though the sea was perfectly calm, save its soft, swelling pulsation, there were swift currents among the islands and points, which, though easily mastered by canoe or boat with stout rowers, would carry in an imperceptible manner a swimmer far from where he wished to go. But they swam steadily on for some time longer, Jem being the first to break the silence. "Say, Mas' Don," he whispered, "did you hear oars?" "No, Jem." "I thought I did. I fancy one of the boats put off without a lanthorn. Weren't there three?"<|quote|>"Yes, I think so."</|quote|>"Well, you can see two of 'em easy like." "Yes, Jem; I can see." "Then there's another cruising about in the dark, so we must be careful." There was another interval of steady swimming, during which they seemed to get no nearer to the shore, and at last Jem spoke again. "Say, Mas' Don, don't you feel as if you'd like a cup o' tea?" "No." "I do. I'm as dry as sawdus'. S'pose we're nearly there, but I can't touch bottom. I tried just now." They swam on, with the lights of the boat farther off than ever, and | now." "Why, I was a-larfin' quiet-like, so as to make no row." "Oh!" "Thinking about them firing a volley at us in the dark. Wonder where the bullets went?" "Don't talk, Jem; they may hear us." "What! A whisper like that, my lad? Not they. Boats is a long way off, too, now." The excitement had kept off all sense of fear, and so far Don had not seemed to realise the peril of their position in swimming through the darkness to land; for even if there had been a canoe coming to their help, the lowering of the boats seemed to have scared its occupants away, and though the sea was perfectly calm, save its soft, swelling pulsation, there were swift currents among the islands and points, which, though easily mastered by canoe or boat with stout rowers, would carry in an imperceptible manner a swimmer far from where he wished to go. But they swam steadily on for some time longer, Jem being the first to break the silence. "Say, Mas' Don," he whispered, "did you hear oars?" "No, Jem." "I thought I did. I fancy one of the boats put off without a lanthorn. Weren't there three?"<|quote|>"Yes, I think so."</|quote|>"Well, you can see two of 'em easy like." "Yes, Jem; I can see." "Then there's another cruising about in the dark, so we must be careful." There was another interval of steady swimming, during which they seemed to get no nearer to the shore, and at last Jem spoke again. "Say, Mas' Don, don't you feel as if you'd like a cup o' tea?" "No." "I do. I'm as dry as sawdus'. S'pose we're nearly there, but I can't touch bottom. I tried just now." They swam on, with the lights of the boat farther off than ever, and the ship more distant still. "Getting tired, Jem?" "N-no. Could go on for about another week. Are you?" "My clothes seem so heavy. Can you see the shore?" "I can see the beach right afore us, but can't tell how nigh it is. Never mind about your clothes, my lad; but they're a great noosance at a time like this. Take your strokes long, and slow as you can." "That's what I'm doing, Jem, but--do you think it's much further?" "Now, lookye here, Mas' Don; if ever there was a good-tempered chap it was--I mean is--Jem Wimble; but if you | goes so easily over the water." "No, I'm not going to talk," said Don; "I want all my breath for swimming." "Don't feel tired, do you?" "Not a bit." "That's right, lad. Stick to it steady like. Their lanthorns aren't much good. Don't you be skeart; we can see them plain enough, but they can't see us." "But it seems as if they could," whispered Don, as they saw a man standing up in the bows of one of the boats, holding a lanthorn on high. "Yes, seems," whispered Jem; "but there's only our heads out of water, and only the tops o' them sometimes. Say, that must ha' been fancy about the canoe." "No, Jem; she's somewhere about." "Glad on it: but I wish she'd come and pick us up." They swam on silently toward the shore, listening to the shouts of the men, and watching alternately the lights of the boats and those of the ship. All at once a curious noise assailed Don's ear. "What's the matter, Jem?" he whispered, in alarm. "Matter?" said Jem, greatly to his relief. "Nothing, as I knows on." "But that noise you made?" "I didn't make no noise." "You did, just now." "Why, I was a-larfin' quiet-like, so as to make no row." "Oh!" "Thinking about them firing a volley at us in the dark. Wonder where the bullets went?" "Don't talk, Jem; they may hear us." "What! A whisper like that, my lad? Not they. Boats is a long way off, too, now." The excitement had kept off all sense of fear, and so far Don had not seemed to realise the peril of their position in swimming through the darkness to land; for even if there had been a canoe coming to their help, the lowering of the boats seemed to have scared its occupants away, and though the sea was perfectly calm, save its soft, swelling pulsation, there were swift currents among the islands and points, which, though easily mastered by canoe or boat with stout rowers, would carry in an imperceptible manner a swimmer far from where he wished to go. But they swam steadily on for some time longer, Jem being the first to break the silence. "Say, Mas' Don," he whispered, "did you hear oars?" "No, Jem." "I thought I did. I fancy one of the boats put off without a lanthorn. Weren't there three?"<|quote|>"Yes, I think so."</|quote|>"Well, you can see two of 'em easy like." "Yes, Jem; I can see." "Then there's another cruising about in the dark, so we must be careful." There was another interval of steady swimming, during which they seemed to get no nearer to the shore, and at last Jem spoke again. "Say, Mas' Don, don't you feel as if you'd like a cup o' tea?" "No." "I do. I'm as dry as sawdus'. S'pose we're nearly there, but I can't touch bottom. I tried just now." They swam on, with the lights of the boat farther off than ever, and the ship more distant still. "Getting tired, Jem?" "N-no. Could go on for about another week. Are you?" "My clothes seem so heavy. Can you see the shore?" "I can see the beach right afore us, but can't tell how nigh it is. Never mind about your clothes, my lad; but they're a great noosance at a time like this. Take your strokes long, and slow as you can." "That's what I'm doing, Jem, but--do you think it's much further?" "Now, lookye here, Mas' Don; if ever there was a good-tempered chap it was--I mean is--Jem Wimble; but if you gets talking like that, you aggravates me to such a degree that I must speak." Jem spoke angrily, and with unwonted excitement in his manner. "Is it much furder, indeed? Why, of course it arn't. Swim steady, and wait." Jem closed in as much as was possible after raising himself in the water, and scanning the distant shore; and as he did so a cold chill of dread--not on his own account--ran through him, for he felt that they were certainly no nearer shore than they were before. "Throw your left shoulder a little more forward, Mas' Don," he said calmly; "there's a p'int runs out here, I think, as'll make the journey shorter." Don obeyed in silence, and they swam on, with Jem watchfully keeping his eyes upon his companion, who was now deeper in the water. "Jem," said Don, suddenly. "Yes, Mas' Don. Take it coolly, my lad. We're getting close there. Oh, what a lie!" he added to himself, with a chill of misery unnerving him. "Jem." "Ay, ay, Mas' Don." "If you escape--" "If I escape!" whispered Jem, angrily. "Now, what's the use o' your talking like that? Escape, indeed! Why, I feel as if I | won't see us long. Shouldn't be surprised if they lowered a boat." "Ah! Look out!" whispered Don. "Shall we dive?" For he heard the clicking of the muskets as they missed fire. "Well, I do call that cowardly," said Jem, as he heard the order to load; "shooting at a couple of poor fellows just as if they was wild duck." "Swim faster, Jem," said Don, as he gazed back over his shoulders at the lights as the shots rang out. "No, no; swim slower, my lad. They can't see us; and if they could, I don't believe as the men would try and hit us. Ah! Not hit, are you?" "No, Jem; are you?" "Not a bit of it, my lad. There they go again. Steady. We're all right now, unless a boat comes after us. We shall soon get ashore at this rate, and the tide's helping up, and carrying us along." "Toward shore, Jem, or out to sea?" "Shore, of course," said Jem, as he swam on his side, and kept an eye on the faint lights of the ship. "Say, Mas' Don, they won't hang us, will they, if they ketches us?" "What made you say that?" "Because here comes a boat after us.--Hear the skipper?" "Yes; but the canoe--where is the canoe?" Don raised himself, and began to tread water, as he looked in the direction where they had seen the water flash beneath the paddles. "I dunno, my lad. Can't see nothing but the lights of the ship. Better swim straight ashore. We sha'n't be able to see no canoe to-night." They swam steadily on, hearing only too plainly the plans made for their recapture. The orders, the creaking of the falls, even the plash made by the boats, as they kissed the water, and the dull rattle of the oars in the rowlocks was carried in the silence of the night distinctly to their ears, while the regular plash, plash, plash, as the oars dipped, sent a thrill through Don, and at times seemed to chill his energy. But these checks were almost momentary. There was a sense of freedom in being away from the ship, and, in spite of the darkness, a feeling of joyous power in being able to breast the long heaving swell, and pass on through the water. "Better not talk, Mas' Don," whispered Jem, as they swam; "sound goes so easily over the water." "No, I'm not going to talk," said Don; "I want all my breath for swimming." "Don't feel tired, do you?" "Not a bit." "That's right, lad. Stick to it steady like. Their lanthorns aren't much good. Don't you be skeart; we can see them plain enough, but they can't see us." "But it seems as if they could," whispered Don, as they saw a man standing up in the bows of one of the boats, holding a lanthorn on high. "Yes, seems," whispered Jem; "but there's only our heads out of water, and only the tops o' them sometimes. Say, that must ha' been fancy about the canoe." "No, Jem; she's somewhere about." "Glad on it: but I wish she'd come and pick us up." They swam on silently toward the shore, listening to the shouts of the men, and watching alternately the lights of the boats and those of the ship. All at once a curious noise assailed Don's ear. "What's the matter, Jem?" he whispered, in alarm. "Matter?" said Jem, greatly to his relief. "Nothing, as I knows on." "But that noise you made?" "I didn't make no noise." "You did, just now." "Why, I was a-larfin' quiet-like, so as to make no row." "Oh!" "Thinking about them firing a volley at us in the dark. Wonder where the bullets went?" "Don't talk, Jem; they may hear us." "What! A whisper like that, my lad? Not they. Boats is a long way off, too, now." The excitement had kept off all sense of fear, and so far Don had not seemed to realise the peril of their position in swimming through the darkness to land; for even if there had been a canoe coming to their help, the lowering of the boats seemed to have scared its occupants away, and though the sea was perfectly calm, save its soft, swelling pulsation, there were swift currents among the islands and points, which, though easily mastered by canoe or boat with stout rowers, would carry in an imperceptible manner a swimmer far from where he wished to go. But they swam steadily on for some time longer, Jem being the first to break the silence. "Say, Mas' Don," he whispered, "did you hear oars?" "No, Jem." "I thought I did. I fancy one of the boats put off without a lanthorn. Weren't there three?"<|quote|>"Yes, I think so."</|quote|>"Well, you can see two of 'em easy like." "Yes, Jem; I can see." "Then there's another cruising about in the dark, so we must be careful." There was another interval of steady swimming, during which they seemed to get no nearer to the shore, and at last Jem spoke again. "Say, Mas' Don, don't you feel as if you'd like a cup o' tea?" "No." "I do. I'm as dry as sawdus'. S'pose we're nearly there, but I can't touch bottom. I tried just now." They swam on, with the lights of the boat farther off than ever, and the ship more distant still. "Getting tired, Jem?" "N-no. Could go on for about another week. Are you?" "My clothes seem so heavy. Can you see the shore?" "I can see the beach right afore us, but can't tell how nigh it is. Never mind about your clothes, my lad; but they're a great noosance at a time like this. Take your strokes long, and slow as you can." "That's what I'm doing, Jem, but--do you think it's much further?" "Now, lookye here, Mas' Don; if ever there was a good-tempered chap it was--I mean is--Jem Wimble; but if you gets talking like that, you aggravates me to such a degree that I must speak." Jem spoke angrily, and with unwonted excitement in his manner. "Is it much furder, indeed? Why, of course it arn't. Swim steady, and wait." Jem closed in as much as was possible after raising himself in the water, and scanning the distant shore; and as he did so a cold chill of dread--not on his own account--ran through him, for he felt that they were certainly no nearer shore than they were before. "Throw your left shoulder a little more forward, Mas' Don," he said calmly; "there's a p'int runs out here, I think, as'll make the journey shorter." Don obeyed in silence, and they swam on, with Jem watchfully keeping his eyes upon his companion, who was now deeper in the water. "Jem," said Don, suddenly. "Yes, Mas' Don. Take it coolly, my lad. We're getting close there. Oh, what a lie!" he added to himself, with a chill of misery unnerving him. "Jem." "Ay, ay, Mas' Don." "If you escape--" "If I escape!" whispered Jem, angrily. "Now, what's the use o' your talking like that? Escape, indeed! Why, I feel as if I could live in the water, if I had plenty to eat and drink." "Listen to me," said Don, hoarsely. "If you escape, tell my mother I always loved her, even when I was obstinate. Tell her we didn't run away, and that--that I didn't take that money, Jem. You'll tell her that?" "I won't tell her nor nobody else nothing of the sort," said Jem. "I'm too busy swimming to think o' no messages, and so are you. Steady-- steady. Bit tired, lad?" "Tired, Jem? My arms feel like lead." "Turn over and float a bit, dear lad, and rest yourself." "No," said Don. "If I turn over I shall be too helpless to keep up, and I can't turn back.--Jem, I'm beat out." "You're not!" cried Jem, in so loud and angry a voice, that the occupants of the pursuing boats must have heard them if they had been near. "You've got to keep on swimming steady, as I tells you, and if you says another word to me 'bout being beat, I'll give you such a shove aside o' the head as'll duck you under." Don made no answer, but swam on feebly, with the water rising over his lips at every stroke; and as Jem swam by him he could hear the lad's breath come quickly, and with a hoarse, panting sound. "And I can't leave him, even to; save myself," groaned Jem. "Oh, Sally, Sally, my gal, I did love you very true; and if I never see you again, good-bye--good-bye!" It seemed to poor Jem Wimble that his thoughts were so heavy that they sank him lower in the water; but he had a buoyant heart, which is the surest and best of life preservers; and taking a long breath, and setting his teeth, he swam on. "Not so very far now, Mas' Don," he said. "You feel better now, don't you?" "Jem." "Yes, lad." "It's getting darker. I want to keep on, but I can't. Can you shake hands?" "No!" cried Jem, fiercely. "You turn over and float." Don uttered a sigh, and obeyed in a feeble way, while Jem ceased his striking out for shore, and placed one arm under Don's neck. "It's all right, my lad. Don't lose heart," he said. "It's wonderful easy to float; but you're tired. It's your clothes does it. You're a wonderful good swimmer, Mas' Don; but | one of the boats, holding a lanthorn on high. "Yes, seems," whispered Jem; "but there's only our heads out of water, and only the tops o' them sometimes. Say, that must ha' been fancy about the canoe." "No, Jem; she's somewhere about." "Glad on it: but I wish she'd come and pick us up." They swam on silently toward the shore, listening to the shouts of the men, and watching alternately the lights of the boats and those of the ship. All at once a curious noise assailed Don's ear. "What's the matter, Jem?" he whispered, in alarm. "Matter?" said Jem, greatly to his relief. "Nothing, as I knows on." "But that noise you made?" "I didn't make no noise." "You did, just now." "Why, I was a-larfin' quiet-like, so as to make no row." "Oh!" "Thinking about them firing a volley at us in the dark. Wonder where the bullets went?" "Don't talk, Jem; they may hear us." "What! A whisper like that, my lad? Not they. Boats is a long way off, too, now." The excitement had kept off all sense of fear, and so far Don had not seemed to realise the peril of their position in swimming through the darkness to land; for even if there had been a canoe coming to their help, the lowering of the boats seemed to have scared its occupants away, and though the sea was perfectly calm, save its soft, swelling pulsation, there were swift currents among the islands and points, which, though easily mastered by canoe or boat with stout rowers, would carry in an imperceptible manner a swimmer far from where he wished to go. But they swam steadily on for some time longer, Jem being the first to break the silence. "Say, Mas' Don," he whispered, "did you hear oars?" "No, Jem." "I thought I did. I fancy one of the boats put off without a lanthorn. Weren't there three?"<|quote|>"Yes, I think so."</|quote|>"Well, you can see two of 'em easy like." "Yes, Jem; I can see." "Then there's another cruising about in the dark, so we must be careful." There was another interval of steady swimming, during which they seemed to get no nearer to the shore, and at last Jem spoke again. "Say, Mas' Don, don't you feel as if you'd like a cup o' tea?" "No." "I do. I'm as dry as sawdus'. S'pose we're nearly there, but I can't touch bottom. I tried just now." They swam on, with the lights of the boat farther off than ever, and the ship more distant still. "Getting tired, Jem?" "N-no. Could go on for about another week. Are you?" "My clothes seem so heavy. Can you see the shore?" "I can see the beach right afore us, but can't tell how nigh it is. Never mind about your clothes, my lad; but they're a great noosance at a time like this. Take your strokes long, and slow as you can." "That's what I'm doing, Jem, but--do you think it's much further?" "Now, lookye here, Mas' Don; if ever there was a good-tempered chap it was--I mean is--Jem Wimble; but if you gets talking like that, you aggravates me to such a degree that I must speak." Jem spoke angrily, and with unwonted excitement in his manner. "Is it much furder, indeed? Why, of course it arn't. Swim steady, and wait." Jem closed in as much as was possible after raising himself in the water, and scanning the distant shore; and as he did so a cold chill of dread--not on his own account--ran through him, for he felt that they were certainly no nearer shore than they were before. "Throw your left shoulder a little more forward, Mas' Don," he said calmly; "there's a p'int runs out here, I think, as'll make the journey shorter." Don obeyed in silence, and they swam on, with Jem watchfully keeping his eyes upon his companion, who was now deeper in the water. "Jem," said Don, suddenly. "Yes, Mas' Don. Take it coolly, my lad. We're getting close there. Oh, what a lie!" he added to himself, with a chill of misery unnerving him. "Jem." "Ay, ay, Mas' Don." "If you escape--" "If I escape!" whispered Jem, angrily. "Now, what's the | Don Lavington |
"How very little trouble it can give you to understand the motive of other people s actions." | Henry Tilney | world." Henry smiled, and said,<|quote|>"How very little trouble it can give you to understand the motive of other people s actions."</|quote|>"Why? What do you mean?" | upon any account in the world." Henry smiled, and said,<|quote|>"How very little trouble it can give you to understand the motive of other people s actions."</|quote|>"Why? What do you mean?" "With you, it is not, | that he hated dancing; but it was very good-natured in him to think of it. I suppose he saw Isabella sitting down, and fancied she might wish for a partner; but he is quite mistaken, for she would not dance upon any account in the world." Henry smiled, and said,<|quote|>"How very little trouble it can give you to understand the motive of other people s actions."</|quote|>"Why? What do you mean?" "With you, it is not, How is such a one likely to be influenced, What is the inducement most likely to act upon such a person s feelings, age, situation, and probable habits of life considered but, How should _I_ be influenced, What would be | to her. Catherine, without hesitation, replied that she was very sure Miss Thorpe did not mean to dance at all. The cruel reply was passed on to the other, and he immediately walked away. "Your brother will not mind it, I know," said she, "because I heard him say before that he hated dancing; but it was very good-natured in him to think of it. I suppose he saw Isabella sitting down, and fancied she might wish for a partner; but he is quite mistaken, for she would not dance upon any account in the world." Henry smiled, and said,<|quote|>"How very little trouble it can give you to understand the motive of other people s actions."</|quote|>"Why? What do you mean?" "With you, it is not, How is such a one likely to be influenced, What is the inducement most likely to act upon such a person s feelings, age, situation, and probable habits of life considered but, How should _I_ be influenced, What would be _my_ inducement in acting so and so?" "I do not understand you." "Then we are on very unequal terms, for I understand you perfectly well." "Me? Yes; I cannot speak well enough to be unintelligible." "Bravo! An excellent satire on modern language." "But pray tell me what you mean." "Shall | Captain Tilney must have heard some malevolent misrepresentation of her, which he now hastened to communicate to his brother, in the hope of separating them forever, she could not have her partner conveyed from her sight without very uneasy sensations. Her suspense was of full five minutes duration; and she was beginning to think it a very long quarter of an hour, when they both returned, and an explanation was given, by Henry s requesting to know if she thought her friend, Miss Thorpe, would have any objection to dancing, as his brother would be most happy to be introduced to her. Catherine, without hesitation, replied that she was very sure Miss Thorpe did not mean to dance at all. The cruel reply was passed on to the other, and he immediately walked away. "Your brother will not mind it, I know," said she, "because I heard him say before that he hated dancing; but it was very good-natured in him to think of it. I suppose he saw Isabella sitting down, and fancied she might wish for a partner; but he is quite mistaken, for she would not dance upon any account in the world." Henry smiled, and said,<|quote|>"How very little trouble it can give you to understand the motive of other people s actions."</|quote|>"Why? What do you mean?" "With you, it is not, How is such a one likely to be influenced, What is the inducement most likely to act upon such a person s feelings, age, situation, and probable habits of life considered but, How should _I_ be influenced, What would be _my_ inducement in acting so and so?" "I do not understand you." "Then we are on very unequal terms, for I understand you perfectly well." "Me? Yes; I cannot speak well enough to be unintelligible." "Bravo! An excellent satire on modern language." "But pray tell me what you mean." "Shall I indeed? Do you really desire it? But you are not aware of the consequences; it will involve you in a very cruel embarrassment, and certainly bring on a disagreement between us." "No, no; it shall not do either; I am not afraid." "Well, then, I only meant that your attributing my brother s wish of dancing with Miss Thorpe to good nature alone convinced me of your being superior in good nature yourself to all the rest of the world." Catherine blushed and disclaimed, and the gentleman s predictions were verified. There was a something, however, in his words | taste and manners were beyond a doubt decidedly inferior; for, within her hearing, he not only protested against every thought of dancing himself, but even laughed openly at Henry for finding it possible. From the latter circumstance it may be presumed that, whatever might be our heroine s opinion of him, his admiration of her was not of a very dangerous kind; not likely to produce animosities between the brothers, nor persecutions to the lady. _He_ cannot be the instigator of the three villains in horsemen s greatcoats, by whom she will hereafter be forced into a traveling-chaise and four, which will drive off with incredible speed. Catherine, meanwhile, undisturbed by presentiments of such an evil, or of any evil at all, except that of having but a short set to dance down, enjoyed her usual happiness with Henry Tilney, listening with sparkling eyes to everything he said; and, in finding him irresistible, becoming so herself. At the end of the first dance, Captain Tilney came towards them again, and, much to Catherine s dissatisfaction, pulled his brother away. They retired whispering together; and, though her delicate sensibility did not take immediate alarm, and lay it down as fact, that Captain Tilney must have heard some malevolent misrepresentation of her, which he now hastened to communicate to his brother, in the hope of separating them forever, she could not have her partner conveyed from her sight without very uneasy sensations. Her suspense was of full five minutes duration; and she was beginning to think it a very long quarter of an hour, when they both returned, and an explanation was given, by Henry s requesting to know if she thought her friend, Miss Thorpe, would have any objection to dancing, as his brother would be most happy to be introduced to her. Catherine, without hesitation, replied that she was very sure Miss Thorpe did not mean to dance at all. The cruel reply was passed on to the other, and he immediately walked away. "Your brother will not mind it, I know," said she, "because I heard him say before that he hated dancing; but it was very good-natured in him to think of it. I suppose he saw Isabella sitting down, and fancied she might wish for a partner; but he is quite mistaken, for she would not dance upon any account in the world." Henry smiled, and said,<|quote|>"How very little trouble it can give you to understand the motive of other people s actions."</|quote|>"Why? What do you mean?" "With you, it is not, How is such a one likely to be influenced, What is the inducement most likely to act upon such a person s feelings, age, situation, and probable habits of life considered but, How should _I_ be influenced, What would be _my_ inducement in acting so and so?" "I do not understand you." "Then we are on very unequal terms, for I understand you perfectly well." "Me? Yes; I cannot speak well enough to be unintelligible." "Bravo! An excellent satire on modern language." "But pray tell me what you mean." "Shall I indeed? Do you really desire it? But you are not aware of the consequences; it will involve you in a very cruel embarrassment, and certainly bring on a disagreement between us." "No, no; it shall not do either; I am not afraid." "Well, then, I only meant that your attributing my brother s wish of dancing with Miss Thorpe to good nature alone convinced me of your being superior in good nature yourself to all the rest of the world." Catherine blushed and disclaimed, and the gentleman s predictions were verified. There was a something, however, in his words which repaid her for the pain of confusion; and that something occupied her mind so much that she drew back for some time, forgetting to speak or to listen, and almost forgetting where she was; till, roused by the voice of Isabella, she looked up and saw her with Captain Tilney preparing to give them hands across. Isabella shrugged her shoulders and smiled, the only explanation of this extraordinary change which could at that time be given; but as it was not quite enough for Catherine s comprehension, she spoke her astonishment in very plain terms to her partner. "I cannot think how it could happen! Isabella was so determined not to dance." "And did Isabella never change her mind before?" "Oh! But, because And your brother! After what you told him from me, how could he think of going to ask her?" "I cannot take surprise to myself on that head. You bid me be surprised on your friend s account, and therefore I am; but as for my brother, his conduct in the business, I must own, has been no more than I believed him perfectly equal to. The fairness of your friend was an open attraction; her | "Unworthy! I do not suppose he ever thinks of me." "That is exactly what I say; he never thinks of you. Such fickleness! Oh! How different to your brother and to mine! I really believe John has the most constant heart." "But as for General Tilney, I assure you it would be impossible for anybody to behave to me with greater civility and attention; it seemed to be his only care to entertain and make me happy." "Oh! I know no harm of him; I do not suspect him of pride. I believe he is a very gentleman-like man. John thinks very well of him, and John s judgment" "Well, I shall see how they behave to me this evening; we shall meet them at the rooms." "And must I go?" "Do not you intend it? I thought it was all settled." "Nay, since you make such a point of it, I can refuse you nothing. But do not insist upon my being very agreeable, for my heart, you know, will be some forty miles off. And as for dancing, do not mention it, I beg; _that_ is quite out of the question. Charles Hodges will plague me to death, I dare say; but I shall cut him very short. Ten to one but he guesses the reason, and that is exactly what I want to avoid, so I shall insist on his keeping his conjecture to himself." Isabella s opinion of the Tilneys did not influence her friend; she was sure there had been no insolence in the manners either of brother or sister; and she did not credit there being any pride in their hearts. The evening rewarded her confidence; she was met by one with the same kindness, and by the other with the same attention, as heretofore: Miss Tilney took pains to be near her, and Henry asked her to dance. Having heard the day before in Milsom Street that their elder brother, Captain Tilney, was expected almost every hour, she was at no loss for the name of a very fashionable-looking, handsome young man, whom she had never seen before, and who now evidently belonged to their party. She looked at him with great admiration, and even supposed it possible that some people might think him handsomer than his brother, though, in her eyes, his air was more assuming, and his countenance less prepossessing. His taste and manners were beyond a doubt decidedly inferior; for, within her hearing, he not only protested against every thought of dancing himself, but even laughed openly at Henry for finding it possible. From the latter circumstance it may be presumed that, whatever might be our heroine s opinion of him, his admiration of her was not of a very dangerous kind; not likely to produce animosities between the brothers, nor persecutions to the lady. _He_ cannot be the instigator of the three villains in horsemen s greatcoats, by whom she will hereafter be forced into a traveling-chaise and four, which will drive off with incredible speed. Catherine, meanwhile, undisturbed by presentiments of such an evil, or of any evil at all, except that of having but a short set to dance down, enjoyed her usual happiness with Henry Tilney, listening with sparkling eyes to everything he said; and, in finding him irresistible, becoming so herself. At the end of the first dance, Captain Tilney came towards them again, and, much to Catherine s dissatisfaction, pulled his brother away. They retired whispering together; and, though her delicate sensibility did not take immediate alarm, and lay it down as fact, that Captain Tilney must have heard some malevolent misrepresentation of her, which he now hastened to communicate to his brother, in the hope of separating them forever, she could not have her partner conveyed from her sight without very uneasy sensations. Her suspense was of full five minutes duration; and she was beginning to think it a very long quarter of an hour, when they both returned, and an explanation was given, by Henry s requesting to know if she thought her friend, Miss Thorpe, would have any objection to dancing, as his brother would be most happy to be introduced to her. Catherine, without hesitation, replied that she was very sure Miss Thorpe did not mean to dance at all. The cruel reply was passed on to the other, and he immediately walked away. "Your brother will not mind it, I know," said she, "because I heard him say before that he hated dancing; but it was very good-natured in him to think of it. I suppose he saw Isabella sitting down, and fancied she might wish for a partner; but he is quite mistaken, for she would not dance upon any account in the world." Henry smiled, and said,<|quote|>"How very little trouble it can give you to understand the motive of other people s actions."</|quote|>"Why? What do you mean?" "With you, it is not, How is such a one likely to be influenced, What is the inducement most likely to act upon such a person s feelings, age, situation, and probable habits of life considered but, How should _I_ be influenced, What would be _my_ inducement in acting so and so?" "I do not understand you." "Then we are on very unequal terms, for I understand you perfectly well." "Me? Yes; I cannot speak well enough to be unintelligible." "Bravo! An excellent satire on modern language." "But pray tell me what you mean." "Shall I indeed? Do you really desire it? But you are not aware of the consequences; it will involve you in a very cruel embarrassment, and certainly bring on a disagreement between us." "No, no; it shall not do either; I am not afraid." "Well, then, I only meant that your attributing my brother s wish of dancing with Miss Thorpe to good nature alone convinced me of your being superior in good nature yourself to all the rest of the world." Catherine blushed and disclaimed, and the gentleman s predictions were verified. There was a something, however, in his words which repaid her for the pain of confusion; and that something occupied her mind so much that she drew back for some time, forgetting to speak or to listen, and almost forgetting where she was; till, roused by the voice of Isabella, she looked up and saw her with Captain Tilney preparing to give them hands across. Isabella shrugged her shoulders and smiled, the only explanation of this extraordinary change which could at that time be given; but as it was not quite enough for Catherine s comprehension, she spoke her astonishment in very plain terms to her partner. "I cannot think how it could happen! Isabella was so determined not to dance." "And did Isabella never change her mind before?" "Oh! But, because And your brother! After what you told him from me, how could he think of going to ask her?" "I cannot take surprise to myself on that head. You bid me be surprised on your friend s account, and therefore I am; but as for my brother, his conduct in the business, I must own, has been no more than I believed him perfectly equal to. The fairness of your friend was an open attraction; her firmness, you know, could only be understood by yourself." "You are laughing; but, I assure you, Isabella is very firm in general." "It is as much as should be said of anyone. To be always firm must be to be often obstinate. When properly to relax is the trial of judgment; and, without reference to my brother, I really think Miss Thorpe has by no means chosen ill in fixing on the present hour." The friends were not able to get together for any confidential discourse till all the dancing was over; but then, as they walked about the room arm in arm, Isabella thus explained herself: "I do not wonder at your surprise; and I am really fatigued to death. He is such a rattle! Amusing enough, if my mind had been disengaged; but I would have given the world to sit still." "Then why did not you?" "Oh! My dear! It would have looked so particular; and you know how I abhor doing that. I refused him as long as I possibly could, but he would take no denial. You have no idea how he pressed me. I begged him to excuse me, and get some other partner but no, not he; after aspiring to my hand, there was nobody else in the room he could bear to think of; and it was not that he wanted merely to dance, he wanted to be with me. Oh! Such nonsense! I told him he had taken a very unlikely way to prevail upon me; for, of all things in the world, I hated fine speeches and compliments; and so and so then I found there would be no peace if I did not stand up. Besides, I thought Mrs. Hughes, who introduced him, might take it ill if I did not: and your dear brother, I am sure he would have been miserable if I had sat down the whole evening. I am so glad it is over! My spirits are quite jaded with listening to his nonsense: and then, being such a smart young fellow, I saw every eye was upon us." "He is very handsome indeed." "Handsome! Yes, I suppose he may. I dare say people would admire him in general; but he is not at all in my style of beauty. I hate a florid complexion and dark eyes in a man. However, he is very | Captain Tilney, was expected almost every hour, she was at no loss for the name of a very fashionable-looking, handsome young man, whom she had never seen before, and who now evidently belonged to their party. She looked at him with great admiration, and even supposed it possible that some people might think him handsomer than his brother, though, in her eyes, his air was more assuming, and his countenance less prepossessing. His taste and manners were beyond a doubt decidedly inferior; for, within her hearing, he not only protested against every thought of dancing himself, but even laughed openly at Henry for finding it possible. From the latter circumstance it may be presumed that, whatever might be our heroine s opinion of him, his admiration of her was not of a very dangerous kind; not likely to produce animosities between the brothers, nor persecutions to the lady. _He_ cannot be the instigator of the three villains in horsemen s greatcoats, by whom she will hereafter be forced into a traveling-chaise and four, which will drive off with incredible speed. Catherine, meanwhile, undisturbed by presentiments of such an evil, or of any evil at all, except that of having but a short set to dance down, enjoyed her usual happiness with Henry Tilney, listening with sparkling eyes to everything he said; and, in finding him irresistible, becoming so herself. At the end of the first dance, Captain Tilney came towards them again, and, much to Catherine s dissatisfaction, pulled his brother away. They retired whispering together; and, though her delicate sensibility did not take immediate alarm, and lay it down as fact, that Captain Tilney must have heard some malevolent misrepresentation of her, which he now hastened to communicate to his brother, in the hope of separating them forever, she could not have her partner conveyed from her sight without very uneasy sensations. Her suspense was of full five minutes duration; and she was beginning to think it a very long quarter of an hour, when they both returned, and an explanation was given, by Henry s requesting to know if she thought her friend, Miss Thorpe, would have any objection to dancing, as his brother would be most happy to be introduced to her. Catherine, without hesitation, replied that she was very sure Miss Thorpe did not mean to dance at all. The cruel reply was passed on to the other, and he immediately walked away. "Your brother will not mind it, I know," said she, "because I heard him say before that he hated dancing; but it was very good-natured in him to think of it. I suppose he saw Isabella sitting down, and fancied she might wish for a partner; but he is quite mistaken, for she would not dance upon any account in the world." Henry smiled, and said,<|quote|>"How very little trouble it can give you to understand the motive of other people s actions."</|quote|>"Why? What do you mean?" "With you, it is not, How is such a one likely to be influenced, What is the inducement most likely to act upon such a person s feelings, age, situation, and probable habits of life considered but, How should _I_ be influenced, What would be _my_ inducement in acting so and so?" "I do not understand you." "Then we are on very unequal terms, for I understand you perfectly well." "Me? Yes; I cannot speak well enough to be unintelligible." "Bravo! An excellent satire on modern language." "But pray tell me what you mean." "Shall I indeed? Do you really desire it? But you are not aware of the consequences; it will involve you in a very cruel embarrassment, and certainly bring on a disagreement between us." "No, no; it shall not do either; I am not afraid." "Well, then, I only meant that your attributing my brother s wish of dancing with Miss Thorpe to good nature alone convinced me of your being superior in good nature yourself to all the rest of the world." Catherine blushed and disclaimed, and the gentleman s predictions were verified. There was a something, however, in his words which repaid her for the pain of confusion; and that something occupied her mind so much that she drew back for some time, forgetting to speak or to listen, and almost forgetting where she was; till, roused by the voice of Isabella, she looked up and saw her with Captain Tilney preparing to give them hands across. Isabella shrugged her shoulders and smiled, the only explanation of this extraordinary change which could at that time be given; but as it was not quite enough for Catherine s comprehension, she spoke her astonishment in very plain terms to her partner. "I cannot think how it could happen! Isabella was so determined not to dance." "And did Isabella never change her mind before?" "Oh! But, because And your brother! After what you told him from me, how could he think of going to ask her?" "I cannot take surprise to myself on that head. You bid me be surprised on your friend s account, and therefore I am; but as for my brother, his conduct in the business, I must own, has been no more than I believed | Northanger Abbey |
"It s curious," | Mr. Hilbery | work with them for anything."<|quote|>"It s curious,"</|quote|>Mr. Hilbery continued, agreeing with | very decidedly, "I wouldn t work with them for anything."<|quote|>"It s curious,"</|quote|>Mr. Hilbery continued, agreeing with his daughter, "how the sight | scene behind the counter at her bank, as she slipped the sovereigns into her purse. "At any rate, they haven t made a convert of Katharine, which was what I was afraid of," Mr. Hilbery remarked. "Oh no," said Katharine very decidedly, "I wouldn t work with them for anything."<|quote|>"It s curious,"</|quote|>Mr. Hilbery continued, agreeing with his daughter, "how the sight of one s fellow-enthusiasts always chokes one off. They show up the faults of one s cause so much more plainly than one s antagonists. One can be enthusiastic in one s study, but directly one comes into touch with | because they don t read it as we read it," Katharine insisted. "But it s nice to think of them reading your grandfather, and not filling up those dreadful little forms all day long," Mrs. Hilbery persisted, her notion of office life being derived from some chance view of a scene behind the counter at her bank, as she slipped the sovereigns into her purse. "At any rate, they haven t made a convert of Katharine, which was what I was afraid of," Mr. Hilbery remarked. "Oh no," said Katharine very decidedly, "I wouldn t work with them for anything."<|quote|>"It s curious,"</|quote|>Mr. Hilbery continued, agreeing with his daughter, "how the sight of one s fellow-enthusiasts always chokes one off. They show up the faults of one s cause so much more plainly than one s antagonists. One can be enthusiastic in one s study, but directly one comes into touch with the people who agree with one, all the glamor goes. So I ve always found," and he proceeded to tell them, as he peeled his apple, how he committed himself once, in his youthful days, to make a speech at a political meeting, and went there ablaze with enthusiasm for | old houses in Russell Square. I never saw such queer-looking people. And the man discovered I was related to the poet, and talked to me about poetry. Even Mary Datchet seems different in that atmosphere." "Yes, the office atmosphere is very bad for the soul," said Mr. Hilbery. "I don t remember any offices in Russell Square in the old days, when Mamma lived there," Mrs. Hilbery mused, "and I can t fancy turning one of those noble great rooms into a stuffy little Suffrage office. Still, if the clerks read poetry there must be something nice about them." "No, because they don t read it as we read it," Katharine insisted. "But it s nice to think of them reading your grandfather, and not filling up those dreadful little forms all day long," Mrs. Hilbery persisted, her notion of office life being derived from some chance view of a scene behind the counter at her bank, as she slipped the sovereigns into her purse. "At any rate, they haven t made a convert of Katharine, which was what I was afraid of," Mr. Hilbery remarked. "Oh no," said Katharine very decidedly, "I wouldn t work with them for anything."<|quote|>"It s curious,"</|quote|>Mr. Hilbery continued, agreeing with his daughter, "how the sight of one s fellow-enthusiasts always chokes one off. They show up the faults of one s cause so much more plainly than one s antagonists. One can be enthusiastic in one s study, but directly one comes into touch with the people who agree with one, all the glamor goes. So I ve always found," and he proceeded to tell them, as he peeled his apple, how he committed himself once, in his youthful days, to make a speech at a political meeting, and went there ablaze with enthusiasm for the ideals of his own side; but while his leaders spoke, he became gradually converted to the other way of thinking, if thinking it could be called, and had to feign illness in order to avoid making a fool of himself an experience which had sickened him of public meetings. Katharine listened and felt as she generally did when her father, and to some extent her mother, described their feelings, that she quite understood and agreed with them, but, at the same time, saw something which they did not see, and always felt some disappointment when they fell short of | dignified, bringing out these little allusions, and passing on gracefully to the next topic. But I don t know what s come over me I actually had to ask Augustus the name of the lady Hamlet was in love with, as you were out, Katharine, and Heaven knows what he mayn t put down about me in his diary." "I wish," Katharine started, with great impetuosity, and checked herself. Her mother always stirred her to feel and think quickly, and then she remembered that her father was there, listening with attention. "What is it you wish?" he asked, as she paused. He often surprised her, thus, into telling him what she had not meant to tell him; and then they argued, while Mrs. Hilbery went on with her own thoughts. "I wish mother wasn t famous. I was out at tea, and they would talk to me about poetry." "Thinking you must be poetical, I see and aren t you?" "Who s been talking to you about poetry, Katharine?" Mrs. Hilbery demanded, and Katharine was committed to giving her parents an account of her visit to the Suffrage office. "They have an office at the top of one of the old houses in Russell Square. I never saw such queer-looking people. And the man discovered I was related to the poet, and talked to me about poetry. Even Mary Datchet seems different in that atmosphere." "Yes, the office atmosphere is very bad for the soul," said Mr. Hilbery. "I don t remember any offices in Russell Square in the old days, when Mamma lived there," Mrs. Hilbery mused, "and I can t fancy turning one of those noble great rooms into a stuffy little Suffrage office. Still, if the clerks read poetry there must be something nice about them." "No, because they don t read it as we read it," Katharine insisted. "But it s nice to think of them reading your grandfather, and not filling up those dreadful little forms all day long," Mrs. Hilbery persisted, her notion of office life being derived from some chance view of a scene behind the counter at her bank, as she slipped the sovereigns into her purse. "At any rate, they haven t made a convert of Katharine, which was what I was afraid of," Mr. Hilbery remarked. "Oh no," said Katharine very decidedly, "I wouldn t work with them for anything."<|quote|>"It s curious,"</|quote|>Mr. Hilbery continued, agreeing with his daughter, "how the sight of one s fellow-enthusiasts always chokes one off. They show up the faults of one s cause so much more plainly than one s antagonists. One can be enthusiastic in one s study, but directly one comes into touch with the people who agree with one, all the glamor goes. So I ve always found," and he proceeded to tell them, as he peeled his apple, how he committed himself once, in his youthful days, to make a speech at a political meeting, and went there ablaze with enthusiasm for the ideals of his own side; but while his leaders spoke, he became gradually converted to the other way of thinking, if thinking it could be called, and had to feign illness in order to avoid making a fool of himself an experience which had sickened him of public meetings. Katharine listened and felt as she generally did when her father, and to some extent her mother, described their feelings, that she quite understood and agreed with them, but, at the same time, saw something which they did not see, and always felt some disappointment when they fell short of her vision, as they always did. The plates succeeded each other swiftly and noiselessly in front of her, and the table was decked for dessert, and as the talk murmured on in familiar grooves, she sat there, rather like a judge, listening to her parents, who did, indeed, feel it very pleasant when they made her laugh. Daily life in a house where there are young and old is full of curious little ceremonies and pieties, which are discharged quite punctually, though the meaning of them is obscure, and a mystery has come to brood over them which lends even a superstitious charm to their performance. Such was the nightly ceremony of the cigar and the glass of port, which were placed on the right hand and on the left hand of Mr. Hilbery, and simultaneously Mrs. Hilbery and Katharine left the room. All the years they had lived together they had never seen Mr. Hilbery smoke his cigar or drink his port, and they would have felt it unseemly if, by chance, they had surprised him as he sat there. These short, but clearly marked, periods of separation between the sexes were always used for an intimate postscript to | she continued. "You took a cab, I hope?" Here dinner was announced, and Mr. Hilbery formally led his wife downstairs on his arm. They were all dressed for dinner, and, indeed, the prettiness of the dinner-table merited that compliment. There was no cloth upon the table, and the china made regular circles of deep blue upon the shining brown wood. In the middle there was a bowl of tawny red and yellow chrysanthemums, and one of pure white, so fresh that the narrow petals were curved backwards into a firm white ball. From the surrounding walls the heads of three famous Victorian writers surveyed this entertainment, and slips of paper pasted beneath them testified in the great man s own handwriting that he was yours sincerely or affectionately or for ever. The father and daughter would have been quite content, apparently, to eat their dinner in silence, or with a few cryptic remarks expressed in a shorthand which could not be understood by the servants. But silence depressed Mrs. Hilbery, and far from minding the presence of maids, she would often address herself to them, and was never altogether unconscious of their approval or disapproval of her remarks. In the first place she called them to witness that the room was darker than usual, and had all the lights turned on. "That s more cheerful," she exclaimed. "D you know, Katharine, that ridiculous goose came to tea with me? Oh, how I wanted you! He tried to make epigrams all the time, and I got so nervous, expecting them, you know, that I spilt the tea and he made an epigram about that!" "Which ridiculous goose?" Katharine asked her father. "Only one of my geese, happily, makes epigrams Augustus Pelham, of course," said Mrs. Hilbery. "I m not sorry that I was out," said Katharine. "Poor Augustus!" Mrs. Hilbery exclaimed. "But we re all too hard on him. Remember how devoted he is to his tiresome old mother." "That s only because she is his mother. Any one connected with himself" "No, no, Katharine that s too bad. That s what s the word I mean, Trevor, something long and Latin the sort of word you and Katharine know" Mr. Hilbery suggested "cynical." "Well, that ll do. I don t believe in sending girls to college, but I should teach them that sort of thing. It makes one feel so dignified, bringing out these little allusions, and passing on gracefully to the next topic. But I don t know what s come over me I actually had to ask Augustus the name of the lady Hamlet was in love with, as you were out, Katharine, and Heaven knows what he mayn t put down about me in his diary." "I wish," Katharine started, with great impetuosity, and checked herself. Her mother always stirred her to feel and think quickly, and then she remembered that her father was there, listening with attention. "What is it you wish?" he asked, as she paused. He often surprised her, thus, into telling him what she had not meant to tell him; and then they argued, while Mrs. Hilbery went on with her own thoughts. "I wish mother wasn t famous. I was out at tea, and they would talk to me about poetry." "Thinking you must be poetical, I see and aren t you?" "Who s been talking to you about poetry, Katharine?" Mrs. Hilbery demanded, and Katharine was committed to giving her parents an account of her visit to the Suffrage office. "They have an office at the top of one of the old houses in Russell Square. I never saw such queer-looking people. And the man discovered I was related to the poet, and talked to me about poetry. Even Mary Datchet seems different in that atmosphere." "Yes, the office atmosphere is very bad for the soul," said Mr. Hilbery. "I don t remember any offices in Russell Square in the old days, when Mamma lived there," Mrs. Hilbery mused, "and I can t fancy turning one of those noble great rooms into a stuffy little Suffrage office. Still, if the clerks read poetry there must be something nice about them." "No, because they don t read it as we read it," Katharine insisted. "But it s nice to think of them reading your grandfather, and not filling up those dreadful little forms all day long," Mrs. Hilbery persisted, her notion of office life being derived from some chance view of a scene behind the counter at her bank, as she slipped the sovereigns into her purse. "At any rate, they haven t made a convert of Katharine, which was what I was afraid of," Mr. Hilbery remarked. "Oh no," said Katharine very decidedly, "I wouldn t work with them for anything."<|quote|>"It s curious,"</|quote|>Mr. Hilbery continued, agreeing with his daughter, "how the sight of one s fellow-enthusiasts always chokes one off. They show up the faults of one s cause so much more plainly than one s antagonists. One can be enthusiastic in one s study, but directly one comes into touch with the people who agree with one, all the glamor goes. So I ve always found," and he proceeded to tell them, as he peeled his apple, how he committed himself once, in his youthful days, to make a speech at a political meeting, and went there ablaze with enthusiasm for the ideals of his own side; but while his leaders spoke, he became gradually converted to the other way of thinking, if thinking it could be called, and had to feign illness in order to avoid making a fool of himself an experience which had sickened him of public meetings. Katharine listened and felt as she generally did when her father, and to some extent her mother, described their feelings, that she quite understood and agreed with them, but, at the same time, saw something which they did not see, and always felt some disappointment when they fell short of her vision, as they always did. The plates succeeded each other swiftly and noiselessly in front of her, and the table was decked for dessert, and as the talk murmured on in familiar grooves, she sat there, rather like a judge, listening to her parents, who did, indeed, feel it very pleasant when they made her laugh. Daily life in a house where there are young and old is full of curious little ceremonies and pieties, which are discharged quite punctually, though the meaning of them is obscure, and a mystery has come to brood over them which lends even a superstitious charm to their performance. Such was the nightly ceremony of the cigar and the glass of port, which were placed on the right hand and on the left hand of Mr. Hilbery, and simultaneously Mrs. Hilbery and Katharine left the room. All the years they had lived together they had never seen Mr. Hilbery smoke his cigar or drink his port, and they would have felt it unseemly if, by chance, they had surprised him as he sat there. These short, but clearly marked, periods of separation between the sexes were always used for an intimate postscript to what had been said at dinner, the sense of being women together coming out most strongly when the male sex was, as if by some religious rite, secluded from the female. Katharine knew by heart the sort of mood that possessed her as she walked upstairs to the drawing-room, her mother s arm in hers; and she could anticipate the pleasure with which, when she had turned on the lights, they both regarded the drawing-room, fresh swept and set in order for the last section of the day, with the red parrots swinging on the chintz curtains, and the arm-chairs warming in the blaze. Mrs. Hilbery stood over the fire, with one foot on the fender, and her skirts slightly raised. "Oh, Katharine," she exclaimed, "how you ve made me think of Mamma and the old days in Russell Square! I can see the chandeliers, and the green silk of the piano, and Mamma sitting in her cashmere shawl by the window, singing till the little ragamuffin boys outside stopped to listen. Papa sent me in with a bunch of violets while he waited round the corner. It must have been a summer evening. That was before things were hopeless...." As she spoke an expression of regret, which must have come frequently to cause the lines which now grew deep round the lips and eyes, settled on her face. The poet s marriage had not been a happy one. He had left his wife, and after some years of a rather reckless existence, she had died, before her time. This disaster had led to great irregularities of education, and, indeed, Mrs. Hilbery might be said to have escaped education altogether. But she had been her father s companion at the season when he wrote the finest of his poems. She had sat on his knee in taverns and other haunts of drunken poets, and it was for her sake, so people said, that he had cured himself of his dissipation, and become the irreproachable literary character that the world knows, whose inspiration had deserted him. As Mrs. Hilbery grew old she thought more and more of the past, and this ancient disaster seemed at times almost to prey upon her mind, as if she could not pass out of life herself without laying the ghost of her parent s sorrow to rest. Katharine wished to comfort her mother, but it | put down about me in his diary." "I wish," Katharine started, with great impetuosity, and checked herself. Her mother always stirred her to feel and think quickly, and then she remembered that her father was there, listening with attention. "What is it you wish?" he asked, as she paused. He often surprised her, thus, into telling him what she had not meant to tell him; and then they argued, while Mrs. Hilbery went on with her own thoughts. "I wish mother wasn t famous. I was out at tea, and they would talk to me about poetry." "Thinking you must be poetical, I see and aren t you?" "Who s been talking to you about poetry, Katharine?" Mrs. Hilbery demanded, and Katharine was committed to giving her parents an account of her visit to the Suffrage office. "They have an office at the top of one of the old houses in Russell Square. I never saw such queer-looking people. And the man discovered I was related to the poet, and talked to me about poetry. Even Mary Datchet seems different in that atmosphere." "Yes, the office atmosphere is very bad for the soul," said Mr. Hilbery. "I don t remember any offices in Russell Square in the old days, when Mamma lived there," Mrs. Hilbery mused, "and I can t fancy turning one of those noble great rooms into a stuffy little Suffrage office. Still, if the clerks read poetry there must be something nice about them." "No, because they don t read it as we read it," Katharine insisted. "But it s nice to think of them reading your grandfather, and not filling up those dreadful little forms all day long," Mrs. Hilbery persisted, her notion of office life being derived from some chance view of a scene behind the counter at her bank, as she slipped the sovereigns into her purse. "At any rate, they haven t made a convert of Katharine, which was what I was afraid of," Mr. Hilbery remarked. "Oh no," said Katharine very decidedly, "I wouldn t work with them for anything."<|quote|>"It s curious,"</|quote|>Mr. Hilbery continued, agreeing with his daughter, "how the sight of one s fellow-enthusiasts always chokes one off. They show up the faults of one s cause so much more plainly than one s antagonists. One can be enthusiastic in one s study, but directly one comes into touch with the people who agree with one, all the glamor goes. So I ve always found," and he proceeded to tell them, as he peeled his apple, how he committed himself once, in his youthful days, to make a speech at a political meeting, and went there ablaze with enthusiasm for the ideals of his own side; but while his leaders spoke, he became gradually converted to the other way of thinking, if thinking it could be called, and had to feign illness in order to avoid making a fool of himself an experience which had sickened him of public meetings. Katharine listened and felt as she generally did when her father, and to some extent her mother, described their feelings, that she quite understood and agreed with them, but, at the same time, saw something which they did not see, and always felt some disappointment when they fell short of her vision, as they always did. The plates succeeded each other swiftly and noiselessly in front of her, and the table was decked for dessert, and as the talk murmured on in familiar grooves, she sat there, rather like a judge, listening to her parents, who did, indeed, feel it very pleasant when they made her laugh. Daily life in a house where there are young and old is full of curious little ceremonies and pieties, which are discharged quite punctually, though the meaning of them is obscure, and a mystery has come to brood over them which lends even a superstitious charm to their performance. Such was the nightly ceremony of the cigar and the glass of port, which were placed on the right hand and on the left hand of Mr. Hilbery, and simultaneously Mrs. Hilbery and Katharine left the room. All the years they had lived together they had never seen Mr. Hilbery smoke his cigar or drink his port, and they would have felt it unseemly if, by chance, they had surprised him as he sat there. These short, but clearly marked, periods of separation between the sexes were always used for an intimate postscript to what had been said at dinner, the sense of being women together coming out most strongly when the male sex was, as if by some religious rite, secluded from the female. Katharine knew by heart the sort of mood that possessed her as she walked upstairs to the drawing-room, her mother s arm in hers; and she could anticipate the pleasure with which, when she had turned on the lights, they both regarded the drawing-room, fresh swept and set in order for the last section of the day, with the red parrots swinging on the chintz curtains, and the arm-chairs warming in the blaze. Mrs. Hilbery stood over the fire, with one foot on the fender, and her skirts slightly raised. "Oh, Katharine," she exclaimed, "how | Night And Day |
said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. | No speaker | again, you dear old thing!"<|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.</|quote|>"When _I'm_ a Duchess," she | I am to see you again, you dear old thing!"<|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.</|quote|>"When _I'm_ a Duchess," she said to herself, (not in | it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!"<|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.</|quote|>"When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind | the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!"<|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.</|quote|>"When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little | was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!"<|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.</|quote|>"When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she | across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!"<|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.</|quote|>"When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes | particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!"<|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.</|quote|>"When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess, "as pigs have to fly; and the m--" But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; | tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison," the Queen said to the executioner: "fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!"<|quote|>said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.</|quote|>"When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if | Alices Adventures In Wonderland |
She seized it, and at once exclaimed: | No speaker | said abstractedly, "Give it her."<|quote|>She seized it, and at once exclaimed:</|quote|>"Why, it s only in | his father for permission, who said abstractedly, "Give it her."<|quote|>She seized it, and at once exclaimed:</|quote|>"Why, it s only in pencil! I said so. Pencil | by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her."<|quote|>She seized it, and at once exclaimed:</|quote|>"Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. | an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her."<|quote|>She seized it, and at once exclaimed:</|quote|>"Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table | Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her."<|quote|>She seized it, and at once exclaimed:</|quote|>"Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote." "My dear father, consult an expert if you like, but I don t admit it is my mother s writing." "Why, you | once to father. He s had a letter that s too awful." Charles began to run, but checked himself, and stepped heavily across the gravel path. There the house was with the nine windows, the unprolific vine. He exclaimed, "Schlegels again!" and as if to complete chaos, Dolly said, "Oh no, the matron of the nursing home has written instead of her." "Come in, all three of you!" cried his father, no longer inert. "Dolly, why have you disobeyed me?" "Oh, Mr. Wilcox--" "I told you not to go out to the garage. I ve heard you all shouting in the garden. I won t have it. Come in." He stood in the porch, transformed, letters in his hand. "Into the dining-room, every one of you. We can t discuss private matters in the middle of all the servants. Here, Charles, here; read these. See what you make." Charles took two letters, and read them as he followed the procession. The first was a covering note from the matron. Mrs. Wilcox had desired her, when the funeral should be over, to forward the enclosed. The enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her."<|quote|>She seized it, and at once exclaimed:</|quote|>"Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote." "My dear father, consult an expert if you like, but I don t admit it is my mother s writing." "Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the tree stems, | car in Yorkshire." The mud came off easily. "Charles, your father s down. Something s happened. He wants you in the house at once. Oh, Charles!" "Wait, dear, wait a minute. Who had the key of the garage while you were away, Crane?" "The gardener, sir." "Do you mean to tell me that old Penny can drive a motor?" "No, sir; no one s had the motor out, sir." "Then how do you account for the mud on the axle?" "I can t, of course, say for the time I ve been in Yorkshire. No more mud now, sir." Charles was vexed. The man was treating him as a fool, and if his heart had not been so heavy he would have reported him to his father. But it was not a morning for complaints. Ordering the motor to be round after lunch, he joined his wife, who had all the while been pouring out some incoherent story about a letter and a Miss Schlegel. "Now, Dolly, I can attend to you. Miss Schlegel? What does she want?" When people wrote a letter Charles always asked what they wanted. Want was to him the only cause of action. And the question in this case was correct, for his wife replied, "She wants Howards End." "Howards End? Now, Crane, just don t forget to put on the Stepney wheel." "No, sir." "Now, mind you don t forget, for I--Come, little woman." When they were out of the chauffeur s sight he put his arm round her waist and pressed her against him. All his affection and half his attention--it was what he granted her throughout their happy married life. "But you haven t listened, Charles." "What s wrong?" "I keep on telling you--Howards End. Miss Schlegel s got it." "Got what?" said Charles, unclasping her. "What the dickens are you talking about?" "Now, Charles, you promised not to say those naughty--" "Look here, I m in no mood for foolery. It s no morning for it either." "I tell you--I keep on telling you--Miss Schlegel--she s got it--your mother s left it to her--and you ve all got to move out!" "HOWARDS END?" "HOWARDS END!" she screamed, mimicking him, and as she did so Evie came dashing out of the shubbery. "Dolly, go back at once! My father s much annoyed with you. Charles" "--she hit herself wildly--" "come in at once to father. He s had a letter that s too awful." Charles began to run, but checked himself, and stepped heavily across the gravel path. There the house was with the nine windows, the unprolific vine. He exclaimed, "Schlegels again!" and as if to complete chaos, Dolly said, "Oh no, the matron of the nursing home has written instead of her." "Come in, all three of you!" cried his father, no longer inert. "Dolly, why have you disobeyed me?" "Oh, Mr. Wilcox--" "I told you not to go out to the garage. I ve heard you all shouting in the garden. I won t have it. Come in." He stood in the porch, transformed, letters in his hand. "Into the dining-room, every one of you. We can t discuss private matters in the middle of all the servants. Here, Charles, here; read these. See what you make." Charles took two letters, and read them as he followed the procession. The first was a covering note from the matron. Mrs. Wilcox had desired her, when the funeral should be over, to forward the enclosed. The enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her."<|quote|>She seized it, and at once exclaimed:</|quote|>"Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote." "My dear father, consult an expert if you like, but I don t admit it is my mother s writing." "Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the tree stems, extraordinarily solid, fell like trenches of purple across the frosted lawn. It was a glorious winter morning. Evie s fox terrier, who had passed for white, was only a dirty grey dog now, so intense was the purity that surrounded him. He was discredited, but the blackbirds that he was chasing glowed with Arabian darkness, for all the conventional colouring of life had been altered. Inside, the clock struck ten with a rich and confident note. Other clocks confirmed it, and the discussion moved towards its close. To follow it is unnecessary. It is rather a moment when the commentator should step forward. Ought the Wilcoxes to have offered their home to Margaret? I think not. The appeal was too flimsy. It was not legal; it had been written in illness, and under the spell of a sudden friendship; it was contrary to the dead woman s intentions in the past, contrary to her very nature, so far as that nature was understood by them. To them Howards End was a house: they could not know that to her it had been a spirit, for which she sought a spiritual heir. And--pushing one step farther in these mists--may they not have decided even better than they supposed? Is it credible that the possessions of the spirit can be bequeathed at all? Has the soul offspring? A wych-elm tree, a vine, a wisp of hay with dew on it--can passion for such things be transmitted where there is no bond of blood? No; the Wilcoxes are not to be blamed. The problem is too terrific, and they could not even perceive a problem. No; it is natural and fitting that after due debate they should tear the note up and throw it on to their dining-room fire. The practical moralist may acquit them absolutely. He who strives to look deeper may acquit them--almost. For one hard fact remains. They did neglect a personal appeal. The woman who had died did say to them, "Do this," and they answered, "We will not." The incident made a most painful impression on them. Grief mounted into the brain and worked there disquietingly. Yesterday they had lamented: "She was a dear mother, a true wife; in our absence she neglected her health and died." To-day they thought: "She was not as true, as dear, as we supposed." The desire for a more inward light had | Here, Charles, here; read these. See what you make." Charles took two letters, and read them as he followed the procession. The first was a covering note from the matron. Mrs. Wilcox had desired her, when the funeral should be over, to forward the enclosed. The enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her."<|quote|>She seized it, and at once exclaimed:</|quote|>"Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote." "My dear father, consult an expert if you like, but I don t admit it is my mother s writing." "Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of | Howards End |
"I believe," | Mr. Lawrence Cavendish | The jury looked up, interested.<|quote|>"I believe,"</|quote|>continued Lawrence, "that there have | strychnine." "Ah!" said the Coroner. The jury looked up, interested.<|quote|>"I believe,"</|quote|>continued Lawrence, "that there have been cases where the cumulative | to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested.<|quote|>"I believe,"</|quote|>continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased | deprecatingly at the Coroner, who replied briskly: "Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation." "It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested.<|quote|>"I believe,"</|quote|>continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would | Bauerstein's evidence. Dr. Wilkins corroborated it on all points. Sounded as to the possibility of suicide, he repudiated it utterly. The deceased, he said, suffered from a weak heart, but otherwise enjoyed perfect health, and was of a cheerful and well-balanced disposition. She would be one of the last people to take her own life. Lawrence Cavendish was next called. His evidence was quite unimportant, being a mere repetition of that of his brother. Just as he was about to step down, he paused, and said rather hesitatingly: "I should like to make a suggestion if I may?" He glanced deprecatingly at the Coroner, who replied briskly: "Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation." "It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested.<|quote|>"I believe,"</|quote|>continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for | having been taken much later in the evening." "Mrs. Inglethorp was in the habit of drinking a cup of cocoa in the middle of the night. Could the strychnine have been administered in that?" "No, I myself took a sample of the cocoa remaining in the saucepan and had it analysed. There was no strychnine present." I heard Poirot chuckle softly beside me. "How did you know?" I whispered. "Listen." "I should say" the doctor was continuing "that I would have been considerably surprised at any other result." "Why?" "Simply because strychnine has an unusually bitter taste. It can be detected in a solution of one in seventy thousand, and can only be disguised by some strongly flavoured substance. Cocoa would be quite powerless to mask it." One of the jury wanted to know if the same objection applied to coffee. "No. Coffee has a bitter taste of its own which would probably cover the taste of strychnine." "Then you consider it more likely that the drug was administered in the coffee, but that for some unknown reason its action was delayed." "Yes, but, the cup being completely smashed, there is no possibility of analyzing its contents." This concluded Dr. Bauerstein's evidence. Dr. Wilkins corroborated it on all points. Sounded as to the possibility of suicide, he repudiated it utterly. The deceased, he said, suffered from a weak heart, but otherwise enjoyed perfect health, and was of a cheerful and well-balanced disposition. She would be one of the last people to take her own life. Lawrence Cavendish was next called. His evidence was quite unimportant, being a mere repetition of that of his brother. Just as he was about to step down, he paused, and said rather hesitatingly: "I should like to make a suggestion if I may?" He glanced deprecatingly at the Coroner, who replied briskly: "Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation." "It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested.<|quote|>"I believe,"</|quote|>continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem." "Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?" "Certainly. The supposition is ridiculous." The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told | elapsed between the time when she had heard the voices and five o'clock, when she had taken tea to her mistress. The inquest was held on Friday at the Stylites Arms in the village. Poirot and I sat together, not being required to give evidence. The preliminaries were gone through. The jury viewed the body, and John Cavendish gave evidence of identification. Further questioned, he described his awakening in the early hours of the morning, and the circumstances of his mother's death. The medical evidence was next taken. There was a breathless hush, and every eye was fixed on the famous London specialist, who was known to be one of the greatest authorities of the day on the subject of toxicology. In a few brief words, he summed up the result of the post-mortem. Shorn of its medical phraseology and technicalities, it amounted to the fact that Mrs. Inglethorp had met her death as the result of strychnine poisoning. Judging from the quantity recovered, she must have taken not less than three-quarters of a grain of strychnine, but probably one grain or slightly over. "Is it possible that she could have swallowed the poison by accident?" asked the Coroner. "I should consider it very unlikely. Strychnine is not used for domestic purposes, as some poisons are, and there are restrictions placed on its sale." "Does anything in your examination lead you to determine how the poison was administered?" "No." "You arrived at Styles before Dr. Wilkins, I believe?" "That is so. The motor met me just outside the lodge gates, and I hurried there as fast as I could." "Will you relate to us exactly what happened next?" "I entered Mrs. Inglethorp's room. She was at that moment in a typical tetanic convulsion. She turned towards me, and gasped out:" Alfred Alfred '" "Could the strychnine have been administered in Mrs. Inglethorp's after-dinner coffee which was taken to her by her husband?" "Possibly, but strychnine is a fairly rapid drug in its action. The symptoms appear from one to two hours after it has been swallowed. It is retarded under certain conditions, none of which, however, appear to have been present in this case. I presume Mrs. Inglethorp took the coffee after dinner about eight o'clock, whereas the symptoms did not manifest themselves until the early hours of the morning, which, on the face of it, points to the drug having been taken much later in the evening." "Mrs. Inglethorp was in the habit of drinking a cup of cocoa in the middle of the night. Could the strychnine have been administered in that?" "No, I myself took a sample of the cocoa remaining in the saucepan and had it analysed. There was no strychnine present." I heard Poirot chuckle softly beside me. "How did you know?" I whispered. "Listen." "I should say" the doctor was continuing "that I would have been considerably surprised at any other result." "Why?" "Simply because strychnine has an unusually bitter taste. It can be detected in a solution of one in seventy thousand, and can only be disguised by some strongly flavoured substance. Cocoa would be quite powerless to mask it." One of the jury wanted to know if the same objection applied to coffee. "No. Coffee has a bitter taste of its own which would probably cover the taste of strychnine." "Then you consider it more likely that the drug was administered in the coffee, but that for some unknown reason its action was delayed." "Yes, but, the cup being completely smashed, there is no possibility of analyzing its contents." This concluded Dr. Bauerstein's evidence. Dr. Wilkins corroborated it on all points. Sounded as to the possibility of suicide, he repudiated it utterly. The deceased, he said, suffered from a weak heart, but otherwise enjoyed perfect health, and was of a cheerful and well-balanced disposition. She would be one of the last people to take her own life. Lawrence Cavendish was next called. His evidence was quite unimportant, being a mere repetition of that of his brother. Just as he was about to step down, he paused, and said rather hesitatingly: "I should like to make a suggestion if I may?" He glanced deprecatingly at the Coroner, who replied briskly: "Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation." "It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested.<|quote|>"I believe,"</|quote|>continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem." "Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?" "Certainly. The supposition is ridiculous." The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary, "and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked" The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on the bench just outside the long window of the boudoir. That is so, is it not?" This was news to me and glancing sideways at Poirot, I fancied that it was news to him as well. There was the faintest pause, the mere hesitation of a moment, before she answered: "Yes, that is so." "And the boudoir window was open, was it not?" Surely her face grew a little paler as she answered: "Yes." "Then you cannot have failed to hear the voices inside, especially as they were raised in anger. In fact, they would be more audible where you were than in the hall." "Possibly." "Will you repeat to us what you overheard of the quarrel?" "I really do not remember hearing anything." "Do you mean to say you did not hear voices?" "Oh, yes, I heard the voices, but I did not hear what they said." A faint spot of colour came into her cheek. "I am not in the habit of listening to private conversations." The Coroner persisted. "And you remember nothing at all? _Nothing_, Mrs. Cavendish? Not one stray word or phrase to make you realize that it _was_ a private conversation?" She paused, and seemed to reflect, still outwardly as calm as ever. "Yes; I remember. Mrs. Inglethorp said something I do not remember exactly what about causing | a solution of one in seventy thousand, and can only be disguised by some strongly flavoured substance. Cocoa would be quite powerless to mask it." One of the jury wanted to know if the same objection applied to coffee. "No. Coffee has a bitter taste of its own which would probably cover the taste of strychnine." "Then you consider it more likely that the drug was administered in the coffee, but that for some unknown reason its action was delayed." "Yes, but, the cup being completely smashed, there is no possibility of analyzing its contents." This concluded Dr. Bauerstein's evidence. Dr. Wilkins corroborated it on all points. Sounded as to the possibility of suicide, he repudiated it utterly. The deceased, he said, suffered from a weak heart, but otherwise enjoyed perfect health, and was of a cheerful and well-balanced disposition. She would be one of the last people to take her own life. Lawrence Cavendish was next called. His evidence was quite unimportant, being a mere repetition of that of his brother. Just as he was about to step down, he paused, and said rather hesitatingly: "I should like to make a suggestion if I may?" He glanced deprecatingly at the Coroner, who replied briskly: "Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation." "It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means." "How do you make that out, Mr. Cavendish?" "My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine." "Ah!" said the Coroner. The jury looked up, interested.<|quote|>"I believe,"</|quote|>continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?" "This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish." Dr. Wilkins was recalled and ridiculed the idea. "What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd." "And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?" "Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem." "Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?" "Certainly. The supposition is ridiculous." The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error. "That, of course, is always possible," replied the doctor. But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death. So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon. Dorcas's evidence on this point was substantially what Poirot and I had already heard, so I will not repeat it here. The next witness was Mary Cavendish. She stood very upright, and spoke in a low, clear, and perfectly composed voice. In answer to the Coroner's question, she told how, her alarm clock having aroused her at four-thirty as usual, she was dressing, when she was startled by the sound of something heavy falling. "That would have been the table by the bed?" commented the Coroner. "I opened my door," continued Mary, "and listened. In a few minutes a bell rang violently. Dorcas came running down and woke my husband, and we all went to my mother-in-law's room, but it was locked" The Coroner interrupted her. "I really do not think we need trouble you further on that point. We know all that can be known of the subsequent happenings. But I should be obliged if you would tell us all you overheard of the quarrel the day before." "I?" There was a faint insolence in her voice. She raised her hand and adjusted the ruffle of lace at her neck, turning her head a little as she did so. And quite spontaneously the thought flashed across my mind: "She is gaining time!" "Yes. I understand," continued the Coroner deliberately, "that you were sitting reading on | The Mysterious Affair At Styles |
said Jock. That night Tony slept in Guinevere. | No speaker | had one through the window,"<|quote|>said Jock. That night Tony slept in Guinevere.</|quote|>"Everything _is_ all right, isn't | whisky and soda. "Tony nearly had one through the window,"<|quote|>said Jock. That night Tony slept in Guinevere.</|quote|>"Everything _is_ all right, isn't it?" he said once. "Yes, | twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window,"<|quote|>said Jock. That night Tony slept in Guinevere.</|quote|>"Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to | first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window,"<|quote|>said Jock. That night Tony slept in Guinevere.</|quote|>"Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. | get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window,"<|quote|>said Jock. That night Tony slept in Guinevere.</|quote|>"Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards | the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window,"<|quote|>said Jock. That night Tony slept in Guinevere.</|quote|>"Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you | a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window,"<|quote|>said Jock. That night Tony slept in Guinevere.</|quote|>"Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big | to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window,"<|quote|>said Jock. That night Tony slept in Guinevere.</|quote|>"Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's | A Handful Of Dust |
he said softly. | No speaker | a part. "I don't understand,"<|quote|>he said softly.</|quote|>"What is it you want?" | she was jesting or playing a part. "I don't understand,"<|quote|>he said softly.</|quote|>"What is it you want?" She hid her face on | vulgar, contemptible woman whom any one may despise." Gurov felt bored already, listening to her. He was irritated by the naïve tone, by this remorse, so unexpected and inopportune; but for the tears in her eyes, he might have thought she was jesting or playing a part. "I don't understand,"<|quote|>he said softly.</|quote|>"What is it you want?" She hid her face on his breast and pressed close to him. "Believe me, believe me, I beseech you ..." she said. "I love a pure, honest life, and sin is loathsome to me. I don't know what I am doing. Simple people say: 'The | swear to God, I could not control myself; something happened to me: I could not be restrained. I told my husband I was ill, and came here.... And here I have been walking about as though I were dazed, like a mad creature; ... and now I have become a vulgar, contemptible woman whom any one may despise." Gurov felt bored already, listening to her. He was irritated by the naïve tone, by this remorse, so unexpected and inopportune; but for the tears in her eyes, he might have thought she was jesting or playing a part. "I don't understand,"<|quote|>he said softly.</|quote|>"What is it you want?" She hid her face on his breast and pressed close to him. "Believe me, believe me, I beseech you ..." she said. "I love a pure, honest life, and sin is loathsome to me. I don't know what I am doing. Simple people say: 'The Evil One has beguiled me.' And I may say of myself now that the Evil One has beguiled me." "Hush, hush!..." he muttered. He looked at her fixed, scared eyes, kissed her, talked softly and affectionately, and by degrees she was comforted, and her gaiety returned; they both began laughing. | myself I have deceived. And not only just now; I have been deceiving myself for a long time. My husband may be a good, honest man, but he is a flunkey! I don't know what he does there, what his work is, but I know he is a flunkey! I was twenty when I was married to him. I have been tormented by curiosity; I wanted something better. 'There must be a different sort of life,' I said to myself. I wanted to live! To live, to live!... I was fired by curiosity ... you don't understand it, but, I swear to God, I could not control myself; something happened to me: I could not be restrained. I told my husband I was ill, and came here.... And here I have been walking about as though I were dazed, like a mad creature; ... and now I have become a vulgar, contemptible woman whom any one may despise." Gurov felt bored already, listening to her. He was irritated by the naïve tone, by this remorse, so unexpected and inopportune; but for the tears in her eyes, he might have thought she was jesting or playing a part. "I don't understand,"<|quote|>he said softly.</|quote|>"What is it you want?" She hid her face on his breast and pressed close to him. "Believe me, believe me, I beseech you ..." she said. "I love a pure, honest life, and sin is loathsome to me. I don't know what I am doing. Simple people say: 'The Evil One has beguiled me.' And I may say of myself now that the Evil One has beguiled me." "Hush, hush!..." he muttered. He looked at her fixed, scared eyes, kissed her, talked softly and affectionately, and by degrees she was comforted, and her gaiety returned; they both began laughing. Afterwards when they went out there was not a soul on the sea-front. The town with its cypresses had quite a deathlike air, but the sea still broke noisily on the shore; a single barge was rocking on the waves, and a lantern was blinking sleepily on it. They found a cab and drove to Oreanda. "I found out your surname in the hall just now: it was written on the board--Von Diderits," said Gurov. "Is your husband a German?" "No; I believe his grandfather was a German, but he is an Orthodox Russian himself." At Oreanda they sat on | dog" --to what had happened was somehow peculiar, very grave, as though it were her fall--so it seemed, and it was strange and inappropriate. Her face dropped and faded, and on both sides of it her long hair hung down mournfully; she mused in a dejected attitude like "the woman who was a sinner" in an old-fashioned picture. "It's wrong," she said. "You will be the first to despise me now." There was a water-melon on the table. Gurov cut himself a slice and began eating it without haste. There followed at least half an hour of silence. Anna Sergeyevna was touching; there was about her the purity of a good, simple woman who had seen little of life. The solitary candle burning on the table threw a faint light on her face, yet it was clear that she was very unhappy. "How could I despise you?" asked Gurov. "You don't know what you are saying." "God forgive me," she said, and her eyes filled with tears. "It's awful." "You seem to feel you need to be forgiven." "Forgiven? No. I am a bad, low woman; I despise myself and don't attempt to justify myself. It's not my husband but myself I have deceived. And not only just now; I have been deceiving myself for a long time. My husband may be a good, honest man, but he is a flunkey! I don't know what he does there, what his work is, but I know he is a flunkey! I was twenty when I was married to him. I have been tormented by curiosity; I wanted something better. 'There must be a different sort of life,' I said to myself. I wanted to live! To live, to live!... I was fired by curiosity ... you don't understand it, but, I swear to God, I could not control myself; something happened to me: I could not be restrained. I told my husband I was ill, and came here.... And here I have been walking about as though I were dazed, like a mad creature; ... and now I have become a vulgar, contemptible woman whom any one may despise." Gurov felt bored already, listening to her. He was irritated by the naïve tone, by this remorse, so unexpected and inopportune; but for the tears in her eyes, he might have thought she was jesting or playing a part. "I don't understand,"<|quote|>he said softly.</|quote|>"What is it you want?" She hid her face on his breast and pressed close to him. "Believe me, believe me, I beseech you ..." she said. "I love a pure, honest life, and sin is loathsome to me. I don't know what I am doing. Simple people say: 'The Evil One has beguiled me.' And I may say of myself now that the Evil One has beguiled me." "Hush, hush!..." he muttered. He looked at her fixed, scared eyes, kissed her, talked softly and affectionately, and by degrees she was comforted, and her gaiety returned; they both began laughing. Afterwards when they went out there was not a soul on the sea-front. The town with its cypresses had quite a deathlike air, but the sea still broke noisily on the shore; a single barge was rocking on the waves, and a lantern was blinking sleepily on it. They found a cab and drove to Oreanda. "I found out your surname in the hall just now: it was written on the board--Von Diderits," said Gurov. "Is your husband a German?" "No; I believe his grandfather was a German, but he is an Orthodox Russian himself." At Oreanda they sat on a seat not far from the church, looked down at the sea, and were silent. Yalta was hardly visible through the morning mist; white clouds stood motionless on the mountain-tops. The leaves did not stir on the trees, grasshoppers chirruped, and the monotonous hollow sound of the sea rising up from below, spoke of the peace, of the eternal sleep awaiting us. So it must have sounded when there was no Yalta, no Oreanda here; so it sounds now, and it will sound as indifferently and monotonously when we are all no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies hid, perhaps, a pledge of our eternal salvation, of the unceasing movement of life upon earth, of unceasing progress towards perfection. Sitting beside a young woman who in the dawn seemed so lovely, soothed and spellbound in these magical surroundings--the sea, mountains, clouds, the open sky--Gurov thought how in reality everything is beautiful in this world when one reflects: everything except what we think or do ourselves when we forget our human dignity and the higher aims of our existence. A man walked up to them--probably a keeper--looked | set, and it was a long time turning about before it reached the groyne. Anna Sergeyevna looked through her lorgnette at the steamer and the passengers as though looking for acquaintances, and when she turned to Gurov her eyes were shining. She talked a great deal and asked disconnected questions, forgetting next moment what she had asked; then she dropped her lorgnette in the crush. The festive crowd began to disperse; it was too dark to see people's faces. The wind had completely dropped, but Gurov and Anna Sergeyevna still stood as though waiting to see some one else come from the steamer. Anna Sergeyevna was silent now, and sniffed the flowers without looking at Gurov. "The weather is better this evening," he said. "Where shall we go now? Shall we drive somewhere?" She made no answer. Then he looked at her intently, and all at once put his arm round her and kissed her on the lips, and breathed in the moisture and the fragrance of the flowers; and he immediately looked round him, anxiously wondering whether any one had seen them. "Let us go to your hotel," he said softly. And both walked quickly. The room was close and smelt of the scent she had bought at the Japanese shop. Gurov looked at her and thought: "What different people one meets in the world!" From the past he preserved memories of careless, good-natured women, who loved cheerfully and were grateful to him for the happiness he gave them, however brief it might be; and of women like his wife who loved without any genuine feeling, with superfluous phrases, affectedly, hysterically, with an expression that suggested that it was not love nor passion, but something more significant; and of two or three others, very beautiful, cold women, on whose faces he had caught a glimpse of a rapacious expression--an obstinate desire to snatch from life more than it could give, and these were capricious, unreflecting, domineering, unintelligent women not in their first youth, and when Gurov grew cold to them their beauty excited his hatred, and the lace on their linen seemed to him like scales. But in this case there was still the diffidence, the angularity of inexperienced youth, an awkward feeling; and there was a sense of consternation as though some one had suddenly knocked at the door. The attitude of Anna Sergeyevna-- "the lady with the dog" --to what had happened was somehow peculiar, very grave, as though it were her fall--so it seemed, and it was strange and inappropriate. Her face dropped and faded, and on both sides of it her long hair hung down mournfully; she mused in a dejected attitude like "the woman who was a sinner" in an old-fashioned picture. "It's wrong," she said. "You will be the first to despise me now." There was a water-melon on the table. Gurov cut himself a slice and began eating it without haste. There followed at least half an hour of silence. Anna Sergeyevna was touching; there was about her the purity of a good, simple woman who had seen little of life. The solitary candle burning on the table threw a faint light on her face, yet it was clear that she was very unhappy. "How could I despise you?" asked Gurov. "You don't know what you are saying." "God forgive me," she said, and her eyes filled with tears. "It's awful." "You seem to feel you need to be forgiven." "Forgiven? No. I am a bad, low woman; I despise myself and don't attempt to justify myself. It's not my husband but myself I have deceived. And not only just now; I have been deceiving myself for a long time. My husband may be a good, honest man, but he is a flunkey! I don't know what he does there, what his work is, but I know he is a flunkey! I was twenty when I was married to him. I have been tormented by curiosity; I wanted something better. 'There must be a different sort of life,' I said to myself. I wanted to live! To live, to live!... I was fired by curiosity ... you don't understand it, but, I swear to God, I could not control myself; something happened to me: I could not be restrained. I told my husband I was ill, and came here.... And here I have been walking about as though I were dazed, like a mad creature; ... and now I have become a vulgar, contemptible woman whom any one may despise." Gurov felt bored already, listening to her. He was irritated by the naïve tone, by this remorse, so unexpected and inopportune; but for the tears in her eyes, he might have thought she was jesting or playing a part. "I don't understand,"<|quote|>he said softly.</|quote|>"What is it you want?" She hid her face on his breast and pressed close to him. "Believe me, believe me, I beseech you ..." she said. "I love a pure, honest life, and sin is loathsome to me. I don't know what I am doing. Simple people say: 'The Evil One has beguiled me.' And I may say of myself now that the Evil One has beguiled me." "Hush, hush!..." he muttered. He looked at her fixed, scared eyes, kissed her, talked softly and affectionately, and by degrees she was comforted, and her gaiety returned; they both began laughing. Afterwards when they went out there was not a soul on the sea-front. The town with its cypresses had quite a deathlike air, but the sea still broke noisily on the shore; a single barge was rocking on the waves, and a lantern was blinking sleepily on it. They found a cab and drove to Oreanda. "I found out your surname in the hall just now: it was written on the board--Von Diderits," said Gurov. "Is your husband a German?" "No; I believe his grandfather was a German, but he is an Orthodox Russian himself." At Oreanda they sat on a seat not far from the church, looked down at the sea, and were silent. Yalta was hardly visible through the morning mist; white clouds stood motionless on the mountain-tops. The leaves did not stir on the trees, grasshoppers chirruped, and the monotonous hollow sound of the sea rising up from below, spoke of the peace, of the eternal sleep awaiting us. So it must have sounded when there was no Yalta, no Oreanda here; so it sounds now, and it will sound as indifferently and monotonously when we are all no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies hid, perhaps, a pledge of our eternal salvation, of the unceasing movement of life upon earth, of unceasing progress towards perfection. Sitting beside a young woman who in the dawn seemed so lovely, soothed and spellbound in these magical surroundings--the sea, mountains, clouds, the open sky--Gurov thought how in reality everything is beautiful in this world when one reflects: everything except what we think or do ourselves when we forget our human dignity and the higher aims of our existence. A man walked up to them--probably a keeper--looked at them and walked away. And this detail seemed mysterious and beautiful, too. They saw a steamer come from Theodosia, with its lights out in the glow of dawn. "There is dew on the grass," said Anna Sergeyevna, after a silence. "Yes. It's time to go home." They went back to the town. Then they met every day at twelve o'clock on the sea-front, lunched and dined together, went for walks, admired the sea. She complained that she slept badly, that her heart throbbed violently; asked the same questions, troubled now by jealousy and now by the fear that he did not respect her sufficiently. And often in the square or gardens, when there was no one near them, he suddenly drew her to him and kissed her passionately. Complete idleness, these kisses in broad daylight while he looked round in dread of some one's seeing them, the heat, the smell of the sea, and the continual passing to and fro before him of idle, well-dressed, well-fed people, made a new man of him; he told Anna Sergeyevna how beautiful she was, how fascinating. He was impatiently passionate, he would not move a step away from her, while she was often pensive and continually urged him to confess that he did not respect her, did not love her in the least, and thought of her as nothing but a common woman. Rather late almost every evening they drove somewhere out of town, to Oreanda or to the waterfall; and the expedition was always a success, the scenery invariably impressed them as grand and beautiful. They were expecting her husband to come, but a letter came from him, saying that there was something wrong with his eyes, and he entreated his wife to come home as quickly as possible. Anna Sergeyevna made haste to go. "It's a good thing I am going away," she said to Gurov. "It's the finger of destiny!" She went by coach and he went with her. They were driving the whole day. When she had got into a compartment of the express, and when the second bell had rung, she said: "Let me look at you once more ... look at you once again. That's right." She did not shed tears, but was so sad that she seemed ill, and her face was quivering. "I shall remember you ... think of you," she said. "God be | dog" --to what had happened was somehow peculiar, very grave, as though it were her fall--so it seemed, and it was strange and inappropriate. Her face dropped and faded, and on both sides of it her long hair hung down mournfully; she mused in a dejected attitude like "the woman who was a sinner" in an old-fashioned picture. "It's wrong," she said. "You will be the first to despise me now." There was a water-melon on the table. Gurov cut himself a slice and began eating it without haste. There followed at least half an hour of silence. Anna Sergeyevna was touching; there was about her the purity of a good, simple woman who had seen little of life. The solitary candle burning on the table threw a faint light on her face, yet it was clear that she was very unhappy. "How could I despise you?" asked Gurov. "You don't know what you are saying." "God forgive me," she said, and her eyes filled with tears. "It's awful." "You seem to feel you need to be forgiven." "Forgiven? No. I am a bad, low woman; I despise myself and don't attempt to justify myself. It's not my husband but myself I have deceived. And not only just now; I have been deceiving myself for a long time. My husband may be a good, honest man, but he is a flunkey! I don't know what he does there, what his work is, but I know he is a flunkey! I was twenty when I was married to him. I have been tormented by curiosity; I wanted something better. 'There must be a different sort of life,' I said to myself. I wanted to live! To live, to live!... I was fired by curiosity ... you don't understand it, but, I swear to God, I could not control myself; something happened to me: I could not be restrained. I told my husband I was ill, and came here.... And here I have been walking about as though I were dazed, like a mad creature; ... and now I have become a vulgar, contemptible woman whom any one may despise." Gurov felt bored already, listening to her. He was irritated by the naïve tone, by this remorse, so unexpected and inopportune; but for the tears in her eyes, he might have thought she was jesting or playing a part. "I don't understand,"<|quote|>he said softly.</|quote|>"What is it you want?" She hid her face on his breast and pressed close to him. "Believe me, believe me, I beseech you ..." she said. "I love a pure, honest life, and sin is loathsome to me. I don't know what I am doing. Simple people say: 'The Evil One has beguiled me.' And I may say of myself now that the Evil One has beguiled me." "Hush, hush!..." he muttered. He looked at her fixed, scared eyes, kissed her, talked softly and affectionately, and by degrees she was comforted, and her gaiety returned; they both began laughing. Afterwards when they went out there was not a soul on the sea-front. The town with its cypresses had quite a deathlike air, but the sea still broke noisily on the shore; a single barge was rocking on the waves, and a lantern was blinking sleepily on it. They found a cab and drove to Oreanda. "I found out your surname in the hall just now: it was written on the board--Von Diderits," said Gurov. "Is your husband a German?" "No; I believe his grandfather was a German, but he is an Orthodox Russian himself." At Oreanda they sat on a seat not far from the church, looked down at the sea, and were silent. Yalta was hardly visible through the morning mist; white clouds stood motionless on the mountain-tops. The leaves did not stir on the trees, grasshoppers chirruped, and | The Lady and the Dog and Other Stories (1) |
"Change lobsters again!" | The Gryphon | Mock Turtle, capering wildly about.<|quote|>"Change lobsters again!"</|quote|>yelled the Gryphon at the | in the sea!" cried the Mock Turtle, capering wildly about.<|quote|>"Change lobsters again!"</|quote|>yelled the Gryphon at the top of its voice. "Back | Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about.<|quote|>"Change lobsters again!"</|quote|>yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and | you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about.<|quote|>"Change lobsters again!"</|quote|>yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you | running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about.<|quote|>"Change lobsters again!"</|quote|>yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? | "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about.<|quote|>"Change lobsters again!"</|quote|>yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song | "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about.<|quote|>"Change lobsters again!"</|quote|>yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the | Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about.<|quote|>"Change lobsters again!"</|quote|>yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," | Alices Adventures In Wonderland |
"I am not telling you that I am in love with you. I am not in love with you." | Ralph Denham | a short pause, he said:<|quote|>"I am not telling you that I am in love with you. I am not in love with you."</|quote|>"I didn t think that," | Mary Datchet s face. After a short pause, he said:<|quote|>"I am not telling you that I am in love with you. I am not in love with you."</|quote|>"I didn t think that," she replied, conscious of some | against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said:<|quote|>"I am not telling you that I am in love with you. I am not in love with you."</|quote|>"I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending | and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said:<|quote|>"I am not telling you that I am in love with you. I am not in love with you."</|quote|>"I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I | she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment: "She told you that I had asked her to marry me, I suppose?" "No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said:<|quote|>"I am not telling you that I am in love with you. I am not in love with you."</|quote|>"I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or | go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment: "She told you that I had asked her to marry me, I suppose?" "No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said:<|quote|>"I am not telling you that I am in love with you. I am not in love with you."</|quote|>"I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly. "It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still," he added, | with her for thus disturbing him, and casting, as it was so easy for a person of her advantages to do, these phantoms and pitfalls across his path. He was determined that he would question her as severely as he would question himself; and make them both, once and for all, either justify her dominance or renounce it. But the longer they walked thus alone, the more he was disturbed by the sense of her actual presence. Her skirt blew; the feathers in her hat waved; sometimes he saw her a step or two ahead of him, or had to wait for her to catch him up. The silence was prolonged, and at length drew her attention to him. First she was annoyed that there was no cab to free her from his company; then she recalled vaguely something that Mary had said to make her think ill of him; she could not remember what, but the recollection, combined with his masterful ways why did he walk so fast down this side street? made her more and more conscious of a person of marked, though disagreeable, force by her side. She stopped and, looking round her for a cab, sighted one in the distance. He was thus precipitated into speech. "Should you mind if we walked a little farther?" he asked. "There s something I want to say to you." "Very well," she replied, guessing that his request had something to do with Mary Datchet. "It s quieter by the river," he said, and instantly he crossed over. "I want to ask you merely this," he began. But he paused so long that she could see his head against the sky; the slope of his thin cheek and his large, strong nose were clearly marked against it. While he paused, words that were quite different from those he intended to use presented themselves. "I ve made you my standard ever since I saw you. I ve dreamt about you; I ve thought of nothing but you; you represent to me the only reality in the world." His words, and the queer strained voice in which he spoke them, made it appear as if he addressed some person who was not the woman beside him, but some one far away. "And now things have come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment: "She told you that I had asked her to marry me, I suppose?" "No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said:<|quote|>"I am not telling you that I am in love with you. I am not in love with you."</|quote|>"I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly. "It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still," he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his brothers and sisters; what his mother had said, and his sister Joan had refrained from saying; exactly how many pounds stood in his name at the bank; what prospect his brother had of earning a livelihood in America; how much of their income went on rent, and other details known to him by heart. She listened to all this, so that she could have passed an examination in it by the time Waterloo Bridge was in sight; and yet she was no more listening to it than she was counting the paving-stones at her feet. She was feeling happier than she had felt in her life. If Denham could have seen how visibly books of algebraic symbols, pages all speckled with dots and dashes and twisted bars, came before her eyes as they trod the Embankment, his secret joy in her attention might have been dispersed. She went on, saying, "Yes, I see.... But how would that help you?... Your brother has passed his examination?" so sensibly, that he had constantly to keep his brain in check; and all the time she was in fancy looking up through a telescope at white shadow-cleft disks which were other worlds, until she felt herself | things have come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment: "She told you that I had asked her to marry me, I suppose?" "No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said:<|quote|>"I am not telling you that I am in love with you. I am not in love with you."</|quote|>"I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly. "It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still," he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you | Night And Day |
And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said: | No speaker | at which ye have alighted."<|quote|>And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:</|quote|>"By Allah, indifference to the | in it is this place at which ye have alighted."<|quote|>And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:</|quote|>"By Allah, indifference to the world is the most appropriate | resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted."<|quote|>And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:</|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!" And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall | one of his young men to mount a camel, and ride round the city, in the hope that he might discover a trace of a gate. So one of his young men mounted, and proceeded around it for two days with their nights, prosecuting his journey with diligence, and not resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted."<|quote|>And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:</|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!" And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the | some artifice. They stopped before it, and endeavoured to discover one of its gates; but they could not; and the Emeer Moosa said to the Sheikh Abd-Es-Samad: "O sheikh, I see not to this city any gate." The sheikh replied: "O Emeer, thus do I find it described in the Book of Hidden Treasures; that it hath five and twenty gates, and that none of its gates may be opened but from within the city." "And how," said the emeer, "can we contrive to enter it, and divert ourselves with a view of its wonders?" Then the Emeer Moosa ordered one of his young men to mount a camel, and ride round the city, in the hope that he might discover a trace of a gate. So one of his young men mounted, and proceeded around it for two days with their nights, prosecuting his journey with diligence, and not resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted."<|quote|>And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:</|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!" And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the gate from within." And the emeer said: "This is what occurred to my mind, and excellent is the advice." Then he called to the carpenters and blacksmiths, and ordered them to make straight some pieces of wood, and to construct a ladder covered with plates of iron. And they did so, and made it strong. They employed themselves in constructing it a whole month, and many men were occupied in making it. And they set it up and fixed it against the wall, and it proved to be equal to the wall in height, as though it had been made | there from the rest of the sons of Adam." "And where," said the sheikh, "is the way to the City of Brass, and the place wherein are the bottles? What distance is there between us and it?" The efreet answered: "It is near." So the party left him, and proceeded; and there appeared to them in the distance a great black object, with two fires corresponding with each other in position; whereupon the Emeer Moosa said to the sheikh: "What is this great black object, and these two corresponding fires?" The guide answered him: "Be rejoiced, O Emeer; for this is the City of Brass, and this is the appearance of it that I find described in the Book of Hidden Treasures; that its wall is of black stones, and it hath two towers of brass, which the beholder seeth resembling two corresponding fires; and thence it is named the City of Brass." They ceased not to proceed until they arrived at it; and, lo, it was lofty, strongly fortified, rising high into the air, impenetrable: the height of its walls was eighty cubits, and it had five and twenty gates, none of which would open but by means of some artifice. They stopped before it, and endeavoured to discover one of its gates; but they could not; and the Emeer Moosa said to the Sheikh Abd-Es-Samad: "O sheikh, I see not to this city any gate." The sheikh replied: "O Emeer, thus do I find it described in the Book of Hidden Treasures; that it hath five and twenty gates, and that none of its gates may be opened but from within the city." "And how," said the emeer, "can we contrive to enter it, and divert ourselves with a view of its wonders?" Then the Emeer Moosa ordered one of his young men to mount a camel, and ride round the city, in the hope that he might discover a trace of a gate. So one of his young men mounted, and proceeded around it for two days with their nights, prosecuting his journey with diligence, and not resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted."<|quote|>And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:</|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!" And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the gate from within." And the emeer said: "This is what occurred to my mind, and excellent is the advice." Then he called to the carpenters and blacksmiths, and ordered them to make straight some pieces of wood, and to construct a ladder covered with plates of iron. And they did so, and made it strong. They employed themselves in constructing it a whole month, and many men were occupied in making it. And they set it up and fixed it against the wall, and it proved to be equal to the wall in height, as though it had been made for it before that day. So the Emeer Moosa wondered at it, and said: "God bless you! It seemeth, from the excellence of your work, as though ye had adapted it by measurement to the wall." He then said to the people: "Which of you will ascend this ladder, and mount upon the wall, and walk along it, and contrive means of descending into the city, that he may see how the case is, and then inform us of the mode of opening the gate?" And one of them answered: "I will ascend it, O Emeer, and descend and open the gate." The emeer therefore replied: "Mount. God bless thee!" Accordingly, the man ascended the ladder until he reached the top of it; when he stood, and fixed his eyes toward the city, clapped his hands, and cried out with his loudest voice, saying: "Thou art beautiful!" Then he cast himself down into the city, and was destroyed. So the Emeer Moosa said: "If we do thus with all our companions, there will not remain of them one; and we shall be unable to accomplish our affair, and the affair of the Prince of the Faithful. Depart ye; for we | decree of God was executed among us. The first who charged upon Solomon were I and my troops; and I said to my companions: 'Keep in your places in the battle-field while I go forth to them and challenge Ed-Dimiryat.' And, lo, he came forth, like a great mountain, his fires flaming, and his smoke ascending; and he approached, and smote me with a flaming fire; and his arrow prevailed over my fire. He cried out at me with a prodigious cry, so that I imagined the heaven had fallen, and the mountains shook at his voice. Then he commanded his companions, and they charged upon us all together: we also charged upon them: the fires rose and the smoke ascended, the hearts of the combatants were almost cleft asunder, and the battle raged. The birds fought in the air; and the wild beasts in the dust; and I contended with Ed-Dimiryat until he wearied me and I wearied him; after which my companions and troops were enervated, and my tribes were routed. I flew from before Ed-Dimiryat; but he followed me a journey of three months, until he overtook me. I had fallen down through fatigue, and he rushed upon me, and made me a prisoner. So I said to him: 'By Him who hath exalted thee and abased me, pity me, and take me before Solomon.' But when I came before Solomon, he met me in a most evil manner: he caused this pillar to be brought, and hollowed it, and put me in it, and sealed me with his signet; after which, he chained me, and Ed-Dimiryat conveyed me to this place, where he set me down as thou seest me; and this pillar is my prison until the day of resurrection." The party therefore wondered at him, and at the horrible nature of his form; and the Emeer Moosa said: "There is no deity but God!" And the Sheikh Abd-Es-Samad said to the efreet: "O thou, I ask thee concerning a thing of which do thou inform us." The efreet replied: "Ask concerning what thou wilt." And the sheikh said: "Are there in this place any of the efreets confined in bottles of brass from the time of Solomon?" He answered: "Yes, in the Sea of El-Karkar, where are a people of the descendants of Noah, whose country the deluge reached not, and they are separated there from the rest of the sons of Adam." "And where," said the sheikh, "is the way to the City of Brass, and the place wherein are the bottles? What distance is there between us and it?" The efreet answered: "It is near." So the party left him, and proceeded; and there appeared to them in the distance a great black object, with two fires corresponding with each other in position; whereupon the Emeer Moosa said to the sheikh: "What is this great black object, and these two corresponding fires?" The guide answered him: "Be rejoiced, O Emeer; for this is the City of Brass, and this is the appearance of it that I find described in the Book of Hidden Treasures; that its wall is of black stones, and it hath two towers of brass, which the beholder seeth resembling two corresponding fires; and thence it is named the City of Brass." They ceased not to proceed until they arrived at it; and, lo, it was lofty, strongly fortified, rising high into the air, impenetrable: the height of its walls was eighty cubits, and it had five and twenty gates, none of which would open but by means of some artifice. They stopped before it, and endeavoured to discover one of its gates; but they could not; and the Emeer Moosa said to the Sheikh Abd-Es-Samad: "O sheikh, I see not to this city any gate." The sheikh replied: "O Emeer, thus do I find it described in the Book of Hidden Treasures; that it hath five and twenty gates, and that none of its gates may be opened but from within the city." "And how," said the emeer, "can we contrive to enter it, and divert ourselves with a view of its wonders?" Then the Emeer Moosa ordered one of his young men to mount a camel, and ride round the city, in the hope that he might discover a trace of a gate. So one of his young men mounted, and proceeded around it for two days with their nights, prosecuting his journey with diligence, and not resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted."<|quote|>And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:</|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!" And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the gate from within." And the emeer said: "This is what occurred to my mind, and excellent is the advice." Then he called to the carpenters and blacksmiths, and ordered them to make straight some pieces of wood, and to construct a ladder covered with plates of iron. And they did so, and made it strong. They employed themselves in constructing it a whole month, and many men were occupied in making it. And they set it up and fixed it against the wall, and it proved to be equal to the wall in height, as though it had been made for it before that day. So the Emeer Moosa wondered at it, and said: "God bless you! It seemeth, from the excellence of your work, as though ye had adapted it by measurement to the wall." He then said to the people: "Which of you will ascend this ladder, and mount upon the wall, and walk along it, and contrive means of descending into the city, that he may see how the case is, and then inform us of the mode of opening the gate?" And one of them answered: "I will ascend it, O Emeer, and descend and open the gate." The emeer therefore replied: "Mount. God bless thee!" Accordingly, the man ascended the ladder until he reached the top of it; when he stood, and fixed his eyes toward the city, clapped his hands, and cried out with his loudest voice, saying: "Thou art beautiful!" Then he cast himself down into the city, and was destroyed. So the Emeer Moosa said: "If we do thus with all our companions, there will not remain of them one; and we shall be unable to accomplish our affair, and the affair of the Prince of the Faithful. Depart ye; for we have no concern with this city." But one of them said: "Perhaps another than this may be more steady than he." And a second ascended, and a third, and a fourth, and a fifth; and they ceased not to ascend by that ladder to the top of the wall, one after another, until twelve men of them had gone, acting as acted the first. Therefore the Sheikh Abd-Es-Samad said: "There is none for this affair but myself, and the experienced is not like the inexperienced." But the Emeer Moosa said to him: "Thou shalt not do that, nor will I allow thee to ascend to the top of this wall; for shouldst thou die, thou wouldst be the cause of the death of us all, and there would not remain of us one; since thou art the guide of the party." The sheikh, however, replied: "Perhaps the object will be accomplished by my means, through the will of God, whose name be exalted!" And thereupon all the people agreed to his ascending. [Illustration] _And when they had ascended that mountain they saw a city than which eyes had not beheld any greater._ Then Abd-Es-Samad arose, and, having said: "In the name of God, the Compassionate, the Merciful!" --he ascended the ladder, repeating the praises of God, and reciting the Verses of Safety, until he reached the top of the wall; when he clapped his hands, and fixed his eyes. The people therefore all called out to him, and said: "O Sheikh Abd-Es-Samad, do not cast thyself down! If Abd-Es-Samad fall, we all perish!" Then Abd-Es-Samad sat a long time repeating the praises of God, and reciting the Verses of Safety; after which he rose with energy, and called out with his loudest voice: "O Emeer, no harm shall befall you; for God hath averted from me the effect of the artifice of the Devil." So the emeer said to him: "What hast thou seen, O Sheikh?" He answered: "When I reached the top of the wall I beheld ten damsels, like moons, who made a sign with their hands, as though they would say: 'Come to us!' And it seemed to me that beneath me was a sea of water; whereupon I desired to cast myself down, as our companions did: but I beheld them dead; so I withheld myself from them, and recited some words of the book of | him, and at the horrible nature of his form; and the Emeer Moosa said: "There is no deity but God!" And the Sheikh Abd-Es-Samad said to the efreet: "O thou, I ask thee concerning a thing of which do thou inform us." The efreet replied: "Ask concerning what thou wilt." And the sheikh said: "Are there in this place any of the efreets confined in bottles of brass from the time of Solomon?" He answered: "Yes, in the Sea of El-Karkar, where are a people of the descendants of Noah, whose country the deluge reached not, and they are separated there from the rest of the sons of Adam." "And where," said the sheikh, "is the way to the City of Brass, and the place wherein are the bottles? What distance is there between us and it?" The efreet answered: "It is near." So the party left him, and proceeded; and there appeared to them in the distance a great black object, with two fires corresponding with each other in position; whereupon the Emeer Moosa said to the sheikh: "What is this great black object, and these two corresponding fires?" The guide answered him: "Be rejoiced, O Emeer; for this is the City of Brass, and this is the appearance of it that I find described in the Book of Hidden Treasures; that its wall is of black stones, and it hath two towers of brass, which the beholder seeth resembling two corresponding fires; and thence it is named the City of Brass." They ceased not to proceed until they arrived at it; and, lo, it was lofty, strongly fortified, rising high into the air, impenetrable: the height of its walls was eighty cubits, and it had five and twenty gates, none of which would open but by means of some artifice. They stopped before it, and endeavoured to discover one of its gates; but they could not; and the Emeer Moosa said to the Sheikh Abd-Es-Samad: "O sheikh, I see not to this city any gate." The sheikh replied: "O Emeer, thus do I find it described in the Book of Hidden Treasures; that it hath five and twenty gates, and that none of its gates may be opened but from within the city." "And how," said the emeer, "can we contrive to enter it, and divert ourselves with a view of its wonders?" Then the Emeer Moosa ordered one of his young men to mount a camel, and ride round the city, in the hope that he might discover a trace of a gate. So one of his young men mounted, and proceeded around it for two days with their nights, prosecuting his journey with diligence, and not resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted."<|quote|>And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:</|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!" And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the gate from within." And the emeer said: "This is what occurred to my mind, and excellent is the advice." Then he called to the carpenters and blacksmiths, and ordered them to make straight some pieces of wood, and to construct a ladder covered with plates of iron. And they did so, and made it strong. They employed themselves in constructing it a whole month, and many men were occupied in making it. And they set it up and fixed it against the wall, and it proved to be equal to the wall in height, as though it had been made for it before that day. So the Emeer Moosa wondered at it, and said: "God bless you! It seemeth, from the excellence of your work, as though ye had adapted it by measurement to the wall." He then said to the people: "Which of you will ascend this ladder, and mount upon the wall, and walk along it, and contrive | Arabian Nights (5) |
"You have never explained to me what's in your mind here. Why on earth do you want to see her?" | Mr. Mcbryde | know that for a certainty?"<|quote|>"You have never explained to me what's in your mind here. Why on earth do you want to see her?"</|quote|>"On the off chance of | cannot be seen? You do know that for a certainty?"<|quote|>"You have never explained to me what's in your mind here. Why on earth do you want to see her?"</|quote|>"On the off chance of her recanting before you send | but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?"<|quote|>"You have never explained to me what's in your mind here. Why on earth do you want to see her?"</|quote|>"On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." | do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?"<|quote|>"You have never explained to me what's in your mind here. Why on earth do you want to see her?"</|quote|>"On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not | and consequently you come across these people at their best. That's what puts you wrong. They can be charming as boys. But I know them as they really are, after they have developed into men. Look at this, for instance." He held up Aziz' pocket-case. "I am going through the contents. They are not edifying. Here is a letter from a friend who apparently keeps a brothel." "I don't want to hear his private letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?"<|quote|>"You have never explained to me what's in your mind here. Why on earth do you want to see her?"</|quote|>"On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?" "I know, but she tells it to you." McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry | hideous delusion, and that that wretched boy is innocent." The policeman started in surprise, and a shadow passed over his face, for he could not bear his dispositions to be upset. "I had no idea that was in your mind," he said, and looked for support at the signed deposition, which lay before him. "Those field-glasses upset me for a minute, but I've thought since: it's impossible that, having attempted to assault her, he would put her glasses into his pocket." "Quite possible, I'm afraid; when an Indian goes bad, he goes not only very bad, but very queer." "I don't follow." "How should you? When you think of crime you think of English crime. The psychology here is different. I dare say you'll tell me next that he was quite normal when he came down from the hill to greet you. No reason he should not be. Read any of the Mutiny records; which, rather than the Bhagavad Gita, should be your Bible in this country. Though I'm not sure that the one and the other are not closely connected. Am I not being beastly? But, you see, Fielding, as I've said to you once before, you're a schoolmaster, and consequently you come across these people at their best. That's what puts you wrong. They can be charming as boys. But I know them as they really are, after they have developed into men. Look at this, for instance." He held up Aziz' pocket-case. "I am going through the contents. They are not edifying. Here is a letter from a friend who apparently keeps a brothel." "I don't want to hear his private letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?"<|quote|>"You have never explained to me what's in your mind here. Why on earth do you want to see her?"</|quote|>"On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?" "I know, but she tells it to you." McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but Turton called me off before I could get two steps." "Sort of all-white thing the Burra Sahib would do," | him just now, they were in his pocket." "Oh no, oh no, no; it'll be cleared up in five minutes," he cried again. "Have a look at them." The strap had been newly broken, the eye-piece was jammed. The logic of evidence said "Guilty." "Did she say any more?" "There was an echo that appears to have frightened her. Did you go into those caves?" "I saw one of them. There was an echo. Did it get on her nerves?" "I couldn't worry her overmuch with questions. She'll have plenty to go through in the witness-box. They don't bear thinking about, these next weeks. I wish the Marabar Hills and all they contain were at the bottom of the sea. Evening after evening one saw them from the club, and they were just a harmless name. . . . Yes, we start already." For a visiting card was brought; Vakil Mahmoud Ali, legal adviser to the prisoner, asked to be allowed to see him. McBryde sighed, gave permission, and continued: "I heard some more from Miss Derek she is an old friend of us both and talks freely; well her account is that you went off to locate the camp, and almost at once she heard stones falling on the Kawa Dol and saw Miss Quested running straight down the face of a precipice. Well. She climbed up a sort of gully to her, and found her practically done for her helmet off" "Was a guide not with her?" interrupted Fielding. "No. She had got among some cactuses. Miss Derek saved her life coming just then she was beginning to fling herself about. She helped her down to the car. Miss Quested couldn't stand the Indian driver, cried," Keep him away' "and it was that that put our friend on the track of what had happened. They made straight for our bungalow, and are there now. That's the story as far as I know it yet. She sent the driver to join you. I think she behaved with great sense." "I suppose there's no possibility of my seeing Miss Quested?" he asked suddenly. "I hardly think that would do. Surely." "I was afraid you'ld say that. I should very much like to." "She is in no state to see anyone. Besides, you don't know her well." "Hardly at all. . . . But you see I believe she's under some hideous delusion, and that that wretched boy is innocent." The policeman started in surprise, and a shadow passed over his face, for he could not bear his dispositions to be upset. "I had no idea that was in your mind," he said, and looked for support at the signed deposition, which lay before him. "Those field-glasses upset me for a minute, but I've thought since: it's impossible that, having attempted to assault her, he would put her glasses into his pocket." "Quite possible, I'm afraid; when an Indian goes bad, he goes not only very bad, but very queer." "I don't follow." "How should you? When you think of crime you think of English crime. The psychology here is different. I dare say you'll tell me next that he was quite normal when he came down from the hill to greet you. No reason he should not be. Read any of the Mutiny records; which, rather than the Bhagavad Gita, should be your Bible in this country. Though I'm not sure that the one and the other are not closely connected. Am I not being beastly? But, you see, Fielding, as I've said to you once before, you're a schoolmaster, and consequently you come across these people at their best. That's what puts you wrong. They can be charming as boys. But I know them as they really are, after they have developed into men. Look at this, for instance." He held up Aziz' pocket-case. "I am going through the contents. They are not edifying. Here is a letter from a friend who apparently keeps a brothel." "I don't want to hear his private letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?"<|quote|>"You have never explained to me what's in your mind here. Why on earth do you want to see her?"</|quote|>"On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?" "I know, but she tells it to you." McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but Turton called me off before I could get two steps." "Sort of all-white thing the Burra Sahib would do," he muttered sentimentally. And trying not to sound patronizing, he stretched his hand over the table, and said: "We shall all have to hang together, old man, I'm afraid. I'm your junior in years, I know, but very much your senior in service; you don't happen to know this poisonous country as well as I do, and you must take it from me that the general situation is going to be nasty at Chandrapore during the next few weeks, very nasty indeed." "So I have just told you." "But at a time like this there's no room for well personal views. The man who doesn't toe the line is lost." "I see what you mean." "No, you don't see entirely. He not only loses himself, he weakens his friends. If you leave the line, you leave a gap in the line. These jackals" he pointed at the lawyers' cards "are looking with all their eyes for a gap." "Can I visit Aziz?" was his answer. "No." Now that he knew of Turton's attitude, the policeman had no doubts. "You may see him on a magistrate's order, but on my own responsibility I don't feel justified. It might lead to more complications." He paused, reflecting that if he had been either ten years younger or ten years longer in India, he would have responded to McBryde's appeal. The bit between his teeth, he then said, "To whom do I apply for an order?" "City Magistrate." "That sounds comfortable!" "Yes, one can't very well worry poor Heaslop." More "evidence" appeared at this moment the table-drawer from Aziz' bungalow, borne with triumph in a corporal's arms. "Photographs of women. Ah!" "That's his wife," said Fielding, wincing. "How do you know that?" "He told me." McBryde gave a faint, incredulous smile, and started rummaging in the drawer. His face became inquisitive and slightly bestial. "Wife indeed, I know those wives!" he was thinking. Aloud he said: "Well, you must trot off now, old man, and the Lord help us, the Lord help us all. . ." As if his prayer had been heard, there was a sudden rackety-dacket on a temple bell. CHAPTER XIX Hamidullah was the next stage. He was waiting outside the Superintendent's office, and sprang up respectfully when he saw Fielding. To the Englishman's passionate "It's all a mistake," he answered, "Ah, ah, has some evidence come?" "It will come," said | being beastly? But, you see, Fielding, as I've said to you once before, you're a schoolmaster, and consequently you come across these people at their best. That's what puts you wrong. They can be charming as boys. But I know them as they really are, after they have developed into men. Look at this, for instance." He held up Aziz' pocket-case. "I am going through the contents. They are not edifying. Here is a letter from a friend who apparently keeps a brothel." "I don't want to hear his private letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?"<|quote|>"You have never explained to me what's in your mind here. Why on earth do you want to see her?"</|quote|>"On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?" "I know, but she tells it to you." McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but Turton called me off before I could get two steps." "Sort of all-white thing the Burra Sahib would do," he muttered sentimentally. And trying not to sound patronizing, he stretched his hand over the table, and said: "We shall all have to hang together, old man, I'm afraid. I'm your junior in years, I know, but very much your senior in service; you don't happen to know this poisonous country as well as I do, and you must | A Passage To India |
he floundered, | No speaker | a little morbid, I mean,"<|quote|>he floundered,</|quote|>"you, from your point of | matters which seem to me a little morbid, I mean,"<|quote|>he floundered,</|quote|>"you, from your point of view, feel that there s | course, but it s at the root of everything after all. There d be no harm in lending her books?" "No. Certainly not." "But if it hum led to a correspondence? I mean, Katharine, I take it, without going into matters which seem to me a little morbid, I mean,"<|quote|>he floundered,</|quote|>"you, from your point of view, feel that there s nothing disagreeable to you in the notion? If so, you ve only to speak, and I never think of it again." She was surprised by the violence of her desire that he never should think of it again. For an | may be rather a large order. I was thinking chiefly of English. Her criticisms of my play, though they re too generous, evidently immature she can t be more than twenty-two, I suppose? they certainly show the sort of thing one wants: real feeling for poetry, understanding, not formed, of course, but it s at the root of everything after all. There d be no harm in lending her books?" "No. Certainly not." "But if it hum led to a correspondence? I mean, Katharine, I take it, without going into matters which seem to me a little morbid, I mean,"<|quote|>he floundered,</|quote|>"you, from your point of view, feel that there s nothing disagreeable to you in the notion? If so, you ve only to speak, and I never think of it again." She was surprised by the violence of her desire that he never should think of it again. For an instant it seemed to her impossible to surrender an intimacy, which might not be the intimacy of love, but was certainly the intimacy of true friendship, to any woman in the world. Cassandra would never understand him she was not good enough for him. The letter seemed to her a | to take an intolerably long time. "Yes," she observed at length, "a very charming letter." Rodney s face was half turned away, as if in bashfulness. Her view of his profile almost moved her to laughter. She glanced through the pages once more. "I see no harm," William blurted out, "in helping her with Greek, for example if she really cares for that sort of thing." "There s no reason why she shouldn t care," said Katharine, consulting the pages once more. "In fact ah, here it is" The Greek alphabet is absolutely _fascinating_. "Obviously she does care." "Well, Greek may be rather a large order. I was thinking chiefly of English. Her criticisms of my play, though they re too generous, evidently immature she can t be more than twenty-two, I suppose? they certainly show the sort of thing one wants: real feeling for poetry, understanding, not formed, of course, but it s at the root of everything after all. There d be no harm in lending her books?" "No. Certainly not." "But if it hum led to a correspondence? I mean, Katharine, I take it, without going into matters which seem to me a little morbid, I mean,"<|quote|>he floundered,</|quote|>"you, from your point of view, feel that there s nothing disagreeable to you in the notion? If so, you ve only to speak, and I never think of it again." She was surprised by the violence of her desire that he never should think of it again. For an instant it seemed to her impossible to surrender an intimacy, which might not be the intimacy of love, but was certainly the intimacy of true friendship, to any woman in the world. Cassandra would never understand him she was not good enough for him. The letter seemed to her a letter of flattery a letter addressed to his weakness, which it made her angry to think was known to another. For he was not weak; he had the rare strength of doing what he promised she had only to speak, and he would never think of Cassandra again. She paused. Rodney guessed the reason. He was amazed. "She loves me," he thought. The woman he admired more than any one in the world, loved him, as he had given up hope that she would ever love him. And now that for the first time he was sure of her love, | was also the letter to Cassandra lying on the table in the next room. The atmosphere seemed charged with Cassandra. But, unless Katharine began the subject of her own accord, he could not even hint he must ignore the whole affair; it was the part of a gentleman to preserve a bearing that was, as far as he could make it, the bearing of an undoubting lover. At intervals he sighed deeply. He talked rather more quickly than usual about the possibility that some of the operas of Mozart would be played in the summer. He had received a notice, he said, and at once produced a pocket-book stuffed with papers, and began shuffling them in search. He held a thick envelope between his finger and thumb, as if the notice from the opera company had become in some way inseparably attached to it. "A letter from Cassandra?" said Katharine, in the easiest voice in the world, looking over his shoulder. "I ve just written to ask her to come here, only I forgot to post it." He handed her the envelope in silence. She took it, extracted the sheets, and read the letter through. The reading seemed to Rodney to take an intolerably long time. "Yes," she observed at length, "a very charming letter." Rodney s face was half turned away, as if in bashfulness. Her view of his profile almost moved her to laughter. She glanced through the pages once more. "I see no harm," William blurted out, "in helping her with Greek, for example if she really cares for that sort of thing." "There s no reason why she shouldn t care," said Katharine, consulting the pages once more. "In fact ah, here it is" The Greek alphabet is absolutely _fascinating_. "Obviously she does care." "Well, Greek may be rather a large order. I was thinking chiefly of English. Her criticisms of my play, though they re too generous, evidently immature she can t be more than twenty-two, I suppose? they certainly show the sort of thing one wants: real feeling for poetry, understanding, not formed, of course, but it s at the root of everything after all. There d be no harm in lending her books?" "No. Certainly not." "But if it hum led to a correspondence? I mean, Katharine, I take it, without going into matters which seem to me a little morbid, I mean,"<|quote|>he floundered,</|quote|>"you, from your point of view, feel that there s nothing disagreeable to you in the notion? If so, you ve only to speak, and I never think of it again." She was surprised by the violence of her desire that he never should think of it again. For an instant it seemed to her impossible to surrender an intimacy, which might not be the intimacy of love, but was certainly the intimacy of true friendship, to any woman in the world. Cassandra would never understand him she was not good enough for him. The letter seemed to her a letter of flattery a letter addressed to his weakness, which it made her angry to think was known to another. For he was not weak; he had the rare strength of doing what he promised she had only to speak, and he would never think of Cassandra again. She paused. Rodney guessed the reason. He was amazed. "She loves me," he thought. The woman he admired more than any one in the world, loved him, as he had given up hope that she would ever love him. And now that for the first time he was sure of her love, he resented it. He felt it as a fetter, an encumbrance, something which made them both, but him in particular, ridiculous. He was in her power completely, but his eyes were open and he was no longer her slave or her dupe. He would be her master in future. The instant prolonged itself as Katharine realized the strength of her desire to speak the words that should keep William for ever, and the baseness of the temptation which assailed her to make the movement, or speak the word, which he had often begged her for, which she was now near enough to feeling. She held the letter in her hand. She sat silent. At this moment there was a stir in the other room; the voice of Mrs. Hilbery was heard talking of proof-sheets rescued by miraculous providence from butcher s ledgers in Australia; the curtain separating one room from the other was drawn apart, and Mrs. Hilbery and Augustus Pelham stood in the doorway. Mrs. Hilbery stopped short. She looked at her daughter, and at the man her daughter was to marry, with her peculiar smile that always seemed to tremble on the brink of satire. "The best of | first time in her life she thought of him as a man, young, unhappy, tempestuous, full of desires and faults; for the first time she realized him for herself, and not from her mother s memory. He might have been her brother, she thought. It seemed to her that they were akin, with the mysterious kinship of blood which makes it seem possible to interpret the sights which the eyes of the dead behold so intently, or even to believe that they look with us upon our present joys and sorrows. He would have understood, she thought, suddenly; and instead of laying her withered flowers upon his shrine, she brought him her own perplexities perhaps a gift of greater value, should the dead be conscious of gifts, than flowers and incense and adoration. Doubts, questionings, and despondencies she felt, as she looked up, would be more welcome to him than homage, and he would hold them but a very small burden if she gave him, also, some share in what she suffered and achieved. The depth of her own pride and love were not more apparent to her than the sense that the dead asked neither flowers nor regrets, but a share in the life which they had given her, the life which they had lived. Rodney found her a moment later sitting beneath her grandfather s portrait. She laid her hand on the seat next her in a friendly way, and said: "Come and sit down, William. How glad I was you were here! I felt myself getting ruder and ruder." "You are not good at hiding your feelings," he returned dryly. "Oh, don t scold me I ve had a horrid afternoon." She told him how she had taken the flowers to Mrs. McCormick, and how South Kensington impressed her as the preserve of officers widows. She described how the door had opened, and what gloomy avenues of busts and palm-trees and umbrellas had been revealed to her. She spoke lightly, and succeeded in putting him at his ease. Indeed, he rapidly became too much at his ease to persist in a condition of cheerful neutrality. He felt his composure slipping from him. Katharine made it seem so natural to ask her to help him, or advise him, to say straight out what he had in his mind. The letter from Cassandra was heavy in his pocket. There was also the letter to Cassandra lying on the table in the next room. The atmosphere seemed charged with Cassandra. But, unless Katharine began the subject of her own accord, he could not even hint he must ignore the whole affair; it was the part of a gentleman to preserve a bearing that was, as far as he could make it, the bearing of an undoubting lover. At intervals he sighed deeply. He talked rather more quickly than usual about the possibility that some of the operas of Mozart would be played in the summer. He had received a notice, he said, and at once produced a pocket-book stuffed with papers, and began shuffling them in search. He held a thick envelope between his finger and thumb, as if the notice from the opera company had become in some way inseparably attached to it. "A letter from Cassandra?" said Katharine, in the easiest voice in the world, looking over his shoulder. "I ve just written to ask her to come here, only I forgot to post it." He handed her the envelope in silence. She took it, extracted the sheets, and read the letter through. The reading seemed to Rodney to take an intolerably long time. "Yes," she observed at length, "a very charming letter." Rodney s face was half turned away, as if in bashfulness. Her view of his profile almost moved her to laughter. She glanced through the pages once more. "I see no harm," William blurted out, "in helping her with Greek, for example if she really cares for that sort of thing." "There s no reason why she shouldn t care," said Katharine, consulting the pages once more. "In fact ah, here it is" The Greek alphabet is absolutely _fascinating_. "Obviously she does care." "Well, Greek may be rather a large order. I was thinking chiefly of English. Her criticisms of my play, though they re too generous, evidently immature she can t be more than twenty-two, I suppose? they certainly show the sort of thing one wants: real feeling for poetry, understanding, not formed, of course, but it s at the root of everything after all. There d be no harm in lending her books?" "No. Certainly not." "But if it hum led to a correspondence? I mean, Katharine, I take it, without going into matters which seem to me a little morbid, I mean,"<|quote|>he floundered,</|quote|>"you, from your point of view, feel that there s nothing disagreeable to you in the notion? If so, you ve only to speak, and I never think of it again." She was surprised by the violence of her desire that he never should think of it again. For an instant it seemed to her impossible to surrender an intimacy, which might not be the intimacy of love, but was certainly the intimacy of true friendship, to any woman in the world. Cassandra would never understand him she was not good enough for him. The letter seemed to her a letter of flattery a letter addressed to his weakness, which it made her angry to think was known to another. For he was not weak; he had the rare strength of doing what he promised she had only to speak, and he would never think of Cassandra again. She paused. Rodney guessed the reason. He was amazed. "She loves me," he thought. The woman he admired more than any one in the world, loved him, as he had given up hope that she would ever love him. And now that for the first time he was sure of her love, he resented it. He felt it as a fetter, an encumbrance, something which made them both, but him in particular, ridiculous. He was in her power completely, but his eyes were open and he was no longer her slave or her dupe. He would be her master in future. The instant prolonged itself as Katharine realized the strength of her desire to speak the words that should keep William for ever, and the baseness of the temptation which assailed her to make the movement, or speak the word, which he had often begged her for, which she was now near enough to feeling. She held the letter in her hand. She sat silent. At this moment there was a stir in the other room; the voice of Mrs. Hilbery was heard talking of proof-sheets rescued by miraculous providence from butcher s ledgers in Australia; the curtain separating one room from the other was drawn apart, and Mrs. Hilbery and Augustus Pelham stood in the doorway. Mrs. Hilbery stopped short. She looked at her daughter, and at the man her daughter was to marry, with her peculiar smile that always seemed to tremble on the brink of satire. "The best of all my treasures, Mr. Pelham!" she exclaimed. "Don t move, Katharine. Sit still, William. Mr. Pelham will come another day." Mr. Pelham looked, smiled, bowed, and, as his hostess had moved on, followed her without a word. The curtain was drawn again either by him or by Mrs. Hilbery. But her mother had settled the question somehow. Katharine doubted no longer. "As I told you last night," she said, "I think it s your duty, if there s a chance that you care for Cassandra, to discover what your feeling is for her now. It s your duty to her, as well as to me. But we must tell my mother. We can t go on pretending." "That is entirely in your hands, of course," said Rodney, with an immediate return to the manner of a formal man of honor. "Very well," said Katharine. Directly he left her she would go to her mother, and explain that the engagement was at an end or it might be better that they should go together? "But, Katharine," Rodney began, nervously attempting to stuff Cassandra s sheets back into their envelope; "if Cassandra should Cassandra you ve asked Cassandra to stay with you." "Yes; but I ve not posted the letter." He crossed his knees in a discomfited silence. By all his codes it was impossible to ask a woman with whom he had just broken off his engagement to help him to become acquainted with another woman with a view to his falling in love with her. If it was announced that their engagement was over, a long and complete separation would inevitably follow; in those circumstances, letters and gifts were returned; after years of distance the severed couple met, perhaps at an evening party, and touched hands uncomfortably with an indifferent word or two. He would be cast off completely; he would have to trust to his own resources. He could never mention Cassandra to Katharine again; for months, and doubtless years, he would never see Katharine again; anything might happen to her in his absence. Katharine was almost as well aware of his perplexities as he was. She knew in what direction complete generosity pointed the way; but pride for to remain engaged to Rodney and to cover his experiments hurt what was nobler in her than mere vanity fought for its life. "I m to give up my freedom | if the notice from the opera company had become in some way inseparably attached to it. "A letter from Cassandra?" said Katharine, in the easiest voice in the world, looking over his shoulder. "I ve just written to ask her to come here, only I forgot to post it." He handed her the envelope in silence. She took it, extracted the sheets, and read the letter through. The reading seemed to Rodney to take an intolerably long time. "Yes," she observed at length, "a very charming letter." Rodney s face was half turned away, as if in bashfulness. Her view of his profile almost moved her to laughter. She glanced through the pages once more. "I see no harm," William blurted out, "in helping her with Greek, for example if she really cares for that sort of thing." "There s no reason why she shouldn t care," said Katharine, consulting the pages once more. "In fact ah, here it is" The Greek alphabet is absolutely _fascinating_. "Obviously she does care." "Well, Greek may be rather a large order. I was thinking chiefly of English. Her criticisms of my play, though they re too generous, evidently immature she can t be more than twenty-two, I suppose? they certainly show the sort of thing one wants: real feeling for poetry, understanding, not formed, of course, but it s at the root of everything after all. There d be no harm in lending her books?" "No. Certainly not." "But if it hum led to a correspondence? I mean, Katharine, I take it, without going into matters which seem to me a little morbid, I mean,"<|quote|>he floundered,</|quote|>"you, from your point of view, feel that there s nothing disagreeable to you in the notion? If so, you ve only to speak, and I never think of it again." She was surprised by the violence of her desire that he never should think of it again. For an instant it seemed to her impossible to surrender an intimacy, which might not be the intimacy of love, but was certainly the intimacy of true friendship, to any woman in the world. Cassandra would never understand him she was not good enough for him. The letter seemed to her a letter of flattery a letter addressed to his weakness, which it made her angry to think was known to another. For he was not weak; he had the rare strength of doing what he promised she had only to speak, and he would never think of Cassandra again. She paused. Rodney guessed the reason. He was amazed. "She loves me," he thought. The woman he admired more than any one in the world, loved him, as he had given up hope that she would ever love him. And now that for the first time he was sure of her love, he resented it. He felt it as a fetter, an encumbrance, something which made them both, but him in particular, ridiculous. He was in her power completely, but his eyes were open and he was no longer her slave or her dupe. He would be her master in future. The instant prolonged itself as Katharine realized the strength of her desire to speak the words that should keep William for ever, and the baseness of the temptation which assailed her to make the movement, or speak the word, | Night And Day |
said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin. | No speaker | make your fortune, Mr. Sowerberry,"<|quote|>said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin.</|quote|>"I say you'll make your | Bumble," said the undertaker. "You'll make your fortune, Mr. Sowerberry,"<|quote|>said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin.</|quote|>"I say you'll make your fortune, Mr. Sowerberry," repeated Mr. | to professional jocosity. His step was elastic, and his face betokened inward pleasantry, as he advanced to Mr. Bumble, and shook him cordially by the hand. "I have taken the measure of the two women that died last night, Mr. Bumble," said the undertaker. "You'll make your fortune, Mr. Sowerberry,"<|quote|>said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin.</|quote|>"I say you'll make your fortune, Mr. Sowerberry," repeated Mr. Bumble, tapping the undertaker on the shoulder, in a friendly manner, with his cane. "Think so?" said the undertaker in a tone which half admitted and half disputed the probability of the event. "The prices allowed by the board are | Mr. Sowerberry, the parochial undertaker. Mr. Sowerberry was a tall gaunt, large-jointed man, attired in a suit of threadbare black, with darned cotton stockings of the same colour, and shoes to answer. His features were not naturally intended to wear a smiling aspect, but he was in general rather given to professional jocosity. His step was elastic, and his face betokened inward pleasantry, as he advanced to Mr. Bumble, and shook him cordially by the hand. "I have taken the measure of the two women that died last night, Mr. Bumble," said the undertaker. "You'll make your fortune, Mr. Sowerberry,"<|quote|>said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin.</|quote|>"I say you'll make your fortune, Mr. Sowerberry," repeated Mr. Bumble, tapping the undertaker on the shoulder, in a friendly manner, with his cane. "Think so?" said the undertaker in a tone which half admitted and half disputed the probability of the event. "The prices allowed by the board are very small, Mr. Bumble." "So are the coffins," replied the beadle: with precisely as near an approach to a laugh as a great official ought to indulge in. Mr. Sowerberry was much tickled at this: as of course he ought to be; and laughed a long time without cessation. "Well, | of that class. The more the case presented itself to the board, in this point of view, the more manifold the advantages of the step appeared; so, they came to the conclusion that the only way of providing for Oliver effectually, was to send him to sea without delay. Mr. Bumble had been despatched to make various preliminary inquiries, with the view of finding out some captain or other who wanted a cabin-boy without any friends; and was returning to the workhouse to communicate the result of his mission; when he encountered at the gate, no less a person than Mr. Sowerberry, the parochial undertaker. Mr. Sowerberry was a tall gaunt, large-jointed man, attired in a suit of threadbare black, with darned cotton stockings of the same colour, and shoes to answer. His features were not naturally intended to wear a smiling aspect, but he was in general rather given to professional jocosity. His step was elastic, and his face betokened inward pleasantry, as he advanced to Mr. Bumble, and shook him cordially by the hand. "I have taken the measure of the two women that died last night, Mr. Bumble," said the undertaker. "You'll make your fortune, Mr. Sowerberry,"<|quote|>said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin.</|quote|>"I say you'll make your fortune, Mr. Sowerberry," repeated Mr. Bumble, tapping the undertaker on the shoulder, in a friendly manner, with his cane. "Think so?" said the undertaker in a tone which half admitted and half disputed the probability of the event. "The prices allowed by the board are very small, Mr. Bumble." "So are the coffins," replied the beadle: with precisely as near an approach to a laugh as a great official ought to indulge in. Mr. Sowerberry was much tickled at this: as of course he ought to be; and laughed a long time without cessation. "Well, well, Mr. Bumble," he said at length, "there's no denying that, since the new system of feeding has come in, the coffins are something narrower and more shallow than they used to be; but we must have some profit, Mr. Bumble. Well-seasoned timber is an expensive article, sir; and all the iron handles come, by canal, from Birmingham." "Well, well," said Mr. Bumble, "every trade has its drawbacks. A fair profit is, of course, allowable." "Of course, of course," replied the undertaker; "and if I don't get a profit upon this or that particular article, why, I make it up | he wished he might come to him; which, although he agreed with the beadle in most matters, would seem to be a wish of a totally opposite description. The next morning, the public were once informed that Oliver Twist was again To Let, and that five pounds would be paid to anybody who would take possession of him. CHAPTER IV. OLIVER, BEING OFFERED ANOTHER PLACE, MAKES HIS FIRST ENTRY INTO PUBLIC LIFE In great families, when an advantageous place cannot be obtained, either in possession, reversion, remainder, or expectancy, for the young man who is growing up, it is a very general custom to send him to sea. The board, in imitation of so wise and salutary an example, took counsel together on the expediency of shipping off Oliver Twist, in some small trading vessel bound to a good unhealthy port. This suggested itself as the very best thing that could possibly be done with him: the probability being, that the skipper would flog him to death, in a playful mood, some day after dinner, or would knock his brains out with an iron bar; both pastimes being, as is pretty generally known, very favourite and common recreations among gentleman of that class. The more the case presented itself to the board, in this point of view, the more manifold the advantages of the step appeared; so, they came to the conclusion that the only way of providing for Oliver effectually, was to send him to sea without delay. Mr. Bumble had been despatched to make various preliminary inquiries, with the view of finding out some captain or other who wanted a cabin-boy without any friends; and was returning to the workhouse to communicate the result of his mission; when he encountered at the gate, no less a person than Mr. Sowerberry, the parochial undertaker. Mr. Sowerberry was a tall gaunt, large-jointed man, attired in a suit of threadbare black, with darned cotton stockings of the same colour, and shoes to answer. His features were not naturally intended to wear a smiling aspect, but he was in general rather given to professional jocosity. His step was elastic, and his face betokened inward pleasantry, as he advanced to Mr. Bumble, and shook him cordially by the hand. "I have taken the measure of the two women that died last night, Mr. Bumble," said the undertaker. "You'll make your fortune, Mr. Sowerberry,"<|quote|>said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin.</|quote|>"I say you'll make your fortune, Mr. Sowerberry," repeated Mr. Bumble, tapping the undertaker on the shoulder, in a friendly manner, with his cane. "Think so?" said the undertaker in a tone which half admitted and half disputed the probability of the event. "The prices allowed by the board are very small, Mr. Bumble." "So are the coffins," replied the beadle: with precisely as near an approach to a laugh as a great official ought to indulge in. Mr. Sowerberry was much tickled at this: as of course he ought to be; and laughed a long time without cessation. "Well, well, Mr. Bumble," he said at length, "there's no denying that, since the new system of feeding has come in, the coffins are something narrower and more shallow than they used to be; but we must have some profit, Mr. Bumble. Well-seasoned timber is an expensive article, sir; and all the iron handles come, by canal, from Birmingham." "Well, well," said Mr. Bumble, "every trade has its drawbacks. A fair profit is, of course, allowable." "Of course, of course," replied the undertaker; "and if I don't get a profit upon this or that particular article, why, I make it up in the long-run, you see he! he! he!" "Just so," said Mr. Bumble. "Though I must say," continued the undertaker, resuming the current of observations which the beadle had interrupted: "though I must say, Mr. Bumble, that I have to contend against one very great disadvantage: which is, that all the stout people go off the quickest. The people who have been better off, and have paid rates for many years, are the first to sink when they come into the house; and let me tell you, Mr. Bumble, that three or four inches over one's calculation makes a great hole in one's profits: especially when one has a family to provide for, sir." As Mr. Sowerberry said this, with the becoming indignation of an ill-used man; and as Mr. Bumble felt that it rather tended to convey a reflection on the honour of the parish; the latter gentleman thought it advisable to change the subject. Oliver Twist being uppermost in his mind, he made him his theme. "By the bye," said Mr. Bumble, "you don't know anybody who wants a boy, do you? A porochial 'prentis, who is at present a dead-weight; a millstone, as I may say, round | of Oliver Twist: who, despite all the admonitory looks and pinches of Bumble, was regarding the repulsive countenance of his future master, with a mingled expression of horror and fear, too palpable to be mistaken, even by a half-blind magistrate. The old gentleman stopped, laid down his pen, and looked from Oliver to Mr. Limbkins; who attempted to take snuff with a cheerful and unconcerned aspect. "My boy!" said the old gentleman, "you look pale and alarmed. What is the matter?" "Stand a little away from him, Beadle," said the other magistrate: laying aside the paper, and leaning forward with an expression of interest. "Now, boy, tell us what's the matter: don't be afraid." Oliver fell on his knees, and clasping his hands together, prayed that they would order him back to the dark room that they would starve him beat him kill him if they pleased rather than send him away with that dreadful man. "Well!" said Mr. Bumble, raising his hands and eyes with most impressive solemnity. "Well! of all the artful and designing orphans that ever I see, Oliver, you are one of the most bare-facedest." "Hold your tongue, Beadle," said the second old gentleman, when Mr. Bumble had given vent to this compound adjective. "I beg your worship's pardon," said Mr. Bumble, incredulous of having heard aright. "Did your worship speak to me?" "Yes. Hold your tongue." Mr. Bumble was stupefied with astonishment. A beadle ordered to hold his tongue! A moral revolution! The old gentleman in the tortoise-shell spectacles looked at his companion, he nodded significantly. "We refuse to sanction these indentures," said the old gentleman: tossing aside the piece of parchment as he spoke. "I hope," stammered Mr. Limbkins: "I hope the magistrates will not form the opinion that the authorities have been guilty of any improper conduct, on the unsupported testimony of a child." "The magistrates are not called upon to pronounce any opinion on the matter," said the second old gentleman sharply. "Take the boy back to the workhouse, and treat him kindly. He seems to want it." That same evening, the gentleman in the white waistcoat most positively and decidedly affirmed, not only that Oliver would be hung, but that he would be drawn and quartered into the bargain. Mr. Bumble shook his head with gloomy mystery, and said he wished he might come to good; whereunto Mr. Gamfield replied, that he wished he might come to him; which, although he agreed with the beadle in most matters, would seem to be a wish of a totally opposite description. The next morning, the public were once informed that Oliver Twist was again To Let, and that five pounds would be paid to anybody who would take possession of him. CHAPTER IV. OLIVER, BEING OFFERED ANOTHER PLACE, MAKES HIS FIRST ENTRY INTO PUBLIC LIFE In great families, when an advantageous place cannot be obtained, either in possession, reversion, remainder, or expectancy, for the young man who is growing up, it is a very general custom to send him to sea. The board, in imitation of so wise and salutary an example, took counsel together on the expediency of shipping off Oliver Twist, in some small trading vessel bound to a good unhealthy port. This suggested itself as the very best thing that could possibly be done with him: the probability being, that the skipper would flog him to death, in a playful mood, some day after dinner, or would knock his brains out with an iron bar; both pastimes being, as is pretty generally known, very favourite and common recreations among gentleman of that class. The more the case presented itself to the board, in this point of view, the more manifold the advantages of the step appeared; so, they came to the conclusion that the only way of providing for Oliver effectually, was to send him to sea without delay. Mr. Bumble had been despatched to make various preliminary inquiries, with the view of finding out some captain or other who wanted a cabin-boy without any friends; and was returning to the workhouse to communicate the result of his mission; when he encountered at the gate, no less a person than Mr. Sowerberry, the parochial undertaker. Mr. Sowerberry was a tall gaunt, large-jointed man, attired in a suit of threadbare black, with darned cotton stockings of the same colour, and shoes to answer. His features were not naturally intended to wear a smiling aspect, but he was in general rather given to professional jocosity. His step was elastic, and his face betokened inward pleasantry, as he advanced to Mr. Bumble, and shook him cordially by the hand. "I have taken the measure of the two women that died last night, Mr. Bumble," said the undertaker. "You'll make your fortune, Mr. Sowerberry,"<|quote|>said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin.</|quote|>"I say you'll make your fortune, Mr. Sowerberry," repeated Mr. Bumble, tapping the undertaker on the shoulder, in a friendly manner, with his cane. "Think so?" said the undertaker in a tone which half admitted and half disputed the probability of the event. "The prices allowed by the board are very small, Mr. Bumble." "So are the coffins," replied the beadle: with precisely as near an approach to a laugh as a great official ought to indulge in. Mr. Sowerberry was much tickled at this: as of course he ought to be; and laughed a long time without cessation. "Well, well, Mr. Bumble," he said at length, "there's no denying that, since the new system of feeding has come in, the coffins are something narrower and more shallow than they used to be; but we must have some profit, Mr. Bumble. Well-seasoned timber is an expensive article, sir; and all the iron handles come, by canal, from Birmingham." "Well, well," said Mr. Bumble, "every trade has its drawbacks. A fair profit is, of course, allowable." "Of course, of course," replied the undertaker; "and if I don't get a profit upon this or that particular article, why, I make it up in the long-run, you see he! he! he!" "Just so," said Mr. Bumble. "Though I must say," continued the undertaker, resuming the current of observations which the beadle had interrupted: "though I must say, Mr. Bumble, that I have to contend against one very great disadvantage: which is, that all the stout people go off the quickest. The people who have been better off, and have paid rates for many years, are the first to sink when they come into the house; and let me tell you, Mr. Bumble, that three or four inches over one's calculation makes a great hole in one's profits: especially when one has a family to provide for, sir." As Mr. Sowerberry said this, with the becoming indignation of an ill-used man; and as Mr. Bumble felt that it rather tended to convey a reflection on the honour of the parish; the latter gentleman thought it advisable to change the subject. Oliver Twist being uppermost in his mind, he made him his theme. "By the bye," said Mr. Bumble, "you don't know anybody who wants a boy, do you? A porochial 'prentis, who is at present a dead-weight; a millstone, as I may say, round the porochial throat? Liberal terms, Mr. Sowerberry, liberal terms?" As Mr. Bumble spoke, he raised his cane to the bill above him, and gave three distinct raps upon the words "five pounds": which were printed thereon in Roman capitals of gigantic size. "Gadso!" said the undertaker: taking Mr. Bumble by the gilt-edged lappel of his official coat; "that's just the very thing I wanted to speak to you about. You know dear me, what a very elegant button this is, Mr. Bumble! I never noticed it before." "Yes, I think it rather pretty," said the beadle, glancing proudly downwards at the large brass buttons which embellished his coat. "The die is the same as the porochial seal the Good Samaritan healing the sick and bruised man. The board presented it to me on Newyear's morning, Mr. Sowerberry. I put it on, I remember, for the first time, to attend the inquest on that reduced tradesman, who died in a doorway at midnight." "I recollect," said the undertaker. "The jury brought it in, Died from exposure to the cold, and want of the common necessaries of life,' didn't they?" Mr. Bumble nodded. "And they made it a special verdict, I think," said the undertaker, "by adding some words to the effect, that if the relieving officer had" "Tush! Foolery!" interposed the beadle. "If the board attended to all the nonsense that ignorant jurymen talk, they'd have enough to do." "Very true," said the undertaker; "they would indeed." "Juries," said Mr. Bumble, grasping his cane tightly, as was his wont when working into a passion: "juries is ineddicated, vulgar, grovelling wretches." "So they are," said the undertaker. "They haven't no more philosophy nor political economy about 'em than that," said the beadle, snapping his fingers contemptuously. "No more they have," acquiesced the undertaker. "I despise 'em," said the beadle, growing very red in the face. "So do I," rejoined the undertaker. "And I only wish we'd a jury of the independent sort, in the house for a week or two," said the beadle; "the rules and regulations of the board would soon bring their spirit down for 'em." "Let 'em alone for that," replied the undertaker. So saying, he smiled, approvingly: to calm the rising wrath of the indignant parish officer. Mr Bumble lifted off his cocked hat; took a handkerchief from the inside of the crown; wiped from his forehead the | given vent to this compound adjective. "I beg your worship's pardon," said Mr. Bumble, incredulous of having heard aright. "Did your worship speak to me?" "Yes. Hold your tongue." Mr. Bumble was stupefied with astonishment. A beadle ordered to hold his tongue! A moral revolution! The old gentleman in the tortoise-shell spectacles looked at his companion, he nodded significantly. "We refuse to sanction these indentures," said the old gentleman: tossing aside the piece of parchment as he spoke. "I hope," stammered Mr. Limbkins: "I hope the magistrates will not form the opinion that the authorities have been guilty of any improper conduct, on the unsupported testimony of a child." "The magistrates are not called upon to pronounce any opinion on the matter," said the second old gentleman sharply. "Take the boy back to the workhouse, and treat him kindly. He seems to want it." That same evening, the gentleman in the white waistcoat most positively and decidedly affirmed, not only that Oliver would be hung, but that he would be drawn and quartered into the bargain. Mr. Bumble shook his head with gloomy mystery, and said he wished he might come to good; whereunto Mr. Gamfield replied, that he wished he might come to him; which, although he agreed with the beadle in most matters, would seem to be a wish of a totally opposite description. The next morning, the public were once informed that Oliver Twist was again To Let, and that five pounds would be paid to anybody who would take possession of him. CHAPTER IV. OLIVER, BEING OFFERED ANOTHER PLACE, MAKES HIS FIRST ENTRY INTO PUBLIC LIFE In great families, when an advantageous place cannot be obtained, either in possession, reversion, remainder, or expectancy, for the young man who is growing up, it is a very general custom to send him to sea. The board, in imitation of so wise and salutary an example, took counsel together on the expediency of shipping off Oliver Twist, in some small trading vessel bound to a good unhealthy port. This suggested itself as the very best thing that could possibly be done with him: the probability being, that the skipper would flog him to death, in a playful mood, some day after dinner, or would knock his brains out with an iron bar; both pastimes being, as is pretty generally known, very favourite and common recreations among gentleman of that class. The more the case presented itself to the board, in this point of view, the more manifold the advantages of the step appeared; so, they came to the conclusion that the only way of providing for Oliver effectually, was to send him to sea without delay. Mr. Bumble had been despatched to make various preliminary inquiries, with the view of finding out some captain or other who wanted a cabin-boy without any friends; and was returning to the workhouse to communicate the result of his mission; when he encountered at the gate, no less a person than Mr. Sowerberry, the parochial undertaker. Mr. Sowerberry was a tall gaunt, large-jointed man, attired in a suit of threadbare black, with darned cotton stockings of the same colour, and shoes to answer. His features were not naturally intended to wear a smiling aspect, but he was in general rather given to professional jocosity. His step was elastic, and his face betokened inward pleasantry, as he advanced to Mr. Bumble, and shook him cordially by the hand. "I have taken the measure of the two women that died last night, Mr. Bumble," said the undertaker. "You'll make your fortune, Mr. Sowerberry,"<|quote|>said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin.</|quote|>"I say you'll make your fortune, Mr. Sowerberry," repeated Mr. Bumble, tapping the undertaker on the shoulder, in a friendly manner, with his cane. "Think so?" said the undertaker in a tone which half admitted and half disputed the probability of the event. "The prices allowed by the board are very small, Mr. Bumble." "So are the coffins," replied the beadle: with precisely as near an approach to a laugh as a great official ought to indulge in. Mr. Sowerberry was much tickled at this: as of course he ought to be; and laughed a long time without cessation. "Well, well, Mr. Bumble," he said at length, "there's no denying that, since the new system of feeding has come in, the coffins are something narrower and more shallow than they used to be; but we must have some profit, Mr. Bumble. Well-seasoned timber is an expensive article, sir; and all the iron handles come, by canal, from Birmingham." "Well, well," said Mr. Bumble, "every trade has its drawbacks. A fair profit is, of course, allowable." "Of course, of course," replied the undertaker; "and if I don't get a profit upon this or that particular article, why, I make it up in the long-run, you see he! he! he!" "Just so," said Mr. Bumble. "Though I must say," continued the undertaker, resuming the current of observations which the beadle had interrupted: "though I must say, Mr. Bumble, that I have to contend against one very great disadvantage: which is, that all the stout people go off the quickest. The people who have been better off, and have paid rates for many years, are the first to sink when they come into the house; and let me | Oliver Twist |
"Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell." | The General | he almost choked with fury.<|quote|>"Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell."</|quote|>"Rubbish, rubbish!" she retorted. "The | impression upon the General that he almost choked with fury.<|quote|>"Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell."</|quote|>"Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ | what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury.<|quote|>"Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell."</|quote|>"Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis | surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury.<|quote|>"Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell."</|quote|>"Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg." "The Shlangenberg? What is it? A forest?" "No, a mountain on the summit of which there is | in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury.<|quote|>"Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell."</|quote|>"Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg." "The Shlangenberg? What is it? A forest?" "No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached the old lady with the General s children. "No, I _don t_ want to see them," said the Grandmother. "I hate kissing children, for their noses are always wet. How are you getting on, Theodosia?" "I am very well, thank you, Madame," replied the nursemaid. "And how is your ladyship? We have been feeling so anxious about you!" "Yes, I | very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury.<|quote|>"Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell."</|quote|>"Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg." "The Shlangenberg? What is it? A forest?" "No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached the old lady with the General s children. "No, I _don t_ want to see them," said the Grandmother. "I hate kissing children, for their noses are always wet. How are you getting on, Theodosia?" "I am very well, thank you, Madame," replied the nursemaid. "And how is your ladyship? We have been feeling so anxious about you!" "Yes, I know, you simple soul But who are those other guests?" the old lady continued, turning again to Polina. "For instance, who is that old rascal in the spectacles?" "Prince Nilski, Grandmamma," whispered Polina. "Oh, a Russian? Why, I had no idea that he could understand me! Surely he did not hear what I said? As for Mr. Astley, I have seen him already, and I see that he is here again. How do you do?" she added to the gentleman in question. Mr. Astley bowed in silence. "Have you _nothing_ to say to me?" the old lady went on. "Say something, for goodness sake! Translate to him, Polina." Polina did so. "I have only to say," replied Mr. Astley gravely, but also with alacrity, "that I am indeed glad to see you in such good health." This was interpreted to the Grandmother, and she seemed much gratified. "How well English people know how to answer one!" she remarked. "That is why I like them so much better than French. Come here," she added to Mr. Astley. "I will try not to bore you too much. Polina, translate to him that I am staying in rooms on a lower floor. Yes, | Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury.<|quote|>"Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell."</|quote|>"Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg." "The Shlangenberg? What is it? A forest?" "No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached the old lady with the General s children. "No, I _don t_ want to see them," said the Grandmother. "I hate kissing children, for their noses are always wet. How are you getting on, Theodosia?" "I am very well, thank you, Madame," replied the nursemaid. "And how is your ladyship? We have been feeling so anxious about you!" "Yes, I know, you simple soul But who are those other guests?" the old lady continued, turning again to Polina. "For instance, who is that old rascal in the spectacles?" "Prince Nilski, Grandmamma," whispered Polina. "Oh, a Russian? Why, I had no idea that he could understand me! Surely he did not hear what I said? As for Mr. Astley, I have seen him already, and I see that he is here again. How do you do?" she added to the gentleman in question. Mr. Astley bowed in silence. "Have you _nothing_ to say to me?" the old lady went on. "Say something, for goodness sake! Translate to him, Polina." Polina did so. "I have only to say," replied Mr. Astley gravely, but also with alacrity, "that I am indeed glad to see you in such good health." This was interpreted to the Grandmother, and she seemed much gratified. "How well English people know how to answer one!" she remarked. "That is why I like them so much better than French. Come here," she added to Mr. Astley. "I will try not to bore you too much. Polina, translate to him that I am staying in rooms on a lower floor. Yes, on a lower floor," she repeated to Astley, pointing downwards with her finger. Astley looked pleased at receiving the invitation. Next, the old lady scanned Polina, from head to foot with minute attention. "I could almost have liked you, Prascovia," suddenly she remarked, "for you are a nice girl the best of the lot. You have some character about you. I too have character. Turn round. Surely that is not false hair that you are wearing?" "No, Grandmamma. It is my own." "Well, well. I do not like the stupid fashions of today. You are very good looking. I should have fallen in love with you if I had been a man. Why do you not get married? It is time now that I was going. I want to walk, yet I always have to ride. Are you still in a bad temper?" she added to the General. "No, indeed," rejoined the now mollified General. "I quite understand that at your time of life" "Cette vieille est tomb e en enfance," De Griers whispered to me. "But I want to look round a little," the old lady added to the General. "Will you lend me Alexis Ivanovitch for the purpose?" "As much as you like. But I myself yes, and Polina and Monsieur de Griers too we all of us hope to have the pleasure of escorting you." "Mais, madame, cela sera un plaisir," De Griers commented with a bewitching smile. "Plaisir indeed! Why, I look upon you as a perfect fool, monsieur." Then she remarked to the General: "I am not going to let you have any of my money. I must be off to my rooms now, to see what they are like. Afterwards we will look round a little. Lift me up." Again the Grandmother was borne aloft and carried down the staircase amid a perfect bevy of followers the General walking as though he had been hit over the head with a cudgel, and De Griers seeming to be plunged in thought. Endeavouring to be left behind, Mlle. Blanche next thought better of it, and followed the rest, with the Prince in her wake. Only the German savant and Madame de Cominges did not leave the General s apartments. X At spas and, probably, all over Europe hotel landlords and managers are guided in their allotment of rooms to visitors, not so much by the wishes | certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury.<|quote|>"Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell."</|quote|>"Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg." "The Shlangenberg? What is it? A forest?" "No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached the old lady with the General s children. "No, I _don t_ want to see them," said the Grandmother. "I hate kissing children, for their noses are always wet. How are you getting on, Theodosia?" "I am very well, thank you, Madame," replied the nursemaid. "And how is your ladyship? We have been feeling so anxious about you!" "Yes, I know, you simple soul But who are those other guests?" the old lady continued, turning again to Polina. "For instance, who is that old rascal in the spectacles?" "Prince Nilski, Grandmamma," whispered Polina. "Oh, a Russian? Why, I had no idea that he could understand me! Surely he did not hear what I said? As for Mr. Astley, I have seen him already, and I see that he is here again. How do you do?" she added to the gentleman in question. Mr. Astley bowed in silence. "Have you _nothing_ to say to me?" the old lady went on. "Say something, for goodness sake! Translate to him, Polina." Polina did so. "I have only to say," replied Mr. Astley gravely, but also with alacrity, "that I am indeed glad to see you in | The Gambler |
Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face. | No speaker | he whispered: “Let’s get out.”<|quote|>Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face.</|quote|>“The God damned coward!” he | he passed close to me he whispered: “Let’s get out.”<|quote|>Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face.</|quote|>“The God damned coward!” he whimpered. “He didn’t even stop | he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.”<|quote|>Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face.</|quote|>“The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. | a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.”<|quote|>Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face.</|quote|>“The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel | afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.”<|quote|>Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face.</|quote|>“The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases. “I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.” He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only | yellow car. New.” “See the accident?” asked the policeman. “No, but the car passed me down the road, going faster’n forty. Going fifty, sixty.” “Come here and let’s have your name. Look out now. I want to get his name.” Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright. “Listen,” said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.”<|quote|>Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face.</|quote|>“The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases. “I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.” He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only half-past nine,” she said. I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler’s voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate. I hadn’t gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon. “What are you doing?” I inquired. “Just standing here, old sport.” Somehow, that seemed a despicable occupation. For all I knew he was going to rob the house in a moment; I wouldn’t have been surprised to see sinister faces, the faces of “Wolfshiem’s people,” behind him in the dark shrubbery. “Did you see any trouble on the road?” | movement of his powerful arms pushed his way through. The circle closed up again with a running murmur of expostulation; it was a minute before I could see anything at all. Then new arrivals deranged the line, and Jordan and I were pushed suddenly inside. Myrtle Wilson’s body, wrapped in a blanket, and then in another blanket, as though she suffered from a chill in the hot night, lay on a worktable by the wall, and Tom, with his back to us, was bending over it, motionless. Next to him stood a motorcycle policeman taking down names with much sweat and correction in a little book. At first I couldn’t find the source of the high, groaning words that echoed clamorously through the bare garage—then I saw Wilson standing on the raised threshold of his office, swaying back and forth and holding to the doorposts with both hands. Some man was talking to him in a low voice and attempting, from time to time, to lay a hand on his shoulder, but Wilson neither heard nor saw. His eyes would drop slowly from the swinging light to the laden table by the wall, and then jerk back to the light again, and he gave out incessantly his high, horrible call: “Oh, my Ga-od! Oh, my Ga-od! Oh, Ga-od! Oh, my Ga-od!” Presently Tom lifted his head with a jerk and, after staring around the garage with glazed eyes, addressed a mumbled incoherent remark to the policeman. “M-a-v—” the policeman was saying, “—o—” “No, r—” corrected the man, “M-a-v-r-o—” “Listen to me!” muttered Tom fiercely. “r—” said the policeman, “o—” “g—” “g—” He looked up as Tom’s broad hand fell sharply on his shoulder. “What you want, fella?” “What happened?—that’s what I want to know.” “Auto hit her. Ins’antly killed.” “Instantly killed,” repeated Tom, staring. “She ran out ina road. Son-of-a-bitch didn’t even stopus car.” “There was two cars,” said Michaelis, “one comin’, one goin’, see?” “Going where?” asked the policeman keenly. “One goin’ each way. Well, she” —his hand rose toward the blankets but stopped halfway and fell to his side— “she ran out there an’ the one comin’ from N’York knock right into her, goin’ thirty or forty miles an hour.” “What’s the name of this place here?” demanded the officer. “Hasn’t got any name.” A pale well-dressed negro stepped near. “It was a yellow car,” he said, “big yellow car. New.” “See the accident?” asked the policeman. “No, but the car passed me down the road, going faster’n forty. Going fifty, sixty.” “Come here and let’s have your name. Look out now. I want to get his name.” Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright. “Listen,” said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.”<|quote|>Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face.</|quote|>“The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases. “I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.” He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only half-past nine,” she said. I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler’s voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate. I hadn’t gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon. “What are you doing?” I inquired. “Just standing here, old sport.” Somehow, that seemed a despicable occupation. For all I knew he was going to rob the house in a moment; I wouldn’t have been surprised to see sinister faces, the faces of “Wolfshiem’s people,” behind him in the dark shrubbery. “Did you see any trouble on the road?” he asked after a minute. “Yes.” He hesitated. “Was she killed?” “Yes.” “I thought so; I told Daisy I thought so. It’s better that the shock should all come at once. She stood it pretty well.” He spoke as if Daisy’s reaction was the only thing that mattered. “I got to West Egg by a side road,” he went on, “and left the car in my garage. I don’t think anybody saw us, but of course I can’t be sure.” I disliked him so much by this time that I didn’t find it necessary to tell him he was wrong. “Who was the woman?” he inquired. “Her name was Wilson. Her husband owns the garage. How the devil did it happen?” “Well, I tried to swing the wheel—” He broke off, and suddenly I guessed at the truth. “Was Daisy driving?” “Yes,” he said after a moment, “but of course I’ll say I was. You see, when we left New York she was very nervous and she thought it would steady her to drive—and this woman rushed out at us just as we were passing a car coming the other way. It all happened in a minute, but it seemed to me that she wanted to speak to us, thought we were somebody she knew. Well, first Daisy turned away from the woman toward the other car, and then she lost her nerve and turned back. The second my hand reached the wheel I felt the shock—it must have killed her instantly.” “It ripped her open—” “Don’t tell me, old sport.” He winced. “Anyhow—Daisy stepped on it. I tried to make her stop, but she couldn’t, so I pulled on the emergency brake. Then she fell over into my lap and I drove on. “She’ll be all right tomorrow,” he said presently. “I’m just going to wait here and see if he tries to bother her about that unpleasantness this afternoon. She’s locked herself into her room, and if he tries any brutality she’s going to turn the light out and on again.” “He won’t touch her,” I said. “He’s not thinking about her.” “I don’t trust him, old sport.” “How long are you going to wait?” “All night, if necessary. Anyhow, till they all go to bed.” A new point of view occurred to me. Suppose Tom found out that Daisy had been driving. He might think he saw | among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright. “Listen,” said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.”<|quote|>Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face.</|quote|>“The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases. “I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.” He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only half-past nine,” she said. I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler’s voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate. I hadn’t gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon. “What are you doing?” I inquired. “Just standing here, old sport.” Somehow, that seemed a despicable occupation. For all I knew he was going to rob the house in a moment; | The Great Gatsby |
"Curious mounds," | Henry | news of our restless civilisation.<|quote|>"Curious mounds,"</|quote|>said Henry, "but in with | Six Hills by now, bringing news of our restless civilisation.<|quote|>"Curious mounds,"</|quote|>said Henry, "but in with you now; another time." He | in Hilton. His objections to the house were plain as daylight now. Crane had had enough tea, and was sent to the garage, where their car had been trickling muddy water over Charles s. The downpour had surely penetrated the Six Hills by now, bringing news of our restless civilisation.<|quote|>"Curious mounds,"</|quote|>said Henry, "but in with you now; another time." He had to be up in London by seven--if possible, by six-thirty. Once more she lost the sense of space; once more trees, houses, people, animals, hills, merged and heaved into one dirtiness, and she was at Wickham Place. Her evening | to outsiders, no Wilcox could live near, or near the possessions of, any other Wilcox. They had the colonial spirit, and were always making for some spot where the white man might carry his burden unobserved. Of course, Howards End was impossible, so long as the younger couple were established in Hilton. His objections to the house were plain as daylight now. Crane had had enough tea, and was sent to the garage, where their car had been trickling muddy water over Charles s. The downpour had surely penetrated the Six Hills by now, bringing news of our restless civilisation.<|quote|>"Curious mounds,"</|quote|>said Henry, "but in with you now; another time." He had to be up in London by seven--if possible, by six-thirty. Once more she lost the sense of space; once more trees, houses, people, animals, hills, merged and heaved into one dirtiness, and she was at Wickham Place. Her evening was pleasant. The sense of flux which had haunted her all the year disappeared for a time. She forgot the luggage and the motor-cars, and the hurrying men who know so much and connect so little. She recaptured the sense of space, which is the basis of all earthly beauty, | killed. Yes, I m certain I ve got it right now. Tom Howard--he was the last of them." "I believe so," said Mr. Wilcox negligently. "I say! Howards End--Howards Ended!" cried Dolly. "I m rather on the spot this evening, eh?" "I wish you d ask whether Crane s ended." "Oh, Mr. Wilcox, how can you?" "Because, if he has had enough tea, we ought to go--Dolly s a good little woman," he continued, "but a little of her goes a long way. I couldn t live near her if you paid me." Margaret smiled. Though presenting a firm front to outsiders, no Wilcox could live near, or near the possessions of, any other Wilcox. They had the colonial spirit, and were always making for some spot where the white man might carry his burden unobserved. Of course, Howards End was impossible, so long as the younger couple were established in Hilton. His objections to the house were plain as daylight now. Crane had had enough tea, and was sent to the garage, where their car had been trickling muddy water over Charles s. The downpour had surely penetrated the Six Hills by now, bringing news of our restless civilisation.<|quote|>"Curious mounds,"</|quote|>said Henry, "but in with you now; another time." He had to be up in London by seven--if possible, by six-thirty. Once more she lost the sense of space; once more trees, houses, people, animals, hills, merged and heaved into one dirtiness, and she was at Wickham Place. Her evening was pleasant. The sense of flux which had haunted her all the year disappeared for a time. She forgot the luggage and the motor-cars, and the hurrying men who know so much and connect so little. She recaptured the sense of space, which is the basis of all earthly beauty, and, starting from Howards End, she attempted to realise England. She failed--visions do not come when we try, though they may come through trying. But an unexpected love of the island awoke in her, connecting on this side with the joys of the flesh, on that with the inconceivable. Helen and her father had known this love, poor Leonard Bast was groping after it, but it had been hidden from Margaret till this afternoon. It had certainly come through the house and old Miss Avery. Through them: the notion of "through" persisted; her mind trembled towards a conclusion which only | Hilton was full of women like Miss Avery once." "I shouldn t have disliked it, perhaps." "Or Miss Avery giving me a wedding present," said Dolly. Which was illogical but interesting. Through Dolly, Margaret was destined to learn a good deal. "But Charles said I must try not to mind, because she had known his grandmother." "As usual, you ve got the story wrong, my good Dorothea." "I meant great-grandmother--the one who left Mrs. Wilcox the house. Weren t both of them and Miss Avery friends when Howards End, too, was a farm?" Her father-in-law blew out a shaft of smoke. His attitude to his dead wife was curious. He would allude to her, and hear her discussed, but never mentioned her by name. Nor was he interested in the dim, bucolic past. Dolly was--for the following reason. "Then hadn t Mrs. Wilcox a brother--or was it an uncle? Anyhow, he popped the question, and Miss Avery, she said No. Just imagine, if she d said Yes, she would have been Charles s aunt. (Oh, I say, that s rather good! Charlie s Aunt ! I must chaff him about that this evening.) And the man went out and was killed. Yes, I m certain I ve got it right now. Tom Howard--he was the last of them." "I believe so," said Mr. Wilcox negligently. "I say! Howards End--Howards Ended!" cried Dolly. "I m rather on the spot this evening, eh?" "I wish you d ask whether Crane s ended." "Oh, Mr. Wilcox, how can you?" "Because, if he has had enough tea, we ought to go--Dolly s a good little woman," he continued, "but a little of her goes a long way. I couldn t live near her if you paid me." Margaret smiled. Though presenting a firm front to outsiders, no Wilcox could live near, or near the possessions of, any other Wilcox. They had the colonial spirit, and were always making for some spot where the white man might carry his burden unobserved. Of course, Howards End was impossible, so long as the younger couple were established in Hilton. His objections to the house were plain as daylight now. Crane had had enough tea, and was sent to the garage, where their car had been trickling muddy water over Charles s. The downpour had surely penetrated the Six Hills by now, bringing news of our restless civilisation.<|quote|>"Curious mounds,"</|quote|>said Henry, "but in with you now; another time." He had to be up in London by seven--if possible, by six-thirty. Once more she lost the sense of space; once more trees, houses, people, animals, hills, merged and heaved into one dirtiness, and she was at Wickham Place. Her evening was pleasant. The sense of flux which had haunted her all the year disappeared for a time. She forgot the luggage and the motor-cars, and the hurrying men who know so much and connect so little. She recaptured the sense of space, which is the basis of all earthly beauty, and, starting from Howards End, she attempted to realise England. She failed--visions do not come when we try, though they may come through trying. But an unexpected love of the island awoke in her, connecting on this side with the joys of the flesh, on that with the inconceivable. Helen and her father had known this love, poor Leonard Bast was groping after it, but it had been hidden from Margaret till this afternoon. It had certainly come through the house and old Miss Avery. Through them: the notion of "through" persisted; her mind trembled towards a conclusion which only the unwise have put into words. Then, veering back into warmth, it dwelt on ruddy bricks, flowering plum-trees, and all the tangible joys of spring. Henry, after allaying her agitation, had taken her over his property, and had explained to her the use and dimensions of the various rooms. He had sketched the history of the little estate. "It is so unlucky," ran the monologue, "that money wasn t put into it about fifty years ago. Then it had four--five--times the land--thirty acres at least. One could have made something out of it then--a small park, or at all events shrubberies, and rebuilt the house farther away from the road. What s the good of taking it in hand now? Nothing but the meadow left, and even that was heavily mortgaged when I first had to do with things--yes, and the house too. Oh, it was no joke." She saw two women as he spoke, one old, the other young, watching their inheritance melt away. She saw them greet him as a deliverer. "Mismanagement did it--besides, the days for small farms are over. It doesn t pay--except with intensive cultivation. Small holdings, back to the land--ah! philanthropic bunkum. Take it | have you got in?" But it was the heart of the house beating, faintly at first, then loudly, martially. It dominated the rain. It is the starved imagination, not the well-nourished, that is afraid. Margaret flung open the door to the stairs. A noise as of drums seemed to deafen her. A woman, an old woman, was descending, with figure erect, with face impassive, with lips that parted and said dryly: "Oh! Well, I took you for Ruth Wilcox." Margaret stammered: "I--Mrs. Wilcox--I?" "In fancy, of course--in fancy. You had her way of walking. Good-day." And the old woman passed out into the rain. CHAPTER XXIV "It gave her quite a turn," said Mr. Wilcox, when retailing the incident to Dolly at tea-time. "None of you girls have any nerves, really. Of course, a word from me put it all right, but silly old Miss Avery--she frightened you, didn t she, Margaret? There you stood clutching a bunch of weeds. She might have said something, instead of coming down the stairs with that alarming bonnet on. I passed her as I came in. Enough to make the car shy. I believe Miss Avery goes in for being a character; some old maids do." He lit a cigarette. "It is their last resource. Heaven knows what she was doing in the place; but that s Bryce s business, not mine." "I wasn t as foolish as you suggest," said Margaret "She only startled me, for the house had been silent so long." "Did you take her for a spook?" asked Dolly, for whom "spooks" and "going to church" summarised the unseen. "Not exactly." "She really did frighten you," said Henry, who was far from discouraging timidity in females. "Poor Margaret! And very naturally. Uneducated classes are so stupid." "Is Miss Avery uneducated classes?" Margaret asked, and found herself looking at the decoration scheme of Dolly s drawing-room. "She s just one of the crew at the farm. People like that always assume things. She assumed you d know who she was. She left all the Howards End keys in the front lobby, and assumed that you d seen them as you came in, that you d lock up the house when you d done, and would bring them on down to her. And there was her niece hunting for them down at the farm. Lack of education makes people very casual. Hilton was full of women like Miss Avery once." "I shouldn t have disliked it, perhaps." "Or Miss Avery giving me a wedding present," said Dolly. Which was illogical but interesting. Through Dolly, Margaret was destined to learn a good deal. "But Charles said I must try not to mind, because she had known his grandmother." "As usual, you ve got the story wrong, my good Dorothea." "I meant great-grandmother--the one who left Mrs. Wilcox the house. Weren t both of them and Miss Avery friends when Howards End, too, was a farm?" Her father-in-law blew out a shaft of smoke. His attitude to his dead wife was curious. He would allude to her, and hear her discussed, but never mentioned her by name. Nor was he interested in the dim, bucolic past. Dolly was--for the following reason. "Then hadn t Mrs. Wilcox a brother--or was it an uncle? Anyhow, he popped the question, and Miss Avery, she said No. Just imagine, if she d said Yes, she would have been Charles s aunt. (Oh, I say, that s rather good! Charlie s Aunt ! I must chaff him about that this evening.) And the man went out and was killed. Yes, I m certain I ve got it right now. Tom Howard--he was the last of them." "I believe so," said Mr. Wilcox negligently. "I say! Howards End--Howards Ended!" cried Dolly. "I m rather on the spot this evening, eh?" "I wish you d ask whether Crane s ended." "Oh, Mr. Wilcox, how can you?" "Because, if he has had enough tea, we ought to go--Dolly s a good little woman," he continued, "but a little of her goes a long way. I couldn t live near her if you paid me." Margaret smiled. Though presenting a firm front to outsiders, no Wilcox could live near, or near the possessions of, any other Wilcox. They had the colonial spirit, and were always making for some spot where the white man might carry his burden unobserved. Of course, Howards End was impossible, so long as the younger couple were established in Hilton. His objections to the house were plain as daylight now. Crane had had enough tea, and was sent to the garage, where their car had been trickling muddy water over Charles s. The downpour had surely penetrated the Six Hills by now, bringing news of our restless civilisation.<|quote|>"Curious mounds,"</|quote|>said Henry, "but in with you now; another time." He had to be up in London by seven--if possible, by six-thirty. Once more she lost the sense of space; once more trees, houses, people, animals, hills, merged and heaved into one dirtiness, and she was at Wickham Place. Her evening was pleasant. The sense of flux which had haunted her all the year disappeared for a time. She forgot the luggage and the motor-cars, and the hurrying men who know so much and connect so little. She recaptured the sense of space, which is the basis of all earthly beauty, and, starting from Howards End, she attempted to realise England. She failed--visions do not come when we try, though they may come through trying. But an unexpected love of the island awoke in her, connecting on this side with the joys of the flesh, on that with the inconceivable. Helen and her father had known this love, poor Leonard Bast was groping after it, but it had been hidden from Margaret till this afternoon. It had certainly come through the house and old Miss Avery. Through them: the notion of "through" persisted; her mind trembled towards a conclusion which only the unwise have put into words. Then, veering back into warmth, it dwelt on ruddy bricks, flowering plum-trees, and all the tangible joys of spring. Henry, after allaying her agitation, had taken her over his property, and had explained to her the use and dimensions of the various rooms. He had sketched the history of the little estate. "It is so unlucky," ran the monologue, "that money wasn t put into it about fifty years ago. Then it had four--five--times the land--thirty acres at least. One could have made something out of it then--a small park, or at all events shrubberies, and rebuilt the house farther away from the road. What s the good of taking it in hand now? Nothing but the meadow left, and even that was heavily mortgaged when I first had to do with things--yes, and the house too. Oh, it was no joke." She saw two women as he spoke, one old, the other young, watching their inheritance melt away. She saw them greet him as a deliverer. "Mismanagement did it--besides, the days for small farms are over. It doesn t pay--except with intensive cultivation. Small holdings, back to the land--ah! philanthropic bunkum. Take it as a rule that nothing pays on a small scale. Most of the land you see" (they were standing at an upper window, the only one which faced west) "belongs to the people at the Park--they made their pile over copper--good chaps. Avery s Farm, Sishe s--what they call the Common, where you see that ruined oak--one after the other fell in, and so did this, as near as is no matter." But Henry had saved it as near as is no matter without fine feelings or deep insight, but he had saved it, and she loved him for the deed. "When I had more control I did what I could--sold off the two and a half animals, and the mangy pony, and the superannuated tools; pulled down the outhouses; drained; thinned out I don t know how many guelder-roses and elder-trees; and inside the house I turned the old kitchen into a hall, and made a kitchen behind where the dairy was. Garage and so on came later. But one could still tell it s been an old farm. And yet it isn t the place that would fetch one of your artistic crew." No, it wasn t; and if he did not quite understand it, the artistic crew would still less; it was English, and the wych-elm that she saw from the window was an English tree. No report had prepared her for its peculiar glory. It was neither warrior, nor lover, nor god; in none of these roles do the English excel. It was a comrade bending over the house, strength and adventure in its roots, but in its utmost fingers tenderness, and the girth, that a dozen men could not have spanned, became in the end evanescent, till pale bud clusters seemed to float in the air. It was a comrade. House and tree transcended any similes of sex. Margaret thought of them now, and was to think of them through many a windy night and London day, but to compare either to man, to woman, always dwarfed the vision. Yet they kept within limits of the human. Their message was not of eternity, but of hope on this side of the grave. As she stood in the one, gazing at the other, truer relationship had gleamed. Another touch, and the account of her day is finished. They entered the garden for a minute, and to | the decoration scheme of Dolly s drawing-room. "She s just one of the crew at the farm. People like that always assume things. She assumed you d know who she was. She left all the Howards End keys in the front lobby, and assumed that you d seen them as you came in, that you d lock up the house when you d done, and would bring them on down to her. And there was her niece hunting for them down at the farm. Lack of education makes people very casual. Hilton was full of women like Miss Avery once." "I shouldn t have disliked it, perhaps." "Or Miss Avery giving me a wedding present," said Dolly. Which was illogical but interesting. Through Dolly, Margaret was destined to learn a good deal. "But Charles said I must try not to mind, because she had known his grandmother." "As usual, you ve got the story wrong, my good Dorothea." "I meant great-grandmother--the one who left Mrs. Wilcox the house. Weren t both of them and Miss Avery friends when Howards End, too, was a farm?" Her father-in-law blew out a shaft of smoke. His attitude to his dead wife was curious. He would allude to her, and hear her discussed, but never mentioned her by name. Nor was he interested in the dim, bucolic past. Dolly was--for the following reason. "Then hadn t Mrs. Wilcox a brother--or was it an uncle? Anyhow, he popped the question, and Miss Avery, she said No. Just imagine, if she d said Yes, she would have been Charles s aunt. (Oh, I say, that s rather good! Charlie s Aunt ! I must chaff him about that this evening.) And the man went out and was killed. Yes, I m certain I ve got it right now. Tom Howard--he was the last of them." "I believe so," said Mr. Wilcox negligently. "I say! Howards End--Howards Ended!" cried Dolly. "I m rather on the spot this evening, eh?" "I wish you d ask whether Crane s ended." "Oh, Mr. Wilcox, how can you?" "Because, if he has had enough tea, we ought to go--Dolly s a good little woman," he continued, "but a little of her goes a long way. I couldn t live near her if you paid me." Margaret smiled. Though presenting a firm front to outsiders, no Wilcox could live near, or near the possessions of, any other Wilcox. They had the colonial spirit, and were always making for some spot where the white man might carry his burden unobserved. Of course, Howards End was impossible, so long as the younger couple were established in Hilton. His objections to the house were plain as daylight now. Crane had had enough tea, and was sent to the garage, where their car had been trickling muddy water over Charles s. The downpour had surely penetrated the Six Hills by now, bringing news of our restless civilisation.<|quote|>"Curious mounds,"</|quote|>said Henry, "but in with you now; another time." He had to be up in London by seven--if possible, by six-thirty. Once more she lost the sense of space; once more trees, houses, people, animals, hills, merged and heaved into one dirtiness, and she was at Wickham Place. Her evening was pleasant. The sense of flux which had haunted her all the year disappeared for a time. She forgot the luggage and the motor-cars, and the hurrying men who know so much and connect so little. She recaptured the sense of space, which is the basis of all earthly beauty, and, starting from Howards End, she attempted to realise England. She failed--visions do not come when we try, though they may come through trying. But an unexpected love of the island awoke in her, connecting on this side with the joys of the flesh, on that with the inconceivable. Helen and her father had known this love, poor Leonard Bast was groping after it, but it had been hidden from Margaret till this afternoon. It had certainly come through the house and old Miss Avery. Through them: the notion of "through" persisted; her mind trembled towards a conclusion which only the unwise have put into words. Then, veering back into warmth, it dwelt on ruddy bricks, flowering plum-trees, and all the tangible joys of spring. Henry, after allaying her agitation, had taken her over his property, and had explained to her the use and dimensions of the various rooms. He had sketched the history of the little estate. "It is so unlucky," ran the monologue, "that money wasn t put into it about fifty years ago. Then it had four--five--times the land--thirty acres at least. One could have made something out of it then--a small park, or at all events shrubberies, and rebuilt the house farther | Howards End |
"my whole life s changed from this moment! I must write the man s name down at once, or I shall forget" | Cassandra Otway | the book at her cousin,<|quote|>"my whole life s changed from this moment! I must write the man s name down at once, or I shall forget"</|quote|>Whose name, what book, which | "My dear," Cassandra exclaimed, shaking the book at her cousin,<|quote|>"my whole life s changed from this moment! I must write the man s name down at once, or I shall forget"</|quote|>Whose name, what book, which life was changed Katharine proceeded | a passion for geometry herself, and, curled upon Katharine s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin,<|quote|>"my whole life s changed from this moment! I must write the man s name down at once, or I shall forget"</|quote|>Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, | in the dark. But there was no hymn-book here. By their battered covers and enigmatical contents, Cassandra judged them to be old school-books belonging to Uncle Trevor, and piously, though eccentrically, preserved by his daughter. There was no end, she thought, to the unexpectedness of Katharine. She had once had a passion for geometry herself, and, curled upon Katharine s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin,<|quote|>"my whole life s changed from this moment! I must write the man s name down at once, or I shall forget"</|quote|>Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, | herself; she stood in the middle of the room and enjoyed the sensation; and then, with a desire to finger what her cousin was in the habit of fingering, Cassandra began to take down the books which stood in a row upon the shelf above the bed. In most houses this shelf is the ledge upon which the last relics of religious belief lodge themselves as if, late at night, in the heart of privacy, people, skeptical by day, find solace in sipping one draught of the old charm for such sorrows or perplexities as may steal from their hiding-places in the dark. But there was no hymn-book here. By their battered covers and enigmatical contents, Cassandra judged them to be old school-books belonging to Uncle Trevor, and piously, though eccentrically, preserved by his daughter. There was no end, she thought, to the unexpectedness of Katharine. She had once had a passion for geometry herself, and, curled upon Katharine s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin,<|quote|>"my whole life s changed from this moment! I must write the man s name down at once, or I shall forget"</|quote|>Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, of the small face with its long tapering nose and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?" Cassandra asked, anticipating further possibilities of rapture. "There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I | it gave both parties the important air of those who have been initiated into some rite which is still concealed from the rest of the group. For Katharine s sake Cassandra thought William a most distinguished and interesting character, and welcomed first his conversation and then his manuscript as the marks of a friendship which it flattered and delighted her to inspire. Katharine was still out when she arrived at Cheyne Walk. After greeting her uncle and aunt and receiving, as usual, a present of two sovereigns for "cab fares and dissipation" from Uncle Trevor, whose favorite niece she was, she changed her dress and wandered into Katharine s room to await her. What a great looking-glass Katharine had, she thought, and how mature all the arrangements upon the dressing-table were compared to what she was used to at home. Glancing round, she thought that the bills stuck upon a skewer and stood for ornament upon the mantelpiece were astonishingly like Katharine, There wasn t a photograph of William anywhere to be seen. The room, with its combination of luxury and bareness, its silk dressing-gowns and crimson slippers, its shabby carpet and bare walls, had a powerful air of Katharine herself; she stood in the middle of the room and enjoyed the sensation; and then, with a desire to finger what her cousin was in the habit of fingering, Cassandra began to take down the books which stood in a row upon the shelf above the bed. In most houses this shelf is the ledge upon which the last relics of religious belief lodge themselves as if, late at night, in the heart of privacy, people, skeptical by day, find solace in sipping one draught of the old charm for such sorrows or perplexities as may steal from their hiding-places in the dark. But there was no hymn-book here. By their battered covers and enigmatical contents, Cassandra judged them to be old school-books belonging to Uncle Trevor, and piously, though eccentrically, preserved by his daughter. There was no end, she thought, to the unexpectedness of Katharine. She had once had a passion for geometry herself, and, curled upon Katharine s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin,<|quote|>"my whole life s changed from this moment! I must write the man s name down at once, or I shall forget"</|quote|>Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, of the small face with its long tapering nose and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?" Cassandra asked, anticipating further possibilities of rapture. "There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I think he s almost good enough for you, Katharine." "You shall sit next to him and tell him what you think of him." "I shan t dare do that," Cassandra asserted. "Why? You re not afraid of him, are you?" "A little because he s connected with you." Katharine smiled. "But then, with your well-known fidelity, considering that you re staying here at least a fortnight, you won t have any illusions left about me by the time you go. I give you a week, Cassandra. I shall see my power fading day by day. Now it s at the climax; but to-morrow it ll have begun to fade. What am I to wear, I wonder? Find me a blue dress, Cassandra, over there in the long wardrobe." She spoke disconnectedly, handling brush and comb, and pulling out the little drawers in her dressing-table and leaving them open. Cassandra, sitting on the bed behind her, saw the reflection of her cousin s face in the looking-glass. The face in the looking-glass was serious and intent, apparently occupied with other things besides the straightness of the parting which, however, was being driven as straight as a Roman road through the dark | most romantic world. A thousand times in the midst of her pastoral landscape her thoughts took this precise road, were admitted to the house in Chelsea, and went directly upstairs to Katharine s room, where, invisible themselves, they had the better chance of feasting upon the privacy of the room s adorable and mysterious mistress. Cassandra adored her cousin; the adoration might have been foolish, but was saved from that excess and lent an engaging charm by the volatile nature of Cassandra s temperament. She had adored a great many things and people in the course of twenty-two years; she had been alternately the pride and the desperation of her teachers. She had worshipped architecture and music, natural history and humanity, literature and art, but always at the height of her enthusiasm, which was accompanied by a brilliant degree of accomplishment, she changed her mind and bought, surreptitiously, another grammar. The terrible results which governesses had predicted from such mental dissipation were certainly apparent now that Cassandra was twenty-two, and had never passed an examination, and daily showed herself less and less capable of passing one. The more serious prediction that she could never possibly earn her living was also verified. But from all these short strands of different accomplishments Cassandra wove for herself an attitude, a cast of mind, which, if useless, was found by some people to have the not despicable virtues of vivacity and freshness. Katharine, for example, thought her a most charming companion. The cousins seemed to assemble between them a great range of qualities which are never found united in one person and seldom in half a dozen people. Where Katharine was simple, Cassandra was complex; where Katharine was solid and direct, Cassandra was vague and evasive. In short, they represented very well the manly and the womanly sides of the feminine nature, and, for foundation, there was the profound unity of common blood between them. If Cassandra adored Katharine she was incapable of adoring any one without refreshing her spirit with frequent draughts of raillery and criticism, and Katharine enjoyed her laughter at least as much as her respect. Respect was certainly uppermost in Cassandra s mind at the present moment. Katharine s engagement had appealed to her imagination as the first engagement in a circle of contemporaries is apt to appeal to the imaginations of the others; it was solemn, beautiful, and mysterious; it gave both parties the important air of those who have been initiated into some rite which is still concealed from the rest of the group. For Katharine s sake Cassandra thought William a most distinguished and interesting character, and welcomed first his conversation and then his manuscript as the marks of a friendship which it flattered and delighted her to inspire. Katharine was still out when she arrived at Cheyne Walk. After greeting her uncle and aunt and receiving, as usual, a present of two sovereigns for "cab fares and dissipation" from Uncle Trevor, whose favorite niece she was, she changed her dress and wandered into Katharine s room to await her. What a great looking-glass Katharine had, she thought, and how mature all the arrangements upon the dressing-table were compared to what she was used to at home. Glancing round, she thought that the bills stuck upon a skewer and stood for ornament upon the mantelpiece were astonishingly like Katharine, There wasn t a photograph of William anywhere to be seen. The room, with its combination of luxury and bareness, its silk dressing-gowns and crimson slippers, its shabby carpet and bare walls, had a powerful air of Katharine herself; she stood in the middle of the room and enjoyed the sensation; and then, with a desire to finger what her cousin was in the habit of fingering, Cassandra began to take down the books which stood in a row upon the shelf above the bed. In most houses this shelf is the ledge upon which the last relics of religious belief lodge themselves as if, late at night, in the heart of privacy, people, skeptical by day, find solace in sipping one draught of the old charm for such sorrows or perplexities as may steal from their hiding-places in the dark. But there was no hymn-book here. By their battered covers and enigmatical contents, Cassandra judged them to be old school-books belonging to Uncle Trevor, and piously, though eccentrically, preserved by his daughter. There was no end, she thought, to the unexpectedness of Katharine. She had once had a passion for geometry herself, and, curled upon Katharine s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin,<|quote|>"my whole life s changed from this moment! I must write the man s name down at once, or I shall forget"</|quote|>Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, of the small face with its long tapering nose and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?" Cassandra asked, anticipating further possibilities of rapture. "There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I think he s almost good enough for you, Katharine." "You shall sit next to him and tell him what you think of him." "I shan t dare do that," Cassandra asserted. "Why? You re not afraid of him, are you?" "A little because he s connected with you." Katharine smiled. "But then, with your well-known fidelity, considering that you re staying here at least a fortnight, you won t have any illusions left about me by the time you go. I give you a week, Cassandra. I shall see my power fading day by day. Now it s at the climax; but to-morrow it ll have begun to fade. What am I to wear, I wonder? Find me a blue dress, Cassandra, over there in the long wardrobe." She spoke disconnectedly, handling brush and comb, and pulling out the little drawers in her dressing-table and leaving them open. Cassandra, sitting on the bed behind her, saw the reflection of her cousin s face in the looking-glass. The face in the looking-glass was serious and intent, apparently occupied with other things besides the straightness of the parting which, however, was being driven as straight as a Roman road through the dark hair. Cassandra was impressed again by Katharine s maturity; and, as she enveloped herself in the blue dress which filled almost the whole of the long looking-glass with blue light and made it the frame of a picture, holding not only the slightly moving effigy of the beautiful woman, but shapes and colors of objects reflected from the background, Cassandra thought that no sight had ever been quite so romantic. It was all in keeping with the room and the house, and the city round them; for her ears had not yet ceased to notice the hum of distant wheels. They went downstairs rather late, in spite of Katharine s extreme speed in getting ready. To Cassandra s ears the buzz of voices inside the drawing-room was like the tuning up of the instruments of the orchestra. It seemed to her that there were numbers of people in the room, and that they were strangers, and that they were beautiful and dressed with the greatest distinction, although they proved to be mostly her relations, and the distinction of their clothing was confined, in the eyes of an impartial observer, to the white waistcoat which Rodney wore. But they all rose simultaneously, which was by itself impressive, and they all exclaimed, and shook hands, and she was introduced to Mr. Peyton, and the door sprang open, and dinner was announced, and they filed off, William Rodney offering her his slightly bent black arm, as she had secretly hoped he would. In short, had the scene been looked at only through her eyes, it must have been described as one of magical brilliancy. The pattern of the soup-plates, the stiff folds of the napkins, which rose by the side of each plate in the shape of arum lilies, the long sticks of bread tied with pink ribbon, the silver dishes and the sea-colored champagne glasses, with the flakes of gold congealed in their stems all these details, together with a curiously pervasive smell of kid gloves, contributed to her exhilaration, which must be repressed, however, because she was grown up, and the world held no more for her to marvel at. The world held no more for her to marvel at, it is true; but it held other people; and each other person possessed in Cassandra s mind some fragment of what privately she called "reality." It was a gift that they | spirit with frequent draughts of raillery and criticism, and Katharine enjoyed her laughter at least as much as her respect. Respect was certainly uppermost in Cassandra s mind at the present moment. Katharine s engagement had appealed to her imagination as the first engagement in a circle of contemporaries is apt to appeal to the imaginations of the others; it was solemn, beautiful, and mysterious; it gave both parties the important air of those who have been initiated into some rite which is still concealed from the rest of the group. For Katharine s sake Cassandra thought William a most distinguished and interesting character, and welcomed first his conversation and then his manuscript as the marks of a friendship which it flattered and delighted her to inspire. Katharine was still out when she arrived at Cheyne Walk. After greeting her uncle and aunt and receiving, as usual, a present of two sovereigns for "cab fares and dissipation" from Uncle Trevor, whose favorite niece she was, she changed her dress and wandered into Katharine s room to await her. What a great looking-glass Katharine had, she thought, and how mature all the arrangements upon the dressing-table were compared to what she was used to at home. Glancing round, she thought that the bills stuck upon a skewer and stood for ornament upon the mantelpiece were astonishingly like Katharine, There wasn t a photograph of William anywhere to be seen. The room, with its combination of luxury and bareness, its silk dressing-gowns and crimson slippers, its shabby carpet and bare walls, had a powerful air of Katharine herself; she stood in the middle of the room and enjoyed the sensation; and then, with a desire to finger what her cousin was in the habit of fingering, Cassandra began to take down the books which stood in a row upon the shelf above the bed. In most houses this shelf is the ledge upon which the last relics of religious belief lodge themselves as if, late at night, in the heart of privacy, people, skeptical by day, find solace in sipping one draught of the old charm for such sorrows or perplexities as may steal from their hiding-places in the dark. But there was no hymn-book here. By their battered covers and enigmatical contents, Cassandra judged them to be old school-books belonging to Uncle Trevor, and piously, though eccentrically, preserved by his daughter. There was no end, she thought, to the unexpectedness of Katharine. She had once had a passion for geometry herself, and, curled upon Katharine s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit. "My dear," Cassandra exclaimed, shaking the book at her cousin,<|quote|>"my whole life s changed from this moment! I must write the man s name down at once, or I shall forget"</|quote|>Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late. "May I sit and watch you?" Cassandra asked, shutting up her book. "I got ready on purpose." "Oh, you re ready, are you?" said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed. "There are people dining here," she said, taking in the effect of Cassandra from a new point of view. After an interval, the distinction, the irregular charm, of the small face with its long tapering nose and its bright oval eyes were very notable. The hair rose up off the forehead rather stiffly, and, given a more careful treatment by hairdressers and dressmakers, the light angular figure might possess a likeness to a French lady of distinction in the eighteenth century. "Who s coming to dinner?" Cassandra asked, anticipating further possibilities of rapture. "There s William, and, I believe, Aunt Eleanor and Uncle Aubrey." "I m so glad William is coming. Did he tell you that he sent me his manuscript? I think it s wonderful I think he s almost good enough for you, Katharine." "You shall sit next to him and tell him what you think of him." "I shan t dare do that," Cassandra asserted. "Why? You re not afraid of him, are you?" "A little because he s connected with you." Katharine smiled. "But then, with your well-known fidelity, considering that you re staying here at least a fortnight, you won t have any illusions left about me by the time you go. I give you a week, Cassandra. I shall see my power fading day by day. Now it s at the climax; but to-morrow it ll have begun to fade. What am I to wear, I wonder? Find me a blue dress, Cassandra, over there in the long wardrobe." She spoke disconnectedly, handling brush and comb, and pulling out the little drawers in her dressing-table and leaving them open. Cassandra, sitting on the bed behind her, saw the reflection of her cousin s face in the looking-glass. The face in the looking-glass was serious and intent, apparently occupied with other things besides the straightness of the parting which, however, was being driven as straight as a Roman road through the dark hair. Cassandra was impressed again by Katharine s maturity; and, as she enveloped herself in the blue dress which filled almost the whole of the long looking-glass with blue light and | Night And Day |
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