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"I arn't," | Jem Wimble | "Insensible--quite! I'm afraid he's dead."<|quote|>"I arn't,"</|quote|>muttered Jem. "You might cut | or only shamming?" said Jem. "Insensible--quite! I'm afraid he's dead."<|quote|>"I arn't,"</|quote|>muttered Jem. "You might cut him up like a heel; | swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?" said Jem. "Insensible--quite! I'm afraid he's dead."<|quote|>"I arn't,"</|quote|>muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not | eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?" said Jem. "Insensible--quite! I'm afraid he's dead."<|quote|>"I arn't,"</|quote|>muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're | No!" "Then, p'r'aps it's because you had no sleep. Here's a chap comes hunting of us down with a cutlash, ready to do anything; and now he's floored and we're all right, you want to make a pet on him. Why, it's my belief that if you met a tiger with the toothache you'd want to take out his tusk." "Very likely, Jem," said Don, laughing. "Ah, and as soon as you'd done it, `thankye, my lad,' says the tiger, `that tooth's been so bad that I haven't made a comf'table meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?" said Jem. "Insensible--quite! I'm afraid he's dead."<|quote|>"I arn't,"</|quote|>muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He | with the other, poor fellow, so as he may get better and go and tell 'em we're here." "Don't talk like that, Jem!" cried Don. "Why not? Soon as he gets better he'll try and do us all the harm he can." "Poor fellow! I'm afraid he's dead," whispered Don. "Then he won't want no more cutlashes and pistols," said Jem, coolly appropriating the arms; "these here will be useful to us." "But they are the king's property, Jem." "Ah! Well, I dessay if the king knew how bad we wanted 'em, he'd lend 'em to us. He shall have 'em again when we've done with them." As he spoke Jem helped himself to the ammunition, and then stood looking on as Don dragged Ramsden's head round, so that the wind blew in his face. "How I should like to jump on him!" growled Jem. "I hate him like poison, and I would if I'd got on a pair o' boots. Shouldn't hurt him a bit like this." "Don't talk nonsense, Jem. Mr Jones might hear us. Let's hail; he can't be very far off." "I say, Mas' Don, did our ugly swim last night send you half mad?" "Mad? No!" "Then, p'r'aps it's because you had no sleep. Here's a chap comes hunting of us down with a cutlash, ready to do anything; and now he's floored and we're all right, you want to make a pet on him. Why, it's my belief that if you met a tiger with the toothache you'd want to take out his tusk." "Very likely, Jem," said Don, laughing. "Ah, and as soon as you'd done it, `thankye, my lad,' says the tiger, `that tooth's been so bad that I haven't made a comf'table meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?" said Jem. "Insensible--quite! I'm afraid he's dead."<|quote|>"I arn't,"</|quote|>muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" he cried, as he tore open his sailor's shirt and placed his hand upon his throat. Then, starting up, he sent forth a tremendous hail. "Ahoy!" "Ahoy!" came back from several places, like the echoes of his call. "Come on here! Quick!" he shouted, with his hands to his mouth. "Ahoy!" came from a distance; and from nearer at hand, "Ay, ay, sir; ay, ay!" From where Don and Jem stood they could see the boatswain's every movement, as, after once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a fit. More water. Don't be afraid!" Each | nice," said Jem, with a chuckle. "What shall us do?" "Do?" cried Don. "We must help him." "What, get him out? If we do, he'll be down on us." "We can't help that, Jem. We must not leave a fellow-creature to die," replied Don; and hurrying forward, he gave a glance toward the mouth of the cave, to satisfy himself that the good-natured boatswain was not there, and then, holding his breath, he stooped down and raised Ramsden into a sitting posture, Jem coming forward at once to help him. "Goes ag'in the grain, Mas' Don," he muttered; "but I s'pose we must." "Must? Yes! Now, what shall we do?" "Dunno," said Jem; "s'pose fresh air'd be best for him." "Let's get him to the mouth, then," said Don. "But the boatswain 'll see us, and we shall be took." "I can't help that, Jem; the man will die here." "Well, we don't want him. He's a hennymee." "Jem!" "Oh, all right, Mas' Don. I'll do as you say, but as I says, and I says it again, it goes ag'in the grain." They each took one hand and placed their arms beneath those of the prostrate man; and, little as they stooped, they inhaled sufficient of the powerful gas to make them wince and cough; but, rising upright, taking a full breath and starting off, they dragged Ramsden backwards as rapidly as they could to where the fresh air blew into the mouth of the cave, and there they laid the man down. But before doing so, Don went upon his knees, and placing his face close to the rocky floor, inhaled the air several times. "It seems all right here," he said. "Try it, Jem." "Oh! I'll try it," said Jem, grumpily; "only I don't see why we should take so much trouble about such a thing as this." "Yes; it's all right," he said, after puffing and blowing down by the ground. "Rum, arn't it, that the air should be bad yonder and not close in here!" "The cave goes downward," said Don; "and the foul air lies in the bottom, just as it does in a well. Do you think he's dead?" "Him dead!" said Jem, contemptuously; "I don't believe you could kill a thing like that. Here, let's roll up one of these here blanket things and make him a pillow, and cover him up with the other, poor fellow, so as he may get better and go and tell 'em we're here." "Don't talk like that, Jem!" cried Don. "Why not? Soon as he gets better he'll try and do us all the harm he can." "Poor fellow! I'm afraid he's dead," whispered Don. "Then he won't want no more cutlashes and pistols," said Jem, coolly appropriating the arms; "these here will be useful to us." "But they are the king's property, Jem." "Ah! Well, I dessay if the king knew how bad we wanted 'em, he'd lend 'em to us. He shall have 'em again when we've done with them." As he spoke Jem helped himself to the ammunition, and then stood looking on as Don dragged Ramsden's head round, so that the wind blew in his face. "How I should like to jump on him!" growled Jem. "I hate him like poison, and I would if I'd got on a pair o' boots. Shouldn't hurt him a bit like this." "Don't talk nonsense, Jem. Mr Jones might hear us. Let's hail; he can't be very far off." "I say, Mas' Don, did our ugly swim last night send you half mad?" "Mad? No!" "Then, p'r'aps it's because you had no sleep. Here's a chap comes hunting of us down with a cutlash, ready to do anything; and now he's floored and we're all right, you want to make a pet on him. Why, it's my belief that if you met a tiger with the toothache you'd want to take out his tusk." "Very likely, Jem," said Don, laughing. "Ah, and as soon as you'd done it, `thankye, my lad,' says the tiger, `that tooth's been so bad that I haven't made a comf'table meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?" said Jem. "Insensible--quite! I'm afraid he's dead."<|quote|>"I arn't,"</|quote|>muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" he cried, as he tore open his sailor's shirt and placed his hand upon his throat. Then, starting up, he sent forth a tremendous hail. "Ahoy!" "Ahoy!" came back from several places, like the echoes of his call. "Come on here! Quick!" he shouted, with his hands to his mouth. "Ahoy!" came from a distance; and from nearer at hand, "Ay, ay, sir; ay, ay!" From where Don and Jem stood they could see the boatswain's every movement, as, after once more feeling the sailor's throat and wrist, he bent over him and poured water from his bottle between his lips, bathed his forehead and eyes, and then fanned him with his hat, but without effect. Then he looked out anxiously and hailed again, the replies coming from close by; and soon after first one and then another sailor, whose faces were quite familiar, climbed up to the shelf, when the boatswain explained hastily how he had left his companion. "Some one knocked him down?" said one of his men. "No; he's not hurt. I should say it's a fit. More water. Don't be afraid!" Each of the men who had climbed up carried a supply, and a quantity was dashed over Ramsden's face with the effect that he began to display signs of returning consciousness, and at last sat up and stared. "What's matter, mate?" said one of the men, as Don prepared to hurry back into the darkness, but longed to hear what Ramsden would say. It was a painful moment, for upon his words seemed to depend their safety. "Matter? I don't know--I--" He put his hand to his head. "Here, take a drink o' this, mate," said one of the men, and Ramsden swallowed some water with avidity. "Arn't seen a ghost, have you?" "I recollect now, Mr Jones. You left me in that hole." "And called to you to come out." "Yes, but--" Don's heart beat furiously. They were discovered, and now the betrayal was to come. "Well, what happened?" said the boatswain. "I felt sure that those two were in this place, and I went on farther into the darkness till I kicked against something and fell down." "Out here and stunned yourself." "No, no; in there! I'd got up and picked up my cutlash, and then something seemed to choke me, and I went down again." Jem squeezed Don's arm, for they both felt more hopeful. "And then one of they chaps came and give you a crack on the head?" said a sailor. Don's heart sank again. "Nonsense!" said his old friend, the boatswain. "Foul air. He must have staggered out and fallen down insensible." Jem gripped Don's arm with painful force here. "How do you feel? Can you walk?" Ramsden rose slowly, and staggered, but one of the men caught his arm. "I--I think I can." "Well, we must get you down to the boat as soon as we can walk, if you are able. If you can't, we must carry you." "But them chaps," said one of the party, just as Don and Jem were beginning to breathe freely. "Think they're in yonder, mate?" "I--I think so," said Ramsden faintly. "You had better search." "What! A place full of foul air?" said the boatswain, greatly to Don's relief. "Absurd! If Ramsden could not live in there, how could the escaped men? Here, let's get him down." "Ay, ay, sir. But I say, mate, where's your fighting tools? What yer done with them?" Don made an angry | and then stood looking on as Don dragged Ramsden's head round, so that the wind blew in his face. "How I should like to jump on him!" growled Jem. "I hate him like poison, and I would if I'd got on a pair o' boots. Shouldn't hurt him a bit like this." "Don't talk nonsense, Jem. Mr Jones might hear us. Let's hail; he can't be very far off." "I say, Mas' Don, did our ugly swim last night send you half mad?" "Mad? No!" "Then, p'r'aps it's because you had no sleep. Here's a chap comes hunting of us down with a cutlash, ready to do anything; and now he's floored and we're all right, you want to make a pet on him. Why, it's my belief that if you met a tiger with the toothache you'd want to take out his tusk." "Very likely, Jem," said Don, laughing. "Ah, and as soon as you'd done it, `thankye, my lad,' says the tiger, `that tooth's been so bad that I haven't made a comf'table meal for days, so here goes.'" "And then he'd eat me, Jem." "That's so, my lad." "Ah, well, this isn't a tiger, Jem." "Why, he's wuss than a tiger, Mas' Don; because he do know better, and tigers don't." "Ramsden, ahoy!" came from below them in the ravine. "Oh, crumpets!" exclaimed Jem. "Now we're done for. All that long swim for nothing." "Back into the cave," whispered Don. "Perhaps they have not seen us." He gave Jem a thrust, they backed in a few yards, and then stood watching and listening. CHAPTER THIRTY TWO. CLOSE SHAVING. "Think he's insensible, or only shamming?" said Jem. "Insensible--quite! I'm afraid he's dead."<|quote|>"I arn't,"</|quote|>muttered Jem. "You might cut him up like a heel; legs and arms and body, and every bit of him would try and do you a mischief." "I'm afraid, though, that he knew we were in here, and that as soon as he comes to, he'll tell the others." "Not he. It was only his gammon to frighten us into speaking if we were there." "Ramsden, ahoy!" came again from below; and then from a distance came another hail, which the same voice answered--evidently from some distance below the mouth of the cave. "Ramsden! Here, my man; come along, they're not in there." "Hear that, Jem? Mr Jones." "Oh yes, I hear," growled Jem. "He don't know yet; but wait a bit till old Ram tells him." "We couldn't slip out yet, Jem?" "No; o' course not. They'd see us now. Look!" Jem was about to draw back, but feeling that a movement might betray them, Don held him fast, and they stood there in the shadow of the cave, looking on, for the boatswain's head appeared as he drew himself up the precipitous place, and then stepped on the shelf. "Here, come out, sir! Are you asleep? Hah!" He caught sight of the prostrate sailor, and bent down over him. "Why, Ramsden, man!" he cried, as he tore open his sailor's shirt and placed his hand upon his throat. Then, starting up, he sent forth a tremendous hail. "Ahoy!" "Ahoy!" came back from several places, like the echoes of his call. "Come on here! Quick!" he shouted, with his hands to his mouth. "Ahoy!" | Don Lavington |
"Here he is." | Hercule Poirot | thought," replied Poirot philosophically. "But"<|quote|>"Here he is."</|quote|>Lawrence at that moment passed | her as much as she thought," replied Poirot philosophically. "But"<|quote|>"Here he is."</|quote|>Lawrence at that moment passed the door. "Eh! Monsieur Lawrence," | again. "What on earth does this mean?" I asked, surprised. It was very nice to be kissed by Cynthia, but the publicity of the salute rather impaired the pleasure. "It means that she has discovered Monsieur Lawrence does not dislike her as much as she thought," replied Poirot philosophically. "But"<|quote|>"Here he is."</|quote|>Lawrence at that moment passed the door. "Eh! Monsieur Lawrence," called Poirot. "We must congratulate you, is it not so?" Lawrence blushed, and then smiled awkwardly. A man in love is a sorry spectacle. Now Cynthia had looked charming. I sighed. "What is it, _mon ami?_" "Nothing," I said sadly. | I only" "Come in," I said, springing up. She came in, but did not sit down. "I only wanted to tell you something" "Yes?" Cynthia fidgeted with a little tassel for some moments, then, suddenly exclaiming: "You dears!" kissed first me and then Poirot, and rushed out of the room again. "What on earth does this mean?" I asked, surprised. It was very nice to be kissed by Cynthia, but the publicity of the salute rather impaired the pleasure. "It means that she has discovered Monsieur Lawrence does not dislike her as much as she thought," replied Poirot philosophically. "But"<|quote|>"Here he is."</|quote|>Lawrence at that moment passed the door. "Eh! Monsieur Lawrence," called Poirot. "We must congratulate you, is it not so?" Lawrence blushed, and then smiled awkwardly. A man in love is a sorry spectacle. Now Cynthia had looked charming. I sighed. "What is it, _mon ami?_" "Nothing," I said sadly. "They are two delightful women!" "And neither of them is for you?" finished Poirot. "Never mind. Console yourself, my friend. We may hunt together again, who knows? And then" THE END | exhausted on the sofa, listening, listening. There had come the sound of the bell below. She had started up. Poirot had opened the door, and meeting her agonized eyes had nodded gently. "Yes, madame," he said. "I have brought him back to you." He had stood aside, and as I went out I had seen the look in Mary's eyes, as John Cavendish had caught his wife in his arms. "Perhaps you are right, Poirot," I said gently. "Yes, it is the greatest thing in the world." Suddenly, there was a tap at the door, and Cynthia peeped in. "I I only" "Come in," I said, springing up. She came in, but did not sit down. "I only wanted to tell you something" "Yes?" Cynthia fidgeted with a little tassel for some moments, then, suddenly exclaiming: "You dears!" kissed first me and then Poirot, and rushed out of the room again. "What on earth does this mean?" I asked, surprised. It was very nice to be kissed by Cynthia, but the publicity of the salute rather impaired the pleasure. "It means that she has discovered Monsieur Lawrence does not dislike her as much as she thought," replied Poirot philosophically. "But"<|quote|>"Here he is."</|quote|>Lawrence at that moment passed the door. "Eh! Monsieur Lawrence," called Poirot. "We must congratulate you, is it not so?" Lawrence blushed, and then smiled awkwardly. A man in love is a sorry spectacle. Now Cynthia had looked charming. I sighed. "What is it, _mon ami?_" "Nothing," I said sadly. "They are two delightful women!" "And neither of them is for you?" finished Poirot. "Never mind. Console yourself, my friend. We may hunt together again, who knows? And then" THE END | it in the least. I was trying to decide whether or not I would clear John Cavendish at once. I could have cleared him though it might have meant a failure to convict the real criminals. They were entirely in the dark as to my real attitude up to the very last moment which partly accounts for my success." "Do you mean that you could have saved John Cavendish from being brought to trial?" "Yes, my friend. But I eventually decided in favour of a woman's happiness'. Nothing but the great danger through which they have passed could have brought these two proud souls together again." I looked at Poirot in silent amazement. The colossal cheek of the little man! Who on earth but Poirot would have thought of a trial for murder as a restorer of conjugal happiness! "I perceive your thoughts, _mon ami_," said Poirot, smiling at me. "No one but Hercule Poirot would have attempted such a thing! And you are wrong in condemning it. The happiness of one man and one woman is the greatest thing in all the world." His words took me back to earlier events. I remembered Mary as she lay white and exhausted on the sofa, listening, listening. There had come the sound of the bell below. She had started up. Poirot had opened the door, and meeting her agonized eyes had nodded gently. "Yes, madame," he said. "I have brought him back to you." He had stood aside, and as I went out I had seen the look in Mary's eyes, as John Cavendish had caught his wife in his arms. "Perhaps you are right, Poirot," I said gently. "Yes, it is the greatest thing in the world." Suddenly, there was a tap at the door, and Cynthia peeped in. "I I only" "Come in," I said, springing up. She came in, but did not sit down. "I only wanted to tell you something" "Yes?" Cynthia fidgeted with a little tassel for some moments, then, suddenly exclaiming: "You dears!" kissed first me and then Poirot, and rushed out of the room again. "What on earth does this mean?" I asked, surprised. It was very nice to be kissed by Cynthia, but the publicity of the salute rather impaired the pleasure. "It means that she has discovered Monsieur Lawrence does not dislike her as much as she thought," replied Poirot philosophically. "But"<|quote|>"Here he is."</|quote|>Lawrence at that moment passed the door. "Eh! Monsieur Lawrence," called Poirot. "We must congratulate you, is it not so?" Lawrence blushed, and then smiled awkwardly. A man in love is a sorry spectacle. Now Cynthia had looked charming. I sighed. "What is it, _mon ami?_" "Nothing," I said sadly. "They are two delightful women!" "And neither of them is for you?" finished Poirot. "Never mind. Console yourself, my friend. We may hunt together again, who knows? And then" THE END | me," I said. "But why? It was most obvious. Did not Monsieur Lawrence make the sour face every time Mademoiselle Cynthia spoke and laughed with his brother? He had taken it into his long head that Mademoiselle Cynthia was in love with Monsieur John. When he entered his mother's room, and saw her obviously poisoned, he jumped to the conclusion that Mademoiselle Cynthia knew something about the matter. He was nearly driven desperate. First he crushed the coffee-cup to powder under his feet, remembering that _she_ had gone up with his mother the night before, and he determined that there should be no chance of testing its contents. Thenceforward, he strenuously, and quite uselessly, upheld the theory of Death from natural causes'." "And what about the extra coffee-cup'?" "I was fairly certain that it was Mrs. Cavendish who had hidden it, but I had to make sure. Monsieur Lawrence did not know at all what I meant; but, on reflection, he came to the conclusion that if he could find an extra coffee-cup anywhere his lady love would be cleared of suspicion. And he was perfectly right." "One thing more. What did Mrs. Inglethorp mean by her dying words?" "They were, of course, an accusation against her husband." "Dear me, Poirot," I said with a sigh, "I think you have explained everything. I am glad it has all ended so happily. Even John and his wife are reconciled." "Thanks to me." "How do you mean thanks to you?" "My dear friend, do you not realize that it was simply and solely the trial which has brought them together again? That John Cavendish still loved his wife, I was convinced. Also, that she was equally in love with him. But they had drifted very far apart. It all arose from a misunderstanding. She married him without love. He knew it. He is a sensitive man in his way, he would not force himself upon her if she did not want him. And, as he withdrew, her love awoke. But they are both unusually proud, and their pride held them inexorably apart. He drifted into an entanglement with Mrs. Raikes, and she deliberately cultivated the friendship of Dr. Bauerstein. Do you remember the day of John Cavendish's arrest, when you found me deliberating over a big decision?" "Yes, I quite understood your distress." "Pardon me, _mon ami_, but you did not understand it in the least. I was trying to decide whether or not I would clear John Cavendish at once. I could have cleared him though it might have meant a failure to convict the real criminals. They were entirely in the dark as to my real attitude up to the very last moment which partly accounts for my success." "Do you mean that you could have saved John Cavendish from being brought to trial?" "Yes, my friend. But I eventually decided in favour of a woman's happiness'. Nothing but the great danger through which they have passed could have brought these two proud souls together again." I looked at Poirot in silent amazement. The colossal cheek of the little man! Who on earth but Poirot would have thought of a trial for murder as a restorer of conjugal happiness! "I perceive your thoughts, _mon ami_," said Poirot, smiling at me. "No one but Hercule Poirot would have attempted such a thing! And you are wrong in condemning it. The happiness of one man and one woman is the greatest thing in all the world." His words took me back to earlier events. I remembered Mary as she lay white and exhausted on the sofa, listening, listening. There had come the sound of the bell below. She had started up. Poirot had opened the door, and meeting her agonized eyes had nodded gently. "Yes, madame," he said. "I have brought him back to you." He had stood aside, and as I went out I had seen the look in Mary's eyes, as John Cavendish had caught his wife in his arms. "Perhaps you are right, Poirot," I said gently. "Yes, it is the greatest thing in the world." Suddenly, there was a tap at the door, and Cynthia peeped in. "I I only" "Come in," I said, springing up. She came in, but did not sit down. "I only wanted to tell you something" "Yes?" Cynthia fidgeted with a little tassel for some moments, then, suddenly exclaiming: "You dears!" kissed first me and then Poirot, and rushed out of the room again. "What on earth does this mean?" I asked, surprised. It was very nice to be kissed by Cynthia, but the publicity of the salute rather impaired the pleasure. "It means that she has discovered Monsieur Lawrence does not dislike her as much as she thought," replied Poirot philosophically. "But"<|quote|>"Here he is."</|quote|>Lawrence at that moment passed the door. "Eh! Monsieur Lawrence," called Poirot. "We must congratulate you, is it not so?" Lawrence blushed, and then smiled awkwardly. A man in love is a sorry spectacle. Now Cynthia had looked charming. I sighed. "What is it, _mon ami?_" "Nothing," I said sadly. "They are two delightful women!" "And neither of them is for you?" finished Poirot. "Never mind. Console yourself, my friend. We may hunt together again, who knows? And then" THE END | decision?" "Yes, I quite understood your distress." "Pardon me, _mon ami_, but you did not understand it in the least. I was trying to decide whether or not I would clear John Cavendish at once. I could have cleared him though it might have meant a failure to convict the real criminals. They were entirely in the dark as to my real attitude up to the very last moment which partly accounts for my success." "Do you mean that you could have saved John Cavendish from being brought to trial?" "Yes, my friend. But I eventually decided in favour of a woman's happiness'. Nothing but the great danger through which they have passed could have brought these two proud souls together again." I looked at Poirot in silent amazement. The colossal cheek of the little man! Who on earth but Poirot would have thought of a trial for murder as a restorer of conjugal happiness! "I perceive your thoughts, _mon ami_," said Poirot, smiling at me. "No one but Hercule Poirot would have attempted such a thing! And you are wrong in condemning it. The happiness of one man and one woman is the greatest thing in all the world." His words took me back to earlier events. I remembered Mary as she lay white and exhausted on the sofa, listening, listening. There had come the sound of the bell below. She had started up. Poirot had opened the door, and meeting her agonized eyes had nodded gently. "Yes, madame," he said. "I have brought him back to you." He had stood aside, and as I went out I had seen the look in Mary's eyes, as John Cavendish had caught his wife in his arms. "Perhaps you are right, Poirot," I said gently. "Yes, it is the greatest thing in the world." Suddenly, there was a tap at the door, and Cynthia peeped in. "I I only" "Come in," I said, springing up. She came in, but did not sit down. "I only wanted to tell you something" "Yes?" Cynthia fidgeted with a little tassel for some moments, then, suddenly exclaiming: "You dears!" kissed first me and then Poirot, and rushed out of the room again. "What on earth does this mean?" I asked, surprised. It was very nice to be kissed by Cynthia, but the publicity of the salute rather impaired the pleasure. "It means that she has discovered Monsieur Lawrence does not dislike her as much as she thought," replied Poirot philosophically. "But"<|quote|>"Here he is."</|quote|>Lawrence at that moment passed the door. "Eh! Monsieur Lawrence," called Poirot. "We must congratulate you, is it not so?" Lawrence blushed, and then smiled awkwardly. A man in love is a sorry spectacle. Now Cynthia had looked charming. I sighed. "What is it, _mon ami?_" "Nothing," I said sadly. "They are two delightful women!" "And neither of them is for you?" finished Poirot. "Never mind. Console yourself, my friend. We may hunt together again, who knows? And then" THE END | The Mysterious Affair At Styles |
"I hope you don't imagine she's coming with us." | Tony Last | her front teeth were missing.<|quote|>"I hope you don't imagine she's coming with us."</|quote|>"Yes, that the idea," said | she revealed that two of her front teeth were missing.<|quote|>"I hope you don't imagine she's coming with us."</|quote|>"Yes, that the idea," said Milly. "She won't be any | if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing.<|quote|>"I hope you don't imagine she's coming with us."</|quote|>"Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and | a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing.<|quote|>"I hope you don't imagine she's coming with us."</|quote|>"Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to | to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing.<|quote|>"I hope you don't imagine she's coming with us."</|quote|>"Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good | shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing.<|quote|>"I hope you don't imagine she's coming with us."</|quote|>"Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece," he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague, "He got out of that all right. Quite | "Well, come and sit down. How are you both?" "I think I'm starting a cold," said Babs. "I feel awful. Why can't they heat this hole, the mean hounds?" Milly was more cheerful and swayed in her chair to the music. "Care to dance?" she said, and she and Tony began to shuffle across the empty floor. "My friend is looking for a lady to take to the seaside," said Jock. "What, this weather? That'll be a nice treat for a lonely girl." Babs sniffed into a little ball of a handkerchief. "It's for a divorce." "Oh, I see. Well, why doesn't he take Milly? She doesn't catch cold easy. Besides, she knows how to behave at an hotel. Lots of the girls here are all right to have a lark with in town, but you have to have a _lady_ for a divorce." "D'you often get asked to do that?" "Now and then. It's a nice rest--but it means so much _talking_ and the gentlemen will always go on so about their wives." While they were dancing Tony came straight to business. "I suppose you wouldn't care to come away for the week-end?" he asked. "Shouldn't mind," said Milly. "Where?" "I thought of Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing.<|quote|>"I hope you don't imagine she's coming with us."</|quote|>"Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece," he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague, "He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new | Brighton." "Oh... Is it for a divorce?" "Yes." "You wouldn't mind if I brought my little girl with us? She wouldn't be any trouble." "Yes." "You mean you wouldn't mind?" "I mean I should mind." "Oh... You wouldn't think I had a little girl of eight, would you?" "No." "She's called Winnie. I was only sixteen when I had her. I was the youngest of the family and our stepfather wouldn't leave any of us girls alone. That's why I have to work. She lives with a lady at Finchley. Twenty-eight bob a week it costs me, not counting her clothes. She does like the seaside." "No," said Tony. "I'm sorry but it would be quite impossible. We'll get a lovely present for you to take back to her." "All right... One gentleman gave her a fairy-cycle for Christmas. She fell off and cut her knee... When do we start?" "Would you like to go by train or car?" "Oh, train. Winnie's sick if she goes in a car." "Winnie's not coming." "No, but let's go by train anyway." So it was decided that they should meet at Victoria on Saturday afternoon. Jock gave Babs ten shillings and he and Tony went home, Tony had not slept much lately. He could not prevent himself, when alone, from rehearsing over and over in his mind all that had happened since Beaver's visit to Hetton; searching for clues he had missed at the time; wondering where something he had said or done might have changed the course of events; going back further to his earliest acquaintance with Brenda to find indications that should have made him more ready to understand the change that had come over her; reliving scene after scene in the last eight years of his life. All this kept him awake. [II] There was a general rendezvous at the first-class booking office. The detectives were there earliest, ten minutes before their time. They had been pointed out to Tony at the solicitor's office so that he should not lose them. They were cheerful middle-aged men in soft hats and heavy overcoats. They were looking forward to their week-end, for most of their daily work consisted in standing about at street corners watching front doors, and a job of this kind was eagerly competed for in the office. In more modest divorces the solicitors were content to rely on the evidence of the hotel servants. The detectives were a luxury and proposed to treat themselves as such. There was a slight fog in London that day. The station lamps were alight prematurely. Tony came next, with Jock at his side, loyally there to see him off. They bought the tickets and waited. The detectives, sticklers for professional etiquette, made an attempt at self-effacement, studying the posters on the walls and peering from behind a pillar. "This is going to be hell," said Tony. It was ten minutes before Milly came. She emerged from the gloom with a porter in front carrying her suitcase and a child dragging back on her arm behind her. Milly's wardrobe consisted mainly of evening dresses, for during the day she usually spent her time sitting before a gas fire in her dressing-gown. She made an insignificant and rather respectable appearance. "Sorry if I'm late," she said. "Winnie here couldn't find her shoes. I brought her along too. I knew you wouldn't mind really. She travels on a half ticket." Winnie was a plain child with large gold-rimmed spectacles. When she spoke she revealed that two of her front teeth were missing.<|quote|>"I hope you don't imagine she's coming with us."</|quote|>"Yes, that the idea," said Milly. "She won't be any trouble--she's got her puzzle." Tony bent down to speak to the little girl. "Listen," he said. "You don't want to come to a nasty big hotel. You go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece," he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague, "He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to | A Handful Of Dust |
cried Elizabeth, | No speaker | in such confusion!" "Oh! Jane,"<|quote|>cried Elizabeth,</|quote|>"was there a servant belonging | immediately, and the whole house in such confusion!" "Oh! Jane,"<|quote|>cried Elizabeth,</|quote|>"was there a servant belonging to it, who did not | was not on her side a _scheme_ of infamy. My poor father! how he must have felt it!" "I never saw any one so shocked. He could not speak a word for full ten minutes. My mother was taken ill immediately, and the whole house in such confusion!" "Oh! Jane,"<|quote|>cried Elizabeth,</|quote|>"was there a servant belonging to it, who did not know the whole story before the end of the day?" "I do not know.--I hope there was.--But to be guarded at such a time, is very difficult. My mother was in hysterics, and though I endeavoured to give her every | affectionate friend," "LYDIA BENNET." "Oh! thoughtless, thoughtless Lydia!" cried Elizabeth when she had finished it. "What a letter is this, to be written at such a moment. But at least it shews, that _she_ was serious in the object of her journey. Whatever he might afterwards persuade her to, it was not on her side a _scheme_ of infamy. My poor father! how he must have felt it!" "I never saw any one so shocked. He could not speak a word for full ten minutes. My mother was taken ill immediately, and the whole house in such confusion!" "Oh! Jane,"<|quote|>cried Elizabeth,</|quote|>"was there a servant belonging to it, who did not know the whole story before the end of the day?" "I do not know.--I hope there was.--But to be guarded at such a time, is very difficult. My mother was in hysterics, and though I endeavoured to give her every assistance in my power, I am afraid I did not do so much as I might have done! But the horror of what might possibly happen, almost took from me my faculties." "Your attendance upon her, has been too much for you. You do not look well. Oh! that I | hardly write for laughing. Pray make my excuses to Pratt, for not keeping my engagement, and dancing with him to-night. Tell him I hope he will excuse me when he knows all, and tell him I will dance with him at the next ball we meet, with great pleasure. I shall send for my clothes when I get to Longbourn; but I wish you would tell Sally to mend a great slit in my worked muslin gown, before they are packed up. Good bye. Give my love to Colonel Forster, I hope you will drink to our good journey." "Your affectionate friend," "LYDIA BENNET." "Oh! thoughtless, thoughtless Lydia!" cried Elizabeth when she had finished it. "What a letter is this, to be written at such a moment. But at least it shews, that _she_ was serious in the object of her journey. Whatever he might afterwards persuade her to, it was not on her side a _scheme_ of infamy. My poor father! how he must have felt it!" "I never saw any one so shocked. He could not speak a word for full ten minutes. My mother was taken ill immediately, and the whole house in such confusion!" "Oh! Jane,"<|quote|>cried Elizabeth,</|quote|>"was there a servant belonging to it, who did not know the whole story before the end of the day?" "I do not know.--I hope there was.--But to be guarded at such a time, is very difficult. My mother was in hysterics, and though I endeavoured to give her every assistance in my power, I am afraid I did not do so much as I might have done! But the horror of what might possibly happen, almost took from me my faculties." "Your attendance upon her, has been too much for you. You do not look well. Oh! that I had been with you, you have had every care and anxiety upon yourself alone." "Mary and Kitty have been very kind, and would have shared in every fatigue, I am sure, but I did not think it right for either of them. Kitty is slight and delicate, and Mary studies so much, that her hours of repose should not be broken in on. My aunt Philips came to Longbourn on Tuesday, after my father went away; and was so good as to stay till Thursday with me. She was of great use and comfort to us all, and lady Lucas | this could not have happened!" "Perhaps it would have been better;" replied her sister. "But to expose the former faults of any person, without knowing what their present feelings were, seemed unjustifiable. We acted with the best intentions." "Could Colonel Forster repeat the particulars of Lydia's note to his wife?" "He brought it with him for us to see." Jane then took it from her pocket-book, and gave it to Elizabeth. These were the contents: "MY DEAR HARRIET," "You will laugh when you know where I am gone, and I cannot help laughing myself at your surprise to-morrow morning, as soon as I am missed. I am going to Gretna Green, and if you cannot guess with who, I shall think you a simpleton, for there is but one man in the world I love, and he is an angel. I should never be happy without him, so think it no harm to be off. You need not send them word at Longbourn of my going, if you do not like it, for it will make the surprise the greater, when I write to them, and sign my name Lydia Wickham. What a good joke it will be! I can hardly write for laughing. Pray make my excuses to Pratt, for not keeping my engagement, and dancing with him to-night. Tell him I hope he will excuse me when he knows all, and tell him I will dance with him at the next ball we meet, with great pleasure. I shall send for my clothes when I get to Longbourn; but I wish you would tell Sally to mend a great slit in my worked muslin gown, before they are packed up. Good bye. Give my love to Colonel Forster, I hope you will drink to our good journey." "Your affectionate friend," "LYDIA BENNET." "Oh! thoughtless, thoughtless Lydia!" cried Elizabeth when she had finished it. "What a letter is this, to be written at such a moment. But at least it shews, that _she_ was serious in the object of her journey. Whatever he might afterwards persuade her to, it was not on her side a _scheme_ of infamy. My poor father! how he must have felt it!" "I never saw any one so shocked. He could not speak a word for full ten minutes. My mother was taken ill immediately, and the whole house in such confusion!" "Oh! Jane,"<|quote|>cried Elizabeth,</|quote|>"was there a servant belonging to it, who did not know the whole story before the end of the day?" "I do not know.--I hope there was.--But to be guarded at such a time, is very difficult. My mother was in hysterics, and though I endeavoured to give her every assistance in my power, I am afraid I did not do so much as I might have done! But the horror of what might possibly happen, almost took from me my faculties." "Your attendance upon her, has been too much for you. You do not look well. Oh! that I had been with you, you have had every care and anxiety upon yourself alone." "Mary and Kitty have been very kind, and would have shared in every fatigue, I am sure, but I did not think it right for either of them. Kitty is slight and delicate, and Mary studies so much, that her hours of repose should not be broken in on. My aunt Philips came to Longbourn on Tuesday, after my father went away; and was so good as to stay till Thursday with me. She was of great use and comfort to us all, and lady Lucas has been very kind; she walked here on Wednesday morning to condole with us, and offered her services, or any of her daughters, if they could be of use to us." "She had better have stayed at home," cried Elizabeth; "perhaps she _meant_ well, but, under such a misfortune as this, one cannot see too little of one's neighbours. Assistance is impossible; condolence, insufferable. Let them triumph over us at a distance, and be satisfied." She then proceeded to enquire into the measures which her father had intended to pursue, while in town, for the recovery of his daughter. "He meant, I believe," replied Jane, "to go to Epsom, the place where they last changed horses, see the postilions, and try if any thing could be made out from them. His principal object must be, to discover the number of the hackney coach which took them from Clapham. It had come with a fare from London; and as he thought the circumstance of a gentleman and lady's removing from one carriage into another, might be remarked, he meant to make enquiries at Clapham. If he could any how discover at what house the coachman had before set down his fare, | saying, "But tell me all and every thing about it, which I have not already heard. Give me farther particulars. What did Colonel Forster say? Had they no apprehension of any thing before the elopement took place? They must have seen them together for ever." "Colonel Forster did own that he had often suspected some partiality, especially on Lydia's side, but nothing to give him any alarm. I am so grieved for him. His behaviour was attentive and kind to the utmost. He _was_ coming to us, in order to assure us of his concern, before he had any idea of their not being gone to Scotland: when that apprehension first got abroad, it hastened his journey." "And was Denny convinced that Wickham would not marry? Did he know of their intending to go off? Had Colonel Forster seen Denny himself?" "Yes; but when questioned by _him_ Denny denied knowing any thing of their plan, and would not give his real opinion about it. He did not repeat his persuasion of their not marrying--and from _that_, I am inclined to hope, he might have been misunderstood before." "And till Colonel Forster came himself, not one of you entertained a doubt, I suppose, of their being really married?" "How was it possible that such an idea should enter our brains! I felt a little uneasy--a little fearful of my sister's happiness with him in marriage, because I knew that his conduct had not been always quite right. My father and mother knew nothing of that, they only felt how imprudent a match it must be. Kitty then owned, with a very natural triumph on knowing more than the rest of us, that in Lydia's last letter, she had prepared her for such a step. She had known, it seems, of their being in love with each other, many weeks." "But not before they went to Brighton?" "No, I believe not." "And did Colonel Forster appear to think ill of Wickham himself? Does he know his real character?" "I must confess that he did not speak so well of Wickham as he formerly did. He believed him to be imprudent and extravagant. And since this sad affair has taken place, it is said, that he left Meryton greatly in debt; but I hope this may be false." "Oh, Jane, had we been less secret, had we told what we knew of him, this could not have happened!" "Perhaps it would have been better;" replied her sister. "But to expose the former faults of any person, without knowing what their present feelings were, seemed unjustifiable. We acted with the best intentions." "Could Colonel Forster repeat the particulars of Lydia's note to his wife?" "He brought it with him for us to see." Jane then took it from her pocket-book, and gave it to Elizabeth. These were the contents: "MY DEAR HARRIET," "You will laugh when you know where I am gone, and I cannot help laughing myself at your surprise to-morrow morning, as soon as I am missed. I am going to Gretna Green, and if you cannot guess with who, I shall think you a simpleton, for there is but one man in the world I love, and he is an angel. I should never be happy without him, so think it no harm to be off. You need not send them word at Longbourn of my going, if you do not like it, for it will make the surprise the greater, when I write to them, and sign my name Lydia Wickham. What a good joke it will be! I can hardly write for laughing. Pray make my excuses to Pratt, for not keeping my engagement, and dancing with him to-night. Tell him I hope he will excuse me when he knows all, and tell him I will dance with him at the next ball we meet, with great pleasure. I shall send for my clothes when I get to Longbourn; but I wish you would tell Sally to mend a great slit in my worked muslin gown, before they are packed up. Good bye. Give my love to Colonel Forster, I hope you will drink to our good journey." "Your affectionate friend," "LYDIA BENNET." "Oh! thoughtless, thoughtless Lydia!" cried Elizabeth when she had finished it. "What a letter is this, to be written at such a moment. But at least it shews, that _she_ was serious in the object of her journey. Whatever he might afterwards persuade her to, it was not on her side a _scheme_ of infamy. My poor father! how he must have felt it!" "I never saw any one so shocked. He could not speak a word for full ten minutes. My mother was taken ill immediately, and the whole house in such confusion!" "Oh! Jane,"<|quote|>cried Elizabeth,</|quote|>"was there a servant belonging to it, who did not know the whole story before the end of the day?" "I do not know.--I hope there was.--But to be guarded at such a time, is very difficult. My mother was in hysterics, and though I endeavoured to give her every assistance in my power, I am afraid I did not do so much as I might have done! But the horror of what might possibly happen, almost took from me my faculties." "Your attendance upon her, has been too much for you. You do not look well. Oh! that I had been with you, you have had every care and anxiety upon yourself alone." "Mary and Kitty have been very kind, and would have shared in every fatigue, I am sure, but I did not think it right for either of them. Kitty is slight and delicate, and Mary studies so much, that her hours of repose should not be broken in on. My aunt Philips came to Longbourn on Tuesday, after my father went away; and was so good as to stay till Thursday with me. She was of great use and comfort to us all, and lady Lucas has been very kind; she walked here on Wednesday morning to condole with us, and offered her services, or any of her daughters, if they could be of use to us." "She had better have stayed at home," cried Elizabeth; "perhaps she _meant_ well, but, under such a misfortune as this, one cannot see too little of one's neighbours. Assistance is impossible; condolence, insufferable. Let them triumph over us at a distance, and be satisfied." She then proceeded to enquire into the measures which her father had intended to pursue, while in town, for the recovery of his daughter. "He meant, I believe," replied Jane, "to go to Epsom, the place where they last changed horses, see the postilions, and try if any thing could be made out from them. His principal object must be, to discover the number of the hackney coach which took them from Clapham. It had come with a fare from London; and as he thought the circumstance of a gentleman and lady's removing from one carriage into another, might be remarked, he meant to make enquiries at Clapham. If he could any how discover at what house the coachman had before set down his fare, he determined to make enquiries there, and hoped it might not be impossible to find out the stand and number of the coach. I do not know of any other designs that he had formed: but he was in such a hurry to be gone, and his spirits so greatly discomposed, that I had difficulty in finding out even so much as this." CHAPTER VI. The whole party were in hopes of a letter from Mr. Bennet the next morning, but the post came in without bringing a single line from him. His family knew him to be on all common occasions, a most negligent and dilatory correspondent, but at such a time, they had hoped for exertion. They were forced to conclude, that he had no pleasing intelligence to send, but even of _that_ they would have been glad to be certain. Mr. Gardiner had waited only for the letters before he set off. When he was gone, they were certain at least of receiving constant information of what was going on, and their uncle promised, at parting, to prevail on Mr. Bennet to return to Longbourn, as soon as he could, to the great consolation of his sister, who considered it as the only security for her husband's not being killed in a duel. Mrs. Gardiner and the children were to remain in Hertfordshire a few days longer, as the former thought her presence might be serviceable to her nieces. She shared in their attendance on Mrs. Bennet, and was a great comfort to them, in their hours of freedom. Their other aunt also visited them frequently, and always, as she said, with the design of cheering and heartening them up, though as she never came without reporting some fresh instance of Wickham's extravagance or irregularity, she seldom went away without leaving them more dispirited than she found them. All Meryton seemed striving to blacken the man, who, but three months before, had been almost an angel of light. He was declared to be in debt to every tradesman in the place, and his intrigues, all honoured with the title of seduction, had been extended into every tradesman's family. Every body declared that he was the wickedest young man in the world; and every body began to find out, that they had always distrusted the appearance of his goodness. Elizabeth, though she did not credit above half of | going, if you do not like it, for it will make the surprise the greater, when I write to them, and sign my name Lydia Wickham. What a good joke it will be! I can hardly write for laughing. Pray make my excuses to Pratt, for not keeping my engagement, and dancing with him to-night. Tell him I hope he will excuse me when he knows all, and tell him I will dance with him at the next ball we meet, with great pleasure. I shall send for my clothes when I get to Longbourn; but I wish you would tell Sally to mend a great slit in my worked muslin gown, before they are packed up. Good bye. Give my love to Colonel Forster, I hope you will drink to our good journey." "Your affectionate friend," "LYDIA BENNET." "Oh! thoughtless, thoughtless Lydia!" cried Elizabeth when she had finished it. "What a letter is this, to be written at such a moment. But at least it shews, that _she_ was serious in the object of her journey. Whatever he might afterwards persuade her to, it was not on her side a _scheme_ of infamy. My poor father! how he must have felt it!" "I never saw any one so shocked. He could not speak a word for full ten minutes. My mother was taken ill immediately, and the whole house in such confusion!" "Oh! Jane,"<|quote|>cried Elizabeth,</|quote|>"was there a servant belonging to it, who did not know the whole story before the end of the day?" "I do not know.--I hope there was.--But to be guarded at such a time, is very difficult. My mother was in hysterics, and though I endeavoured to give her every assistance in my power, I am afraid I did not do so much as I might have done! But the horror of what might possibly happen, almost took from me my faculties." "Your attendance upon her, has been too much for you. You do not look well. Oh! that I had been with you, you have had every care and anxiety upon yourself alone." "Mary and Kitty have been very kind, and would have shared in every fatigue, I am sure, but I did not think it right for either of them. Kitty is slight and delicate, and Mary studies so much, that her hours of repose should not be broken in on. My aunt Philips came to Longbourn on Tuesday, after my father went away; and was so good as to stay till Thursday with me. She was of great use and comfort to us all, and lady Lucas has been very kind; she walked here on Wednesday morning to condole with us, and offered her services, or any of her daughters, if they could be of use to us." "She had better have stayed at home," cried Elizabeth; "perhaps | Pride And Prejudice |
"I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" | Mike Campbell | Michael. You're drunk," Brett said.<|quote|>"I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?"</|quote|>"Shut up, Michael. Try and | time here?" "Come off it, Michael. You're drunk," Brett said.<|quote|>"I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?"</|quote|>"Shut up, Michael. Try and show a little breeding." "Breeding | have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said.<|quote|>"I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?"</|quote|>"Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? | have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said.<|quote|>"I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?"</|quote|>"Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like | "They only want to kill when they're alone. Of course, if you went in there you'd probably detach one of them from the herd, and he'd be dangerous." "That's too complicated," Bill said. "Don't you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said.<|quote|>"I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?"</|quote|>"Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them | the newcomer. In a few minutes the steer picked the new bull up, quieted him down, and made him one of the herd. When the last two bulls had been unloaded the herd were all together. The steer who had been gored had gotten to his feet and stood against the stone wall. None of the bulls came near him, and he did not attempt to join the herd. We climbed down from the wall with the crowd, and had a last look at the bulls through the loopholes in the wall of the corral. They were all quiet now, their heads down. We got a carriage outside and rode up to the caf . Mike and Bill came in half an hour later. They had stopped on the way for several drinks. We were sitting in the caf . "That's an extraordinary business," Brett said. "Will those last ones fight as well as the first?" Robert Cohn asked. "They seemed to quiet down awfully fast." "They all know each other," I said. "They're only dangerous when they're alone, or only two or three of them together." "What do you mean, dangerous?" Bill said. "They all looked dangerous to me." "They only want to kill when they're alone. Of course, if you went in there you'd probably detach one of them from the herd, and he'd be dangerous." "That's too complicated," Bill said. "Don't you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said.<|quote|>"I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?"</|quote|>"Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners," Brett said. "You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San | steers backed away against the wall, their heads sunken, their eyes watching the bull. The bull saw them and charged. A man shouted from behind one of the boxes and slapped his hat against the planks, and the bull, before he reached the steer, turned, gathered himself and charged where the man had been, trying to reach him behind the planks with a half-dozen quick, searching drives with the right horn. "My God, isn't he beautiful?" Brett said. We were looking right down on him. "Look how he knows how to use his horns," I said. "He's got a left and a right just like a boxer." "Not really?" "You watch." "It goes too fast." "Wait. There'll be another one in a minute." They had backed up another cage into the entrance. In the far corner a man, from behind one of the plank shelters, attracted the bull, and while the bull was facing away the gate was pulled up and a second bull came out into the corral. He charged straight for the steers and two men ran out from behind the planks and shouted, to turn him. He did not change his direction and the men shouted: "Hah! Hah! Toro!" and waved their arms; the two steers turned sideways to take the shock, and the bull drove into one of the steers. "Don't look," I said to Brett. She was watching, fascinated. "Fine," I said. "If it doesn't buck you." "I saw it," she said. "I saw him shift from his left to his right horn." "Damn good!" The steer was down now, his neck stretched out, his head twisted, he lay the way he had fallen. Suddenly the bull left off and made for the other steer which had been standing at the far end, his head swinging, watching it all. The steer ran awkwardly and the bull caught him, hooked him lightly in the flank, and then turned away and looked up at the crowd on the walls, his crest of muscle rising. The steer came up to him and made as though to nose at him and the bull hooked perfunctorily. The next time he nosed at the steer and then the two of them trotted over to the other bull. When the next bull came out, all three, the two bulls and the steer, stood together, their heads side by side, their horns against the newcomer. In a few minutes the steer picked the new bull up, quieted him down, and made him one of the herd. When the last two bulls had been unloaded the herd were all together. The steer who had been gored had gotten to his feet and stood against the stone wall. None of the bulls came near him, and he did not attempt to join the herd. We climbed down from the wall with the crowd, and had a last look at the bulls through the loopholes in the wall of the corral. They were all quiet now, their heads down. We got a carriage outside and rode up to the caf . Mike and Bill came in half an hour later. They had stopped on the way for several drinks. We were sitting in the caf . "That's an extraordinary business," Brett said. "Will those last ones fight as well as the first?" Robert Cohn asked. "They seemed to quiet down awfully fast." "They all know each other," I said. "They're only dangerous when they're alone, or only two or three of them together." "What do you mean, dangerous?" Bill said. "They all looked dangerous to me." "They only want to kill when they're alone. Of course, if you went in there you'd probably detach one of them from the herd, and he'd be dangerous." "That's too complicated," Bill said. "Don't you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said.<|quote|>"I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?"</|quote|>"Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners," Brett said. "You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." "You wouldn't read any letters, darling. You wouldn't read mine." "I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across | two of them trotted over to the other bull. When the next bull came out, all three, the two bulls and the steer, stood together, their heads side by side, their horns against the newcomer. In a few minutes the steer picked the new bull up, quieted him down, and made him one of the herd. When the last two bulls had been unloaded the herd were all together. The steer who had been gored had gotten to his feet and stood against the stone wall. None of the bulls came near him, and he did not attempt to join the herd. We climbed down from the wall with the crowd, and had a last look at the bulls through the loopholes in the wall of the corral. They were all quiet now, their heads down. We got a carriage outside and rode up to the caf . Mike and Bill came in half an hour later. They had stopped on the way for several drinks. We were sitting in the caf . "That's an extraordinary business," Brett said. "Will those last ones fight as well as the first?" Robert Cohn asked. "They seemed to quiet down awfully fast." "They all know each other," I said. "They're only dangerous when they're alone, or only two or three of them together." "What do you mean, dangerous?" Bill said. "They all looked dangerous to me." "They only want to kill when they're alone. Of course, if you went in there you'd probably detach one of them from the herd, and he'd be dangerous." "That's too complicated," Bill said. "Don't you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said.<|quote|>"I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?"</|quote|>"Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners," Brett said. "You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." | The Sun Also Rises |
"Well, giggler," | Princess | princess could not forbear herself.<|quote|>"Well, giggler,"</|quote|>said the princess, "will you | laughing so heartily that the princess could not forbear herself.<|quote|>"Well, giggler,"</|quote|>said the princess, "will you tell me what you laugh | to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself.<|quote|>"Well, giggler,"</|quote|>said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, said: "Now | him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself.<|quote|>"Well, giggler,"</|quote|>said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, said: "Now you speak of lamps, I know not whether the princess may have observed it, but there is an old one upon a shelf of the prince's robing-room. If the princess chooses, she may have the pleasure of trying if this fool is so silly as to give a new lamp | he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry: "Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself.<|quote|>"Well, giggler,"</|quote|>said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, said: "Now you speak of lamps, I know not whether the princess may have observed it, but there is an old one upon a shelf of the prince's robing-room. If the princess chooses, she may have the pleasure of trying if this fool is so silly as to give a new lamp for an old one, without taking anything for the exchange." The lamp this slave spoke of was the wonderful lamp, which Aladdin had laid upon the shelf before he departed for the chase: this he had done several times before; but neither the princess, the slaves, nor the eunuchs had ever taken notice of it. At all other times except when hunting he carried it about his person. The princess, who knew not the value of this lamp, and the interest that Aladdin, not to mention herself, had to keep it safe, entered into the pleasantry, and commanded a eunuch | the rest, told him he had been to see Aladdin's palace; and after exaggerating on all that he had seen most worthy of observation, added: "But my curiosity leads me further, and I shall not be satisfied till I have seen the person to whom this wonderful edifice belongs." "That will be no difficult matter," replied the master of the khan; "there is not a day passes but he gives an opportunity when he is in town, but at present he has been gone these three days on a hunting-match, which will last eight." The magician wanted to know no more; he took his leave of the superintendent of the khan, and returning to his own chamber, said to himself: "This is an opportunity I ought by no means to neglect." To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry: "Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself.<|quote|>"Well, giggler,"</|quote|>said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, said: "Now you speak of lamps, I know not whether the princess may have observed it, but there is an old one upon a shelf of the prince's robing-room. If the princess chooses, she may have the pleasure of trying if this fool is so silly as to give a new lamp for an old one, without taking anything for the exchange." The lamp this slave spoke of was the wonderful lamp, which Aladdin had laid upon the shelf before he departed for the chase: this he had done several times before; but neither the princess, the slaves, nor the eunuchs had ever taken notice of it. At all other times except when hunting he carried it about his person. The princess, who knew not the value of this lamp, and the interest that Aladdin, not to mention herself, had to keep it safe, entered into the pleasantry, and commanded a eunuch to take it and make the exchange. The eunuch obeyed, went out of the hall, and no sooner got to the palace gates than he saw the African magician, called to him, and showing him the old lamp, said: "Give me a new lamp for this?" The magician never doubted but this was the lamp he wanted. There could be no other such in the palace, where every utensil was gold or silver. He snatched it eagerly out of the eunuch's hand, and thrusting it as far as he could into his breast, offered him his basket, and bade him choose which he liked best. The eunuch picked out one, and carried it to the princess; but the exchange was no sooner made than the place rang with the shouts of the children, deriding the magician's folly. The African magician gave everybody leave to laugh as much as they pleased; he stayed not long near the palace, but made the best of his way, without crying any longer; "New lamps for old ones." His end was answered, and by his silence he got rid of the children and the mob. As soon as he was out of the square between | one of the wonders of the world, but that it is the only wonder of the world; since nothing so grand, rich, and magnificent was ever beheld. Go and see it, and then judge whether I have told you more than the truth." "Forgive my ignorance," replied the African magician; "I arrived here but yesterday from the farthest part of Africa, where the fame of this palace had not reached when I came away. The business which brought me hither was so urgent, that my sole object was to arrive as soon as I could, without stopping anywhere, or making any acquaintance. But I will not fail to go and see it, if you will do me the favour to show me the way thither." The person to whom the African magician addressed himself took a pleasure in showing him the way to Aladdin's palace, and he got up and went thither instantly. When he came to the palace, and had examined it on all sides, he doubted not but that Aladdin had made use of the lamp to build it. Without attending to the inability of a poor tailor's son, he knew that none but the genies, the slaves of the lamp, could have performed such wonders; and piqued to the quick at Aladdin's happiness and splendour, he returned to the khan where he lodged. The next point was to ascertain where the lamp was; whether Aladdin carried it about with him, or where he kept it; and this he was to discover by an operation of geomancy. As soon as he entered his lodging, he took his square box of sand, which he always carried with him when he travelled, and after he had performed some operations, he found that the lamp was in Aladdin's palace, and so great was his joy at the discovery that he could hardly contain himself. "Well," said he, "I shall have the lamp, and I defy Aladdin to prevent my carrying it off, thus making him sink to his original meanness, from which he has taken so high a flight." It was Aladdin's misfortune at that time to be absent in the chase for eight days, and only three were expired, which the magician came to know. After he had performed the magical operation he went to the superintendent of the khan, entered into conversation with him on indifferent subjects, and among the rest, told him he had been to see Aladdin's palace; and after exaggerating on all that he had seen most worthy of observation, added: "But my curiosity leads me further, and I shall not be satisfied till I have seen the person to whom this wonderful edifice belongs." "That will be no difficult matter," replied the master of the khan; "there is not a day passes but he gives an opportunity when he is in town, but at present he has been gone these three days on a hunting-match, which will last eight." The magician wanted to know no more; he took his leave of the superintendent of the khan, and returning to his own chamber, said to himself: "This is an opportunity I ought by no means to neglect." To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry: "Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself.<|quote|>"Well, giggler,"</|quote|>said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, said: "Now you speak of lamps, I know not whether the princess may have observed it, but there is an old one upon a shelf of the prince's robing-room. If the princess chooses, she may have the pleasure of trying if this fool is so silly as to give a new lamp for an old one, without taking anything for the exchange." The lamp this slave spoke of was the wonderful lamp, which Aladdin had laid upon the shelf before he departed for the chase: this he had done several times before; but neither the princess, the slaves, nor the eunuchs had ever taken notice of it. At all other times except when hunting he carried it about his person. The princess, who knew not the value of this lamp, and the interest that Aladdin, not to mention herself, had to keep it safe, entered into the pleasantry, and commanded a eunuch to take it and make the exchange. The eunuch obeyed, went out of the hall, and no sooner got to the palace gates than he saw the African magician, called to him, and showing him the old lamp, said: "Give me a new lamp for this?" The magician never doubted but this was the lamp he wanted. There could be no other such in the palace, where every utensil was gold or silver. He snatched it eagerly out of the eunuch's hand, and thrusting it as far as he could into his breast, offered him his basket, and bade him choose which he liked best. The eunuch picked out one, and carried it to the princess; but the exchange was no sooner made than the place rang with the shouts of the children, deriding the magician's folly. The African magician gave everybody leave to laugh as much as they pleased; he stayed not long near the palace, but made the best of his way, without crying any longer; "New lamps for old ones." His end was answered, and by his silence he got rid of the children and the mob. As soon as he was out of the square between the two palaces, he hastened down the streets which were the least frequented; and having no more occasion for his lamps or basket, set all down in an alley where nobody saw him: then going down another street or two, he walked till he came to one of the city gates, and pursuing his way through the suburbs, which were very extensive, at length reached a lonely spot, where he stopped for a time to execute the design he had in contemplation, never caring for his horse which he had left at the khan; but thinking himself perfectly compensated by the treasure he had acquired. In this place the African magician passed the remainder of the day, till the darkest time of night, when he pulled the lamp out of his breast and rubbed it. At that summons the genie appeared, and said: "What wouldst thou have? I am ready to obey thee as thy slave, and the slave of all those who have that lamp in their hands; both I and the other slaves of the lamp." "I command thee," replied the magician, "to transport me immediately and the palace which thou and the other slaves of the lamp have built in this city, with all the people in it, to Africa." The genie made no reply, but with the assistance of the other genies, the slaves of the lamp immediately transported him, and the palace entire, to the spot whither he was desired to convey it. As soon as the sultan rose the next morning, according to custom, he went into his closet, to have the pleasure of contemplating and admiring Aladdin's palace; but when he first looked that way, and instead of a palace saw an empty space such as it was before the palace was built, he thought he was mistaken, and rubbed his eyes; but when he looked again, he still saw nothing more the second time than the first, though the weather was fine, the sky clear, and the dawn advancing had made all objects very distinct. He looked again in front, to the right and left, but beheld nothing more than he had formerly been used to see from his window. His amazement was so great, that he stood for some time turning his eyes to the spot where the palace had stood, but where it was no longer to be seen. He | soon as he entered his lodging, he took his square box of sand, which he always carried with him when he travelled, and after he had performed some operations, he found that the lamp was in Aladdin's palace, and so great was his joy at the discovery that he could hardly contain himself. "Well," said he, "I shall have the lamp, and I defy Aladdin to prevent my carrying it off, thus making him sink to his original meanness, from which he has taken so high a flight." It was Aladdin's misfortune at that time to be absent in the chase for eight days, and only three were expired, which the magician came to know. After he had performed the magical operation he went to the superintendent of the khan, entered into conversation with him on indifferent subjects, and among the rest, told him he had been to see Aladdin's palace; and after exaggerating on all that he had seen most worthy of observation, added: "But my curiosity leads me further, and I shall not be satisfied till I have seen the person to whom this wonderful edifice belongs." "That will be no difficult matter," replied the master of the khan; "there is not a day passes but he gives an opportunity when he is in town, but at present he has been gone these three days on a hunting-match, which will last eight." The magician wanted to know no more; he took his leave of the superintendent of the khan, and returning to his own chamber, said to himself: "This is an opportunity I ought by no means to neglect." To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry: "Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself.<|quote|>"Well, giggler,"</|quote|>said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, said: "Now you speak of lamps, I know not whether the princess may have observed it, but there is an old one upon a shelf of the prince's robing-room. If the princess chooses, she may have the pleasure of trying if this fool is so silly as to give a new lamp for an old one, without taking anything for the exchange." The lamp this slave spoke of was the wonderful lamp, which Aladdin had laid upon the shelf before he departed for the chase: this he had done several times before; but neither the princess, the slaves, nor the eunuchs had ever taken notice of it. At all other times except when hunting he carried it about his person. The princess, who knew not the value of this lamp, and the interest that Aladdin, not to mention herself, had to keep it safe, entered into the pleasantry, and commanded a eunuch to take it and make the exchange. The eunuch obeyed, went out of the hall, and no sooner got to the palace gates than he saw the African magician, called to him, and showing him the old lamp, said: "Give me a new lamp for | Arabian Nights (4) |
"This is a terrible business, an appalling business. It s doctor s orders. Open the door." | Henry | Henry, never raising his eyes.<|quote|>"This is a terrible business, an appalling business. It s doctor s orders. Open the door."</|quote|>"Forgive me, but I will | sister." "Come, come, Margaret!" said Henry, never raising his eyes.<|quote|>"This is a terrible business, an appalling business. It s doctor s orders. Open the door."</|quote|>"Forgive me, but I will not." "I don t agree." | my sister, Mr. Mansbridge. If we require your services, we will let you know." "I can diagnose the case more bluntly if you wish," he retorted. "You could, but you have not. You are, therefore, not qualified to attend my sister." "Come, come, Margaret!" said Henry, never raising his eyes.<|quote|>"This is a terrible business, an appalling business. It s doctor s orders. Open the door."</|quote|>"Forgive me, but I will not." "I don t agree." Margaret was silent. "This business is as broad as it s long," contributed the doctor. "We had better all work together. You need us, Mrs. Wilcox, and we need you." "Quite so," said Henry. "I do not need you in | go in and persuade your sister to come out?" "On what grounds?" said Margaret, suddenly looking him straight in the eyes. Thinking it professional to prevaricate, he murmured something about a nervous breakdown. "I beg your pardon, but it is nothing of the sort. You are not qualified to attend my sister, Mr. Mansbridge. If we require your services, we will let you know." "I can diagnose the case more bluntly if you wish," he retorted. "You could, but you have not. You are, therefore, not qualified to attend my sister." "Come, come, Margaret!" said Henry, never raising his eyes.<|quote|>"This is a terrible business, an appalling business. It s doctor s orders. Open the door."</|quote|>"Forgive me, but I will not." "I don t agree." Margaret was silent. "This business is as broad as it s long," contributed the doctor. "We had better all work together. You need us, Mrs. Wilcox, and we need you." "Quite so," said Henry. "I do not need you in the least," said Margaret. The two men looked at each other anxiously. "No more does my sister, who is still many weeks from her confinement." "Margaret, Margaret!" "Well, Henry, send your doctor away. What possible use is he now?" Mr. Wilcox ran his eye over the house. He had a | fighting for women against men. She did not care about rights, but if men came into Howards End, it should be over her body. "Come, this is an odd beginning," said her husband. The doctor came forward now, and whispered two words to Mr. Wilcox--the scandal was out. Sincerely horrified, Henry stood gazing at the earth. "I cannot help it," said Margaret. "Do wait. It s not my fault. Please all four of you go away now." Now the flyman was whispering to Crane. "We are relying on you to help us, Mrs. Wilcox," said the young doctor. "Could you go in and persuade your sister to come out?" "On what grounds?" said Margaret, suddenly looking him straight in the eyes. Thinking it professional to prevaricate, he murmured something about a nervous breakdown. "I beg your pardon, but it is nothing of the sort. You are not qualified to attend my sister, Mr. Mansbridge. If we require your services, we will let you know." "I can diagnose the case more bluntly if you wish," he retorted. "You could, but you have not. You are, therefore, not qualified to attend my sister." "Come, come, Margaret!" said Henry, never raising his eyes.<|quote|>"This is a terrible business, an appalling business. It s doctor s orders. Open the door."</|quote|>"Forgive me, but I will not." "I don t agree." Margaret was silent. "This business is as broad as it s long," contributed the doctor. "We had better all work together. You need us, Mrs. Wilcox, and we need you." "Quite so," said Henry. "I do not need you in the least," said Margaret. The two men looked at each other anxiously. "No more does my sister, who is still many weeks from her confinement." "Margaret, Margaret!" "Well, Henry, send your doctor away. What possible use is he now?" Mr. Wilcox ran his eye over the house. He had a vague feeling that he must stand firm and support the doctor. He himself might need support, for there was trouble ahead. "It all turns on affection now," said Margaret. "Affection. Don t you see?" Resuming her usual methods, she wrote the word on the house with her finger. "Surely you see. I like Helen very much, you not so much. Mr. Mansbridge doesn t know her. That s all. And affection, when reciprocated, gives rights. Put that down in your note-book, Mr. Mansbridge. It s a useful formula." Henry told her to be calm. "You don t know what you | "Yes, all right," she said, and stood with her back to the door. CHAPTER XXXVI "Margaret, you look upset!" said Henry. Mansbridge had followed. Crane was at the gate, and the flyman had stood up on the box. Margaret shook her head at them; she could not speak any more. She remained clutching the keys, as if all their future depended on them. Henry was asking more questions. She shook her head again. His words had no sense. She heard him wonder why she had let Helen in. "You might have given me a knock with the gate," was another of his remarks. Presently she heard herself speaking. She, or someone for her, said, "Go away." Henry came nearer. He repeated, "Margaret, you look upset again. My dear, give me the keys. What are you doing with Helen?" "Oh, dearest, do go away, and I will manage it all." "Manage what?" He stretched out his hand for the keys. She might have obeyed if it had not been for the doctor. "Stop that at least," she said piteously; the doctor had turned back, and was questioning the driver of Helen s cab. A new feeling came over her; she was fighting for women against men. She did not care about rights, but if men came into Howards End, it should be over her body. "Come, this is an odd beginning," said her husband. The doctor came forward now, and whispered two words to Mr. Wilcox--the scandal was out. Sincerely horrified, Henry stood gazing at the earth. "I cannot help it," said Margaret. "Do wait. It s not my fault. Please all four of you go away now." Now the flyman was whispering to Crane. "We are relying on you to help us, Mrs. Wilcox," said the young doctor. "Could you go in and persuade your sister to come out?" "On what grounds?" said Margaret, suddenly looking him straight in the eyes. Thinking it professional to prevaricate, he murmured something about a nervous breakdown. "I beg your pardon, but it is nothing of the sort. You are not qualified to attend my sister, Mr. Mansbridge. If we require your services, we will let you know." "I can diagnose the case more bluntly if you wish," he retorted. "You could, but you have not. You are, therefore, not qualified to attend my sister." "Come, come, Margaret!" said Henry, never raising his eyes.<|quote|>"This is a terrible business, an appalling business. It s doctor s orders. Open the door."</|quote|>"Forgive me, but I will not." "I don t agree." Margaret was silent. "This business is as broad as it s long," contributed the doctor. "We had better all work together. You need us, Mrs. Wilcox, and we need you." "Quite so," said Henry. "I do not need you in the least," said Margaret. The two men looked at each other anxiously. "No more does my sister, who is still many weeks from her confinement." "Margaret, Margaret!" "Well, Henry, send your doctor away. What possible use is he now?" Mr. Wilcox ran his eye over the house. He had a vague feeling that he must stand firm and support the doctor. He himself might need support, for there was trouble ahead. "It all turns on affection now," said Margaret. "Affection. Don t you see?" Resuming her usual methods, she wrote the word on the house with her finger. "Surely you see. I like Helen very much, you not so much. Mr. Mansbridge doesn t know her. That s all. And affection, when reciprocated, gives rights. Put that down in your note-book, Mr. Mansbridge. It s a useful formula." Henry told her to be calm. "You don t know what you want yourselves," said Margaret, folding her arms. "For one sensible remark I will let you in. But you cannot make it. You would trouble my sister for no reason. I will not permit it. I ll stand here all the day sooner." "Mansbridge," said Henry in a low voice, "perhaps not now." The pack was breaking up. At a sign from his master, Crane also went back into the car. "Now, Henry, you," she said gently. None of her bitterness had been directed at him. "Go away now, dear. I shall want your advice later, no doubt. Forgive me if I have been cross. But, seriously, you must go." He was too stupid to leave her. Now it was Mr. Mansbridge who called in a low voice to him. "I shall soon find you down at Dolly s," she called, as the gate at last clanged between them. The fly moved out of the way, the motor backed, turned a little, backed again, and turned in the narrow road. A string of farm carts came up in the middle; but she waited through all, for there was no hurry. When all was over and the car had started, she opened | normal? Was there anything congenital or hereditary? Had anything occurred that was likely to alienate her from her family? "Nothing," answered Margaret, wondering what would have happened if she had added: "Though she did resent my husband s immorality." "She always was highly strung," pursued Henry, leaning back in the car as it shot past the church. "A tendency to spiritualism and those things, though nothing serious. Musical, literary, artistic, but I should say normal--a very charming girl." Margaret s anger and terror increased every moment. How dare these men label her sister! What horrors lay ahead! What impertinences that shelter under the name of science! The pack was turning on Helen, to deny her human rights, and it seemed to Margaret that all Schlegels were threatened with her. "Were they normal?" What a question to ask! And it is always those who know nothing about human nature, who are bored by psychology--and shocked by physiology, who ask it. However piteous her sister s state, she knew that she must be on her side. They would be mad together if the world chose to consider them so. It was now five minutes past three. The car slowed down by the farm, in the yard of which Miss Avery was standing. Henry asked her whether a cab had gone past. She nodded, and the next moment they caught sight of it, at the end of the lane. The car ran silently like a beast of prey. So unsuspicious was Helen that she was sitting in the porch, with her back to the road. She had come. Only her head and shoulders were visible. She sat framed in the vine, and one of her hands played with the buds. The wind ruffled her hair, the sun glorified it; she was as she had always been. Margaret was seated next to the door. Before her husband could prevent her, she slipped out. She ran to the garden gate, which was shut, passed through it, and deliberately pushed it in his face. The noise alarmed Helen. Margaret saw her rise with an unfamiliar movement, and, rushing into the porch, learnt the simple explanation of all their fears--her sister was with child. "Is the truant all right?" called Henry. She had time to whisper: "Oh, my darling--" The keys of the house were in her hand. She unlocked Howards End and thrust Helen into it. "Yes, all right," she said, and stood with her back to the door. CHAPTER XXXVI "Margaret, you look upset!" said Henry. Mansbridge had followed. Crane was at the gate, and the flyman had stood up on the box. Margaret shook her head at them; she could not speak any more. She remained clutching the keys, as if all their future depended on them. Henry was asking more questions. She shook her head again. His words had no sense. She heard him wonder why she had let Helen in. "You might have given me a knock with the gate," was another of his remarks. Presently she heard herself speaking. She, or someone for her, said, "Go away." Henry came nearer. He repeated, "Margaret, you look upset again. My dear, give me the keys. What are you doing with Helen?" "Oh, dearest, do go away, and I will manage it all." "Manage what?" He stretched out his hand for the keys. She might have obeyed if it had not been for the doctor. "Stop that at least," she said piteously; the doctor had turned back, and was questioning the driver of Helen s cab. A new feeling came over her; she was fighting for women against men. She did not care about rights, but if men came into Howards End, it should be over her body. "Come, this is an odd beginning," said her husband. The doctor came forward now, and whispered two words to Mr. Wilcox--the scandal was out. Sincerely horrified, Henry stood gazing at the earth. "I cannot help it," said Margaret. "Do wait. It s not my fault. Please all four of you go away now." Now the flyman was whispering to Crane. "We are relying on you to help us, Mrs. Wilcox," said the young doctor. "Could you go in and persuade your sister to come out?" "On what grounds?" said Margaret, suddenly looking him straight in the eyes. Thinking it professional to prevaricate, he murmured something about a nervous breakdown. "I beg your pardon, but it is nothing of the sort. You are not qualified to attend my sister, Mr. Mansbridge. If we require your services, we will let you know." "I can diagnose the case more bluntly if you wish," he retorted. "You could, but you have not. You are, therefore, not qualified to attend my sister." "Come, come, Margaret!" said Henry, never raising his eyes.<|quote|>"This is a terrible business, an appalling business. It s doctor s orders. Open the door."</|quote|>"Forgive me, but I will not." "I don t agree." Margaret was silent. "This business is as broad as it s long," contributed the doctor. "We had better all work together. You need us, Mrs. Wilcox, and we need you." "Quite so," said Henry. "I do not need you in the least," said Margaret. The two men looked at each other anxiously. "No more does my sister, who is still many weeks from her confinement." "Margaret, Margaret!" "Well, Henry, send your doctor away. What possible use is he now?" Mr. Wilcox ran his eye over the house. He had a vague feeling that he must stand firm and support the doctor. He himself might need support, for there was trouble ahead. "It all turns on affection now," said Margaret. "Affection. Don t you see?" Resuming her usual methods, she wrote the word on the house with her finger. "Surely you see. I like Helen very much, you not so much. Mr. Mansbridge doesn t know her. That s all. And affection, when reciprocated, gives rights. Put that down in your note-book, Mr. Mansbridge. It s a useful formula." Henry told her to be calm. "You don t know what you want yourselves," said Margaret, folding her arms. "For one sensible remark I will let you in. But you cannot make it. You would trouble my sister for no reason. I will not permit it. I ll stand here all the day sooner." "Mansbridge," said Henry in a low voice, "perhaps not now." The pack was breaking up. At a sign from his master, Crane also went back into the car. "Now, Henry, you," she said gently. None of her bitterness had been directed at him. "Go away now, dear. I shall want your advice later, no doubt. Forgive me if I have been cross. But, seriously, you must go." He was too stupid to leave her. Now it was Mr. Mansbridge who called in a low voice to him. "I shall soon find you down at Dolly s," she called, as the gate at last clanged between them. The fly moved out of the way, the motor backed, turned a little, backed again, and turned in the narrow road. A string of farm carts came up in the middle; but she waited through all, for there was no hurry. When all was over and the car had started, she opened the door. "Oh, my darling!" she said. "My darling, forgive me." Helen was standing in the hall. CHAPTER XXXVII Margaret bolted the door on the inside. Then she would have kissed her sister, but Helen, in a dignified voice, that came strangely from her, said: "Convenient! You did not tell me that the books were unpacked. I have found nearly everything that I want." "I told you nothing that was true." "It has been a great surprise, certainly. Has Aunt Juley been ill?" "Helen, you wouldn t think I d invent that?" "I suppose not," said Helen, turning away, and crying a very little. "But one loses faith in everything after this." "We thought it was illness, but even then--I haven t behaved worthily." Helen selected another book. "I ought not to have consulted any one. What would our father have thought of me?" She did not think of questioning her sister, or of rebuking her. Both might be necessary in the future, but she had first to purge a greater crime than any that Helen could have committed--that want of confidence that is the work of the devil. "Yes, I am annoyed," replied Helen. "My wishes should have been respected. I would have gone through this meeting if it was necessary, but after Aunt Juley recovered, it was not necessary. Planning my life, as I now have to do." "Come away from those books," called Margaret. "Helen, do talk to me." "I was just saying that I have stopped living haphazard. One can t go through a great deal of --" "--she left out the noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait." "I believe you would never have told me." "Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By | go away, and I will manage it all." "Manage what?" He stretched out his hand for the keys. She might have obeyed if it had not been for the doctor. "Stop that at least," she said piteously; the doctor had turned back, and was questioning the driver of Helen s cab. A new feeling came over her; she was fighting for women against men. She did not care about rights, but if men came into Howards End, it should be over her body. "Come, this is an odd beginning," said her husband. The doctor came forward now, and whispered two words to Mr. Wilcox--the scandal was out. Sincerely horrified, Henry stood gazing at the earth. "I cannot help it," said Margaret. "Do wait. It s not my fault. Please all four of you go away now." Now the flyman was whispering to Crane. "We are relying on you to help us, Mrs. Wilcox," said the young doctor. "Could you go in and persuade your sister to come out?" "On what grounds?" said Margaret, suddenly looking him straight in the eyes. Thinking it professional to prevaricate, he murmured something about a nervous breakdown. "I beg your pardon, but it is nothing of the sort. You are not qualified to attend my sister, Mr. Mansbridge. If we require your services, we will let you know." "I can diagnose the case more bluntly if you wish," he retorted. "You could, but you have not. You are, therefore, not qualified to attend my sister." "Come, come, Margaret!" said Henry, never raising his eyes.<|quote|>"This is a terrible business, an appalling business. It s doctor s orders. Open the door."</|quote|>"Forgive me, but I will not." "I don t agree." Margaret was silent. "This business is as broad as it s long," contributed the doctor. "We had better all work together. You need us, Mrs. Wilcox, and we need you." "Quite so," said Henry. "I do not need you in the least," said Margaret. The two men looked at each other anxiously. "No more does my sister, who is still many weeks from her confinement." "Margaret, Margaret!" "Well, Henry, send your doctor away. What possible use is he now?" Mr. Wilcox ran his eye over the house. He had a vague feeling that he must stand firm and support the doctor. He himself might need support, for there was trouble ahead. "It all turns on affection now," said Margaret. "Affection. Don t you see?" Resuming her usual methods, she wrote the word on the house with her finger. "Surely you see. I like Helen very much, you not so much. Mr. Mansbridge doesn t know her. That s all. And affection, when reciprocated, gives rights. Put that down in your note-book, Mr. Mansbridge. It s a useful formula." Henry told her to be calm. "You don t know what you want yourselves," said Margaret, folding her arms. "For one sensible remark I will let you in. But you cannot make it. You would trouble my sister for no reason. I will not permit it. I ll stand here all the day sooner." "Mansbridge," said Henry in a low voice, "perhaps not now." The pack was breaking up. At a sign from his master, Crane also went back into the car. "Now, Henry, you," she said gently. None of her bitterness had been directed at him. "Go away now, dear. I shall want your advice later, no doubt. Forgive me if I have been | Howards End |
said Jem, producing his bag. | No speaker | Got any tobacco, mate?" "Yes,"<|quote|>said Jem, producing his bag.</|quote|>"'Tarn't very good. Say, Mas' | the Englishman; "but we don't. Got any tobacco, mate?" "Yes,"<|quote|>said Jem, producing his bag.</|quote|>"'Tarn't very good. Say, Mas' Don, if he came to | to shake hands." "Ho!" said Jem, suspiciously, as their visitor coolly seated himself on the gunwale of the boat, his follower taking the opposite side, so as to preserve the balance. "Enough to make you think we meant wrong," said the Englishman; "but we don't. Got any tobacco, mate?" "Yes,"<|quote|>said Jem, producing his bag.</|quote|>"'Tarn't very good. Say, Mas' Don, if he came to see us in Bristol, we could give him a bit o' real old Charlestown, spun or leaf." "Could you, though?" said the man, filling his pipe. "Yes; my uncle is a large sugar and tobacco merchant," said Don. "Then how | been in Exeter often," said Don eagerly; "we're from Bristol." The Englishman waded rapidly into the sea, his Maori companion dashing in on the other side of the boat, and Jem and Don seized their pistols. "Didn't I tell you it was peace?" said the Englishman, angrily. "I only wanted to shake hands." "Ho!" said Jem, suspiciously, as their visitor coolly seated himself on the gunwale of the boat, his follower taking the opposite side, so as to preserve the balance. "Enough to make you think we meant wrong," said the Englishman; "but we don't. Got any tobacco, mate?" "Yes,"<|quote|>said Jem, producing his bag.</|quote|>"'Tarn't very good. Say, Mas' Don, if he came to see us in Bristol, we could give him a bit o' real old Charlestown, spun or leaf." "Could you, though?" said the man, filling his pipe. "Yes; my uncle is a large sugar and tobacco merchant," said Don. "Then how came you to be a sailor boy? I know, you young dog; you ran away. Well, I did once." "No, no," said Don, hastily; "we did not ran away; we were pressed." "Pressed?" said the Englishman, pausing in the act of striking a light on one of the thwarts of | meant, old chap," said Jem; and then from behind his hand he whispered to Don,-- "Look out, my lad; they mean the boat." "No, we don't," said the Englishman, contemptuously; "if we did we could have it. Why, I've only to give the word, and a hundred fellows would be out in a canoe before you knew where you were. No, my lad, it's peace; and I'm glad of a chance, though I'm happy enough here, to have a talk to some one from the old home. Never was in the west country, I suppose? I'm an Exeter man." "I've been in Exeter often," said Don eagerly; "we're from Bristol." The Englishman waded rapidly into the sea, his Maori companion dashing in on the other side of the boat, and Jem and Don seized their pistols. "Didn't I tell you it was peace?" said the Englishman, angrily. "I only wanted to shake hands." "Ho!" said Jem, suspiciously, as their visitor coolly seated himself on the gunwale of the boat, his follower taking the opposite side, so as to preserve the balance. "Enough to make you think we meant wrong," said the Englishman; "but we don't. Got any tobacco, mate?" "Yes,"<|quote|>said Jem, producing his bag.</|quote|>"'Tarn't very good. Say, Mas' Don, if he came to see us in Bristol, we could give him a bit o' real old Charlestown, spun or leaf." "Could you, though?" said the man, filling his pipe. "Yes; my uncle is a large sugar and tobacco merchant," said Don. "Then how came you to be a sailor boy? I know, you young dog; you ran away. Well, I did once." "No, no," said Don, hastily; "we did not ran away; we were pressed." "Pressed?" said the Englishman, pausing in the act of striking a light on one of the thwarts of the boat. "You needn't believe unless you like," said Jem, sourly, "but we were; dragged off just as if we were--well, never mind what. Feel here." He bent forward, took the man's hand, and placed it upon the back of his head. "That's a pretty good scar, isn't it? Reg'lar ridge." "Yes; that was an ugly crack, mate." "Well, that's what I got, and a lot beside. Young Mas' Don here, too, was awfully knocked about." "And you stood it?" "Stood it?" said Don, laughing. "How could we help it?" "Made you be sailors, eh, whether you would or no?" | up his eyes till the whites only were visible, distorted his face hideously, and thrust out his great tongue till it was far below his chin. "Brayvo! Brayvo! Brayvo!" cried Jem, hammering the side of the boat; "brayvo, waxworks! I say, mate, will he always go off like that when you pull the string?" "Yes," said the Englishman, laughing; "and two hundred more like him." "Then it must be a werry pretty sight indeed; eh, Mas' Don?" "Ah, it's all very well to laugh," said the Englishman good-humouredly; "but when they mean mischief, it's heads off and a feast." "Eh?" cried Jem. "They'll kill a man, and cook him and eat him after." "Gammon!" "Gammon, eh?" cried the Englishman; and he turned to his savage companion with a word or two. The savage relapsed into his former quiescent state, uttered a loud grunt, and smacked his lips. "And so you do do that sort of thing?" said Jem, grinning. "You look in pretty good condition, mate." "No!" said the Englishman fiercely. "I've joined them, and married, and I'm a pakeha Maori and a great chief, and I've often fought for them; but I've never forgotten what I am." "No offence meant, old chap," said Jem; and then from behind his hand he whispered to Don,-- "Look out, my lad; they mean the boat." "No, we don't," said the Englishman, contemptuously; "if we did we could have it. Why, I've only to give the word, and a hundred fellows would be out in a canoe before you knew where you were. No, my lad, it's peace; and I'm glad of a chance, though I'm happy enough here, to have a talk to some one from the old home. Never was in the west country, I suppose? I'm an Exeter man." "I've been in Exeter often," said Don eagerly; "we're from Bristol." The Englishman waded rapidly into the sea, his Maori companion dashing in on the other side of the boat, and Jem and Don seized their pistols. "Didn't I tell you it was peace?" said the Englishman, angrily. "I only wanted to shake hands." "Ho!" said Jem, suspiciously, as their visitor coolly seated himself on the gunwale of the boat, his follower taking the opposite side, so as to preserve the balance. "Enough to make you think we meant wrong," said the Englishman; "but we don't. Got any tobacco, mate?" "Yes,"<|quote|>said Jem, producing his bag.</|quote|>"'Tarn't very good. Say, Mas' Don, if he came to see us in Bristol, we could give him a bit o' real old Charlestown, spun or leaf." "Could you, though?" said the man, filling his pipe. "Yes; my uncle is a large sugar and tobacco merchant," said Don. "Then how came you to be a sailor boy? I know, you young dog; you ran away. Well, I did once." "No, no," said Don, hastily; "we did not ran away; we were pressed." "Pressed?" said the Englishman, pausing in the act of striking a light on one of the thwarts of the boat. "You needn't believe unless you like," said Jem, sourly, "but we were; dragged off just as if we were--well, never mind what. Feel here." He bent forward, took the man's hand, and placed it upon the back of his head. "That's a pretty good scar, isn't it? Reg'lar ridge." "Yes; that was an ugly crack, mate." "Well, that's what I got, and a lot beside. Young Mas' Don here, too, was awfully knocked about." "And you stood it?" "Stood it?" said Don, laughing. "How could we help it?" "Made you be sailors, eh, whether you would or no?" "That's it," said Jem. "Well, you can do as you like," said the man; "but I know what I should do if they'd served me so." "Cutoff?" said Jem. "That's it, mate. I wouldn't ha' minded being a sailor, but not be made one whether I liked or no." "You weren't a sailor, were you?" said Don. "I? No; never mind what I was." "Then we had better cut off, Mas' Don," said Jem, grinning till his eyes were shut; "and you and me 'll be painted like he is in fast colours, and you shall be a chief, and I'll be your head man." "To be sure," said the Englishman; "and you shall have a wife." "Eh?" cried Jem fiercely; "that I just won't. And, Mas' Don, if we ever do get back, don't you never say a word to my Sally about this here." "No, Jem, not I." "But you'll leave the ship, mate?" "Well, I dunno," said Jem, thoughtfully. "Will that there pattern all over your face and chest wash off?" "Wash off? No." "Not with pearl-ash or soda?" "No, not unless you skinned me," said the man, laughing. "Well, that part arn't tempting, is it, Mas' | some one coming back." "Ahoy!" came again; "boat ahoy!" "Ahoy! Ahoy!" shouted back Jem, and the two boat-keepers watched the moving ferns in front of them, expecting to see the straw hat of a messmate directly; but instead there appeared the black white-tipped feathers, and then the hideously tattooed bluish face of a savage, followed directly after by another, and two stalwart men came out on to the sands, and began to walk slowly down toward the boat. "Cock your pistol, Mas' Don," whispered Jem, "quiet-like; don't let 'em see. They've got their spears and choppers. Precious ready too with their _ahoys_." "Why, it's that tattooed Englishman, Jem, and that savage who called me his pakeha." "And like his impudence!" said Jem. "You're right though, so it is." "Morning, mate," said the Englishman, who, save that he was a little lighter in colour than his hideous-looking companion, could hardly be distinguished from him. "Morning, my hearty," said Jem. "What is it? Want a passage home?" "Do I want what?" growled the man. "Not I; too well off here." "Wouldn't be safe to go back, p'r'aps," said Jem meaningly. The man darted a fierce look at him, which told that the shaft had hit its mark. "Never you mind about that," he said surlily. "But you are a lifer, and have run away, haven't you?" continued Jem, in a bantering tone. The man's aspect was for the moment so fierce that Don involuntarily stole his hand towards the pistol at his side. But his countenance softened directly after. "That's neither here nor there, mate," said the man. "There's been chaps sent out abroad who were innocent, and others who have been punished more than they deserved; and you aren't the sort of fellow to go talking like that, and making trouble for a fellow who never did you any harm." "Not I," said Jem; "it's no business of mine." "And he isn't the fellow to make trouble," put in Don. "That he isn't," said the man, smiling. "'Sides I'm a Maori chief now, and I've got a couple of hundred stout fellows who would fight for me. Eh, Ngati?" he said, addressing some words in the savage tongue. "Pah, ha, ha!" roared the great fellow beside him, brandishing his spear; and seizing the greenstone paddle-like weapon, which hung from his neck, in his left hand, as he struck an attitude, turned up his eyes till the whites only were visible, distorted his face hideously, and thrust out his great tongue till it was far below his chin. "Brayvo! Brayvo! Brayvo!" cried Jem, hammering the side of the boat; "brayvo, waxworks! I say, mate, will he always go off like that when you pull the string?" "Yes," said the Englishman, laughing; "and two hundred more like him." "Then it must be a werry pretty sight indeed; eh, Mas' Don?" "Ah, it's all very well to laugh," said the Englishman good-humouredly; "but when they mean mischief, it's heads off and a feast." "Eh?" cried Jem. "They'll kill a man, and cook him and eat him after." "Gammon!" "Gammon, eh?" cried the Englishman; and he turned to his savage companion with a word or two. The savage relapsed into his former quiescent state, uttered a loud grunt, and smacked his lips. "And so you do do that sort of thing?" said Jem, grinning. "You look in pretty good condition, mate." "No!" said the Englishman fiercely. "I've joined them, and married, and I'm a pakeha Maori and a great chief, and I've often fought for them; but I've never forgotten what I am." "No offence meant, old chap," said Jem; and then from behind his hand he whispered to Don,-- "Look out, my lad; they mean the boat." "No, we don't," said the Englishman, contemptuously; "if we did we could have it. Why, I've only to give the word, and a hundred fellows would be out in a canoe before you knew where you were. No, my lad, it's peace; and I'm glad of a chance, though I'm happy enough here, to have a talk to some one from the old home. Never was in the west country, I suppose? I'm an Exeter man." "I've been in Exeter often," said Don eagerly; "we're from Bristol." The Englishman waded rapidly into the sea, his Maori companion dashing in on the other side of the boat, and Jem and Don seized their pistols. "Didn't I tell you it was peace?" said the Englishman, angrily. "I only wanted to shake hands." "Ho!" said Jem, suspiciously, as their visitor coolly seated himself on the gunwale of the boat, his follower taking the opposite side, so as to preserve the balance. "Enough to make you think we meant wrong," said the Englishman; "but we don't. Got any tobacco, mate?" "Yes,"<|quote|>said Jem, producing his bag.</|quote|>"'Tarn't very good. Say, Mas' Don, if he came to see us in Bristol, we could give him a bit o' real old Charlestown, spun or leaf." "Could you, though?" said the man, filling his pipe. "Yes; my uncle is a large sugar and tobacco merchant," said Don. "Then how came you to be a sailor boy? I know, you young dog; you ran away. Well, I did once." "No, no," said Don, hastily; "we did not ran away; we were pressed." "Pressed?" said the Englishman, pausing in the act of striking a light on one of the thwarts of the boat. "You needn't believe unless you like," said Jem, sourly, "but we were; dragged off just as if we were--well, never mind what. Feel here." He bent forward, took the man's hand, and placed it upon the back of his head. "That's a pretty good scar, isn't it? Reg'lar ridge." "Yes; that was an ugly crack, mate." "Well, that's what I got, and a lot beside. Young Mas' Don here, too, was awfully knocked about." "And you stood it?" "Stood it?" said Don, laughing. "How could we help it?" "Made you be sailors, eh, whether you would or no?" "That's it," said Jem. "Well, you can do as you like," said the man; "but I know what I should do if they'd served me so." "Cutoff?" said Jem. "That's it, mate. I wouldn't ha' minded being a sailor, but not be made one whether I liked or no." "You weren't a sailor, were you?" said Don. "I? No; never mind what I was." "Then we had better cut off, Mas' Don," said Jem, grinning till his eyes were shut; "and you and me 'll be painted like he is in fast colours, and you shall be a chief, and I'll be your head man." "To be sure," said the Englishman; "and you shall have a wife." "Eh?" cried Jem fiercely; "that I just won't. And, Mas' Don, if we ever do get back, don't you never say a word to my Sally about this here." "No, Jem, not I." "But you'll leave the ship, mate?" "Well, I dunno," said Jem, thoughtfully. "Will that there pattern all over your face and chest wash off?" "Wash off? No." "Not with pearl-ash or soda?" "No, not unless you skinned me," said the man, laughing. "Well, that part arn't tempting, is it, Mas' Don?" Don shook his head. "And then about that other part, old chap--cannibalism? I say, that's gammon, isn't it?" "What do you mean?" "Why, you know--the cooking a fellow and eating him. How dull you are!" "Dull? You be here a few years among these people, talking their lingo, and not seeing an Englishman above once in two years, and see if you wouldn't be dull." "But is that true?" "About being cannibals? Yes it's true enough," said the man seriously; "and very horrid it is; but it's only when there's war." He had succeeded in striking a light now, and was smoking placidly enough on the boat's edge, but dreamily thoughtful, as if he were recalling matters that were past. "Has he ever--been at war?" said Don, altering the fashion of his inquiry when it was half uttered. "Often." "And--? You know," said Jem, who felt no delicacy about the matter. The Englishman nodded his head slowly, and sent forth a tremendous puff of smoke, while his companion moved toward Don, and smiled at him, tapping him on the shoulder with his hand, and seeming to nod approval. "Pakeha!" he said, excitedly; "my pakeha; Maori pakeha." "What does he mean by that?" said Don, after he had suffered these attentions patiently for a few minutes. "Means he wants you to be his pakeha." "Yes: my pakeha; Maori pakeha!" cried the chief eagerly. "But what is a pakeha?" "Why, you're a pakeha, I'm a pakeha. They call foreigners pakehas; and he wants to claim you as his." "What, his slave?" cried Don. "No, no; he means his foreign brother. If you become his pakeha, he will be bound to fight for you. Eh, Ngati?" The savage gave vent to a fierce shout, and went through his former performance, but with more flourish, as if he were slaying numbers of enemies, and his facial distortion was hideous. "Well, when I was a little un, and went to school," said Jem, "I used to get spanks if I put out my tongue. Seems as if it's a fine thing to do out here." "Yes; it's a way they have when they're going to fight," said the Englishman thoughtfully. "S'pose it would mean trouble if I were to set you on to do it; but it wouldn't be at all bad for me if you were both of you to leave the ship | involuntarily stole his hand towards the pistol at his side. But his countenance softened directly after. "That's neither here nor there, mate," said the man. "There's been chaps sent out abroad who were innocent, and others who have been punished more than they deserved; and you aren't the sort of fellow to go talking like that, and making trouble for a fellow who never did you any harm." "Not I," said Jem; "it's no business of mine." "And he isn't the fellow to make trouble," put in Don. "That he isn't," said the man, smiling. "'Sides I'm a Maori chief now, and I've got a couple of hundred stout fellows who would fight for me. Eh, Ngati?" he said, addressing some words in the savage tongue. "Pah, ha, ha!" roared the great fellow beside him, brandishing his spear; and seizing the greenstone paddle-like weapon, which hung from his neck, in his left hand, as he struck an attitude, turned up his eyes till the whites only were visible, distorted his face hideously, and thrust out his great tongue till it was far below his chin. "Brayvo! Brayvo! Brayvo!" cried Jem, hammering the side of the boat; "brayvo, waxworks! I say, mate, will he always go off like that when you pull the string?" "Yes," said the Englishman, laughing; "and two hundred more like him." "Then it must be a werry pretty sight indeed; eh, Mas' Don?" "Ah, it's all very well to laugh," said the Englishman good-humouredly; "but when they mean mischief, it's heads off and a feast." "Eh?" cried Jem. "They'll kill a man, and cook him and eat him after." "Gammon!" "Gammon, eh?" cried the Englishman; and he turned to his savage companion with a word or two. The savage relapsed into his former quiescent state, uttered a loud grunt, and smacked his lips. "And so you do do that sort of thing?" said Jem, grinning. "You look in pretty good condition, mate." "No!" said the Englishman fiercely. "I've joined them, and married, and I'm a pakeha Maori and a great chief, and I've often fought for them; but I've never forgotten what I am." "No offence meant, old chap," said Jem; and then from behind his hand he whispered to Don,-- "Look out, my lad; they mean the boat." "No, we don't," said the Englishman, contemptuously; "if we did we could have it. Why, I've only to give the word, and a hundred fellows would be out in a canoe before you knew where you were. No, my lad, it's peace; and I'm glad of a chance, though I'm happy enough here, to have a talk to some one from the old home. Never was in the west country, I suppose? I'm an Exeter man." "I've been in Exeter often," said Don eagerly; "we're from Bristol." The Englishman waded rapidly into the sea, his Maori companion dashing in on the other side of the boat, and Jem and Don seized their pistols. "Didn't I tell you it was peace?" said the Englishman, angrily. "I only wanted to shake hands." "Ho!" said Jem, suspiciously, as their visitor coolly seated himself on the gunwale of the boat, his follower taking the opposite side, so as to preserve the balance. "Enough to make you think we meant wrong," said the Englishman; "but we don't. Got any tobacco, mate?" "Yes,"<|quote|>said Jem, producing his bag.</|quote|>"'Tarn't very good. Say, Mas' Don, if he came to see us in Bristol, we could give him a bit o' real old Charlestown, spun or leaf." "Could you, though?" said the man, filling his pipe. "Yes; my uncle is a large sugar and tobacco merchant," said Don. "Then how came you to be a sailor boy? I know, you young dog; you ran away. Well, I did once." "No, no," said Don, hastily; "we did not ran away; we were pressed." "Pressed?" said the Englishman, pausing in the act of striking a light on one of the thwarts of the boat. "You needn't believe unless you like," said Jem, sourly, "but we were; dragged off just as if we were--well, never mind what. Feel here." He bent forward, took the man's hand, and placed it upon the back of his head. "That's a pretty good scar, isn't it? Reg'lar ridge." "Yes; that was an ugly crack, mate." "Well, that's what I got, and a lot beside. Young Mas' Don here, too, was awfully knocked about." "And you stood it?" "Stood it?" said Don, laughing. "How could we help it?" "Made you be sailors, eh, whether you would or no?" "That's it," said Jem. "Well, you can do as you like," said the man; "but I know what I should do if they'd served me so." "Cutoff?" said Jem. "That's it, mate. I wouldn't ha' minded being a sailor, but not be made one whether I liked or no." "You weren't a sailor, were you?" said Don. "I? No; never mind what I was." "Then we had better cut off, Mas' Don," said Jem, grinning till his eyes were shut; "and you and me 'll be painted like he is in fast colours, and you shall be a chief, and I'll be your head man." "To be sure," said the Englishman; "and you shall have a wife." "Eh?" cried Jem fiercely; "that I just won't. And, Mas' Don, if we ever do get back, don't you never say a word to my Sally about this here." "No, Jem, not I." "But you'll leave the ship, mate?" "Well, I dunno," said Jem, thoughtfully. "Will that there pattern all over your face and chest wash off?" "Wash off? No." "Not with | Don Lavington |
William continued, | No speaker | you believe it, Miss Datchet,"<|quote|>William continued,</|quote|>"Katharine doesn t like Titian. | further from the others. "Would you believe it, Miss Datchet,"<|quote|>William continued,</|quote|>"Katharine doesn t like Titian. She doesn t like apricots, | masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet,"<|quote|>William continued,</|quote|>"Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, | with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet,"<|quote|>William continued,</|quote|>"Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression | Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet,"<|quote|>William continued,</|quote|>"Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt | she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet,"<|quote|>William continued,</|quote|>"Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having been instructed so to do by William, of their engagement. "William," she said, "thinks that perhaps you don t know. We are going to be married." Mary found herself shaking William s hand, and addressing her congratulations to him, as if Katharine were inaccessible; she had, indeed, taken hold of the tea-kettle. "Let me see," Katharine said, "one puts hot water into the cups first, doesn t one? You have some dodge of your own, haven t you, William, about making tea?" Mary was half inclined to suspect that this was said in order to conceal nervousness, but if so, the concealment was unusually perfect. Talk of marriage was dismissed. Katharine might have been seated in her own drawing-room, controlling a situation which presented no sort of difficulty to her trained mind. Rather to her surprise, Mary found herself making conversation with William about old Italian pictures, while Katharine poured out tea, cut cake, kept William s plate supplied, without joining more than was necessary in the conversation. She seemed to have taken possession of Mary s room, and to handle the cups | think her looking well." They had their tea, and went over many of the points that had been raised in the committee rather more intimately than had been possible then; and they all felt an agreeable sense of being in some way behind the scenes; of having their hands upon strings which, when pulled, would completely change the pageant exhibited daily to those who read the newspapers. Although their views were very different, this sense united them and made them almost cordial in their manners to each other. Mary, however, left the tea-party rather early, desiring both to be alone, and then to hear some music at the Queen s Hall. She fully intended to use her loneliness to think out her position with regard to Ralph; but although she walked back to the Strand with this end in view, she found her mind uncomfortably full of different trains of thought. She started one and then another. They seemed even to take their color from the street she happened to be in. Thus the vision of humanity appeared to be in some way connected with Bloomsbury, and faded distinctly by the time she crossed the main road; then a belated organ-grinder in Holborn set her thoughts dancing incongruously; and by the time she was crossing the great misty square of Lincoln s Inn Fields, she was cold and depressed again, and horribly clear-sighted. The dark removed the stimulus of human companionship, and a tear actually slid down her cheek, accompanying a sudden conviction within her that she loved Ralph, and that he didn t love her. All dark and empty now was the path where they had walked that morning, and the sparrows silent in the bare trees. But the lights in her own building soon cheered her; all these different states of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet,"<|quote|>William continued,</|quote|>"Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having been instructed so to do by William, of their engagement. "William," she said, "thinks that perhaps you don t know. We are going to be married." Mary found herself shaking William s hand, and addressing her congratulations to him, as if Katharine were inaccessible; she had, indeed, taken hold of the tea-kettle. "Let me see," Katharine said, "one puts hot water into the cups first, doesn t one? You have some dodge of your own, haven t you, William, about making tea?" Mary was half inclined to suspect that this was said in order to conceal nervousness, but if so, the concealment was unusually perfect. Talk of marriage was dismissed. Katharine might have been seated in her own drawing-room, controlling a situation which presented no sort of difficulty to her trained mind. Rather to her surprise, Mary found herself making conversation with William about old Italian pictures, while Katharine poured out tea, cut cake, kept William s plate supplied, without joining more than was necessary in the conversation. She seemed to have taken possession of Mary s room, and to handle the cups as if they belonged to her. But it was done so naturally that it bred no resentment in Mary; on the contrary, she found herself putting her hand on Katharine s knee, affectionately, for an instant. Was there something maternal in this assumption of control? And thinking of Katharine as one who would soon be married, these maternal airs filled Mary s mind with a new tenderness, and even with awe. Katharine seemed very much older and more experienced than she was. Meanwhile Rodney talked. If his appearance was superficially against him, it had the advantage of making his solid merits something of a surprise. He had kept notebooks; he knew a great deal about pictures. He could compare different examples in different galleries, and his authoritative answers to intelligent questions gained not a little, Mary felt, from the smart taps which he dealt, as he delivered them, upon the lumps of coal. She was impressed. "Your tea, William," said Katharine gently. He paused, gulped it down, obediently, and continued. And then it struck Mary that Katharine, in the shade of her broad-brimmed hat, and in the midst of the smoke, and in the obscurity of her character, was, perhaps, smiling to herself, not altogether in the maternal spirit. What she said was very simple, but her words, even "Your tea, William," were set down as gently and cautiously and exactly as the feet of a Persian cat stepping among China ornaments. For the second time that day Mary felt herself baffled by something inscrutable in the character of a person to whom she felt herself much attracted. She thought that if she were engaged to Katharine, she, too, would find herself very soon using those fretful questions with which William evidently teased his bride. And yet Katharine s voice was humble. "I wonder how you find the time to know all about pictures as well as books?" she asked. "How do I find the time?" William answered, delighted, Mary guessed, at this little compliment. "Why, I always travel with a notebook. And I ask my way to the picture gallery the very first thing in the morning. And then I meet men, and talk to them. There s a man in my office who knows all about the Flemish school. I was telling Miss Datchet about the Flemish school. I picked up a lot of it from him it | The dark removed the stimulus of human companionship, and a tear actually slid down her cheek, accompanying a sudden conviction within her that she loved Ralph, and that he didn t love her. All dark and empty now was the path where they had walked that morning, and the sparrows silent in the bare trees. But the lights in her own building soon cheered her; all these different states of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him, "this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet,"<|quote|>William continued,</|quote|>"Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having been instructed so to do by William, of their engagement. "William," she said, "thinks that perhaps you don t know. We are going to be married." Mary found herself shaking William s hand, and addressing her congratulations to him, as if Katharine were inaccessible; she had, indeed, taken hold of the tea-kettle. "Let me see," Katharine said, "one puts hot water into the cups first, doesn t one? You have some dodge of your own, haven t you, William, about making tea?" Mary was half inclined to suspect that this was said in order to conceal nervousness, but if so, the concealment was unusually perfect. Talk of marriage was dismissed. Katharine might have been seated in her own drawing-room, controlling a situation which presented no sort of difficulty to her trained mind. Rather to her surprise, Mary found herself making conversation with William about old Italian pictures, while Katharine poured out tea, cut cake, kept William s plate supplied, without joining more than was necessary in the conversation. She seemed to have taken possession of Mary | Night And Day |
"you may be quite at ease, Jupe, on that score. In such a case, your father, I apprehend, must find out Mr." | Thomas Gradgrind | whole matter like a sum:<|quote|>"you may be quite at ease, Jupe, on that score. In such a case, your father, I apprehend, must find out Mr."</|quote|>"Thleary. Thath my name, Thquire. | calmly; he worked out the whole matter like a sum:<|quote|>"you may be quite at ease, Jupe, on that score. In such a case, your father, I apprehend, must find out Mr."</|quote|>"Thleary. Thath my name, Thquire. Not athamed of it. Known | sure you know your own mind!" "When father comes back," cried the girl, bursting into tears again after a minute's silence, "how will he ever find me if I go away!" "You may be quite at ease," said Mr. Gradgrind, calmly; he worked out the whole matter like a sum:<|quote|>"you may be quite at ease, Jupe, on that score. In such a case, your father, I apprehend, must find out Mr."</|quote|>"Thleary. Thath my name, Thquire. Not athamed of it. Known all over England, and alwayth paythe ith way." "Must find out Mr. Sleary, who would then let him know where you went. I should have no power of keeping you against his wish, and he would have no difficulty, at | herself from Emma Gordon, and turned her face full upon her patron. The whole company perceived the force of the change, and drew a long breath together, that plainly said, "she will go!" "Be sure you know your own mind, Jupe," Mr. Gradgrind cautioned her; "I say no more. Be sure you know your own mind!" "When father comes back," cried the girl, bursting into tears again after a minute's silence, "how will he ever find me if I go away!" "You may be quite at ease," said Mr. Gradgrind, calmly; he worked out the whole matter like a sum:<|quote|>"you may be quite at ease, Jupe, on that score. In such a case, your father, I apprehend, must find out Mr."</|quote|>"Thleary. Thath my name, Thquire. Not athamed of it. Known all over England, and alwayth paythe ith way." "Must find out Mr. Sleary, who would then let him know where you went. I should have no power of keeping you against his wish, and he would have no difficulty, at any time, in finding Mr. Thomas Gradgrind of Coketown. I am well known." "Well known," assented Mr. Sleary, rolling his loose eye. "You're one of the thort, Thquire, that keepth a prethiouth thight of money out of the houthe. But never mind that at prethent." There was another silence; and | a Cackler, Thquire, and I have thed my thay." The latter part of this speech was addressed to Mr. Gradgrind, who received it with a grave inclination of his head, and then remarked: "The only observation I will make to you, Jupe, in the way of influencing your decision, is, that it is highly desirable to have a sound practical education, and that even your father himself (from what I understand) appears, on your behalf, to have known and felt that much." The last words had a visible effect upon her. She stopped in her wild crying, a little detached herself from Emma Gordon, and turned her face full upon her patron. The whole company perceived the force of the change, and drew a long breath together, that plainly said, "she will go!" "Be sure you know your own mind, Jupe," Mr. Gradgrind cautioned her; "I say no more. Be sure you know your own mind!" "When father comes back," cried the girl, bursting into tears again after a minute's silence, "how will he ever find me if I go away!" "You may be quite at ease," said Mr. Gradgrind, calmly; he worked out the whole matter like a sum:<|quote|>"you may be quite at ease, Jupe, on that score. In such a case, your father, I apprehend, must find out Mr."</|quote|>"Thleary. Thath my name, Thquire. Not athamed of it. Known all over England, and alwayth paythe ith way." "Must find out Mr. Sleary, who would then let him know where you went. I should have no power of keeping you against his wish, and he would have no difficulty, at any time, in finding Mr. Thomas Gradgrind of Coketown. I am well known." "Well known," assented Mr. Sleary, rolling his loose eye. "You're one of the thort, Thquire, that keepth a prethiouth thight of money out of the houthe. But never mind that at prethent." There was another silence; and then she exclaimed, sobbing with her hands before her face, "Oh, give me my clothes, give me my clothes, and let me go away before I break my heart!" The women sadly bestirred themselves to get the clothes together it was soon done, for they were not many and to pack them in a basket which had often travelled with them. Sissy sat all the time upon the ground, still sobbing, and covering her eyes. Mr. Gradgrind and his friend Bounderby stood near the door, ready to take her away. Mr. Sleary stood in the middle of the room, with | behaviour) I make is, that you decide now, at once, whether to accompany me or remain here. Also, that if you accompany me now, it is understood that you communicate no more with any of your friends who are here present. These observations comprise the whole of the case." "At the thame time," said Sleary, "I mutht put in my word, Thquire, tho that both thides of the banner may be equally theen. If you like, Thethilia, to be prentitht, you know the natur of the work and you know your companionth. Emma Gordon, in whothe lap you're a lying at prethent, would be a mother to you, and Joth'phine would be a thithter to you. I don't pretend to be of the angel breed myself, and I don't thay but what, when you mith'd your tip, you'd find me cut up rough, and thwear an oath or two at you. But what I thay, Thquire, ith, that good tempered or bad tempered, I never did a horthe a injury yet, no more than thwearing at him went, and that I don't expect I thall begin otherwithe at my time of life, with a rider. I never wath much of a Cackler, Thquire, and I have thed my thay." The latter part of this speech was addressed to Mr. Gradgrind, who received it with a grave inclination of his head, and then remarked: "The only observation I will make to you, Jupe, in the way of influencing your decision, is, that it is highly desirable to have a sound practical education, and that even your father himself (from what I understand) appears, on your behalf, to have known and felt that much." The last words had a visible effect upon her. She stopped in her wild crying, a little detached herself from Emma Gordon, and turned her face full upon her patron. The whole company perceived the force of the change, and drew a long breath together, that plainly said, "she will go!" "Be sure you know your own mind, Jupe," Mr. Gradgrind cautioned her; "I say no more. Be sure you know your own mind!" "When father comes back," cried the girl, bursting into tears again after a minute's silence, "how will he ever find me if I go away!" "You may be quite at ease," said Mr. Gradgrind, calmly; he worked out the whole matter like a sum:<|quote|>"you may be quite at ease, Jupe, on that score. In such a case, your father, I apprehend, must find out Mr."</|quote|>"Thleary. Thath my name, Thquire. Not athamed of it. Known all over England, and alwayth paythe ith way." "Must find out Mr. Sleary, who would then let him know where you went. I should have no power of keeping you against his wish, and he would have no difficulty, at any time, in finding Mr. Thomas Gradgrind of Coketown. I am well known." "Well known," assented Mr. Sleary, rolling his loose eye. "You're one of the thort, Thquire, that keepth a prethiouth thight of money out of the houthe. But never mind that at prethent." There was another silence; and then she exclaimed, sobbing with her hands before her face, "Oh, give me my clothes, give me my clothes, and let me go away before I break my heart!" The women sadly bestirred themselves to get the clothes together it was soon done, for they were not many and to pack them in a basket which had often travelled with them. Sissy sat all the time upon the ground, still sobbing, and covering her eyes. Mr. Gradgrind and his friend Bounderby stood near the door, ready to take her away. Mr. Sleary stood in the middle of the room, with the male members of the company about him, exactly as he would have stood in the centre of the ring during his daughter Josephine's performance. He wanted nothing but his whip. The basket packed in silence, they brought her bonnet to her, and smoothed her disordered hair, and put it on. Then they pressed about her, and bent over her in very natural attitudes, kissing and embracing her: and brought the children to take leave of her; and were a tender-hearted, simple, foolish set of women altogether. "Now, Jupe," said Mr. Gradgrind. "If you are quite determined, come!" But she had to take her farewell of the male part of the company yet, and every one of them had to unfold his arms (for they all assumed the professional attitude when they found themselves near Sleary), and give her a parting kiss Master Kidderminster excepted, in whose young nature there was an original flavour of the misanthrope, who was also known to have harboured matrimonial views, and who moodily withdrew. Mr. Sleary was reserved until the last. Opening his arms wide he took her by both her hands, and would have sprung her up and down, after the riding-master manner | And how miserable and helpless you will be without me, poor, poor father, until you come back!" It was so pathetic to hear her saying many things of this kind, with her face turned upward, and her arms stretched out as if she were trying to stop his departing shadow and embrace it, that no one spoke a word until Mr. Bounderby (growing impatient) took the case in hand. "Now, good people all," said he, "this is wanton waste of time. Let the girl understand the fact. Let her take it from me, if you like, who have been run away from, myself. Here, what's your name! Your father has absconded deserted you and you mustn't expect to see him again as long as you live." They cared so little for plain Fact, these people, and were in that advanced state of degeneracy on the subject, that instead of being impressed by the speaker's strong common sense, they took it in extraordinary dudgeon. The men muttered "Shame!" and the women "Brute!" and Sleary, in some haste, communicated the following hint, apart to Mr. Bounderby. "I tell you what, Thquire. To thpeak plain to you, my opinion ith that you had better cut it thort, and drop it. They're a very good natur'd people, my people, but they're accuthtomed to be quick in their movementh; and if you don't act upon my advithe, I'm damned if I don't believe they'll pith you out o' winder." Mr. Bounderby being restrained by this mild suggestion, Mr. Gradgrind found an opening for his eminently practical exposition of the subject. "It is of no moment," said he, "whether this person is to be expected back at any time, or the contrary. He is gone away, and there is no present expectation of his return. That, I believe, is agreed on all hands." "Thath agreed, Thquire. Thick to that!" From Sleary. "Well then. I, who came here to inform the father of the poor girl, Jupe, that she could not be received at the school any more, in consequence of there being practical objections, into which I need not enter, to the reception there of the children of persons so employed, am prepared in these altered circumstances to make a proposal. I am willing to take charge of you, Jupe, and to educate you, and provide for you. The only condition (over and above your good behaviour) I make is, that you decide now, at once, whether to accompany me or remain here. Also, that if you accompany me now, it is understood that you communicate no more with any of your friends who are here present. These observations comprise the whole of the case." "At the thame time," said Sleary, "I mutht put in my word, Thquire, tho that both thides of the banner may be equally theen. If you like, Thethilia, to be prentitht, you know the natur of the work and you know your companionth. Emma Gordon, in whothe lap you're a lying at prethent, would be a mother to you, and Joth'phine would be a thithter to you. I don't pretend to be of the angel breed myself, and I don't thay but what, when you mith'd your tip, you'd find me cut up rough, and thwear an oath or two at you. But what I thay, Thquire, ith, that good tempered or bad tempered, I never did a horthe a injury yet, no more than thwearing at him went, and that I don't expect I thall begin otherwithe at my time of life, with a rider. I never wath much of a Cackler, Thquire, and I have thed my thay." The latter part of this speech was addressed to Mr. Gradgrind, who received it with a grave inclination of his head, and then remarked: "The only observation I will make to you, Jupe, in the way of influencing your decision, is, that it is highly desirable to have a sound practical education, and that even your father himself (from what I understand) appears, on your behalf, to have known and felt that much." The last words had a visible effect upon her. She stopped in her wild crying, a little detached herself from Emma Gordon, and turned her face full upon her patron. The whole company perceived the force of the change, and drew a long breath together, that plainly said, "she will go!" "Be sure you know your own mind, Jupe," Mr. Gradgrind cautioned her; "I say no more. Be sure you know your own mind!" "When father comes back," cried the girl, bursting into tears again after a minute's silence, "how will he ever find me if I go away!" "You may be quite at ease," said Mr. Gradgrind, calmly; he worked out the whole matter like a sum:<|quote|>"you may be quite at ease, Jupe, on that score. In such a case, your father, I apprehend, must find out Mr."</|quote|>"Thleary. Thath my name, Thquire. Not athamed of it. Known all over England, and alwayth paythe ith way." "Must find out Mr. Sleary, who would then let him know where you went. I should have no power of keeping you against his wish, and he would have no difficulty, at any time, in finding Mr. Thomas Gradgrind of Coketown. I am well known." "Well known," assented Mr. Sleary, rolling his loose eye. "You're one of the thort, Thquire, that keepth a prethiouth thight of money out of the houthe. But never mind that at prethent." There was another silence; and then she exclaimed, sobbing with her hands before her face, "Oh, give me my clothes, give me my clothes, and let me go away before I break my heart!" The women sadly bestirred themselves to get the clothes together it was soon done, for they were not many and to pack them in a basket which had often travelled with them. Sissy sat all the time upon the ground, still sobbing, and covering her eyes. Mr. Gradgrind and his friend Bounderby stood near the door, ready to take her away. Mr. Sleary stood in the middle of the room, with the male members of the company about him, exactly as he would have stood in the centre of the ring during his daughter Josephine's performance. He wanted nothing but his whip. The basket packed in silence, they brought her bonnet to her, and smoothed her disordered hair, and put it on. Then they pressed about her, and bent over her in very natural attitudes, kissing and embracing her: and brought the children to take leave of her; and were a tender-hearted, simple, foolish set of women altogether. "Now, Jupe," said Mr. Gradgrind. "If you are quite determined, come!" But she had to take her farewell of the male part of the company yet, and every one of them had to unfold his arms (for they all assumed the professional attitude when they found themselves near Sleary), and give her a parting kiss Master Kidderminster excepted, in whose young nature there was an original flavour of the misanthrope, who was also known to have harboured matrimonial views, and who moodily withdrew. Mr. Sleary was reserved until the last. Opening his arms wide he took her by both her hands, and would have sprung her up and down, after the riding-master manner of congratulating young ladies on their dismounting from a rapid act; but there was no rebound in Sissy, and she only stood before him crying. "Good-bye, my dear!" said Sleary. "You'll make your fortun, I hope, and none of our poor folkth will ever trouble you, I'll pound it. I with your father hadn't taken hith dog with him; ith a ill-conwenienth to have the dog out of the billth. But on thecond thoughth, he wouldn't have performed without hith mathter, tho ith ath broad ath ith long!" With that he regarded her attentively with his fixed eye, surveyed his company with his loose one, kissed her, shook his head, and handed her to Mr. Gradgrind as to a horse. "There the ith, Thquire," he said, sweeping her with a professional glance as if she were being adjusted in her seat, "and the'll do you juthtithe. Good-bye, Thethilia!" "Good-bye, Cecilia!" "Good-bye, Sissy!" "God bless you, dear!" In a variety of voices from all the room. But the riding-master eye had observed the bottle of the nine oils in her bosom, and he now interposed with "Leave the bottle, my dear; ith large to carry; it will be of no uthe to you now. Give it to me!" "No, no!" she said, in another burst of tears. "Oh, no! Pray let me keep it for father till he comes back! He will want it when he comes back. He had never thought of going away, when he sent me for it. I must keep it for him, if you please!" "Tho be it, my dear. (You thee how it ith, Thquire!) Farewell, Thethilia! My latht wordth to you ith thith, Thtick to the termth of your engagement, be obedient to the Thquire, and forget uth. But if, when you're grown up and married and well off, you come upon any horthe-riding ever, don't be hard upon it, don't be croth with it, give it a Bethpeak if you can, and think you might do wurth. People mutht be amuthed, Thquire, thomehow," continued Sleary, rendered more pursy than ever, by so much talking; "they can't be alwayth a working, nor yet they can't be alwayth a learning. Make the betht of uth; not the wurtht. I've got my living out of the horthe-riding all my life, I know; but I conthider that I lay down the philothophy of the thubject when I | good tempered or bad tempered, I never did a horthe a injury yet, no more than thwearing at him went, and that I don't expect I thall begin otherwithe at my time of life, with a rider. I never wath much of a Cackler, Thquire, and I have thed my thay." The latter part of this speech was addressed to Mr. Gradgrind, who received it with a grave inclination of his head, and then remarked: "The only observation I will make to you, Jupe, in the way of influencing your decision, is, that it is highly desirable to have a sound practical education, and that even your father himself (from what I understand) appears, on your behalf, to have known and felt that much." The last words had a visible effect upon her. She stopped in her wild crying, a little detached herself from Emma Gordon, and turned her face full upon her patron. The whole company perceived the force of the change, and drew a long breath together, that plainly said, "she will go!" "Be sure you know your own mind, Jupe," Mr. Gradgrind cautioned her; "I say no more. Be sure you know your own mind!" "When father comes back," cried the girl, bursting into tears again after a minute's silence, "how will he ever find me if I go away!" "You may be quite at ease," said Mr. Gradgrind, calmly; he worked out the whole matter like a sum:<|quote|>"you may be quite at ease, Jupe, on that score. In such a case, your father, I apprehend, must find out Mr."</|quote|>"Thleary. Thath my name, Thquire. Not athamed of it. Known all over England, and alwayth paythe ith way." "Must find out Mr. Sleary, who would then let him know where you went. I should have no power of keeping you against his wish, and he would have no difficulty, at any time, in finding Mr. Thomas Gradgrind of Coketown. I am well known." "Well known," assented Mr. Sleary, rolling his loose eye. "You're one of the thort, Thquire, that keepth a prethiouth thight of money out of the houthe. But never mind that at prethent." There was another silence; and then she exclaimed, sobbing with her hands before her face, "Oh, give me my clothes, give me my clothes, and let me go away before I break my heart!" The women sadly bestirred themselves to get the clothes together it was soon done, for they were not many and to pack them in a basket which had often travelled with them. Sissy sat all the time upon the ground, still sobbing, and covering her eyes. Mr. Gradgrind and his friend Bounderby stood near the door, ready to take her away. Mr. Sleary stood in the middle of the room, with the male members of the company about him, exactly as he would have stood in the centre of the ring during his daughter Josephine's performance. He wanted nothing but his whip. The basket packed in silence, they brought her bonnet to her, and smoothed her disordered hair, and put it on. Then they pressed about her, and bent over her in very natural attitudes, kissing and embracing her: and brought the children to take leave of her; and were a tender-hearted, simple, foolish set of women altogether. "Now, Jupe," said Mr. Gradgrind. "If you are quite determined, come!" But she had to take her farewell of the male part of the company yet, and every one of them had to unfold his arms (for they all assumed the professional attitude when they found themselves near Sleary), and give her a parting kiss Master Kidderminster excepted, in whose young nature there was an original flavour of the misanthrope, who was also known to have harboured matrimonial views, and who moodily withdrew. Mr. Sleary was reserved until the last. Opening | Hard Times |
"Look at the career of the honest man in American politics! They don't want us." | Newland Archer | to Winsett, he answered evasively:<|quote|>"Look at the career of the honest man in American politics! They don't want us."</|quote|>"Who's 'they'? Why don't you | put it in that way to Winsett, he answered evasively:<|quote|>"Look at the career of the honest man in American politics! They don't want us."</|quote|>"Who's 'they'? Why don't you all get together and be | back and laughed. There one saw at a flash the unbridgeable difference between men like Winsett and the others--Archer's kind. Every one in polite circles knew that, in America, "a gentleman couldn't go into politics." But, since he could hardly put it in that way to Winsett, he answered evasively:<|quote|>"Look at the career of the honest man in American politics! They don't want us."</|quote|>"Who's 'they'? Why don't you all get together and be 'they' yourselves?" Archer's laugh lingered on his lips in a slightly condescending smile. It was useless to prolong the discussion: everybody knew the melancholy fate of the few gentlemen who had risked their clean linen in municipal or state politics | done about it. I've got only one ware to produce, and there's no market for it here, and won't be in my time. But you're free and you're well-off. Why don't you get into touch? There's only one way to do it: to go into politics." Archer threw his head back and laughed. There one saw at a flash the unbridgeable difference between men like Winsett and the others--Archer's kind. Every one in polite circles knew that, in America, "a gentleman couldn't go into politics." But, since he could hardly put it in that way to Winsett, he answered evasively:<|quote|>"Look at the career of the honest man in American politics! They don't want us."</|quote|>"Who's 'they'? Why don't you all get together and be 'they' yourselves?" Archer's laugh lingered on his lips in a slightly condescending smile. It was useless to prolong the discussion: everybody knew the melancholy fate of the few gentlemen who had risked their clean linen in municipal or state politics in New York. The day was past when that sort of thing was possible: the country was in possession of the bosses and the emigrant, and decent people had to fall back on sport or culture. "Culture! Yes--if we had it! But there are just a few little local patches, | was called) he was inexhaustibly entertaining; but beneath his fun lurked the sterile bitterness of the still young man who has tried and given up. His conversation always made Archer take the measure of his own life, and feel how little it contained; but Winsett's, after all, contained still less, and though their common fund of intellectual interests and curiosities made their talks exhilarating, their exchange of views usually remained within the limits of a pensive dilettantism. "The fact is, life isn't much a fit for either of us," Winsett had once said. "I'm down and out; nothing to be done about it. I've got only one ware to produce, and there's no market for it here, and won't be in my time. But you're free and you're well-off. Why don't you get into touch? There's only one way to do it: to go into politics." Archer threw his head back and laughed. There one saw at a flash the unbridgeable difference between men like Winsett and the others--Archer's kind. Every one in polite circles knew that, in America, "a gentleman couldn't go into politics." But, since he could hardly put it in that way to Winsett, he answered evasively:<|quote|>"Look at the career of the honest man in American politics! They don't want us."</|quote|>"Who's 'they'? Why don't you all get together and be 'they' yourselves?" Archer's laugh lingered on his lips in a slightly condescending smile. It was useless to prolong the discussion: everybody knew the melancholy fate of the few gentlemen who had risked their clean linen in municipal or state politics in New York. The day was past when that sort of thing was possible: the country was in possession of the bosses and the emigrant, and decent people had to fall back on sport or culture. "Culture! Yes--if we had it! But there are just a few little local patches, dying out here and there for lack of--well, hoeing and cross-fertilising: the last remnants of the old European tradition that your forebears brought with them. But you're in a pitiful little minority: you've got no centre, no competition, no audience. You're like the pictures on the walls of a deserted house: 'The Portrait of a Gentleman.' You'll never amount to anything, any of you, till you roll up your sleeves and get right down into the muck. That, or emigrate ... God! If I could emigrate ..." Archer mentally shrugged his shoulders and turned the conversation back to books, where | that cleanliness and comfort are two of the costliest items in a modest budget, regarded Winsett's attitude as part of the boring "Bohemian" pose that always made fashionable people, who changed their clothes without talking about it, and were not forever harping on the number of servants one kept, seem so much simpler and less self-conscious than the others. Nevertheless, he was always stimulated by Winsett, and whenever he caught sight of the journalist's lean bearded face and melancholy eyes he would rout him out of his corner and carry him off for a long talk. Winsett was not a journalist by choice. He was a pure man of letters, untimely born in a world that had no need of letters; but after publishing one volume of brief and exquisite literary appreciations, of which one hundred and twenty copies were sold, thirty given away, and the balance eventually destroyed by the publishers (as per contract) to make room for more marketable material, he had abandoned his real calling, and taken a sub-editorial job on a women's weekly, where fashion-plates and paper patterns alternated with New England love-stories and advertisements of temperance drinks. On the subject of "Hearth-fires" (as the paper was called) he was inexhaustibly entertaining; but beneath his fun lurked the sterile bitterness of the still young man who has tried and given up. His conversation always made Archer take the measure of his own life, and feel how little it contained; but Winsett's, after all, contained still less, and though their common fund of intellectual interests and curiosities made their talks exhilarating, their exchange of views usually remained within the limits of a pensive dilettantism. "The fact is, life isn't much a fit for either of us," Winsett had once said. "I'm down and out; nothing to be done about it. I've got only one ware to produce, and there's no market for it here, and won't be in my time. But you're free and you're well-off. Why don't you get into touch? There's only one way to do it: to go into politics." Archer threw his head back and laughed. There one saw at a flash the unbridgeable difference between men like Winsett and the others--Archer's kind. Every one in polite circles knew that, in America, "a gentleman couldn't go into politics." But, since he could hardly put it in that way to Winsett, he answered evasively:<|quote|>"Look at the career of the honest man in American politics! They don't want us."</|quote|>"Who's 'they'? Why don't you all get together and be 'they' yourselves?" Archer's laugh lingered on his lips in a slightly condescending smile. It was useless to prolong the discussion: everybody knew the melancholy fate of the few gentlemen who had risked their clean linen in municipal or state politics in New York. The day was past when that sort of thing was possible: the country was in possession of the bosses and the emigrant, and decent people had to fall back on sport or culture. "Culture! Yes--if we had it! But there are just a few little local patches, dying out here and there for lack of--well, hoeing and cross-fertilising: the last remnants of the old European tradition that your forebears brought with them. But you're in a pitiful little minority: you've got no centre, no competition, no audience. You're like the pictures on the walls of a deserted house: 'The Portrait of a Gentleman.' You'll never amount to anything, any of you, till you roll up your sleeves and get right down into the muck. That, or emigrate ... God! If I could emigrate ..." Archer mentally shrugged his shoulders and turned the conversation back to books, where Winsett, if uncertain, was always interesting. Emigrate! As if a gentleman could abandon his own country! One could no more do that than one could roll up one's sleeves and go down into the muck. A gentleman simply stayed at home and abstained. But you couldn't make a man like Winsett see that; and that was why the New York of literary clubs and exotic restaurants, though a first shake made it seem more of a kaleidoscope, turned out, in the end, to be a smaller box, with a more monotonous pattern, than the assembled atoms of Fifth Avenue. The next morning Archer scoured the town in vain for more yellow roses. In consequence of this search he arrived late at the office, perceived that his doing so made no difference whatever to any one, and was filled with sudden exasperation at the elaborate futility of his life. Why should he not be, at that moment, on the sands of St. Augustine with May Welland? No one was deceived by his pretense of professional activity. In old-fashioned legal firms like that of which Mr. Letterblair was the head, and which were mainly engaged in the management of large estates and | to my little boy, who fell down her area chasing his kitten, and gave himself a nasty cut. She rushed in bareheaded, carrying him in her arms, with his knee all beautifully bandaged, and was so sympathetic and beautiful that my wife was too dazzled to ask her name." A pleasant glow dilated Archer's heart. There was nothing extraordinary in the tale: any woman would have done as much for a neighbour's child. But it was just like Ellen, he felt, to have rushed in bareheaded, carrying the boy in her arms, and to have dazzled poor Mrs. Winsett into forgetting to ask who she was. "That is the Countess Olenska--a granddaughter of old Mrs. Mingott's." "Whew--a Countess!" whistled Ned Winsett. "Well, I didn't know Countesses were so neighbourly. Mingotts ain't." "They would be, if you'd let them." "Ah, well--" It was their old interminable argument as to the obstinate unwillingness of the "clever people" to frequent the fashionable, and both men knew that there was no use in prolonging it. "I wonder," Winsett broke off, "how a Countess happens to live in our slum?" "Because she doesn't care a hang about where she lives--or about any of our little social sign-posts," said Archer, with a secret pride in his own picture of her. "H'm--been in bigger places, I suppose," the other commented. "Well, here's my corner." He slouched off across Broadway, and Archer stood looking after him and musing on his last words. Ned Winsett had those flashes of penetration; they were the most interesting thing about him, and always made Archer wonder why they had allowed him to accept failure so stolidly at an age when most men are still struggling. Archer had known that Winsett had a wife and child, but he had never seen them. The two men always met at the Century, or at some haunt of journalists and theatrical people, such as the restaurant where Winsett had proposed to go for a bock. He had given Archer to understand that his wife was an invalid; which might be true of the poor lady, or might merely mean that she was lacking in social gifts or in evening clothes, or in both. Winsett himself had a savage abhorrence of social observances: Archer, who dressed in the evening because he thought it cleaner and more comfortable to do so, and who had never stopped to consider that cleanliness and comfort are two of the costliest items in a modest budget, regarded Winsett's attitude as part of the boring "Bohemian" pose that always made fashionable people, who changed their clothes without talking about it, and were not forever harping on the number of servants one kept, seem so much simpler and less self-conscious than the others. Nevertheless, he was always stimulated by Winsett, and whenever he caught sight of the journalist's lean bearded face and melancholy eyes he would rout him out of his corner and carry him off for a long talk. Winsett was not a journalist by choice. He was a pure man of letters, untimely born in a world that had no need of letters; but after publishing one volume of brief and exquisite literary appreciations, of which one hundred and twenty copies were sold, thirty given away, and the balance eventually destroyed by the publishers (as per contract) to make room for more marketable material, he had abandoned his real calling, and taken a sub-editorial job on a women's weekly, where fashion-plates and paper patterns alternated with New England love-stories and advertisements of temperance drinks. On the subject of "Hearth-fires" (as the paper was called) he was inexhaustibly entertaining; but beneath his fun lurked the sterile bitterness of the still young man who has tried and given up. His conversation always made Archer take the measure of his own life, and feel how little it contained; but Winsett's, after all, contained still less, and though their common fund of intellectual interests and curiosities made their talks exhilarating, their exchange of views usually remained within the limits of a pensive dilettantism. "The fact is, life isn't much a fit for either of us," Winsett had once said. "I'm down and out; nothing to be done about it. I've got only one ware to produce, and there's no market for it here, and won't be in my time. But you're free and you're well-off. Why don't you get into touch? There's only one way to do it: to go into politics." Archer threw his head back and laughed. There one saw at a flash the unbridgeable difference between men like Winsett and the others--Archer's kind. Every one in polite circles knew that, in America, "a gentleman couldn't go into politics." But, since he could hardly put it in that way to Winsett, he answered evasively:<|quote|>"Look at the career of the honest man in American politics! They don't want us."</|quote|>"Who's 'they'? Why don't you all get together and be 'they' yourselves?" Archer's laugh lingered on his lips in a slightly condescending smile. It was useless to prolong the discussion: everybody knew the melancholy fate of the few gentlemen who had risked their clean linen in municipal or state politics in New York. The day was past when that sort of thing was possible: the country was in possession of the bosses and the emigrant, and decent people had to fall back on sport or culture. "Culture! Yes--if we had it! But there are just a few little local patches, dying out here and there for lack of--well, hoeing and cross-fertilising: the last remnants of the old European tradition that your forebears brought with them. But you're in a pitiful little minority: you've got no centre, no competition, no audience. You're like the pictures on the walls of a deserted house: 'The Portrait of a Gentleman.' You'll never amount to anything, any of you, till you roll up your sleeves and get right down into the muck. That, or emigrate ... God! If I could emigrate ..." Archer mentally shrugged his shoulders and turned the conversation back to books, where Winsett, if uncertain, was always interesting. Emigrate! As if a gentleman could abandon his own country! One could no more do that than one could roll up one's sleeves and go down into the muck. A gentleman simply stayed at home and abstained. But you couldn't make a man like Winsett see that; and that was why the New York of literary clubs and exotic restaurants, though a first shake made it seem more of a kaleidoscope, turned out, in the end, to be a smaller box, with a more monotonous pattern, than the assembled atoms of Fifth Avenue. The next morning Archer scoured the town in vain for more yellow roses. In consequence of this search he arrived late at the office, perceived that his doing so made no difference whatever to any one, and was filled with sudden exasperation at the elaborate futility of his life. Why should he not be, at that moment, on the sands of St. Augustine with May Welland? No one was deceived by his pretense of professional activity. In old-fashioned legal firms like that of which Mr. Letterblair was the head, and which were mainly engaged in the management of large estates and "conservative" investments, there were always two or three young men, fairly well-off, and without professional ambition, who, for a certain number of hours of each day, sat at their desks accomplishing trivial tasks, or simply reading the newspapers. Though it was supposed to be proper for them to have an occupation, the crude fact of money-making was still regarded as derogatory, and the law, being a profession, was accounted a more gentlemanly pursuit than business. But none of these young men had much hope of really advancing in his profession, or any earnest desire to do so; and over many of them the green mould of the perfunctory was already perceptibly spreading. It made Archer shiver to think that it might be spreading over him too. He had, to be sure, other tastes and interests; he spent his vacations in European travel, cultivated the "clever people" May spoke of, and generally tried to "keep up," as he had somewhat wistfully put it to Madame Olenska. But once he was married, what would become of this narrow margin of life in which his real experiences were lived? He had seen enough of other young men who had dreamed his dream, though perhaps less ardently, and who had gradually sunk into the placid and luxurious routine of their elders. From the office he sent a note by messenger to Madame Olenska, asking if he might call that afternoon, and begging her to let him find a reply at his club; but at the club he found nothing, nor did he receive any letter the following day. This unexpected silence mortified him beyond reason, and though the next morning he saw a glorious cluster of yellow roses behind a florist's window-pane, he left it there. It was only on the third morning that he received a line by post from the Countess Olenska. To his surprise it was dated from Skuytercliff, whither the van der Luydens had promptly retreated after putting the Duke on board his steamer. "I ran away," the writer began abruptly (without the usual preliminaries), "the day after I saw you at the play, and these kind friends have taken me in. I wanted to be quiet, and think things over. You were right in telling me how kind they were; I feel myself so safe here. I wish that you were with us." She ended with a conventional "Yours | looking after him and musing on his last words. Ned Winsett had those flashes of penetration; they were the most interesting thing about him, and always made Archer wonder why they had allowed him to accept failure so stolidly at an age when most men are still struggling. Archer had known that Winsett had a wife and child, but he had never seen them. The two men always met at the Century, or at some haunt of journalists and theatrical people, such as the restaurant where Winsett had proposed to go for a bock. He had given Archer to understand that his wife was an invalid; which might be true of the poor lady, or might merely mean that she was lacking in social gifts or in evening clothes, or in both. Winsett himself had a savage abhorrence of social observances: Archer, who dressed in the evening because he thought it cleaner and more comfortable to do so, and who had never stopped to consider that cleanliness and comfort are two of the costliest items in a modest budget, regarded Winsett's attitude as part of the boring "Bohemian" pose that always made fashionable people, who changed their clothes without talking about it, and were not forever harping on the number of servants one kept, seem so much simpler and less self-conscious than the others. Nevertheless, he was always stimulated by Winsett, and whenever he caught sight of the journalist's lean bearded face and melancholy eyes he would rout him out of his corner and carry him off for a long talk. Winsett was not a journalist by choice. He was a pure man of letters, untimely born in a world that had no need of letters; but after publishing one volume of brief and exquisite literary appreciations, of which one hundred and twenty copies were sold, thirty given away, and the balance eventually destroyed by the publishers (as per contract) to make room for more marketable material, he had abandoned his real calling, and taken a sub-editorial job on a women's weekly, where fashion-plates and paper patterns alternated with New England love-stories and advertisements of temperance drinks. On the subject of "Hearth-fires" (as the paper was called) he was inexhaustibly entertaining; but beneath his fun lurked the sterile bitterness of the still young man who has tried and given up. His conversation always made Archer take the measure of his own life, and feel how little it contained; but Winsett's, after all, contained still less, and though their common fund of intellectual interests and curiosities made their talks exhilarating, their exchange of views usually remained within the limits of a pensive dilettantism. "The fact is, life isn't much a fit for either of us," Winsett had once said. "I'm down and out; nothing to be done about it. I've got only one ware to produce, and there's no market for it here, and won't be in my time. But you're free and you're well-off. Why don't you get into touch? There's only one way to do it: to go into politics." Archer threw his head back and laughed. There one saw at a flash the unbridgeable difference between men like Winsett and the others--Archer's kind. Every one in polite circles knew that, in America, "a gentleman couldn't go into politics." But, since he could hardly put it in that way to Winsett, he answered evasively:<|quote|>"Look at the career of the honest man in American politics! They don't want us."</|quote|>"Who's 'they'? Why don't you all get together and be 'they' yourselves?" Archer's laugh lingered on his lips in a slightly condescending smile. It was useless to prolong the discussion: everybody knew the melancholy fate of the few gentlemen who had risked their clean linen in municipal or state politics in New York. The day was past when that sort of thing was possible: the country was in possession of the bosses and the emigrant, and decent people had to fall back on sport or culture. "Culture! Yes--if we had it! But there are just a few little local patches, dying out here and there for lack of--well, hoeing and cross-fertilising: the last remnants of the old European tradition that your forebears brought with them. But you're in a pitiful little minority: you've got no centre, no competition, no audience. You're like the pictures on the walls of a deserted house: 'The Portrait of a Gentleman.' You'll never amount to anything, any of you, till you roll up your sleeves and get right down into the muck. That, or emigrate ... God! If I could emigrate ..." Archer mentally shrugged his shoulders and turned the conversation back to books, where Winsett, if uncertain, was always interesting. Emigrate! As if a gentleman could abandon his own country! One could no more do that than one could roll up one's sleeves and go down into the muck. A gentleman simply stayed at home and abstained. But you couldn't make a man like Winsett see that; and that was why the New York of literary clubs and exotic restaurants, though a first shake made it seem more of a kaleidoscope, turned out, in the end, to be a smaller box, with a more monotonous pattern, than the assembled atoms of Fifth Avenue. The next morning Archer scoured the town in vain for more yellow roses. In consequence of this search he arrived late at the office, perceived that his doing so made no difference whatever to any one, and was filled with sudden exasperation at the elaborate futility of his life. Why should he not be, at that moment, on the sands of St. Augustine with May Welland? No one was deceived by his pretense of professional activity. In old-fashioned legal firms like that of which Mr. Letterblair was the head, and which were mainly engaged in the management of large estates and "conservative" investments, there were always two or three young men, fairly well-off, and without professional ambition, who, for a certain number of hours of each day, sat at their desks accomplishing trivial tasks, or simply reading the newspapers. Though it was supposed to be proper for them to have an occupation, the crude fact of money-making was still regarded as derogatory, and the law, being a profession, was accounted a more gentlemanly pursuit than business. But none of these young men had much hope of really advancing in his profession, or any earnest desire to do so; and over many of them the green mould of the perfunctory was already perceptibly spreading. It made Archer shiver to think that | The Age Of Innocence |
and he leveled his alpenstock at his sister. | No speaker | ll tell you her name;"<|quote|>and he leveled his alpenstock at his sister.</|quote|>"You had better wait till | the boy sharply. "And I ll tell you her name;"<|quote|>and he leveled his alpenstock at his sister.</|quote|>"You had better wait till you are asked!" said this | you know where that is." Winterbourne learned more about her by catching hold of her small, slippery brother and making him stand a few minutes by his side. "Tell me your name, my boy," he said. "Randolph C. Miller," said the boy sharply. "And I ll tell you her name;"<|quote|>and he leveled his alpenstock at his sister.</|quote|>"You had better wait till you are asked!" said this young lady calmly. "I should like very much to know your name," said Winterbourne. "Her name is Daisy Miller!" cried the child. "But that isn t her real name; that isn t her name on her cards." "It s a | spoke like a German. Then he asked her if she should not be more comfortable in sitting upon the bench which he had just quitted. She answered that she liked standing up and walking about; but she presently sat down. She told him she was from New York State--" "if you know where that is." Winterbourne learned more about her by catching hold of her small, slippery brother and making him stand a few minutes by his side. "Tell me your name, my boy," he said. "Randolph C. Miller," said the boy sharply. "And I ll tell you her name;"<|quote|>and he leveled his alpenstock at his sister.</|quote|>"You had better wait till you are asked!" said this young lady calmly. "I should like very much to know your name," said Winterbourne. "Her name is Daisy Miller!" cried the child. "But that isn t her real name; that isn t her name on her cards." "It s a pity you haven t got one of my cards!" said Miss Miller. "Her real name is Annie P. Miller," the boy went on. "Ask him HIS name," said his sister, indicating Winterbourne. But on this point Randolph seemed perfectly indifferent; he continued to supply information with regard to his own | her bright, sweet, superficial little visage there was no mockery, no irony. Before long it became obvious that she was much disposed toward conversation. She told him that they were going to Rome for the winter--she and her mother and Randolph. She asked him if he was a "real American" "; she shouldn t have taken him for one; he seemed more like a German--this was said after a little hesitation--especially when he spoke. Winterbourne, laughing, answered that he had met Germans who spoke like Americans, but that he had not, so far as he remembered, met an American who spoke like a German. Then he asked her if she should not be more comfortable in sitting upon the bench which he had just quitted. She answered that she liked standing up and walking about; but she presently sat down. She told him she was from New York State--" "if you know where that is." Winterbourne learned more about her by catching hold of her small, slippery brother and making him stand a few minutes by his side. "Tell me your name, my boy," he said. "Randolph C. Miller," said the boy sharply. "And I ll tell you her name;"<|quote|>and he leveled his alpenstock at his sister.</|quote|>"You had better wait till you are asked!" said this young lady calmly. "I should like very much to know your name," said Winterbourne. "Her name is Daisy Miller!" cried the child. "But that isn t her real name; that isn t her name on her cards." "It s a pity you haven t got one of my cards!" said Miss Miller. "Her real name is Annie P. Miller," the boy went on. "Ask him HIS name," said his sister, indicating Winterbourne. But on this point Randolph seemed perfectly indifferent; he continued to supply information with regard to his own family. "My father s name is Ezra B. Miller," he announced. "My father ain t in Europe; my father s in a better place than Europe." Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, "My father s in Schenectady. He s got a big business. My father s rich, you bet!" "Well!" ejaculated Miss Miller, lowering her parasol and looking at the embroidered border. Winterbourne presently released the child, who departed, dragging his | he spoke to her, and seemed not particularly to hear him, this was simply her habit, her manner. Yet, as he talked a little more and pointed out some of the objects of interest in the view, with which she appeared quite unacquainted, she gradually gave him more of the benefit of her glance; and then he saw that this glance was perfectly direct and unshrinking. It was not, however, what would have been called an immodest glance, for the young girl s eyes were singularly honest and fresh. They were wonderfully pretty eyes; and, indeed, Winterbourne had not seen for a long time anything prettier than his fair countrywoman s various features--her complexion, her nose, her ears, her teeth. He had a great relish for feminine beauty; he was addicted to observing and analyzing it; and as regards this young lady s face he made several observations. It was not at all insipid, but it was not exactly expressive; and though it was eminently delicate, Winterbourne mentally accused it--very forgivingly--of a want of finish. He thought it very possible that Master Randolph s sister was a coquette; he was sure she had a spirit of her own; but in her bright, sweet, superficial little visage there was no mockery, no irony. Before long it became obvious that she was much disposed toward conversation. She told him that they were going to Rome for the winter--she and her mother and Randolph. She asked him if he was a "real American" "; she shouldn t have taken him for one; he seemed more like a German--this was said after a little hesitation--especially when he spoke. Winterbourne, laughing, answered that he had met Germans who spoke like Americans, but that he had not, so far as he remembered, met an American who spoke like a German. Then he asked her if she should not be more comfortable in sitting upon the bench which he had just quitted. She answered that she liked standing up and walking about; but she presently sat down. She told him she was from New York State--" "if you know where that is." Winterbourne learned more about her by catching hold of her small, slippery brother and making him stand a few minutes by his side. "Tell me your name, my boy," he said. "Randolph C. Miller," said the boy sharply. "And I ll tell you her name;"<|quote|>and he leveled his alpenstock at his sister.</|quote|>"You had better wait till you are asked!" said this young lady calmly. "I should like very much to know your name," said Winterbourne. "Her name is Daisy Miller!" cried the child. "But that isn t her real name; that isn t her name on her cards." "It s a pity you haven t got one of my cards!" said Miss Miller. "Her real name is Annie P. Miller," the boy went on. "Ask him HIS name," said his sister, indicating Winterbourne. But on this point Randolph seemed perfectly indifferent; he continued to supply information with regard to his own family. "My father s name is Ezra B. Miller," he announced. "My father ain t in Europe; my father s in a better place than Europe." Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, "My father s in Schenectady. He s got a big business. My father s rich, you bet!" "Well!" ejaculated Miss Miller, lowering her parasol and looking at the embroidered border. Winterbourne presently released the child, who departed, dragging his alpenstock along the path. "He doesn t like Europe," said the young girl. "He wants to go back." "To Schenectady, you mean?" "Yes; he wants to go right home. He hasn t got any boys here. There is one boy here, but he always goes round with a teacher; they won t let him play." "And your brother hasn t any teacher?" Winterbourne inquired. "Mother thought of getting him one, to travel round with us. There was a lady told her of a very good teacher; an American lady--perhaps you know her--Mrs. Sanders. I think she came from Boston. She told her of this teacher, and we thought of getting him to travel round with us. But Randolph said he didn t want a teacher traveling round with us. He said he wouldn t have lessons when he was in the cars. And we ARE in the cars about half the time. There was an English lady we met in the cars--I think her name was Miss Featherstone; perhaps you know her. She wanted to know why I didn t give Randolph lessons--give him instruction, she called it. I guess he could give me more instruction than I could give | liberty to speak to a young unmarried lady except under certain rarely occurring conditions; but here at Vevey, what conditions could be better than these?--a pretty American girl coming and standing in front of you in a garden. This pretty American girl, however, on hearing Winterbourne s observation, simply glanced at him; she then turned her head and looked over the parapet, at the lake and the opposite mountains. He wondered whether he had gone too far, but he decided that he must advance farther, rather than retreat. While he was thinking of something else to say, the young lady turned to the little boy again. "I should like to know where you got that pole," she said. "I bought it," responded Randolph. "You don t mean to say you re going to take it to Italy?" "Yes, I am going to take it to Italy," the child declared. The young girl glanced over the front of her dress and smoothed out a knot or two of ribbon. Then she rested her eyes upon the prospect again. "Well, I guess you had better leave it somewhere," she said after a moment. "Are you going to Italy?" Winterbourne inquired in a tone of great respect. The young lady glanced at him again. "Yes, sir," she replied. And she said nothing more. "Are you--a--going over the Simplon?" Winterbourne pursued, a little embarrassed. "I don t know," she said. "I suppose it s some mountain. Randolph, what mountain are we going over?" "Going where?" the child demanded. "To Italy," Winterbourne explained. "I don t know," said Randolph. "I don t want to go to Italy. I want to go to America." "Oh, Italy is a beautiful place!" rejoined the young man. "Can you get candy there?" Randolph loudly inquired. "I hope not," said his sister. "I guess you have had enough candy, and mother thinks so too." "I haven t had any for ever so long--for a hundred weeks!" cried the boy, still jumping about. The young lady inspected her flounces and smoothed her ribbons again; and Winterbourne presently risked an observation upon the beauty of the view. He was ceasing to be embarrassed, for he had begun to perceive that she was not in the least embarrassed herself. There had not been the slightest alteration in her charming complexion; she was evidently neither offended nor flattered. If she looked another way when he spoke to her, and seemed not particularly to hear him, this was simply her habit, her manner. Yet, as he talked a little more and pointed out some of the objects of interest in the view, with which she appeared quite unacquainted, she gradually gave him more of the benefit of her glance; and then he saw that this glance was perfectly direct and unshrinking. It was not, however, what would have been called an immodest glance, for the young girl s eyes were singularly honest and fresh. They were wonderfully pretty eyes; and, indeed, Winterbourne had not seen for a long time anything prettier than his fair countrywoman s various features--her complexion, her nose, her ears, her teeth. He had a great relish for feminine beauty; he was addicted to observing and analyzing it; and as regards this young lady s face he made several observations. It was not at all insipid, but it was not exactly expressive; and though it was eminently delicate, Winterbourne mentally accused it--very forgivingly--of a want of finish. He thought it very possible that Master Randolph s sister was a coquette; he was sure she had a spirit of her own; but in her bright, sweet, superficial little visage there was no mockery, no irony. Before long it became obvious that she was much disposed toward conversation. She told him that they were going to Rome for the winter--she and her mother and Randolph. She asked him if he was a "real American" "; she shouldn t have taken him for one; he seemed more like a German--this was said after a little hesitation--especially when he spoke. Winterbourne, laughing, answered that he had met Germans who spoke like Americans, but that he had not, so far as he remembered, met an American who spoke like a German. Then he asked her if she should not be more comfortable in sitting upon the bench which he had just quitted. She answered that she liked standing up and walking about; but she presently sat down. She told him she was from New York State--" "if you know where that is." Winterbourne learned more about her by catching hold of her small, slippery brother and making him stand a few minutes by his side. "Tell me your name, my boy," he said. "Randolph C. Miller," said the boy sharply. "And I ll tell you her name;"<|quote|>and he leveled his alpenstock at his sister.</|quote|>"You had better wait till you are asked!" said this young lady calmly. "I should like very much to know your name," said Winterbourne. "Her name is Daisy Miller!" cried the child. "But that isn t her real name; that isn t her name on her cards." "It s a pity you haven t got one of my cards!" said Miss Miller. "Her real name is Annie P. Miller," the boy went on. "Ask him HIS name," said his sister, indicating Winterbourne. But on this point Randolph seemed perfectly indifferent; he continued to supply information with regard to his own family. "My father s name is Ezra B. Miller," he announced. "My father ain t in Europe; my father s in a better place than Europe." Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, "My father s in Schenectady. He s got a big business. My father s rich, you bet!" "Well!" ejaculated Miss Miller, lowering her parasol and looking at the embroidered border. Winterbourne presently released the child, who departed, dragging his alpenstock along the path. "He doesn t like Europe," said the young girl. "He wants to go back." "To Schenectady, you mean?" "Yes; he wants to go right home. He hasn t got any boys here. There is one boy here, but he always goes round with a teacher; they won t let him play." "And your brother hasn t any teacher?" Winterbourne inquired. "Mother thought of getting him one, to travel round with us. There was a lady told her of a very good teacher; an American lady--perhaps you know her--Mrs. Sanders. I think she came from Boston. She told her of this teacher, and we thought of getting him to travel round with us. But Randolph said he didn t want a teacher traveling round with us. He said he wouldn t have lessons when he was in the cars. And we ARE in the cars about half the time. There was an English lady we met in the cars--I think her name was Miss Featherstone; perhaps you know her. She wanted to know why I didn t give Randolph lessons--give him instruction, she called it. I guess he could give me more instruction than I could give him. He s very smart." "Yes," said Winterbourne; "he seems very smart." "Mother s going to get a teacher for him as soon as we get to Italy. Can you get good teachers in Italy?" "Very good, I should think," said Winterbourne. "Or else she s going to find some school. He ought to learn some more. He s only nine. He s going to college." And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--" "Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she | gave him more of the benefit of her glance; and then he saw that this glance was perfectly direct and unshrinking. It was not, however, what would have been called an immodest glance, for the young girl s eyes were singularly honest and fresh. They were wonderfully pretty eyes; and, indeed, Winterbourne had not seen for a long time anything prettier than his fair countrywoman s various features--her complexion, her nose, her ears, her teeth. He had a great relish for feminine beauty; he was addicted to observing and analyzing it; and as regards this young lady s face he made several observations. It was not at all insipid, but it was not exactly expressive; and though it was eminently delicate, Winterbourne mentally accused it--very forgivingly--of a want of finish. He thought it very possible that Master Randolph s sister was a coquette; he was sure she had a spirit of her own; but in her bright, sweet, superficial little visage there was no mockery, no irony. Before long it became obvious that she was much disposed toward conversation. She told him that they were going to Rome for the winter--she and her mother and Randolph. She asked him if he was a "real American" "; she shouldn t have taken him for one; he seemed more like a German--this was said after a little hesitation--especially when he spoke. Winterbourne, laughing, answered that he had met Germans who spoke like Americans, but that he had not, so far as he remembered, met an American who spoke like a German. Then he asked her if she should not be more comfortable in sitting upon the bench which he had just quitted. She answered that she liked standing up and walking about; but she presently sat down. She told him she was from New York State--" "if you know where that is." Winterbourne learned more about her by catching hold of her small, slippery brother and making him stand a few minutes by his side. "Tell me your name, my boy," he said. "Randolph C. Miller," said the boy sharply. "And I ll tell you her name;"<|quote|>and he leveled his alpenstock at his sister.</|quote|>"You had better wait till you are asked!" said this young lady calmly. "I should like very much to know your name," said Winterbourne. "Her name is Daisy Miller!" cried the child. "But that isn t her real name; that isn t her name on her cards." "It s a pity you haven t got one of my cards!" said Miss Miller. "Her real name is Annie P. Miller," the boy went on. "Ask him HIS name," said his sister, indicating Winterbourne. But on this point Randolph seemed perfectly indifferent; he continued to supply information with regard to his own family. "My father s name is Ezra B. Miller," he announced. "My father ain t in Europe; my father s in a better place than Europe." Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, "My father s in Schenectady. He s got a big business. My father s rich, you bet!" "Well!" ejaculated Miss Miller, lowering her parasol and looking at the embroidered border. Winterbourne presently released the child, who departed, dragging his alpenstock along the path. "He doesn t like Europe," said the young girl. "He wants to go back." "To Schenectady, you mean?" "Yes; he wants to go right home. He hasn t got any boys here. There is one boy here, but he always goes round with a teacher; they won t let him play." "And your brother hasn t any teacher?" Winterbourne inquired. "Mother thought of getting him one, to travel round with us. There was a lady told her of a very good teacher; an American lady--perhaps you know her--Mrs. Sanders. I think she came from Boston. She told her of this teacher, and we thought of getting him to | Daisy Miller |
Archer said simply. | No speaker | moved as himself. "Thank you,"<|quote|>Archer said simply.</|quote|>"There's nothing to thank me | that his visitor was as moved as himself. "Thank you,"<|quote|>Archer said simply.</|quote|>"There's nothing to thank me for, Monsieur: it is I, | on it. For a second or two he could not trust himself to speak. During this interval he heard M. Riviere's chair pushed back, and was aware that the young man had risen. When he glanced up again he saw that his visitor was as moved as himself. "Thank you,"<|quote|>Archer said simply.</|quote|>"There's nothing to thank me for, Monsieur: it is I, rather--" M. Riviere broke off, as if speech for him too were difficult. "I should like, though," he continued in a firmer voice, "to add one thing. You asked me if I was in Count Olenski's employ. I am at | wish to have her back as proof of an irresistible longing for domestic life." M. Riviere paused, and then added: "Whereas it's far from being as simple as that." Archer looked back to the President of the United States, and then down at his desk and at the papers scattered on it. For a second or two he could not trust himself to speak. During this interval he heard M. Riviere's chair pushed back, and was aware that the young man had risen. When he glanced up again he saw that his visitor was as moved as himself. "Thank you,"<|quote|>Archer said simply.</|quote|>"There's nothing to thank me for, Monsieur: it is I, rather--" M. Riviere broke off, as if speech for him too were difficult. "I should like, though," he continued in a firmer voice, "to add one thing. You asked me if I was in Count Olenski's employ. I am at this moment: I returned to him, a few months ago, for reasons of private necessity such as may happen to any one who has persons, ill and older persons, dependent on him. But from the moment that I have taken the step of coming here to say these things to | that the imagination could invent. "The change--what sort of a change?" "Ah, Monsieur, if I could tell you!" M. Riviere paused. "Tenez--the discovery, I suppose, of what I'd never thought of before: that she's an American. And that if you're an American of HER kind--of your kind--things that are accepted in certain other societies, or at least put up with as part of a general convenient give-and-take--become unthinkable, simply unthinkable. If Madame Olenska's relations understood what these things were, their opposition to her returning would no doubt be as unconditional as her own; but they seem to regard her husband's wish to have her back as proof of an irresistible longing for domestic life." M. Riviere paused, and then added: "Whereas it's far from being as simple as that." Archer looked back to the President of the United States, and then down at his desk and at the papers scattered on it. For a second or two he could not trust himself to speak. During this interval he heard M. Riviere's chair pushed back, and was aware that the young man had risen. When he glanced up again he saw that his visitor was as moved as himself. "Thank you,"<|quote|>Archer said simply.</|quote|>"There's nothing to thank me for, Monsieur: it is I, rather--" M. Riviere broke off, as if speech for him too were difficult. "I should like, though," he continued in a firmer voice, "to add one thing. You asked me if I was in Count Olenski's employ. I am at this moment: I returned to him, a few months ago, for reasons of private necessity such as may happen to any one who has persons, ill and older persons, dependent on him. But from the moment that I have taken the step of coming here to say these things to you I consider myself discharged, and I shall tell him so on my return, and give him the reasons. That's all, Monsieur." M. Riviere bowed and drew back a step. "Thank you," Archer said again, as their hands met. XXVI. Every year on the fifteenth of October Fifth Avenue opened its shutters, unrolled its carpets and hung up its triple layer of window-curtains. By the first of November this household ritual was over, and society had begun to look about and take stock of itself. By the fifteenth the season was in full blast, Opera and theatres were putting forth | listened to her, I knew she was better off here." "You knew--?" "Monsieur, I discharged my mission faithfully: I put the Count's arguments, I stated his offers, without adding any comment of my own. The Countess was good enough to listen patiently; she carried her goodness so far as to see me twice; she considered impartially all I had come to say. And it was in the course of these two talks that I changed my mind, that I came to see things differently." "May I ask what led to this change?" "Simply seeing the change in HER," M. Riviere replied. "The change in her? Then you knew her before?" The young man's colour again rose. "I used to see her in her husband's house. I have known Count Olenski for many years. You can imagine that he would not have sent a stranger on such a mission." Archer's gaze, wandering away to the blank walls of the office, rested on a hanging calendar surmounted by the rugged features of the President of the United States. That such a conversation should be going on anywhere within the millions of square miles subject to his rule seemed as strange as anything that the imagination could invent. "The change--what sort of a change?" "Ah, Monsieur, if I could tell you!" M. Riviere paused. "Tenez--the discovery, I suppose, of what I'd never thought of before: that she's an American. And that if you're an American of HER kind--of your kind--things that are accepted in certain other societies, or at least put up with as part of a general convenient give-and-take--become unthinkable, simply unthinkable. If Madame Olenska's relations understood what these things were, their opposition to her returning would no doubt be as unconditional as her own; but they seem to regard her husband's wish to have her back as proof of an irresistible longing for domestic life." M. Riviere paused, and then added: "Whereas it's far from being as simple as that." Archer looked back to the President of the United States, and then down at his desk and at the papers scattered on it. For a second or two he could not trust himself to speak. During this interval he heard M. Riviere's chair pushed back, and was aware that the young man had risen. When he glanced up again he saw that his visitor was as moved as himself. "Thank you,"<|quote|>Archer said simply.</|quote|>"There's nothing to thank me for, Monsieur: it is I, rather--" M. Riviere broke off, as if speech for him too were difficult. "I should like, though," he continued in a firmer voice, "to add one thing. You asked me if I was in Count Olenski's employ. I am at this moment: I returned to him, a few months ago, for reasons of private necessity such as may happen to any one who has persons, ill and older persons, dependent on him. But from the moment that I have taken the step of coming here to say these things to you I consider myself discharged, and I shall tell him so on my return, and give him the reasons. That's all, Monsieur." M. Riviere bowed and drew back a step. "Thank you," Archer said again, as their hands met. XXVI. Every year on the fifteenth of October Fifth Avenue opened its shutters, unrolled its carpets and hung up its triple layer of window-curtains. By the first of November this household ritual was over, and society had begun to look about and take stock of itself. By the fifteenth the season was in full blast, Opera and theatres were putting forth their new attractions, dinner-engagements were accumulating, and dates for dances being fixed. And punctually at about this time Mrs. Archer always said that New York was very much changed. Observing it from the lofty stand-point of a non-participant, she was able, with the help of Mr. Sillerton Jackson and Miss Sophy, to trace each new crack in its surface, and all the strange weeds pushing up between the ordered rows of social vegetables. It had been one of the amusements of Archer's youth to wait for this annual pronouncement of his mother's, and to hear her enumerate the minute signs of disintegration that his careless gaze had overlooked. For New York, to Mrs. Archer's mind, never changed without changing for the worse; and in this view Miss Sophy Jackson heartily concurred. Mr. Sillerton Jackson, as became a man of the world, suspended his judgment and listened with an amused impartiality to the lamentations of the ladies. But even he never denied that New York had changed; and Newland Archer, in the winter of the second year of his marriage, was himself obliged to admit that if it had not actually changed it was certainly changing. These points had been raised, | no doubt been the straw held up to see which way the wind blew; the result had been reported to the family, and thereafter Archer had been tacitly omitted from their counsels. He admired the tribal discipline which made May bow to this decision. She would not have done so, he knew, had her conscience protested; but she probably shared the family view that Madame Olenska would be better off as an unhappy wife than as a separated one, and that there was no use in discussing the case with Newland, who had an awkward way of suddenly not seeming to take the most fundamental things for granted. Archer looked up and met his visitor's anxious gaze. "Don't you know, Monsieur--is it possible you don't know--that the family begin to doubt if they have the right to advise the Countess to refuse her husband's last proposals?" "The proposals you brought?" "The proposals I brought." It was on Archer's lips to exclaim that whatever he knew or did not know was no concern of M. Riviere's; but something in the humble and yet courageous tenacity of M. Riviere's gaze made him reject this conclusion, and he met the young man's question with another. "What is your object in speaking to me of this?" He had not to wait a moment for the answer. "To beg you, Monsieur--to beg you with all the force I'm capable of--not to let her go back.--Oh, don't let her!" M. Riviere exclaimed. Archer looked at him with increasing astonishment. There was no mistaking the sincerity of his distress or the strength of his determination: he had evidently resolved to let everything go by the board but the supreme need of thus putting himself on record. Archer considered. "May I ask," he said at length, "if this is the line you took with the Countess Olenska?" M. Riviere reddened, but his eyes did not falter. "No, Monsieur: I accepted my mission in good faith. I really believed--for reasons I need not trouble you with--that it would be better for Madame Olenska to recover her situation, her fortune, the social consideration that her husband's standing gives her." "So I supposed: you could hardly have accepted such a mission otherwise." "I should not have accepted it." "Well, then--?" Archer paused again, and their eyes met in another protracted scrutiny. "Ah, Monsieur, after I had seen her, after I had listened to her, I knew she was better off here." "You knew--?" "Monsieur, I discharged my mission faithfully: I put the Count's arguments, I stated his offers, without adding any comment of my own. The Countess was good enough to listen patiently; she carried her goodness so far as to see me twice; she considered impartially all I had come to say. And it was in the course of these two talks that I changed my mind, that I came to see things differently." "May I ask what led to this change?" "Simply seeing the change in HER," M. Riviere replied. "The change in her? Then you knew her before?" The young man's colour again rose. "I used to see her in her husband's house. I have known Count Olenski for many years. You can imagine that he would not have sent a stranger on such a mission." Archer's gaze, wandering away to the blank walls of the office, rested on a hanging calendar surmounted by the rugged features of the President of the United States. That such a conversation should be going on anywhere within the millions of square miles subject to his rule seemed as strange as anything that the imagination could invent. "The change--what sort of a change?" "Ah, Monsieur, if I could tell you!" M. Riviere paused. "Tenez--the discovery, I suppose, of what I'd never thought of before: that she's an American. And that if you're an American of HER kind--of your kind--things that are accepted in certain other societies, or at least put up with as part of a general convenient give-and-take--become unthinkable, simply unthinkable. If Madame Olenska's relations understood what these things were, their opposition to her returning would no doubt be as unconditional as her own; but they seem to regard her husband's wish to have her back as proof of an irresistible longing for domestic life." M. Riviere paused, and then added: "Whereas it's far from being as simple as that." Archer looked back to the President of the United States, and then down at his desk and at the papers scattered on it. For a second or two he could not trust himself to speak. During this interval he heard M. Riviere's chair pushed back, and was aware that the young man had risen. When he glanced up again he saw that his visitor was as moved as himself. "Thank you,"<|quote|>Archer said simply.</|quote|>"There's nothing to thank me for, Monsieur: it is I, rather--" M. Riviere broke off, as if speech for him too were difficult. "I should like, though," he continued in a firmer voice, "to add one thing. You asked me if I was in Count Olenski's employ. I am at this moment: I returned to him, a few months ago, for reasons of private necessity such as may happen to any one who has persons, ill and older persons, dependent on him. But from the moment that I have taken the step of coming here to say these things to you I consider myself discharged, and I shall tell him so on my return, and give him the reasons. That's all, Monsieur." M. Riviere bowed and drew back a step. "Thank you," Archer said again, as their hands met. XXVI. Every year on the fifteenth of October Fifth Avenue opened its shutters, unrolled its carpets and hung up its triple layer of window-curtains. By the first of November this household ritual was over, and society had begun to look about and take stock of itself. By the fifteenth the season was in full blast, Opera and theatres were putting forth their new attractions, dinner-engagements were accumulating, and dates for dances being fixed. And punctually at about this time Mrs. Archer always said that New York was very much changed. Observing it from the lofty stand-point of a non-participant, she was able, with the help of Mr. Sillerton Jackson and Miss Sophy, to trace each new crack in its surface, and all the strange weeds pushing up between the ordered rows of social vegetables. It had been one of the amusements of Archer's youth to wait for this annual pronouncement of his mother's, and to hear her enumerate the minute signs of disintegration that his careless gaze had overlooked. For New York, to Mrs. Archer's mind, never changed without changing for the worse; and in this view Miss Sophy Jackson heartily concurred. Mr. Sillerton Jackson, as became a man of the world, suspended his judgment and listened with an amused impartiality to the lamentations of the ladies. But even he never denied that New York had changed; and Newland Archer, in the winter of the second year of his marriage, was himself obliged to admit that if it had not actually changed it was certainly changing. These points had been raised, as usual, at Mrs. Archer's Thanksgiving dinner. At the date when she was officially enjoined to give thanks for the blessings of the year it was her habit to take a mournful though not embittered stock of her world, and wonder what there was to be thankful for. At any rate, not the state of society; society, if it could be said to exist, was rather a spectacle on which to call down Biblical imprecations--and in fact, every one knew what the Reverend Dr. Ashmore meant when he chose a text from Jeremiah (chap. ii., verse 25) for his Thanksgiving sermon. Dr. Ashmore, the new Rector of St. Matthew's, had been chosen because he was very "advanced": his sermons were considered bold in thought and novel in language. When he fulminated against fashionable society he always spoke of its "trend"; and to Mrs. Archer it was terrifying and yet fascinating to feel herself part of a community that was trending. "There's no doubt that Dr. Ashmore is right: there IS a marked trend," she said, as if it were something visible and measurable, like a crack in a house. "It was odd, though, to preach about it on Thanksgiving," Miss Jackson opined; and her hostess drily rejoined: "Oh, he means us to give thanks for what's left." Archer had been wont to smile at these annual vaticinations of his mother's; but this year even he was obliged to acknowledge, as he listened to an enumeration of the changes, that the "trend" was visible. "The extravagance in dress--" Miss Jackson began. "Sillerton took me to the first night of the Opera, and I can only tell you that Jane Merry's dress was the only one I recognised from last year; and even that had had the front panel changed. Yet I know she got it out from Worth only two years ago, because my seamstress always goes in to make over her Paris dresses before she wears them." "Ah, Jane Merry is one of US," said Mrs. Archer sighing, as if it were not such an enviable thing to be in an age when ladies were beginning to flaunt abroad their Paris dresses as soon as they were out of the Custom House, instead of letting them mellow under lock and key, in the manner of Mrs. Archer's contemporaries. "Yes; she's one of the few. In my youth," Miss Jackson rejoined, | this change?" "Simply seeing the change in HER," M. Riviere replied. "The change in her? Then you knew her before?" The young man's colour again rose. "I used to see her in her husband's house. I have known Count Olenski for many years. You can imagine that he would not have sent a stranger on such a mission." Archer's gaze, wandering away to the blank walls of the office, rested on a hanging calendar surmounted by the rugged features of the President of the United States. That such a conversation should be going on anywhere within the millions of square miles subject to his rule seemed as strange as anything that the imagination could invent. "The change--what sort of a change?" "Ah, Monsieur, if I could tell you!" M. Riviere paused. "Tenez--the discovery, I suppose, of what I'd never thought of before: that she's an American. And that if you're an American of HER kind--of your kind--things that are accepted in certain other societies, or at least put up with as part of a general convenient give-and-take--become unthinkable, simply unthinkable. If Madame Olenska's relations understood what these things were, their opposition to her returning would no doubt be as unconditional as her own; but they seem to regard her husband's wish to have her back as proof of an irresistible longing for domestic life." M. Riviere paused, and then added: "Whereas it's far from being as simple as that." Archer looked back to the President of the United States, and then down at his desk and at the papers scattered on it. For a second or two he could not trust himself to speak. During this interval he heard M. Riviere's chair pushed back, and was aware that the young man had risen. When he glanced up again he saw that his visitor was as moved as himself. "Thank you,"<|quote|>Archer said simply.</|quote|>"There's nothing to thank me for, Monsieur: it is I, rather--" M. Riviere broke off, as if speech for him too were difficult. "I should like, though," he continued in a firmer voice, "to add one thing. You asked me if I was in Count Olenski's employ. I am at this moment: I returned to him, a few months ago, for reasons of private necessity such as may happen to any one who has persons, ill and older persons, dependent on him. But from the moment that I have taken the step of coming here to say these things to you I consider myself discharged, and I shall tell him so on my return, and give him the reasons. That's all, Monsieur." M. Riviere bowed and drew back a step. "Thank you," Archer said again, as their hands met. XXVI. Every year on the fifteenth of October Fifth Avenue opened its shutters, unrolled its carpets and hung up its triple layer of window-curtains. By the first of November this household ritual was over, and society had begun to look about and take stock of itself. By the fifteenth the season was in full blast, Opera and theatres were putting forth their new attractions, dinner-engagements were accumulating, and dates for dances being fixed. And punctually at about this time Mrs. Archer always said that New York was very much changed. Observing it from the lofty stand-point of a non-participant, she was able, with the help of Mr. Sillerton Jackson and Miss Sophy, to trace each new crack in its surface, and all the strange weeds pushing up between the ordered rows of social vegetables. It had been one of the amusements of Archer's youth to wait for this annual pronouncement of his mother's, and to hear her enumerate the minute signs of disintegration that his careless gaze had | The Age Of Innocence |
"Go on, tell him. Tell him I'm ashamed of being a writer." | Bill Gorton | writing is lousy," Bill said.<|quote|>"Go on, tell him. Tell him I'm ashamed of being a writer."</|quote|>Pedro Romero was sitting beside | talking. "Tell him I think writing is lousy," Bill said.<|quote|>"Go on, tell him. Tell him I'm ashamed of being a writer."</|quote|>Pedro Romero was sitting beside Brett and listening to her. | to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said.<|quote|>"Go on, tell him. Tell him I'm ashamed of being a writer."</|quote|>Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't | borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said.<|quote|>"Go on, tell him. Tell him I'm ashamed of being a writer."</|quote|>Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very | won't weigh twenty-six arrobas," said the critic. "No," said Romero. "They've got bananas for horns," the critic said. "You call them bananas?" asked Romero. He turned to me and smiled. "_You_ wouldn't call them bananas?" "No," I said. "They're horns all right." "They're very short," said Pedro Romero. "Very, very short. Still, they aren't bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said.<|quote|>"Go on, tell him. Tell him I'm ashamed of being a writer."</|quote|>Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. | the second time?" "The first." "I was very bad," he said. "The second time I was better. You remember?" He turned to the critic. He was not at all embarrassed. He talked of his work as something altogether apart from himself. There was nothing conceited or braggartly about him. "I like it very much that you like my work," he said. "But you haven't seen it yet. To-morrow, if I get a good bull, I will try and show it to you." When he said this he smiled, anxious that neither the bull-fight critic nor I would think he was boasting. "I am anxious to see it," the critic said. "I would like to be convinced." "He doesn't like my work much." Romero turned to me. He was serious. The critic explained that he liked it very much, but that so far it had been incomplete. "Wait till to-morrow, if a good one comes out." "Have you seen the bulls for to-morrow?" the critic asked me. "Yes. I saw them unloaded." Pedro Romero leaned forward. "What did you think of them?" "Very nice," I said. "About twenty-six arrobas. Very short horns. Haven't you seen them?" "Oh, yes," said Romero. "They won't weigh twenty-six arrobas," said the critic. "No," said Romero. "They've got bananas for horns," the critic said. "You call them bananas?" asked Romero. He turned to me and smiled. "_You_ wouldn't call them bananas?" "No," I said. "They're horns all right." "They're very short," said Pedro Romero. "Very, very short. Still, they aren't bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said.<|quote|>"Go on, tell him. Tell him I'm ashamed of being a writer."</|quote|>Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do | beside the one at work and started on Mike's free shoe that shone already in the electric light. "Bill's a yell of laughter," Mike said. I was drinking red wine, and so far behind them that I felt a little uncomfortable about all this shoe-shining. I looked around the room. At the next table was Pedro Romero. He stood up when I nodded, and asked me to come over and meet a friend. His table was beside ours, almost touching. I met the friend, a Madrid bull-fight critic, a little man with a drawn face. I told Romero how much I liked his work, and he was very pleased. We talked Spanish and the critic knew a little French. I reached to our table for my wine-bottle, but the critic took my arm. Romero laughed. "Drink here," he said in English. He was very bashful about his English, but he was really very pleased with it, and as we went on talking he brought out words he was not sure of, and asked me about them. He was anxious to know the English for _Corrida de toros_, the exact translation. Bull-fight he was suspicious of. I explained that bull-fight in Spanish was the _lidia_ of a _toro_. The Spanish word _corrida_ means in English the running of bulls--the French translation is _Course de taureaux_. The critic put that in. There is no Spanish word for bull-fight. Pedro Romero said he had learned a little English in Gibraltar. He was born in Ronda. That is not far above Gibraltar. He started bull-fighting in Malaga in the bull-fighting school there. He had only been at it three years. The bull-fight critic joked him about the number of _Malague o_ expressions he used. He was nineteen years old, he said. His older brother was with him as a banderillero, but he did not live in this hotel. He lived in a smaller hotel with the other people who worked for Romero. He asked me how many times I had seen him in the ring. I told him only three. It was really only two, but I did not want to explain after I had made the mistake. "Where did you see me the other time? In Madrid?" "Yes," I lied. I had read the accounts of his two appearances in Madrid in the bull-fight papers, so I was all right. "The first or the second time?" "The first." "I was very bad," he said. "The second time I was better. You remember?" He turned to the critic. He was not at all embarrassed. He talked of his work as something altogether apart from himself. There was nothing conceited or braggartly about him. "I like it very much that you like my work," he said. "But you haven't seen it yet. To-morrow, if I get a good bull, I will try and show it to you." When he said this he smiled, anxious that neither the bull-fight critic nor I would think he was boasting. "I am anxious to see it," the critic said. "I would like to be convinced." "He doesn't like my work much." Romero turned to me. He was serious. The critic explained that he liked it very much, but that so far it had been incomplete. "Wait till to-morrow, if a good one comes out." "Have you seen the bulls for to-morrow?" the critic asked me. "Yes. I saw them unloaded." Pedro Romero leaned forward. "What did you think of them?" "Very nice," I said. "About twenty-six arrobas. Very short horns. Haven't you seen them?" "Oh, yes," said Romero. "They won't weigh twenty-six arrobas," said the critic. "No," said Romero. "They've got bananas for horns," the critic said. "You call them bananas?" asked Romero. He turned to me and smiled. "_You_ wouldn't call them bananas?" "No," I said. "They're horns all right." "They're very short," said Pedro Romero. "Very, very short. Still, they aren't bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said.<|quote|>"Go on, tell him. Tell him I'm ashamed of being a writer."</|quote|>Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. | live in this hotel. He lived in a smaller hotel with the other people who worked for Romero. He asked me how many times I had seen him in the ring. I told him only three. It was really only two, but I did not want to explain after I had made the mistake. "Where did you see me the other time? In Madrid?" "Yes," I lied. I had read the accounts of his two appearances in Madrid in the bull-fight papers, so I was all right. "The first or the second time?" "The first." "I was very bad," he said. "The second time I was better. You remember?" He turned to the critic. He was not at all embarrassed. He talked of his work as something altogether apart from himself. There was nothing conceited or braggartly about him. "I like it very much that you like my work," he said. "But you haven't seen it yet. To-morrow, if I get a good bull, I will try and show it to you." When he said this he smiled, anxious that neither the bull-fight critic nor I would think he was boasting. "I am anxious to see it," the critic said. "I would like to be convinced." "He doesn't like my work much." Romero turned to me. He was serious. The critic explained that he liked it very much, but that so far it had been incomplete. "Wait till to-morrow, if a good one comes out." "Have you seen the bulls for to-morrow?" the critic asked me. "Yes. I saw them unloaded." Pedro Romero leaned forward. "What did you think of them?" "Very nice," I said. "About twenty-six arrobas. Very short horns. Haven't you seen them?" "Oh, yes," said Romero. "They won't weigh twenty-six arrobas," said the critic. "No," said Romero. "They've got bananas for horns," the critic said. "You call them bananas?" asked Romero. He turned to me and smiled. "_You_ wouldn't call them bananas?" "No," I said. "They're horns all right." "They're very short," said Pedro Romero. "Very, very short. Still, they aren't bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said.<|quote|>"Go on, tell him. Tell him I'm ashamed of being a writer."</|quote|>Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a | The Sun Also Rises |
"Well!" | First Lieutenant | lieutenant addressed the tattooed Englishman.<|quote|>"Well!"</|quote|>he said; "where are our | men were halted, and the lieutenant addressed the tattooed Englishman.<|quote|>"Well!"</|quote|>he said; "where are our two men?" "Ask the sharks," | Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman.<|quote|>"Well!"</|quote|>he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we | was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman.<|quote|>"Well!"</|quote|>he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we come back. I shall hold you responsible." The Englishman grunted after the fashion of one of the savages. "I suppose you don't want to come home, eh?" "No; I'm comfortable enough here as an emigrant." "An emigrant, eh? Look here, Master Tomati, if I did my duty, I suppose I | I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman.<|quote|>"Well!"</|quote|>he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we come back. I shall hold you responsible." The Englishman grunted after the fashion of one of the savages. "I suppose you don't want to come home, eh?" "No; I'm comfortable enough here as an emigrant." "An emigrant, eh? Look here, Master Tomati, if I did my duty, I suppose I should take you aboard, and hand you over to the authorities." "What for?" said the Englishman, surlily. "Escaping from Norfolk Island. That's right, isn't it?" "Look here!" said the Englishman; "do you know, sir, that this is one of the worst parts of the coast, and that the people here think nothing of attacking boats' crews and plundering them, and making them prisoners, and often enough killing and eating 'em?" "Threatening, eh?" said the lieutenant. "Not I. But I'm a chief, and the people here would do everything I told them, and fight for me to a man." "Then you | didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at Don. "Come on," said the Englishman. "I must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman.<|quote|>"Well!"</|quote|>he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we come back. I shall hold you responsible." The Englishman grunted after the fashion of one of the savages. "I suppose you don't want to come home, eh?" "No; I'm comfortable enough here as an emigrant." "An emigrant, eh? Look here, Master Tomati, if I did my duty, I suppose I should take you aboard, and hand you over to the authorities." "What for?" said the Englishman, surlily. "Escaping from Norfolk Island. That's right, isn't it?" "Look here!" said the Englishman; "do you know, sir, that this is one of the worst parts of the coast, and that the people here think nothing of attacking boats' crews and plundering them, and making them prisoners, and often enough killing and eating 'em?" "Threatening, eh?" said the lieutenant. "Not I. But I'm a chief, and the people here would do everything I told them, and fight for me to a man." "Then you are threatening." "No, sir; I only wanted to remind you that your boats' crews have come and gone in peace; that you have been allowed to go about ashore, and been supplied with fruit and vegetables, and never a thing missed." "That's true enough," said the lieutenant. "Well, what of that? A king's ship well-armed would keep a larger tribe than yours quiet!" "Oh! Oh!" came from the group of natives. "Yes, I repeat it," said the lieutenant sharply. "They can understand English, then?" "Of course they do," said the tattooed man calmly, though he looked uneasily at the group; "and as to your ship, sir, what's the good of that if we were to fight you ashore?" "Do you want to fight, then?" said the lieutenant sharply. "It doesn't seem like it, when I've kept my tribe peaceful toward all your crew, and made them trade honestly." "Out of respect to our guns." "Can you bring your guns along the valleys and up into the mountains?" "No; but we can bring plenty of well-drilled fighting men." "Oh! Oh!" came in quite a long-drawn groan. "Yes," said the lieutenant looking toward the group, "well-drilled, well-armed righting men, who would drive | for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said; "that means going away and leaving you two behind. You don't seemed pleased." Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at Don. "Come on," said the Englishman. "I must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman.<|quote|>"Well!"</|quote|>he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we come back. I shall hold you responsible." The Englishman grunted after the fashion of one of the savages. "I suppose you don't want to come home, eh?" "No; I'm comfortable enough here as an emigrant." "An emigrant, eh? Look here, Master Tomati, if I did my duty, I suppose I should take you aboard, and hand you over to the authorities." "What for?" said the Englishman, surlily. "Escaping from Norfolk Island. That's right, isn't it?" "Look here!" said the Englishman; "do you know, sir, that this is one of the worst parts of the coast, and that the people here think nothing of attacking boats' crews and plundering them, and making them prisoners, and often enough killing and eating 'em?" "Threatening, eh?" said the lieutenant. "Not I. But I'm a chief, and the people here would do everything I told them, and fight for me to a man." "Then you are threatening." "No, sir; I only wanted to remind you that your boats' crews have come and gone in peace; that you have been allowed to go about ashore, and been supplied with fruit and vegetables, and never a thing missed." "That's true enough," said the lieutenant. "Well, what of that? A king's ship well-armed would keep a larger tribe than yours quiet!" "Oh! Oh!" came from the group of natives. "Yes, I repeat it," said the lieutenant sharply. "They can understand English, then?" "Of course they do," said the tattooed man calmly, though he looked uneasily at the group; "and as to your ship, sir, what's the good of that if we were to fight you ashore?" "Do you want to fight, then?" said the lieutenant sharply. "It doesn't seem like it, when I've kept my tribe peaceful toward all your crew, and made them trade honestly." "Out of respect to our guns." "Can you bring your guns along the valleys and up into the mountains?" "No; but we can bring plenty of well-drilled fighting men." "Oh! Oh!" came in quite a long-drawn groan. "Yes," said the lieutenant looking toward the group, "well-drilled, well-armed righting men, who would drive your people like leaves before the wind. But I don't want to quarrel. I am right, though; you are an escaped convict from Norfolk Island?" "Yes, I am," said the man boldly; "but I've given up civilisation, and I'm a Maori now, and the English Government had better leave me alone." "Well, I've no orders to take you." "Oh! Oh!" came again from the group: and Tomati turned sharply round, and said a few words indignantly in the Maori tongue, whose result was a huddling closer together of the men in the group and utter silence. "They'll be quiet now," said Tomati. "They understand an English word now and then." "Well, I've no more to say, only this--If those two men do come ashore, or you find that they have come ashore, you've got to seize them and make them prisoners. Make slaves of them if you like till we come again, and then you can give them up and receive a good reward." "I shall never get any reward," said Tomati, grimly. "Poor lads! No," said the boatswain; "I'm afraid not." Just then there was a sharp movement among the Maoris, who set up a loud grunting noise, which drew the attention of the lieutenant, and made the men laugh. "It's only their way," said the Englishman gruffly. "Ah, a queer lot. Better come back to civilisation, my man," said the lieutenant. "At Norfolk Island, sir?" "Humph!" muttered the lieutenant; and facing his men round, he marched them back to the boats, after which they spent about four hours making soundings, and then returned to the ship. Almost before the sailors were out of hearing, there was a scuffle and agitation in the group, and Jem struggled from among the Maoris, his face hot and nearly purple, Don's not being very much better. "I won't stand it. Nearly smothered. I won't have it," cried Jem furiously. "Don't be so foolish, Jem. It was to save us," said Don, trying to pacify him. "Save us! Well they might ha' saved us gently. Look at me. I'm nearly flat." "Nonsense! I found it unpleasant; but they hid us, and we're all right." "But I arn't all right, Mas' Don; I feel like a pancake," cried Jem, rubbing and patting himself as if he were so much paste or clay which he wanted to get back into shape. "Don't be so stupid, | must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman.<|quote|>"Well!"</|quote|>he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we come back. I shall hold you responsible." The Englishman grunted after the fashion of one of the savages. "I suppose you don't want to come home, eh?" "No; I'm comfortable enough here as an emigrant." "An emigrant, eh? Look here, Master Tomati, if I did my duty, I suppose I should take you aboard, and hand you over to the authorities." "What for?" said the Englishman, surlily. "Escaping from Norfolk Island. That's right, isn't it?" "Look here!" said the Englishman; "do you know, sir, that this is one of the worst parts of the coast, and that the people here think nothing of attacking boats' crews and plundering them, and making them prisoners, and often enough killing and eating 'em?" "Threatening, eh?" said the lieutenant. "Not I. But I'm a chief, and the people here would do everything I told them, and fight for me to a man." "Then you are threatening." "No, sir; I only wanted to remind you that your boats' crews have come and gone in peace; that you have been allowed to go about ashore, and been supplied with fruit and vegetables, and never a thing missed." "That's true enough," said the lieutenant. "Well, what of that? A king's ship well-armed would keep a larger tribe than yours quiet!" "Oh! Oh!" came from the group of natives. "Yes, I repeat it," said the lieutenant sharply. "They can understand English, then?" "Of course they do," said the tattooed man calmly, though he looked uneasily at the group; "and as to your ship, sir, what's the good of that if we were to fight you ashore?" "Do you want to fight, then?" said the lieutenant sharply. "It doesn't seem like it, when I've kept my tribe peaceful toward all your crew, and made them trade honestly." "Out of respect to our guns." "Can you bring your guns along the valleys and up into the mountains?" "No; but we can bring plenty of well-drilled fighting men." "Oh! Oh!" came in quite a long-drawn groan. "Yes," said the lieutenant looking toward the group, "well-drilled, well-armed righting men, who would drive your people like leaves before the wind. But I don't want to quarrel. I am right, though; you are an escaped convict from Norfolk Island?" "Yes, I am," said the man boldly; "but I've given up civilisation, and I'm a Maori now, and the English Government had better leave me alone." "Well, I've no orders to take you." "Oh! Oh!" came again from the group: and Tomati turned sharply round, and said a few words indignantly in the Maori tongue, whose result | Don Lavington |
"Good God!" | Kemp | wet," he said. And then,<|quote|>"Good God!"</|quote|>He stood up abruptly and | face. "The mouth s all wet," he said. And then,<|quote|>"Good God!"</|quote|>He stood up abruptly and then knelt down on the | shamming," said the doctor, cautiously raising his knee; "and I ll hold him." His face was bruised and already going red; he spoke thickly because of a bleeding lip. He released one hand and seemed to be feeling at the face. "The mouth s all wet," he said. And then,<|quote|>"Good God!"</|quote|>He stood up abruptly and then knelt down on the ground by the side of the thing unseen. There was a pushing and shuffling, a sound of heavy feet as fresh people turned up to increase the pressure of the crowd. People now were coming out of the houses. The | of eager faces saw the doctor kneeling, as it seemed, fifteen inches in the air, and holding invisible arms to the ground. Behind him a constable gripped invisible ankles. "Don t you leave go of en," cried the big navvy, holding a blood-stained spade; "he s shamming." "He s not shamming," said the doctor, cautiously raising his knee; "and I ll hold him." His face was bruised and already going red; he spoke thickly because of a bleeding lip. He released one hand and seemed to be feeling at the face. "The mouth s all wet," he said. And then,<|quote|>"Good God!"</|quote|>He stood up abruptly and then knelt down on the ground by the side of the thing unseen. There was a pushing and shuffling, a sound of heavy feet as fresh people turned up to increase the pressure of the crowd. People now were coming out of the houses. The doors of the "Jolly Cricketers" stood suddenly wide open. Very little was said. Kemp felt about, his hand seeming to pass through empty air. "He s not breathing," he said, and then, "I can t feel his heart. His side ugh!" Suddenly an old woman, peering under the arm of | a dozen hands gripped, clutched, and tore at the Unseen. The tram conductor suddenly got the neck and shoulders and lugged him back. Down went the heap of struggling men again and rolled over. There was, I am afraid, some savage kicking. Then suddenly a wild scream of "Mercy! Mercy!" that died down swiftly to a sound like choking. "Get back, you fools!" cried the muffled voice of Kemp, and there was a vigorous shoving back of stalwart forms. "He s hurt, I tell you. Stand back!" There was a brief struggle to clear a space, and then the circle of eager faces saw the doctor kneeling, as it seemed, fifteen inches in the air, and holding invisible arms to the ground. Behind him a constable gripped invisible ankles. "Don t you leave go of en," cried the big navvy, holding a blood-stained spade; "he s shamming." "He s not shamming," said the doctor, cautiously raising his knee; "and I ll hold him." His face was bruised and already going red; he spoke thickly because of a bleeding lip. He released one hand and seemed to be feeling at the face. "The mouth s all wet," he said. And then,<|quote|>"Good God!"</|quote|>He stood up abruptly and then knelt down on the ground by the side of the thing unseen. There was a pushing and shuffling, a sound of heavy feet as fresh people turned up to increase the pressure of the crowd. People now were coming out of the houses. The doors of the "Jolly Cricketers" stood suddenly wide open. Very little was said. Kemp felt about, his hand seeming to pass through empty air. "He s not breathing," he said, and then, "I can t feel his heart. His side ugh!" Suddenly an old woman, peering under the arm of the big navvy, screamed sharply. "Looky there!" she said, and thrust out a wrinkled finger. And looking where she pointed, everyone saw, faint and transparent as though it was made of glass, so that veins and arteries and bones and nerves could be distinguished, the outline of a hand, a hand limp and prone. It grew clouded and opaque even as they stared. "Hullo!" cried the constable. "Here s his feet a-showing!" And so, slowly, beginning at his hands and feet and creeping along his limbs to the vital centres of his body, that strange change continued. It was like | ground. In another moment a knee compressed his diaphragm, and a couple of eager hands gripped his throat, but the grip of one was weaker than the other; he grasped the wrists, heard a cry of pain from his assailant, and then the spade of the navvy came whirling through the air above him, and struck something with a dull thud. He felt a drop of moisture on his face. The grip at his throat suddenly relaxed, and with a convulsive effort, Kemp loosed himself, grasped a limp shoulder, and rolled uppermost. He gripped the unseen elbows near the ground. "I ve got him!" screamed Kemp. "Help! Help hold! He s down! Hold his feet!" In another second there was a simultaneous rush upon the struggle, and a stranger coming into the road suddenly might have thought an exceptionally savage game of Rugby football was in progress. And there was no shouting after Kemp s cry only a sound of blows and feet and heavy breathing. Then came a mighty effort, and the Invisible Man threw off a couple of his antagonists and rose to his knees. Kemp clung to him in front like a hound to a stag, and a dozen hands gripped, clutched, and tore at the Unseen. The tram conductor suddenly got the neck and shoulders and lugged him back. Down went the heap of struggling men again and rolled over. There was, I am afraid, some savage kicking. Then suddenly a wild scream of "Mercy! Mercy!" that died down swiftly to a sound like choking. "Get back, you fools!" cried the muffled voice of Kemp, and there was a vigorous shoving back of stalwart forms. "He s hurt, I tell you. Stand back!" There was a brief struggle to clear a space, and then the circle of eager faces saw the doctor kneeling, as it seemed, fifteen inches in the air, and holding invisible arms to the ground. Behind him a constable gripped invisible ankles. "Don t you leave go of en," cried the big navvy, holding a blood-stained spade; "he s shamming." "He s not shamming," said the doctor, cautiously raising his knee; "and I ll hold him." His face was bruised and already going red; he spoke thickly because of a bleeding lip. He released one hand and seemed to be feeling at the face. "The mouth s all wet," he said. And then,<|quote|>"Good God!"</|quote|>He stood up abruptly and then knelt down on the ground by the side of the thing unseen. There was a pushing and shuffling, a sound of heavy feet as fresh people turned up to increase the pressure of the crowd. People now were coming out of the houses. The doors of the "Jolly Cricketers" stood suddenly wide open. Very little was said. Kemp felt about, his hand seeming to pass through empty air. "He s not breathing," he said, and then, "I can t feel his heart. His side ugh!" Suddenly an old woman, peering under the arm of the big navvy, screamed sharply. "Looky there!" she said, and thrust out a wrinkled finger. And looking where she pointed, everyone saw, faint and transparent as though it was made of glass, so that veins and arteries and bones and nerves could be distinguished, the outline of a hand, a hand limp and prone. It grew clouded and opaque even as they stared. "Hullo!" cried the constable. "Here s his feet a-showing!" And so, slowly, beginning at his hands and feet and creeping along his limbs to the vital centres of his body, that strange change continued. It was like the slow spreading of a poison. First came the little white nerves, a hazy grey sketch of a limb, then the glassy bones and intricate arteries, then the flesh and skin, first a faint fogginess, and then growing rapidly dense and opaque. Presently they could see his crushed chest and his shoulders, and the dim outline of his drawn and battered features. When at last the crowd made way for Kemp to stand erect, there lay, naked and pitiful on the ground, the bruised and broken body of a young man about thirty. His hair and brow were white not grey with age, but white with the whiteness of albinism and his eyes were like garnets. His hands were clenched, his eyes wide open, and his expression was one of anger and dismay. "Cover his face!" said a man. "For Gawd s sake, cover that face!" and three little children, pushing forward through the crowd, were suddenly twisted round and sent packing off again. Someone brought a sheet from the "Jolly Cricketers," and having covered him, they carried him into that house. And there it was, on a shabby bed in a tawdry, ill-lighted bedroom, surrounded by a crowd of | and heaps of gravel the drainage works. He had a transitory idea of jumping into the tram and slamming the doors, and then he resolved to go for the police station. In another moment he had passed the door of the "Jolly Cricketers," and was in the blistering fag end of the street, with human beings about him. The tram driver and his helper arrested by the sight of his furious haste stood staring with the tram horses unhitched. Further on the astonished features of navvies appeared above the mounds of gravel. His pace broke a little, and then he heard the swift pad of his pursuer, and leapt forward again. "The Invisible Man!" he cried to the navvies, with a vague indicative gesture, and by an inspiration leapt the excavation and placed a burly group between him and the chase. Then abandoning the idea of the police station he turned into a little side street, rushed by a greengrocer s cart, hesitated for the tenth of a second at the door of a sweetstuff shop, and then made for the mouth of an alley that ran back into the main Hill Street again. Two or three little children were playing here, and shrieked and scattered at his apparition, and forthwith doors and windows opened and excited mothers revealed their hearts. Out he shot into Hill Street again, three hundred yards from the tram-line end, and immediately he became aware of a tumultuous vociferation and running people. He glanced up the street towards the hill. Hardly a dozen yards off ran a huge navvy, cursing in fragments and slashing viciously with a spade, and hard behind him came the tram conductor with his fists clenched. Up the street others followed these two, striking and shouting. Down towards the town, men and women were running, and he noticed clearly one man coming out of a shop-door with a stick in his hand. "Spread out! Spread out!" cried some one. Kemp suddenly grasped the altered condition of the chase. He stopped, and looked round, panting. "He s close here!" he cried. "Form a line across" He was hit hard under the ear, and went reeling, trying to face round towards his unseen antagonist. He just managed to keep his feet, and he struck a vain counter in the air. Then he was hit again under the jaw, and sprawled headlong on the ground. In another moment a knee compressed his diaphragm, and a couple of eager hands gripped his throat, but the grip of one was weaker than the other; he grasped the wrists, heard a cry of pain from his assailant, and then the spade of the navvy came whirling through the air above him, and struck something with a dull thud. He felt a drop of moisture on his face. The grip at his throat suddenly relaxed, and with a convulsive effort, Kemp loosed himself, grasped a limp shoulder, and rolled uppermost. He gripped the unseen elbows near the ground. "I ve got him!" screamed Kemp. "Help! Help hold! He s down! Hold his feet!" In another second there was a simultaneous rush upon the struggle, and a stranger coming into the road suddenly might have thought an exceptionally savage game of Rugby football was in progress. And there was no shouting after Kemp s cry only a sound of blows and feet and heavy breathing. Then came a mighty effort, and the Invisible Man threw off a couple of his antagonists and rose to his knees. Kemp clung to him in front like a hound to a stag, and a dozen hands gripped, clutched, and tore at the Unseen. The tram conductor suddenly got the neck and shoulders and lugged him back. Down went the heap of struggling men again and rolled over. There was, I am afraid, some savage kicking. Then suddenly a wild scream of "Mercy! Mercy!" that died down swiftly to a sound like choking. "Get back, you fools!" cried the muffled voice of Kemp, and there was a vigorous shoving back of stalwart forms. "He s hurt, I tell you. Stand back!" There was a brief struggle to clear a space, and then the circle of eager faces saw the doctor kneeling, as it seemed, fifteen inches in the air, and holding invisible arms to the ground. Behind him a constable gripped invisible ankles. "Don t you leave go of en," cried the big navvy, holding a blood-stained spade; "he s shamming." "He s not shamming," said the doctor, cautiously raising his knee; "and I ll hold him." His face was bruised and already going red; he spoke thickly because of a bleeding lip. He released one hand and seemed to be feeling at the face. "The mouth s all wet," he said. And then,<|quote|>"Good God!"</|quote|>He stood up abruptly and then knelt down on the ground by the side of the thing unseen. There was a pushing and shuffling, a sound of heavy feet as fresh people turned up to increase the pressure of the crowd. People now were coming out of the houses. The doors of the "Jolly Cricketers" stood suddenly wide open. Very little was said. Kemp felt about, his hand seeming to pass through empty air. "He s not breathing," he said, and then, "I can t feel his heart. His side ugh!" Suddenly an old woman, peering under the arm of the big navvy, screamed sharply. "Looky there!" she said, and thrust out a wrinkled finger. And looking where she pointed, everyone saw, faint and transparent as though it was made of glass, so that veins and arteries and bones and nerves could be distinguished, the outline of a hand, a hand limp and prone. It grew clouded and opaque even as they stared. "Hullo!" cried the constable. "Here s his feet a-showing!" And so, slowly, beginning at his hands and feet and creeping along his limbs to the vital centres of his body, that strange change continued. It was like the slow spreading of a poison. First came the little white nerves, a hazy grey sketch of a limb, then the glassy bones and intricate arteries, then the flesh and skin, first a faint fogginess, and then growing rapidly dense and opaque. Presently they could see his crushed chest and his shoulders, and the dim outline of his drawn and battered features. When at last the crowd made way for Kemp to stand erect, there lay, naked and pitiful on the ground, the bruised and broken body of a young man about thirty. His hair and brow were white not grey with age, but white with the whiteness of albinism and his eyes were like garnets. His hands were clenched, his eyes wide open, and his expression was one of anger and dismay. "Cover his face!" said a man. "For Gawd s sake, cover that face!" and three little children, pushing forward through the crowd, were suddenly twisted round and sent packing off again. Someone brought a sheet from the "Jolly Cricketers," and having covered him, they carried him into that house. And there it was, on a shabby bed in a tawdry, ill-lighted bedroom, surrounded by a crowd of ignorant and excited people, broken and wounded, betrayed and unpitied, that Griffin, the first of all men to make himself invisible, Griffin, the most gifted physicist the world has ever seen, ended in infinite disaster his strange and terrible career. THE EPILOGUE So ends the story of the strange and evil experiments of the Invisible Man. And if you would learn more of him you must go to a little inn near Port Stowe and talk to the landlord. The sign of the inn is an empty board save for a hat and boots, and the name is the title of this story. The landlord is a short and corpulent little man with a nose of cylindrical proportions, wiry hair, and a sporadic rosiness of visage. Drink generously, and he will tell you generously of all the things that happened to him after that time, and of how the lawyers tried to do him out of the treasure found upon him. "When they found they couldn t prove whose money was which, I m blessed," he says, "if they didn t try to make me out a blooming treasure trove! Do I _look_ like a Treasure Trove? And then a gentleman gave me a guinea a night to tell the story at the Empire Music All just to tell em in my own words barring one." And if you want to cut off the flow of his reminiscences abruptly, you can always do so by asking if there weren t three manuscript books in the story. He admits there were and proceeds to explain, with asseverations that everybody thinks _he_ has em! But bless you! he hasn t. "The Invisible Man it was took em off to hide em when I cut and ran for Port Stowe. It s that Mr. Kemp put people on with the idea of _my_ having em." And then he subsides into a pensive state, watches you furtively, bustles nervously with glasses, and presently leaves the bar. He is a bachelor man his tastes were ever bachelor, and there are no women folk in the house. Outwardly he buttons it is expected of him but in his more vital privacies, in the matter of braces for example, he still turns to string. He conducts his house without enterprise, but with eminent decorum. His movements are slow, and he is a great thinker. But he has | viciously with a spade, and hard behind him came the tram conductor with his fists clenched. Up the street others followed these two, striking and shouting. Down towards the town, men and women were running, and he noticed clearly one man coming out of a shop-door with a stick in his hand. "Spread out! Spread out!" cried some one. Kemp suddenly grasped the altered condition of the chase. He stopped, and looked round, panting. "He s close here!" he cried. "Form a line across" He was hit hard under the ear, and went reeling, trying to face round towards his unseen antagonist. He just managed to keep his feet, and he struck a vain counter in the air. Then he was hit again under the jaw, and sprawled headlong on the ground. In another moment a knee compressed his diaphragm, and a couple of eager hands gripped his throat, but the grip of one was weaker than the other; he grasped the wrists, heard a cry of pain from his assailant, and then the spade of the navvy came whirling through the air above him, and struck something with a dull thud. He felt a drop of moisture on his face. The grip at his throat suddenly relaxed, and with a convulsive effort, Kemp loosed himself, grasped a limp shoulder, and rolled uppermost. He gripped the unseen elbows near the ground. "I ve got him!" screamed Kemp. "Help! Help hold! He s down! Hold his feet!" In another second there was a simultaneous rush upon the struggle, and a stranger coming into the road suddenly might have thought an exceptionally savage game of Rugby football was in progress. And there was no shouting after Kemp s cry only a sound of blows and feet and heavy breathing. Then came a mighty effort, and the Invisible Man threw off a couple of his antagonists and rose to his knees. Kemp clung to him in front like a hound to a stag, and a dozen hands gripped, clutched, and tore at the Unseen. The tram conductor suddenly got the neck and shoulders and lugged him back. Down went the heap of struggling men again and rolled over. There was, I am afraid, some savage kicking. Then suddenly a wild scream of "Mercy! Mercy!" that died down swiftly to a sound like choking. "Get back, you fools!" cried the muffled voice of Kemp, and there was a vigorous shoving back of stalwart forms. "He s hurt, I tell you. Stand back!" There was a brief struggle to clear a space, and then the circle of eager faces saw the doctor kneeling, as it seemed, fifteen inches in the air, and holding invisible arms to the ground. Behind him a constable gripped invisible ankles. "Don t you leave go of en," cried the big navvy, holding a blood-stained spade; "he s shamming." "He s not shamming," said the doctor, cautiously raising his knee; "and I ll hold him." His face was bruised and already going red; he spoke thickly because of a bleeding lip. He released one hand and seemed to be feeling at the face. "The mouth s all wet," he said. And then,<|quote|>"Good God!"</|quote|>He stood up abruptly and then knelt down on the ground by the side of the thing unseen. There was a pushing and shuffling, a sound of heavy feet as fresh people turned up to increase the pressure of the crowd. People now were coming out of the houses. The doors of the "Jolly Cricketers" stood suddenly wide open. Very little was said. Kemp felt about, his hand seeming to pass through empty air. "He s not breathing," he said, and then, "I can t feel his heart. His side ugh!" Suddenly an old woman, peering under the arm of the big navvy, screamed sharply. "Looky there!" she said, and thrust out a wrinkled finger. And looking where she pointed, everyone saw, faint and transparent as though it was made of glass, so that veins and arteries and bones and nerves could be distinguished, the outline of a hand, a hand limp and prone. It grew clouded and opaque even as they stared. "Hullo!" cried the constable. "Here s his feet a-showing!" And so, slowly, beginning at his hands and feet and creeping along his limbs to the vital centres of his body, that strange change continued. It was like the slow spreading of a poison. First came the little white nerves, a hazy grey sketch of a limb, then the glassy bones and intricate arteries, then the flesh and skin, first a faint fogginess, and then growing rapidly dense and opaque. Presently they could see his crushed chest and his shoulders, and the dim outline of his drawn and battered features. When at last the crowd made way for Kemp to stand erect, there lay, naked and pitiful on the ground, the bruised and broken body of a young man about thirty. His hair and brow were white not grey with age, but white with the whiteness of albinism and his eyes were like garnets. His hands were clenched, his eyes wide open, and his | The Invisible Man |
"We must try to consider ourselves rather in the light of a telephone exchange for the exchange of ideas, Miss Datchet," | Mr. Clacton | deal of work, of course.<|quote|>"We must try to consider ourselves rather in the light of a telephone exchange for the exchange of ideas, Miss Datchet,"</|quote|>he said; and taking pleasure | This would require a great deal of work, of course.<|quote|>"We must try to consider ourselves rather in the light of a telephone exchange for the exchange of ideas, Miss Datchet,"</|quote|>he said; and taking pleasure in his image, he continued | documents tabulated and filed for reference in a drawer, so that by looking under M or S, as the case might be, you had all the facts with respect to the Suffrage organizations of that county at your fingers ends. This would require a great deal of work, of course.<|quote|>"We must try to consider ourselves rather in the light of a telephone exchange for the exchange of ideas, Miss Datchet,"</|quote|>he said; and taking pleasure in his image, he continued it. "We should consider ourselves the center of an enormous system of wires, connecting us up with every district of the country. We must have our fingers upon the pulse of the community; we want to know what people all | facts were marshaled once more in a very striking way, and upon a large scale map of England dotted with little pins tufted with differently colored plumes of hair according to their geographical position. Each district, under the new system, had its flag, its bottle of ink, its sheaf of documents tabulated and filed for reference in a drawer, so that by looking under M or S, as the case might be, you had all the facts with respect to the Suffrage organizations of that county at your fingers ends. This would require a great deal of work, of course.<|quote|>"We must try to consider ourselves rather in the light of a telephone exchange for the exchange of ideas, Miss Datchet,"</|quote|>he said; and taking pleasure in his image, he continued it. "We should consider ourselves the center of an enormous system of wires, connecting us up with every district of the country. We must have our fingers upon the pulse of the community; we want to know what people all over England are thinking; we want to put them in the way of thinking rightly." The system, of course, was only roughly sketched so far jotted down, in fact, during the Christmas holidays. "When you ought to have been taking a rest, Mr. Clacton," said Mary dutifully, but her tone | any importance. If anything, his spirits were improved by the disaster. The enemy, he said, had taken the offensive; and it was now up to the Society to outwit the enemy. He gave Mary to understand that he had taken the measure of their cunning, and had already bent his mind to the task which, so far as she could make out, depended solely upon him. It depended, so she came to think, when invited into his room for a private conference, upon a systematic revision of the card-index, upon the issue of certain new lemon-colored leaflets, in which the facts were marshaled once more in a very striking way, and upon a large scale map of England dotted with little pins tufted with differently colored plumes of hair according to their geographical position. Each district, under the new system, had its flag, its bottle of ink, its sheaf of documents tabulated and filed for reference in a drawer, so that by looking under M or S, as the case might be, you had all the facts with respect to the Suffrage organizations of that county at your fingers ends. This would require a great deal of work, of course.<|quote|>"We must try to consider ourselves rather in the light of a telephone exchange for the exchange of ideas, Miss Datchet,"</|quote|>he said; and taking pleasure in his image, he continued it. "We should consider ourselves the center of an enormous system of wires, connecting us up with every district of the country. We must have our fingers upon the pulse of the community; we want to know what people all over England are thinking; we want to put them in the way of thinking rightly." The system, of course, was only roughly sketched so far jotted down, in fact, during the Christmas holidays. "When you ought to have been taking a rest, Mr. Clacton," said Mary dutifully, but her tone was flat and tired. "We learn to do without holidays, Miss Datchet," said Mr. Clacton, with a spark of satisfaction in his eye. He wished particularly to have her opinion of the lemon-colored leaflet. According to his plan, it was to be distributed in immense quantities immediately, in order to stimulate and generate, "to generate and stimulate," he repeated, "right thoughts in the country before the meeting of Parliament." "We have to take the enemy by surprise," he said. "They don t let the grass grow under their feet. Have you seen Bingham s address to his constituents? That s | estimate of human nature. "The simple elementary acts of justice," she said, waving her hand towards the window, and indicating the foot-passengers and omnibuses then passing down the far side of Russell Square, "are as far beyond them as they ever were. We can only look upon ourselves, Mary, as pioneers in a wilderness. We can only go on patiently putting the truth before them. It isn t _them_," she continued, taking heart from her sight of the traffic, "it s their leaders. It s those gentlemen sitting in Parliament and drawing four hundred a year of the people s money. If we had to put our case to the people, we should soon have justice done to us. I have always believed in the people, and I do so still. But" She shook her head and implied that she would give them one more chance, and if they didn t take advantage of that she couldn t answer for the consequences. Mr. Clacton s attitude was more philosophical and better supported by statistics. He came into the room after Mrs. Seal s outburst and pointed out, with historical illustrations, that such reverses had happened in every political campaign of any importance. If anything, his spirits were improved by the disaster. The enemy, he said, had taken the offensive; and it was now up to the Society to outwit the enemy. He gave Mary to understand that he had taken the measure of their cunning, and had already bent his mind to the task which, so far as she could make out, depended solely upon him. It depended, so she came to think, when invited into his room for a private conference, upon a systematic revision of the card-index, upon the issue of certain new lemon-colored leaflets, in which the facts were marshaled once more in a very striking way, and upon a large scale map of England dotted with little pins tufted with differently colored plumes of hair according to their geographical position. Each district, under the new system, had its flag, its bottle of ink, its sheaf of documents tabulated and filed for reference in a drawer, so that by looking under M or S, as the case might be, you had all the facts with respect to the Suffrage organizations of that county at your fingers ends. This would require a great deal of work, of course.<|quote|>"We must try to consider ourselves rather in the light of a telephone exchange for the exchange of ideas, Miss Datchet,"</|quote|>he said; and taking pleasure in his image, he continued it. "We should consider ourselves the center of an enormous system of wires, connecting us up with every district of the country. We must have our fingers upon the pulse of the community; we want to know what people all over England are thinking; we want to put them in the way of thinking rightly." The system, of course, was only roughly sketched so far jotted down, in fact, during the Christmas holidays. "When you ought to have been taking a rest, Mr. Clacton," said Mary dutifully, but her tone was flat and tired. "We learn to do without holidays, Miss Datchet," said Mr. Clacton, with a spark of satisfaction in his eye. He wished particularly to have her opinion of the lemon-colored leaflet. According to his plan, it was to be distributed in immense quantities immediately, in order to stimulate and generate, "to generate and stimulate," he repeated, "right thoughts in the country before the meeting of Parliament." "We have to take the enemy by surprise," he said. "They don t let the grass grow under their feet. Have you seen Bingham s address to his constituents? That s a hint of the sort of thing we ve got to meet, Miss Datchet." He handed her a great bundle of newspaper cuttings, and, begging her to give him her views upon the yellow leaflet before lunch-time, he turned with alacrity to his different sheets of paper and his different bottles of ink. Mary shut the door, laid the documents upon her table, and sank her head on her hands. Her brain was curiously empty of any thought. She listened, as if, perhaps, by listening she would become merged again in the atmosphere of the office. From the next room came the rapid spasmodic sounds of Mrs. Seal s erratic typewriting; she, doubtless, was already hard at work helping the people of England, as Mr. Clacton put it, to think rightly; "generating and stimulating," those were his words. She was striking a blow against the enemy, no doubt, who didn t let the grass grow beneath their feet. Mr. Clacton s words repeated themselves accurately in her brain. She pushed the papers wearily over to the farther side of the table. It was no use, though; something or other had happened to her brain a change of focus so that | curiously substantial shape in his mind. "I doubt that one human being ever understands another," he said, stopping in his march and confronting Mary at a distance of a few feet. "Such damned liars as we all are, how can we? But we can try. If you don t want to marry me, don t; but the position you take up about love, and not seeing each other isn t that mere sentimentality? You think I ve behaved very badly," he continued, as she did not speak. "Of course I behave badly; but you can t judge people by what they do. You can t go through life measuring right and wrong with a foot-rule. That s what you re always doing, Mary; that s what you re doing now." She saw herself in the Suffrage Office, delivering judgment, meting out right and wrong, and there seemed to her to be some justice in the charge, although it did not affect her main position. "I m not angry with you," she said slowly. "I will go on seeing you, as I said I would." It was true that she had promised that much already, and it was difficult for him to say what more it was that he wanted some intimacy, some help against the ghost of Katharine, perhaps, something that he knew he had no right to ask; and yet, as he sank into his chair and looked once more at the dying fire it seemed to him that he had been defeated, not so much by Mary as by life itself. He felt himself thrown back to the beginning of life again, where everything has yet to be won; but in extreme youth one has an ignorant hope. He was no longer certain that he would triumph. CHAPTER XX Happily for Mary Datchet she returned to the office to find that by some obscure Parliamentary maneuver the vote had once more slipped beyond the attainment of women. Mrs. Seal was in a condition bordering upon frenzy. The duplicity of Ministers, the treachery of mankind, the insult to womanhood, the setback to civilization, the ruin of her life s work, the feelings of her father s daughter all these topics were discussed in turn, and the office was littered with newspaper cuttings branded with the blue, if ambiguous, marks of her displeasure. She confessed herself at fault in her estimate of human nature. "The simple elementary acts of justice," she said, waving her hand towards the window, and indicating the foot-passengers and omnibuses then passing down the far side of Russell Square, "are as far beyond them as they ever were. We can only look upon ourselves, Mary, as pioneers in a wilderness. We can only go on patiently putting the truth before them. It isn t _them_," she continued, taking heart from her sight of the traffic, "it s their leaders. It s those gentlemen sitting in Parliament and drawing four hundred a year of the people s money. If we had to put our case to the people, we should soon have justice done to us. I have always believed in the people, and I do so still. But" She shook her head and implied that she would give them one more chance, and if they didn t take advantage of that she couldn t answer for the consequences. Mr. Clacton s attitude was more philosophical and better supported by statistics. He came into the room after Mrs. Seal s outburst and pointed out, with historical illustrations, that such reverses had happened in every political campaign of any importance. If anything, his spirits were improved by the disaster. The enemy, he said, had taken the offensive; and it was now up to the Society to outwit the enemy. He gave Mary to understand that he had taken the measure of their cunning, and had already bent his mind to the task which, so far as she could make out, depended solely upon him. It depended, so she came to think, when invited into his room for a private conference, upon a systematic revision of the card-index, upon the issue of certain new lemon-colored leaflets, in which the facts were marshaled once more in a very striking way, and upon a large scale map of England dotted with little pins tufted with differently colored plumes of hair according to their geographical position. Each district, under the new system, had its flag, its bottle of ink, its sheaf of documents tabulated and filed for reference in a drawer, so that by looking under M or S, as the case might be, you had all the facts with respect to the Suffrage organizations of that county at your fingers ends. This would require a great deal of work, of course.<|quote|>"We must try to consider ourselves rather in the light of a telephone exchange for the exchange of ideas, Miss Datchet,"</|quote|>he said; and taking pleasure in his image, he continued it. "We should consider ourselves the center of an enormous system of wires, connecting us up with every district of the country. We must have our fingers upon the pulse of the community; we want to know what people all over England are thinking; we want to put them in the way of thinking rightly." The system, of course, was only roughly sketched so far jotted down, in fact, during the Christmas holidays. "When you ought to have been taking a rest, Mr. Clacton," said Mary dutifully, but her tone was flat and tired. "We learn to do without holidays, Miss Datchet," said Mr. Clacton, with a spark of satisfaction in his eye. He wished particularly to have her opinion of the lemon-colored leaflet. According to his plan, it was to be distributed in immense quantities immediately, in order to stimulate and generate, "to generate and stimulate," he repeated, "right thoughts in the country before the meeting of Parliament." "We have to take the enemy by surprise," he said. "They don t let the grass grow under their feet. Have you seen Bingham s address to his constituents? That s a hint of the sort of thing we ve got to meet, Miss Datchet." He handed her a great bundle of newspaper cuttings, and, begging her to give him her views upon the yellow leaflet before lunch-time, he turned with alacrity to his different sheets of paper and his different bottles of ink. Mary shut the door, laid the documents upon her table, and sank her head on her hands. Her brain was curiously empty of any thought. She listened, as if, perhaps, by listening she would become merged again in the atmosphere of the office. From the next room came the rapid spasmodic sounds of Mrs. Seal s erratic typewriting; she, doubtless, was already hard at work helping the people of England, as Mr. Clacton put it, to think rightly; "generating and stimulating," those were his words. She was striking a blow against the enemy, no doubt, who didn t let the grass grow beneath their feet. Mr. Clacton s words repeated themselves accurately in her brain. She pushed the papers wearily over to the farther side of the table. It was no use, though; something or other had happened to her brain a change of focus so that near things were indistinct again. The same thing had happened to her once before, she remembered, after she had met Ralph in the gardens of Lincoln s Inn Fields; she had spent the whole of a committee meeting in thinking about sparrows and colors, until, almost at the end of the meeting, her old convictions had all come back to her. But they had only come back, she thought with scorn at her feebleness, because she wanted to use them to fight against Ralph. They weren t, rightly speaking, convictions at all. She could not see the world divided into separate compartments of good people and bad people, any more than she could believe so implicitly in the rightness of her own thought as to wish to bring the population of the British Isles into agreement with it. She looked at the lemon-colored leaflet, and thought almost enviously of the faith which could find comfort in the issue of such documents; for herself she would be content to remain silent for ever if a share of personal happiness were granted her. She read Mr. Clacton s statement with a curious division of judgment, noting its weak and pompous verbosity on the one hand, and, at the same time, feeling that faith, faith in an illusion, perhaps, but, at any rate, faith in something, was of all gifts the most to be envied. An illusion it was, no doubt. She looked curiously round her at the furniture of the office, at the machinery in which she had taken so much pride, and marveled to think that once the copying-presses, the card-index, the files of documents, had all been shrouded, wrapped in some mist which gave them a unity and a general dignity and purpose independently of their separate significance. The ugly cumbersomeness of the furniture alone impressed her now. Her attitude had become very lax and despondent when the typewriter stopped in the next room. Mary immediately drew up to the table, laid hands on an unopened envelope, and adopted an expression which might hide her state of mind from Mrs. Seal. Some instinct of decency required that she should not allow Mrs. Seal to see her face. Shading her eyes with her fingers, she watched Mrs. Seal pull out one drawer after another in her search for some envelope or leaflet. She was tempted to drop her fingers and exclaim: | by some obscure Parliamentary maneuver the vote had once more slipped beyond the attainment of women. Mrs. Seal was in a condition bordering upon frenzy. The duplicity of Ministers, the treachery of mankind, the insult to womanhood, the setback to civilization, the ruin of her life s work, the feelings of her father s daughter all these topics were discussed in turn, and the office was littered with newspaper cuttings branded with the blue, if ambiguous, marks of her displeasure. She confessed herself at fault in her estimate of human nature. "The simple elementary acts of justice," she said, waving her hand towards the window, and indicating the foot-passengers and omnibuses then passing down the far side of Russell Square, "are as far beyond them as they ever were. We can only look upon ourselves, Mary, as pioneers in a wilderness. We can only go on patiently putting the truth before them. It isn t _them_," she continued, taking heart from her sight of the traffic, "it s their leaders. It s those gentlemen sitting in Parliament and drawing four hundred a year of the people s money. If we had to put our case to the people, we should soon have justice done to us. I have always believed in the people, and I do so still. But" She shook her head and implied that she would give them one more chance, and if they didn t take advantage of that she couldn t answer for the consequences. Mr. Clacton s attitude was more philosophical and better supported by statistics. He came into the room after Mrs. Seal s outburst and pointed out, with historical illustrations, that such reverses had happened in every political campaign of any importance. If anything, his spirits were improved by the disaster. The enemy, he said, had taken the offensive; and it was now up to the Society to outwit the enemy. He gave Mary to understand that he had taken the measure of their cunning, and had already bent his mind to the task which, so far as she could make out, depended solely upon him. It depended, so she came to think, when invited into his room for a private conference, upon a systematic revision of the card-index, upon the issue of certain new lemon-colored leaflets, in which the facts were marshaled once more in a very striking way, and upon a large scale map of England dotted with little pins tufted with differently colored plumes of hair according to their geographical position. Each district, under the new system, had its flag, its bottle of ink, its sheaf of documents tabulated and filed for reference in a drawer, so that by looking under M or S, as the case might be, you had all the facts with respect to the Suffrage organizations of that county at your fingers ends. This would require a great deal of work, of course.<|quote|>"We must try to consider ourselves rather in the light of a telephone exchange for the exchange of ideas, Miss Datchet,"</|quote|>he said; and taking pleasure in his image, he continued it. "We should consider ourselves the center of an enormous system of wires, connecting us up with every district of the country. We must have our fingers upon the pulse of the community; we want to know what people all over England are thinking; we want to put them in the way of thinking rightly." The system, of course, was only roughly sketched so far jotted down, in fact, during the Christmas holidays. "When you ought to have been taking a rest, Mr. Clacton," said Mary dutifully, but her tone was flat and tired. "We learn to do without holidays, Miss Datchet," said Mr. Clacton, with a spark of satisfaction in his eye. He wished particularly to have her opinion of the lemon-colored leaflet. According to his plan, it was to be distributed in immense quantities immediately, in order to stimulate and generate, "to generate and stimulate," he repeated, "right thoughts in the country before the meeting of Parliament." "We have to take the enemy by surprise," he said. "They don t let the grass grow under their feet. Have you seen Bingham s address to his constituents? That s a hint of the sort of thing we ve got to meet, Miss Datchet." He handed her a great | Night And Day |
"Such an absurdity!" | Paul | in our head and bones.<|quote|>"Such an absurdity!"</|quote|>I say, "just when a | but it gives us aches in our head and bones.<|quote|>"Such an absurdity!"</|quote|>I say, "just when a man dropped off to sleep." | already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones.<|quote|>"Such an absurdity!"</|quote|>I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she | asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones.<|quote|>"Such an absurdity!"</|quote|>I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." | * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones.<|quote|>"Such an absurdity!"</|quote|>I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of | On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones.<|quote|>"Such an absurdity!"</|quote|>I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? | though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones.<|quote|>"Such an absurdity!"</|quote|>I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!" He grins. "That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our midst we can now risk anything. Then come the soundless, flat trollies to take us away. The bandages are stuck fast. We bellow like steers. * * There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;--a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which didn't look too bad at first. But the third night he calls out to us, telling us to ring, he thinks he has a hæmorrhage. I ring loudly. The night sister does not come. We have been making rather heavy demands on her during the night, because we have all been freshly bandaged, and so have a good deal of pain. One wants his leg placed so, another so, a third wants water, a fourth wants her to shake up his pillow;--in the end the buxom old body grumbled bad temperedly and slammed the doors. Now no doubt she thinks it is something of the same sort and so she is not coming. We wait. Then Franz says: "Ring again." I do so. Still she does not put in an appearance. In our wing there is only one night sister, perhaps she has something to do in one of the other rooms. "Franz, are you quite sure you are bleeding?" I ask. "Otherwise we shall be getting cursed again." "The bandage is wet. Can't anybody make a light?" That cannot be done either. The switch is by the door and none of us can stand up. I hold my thumb against the button of the bell till it becomes numb. Perhaps the sister has fallen asleep. They certainly have a great deal to do and are all overworked day after day. And added to that is | her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones.<|quote|>"Such an absurdity!"</|quote|>I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us | All Quiet on the Western Front |
"The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?" | Mrs Smith | colour in her face, said--<|quote|>"The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?"</|quote|>Anne could not immediately get | Mrs Smith, observing the high colour in her face, said--<|quote|>"The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?"</|quote|>Anne could not immediately get over the shock and mortification | and I desire you will never insult me with my second W. again, meaning, for the rest of my life, to be only yours truly,--Wm. Elliot." Such a letter could not be read without putting Anne in a glow; and Mrs Smith, observing the high colour in her face, said--<|quote|>"The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?"</|quote|>Anne could not immediately get over the shock and mortification of finding such words applied to her father. She was obliged to recollect that her seeing the letter was a violation of the laws of honour, that no one ought to be judged or to be known by such testimonies, | quite fool enough. If he does, however, they will leave me in peace, which may be a decent equivalent for the reversion. He is worse than last year." "I wish I had any name but Elliot. I am sick of it. The name of Walter I can drop, thank God! and I desire you will never insult me with my second W. again, meaning, for the rest of my life, to be only yours truly,--Wm. Elliot." Such a letter could not be read without putting Anne in a glow; and Mrs Smith, observing the high colour in her face, said--<|quote|>"The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?"</|quote|>Anne could not immediately get over the shock and mortification of finding such words applied to her father. She was obliged to recollect that her seeing the letter was a violation of the laws of honour, that no one ought to be judged or to be known by such testimonies, that no private correspondence could bear the eye of others, before she could recover calmness enough to return the letter which she had been meditating over, and say-- "Thank you. This is full proof undoubtedly; proof of every thing you were saying. But why be acquainted with us now?" "I | made such hearts as yours more common, but I have lived three-and-twenty years in the world, and have seen none like it. At present, believe me, I have no need of your services, being in cash again. Give me joy: I have got rid of Sir Walter and Miss. They are gone back to Kellynch, and almost made me swear to visit them this summer; but my first visit to Kellynch will be with a surveyor, to tell me how to bring it with best advantage to the hammer. The baronet, nevertheless, is not unlikely to marry again; he is quite fool enough. If he does, however, they will leave me in peace, which may be a decent equivalent for the reversion. He is worse than last year." "I wish I had any name but Elliot. I am sick of it. The name of Walter I can drop, thank God! and I desire you will never insult me with my second W. again, meaning, for the rest of my life, to be only yours truly,--Wm. Elliot." Such a letter could not be read without putting Anne in a glow; and Mrs Smith, observing the high colour in her face, said--<|quote|>"The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?"</|quote|>Anne could not immediately get over the shock and mortification of finding such words applied to her father. She was obliged to recollect that her seeing the letter was a violation of the laws of honour, that no one ought to be judged or to be known by such testimonies, that no private correspondence could bear the eye of others, before she could recover calmness enough to return the letter which she had been meditating over, and say-- "Thank you. This is full proof undoubtedly; proof of every thing you were saying. But why be acquainted with us now?" "I can explain this too," cried Mrs Smith, smiling. "Can you really?" "Yes. I have shewn you Mr Elliot as he was a dozen years ago, and I will shew him as he is now. I cannot produce written proof again, but I can give as authentic oral testimony as you can desire, of what he is now wanting, and what he is now doing. He is no hypocrite now. He truly wants to marry you. His present attentions to your family are very sincere: quite from the heart. I will give you my authority: his friend Colonel Wallis." "Colonel Wallis! | it, did as she was desired. The box was brought and placed before her, and Mrs Smith, sighing over it as she unlocked it, said-- "This is full of papers belonging to him, to my husband; a small portion only of what I had to look over when I lost him. The letter I am looking for was one written by Mr Elliot to him before our marriage, and happened to be saved; why, one can hardly imagine. But he was careless and immethodical, like other men, about those things; and when I came to examine his papers, I found it with others still more trivial, from different people scattered here and there, while many letters and memorandums of real importance had been destroyed. Here it is; I would not burn it, because being even then very little satisfied with Mr Elliot, I was determined to preserve every document of former intimacy. I have now another motive for being glad that I can produce it." This was the letter, directed to "Charles Smith, Esq. Tunbridge Wells," and dated from London, as far back as July, 1803:-- "Dear Smith,--I have received yours. Your kindness almost overpowers me. I wish nature had made such hearts as yours more common, but I have lived three-and-twenty years in the world, and have seen none like it. At present, believe me, I have no need of your services, being in cash again. Give me joy: I have got rid of Sir Walter and Miss. They are gone back to Kellynch, and almost made me swear to visit them this summer; but my first visit to Kellynch will be with a surveyor, to tell me how to bring it with best advantage to the hammer. The baronet, nevertheless, is not unlikely to marry again; he is quite fool enough. If he does, however, they will leave me in peace, which may be a decent equivalent for the reversion. He is worse than last year." "I wish I had any name but Elliot. I am sick of it. The name of Walter I can drop, thank God! and I desire you will never insult me with my second W. again, meaning, for the rest of my life, to be only yours truly,--Wm. Elliot." Such a letter could not be read without putting Anne in a glow; and Mrs Smith, observing the high colour in her face, said--<|quote|>"The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?"</|quote|>Anne could not immediately get over the shock and mortification of finding such words applied to her father. She was obliged to recollect that her seeing the letter was a violation of the laws of honour, that no one ought to be judged or to be known by such testimonies, that no private correspondence could bear the eye of others, before she could recover calmness enough to return the letter which she had been meditating over, and say-- "Thank you. This is full proof undoubtedly; proof of every thing you were saying. But why be acquainted with us now?" "I can explain this too," cried Mrs Smith, smiling. "Can you really?" "Yes. I have shewn you Mr Elliot as he was a dozen years ago, and I will shew him as he is now. I cannot produce written proof again, but I can give as authentic oral testimony as you can desire, of what he is now wanting, and what he is now doing. He is no hypocrite now. He truly wants to marry you. His present attentions to your family are very sincere: quite from the heart. I will give you my authority: his friend Colonel Wallis." "Colonel Wallis! you are acquainted with him?" "No. It does not come to me in quite so direct a line as that; it takes a bend or two, but nothing of consequence. The stream is as good as at first; the little rubbish it collects in the turnings is easily moved away. Mr Elliot talks unreservedly to Colonel Wallis of his views on you, which said Colonel Wallis, I imagine to be, in himself, a sensible, careful, discerning sort of character; but Colonel Wallis has a very pretty silly wife, to whom he tells things which he had better not, and he repeats it all to her. She in the overflowing spirits of her recovery, repeats it all to her nurse; and the nurse knowing my acquaintance with you, very naturally brings it all to me. On Monday evening, my good friend Mrs Rooke let me thus much into the secrets of Marlborough Buildings. When I talked of a whole history, therefore, you see I was not romancing so much as you supposed." "My dear Mrs Smith, your authority is deficient. This will not do. Mr Elliot's having any views on me will not in the least account for the efforts he | I was very young, and associated only with the young, and we were a thoughtless, gay set, without any strict rules of conduct. We lived for enjoyment. I think differently now; time and sickness and sorrow have given me other notions; but at that period I must own I saw nothing reprehensible in what Mr Elliot was doing. 'To do the best for himself,' passed as a duty." "But was not she a very low woman?" "Yes; which I objected to, but he would not regard. Money, money, was all that he wanted. Her father was a grazier, her grandfather had been a butcher, but that was all nothing. She was a fine woman, had had a decent education, was brought forward by some cousins, thrown by chance into Mr Elliot's company, and fell in love with him; and not a difficulty or a scruple was there on his side, with respect to her birth. All his caution was spent in being secured of the real amount of her fortune, before he committed himself. Depend upon it, whatever esteem Mr Elliot may have for his own situation in life now, as a young man he had not the smallest value for it. His chance for the Kellynch estate was something, but all the honour of the family he held as cheap as dirt. I have often heard him declare, that if baronetcies were saleable, anybody should have his for fifty pounds, arms and motto, name and livery included; but I will not pretend to repeat half that I used to hear him say on that subject. It would not be fair; and yet you ought to have proof, for what is all this but assertion, and you shall have proof." "Indeed, my dear Mrs Smith, I want none," cried Anne. "You have asserted nothing contradictory to what Mr Elliot appeared to be some years ago. This is all in confirmation, rather, of what we used to hear and believe. I am more curious to know why he should be so different now." "But for my satisfaction, if you will have the goodness to ring for Mary; stay: I am sure you will have the still greater goodness of going yourself into my bedroom, and bringing me the small inlaid box which you will find on the upper shelf of the closet." Anne, seeing her friend to be earnestly bent on it, did as she was desired. The box was brought and placed before her, and Mrs Smith, sighing over it as she unlocked it, said-- "This is full of papers belonging to him, to my husband; a small portion only of what I had to look over when I lost him. The letter I am looking for was one written by Mr Elliot to him before our marriage, and happened to be saved; why, one can hardly imagine. But he was careless and immethodical, like other men, about those things; and when I came to examine his papers, I found it with others still more trivial, from different people scattered here and there, while many letters and memorandums of real importance had been destroyed. Here it is; I would not burn it, because being even then very little satisfied with Mr Elliot, I was determined to preserve every document of former intimacy. I have now another motive for being glad that I can produce it." This was the letter, directed to "Charles Smith, Esq. Tunbridge Wells," and dated from London, as far back as July, 1803:-- "Dear Smith,--I have received yours. Your kindness almost overpowers me. I wish nature had made such hearts as yours more common, but I have lived three-and-twenty years in the world, and have seen none like it. At present, believe me, I have no need of your services, being in cash again. Give me joy: I have got rid of Sir Walter and Miss. They are gone back to Kellynch, and almost made me swear to visit them this summer; but my first visit to Kellynch will be with a surveyor, to tell me how to bring it with best advantage to the hammer. The baronet, nevertheless, is not unlikely to marry again; he is quite fool enough. If he does, however, they will leave me in peace, which may be a decent equivalent for the reversion. He is worse than last year." "I wish I had any name but Elliot. I am sick of it. The name of Walter I can drop, thank God! and I desire you will never insult me with my second W. again, meaning, for the rest of my life, to be only yours truly,--Wm. Elliot." Such a letter could not be read without putting Anne in a glow; and Mrs Smith, observing the high colour in her face, said--<|quote|>"The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?"</|quote|>Anne could not immediately get over the shock and mortification of finding such words applied to her father. She was obliged to recollect that her seeing the letter was a violation of the laws of honour, that no one ought to be judged or to be known by such testimonies, that no private correspondence could bear the eye of others, before she could recover calmness enough to return the letter which she had been meditating over, and say-- "Thank you. This is full proof undoubtedly; proof of every thing you were saying. But why be acquainted with us now?" "I can explain this too," cried Mrs Smith, smiling. "Can you really?" "Yes. I have shewn you Mr Elliot as he was a dozen years ago, and I will shew him as he is now. I cannot produce written proof again, but I can give as authentic oral testimony as you can desire, of what he is now wanting, and what he is now doing. He is no hypocrite now. He truly wants to marry you. His present attentions to your family are very sincere: quite from the heart. I will give you my authority: his friend Colonel Wallis." "Colonel Wallis! you are acquainted with him?" "No. It does not come to me in quite so direct a line as that; it takes a bend or two, but nothing of consequence. The stream is as good as at first; the little rubbish it collects in the turnings is easily moved away. Mr Elliot talks unreservedly to Colonel Wallis of his views on you, which said Colonel Wallis, I imagine to be, in himself, a sensible, careful, discerning sort of character; but Colonel Wallis has a very pretty silly wife, to whom he tells things which he had better not, and he repeats it all to her. She in the overflowing spirits of her recovery, repeats it all to her nurse; and the nurse knowing my acquaintance with you, very naturally brings it all to me. On Monday evening, my good friend Mrs Rooke let me thus much into the secrets of Marlborough Buildings. When I talked of a whole history, therefore, you see I was not romancing so much as you supposed." "My dear Mrs Smith, your authority is deficient. This will not do. Mr Elliot's having any views on me will not in the least account for the efforts he made towards a reconciliation with my father. That was all prior to my coming to Bath. I found them on the most friendly terms when I arrived." "I know you did; I know it all perfectly, but--" "Indeed, Mrs Smith, we must not expect to get real information in such a line. Facts or opinions which are to pass through the hands of so many, to be misconceived by folly in one, and ignorance in another, can hardly have much truth left." "Only give me a hearing. You will soon be able to judge of the general credit due, by listening to some particulars which you can yourself immediately contradict or confirm. Nobody supposes that you were his first inducement. He had seen you indeed, before he came to Bath, and admired you, but without knowing it to be you. So says my historian, at least. Is this true? Did he see you last summer or autumn, 'somewhere down in the west,' to use her own words, without knowing it to be you?" "He certainly did. So far it is very true. At Lyme. I happened to be at Lyme." "Well," continued Mrs Smith, triumphantly, "grant my friend the credit due to the establishment of the first point asserted. He saw you then at Lyme, and liked you so well as to be exceedingly pleased to meet with you again in Camden Place, as Miss Anne Elliot, and from that moment, I have no doubt, had a double motive in his visits there. But there was another, and an earlier, which I will now explain. If there is anything in my story which you know to be either false or improbable, stop me. My account states, that your sister's friend, the lady now staying with you, whom I have heard you mention, came to Bath with Miss Elliot and Sir Walter as long ago as September (in short when they first came themselves), and has been staying there ever since; that she is a clever, insinuating, handsome woman, poor and plausible, and altogether such in situation and manner, as to give a general idea, among Sir Walter's acquaintance, of her meaning to be Lady Elliot, and as general a surprise that Miss Elliot should be apparently, blind to the danger." Here Mrs Smith paused a moment; but Anne had not a word to say, and she continued-- "This was the | produce it." This was the letter, directed to "Charles Smith, Esq. Tunbridge Wells," and dated from London, as far back as July, 1803:-- "Dear Smith,--I have received yours. Your kindness almost overpowers me. I wish nature had made such hearts as yours more common, but I have lived three-and-twenty years in the world, and have seen none like it. At present, believe me, I have no need of your services, being in cash again. Give me joy: I have got rid of Sir Walter and Miss. They are gone back to Kellynch, and almost made me swear to visit them this summer; but my first visit to Kellynch will be with a surveyor, to tell me how to bring it with best advantage to the hammer. The baronet, nevertheless, is not unlikely to marry again; he is quite fool enough. If he does, however, they will leave me in peace, which may be a decent equivalent for the reversion. He is worse than last year." "I wish I had any name but Elliot. I am sick of it. The name of Walter I can drop, thank God! and I desire you will never insult me with my second W. again, meaning, for the rest of my life, to be only yours truly,--Wm. Elliot." Such a letter could not be read without putting Anne in a glow; and Mrs Smith, observing the high colour in her face, said--<|quote|>"The language, I know, is highly disrespectful. Though I have forgot the exact terms, I have a perfect impression of the general meaning. But it shows you the man. Mark his professions to my poor husband. Can any thing be stronger?"</|quote|>Anne could not immediately get over the shock and mortification of finding such words applied to her father. She was obliged to recollect that her seeing the letter was a violation of the laws of honour, that no one ought to be judged or to be known by such testimonies, that no private correspondence could bear the eye of others, before she could recover calmness enough to return the letter which she had been meditating over, and say-- "Thank you. This is full proof undoubtedly; proof of every thing you were saying. But why be acquainted with us now?" "I can explain this too," cried Mrs Smith, smiling. "Can you really?" "Yes. I have shewn you Mr Elliot as he was a dozen years ago, and I will shew him as he is now. I cannot produce written proof again, but I can give as authentic oral testimony as you can desire, of what he is now wanting, and what he is now doing. He is no hypocrite now. He truly wants to marry you. His present attentions to your family are very sincere: quite from the heart. I will give you my authority: his friend Colonel Wallis." "Colonel Wallis! you are acquainted with him?" "No. It does not come to me in quite so direct a line as that; it takes a bend or two, but nothing of consequence. The stream is as good as at first; the little rubbish it collects in the turnings is easily moved away. Mr Elliot talks unreservedly to Colonel Wallis of his views on you, which said Colonel Wallis, I imagine to be, in himself, a sensible, careful, discerning sort of character; but Colonel Wallis has a very pretty silly wife, to whom he tells things which he had better not, and he repeats it all to her. She in the overflowing spirits of her recovery, repeats it all to her nurse; and the nurse knowing my acquaintance with you, very naturally brings it all to me. On Monday evening, my good friend Mrs Rooke let me thus much into the secrets of Marlborough Buildings. When I talked | Persuasion |
"No, don't go away, Wimble. Did Bannock say he should stay away to-day?" | Josiah Christmas | came up to the pair.<|quote|>"No, don't go away, Wimble. Did Bannock say he should stay away to-day?"</|quote|>"Not to me, uncle." "Nor | voice sharply, and Uncle Josiah came up to the pair.<|quote|>"No, don't go away, Wimble. Did Bannock say he should stay away to-day?"</|quote|>"Not to me, uncle." "Nor to me, sir." "It's very | "Nonsense!" "Ah, you may say that, but see how he is going it. 'Tarn't my fault that the dock men work so badly, and 'tarn't my fault that Mike isn't here, and--" "Don't stand talking to Wimble, Lindon," said a voice sharply, and Uncle Josiah came up to the pair.<|quote|>"No, don't go away, Wimble. Did Bannock say he should stay away to-day?"</|quote|>"Not to me, uncle." "Nor to me, sir." "It's very strange, just as we are so busy too. He has not drawn any money." "P'r'aps press-gang's got him, sir," suggested Jem. "Humph! Hardly likely!" said Uncle Josiah; and he went on and entered the office, to come out at the | ably expressed by Jem Wimble, who came up to Don as he was busy with pencil and book, keeping account of the deliveries, and said in a loud voice,-- "What did your uncle have for breakfast, Mas' Don?" "Coffee--ham--I hardly know, Jem." "Ho! Thought p'r'aps it had been cayenne pepper." "Nonsense!" "Ah, you may say that, but see how he is going it. 'Tarn't my fault that the dock men work so badly, and 'tarn't my fault that Mike isn't here, and--" "Don't stand talking to Wimble, Lindon," said a voice sharply, and Uncle Josiah came up to the pair.<|quote|>"No, don't go away, Wimble. Did Bannock say he should stay away to-day?"</|quote|>"Not to me, uncle." "Nor to me, sir." "It's very strange, just as we are so busy too. He has not drawn any money." "P'r'aps press-gang's got him, sir," suggested Jem. "Humph! Hardly likely!" said Uncle Josiah; and he went on and entered the office, to come out at the end of a few minutes and beckon to Don. "Lindon," he said, as the lad joined him, "I left nine guineas and a half in the little mahogany bowl in my desk yesterday. Whom have you paid?" "Paid? No one, sir." "But eight guineas are gone--missing." "Eight guineas? Missing, sir?" | did not come, so he went on thinking of many things, to fall into a state of unconsciousness at last, from which he awoke to the fact that it was day--a very eventful day for him, but he did not awaken to the fact that he was very blind. CHAPTER THREE. AN AWKWARD GUINEA. It was a busy day at the yard, for a part of the lading of a sugar ship was being stored away in Uncle Josiah's warehouses; but from the very commencement matters seemed to go wrong, and the state of affairs about ten o'clock was pretty ably expressed by Jem Wimble, who came up to Don as he was busy with pencil and book, keeping account of the deliveries, and said in a loud voice,-- "What did your uncle have for breakfast, Mas' Don?" "Coffee--ham--I hardly know, Jem." "Ho! Thought p'r'aps it had been cayenne pepper." "Nonsense!" "Ah, you may say that, but see how he is going it. 'Tarn't my fault that the dock men work so badly, and 'tarn't my fault that Mike isn't here, and--" "Don't stand talking to Wimble, Lindon," said a voice sharply, and Uncle Josiah came up to the pair.<|quote|>"No, don't go away, Wimble. Did Bannock say he should stay away to-day?"</|quote|>"Not to me, uncle." "Nor to me, sir." "It's very strange, just as we are so busy too. He has not drawn any money." "P'r'aps press-gang's got him, sir," suggested Jem. "Humph! Hardly likely!" said Uncle Josiah; and he went on and entered the office, to come out at the end of a few minutes and beckon to Don. "Lindon," he said, as the lad joined him, "I left nine guineas and a half in the little mahogany bowl in my desk yesterday. Whom have you paid?" "Paid? No one, sir." "But eight guineas are gone--missing." "Eight guineas? Missing, sir?" "Yes, do you know anything about them?" "No, sir. I--that is--yes, I remember now: I picked up a guinea on the floor, and meant to give it to you. Here it is: I forgot all about it." Don took a piece of gold from his flap waistcoat pocket, and handed it to his uncle, who looked at him so curiously that the boy grew confused. "Picked this up on the floor, Lindon?" said Uncle Josiah. "Yes, sir. It had rolled down by my desk." "It is very strange," said Uncle Josiah, thoughtfully. "Well, that leaves seven missing. You had better | us happy." "I wish I could think so," cried Don, bitterly. "You may, my dear. And now, come, try and throw aside all those fanciful notions about going abroad and meeting with adventures. There is no place like home, Don, and you will find out some day that is true." "But I have no home till I make one," said the lad gloomily. "You have an excellent home here, Don, the gift of one who has kindly taken the place toward you of your father. There, I will listen to no more from you, for this is all foolish fighting of your worse against your better self." There was a quiet dignity in his mother's words which awed Don for the moment, but the gentle embrace given the next minute seemed to undo that which the firmness had achieved, and that night the cloud over the lad's life seemed darker than ever. "She takes uncle's side and thinks he is everything," he said gloomily, as he went to bed. "She means right, but she is wrong. Oh, how I wish I could go right away somewhere and begin life all over again." Then he lay down to sleep, but slumber did not come, so he went on thinking of many things, to fall into a state of unconsciousness at last, from which he awoke to the fact that it was day--a very eventful day for him, but he did not awaken to the fact that he was very blind. CHAPTER THREE. AN AWKWARD GUINEA. It was a busy day at the yard, for a part of the lading of a sugar ship was being stored away in Uncle Josiah's warehouses; but from the very commencement matters seemed to go wrong, and the state of affairs about ten o'clock was pretty ably expressed by Jem Wimble, who came up to Don as he was busy with pencil and book, keeping account of the deliveries, and said in a loud voice,-- "What did your uncle have for breakfast, Mas' Don?" "Coffee--ham--I hardly know, Jem." "Ho! Thought p'r'aps it had been cayenne pepper." "Nonsense!" "Ah, you may say that, but see how he is going it. 'Tarn't my fault that the dock men work so badly, and 'tarn't my fault that Mike isn't here, and--" "Don't stand talking to Wimble, Lindon," said a voice sharply, and Uncle Josiah came up to the pair.<|quote|>"No, don't go away, Wimble. Did Bannock say he should stay away to-day?"</|quote|>"Not to me, uncle." "Nor to me, sir." "It's very strange, just as we are so busy too. He has not drawn any money." "P'r'aps press-gang's got him, sir," suggested Jem. "Humph! Hardly likely!" said Uncle Josiah; and he went on and entered the office, to come out at the end of a few minutes and beckon to Don. "Lindon," he said, as the lad joined him, "I left nine guineas and a half in the little mahogany bowl in my desk yesterday. Whom have you paid?" "Paid? No one, sir." "But eight guineas are gone--missing." "Eight guineas? Missing, sir?" "Yes, do you know anything about them?" "No, sir. I--that is--yes, I remember now: I picked up a guinea on the floor, and meant to give it to you. Here it is: I forgot all about it." Don took a piece of gold from his flap waistcoat pocket, and handed it to his uncle, who looked at him so curiously that the boy grew confused. "Picked this up on the floor, Lindon?" said Uncle Josiah. "Yes, sir. It had rolled down by my desk." "It is very strange," said Uncle Josiah, thoughtfully. "Well, that leaves seven missing. You had better look round and see if you can find them." Don felt uncomfortable, he hardly knew why; but it seemed to him that his uncle looked at him doubtingly, and this brought a feeling of hot indignation into the boy's brain. He turned quickly, however, entered the office, and with his uncle looking on, searched all over the floor. "Well?" "There's nothing here, sir. Of course not," cried Don eagerly; "Mrs Wimble sweeps up every morning, and if there had been she would have found it." Uncle Josiah lifted off his cocked hat, and put it on again wrong way first. "This is a very unpleasant affair, Lindon," he said. "I can afford to lose seven guineas, or seven hundred if it came to that, but I can't afford to lose confidence in those whom I employ." Don felt hot and cold as his uncle walked to the door and called Jem; and as he waited he looked at the map of an estate in the West Indies, all fly-specked and yellow, then at the portraits of three merchant vessels in full sail, all as yellow and fly-specked as the map, and showing the peculiarity emphasised by the ingenious artist, of | "He has," cried Don fiercely; "and I won't have it. He may scold and abuse me as much as he likes, but I will not have him ill use you." "Ill use me, Don?" cried Mrs Lavington. "Nonsense, my dear boy. Your uncle is all that is kind and good; and he loves you very dearly, Don, if you could only try--try a little more, my dear boy, to do what he likes, and please him." "I do try, mother, but it's no good." "Don't say that, Don. Try a little harder--for my sake, dear, as well as your own." "I have tried, I am always trying, and it's of no use. Nothing pleases uncle, and the men in the yard know it." "Don, my boy, what foolish obstinate fit is this which has come over you?" said Mrs Lavington tenderly. "I'm not obstinate," he said sullenly; "only unhappy." "Is it not your own fault, my darling?" she whispered; "believe me, your uncle is one of the kindest and best of men." Don shook his head. "Are you going to prefer the opinion of the men of the yard to mine, dear?" "No, mother, but uncle is your brother, and you believe in him and defend him. You know how harsh and unkind he is to me." "Not unkind, Don, only firm and for your good. Now come, my boy, do, for my sake, try to drive away these clouds, and let us all be happy once more." "It's of no use to try, mother; I shall never be happy here, tied down to a desk. It's like being uncle's slave." "What am I to say to you, Don, if you talk like this?" said Mrs Lavington. "Believe me you are wrong, and some day you will own it. You will see what a mistaken view you have taken of your uncle's treatment. There, I shall say no more now." "You always treat me as if I were a child," said Don, bitterly. "I'm seventeen now, mother, and I ought to know something." "Yes, my boy," said Mrs Lavington gently; "at seventeen we think we know a good deal; and at forty we smile as we look back and see what a very little that `good deal' was." Don shook his head. "There, we will have no more sad looks. Uncle is eager to do all he can to make us happy." "I wish I could think so," cried Don, bitterly. "You may, my dear. And now, come, try and throw aside all those fanciful notions about going abroad and meeting with adventures. There is no place like home, Don, and you will find out some day that is true." "But I have no home till I make one," said the lad gloomily. "You have an excellent home here, Don, the gift of one who has kindly taken the place toward you of your father. There, I will listen to no more from you, for this is all foolish fighting of your worse against your better self." There was a quiet dignity in his mother's words which awed Don for the moment, but the gentle embrace given the next minute seemed to undo that which the firmness had achieved, and that night the cloud over the lad's life seemed darker than ever. "She takes uncle's side and thinks he is everything," he said gloomily, as he went to bed. "She means right, but she is wrong. Oh, how I wish I could go right away somewhere and begin life all over again." Then he lay down to sleep, but slumber did not come, so he went on thinking of many things, to fall into a state of unconsciousness at last, from which he awoke to the fact that it was day--a very eventful day for him, but he did not awaken to the fact that he was very blind. CHAPTER THREE. AN AWKWARD GUINEA. It was a busy day at the yard, for a part of the lading of a sugar ship was being stored away in Uncle Josiah's warehouses; but from the very commencement matters seemed to go wrong, and the state of affairs about ten o'clock was pretty ably expressed by Jem Wimble, who came up to Don as he was busy with pencil and book, keeping account of the deliveries, and said in a loud voice,-- "What did your uncle have for breakfast, Mas' Don?" "Coffee--ham--I hardly know, Jem." "Ho! Thought p'r'aps it had been cayenne pepper." "Nonsense!" "Ah, you may say that, but see how he is going it. 'Tarn't my fault that the dock men work so badly, and 'tarn't my fault that Mike isn't here, and--" "Don't stand talking to Wimble, Lindon," said a voice sharply, and Uncle Josiah came up to the pair.<|quote|>"No, don't go away, Wimble. Did Bannock say he should stay away to-day?"</|quote|>"Not to me, uncle." "Nor to me, sir." "It's very strange, just as we are so busy too. He has not drawn any money." "P'r'aps press-gang's got him, sir," suggested Jem. "Humph! Hardly likely!" said Uncle Josiah; and he went on and entered the office, to come out at the end of a few minutes and beckon to Don. "Lindon," he said, as the lad joined him, "I left nine guineas and a half in the little mahogany bowl in my desk yesterday. Whom have you paid?" "Paid? No one, sir." "But eight guineas are gone--missing." "Eight guineas? Missing, sir?" "Yes, do you know anything about them?" "No, sir. I--that is--yes, I remember now: I picked up a guinea on the floor, and meant to give it to you. Here it is: I forgot all about it." Don took a piece of gold from his flap waistcoat pocket, and handed it to his uncle, who looked at him so curiously that the boy grew confused. "Picked this up on the floor, Lindon?" said Uncle Josiah. "Yes, sir. It had rolled down by my desk." "It is very strange," said Uncle Josiah, thoughtfully. "Well, that leaves seven missing. You had better look round and see if you can find them." Don felt uncomfortable, he hardly knew why; but it seemed to him that his uncle looked at him doubtingly, and this brought a feeling of hot indignation into the boy's brain. He turned quickly, however, entered the office, and with his uncle looking on, searched all over the floor. "Well?" "There's nothing here, sir. Of course not," cried Don eagerly; "Mrs Wimble sweeps up every morning, and if there had been she would have found it." Uncle Josiah lifted off his cocked hat, and put it on again wrong way first. "This is a very unpleasant affair, Lindon," he said. "I can afford to lose seven guineas, or seven hundred if it came to that, but I can't afford to lose confidence in those whom I employ." Don felt hot and cold as his uncle walked to the door and called Jem; and as he waited he looked at the map of an estate in the West Indies, all fly-specked and yellow, then at the portraits of three merchant vessels in full sail, all as yellow and fly-specked as the map, and showing the peculiarity emphasised by the ingenious artist, of their sails blown out one way and their house flags another. "Surely uncle can't suspect me," he said to himself; and then the thought came again-- "surely uncle can't suspect me." "Come in here, Wimble," said Uncle Josiah, very sternly. Jem took off his hat, and followed him into the office. "Some money is missing from my desk, Wimble. Have you seen it?" "Me, sir?" said Jem, stooping down and peering in all directions under the desks. "No, sir, I harn't seen it. Let's see, I don't think I've been here only when I locked up." "By some mischance I left my desk unlocked when I went out in a hurry yesterday. Lindon here has found one piece on the floor." "P'r'aps tothers is there, too," said Jem eagerly. "No; we have looked. Call your wife. Perhaps she may have found them when sweeping." "Not she, sir," said Jem. "If she had she'd ha' told me. 'Sides, how could they ha' got on the floor?" "That remains to be proved, Wimble," said Uncle Josiah, drily. "Call your wife." Jem went to the door, rubbing his ear, and as it happened, seeing his wife outside the cottage, telegraphed to her to come by working one arm about furiously. Little Mrs Wimble came up in a hurry, looking scared. "Take off that there dirty apron," whispered Jem, making a dash at the offending garment, and snatching back his hand bleeding from the scratch of the pin by which it was fastened. "Look at that," he began. "Then you shouldn't--" "Silence!" said Uncle Josiah. "Mrs Wimble, did you sweep up this room to-day?" "That I did, sir, and dusted too, and if there's any dust, it must be an--" "Hush! Don't talk so. Listen to me. Did you find any money on the floor?" "Sakes alive, sir, no." "You are quite sure?" "Oh yes, sir, quite sure. Have you dropped anything?" "Yes! No! That will do." Mrs Wimble stared. "Don't you hear?" whispered Jem. "Be off!" The little woman gave him an angry look, and then hurried from the office, looking put out and hurt. "This money must be found," said Uncle Josiah sternly, as soon as they were alone. "You are sure that you have seen no more, Lindon?" "Quite, uncle. I'm sorry I forgot about the guinea I found." "Yes!" said Uncle Josiah, giving him a quick searching look. "You are | at forty we smile as we look back and see what a very little that `good deal' was." Don shook his head. "There, we will have no more sad looks. Uncle is eager to do all he can to make us happy." "I wish I could think so," cried Don, bitterly. "You may, my dear. And now, come, try and throw aside all those fanciful notions about going abroad and meeting with adventures. There is no place like home, Don, and you will find out some day that is true." "But I have no home till I make one," said the lad gloomily. "You have an excellent home here, Don, the gift of one who has kindly taken the place toward you of your father. There, I will listen to no more from you, for this is all foolish fighting of your worse against your better self." There was a quiet dignity in his mother's words which awed Don for the moment, but the gentle embrace given the next minute seemed to undo that which the firmness had achieved, and that night the cloud over the lad's life seemed darker than ever. "She takes uncle's side and thinks he is everything," he said gloomily, as he went to bed. "She means right, but she is wrong. Oh, how I wish I could go right away somewhere and begin life all over again." Then he lay down to sleep, but slumber did not come, so he went on thinking of many things, to fall into a state of unconsciousness at last, from which he awoke to the fact that it was day--a very eventful day for him, but he did not awaken to the fact that he was very blind. CHAPTER THREE. AN AWKWARD GUINEA. It was a busy day at the yard, for a part of the lading of a sugar ship was being stored away in Uncle Josiah's warehouses; but from the very commencement matters seemed to go wrong, and the state of affairs about ten o'clock was pretty ably expressed by Jem Wimble, who came up to Don as he was busy with pencil and book, keeping account of the deliveries, and said in a loud voice,-- "What did your uncle have for breakfast, Mas' Don?" "Coffee--ham--I hardly know, Jem." "Ho! Thought p'r'aps it had been cayenne pepper." "Nonsense!" "Ah, you may say that, but see how he is going it. 'Tarn't my fault that the dock men work so badly, and 'tarn't my fault that Mike isn't here, and--" "Don't stand talking to Wimble, Lindon," said a voice sharply, and Uncle Josiah came up to the pair.<|quote|>"No, don't go away, Wimble. Did Bannock say he should stay away to-day?"</|quote|>"Not to me, uncle." "Nor to me, sir." "It's very strange, just as we are so busy too. He has not drawn any money." "P'r'aps press-gang's got him, sir," suggested Jem. "Humph! Hardly likely!" said Uncle Josiah; and he went on and entered the office, to come out at the end of a few minutes and beckon to Don. "Lindon," he said, as the lad joined him, "I left nine guineas and a half in the little mahogany bowl in my desk yesterday. Whom have you paid?" "Paid? No one, sir." "But eight guineas are gone--missing." "Eight guineas? Missing, sir?" "Yes, do you know anything about them?" "No, sir. I--that is--yes, I remember now: I picked up a guinea on the floor, and meant to give it to you. Here it is: I forgot all about it." Don took a piece of gold from his flap waistcoat pocket, and handed it to his uncle, who looked at him so curiously that the boy grew confused. "Picked this up on the floor, Lindon?" said Uncle Josiah. "Yes, sir. It had rolled down by my desk." "It is very strange," said Uncle Josiah, thoughtfully. "Well, that leaves seven missing. You had better look round and see if you can find them." Don felt uncomfortable, he hardly knew why; but it seemed to him that his uncle looked at him doubtingly, and this brought a feeling of hot indignation into the boy's brain. He turned quickly, however, entered the office, and with his uncle looking on, searched all over the floor. "Well?" "There's nothing here, sir. Of course not," cried Don eagerly; "Mrs Wimble sweeps up every morning, and if there had been she would have found it." Uncle Josiah lifted off his cocked hat, and put it on again wrong way first. "This is a very unpleasant affair, Lindon," he said. "I can afford to lose seven guineas, or seven hundred if it came to that, but I can't afford to lose confidence in those whom I employ." Don felt hot and cold as his uncle walked to the door and called Jem; and as he waited he looked at the map of an estate in the West Indies, all fly-specked and yellow, then at the portraits of three merchant vessels in full sail, all as yellow and fly-specked as the map, and showing the peculiarity emphasised by the ingenious artist, of their sails blown out one way and their house flags another. "Surely uncle can't suspect me," he said to himself; and then the thought came again-- "surely uncle can't suspect me." "Come in here, Wimble," said Uncle Josiah, very sternly. Jem took off his hat, and followed him into the | Don Lavington |
“Listen,” | Tom | not Tom held him upright.<|quote|>“Listen,”</|quote|>said Tom, shaking him a | collapsed to his knees had not Tom held him upright.<|quote|>“Listen,”</|quote|>said Tom, shaking him a little. “I just got here | Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright.<|quote|>“Listen,”</|quote|>said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were | a new theme found voice among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright.<|quote|>“Listen,”</|quote|>said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that | the one comin’ from N’York knock right into her, goin’ thirty or forty miles an hour.” “What’s the name of this place here?” demanded the officer. “Hasn’t got any name.” A pale well-dressed negro stepped near. “It was a yellow car,” he said, “big yellow car. New.” “See the accident?” asked the policeman. “No, but the car passed me down the road, going faster’n forty. Going fifty, sixty.” “Come here and let’s have your name. Look out now. I want to get his name.” Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright.<|quote|>“Listen,”</|quote|>said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the | low voice and attempting, from time to time, to lay a hand on his shoulder, but Wilson neither heard nor saw. His eyes would drop slowly from the swinging light to the laden table by the wall, and then jerk back to the light again, and he gave out incessantly his high, horrible call: “Oh, my Ga-od! Oh, my Ga-od! Oh, Ga-od! Oh, my Ga-od!” Presently Tom lifted his head with a jerk and, after staring around the garage with glazed eyes, addressed a mumbled incoherent remark to the policeman. “M-a-v—” the policeman was saying, “—o—” “No, r—” corrected the man, “M-a-v-r-o—” “Listen to me!” muttered Tom fiercely. “r—” said the policeman, “o—” “g—” “g—” He looked up as Tom’s broad hand fell sharply on his shoulder. “What you want, fella?” “What happened?—that’s what I want to know.” “Auto hit her. Ins’antly killed.” “Instantly killed,” repeated Tom, staring. “She ran out ina road. Son-of-a-bitch didn’t even stopus car.” “There was two cars,” said Michaelis, “one comin’, one goin’, see?” “Going where?” asked the policeman keenly. “One goin’ each way. Well, she” —his hand rose toward the blankets but stopped halfway and fell to his side— “she ran out there an’ the one comin’ from N’York knock right into her, goin’ thirty or forty miles an hour.” “What’s the name of this place here?” demanded the officer. “Hasn’t got any name.” A pale well-dressed negro stepped near. “It was a yellow car,” he said, “big yellow car. New.” “See the accident?” asked the policeman. “No, but the car passed me down the road, going faster’n forty. Going fifty, sixty.” “Come here and let’s have your name. Look out now. I want to get his name.” Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright.<|quote|>“Listen,”</|quote|>said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.” Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face. “The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A | the dust. Michaelis and this man reached her first, but when they had torn open her shirtwaist, still damp with perspiration, they saw that her left breast was swinging loose like a flap, and there was no need to listen for the heart beneath. The mouth was wide open and ripped a little at the corners, as though she had choked a little in giving up the tremendous vitality she had stored so long. ------------------------------------------------------------------------ We saw the three or four automobiles and the crowd when we were still some distance away. “Wreck!” said Tom. “That’s good. Wilson’ll have a little business at last.” He slowed down, but still without any intention of stopping, until, as we came nearer, the hushed, intent faces of the people at the garage door made him automatically put on the brakes. “We’ll take a look,” he said doubtfully, “just a look.” I became aware now of a hollow, wailing sound which issued incessantly from the garage, a sound which as we got out of the coupé and walked toward the door resolved itself into the words “Oh, my God!” uttered over and over in a gasping moan. “There’s some bad trouble here,” said Tom excitedly. He reached up on tiptoes and peered over a circle of heads into the garage, which was lit only by a yellow light in a swinging metal basket overhead. Then he made a harsh sound in his throat, and with a violent thrusting movement of his powerful arms pushed his way through. The circle closed up again with a running murmur of expostulation; it was a minute before I could see anything at all. Then new arrivals deranged the line, and Jordan and I were pushed suddenly inside. Myrtle Wilson’s body, wrapped in a blanket, and then in another blanket, as though she suffered from a chill in the hot night, lay on a worktable by the wall, and Tom, with his back to us, was bending over it, motionless. Next to him stood a motorcycle policeman taking down names with much sweat and correction in a little book. At first I couldn’t find the source of the high, groaning words that echoed clamorously through the bare garage—then I saw Wilson standing on the raised threshold of his office, swaying back and forth and holding to the doorposts with both hands. Some man was talking to him in a low voice and attempting, from time to time, to lay a hand on his shoulder, but Wilson neither heard nor saw. His eyes would drop slowly from the swinging light to the laden table by the wall, and then jerk back to the light again, and he gave out incessantly his high, horrible call: “Oh, my Ga-od! Oh, my Ga-od! Oh, Ga-od! Oh, my Ga-od!” Presently Tom lifted his head with a jerk and, after staring around the garage with glazed eyes, addressed a mumbled incoherent remark to the policeman. “M-a-v—” the policeman was saying, “—o—” “No, r—” corrected the man, “M-a-v-r-o—” “Listen to me!” muttered Tom fiercely. “r—” said the policeman, “o—” “g—” “g—” He looked up as Tom’s broad hand fell sharply on his shoulder. “What you want, fella?” “What happened?—that’s what I want to know.” “Auto hit her. Ins’antly killed.” “Instantly killed,” repeated Tom, staring. “She ran out ina road. Son-of-a-bitch didn’t even stopus car.” “There was two cars,” said Michaelis, “one comin’, one goin’, see?” “Going where?” asked the policeman keenly. “One goin’ each way. Well, she” —his hand rose toward the blankets but stopped halfway and fell to his side— “she ran out there an’ the one comin’ from N’York knock right into her, goin’ thirty or forty miles an hour.” “What’s the name of this place here?” demanded the officer. “Hasn’t got any name.” A pale well-dressed negro stepped near. “It was a yellow car,” he said, “big yellow car. New.” “See the accident?” asked the policeman. “No, but the car passed me down the road, going faster’n forty. Going fifty, sixty.” “Come here and let’s have your name. Look out now. I want to get his name.” Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright.<|quote|>“Listen,”</|quote|>said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.” Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face. “The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases. “I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.” He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only half-past nine,” she said. I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler’s voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate. I hadn’t gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon. “What are you doing?” I inquired. “Just standing here, old sport.” Somehow, that seemed a despicable occupation. For all I knew he was going to rob the house in a moment; I wouldn’t have been surprised to see sinister faces, the faces of “Wolfshiem’s people,” behind him in the dark shrubbery. “Did you see any trouble on the road?” he asked after a minute. “Yes.” He hesitated. “Was she killed?” “Yes.” “I thought so; I told Daisy I thought so. It’s better that the shock should all come at once. She stood it pretty well.” He spoke as if Daisy’s reaction was the only thing that mattered. “I got to West Egg by a side road,” he went on, “and left the car in my garage. I don’t think anybody saw us, but of course I can’t be sure.” I | killed,” repeated Tom, staring. “She ran out ina road. Son-of-a-bitch didn’t even stopus car.” “There was two cars,” said Michaelis, “one comin’, one goin’, see?” “Going where?” asked the policeman keenly. “One goin’ each way. Well, she” —his hand rose toward the blankets but stopped halfway and fell to his side— “she ran out there an’ the one comin’ from N’York knock right into her, goin’ thirty or forty miles an hour.” “What’s the name of this place here?” demanded the officer. “Hasn’t got any name.” A pale well-dressed negro stepped near. “It was a yellow car,” he said, “big yellow car. New.” “See the accident?” asked the policeman. “No, but the car passed me down the road, going faster’n forty. Going fifty, sixty.” “Come here and let’s have your name. Look out now. I want to get his name.” Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright.<|quote|>“Listen,”</|quote|>said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.” Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face. “The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed | The Great Gatsby |
"I hope he does," | Mr. Knightley | how very much he suffers."<|quote|>"I hope he does,"</|quote|>replied Mr. Knightley coolly, and | nay, read on.--You will find how very much he suffers."<|quote|>"I hope he does,"</|quote|>replied Mr. Knightley coolly, and resuming the letter. "'Smallridge!'--What does | natural.--What! actually resolve to break with him entirely!--She felt the engagement to be a source of repentance and misery to each--she dissolved it.--What a view this gives of her sense of his behaviour!--Well, he must be a most extraordinary--" "Nay, nay, read on.--You will find how very much he suffers."<|quote|>"I hope he does,"</|quote|>replied Mr. Knightley coolly, and resuming the letter. "'Smallridge!'--What does this mean? What is all this?" "She had engaged to go as governess to Mrs. Smallridge's children--a dear friend of Mrs. Elton's--a neighbour of Maple Grove; and, by the bye, I wonder how Mrs. Elton bears the disappointment?" "Say nothing, | steadily, attentively, and without the smallest remark; and, excepting one momentary glance at her, instantly withdrawn, in the fear of giving pain--no remembrance of Box Hill seemed to exist. "There is no saying much for the delicacy of our good friends, the Eltons," was his next observation.--" "His feelings are natural.--What! actually resolve to break with him entirely!--She felt the engagement to be a source of repentance and misery to each--she dissolved it.--What a view this gives of her sense of his behaviour!--Well, he must be a most extraordinary--" "Nay, nay, read on.--You will find how very much he suffers."<|quote|>"I hope he does,"</|quote|>replied Mr. Knightley coolly, and resuming the letter. "'Smallridge!'--What does this mean? What is all this?" "She had engaged to go as governess to Mrs. Smallridge's children--a dear friend of Mrs. Elton's--a neighbour of Maple Grove; and, by the bye, I wonder how Mrs. Elton bears the disappointment?" "Say nothing, my dear Emma, while you oblige me to read--not even of Mrs. Elton. Only one page more. I shall soon have done. What a letter the man writes!" "I wish you would read it with a kinder spirit towards him." "Well, there _is_ feeling here.--He does seem to have suffered | contend with, in carrying on the correspondence, than he could. He should have respected even unreasonable scruples, had there been such; but hers were all reasonable. We must look to her one fault, and remember that she had done a wrong thing in consenting to the engagement, to bear that she should have been in such a state of punishment." Emma knew that he was now getting to the Box Hill party, and grew uncomfortable. Her own behaviour had been so very improper! She was deeply ashamed, and a little afraid of his next look. It was all read, however, steadily, attentively, and without the smallest remark; and, excepting one momentary glance at her, instantly withdrawn, in the fear of giving pain--no remembrance of Box Hill seemed to exist. "There is no saying much for the delicacy of our good friends, the Eltons," was his next observation.--" "His feelings are natural.--What! actually resolve to break with him entirely!--She felt the engagement to be a source of repentance and misery to each--she dissolved it.--What a view this gives of her sense of his behaviour!--Well, he must be a most extraordinary--" "Nay, nay, read on.--You will find how very much he suffers."<|quote|>"I hope he does,"</|quote|>replied Mr. Knightley coolly, and resuming the letter. "'Smallridge!'--What does this mean? What is all this?" "She had engaged to go as governess to Mrs. Smallridge's children--a dear friend of Mrs. Elton's--a neighbour of Maple Grove; and, by the bye, I wonder how Mrs. Elton bears the disappointment?" "Say nothing, my dear Emma, while you oblige me to read--not even of Mrs. Elton. Only one page more. I shall soon have done. What a letter the man writes!" "I wish you would read it with a kinder spirit towards him." "Well, there _is_ feeling here.--He does seem to have suffered in finding her ill.--Certainly, I can have no doubt of his being fond of her." 'Dearer, much dearer than ever.' "I hope he may long continue to feel all the value of such a reconciliation.--He is a very liberal thanker, with his thousands and tens of thousands.--" 'Happier than I deserve.' "Come, he knows himself there." 'Miss Woodhouse calls me the child of good fortune.' "--Those were Miss Woodhouse's words, were they?-- And a fine ending--and there is the letter. The child of good fortune! That was your name for him, was it?" "You do not appear so well satisfied | soon stopt again to say, "the pianoforte! Ah! That was the act of a very, very young man, one too young to consider whether the inconvenience of it might not very much exceed the pleasure. A boyish scheme, indeed!--I cannot comprehend a man's wishing to give a woman any proof of affection which he knows she would rather dispense with; and he did know that she would have prevented the instrument's coming if she could." After this, he made some progress without any pause. Frank Churchill's confession of having behaved shamefully was the first thing to call for more than a word in passing. "I perfectly agree with you, sir," "--was then his remark. "You did behave very shamefully. You never wrote a truer line." And having gone through what immediately followed of the basis of their disagreement, and his persisting to act in direct opposition to Jane Fairfax's sense of right, he made a fuller pause to say, "This is very bad.--He had induced her to place herself, for his sake, in a situation of extreme difficulty and uneasiness, and it should have been his first object to prevent her from suffering unnecessarily.--She must have had much more to contend with, in carrying on the correspondence, than he could. He should have respected even unreasonable scruples, had there been such; but hers were all reasonable. We must look to her one fault, and remember that she had done a wrong thing in consenting to the engagement, to bear that she should have been in such a state of punishment." Emma knew that he was now getting to the Box Hill party, and grew uncomfortable. Her own behaviour had been so very improper! She was deeply ashamed, and a little afraid of his next look. It was all read, however, steadily, attentively, and without the smallest remark; and, excepting one momentary glance at her, instantly withdrawn, in the fear of giving pain--no remembrance of Box Hill seemed to exist. "There is no saying much for the delicacy of our good friends, the Eltons," was his next observation.--" "His feelings are natural.--What! actually resolve to break with him entirely!--She felt the engagement to be a source of repentance and misery to each--she dissolved it.--What a view this gives of her sense of his behaviour!--Well, he must be a most extraordinary--" "Nay, nay, read on.--You will find how very much he suffers."<|quote|>"I hope he does,"</|quote|>replied Mr. Knightley coolly, and resuming the letter. "'Smallridge!'--What does this mean? What is all this?" "She had engaged to go as governess to Mrs. Smallridge's children--a dear friend of Mrs. Elton's--a neighbour of Maple Grove; and, by the bye, I wonder how Mrs. Elton bears the disappointment?" "Say nothing, my dear Emma, while you oblige me to read--not even of Mrs. Elton. Only one page more. I shall soon have done. What a letter the man writes!" "I wish you would read it with a kinder spirit towards him." "Well, there _is_ feeling here.--He does seem to have suffered in finding her ill.--Certainly, I can have no doubt of his being fond of her." 'Dearer, much dearer than ever.' "I hope he may long continue to feel all the value of such a reconciliation.--He is a very liberal thanker, with his thousands and tens of thousands.--" 'Happier than I deserve.' "Come, he knows himself there." 'Miss Woodhouse calls me the child of good fortune.' "--Those were Miss Woodhouse's words, were they?-- And a fine ending--and there is the letter. The child of good fortune! That was your name for him, was it?" "You do not appear so well satisfied with his letter as I am; but still you must, at least I hope you must, think the better of him for it. I hope it does him some service with you." "Yes, certainly it does. He has had great faults, faults of inconsideration and thoughtlessness; and I am very much of his opinion in thinking him likely to be happier than he deserves: but still as he is, beyond a doubt, really attached to Miss Fairfax, and will soon, it may be hoped, have the advantage of being constantly with her, I am very ready to believe his character will improve, and acquire from hers the steadiness and delicacy of principle that it wants. And now, let me talk to you of something else. I have another person's interest at present so much at heart, that I cannot think any longer about Frank Churchill. Ever since I left you this morning, Emma, my mind has been hard at work on one subject." The subject followed; it was in plain, unaffected, gentlemanlike English, such as Mr. Knightley used even to the woman he was in love with, how to be able to ask her to marry him, without attacking the | to himself; and then, with a smile, observed, "Humph! a fine complimentary opening: But it is his way. One man's style must not be the rule of another's. We will not be severe." "It will be natural for me," he added shortly afterwards, "to speak my opinion aloud as I read. By doing it, I shall feel that I am near you. It will not be so great a loss of time: but if you dislike it--" "Not at all. I should wish it." Mr. Knightley returned to his reading with greater alacrity. "He trifles here," said he, "as to the temptation. He knows he is wrong, and has nothing rational to urge.--Bad.--He ought not to have formed the engagement.--" 'His father's disposition:' "--he is unjust, however, to his father. Mr. Weston's sanguine temper was a blessing on all his upright and honourable exertions; but Mr. Weston earned every present comfort before he endeavoured to gain it.--Very true; he did not come till Miss Fairfax was here." "And I have not forgotten," said Emma, "how sure you were that he might have come sooner if he would. You pass it over very handsomely--but you were perfectly right." "I was not quite impartial in my judgment, Emma:--but yet, I think--had _you_ not been in the case--I should still have distrusted him." When he came to Miss Woodhouse, he was obliged to read the whole of it aloud--all that related to her, with a smile; a look; a shake of the head; a word or two of assent, or disapprobation; or merely of love, as the subject required; concluding, however, seriously, and, after steady reflection, thus-- "Very bad--though it might have been worse.--Playing a most dangerous game. Too much indebted to the event for his acquittal.--No judge of his own manners by you.--Always deceived in fact by his own wishes, and regardless of little besides his own convenience.--Fancying you to have fathomed his secret. Natural enough!--his own mind full of intrigue, that he should suspect it in others.--Mystery; Finesse--how they pervert the understanding! My Emma, does not every thing serve to prove more and more the beauty of truth and sincerity in all our dealings with each other?" Emma agreed to it, and with a blush of sensibility on Harriet's account, which she could not give any sincere explanation of. "You had better go on," said she. He did so, but very soon stopt again to say, "the pianoforte! Ah! That was the act of a very, very young man, one too young to consider whether the inconvenience of it might not very much exceed the pleasure. A boyish scheme, indeed!--I cannot comprehend a man's wishing to give a woman any proof of affection which he knows she would rather dispense with; and he did know that she would have prevented the instrument's coming if she could." After this, he made some progress without any pause. Frank Churchill's confession of having behaved shamefully was the first thing to call for more than a word in passing. "I perfectly agree with you, sir," "--was then his remark. "You did behave very shamefully. You never wrote a truer line." And having gone through what immediately followed of the basis of their disagreement, and his persisting to act in direct opposition to Jane Fairfax's sense of right, he made a fuller pause to say, "This is very bad.--He had induced her to place herself, for his sake, in a situation of extreme difficulty and uneasiness, and it should have been his first object to prevent her from suffering unnecessarily.--She must have had much more to contend with, in carrying on the correspondence, than he could. He should have respected even unreasonable scruples, had there been such; but hers were all reasonable. We must look to her one fault, and remember that she had done a wrong thing in consenting to the engagement, to bear that she should have been in such a state of punishment." Emma knew that he was now getting to the Box Hill party, and grew uncomfortable. Her own behaviour had been so very improper! She was deeply ashamed, and a little afraid of his next look. It was all read, however, steadily, attentively, and without the smallest remark; and, excepting one momentary glance at her, instantly withdrawn, in the fear of giving pain--no remembrance of Box Hill seemed to exist. "There is no saying much for the delicacy of our good friends, the Eltons," was his next observation.--" "His feelings are natural.--What! actually resolve to break with him entirely!--She felt the engagement to be a source of repentance and misery to each--she dissolved it.--What a view this gives of her sense of his behaviour!--Well, he must be a most extraordinary--" "Nay, nay, read on.--You will find how very much he suffers."<|quote|>"I hope he does,"</|quote|>replied Mr. Knightley coolly, and resuming the letter. "'Smallridge!'--What does this mean? What is all this?" "She had engaged to go as governess to Mrs. Smallridge's children--a dear friend of Mrs. Elton's--a neighbour of Maple Grove; and, by the bye, I wonder how Mrs. Elton bears the disappointment?" "Say nothing, my dear Emma, while you oblige me to read--not even of Mrs. Elton. Only one page more. I shall soon have done. What a letter the man writes!" "I wish you would read it with a kinder spirit towards him." "Well, there _is_ feeling here.--He does seem to have suffered in finding her ill.--Certainly, I can have no doubt of his being fond of her." 'Dearer, much dearer than ever.' "I hope he may long continue to feel all the value of such a reconciliation.--He is a very liberal thanker, with his thousands and tens of thousands.--" 'Happier than I deserve.' "Come, he knows himself there." 'Miss Woodhouse calls me the child of good fortune.' "--Those were Miss Woodhouse's words, were they?-- And a fine ending--and there is the letter. The child of good fortune! That was your name for him, was it?" "You do not appear so well satisfied with his letter as I am; but still you must, at least I hope you must, think the better of him for it. I hope it does him some service with you." "Yes, certainly it does. He has had great faults, faults of inconsideration and thoughtlessness; and I am very much of his opinion in thinking him likely to be happier than he deserves: but still as he is, beyond a doubt, really attached to Miss Fairfax, and will soon, it may be hoped, have the advantage of being constantly with her, I am very ready to believe his character will improve, and acquire from hers the steadiness and delicacy of principle that it wants. And now, let me talk to you of something else. I have another person's interest at present so much at heart, that I cannot think any longer about Frank Churchill. Ever since I left you this morning, Emma, my mind has been hard at work on one subject." The subject followed; it was in plain, unaffected, gentlemanlike English, such as Mr. Knightley used even to the woman he was in love with, how to be able to ask her to marry him, without attacking the happiness of her father. Emma's answer was ready at the first word. "While her dear father lived, any change of condition must be impossible for her. She could never quit him." Part only of this answer, however, was admitted. The impossibility of her quitting her father, Mr. Knightley felt as strongly as herself; but the inadmissibility of any other change, he could not agree to. He had been thinking it over most deeply, most intently; he had at first hoped to induce Mr. Woodhouse to remove with her to Donwell; he had wanted to believe it feasible, but his knowledge of Mr. Woodhouse would not suffer him to deceive himself long; and now he confessed his persuasion, that such a transplantation would be a risk of her father's comfort, perhaps even of his life, which must not be hazarded. Mr. Woodhouse taken from Hartfield!--No, he felt that it ought not to be attempted. But the plan which had arisen on the sacrifice of this, he trusted his dearest Emma would not find in any respect objectionable; it was, that he should be received at Hartfield; that so long as her father's happiness--in other words, his life--required Hartfield to continue her home, it should be his likewise. Of their all removing to Donwell, Emma had already had her own passing thoughts. Like him, she had tried the scheme and rejected it; but such an alternative as this had not occurred to her. She was sensible of all the affection it evinced. She felt that, in quitting Donwell, he must be sacrificing a great deal of independence of hours and habits; that in living constantly with her father, and in no house of his own, there would be much, very much, to be borne with. She promised to think of it, and advised him to think of it more; but he was fully convinced, that no reflection could alter his wishes or his opinion on the subject. He had given it, he could assure her, very long and calm consideration; he had been walking away from William Larkins the whole morning, to have his thoughts to himself. "Ah! there is one difficulty unprovided for," cried Emma. "I am sure William Larkins will not like it. You must get his consent before you ask mine." She promised, however, to think of it; and pretty nearly promised, moreover, to think of it, with the | smile; a look; a shake of the head; a word or two of assent, or disapprobation; or merely of love, as the subject required; concluding, however, seriously, and, after steady reflection, thus-- "Very bad--though it might have been worse.--Playing a most dangerous game. Too much indebted to the event for his acquittal.--No judge of his own manners by you.--Always deceived in fact by his own wishes, and regardless of little besides his own convenience.--Fancying you to have fathomed his secret. Natural enough!--his own mind full of intrigue, that he should suspect it in others.--Mystery; Finesse--how they pervert the understanding! My Emma, does not every thing serve to prove more and more the beauty of truth and sincerity in all our dealings with each other?" Emma agreed to it, and with a blush of sensibility on Harriet's account, which she could not give any sincere explanation of. "You had better go on," said she. He did so, but very soon stopt again to say, "the pianoforte! Ah! That was the act of a very, very young man, one too young to consider whether the inconvenience of it might not very much exceed the pleasure. A boyish scheme, indeed!--I cannot comprehend a man's wishing to give a woman any proof of affection which he knows she would rather dispense with; and he did know that she would have prevented the instrument's coming if she could." After this, he made some progress without any pause. Frank Churchill's confession of having behaved shamefully was the first thing to call for more than a word in passing. "I perfectly agree with you, sir," "--was then his remark. "You did behave very shamefully. You never wrote a truer line." And having gone through what immediately followed of the basis of their disagreement, and his persisting to act in direct opposition to Jane Fairfax's sense of right, he made a fuller pause to say, "This is very bad.--He had induced her to place herself, for his sake, in a situation of extreme difficulty and uneasiness, and it should have been his first object to prevent her from suffering unnecessarily.--She must have had much more to contend with, in carrying on the correspondence, than he could. He should have respected even unreasonable scruples, had there been such; but hers were all reasonable. We must look to her one fault, and remember that she had done a wrong thing in consenting to the engagement, to bear that she should have been in such a state of punishment." Emma knew that he was now getting to the Box Hill party, and grew uncomfortable. Her own behaviour had been so very improper! She was deeply ashamed, and a little afraid of his next look. It was all read, however, steadily, attentively, and without the smallest remark; and, excepting one momentary glance at her, instantly withdrawn, in the fear of giving pain--no remembrance of Box Hill seemed to exist. "There is no saying much for the delicacy of our good friends, the Eltons," was his next observation.--" "His feelings are natural.--What! actually resolve to break with him entirely!--She felt the engagement to be a source of repentance and misery to each--she dissolved it.--What a view this gives of her sense of his behaviour!--Well, he must be a most extraordinary--" "Nay, nay, read on.--You will find how very much he suffers."<|quote|>"I hope he does,"</|quote|>replied Mr. Knightley coolly, and resuming the letter. "'Smallridge!'--What does this mean? What is all this?" "She had engaged to go as governess to Mrs. Smallridge's children--a dear friend of Mrs. Elton's--a neighbour of Maple Grove; and, by the bye, I wonder how Mrs. Elton bears the disappointment?" "Say nothing, my dear Emma, while you oblige me to read--not even of Mrs. Elton. Only one page more. I shall soon have done. What a letter the man writes!" "I wish you would read it with a kinder spirit towards him." "Well, there _is_ feeling here.--He does seem to have suffered in finding her ill.--Certainly, I can have no doubt of his being fond of her." 'Dearer, much dearer than ever.' "I hope he may long continue to feel all the value of such a reconciliation.--He is a very liberal thanker, with his thousands and tens of thousands.--" 'Happier than I deserve.' "Come, he knows himself there." 'Miss Woodhouse calls me the child of good fortune.' "--Those were Miss Woodhouse's words, were they?-- And a fine ending--and there is the letter. The child of good fortune! That was your name for him, was it?" "You do not appear so well satisfied with his letter as I am; but still you must, at least I hope you must, think the better of him for it. I hope it does him some service with you." "Yes, certainly it does. He has had great faults, faults of inconsideration and thoughtlessness; and I am very much of his opinion in thinking him likely to be happier than he deserves: but still as he is, beyond a doubt, really attached to Miss Fairfax, and will soon, it may be hoped, have the advantage of being constantly with her, I am very ready to believe his character will improve, and acquire from hers the steadiness and delicacy of principle that it wants. And now, let me talk to you of something else. I have another person's interest at present so much at heart, that I cannot think any longer about Frank Churchill. Ever since I left you this morning, Emma, my mind has been hard at work on one subject." The subject followed; it was in plain, unaffected, gentlemanlike English, such as Mr. Knightley used even to the woman he was in love with, how to be able to ask her to marry him, without attacking the happiness of her father. Emma's answer was ready at the first word. "While her dear father lived, any change of condition must be impossible for her. She could never quit him." Part | Emma |
"I'm greatly upset by the excitement of the afternoon; I'm not myself. My manner must have misled you in some way. I wish you to go, please." | Edna Pontellier | them. "Mr. Arobin," she complained,<|quote|>"I'm greatly upset by the excitement of the afternoon; I'm not myself. My manner must have misled you in some way. I wish you to go, please."</|quote|>She spoke in a monotonous, | wished never more to withdraw them. "Mr. Arobin," she complained,<|quote|>"I'm greatly upset by the excitement of the afternoon; I'm not myself. My manner must have misled you in some way. I wish you to go, please."</|quote|>She spoke in a monotonous, dull tone. He took his | he felt it. "I'm sorry you don't like me. I'm sorry I offended you. How have I offended you? What have I done? Can't you forgive me?" And he bent and pressed his lips upon her hand as if he wished never more to withdraw them. "Mr. Arobin," she complained,<|quote|>"I'm greatly upset by the excitement of the afternoon; I'm not myself. My manner must have misled you in some way. I wish you to go, please."</|quote|>She spoke in a monotonous, dull tone. He took his hat from the table, and stood with eyes turned from her, looking into the dying fire. For a moment or two he kept an impressive silence. "Your manner has not misled me, Mrs. Pontellier," he said finally. "My own emotions | with a stray suggestion or two." "No. Good night. Why don't you go after you have said good night? I don't like you," she went on in a high, excited pitch, attempting to draw away her hand. She felt that her words lacked dignity and sincerity, and she knew that he felt it. "I'm sorry you don't like me. I'm sorry I offended you. How have I offended you? What have I done? Can't you forgive me?" And he bent and pressed his lips upon her hand as if he wished never more to withdraw them. "Mr. Arobin," she complained,<|quote|>"I'm greatly upset by the excitement of the afternoon; I'm not myself. My manner must have misled you in some way. I wish you to go, please."</|quote|>She spoke in a monotonous, dull tone. He took his hat from the table, and stood with eyes turned from her, looking into the dying fire. For a moment or two he kept an impressive silence. "Your manner has not misled me, Mrs. Pontellier," he said finally. "My own emotions have done that. I couldn't help it. When I'm near you, how could I help it? Don't think anything of it, don't bother, please. You see, I go when you command me. If you wish me to stay away, I shall do so. If you let me come back, I | face to impel him to take her hand and hold it while he said his lingering good night. "Will you go to the races again?" he asked. "No," she said. "I've had enough of the races. I don't want to lose all the money I've won, and I've got to work when the weather is bright, instead of" "Yes; work; to be sure. You promised to show me your work. What morning may I come up to your atelier? To-morrow?" "No!" "Day after?" "No, no." "Oh, please don't refuse me! I know something of such things. I might help you with a stray suggestion or two." "No. Good night. Why don't you go after you have said good night? I don't like you," she went on in a high, excited pitch, attempting to draw away her hand. She felt that her words lacked dignity and sincerity, and she knew that he felt it. "I'm sorry you don't like me. I'm sorry I offended you. How have I offended you? What have I done? Can't you forgive me?" And he bent and pressed his lips upon her hand as if he wished never more to withdraw them. "Mr. Arobin," she complained,<|quote|>"I'm greatly upset by the excitement of the afternoon; I'm not myself. My manner must have misled you in some way. I wish you to go, please."</|quote|>She spoke in a monotonous, dull tone. He took his hat from the table, and stood with eyes turned from her, looking into the dying fire. For a moment or two he kept an impressive silence. "Your manner has not misled me, Mrs. Pontellier," he said finally. "My own emotions have done that. I couldn't help it. When I'm near you, how could I help it? Don't think anything of it, don't bother, please. You see, I go when you command me. If you wish me to stay away, I shall do so. If you let me come back, I oh! you will let me come back?" He cast one appealing glance at her, to which she made no response. Alc e Arobin's manner was so genuine that it often deceived even himself. Edna did not care or think whether it were genuine or not. When she was alone she looked mechanically at the back of her hand which he had kissed so warmly. Then she leaned her head down on the mantelpiece. She felt somewhat like a woman who in a moment of passion is betrayed into an act of infidelity, and realizes the significance of the act without | fire. They laughed and talked; and before it was time to go he was telling her how different life might have been if he had known her years before. With ingenuous frankness he spoke of what a wicked, ill-disciplined boy he had been, and impulsively drew up his cuff to exhibit upon his wrist the scar from a saber cut which he had received in a duel outside of Paris when he was nineteen. She touched his hand as she scanned the red cicatrice on the inside of his white wrist. A quick impulse that was somewhat spasmodic impelled her fingers to close in a sort of clutch upon his hand. He felt the pressure of her pointed nails in the flesh of his palm. She arose hastily and walked toward the mantel. "The sight of a wound or scar always agitates and sickens me," she said. "I shouldn't have looked at it." "I beg your pardon," he entreated, following her; "it never occurred to me that it might be repulsive." He stood close to her, and the effrontery in his eyes repelled the old, vanishing self in her, yet drew all her awakening sensuousness. He saw enough in her face to impel him to take her hand and hold it while he said his lingering good night. "Will you go to the races again?" he asked. "No," she said. "I've had enough of the races. I don't want to lose all the money I've won, and I've got to work when the weather is bright, instead of" "Yes; work; to be sure. You promised to show me your work. What morning may I come up to your atelier? To-morrow?" "No!" "Day after?" "No, no." "Oh, please don't refuse me! I know something of such things. I might help you with a stray suggestion or two." "No. Good night. Why don't you go after you have said good night? I don't like you," she went on in a high, excited pitch, attempting to draw away her hand. She felt that her words lacked dignity and sincerity, and she knew that he felt it. "I'm sorry you don't like me. I'm sorry I offended you. How have I offended you? What have I done? Can't you forgive me?" And he bent and pressed his lips upon her hand as if he wished never more to withdraw them. "Mr. Arobin," she complained,<|quote|>"I'm greatly upset by the excitement of the afternoon; I'm not myself. My manner must have misled you in some way. I wish you to go, please."</|quote|>She spoke in a monotonous, dull tone. He took his hat from the table, and stood with eyes turned from her, looking into the dying fire. For a moment or two he kept an impressive silence. "Your manner has not misled me, Mrs. Pontellier," he said finally. "My own emotions have done that. I couldn't help it. When I'm near you, how could I help it? Don't think anything of it, don't bother, please. You see, I go when you command me. If you wish me to stay away, I shall do so. If you let me come back, I oh! you will let me come back?" He cast one appealing glance at her, to which she made no response. Alc e Arobin's manner was so genuine that it often deceived even himself. Edna did not care or think whether it were genuine or not. When she was alone she looked mechanically at the back of her hand which he had kissed so warmly. Then she leaned her head down on the mantelpiece. She felt somewhat like a woman who in a moment of passion is betrayed into an act of infidelity, and realizes the significance of the act without being wholly awakened from its glamour. The thought was passing vaguely through her mind, "What would he think?" She did not mean her husband; she was thinking of Robert Lebrun. Her husband seemed to her now like a person whom she had married without love as an excuse. She lit a candle and went up to her room. Alc e Arobin was absolutely nothing to her. Yet his presence, his manners, the warmth of his glances, and above all the touch of his lips upon her hand had acted like a narcotic upon her. She slept a languorous sleep, interwoven with vanishing dreams. XXVI Alc e Arobin wrote Edna an elaborate note of apology, palpitant with sincerity. It embarrassed her; for in a cooler, quieter moment it appeared to her absurd that she should have taken his action so seriously, so dramatically. She felt sure that the significance of the whole occurrence had lain in her own self-consciousness. If she ignored his note it would give undue importance to a trivial affair. If she replied to it in a serious spirit it would still leave in his mind the impression that she had in a susceptible moment yielded to his | half hour to talk over the horses with her. She counted the money she had won. But there was nothing else to do, so she went to bed, and tossed there for hours in a sort of monotonous agitation. In the middle of the night she remembered that she had forgotten to write her regular letter to her husband; and she decided to do so next day and tell him about her afternoon at the Jockey Club. She lay wide awake composing a letter which was nothing like the one which she wrote next day. When the maid awoke her in the morning Edna was dreaming of Mr. Highcamp playing the piano at the entrance of a music store on Canal Street, while his wife was saying to Alc e Arobin, as they boarded an Esplanade Street car: "What a pity that so much talent has been neglected! but I must go." When, a few days later, Alc e Arobin again called for Edna in his drag, Mrs. Highcamp was not with him. He said they would pick her up. But as that lady had not been apprised of his intention of picking her up, she was not at home. The daughter was just leaving the house to attend the meeting of a branch Folk Lore Society, and regretted that she could not accompany them. Arobin appeared nonplused, and asked Edna if there were any one else she cared to ask. She did not deem it worth while to go in search of any of the fashionable acquaintances from whom she had withdrawn herself. She thought of Madame Ratignolle, but knew that her fair friend did not leave the house, except to take a languid walk around the block with her husband after nightfall. Mademoiselle Reisz would have laughed at such a request from Edna. Madame Lebrun might have enjoyed the outing, but for some reason Edna did not want her. So they went alone, she and Arobin. The afternoon was intensely interesting to her. The excitement came back upon her like a remittent fever. Her talk grew familiar and confidential. It was no labor to become intimate with Arobin. His manner invited easy confidence. The preliminary stage of becoming acquainted was one which he always endeavored to ignore when a pretty and engaging woman was concerned. He stayed and dined with Edna. He stayed and sat beside the wood fire. They laughed and talked; and before it was time to go he was telling her how different life might have been if he had known her years before. With ingenuous frankness he spoke of what a wicked, ill-disciplined boy he had been, and impulsively drew up his cuff to exhibit upon his wrist the scar from a saber cut which he had received in a duel outside of Paris when he was nineteen. She touched his hand as she scanned the red cicatrice on the inside of his white wrist. A quick impulse that was somewhat spasmodic impelled her fingers to close in a sort of clutch upon his hand. He felt the pressure of her pointed nails in the flesh of his palm. She arose hastily and walked toward the mantel. "The sight of a wound or scar always agitates and sickens me," she said. "I shouldn't have looked at it." "I beg your pardon," he entreated, following her; "it never occurred to me that it might be repulsive." He stood close to her, and the effrontery in his eyes repelled the old, vanishing self in her, yet drew all her awakening sensuousness. He saw enough in her face to impel him to take her hand and hold it while he said his lingering good night. "Will you go to the races again?" he asked. "No," she said. "I've had enough of the races. I don't want to lose all the money I've won, and I've got to work when the weather is bright, instead of" "Yes; work; to be sure. You promised to show me your work. What morning may I come up to your atelier? To-morrow?" "No!" "Day after?" "No, no." "Oh, please don't refuse me! I know something of such things. I might help you with a stray suggestion or two." "No. Good night. Why don't you go after you have said good night? I don't like you," she went on in a high, excited pitch, attempting to draw away her hand. She felt that her words lacked dignity and sincerity, and she knew that he felt it. "I'm sorry you don't like me. I'm sorry I offended you. How have I offended you? What have I done? Can't you forgive me?" And he bent and pressed his lips upon her hand as if he wished never more to withdraw them. "Mr. Arobin," she complained,<|quote|>"I'm greatly upset by the excitement of the afternoon; I'm not myself. My manner must have misled you in some way. I wish you to go, please."</|quote|>She spoke in a monotonous, dull tone. He took his hat from the table, and stood with eyes turned from her, looking into the dying fire. For a moment or two he kept an impressive silence. "Your manner has not misled me, Mrs. Pontellier," he said finally. "My own emotions have done that. I couldn't help it. When I'm near you, how could I help it? Don't think anything of it, don't bother, please. You see, I go when you command me. If you wish me to stay away, I shall do so. If you let me come back, I oh! you will let me come back?" He cast one appealing glance at her, to which she made no response. Alc e Arobin's manner was so genuine that it often deceived even himself. Edna did not care or think whether it were genuine or not. When she was alone she looked mechanically at the back of her hand which he had kissed so warmly. Then she leaned her head down on the mantelpiece. She felt somewhat like a woman who in a moment of passion is betrayed into an act of infidelity, and realizes the significance of the act without being wholly awakened from its glamour. The thought was passing vaguely through her mind, "What would he think?" She did not mean her husband; she was thinking of Robert Lebrun. Her husband seemed to her now like a person whom she had married without love as an excuse. She lit a candle and went up to her room. Alc e Arobin was absolutely nothing to her. Yet his presence, his manners, the warmth of his glances, and above all the touch of his lips upon her hand had acted like a narcotic upon her. She slept a languorous sleep, interwoven with vanishing dreams. XXVI Alc e Arobin wrote Edna an elaborate note of apology, palpitant with sincerity. It embarrassed her; for in a cooler, quieter moment it appeared to her absurd that she should have taken his action so seriously, so dramatically. She felt sure that the significance of the whole occurrence had lain in her own self-consciousness. If she ignored his note it would give undue importance to a trivial affair. If she replied to it in a serious spirit it would still leave in his mind the impression that she had in a susceptible moment yielded to his influence. After all, it was no great matter to have one's hand kissed. She was provoked at his having written the apology. She answered in as light and bantering a spirit as she fancied it deserved, and said she would be glad to have him look in upon her at work whenever he felt the inclination and his business gave him the opportunity. He responded at once by presenting himself at her home with all his disarming na vet . And then there was scarcely a day which followed that she did not see him or was not reminded of him. He was prolific in pretexts. His attitude became one of good-humored subservience and tacit adoration. He was ready at all times to submit to her moods, which were as often kind as they were cold. She grew accustomed to him. They became intimate and friendly by imperceptible degrees, and then by leaps. He sometimes talked in a way that astonished her at first and brought the crimson into her face; in a way that pleased her at last, appealing to the animalism that stirred impatiently within her. There was nothing which so quieted the turmoil of Edna's senses as a visit to Mademoiselle Reisz. It was then, in the presence of that personality which was offensive to her, that the woman, by her divine art, seemed to reach Edna's spirit and set it free. It was misty, with heavy, lowering atmosphere, one afternoon, when Edna climbed the stairs to the pianist's apartments under the roof. Her clothes were dripping with moisture. She felt chilled and pinched as she entered the room. Mademoiselle was poking at a rusty stove that smoked a little and warmed the room indifferently. She was endeavoring to heat a pot of chocolate on the stove. The room looked cheerless and dingy to Edna as she entered. A bust of Beethoven, covered with a hood of dust, scowled at her from the mantelpiece. "Ah! here comes the sunlight!" exclaimed Mademoiselle, rising from her knees before the stove. "Now it will be warm and bright enough; I can let the fire alone." She closed the stove door with a bang, and approaching, assisted in removing Edna's dripping mackintosh. "You are cold; you look miserable. The chocolate will soon be hot. But would you rather have a taste of brandy? I have scarcely touched the bottle which you | search of any of the fashionable acquaintances from whom she had withdrawn herself. She thought of Madame Ratignolle, but knew that her fair friend did not leave the house, except to take a languid walk around the block with her husband after nightfall. Mademoiselle Reisz would have laughed at such a request from Edna. Madame Lebrun might have enjoyed the outing, but for some reason Edna did not want her. So they went alone, she and Arobin. The afternoon was intensely interesting to her. The excitement came back upon her like a remittent fever. Her talk grew familiar and confidential. It was no labor to become intimate with Arobin. His manner invited easy confidence. The preliminary stage of becoming acquainted was one which he always endeavored to ignore when a pretty and engaging woman was concerned. He stayed and dined with Edna. He stayed and sat beside the wood fire. They laughed and talked; and before it was time to go he was telling her how different life might have been if he had known her years before. With ingenuous frankness he spoke of what a wicked, ill-disciplined boy he had been, and impulsively drew up his cuff to exhibit upon his wrist the scar from a saber cut which he had received in a duel outside of Paris when he was nineteen. She touched his hand as she scanned the red cicatrice on the inside of his white wrist. A quick impulse that was somewhat spasmodic impelled her fingers to close in a sort of clutch upon his hand. He felt the pressure of her pointed nails in the flesh of his palm. She arose hastily and walked toward the mantel. "The sight of a wound or scar always agitates and sickens me," she said. "I shouldn't have looked at it." "I beg your pardon," he entreated, following her; "it never occurred to me that it might be repulsive." He stood close to her, and the effrontery in his eyes repelled the old, vanishing self in her, yet drew all her awakening sensuousness. He saw enough in her face to impel him to take her hand and hold it while he said his lingering good night. "Will you go to the races again?" he asked. "No," she said. "I've had enough of the races. I don't want to lose all the money I've won, and I've got to work when the weather is bright, instead of" "Yes; work; to be sure. You promised to show me your work. What morning may I come up to your atelier? To-morrow?" "No!" "Day after?" "No, no." "Oh, please don't refuse me! I know something of such things. I might help you with a stray suggestion or two." "No. Good night. Why don't you go after you have said good night? I don't like you," she went on in a high, excited pitch, attempting to draw away her hand. She felt that her words lacked dignity and sincerity, and she knew that he felt it. "I'm sorry you don't like me. I'm sorry I offended you. How have I offended you? What have I done? Can't you forgive me?" And he bent and pressed his lips upon her hand as if he wished never more to withdraw them. "Mr. Arobin," she complained,<|quote|>"I'm greatly upset by the excitement of the afternoon; I'm not myself. My manner must have misled you in some way. I wish you to go, please."</|quote|>She spoke in a monotonous, dull tone. He took his hat from the table, and stood with eyes turned from her, looking into the dying fire. For a moment or two he kept an impressive silence. "Your manner has not misled me, Mrs. Pontellier," he said finally. "My own emotions have done that. I couldn't help it. When I'm near you, how could I help it? Don't think anything of it, don't bother, please. You see, I go when you command me. If you wish me to stay away, I shall do so. If you let me come back, I oh! you will let me come back?" He cast one appealing glance at her, to which she made no response. Alc e Arobin's manner was so genuine that it often deceived even himself. Edna did not care or think whether it were genuine or not. When she was alone she looked mechanically at the back of her hand which he had kissed so warmly. Then she leaned her head down on the mantelpiece. She felt somewhat like a woman who in a moment of passion is betrayed into an act of infidelity, and realizes the significance of the act without being wholly awakened from its glamour. The thought was passing vaguely through her mind, "What would he think?" She did not mean her husband; she was thinking of Robert Lebrun. Her husband seemed to her now like a person whom she had married without love as an excuse. She lit a candle and went up to her room. Alc e Arobin was absolutely nothing to her. Yet his presence, his manners, the warmth of his glances, and above all the touch of his lips upon her hand had acted like a narcotic upon her. She slept a languorous sleep, interwoven with vanishing dreams. XXVI Alc e Arobin wrote Edna an elaborate note of apology, palpitant with sincerity. It embarrassed her; for in a cooler, quieter moment it appeared to her absurd that she should have taken his action so seriously, so dramatically. She felt sure that the significance of the whole occurrence had lain in her own self-consciousness. If she ignored his note it would give undue importance to a trivial affair. If she replied to it in a serious spirit it would still leave in his mind the impression that she had in a susceptible moment yielded to his influence. After all, it was no great matter to have one's hand kissed. She was provoked at his having written the apology. She answered in as light and bantering a spirit as she fancied | The Awakening |
"you have been told the truth. These curiosities are more singular than they have been represented, but you have not been made acquainted with the difficulties which must be surmounted in order to obtain them. If you had been fully informed of these, you would not have undertaken so dangerous an enterprise. Take my advice, return, and do not urge me to contribute toward your ruin." | Dervish | them." "Madam," replied the dervish,<|quote|>"you have been told the truth. These curiosities are more singular than they have been represented, but you have not been made acquainted with the difficulties which must be surmounted in order to obtain them. If you had been fully informed of these, you would not have undertaken so dangerous an enterprise. Take my advice, return, and do not urge me to contribute toward your ruin."</|quote|>"Good father," said the princess, | a great desire to possess them." "Madam," replied the dervish,<|quote|>"you have been told the truth. These curiosities are more singular than they have been represented, but you have not been made acquainted with the difficulties which must be surmounted in order to obtain them. If you had been fully informed of these, you would not have undertaken so dangerous an enterprise. Take my advice, return, and do not urge me to contribute toward your ruin."</|quote|>"Good father," said the princess, "I have travelled a great | apparel, I know the place well where these things are to be found; but what makes you ask me this question?" "Good dervish," replied the princess, "I have had such a flattering relation of them given me, that I have a great desire to possess them." "Madam," replied the dervish,<|quote|>"you have been told the truth. These curiosities are more singular than they have been represented, but you have not been made acquainted with the difficulties which must be surmounted in order to obtain them. If you had been fully informed of these, you would not have undertaken so dangerous an enterprise. Take my advice, return, and do not urge me to contribute toward your ruin."</|quote|>"Good father," said the princess, "I have travelled a great way, and should be sorry to return without executing my design. You talk of difficulties and danger of life, but you do not tell me what those difficulties are, and wherein the danger consists. This is what I desire to | the favour to tell me if you have not heard that there are somewhere in this neighbourhood a Talking Bird, a Singing Tree, and Golden Water." "Princess," answered the dervish, "for so I must call you, since by your voice I know you to be a woman disguised in man's apparel, I know the place well where these things are to be found; but what makes you ask me this question?" "Good dervish," replied the princess, "I have had such a flattering relation of them given me, that I have a great desire to possess them." "Madam," replied the dervish,<|quote|>"you have been told the truth. These curiosities are more singular than they have been represented, but you have not been made acquainted with the difficulties which must be surmounted in order to obtain them. If you had been fully informed of these, you would not have undertaken so dangerous an enterprise. Take my advice, return, and do not urge me to contribute toward your ruin."</|quote|>"Good father," said the princess, "I have travelled a great way, and should be sorry to return without executing my design. You talk of difficulties and danger of life, but you do not tell me what those difficulties are, and wherein the danger consists. This is what I desire to know, that I may consider and judge whether I can trust my courage and strength to brave them." The dervish repeated to the princess what he had said to the Princes Bahman and Perviz, exaggerating the difficulties of climbing up to the top of the mountain, where she was to | or three days, and took the same road that her brothers had done. The princess, who had been used to ride on horseback in hunting, supported the fatigue of so long a journey better than most ladies could have done; and as she made the same stages as her brothers, she also met with the dervish on the twentieth day. When she came near him, she alighted from her horse, leading him by the bridle, went and sat down by the dervish, and after she had saluted him, said: "Good dervish, give me leave to rest myself; and do me the favour to tell me if you have not heard that there are somewhere in this neighbourhood a Talking Bird, a Singing Tree, and Golden Water." "Princess," answered the dervish, "for so I must call you, since by your voice I know you to be a woman disguised in man's apparel, I know the place well where these things are to be found; but what makes you ask me this question?" "Good dervish," replied the princess, "I have had such a flattering relation of them given me, that I have a great desire to possess them." "Madam," replied the dervish,<|quote|>"you have been told the truth. These curiosities are more singular than they have been represented, but you have not been made acquainted with the difficulties which must be surmounted in order to obtain them. If you had been fully informed of these, you would not have undertaken so dangerous an enterprise. Take my advice, return, and do not urge me to contribute toward your ruin."</|quote|>"Good father," said the princess, "I have travelled a great way, and should be sorry to return without executing my design. You talk of difficulties and danger of life, but you do not tell me what those difficulties are, and wherein the danger consists. This is what I desire to know, that I may consider and judge whether I can trust my courage and strength to brave them." The dervish repeated to the princess what he had said to the Princes Bahman and Perviz, exaggerating the difficulties of climbing up to the top of the mountain, where she was to make herself mistress of the Bird, which would inform her of the Singing Tree and Golden Water. He magnified the din of the terrible threatening voices which she would hear on all sides of her, and the great number of black stones alone sufficient to strike terror. He entreated her to reflect that those stones were so many brave gentlemen, so metamorphosed for having omitted to observe the principal condition of success in the perilous undertaking, which was not to look behind them before they had got possession of the cage. When the dervish had done, the princess replied: "By | rash youth, that I may punish you for your presumption." Upon this affront the prince, forgetting the dervish's advice, clapped his hand upon his sword, drew it, and turned about to revenge himself; but had scarcely time to see that nobody followed him before he and his horse were changed into black stones. In the meantime the Princess Periezade, several times a day after her brother's departure, counted her chaplet. She did not omit it at night, but when she went to bed put it about her neck, and in the morning when she awoke counted over the pearls again to see if they would slide. The day that Prince Perviz was transformed into a stone she was counting over the pearls as she used to do, when all at once they became immovably fixed, a certain token that the prince, her brother, was dead. As she had determined what to do in case it should so happen, she lost no time in outward demonstrations of grief, which she concealed as much as possible, but having disguised herself in man's apparel, she mounted her horse the next morning, armed and equipped, having told her servants she should return in two or three days, and took the same road that her brothers had done. The princess, who had been used to ride on horseback in hunting, supported the fatigue of so long a journey better than most ladies could have done; and as she made the same stages as her brothers, she also met with the dervish on the twentieth day. When she came near him, she alighted from her horse, leading him by the bridle, went and sat down by the dervish, and after she had saluted him, said: "Good dervish, give me leave to rest myself; and do me the favour to tell me if you have not heard that there are somewhere in this neighbourhood a Talking Bird, a Singing Tree, and Golden Water." "Princess," answered the dervish, "for so I must call you, since by your voice I know you to be a woman disguised in man's apparel, I know the place well where these things are to be found; but what makes you ask me this question?" "Good dervish," replied the princess, "I have had such a flattering relation of them given me, that I have a great desire to possess them." "Madam," replied the dervish,<|quote|>"you have been told the truth. These curiosities are more singular than they have been represented, but you have not been made acquainted with the difficulties which must be surmounted in order to obtain them. If you had been fully informed of these, you would not have undertaken so dangerous an enterprise. Take my advice, return, and do not urge me to contribute toward your ruin."</|quote|>"Good father," said the princess, "I have travelled a great way, and should be sorry to return without executing my design. You talk of difficulties and danger of life, but you do not tell me what those difficulties are, and wherein the danger consists. This is what I desire to know, that I may consider and judge whether I can trust my courage and strength to brave them." The dervish repeated to the princess what he had said to the Princes Bahman and Perviz, exaggerating the difficulties of climbing up to the top of the mountain, where she was to make herself mistress of the Bird, which would inform her of the Singing Tree and Golden Water. He magnified the din of the terrible threatening voices which she would hear on all sides of her, and the great number of black stones alone sufficient to strike terror. He entreated her to reflect that those stones were so many brave gentlemen, so metamorphosed for having omitted to observe the principal condition of success in the perilous undertaking, which was not to look behind them before they had got possession of the cage. When the dervish had done, the princess replied: "By what I comprehend from your discourse, the difficulties of succeeding in this affair are, first, the getting up to the cage without being frightened at the terrible din of voices I shall hear; and, secondly, not to look behind me. For this last, I hope I shall be mistress enough of myself to observe it; as to the first, I own that voices, such as you represent them to be, are capable of striking terror into the most undaunted; but as in all enterprises and dangers every one may use stratagem, I desire to know of you if I may use any in one of so great importance." "And what stratagem is it you would employ?" said the dervish. "To stop my ears with cotton," answered the princess, "that the voices, however terrible, may make the less impression upon my imagination, and my mind remain free from that disturbance which might cause me to lose the use of my reason." "Princess," replied the dervish, "of all the persons who have addressed themselves to me for information, I do not know that ever one made use of the contrivance you propose. All I know is that they all perished. If you | since, and doubted not but he had shared the same fate as all other adventurers. "Good dervish," answered Prince Perviz, "I know whom you speak of; he was my elder brother, and I am informed of the certainty of his death, but know not the cause." "I can tell you," replied the dervish; "he was changed into a black stone, as all I speak of have been; and you must expect the same transformation, unless you observe more exactly than he has done the advice I gave him, in case you persist in your resolution, which I once more entreat you to renounce." "Dervish," said Prince Perviz, "I cannot sufficiently express how much I am obliged for the concern you take in my life, who am a stranger to you, and have done nothing to deserve your kindness; but I thoroughly considered this enterprise before I undertook it; therefore I beg of you to do me the same favour you have done my brother. Perhaps I may have better success in following your directions." "Since I cannot prevail with you," said the dervish, "to give up your obstinate resolution, if my age did not prevent me, and I could stand, I would get up to reach you a bowl I have here, which will show you the way." Without giving the dervish time to say more, the prince alighted from his horse and went to the dervish, who had taken a bowl out of his bag, in which he had a great many, and gave it him, with the same directions he had given Prince Bahman; and after warning him not to be discouraged by the voices he should hear, however threatening they might be, but to continue his way up the hill till he saw the cage and bird, he let him depart. Prince Perviz thanked the dervish, and when he had remounted and taken leave, threw the bowl before his horse, and spurring him at the same time, followed it. When the bowl came to the bottom of the hill it stopped, the prince alighted, and stood some time to recollect the dervish's directions. He encouraged himself, and began to walk up with a resolution to reach the summit; but before he had gone above six steps, he heard a voice, which seemed to be near, as of a man behind him, say in an insulting tone: "Stay, rash youth, that I may punish you for your presumption." Upon this affront the prince, forgetting the dervish's advice, clapped his hand upon his sword, drew it, and turned about to revenge himself; but had scarcely time to see that nobody followed him before he and his horse were changed into black stones. In the meantime the Princess Periezade, several times a day after her brother's departure, counted her chaplet. She did not omit it at night, but when she went to bed put it about her neck, and in the morning when she awoke counted over the pearls again to see if they would slide. The day that Prince Perviz was transformed into a stone she was counting over the pearls as she used to do, when all at once they became immovably fixed, a certain token that the prince, her brother, was dead. As she had determined what to do in case it should so happen, she lost no time in outward demonstrations of grief, which she concealed as much as possible, but having disguised herself in man's apparel, she mounted her horse the next morning, armed and equipped, having told her servants she should return in two or three days, and took the same road that her brothers had done. The princess, who had been used to ride on horseback in hunting, supported the fatigue of so long a journey better than most ladies could have done; and as she made the same stages as her brothers, she also met with the dervish on the twentieth day. When she came near him, she alighted from her horse, leading him by the bridle, went and sat down by the dervish, and after she had saluted him, said: "Good dervish, give me leave to rest myself; and do me the favour to tell me if you have not heard that there are somewhere in this neighbourhood a Talking Bird, a Singing Tree, and Golden Water." "Princess," answered the dervish, "for so I must call you, since by your voice I know you to be a woman disguised in man's apparel, I know the place well where these things are to be found; but what makes you ask me this question?" "Good dervish," replied the princess, "I have had such a flattering relation of them given me, that I have a great desire to possess them." "Madam," replied the dervish,<|quote|>"you have been told the truth. These curiosities are more singular than they have been represented, but you have not been made acquainted with the difficulties which must be surmounted in order to obtain them. If you had been fully informed of these, you would not have undertaken so dangerous an enterprise. Take my advice, return, and do not urge me to contribute toward your ruin."</|quote|>"Good father," said the princess, "I have travelled a great way, and should be sorry to return without executing my design. You talk of difficulties and danger of life, but you do not tell me what those difficulties are, and wherein the danger consists. This is what I desire to know, that I may consider and judge whether I can trust my courage and strength to brave them." The dervish repeated to the princess what he had said to the Princes Bahman and Perviz, exaggerating the difficulties of climbing up to the top of the mountain, where she was to make herself mistress of the Bird, which would inform her of the Singing Tree and Golden Water. He magnified the din of the terrible threatening voices which she would hear on all sides of her, and the great number of black stones alone sufficient to strike terror. He entreated her to reflect that those stones were so many brave gentlemen, so metamorphosed for having omitted to observe the principal condition of success in the perilous undertaking, which was not to look behind them before they had got possession of the cage. When the dervish had done, the princess replied: "By what I comprehend from your discourse, the difficulties of succeeding in this affair are, first, the getting up to the cage without being frightened at the terrible din of voices I shall hear; and, secondly, not to look behind me. For this last, I hope I shall be mistress enough of myself to observe it; as to the first, I own that voices, such as you represent them to be, are capable of striking terror into the most undaunted; but as in all enterprises and dangers every one may use stratagem, I desire to know of you if I may use any in one of so great importance." "And what stratagem is it you would employ?" said the dervish. "To stop my ears with cotton," answered the princess, "that the voices, however terrible, may make the less impression upon my imagination, and my mind remain free from that disturbance which might cause me to lose the use of my reason." "Princess," replied the dervish, "of all the persons who have addressed themselves to me for information, I do not know that ever one made use of the contrivance you propose. All I know is that they all perished. If you persist in your design, you may make the experiment. You will be fortunate if it succeeds, but I would advise you not to expose yourself to the danger." "My good father," replied the princess, "I am sure my precaution will succeed, and am resolved to try the experiment. Nothing remains for me but to know which way I must go, and I conjure you not to deny me that information." The dervish exhorted her again to consider well what she was going to do; but finding her resolute, he took out a bowl, and presenting it to her, said: "Take this bowl, mount your horse again, and when you have thrown it before you, follow it through all its windings, till it stops at the bottom of the mountain; there alight and ascend the hill. Go, you know the rest." After the princess had thanked the dervish, and taken her leave of him, she mounted her horse, threw the bowl before her, and followed it till it stopped at the foot of the mountain. She then alighted, stopped her ears with cotton, and after she had well examined the path leading to the summit began with a moderate pace and walked up with intrepidity. She heard the voices and perceived the great service the cotton was to her. The higher she went, the louder and more numerous the voices seemed, but they were not capable of making any impression upon her. She heard a great many affronting speeches and raillery very disagreeable to a woman, which she only laughed at. "I mind not," said she to herself, "all that can be said, were it worse; I only laugh at them and shall pursue my way." At last, she climbed so high that she could perceive the cage and the Bird which endeavoured, in company with the voices, to frighten her, crying in a thundering tone, notwithstanding the smallness of its size: "Retire, fool, and approach no nearer." The princess, encouraged by this sight, redoubled her speed, and by effort gained the summit of the mountain, where the ground was level; then running directly to the cage and clapping her hand upon it, cried: "Bird, I have you, and you shall not escape me." While Periezade was pulling the cotton out of her ears the Bird said to her: "Heroic princess, be not angry with me for joining with those who | several times a day after her brother's departure, counted her chaplet. She did not omit it at night, but when she went to bed put it about her neck, and in the morning when she awoke counted over the pearls again to see if they would slide. The day that Prince Perviz was transformed into a stone she was counting over the pearls as she used to do, when all at once they became immovably fixed, a certain token that the prince, her brother, was dead. As she had determined what to do in case it should so happen, she lost no time in outward demonstrations of grief, which she concealed as much as possible, but having disguised herself in man's apparel, she mounted her horse the next morning, armed and equipped, having told her servants she should return in two or three days, and took the same road that her brothers had done. The princess, who had been used to ride on horseback in hunting, supported the fatigue of so long a journey better than most ladies could have done; and as she made the same stages as her brothers, she also met with the dervish on the twentieth day. When she came near him, she alighted from her horse, leading him by the bridle, went and sat down by the dervish, and after she had saluted him, said: "Good dervish, give me leave to rest myself; and do me the favour to tell me if you have not heard that there are somewhere in this neighbourhood a Talking Bird, a Singing Tree, and Golden Water." "Princess," answered the dervish, "for so I must call you, since by your voice I know you to be a woman disguised in man's apparel, I know the place well where these things are to be found; but what makes you ask me this question?" "Good dervish," replied the princess, "I have had such a flattering relation of them given me, that I have a great desire to possess them." "Madam," replied the dervish,<|quote|>"you have been told the truth. These curiosities are more singular than they have been represented, but you have not been made acquainted with the difficulties which must be surmounted in order to obtain them. If you had been fully informed of these, you would not have undertaken so dangerous an enterprise. Take my advice, return, and do not urge me to contribute toward your ruin."</|quote|>"Good father," said the princess, "I have travelled a great way, and should be sorry to return without executing my design. You talk of difficulties and danger of life, but you do not tell me what those difficulties are, and wherein the danger consists. This is what I desire to know, that I may consider and judge whether I can trust my courage and strength to brave them." The dervish repeated to the princess what he had said to the Princes Bahman and Perviz, exaggerating the difficulties of climbing up to the top of the mountain, where she was to make herself mistress of the Bird, which would inform her of the Singing Tree and Golden Water. He magnified the din of the terrible threatening voices which she would hear on all sides of her, and the great number of black stones alone sufficient to strike terror. He entreated her to reflect that those stones were so many brave gentlemen, so metamorphosed for having omitted to observe the principal condition of success in the perilous undertaking, which was not to look behind them before they had got possession of the cage. When the dervish had done, the princess replied: "By what I comprehend from your discourse, the difficulties of succeeding in this affair are, first, the getting up to the cage without being frightened at the terrible din of voices I shall hear; and, secondly, not to look behind me. For this last, I hope I shall be mistress enough of myself to observe it; as to the first, I own that voices, such as you represent them to be, are capable of striking terror into the most undaunted; but as in all enterprises and dangers every one may use stratagem, I desire to know of you if I may use any in one of so great importance." "And what stratagem is it you would employ?" said the dervish. "To stop my ears with cotton," answered the princess, "that the voices, however terrible, may make the less impression upon my imagination, and my mind remain free from that disturbance which might cause me to lose the use of my reason." "Princess," replied the dervish, "of all the persons who have addressed themselves to me for information, I do not know that ever one made use of the contrivance you propose. All I know is that they all perished. If you persist in your design, you may make the experiment. You will be fortunate if it succeeds, but I would advise you not to expose yourself to the danger." "My good father," replied the princess, "I am sure my precaution will succeed, and am resolved to try the experiment. Nothing remains for me but to know which way I must go, and I conjure you not to deny me that information." The dervish exhorted her again to consider well what she was going to do; but finding her resolute, he took out a bowl, and presenting it to her, said: "Take this bowl, mount your horse again, and when you have thrown it before you, follow it through all its windings, till it stops at the bottom of the mountain; there alight and ascend the hill. Go, you know the rest." After the princess had thanked the dervish, and taken her leave of him, she mounted her horse, | Arabian Nights (1) |
All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were. | No speaker | his chest, and sitting motionless.<|quote|>All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were.</|quote|>The sun was descending rapidly | before dropping his head upon his chest, and sitting motionless.<|quote|>All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were.</|quote|>The sun was descending rapidly when about half-a-dozen of the | the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless.<|quote|>All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were.</|quote|>The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the _pah_, with the result that those who were on guard suddenly grew wildly excited, and giving up their duties to the new comers, uttered eager shouts and rushed off in a way that was | and sit trembling and listening to the bursts of merriment which came up. At such times, in spite of their efforts, they could not imitate the apathy of the New Zealanders, but gazed wildly at each other, trying to make themselves believe that what they imagined was false, or else the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless.<|quote|>All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were.</|quote|>The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the _pah_, with the result that those who were on guard suddenly grew wildly excited, and giving up their duties to the new comers, uttered eager shouts and rushed off in a way that was frantic in the extreme. Don and Jem again exchanged looks full of misery and despair, and then gazed with wonder and loathing at the new comers, who walked slowly about for a few minutes, and then went and leaned their backs against the palisading of the _pah_, and partially supported | peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale. At last each snatched his eyes away, Jem to watch the prisoners, Don to close his, and sit trembling and listening to the bursts of merriment which came up. At such times, in spite of their efforts, they could not imitate the apathy of the New Zealanders, but gazed wildly at each other, trying to make themselves believe that what they imagined was false, or else the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless.<|quote|>All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were.</|quote|>The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the _pah_, with the result that those who were on guard suddenly grew wildly excited, and giving up their duties to the new comers, uttered eager shouts and rushed off in a way that was frantic in the extreme. Don and Jem again exchanged looks full of misery and despair, and then gazed with wonder and loathing at the new comers, who walked slowly about for a few minutes, and then went and leaned their backs against the palisading of the _pah_, and partially supported themselves upon their spears. "Ugh!" ejaculated Jem with a shudder as he turned away. "You wretches! Mas' Don, I felt as I lay here last night, all dull and miserable and sick, and hardly able to bear myself--I felt so miserable because I knew I must have shot some of those chaps." "So did I, Jem," sighed Don; "so did I." "Well, just now, Mas' Don, I'm just 'tother way; ay, for I wish with all my heart I'd shot the lot. Hark, there!" They listened, and could hear a burst of shouting and laughing. "That's them sentries gone down | The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and now, after sitting very silent and thoughtful, watching the faint smoke which came up from the fire, and eagerly drinking in the various sounds, Don turned his eyes in a curiously furtive manner to steal a look at Jem. He did not move his head, but proceeded with the greatest caution, so as to try and read his companion's countenance, when, to his surprise, he found that Jem was stealing a look at him, and both, as it were, snatched their eyes away, and began looking at the prisoners. But at that time it was as if the eyes of both were filled with some strange attractive force, which made them turn and gaze in a peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale. At last each snatched his eyes away, Jem to watch the prisoners, Don to close his, and sit trembling and listening to the bursts of merriment which came up. At such times, in spite of their efforts, they could not imitate the apathy of the New Zealanders, but gazed wildly at each other, trying to make themselves believe that what they imagined was false, or else the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless.<|quote|>All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were.</|quote|>The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the _pah_, with the result that those who were on guard suddenly grew wildly excited, and giving up their duties to the new comers, uttered eager shouts and rushed off in a way that was frantic in the extreme. Don and Jem again exchanged looks full of misery and despair, and then gazed with wonder and loathing at the new comers, who walked slowly about for a few minutes, and then went and leaned their backs against the palisading of the _pah_, and partially supported themselves upon their spears. "Ugh!" ejaculated Jem with a shudder as he turned away. "You wretches! Mas' Don, I felt as I lay here last night, all dull and miserable and sick, and hardly able to bear myself--I felt so miserable because I knew I must have shot some of those chaps." "So did I, Jem," sighed Don; "so did I." "Well, just now, Mas' Don, I'm just 'tother way; ay, for I wish with all my heart I'd shot the lot. Hark, there!" They listened, and could hear a burst of shouting and laughing. "That's them sentries gone down now to the feast. I say, Mas' Don, look at these here fellows." "Yes, Jem, I've been looking at them. It's horrible, and we must escape." They sat gazing at their guards again, to see that they were flushed, their eyes full, heavy, and starting, and that they were absolutely stupefied and torpid as some huge serpent which has finished a meal. "They must be all drunk, Jem," whispered Don, with a fresh shudder of horror and loathing. "No, Mas' Don, 'tarn't that," said Jem, with a look of disgust. "Old Mike used to tell us stories, and most of 'em was yarns as I didn't believe; but he told us one thing as I do believe now. He said as some of the blacks in Africa would go with the hunters who killed the hippipperpothy-mouses, and when they'd killed one, they'd light a fire, and then cut off long strips of the big beast, hold 'em in the flame for a bit, and then eat 'em, and cut off more strips and eat them, and go on eating all day till they could hardly see or move." "Yes, I remember, Jem; and he said the men ate till they | from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud. For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear. Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and now, after sitting very silent and thoughtful, watching the faint smoke which came up from the fire, and eagerly drinking in the various sounds, Don turned his eyes in a curiously furtive manner to steal a look at Jem. He did not move his head, but proceeded with the greatest caution, so as to try and read his companion's countenance, when, to his surprise, he found that Jem was stealing a look at him, and both, as it were, snatched their eyes away, and began looking at the prisoners. But at that time it was as if the eyes of both were filled with some strange attractive force, which made them turn and gaze in a peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale. At last each snatched his eyes away, Jem to watch the prisoners, Don to close his, and sit trembling and listening to the bursts of merriment which came up. At such times, in spite of their efforts, they could not imitate the apathy of the New Zealanders, but gazed wildly at each other, trying to make themselves believe that what they imagined was false, or else the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless.<|quote|>All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were.</|quote|>The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the _pah_, with the result that those who were on guard suddenly grew wildly excited, and giving up their duties to the new comers, uttered eager shouts and rushed off in a way that was frantic in the extreme. Don and Jem again exchanged looks full of misery and despair, and then gazed with wonder and loathing at the new comers, who walked slowly about for a few minutes, and then went and leaned their backs against the palisading of the _pah_, and partially supported themselves upon their spears. "Ugh!" ejaculated Jem with a shudder as he turned away. "You wretches! Mas' Don, I felt as I lay here last night, all dull and miserable and sick, and hardly able to bear myself--I felt so miserable because I knew I must have shot some of those chaps." "So did I, Jem," sighed Don; "so did I." "Well, just now, Mas' Don, I'm just 'tother way; ay, for I wish with all my heart I'd shot the lot. Hark, there!" They listened, and could hear a burst of shouting and laughing. "That's them sentries gone down now to the feast. I say, Mas' Don, look at these here fellows." "Yes, Jem, I've been looking at them. It's horrible, and we must escape." They sat gazing at their guards again, to see that they were flushed, their eyes full, heavy, and starting, and that they were absolutely stupefied and torpid as some huge serpent which has finished a meal. "They must be all drunk, Jem," whispered Don, with a fresh shudder of horror and loathing. "No, Mas' Don, 'tarn't that," said Jem, with a look of disgust. "Old Mike used to tell us stories, and most of 'em was yarns as I didn't believe; but he told us one thing as I do believe now. He said as some of the blacks in Africa would go with the hunters who killed the hippipperpothy-mouses, and when they'd killed one, they'd light a fire, and then cut off long strips of the big beast, hold 'em in the flame for a bit, and then eat 'em, and cut off more strips and eat them, and go on eating all day till they could hardly see or move." "Yes, I remember, Jem; and he said the men ate till they were drunk; and you said it was all nonsense, for a man couldn't get drunk without drink." "Yes, Mas' Don; but I was all wrong, and Mike was right. Those wretches there are as much like Mike Bannock was when he bored a hole in the rum puncheon as can be. Eating too much makes people as stupid as drinking; and knowing what I do, I wishes I was in Africa and not here." "Knowing what you do, Jem?" "Yes, Mas' Don, knowing what I do. It's what you know too. I can see you do." Don shuddered. "Don't, Jem, don't; it's too horrid even to think about." "Yes, dear lad, but we must think about it. These here people's used to it, and done it theirselves, I daresay; and they don't seem to mind; but we do. Ah, Mas' Don, I'd rather ha' been a sailor all my life, or been had by the sharks when we was swimming ashore; for I feel as if I can't stand this. There, listen!" There was a sound of shouting and singing from the beach below, and one of the guards tossed up his spear in a sleepy way, and shouted too, but only to subside again into a sluggish state of torpidity. "Why, Mas' Don, by-and-by they'll all be asleep, and if we tried, you and me might get our arms and legs undone, and take a spear apiece, and kill the lot. What do you say?" "The same as you will, if you think, Jem," replied Don. "No." "No, it is, Mas' Don, of course. Englishmen couldn't do such a thing as that." "But only let us have a fair chance at them again, Jem, and I don't think we shall feel very sorry if we slay a few." "Sorry?" said Jem, between his teeth. "I mean a hundred of 'em at least, as soon as we can get away; and get away we will." They sat listening till the horrible feast below was at an end, and everything became so silent that they concluded that the enemy must be asleep, and began to wonder that the prisoners should all crouch together in so apathetic a state. But all at once, when everything seemed most still, and half the prisoners were dozing, there came the heavy trampling of feet; the guards roused up, and in the dim light of the | at that time it was as if the eyes of both were filled with some strange attractive force, which made them turn and gaze in a peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale. At last each snatched his eyes away, Jem to watch the prisoners, Don to close his, and sit trembling and listening to the bursts of merriment which came up. At such times, in spite of their efforts, they could not imitate the apathy of the New Zealanders, but gazed wildly at each other, trying to make themselves believe that what they imagined was false, or else the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless.<|quote|>All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were.</|quote|>The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the _pah_, with the result that those who were on guard suddenly grew wildly excited, and giving up their duties to the new comers, uttered eager shouts and rushed off in a way that was frantic in the extreme. Don and Jem again exchanged looks full of misery and despair, and then gazed with wonder and loathing at the new comers, who walked slowly about for a few minutes, and then went and leaned their backs against the palisading of the _pah_, and partially supported themselves upon their spears. "Ugh!" ejaculated Jem with a shudder as he turned away. "You wretches! Mas' Don, I felt as I lay here last night, all dull and miserable and sick, and hardly able to bear myself--I felt so miserable because I knew I must have shot some of those chaps." "So did I, Jem," sighed Don; "so did I." "Well, just now, Mas' Don, I'm just 'tother way; ay, for I wish with all my heart I'd shot the lot. Hark, there!" They listened, and could hear a burst of shouting and laughing. "That's them sentries gone down now to the feast. I say, Mas' Don, look at these here fellows." "Yes, Jem, I've been looking at them. It's horrible, and we must escape." They sat gazing at their guards again, to see that they were flushed, their eyes full, heavy, and starting, and that they were absolutely stupefied and torpid as some huge serpent which has finished a meal. "They must be all drunk, Jem," whispered Don, with a fresh shudder of horror and loathing. "No, Mas' Don, 'tarn't that," said Jem, with a look of disgust. "Old Mike used to tell us stories, and most of 'em was yarns as I didn't believe; but he told us one thing as I do believe now. He said as some of the blacks in Africa would go with the hunters who killed the hippipperpothy-mouses, and when they'd killed one, they'd light a fire, and then cut off long strips of the big beast, hold 'em in the flame for a bit, and then eat 'em, and cut off more strips and eat them, and go on eating all day till they could hardly see or move." "Yes, I remember, Jem; and he said the men ate till they were drunk; and you said it was all nonsense, for a man couldn't get drunk without drink." "Yes, Mas' Don; but I was all wrong, and Mike was right. Those wretches there are as much like Mike Bannock was when he bored a hole in the rum puncheon as can be. Eating too much makes people as stupid as drinking; and knowing what I do, I wishes I was in Africa and not here." "Knowing what you do, Jem?" "Yes, Mas' Don, knowing what I do. It's what you know too. I can see you do." Don shuddered. "Don't, Jem, don't; it's too horrid | Don Lavington |
--the midday hours of physical training-- | No speaker | parts of the 98 rifle?"<|quote|>--the midday hours of physical training--</|quote|>"Pianist, forward! By the right, | of instruction-- "What are the parts of the 98 rifle?"<|quote|>--the midday hours of physical training--</|quote|>"Pianist, forward! By the right, quick march. Report to the | food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?"<|quote|>--the midday hours of physical training--</|quote|>"Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used | are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?"<|quote|>--the midday hours of physical training--</|quote|>"Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used to practise the change in the barrack-room. We had to learn that at Löhne, to reach the branch-line, we must pass through a subway. The beds represented the subway and each man stood at attention on the left side of his bed. Then came the command: "Change at Löhne!" and | survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?"<|quote|>--the midday hours of physical training--</|quote|>"Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used to practise the change in the barrack-room. We had to learn that at Löhne, to reach the branch-line, we must pass through a subway. The beds represented the subway and each man stood at attention on the left side of his bed. Then came the command: "Change at Löhne!" and like lightning everyone scrambled under the bed to the opposite side. We practised this for a whole hour---- Meanwhile the German aeroplane has been shot down. Like a comet it bursts into a streamer of smoke and falls headlong. Kropp has lost the bottle of beer. Disgruntled he counts out the money from his wallet. "Surely Himmelstoss was a very different fellow as a postman," say I, after Albert's disappointment has subsided. "Then how does it come that he's such a bully as a drill-sergeant?" The question revives Kropp, more particularly as he hears there's no more beer in the | To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically: "Every little bean must be heard as well as seen." The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?"<|quote|>--the midday hours of physical training--</|quote|>"Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used to practise the change in the barrack-room. We had to learn that at Löhne, to reach the branch-line, we must pass through a subway. The beds represented the subway and each man stood at attention on the left side of his bed. Then came the command: "Change at Löhne!" and like lightning everyone scrambled under the bed to the opposite side. We practised this for a whole hour---- Meanwhile the German aeroplane has been shot down. Like a comet it bursts into a streamer of smoke and falls headlong. Kropp has lost the bottle of beer. Disgruntled he counts out the money from his wallet. "Surely Himmelstoss was a very different fellow as a postman," say I, after Albert's disappointment has subsided. "Then how does it come that he's such a bully as a drill-sergeant?" The question revives Kropp, more particularly as he hears there's no more beer in the canteen. "It's not only Himmelstoss, there are lots of them. As sure as they get a stripe or a star they become different men, just as though they'd swallowed concrete." "That's the uniform," I suggest. "Roughly speaking it is," says Kat, and prepares for a long speech; "but the root of the matter lies elsewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he'll snap at it, it's his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only he butters it over like a slice of bread with a little decorum. The army is based on that; one man must always have power over the other. The mischief is merely that each one has much too much power. A non-com. can torment a private, a lieutenant a non-com., a captain a lieutenant, until he goes mad. And because they know they can, they all soon acquire the habit more or less. Take a simple case: we are marching | shut up. Then all becomes quiet in the big room--only the candles flickering from the necks of a couple of bottles and the artilleryman spitting every now and then. We stir a bit as the door opens and Kat appears. I think I must be dreaming; he has two loaves of bread under his arm and a blood-stained sandbag full of horse-flesh in his hand. The artilleryman's pipe drops from his mouth. He feels the bread. "Real bread, by God! and still hot too!" Kat gives no explanation. He has the bread, the rest doesn't matter. I'm sure that if he were planted down in the middle of the desert, in half an hour he would have gathered together a supper of roast meat, dates, and wine. "Cut some wood," he says curtly to Haie. Then he hauls out a frying-pan from under his coat, and a handful of salt as well as a lump of fat from his pocket. He has thought of everything. Haie makes a fire on the floor. It lights up the empty room of the factory. We climb out of bed. The artilleryman hesitates. He wonders whether to praise Kat and so perhaps gain a little for himself. But Katczinsky doesn't even see him, he might as well be thin air. He goes off cursing. Kat knows the way to roast horse-flesh so that it's tender. It shouldn't be put straight into the pan, that makes it tough. It should be boiled first in a little water. With our knives we squat round in a circle and fill our bellies. That is Kat. If for but one hour in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, a small stove and wood, hay and straw, a table and chairs--but above all food. It is uncanny; one would think he conjured it out of the air. His masterpiece was four boxes of lobsters. Admittedly we would rather have had a good beef steak. * * We have settled ourselves on the sunny side of the hut. There is a smell of tar, of summer, and of sweaty feet. Kat sits beside me. He wants to talk. To-day we have been practising saluting because Tjaden failed to salute a major. Kat can't get it out of his head. "You see, we are losing the war because we can salute too well," he says. Kropp stalks up, with his breeches rolled up and his feet bare. He lays out his washed socks to dry on the grass. Kat turns his eyes to heaven, lets off a mighty fart, and says apologetically: "Every little bean must be heard as well as seen." The two begin to argue. At the same time they lay a bottle of beer on the result of an air-fight that's going on above us. Katczinsky won't budge from the opinion, which as an old Front-hog, he rhymes: Give 'em all the same grub and all the same pay And the war would be over and done in a day. Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?"<|quote|>--the midday hours of physical training--</|quote|>"Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used to practise the change in the barrack-room. We had to learn that at Löhne, to reach the branch-line, we must pass through a subway. The beds represented the subway and each man stood at attention on the left side of his bed. Then came the command: "Change at Löhne!" and like lightning everyone scrambled under the bed to the opposite side. We practised this for a whole hour---- Meanwhile the German aeroplane has been shot down. Like a comet it bursts into a streamer of smoke and falls headlong. Kropp has lost the bottle of beer. Disgruntled he counts out the money from his wallet. "Surely Himmelstoss was a very different fellow as a postman," say I, after Albert's disappointment has subsided. "Then how does it come that he's such a bully as a drill-sergeant?" The question revives Kropp, more particularly as he hears there's no more beer in the canteen. "It's not only Himmelstoss, there are lots of them. As sure as they get a stripe or a star they become different men, just as though they'd swallowed concrete." "That's the uniform," I suggest. "Roughly speaking it is," says Kat, and prepares for a long speech; "but the root of the matter lies elsewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he'll snap at it, it's his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only he butters it over like a slice of bread with a little decorum. The army is based on that; one man must always have power over the other. The mischief is merely that each one has much too much power. A non-com. can torment a private, a lieutenant a non-com., a captain a lieutenant, until he goes mad. And because they know they can, they all soon acquire the habit more or less. Take a simple case: we are marching back from the parade-ground dog-tired. Then comes the order to sing. We are glad enough to be able to trail arms but we sing spiritlessly. At once the company is turned about and has to do another hour's drill as punishment. On the march back the order to sing is given again, and once more we start. Now what's the use of all that? It's simply that the company commander's head has been turned by having so much power. And nobody blames him. On the contrary, he is praised for being strict. That, of course, is only a trifling instance, but it holds also in very different affairs. Now I ask you: Let a man be whatever you like in peace-time, what occupation is there in which he can behave like that without getting a crack on the nose? He can only do that in the army. It goes to the heads of them all, you see. And the more insignificant a man has been in civil life the worse it takes him." "They say, of course, there must be discipline," ventures Kropp meditatively. "True," growls Kat, "they always do. And it may be so; still it oughtn't to become an abuse. But you try to explain that to a blacksmith or a labourer or a workman, you try to make that clear to a simple tommy--and that's what most of them are here. All he understands is that he has been properly trained so that when he comes up to the front he thinks he knows exactly what he should do in every circumstance and what not. It's simply amazing, I tell you, that the ordinary soldier survives so long up here in the front-line. Simply amazing!" No one protests. Everyone knows that drill ceases only in the front-line and begins again a few miles behind, with all the absurdities of saluting and parade. It is an iron law that the soldier must be employed under every circumstance. Here Tjaden comes up with a flushed face. He is so excited that he stutters. Beaming with satisfaction he stammers out: "Himmelstoss is on his way. He's coming to the front!" * * Tjaden has a special grudge against Himmelstoss, because of the way he educated him in the barracks. Tjaden wets his bed, he does it at night in his sleep. Himmelstoss maintained that it was sheer laziness and invented | countries, dressed in bathing-drawers and armed with clubs, can have it out among themselves. Whoever survives, his country wins. That would be much simpler and more just than this arrangement, where the wrong people do the fighting. The subject is dropped. Then the conversation turns to drill. A picture comes before me. Burning midday in the barrack-yard. The heat hangs over the square. The barracks are deserted. Everything sleeps. All one hears is the drummers practising; they have installed themselves anywhere and practise brokenly, dully, monotonously. What a concord! Midday heat, barrack-square, and drummers beating! The windows of the barracks are empty and dark. From some of them trousers are hanging to dry. The rooms are cool and one looks toward them longingly. O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! Katczinsky paints it all in lively colours. What would we not give to be able to go back to it! But we must not pursue that line of thought any further. Those early morning hours of instruction-- "What are the parts of the 98 rifle?"<|quote|>--the midday hours of physical training--</|quote|>"Pianist, forward! By the right, quick march. Report to the cook-house for potato-peeling." We indulge in reminiscences. Kropp laughs suddenly and says: "Change at Löhne!" That was our corporal's favourite game. Löhne is a railway junction. In order that our fellows going on leave shouldn't get lost there, Himmelstoss used to practise the change in the barrack-room. We had to learn that at Löhne, to reach the branch-line, we must pass through a subway. The beds represented the subway and each man stood at attention on the left side of his bed. Then came the command: "Change at Löhne!" and like lightning everyone scrambled under the bed to the opposite side. We practised this for a whole hour---- Meanwhile the German aeroplane has been shot down. Like a comet it bursts into a streamer of smoke and falls headlong. Kropp has lost the bottle of beer. Disgruntled he counts out the money from his wallet. "Surely Himmelstoss was a very different fellow as a postman," say I, after Albert's disappointment has subsided. "Then how does it come that he's such a bully as a drill-sergeant?" The question revives Kropp, more particularly as he hears there's no more beer in the canteen. "It's not only Himmelstoss, there are lots of them. As sure as they get a stripe or a star they become different men, just as though they'd swallowed concrete." "That's the uniform," I suggest. "Roughly speaking it is," says Kat, and prepares for a long speech; "but the root of the matter lies elsewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he'll snap at it, it's his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only | All Quiet on the Western Front |
Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem. | No speaker | to be ashamed of herself."<|quote|>Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem.</|quote|>"I should be glad if | the way she wants ought to be ashamed of herself."<|quote|>Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem.</|quote|>"I should be glad if you took him," she said, | him." It was the reward of her tact and devotion through the day. Now she understood why some women prefer influence to rights. Mrs. Plynlimmon, when condemning suffragettes, had said: "The woman who can t influence her husband to vote the way she wants ought to be ashamed of herself."<|quote|>Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem.</|quote|>"I should be glad if you took him," she said, "but I don t know whether he s qualified." "I ll do what I can. But, Margaret, this mustn t be taken as a precedent." "No, of course--of course--" "I can t fit in your proteges every day. Business would | said Margaret, and was about to remind him that they had met at Wickham Place, but stopped herself. It had not been a successful meeting. "Where was he before?" "Dempster s Bank." "Why did he leave?" he asked, still remembering nothing. "They reduced their staff." "All right; I ll see him." It was the reward of her tact and devotion through the day. Now she understood why some women prefer influence to rights. Mrs. Plynlimmon, when condemning suffragettes, had said: "The woman who can t influence her husband to vote the way she wants ought to be ashamed of herself."<|quote|>Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem.</|quote|>"I should be glad if you took him," she said, "but I don t know whether he s qualified." "I ll do what I can. But, Margaret, this mustn t be taken as a precedent." "No, of course--of course--" "I can t fit in your proteges every day. Business would suffer." "I can promise you he s the last. He--he s rather a special case." "Proteges always are." She let it stand at that. He rose with a little extra touch of complacency, and held out his hand to help her up. How wide the gulf between Henry as he | In dealing with a Wilcox, how tempting it was to lapse from comradeship, and to give him the kind of woman that he desired! Henry took the hint at once, and said: "Why later on? Tell me now. No time like the present." "Shall I?" "If it isn t a long story." "Oh, not five minutes; but there s a sting at the end of it, for I want you to find the man some work in your office." "What are his qualifications?" "I don t know. He s a clerk." "How old?" "Twenty-five, perhaps." "What s his name?" "Bast," said Margaret, and was about to remind him that they had met at Wickham Place, but stopped herself. It had not been a successful meeting. "Where was he before?" "Dempster s Bank." "Why did he leave?" he asked, still remembering nothing. "They reduced their staff." "All right; I ll see him." It was the reward of her tact and devotion through the day. Now she understood why some women prefer influence to rights. Mrs. Plynlimmon, when condemning suffragettes, had said: "The woman who can t influence her husband to vote the way she wants ought to be ashamed of herself."<|quote|>Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem.</|quote|>"I should be glad if you took him," she said, "but I don t know whether he s qualified." "I ll do what I can. But, Margaret, this mustn t be taken as a precedent." "No, of course--of course--" "I can t fit in your proteges every day. Business would suffer." "I can promise you he s the last. He--he s rather a special case." "Proteges always are." She let it stand at that. He rose with a little extra touch of complacency, and held out his hand to help her up. How wide the gulf between Henry as he was and Henry as Helen thought he ought to be! And she herself--hovering as usual between the two, now accepting men as they are, now yearning with her sister for Truth. Love and Truth--their warfare seems eternal. Perhaps the whole visible world rests on it, and if they were one, life itself, like the spirits when Prospero was reconciled to his brother, might vanish into air, into thin air. "Your protege has made us late," said he. "The Fussells--will just be starting." On the whole she sided with men as they are. Henry would save the Basts as he had | most self-indulgent. I can t get over it. You have less restraint rather than more as you grow older. Think it over and alter yourself, or we shan t have happy lives." She rejoined Henry. Fortunately he had been sitting down: these physical matters were important. "Was it townees?" he asked, greeting her with a pleasant smile. "You ll never believe me," said Margaret, sitting down beside him. "It s all right now, but it was my sister." "Helen here?" he cried, preparing to rise. "But she refused the invitation. I thought hated weddings." "Don t get up. She has not come to the wedding. I ve bundled her off to the George." Inherently hospitable, he protested. "No; she has two of her proteges with her and must keep with them." "Let em all come." "My dear Henry, did you see them?" "I did catch sight of a brown bunch of a woman, certainly." "The brown bunch was Helen, but did you catch sight of a sea-green and salmon bunch?" "What! are they out bean-feasting?" "No; business. They wanted to see me, and later on I want to talk to you about them." She was ashamed of her own diplomacy. In dealing with a Wilcox, how tempting it was to lapse from comradeship, and to give him the kind of woman that he desired! Henry took the hint at once, and said: "Why later on? Tell me now. No time like the present." "Shall I?" "If it isn t a long story." "Oh, not five minutes; but there s a sting at the end of it, for I want you to find the man some work in your office." "What are his qualifications?" "I don t know. He s a clerk." "How old?" "Twenty-five, perhaps." "What s his name?" "Bast," said Margaret, and was about to remind him that they had met at Wickham Place, but stopped herself. It had not been a successful meeting. "Where was he before?" "Dempster s Bank." "Why did he leave?" he asked, still remembering nothing. "They reduced their staff." "All right; I ll see him." It was the reward of her tact and devotion through the day. Now she understood why some women prefer influence to rights. Mrs. Plynlimmon, when condemning suffragettes, had said: "The woman who can t influence her husband to vote the way she wants ought to be ashamed of herself."<|quote|>Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem.</|quote|>"I should be glad if you took him," she said, "but I don t know whether he s qualified." "I ll do what I can. But, Margaret, this mustn t be taken as a precedent." "No, of course--of course--" "I can t fit in your proteges every day. Business would suffer." "I can promise you he s the last. He--he s rather a special case." "Proteges always are." She let it stand at that. He rose with a little extra touch of complacency, and held out his hand to help her up. How wide the gulf between Henry as he was and Henry as Helen thought he ought to be! And she herself--hovering as usual between the two, now accepting men as they are, now yearning with her sister for Truth. Love and Truth--their warfare seems eternal. Perhaps the whole visible world rests on it, and if they were one, life itself, like the spirits when Prospero was reconciled to his brother, might vanish into air, into thin air. "Your protege has made us late," said he. "The Fussells--will just be starting." On the whole she sided with men as they are. Henry would save the Basts as he had saved Howards End, while Helen and her friends were discussing the ethics of salvation. His was a slap-dash method, but the world has been built slap-dash, and the beauty of mountain and river and sunset may be but the varnish with which the unskilled artificer hides his joins. Oniton, like herself, was imperfect. Its apple-trees were stunted, its castle ruinous. It, too, had suffered in the border warfare between the Anglo-Saxon and the Celt, between things as they are and as they ought to be. Once more the west was retreating, once again the orderly stars were dotting the eastern sky. There is certainly no rest for us on the earth. But there is happiness, and as Margaret descended the mound on her lover s arm, she felt that she was having her share. To her annoyance, Mrs. Bast was still in the garden; the husband and Helen had left her there to finish her meal while they went to engage rooms. Margaret found this woman repellent. She had felt, when shaking her hand, an overpowering shame. She remembered the motive of her call at Wickham Place, and smelt again odours from the abyss--odours the more disturbing because they were | but in the end they fall over the edge. It s no good. It s the whole world pulling. There always will be rich and poor." He ceased. "Won t you have something to eat?" said Margaret. "I don t know what to do. It isn t my house, and though Mr. Wilcox would have been glad to see you at any other time--as I say, I don t know what to do, but I undertake to do what I can for you. Helen, offer them something. Do try a sandwich, Mrs. Bast." They moved to a long table behind which a servant was still standing. Iced cakes, sandwiches innumerable, coffee, claret-cup, champagne, remained almost intact; their overfed guests could do no more. Leonard refused. Jacky thought she could manage a little. Margaret left them whispering together, and had a few more words with Helen. She said: "Helen, I like Mr. Bast. I agree that he s worth helping. I agree that we are directly responsible." "No, indirectly. Via Mr. Wilcox." "Let me tell you once for all that if you take up that attitude, I ll do nothing. No doubt you re right logically, and are entitled to say a great many scathing things about Henry. Only, I won t have it. So choose." Helen looked at the sunset. "If you promise to take them quietly to the George I will speak to Henry about them--in my own way, mind; there is to be none of this absurd screaming about justice. I have no use for justice. If it was only a question of money, we could do it ourselves. But he wants work, and that we can t give him, but possibly Henry can." "It s his duty to," grumbled Helen. "Nor am I concerned with duty. I m concerned with the characters of various people whom we know, and how, things being as they are, things may be made a little better. Mr. Wilcox hates being asked favours; all business men do. But I am going to ask him, at the risk of a rebuff, because I want to make things a little better." "Very well. I promise. You take it very calmly." "Take them off to the George, then, and I ll try. Poor creatures! but they look tired." As they parted, she added: "I haven t nearly done with you, though, Helen. You have been most self-indulgent. I can t get over it. You have less restraint rather than more as you grow older. Think it over and alter yourself, or we shan t have happy lives." She rejoined Henry. Fortunately he had been sitting down: these physical matters were important. "Was it townees?" he asked, greeting her with a pleasant smile. "You ll never believe me," said Margaret, sitting down beside him. "It s all right now, but it was my sister." "Helen here?" he cried, preparing to rise. "But she refused the invitation. I thought hated weddings." "Don t get up. She has not come to the wedding. I ve bundled her off to the George." Inherently hospitable, he protested. "No; she has two of her proteges with her and must keep with them." "Let em all come." "My dear Henry, did you see them?" "I did catch sight of a brown bunch of a woman, certainly." "The brown bunch was Helen, but did you catch sight of a sea-green and salmon bunch?" "What! are they out bean-feasting?" "No; business. They wanted to see me, and later on I want to talk to you about them." She was ashamed of her own diplomacy. In dealing with a Wilcox, how tempting it was to lapse from comradeship, and to give him the kind of woman that he desired! Henry took the hint at once, and said: "Why later on? Tell me now. No time like the present." "Shall I?" "If it isn t a long story." "Oh, not five minutes; but there s a sting at the end of it, for I want you to find the man some work in your office." "What are his qualifications?" "I don t know. He s a clerk." "How old?" "Twenty-five, perhaps." "What s his name?" "Bast," said Margaret, and was about to remind him that they had met at Wickham Place, but stopped herself. It had not been a successful meeting. "Where was he before?" "Dempster s Bank." "Why did he leave?" he asked, still remembering nothing. "They reduced their staff." "All right; I ll see him." It was the reward of her tact and devotion through the day. Now she understood why some women prefer influence to rights. Mrs. Plynlimmon, when condemning suffragettes, had said: "The woman who can t influence her husband to vote the way she wants ought to be ashamed of herself."<|quote|>Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem.</|quote|>"I should be glad if you took him," she said, "but I don t know whether he s qualified." "I ll do what I can. But, Margaret, this mustn t be taken as a precedent." "No, of course--of course--" "I can t fit in your proteges every day. Business would suffer." "I can promise you he s the last. He--he s rather a special case." "Proteges always are." She let it stand at that. He rose with a little extra touch of complacency, and held out his hand to help her up. How wide the gulf between Henry as he was and Henry as Helen thought he ought to be! And she herself--hovering as usual between the two, now accepting men as they are, now yearning with her sister for Truth. Love and Truth--their warfare seems eternal. Perhaps the whole visible world rests on it, and if they were one, life itself, like the spirits when Prospero was reconciled to his brother, might vanish into air, into thin air. "Your protege has made us late," said he. "The Fussells--will just be starting." On the whole she sided with men as they are. Henry would save the Basts as he had saved Howards End, while Helen and her friends were discussing the ethics of salvation. His was a slap-dash method, but the world has been built slap-dash, and the beauty of mountain and river and sunset may be but the varnish with which the unskilled artificer hides his joins. Oniton, like herself, was imperfect. Its apple-trees were stunted, its castle ruinous. It, too, had suffered in the border warfare between the Anglo-Saxon and the Celt, between things as they are and as they ought to be. Once more the west was retreating, once again the orderly stars were dotting the eastern sky. There is certainly no rest for us on the earth. But there is happiness, and as Margaret descended the mound on her lover s arm, she felt that she was having her share. To her annoyance, Mrs. Bast was still in the garden; the husband and Helen had left her there to finish her meal while they went to engage rooms. Margaret found this woman repellent. She had felt, when shaking her hand, an overpowering shame. She remembered the motive of her call at Wickham Place, and smelt again odours from the abyss--odours the more disturbing because they were involuntary. For there was no malice in Jacky. There she sat, a piece of cake in one hand, an empty champagne glass in the other, doing no harm to anybody. "She s overtired," Margaret whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise." The voice continued. "Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of | better." "Very well. I promise. You take it very calmly." "Take them off to the George, then, and I ll try. Poor creatures! but they look tired." As they parted, she added: "I haven t nearly done with you, though, Helen. You have been most self-indulgent. I can t get over it. You have less restraint rather than more as you grow older. Think it over and alter yourself, or we shan t have happy lives." She rejoined Henry. Fortunately he had been sitting down: these physical matters were important. "Was it townees?" he asked, greeting her with a pleasant smile. "You ll never believe me," said Margaret, sitting down beside him. "It s all right now, but it was my sister." "Helen here?" he cried, preparing to rise. "But she refused the invitation. I thought hated weddings." "Don t get up. She has not come to the wedding. I ve bundled her off to the George." Inherently hospitable, he protested. "No; she has two of her proteges with her and must keep with them." "Let em all come." "My dear Henry, did you see them?" "I did catch sight of a brown bunch of a woman, certainly." "The brown bunch was Helen, but did you catch sight of a sea-green and salmon bunch?" "What! are they out bean-feasting?" "No; business. They wanted to see me, and later on I want to talk to you about them." She was ashamed of her own diplomacy. In dealing with a Wilcox, how tempting it was to lapse from comradeship, and to give him the kind of woman that he desired! Henry took the hint at once, and said: "Why later on? Tell me now. No time like the present." "Shall I?" "If it isn t a long story." "Oh, not five minutes; but there s a sting at the end of it, for I want you to find the man some work in your office." "What are his qualifications?" "I don t know. He s a clerk." "How old?" "Twenty-five, perhaps." "What s his name?" "Bast," said Margaret, and was about to remind him that they had met at Wickham Place, but stopped herself. It had not been a successful meeting. "Where was he before?" "Dempster s Bank." "Why did he leave?" he asked, still remembering nothing. "They reduced their staff." "All right; I ll see him." It was the reward of her tact and devotion through the day. Now she understood why some women prefer influence to rights. Mrs. Plynlimmon, when condemning suffragettes, had said: "The woman who can t influence her husband to vote the way she wants ought to be ashamed of herself."<|quote|>Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem.</|quote|>"I should be glad if you took him," she said, "but I don t know whether he s qualified." "I ll do what I can. But, Margaret, this mustn t be taken as a precedent." "No, of course--of course--" "I can t fit in your proteges every day. Business would suffer." "I can promise you he s the last. He--he s rather a special case." "Proteges always are." She let it stand at that. He rose with a little extra touch of complacency, and held out his hand to help her up. How wide the gulf between Henry as he was and Henry as Helen thought he ought to be! And she herself--hovering as usual between the two, now accepting men as they are, now yearning with her sister for Truth. Love and Truth--their warfare seems eternal. Perhaps the whole visible world rests on it, and if they were one, life itself, like the spirits when Prospero was reconciled to his brother, might vanish into air, into thin air. "Your protege has made us late," said he. "The Fussells--will just be starting." On the whole she sided with men as they are. Henry would save the Basts as he had saved Howards End, while Helen and her friends were discussing the ethics of salvation. His was a slap-dash method, but the world has been built slap-dash, and the beauty of mountain and river and sunset may be but the varnish with which the unskilled artificer hides his joins. Oniton, like herself, was imperfect. Its apple-trees were stunted, its castle ruinous. It, too, had suffered in the border warfare between the Anglo-Saxon and the Celt, between things as they are and as they ought to be. Once more the west was retreating, once again the orderly stars were dotting the eastern sky. There is certainly no rest for us on the earth. But there is happiness, and as Margaret descended the mound on her lover s arm, she felt that she was having her share. To her annoyance, Mrs. Bast was still in the garden; the husband and Helen had left her there to finish her meal while they went to engage rooms. Margaret found this woman repellent. She had felt, when shaking her hand, an overpowering shame. She remembered the motive of her call at Wickham Place, and smelt again odours from the abyss--odours the more disturbing because they were involuntary. For there was no malice in Jacky. There she sat, a piece of cake in one hand, an empty champagne glass in the other, doing no harm to anybody. "She s overtired," Margaret whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" | Howards End |
she began, and then gave a little cry. | No speaker | to others." "Of course not,"<|quote|>she began, and then gave a little cry.</|quote|>"you mean money. How stupid | happiness, not to be unjust to others." "Of course not,"<|quote|>she began, and then gave a little cry.</|quote|>"you mean money. How stupid I am! Of course not!" | A. is nothing particular just now, though capable of development." "Poor fellow!" murmured Margaret, looking out to sea, and not understanding. "Charles being the elder son, some day Charles will have Howards End; but I am anxious, in my own happiness, not to be unjust to others." "Of course not,"<|quote|>she began, and then gave a little cry.</|quote|>"you mean money. How stupid I am! Of course not!" Oddly enough, he winced a little at the word. "Yes, Money, since you put it so frankly. I am determined to be just to all--just to you, just to them. I am determined that my children shall have me." "Be | very good sort of fellow, but he demands--and rightly--a suitable provision with her. And in the second place you will naturally understand, there is Charles. Before leaving town, I wrote Charles a very careful letter. You see, he has an increasing family and increasing expenses, and the I. and W. A. is nothing particular just now, though capable of development." "Poor fellow!" murmured Margaret, looking out to sea, and not understanding. "Charles being the elder son, some day Charles will have Howards End; but I am anxious, in my own happiness, not to be unjust to others." "Of course not,"<|quote|>she began, and then gave a little cry.</|quote|>"you mean money. How stupid I am! Of course not!" Oddly enough, he winced a little at the word. "Yes, Money, since you put it so frankly. I am determined to be just to all--just to you, just to them. I am determined that my children shall have me." "Be generous to them," she said sharply. "Bother justice!" "I am determined--and have already written to Charles to that effect--" "But how much have you got?" "What?" "How much have you a year? I ve six hundred." "My income?" "Yes. We must begin with how much you have, before we can | our backs?" "I wasn t aware, and, if I can manage it, you will never do such a thing again." She said more gravely: "You haven t found time for a talk with Helen yet, I suppose?" "No." "Do, before you go. I am so anxious you two should be friends." "Your sister and I have always hit it off," he said negligently. "But we re drifting away from our business. Let me begin at the beginning. You know that Evie is going to marry Percy Cahill." "Dolly s uncle." "Exactly. The girl s madly in love with him. A very good sort of fellow, but he demands--and rightly--a suitable provision with her. And in the second place you will naturally understand, there is Charles. Before leaving town, I wrote Charles a very careful letter. You see, he has an increasing family and increasing expenses, and the I. and W. A. is nothing particular just now, though capable of development." "Poor fellow!" murmured Margaret, looking out to sea, and not understanding. "Charles being the elder son, some day Charles will have Howards End; but I am anxious, in my own happiness, not to be unjust to others." "Of course not,"<|quote|>she began, and then gave a little cry.</|quote|>"you mean money. How stupid I am! Of course not!" Oddly enough, he winced a little at the word. "Yes, Money, since you put it so frankly. I am determined to be just to all--just to you, just to them. I am determined that my children shall have me." "Be generous to them," she said sharply. "Bother justice!" "I am determined--and have already written to Charles to that effect--" "But how much have you got?" "What?" "How much have you a year? I ve six hundred." "My income?" "Yes. We must begin with how much you have, before we can settle how much you can give Charles. Justice, and even generosity, depend on that." "I must say you re a downright young woman," he observed, patting her arm and laughing a little. "What a question to spring on a fellow!" "Don t you know your income? Or don t you want to tell it me?" "I--" "That s all right" "--now she patted him--" "don t tell me. I don t want to know. I can do the sum just as well by proportion. Divide your income into ten parts. How many parts would you give to Evie, how many | really is a proposal--" "By the way--" "--a suggestion, a seed," she concluded; and the thought flew away into darkness. "I was thinking, if you didn t mind, that we ought to spend this evening in a business talk; there will be so much to settle." "I think so too. Tell me, in the first place, how did you get on with Tibby?" "With your brother?" "Yes, during cigarettes." "Oh, very well." "I am so glad," she answered, a little surprised. "What did you talk about? Me, presumably." "About Greece too." "Greece was a very good card, Henry. Tibby s only a boy still, and one has to pick and choose subjects a little. Well done." "I was telling him I have shares in a currant-farm near Calamata." "What a delightful thing to have shares in! Can t we go there for our honeymoon?" "What to do?" "To eat the currants. And isn t there marvellous scenery?" "Moderately, but it s not the kind of place one could possibly go to with a lady." "Why not?" "No hotels." "Some ladies do without hotels. Are you aware that Helen and I have walked alone over the Apennines, with our luggage on our backs?" "I wasn t aware, and, if I can manage it, you will never do such a thing again." She said more gravely: "You haven t found time for a talk with Helen yet, I suppose?" "No." "Do, before you go. I am so anxious you two should be friends." "Your sister and I have always hit it off," he said negligently. "But we re drifting away from our business. Let me begin at the beginning. You know that Evie is going to marry Percy Cahill." "Dolly s uncle." "Exactly. The girl s madly in love with him. A very good sort of fellow, but he demands--and rightly--a suitable provision with her. And in the second place you will naturally understand, there is Charles. Before leaving town, I wrote Charles a very careful letter. You see, he has an increasing family and increasing expenses, and the I. and W. A. is nothing particular just now, though capable of development." "Poor fellow!" murmured Margaret, looking out to sea, and not understanding. "Charles being the elder son, some day Charles will have Howards End; but I am anxious, in my own happiness, not to be unjust to others." "Of course not,"<|quote|>she began, and then gave a little cry.</|quote|>"you mean money. How stupid I am! Of course not!" Oddly enough, he winced a little at the word. "Yes, Money, since you put it so frankly. I am determined to be just to all--just to you, just to them. I am determined that my children shall have me." "Be generous to them," she said sharply. "Bother justice!" "I am determined--and have already written to Charles to that effect--" "But how much have you got?" "What?" "How much have you a year? I ve six hundred." "My income?" "Yes. We must begin with how much you have, before we can settle how much you can give Charles. Justice, and even generosity, depend on that." "I must say you re a downright young woman," he observed, patting her arm and laughing a little. "What a question to spring on a fellow!" "Don t you know your income? Or don t you want to tell it me?" "I--" "That s all right" "--now she patted him--" "don t tell me. I don t want to know. I can do the sum just as well by proportion. Divide your income into ten parts. How many parts would you give to Evie, how many to Charles, how many to Paul?" "The fact is, my dear, I hadn t any intention of bothering you with details. I only wanted to let you know that--well, that something must be done for the others, and you ve understood me perfectly, so let s pass on to the next point." "Yes, we ve settled that," said Margaret, undisturbed by his strategic blunderings. "Go ahead; give away all you can, bearing in mind that I ve a clear six hundred. What a mercy it is to have all this money about one." "We ve none too much, I assure you; you re marrying a poor man." "Helen wouldn t agree with me here," she continued. "Helen daren t slang the rich, being rich herself, but she would like to. There s an odd notion, that I haven t yet got hold of, running about at the back of her brain, that poverty is somehow real. She dislikes all organisation, and probably confuses wealth with the technique of wealth. Sovereigns in a stocking wouldn t bother her; cheques do. Helen is too relentless. One can t deal in her high-handed manner with the world." "There s this other point, and | was nothing excessive about her love-affair. Good-humour was the dominant note of her relations with Mr. Wilcox, or, as I must now call him, Henry. Henry did not encourage romance, and she was no girl to fidget for it. An acquaintance had become a lover, might become a husband, but would retain all that she had noted in the acquaintance; and love must confirm an old relation rather than reveal a new one. In this spirit she promised to marry him. He was in Swanage on the morrow bearing the engagement ring. They greeted one another with a hearty cordiality that impressed Aunt Juley. Henry dined at The Bays, but had engaged a bedroom in the principal hotel; he was one of those men who know the principal hotel by instinct. After dinner he asked Margaret if she wouldn t care for a turn on the Parade. She accepted, and could not repress a little tremor; it would be her first real love scene. But as she put on her hat she burst out laughing. Love was so unlike the article served up in books; the joy, though genuine was different; the mystery an unexpected mystery. For one thing, Mr. Wilcox still seemed a stranger. For a time they talked about the ring; then she said: "Do you remember the Embankment at Chelsea? It can t be ten days ago." "Yes," he said, laughing. "And you and your sister were head and ears deep in some Quixotic scheme. Ah well!" "I little thought then, certainly. Did you?" "I don t know about that; I shouldn t like to say." "Why, was it earlier?" she cried. "Did you think of me this way earlier! How extraordinarily interesting, Henry! Tell me." But Henry had no intention of telling. Perhaps he could not have told, for his mental states became obscure as soon as he had passed through them. He misliked the very word "interesting," connoting it with wasted energy and even with morbidity. Hard facts were enough for him. "I didn t think of it," she pursued. "No; when you spoke to me in the drawing-room, that was practically the first. It was all so different from what it s supposed to be. On the stage, or in books, a proposal is--how shall I put it?--a full-blown affair, a kind of bouquet; it loses its literal meaning. But in life a proposal really is a proposal--" "By the way--" "--a suggestion, a seed," she concluded; and the thought flew away into darkness. "I was thinking, if you didn t mind, that we ought to spend this evening in a business talk; there will be so much to settle." "I think so too. Tell me, in the first place, how did you get on with Tibby?" "With your brother?" "Yes, during cigarettes." "Oh, very well." "I am so glad," she answered, a little surprised. "What did you talk about? Me, presumably." "About Greece too." "Greece was a very good card, Henry. Tibby s only a boy still, and one has to pick and choose subjects a little. Well done." "I was telling him I have shares in a currant-farm near Calamata." "What a delightful thing to have shares in! Can t we go there for our honeymoon?" "What to do?" "To eat the currants. And isn t there marvellous scenery?" "Moderately, but it s not the kind of place one could possibly go to with a lady." "Why not?" "No hotels." "Some ladies do without hotels. Are you aware that Helen and I have walked alone over the Apennines, with our luggage on our backs?" "I wasn t aware, and, if I can manage it, you will never do such a thing again." She said more gravely: "You haven t found time for a talk with Helen yet, I suppose?" "No." "Do, before you go. I am so anxious you two should be friends." "Your sister and I have always hit it off," he said negligently. "But we re drifting away from our business. Let me begin at the beginning. You know that Evie is going to marry Percy Cahill." "Dolly s uncle." "Exactly. The girl s madly in love with him. A very good sort of fellow, but he demands--and rightly--a suitable provision with her. And in the second place you will naturally understand, there is Charles. Before leaving town, I wrote Charles a very careful letter. You see, he has an increasing family and increasing expenses, and the I. and W. A. is nothing particular just now, though capable of development." "Poor fellow!" murmured Margaret, looking out to sea, and not understanding. "Charles being the elder son, some day Charles will have Howards End; but I am anxious, in my own happiness, not to be unjust to others." "Of course not,"<|quote|>she began, and then gave a little cry.</|quote|>"you mean money. How stupid I am! Of course not!" Oddly enough, he winced a little at the word. "Yes, Money, since you put it so frankly. I am determined to be just to all--just to you, just to them. I am determined that my children shall have me." "Be generous to them," she said sharply. "Bother justice!" "I am determined--and have already written to Charles to that effect--" "But how much have you got?" "What?" "How much have you a year? I ve six hundred." "My income?" "Yes. We must begin with how much you have, before we can settle how much you can give Charles. Justice, and even generosity, depend on that." "I must say you re a downright young woman," he observed, patting her arm and laughing a little. "What a question to spring on a fellow!" "Don t you know your income? Or don t you want to tell it me?" "I--" "That s all right" "--now she patted him--" "don t tell me. I don t want to know. I can do the sum just as well by proportion. Divide your income into ten parts. How many parts would you give to Evie, how many to Charles, how many to Paul?" "The fact is, my dear, I hadn t any intention of bothering you with details. I only wanted to let you know that--well, that something must be done for the others, and you ve understood me perfectly, so let s pass on to the next point." "Yes, we ve settled that," said Margaret, undisturbed by his strategic blunderings. "Go ahead; give away all you can, bearing in mind that I ve a clear six hundred. What a mercy it is to have all this money about one." "We ve none too much, I assure you; you re marrying a poor man." "Helen wouldn t agree with me here," she continued. "Helen daren t slang the rich, being rich herself, but she would like to. There s an odd notion, that I haven t yet got hold of, running about at the back of her brain, that poverty is somehow real. She dislikes all organisation, and probably confuses wealth with the technique of wealth. Sovereigns in a stocking wouldn t bother her; cheques do. Helen is too relentless. One can t deal in her high-handed manner with the world." "There s this other point, and then I must go back to my hotel and write some letters. What s to be done now about the house in Ducie Street?" "Keep it on--at least, it depends. When do you want to marry me?" She raised her voice, as too often, and some youths, who were also taking the evening air, overheard her. "Getting a bit hot, eh?" said one. Mr. Wilcox turned on them, and said sharply, "I say!" There was silence. "Take care I don t report you to the police." They moved away quietly enough, but were only biding their time, and the rest of the conversation was punctuated by peals of ungovernable laughter. Lowering his voice and infusing a hint of reproof into it, he said: "Evie will probably be married in September. We could scarcely think of anything before then." "The earlier the nicer, Henry. Females are not supposed to say such things, but the earlier the nicer." "How about September for us too?" he asked, rather dryly. "Right. Shall we go into Ducie Street ourselves in September? Or shall we try to bounce Helen and Tibby into it? That s rather an idea. They are so unbusinesslike, we could make them do anything by judicious management. Look here--yes. We ll do that. And we ourselves could live at Howards End or Shropshire." He blew out his cheeks. "Heavens! how you women do fly round! My head s in a whirl. Point by point, Margaret. Howards End s impossible. I let it to Hamar Bryce on a three years agreement last March. Don t you remember? Oniton. Well, that is much, much too far away to rely on entirely. You will be able to be down there entertaining a certain amount, but we must have a house within easy reach of Town. Only Ducie Street has huge drawbacks. There s a mews behind." Margaret could not help laughing. It was the first she had heard of the mews behind Ducie Street. When she was a possible tenant it had suppressed itself, not consciously, but automatically. The breezy Wilcox manner, though genuine, lacked the clearness of vision that is imperative for truth. When Henry lived in Ducie Street he remembered the mews; when he tried to let he forgot it; and if any one had remarked that the mews must be either there or not, he would have felt annoyed, and afterwards have | is a proposal--" "By the way--" "--a suggestion, a seed," she concluded; and the thought flew away into darkness. "I was thinking, if you didn t mind, that we ought to spend this evening in a business talk; there will be so much to settle." "I think so too. Tell me, in the first place, how did you get on with Tibby?" "With your brother?" "Yes, during cigarettes." "Oh, very well." "I am so glad," she answered, a little surprised. "What did you talk about? Me, presumably." "About Greece too." "Greece was a very good card, Henry. Tibby s only a boy still, and one has to pick and choose subjects a little. Well done." "I was telling him I have shares in a currant-farm near Calamata." "What a delightful thing to have shares in! Can t we go there for our honeymoon?" "What to do?" "To eat the currants. And isn t there marvellous scenery?" "Moderately, but it s not the kind of place one could possibly go to with a lady." "Why not?" "No hotels." "Some ladies do without hotels. Are you aware that Helen and I have walked alone over the Apennines, with our luggage on our backs?" "I wasn t aware, and, if I can manage it, you will never do such a thing again." She said more gravely: "You haven t found time for a talk with Helen yet, I suppose?" "No." "Do, before you go. I am so anxious you two should be friends." "Your sister and I have always hit it off," he said negligently. "But we re drifting away from our business. Let me begin at the beginning. You know that Evie is going to marry Percy Cahill." "Dolly s uncle." "Exactly. The girl s madly in love with him. A very good sort of fellow, but he demands--and rightly--a suitable provision with her. And in the second place you will naturally understand, there is Charles. Before leaving town, I wrote Charles a very careful letter. You see, he has an increasing family and increasing expenses, and the I. and W. A. is nothing particular just now, though capable of development." "Poor fellow!" murmured Margaret, looking out to sea, and not understanding. "Charles being the elder son, some day Charles will have Howards End; but I am anxious, in my own happiness, not to be unjust to others." "Of course not,"<|quote|>she began, and then gave a little cry.</|quote|>"you mean money. How stupid I am! Of course not!" Oddly enough, he winced a little at the word. "Yes, Money, since you put it so frankly. I am determined to be just to all--just to you, just to them. I am determined that my children shall have me." "Be generous to them," she said sharply. "Bother justice!" "I am determined--and have already written to Charles to that effect--" "But how much have you got?" "What?" "How much have you a year? I ve six hundred." "My income?" "Yes. We must begin with how much you have, before we can settle how much you can give Charles. Justice, and even generosity, depend on that." "I must say you re a downright young woman," he observed, patting her arm and laughing a little. "What a question to spring on a fellow!" "Don t you know your income? Or don t you want to tell it me?" "I--" "That s all right" "--now she patted him--" "don t tell me. I don t want to know. I can do the sum just as well by proportion. Divide your income into ten parts. How many parts would you give to Evie, how many to Charles, how many to Paul?" "The fact is, my dear, I hadn t any intention of bothering you with details. I only wanted to let you know that--well, that something must be done for the others, and you ve understood me perfectly, so let s pass on to the next point." "Yes, we ve settled that," said Margaret, undisturbed by his strategic blunderings. "Go ahead; give away | Howards End |
"God bless you, sir, and all your men, for saving our lives," | Mr. Gordon | more for all your hospitality."<|quote|>"God bless you, sir, and all your men, for saving our lives,"</|quote|>said the settler warmly; and | the officer. "Thank you once more for all your hospitality."<|quote|>"God bless you, sir, and all your men, for saving our lives,"</|quote|>said the settler warmly; and there was a chorus of | tub." "Nonsense!" "But if they find out as we deserted, they'll hang us." "I don't believe it, Jem." "Well, you'll see, Mas' Don; so if they hang you, don't you blame me." "Well, Mr Gordon, we must be off," said the officer. "Thank you once more for all your hospitality."<|quote|>"God bless you, sir, and all your men, for saving our lives,"</|quote|>said the settler warmly; and there was a chorus of thanks from the other settlers and their wives. "Nonsense, my dear sir; only our duty!" said the officer heartily. "And now about our prisoners. I don't know what to do about the Maoris. I don't want to shoot them, and | to the bush. "No, Jem," Don said stubbornly; "it would be cowardly, and we're cowards enough." "But s'pose they find us out? That there officer's sure to smell as we're salts." "Smell? Nonsense!" "He will, Mas' Don. I'm that soaked with Stockholm tar that I can smell myself like a tub." "Nonsense!" "But if they find out as we deserted, they'll hang us." "I don't believe it, Jem." "Well, you'll see, Mas' Don; so if they hang you, don't you blame me." "Well, Mr Gordon, we must be off," said the officer. "Thank you once more for all your hospitality."<|quote|>"God bless you, sir, and all your men, for saving our lives,"</|quote|>said the settler warmly; and there was a chorus of thanks from the other settlers and their wives. "Nonsense, my dear sir; only our duty!" said the officer heartily. "And now about our prisoners. I don't know what to do about the Maoris. I don't want to shoot them, and I certainly don't want to march them with us down to where the ship lies. What would you do, Mr Gordon?" "I should give them a knife apiece, shake hands with them, and let them go." "What, to come back with the said knives, and kill you all when we're | little English gathering, where the settlers' wives, as soon as the danger was past, had prepared a comfortable meal. After an uneventful night, the morning broke cheerily over the tiny settlement, where the only trace of the attack was at Gordon's, whose rough log-house was now a heap of smoking ashes. The sailors had breakfasted well, thanks to the settlers' wives, and were now drawn up, all but the prisoners' guard, while the officer stood talking to Gordon and his neighbours with Don and Jem standing close by; for in spite of Jem's reiterated appeals, his companion refused to take to the bush. "No, Jem," Don said stubbornly; "it would be cowardly, and we're cowards enough." "But s'pose they find us out? That there officer's sure to smell as we're salts." "Smell? Nonsense!" "He will, Mas' Don. I'm that soaked with Stockholm tar that I can smell myself like a tub." "Nonsense!" "But if they find out as we deserted, they'll hang us." "I don't believe it, Jem." "Well, you'll see, Mas' Don; so if they hang you, don't you blame me." "Well, Mr Gordon, we must be off," said the officer. "Thank you once more for all your hospitality."<|quote|>"God bless you, sir, and all your men, for saving our lives,"</|quote|>said the settler warmly; and there was a chorus of thanks from the other settlers and their wives. "Nonsense, my dear sir; only our duty!" said the officer heartily. "And now about our prisoners. I don't know what to do about the Maoris. I don't want to shoot them, and I certainly don't want to march them with us down to where the ship lies. What would you do, Mr Gordon?" "I should give them a knife apiece, shake hands with them, and let them go." "What, to come back with the said knives, and kill you all when we're gone!" "They will not come back if you take away the scoundrels who led them on," said Don sharply. "How do you know?" said the officer good-humouredly. "Because," said Don, colouring, "I have been living a good deal with them, both with a friendly tribe and as a prisoner." "And they did not eat you?" said the officer laughing. "There, Mas' Don," whispered Jem, "hear that?" "I think you are right, youngster," continued the officer, "and I shall do so. Mr Dillon, bring up the prisoners." This was to a master's mate, who led off a guard, and returned with | men under the officers' orders working hard with the few buckets at command; but the place was built of inflammable pine, which flared up fiercely, and after about a quarter of an hour's effort Gordon protested against further toil. "It's of no use, sir," he said. "All labour in vain. I've not lost much, for my furniture was only home made." "I'm sorry to give up, but it is useless," said the officer. Jem crept close up to his companion. "I say, Mas' Don, I thought it was some of our chaps from the sloop at first, but they're from the _Vixen_ frigate. Think they'll find us out?" "I hope not, Jem," replied Don; "surely they will not press us again." "Let's be off into the bush till they're gone." "No," said Don; "I'm sorry I left the ship as I did. We will not run away again." Meanwhile preparations were made for bivouacking, the officer determining to rest where they were that night; and after seeing his men stored in two of the barns, and sentries placed over the prisoners in another, at one of the settlers' places, one log-house being given up to the wounded, he joined the little English gathering, where the settlers' wives, as soon as the danger was past, had prepared a comfortable meal. After an uneventful night, the morning broke cheerily over the tiny settlement, where the only trace of the attack was at Gordon's, whose rough log-house was now a heap of smoking ashes. The sailors had breakfasted well, thanks to the settlers' wives, and were now drawn up, all but the prisoners' guard, while the officer stood talking to Gordon and his neighbours with Don and Jem standing close by; for in spite of Jem's reiterated appeals, his companion refused to take to the bush. "No, Jem," Don said stubbornly; "it would be cowardly, and we're cowards enough." "But s'pose they find us out? That there officer's sure to smell as we're salts." "Smell? Nonsense!" "He will, Mas' Don. I'm that soaked with Stockholm tar that I can smell myself like a tub." "Nonsense!" "But if they find out as we deserted, they'll hang us." "I don't believe it, Jem." "Well, you'll see, Mas' Don; so if they hang you, don't you blame me." "Well, Mr Gordon, we must be off," said the officer. "Thank you once more for all your hospitality."<|quote|>"God bless you, sir, and all your men, for saving our lives,"</|quote|>said the settler warmly; and there was a chorus of thanks from the other settlers and their wives. "Nonsense, my dear sir; only our duty!" said the officer heartily. "And now about our prisoners. I don't know what to do about the Maoris. I don't want to shoot them, and I certainly don't want to march them with us down to where the ship lies. What would you do, Mr Gordon?" "I should give them a knife apiece, shake hands with them, and let them go." "What, to come back with the said knives, and kill you all when we're gone!" "They will not come back if you take away the scoundrels who led them on," said Don sharply. "How do you know?" said the officer good-humouredly. "Because," said Don, colouring, "I have been living a good deal with them, both with a friendly tribe and as a prisoner." "And they did not eat you?" said the officer laughing. "There, Mas' Don," whispered Jem, "hear that?" "I think you are right, youngster," continued the officer, "and I shall do so. Mr Dillon, bring up the prisoners." This was to a master's mate, who led off a guard, and returned with the captives bound hands behind, and the Maoris looking sullen and haughty, while the three whites appeared at their very worst--a trio of the most vile, unkempt scoundrels possible to see. They were led to the front, scowling at every one in turn, and halted in front of the officer, who, after whispering to the master's mate, gave orders to one of the seamen. This man pulled out his great jack knife, opened it, and being a bit of a joker, advanced toward the Maoris, grinding his teeth and rolling his eyes. The savages saw his every act, and there was a slight tremor that seemed to run through them all; but the next instant they had drawn themselves up stern and defiant, ready to meet their fate at the seaman's knife. "No, no. No, pakeha. No kill," said a deep angry voice; and as every one turned, Ngati stalked forward as if to defend his enemies. But at the same moment the man had cut the first Maori's bands, and then went on behind the rank, cutting the line that bound seven, who stood staring wildly. The next minute a seaman came along bearing a sheaf of spears, which | a dash for your place." "Yes," said the settler, "and they know it. Look!" By the increasing light from the burning house, the savages could be seen with their white leaders preparing for a rush. Just then Don and his two companions were forced to leave the little lean-to, whose roof was burning furiously, and it was only by closing the rough door of communication that the besieged were able to remain in the big kitchen. "It won't last five minutes, my lads," said Gordon. "Be ready, women. I'll throw open the door. We men will rush out and form up. You women run down to the right and make for Smith's. We shall give them a volley to check them, and run after you." "Ready?" "Ay." "All loaded?" "Ay," came in a deep despairing growl. "Down with these boxes and tubs then. You, Don, you are young and weak; go with the women." "No," said Don; "I shall go with you men." "Brayvo, Mas' Don!" whispered Jem. "What a while they are opening that door! We shall be roasted, my lad, after all, and these wretches 'll pick our bones." The door was flung open, and the enemy uttered a yell of delight as the little party of whites ran out of the burning house. "Now, women!" cried Gordon. "No: stop!" roared Don. _Crash_! A heavy volley from the right, and the besiegers made a rush for the left. _Crash_! A heavy volley met them on the left, fired diagonally from half behind the blazing house. Then there was a cheer, echoed by a second, and two parties of blue-jackets were in among the Maoris, who fled, leaving half their number wounded and prisoners on the ground, while Don and his friends helped the women out into the open, away from the signs of bloodshed, which looked horrible in the light from the blazing house. "A little too late," said the officer in command of the detachment. "Too late to save my house, sir, but in time to save our lives," said Gordon, grasping his hand. "I wish I had been sooner; but it's rough work travelling through the bush, and we should not have come, only we heard the shouting, and saw the glow of your burning house." No time was lost in trying to extinguish the fire after a guard had been set over the prisoners, the men under the officers' orders working hard with the few buckets at command; but the place was built of inflammable pine, which flared up fiercely, and after about a quarter of an hour's effort Gordon protested against further toil. "It's of no use, sir," he said. "All labour in vain. I've not lost much, for my furniture was only home made." "I'm sorry to give up, but it is useless," said the officer. Jem crept close up to his companion. "I say, Mas' Don, I thought it was some of our chaps from the sloop at first, but they're from the _Vixen_ frigate. Think they'll find us out?" "I hope not, Jem," replied Don; "surely they will not press us again." "Let's be off into the bush till they're gone." "No," said Don; "I'm sorry I left the ship as I did. We will not run away again." Meanwhile preparations were made for bivouacking, the officer determining to rest where they were that night; and after seeing his men stored in two of the barns, and sentries placed over the prisoners in another, at one of the settlers' places, one log-house being given up to the wounded, he joined the little English gathering, where the settlers' wives, as soon as the danger was past, had prepared a comfortable meal. After an uneventful night, the morning broke cheerily over the tiny settlement, where the only trace of the attack was at Gordon's, whose rough log-house was now a heap of smoking ashes. The sailors had breakfasted well, thanks to the settlers' wives, and were now drawn up, all but the prisoners' guard, while the officer stood talking to Gordon and his neighbours with Don and Jem standing close by; for in spite of Jem's reiterated appeals, his companion refused to take to the bush. "No, Jem," Don said stubbornly; "it would be cowardly, and we're cowards enough." "But s'pose they find us out? That there officer's sure to smell as we're salts." "Smell? Nonsense!" "He will, Mas' Don. I'm that soaked with Stockholm tar that I can smell myself like a tub." "Nonsense!" "But if they find out as we deserted, they'll hang us." "I don't believe it, Jem." "Well, you'll see, Mas' Don; so if they hang you, don't you blame me." "Well, Mr Gordon, we must be off," said the officer. "Thank you once more for all your hospitality."<|quote|>"God bless you, sir, and all your men, for saving our lives,"</|quote|>said the settler warmly; and there was a chorus of thanks from the other settlers and their wives. "Nonsense, my dear sir; only our duty!" said the officer heartily. "And now about our prisoners. I don't know what to do about the Maoris. I don't want to shoot them, and I certainly don't want to march them with us down to where the ship lies. What would you do, Mr Gordon?" "I should give them a knife apiece, shake hands with them, and let them go." "What, to come back with the said knives, and kill you all when we're gone!" "They will not come back if you take away the scoundrels who led them on," said Don sharply. "How do you know?" said the officer good-humouredly. "Because," said Don, colouring, "I have been living a good deal with them, both with a friendly tribe and as a prisoner." "And they did not eat you?" said the officer laughing. "There, Mas' Don," whispered Jem, "hear that?" "I think you are right, youngster," continued the officer, "and I shall do so. Mr Dillon, bring up the prisoners." This was to a master's mate, who led off a guard, and returned with the captives bound hands behind, and the Maoris looking sullen and haughty, while the three whites appeared at their very worst--a trio of the most vile, unkempt scoundrels possible to see. They were led to the front, scowling at every one in turn, and halted in front of the officer, who, after whispering to the master's mate, gave orders to one of the seamen. This man pulled out his great jack knife, opened it, and being a bit of a joker, advanced toward the Maoris, grinding his teeth and rolling his eyes. The savages saw his every act, and there was a slight tremor that seemed to run through them all; but the next instant they had drawn themselves up stern and defiant, ready to meet their fate at the seaman's knife. "No, no. No, pakeha. No kill," said a deep angry voice; and as every one turned, Ngati stalked forward as if to defend his enemies. But at the same moment the man had cut the first Maori's bands, and then went on behind the rank, cutting the line that bound seven, who stood staring wildly. The next minute a seaman came along bearing a sheaf of spears, which he handed, one by one, to the astonished savages, while their wonder reached its height, as the master's mate presented to each a knife, such as were brought for presents to the natives. "Now," said the officer, addressing them, "I don't understand you, and I don't suppose you understand my words; but you do my deeds. Then, in the king's name, you are free; and if you ever take any English prisoners, I hope you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing down their weapons before the officer, seizing him by the arms, and rubbing noses with him. He submitted laughingly till the Maoris picked up their spears, and stood looking on, apparently quite satisfied that they were safe. "Here, hi, Jack!" cried a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly. "Memory's short, perhaps," said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean them two," said Mike savagely, as he pointed-- "them two: Don Lavington and Jem Wimble." "Halt!" cried the officer. "Do you know these | in trying to extinguish the fire after a guard had been set over the prisoners, the men under the officers' orders working hard with the few buckets at command; but the place was built of inflammable pine, which flared up fiercely, and after about a quarter of an hour's effort Gordon protested against further toil. "It's of no use, sir," he said. "All labour in vain. I've not lost much, for my furniture was only home made." "I'm sorry to give up, but it is useless," said the officer. Jem crept close up to his companion. "I say, Mas' Don, I thought it was some of our chaps from the sloop at first, but they're from the _Vixen_ frigate. Think they'll find us out?" "I hope not, Jem," replied Don; "surely they will not press us again." "Let's be off into the bush till they're gone." "No," said Don; "I'm sorry I left the ship as I did. We will not run away again." Meanwhile preparations were made for bivouacking, the officer determining to rest where they were that night; and after seeing his men stored in two of the barns, and sentries placed over the prisoners in another, at one of the settlers' places, one log-house being given up to the wounded, he joined the little English gathering, where the settlers' wives, as soon as the danger was past, had prepared a comfortable meal. After an uneventful night, the morning broke cheerily over the tiny settlement, where the only trace of the attack was at Gordon's, whose rough log-house was now a heap of smoking ashes. The sailors had breakfasted well, thanks to the settlers' wives, and were now drawn up, all but the prisoners' guard, while the officer stood talking to Gordon and his neighbours with Don and Jem standing close by; for in spite of Jem's reiterated appeals, his companion refused to take to the bush. "No, Jem," Don said stubbornly; "it would be cowardly, and we're cowards enough." "But s'pose they find us out? That there officer's sure to smell as we're salts." "Smell? Nonsense!" "He will, Mas' Don. I'm that soaked with Stockholm tar that I can smell myself like a tub." "Nonsense!" "But if they find out as we deserted, they'll hang us." "I don't believe it, Jem." "Well, you'll see, Mas' Don; so if they hang you, don't you blame me." "Well, Mr Gordon, we must be off," said the officer. "Thank you once more for all your hospitality."<|quote|>"God bless you, sir, and all your men, for saving our lives,"</|quote|>said the settler warmly; and there was a chorus of thanks from the other settlers and their wives. "Nonsense, my dear sir; only our duty!" said the officer heartily. "And now about our prisoners. I don't know what to do about the Maoris. I don't want to shoot them, and I certainly don't want to march them with us down to where the ship lies. What would you do, Mr Gordon?" "I should give them a knife apiece, shake hands with them, and let them go." "What, to come back with the said knives, and kill you all when we're gone!" "They will not come back if you take away the scoundrels who led them on," said Don sharply. "How do you know?" said the officer good-humouredly. "Because," said Don, colouring, "I have been living a good deal with them, both with a friendly tribe and as a prisoner." "And they did not eat you?" said the officer laughing. "There, Mas' Don," whispered Jem, "hear that?" "I think you are right, youngster," continued the officer, "and I shall do so. Mr Dillon, bring up the prisoners." This was to a master's mate, who led off a guard, and returned with the captives bound hands behind, and the Maoris looking sullen and haughty, while the three whites appeared at their very worst--a trio of the most vile, unkempt scoundrels possible to see. They were led to the front, scowling at every one in turn, and halted in front of the officer, who, after whispering to the master's mate, gave orders to one of the seamen. This man pulled out his great jack knife, opened it, and being a bit of a joker, advanced toward the Maoris, grinding his teeth and rolling his eyes. The savages saw his every act, and there was a slight tremor that seemed to run through them all; but the next instant they had drawn themselves up stern and defiant, ready to meet their fate at the seaman's knife. "No, no. No, pakeha. No kill," said a deep angry voice; and as every one turned, Ngati stalked forward as if to defend his enemies. But at the same moment the man had cut the first Maori's bands, and then went on behind the rank, cutting the line that bound seven, who stood staring wildly. The next minute a seaman came along bearing a sheaf of spears, which he handed, one by one, to the astonished savages, while their wonder reached its height, as the master's mate presented to each a knife, such as were brought for presents to the natives. "Now," said the officer, addressing them, "I don't understand you, and I don't suppose you understand my words; but you do my deeds. Then, in the king's name, you are free; and if you ever take any English prisoners, I hope you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing | Don Lavington |
"Bribes?" | Hamidullah | there is no Mrs. Red-nose."<|quote|>"Bribes?"</|quote|>"Did you not know that | and cannot, because so far there is no Mrs. Red-nose."<|quote|>"Bribes?"</|quote|>"Did you not know that when they were lent to | the bitter fun, and feeling both pain and amusement at each word that was uttered. "For my own part I find such profound differences among our rulers. Red-nose mumbles, Turton talks distinctly, Mrs. Turton takes bribes, Mrs. Red-nose does not and cannot, because so far there is no Mrs. Red-nose."<|quote|>"Bribes?"</|quote|>"Did you not know that when they were lent to Central India over a Canal Scheme, some Rajah or other gave her a sewing machine in solid gold so that the water should run through his state." "And does it?" "No, that is where Mrs. Turton is so skilful. When | the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike. Do you not agree with me?" "I do not," replied Mahmoud Ali, entering into the bitter fun, and feeling both pain and amusement at each word that was uttered. "For my own part I find such profound differences among our rulers. Red-nose mumbles, Turton talks distinctly, Mrs. Turton takes bribes, Mrs. Red-nose does not and cannot, because so far there is no Mrs. Red-nose."<|quote|>"Bribes?"</|quote|>"Did you not know that when they were lent to Central India over a Canal Scheme, some Rajah or other gave her a sewing machine in solid gold so that the water should run through his state." "And does it?" "No, that is where Mrs. Turton is so skilful. When we poor blacks take bribes, we perform what we are bribed to perform, and the law discovers us in consequence. The English take and do nothing. I admire them." "We all admire them. Aziz, please pass me the hookah." "Oh, not yet hookah is so jolly now." "You are a | to be gentlemen, and are told it will not do. Look at Lesley, look at Blakiston, now it is your red-nosed boy, and Fielding will go next. Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection." "He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!" "I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike. Do you not agree with me?" "I do not," replied Mahmoud Ali, entering into the bitter fun, and feeling both pain and amusement at each word that was uttered. "For my own part I find such profound differences among our rulers. Red-nose mumbles, Turton talks distinctly, Mrs. Turton takes bribes, Mrs. Red-nose does not and cannot, because so far there is no Mrs. Red-nose."<|quote|>"Bribes?"</|quote|>"Did you not know that when they were lent to Central India over a Canal Scheme, some Rajah or other gave her a sewing machine in solid gold so that the water should run through his state." "And does it?" "No, that is where Mrs. Turton is so skilful. When we poor blacks take bribes, we perform what we are bribed to perform, and the law discovers us in consequence. The English take and do nothing. I admire them." "We all admire them. Aziz, please pass me the hookah." "Oh, not yet hookah is so jolly now." "You are a very selfish boy." He raised his voice suddenly, and shouted for dinner. Servants shouted back that it was ready. They meant that they wished it was ready, and were so understood, for nobody moved. Then Hamidullah continued, but with changed manner and evident emotion. "But take my case the case of young Hugh Bannister. Here is the son of my dear, my dead friends, the Reverend and Mrs. Bannister, whose goodness to me in England I shall never forget or describe. They were father and mother to me, I talked to them as I do now. In the vacations their | out the smoke of burning cow dung that had filled them as he rode through the bazaar. It was delicious. He lay in a trance, sensuous but healthy, through which the talk of the two others did not seem particularly sad they were discussing as to whether or no it is possible to be friends with an Englishman. Mahmoud Ali argued that it was not, Hamidullah disagreed, but with so many reservations that there was no friction between them. Delicious indeed to lie on the broad verandah with the moon rising in front and the servants preparing dinner behind, and no trouble happening. "Well, look at my own experience this morning." "I only contend that it is possible in England," replied Hamidullah, who had been to that country long ago, before the big rush, and had received a cordial welcome at Cambridge. "It is impossible here. Aziz! The red-nosed boy has again insulted me in Court. I do not blame him. He was told that he ought to insult me. Until lately he was quite a nice boy, but the others have got hold of him." "Yes, they have no chance here, that is my point. They come out intending to be gentlemen, and are told it will not do. Look at Lesley, look at Blakiston, now it is your red-nosed boy, and Fielding will go next. Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection." "He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!" "I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike. Do you not agree with me?" "I do not," replied Mahmoud Ali, entering into the bitter fun, and feeling both pain and amusement at each word that was uttered. "For my own part I find such profound differences among our rulers. Red-nose mumbles, Turton talks distinctly, Mrs. Turton takes bribes, Mrs. Red-nose does not and cannot, because so far there is no Mrs. Red-nose."<|quote|>"Bribes?"</|quote|>"Did you not know that when they were lent to Central India over a Canal Scheme, some Rajah or other gave her a sewing machine in solid gold so that the water should run through his state." "And does it?" "No, that is where Mrs. Turton is so skilful. When we poor blacks take bribes, we perform what we are bribed to perform, and the law discovers us in consequence. The English take and do nothing. I admire them." "We all admire them. Aziz, please pass me the hookah." "Oh, not yet hookah is so jolly now." "You are a very selfish boy." He raised his voice suddenly, and shouted for dinner. Servants shouted back that it was ready. They meant that they wished it was ready, and were so understood, for nobody moved. Then Hamidullah continued, but with changed manner and evident emotion. "But take my case the case of young Hugh Bannister. Here is the son of my dear, my dead friends, the Reverend and Mrs. Bannister, whose goodness to me in England I shall never forget or describe. They were father and mother to me, I talked to them as I do now. In the vacations their Rectory became my home. They entrusted all their children to me I often carried little Hugh about I took him up to the Funeral of Queen Victoria, and held him in my arms above the crowd." "Queen Victoria was different," murmured Mahmoud Ali. "I learn now that this boy is in business as a leather merchant at Cawnpore. Imagine how I long to see him and to pay his fare that this house may be his home. But it is useless. The other Anglo-Indians will have got hold of him long ago. He will probably think that I want something, and I cannot face that from the son of my old friends. Oh, what in this country has gone wrong with everything, Vakil Sahib? I ask you." Aziz joined in. "Why talk about the English? Brrrr . . . ! Why be either friends with the fellows or not friends? Let us shut them out and be jolly. Queen Victoria and Mrs. Bannister were the only exceptions, and they're dead." "No, no, I do not admit that, I have met others." "So have I," said Mahmoud Ali, unexpectedly veering. "All ladies are far from alike." Their mood was changed, and | at times, but it is normally a dome of blending tints, and the main tint blue. By day the blue will pale down into white where it touches the white of the land, after sunset it has a new circumference orange, melting upwards into tenderest purple. But the core of blue persists, and so it is by night. Then the stars hang like lamps from the immense vault. The distance between the vault and them is as nothing to the distance behind them, and that farther distance, though beyond colour, last freed itself from blue. The sky settles everything not only climates and seasons but when the earth shall be beautiful. By herself she can do little only feeble outbursts of flowers. But when the sky chooses, glory can rain into the Chandrapore bazaars or a benediction pass from horizon to horizon. The sky can do this because it is so strong and so enormous. Strength comes from the sun, infused in it daily, size from the prostrate earth. No mountains infringe on the curve. League after league the earth lies flat, heaves a little, is flat again. Only in the south, where a group of fists and fingers are thrust up through the soil, is the endless expanse interrupted. These fists and fingers are the Marabar Hills, containing the extraordinary caves. CHAPTER II Abandoning his bicycle, which fell before a servant could catch it, the young man sprang up on to the verandah. He was all animation. "Hamidullah, Hamidullah! am I late?" he cried. "Do not apologize," said his host. "You are always late." "Kindly answer my question. Am I late? Has Mahmoud Ali eaten all the food? If so I go elsewhere. Mr. Mahmoud Ali, how are you?" "Thank you, Dr. Aziz, I am dying." "Dying before your dinner? Oh, poor Mahmoud Ali!" "Hamidullah here is actually dead. He passed away just as you rode up on your bike." "Yes, that is so," said the other. "Imagine us both as addressing you from another and a happier world." "Does there happen to be such a thing as a hookah in that happier world of yours?" "Aziz, don't chatter. We are having a very sad talk." The hookah had been packed too tight, as was usual in his friend's house, and bubbled sulkily. He coaxed it. Yielding at last, the tobacco jetted up into his lungs and nostrils, driving out the smoke of burning cow dung that had filled them as he rode through the bazaar. It was delicious. He lay in a trance, sensuous but healthy, through which the talk of the two others did not seem particularly sad they were discussing as to whether or no it is possible to be friends with an Englishman. Mahmoud Ali argued that it was not, Hamidullah disagreed, but with so many reservations that there was no friction between them. Delicious indeed to lie on the broad verandah with the moon rising in front and the servants preparing dinner behind, and no trouble happening. "Well, look at my own experience this morning." "I only contend that it is possible in England," replied Hamidullah, who had been to that country long ago, before the big rush, and had received a cordial welcome at Cambridge. "It is impossible here. Aziz! The red-nosed boy has again insulted me in Court. I do not blame him. He was told that he ought to insult me. Until lately he was quite a nice boy, but the others have got hold of him." "Yes, they have no chance here, that is my point. They come out intending to be gentlemen, and are told it will not do. Look at Lesley, look at Blakiston, now it is your red-nosed boy, and Fielding will go next. Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection." "He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!" "I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike. Do you not agree with me?" "I do not," replied Mahmoud Ali, entering into the bitter fun, and feeling both pain and amusement at each word that was uttered. "For my own part I find such profound differences among our rulers. Red-nose mumbles, Turton talks distinctly, Mrs. Turton takes bribes, Mrs. Red-nose does not and cannot, because so far there is no Mrs. Red-nose."<|quote|>"Bribes?"</|quote|>"Did you not know that when they were lent to Central India over a Canal Scheme, some Rajah or other gave her a sewing machine in solid gold so that the water should run through his state." "And does it?" "No, that is where Mrs. Turton is so skilful. When we poor blacks take bribes, we perform what we are bribed to perform, and the law discovers us in consequence. The English take and do nothing. I admire them." "We all admire them. Aziz, please pass me the hookah." "Oh, not yet hookah is so jolly now." "You are a very selfish boy." He raised his voice suddenly, and shouted for dinner. Servants shouted back that it was ready. They meant that they wished it was ready, and were so understood, for nobody moved. Then Hamidullah continued, but with changed manner and evident emotion. "But take my case the case of young Hugh Bannister. Here is the son of my dear, my dead friends, the Reverend and Mrs. Bannister, whose goodness to me in England I shall never forget or describe. They were father and mother to me, I talked to them as I do now. In the vacations their Rectory became my home. They entrusted all their children to me I often carried little Hugh about I took him up to the Funeral of Queen Victoria, and held him in my arms above the crowd." "Queen Victoria was different," murmured Mahmoud Ali. "I learn now that this boy is in business as a leather merchant at Cawnpore. Imagine how I long to see him and to pay his fare that this house may be his home. But it is useless. The other Anglo-Indians will have got hold of him long ago. He will probably think that I want something, and I cannot face that from the son of my old friends. Oh, what in this country has gone wrong with everything, Vakil Sahib? I ask you." Aziz joined in. "Why talk about the English? Brrrr . . . ! Why be either friends with the fellows or not friends? Let us shut them out and be jolly. Queen Victoria and Mrs. Bannister were the only exceptions, and they're dead." "No, no, I do not admit that, I have met others." "So have I," said Mahmoud Ali, unexpectedly veering. "All ladies are far from alike." Their mood was changed, and they recalled little kindnesses and courtesies. "She said" Thank you so much' "in the most natural way." "She offered me a lozenge when the dust irritated my throat." Hamidullah could remember more important examples of angelic ministration, but the other, who only knew Anglo-India, had to ransack his memory for scraps, and it was not surprising that he should return to "But of course all this is exceptional. The exception does not prove the rule. The average woman is like Mrs. Turton, and, Aziz, you know what she is." Aziz did not know, but said he did. He too generalized from his disappointments it is difficult for members of a subject race to do otherwise. Granted the exceptions, he agreed that all Englishwomen are haughty and venal. The gleam passed from the conversation, whose wintry surface unrolled and expanded interminably. A servant announced dinner. They ignored him. The elder men had reached their eternal politics, Aziz drifted into the garden. The trees smelt sweet green-blossomed champak and scraps of Persian poetry came into his head. Dinner, dinner, dinner . . . but when he returned to the house for it, Mahmoud Ali had drifted away in his turn, to speak to his sais. "Come and see my wife a little then," said Hamidullah, and they spent twenty minutes behind the purdah. Hamidullah Begum was a distant aunt of Aziz, and the only female relative he had in Chandrapore, and she had much to say to him on this occasion about a family circumcision that had been celebrated with imperfect pomp. It was difficult to get away, because until they had had their dinner she would not begin hers, and consequently prolonged her remarks in case they should suppose she was impatient. Having censured the circumcision, she bethought her of kindred topics, and asked Aziz when he was going to be married. Respectful but irritated, he answered, "Once is enough." "Yes, he has done his duty," said Hamidullah. "Do not tease him so. He carries on his family, two boys and their sister." "Aunt, they live most comfortably with my wife's mother, where she was living when she died. I can see them whenever I like. They are such very, very small children." "And he sends them the whole of his salary and lives like a low-grade clerk, and tells no one the reason. What more do you require him to | "It is impossible here. Aziz! The red-nosed boy has again insulted me in Court. I do not blame him. He was told that he ought to insult me. Until lately he was quite a nice boy, but the others have got hold of him." "Yes, they have no chance here, that is my point. They come out intending to be gentlemen, and are told it will not do. Look at Lesley, look at Blakiston, now it is your red-nosed boy, and Fielding will go next. Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection." "He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!" "I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike. Do you not agree with me?" "I do not," replied Mahmoud Ali, entering into the bitter fun, and feeling both pain and amusement at each word that was uttered. "For my own part I find such profound differences among our rulers. Red-nose mumbles, Turton talks distinctly, Mrs. Turton takes bribes, Mrs. Red-nose does not and cannot, because so far there is no Mrs. Red-nose."<|quote|>"Bribes?"</|quote|>"Did you not know that when they were lent to Central India over a Canal Scheme, some Rajah or other gave her a sewing machine in solid gold so that the water should run through his state." "And does it?" "No, that is where Mrs. Turton is so skilful. When we poor blacks take bribes, we perform what we are bribed to perform, and the law discovers us in consequence. The English take and do nothing. I admire them." "We all admire them. Aziz, please pass me the hookah." "Oh, not yet hookah is so jolly now." "You are a very selfish boy." He raised his voice suddenly, and shouted for dinner. Servants shouted back that it was ready. They meant that they wished it was ready, and were so understood, for nobody moved. Then Hamidullah continued, but with changed manner and evident emotion. "But take my case the case of young Hugh Bannister. Here is the son of my dear, my dead friends, the Reverend and Mrs. Bannister, whose goodness to me in England I shall never forget or describe. They were father and mother to me, I talked to them as I do now. In the vacations their Rectory became my home. They entrusted all their children to me I often carried little Hugh about I took him up to the Funeral of Queen Victoria, and held him in my arms above the crowd." "Queen Victoria was different," murmured Mahmoud Ali. "I learn now that this boy is in business as a leather merchant at Cawnpore. Imagine how I long to see him and to pay his fare that this house may be his home. But it is useless. The other Anglo-Indians will have got hold of him long ago. He will probably think that I want something, and I cannot face that from the son of my old friends. Oh, what in this country has gone wrong with everything, Vakil Sahib? I ask you." Aziz joined in. "Why talk about the English? Brrrr . . . ! Why be either friends with the fellows or not friends? Let us shut them out and be jolly. Queen Victoria and Mrs. Bannister were the only exceptions, and they're dead." "No, no, I do not admit that, I have met others." "So have I," said Mahmoud Ali, unexpectedly veering. "All ladies are far from alike." Their mood was | A Passage To India |
Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs. | No speaker | talk to the men. Understand?"<|quote|>Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs.</|quote|>"Understand?" But still she said | need you to help us talk to the men. Understand?"<|quote|>Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs.</|quote|>"Understand?" But still she said nothing; she seemed to be | discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?"<|quote|>Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs.</|quote|>"Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we | be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?"<|quote|>Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs.</|quote|>"Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take | trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?"<|quote|>Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs.</|quote|>"Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give | fibre was severed, four men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts. The ends were left open, and curled up slightly so as to lift them clear (when the craft was fully laden it drew only an inch or two of water). Then the men set about fashioning some single-bladed paddles; that, too, was an easy matter. Every day Dr Messinger asked Rosa, "When will the boats be ready? Ask the men." And she replied, "Just now." "How many days--four?--five?--how many?" "No, not many. Boats finish just now." At last when it was clear that the work was nearly complete, Dr Messinger busied himself with arrangements. He sorted out the stores, dividing the necessary freight into two groups; he and Tony were to sit in separate boats and each had with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?"<|quote|>Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs.</|quote|>"Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them | kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly. "The men must go out and shoot something." But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; it would be plenty of time to start hunting and fishing when that had been exhausted. Meanwhile there were canoes to be built. "This is clearly Amazon water," said Dr Messinger. "It probably flows into the Rio Branco or the Rio Negro. The Pie-wies live along the bank, and the City, from all accounts, must be downstream of us, up one of the tributaries. When we reach the first Pie-wie village we will be able to get guides." The canoes were made of woodskin. Three days were spent in finding trees of suitable age and straightness and in felling them. They cut four trees and worked on them where they lay, clearing the bush for a few feet round them. They stripped the bark with their broad-bladed knives; that took another week. They worked patiently but clumsily; one woodskin was split in getting it off the trunk. There was nothing Tony and Dr Messinger could do to help. They spent that week guarding the sugar from the women. As the men moved about the camp and the surrounding bush, their steps were soundless; their bare feet seemed never to disturb the fallen leaves, their bare shoulders made no rustle in the tangled undergrowth; their speech was brief and scarcely audible, they never joined in the chatter and laughter of their women; sometimes they gave little grunts as they worked; only once they were merry, when one of them let his knife slip as he was working on the tree-trunk and cut deeply into the ball of his thumb. Dr Messinger dressed the wound with iodine, lint and bandages. After that the women constantly solicited him, showing him little scratches on their arms and legs and asking for iodine. Two of the trees were finished on one day, then another next day (that was the one which split) and the fourth two days after that; it was a larger tree than the others. When the last fibre was severed, four men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts. The ends were left open, and curled up slightly so as to lift them clear (when the craft was fully laden it drew only an inch or two of water). Then the men set about fashioning some single-bladed paddles; that, too, was an easy matter. Every day Dr Messinger asked Rosa, "When will the boats be ready? Ask the men." And she replied, "Just now." "How many days--four?--five?--how many?" "No, not many. Boats finish just now." At last when it was clear that the work was nearly complete, Dr Messinger busied himself with arrangements. He sorted out the stores, dividing the necessary freight into two groups; he and Tony were to sit in separate boats and each had with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?"<|quote|>Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs.</|quote|>"Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig | men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts. The ends were left open, and curled up slightly so as to lift them clear (when the craft was fully laden it drew only an inch or two of water). Then the men set about fashioning some single-bladed paddles; that, too, was an easy matter. Every day Dr Messinger asked Rosa, "When will the boats be ready? Ask the men." And she replied, "Just now." "How many days--four?--five?--how many?" "No, not many. Boats finish just now." At last when it was clear that the work was nearly complete, Dr Messinger busied himself with arrangements. He sorted out the stores, dividing the necessary freight into two groups; he and Tony were to sit in separate boats and each had with him a rifle and ammunition, a camera, tinned rations, trade goods and his own luggage. The third canoe, which would be manned solely by Indians, was to hold the flour and rice, sugar and farine and the rations for the men. The canoes would not hold all the stores and an "emergency dump" was made a little way up the bank. "We shall take eight men with us. Four can stay behind with the women to guard the camp. Once we are among the Pie-wies, everything will be easy. These Macushis can go home then. I don't think they will rob the stores. There is nothing here that would be much use to them." "Hadn't we better keep Rosa with us to act as interpreter with the Macushis?" "Yes, perhaps we had. I will tell her." That evening everything was finished except the paddles. In the first exhilarating hour of darkness, when Tony and Dr Messinger were able to discard the gloves and veils that had been irking them all day, they called Rosa across to the part of the camp where they ate and slept. "Rosa, we have decided to take you down the river with us. We need you to help us talk to the men. Understand?"<|quote|>Rosa said nothing; her face was perfectly blank, lit from below by the storm lantern that stood on a box between them; the shadow of her high cheekbones hid her eyes; lank, ragged hair, a tenuous straggle of tattooing along the forehead and lip, rotund body in its filthy cotton gown, bandy brown legs.</|quote|>"Understand?" But still she said nothing; she seemed to be looking over their heads into the dark forest, but her eyes were lost in shadow. "Listen, Rosa, all women and four men stay here in camp. Eight men come in boats to Pie-wie village. You come with boats. When we reach Pie-wie village, you and eight men and boats go back to camp to other women and men. Then back to Macushi country. Understand?" At last Rosa spoke. "Macushi peoples no go with Pie-wie peoples." "I am not asking you to go _with_ Pie-wie people. You and the men take us as far as Pie-wies, then you go back to Macushi people. Understand?" Rosa raised her arm in an embracing circle which covered the camp and the road they had travelled and the broad savannahs behind them. "Macushi peoples there," she said. Then she raised the other arm and waved it downstream towards the hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr | A Handful Of Dust |
He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. | No speaker | at the club. Good night."<|quote|>He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter.</|quote|>"A vase fell upon the | going to get my dinner at the club. Good night."<|quote|>He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter.</|quote|>"A vase fell upon the hearth," said Edna. "Never mind; | their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night."<|quote|>He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter.</|quote|>"A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the | to think the cook was a treasure," returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night."<|quote|>He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter.</|quote|>"A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think | fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect." "You used to think the cook was a treasure," returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night."<|quote|>He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter.</|quote|>"A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked | Belthrop here?" "Bring the tray with the cards, Joe. I don't remember who was here." The boy retired and returned after a moment, bringing the tiny silver tray, which was covered with ladies' visiting cards. He handed it to Mrs. Pontellier. "Give it to Mr. Pontellier," she said. Joe offered the tray to Mr. Pontellier, and removed the soup. Mr. Pontellier scanned the names of his wife's callers, reading some of them aloud, with comments as he read. "The Misses Delasidas.' I worked a big deal in futures for their father this morning; nice girls; it's time they were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect." "You used to think the cook was a treasure," returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night."<|quote|>He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter.</|quote|>"A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of | visitors. Men sometimes called in the evening with their wives. This had been the programme which Mrs. Pontellier had religiously followed since her marriage, six years before. Certain evenings during the week she and her husband attended the opera or sometimes the play. Mr. Pontellier left his home in the mornings between nine and ten o'clock, and rarely returned before half-past six or seven in the evening dinner being served at half-past seven. He and his wife seated themselves at table one Tuesday evening, a few weeks after their return from Grand Isle. They were alone together. The boys were being put to bed; the patter of their bare, escaping feet could be heard occasionally, as well as the pursuing voice of the quadroon, lifted in mild protest and entreaty. Mrs. Pontellier did not wear her usual Tuesday reception gown; she was in ordinary house dress. Mr. Pontellier, who was observant about such things, noticed it, as he served the soup and handed it to the boy in waiting. "Tired out, Edna? Whom did you have? Many callers?" he asked. He tasted his soup and began to season it with pepper, salt, vinegar, mustard everything within reach. "There were a good many," replied Edna, who was eating her soup with evident satisfaction. "I found their cards when I got home; I was out." "Out!" exclaimed her husband, with something like genuine consternation in his voice as he laid down the vinegar cruet and looked at her through his glasses. "Why, what could have taken you out on Tuesday? What did you have to do?" "Nothing. I simply felt like going out, and I went out." "Well, I hope you left some suitable excuse," said her husband, somewhat appeased, as he added a dash of cayenne pepper to the soup. "No, I left no excuse. I told Joe to say I was out, that was all." "Why, my dear, I should think you'd understand by this time that people don't do such things; we've got to observe _les convenances_ if we ever expect to get on and keep up with the procession. If you felt that you had to leave home this afternoon, you should have left some suitable explanation for your absence." "This soup is really impossible; it's strange that woman hasn't learned yet to make a decent soup. Any free-lunch stand in town serves a better one. Was Mrs. Belthrop here?" "Bring the tray with the cards, Joe. I don't remember who was here." The boy retired and returned after a moment, bringing the tiny silver tray, which was covered with ladies' visiting cards. He handed it to Mrs. Pontellier. "Give it to Mr. Pontellier," she said. Joe offered the tray to Mr. Pontellier, and removed the soup. Mr. Pontellier scanned the names of his wife's callers, reading some of them aloud, with comments as he read. "The Misses Delasidas.' I worked a big deal in futures for their father this morning; nice girls; it's time they were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect." "You used to think the cook was a treasure," returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night."<|quote|>He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter.</|quote|>"A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the street. Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic. She went back into the house. She had thought of speaking to the cook concerning her blunders of the previous night; but Mr. Pontellier had saved her that disagreeable mission, for which she was so poorly fitted. Mr. Pontellier's arguments were usually convincing with those whom he employed. He left home feeling quite sure that he and Edna would sit down that evening, and possibly a few subsequent evenings, to a dinner deserving of the name. Edna spent an hour or two in looking over some of her old sketches. She could see their shortcomings and defects, which were glaring in her eyes. She tried to work a little, but found she was not in the humor. Finally she gathered together a few of the sketches those which she considered the least discreditable; and she carried them with her when, a little later, she dressed and left the house. She looked handsome and distinguished in her street gown. The tan of the seashore had left her face, and her forehead was smooth, white, and polished beneath her heavy, yellow-brown hair. There were a few freckles on her face, and a small, dark mole near the under lip and one on the temple, half-hidden in her hair. As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing. Edna was on her way to Madame Ratignolle's. Their intimacy, begun at Grand Isle, had not declined, and they had seen each other with some frequency since their return to the city. The Ratignolles lived at no great distance from Edna's home, on the corner of a side street, where Monsieur Ratignolle owned and conducted a drug store which enjoyed a steady and prosperous trade. His father had been in the business before him, and Monsieur Ratignolle stood well in the community and bore an enviable reputation for integrity and clearheadedness. His family lived in commodious apartments over the store, having an entrance on the side within the _porte coch re_. There was something which Edna thought very French, very foreign, about their whole manner of living. In the large and pleasant salon which extended across the width of the house, the Ratignolles entertained their friends once a fortnight with a _soir e musicale_, sometimes diversified by card-playing. There was a friend who played upon the cello. | father this morning; nice girls; it's time they were getting married. Mrs. Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. Madame Laforc .' Came all the way from Carrolton, too, poor old soul. Miss Wiggs,' Mrs. Eleanor Boltons.'" He pushed the cards aside. "Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?" "I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count." The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy, and he did not like the manner in which the vegetables were served. "It seems to me," he said, "we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect." "You used to think the cook was a treasure," returned Edna, indifferently. "Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn't look after the clerks in my office, just let them run things their own way; they'd soon make a nice mess of me and my business." "Where are you going?" asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup. "I'm going to get my dinner at the club. Good night."<|quote|>He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name. But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed. It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter.</|quote|>"A vase fell upon the hearth," said Edna. "Never mind; leave it till morning." "Oh! you might get some of the glass in your feet, ma'am," insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. "And here's your ring, ma'am, under the chair." Edna held out her hand, and taking the ring, slipped it upon her finger. XVIII The following morning Mr. Pontellier, upon leaving for his office, asked Edna if she would not meet him in town in order to look at some new fixtures for the library. "I hardly think we need new fixtures, L once. Don't let us get anything new; you are too extravagant. I don't believe you ever think of saving or putting by." "The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her good-by, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet. She stood on the front veranda as he quitted the house, and absently picked a few sprays of jessamine that grew upon a trellis near by. She inhaled the odor of the blossoms and thrust them into the bosom of her white morning gown. The boys were dragging along the banquette a small "express wagon," which they had filled with blocks and sticks. The quadroon was following them with little quick steps, having assumed a fictitious animation and alacrity for the occasion. A fruit vender was crying his wares in the | The Awakening |
The personage he so addressed was, as we know, nothing if not generally affable; yet if that was just then apparent it was through a shade of coolness for the slightly heated familiarity of so plain, or at least so free, a young man in eye-glasses, now for the first time definitely apprehended. | No speaker | to go over your treasures.”<|quote|>The personage he so addressed was, as we know, nothing if not generally affable; yet if that was just then apparent it was through a shade of coolness for the slightly heated familiarity of so plain, or at least so free, a young man in eye-glasses, now for the first time definitely apprehended.</|quote|>“Oh, I’ve scarcely ‘treasures’--but I’ve | on, “for your kind leave to go over your treasures.”<|quote|>The personage he so addressed was, as we know, nothing if not generally affable; yet if that was just then apparent it was through a shade of coolness for the slightly heated familiarity of so plain, or at least so free, a young man in eye-glasses, now for the first time definitely apprehended.</|quote|>“Oh, I’ve scarcely ‘treasures’--but I’ve some things of interest.” Hugh, | in regard to what you appear to have been discussing, that it depends a good deal on just that question--of what your Moretto, at any rate, may be presumed or proved to ‘be.’ Let me thank you,” he cheerfully went on, “for your kind leave to go over your treasures.”<|quote|>The personage he so addressed was, as we know, nothing if not generally affable; yet if that was just then apparent it was through a shade of coolness for the slightly heated familiarity of so plain, or at least so free, a young man in eye-glasses, now for the first time definitely apprehended.</|quote|>“Oh, I’ve scarcely ‘treasures’--but I’ve some things of interest.” Hugh, however, entering the opulent circle, as it were, clearly took account of no breath of a chill. “I think possible, my lord, that you’ve a great treasure--if you’ve really so high a rarity as a splendid Manto-vano.” “A ‘Mantovano’?” You | of him, but attached eyes of recognition then to Lord Theign’s, whom he remained an instant longer communicatively smiling at. After which, as you might have gathered, he all confidently plunged, taking up the talk where the others had left it. “I should say, Lord Theign, if you’ll allow me, in regard to what you appear to have been discussing, that it depends a good deal on just that question--of what your Moretto, at any rate, may be presumed or proved to ‘be.’ Let me thank you,” he cheerfully went on, “for your kind leave to go over your treasures.”<|quote|>The personage he so addressed was, as we know, nothing if not generally affable; yet if that was just then apparent it was through a shade of coolness for the slightly heated familiarity of so plain, or at least so free, a young man in eye-glasses, now for the first time definitely apprehended.</|quote|>“Oh, I’ve scarcely ‘treasures’--but I’ve some things of interest.” Hugh, however, entering the opulent circle, as it were, clearly took account of no breath of a chill. “I think possible, my lord, that you’ve a great treasure--if you’ve really so high a rarity as a splendid Manto-vano.” “A ‘Mantovano’?” You wouldn’t have been sure that his lordship didn’t pronounce the word for the first time in his life. “There have been supposed to be only _seven_ real examples about the world; so that if by an extraordinary chance you find yourself the possessor of a magnificent eighth----” But Lord John | once supplied a further light. “I guess this gentleman at any rate can tell you.” VIII Hugh Crimble had come back from his voyage of discovery, and it was visible as he stood there flushed and quite radiant that he had caught in his approach Lord Theign’s last inquiry and Mr. Bender’s reply to it. You would have imputed to him on the spot the lively possession of a new idea, the sustaining sense of a message important enough to justify his irruption. He looked from one to the other of the three men, scattered a little by the sight of him, but attached eyes of recognition then to Lord Theign’s, whom he remained an instant longer communicatively smiling at. After which, as you might have gathered, he all confidently plunged, taking up the talk where the others had left it. “I should say, Lord Theign, if you’ll allow me, in regard to what you appear to have been discussing, that it depends a good deal on just that question--of what your Moretto, at any rate, may be presumed or proved to ‘be.’ Let me thank you,” he cheerfully went on, “for your kind leave to go over your treasures.”<|quote|>The personage he so addressed was, as we know, nothing if not generally affable; yet if that was just then apparent it was through a shade of coolness for the slightly heated familiarity of so plain, or at least so free, a young man in eye-glasses, now for the first time definitely apprehended.</|quote|>“Oh, I’ve scarcely ‘treasures’--but I’ve some things of interest.” Hugh, however, entering the opulent circle, as it were, clearly took account of no breath of a chill. “I think possible, my lord, that you’ve a great treasure--if you’ve really so high a rarity as a splendid Manto-vano.” “A ‘Mantovano’?” You wouldn’t have been sure that his lordship didn’t pronounce the word for the first time in his life. “There have been supposed to be only _seven_ real examples about the world; so that if by an extraordinary chance you find yourself the possessor of a magnificent eighth----” But Lord John had already broken in. “Why, there you _are_, Mr. Bender!” “Oh, Mr. Bender, with whom I’ve made acquaintance,” Hugh returned, “was there as it began to work in me--” “That your Moretto, Lord Theign” --Mr. Bender took their informant up-- “isn’t, after all, a Moretto at all.” And he continued amusedly to Hugh: “It began to work in you, sir, like very strong drink!” “Do I understand you to suggest,” Lord Theign asked of the startling young man, “that my precious picture isn’t genuine?” Well, Hugh knew exactly what he suggested. “As a picture, Lord Theign, as a great portrait, | see your way to?” But Lord John had jumped at the truth. “The matter with Mr. Bender is that he sees his way much further.” “Further?” their companion echoed. “The matter with Mr. Bender is that he wants to give millions.” Lord Theign sounded this abyss with a smile. “Well, there would be no difficulty about _that_, I think!” “Ah,” said his guest, “you know the basis, sir, on which I’m ready to pay.” “On the basis then of the Sir Joshua,” Lord John inquired, “how far would you go?” Mr. Bender indicated by a gesture that on a question reduced to a moiety by its conditional form he could give but semi-satisfaction. “Well, I’d go all the way.” “He wants, you see,” Lord John elucidated, “an _ideally_ expensive thing.” Lord Theign appeared to decide after a moment to enter into the pleasant spirit of this; which he did by addressing his younger friend. “Then why shouldn’t I make even the Moretto as expensive as he desires?” “Because you can’t do violence to _that_ master’s natural modesty,” Mr. Bender declared before Lord John had time to speak. And conscious at this moment of the reappearance of his fellow-explorer, he at once supplied a further light. “I guess this gentleman at any rate can tell you.” VIII Hugh Crimble had come back from his voyage of discovery, and it was visible as he stood there flushed and quite radiant that he had caught in his approach Lord Theign’s last inquiry and Mr. Bender’s reply to it. You would have imputed to him on the spot the lively possession of a new idea, the sustaining sense of a message important enough to justify his irruption. He looked from one to the other of the three men, scattered a little by the sight of him, but attached eyes of recognition then to Lord Theign’s, whom he remained an instant longer communicatively smiling at. After which, as you might have gathered, he all confidently plunged, taking up the talk where the others had left it. “I should say, Lord Theign, if you’ll allow me, in regard to what you appear to have been discussing, that it depends a good deal on just that question--of what your Moretto, at any rate, may be presumed or proved to ‘be.’ Let me thank you,” he cheerfully went on, “for your kind leave to go over your treasures.”<|quote|>The personage he so addressed was, as we know, nothing if not generally affable; yet if that was just then apparent it was through a shade of coolness for the slightly heated familiarity of so plain, or at least so free, a young man in eye-glasses, now for the first time definitely apprehended.</|quote|>“Oh, I’ve scarcely ‘treasures’--but I’ve some things of interest.” Hugh, however, entering the opulent circle, as it were, clearly took account of no breath of a chill. “I think possible, my lord, that you’ve a great treasure--if you’ve really so high a rarity as a splendid Manto-vano.” “A ‘Mantovano’?” You wouldn’t have been sure that his lordship didn’t pronounce the word for the first time in his life. “There have been supposed to be only _seven_ real examples about the world; so that if by an extraordinary chance you find yourself the possessor of a magnificent eighth----” But Lord John had already broken in. “Why, there you _are_, Mr. Bender!” “Oh, Mr. Bender, with whom I’ve made acquaintance,” Hugh returned, “was there as it began to work in me--” “That your Moretto, Lord Theign” --Mr. Bender took their informant up-- “isn’t, after all, a Moretto at all.” And he continued amusedly to Hugh: “It began to work in you, sir, like very strong drink!” “Do I understand you to suggest,” Lord Theign asked of the startling young man, “that my precious picture isn’t genuine?” Well, Hugh knew exactly what he suggested. “As a picture, Lord Theign, as a great portrait, one of the most genuine things in Europe. But it strikes me as probable that from far back--for reasons!--there has been a wrong attribution; that the work has been, in other words, traditionally, obstinately miscalled. It has passed for a Moretto, and at first I quite took it for one; but I suddenly, as I looked and looked and saw and saw, began to doubt, and now I know _why_ I doubted.” Lord Theign had during this speech kept his eyes on the ground; but he raised them to Mr. Crimble’s almost palpitating presence for the remark: “I’m bound to say that I hope you’ve some very good grounds!” “I’ve three or four, Lord Theign; they seem to me of the best--as yet. They made me wonder and wonder--and then light splendidly broke.” His lordship didn’t stint his attention. “Reflected, you mean, from _other_ Mantovanos--that I don’t know?” “I mean from those I know myself,” said Hugh; “and I mean from fine analogies with one in particular.” “Analogies that in all these years, these centuries, have so remarkably not been noticed?” “Well,” Hugh competently explained, “they’re a sort of thing the very sense of, the value and meaning of, are | you don’t feel the interest of that Moretto?” Mr. Bender, quietly confident, took his time to reply. “Well, if you had seen me up on that chair you’d have thought I did.” “Then you must have stepped down from the chair properly impressed.” “I stepped down quite impressed with that young man.” “Mr. Crimble?” --it came after an instant to Lord John. “With _his_ opinion, really? Then I hope he’s aware of the picture’s value.” “You had better ask him,” Mr. Bender observed. “Oh, we don’t depend here on the Mr. Crimbles!” Lord John returned. Mr. Bender took a longer look at him. “Are you aware of the value yourself?” His friend resorted again, as for the amusement of the thing, to their entertainer. “Am I aware of the value of the Moretto?” Lord Theign, who had meanwhile lighted another cigarette, appeared, a bit extravagantly smoking, to wish to put an end to his effect of hovering aloof. “That question needn’t trouble us--when I see how much Mr. Bender himself knows about it.” “Well, Lord Theign, I only know what that young man puts it at.” And then as the others waited, “Ten thousand,” said Mr. Bender. “Ten thousand?” The owner of the work showed no emotion. “Well,” said Lord John again in Mr. Bender’s style, “what’s the matter with ten thousand?” The subject of his gay tribute considered. “There’s nothing the matter with ten thousand.” “Then,” Lord Theign asked, “is there anything the matter with the picture?” “Yes, sir--I guess there is.” It gave an upward push to his lordship’s eyebrows. “But what in the world----?” “Well, that’s just the question!” The eyebrows continued to rise. “Does he pretend there’s a question of whether it _is_ a Moretto?” “That’s what he was up there trying to find out.” “But if the value’s, according to himself, ten thousand----?” “Why, of course,” said Mr. Bender, “it’s a fine work anyway.” “Then,” Lord Theign brought good-naturedly out, “what’s the matter with _you_, Mr. Bender?” That gentleman was perfectly clear. “The matter with me, Lord Theign, is that I’ve no use for a ten thousand picture.” “‘No use?’” --the expression had an oddity. “But what’s it your idea to do with such things?” “I mean,” Mr. Bender explained, “that a picture of that rank is not what I’m after.” “The figure,” said his noble host--speaking thus, under pressure, commercially-- “is beyond what you see your way to?” But Lord John had jumped at the truth. “The matter with Mr. Bender is that he sees his way much further.” “Further?” their companion echoed. “The matter with Mr. Bender is that he wants to give millions.” Lord Theign sounded this abyss with a smile. “Well, there would be no difficulty about _that_, I think!” “Ah,” said his guest, “you know the basis, sir, on which I’m ready to pay.” “On the basis then of the Sir Joshua,” Lord John inquired, “how far would you go?” Mr. Bender indicated by a gesture that on a question reduced to a moiety by its conditional form he could give but semi-satisfaction. “Well, I’d go all the way.” “He wants, you see,” Lord John elucidated, “an _ideally_ expensive thing.” Lord Theign appeared to decide after a moment to enter into the pleasant spirit of this; which he did by addressing his younger friend. “Then why shouldn’t I make even the Moretto as expensive as he desires?” “Because you can’t do violence to _that_ master’s natural modesty,” Mr. Bender declared before Lord John had time to speak. And conscious at this moment of the reappearance of his fellow-explorer, he at once supplied a further light. “I guess this gentleman at any rate can tell you.” VIII Hugh Crimble had come back from his voyage of discovery, and it was visible as he stood there flushed and quite radiant that he had caught in his approach Lord Theign’s last inquiry and Mr. Bender’s reply to it. You would have imputed to him on the spot the lively possession of a new idea, the sustaining sense of a message important enough to justify his irruption. He looked from one to the other of the three men, scattered a little by the sight of him, but attached eyes of recognition then to Lord Theign’s, whom he remained an instant longer communicatively smiling at. After which, as you might have gathered, he all confidently plunged, taking up the talk where the others had left it. “I should say, Lord Theign, if you’ll allow me, in regard to what you appear to have been discussing, that it depends a good deal on just that question--of what your Moretto, at any rate, may be presumed or proved to ‘be.’ Let me thank you,” he cheerfully went on, “for your kind leave to go over your treasures.”<|quote|>The personage he so addressed was, as we know, nothing if not generally affable; yet if that was just then apparent it was through a shade of coolness for the slightly heated familiarity of so plain, or at least so free, a young man in eye-glasses, now for the first time definitely apprehended.</|quote|>“Oh, I’ve scarcely ‘treasures’--but I’ve some things of interest.” Hugh, however, entering the opulent circle, as it were, clearly took account of no breath of a chill. “I think possible, my lord, that you’ve a great treasure--if you’ve really so high a rarity as a splendid Manto-vano.” “A ‘Mantovano’?” You wouldn’t have been sure that his lordship didn’t pronounce the word for the first time in his life. “There have been supposed to be only _seven_ real examples about the world; so that if by an extraordinary chance you find yourself the possessor of a magnificent eighth----” But Lord John had already broken in. “Why, there you _are_, Mr. Bender!” “Oh, Mr. Bender, with whom I’ve made acquaintance,” Hugh returned, “was there as it began to work in me--” “That your Moretto, Lord Theign” --Mr. Bender took their informant up-- “isn’t, after all, a Moretto at all.” And he continued amusedly to Hugh: “It began to work in you, sir, like very strong drink!” “Do I understand you to suggest,” Lord Theign asked of the startling young man, “that my precious picture isn’t genuine?” Well, Hugh knew exactly what he suggested. “As a picture, Lord Theign, as a great portrait, one of the most genuine things in Europe. But it strikes me as probable that from far back--for reasons!--there has been a wrong attribution; that the work has been, in other words, traditionally, obstinately miscalled. It has passed for a Moretto, and at first I quite took it for one; but I suddenly, as I looked and looked and saw and saw, began to doubt, and now I know _why_ I doubted.” Lord Theign had during this speech kept his eyes on the ground; but he raised them to Mr. Crimble’s almost palpitating presence for the remark: “I’m bound to say that I hope you’ve some very good grounds!” “I’ve three or four, Lord Theign; they seem to me of the best--as yet. They made me wonder and wonder--and then light splendidly broke.” His lordship didn’t stint his attention. “Reflected, you mean, from _other_ Mantovanos--that I don’t know?” “I mean from those I know myself,” said Hugh; “and I mean from fine analogies with one in particular.” “Analogies that in all these years, these centuries, have so remarkably not been noticed?” “Well,” Hugh competently explained, “they’re a sort of thing the very sense of, the value and meaning of, are a highly modern--in fact a quite recent growth.” Lord John at this professed with cordiality that he at least quite understood. “Oh, we know a lot more about our pictures and things than ever our ancestors did!” “Well, I guess it’s enough for _me_,” Mr. Bender contributed, “that your ancestors knew enough to get ‘em!” “Ah, that doesn’t go so far,” cried Hugh, “unless we ourselves know enough to keep ‘em!” The words appeared to quicken in a manner Lord Theign’s view of the speaker. “Were _your_ ancestors, Mr. Crimble, great collectors?” Arrested, it might be, in his general assurance, Hugh wondered and smiled. “Mine--collectors? Oh, I’m afraid I haven’t any--to speak of. Only it has seemed to me for a long time,” he added, “that on that head we should all feel together.” Lord Theign looked for a moment as if these were rather large presumptions; then he put them in their place a little curtly. “It’s one thing to keep our possessions for ourselves--it’s another to keep them for other people.” “Well,” Hugh good-humouredly returned, “I’m perhaps not so absolutely sure of myself, if you press me, as that I sha’n’t be glad of a higher and wiser opinion--I mean than my own. It would be awfully interesting, if you’ll allow me to say so, to have the judgment of one or two of the great men.” “You’re not yourself, Mr. Crimble, one of the great men?” his host asked with tempered irony. “Well, I guess he’s going to be, anyhow,” Mr. Bender cordially struck in; “and this remarkable exhibition of intelligence may just let him loose on the world, mayn’t it?” “Thank you, Mr. Bender!” --and Hugh obviously tried to look neither elated nor snubbed. “I’ve too much still to learn, but I’m learning every day, and I shall have learnt immensely this afternoon.” “Pretty well at my expense, however,” Lord Theign laughed, “if you demolish a name we’ve held for generations so dear.” “You may have held the name dear, my lord,” his young critic answered; “but my whole point is that, if I’m right, you’ve held the picture itself cheap.” “Because a Mantovano,” said Lord John, “is so much greater a value?” Hugh met his eyes a moment “Are you talking of values pecuniary?” “What values are _not_ pecuniary?” Hugh might, during his hesitation, have been imagined to stand off a little from the question. | continued to rise. “Does he pretend there’s a question of whether it _is_ a Moretto?” “That’s what he was up there trying to find out.” “But if the value’s, according to himself, ten thousand----?” “Why, of course,” said Mr. Bender, “it’s a fine work anyway.” “Then,” Lord Theign brought good-naturedly out, “what’s the matter with _you_, Mr. Bender?” That gentleman was perfectly clear. “The matter with me, Lord Theign, is that I’ve no use for a ten thousand picture.” “‘No use?’” --the expression had an oddity. “But what’s it your idea to do with such things?” “I mean,” Mr. Bender explained, “that a picture of that rank is not what I’m after.” “The figure,” said his noble host--speaking thus, under pressure, commercially-- “is beyond what you see your way to?” But Lord John had jumped at the truth. “The matter with Mr. Bender is that he sees his way much further.” “Further?” their companion echoed. “The matter with Mr. Bender is that he wants to give millions.” Lord Theign sounded this abyss with a smile. “Well, there would be no difficulty about _that_, I think!” “Ah,” said his guest, “you know the basis, sir, on which I’m ready to pay.” “On the basis then of the Sir Joshua,” Lord John inquired, “how far would you go?” Mr. Bender indicated by a gesture that on a question reduced to a moiety by its conditional form he could give but semi-satisfaction. “Well, I’d go all the way.” “He wants, you see,” Lord John elucidated, “an _ideally_ expensive thing.” Lord Theign appeared to decide after a moment to enter into the pleasant spirit of this; which he did by addressing his younger friend. “Then why shouldn’t I make even the Moretto as expensive as he desires?” “Because you can’t do violence to _that_ master’s natural modesty,” Mr. Bender declared before Lord John had time to speak. And conscious at this moment of the reappearance of his fellow-explorer, he at once supplied a further light. “I guess this gentleman at any rate can tell you.” VIII Hugh Crimble had come back from his voyage of discovery, and it was visible as he stood there flushed and quite radiant that he had caught in his approach Lord Theign’s last inquiry and Mr. Bender’s reply to it. You would have imputed to him on the spot the lively possession of a new idea, the sustaining sense of a message important enough to justify his irruption. He looked from one to the other of the three men, scattered a little by the sight of him, but attached eyes of recognition then to Lord Theign’s, whom he remained an instant longer communicatively smiling at. After which, as you might have gathered, he all confidently plunged, taking up the talk where the others had left it. “I should say, Lord Theign, if you’ll allow me, in regard to what you appear to have been discussing, that it depends a good deal on just that question--of what your Moretto, at any rate, may be presumed or proved to ‘be.’ Let me thank you,” he cheerfully went on, “for your kind leave to go over your treasures.”<|quote|>The personage he so addressed was, as we know, nothing if not generally affable; yet if that was just then apparent it was through a shade of coolness for the slightly heated familiarity of so plain, or at least so free, a young man in eye-glasses, now for the first time definitely apprehended.</|quote|>“Oh, I’ve scarcely ‘treasures’--but I’ve some things of interest.” Hugh, however, entering the opulent circle, as it were, clearly took account of no breath of a chill. “I think possible, my lord, that you’ve a great treasure--if you’ve really so high a rarity as a splendid Manto-vano.” “A ‘Mantovano’?” You wouldn’t have been sure that his lordship didn’t pronounce the word for the first time in his life. “There have been supposed to be only _seven_ real examples about the world; so that if by an extraordinary chance you find yourself the possessor of a magnificent eighth----” But Lord John had already broken in. “Why, there you _are_, Mr. Bender!” “Oh, Mr. Bender, with whom I’ve made acquaintance,” Hugh returned, “was there as it began to work in me--” “That your Moretto, Lord Theign” --Mr. Bender took their informant up-- “isn’t, after all, a Moretto at all.” And he continued amusedly to Hugh: “It began to work in you, sir, like very strong drink!” “Do I understand you to suggest,” Lord Theign asked of the startling young man, “that my precious picture isn’t genuine?” Well, Hugh knew exactly what he suggested. “As a picture, Lord Theign, as a great portrait, one of the most genuine things in Europe. But it strikes me as probable that from far back--for reasons!--there has been a wrong attribution; that the work has been, in other words, traditionally, obstinately miscalled. It has passed for a Moretto, and at first I quite took it for one; but I suddenly, as I looked and looked and saw and saw, began to doubt, and now I know _why_ I doubted.” Lord Theign had during this speech kept his eyes on the ground; but he raised them to Mr. Crimble’s almost palpitating presence for the remark: “I’m bound to say that I hope you’ve some very good grounds!” “I’ve three or four, Lord Theign; they seem to me of the best--as yet. They made me wonder and wonder--and then light splendidly broke.” His lordship didn’t stint his attention. “Reflected, you mean, from _other_ Mantovanos--that I don’t know?” “I mean from those I know myself,” said Hugh; “and I mean from fine analogies with one in particular.” “Analogies that in all these years, these centuries, have so remarkably not been noticed?” “Well,” Hugh competently explained, “they’re a sort of thing the very sense of, the value and meaning of, are a highly modern--in fact a quite recent growth.” Lord John at this professed with cordiality that he at least quite understood. “Oh, we know a lot more about our pictures and things than ever our ancestors did!” “Well, I guess it’s enough for _me_,” Mr. Bender contributed, “that your ancestors knew enough to get ‘em!” “Ah, that doesn’t go so far,” cried Hugh, “unless we ourselves know enough to keep ‘em!” The words appeared to quicken in a manner Lord Theign’s view of the speaker. “Were _your_ ancestors, Mr. Crimble, great collectors?” Arrested, it might be, in his general assurance, Hugh wondered and smiled. “Mine--collectors? Oh, I’m afraid I haven’t any--to speak of. Only it has seemed to me for a long time,” he added, “that on that head we should all feel together.” Lord Theign looked for a moment as if these were rather large presumptions; then he put them in their place | The Outcry |
Mike said. | No speaker | it to see me now,"<|quote|>Mike said.</|quote|>"I used to pay him | "Frightfully good tailor. Never believe it to see me now,"<|quote|>Mike said.</|quote|>"I used to pay him a hundred pounds a year | left them to be cleaned. Frightfully military cove. Set hell's own store by them." Mike paused. "Rotten luck for the tailor," he said. "You don't mean it," Bill said. "I should think it would have been grand for the tailor." "Frightfully good tailor. Never believe it to see me now,"<|quote|>Mike said.</|quote|>"I used to pay him a hundred pounds a year just to keep him quiet. So he wouldn't send me any bills. Frightful blow to him when I went bankrupt. It was right after the medals. Gave his letters rather a bitter tone." "How did you go bankrupt?" Bill asked. | club. Dashing fellow." "Tell the rest," Brett said. "Don't you think that was funny?" Mike asked. We were all laughing. "It was. I swear it was. Any rate, my tailor wrote me and wanted the medals back. Sent a man around. Kept on writing for months. Seems some chap had left them to be cleaned. Frightfully military cove. Set hell's own store by them." Mike paused. "Rotten luck for the tailor," he said. "You don't mean it," Bill said. "I should think it would have been grand for the tailor." "Frightfully good tailor. Never believe it to see me now,"<|quote|>Mike said.</|quote|>"I used to pay him a hundred pounds a year just to keep him quiet. So he wouldn't send me any bills. Frightful blow to him when I went bankrupt. It was right after the medals. Gave his letters rather a bitter tone." "How did you go bankrupt?" Bill asked. "Two ways," Mike said. "Gradually and then suddenly." "What brought it on?" "Friends," said Mike. "I had a lot of friends. False friends. Then I had creditors, too. Probably had more creditors than anybody in England." "Tell them about in the court," Brett said. "I don't remember," Mike said. "I | I didn't tell it right." "You didn't," said Brett. "But no matter." We were all laughing. "Ah, yes," said Mike. "I know now. It was a damn dull dinner, and I couldn't stick it, so I left. Later on in the evening I found the box in my pocket." What's this? "I said." Medals? "Bloody military medals? So I cut them all off their backing--you know, they put them on a strip--and gave them all around. Gave one to each girl. Form of souvenir. They thought I was hell's own shakes of a soldier. Give away medals in a night club. Dashing fellow." "Tell the rest," Brett said. "Don't you think that was funny?" Mike asked. We were all laughing. "It was. I swear it was. Any rate, my tailor wrote me and wanted the medals back. Sent a man around. Kept on writing for months. Seems some chap had left them to be cleaned. Frightfully military cove. Set hell's own store by them." Mike paused. "Rotten luck for the tailor," he said. "You don't mean it," Bill said. "I should think it would have been grand for the tailor." "Frightfully good tailor. Never believe it to see me now,"<|quote|>Mike said.</|quote|>"I used to pay him a hundred pounds a year just to keep him quiet. So he wouldn't send me any bills. Frightful blow to him when I went bankrupt. It was right after the medals. Gave his letters rather a bitter tone." "How did you go bankrupt?" Bill asked. "Two ways," Mike said. "Gradually and then suddenly." "What brought it on?" "Friends," said Mike. "I had a lot of friends. False friends. Then I had creditors, too. Probably had more creditors than anybody in England." "Tell them about in the court," Brett said. "I don't remember," Mike said. "I was just a little tight." "Tight!" Brett exclaimed. "You were blind!" "Extraordinary thing," Mike said. "Met my former partner the other day. Offered to buy me a drink." "Tell them about your learned counsel," Brett said. "I will not," Mike said. "My learned counsel was blind, too. I say this is a gloomy subject. Are we going down and see these bulls unloaded or not?" "Let's go down." We called the waiter, paid, and started to walk through the town. I started off walking with Brett, but Robert Cohn came up and joined her on the other side. The three | big dinner and the Prince of Wales was to be there, and the cards said medals will be worn. So naturally I had no medals, and I stopped at my tailor's and he was impressed by the invitation, and I thought that's a good piece of business, and I said to him:" 'You've got to fix me up with some medals.' "He said:" 'What medals, sir?' "And I said:" 'Oh, any medals. Just give me a few medals.' "So he said:" 'What medals _have_ you, sir?' "And I said:" 'How should I know?' "Did he think I spent all my time reading the bloody gazette?" 'Just give me a good lot. Pick them out yourself.' "So he got me some medals, you know, miniature medals, and handed me the box, and I put it in my pocket and forgot it. Well, I went to the dinner, and it was the night they'd shot Henry Wilson, so the Prince didn't come and the King didn't come, and no one wore any medals, and all these coves were busy taking off their medals, and I had mine in my pocket." He stopped for us to laugh. "Is that all?" "That's all. Perhaps I didn't tell it right." "You didn't," said Brett. "But no matter." We were all laughing. "Ah, yes," said Mike. "I know now. It was a damn dull dinner, and I couldn't stick it, so I left. Later on in the evening I found the box in my pocket." What's this? "I said." Medals? "Bloody military medals? So I cut them all off their backing--you know, they put them on a strip--and gave them all around. Gave one to each girl. Form of souvenir. They thought I was hell's own shakes of a soldier. Give away medals in a night club. Dashing fellow." "Tell the rest," Brett said. "Don't you think that was funny?" Mike asked. We were all laughing. "It was. I swear it was. Any rate, my tailor wrote me and wanted the medals back. Sent a man around. Kept on writing for months. Seems some chap had left them to be cleaned. Frightfully military cove. Set hell's own store by them." Mike paused. "Rotten luck for the tailor," he said. "You don't mean it," Bill said. "I should think it would have been grand for the tailor." "Frightfully good tailor. Never believe it to see me now,"<|quote|>Mike said.</|quote|>"I used to pay him a hundred pounds a year just to keep him quiet. So he wouldn't send me any bills. Frightful blow to him when I went bankrupt. It was right after the medals. Gave his letters rather a bitter tone." "How did you go bankrupt?" Bill asked. "Two ways," Mike said. "Gradually and then suddenly." "What brought it on?" "Friends," said Mike. "I had a lot of friends. False friends. Then I had creditors, too. Probably had more creditors than anybody in England." "Tell them about in the court," Brett said. "I don't remember," Mike said. "I was just a little tight." "Tight!" Brett exclaimed. "You were blind!" "Extraordinary thing," Mike said. "Met my former partner the other day. Offered to buy me a drink." "Tell them about your learned counsel," Brett said. "I will not," Mike said. "My learned counsel was blind, too. I say this is a gloomy subject. Are we going down and see these bulls unloaded or not?" "Let's go down." We called the waiter, paid, and started to walk through the town. I started off walking with Brett, but Robert Cohn came up and joined her on the other side. The three of us walked along, past the Ayuntamiento with the banners hung from the balcony, down past the market and down past the steep street that led to the bridge across the Arga. There were many people walking to go and see the bulls, and carriages drove down the hill and across the bridge, the drivers, the horses, and the whips rising above the walking people in the street. Across the bridge we turned up a road to the corrals. We passed a wine-shop with a sign in the window: Good Wine 30 Centimes A Liter. "That's where we'll go when funds get low," Brett said. The woman standing in the door of the wine-shop looked at us as we passed. She called to some one in the house and three girls came to the window and stared. They were staring at Brett. At the gate of the corrals two men took tickets from the people that went in. We went in through the gate. There were trees inside and a low, stone house. At the far end was the stone wall of the corrals, with apertures in the stone that were like loopholes running all along the face of each | were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said. "What rot," Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate fellow," Mike said. "What times we had. How I wish those dear days were back." "Don't be an ass." "Were you in the war, Mike?" Cohn asked. "Was I not." "He was a very distinguished soldier," Brett said. "Tell them about the time your horse bolted down Piccadilly." "I'll not. I've told that four times." "You never told me," Robert Cohn said. "I'll not tell that story. It reflects discredit on me." "Tell them about your medals." "I'll not. That story reflects great discredit on me." "What story's that?" "Brett will tell you. She tells all the stories that reflect discredit on me." "Go on. Tell it, Brett." "Should I?" "I'll tell it myself." "What medals have you got, Mike?" "I haven't got any medals." "You must have some." "I suppose I've the usual medals. But I never sent in for them. One time there was this wopping big dinner and the Prince of Wales was to be there, and the cards said medals will be worn. So naturally I had no medals, and I stopped at my tailor's and he was impressed by the invitation, and I thought that's a good piece of business, and I said to him:" 'You've got to fix me up with some medals.' "He said:" 'What medals, sir?' "And I said:" 'Oh, any medals. Just give me a few medals.' "So he said:" 'What medals _have_ you, sir?' "And I said:" 'How should I know?' "Did he think I spent all my time reading the bloody gazette?" 'Just give me a good lot. Pick them out yourself.' "So he got me some medals, you know, miniature medals, and handed me the box, and I put it in my pocket and forgot it. Well, I went to the dinner, and it was the night they'd shot Henry Wilson, so the Prince didn't come and the King didn't come, and no one wore any medals, and all these coves were busy taking off their medals, and I had mine in my pocket." He stopped for us to laugh. "Is that all?" "That's all. Perhaps I didn't tell it right." "You didn't," said Brett. "But no matter." We were all laughing. "Ah, yes," said Mike. "I know now. It was a damn dull dinner, and I couldn't stick it, so I left. Later on in the evening I found the box in my pocket." What's this? "I said." Medals? "Bloody military medals? So I cut them all off their backing--you know, they put them on a strip--and gave them all around. Gave one to each girl. Form of souvenir. They thought I was hell's own shakes of a soldier. Give away medals in a night club. Dashing fellow." "Tell the rest," Brett said. "Don't you think that was funny?" Mike asked. We were all laughing. "It was. I swear it was. Any rate, my tailor wrote me and wanted the medals back. Sent a man around. Kept on writing for months. Seems some chap had left them to be cleaned. Frightfully military cove. Set hell's own store by them." Mike paused. "Rotten luck for the tailor," he said. "You don't mean it," Bill said. "I should think it would have been grand for the tailor." "Frightfully good tailor. Never believe it to see me now,"<|quote|>Mike said.</|quote|>"I used to pay him a hundred pounds a year just to keep him quiet. So he wouldn't send me any bills. Frightful blow to him when I went bankrupt. It was right after the medals. Gave his letters rather a bitter tone." "How did you go bankrupt?" Bill asked. "Two ways," Mike said. "Gradually and then suddenly." "What brought it on?" "Friends," said Mike. "I had a lot of friends. False friends. Then I had creditors, too. Probably had more creditors than anybody in England." "Tell them about in the court," Brett said. "I don't remember," Mike said. "I was just a little tight." "Tight!" Brett exclaimed. "You were blind!" "Extraordinary thing," Mike said. "Met my former partner the other day. Offered to buy me a drink." "Tell them about your learned counsel," Brett said. "I will not," Mike said. "My learned counsel was blind, too. I say this is a gloomy subject. Are we going down and see these bulls unloaded or not?" "Let's go down." We called the waiter, paid, and started to walk through the town. I started off walking with Brett, but Robert Cohn came up and joined her on the other side. The three of us walked along, past the Ayuntamiento with the banners hung from the balcony, down past the market and down past the steep street that led to the bridge across the Arga. There were many people walking to go and see the bulls, and carriages drove down the hill and across the bridge, the drivers, the horses, and the whips rising above the walking people in the street. Across the bridge we turned up a road to the corrals. We passed a wine-shop with a sign in the window: Good Wine 30 Centimes A Liter. "That's where we'll go when funds get low," Brett said. The woman standing in the door of the wine-shop looked at us as we passed. She called to some one in the house and three girls came to the window and stared. They were staring at Brett. At the gate of the corrals two men took tickets from the people that went in. We went in through the gate. There were trees inside and a low, stone house. At the far end was the stone wall of the corrals, with apertures in the stone that were like loopholes running all along the face of each corral. A ladder led up to the top of the wall, and people were climbing up the ladder and spreading down to stand on the walls that separated the two corrals. As we came up the ladder, walking across the grass under the trees, we passed the big, gray painted cages with the bulls in them. There was one bull in each travelling-box. They had come by train from a bull-breeding ranch in Castile, and had been unloaded off flat-cars at the station and brought up here to be let out of their cages into the corrals. Each cage was stencilled with the name and the brand of the bull-breeder. We climbed up and found a place on the wall looking down into the corral. The stone walls were whitewashed, and there was straw on the ground and wooden feed-boxes and water-troughs set against the wall. "Look up there," I said. Beyond the river rose the plateau of the town. All along the old walls and ramparts people were standing. The three lines of fortifications made three black lines of people. Above the walls there were heads in the windows of the houses. At the far end of the plateau boys had climbed into the trees. "They must think something is going to happen," Brett said. "They want to see the bulls." Mike and Bill were on the other wall across the pit of the corral. They waved to us. People who had come late were standing behind us, pressing against us when other people crowded them. "Why don't they start?" Robert Cohn asked. A single mule was hitched to one of the cages and dragged it up against the gate in the corral wall. The men shoved and lifted it with crowbars into position against the gate. Men were standing on the wall ready to pull up the gate of the corral and then the gate of the cage. At the other end of the corral a gate opened and two steers came in, swaying their heads and trotting, their lean flanks swinging. They stood together at the far end, their heads toward the gate where the bull would enter. "They don't look happy," Brett said. The men on top of the wall leaned back and pulled up the door of the corral. Then they pulled up the door of the cage. I leaned way over the wall and | didn't come and the King didn't come, and no one wore any medals, and all these coves were busy taking off their medals, and I had mine in my pocket." He stopped for us to laugh. "Is that all?" "That's all. Perhaps I didn't tell it right." "You didn't," said Brett. "But no matter." We were all laughing. "Ah, yes," said Mike. "I know now. It was a damn dull dinner, and I couldn't stick it, so I left. Later on in the evening I found the box in my pocket." What's this? "I said." Medals? "Bloody military medals? So I cut them all off their backing--you know, they put them on a strip--and gave them all around. Gave one to each girl. Form of souvenir. They thought I was hell's own shakes of a soldier. Give away medals in a night club. Dashing fellow." "Tell the rest," Brett said. "Don't you think that was funny?" Mike asked. We were all laughing. "It was. I swear it was. Any rate, my tailor wrote me and wanted the medals back. Sent a man around. Kept on writing for months. Seems some chap had left them to be cleaned. Frightfully military cove. Set hell's own store by them." Mike paused. "Rotten luck for the tailor," he said. "You don't mean it," Bill said. "I should think it would have been grand for the tailor." "Frightfully good tailor. Never believe it to see me now,"<|quote|>Mike said.</|quote|>"I used to pay him a hundred pounds a year just to keep him quiet. So he wouldn't send me any bills. Frightful blow to him when I went bankrupt. It was right after the medals. Gave his letters rather a bitter tone." "How did you go bankrupt?" Bill asked. "Two ways," Mike said. "Gradually and then suddenly." "What brought it on?" "Friends," said Mike. "I had a lot of friends. False friends. Then I had creditors, too. Probably had more creditors than anybody in England." "Tell them about in the court," Brett said. "I don't remember," Mike said. "I was just a little tight." "Tight!" Brett exclaimed. "You were blind!" "Extraordinary thing," Mike said. "Met my former partner the other day. Offered to buy me a drink." "Tell them about your learned counsel," Brett said. "I will not," Mike said. "My learned counsel was blind, too. I say this is a gloomy subject. Are we going down and see these bulls unloaded or not?" "Let's go down." We called the waiter, paid, and started to walk through the town. I started off walking with Brett, but Robert Cohn came up and joined her on the other side. The three of us walked along, past the Ayuntamiento with the banners hung from the balcony, down past the market and down past the steep street that led to the bridge across the Arga. There were many people walking to go and see the bulls, and carriages drove down the hill and across the bridge, the drivers, the horses, and the whips rising above the walking people in the street. Across the bridge we turned up a road to the corrals. We passed a wine-shop with a sign in the window: Good Wine 30 Centimes A Liter. "That's where we'll go when funds get low," Brett said. The woman standing in the door of the wine-shop looked at us as we passed. She called to some one in the house and three girls came to the window and stared. They were staring at Brett. At the gate of the corrals two men took tickets from the people that went in. We went in through the gate. There were trees inside and a low, stone house. At the far end was the stone wall of the corrals, with apertures in the stone that were like loopholes running all along the face of each corral. A ladder led up to the top of the wall, and people were climbing up the ladder and spreading down to stand on the walls that separated the two corrals. As we came up the ladder, walking across the grass under the trees, we passed the big, gray painted cages with the bulls in them. There was one bull in each travelling-box. They had come by train from a bull-breeding ranch in Castile, and had been unloaded off flat-cars at the station and brought up here to be let out | The Sun Also Rises |
said the old lady with an impatient nudge of my elbow, and I obeyed. | No speaker | never turned up. "Stake again,"<|quote|>said the old lady with an impatient nudge of my elbow, and I obeyed.</|quote|>"How many times have we | I did so, yet zero never turned up. "Stake again,"<|quote|>said the old lady with an impatient nudge of my elbow, and I obeyed.</|quote|>"How many times have we lost?" she inquired actually grinding | Grandmother as their lawful prey whereafter there befell what our party had foretold. It happened thus: As soon as ever we arrived the Grandmother ordered me to stake twelve ten-g lden pieces in succession upon zero. Once, twice, and thrice I did so, yet zero never turned up. "Stake again,"<|quote|>said the old lady with an impatient nudge of my elbow, and I obeyed.</|quote|>"How many times have we lost?" she inquired actually grinding her teeth in her excitement. "We have lost 144 ten-g lden pieces," I replied. "I tell you, Madame, that zero may not turn up until nightfall." "Never mind," she interrupted. "Keep on staking upon zero, and also stake a thousand | anything but indifferent to the bank s losing, and are given instructions to attract players, and to keep a watch over the bank s interests; as also, that for such services, these officials are awarded prizes and premiums. At all events, the croupiers of Roulettenberg seemed to look upon the Grandmother as their lawful prey whereafter there befell what our party had foretold. It happened thus: As soon as ever we arrived the Grandmother ordered me to stake twelve ten-g lden pieces in succession upon zero. Once, twice, and thrice I did so, yet zero never turned up. "Stake again,"<|quote|>said the old lady with an impatient nudge of my elbow, and I obeyed.</|quote|>"How many times have we lost?" she inquired actually grinding her teeth in her excitement. "We have lost 144 ten-g lden pieces," I replied. "I tell you, Madame, that zero may not turn up until nightfall." "Never mind," she interrupted. "Keep on staking upon zero, and also stake a thousand g lden upon rouge. Here is a banknote with which to do so." The red turned up, but zero missed again, and we only got our thousand g lden back. "But you see, you see," whispered the old lady. "We have now recovered almost all that we staked. Try zero | who were walking behind us, she rapped out: "Why have _you_ attached yourselves to the party? We are not going to take you with us every time. Go home at once." Then, when the servants had pulled hasty bows and departed, she added to me: "You are all the escort I need." At the Casino the Grandmother seemed to be expected, for no time was lost in procuring her former place beside the croupier. It is my opinion that though croupiers seem such ordinary, humdrum officials men who care nothing whether the bank wins or loses they are, in reality, anything but indifferent to the bank s losing, and are given instructions to attract players, and to keep a watch over the bank s interests; as also, that for such services, these officials are awarded prizes and premiums. At all events, the croupiers of Roulettenberg seemed to look upon the Grandmother as their lawful prey whereafter there befell what our party had foretold. It happened thus: As soon as ever we arrived the Grandmother ordered me to stake twelve ten-g lden pieces in succession upon zero. Once, twice, and thrice I did so, yet zero never turned up. "Stake again,"<|quote|>said the old lady with an impatient nudge of my elbow, and I obeyed.</|quote|>"How many times have we lost?" she inquired actually grinding her teeth in her excitement. "We have lost 144 ten-g lden pieces," I replied. "I tell you, Madame, that zero may not turn up until nightfall." "Never mind," she interrupted. "Keep on staking upon zero, and also stake a thousand g lden upon rouge. Here is a banknote with which to do so." The red turned up, but zero missed again, and we only got our thousand g lden back. "But you see, you see," whispered the old lady. "We have now recovered almost all that we staked. Try zero again. Let us do so another ten times, and then leave off." By the fifth round, however, the Grandmother was weary of the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as | sent me to look for you. She is now in the verandah." "Quelle m g re!" exclaimed De Griers. True enough, I found Madame in the hotel verandah much put about at my delay, for she had been unable to contain herself until four o clock. "Lift me up," she cried to the bearers, and once more we set out for the roulette-salons. XII The Grandmother was in an impatient, irritable frame of mind. Without doubt the roulette had turned her head, for she appeared to be indifferent to everything else, and, in general, seemed much distraught. For instance, she asked me no questions about objects _en route_, except that, when a sumptuous barouche passed us and raised a cloud of dust, she lifted her hand for a moment, and inquired, "What was that?" Yet even then she did not appear to hear my reply, although at times her abstraction was interrupted by sallies and fits of sharp, impatient fidgeting. Again, when I pointed out to her the Baron and Baroness Burmergelm walking to the Casino, she merely looked at them in an absent-minded sort of way, and said with complete indifference, "Ah!" Then, turning sharply to Potapitch and Martha, who were walking behind us, she rapped out: "Why have _you_ attached yourselves to the party? We are not going to take you with us every time. Go home at once." Then, when the servants had pulled hasty bows and departed, she added to me: "You are all the escort I need." At the Casino the Grandmother seemed to be expected, for no time was lost in procuring her former place beside the croupier. It is my opinion that though croupiers seem such ordinary, humdrum officials men who care nothing whether the bank wins or loses they are, in reality, anything but indifferent to the bank s losing, and are given instructions to attract players, and to keep a watch over the bank s interests; as also, that for such services, these officials are awarded prizes and premiums. At all events, the croupiers of Roulettenberg seemed to look upon the Grandmother as their lawful prey whereafter there befell what our party had foretold. It happened thus: As soon as ever we arrived the Grandmother ordered me to stake twelve ten-g lden pieces in succession upon zero. Once, twice, and thrice I did so, yet zero never turned up. "Stake again,"<|quote|>said the old lady with an impatient nudge of my elbow, and I obeyed.</|quote|>"How many times have we lost?" she inquired actually grinding her teeth in her excitement. "We have lost 144 ten-g lden pieces," I replied. "I tell you, Madame, that zero may not turn up until nightfall." "Never mind," she interrupted. "Keep on staking upon zero, and also stake a thousand g lden upon rouge. Here is a banknote with which to do so." The red turned up, but zero missed again, and we only got our thousand g lden back. "But you see, you see," whispered the old lady. "We have now recovered almost all that we staked. Try zero again. Let us do so another ten times, and then leave off." By the fifth round, however, the Grandmother was weary of the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered | some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers. "Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." "And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At the present moment it was a visage full of supplication, and as gentle in its expression as that of a smiling, roguish infant. Stealthily, she drew me apart from the rest as though the more completely to separate me from them; and, though no harm came of her doing so for it was merely a stupid manoeuvre, and no more I found the situation very unpleasant. The General hastened to lend her his support. "Alexis Ivanovitch," he began, "pray pardon me for having said what I did just now for having said more than I meant to do. I beg and beseech you, I kiss the hem of your garment, as our Russian saying has it, for you, and only you, can save us. I and Mlle. de Cominges, we all of us beg of you But you understand, do you not? Surely you understand?" and with his eyes he indicated Mlle. Blanche. Truly he was cutting a pitiful figure! At this moment three low, respectful knocks sounded at the door; which, on being opened, revealed a chambermaid, with Potapitch behind her come from the Grandmother to request that I should attend her in her rooms. "She is in a bad humour," added Potapitch. The time was half-past three. "My mistress was unable to sleep," explained Potapitch; "so, after tossing about for a while, she suddenly rose, called for her chair, and sent me to look for you. She is now in the verandah." "Quelle m g re!" exclaimed De Griers. True enough, I found Madame in the hotel verandah much put about at my delay, for she had been unable to contain herself until four o clock. "Lift me up," she cried to the bearers, and once more we set out for the roulette-salons. XII The Grandmother was in an impatient, irritable frame of mind. Without doubt the roulette had turned her head, for she appeared to be indifferent to everything else, and, in general, seemed much distraught. For instance, she asked me no questions about objects _en route_, except that, when a sumptuous barouche passed us and raised a cloud of dust, she lifted her hand for a moment, and inquired, "What was that?" Yet even then she did not appear to hear my reply, although at times her abstraction was interrupted by sallies and fits of sharp, impatient fidgeting. Again, when I pointed out to her the Baron and Baroness Burmergelm walking to the Casino, she merely looked at them in an absent-minded sort of way, and said with complete indifference, "Ah!" Then, turning sharply to Potapitch and Martha, who were walking behind us, she rapped out: "Why have _you_ attached yourselves to the party? We are not going to take you with us every time. Go home at once." Then, when the servants had pulled hasty bows and departed, she added to me: "You are all the escort I need." At the Casino the Grandmother seemed to be expected, for no time was lost in procuring her former place beside the croupier. It is my opinion that though croupiers seem such ordinary, humdrum officials men who care nothing whether the bank wins or loses they are, in reality, anything but indifferent to the bank s losing, and are given instructions to attract players, and to keep a watch over the bank s interests; as also, that for such services, these officials are awarded prizes and premiums. At all events, the croupiers of Roulettenberg seemed to look upon the Grandmother as their lawful prey whereafter there befell what our party had foretold. It happened thus: As soon as ever we arrived the Grandmother ordered me to stake twelve ten-g lden pieces in succession upon zero. Once, twice, and thrice I did so, yet zero never turned up. "Stake again,"<|quote|>said the old lady with an impatient nudge of my elbow, and I obeyed.</|quote|>"How many times have we lost?" she inquired actually grinding her teeth in her excitement. "We have lost 144 ten-g lden pieces," I replied. "I tell you, Madame, that zero may not turn up until nightfall." "Never mind," she interrupted. "Keep on staking upon zero, and also stake a thousand g lden upon rouge. Here is a banknote with which to do so." The red turned up, but zero missed again, and we only got our thousand g lden back. "But you see, you see," whispered the old lady. "We have now recovered almost all that we staked. Try zero again. Let us do so another ten times, and then leave off." By the fifth round, however, the Grandmother was weary of the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered, "such a quantity of money" "Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of | by sallies and fits of sharp, impatient fidgeting. Again, when I pointed out to her the Baron and Baroness Burmergelm walking to the Casino, she merely looked at them in an absent-minded sort of way, and said with complete indifference, "Ah!" Then, turning sharply to Potapitch and Martha, who were walking behind us, she rapped out: "Why have _you_ attached yourselves to the party? We are not going to take you with us every time. Go home at once." Then, when the servants had pulled hasty bows and departed, she added to me: "You are all the escort I need." At the Casino the Grandmother seemed to be expected, for no time was lost in procuring her former place beside the croupier. It is my opinion that though croupiers seem such ordinary, humdrum officials men who care nothing whether the bank wins or loses they are, in reality, anything but indifferent to the bank s losing, and are given instructions to attract players, and to keep a watch over the bank s interests; as also, that for such services, these officials are awarded prizes and premiums. At all events, the croupiers of Roulettenberg seemed to look upon the Grandmother as their lawful prey whereafter there befell what our party had foretold. It happened thus: As soon as ever we arrived the Grandmother ordered me to stake twelve ten-g lden pieces in succession upon zero. Once, twice, and thrice I did so, yet zero never turned up. "Stake again,"<|quote|>said the old lady with an impatient nudge of my elbow, and I obeyed.</|quote|>"How many times have we lost?" she inquired actually grinding her teeth in her excitement. "We have lost 144 ten-g lden pieces," I replied. "I tell you, Madame, that zero may not turn up until nightfall." "Never mind," she interrupted. "Keep on staking upon zero, and also stake a thousand g lden upon rouge. Here is a banknote with which to do so." The red turned up, but zero missed again, and we only got our thousand g lden back. "But you see, you see," whispered the old lady. "We have now recovered almost all that we staked. Try zero again. Let us do so another ten times, and then leave off." By the fifth round, however, the Grandmother was weary of the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! | The Gambler |
"this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember." | William Rodney | he exclaimed, looking about him,<|quote|>"this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember."</|quote|>Sitting down, he drew off | pictures," said William. "Oh, dear," he exclaimed, looking about him,<|quote|>"this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember."</|quote|>Sitting down, he drew off his light yellow gloves, and | moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him,<|quote|>"this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember."</|quote|>Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, | She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him,<|quote|>"this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember."</|quote|>Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed | She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him,<|quote|>"this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember."</|quote|>Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of | depressed again, and horribly clear-sighted. The dark removed the stimulus of human companionship, and a tear actually slid down her cheek, accompanying a sudden conviction within her that she loved Ralph, and that he didn t love her. All dark and empty now was the path where they had walked that morning, and the sparrows silent in the bare trees. But the lights in her own building soon cheered her; all these different states of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him,<|quote|>"this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember."</|quote|>Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having been instructed so to do by William, of their engagement. "William," she said, "thinks that perhaps you don t know. We are going to be married." Mary found herself shaking William s hand, and addressing her congratulations to him, as if Katharine were inaccessible; she had, indeed, taken hold of the tea-kettle. "Let me see," Katharine said, "one puts hot water into the cups first, doesn t | apart. Mary could not help looking at the odd little priestess of humanity with something like admiration. While she had been thinking about herself, Mrs. Seal had thought of nothing but her vision. "You mustn t wear yourself out, Sally, if you want to see the great day," she said, rising and trying to take a plate of biscuits from Mrs. Seal s hands. "My dear child, what else is my old body good for?" she exclaimed, clinging more tightly than before to her plate of biscuits. "Shouldn t I be proud to give everything I have to the cause? for I m not an intelligence like you. There were domestic circumstances I d like to tell you one of these days so I say foolish things. I lose my head, you know. You don t. Mr. Clacton doesn t. It s a great mistake, to lose one s head. But my heart s in the right place. And I m so glad Kit has a big dog, for I didn t think her looking well." They had their tea, and went over many of the points that had been raised in the committee rather more intimately than had been possible then; and they all felt an agreeable sense of being in some way behind the scenes; of having their hands upon strings which, when pulled, would completely change the pageant exhibited daily to those who read the newspapers. Although their views were very different, this sense united them and made them almost cordial in their manners to each other. Mary, however, left the tea-party rather early, desiring both to be alone, and then to hear some music at the Queen s Hall. She fully intended to use her loneliness to think out her position with regard to Ralph; but although she walked back to the Strand with this end in view, she found her mind uncomfortably full of different trains of thought. She started one and then another. They seemed even to take their color from the street she happened to be in. Thus the vision of humanity appeared to be in some way connected with Bloomsbury, and faded distinctly by the time she crossed the main road; then a belated organ-grinder in Holborn set her thoughts dancing incongruously; and by the time she was crossing the great misty square of Lincoln s Inn Fields, she was cold and depressed again, and horribly clear-sighted. The dark removed the stimulus of human companionship, and a tear actually slid down her cheek, accompanying a sudden conviction within her that she loved Ralph, and that he didn t love her. All dark and empty now was the path where they had walked that morning, and the sparrows silent in the bare trees. But the lights in her own building soon cheered her; all these different states of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him,<|quote|>"this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember."</|quote|>Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having been instructed so to do by William, of their engagement. "William," she said, "thinks that perhaps you don t know. We are going to be married." Mary found herself shaking William s hand, and addressing her congratulations to him, as if Katharine were inaccessible; she had, indeed, taken hold of the tea-kettle. "Let me see," Katharine said, "one puts hot water into the cups first, doesn t one? You have some dodge of your own, haven t you, William, about making tea?" Mary was half inclined to suspect that this was said in order to conceal nervousness, but if so, the concealment was unusually perfect. Talk of marriage was dismissed. Katharine might have been seated in her own drawing-room, controlling a situation which presented no sort of difficulty to her trained mind. Rather to her surprise, Mary found herself making conversation with William about old Italian pictures, while Katharine poured out tea, cut cake, kept William s plate supplied, without joining more than was necessary in the conversation. She seemed to have taken possession of Mary s room, and to handle the cups as if they belonged to her. But it was done so naturally that it bred no resentment in Mary; on the contrary, she found herself putting her hand on Katharine s knee, affectionately, for an instant. Was there something maternal in this assumption of control? And thinking of Katharine as one who would soon be married, these maternal airs filled Mary s mind with a new tenderness, and even with awe. Katharine seemed very much older and more experienced than she was. Meanwhile Rodney talked. If his appearance was superficially against him, it had the advantage of making his solid merits something of a surprise. He had kept notebooks; he knew a great deal about pictures. He could compare different examples in different galleries, and his authoritative answers to intelligent questions gained not a little, Mary felt, from the smart taps which he dealt, as he delivered them, upon the lumps of coal. She was impressed. "Your tea, William," said Katharine gently. He paused, gulped it down, obediently, and continued. And then it struck Mary that Katharine, in the shade of her broad-brimmed hat, and in the midst of the smoke, and in the obscurity of her character, was, perhaps, smiling to herself, not altogether in the maternal spirit. What she said was very simple, but her words, even "Your tea, William," were set down as gently and cautiously and exactly as the feet of a Persian cat stepping among China ornaments. For the second time that day Mary felt herself baffled by something inscrutable in the character of a person to whom she felt herself much attracted. She thought that if she were engaged to Katharine, she, too, would find herself very soon | change the pageant exhibited daily to those who read the newspapers. Although their views were very different, this sense united them and made them almost cordial in their manners to each other. Mary, however, left the tea-party rather early, desiring both to be alone, and then to hear some music at the Queen s Hall. She fully intended to use her loneliness to think out her position with regard to Ralph; but although she walked back to the Strand with this end in view, she found her mind uncomfortably full of different trains of thought. She started one and then another. They seemed even to take their color from the street she happened to be in. Thus the vision of humanity appeared to be in some way connected with Bloomsbury, and faded distinctly by the time she crossed the main road; then a belated organ-grinder in Holborn set her thoughts dancing incongruously; and by the time she was crossing the great misty square of Lincoln s Inn Fields, she was cold and depressed again, and horribly clear-sighted. The dark removed the stimulus of human companionship, and a tear actually slid down her cheek, accompanying a sudden conviction within her that she loved Ralph, and that he didn t love her. All dark and empty now was the path where they had walked that morning, and the sparrows silent in the bare trees. But the lights in her own building soon cheered her; all these different states of mind were submerged in the deep flood of desires, thoughts, perceptions, antagonisms, which washed perpetually at the base of her being, to rise into prominence in turn when the conditions of the upper world were favorable. She put off the hour of clear thought until Christmas, saying to herself, as she lit her fire, that it is impossible to think anything out in London; and, no doubt, Ralph wouldn t come at Christmas, and she would take long walks into the heart of the country, and decide this question and all the others that puzzled her. Meanwhile, she thought, drawing her feet up on to the fender, life was full of complexity; life was a thing one must love to the last fiber of it. She had sat there for five minutes or so, and her thoughts had had time to grow dim, when there came a ring at her bell. Her eye brightened; she felt immediately convinced that Ralph had come to visit her. Accordingly, she waited a moment before opening the door; she wanted to feel her hands secure upon the reins of all the troublesome emotions which the sight of Ralph would certainly arouse. She composed herself unnecessarily, however, for she had to admit, not Ralph, but Katharine and William Rodney. Her first impression was that they were both extremely well dressed. She felt herself shabby and slovenly beside them, and did not know how she should entertain them, nor could she guess why they had come. She had heard nothing of their engagement. But after the first disappointment, she was pleased, for she felt instantly that Katharine was a personality, and, moreover, she need not now exercise her self-control. "We were passing and saw a light in your window, so we came up," Katharine explained, standing and looking very tall and distinguished and rather absent-minded. "We have been to see some pictures," said William. "Oh, dear," he exclaimed, looking about him,<|quote|>"this room reminds me of one of the worst hours in my existence when I read a paper, and you all sat round and jeered at me. Katharine was the worst. I could feel her gloating over every mistake I made. Miss Datchet was kind. Miss Datchet just made it possible for me to get through, I remember."</|quote|>Sitting down, he drew off his light yellow gloves, and began slapping his knees with them. His vitality was pleasant, Mary thought, although he made her laugh. The very look of him was inclined to make her laugh. His rather prominent eyes passed from one young woman to the other, and his lips perpetually formed words which remained unspoken. "We have been seeing old masters at the Grafton Gallery," said Katharine, apparently paying no attention to William, and accepting a cigarette which Mary offered her. She leant back in her chair, and the smoke which hung about her face seemed to withdraw her still further from the others. "Would you believe it, Miss Datchet," William continued, "Katharine doesn t like Titian. She doesn t like apricots, she doesn t like peaches, she doesn t like green peas. She likes the Elgin marbles, and gray days without any sun. She s a typical example of the cold northern nature. I come from Devonshire" Had they been quarreling, Mary wondered, and had they, for that reason, sought refuge in her room, or were they engaged, or had Katharine just refused him? She was completely baffled. Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man. "Perhaps, Mary," she said tentatively, "you wouldn t mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William." She spoke with a kind of guarded gentleness. Mary, accordingly, retired to make preparations in the pantry. "What in the world are they after?" she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having been instructed so to do by William, of their engagement. "William," she said, "thinks that perhaps you don t know. We are going to be married." Mary found herself shaking William s hand, and addressing her congratulations to him, as if Katharine were inaccessible; she had, indeed, taken hold of the tea-kettle. "Let me see," Katharine said, "one puts hot water into the cups first, doesn t one? You have some dodge of your own, haven t you, William, about making tea?" Mary was half inclined to suspect that this was said in order to conceal nervousness, but if so, the concealment was unusually perfect. Talk of marriage was dismissed. Katharine might have been seated in her own drawing-room, controlling a situation which presented no sort of difficulty to her trained mind. Rather to her surprise, Mary found herself making conversation with William about old Italian pictures, while Katharine poured out tea, | Night And Day |
"is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?" | Lucy Steele | the letter into her pocket,<|quote|>"is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?"</|quote|>"I did," said Elinor, with | each other," said Lucy, returning the letter into her pocket,<|quote|>"is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?"</|quote|>"I did," said Elinor, with a composure of voice, under | almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket,<|quote|>"is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?"</|quote|>"I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with | doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket,<|quote|>"is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?"</|quote|>"I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched. END OF THE FIRST VOLUME CHAPTER XXIII. However small Elinor s general dependence on Lucy s veracity might be, it was impossible for her on serious reflection to | fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket,<|quote|>"is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?"</|quote|>"I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched. END OF THE FIRST VOLUME CHAPTER XXIII. However small Elinor s general dependence on Lucy s veracity might be, it was impossible for her on serious reflection to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not longer doubt; supported as it was too on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity of acquaintance in the house of Mr. Pratt was a foundation for the rest, at once indisputable and alarming; and Edward s visit near Plymouth, his melancholy state of mind, his dissatisfaction at his own prospects, his uncertain behaviour | a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?" "No," replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket,<|quote|>"is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?"</|quote|>"I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched. END OF THE FIRST VOLUME CHAPTER XXIII. However small Elinor s general dependence on Lucy s veracity might be, it was impossible for her on serious reflection to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not longer doubt; supported as it was too on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity of acquaintance in the house of Mr. Pratt was a foundation for the rest, at once indisputable and alarming; and Edward s visit near Plymouth, his melancholy state of mind, his dissatisfaction at his own prospects, his uncertain behaviour towards herself, the intimate knowledge of the Miss Steeles as to Norland and their family connections, which had often surprised her, the picture, the letter, the ring, formed altogether such a body of evidence, as overcame every fear of condemning him unfairly, and established as a fact, which no partiality could set aside, his ill-treatment of herself. Her resentment of such behaviour, her indignation at having been its dupe, for a short time made her feel only for herself; but other ideas, other considerations, soon arose. Had Edward been intentionally deceiving her? Had he feigned a regard for her which he did not feel? Was his engagement to Lucy an engagement of the heart? No; whatever it might once have been, she could not believe it such at present. His affection was all her own. She could not be deceived in that. Her mother, sisters, Fanny, all had been conscious of his regard for her at Norland; it was not an illusion of her own vanity. He certainly loved her. What a softener of the heart was this persuasion! How much could it not tempt her to forgive! He had been blamable, highly blamable, in remaining at Norland after he | you would think I was taking a great liberty with you," said she, "in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke." Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?" "No," replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket,<|quote|>"is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?"</|quote|>"I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched. END OF THE FIRST VOLUME CHAPTER XXIII. However small Elinor s general dependence on Lucy s veracity might be, it was impossible for her on serious reflection to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not longer doubt; supported as it was too on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity of acquaintance in the house of Mr. Pratt was a foundation for the rest, at once indisputable and alarming; and Edward s visit near Plymouth, his melancholy state of mind, his dissatisfaction at his own prospects, his uncertain behaviour towards herself, the intimate knowledge of the Miss Steeles as to Norland and their family connections, which had often surprised her, the picture, the letter, the ring, formed altogether such a body of evidence, as overcame every fear of condemning him unfairly, and established as a fact, which no partiality could set aside, his ill-treatment of herself. Her resentment of such behaviour, her indignation at having been its dupe, for a short time made her feel only for herself; but other ideas, other considerations, soon arose. Had Edward been intentionally deceiving her? Had he feigned a regard for her which he did not feel? Was his engagement to Lucy an engagement of the heart? No; whatever it might once have been, she could not believe it such at present. His affection was all her own. She could not be deceived in that. Her mother, sisters, Fanny, all had been conscious of his regard for her at Norland; it was not an illusion of her own vanity. He certainly loved her. What a softener of the heart was this persuasion! How much could it not tempt her to forgive! He had been blamable, highly blamable, in remaining at Norland after he first felt her influence over him to be more than it ought to be. In that, he could not be defended; but if he had injured her, how much more had he injured himself; if her case were pitiable, his was hopeless. His imprudence had made her miserable for a while; but it seemed to have deprived himself of all chance of ever being otherwise. She might in time regain tranquillity; but _he_, what had he to look forward to? Could he ever be tolerably happy with Lucy Steele; could he, were his affection for herself out of the question, with his integrity, his delicacy, and well-informed mind, be satisfied with a wife like her illiterate, artful, and selfish? The youthful infatuation of nineteen would naturally blind him to every thing but her beauty and good nature; but the four succeeding years years, which if rationally spent, give such improvement to the understanding, must have opened his eyes to her defects of education, while the same period of time, spent on her side in inferior society and more frivolous pursuits, had perhaps robbed her of that simplicity which might once have given an interesting character to her beauty. If in the supposition of his seeking to marry herself, his difficulties from his mother had seemed great, how much greater were they now likely to be, when the object of his engagement was undoubtedly inferior in connections, and probably inferior in fortune to herself. These difficulties, indeed, with a heart so alienated from Lucy, might not press very hard upon his patience; but melancholy was the state of the person by whom the expectation of family opposition and unkindness, could be felt as a relief! As these considerations occurred to her in painful succession, she wept for him, more than for herself. Supported by the conviction of having done nothing to merit her present unhappiness, and consoled by the belief that Edward had done nothing to forfeit her esteem, she thought she could even now, under the first smart of the heavy blow, command herself enough to guard every suspicion of the truth from her mother and sisters. And so well was she able to answer her own expectations, that when she joined them at dinner only two hours after she had first suffered the extinction of all her dearest hopes, no one would have supposed from the appearance of the | a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket,<|quote|>"is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?"</|quote|>"I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched. END OF THE FIRST VOLUME CHAPTER XXIII. However small Elinor s general dependence on Lucy s veracity might be, it was impossible for her on serious reflection to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not longer doubt; supported as it was too on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity of acquaintance in the house of Mr. Pratt was a foundation for the rest, at once indisputable and alarming; and Edward s visit near Plymouth, his melancholy state of mind, his dissatisfaction at his own prospects, his uncertain behaviour towards herself, the intimate knowledge of the Miss Steeles as to Norland and their family connections, which had often surprised her, the picture, the letter, the ring, formed altogether such a body of evidence, as overcame every fear of condemning him unfairly, and established as a fact, which no partiality could set aside, his ill-treatment of herself. Her resentment of such behaviour, her indignation at having been its dupe, for a short time made her feel only for herself; but other ideas, other considerations, soon arose. Had Edward been intentionally deceiving her? Had he feigned a regard for her which he did not feel? Was his engagement to Lucy an engagement of the heart? No; whatever it might once have been, she could not believe it such at present. His affection was all her own. She could not be deceived in that. Her mother, sisters, Fanny, all had been conscious of his regard for her at Norland; it was not an illusion of her own vanity. He certainly loved her. What a softener of the heart was this persuasion! How much could it not tempt her to forgive! He had been blamable, highly blamable, in remaining at Norland after he first felt her influence over him to be more than it ought to be. | Sense And Sensibility |
"By Allah, indifference to the world is the most appropriate and the most sure course!" | Emeer Moosa | his cheeks, and he said:<|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!"</|quote|>And when they came back | his tears ran down upon his cheeks, and he said:<|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!"</|quote|>And when they came back to the troops, they passed | was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:<|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!"</|quote|>And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall | mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:<|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!"</|quote|>And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the gate from within." And the emeer said: "This is what occurred to my mind, and | the hope that he might discover a trace of a gate. So one of his young men mounted, and proceeded around it for two days with their nights, prosecuting his journey with diligence, and not resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted." And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:<|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!"</|quote|>And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the gate from within." And the emeer said: "This is what occurred to my mind, and excellent is the advice." Then he called to the carpenters and blacksmiths, and ordered them to make straight some pieces of wood, and to construct a ladder covered with plates of iron. And they did so, and made it strong. They employed themselves in constructing it a whole month, and many men were occupied in making it. And they set it up and fixed it against the wall, and it proved to be equal to the wall in height, as though it had been made for it before that day. So the Emeer Moosa wondered at it, and said: "God | described in the Book of Hidden Treasures; that its wall is of black stones, and it hath two towers of brass, which the beholder seeth resembling two corresponding fires; and thence it is named the City of Brass." They ceased not to proceed until they arrived at it; and, lo, it was lofty, strongly fortified, rising high into the air, impenetrable: the height of its walls was eighty cubits, and it had five and twenty gates, none of which would open but by means of some artifice. They stopped before it, and endeavoured to discover one of its gates; but they could not; and the Emeer Moosa said to the Sheikh Abd-Es-Samad: "O sheikh, I see not to this city any gate." The sheikh replied: "O Emeer, thus do I find it described in the Book of Hidden Treasures; that it hath five and twenty gates, and that none of its gates may be opened but from within the city." "And how," said the emeer, "can we contrive to enter it, and divert ourselves with a view of its wonders?" Then the Emeer Moosa ordered one of his young men to mount a camel, and ride round the city, in the hope that he might discover a trace of a gate. So one of his young men mounted, and proceeded around it for two days with their nights, prosecuting his journey with diligence, and not resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted." And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:<|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!"</|quote|>And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the gate from within." And the emeer said: "This is what occurred to my mind, and excellent is the advice." Then he called to the carpenters and blacksmiths, and ordered them to make straight some pieces of wood, and to construct a ladder covered with plates of iron. And they did so, and made it strong. They employed themselves in constructing it a whole month, and many men were occupied in making it. And they set it up and fixed it against the wall, and it proved to be equal to the wall in height, as though it had been made for it before that day. So the Emeer Moosa wondered at it, and said: "God bless you! It seemeth, from the excellence of your work, as though ye had adapted it by measurement to the wall." He then said to the people: "Which of you will ascend this ladder, and mount upon the wall, and walk along it, and contrive means of descending into the city, that he may see how the case is, and then inform us of the mode of opening the gate?" And one of them answered: "I will ascend it, O Emeer, and descend and open the gate." The emeer therefore replied: "Mount. God bless thee!" Accordingly, the man ascended the ladder until he reached the top of it; when he stood, and fixed his eyes toward the city, clapped his hands, and cried out with his loudest voice, saying: "Thou art beautiful!" Then he cast himself down into the city, and was destroyed. So the Emeer Moosa said: "If we do thus with all our companions, there will not remain of them one; and we shall be unable to accomplish our affair, and the affair of the Prince of the Faithful. Depart ye; for we have no concern with this city." But one of them said: "Perhaps another than this | fires rose and the smoke ascended, the hearts of the combatants were almost cleft asunder, and the battle raged. The birds fought in the air; and the wild beasts in the dust; and I contended with Ed-Dimiryat until he wearied me and I wearied him; after which my companions and troops were enervated, and my tribes were routed. I flew from before Ed-Dimiryat; but he followed me a journey of three months, until he overtook me. I had fallen down through fatigue, and he rushed upon me, and made me a prisoner. So I said to him: 'By Him who hath exalted thee and abased me, pity me, and take me before Solomon.' But when I came before Solomon, he met me in a most evil manner: he caused this pillar to be brought, and hollowed it, and put me in it, and sealed me with his signet; after which, he chained me, and Ed-Dimiryat conveyed me to this place, where he set me down as thou seest me; and this pillar is my prison until the day of resurrection." The party therefore wondered at him, and at the horrible nature of his form; and the Emeer Moosa said: "There is no deity but God!" And the Sheikh Abd-Es-Samad said to the efreet: "O thou, I ask thee concerning a thing of which do thou inform us." The efreet replied: "Ask concerning what thou wilt." And the sheikh said: "Are there in this place any of the efreets confined in bottles of brass from the time of Solomon?" He answered: "Yes, in the Sea of El-Karkar, where are a people of the descendants of Noah, whose country the deluge reached not, and they are separated there from the rest of the sons of Adam." "And where," said the sheikh, "is the way to the City of Brass, and the place wherein are the bottles? What distance is there between us and it?" The efreet answered: "It is near." So the party left him, and proceeded; and there appeared to them in the distance a great black object, with two fires corresponding with each other in position; whereupon the Emeer Moosa said to the sheikh: "What is this great black object, and these two corresponding fires?" The guide answered him: "Be rejoiced, O Emeer; for this is the City of Brass, and this is the appearance of it that I find described in the Book of Hidden Treasures; that its wall is of black stones, and it hath two towers of brass, which the beholder seeth resembling two corresponding fires; and thence it is named the City of Brass." They ceased not to proceed until they arrived at it; and, lo, it was lofty, strongly fortified, rising high into the air, impenetrable: the height of its walls was eighty cubits, and it had five and twenty gates, none of which would open but by means of some artifice. They stopped before it, and endeavoured to discover one of its gates; but they could not; and the Emeer Moosa said to the Sheikh Abd-Es-Samad: "O sheikh, I see not to this city any gate." The sheikh replied: "O Emeer, thus do I find it described in the Book of Hidden Treasures; that it hath five and twenty gates, and that none of its gates may be opened but from within the city." "And how," said the emeer, "can we contrive to enter it, and divert ourselves with a view of its wonders?" Then the Emeer Moosa ordered one of his young men to mount a camel, and ride round the city, in the hope that he might discover a trace of a gate. So one of his young men mounted, and proceeded around it for two days with their nights, prosecuting his journey with diligence, and not resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted." And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:<|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!"</|quote|>And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the gate from within." And the emeer said: "This is what occurred to my mind, and excellent is the advice." Then he called to the carpenters and blacksmiths, and ordered them to make straight some pieces of wood, and to construct a ladder covered with plates of iron. And they did so, and made it strong. They employed themselves in constructing it a whole month, and many men were occupied in making it. And they set it up and fixed it against the wall, and it proved to be equal to the wall in height, as though it had been made for it before that day. So the Emeer Moosa wondered at it, and said: "God bless you! It seemeth, from the excellence of your work, as though ye had adapted it by measurement to the wall." He then said to the people: "Which of you will ascend this ladder, and mount upon the wall, and walk along it, and contrive means of descending into the city, that he may see how the case is, and then inform us of the mode of opening the gate?" And one of them answered: "I will ascend it, O Emeer, and descend and open the gate." The emeer therefore replied: "Mount. God bless thee!" Accordingly, the man ascended the ladder until he reached the top of it; when he stood, and fixed his eyes toward the city, clapped his hands, and cried out with his loudest voice, saying: "Thou art beautiful!" Then he cast himself down into the city, and was destroyed. So the Emeer Moosa said: "If we do thus with all our companions, there will not remain of them one; and we shall be unable to accomplish our affair, and the affair of the Prince of the Faithful. Depart ye; for we have no concern with this city." But one of them said: "Perhaps another than this may be more steady than he." And a second ascended, and a third, and a fourth, and a fifth; and they ceased not to ascend by that ladder to the top of the wall, one after another, until twelve men of them had gone, acting as acted the first. Therefore the Sheikh Abd-Es-Samad said: "There is none for this affair but myself, and the experienced is not like the inexperienced." But the Emeer Moosa said to him: "Thou shalt not do that, nor will I allow thee to ascend to the top of this wall; for shouldst thou die, thou wouldst be the cause of the death of us all, and there would not remain of us one; since thou art the guide of the party." The sheikh, however, replied: "Perhaps the object will be accomplished by my means, through the will of God, whose name be exalted!" And thereupon all the people agreed to his ascending. [Illustration] _And when they had ascended that mountain they saw a city than which eyes had not beheld any greater._ Then Abd-Es-Samad arose, and, having said: "In the name of God, the Compassionate, the Merciful!" --he ascended the ladder, repeating the praises of God, and reciting the Verses of Safety, until he reached the top of the wall; when he clapped his hands, and fixed his eyes. The people therefore all called out to him, and said: "O Sheikh Abd-Es-Samad, do not cast thyself down! If Abd-Es-Samad fall, we all perish!" Then Abd-Es-Samad sat a long time repeating the praises of God, and reciting the Verses of Safety; after which he rose with energy, and called out with his loudest voice: "O Emeer, no harm shall befall you; for God hath averted from me the effect of the artifice of the Devil." So the emeer said to him: "What hast thou seen, O Sheikh?" He answered: "When I reached the top of the wall I beheld ten damsels, like moons, who made a sign with their hands, as though they would say: 'Come to us!' And it seemed to me that beneath me was a sea of water; whereupon I desired to cast myself down, as our companions did: but I beheld them dead; so I withheld myself from them, and recited some words of the book of God, whereupon He averted from me the influence of those damsels, and they departed; therefore | Solomon?" He answered: "Yes, in the Sea of El-Karkar, where are a people of the descendants of Noah, whose country the deluge reached not, and they are separated there from the rest of the sons of Adam." "And where," said the sheikh, "is the way to the City of Brass, and the place wherein are the bottles? What distance is there between us and it?" The efreet answered: "It is near." So the party left him, and proceeded; and there appeared to them in the distance a great black object, with two fires corresponding with each other in position; whereupon the Emeer Moosa said to the sheikh: "What is this great black object, and these two corresponding fires?" The guide answered him: "Be rejoiced, O Emeer; for this is the City of Brass, and this is the appearance of it that I find described in the Book of Hidden Treasures; that its wall is of black stones, and it hath two towers of brass, which the beholder seeth resembling two corresponding fires; and thence it is named the City of Brass." They ceased not to proceed until they arrived at it; and, lo, it was lofty, strongly fortified, rising high into the air, impenetrable: the height of its walls was eighty cubits, and it had five and twenty gates, none of which would open but by means of some artifice. They stopped before it, and endeavoured to discover one of its gates; but they could not; and the Emeer Moosa said to the Sheikh Abd-Es-Samad: "O sheikh, I see not to this city any gate." The sheikh replied: "O Emeer, thus do I find it described in the Book of Hidden Treasures; that it hath five and twenty gates, and that none of its gates may be opened but from within the city." "And how," said the emeer, "can we contrive to enter it, and divert ourselves with a view of its wonders?" Then the Emeer Moosa ordered one of his young men to mount a camel, and ride round the city, in the hope that he might discover a trace of a gate. So one of his young men mounted, and proceeded around it for two days with their nights, prosecuting his journey with diligence, and not resting; and when the third day arrived, he came in sight of his companions, and he was astounded at that which he beheld of the extent of the city, and its height. Then he said: "O Emeer, the easiest place in it is this place at which ye have alighted." And thereupon the Emeer Moosa took Talib and the Sheikh Abd-Es-Samad, and they ascended a mountain opposite the city, and overlooking it; and when they had ascended that mountain, they saw a city than which eyes had not beheld any greater. Its pavilions were lofty, and its domes were shining; its rivers were running, its trees were fruitful, and its gardens bore ripe produce. It was a city with impenetrable gates, empty, still, without a voice but the owl hooting in its quarters, and the raven croaking in its thoroughfare-streets, and bewailing those who had been in it. And the Emeer Moosa fainted with sorrow; his tears ran down upon his cheeks, and he said:<|quote|>"By Allah, indifference to the world is the most appropriate and the most sure course!"</|quote|>And when they came back to the troops, they passed the day devising means of entering the city; and the Emeer Moosa said to those of his chief officers who were around him: "How shall we contrive to enter the city, that we may see its wonders? Perhaps we shall find in it something by which we may ingratiate ourselves with the Prince of the Faithful." Talib replied: "Let us make a ladder, and mount upon it, and perhaps we shall gain access to the gate from within." And the emeer said: "This is what occurred to my mind, and excellent is the advice." Then he called to the carpenters and blacksmiths, and ordered them to make straight some pieces of wood, and to construct a ladder covered with plates of iron. And they did so, and made it strong. They employed themselves in constructing it a whole month, and many men were occupied in making it. And they set it up and fixed it against the wall, and it proved to be equal to the wall in height, as though it had been made for it before that day. So the Emeer Moosa wondered at it, and said: "God bless you! It seemeth, from the excellence of your work, as though ye had adapted it by measurement to the wall." He then said to the people: "Which of you will ascend this ladder, and mount upon the wall, and walk along it, and contrive means of descending into the city, that he may see how the case is, and then inform us of the mode of opening the gate?" And one of them answered: "I will ascend it, O Emeer, and descend and open the gate." The emeer therefore replied: "Mount. God bless thee!" Accordingly, the man ascended the ladder until he reached the top of it; when he stood, and fixed his eyes toward the city, clapped his hands, and cried out with his loudest voice, saying: "Thou art beautiful!" Then he cast himself down into the | Arabian Nights (5) |
"Success to the crack!" | Toby Crackit | a bottle upon the table,<|quote|>"Success to the crack!"</|quote|>He rose to honour the | some fragments of food, and a bottle upon the table,<|quote|>"Success to the crack!"</|quote|>He rose to honour the toast; and, carefully depositing his | Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table,<|quote|>"Success to the crack!"</|quote|>He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said | you'll give us something to eat and drink while we're waiting, you'll put some heart in us; or in me, at all events. Sit down by the fire, younker, and rest yourself; for you'll have to go out with us again to-night, though not very far off." Oliver looked at Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table,<|quote|>"Success to the crack!"</|quote|>He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I" "Down with it!" echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble | demanded who that was. "The boy. Only the boy!" replied Sikes, drawing a chair towards the fire. "Wud of Bister Fagid's lads," exclaimed Barney, with a grin. "Fagin's, eh!" exclaimed Toby, looking at Oliver. "Wot an inwalable boy that'll make, for the old ladies' pockets in chapels! His mug is a fortin' to him." "There there's enough of that," interposed Sikes, impatiently; and stooping over his recumbant friend, he whispered a few words in his ear: at which Mr. Crackit laughed immensely, and honoured Oliver with a long stare of astonishment. "Now," said Sikes, as he resumed his seat, "if you'll give us something to eat and drink while we're waiting, you'll put some heart in us; or in me, at all events. Sit down by the fire, younker, and rest yourself; for you'll have to go out with us again to-night, though not very far off." Oliver looked at Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table,<|quote|>"Success to the crack!"</|quote|>He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I" "Down with it!" echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" Frightened by the menacing gestures of the two men, Oliver hastily swallowed the contents of the glass, and immediately fell into a violent fit of coughing: which delighted Toby Crackit and Barney, and even drew a smile from the surly Mr. Sikes. This done, and Sikes having satisfied his appetite (Oliver could eat nothing but a small crust of bread which they made him swallow), the two men laid themselves down on chairs for a short nap. Oliver retained his stool by the fire; Barney wrapped in | a table, and a very old couch: on which, with his legs much higher than his head, a man was reposing at full length, smoking a long clay pipe. He was dressed in a smartly-cut snuff-coloured coat, with large brass buttons; an orange neckerchief; a coarse, staring, shawl-pattern waistcoat; and drab breeches. Mr. Crackit (for he it was) had no very great quantity of hair, either upon his head or face; but what he had, was of a reddish dye, and tortured into long corkscrew curls, through which he occasionally thrust some very dirty fingers, ornamented with large common rings. He was a trifle above the middle size, and apparently rather weak in the legs; but this circumstance by no means detracted from his own admiration of his top-boots, which he contemplated, in their elevated situation, with lively satisfaction. "Bill, my boy!" said this figure, turning his head towards the door, "I'm glad to see you. I was almost afraid you'd given it up: in which case I should have made a personal wentur. Hallo!" Uttering this exclamation in a tone of great surprise, as his eyes rested on Oliver, Mr. Toby Crackit brought himself into a sitting posture, and demanded who that was. "The boy. Only the boy!" replied Sikes, drawing a chair towards the fire. "Wud of Bister Fagid's lads," exclaimed Barney, with a grin. "Fagin's, eh!" exclaimed Toby, looking at Oliver. "Wot an inwalable boy that'll make, for the old ladies' pockets in chapels! His mug is a fortin' to him." "There there's enough of that," interposed Sikes, impatiently; and stooping over his recumbant friend, he whispered a few words in his ear: at which Mr. Crackit laughed immensely, and honoured Oliver with a long stare of astonishment. "Now," said Sikes, as he resumed his seat, "if you'll give us something to eat and drink while we're waiting, you'll put some heart in us; or in me, at all events. Sit down by the fire, younker, and rest yourself; for you'll have to go out with us again to-night, though not very far off." Oliver looked at Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table,<|quote|>"Success to the crack!"</|quote|>He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I" "Down with it!" echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" Frightened by the menacing gestures of the two men, Oliver hastily swallowed the contents of the glass, and immediately fell into a violent fit of coughing: which delighted Toby Crackit and Barney, and even drew a smile from the surly Mr. Sikes. This done, and Sikes having satisfied his appetite (Oliver could eat nothing but a small crust of bread which they made him swallow), the two men laid themselves down on chairs for a short nap. Oliver retained his stool by the fire; Barney wrapped in a blanket, stretched himself on the floor: close outside the fender. They slept, or appeared to sleep, for some time; nobody stirring but Barney, who rose once or twice to throw coals on the fire. Oliver fell into a heavy doze: imagining himself straying along the gloomy lanes, or wandering about the dark churchyard, or retracing some one or other of the scenes of the past day: when he was roused by Toby Crackit jumping up and declaring it was half-past one. In an instant, the other two were on their legs, and all were actively engaged in busy preparation. Sikes and his companion enveloped their necks and chins in large dark shawls, and drew on their great-coats; Barney, opening a cupboard, brought forth several articles, which he hastily crammed into the pockets. "Barkers for me, Barney," said Toby Crackit. "Here they are," replied Barney, producing a pair of pistols. "You loaded them yourself." "All right!" replied Toby, stowing them away. "The persuaders?" "I've got 'em," replied Sikes. "Crape, keys, centre-bits, darkies nothing forgotten?" inquired Toby: fastening a small crowbar to a loop inside the skirt of his coat. "All right," rejoined his companion. "Bring them bits of timber, Barney. | upon the bridge; then turned suddenly down a bank upon the left. "The water!" thought Oliver, turning sick with fear. "He has brought me to this lonely place to murder me!" He was about to throw himself on the ground, and make one struggle for his young life, when he saw that they stood before a solitary house: all ruinous and decayed. There was a window on each side of the dilapidated entrance; and one story above; but no light was visible. The house was dark, dismantled: and, to all appearance, uninhabited. Sikes, with Oliver's hand still in his, softly approached the low porch, and raised the latch. The door yielded to the pressure, and they passed in together. CHAPTER XXII. THE BURGLARY "Hallo!" cried a loud, hoarse voice, as soon as they set foot in the passage. "Don't make such a row," said Sikes, bolting the door. "Show a glim, Toby." "Aha! my pal!" cried the same voice. "A glim, Barney, a glim! Show the gentleman in, Barney; wake up first, if convenient." The speaker appeared to throw a boot-jack, or some such article, at the person he addressed, to rouse him from his slumbers: for the noise of a wooden body, falling violently, was heard; and then an indistinct muttering, as of a man between sleep and awake. "Do you hear?" cried the same voice. "There's Bill Sikes in the passage with nobody to do the civil to him; and you sleeping there, as if you took laudanum with your meals, and nothing stronger. Are you any fresher now, or do you want the iron candlestick to wake you thoroughly?" A pair of slipshod feet shuffled, hastily, across the bare floor of the room, as this interrogatory was put; and there issued, from a door on the right hand; first, a feeble candle: and next, the form of the same individual who has been heretofore described as labouring under the infirmity of speaking through his nose, and officiating as waiter at the public-house on Saffron Hill. "Bister Sikes!" exclaimed Barney, with real or counterfeit joy; "cub id, sir; cub id." "Here! you get on first," said Sikes, putting Oliver in front of him. "Quicker! or I shall tread upon your heels." Muttering a curse upon his tardiness, Sikes pushed Oliver before him; and they entered a low dark room with a smoky fire, two or three broken chairs, a table, and a very old couch: on which, with his legs much higher than his head, a man was reposing at full length, smoking a long clay pipe. He was dressed in a smartly-cut snuff-coloured coat, with large brass buttons; an orange neckerchief; a coarse, staring, shawl-pattern waistcoat; and drab breeches. Mr. Crackit (for he it was) had no very great quantity of hair, either upon his head or face; but what he had, was of a reddish dye, and tortured into long corkscrew curls, through which he occasionally thrust some very dirty fingers, ornamented with large common rings. He was a trifle above the middle size, and apparently rather weak in the legs; but this circumstance by no means detracted from his own admiration of his top-boots, which he contemplated, in their elevated situation, with lively satisfaction. "Bill, my boy!" said this figure, turning his head towards the door, "I'm glad to see you. I was almost afraid you'd given it up: in which case I should have made a personal wentur. Hallo!" Uttering this exclamation in a tone of great surprise, as his eyes rested on Oliver, Mr. Toby Crackit brought himself into a sitting posture, and demanded who that was. "The boy. Only the boy!" replied Sikes, drawing a chair towards the fire. "Wud of Bister Fagid's lads," exclaimed Barney, with a grin. "Fagin's, eh!" exclaimed Toby, looking at Oliver. "Wot an inwalable boy that'll make, for the old ladies' pockets in chapels! His mug is a fortin' to him." "There there's enough of that," interposed Sikes, impatiently; and stooping over his recumbant friend, he whispered a few words in his ear: at which Mr. Crackit laughed immensely, and honoured Oliver with a long stare of astonishment. "Now," said Sikes, as he resumed his seat, "if you'll give us something to eat and drink while we're waiting, you'll put some heart in us; or in me, at all events. Sit down by the fire, younker, and rest yourself; for you'll have to go out with us again to-night, though not very far off." Oliver looked at Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table,<|quote|>"Success to the crack!"</|quote|>He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I" "Down with it!" echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" Frightened by the menacing gestures of the two men, Oliver hastily swallowed the contents of the glass, and immediately fell into a violent fit of coughing: which delighted Toby Crackit and Barney, and even drew a smile from the surly Mr. Sikes. This done, and Sikes having satisfied his appetite (Oliver could eat nothing but a small crust of bread which they made him swallow), the two men laid themselves down on chairs for a short nap. Oliver retained his stool by the fire; Barney wrapped in a blanket, stretched himself on the floor: close outside the fender. They slept, or appeared to sleep, for some time; nobody stirring but Barney, who rose once or twice to throw coals on the fire. Oliver fell into a heavy doze: imagining himself straying along the gloomy lanes, or wandering about the dark churchyard, or retracing some one or other of the scenes of the past day: when he was roused by Toby Crackit jumping up and declaring it was half-past one. In an instant, the other two were on their legs, and all were actively engaged in busy preparation. Sikes and his companion enveloped their necks and chins in large dark shawls, and drew on their great-coats; Barney, opening a cupboard, brought forth several articles, which he hastily crammed into the pockets. "Barkers for me, Barney," said Toby Crackit. "Here they are," replied Barney, producing a pair of pistols. "You loaded them yourself." "All right!" replied Toby, stowing them away. "The persuaders?" "I've got 'em," replied Sikes. "Crape, keys, centre-bits, darkies nothing forgotten?" inquired Toby: fastening a small crowbar to a loop inside the skirt of his coat. "All right," rejoined his companion. "Bring them bits of timber, Barney. That's the time of day." With these words, he took a thick stick from Barney's hands, who, having delivered another to Toby, busied himself in fastening on Oliver's cape. "Now then!" said Sikes, holding out his hand. Oliver: who was completely stupified by the unwonted exercise, and the air, and the drink which had been forced upon him: put his hand mechanically into that which Sikes extended for the purpose. "Take his other hand, Toby," said Sikes. "Look out, Barney." The man went to the door, and returned to announce that all was quiet. The two robbers issued forth with Oliver between them. Barney, having made all fast, rolled himself up as before, and was soon asleep again. It was now intensely dark. The fog was much heavier than it had been in the early part of the night; and the atmosphere was so damp, that, although no rain fell, Oliver's hair and eyebrows, within a few minutes after leaving the house, had become stiff with the half-frozen moisture that was floating about. They crossed the bridge, and kept on towards the lights which he had seen before. They were at no great distance off; and, as they walked pretty briskly, they soon arrived at Chertsey. "Slap through the town," whispered Sikes; "there'll be nobody in the way, to-night, to see us." Toby acquiesced; and they hurried through the main street of the little town, which at that late hour was wholly deserted. A dim light shone at intervals from some bed-room window; and the hoarse barking of dogs occasionally broke the silence of the night. But there was nobody abroad. They had cleared the town, as the church-bell struck two. Quickening their pace, they turned up a road upon the left hand. After walking about a quarter of a mile, they stopped before a detached house surrounded by a wall: to the top of which, Toby Crackit, scarcely pausing to take breath, climbed in a twinkling. "The boy next," said Toby. "Hoist him up; I'll catch hold of him." Before Oliver had time to look round, Sikes had caught him under the arms; and in three or four seconds he and Toby were lying on the grass on the other side. Sikes followed directly. And they stole cautiously towards the house. And now, for the first time, Oliver, well-nigh mad with grief and terror, saw that housebreaking and robbery, | front of him. "Quicker! or I shall tread upon your heels." Muttering a curse upon his tardiness, Sikes pushed Oliver before him; and they entered a low dark room with a smoky fire, two or three broken chairs, a table, and a very old couch: on which, with his legs much higher than his head, a man was reposing at full length, smoking a long clay pipe. He was dressed in a smartly-cut snuff-coloured coat, with large brass buttons; an orange neckerchief; a coarse, staring, shawl-pattern waistcoat; and drab breeches. Mr. Crackit (for he it was) had no very great quantity of hair, either upon his head or face; but what he had, was of a reddish dye, and tortured into long corkscrew curls, through which he occasionally thrust some very dirty fingers, ornamented with large common rings. He was a trifle above the middle size, and apparently rather weak in the legs; but this circumstance by no means detracted from his own admiration of his top-boots, which he contemplated, in their elevated situation, with lively satisfaction. "Bill, my boy!" said this figure, turning his head towards the door, "I'm glad to see you. I was almost afraid you'd given it up: in which case I should have made a personal wentur. Hallo!" Uttering this exclamation in a tone of great surprise, as his eyes rested on Oliver, Mr. Toby Crackit brought himself into a sitting posture, and demanded who that was. "The boy. Only the boy!" replied Sikes, drawing a chair towards the fire. "Wud of Bister Fagid's lads," exclaimed Barney, with a grin. "Fagin's, eh!" exclaimed Toby, looking at Oliver. "Wot an inwalable boy that'll make, for the old ladies' pockets in chapels! His mug is a fortin' to him." "There there's enough of that," interposed Sikes, impatiently; and stooping over his recumbant friend, he whispered a few words in his ear: at which Mr. Crackit laughed immensely, and honoured Oliver with a long stare of astonishment. "Now," said Sikes, as he resumed his seat, "if you'll give us something to eat and drink while we're waiting, you'll put some heart in us; or in me, at all events. Sit down by the fire, younker, and rest yourself; for you'll have to go out with us again to-night, though not very far off." Oliver looked at Sikes, in mute and timid wonder; and drawing a stool to the fire, sat with his aching head upon his hands, scarecely knowing where he was, or what was passing around him. "Here," said Toby, as the young Jew placed some fragments of food, and a bottle upon the table,<|quote|>"Success to the crack!"</|quote|>He rose to honour the toast; and, carefully depositing his empty pipe in a corner, advanced to the table, filled a glass with spirits, and drank off its contents. Mr. Sikes did the same. "A drain for the boy," said Toby, half-filling a wine-glass. "Down with it, innocence." "Indeed," said Oliver, looking piteously up into the man's face; "indeed, I" "Down with it!" echoed Toby. "Do you think I don't know what's good for you? Tell him to drink it, Bill." "He had better!" said Sikes clapping his hand upon his pocket. "Burn my body, if he isn't more trouble than a whole family of Dodgers. Drink it, you perwerse imp; drink it!" Frightened by the menacing gestures of the two men, Oliver hastily swallowed the contents of the glass, and immediately fell into a violent fit of coughing: which delighted Toby Crackit and Barney, and even drew a smile from the surly Mr. Sikes. This done, and Sikes having satisfied his appetite (Oliver could eat nothing but a small crust of bread which they made him swallow), the two men laid themselves down on chairs for a short nap. Oliver retained his stool by the fire; Barney wrapped in a blanket, stretched himself on the floor: close outside the fender. They slept, or appeared to sleep, for some time; nobody stirring but Barney, who rose once or twice to throw coals on the fire. Oliver fell into a heavy doze: imagining himself straying along the gloomy lanes, or wandering about the dark churchyard, or retracing some one or other of the scenes of the past day: when he was roused by Toby Crackit jumping up and declaring it was half-past one. In an instant, the other two were on their legs, and all were actively engaged in busy preparation. Sikes and his companion enveloped their necks and chins in large dark shawls, and drew on their great-coats; Barney, opening a cupboard, brought forth several articles, which he hastily crammed into the pockets. "Barkers for me, Barney," said Toby Crackit. "Here they are," replied Barney, producing a pair of pistols. "You loaded them yourself." "All right!" replied Toby, stowing them away. "The persuaders?" "I've got 'em," replied Sikes. "Crape, keys, centre-bits, darkies nothing forgotten?" inquired Toby: fastening a small crowbar to a loop inside | Oliver Twist |
"Yes, depend upon me it shall: it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing." | Edmund | it go to the post?"<|quote|>"Yes, depend upon me it shall: it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing."</|quote|>"My uncle!" repeated Fanny, with | to ourselves." "But, cousin, will it go to the post?"<|quote|>"Yes, depend upon me it shall: it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing."</|quote|>"My uncle!" repeated Fanny, with a frightened look. "Yes, when | your letter whenever you choose. Would it make you happy to write to William?" "Yes, very." "Then let it be done now. Come with me into the breakfast-room, we shall find everything there, and be sure of having the room to ourselves." "But, cousin, will it go to the post?"<|quote|>"Yes, depend upon me it shall: it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing."</|quote|>"My uncle!" repeated Fanny, with a frightened look. "Yes, when you have written the letter, I will take it to my father to frank." Fanny thought it a bold measure, but offered no further resistance; and they went together into the breakfast-room, where Edmund prepared her paper, and ruled her | but he had told _her_ to write first." "And when shall you do it?" She hung her head and answered hesitatingly, "she did not know; she had not any paper." "If that be all your difficulty, I will furnish you with paper and every other material, and you may write your letter whenever you choose. Would it make you happy to write to William?" "Yes, very." "Then let it be done now. Come with me into the breakfast-room, we shall find everything there, and be sure of having the room to ourselves." "But, cousin, will it go to the post?"<|quote|>"Yes, depend upon me it shall: it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing."</|quote|>"My uncle!" repeated Fanny, with a frightened look. "Yes, when you have written the letter, I will take it to my father to frank." Fanny thought it a bold measure, but offered no further resistance; and they went together into the breakfast-room, where Edmund prepared her paper, and ruled her lines with all the goodwill that her brother could himself have felt, and probably with somewhat more exactness. He continued with her the whole time of her writing, to assist her with his penknife or his orthography, as either were wanted; and added to these attentions, which she felt very | he found that, dear as all these brothers and sisters generally were, there was one among them who ran more in her thoughts than the rest. It was William whom she talked of most, and wanted most to see. William, the eldest, a year older than herself, her constant companion and friend; her advocate with her mother (of whom he was the darling) in every distress. "William did not like she should come away; he had told her he should miss her very much indeed." "But William will write to you, I dare say." "Yes, he had promised he would, but he had told _her_ to write first." "And when shall you do it?" She hung her head and answered hesitatingly, "she did not know; she had not any paper." "If that be all your difficulty, I will furnish you with paper and every other material, and you may write your letter whenever you choose. Would it make you happy to write to William?" "Yes, very." "Then let it be done now. Come with me into the breakfast-room, we shall find everything there, and be sure of having the room to ourselves." "But, cousin, will it go to the post?"<|quote|>"Yes, depend upon me it shall: it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing."</|quote|>"My uncle!" repeated Fanny, with a frightened look. "Yes, when you have written the letter, I will take it to my father to frank." Fanny thought it a bold measure, but offered no further resistance; and they went together into the breakfast-room, where Edmund prepared her paper, and ruled her lines with all the goodwill that her brother could himself have felt, and probably with somewhat more exactness. He continued with her the whole time of her writing, to assist her with his penknife or his orthography, as either were wanted; and added to these attentions, which she felt very much, a kindness to her brother which delighted her beyond all the rest. He wrote with his own hand his love to his cousin William, and sent him half a guinea under the seal. Fanny's feelings on the occasion were such as she believed herself incapable of expressing; but her countenance and a few artless words fully conveyed all their gratitude and delight, and her cousin began to find her an interesting object. He talked to her more, and, from all that she said, was convinced of her having an affectionate heart, and a strong desire of doing right; and | no, thank you"; but he still persevered; and no sooner had he begun to revert to her own home, than her increased sobs explained to him where the grievance lay. He tried to console her. "You are sorry to leave Mama, my dear little Fanny," said he, "which shows you to be a very good girl; but you must remember that you are with relations and friends, who all love you, and wish to make you happy. Let us walk out in the park, and you shall tell me all about your brothers and sisters." "no, no not at all no, thank you" "; but he still persevered; and no sooner had he begun to revert to her own home, than her increased sobs explained to him where the grievance lay. He tried to console her. "You are sorry to leave Mama, my dear little Fanny," said he, "which shows you to be a very good girl; but you must remember that you are with relations and friends, who all love you, and wish to make you happy. Let us walk out in the park, and you shall tell me all about your brothers and sisters." On pursuing the subject, he found that, dear as all these brothers and sisters generally were, there was one among them who ran more in her thoughts than the rest. It was William whom she talked of most, and wanted most to see. William, the eldest, a year older than herself, her constant companion and friend; her advocate with her mother (of whom he was the darling) in every distress. "William did not like she should come away; he had told her he should miss her very much indeed." "But William will write to you, I dare say." "Yes, he had promised he would, but he had told _her_ to write first." "And when shall you do it?" She hung her head and answered hesitatingly, "she did not know; she had not any paper." "If that be all your difficulty, I will furnish you with paper and every other material, and you may write your letter whenever you choose. Would it make you happy to write to William?" "Yes, very." "Then let it be done now. Come with me into the breakfast-room, we shall find everything there, and be sure of having the room to ourselves." "But, cousin, will it go to the post?"<|quote|>"Yes, depend upon me it shall: it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing."</|quote|>"My uncle!" repeated Fanny, with a frightened look. "Yes, when you have written the letter, I will take it to my father to frank." Fanny thought it a bold measure, but offered no further resistance; and they went together into the breakfast-room, where Edmund prepared her paper, and ruled her lines with all the goodwill that her brother could himself have felt, and probably with somewhat more exactness. He continued with her the whole time of her writing, to assist her with his penknife or his orthography, as either were wanted; and added to these attentions, which she felt very much, a kindness to her brother which delighted her beyond all the rest. He wrote with his own hand his love to his cousin William, and sent him half a guinea under the seal. Fanny's feelings on the occasion were such as she believed herself incapable of expressing; but her countenance and a few artless words fully conveyed all their gratitude and delight, and her cousin began to find her an interesting object. He talked to her more, and, from all that she said, was convinced of her having an affectionate heart, and a strong desire of doing right; and he could perceive her to be farther entitled to attention by great sensibility of her situation, and great timidity. He had never knowingly given her pain, but he now felt that she required more positive kindness; and with that view endeavoured, in the first place, to lessen her fears of them all, and gave her especially a great deal of good advice as to playing with Maria and Julia, and being as merry as possible. From this day Fanny grew more comfortable. She felt that she had a friend, and the kindness of her cousin Edmund gave her better spirits with everybody else. The place became less strange, and the people less formidable; and if there were some amongst them whom she could not cease to fear, she began at least to know their ways, and to catch the best manner of conforming to them. The little rusticities and awkwardnesses which had at first made grievous inroads on the tranquillity of all, and not least of herself, necessarily wore away, and she was no longer materially afraid to appear before her uncle, nor did her aunt Norris's voice make her start very much. To her cousins she became occasionally an | her to be little struck with the duet they were so good as to play, they could do no more than make her a generous present of some of their least valued toys, and leave her to herself, while they adjourned to whatever might be the favourite holiday sport of the moment, making artificial flowers or wasting gold paper. Fanny, whether near or from her cousins, whether in the schoolroom, the drawing-room, or the shrubbery, was equally forlorn, finding something to fear in every person and place. She was disheartened by Lady Bertram's silence, awed by Sir Thomas's grave looks, and quite overcome by Mrs. Norris's admonitions. Her elder cousins mortified her by reflections on her size, and abashed her by noticing her shyness: Miss Lee wondered at her ignorance, and the maid-servants sneered at her clothes; and when to these sorrows was added the idea of the brothers and sisters among whom she had always been important as playfellow, instructress, and nurse, the despondence that sunk her little heart was severe. The grandeur of the house astonished, but could not console her. The rooms were too large for her to move in with ease: whatever she touched she expected to injure, and she crept about in constant terror of something or other; often retreating towards her own chamber to cry; and the little girl who was spoken of in the drawing-room when she left it at night as seeming so desirably sensible of her peculiar good fortune, ended every day's sorrows by sobbing herself to sleep. A week had passed in this way, and no suspicion of it conveyed by her quiet passive manner, when she was found one morning by her cousin Edmund, the youngest of the sons, sitting crying on the attic stairs. "My dear little cousin," said he, with all the gentleness of an excellent nature, "what can be the matter?" And sitting down by her, he was at great pains to overcome her shame in being so surprised, and persuade her to speak openly. Was she ill? or was anybody angry with her? or had she quarrelled with Maria and Julia? or was she puzzled about anything in her lesson that he could explain? Did she, in short, want anything he could possibly get her, or do for her? For a long while no answer could be obtained beyond a "no, no not at all no, thank you"; but he still persevered; and no sooner had he begun to revert to her own home, than her increased sobs explained to him where the grievance lay. He tried to console her. "You are sorry to leave Mama, my dear little Fanny," said he, "which shows you to be a very good girl; but you must remember that you are with relations and friends, who all love you, and wish to make you happy. Let us walk out in the park, and you shall tell me all about your brothers and sisters." "no, no not at all no, thank you" "; but he still persevered; and no sooner had he begun to revert to her own home, than her increased sobs explained to him where the grievance lay. He tried to console her. "You are sorry to leave Mama, my dear little Fanny," said he, "which shows you to be a very good girl; but you must remember that you are with relations and friends, who all love you, and wish to make you happy. Let us walk out in the park, and you shall tell me all about your brothers and sisters." On pursuing the subject, he found that, dear as all these brothers and sisters generally were, there was one among them who ran more in her thoughts than the rest. It was William whom she talked of most, and wanted most to see. William, the eldest, a year older than herself, her constant companion and friend; her advocate with her mother (of whom he was the darling) in every distress. "William did not like she should come away; he had told her he should miss her very much indeed." "But William will write to you, I dare say." "Yes, he had promised he would, but he had told _her_ to write first." "And when shall you do it?" She hung her head and answered hesitatingly, "she did not know; she had not any paper." "If that be all your difficulty, I will furnish you with paper and every other material, and you may write your letter whenever you choose. Would it make you happy to write to William?" "Yes, very." "Then let it be done now. Come with me into the breakfast-room, we shall find everything there, and be sure of having the room to ourselves." "But, cousin, will it go to the post?"<|quote|>"Yes, depend upon me it shall: it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing."</|quote|>"My uncle!" repeated Fanny, with a frightened look. "Yes, when you have written the letter, I will take it to my father to frank." Fanny thought it a bold measure, but offered no further resistance; and they went together into the breakfast-room, where Edmund prepared her paper, and ruled her lines with all the goodwill that her brother could himself have felt, and probably with somewhat more exactness. He continued with her the whole time of her writing, to assist her with his penknife or his orthography, as either were wanted; and added to these attentions, which she felt very much, a kindness to her brother which delighted her beyond all the rest. He wrote with his own hand his love to his cousin William, and sent him half a guinea under the seal. Fanny's feelings on the occasion were such as she believed herself incapable of expressing; but her countenance and a few artless words fully conveyed all their gratitude and delight, and her cousin began to find her an interesting object. He talked to her more, and, from all that she said, was convinced of her having an affectionate heart, and a strong desire of doing right; and he could perceive her to be farther entitled to attention by great sensibility of her situation, and great timidity. He had never knowingly given her pain, but he now felt that she required more positive kindness; and with that view endeavoured, in the first place, to lessen her fears of them all, and gave her especially a great deal of good advice as to playing with Maria and Julia, and being as merry as possible. From this day Fanny grew more comfortable. She felt that she had a friend, and the kindness of her cousin Edmund gave her better spirits with everybody else. The place became less strange, and the people less formidable; and if there were some amongst them whom she could not cease to fear, she began at least to know their ways, and to catch the best manner of conforming to them. The little rusticities and awkwardnesses which had at first made grievous inroads on the tranquillity of all, and not least of herself, necessarily wore away, and she was no longer materially afraid to appear before her uncle, nor did her aunt Norris's voice make her start very much. To her cousins she became occasionally an acceptable companion. Though unworthy, from inferiority of age and strength, to be their constant associate, their pleasures and schemes were sometimes of a nature to make a third very useful, especially when that third was of an obliging, yielding temper; and they could not but own, when their aunt inquired into her faults, or their brother Edmund urged her claims to their kindness, that "Fanny was good-natured enough" ." Edmund was uniformly kind himself; and she had nothing worse to endure on the part of Tom than that sort of merriment which a young man of seventeen will always think fair with a child of ten. He was just entering into life, full of spirits, and with all the liberal dispositions of an eldest son, who feels born only for expense and enjoyment. His kindness to his little cousin was consistent with his situation and rights: he made her some very pretty presents, and laughed at her. As her appearance and spirits improved, Sir Thomas and Mrs. Norris thought with greater satisfaction of their benevolent plan; and it was pretty soon decided between them that, though far from clever, she showed a tractable disposition, and seemed likely to give them little trouble. A mean opinion of her abilities was not confined to _them_. Fanny could read, work, and write, but she had been taught nothing more; and as her cousins found her ignorant of many things with which they had been long familiar, they thought her prodigiously stupid, and for the first two or three weeks were continually bringing some fresh report of it into the drawing-room. "Dear mama, only think, my cousin cannot put the map of Europe together or my cousin cannot tell the principal rivers in Russia or, she never heard of Asia Minor or she does not know the difference between water-colours and crayons! How strange! Did you ever hear anything so stupid?" "My dear," their considerate aunt would reply, "it is very bad, but you must not expect everybody to be as forward and quick at learning as yourself." "But, aunt, she is really so very ignorant! Do you know, we asked her last night which way she would go to get to Ireland; and she said, she should cross to the Isle of Wight. She thinks of nothing but the Isle of Wight, and she calls it _the_ _Island_, as if there were no | "no, no not at all no, thank you" "; but he still persevered; and no sooner had he begun to revert to her own home, than her increased sobs explained to him where the grievance lay. He tried to console her. "You are sorry to leave Mama, my dear little Fanny," said he, "which shows you to be a very good girl; but you must remember that you are with relations and friends, who all love you, and wish to make you happy. Let us walk out in the park, and you shall tell me all about your brothers and sisters." On pursuing the subject, he found that, dear as all these brothers and sisters generally were, there was one among them who ran more in her thoughts than the rest. It was William whom she talked of most, and wanted most to see. William, the eldest, a year older than herself, her constant companion and friend; her advocate with her mother (of whom he was the darling) in every distress. "William did not like she should come away; he had told her he should miss her very much indeed." "But William will write to you, I dare say." "Yes, he had promised he would, but he had told _her_ to write first." "And when shall you do it?" She hung her head and answered hesitatingly, "she did not know; she had not any paper." "If that be all your difficulty, I will furnish you with paper and every other material, and you may write your letter whenever you choose. Would it make you happy to write to William?" "Yes, very." "Then let it be done now. Come with me into the breakfast-room, we shall find everything there, and be sure of having the room to ourselves." "But, cousin, will it go to the post?"<|quote|>"Yes, depend upon me it shall: it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing."</|quote|>"My uncle!" repeated Fanny, with a frightened look. "Yes, when you have written the letter, I will take it to my father to frank." Fanny thought it a bold measure, but offered no further resistance; and they went together into the breakfast-room, where Edmund prepared her paper, and ruled her lines with all the goodwill that her brother could himself have felt, and probably with somewhat more exactness. He continued with her the whole time of her writing, to assist her with his penknife or his orthography, as either were wanted; and added to these attentions, which she felt very much, a kindness to her brother which delighted her beyond all the rest. He wrote with his own hand his love to his cousin William, and sent him half a guinea under the seal. Fanny's feelings on the occasion were such as she believed herself incapable of expressing; but her countenance and a few artless words fully conveyed all their gratitude and delight, and her cousin began to find her an interesting object. He talked to her more, and, from all that she said, was convinced of her having an affectionate heart, and a strong desire of doing right; and he could perceive her to be farther entitled to attention by great sensibility of her situation, and great timidity. He had never knowingly given her pain, but he now felt that she required more positive kindness; and with that view endeavoured, in the first place, to lessen her fears of them all, and gave her especially a great deal of good advice as to playing with Maria and Julia, and being as merry as possible. From this day Fanny grew more comfortable. She felt that she had a friend, and the kindness of her cousin Edmund gave her better spirits with everybody else. The place became less strange, and the people less formidable; and if there were some amongst them whom she could not cease to fear, she began at least to know their ways, and to catch the best manner of conforming to them. The little rusticities and awkwardnesses which had at first made grievous inroads on the tranquillity of all, and not least of herself, necessarily wore away, and she was no longer materially afraid to appear before her uncle, nor did her aunt Norris's voice make her start very much. To her cousins she became occasionally an acceptable companion. Though unworthy, from inferiority of age and strength, to be their constant associate, their pleasures and schemes were sometimes of a nature to make a third very useful, especially when that third was of an obliging, yielding temper; and they could not but own, when their aunt inquired into her faults, or their brother Edmund urged her claims to their kindness, that "Fanny was good-natured enough" ." Edmund was uniformly kind himself; and she had nothing worse to endure on the part of Tom than that sort of merriment which a young man of seventeen will always think fair with a child of ten. He was just entering into life, full of spirits, and with all the liberal dispositions of an eldest son, who feels born only for expense and enjoyment. His kindness to his little cousin was consistent with his situation and rights: he made her some very pretty presents, and laughed at her. As her | Mansfield Park |
At this moment there was a loud ring at the bell, and I could hear Mrs. Hudson, our landlady, raising her voice in a wail of expostulation and dismay. | No speaker | of his attacks of energy."<|quote|>At this moment there was a loud ring at the bell, and I could hear Mrs. Hudson, our landlady, raising her voice in a wail of expostulation and dismay.</|quote|>"By heaven, Holmes," I said, | should happen to have another of his attacks of energy."<|quote|>At this moment there was a loud ring at the bell, and I could hear Mrs. Hudson, our landlady, raising her voice in a wail of expostulation and dismay.</|quote|>"By heaven, Holmes," I said, half rising, "I believe that | Holmes, grinning over his coffee-cup. "What do you think of it?" "I think that we have had a close shave ourselves of being arrested for the crime." "So do I. I wouldn t answer for our safety now, if he should happen to have another of his attacks of energy."<|quote|>At this moment there was a loud ring at the bell, and I could hear Mrs. Hudson, our landlady, raising her voice in a wail of expostulation and dismay.</|quote|>"By heaven, Holmes," I said, half rising, "I believe that they are really after us." "No, it s not quite so bad as that. It is the unofficial force, the Baker Street irregulars." As he spoke, there came a swift pattering of naked feet upon the stairs, a clatter of | a single vigorous and masterful mind. We cannot but think that it supplies an argument to those who would wish to see our detectives more decentralised, and so brought into closer and more effective touch with the cases which it is their duty to investigate." "Isn t it gorgeous!" said Holmes, grinning over his coffee-cup. "What do you think of it?" "I think that we have had a close shave ourselves of being arrested for the crime." "So do I. I wouldn t answer for our safety now, if he should happen to have another of his attacks of energy."<|quote|>At this moment there was a loud ring at the bell, and I could hear Mrs. Hudson, our landlady, raising her voice in a wail of expostulation and dismay.</|quote|>"By heaven, Holmes," I said, half rising, "I believe that they are really after us." "No, it s not quite so bad as that. It is the unofficial force, the Baker Street irregulars." As he spoke, there came a swift pattering of naked feet upon the stairs, a clatter of high voices, and in rushed a dozen dirty and ragged little street-Arabs. There was some show of discipline among them, despite their tumultuous entry, for they instantly drew up in line and stood facing us with expectant faces. One of their number, taller and older than the others, stood forward | s well-known technical knowledge and his powers of minute observation have enabled him to prove conclusively that the miscreants could not have entered by the door or by the window, but must have made their way across the roof of the building, and so through a trap-door into a room which communicated with that in which the body was found. This fact, which has been very clearly made out, proves conclusively that it was no mere haphazard burglary. The prompt and energetic action of the officers of the law shows the great advantage of the presence on such occasions of a single vigorous and masterful mind. We cannot but think that it supplies an argument to those who would wish to see our detectives more decentralised, and so brought into closer and more effective touch with the cases which it is their duty to investigate." "Isn t it gorgeous!" said Holmes, grinning over his coffee-cup. "What do you think of it?" "I think that we have had a close shave ourselves of being arrested for the crime." "So do I. I wouldn t answer for our safety now, if he should happen to have another of his attacks of energy."<|quote|>At this moment there was a loud ring at the bell, and I could hear Mrs. Hudson, our landlady, raising her voice in a wail of expostulation and dismay.</|quote|>"By heaven, Holmes," I said, half rising, "I believe that they are really after us." "No, it s not quite so bad as that. It is the unofficial force, the Baker Street irregulars." As he spoke, there came a swift pattering of naked feet upon the stairs, a clatter of high voices, and in rushed a dozen dirty and ragged little street-Arabs. There was some show of discipline among them, despite their tumultuous entry, for they instantly drew up in line and stood facing us with expectant faces. One of their number, taller and older than the others, stood forward with an air of lounging superiority which was very funny in such a disreputable little scarecrow. "Got your message, sir," said he, "and brought em on sharp. Three bob and a tanner for tickets." "Here you are," said Holmes, producing some silver. "In future they can report to you, Wiggins, and you to me. I cannot have the house invaded in this way. However, it is just as well that you should all hear the instructions. I want to find the whereabouts of a steam launch called the _Aurora_, owner Mordecai Smith, black with two red streaks, funnel black with | Upper Norwood." "About twelve o clock last night," said the _Standard_, "Mr. Bartholomew Sholto, of Pondicherry Lodge, Upper Norwood, was found dead in his room under circumstances which point to foul play. As far as we can learn, no actual traces of violence were found upon Mr. Sholto s person, but a valuable collection of Indian gems which the deceased gentleman had inherited from his father has been carried off. The discovery was first made by Mr. Sherlock Holmes and Dr. Watson, who had called at the house with Mr. Thaddeus Sholto, brother of the deceased. By a singular piece of good fortune, Mr. Athelney Jones, the well-known member of the detective police force, happened to be at the Norwood Police Station, and was on the ground within half an hour of the first alarm. His trained and experienced faculties were at once directed towards the detection of the criminals, with the gratifying result that the brother, Thaddeus Sholto, has already been arrested, together with the housekeeper, Mrs. Bernstone, an Indian butler named Lal Rao, and a porter, or gatekeeper, named McMurdo. It is quite certain that the thief or thieves were well acquainted with the house, for Mr. Jones s well-known technical knowledge and his powers of minute observation have enabled him to prove conclusively that the miscreants could not have entered by the door or by the window, but must have made their way across the roof of the building, and so through a trap-door into a room which communicated with that in which the body was found. This fact, which has been very clearly made out, proves conclusively that it was no mere haphazard burglary. The prompt and energetic action of the officers of the law shows the great advantage of the presence on such occasions of a single vigorous and masterful mind. We cannot but think that it supplies an argument to those who would wish to see our detectives more decentralised, and so brought into closer and more effective touch with the cases which it is their duty to investigate." "Isn t it gorgeous!" said Holmes, grinning over his coffee-cup. "What do you think of it?" "I think that we have had a close shave ourselves of being arrested for the crime." "So do I. I wouldn t answer for our safety now, if he should happen to have another of his attacks of energy."<|quote|>At this moment there was a loud ring at the bell, and I could hear Mrs. Hudson, our landlady, raising her voice in a wail of expostulation and dismay.</|quote|>"By heaven, Holmes," I said, half rising, "I believe that they are really after us." "No, it s not quite so bad as that. It is the unofficial force, the Baker Street irregulars." As he spoke, there came a swift pattering of naked feet upon the stairs, a clatter of high voices, and in rushed a dozen dirty and ragged little street-Arabs. There was some show of discipline among them, despite their tumultuous entry, for they instantly drew up in line and stood facing us with expectant faces. One of their number, taller and older than the others, stood forward with an air of lounging superiority which was very funny in such a disreputable little scarecrow. "Got your message, sir," said he, "and brought em on sharp. Three bob and a tanner for tickets." "Here you are," said Holmes, producing some silver. "In future they can report to you, Wiggins, and you to me. I cannot have the house invaded in this way. However, it is just as well that you should all hear the instructions. I want to find the whereabouts of a steam launch called the _Aurora_, owner Mordecai Smith, black with two red streaks, funnel black with a white band. She is down the river somewhere. I want one boy to be at Mordecai Smith s landing-stage opposite Millbank to say if the boat comes back. You must divide it out among yourselves, and do both banks thoroughly. Let me know the moment you have news. Is that all clear?" "Yes, guv nor," said Wiggins. "The old scale of pay, and a guinea to the boy who finds the boat. Here s a day in advance. Now off you go!" He handed them a shilling each, and away they buzzed down the stairs, and I saw them a moment later streaming down the street. "If the launch is above water they will find her," said Holmes, as he rose from the table and lit his pipe. "They can go everywhere, see everything, overhear every one. I expect to hear before evening that they have spotted her. In the meanwhile, we can do nothing but await results. We cannot pick up the broken trail until we find either the _Aurora_ or Mr. Mordecai Smith." "Toby could eat these scraps, I dare say. Are you going to bed, Holmes?" "No; I am not tired. I have a curious constitution. | on the cards that we may be afoot to-night again. Stop at a telegraph-office, cabby! We will keep Toby, for he may be of use to us yet." We pulled up at the Great Peter Street post-office, and Holmes despatched his wire. "Whom do you think that is to?" he asked, as we resumed our journey. "I am sure I don t know." "You remember the Baker Street division of the detective police force whom I employed in the Jefferson Hope case?" "Well," said I, laughing. "This is just the case where they might be invaluable. If they fail, I have other resources; but I shall try them first. That wire was to my dirty little lieutenant, Wiggins, and I expect that he and his gang will be with us before we have finished our breakfast." It was between eight and nine o clock now, and I was conscious of a strong reaction after the successive excitements of the night. I was limp and weary, befogged in mind and fatigued in body. I had not the professional enthusiasm which carried my companion on, nor could I look at the matter as a mere abstract intellectual problem. As far as the death of Bartholomew Sholto went, I had heard little good of him, and could feel no intense antipathy to his murderers. The treasure, however, was a different matter. That, or part of it, belonged rightfully to Miss Morstan. While there was a chance of recovering it I was ready to devote my life to the one object. True, if I found it it would probably put her forever beyond my reach. Yet it would be a petty and selfish love which would be influenced by such a thought as that. If Holmes could work to find the criminals, I had a tenfold stronger reason to urge me on to find the treasure. A bath at Baker Street and a complete change freshened me up wonderfully. When I came down to our room I found the breakfast laid and Homes pouring out the coffee. "Here it is," said he, laughing, and pointing to an open newspaper. "The energetic Jones and the ubiquitous reporter have fixed it up between them. But you have had enough of the case. Better have your ham and eggs first." I took the paper from him and read the short notice, which was headed "Mysterious Business at Upper Norwood." "About twelve o clock last night," said the _Standard_, "Mr. Bartholomew Sholto, of Pondicherry Lodge, Upper Norwood, was found dead in his room under circumstances which point to foul play. As far as we can learn, no actual traces of violence were found upon Mr. Sholto s person, but a valuable collection of Indian gems which the deceased gentleman had inherited from his father has been carried off. The discovery was first made by Mr. Sherlock Holmes and Dr. Watson, who had called at the house with Mr. Thaddeus Sholto, brother of the deceased. By a singular piece of good fortune, Mr. Athelney Jones, the well-known member of the detective police force, happened to be at the Norwood Police Station, and was on the ground within half an hour of the first alarm. His trained and experienced faculties were at once directed towards the detection of the criminals, with the gratifying result that the brother, Thaddeus Sholto, has already been arrested, together with the housekeeper, Mrs. Bernstone, an Indian butler named Lal Rao, and a porter, or gatekeeper, named McMurdo. It is quite certain that the thief or thieves were well acquainted with the house, for Mr. Jones s well-known technical knowledge and his powers of minute observation have enabled him to prove conclusively that the miscreants could not have entered by the door or by the window, but must have made their way across the roof of the building, and so through a trap-door into a room which communicated with that in which the body was found. This fact, which has been very clearly made out, proves conclusively that it was no mere haphazard burglary. The prompt and energetic action of the officers of the law shows the great advantage of the presence on such occasions of a single vigorous and masterful mind. We cannot but think that it supplies an argument to those who would wish to see our detectives more decentralised, and so brought into closer and more effective touch with the cases which it is their duty to investigate." "Isn t it gorgeous!" said Holmes, grinning over his coffee-cup. "What do you think of it?" "I think that we have had a close shave ourselves of being arrested for the crime." "So do I. I wouldn t answer for our safety now, if he should happen to have another of his attacks of energy."<|quote|>At this moment there was a loud ring at the bell, and I could hear Mrs. Hudson, our landlady, raising her voice in a wail of expostulation and dismay.</|quote|>"By heaven, Holmes," I said, half rising, "I believe that they are really after us." "No, it s not quite so bad as that. It is the unofficial force, the Baker Street irregulars." As he spoke, there came a swift pattering of naked feet upon the stairs, a clatter of high voices, and in rushed a dozen dirty and ragged little street-Arabs. There was some show of discipline among them, despite their tumultuous entry, for they instantly drew up in line and stood facing us with expectant faces. One of their number, taller and older than the others, stood forward with an air of lounging superiority which was very funny in such a disreputable little scarecrow. "Got your message, sir," said he, "and brought em on sharp. Three bob and a tanner for tickets." "Here you are," said Holmes, producing some silver. "In future they can report to you, Wiggins, and you to me. I cannot have the house invaded in this way. However, it is just as well that you should all hear the instructions. I want to find the whereabouts of a steam launch called the _Aurora_, owner Mordecai Smith, black with two red streaks, funnel black with a white band. She is down the river somewhere. I want one boy to be at Mordecai Smith s landing-stage opposite Millbank to say if the boat comes back. You must divide it out among yourselves, and do both banks thoroughly. Let me know the moment you have news. Is that all clear?" "Yes, guv nor," said Wiggins. "The old scale of pay, and a guinea to the boy who finds the boat. Here s a day in advance. Now off you go!" He handed them a shilling each, and away they buzzed down the stairs, and I saw them a moment later streaming down the street. "If the launch is above water they will find her," said Holmes, as he rose from the table and lit his pipe. "They can go everywhere, see everything, overhear every one. I expect to hear before evening that they have spotted her. In the meanwhile, we can do nothing but await results. We cannot pick up the broken trail until we find either the _Aurora_ or Mr. Mordecai Smith." "Toby could eat these scraps, I dare say. Are you going to bed, Holmes?" "No; I am not tired. I have a curious constitution. I never remember feeling tired by work, though idleness exhausts me completely. I am going to smoke and to think over this queer business to which my fair client has introduced us. If ever man had an easy task, this of ours ought to be. Wooden-legged men are not so common, but the other man must, I should think, be absolutely unique." "That other man again!" "I have no wish to make a mystery of him, to you, anyway. But you must have formed your own opinion. Now, do consider the data. Diminutive footmarks, toes never fettered by boots, naked feet, stone-headed wooden mace, great agility, small poisoned darts. What do you make of all this?" "A savage!" I exclaimed. "Perhaps one of those Indians who were the associates of Jonathan Small." "Hardly that," said he. "When first I saw signs of strange weapons I was inclined to think so; but the remarkable character of the footmarks caused me to reconsider my views. Some of the inhabitants of the Indian Peninsula are small men, but none could have left such marks as that. The Hindoo proper has long and thin feet. The sandal-wearing Mohammedan has the great toe well separated from the others, because the thong is commonly passed between. These little darts, too, could only be shot in one way. They are from a blow-pipe. Now, then, where are we to find our savage?" "South American," I hazarded. He stretched his hand up, and took down a bulky volume from the shelf. "This is the first volume of a gazetteer which is now being published. It may be looked upon as the very latest authority. What have we here?" Andaman Islands, situated 340 miles to the north of Sumatra, in the Bay of Bengal. "Hum! hum! What s all this? Moist climate, coral reefs, sharks, Port Blair, convict-barracks, Rutland Island, cottonwoods Ah, here we are." The aborigines of the Andaman Islands may perhaps claim the distinction of being the smallest race upon this earth, though some anthropologists prefer the Bushmen of Africa, the Digger Indians of America, and the Terra del Fuegians. The average height is rather below four feet, although many full-grown adults may be found who are very much smaller than this. They are a fierce, morose, and intractable people, though capable of forming most devoted friendships when their confidence has once been gained. "Mark that, Watson. | True, if I found it it would probably put her forever beyond my reach. Yet it would be a petty and selfish love which would be influenced by such a thought as that. If Holmes could work to find the criminals, I had a tenfold stronger reason to urge me on to find the treasure. A bath at Baker Street and a complete change freshened me up wonderfully. When I came down to our room I found the breakfast laid and Homes pouring out the coffee. "Here it is," said he, laughing, and pointing to an open newspaper. "The energetic Jones and the ubiquitous reporter have fixed it up between them. But you have had enough of the case. Better have your ham and eggs first." I took the paper from him and read the short notice, which was headed "Mysterious Business at Upper Norwood." "About twelve o clock last night," said the _Standard_, "Mr. Bartholomew Sholto, of Pondicherry Lodge, Upper Norwood, was found dead in his room under circumstances which point to foul play. As far as we can learn, no actual traces of violence were found upon Mr. Sholto s person, but a valuable collection of Indian gems which the deceased gentleman had inherited from his father has been carried off. The discovery was first made by Mr. Sherlock Holmes and Dr. Watson, who had called at the house with Mr. Thaddeus Sholto, brother of the deceased. By a singular piece of good fortune, Mr. Athelney Jones, the well-known member of the detective police force, happened to be at the Norwood Police Station, and was on the ground within half an hour of the first alarm. His trained and experienced faculties were at once directed towards the detection of the criminals, with the gratifying result that the brother, Thaddeus Sholto, has already been arrested, together with the housekeeper, Mrs. Bernstone, an Indian butler named Lal Rao, and a porter, or gatekeeper, named McMurdo. It is quite certain that the thief or thieves were well acquainted with the house, for Mr. Jones s well-known technical knowledge and his powers of minute observation have enabled him to prove conclusively that the miscreants could not have entered by the door or by the window, but must have made their way across the roof of the building, and so through a trap-door into a room which communicated with that in which the body was found. This fact, which has been very clearly made out, proves conclusively that it was no mere haphazard burglary. The prompt and energetic action of the officers of the law shows the great advantage of the presence on such occasions of a single vigorous and masterful mind. We cannot but think that it supplies an argument to those who would wish to see our detectives more decentralised, and so brought into closer and more effective touch with the cases which it is their duty to investigate." "Isn t it gorgeous!" said Holmes, grinning over his coffee-cup. "What do you think of it?" "I think that we have had a close shave ourselves of being arrested for the crime." "So do I. I wouldn t answer for our safety now, if he should happen to have another of his attacks of energy."<|quote|>At this moment there was a loud ring at the bell, and I could hear Mrs. Hudson, our landlady, raising her voice in a wail of expostulation and dismay.</|quote|>"By heaven, Holmes," I said, half rising, "I believe that they are really after us." "No, it s not quite so bad as that. It is the unofficial force, the Baker Street irregulars." As he spoke, there came a swift pattering of naked feet upon the stairs, a clatter of high voices, and in rushed a dozen dirty and ragged little street-Arabs. There was some show of discipline among them, despite their tumultuous entry, for they instantly drew up in line and stood facing us with expectant faces. One of their number, taller and older than the others, stood forward with an air of lounging superiority which was very funny in such a disreputable little scarecrow. "Got your message, sir," said he, "and brought em on sharp. Three bob and a tanner for tickets." "Here you are," said Holmes, producing some silver. "In future they can report to you, Wiggins, and you to me. I cannot have the house invaded in this way. However, it is just as well that you should all hear the instructions. I want to find the whereabouts of a steam launch called the _Aurora_, owner Mordecai Smith, black with two red streaks, funnel black with a white band. She is down the river somewhere. I want one boy to be at Mordecai Smith s landing-stage opposite Millbank to say if the boat comes back. You must divide it out among yourselves, and do both banks thoroughly. Let me know the moment you have news. Is that all clear?" "Yes, guv nor," said Wiggins. "The old scale of pay, and a guinea to the boy who finds the boat. Here s a day in advance. Now off you go!" He handed them a shilling each, and away they buzzed down the stairs, and I saw them a moment later streaming down the street. "If the launch is above water they will find her," said Holmes, as he rose from the table and lit his pipe. "They can go everywhere, see everything, overhear every one. I expect to hear before evening that they have spotted her. In the meanwhile, we can do nothing but await results. We cannot pick up the broken trail until we find either the _Aurora_ or Mr. Mordecai Smith." "Toby could eat these scraps, I dare say. Are you going to bed, Holmes?" "No; I am not tired. I have a curious constitution. I never remember feeling tired by work, though idleness exhausts me completely. I am going to smoke and to think over this queer business to which my fair client has introduced us. If ever man had an easy task, this of ours ought to be. Wooden-legged men are not so common, but the other man must, | The Sign Of The Four |
“Where’d you hear that?” | Nick | Tom suddenly. “Some big bootlegger?”<|quote|>“Where’d you hear that?”</|quote|>I inquired. “I didn’t hear | is this Gatsby anyhow?” demanded Tom suddenly. “Some big bootlegger?”<|quote|>“Where’d you hear that?”</|quote|>I inquired. “I didn’t hear it. I imagined it. A | ten square feet of light volleying out into the soft black morning. Sometimes a shadow moved against a dressing-room blind above, gave way to another shadow, an indefinite procession of shadows, who rouged and powdered in an invisible glass. “Who is this Gatsby anyhow?” demanded Tom suddenly. “Some big bootlegger?”<|quote|>“Where’d you hear that?”</|quote|>I inquired. “I didn’t hear it. I imagined it. A lot of these newly rich people are just big bootleggers, you know.” “Not Gatsby,” I said shortly. He was silent for a moment. The pebbles of the drive crunched under his feet. “Well, he certainly must have strained himself to | obtrusive fate that herded its inhabitants along a shortcut from nothing to nothing. She saw something awful in the very simplicity she failed to understand. I sat on the front steps with them while they waited for their car. It was dark here in front; only the bright door sent ten square feet of light volleying out into the soft black morning. Sometimes a shadow moved against a dressing-room blind above, gave way to another shadow, an indefinite procession of shadows, who rouged and powdered in an invisible glass. “Who is this Gatsby anyhow?” demanded Tom suddenly. “Some big bootlegger?”<|quote|>“Where’d you hear that?”</|quote|>I inquired. “I didn’t hear it. I imagined it. A lot of these newly rich people are just big bootleggers, you know.” “Not Gatsby,” I said shortly. He was silent for a moment. The pebbles of the drive crunched under his feet. “Well, he certainly must have strained himself to get this menagerie together.” A breeze stirred the grey haze of Daisy’s fur collar. “At least they are more interesting than the people we know,” she said with an effort. “You didn’t look so interested.” “Well, I was.” Tom laughed and turned to me. “Did you notice Daisy’s face when | for a pale, thin ray of moonlight between. It occurred to me that he had been very slowly bending toward her all evening to attain this proximity, and even while I watched I saw him stoop one ultimate degree and kiss at her cheek. “I like her,” said Daisy, “I think she’s lovely.” But the rest offended her—and inarguably because it wasn’t a gesture but an emotion. She was appalled by West Egg, this unprecedented “place” that Broadway had begotten upon a Long Island fishing village—appalled by its raw vigour that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a shortcut from nothing to nothing. She saw something awful in the very simplicity she failed to understand. I sat on the front steps with them while they waited for their car. It was dark here in front; only the bright door sent ten square feet of light volleying out into the soft black morning. Sometimes a shadow moved against a dressing-room blind above, gave way to another shadow, an indefinite procession of shadows, who rouged and powdered in an invisible glass. “Who is this Gatsby anyhow?” demanded Tom suddenly. “Some big bootlegger?”<|quote|>“Where’d you hear that?”</|quote|>I inquired. “I didn’t hear it. I imagined it. A lot of these newly rich people are just big bootleggers, you know.” “Not Gatsby,” I said shortly. He was silent for a moment. The pebbles of the drive crunched under his feet. “Well, he certainly must have strained himself to get this menagerie together.” A breeze stirred the grey haze of Daisy’s fur collar. “At least they are more interesting than the people we know,” she said with an effort. “You didn’t look so interested.” “Well, I was.” Tom laughed and turned to me. “Did you notice Daisy’s face when that girl asked her to put her under a cold shower?” Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air. “Lots of people come who haven’t been invited,” she said suddenly. “That girl hadn’t been invited. They simply force their way in and he’s too polite to | inquiry she sat up and opened her eyes. “Wha’?” A massive and lethargic woman, who had been urging Daisy to play golf with her at the local club tomorrow, spoke in Miss Baedeker’s defence: “Oh, she’s all right now. When she’s had five or six cocktails she always starts screaming like that. I tell her she ought to leave it alone.” “I do leave it alone,” affirmed the accused hollowly. “We heard you yelling, so I said to Doc Civet here: ‘There’s somebody that needs your help, Doc.’ ” “She’s much obliged, I’m sure,” said another friend, without gratitude, “but you got her dress all wet when you stuck her head in the pool.” “Anything I hate is to get my head stuck in a pool,” mumbled Miss Baedeker. “They almost drowned me once over in New Jersey.” “Then you ought to leave it alone,” countered Doctor Civet. “Speak for yourself!” cried Miss Baedeker violently. “Your hand shakes. I wouldn’t let you operate on me!” It was like that. Almost the last thing I remember was standing with Daisy and watching the moving-picture director and his Star. They were still under the white-plum tree and their faces were touching except for a pale, thin ray of moonlight between. It occurred to me that he had been very slowly bending toward her all evening to attain this proximity, and even while I watched I saw him stoop one ultimate degree and kiss at her cheek. “I like her,” said Daisy, “I think she’s lovely.” But the rest offended her—and inarguably because it wasn’t a gesture but an emotion. She was appalled by West Egg, this unprecedented “place” that Broadway had begotten upon a Long Island fishing village—appalled by its raw vigour that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a shortcut from nothing to nothing. She saw something awful in the very simplicity she failed to understand. I sat on the front steps with them while they waited for their car. It was dark here in front; only the bright door sent ten square feet of light volleying out into the soft black morning. Sometimes a shadow moved against a dressing-room blind above, gave way to another shadow, an indefinite procession of shadows, who rouged and powdered in an invisible glass. “Who is this Gatsby anyhow?” demanded Tom suddenly. “Some big bootlegger?”<|quote|>“Where’d you hear that?”</|quote|>I inquired. “I didn’t hear it. I imagined it. A lot of these newly rich people are just big bootleggers, you know.” “Not Gatsby,” I said shortly. He was silent for a moment. The pebbles of the drive crunched under his feet. “Well, he certainly must have strained himself to get this menagerie together.” A breeze stirred the grey haze of Daisy’s fur collar. “At least they are more interesting than the people we know,” she said with an effort. “You didn’t look so interested.” “Well, I was.” Tom laughed and turned to me. “Did you notice Daisy’s face when that girl asked her to put her under a cold shower?” Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air. “Lots of people come who haven’t been invited,” she said suddenly. “That girl hadn’t been invited. They simply force their way in and he’s too polite to object.” “I’d like to know who he is and what he does,” insisted Tom. “And I think I’ll make a point of finding out.” “I can tell you right now,” she answered. “He owned some drugstores, a lot of drugstores. He built them up himself.” The dilatory limousine came rolling up the drive. “Good night, Nick,” said Daisy. Her glance left me and sought the lighted top of the steps, where “Three O’Clock in the Morning,” a neat, sad little waltz of that year, was drifting out the open door. After all, in the very casualness of Gatsby’s party there were romantic possibilities totally absent from her world. What was it up there in the song that seemed to be calling her back inside? What would happen now in the dim, incalculable hours? Perhaps some unbelievable guest would arrive, a person infinitely rare and to be marvelled at, some authentically radiant young girl who with one fresh glance at Gatsby, one moment of magical encounter, would blot out those five years of unwavering devotion. I stayed late that night. Gatsby asked me to wait until he was free, and I lingered in the garden until the inevitable swimming party had | of many people you’ve heard about.” Tom’s arrogant eyes roamed the crowd. “We don’t go around very much,” he said; “in fact, I was just thinking I don’t know a soul here.” “Perhaps you know that lady.” Gatsby indicated a gorgeous, scarcely human orchid of a woman who sat in state under a white-plum tree. Tom and Daisy stared, with that peculiarly unreal feeling that accompanies the recognition of a hitherto ghostly celebrity of the movies. “She’s lovely,” said Daisy. “The man bending over her is her director.” He took them ceremoniously from group to group: “Mrs. Buchanan … and Mr. Buchanan—” After an instant’s hesitation he added: “the polo player.” “Oh no,” objected Tom quickly, “not me.” But evidently the sound of it pleased Gatsby for Tom remained “the polo player” for the rest of the evening. “I’ve never met so many celebrities,” Daisy exclaimed. “I liked that man—what was his name?—with the sort of blue nose.” Gatsby identified him, adding that he was a small producer. “Well, I liked him anyhow.” “I’d a little rather not be the polo player,” said Tom pleasantly, “I’d rather look at all these famous people in—in oblivion.” Daisy and Gatsby danced. I remember being surprised by his graceful, conservative foxtrot—I had never seen him dance before. Then they sauntered over to my house and sat on the steps for half an hour, while at her request I remained watchfully in the garden. “In case there’s a fire or a flood,” she explained, “or any act of God.” Tom appeared from his oblivion as we were sitting down to supper together. “Do you mind if I eat with some people over here?” he said. “A fellow’s getting off some funny stuff.” “Go ahead,” answered Daisy genially, “and if you want to take down any addresses here’s my little gold pencil.” … She looked around after a moment and told me the girl was “common but pretty,” and I knew that except for the half-hour she’d been alone with Gatsby she wasn’t having a good time. We were at a particularly tipsy table. That was my fault—Gatsby had been called to the phone, and I’d enjoyed these same people only two weeks before. But what had amused me then turned septic on the air now. “How do you feel, Miss Baedeker?” The girl addressed was trying, unsuccessfully, to slump against my shoulder. At this inquiry she sat up and opened her eyes. “Wha’?” A massive and lethargic woman, who had been urging Daisy to play golf with her at the local club tomorrow, spoke in Miss Baedeker’s defence: “Oh, she’s all right now. When she’s had five or six cocktails she always starts screaming like that. I tell her she ought to leave it alone.” “I do leave it alone,” affirmed the accused hollowly. “We heard you yelling, so I said to Doc Civet here: ‘There’s somebody that needs your help, Doc.’ ” “She’s much obliged, I’m sure,” said another friend, without gratitude, “but you got her dress all wet when you stuck her head in the pool.” “Anything I hate is to get my head stuck in a pool,” mumbled Miss Baedeker. “They almost drowned me once over in New Jersey.” “Then you ought to leave it alone,” countered Doctor Civet. “Speak for yourself!” cried Miss Baedeker violently. “Your hand shakes. I wouldn’t let you operate on me!” It was like that. Almost the last thing I remember was standing with Daisy and watching the moving-picture director and his Star. They were still under the white-plum tree and their faces were touching except for a pale, thin ray of moonlight between. It occurred to me that he had been very slowly bending toward her all evening to attain this proximity, and even while I watched I saw him stoop one ultimate degree and kiss at her cheek. “I like her,” said Daisy, “I think she’s lovely.” But the rest offended her—and inarguably because it wasn’t a gesture but an emotion. She was appalled by West Egg, this unprecedented “place” that Broadway had begotten upon a Long Island fishing village—appalled by its raw vigour that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a shortcut from nothing to nothing. She saw something awful in the very simplicity she failed to understand. I sat on the front steps with them while they waited for their car. It was dark here in front; only the bright door sent ten square feet of light volleying out into the soft black morning. Sometimes a shadow moved against a dressing-room blind above, gave way to another shadow, an indefinite procession of shadows, who rouged and powdered in an invisible glass. “Who is this Gatsby anyhow?” demanded Tom suddenly. “Some big bootlegger?”<|quote|>“Where’d you hear that?”</|quote|>I inquired. “I didn’t hear it. I imagined it. A lot of these newly rich people are just big bootleggers, you know.” “Not Gatsby,” I said shortly. He was silent for a moment. The pebbles of the drive crunched under his feet. “Well, he certainly must have strained himself to get this menagerie together.” A breeze stirred the grey haze of Daisy’s fur collar. “At least they are more interesting than the people we know,” she said with an effort. “You didn’t look so interested.” “Well, I was.” Tom laughed and turned to me. “Did you notice Daisy’s face when that girl asked her to put her under a cold shower?” Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air. “Lots of people come who haven’t been invited,” she said suddenly. “That girl hadn’t been invited. They simply force their way in and he’s too polite to object.” “I’d like to know who he is and what he does,” insisted Tom. “And I think I’ll make a point of finding out.” “I can tell you right now,” she answered. “He owned some drugstores, a lot of drugstores. He built them up himself.” The dilatory limousine came rolling up the drive. “Good night, Nick,” said Daisy. Her glance left me and sought the lighted top of the steps, where “Three O’Clock in the Morning,” a neat, sad little waltz of that year, was drifting out the open door. After all, in the very casualness of Gatsby’s party there were romantic possibilities totally absent from her world. What was it up there in the song that seemed to be calling her back inside? What would happen now in the dim, incalculable hours? Perhaps some unbelievable guest would arrive, a person infinitely rare and to be marvelled at, some authentically radiant young girl who with one fresh glance at Gatsby, one moment of magical encounter, would blot out those five years of unwavering devotion. I stayed late that night. Gatsby asked me to wait until he was free, and I lingered in the garden until the inevitable swimming party had run up, chilled and exalted, from the black beach, until the lights were extinguished in the guestrooms overhead. When he came down the steps at last the tanned skin was drawn unusually tight on his face, and his eyes were bright and tired. “She didn’t like it,” he said immediately. “Of course she did.” “She didn’t like it,” he insisted. “She didn’t have a good time.” He was silent, and I guessed at his unutterable depression. “I feel far away from her,” he said. “It’s hard to make her understand.” “You mean about the dance?” “The dance?” He dismissed all the dances he had given with a snap of his fingers. “Old sport, the dance is unimportant.” He wanted nothing less of Daisy than that she should go to Tom and say: “I never loved you.” After she had obliterated four years with that sentence they could decide upon the more practical measures to be taken. One of them was that, after she was free, they were to go back to Louisville and be married from her house—just as if it were five years ago. “And she doesn’t understand,” he said. “She used to be able to understand. We’d sit for hours—” He broke off and began to walk up and down a desolate path of fruit rinds and discarded favours and crushed flowers. “I wouldn’t ask too much of her,” I ventured. “You can’t repeat the past.” “Can’t repeat the past?” he cried incredulously. “Why of course you can!” He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand. “I’m going to fix everything just the way it was before,” he said, nodding determinedly. “She’ll see.” He talked a lot about the past, and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was … … One autumn night, five years before, they had been walking down the street when the leaves were falling, and they came to a place where there were no trees and the sidewalk was white with moonlight. They stopped here and turned toward each other. Now | now. “How do you feel, Miss Baedeker?” The girl addressed was trying, unsuccessfully, to slump against my shoulder. At this inquiry she sat up and opened her eyes. “Wha’?” A massive and lethargic woman, who had been urging Daisy to play golf with her at the local club tomorrow, spoke in Miss Baedeker’s defence: “Oh, she’s all right now. When she’s had five or six cocktails she always starts screaming like that. I tell her she ought to leave it alone.” “I do leave it alone,” affirmed the accused hollowly. “We heard you yelling, so I said to Doc Civet here: ‘There’s somebody that needs your help, Doc.’ ” “She’s much obliged, I’m sure,” said another friend, without gratitude, “but you got her dress all wet when you stuck her head in the pool.” “Anything I hate is to get my head stuck in a pool,” mumbled Miss Baedeker. “They almost drowned me once over in New Jersey.” “Then you ought to leave it alone,” countered Doctor Civet. “Speak for yourself!” cried Miss Baedeker violently. “Your hand shakes. I wouldn’t let you operate on me!” It was like that. Almost the last thing I remember was standing with Daisy and watching the moving-picture director and his Star. They were still under the white-plum tree and their faces were touching except for a pale, thin ray of moonlight between. It occurred to me that he had been very slowly bending toward her all evening to attain this proximity, and even while I watched I saw him stoop one ultimate degree and kiss at her cheek. “I like her,” said Daisy, “I think she’s lovely.” But the rest offended her—and inarguably because it wasn’t a gesture but an emotion. She was appalled by West Egg, this unprecedented “place” that Broadway had begotten upon a Long Island fishing village—appalled by its raw vigour that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a shortcut from nothing to nothing. She saw something awful in the very simplicity she failed to understand. I sat on the front steps with them while they waited for their car. It was dark here in front; only the bright door sent ten square feet of light volleying out into the soft black morning. Sometimes a shadow moved against a dressing-room blind above, gave way to another shadow, an indefinite procession of shadows, who rouged and powdered in an invisible glass. “Who is this Gatsby anyhow?” demanded Tom suddenly. “Some big bootlegger?”<|quote|>“Where’d you hear that?”</|quote|>I inquired. “I didn’t hear it. I imagined it. A lot of these newly rich people are just big bootleggers, you know.” “Not Gatsby,” I said shortly. He was silent for a moment. The pebbles of the drive crunched under his feet. “Well, he certainly must have strained himself to get this menagerie together.” A breeze stirred the grey haze of Daisy’s fur collar. “At least they are more interesting than the people we know,” she said with an effort. “You didn’t look so interested.” “Well, I was.” Tom laughed and turned to me. “Did you notice Daisy’s face when that girl asked her to put her under a cold shower?” Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air. “Lots of people come who haven’t been invited,” she said suddenly. “That girl hadn’t been invited. They simply force their way in and he’s too polite to object.” “I’d like to know who he is and what he does,” insisted Tom. “And I think I’ll make a point of finding out.” “I can tell you right now,” she answered. “He owned some drugstores, a lot of drugstores. He built them up himself.” The dilatory limousine came rolling up the drive. “Good night, Nick,” said Daisy. Her glance left me and sought the lighted top of the steps, where “Three O’Clock in the Morning,” a neat, sad little waltz of that year, was drifting out the open door. After all, in the very casualness of Gatsby’s party there were romantic possibilities totally absent from her world. What was it up there in the song that seemed to be calling her back inside? What would happen now in the dim, incalculable hours? Perhaps some unbelievable guest would arrive, a person infinitely rare and to be marvelled at, some authentically radiant young girl who with one fresh glance at Gatsby, one moment of magical encounter, would blot out those five years of unwavering devotion. I stayed late that night. Gatsby asked me to wait until he was free, and I lingered in the | The Great Gatsby |
To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry: | No speaker | by no means to neglect."<|quote|>To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry:</|quote|>"Who will change old lamps | is an opportunity I ought by no means to neglect."<|quote|>To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry:</|quote|>"Who will change old lamps for new ones?" As he | has been gone these three days on a hunting-match, which will last eight." The magician wanted to know no more; he took his leave of the superintendent of the khan, and returning to his own chamber, said to himself: "This is an opportunity I ought by no means to neglect."<|quote|>To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry:</|quote|>"Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to | and I shall not be satisfied till I have seen the person to whom this wonderful edifice belongs." "That will be no difficult matter," replied the master of the khan; "there is not a day passes but he gives an opportunity when he is in town, but at present he has been gone these three days on a hunting-match, which will last eight." The magician wanted to know no more; he took his leave of the superintendent of the khan, and returning to his own chamber, said to himself: "This is an opportunity I ought by no means to neglect."<|quote|>To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry:</|quote|>"Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able | thus making him sink to his original meanness, from which he has taken so high a flight." It was Aladdin's misfortune at that time to be absent in the chase for eight days, and only three were expired, which the magician came to know. After he had performed the magical operation he went to the superintendent of the khan, entered into conversation with him on indifferent subjects, and among the rest, told him he had been to see Aladdin's palace; and after exaggerating on all that he had seen most worthy of observation, added: "But my curiosity leads me further, and I shall not be satisfied till I have seen the person to whom this wonderful edifice belongs." "That will be no difficult matter," replied the master of the khan; "there is not a day passes but he gives an opportunity when he is in town, but at present he has been gone these three days on a hunting-match, which will last eight." The magician wanted to know no more; he took his leave of the superintendent of the khan, and returning to his own chamber, said to himself: "This is an opportunity I ought by no means to neglect."<|quote|>To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry:</|quote|>"Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself. "Well, giggler," said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, | magician addressed himself took a pleasure in showing him the way to Aladdin's palace, and he got up and went thither instantly. When he came to the palace, and had examined it on all sides, he doubted not but that Aladdin had made use of the lamp to build it. Without attending to the inability of a poor tailor's son, he knew that none but the genies, the slaves of the lamp, could have performed such wonders; and piqued to the quick at Aladdin's happiness and splendour, he returned to the khan where he lodged. The next point was to ascertain where the lamp was; whether Aladdin carried it about with him, or where he kept it; and this he was to discover by an operation of geomancy. As soon as he entered his lodging, he took his square box of sand, which he always carried with him when he travelled, and after he had performed some operations, he found that the lamp was in Aladdin's palace, and so great was his joy at the discovery that he could hardly contain himself. "Well," said he, "I shall have the lamp, and I defy Aladdin to prevent my carrying it off, thus making him sink to his original meanness, from which he has taken so high a flight." It was Aladdin's misfortune at that time to be absent in the chase for eight days, and only three were expired, which the magician came to know. After he had performed the magical operation he went to the superintendent of the khan, entered into conversation with him on indifferent subjects, and among the rest, told him he had been to see Aladdin's palace; and after exaggerating on all that he had seen most worthy of observation, added: "But my curiosity leads me further, and I shall not be satisfied till I have seen the person to whom this wonderful edifice belongs." "That will be no difficult matter," replied the master of the khan; "there is not a day passes but he gives an opportunity when he is in town, but at present he has been gone these three days on a hunting-match, which will last eight." The magician wanted to know no more; he took his leave of the superintendent of the khan, and returning to his own chamber, said to himself: "This is an opportunity I ought by no means to neglect."<|quote|>To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry:</|quote|>"Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself. "Well, giggler," said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, said: "Now you speak of lamps, I know not whether the princess may have observed it, but there is an old one upon a shelf of the prince's robing-room. If the princess chooses, she may have the pleasure of trying if this fool is so silly as to give a new lamp for an old one, without taking anything for the exchange." The lamp this slave spoke of was the wonderful lamp, which Aladdin had laid upon the shelf before he departed for the chase: this he had done several times before; but neither the princess, the slaves, nor the eunuchs had ever taken notice of it. At all other times except when hunting he carried it about his person. The princess, who knew not the value of this lamp, and the interest that Aladdin, not to mention herself, had to keep it safe, entered into the pleasantry, and commanded a eunuch to take it and make the exchange. The eunuch obeyed, went out of the hall, and no sooner got to the palace gates than he saw the African magician, called to him, and showing him the old lamp, said: "Give me a new lamp for this?" The magician | and he cried out in a rage: "This sorry tailor's son has discovered the secret and virtue of the lamp! I believed his death to be certain; but find that he enjoys the fruit of my labour and study! I will, however, prevent his enjoying it long, or perish in the attempt." He was not a great while deliberating on what he should do, but the next morning mounted a barb, set forward, and never stopped but to refresh himself and his horse, till he arrived at the capital of China. He alighted, took up his lodging in a khan, and stayed there the remainder of the day and the night. The next day, his first object was to inquire what people said of Aladdin; and, taking a walk through the town, he went to the most public and frequented places, where persons of the best distinction met to drink a certain warm liquor, which he had drunk often during his former visit. As soon as he had seated himself, he was presented with a cup of it, which he took; but listening at the same time to the discourse of the company on each side of him, he heard them talking of Aladdin's palace. When he had drunk off his liquor, he joined them, and taking this opportunity, inquired particularly of what palace they spoke with so much commendation. "From whence come you?" said the person to whom he addressed himself; "you must certainly be a stranger not to have seen or heard talk of Prince Aladdin's palace. I do not say," continued the man, "that it is one of the wonders of the world, but that it is the only wonder of the world; since nothing so grand, rich, and magnificent was ever beheld. Go and see it, and then judge whether I have told you more than the truth." "Forgive my ignorance," replied the African magician; "I arrived here but yesterday from the farthest part of Africa, where the fame of this palace had not reached when I came away. The business which brought me hither was so urgent, that my sole object was to arrive as soon as I could, without stopping anywhere, or making any acquaintance. But I will not fail to go and see it, if you will do me the favour to show me the way thither." The person to whom the African magician addressed himself took a pleasure in showing him the way to Aladdin's palace, and he got up and went thither instantly. When he came to the palace, and had examined it on all sides, he doubted not but that Aladdin had made use of the lamp to build it. Without attending to the inability of a poor tailor's son, he knew that none but the genies, the slaves of the lamp, could have performed such wonders; and piqued to the quick at Aladdin's happiness and splendour, he returned to the khan where he lodged. The next point was to ascertain where the lamp was; whether Aladdin carried it about with him, or where he kept it; and this he was to discover by an operation of geomancy. As soon as he entered his lodging, he took his square box of sand, which he always carried with him when he travelled, and after he had performed some operations, he found that the lamp was in Aladdin's palace, and so great was his joy at the discovery that he could hardly contain himself. "Well," said he, "I shall have the lamp, and I defy Aladdin to prevent my carrying it off, thus making him sink to his original meanness, from which he has taken so high a flight." It was Aladdin's misfortune at that time to be absent in the chase for eight days, and only three were expired, which the magician came to know. After he had performed the magical operation he went to the superintendent of the khan, entered into conversation with him on indifferent subjects, and among the rest, told him he had been to see Aladdin's palace; and after exaggerating on all that he had seen most worthy of observation, added: "But my curiosity leads me further, and I shall not be satisfied till I have seen the person to whom this wonderful edifice belongs." "That will be no difficult matter," replied the master of the khan; "there is not a day passes but he gives an opportunity when he is in town, but at present he has been gone these three days on a hunting-match, which will last eight." The magician wanted to know no more; he took his leave of the superintendent of the khan, and returning to his own chamber, said to himself: "This is an opportunity I ought by no means to neglect."<|quote|>To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry:</|quote|>"Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself. "Well, giggler," said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, said: "Now you speak of lamps, I know not whether the princess may have observed it, but there is an old one upon a shelf of the prince's robing-room. If the princess chooses, she may have the pleasure of trying if this fool is so silly as to give a new lamp for an old one, without taking anything for the exchange." The lamp this slave spoke of was the wonderful lamp, which Aladdin had laid upon the shelf before he departed for the chase: this he had done several times before; but neither the princess, the slaves, nor the eunuchs had ever taken notice of it. At all other times except when hunting he carried it about his person. The princess, who knew not the value of this lamp, and the interest that Aladdin, not to mention herself, had to keep it safe, entered into the pleasantry, and commanded a eunuch to take it and make the exchange. The eunuch obeyed, went out of the hall, and no sooner got to the palace gates than he saw the African magician, called to him, and showing him the old lamp, said: "Give me a new lamp for this?" The magician never doubted but this was the lamp he wanted. There could be no other such in the palace, where every utensil was gold or silver. He snatched it eagerly out of the eunuch's hand, and thrusting it as far as he could into his breast, offered him his basket, and bade him choose which he liked best. The eunuch picked out one, and carried it to the princess; but the exchange was no sooner made than the place rang with the shouts of the children, deriding the magician's folly. The African magician gave everybody leave to laugh as much as they pleased; he stayed not long near the palace, but made the best of his way, without crying any longer; "New lamps for old ones." His end was answered, and by his silence he got rid of the children and the mob. As soon as he was out of the square between the two palaces, he hastened down the streets which were the least frequented; and having no more occasion for his lamps or basket, set all down in an alley where nobody saw him: then going down another street or two, he walked till he came to one of the city gates, and pursuing his way through the suburbs, which were very extensive, at length reached a lonely spot, where he stopped for a time to execute the design he had in contemplation, never caring for his horse which he had left at the khan; but thinking himself perfectly compensated by the treasure he had acquired. In this place the African magician passed the remainder of the day, till the darkest time of night, when he pulled the lamp out of his breast and rubbed it. At that summons the genie appeared, and said: "What wouldst thou have? I am ready to obey thee as thy slave, and the slave of all those who have that lamp in their hands; both I and the other slaves of the lamp." "I command thee," replied the magician, "to transport me immediately and the palace which thou and the other slaves of the lamp have built in this city, with all the people in it, to Africa." The genie made no reply, but with the assistance of the other genies, the slaves of the lamp immediately transported him, and the palace entire, to the spot whither he was desired to convey it. | you will do me the favour to show me the way thither." The person to whom the African magician addressed himself took a pleasure in showing him the way to Aladdin's palace, and he got up and went thither instantly. When he came to the palace, and had examined it on all sides, he doubted not but that Aladdin had made use of the lamp to build it. Without attending to the inability of a poor tailor's son, he knew that none but the genies, the slaves of the lamp, could have performed such wonders; and piqued to the quick at Aladdin's happiness and splendour, he returned to the khan where he lodged. The next point was to ascertain where the lamp was; whether Aladdin carried it about with him, or where he kept it; and this he was to discover by an operation of geomancy. As soon as he entered his lodging, he took his square box of sand, which he always carried with him when he travelled, and after he had performed some operations, he found that the lamp was in Aladdin's palace, and so great was his joy at the discovery that he could hardly contain himself. "Well," said he, "I shall have the lamp, and I defy Aladdin to prevent my carrying it off, thus making him sink to his original meanness, from which he has taken so high a flight." It was Aladdin's misfortune at that time to be absent in the chase for eight days, and only three were expired, which the magician came to know. After he had performed the magical operation he went to the superintendent of the khan, entered into conversation with him on indifferent subjects, and among the rest, told him he had been to see Aladdin's palace; and after exaggerating on all that he had seen most worthy of observation, added: "But my curiosity leads me further, and I shall not be satisfied till I have seen the person to whom this wonderful edifice belongs." "That will be no difficult matter," replied the master of the khan; "there is not a day passes but he gives an opportunity when he is in town, but at present he has been gone these three days on a hunting-match, which will last eight." The magician wanted to know no more; he took his leave of the superintendent of the khan, and returning to his own chamber, said to himself: "This is an opportunity I ought by no means to neglect."<|quote|>To that end, he went to a coppersmith and asked for a dozen copper lamps: the master of the shop told him he had not so many by him, but if he would have patience till the next day, he would have them ready. The magician appointed his time, and desired him to take care that they should be handsome and well polished. After promising to pay him well, he returned to his inn. The next day the magician called for the twelve lamps, paid the man his full price, put them into a basket which he bought on purpose, and with the basket hanging on his arm, went directly to Aladdin's palace; as he approached beginning to cry:</|quote|>"Who will change old lamps for new ones?" As he went along, a crowd of children collected, who hooted, and thought him, as did all who chanced to be passing by, a madman or a fool. The African magician regarded not their scoffs, hootings, or all they could say to him, but still continued crying: "Who will change old lamps for new?" He repeated this so often, walking backward and forward in front of the palace, that the princess, who was then in the hall with the four and twenty windows, hearing a man cry something and not being able to distinguish his words, owing to the hooting of the children, and increasing mob about him, sent one of her women slaves to know what he cried. The slave was not long before she returned, and ran into the hall, laughing so heartily that the princess could not forbear herself. "Well, giggler," said the princess, "will you tell me what you laugh at?" "Madam," answered the slave, laughing still, "who can forbear laughing, to see a fool with a basket on his arm, full of fine new lamps, ask to change them for old ones?" Another female slave hearing this, said: "Now you speak of lamps, I know not whether the princess may have observed it, but there is an old one upon a shelf of the prince's robing-room. If the princess chooses, she may have the pleasure of trying if this fool is so silly as to give a new lamp for an old one, without taking anything for the exchange." The lamp this slave spoke of was the wonderful lamp, which Aladdin had laid upon the shelf before he departed for the chase: this he had done several times before; but neither the princess, the slaves, nor the eunuchs had ever taken notice of it. At all other times except when hunting he carried it about his person. The princess, who knew not the value of this lamp, and the interest that Aladdin, not to mention herself, had to keep it safe, entered into the pleasantry, and commanded a eunuch to take it and make the exchange. The eunuch obeyed, went out of the hall, and no sooner got to the palace gates than he saw the African magician, called to him, and showing him the old lamp, said: "Give me a new lamp for this?" The magician never doubted but this was the lamp he wanted. There could be no other such in the palace, where every utensil was gold or silver. He snatched it eagerly out of the eunuch's hand, and thrusting it | Arabian Nights (4) |
"Yes." | Ellen Olenska | Baden." "He sent some one?"<|quote|>"Yes."</|quote|>"With a letter?" She shook | he's always at Cowes or Baden." "He sent some one?"<|quote|>"Yes."</|quote|>"With a letter?" She shook her head. "No; just a | is considerable for me." He paused again, beating about the question he felt he must put. "It was to meet him here that you came?" She stared, and then burst into a laugh. "Meet him--my husband? HERE? At this season he's always at Cowes or Baden." "He sent some one?"<|quote|>"Yes."</|quote|>"With a letter?" She shook her head. "No; just a message. He never writes. I don't think I've had more than one letter from him." The allusion brought the colour to her cheek, and it reflected itself in Archer's vivid blush. "Why does he never write?" "Why should he? What | to sit at the head of his table now and then." There was another interval of silence. Archer's heart had slammed itself shut in the queer way it had, and he sat vainly groping for a word. "He wants you back--at any price?" "Well--a considerable price. At least the sum is considerable for me." He paused again, beating about the question he felt he must put. "It was to meet him here that you came?" She stared, and then burst into a laugh. "Meet him--my husband? HERE? At this season he's always at Cowes or Baden." "He sent some one?"<|quote|>"Yes."</|quote|>"With a letter?" She shook her head. "No; just a message. He never writes. I don't think I've had more than one letter from him." The allusion brought the colour to her cheek, and it reflected itself in Archer's vivid blush. "Why does he never write?" "Why should he? What does one have secretaries for?" The young man's blush deepened. She had pronounced the word as if it had no more significance than any other in her vocabulary. For a moment it was on the tip of his tongue to ask: "Did he send his secretary, then?" But the remembrance | something so much more unconventional." The faint tinge of irony lingered in her eyes. "I've just refused to take back a sum of money--that belonged to me." Archer sprang up and moved a step or two away. She had furled her parasol and sat absently drawing patterns on the gravel. Presently he came back and stood before her. "Some one--has come here to meet you?" "Yes." "With this offer?" She nodded. "And you refused--because of the conditions?" "I refused," she said after a moment. He sat down by her again. "What were the conditions?" "Oh, they were not onerous: just to sit at the head of his table now and then." There was another interval of silence. Archer's heart had slammed itself shut in the queer way it had, and he sat vainly groping for a word. "He wants you back--at any price?" "Well--a considerable price. At least the sum is considerable for me." He paused again, beating about the question he felt he must put. "It was to meet him here that you came?" She stared, and then burst into a laugh. "Meet him--my husband? HERE? At this season he's always at Cowes or Baden." "He sent some one?"<|quote|>"Yes."</|quote|>"With a letter?" She shook her head. "No; just a message. He never writes. I don't think I've had more than one letter from him." The allusion brought the colour to her cheek, and it reflected itself in Archer's vivid blush. "Why does he never write?" "Why should he? What does one have secretaries for?" The young man's blush deepened. She had pronounced the word as if it had no more significance than any other in her vocabulary. For a moment it was on the tip of his tongue to ask: "Did he send his secretary, then?" But the remembrance of Count Olenski's only letter to his wife was too present to him. He paused again, and then took another plunge. "And the person?" "-- "The emissary? The emissary," Madame Olenska rejoined, still smiling, "might, for all I care, have left already; but he has insisted on waiting till this evening ... in case ... on the chance ..." "And you came out here to think the chance over?" "I came out to get a breath of air. The hotel's too stifling. I'm taking the afternoon train back to Portsmouth." They sat silent, not looking at each other, but straight | are you doing in this wilderness?" He had really no idea what he was saying: he felt as if he were shouting at her across endless distances, and she might vanish again before he could overtake her. "I? Oh, I'm here on business too," she answered, turning her head toward him so that they were face to face. The words hardly reached him: he was aware only of her voice, and of the startling fact that not an echo of it had remained in his memory. He had not even remembered that it was low-pitched, with a faint roughness on the consonants. "You do your hair differently," he said, his heart beating as if he had uttered something irrevocable. "Differently? No--it's only that I do it as best I can when I'm without Nastasia." "Nastasia; but isn't she with you?" "No; I'm alone. For two days it was not worth while to bring her." "You're alone--at the Parker House?" She looked at him with a flash of her old malice. "Does it strike you as dangerous?" "No; not dangerous--" "But unconventional? I see; I suppose it is." She considered a moment. "I hadn't thought of it, because I've just done something so much more unconventional." The faint tinge of irony lingered in her eyes. "I've just refused to take back a sum of money--that belonged to me." Archer sprang up and moved a step or two away. She had furled her parasol and sat absently drawing patterns on the gravel. Presently he came back and stood before her. "Some one--has come here to meet you?" "Yes." "With this offer?" She nodded. "And you refused--because of the conditions?" "I refused," she said after a moment. He sat down by her again. "What were the conditions?" "Oh, they were not onerous: just to sit at the head of his table now and then." There was another interval of silence. Archer's heart had slammed itself shut in the queer way it had, and he sat vainly groping for a word. "He wants you back--at any price?" "Well--a considerable price. At least the sum is considerable for me." He paused again, beating about the question he felt he must put. "It was to meet him here that you came?" She stared, and then burst into a laugh. "Meet him--my husband? HERE? At this season he's always at Cowes or Baden." "He sent some one?"<|quote|>"Yes."</|quote|>"With a letter?" She shook her head. "No; just a message. He never writes. I don't think I've had more than one letter from him." The allusion brought the colour to her cheek, and it reflected itself in Archer's vivid blush. "Why does he never write?" "Why should he? What does one have secretaries for?" The young man's blush deepened. She had pronounced the word as if it had no more significance than any other in her vocabulary. For a moment it was on the tip of his tongue to ask: "Did he send his secretary, then?" But the remembrance of Count Olenski's only letter to his wife was too present to him. He paused again, and then took another plunge. "And the person?" "-- "The emissary? The emissary," Madame Olenska rejoined, still smiling, "might, for all I care, have left already; but he has insisted on waiting till this evening ... in case ... on the chance ..." "And you came out here to think the chance over?" "I came out to get a breath of air. The hotel's too stifling. I'm taking the afternoon train back to Portsmouth." They sat silent, not looking at each other, but straight ahead at the people passing along the path. Finally she turned her eyes again to his face and said: "You're not changed." He felt like answering: "I was, till I saw you again;" but instead he stood up abruptly and glanced about him at the untidy sweltering park. "This is horrible. Why shouldn't we go out a little on the bay? There's a breeze, and it will be cooler. We might take the steamboat down to Point Arley." She glanced up at him hesitatingly and he went on: "On a Monday morning there won't be anybody on the boat. My train doesn't leave till evening: I'm going back to New York. Why shouldn't we?" he insisted, looking down at her; and suddenly he broke out: "Haven't we done all we could?" "Oh" "--she murmured again. She stood up and reopened her sunshade, glancing about her as if to take counsel of the scene, and assure herself of the impossibility of remaining in it. Then her eyes returned to his face. "You mustn't say things like that to me," she said. "I'll say anything you like; or nothing. I won't open my mouth unless you tell me to. What harm can | he had such a queer sense of having slipped through the meshes of time and space. He looked at his watch, and finding that it was half-past nine got up and went into the writing-room. There he wrote a few lines, and ordered a messenger to take a cab to the Parker House and wait for the answer. He then sat down behind another newspaper and tried to calculate how long it would take a cab to get to the Parker House. "The lady was out, sir," he suddenly heard a waiter's voice at his elbow; and he stammered: "Out?--" as if it were a word in a strange language. He got up and went into the hall. It must be a mistake: she could not be out at that hour. He flushed with anger at his own stupidity: why had he not sent the note as soon as he arrived? He found his hat and stick and went forth into the street. The city had suddenly become as strange and vast and empty as if he were a traveller from distant lands. For a moment he stood on the door-step hesitating; then he decided to go to the Parker House. What if the messenger had been misinformed, and she were still there? He started to walk across the Common; and on the first bench, under a tree, he saw her sitting. She had a grey silk sunshade over her head--how could he ever have imagined her with a pink one? As he approached he was struck by her listless attitude: she sat there as if she had nothing else to do. He saw her drooping profile, and the knot of hair fastened low in the neck under her dark hat, and the long wrinkled glove on the hand that held the sunshade. He came a step or two nearer, and she turned and looked at him. "Oh" "--she said; and for the first time he noticed a startled look on her face; but in another moment it gave way to a slow smile of wonder and contentment. "Oh" "--she murmured again, on a different note, as he stood looking down at her; and without rising she made a place for him on the bench. "I'm here on business--just got here," Archer explained; and, without knowing why, he suddenly began to feign astonishment at seeing her. "But what on earth are you doing in this wilderness?" He had really no idea what he was saying: he felt as if he were shouting at her across endless distances, and she might vanish again before he could overtake her. "I? Oh, I'm here on business too," she answered, turning her head toward him so that they were face to face. The words hardly reached him: he was aware only of her voice, and of the startling fact that not an echo of it had remained in his memory. He had not even remembered that it was low-pitched, with a faint roughness on the consonants. "You do your hair differently," he said, his heart beating as if he had uttered something irrevocable. "Differently? No--it's only that I do it as best I can when I'm without Nastasia." "Nastasia; but isn't she with you?" "No; I'm alone. For two days it was not worth while to bring her." "You're alone--at the Parker House?" She looked at him with a flash of her old malice. "Does it strike you as dangerous?" "No; not dangerous--" "But unconventional? I see; I suppose it is." She considered a moment. "I hadn't thought of it, because I've just done something so much more unconventional." The faint tinge of irony lingered in her eyes. "I've just refused to take back a sum of money--that belonged to me." Archer sprang up and moved a step or two away. She had furled her parasol and sat absently drawing patterns on the gravel. Presently he came back and stood before her. "Some one--has come here to meet you?" "Yes." "With this offer?" She nodded. "And you refused--because of the conditions?" "I refused," she said after a moment. He sat down by her again. "What were the conditions?" "Oh, they were not onerous: just to sit at the head of his table now and then." There was another interval of silence. Archer's heart had slammed itself shut in the queer way it had, and he sat vainly groping for a word. "He wants you back--at any price?" "Well--a considerable price. At least the sum is considerable for me." He paused again, beating about the question he felt he must put. "It was to meet him here that you came?" She stared, and then burst into a laugh. "Meet him--my husband? HERE? At this season he's always at Cowes or Baden." "He sent some one?"<|quote|>"Yes."</|quote|>"With a letter?" She shook her head. "No; just a message. He never writes. I don't think I've had more than one letter from him." The allusion brought the colour to her cheek, and it reflected itself in Archer's vivid blush. "Why does he never write?" "Why should he? What does one have secretaries for?" The young man's blush deepened. She had pronounced the word as if it had no more significance than any other in her vocabulary. For a moment it was on the tip of his tongue to ask: "Did he send his secretary, then?" But the remembrance of Count Olenski's only letter to his wife was too present to him. He paused again, and then took another plunge. "And the person?" "-- "The emissary? The emissary," Madame Olenska rejoined, still smiling, "might, for all I care, have left already; but he has insisted on waiting till this evening ... in case ... on the chance ..." "And you came out here to think the chance over?" "I came out to get a breath of air. The hotel's too stifling. I'm taking the afternoon train back to Portsmouth." They sat silent, not looking at each other, but straight ahead at the people passing along the path. Finally she turned her eyes again to his face and said: "You're not changed." He felt like answering: "I was, till I saw you again;" but instead he stood up abruptly and glanced about him at the untidy sweltering park. "This is horrible. Why shouldn't we go out a little on the bay? There's a breeze, and it will be cooler. We might take the steamboat down to Point Arley." She glanced up at him hesitatingly and he went on: "On a Monday morning there won't be anybody on the boat. My train doesn't leave till evening: I'm going back to New York. Why shouldn't we?" he insisted, looking down at her; and suddenly he broke out: "Haven't we done all we could?" "Oh" "--she murmured again. She stood up and reopened her sunshade, glancing about her as if to take counsel of the scene, and assure herself of the impossibility of remaining in it. Then her eyes returned to his face. "You mustn't say things like that to me," she said. "I'll say anything you like; or nothing. I won't open my mouth unless you tell me to. What harm can it do to anybody? All I want is to listen to you," he stammered. She drew out a little gold-faced watch on an enamelled chain. "Oh, don't calculate," he broke out; "give me the day! I want to get you away from that man. At what time was he coming?" Her colour rose again. "At eleven." "Then you must come at once." "You needn't be afraid--if I don't come." "Nor you either--if you do. I swear I only want to hear about you, to know what you've been doing. It's a hundred years since we've met--it may be another hundred before we meet again." She still wavered, her anxious eyes on his face. "Why didn't you come down to the beach to fetch me, the day I was at Granny's?" she asked. "Because you didn't look round--because you didn't know I was there. I swore I wouldn't unless you looked round." He laughed as the childishness of the confession struck him. "But I didn't look round on purpose." "On purpose?" "I knew you were there; when you drove in I recognised the ponies. So I went down to the beach." "To get away from me as far as you could?" She repeated in a low voice: "To get away from you as far as I could." He laughed out again, this time in boyish satisfaction. "Well, you see it's no use. I may as well tell you," he added, "that the business I came here for was just to find you. But, look here, we must start or we shall miss our boat." "Our boat?" She frowned perplexedly, and then smiled. "Oh, but I must go back to the hotel first: I must leave a note--" "As many notes as you please. You can write here." He drew out a note-case and one of the new stylographic pens. "I've even got an envelope--you see how everything's predestined! There--steady the thing on your knee, and I'll get the pen going in a second. They have to be humoured; wait--" He banged the hand that held the pen against the back of the bench. "It's like jerking down the mercury in a thermometer: just a trick. Now try--" She laughed, and bending over the sheet of paper which he had laid on his note-case, began to write. Archer walked away a few steps, staring with radiant unseeing eyes at the passersby, who, | heart beating as if he had uttered something irrevocable. "Differently? No--it's only that I do it as best I can when I'm without Nastasia." "Nastasia; but isn't she with you?" "No; I'm alone. For two days it was not worth while to bring her." "You're alone--at the Parker House?" She looked at him with a flash of her old malice. "Does it strike you as dangerous?" "No; not dangerous--" "But unconventional? I see; I suppose it is." She considered a moment. "I hadn't thought of it, because I've just done something so much more unconventional." The faint tinge of irony lingered in her eyes. "I've just refused to take back a sum of money--that belonged to me." Archer sprang up and moved a step or two away. She had furled her parasol and sat absently drawing patterns on the gravel. Presently he came back and stood before her. "Some one--has come here to meet you?" "Yes." "With this offer?" She nodded. "And you refused--because of the conditions?" "I refused," she said after a moment. He sat down by her again. "What were the conditions?" "Oh, they were not onerous: just to sit at the head of his table now and then." There was another interval of silence. Archer's heart had slammed itself shut in the queer way it had, and he sat vainly groping for a word. "He wants you back--at any price?" "Well--a considerable price. At least the sum is considerable for me." He paused again, beating about the question he felt he must put. "It was to meet him here that you came?" She stared, and then burst into a laugh. "Meet him--my husband? HERE? At this season he's always at Cowes or Baden." "He sent some one?"<|quote|>"Yes."</|quote|>"With a letter?" She shook her head. "No; just a message. He never writes. I don't think I've had more than one letter from him." The allusion brought the colour to her cheek, and it reflected itself in Archer's vivid blush. "Why does he never write?" "Why should he? What does one have secretaries for?" The young man's blush deepened. She had pronounced the word as if it had no more significance than any other in her vocabulary. For a moment it was on the tip of his tongue to ask: "Did he send his secretary, then?" But the remembrance of Count Olenski's only letter to his wife was too present to him. He paused again, and then took another plunge. "And the person?" "-- "The emissary? The emissary," Madame Olenska rejoined, still smiling, "might, for all I care, have left already; but he has insisted on waiting till this evening ... in case ... on the chance ..." "And you came out here to think the chance over?" "I came out to get a breath of air. The hotel's too stifling. I'm taking the afternoon train back to Portsmouth." They sat silent, not looking at each other, but straight ahead at the people passing along the path. Finally she turned her eyes again to his face and said: "You're not | The Age Of Innocence |
"Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction." | Marqis De Griers | a," again interrupted De Griers.<|quote|>"Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction."</|quote|>"And how am I to | a, ce n est pas a," again interrupted De Griers.<|quote|>"Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction."</|quote|>"And how am I to do that? If only you | me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers.<|quote|>"Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction."</|quote|>"And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also | a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers.<|quote|>"Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction."</|quote|>"And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and | Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then" "And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers.<|quote|>"Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction."</|quote|>"And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At the present moment it was a visage full of supplication, and as gentle in its expression as that of a smiling, roguish infant. Stealthily, she drew me apart from the rest as though the more completely to separate me from them; and, though no harm came of her doing so for it was merely a stupid manoeuvre, and no more I found the situation very unpleasant. The General hastened to lend her his support. "Alexis Ivanovitch," he began, "pray pardon me for | Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected. "Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then" "And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers.<|quote|>"Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction."</|quote|>"And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At the present moment it was a visage full of supplication, and as gentle in its expression as that of a smiling, roguish infant. Stealthily, she drew me apart from the rest as though the more completely to separate me from them; and, though no harm came of her doing so for it was merely a stupid manoeuvre, and no more I found the situation very unpleasant. The General hastened to lend her his support. "Alexis Ivanovitch," he began, "pray pardon me for having said what I did just now for having said more than I meant to do. I beg and beseech you, I kiss the hem of your garment, as our Russian saying has it, for you, and only you, can save us. I and Mlle. de Cominges, we all of us beg of you But you understand, do you not? Surely you understand?" and with his eyes he indicated Mlle. Blanche. Truly he was cutting a pitiful figure! At this moment three low, respectful knocks sounded at the door; which, on being opened, revealed a chambermaid, with Potapitch behind her come from the Grandmother to request that I should attend her in her rooms. "She is in a bad humour," added Potapitch. The time was half-past three. "My mistress was unable to sleep," explained Potapitch; "so, after tossing about for a while, she suddenly rose, called for her chair, and sent me to look for you. She is now in the verandah." "Quelle m g re!" exclaimed De Griers. True enough, I found Madame in the hotel verandah much put about at my delay, for she had been unable to contain herself until four o clock. "Lift me up," she | Casino, where I went the round of the salons in vain. At length, vexed, and almost in despair, I was on my way home when I ran across him among a troop of English ladies and gentlemen who had been out for a ride. Beckoning to him to stop, I handed him the letter. We had barely time even to look at one another, but I suspected that it was of set purpose that he restarted his horse so quickly. Was jealousy, then, gnawing at me? At all events, I felt exceedingly depressed, despite the fact that I had no desire to ascertain what the correspondence was about. To think that _he_ should be her confidant! "My friend, mine own familiar friend!" passed through my mind. Yet _was_ there any love in the matter? "Of course not," reason whispered to me. But reason goes for little on such occasions. I felt that the matter must be cleared up, for it was becoming unpleasantly complex. I had scarcely set foot in the hotel when the commissionaire and the landlord (the latter issuing from his room for the purpose) alike informed me that I was being searched for high and low that three separate messages to ascertain my whereabouts had come down from the General. When I entered his study I was feeling anything but kindly disposed. I found there the General himself, De Griers, and Mlle. Blanche, but not Mlle. s mother, who was a person whom her reputed daughter used only for show purposes, since in all matters of business the daughter fended for herself, and it is unlikely that the mother knew anything about them. Some very heated discussion was in progress, and meanwhile the door of the study was open an unprecedented circumstance. As I approached the portals I could hear loud voices raised, for mingled with the pert, venomous accents of De Griers were Mlle. Blanche s excited, impudently abusive tongue and the General s plaintive wail as, apparently, he sought to justify himself in something. But on my appearance every one stopped speaking, and tried to put a better face upon matters. De Griers smoothed his hair, and twisted his angry face into a smile into the mean, studiedly polite French smile which I so detested; while the downcast, perplexed General assumed an air of dignity though only in a mechanical way. On the other hand, Mlle. Blanche did not trouble to conceal the wrath that was sparkling in her countenance, but bent her gaze upon me with an air of impatient expectancy. I may remark that hitherto she had treated me with absolute superciliousness, and, so far from answering my salutations, had always ignored them. "Alexis Ivanovitch," began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected. "Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then" "And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers.<|quote|>"Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction."</|quote|>"And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At the present moment it was a visage full of supplication, and as gentle in its expression as that of a smiling, roguish infant. Stealthily, she drew me apart from the rest as though the more completely to separate me from them; and, though no harm came of her doing so for it was merely a stupid manoeuvre, and no more I found the situation very unpleasant. The General hastened to lend her his support. "Alexis Ivanovitch," he began, "pray pardon me for having said what I did just now for having said more than I meant to do. I beg and beseech you, I kiss the hem of your garment, as our Russian saying has it, for you, and only you, can save us. I and Mlle. de Cominges, we all of us beg of you But you understand, do you not? Surely you understand?" and with his eyes he indicated Mlle. Blanche. Truly he was cutting a pitiful figure! At this moment three low, respectful knocks sounded at the door; which, on being opened, revealed a chambermaid, with Potapitch behind her come from the Grandmother to request that I should attend her in her rooms. "She is in a bad humour," added Potapitch. The time was half-past three. "My mistress was unable to sleep," explained Potapitch; "so, after tossing about for a while, she suddenly rose, called for her chair, and sent me to look for you. She is now in the verandah." "Quelle m g re!" exclaimed De Griers. True enough, I found Madame in the hotel verandah much put about at my delay, for she had been unable to contain herself until four o clock. "Lift me up," she cried to the bearers, and once more we set out for the roulette-salons. XII The Grandmother was in an impatient, irritable frame of mind. Without doubt the roulette had turned her head, for she appeared to be indifferent to everything else, and, in general, seemed much distraught. For instance, she asked me no questions about objects _en route_, except that, when a sumptuous barouche passed us and raised a cloud of dust, she lifted her hand for a moment, and inquired, "What was that?" Yet even then she did not appear to hear my reply, although at times her abstraction was interrupted by sallies and fits of sharp, impatient fidgeting. Again, when I pointed out to her the Baron and Baroness Burmergelm walking to the Casino, she merely looked at them in an absent-minded sort of way, and said with complete indifference, "Ah!" Then, turning sharply to Potapitch and Martha, who were walking behind us, she rapped out: "Why have _you_ attached yourselves to the party? We are not going to take you with us every time. Go home at once." Then, when the servants had pulled hasty bows and departed, she added to me: "You are all the escort I need." At the Casino the Grandmother seemed to be expected, for no time was lost in procuring her former place beside the croupier. It is my opinion that though croupiers seem such ordinary, humdrum officials men who care nothing whether the bank wins or loses they are, in reality, anything but indifferent to the bank s losing, and are given instructions to attract players, and to keep a watch over the bank s interests; as also, that for such services, these officials are awarded prizes and premiums. At all events, the croupiers of Roulettenberg seemed to look upon the Grandmother as their lawful prey whereafter there befell what our party had foretold. It happened thus: As soon as ever we arrived the Grandmother ordered me to stake twelve ten-g lden pieces in succession upon zero. Once, twice, and thrice I did so, yet zero never turned up. "Stake again," said the old lady with an impatient nudge of my elbow, and I obeyed. "How many times have we lost?" she inquired actually grinding her teeth in her excitement. "We have lost 144 ten-g lden pieces," I replied. "I tell you, Madame, that zero may not turn up until nightfall." | began the General in a tone of affectionate upbraiding, "may I say to you that I find it strange, exceedingly strange, that In short, your conduct towards myself and my family In a word, your er extremely" "Eh! Ce n est pas a," interrupted De Griers in a tone of impatience and contempt (evidently he was the ruling spirit of the conclave). "Mon cher monsieur, notre g n ral se trompe. What he means to say is that he warns you he begs of you most earnestly not to ruin him. I use the expression because" "Why? Why?" I interjected. "Because you have taken upon yourself to act as guide to this, to this how shall I express it? to this old lady, cette pauvre terrible vieille. But she will only gamble away all that she has gamble it away like thistledown. You yourself have seen her play. Once she has acquired the taste for gambling, she will never leave the roulette-table, but, of sheer perversity and temper, will stake her all, and lose it. In cases such as hers a gambler can never be torn away from the game; and then and then" "And then," asseverated the General, "you will have ruined my whole family. I and my family are her heirs, for she has no nearer relatives than ourselves. I tell you frankly that my affairs are in great very great disorder; how much they are so you yourself are partially aware. If she should lose a large sum, or, maybe, her whole fortune, what will become of us of my children" (here the General exchanged a glance with De Griers) "or of me?" (here he looked at Mlle. Blanche, who turned her head contemptuously away). "Alexis Ivanovitch, I beg of you to save us." "Tell me, General, how am I to do so? On what footing do I stand here?" "Refuse to take her about. Simply leave her alone." "But she would soon find some one else to take my place?" "Ce n est pas a, ce n est pas a," again interrupted De Griers.<|quote|>"Que diable! Do not leave her alone so much as advise her, persuade her, draw her away. In any case do not let her gamble; find her some counter-attraction."</|quote|>"And how am I to do that? If only you would undertake the task, Monsieur de Griers!" I said this last as innocently as possible, but at once saw a rapid glance of excited interrogation pass from Mlle. Blanche to De Griers, while in the face of the latter also there gleamed something which he could not repress. "Well, at the present moment she would refuse to accept my services," said he with a gesture. "But if, later" Here he gave Mlle. Blanche another glance which was full of meaning; whereupon she advanced towards me with a bewitching smile, and seized and pressed my hands. Devil take it, but how that devilish visage of hers could change! At the present moment it was a visage full of supplication, and as gentle in its expression as that of a smiling, roguish infant. Stealthily, she drew me apart from the rest as though the more completely to separate me from them; and, though no harm came of her doing so for it was merely a stupid manoeuvre, and no more I found the situation very unpleasant. The General hastened to lend her his support. "Alexis Ivanovitch," he began, "pray pardon me for having said what I did just now for having said more than I meant to do. I beg and beseech you, I kiss the hem of your garment, as our Russian saying has it, for you, and only you, can save us. I and Mlle. de Cominges, we all of us beg of you But you understand, do you not? Surely you understand?" and with his eyes he indicated Mlle. Blanche. Truly he was cutting a pitiful figure! At this moment three low, respectful knocks sounded at the door; which, on being opened, revealed a chambermaid, with Potapitch behind her come from the Grandmother to request that I should attend her in her rooms. "She is in a bad humour," added Potapitch. The time was half-past three. "My mistress was unable to sleep," explained Potapitch; "so, after tossing about for a while, she suddenly rose, called for her chair, and sent me to look for you. She is | The Gambler |
“I haven’t in the least engaged to listen,” | Grace | him--if you _are_ to listen?”<|quote|>“I haven’t in the least engaged to listen,”</|quote|>said Lady Grace-- “it will | confidence in your listening to him--if you _are_ to listen?”<|quote|>“I haven’t in the least engaged to listen,”</|quote|>said Lady Grace-- “it will depend on the music he | mother’s--I can never be too grateful to you, my dear, for your being so different a creature. But what is she going to gain financially,” Lady Sand-gate pursued with a strong emphasis on her adverb, “by working up our friend’s confidence in your listening to him--if you _are_ to listen?”<|quote|>“I haven’t in the least engaged to listen,”</|quote|>said Lady Grace-- “it will depend on the music he makes!” But she added with light cynicism: “Perhaps she’s to gain a commission!” “On his fairly getting you?” And then as the girl assented by silence: “Is he in a position to pay her one?” Lady Sandgate asked. “I dare | very deep with any one I always imagine her appealing for some new tip as to how it’s to be come by.” “Kitty’s an abyss, I grant you, and with my disinterested devotion to your father--in requital of all his kindness to me since Lord Sandgate’s death and since your mother’s--I can never be too grateful to you, my dear, for your being so different a creature. But what is she going to gain financially,” Lady Sand-gate pursued with a strong emphasis on her adverb, “by working up our friend’s confidence in your listening to him--if you _are_ to listen?”<|quote|>“I haven’t in the least engaged to listen,”</|quote|>said Lady Grace-- “it will depend on the music he makes!” But she added with light cynicism: “Perhaps she’s to gain a commission!” “On his fairly getting you?” And then as the girl assented by silence: “Is he in a position to pay her one?” Lady Sandgate asked. “I dare say the Duchess is!” “But do you see the Duchess _producing_ money--with all that Kitty, as we’re not ignorant, owes her? Hundreds and hundreds and hundreds!” --Lady Sandgate piled them up. Her young friend’s gesture checked it. “Ah, don’t tell me how many--it’s too sad and too ugly and too | for an hour, rather worryingly, what you’ve just said--that it’s me he’s what, like Mr. Bender, she calls ‘after’; but as soon as he appeared she pounced on him, and I left him--I assure you quite resignedly--in her hands.” “She wants” --it was easy for Lady Sandgate to remark-- “to talk of you to him.” “I don’t know _what_ she wants,” the girl replied as with rather a tired patience; “Kitty wants so many things at once. She always wants money, in quantities, to begin with--and all to throw so horribly away; so that whenever I see her ‘in’ so very deep with any one I always imagine her appealing for some new tip as to how it’s to be come by.” “Kitty’s an abyss, I grant you, and with my disinterested devotion to your father--in requital of all his kindness to me since Lord Sandgate’s death and since your mother’s--I can never be too grateful to you, my dear, for your being so different a creature. But what is she going to gain financially,” Lady Sand-gate pursued with a strong emphasis on her adverb, “by working up our friend’s confidence in your listening to him--if you _are_ to listen?”<|quote|>“I haven’t in the least engaged to listen,”</|quote|>said Lady Grace-- “it will depend on the music he makes!” But she added with light cynicism: “Perhaps she’s to gain a commission!” “On his fairly getting you?” And then as the girl assented by silence: “Is he in a position to pay her one?” Lady Sandgate asked. “I dare say the Duchess is!” “But do you see the Duchess _producing_ money--with all that Kitty, as we’re not ignorant, owes her? Hundreds and hundreds and hundreds!” --Lady Sandgate piled them up. Her young friend’s gesture checked it. “Ah, don’t tell me how many--it’s too sad and too ugly and too wrong!” To which, however, Lady Grace added: “But perhaps that will be just her way!” And then as her companion seemed for the moment not quite to follow: “By letting Kitty off her debt.” “You mean that Kitty goes free if Lord John wins your promise?” “Kitty goes free.” “She has her creditor’s release?” “For every shilling.” “And if he only fails?” “Why then of course,” said now quite lucid Lady Grace, “she throws herself more than ever on poor father.” “Poor father indeed!” --Lady Sandgate richly sighed it It appeared even to create in the younger woman a sense | assented with serenity. “Very good--though he sounds most detrimental! But will you first just tell me _this_--whether when you sent in ten minutes ago for Lord John to come out to you it was wholly of your own movement?” And she followed it up as her young friend appeared to hesitate. “Was it because you knew why he had arrived?” The young friend hesitated still. “‘Why ‘?” “So particularly to speak to you.” “Since he was expected and mightn’t know where I was,” Lady Grace said after an instant, “I wanted naturally to be civil to him.” “And had he time there to tell you,” Lady Sand-gate asked, “how very civil he wants to be to you?” “No, only to tell me that his friend--who’s off there--was coming; for Kitty at once appropriated him and was still in possession when I came away.” Then, as deciding at last on perfect frankness, Lady Grace went on: “If you want to know, I sent for news of him because Kitty insisted on my doing so; saying, so very oddly and quite in her own way, that she herself didn’t wish to ‘appear in it.’ She had done nothing but say to me for an hour, rather worryingly, what you’ve just said--that it’s me he’s what, like Mr. Bender, she calls ‘after’; but as soon as he appeared she pounced on him, and I left him--I assure you quite resignedly--in her hands.” “She wants” --it was easy for Lady Sandgate to remark-- “to talk of you to him.” “I don’t know _what_ she wants,” the girl replied as with rather a tired patience; “Kitty wants so many things at once. She always wants money, in quantities, to begin with--and all to throw so horribly away; so that whenever I see her ‘in’ so very deep with any one I always imagine her appealing for some new tip as to how it’s to be come by.” “Kitty’s an abyss, I grant you, and with my disinterested devotion to your father--in requital of all his kindness to me since Lord Sandgate’s death and since your mother’s--I can never be too grateful to you, my dear, for your being so different a creature. But what is she going to gain financially,” Lady Sand-gate pursued with a strong emphasis on her adverb, “by working up our friend’s confidence in your listening to him--if you _are_ to listen?”<|quote|>“I haven’t in the least engaged to listen,”</|quote|>said Lady Grace-- “it will depend on the music he makes!” But she added with light cynicism: “Perhaps she’s to gain a commission!” “On his fairly getting you?” And then as the girl assented by silence: “Is he in a position to pay her one?” Lady Sandgate asked. “I dare say the Duchess is!” “But do you see the Duchess _producing_ money--with all that Kitty, as we’re not ignorant, owes her? Hundreds and hundreds and hundreds!” --Lady Sandgate piled them up. Her young friend’s gesture checked it. “Ah, don’t tell me how many--it’s too sad and too ugly and too wrong!” To which, however, Lady Grace added: “But perhaps that will be just her way!” And then as her companion seemed for the moment not quite to follow: “By letting Kitty off her debt.” “You mean that Kitty goes free if Lord John wins your promise?” “Kitty goes free.” “She has her creditor’s release?” “For every shilling.” “And if he only fails?” “Why then of course,” said now quite lucid Lady Grace, “she throws herself more than ever on poor father.” “Poor father indeed!” --Lady Sandgate richly sighed it It appeared even to create in the younger woman a sense of excess. “Yes--but he after all and in spite of everything adores her.” “To the point, you mean” --for Lady Sandgate could clearly but wonder-- “of really sacrificing you?” The weight of Lady Grace’s charming deep eyes on her face made her pause while, at some length, she gave back this look and the interchange determined in the girl a grave appeal. “You think I _should_ be sacrificed if I married him?” Lady Sandgate replied, though with an equal emphasis, indirectly. “_Could_ you marry him?” Lady Grace waited a moment “Do you mean for Kitty?” “For himself even--if they should convince you, among them, that he cares for you.” Lady Grace had another delay. “Well, he’s his awful mother’s son.” “Yes--but you wouldn’t marry his mother.” “No--but I should only be the more uncomfortably and intimately conscious of her.” “Even when,” Lady Sandgate optimistically put it, “she so markedly likes you?” This determined in the girl a fine impatience. “She doesn’t ‘like’ me, she only _wants_ me--which is a very different thing; wants me for my father’s so particularly beautiful position, and my mother’s so supremely great people, and for everything we have been and have done, and still are | case up further on. “What I can’t make out is why this _should_ so suit her!” “And what _I_ can’t!” said Lady Sandgate without gross honesty and turning away after having watched the girl a moment. She nevertheless presently faced her again to follow this speculation up. “Do you like him enough to risk the chance of Kitty’s being for once right?” Lady Grace gave it a thought--with which she moved away. “I don’t know how much I like him!” “Nor how little!” cried her friend, who evidently found amusement in the tone of it. “And you’re not disposed to take the time to find out? He’s at least better than the others.” “The ‘others’?” --Lady Grace was blank for them. “The others of his set.” “Oh, his set! That wouldn’t be difficult--by what I imagine of some of them. But he means well enough,” the girl added; “he’s very charming and does me great honour.” It determined in her companion, about to leave her, another brief arrest. “Then may I tell your father?” This in turn brought about in Lady Grace an immediate drop of the subject. “Tell my father, please, that I’m expecting Mr. Crimble; of whom I’ve spoken to him even if he doesn’t remember, and who bicycles this afternoon ten miles over from where he’s staying--with some people we don’t know--to look at the pictures, about which he’s awfully keen.” Lady Sandgate took it in. “Ah, like Mr. Bender?” “No, not at all, I think, like Mr. Bender.” This appeared to move in the elder woman some deeper thought “May I ask then--if one’s to meet him--who he is?” “Oh, father knows--or ought to--that I sat next him, in London, a month ago, at dinner, and that he then told me he was working, tooth and nail, at what he called the wonderful modern science of Connoisseurship--which is upsetting, as perhaps you’re not aware, all the old-fashioned canons of art-criticism, everything we’ve stupidly thought right and held dear; that he was to spend Easter in these parts, and that he should like greatly to be allowed some day to come over and make acquaintance with our things. I told him,” Lady Grace wound up, “that nothing would be easier; a note from him arrived before dinner----” Lady Sandgate jumped the rest “And it’s for him you’ve come in.” “It’s for him I’ve come in,” the girl assented with serenity. “Very good--though he sounds most detrimental! But will you first just tell me _this_--whether when you sent in ten minutes ago for Lord John to come out to you it was wholly of your own movement?” And she followed it up as her young friend appeared to hesitate. “Was it because you knew why he had arrived?” The young friend hesitated still. “‘Why ‘?” “So particularly to speak to you.” “Since he was expected and mightn’t know where I was,” Lady Grace said after an instant, “I wanted naturally to be civil to him.” “And had he time there to tell you,” Lady Sand-gate asked, “how very civil he wants to be to you?” “No, only to tell me that his friend--who’s off there--was coming; for Kitty at once appropriated him and was still in possession when I came away.” Then, as deciding at last on perfect frankness, Lady Grace went on: “If you want to know, I sent for news of him because Kitty insisted on my doing so; saying, so very oddly and quite in her own way, that she herself didn’t wish to ‘appear in it.’ She had done nothing but say to me for an hour, rather worryingly, what you’ve just said--that it’s me he’s what, like Mr. Bender, she calls ‘after’; but as soon as he appeared she pounced on him, and I left him--I assure you quite resignedly--in her hands.” “She wants” --it was easy for Lady Sandgate to remark-- “to talk of you to him.” “I don’t know _what_ she wants,” the girl replied as with rather a tired patience; “Kitty wants so many things at once. She always wants money, in quantities, to begin with--and all to throw so horribly away; so that whenever I see her ‘in’ so very deep with any one I always imagine her appealing for some new tip as to how it’s to be come by.” “Kitty’s an abyss, I grant you, and with my disinterested devotion to your father--in requital of all his kindness to me since Lord Sandgate’s death and since your mother’s--I can never be too grateful to you, my dear, for your being so different a creature. But what is she going to gain financially,” Lady Sand-gate pursued with a strong emphasis on her adverb, “by working up our friend’s confidence in your listening to him--if you _are_ to listen?”<|quote|>“I haven’t in the least engaged to listen,”</|quote|>said Lady Grace-- “it will depend on the music he makes!” But she added with light cynicism: “Perhaps she’s to gain a commission!” “On his fairly getting you?” And then as the girl assented by silence: “Is he in a position to pay her one?” Lady Sandgate asked. “I dare say the Duchess is!” “But do you see the Duchess _producing_ money--with all that Kitty, as we’re not ignorant, owes her? Hundreds and hundreds and hundreds!” --Lady Sandgate piled them up. Her young friend’s gesture checked it. “Ah, don’t tell me how many--it’s too sad and too ugly and too wrong!” To which, however, Lady Grace added: “But perhaps that will be just her way!” And then as her companion seemed for the moment not quite to follow: “By letting Kitty off her debt.” “You mean that Kitty goes free if Lord John wins your promise?” “Kitty goes free.” “She has her creditor’s release?” “For every shilling.” “And if he only fails?” “Why then of course,” said now quite lucid Lady Grace, “she throws herself more than ever on poor father.” “Poor father indeed!” --Lady Sandgate richly sighed it It appeared even to create in the younger woman a sense of excess. “Yes--but he after all and in spite of everything adores her.” “To the point, you mean” --for Lady Sandgate could clearly but wonder-- “of really sacrificing you?” The weight of Lady Grace’s charming deep eyes on her face made her pause while, at some length, she gave back this look and the interchange determined in the girl a grave appeal. “You think I _should_ be sacrificed if I married him?” Lady Sandgate replied, though with an equal emphasis, indirectly. “_Could_ you marry him?” Lady Grace waited a moment “Do you mean for Kitty?” “For himself even--if they should convince you, among them, that he cares for you.” Lady Grace had another delay. “Well, he’s his awful mother’s son.” “Yes--but you wouldn’t marry his mother.” “No--but I should only be the more uncomfortably and intimately conscious of her.” “Even when,” Lady Sandgate optimistically put it, “she so markedly likes you?” This determined in the girl a fine impatience. “She doesn’t ‘like’ me, she only _wants_ me--which is a very different thing; wants me for my father’s so particularly beautiful position, and my mother’s so supremely great people, and for everything we have been and have done, and still are and still have: except of course poor not-at-all-model Kitty.” To this luminous account of the matter Lady Sand-gate turned as to a genial sun-burst. “I see indeed--for the general immaculate connection.” The words had no note of irony, but Lady Grace, in her great seriousness, glanced with deprecation at the possibility. “Well, we _haven’t_ had false notes. We’ve scarcely even had bad moments.” “Yes, you’ve been beatific!” --Lady Sandgate enviously, quite ruefully, felt it. But any further treatment of the question was checked by the re-entrance of the footman--a demonstration explained by the concomitant appearance of a young man in eyeglasses and with the ends of his trousers clipped together as for cycling. “This must be your friend,” she had only time to say to the daughter of the house; with which, alert and reminded of how she was awaited elsewhere, she retreated before her companion’s visitor, who had come in with his guide from the vestibule. She passed away to the terrace and the gardens, Mr. Hugh Crimble’s announced name ringing in her ears--to some effect that we are as yet not qualified to discern. IV Lady Grace had turned to meet Mr. Hugh Crimble, whose pleasure in at once finding her lighted his keen countenance and broke into easy words. “So awfully kind of you--in the midst of the great doings I noticed--to have found a beautiful minute for me.” “I left the great doings, which are almost over, to every one’s relief, I think,” the girl returned, “so that your precious time shouldn’t be taken to hunt for me.” It was clearly for him, on this bright answer, as if her white hand were holding out the perfect flower of felicity. “You came in from your revels on purpose--with the same charity you showed me from that first moment?” They stood smiling at each other as in an exchange of sympathy already confessed--and even as if finding that their relation had grown during the lapse of contact; she recognising the effect of what they had originally felt as bravely as he might name it. What the fine, slightly long oval of her essentially quiet face--quiet in spite of certain vague depths of reference to forces of the strong high order, forces involved and implanted, yet also rather spent in the process--kept in range from under her redundant black hat was the strength of expression, the directness of | once appropriated him and was still in possession when I came away.” Then, as deciding at last on perfect frankness, Lady Grace went on: “If you want to know, I sent for news of him because Kitty insisted on my doing so; saying, so very oddly and quite in her own way, that she herself didn’t wish to ‘appear in it.’ She had done nothing but say to me for an hour, rather worryingly, what you’ve just said--that it’s me he’s what, like Mr. Bender, she calls ‘after’; but as soon as he appeared she pounced on him, and I left him--I assure you quite resignedly--in her hands.” “She wants” --it was easy for Lady Sandgate to remark-- “to talk of you to him.” “I don’t know _what_ she wants,” the girl replied as with rather a tired patience; “Kitty wants so many things at once. She always wants money, in quantities, to begin with--and all to throw so horribly away; so that whenever I see her ‘in’ so very deep with any one I always imagine her appealing for some new tip as to how it’s to be come by.” “Kitty’s an abyss, I grant you, and with my disinterested devotion to your father--in requital of all his kindness to me since Lord Sandgate’s death and since your mother’s--I can never be too grateful to you, my dear, for your being so different a creature. But what is she going to gain financially,” Lady Sand-gate pursued with a strong emphasis on her adverb, “by working up our friend’s confidence in your listening to him--if you _are_ to listen?”<|quote|>“I haven’t in the least engaged to listen,”</|quote|>said Lady Grace-- “it will depend on the music he makes!” But she added with light cynicism: “Perhaps she’s to gain a commission!” “On his fairly getting you?” And then as the girl assented by silence: “Is he in a position to pay her one?” Lady Sandgate asked. “I dare say the Duchess is!” “But do you see the Duchess _producing_ money--with all that Kitty, as we’re not ignorant, owes her? Hundreds and hundreds and hundreds!” --Lady Sandgate piled them up. Her young friend’s gesture checked it. “Ah, don’t tell me how many--it’s too sad and too ugly and too wrong!” To which, however, Lady Grace added: “But perhaps that will be just her way!” And then as her companion seemed for the moment not quite to follow: “By letting Kitty off her debt.” “You mean that Kitty goes free if Lord John wins your promise?” “Kitty goes free.” “She has her creditor’s release?” “For every shilling.” “And if he only fails?” “Why then of course,” said now quite lucid Lady Grace, “she throws herself more than ever on poor father.” “Poor father indeed!” --Lady Sandgate richly sighed it It appeared even to create in the younger woman a sense of excess. “Yes--but he after all and in spite of everything adores her.” “To the point, you mean” --for Lady Sandgate could clearly but wonder-- “of really sacrificing you?” The weight of Lady Grace’s charming deep eyes on her face made her pause while, at some length, she gave back this look and the interchange determined in the girl a grave appeal. “You think I _should_ be sacrificed if I married him?” Lady Sandgate replied, though with an equal emphasis, indirectly. “_Could_ you marry him?” Lady Grace waited a moment “Do you mean for Kitty?” “For himself even--if they should convince you, among them, that he cares for you.” Lady Grace had another delay. “Well, he’s his awful mother’s son.” “Yes--but you wouldn’t marry his mother.” “No--but I should only be the more uncomfortably and intimately conscious of her.” “Even when,” Lady Sandgate optimistically put it, “she so markedly likes you?” This determined in the girl a fine impatience. “She doesn’t ‘like’ me, she only _wants_ me--which is a very different thing; wants me for my father’s so particularly beautiful position, and my mother’s so supremely great people, and for everything we have been and have done, and still are and still have: except of course poor not-at-all-model Kitty.” To this luminous account of the matter Lady Sand-gate turned as to a genial sun-burst. “I see indeed--for the general immaculate connection.” The words had no note of irony, but Lady | The Outcry |
"I have already said, I fear Louisa has not been understood. Is it asking too much, Bounderby, that you, so far her elder, should aid in trying to set her right? You have accepted a great charge of her; for better for worse, for" | Thomas Gradgrind | think of this?" said Bounderby.<|quote|>"I have already said, I fear Louisa has not been understood. Is it asking too much, Bounderby, that you, so far her elder, should aid in trying to set her right? You have accepted a great charge of her; for better for worse, for"</|quote|>Mr. Bounderby may have been | those terms." "What made you think of this?" said Bounderby.<|quote|>"I have already said, I fear Louisa has not been understood. Is it asking too much, Bounderby, that you, so far her elder, should aid in trying to set her right? You have accepted a great charge of her; for better for worse, for"</|quote|>Mr. Bounderby may have been annoyed by the repetition of | for allowing Louisa a period of repose and reflection here, which may tend to a gradual alteration for the better in many respects." "To a softening down of your ideas of the incompatibility?" said Bounderby. "If you put it in those terms." "What made you think of this?" said Bounderby.<|quote|>"I have already said, I fear Louisa has not been understood. Is it asking too much, Bounderby, that you, so far her elder, should aid in trying to set her right? You have accepted a great charge of her; for better for worse, for"</|quote|>Mr. Bounderby may have been annoyed by the repetition of his own words to Stephen Blackpool, but he cut the quotation short with an angry start. "Come!" said he, "I don't want to be told about that. I know what I took her for, as well as you do. Never | question that may shorten the business. What do you mean by the proposal you made just now?" "What do I mean, Bounderby?" "By your visiting proposition," said Bounderby, with an inflexible jerk of the hayfield. "I mean that I hope you may be induced to arrange in a friendly manner, for allowing Louisa a period of repose and reflection here, which may tend to a gradual alteration for the better in many respects." "To a softening down of your ideas of the incompatibility?" said Bounderby. "If you put it in those terms." "What made you think of this?" said Bounderby.<|quote|>"I have already said, I fear Louisa has not been understood. Is it asking too much, Bounderby, that you, so far her elder, should aid in trying to set her right? You have accepted a great charge of her; for better for worse, for"</|quote|>Mr. Bounderby may have been annoyed by the repetition of his own words to Stephen Blackpool, but he cut the quotation short with an angry start. "Come!" said he, "I don't want to be told about that. I know what I took her for, as well as you do. Never you mind what I took her for; that's my look out." "I was merely going on to remark, Bounderby, that we may all be more or less in the wrong, not even excepting you; and that some yielding on your part, remembering the trust you have accepted, may not only | I say this, because highly connected females have been astonished to see the way in which your daughter has conducted herself, and to witness her insensibility. They have wondered how I have suffered it. And I wonder myself now, and I won't suffer it." "Bounderby," returned Mr. Gradgrind, rising, "the less we say to-night the better, I think." "On the contrary, Tom Gradgrind, the more we say to-night, the better, I think. That is," the consideration checked him, "till I have said all I mean to say, and then I don't care how soon we stop. I come to a question that may shorten the business. What do you mean by the proposal you made just now?" "What do I mean, Bounderby?" "By your visiting proposition," said Bounderby, with an inflexible jerk of the hayfield. "I mean that I hope you may be induced to arrange in a friendly manner, for allowing Louisa a period of repose and reflection here, which may tend to a gradual alteration for the better in many respects." "To a softening down of your ideas of the incompatibility?" said Bounderby. "If you put it in those terms." "What made you think of this?" said Bounderby.<|quote|>"I have already said, I fear Louisa has not been understood. Is it asking too much, Bounderby, that you, so far her elder, should aid in trying to set her right? You have accepted a great charge of her; for better for worse, for"</|quote|>Mr. Bounderby may have been annoyed by the repetition of his own words to Stephen Blackpool, but he cut the quotation short with an angry start. "Come!" said he, "I don't want to be told about that. I know what I took her for, as well as you do. Never you mind what I took her for; that's my look out." "I was merely going on to remark, Bounderby, that we may all be more or less in the wrong, not even excepting you; and that some yielding on your part, remembering the trust you have accepted, may not only be an act of true kindness, but perhaps a debt incurred towards Louisa." "I think differently," blustered Bounderby. "I am going to finish this business according to my own opinions. Now, I don't want to make a quarrel of it with you, Tom Gradgrind. To tell you the truth, I don't think it would be worthy of my reputation to quarrel on such a subject. As to your gentleman-friend, he may take himself off, wherever he likes best. If he falls in my way, I shall tell him my mind; if he don't fall in my way, I shan't, for | "Bounderby," urged Mr. Gradgrind, "this is unreasonable." "Is it?" said Bounderby. "I am glad to hear you say so. Because when Tom Gradgrind, with his new lights, tells me that what I say is unreasonable, I am convinced at once it must be devilish sensible. With your permission I am going on. You know my origin; and you know that for a good many years of my life I didn't want a shoeing-horn, in consequence of not having a shoe. Yet you may believe or not, as you think proper, that there are ladies born ladies belonging to families Families! who next to worship the ground I walk on." He discharged this like a Rocket, at his father-in-law's head. "Whereas your daughter," proceeded Bounderby, "is far from being a born lady. That you know, yourself. Not that I care a pinch of candle-snuff about such things, for you are very well aware I don't; but that such is the fact, and you, Tom Gradgrind, can't change it. Why do I say this?" "Not, I fear," observed Mr. Gradgrind, in a low voice, "to spare me." "Hear me out," said Bounderby, "and refrain from cutting in till your turn comes round. I say this, because highly connected females have been astonished to see the way in which your daughter has conducted herself, and to witness her insensibility. They have wondered how I have suffered it. And I wonder myself now, and I won't suffer it." "Bounderby," returned Mr. Gradgrind, rising, "the less we say to-night the better, I think." "On the contrary, Tom Gradgrind, the more we say to-night, the better, I think. That is," the consideration checked him, "till I have said all I mean to say, and then I don't care how soon we stop. I come to a question that may shorten the business. What do you mean by the proposal you made just now?" "What do I mean, Bounderby?" "By your visiting proposition," said Bounderby, with an inflexible jerk of the hayfield. "I mean that I hope you may be induced to arrange in a friendly manner, for allowing Louisa a period of repose and reflection here, which may tend to a gradual alteration for the better in many respects." "To a softening down of your ideas of the incompatibility?" said Bounderby. "If you put it in those terms." "What made you think of this?" said Bounderby.<|quote|>"I have already said, I fear Louisa has not been understood. Is it asking too much, Bounderby, that you, so far her elder, should aid in trying to set her right? You have accepted a great charge of her; for better for worse, for"</|quote|>Mr. Bounderby may have been annoyed by the repetition of his own words to Stephen Blackpool, but he cut the quotation short with an angry start. "Come!" said he, "I don't want to be told about that. I know what I took her for, as well as you do. Never you mind what I took her for; that's my look out." "I was merely going on to remark, Bounderby, that we may all be more or less in the wrong, not even excepting you; and that some yielding on your part, remembering the trust you have accepted, may not only be an act of true kindness, but perhaps a debt incurred towards Louisa." "I think differently," blustered Bounderby. "I am going to finish this business according to my own opinions. Now, I don't want to make a quarrel of it with you, Tom Gradgrind. To tell you the truth, I don't think it would be worthy of my reputation to quarrel on such a subject. As to your gentleman-friend, he may take himself off, wherever he likes best. If he falls in my way, I shall tell him my mind; if he don't fall in my way, I shan't, for it won't be worth my while to do it. As to your daughter, whom I made Loo Bounderby, and might have done better by leaving Loo Gradgrind, if she don't come home to-morrow, by twelve o'clock at noon, I shall understand that she prefers to stay away, and I shall send her wearing apparel and so forth over here, and you'll take charge of her for the future. What I shall say to people in general, of the incompatibility that led to my so laying down the law, will be this. I am Josiah Bounderby, and I had my bringing-up; she's the daughter of Tom Gradgrind, and she had her bringing-up; and the two horses wouldn't pull together. I am pretty well known to be rather an uncommon man, I believe; and most people will understand fast enough that it must be a woman rather out of the common, also, who, in the long run, would come up to my mark." "Let me seriously entreat you to reconsider this, Bounderby," urged Mr. Gradgrind, "before you commit yourself to such a decision." "I always come to a decision," said Bounderby, tossing his hat on: "and whatever I do, I do at | Gradgrind," said Bounderby, standing up with his hands in his pockets, "that you are of opinion that there's what people call some incompatibility between Loo Bounderby and myself." "I fear there is at present a general incompatibility between Louisa, and and and almost all the relations in which I have placed her," was her father's sorrowful reply. "Now, look you here, Tom Gradgrind," said Bounderby the flushed, confronting him with his legs wide apart, his hands deeper in his pockets, and his hair like a hayfield wherein his windy anger was boisterous. "You have said your say; I am going to say mine. I am a Coketown man. I am Josiah Bounderby of Coketown. I know the bricks of this town, and I know the works of this town, and I know the chimneys of this town, and I know the smoke of this town, and I know the Hands of this town. I know 'em all pretty well. They're real. When a man tells me anything about imaginative qualities, I always tell that man, whoever he is, that I know what he means. He means turtle soup and venison, with a gold spoon, and that he wants to be set up with a coach and six. That's what your daughter wants. Since you are of opinion that she ought to have what she wants, I recommend you to provide it for her. Because, Tom Gradgrind, she will never have it from me." "Bounderby," said Mr. Gradgrind, "I hoped, after my entreaty, you would have taken a different tone." "Just wait a bit," retorted Bounderby; "you have said your say, I believe. I heard you out; hear me out, if you please. Don't make yourself a spectacle of unfairness as well as inconsistency, because, although I am sorry to see Tom Gradgrind reduced to his present position, I should be doubly sorry to see him brought so low as that. Now, there's an incompatibility of some sort or another, I am given to understand by you, between your daughter and me. I'll give _you_ to understand, in reply to that, that there unquestionably is an incompatibility of the first magnitude to be summed up in this that your daughter don't properly know her husband's merits, and is not impressed with such a sense as would become her, by George! of the honour of his alliance. That's plain speaking, I hope." "Bounderby," urged Mr. Gradgrind, "this is unreasonable." "Is it?" said Bounderby. "I am glad to hear you say so. Because when Tom Gradgrind, with his new lights, tells me that what I say is unreasonable, I am convinced at once it must be devilish sensible. With your permission I am going on. You know my origin; and you know that for a good many years of my life I didn't want a shoeing-horn, in consequence of not having a shoe. Yet you may believe or not, as you think proper, that there are ladies born ladies belonging to families Families! who next to worship the ground I walk on." He discharged this like a Rocket, at his father-in-law's head. "Whereas your daughter," proceeded Bounderby, "is far from being a born lady. That you know, yourself. Not that I care a pinch of candle-snuff about such things, for you are very well aware I don't; but that such is the fact, and you, Tom Gradgrind, can't change it. Why do I say this?" "Not, I fear," observed Mr. Gradgrind, in a low voice, "to spare me." "Hear me out," said Bounderby, "and refrain from cutting in till your turn comes round. I say this, because highly connected females have been astonished to see the way in which your daughter has conducted herself, and to witness her insensibility. They have wondered how I have suffered it. And I wonder myself now, and I won't suffer it." "Bounderby," returned Mr. Gradgrind, rising, "the less we say to-night the better, I think." "On the contrary, Tom Gradgrind, the more we say to-night, the better, I think. That is," the consideration checked him, "till I have said all I mean to say, and then I don't care how soon we stop. I come to a question that may shorten the business. What do you mean by the proposal you made just now?" "What do I mean, Bounderby?" "By your visiting proposition," said Bounderby, with an inflexible jerk of the hayfield. "I mean that I hope you may be induced to arrange in a friendly manner, for allowing Louisa a period of repose and reflection here, which may tend to a gradual alteration for the better in many respects." "To a softening down of your ideas of the incompatibility?" said Bounderby. "If you put it in those terms." "What made you think of this?" said Bounderby.<|quote|>"I have already said, I fear Louisa has not been understood. Is it asking too much, Bounderby, that you, so far her elder, should aid in trying to set her right? You have accepted a great charge of her; for better for worse, for"</|quote|>Mr. Bounderby may have been annoyed by the repetition of his own words to Stephen Blackpool, but he cut the quotation short with an angry start. "Come!" said he, "I don't want to be told about that. I know what I took her for, as well as you do. Never you mind what I took her for; that's my look out." "I was merely going on to remark, Bounderby, that we may all be more or less in the wrong, not even excepting you; and that some yielding on your part, remembering the trust you have accepted, may not only be an act of true kindness, but perhaps a debt incurred towards Louisa." "I think differently," blustered Bounderby. "I am going to finish this business according to my own opinions. Now, I don't want to make a quarrel of it with you, Tom Gradgrind. To tell you the truth, I don't think it would be worthy of my reputation to quarrel on such a subject. As to your gentleman-friend, he may take himself off, wherever he likes best. If he falls in my way, I shall tell him my mind; if he don't fall in my way, I shan't, for it won't be worth my while to do it. As to your daughter, whom I made Loo Bounderby, and might have done better by leaving Loo Gradgrind, if she don't come home to-morrow, by twelve o'clock at noon, I shall understand that she prefers to stay away, and I shall send her wearing apparel and so forth over here, and you'll take charge of her for the future. What I shall say to people in general, of the incompatibility that led to my so laying down the law, will be this. I am Josiah Bounderby, and I had my bringing-up; she's the daughter of Tom Gradgrind, and she had her bringing-up; and the two horses wouldn't pull together. I am pretty well known to be rather an uncommon man, I believe; and most people will understand fast enough that it must be a woman rather out of the common, also, who, in the long run, would come up to my mark." "Let me seriously entreat you to reconsider this, Bounderby," urged Mr. Gradgrind, "before you commit yourself to such a decision." "I always come to a decision," said Bounderby, tossing his hat on: "and whatever I do, I do at once. I should be surprised at Tom Gradgrind's addressing such a remark to Josiah Bounderby of Coketown, knowing what he knows of him, if I could be surprised by anything Tom Gradgrind did, after his making himself a party to sentimental humbug. I have given you my decision, and I have got no more to say. Good night!" So Mr. Bounderby went home to his town house to bed. At five minutes past twelve o'clock next day, he directed Mrs. Bounderby's property to be carefully packed up and sent to Tom Gradgrind's; advertised his country retreat for sale by private contract; and resumed a bachelor life. CHAPTER IV LOST THE robbery at the Bank had not languished before, and did not cease to occupy a front place in the attention of the principal of that establishment now. In boastful proof of his promptitude and activity, as a remarkable man, and a self-made man, and a commercial wonder more admirable than Venus, who had risen out of the mud instead of the sea, he liked to show how little his domestic affairs abated his business ardour. Consequently, in the first few weeks of his resumed bachelorhood, he even advanced upon his usual display of bustle, and every day made such a rout in renewing his investigations into the robbery, that the officers who had it in hand almost wished it had never been committed. They were at fault too, and off the scent. Although they had been so quiet since the first outbreak of the matter, that most people really did suppose it to have been abandoned as hopeless, nothing new occurred. No implicated man or woman took untimely courage, or made a self-betraying step. More remarkable yet, Stephen Blackpool could not be heard of, and the mysterious old woman remained a mystery. Things having come to this pass, and showing no latent signs of stirring beyond it, the upshot of Mr. Bounderby's investigations was, that he resolved to hazard a bold burst. He drew up a placard, offering Twenty Pounds reward for the apprehension of Stephen Blackpool, suspected of complicity in the robbery of Coketown Bank on such a night; he described the said Stephen Blackpool by dress, complexion, estimated height, and manner, as minutely as he could; he recited how he had left the town, and in what direction he had been last seen going; he had the whole | see Tom Gradgrind reduced to his present position, I should be doubly sorry to see him brought so low as that. Now, there's an incompatibility of some sort or another, I am given to understand by you, between your daughter and me. I'll give _you_ to understand, in reply to that, that there unquestionably is an incompatibility of the first magnitude to be summed up in this that your daughter don't properly know her husband's merits, and is not impressed with such a sense as would become her, by George! of the honour of his alliance. That's plain speaking, I hope." "Bounderby," urged Mr. Gradgrind, "this is unreasonable." "Is it?" said Bounderby. "I am glad to hear you say so. Because when Tom Gradgrind, with his new lights, tells me that what I say is unreasonable, I am convinced at once it must be devilish sensible. With your permission I am going on. You know my origin; and you know that for a good many years of my life I didn't want a shoeing-horn, in consequence of not having a shoe. Yet you may believe or not, as you think proper, that there are ladies born ladies belonging to families Families! who next to worship the ground I walk on." He discharged this like a Rocket, at his father-in-law's head. "Whereas your daughter," proceeded Bounderby, "is far from being a born lady. That you know, yourself. Not that I care a pinch of candle-snuff about such things, for you are very well aware I don't; but that such is the fact, and you, Tom Gradgrind, can't change it. Why do I say this?" "Not, I fear," observed Mr. Gradgrind, in a low voice, "to spare me." "Hear me out," said Bounderby, "and refrain from cutting in till your turn comes round. I say this, because highly connected females have been astonished to see the way in which your daughter has conducted herself, and to witness her insensibility. They have wondered how I have suffered it. And I wonder myself now, and I won't suffer it." "Bounderby," returned Mr. Gradgrind, rising, "the less we say to-night the better, I think." "On the contrary, Tom Gradgrind, the more we say to-night, the better, I think. That is," the consideration checked him, "till I have said all I mean to say, and then I don't care how soon we stop. I come to a question that may shorten the business. What do you mean by the proposal you made just now?" "What do I mean, Bounderby?" "By your visiting proposition," said Bounderby, with an inflexible jerk of the hayfield. "I mean that I hope you may be induced to arrange in a friendly manner, for allowing Louisa a period of repose and reflection here, which may tend to a gradual alteration for the better in many respects." "To a softening down of your ideas of the incompatibility?" said Bounderby. "If you put it in those terms." "What made you think of this?" said Bounderby.<|quote|>"I have already said, I fear Louisa has not been understood. Is it asking too much, Bounderby, that you, so far her elder, should aid in trying to set her right? You have accepted a great charge of her; for better for worse, for"</|quote|>Mr. Bounderby may have been annoyed by the repetition of his own words to Stephen Blackpool, but he cut the quotation short with an angry start. "Come!" said he, "I don't want to be told about that. I know what I took her for, as well as you do. Never you mind what I took her for; that's my look out." "I was merely going on to remark, Bounderby, that we may all be more or less in the wrong, not even excepting you; and that some yielding on your part, remembering the trust you have accepted, may not only be an act of true kindness, but perhaps a debt incurred towards Louisa." "I think differently," blustered Bounderby. "I am going to finish this business according to my own opinions. Now, I don't want to make a quarrel of it with you, Tom Gradgrind. To tell you the truth, I don't think it would be worthy of my reputation to quarrel on such a subject. As to your gentleman-friend, he may take himself off, wherever he likes best. If he falls in my way, I shall tell him my mind; if he don't fall in my way, I shan't, for it won't be worth my while to do it. As to your daughter, whom I made Loo Bounderby, and might have done better by leaving Loo Gradgrind, if she don't come home to-morrow, by twelve o'clock at noon, I shall understand that she prefers to stay away, and I shall send her wearing apparel and so forth over here, and you'll take charge of her for the future. What I shall say to people in general, of the incompatibility that led to my so laying down the law, will be this. I am Josiah Bounderby, and I had my bringing-up; she's the daughter of Tom Gradgrind, and she had her bringing-up; and the two horses wouldn't pull together. I am pretty well known to be rather an uncommon man, I believe; and most people will understand fast enough that it must be a woman rather out of the common, also, who, in the long run, would come up to my mark." "Let me seriously entreat you to reconsider this, Bounderby," urged Mr. Gradgrind, "before you commit yourself to such a decision." "I always come to a decision," said Bounderby, tossing his hat on: "and whatever I do, I do at once. I should be surprised at Tom Gradgrind's addressing such a remark to Josiah Bounderby of Coketown, knowing what he knows of him, if I | Hard Times |
"I say, do I look too much of a mess?" | Brett Ashley | down. Her hand was shaky.<|quote|>"I say, do I look too much of a mess?"</|quote|>She pulled her man's felt | her hand as she stepped down. Her hand was shaky.<|quote|>"I say, do I look too much of a mess?"</|quote|>She pulled her man's felt hat down and started in | very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky.<|quote|>"I say, do I look too much of a mess?"</|quote|>She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who | away. "Oh, go to the Select." "Caf Select," I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky.<|quote|>"I say, do I look too much of a mess?"</|quote|>She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said | flat again. "I don't mean fun that way. In a way it's an enjoyable feeling." "No," she said. "I think it's hell on earth." "It's good to see each other." "No. I don't think it is." "Don't you want to?" "I have to." We were sitting now like two strangers. On the right was the Parc Montsouris. The restaurant where they have the pool of live trout and where you can sit and look out over the park was closed and dark. The driver leaned his head around. "Where do you want to go?" I asked. Brett turned her head away. "Oh, go to the Select." "Caf Select," I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky.<|quote|>"I say, do I look too much of a mess?"</|quote|>She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's | all the things we do, though?" She had been looking into my eyes all the time. Her eyes had different depths, sometimes they seemed perfectly flat. Now you could see all the way into them. "When I think of the hell I've put chaps through. I'm paying for it all now." "Don't talk like a fool," I said. "Besides, what happened to me is supposed to be funny. I never think about it." "Oh, no. I'll lay you don't." "Well, let's shut up about it." "I laughed about it too, myself, once." She wasn't looking at me. "A friend of my brother's came home that way from Mons. It seemed like a hell of a joke. Chaps never know anything, do they?" "No," I said. "Nobody ever knows anything." I was pretty well through with the subject. At one time or another I had probably considered it from most of its various angles, including the one that certain injuries or imperfections are a subject of merriment while remaining quite serious for the person possessing them. "It's funny," I said. "It's very funny. And it's a lot of fun, too, to be in love." "Do you think so?" her eyes looked flat again. "I don't mean fun that way. In a way it's an enjoyable feeling." "No," she said. "I think it's hell on earth." "It's good to see each other." "No. I don't think it is." "Don't you want to?" "I have to." We were sitting now like two strangers. On the right was the Parc Montsouris. The restaurant where they have the pool of live trout and where you can sit and look out over the park was closed and dark. The driver leaned his head around. "Where do you want to go?" I asked. Brett turned her head away. "Oh, go to the Select." "Caf Select," I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky.<|quote|>"I say, do I look too much of a mess?"</|quote|>She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day." "Good night, sir," said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables | the hill, passed the lighted square, then on into the dark, still climbing, then levelled out onto a dark street behind St. Etienne du Mont, went smoothly down the asphalt, passed the trees and the standing bus at the Place de la Contrescarpe, then turned onto the cobbles of the Rue Mouffetard. There were lighted bars and late open shops on each side of the street. We were sitting apart and we jolted close together going down the old street. Brett's hat was off. Her head was back. I saw her face in the lights from the open shops, then it was dark, then I saw her face clearly as we came out on the Avenue des Gobelins. The street was torn up and men were working on the car-tracks by the light of acetylene flares. Brett's face was white and the long line of her neck showed in the bright light of the flares. The street was dark again and I kissed her. Our lips were tight together and then she turned away and pressed against the corner of the seat, as far away as she could get. Her head was down. "Don't touch me," she said. "Please don't touch me." "What's the matter?" "I can't stand it." "Oh, Brett." "You mustn't. You must know. I can't stand it, that's all. Oh, darling, please understand!" "Don't you love me?" "Love you? I simply turn all to jelly when you touch me." "Isn't there anything we can do about it?" She was sitting up now. My arm was around her and she was leaning back against me, and we were quite calm. She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things. "And there's not a damn thing we could do," I said. "I don't know," she said. "I don't want to go through that hell again." "We'd better keep away from each other." "But, darling, I have to see you. It isn't all that you know." "No, but it always gets to be." "That's my fault. Don't we pay for all the things we do, though?" She had been looking into my eyes all the time. Her eyes had different depths, sometimes they seemed perfectly flat. Now you could see all the way into them. "When I think of the hell I've put chaps through. I'm paying for it all now." "Don't talk like a fool," I said. "Besides, what happened to me is supposed to be funny. I never think about it." "Oh, no. I'll lay you don't." "Well, let's shut up about it." "I laughed about it too, myself, once." She wasn't looking at me. "A friend of my brother's came home that way from Mons. It seemed like a hell of a joke. Chaps never know anything, do they?" "No," I said. "Nobody ever knows anything." I was pretty well through with the subject. At one time or another I had probably considered it from most of its various angles, including the one that certain injuries or imperfections are a subject of merriment while remaining quite serious for the person possessing them. "It's funny," I said. "It's very funny. And it's a lot of fun, too, to be in love." "Do you think so?" her eyes looked flat again. "I don't mean fun that way. In a way it's an enjoyable feeling." "No," she said. "I think it's hell on earth." "It's good to see each other." "No. I don't think it is." "Don't you want to?" "I have to." We were sitting now like two strangers. On the right was the Parc Montsouris. The restaurant where they have the pool of live trout and where you can sit and look out over the park was closed and dark. The driver leaned his head around. "Where do you want to go?" I asked. Brett turned her head away. "Oh, go to the Select." "Caf Select," I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky.<|quote|>"I say, do I look too much of a mess?"</|quote|>She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day." "Good night, sir," said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One was a bank statement. It showed a balance of $2432.60. I got out my check-book and deducted four checks drawn since the first of the month, and discovered I had a balance of $1832.60. I wrote this on the back of the statement. The other letter was a wedding announcement. Mr. and Mrs. Aloysius Kirby announce the marriage of their daughter Katherine--I knew neither the girl nor the man she was marrying. They must be circularizing the town. It was a funny name. I felt sure I could remember anybody with a name like Aloysius. It was a good Catholic name. There was a crest on the announcement. Like Zizi the Greek duke. And that count. The count was funny. Brett had a title, too. Lady Ashley. To hell with Brett. To hell with you, Lady Ashley. I lit the lamp beside the bed, turned off the gas, and opened the wide windows. The bed was far back from the windows, and I sat with the windows open and undressed by the bed. Outside a night train, running on the street-car tracks, went by carrying vegetables to the markets. They were noisy at night when you could not sleep. Undressing, I looked at myself in the mirror of the big armoire beside the | angles, including the one that certain injuries or imperfections are a subject of merriment while remaining quite serious for the person possessing them. "It's funny," I said. "It's very funny. And it's a lot of fun, too, to be in love." "Do you think so?" her eyes looked flat again. "I don't mean fun that way. In a way it's an enjoyable feeling." "No," she said. "I think it's hell on earth." "It's good to see each other." "No. I don't think it is." "Don't you want to?" "I have to." We were sitting now like two strangers. On the right was the Parc Montsouris. The restaurant where they have the pool of live trout and where you can sit and look out over the park was closed and dark. The driver leaned his head around. "Where do you want to go?" I asked. Brett turned her head away. "Oh, go to the Select." "Caf Select," I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky.<|quote|>"I say, do I look too much of a mess?"</|quote|>She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was | The Sun Also Rises |
"Your offer," | Gabriel Syme | suddenly took off his hat.<|quote|>"Your offer,"</|quote|>he said, "is far too | a very entertaining evening." Syme suddenly took off his hat.<|quote|>"Your offer,"</|quote|>he said, "is far too idiotic to be declined. You | your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat.<|quote|>"Your offer,"</|quote|>he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, | whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat.<|quote|>"Your offer,"</|quote|>he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the | of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat.<|quote|>"Your offer,"</|quote|>he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the road. The two got into it in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen | you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat.<|quote|>"Your offer,"</|quote|>he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the road. The two got into it in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will you take a little supper?" asked Gregory politely. "The _p t de foie gras_ is not good here, but I can recommend the game." Syme received the remark with stolidity, imagining it to be a joke. Accepting the vein of humour, he said, with a well-bred indifference "Oh, bring me some lobster mayonnaise." To his indescribable astonishment, the man only said "Certainly, sir!" and went away apparently to get it. "What will you drink?" resumed Gregory, with the same careless yet apologetic air. "I shall only have a _cr me de menthe_ myself; I have dined. But the champagne can really be trusted. Do let me start you with a half-bottle of Pommery at least?" "Thank you!" said the motionless Syme. "You are very good." His further attempts at conversation, somewhat disorganised in themselves, were cut short finally as by a thunderbolt by the actual appearance of the lobster. Syme tasted it, and found it particularly good. Then he suddenly began to eat with great rapidity and appetite. "Excuse me if I enjoy myself rather obviously!" he said to Gregory, smiling. "I | a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?" "No," cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat.<|quote|>"Your offer,"</|quote|>he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the road. The two got into it in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will you take a little supper?" asked Gregory politely. "The _p t de foie gras_ is not good here, but I can recommend the game." Syme received the remark with stolidity, imagining it to be a joke. Accepting the vein of humour, he said, with a well-bred indifference "Oh, bring me some lobster mayonnaise." To his indescribable astonishment, the man only said "Certainly, sir!" and went away apparently to get it. "What will you drink?" resumed Gregory, with the same careless yet apologetic air. "I shall only have a _cr me de menthe_ myself; I have dined. But the champagne can really be trusted. Do let me start you with a half-bottle of Pommery at least?" "Thank you!" said the motionless Syme. "You are very good." His further attempts at conversation, somewhat disorganised in themselves, were cut short finally as by a thunderbolt by the actual appearance of the lobster. Syme tasted it, and found it particularly good. Then he suddenly began to eat with great rapidity and appetite. "Excuse me if I enjoy myself rather obviously!" he said to Gregory, smiling. "I don't often have the luck to have a dream like this. It is new to me for a nightmare to lead to a lobster. It is commonly the other way." "You are not asleep, I assure you," said Gregory. "You are, on the contrary, close to the most actual and rousing moment of your existence. Ah, here comes your champagne! I admit that there may be a slight disproportion, let us say, between the inner arrangements of this excellent hotel and its simple and unpretentious exterior. But that is all our modesty. We are the most modest men that ever lived on earth." "And who are _we?_" asked Syme, emptying his champagne glass. "It is quite simple," replied Gregory. "_We_ are the serious anarchists, in whom you do not believe." "Oh!" said Syme shortly. "You do yourselves well in drinks." "Yes, we are serious about everything," answered Gregory. Then after a pause he added "If in a few moments this table begins to turn round a little, don't put it down to your inroads into the champagne. I don't wish you to do yourself an injustice." "Well, if I am not drunk, I am mad," replied Syme with perfect calm; "but I trust I can behave like a gentleman in either condition. May I smoke?" "Certainly!" said Gregory, producing a cigar-case. "Try one of mine." Syme took the cigar, clipped the end off with a cigar-cutter out of his waistcoat pocket, put it in his mouth, lit it slowly, and let out a long cloud of smoke. It is not a little to his credit that he performed these rites with so much composure, for almost before he had begun them the table at which he sat had begun to revolve, first slowly, and then rapidly, as if at an insane seance. "You must not mind it," said Gregory; "it's a kind of screw." "Quite so," said Syme placidly, "a kind of screw. How simple that is!" The next moment the smoke of his cigar, which had been wavering across the room in snaky twists, went straight up as if from a factory chimney, and the two, with their chairs and table, shot down through the floor as if the earth had swallowed them. They went rattling down a kind of roaring chimney as rapidly as a lift cut loose, and they came with an abrupt bump to the bottom. | a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat.<|quote|>"Your offer,"</|quote|>he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the road. The two got into it in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will you take a little supper?" asked Gregory politely. "The _p t de foie gras_ is not good here, but I can recommend the game." Syme received the remark with stolidity, imagining it to be a joke. Accepting the vein of humour, he said, with a well-bred indifference "Oh, bring me some lobster mayonnaise." To his indescribable astonishment, the man only said "Certainly, sir!" and went away apparently to get it. "What will you drink?" resumed Gregory, with the same careless yet apologetic air. "I shall only have a _cr me de menthe_ myself; I have dined. But the champagne can really be trusted. Do let me start you with a half-bottle of Pommery at least?" "Thank you!" said the motionless Syme. "You are very good." His further attempts at conversation, somewhat disorganised in themselves, were cut short finally as by a thunderbolt by the actual appearance of the lobster. Syme tasted it, and found it particularly good. Then he suddenly began to eat with great rapidity and appetite. "Excuse me if I enjoy myself rather obviously!" he said to Gregory, smiling. "I don't often have the luck | The Man Who Was Thursday |
"I suppose they have all read Webster." | Katharine Hilbery | clever at least," Katharine added,<|quote|>"I suppose they have all read Webster."</|quote|>"Surely you don t think | "And yet they are very clever at least," Katharine added,<|quote|>"I suppose they have all read Webster."</|quote|>"Surely you don t think that a proof of cleverness? | thus easily silent, and occupied with her own thoughts. It was a habit that spoke of loneliness and a mind thinking for itself. When Katharine remained silent Mary was slightly embarrassed. "Yes, they re very like sheep," she repeated, foolishly. "And yet they are very clever at least," Katharine added,<|quote|>"I suppose they have all read Webster."</|quote|>"Surely you don t think that a proof of cleverness? I ve read Webster, I ve read Ben Jonson, but I don t think myself clever not exactly, at least." "I think you must be very clever," Katharine observed. "Why? Because I run an office?" "I wasn t thinking of | runs an office," Mary remarked. "No. Perhaps not," Katharine replied. The conversation lapsed, and Mary saw Katharine looking out into the room rather moodily with closed lips, the desire to talk about herself or to initiate a friendship having, apparently, left her. Mary was struck by her capacity for being thus easily silent, and occupied with her own thoughts. It was a habit that spoke of loneliness and a mind thinking for itself. When Katharine remained silent Mary was slightly embarrassed. "Yes, they re very like sheep," she repeated, foolishly. "And yet they are very clever at least," Katharine added,<|quote|>"I suppose they have all read Webster."</|quote|>"Surely you don t think that a proof of cleverness? I ve read Webster, I ve read Ben Jonson, but I don t think myself clever not exactly, at least." "I think you must be very clever," Katharine observed. "Why? Because I run an office?" "I wasn t thinking of that. I was thinking how you live alone in this room, and have parties." Mary reflected for a second. "It means, chiefly, a power of being disagreeable to one s own family, I think. I have that, perhaps. I didn t want to live at home, and I told my | beat people down was a process that should present no difficulty to Miss Katharine Hilbery. They knew each other so slightly that the beginning of intimacy, which Katharine seemed to initiate by talking about herself, had something solemn in it, and they were silent, as if to decide whether to proceed or not. They tested the ground. "Ah, but I want to trample upon their prostrate bodies!" Katharine announced, a moment later, with a laugh, as if at the train of thought which had led her to this conclusion. "One doesn t necessarily trample upon people s bodies because one runs an office," Mary remarked. "No. Perhaps not," Katharine replied. The conversation lapsed, and Mary saw Katharine looking out into the room rather moodily with closed lips, the desire to talk about herself or to initiate a friendship having, apparently, left her. Mary was struck by her capacity for being thus easily silent, and occupied with her own thoughts. It was a habit that spoke of loneliness and a mind thinking for itself. When Katharine remained silent Mary was slightly embarrassed. "Yes, they re very like sheep," she repeated, foolishly. "And yet they are very clever at least," Katharine added,<|quote|>"I suppose they have all read Webster."</|quote|>"Surely you don t think that a proof of cleverness? I ve read Webster, I ve read Ben Jonson, but I don t think myself clever not exactly, at least." "I think you must be very clever," Katharine observed. "Why? Because I run an office?" "I wasn t thinking of that. I was thinking how you live alone in this room, and have parties." Mary reflected for a second. "It means, chiefly, a power of being disagreeable to one s own family, I think. I have that, perhaps. I didn t want to live at home, and I told my father. He didn t like it.... But then I have a sister, and you haven t, have you?" "No, I haven t any sisters." "You are writing a life of your grandfather?" Mary pursued. Katharine seemed instantly to be confronted by some familiar thought from which she wished to escape. She replied, "Yes, I am helping my mother," in such a way that Mary felt herself baffled, and put back again into the position in which she had been at the beginning of their talk. It seemed to her that Katharine possessed a curious power of drawing near and receding, | spend your life in getting us votes, don t you?" "I do," said Mary, stoutly. "From ten to six every day I m at it." Katharine looked at Ralph Denham, who was now pounding his way through the metaphysics of metaphor with Rodney, and was reminded of his talk that Sunday afternoon. She connected him vaguely with Mary. "I suppose you re one of the people who think we should all have professions," she said, rather distantly, as if feeling her way among the phantoms of an unknown world. "Oh dear no," said Mary at once. "Well, I think I do," Katharine continued, with half a sigh. "You will always be able to say that you ve done something, whereas, in a crowd like this, I feel rather melancholy." "In a crowd? Why in a crowd?" Mary asked, deepening the two lines between her eyes, and hoisting herself nearer to Katharine upon the window-sill. "Don t you see how many different things these people care about? And I want to beat them down I only mean," she corrected herself, "that I want to assert myself, and it s difficult, if one hasn t a profession." Mary smiled, thinking that to beat people down was a process that should present no difficulty to Miss Katharine Hilbery. They knew each other so slightly that the beginning of intimacy, which Katharine seemed to initiate by talking about herself, had something solemn in it, and they were silent, as if to decide whether to proceed or not. They tested the ground. "Ah, but I want to trample upon their prostrate bodies!" Katharine announced, a moment later, with a laugh, as if at the train of thought which had led her to this conclusion. "One doesn t necessarily trample upon people s bodies because one runs an office," Mary remarked. "No. Perhaps not," Katharine replied. The conversation lapsed, and Mary saw Katharine looking out into the room rather moodily with closed lips, the desire to talk about herself or to initiate a friendship having, apparently, left her. Mary was struck by her capacity for being thus easily silent, and occupied with her own thoughts. It was a habit that spoke of loneliness and a mind thinking for itself. When Katharine remained silent Mary was slightly embarrassed. "Yes, they re very like sheep," she repeated, foolishly. "And yet they are very clever at least," Katharine added,<|quote|>"I suppose they have all read Webster."</|quote|>"Surely you don t think that a proof of cleverness? I ve read Webster, I ve read Ben Jonson, but I don t think myself clever not exactly, at least." "I think you must be very clever," Katharine observed. "Why? Because I run an office?" "I wasn t thinking of that. I was thinking how you live alone in this room, and have parties." Mary reflected for a second. "It means, chiefly, a power of being disagreeable to one s own family, I think. I have that, perhaps. I didn t want to live at home, and I told my father. He didn t like it.... But then I have a sister, and you haven t, have you?" "No, I haven t any sisters." "You are writing a life of your grandfather?" Mary pursued. Katharine seemed instantly to be confronted by some familiar thought from which she wished to escape. She replied, "Yes, I am helping my mother," in such a way that Mary felt herself baffled, and put back again into the position in which she had been at the beginning of their talk. It seemed to her that Katharine possessed a curious power of drawing near and receding, which sent alternate emotions through her far more quickly than was usual, and kept her in a condition of curious alertness. Desiring to classify her, Mary bethought her of the convenient term "egoist." "She s an egoist," she said to herself, and stored that word up to give to Ralph one day when, as it would certainly fall out, they were discussing Miss Hilbery. "Heavens, what a mess there ll be to-morrow morning!" Katharine exclaimed. "I hope you don t sleep in this room, Miss Datchet?" Mary laughed. "What are you laughing at?" Katharine demanded. "I won t tell you." "Let me guess. You were laughing because you thought I d changed the conversation?" "No." "Because you think" She paused. "If you want to know, I was laughing at the way you said Miss Datchet." "Mary, then. Mary, Mary, Mary." So saying, Katharine drew back the curtain in order, perhaps, to conceal the momentary flush of pleasure which is caused by coming perceptibly nearer to another person. "Mary Datchet," said Mary. "It s not such an imposing name as Katharine Hilbery, I m afraid." They both looked out of the window, first up at the hard silver moon, stationary among | of their feelings is such that they seldom meet with adequate sympathy, and being rendered very sensitive by their cultivated perceptions, suffer constant slights both to their own persons and to the thing they worship. But Rodney could never resist making trial of the sympathies of any one who seemed favorably disposed, and Denham s praise had stimulated his very susceptible vanity. "You remember the passage just before the death of the Duchess?" he continued, edging still closer to Denham, and adjusting his elbow and knee in an incredibly angular combination. Here, Katharine, who had been cut off by these maneuvers from all communication with the outer world, rose, and seated herself upon the window-sill, where she was joined by Mary Datchet. The two young women could thus survey the whole party. Denham looked after them, and made as if he were tearing handfuls of grass up by the roots from the carpet. But as it fell in accurately with his conception of life that all one s desires were bound to be frustrated, he concentrated his mind upon literature, and determined, philosophically, to get what he could out of that. Katharine was pleasantly excited. A variety of courses was open to her. She knew several people slightly, and at any moment one of them might rise from the floor and come and speak to her; on the other hand, she might select somebody for herself, or she might strike into Rodney s discourse, to which she was intermittently attentive. She was conscious of Mary s body beside her, but, at the same time, the consciousness of being both of them women made it unnecessary to speak to her. But Mary, feeling, as she had said, that Katharine was a "personality," wished so much to speak to her that in a few moments she did. "They re exactly like a flock of sheep, aren t they?" she said, referring to the noise that rose from the scattered bodies beneath her. Katharine turned and smiled. "I wonder what they re making such a noise about?" she said. "The Elizabethans, I suppose." "No, I don t think it s got anything to do with the Elizabethans. There! Didn t you hear them say, Insurance Bill ?" "I wonder why men always talk about politics?" Mary speculated. "I suppose, if we had votes, we should, too." "I dare say we should. And you spend your life in getting us votes, don t you?" "I do," said Mary, stoutly. "From ten to six every day I m at it." Katharine looked at Ralph Denham, who was now pounding his way through the metaphysics of metaphor with Rodney, and was reminded of his talk that Sunday afternoon. She connected him vaguely with Mary. "I suppose you re one of the people who think we should all have professions," she said, rather distantly, as if feeling her way among the phantoms of an unknown world. "Oh dear no," said Mary at once. "Well, I think I do," Katharine continued, with half a sigh. "You will always be able to say that you ve done something, whereas, in a crowd like this, I feel rather melancholy." "In a crowd? Why in a crowd?" Mary asked, deepening the two lines between her eyes, and hoisting herself nearer to Katharine upon the window-sill. "Don t you see how many different things these people care about? And I want to beat them down I only mean," she corrected herself, "that I want to assert myself, and it s difficult, if one hasn t a profession." Mary smiled, thinking that to beat people down was a process that should present no difficulty to Miss Katharine Hilbery. They knew each other so slightly that the beginning of intimacy, which Katharine seemed to initiate by talking about herself, had something solemn in it, and they were silent, as if to decide whether to proceed or not. They tested the ground. "Ah, but I want to trample upon their prostrate bodies!" Katharine announced, a moment later, with a laugh, as if at the train of thought which had led her to this conclusion. "One doesn t necessarily trample upon people s bodies because one runs an office," Mary remarked. "No. Perhaps not," Katharine replied. The conversation lapsed, and Mary saw Katharine looking out into the room rather moodily with closed lips, the desire to talk about herself or to initiate a friendship having, apparently, left her. Mary was struck by her capacity for being thus easily silent, and occupied with her own thoughts. It was a habit that spoke of loneliness and a mind thinking for itself. When Katharine remained silent Mary was slightly embarrassed. "Yes, they re very like sheep," she repeated, foolishly. "And yet they are very clever at least," Katharine added,<|quote|>"I suppose they have all read Webster."</|quote|>"Surely you don t think that a proof of cleverness? I ve read Webster, I ve read Ben Jonson, but I don t think myself clever not exactly, at least." "I think you must be very clever," Katharine observed. "Why? Because I run an office?" "I wasn t thinking of that. I was thinking how you live alone in this room, and have parties." Mary reflected for a second. "It means, chiefly, a power of being disagreeable to one s own family, I think. I have that, perhaps. I didn t want to live at home, and I told my father. He didn t like it.... But then I have a sister, and you haven t, have you?" "No, I haven t any sisters." "You are writing a life of your grandfather?" Mary pursued. Katharine seemed instantly to be confronted by some familiar thought from which she wished to escape. She replied, "Yes, I am helping my mother," in such a way that Mary felt herself baffled, and put back again into the position in which she had been at the beginning of their talk. It seemed to her that Katharine possessed a curious power of drawing near and receding, which sent alternate emotions through her far more quickly than was usual, and kept her in a condition of curious alertness. Desiring to classify her, Mary bethought her of the convenient term "egoist." "She s an egoist," she said to herself, and stored that word up to give to Ralph one day when, as it would certainly fall out, they were discussing Miss Hilbery. "Heavens, what a mess there ll be to-morrow morning!" Katharine exclaimed. "I hope you don t sleep in this room, Miss Datchet?" Mary laughed. "What are you laughing at?" Katharine demanded. "I won t tell you." "Let me guess. You were laughing because you thought I d changed the conversation?" "No." "Because you think" She paused. "If you want to know, I was laughing at the way you said Miss Datchet." "Mary, then. Mary, Mary, Mary." So saying, Katharine drew back the curtain in order, perhaps, to conceal the momentary flush of pleasure which is caused by coming perceptibly nearer to another person. "Mary Datchet," said Mary. "It s not such an imposing name as Katharine Hilbery, I m afraid." They both looked out of the window, first up at the hard silver moon, stationary among a hurry of little grey-blue clouds, and then down upon the roofs of London, with all their upright chimneys, and then below them at the empty moonlit pavement of the street, upon which the joint of each paving-stone was clearly marked out. Mary then saw Katharine raise her eyes again to the moon, with a contemplative look in them, as though she were setting that moon against the moon of other nights, held in memory. Some one in the room behind them made a joke about star-gazing, which destroyed their pleasure in it, and they looked back into the room again. Ralph had been watching for this moment, and he instantly produced his sentence. "I wonder, Miss Hilbery, whether you remembered to get that picture glazed?" His voice showed that the question was one that had been prepared. "Oh, you idiot!" Mary exclaimed, very nearly aloud, with a sense that Ralph had said something very stupid. So, after three lessons in Latin grammar, one might correct a fellow student, whose knowledge did not embrace the ablative of "mensa." "Picture what picture?" Katharine asked. "Oh, at home, you mean that Sunday afternoon. Was it the day Mr. Fortescue came? Yes, I think I remembered it." The three of them stood for a moment awkwardly silent, and then Mary left them in order to see that the great pitcher of coffee was properly handled, for beneath all her education she preserved the anxieties of one who owns china. Ralph could think of nothing further to say; but could one have stripped off his mask of flesh, one would have seen that his will-power was rigidly set upon a single object that Miss Hilbery should obey him. He wished her to stay there until, by some measures not yet apparent to him, he had conquered her interest. These states of mind transmit themselves very often without the use of language, and it was evident to Katharine that this young man had fixed his mind upon her. She instantly recalled her first impressions of him, and saw herself again proffering family relics. She reverted to the state of mind in which he had left her that Sunday afternoon. She supposed that he judged her very severely. She argued naturally that, if this were the case, the burden of the conversation should rest with him. But she submitted so far as to stand perfectly still, | a flock of sheep, aren t they?" she said, referring to the noise that rose from the scattered bodies beneath her. Katharine turned and smiled. "I wonder what they re making such a noise about?" she said. "The Elizabethans, I suppose." "No, I don t think it s got anything to do with the Elizabethans. There! Didn t you hear them say, Insurance Bill ?" "I wonder why men always talk about politics?" Mary speculated. "I suppose, if we had votes, we should, too." "I dare say we should. And you spend your life in getting us votes, don t you?" "I do," said Mary, stoutly. "From ten to six every day I m at it." Katharine looked at Ralph Denham, who was now pounding his way through the metaphysics of metaphor with Rodney, and was reminded of his talk that Sunday afternoon. She connected him vaguely with Mary. "I suppose you re one of the people who think we should all have professions," she said, rather distantly, as if feeling her way among the phantoms of an unknown world. "Oh dear no," said Mary at once. "Well, I think I do," Katharine continued, with half a sigh. "You will always be able to say that you ve done something, whereas, in a crowd like this, I feel rather melancholy." "In a crowd? Why in a crowd?" Mary asked, deepening the two lines between her eyes, and hoisting herself nearer to Katharine upon the window-sill. "Don t you see how many different things these people care about? And I want to beat them down I only mean," she corrected herself, "that I want to assert myself, and it s difficult, if one hasn t a profession." Mary smiled, thinking that to beat people down was a process that should present no difficulty to Miss Katharine Hilbery. They knew each other so slightly that the beginning of intimacy, which Katharine seemed to initiate by talking about herself, had something solemn in it, and they were silent, as if to decide whether to proceed or not. They tested the ground. "Ah, but I want to trample upon their prostrate bodies!" Katharine announced, a moment later, with a laugh, as if at the train of thought which had led her to this conclusion. "One doesn t necessarily trample upon people s bodies because one runs an office," Mary remarked. "No. Perhaps not," Katharine replied. The conversation lapsed, and Mary saw Katharine looking out into the room rather moodily with closed lips, the desire to talk about herself or to initiate a friendship having, apparently, left her. Mary was struck by her capacity for being thus easily silent, and occupied with her own thoughts. It was a habit that spoke of loneliness and a mind thinking for itself. When Katharine remained silent Mary was slightly embarrassed. "Yes, they re very like sheep," she repeated, foolishly. "And yet they are very clever at least," Katharine added,<|quote|>"I suppose they have all read Webster."</|quote|>"Surely you don t think that a proof of cleverness? I ve read Webster, I ve read Ben Jonson, but I don t think myself clever not exactly, at least." "I think you must be very clever," Katharine observed. "Why? Because I run an office?" "I wasn t thinking of that. I was thinking how you live alone in this room, and have parties." Mary reflected for a second. "It means, chiefly, a power of being disagreeable to one s own family, I think. I have that, perhaps. I didn t want to live at home, and I told my father. He didn t like it.... But then I have a sister, and you haven t, have you?" "No, I haven t any sisters." "You are writing a life of your grandfather?" Mary pursued. Katharine seemed instantly to be confronted by some familiar thought from which she wished to escape. She replied, "Yes, I am helping my mother," in such a way that Mary felt herself baffled, and put back again into the position in which she had been at the beginning of their talk. It seemed to her that Katharine possessed a curious power of drawing near and receding, which sent alternate emotions through her far more quickly than was usual, and kept her in a condition of curious alertness. Desiring to classify her, Mary bethought her of the convenient term "egoist." "She s an egoist," she said to herself, and stored that word up to give to Ralph one day when, as it would certainly fall out, they were discussing Miss Hilbery. "Heavens, what a mess there ll be to-morrow morning!" Katharine exclaimed. "I hope you don t sleep in this room, Miss Datchet?" Mary laughed. "What are you laughing at?" Katharine demanded. "I won t tell you." "Let me guess. You were laughing because you thought I d changed the conversation?" "No." "Because you think" She paused. "If you want to know, I was laughing at the way you said Miss Datchet." "Mary, then. Mary, Mary, Mary." So saying, Katharine drew back the curtain in order, perhaps, to conceal the momentary flush of pleasure which is caused by coming perceptibly nearer to another person. "Mary Datchet," said Mary. "It s not such an imposing name as Katharine Hilbery, I m afraid." They both looked out of the window, first up at the hard silver moon, stationary among a hurry of little grey-blue clouds, and then down upon the roofs of London, with all their upright chimneys, and then below them at the empty moonlit pavement of the street, upon which the joint of each paving-stone was clearly marked out. Mary then saw Katharine raise her eyes again to the moon, with a contemplative look in them, as though she were setting that moon against the moon of other nights, held in memory. Some one in the room behind them made a joke about star-gazing, which destroyed their pleasure in it, and they looked back into | Night And Day |
"or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." | Mr. Giles | half-past two," said Mr. Giles,<|quote|>"or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise."</|quote|>At this point of the | breathless interest. "It was about half-past two," said Mr. Giles,<|quote|>"or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise."</|quote|>At this point of the narrative the cook turned pale, | kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles,<|quote|>"or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise."</|quote|>At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, | towards whom it was rather his wont to deport himself with a lofty affability, which, while it gratified, could not fail to remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles,<|quote|>"or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise."</|quote|>At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. | of his slight and youthful frame, whither could he fly? He pushed against the garden-gate; it was unlocked, and swung open on its hinges. He tottered across the lawn; climbed the steps; knocked faintly at the door; and, his whole strength failing him, sunk down against one of the pillars of the little portico. It happened that about this time, Mr. Giles, Brittles, and the tinker, were recruiting themselves, after the fatigues and terrors of the night, with tea and sundries, in the kitchen. Not that it was Mr. Giles's habit to admit to too great familiarity the humbler servants: towards whom it was rather his wont to deport himself with a lofty affability, which, while it gratified, could not fail to remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles,<|quote|>"or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise."</|quote|>At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his | came in his way, until he reached a road. Here the rain began to fall so heavily, that it roused him. He looked about, and saw that at no great distance there was a house, which perhaps he could reach. Pitying his condition, they might have compassion on him; and if they did not, it would be better, he thought, to die near human beings, than in the lonely open fields. He summoned up all his strength for one last trial, and bent his faltering steps towards it. As he drew nearer to this house, a feeling come over him that he had seen it before. He remembered nothing of its details; but the shape and aspect of the building seemed familiar to him. That garden wall! On the grass inside, he had fallen on his knees last night, and prayed the two men's mercy. It was the very house they had attempted to rob. Oliver felt such fear come over him when he recognised the place, that, for the instant, he forgot the agony of his wound, and thought only of flight. Flight! He could scarcely stand: and if he were in full possession of all the best powers of his slight and youthful frame, whither could he fly? He pushed against the garden-gate; it was unlocked, and swung open on its hinges. He tottered across the lawn; climbed the steps; knocked faintly at the door; and, his whole strength failing him, sunk down against one of the pillars of the little portico. It happened that about this time, Mr. Giles, Brittles, and the tinker, were recruiting themselves, after the fatigues and terrors of the night, with tea and sundries, in the kitchen. Not that it was Mr. Giles's habit to admit to too great familiarity the humbler servants: towards whom it was rather his wont to deport himself with a lofty affability, which, while it gratified, could not fail to remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles,<|quote|>"or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise."</|quote|>At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, | sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes. The rain came down, thick and fast, and pattered noisily among the leafless bushes. But, Oliver felt it not, as it beat against him; for he still lay stretched, helpless and unconscious, on his bed of clay. At length, a low cry of pain broke the stillness that prevailed; and uttering it, the boy awoke. His left arm, rudely bandaged in a shawl, hung heavy and useless at his side; the bandage was saturated with blood. He was so weak, that he could scarcely raise himself into a sitting posture; when he had done so, he looked feebly round for help, and groaned with pain. Trembling in every joint, from cold and exhaustion, he made an effort to stand upright; but, shuddering from head to foot, fell prostrate on the ground. After a short return of the stupor in which he had been so long plunged, Oliver: urged by a creeping sickness at his heart, which seemed to warn him that if he lay there, he must surely die: got upon his feet, and essayed to walk. His head was dizzy, and he staggered to and fro like a drunken man. But he kept up, nevertheless, and, with his head drooping languidly on his breast, went stumbling onward, he knew not whither. And now, hosts of bewildering and confused ideas came crowding on his mind. He seemed to be still walking between Sikes and Crackit, who were angrily disputing for the very words they said, sounded in his ears; and when he caught his own attention, as it were, by making some violent effort to save himself from falling, he found that he was talking to them. Then, he was alone with Sikes, plodding on as on the previous day; and as shadowy people passed them, he felt the robber's grasp upon his wrist. Suddenly, he started back at the report of firearms; there rose into the air, loud cries and shouts; lights gleamed before his eyes; all was noise and tumult, as some unseen hand bore him hurriedly away. Through all these rapid visions, there ran an undefined, uneasy consciousness of pain, which wearied and tormented him incessantly. Thus he staggered on, creeping, almost mechanically, between the bars of gates, or through hedge-gaps as they came in his way, until he reached a road. Here the rain began to fall so heavily, that it roused him. He looked about, and saw that at no great distance there was a house, which perhaps he could reach. Pitying his condition, they might have compassion on him; and if they did not, it would be better, he thought, to die near human beings, than in the lonely open fields. He summoned up all his strength for one last trial, and bent his faltering steps towards it. As he drew nearer to this house, a feeling come over him that he had seen it before. He remembered nothing of its details; but the shape and aspect of the building seemed familiar to him. That garden wall! On the grass inside, he had fallen on his knees last night, and prayed the two men's mercy. It was the very house they had attempted to rob. Oliver felt such fear come over him when he recognised the place, that, for the instant, he forgot the agony of his wound, and thought only of flight. Flight! He could scarcely stand: and if he were in full possession of all the best powers of his slight and youthful frame, whither could he fly? He pushed against the garden-gate; it was unlocked, and swung open on its hinges. He tottered across the lawn; climbed the steps; knocked faintly at the door; and, his whole strength failing him, sunk down against one of the pillars of the little portico. It happened that about this time, Mr. Giles, Brittles, and the tinker, were recruiting themselves, after the fatigues and terrors of the night, with tea and sundries, in the kitchen. Not that it was Mr. Giles's habit to admit to too great familiarity the humbler servants: towards whom it was rather his wont to deport himself with a lofty affability, which, while it gratified, could not fail to remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles,<|quote|>"or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise."</|quote|>At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman," retorted Brittles, plucking up a little. "Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the door. Brittles obeyed; the group, peeping timorously over each other's shoulders, beheld no more formidable object than poor little Oliver Twist, speechless and exhausted, who raised | undefined, uneasy consciousness of pain, which wearied and tormented him incessantly. Thus he staggered on, creeping, almost mechanically, between the bars of gates, or through hedge-gaps as they came in his way, until he reached a road. Here the rain began to fall so heavily, that it roused him. He looked about, and saw that at no great distance there was a house, which perhaps he could reach. Pitying his condition, they might have compassion on him; and if they did not, it would be better, he thought, to die near human beings, than in the lonely open fields. He summoned up all his strength for one last trial, and bent his faltering steps towards it. As he drew nearer to this house, a feeling come over him that he had seen it before. He remembered nothing of its details; but the shape and aspect of the building seemed familiar to him. That garden wall! On the grass inside, he had fallen on his knees last night, and prayed the two men's mercy. It was the very house they had attempted to rob. Oliver felt such fear come over him when he recognised the place, that, for the instant, he forgot the agony of his wound, and thought only of flight. Flight! He could scarcely stand: and if he were in full possession of all the best powers of his slight and youthful frame, whither could he fly? He pushed against the garden-gate; it was unlocked, and swung open on its hinges. He tottered across the lawn; climbed the steps; knocked faintly at the door; and, his whole strength failing him, sunk down against one of the pillars of the little portico. It happened that about this time, Mr. Giles, Brittles, and the tinker, were recruiting themselves, after the fatigues and terrors of the night, with tea and sundries, in the kitchen. Not that it was Mr. Giles's habit to admit to too great familiarity the humbler servants: towards whom it was rather his wont to deport himself with a lofty affability, which, while it gratified, could not fail to remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles,<|quote|>"or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise."</|quote|>At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on | Oliver Twist |
"but I've been bleeding like a pig, Mas' Don, and it's made me as weak as a great gal. You see I thought as you was dead." | Jem Wimble | whispered the poor fellow hoarsely;<|quote|>"but I've been bleeding like a pig, Mas' Don, and it's made me as weak as a great gal. You see I thought as you was dead."</|quote|>"No, no, Jem; I'm here | hard as ever I can," whispered the poor fellow hoarsely;<|quote|>"but I've been bleeding like a pig, Mas' Don, and it's made me as weak as a great gal. You see I thought as you was dead."</|quote|>"No, no, Jem; I'm here safe, only--only my head aches, | thought--Oh! Oh!" A choking sensation rose in Don's throat, for he could hear close beside him the brave, true fellow sobbing like a woman. "Jem! Jem, old chap!" whispered Don. "Don't, pray don't do that." "I'm a-trying not to as hard as ever I can," whispered the poor fellow hoarsely;<|quote|>"but I've been bleeding like a pig, Mas' Don, and it's made me as weak as a great gal. You see I thought as you was dead."</|quote|>"No, no, Jem; I'm here safe, only--only my head aches, and I can't get my hands free." "No, my lad, more can't I. We're both tied up, hands and legs." "But the others? Where is Tomati?" "Don't ask me, my lad." "Oh, Jem!" There was a few minutes' awful silence, | one in pain. "Where am I?" he thought. "What is the matter?" Then he realised what had happened, for a familiar voice said almost in a whisper,-- "Poor little Sally! I wish she was here with a bit of rag." "Jem!" "Mas' Don! Oh! Thank the Lord! Amen! I thought--I thought--Oh! Oh!" A choking sensation rose in Don's throat, for he could hear close beside him the brave, true fellow sobbing like a woman. "Jem! Jem, old chap!" whispered Don. "Don't, pray don't do that." "I'm a-trying not to as hard as ever I can," whispered the poor fellow hoarsely;<|quote|>"but I've been bleeding like a pig, Mas' Don, and it's made me as weak as a great gal. You see I thought as you was dead."</|quote|>"No, no, Jem; I'm here safe, only--only my head aches, and I can't get my hands free." "No, my lad, more can't I. We're both tied up, hands and legs." "But the others? Where is Tomati?" "Don't ask me, my lad." "Oh, Jem!" There was a few minutes' awful silence, during which the low moaning sound went on from different places close at hand. "Where is Ngati?" whispered Don at last. "Half killed, or dead, Mas' Don," said Jem, sadly. "We're reg'lar beat. But, my word, Mas' Don, I am sorry." "Sorry? Of course." "Ah! But I mean for all | there came a rush, a horrible crowding together, a sensation to Don as if some mountain had suddenly fallen on his head to crush out the hideous din of yelling and despairing shrieks, and then all was darkness. ------------------------------------------------------------------------ It was still darkness, but the stars were shining brightly overhead, when Don opened his eyes again to begin wondering why his head should ache so terribly, and he should feel so cold. Those thoughts were only momentary, for a colder chill ran through him as on both sides of where he lay a low moaning sound arose, as of some one in pain. "Where am I?" he thought. "What is the matter?" Then he realised what had happened, for a familiar voice said almost in a whisper,-- "Poor little Sally! I wish she was here with a bit of rag." "Jem!" "Mas' Don! Oh! Thank the Lord! Amen! I thought--I thought--Oh! Oh!" A choking sensation rose in Don's throat, for he could hear close beside him the brave, true fellow sobbing like a woman. "Jem! Jem, old chap!" whispered Don. "Don't, pray don't do that." "I'm a-trying not to as hard as ever I can," whispered the poor fellow hoarsely;<|quote|>"but I've been bleeding like a pig, Mas' Don, and it's made me as weak as a great gal. You see I thought as you was dead."</|quote|>"No, no, Jem; I'm here safe, only--only my head aches, and I can't get my hands free." "No, my lad, more can't I. We're both tied up, hands and legs." "But the others? Where is Tomati?" "Don't ask me, my lad." "Oh, Jem!" There was a few minutes' awful silence, during which the low moaning sound went on from different places close at hand. "Where is Ngati?" whispered Don at last. "Half killed, or dead, Mas' Don," said Jem, sadly. "We're reg'lar beat. But, my word, Mas' Don, I am sorry." "Sorry? Of course." "Ah! But I mean for all I said about the poor fellows. I thought they couldn't fight." "The women and children, Jem?" "All prisoners, 'cept some as would fight, and they--" "Yes--go on." "They served them same as they did those poor chaps as wouldn't give in." "How horrible!" "Ah, 'tis horrid, my lad; and I've been wishing we hadn't cut and run. We was better off on board ship." "It's of no use to talk like that, Jem. Are you much hurt?" "Hand's all cut about with that pistol busting, and there's a hole through my left shoulder, as feels as if it had been | behind where they stood, and as they turned, it was to see the whole of the defenders, headed by Tomati, making a rush for one portion of the fence where some of the stout poles had given way. A breach had been made, and yelling like furies, the enemy were pouring through in a crowd. CHAPTER FORTY. DEFEATED. Two minutes at the outside must have been the lapse of time before the last spear held up in defence of the _pah_ was lowered by its brave owner in weakness, despair, or death. Tomati's men fought with desperate valour, but they were so reduced that the enemy were four to one; and as they were driven back step by step, till they were huddled together in one corner of the _pah_, the slaughter was frightful. Stirred to fury at seeing the poor fellows drop, both Don and Jem had made unskilful use of their weapons, for they were unwillingly mingled with the crowd of defenders, and driven with them into the corner of the great enclosure. One minute they were surrounded by panting, desperate men, using their spears valorously, as the Greeks might have used theirs in days of old; then there came a rush, a horrible crowding together, a sensation to Don as if some mountain had suddenly fallen on his head to crush out the hideous din of yelling and despairing shrieks, and then all was darkness. ------------------------------------------------------------------------ It was still darkness, but the stars were shining brightly overhead, when Don opened his eyes again to begin wondering why his head should ache so terribly, and he should feel so cold. Those thoughts were only momentary, for a colder chill ran through him as on both sides of where he lay a low moaning sound arose, as of some one in pain. "Where am I?" he thought. "What is the matter?" Then he realised what had happened, for a familiar voice said almost in a whisper,-- "Poor little Sally! I wish she was here with a bit of rag." "Jem!" "Mas' Don! Oh! Thank the Lord! Amen! I thought--I thought--Oh! Oh!" A choking sensation rose in Don's throat, for he could hear close beside him the brave, true fellow sobbing like a woman. "Jem! Jem, old chap!" whispered Don. "Don't, pray don't do that." "I'm a-trying not to as hard as ever I can," whispered the poor fellow hoarsely;<|quote|>"but I've been bleeding like a pig, Mas' Don, and it's made me as weak as a great gal. You see I thought as you was dead."</|quote|>"No, no, Jem; I'm here safe, only--only my head aches, and I can't get my hands free." "No, my lad, more can't I. We're both tied up, hands and legs." "But the others? Where is Tomati?" "Don't ask me, my lad." "Oh, Jem!" There was a few minutes' awful silence, during which the low moaning sound went on from different places close at hand. "Where is Ngati?" whispered Don at last. "Half killed, or dead, Mas' Don," said Jem, sadly. "We're reg'lar beat. But, my word, Mas' Don, I am sorry." "Sorry? Of course." "Ah! But I mean for all I said about the poor fellows. I thought they couldn't fight." "The women and children, Jem?" "All prisoners, 'cept some as would fight, and they--" "Yes--go on." "They served them same as they did those poor chaps as wouldn't give in." "How horrible!" "Ah, 'tis horrid, my lad; and I've been wishing we hadn't cut and run. We was better off on board ship." "It's of no use to talk like that, Jem. Are you much hurt?" "Hand's all cut about with that pistol busting, and there's a hole through my left shoulder, as feels as if it had been bored with a red hot poker. But there, never mind. Worse disasters at sea, Mas' Don. Not much hurt, are you?" "I don't know, Jem. I can remember nothing." "Good job for you, my lad. One of 'em hit you over the head with the back of a stone-chopper; and I thought he'd killed you, so I--" Jem ceased speaking. "Well, go on," whispered Don. "That's all," said Jem, sullenly. "But you were going to say what you did when the man struck me." "Was I? Ah, well, I forget now." Don was silent, for Jem had given him something terrible to dwell upon as he tried to think. At last he spoke again. "Where are the enemy, Jem?" "Enemy, indeed!" growled Jem. "Savages like them don't deserve such a fine name. Brutes!" "But where are they? Did you see what they did?" "See? Yes. Don't ask me." "But where are they?" "Sleep. Drunk, I think. After they'd tied us prisoners all up and shut up all the women and children in the big _whare_, what do you think they did?" "Kill them?" "Killed 'em? No. Lit fires, and set to and had a reg'lar feast, and danced about--them as | the fence, one of them being shot through the chest, the other dropping on seeing his companion fall, but with no further hurt than the fright caused by a bullet whistling by his ear. The four who were over made a desperate stand, but Tomati joined in the attack, and the daring fellows soon lay weltering in their blood; while, as Don rapidly loaded once more, he saw that Tomati was leaning on his spear, and rocking himself slowly to and fro. "Are you hurt?" said Don, running up, and loading as he went. "Hurt, my lad? Yes: got it horrid. Look here, if you and him see a chance make for the mountain, and then go south'ard." "But shall we be beaten?" "We are beaten, my lad, only we can't show it. I'm about done." "Oh!" "Hush! Don't show the white feather, boy. Keep on firing, and the beggars outside may get tired first. If not--There, fire away!" He made a brave effort to seem unhurt, and went to assist his men; while once more Don and Jem ran to the side, and fired just in time to save the lashings of the fence; but Jem's pistol went off with quite a roar, and he flung the stock away, and stood shaking his bleeding fingers. "Are you hurt, Jem?" "Hurt! He says, `Am I hurt?' Why, the precious thing bursted all to shivers; and, oh, crumpets, don't it sting!" "Let me bind it up." "You go on and load; never mind me. Pretty sort o' soldier you'd make. D'yer hear? Load, I say; load!" "Can't, Jem," said Don sadly; "that was my last charge." "So it was mine, and I rammed in half-a-dozen stones as well to give 'em an extra dose. Think that's what made her burst?" "Of course it was, Jem." "Bad job; but it's done, and we've got the cutlash and spears. Which are you going to use?" "The spear. No; the cutlass, Jem." "Bravo, my lad! Phew! How my hand bleeds." "I'm afraid we shall be beaten, Jem." "I'm sure of it, my lad. My right hand, too; I can't hit with it. Wish we was all going to run away now." "Do you, Jem?" "Ay, that I do; only we couldn't run away and leave the women and children, even if they are beaten." A terrible yelling and shrieking arose at that moment from behind where they stood, and as they turned, it was to see the whole of the defenders, headed by Tomati, making a rush for one portion of the fence where some of the stout poles had given way. A breach had been made, and yelling like furies, the enemy were pouring through in a crowd. CHAPTER FORTY. DEFEATED. Two minutes at the outside must have been the lapse of time before the last spear held up in defence of the _pah_ was lowered by its brave owner in weakness, despair, or death. Tomati's men fought with desperate valour, but they were so reduced that the enemy were four to one; and as they were driven back step by step, till they were huddled together in one corner of the _pah_, the slaughter was frightful. Stirred to fury at seeing the poor fellows drop, both Don and Jem had made unskilful use of their weapons, for they were unwillingly mingled with the crowd of defenders, and driven with them into the corner of the great enclosure. One minute they were surrounded by panting, desperate men, using their spears valorously, as the Greeks might have used theirs in days of old; then there came a rush, a horrible crowding together, a sensation to Don as if some mountain had suddenly fallen on his head to crush out the hideous din of yelling and despairing shrieks, and then all was darkness. ------------------------------------------------------------------------ It was still darkness, but the stars were shining brightly overhead, when Don opened his eyes again to begin wondering why his head should ache so terribly, and he should feel so cold. Those thoughts were only momentary, for a colder chill ran through him as on both sides of where he lay a low moaning sound arose, as of some one in pain. "Where am I?" he thought. "What is the matter?" Then he realised what had happened, for a familiar voice said almost in a whisper,-- "Poor little Sally! I wish she was here with a bit of rag." "Jem!" "Mas' Don! Oh! Thank the Lord! Amen! I thought--I thought--Oh! Oh!" A choking sensation rose in Don's throat, for he could hear close beside him the brave, true fellow sobbing like a woman. "Jem! Jem, old chap!" whispered Don. "Don't, pray don't do that." "I'm a-trying not to as hard as ever I can," whispered the poor fellow hoarsely;<|quote|>"but I've been bleeding like a pig, Mas' Don, and it's made me as weak as a great gal. You see I thought as you was dead."</|quote|>"No, no, Jem; I'm here safe, only--only my head aches, and I can't get my hands free." "No, my lad, more can't I. We're both tied up, hands and legs." "But the others? Where is Tomati?" "Don't ask me, my lad." "Oh, Jem!" There was a few minutes' awful silence, during which the low moaning sound went on from different places close at hand. "Where is Ngati?" whispered Don at last. "Half killed, or dead, Mas' Don," said Jem, sadly. "We're reg'lar beat. But, my word, Mas' Don, I am sorry." "Sorry? Of course." "Ah! But I mean for all I said about the poor fellows. I thought they couldn't fight." "The women and children, Jem?" "All prisoners, 'cept some as would fight, and they--" "Yes--go on." "They served them same as they did those poor chaps as wouldn't give in." "How horrible!" "Ah, 'tis horrid, my lad; and I've been wishing we hadn't cut and run. We was better off on board ship." "It's of no use to talk like that, Jem. Are you much hurt?" "Hand's all cut about with that pistol busting, and there's a hole through my left shoulder, as feels as if it had been bored with a red hot poker. But there, never mind. Worse disasters at sea, Mas' Don. Not much hurt, are you?" "I don't know, Jem. I can remember nothing." "Good job for you, my lad. One of 'em hit you over the head with the back of a stone-chopper; and I thought he'd killed you, so I--" Jem ceased speaking. "Well, go on," whispered Don. "That's all," said Jem, sullenly. "But you were going to say what you did when the man struck me." "Was I? Ah, well, I forget now." Don was silent, for Jem had given him something terrible to dwell upon as he tried to think. At last he spoke again. "Where are the enemy, Jem?" "Enemy, indeed!" growled Jem. "Savages like them don't deserve such a fine name. Brutes!" "But where are they? Did you see what they did?" "See? Yes. Don't ask me." "But where are they?" "Sleep. Drunk, I think. After they'd tied us prisoners all up and shut up all the women and children in the big _whare_, what do you think they did?" "Kill them?" "Killed 'em? No. Lit fires, and set to and had a reg'lar feast, and danced about--them as could!" added Jem with a chuckle. "Some on 'em had got too many holes in 'em to enjoy dancing much. But, Mas' Don." "Yes, Jem." "Don't ask me to tell you no more, my lad. I'm too badly, just now. Think you could go to sleep?" "I don't know, Jem. I don't think so." "I'd say, let's try and get ourselves loose, and set to and get away, for I don't think anybody's watching us; but I couldn't go two steps, I know. Could you run away by yourself?" "I don't know," said Don. "I'm not going to try." "Well, but that's stupid, Mas' Don, when you might go somewhere, p'r'aps, and get help." "Where, Jem?" "Ah!" said the poor fellow, after a pause, "I never thought about that." They lay still under the blinking stars, with the wind blowing chill from the icy mountains; and the feeling of bitter despondency which hung over Don's spirit seemed to grow darker. His head throbbed violently, and a dull numbing pain was in his wrists and ankles. Then, too, as he opened his lips, he felt a cruel, parching, feverish thirst, which seemed by degrees to pass away as he listened to the low moaning, and then for a few minutes he lost consciousness. But it was only to start into wakefulness again, and stare wildly at the faintly-seen fence of the great _pah_, right over his head, and through which he could see the twinkling of a star. As he realised where he was once more, he whispered Jem's name again and again, but a heavy breathing was the only response, and he lay thinking of home and of his bedroom all those thousand miles away. And as he thought of Bristol, a curious feeling of thankfulness came over him that his mother was in ignorance of the fate that had befallen her son. "What would she say--what would she think, if she knew that I was lying here on the ground, a prisoner, and wounded--here at the mercy of a set of savages--what would she say?" A short time before Don had been thinking that fate had done its worst for him, and that his position could not possibly have been more grave. But he thought now that it might have been far worse, for his mother was spared his horror. And then as he lay helpless there, and in | soldier you'd make. D'yer hear? Load, I say; load!" "Can't, Jem," said Don sadly; "that was my last charge." "So it was mine, and I rammed in half-a-dozen stones as well to give 'em an extra dose. Think that's what made her burst?" "Of course it was, Jem." "Bad job; but it's done, and we've got the cutlash and spears. Which are you going to use?" "The spear. No; the cutlass, Jem." "Bravo, my lad! Phew! How my hand bleeds." "I'm afraid we shall be beaten, Jem." "I'm sure of it, my lad. My right hand, too; I can't hit with it. Wish we was all going to run away now." "Do you, Jem?" "Ay, that I do; only we couldn't run away and leave the women and children, even if they are beaten." A terrible yelling and shrieking arose at that moment from behind where they stood, and as they turned, it was to see the whole of the defenders, headed by Tomati, making a rush for one portion of the fence where some of the stout poles had given way. A breach had been made, and yelling like furies, the enemy were pouring through in a crowd. CHAPTER FORTY. DEFEATED. Two minutes at the outside must have been the lapse of time before the last spear held up in defence of the _pah_ was lowered by its brave owner in weakness, despair, or death. Tomati's men fought with desperate valour, but they were so reduced that the enemy were four to one; and as they were driven back step by step, till they were huddled together in one corner of the _pah_, the slaughter was frightful. Stirred to fury at seeing the poor fellows drop, both Don and Jem had made unskilful use of their weapons, for they were unwillingly mingled with the crowd of defenders, and driven with them into the corner of the great enclosure. One minute they were surrounded by panting, desperate men, using their spears valorously, as the Greeks might have used theirs in days of old; then there came a rush, a horrible crowding together, a sensation to Don as if some mountain had suddenly fallen on his head to crush out the hideous din of yelling and despairing shrieks, and then all was darkness. ------------------------------------------------------------------------ It was still darkness, but the stars were shining brightly overhead, when Don opened his eyes again to begin wondering why his head should ache so terribly, and he should feel so cold. Those thoughts were only momentary, for a colder chill ran through him as on both sides of where he lay a low moaning sound arose, as of some one in pain. "Where am I?" he thought. "What is the matter?" Then he realised what had happened, for a familiar voice said almost in a whisper,-- "Poor little Sally! I wish she was here with a bit of rag." "Jem!" "Mas' Don! Oh! Thank the Lord! Amen! I thought--I thought--Oh! Oh!" A choking sensation rose in Don's throat, for he could hear close beside him the brave, true fellow sobbing like a woman. "Jem! Jem, old chap!" whispered Don. "Don't, pray don't do that." "I'm a-trying not to as hard as ever I can," whispered the poor fellow hoarsely;<|quote|>"but I've been bleeding like a pig, Mas' Don, and it's made me as weak as a great gal. You see I thought as you was dead."</|quote|>"No, no, Jem; I'm here safe, only--only my head aches, and I can't get my hands free." "No, my lad, more can't I. We're both tied up, hands and legs." "But the others? Where is Tomati?" "Don't ask me, my lad." "Oh, Jem!" There was a few minutes' awful silence, during which the low moaning sound went on from different places close at hand. "Where is Ngati?" whispered Don at last. "Half killed, or dead, Mas' Don," said Jem, sadly. "We're reg'lar beat. But, my word, Mas' Don, I am sorry." "Sorry? Of course." "Ah! But I mean for all I said about the poor fellows. I thought they couldn't fight." "The women and children, Jem?" "All prisoners, 'cept some as would fight, and they--" "Yes--go on." "They served them same as they did those poor chaps as wouldn't give in." "How horrible!" "Ah, 'tis horrid, my lad; and I've been wishing we hadn't cut and run. We was better off on board ship." "It's of no use to talk like that, Jem. Are you much hurt?" "Hand's all cut about with that pistol busting, and there's a hole through my left shoulder, as feels as if it had been bored with a red hot poker. But there, | Don Lavington |
replied a voice from the library. | No speaker | hall. "Helen!" she called. "Yes!"<|quote|>replied a voice from the library.</|quote|>"You in there?" "Yes--he s | topper was missing from the hall. "Helen!" she called. "Yes!"<|quote|>replied a voice from the library.</|quote|>"You in there?" "Yes--he s gone some time." Margaret went | detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall. "Helen!" she called. "Yes!"<|quote|>replied a voice from the library.</|quote|>"You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I | "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall. "Helen!" she called. "Yes!"<|quote|>replied a voice from the library.</|quote|>"You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him | formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall. "Helen!" she called. "Yes!"<|quote|>replied a voice from the library.</|quote|>"You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to | tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall. "Helen!" she called. "Yes!"<|quote|>replied a voice from the library.</|quote|>"You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of rubbish to which she longed to give the final push, and | We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them," put in Mr. Wilcox slyly. "Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall. "Helen!" she called. "Yes!"<|quote|>replied a voice from the library.</|quote|>"You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of rubbish to which she longed to give the final push, and send toppling into the sea. But there were all their father s books--they never read them, but they were their father s, and must be kept. There was the marble-topped chiffonier--their mother had set store by it, they could not remember why. Round every knob and cushion in the house gathered a sentiment that was at times personal, but more often a faint piety to the dead, a prolongation of rites that might have ended at the grave. It was absurd, if you came to think of it; Helen and Tibby came to think of it; Margaret was too busy with the house-agents. The feudal ownership of land did bring dignity, whereas the modern ownership of movables is reducing us again to a nomadic horde. We are reverting to the civilisation of luggage, and historians of the future will note how the middle classes accreted possessions without taking root in the earth, and may find in this the secret of their imaginative poverty. The Schlegels were certainly the poorer for the loss of Wickham Place. It had helped to balance their lives, and almost to counsel them. Nor is their ground-landlord spiritually the richer. He has built flats on its site, his motor-cars grow swifter, his exposures of Socialism more trenchant. But he has spilt the precious distillation of the years, and no chemistry of his can give it back to society again. Margaret grew depressed; she was anxious to settle on a house before they left town to pay their annual visit to Mrs. Munt. She enjoyed this visit, and wanted to have her mind at ease for it. Swanage, though dull, was stable, and this year she longed more than usual for its fresh air and for the magnificent downs that guard it on the north. But London thwarted her; in its atmosphere she could not concentrate. London only stimulates, it cannot sustain; and Margaret, hurrying over its surface for a house without knowing what sort of a house she wanted, was paying for many a thrilling sensation in the past. She could not even break loose from culture, and her time was wasted by concerts which it would be a sin to miss, and invitations which it would never do to refuse. At last she grew desperate; she resolved that she would go nowhere and be at home to no one until she found a house, and | London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them," put in Mr. Wilcox slyly. "Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall. "Helen!" she called. "Yes!"<|quote|>replied a voice from the library.</|quote|>"You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she | Howards End |
he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation: | No speaker | walked another twenty. "Not badsome,"<|quote|>he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation:</|quote|>"For God's sake, I entreat | he could with pleasure have walked another twenty. "Not badsome,"<|quote|>he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation:</|quote|>"For God's sake, I entreat you, don't torment me; let | walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome,"<|quote|>he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation:</|quote|>"For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then | said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome,"<|quote|>he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation:</|quote|>"For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then you sit with your mother, and there is no possibility of speaking to you. Give me a quarter of an hour at least, I beseech you." Autumn was approaching, and it was quiet and melancholy in the old garden; the dark leaves lay thick in the walks. It was already | Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly," and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks. "Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome,"<|quote|>he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation:</|quote|>"For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then you sit with your mother, and there is no possibility of speaking to you. Give me a quarter of an hour at least, I beseech you." Autumn was approaching, and it was quiet and melancholy in the old garden; the dark leaves lay thick in the walks. It was already beginning to get dark early. "I haven't seen you for a whole week," Startsev went on, "and if you only knew what suffering it is! Let us sit down. Listen to me." They had a favourite place in the garden; a seat under an old spreading maple. And now they sat down on this seat. "What do you want?" said Ekaterina Ivanovna drily, in a matter-of-fact tone. "I have not seen you for a whole week; I have not heard you for so long. I long passionately, I thirst for your voice. Speak." She fascinated him by her freshness, the | Ivan Petrovitch, with tears in his eyes, when his daughter had finished and stood up. "Die, Denis; you won't write anything better." All flocked round her, congratulated her, expressed astonishment, declared that it was long since they had heard such music, and she listened in silence with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly," and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks. "Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome,"<|quote|>he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation:</|quote|>"For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then you sit with your mother, and there is no possibility of speaking to you. Give me a quarter of an hour at least, I beseech you." Autumn was approaching, and it was quiet and melancholy in the old garden; the dark leaves lay thick in the walks. It was already beginning to get dark early. "I haven't seen you for a whole week," Startsev went on, "and if you only knew what suffering it is! Let us sit down. Listen to me." They had a favourite place in the garden; a seat under an old spreading maple. And now they sat down on this seat. "What do you want?" said Ekaterina Ivanovna drily, in a matter-of-fact tone. "I have not seen you for a whole week; I have not heard you for so long. I long passionately, I thirst for your voice. Speak." She fascinated him by her freshness, the naïve expression of her eyes and cheeks. Even in the way her dress hung on her, he saw something extraordinarily charming, touching in its simplicity and naïve grace; and at the same time, in spite of this naïveté, she seemed to him intelligent and developed beyond her years. He could talk with her about literature, about art, about anything he liked; could complain to her of life, of people, though it sometimes happened in the middle of serious conversation she would laugh inappropriately or run away into the house. Like almost all girls of her neighbourhood, she had read a great deal (as a rule, people read very little in S----, and at the lending library they said if it were not for the girls and the young Jews, they might as well shut up the library). This afforded Startsev infinite delight; he used to ask her eagerly every time what she had been reading the last few days, and listened enthralled while she told him. "What have you been reading this week since I saw you last?" he asked now. "Do please tell me." "I have been reading Pisemsky." "What exactly?" "'A Thousand Souls,'" answered Kitten. "And what a | Iosifovna read how a beautiful young countess founded a school, a hospital, a library, in her village, and fell in love with a wandering artist; she read of what never happens in real life, and yet it was pleasant to listen--it was comfortable, and such agreeable, serene thoughts kept coming into the mind, one had no desire to get up. "Not badsome ..." Ivan Petrovitch said softly. And one of the visitors hearing, with his thoughts far away, said hardly audibly: "Yes ... truly...." One hour passed, another. In the town gardens close by a band was playing and a chorus was singing. When Vera Iosifovna shut her manuscript book, the company was silent for five minutes, listening to "Lutchina" being sung by the chorus, and the song gave what was not in the novel and is in real life. "Do you publish your stories in magazines?" Startsev asked Vera Iosifovna. "No," she answered. "I never publish. I write it and put it away in my cupboard. Why publish?" she explained. "We have enough to live on." And for some reason every one sighed. "And now, Kitten, you play something," Ivan Petrovitch said to his daughter. The lid of the piano was raised and the music lying ready was opened. Ekaterina Ivanovna sat down and banged on the piano with both hands, and then banged again with all her might, and then again and again; her shoulders and bosom shook. She obstinately banged on the same notes, and it sounded as if she would not leave off until she had hammered the keys into the piano. The drawing-room was filled with the din; everything was resounding; the floor, the ceiling, the furniture.... Ekaterina Ivanovna was playing a difficult passage, interesting simply on account of its difficulty, long and monotonous, and Startsev, listening, pictured stones dropping down a steep hill and going on dropping, and he wished they would leave off dropping; and at the same time Ekaterina Ivanovna, rosy from the violent exercise, strong and vigorous, with a lock of hair falling over her forehead, attracted him very much. After the winter spent at Dyalizh among patients and peasants, to sit in a drawing-room, to watch this young, elegant, and, in all probability, pure creature, and to listen to these noisy, tedious but still cultured sounds, was so pleasant, so novel.... "Well, Kitten, you have never played that before," said Ivan Petrovitch, with tears in his eyes, when his daughter had finished and stood up. "Die, Denis; you won't write anything better." All flocked round her, congratulated her, expressed astonishment, declared that it was long since they had heard such music, and she listened in silence with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly," and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks. "Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome,"<|quote|>he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation:</|quote|>"For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then you sit with your mother, and there is no possibility of speaking to you. Give me a quarter of an hour at least, I beseech you." Autumn was approaching, and it was quiet and melancholy in the old garden; the dark leaves lay thick in the walks. It was already beginning to get dark early. "I haven't seen you for a whole week," Startsev went on, "and if you only knew what suffering it is! Let us sit down. Listen to me." They had a favourite place in the garden; a seat under an old spreading maple. And now they sat down on this seat. "What do you want?" said Ekaterina Ivanovna drily, in a matter-of-fact tone. "I have not seen you for a whole week; I have not heard you for so long. I long passionately, I thirst for your voice. Speak." She fascinated him by her freshness, the naïve expression of her eyes and cheeks. Even in the way her dress hung on her, he saw something extraordinarily charming, touching in its simplicity and naïve grace; and at the same time, in spite of this naïveté, she seemed to him intelligent and developed beyond her years. He could talk with her about literature, about art, about anything he liked; could complain to her of life, of people, though it sometimes happened in the middle of serious conversation she would laugh inappropriately or run away into the house. Like almost all girls of her neighbourhood, she had read a great deal (as a rule, people read very little in S----, and at the lending library they said if it were not for the girls and the young Jews, they might as well shut up the library). This afforded Startsev infinite delight; he used to ask her eagerly every time what she had been reading the last few days, and listened enthralled while she told him. "What have you been reading this week since I saw you last?" he asked now. "Do please tell me." "I have been reading Pisemsky." "What exactly?" "'A Thousand Souls,'" answered Kitten. "And what a funny name Pisemsky had--Alexey Feofilaktitch!" "Where are you going?" cried Startsev in horror, as she suddenly got up and walked towards the house. "I must talk to you; I want to explain myself.... Stay with me just five minutes, I supplicate you!" She stopped as though she wanted to say something, then awkwardly thrust a note into his hand, ran home and sat down to the piano again. "Be in the cemetery," Startsev read, "at eleven o'clock to-night, near the tomb of Demetti." "Well, that's not at all clever," he thought, coming to himself. "Why the cemetery? What for?" It was clear: Kitten was playing a prank. Who would seriously dream of making an appointment at night in the cemetery far out of the town, when it might have been arranged in the street or in the town gardens? And was it in keeping with him--a district doctor, an intelligent, staid man--to be sighing, receiving notes, to hang about cemeteries, to do silly things that even schoolboys think ridiculous nowadays? What would this romance lead to? What would his colleagues say when they heard of it? Such were Startsev's reflections as he wandered round the tables at the club, and at half-past ten he suddenly set off for the cemetery. By now he had his own pair of horses, and a coachman called Panteleimon, in a velvet waistcoat. The moon was shining. It was still warm, warm as it is in autumn. Dogs were howling in the suburb near the slaughter-house. Startsev left his horses in one of the side-streets at the end of the town, and walked on foot to the cemetery. "We all have our oddities," he thought. "Kitten is odd, too; and--who knows?--perhaps she is not joking, perhaps she will come" ; and he abandoned himself to this faint, vain hope, and it intoxicated him. He walked for half a mile through the fields; the cemetery showed as a dark streak in the distance, like a forest or a big garden. The wall of white stone came into sight, the gate.... In the moonlight he could read on the gate: "The hour cometh." Startsev went in at the little gate, and before anything else he saw the white crosses and monuments on both sides of the broad avenue, and the black shadows of them and the poplars; and for a long way round it was all white | shoulders and bosom shook. She obstinately banged on the same notes, and it sounded as if she would not leave off until she had hammered the keys into the piano. The drawing-room was filled with the din; everything was resounding; the floor, the ceiling, the furniture.... Ekaterina Ivanovna was playing a difficult passage, interesting simply on account of its difficulty, long and monotonous, and Startsev, listening, pictured stones dropping down a steep hill and going on dropping, and he wished they would leave off dropping; and at the same time Ekaterina Ivanovna, rosy from the violent exercise, strong and vigorous, with a lock of hair falling over her forehead, attracted him very much. After the winter spent at Dyalizh among patients and peasants, to sit in a drawing-room, to watch this young, elegant, and, in all probability, pure creature, and to listen to these noisy, tedious but still cultured sounds, was so pleasant, so novel.... "Well, Kitten, you have never played that before," said Ivan Petrovitch, with tears in his eyes, when his daughter had finished and stood up. "Die, Denis; you won't write anything better." All flocked round her, congratulated her, expressed astonishment, declared that it was long since they had heard such music, and she listened in silence with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly," and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks. "Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome,"<|quote|>he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation:</|quote|>"For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then you sit with your mother, and there is no possibility of speaking to you. Give me a quarter of an hour at least, I beseech you." Autumn was approaching, and it was quiet and melancholy in the old garden; the dark leaves lay thick in the walks. It was already beginning to get dark early. "I haven't seen you for a whole week," Startsev went on, "and if you only knew what suffering it is! Let us sit down. Listen to me." They had a favourite place in the garden; a seat under an old spreading maple. And now they sat down on this seat. "What do you want?" said Ekaterina Ivanovna drily, in a matter-of-fact tone. "I have not seen you for a whole week; I have not heard you for so long. I long passionately, I thirst for your voice. Speak." She fascinated him by her freshness, the naïve expression of her eyes and cheeks. Even in the way her dress hung on her, he saw something extraordinarily charming, touching in its simplicity and naïve grace; and at the same time, in spite of this naïveté, she seemed to him intelligent and developed beyond her years. He could talk with her about literature, about art, about anything he liked; could complain to her of life, of people, though it sometimes happened in the middle of serious conversation she would laugh inappropriately or run away into the house. Like almost all girls of her neighbourhood, she had read a great deal (as a rule, people read very little in S----, and at the lending library they said if it were not for the girls and the young Jews, they might as well shut up the library). This afforded Startsev infinite delight; he used to ask her eagerly every time what she had been reading the last few days, and listened enthralled while she told him. "What have you been reading this week since I saw you last?" he asked now. "Do please tell me." "I have been reading Pisemsky." "What exactly?" "'A Thousand Souls,'" answered Kitten. "And what a funny name Pisemsky had--Alexey Feofilaktitch!" "Where are you going?" cried Startsev in horror, as she suddenly got up and walked towards the house. "I must talk to you; I want to explain myself.... Stay with me just five minutes, I supplicate you!" She stopped as though she wanted to say something, then awkwardly thrust a note into his hand, ran home and sat down to the piano again. "Be in the cemetery," Startsev read, "at eleven o'clock to-night, near the tomb of Demetti." "Well, that's not at all clever," he thought, coming to himself. "Why the cemetery? What for?" It was clear: Kitten was playing a prank. Who would seriously dream | The Lady and the Dog and Other Stories (4) |
"Bombardment," | Katczinsky | green, red, and blue stars.<|quote|>"Bombardment,"</|quote|>says Kat. The thunder of | to the sky, and again green, red, and blue stars.<|quote|>"Bombardment,"</|quote|>says Kat. The thunder of the guns swells to a | They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars.<|quote|>"Bombardment,"</|quote|>says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming | bursts of flame from the muzzles of the batteries. Balls of light rise up high above it, silver and red spheres which explode and rain down in showers of red, white, and green stars. French rockets go up, which unfold a silk parachute to the air and drift slowly down. They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars.<|quote|>"Bombardment,"</|quote|>says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last | sticks feel in front of us before they take the weight of the body. Suddenly the line halts; I bump my face against the roll of wire carried by the man in front and curse. There are some shell-smashed lorries in the road. Another order: "Cigarettes and pipes out," We are getting near the line. In the meantime it has become pitch dark. We skirt a small wood and then have the front line immediately before us. An uncertain, red glow spreads along the sky line from one end to the other. It is in perpetual movement, punctuated with the bursts of flame from the muzzles of the batteries. Balls of light rise up high above it, silver and red spheres which explode and rain down in showers of red, white, and green stars. French rockets go up, which unfold a silk parachute to the air and drift slowly down. They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars.<|quote|>"Bombardment,"</|quote|>says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to | of guns. Farther on the mist ends. Here the heads become figures; coats, trousers, and boots appear out of the mist as from a milky pool. They become a column. The column marches on, straight ahead, the figures resolve themselves into a block, individuals are no longer recognizable, the dark wedge presses onward, fantastically topped by the heads and weapons floating off on the milky pool. A column--not men at all. Guns and munition wagons are moving along a cross-road. The backs of the horses shine in the moonlight, their movements are beautiful, they toss their heads, and their eyes gleam. The guns and the wagons float before the dim background of the moonlit landscape, the riders in their steel helmets resemble knights of a forgotten time; it is strangely beautiful and arresting. We push on to the pioneer dump. Some of us load our shoulders with pointed and twisted iron stakes; others thrust smooth iron rods through rolls of wire and go off with them. The burdens are awkward and heavy. The ground becomes more broken. From ahead come warnings: "Look out, deep shell-hole on the left" -- "Mind, trenches" ---- Our eyes peer out, our feet and our sticks feel in front of us before they take the weight of the body. Suddenly the line halts; I bump my face against the roll of wire carried by the man in front and curse. There are some shell-smashed lorries in the road. Another order: "Cigarettes and pipes out," We are getting near the line. In the meantime it has become pitch dark. We skirt a small wood and then have the front line immediately before us. An uncertain, red glow spreads along the sky line from one end to the other. It is in perpetual movement, punctuated with the bursts of flame from the muzzles of the batteries. Balls of light rise up high above it, silver and red spheres which explode and rain down in showers of red, white, and green stars. French rockets go up, which unfold a silk parachute to the air and drift slowly down. They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars.<|quote|>"Bombardment,"</|quote|>says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good | her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and gives him a new lease of ten seconds of life, receives him again and often for ever. Earth!--Earth!--Earth! Earth with thy folds, and hollows and holes, into which a man may fling himself and crouch down! In the spasm of terror, under the hailing of annihilation, in the bellowing death of the explosions, O Earth, thou grantest us the great resisting surge of new-won life. Our being, almost utterly carried away by the fury of the storm, streams back through our hands from thee, and we, thy redeemed ones, bury ourselves in thee, and through the long minutes in a mute agony of hope bite into thee with our lips! At the sound of the first droning of the shells we rush back, in one part of our being, a thousand years. By the animal instinct that is awakened in us we are led and protected. It is not conscious; it is far quicker, much more sure, less fallible, than consciousness. One cannot explain it. A man is walking along without thought or heed;--suddenly he throws himself down on the ground and a storm of fragments flies harmlessly over him;--yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowing how. If it were not so, there would not be one man alive from Flanders to the Vosges. We march up, moody or good-tempered soldiers--we reach the zone where the front begins and become on the instant human animals. * * An indigent looking wood receives us. We pass by the soup-kitchens. Under cover of the wood we climb out. The lorries turn back. They are to collect us again in the morning, before dawn. Mist and the smoke of guns lie breast-high over the fields. The moon is shining. Along the road troops file. Their helmets gleam softly in the moonlight. The heads and the rifles stand out above the white mist, nodding heads, rocking carriers of guns. Farther on the mist ends. Here the heads become figures; coats, trousers, and boots appear out of the mist as from a milky pool. They become a column. The column marches on, straight ahead, the figures resolve themselves into a block, individuals are no longer recognizable, the dark wedge presses onward, fantastically topped by the heads and weapons floating off on the milky pool. A column--not men at all. Guns and munition wagons are moving along a cross-road. The backs of the horses shine in the moonlight, their movements are beautiful, they toss their heads, and their eyes gleam. The guns and the wagons float before the dim background of the moonlit landscape, the riders in their steel helmets resemble knights of a forgotten time; it is strangely beautiful and arresting. We push on to the pioneer dump. Some of us load our shoulders with pointed and twisted iron stakes; others thrust smooth iron rods through rolls of wire and go off with them. The burdens are awkward and heavy. The ground becomes more broken. From ahead come warnings: "Look out, deep shell-hole on the left" -- "Mind, trenches" ---- Our eyes peer out, our feet and our sticks feel in front of us before they take the weight of the body. Suddenly the line halts; I bump my face against the roll of wire carried by the man in front and curse. There are some shell-smashed lorries in the road. Another order: "Cigarettes and pipes out," We are getting near the line. In the meantime it has become pitch dark. We skirt a small wood and then have the front line immediately before us. An uncertain, red glow spreads along the sky line from one end to the other. It is in perpetual movement, punctuated with the bursts of flame from the muzzles of the batteries. Balls of light rise up high above it, silver and red spheres which explode and rain down in showers of red, white, and green stars. French rockets go up, which unfold a silk parachute to the air and drift slowly down. They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars.<|quote|>"Bombardment,"</|quote|>says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says: "Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush | flies harmlessly over him;--yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowing how. If it were not so, there would not be one man alive from Flanders to the Vosges. We march up, moody or good-tempered soldiers--we reach the zone where the front begins and become on the instant human animals. * * An indigent looking wood receives us. We pass by the soup-kitchens. Under cover of the wood we climb out. The lorries turn back. They are to collect us again in the morning, before dawn. Mist and the smoke of guns lie breast-high over the fields. The moon is shining. Along the road troops file. Their helmets gleam softly in the moonlight. The heads and the rifles stand out above the white mist, nodding heads, rocking carriers of guns. Farther on the mist ends. Here the heads become figures; coats, trousers, and boots appear out of the mist as from a milky pool. They become a column. The column marches on, straight ahead, the figures resolve themselves into a block, individuals are no longer recognizable, the dark wedge presses onward, fantastically topped by the heads and weapons floating off on the milky pool. A column--not men at all. Guns and munition wagons are moving along a cross-road. The backs of the horses shine in the moonlight, their movements are beautiful, they toss their heads, and their eyes gleam. The guns and the wagons float before the dim background of the moonlit landscape, the riders in their steel helmets resemble knights of a forgotten time; it is strangely beautiful and arresting. We push on to the pioneer dump. Some of us load our shoulders with pointed and twisted iron stakes; others thrust smooth iron rods through rolls of wire and go off with them. The burdens are awkward and heavy. The ground becomes more broken. From ahead come warnings: "Look out, deep shell-hole on the left" -- "Mind, trenches" ---- Our eyes peer out, our feet and our sticks feel in front of us before they take the weight of the body. Suddenly the line halts; I bump my face against the roll of wire carried by the man in front and curse. There are some shell-smashed lorries in the road. Another order: "Cigarettes and pipes out," We are getting near the line. In the meantime it has become pitch dark. We skirt a small wood and then have the front line immediately before us. An uncertain, red glow spreads along the sky line from one end to the other. It is in perpetual movement, punctuated with the bursts of flame from the muzzles of the batteries. Balls of light rise up high above it, silver and red spheres which explode and rain down in showers of red, white, and green stars. French rockets go up, which unfold a silk parachute to the air and drift slowly down. They light up everything as bright as day, their light shines on us and we see our shadows sharply outlined on the ground. They hover for the space of a minute before they burn out. Immediately fresh ones shoot up to the sky, and again green, red, and blue stars.<|quote|>"Bombardment,"</|quote|>says Kat. The thunder of the guns swells to a single heavy roar and then breaks up again into separate explosions. The dry bursts of the machine-guns rattle. Above us the air teems with invisible swift movement, with howls, pipings, and hisses. They are the smaller shells;--and amongst them, booming through the night like an organ, go the great coal-boxes and the heavies. They have a hoarse, distant bellow like a rutting stag and make their way high above the howl and whistle of the smaller shells. It reminds me of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says: "Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. | All Quiet on the Western Front |
"You must have noticed that much in her, surely." | Margaret | sins against affection," she said.<|quote|>"You must have noticed that much in her, surely."</|quote|>"Oh yes; she and I | quite well that Helen never sins against affection," she said.<|quote|>"You must have noticed that much in her, surely."</|quote|>"Oh yes; she and I have always hit it off | the most striking." "She has never behaved like this before, then?" asked Henry. "Of course not!" said his wife, with a frown. "Well, my dear, how am I to know?" A senseless spasm of annoyance came over her. "You know quite well that Helen never sins against affection," she said.<|quote|>"You must have noticed that much in her, surely."</|quote|>"Oh yes; she and I have always hit it off together." "No, Henry--can t you see?--I don t mean that." She recovered herself, but not before Charles had observed her. Stupid and attentive, he was watching the scene. "I was meaning that when she was eccentric in the past, one | had at times a pedantic lucidity. "The facts are that she has been in England for three days and will not see us. She has forbidden the bankers to give us her address. She refuses to answer questions. Margaret finds her letters colourless. There are other facts, but these are the most striking." "She has never behaved like this before, then?" asked Henry. "Of course not!" said his wife, with a frown. "Well, my dear, how am I to know?" A senseless spasm of annoyance came over her. "You know quite well that Helen never sins against affection," she said.<|quote|>"You must have noticed that much in her, surely."</|quote|>"Oh yes; she and I have always hit it off together." "No, Henry--can t you see?--I don t mean that." She recovered herself, but not before Charles had observed her. Stupid and attentive, he was watching the scene. "I was meaning that when she was eccentric in the past, one could trace it back to the heart in the long-run. She behaved oddly because she cared for some one, or wanted to help them. There s no possible excuse for her now. She is grieving us deeply, and that is why I am sure that she is not well. Mad | He leant back, laughing at the gifted but ridiculous family, while the fire flickered over the map of Africa. Margaret motioned to her brother to go on. Rather diffident, he obeyed her. "Margaret s point is this," he said. "Our sister may be mad." Charles, who was working in the inner room, looked round. "Come in, Charles," said Margaret kindly. "Could you help us at all? We are again in trouble." "I m afraid I cannot. What are the facts? We are all mad more or less, you know, in these days." "The facts are as follows," replied Tibby, who had at times a pedantic lucidity. "The facts are that she has been in England for three days and will not see us. She has forbidden the bankers to give us her address. She refuses to answer questions. Margaret finds her letters colourless. There are other facts, but these are the most striking." "She has never behaved like this before, then?" asked Henry. "Of course not!" said his wife, with a frown. "Well, my dear, how am I to know?" A senseless spasm of annoyance came over her. "You know quite well that Helen never sins against affection," she said.<|quote|>"You must have noticed that much in her, surely."</|quote|>"Oh yes; she and I have always hit it off together." "No, Henry--can t you see?--I don t mean that." She recovered herself, but not before Charles had observed her. Stupid and attentive, he was watching the scene. "I was meaning that when she was eccentric in the past, one could trace it back to the heart in the long-run. She behaved oddly because she cared for some one, or wanted to help them. There s no possible excuse for her now. She is grieving us deeply, and that is why I am sure that she is not well. Mad is too terrible a word, but she is not well. I shall never believe it. I shouldn t discuss my sister with you if I thought she was well--trouble you about her, I mean." Henry began to grow serious. Ill-health was to him something perfectly definite. Generally well himself, he could not realise that we sink to it by slow gradations. The sick had no rights; they were outside the pale; one could lie to them remorselessly. When his first wife was seized, he had promised to take her down into Hertfordshire, but meanwhile arranged with a nursing-home instead. Helen, | Henry was unsatisfactory at first. That she had expected. He was overjoyed to see her back from Swanage, and slow to admit the growth of a new trouble. When they told him of their search, he only chaffed Tibby and the Schlegels generally, and declared that it was "just like Helen" to lead her relatives a dance. "That is what we all say," replied Margaret. "But why should it be just like Helen? Why should she be allowed to be so queer, and to grow queerer?" "Don t ask me. I m a plain man of business. I live and let live. My advice to you both is, don t worry. Margaret, you ve got black marks again under your eyes. You know that s strictly forbidden. First your aunt--then your sister. No, we aren t going to have it. Are we, Theobald?" He rang the bell. "I ll give you some tea, and then you go straight to Ducie Street. I can t have my girl looking as old as her husband." "All the same, you have not quite seen our point," said Tibby. Mr. Wilcox, who was in good spirits, retorted, "I don t suppose I ever shall." He leant back, laughing at the gifted but ridiculous family, while the fire flickered over the map of Africa. Margaret motioned to her brother to go on. Rather diffident, he obeyed her. "Margaret s point is this," he said. "Our sister may be mad." Charles, who was working in the inner room, looked round. "Come in, Charles," said Margaret kindly. "Could you help us at all? We are again in trouble." "I m afraid I cannot. What are the facts? We are all mad more or less, you know, in these days." "The facts are as follows," replied Tibby, who had at times a pedantic lucidity. "The facts are that she has been in England for three days and will not see us. She has forbidden the bankers to give us her address. She refuses to answer questions. Margaret finds her letters colourless. There are other facts, but these are the most striking." "She has never behaved like this before, then?" asked Henry. "Of course not!" said his wife, with a frown. "Well, my dear, how am I to know?" A senseless spasm of annoyance came over her. "You know quite well that Helen never sins against affection," she said.<|quote|>"You must have noticed that much in her, surely."</|quote|>"Oh yes; she and I have always hit it off together." "No, Henry--can t you see?--I don t mean that." She recovered herself, but not before Charles had observed her. Stupid and attentive, he was watching the scene. "I was meaning that when she was eccentric in the past, one could trace it back to the heart in the long-run. She behaved oddly because she cared for some one, or wanted to help them. There s no possible excuse for her now. She is grieving us deeply, and that is why I am sure that she is not well. Mad is too terrible a word, but she is not well. I shall never believe it. I shouldn t discuss my sister with you if I thought she was well--trouble you about her, I mean." Henry began to grow serious. Ill-health was to him something perfectly definite. Generally well himself, he could not realise that we sink to it by slow gradations. The sick had no rights; they were outside the pale; one could lie to them remorselessly. When his first wife was seized, he had promised to take her down into Hertfordshire, but meanwhile arranged with a nursing-home instead. Helen, too, was ill. And the plan that he sketched out for her capture, clever and well-meaning as it was, drew its ethics from the wolf-pack. "You want to get hold of her?" he said. "That s the problem, isn t it? She has got to see a doctor." "For all I know she has seen one already." "Yes, yes; don t interrupt." He rose to his feet and thought intently. The genial, tentative host disappeared, and they saw instead the man who had carved money out of Greece and Africa, and bought forests from the natives for a few bottles of gin. "I ve got it," he said at last. "It s perfectly easy. Leave it to me. We ll send her down to Howards End." "How will you do that?" "After her books. Tell her that she must unpack them herself. Then you can meet her there." "But, Henry, that s just what she won t let me do. It s part of her--whatever it is--never to see me." "Of course you won t tell her you re going. When she is there, looking at the cases, you ll just stroll in. If nothing is wrong with her, so | is practical." It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial. "Tibby love, what next?" He replied: "It is extraordinary." "Dear, your judgment s often clearer than mine. Have you any notion what s at the back?" "None, unless it s something mental." "Oh--that!" said Margaret. "Quite impossible." But the suggestion had been uttered, and in a few minutes she took it up herself. Nothing else explained. And London agreed with Tibby. The mask fell off the city, and she saw it for what it really is--a caricature of infinity. The familiar barriers, the streets along which she moved, the houses between which she had made her little journeys for so many years, became negligible suddenly. Helen seemed one with grimy trees and the traffic and the slowly-flowing slabs of mud. She had accomplished a hideous act of renunciation and returned to the One. Margaret s own faith held firm. She knew the human soul will be merged, if it be merged at all, with the stars and the sea. Yet she felt that her sister had been going amiss for many years. It was symbolic the catastrophe should come now, on a London afternoon, while rain fell slowly. Henry was the only hope. Henry was definite. He might know of some paths in the chaos that were hidden from them, and she determined to take Tibby s advice and lay the whole matter in his hands. They must call at his office. He could not well make it worse. She went for a few moments into St. Paul s, whose dome stands out of the welter so bravely, as if preaching the gospel of form. But within, St. Paul s is as its surroundings--echoes and whispers, inaudible songs, invisible mosaics, wet footmarks, crossing and recrossing the floor. Si monumentum requiris, circumspice; it points us back to London. There was no hope of Helen here. Henry was unsatisfactory at first. That she had expected. He was overjoyed to see her back from Swanage, and slow to admit the growth of a new trouble. When they told him of their search, he only chaffed Tibby and the Schlegels generally, and declared that it was "just like Helen" to lead her relatives a dance. "That is what we all say," replied Margaret. "But why should it be just like Helen? Why should she be allowed to be so queer, and to grow queerer?" "Don t ask me. I m a plain man of business. I live and let live. My advice to you both is, don t worry. Margaret, you ve got black marks again under your eyes. You know that s strictly forbidden. First your aunt--then your sister. No, we aren t going to have it. Are we, Theobald?" He rang the bell. "I ll give you some tea, and then you go straight to Ducie Street. I can t have my girl looking as old as her husband." "All the same, you have not quite seen our point," said Tibby. Mr. Wilcox, who was in good spirits, retorted, "I don t suppose I ever shall." He leant back, laughing at the gifted but ridiculous family, while the fire flickered over the map of Africa. Margaret motioned to her brother to go on. Rather diffident, he obeyed her. "Margaret s point is this," he said. "Our sister may be mad." Charles, who was working in the inner room, looked round. "Come in, Charles," said Margaret kindly. "Could you help us at all? We are again in trouble." "I m afraid I cannot. What are the facts? We are all mad more or less, you know, in these days." "The facts are as follows," replied Tibby, who had at times a pedantic lucidity. "The facts are that she has been in England for three days and will not see us. She has forbidden the bankers to give us her address. She refuses to answer questions. Margaret finds her letters colourless. There are other facts, but these are the most striking." "She has never behaved like this before, then?" asked Henry. "Of course not!" said his wife, with a frown. "Well, my dear, how am I to know?" A senseless spasm of annoyance came over her. "You know quite well that Helen never sins against affection," she said.<|quote|>"You must have noticed that much in her, surely."</|quote|>"Oh yes; she and I have always hit it off together." "No, Henry--can t you see?--I don t mean that." She recovered herself, but not before Charles had observed her. Stupid and attentive, he was watching the scene. "I was meaning that when she was eccentric in the past, one could trace it back to the heart in the long-run. She behaved oddly because she cared for some one, or wanted to help them. There s no possible excuse for her now. She is grieving us deeply, and that is why I am sure that she is not well. Mad is too terrible a word, but she is not well. I shall never believe it. I shouldn t discuss my sister with you if I thought she was well--trouble you about her, I mean." Henry began to grow serious. Ill-health was to him something perfectly definite. Generally well himself, he could not realise that we sink to it by slow gradations. The sick had no rights; they were outside the pale; one could lie to them remorselessly. When his first wife was seized, he had promised to take her down into Hertfordshire, but meanwhile arranged with a nursing-home instead. Helen, too, was ill. And the plan that he sketched out for her capture, clever and well-meaning as it was, drew its ethics from the wolf-pack. "You want to get hold of her?" he said. "That s the problem, isn t it? She has got to see a doctor." "For all I know she has seen one already." "Yes, yes; don t interrupt." He rose to his feet and thought intently. The genial, tentative host disappeared, and they saw instead the man who had carved money out of Greece and Africa, and bought forests from the natives for a few bottles of gin. "I ve got it," he said at last. "It s perfectly easy. Leave it to me. We ll send her down to Howards End." "How will you do that?" "After her books. Tell her that she must unpack them herself. Then you can meet her there." "But, Henry, that s just what she won t let me do. It s part of her--whatever it is--never to see me." "Of course you won t tell her you re going. When she is there, looking at the cases, you ll just stroll in. If nothing is wrong with her, so much the better. But there ll be the motor round the corner, and we can run her to a specialist in no time." Margaret shook her head. "It s quite impossible." "Why?" "It doesn t seem impossible to me," said Tibby; "it is surely a very tippy plan." "It is impossible, because--" She looked at her husband sadly. "It s not the particular language that Helen and I talk, if you see my meaning. It would do splendidly for other people, whom I don t blame." "But Helen doesn t talk," said Tibby. "That s our whole difficulty. She won t talk your particular language, and on that account you think she s ill." "No, Henry; it s sweet of you, but I couldn t." "I see," he said; "you have scruples." "I suppose so." "And sooner than go against them you would have your sister suffer. You could have got her down to Swanage by a word, but you had scruples. And scruples are all very well. I am as scrupulous as any man alive, I hope; but when it is a case like this, when there is a question of madness--" "I deny it s madness." "You said just now--" "It s madness when I say it, but not when you say it." Henry shrugged his shoulders. "Margaret! Margaret!" he groaned. "No education can teach a woman logic. Now, my dear, my time is valuable. Do you want me to help you or not?" "Not in that way." "Answer my question. Plain question, plain answer. Do--" Charles surprised them by interrupting. "Pater, we may as well keep Howards End out of it," he said. "Why, Charles?" Charles could give no reason; but Margaret felt as if, over tremendous distance, a salutation had passed between them. "The whole house is at sixes and sevens," he said crossly. "We don t want any more mess." "Who s we ?" asked his father. "My boy, pray who s we ?" "I am sure I beg your pardon," said Charles. "I appear always to be intruding." By now Margaret wished she had never mentioned her trouble to her husband. Retreat was impossible. He was determined to push the matter to a satisfactory conclusion, and Helen faded as he talked. Her fair, flying hair and eager eyes counted for nothing, for she was ill, without rights, and any of her friends might hunt | him of their search, he only chaffed Tibby and the Schlegels generally, and declared that it was "just like Helen" to lead her relatives a dance. "That is what we all say," replied Margaret. "But why should it be just like Helen? Why should she be allowed to be so queer, and to grow queerer?" "Don t ask me. I m a plain man of business. I live and let live. My advice to you both is, don t worry. Margaret, you ve got black marks again under your eyes. You know that s strictly forbidden. First your aunt--then your sister. No, we aren t going to have it. Are we, Theobald?" He rang the bell. "I ll give you some tea, and then you go straight to Ducie Street. I can t have my girl looking as old as her husband." "All the same, you have not quite seen our point," said Tibby. Mr. Wilcox, who was in good spirits, retorted, "I don t suppose I ever shall." He leant back, laughing at the gifted but ridiculous family, while the fire flickered over the map of Africa. Margaret motioned to her brother to go on. Rather diffident, he obeyed her. "Margaret s point is this," he said. "Our sister may be mad." Charles, who was working in the inner room, looked round. "Come in, Charles," said Margaret kindly. "Could you help us at all? We are again in trouble." "I m afraid I cannot. What are the facts? We are all mad more or less, you know, in these days." "The facts are as follows," replied Tibby, who had at times a pedantic lucidity. "The facts are that she has been in England for three days and will not see us. She has forbidden the bankers to give us her address. She refuses to answer questions. Margaret finds her letters colourless. There are other facts, but these are the most striking." "She has never behaved like this before, then?" asked Henry. "Of course not!" said his wife, with a frown. "Well, my dear, how am I to know?" A senseless spasm of annoyance came over her. "You know quite well that Helen never sins against affection," she said.<|quote|>"You must have noticed that much in her, surely."</|quote|>"Oh yes; she and I have always hit it off together." "No, Henry--can t you see?--I don t mean that." She recovered herself, but not before Charles had observed her. Stupid and attentive, he was watching the scene. "I was meaning that when she was eccentric in the past, one could trace it back to the heart in the long-run. She behaved oddly because she cared for some one, or wanted to help them. There s no possible excuse for her now. She is grieving us deeply, and that is why I am sure that she is not well. Mad is too terrible a word, but she is not well. I shall never believe it. I shouldn t discuss my sister with you if I thought she was well--trouble you about her, I mean." Henry began to grow serious. Ill-health was to him something perfectly definite. Generally well himself, he could not realise that we sink to it by slow gradations. The sick had no rights; they were outside the pale; one could lie to them remorselessly. When his first wife was seized, he had promised to take her down into Hertfordshire, but meanwhile arranged with a nursing-home instead. Helen, too, was ill. And the plan that he sketched out for her capture, clever and well-meaning as it was, drew its ethics from the wolf-pack. "You want to get hold of her?" he said. "That s the problem, isn t it? She has got to see a doctor." "For all I know she has seen one already." "Yes, yes; don t interrupt." He rose to his feet and thought intently. The genial, tentative host disappeared, and they saw instead the man who had carved money out of Greece and Africa, and bought forests from the natives for a few bottles of gin. "I ve got it," he said at last. "It s perfectly easy. Leave it to me. We ll send her down to Howards End." "How will you do that?" "After her books. Tell her that she must unpack them herself. Then you can meet her there." "But, Henry, that s just what she won t let me do. It s part of her--whatever it is--never to see me." "Of course you won t tell her you re going. When she is there, looking at the cases, you ll just stroll in. If nothing is wrong with her, so much the better. But there ll be the motor round the corner, and we can run her to a specialist in no time." Margaret shook her head. "It s quite impossible." "Why?" "It doesn t seem impossible to me," said Tibby; "it is surely a very tippy plan." "It is impossible, because--" She looked at her husband sadly. "It s not the particular language that Helen and I talk, if you see my meaning. It would do splendidly for other people, whom I don t blame." "But Helen doesn t talk," said Tibby. "That s our whole difficulty. She won t talk your particular | Howards End |
"May I be told his name?" | Mr. Herriton | nobility." She did not reply.<|quote|>"May I be told his name?"</|quote|>Miss Abbott whispered, "Carella." But | a member of the Italian nobility." She did not reply.<|quote|>"May I be told his name?"</|quote|>Miss Abbott whispered, "Carella." But the driver heard her, and | jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply.<|quote|>"May I be told his name?"</|quote|>Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, | his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply.<|quote|>"May I be told his name?"</|quote|>Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss | being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers. "Exactly eleven days," she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply.<|quote|>"May I be told his name?"</|quote|>Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were | as much to answer and to answer for as the most dashing adventuress could desire. They shook hands without speaking. She made room for Philip and his luggage amidst the loud indignation of the unsuccessful driver, whom it required the combined eloquence of the station-master and the station beggar to confute. The silence was prolonged until they started. For three days he had been considering what he should do, and still more what he should say. He had invented a dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers. "Exactly eleven days," she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply.<|quote|>"May I be told his name?"</|quote|>Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were small and leafless, but noticeable for this--that their stems stood in violets as rocks stand in the summer sea. There are such violets in England, but not so many. Nor are there so many in Art, for no painter has the courage. The cart-ruts were channels, the hollow lagoons; even the dry white margin of the road was splashed, like a causeway soon to be submerged under the advancing tide of spring. Philip paid no attention at the time: he was thinking what to say next. But his eyes had registered the beauty, and next March he did not forget that the road to Monteriano must traverse innumerable flowers. "As far as I have seen him, I do like him," repeated Miss Abbott, after a pause. He thought she sounded a little defiant, and crushed her at once. "What is he, please? You haven t told me that. What s his position?" She opened her mouth to speak, and no sound came from it. Philip waited patiently. She tried to be audacious, and failed pitiably. "No position at all. He is kicking his heels, as my father would say. You see, he has only just finished his military service." "As | asleep in the train. His fellow-passengers had the usual Italian gift of divination, and when Monteriano came they knew he wanted to go there, and dropped him out. His feet sank into the hot asphalt of the platform, and in a dream he watched the train depart, while the porter who ought to have been carrying his bag, ran up the line playing touch-you-last with the guard. Alas! he was in no humour for Italy. Bargaining for a legno bored him unutterably. The man asked six lire; and though Philip knew that for eight miles it should scarcely be more than four, yet he was about to give what he was asked, and so make the man discontented and unhappy for the rest of the day. He was saved from this social blunder by loud shouts, and looking up the road saw one cracking his whip and waving his reins and driving two horses furiously, and behind him there appeared the swaying figure of a woman, holding star-fish fashion on to anything she could touch. It was Miss Abbott, who had just received his letter from Milan announcing the time of his arrival, and had hurried down to meet him. He had known Miss Abbott for years, and had never had much opinion about her one way or the other. She was good, quiet, dull, and amiable, and young only because she was twenty-three: there was nothing in her appearance or manner to suggest the fire of youth. All her life had been spent at Sawston with a dull and amiable father, and her pleasant, pallid face, bent on some respectable charity, was a familiar object of the Sawston streets. Why she had ever wished to leave them was surprising; but as she truly said, "I am John Bull to the backbone, yet I do want to see Italy, just once. Everybody says it is marvellous, and that one gets no idea of it from books at all." The curate suggested that a year was a long time; and Miss Abbott, with decorous playfulness, answered him, "Oh, but you must let me have my fling! I promise to have it once, and once only. It will give me things to think about and talk about for the rest of my life." The curate had consented; so had Mr. Abbott. And here she was in a legno, solitary, dusty, frightened, with as much to answer and to answer for as the most dashing adventuress could desire. They shook hands without speaking. She made room for Philip and his luggage amidst the loud indignation of the unsuccessful driver, whom it required the combined eloquence of the station-master and the station beggar to confute. The silence was prolonged until they started. For three days he had been considering what he should do, and still more what he should say. He had invented a dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers. "Exactly eleven days," she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply.<|quote|>"May I be told his name?"</|quote|>Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were small and leafless, but noticeable for this--that their stems stood in violets as rocks stand in the summer sea. There are such violets in England, but not so many. Nor are there so many in Art, for no painter has the courage. The cart-ruts were channels, the hollow lagoons; even the dry white margin of the road was splashed, like a causeway soon to be submerged under the advancing tide of spring. Philip paid no attention at the time: he was thinking what to say next. But his eyes had registered the beauty, and next March he did not forget that the road to Monteriano must traverse innumerable flowers. "As far as I have seen him, I do like him," repeated Miss Abbott, after a pause. He thought she sounded a little defiant, and crushed her at once. "What is he, please? You haven t told me that. What s his position?" She opened her mouth to speak, and no sound came from it. Philip waited patiently. She tried to be audacious, and failed pitiably. "No position at all. He is kicking his heels, as my father would say. You see, he has only just finished his military service." "As a private?" "I suppose so. There is general conscription. He was in the Bersaglieri, I think. Isn t that the crack regiment?" "The men in it must be short and broad. They must also be able to walk six miles an hour." She looked at him wildly, not understanding all that he said, but feeling that he was very clever. Then she continued her defence of Signor Carella. "And now, like most young men, he is looking out for something to do." "Meanwhile?" "Meanwhile, like most young men, he lives with his people--father, mother, two sisters, and a tiny tot of a brother." There was a grating sprightliness about her that drove him nearly mad. He determined to silence her at last. "One more question, and only one more. What is his father?" "His father," said Miss Abbott. "Well, I don t suppose you ll think it a good match. But that s not the point. I mean the point is not--I mean that social differences--love, after all--not but what--I--" Philip ground his teeth together and said nothing. "Gentlemen sometimes judge hardly. But I feel that you, and at all events your mother--so really good in every sense, so really unworldly--after all, love-marriages are made in heaven." "Yes, Miss Abbott, I know. But I am anxious to hear heaven s choice. You arouse my curiosity. Is my sister-in-law to marry an angel?" "Mr. Herriton, don t--please, Mr. Herriton--a dentist. His father s a dentist." Philip gave a cry of personal disgust and pain. He shuddered all over, and edged away from his companion. A dentist! A dentist at Monteriano. A dentist in fairyland! False teeth and laughing gas and the tilting chair at a place which knew the Etruscan League, and the Pax Romana, and Alaric himself, and the Countess Matilda, and the Middle Ages, all fighting and holiness, and the Renaissance, all fighting and beauty! He thought of Lilia no longer. He was anxious for himself: he feared that Romance might die. Romance only dies with life. No pair of pincers will ever pull it out of us. But there is a spurious sentiment which cannot resist the unexpected and the incongruous and the grotesque. A touch will loosen it, and the sooner it goes from us the better. It was going from Philip now, and therefore he gave the cry of pain. "I cannot think what is in | influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers. "Exactly eleven days," she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply.<|quote|>"May I be told his name?"</|quote|>Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were small and leafless, but noticeable for this--that their stems stood in violets as rocks stand in the summer sea. There are such violets in England, but not so many. Nor are there so many in Art, for no painter has the courage. The cart-ruts were channels, the hollow lagoons; even the dry white margin of the road was splashed, like a causeway soon to be submerged under the advancing tide of spring. Philip paid no attention at the time: he was thinking what to say next. But his eyes had registered the beauty, and next March he did not forget that the road to Monteriano must traverse innumerable flowers. "As far as I have seen him, I do like him," repeated Miss Abbott, after a pause. He thought she sounded a little defiant, and crushed her at once. "What is he, please? You haven t told me that. What s his position?" She opened her mouth to speak, and no sound came from it. Philip waited patiently. She tried to be audacious, and failed pitiably. "No position at all. He is kicking his heels, as my father would say. You see, he has only just finished his military service." "As a private?" "I suppose so. There is general conscription. He was in the Bersaglieri, I think. Isn t that the crack regiment?" "The men in it must be short and broad. They must also be able to walk six miles an hour." She looked at him wildly, not understanding all that he said, but feeling that he was very clever. Then she continued her defence of Signor Carella. "And now, like most young men, he is looking out for something to do." "Meanwhile?" "Meanwhile, like most young men, he lives with his people--father, mother, two sisters, and a tiny tot of a brother." There was a grating sprightliness about her that drove him nearly mad. He determined | Where Angels Fear To Tread |
"My name is Alice, so please your Majesty," | Alice | on, "What's your name, child?"<|quote|>"My name is Alice, so please your Majesty,"</|quote|>said Alice very politely; but | turning to Alice, she went on, "What's your name, child?"<|quote|>"My name is Alice, so please your Majesty,"</|quote|>said Alice very politely; but she added, to herself, "Why, | Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?"<|quote|>"My name is Alice, so please your Majesty,"</|quote|>said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on | heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?"<|quote|>"My name is Alice, so please your Majesty,"</|quote|>said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of | in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?"<|quote|>"My name is Alice, so please your Majesty,"</|quote|>said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing | of them bowed low. "Would you tell me," said Alice, a little timidly, "why you are painting those roses?" Five and Seven said nothing, but looked at Two. Two began in a low voice, "Why the fact is, you see, Miss, this here ought to have been a _red_ rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--" At this moment Five, who had been anxiously looking across the garden, called out "The Queen! The Queen!" and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?"<|quote|>"My name is Alice, so please your Majesty,"</|quote|>said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would | least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. "At any rate I'll never go _there_ again!" said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "But everything's curious today. I think I may as well go in at once." And in she went. Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. CHAPTER VIII. The Queen's Croquet-Ground A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, "Look out now, Five! Don't go splashing paint over me like that!" "I couldn't help it," said Five, in a sulky tone; "Seven jogged my elbow." On which Seven looked up and said, "That's right, Five! Always lay the blame on others!" "_You'd_ better not talk!" said Five. "I heard the Queen say only yesterday you deserved to be beheaded!" "What for?" said the one who had spoken first. "That's none of _your_ business, Two!" said Seven. "Yes, it _is_ his business!" said Five, "and I'll tell him--it was for bringing the cook tulip-roots instead of onions." Seven flung down his brush, and had just begun "Well, of all the unjust things--" when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low. "Would you tell me," said Alice, a little timidly, "why you are painting those roses?" Five and Seven said nothing, but looked at Two. Two began in a low voice, "Why the fact is, you see, Miss, this here ought to have been a _red_ rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--" At this moment Five, who had been anxiously looking across the garden, called out "The Queen! The Queen!" and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?"<|quote|>"My name is Alice, so please your Majesty,"</|quote|>said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once | and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--" At this moment Five, who had been anxiously looking across the garden, called out "The Queen! The Queen!" and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?"<|quote|>"My name is Alice, so please your Majesty,"</|quote|>said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for | Alices Adventures In Wonderland |
Each sister could echo the wish; and Henry Crawford, to whom, in all the riot of his gratifications it was yet an untasted pleasure, was quite alive at the idea. | No speaker | scenery to try something with."<|quote|>Each sister could echo the wish; and Henry Crawford, to whom, in all the riot of his gratifications it was yet an untasted pleasure, was quite alive at the idea.</|quote|>"I really believe," said he, | for the Ecclesford theatre and scenery to try something with."<|quote|>Each sister could echo the wish; and Henry Crawford, to whom, in all the riot of his gratifications it was yet an untasted pleasure, was quite alive at the idea.</|quote|>"I really believe," said he, "I could be fool enough | having so much leisure as to make almost any novelty a certain good, had likewise such a degree of lively talents and comic taste, as were exactly adapted to the novelty of acting. The thought returned again and again. "Oh for the Ecclesford theatre and scenery to try something with."<|quote|>Each sister could echo the wish; and Henry Crawford, to whom, in all the riot of his gratifications it was yet an untasted pleasure, was quite alive at the idea.</|quote|>"I really believe," said he, "I could be fool enough at this moment to undertake any character that ever was written, from Shylock or Richard III down to the singing hero of a farce in his scarlet coat and cocked hat. I feel as if I could be anything or | a little theatre at Mansfield, and ask you to be our manager." This, though the thought of the moment, did not end with the moment; for the inclination to act was awakened, and in no one more strongly than in him who was now master of the house; and who, having so much leisure as to make almost any novelty a certain good, had likewise such a degree of lively talents and comic taste, as were exactly adapted to the novelty of acting. The thought returned again and again. "Oh for the Ecclesford theatre and scenery to try something with."<|quote|>Each sister could echo the wish; and Henry Crawford, to whom, in all the riot of his gratifications it was yet an untasted pleasure, was quite alive at the idea.</|quote|>"I really believe," said he, "I could be fool enough at this moment to undertake any character that ever was written, from Shylock or Richard III down to the singing hero of a farce in his scarlet coat and cocked hat. I feel as if I could be anything or everything; as if I could rant and storm, or sigh or cut capers, in any tragedy or comedy in the English language. Let us be doing something. Be it only half a play, an act, a scene; what should prevent us? Not these countenances, I am sure," looking towards the | there would have been no great harm, and it was suggested, I know; but Lord Ravenshaw, who I suppose is one of the most correct men in England, would not hear of it." "An afterpiece instead of a comedy," said Mr. Bertram. "Lovers' Vows were at an end, and Lord and Lady Ravenshaw left to act My Grandmother by themselves. Well, the jointure may comfort _him_; and perhaps, between friends, he began to tremble for his credit and his lungs in the Baron, and was not sorry to withdraw; and to make _you_ amends, Yates, I think we must raise a little theatre at Mansfield, and ask you to be our manager." This, though the thought of the moment, did not end with the moment; for the inclination to act was awakened, and in no one more strongly than in him who was now master of the house; and who, having so much leisure as to make almost any novelty a certain good, had likewise such a degree of lively talents and comic taste, as were exactly adapted to the novelty of acting. The thought returned again and again. "Oh for the Ecclesford theatre and scenery to try something with."<|quote|>Each sister could echo the wish; and Henry Crawford, to whom, in all the riot of his gratifications it was yet an untasted pleasure, was quite alive at the idea.</|quote|>"I really believe," said he, "I could be fool enough at this moment to undertake any character that ever was written, from Shylock or Richard III down to the singing hero of a farce in his scarlet coat and cocked hat. I feel as if I could be anything or everything; as if I could rant and storm, or sigh or cut capers, in any tragedy or comedy in the English language. Let us be doing something. Be it only half a play, an act, a scene; what should prevent us? Not these countenances, I am sure," looking towards the Miss Bertrams; "and for a theatre, what signifies a theatre? We shall be only amusing ourselves. Any room in this house might suffice." "We must have a curtain," said Tom Bertram; "a few yards of green baize for a curtain, and perhaps that may be enough." "Oh, quite enough," cried Mr. Yates, "with only just a side wing or two run up, doors in flat, and three or four scenes to be let down; nothing more would be necessary on such a plan as this. For mere amusement among ourselves we should want nothing more." "I believe we must be | was no more equal to the Baron a little man with a weak voice, always hoarse after the first ten minutes. It must have injured the piece materially; but _I_ was resolved to make no difficulties. Sir Henry thought the duke not equal to Frederick, but that was because Sir Henry wanted the part himself; whereas it was certainly in the best hands of the two. I was surprised to see Sir Henry such a stick. Luckily the strength of the piece did not depend upon him. Our Agatha was inimitable, and the duke was thought very great by many. And upon the whole, it would certainly have gone off wonderfully." "It was a hard case, upon my word" "; and, "I do think you were very much to be pitied," were the kind responses of listening sympathy. "It is not worth complaining about; but to be sure the poor old dowager could not have died at a worse time; and it is impossible to help wishing that the news could have been suppressed for just the three days we wanted. It was but three days; and being only a grandmother, and all happening two hundred miles off, I think there would have been no great harm, and it was suggested, I know; but Lord Ravenshaw, who I suppose is one of the most correct men in England, would not hear of it." "An afterpiece instead of a comedy," said Mr. Bertram. "Lovers' Vows were at an end, and Lord and Lady Ravenshaw left to act My Grandmother by themselves. Well, the jointure may comfort _him_; and perhaps, between friends, he began to tremble for his credit and his lungs in the Baron, and was not sorry to withdraw; and to make _you_ amends, Yates, I think we must raise a little theatre at Mansfield, and ask you to be our manager." This, though the thought of the moment, did not end with the moment; for the inclination to act was awakened, and in no one more strongly than in him who was now master of the house; and who, having so much leisure as to make almost any novelty a certain good, had likewise such a degree of lively talents and comic taste, as were exactly adapted to the novelty of acting. The thought returned again and again. "Oh for the Ecclesford theatre and scenery to try something with."<|quote|>Each sister could echo the wish; and Henry Crawford, to whom, in all the riot of his gratifications it was yet an untasted pleasure, was quite alive at the idea.</|quote|>"I really believe," said he, "I could be fool enough at this moment to undertake any character that ever was written, from Shylock or Richard III down to the singing hero of a farce in his scarlet coat and cocked hat. I feel as if I could be anything or everything; as if I could rant and storm, or sigh or cut capers, in any tragedy or comedy in the English language. Let us be doing something. Be it only half a play, an act, a scene; what should prevent us? Not these countenances, I am sure," looking towards the Miss Bertrams; "and for a theatre, what signifies a theatre? We shall be only amusing ourselves. Any room in this house might suffice." "We must have a curtain," said Tom Bertram; "a few yards of green baize for a curtain, and perhaps that may be enough." "Oh, quite enough," cried Mr. Yates, "with only just a side wing or two run up, doors in flat, and three or four scenes to be let down; nothing more would be necessary on such a plan as this. For mere amusement among ourselves we should want nothing more." "I believe we must be satisfied with _less_," said Maria. "There would not be time, and other difficulties would arise. We must rather adopt Mr. Crawford's views, and make the _performance_, not the _theatre_, our object. Many parts of our best plays are independent of scenery." "Nay," said Edmund, who began to listen with alarm. "Let us do nothing by halves. If we are to act, let it be in a theatre completely fitted up with pit, boxes, and gallery, and let us have a play entire from beginning to end; so as it be a German play, no matter what, with a good tricking, shifting afterpiece, and a figure-dance, and a hornpipe, and a song between the acts. If we do not outdo Ecclesford, we do nothing." "Now, Edmund, do not be disagreeable," said Julia. "Nobody loves a play better than you do, or can have gone much farther to see one." "True, to see real acting, good hardened real acting; but I would hardly walk from this room to the next to look at the raw efforts of those who have not been bred to the trade: a set of gentlemen and ladies, who have all the disadvantages of education and decorum to | with him had begun at Weymouth, where they had spent ten days together in the same society, and the friendship, if friendship it might be called, had been proved and perfected by Mr. Yates's being invited to take Mansfield in his way, whenever he could, and by his promising to come; and he did come rather earlier than had been expected, in consequence of the sudden breaking-up of a large party assembled for gaiety at the house of another friend, which he had left Weymouth to join. He came on the wings of disappointment, and with his head full of acting, for it had been a theatrical party; and the play in which he had borne a part was within two days of representation, when the sudden death of one of the nearest connexions of the family had destroyed the scheme and dispersed the performers. To be so near happiness, so near fame, so near the long paragraph in praise of the private theatricals at Ecclesford, the seat of the Right Hon. Lord Ravenshaw, in Cornwall, which would of course have immortalised the whole party for at least a twelvemonth! and being so near, to lose it all, was an injury to be keenly felt, and Mr. Yates could talk of nothing else. Ecclesford and its theatre, with its arrangements and dresses, rehearsals and jokes, was his never-failing subject, and to boast of the past his only consolation. Happily for him, a love of the theatre is so general, an itch for acting so strong among young people, that he could hardly out-talk the interest of his hearers. From the first casting of the parts to the epilogue it was all bewitching, and there were few who did not wish to have been a party concerned, or would have hesitated to try their skill. The play had been Lovers' Vows, and Mr. Yates was to have been Count Cassel. "A trifling part," said he, "and not at all to my taste, and such a one as I certainly would not accept again; but I was determined to make no difficulties. Lord Ravenshaw and the duke had appropriated the only two characters worth playing before I reached Ecclesford; and though Lord Ravenshaw offered to resign his to me, it was impossible to take it, you know. I was sorry for _him_ that he should have so mistaken his powers, for he was no more equal to the Baron a little man with a weak voice, always hoarse after the first ten minutes. It must have injured the piece materially; but _I_ was resolved to make no difficulties. Sir Henry thought the duke not equal to Frederick, but that was because Sir Henry wanted the part himself; whereas it was certainly in the best hands of the two. I was surprised to see Sir Henry such a stick. Luckily the strength of the piece did not depend upon him. Our Agatha was inimitable, and the duke was thought very great by many. And upon the whole, it would certainly have gone off wonderfully." "It was a hard case, upon my word" "; and, "I do think you were very much to be pitied," were the kind responses of listening sympathy. "It is not worth complaining about; but to be sure the poor old dowager could not have died at a worse time; and it is impossible to help wishing that the news could have been suppressed for just the three days we wanted. It was but three days; and being only a grandmother, and all happening two hundred miles off, I think there would have been no great harm, and it was suggested, I know; but Lord Ravenshaw, who I suppose is one of the most correct men in England, would not hear of it." "An afterpiece instead of a comedy," said Mr. Bertram. "Lovers' Vows were at an end, and Lord and Lady Ravenshaw left to act My Grandmother by themselves. Well, the jointure may comfort _him_; and perhaps, between friends, he began to tremble for his credit and his lungs in the Baron, and was not sorry to withdraw; and to make _you_ amends, Yates, I think we must raise a little theatre at Mansfield, and ask you to be our manager." This, though the thought of the moment, did not end with the moment; for the inclination to act was awakened, and in no one more strongly than in him who was now master of the house; and who, having so much leisure as to make almost any novelty a certain good, had likewise such a degree of lively talents and comic taste, as were exactly adapted to the novelty of acting. The thought returned again and again. "Oh for the Ecclesford theatre and scenery to try something with."<|quote|>Each sister could echo the wish; and Henry Crawford, to whom, in all the riot of his gratifications it was yet an untasted pleasure, was quite alive at the idea.</|quote|>"I really believe," said he, "I could be fool enough at this moment to undertake any character that ever was written, from Shylock or Richard III down to the singing hero of a farce in his scarlet coat and cocked hat. I feel as if I could be anything or everything; as if I could rant and storm, or sigh or cut capers, in any tragedy or comedy in the English language. Let us be doing something. Be it only half a play, an act, a scene; what should prevent us? Not these countenances, I am sure," looking towards the Miss Bertrams; "and for a theatre, what signifies a theatre? We shall be only amusing ourselves. Any room in this house might suffice." "We must have a curtain," said Tom Bertram; "a few yards of green baize for a curtain, and perhaps that may be enough." "Oh, quite enough," cried Mr. Yates, "with only just a side wing or two run up, doors in flat, and three or four scenes to be let down; nothing more would be necessary on such a plan as this. For mere amusement among ourselves we should want nothing more." "I believe we must be satisfied with _less_," said Maria. "There would not be time, and other difficulties would arise. We must rather adopt Mr. Crawford's views, and make the _performance_, not the _theatre_, our object. Many parts of our best plays are independent of scenery." "Nay," said Edmund, who began to listen with alarm. "Let us do nothing by halves. If we are to act, let it be in a theatre completely fitted up with pit, boxes, and gallery, and let us have a play entire from beginning to end; so as it be a German play, no matter what, with a good tricking, shifting afterpiece, and a figure-dance, and a hornpipe, and a song between the acts. If we do not outdo Ecclesford, we do nothing." "Now, Edmund, do not be disagreeable," said Julia. "Nobody loves a play better than you do, or can have gone much farther to see one." "True, to see real acting, good hardened real acting; but I would hardly walk from this room to the next to look at the raw efforts of those who have not been bred to the trade: a set of gentlemen and ladies, who have all the disadvantages of education and decorum to struggle through." After a short pause, however, the subject still continued, and was discussed with unabated eagerness, every one's inclination increasing by the discussion, and a knowledge of the inclination of the rest; and though nothing was settled but that Tom Bertram would prefer a comedy, and his sisters and Henry Crawford a tragedy, and that nothing in the world could be easier than to find a piece which would please them all, the resolution to act something or other seemed so decided as to make Edmund quite uncomfortable. He was determined to prevent it, if possible, though his mother, who equally heard the conversation which passed at table, did not evince the least disapprobation. The same evening afforded him an opportunity of trying his strength. Maria, Julia, Henry Crawford, and Mr. Yates were in the billiard-room. Tom, returning from them into the drawing-room, where Edmund was standing thoughtfully by the fire, while Lady Bertram was on the sofa at a little distance, and Fanny close beside her arranging her work, thus began as he entered "Such a horribly vile billiard-table as ours is not to be met with, I believe, above ground. I can stand it no longer, and I think, I may say, that nothing shall ever tempt me to it again; but one good thing I have just ascertained: it is the very room for a theatre, precisely the shape and length for it; and the doors at the farther end, communicating with each other, as they may be made to do in five minutes, by merely moving the bookcase in my father's room, is the very thing we could have desired, if we had sat down to wish for it; and my father's room will be an excellent greenroom. It seems to join the billiard-room on purpose." "You are not serious, Tom, in meaning to act?" said Edmund, in a low voice, as his brother approached the fire. "Not serious! never more so, I assure you. What is there to surprise you in it?" "I think it would be very wrong. In a _general_ light, private theatricals are open to some objections, but as _we_ are circumstanced, I must think it would be highly injudicious, and more than injudicious to attempt anything of the kind. It would shew great want of feeling on my father's account, absent as he is, and in some degree of constant | duke was thought very great by many. And upon the whole, it would certainly have gone off wonderfully." "It was a hard case, upon my word" "; and, "I do think you were very much to be pitied," were the kind responses of listening sympathy. "It is not worth complaining about; but to be sure the poor old dowager could not have died at a worse time; and it is impossible to help wishing that the news could have been suppressed for just the three days we wanted. It was but three days; and being only a grandmother, and all happening two hundred miles off, I think there would have been no great harm, and it was suggested, I know; but Lord Ravenshaw, who I suppose is one of the most correct men in England, would not hear of it." "An afterpiece instead of a comedy," said Mr. Bertram. "Lovers' Vows were at an end, and Lord and Lady Ravenshaw left to act My Grandmother by themselves. Well, the jointure may comfort _him_; and perhaps, between friends, he began to tremble for his credit and his lungs in the Baron, and was not sorry to withdraw; and to make _you_ amends, Yates, I think we must raise a little theatre at Mansfield, and ask you to be our manager." This, though the thought of the moment, did not end with the moment; for the inclination to act was awakened, and in no one more strongly than in him who was now master of the house; and who, having so much leisure as to make almost any novelty a certain good, had likewise such a degree of lively talents and comic taste, as were exactly adapted to the novelty of acting. The thought returned again and again. "Oh for the Ecclesford theatre and scenery to try something with."<|quote|>Each sister could echo the wish; and Henry Crawford, to whom, in all the riot of his gratifications it was yet an untasted pleasure, was quite alive at the idea.</|quote|>"I really believe," said he, "I could be fool enough at this moment to undertake any character that ever was written, from Shylock or Richard III down to the singing hero of a farce in his scarlet coat and cocked hat. I feel as if I could be anything or everything; as if I could rant and storm, or sigh or cut capers, in any tragedy or comedy in the English language. Let us be doing something. Be it only half a play, an act, a scene; what should prevent us? Not these countenances, I am sure," looking towards the Miss Bertrams; "and for a theatre, what signifies a theatre? We shall be only amusing ourselves. Any room in this house might suffice." "We must have a curtain," said Tom Bertram; "a few yards of green baize for a curtain, and perhaps that may be enough." "Oh, quite enough," cried Mr. Yates, "with only just a side wing or two run up, doors in flat, and three or four scenes to be let down; nothing more would be necessary on such a plan as this. For mere amusement among ourselves we should want nothing more." "I believe we must be satisfied with _less_," said Maria. "There would not be time, and other difficulties would arise. We must rather adopt Mr. Crawford's views, and make the _performance_, not the _theatre_, our object. Many parts of our best plays are independent of scenery." "Nay," said Edmund, who began to listen with alarm. "Let us do nothing by halves. If we are to act, let it be in a theatre completely fitted up with pit, boxes, and gallery, and let us have a play entire from beginning to end; so as it be a German play, no matter what, with a good tricking, shifting afterpiece, and a figure-dance, and a hornpipe, and a song between the acts. If we do not outdo Ecclesford, we do nothing." "Now, Edmund, do not be disagreeable," said Julia. "Nobody loves a play better than you do, or can have gone much farther to see one." "True, to see real acting, good hardened real acting; but I would hardly walk from this room to the next to look at the raw efforts of those who have not been bred to the trade: a set of gentlemen and ladies, who have all the disadvantages of education and decorum to struggle through." After a short pause, however, the subject still continued, and was discussed with unabated eagerness, every one's inclination increasing by the discussion, and a knowledge of the inclination of the rest; and though nothing was settled but that Tom Bertram would prefer a comedy, and his sisters and Henry Crawford a tragedy, and that nothing in the world could be easier than to find a piece which would please them all, the resolution to act something or other seemed so decided as to make Edmund quite uncomfortable. He was determined to prevent it, if possible, though his mother, who equally heard the conversation which passed at table, did not evince the least disapprobation. The same evening afforded him an opportunity of trying his strength. Maria, Julia, Henry Crawford, and Mr. Yates were in the billiard-room. Tom, returning from them into the drawing-room, where Edmund was standing thoughtfully by the fire, while Lady Bertram was on the sofa at a little distance, and Fanny close beside her arranging her work, thus began as he entered "Such a horribly vile billiard-table as ours is not to be met with, I believe, above ground. I | Mansfield Park |
"Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?" | The Vicar | seems keen on it still."<|quote|>"Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?"</|quote|>"Yes, we do rather." "Well, | "Very well, I gather. She seems keen on it still."<|quote|>"Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?"</|quote|>"Yes, we do rather." "Well, please give her my kindest | * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still."<|quote|>"Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?"</|quote|>"Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were | a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still."<|quote|>"Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?"</|quote|>"Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he | laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still."<|quote|>"Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?"</|quote|>"Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what | everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still."<|quote|>"Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?"</|quote|>"Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've | the abbey stood grey and flat; the boiler man was hauling down the flag on the main tower. * * * * * "My poor Brenda, it's an appalling room," said Mrs Beaver. "It's not one we use a great deal," said Tony very coldly. "I should think not," said the one they called Veronica. "I can't see much wrong with it," said Polly, "except it's a bit mouldy." "You see," Brenda explained, not looking at Tony. "What I thought was that I must have _one_ habitable room downstairs. At present there's only the smoking-room and the library. The drawing-room is vast and quite out of the question. I thought what I needed was a small sitting-room more or less to myself. Don't you think it has possibilities?" "But, my angel, the _shape's_ all wrong," said Daisy, "and that chimney-piece--what is it made of, pink granite, and all the plaster work and the dado. _Everything's_ horrible. It's so _dark_." "I know exactly what Brenda wants," said Mrs Beaver more moderately. "I don't think it will be impossible. I must think about it. As Veronica says, the structure does rather limit one... you know, I think the only thing to do would be to disregard it altogether and find some treatment so definite that it _carried_ the room, if you see what I mean... supposing we covered the walls with white chromium plating and had natural sheepskin carpet... I wonder if that would be running you in for more than you meant to spend?" "I'd blow the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still."<|quote|>"Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?"</|quote|>"Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her coming twice--Lyonesse can't be as beastly as most of the rooms, can it. Also charming girl I have taken up with who I want us to be kind to. She's had a _terrible_ life and she lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be Tony's tea?" "You can't ever be certain," said Polly. "She bores my pants off, but she's a good trier." * * * * * "Is mummy coming down to-day, daddy?" "Yes." "Who else?" "Someone called Jenny Abdul Akbar." "What a silly name. Is she foreign?" "I don't know." "Sounds foreign, doesn't she, daddy? D'you think she won't be able to talk any English? Is she black?" "Mummy says not." "Oh... who else?" "Lady Cockpurse." "The monkey-woman. You know she wasn't a bit like a monkey except perhaps her face and I don't think she had a tail because I looked as close as anything... unless perhaps she has it rolled up between her legs. D'you think she has, daddy?" "I shouldn't be surprised." "_Very_ uncomfortable." Tony and John were friends again; but it had been a leaden week. * * * * * It was part of Polly Cockpurse's plan to arrive late at Hetton. "Give the girl a chance to get down to it," she said. So she and Brenda did not leave London until Jenny was already on her way from the station. It was a day of bitter cold and occasional rain. The resolute little figure huddled herself in the rugs until she reached the gates. Then she opened her bag, tucked up her veil, shook out her powder puff and put her face to rights. She licked the rouge from her finger with a sharp red tongue. Tony was in the | the whole thing sky-high," said Veronica. Tony left them to their discussion. * * * * * "D'you really want Mrs Beaver to do up the morning-room?" "Not if you don't, sweet." "But can you imagine it--white chromium plating?" "Oh, that was just an idea." Tony walked in and out between Morgan le Fay and Guinevere as he always did while they were dressing. "I say," he said, returning with his waistcoat. "You aren't going away to-morrow too, are you?" "Must." He went back to Morgan le Fay for his tie and bringing it to Brenda's room again, sat by her side at the dressing table to fasten it. "By the way," said Brenda, "what did you think about keeping on Grimshawe?--it seems rather a waste." "You used always to say you couldn't get on without her." "Yes, but now I'm living at the flat everything's so simple." "_Living?_ Darling, you talk as though you had settled there for good." "D'you mind moving a second, sweet? I can't see properly." "Brenda, how long are you going on with this course of economics?" "Me? I don't know." "But you must have some idea?" "Oh, it's surprising what a lot there is to learn... I was so backward when I started..." "Brenda..." "Now run and put on your coat. They'll all be downstairs waiting for us." That evening Polly and Mrs Beaver played backgammon. Brenda and Veronica sat together on the sofa sewing and talking about their needlework; occasionally there were bursts of general conversation between the women; they had the habit of lapsing into a jargon of their own which Tony did not understand; it was a thieves' slang, by which the syllables of each word were transposed. Tony sat just outside the circle reading under another lamp. That night when they went upstairs, the guests came to sit in Brenda's room and talk to her while she went to bed. Tony could hear their low laughter through the dressing-room door. They had boiled water in an electric kettle and were drinking Sedobrol together. Presently, still laughing, they left, and Tony went into Brenda's room. It was in darkness but hearing him come and seeing the square of light in the doorway she turned on the little lamp by the bedside. "Why, Tony," she said. She was lying on the dais with her head deep back in the pillow; her face was shining with the grease she used for cleaning it; one bare arm on the quilted eiderdown, left there from turning the switch. "Why, Tony," she said, "I was almost asleep." "Very tired?" "Mm." "Want to be left alone?" "So tired... and I've just drunk a lot of that stuff of Polly's." "I see... well, good night." "Good night... don't mind, do you?... so tired." He crossed to the bed and kissed her; she lay quite still, with closed eyes. Then he turned out the light and went back to the dressing-room. * * * * * "Lady Brenda not ill, I hope?" "No, nothing serious, thank you very much. She gets rather done up in London, you know, during the week, and likes to take Sunday quietly." "And how are the great studies progressing?" "Very well, I gather. She seems keen on it still."<|quote|>"Splendid. We shall all be coming to her soon to solve our economic problems. But I daresay you and John miss her?"</|quote|>"Yes, we do rather." "Well, please give her my kindest regards." "I will indeed. Thank you so much." Tony left the church porch and made his accustomed way to the hothouses; a gardenia for himself; some almost black carnations for the ladies. When he reached the room where they were sitting there was a burst of laughter. He paused on the threshold, rather bewildered. "Come in, darling, it isn't anything. It's only we had a bet on what coloured buttonhole you'd be wearing and none of us won." They still giggled a little as they pinned on the flowers he had brought them; all except Mrs Beaver, who said, "Any time you are buying cuttings or seeds do get them through me. I've made quite a little business of it, perhaps you didn't know... all kinds of rather unusual flowers. I do everything like that for Sylvia Newport and all sorts of people." "You must talk to my head man about it." "Well, to tell you the truth I _have_--this morning while you were in church. He seems quite to understand." They left early, so as to reach London in time for dinner. In the car Daisy said, "Golly, what a house." "Now you can see what I've been through all these years." "My poor Brenda," said Veronica, unpinning her carnation and throwing it from the window into the side of the road. "You know," Brenda confided next day, "I'm not _absolutely_ happy about Tony." "What's the old boy been up to?" asked Polly. "Nothing much yet, but I do see it's pretty boring for him at Hetton all this time." "I shouldn't worry." "Oh, I'm not _worrying_. It's only, supposing he took to drink or something. It would make everything very difficult." "I shouldn't have said that was his thing... We must get him interested in a girl." "If only we could... Who is there?" "There's always old Sybil." "Darling, he's known her all his life." "Or Souki de Foucauld-Esterhazy." "He isn't his best with Americans." "Well, we'll find him someone." "The trouble is that I've become such a habit with him--he won't take easily to a new one... ought she to be like me, or quite different?" "I'd say different, but it's hard to tell." They discussed this problem in all its aspects. [III] Brenda wrote: Darling Tony, Sorry not to have written or rung up but I've had such a busy time with bimetallism. V. complicated. Coming down Saturday with Polly again. Good her coming twice--Lyonesse can't be as beastly as most of the rooms, can it. Also charming girl I have taken up with who I want us to be kind to. She's had a _terrible_ life and she lives in one of these flats, called Jenny Abdul Akbar. Not black but married one. Get her to tell you. She'll come by train 3.18 I expect. Must stop now and go to lecture. Keep away from the Demon Rum. x x x x x x Brenda. Saw Jock last night at Caf? de Paris with shameless blonde. Who? Gin. No, Djin--how?--has rheumatism and Marjorie is v. put out about it. She thinks his pelvis is out of place and Cruttwell won't do him which is pretty mean considering all the people she has brought there. "Are you _certain_ Jenny will be | A Handful Of Dust |
“I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.” | Tom | in a few brisk phrases.<|quote|>“I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.”</|quote|>He opened the door. “Come | he disposed of the situation in a few brisk phrases.<|quote|>“I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.”</|quote|>He opened the door. “Come in.” “No, thanks. But I’d | slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases.<|quote|>“I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.”</|quote|>He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered | The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases.<|quote|>“I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.”</|quote|>He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only half-past nine,” she said. I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran | As he passed close to me he whispered: “Let’s get out.” Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face. “The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases.<|quote|>“I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.”</|quote|>He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only half-past nine,” she said. I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler’s voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate. I hadn’t gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon. “What are you | this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.” Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face. “The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases.<|quote|>“I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.”</|quote|>He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only half-past nine,” she said. I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler’s voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate. I hadn’t gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon. “What are you doing?” I inquired. “Just standing here, old sport.” Somehow, that seemed a despicable occupation. For all I knew he was going to rob the house in a moment; I wouldn’t have been surprised to see sinister faces, the faces of “Wolfshiem’s people,” behind him in the dark shrubbery. “Did you see any trouble on the road?” he asked after a minute. “Yes.” He hesitated. “Was she killed?” “Yes.” “I thought so; I told Daisy I thought so. It’s better that the shock should all come at once. She stood it pretty well.” He spoke as if Daisy’s reaction was the only thing that mattered. “I got to West Egg by a side road,” he went on, “and left the car in my garage. I don’t think anybody saw us, but of course I can’t be sure.” I disliked him so much by this time that I didn’t find it necessary to tell him he was wrong. “Who was the woman?” he inquired. “Her name was Wilson. Her husband owns the garage. How the devil did it happen?” “Well, I tried to swing the wheel—” He broke off, and suddenly I guessed at the truth. “Was Daisy driving?” “Yes,” he said | table by the wall, and then jerk back to the light again, and he gave out incessantly his high, horrible call: “Oh, my Ga-od! Oh, my Ga-od! Oh, Ga-od! Oh, my Ga-od!” Presently Tom lifted his head with a jerk and, after staring around the garage with glazed eyes, addressed a mumbled incoherent remark to the policeman. “M-a-v—” the policeman was saying, “—o—” “No, r—” corrected the man, “M-a-v-r-o—” “Listen to me!” muttered Tom fiercely. “r—” said the policeman, “o—” “g—” “g—” He looked up as Tom’s broad hand fell sharply on his shoulder. “What you want, fella?” “What happened?—that’s what I want to know.” “Auto hit her. Ins’antly killed.” “Instantly killed,” repeated Tom, staring. “She ran out ina road. Son-of-a-bitch didn’t even stopus car.” “There was two cars,” said Michaelis, “one comin’, one goin’, see?” “Going where?” asked the policeman keenly. “One goin’ each way. Well, she” —his hand rose toward the blankets but stopped halfway and fell to his side— “she ran out there an’ the one comin’ from N’York knock right into her, goin’ thirty or forty miles an hour.” “What’s the name of this place here?” demanded the officer. “Hasn’t got any name.” A pale well-dressed negro stepped near. “It was a yellow car,” he said, “big yellow car. New.” “See the accident?” asked the policeman. “No, but the car passed me down the road, going faster’n forty. Going fifty, sixty.” “Come here and let’s have your name. Look out now. I want to get his name.” Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright. “Listen,” said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.” Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face. “The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases.<|quote|>“I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.”</|quote|>He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only half-past nine,” she said. I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler’s voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate. I hadn’t gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon. “What are you doing?” I inquired. “Just standing here, old sport.” Somehow, that seemed a despicable occupation. For all I knew he was going to rob the house in a moment; I wouldn’t have been surprised to see sinister faces, the faces of “Wolfshiem’s people,” behind him in the dark shrubbery. “Did you see any trouble on the road?” he asked after a minute. “Yes.” He hesitated. “Was she killed?” “Yes.” “I thought so; I told Daisy I thought so. It’s better that the shock should all come at once. She stood it pretty well.” He spoke as if Daisy’s reaction was the only thing that mattered. “I got to West Egg by a side road,” he went on, “and left the car in my garage. I don’t think anybody saw us, but of course I can’t be sure.” I disliked him so much by this time that I didn’t find it necessary to tell him he was wrong. “Who was the woman?” he inquired. “Her name was Wilson. Her husband owns the garage. How the devil did it happen?” “Well, I tried to swing the wheel—” He broke off, and suddenly I guessed at the truth. “Was Daisy driving?” “Yes,” he said after a moment, “but of course I’ll say I was. You see, when we left New York she was very nervous and she thought it would steady her to drive—and this woman rushed out at us just as we were passing a car coming the other way. It all happened in a minute, but it seemed to me that she wanted to speak to us, thought we were somebody she knew. Well, first Daisy turned away from the woman toward the other car, and then she lost her nerve and turned back. The second my hand reached the wheel I felt the shock—it must have killed her instantly.” “It ripped her open—” “Don’t tell me, old sport.” He winced. “Anyhow—Daisy stepped on it. I tried to make her stop, but she couldn’t, so I pulled on the emergency brake. Then she fell over into my lap and I drove on. “She’ll be all right tomorrow,” he said presently. “I’m just going to wait here and see if he tries to bother her about that unpleasantness this afternoon. She’s locked herself into her room, and if he tries any brutality she’s going to turn the light out and on again.” “He won’t touch her,” I said. “He’s not thinking about her.” “I don’t trust him, old sport.” “How long are you going to wait?” “All night, if necessary. Anyhow, till they all go to bed.” A new point of view occurred to me. Suppose Tom found out that Daisy had been driving. He might think he saw a connection in it—he might think anything. I looked at the house; there were two or three bright windows downstairs and the pink glow from Daisy’s room on the ground floor. “You wait here,” I said. “I’ll see if there’s any sign of a commotion.” I walked back along the border of the lawn, traversed the gravel softly, and tiptoed up the veranda steps. The drawing-room curtains were open, and I saw that the room was empty. Crossing the porch where we had dined that June night three months before, I came to a small rectangle of light which I guessed was the pantry window. The blind was drawn, but I found a rift at the sill. Daisy and Tom were sitting opposite each other at the kitchen table, with a plate of cold fried chicken between them, and two bottles of ale. He | the car passed me down the road, going faster’n forty. Going fifty, sixty.” “Come here and let’s have your name. Look out now. I want to get his name.” Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries: “You don’t have to tell me what kind of car it was! I know what kind of car it was!” Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms. “You’ve got to pull yourself together,” he said with soothing gruffness. Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright. “Listen,” said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.” Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes. “What’s all that?” he demanded. “I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.” Some dim impulse moved the policeman to look suspiciously at Tom. “And what colour’s your car?” “It’s a blue car, a coupé.” “We’ve come straight from New York,” I said. Someone who had been driving a little behind us confirmed this, and the policeman turned away. “Now, if you’ll let me have that name again correct—” Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back. “If somebody’ll come here and sit with him,” he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: “Let’s get out.” Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago. Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face. “The God damned coward!” he whimpered. “He didn’t even stop his car.” ------------------------------------------------------------------------ The Buchanans’ house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines. “Daisy’s home,” he said. As we got out of the car he glanced at me and frowned slightly. “I ought to have dropped you in West Egg, Nick. There’s nothing we can do tonight.” A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases.<|quote|>“I’ll telephone for a taxi to take you home, and while you’re waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any.”</|quote|>He opened the door. “Come in.” “No, thanks. But I’d be glad if you’d order me the taxi. I’ll wait outside.” Jordan put her hand on my arm. “Won’t you come in, Nick?” “No, thanks.” I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more. “It’s only half-past nine,” she said. I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler’s voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate. I hadn’t gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon. “What are you doing?” I inquired. “Just standing | The Great Gatsby |
said the old merchant, quietly; | No speaker | robbed you." "Laura, be calm,"<|quote|>said the old merchant, quietly;</|quote|>"and you had better take | you charge him with having robbed you." "Laura, be calm,"<|quote|>said the old merchant, quietly;</|quote|>"and you had better take Kitty back home and wait." | it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm,"<|quote|>said the old merchant, quietly;</|quote|>"and you had better take Kitty back home and wait." "You have always been too stern and harsh with the poor boy," continued Mrs Lavington, without heeding him. "I was foolish ever to come and trust to you. How dare you charge him with such a crime?" "I did not | she said, Josiah--that you had been robbed, and that Don--my boy--oh, no, no, no; say it is not true." Mrs Lavington looked wildly from one to the other, but there was a dead silence, and in a few minutes the poor woman's manner had entirely changed. When she first spoke it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm,"<|quote|>said the old merchant, quietly;</|quote|>"and you had better take Kitty back home and wait." "You have always been too stern and harsh with the poor boy," continued Mrs Lavington, without heeding him. "I was foolish ever to come and trust to you. How dare you charge him with such a crime?" "I did not charge him with any crime, my dear Laura," said the old merchant, gravely. "Then it is not true?" "It is true that I have been robbed, and that the man whom Lindon has persisted in making his companion, in spite of all I have said to the contrary, has charged | do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the gates when her husband is out? I shall be having the place robbed again." "Yes, that is what she said, Josiah--that you had been robbed, and that Don--my boy--oh, no, no, no; say it is not true." Mrs Lavington looked wildly from one to the other, but there was a dead silence, and in a few minutes the poor woman's manner had entirely changed. When she first spoke it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm,"<|quote|>said the old merchant, quietly;</|quote|>"and you had better take Kitty back home and wait." "You have always been too stern and harsh with the poor boy," continued Mrs Lavington, without heeding him. "I was foolish ever to come and trust to you. How dare you charge him with such a crime?" "I did not charge him with any crime, my dear Laura," said the old merchant, gravely. "Then it is not true?" "It is true that I have been robbed, and that the man whom Lindon has persisted in making his companion, in spite of all I have said to the contrary, has charged him with the base, contemptible crime of robbing the master who trusted him." "But it is not true, Josiah; and that is what you always do, treat my poor boy as if he were your servant instead of your nephew--your sister's boy." "I treat Lindon as if he were my son when we are at home," said the old man, quietly. "When we are here at the office I treat him as my clerk, and I trust him to look after my interests, and to defend me from dishonest people." Don looked up, and it was on his lips to | Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I do not like you to bring Kitty here to the business place." "I--I heard--" faltered Mrs Lavington, who stood in great awe of her brother when he was in one of his stern moods. "Heard? Well, what did you hear?" "Such terrible news, Josiah." "Well, well, what?" "Oh, my brother!" she exclaimed, wildly, as she stepped forward and caught his hand, "tell me it is not true." "How can I tell you what is not true when I don't know what you are talking about," cried the old man, impatiently. "My dear Laura, do you think I have not worries enough without your coming here?" "Yes, yes; I know, dear." "And you ought to know that I shall do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the gates when her husband is out? I shall be having the place robbed again." "Yes, that is what she said, Josiah--that you had been robbed, and that Don--my boy--oh, no, no, no; say it is not true." Mrs Lavington looked wildly from one to the other, but there was a dead silence, and in a few minutes the poor woman's manner had entirely changed. When she first spoke it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm,"<|quote|>said the old merchant, quietly;</|quote|>"and you had better take Kitty back home and wait." "You have always been too stern and harsh with the poor boy," continued Mrs Lavington, without heeding him. "I was foolish ever to come and trust to you. How dare you charge him with such a crime?" "I did not charge him with any crime, my dear Laura," said the old merchant, gravely. "Then it is not true?" "It is true that I have been robbed, and that the man whom Lindon has persisted in making his companion, in spite of all I have said to the contrary, has charged him with the base, contemptible crime of robbing the master who trusted him." "But it is not true, Josiah; and that is what you always do, treat my poor boy as if he were your servant instead of your nephew--your sister's boy." "I treat Lindon as if he were my son when we are at home," said the old man, quietly. "When we are here at the office I treat him as my clerk, and I trust him to look after my interests, and to defend me from dishonest people." Don looked up, and it was on his lips to say, "Indeed, uncle, I always have done so," when the old man's next words seemed to chill and harden him. "But instead of doing his duty by me, I have constantly had to reprove him for making a companion of a man whom I weakly, and against my better judgment, allowed in the yard; and the result is I have been robbed, and this man accuses Lindon of committing the robbery, and bribing him to silence." "But it is not true, Josiah. My son could not be guilty of such a crime." "He will have every opportunity of disproving it before the magistrates," said Uncle Josiah, coldly. "Magistrates!--my boy?" exclaimed Mrs Lavington, wildly. "Oh, no, no, no, brother; you will not proceed to such extremities as these. My boy before the magistrates. Impossible!" "The matter is out of my hands, now," said the old merchant, gravely. "I was bound to charge that scoundrel labourer with the theft. I could not tell that he would accuse your son of being the principal in the crime." "But you will stop it now for my sake, dear. Don, my boy, why do you not speak, and beg your uncle's forgiveness?" Don remained silent, | steps those were, and where the makers of those steps were going to the different warehouses in the great yard. Directly after Jem's foot was heard, and he tapped at the door, pushed it a little way, and waited. "Come in," said Uncle Josiah, sharply. Jem entered, doffing his cocked hat, and casting a sympathising look at Don, who raised his head. Then seeing that his employer was deeply immersed in the letter he was writing, Jem made a series of gesticulations with his hat, supplemented by some exceedingly queer grimaces, all meant as a kind of silent language, which was very expressive, but quite incomprehensible to Don. "Well?" said Uncle Josiah, sharply. "Beg pardon, sir! Thought you'd like to hear how we got on?" "Well?" "Went pretty quiet, sir, till we got about half-way there, and then he begun kicking like mad--leastways he didn't kick, because his legs was tied, but he let go all he could, and it was hard work to hold the ladder." "And he is now safely locked up?" "Yes, sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?" "No, no, my man, of course not." "Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and Miss Kitty." Don started from his stool, crimson with mortification. His mother! What would Uncle Josiah say? Jem Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I do not like you to bring Kitty here to the business place." "I--I heard--" faltered Mrs Lavington, who stood in great awe of her brother when he was in one of his stern moods. "Heard? Well, what did you hear?" "Such terrible news, Josiah." "Well, well, what?" "Oh, my brother!" she exclaimed, wildly, as she stepped forward and caught his hand, "tell me it is not true." "How can I tell you what is not true when I don't know what you are talking about," cried the old man, impatiently. "My dear Laura, do you think I have not worries enough without your coming here?" "Yes, yes; I know, dear." "And you ought to know that I shall do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the gates when her husband is out? I shall be having the place robbed again." "Yes, that is what she said, Josiah--that you had been robbed, and that Don--my boy--oh, no, no, no; say it is not true." Mrs Lavington looked wildly from one to the other, but there was a dead silence, and in a few minutes the poor woman's manner had entirely changed. When she first spoke it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm,"<|quote|>said the old merchant, quietly;</|quote|>"and you had better take Kitty back home and wait." "You have always been too stern and harsh with the poor boy," continued Mrs Lavington, without heeding him. "I was foolish ever to come and trust to you. How dare you charge him with such a crime?" "I did not charge him with any crime, my dear Laura," said the old merchant, gravely. "Then it is not true?" "It is true that I have been robbed, and that the man whom Lindon has persisted in making his companion, in spite of all I have said to the contrary, has charged him with the base, contemptible crime of robbing the master who trusted him." "But it is not true, Josiah; and that is what you always do, treat my poor boy as if he were your servant instead of your nephew--your sister's boy." "I treat Lindon as if he were my son when we are at home," said the old man, quietly. "When we are here at the office I treat him as my clerk, and I trust him to look after my interests, and to defend me from dishonest people." Don looked up, and it was on his lips to say, "Indeed, uncle, I always have done so," when the old man's next words seemed to chill and harden him. "But instead of doing his duty by me, I have constantly had to reprove him for making a companion of a man whom I weakly, and against my better judgment, allowed in the yard; and the result is I have been robbed, and this man accuses Lindon of committing the robbery, and bribing him to silence." "But it is not true, Josiah. My son could not be guilty of such a crime." "He will have every opportunity of disproving it before the magistrates," said Uncle Josiah, coldly. "Magistrates!--my boy?" exclaimed Mrs Lavington, wildly. "Oh, no, no, no, brother; you will not proceed to such extremities as these. My boy before the magistrates. Impossible!" "The matter is out of my hands, now," said the old merchant, gravely. "I was bound to charge that scoundrel labourer with the theft. I could not tell that he would accuse your son of being the principal in the crime." "But you will stop it now for my sake, dear. Don, my boy, why do you not speak, and beg your uncle's forgiveness?" Don remained silent, with his brow wrinkled, his chin upon his breast, and a stubborn look of anger in his eyes, as he stood with his hands in his pockets, leaning back against his desk. "Do you hear me, Don? Tell your uncle it is not true, and beg him to help you clear yourself from this disgrace." The lad made no reply, merely crossing his legs, and made his shoe-buckles rasp together as he slowly moved his feet. "Don!" He looked up strangely, met his mother's earnest appealing gaze, and for the moment his better nature prevailed; but as he looked from her to his uncle, and saw the old man's grey eyes fixed upon him searchingly, a feeling of obstinate anger swept over him again, and made him set his teeth, as something seemed to whisper to him, "No; you told the truth, and he would not believe you. Let him prove you guilty if he can!" It was not the first time in history that a boy had stubbornly fought against his better self, and allowed the worst part of his nature to prevail. "Do you not hear me, Don?" cried his mother. "Why do you not speak?" Don remained silent, and Kitty, as she looked at him, angrily uttered an impatient ejaculation. "Don, my son, for my sake speak to your uncle. Do you not hear me?" "Yes, mother." "Then appeal to him to help you. Ask him to forgive you if you have done wrong." "And she believes me guilty, too," thought Don, as he scowled at his feet. "But you have not done wrong, my boy. I, your mother, will not believe it of you." Don's better self began to force down that side of his mental scale. "You may have been weak and foolish, Don, but nothing worse." The evil scale went down now in turn, and with it the foolish, ignorant boy's heart sank low. "Come, Don." "I've nothing more to say, mother." "Nothing more to say!" cried Mrs Lavington, wildly. "Oh, yes, yes, you have much to say, my boy. Come, throw away this wilful pride and obstinacy." "I wish I could," thought Don one moment. "It is as cruel as it is unjust," he thought the next; and he felt more obstinately full of pride than ever. "Don, I command you to speak," said Mrs Lavington, whose manner now began to change; but | you think I have not worries enough without your coming here?" "Yes, yes; I know, dear." "And you ought to know that I shall do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the gates when her husband is out? I shall be having the place robbed again." "Yes, that is what she said, Josiah--that you had been robbed, and that Don--my boy--oh, no, no, no; say it is not true." Mrs Lavington looked wildly from one to the other, but there was a dead silence, and in a few minutes the poor woman's manner had entirely changed. When she first spoke it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm,"<|quote|>said the old merchant, quietly;</|quote|>"and you had better take Kitty back home and wait." "You have always been too stern and harsh with the poor boy," continued Mrs Lavington, without heeding him. "I was foolish ever to come and trust to you. How dare you charge him with such a crime?" "I did not charge him with any crime, my dear Laura," said the old merchant, gravely. "Then it is not true?" "It is true that I have been robbed, and that the man whom Lindon has persisted in making his companion, in spite of all I have said to the contrary, has charged him with the base, contemptible crime of robbing the master who trusted him." "But it is not true, Josiah; and that is what you always do, treat my poor boy as if he were your servant instead of your nephew--your sister's boy." "I treat Lindon as if he were my son when we are at home," said the old man, quietly. "When we are here at the office I treat him as my clerk, and I trust him to look after my interests, and to defend me from dishonest people." Don looked up, and it was on his lips to say, "Indeed, uncle, I always have done so," when the old man's next words seemed | Don Lavington |
"you know, my dear fellow, we Moslems simply must get rid of these superstitions, or India will never advance. How long must I hear of the savage pig upon the Marabar Road?" | The Nawab Badahur | always liked, and invariably forgot<|quote|>"you know, my dear fellow, we Moslems simply must get rid of these superstitions, or India will never advance. How long must I hear of the savage pig upon the Marabar Road?"</|quote|>Nureddin looked down. Aziz continued: | youth whom he seldom met, always liked, and invariably forgot<|quote|>"you know, my dear fellow, we Moslems simply must get rid of these superstitions, or India will never advance. How long must I hear of the savage pig upon the Marabar Road?"</|quote|>Nureddin looked down. Aziz continued: "Your grandfather belongs to another | and invoked the mercy of God. Only Aziz held aloof, because a personal experience restrained him: was it not by despising ghosts that he had come to know Mrs. Moore? "You know, Nureddin," he whispered to the grandson an effeminate youth whom he seldom met, always liked, and invariably forgot<|quote|>"you know, my dear fellow, we Moslems simply must get rid of these superstitions, or India will never advance. How long must I hear of the savage pig upon the Marabar Road?"</|quote|>Nureddin looked down. Aziz continued: "Your grandfather belongs to another generation, and I respect and love the old gentleman, as you know. I say nothing against him, only that it is wrong for us, because we are young. I want you to promise me Nureddin, are you listening? not to | blood than speech. He spoke now in horror of the particular circumstances; he had led others into danger, he had risked the lives of two innocent and honoured guests. He repeated, "If I had been killed, what matter? it must happen sometime; but they who trusted me" The company shuddered and invoked the mercy of God. Only Aziz held aloof, because a personal experience restrained him: was it not by despising ghosts that he had come to know Mrs. Moore? "You know, Nureddin," he whispered to the grandson an effeminate youth whom he seldom met, always liked, and invariably forgot<|quote|>"you know, my dear fellow, we Moslems simply must get rid of these superstitions, or India will never advance. How long must I hear of the savage pig upon the Marabar Road?"</|quote|>Nureddin looked down. Aziz continued: "Your grandfather belongs to another generation, and I respect and love the old gentleman, as you know. I say nothing against him, only that it is wrong for us, because we are young. I want you to promise me Nureddin, are you listening? not to believe in Evil Spirits, and if I die (for my health grows very weak) to bring up my three children to disbelieve in them too." Nureddin smiled, and a suitable answer rose to his pretty lips, but before he could make it the car arrived, and his grandfather took him | He was preoccupied, his diction was appropriate to a religious subject. Nine years previously, when first he had had a car, he had driven it over a drunken man and killed him, and the man had been waiting for him ever since. The Nawab Bahadur was innocent before God and the Law, he had paid double the compensation necessary; but it was no use, the man continued to wait in an unspeakable form, close to the scene of his death. None of the English people knew of this, nor did the chauffeur; it was a racial secret communicable more by blood than speech. He spoke now in horror of the particular circumstances; he had led others into danger, he had risked the lives of two innocent and honoured guests. He repeated, "If I had been killed, what matter? it must happen sometime; but they who trusted me" The company shuddered and invoked the mercy of God. Only Aziz held aloof, because a personal experience restrained him: was it not by despising ghosts that he had come to know Mrs. Moore? "You know, Nureddin," he whispered to the grandson an effeminate youth whom he seldom met, always liked, and invariably forgot<|quote|>"you know, my dear fellow, we Moslems simply must get rid of these superstitions, or India will never advance. How long must I hear of the savage pig upon the Marabar Road?"</|quote|>Nureddin looked down. Aziz continued: "Your grandfather belongs to another generation, and I respect and love the old gentleman, as you know. I say nothing against him, only that it is wrong for us, because we are young. I want you to promise me Nureddin, are you listening? not to believe in Evil Spirits, and if I die (for my health grows very weak) to bring up my three children to disbelieve in them too." Nureddin smiled, and a suitable answer rose to his pretty lips, but before he could make it the car arrived, and his grandfather took him away. The game of Patience up in the civil lines went on longer than this. Mrs. Moore continued to murmur "Red ten on a black knave," Miss Quested to assist her, and to intersperse among the intricacies of the play details about the hyena, the engagement, the Maharani of Mudkul, the Bhattacharyas, and the day generally, whose rough desiccated surface acquired as it receded a definite outline, as India itself might, could it be viewed from the moon. Presently the players went to bed, but not before other people had woken up elsewhere, people whose emotions they could not share, | she understood the uneasiness that produced them. She had experienced it twice herself, during her own engagements this vague contrition and doubt. All had come right enough afterwards and doubtless would this time marriage makes most things right enough. "I wouldn't worry," she said. "It's partly the odd surroundings; you and I keep on attending to trifles instead of what's important; we are what the people here call new.'" "You mean that my bothers are mixed up with India?" "India's" She stopped. "What made you call it a ghost?" "Call what a ghost?" "The animal thing that hit us. Didn't you say Oh, a ghost,' in passing." "I couldn't have been thinking of what I was saying." "It was probably a hyena, as a matter of fact." "Ah, very likely." And they went on with their Patience. Down in Chandrapore the Nawab Bahadur waited for his car. He sat behind his town house (a small unfurnished building which he rarely entered) in the midst of the little court that always improvises itself round Indians of position. As if turbans were the natural product of darkness a fresh one would occasionally froth to the front, incline itself towards him, and retire. He was preoccupied, his diction was appropriate to a religious subject. Nine years previously, when first he had had a car, he had driven it over a drunken man and killed him, and the man had been waiting for him ever since. The Nawab Bahadur was innocent before God and the Law, he had paid double the compensation necessary; but it was no use, the man continued to wait in an unspeakable form, close to the scene of his death. None of the English people knew of this, nor did the chauffeur; it was a racial secret communicable more by blood than speech. He spoke now in horror of the particular circumstances; he had led others into danger, he had risked the lives of two innocent and honoured guests. He repeated, "If I had been killed, what matter? it must happen sometime; but they who trusted me" The company shuddered and invoked the mercy of God. Only Aziz held aloof, because a personal experience restrained him: was it not by despising ghosts that he had come to know Mrs. Moore? "You know, Nureddin," he whispered to the grandson an effeminate youth whom he seldom met, always liked, and invariably forgot<|quote|>"you know, my dear fellow, we Moslems simply must get rid of these superstitions, or India will never advance. How long must I hear of the savage pig upon the Marabar Road?"</|quote|>Nureddin looked down. Aziz continued: "Your grandfather belongs to another generation, and I respect and love the old gentleman, as you know. I say nothing against him, only that it is wrong for us, because we are young. I want you to promise me Nureddin, are you listening? not to believe in Evil Spirits, and if I die (for my health grows very weak) to bring up my three children to disbelieve in them too." Nureddin smiled, and a suitable answer rose to his pretty lips, but before he could make it the car arrived, and his grandfather took him away. The game of Patience up in the civil lines went on longer than this. Mrs. Moore continued to murmur "Red ten on a black knave," Miss Quested to assist her, and to intersperse among the intricacies of the play details about the hyena, the engagement, the Maharani of Mudkul, the Bhattacharyas, and the day generally, whose rough desiccated surface acquired as it receded a definite outline, as India itself might, could it be viewed from the moon. Presently the players went to bed, but not before other people had woken up elsewhere, people whose emotions they could not share, and whose existence they ignored. Never tranquil, never perfectly dark, the night wore itself away, distinguished from other nights by two or three blasts of wind, which seemed to fall perpendicularly out of the sky and to bounce back into it, hard and compact, leaving no freshness behind them: the hot weather was approaching. CHAPTER IX Aziz fell ill as he foretold slightly ill. Three days later he lay abed in his bungalow, pretending to be very ill. It was a touch of fever, which he would have neglected if there was anything important at the hospital. Now and then he groaned and thought he should die, but did not think so for long, and a very little diverted him. It was Sunday, always an equivocal day in the East, and an excuse for slacking. He could hear church bells as he drowsed, both from the civil station and from the missionaries out beyond the slaughter house different bells and rung with different intent, for one set was calling firmly to Anglo-India, and the other feebly to mankind. He did not object to the first set; the other he ignored, knowing their inefficiency. Old Mr. Graysford and young Mr. Sorley | it was our fault, and chanted exactly, exactly." Mrs. Moore shivered, "A ghost!" But the idea of a ghost scarcely passed her lips. The young people did not take it up, being occupied with their own outlooks, and deprived of support it perished, or was reabsorbed into the part of the mind that seldom speaks. "Yes, nothing criminal," Ronny summed up, "but there's the native, and there's one of the reasons why we don't admit him to our clubs, and how a decent girl like Miss Derek can take service under natives puzzles me. . . . But I must get on with my work. Krishna!" Krishna was the peon who should have brought the files from his office. He had not turned up, and a terrific row ensued. Ronny stormed, shouted, howled, and only the experienced observer could tell that he was not angry, did not much want the files, and only made a row because it was the custom. Servants, quite understanding, ran slowly in circles, carrying hurricane lamps. Krishna the earth, Krishna the stars replied, until the Englishman was appeased by their echoes, fined the absent peon eight annas, and sat down to his arrears in the next room. "Will you play Patience with your future mother-in-law, dear Adela, or does it seem too tame?" "I should like to I don't feel a bit excited I'm just glad it's settled up at last, but I'm not conscious of vast changes. We are all three the same people still." "That's much the best feeling to have." She dealt out the first row of "demon." "I suppose so," said the girl thoughtfully. "I feared at Mr. Fielding's that it might be settled the other way . . . black knave on a red queen. . . ." They chatted gently about the game. Presently Adela said: "You heard me tell Aziz and Godbole I wasn't stopping in their country. I didn't mean it, so why did I say it? I feel I haven't been frank enough, attentive enough, or something. It's as if I got everything out of proportion. You have been so very good to me, and I meant to be good when I sailed, but somehow I haven't been. . . . Mrs. Moore, if one isn't absolutely honest, what is the use of existing?" She continued to lay out her cards. The words were obscure, but she understood the uneasiness that produced them. She had experienced it twice herself, during her own engagements this vague contrition and doubt. All had come right enough afterwards and doubtless would this time marriage makes most things right enough. "I wouldn't worry," she said. "It's partly the odd surroundings; you and I keep on attending to trifles instead of what's important; we are what the people here call new.'" "You mean that my bothers are mixed up with India?" "India's" She stopped. "What made you call it a ghost?" "Call what a ghost?" "The animal thing that hit us. Didn't you say Oh, a ghost,' in passing." "I couldn't have been thinking of what I was saying." "It was probably a hyena, as a matter of fact." "Ah, very likely." And they went on with their Patience. Down in Chandrapore the Nawab Bahadur waited for his car. He sat behind his town house (a small unfurnished building which he rarely entered) in the midst of the little court that always improvises itself round Indians of position. As if turbans were the natural product of darkness a fresh one would occasionally froth to the front, incline itself towards him, and retire. He was preoccupied, his diction was appropriate to a religious subject. Nine years previously, when first he had had a car, he had driven it over a drunken man and killed him, and the man had been waiting for him ever since. The Nawab Bahadur was innocent before God and the Law, he had paid double the compensation necessary; but it was no use, the man continued to wait in an unspeakable form, close to the scene of his death. None of the English people knew of this, nor did the chauffeur; it was a racial secret communicable more by blood than speech. He spoke now in horror of the particular circumstances; he had led others into danger, he had risked the lives of two innocent and honoured guests. He repeated, "If I had been killed, what matter? it must happen sometime; but they who trusted me" The company shuddered and invoked the mercy of God. Only Aziz held aloof, because a personal experience restrained him: was it not by despising ghosts that he had come to know Mrs. Moore? "You know, Nureddin," he whispered to the grandson an effeminate youth whom he seldom met, always liked, and invariably forgot<|quote|>"you know, my dear fellow, we Moslems simply must get rid of these superstitions, or India will never advance. How long must I hear of the savage pig upon the Marabar Road?"</|quote|>Nureddin looked down. Aziz continued: "Your grandfather belongs to another generation, and I respect and love the old gentleman, as you know. I say nothing against him, only that it is wrong for us, because we are young. I want you to promise me Nureddin, are you listening? not to believe in Evil Spirits, and if I die (for my health grows very weak) to bring up my three children to disbelieve in them too." Nureddin smiled, and a suitable answer rose to his pretty lips, but before he could make it the car arrived, and his grandfather took him away. The game of Patience up in the civil lines went on longer than this. Mrs. Moore continued to murmur "Red ten on a black knave," Miss Quested to assist her, and to intersperse among the intricacies of the play details about the hyena, the engagement, the Maharani of Mudkul, the Bhattacharyas, and the day generally, whose rough desiccated surface acquired as it receded a definite outline, as India itself might, could it be viewed from the moon. Presently the players went to bed, but not before other people had woken up elsewhere, people whose emotions they could not share, and whose existence they ignored. Never tranquil, never perfectly dark, the night wore itself away, distinguished from other nights by two or three blasts of wind, which seemed to fall perpendicularly out of the sky and to bounce back into it, hard and compact, leaving no freshness behind them: the hot weather was approaching. CHAPTER IX Aziz fell ill as he foretold slightly ill. Three days later he lay abed in his bungalow, pretending to be very ill. It was a touch of fever, which he would have neglected if there was anything important at the hospital. Now and then he groaned and thought he should die, but did not think so for long, and a very little diverted him. It was Sunday, always an equivocal day in the East, and an excuse for slacking. He could hear church bells as he drowsed, both from the civil station and from the missionaries out beyond the slaughter house different bells and rung with different intent, for one set was calling firmly to Anglo-India, and the other feebly to mankind. He did not object to the first set; the other he ignored, knowing their inefficiency. Old Mr. Graysford and young Mr. Sorley made converts during a famine, because they distributed food; but when times improved they were naturally left alone again, and though surprised and aggrieved each time this happened, they never learnt wisdom. "No Englishman understands us except Mr. Fielding," he thought; "but how shall I see him again? If he entered this room the disgrace of it would kill me." He called to Hassan to clear up, but Hassan, who was testing his wages by ringing them on the step of the verandah, found it possible not to hear him; heard and didn't hear, just as Aziz had called and hadn't called. "That's India all over . . . how like us . . . there we are . . ." He dozed again, and his thoughts wandered over the varied surface of life. Gradually they steadied upon a certain spot the Bottomless Pit according to missionaries, but he had never regarded it as more than a dimple. Yes, he did want to spend an evening with some girls, singing and all that, the vague jollity that would culminate in voluptuousness. Yes, that was what he did want. How could it be managed? If Major Callendar had been an Indian, he would have remembered what young men are, and granted two or three days' leave to Calcutta without asking questions. But the Major assumed either that his subordinates were made of ice, or that they repaired to the Chandrapore bazaars disgusting ideas both. It was only Mr. Fielding who "Hassan!" The servant came running. "Look at those flies, brother;" and he pointed to the horrible mass that hung from the ceiling. The nucleus was a wire which had been inserted as a homage to electricity. Electricity had paid no attention, and a colony of eye-flies had come instead and blackened the coils with their bodies. "Huzoor, those are flies." "Good, good, they are, excellent, but why have I called you?" "To drive them elsewhere," said Hassan, after painful thought. "Driven elsewhere, they always return." "Huzoor." "You must make some arrangement against flies; that is why you are my servant," said Aziz gently. Hassan would call the little boy to borrow the step-ladder from Mahmoud Ali's house; he would order the cook to light the Primus stove and heat water; he would personally ascend the steps with a bucket in his arms, and dip the end of the coil into it. | on with their Patience. Down in Chandrapore the Nawab Bahadur waited for his car. He sat behind his town house (a small unfurnished building which he rarely entered) in the midst of the little court that always improvises itself round Indians of position. As if turbans were the natural product of darkness a fresh one would occasionally froth to the front, incline itself towards him, and retire. He was preoccupied, his diction was appropriate to a religious subject. Nine years previously, when first he had had a car, he had driven it over a drunken man and killed him, and the man had been waiting for him ever since. The Nawab Bahadur was innocent before God and the Law, he had paid double the compensation necessary; but it was no use, the man continued to wait in an unspeakable form, close to the scene of his death. None of the English people knew of this, nor did the chauffeur; it was a racial secret communicable more by blood than speech. He spoke now in horror of the particular circumstances; he had led others into danger, he had risked the lives of two innocent and honoured guests. He repeated, "If I had been killed, what matter? it must happen sometime; but they who trusted me" The company shuddered and invoked the mercy of God. Only Aziz held aloof, because a personal experience restrained him: was it not by despising ghosts that he had come to know Mrs. Moore? "You know, Nureddin," he whispered to the grandson an effeminate youth whom he seldom met, always liked, and invariably forgot<|quote|>"you know, my dear fellow, we Moslems simply must get rid of these superstitions, or India will never advance. How long must I hear of the savage pig upon the Marabar Road?"</|quote|>Nureddin looked down. Aziz continued: "Your grandfather belongs to another generation, and I respect and love the old gentleman, as you know. I say nothing against him, only that it is wrong for us, because we are young. I want you to promise me Nureddin, are you listening? not to believe in Evil Spirits, and if I die (for my health grows very weak) to bring up my three children to disbelieve in them too." Nureddin smiled, and a suitable answer rose to his pretty lips, but before he could make it the car arrived, and his grandfather took him away. The game of Patience up in the civil lines went on longer than this. Mrs. Moore continued to murmur "Red ten on a black knave," Miss Quested to assist her, and to intersperse among the intricacies of the play details about the hyena, the engagement, the Maharani of Mudkul, the Bhattacharyas, and the day generally, whose rough desiccated surface acquired as it receded a definite outline, as India itself might, could it be viewed from the moon. Presently the players went to bed, but not before other people had woken up elsewhere, people whose emotions they could not share, and whose existence they ignored. Never tranquil, never perfectly dark, the night wore itself away, distinguished from other nights by two or three blasts of wind, which seemed to fall perpendicularly out of the sky and to bounce | A Passage To India |
"You always make people do what you want." | Mary Datchet | on to the next statue.<|quote|>"You always make people do what you want."</|quote|>A glow spread over her | do," she went on, moving on to the next statue.<|quote|>"You always make people do what you want."</|quote|>A glow spread over her spirit, and filled her eyes | you re not in the least conventional, like most clever men." And she conjured up a scene of herself on a camel s back, in the desert, while Ralph commanded a whole tribe of natives. "That is what you can do," she went on, moving on to the next statue.<|quote|>"You always make people do what you want."</|quote|>A glow spread over her spirit, and filled her eyes with brightness. Nevertheless, before she left the Museum she was very far from saying, even in the privacy of her own mind, "I am in love with you," and that sentence might very well never have framed itself. She was, | turn. She began to picture herself traveling with Ralph in a land where these monsters were couchant in the sand. "For," she thought to herself, as she gazed fixedly at some information printed behind a piece of glass, "the wonderful thing about you is that you re ready for anything; you re not in the least conventional, like most clever men." And she conjured up a scene of herself on a camel s back, in the desert, while Ralph commanded a whole tribe of natives. "That is what you can do," she went on, moving on to the next statue.<|quote|>"You always make people do what you want."</|quote|>A glow spread over her spirit, and filled her eyes with brightness. Nevertheless, before she left the Museum she was very far from saying, even in the privacy of her own mind, "I am in love with you," and that sentence might very well never have framed itself. She was, indeed, rather annoyed with herself for having allowed such an ill-considered breach of her reserve, weakening her powers of resistance, she felt, should this impulse return again. For, as she walked along the street to her office, the force of all her customary objections to being in love with any | feel with these silent shapes that she almost yielded to an impulse to say "I am in love with you" aloud. The presence of this immense and enduring beauty made her almost alarmingly conscious of her desire, and at the same time proud of a feeling which did not display anything like the same proportions when she was going about her daily work. She repressed her impulse to speak aloud, and rose and wandered about rather aimlessly among the statues until she found herself in another gallery devoted to engraved obelisks and winged Assyrian bulls, and her emotion took another turn. She began to picture herself traveling with Ralph in a land where these monsters were couchant in the sand. "For," she thought to herself, as she gazed fixedly at some information printed behind a piece of glass, "the wonderful thing about you is that you re ready for anything; you re not in the least conventional, like most clever men." And she conjured up a scene of herself on a camel s back, in the desert, while Ralph commanded a whole tribe of natives. "That is what you can do," she went on, moving on to the next statue.<|quote|>"You always make people do what you want."</|quote|>A glow spread over her spirit, and filled her eyes with brightness. Nevertheless, before she left the Museum she was very far from saying, even in the privacy of her own mind, "I am in love with you," and that sentence might very well never have framed itself. She was, indeed, rather annoyed with herself for having allowed such an ill-considered breach of her reserve, weakening her powers of resistance, she felt, should this impulse return again. For, as she walked along the street to her office, the force of all her customary objections to being in love with any one overcame her. She did not want to marry at all. It seemed to her that there was something amateurish in bringing love into touch with a perfectly straightforward friendship, such as hers was with Ralph, which, for two years now, had based itself upon common interests in impersonal topics, such as the housing of the poor, or the taxation of land values. But the afternoon spirit differed intrinsically from the morning spirit. Mary found herself watching the flight of a bird, or making drawings of the branches of the plane-trees upon her blotting-paper. People came in to see Mr. | queer people who were buying cakes or imparting their secrets, until some young woman whom she knew came in, and she called out, "Eleanor, come and sit by me," and they finished their lunch together, parting on the strip of pavement among the different lines of traffic with a pleasant feeling that they were stepping once more into their separate places in the great and eternally moving pattern of human life. But, instead of going straight back to the office to-day, Mary turned into the British Museum, and strolled down the gallery with the shapes of stone until she found an empty seat directly beneath the gaze of the Elgin marbles. She looked at them, and seemed, as usual, borne up on some wave of exaltation and emotion, by which her life at once became solemn and beautiful an impression which was due as much, perhaps, to the solitude and chill and silence of the gallery as to the actual beauty of the statues. One must suppose, at least, that her emotions were not purely esthetic, because, after she had gazed at the Ulysses for a minute or two, she began to think about Ralph Denham. So secure did she feel with these silent shapes that she almost yielded to an impulse to say "I am in love with you" aloud. The presence of this immense and enduring beauty made her almost alarmingly conscious of her desire, and at the same time proud of a feeling which did not display anything like the same proportions when she was going about her daily work. She repressed her impulse to speak aloud, and rose and wandered about rather aimlessly among the statues until she found herself in another gallery devoted to engraved obelisks and winged Assyrian bulls, and her emotion took another turn. She began to picture herself traveling with Ralph in a land where these monsters were couchant in the sand. "For," she thought to herself, as she gazed fixedly at some information printed behind a piece of glass, "the wonderful thing about you is that you re ready for anything; you re not in the least conventional, like most clever men." And she conjured up a scene of herself on a camel s back, in the desert, while Ralph commanded a whole tribe of natives. "That is what you can do," she went on, moving on to the next statue.<|quote|>"You always make people do what you want."</|quote|>A glow spread over her spirit, and filled her eyes with brightness. Nevertheless, before she left the Museum she was very far from saying, even in the privacy of her own mind, "I am in love with you," and that sentence might very well never have framed itself. She was, indeed, rather annoyed with herself for having allowed such an ill-considered breach of her reserve, weakening her powers of resistance, she felt, should this impulse return again. For, as she walked along the street to her office, the force of all her customary objections to being in love with any one overcame her. She did not want to marry at all. It seemed to her that there was something amateurish in bringing love into touch with a perfectly straightforward friendship, such as hers was with Ralph, which, for two years now, had based itself upon common interests in impersonal topics, such as the housing of the poor, or the taxation of land values. But the afternoon spirit differed intrinsically from the morning spirit. Mary found herself watching the flight of a bird, or making drawings of the branches of the plane-trees upon her blotting-paper. People came in to see Mr. Clacton on business, and a seductive smell of cigarette smoke issued from his room. Mrs. Seal wandered about with newspaper cuttings, which seemed to her either "quite splendid" or "really too bad for words." She used to paste these into books, or send them to her friends, having first drawn a broad bar in blue pencil down the margin, a proceeding which signified equally and indistinguishably the depths of her reprobation or the heights of her approval. About four o clock on that same afternoon Katharine Hilbery was walking up Kingsway. The question of tea presented itself. The street lamps were being lit already, and as she stood still for a moment beneath one of them, she tried to think of some neighboring drawing-room where there would be firelight and talk congenial to her mood. That mood, owing to the spinning traffic and the evening veil of unreality, was ill-adapted to her home surroundings. Perhaps, on the whole, a shop was the best place in which to preserve this queer sense of heightened existence. At the same time she wished to talk. Remembering Mary Datchet and her repeated invitations, she crossed the road, turned into Russell Square, and peered about, | in a heavy gold chain upon her breast, and seemed to Mary expressive of her mental ambiguity. Only her vast enthusiasm and her worship of Miss Markham, one of the pioneers of the society, kept her in her place, for which she had no sound qualification. So the morning wore on, and the pile of letters grew, and Mary felt, at last, that she was the center ganglion of a very fine network of nerves which fell over England, and one of these days, when she touched the heart of the system, would begin feeling and rushing together and emitting their splendid blaze of revolutionary fireworks for some such metaphor represents what she felt about her work, when her brain had been heated by three hours of application. Shortly before one o clock Mr. Clacton and Mrs. Seal desisted from their labors, and the old joke about luncheon, which came out regularly at this hour, was repeated with scarcely any variation of words. Mr. Clacton patronized a vegetarian restaurant; Mrs. Seal brought sandwiches, which she ate beneath the plane-trees in Russell Square; while Mary generally went to a gaudy establishment, upholstered in red plush, near by, where, much to the vegetarian s disapproval, you could buy steak, two inches thick, or a roast section of fowl, swimming in a pewter dish. "The bare branches against the sky do one so much _good_," Mrs. Seal asserted, looking out into the Square. "But one can t lunch off trees, Sally," said Mary. "I confess I don t know how you manage it, Miss Datchet," Mr. Clacton remarked. "I should sleep all the afternoon, I know, if I took a heavy meal in the middle of the day." "What s the very latest thing in literature?" Mary asked, good-humoredly pointing to the yellow-covered volume beneath Mr. Clacton s arm, for he invariably read some new French author at lunch-time, or squeezed in a visit to a picture gallery, balancing his social work with an ardent culture of which he was secretly proud, as Mary had very soon divined. So they parted and Mary walked away, wondering if they guessed that she really wanted to get away from them, and supposing that they had not quite reached that degree of subtlety. She bought herself an evening paper, which she read as she ate, looking over the top of it again and again at the queer people who were buying cakes or imparting their secrets, until some young woman whom she knew came in, and she called out, "Eleanor, come and sit by me," and they finished their lunch together, parting on the strip of pavement among the different lines of traffic with a pleasant feeling that they were stepping once more into their separate places in the great and eternally moving pattern of human life. But, instead of going straight back to the office to-day, Mary turned into the British Museum, and strolled down the gallery with the shapes of stone until she found an empty seat directly beneath the gaze of the Elgin marbles. She looked at them, and seemed, as usual, borne up on some wave of exaltation and emotion, by which her life at once became solemn and beautiful an impression which was due as much, perhaps, to the solitude and chill and silence of the gallery as to the actual beauty of the statues. One must suppose, at least, that her emotions were not purely esthetic, because, after she had gazed at the Ulysses for a minute or two, she began to think about Ralph Denham. So secure did she feel with these silent shapes that she almost yielded to an impulse to say "I am in love with you" aloud. The presence of this immense and enduring beauty made her almost alarmingly conscious of her desire, and at the same time proud of a feeling which did not display anything like the same proportions when she was going about her daily work. She repressed her impulse to speak aloud, and rose and wandered about rather aimlessly among the statues until she found herself in another gallery devoted to engraved obelisks and winged Assyrian bulls, and her emotion took another turn. She began to picture herself traveling with Ralph in a land where these monsters were couchant in the sand. "For," she thought to herself, as she gazed fixedly at some information printed behind a piece of glass, "the wonderful thing about you is that you re ready for anything; you re not in the least conventional, like most clever men." And she conjured up a scene of herself on a camel s back, in the desert, while Ralph commanded a whole tribe of natives. "That is what you can do," she went on, moving on to the next statue.<|quote|>"You always make people do what you want."</|quote|>A glow spread over her spirit, and filled her eyes with brightness. Nevertheless, before she left the Museum she was very far from saying, even in the privacy of her own mind, "I am in love with you," and that sentence might very well never have framed itself. She was, indeed, rather annoyed with herself for having allowed such an ill-considered breach of her reserve, weakening her powers of resistance, she felt, should this impulse return again. For, as she walked along the street to her office, the force of all her customary objections to being in love with any one overcame her. She did not want to marry at all. It seemed to her that there was something amateurish in bringing love into touch with a perfectly straightforward friendship, such as hers was with Ralph, which, for two years now, had based itself upon common interests in impersonal topics, such as the housing of the poor, or the taxation of land values. But the afternoon spirit differed intrinsically from the morning spirit. Mary found herself watching the flight of a bird, or making drawings of the branches of the plane-trees upon her blotting-paper. People came in to see Mr. Clacton on business, and a seductive smell of cigarette smoke issued from his room. Mrs. Seal wandered about with newspaper cuttings, which seemed to her either "quite splendid" or "really too bad for words." She used to paste these into books, or send them to her friends, having first drawn a broad bar in blue pencil down the margin, a proceeding which signified equally and indistinguishably the depths of her reprobation or the heights of her approval. About four o clock on that same afternoon Katharine Hilbery was walking up Kingsway. The question of tea presented itself. The street lamps were being lit already, and as she stood still for a moment beneath one of them, she tried to think of some neighboring drawing-room where there would be firelight and talk congenial to her mood. That mood, owing to the spinning traffic and the evening veil of unreality, was ill-adapted to her home surroundings. Perhaps, on the whole, a shop was the best place in which to preserve this queer sense of heightened existence. At the same time she wished to talk. Remembering Mary Datchet and her repeated invitations, she crossed the road, turned into Russell Square, and peered about, seeking for numbers with a sense of adventure that was out of all proportion to the deed itself. She found herself in a dimly lighted hall, unguarded by a porter, and pushed open the first swing door. But the office-boy had never heard of Miss Datchet. Did she belong to the S.R.F.R.? Katharine shook her head with a smile of dismay. A voice from within shouted, "No. The S.G.S. top floor." Katharine mounted past innumerable glass doors, with initials on them, and became steadily more and more doubtful of the wisdom of her venture. At the top she paused for a moment to breathe and collect herself. She heard the typewriter and formal professional voices inside, not belonging, she thought, to any one she had ever spoken to. She touched the bell, and the door was opened almost immediately by Mary herself. Her face had to change its expression entirely when she saw Katharine. "You!" she exclaimed. "We thought you were the printer." Still holding the door open, she called back, "No, Mr. Clacton, it s not Penningtons. I should ring them up again double three double eight, Central. Well, this is a surprise. Come in," she added. "You re just in time for tea." The light of relief shone in Mary s eyes. The boredom of the afternoon was dissipated at once, and she was glad that Katharine had found them in a momentary press of activity, owing to the failure of the printer to send back certain proofs. The unshaded electric light shining upon the table covered with papers dazed Katharine for a moment. After the confusion of her twilight walk, and her random thoughts, life in this small room appeared extremely concentrated and bright. She turned instinctively to look out of the window, which was uncurtained, but Mary immediately recalled her. "It was very clever of you to find your way," she said, and Katharine wondered, as she stood there, feeling, for the moment, entirely detached and unabsorbed, why she had come. She looked, indeed, to Mary s eyes strangely out of place in the office. Her figure in the long cloak, which took deep folds, and her face, which was composed into a mask of sensitive apprehension, disturbed Mary for a moment with a sense of the presence of some one who was of another world, and, therefore, subversive of her world. She became immediately anxious | Denham. So secure did she feel with these silent shapes that she almost yielded to an impulse to say "I am in love with you" aloud. The presence of this immense and enduring beauty made her almost alarmingly conscious of her desire, and at the same time proud of a feeling which did not display anything like the same proportions when she was going about her daily work. She repressed her impulse to speak aloud, and rose and wandered about rather aimlessly among the statues until she found herself in another gallery devoted to engraved obelisks and winged Assyrian bulls, and her emotion took another turn. She began to picture herself traveling with Ralph in a land where these monsters were couchant in the sand. "For," she thought to herself, as she gazed fixedly at some information printed behind a piece of glass, "the wonderful thing about you is that you re ready for anything; you re not in the least conventional, like most clever men." And she conjured up a scene of herself on a camel s back, in the desert, while Ralph commanded a whole tribe of natives. "That is what you can do," she went on, moving on to the next statue.<|quote|>"You always make people do what you want."</|quote|>A glow spread over her spirit, and filled her eyes with brightness. Nevertheless, before she left the Museum she was very far from saying, even in the privacy of her own mind, "I am in love with you," and that sentence might very well never have framed itself. She was, indeed, rather annoyed with herself for having allowed such an ill-considered breach of her reserve, weakening her powers of resistance, she felt, should this impulse return again. For, as she walked along the street to her office, the force of all her customary objections to being in love with any one overcame her. She did not want to marry at all. It seemed to her that there was something amateurish in bringing love into touch with a perfectly straightforward friendship, such as hers was with Ralph, which, for two years now, had based itself upon common interests in impersonal topics, such as the housing of the poor, or the taxation of land values. But the afternoon spirit differed intrinsically from the morning spirit. Mary found herself watching the flight of a bird, or making drawings of the branches of the plane-trees upon her blotting-paper. People came in to see Mr. Clacton on business, and a seductive smell of cigarette smoke issued from his room. Mrs. Seal wandered about with newspaper cuttings, which seemed to her either "quite splendid" or "really too bad for words." She used to paste these into books, or send them to her friends, having first drawn a broad bar in blue pencil down the margin, a proceeding which signified equally and indistinguishably the depths of her reprobation or the heights of her approval. About four o clock on that same afternoon Katharine Hilbery was walking up Kingsway. The question of tea presented itself. The street lamps were being lit already, and as she stood still for a moment beneath one of them, she tried to think of some neighboring drawing-room where there would be firelight and talk congenial to her mood. That mood, owing to the spinning traffic and the evening veil of unreality, was ill-adapted to her home surroundings. Perhaps, on the whole, a shop was the best place in which to preserve this queer sense of heightened existence. At the same time she wished to talk. Remembering Mary Datchet and her repeated invitations, she crossed the road, turned | Night And Day |
Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness." | No speaker | a job in New York."<|quote|>Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness."</|quote|>"A job in New York? | with him. He's looking for a job in New York."<|quote|>Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness."</|quote|>"A job in New York? What sort of a job? | I won't ask him to dine!" he concluded with a laugh; and May echoed, bewildered: "Goodness--ask the Carfrys' tutor?" "Well, not on the same day with the Carfrys, if you prefer I shouldn't. But I did rather want another talk with him. He's looking for a job in New York."<|quote|>Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness."</|quote|>"A job in New York? What sort of a job? People don't have French tutors: what does he want to do?" "Chiefly to enjoy good conversation, I understand," her husband retorted perversely; and she broke into an appreciative laugh. "Oh, Newland, how funny! Isn't that FRENCH?" On the whole, he | that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he had never known a "nice" woman who looked at life differently; and if a man married it must necessarily be among the nice. "Ah--then I won't ask him to dine!" he concluded with a laugh; and May echoed, bewildered: "Goodness--ask the Carfrys' tutor?" "Well, not on the same day with the Carfrys, if you prefer I shouldn't. But I did rather want another talk with him. He's looking for a job in New York."<|quote|>Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness."</|quote|>"A job in New York? What sort of a job? People don't have French tutors: what does he want to do?" "Chiefly to enjoy good conversation, I understand," her husband retorted perversely; and she broke into an appreciative laugh. "Oh, Newland, how funny! Isn't that FRENCH?" On the whole, he was glad to have the matter settled for him by her refusing to take seriously his wish to invite M. Riviere. Another after-dinner talk would have made it difficult to avoid the question of New York; and the more Archer considered it the less he was able to fit M. | a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he had never known a "nice" woman who looked at life differently; and if a man married it must necessarily be among the nice. "Ah--then I won't ask him to dine!" he concluded with a laugh; and May echoed, bewildered: "Goodness--ask the Carfrys' tutor?" "Well, not on the same day with the Carfrys, if you prefer I shouldn't. But I did rather want another talk with him. He's looking for a job in New York."<|quote|>Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness."</|quote|>"A job in New York? What sort of a job? People don't have French tutors: what does he want to do?" "Chiefly to enjoy good conversation, I understand," her husband retorted perversely; and she broke into an appreciative laugh. "Oh, Newland, how funny! Isn't that FRENCH?" On the whole, he was glad to have the matter settled for him by her refusing to take seriously his wish to invite M. Riviere. Another after-dinner talk would have made it difficult to avoid the question of New York; and the more Archer considered it the less he was able to fit M. Riviere into any conceivable picture of New York as he knew it. He perceived with a flash of chilling insight that in future many problems would be thus negatively solved for him; but as he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. "After that I suppose we shall have pretty nearly finished rubbing off each other's angles," he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose | taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that she nursed a secret disappointment at having been invited out in London to meet a clergyman and a French tutor. The disappointment was not occasioned by the sentiment ordinarily defined as snobbishness, but by old New York's sense of what was due to it when it risked its dignity in foreign lands. If May's parents had entertained the Carfrys in Fifth Avenue they would have offered them something more substantial than a parson and a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he had never known a "nice" woman who looked at life differently; and if a man married it must necessarily be among the nice. "Ah--then I won't ask him to dine!" he concluded with a laugh; and May echoed, bewildered: "Goodness--ask the Carfrys' tutor?" "Well, not on the same day with the Carfrys, if you prefer I shouldn't. But I did rather want another talk with him. He's looking for a job in New York."<|quote|>Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness."</|quote|>"A job in New York? What sort of a job? People don't have French tutors: what does he want to do?" "Chiefly to enjoy good conversation, I understand," her husband retorted perversely; and she broke into an appreciative laugh. "Oh, Newland, how funny! Isn't that FRENCH?" On the whole, he was glad to have the matter settled for him by her refusing to take seriously his wish to invite M. Riviere. Another after-dinner talk would have made it difficult to avoid the question of New York; and the more Archer considered it the less he was able to fit M. Riviere into any conceivable picture of New York as he knew it. He perceived with a flash of chilling insight that in future many problems would be thus negatively solved for him; but as he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. "After that I suppose we shall have pretty nearly finished rubbing off each other's angles," he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep. XXI. The small bright lawn stretched away smoothly to the big bright sea. The turf was hemmed with an edge of scarlet geranium and coleus, and cast-iron vases painted in chocolate colour, standing at intervals along the winding path that led to the sea, looped their garlands of petunia and ivy geranium above the neatly raked gravel. Half way between the edge of the cliff and the square wooden house (which was also chocolate-coloured, but with the tin roof of the verandah striped in yellow and brown to represent an awning) two large targets had been placed against a background of shrubbery. On the other side of the lawn, facing the targets, was pitched a real tent, with benches and garden-seats about it. A number of ladies in summer dresses and gentlemen in grey frock-coats and tall hats stood on the lawn or sat upon the benches; and every now and then a slender girl in starched muslin would step from the tent, bow in hand, and speed her shaft at one of the targets, while the spectators interrupted their talk to watch the result. Newland Archer, standing on the verandah of the house, | worth everything, isn't it, to keep one's intellectual liberty, not to enslave one's powers of appreciation, one's critical independence? It was because of that that I abandoned journalism, and took to so much duller work: tutoring and private secretaryship. There is a good deal of drudgery, of course; but one preserves one's moral freedom, what we call in French one's quant a soi. And when one hears good talk one can join in it without compromising any opinions but one's own; or one can listen, and answer it inwardly. Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous, Monsieur, to be able to look life in the face: that's worth living in a garret for, isn't it? But, after all, one must earn enough to pay for the garret; and I confess that to grow old as a private tutor--or a 'private' anything--is almost as chilling to the imagination as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?" he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin. "I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that she nursed a secret disappointment at having been invited out in London to meet a clergyman and a French tutor. The disappointment was not occasioned by the sentiment ordinarily defined as snobbishness, but by old New York's sense of what was due to it when it risked its dignity in foreign lands. If May's parents had entertained the Carfrys in Fifth Avenue they would have offered them something more substantial than a parson and a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he had never known a "nice" woman who looked at life differently; and if a man married it must necessarily be among the nice. "Ah--then I won't ask him to dine!" he concluded with a laugh; and May echoed, bewildered: "Goodness--ask the Carfrys' tutor?" "Well, not on the same day with the Carfrys, if you prefer I shouldn't. But I did rather want another talk with him. He's looking for a job in New York."<|quote|>Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness."</|quote|>"A job in New York? What sort of a job? People don't have French tutors: what does he want to do?" "Chiefly to enjoy good conversation, I understand," her husband retorted perversely; and she broke into an appreciative laugh. "Oh, Newland, how funny! Isn't that FRENCH?" On the whole, he was glad to have the matter settled for him by her refusing to take seriously his wish to invite M. Riviere. Another after-dinner talk would have made it difficult to avoid the question of New York; and the more Archer considered it the less he was able to fit M. Riviere into any conceivable picture of New York as he knew it. He perceived with a flash of chilling insight that in future many problems would be thus negatively solved for him; but as he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. "After that I suppose we shall have pretty nearly finished rubbing off each other's angles," he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep. XXI. The small bright lawn stretched away smoothly to the big bright sea. The turf was hemmed with an edge of scarlet geranium and coleus, and cast-iron vases painted in chocolate colour, standing at intervals along the winding path that led to the sea, looped their garlands of petunia and ivy geranium above the neatly raked gravel. Half way between the edge of the cliff and the square wooden house (which was also chocolate-coloured, but with the tin roof of the verandah striped in yellow and brown to represent an awning) two large targets had been placed against a background of shrubbery. On the other side of the lawn, facing the targets, was pitched a real tent, with benches and garden-seats about it. A number of ladies in summer dresses and gentlemen in grey frock-coats and tall hats stood on the lawn or sat upon the benches; and every now and then a slender girl in starched muslin would step from the tent, bow in hand, and speed her shaft at one of the targets, while the spectators interrupted their talk to watch the result. Newland Archer, standing on the verandah of the house, looked curiously down upon this scene. On each side of the shiny painted steps was a large blue china flower-pot on a bright yellow china stand. A spiky green plant filled each pot, and below the verandah ran a wide border of blue hydrangeas edged with more red geraniums. Behind him, the French windows of the drawing-rooms through which he had passed gave glimpses, between swaying lace curtains, of glassy parquet floors islanded with chintz poufs, dwarf armchairs, and velvet tables covered with trifles in silver. The Newport Archery Club always held its August meeting at the Beauforts'. The sport, which had hitherto known no rival but croquet, was beginning to be discarded in favour of lawn-tennis; but the latter game was still considered too rough and inelegant for social occasions, and as an opportunity to show off pretty dresses and graceful attitudes the bow and arrow held their own. Archer looked down with wonder at the familiar spectacle. It surprised him that life should be going on in the old way when his own reactions to it had so completely changed. It was Newport that had first brought home to him the extent of the change. In New York, during the previous winter, after he and May had settled down in the new greenish-yellow house with the bow-window and the Pompeian vestibule, he had dropped back with relief into the old routine of the office, and the renewal of this daily activity had served as a link with his former self. Then there had been the pleasurable excitement of choosing a showy grey stepper for May's brougham (the Wellands had given the carriage), and the abiding occupation and interest of arranging his new library, which, in spite of family doubts and disapprovals, had been carried out as he had dreamed, with a dark embossed paper, Eastlake book-cases and "sincere" arm-chairs and tables. At the Century he had found Winsett again, and at the Knickerbocker the fashionable young men of his own set; and what with the hours dedicated to the law and those given to dining out or entertaining friends at home, with an occasional evening at the Opera or the play, the life he was living had still seemed a fairly real and inevitable sort of business. But Newport represented the escape from duty into an atmosphere of unmitigated holiday-making. Archer had tried to persuade May to spend | eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?" he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin. "I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that she nursed a secret disappointment at having been invited out in London to meet a clergyman and a French tutor. The disappointment was not occasioned by the sentiment ordinarily defined as snobbishness, but by old New York's sense of what was due to it when it risked its dignity in foreign lands. If May's parents had entertained the Carfrys in Fifth Avenue they would have offered them something more substantial than a parson and a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he had never known a "nice" woman who looked at life differently; and if a man married it must necessarily be among the nice. "Ah--then I won't ask him to dine!" he concluded with a laugh; and May echoed, bewildered: "Goodness--ask the Carfrys' tutor?" "Well, not on the same day with the Carfrys, if you prefer I shouldn't. But I did rather want another talk with him. He's looking for a job in New York."<|quote|>Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness."</|quote|>"A job in New York? What sort of a job? People don't have French tutors: what does he want to do?" "Chiefly to enjoy good conversation, I understand," her husband retorted perversely; and she broke into an appreciative laugh. "Oh, Newland, how funny! Isn't that FRENCH?" On the whole, he was glad to have the matter settled for him by her refusing to take seriously his wish to invite M. Riviere. Another after-dinner talk would have made it difficult to avoid the question of New York; and the more Archer considered it the less he was able to fit M. Riviere into any conceivable picture of New York as he knew it. He perceived with a flash of chilling insight that in future many problems would be thus negatively solved for him; but as he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. "After that I suppose we shall have pretty nearly finished rubbing off each other's angles," he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep. XXI. The small bright lawn stretched away smoothly to the big bright sea. The turf was hemmed with an edge of scarlet geranium and coleus, and cast-iron vases painted in chocolate colour, standing at intervals along the winding path that led to the sea, looped their garlands of petunia and ivy geranium above the neatly raked gravel. Half way between the edge of the cliff and the square wooden house (which was also chocolate-coloured, but with the tin roof of the verandah striped in yellow and brown to represent an awning) two large targets had been placed against a background of shrubbery. On the other side of the lawn, facing the targets, was pitched a real tent, with benches and garden-seats about it. A number of ladies in summer dresses and gentlemen in grey frock-coats and tall hats stood on the lawn or sat upon the benches; and every now and then a slender girl in starched muslin would step from the tent, bow in hand, and speed her shaft at one of the targets, while the spectators interrupted their talk to watch the result. Newland Archer, standing on the verandah of the house, looked curiously down upon this scene. On each side of the shiny painted steps was a large blue china flower-pot on a bright yellow china stand. A spiky green plant filled each pot, and below the verandah ran a wide border of blue hydrangeas edged with more red geraniums. Behind him, the French windows of the drawing-rooms through which he had passed gave glimpses, between swaying lace curtains, of glassy parquet floors islanded with chintz poufs, | The Age Of Innocence |
She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). | No speaker | murder to leave it behind?"<|quote|>She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time).</|quote|>"Don't grunt," said Alice; "that's | or two: wouldn't it be murder to leave it behind?"<|quote|>She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time).</|quote|>"Don't grunt," said Alice; "that's not at all a proper | its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?"<|quote|>She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time).</|quote|>"Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a | so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?"<|quote|>She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time).</|quote|>"Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there | Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish," thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?"<|quote|>She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time).</|quote|>"Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more | said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish," thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?"<|quote|>She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time).</|quote|>"Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I | it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish," thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?"<|quote|>She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time).</|quote|>"Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," | hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish," thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?"<|quote|>She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time).</|quote|>"Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!" The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, "Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, | Alices Adventures In Wonderland |
"What is Mr. Darcy to me, pray, that I should be afraid of him? I am sure we owe him no such particular civility as to be obliged to say nothing _he_ may not like to hear." | Mrs. Bennet | scolded her for being nonsensical.<|quote|>"What is Mr. Darcy to me, pray, that I should be afraid of him? I am sure we owe him no such particular civility as to be obliged to say nothing _he_ may not like to hear."</|quote|>"For heaven's sake, madam, speak | to them. Her mother only scolded her for being nonsensical.<|quote|>"What is Mr. Darcy to me, pray, that I should be afraid of him? I am sure we owe him no such particular civility as to be obliged to say nothing _he_ may not like to hear."</|quote|>"For heaven's sake, madam, speak lower.--What advantage can it be | check the rapidity of her mother's words, or persuade her to describe her felicity in a less audible whisper; for to her inexpressible vexation, she could perceive that the chief of it was overheard by Mr. Darcy, who sat opposite to them. Her mother only scolded her for being nonsensical.<|quote|>"What is Mr. Darcy to me, pray, that I should be afraid of him? I am sure we owe him no such particular civility as to be obliged to say nothing _he_ may not like to hear."</|quote|>"For heaven's sake, madam, speak lower.--What advantage can it be to you to offend Mr. Darcy?--You will never recommend yourself to his friend by so doing." Nothing that she could say, however, had any influence. Her mother would talk of her views in the same intelligible tone. Elizabeth blushed and | was less likely than Mrs. Bennet to find comfort in staying at home at any period of her life. She concluded with many good wishes that Lady Lucas might soon be equally fortunate, though evidently and triumphantly believing there was no chance of it. In vain did Elizabeth endeavour to check the rapidity of her mother's words, or persuade her to describe her felicity in a less audible whisper; for to her inexpressible vexation, she could perceive that the chief of it was overheard by Mr. Darcy, who sat opposite to them. Her mother only scolded her for being nonsensical.<|quote|>"What is Mr. Darcy to me, pray, that I should be afraid of him? I am sure we owe him no such particular civility as to be obliged to say nothing _he_ may not like to hear."</|quote|>"For heaven's sake, madam, speak lower.--What advantage can it be to you to offend Mr. Darcy?--You will never recommend yourself to his friend by so doing." Nothing that she could say, however, had any influence. Her mother would talk of her views in the same intelligible tone. Elizabeth blushed and blushed again with shame and vexation. She could not help frequently glancing her eye at Mr. Darcy, though every glance convinced her of what she dreaded; for though he was not always looking at her mother, she was convinced that his attention was invariably fixed by her. The expression of | certain that they must desire the connection as much as she could do. It was, moreover, such a promising thing for her younger daughters, as Jane's marrying so greatly must throw them in the way of other rich men; and lastly, it was so pleasant at her time of life to be able to consign her single daughters to the care of their sister, that she might not be obliged to go into company more than she liked. It was necessary to make this circumstance a matter of pleasure, because on such occasions it is the etiquette; but no one was less likely than Mrs. Bennet to find comfort in staying at home at any period of her life. She concluded with many good wishes that Lady Lucas might soon be equally fortunate, though evidently and triumphantly believing there was no chance of it. In vain did Elizabeth endeavour to check the rapidity of her mother's words, or persuade her to describe her felicity in a less audible whisper; for to her inexpressible vexation, she could perceive that the chief of it was overheard by Mr. Darcy, who sat opposite to them. Her mother only scolded her for being nonsensical.<|quote|>"What is Mr. Darcy to me, pray, that I should be afraid of him? I am sure we owe him no such particular civility as to be obliged to say nothing _he_ may not like to hear."</|quote|>"For heaven's sake, madam, speak lower.--What advantage can it be to you to offend Mr. Darcy?--You will never recommend yourself to his friend by so doing." Nothing that she could say, however, had any influence. Her mother would talk of her views in the same intelligible tone. Elizabeth blushed and blushed again with shame and vexation. She could not help frequently glancing her eye at Mr. Darcy, though every glance convinced her of what she dreaded; for though he was not always looking at her mother, she was convinced that his attention was invariably fixed by her. The expression of his face changed gradually from indignant contempt to a composed and steady gravity. At length however Mrs. Bennet had no more to say; and Lady Lucas, who had been long yawning at the repetition of delights which she saw no likelihood of sharing, was left to the comforts of cold ham and chicken. Elizabeth now began to revive. But not long was the interval of tranquillity; for when supper was over, singing was talked of, and she had the mortification of seeing Mary, after very little entreaty, preparing to oblige the company. By many significant looks and silent entreaties, did | train of agreeable reflections which her observations gave birth to, made her perhaps almost as happy as Jane. She saw her in idea settled in that very house in all the felicity which a marriage of true affection could bestow; and she felt capable under such circumstances, of endeavouring even to like Bingley's two sisters. Her mother's thoughts she plainly saw were bent the same way, and she determined not to venture near her, lest she might hear too much. When they sat down to supper, therefore, she considered it a most unlucky perverseness which placed them within one of each other; and deeply was she vexed to find that her mother was talking to that one person (Lady Lucas) freely, openly, and of nothing else but of her expectation that Jane would be soon married to Mr. Bingley.--It was an animating subject, and Mrs. Bennet seemed incapable of fatigue while enumerating the advantages of the match. His being such a charming young man, and so rich, and living but three miles from them, were the first points of self-gratulation; and then it was such a comfort to think how fond the two sisters were of Jane, and to be certain that they must desire the connection as much as she could do. It was, moreover, such a promising thing for her younger daughters, as Jane's marrying so greatly must throw them in the way of other rich men; and lastly, it was so pleasant at her time of life to be able to consign her single daughters to the care of their sister, that she might not be obliged to go into company more than she liked. It was necessary to make this circumstance a matter of pleasure, because on such occasions it is the etiquette; but no one was less likely than Mrs. Bennet to find comfort in staying at home at any period of her life. She concluded with many good wishes that Lady Lucas might soon be equally fortunate, though evidently and triumphantly believing there was no chance of it. In vain did Elizabeth endeavour to check the rapidity of her mother's words, or persuade her to describe her felicity in a less audible whisper; for to her inexpressible vexation, she could perceive that the chief of it was overheard by Mr. Darcy, who sat opposite to them. Her mother only scolded her for being nonsensical.<|quote|>"What is Mr. Darcy to me, pray, that I should be afraid of him? I am sure we owe him no such particular civility as to be obliged to say nothing _he_ may not like to hear."</|quote|>"For heaven's sake, madam, speak lower.--What advantage can it be to you to offend Mr. Darcy?--You will never recommend yourself to his friend by so doing." Nothing that she could say, however, had any influence. Her mother would talk of her views in the same intelligible tone. Elizabeth blushed and blushed again with shame and vexation. She could not help frequently glancing her eye at Mr. Darcy, though every glance convinced her of what she dreaded; for though he was not always looking at her mother, she was convinced that his attention was invariably fixed by her. The expression of his face changed gradually from indignant contempt to a composed and steady gravity. At length however Mrs. Bennet had no more to say; and Lady Lucas, who had been long yawning at the repetition of delights which she saw no likelihood of sharing, was left to the comforts of cold ham and chicken. Elizabeth now began to revive. But not long was the interval of tranquillity; for when supper was over, singing was talked of, and she had the mortification of seeing Mary, after very little entreaty, preparing to oblige the company. By many significant looks and silent entreaties, did she endeavour to prevent such a proof of complaisance,--but in vain; Mary would not understand them; such an opportunity of exhibiting was delightful to her, and she began her song. Elizabeth's eyes were fixed on her with most painful sensations; and she watched her progress through the several stanzas with an impatience which was very ill rewarded at their close; for Mary, on receiving amongst the thanks of the table, the hint of a hope that she might be prevailed on to favour them again, after the pause of half a minute began another. Mary's powers were by no means fitted for such a display; her voice was weak, and her manner affected.--Elizabeth was in agonies. She looked at Jane, to see how she bore it; but Jane was very composedly talking to Bingley. She looked at his two sisters, and saw them making signs of derision at each other, and at Darcy, who continued however impenetrably grave. She looked at her father to entreat his interference, lest Mary should be singing all night. He took the hint, and when Mary had finished her second song, said aloud, "That will do extremely well, child. You have delighted us long enough. | of your understanding, but permit me to say that there must be a wide difference between the established forms of ceremony amongst the laity, and those which regulate the clergy; for give me leave to observe that I consider the clerical office as equal in point of dignity with the highest rank in the kingdom--provided that a proper humility of behaviour is at the same time maintained. You must therefore allow me to follow the dictates of my conscience on this occasion, which leads me to perform what I look on as a point of duty. Pardon me for neglecting to profit by your advice, which on every other subject shall be my constant guide, though in the case before us I consider myself more fitted by education and habitual study to decide on what is right than a young lady like yourself." And with a low bow he left her to attack Mr. Darcy, whose reception of his advances she eagerly watched, and whose astonishment at being so addressed was very evident. Her cousin prefaced his speech with a solemn bow, and though she could not hear a word of it, she felt as if hearing it all, and saw in the motion of his lips the words "apology," "Hunsford," and "Lady Catherine de Bourgh."--It vexed her to see him expose himself to such a man. Mr. Darcy was eyeing him with unrestrained wonder, and when at last Mr. Collins allowed him time to speak, replied with an air of distant civility. Mr. Collins, however, was not discouraged from speaking again, and Mr. Darcy's contempt seemed abundantly increasing with the length of his second speech, and at the end of it he only made him a slight bow, and moved another way. Mr. Collins then returned to Elizabeth. "I have no reason, I assure you," said he, "to be dissatisfied with my reception. Mr. Darcy seemed much pleased with the attention. He answered me with the utmost civility, and even paid me the compliment of saying, that he was so well convinced of Lady Catherine's discernment as to be certain she could never bestow a favour unworthily. It was really a very handsome thought. Upon the whole, I am much pleased with him." As Elizabeth had no longer any interest of her own to pursue, she turned her attention almost entirely on her sister and Mr. Bingley, and the train of agreeable reflections which her observations gave birth to, made her perhaps almost as happy as Jane. She saw her in idea settled in that very house in all the felicity which a marriage of true affection could bestow; and she felt capable under such circumstances, of endeavouring even to like Bingley's two sisters. Her mother's thoughts she plainly saw were bent the same way, and she determined not to venture near her, lest she might hear too much. When they sat down to supper, therefore, she considered it a most unlucky perverseness which placed them within one of each other; and deeply was she vexed to find that her mother was talking to that one person (Lady Lucas) freely, openly, and of nothing else but of her expectation that Jane would be soon married to Mr. Bingley.--It was an animating subject, and Mrs. Bennet seemed incapable of fatigue while enumerating the advantages of the match. His being such a charming young man, and so rich, and living but three miles from them, were the first points of self-gratulation; and then it was such a comfort to think how fond the two sisters were of Jane, and to be certain that they must desire the connection as much as she could do. It was, moreover, such a promising thing for her younger daughters, as Jane's marrying so greatly must throw them in the way of other rich men; and lastly, it was so pleasant at her time of life to be able to consign her single daughters to the care of their sister, that she might not be obliged to go into company more than she liked. It was necessary to make this circumstance a matter of pleasure, because on such occasions it is the etiquette; but no one was less likely than Mrs. Bennet to find comfort in staying at home at any period of her life. She concluded with many good wishes that Lady Lucas might soon be equally fortunate, though evidently and triumphantly believing there was no chance of it. In vain did Elizabeth endeavour to check the rapidity of her mother's words, or persuade her to describe her felicity in a less audible whisper; for to her inexpressible vexation, she could perceive that the chief of it was overheard by Mr. Darcy, who sat opposite to them. Her mother only scolded her for being nonsensical.<|quote|>"What is Mr. Darcy to me, pray, that I should be afraid of him? I am sure we owe him no such particular civility as to be obliged to say nothing _he_ may not like to hear."</|quote|>"For heaven's sake, madam, speak lower.--What advantage can it be to you to offend Mr. Darcy?--You will never recommend yourself to his friend by so doing." Nothing that she could say, however, had any influence. Her mother would talk of her views in the same intelligible tone. Elizabeth blushed and blushed again with shame and vexation. She could not help frequently glancing her eye at Mr. Darcy, though every glance convinced her of what she dreaded; for though he was not always looking at her mother, she was convinced that his attention was invariably fixed by her. The expression of his face changed gradually from indignant contempt to a composed and steady gravity. At length however Mrs. Bennet had no more to say; and Lady Lucas, who had been long yawning at the repetition of delights which she saw no likelihood of sharing, was left to the comforts of cold ham and chicken. Elizabeth now began to revive. But not long was the interval of tranquillity; for when supper was over, singing was talked of, and she had the mortification of seeing Mary, after very little entreaty, preparing to oblige the company. By many significant looks and silent entreaties, did she endeavour to prevent such a proof of complaisance,--but in vain; Mary would not understand them; such an opportunity of exhibiting was delightful to her, and she began her song. Elizabeth's eyes were fixed on her with most painful sensations; and she watched her progress through the several stanzas with an impatience which was very ill rewarded at their close; for Mary, on receiving amongst the thanks of the table, the hint of a hope that she might be prevailed on to favour them again, after the pause of half a minute began another. Mary's powers were by no means fitted for such a display; her voice was weak, and her manner affected.--Elizabeth was in agonies. She looked at Jane, to see how she bore it; but Jane was very composedly talking to Bingley. She looked at his two sisters, and saw them making signs of derision at each other, and at Darcy, who continued however impenetrably grave. She looked at her father to entreat his interference, lest Mary should be singing all night. He took the hint, and when Mary had finished her second song, said aloud, "That will do extremely well, child. You have delighted us long enough. Let the other young ladies have time to exhibit." Mary, though pretending not to hear, was somewhat disconcerted; and Elizabeth sorry for her, and sorry for her father's speech, was afraid her anxiety had done no good.--Others of the party were now applied to. "If I," said Mr. Collins, "were so fortunate as to be able to sing, I should have great pleasure, I am sure, in obliging the company with an air; for I consider music as a very innocent diversion, and perfectly compatible with the profession of a clergyman.--I do not mean however to assert that we can be justified in devoting too much of our time to music, for there are certainly other things to be attended to. The rector of a parish has much to do.--In the first place, he must make such an agreement for tythes as may be beneficial to himself and not offensive to his patron. He must write his own sermons; and the time that remains will not be too much for his parish duties, and the care and improvement of his dwelling, which he cannot be excused from making as comfortable as possible. And I do not think it of light importance that he should have attentive and conciliatory manners towards every body, especially towards those to whom he owes his preferment. I cannot acquit him of that duty; nor could I think well of the man who should omit an occasion of testifying his respect towards any body connected with the family." And with a bow to Mr. Darcy, he concluded his speech, which had been spoken so loud as to be heard by half the room.--Many stared.--Many smiled; but no one looked more amused than Mr. Bennet himself, while his wife seriously commended Mr. Collins for having spoken so sensibly, and observed in a half-whisper to Lady Lucas, that he was a remarkably clever, good kind of young man. To Elizabeth it appeared, that had her family made an agreement to expose themselves as much as they could during the evening, it would have been impossible for them to play their parts with more spirit, or finer success; and happy did she think it for Bingley and her sister that some of the exhibition had escaped his notice, and that his feelings were not of a sort to be much distressed by the folly which he must have witnessed. | so well convinced of Lady Catherine's discernment as to be certain she could never bestow a favour unworthily. It was really a very handsome thought. Upon the whole, I am much pleased with him." As Elizabeth had no longer any interest of her own to pursue, she turned her attention almost entirely on her sister and Mr. Bingley, and the train of agreeable reflections which her observations gave birth to, made her perhaps almost as happy as Jane. She saw her in idea settled in that very house in all the felicity which a marriage of true affection could bestow; and she felt capable under such circumstances, of endeavouring even to like Bingley's two sisters. Her mother's thoughts she plainly saw were bent the same way, and she determined not to venture near her, lest she might hear too much. When they sat down to supper, therefore, she considered it a most unlucky perverseness which placed them within one of each other; and deeply was she vexed to find that her mother was talking to that one person (Lady Lucas) freely, openly, and of nothing else but of her expectation that Jane would be soon married to Mr. Bingley.--It was an animating subject, and Mrs. Bennet seemed incapable of fatigue while enumerating the advantages of the match. His being such a charming young man, and so rich, and living but three miles from them, were the first points of self-gratulation; and then it was such a comfort to think how fond the two sisters were of Jane, and to be certain that they must desire the connection as much as she could do. It was, moreover, such a promising thing for her younger daughters, as Jane's marrying so greatly must throw them in the way of other rich men; and lastly, it was so pleasant at her time of life to be able to consign her single daughters to the care of their sister, that she might not be obliged to go into company more than she liked. It was necessary to make this circumstance a matter of pleasure, because on such occasions it is the etiquette; but no one was less likely than Mrs. Bennet to find comfort in staying at home at any period of her life. She concluded with many good wishes that Lady Lucas might soon be equally fortunate, though evidently and triumphantly believing there was no chance of it. In vain did Elizabeth endeavour to check the rapidity of her mother's words, or persuade her to describe her felicity in a less audible whisper; for to her inexpressible vexation, she could perceive that the chief of it was overheard by Mr. Darcy, who sat opposite to them. Her mother only scolded her for being nonsensical.<|quote|>"What is Mr. Darcy to me, pray, that I should be afraid of him? I am sure we owe him no such particular civility as to be obliged to say nothing _he_ may not like to hear."</|quote|>"For heaven's sake, madam, speak lower.--What advantage can it be to you to offend Mr. Darcy?--You will never recommend yourself to his friend by so doing." Nothing that she could say, however, had any influence. Her mother would talk of her views in the same intelligible tone. Elizabeth blushed and blushed again with shame and vexation. She could not help frequently glancing her eye at Mr. Darcy, though every glance convinced her of what she dreaded; for though he was not always looking at her mother, she was convinced that his attention was invariably fixed by her. The expression of his face changed gradually from indignant contempt to a composed and steady gravity. At length however Mrs. Bennet had no more to say; and Lady Lucas, who had been long yawning at the repetition of delights which she saw no likelihood of sharing, was left to the comforts of cold ham and chicken. Elizabeth now began to revive. But not long was the interval of tranquillity; for when supper was over, singing was talked of, and she had the mortification of seeing Mary, after very little entreaty, preparing to oblige the company. By many significant looks and silent entreaties, did she endeavour to prevent such a proof of complaisance,--but in vain; Mary would not understand them; such an opportunity of exhibiting was delightful to her, and she began her song. Elizabeth's eyes were fixed on her with most painful sensations; and she watched her progress through the several stanzas with an impatience which was very ill rewarded at their close; for Mary, on receiving amongst the thanks of the table, the hint of a hope that she might be prevailed on to favour them again, after the pause of half a minute began another. Mary's powers were by no means fitted for such a display; her voice was weak, and her manner affected.--Elizabeth was in agonies. She looked at Jane, to see how she bore it; but Jane was very composedly talking to Bingley. She looked at his two sisters, and saw them | Pride And Prejudice |
"They arranged a plan to throw suspicion on John Cavendish, by buying strychnine at the village chemist's, and signing the register in his hand-writing." | Hercule Poirot | eyes fixed on the ceiling.<|quote|>"They arranged a plan to throw suspicion on John Cavendish, by buying strychnine at the village chemist's, and signing the register in his hand-writing."</|quote|>"On Monday Mrs. Inglethorp will | at his tiny cigarette, his eyes fixed on the ceiling.<|quote|>"They arranged a plan to throw suspicion on John Cavendish, by buying strychnine at the village chemist's, and signing the register in his hand-writing."</|quote|>"On Monday Mrs. Inglethorp will take the last dose of | a clever idea! If they had left it alone, it is possible the crime might never have been brought home to them. But they were not satisfied. They tried to be too clever and that was their undoing." Poirot puffed at his tiny cigarette, his eyes fixed on the ceiling.<|quote|>"They arranged a plan to throw suspicion on John Cavendish, by buying strychnine at the village chemist's, and signing the register in his hand-writing."</|quote|>"On Monday Mrs. Inglethorp will take the last dose of her medicine. On Monday, therefore, at six o'clock, Alfred Inglethorp arranges to be seen by a number of people at a spot far removed from the village. Miss Howard has previously made up a cock and bull story about him | place until nearly a fortnight later. If anyone has seen either of them touching the medicine, they will have forgotten it by that time. Miss Howard will have engineered her quarrel, and departed from the house. The lapse of time, and her absence, will defeat all suspicion. Yes, it was a clever idea! If they had left it alone, it is possible the crime might never have been brought home to them. But they were not satisfied. They tried to be too clever and that was their undoing." Poirot puffed at his tiny cigarette, his eyes fixed on the ceiling.<|quote|>"They arranged a plan to throw suspicion on John Cavendish, by buying strychnine at the village chemist's, and signing the register in his hand-writing."</|quote|>"On Monday Mrs. Inglethorp will take the last dose of her medicine. On Monday, therefore, at six o'clock, Alfred Inglethorp arranges to be seen by a number of people at a spot far removed from the village. Miss Howard has previously made up a cock and bull story about him and Mrs. Raikes to account for his holding his tongue afterwards. At six o'clock, Miss Howard, disguised as Alfred Inglethorp, enters the chemist's shop, with her story about a dog, obtains the strychnine, and writes the name of Alfred Inglethorp in John's handwriting, which she had previously studied carefully." "But, | from one of the many books lying about when Mademoiselle Cynthia was studying for her exam. Anyway, she was familiar with the fact that the addition of a bromide to a mixture containing strychnine would cause the precipitation of the latter. Probably the idea came to her quite suddenly. Mrs. Inglethorp had a box of bromide powders, which she occasionally took at night. What could be easier than quietly to dissolve one or more of those powders in Mrs. Inglethorp's large sized bottle of medicine when it came from Coot's? The risk is practically nil. The tragedy will not take place until nearly a fortnight later. If anyone has seen either of them touching the medicine, they will have forgotten it by that time. Miss Howard will have engineered her quarrel, and departed from the house. The lapse of time, and her absence, will defeat all suspicion. Yes, it was a clever idea! If they had left it alone, it is possible the crime might never have been brought home to them. But they were not satisfied. They tried to be too clever and that was their undoing." Poirot puffed at his tiny cigarette, his eyes fixed on the ceiling.<|quote|>"They arranged a plan to throw suspicion on John Cavendish, by buying strychnine at the village chemist's, and signing the register in his hand-writing."</|quote|>"On Monday Mrs. Inglethorp will take the last dose of her medicine. On Monday, therefore, at six o'clock, Alfred Inglethorp arranges to be seen by a number of people at a spot far removed from the village. Miss Howard has previously made up a cock and bull story about him and Mrs. Raikes to account for his holding his tongue afterwards. At six o'clock, Miss Howard, disguised as Alfred Inglethorp, enters the chemist's shop, with her story about a dog, obtains the strychnine, and writes the name of Alfred Inglethorp in John's handwriting, which she had previously studied carefully." "But, as it will never do if John, too, can prove an alibi, she writes him an anonymous note still copying his hand-writing which takes him to a remote spot where it is exceedingly unlikely that anyone will see him." "So far, all goes well. Miss Howard goes back to Middlingham. Alfred Inglethorp returns to Styles. There is nothing that can compromise him in any way, since it is Miss Howard who has the strychnine, which, after all, is only wanted as a blind to throw suspicion on John Cavendish." "But now a hitch occurs. Mrs. Inglethorp does not take her | exceedingly clever idea of preparing a lot of manufactured evidence against himself. He wished to be arrested. He would then produce his irreproachable alibi and, hey presto, he was safe for life!" "But I still don't see how he managed to prove his alibi, and yet go to the chemist's shop?" Poirot stared at me in surprise. "Is it possible? My poor friend! You have not yet realized that it was Miss Howard who went to the chemist's shop?" "Miss Howard?" "But, certainly. Who else? It was most easy for her. She is of a good height, her voice is deep and manly; moreover, remember, she and Inglethorp are cousins, and there is a distinct resemblance between them, especially in their gait and bearing. It was simplicity itself. They are a clever pair!" "I am still a little fogged as to how exactly the bromide business was done," I remarked. "_Bon!_ I will reconstruct for you as far as possible. I am inclined to think that Miss Howard was the master mind in that affair. You remember her once mentioning that her father was a doctor? Possibly she dispensed his medicines for him, or she may have taken the idea from one of the many books lying about when Mademoiselle Cynthia was studying for her exam. Anyway, she was familiar with the fact that the addition of a bromide to a mixture containing strychnine would cause the precipitation of the latter. Probably the idea came to her quite suddenly. Mrs. Inglethorp had a box of bromide powders, which she occasionally took at night. What could be easier than quietly to dissolve one or more of those powders in Mrs. Inglethorp's large sized bottle of medicine when it came from Coot's? The risk is practically nil. The tragedy will not take place until nearly a fortnight later. If anyone has seen either of them touching the medicine, they will have forgotten it by that time. Miss Howard will have engineered her quarrel, and departed from the house. The lapse of time, and her absence, will defeat all suspicion. Yes, it was a clever idea! If they had left it alone, it is possible the crime might never have been brought home to them. But they were not satisfied. They tried to be too clever and that was their undoing." Poirot puffed at his tiny cigarette, his eyes fixed on the ceiling.<|quote|>"They arranged a plan to throw suspicion on John Cavendish, by buying strychnine at the village chemist's, and signing the register in his hand-writing."</|quote|>"On Monday Mrs. Inglethorp will take the last dose of her medicine. On Monday, therefore, at six o'clock, Alfred Inglethorp arranges to be seen by a number of people at a spot far removed from the village. Miss Howard has previously made up a cock and bull story about him and Mrs. Raikes to account for his holding his tongue afterwards. At six o'clock, Miss Howard, disguised as Alfred Inglethorp, enters the chemist's shop, with her story about a dog, obtains the strychnine, and writes the name of Alfred Inglethorp in John's handwriting, which she had previously studied carefully." "But, as it will never do if John, too, can prove an alibi, she writes him an anonymous note still copying his hand-writing which takes him to a remote spot where it is exceedingly unlikely that anyone will see him." "So far, all goes well. Miss Howard goes back to Middlingham. Alfred Inglethorp returns to Styles. There is nothing that can compromise him in any way, since it is Miss Howard who has the strychnine, which, after all, is only wanted as a blind to throw suspicion on John Cavendish." "But now a hitch occurs. Mrs. Inglethorp does not take her medicine that night. The broken bell, Cynthia's absence arranged by Inglethorp through his wife all these are wasted. And then he makes his slip." "Mrs. Inglethorp is out, and he sits down to write to his accomplice, who, he fears, may be in a panic at the non-success of their plan. It is probable that Mrs. Inglethorp returned earlier than he expected. Caught in the act, and somewhat flurried he hastily shuts and locks his desk. He fears that if he remains in the room he may have to open it again, and that Mrs. Inglethorp might catch sight of the letter before he could snatch it up. So he goes out and walks in the woods, little dreaming that Mrs. Inglethorp will open his desk, and discover the incriminating document." "But this, as we know, is what happened. Mrs. Inglethorp reads it, and becomes aware of the perfidy of her husband and Evelyn Howard, though, unfortunately, the sentence about the bromides conveys no warning to her mind. She knows that she is in danger but is ignorant of where the danger lies. She decides to say nothing to her husband, but sits down and writes to her solicitor, asking | whoever else might benefit by Mrs. Inglethorp's death, her husband would benefit the most. There was no getting away from that. When I went up to Styles with you that first day, I had no idea as to how the crime had been committed, but from what I knew of Mr. Inglethorp I fancied that it would be very hard to find anything to connect him with it. When I arrived at the ch teau, I realized at once that it was Mrs. Inglethorp who had burnt the will; and there, by the way, you cannot complain, my friend, for I tried my best to force on you the significance of that bedroom fire in midsummer." "Yes, yes," I said impatiently. "Go on." "Well, my friend, as I say, my views as to Mr. Inglethorp's guilt were very much shaken. There was, in fact, so much evidence against him that I was inclined to believe that he had not done it." "When did you change your mind?" "When I found that the more efforts I made to clear him, the more efforts he made to get himself arrested. Then, when I discovered that Inglethorp had nothing to do with Mrs. Raikes and that in fact it was John Cavendish who was interested in that quarter, I was quite sure." "But why?" "Simply this. If it had been Inglethorp who was carrying on an intrigue with Mrs. Raikes, his silence was perfectly comprehensible. But, when I discovered that it was known all over the village that it was John who was attracted by the farmer's pretty wife, his silence bore quite a different interpretation. It was nonsense to pretend that he was afraid of the scandal, as no possible scandal could attach to him. This attitude of his gave me furiously to think, and I was slowly forced to the conclusion that Alfred Inglethorp wanted to be arrested. _Eh bien!_ from that moment, I was equally determined that he should not be arrested." "Wait a minute. I don't see why he wished to be arrested?" "Because, _mon ami_, it is the law of your country that a man once acquitted can never be tried again for the same offence. Aha! but it was clever his idea! Assuredly, he is a man of method. See here, he knew that in his position he was bound to be suspected, so he conceived the exceedingly clever idea of preparing a lot of manufactured evidence against himself. He wished to be arrested. He would then produce his irreproachable alibi and, hey presto, he was safe for life!" "But I still don't see how he managed to prove his alibi, and yet go to the chemist's shop?" Poirot stared at me in surprise. "Is it possible? My poor friend! You have not yet realized that it was Miss Howard who went to the chemist's shop?" "Miss Howard?" "But, certainly. Who else? It was most easy for her. She is of a good height, her voice is deep and manly; moreover, remember, she and Inglethorp are cousins, and there is a distinct resemblance between them, especially in their gait and bearing. It was simplicity itself. They are a clever pair!" "I am still a little fogged as to how exactly the bromide business was done," I remarked. "_Bon!_ I will reconstruct for you as far as possible. I am inclined to think that Miss Howard was the master mind in that affair. You remember her once mentioning that her father was a doctor? Possibly she dispensed his medicines for him, or she may have taken the idea from one of the many books lying about when Mademoiselle Cynthia was studying for her exam. Anyway, she was familiar with the fact that the addition of a bromide to a mixture containing strychnine would cause the precipitation of the latter. Probably the idea came to her quite suddenly. Mrs. Inglethorp had a box of bromide powders, which she occasionally took at night. What could be easier than quietly to dissolve one or more of those powders in Mrs. Inglethorp's large sized bottle of medicine when it came from Coot's? The risk is practically nil. The tragedy will not take place until nearly a fortnight later. If anyone has seen either of them touching the medicine, they will have forgotten it by that time. Miss Howard will have engineered her quarrel, and departed from the house. The lapse of time, and her absence, will defeat all suspicion. Yes, it was a clever idea! If they had left it alone, it is possible the crime might never have been brought home to them. But they were not satisfied. They tried to be too clever and that was their undoing." Poirot puffed at his tiny cigarette, his eyes fixed on the ceiling.<|quote|>"They arranged a plan to throw suspicion on John Cavendish, by buying strychnine at the village chemist's, and signing the register in his hand-writing."</|quote|>"On Monday Mrs. Inglethorp will take the last dose of her medicine. On Monday, therefore, at six o'clock, Alfred Inglethorp arranges to be seen by a number of people at a spot far removed from the village. Miss Howard has previously made up a cock and bull story about him and Mrs. Raikes to account for his holding his tongue afterwards. At six o'clock, Miss Howard, disguised as Alfred Inglethorp, enters the chemist's shop, with her story about a dog, obtains the strychnine, and writes the name of Alfred Inglethorp in John's handwriting, which she had previously studied carefully." "But, as it will never do if John, too, can prove an alibi, she writes him an anonymous note still copying his hand-writing which takes him to a remote spot where it is exceedingly unlikely that anyone will see him." "So far, all goes well. Miss Howard goes back to Middlingham. Alfred Inglethorp returns to Styles. There is nothing that can compromise him in any way, since it is Miss Howard who has the strychnine, which, after all, is only wanted as a blind to throw suspicion on John Cavendish." "But now a hitch occurs. Mrs. Inglethorp does not take her medicine that night. The broken bell, Cynthia's absence arranged by Inglethorp through his wife all these are wasted. And then he makes his slip." "Mrs. Inglethorp is out, and he sits down to write to his accomplice, who, he fears, may be in a panic at the non-success of their plan. It is probable that Mrs. Inglethorp returned earlier than he expected. Caught in the act, and somewhat flurried he hastily shuts and locks his desk. He fears that if he remains in the room he may have to open it again, and that Mrs. Inglethorp might catch sight of the letter before he could snatch it up. So he goes out and walks in the woods, little dreaming that Mrs. Inglethorp will open his desk, and discover the incriminating document." "But this, as we know, is what happened. Mrs. Inglethorp reads it, and becomes aware of the perfidy of her husband and Evelyn Howard, though, unfortunately, the sentence about the bromides conveys no warning to her mind. She knows that she is in danger but is ignorant of where the danger lies. She decides to say nothing to her husband, but sits down and writes to her solicitor, asking him to come on the morrow, and she also determines to destroy immediately the will which she has just made. She keeps the fatal letter." "It was to discover that letter, then, that her husband forced the lock of the despatch-case?" "Yes, and from the enormous risk he ran we can see how fully he realized its importance. That letter excepted, there was absolutely nothing to connect him with the crime." "There's only one thing I can't make out, why didn't he destroy it at once when he got hold of it?" "Because he did not dare take the biggest risk of all that of keeping it on his own person." "I don't understand." "Look at it from his point of view. I have discovered that there were only five short minutes in which he could have taken it the five minutes immediately before our own arrival on the scene, for before that time Annie was brushing the stairs, and would have seen anyone who passed going to the right wing. Figure to yourself the scene! He enters the room, unlocking the door by means of one of the other doorkeys they were all much alike. He hurries to the despatch-case it is locked, and the keys are nowhere to be seen. That is a terrible blow to him, for it means that his presence in the room cannot be concealed as he had hoped. But he sees clearly that everything must be risked for the sake of that damning piece of evidence. Quickly, he forces the lock with a penknife, and turns over the papers until he finds what he is looking for." "But now a fresh dilemma arises: he dare not keep that piece of paper on him. He may be seen leaving the room he may be searched. If the paper is found on him, it is certain doom. Probably, at this minute, too, he hears the sounds below of Mr. Wells and John leaving the boudoir. He must act quickly. Where can he hide this terrible slip of paper? The contents of the waste-paper-basket are kept and in any case, are sure to be examined. There are no means of destroying it; and he dare not keep it. He looks round, and he sees what do you think, _mon ami?_" I shook my head. "In a moment, he has torn the letter into long thin strips, | simplicity itself. They are a clever pair!" "I am still a little fogged as to how exactly the bromide business was done," I remarked. "_Bon!_ I will reconstruct for you as far as possible. I am inclined to think that Miss Howard was the master mind in that affair. You remember her once mentioning that her father was a doctor? Possibly she dispensed his medicines for him, or she may have taken the idea from one of the many books lying about when Mademoiselle Cynthia was studying for her exam. Anyway, she was familiar with the fact that the addition of a bromide to a mixture containing strychnine would cause the precipitation of the latter. Probably the idea came to her quite suddenly. Mrs. Inglethorp had a box of bromide powders, which she occasionally took at night. What could be easier than quietly to dissolve one or more of those powders in Mrs. Inglethorp's large sized bottle of medicine when it came from Coot's? The risk is practically nil. The tragedy will not take place until nearly a fortnight later. If anyone has seen either of them touching the medicine, they will have forgotten it by that time. Miss Howard will have engineered her quarrel, and departed from the house. The lapse of time, and her absence, will defeat all suspicion. Yes, it was a clever idea! If they had left it alone, it is possible the crime might never have been brought home to them. But they were not satisfied. They tried to be too clever and that was their undoing." Poirot puffed at his tiny cigarette, his eyes fixed on the ceiling.<|quote|>"They arranged a plan to throw suspicion on John Cavendish, by buying strychnine at the village chemist's, and signing the register in his hand-writing."</|quote|>"On Monday Mrs. Inglethorp will take the last dose of her medicine. On Monday, therefore, at six o'clock, Alfred Inglethorp arranges to be seen by a number of people at a spot far removed from the village. Miss Howard has previously made up a cock and bull story about him and Mrs. Raikes to account for his holding his tongue afterwards. At six o'clock, Miss Howard, disguised as Alfred Inglethorp, enters the chemist's shop, with her story about a dog, obtains the strychnine, and writes the name of Alfred Inglethorp in John's handwriting, which she had previously studied carefully." "But, as it will never do if John, too, can prove an alibi, she writes him an anonymous note still copying his hand-writing which takes him to a remote spot where it is exceedingly unlikely that anyone will see him." "So far, all goes well. Miss Howard goes back to Middlingham. Alfred Inglethorp returns to Styles. There is nothing that can compromise him in any way, since it is Miss Howard who has the strychnine, which, after all, is only wanted as a blind to throw suspicion on John Cavendish." "But now a hitch occurs. Mrs. Inglethorp does not take her medicine that night. The broken bell, Cynthia's absence arranged by Inglethorp through his wife all these are wasted. And then he makes his slip." "Mrs. Inglethorp is out, and he sits down to write to his accomplice, who, he fears, may be in a panic at the non-success of their plan. It is probable that Mrs. Inglethorp returned earlier than he expected. Caught in the act, and somewhat flurried he hastily shuts and locks his desk. He fears that if he remains in the room he may have to open it again, and that Mrs. Inglethorp might catch sight of the letter before he could snatch it up. So he goes out and walks in the woods, little dreaming that Mrs. Inglethorp will open his desk, and discover the incriminating document." "But this, as we know, is what happened. Mrs. Inglethorp reads it, and becomes aware of the perfidy of her husband and Evelyn Howard, though, unfortunately, the sentence about the bromides conveys no warning to her mind. She knows that she is in danger but is ignorant of where the danger lies. She decides to say nothing to her husband, but sits down and writes to her solicitor, asking him to come on the morrow, and she also determines to destroy immediately the will which she has just made. She keeps the fatal letter." "It was to discover that letter, then, that her husband forced the lock of the despatch-case?" "Yes, and from the enormous risk he ran we can see how fully he realized its importance. That letter excepted, there was absolutely nothing to connect him with the crime." "There's only one thing I can't make out, why didn't he destroy it at once when he got hold of it?" "Because he did not dare take the biggest risk of all that of keeping it on his own person." "I don't understand." "Look at it from his point of view. I have discovered that there were only five short minutes in which he could have taken it the five minutes immediately before our own arrival on the scene, for before that time Annie was brushing the stairs, and would have seen anyone who passed going to the right wing. Figure to yourself the scene! He enters the room, unlocking the door by means of one of | The Mysterious Affair At Styles |
said Mr. Wilcox fretfully. Charles hardened his mouth. | No speaker | t know my own mind,"<|quote|>said Mr. Wilcox fretfully. Charles hardened his mouth.</|quote|>"You young fellows one idea | on as if I didn t know my own mind,"<|quote|>said Mr. Wilcox fretfully. Charles hardened his mouth.</|quote|>"You young fellows one idea is to get into a | "I think I ll walk." "It s a good half-mile," said Charles, stepping into the garden. "The sun s very hot for April. Shan t I take you up, and then, perhaps, a little spin round by Tewin?" "You go on as if I didn t know my own mind,"<|quote|>said Mr. Wilcox fretfully. Charles hardened his mouth.</|quote|>"You young fellows one idea is to get into a motor. I tell you, I want to walk; I m very fond of walking." "Oh, all right; I m about the house if you want me for anything. I thought of not going up to the office to-day, if that | then they would all start again, more as they had been in his mother s time. "I think I ll go round to the police-station," said his father when breakfast was over. "What for?" cried Dolly, who had still not been "told." "Very well, sir. Which car will you have?" "I think I ll walk." "It s a good half-mile," said Charles, stepping into the garden. "The sun s very hot for April. Shan t I take you up, and then, perhaps, a little spin round by Tewin?" "You go on as if I didn t know my own mind,"<|quote|>said Mr. Wilcox fretfully. Charles hardened his mouth.</|quote|>"You young fellows one idea is to get into a motor. I tell you, I want to walk; I m very fond of walking." "Oh, all right; I m about the house if you want me for anything. I thought of not going up to the office to-day, if that is your wish." "It is, indeed, my boy," said Mr. Wilcox, and laid a hand on his sleeve. Charles did not like it; he was uneasy about his father, who did not seem himself this morning. There was a petulant touch about him--more like a woman. Could it be that | more than enough at the inquest on such unsavoury topics." They went in to breakfast. Charles had a racking headache, consequent on motoring before food. He was also anxious about the future, reflecting that the police must detain Helen and Margaret for the inquest and ferret the whole thing out. He saw himself obliged to leave Hilton. One could not afford to live near the scene of a scandal--it was not fair on one s wife. His comfort was that the pater s eyes were opened at last. There would be a horrible smash-up, and probably a separation from Margaret; then they would all start again, more as they had been in his mother s time. "I think I ll go round to the police-station," said his father when breakfast was over. "What for?" cried Dolly, who had still not been "told." "Very well, sir. Which car will you have?" "I think I ll walk." "It s a good half-mile," said Charles, stepping into the garden. "The sun s very hot for April. Shan t I take you up, and then, perhaps, a little spin round by Tewin?" "You go on as if I didn t know my own mind,"<|quote|>said Mr. Wilcox fretfully. Charles hardened his mouth.</|quote|>"You young fellows one idea is to get into a motor. I tell you, I want to walk; I m very fond of walking." "Oh, all right; I m about the house if you want me for anything. I thought of not going up to the office to-day, if that is your wish." "It is, indeed, my boy," said Mr. Wilcox, and laid a hand on his sleeve. Charles did not like it; he was uneasy about his father, who did not seem himself this morning. There was a petulant touch about him--more like a woman. Could it be that he was growing old? The Wilcoxes were not lacking in affection; they had it royally, but they did not know how to use it. It was the talent in the napkin, and, for a warm-hearted man, Charles had conveyed very little joy. As he watched his father shuffling up the road, he had a vague regret--a wish that something had been different somewhere--a wish (though he did not express it thus) that he had been taught to say "I" in his youth. He meant to make up for Margaret s defection, but knew that his father had been very happy | hall. Was I right, pater? I thought things were going a little too far." "Right, my dear boy? I don t know. But you would have been no son of mine if you hadn t. Then did he just--just--crumple up as you said?" He shrunk from the simple word. "He caught hold of the bookcase, which came down over him. So I merely put the sword down and carried him into the garden. We all thought he was shamming. However, he s dead right enough. Awful business!" "Sword?" cried his father, with anxiety in his voice. "What sword? Whose sword?" "A sword of theirs." "What were you doing with it?" "Well, didn t you see, pater, I had to snatch up the first thing handy. I hadn t a riding-whip or stick. I caught him once or twice over the shoulders with the flat of their old German sword." "Then what?" "He pulled over the bookcase, as I said, and fell," said Charles, with a sigh. It was no fun doing errands for his father, who was never quite satisfied. "But the real cause was heart disease? Of that you re sure?" "That or a fit. However, we shall hear more than enough at the inquest on such unsavoury topics." They went in to breakfast. Charles had a racking headache, consequent on motoring before food. He was also anxious about the future, reflecting that the police must detain Helen and Margaret for the inquest and ferret the whole thing out. He saw himself obliged to leave Hilton. One could not afford to live near the scene of a scandal--it was not fair on one s wife. His comfort was that the pater s eyes were opened at last. There would be a horrible smash-up, and probably a separation from Margaret; then they would all start again, more as they had been in his mother s time. "I think I ll go round to the police-station," said his father when breakfast was over. "What for?" cried Dolly, who had still not been "told." "Very well, sir. Which car will you have?" "I think I ll walk." "It s a good half-mile," said Charles, stepping into the garden. "The sun s very hot for April. Shan t I take you up, and then, perhaps, a little spin round by Tewin?" "You go on as if I didn t know my own mind,"<|quote|>said Mr. Wilcox fretfully. Charles hardened his mouth.</|quote|>"You young fellows one idea is to get into a motor. I tell you, I want to walk; I m very fond of walking." "Oh, all right; I m about the house if you want me for anything. I thought of not going up to the office to-day, if that is your wish." "It is, indeed, my boy," said Mr. Wilcox, and laid a hand on his sleeve. Charles did not like it; he was uneasy about his father, who did not seem himself this morning. There was a petulant touch about him--more like a woman. Could it be that he was growing old? The Wilcoxes were not lacking in affection; they had it royally, but they did not know how to use it. It was the talent in the napkin, and, for a warm-hearted man, Charles had conveyed very little joy. As he watched his father shuffling up the road, he had a vague regret--a wish that something had been different somewhere--a wish (though he did not express it thus) that he had been taught to say "I" in his youth. He meant to make up for Margaret s defection, but knew that his father had been very happy with her until yesterday. How had she done it? By some dishonest trick, no doubt--but how? Mr. Wilcox reappeared at eleven, looking very tired. There was to be an inquest on Leonard s body to-morrow, and the police required his son to attend. "I expected that," said Charles. "I shall naturally be the most important witness there." CHAPTER XLIII Out of the turmoil and horror that had begun with Aunt Juley s illness and was not even to end with Leonard s death, it seemed impossible to Margaret that healthy life should re-emerge. Events succeeded in a logical, yet senseless, train. People lost their humanity, and took values as arbitrary as those in a pack of playing-cards. It was natural that Henry should do this and cause Helen to do that, and then think her wrong for doing it; natural that she herself should think him wrong; natural that Leonard should want to know how Helen was, and come, and Charles be angry with him for coming--natural, but unreal. In this jangle of causes and effects what had become of their true selves? Here Leonard lay dead in the garden, from natural causes; yet life was a deep, deep river, | you to conclude that my wife and I had anything of the nature of a quarrel. She was only overwrought, as who would not be? I shall do what I can for Helen, but on the understanding that they clear out of the house at once. Do you see? That is a sine qua non." "Then at eight to-morrow I may go up in the car?" "Eight or earlier. Say that you are acting as my representative, and, of course, use no violence, Charles." On the morrow, as Charles returned, leaving Leonard dead upon the gravel, it did not seem to him that he had used violence. Death was due to heart disease. His stepmother herself had said so, and even Miss Avery had acknowledged that he only used the flat of the sword. On his way through the village he informed the police, who thanked him, and said there must be an inquest. He found his father in the garden shading his eyes from the sun. "It has been pretty horrible," said Charles gravely. "They were there, and they had the man up there with them too." "What--what man?" "I told you last night. His name was Bast." "My God! is it possible?" said Mr. Wilcox. "In your mother s house! Charles, in your mother s house!" "I know, pater. That was what I felt. As a matter of fact, there is no need to trouble about the man. He was in the last stages of heart disease, and just before I could show him what I thought of him he went off. The police are seeing about it at this moment." Mr. Wilcox listened attentively. "I got up there--oh, it couldn t have been more than half-past seven. The Avery woman was lighting a fire for them. They were still upstairs. I waited in the drawing-room. We were all moderately civil and collected, though I had my suspicions. I gave them your message, and Mrs. Wilcox said," Oh yes, I see; yes, "in that way of hers." "Nothing else?" "I promised to tell you, with her love, that she was going to Germany with her sister this evening. That was all we had time for." Mr. Wilcox seemed relieved. "Because by then I suppose the man got tired of hiding, for suddenly Mrs. Wilcox screamed out his name. I recognised it, and I went for him in the hall. Was I right, pater? I thought things were going a little too far." "Right, my dear boy? I don t know. But you would have been no son of mine if you hadn t. Then did he just--just--crumple up as you said?" He shrunk from the simple word. "He caught hold of the bookcase, which came down over him. So I merely put the sword down and carried him into the garden. We all thought he was shamming. However, he s dead right enough. Awful business!" "Sword?" cried his father, with anxiety in his voice. "What sword? Whose sword?" "A sword of theirs." "What were you doing with it?" "Well, didn t you see, pater, I had to snatch up the first thing handy. I hadn t a riding-whip or stick. I caught him once or twice over the shoulders with the flat of their old German sword." "Then what?" "He pulled over the bookcase, as I said, and fell," said Charles, with a sigh. It was no fun doing errands for his father, who was never quite satisfied. "But the real cause was heart disease? Of that you re sure?" "That or a fit. However, we shall hear more than enough at the inquest on such unsavoury topics." They went in to breakfast. Charles had a racking headache, consequent on motoring before food. He was also anxious about the future, reflecting that the police must detain Helen and Margaret for the inquest and ferret the whole thing out. He saw himself obliged to leave Hilton. One could not afford to live near the scene of a scandal--it was not fair on one s wife. His comfort was that the pater s eyes were opened at last. There would be a horrible smash-up, and probably a separation from Margaret; then they would all start again, more as they had been in his mother s time. "I think I ll go round to the police-station," said his father when breakfast was over. "What for?" cried Dolly, who had still not been "told." "Very well, sir. Which car will you have?" "I think I ll walk." "It s a good half-mile," said Charles, stepping into the garden. "The sun s very hot for April. Shan t I take you up, and then, perhaps, a little spin round by Tewin?" "You go on as if I didn t know my own mind,"<|quote|>said Mr. Wilcox fretfully. Charles hardened his mouth.</|quote|>"You young fellows one idea is to get into a motor. I tell you, I want to walk; I m very fond of walking." "Oh, all right; I m about the house if you want me for anything. I thought of not going up to the office to-day, if that is your wish." "It is, indeed, my boy," said Mr. Wilcox, and laid a hand on his sleeve. Charles did not like it; he was uneasy about his father, who did not seem himself this morning. There was a petulant touch about him--more like a woman. Could it be that he was growing old? The Wilcoxes were not lacking in affection; they had it royally, but they did not know how to use it. It was the talent in the napkin, and, for a warm-hearted man, Charles had conveyed very little joy. As he watched his father shuffling up the road, he had a vague regret--a wish that something had been different somewhere--a wish (though he did not express it thus) that he had been taught to say "I" in his youth. He meant to make up for Margaret s defection, but knew that his father had been very happy with her until yesterday. How had she done it? By some dishonest trick, no doubt--but how? Mr. Wilcox reappeared at eleven, looking very tired. There was to be an inquest on Leonard s body to-morrow, and the police required his son to attend. "I expected that," said Charles. "I shall naturally be the most important witness there." CHAPTER XLIII Out of the turmoil and horror that had begun with Aunt Juley s illness and was not even to end with Leonard s death, it seemed impossible to Margaret that healthy life should re-emerge. Events succeeded in a logical, yet senseless, train. People lost their humanity, and took values as arbitrary as those in a pack of playing-cards. It was natural that Henry should do this and cause Helen to do that, and then think her wrong for doing it; natural that she herself should think him wrong; natural that Leonard should want to know how Helen was, and come, and Charles be angry with him for coming--natural, but unreal. In this jangle of causes and effects what had become of their true selves? Here Leonard lay dead in the garden, from natural causes; yet life was a deep, deep river, death a blue sky, life was a house, death a wisp of hay, a flower, a tower, life and death were anything and everything, except this ordered insanity, where the king takes the queen, and the ace the king. Ah, no; there was beauty and adventure behind, such as the man at her feet had yearned for; there was hope this side of the grave; there were truer relationships beyond the limits that fetter us now. As a prisoner looks up and sees stars beckoning, so she, from the turmoil and horror of those days, caught glimpses of the diviner wheels. And Helen, dumb with fright, but trying to keep calm for the child s sake, and Miss Avery, calm, but murmuring tenderly, "No one ever told the lad he ll have a child" "--they also reminded her that horror is not the end. To what ultimate harmony we tend she did not know, but there seemed great chance that a child would be born into the world, to take the great chances of beauty and adventure that the world offers. She moved through the sunlit garden, gathering narcissi, crimson-eyed and white. There was nothing else to be done; the time for telegrams and anger was over and it seemed wisest that the hands of Leonard should be folded on his breast and be filled with flowers. Here was the father; leave it at that. Let Squalor be turned into Tragedy, whose eyes are the stars, and whose hands hold the sunset and the dawn. And even the influx of officials, even the return of the doctor, vulgar and acute, could not shake her belief in the eternity of beauty. Science explained people, but could not understand them. After long centuries among the bones and muscles it might be advancing to knowledge of the nerves, but this would never give understanding. One could open the heart to Mr. Mansbridge and his sort without discovering its secrets to them, for they wanted everything down in black and white, and black and white was exactly what they were left with. They questioned her closely about Charles. She never suspected why. Death had come, and the doctor agreed that it was due to heart disease. They asked to see her father s sword. She explained that Charles s anger was natural, but mistaken. Miserable questions about Leonard followed, all of which she answered | bookcase, as I said, and fell," said Charles, with a sigh. It was no fun doing errands for his father, who was never quite satisfied. "But the real cause was heart disease? Of that you re sure?" "That or a fit. However, we shall hear more than enough at the inquest on such unsavoury topics." They went in to breakfast. Charles had a racking headache, consequent on motoring before food. He was also anxious about the future, reflecting that the police must detain Helen and Margaret for the inquest and ferret the whole thing out. He saw himself obliged to leave Hilton. One could not afford to live near the scene of a scandal--it was not fair on one s wife. His comfort was that the pater s eyes were opened at last. There would be a horrible smash-up, and probably a separation from Margaret; then they would all start again, more as they had been in his mother s time. "I think I ll go round to the police-station," said his father when breakfast was over. "What for?" cried Dolly, who had still not been "told." "Very well, sir. Which car will you have?" "I think I ll walk." "It s a good half-mile," said Charles, stepping into the garden. "The sun s very hot for April. Shan t I take you up, and then, perhaps, a little spin round by Tewin?" "You go on as if I didn t know my own mind,"<|quote|>said Mr. Wilcox fretfully. Charles hardened his mouth.</|quote|>"You young fellows one idea is to get into a motor. I tell you, I want to walk; I m very fond of walking." "Oh, all right; I m about the house if you want me for anything. I thought of not going up to the office to-day, if that is your wish." "It is, indeed, my boy," said Mr. Wilcox, and laid a hand on his sleeve. Charles did not like it; he was uneasy about his father, who did not seem himself this morning. There was a petulant touch about him--more like a woman. Could it be that he was growing old? The Wilcoxes were not lacking in affection; they had it royally, but they did not know how to use it. It was the talent in the napkin, and, for a warm-hearted man, Charles had conveyed very little joy. As he watched his father shuffling up the road, he had a vague regret--a wish that something had been different somewhere--a wish (though he did not express it thus) that he had been taught to say "I" in his youth. He meant to make up for Margaret s defection, but knew that his father had been very happy with her until yesterday. How had she done it? By some dishonest trick, no doubt--but how? Mr. Wilcox reappeared at eleven, looking very tired. There was to be an inquest on Leonard s body to-morrow, and the police required his son to attend. "I expected that," said Charles. "I shall naturally be the most important witness there." CHAPTER XLIII Out of the turmoil and horror that had begun with Aunt Juley s illness and was not even to end with Leonard s death, it seemed impossible to Margaret that healthy life should re-emerge. Events succeeded in a logical, yet senseless, train. People lost their humanity, and took values as arbitrary as those in a pack of playing-cards. It was natural that Henry should do this and cause Helen to do that, and then think her wrong for doing it; natural that she herself should think him wrong; natural that Leonard should want to know how Helen was, and come, and Charles be angry with him for coming--natural, but unreal. In this jangle of causes and effects what had become of their true selves? Here Leonard lay dead in the garden, from natural causes; yet life was a deep, deep river, death a blue sky, life was a house, death a wisp of hay, a flower, a tower, life and death were anything and everything, except this ordered insanity, where the king takes the queen, and the ace the king. Ah, no; there was beauty and adventure behind, such as the man at her feet had yearned for; there was hope this side of the grave; there were truer relationships beyond the limits that fetter us now. As a prisoner looks up and sees stars beckoning, so she, from the turmoil and horror of those days, caught glimpses of the diviner wheels. And Helen, dumb with fright, but trying to keep calm for the child s sake, and Miss Avery, calm, but murmuring tenderly, "No one ever told the lad he ll have a child" "--they also reminded her that horror is not the end. To what ultimate harmony we tend she did not know, but there seemed great chance that a child would be born into the world, to take the great chances of beauty and adventure that the world offers. She moved through the sunlit garden, gathering narcissi, crimson-eyed and white. There was nothing else to | Howards End |
“I suppose she talks, and—eats, and everything.” | Nick | the subject of her daughter.<|quote|>“I suppose she talks, and—eats, and everything.”</|quote|>“Oh, yes.” She looked at | I returned rather feebly to the subject of her daughter.<|quote|>“I suppose she talks, and—eats, and everything.”</|quote|>“Oh, yes.” She looked at me absently. “Listen, Nick; let | back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter.<|quote|>“I suppose she talks, and—eats, and everything.”</|quote|>“Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. | into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter.<|quote|>“I suppose she talks, and—eats, and everything.”</|quote|>“Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a | instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter.<|quote|>“I suppose she talks, and—eats, and everything.”</|quote|>“Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made | helped!” cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued: “I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter.<|quote|>“I suppose she talks, and—eats, and everything.”</|quote|>“Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.” Her body asserted itself with a restless movement of her knee, and she stood up. “Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” | people in New York that had a silver service for two hundred people. He had to polish it from morning till night, until finally it began to affect his nose—” “Things went from bad to worse,” suggested Miss Baker. “Yes. Things went from bad to worse, until finally he had to give up his position.” For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened—then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. The butler came back and murmured something close to Tom’s ear, whereupon Tom frowned, pushed back his chair, and without a word went inside. As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. “I love to see you at my table, Nick. You remind me of a—of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation: “An absolute rose?” This was untrue. I am not even faintly like a rose. She was only extemporizing, but a stirring warmth flowed from her, as if her heart was trying to come out to you concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. “This Mr. Gatsby you spoke of is my neighbour—” I began. “Don’t talk. I want to hear what happens.” “Is something happening?” I inquired innocently. “You mean to say you don’t know?” said Miss Baker, honestly surprised. “I thought everybody knew.” “I don’t.” “Why—” she said hesitantly. “Tom’s got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!” cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued: “I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter.<|quote|>“I suppose she talks, and—eats, and everything.”</|quote|>“Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.” Her body asserted itself with a restless movement of her knee, and she stood up. “Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” “If you’ll get up.” “I will. Good night, Mr. Carraway. See you anon.” “Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—” “Good night,” called Miss Baker from the stairs. “I haven’t heard a word.” “She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.” “Who oughtn’t to?” inquired Daisy coldly. “Her family.” “Her family is one aunt about a thousand years old. Besides, Nick’s going to look after her, aren’t you, Nick? She’s going to spend lots of weekends out here this summer. I think the home influence will be very good for her.” Daisy and Tom looked at each other for a moment in silence. “Is she from New York?” I asked quickly. “From Louisville. Our white girlhood was passed together there. Our beautiful white—” “Did you give Nick a little heart to heart talk on the veranda?” demanded Tom suddenly. “Did I?” She looked at me. “I can’t seem to remember, but I think we talked about the Nordic race. Yes, I’m sure we did. It sort of crept up on us and first thing you know—” “Don’t believe everything you hear, Nick,” he advised me. I said lightly that I had heard nothing at all, and a few minutes later I got up to go home. They came to the door with me and stood side by side in a cheerful square of light. As I started my motor Daisy peremptorily called: “Wait! “I forgot to ask you something, and it’s important. We heard you were engaged to a girl out West.” “That’s right,” corroborated Tom kindly. “We heard that you were engaged.” “It’s a libel. I’m too | got some woman in New York.” “Got some woman?” I repeated blankly. Miss Baker nodded. “She might have the decency not to telephone him at dinner time. Don’t you think?” Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!” cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued: “I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter.<|quote|>“I suppose she talks, and—eats, and everything.”</|quote|>“Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.” Her body asserted itself with a restless movement of her knee, and she stood up. “Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good | The Great Gatsby |
I asked. | No speaker | has leaked out." "What then?"<|quote|>I asked.</|quote|>"Why, we have got him, | You see, and the stuff has leaked out." "What then?"<|quote|>I asked.</|quote|>"Why, we have got him, that s all," said he. | very little trouble now. Number One has had the misfortune to tread in the creosote. You can see the outline of the edge of his small foot here at the side of this evil-smelling mess. The carboy has been cracked, You see, and the stuff has leaked out." "What then?"<|quote|>I asked.</|quote|>"Why, we have got him, that s all," said he. "I know a dog that would follow that scent to the world s end. If a pack can track a trailed herring across a shire, how far can a specially-trained hound follow so pungent a smell as this? It sounds | have made had he turned his energy and sagacity against the law, instead of exerting them in its defence. As he hunted about, he kept muttering to himself, and finally he broke out into a loud crow of delight. "We are certainly in luck," said he. "We ought to have very little trouble now. Number One has had the misfortune to tread in the creosote. You can see the outline of the edge of his small foot here at the side of this evil-smelling mess. The carboy has been cracked, You see, and the stuff has leaked out." "What then?"<|quote|>I asked.</|quote|>"Why, we have got him, that s all," said he. "I know a dog that would follow that scent to the world s end. If a pack can track a trailed herring across a shire, how far can a specially-trained hound follow so pungent a smell as this? It sounds like a sum in the rule of three. The answer should give us the But halloa! here are the accredited representatives of the law." Heavy steps and the clamour of loud voices were audible from below, and the hall door shut with a loud crash. "Before they come," said Holmes, | be clear enough to you soon," he said, in an off-hand way. "I think that there is nothing else of importance here, but I will look." He whipped out his lens and a tape measure, and hurried about the room on his knees, measuring, comparing, examining, with his long thin nose only a few inches from the planks, and his beady eyes gleaming and deep-set like those of a bird. So swift, silent, and furtive were his movements, like those of a trained blood-hound picking out a scent, that I could not but think what a terrible criminal he would have made had he turned his energy and sagacity against the law, instead of exerting them in its defence. As he hunted about, he kept muttering to himself, and finally he broke out into a loud crow of delight. "We are certainly in luck," said he. "We ought to have very little trouble now. Number One has had the misfortune to tread in the creosote. You can see the outline of the edge of his small foot here at the side of this evil-smelling mess. The carboy has been cracked, You see, and the stuff has leaked out." "What then?"<|quote|>I asked.</|quote|>"Why, we have got him, that s all," said he. "I know a dog that would follow that scent to the world s end. If a pack can track a trailed herring across a shire, how far can a specially-trained hound follow so pungent a smell as this? It sounds like a sum in the rule of three. The answer should give us the But halloa! here are the accredited representatives of the law." Heavy steps and the clamour of loud voices were audible from below, and the hall door shut with a loud crash. "Before they come," said Holmes, "just put your hand here on this poor fellow s arm, and here on his leg. What do you feel?" "The muscles are as hard as a board," I answered. "Quite so. They are in a state of extreme contraction, far exceeding the usual _rigor mortis_. Coupled with this distortion of the face, this Hippocratic smile, or _risus sardonicus_, as the old writers called it, what conclusion would it suggest to your mind?" "Death from some powerful vegetable alkaloid," I answered, "some strychnine-like substance which would produce tetanus." "That was the idea which occurred to me the instant I saw | any other traces of his individuality." He held down the lamp to the floor, and as he did so I saw for the second time that night a startled, surprised look come over his face. For myself, as I followed his gaze my skin was cold under my clothes. The floor was covered thickly with the prints of a naked foot, clear, well defined, perfectly formed, but scarce half the size of those of an ordinary man. "Holmes," I said, in a whisper, "a child has done the horrid thing." He had recovered his self-possession in an instant. "I was staggered for the moment," he said, "but the thing is quite natural. My memory failed me, or I should have been able to foretell it. There is nothing more to be learned here. Let us go down." "What is your theory, then, as to those footmarks?" I asked, eagerly, when we had regained the lower room once more. "My dear Watson, try a little analysis yourself," said he, with a touch of impatience. "You know my methods. Apply them, and it will be instructive to compare results." "I cannot conceive anything which will cover the facts," I answered. "It will be clear enough to you soon," he said, in an off-hand way. "I think that there is nothing else of importance here, but I will look." He whipped out his lens and a tape measure, and hurried about the room on his knees, measuring, comparing, examining, with his long thin nose only a few inches from the planks, and his beady eyes gleaming and deep-set like those of a bird. So swift, silent, and furtive were his movements, like those of a trained blood-hound picking out a scent, that I could not but think what a terrible criminal he would have made had he turned his energy and sagacity against the law, instead of exerting them in its defence. As he hunted about, he kept muttering to himself, and finally he broke out into a loud crow of delight. "We are certainly in luck," said he. "We ought to have very little trouble now. Number One has had the misfortune to tread in the creosote. You can see the outline of the edge of his small foot here at the side of this evil-smelling mess. The carboy has been cracked, You see, and the stuff has leaked out." "What then?"<|quote|>I asked.</|quote|>"Why, we have got him, that s all," said he. "I know a dog that would follow that scent to the world s end. If a pack can track a trailed herring across a shire, how far can a specially-trained hound follow so pungent a smell as this? It sounds like a sum in the rule of three. The answer should give us the But halloa! here are the accredited representatives of the law." Heavy steps and the clamour of loud voices were audible from below, and the hall door shut with a loud crash. "Before they come," said Holmes, "just put your hand here on this poor fellow s arm, and here on his leg. What do you feel?" "The muscles are as hard as a board," I answered. "Quite so. They are in a state of extreme contraction, far exceeding the usual _rigor mortis_. Coupled with this distortion of the face, this Hippocratic smile, or _risus sardonicus_, as the old writers called it, what conclusion would it suggest to your mind?" "Death from some powerful vegetable alkaloid," I answered, "some strychnine-like substance which would produce tetanus." "That was the idea which occurred to me the instant I saw the drawn muscles of the face. On getting into the room I at once looked for the means by which the poison had entered the system. As you saw, I discovered a thorn which had been driven or shot with no great force into the scalp. You observe that the part struck was that which would be turned towards the hole in the ceiling if the man were erect in his chair. Now examine the thorn." I took it up gingerly and held it in the light of the lantern. It was long, sharp, and black, with a glazed look near the point as though some gummy substance had dried upon it. The blunt end had been trimmed and rounded off with a knife. "Is that an English thorn?" he asked. "No, it certainly is not." "With all these data you should be able to draw some just inference. But here are the regulars; so the auxiliary forces may beat a retreat." As he spoke, the steps which had been coming nearer sounded loudly on the passage, and a very stout, portly man in a grey suit strode heavily into the room. He was red-faced, burly and plethoric, with a | than ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility." "How then?" I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to hold the lamp for me, we shall now extend our researches to the room above, the secret room in which the treasure was found." He mounted the steps, and, seizing a rafter with either hand, he swung himself up into the garret. Then, lying on his face, he reached down for the lamp and held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam. The roof ran up to an apex, and was evidently the inner shell of the true roof of the house. There was no furniture of any sort, and the accumulated dust of years lay thick upon the floor. "Here you are, you see," said Sherlock Holmes, putting his hand against the sloping wall. "This is a trap-door which leads out on to the roof. I can press it back, and here is the roof itself, sloping at a gentle angle. This, then, is the way by which Number One entered. Let us see if we can find any other traces of his individuality." He held down the lamp to the floor, and as he did so I saw for the second time that night a startled, surprised look come over his face. For myself, as I followed his gaze my skin was cold under my clothes. The floor was covered thickly with the prints of a naked foot, clear, well defined, perfectly formed, but scarce half the size of those of an ordinary man. "Holmes," I said, in a whisper, "a child has done the horrid thing." He had recovered his self-possession in an instant. "I was staggered for the moment," he said, "but the thing is quite natural. My memory failed me, or I should have been able to foretell it. There is nothing more to be learned here. Let us go down." "What is your theory, then, as to those footmarks?" I asked, eagerly, when we had regained the lower room once more. "My dear Watson, try a little analysis yourself," said he, with a touch of impatience. "You know my methods. Apply them, and it will be instructive to compare results." "I cannot conceive anything which will cover the facts," I answered. "It will be clear enough to you soon," he said, in an off-hand way. "I think that there is nothing else of importance here, but I will look." He whipped out his lens and a tape measure, and hurried about the room on his knees, measuring, comparing, examining, with his long thin nose only a few inches from the planks, and his beady eyes gleaming and deep-set like those of a bird. So swift, silent, and furtive were his movements, like those of a trained blood-hound picking out a scent, that I could not but think what a terrible criminal he would have made had he turned his energy and sagacity against the law, instead of exerting them in its defence. As he hunted about, he kept muttering to himself, and finally he broke out into a loud crow of delight. "We are certainly in luck," said he. "We ought to have very little trouble now. Number One has had the misfortune to tread in the creosote. You can see the outline of the edge of his small foot here at the side of this evil-smelling mess. The carboy has been cracked, You see, and the stuff has leaked out." "What then?"<|quote|>I asked.</|quote|>"Why, we have got him, that s all," said he. "I know a dog that would follow that scent to the world s end. If a pack can track a trailed herring across a shire, how far can a specially-trained hound follow so pungent a smell as this? It sounds like a sum in the rule of three. The answer should give us the But halloa! here are the accredited representatives of the law." Heavy steps and the clamour of loud voices were audible from below, and the hall door shut with a loud crash. "Before they come," said Holmes, "just put your hand here on this poor fellow s arm, and here on his leg. What do you feel?" "The muscles are as hard as a board," I answered. "Quite so. They are in a state of extreme contraction, far exceeding the usual _rigor mortis_. Coupled with this distortion of the face, this Hippocratic smile, or _risus sardonicus_, as the old writers called it, what conclusion would it suggest to your mind?" "Death from some powerful vegetable alkaloid," I answered, "some strychnine-like substance which would produce tetanus." "That was the idea which occurred to me the instant I saw the drawn muscles of the face. On getting into the room I at once looked for the means by which the poison had entered the system. As you saw, I discovered a thorn which had been driven or shot with no great force into the scalp. You observe that the part struck was that which would be turned towards the hole in the ceiling if the man were erect in his chair. Now examine the thorn." I took it up gingerly and held it in the light of the lantern. It was long, sharp, and black, with a glazed look near the point as though some gummy substance had dried upon it. The blunt end had been trimmed and rounded off with a knife. "Is that an English thorn?" he asked. "No, it certainly is not." "With all these data you should be able to draw some just inference. But here are the regulars; so the auxiliary forces may beat a retreat." As he spoke, the steps which had been coming nearer sounded loudly on the passage, and a very stout, portly man in a grey suit strode heavily into the room. He was red-faced, burly and plethoric, with a pair of very small twinkling eyes which looked keenly out from between swollen and puffy pouches. He was closely followed by an inspector in uniform, and by the still palpitating Thaddeus Sholto. "Here s a business!" he cried, in a muffled, husky voice. "Here s a pretty business! But who are all these? Why, the house seems to be as full as a rabbit-warren!" "I think you must recollect me, Mr. Athelney Jones," said Holmes, quietly. "Why, of course I do!" he wheezed. "It s Mr. Sherlock Holmes, the theorist. Remember you! I ll never forget how you lectured us all on causes and inferences and effects in the Bishopgate jewel case. It s true you set us on the right track; but you ll own now that it was more by good luck than good guidance." "It was a piece of very simple reasoning." "Oh, come, now, come! Never be ashamed to own up. But what is all this? Bad business! Bad business! Stern facts here, no room for theories. How lucky that I happened to be out at Norwood over another case! I was at the station when the message arrived. What d you think the man died of?" "Oh, this is hardly a case for me to theorise over," said Holmes, dryly. "No, no. Still, we can t deny that you hit the nail on the head sometimes. Dear me! Door locked, I understand. Jewels worth half a million missing. How was the window?" "Fastened; but there are steps on the sill." "Well, well, if it was fastened the steps could have nothing to do with the matter. That s common sense. Man might have died in a fit; but then the jewels are missing. Ha! I have a theory. These flashes come upon me at times. Just step outside, sergeant, and you, Mr. Sholto. Your friend can remain. What do you think of this, Holmes? Sholto was, on his own confession, with his brother last night. The brother died in a fit, on which Sholto walked off with the treasure. How s that?" "On which the dead man very considerately got up and locked the door on the inside." "Hum! There s a flaw there. Let us apply common sense to the matter. This Thaddeus Sholto _was_ with his brother; there _was_ a quarrel; so much we know. The brother is dead and the jewels are | held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam. The roof ran up to an apex, and was evidently the inner shell of the true roof of the house. There was no furniture of any sort, and the accumulated dust of years lay thick upon the floor. "Here you are, you see," said Sherlock Holmes, putting his hand against the sloping wall. "This is a trap-door which leads out on to the roof. I can press it back, and here is the roof itself, sloping at a gentle angle. This, then, is the way by which Number One entered. Let us see if we can find any other traces of his individuality." He held down the lamp to the floor, and as he did so I saw for the second time that night a startled, surprised look come over his face. For myself, as I followed his gaze my skin was cold under my clothes. The floor was covered thickly with the prints of a naked foot, clear, well defined, perfectly formed, but scarce half the size of those of an ordinary man. "Holmes," I said, in a whisper, "a child has done the horrid thing." He had recovered his self-possession in an instant. "I was staggered for the moment," he said, "but the thing is quite natural. My memory failed me, or I should have been able to foretell it. There is nothing more to be learned here. Let us go down." "What is your theory, then, as to those footmarks?" I asked, eagerly, when we had regained the lower room once more. "My dear Watson, try a little analysis yourself," said he, with a touch of impatience. "You know my methods. Apply them, and it will be instructive to compare results." "I cannot conceive anything which will cover the facts," I answered. "It will be clear enough to you soon," he said, in an off-hand way. "I think that there is nothing else of importance here, but I will look." He whipped out his lens and a tape measure, and hurried about the room on his knees, measuring, comparing, examining, with his long thin nose only a few inches from the planks, and his beady eyes gleaming and deep-set like those of a bird. So swift, silent, and furtive were his movements, like those of a trained blood-hound picking out a scent, that I could not but think what a terrible criminal he would have made had he turned his energy and sagacity against the law, instead of exerting them in its defence. As he hunted about, he kept muttering to himself, and finally he broke out into a loud crow of delight. "We are certainly in luck," said he. "We ought to have very little trouble now. Number One has had the misfortune to tread in the creosote. You can see the outline of the edge of his small foot here at the side of this evil-smelling mess. The carboy has been cracked, You see, and the stuff has leaked out." "What then?"<|quote|>I asked.</|quote|>"Why, we have got him, that s all," said he. "I know a dog that would follow that scent to the world s end. If a pack can track a trailed herring across a shire, how far can a specially-trained hound follow so pungent a smell as this? It sounds like a sum in the rule of three. The answer should give us the But halloa! here are the accredited representatives of the law." Heavy steps and the clamour of loud voices were audible from below, and the hall door shut with a loud crash. "Before they come," said Holmes, "just put your hand here on this poor fellow s arm, and here on his leg. What do you feel?" "The muscles are as hard as a board," I answered. "Quite so. They are in a state of extreme contraction, far exceeding the usual _rigor mortis_. Coupled with this distortion of the face, this Hippocratic smile, or _risus sardonicus_, as the old writers called it, what conclusion would it suggest to your mind?" "Death from some powerful vegetable alkaloid," I answered, "some strychnine-like substance which would produce tetanus." "That was the idea which occurred to me the instant I saw the drawn muscles of the face. On getting into the room I at once looked for the means by which the poison had entered the system. As you saw, I discovered a thorn which had been driven or shot with no great force into the scalp. You observe that the part struck was that which would be turned towards the hole in the ceiling if the man were erect in his chair. Now examine the thorn." I took it up gingerly and held it in the light of the lantern. It was long, sharp, and black, with a glazed look near the point as though | The Sign Of The Four |
"That's right, dear, don't say anything," | Kanga | another mouthful of lathery flannel.<|quote|>"That's right, dear, don't say anything,"</|quote|>said Kanga, and in another | ... and then accidentally had another mouthful of lathery flannel.<|quote|>"That's right, dear, don't say anything,"</|quote|>said Kanga, and in another minute Piglet was out of | "Ow!" cried Piglet. "Let me out! I'm Piglet!" "Don't open the mouth, dear, or the soap goes in," said Kanga. "There! What did I tell you?" "You--you--you did it on purpose," spluttered Piglet, as soon as he could speak again ... and then accidentally had another mouthful of lathery flannel.<|quote|>"That's right, dear, don't say anything,"</|quote|>said Kanga, and in another minute Piglet was out of the bath, and being rubbed dry with a towel. "Now," said Kanga, "there's your medicine, and then bed." "W-w-what medicine?" said Piglet. "To make you grow big and strong, dear. You don't want to grow up small and weak like | to _look_ like Piglet--and _then_ think how sorry you will be. Now then, into the bath, and don't let me have to speak to you about it again." Before he knew where he was, Piglet was in the bath, and Kanga was scrubbing him firmly with a large lathery flannel. "Ow!" cried Piglet. "Let me out! I'm Piglet!" "Don't open the mouth, dear, or the soap goes in," said Kanga. "There! What did I tell you?" "You--you--you did it on purpose," spluttered Piglet, as soon as he could speak again ... and then accidentally had another mouthful of lathery flannel.<|quote|>"That's right, dear, don't say anything,"</|quote|>said Kanga, and in another minute Piglet was out of the bath, and being rubbed dry with a towel. "Now," said Kanga, "there's your medicine, and then bed." "W-w-what medicine?" said Piglet. "To make you grow big and strong, dear. You don't want to grow up small and weak like Piglet, do you? Well, then!" At that moment there was a knock at the door. "Come in," said Kanga, and in came Christopher Robin. "Christopher Robin, Christopher Robin!" cried Piglet. "Tell Kanga who I am! She keeps saying I'm Roo. I'm _not_ Roo, am I?" Christopher Robin looked at him | Roo," said Kanga, as she got the bath-water ready. "I am _not_ Roo," said Piglet loudly. "I am Piglet!" "Yes, dear, yes," said Kanga soothingly. "And imitating Piglet's voice too! So clever of him," she went on, as she took a large bar of yellow soap out of the cupboard. "What _will_ he be doing next?" "Can't you _see_?" shouted Piglet. "Haven't you got _eyes_? _Look_ at me!" "I _am_ looking, Roo, dear," said Kanga rather severely. "And you know what I told you yesterday about making faces. If you go on making faces like Piglet's, you will grow up to _look_ like Piglet--and _then_ think how sorry you will be. Now then, into the bath, and don't let me have to speak to you about it again." Before he knew where he was, Piglet was in the bath, and Kanga was scrubbing him firmly with a large lathery flannel. "Ow!" cried Piglet. "Let me out! I'm Piglet!" "Don't open the mouth, dear, or the soap goes in," said Kanga. "There! What did I tell you?" "You--you--you did it on purpose," spluttered Piglet, as soon as he could speak again ... and then accidentally had another mouthful of lathery flannel.<|quote|>"That's right, dear, don't say anything,"</|quote|>said Kanga, and in another minute Piglet was out of the bath, and being rubbed dry with a towel. "Now," said Kanga, "there's your medicine, and then bed." "W-w-what medicine?" said Piglet. "To make you grow big and strong, dear. You don't want to grow up small and weak like Piglet, do you? Well, then!" At that moment there was a knock at the door. "Come in," said Kanga, and in came Christopher Robin. "Christopher Robin, Christopher Robin!" cried Piglet. "Tell Kanga who I am! She keeps saying I'm Roo. I'm _not_ Roo, am I?" Christopher Robin looked at him very carefully, and shook his head. "You can't be Roo," he said, "because I've just seen Roo playing in Rabbit's house." "Well!" said Kanga. "Fancy that! Fancy my making a mistake like that." "There you are!" said Piglet. "I told you so. I'm Piglet." Christopher Robin shook his head again. "Oh, you're not Piglet," he said. "I know Piglet well, and he's _quite_ a different colour." Piglet began to say that this was because he had just had a bath, and then he thought that perhaps he wouldn't say that, and as he opened his mouth to say something else, | harm happen to Roo. So she said to herself, "If they are having a joke with me, I will have a joke with them." "Now then, Roo, dear," she said, as she took Piglet out of her pocket. "Bed-time." "_Aha!_" said Piglet, as well as he could after his Terrifying Journey. But it wasn't a very good "_Aha!_" and Kanga didn't seem to understand what it meant. "Bath first," said Kanga in a cheerful voice. "_Aha!_" said Piglet again, looking round anxiously for the others. But the others weren't there. Rabbit was playing with Baby Roo in his own house, and feeling more fond of him every minute, and Pooh, who had decided to be a Kanga, was still at the sandy place on the top of the Forest, practising jumps. "I am not at all sure," said Kanga in a thoughtful voice, "that it wouldn't be a good idea to have a _cold_ bath this evening. Would you like that, Roo, dear?" Piglet, who had never been really fond of baths, shuddered a long indignant shudder, and said in as brave a voice as he could: "Kanga, I see that the time has come to spleak painly." "Funny little Roo," said Kanga, as she got the bath-water ready. "I am _not_ Roo," said Piglet loudly. "I am Piglet!" "Yes, dear, yes," said Kanga soothingly. "And imitating Piglet's voice too! So clever of him," she went on, as she took a large bar of yellow soap out of the cupboard. "What _will_ he be doing next?" "Can't you _see_?" shouted Piglet. "Haven't you got _eyes_? _Look_ at me!" "I _am_ looking, Roo, dear," said Kanga rather severely. "And you know what I told you yesterday about making faces. If you go on making faces like Piglet's, you will grow up to _look_ like Piglet--and _then_ think how sorry you will be. Now then, into the bath, and don't let me have to speak to you about it again." Before he knew where he was, Piglet was in the bath, and Kanga was scrubbing him firmly with a large lathery flannel. "Ow!" cried Piglet. "Let me out! I'm Piglet!" "Don't open the mouth, dear, or the soap goes in," said Kanga. "There! What did I tell you?" "You--you--you did it on purpose," spluttered Piglet, as soon as he could speak again ... and then accidentally had another mouthful of lathery flannel.<|quote|>"That's right, dear, don't say anything,"</|quote|>said Kanga, and in another minute Piglet was out of the bath, and being rubbed dry with a towel. "Now," said Kanga, "there's your medicine, and then bed." "W-w-what medicine?" said Piglet. "To make you grow big and strong, dear. You don't want to grow up small and weak like Piglet, do you? Well, then!" At that moment there was a knock at the door. "Come in," said Kanga, and in came Christopher Robin. "Christopher Robin, Christopher Robin!" cried Piglet. "Tell Kanga who I am! She keeps saying I'm Roo. I'm _not_ Roo, am I?" Christopher Robin looked at him very carefully, and shook his head. "You can't be Roo," he said, "because I've just seen Roo playing in Rabbit's house." "Well!" said Kanga. "Fancy that! Fancy my making a mistake like that." "There you are!" said Piglet. "I told you so. I'm Piglet." Christopher Robin shook his head again. "Oh, you're not Piglet," he said. "I know Piglet well, and he's _quite_ a different colour." Piglet began to say that this was because he had just had a bath, and then he thought that perhaps he wouldn't say that, and as he opened his mouth to say something else, Kanga slipped the medicine spoon in, and then patted him on the back and told him that it was really quite a nice taste when you got used to it. "I knew it wasn't Piglet," said Kanga. "I wonder who it can be." "Perhaps it's some relation of Pooh's," said Christopher Robin. "What about a nephew or an uncle or something?" Kanga agreed that this was probably what it was, and said that they would have to call it by some name. "I shall call it Pootel," said Christopher Robin. "Henry Pootel for short." And just when it was decided, Henry Pootel wriggled out of Kanga's arms and jumped to the ground. To his great joy Christopher Robin had left the door open. Never had Henry Pootel Piglet run so fast as he ran then, and he didn't stop running until he had got quite close to his house. But when he was a hundred yards away he stopped running, and rolled the rest of the way home, so as to get his own nice comfortable colour again.... So Kanga and Roo stayed in the Forest. And every Tuesday Roo spent the day with his great friend Rabbit, and every | right over there?" "Where?" said Kanga. "Now, Roo----" "Right over there," said Pooh, pointing behind Kanga's back. "No," said Kanga. "Now jump in, Roo, dear, and we'll go home." "You ought to look at that tree right over there," said Rabbit. "Shall I lift you in, Roo?" And he picked up Roo in his paws. "I can see a bird in it from here," said Pooh. "Or is it a fish?" "You ought to see that bird from here," said Rabbit. "Unless it's a fish." "It isn't a fish, it's a bird," said Piglet. "So it is," said Rabbit. "Is it a starling or a blackbird?" said Pooh. "That's the whole question," said Rabbit. "Is it a blackbird or a starling?" And then at last Kanga did turn her head to look. And the moment that her head was turned, Rabbit said in a loud voice "In you go, Roo!" and in jumped Piglet into Kanga's pocket, and off scampered Rabbit, with Roo in his paws, as fast as he could. "Why, where's Rabbit?" said Kanga, turning round again. "Are you all right, Roo, dear?" Piglet made a squeaky Roo-noise from the bottom of Kanga's pocket. "Rabbit had to go away," said Pooh. "I think he thought of something he had to go and see about suddenly." "And Piglet?" "I think Piglet thought of something at the same time. Suddenly." "Well, we must be getting home," said Kanga. "Good-bye, Pooh." And in three large jumps she was gone. Pooh looked after her as she went. "I wish I could jump like that," he thought. "Some can and some can't. That's how it is." But there were moments when Piglet wished that Kanga couldn't. Often, when he had had a long walk home through the Forest, he had wished that he were a bird; but now he thought jerkily to himself at the bottom of Kanga's pocket, "this take "If is shall really to flying I never it."" And as he went up in the air he said, "_Ooooooo!_" and as he came down he said, "_Ow!_" And he was saying, "_Ooooooo-ow, Ooooooo-ow, Ooooooo-ow_" all the way to Kanga's house. Of course as soon as Kanga unbuttoned her pocket, she saw what had happened. Just for a moment, she thought she was frightened, and then she knew she wasn't; for she felt quite sure that Christopher Robin would never let any harm happen to Roo. So she said to herself, "If they are having a joke with me, I will have a joke with them." "Now then, Roo, dear," she said, as she took Piglet out of her pocket. "Bed-time." "_Aha!_" said Piglet, as well as he could after his Terrifying Journey. But it wasn't a very good "_Aha!_" and Kanga didn't seem to understand what it meant. "Bath first," said Kanga in a cheerful voice. "_Aha!_" said Piglet again, looking round anxiously for the others. But the others weren't there. Rabbit was playing with Baby Roo in his own house, and feeling more fond of him every minute, and Pooh, who had decided to be a Kanga, was still at the sandy place on the top of the Forest, practising jumps. "I am not at all sure," said Kanga in a thoughtful voice, "that it wouldn't be a good idea to have a _cold_ bath this evening. Would you like that, Roo, dear?" Piglet, who had never been really fond of baths, shuddered a long indignant shudder, and said in as brave a voice as he could: "Kanga, I see that the time has come to spleak painly." "Funny little Roo," said Kanga, as she got the bath-water ready. "I am _not_ Roo," said Piglet loudly. "I am Piglet!" "Yes, dear, yes," said Kanga soothingly. "And imitating Piglet's voice too! So clever of him," she went on, as she took a large bar of yellow soap out of the cupboard. "What _will_ he be doing next?" "Can't you _see_?" shouted Piglet. "Haven't you got _eyes_? _Look_ at me!" "I _am_ looking, Roo, dear," said Kanga rather severely. "And you know what I told you yesterday about making faces. If you go on making faces like Piglet's, you will grow up to _look_ like Piglet--and _then_ think how sorry you will be. Now then, into the bath, and don't let me have to speak to you about it again." Before he knew where he was, Piglet was in the bath, and Kanga was scrubbing him firmly with a large lathery flannel. "Ow!" cried Piglet. "Let me out! I'm Piglet!" "Don't open the mouth, dear, or the soap goes in," said Kanga. "There! What did I tell you?" "You--you--you did it on purpose," spluttered Piglet, as soon as he could speak again ... and then accidentally had another mouthful of lathery flannel.<|quote|>"That's right, dear, don't say anything,"</|quote|>said Kanga, and in another minute Piglet was out of the bath, and being rubbed dry with a towel. "Now," said Kanga, "there's your medicine, and then bed." "W-w-what medicine?" said Piglet. "To make you grow big and strong, dear. You don't want to grow up small and weak like Piglet, do you? Well, then!" At that moment there was a knock at the door. "Come in," said Kanga, and in came Christopher Robin. "Christopher Robin, Christopher Robin!" cried Piglet. "Tell Kanga who I am! She keeps saying I'm Roo. I'm _not_ Roo, am I?" Christopher Robin looked at him very carefully, and shook his head. "You can't be Roo," he said, "because I've just seen Roo playing in Rabbit's house." "Well!" said Kanga. "Fancy that! Fancy my making a mistake like that." "There you are!" said Piglet. "I told you so. I'm Piglet." Christopher Robin shook his head again. "Oh, you're not Piglet," he said. "I know Piglet well, and he's _quite_ a different colour." Piglet began to say that this was because he had just had a bath, and then he thought that perhaps he wouldn't say that, and as he opened his mouth to say something else, Kanga slipped the medicine spoon in, and then patted him on the back and told him that it was really quite a nice taste when you got used to it. "I knew it wasn't Piglet," said Kanga. "I wonder who it can be." "Perhaps it's some relation of Pooh's," said Christopher Robin. "What about a nephew or an uncle or something?" Kanga agreed that this was probably what it was, and said that they would have to call it by some name. "I shall call it Pootel," said Christopher Robin. "Henry Pootel for short." And just when it was decided, Henry Pootel wriggled out of Kanga's arms and jumped to the ground. To his great joy Christopher Robin had left the door open. Never had Henry Pootel Piglet run so fast as he ran then, and he didn't stop running until he had got quite close to his house. But when he was a hundred yards away he stopped running, and rolled the rest of the way home, so as to get his own nice comfortable colour again.... So Kanga and Roo stayed in the Forest. And every Tuesday Roo spent the day with his great friend Rabbit, and every Tuesday Kanga spent the day with her great friend Pooh, teaching him to jump, and every Tuesday Piglet spent the day with his great friend Christopher Robin. So they were all happy again. CHAPTER VIII IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLE One fine day Pooh had stumped up to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this: "_Sing Ho! for the life of a Bear._" When he had got as far as this, he scratched his head, and thought to himself "That's a very good start for a song, but what about the second line?" He tried singing "Ho," two or three times, but it didn't seem to help. "Perhaps it would be better," he thought, "if I sang Hi for the life of a Bear." So he sang it ... but it wasn't. "Very well, then," he said, "I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:" "Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose, I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two!" He was so pleased with this song that he sang it all the way to the top of the Forest, "and if I go on singing it much longer," he thought, "it will be time for the little something, and then the last line won't be true." So he turned it into a hum instead. Christopher Robin was sitting outside his door, putting on his Big Boots. As soon as he saw the Big Boots, Pooh knew that an Adventure was going to happen, and he brushed the honey off his nose with the back of his | wouldn't be a good idea to have a _cold_ bath this evening. Would you like that, Roo, dear?" Piglet, who had never been really fond of baths, shuddered a long indignant shudder, and said in as brave a voice as he could: "Kanga, I see that the time has come to spleak painly." "Funny little Roo," said Kanga, as she got the bath-water ready. "I am _not_ Roo," said Piglet loudly. "I am Piglet!" "Yes, dear, yes," said Kanga soothingly. "And imitating Piglet's voice too! So clever of him," she went on, as she took a large bar of yellow soap out of the cupboard. "What _will_ he be doing next?" "Can't you _see_?" shouted Piglet. "Haven't you got _eyes_? _Look_ at me!" "I _am_ looking, Roo, dear," said Kanga rather severely. "And you know what I told you yesterday about making faces. If you go on making faces like Piglet's, you will grow up to _look_ like Piglet--and _then_ think how sorry you will be. Now then, into the bath, and don't let me have to speak to you about it again." Before he knew where he was, Piglet was in the bath, and Kanga was scrubbing him firmly with a large lathery flannel. "Ow!" cried Piglet. "Let me out! I'm Piglet!" "Don't open the mouth, dear, or the soap goes in," said Kanga. "There! What did I tell you?" "You--you--you did it on purpose," spluttered Piglet, as soon as he could speak again ... and then accidentally had another mouthful of lathery flannel.<|quote|>"That's right, dear, don't say anything,"</|quote|>said Kanga, and in another minute Piglet was out of the bath, and being rubbed dry with a towel. "Now," said Kanga, "there's your medicine, and then bed." "W-w-what medicine?" said Piglet. "To make you grow big and strong, dear. You don't want to grow up small and weak like Piglet, do you? Well, then!" At that moment there was a knock at the door. "Come in," said Kanga, and in came Christopher Robin. "Christopher Robin, Christopher Robin!" cried Piglet. "Tell Kanga who I am! She keeps saying I'm Roo. I'm _not_ Roo, am I?" Christopher Robin looked at him very carefully, and shook his head. "You can't be Roo," he said, "because I've just seen Roo playing in Rabbit's house." "Well!" said Kanga. "Fancy that! Fancy my making a mistake like that." "There you are!" said Piglet. "I told you so. I'm Piglet." Christopher Robin shook his head again. "Oh, you're not Piglet," he said. "I know Piglet well, and he's _quite_ a different colour." Piglet began to say that this was because he had just had a bath, and then he thought that perhaps he wouldn't say that, and as he opened his mouth to say something else, Kanga slipped the medicine spoon in, and then patted him on the back and told him that it was really quite a nice taste when you got used to it. "I knew it wasn't Piglet," said Kanga. "I wonder who it can be." "Perhaps it's some relation of Pooh's," said Christopher Robin. "What about a nephew or an uncle or something?" Kanga agreed that this was probably what it was, and said that they would have to call it by some name. "I shall call it Pootel," said Christopher Robin. "Henry Pootel for short." And just when it was decided, Henry Pootel wriggled out of Kanga's arms and jumped to the ground. To his great joy Christopher Robin had left the door open. Never had Henry Pootel Piglet run so fast as he ran then, and he didn't stop running until he had got quite close to his house. But when he was a hundred yards away he stopped running, and rolled the rest of the way home, so as to get his own nice comfortable colour again.... So Kanga and Roo stayed in the Forest. And every Tuesday Roo spent the day with his great friend Rabbit, and every Tuesday Kanga spent the day with her great friend Pooh, teaching him to jump, and every Tuesday Piglet spent the day with his great friend Christopher Robin. So they were all happy again. CHAPTER VIII IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLE One fine day Pooh had stumped up to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this: "_Sing Ho! for the life of a Bear._" When he had got as far as this, he scratched his head, and thought to himself "That's a very good start for a song, but what about the second line?" He tried singing "Ho," two or three times, but it didn't seem to help. "Perhaps it would | Winnie The Pooh |
"You are going to play _again?_" | Alexis Ivanovitch | that place." "What?" cried I.<|quote|>"You are going to play _again?_"</|quote|>"What else do you suppose?" | lunched we will return to that place." "What?" cried I.<|quote|>"You are going to play _again?_"</|quote|>"What else do you suppose?" she retorted. "Are you going | eyed me threateningly. "Was ist der Teufel!" he cried, and appended thereto a round dozen of oaths. "The man is a perfect fool!" exclaimed the Grandmother, waving her hand. "Move on now, for I am simply famished. When we have lunched we will return to that place." "What?" cried I.<|quote|>"You are going to play _again?_"</|quote|>"What else do you suppose?" she retorted. "Are you going only to sit here, and grow sour, and let me look at you?" "Madame," said De Griers confidentially, "les chances peuvent tourner. Une seule mauvaise chance, et vous perdrez tout surtout avec votre jeu. C tait terrible!" "Oui; vous perdrez | As she spoke I saw approaching us a grey-headed old man with a wooden leg a man who was dressed in a blue frockcoat and carrying a staff. He looked like an old soldier. As soon as I tendered him the coin he fell back a step or two, and eyed me threateningly. "Was ist der Teufel!" he cried, and appended thereto a round dozen of oaths. "The man is a perfect fool!" exclaimed the Grandmother, waving her hand. "Move on now, for I am simply famished. When we have lunched we will return to that place." "What?" cried I.<|quote|>"You are going to play _again?_"</|quote|>"What else do you suppose?" she retorted. "Are you going only to sit here, and grow sour, and let me look at you?" "Madame," said De Griers confidentially, "les chances peuvent tourner. Une seule mauvaise chance, et vous perdrez tout surtout avec votre jeu. C tait terrible!" "Oui; vous perdrez absolument," put in Mlle. Blanche. "What has that got to do with _you?_" retorted the old lady. "It is not _your_ money that I am going to lose; it is my own. And where is that Mr. Astley of yours?" she added to myself. "He stayed behind in the Casino." | You have seen how it ought to be done? How much capital do you possess?" "Two hundred g lden, Madame." "Not very much. See here; I will lend you five hundred if you wish. Take this purse of mine." With that she added sharply to the General: "But _you_ need not expect to receive any." This seemed to upset him, but he said nothing, and De Griers contented himself by scowling. "Que diable!" he whispered to the General. "C est une terrible vieille." "Look! Another beggar, another beggar!" exclaimed the grandmother. "Alexis Ivanovitch, go and give him a g lden." As she spoke I saw approaching us a grey-headed old man with a wooden leg a man who was dressed in a blue frockcoat and carrying a staff. He looked like an old soldier. As soon as I tendered him the coin he fell back a step or two, and eyed me threateningly. "Was ist der Teufel!" he cried, and appended thereto a round dozen of oaths. "The man is a perfect fool!" exclaimed the Grandmother, waving her hand. "Move on now, for I am simply famished. When we have lunched we will return to that place." "What?" cried I.<|quote|>"You are going to play _again?_"</|quote|>"What else do you suppose?" she retorted. "Are you going only to sit here, and grow sour, and let me look at you?" "Madame," said De Griers confidentially, "les chances peuvent tourner. Une seule mauvaise chance, et vous perdrez tout surtout avec votre jeu. C tait terrible!" "Oui; vous perdrez absolument," put in Mlle. Blanche. "What has that got to do with _you?_" retorted the old lady. "It is not _your_ money that I am going to lose; it is my own. And where is that Mr. Astley of yours?" she added to myself. "He stayed behind in the Casino." "What a pity! He is such a nice sort of man!" Arriving home, and meeting the landlord on the staircase, the Grandmother called him to her side, and boasted to him of her winnings thereafter doing the same to Theodosia, and conferring upon her thirty g lden; after which she bid her serve luncheon. The meal over, Theodosia and Martha broke into a joint flood of ecstasy. "I was watching you all the time, Madame," quavered Martha, "and I asked Potapitch what mistress was trying to do. And, my word! the heaps and _heaps_ of money that were lying upon | carry me away. Prascovia, I mean to buy a new dress for you tomorrow. Yes, and for you too, Mlle. Blanche. Please translate, Prascovia." "Merci, Madame," replied Mlle. Blanche gratefully as she twisted her face into the mocking smile which usually she kept only for the benefit of De Griers and the General. The latter looked confused, and seemed greatly relieved when we reached the Avenue. "How surprised Theodosia too will be!" went on the Grandmother (thinking of the General s nursemaid). "She, like yourselves, shall have the price of a new gown. Here, Alexis Ivanovitch! Give that beggar something" (a crooked-backed ragamuffin had approached to stare at us). "But perhaps he is _not_ a beggar only a rascal," I replied. "Never mind, never mind. Give him a g lden." I approached the beggar in question, and handed him the coin. Looking at me in great astonishment, he silently accepted the g lden, while from his person there proceeded a strong smell of liquor. "Have you never tried your luck, Alexis Ivanovitch?" "No, Madame." "Yet just now I could see that you were burning to do so?" "I _do_ mean to try my luck presently." "Then stake everything upon zero. You have seen how it ought to be done? How much capital do you possess?" "Two hundred g lden, Madame." "Not very much. See here; I will lend you five hundred if you wish. Take this purse of mine." With that she added sharply to the General: "But _you_ need not expect to receive any." This seemed to upset him, but he said nothing, and De Griers contented himself by scowling. "Que diable!" he whispered to the General. "C est une terrible vieille." "Look! Another beggar, another beggar!" exclaimed the grandmother. "Alexis Ivanovitch, go and give him a g lden." As she spoke I saw approaching us a grey-headed old man with a wooden leg a man who was dressed in a blue frockcoat and carrying a staff. He looked like an old soldier. As soon as I tendered him the coin he fell back a step or two, and eyed me threateningly. "Was ist der Teufel!" he cried, and appended thereto a round dozen of oaths. "The man is a perfect fool!" exclaimed the Grandmother, waving her hand. "Move on now, for I am simply famished. When we have lunched we will return to that place." "What?" cried I.<|quote|>"You are going to play _again?_"</|quote|>"What else do you suppose?" she retorted. "Are you going only to sit here, and grow sour, and let me look at you?" "Madame," said De Griers confidentially, "les chances peuvent tourner. Une seule mauvaise chance, et vous perdrez tout surtout avec votre jeu. C tait terrible!" "Oui; vous perdrez absolument," put in Mlle. Blanche. "What has that got to do with _you?_" retorted the old lady. "It is not _your_ money that I am going to lose; it is my own. And where is that Mr. Astley of yours?" she added to myself. "He stayed behind in the Casino." "What a pity! He is such a nice sort of man!" Arriving home, and meeting the landlord on the staircase, the Grandmother called him to her side, and boasted to him of her winnings thereafter doing the same to Theodosia, and conferring upon her thirty g lden; after which she bid her serve luncheon. The meal over, Theodosia and Martha broke into a joint flood of ecstasy. "I was watching you all the time, Madame," quavered Martha, "and I asked Potapitch what mistress was trying to do. And, my word! the heaps and _heaps_ of money that were lying upon the table! Never in my life have I seen so much money. And there were gentlefolk around it, and other gentlefolk sitting down. So, I asked Potapitch where all these gentry had come from; for, thought I, maybe the Holy Mother of God will help our mistress among them. Yes, I prayed for you, Madame, and my heart died within me, so that I kept trembling and trembling. The Lord be with her, I thought to myself; and in answer to my prayer He has now sent you what He has done! Even yet I tremble I tremble to think of it all." "Alexis Ivanovitch," said the old lady, "after luncheon, that is to say, about four o clock get ready to go out with me again. But in the meanwhile, good-bye. Do not forget to call a doctor, for I must take the waters. Now go and get rested a little." I left the Grandmother s presence in a state of bewilderment. Vainly I endeavoured to imagine what would become of our party, or what turn the affair would next take. I could perceive that none of the party had yet recovered their presence of mind least of all | the General no longer feared to be publicly compromised by being seen with such a strange woman, but, smiling in a condescending, cheerfully familiar way, as though he were soothing a child, he offered his greetings to the old lady. At the same time, both he and the rest of the spectators were visibly impressed. Everywhere people kept pointing to the Grandmother, and talking about her. Many people even walked beside her chair, in order to view her the better while, at a little distance, Astley was carrying on a conversation on the subject with two English acquaintances of his. De Griers was simply overflowing with smiles and compliments, and a number of fine ladies were staring at the Grandmother as though she had been something curious. "Quelle victoire!" exclaimed De Griers. "Mais, Madame, c tait du feu!" added Mlle. Blanche with an elusive smile. "Yes, I have won twelve thousand florins," replied the old lady. "And then there is all this gold. With it the total ought to come to nearly thirteen thousand. How much is that in Russian money? Six thousand roubles, I think?" However, I calculated that the sum would exceed seven thousand roubles or, at the present rate of exchange, even eight thousand. "Eight thousand roubles! What a splendid thing! And to think of you simpletons sitting there and doing nothing! Potapitch! Martha! See what I have won!" "How _did_ you do it, Madame?" Martha exclaimed ecstatically. "Eight thousand roubles!" "And I am going to give you fifty g lden apiece. There they are." Potapitch and Martha rushed towards her to kiss her hand. "And to each bearer also I will give a ten-g lden piece. Let them have it out of the gold, Alexis Ivanovitch. But why is this footman bowing to me, and that other man as well? Are they congratulating me? Well, let them have ten g lden apiece." "Madame la princesse Un pauvre expatri Malheur continuel Les princes russes sont si g n reux!" said a man who for some time past had been hanging around the old lady s chair a personage who, dressed in a shabby frockcoat and coloured waistcoat, kept taking off his cap, and smiling pathetically. "Give him ten g lden," said the Grandmother. "No, give him twenty. Now, enough of that, or I shall never get done with you all. Take a moment s rest, and then carry me away. Prascovia, I mean to buy a new dress for you tomorrow. Yes, and for you too, Mlle. Blanche. Please translate, Prascovia." "Merci, Madame," replied Mlle. Blanche gratefully as she twisted her face into the mocking smile which usually she kept only for the benefit of De Griers and the General. The latter looked confused, and seemed greatly relieved when we reached the Avenue. "How surprised Theodosia too will be!" went on the Grandmother (thinking of the General s nursemaid). "She, like yourselves, shall have the price of a new gown. Here, Alexis Ivanovitch! Give that beggar something" (a crooked-backed ragamuffin had approached to stare at us). "But perhaps he is _not_ a beggar only a rascal," I replied. "Never mind, never mind. Give him a g lden." I approached the beggar in question, and handed him the coin. Looking at me in great astonishment, he silently accepted the g lden, while from his person there proceeded a strong smell of liquor. "Have you never tried your luck, Alexis Ivanovitch?" "No, Madame." "Yet just now I could see that you were burning to do so?" "I _do_ mean to try my luck presently." "Then stake everything upon zero. You have seen how it ought to be done? How much capital do you possess?" "Two hundred g lden, Madame." "Not very much. See here; I will lend you five hundred if you wish. Take this purse of mine." With that she added sharply to the General: "But _you_ need not expect to receive any." This seemed to upset him, but he said nothing, and De Griers contented himself by scowling. "Que diable!" he whispered to the General. "C est une terrible vieille." "Look! Another beggar, another beggar!" exclaimed the grandmother. "Alexis Ivanovitch, go and give him a g lden." As she spoke I saw approaching us a grey-headed old man with a wooden leg a man who was dressed in a blue frockcoat and carrying a staff. He looked like an old soldier. As soon as I tendered him the coin he fell back a step or two, and eyed me threateningly. "Was ist der Teufel!" he cried, and appended thereto a round dozen of oaths. "The man is a perfect fool!" exclaimed the Grandmother, waving her hand. "Move on now, for I am simply famished. When we have lunched we will return to that place." "What?" cried I.<|quote|>"You are going to play _again?_"</|quote|>"What else do you suppose?" she retorted. "Are you going only to sit here, and grow sour, and let me look at you?" "Madame," said De Griers confidentially, "les chances peuvent tourner. Une seule mauvaise chance, et vous perdrez tout surtout avec votre jeu. C tait terrible!" "Oui; vous perdrez absolument," put in Mlle. Blanche. "What has that got to do with _you?_" retorted the old lady. "It is not _your_ money that I am going to lose; it is my own. And where is that Mr. Astley of yours?" she added to myself. "He stayed behind in the Casino." "What a pity! He is such a nice sort of man!" Arriving home, and meeting the landlord on the staircase, the Grandmother called him to her side, and boasted to him of her winnings thereafter doing the same to Theodosia, and conferring upon her thirty g lden; after which she bid her serve luncheon. The meal over, Theodosia and Martha broke into a joint flood of ecstasy. "I was watching you all the time, Madame," quavered Martha, "and I asked Potapitch what mistress was trying to do. And, my word! the heaps and _heaps_ of money that were lying upon the table! Never in my life have I seen so much money. And there were gentlefolk around it, and other gentlefolk sitting down. So, I asked Potapitch where all these gentry had come from; for, thought I, maybe the Holy Mother of God will help our mistress among them. Yes, I prayed for you, Madame, and my heart died within me, so that I kept trembling and trembling. The Lord be with her, I thought to myself; and in answer to my prayer He has now sent you what He has done! Even yet I tremble I tremble to think of it all." "Alexis Ivanovitch," said the old lady, "after luncheon, that is to say, about four o clock get ready to go out with me again. But in the meanwhile, good-bye. Do not forget to call a doctor, for I must take the waters. Now go and get rested a little." I left the Grandmother s presence in a state of bewilderment. Vainly I endeavoured to imagine what would become of our party, or what turn the affair would next take. I could perceive that none of the party had yet recovered their presence of mind least of all the General. The factor of the Grandmother s appearance in place of the hourly expected telegram to announce her death (with, of course, resultant legacies) had so upset the whole scheme of intentions and projects that it was with a decided feeling of apprehension and growing paralysis that the conspirators viewed any future performances of the old lady at roulette. Yet this second factor was not quite so important as the first, since, though the Grandmother had twice declared that she did not intend to give the General any money, that declaration was not a complete ground for the abandonment of hope. Certainly De Griers, who, with the General, was up to the neck in the affair, had not wholly lost courage; and I felt sure that Mlle. Blanche also Mlle. Blanche who was not only as deeply involved as the other two, but also expectant of becoming Madame General and an important legatee would not lightly surrender the position, but would use her every resource of coquetry upon the old lady, in order to afford a contrast to the impetuous Polina, who was difficult to understand, and lacked the art of pleasing. Yet now, when the Grandmother had just performed an astonishing feat at roulette; now, when the old lady s personality had been so clearly and typically revealed as that of a rugged, arrogant woman who was "tomb e en enfance"; now, when everything appeared to be lost, why, now the Grandmother was as merry as a child which plays with thistle-down. "Good Lord!" I thought with, may God forgive me, a most malicious smile, "every ten-g lden piece which the Grandmother staked must have raised a blister on the General s heart, and maddened De Griers, and driven Mlle. de Cominges almost to frenzy with the sight of this spoon dangling before her lips." Another factor is the circumstance that even when, overjoyed at winning, the Grandmother was distributing alms right and left, and taking every one to be a beggar, she again snapped out to the General that he was not going to be allowed any of her money which meant that the old lady had quite made up her mind on the point, and was sure of it. Yes, danger loomed ahead. All these thoughts passed through my mind during the few moments that, having left the old lady s rooms, I was ascending to | had approached to stare at us). "But perhaps he is _not_ a beggar only a rascal," I replied. "Never mind, never mind. Give him a g lden." I approached the beggar in question, and handed him the coin. Looking at me in great astonishment, he silently accepted the g lden, while from his person there proceeded a strong smell of liquor. "Have you never tried your luck, Alexis Ivanovitch?" "No, Madame." "Yet just now I could see that you were burning to do so?" "I _do_ mean to try my luck presently." "Then stake everything upon zero. You have seen how it ought to be done? How much capital do you possess?" "Two hundred g lden, Madame." "Not very much. See here; I will lend you five hundred if you wish. Take this purse of mine." With that she added sharply to the General: "But _you_ need not expect to receive any." This seemed to upset him, but he said nothing, and De Griers contented himself by scowling. "Que diable!" he whispered to the General. "C est une terrible vieille." "Look! Another beggar, another beggar!" exclaimed the grandmother. "Alexis Ivanovitch, go and give him a g lden." As she spoke I saw approaching us a grey-headed old man with a wooden leg a man who was dressed in a blue frockcoat and carrying a staff. He looked like an old soldier. As soon as I tendered him the coin he fell back a step or two, and eyed me threateningly. "Was ist der Teufel!" he cried, and appended thereto a round dozen of oaths. "The man is a perfect fool!" exclaimed the Grandmother, waving her hand. "Move on now, for I am simply famished. When we have lunched we will return to that place." "What?" cried I.<|quote|>"You are going to play _again?_"</|quote|>"What else do you suppose?" she retorted. "Are you going only to sit here, and grow sour, and let me look at you?" "Madame," said De Griers confidentially, "les chances peuvent tourner. Une seule mauvaise chance, et vous perdrez tout surtout avec votre jeu. C tait terrible!" "Oui; vous perdrez absolument," put in Mlle. Blanche. "What has that got to do with _you?_" retorted the old lady. "It is not _your_ money that I am going to lose; it is my own. And where is that Mr. Astley of yours?" she added to myself. "He stayed behind in the Casino." "What a pity! He is such a nice sort of man!" Arriving home, and meeting the landlord on the staircase, the Grandmother called him to her side, and boasted to him of her winnings thereafter doing the same to Theodosia, and conferring upon her thirty g lden; after which she bid her serve luncheon. The meal over, Theodosia and Martha broke into a joint flood of ecstasy. "I was watching you all the time, Madame," quavered Martha, "and I asked Potapitch what mistress was trying to do. And, my word! the heaps and _heaps_ of money that were lying upon the table! Never in my life have I seen so much money. And there were gentlefolk around it, and other gentlefolk sitting down. So, I asked Potapitch where all these gentry had come from; for, thought I, maybe the Holy Mother of God will help our mistress among them. Yes, I prayed for you, Madame, and my heart died within me, so that I kept trembling and trembling. The Lord be with her, I thought to myself; and in answer to my prayer He has now sent you what | The Gambler |
"The Shlangenberg? What is it? A forest?" | Antonida Vassilievna Tarassevitcha | ruined castle, and the Shlangenberg."<|quote|>"The Shlangenberg? What is it? A forest?"</|quote|>"No, a mountain on the | of Polina. "There is a ruined castle, and the Shlangenberg."<|quote|>"The Shlangenberg? What is it? A forest?"</|quote|>"No, a mountain on the summit of which there is | roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg."<|quote|>"The Shlangenberg? What is it? A forest?"</|quote|>"No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached | view of my position Recollect what you are saying, my dearest mother. You must still be unwell." "Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg."<|quote|>"The Shlangenberg? What is it? A forest?"</|quote|>"No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached the old lady with the General s children. "No, I _don t_ want to see them," said the Grandmother. "I hate kissing children, for their noses are always wet. How are you getting on, Theodosia?" "I am very well, thank you, Madame," replied the nursemaid. "And how is your ladyship? | extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury. "Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell." "Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg."<|quote|>"The Shlangenberg? What is it? A forest?"</|quote|>"No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached the old lady with the General s children. "No, I _don t_ want to see them," said the Grandmother. "I hate kissing children, for their noses are always wet. How are you getting on, Theodosia?" "I am very well, thank you, Madame," replied the nursemaid. "And how is your ladyship? We have been feeling so anxious about you!" "Yes, I know, you simple soul But who are those other guests?" the old lady continued, turning again to Polina. "For instance, who is that old rascal in the spectacles?" "Prince Nilski, Grandmamma," whispered Polina. "Oh, a Russian? Why, I had no idea that he could understand me! Surely he did not hear what I said? As for Mr. Astley, I have seen him already, and I see that he is here again. How do you do?" she added to the gentleman in question. Mr. Astley bowed in silence. "Have you _nothing_ | with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury. "Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell." "Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg."<|quote|>"The Shlangenberg? What is it? A forest?"</|quote|>"No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached the old lady with the General s children. "No, I _don t_ want to see them," said the Grandmother. "I hate kissing children, for their noses are always wet. How are you getting on, Theodosia?" "I am very well, thank you, Madame," replied the nursemaid. "And how is your ladyship? We have been feeling so anxious about you!" "Yes, I know, you simple soul But who are those other guests?" the old lady continued, turning again to Polina. "For instance, who is that old rascal in the spectacles?" "Prince Nilski, Grandmamma," whispered Polina. "Oh, a Russian? Why, I had no idea that he could understand me! Surely he did not hear what I said? As for Mr. Astley, I have seen him already, and I see that he is here again. How do you do?" she added to the gentleman in question. Mr. Astley bowed in silence. "Have you _nothing_ to say to me?" the old lady went on. "Say something, for goodness sake! Translate to him, Polina." Polina did so. "I have only to say," replied Mr. Astley gravely, but also with alacrity, "that I am indeed glad to see you in such good health." This was interpreted to the Grandmother, and she seemed much gratified. "How well English people know how to answer one!" she remarked. "That is why I like them so much better than French. Come here," she added to Mr. Astley. "I will try not to bore you too much. Polina, translate to him that I am staying in rooms on a lower floor. Yes, on a lower floor," she repeated to Astley, pointing downwards with her finger. Astley looked pleased at receiving the invitation. Next, the old lady scanned Polina, from head to foot with minute attention. "I could almost have liked you, Prascovia," suddenly she remarked, "for you are a nice girl the best of the lot. You have some character about you. I too have character. Turn round. Surely that is not false hair that you are wearing?" "No, Grandmamma. It is my own." "Well, well. I do not like the stupid | an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury. "Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell." "Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg."<|quote|>"The Shlangenberg? What is it? A forest?"</|quote|>"No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached the old lady with the General s children. "No, I _don t_ want to see them," said the Grandmother. "I hate kissing children, for their noses are always wet. How are you getting on, Theodosia?" "I am very well, thank you, Madame," replied the nursemaid. "And how is your ladyship? We have been feeling so anxious about you!" "Yes, I know, you simple soul But who are those other guests?" the old lady continued, turning again to Polina. "For instance, who is that old rascal in the spectacles?" "Prince Nilski, Grandmamma," whispered Polina. "Oh, a Russian? Why, I had no idea that he could understand me! Surely he did not hear what I said? As for Mr. Astley, I have seen him already, and I see that he is here again. How do you do?" she added to the gentleman in question. Mr. Astley bowed in silence. "Have you _nothing_ to say to me?" the old lady went on. "Say something, for goodness sake! Translate to him, Polina." Polina did so. "I have only to say," replied Mr. Astley gravely, but also with alacrity, "that I am indeed glad to see you in such good health." This was interpreted to the Grandmother, and she seemed much gratified. "How well English people know how to answer one!" she remarked. "That is why I like them so much better than French. Come here," she added to Mr. Astley. "I will try not to bore you too much. Polina, translate to him that I am staying in rooms on a lower floor. Yes, on a lower floor," she repeated to Astley, pointing downwards with her finger. Astley looked pleased at receiving the invitation. Next, the old lady scanned Polina, from head to foot with minute attention. "I could almost have liked you, Prascovia," suddenly she remarked, "for you are a nice girl the best of the lot. You have some character about you. I too have character. Turn round. Surely that is not false hair that you are wearing?" "No, Grandmamma. It is my own." "Well, well. I do not like the stupid fashions of today. You are very good looking. I should have fallen in love with you if I had been a man. Why do you not get married? It is time now that I was going. I want to walk, yet I always have to ride. Are you still in a bad temper?" she added to the General. "No, indeed," rejoined the now mollified General. "I quite understand that at your time of life" "Cette vieille est tomb e en enfance," De Griers whispered to me. "But I want to look round a little," the old lady added to the General. "Will you lend me Alexis Ivanovitch for the purpose?" "As much as you like. But I myself yes, and Polina and Monsieur de Griers too we all of us hope to have the pleasure of escorting you." "Mais, madame, cela sera un plaisir," De Griers commented with a bewitching smile. "Plaisir indeed! Why, I look upon you as a perfect fool, monsieur." Then she remarked to the General: "I am not going to let you have any of my money. I must be off to my rooms now, to see what they are like. Afterwards we will look round a little. Lift me up." Again the Grandmother was borne aloft and carried down the staircase amid a perfect bevy of followers the General walking as though he had been hit over the head with a cudgel, and De Griers seeming to be plunged in thought. Endeavouring to be left behind, Mlle. Blanche next thought better of it, and followed the rest, with the Prince in her wake. Only the German savant and Madame de Cominges did not leave the General s apartments. X At spas and, probably, all over Europe hotel landlords and managers are guided in their allotment of rooms to visitors, not so much by the wishes and requirements of those visitors, as by their personal estimate of the same. It may also be said that these landlords and managers seldom make a mistake. To the Grandmother, however, our landlord, for some reason or another, allotted such a sumptuous suite that he fairly overreached himself; for he assigned her a suite consisting of four magnificently appointed rooms, with bathroom, servants quarters, a separate room for her maid, and so on. In fact, during the previous week the suite had been occupied by no less a personage than | am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury. "Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell." "Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined castle, and the Shlangenberg."<|quote|>"The Shlangenberg? What is it? A forest?"</|quote|>"No, a mountain on the summit of which there is a place fenced off. From it you can get a most beautiful view." "Could a chair be carried up that mountain of yours?" "Doubtless we could find bearers for the purpose," I interposed. At this moment Theodosia, the nursemaid, approached the old lady with the General s children. "No, I _don t_ want to see them," said the Grandmother. "I hate kissing children, for their noses are always wet. How are you getting on, Theodosia?" "I am very well, thank you, Madame," replied the nursemaid. "And how is your ladyship? We have been feeling so anxious about you!" "Yes, I know, you simple soul But who are those other guests?" the old lady continued, turning again to Polina. "For instance, who is that old rascal in the spectacles?" "Prince Nilski, Grandmamma," whispered Polina. "Oh, a Russian? Why, I had no idea that he could understand me! Surely he did not hear what I said? As for Mr. Astley, I have seen him already, and I see that he is here again. How do you do?" she added to the gentleman in question. Mr. Astley bowed in silence. "Have you _nothing_ to say to me?" the old lady went on. "Say something, for goodness sake! Translate to him, Polina." Polina did so. "I have only to say," replied Mr. Astley gravely, but also with alacrity, "that I am indeed glad to see you in such good health." This was interpreted to the Grandmother, and she seemed much gratified. "How well English people know how to answer one!" she remarked. "That is why I like them so much better than French. Come here," she added to Mr. Astley. "I will try not to bore you too much. Polina, translate to him that I am staying in rooms on a lower floor. Yes, on a lower floor," she repeated to Astley, pointing downwards with her finger. Astley looked pleased at receiving the invitation. Next, the old lady scanned Polina, from head to foot with minute attention. "I could almost have liked you, Prascovia," suddenly she remarked, "for you are a nice girl | The Gambler |
"Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson." | Helen | in the doorway and said:<|quote|>"Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson."</|quote|>"Come, Helen," said her cousin. | not delicate really, she stopped in the doorway and said:<|quote|>"Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson."</|quote|>"Come, Helen," said her cousin. "Go, Helen," said her aunt; | detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said:<|quote|>"Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson."</|quote|>"Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, | can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said:<|quote|>"Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson."</|quote|>"Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that motor drive--well, you d | exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said:<|quote|>"Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson."</|quote|>"Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that motor drive--well, you d have reached the house a perfect wreck. Oh, Margaret, you don t know what you are in for! They re all bottled up against the drawing-room window. There s Mrs. Wilcox--I ve seen her. There s Paul. There s Evie, who is a minx. There s Charles--I saw him to start with. And who would an elderly man with a moustache and a copper-coloured face be?" "Mr. Wilcox, possibly." "I knew it. And there s Mr. Wilcox." "It s a shame to call his face copper colour," complained Margaret. "He has a remarkably good complexion for a man of his | it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?" cried Helen, at that moment coming into the room with her cousin. "Nothing" said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said:<|quote|>"Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson."</|quote|>"Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that motor drive--well, you d have reached the house a perfect wreck. Oh, Margaret, you don t know what you are in for! They re all bottled up against the drawing-room window. There s Mrs. Wilcox--I ve seen her. There s Paul. There s Evie, who is a minx. There s Charles--I saw him to start with. And who would an elderly man with a moustache and a copper-coloured face be?" "Mr. Wilcox, possibly." "I knew it. And there s Mr. Wilcox." "It s a shame to call his face copper colour," complained Margaret. "He has a remarkably good complexion for a man of his age." Mrs. Munt, triumphant elsewhere, could afford to concede Mr. Wilcox his complexion. She passed on from it to the plan of campaign that her nieces should pursue in the future. Margaret tried to stop her. "Helen did not take the news quite as I expected, but the Wilcox nerve is dead in her really, so there s no need for plans." "It s as well to be prepared." "No--it s as well not to be prepared." "Why?" "Because--" Her thought drew being from the obscure borderland. She could not explain in so many words, but she felt that those who prepare for all the emergencies of life beforehand may equip themselves at the expense of joy. It is necessary to prepare for an examination, or a dinner-party, or a possible fall in the price of stock: those who attempt human relations must adopt another method, or fail. "Because I d sooner risk it," was her lame conclusion. "But imagine the evenings," exclaimed her aunt, pointing to the Mansions with the spout of the watering can. "Turn the electric light on here or there, and it s almost the same room. One evening they may forget to draw their blinds | nephew in a couple of years. She would stroll across and make friends with the porters, and inquire what the rents were, exclaiming for example: "What! a hundred and twenty for a basement? You ll never get it!" And they would answer: "One can but try, madam." The passenger lifts, the arrangement for coals (a great temptation for a dishonest porter), were all familiar matters to her, and perhaps a relief from the politico-economical-esthetic atmosphere that reigned at the Schlegels. Margaret received the information calmly, and did not agree that it would throw a cloud over poor Helen s life. "Oh, but Helen isn t a girl with no interests," she explained. "She has plenty of other things and other people to think about. She made a false start with the Wilcoxes, and she ll be as willing as we are to have nothing more to do with them." "For a clever girl, dear, how very oddly you do talk. Helen ll HAVE to have something more to do with them, now that they re all opposite. She may meet that Paul in the street. She cannot very well not bow." "Of course she must bow. But look here; let s do the flowers. I was going to say, the will to be interested in him has died, and what else matters? I look on that disastrous episode (over which you were so kind) as the killing of a nerve in Helen. It s dead, and she ll never be troubled with it again. The only things that matter are the things that interest one. Bowing, even calling and leaving cards, even a dinner-party--we can do all those things to the Wilcoxes, if they find it agreeable; but the other thing, the one important thing--never again. Don t you see?" Mrs. Munt did not see, and indeed Margaret was making a most questionable statement--that any emotion, any interest once vividly aroused, can wholly die. "I also have the honour to inform you that the Wilcoxes are bored with us. I didn t tell you at the time--it might have made you angry, and you had enough to worry you--but I wrote a letter to Mrs. W, and apologised for the trouble that Helen had given them. She didn t answer it." "How very rude!" "I wonder. Or was it sensible?" "No, Margaret, most rude." "In either case one can class it as reassuring." Mrs. Munt sighed. She was going back to Swanage on the morrow, just as her nieces were wanting her most. Other regrets crowded upon her: for instance, how magnificently she would have cut Charles if she had met him face to face. She had already seen him, giving an order to the porter--and very common he looked in a tall hat. But unfortunately his back was turned to her, and though she had cut his back, she could not regard this as a telling snub. "But you will be careful, won t you?" she exhorted. "Oh, certainly. Fiendishly careful." "And Helen must be careful, too." "Careful over what?" cried Helen, at that moment coming into the room with her cousin. "Nothing" said Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said:<|quote|>"Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson."</|quote|>"Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that motor drive--well, you d have reached the house a perfect wreck. Oh, Margaret, you don t know what you are in for! They re all bottled up against the drawing-room window. There s Mrs. Wilcox--I ve seen her. There s Paul. There s Evie, who is a minx. There s Charles--I saw him to start with. And who would an elderly man with a moustache and a copper-coloured face be?" "Mr. Wilcox, possibly." "I knew it. And there s Mr. Wilcox." "It s a shame to call his face copper colour," complained Margaret. "He has a remarkably good complexion for a man of his age." Mrs. Munt, triumphant elsewhere, could afford to concede Mr. Wilcox his complexion. She passed on from it to the plan of campaign that her nieces should pursue in the future. Margaret tried to stop her. "Helen did not take the news quite as I expected, but the Wilcox nerve is dead in her really, so there s no need for plans." "It s as well to be prepared." "No--it s as well not to be prepared." "Why?" "Because--" Her thought drew being from the obscure borderland. She could not explain in so many words, but she felt that those who prepare for all the emergencies of life beforehand may equip themselves at the expense of joy. It is necessary to prepare for an examination, or a dinner-party, or a possible fall in the price of stock: those who attempt human relations must adopt another method, or fail. "Because I d sooner risk it," was her lame conclusion. "But imagine the evenings," exclaimed her aunt, pointing to the Mansions with the spout of the watering can. "Turn the electric light on here or there, and it s almost the same room. One evening they may forget to draw their blinds down, and you ll see them; and the next, you yours, and they ll see you. Impossible to sit out on the balconies. Impossible to water the plants, or even speak. Imagine going out of the front-door, and they come out opposite at the same moment. And yet you tell me that plans are unnecessary, and you d rather risk it." "I hope to risk things all my life." "Oh, Margaret, most dangerous." "But after all," she continued with a smile, "there s never any great risk as long as you have money." "Oh, shame! What a shocking speech!" "Money pads the edges of things," said Miss Schlegel. "God help those who have none." "But this is something quite new!" said Mrs. Munt, who collected new ideas as a squirrel collects nuts, and was especially attracted by those that are portable. "New for me; sensible people have acknowledged it for years. You and I and the Wilcoxes stand upon money as upon islands. It is so firm beneath our feet that we forget its very existence. It s only when we see some one near us tottering that we realise all that an independent income means. Last night, when we were talking up here round the fire, I began to think that the very soul of the world is economic, and that the lowest abyss is not the absence of love, but the absence of coin." "I call that rather cynical." "So do I. But Helen and I, we ought to remember, when we are tempted to criticise others, that we are standing on these islands, and that most of the others are down below the surface of the sea. The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can. Imagine the tragedy last June, if Helen and Paul Wilcox had been poor people, and couldn t invoke railways and motor-cars to part them." "That s more like Socialism," said Mrs. Munt suspiciously. "Call it what you like. I call it going through life with one s hand spread open on the table. I m tired of these rich people who pretend to be poor, and think it shows a nice mind to ignore the piles of money that keep their feet above the waves. I stand each year upon six hundred pounds, | Margaret, seized with a momentary awkwardness. "Careful over what, Aunt Juley?" Mrs. Munt assumed a cryptic air. "It is only that a certain family, whom we know by name but do not mention, as you said yourself last night after the concert, have taken the flat opposite from the Mathesons--where the plants are in the balcony." Helen began some laughing reply, and then disconcerted them all by blushing. Mrs. Munt was so disconcerted that she exclaimed, "What, Helen, you don t mind them coming, do you?" and deepened the blush to crimson. "Of course I don t mind," said Helen a little crossly. "It is that you and Meg are both so absurdly grave about it, when there s nothing to be grave about at all." "I m not grave," protested Margaret, a little cross in her turn. "Well, you look grave; doesn t she, Frieda?" "I don t feel grave, that s all I can say; you re going quite on the wrong tack." "No, she does not feel grave," echoed Mrs. Munt. "I can bear witness to that. She disagrees--" "Hark!" interrupted Fraulein Mosebach. "I hear Bruno entering the hall." For Herr Liesecke was due at Wickham Place to call for the two younger girls. He was not entering the hall--in fact, he did not enter it for quite five minutes. But Frieda detected a delicate situation, and said that she and Helen had much better wait for Bruno down below, and leave Margaret and Mrs. Munt to finish arranging the flowers. Helen acquiesced. But, as if to prove that the situation was not delicate really, she stopped in the doorway and said:<|quote|>"Did you say the Mathesons flat, Aunt Juley? How wonderful you are! I never knew that the name of the woman who laced too tightly was Matheson."</|quote|>"Come, Helen," said her cousin. "Go, Helen," said her aunt; and continued to Margaret almost in the same breath: "Helen cannot deceive me. She does mind." "Oh, hush!" breathed Margaret. "Frieda ll hear you, and she can be so tiresome." "She minds," persisted Mrs. Munt, moving thoughtfully about the room, and pulling the dead chrysanthemums out of the vases. "I knew she d mind--and I m sure a girl ought to! Such an experience! Such awful coarse-grained people! I know more about them than you do, which you forget, and if Charles had taken you that motor drive--well, you d have reached the house a perfect wreck. Oh, Margaret, you don t know what you are in for! They re all bottled up against the drawing-room window. There s Mrs. Wilcox--I ve seen her. There s Paul. There s Evie, who is a minx. There s Charles--I saw him to start with. And who would an elderly man with a moustache and a copper-coloured face be?" "Mr. Wilcox, possibly." "I knew it. And there s Mr. Wilcox." "It s a shame to call his face copper colour," complained Margaret. "He has a remarkably good complexion for a man of his age." Mrs. Munt, triumphant elsewhere, could afford to concede Mr. Wilcox his complexion. She passed on from it to the plan of campaign that | Howards End |
"Well," | Mr. Hastings | Put with admirable clearness. Proceed."<|quote|>"Well,"</|quote|>I said, encouraged, "as the | You agree so far?" "Perfectly. Put with admirable clearness. Proceed."<|quote|>"Well,"</|quote|>I said, encouraged, "as the person who entered did not | put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed."<|quote|>"Well,"</|quote|>I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open | it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed."<|quote|>"Well,"</|quote|>I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." | poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed."<|quote|>"Well,"</|quote|>I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as | key of the despatch-case had been lost?" "I did not know it. It was a guess that turned out to be correct. You observed that it had a piece of twisted wire through the handle. That suggested to me at once that it had possibly been wrenched off a flimsy key-ring. Now, if it had been lost and recovered, Mrs. Inglethorp would at once have replaced it on her bunch; but on her bunch I found what was obviously the duplicate key, very new and bright, which led me to the hypothesis that somebody else had inserted the original key in the lock of the despatch-case." "Yes," I said, "Alfred Inglethorp, without doubt." Poirot looked at me curiously. "You are very sure of his guilt?" "Well, naturally. Every fresh circumstance seems to establish it more clearly." "On the contrary," said Poirot quietly, "there are several points in his favour." "Oh, come now!" "Yes." "I see only one." "And that?" "That he was not in the house last night." "Bad shot!' as you English say! You have chosen the one point that to my mind tells against him." "How is that?" "Because if Mr. Inglethorp knew that his wife would be poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed."<|quote|>"Well,"</|quote|>I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street | ever, when writing a letter, been arrested by the fact that you did not know how to spell a certain word?" "Yes, often. I suppose everyone has." "Exactly. And have you not, in such a case, tried the word once or twice on the edge of the blotting-paper, or a spare scrap of paper, to see if it looked right? Well, that is what Mrs. Inglethorp did. You will notice that the word possessed' is spelt first with one s' and subsequently with two correctly. To make sure, she had further tried it in a sentence, thus:" I am possessed.' "Now, what did that tell me? It told me that Mrs. Inglethorp had been writing the word possessed' that afternoon, and, having the fragment of paper found in the grate fresh in my mind, the possibility of a will (a document almost certain to contain that word) occurred to me at once. This possibility was confirmed by a further circumstance. In the general confusion, the boudoir had not been swept that morning, and near the desk were several traces of brown mould and earth. The weather had been perfectly fine for some days, and no ordinary boots would have left such a heavy deposit." "I strolled to the window, and saw at once that the begonia beds had been newly planted. The mould in the beds was exactly similar to that on the floor of the boudoir, and also I learnt from you that they _had_ been planted yesterday afternoon. I was now sure that one, or possibly both of the gardeners for there were two sets of footprints in the bed had entered the boudoir, for if Mrs. Inglethorp had merely wished to speak to them she would in all probability have stood at the window, and they would not have come into the room at all. I was now quite convinced that she had made a fresh will, and had called the two gardeners in to witness her signature. Events proved that I was right in my supposition." "That was very ingenious," I could not help admitting. "I must confess that the conclusions I drew from those few scribbled words were quite erroneous." He smiled. "You gave too much rein to your imagination. Imagination is a good servant, and a bad master. The simplest explanation is always the most likely." "Another point how did you know that the key of the despatch-case had been lost?" "I did not know it. It was a guess that turned out to be correct. You observed that it had a piece of twisted wire through the handle. That suggested to me at once that it had possibly been wrenched off a flimsy key-ring. Now, if it had been lost and recovered, Mrs. Inglethorp would at once have replaced it on her bunch; but on her bunch I found what was obviously the duplicate key, very new and bright, which led me to the hypothesis that somebody else had inserted the original key in the lock of the despatch-case." "Yes," I said, "Alfred Inglethorp, without doubt." Poirot looked at me curiously. "You are very sure of his guilt?" "Well, naturally. Every fresh circumstance seems to establish it more clearly." "On the contrary," said Poirot quietly, "there are several points in his favour." "Oh, come now!" "Yes." "I see only one." "And that?" "That he was not in the house last night." "Bad shot!' as you English say! You have chosen the one point that to my mind tells against him." "How is that?" "Because if Mr. Inglethorp knew that his wife would be poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed."<|quote|>"Well,"</|quote|>I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper: "Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?" I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not | that it had possibly been wrenched off a flimsy key-ring. Now, if it had been lost and recovered, Mrs. Inglethorp would at once have replaced it on her bunch; but on her bunch I found what was obviously the duplicate key, very new and bright, which led me to the hypothesis that somebody else had inserted the original key in the lock of the despatch-case." "Yes," I said, "Alfred Inglethorp, without doubt." Poirot looked at me curiously. "You are very sure of his guilt?" "Well, naturally. Every fresh circumstance seems to establish it more clearly." "On the contrary," said Poirot quietly, "there are several points in his favour." "Oh, come now!" "Yes." "I see only one." "And that?" "That he was not in the house last night." "Bad shot!' as you English say! You have chosen the one point that to my mind tells against him." "How is that?" "Because if Mr. Inglethorp knew that his wife would be poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed."<|quote|>"Well,"</|quote|>I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little | The Mysterious Affair At Styles |
"So did I," | Piglet | said. "Only perhaps it wasn't."<|quote|>"So did I,"</|quote|>said Pooh, wondering what a | I think I did," he said. "Only perhaps it wasn't."<|quote|>"So did I,"</|quote|>said Pooh, wondering what a Heffalump was like. "You don't | the mouthful he was eating and said carelessly: "I saw a Heffalump to-day, Piglet." "What was it doing?" asked Piglet. "Just lumping along," said Christopher Robin. "I don't think it saw _me_." "I saw one once," said Piglet. "At least, I think I did," he said. "Only perhaps it wasn't."<|quote|>"So did I,"</|quote|>said Pooh, wondering what a Heffalump was like. "You don't often see them," said Christopher Robin carelessly. "Not now," said Piglet. "Not at this time of year," said Pooh. Then they all talked about something else, until it was time for Pooh and Piglet to go home together. At first | to himself proudly: "_Who found the Tail?_ "I," said Pooh, "At a quarter to two (Only it was quarter to eleven really), _I_ found the Tail!"" CHAPTER V IN WHICH PIGLET MEETS A HEFFALUMP One day, when Christopher Robin and Winnie-the-Pooh and Piglet were all talking together, Christopher Robin finished the mouthful he was eating and said carelessly: "I saw a Heffalump to-day, Piglet." "What was it doing?" asked Piglet. "Just lumping along," said Christopher Robin. "I don't think it saw _me_." "I saw one once," said Piglet. "At least, I think I did," he said. "Only perhaps it wasn't."<|quote|>"So did I,"</|quote|>said Pooh, wondering what a Heffalump was like. "You don't often see them," said Christopher Robin carelessly. "Not now," said Piglet. "Not at this time of year," said Pooh. Then they all talked about something else, until it was time for Pooh and Piglet to go home together. At first as they stumped along the path which edged the Hundred Acre Wood, they didn't say much to each other; but when they came to the stream and had helped each other across the stepping stones, and were able to walk side by side again over the heather, they began to | "you made a mistake. Somebody did want it." "Who?" "Eeyore. My dear friend Eeyore. He was--he was fond of it." "Fond of it?" "Attached to it," said Winnie-the-Pooh sadly. * * * * * So with these words he unhooked it, and carried it back to Eeyore; and when Christopher Robin had nailed it on in its right place again, Eeyore frisked about the forest, waving his tail so happily that Winnie-the-Pooh came over all funny, and had to hurry home for a little snack of something to sustain him. And, wiping his mouth half an hour afterwards, he sang to himself proudly: "_Who found the Tail?_ "I," said Pooh, "At a quarter to two (Only it was quarter to eleven really), _I_ found the Tail!"" CHAPTER V IN WHICH PIGLET MEETS A HEFFALUMP One day, when Christopher Robin and Winnie-the-Pooh and Piglet were all talking together, Christopher Robin finished the mouthful he was eating and said carelessly: "I saw a Heffalump to-day, Piglet." "What was it doing?" asked Piglet. "Just lumping along," said Christopher Robin. "I don't think it saw _me_." "I saw one once," said Piglet. "At least, I think I did," he said. "Only perhaps it wasn't."<|quote|>"So did I,"</|quote|>said Pooh, wondering what a Heffalump was like. "You don't often see them," said Christopher Robin carelessly. "Not now," said Piglet. "Not at this time of year," said Pooh. Then they all talked about something else, until it was time for Pooh and Piglet to go home together. At first as they stumped along the path which edged the Hundred Acre Wood, they didn't say much to each other; but when they came to the stream and had helped each other across the stepping stones, and were able to walk side by side again over the heather, they began to talk in a friendly way about this and that, and Piglet said, "If you see what I mean, Pooh," and Pooh said, "It's just what I think myself, Piglet," and Piglet said, "But, on the other hand, Pooh, we must remember," and Pooh said, "Quite true, Piglet, although I had forgotten it for the moment." And then, just as they came to the Six Pine Trees, Pooh looked round to see that nobody else was listening, and said in a very solemn voice: "Piglet, I have decided something." "What have you decided, Pooh?" "I have decided to catch a Heffalump." | me. Did you see them, Pooh?" For some time now Pooh had been saying "Yes" and "No" in turn, with his eyes shut, to all that Owl was saying, and having said, "Yes, yes," last time, he said "No, not at all," now, without really knowing what Owl was talking about. "Didn't you see them?" said Owl, a little surprised. "Come and look at them now." So they went outside. And Pooh looked at the knocker and the notice below it, and he looked at the bell-rope and the notice below it, and the more he looked at the bell-rope, the more he felt that he had seen something like it, somewhere else, sometime before. "Handsome bell-rope, isn't it?" said Owl. Pooh nodded. "It reminds me of something," he said, "but I can't think what. Where did you get it?" "I just came across it in the Forest. It was hanging over a bush, and I thought at first somebody lived there, so I rang it, and nothing happened, and then I rang it again very loudly, and it came off in my hand, and as nobody seemed to want it, I took it home, and----" "Owl," said Pooh solemnly, "you made a mistake. Somebody did want it." "Who?" "Eeyore. My dear friend Eeyore. He was--he was fond of it." "Fond of it?" "Attached to it," said Winnie-the-Pooh sadly. * * * * * So with these words he unhooked it, and carried it back to Eeyore; and when Christopher Robin had nailed it on in its right place again, Eeyore frisked about the forest, waving his tail so happily that Winnie-the-Pooh came over all funny, and had to hurry home for a little snack of something to sustain him. And, wiping his mouth half an hour afterwards, he sang to himself proudly: "_Who found the Tail?_ "I," said Pooh, "At a quarter to two (Only it was quarter to eleven really), _I_ found the Tail!"" CHAPTER V IN WHICH PIGLET MEETS A HEFFALUMP One day, when Christopher Robin and Winnie-the-Pooh and Piglet were all talking together, Christopher Robin finished the mouthful he was eating and said carelessly: "I saw a Heffalump to-day, Piglet." "What was it doing?" asked Piglet. "Just lumping along," said Christopher Robin. "I don't think it saw _me_." "I saw one once," said Piglet. "At least, I think I did," he said. "Only perhaps it wasn't."<|quote|>"So did I,"</|quote|>said Pooh, wondering what a Heffalump was like. "You don't often see them," said Christopher Robin carelessly. "Not now," said Piglet. "Not at this time of year," said Pooh. Then they all talked about something else, until it was time for Pooh and Piglet to go home together. At first as they stumped along the path which edged the Hundred Acre Wood, they didn't say much to each other; but when they came to the stream and had helped each other across the stepping stones, and were able to walk side by side again over the heather, they began to talk in a friendly way about this and that, and Piglet said, "If you see what I mean, Pooh," and Pooh said, "It's just what I think myself, Piglet," and Piglet said, "But, on the other hand, Pooh, we must remember," and Pooh said, "Quite true, Piglet, although I had forgotten it for the moment." And then, just as they came to the Six Pine Trees, Pooh looked round to see that nobody else was listening, and said in a very solemn voice: "Piglet, I have decided something." "What have you decided, Pooh?" "I have decided to catch a Heffalump." Pooh nodded his head several times as he said this, and waited for Piglet to say "How?" or "Pooh, you couldn't!" or something helpful of that sort, but Piglet said nothing. The fact was Piglet was wishing that _he_ had thought about it first. "I shall do it," said Pooh, after waiting a little longer, "by means of a trap. And it must be a Cunning Trap, so you will have to help me, Piglet." "Pooh," said Piglet, feeling quite happy again now, "I will." And then he said, "How shall we do it?" and Pooh said, "That's just it. How?" And then they sat down together to think it out. Pooh's first idea was that they should dig a Very Deep Pit, and then the Heffalump would come along and fall into the Pit, and---- "Why?" said Piglet. "Why what?" said Pooh. "Why would he fall in?" Pooh rubbed his nose with his paw, and said that the Heffalump might be walking along, humming a little song, and looking up at the sky, wondering if it would rain, and so he wouldn't see the Very Deep Pit until he was half-way down, when it would be too late. Piglet | right to left. Then, to make quite sure, he knocked and pulled the knocker, and he pulled and knocked the bell-rope, and he called out in a very loud voice, "Owl! I require an answer! It's Bear speaking." And the door opened, and Owl looked out. "Hallo, Pooh," he said. "How's things?" "Terrible and Sad," said Pooh, "because Eeyore, who is a friend of mine, has lost his tail. And he's Moping about it. So could you very kindly tell me how to find it for him?" "Well," said Owl, "the customary procedure in such cases is as follows." "What does Crustimoney Proseedcake mean?" said Pooh. "For I am a Bear of Very Little Brain, and long words Bother me." "It means the Thing to Do." "As long as it means that, I don't mind," said Pooh humbly. "The thing to do is as follows. First, Issue a Reward. Then----" "Just a moment," said Pooh, holding up his paw. "_What_ do we do to this--what you were saying? You sneezed just as you were going to tell me." "I _didn't_ sneeze." "Yes, you did, Owl." "Excuse me, Pooh, I didn't. You can't sneeze without knowing it." "Well, you can't know it without something having been sneezed." "What I _said_ was, 'First _Issue_ a Reward'." "You're doing it again," said Pooh sadly. "A Reward!" said Owl very loudly. "We write a notice to say that we will give a large something to anybody who finds Eeyore's tail." "I see, I see," said Pooh, nodding his head. "Talking about large somethings," he went on dreamily, "I generally have a small something about now--about this time in the morning," and he looked wistfully at the cupboard in the corner of Owl's parlour; "just a mouthful of condensed milk or whatnot, with perhaps a lick of honey----" "Well, then," said Owl, "we write out this notice, and we put it up all over the forest." "A lick of honey," murmured Bear to himself, "or--or not, as the case may be." And he gave a deep sigh, and tried very hard to listen to what Owl was saying. But Owl went on and on, using longer and longer words, until at last he came back to where he started, and he explained that the person to write out this notice was Christopher Robin. "It was he who wrote the ones on my front door for me. Did you see them, Pooh?" For some time now Pooh had been saying "Yes" and "No" in turn, with his eyes shut, to all that Owl was saying, and having said, "Yes, yes," last time, he said "No, not at all," now, without really knowing what Owl was talking about. "Didn't you see them?" said Owl, a little surprised. "Come and look at them now." So they went outside. And Pooh looked at the knocker and the notice below it, and he looked at the bell-rope and the notice below it, and the more he looked at the bell-rope, the more he felt that he had seen something like it, somewhere else, sometime before. "Handsome bell-rope, isn't it?" said Owl. Pooh nodded. "It reminds me of something," he said, "but I can't think what. Where did you get it?" "I just came across it in the Forest. It was hanging over a bush, and I thought at first somebody lived there, so I rang it, and nothing happened, and then I rang it again very loudly, and it came off in my hand, and as nobody seemed to want it, I took it home, and----" "Owl," said Pooh solemnly, "you made a mistake. Somebody did want it." "Who?" "Eeyore. My dear friend Eeyore. He was--he was fond of it." "Fond of it?" "Attached to it," said Winnie-the-Pooh sadly. * * * * * So with these words he unhooked it, and carried it back to Eeyore; and when Christopher Robin had nailed it on in its right place again, Eeyore frisked about the forest, waving his tail so happily that Winnie-the-Pooh came over all funny, and had to hurry home for a little snack of something to sustain him. And, wiping his mouth half an hour afterwards, he sang to himself proudly: "_Who found the Tail?_ "I," said Pooh, "At a quarter to two (Only it was quarter to eleven really), _I_ found the Tail!"" CHAPTER V IN WHICH PIGLET MEETS A HEFFALUMP One day, when Christopher Robin and Winnie-the-Pooh and Piglet were all talking together, Christopher Robin finished the mouthful he was eating and said carelessly: "I saw a Heffalump to-day, Piglet." "What was it doing?" asked Piglet. "Just lumping along," said Christopher Robin. "I don't think it saw _me_." "I saw one once," said Piglet. "At least, I think I did," he said. "Only perhaps it wasn't."<|quote|>"So did I,"</|quote|>said Pooh, wondering what a Heffalump was like. "You don't often see them," said Christopher Robin carelessly. "Not now," said Piglet. "Not at this time of year," said Pooh. Then they all talked about something else, until it was time for Pooh and Piglet to go home together. At first as they stumped along the path which edged the Hundred Acre Wood, they didn't say much to each other; but when they came to the stream and had helped each other across the stepping stones, and were able to walk side by side again over the heather, they began to talk in a friendly way about this and that, and Piglet said, "If you see what I mean, Pooh," and Pooh said, "It's just what I think myself, Piglet," and Piglet said, "But, on the other hand, Pooh, we must remember," and Pooh said, "Quite true, Piglet, although I had forgotten it for the moment." And then, just as they came to the Six Pine Trees, Pooh looked round to see that nobody else was listening, and said in a very solemn voice: "Piglet, I have decided something." "What have you decided, Pooh?" "I have decided to catch a Heffalump." Pooh nodded his head several times as he said this, and waited for Piglet to say "How?" or "Pooh, you couldn't!" or something helpful of that sort, but Piglet said nothing. The fact was Piglet was wishing that _he_ had thought about it first. "I shall do it," said Pooh, after waiting a little longer, "by means of a trap. And it must be a Cunning Trap, so you will have to help me, Piglet." "Pooh," said Piglet, feeling quite happy again now, "I will." And then he said, "How shall we do it?" and Pooh said, "That's just it. How?" And then they sat down together to think it out. Pooh's first idea was that they should dig a Very Deep Pit, and then the Heffalump would come along and fall into the Pit, and---- "Why?" said Piglet. "Why what?" said Pooh. "Why would he fall in?" Pooh rubbed his nose with his paw, and said that the Heffalump might be walking along, humming a little song, and looking up at the sky, wondering if it would rain, and so he wouldn't see the Very Deep Pit until he was half-way down, when it would be too late. Piglet said that this was a very good Trap, but supposing it were raining already? Pooh rubbed his nose again, and said that he hadn't thought of that. And then he brightened up, and said that, if it were raining already, the Heffalump would be looking at the sky wondering if it would _clear up_, and so he wouldn't see the Very Deep Pit until he was half-way down.... When it would be too late. Piglet said that, now that this point had been explained, he thought it was a Cunning Trap. Pooh was very proud when he heard this, and he felt that the Heffalump was as good as caught already, but there was just one other thing which had to be thought about, and it was this. _Where should they dig the Very Deep Pit?_ Piglet said that the best place would be somewhere where a Heffalump was, just before he fell into it, only about a foot farther on. "But then he would see us digging it," said Pooh. "Not if he was looking at the sky." "He would Suspect," said Pooh, "if he happened to look down." He thought for a long time and then added sadly, "It isn't as easy as I thought. I suppose that's why Heffalumps hardly _ever_ get caught." "That must be it," said Piglet. They sighed and got up; and when they had taken a few gorse prickles out of themselves they sat down again; and all the time Pooh was saying to himself, "If only I could _think_ of something!" For he felt sure that a Very Clever Brain could catch a Heffalump if only he knew the right way to go about it. "Suppose," he said to Piglet, "_you_ wanted to catch _me_, how would you do it?" "Well," said Piglet, "I should do it like this. I should make a Trap, and I should put a Jar of Honey in the Trap, and you would smell it, and you would go in after it, and----" "And I would go in after it," said Pooh excitedly, "only very carefully so as not to hurt myself, and I would get to the Jar of Honey, and I should lick round the edges first of all, pretending that there wasn't any more, you know, and then I should walk away and think about it a little, and then I should come back | and tried very hard to listen to what Owl was saying. But Owl went on and on, using longer and longer words, until at last he came back to where he started, and he explained that the person to write out this notice was Christopher Robin. "It was he who wrote the ones on my front door for me. Did you see them, Pooh?" For some time now Pooh had been saying "Yes" and "No" in turn, with his eyes shut, to all that Owl was saying, and having said, "Yes, yes," last time, he said "No, not at all," now, without really knowing what Owl was talking about. "Didn't you see them?" said Owl, a little surprised. "Come and look at them now." So they went outside. And Pooh looked at the knocker and the notice below it, and he looked at the bell-rope and the notice below it, and the more he looked at the bell-rope, the more he felt that he had seen something like it, somewhere else, sometime before. "Handsome bell-rope, isn't it?" said Owl. Pooh nodded. "It reminds me of something," he said, "but I can't think what. Where did you get it?" "I just came across it in the Forest. It was hanging over a bush, and I thought at first somebody lived there, so I rang it, and nothing happened, and then I rang it again very loudly, and it came off in my hand, and as nobody seemed to want it, I took it home, and----" "Owl," said Pooh solemnly, "you made a mistake. Somebody did want it." "Who?" "Eeyore. My dear friend Eeyore. He was--he was fond of it." "Fond of it?" "Attached to it," said Winnie-the-Pooh sadly. * * * * * So with these words he unhooked it, and carried it back to Eeyore; and when Christopher Robin had nailed it on in its right place again, Eeyore frisked about the forest, waving his tail so happily that Winnie-the-Pooh came over all funny, and had to hurry home for a little snack of something to sustain him. And, wiping his mouth half an hour afterwards, he sang to himself proudly: "_Who found the Tail?_ "I," said Pooh, "At a quarter to two (Only it was quarter to eleven really), _I_ found the Tail!"" CHAPTER V IN WHICH PIGLET MEETS A HEFFALUMP One day, when Christopher Robin and Winnie-the-Pooh and Piglet were all talking together, Christopher Robin finished the mouthful he was eating and said carelessly: "I saw a Heffalump to-day, Piglet." "What was it doing?" asked Piglet. "Just lumping along," said Christopher Robin. "I don't think it saw _me_." "I saw one once," said Piglet. "At least, I think I did," he said. "Only perhaps it wasn't."<|quote|>"So did I,"</|quote|>said Pooh, wondering what a Heffalump was like. "You don't often see them," said Christopher Robin carelessly. "Not now," said Piglet. "Not at this time of year," said Pooh. Then they all talked about something else, until it was time for Pooh and Piglet to go home together. At first as they stumped along the path which edged the Hundred Acre Wood, they didn't say much to each other; but when they came to the stream and had helped each other across the stepping stones, and were able to walk side by side again over the heather, they began to talk in a friendly way about this and that, and Piglet said, "If you see what I mean, Pooh," and Pooh said, "It's just what I think myself, Piglet," and Piglet said, "But, on the other hand, Pooh, we must remember," and Pooh said, "Quite true, Piglet, although I had forgotten it for the moment." And then, just as they came to the Six Pine Trees, Pooh looked round to see that nobody else was listening, and said in a very solemn voice: "Piglet, I have decided something." "What have you decided, Pooh?" "I have decided to catch a Heffalump." | Winnie The Pooh |
"and she knows it. I put it down to too much Beethoven." | Mr. Beebe | watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. | said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never | But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her | in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire | were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of | wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which | such an unsuitable invitation, and she had the impertinence to tell me that it would broaden my ideas, and said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers." "Let me finish the story," said Mr. Beebe, who had returned. "Miss Lavish tried Miss Pole, myself, everyone, and finally said:" 'I shall go alone.' "She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience." "Whatever happened?" cried Lucy. "No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling." "Mr. Beebe--old Mr. Emerson, is he nice or not nice? I do so want to know." Mr. Beebe laughed and suggested that she should settle the question for herself. "No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?" The little old lady shook her head, and sighed disapprovingly. Mr. Beebe, whom the conversation amused, stirred her up by saying: "I consider that you are bound to class him as nice, Miss Alan, after that business of the violets." "Violets? Oh, dear! Who told you about the violets? How do things get round? A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. No, I have quite changed. I do NOT like the Emersons. They are not nice." Mr. Beebe smiled nonchalantly. He had made a gentle effort to introduce the Emersons into Bertolini society, and the effort had failed. He was almost the only person who remained friendly to them. Miss Lavish, who represented intellect, was avowedly hostile, and now the Miss Alans, who stood for good breeding, were following her. Miss Bartlett, smarting under an obligation, would scarcely be civil. The case of Lucy was different. She had given him a hazy account of her adventures in Santa Croce, and he gathered that the two men had made a curious and possibly concerted attempt to annex her, to show her the world from their own strange standpoint, to interest her in their private sorrows and joys. This was impertinent; he did not wish their cause to be championed by a young girl: he would rather it should fail. After all, he knew nothing about them, and pension joys, pension sorrows, are flimsy things; whereas Lucy would be his parishioner. Lucy, with one eye upon the weather, finally said that she thought the Emersons were nice; not that she saw anything of them now. Even their seats at dinner had been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at | been moved. "But aren't they always waylaying you to go out with them, dear?" said the little lady inquisitively. "Only once. Charlotte didn't like it, and said something--quite politely, of course." "Most right of her. They don't understand our ways. They must find their level." Mr. Beebe rather felt that they had gone under. They had given up their attempt--if it was one--to conquer society, and now the father was almost as silent as the son. He wondered whether he would not plan a pleasant day for these folk before they left--some expedition, perhaps, with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's chief pleasures to provide people with happy memories. Evening approached while they chatted; the air became brighter; the colours on the trees and hills were purified, and the Arno lost its muddy solidity and began to twinkle. There were a few streaks of bluish-green among the clouds, a few patches of watery light upon the earth, and then the dripping facade of San Miniato shone brilliantly in the declining sun. "Too late to go out," said Miss Alan in a voice of relief. "All the galleries are shut." "I think I shall go out," said Lucy. "I want to go round the town in the circular tram--on the platform by the driver." Her two companions looked grave. Mr. Beebe, who felt responsible for her in the absence of Miss Bartlett, ventured to say: "I wish we could. Unluckily I have letters. If you do want to go out alone, won't you be better on your feet?" "Italians, dear, you know," said Miss Alan. "Perhaps I shall meet someone who reads me through and through!" But they still looked disapproval, and she so far conceded to Mr. Beebe as to say that she would only go for a little walk, and keep to the street frequented by tourists. "She oughtn't really to go at all," said Mr. Beebe, as they watched her from the window,<|quote|>"and she knows it. I put it down to too much Beethoven."</|quote|>Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her | A Room With A View |
"You don t escape me now." | Signor Carella | no!" cried the young man.<|quote|>"You don t escape me now."</|quote|>For Philip was trying feebly | and Harriet had disappeared. "No! no!" cried the young man.<|quote|>"You don t escape me now."</|quote|>For Philip was trying feebly to disengage his hands. Amiable | young man. "Why do you take me by surprise?" "Oh, I ve written," said Philip hilariously. "I left a note this afternoon." "Silence! silence!" cried the audience, who were beginning to have enough. "Let the divine creature continue." Miss Abbott and Harriet had disappeared. "No! no!" cried the young man.<|quote|>"You don t escape me now."</|quote|>For Philip was trying feebly to disengage his hands. Amiable youths bent out of the box and invited him to enter it. "Gino s friends are ours--" "Friends?" cried Gino. "A relative! A brother! Fra Filippo, who has come all the way from England and never written." "I left a | to the left." He deserted his ladies and plunged towards the box. A young man was flung stomach downwards across the balustrade. Philip handed him up the bouquet and the note. Then his own hands were seized affectionately. It all seemed quite natural. "Why have you not written?" cried the young man. "Why do you take me by surprise?" "Oh, I ve written," said Philip hilariously. "I left a note this afternoon." "Silence! silence!" cried the audience, who were beginning to have enough. "Let the divine creature continue." Miss Abbott and Harriet had disappeared. "No! no!" cried the young man.<|quote|>"You don t escape me now."</|quote|>For Philip was trying feebly to disengage his hands. Amiable youths bent out of the box and invited him to enter it. "Gino s friends are ours--" "Friends?" cried Gino. "A relative! A brother! Fra Filippo, who has come all the way from England and never written." "I left a message." The audience began to hiss. "Come in to us." "Thank you--ladies--there is not time--" The next moment he was swinging by his arms. The moment after he shot over the balustrade into the box. Then the conductor, seeing that the incident was over, raised his baton. The house was | respectable! Philip! take me out at once." "Whose is it?" shouted her brother, holding up the bouquet in one hand and the billet-doux in the other. "Whose is it?" The house exploded, and one of the boxes was violently agitated, as if some one was being hauled to the front. Harriet moved down the gangway, and compelled Miss Abbott to follow her. Philip, still laughing and calling "Whose is it?" brought up the rear. He was drunk with excitement. The heat, the fatigue, and the enjoyment had mounted into his head. "To the left!" the people cried. "The innamorato is to the left." He deserted his ladies and plunged towards the box. A young man was flung stomach downwards across the balustrade. Philip handed him up the bouquet and the note. Then his own hands were seized affectionately. It all seemed quite natural. "Why have you not written?" cried the young man. "Why do you take me by surprise?" "Oh, I ve written," said Philip hilariously. "I left a note this afternoon." "Silence! silence!" cried the audience, who were beginning to have enough. "Let the divine creature continue." Miss Abbott and Harriet had disappeared. "No! no!" cried the young man.<|quote|>"You don t escape me now."</|quote|>For Philip was trying feebly to disengage his hands. Amiable youths bent out of the box and invited him to enter it. "Gino s friends are ours--" "Friends?" cried Gino. "A relative! A brother! Fra Filippo, who has come all the way from England and never written." "I left a message." The audience began to hiss. "Come in to us." "Thank you--ladies--there is not time--" The next moment he was swinging by his arms. The moment after he shot over the balustrade into the box. Then the conductor, seeing that the incident was over, raised his baton. The house was hushed, and Lucia di Lammermoor resumed her song of madness and death. Philip had whispered introductions to the pleasant people who had pulled him in--tradesmen s sons perhaps they were, or medical students, or solicitors clerks, or sons of other dentists. There is no knowing who is who in Italy. The guest of the evening was a private soldier. He shared the honour now with Philip. The two had to stand side by side in the front, and exchange compliments, whilst Gino presided, courteous, but delightfully familiar. Philip would have a spasm of horror at the muddle he had made. | piece of stage property, brought in to make the performance go year after year. None the less did it unloose the great deeps. With a scream of amazement and joy she embraced the animal, pulled out one or two practicable blossoms, pressed them to her lips, and flung them into her admirers. They flung them back, with loud melodious cries, and a little boy in one of the stageboxes snatched up his sister s carnations and offered them. "Che carino!" exclaimed the singer. She darted at the little boy and kissed him. Now the noise became tremendous. "Silence! silence!" shouted many old gentlemen behind. "Let the divine creature continue!" But the young men in the adjacent box were imploring Lucia to extend her civility to them. She refused, with a humorous, expressive gesture. One of them hurled a bouquet at her. She spurned it with her foot. Then, encouraged by the roars of the audience, she picked it up and tossed it to them. Harriet was always unfortunate. The bouquet struck her full in the chest, and a little billet-doux fell out of it into her lap. "Call this classical!" she cried, rising from her seat. "It s not even respectable! Philip! take me out at once." "Whose is it?" shouted her brother, holding up the bouquet in one hand and the billet-doux in the other. "Whose is it?" The house exploded, and one of the boxes was violently agitated, as if some one was being hauled to the front. Harriet moved down the gangway, and compelled Miss Abbott to follow her. Philip, still laughing and calling "Whose is it?" brought up the rear. He was drunk with excitement. The heat, the fatigue, and the enjoyment had mounted into his head. "To the left!" the people cried. "The innamorato is to the left." He deserted his ladies and plunged towards the box. A young man was flung stomach downwards across the balustrade. Philip handed him up the bouquet and the note. Then his own hands were seized affectionately. It all seemed quite natural. "Why have you not written?" cried the young man. "Why do you take me by surprise?" "Oh, I ve written," said Philip hilariously. "I left a note this afternoon." "Silence! silence!" cried the audience, who were beginning to have enough. "Let the divine creature continue." Miss Abbott and Harriet had disappeared. "No! no!" cried the young man.<|quote|>"You don t escape me now."</|quote|>For Philip was trying feebly to disengage his hands. Amiable youths bent out of the box and invited him to enter it. "Gino s friends are ours--" "Friends?" cried Gino. "A relative! A brother! Fra Filippo, who has come all the way from England and never written." "I left a message." The audience began to hiss. "Come in to us." "Thank you--ladies--there is not time--" The next moment he was swinging by his arms. The moment after he shot over the balustrade into the box. Then the conductor, seeing that the incident was over, raised his baton. The house was hushed, and Lucia di Lammermoor resumed her song of madness and death. Philip had whispered introductions to the pleasant people who had pulled him in--tradesmen s sons perhaps they were, or medical students, or solicitors clerks, or sons of other dentists. There is no knowing who is who in Italy. The guest of the evening was a private soldier. He shared the honour now with Philip. The two had to stand side by side in the front, and exchange compliments, whilst Gino presided, courteous, but delightfully familiar. Philip would have a spasm of horror at the muddle he had made. But the spasm would pass, and again he would be enchanted by the kind, cheerful voices, the laughter that was never vapid, and the light caress of the arm across his back. He could not get away till the play was nearly finished, and Edgardo was singing amongst the tombs of ancestors. His new friends hoped to see him at the Garibaldi tomorrow evening. He promised; then he remembered that if they kept to Harriet s plan he would have left Monteriano. "At ten o clock, then," he said to Gino. "I want to speak to you alone. At ten." "Certainly!" laughed the other. Miss Abbott was sitting up for him when he got back. Harriet, it seemed, had gone straight to bed. "That was he, wasn t it?" she asked. "Yes, rather." "I suppose you didn t settle anything?" "Why, no; how could I? The fact is--well, I got taken by surprise, but after all, what does it matter? There s no earthly reason why we shouldn t do the business pleasantly. He s a perfectly charming person, and so are his friends. I m his friend now--his long-lost brother. What s the harm? I tell you, Miss Abbott, | but at entertainment--and he did not want this great evening-party to turn into a prayer-meeting. But soon the boxes began to fill, and Harriet s power was over. Families greeted each other across the auditorium. People in the pit hailed their brothers and sons in the chorus, and told them how well they were singing. When Lucia appeared by the fountain there was loud applause, and cries of "Welcome to Monteriano!" "Ridiculous babies!" said Harriet, settling down in her stall. "Why, it is the famous hot lady of the Apennines," cried Philip; "the one who had never, never before--" "Ugh! Don t. She will be very vulgar. And I m sure it s even worse here than in the tunnel. I wish we d never--" Lucia began to sing, and there was a moment s silence. She was stout and ugly; but her voice was still beautiful, and as she sang the theatre murmured like a hive of happy bees. All through the coloratura she was accompanied by sighs, and its top note was drowned in a shout of universal joy. So the opera proceeded. The singers drew inspiration from the audience, and the two great sextettes were rendered not unworthily. Miss Abbott fell into the spirit of the thing. She, too, chatted and laughed and applauded and encored, and rejoiced in the existence of beauty. As for Philip, he forgot himself as well as his mission. He was not even an enthusiastic visitor. For he had been in this place always. It was his home. Harriet, like M. Bovary on a more famous occasion, was trying to follow the plot. Occasionally she nudged her companions, and asked them what had become of Walter Scott. She looked round grimly. The audience sounded drunk, and even Caroline, who never took a drop, was swaying oddly. Violent waves of excitement, all arising from very little, went sweeping round the theatre. The climax was reached in the mad scene. Lucia, clad in white, as befitted her malady, suddenly gathered up her streaming hair and bowed her acknowledgment to the audience. Then from the back of the stage--she feigned not to see it--there advanced a kind of bamboo clothes-horse, stuck all over with bouquets. It was very ugly, and most of the flowers in it were false. Lucia knew this, and so did the audience; and they all knew that the clothes-horse was a piece of stage property, brought in to make the performance go year after year. None the less did it unloose the great deeps. With a scream of amazement and joy she embraced the animal, pulled out one or two practicable blossoms, pressed them to her lips, and flung them into her admirers. They flung them back, with loud melodious cries, and a little boy in one of the stageboxes snatched up his sister s carnations and offered them. "Che carino!" exclaimed the singer. She darted at the little boy and kissed him. Now the noise became tremendous. "Silence! silence!" shouted many old gentlemen behind. "Let the divine creature continue!" But the young men in the adjacent box were imploring Lucia to extend her civility to them. She refused, with a humorous, expressive gesture. One of them hurled a bouquet at her. She spurned it with her foot. Then, encouraged by the roars of the audience, she picked it up and tossed it to them. Harriet was always unfortunate. The bouquet struck her full in the chest, and a little billet-doux fell out of it into her lap. "Call this classical!" she cried, rising from her seat. "It s not even respectable! Philip! take me out at once." "Whose is it?" shouted her brother, holding up the bouquet in one hand and the billet-doux in the other. "Whose is it?" The house exploded, and one of the boxes was violently agitated, as if some one was being hauled to the front. Harriet moved down the gangway, and compelled Miss Abbott to follow her. Philip, still laughing and calling "Whose is it?" brought up the rear. He was drunk with excitement. The heat, the fatigue, and the enjoyment had mounted into his head. "To the left!" the people cried. "The innamorato is to the left." He deserted his ladies and plunged towards the box. A young man was flung stomach downwards across the balustrade. Philip handed him up the bouquet and the note. Then his own hands were seized affectionately. It all seemed quite natural. "Why have you not written?" cried the young man. "Why do you take me by surprise?" "Oh, I ve written," said Philip hilariously. "I left a note this afternoon." "Silence! silence!" cried the audience, who were beginning to have enough. "Let the divine creature continue." Miss Abbott and Harriet had disappeared. "No! no!" cried the young man.<|quote|>"You don t escape me now."</|quote|>For Philip was trying feebly to disengage his hands. Amiable youths bent out of the box and invited him to enter it. "Gino s friends are ours--" "Friends?" cried Gino. "A relative! A brother! Fra Filippo, who has come all the way from England and never written." "I left a message." The audience began to hiss. "Come in to us." "Thank you--ladies--there is not time--" The next moment he was swinging by his arms. The moment after he shot over the balustrade into the box. Then the conductor, seeing that the incident was over, raised his baton. The house was hushed, and Lucia di Lammermoor resumed her song of madness and death. Philip had whispered introductions to the pleasant people who had pulled him in--tradesmen s sons perhaps they were, or medical students, or solicitors clerks, or sons of other dentists. There is no knowing who is who in Italy. The guest of the evening was a private soldier. He shared the honour now with Philip. The two had to stand side by side in the front, and exchange compliments, whilst Gino presided, courteous, but delightfully familiar. Philip would have a spasm of horror at the muddle he had made. But the spasm would pass, and again he would be enchanted by the kind, cheerful voices, the laughter that was never vapid, and the light caress of the arm across his back. He could not get away till the play was nearly finished, and Edgardo was singing amongst the tombs of ancestors. His new friends hoped to see him at the Garibaldi tomorrow evening. He promised; then he remembered that if they kept to Harriet s plan he would have left Monteriano. "At ten o clock, then," he said to Gino. "I want to speak to you alone. At ten." "Certainly!" laughed the other. Miss Abbott was sitting up for him when he got back. Harriet, it seemed, had gone straight to bed. "That was he, wasn t it?" she asked. "Yes, rather." "I suppose you didn t settle anything?" "Why, no; how could I? The fact is--well, I got taken by surprise, but after all, what does it matter? There s no earthly reason why we shouldn t do the business pleasantly. He s a perfectly charming person, and so are his friends. I m his friend now--his long-lost brother. What s the harm? I tell you, Miss Abbott, it s one thing for England and another for Italy. There we plan and get on high moral horses. Here we find what asses we are, for things go off quite easily, all by themselves. My hat, what a night! Did you ever see a really purple sky and really silver stars before? Well, as I was saying, it s absurd to worry; he s not a porky father. He wants that baby as little as I do. He s been ragging my dear mother--just as he ragged me eighteen months ago, and I ve forgiven him. Oh, but he has a sense of humour!" Miss Abbott, too, had a wonderful evening, nor did she ever remember such stars or such a sky. Her head, too, was full of music, and that night when she opened the window her room was filled with warm, sweet air. She was bathed in beauty within and without; she could not go to bed for happiness. Had she ever been so happy before? Yes, once before, and here, a night in March, the night Gino and Lilia had told her of their love--the night whose evil she had come now to undo. She gave a sudden cry of shame. "This time--the same place--the same thing" "--and she began to beat down her happiness, knowing it to be sinful. She was here to fight against this place, to rescue a little soul--who was innocent as yet. She was here to champion morality and purity, and the holy life of an English home. In the spring she had sinned through ignorance; she was not ignorant now. "Help me!" she cried, and shut the window as if there was magic in the encircling air. But the tunes would not go out of her head, and all night long she was troubled by torrents of music, and by applause and laughter, and angry young men who shouted the distich out of Baedeker:-- Poggibonizzi fatti in la, Che Monteriano si fa citta! Poggibonsi was revealed to her as they sang--a joyless, straggling place, full of people who pretended. When she woke up she knew that it had been Sawston. Chapter 7 At about nine o clock next morning Perfetta went out on to the loggia, not to look at the view, but to throw some dirty water at it. "Scusi tanto!" she wailed, for the water spattered a tall | like M. Bovary on a more famous occasion, was trying to follow the plot. Occasionally she nudged her companions, and asked them what had become of Walter Scott. She looked round grimly. The audience sounded drunk, and even Caroline, who never took a drop, was swaying oddly. Violent waves of excitement, all arising from very little, went sweeping round the theatre. The climax was reached in the mad scene. Lucia, clad in white, as befitted her malady, suddenly gathered up her streaming hair and bowed her acknowledgment to the audience. Then from the back of the stage--she feigned not to see it--there advanced a kind of bamboo clothes-horse, stuck all over with bouquets. It was very ugly, and most of the flowers in it were false. Lucia knew this, and so did the audience; and they all knew that the clothes-horse was a piece of stage property, brought in to make the performance go year after year. None the less did it unloose the great deeps. With a scream of amazement and joy she embraced the animal, pulled out one or two practicable blossoms, pressed them to her lips, and flung them into her admirers. They flung them back, with loud melodious cries, and a little boy in one of the stageboxes snatched up his sister s carnations and offered them. "Che carino!" exclaimed the singer. She darted at the little boy and kissed him. Now the noise became tremendous. "Silence! silence!" shouted many old gentlemen behind. "Let the divine creature continue!" But the young men in the adjacent box were imploring Lucia to extend her civility to them. She refused, with a humorous, expressive gesture. One of them hurled a bouquet at her. She spurned it with her foot. Then, encouraged by the roars of the audience, she picked it up and tossed it to them. Harriet was always unfortunate. The bouquet struck her full in the chest, and a little billet-doux fell out of it into her lap. "Call this classical!" she cried, rising from her seat. "It s not even respectable! Philip! take me out at once." "Whose is it?" shouted her brother, holding up the bouquet in one hand and the billet-doux in the other. "Whose is it?" The house exploded, and one of the boxes was violently agitated, as if some one was being hauled to the front. Harriet moved down the gangway, and compelled Miss Abbott to follow her. Philip, still laughing and calling "Whose is it?" brought up the rear. He was drunk with excitement. The heat, the fatigue, and the enjoyment had mounted into his head. "To the left!" the people cried. "The innamorato is to the left." He deserted his ladies and plunged towards the box. A young man was flung stomach downwards across the balustrade. Philip handed him up the bouquet and the note. Then his own hands were seized affectionately. It all seemed quite natural. "Why have you not written?" cried the young man. "Why do you take me by surprise?" "Oh, I ve written," said Philip hilariously. "I left a note this afternoon." "Silence! silence!" cried the audience, who were beginning to have enough. "Let the divine creature continue." Miss Abbott and Harriet had disappeared. "No! no!" cried the young man.<|quote|>"You don t escape me now."</|quote|>For Philip was trying feebly to disengage his hands. Amiable youths bent out of the box and invited him to enter it. "Gino s friends are ours--" "Friends?" cried Gino. "A relative! A brother! Fra Filippo, who has come all the way from England and never written." "I left a message." The audience began to hiss. "Come in to us." "Thank you--ladies--there is not time--" The next moment he was swinging by his arms. The moment after he shot over the balustrade into the box. Then the conductor, seeing that the incident was over, raised his baton. The house was hushed, and Lucia di Lammermoor resumed her song of madness and death. Philip had whispered introductions to the pleasant people who had pulled him in--tradesmen s sons perhaps they were, or medical students, or solicitors clerks, or sons of other dentists. There is no knowing who is who in Italy. The guest of the evening was a private soldier. He shared the honour now with Philip. The two had to stand side by side in the front, and exchange compliments, whilst Gino presided, courteous, but delightfully familiar. Philip would have a spasm of horror at the muddle he had made. But the spasm would pass, and again he would be enchanted by the kind, cheerful voices, the laughter that was never vapid, and the light caress of the arm across his back. He could not get away till the play was nearly finished, and Edgardo was singing amongst the tombs of ancestors. His new friends hoped to see him at the Garibaldi tomorrow evening. He promised; then he remembered that if they kept to Harriet s plan he would | Where Angels Fear To Tread |
continued Lady Agatha. | No speaker | are so unhappy in Whitechapel,"<|quote|>continued Lady Agatha.</|quote|>"I can sympathize with everything | bright answering glance. "But they are so unhappy in Whitechapel,"<|quote|>continued Lady Agatha.</|quote|>"I can sympathize with everything except suffering," said Lord Henry, | Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel,"<|quote|>continued Lady Agatha.</|quote|>"I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The | rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel,"<|quote|>continued Lady Agatha.</|quote|>"I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." "Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The | nonsense about the Americans." "How dreadful!" cried Lord Henry. "I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect." "I do not understand you," said Sir Thomas, growing rather red. "I do, Lord Henry," murmured Mr. Erskine, with a smile. "Paradoxes are all very well in their way...." rejoined the baronet. "Was that a paradox?" asked Mr. Erskine. "I did not think so. Perhaps it was. Well, the way of paradoxes is the way of truth. To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel,"<|quote|>continued Lady Agatha.</|quote|>"I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." "Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. | are extremely pretty. And they dress well, too. They get all their dresses in Paris. I wish I could afford to do the same." "They say that when good Americans die they go to Paris," chuckled Sir Thomas, who had a large wardrobe of Humour s cast-off clothes. "Really! And where do bad Americans go to when they die?" inquired the duchess. "They go to America," murmured Lord Henry. Sir Thomas frowned. "I am afraid that your nephew is prejudiced against that great country," he said to Lady Agatha. "I have travelled all over it in cars provided by the directors, who, in such matters, are extremely civil. I assure you that it is an education to visit it." "But must we really see Chicago in order to be educated?" asked Mr. Erskine plaintively. "I don t feel up to the journey." Sir Thomas waved his hand. "Mr. Erskine of Treadley has the world on his shelves. We practical men like to see things, not to read about them. The Americans are an extremely interesting people. They are absolutely reasonable. I think that is their distinguishing characteristic. Yes, Mr. Erskine, an absolutely reasonable people. I assure you there is no nonsense about the Americans." "How dreadful!" cried Lord Henry. "I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect." "I do not understand you," said Sir Thomas, growing rather red. "I do, Lord Henry," murmured Mr. Erskine, with a smile. "Paradoxes are all very well in their way...." rejoined the baronet. "Was that a paradox?" asked Mr. Erskine. "I did not think so. Perhaps it was. Well, the way of paradoxes is the way of truth. To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel,"<|quote|>continued Lady Agatha.</|quote|>"I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." "Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess," remarked Lord Henry. "Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight | life and in private life followed the best cooks, dining with the Tories and thinking with the Liberals, in accordance with a wise and well-known rule. The post on her left was occupied by Mr. Erskine of Treadley, an old gentleman of considerable charm and culture, who had fallen, however, into bad habits of silence, having, as he explained once to Lady Agatha, said everything that he had to say before he was thirty. His own neighbour was Mrs. Vandeleur, one of his aunt s oldest friends, a perfect saint amongst women, but so dreadfully dowdy that she reminded one of a badly bound hymn-book. Fortunately for him she had on the other side Lord Faudel, a most intelligent middle-aged mediocrity, as bald as a ministerial statement in the House of Commons, with whom she was conversing in that intensely earnest manner which is the one unpardonable error, as he remarked once himself, that all really good people fall into, and from which none of them ever quite escape. "We are talking about poor Dartmoor, Lord Henry," cried the duchess, nodding pleasantly to him across the table. "Do you think he will really marry this fascinating young person?" "I believe she has made up her mind to propose to him, Duchess." "How dreadful!" exclaimed Lady Agatha. "Really, some one should interfere." "I am told, on excellent authority, that her father keeps an American dry-goods store," said Sir Thomas Burdon, looking supercilious. "My uncle has already suggested pork-packing, Sir Thomas." "Dry-goods! What are American dry-goods?" asked the duchess, raising her large hands in wonder and accentuating the verb. "American novels," answered Lord Henry, helping himself to some quail. The duchess looked puzzled. "Don t mind him, my dear," whispered Lady Agatha. "He never means anything that he says." "When America was discovered," said the Radical member and he began to give some wearisome facts. Like all people who try to exhaust a subject, he exhausted his listeners. The duchess sighed and exercised her privilege of interruption. "I wish to goodness it never had been discovered at all!" she exclaimed. "Really, our girls have no chance nowadays. It is most unfair." "Perhaps, after all, America never has been discovered," said Mr. Erskine; "I myself would say that it had merely been detected." "Oh! but I have seen specimens of the inhabitants," answered the duchess vaguely. "I must confess that most of them are extremely pretty. And they dress well, too. They get all their dresses in Paris. I wish I could afford to do the same." "They say that when good Americans die they go to Paris," chuckled Sir Thomas, who had a large wardrobe of Humour s cast-off clothes. "Really! And where do bad Americans go to when they die?" inquired the duchess. "They go to America," murmured Lord Henry. Sir Thomas frowned. "I am afraid that your nephew is prejudiced against that great country," he said to Lady Agatha. "I have travelled all over it in cars provided by the directors, who, in such matters, are extremely civil. I assure you that it is an education to visit it." "But must we really see Chicago in order to be educated?" asked Mr. Erskine plaintively. "I don t feel up to the journey." Sir Thomas waved his hand. "Mr. Erskine of Treadley has the world on his shelves. We practical men like to see things, not to read about them. The Americans are an extremely interesting people. They are absolutely reasonable. I think that is their distinguishing characteristic. Yes, Mr. Erskine, an absolutely reasonable people. I assure you there is no nonsense about the Americans." "How dreadful!" cried Lord Henry. "I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect." "I do not understand you," said Sir Thomas, growing rather red. "I do, Lord Henry," murmured Mr. Erskine, with a smile. "Paradoxes are all very well in their way...." rejoined the baronet. "Was that a paradox?" asked Mr. Erskine. "I did not think so. Perhaps it was. Well, the way of paradoxes is the way of truth. To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel,"<|quote|>continued Lady Agatha.</|quote|>"I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." "Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess," remarked Lord Henry. "Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one s mistakes." A laugh ran round the table. He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes. At last, liveried in the costume of the age, reality entered the room in the shape of a servant to tell the duchess that her carriage was waiting. She wrung her hands in mock despair. "How annoying!" she cried. "I must go. I have to call for my husband at the club, to take him to some absurd meeting at Willis s Rooms, where he is going to be in the chair. If I am late he is sure to be furious, and I couldn t have a scene in this bonnet. It is far too fragile. A harsh word would ruin it. No, I must go, dear Agatha. Good-bye, Lord Henry, you | dry-goods store," said Sir Thomas Burdon, looking supercilious. "My uncle has already suggested pork-packing, Sir Thomas." "Dry-goods! What are American dry-goods?" asked the duchess, raising her large hands in wonder and accentuating the verb. "American novels," answered Lord Henry, helping himself to some quail. The duchess looked puzzled. "Don t mind him, my dear," whispered Lady Agatha. "He never means anything that he says." "When America was discovered," said the Radical member and he began to give some wearisome facts. Like all people who try to exhaust a subject, he exhausted his listeners. The duchess sighed and exercised her privilege of interruption. "I wish to goodness it never had been discovered at all!" she exclaimed. "Really, our girls have no chance nowadays. It is most unfair." "Perhaps, after all, America never has been discovered," said Mr. Erskine; "I myself would say that it had merely been detected." "Oh! but I have seen specimens of the inhabitants," answered the duchess vaguely. "I must confess that most of them are extremely pretty. And they dress well, too. They get all their dresses in Paris. I wish I could afford to do the same." "They say that when good Americans die they go to Paris," chuckled Sir Thomas, who had a large wardrobe of Humour s cast-off clothes. "Really! And where do bad Americans go to when they die?" inquired the duchess. "They go to America," murmured Lord Henry. Sir Thomas frowned. "I am afraid that your nephew is prejudiced against that great country," he said to Lady Agatha. "I have travelled all over it in cars provided by the directors, who, in such matters, are extremely civil. I assure you that it is an education to visit it." "But must we really see Chicago in order to be educated?" asked Mr. Erskine plaintively. "I don t feel up to the journey." Sir Thomas waved his hand. "Mr. Erskine of Treadley has the world on his shelves. We practical men like to see things, not to read about them. The Americans are an extremely interesting people. They are absolutely reasonable. I think that is their distinguishing characteristic. Yes, Mr. Erskine, an absolutely reasonable people. I assure you there is no nonsense about the Americans." "How dreadful!" cried Lord Henry. "I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect." "I do not understand you," said Sir Thomas, growing rather red. "I do, Lord Henry," murmured Mr. Erskine, with a smile. "Paradoxes are all very well in their way...." rejoined the baronet. "Was that a paradox?" asked Mr. Erskine. "I did not think so. Perhaps it was. Well, the way of paradoxes is the way of truth. To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them." "Dear me!" said Lady Agatha, "how you men argue! I am sure I never can make out what you are talking about. Oh! Harry, I am quite vexed with you. Why do you try to persuade our nice Mr. Dorian Gray to give up the East End? I assure you he would be quite invaluable. They would love his playing." "I want him to play to me," cried Lord Henry, smiling, and he looked down the table and caught a bright answering glance. "But they are so unhappy in Whitechapel,"<|quote|>continued Lady Agatha.</|quote|>"I can sympathize with everything except suffering," said Lord Henry, shrugging his shoulders. "I cannot sympathize with that. It is too ugly, too horrible, too distressing. There is something terribly morbid in the modern sympathy with pain. One should sympathize with the colour, the beauty, the joy of life. The less said about life s sores, the better." "Still, the East End is a very important problem," remarked Sir Thomas with a grave shake of the head. "Quite so," answered the young lord. "It is the problem of slavery, and we try to solve it by amusing the slaves." The politician looked at him keenly. "What change do you propose, then?" he asked. Lord Henry laughed. "I don t desire to change anything in England except the weather," he answered. "I am quite content with philosophic contemplation. But, as the nineteenth century has gone bankrupt through an over-expenditure of sympathy, I would suggest that we should appeal to science to put us straight. The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional." "But we have such grave responsibilities," ventured Mrs. Vandeleur timidly. "Terribly grave," echoed Lady Agatha. Lord Henry looked over at Mr. Erskine. "Humanity takes itself too seriously. It is the world s original sin. If the caveman had known how to laugh, history would have been different." "You are really very comforting," warbled the duchess. "I have always felt rather guilty when I came to see your dear aunt, for I take no interest at all in the East End. For the future I shall be able to look her in the face without a blush." "A blush is very becoming, Duchess," remarked Lord Henry. "Only when one is young," she answered. "When an old woman like myself blushes, it is a very bad sign. Ah! Lord Henry, I wish you would tell me how to become young again." He thought for a moment. "Can you remember any great error that you committed in your early days, Duchess?" he asked, looking at her across the table. "A great many, I fear," she cried. "Then commit them over again," he said gravely. "To get back one s youth, one has merely to repeat one s follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas s tight lips. Lady Agatha shook her head, but could not | The Picture Of Dorian Gray |
"Thank you--but I always mend my own." | Mr. Darcy | I mend pens remarkably well."<|quote|>"Thank you--but I always mend my own."</|quote|>"How can you contrive to | me mend it for you. I mend pens remarkably well."<|quote|>"Thank you--but I always mend my own."</|quote|>"How can you contrive to write so even?" He was | that they fall to my lot instead of to yours." "Pray tell your sister that I long to see her." "I have already told her so once, by your desire." "I am afraid you do not like your pen. Let me mend it for you. I mend pens remarkably well."<|quote|>"Thank you--but I always mend my own."</|quote|>"How can you contrive to write so even?" He was silent. "Tell your sister I am delighted to hear of her improvement on the harp, and pray let her know that I am quite in raptures with her beautiful little design for a table, and I think it infinitely superior | be to receive such a letter!" He made no answer. "You write uncommonly fast." "You are mistaken. I write rather slowly." "How many letters you must have occasion to write in the course of the year! Letters of business too! How odious I should think them!" "It is fortunate, then, that they fall to my lot instead of to yours." "Pray tell your sister that I long to see her." "I have already told her so once, by your desire." "I am afraid you do not like your pen. Let me mend it for you. I mend pens remarkably well."<|quote|>"Thank you--but I always mend my own."</|quote|>"How can you contrive to write so even?" He was silent. "Tell your sister I am delighted to hear of her improvement on the harp, and pray let her know that I am quite in raptures with her beautiful little design for a table, and I think it infinitely superior to Miss Grantley's." "Will you give me leave to defer your raptures till I write again?--At present I have not room to do them justice." "Oh! it is of no consequence. I shall see her in January. But do you always write such charming long letters to her, Mr. Darcy?" | his letter, and repeatedly calling off his attention by messages to his sister. Mr. Hurst and Mr. Bingley were at piquet, and Mrs. Hurst was observing their game. Elizabeth took up some needlework, and was sufficiently amused in attending to what passed between Darcy and his companion. The perpetual commendations of the lady either on his hand-writing, or on the evenness of his lines, or on the length of his letter, with the perfect unconcern with which her praises were received, formed a curious dialogue, and was exactly in unison with her opinion of each. "How delighted Miss Darcy will be to receive such a letter!" He made no answer. "You write uncommonly fast." "You are mistaken. I write rather slowly." "How many letters you must have occasion to write in the course of the year! Letters of business too! How odious I should think them!" "It is fortunate, then, that they fall to my lot instead of to yours." "Pray tell your sister that I long to see her." "I have already told her so once, by your desire." "I am afraid you do not like your pen. Let me mend it for you. I mend pens remarkably well."<|quote|>"Thank you--but I always mend my own."</|quote|>"How can you contrive to write so even?" He was silent. "Tell your sister I am delighted to hear of her improvement on the harp, and pray let her know that I am quite in raptures with her beautiful little design for a table, and I think it infinitely superior to Miss Grantley's." "Will you give me leave to defer your raptures till I write again?--At present I have not room to do them justice." "Oh! it is of no consequence. I shall see her in January. But do you always write such charming long letters to her, Mr. Darcy?" "They are generally long; but whether always charming, it is not for me to determine." "It is a rule with me, that a person who can write a long letter, with ease, cannot write ill." "That will not do for a compliment to Darcy, Caroline," cried her brother--" "because he does _not_ write with ease. He studies too much for words of four syllables.--Do not you, Darcy?" "My style of writing is very different from yours." "Oh!" cried Miss Bingley, "Charles writes in the most careless way imaginable. He leaves out half his words, and blots the rest." "My ideas | day of the ball. But you would not wish to be dancing while she is ill." Lydia declared herself satisfied. "Oh! yes--it would be much better to wait till Jane was well, and by that time most likely Captain Carter would be at Meryton again. And when you have given _your_ ball," she added, "I shall insist on their giving one also. I shall tell Colonel Forster it will be quite a shame if he does not." Mrs. Bennet and her daughters then departed, and Elizabeth returned instantly to Jane, leaving her own and her relations' behaviour to the remarks of the two ladies and Mr. Darcy; the latter of whom, however, could not be prevailed on to join in their censure of _her_, in spite of all Miss Bingley's witticisms on _fine eyes_. CHAPTER X. The day passed much as the day before had done. Mrs. Hurst and Miss Bingley had spent some hours of the morning with the invalid, who continued, though slowly, to mend; and in the evening Elizabeth joined their party in the drawing-room. The loo table, however, did not appear. Mr. Darcy was writing, and Miss Bingley, seated near him, was watching the progress of his letter, and repeatedly calling off his attention by messages to his sister. Mr. Hurst and Mr. Bingley were at piquet, and Mrs. Hurst was observing their game. Elizabeth took up some needlework, and was sufficiently amused in attending to what passed between Darcy and his companion. The perpetual commendations of the lady either on his hand-writing, or on the evenness of his lines, or on the length of his letter, with the perfect unconcern with which her praises were received, formed a curious dialogue, and was exactly in unison with her opinion of each. "How delighted Miss Darcy will be to receive such a letter!" He made no answer. "You write uncommonly fast." "You are mistaken. I write rather slowly." "How many letters you must have occasion to write in the course of the year! Letters of business too! How odious I should think them!" "It is fortunate, then, that they fall to my lot instead of to yours." "Pray tell your sister that I long to see her." "I have already told her so once, by your desire." "I am afraid you do not like your pen. Let me mend it for you. I mend pens remarkably well."<|quote|>"Thank you--but I always mend my own."</|quote|>"How can you contrive to write so even?" He was silent. "Tell your sister I am delighted to hear of her improvement on the harp, and pray let her know that I am quite in raptures with her beautiful little design for a table, and I think it infinitely superior to Miss Grantley's." "Will you give me leave to defer your raptures till I write again?--At present I have not room to do them justice." "Oh! it is of no consequence. I shall see her in January. But do you always write such charming long letters to her, Mr. Darcy?" "They are generally long; but whether always charming, it is not for me to determine." "It is a rule with me, that a person who can write a long letter, with ease, cannot write ill." "That will not do for a compliment to Darcy, Caroline," cried her brother--" "because he does _not_ write with ease. He studies too much for words of four syllables.--Do not you, Darcy?" "My style of writing is very different from yours." "Oh!" cried Miss Bingley, "Charles writes in the most careless way imaginable. He leaves out half his words, and blots the rest." "My ideas flow so rapidly that I have not time to express them--by which means my letters sometimes convey no ideas at all to my correspondents." "Your humility, Mr. Bingley," said Elizabeth, "must disarm reproof." "Nothing is more deceitful," said Darcy, "than the appearance of humility. It is often only carelessness of opinion, and sometimes an indirect boast." "And which of the two do you call _my_ little recent piece of modesty?" "The indirect boast;--for you are really proud of your defects in writing, because you consider them as proceeding from a rapidity of thought and carelessness of execution, which if not estimable, you think at least highly interesting. The power of doing any thing with quickness is always much prized by the possessor, and often without any attention to the imperfection of the performance. When you told Mrs. Bennet this morning that if you ever resolved on quitting Netherfield you should be gone in five minutes, you meant it to be a sort of panegyric, of compliment to yourself--and yet what is there so very laudable in a precipitance which must leave very necessary business undone, and can be of no real advantage to yourself or any one else?" "Nay," cried | Perhaps he thought her too young. However, he wrote some verses on her, and very pretty they were." "And so ended his affection," said Elizabeth impatiently. "There has been many a one, I fancy, overcome in the same way. I wonder who first discovered the efficacy of poetry in driving away love!" "I have been used to consider poetry as the _food_ of love," said Darcy. "Of a fine, stout, healthy love it may. Every thing nourishes what is strong already. But if it be only a slight, thin sort of inclination, I am convinced that one good sonnet will starve it entirely away." Darcy only smiled; and the general pause which ensued made Elizabeth tremble lest her mother should be exposing herself again. She longed to speak, but could think of nothing to say; and after a short silence Mrs. Bennet began repeating her thanks to Mr. Bingley for his kindness to Jane, with an apology for troubling him also with Lizzy. Mr. Bingley was unaffectedly civil in his answer, and forced his younger sister to be civil also, and say what the occasion required. She performed her part indeed without much graciousness, but Mrs. Bennet was satisfied, and soon afterwards ordered her carriage. Upon this signal, the youngest of her daughters put herself forward. The two girls had been whispering to each other during the whole visit, and the result of it was, that the youngest should tax Mr. Bingley with having promised on his first coming into the country to give a ball at Netherfield. Lydia was a stout, well-grown girl of fifteen, with a fine complexion and good-humoured countenance; a favourite with her mother, whose affection had brought her into public at an early age. She had high animal spirits, and a sort of natural self-consequence, which the attentions of the officers, to whom her uncle's good dinners and her own easy manners recommended her, had increased into assurance. She was very equal therefore to address Mr. Bingley on the subject of the ball, and abruptly reminded him of his promise; adding, that it would be the most shameful thing in the world if he did not keep it. His answer to this sudden attack was delightful to their mother's ear. "I am perfectly ready, I assure you, to keep my engagement; and when your sister is recovered, you shall if you please name the very day of the ball. But you would not wish to be dancing while she is ill." Lydia declared herself satisfied. "Oh! yes--it would be much better to wait till Jane was well, and by that time most likely Captain Carter would be at Meryton again. And when you have given _your_ ball," she added, "I shall insist on their giving one also. I shall tell Colonel Forster it will be quite a shame if he does not." Mrs. Bennet and her daughters then departed, and Elizabeth returned instantly to Jane, leaving her own and her relations' behaviour to the remarks of the two ladies and Mr. Darcy; the latter of whom, however, could not be prevailed on to join in their censure of _her_, in spite of all Miss Bingley's witticisms on _fine eyes_. CHAPTER X. The day passed much as the day before had done. Mrs. Hurst and Miss Bingley had spent some hours of the morning with the invalid, who continued, though slowly, to mend; and in the evening Elizabeth joined their party in the drawing-room. The loo table, however, did not appear. Mr. Darcy was writing, and Miss Bingley, seated near him, was watching the progress of his letter, and repeatedly calling off his attention by messages to his sister. Mr. Hurst and Mr. Bingley were at piquet, and Mrs. Hurst was observing their game. Elizabeth took up some needlework, and was sufficiently amused in attending to what passed between Darcy and his companion. The perpetual commendations of the lady either on his hand-writing, or on the evenness of his lines, or on the length of his letter, with the perfect unconcern with which her praises were received, formed a curious dialogue, and was exactly in unison with her opinion of each. "How delighted Miss Darcy will be to receive such a letter!" He made no answer. "You write uncommonly fast." "You are mistaken. I write rather slowly." "How many letters you must have occasion to write in the course of the year! Letters of business too! How odious I should think them!" "It is fortunate, then, that they fall to my lot instead of to yours." "Pray tell your sister that I long to see her." "I have already told her so once, by your desire." "I am afraid you do not like your pen. Let me mend it for you. I mend pens remarkably well."<|quote|>"Thank you--but I always mend my own."</|quote|>"How can you contrive to write so even?" He was silent. "Tell your sister I am delighted to hear of her improvement on the harp, and pray let her know that I am quite in raptures with her beautiful little design for a table, and I think it infinitely superior to Miss Grantley's." "Will you give me leave to defer your raptures till I write again?--At present I have not room to do them justice." "Oh! it is of no consequence. I shall see her in January. But do you always write such charming long letters to her, Mr. Darcy?" "They are generally long; but whether always charming, it is not for me to determine." "It is a rule with me, that a person who can write a long letter, with ease, cannot write ill." "That will not do for a compliment to Darcy, Caroline," cried her brother--" "because he does _not_ write with ease. He studies too much for words of four syllables.--Do not you, Darcy?" "My style of writing is very different from yours." "Oh!" cried Miss Bingley, "Charles writes in the most careless way imaginable. He leaves out half his words, and blots the rest." "My ideas flow so rapidly that I have not time to express them--by which means my letters sometimes convey no ideas at all to my correspondents." "Your humility, Mr. Bingley," said Elizabeth, "must disarm reproof." "Nothing is more deceitful," said Darcy, "than the appearance of humility. It is often only carelessness of opinion, and sometimes an indirect boast." "And which of the two do you call _my_ little recent piece of modesty?" "The indirect boast;--for you are really proud of your defects in writing, because you consider them as proceeding from a rapidity of thought and carelessness of execution, which if not estimable, you think at least highly interesting. The power of doing any thing with quickness is always much prized by the possessor, and often without any attention to the imperfection of the performance. When you told Mrs. Bennet this morning that if you ever resolved on quitting Netherfield you should be gone in five minutes, you meant it to be a sort of panegyric, of compliment to yourself--and yet what is there so very laudable in a precipitance which must leave very necessary business undone, and can be of no real advantage to yourself or any one else?" "Nay," cried Bingley, "this is too much, to remember at night all the foolish things that were said in the morning. And yet, upon my honour, I believed what I said of myself to be true, and I believe it at this moment. At least, therefore, I did not assume the character of needless precipitance merely to shew off before the ladies." "I dare say you believed it; but I am by no means convinced that you would be gone with such celerity. Your conduct would be quite as dependant on chance as that of any man I know; and if, as you were mounting your horse, a friend were to say, 'Bingley, you had better stay till next week,' you would probably do it, you would probably not go--and, at another word, might stay a month." "You have only proved by this," cried Elizabeth, "that Mr. Bingley did not do justice to his own disposition. You have shewn him off now much more than he did himself." "I am exceedingly gratified," said Bingley, "by your converting what my friend says into a compliment on the sweetness of my temper. But I am afraid you are giving it a turn which that gentleman did by no means intend; for he would certainly think the better of me, if under such a circumstance I were to give a flat denial, and ride off as fast as I could." "Would Mr. Darcy then consider the rashness of your original intention as atoned for by your obstinacy in adhering to it?" "Upon my word I cannot exactly explain the matter, Darcy must speak for himself." "You expect me to account for opinions which you chuse to call mine, but which I have never acknowledged. Allowing the case, however, to stand according to your representation, you must remember, Miss Bennet, that the friend who is supposed to desire his return to the house, and the delay of his plan, has merely desired it, asked it without offering one argument in favour of its propriety." "To yield readily--easily--to the _persuasion_ of a friend is no merit with you." "To yield without conviction is no compliment to the understanding of either." "You appear to me, Mr. Darcy, to allow nothing for the influence of friendship and affection. A regard for the requester would often make one readily yield to a request, without waiting for arguments to reason one | Captain Carter would be at Meryton again. And when you have given _your_ ball," she added, "I shall insist on their giving one also. I shall tell Colonel Forster it will be quite a shame if he does not." Mrs. Bennet and her daughters then departed, and Elizabeth returned instantly to Jane, leaving her own and her relations' behaviour to the remarks of the two ladies and Mr. Darcy; the latter of whom, however, could not be prevailed on to join in their censure of _her_, in spite of all Miss Bingley's witticisms on _fine eyes_. CHAPTER X. The day passed much as the day before had done. Mrs. Hurst and Miss Bingley had spent some hours of the morning with the invalid, who continued, though slowly, to mend; and in the evening Elizabeth joined their party in the drawing-room. The loo table, however, did not appear. Mr. Darcy was writing, and Miss Bingley, seated near him, was watching the progress of his letter, and repeatedly calling off his attention by messages to his sister. Mr. Hurst and Mr. Bingley were at piquet, and Mrs. Hurst was observing their game. Elizabeth took up some needlework, and was sufficiently amused in attending to what passed between Darcy and his companion. The perpetual commendations of the lady either on his hand-writing, or on the evenness of his lines, or on the length of his letter, with the perfect unconcern with which her praises were received, formed a curious dialogue, and was exactly in unison with her opinion of each. "How delighted Miss Darcy will be to receive such a letter!" He made no answer. "You write uncommonly fast." "You are mistaken. I write rather slowly." "How many letters you must have occasion to write in the course of the year! Letters of business too! How odious I should think them!" "It is fortunate, then, that they fall to my lot instead of to yours." "Pray tell your sister that I long to see her." "I have already told her so once, by your desire." "I am afraid you do not like your pen. Let me mend it for you. I mend pens remarkably well."<|quote|>"Thank you--but I always mend my own."</|quote|>"How can you contrive to write so even?" He was silent. "Tell your sister I am delighted to hear of her improvement on the harp, and pray let her know that I am quite in raptures with her beautiful little design for a table, and I think it infinitely superior to Miss Grantley's." "Will you give me leave to defer your raptures till I write again?--At present I have not room to do them justice." "Oh! it is of no consequence. I shall see her in January. But do you always write such charming long letters to her, Mr. Darcy?" "They are generally long; but whether always charming, it is not for me to determine." "It is a rule with me, that a person who can write a long letter, with ease, cannot write ill." "That will not do for a compliment to Darcy, Caroline," cried her brother--" "because he does _not_ write with ease. He studies too much for words of four syllables.--Do not you, Darcy?" "My style of writing is very different from yours." "Oh!" cried Miss Bingley, "Charles writes in the most careless way imaginable. He leaves out half his words, and blots the rest." "My ideas flow so rapidly that I have not time to express them--by which means my letters sometimes convey no ideas at all to my correspondents." "Your humility, Mr. Bingley," said Elizabeth, "must disarm reproof." "Nothing is more deceitful," said Darcy, "than the appearance of humility. It is often only carelessness of opinion, and sometimes an indirect boast." "And which of the two do you call _my_ little recent piece of modesty?" "The indirect boast;--for you are really proud of your defects in writing, because you consider them as proceeding from a rapidity of thought and carelessness of execution, which if not estimable, you think at least highly interesting. The power of doing any thing with quickness is always much prized by the possessor, and often without any attention to the imperfection of the performance. When you told Mrs. Bennet this morning that if you ever resolved on quitting Netherfield you should be gone in five minutes, you meant it to be a sort of panegyric, of compliment to yourself--and yet what is there so very laudable in a precipitance which must leave very necessary business undone, and can be of no real advantage to yourself or any one else?" "Nay," cried Bingley, "this is too much, to remember at night all the foolish things that were said in the morning. And yet, upon my honour, I believed what I said of myself to be true, and I believe it at this moment. At least, therefore, I did not assume the character of needless precipitance merely to shew off before the ladies." "I dare say you believed it; but I am by no means convinced that you would be gone with such celerity. Your conduct would be quite as dependant on chance as that of any man I know; and if, as you were mounting your horse, a friend were to say, 'Bingley, you had better stay till next week,' you would probably do it, you would probably not go--and, at another word, might stay a month." "You have only proved by this," cried Elizabeth, "that Mr. Bingley did not do justice to his own disposition. You have shewn him off now much more than he did himself." "I am exceedingly gratified," said Bingley, "by your converting what my friend says | Pride And Prejudice |
"It might have been salt," | Hercule Poirot | else could it have been?"<|quote|>"It might have been salt,"</|quote|>replied Poirot placidly. I shrugged | salt on the tray, what else could it have been?"<|quote|>"It might have been salt,"</|quote|>replied Poirot placidly. I shrugged my shoulders. If he was | it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?"<|quote|>"It might have been salt,"</|quote|>replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated | a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?"<|quote|>"It might have been salt,"</|quote|>replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just | the floor, you think you would have been sure to have seen it?" "Yes, sir, and I would have taken it out with a piece of blotting-paper and a hot iron." Then Poirot repeated the question he had put to Dorcas: "Did your mistress ever have a green dress?" "No, sir." "Nor a mantle, nor a cape, nor a how do you call it? a sports coat?" "Not green, sir." "Nor anyone else in the house?" Annie reflected. "No, sir." "You are sure of that?" "Quite sure." "_Bien!_ That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?"<|quote|>"It might have been salt,"</|quote|>replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the | excitement. Unknown to herself, Annie had provided us with an important piece of evidence. How she would have gaped if she had realized that her "coarse kitchen salt" was strychnine, one of the most deadly poisons known to mankind. I marvelled at Poirot's calm. His self-control was astonishing. I awaited his next question with impatience, but it disappointed me. "When you went into Mrs. Inglethorp's room, was the door leading into Miss Cynthia's room bolted?" "Oh! Yes, sir; it always was. It had never been opened." "And the door into Mr. Inglethorp's room? Did you notice if that was bolted too?" Annie hesitated. "I couldn't rightly say, sir; it was shut but I couldn't say whether it was bolted or not." "When you finally left the room, did Mrs. Inglethorp bolt the door after you?" "No, sir, not then, but I expect she did later. She usually did lock it at night. The door into the passage, that is." "Did you notice any candle grease on the floor when you did the room yesterday?" "Candle grease? Oh, no, sir. Mrs. Inglethorp didn't have a candle, only a reading-lamp." "Then, if there had been a large patch of candle grease on the floor, you think you would have been sure to have seen it?" "Yes, sir, and I would have taken it out with a piece of blotting-paper and a hot iron." Then Poirot repeated the question he had put to Dorcas: "Did your mistress ever have a green dress?" "No, sir." "Nor a mantle, nor a cape, nor a how do you call it? a sports coat?" "Not green, sir." "Nor anyone else in the house?" Annie reflected. "No, sir." "You are sure of that?" "Quite sure." "_Bien!_ That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?"<|quote|>"It might have been salt,"</|quote|>replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes" his eyes wandered round the room "this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed | in Mrs. Inglethorp's room with some cocoa in it. Did she have that every night?" "Yes, sir, it was put in her room every evening, and she warmed it up in the night whenever she fancied it." "What was it? Plain cocoa?" "Yes, sir, made with milk, with a teaspoonful of sugar, and two teaspoonfuls of rum in it." "Who took it to her room?" "I did, sir." "Always?" "Yes, sir." "At what time?" "When I went to draw the curtains, as a rule, sir." "Did you bring it straight up from the kitchen then?" "No, sir, you see there's not much room on the gas stove, so cook used to make it early, before putting the vegetables on for supper. Then I used to bring it up, and put it on the table by the swing door, and take it into her room later." "The swing door is in the left wing, is it not?" "Yes, sir." "And the table, is it on this side of the door, or on the farther servants' side?" "It's this side, sir." "What time did you bring it up last night?" "About quarter-past seven, I should say, sir." "And when did you take it into Mrs. Inglethorp's room?" "When I went to shut up, sir. About eight o'clock. Mrs. Inglethorp came up to bed before I'd finished." "Then, between seven-fifteen and eight o'clock, the cocoa was standing on the table in the left wing?" "Yes, sir." Annie had been growing redder and redder in the face, and now she blurted out unexpectedly: "And if there _was_ salt in it, sir, it wasn't me. I never took the salt near it." "What makes you think there was salt in it?" asked Poirot. "Seeing it on the tray, sir." "You saw some salt on the tray?" "Yes. Coarse kitchen salt, it looked. I never noticed it when I took the tray up, but when I came to take it into the mistress's room I saw it at once, and I suppose I ought to have taken it down again, and asked cook to make some fresh. But I was in a hurry, because Dorcas was out, and I thought maybe the cocoa itself was all right, and the salt had only gone on the tray. So I dusted it off with my apron, and took it in." I had the utmost difficulty in controlling my excitement. Unknown to herself, Annie had provided us with an important piece of evidence. How she would have gaped if she had realized that her "coarse kitchen salt" was strychnine, one of the most deadly poisons known to mankind. I marvelled at Poirot's calm. His self-control was astonishing. I awaited his next question with impatience, but it disappointed me. "When you went into Mrs. Inglethorp's room, was the door leading into Miss Cynthia's room bolted?" "Oh! Yes, sir; it always was. It had never been opened." "And the door into Mr. Inglethorp's room? Did you notice if that was bolted too?" Annie hesitated. "I couldn't rightly say, sir; it was shut but I couldn't say whether it was bolted or not." "When you finally left the room, did Mrs. Inglethorp bolt the door after you?" "No, sir, not then, but I expect she did later. She usually did lock it at night. The door into the passage, that is." "Did you notice any candle grease on the floor when you did the room yesterday?" "Candle grease? Oh, no, sir. Mrs. Inglethorp didn't have a candle, only a reading-lamp." "Then, if there had been a large patch of candle grease on the floor, you think you would have been sure to have seen it?" "Yes, sir, and I would have taken it out with a piece of blotting-paper and a hot iron." Then Poirot repeated the question he had put to Dorcas: "Did your mistress ever have a green dress?" "No, sir." "Nor a mantle, nor a cape, nor a how do you call it? a sports coat?" "Not green, sir." "Nor anyone else in the house?" Annie reflected. "No, sir." "You are sure of that?" "Quite sure." "_Bien!_ That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?"<|quote|>"It might have been salt,"</|quote|>replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes" his eyes wandered round the room "this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible that Mrs. Inglethorp's mind was deranged? Had she some fantastic idea of demoniacal possession? And, if that were so, was it not also possible that she might have taken her own life? I was about to expound these theories to Poirot, when his own words distracted me. "Come," he said, "now to examine the coffee-cups!" "My dear Poirot! What on earth is the good of that, now that we know about the cocoa?" "Oh, _l l !_ That miserable cocoa!" cried Poirot flippantly. He laughed with apparent enjoyment, raising his arms to heaven in mock despair, in what I could not but consider the worst possible taste. "And, anyway," I said, with increasing coldness, "as Mrs. Inglethorp took her coffee upstairs with her, I do not see what you expect to find, unless you consider it likely that we shall discover a packet of strychnine on the coffee tray!" Poirot was sobered at once. "Come, come, my friend," he said, slipping his arms through mine. "_Ne vous f chez pas!_ Allow me to interest myself in my coffee-cups, and I will respect your cocoa. There! Is it a bargain?" He was so quaintly humorous that I was forced to laugh; and we went together to the drawing-room, where the coffee-cups and tray remained undisturbed as we had left them. Poirot made me recapitulate the scene of the night before, listening very carefully, and verifying the position of the various cups. "So Mrs. Cavendish stood by the tray and poured out. Yes. Then she came across to the window where you sat with Mademoiselle Cynthia. Yes. Here are the three cups. And the cup on the mantelpiece, half drunk, that would be Mr. Lawrence Cavendish's. And the one on the tray?" "John Cavendish's. I saw him put it down there." "Good. One, two, three, four, five but where, then, is the cup of Mr. Inglethorp?" "He does not take coffee." "Then all are accounted for. One moment, my friend." With infinite care, he took a drop or two from the grounds in each cup, sealing them up in separate test tubes, tasting each in turn as he did so. His physiognomy underwent a curious change. An expression gathered there that I can only describe as half puzzled, and half relieved. "_Bien!_" he said at last. "It is evident! I had an idea but clearly I was | out, and I thought maybe the cocoa itself was all right, and the salt had only gone on the tray. So I dusted it off with my apron, and took it in." I had the utmost difficulty in controlling my excitement. Unknown to herself, Annie had provided us with an important piece of evidence. How she would have gaped if she had realized that her "coarse kitchen salt" was strychnine, one of the most deadly poisons known to mankind. I marvelled at Poirot's calm. His self-control was astonishing. I awaited his next question with impatience, but it disappointed me. "When you went into Mrs. Inglethorp's room, was the door leading into Miss Cynthia's room bolted?" "Oh! Yes, sir; it always was. It had never been opened." "And the door into Mr. Inglethorp's room? Did you notice if that was bolted too?" Annie hesitated. "I couldn't rightly say, sir; it was shut but I couldn't say whether it was bolted or not." "When you finally left the room, did Mrs. Inglethorp bolt the door after you?" "No, sir, not then, but I expect she did later. She usually did lock it at night. The door into the passage, that is." "Did you notice any candle grease on the floor when you did the room yesterday?" "Candle grease? Oh, no, sir. Mrs. Inglethorp didn't have a candle, only a reading-lamp." "Then, if there had been a large patch of candle grease on the floor, you think you would have been sure to have seen it?" "Yes, sir, and I would have taken it out with a piece of blotting-paper and a hot iron." Then Poirot repeated the question he had put to Dorcas: "Did your mistress ever have a green dress?" "No, sir." "Nor a mantle, nor a cape, nor a how do you call it? a sports coat?" "Not green, sir." "Nor anyone else in the house?" Annie reflected. "No, sir." "You are sure of that?" "Quite sure." "_Bien!_ That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?"<|quote|>"It might have been salt,"</|quote|>replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes" his eyes wandered round the room "this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible | The Mysterious Affair At Styles |
"Have you all got softening of the brain, that you don't realise what I am? Did you really think I wanted to catch that train? Twenty Paris trains might go by for me. Damn Paris trains!" | Inspector Ratcliffe | hair, which came off easily.<|quote|>"Have you all got softening of the brain, that you don't realise what I am? Did you really think I wanted to catch that train? Twenty Paris trains might go by for me. Damn Paris trains!"</|quote|>"Then what did you care | cried the other, tearing his hair, which came off easily.<|quote|>"Have you all got softening of the brain, that you don't realise what I am? Did you really think I wanted to catch that train? Twenty Paris trains might go by for me. Damn Paris trains!"</|quote|>"Then what did you care about?" began the Professor. "What | Syme. "And why the infernal blazes," roared the other, "should I want to go by the train?" "We know all," said the Professor sternly. "You are going to Paris to throw a bomb!" "Going to Jericho to throw a Jabberwock!" cried the other, tearing his hair, which came off easily.<|quote|>"Have you all got softening of the brain, that you don't realise what I am? Did you really think I wanted to catch that train? Twenty Paris trains might go by for me. Damn Paris trains!"</|quote|>"Then what did you care about?" began the Professor. "What did I care about? I didn't care about catching the train; I cared about whether the train caught me, and now, by God! it has caught me." "I regret to inform you," said Syme with restraint, "that your remarks convey | The wild figure turned towards Syme, and seemed to be gathering itself for a sublime effort before speaking. "You great fat, blasted, blear-eyed, blundering, thundering, brainless, Godforsaken, doddering, damned fool!" he said without taking breath. "You great silly, pink-faced, towheaded turnip! You" "You shall not go by this train," repeated Syme. "And why the infernal blazes," roared the other, "should I want to go by the train?" "We know all," said the Professor sternly. "You are going to Paris to throw a bomb!" "Going to Jericho to throw a Jabberwock!" cried the other, tearing his hair, which came off easily.<|quote|>"Have you all got softening of the brain, that you don't realise what I am? Did you really think I wanted to catch that train? Twenty Paris trains might go by for me. Damn Paris trains!"</|quote|>"Then what did you care about?" began the Professor. "What did I care about? I didn't care about catching the train; I cared about whether the train caught me, and now, by God! it has caught me." "I regret to inform you," said Syme with restraint, "that your remarks convey no impression to my mind. Perhaps if you were to remove the remains of your original forehead and some portion of what was once your chin, your meaning would become clearer. Mental lucidity fulfils itself in many ways. What do you mean by saying that the train has caught you? | explained just now. I tell you the train has come into the station!" "Yes," said Dr. Bull fiercely, "and the train shall go out of the station. It shall go out without you. We know well enough for what devil's work" The mysterious Marquis lifted his hands with a desperate gesture. He was a strange scarecrow standing there in the sun with half his old face peeled off, and half another face glaring and grinning from underneath. "Will you drive me mad?" he cried. "The train" "You shall not go by the train," said Syme firmly, and grasped his sword. The wild figure turned towards Syme, and seemed to be gathering itself for a sublime effort before speaking. "You great fat, blasted, blear-eyed, blundering, thundering, brainless, Godforsaken, doddering, damned fool!" he said without taking breath. "You great silly, pink-faced, towheaded turnip! You" "You shall not go by this train," repeated Syme. "And why the infernal blazes," roared the other, "should I want to go by the train?" "We know all," said the Professor sternly. "You are going to Paris to throw a bomb!" "Going to Jericho to throw a Jabberwock!" cried the other, tearing his hair, which came off easily.<|quote|>"Have you all got softening of the brain, that you don't realise what I am? Did you really think I wanted to catch that train? Twenty Paris trains might go by for me. Damn Paris trains!"</|quote|>"Then what did you care about?" began the Professor. "What did I care about? I didn't care about catching the train; I cared about whether the train caught me, and now, by God! it has caught me." "I regret to inform you," said Syme with restraint, "that your remarks convey no impression to my mind. Perhaps if you were to remove the remains of your original forehead and some portion of what was once your chin, your meaning would become clearer. Mental lucidity fulfils itself in many ways. What do you mean by saying that the train has caught you? It may be my literary fancy, but somehow I feel that it ought to mean something." "It means everything," said the other, "and the end of everything. Sunday has us now in the hollow of his hand." "Us!" repeated the Professor, as if stupefied. "What do you mean by us'?" "The police, of course!" said the Marquis, and tore off his scalp and half his face. The head which emerged was the blonde, well brushed, smooth-haired head which is common in the English constabulary, but the face was terribly pale. "I am Inspector Ratcliffe," he said, with a sort of | lifted to heaven was just toppling over. Walking in a world he half understood, he took two paces forward and seized the Roman nose of this remarkable nobleman. He pulled it hard, and it came off in his hand. He stood for some seconds with a foolish solemnity, with the pasteboard proboscis still between his fingers, looking at it, while the sun and the clouds and the wooded hills looked down upon this imbecile scene. The Marquis broke the silence in a loud and cheerful voice. "If anyone has any use for my left eyebrow," he said, "he can have it. Colonel Ducroix, do accept my left eyebrow! It's the kind of thing that might come in useful any day," and he gravely tore off one of his swarthy Assyrian brows, bringing about half his brown forehead with it, and politely offered it to the Colonel, who stood crimson and speechless with rage. "If I had known," he spluttered, "that I was acting for a poltroon who pads himself to fight" "Oh, I know, I know!" said the Marquis, recklessly throwing various parts of himself right and left about the field. "You are making a mistake; but it can't be explained just now. I tell you the train has come into the station!" "Yes," said Dr. Bull fiercely, "and the train shall go out of the station. It shall go out without you. We know well enough for what devil's work" The mysterious Marquis lifted his hands with a desperate gesture. He was a strange scarecrow standing there in the sun with half his old face peeled off, and half another face glaring and grinning from underneath. "Will you drive me mad?" he cried. "The train" "You shall not go by the train," said Syme firmly, and grasped his sword. The wild figure turned towards Syme, and seemed to be gathering itself for a sublime effort before speaking. "You great fat, blasted, blear-eyed, blundering, thundering, brainless, Godforsaken, doddering, damned fool!" he said without taking breath. "You great silly, pink-faced, towheaded turnip! You" "You shall not go by this train," repeated Syme. "And why the infernal blazes," roared the other, "should I want to go by the train?" "We know all," said the Professor sternly. "You are going to Paris to throw a bomb!" "Going to Jericho to throw a Jabberwock!" cried the other, tearing his hair, which came off easily.<|quote|>"Have you all got softening of the brain, that you don't realise what I am? Did you really think I wanted to catch that train? Twenty Paris trains might go by for me. Damn Paris trains!"</|quote|>"Then what did you care about?" began the Professor. "What did I care about? I didn't care about catching the train; I cared about whether the train caught me, and now, by God! it has caught me." "I regret to inform you," said Syme with restraint, "that your remarks convey no impression to my mind. Perhaps if you were to remove the remains of your original forehead and some portion of what was once your chin, your meaning would become clearer. Mental lucidity fulfils itself in many ways. What do you mean by saying that the train has caught you? It may be my literary fancy, but somehow I feel that it ought to mean something." "It means everything," said the other, "and the end of everything. Sunday has us now in the hollow of his hand." "Us!" repeated the Professor, as if stupefied. "What do you mean by us'?" "The police, of course!" said the Marquis, and tore off his scalp and half his face. The head which emerged was the blonde, well brushed, smooth-haired head which is common in the English constabulary, but the face was terribly pale. "I am Inspector Ratcliffe," he said, with a sort of haste that verged on harshness. "My name is pretty well known to the police, and I can see well enough that you belong to them. But if there is any doubt about my position, I have a card," and he began to pull a blue card from his pocket. The Professor gave a tired gesture. "Oh, don't show it us," he said wearily; "we've got enough of them to equip a paper-chase." The little man named Bull, had, like many men who seem to be of a mere vivacious vulgarity, sudden movements of good taste. Here he certainly saved the situation. In the midst of this staggering transformation scene he stepped forward with all the gravity and responsibility of a second, and addressed the two seconds of the Marquis. "Gentlemen," he said, "we all owe you a serious apology; but I assure you that you have not been made the victims of such a low joke as you imagine, or indeed of anything undignified in a man of honour. You have not wasted your time; you have helped to save the world. We are not buffoons, but very desperate men at war with a vast conspiracy. A secret society of | and nearer he fancied he could see people putting up the floral arches in Paris; he joined in the growing noise and the glory of the great Republic whose gate he was guarding against Hell. His thoughts rose higher and higher with the rising roar of the train, which ended, as if proudly, in a long and piercing whistle. The train stopped. Suddenly, to the astonishment of everyone the Marquis sprang back quite out of sword reach and threw down his sword. The leap was wonderful, and not the less wonderful because Syme had plunged his sword a moment before into the man's thigh. "Stop!" said the Marquis in a voice that compelled a momentary obedience. "I want to say something." "What is the matter?" asked Colonel Ducroix, staring. "Has there been foul play?" "There has been foul play somewhere," said Dr. Bull, who was a little pale. "Our principal has wounded the Marquis four times at least, and he is none the worse." The Marquis put up his hand with a curious air of ghastly patience. "Please let me speak," he said. "It is rather important. Mr. Syme," he continued, turning to his opponent, "we are fighting today, if I remember right, because you expressed a wish (which I thought irrational) to pull my nose. Would you oblige me by pulling my nose now as quickly as possible? I have to catch a train." "I protest that this is most irregular," said Dr. Bull indignantly. "It is certainly somewhat opposed to precedent," said Colonel Ducroix, looking wistfully at his principal. "There is, I think, one case on record (Captain Bellegarde and the Baron Zumpt) in which the weapons were changed in the middle of the encounter at the request of one of the combatants. But one can hardly call one's nose a weapon." "Will you or will you not pull my nose?" said the Marquis in exasperation. "Come, come, Mr. Syme! You wanted to do it, do it! You can have no conception of how important it is to me. Don't be so selfish! Pull my nose at once, when I ask you!" and he bent slightly forward with a fascinating smile. The Paris train, panting and groaning, had grated into a little station behind the neighbouring hill. Syme had the feeling he had more than once had in these adventures the sense that a horrible and sublime wave lifted to heaven was just toppling over. Walking in a world he half understood, he took two paces forward and seized the Roman nose of this remarkable nobleman. He pulled it hard, and it came off in his hand. He stood for some seconds with a foolish solemnity, with the pasteboard proboscis still between his fingers, looking at it, while the sun and the clouds and the wooded hills looked down upon this imbecile scene. The Marquis broke the silence in a loud and cheerful voice. "If anyone has any use for my left eyebrow," he said, "he can have it. Colonel Ducroix, do accept my left eyebrow! It's the kind of thing that might come in useful any day," and he gravely tore off one of his swarthy Assyrian brows, bringing about half his brown forehead with it, and politely offered it to the Colonel, who stood crimson and speechless with rage. "If I had known," he spluttered, "that I was acting for a poltroon who pads himself to fight" "Oh, I know, I know!" said the Marquis, recklessly throwing various parts of himself right and left about the field. "You are making a mistake; but it can't be explained just now. I tell you the train has come into the station!" "Yes," said Dr. Bull fiercely, "and the train shall go out of the station. It shall go out without you. We know well enough for what devil's work" The mysterious Marquis lifted his hands with a desperate gesture. He was a strange scarecrow standing there in the sun with half his old face peeled off, and half another face glaring and grinning from underneath. "Will you drive me mad?" he cried. "The train" "You shall not go by the train," said Syme firmly, and grasped his sword. The wild figure turned towards Syme, and seemed to be gathering itself for a sublime effort before speaking. "You great fat, blasted, blear-eyed, blundering, thundering, brainless, Godforsaken, doddering, damned fool!" he said without taking breath. "You great silly, pink-faced, towheaded turnip! You" "You shall not go by this train," repeated Syme. "And why the infernal blazes," roared the other, "should I want to go by the train?" "We know all," said the Professor sternly. "You are going to Paris to throw a bomb!" "Going to Jericho to throw a Jabberwock!" cried the other, tearing his hair, which came off easily.<|quote|>"Have you all got softening of the brain, that you don't realise what I am? Did you really think I wanted to catch that train? Twenty Paris trains might go by for me. Damn Paris trains!"</|quote|>"Then what did you care about?" began the Professor. "What did I care about? I didn't care about catching the train; I cared about whether the train caught me, and now, by God! it has caught me." "I regret to inform you," said Syme with restraint, "that your remarks convey no impression to my mind. Perhaps if you were to remove the remains of your original forehead and some portion of what was once your chin, your meaning would become clearer. Mental lucidity fulfils itself in many ways. What do you mean by saying that the train has caught you? It may be my literary fancy, but somehow I feel that it ought to mean something." "It means everything," said the other, "and the end of everything. Sunday has us now in the hollow of his hand." "Us!" repeated the Professor, as if stupefied. "What do you mean by us'?" "The police, of course!" said the Marquis, and tore off his scalp and half his face. The head which emerged was the blonde, well brushed, smooth-haired head which is common in the English constabulary, but the face was terribly pale. "I am Inspector Ratcliffe," he said, with a sort of haste that verged on harshness. "My name is pretty well known to the police, and I can see well enough that you belong to them. But if there is any doubt about my position, I have a card," and he began to pull a blue card from his pocket. The Professor gave a tired gesture. "Oh, don't show it us," he said wearily; "we've got enough of them to equip a paper-chase." The little man named Bull, had, like many men who seem to be of a mere vivacious vulgarity, sudden movements of good taste. Here he certainly saved the situation. In the midst of this staggering transformation scene he stepped forward with all the gravity and responsibility of a second, and addressed the two seconds of the Marquis. "Gentlemen," he said, "we all owe you a serious apology; but I assure you that you have not been made the victims of such a low joke as you imagine, or indeed of anything undignified in a man of honour. You have not wasted your time; you have helped to save the world. We are not buffoons, but very desperate men at war with a vast conspiracy. A secret society of anarchists is hunting us like hares; not such unfortunate madmen as may here or there throw a bomb through starvation or German philosophy, but a rich and powerful and fanatical church, a church of eastern pessimism, which holds it holy to destroy mankind like vermin. How hard they hunt us you can gather from the fact that we are driven to such disguises as those for which I apologise, and to such pranks as this one by which you suffer." The younger second of the Marquis, a short man with a black moustache, bowed politely, and said "Of course, I accept the apology; but you will in your turn forgive me if I decline to follow you further into your difficulties, and permit myself to say good morning! The sight of an acquaintance and distinguished fellow-townsman coming to pieces in the open air is unusual, and, upon the whole, sufficient for one day. Colonel Ducroix, I would in no way influence your actions, but if you feel with me that our present society is a little abnormal, I am now going to walk back to the town." Colonel Ducroix moved mechanically, but then tugged abruptly at his white moustache and broke out "No, by George! I won't. If these gentlemen are really in a mess with a lot of low wreckers like that, I'll see them through it. I have fought for France, and it is hard if I can't fight for civilization." Dr. Bull took off his hat and waved it, cheering as at a public meeting. "Don't make too much noise," said Inspector Ratcliffe, "Sunday may hear you." "Sunday!" cried Bull, and dropped his hat. "Yes," retorted Ratcliffe, "he may be with them." "With whom?" asked Syme. "With the people out of that train," said the other. "What you say seems utterly wild," began Syme. "Why, as a matter of fact But, my God," he cried out suddenly, like a man who sees an explosion a long way off, "by God! if this is true the whole bally lot of us on the Anarchist Council were against anarchy! Every born man was a detective except the President and his personal secretary. What can it mean?" "Mean!" said the new policeman with incredible violence. "It means that we are struck dead! Don't you know Sunday? Don't you know that his jokes are always so big and simple that one | and the clouds and the wooded hills looked down upon this imbecile scene. The Marquis broke the silence in a loud and cheerful voice. "If anyone has any use for my left eyebrow," he said, "he can have it. Colonel Ducroix, do accept my left eyebrow! It's the kind of thing that might come in useful any day," and he gravely tore off one of his swarthy Assyrian brows, bringing about half his brown forehead with it, and politely offered it to the Colonel, who stood crimson and speechless with rage. "If I had known," he spluttered, "that I was acting for a poltroon who pads himself to fight" "Oh, I know, I know!" said the Marquis, recklessly throwing various parts of himself right and left about the field. "You are making a mistake; but it can't be explained just now. I tell you the train has come into the station!" "Yes," said Dr. Bull fiercely, "and the train shall go out of the station. It shall go out without you. We know well enough for what devil's work" The mysterious Marquis lifted his hands with a desperate gesture. He was a strange scarecrow standing there in the sun with half his old face peeled off, and half another face glaring and grinning from underneath. "Will you drive me mad?" he cried. "The train" "You shall not go by the train," said Syme firmly, and grasped his sword. The wild figure turned towards Syme, and seemed to be gathering itself for a sublime effort before speaking. "You great fat, blasted, blear-eyed, blundering, thundering, brainless, Godforsaken, doddering, damned fool!" he said without taking breath. "You great silly, pink-faced, towheaded turnip! You" "You shall not go by this train," repeated Syme. "And why the infernal blazes," roared the other, "should I want to go by the train?" "We know all," said the Professor sternly. "You are going to Paris to throw a bomb!" "Going to Jericho to throw a Jabberwock!" cried the other, tearing his hair, which came off easily.<|quote|>"Have you all got softening of the brain, that you don't realise what I am? Did you really think I wanted to catch that train? Twenty Paris trains might go by for me. Damn Paris trains!"</|quote|>"Then what did you care about?" began the Professor. "What did I care about? I didn't care about catching the train; I cared about whether the train caught me, and now, by God! it has caught me." "I regret to inform you," said Syme with restraint, "that your remarks convey no impression to my mind. Perhaps if you were to remove the remains of your original forehead and some portion of what was once your chin, your meaning would become clearer. Mental lucidity fulfils itself in many ways. What do you mean by saying that the train has caught you? It may be my literary fancy, but somehow I feel that it ought to mean something." "It means everything," said the other, "and the end of everything. Sunday has us now in the hollow of his hand." "Us!" repeated the Professor, as if stupefied. "What do you mean by us'?" "The police, of course!" said the Marquis, and tore off his scalp and half his face. The head which emerged was the blonde, well brushed, smooth-haired head which is common in the English constabulary, but the face was terribly pale. "I am Inspector Ratcliffe," he said, with a sort of haste that verged on harshness. "My name is pretty well known to the police, and I can see well enough that you belong to them. But if there is any doubt about my position, I have a card," and he began to pull a blue card from his pocket. The Professor gave a tired gesture. "Oh, don't show it us," he said wearily; "we've got enough of them to equip a paper-chase." The little man named Bull, had, like many men who seem to be of a mere vivacious vulgarity, sudden movements of good taste. Here he certainly saved the situation. In the midst of this staggering transformation scene he stepped forward with all the gravity and responsibility of a second, and addressed the two seconds of the Marquis. "Gentlemen," he said, "we all owe you a serious apology; but I assure you that you have not been made the victims of such a low joke as you imagine, or indeed of anything undignified in a man of honour. You have not wasted your time; you have helped to save the world. We are not buffoons, but very desperate men at war with a vast conspiracy. A secret society of anarchists is hunting us like hares; not such unfortunate madmen as may here or there throw a bomb through starvation or German philosophy, but a rich and powerful and fanatical church, a church of eastern pessimism, which holds it holy to destroy mankind like vermin. How hard they hunt us you can gather from the fact that we are driven to such disguises as those for which I apologise, and to such pranks as this one by which you suffer." The younger second of the Marquis, a short man with a black moustache, bowed politely, and said "Of course, I accept the apology; but you will | The Man Who Was Thursday |
"Much the same as when you honoured it last week." | Henry | subject. "How s your house?"<|quote|>"Much the same as when you honoured it last week."</|quote|>"I don t mean Ducie | moment, and then changed the subject. "How s your house?"<|quote|>"Much the same as when you honoured it last week."</|quote|>"I don t mean Ducie Street. Howards End, of course." | was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?"<|quote|>"Much the same as when you honoured it last week."</|quote|>"I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to us? We re nearly demented." "Let me think. I wish I could help you. But I thought you wanted to be in town. One bit | unsatisfied, and said: "So you wouldn t give me your word that you DON T hold with astral bodies and all the rest of it?" "I could," said Margaret, surprised that the point was of any importance to him. "Indeed, I will. When I talked about scrubbing my aura, I was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?"<|quote|>"Much the same as when you honoured it last week."</|quote|>"I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to us? We re nearly demented." "Let me think. I wish I could help you. But I thought you wanted to be in town. One bit of advice: fix your district, then fix your price, and then don t budge. That s how I got both Ducie Street and Oniton. I said to myself, I mean to be exactly here, and I was, and Oniton s a place in a thousand." "But I do budge. Gentlemen | "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all the same," he concluded, with a frown. "Not even that. It may be halfway in the wrong direction. I can t explain. I don t believe in all these fads, and yet I don t like saying that I don t believe in them." He seemed unsatisfied, and said: "So you wouldn t give me your word that you DON T hold with astral bodies and all the rest of it?" "I could," said Margaret, surprised that the point was of any importance to him. "Indeed, I will. When I talked about scrubbing my aura, I was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?"<|quote|>"Much the same as when you honoured it last week."</|quote|>"I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to us? We re nearly demented." "Let me think. I wish I could help you. But I thought you wanted to be in town. One bit of advice: fix your district, then fix your price, and then don t budge. That s how I got both Ducie Street and Oniton. I said to myself, I mean to be exactly here, and I was, and Oniton s a place in a thousand." "But I do budge. Gentlemen seem to mesmerise houses--cow them with an eye, and up they come, trembling. Ladies can t. It s the houses that are mesmerising me. I ve no control over the saucy things. Houses are alive. No?" "I m out of my depth," he said, and added: "Didn t you talk rather like that to your office boy?" "Did I?--I mean I did, more or less. I talk the same way to every one--or try to." "Yes, I know. And how much of it do you suppose he understood?" "That s his lookout. I don t believe in suiting my conversation | Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time," she said to Mr. Wilcox, "you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all the same," he concluded, with a frown. "Not even that. It may be halfway in the wrong direction. I can t explain. I don t believe in all these fads, and yet I don t like saying that I don t believe in them." He seemed unsatisfied, and said: "So you wouldn t give me your word that you DON T hold with astral bodies and all the rest of it?" "I could," said Margaret, surprised that the point was of any importance to him. "Indeed, I will. When I talked about scrubbing my aura, I was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?"<|quote|>"Much the same as when you honoured it last week."</|quote|>"I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to us? We re nearly demented." "Let me think. I wish I could help you. But I thought you wanted to be in town. One bit of advice: fix your district, then fix your price, and then don t budge. That s how I got both Ducie Street and Oniton. I said to myself, I mean to be exactly here, and I was, and Oniton s a place in a thousand." "But I do budge. Gentlemen seem to mesmerise houses--cow them with an eye, and up they come, trembling. Ladies can t. It s the houses that are mesmerising me. I ve no control over the saucy things. Houses are alive. No?" "I m out of my depth," he said, and added: "Didn t you talk rather like that to your office boy?" "Did I?--I mean I did, more or less. I talk the same way to every one--or try to." "Yes, I know. And how much of it do you suppose he understood?" "That s his lookout. I don t believe in suiting my conversation to my company. One can doubtless hit upon some medium of exchange that seems to do well enough, but it s no more like the real thing than money is like food. There s no nourishment in it. You pass it to the lower classes, and they pass it back to you, and this you call social intercourse or mutual endeavour, when it s mutual priggishness if it s anything. Our friends at Chelsea don t see this. They say one ought to be at all costs intelligible, and sacrifice--" "Lower classes," interrupted Mr. Wilcox, as it were thrusting his hand into her speech. "Well, you do admit that there are rich and poor. That s something." Margaret could not reply. Was he incredibly stupid, or did he understand her better than she understood herself? "You do admit that, if wealth was divided up equally, in a few years there would be rich and poor again just the same. The hard-working man would come to the top, the wastrel sink to the bottom." "Every one admits that." "Your Socialists don t." "My Socialists do. Yours mayn t; but I strongly suspect yours of being not Socialists, but ninepins, which you | that he had made a mistake later on. He and Evie soon fell into a conversation of the "No, I didn t; yes, you did" type--conversation which, though fascinating to those who are engaged in it, neither desires nor deserves the attention of others. "It s a golden rule to tip the carver. Tip everywhere s my motto." "Perhaps it does make life more human." "Then the fellows know one again. Especially in the East, if you tip, they remember you from year s end to year s end." "Have you been in the East?" "Oh, Greece and the Levant. I used to go out for sport and business to Cyprus; some military society of a sort there. A few piastres, properly distributed, help to keep one s memory green. But you, of course, think this shockingly cynical. How s your discussion society getting on? Any new Utopias lately?" "No, I m house-hunting, Mr. Wilcox, as I ve already told you once. Do you know of any houses?" "Afraid I don t." "Well, what s the point of being practical if you can t find two distressed females a house? We merely want a small house with large rooms, and plenty of them." "Evie, I like that! Miss Schlegel expects me to turn house-agent for her!" "What s that, father?" "I want a new home in September, and some one must find it. I can t." "Percy, do you know of anything?" "I can t say I do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time," she said to Mr. Wilcox, "you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all the same," he concluded, with a frown. "Not even that. It may be halfway in the wrong direction. I can t explain. I don t believe in all these fads, and yet I don t like saying that I don t believe in them." He seemed unsatisfied, and said: "So you wouldn t give me your word that you DON T hold with astral bodies and all the rest of it?" "I could," said Margaret, surprised that the point was of any importance to him. "Indeed, I will. When I talked about scrubbing my aura, I was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?"<|quote|>"Much the same as when you honoured it last week."</|quote|>"I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to us? We re nearly demented." "Let me think. I wish I could help you. But I thought you wanted to be in town. One bit of advice: fix your district, then fix your price, and then don t budge. That s how I got both Ducie Street and Oniton. I said to myself, I mean to be exactly here, and I was, and Oniton s a place in a thousand." "But I do budge. Gentlemen seem to mesmerise houses--cow them with an eye, and up they come, trembling. Ladies can t. It s the houses that are mesmerising me. I ve no control over the saucy things. Houses are alive. No?" "I m out of my depth," he said, and added: "Didn t you talk rather like that to your office boy?" "Did I?--I mean I did, more or less. I talk the same way to every one--or try to." "Yes, I know. And how much of it do you suppose he understood?" "That s his lookout. I don t believe in suiting my conversation to my company. One can doubtless hit upon some medium of exchange that seems to do well enough, but it s no more like the real thing than money is like food. There s no nourishment in it. You pass it to the lower classes, and they pass it back to you, and this you call social intercourse or mutual endeavour, when it s mutual priggishness if it s anything. Our friends at Chelsea don t see this. They say one ought to be at all costs intelligible, and sacrifice--" "Lower classes," interrupted Mr. Wilcox, as it were thrusting his hand into her speech. "Well, you do admit that there are rich and poor. That s something." Margaret could not reply. Was he incredibly stupid, or did he understand her better than she understood herself? "You do admit that, if wealth was divided up equally, in a few years there would be rich and poor again just the same. The hard-working man would come to the top, the wastrel sink to the bottom." "Every one admits that." "Your Socialists don t." "My Socialists do. Yours mayn t; but I strongly suspect yours of being not Socialists, but ninepins, which you have constructed for your own amusement. I can t imagine any living creature who would bowl over quite so easily." He would have resented this had she not been a woman. But women may say anything--it was one of his holiest beliefs--and he only retorted, with a gay smile: "I don t care. You ve made two damaging admissions, and I m heartily with you in both." In time they finished lunch, and Margaret, who had excused herself from the Hippodrome, took her leave. Evie had scarcely addressed her, and she suspected that the entertainment had been planned by the father. He and she were advancing out of their respective families towards a more intimate acquaintance. It had begun long ago. She had been his wife s friend and, as such, he had given her that silver vinaigrette as a memento. It was pretty of him to have given that vinaigrette, and he had always preferred her to Helen--unlike most men. But the advance had been astonishing lately. They had done more in a week than in two years, and were really beginning to know each other. She did not forget his promise to sample Eustace Miles, and asked him as soon as she could secure Tibby as his chaperon. He came, and partook of body-building dishes with humility. Next morning the Schlegels left for Swanage. They had not succeeded in finding a new home. CHAPTER XVIII As they were seated at Aunt Juley s breakfast-table at The Bays, parrying her excessive hospitality and enjoying the view of the bay, a letter came for Margaret and threw her into perturbation. It was from Mr. Wilcox. It announced an "important change" in his plans. Owing to Evie s marriage, he had decided to give up his house in Ducie Street, and was willing to let it on a yearly tenancy. It was a businesslike letter, and stated frankly what he would do for them and what he would not do. Also the rent. If they approved, Margaret was to come up AT ONCE--the words were underlined, as is necessary when dealing with women--and to go over the house with him. If they disapproved, a wire would oblige, as he should put it into the hands of an agent. The letter perturbed, because she was not sure what it meant. If he liked her, if he had manoeuvred to get her to | do," said Mr. Cahill. "How like you! You re never any good." "Never any good. Just listen to her! Never any good. Oh, come!" "Well, you aren t. Miss Schlegel, is he?" The torrent of their love, having splashed these drops at Margaret, swept away on its habitual course. She sympathised with it now, for a little comfort had restored her geniality. Speech and silence pleased her equally, and while Mr. Wilcox made some preliminary inquiries about cheese, her eyes surveyed the restaurant, and aired its well-calculated tributes to the solidity of our past. Though no more Old English than the works of Kipling, it had selected its reminiscences so adroitly that her criticism was lulled, and the guests whom it was nourishing for imperial purposes bore the outer semblance of Parson Adams or Tom Jones. Scraps of their talk jarred oddly on the ear. "Right you are! I ll cable out to Uganda this evening," came from the table behind. "Their Emperor wants war; well, let him have it," was the opinion of a clergyman. She smiled at such incongruities. "Next time," she said to Mr. Wilcox, "you shall come to lunch with me at Mr. Eustace Miles s." "With pleasure." "No, you d hate it," she said, pushing her glass towards him for some more cider. "It s all proteids and body buildings, and people come up to you and beg your pardon, but you have such a beautiful aura." "A what?" "Never heard of an aura? Oh, happy, happy man! I scrub at mine for hours. Nor of an astral plane?" He had heard of astral planes, and censured them. "Just so. Luckily it was Helen s aura, not mine, and she had to chaperone it and do the politenesses. I just sat with my handkerchief in my mouth till the man went." "Funny experiences seem to come to you two girls. No one s ever asked me about my--what d ye call it? Perhaps I ve not got one." "You re bound to have one, but it may be such a terrible colour that no one dares mention it." "Tell me, though, Miss Schlegel, do you really believe in the supernatural and all that?" "Too difficult a question." "Why s that? Gruyere or Stilton?" "Gruyere, please." "Better have Stilton." "Stilton. Because, though I don t believe in auras, and think Theosophy s only a halfway-house--" "--Yet there may be something in it all the same," he concluded, with a frown. "Not even that. It may be halfway in the wrong direction. I can t explain. I don t believe in all these fads, and yet I don t like saying that I don t believe in them." He seemed unsatisfied, and said: "So you wouldn t give me your word that you DON T hold with astral bodies and all the rest of it?" "I could," said Margaret, surprised that the point was of any importance to him. "Indeed, I will. When I talked about scrubbing my aura, I was only trying to be funny. But why do you want this settled?" "I don t know." "Now, Mr. Wilcox, you do know." "Yes, I am," "No, you re not," burst from the lovers opposite. Margaret was silent for a moment, and then changed the subject. "How s your house?"<|quote|>"Much the same as when you honoured it last week."</|quote|>"I don t mean Ducie Street. Howards End, of course." "Why of course ?" "Can t you turn out your tenant and let it to us? We re nearly demented." "Let me think. I wish I could help you. But I thought you wanted to be in town. One bit of advice: fix your district, then fix your price, and then don t budge. That s how I got both Ducie Street and Oniton. I said to myself, I mean to be exactly here, and I was, and Oniton s a place in a thousand." "But I do budge. Gentlemen seem to mesmerise houses--cow them with an eye, and up they come, trembling. Ladies can t. It s the houses that are mesmerising me. I ve no control over the saucy things. Houses are alive. No?" "I m out of my depth," he said, and added: "Didn t you talk rather like that to your office boy?" "Did I?--I mean I did, more or less. I talk the same way to every one--or try to." "Yes, I know. And how much of it do you suppose he understood?" "That s his lookout. I don t believe in suiting my conversation to my company. One can doubtless hit upon some medium of exchange that seems to do well enough, but it s no more like the real thing than money is like food. There s no nourishment in it. You pass it to the lower classes, and they pass it back to you, and this you call social intercourse or mutual endeavour, when it s mutual priggishness if it s anything. Our friends at Chelsea don t see this. They say one ought to be at all costs intelligible, and sacrifice--" "Lower classes," interrupted Mr. Wilcox, as it were thrusting his hand into her | Howards End |
said the apothecary's deputy, breaking a lump on the top of the fire with the rusty poker; | No speaker | coals out of your contractors,"<|quote|>said the apothecary's deputy, breaking a lump on the top of the fire with the rusty poker;</|quote|>"these are not at all | spoke. "You should get better coals out of your contractors,"<|quote|>said the apothecary's deputy, breaking a lump on the top of the fire with the rusty poker;</|quote|>"these are not at all the sort of thing for | by the fire, making a toothpick out of a quill. "Cold night, Mrs. Corney," said this young gentleman, as the matron entered. "Very cold, indeed, sir," replied the mistress, in her most civil tones, and dropping a curtsey as she spoke. "You should get better coals out of your contractors,"<|quote|>said the apothecary's deputy, breaking a lump on the top of the fire with the rusty poker;</|quote|>"these are not at all the sort of thing for a cold night." "They're the board's choosing, sir," returned the matron. "The least they could do, would be to keep us pretty warm: for our places are hard enough." The conversation was here interrupted by a moan from the sick | to follow as she might: while the more nimble superior made her way to the room where the sick woman lay. It was a bare garret-room, with a dim light burning at the farther end. There was another old woman watching by the bed; the parish apothecary's apprentice was standing by the fire, making a toothpick out of a quill. "Cold night, Mrs. Corney," said this young gentleman, as the matron entered. "Very cold, indeed, sir," replied the mistress, in her most civil tones, and dropping a curtsey as she spoke. "You should get better coals out of your contractors,"<|quote|>said the apothecary's deputy, breaking a lump on the top of the fire with the rusty poker;</|quote|>"these are not at all the sort of thing for a cold night." "They're the board's choosing, sir," returned the matron. "The least they could do, would be to keep us pretty warm: for our places are hard enough." The conversation was here interrupted by a moan from the sick woman. "Oh!" said the young man, turning his face towards the bed, as if he had previously quite forgotten the patient, "it's all U.P. there, Mrs. Corney." "It is, is it, sir?" asked the matron. "If she lasts a couple of hours, I shall be surprised," said the apothecary's apprentice, | the countenances of the dead, even in that fixed and rigid state, to subside into the long-forgotten expression of sleeping infancy, and settle into the very look of early life; so calm, so peaceful, do they grow again, that those who knew them in their happy childhood, kneel by the coffin's side in awe, and see the Angel even upon earth. The old crone tottered along the passages, and up the stairs, muttering some indistinct answers to the chidings of her companion; being at length compelled to pause for breath, she gave the light into her hand, and remained behind to follow as she might: while the more nimble superior made her way to the room where the sick woman lay. It was a bare garret-room, with a dim light burning at the farther end. There was another old woman watching by the bed; the parish apothecary's apprentice was standing by the fire, making a toothpick out of a quill. "Cold night, Mrs. Corney," said this young gentleman, as the matron entered. "Very cold, indeed, sir," replied the mistress, in her most civil tones, and dropping a curtsey as she spoke. "You should get better coals out of your contractors,"<|quote|>said the apothecary's deputy, breaking a lump on the top of the fire with the rusty poker;</|quote|>"these are not at all the sort of thing for a cold night." "They're the board's choosing, sir," returned the matron. "The least they could do, would be to keep us pretty warm: for our places are hard enough." The conversation was here interrupted by a moan from the sick woman. "Oh!" said the young man, turning his face towards the bed, as if he had previously quite forgotten the patient, "it's all U.P. there, Mrs. Corney." "It is, is it, sir?" asked the matron. "If she lasts a couple of hours, I shall be surprised," said the apothecary's apprentice, intent upon the toothpick's point. "It's a break-up of the system altogether. Is she dozing, old lady?" The attendant stooped over the bed, to ascertain; and nodded in the affirmative. "Then perhaps she'll go off in that way, if you don't make a row," said the young man. "Put the light on the floor. She won't see it there." The attendant did as she was told: shaking her head meanwhile, to intimate that the woman would not die so easily; having done so, she resumed her seat by the side of the other nurse, who had by this time returned. | of the genuine metal, and, having satisfied his curiosity on these points, put on his cocked hat corner-wise, and danced with much gravity four distinct times round the table. Having gone through this very extraordinary performance, he took off the cocked hat again, and, spreading himself before the fire with his back towards it, seemed to be mentally engaged in taking an exact inventory of the furniture. CHAPTER XXIV. TREATS ON A VERY POOR SUBJECT. BUT IS A SHORT ONE, AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron's room. Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature's hand. Alas! How few of Nature's faces are left alone to gladden us with their beauty! The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven's surface clear. It is a common thing for the countenances of the dead, even in that fixed and rigid state, to subside into the long-forgotten expression of sleeping infancy, and settle into the very look of early life; so calm, so peaceful, do they grow again, that those who knew them in their happy childhood, kneel by the coffin's side in awe, and see the Angel even upon earth. The old crone tottered along the passages, and up the stairs, muttering some indistinct answers to the chidings of her companion; being at length compelled to pause for breath, she gave the light into her hand, and remained behind to follow as she might: while the more nimble superior made her way to the room where the sick woman lay. It was a bare garret-room, with a dim light burning at the farther end. There was another old woman watching by the bed; the parish apothecary's apprentice was standing by the fire, making a toothpick out of a quill. "Cold night, Mrs. Corney," said this young gentleman, as the matron entered. "Very cold, indeed, sir," replied the mistress, in her most civil tones, and dropping a curtsey as she spoke. "You should get better coals out of your contractors,"<|quote|>said the apothecary's deputy, breaking a lump on the top of the fire with the rusty poker;</|quote|>"these are not at all the sort of thing for a cold night." "They're the board's choosing, sir," returned the matron. "The least they could do, would be to keep us pretty warm: for our places are hard enough." The conversation was here interrupted by a moan from the sick woman. "Oh!" said the young man, turning his face towards the bed, as if he had previously quite forgotten the patient, "it's all U.P. there, Mrs. Corney." "It is, is it, sir?" asked the matron. "If she lasts a couple of hours, I shall be surprised," said the apothecary's apprentice, intent upon the toothpick's point. "It's a break-up of the system altogether. Is she dozing, old lady?" The attendant stooped over the bed, to ascertain; and nodded in the affirmative. "Then perhaps she'll go off in that way, if you don't make a row," said the young man. "Put the light on the floor. She won't see it there." The attendant did as she was told: shaking her head meanwhile, to intimate that the woman would not die so easily; having done so, she resumed her seat by the side of the other nurse, who had by this time returned. The mistress, with an expression of impatience, wrapped herself in her shawl, and sat at the foot of the bed. The apothecary's apprentice, having completed the manufacture of the toothpick, planted himself in front of the fire and made good use of it for ten minutes or so: when apparently growing rather dull, he wished Mrs. Corney joy of her job, and took himself off on tiptoe. When they had sat in silence for some time, the two old women rose from the bed, and crouching over the fire, held out their withered hands to catch the heat. The flame threw a ghastly light on their shrivelled faces, and made their ugliness appear terrible, as, in this position, they began to converse in a low voice. "Did she say any more, Anny dear, while I was gone?" inquired the messenger. "Not a word," replied the other. "She plucked and tore at her arms for a little time; but I held her hands, and she soon dropped off. She hasn't much strength in her, so I easily kept her quiet. I ain't so weak for an old woman, although I am on parish allowance; no, no!" "Did she drink the hot | his tea to the last drop; finished a piece of toast; whisked the crumbs off his knees; wiped his lips; and deliberately kissed the matron. "Mr. Bumble!" cried that discreet lady in a whisper; for the fright was so great, that she had quite lost her voice, "Mr. Bumble, I shall scream!" Mr. Bumble made no reply; but in a slow and dignified manner, put his arm round the matron's waist. As the lady had stated her intention of screaming, of course she would have screamed at this additional boldness, but that the exertion was rendered unnecessary by a hasty knocking at the door: which was no sooner heard, than Mr. Bumble darted, with much agility, to the wine bottles, and began dusting them with great violence: while the matron sharply demanded who was there. It is worthy of remark, as a curious physical instance of the efficacy of a sudden surprise in counteracting the effects of extreme fear, that her voice had quite recovered all its official asperity. "If you please, mistress," said a withered old female pauper, hideously ugly: putting her head in at the door, "Old Sally is a-going fast." "Well, what's that to me?" angrily demanded the matron. "I can't keep her alive, can I?" "No, no, mistress," replied the old woman, "nobody can; she's far beyond the reach of help. I've seen a many people die; little babes and great strong men; and I know when death's a-coming, well enough. But she's troubled in her mind: and when the fits are not on her, and that's not often, for she is dying very hard, she says she has got something to tell, which you must hear. She'll never die quiet till you come, mistress." At this intelligence, the worthy Mrs. Corney muttered a variety of invectives against old women who couldn't even die without purposely annoying their betters; and, muffling herself in a thick shawl which she hastily caught up, briefly requested Mr. Bumble to stay till she came back, lest anything particular should occur. Bidding the messenger walk fast, and not be all night hobbling up the stairs, she followed her from the room with a very ill grace, scolding all the way. Mr. Bumble's conduct on being left to himself, was rather inexplicable. He opened the closet, counted the teaspoons, weighed the sugar-tongs, closely inspected a silver milk-pot to ascertain that it was of the genuine metal, and, having satisfied his curiosity on these points, put on his cocked hat corner-wise, and danced with much gravity four distinct times round the table. Having gone through this very extraordinary performance, he took off the cocked hat again, and, spreading himself before the fire with his back towards it, seemed to be mentally engaged in taking an exact inventory of the furniture. CHAPTER XXIV. TREATS ON A VERY POOR SUBJECT. BUT IS A SHORT ONE, AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron's room. Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature's hand. Alas! How few of Nature's faces are left alone to gladden us with their beauty! The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven's surface clear. It is a common thing for the countenances of the dead, even in that fixed and rigid state, to subside into the long-forgotten expression of sleeping infancy, and settle into the very look of early life; so calm, so peaceful, do they grow again, that those who knew them in their happy childhood, kneel by the coffin's side in awe, and see the Angel even upon earth. The old crone tottered along the passages, and up the stairs, muttering some indistinct answers to the chidings of her companion; being at length compelled to pause for breath, she gave the light into her hand, and remained behind to follow as she might: while the more nimble superior made her way to the room where the sick woman lay. It was a bare garret-room, with a dim light burning at the farther end. There was another old woman watching by the bed; the parish apothecary's apprentice was standing by the fire, making a toothpick out of a quill. "Cold night, Mrs. Corney," said this young gentleman, as the matron entered. "Very cold, indeed, sir," replied the mistress, in her most civil tones, and dropping a curtsey as she spoke. "You should get better coals out of your contractors,"<|quote|>said the apothecary's deputy, breaking a lump on the top of the fire with the rusty poker;</|quote|>"these are not at all the sort of thing for a cold night." "They're the board's choosing, sir," returned the matron. "The least they could do, would be to keep us pretty warm: for our places are hard enough." The conversation was here interrupted by a moan from the sick woman. "Oh!" said the young man, turning his face towards the bed, as if he had previously quite forgotten the patient, "it's all U.P. there, Mrs. Corney." "It is, is it, sir?" asked the matron. "If she lasts a couple of hours, I shall be surprised," said the apothecary's apprentice, intent upon the toothpick's point. "It's a break-up of the system altogether. Is she dozing, old lady?" The attendant stooped over the bed, to ascertain; and nodded in the affirmative. "Then perhaps she'll go off in that way, if you don't make a row," said the young man. "Put the light on the floor. She won't see it there." The attendant did as she was told: shaking her head meanwhile, to intimate that the woman would not die so easily; having done so, she resumed her seat by the side of the other nurse, who had by this time returned. The mistress, with an expression of impatience, wrapped herself in her shawl, and sat at the foot of the bed. The apothecary's apprentice, having completed the manufacture of the toothpick, planted himself in front of the fire and made good use of it for ten minutes or so: when apparently growing rather dull, he wished Mrs. Corney joy of her job, and took himself off on tiptoe. When they had sat in silence for some time, the two old women rose from the bed, and crouching over the fire, held out their withered hands to catch the heat. The flame threw a ghastly light on their shrivelled faces, and made their ugliness appear terrible, as, in this position, they began to converse in a low voice. "Did she say any more, Anny dear, while I was gone?" inquired the messenger. "Not a word," replied the other. "She plucked and tore at her arms for a little time; but I held her hands, and she soon dropped off. She hasn't much strength in her, so I easily kept her quiet. I ain't so weak for an old woman, although I am on parish allowance; no, no!" "Did she drink the hot wine the doctor said she was to have?" demanded the first. "I tried to get it down," rejoined the other. "But her teeth were tight set, and she clenched the mug so hard that it was as much as I could do to get it back again. So I drank it; and it did me good!" Looking cautiously round, to ascertain that they were not overheard, the two hags cowered nearer to the fire, and chuckled heartily. "I mind the time," said the first speaker, "when she would have done the same, and made rare fun of it afterwards." "Ay, that she would," rejoined the other; "she had a merry heart. A many, many, beautiful corpses she laid out, as nice and neat as waxwork. My old eyes have seen them ay, and those old hands touched them too; for I have helped her, scores of times." Stretching forth her trembling fingers as she spoke, the old creature shook them exultingly before her face, and fumbling in her pocket, brought out an old time-discoloured tin snuff-box, from which she shook a few grains into the outstretched palm of her companion, and a few more into her own. While they were thus employed, the matron, who had been impatiently watching until the dying woman should awaken from her stupor, joined them by the fire, and sharply asked how long she was to wait? "Not long, mistress," replied the second woman, looking up into her face. "We have none of us long to wait for Death. Patience, patience! He'll be here soon enough for us all." "Hold your tongue, you doting idiot!" said the matron sternly. "You, Martha, tell me; has she been in this way before?" "Often," answered the first woman. "But will never be again," added the second one; "that is, she'll never wake again but once and mind, mistress, that won't be for long!" "Long or short," said the matron, snappishly, "she won't find me here when she does wake; take care, both of you, how you worry me again for nothing. It's no part of my duty to see all the old women in the house die, and I won't that's more. Mind that, you impudent old harridans. If you make a fool of me again, I'll soon cure you, I warrant you!" She was bouncing away, when a cry from the two women, who had turned towards | are not on her, and that's not often, for she is dying very hard, she says she has got something to tell, which you must hear. She'll never die quiet till you come, mistress." At this intelligence, the worthy Mrs. Corney muttered a variety of invectives against old women who couldn't even die without purposely annoying their betters; and, muffling herself in a thick shawl which she hastily caught up, briefly requested Mr. Bumble to stay till she came back, lest anything particular should occur. Bidding the messenger walk fast, and not be all night hobbling up the stairs, she followed her from the room with a very ill grace, scolding all the way. Mr. Bumble's conduct on being left to himself, was rather inexplicable. He opened the closet, counted the teaspoons, weighed the sugar-tongs, closely inspected a silver milk-pot to ascertain that it was of the genuine metal, and, having satisfied his curiosity on these points, put on his cocked hat corner-wise, and danced with much gravity four distinct times round the table. Having gone through this very extraordinary performance, he took off the cocked hat again, and, spreading himself before the fire with his back towards it, seemed to be mentally engaged in taking an exact inventory of the furniture. CHAPTER XXIV. TREATS ON A VERY POOR SUBJECT. BUT IS A SHORT ONE, AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron's room. Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature's hand. Alas! How few of Nature's faces are left alone to gladden us with their beauty! The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven's surface clear. It is a common thing for the countenances of the dead, even in that fixed and rigid state, to subside into the long-forgotten expression of sleeping infancy, and settle into the very look of early life; so calm, so peaceful, do they grow again, that those who knew them in their happy childhood, kneel by the coffin's side in awe, and see the Angel even upon earth. The old crone tottered along the passages, and up the stairs, muttering some indistinct answers to the chidings of her companion; being at length compelled to pause for breath, she gave the light into her hand, and remained behind to follow as she might: while the more nimble superior made her way to the room where the sick woman lay. It was a bare garret-room, with a dim light burning at the farther end. There was another old woman watching by the bed; the parish apothecary's apprentice was standing by the fire, making a toothpick out of a quill. "Cold night, Mrs. Corney," said this young gentleman, as the matron entered. "Very cold, indeed, sir," replied the mistress, in her most civil tones, and dropping a curtsey as she spoke. "You should get better coals out of your contractors,"<|quote|>said the apothecary's deputy, breaking a lump on the top of the fire with the rusty poker;</|quote|>"these are not at all the sort of thing for a cold night." "They're the board's choosing, sir," returned the matron. "The least they could do, would be to keep us pretty warm: for our places are hard enough." The conversation was here interrupted by a moan from the sick woman. "Oh!" said the young man, turning his face towards the bed, as if he had previously quite forgotten the patient, "it's all U.P. there, Mrs. Corney." "It is, is it, sir?" asked the matron. "If she lasts a couple of hours, I shall be surprised," said the apothecary's apprentice, intent upon the toothpick's point. "It's a break-up of the system altogether. Is she dozing, old lady?" The attendant stooped over the bed, to ascertain; and nodded in the affirmative. "Then perhaps she'll go off in that way, if you don't make a row," said the young man. "Put the light on the floor. She won't see it there." The attendant did as she was told: shaking her head meanwhile, to intimate that the woman would not die so easily; having done so, she resumed her seat by the side of the other nurse, who had by this time returned. The mistress, with an expression of impatience, wrapped herself in her shawl, and sat at the foot of | Oliver Twist |
"but they damned well said Yes." | Paul | No." "That's probable," I agree,<|quote|>"but they damned well said Yes."</|quote|>"It's queer, when one thinks | in the world had said No." "That's probable," I agree,<|quote|>"but they damned well said Yes."</|quote|>"It's queer, when one thinks about it," goes on Kropp, | whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree,<|quote|>"but they damned well said Yes."</|quote|>"It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means | it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree,<|quote|>"but they damned well said Yes."</|quote|>"It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," | asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree,<|quote|>"but they damned well said Yes."</|quote|>"It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls | we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree,<|quote|>"but they damned well said Yes."</|quote|>"It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any | not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree,<|quote|>"but they damned well said Yes."</|quote|>"It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better that the war is here instead of in Germany. Just you take a look at the shell-holes." "True," assents Tjaden, "but no war at all would be better still." He is quite proud of himself because he has for once scored over us volunteers. And his opinion is quite typical here, one meets it time and again, and there is nothing with which one can properly counter it, because that is the limit of their comprehension of the factors involved. The national feeling of the tommy resolves itself into this--here he is. But that is the end of it; everything else from joining up onwards he criticizes from a practical point of view. Albert lies down on the grass and growls angrily: "The best thing is not to talk about the rotten business." "It won't make any difference, that's sure," agrees Kat. As for the windfall, we have to return almost all the new things and take back our old rags again. The good ones | I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree,<|quote|>"but they damned well said Yes."</|quote|>"It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, | All Quiet on the Western Front |
replied the old lady. | No speaker | have won twelve thousand florins,"<|quote|>replied the old lady.</|quote|>"And then there is all | an elusive smile. "Yes, I have won twelve thousand florins,"<|quote|>replied the old lady.</|quote|>"And then there is all this gold. With it the | was simply overflowing with smiles and compliments, and a number of fine ladies were staring at the Grandmother as though she had been something curious. "Quelle victoire!" exclaimed De Griers. "Mais, Madame, c tait du feu!" added Mlle. Blanche with an elusive smile. "Yes, I have won twelve thousand florins,"<|quote|>replied the old lady.</|quote|>"And then there is all this gold. With it the total ought to come to nearly thirteen thousand. How much is that in Russian money? Six thousand roubles, I think?" However, I calculated that the sum would exceed seven thousand roubles or, at the present rate of exchange, even eight | were visibly impressed. Everywhere people kept pointing to the Grandmother, and talking about her. Many people even walked beside her chair, in order to view her the better while, at a little distance, Astley was carrying on a conversation on the subject with two English acquaintances of his. De Griers was simply overflowing with smiles and compliments, and a number of fine ladies were staring at the Grandmother as though she had been something curious. "Quelle victoire!" exclaimed De Griers. "Mais, Madame, c tait du feu!" added Mlle. Blanche with an elusive smile. "Yes, I have won twelve thousand florins,"<|quote|>replied the old lady.</|quote|>"And then there is all this gold. With it the total ought to come to nearly thirteen thousand. How much is that in Russian money? Six thousand roubles, I think?" However, I calculated that the sum would exceed seven thousand roubles or, at the present rate of exchange, even eight thousand. "Eight thousand roubles! What a splendid thing! And to think of you simpletons sitting there and doing nothing! Potapitch! Martha! See what I have won!" "How _did_ you do it, Madame?" Martha exclaimed ecstatically. "Eight thousand roubles!" "And I am going to give you fifty g lden apiece. There | beaming in it, was wheeled away towards the doors at the further end of the salon, while our party hastened to crowd around her, and to offer her their congratulations. In fact, eccentric as was her conduct, it was also overshadowed by her triumph; with the result that the General no longer feared to be publicly compromised by being seen with such a strange woman, but, smiling in a condescending, cheerfully familiar way, as though he were soothing a child, he offered his greetings to the old lady. At the same time, both he and the rest of the spectators were visibly impressed. Everywhere people kept pointing to the Grandmother, and talking about her. Many people even walked beside her chair, in order to view her the better while, at a little distance, Astley was carrying on a conversation on the subject with two English acquaintances of his. De Griers was simply overflowing with smiles and compliments, and a number of fine ladies were staring at the Grandmother as though she had been something curious. "Quelle victoire!" exclaimed De Griers. "Mais, Madame, c tait du feu!" added Mlle. Blanche with an elusive smile. "Yes, I have won twelve thousand florins,"<|quote|>replied the old lady.</|quote|>"And then there is all this gold. With it the total ought to come to nearly thirteen thousand. How much is that in Russian money? Six thousand roubles, I think?" However, I calculated that the sum would exceed seven thousand roubles or, at the present rate of exchange, even eight thousand. "Eight thousand roubles! What a splendid thing! And to think of you simpletons sitting there and doing nothing! Potapitch! Martha! See what I have won!" "How _did_ you do it, Madame?" Martha exclaimed ecstatically. "Eight thousand roubles!" "And I am going to give you fifty g lden apiece. There they are." Potapitch and Martha rushed towards her to kiss her hand. "And to each bearer also I will give a ten-g lden piece. Let them have it out of the gold, Alexis Ivanovitch. But why is this footman bowing to me, and that other man as well? Are they congratulating me? Well, let them have ten g lden apiece." "Madame la princesse Un pauvre expatri Malheur continuel Les princes russes sont si g n reux!" said a man who for some time past had been hanging around the old lady s chair a personage who, dressed in a shabby | the management settled up with great attention and respect, since she was fortunate to have to receive no less than 4200 g lden. Of these g lden the odd 200 were paid her in gold, and the remainder in bank notes. This time the old lady did not call for Potapitch; for that she was too preoccupied. Though not outwardly shaken by the event (indeed, she seemed perfectly calm), she was trembling inwardly from head to foot. At length, completely absorbed in the game, she burst out: "Alexis Ivanovitch, did not the croupier just say that 4000 florins were the most that could be staked at any one time? Well, take these 4000, and stake them upon the red." To oppose her was useless. Once more the wheel revolved. "Rouge!" proclaimed the croupier. Again 4000 florins in all 8000! "Give me them," commanded the Grandmother, "and stake the other 4000 upon the red again." I did so. "Rouge!" proclaimed the croupier. "Twelve thousand!" cried the old lady. "Hand me the whole lot. Put the gold into this purse here, and count the bank notes. Enough! Let us go home. Wheel my chair away." XI The chair, with the old lady beaming in it, was wheeled away towards the doors at the further end of the salon, while our party hastened to crowd around her, and to offer her their congratulations. In fact, eccentric as was her conduct, it was also overshadowed by her triumph; with the result that the General no longer feared to be publicly compromised by being seen with such a strange woman, but, smiling in a condescending, cheerfully familiar way, as though he were soothing a child, he offered his greetings to the old lady. At the same time, both he and the rest of the spectators were visibly impressed. Everywhere people kept pointing to the Grandmother, and talking about her. Many people even walked beside her chair, in order to view her the better while, at a little distance, Astley was carrying on a conversation on the subject with two English acquaintances of his. De Griers was simply overflowing with smiles and compliments, and a number of fine ladies were staring at the Grandmother as though she had been something curious. "Quelle victoire!" exclaimed De Griers. "Mais, Madame, c tait du feu!" added Mlle. Blanche with an elusive smile. "Yes, I have won twelve thousand florins,"<|quote|>replied the old lady.</|quote|>"And then there is all this gold. With it the total ought to come to nearly thirteen thousand. How much is that in Russian money? Six thousand roubles, I think?" However, I calculated that the sum would exceed seven thousand roubles or, at the present rate of exchange, even eight thousand. "Eight thousand roubles! What a splendid thing! And to think of you simpletons sitting there and doing nothing! Potapitch! Martha! See what I have won!" "How _did_ you do it, Madame?" Martha exclaimed ecstatically. "Eight thousand roubles!" "And I am going to give you fifty g lden apiece. There they are." Potapitch and Martha rushed towards her to kiss her hand. "And to each bearer also I will give a ten-g lden piece. Let them have it out of the gold, Alexis Ivanovitch. But why is this footman bowing to me, and that other man as well? Are they congratulating me? Well, let them have ten g lden apiece." "Madame la princesse Un pauvre expatri Malheur continuel Les princes russes sont si g n reux!" said a man who for some time past had been hanging around the old lady s chair a personage who, dressed in a shabby frockcoat and coloured waistcoat, kept taking off his cap, and smiling pathetically. "Give him ten g lden," said the Grandmother. "No, give him twenty. Now, enough of that, or I shall never get done with you all. Take a moment s rest, and then carry me away. Prascovia, I mean to buy a new dress for you tomorrow. Yes, and for you too, Mlle. Blanche. Please translate, Prascovia." "Merci, Madame," replied Mlle. Blanche gratefully as she twisted her face into the mocking smile which usually she kept only for the benefit of De Griers and the General. The latter looked confused, and seemed greatly relieved when we reached the Avenue. "How surprised Theodosia too will be!" went on the Grandmother (thinking of the General s nursemaid). "She, like yourselves, shall have the price of a new gown. Here, Alexis Ivanovitch! Give that beggar something" (a crooked-backed ragamuffin had approached to stare at us). "But perhaps he is _not_ a beggar only a rascal," I replied. "Never mind, never mind. Give him a g lden." I approached the beggar in question, and handed him the coin. Looking at me in great astonishment, he silently accepted the g lden, while from his | I assure you that you may lose all your capital." "You are wrong utterly wrong. Stake, I tell you! What a chattering tongue you have! I know perfectly well what I am doing." The old lady was shaking with excitement. "But the rules do not allow of more than 120 g lden being staked upon zero at a time." "How do not allow ? Surely you are wrong? Monsieur, monsieur" here she nudged the croupier who was sitting on her left, and preparing to spin "combien zero? Douze? Douze?" I hastened to translate. "Oui, Madame," was the croupier s polite reply. "No single stake must exceed four thousand florins. That is the regulation." "Then there is nothing else for it. We must risk in g lden." "Le jeu est fait!" the croupier called. The wheel revolved, and stopped at thirty. We had lost! "Again, again, again! Stake again!" shouted the old lady. Without attempting to oppose her further, but merely shrugging my shoulders, I placed twelve more ten-g lden pieces upon the table. The wheel whirled around and around, with the Grandmother simply quaking as she watched its revolutions. "Does she again think that zero is going to be the winning coup?" thought I, as I stared at her in astonishment. Yet an absolute assurance of winning was shining on her face; she looked perfectly convinced that zero was about to be called again. At length the ball dropped off into one of the notches. "Zero!" cried the croupier. "Ah!!!" screamed the old lady as she turned to me in a whirl of triumph. I myself was at heart a gambler. At that moment I became acutely conscious both of that fact and of the fact that my hands and knees were shaking, and that the blood was beating in my brain. Of course this was a rare occasion an occasion on which zero had turned up no less than three times within a dozen rounds; yet in such an event there was nothing so very surprising, seeing that, only three days ago, I myself had been a witness to zero turning up _three times in succession_, so that one of the players who was recording the coups on paper was moved to remark that for several days past zero had never turned up at all! With the Grandmother, as with any one who has won a very large sum, the management settled up with great attention and respect, since she was fortunate to have to receive no less than 4200 g lden. Of these g lden the odd 200 were paid her in gold, and the remainder in bank notes. This time the old lady did not call for Potapitch; for that she was too preoccupied. Though not outwardly shaken by the event (indeed, she seemed perfectly calm), she was trembling inwardly from head to foot. At length, completely absorbed in the game, she burst out: "Alexis Ivanovitch, did not the croupier just say that 4000 florins were the most that could be staked at any one time? Well, take these 4000, and stake them upon the red." To oppose her was useless. Once more the wheel revolved. "Rouge!" proclaimed the croupier. Again 4000 florins in all 8000! "Give me them," commanded the Grandmother, "and stake the other 4000 upon the red again." I did so. "Rouge!" proclaimed the croupier. "Twelve thousand!" cried the old lady. "Hand me the whole lot. Put the gold into this purse here, and count the bank notes. Enough! Let us go home. Wheel my chair away." XI The chair, with the old lady beaming in it, was wheeled away towards the doors at the further end of the salon, while our party hastened to crowd around her, and to offer her their congratulations. In fact, eccentric as was her conduct, it was also overshadowed by her triumph; with the result that the General no longer feared to be publicly compromised by being seen with such a strange woman, but, smiling in a condescending, cheerfully familiar way, as though he were soothing a child, he offered his greetings to the old lady. At the same time, both he and the rest of the spectators were visibly impressed. Everywhere people kept pointing to the Grandmother, and talking about her. Many people even walked beside her chair, in order to view her the better while, at a little distance, Astley was carrying on a conversation on the subject with two English acquaintances of his. De Griers was simply overflowing with smiles and compliments, and a number of fine ladies were staring at the Grandmother as though she had been something curious. "Quelle victoire!" exclaimed De Griers. "Mais, Madame, c tait du feu!" added Mlle. Blanche with an elusive smile. "Yes, I have won twelve thousand florins,"<|quote|>replied the old lady.</|quote|>"And then there is all this gold. With it the total ought to come to nearly thirteen thousand. How much is that in Russian money? Six thousand roubles, I think?" However, I calculated that the sum would exceed seven thousand roubles or, at the present rate of exchange, even eight thousand. "Eight thousand roubles! What a splendid thing! And to think of you simpletons sitting there and doing nothing! Potapitch! Martha! See what I have won!" "How _did_ you do it, Madame?" Martha exclaimed ecstatically. "Eight thousand roubles!" "And I am going to give you fifty g lden apiece. There they are." Potapitch and Martha rushed towards her to kiss her hand. "And to each bearer also I will give a ten-g lden piece. Let them have it out of the gold, Alexis Ivanovitch. But why is this footman bowing to me, and that other man as well? Are they congratulating me? Well, let them have ten g lden apiece." "Madame la princesse Un pauvre expatri Malheur continuel Les princes russes sont si g n reux!" said a man who for some time past had been hanging around the old lady s chair a personage who, dressed in a shabby frockcoat and coloured waistcoat, kept taking off his cap, and smiling pathetically. "Give him ten g lden," said the Grandmother. "No, give him twenty. Now, enough of that, or I shall never get done with you all. Take a moment s rest, and then carry me away. Prascovia, I mean to buy a new dress for you tomorrow. Yes, and for you too, Mlle. Blanche. Please translate, Prascovia." "Merci, Madame," replied Mlle. Blanche gratefully as she twisted her face into the mocking smile which usually she kept only for the benefit of De Griers and the General. The latter looked confused, and seemed greatly relieved when we reached the Avenue. "How surprised Theodosia too will be!" went on the Grandmother (thinking of the General s nursemaid). "She, like yourselves, shall have the price of a new gown. Here, Alexis Ivanovitch! Give that beggar something" (a crooked-backed ragamuffin had approached to stare at us). "But perhaps he is _not_ a beggar only a rascal," I replied. "Never mind, never mind. Give him a g lden." I approached the beggar in question, and handed him the coin. Looking at me in great astonishment, he silently accepted the g lden, while from his person there proceeded a strong smell of liquor. "Have you never tried your luck, Alexis Ivanovitch?" "No, Madame." "Yet just now I could see that you were burning to do so?" "I _do_ mean to try my luck presently." "Then stake everything upon zero. You have seen how it ought to be done? How much capital do you possess?" "Two hundred g lden, Madame." "Not very much. See here; I will lend you five hundred if you wish. Take this purse of mine." With that she added sharply to the General: "But _you_ need not expect to receive any." This seemed to upset him, but he said nothing, and De Griers contented himself by scowling. "Que diable!" he whispered to the General. "C est une terrible vieille." "Look! Another beggar, another beggar!" exclaimed the grandmother. "Alexis Ivanovitch, go and give him a g lden." As she spoke I saw approaching us a grey-headed old man with a wooden leg a man who was dressed in a blue frockcoat and carrying a staff. He looked like an old soldier. As soon as I tendered him the coin he fell back a step or two, and eyed me threateningly. "Was ist der Teufel!" he cried, and appended thereto a round dozen of oaths. "The man is a perfect fool!" exclaimed the Grandmother, waving her hand. "Move on now, for I am simply famished. When we have lunched we will return to that place." "What?" cried I. "You are going to play _again?_" "What else do you suppose?" she retorted. "Are you going only to sit here, and grow sour, and let me look at you?" "Madame," said De Griers confidentially, "les chances peuvent tourner. Une seule mauvaise chance, et vous perdrez tout surtout avec votre jeu. C tait terrible!" "Oui; vous perdrez absolument," put in Mlle. Blanche. "What has that got to do with _you?_" retorted the old lady. "It is not _your_ money that I am going to lose; it is my own. And where is that Mr. Astley of yours?" she added to myself. "He stayed behind in the Casino." "What a pity! He is such a nice sort of man!" Arriving home, and meeting the landlord on the staircase, the Grandmother called him to her side, and boasted to him of her winnings thereafter doing the same to Theodosia, and conferring upon her thirty g lden; after which she | 4200 g lden. Of these g lden the odd 200 were paid her in gold, and the remainder in bank notes. This time the old lady did not call for Potapitch; for that she was too preoccupied. Though not outwardly shaken by the event (indeed, she seemed perfectly calm), she was trembling inwardly from head to foot. At length, completely absorbed in the game, she burst out: "Alexis Ivanovitch, did not the croupier just say that 4000 florins were the most that could be staked at any one time? Well, take these 4000, and stake them upon the red." To oppose her was useless. Once more the wheel revolved. "Rouge!" proclaimed the croupier. Again 4000 florins in all 8000! "Give me them," commanded the Grandmother, "and stake the other 4000 upon the red again." I did so. "Rouge!" proclaimed the croupier. "Twelve thousand!" cried the old lady. "Hand me the whole lot. Put the gold into this purse here, and count the bank notes. Enough! Let us go home. Wheel my chair away." XI The chair, with the old lady beaming in it, was wheeled away towards the doors at the further end of the salon, while our party hastened to crowd around her, and to offer her their congratulations. In fact, eccentric as was her conduct, it was also overshadowed by her triumph; with the result that the General no longer feared to be publicly compromised by being seen with such a strange woman, but, smiling in a condescending, cheerfully familiar way, as though he were soothing a child, he offered his greetings to the old lady. At the same time, both he and the rest of the spectators were visibly impressed. Everywhere people kept pointing to the Grandmother, and talking about her. Many people even walked beside her chair, in order to view her the better while, at a little distance, Astley was carrying on a conversation on the subject with two English acquaintances of his. De Griers was simply overflowing with smiles and compliments, and a number of fine ladies were staring at the Grandmother as though she had been something curious. "Quelle victoire!" exclaimed De Griers. "Mais, Madame, c tait du feu!" added Mlle. Blanche with an elusive smile. "Yes, I have won twelve thousand florins,"<|quote|>replied the old lady.</|quote|>"And then there is all this gold. With it the total ought to come to nearly thirteen thousand. How much is that in Russian money? Six thousand roubles, I think?" However, I calculated that the sum would exceed seven thousand roubles or, at the present rate of exchange, even eight thousand. "Eight thousand roubles! What a splendid thing! And to think of you simpletons sitting there and doing nothing! Potapitch! Martha! See what I have won!" "How _did_ you do it, Madame?" Martha exclaimed ecstatically. "Eight thousand roubles!" "And I am going to give you fifty g lden apiece. There they are." Potapitch and Martha rushed towards her to kiss her hand. "And to each bearer also I will give a ten-g lden piece. Let them have it out of the gold, Alexis Ivanovitch. But why is this footman bowing to me, and that other man as well? Are they congratulating me? Well, let them have ten g lden apiece." "Madame la princesse Un pauvre expatri Malheur continuel Les princes russes sont si g n reux!" said a man who for some time past had been hanging around the old lady s chair a personage who, dressed in a shabby frockcoat and coloured waistcoat, kept taking off his cap, and smiling pathetically. "Give him ten g lden," said the Grandmother. "No, give him twenty. Now, enough of that, or I shall never get done with you all. Take a moment s rest, and then carry me away. Prascovia, I mean to buy a new dress for you tomorrow. Yes, and for you too, Mlle. Blanche. Please translate, Prascovia." "Merci, Madame," replied Mlle. Blanche gratefully as she twisted her face into the mocking smile which usually she kept only for the benefit of De Griers and the General. The latter looked confused, and seemed greatly relieved when we reached the Avenue. "How surprised Theodosia too will be!" went on the Grandmother (thinking of the General s nursemaid). "She, like yourselves, shall have the | The Gambler |
He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment. | No speaker | keep od the other side."<|quote|>He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment.</|quote|>"Not here," said Nancy hurriedly, | "take the left had, and keep od the other side."<|quote|>He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment.</|quote|>"Not here," said Nancy hurriedly, "I am afraid to speak | feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door. "Dow." Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side."<|quote|>He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment.</|quote|>"Not here," said Nancy hurriedly, "I am afraid to speak to you here. Come away out of the public road down the steps yonder!" As she uttered these words, and indicated, with her hand, the direction in which she wished them to proceed, the countryman looked round, and roughly asking | face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door. "Dow." Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side."<|quote|>He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment.</|quote|>"Not here," said Nancy hurriedly, "I am afraid to speak to you here. Come away out of the public road down the steps yonder!" As she uttered these words, and indicated, with her hand, the direction in which she wished them to proceed, the countryman looked round, and roughly asking what they took up the whole pavement for, passed on. The steps to which the girl had pointed, were those which, on the Surrey bank, and on the same side of the bridge as Saint Saviour's Church, form a landing-stairs from the river. To this spot, the man bearing the | who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door. "Dow." Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side."<|quote|>He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment.</|quote|>"Not here," said Nancy hurriedly, "I am afraid to speak to you here. Come away out of the public road down the steps yonder!" As she uttered these words, and indicated, with her hand, the direction in which she wished them to proceed, the countryman looked round, and roughly asking what they took up the whole pavement for, passed on. The steps to which the girl had pointed, were those which, on the Surrey bank, and on the same side of the bridge as Saint Saviour's Church, form a landing-stairs from the river. To this spot, the man bearing the appearance of a countryman, hastened unobserved; and after a moment's survey of the place, he began to descend. These stairs are a part of the bridge; they consist of three flights. Just below the end of the second, going down, the stone wall on the left terminates in an ornamental pilaster facing towards the Thames. At this point the lower steps widen: so that a person turning that angle of the wall, is necessarily unseen by any others on the stairs who chance to be above him, if only a step. The countryman looked hastily round, when he reached this | his carter's dress: ready to turn out at a word from Fagin. Six nights passed six long weary nights and on each, Fagin came home with a disappointed face, and briefly intimated that it was not yet time. On the seventh, he returned earlier, and with an exultation he could not conceal. It was Sunday. "She goes abroad to-night," said Fagin, "and on the right errand, I'm sure; for she has been alone all day, and the man she is afraid of will not be back much before daybreak. Come with me. Quick!" Noah started up without saying a word; for the Jew was in a state of such intense excitement that it infected him. They left the house stealthily, and hurrying through a labyrinth of streets, arrived at length before a public-house, which Noah recognised as the same in which he had slept, on the night of his arrival in London. It was past eleven o'clock, and the door was closed. It opened softly on its hinges as Fagin gave a low whistle. They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door. "Dow." Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side."<|quote|>He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment.</|quote|>"Not here," said Nancy hurriedly, "I am afraid to speak to you here. Come away out of the public road down the steps yonder!" As she uttered these words, and indicated, with her hand, the direction in which she wished them to proceed, the countryman looked round, and roughly asking what they took up the whole pavement for, passed on. The steps to which the girl had pointed, were those which, on the Surrey bank, and on the same side of the bridge as Saint Saviour's Church, form a landing-stairs from the river. To this spot, the man bearing the appearance of a countryman, hastened unobserved; and after a moment's survey of the place, he began to descend. These stairs are a part of the bridge; they consist of three flights. Just below the end of the second, going down, the stone wall on the left terminates in an ornamental pilaster facing towards the Thames. At this point the lower steps widen: so that a person turning that angle of the wall, is necessarily unseen by any others on the stairs who chance to be above him, if only a step. The countryman looked hastily round, when he reached this point; and as there seemed no better place of concealment, and, the tide being out, there was plenty of room, he slipped aside, with his back to the pilaster, and there waited: pretty certain that they would come no lower, and that even if he could not hear what was said, he could follow them again, with safety. So tardily stole the time in this lonely place, and so eager was the spy to penetrate the motives of an interview so different from what he had been led to expect, that he more than once gave the matter up for lost, and persuaded himself, either that they had stopped far above, or had resorted to some entirely different spot to hold their mysterious conversation. He was on the point of emerging from his hiding-place, and regaining the road above, when he heard the sound of footsteps, and directly afterwards of voices almost close at his ear. He drew himself straight upright against the wall, and, scarcely breathing, listened attentively. "This is far enough," said a voice, which was evidently that of the gentleman. "I will not suffer the young lady to go any farther. Many people would have distrusted you | laugh very heartily; and Mr. Bolter having had his laugh out, took a series of large bites, which finished his first hunk of bread and butter, and assisted himself to a second. "I want you, Bolter," said Fagin, leaning over the table, "to do a piece of work for me, my dear, that needs great care and caution." "I say," rejoined Bolter, "don't yer go shoving me into danger, or sending me any more o' yer police-offices. That don't suit me, that don't; and so I tell yer." "That's not the smallest danger in it not the very smallest," said the Jew; "it's only to dodge a woman." "An old woman?" demanded Mr. Bolter. "A young one," replied Fagin. "I can do that pretty well, I know," said Bolter. "I was a regular cunning sneak when I was at school. What am I to dodge her for? Not to" "Not to do anything, but to tell me where she goes, who she sees, and, if possible, what she says; to remember the street, if it is a street, or the house, if it is a house; and to bring me back all the information you can." "What'll yer give me?" asked Noah, setting down his cup, and looking his employer, eagerly, in the face. "If you do it well, a pound, my dear. One pound," said Fagin, wishing to interest him in the scent as much as possible. "And that's what I never gave yet, for any job of work where there wasn't valuable consideration to be gained." "Who is she?" inquired Noah. "One of us." "Oh Lor!" cried Noah, curling up his nose. "Yer doubtful of her, are yer?" "She has found out some new friends, my dear, and I must know who they are," replied Fagin. "I see," said Noah. "Just to have the pleasure of knowing them, if they're respectable people, eh? Ha! ha! ha! I'm your man." "I knew you would be," cried Fagin, elated by the success of his proposal. "Of course, of course," replied Noah. "Where is she? Where am I to wait for her? Where am I to go?" "All that, my dear, you shall hear from me. I'll point her out at the proper time," said Fagin. "You keep ready, and leave the rest to me." That night, and the next, and the next again, the spy sat booted and equipped in his carter's dress: ready to turn out at a word from Fagin. Six nights passed six long weary nights and on each, Fagin came home with a disappointed face, and briefly intimated that it was not yet time. On the seventh, he returned earlier, and with an exultation he could not conceal. It was Sunday. "She goes abroad to-night," said Fagin, "and on the right errand, I'm sure; for she has been alone all day, and the man she is afraid of will not be back much before daybreak. Come with me. Quick!" Noah started up without saying a word; for the Jew was in a state of such intense excitement that it infected him. They left the house stealthily, and hurrying through a labyrinth of streets, arrived at length before a public-house, which Noah recognised as the same in which he had slept, on the night of his arrival in London. It was past eleven o'clock, and the door was closed. It opened softly on its hinges as Fagin gave a low whistle. They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door. "Dow." Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side."<|quote|>He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment.</|quote|>"Not here," said Nancy hurriedly, "I am afraid to speak to you here. Come away out of the public road down the steps yonder!" As she uttered these words, and indicated, with her hand, the direction in which she wished them to proceed, the countryman looked round, and roughly asking what they took up the whole pavement for, passed on. The steps to which the girl had pointed, were those which, on the Surrey bank, and on the same side of the bridge as Saint Saviour's Church, form a landing-stairs from the river. To this spot, the man bearing the appearance of a countryman, hastened unobserved; and after a moment's survey of the place, he began to descend. These stairs are a part of the bridge; they consist of three flights. Just below the end of the second, going down, the stone wall on the left terminates in an ornamental pilaster facing towards the Thames. At this point the lower steps widen: so that a person turning that angle of the wall, is necessarily unseen by any others on the stairs who chance to be above him, if only a step. The countryman looked hastily round, when he reached this point; and as there seemed no better place of concealment, and, the tide being out, there was plenty of room, he slipped aside, with his back to the pilaster, and there waited: pretty certain that they would come no lower, and that even if he could not hear what was said, he could follow them again, with safety. So tardily stole the time in this lonely place, and so eager was the spy to penetrate the motives of an interview so different from what he had been led to expect, that he more than once gave the matter up for lost, and persuaded himself, either that they had stopped far above, or had resorted to some entirely different spot to hold their mysterious conversation. He was on the point of emerging from his hiding-place, and regaining the road above, when he heard the sound of footsteps, and directly afterwards of voices almost close at his ear. He drew himself straight upright against the wall, and, scarcely breathing, listened attentively. "This is far enough," said a voice, which was evidently that of the gentleman. "I will not suffer the young lady to go any farther. Many people would have distrusted you too much to have come even so far, but you see I am willing to humour you." "To humour me!" cried the voice of the girl whom he had followed. "You're considerate, indeed, sir. To humour me! Well, well, it's no matter." "Why, for what," said the gentleman in a kinder tone, "for what purpose can you have brought us to this strange place? Why not have let me speak to you, above there, where it is light, and there is something stirring, instead of bringing us to this dark and dismal hole?" "I told you before," replied Nancy, "that I was afraid to speak to you there. I don't know why it is," said the girl, shuddering, "but I have such a fear and dread upon me to-night that I can hardly stand." "A fear of what?" asked the gentleman, who seemed to pity her. "I scarcely know of what," replied the girl. "I wish I did. Horrible thoughts of death, and shrouds with blood upon them, and a fear that has made me burn as if I was on fire, have been upon me all day. I was reading a book to-night, to wile the time away, and the same things came into the print." "Imagination," said the gentleman, soothing her. "No imagination," replied the girl in a hoarse voice. "I'll swear I saw coffin' written in every page of the book in large black letters, aye, and they carried one close to me, in the streets to-night." "There is nothing unusual in that," said the gentleman. "They have passed me often." "_Real ones_," rejoined the girl. "This was not." There was something so uncommon in her manner, that the flesh of the concealed listener crept as he heard the girl utter these words, and the blood chilled within him. He had never experienced a greater relief than in hearing the sweet voice of the young lady as she begged her to be calm, and not allow herself to become the prey of such fearful fancies. "Speak to her kindly," said the young lady to her companion. "Poor creature! She seems to need it." "Your haughty religious people would have held their heads up to see me as I am to-night, and preached of flames and vengeance," cried the girl. "Oh, dear lady, why ar'n't those who claim to be God's own folks as gentle and as kind | at length before a public-house, which Noah recognised as the same in which he had slept, on the night of his arrival in London. It was past eleven o'clock, and the door was closed. It opened softly on its hinges as Fagin gave a low whistle. They entered, without noise; and the door was closed behind them. Scarcely venturing to whisper, but substituting dumb show for words, Fagin, and the young Jew who had admitted them, pointed out the pane of glass to Noah, and signed to him to climb up and observe the person in the adjoining room. "Is that the woman?" he asked, scarcely above his breath. Fagin nodded yes. "I can't see her face well," whispered Noah. "She is looking down, and the candle is behind her." "Stay there," whispered Fagin. He signed to Barney, who withdrew. In an instant, the lad entered the room adjoining, and, under pretence of snuffing the candle, moved it in the required position, and, speaking to the girl, caused her to raise her face. "I see her now," cried the spy. "Plainly?" "I should know her among a thousand." He hastily descended, as the room-door opened, and the girl came out. Fagin drew him behind a small partition which was curtained off, and they held their breaths as she passed within a few feet of their place of concealment, and emerged by the door at which they had entered. "Hist!" cried the lad who held the door. "Dow." Noah exchanged a look with Fagin, and darted out. "To the left," whispered the lad; "take the left had, and keep od the other side."<|quote|>He did so; and, by the light of the lamps, saw the girl's retreating figure, already at some distance before him. He advanced as near as he considered prudent, and kept on the opposite side of the street, the better to observe her motions. She looked nervously round, twice or thrice, and once stopped to let two men who were following close behind her, pass on. She seemed to gather courage as she advanced, and to walk with a steadier and firmer step. The spy preserved the same relative distance between them, and followed: with his eye upon her. CHAPTER XLVI. THE APPOINTMENT KEPT The church clocks chimed three quarters past eleven, as two figures emerged on London Bridge. One, which advanced with a swift and rapid step, was that of a woman who looked eagerly about her as though in quest of some expected object; the other figure was that of a man, who slunk along in the deepest shadow he could find, and, at some distance, accommodated his pace to hers: stopping when she stopped: and as she moved again, creeping stealthily on: but never allowing himself, in the ardour of his pursuit, to gain upon her footsteps. Thus, they crossed the bridge, from the Middlesex to the Surrey shore, when the woman, apparently disappointed in her anxious scrutiny of the foot-passengers, turned back. The movement was sudden; but he who watched her, was not thrown off his guard by it; for, shrinking into one of the recesses which surmount the piers of the bridge, and leaning over the parapet the better to conceal his figure, he suffered her to pass on the opposite pavement. When she was about the same distance in advance as she had been before, he slipped quietly down, and followed her again. At nearly the centre of the bridge, she stopped. The man stopped too. It was a very dark night. The day had been unfavourable, and at that hour and place there were few people stirring. Such as there were, hurried quickly past: very possibly without seeing, but certainly without noticing, either the woman, or the man who kept her in view. Their appearance was not calculated to attract the importunate regards of such of London's destitute population, as chanced to take their way over the bridge that night in search of some cold arch or doorless hovel wherein to lay their heads; they stood there in silence: neither speaking nor spoken to, by any one who passed. A mist hung over the river, deepening the red glare of the fires that burnt upon the small craft moored off the different wharfs, and rendering darker and more indistinct the murky buildings on the banks. The old smoke-stained storehouses on either side, rose heavy and dull from the dense mass of roofs and gables, and frowned sternly upon water too black to reflect even their lumbering shapes. The tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom; but the forest of shipping below bridge, and the thickly scattered spires of churches above, were nearly all hidden from sight. The girl had taken a few restless turns to and fro closely watched meanwhile by her hidden observer when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar, the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. The hour had not struck two minutes, when a young lady, accompanied by a grey-haired gentleman, alighted from a hackney-carriage within a short distance of the bridge, and, having dismissed the vehicle, walked straight towards it. They had scarcely set foot upon its pavement, when the girl started, and immediately made towards them. They walked onward, looking about them with the air of persons who entertained some very slight expectation which had little chance of being realised, when they were suddenly joined by this new associate. They halted with an exclamation of surprise, but suppressed it immediately; for a man in the garments of a countryman came close up brushed against them, indeed at that precise moment.</|quote|>"Not here," said Nancy hurriedly, "I am afraid to speak to you here. Come away out of the public road down the steps yonder!" As she uttered these words, and indicated, with her hand, the direction in which she wished them to proceed, the countryman looked round, and roughly asking what they took up the whole pavement for, passed on. The steps to which the girl had pointed, were those which, on the Surrey bank, and on the same side of the bridge as Saint Saviour's Church, form a landing-stairs from the river. To this spot, the man bearing the appearance of a countryman, hastened unobserved; and after a moment's survey of the place, he began to descend. These stairs are a part of the bridge; they consist of three flights. Just below the end of the second, going down, the stone wall on the left terminates in an ornamental pilaster facing towards the Thames. At this point the lower steps widen: so that a person turning that angle of the wall, is necessarily unseen by any others on the stairs who chance to be above him, if only a step. The countryman looked hastily round, when he reached this point; and as there seemed no better place of concealment, and, the tide being out, there was plenty of room, he slipped aside, with his back to the pilaster, and there waited: pretty certain that they would come no lower, and that even if he could not hear what was said, he could follow them again, with safety. So tardily stole the time in this lonely place, and so eager was the spy to penetrate the motives of an interview so different from what he had been led to expect, that he more than once gave the matter up for lost, and persuaded himself, either that they had stopped far above, or had resorted to some entirely different spot to hold their mysterious conversation. He was on the point of emerging from his hiding-place, and regaining the road above, when he heard | Oliver Twist |
The drummer shouted: | No speaker | were happy a minute ago."<|quote|>The drummer shouted:</|quote|>"You can't two time--" "It's | has all happened before. "You were happy a minute ago."<|quote|>The drummer shouted:</|quote|>"You can't two time--" "It's all gone." "What's the matter?" | tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago."<|quote|>The drummer shouted:</|quote|>"You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ." the drummer chanted. Then turned to his sticks. "Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I | but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago."<|quote|>The drummer shouted:</|quote|>"You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ." the drummer chanted. Then turned to his sticks. "Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the | to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago."<|quote|>The drummer shouted:</|quote|>"You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ." the drummer chanted. Then turned to his sticks. "Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I | and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago."<|quote|>The drummer shouted:</|quote|>"You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ." the drummer chanted. Then turned to his sticks. "Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, darling. I won't see you again." We kissed standing at the door. She pushed me away. We kissed again. "Oh, don't!" Brett said. She turned quickly and went into the hotel. The chauffeur drove me around to my flat. I gave him twenty francs and he touched his cap and said: "Good night, sir," and drove off. I rang the bell. The door opened and I went up-stairs and went to bed. BOOK II CHAPTER 8 I did not see Brett again until she came back from San Sebastian. One card came from her from there. It had a picture of the Concha, and said: "Darling. Very quiet and healthy. Love to all the chaps. BRETT." Nor did I see Robert Cohn again. I heard Frances had left for England and I had a note from Cohn saying he was | my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago."<|quote|>The drummer shouted:</|quote|>"You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ." the drummer chanted. Then turned to his sticks. "Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, darling. I won't see you again." We kissed standing at the door. She pushed me away. We kissed again. "Oh, don't!" Brett said. She turned quickly and went into the hotel. The chauffeur drove me around to my flat. I gave him twenty francs and he touched his cap and said: "Good night, sir," and drove off. I rang the bell. The door opened and I went up-stairs and went to bed. BOOK II CHAPTER 8 I did not see Brett again until she came back from San Sebastian. One card came from her from there. It had a picture of the Concha, and said: "Darling. Very quiet and healthy. Love to all the chaps. BRETT." Nor did I see Robert Cohn again. I heard Frances had left for England and I had a note from Cohn saying he was going out in the country for a couple of weeks, he did not know where, but that he wanted to hold me to the fishing-trip in Spain we had talked about last winter. I could reach him always, he wrote, through his bankers. Brett was gone, I was not bothered by Cohn's troubles, I rather enjoyed not having to play tennis, there was plenty of work to do, I went often to the races, dined with friends, and put in some extra time at the office getting things ahead so I could leave it in charge of my secretary when Bill Gorton and I should shove off to Spain the end of June. Bill Gorton arrived, put up a couple of days at the flat and went off to Vienna. He was very cheerful and said the States were wonderful. New York was wonderful. There had been a grand theatrical season and a whole crop of great young light heavyweights. Any one of them was a good prospect to grow up, put on weight and trim Dempsey. Bill was very happy. He had made a lot of money on his last book, and was going to make a lot more. We had a good time while he was in Paris, and then he went off to Vienna. He was coming back in three weeks and we would leave for Spain to get in some fishing and go to the fiesta at Pamplona. He wrote that Vienna was wonderful. Then a card from Budapest: "Jake, Budapest is wonderful." Then I got a wire: "Back on Monday." Monday evening he turned up at the flat. I heard his taxi stop and went to the window and called to him; he waved and started up-stairs carrying his bags. I met him on the stairs, and took one of the bags. "Well," I said, "I hear you had a wonderful trip." "Wonderful," he said. "Budapest is absolutely wonderful." "How about Vienna?" "Not so good, Jake. Not so good. It seemed better than it was." "How do you mean?" I was getting glasses and a siphon. "Tight, Jake. I was tight." "That's strange. Better have a drink." Bill rubbed his forehead. "Remarkable thing," he said. "Don't know how it happened. Suddenly it happened." "Last long?" "Four days, Jake. Lasted just four days." "Where did you go?" "Don't remember. Wrote you a post-card. Remember that perfectly." | again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago."<|quote|>The drummer shouted:</|quote|>"You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ." the drummer chanted. Then turned to his sticks. "Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, darling. I won't see you again." We kissed standing at the door. She pushed me away. We kissed again. "Oh, don't!" Brett said. She turned quickly and went into the hotel. The chauffeur drove me around to my flat. I gave him twenty francs and he touched his cap and said: "Good night, sir," and drove off. I rang the bell. The door opened and I went up-stairs and went to bed. BOOK II CHAPTER 8 I did not see Brett again until she came back from San Sebastian. One card came from her from there. It had a picture of the Concha, and said: "Darling. Very quiet and healthy. Love to all the chaps. BRETT." Nor did I see Robert Cohn again. I heard Frances had left for England and I had a note from Cohn saying he was going out in the country for a couple of weeks, he did not know where, but that he wanted to hold me to the fishing-trip in Spain we had talked about last winter. I could | The Sun Also Rises |
said Lord Henry, elevating his dark, crescent-shaped eyebrows and looking at them both with an amused smile. | No speaker | charmed, my love, quite charmed,"<|quote|>said Lord Henry, elevating his dark, crescent-shaped eyebrows and looking at them both with an amused smile.</|quote|>"So sorry I am late, | ve seen him." "I am charmed, my love, quite charmed,"<|quote|>said Lord Henry, elevating his dark, crescent-shaped eyebrows and looking at them both with an amused smile.</|quote|>"So sorry I am late, Dorian. I went to look | and I found Mr. Gray here. We have had such a pleasant chat about music. We have quite the same ideas. No; I think our ideas are quite different. But he has been most pleasant. I am so glad I ve seen him." "I am charmed, my love, quite charmed,"<|quote|>said Lord Henry, elevating his dark, crescent-shaped eyebrows and looking at them both with an amused smile.</|quote|>"So sorry I am late, Dorian. I went to look after a piece of old brocade in Wardour Street and had to bargain for hours for it. Nowadays people know the price of everything and the value of nothing." "I am afraid I must be going," exclaimed Lady Henry, breaking | my parties, have you, Mr. Gray? You must come. I can t afford orchids, but I spare no expense in foreigners. They make one s rooms look so picturesque. But here is Harry! Harry, I came in to look for you, to ask you something I forget what it was and I found Mr. Gray here. We have had such a pleasant chat about music. We have quite the same ideas. No; I think our ideas are quite different. But he has been most pleasant. I am so glad I ve seen him." "I am charmed, my love, quite charmed,"<|quote|>said Lord Henry, elevating his dark, crescent-shaped eyebrows and looking at them both with an amused smile.</|quote|>"So sorry I am late, Dorian. I went to look after a piece of old brocade in Wardour Street and had to bargain for hours for it. Nowadays people know the price of everything and the value of nothing." "I am afraid I must be going," exclaimed Lady Henry, breaking an awkward silence with her silly sudden laugh. "I have promised to drive with the duchess. Good-bye, Mr. Gray. Good-bye, Harry. You are dining out, I suppose? So am I. Perhaps I shall see you at Lady Thornbury s." "I dare say, my dear," said Lord Henry, shutting the door | you must not think I don t like good music. I adore it, but I am afraid of it. It makes me too romantic. I have simply worshipped pianists two at a time, sometimes, Harry tells me. I don t know what it is about them. Perhaps it is that they are foreigners. They all are, ain t they? Even those that are born in England become foreigners after a time, don t they? It is so clever of them, and such a compliment to art. Makes it quite cosmopolitan, doesn t it? You have never been to any of my parties, have you, Mr. Gray? You must come. I can t afford orchids, but I spare no expense in foreigners. They make one s rooms look so picturesque. But here is Harry! Harry, I came in to look for you, to ask you something I forget what it was and I found Mr. Gray here. We have had such a pleasant chat about music. We have quite the same ideas. No; I think our ideas are quite different. But he has been most pleasant. I am so glad I ve seen him." "I am charmed, my love, quite charmed,"<|quote|>said Lord Henry, elevating his dark, crescent-shaped eyebrows and looking at them both with an amused smile.</|quote|>"So sorry I am late, Dorian. I went to look after a piece of old brocade in Wardour Street and had to bargain for hours for it. Nowadays people know the price of everything and the value of nothing." "I am afraid I must be going," exclaimed Lady Henry, breaking an awkward silence with her silly sudden laugh. "I have promised to drive with the duchess. Good-bye, Mr. Gray. Good-bye, Harry. You are dining out, I suppose? So am I. Perhaps I shall see you at Lady Thornbury s." "I dare say, my dear," said Lord Henry, shutting the door behind her as, looking like a bird of paradise that had been out all night in the rain, she flitted out of the room, leaving a faint odour of frangipanni. Then he lit a cigarette and flung himself down on the sofa. "Never marry a woman with straw-coloured hair, Dorian," he said after a few puffs. "Why, Harry?" "Because they are so sentimental." "But I like sentimental people." "Never marry at all, Dorian. Men marry because they are tired; women, because they are curious: both are disappointed." "I don t think I am likely to marry, Harry. I am too | and put on in a tempest. She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy. Her name was Victoria, and she had a perfect mania for going to church. "That was at Lohengrin, Lady Henry, I think?" "Yes; it was at dear Lohengrin. I like Wagner s music better than anybody s. It is so loud that one can talk the whole time without other people hearing what one says. That is a great advantage, don t you think so, Mr. Gray?" The same nervous staccato laugh broke from her thin lips, and her fingers began to play with a long tortoise-shell paper-knife. Dorian smiled and shook his head: "I am afraid I don t think so, Lady Henry. I never talk during music at least, during good music. If one hears bad music, it is one s duty to drown it in conversation." "Ah! that is one of Harry s views, isn t it, Mr. Gray? I always hear Harry s views from his friends. It is the only way I get to know of them. But you must not think I don t like good music. I adore it, but I am afraid of it. It makes me too romantic. I have simply worshipped pianists two at a time, sometimes, Harry tells me. I don t know what it is about them. Perhaps it is that they are foreigners. They all are, ain t they? Even those that are born in England become foreigners after a time, don t they? It is so clever of them, and such a compliment to art. Makes it quite cosmopolitan, doesn t it? You have never been to any of my parties, have you, Mr. Gray? You must come. I can t afford orchids, but I spare no expense in foreigners. They make one s rooms look so picturesque. But here is Harry! Harry, I came in to look for you, to ask you something I forget what it was and I found Mr. Gray here. We have had such a pleasant chat about music. We have quite the same ideas. No; I think our ideas are quite different. But he has been most pleasant. I am so glad I ve seen him." "I am charmed, my love, quite charmed,"<|quote|>said Lord Henry, elevating his dark, crescent-shaped eyebrows and looking at them both with an amused smile.</|quote|>"So sorry I am late, Dorian. I went to look after a piece of old brocade in Wardour Street and had to bargain for hours for it. Nowadays people know the price of everything and the value of nothing." "I am afraid I must be going," exclaimed Lady Henry, breaking an awkward silence with her silly sudden laugh. "I have promised to drive with the duchess. Good-bye, Mr. Gray. Good-bye, Harry. You are dining out, I suppose? So am I. Perhaps I shall see you at Lady Thornbury s." "I dare say, my dear," said Lord Henry, shutting the door behind her as, looking like a bird of paradise that had been out all night in the rain, she flitted out of the room, leaving a faint odour of frangipanni. Then he lit a cigarette and flung himself down on the sofa. "Never marry a woman with straw-coloured hair, Dorian," he said after a few puffs. "Why, Harry?" "Because they are so sentimental." "But I like sentimental people." "Never marry at all, Dorian. Men marry because they are tired; women, because they are curious: both are disappointed." "I don t think I am likely to marry, Harry. I am too much in love. That is one of your aphorisms. I am putting it into practice, as I do everything that you say." "Who are you in love with?" asked Lord Henry after a pause. "With an actress," said Dorian Gray, blushing. Lord Henry shrugged his shoulders. "That is a rather commonplace _d but_." "You would not say so if you saw her, Harry." "Who is she?" "Her name is Sibyl Vane." "Never heard of her." "No one has. People will some day, however. She is a genius." "My dear boy, no woman is a genius. Women are a decorative sex. They never have anything to say, but they say it charmingly. Women represent the triumph of matter over mind, just as men represent the triumph of mind over morals." "Harry, how can you?" "My dear Dorian, it is quite true. I am analysing women at present, so I ought to know. The subject is not so abstruse as I thought it was. I find that, ultimately, there are only two kinds of women, the plain and the coloured. The plain women are very useful. If you want to gain a reputation for respectability, you have merely to take them down | must come with you. Do let me. And you will promise to talk to me all the time? No one talks so wonderfully as you do." "Ah! I have talked quite enough for to-day," said Lord Henry, smiling. "All I want now is to look at life. You may come and look at it with me, if you care to." CHAPTER IV. One afternoon, a month later, Dorian Gray was reclining in a luxurious arm-chair, in the little library of Lord Henry s house in Mayfair. It was, in its way, a very charming room, with its high panelled wainscoting of olive-stained oak, its cream-coloured frieze and ceiling of raised plasterwork, and its brickdust felt carpet strewn with silk, long-fringed Persian rugs. On a tiny satinwood table stood a statuette by Clodion, and beside it lay a copy of Les Cent Nouvelles, bound for Margaret of Valois by Clovis Eve and powdered with the gilt daisies that Queen had selected for her device. Some large blue china jars and parrot-tulips were ranged on the mantelshelf, and through the small leaded panes of the window streamed the apricot-coloured light of a summer day in London. Lord Henry had not yet come in. He was always late on principle, his principle being that punctuality is the thief of time. So the lad was looking rather sulky, as with listless fingers he turned over the pages of an elaborately illustrated edition of Manon Lescaut that he had found in one of the book-cases. The formal monotonous ticking of the Louis Quatorze clock annoyed him. Once or twice he thought of going away. At last he heard a step outside, and the door opened. "How late you are, Harry!" he murmured. "I am afraid it is not Harry, Mr. Gray," answered a shrill voice. He glanced quickly round and rose to his feet. "I beg your pardon. I thought" "You thought it was my husband. It is only his wife. You must let me introduce myself. I know you quite well by your photographs. I think my husband has got seventeen of them." "Not seventeen, Lady Henry?" "Well, eighteen, then. And I saw you with him the other night at the opera." She laughed nervously as she spoke, and watched him with her vague forget-me-not eyes. She was a curious woman, whose dresses always looked as if they had been designed in a rage and put on in a tempest. She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy. Her name was Victoria, and she had a perfect mania for going to church. "That was at Lohengrin, Lady Henry, I think?" "Yes; it was at dear Lohengrin. I like Wagner s music better than anybody s. It is so loud that one can talk the whole time without other people hearing what one says. That is a great advantage, don t you think so, Mr. Gray?" The same nervous staccato laugh broke from her thin lips, and her fingers began to play with a long tortoise-shell paper-knife. Dorian smiled and shook his head: "I am afraid I don t think so, Lady Henry. I never talk during music at least, during good music. If one hears bad music, it is one s duty to drown it in conversation." "Ah! that is one of Harry s views, isn t it, Mr. Gray? I always hear Harry s views from his friends. It is the only way I get to know of them. But you must not think I don t like good music. I adore it, but I am afraid of it. It makes me too romantic. I have simply worshipped pianists two at a time, sometimes, Harry tells me. I don t know what it is about them. Perhaps it is that they are foreigners. They all are, ain t they? Even those that are born in England become foreigners after a time, don t they? It is so clever of them, and such a compliment to art. Makes it quite cosmopolitan, doesn t it? You have never been to any of my parties, have you, Mr. Gray? You must come. I can t afford orchids, but I spare no expense in foreigners. They make one s rooms look so picturesque. But here is Harry! Harry, I came in to look for you, to ask you something I forget what it was and I found Mr. Gray here. We have had such a pleasant chat about music. We have quite the same ideas. No; I think our ideas are quite different. But he has been most pleasant. I am so glad I ve seen him." "I am charmed, my love, quite charmed,"<|quote|>said Lord Henry, elevating his dark, crescent-shaped eyebrows and looking at them both with an amused smile.</|quote|>"So sorry I am late, Dorian. I went to look after a piece of old brocade in Wardour Street and had to bargain for hours for it. Nowadays people know the price of everything and the value of nothing." "I am afraid I must be going," exclaimed Lady Henry, breaking an awkward silence with her silly sudden laugh. "I have promised to drive with the duchess. Good-bye, Mr. Gray. Good-bye, Harry. You are dining out, I suppose? So am I. Perhaps I shall see you at Lady Thornbury s." "I dare say, my dear," said Lord Henry, shutting the door behind her as, looking like a bird of paradise that had been out all night in the rain, she flitted out of the room, leaving a faint odour of frangipanni. Then he lit a cigarette and flung himself down on the sofa. "Never marry a woman with straw-coloured hair, Dorian," he said after a few puffs. "Why, Harry?" "Because they are so sentimental." "But I like sentimental people." "Never marry at all, Dorian. Men marry because they are tired; women, because they are curious: both are disappointed." "I don t think I am likely to marry, Harry. I am too much in love. That is one of your aphorisms. I am putting it into practice, as I do everything that you say." "Who are you in love with?" asked Lord Henry after a pause. "With an actress," said Dorian Gray, blushing. Lord Henry shrugged his shoulders. "That is a rather commonplace _d but_." "You would not say so if you saw her, Harry." "Who is she?" "Her name is Sibyl Vane." "Never heard of her." "No one has. People will some day, however. She is a genius." "My dear boy, no woman is a genius. Women are a decorative sex. They never have anything to say, but they say it charmingly. Women represent the triumph of matter over mind, just as men represent the triumph of mind over morals." "Harry, how can you?" "My dear Dorian, it is quite true. I am analysing women at present, so I ought to know. The subject is not so abstruse as I thought it was. I find that, ultimately, there are only two kinds of women, the plain and the coloured. The plain women are very useful. If you want to gain a reputation for respectability, you have merely to take them down to supper. The other women are very charming. They commit one mistake, however. They paint in order to try and look young. Our grandmothers painted in order to try and talk brilliantly. _Rouge_ and _esprit_ used to go together. That is all over now. As long as a woman can look ten years younger than her own daughter, she is perfectly satisfied. As for conversation, there are only five women in London worth talking to, and two of these can t be admitted into decent society. However, tell me about your genius. How long have you known her?" "Ah! Harry, your views terrify me." "Never mind that. How long have you known her?" "About three weeks." "And where did you come across her?" "I will tell you, Harry, but you mustn t be unsympathetic about it. After all, it never would have happened if I had not met you. You filled me with a wild desire to know everything about life. For days after I met you, something seemed to throb in my veins. As I lounged in the park, or strolled down Piccadilly, I used to look at every one who passed me and wonder, with a mad curiosity, what sort of lives they led. Some of them fascinated me. Others filled me with terror. There was an exquisite poison in the air. I had a passion for sensations.... Well, one evening about seven o clock, I determined to go out in search of some adventure. I felt that this grey monstrous London of ours, with its myriads of people, its sordid sinners, and its splendid sins, as you once phrased it, must have something in store for me. I fancied a thousand things. The mere danger gave me a sense of delight. I remembered what you had said to me on that wonderful evening when we first dined together, about the search for beauty being the real secret of life. I don t know what I expected, but I went out and wandered eastward, soon losing my way in a labyrinth of grimy streets and black grassless squares. About half-past eight I passed by an absurd little theatre, with great flaring gas-jets and gaudy play-bills. A hideous Jew, in the most amazing waistcoat I ever beheld in my life, was standing at the entrance, smoking a vile cigar. He had greasy ringlets, and an enormous diamond blazed in | get to know of them. But you must not think I don t like good music. I adore it, but I am afraid of it. It makes me too romantic. I have simply worshipped pianists two at a time, sometimes, Harry tells me. I don t know what it is about them. Perhaps it is that they are foreigners. They all are, ain t they? Even those that are born in England become foreigners after a time, don t they? It is so clever of them, and such a compliment to art. Makes it quite cosmopolitan, doesn t it? You have never been to any of my parties, have you, Mr. Gray? You must come. I can t afford orchids, but I spare no expense in foreigners. They make one s rooms look so picturesque. But here is Harry! Harry, I came in to look for you, to ask you something I forget what it was and I found Mr. Gray here. We have had such a pleasant chat about music. We have quite the same ideas. No; I think our ideas are quite different. But he has been most pleasant. I am so glad I ve seen him." "I am charmed, my love, quite charmed,"<|quote|>said Lord Henry, elevating his dark, crescent-shaped eyebrows and looking at them both with an amused smile.</|quote|>"So sorry I am late, Dorian. I went to look after a piece of old brocade in Wardour Street and had to bargain for hours for it. Nowadays people know the price of everything and the value of nothing." "I am afraid I must be going," exclaimed Lady Henry, breaking an awkward silence with her silly sudden laugh. "I have promised to drive with the duchess. Good-bye, Mr. Gray. Good-bye, Harry. You are dining out, I suppose? So am I. Perhaps I shall see you at Lady Thornbury s." "I dare say, my dear," said Lord Henry, shutting the door behind her as, looking like a bird of paradise that had been out all night in the rain, she flitted out of the room, leaving a faint odour of frangipanni. Then he lit a cigarette and flung himself down on the sofa. "Never marry a woman with straw-coloured hair, Dorian," he said after a few puffs. "Why, Harry?" "Because they are so sentimental." "But I like sentimental people." "Never marry at all, Dorian. Men marry because they are tired; women, because they are curious: both are disappointed." "I don t think I am likely to marry, Harry. I am too much in love. That is one of your aphorisms. I am putting it into practice, as I do everything that you say." "Who are you in love with?" asked Lord Henry after a pause. "With an actress," said Dorian Gray, blushing. Lord Henry shrugged his shoulders. "That is a rather commonplace _d but_." "You would not say so if you saw her, Harry." "Who is she?" "Her name is Sibyl Vane." "Never heard of her." "No one has. People will some day, however. She is a genius." "My dear boy, no woman is a genius. Women are a decorative sex. They never have anything to say, but they say it charmingly. Women represent the triumph of matter over mind, just as men represent the triumph of mind over morals." "Harry, how can you?" "My dear Dorian, it is quite true. I am analysing women at present, so I ought to know. The subject is not so abstruse as I thought it was. I find that, ultimately, there are only two kinds of women, the plain and the coloured. The plain women are very useful. If you want to gain a reputation for respectability, you have merely to take them down to supper. The other women are very charming. They commit one mistake, however. They paint in order to try and look young. Our grandmothers painted in order to try and talk brilliantly. _Rouge_ and _esprit_ used to go together. That is all over now. As long as a woman can look ten years younger than her own daughter, she is perfectly satisfied. As for conversation, there are only five women in London worth | The Picture Of Dorian Gray |
he said. | No speaker | firm, sir. I've got you,"<|quote|>he said.</|quote|>"Am I too heavy, Jem?" | balancing was not great. "Stand firm, sir. I've got you,"<|quote|>he said.</|quote|>"Am I too heavy, Jem?" "Heavy? No, sir; I could | you move away." "Then you must stand fast, sir, and I'll balance you like. I can do it." Don drew a long breath, and felt no faith, for as soon as Jem moved steadily from the wall, his ability in balancing was not great. "Stand firm, sir. I've got you,"<|quote|>he said.</|quote|>"Am I too heavy, Jem?" "Heavy? No, sir; I could carry two on you. Stand fast; 'tarn't far. Stand fast. That's your sort. Stand--oh!" Everything depended upon him, and poor Jem did his best; but after three or four steps Don felt that he was going, and to save himself | he stood up, steadily, facing the wall. "What next, Jem?" "Next, sir? Why, I'm going to walk slowly back under the window, for you to try and open it, and look out and see where we are. Ready?" "Yes." "Hold tight, sir." "But there's nothing to hold by, Jem, when you move away." "Then you must stand fast, sir, and I'll balance you like. I can do it." Don drew a long breath, and felt no faith, for as soon as Jem moved steadily from the wall, his ability in balancing was not great. "Stand firm, sir. I've got you,"<|quote|>he said.</|quote|>"Am I too heavy, Jem?" "Heavy? No, sir; I could carry two on you. Stand fast; 'tarn't far. Stand fast. That's your sort. Stand--oh!" Everything depended upon him, and poor Jem did his best; but after three or four steps Don felt that he was going, and to save himself from a fall he tried to jump lightly down. This would have been easy enough had not Jem been so earnest. He, too, felt that it was all wrong, and to save his companion, he tightened his hold of the calves of Don's legs as the lad stood erect on | Mas' Don?" "Only going to take off my shoes." "Ah, 'twill be better. I didn't grumble before, but you did hurt, sir." Don slipped off his shoes, uttered a word or two of warning, and once more mounted on Jem's back. It was easy then to get into a kneeling, and then to a standing, position, the wall being at hand to steady him. "That's your sort, Mas' Don. Now hold fast, and step up on to my shoulders as I rise myself up; that's the way," he continued, slowly straightening himself, and placing his hands behind Don's legs, as he stood up, steadily, facing the wall. "What next, Jem?" "Next, sir? Why, I'm going to walk slowly back under the window, for you to try and open it, and look out and see where we are. Ready?" "Yes." "Hold tight, sir." "But there's nothing to hold by, Jem, when you move away." "Then you must stand fast, sir, and I'll balance you like. I can do it." Don drew a long breath, and felt no faith, for as soon as Jem moved steadily from the wall, his ability in balancing was not great. "Stand firm, sir. I've got you,"<|quote|>he said.</|quote|>"Am I too heavy, Jem?" "Heavy? No, sir; I could carry two on you. Stand fast; 'tarn't far. Stand fast. That's your sort. Stand--oh!" Everything depended upon him, and poor Jem did his best; but after three or four steps Don felt that he was going, and to save himself from a fall he tried to jump lightly down. This would have been easy enough had not Jem been so earnest. He, too, felt that it was all wrong, and to save his companion, he tightened his hold of the calves of Don's legs as the lad stood erect on his shoulders. The consequence was that he gave Don sufficient check as he leaped to throw him off his balance; and in his effort to save him, Jem lost his own, and both came down with a crash and sat up and rubbed and looked at each other. "Arn't hurt, are you, Mas' Don?" "Not hurt?" grumbled Don. "I am hurt horribly." "I'm very sorry, sir; so am I. But I arn't broke nowhere! Are you?" "Broken? No!" said Don rising. "There, let's try again." "To be sure, sir. Come, I like that." "Look here, Jem. When you straighten up, | yourn?" "I couldn't bear you, Jem." "Then up you gets, my lad, like the tumblers do at the fair." It seemed easy enough to get up and stand on the sturdy fellow's shoulders, but upon putting it to the test, Don found it very hard, and after a couple of failures he gave up, and they stood together looking up at the sloping window, which was far beyond their reach. "Dessay it's fastened, so that we couldn't open it," said Jem. "The fox said the grapes were sour when he could not get at them, Jem." "That's true, Mas' Don. Well, how are we to get up?" They looked round the loft, but, with the exception of the old sacking lying at one end, the place was bare. "Here, come to the end, Jem, and let me have another try," said Don. "Right, sir; come on," cried Jem; and going right to the end of the loft, he bent his body a little and leaned his hands against the wall. This simplified matters. "Stand fast, Jem," cried Don, and taking a spring, he landed upon his companion's broad back, leap-frog fashion, but only to jump off again. "What's the matter, Mas' Don?" "Only going to take off my shoes." "Ah, 'twill be better. I didn't grumble before, but you did hurt, sir." Don slipped off his shoes, uttered a word or two of warning, and once more mounted on Jem's back. It was easy then to get into a kneeling, and then to a standing, position, the wall being at hand to steady him. "That's your sort, Mas' Don. Now hold fast, and step up on to my shoulders as I rise myself up; that's the way," he continued, slowly straightening himself, and placing his hands behind Don's legs, as he stood up, steadily, facing the wall. "What next, Jem?" "Next, sir? Why, I'm going to walk slowly back under the window, for you to try and open it, and look out and see where we are. Ready?" "Yes." "Hold tight, sir." "But there's nothing to hold by, Jem, when you move away." "Then you must stand fast, sir, and I'll balance you like. I can do it." Don drew a long breath, and felt no faith, for as soon as Jem moved steadily from the wall, his ability in balancing was not great. "Stand firm, sir. I've got you,"<|quote|>he said.</|quote|>"Am I too heavy, Jem?" "Heavy? No, sir; I could carry two on you. Stand fast; 'tarn't far. Stand fast. That's your sort. Stand--oh!" Everything depended upon him, and poor Jem did his best; but after three or four steps Don felt that he was going, and to save himself from a fall he tried to jump lightly down. This would have been easy enough had not Jem been so earnest. He, too, felt that it was all wrong, and to save his companion, he tightened his hold of the calves of Don's legs as the lad stood erect on his shoulders. The consequence was that he gave Don sufficient check as he leaped to throw him off his balance; and in his effort to save him, Jem lost his own, and both came down with a crash and sat up and rubbed and looked at each other. "Arn't hurt, are you, Mas' Don?" "Not hurt?" grumbled Don. "I am hurt horribly." "I'm very sorry, sir; so am I. But I arn't broke nowhere! Are you?" "Broken? No!" said Don rising. "There, let's try again." "To be sure, sir. Come, I like that." "Look here, Jem. When you straighten up, let me steady myself with my hands on the sloping ceiling there; now try." The former process was gone through, after listening to find all silent below; and Don stood erect once more, supporting himself by the wall. "Now edge round gently, Jem. That's right." Jem obeyed, and by progressing very slowly, they got to within about ten feet of the window, which Don saw that he could reach easily, when the balance was lost once more. "Don't hold, Jem!" cried Don; and he leaped backwards, to come down all right this time. By no means discouraged, they went back to the end; and this time, by progressing more slowly, the window was reached, and, to their great delight, Don found that it was fastened inside, opening outwards by means of a couple of hinges at the highest end, and provided with a ratchet, to keep it open to any distance required. "Can you bear me if I try to open it, Jem?" "Can I? Ah!" Jem was a true bearer, standing as fast as a small elephant as Don opened the window, and then supporting himself by a beam which ran across the opening, thrust out his head and | eat." "Eat then, and drink then, for goodness' sake," cried Don impatiently. "Thankye, sir," said Jem; and he poured out a cup of steaming coffee, sipped it, sipped again, took three or four mouthfuls of bread and butter, and then drained the cup. "Mas' Don!" he cried, "it's lovely. Do have a cup. Make you see clear." As he spoke he refilled the mug and handed it to Don, who took it mechanically, and placed it to his lips, one drop suggesting another till he had finished the cup. "Now a bit o' bread and butter, Mas' Don?" Don shook his head, but took the top piece, and began mechanically to eat, while Jem partook of another cup, there being a liberal allowance of some three pints. "That's the way, sir. Wonderful what a difference breakfuss makes in a man. Eat away, sir; and if they don't look out we'll give them press-gang." "Yes, but how, Jem? How?" "Lots o' ways, sir. We'll get away, for one thing, or fasten that there trap-door down; and then they'll be the prisoners, not us. 'Nother cup, sir? Go on with the bread and butter. I say, sir, do I look lively?" "Lively?" "I mean much knocked about? My face feels as if the skin was too tight, and as if I couldn't get on my hat." "It does not matter, Jem," said Don, quietly. "You have no hat." "More I haven't. I remember feeling it come off, and it wasn't half wore out. Have some more coffee, Mas' Don. 'Tarnt so good as my Sally makes. I'd forgot all about her just then. Wonder whether she's eating her breakfast?" Don sighed and went on eating. He was horribly low-spirited, but his youthful appetite once started, he felt the need of food, and kept on in silence, passing and receiving the cup till all was gone. "That job's done," said Jem, placing the jug on the plate, and the cup in the mouth of the jug. "Now then, I'm ready, Mas' Don. You said escape, didn't you, sir?" "Yes. What shall we do?" "Well, we can't go down that way, sir, because the trap-door's bolted." "There is the window, Jem." "Skylights, you mean, sir," said Jem, looking up at the sloping panes in the roof. "Well, let's have a look. Will you get a-top o' my shoulders, or shall I get a-top o' yourn?" "I couldn't bear you, Jem." "Then up you gets, my lad, like the tumblers do at the fair." It seemed easy enough to get up and stand on the sturdy fellow's shoulders, but upon putting it to the test, Don found it very hard, and after a couple of failures he gave up, and they stood together looking up at the sloping window, which was far beyond their reach. "Dessay it's fastened, so that we couldn't open it," said Jem. "The fox said the grapes were sour when he could not get at them, Jem." "That's true, Mas' Don. Well, how are we to get up?" They looked round the loft, but, with the exception of the old sacking lying at one end, the place was bare. "Here, come to the end, Jem, and let me have another try," said Don. "Right, sir; come on," cried Jem; and going right to the end of the loft, he bent his body a little and leaned his hands against the wall. This simplified matters. "Stand fast, Jem," cried Don, and taking a spring, he landed upon his companion's broad back, leap-frog fashion, but only to jump off again. "What's the matter, Mas' Don?" "Only going to take off my shoes." "Ah, 'twill be better. I didn't grumble before, but you did hurt, sir." Don slipped off his shoes, uttered a word or two of warning, and once more mounted on Jem's back. It was easy then to get into a kneeling, and then to a standing, position, the wall being at hand to steady him. "That's your sort, Mas' Don. Now hold fast, and step up on to my shoulders as I rise myself up; that's the way," he continued, slowly straightening himself, and placing his hands behind Don's legs, as he stood up, steadily, facing the wall. "What next, Jem?" "Next, sir? Why, I'm going to walk slowly back under the window, for you to try and open it, and look out and see where we are. Ready?" "Yes." "Hold tight, sir." "But there's nothing to hold by, Jem, when you move away." "Then you must stand fast, sir, and I'll balance you like. I can do it." Don drew a long breath, and felt no faith, for as soon as Jem moved steadily from the wall, his ability in balancing was not great. "Stand firm, sir. I've got you,"<|quote|>he said.</|quote|>"Am I too heavy, Jem?" "Heavy? No, sir; I could carry two on you. Stand fast; 'tarn't far. Stand fast. That's your sort. Stand--oh!" Everything depended upon him, and poor Jem did his best; but after three or four steps Don felt that he was going, and to save himself from a fall he tried to jump lightly down. This would have been easy enough had not Jem been so earnest. He, too, felt that it was all wrong, and to save his companion, he tightened his hold of the calves of Don's legs as the lad stood erect on his shoulders. The consequence was that he gave Don sufficient check as he leaped to throw him off his balance; and in his effort to save him, Jem lost his own, and both came down with a crash and sat up and rubbed and looked at each other. "Arn't hurt, are you, Mas' Don?" "Not hurt?" grumbled Don. "I am hurt horribly." "I'm very sorry, sir; so am I. But I arn't broke nowhere! Are you?" "Broken? No!" said Don rising. "There, let's try again." "To be sure, sir. Come, I like that." "Look here, Jem. When you straighten up, let me steady myself with my hands on the sloping ceiling there; now try." The former process was gone through, after listening to find all silent below; and Don stood erect once more, supporting himself by the wall. "Now edge round gently, Jem. That's right." Jem obeyed, and by progressing very slowly, they got to within about ten feet of the window, which Don saw that he could reach easily, when the balance was lost once more. "Don't hold, Jem!" cried Don; and he leaped backwards, to come down all right this time. By no means discouraged, they went back to the end; and this time, by progressing more slowly, the window was reached, and, to their great delight, Don found that it was fastened inside, opening outwards by means of a couple of hinges at the highest end, and provided with a ratchet, to keep it open to any distance required. "Can you bear me if I try to open it, Jem?" "Can I? Ah!" Jem was a true bearer, standing as fast as a small elephant as Don opened the window, and then supporting himself by a beam which ran across the opening, thrust out his head and surveyed the exterior. He was not long in making out their position--in the top floor of a warehouse, the roof sloping, so that escape along it was impossible, while facing him was the blank wall of a higher building, evidently on the other side of a narrow alley. Don looked to right, but there was no means of making their position known so as to ask for help. To the left he was no better off, and seeing that the place had been well chosen as a temporary lock-up for the impressed men, Don prepared to descend. "Better shut the window fust, Mas' Don." The suggestion was taken, and then Don leaped down and faced his fellow-prisoner, repeating the information he had roughly communicated before. "Faces a alley, eh?" said Jem. "Can't we go along the roof." "I don't believe a cat could go in safety, Jem." "Well, we aren't cats, Mas' Don, are we? Faces a alley, eh? Wasn't there no windows opposit'?" "Nothing but a blank wall." "Well, it's all right, Mas' Don. We'd better set to work. Only wants a rope with one end fastened in here, and then we could slide down." "Yes," said Don gloomily; "the window is unfastened, and the way clear, but where's the rope?" "There," said Jem, and he pointed to the end of the loft. CHAPTER FOURTEEN. WORKING UNDER DIFFICULTIES. "There. Those sacks?" "That's it, Mas' Don. I've got my knife. You got yourn?" "Yes." "Then here goes, then, to unravel them sacks till we've got enough to make a rope. This loft's a capital place to twist him. It's all right, sir, only help me work away, and to-night we'll be safe home." "To-night, Jem? Not before?" "Why, we sha'n't have the rope ready; and if we had, it would be no use to try by daylight. No, sir; we must wait till it's dark, and work away. If we hear any one coming we can hide the rope under the other sacks; so come on." They seated themselves at the end of the loft, and worked away rapidly unravelling the sacking and rolling the yarn up into balls, each of which was hidden as soon as it became of any size. As the hours went on, and they were not interrupted, the dread increased that they might be summoned to descend as prisoners before they had completed their work; | the trap-door's bolted." "There is the window, Jem." "Skylights, you mean, sir," said Jem, looking up at the sloping panes in the roof. "Well, let's have a look. Will you get a-top o' my shoulders, or shall I get a-top o' yourn?" "I couldn't bear you, Jem." "Then up you gets, my lad, like the tumblers do at the fair." It seemed easy enough to get up and stand on the sturdy fellow's shoulders, but upon putting it to the test, Don found it very hard, and after a couple of failures he gave up, and they stood together looking up at the sloping window, which was far beyond their reach. "Dessay it's fastened, so that we couldn't open it," said Jem. "The fox said the grapes were sour when he could not get at them, Jem." "That's true, Mas' Don. Well, how are we to get up?" They looked round the loft, but, with the exception of the old sacking lying at one end, the place was bare. "Here, come to the end, Jem, and let me have another try," said Don. "Right, sir; come on," cried Jem; and going right to the end of the loft, he bent his body a little and leaned his hands against the wall. This simplified matters. "Stand fast, Jem," cried Don, and taking a spring, he landed upon his companion's broad back, leap-frog fashion, but only to jump off again. "What's the matter, Mas' Don?" "Only going to take off my shoes." "Ah, 'twill be better. I didn't grumble before, but you did hurt, sir." Don slipped off his shoes, uttered a word or two of warning, and once more mounted on Jem's back. It was easy then to get into a kneeling, and then to a standing, position, the wall being at hand to steady him. "That's your sort, Mas' Don. Now hold fast, and step up on to my shoulders as I rise myself up; that's the way," he continued, slowly straightening himself, and placing his hands behind Don's legs, as he stood up, steadily, facing the wall. "What next, Jem?" "Next, sir? Why, I'm going to walk slowly back under the window, for you to try and open it, and look out and see where we are. Ready?" "Yes." "Hold tight, sir." "But there's nothing to hold by, Jem, when you move away." "Then you must stand fast, sir, and I'll balance you like. I can do it." Don drew a long breath, and felt no faith, for as soon as Jem moved steadily from the wall, his ability in balancing was not great. "Stand firm, sir. I've got you,"<|quote|>he said.</|quote|>"Am I too heavy, Jem?" "Heavy? No, sir; I could carry two on you. Stand fast; 'tarn't far. Stand fast. That's your sort. Stand--oh!" Everything depended upon him, and poor Jem did his best; but after three or four steps Don felt that he was going, and to save himself from a fall he tried to jump lightly down. This would have been easy enough had not Jem been so earnest. He, too, felt that it was all wrong, and to save his companion, he tightened his hold of the calves of Don's legs as the lad stood erect on his shoulders. The consequence was that he gave Don sufficient check as he leaped to throw him off his balance; and in his effort to save him, Jem lost his own, and both came down with a crash and sat up and rubbed and looked at each other. "Arn't hurt, are you, Mas' Don?" "Not hurt?" grumbled Don. "I am hurt horribly." "I'm very sorry, sir; so am I. But I arn't broke nowhere! Are you?" "Broken? No!" said Don rising. "There, let's try again." "To be sure, sir. Come, I like that." "Look here, Jem. When you straighten up, let me steady myself with my hands on the sloping ceiling there; now try." The former process was gone through, after listening to find all silent below; and Don stood erect once more, supporting himself by the wall. "Now edge round gently, Jem. That's right." Jem obeyed, and by progressing very slowly, they got to within about ten feet of the window, which Don saw that he could reach easily, when the balance was lost once more. "Don't hold, Jem!" cried Don; and he leaped backwards, to come down all right this time. By no means discouraged, they went back to the end; and this time, by progressing more slowly, the window was reached, and, to their great delight, Don found that it was fastened inside, opening outwards by means of a couple of hinges at the highest end, and provided with a ratchet, to keep it open to any distance required. "Can you bear me if I try to open it, Jem?" "Can I? Ah!" Jem was a true bearer, standing as fast as a small elephant as Don opened the window, and then supporting himself by a beam which ran across the opening, thrust out his head and surveyed the exterior. He was not long in making out their position--in the top floor of a warehouse, the roof sloping, so that escape along it was impossible, while facing him was the blank wall of a higher building, evidently on the other side of a narrow alley. Don looked to right, but there was no means | Don Lavington |
"You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible." | Jane | she was absolutely incredulous here.<|quote|>"You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible."</|quote|>"This is a wretched beginning | from Miss Bennet's general habits, she was absolutely incredulous here.<|quote|>"You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible."</|quote|>"This is a wretched beginning indeed! My sole dependence was | no one liked him but Jane; and even feared that with the others it was a _dislike_ which not all his fortune and consequence might do away. At night she opened her heart to Jane. Though suspicion was very far from Miss Bennet's general habits, she was absolutely incredulous here.<|quote|>"You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible."</|quote|>"This is a wretched beginning indeed! My sole dependence was on you; and I am sure nobody else will believe me, if you do not. Yet, indeed, I am in earnest. I speak nothing but the truth. He still loves me, and we are engaged." Jane looked at her doubtingly. | happiness overflows in mirth; and Elizabeth, agitated and confused, rather _knew_ that she was happy, than _felt_ herself to be so; for, besides the immediate embarrassment, there were other evils before her. She anticipated what would be felt in the family when her situation became known; she was aware that no one liked him but Jane; and even feared that with the others it was a _dislike_ which not all his fortune and consequence might do away. At night she opened her heart to Jane. Though suspicion was very far from Miss Bennet's general habits, she was absolutely incredulous here.<|quote|>"You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible."</|quote|>"This is a wretched beginning indeed! My sole dependence was on you; and I am sure nobody else will believe me, if you do not. Yet, indeed, I am in earnest. I speak nothing but the truth. He still loves me, and we are engaged." Jane looked at her doubtingly. "Oh, Lizzy! it cannot be. I know how much you dislike him." "You know nothing of the matter. _That_ is all to be forgot. Perhaps I did not always love him so well as I do now. But in such cases as these, a good memory is unpardonable. This is | "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened a suspicion of the truth. The evening passed quietly, unmarked by any thing extraordinary. The acknowledged lovers talked and laughed, the unacknowledged were silent. Darcy was not of a disposition in which happiness overflows in mirth; and Elizabeth, agitated and confused, rather _knew_ that she was happy, than _felt_ herself to be so; for, besides the immediate embarrassment, there were other evils before her. She anticipated what would be felt in the family when her situation became known; she was aware that no one liked him but Jane; and even feared that with the others it was a _dislike_ which not all his fortune and consequence might do away. At night she opened her heart to Jane. Though suspicion was very far from Miss Bennet's general habits, she was absolutely incredulous here.<|quote|>"You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible."</|quote|>"This is a wretched beginning indeed! My sole dependence was on you; and I am sure nobody else will believe me, if you do not. Yet, indeed, I am in earnest. I speak nothing but the truth. He still loves me, and we are engaged." Jane looked at her doubtingly. "Oh, Lizzy! it cannot be. I know how much you dislike him." "You know nothing of the matter. _That_ is all to be forgot. Perhaps I did not always love him so well as I do now. But in such cases as these, a good memory is unpardonable. This is the last time I shall ever remember it myself." Miss Bennet still looked all amazement. Elizabeth again, and more seriously assured her of its truth. "Good Heaven! can it be really so! Yet now I must believe you," cried Jane. "My dear, dear Lizzy, I would--I do congratulate you--but are you certain? forgive the question--are you quite certain that you can be happy with him?" "There can be no doubt of that. It is settled between us already, that we are to be the happiest couple in the world. But are you pleased, Jane? Shall you like to have such | I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted. CHAPTER XVII. "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened a suspicion of the truth. The evening passed quietly, unmarked by any thing extraordinary. The acknowledged lovers talked and laughed, the unacknowledged were silent. Darcy was not of a disposition in which happiness overflows in mirth; and Elizabeth, agitated and confused, rather _knew_ that she was happy, than _felt_ herself to be so; for, besides the immediate embarrassment, there were other evils before her. She anticipated what would be felt in the family when her situation became known; she was aware that no one liked him but Jane; and even feared that with the others it was a _dislike_ which not all his fortune and consequence might do away. At night she opened her heart to Jane. Though suspicion was very far from Miss Bennet's general habits, she was absolutely incredulous here.<|quote|>"You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible."</|quote|>"This is a wretched beginning indeed! My sole dependence was on you; and I am sure nobody else will believe me, if you do not. Yet, indeed, I am in earnest. I speak nothing but the truth. He still loves me, and we are engaged." Jane looked at her doubtingly. "Oh, Lizzy! it cannot be. I know how much you dislike him." "You know nothing of the matter. _That_ is all to be forgot. Perhaps I did not always love him so well as I do now. But in such cases as these, a good memory is unpardonable. This is the last time I shall ever remember it myself." Miss Bennet still looked all amazement. Elizabeth again, and more seriously assured her of its truth. "Good Heaven! can it be really so! Yet now I must believe you," cried Jane. "My dear, dear Lizzy, I would--I do congratulate you--but are you certain? forgive the question--are you quite certain that you can be happy with him?" "There can be no doubt of that. It is settled between us already, that we are to be the happiest couple in the world. But are you pleased, Jane? Shall you like to have such a brother?" "Very, very much. Nothing could give either Bingley or myself more delight. But we considered it, we talked of it as impossible. And do you really love him quite well enough? Oh, Lizzy! do any thing rather than marry without affection. Are you quite sure that you feel what you ought to do?" "Oh, yes! You will only think I feel _more_ than I ought to do, when I tell you all." "What do you mean?" "Why, I must confess, that I love him better than I do Bingley. I am afraid you will be angry." "My dearest sister, now _be_ be serious. I want to talk very seriously. Let me know every thing that I am to know, without delay. Will you tell me how long you have loved him?" "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." Another intreaty that she would be serious, however, produced the desired effect; and she soon satisfied Jane by her solemn assurances of attachment. When convinced on that article, Miss Bennet had nothing farther to wish. "Now I | you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you." He then told her of Georgiana's delight in her acquaintance, and of her disappointment at its sudden interruption; which naturally leading to the cause of that interruption, she soon learnt that his resolution of following her from Derbyshire in quest of her sister, had been formed before he quitted the inn, and that his gravity and thoughtfulness there, had arisen from no other struggles than what such a purpose must comprehend. She expressed her gratitude again, but it was too painful a subject to each, to be dwelt on farther. After walking several miles in a leisurely manner, and too busy to know any thing about it, they found at last, on examining their watches, that it was time to be at home. "What could become of Mr. Bingley and Jane!" was a wonder which introduced the discussion of _their_ affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it. "I must ask whether you were surprised?" said Elizabeth. "Not at all. When I went away, I felt that it would soon happen." "That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case. "On the evening before my going to London," said he "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend. "Did you speak from your own observation," said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted. CHAPTER XVII. "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened a suspicion of the truth. The evening passed quietly, unmarked by any thing extraordinary. The acknowledged lovers talked and laughed, the unacknowledged were silent. Darcy was not of a disposition in which happiness overflows in mirth; and Elizabeth, agitated and confused, rather _knew_ that she was happy, than _felt_ herself to be so; for, besides the immediate embarrassment, there were other evils before her. She anticipated what would be felt in the family when her situation became known; she was aware that no one liked him but Jane; and even feared that with the others it was a _dislike_ which not all his fortune and consequence might do away. At night she opened her heart to Jane. Though suspicion was very far from Miss Bennet's general habits, she was absolutely incredulous here.<|quote|>"You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible."</|quote|>"This is a wretched beginning indeed! My sole dependence was on you; and I am sure nobody else will believe me, if you do not. Yet, indeed, I am in earnest. I speak nothing but the truth. He still loves me, and we are engaged." Jane looked at her doubtingly. "Oh, Lizzy! it cannot be. I know how much you dislike him." "You know nothing of the matter. _That_ is all to be forgot. Perhaps I did not always love him so well as I do now. But in such cases as these, a good memory is unpardonable. This is the last time I shall ever remember it myself." Miss Bennet still looked all amazement. Elizabeth again, and more seriously assured her of its truth. "Good Heaven! can it be really so! Yet now I must believe you," cried Jane. "My dear, dear Lizzy, I would--I do congratulate you--but are you certain? forgive the question--are you quite certain that you can be happy with him?" "There can be no doubt of that. It is settled between us already, that we are to be the happiest couple in the world. But are you pleased, Jane? Shall you like to have such a brother?" "Very, very much. Nothing could give either Bingley or myself more delight. But we considered it, we talked of it as impossible. And do you really love him quite well enough? Oh, Lizzy! do any thing rather than marry without affection. Are you quite sure that you feel what you ought to do?" "Oh, yes! You will only think I feel _more_ than I ought to do, when I tell you all." "What do you mean?" "Why, I must confess, that I love him better than I do Bingley. I am afraid you will be angry." "My dearest sister, now _be_ be serious. I want to talk very seriously. Let me know every thing that I am to know, without delay. Will you tell me how long you have loved him?" "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." Another intreaty that she would be serious, however, produced the desired effect; and she soon satisfied Jane by her solemn assurances of attachment. When convinced on that article, Miss Bennet had nothing farther to wish. "Now I am quite happy," said she, "for you will be as happy as myself. I always had a value for him. Were it for nothing but his love of you, I must always have esteemed him; but now, as Bingley's friend and your husband, there can be only Bingley and yourself more dear to me. But Lizzy, you have been very sly, very reserved with me. How little did you tell me of what passed at Pemberley and Lambton! I owe all that I know of it, to another, not to you." Elizabeth told her the motives of her secrecy. She had been unwilling to mention Bingley; and the unsettled state of her own feelings had made her equally avoid the name of his friend. But now she would no longer conceal from her, his share in Lydia's marriage. All was acknowledged, and half the night spent in conversation. * * * * * "Good gracious!" cried Mrs. Bennet, as she stood at a window the next morning, "if that disagreeable Mr. Darcy is not coming here again with our dear Bingley! What can he mean by being so tiresome as to be always coming here? I had no notion but he would go a shooting, or something or other, and not disturb us with his company. What shall we do with him? Lizzy, you must walk out with him again, that he may not be in Bingley's way." Elizabeth could hardly help laughing at so convenient a proposal; yet was really vexed that her mother should be always giving him such an epithet. As soon as they entered, Bingley looked at her so expressively, and shook hands with such warmth, as left no doubt of his good information; and he soon afterwards said aloud, "Mr. Bennet, have you no more lanes hereabouts in which Lizzy may lose her way again to-day?" "I advise Mr. Darcy, and Lizzy, and Kitty," said Mrs. Bennet, "to walk to Oakham Mount this morning. It is a nice long walk, and Mr. Darcy has never seen the view." "It may do very well for the others," replied Mr. Bingley; "but I am sure it will be too much for Kitty. Wont it, Kitty?" Kitty owned that she had rather stay at home. Darcy professed a great curiosity to see the view from the Mount, and Elizabeth silently consented. As she went up stairs to get | their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend. "Did you speak from your own observation," said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted. CHAPTER XVII. "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened a suspicion of the truth. The evening passed quietly, unmarked by any thing extraordinary. The acknowledged lovers talked and laughed, the unacknowledged were silent. Darcy was not of a disposition in which happiness overflows in mirth; and Elizabeth, agitated and confused, rather _knew_ that she was happy, than _felt_ herself to be so; for, besides the immediate embarrassment, there were other evils before her. She anticipated what would be felt in the family when her situation became known; she was aware that no one liked him but Jane; and even feared that with the others it was a _dislike_ which not all his fortune and consequence might do away. At night she opened her heart to Jane. Though suspicion was very far from Miss Bennet's general habits, she was absolutely incredulous here.<|quote|>"You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible."</|quote|>"This is a wretched beginning indeed! My sole dependence was on you; and I am sure nobody else will believe me, if you do not. Yet, indeed, I am in earnest. I speak nothing but the truth. He still loves me, and we are engaged." Jane looked at her doubtingly. "Oh, Lizzy! it cannot be. I know how much you dislike him." "You know nothing of the matter. _That_ is all to be forgot. Perhaps I did not always love him so well as I do now. But in such cases as these, a good memory is unpardonable. This is the last time I shall ever remember it myself." Miss Bennet still looked all amazement. Elizabeth again, and more seriously assured her of its truth. "Good Heaven! can it be really so! Yet now I must believe you," cried Jane. "My dear, dear Lizzy, I would--I do congratulate you--but are you certain? forgive the question--are you quite certain that you can be happy with him?" "There can be no doubt of that. It is settled between us already, that we are to be the happiest couple in the world. But are you pleased, Jane? Shall you like to have such a brother?" "Very, very much. Nothing could give either Bingley or myself more delight. But we considered it, we talked of it as impossible. And do you really love him quite well enough? Oh, Lizzy! do any thing rather than marry without affection. Are you quite sure | Pride And Prejudice |
"Yes, as Mr. McBryde was saying, but it's much more the Anglo-Indians themselves who are likely to get on Adela's nerves. She doesn't think they behave pleasantly to Indians, you see." | Mrs. Moore | Omega of the whole affair."<|quote|>"Yes, as Mr. McBryde was saying, but it's much more the Anglo-Indians themselves who are likely to get on Adela's nerves. She doesn't think they behave pleasantly to Indians, you see."</|quote|>"What did I tell you?" | mother; it's the Alpha and Omega of the whole affair."<|quote|>"Yes, as Mr. McBryde was saying, but it's much more the Anglo-Indians themselves who are likely to get on Adela's nerves. She doesn't think they behave pleasantly to Indians, you see."</|quote|>"What did I tell you?" he exclaimed, losing his gentle | heat, but of course I should pack her off to the Hills every April I'm not one to keep a wife grilling in the Plains." "Oh, it wouldn't be the weather." "There's nothing in India but the weather, my dear mother; it's the Alpha and Omega of the whole affair."<|quote|>"Yes, as Mr. McBryde was saying, but it's much more the Anglo-Indians themselves who are likely to get on Adela's nerves. She doesn't think they behave pleasantly to Indians, you see."</|quote|>"What did I tell you?" he exclaimed, losing his gentle manner. "I knew it last week. Oh, how like a woman to worry over a side-issue!" She forgot about Adela in her surprise. "A side-issue, a side-issue?" she repeated. "How can it be that?" "We're not out here for the | him rather absurd. Accustomed to the privacy of London, she could not realize that India, seemingly so mysterious, contains none, and that consequently the conventions have greater force. "I suppose nothing's on her mind," he continued. "Ask her, ask her yourself, my dear boy." "Probably she's heard tales of the heat, but of course I should pack her off to the Hills every April I'm not one to keep a wife grilling in the Plains." "Oh, it wouldn't be the weather." "There's nothing in India but the weather, my dear mother; it's the Alpha and Omega of the whole affair."<|quote|>"Yes, as Mr. McBryde was saying, but it's much more the Anglo-Indians themselves who are likely to get on Adela's nerves. She doesn't think they behave pleasantly to Indians, you see."</|quote|>"What did I tell you?" he exclaimed, losing his gentle manner. "I knew it last week. Oh, how like a woman to worry over a side-issue!" She forgot about Adela in her surprise. "A side-issue, a side-issue?" she repeated. "How can it be that?" "We're not out here for the purpose of behaving pleasantly!" "What do you mean?" "What I say. We're out here to do justice and keep the peace. Them's my sentiments. India isn't a drawing-room." "Your sentiments are those of a god," she said quietly, but it was his manner rather than his sentiments that annoyed her. | you are." "Yes, perhaps, but then people'ld gossip." "Well, they must gossip sometime! Let them gossip." "People are so odd out here, and it's not like home one's always facing the footlights, as the Burra Sahib said. Take a silly little example: when Adela went out to the boundary of the club compound, and Fielding followed her. I saw Mrs. Callendar notice it. They notice everything, until they're perfectly sure you're their sort." "I don't think Adela 'll ever be quite their sort she's much too individual." "I know, that's so remarkable about her," he said thoughtfully. Mrs. Moore thought him rather absurd. Accustomed to the privacy of London, she could not realize that India, seemingly so mysterious, contains none, and that consequently the conventions have greater force. "I suppose nothing's on her mind," he continued. "Ask her, ask her yourself, my dear boy." "Probably she's heard tales of the heat, but of course I should pack her off to the Hills every April I'm not one to keep a wife grilling in the Plains." "Oh, it wouldn't be the weather." "There's nothing in India but the weather, my dear mother; it's the Alpha and Omega of the whole affair."<|quote|>"Yes, as Mr. McBryde was saying, but it's much more the Anglo-Indians themselves who are likely to get on Adela's nerves. She doesn't think they behave pleasantly to Indians, you see."</|quote|>"What did I tell you?" he exclaimed, losing his gentle manner. "I knew it last week. Oh, how like a woman to worry over a side-issue!" She forgot about Adela in her surprise. "A side-issue, a side-issue?" she repeated. "How can it be that?" "We're not out here for the purpose of behaving pleasantly!" "What do you mean?" "What I say. We're out here to do justice and keep the peace. Them's my sentiments. India isn't a drawing-room." "Your sentiments are those of a god," she said quietly, but it was his manner rather than his sentiments that annoyed her. Trying to recover his temper, he said, "India likes gods." "And Englishmen like posing as gods." "There's no point in all this. Here we are, and we're going to stop, and the country's got to put up with us, gods or no gods. Oh, look here," he broke out, rather pathetically, "what do you and Adela want me to do? Go against my class, against all the people I respect and admire out here? Lose such power as I have for doing good in this country because my behaviour isn't pleasant? You neither of you understand what work is, or | Maharani said she might go. Now she wanted to take the Maharajah's motor-car as well; it had gone to a Chiefs' Conference at Delhi, and she had a great scheme for burgling it at the junction as it came back in the train. She was also very funny about the Bridge Party indeed she regarded the entire peninsula as a comic opera. "If one couldn't see the laughable side of these people one 'ld be done for," said Miss Derek. Mrs. McBryde it was she who had been the nurse ceased not to exclaim, "Oh, Nancy, how topping! Oh, Nancy, how killing! I wish I could look at things like that." Mr. McBryde did not speak much; he seemed nice. When the guests had gone, and Adela gone to bed, there was another interview between mother and son. He wanted her advice and support while resenting interference. "Does Adela talk to you much?" he began. "I'm so driven with work, I don't see her as much as I hoped, but I hope she finds things comfortable." "Adela and I talk mostly about India. Dear, since you mention it, you're quite right you ought to be more alone with her than you are." "Yes, perhaps, but then people'ld gossip." "Well, they must gossip sometime! Let them gossip." "People are so odd out here, and it's not like home one's always facing the footlights, as the Burra Sahib said. Take a silly little example: when Adela went out to the boundary of the club compound, and Fielding followed her. I saw Mrs. Callendar notice it. They notice everything, until they're perfectly sure you're their sort." "I don't think Adela 'll ever be quite their sort she's much too individual." "I know, that's so remarkable about her," he said thoughtfully. Mrs. Moore thought him rather absurd. Accustomed to the privacy of London, she could not realize that India, seemingly so mysterious, contains none, and that consequently the conventions have greater force. "I suppose nothing's on her mind," he continued. "Ask her, ask her yourself, my dear boy." "Probably she's heard tales of the heat, but of course I should pack her off to the Hills every April I'm not one to keep a wife grilling in the Plains." "Oh, it wouldn't be the weather." "There's nothing in India but the weather, my dear mother; it's the Alpha and Omega of the whole affair."<|quote|>"Yes, as Mr. McBryde was saying, but it's much more the Anglo-Indians themselves who are likely to get on Adela's nerves. She doesn't think they behave pleasantly to Indians, you see."</|quote|>"What did I tell you?" he exclaimed, losing his gentle manner. "I knew it last week. Oh, how like a woman to worry over a side-issue!" She forgot about Adela in her surprise. "A side-issue, a side-issue?" she repeated. "How can it be that?" "We're not out here for the purpose of behaving pleasantly!" "What do you mean?" "What I say. We're out here to do justice and keep the peace. Them's my sentiments. India isn't a drawing-room." "Your sentiments are those of a god," she said quietly, but it was his manner rather than his sentiments that annoyed her. Trying to recover his temper, he said, "India likes gods." "And Englishmen like posing as gods." "There's no point in all this. Here we are, and we're going to stop, and the country's got to put up with us, gods or no gods. Oh, look here," he broke out, rather pathetically, "what do you and Adela want me to do? Go against my class, against all the people I respect and admire out here? Lose such power as I have for doing good in this country because my behaviour isn't pleasant? You neither of you understand what work is, or you 'ld never talk such eyewash. I hate talking like this, but one must occasionally. It's morbidly sensitive to go on as Adela and you do. I noticed you both at the club to-day after the Burra Sahib had been at all that trouble to amuse you. I am out here to work, mind, to hold this wretched country by force. I'm not a missionary or a Labour Member or a vague sentimental sympathetic literary man. I'm just a servant of the Government; it's the profession you wanted me to choose myself, and that's that. We're not pleasant in India, and we don't intend to be pleasant. We've something more important to do." He spoke sincerely. Every day he worked hard in the court trying to decide which of two untrue accounts was the less untrue, trying to dispense justice fearlessly, to protect the weak against the less weak, the incoherent against the plausible, surrounded by lies and flattery. That morning he had convicted a railway clerk of overcharging pilgrims for their tickets, and a Pathan of attempted rape. He expected no gratitude, no recognition for this, and both clerk and Pathan might appeal, bribe their witnesses more effectually in | slid by unnoticed. Colour would remain the pageant of birds in the early morning, brown bodies, white turbans, idols whose flesh was scarlet or blue and movement would remain as long as there were crowds in the bazaar and bathers in the tanks. Perched up on the seat of a dogcart, she would see them. But the force that lies behind colour and movement would escape her even more effectually than it did now. She would see India always as a frieze, never as a spirit, and she assumed that it was a spirit of which Mrs. Moore had had a glimpse. And sure enough they did drive away from the club in a few minutes, and they did dress, and to dinner came Miss Derek and the McBrydes, and the menu was: Julienne soup full of bullety bottled peas, pseudo-cottage bread, fish full of branching bones, pretending to be plaice, more bottled peas with the cutlets, trifle, sardines on toast: the menu of Anglo-India. A dish might be added or subtracted as one rose or fell in the official scale, the peas might rattle less or more, the sardines and the vermouth be imported by a different firm, but the tradition remained; the food of exiles, cooked by servants who did not understand it. Adela thought of the young men and women who had come out before her, P. & O. full after P. & O. full, and had been set down to the same food and the same ideas, and been snubbed in the same good-humoured way until they kept to the accredited themes and began to snub others. "I should never get like that," she thought, for she was young herself; all the same she knew that she had come up against something that was both insidious and tough, and against which she needed allies. She must gather around her at Chandrapore a few people who felt as she did, and she was glad to have met Mr. Fielding and the Indian lady with the unpronounceable name. Here at all events was a nucleus; she should know much better where she stood in the course of the next two days. Miss Derek she companioned a Maharani in a remote Native State. She was genial and gay and made them all laugh about her leave, which she had taken because she felt she deserved it, not because the Maharani said she might go. Now she wanted to take the Maharajah's motor-car as well; it had gone to a Chiefs' Conference at Delhi, and she had a great scheme for burgling it at the junction as it came back in the train. She was also very funny about the Bridge Party indeed she regarded the entire peninsula as a comic opera. "If one couldn't see the laughable side of these people one 'ld be done for," said Miss Derek. Mrs. McBryde it was she who had been the nurse ceased not to exclaim, "Oh, Nancy, how topping! Oh, Nancy, how killing! I wish I could look at things like that." Mr. McBryde did not speak much; he seemed nice. When the guests had gone, and Adela gone to bed, there was another interview between mother and son. He wanted her advice and support while resenting interference. "Does Adela talk to you much?" he began. "I'm so driven with work, I don't see her as much as I hoped, but I hope she finds things comfortable." "Adela and I talk mostly about India. Dear, since you mention it, you're quite right you ought to be more alone with her than you are." "Yes, perhaps, but then people'ld gossip." "Well, they must gossip sometime! Let them gossip." "People are so odd out here, and it's not like home one's always facing the footlights, as the Burra Sahib said. Take a silly little example: when Adela went out to the boundary of the club compound, and Fielding followed her. I saw Mrs. Callendar notice it. They notice everything, until they're perfectly sure you're their sort." "I don't think Adela 'll ever be quite their sort she's much too individual." "I know, that's so remarkable about her," he said thoughtfully. Mrs. Moore thought him rather absurd. Accustomed to the privacy of London, she could not realize that India, seemingly so mysterious, contains none, and that consequently the conventions have greater force. "I suppose nothing's on her mind," he continued. "Ask her, ask her yourself, my dear boy." "Probably she's heard tales of the heat, but of course I should pack her off to the Hills every April I'm not one to keep a wife grilling in the Plains." "Oh, it wouldn't be the weather." "There's nothing in India but the weather, my dear mother; it's the Alpha and Omega of the whole affair."<|quote|>"Yes, as Mr. McBryde was saying, but it's much more the Anglo-Indians themselves who are likely to get on Adela's nerves. She doesn't think they behave pleasantly to Indians, you see."</|quote|>"What did I tell you?" he exclaimed, losing his gentle manner. "I knew it last week. Oh, how like a woman to worry over a side-issue!" She forgot about Adela in her surprise. "A side-issue, a side-issue?" she repeated. "How can it be that?" "We're not out here for the purpose of behaving pleasantly!" "What do you mean?" "What I say. We're out here to do justice and keep the peace. Them's my sentiments. India isn't a drawing-room." "Your sentiments are those of a god," she said quietly, but it was his manner rather than his sentiments that annoyed her. Trying to recover his temper, he said, "India likes gods." "And Englishmen like posing as gods." "There's no point in all this. Here we are, and we're going to stop, and the country's got to put up with us, gods or no gods. Oh, look here," he broke out, rather pathetically, "what do you and Adela want me to do? Go against my class, against all the people I respect and admire out here? Lose such power as I have for doing good in this country because my behaviour isn't pleasant? You neither of you understand what work is, or you 'ld never talk such eyewash. I hate talking like this, but one must occasionally. It's morbidly sensitive to go on as Adela and you do. I noticed you both at the club to-day after the Burra Sahib had been at all that trouble to amuse you. I am out here to work, mind, to hold this wretched country by force. I'm not a missionary or a Labour Member or a vague sentimental sympathetic literary man. I'm just a servant of the Government; it's the profession you wanted me to choose myself, and that's that. We're not pleasant in India, and we don't intend to be pleasant. We've something more important to do." He spoke sincerely. Every day he worked hard in the court trying to decide which of two untrue accounts was the less untrue, trying to dispense justice fearlessly, to protect the weak against the less weak, the incoherent against the plausible, surrounded by lies and flattery. That morning he had convicted a railway clerk of overcharging pilgrims for their tickets, and a Pathan of attempted rape. He expected no gratitude, no recognition for this, and both clerk and Pathan might appeal, bribe their witnesses more effectually in the interval, and get their sentences reversed. It was his duty. But he did expect sympathy from his own people, and except from new-comers he obtained it. He did think he ought not to be worried about "Bridge Parties" when the day's work was over and he wanted to play tennis with his equals or rest his legs upon a long chair. He spoke sincerely, but she could have wished with less gusto. How Ronny revelled in the drawbacks of his situation! How he did rub it in that he was not in India to behave pleasantly, and derived positive satisfaction therefrom! He reminded her of his public-schooldays. The traces of young-man humanitarianism had sloughed off, and he talked like an intelligent and embittered boy. His words without his voice might have impressed her, but when she heard the self-satisfied lilt of them, when she saw the mouth moving so complacently and competently beneath the little red nose, she felt, quite illogically, that this was not the last word on India. One touch of regret not the canny substitute but the true regret from the heart would have made him a different man, and the British Empire a different institution. "I'm going to argue, and indeed dictate," she said, clinking her rings. "The English are out here to be pleasant." "How do you make that out, mother?" he asked, speaking gently again, for he was ashamed of his irritability. "Because India is part of the earth. And God has put us on the earth in order to be pleasant to each other. God . . . is . . . love." She hesitated, seeing how much he disliked the argument, but something made her go on. "God has put us on earth to love our neighbours and to show it, and He is omnipresent, even in India, to see how we are succeeding." He looked gloomy, and a little anxious. He knew this religious strain in her, and that it was a symptom of bad health; there had been much of it when his stepfather died. He thought, "She is certainly ageing, and I ought not to be vexed with anything she says." "The desire to behave pleasantly satisfies God. . . The sincere if impotent desire wins His blessing. I think every one fails, but there are so many kinds of failure. Good will and more good will and | very funny about the Bridge Party indeed she regarded the entire peninsula as a comic opera. "If one couldn't see the laughable side of these people one 'ld be done for," said Miss Derek. Mrs. McBryde it was she who had been the nurse ceased not to exclaim, "Oh, Nancy, how topping! Oh, Nancy, how killing! I wish I could look at things like that." Mr. McBryde did not speak much; he seemed nice. When the guests had gone, and Adela gone to bed, there was another interview between mother and son. He wanted her advice and support while resenting interference. "Does Adela talk to you much?" he began. "I'm so driven with work, I don't see her as much as I hoped, but I hope she finds things comfortable." "Adela and I talk mostly about India. Dear, since you mention it, you're quite right you ought to be more alone with her than you are." "Yes, perhaps, but then people'ld gossip." "Well, they must gossip sometime! Let them gossip." "People are so odd out here, and it's not like home one's always facing the footlights, as the Burra Sahib said. Take a silly little example: when Adela went out to the boundary of the club compound, and Fielding followed her. I saw Mrs. Callendar notice it. They notice everything, until they're perfectly sure you're their sort." "I don't think Adela 'll ever be quite their sort she's much too individual." "I know, that's so remarkable about her," he said thoughtfully. Mrs. Moore thought him rather absurd. Accustomed to the privacy of London, she could not realize that India, seemingly so mysterious, contains none, and that consequently the conventions have greater force. "I suppose nothing's on her mind," he continued. "Ask her, ask her yourself, my dear boy." "Probably she's heard tales of the heat, but of course I should pack her off to the Hills every April I'm not one to keep a wife grilling in the Plains." "Oh, it wouldn't be the weather." "There's nothing in India but the weather, my dear mother; it's the Alpha and Omega of the whole affair."<|quote|>"Yes, as Mr. McBryde was saying, but it's much more the Anglo-Indians themselves who are likely to get on Adela's nerves. She doesn't think they behave pleasantly to Indians, you see."</|quote|>"What did I tell you?" he exclaimed, losing his gentle manner. "I knew it last week. Oh, how like a woman to worry over a side-issue!" She forgot about Adela in her surprise. "A side-issue, a side-issue?" she repeated. "How can it be that?" "We're not out here for the purpose of behaving pleasantly!" "What do you mean?" "What I say. We're out here to do justice and keep the peace. Them's my sentiments. India isn't a drawing-room." "Your sentiments are those of a god," she said quietly, but it was his manner rather than his sentiments that annoyed her. Trying to recover his temper, he said, "India likes gods." "And Englishmen like posing as gods." "There's no point in all this. Here we are, and we're going to stop, and the country's got to put up with us, gods or no gods. Oh, look here," he broke out, rather pathetically, "what do you and Adela want me to do? Go against my class, against all the people I respect and admire out here? Lose such power as I have for doing good in this country because my behaviour isn't pleasant? You neither of you understand what work is, or you 'ld never talk such eyewash. I hate talking like this, but one must occasionally. It's morbidly sensitive to go on as Adela and you do. I noticed you both at the club to-day after the Burra Sahib had been at all that trouble to amuse you. I am out here to work, mind, to hold this wretched country by force. I'm not a missionary or a Labour Member or a vague sentimental sympathetic literary man. I'm just a servant of the Government; it's the profession you | A Passage To India |
he said, with something of an effort, | No speaker | things. "You re right, Mary,"<|quote|>he said, with something of an effort,</|quote|>"though I don t know | seemed to surround all these things. "You re right, Mary,"<|quote|>he said, with something of an effort,</|quote|>"though I don t know how you guessed it." She | that morning in Lincoln s Inn Fields?" she asked. "Yes," said Ralph, slackening his pace and remembering Katharine and her engagement, the purple leaves stamped into the path, the white paper radiant under the electric light, and the hopelessness which seemed to surround all these things. "You re right, Mary,"<|quote|>he said, with something of an effort,</|quote|>"though I don t know how you guessed it." She was silent, hoping that he might tell her the reason of his unhappiness, for his excuses had not deceived her. "I was unhappy very unhappy," he repeated. Some six weeks separated him from that afternoon when he had sat upon | and I m not going to stand it any longer. I suppose this all seems to you mad, though?" By this time Mary had recovered her self-control. "No. I thought you weren t happy," she said. "Why did you think that?" he asked, with some surprise. "Don t you remember that morning in Lincoln s Inn Fields?" she asked. "Yes," said Ralph, slackening his pace and remembering Katharine and her engagement, the purple leaves stamped into the path, the white paper radiant under the electric light, and the hopelessness which seemed to surround all these things. "You re right, Mary,"<|quote|>he said, with something of an effort,</|quote|>"though I don t know how you guessed it." She was silent, hoping that he might tell her the reason of his unhappiness, for his excuses had not deceived her. "I was unhappy very unhappy," he repeated. Some six weeks separated him from that afternoon when he had sat upon the Embankment watching his visions dissolve in mist as the waters swam past and the sense of his desolation still made him shiver. He had not recovered in the least from that depression. Here was an opportunity for making himself face it, as he felt that he ought to; for, | he proceeded. "I don t know what my family will say; but I m sure I m right. Don t you think so?" "Live down here by yourself?" she asked. "Some old woman would do for me, I suppose," he replied. "I m sick of the whole thing," he went on, and opened the gate with a jerk. They began to cross the next field walking side by side. "I tell you, Mary, it s utter destruction, working away, day after day, at stuff that doesn t matter a damn to any one. I ve stood eight years of it, and I m not going to stand it any longer. I suppose this all seems to you mad, though?" By this time Mary had recovered her self-control. "No. I thought you weren t happy," she said. "Why did you think that?" he asked, with some surprise. "Don t you remember that morning in Lincoln s Inn Fields?" she asked. "Yes," said Ralph, slackening his pace and remembering Katharine and her engagement, the purple leaves stamped into the path, the white paper radiant under the electric light, and the hopelessness which seemed to surround all these things. "You re right, Mary,"<|quote|>he said, with something of an effort,</|quote|>"though I don t know how you guessed it." She was silent, hoping that he might tell her the reason of his unhappiness, for his excuses had not deceived her. "I was unhappy very unhappy," he repeated. Some six weeks separated him from that afternoon when he had sat upon the Embankment watching his visions dissolve in mist as the waters swam past and the sense of his desolation still made him shiver. He had not recovered in the least from that depression. Here was an opportunity for making himself face it, as he felt that he ought to; for, by this time, no doubt, it was only a sentimental ghost, better exorcised by ruthless exposure to such an eye as Mary s, than allowed to underlie all his actions and thoughts as had been the case ever since he first saw Katharine Hilbery pouring out tea. He must begin, however, by mentioning her name, and this he found it impossible to do. He persuaded himself that he could make an honest statement without speaking her name; he persuaded himself that his feeling had very little to do with her. "Unhappiness is a state of mind," he said, "by which | speech or silence seemed immaterial, and she merely clapped her hands together, and looked at the distant woods with the rust-like bloom on their brown, and the green and blue landscape through the steam of her own breath. It seemed a mere toss-up whether she said, "I love you," or whether she said, "I love the beech-trees," or only "I love I love." "Do you know, Mary," Ralph suddenly interrupted her, "I ve made up my mind." Her indifference must have been superficial, for it disappeared at once. Indeed, she lost sight of the trees, and saw her own hand upon the topmost bar of the gate with extreme distinctness, while he went on: "I ve made up my mind to chuck my work and live down here. I want you to tell me about that cottage you spoke of. However, I suppose there ll be no difficulty about getting a cottage, will there?" He spoke with an assumption of carelessness as if expecting her to dissuade him. She still waited, as if for him to continue; she was convinced that in some roundabout way he approached the subject of their marriage. "I can t stand the office any longer," he proceeded. "I don t know what my family will say; but I m sure I m right. Don t you think so?" "Live down here by yourself?" she asked. "Some old woman would do for me, I suppose," he replied. "I m sick of the whole thing," he went on, and opened the gate with a jerk. They began to cross the next field walking side by side. "I tell you, Mary, it s utter destruction, working away, day after day, at stuff that doesn t matter a damn to any one. I ve stood eight years of it, and I m not going to stand it any longer. I suppose this all seems to you mad, though?" By this time Mary had recovered her self-control. "No. I thought you weren t happy," she said. "Why did you think that?" he asked, with some surprise. "Don t you remember that morning in Lincoln s Inn Fields?" she asked. "Yes," said Ralph, slackening his pace and remembering Katharine and her engagement, the purple leaves stamped into the path, the white paper radiant under the electric light, and the hopelessness which seemed to surround all these things. "You re right, Mary,"<|quote|>he said, with something of an effort,</|quote|>"though I don t know how you guessed it." She was silent, hoping that he might tell her the reason of his unhappiness, for his excuses had not deceived her. "I was unhappy very unhappy," he repeated. Some six weeks separated him from that afternoon when he had sat upon the Embankment watching his visions dissolve in mist as the waters swam past and the sense of his desolation still made him shiver. He had not recovered in the least from that depression. Here was an opportunity for making himself face it, as he felt that he ought to; for, by this time, no doubt, it was only a sentimental ghost, better exorcised by ruthless exposure to such an eye as Mary s, than allowed to underlie all his actions and thoughts as had been the case ever since he first saw Katharine Hilbery pouring out tea. He must begin, however, by mentioning her name, and this he found it impossible to do. He persuaded himself that he could make an honest statement without speaking her name; he persuaded himself that his feeling had very little to do with her. "Unhappiness is a state of mind," he said, "by which I mean that it is not necessarily the result of any particular cause." This rather stilted beginning did not please him, and it became more and more obvious to him that, whatever he might say, his unhappiness had been directly caused by Katharine. "I began to find my life unsatisfactory," he started afresh. "It seemed to me meaningless." He paused again, but felt that this, at any rate, was true, and that on these lines he could go on. "All this money-making and working ten hours a day in an office, what s it FOR? When one s a boy, you see, one s head is so full of dreams that it doesn t seem to matter what one does. And if you re ambitious, you re all right; you ve got a reason for going on. Now my reasons ceased to satisfy me. Perhaps I never had any. That s very likely now I come to think of it. (What reason is there for anything, though?) Still, it s impossible, after a certain age, to take oneself in satisfactorily. And I know what carried me on" for a good reason now occurred to him "I wanted to be the | miles at least, once or twice a week to its streets; and among them, on this occasion, were Ralph Denham and Mary Datchet. They despised the roads, and took their way across the fields; and yet, from their appearance, it did not seem as if they cared much where they walked so long as the way did not actually trip them up. When they left the Vicarage, they had begun an argument which swung their feet along so rhythmically in time with it that they covered the ground at over four miles an hour, and saw nothing of the hedgerows, the swelling plowland, or the mild blue sky. What they saw were the Houses of Parliament and the Government Offices in Whitehall. They both belonged to the class which is conscious of having lost its birthright in these great structures and is seeking to build another kind of lodging for its own notion of law and government. Purposely, perhaps, Mary did not agree with Ralph; she loved to feel her mind in conflict with his, and to be certain that he spared her female judgment no ounce of his male muscularity. He seemed to argue as fiercely with her as if she were his brother. They were alike, however, in believing that it behooved them to take in hand the repair and reconstruction of the fabric of England. They agreed in thinking that nature has not been generous in the endowment of our councilors. They agreed, unconsciously, in a mute love for the muddy field through which they tramped, with eyes narrowed close by the concentration of their minds. At length they drew breath, let the argument fly away into the limbo of other good arguments, and, leaning over a gate, opened their eyes for the first time and looked about them. Their feet tingled with warm blood and their breath rose in steam around them. The bodily exercise made them both feel more direct and less self-conscious than usual, and Mary, indeed, was overcome by a sort of light-headedness which made it seem to her that it mattered very little what happened next. It mattered so little, indeed, that she felt herself on the point of saying to Ralph: "I love you; I shall never love anybody else. Marry me or leave me; think what you like of me I don t care a straw." At the moment, however, speech or silence seemed immaterial, and she merely clapped her hands together, and looked at the distant woods with the rust-like bloom on their brown, and the green and blue landscape through the steam of her own breath. It seemed a mere toss-up whether she said, "I love you," or whether she said, "I love the beech-trees," or only "I love I love." "Do you know, Mary," Ralph suddenly interrupted her, "I ve made up my mind." Her indifference must have been superficial, for it disappeared at once. Indeed, she lost sight of the trees, and saw her own hand upon the topmost bar of the gate with extreme distinctness, while he went on: "I ve made up my mind to chuck my work and live down here. I want you to tell me about that cottage you spoke of. However, I suppose there ll be no difficulty about getting a cottage, will there?" He spoke with an assumption of carelessness as if expecting her to dissuade him. She still waited, as if for him to continue; she was convinced that in some roundabout way he approached the subject of their marriage. "I can t stand the office any longer," he proceeded. "I don t know what my family will say; but I m sure I m right. Don t you think so?" "Live down here by yourself?" she asked. "Some old woman would do for me, I suppose," he replied. "I m sick of the whole thing," he went on, and opened the gate with a jerk. They began to cross the next field walking side by side. "I tell you, Mary, it s utter destruction, working away, day after day, at stuff that doesn t matter a damn to any one. I ve stood eight years of it, and I m not going to stand it any longer. I suppose this all seems to you mad, though?" By this time Mary had recovered her self-control. "No. I thought you weren t happy," she said. "Why did you think that?" he asked, with some surprise. "Don t you remember that morning in Lincoln s Inn Fields?" she asked. "Yes," said Ralph, slackening his pace and remembering Katharine and her engagement, the purple leaves stamped into the path, the white paper radiant under the electric light, and the hopelessness which seemed to surround all these things. "You re right, Mary,"<|quote|>he said, with something of an effort,</|quote|>"though I don t know how you guessed it." She was silent, hoping that he might tell her the reason of his unhappiness, for his excuses had not deceived her. "I was unhappy very unhappy," he repeated. Some six weeks separated him from that afternoon when he had sat upon the Embankment watching his visions dissolve in mist as the waters swam past and the sense of his desolation still made him shiver. He had not recovered in the least from that depression. Here was an opportunity for making himself face it, as he felt that he ought to; for, by this time, no doubt, it was only a sentimental ghost, better exorcised by ruthless exposure to such an eye as Mary s, than allowed to underlie all his actions and thoughts as had been the case ever since he first saw Katharine Hilbery pouring out tea. He must begin, however, by mentioning her name, and this he found it impossible to do. He persuaded himself that he could make an honest statement without speaking her name; he persuaded himself that his feeling had very little to do with her. "Unhappiness is a state of mind," he said, "by which I mean that it is not necessarily the result of any particular cause." This rather stilted beginning did not please him, and it became more and more obvious to him that, whatever he might say, his unhappiness had been directly caused by Katharine. "I began to find my life unsatisfactory," he started afresh. "It seemed to me meaningless." He paused again, but felt that this, at any rate, was true, and that on these lines he could go on. "All this money-making and working ten hours a day in an office, what s it FOR? When one s a boy, you see, one s head is so full of dreams that it doesn t seem to matter what one does. And if you re ambitious, you re all right; you ve got a reason for going on. Now my reasons ceased to satisfy me. Perhaps I never had any. That s very likely now I come to think of it. (What reason is there for anything, though?) Still, it s impossible, after a certain age, to take oneself in satisfactorily. And I know what carried me on" for a good reason now occurred to him "I wanted to be the savior of my family and all that kind of thing. I wanted them to get on in the world. That was a lie, of course a kind of self-glorification, too. Like most people, I suppose, I ve lived almost entirely among delusions, and now I m at the awkward stage of finding it out. I want another delusion to go on with. That s what my unhappiness amounts to, Mary." There were two reasons that kept Mary very silent during this speech, and drew curiously straight lines upon her face. In the first place, Ralph made no mention of marriage; in the second, he was not speaking the truth. "I don t think it will be difficult to find a cottage," she said, with cheerful hardness, ignoring the whole of this statement. "You ve got a little money, haven t you? Yes," she concluded, "I don t see why it shouldn t be a very good plan." They crossed the field in complete silence. Ralph was surprised by her remark and a little hurt, and yet, on the whole, rather pleased. He had convinced himself that it was impossible to lay his case truthfully before Mary, and, secretly, he was relieved to find that he had not parted with his dream to her. She was, as he had always found her, the sensible, loyal friend, the woman he trusted; whose sympathy he could count upon, provided he kept within certain limits. He was not displeased to find that those limits were very clearly marked. When they had crossed the next hedge she said to him: "Yes, Ralph, it s time you made a break. I ve come to the same conclusion myself. Only it won t be a country cottage in my case; it ll be America. America!" she cried. "That s the place for me! They ll teach me something about organizing a movement there, and I ll come back and show you how to do it." If she meant consciously or unconsciously to belittle the seclusion and security of a country cottage, she did not succeed; for Ralph s determination was genuine. But she made him visualize her in her own character, so that he looked quickly at her, as she walked a little in front of him across the plowed field; for the first time that morning he saw her independently of him or of his preoccupation | their marriage. "I can t stand the office any longer," he proceeded. "I don t know what my family will say; but I m sure I m right. Don t you think so?" "Live down here by yourself?" she asked. "Some old woman would do for me, I suppose," he replied. "I m sick of the whole thing," he went on, and opened the gate with a jerk. They began to cross the next field walking side by side. "I tell you, Mary, it s utter destruction, working away, day after day, at stuff that doesn t matter a damn to any one. I ve stood eight years of it, and I m not going to stand it any longer. I suppose this all seems to you mad, though?" By this time Mary had recovered her self-control. "No. I thought you weren t happy," she said. "Why did you think that?" he asked, with some surprise. "Don t you remember that morning in Lincoln s Inn Fields?" she asked. "Yes," said Ralph, slackening his pace and remembering Katharine and her engagement, the purple leaves stamped into the path, the white paper radiant under the electric light, and the hopelessness which seemed to surround all these things. "You re right, Mary,"<|quote|>he said, with something of an effort,</|quote|>"though I don t know how you guessed it." She was silent, hoping that he might tell her the reason of his unhappiness, for his excuses had not deceived her. "I was unhappy very unhappy," he repeated. Some six weeks separated him from that afternoon when he had sat upon the Embankment watching his visions dissolve in mist as the waters swam past and the sense of his desolation still made him shiver. He had not recovered in the least from that depression. Here was an opportunity for making himself face it, as he felt that he ought to; for, by this time, no doubt, it was only a sentimental ghost, better exorcised by ruthless exposure to such an eye as Mary s, than allowed to underlie all his actions and thoughts as had been the case ever since he first saw Katharine Hilbery pouring out tea. He must begin, however, by mentioning her name, and this he found it impossible to do. He persuaded himself that he could make an honest statement without speaking her name; he persuaded himself that his feeling had very little to do with her. "Unhappiness is a state of mind," he said, "by which I mean that it is not necessarily the result of any particular cause." This rather stilted beginning did not please him, and it became more and more obvious to him that, whatever he might say, his unhappiness had been directly caused by Katharine. "I began to find my life unsatisfactory," he started afresh. "It seemed to me meaningless." He paused again, but felt that this, at any rate, was true, and that on these lines he could go on. "All this money-making and working ten hours a day in an office, what s it FOR? When one s a boy, you see, one s head is so full of dreams that it doesn t seem to matter what one does. And if you re ambitious, you re all right; you ve got a reason for going on. Now my reasons ceased to satisfy me. Perhaps I never had any. That s very likely now I come to think of it. (What reason is there for anything, though?) Still, it s impossible, after a certain age, to take oneself in satisfactorily. And I know what carried me on" for a good reason now occurred to him "I wanted to be the savior of my family and all that kind of thing. I wanted them to get on in the world. That was a lie, of course a kind of self-glorification, too. Like most people, I suppose, I ve lived almost | Night And Day |
"Drink up, Harris." | Jake Barnes | you can't know. That's all."<|quote|>"Drink up, Harris."</|quote|>We walked back down the | I said. "Barnes. Really, Barnes, you can't know. That's all."<|quote|>"Drink up, Harris."</|quote|>We walked back down the road from Roncesvalles with Harris | one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all."<|quote|>"Drink up, Harris."</|quote|>We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus | me pleasure," Bill said. The innkeeper brought in the fourth bottle. We had kept the same glasses. Harris lifted his glass. "I say. You know this does utilize well." Bill slapped him on the back. "Good old Harris." "I say. You know my name isn't really Harris. It's Wilson-Harris. All one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all."<|quote|>"Drink up, Harris."</|quote|>We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus he handed us each an envelope. I opened mine and there were a dozen flies in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. | it's meant to me to have you chaps up here." "We've had a grand time, Harris." Harris was a little tight. "I say. Really you don't know how much it means. I've not had much fun since the war." "We'll fish together again, some time. Don't you forget it, Harris." "We must. We _have_ had such a jolly good time." "How about another bottle around?" "Jolly good idea," said Harris. "This is mine," said Bill. "Or we don't drink it." "I wish you'd let me pay for it. It _does_ give me pleasure, you know." "This is going to give me pleasure," Bill said. The innkeeper brought in the fourth bottle. We had kept the same glasses. Harris lifted his glass. "I say. You know this does utilize well." Bill slapped him on the back. "Good old Harris." "I say. You know my name isn't really Harris. It's Wilson-Harris. All one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all."<|quote|>"Drink up, Harris."</|quote|>We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus he handed us each an envelope. I opened mine and there were a dozen flies in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. I only thought if you fished them some time it might remind you of what a good time we had." The bus started. Harris stood in front of the post-office. He waved. As we started along the road he turned and walked back toward the inn. "Say, wasn't that Harris nice?" Bill said. "I think he really did have a good time." "Harris? You bet he did." "I wish he'd come into Pamplona." "He wanted to fish." "Yes. You couldn't tell how English would mix with each other, anyway." "I suppose not." We got into Pamplona late in the afternoon | to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my eyes deceive me?" "It has the look of a pub," Bill said. "It looks to me like a pub," I said. "I say," said Harris, "let's utilize it." He had taken up utilizing from Bill. We had a bottle of wine apiece. Harris would not let us pay. He talked Spanish quite well, and the innkeeper would not take our money. "I say. You don't know what it's meant to me to have you chaps up here." "We've had a grand time, Harris." Harris was a little tight. "I say. Really you don't know how much it means. I've not had much fun since the war." "We'll fish together again, some time. Don't you forget it, Harris." "We must. We _have_ had such a jolly good time." "How about another bottle around?" "Jolly good idea," said Harris. "This is mine," said Bill. "Or we don't drink it." "I wish you'd let me pay for it. It _does_ give me pleasure, you know." "This is going to give me pleasure," Bill said. The innkeeper brought in the fourth bottle. We had kept the same glasses. Harris lifted his glass. "I say. You know this does utilize well." Bill slapped him on the back. "Good old Harris." "I say. You know my name isn't really Harris. It's Wilson-Harris. All one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all."<|quote|>"Drink up, Harris."</|quote|>We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus he handed us each an envelope. I opened mine and there were a dozen flies in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. I only thought if you fished them some time it might remind you of what a good time we had." The bus started. Harris stood in front of the post-office. He waved. As we started along the road he turned and walked back toward the inn. "Say, wasn't that Harris nice?" Bill said. "I think he really did have a good time." "Harris? You bet he did." "I wish he'd come into Pamplona." "He wanted to fish." "Yes. You couldn't tell how English would mix with each other, anyway." "I suppose not." We got into Pamplona late in the afternoon and the bus stopped in front of the Hotel Montoya. Out in the plaza they were stringing electric-light wires to light the plaza for the fiesta. A few kids came up when the bus stopped, and a customs officer for the town made all the people getting down from the bus open their bundles on the sidewalk. We went into the hotel and on the stairs I met Montoya. He shook hands with us, smiling in his embarrassed way. "Your friends are here," he said. "Mr. Campbell?" "Yes. Mr. Cohn and Mr. Campbell and Lady Ashley." He smiled as though there were something I would hear about. "When did they get in?" "Yesterday. I've saved you the rooms you had." "That's fine. Did you give Mr. Campbell the room on the plaza?" "Yes. All the rooms we looked at." "Where are our friends now?" "I think they went to the pelota." "And how about the bulls?" Montoya smiled. "To-night," he said. "To-night at seven o'clock they bring in the Villar bulls, and to-morrow come the Miuras. Do you all go down?" "Oh, yes. They've never seen a desencajonada." Montoya put his hand on my shoulder. "I'll see you there." He | and is practically so now. I know her so well and try to look after her but it's not so easy. Love to all the chaps, MICHAEL. "What day of the week is it?" I asked Harris. "Wednesday, I think. Yes, quite. Wednesday. Wonderful how one loses track of the days up here in the mountains." "Yes. We've been here nearly a week." "I hope you're not thinking of leaving?" "Yes. We'll go in on the afternoon bus, I'm afraid." "What a rotten business. I had hoped we'd all have another go at the Irati together." "We have to go _into_ Pamplona. We're meeting people there." "What rotten luck for me. We've had a jolly time here at Burguete." "Come on in to Pamplona. We can play some bridge there, and there's going to be a damned fine fiesta." "I'd like to. Awfully nice of you to ask me. I'd best stop on here, though. I've not much more time to fish." "You want those big ones in the Irati." "I say, I do, you know. They're enormous trout there." "I'd like to try them once more." "Do. Stop over another day. Be a good chap." "We really have to get into town," I said. "What a pity." After breakfast Bill and I were sitting warming in the sun on a bench out in front of the inn and talking it over. I saw a girl coming up the road from the centre of the town. She stopped in front of us and took a telegram out of the leather wallet that hung against her skirt. "Por ustedes?" I looked at it. The address was: "Barnes, Burguete." "Yes. It's for us." She brought out a book for me to sign, and I gave her a couple of coppers. The telegram was in Spanish: "Vengo Jueves Cohn." I handed it to Bill. "What does the word Cohn mean?" he asked. "What a lousy telegram!" I said. "He could send ten words for the same price." 'I come Thursday.' "That gives you a lot of dope, doesn't it?" "It gives you all the dope that's of interest to Cohn." "We're going in, anyway," I said. "There's no use trying to move Brett and Mike out here and back before the fiesta. Should we answer it?" "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my eyes deceive me?" "It has the look of a pub," Bill said. "It looks to me like a pub," I said. "I say," said Harris, "let's utilize it." He had taken up utilizing from Bill. We had a bottle of wine apiece. Harris would not let us pay. He talked Spanish quite well, and the innkeeper would not take our money. "I say. You don't know what it's meant to me to have you chaps up here." "We've had a grand time, Harris." Harris was a little tight. "I say. Really you don't know how much it means. I've not had much fun since the war." "We'll fish together again, some time. Don't you forget it, Harris." "We must. We _have_ had such a jolly good time." "How about another bottle around?" "Jolly good idea," said Harris. "This is mine," said Bill. "Or we don't drink it." "I wish you'd let me pay for it. It _does_ give me pleasure, you know." "This is going to give me pleasure," Bill said. The innkeeper brought in the fourth bottle. We had kept the same glasses. Harris lifted his glass. "I say. You know this does utilize well." Bill slapped him on the back. "Good old Harris." "I say. You know my name isn't really Harris. It's Wilson-Harris. All one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all."<|quote|>"Drink up, Harris."</|quote|>We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus he handed us each an envelope. I opened mine and there were a dozen flies in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. I only thought if you fished them some time it might remind you of what a good time we had." The bus started. Harris stood in front of the post-office. He waved. As we started along the road he turned and walked back toward the inn. "Say, wasn't that Harris nice?" Bill said. "I think he really did have a good time." "Harris? You bet he did." "I wish he'd come into Pamplona." "He wanted to fish." "Yes. You couldn't tell how English would mix with each other, anyway." "I suppose not." We got into Pamplona late in the afternoon and the bus stopped in front of the Hotel Montoya. Out in the plaza they were stringing electric-light wires to light the plaza for the fiesta. A few kids came up when the bus stopped, and a customs officer for the town made all the people getting down from the bus open their bundles on the sidewalk. We went into the hotel and on the stairs I met Montoya. He shook hands with us, smiling in his embarrassed way. "Your friends are here," he said. "Mr. Campbell?" "Yes. Mr. Cohn and Mr. Campbell and Lady Ashley." He smiled as though there were something I would hear about. "When did they get in?" "Yesterday. I've saved you the rooms you had." "That's fine. Did you give Mr. Campbell the room on the plaza?" "Yes. All the rooms we looked at." "Where are our friends now?" "I think they went to the pelota." "And how about the bulls?" Montoya smiled. "To-night," he said. "To-night at seven o'clock they bring in the Villar bulls, and to-morrow come the Miuras. Do you all go down?" "Oh, yes. They've never seen a desencajonada." Montoya put his hand on my shoulder. "I'll see you there." He smiled again. He always smiled as though bull-fighting were a very special secret between the two of us; a rather shocking but really very deep secret that we knew about. He always smiled as though there were something lewd about the secret to outsiders, but that it was something that we understood. It would not do to expose it to people who would not understand. "Your friend, is he aficionado, too?" Montoya smiled at Bill. "Yes. He came all the way from New York to see the San Fermines." "Yes?" Montoya politely disbelieved. "But he's not aficionado like you." He put his hand on my shoulder again embarrassedly. "Yes," I said. "He's a real aficionado." "But he's not aficionado like you are." Aficion means passion. An aficionado is one who is passionate about the bull-fights. All the good bull-fighters stayed at Montoya's hotel; that is, those with aficion stayed there. The commercial bull-fighters stayed once, perhaps, and then did not come back. The good ones came each year. In Montoya's room were their photographs. The photographs were dedicated to Juanito Montoya or to his sister. The photographs of bull-fighters Montoya had really believed in were framed. Photographs of bull-fighters who had been without aficion Montoya kept in a drawer of his desk. They often had the most flattering inscriptions. But they did not mean anything. One day Montoya took them all out and dropped them in the waste-basket. He did not want them around. We often talked about bulls and bull-fighters. I had stopped at the Montoya for several years. We never talked for very long at a time. It was simply the pleasure of discovering what we each felt. Men would come in from distant towns and before they left Pamplona stop and talk for a few minutes with Montoya about bulls. These men were aficionados. Those who were aficionados could always get rooms even when the hotel was full. Montoya introduced me to some of them. They were always very polite at first, and it amused them very much that I should be an American. Somehow it was taken for granted that an American could not have aficion. He might simulate it or confuse it with excitement, but he could not really have it. When they saw that I had aficion, and there was no password, no set questions that could bring it out, rather it was a | "We might as well," said Bill. "There's no need for us to be snooty." We walked up to the post-office and asked for a telegraph blank. "What will we say?" Bill asked. "'Arriving to-night.' That's enough." We paid for the message and walked back to the inn. Harris was there and the three of us walked up to Roncesvalles. We went through the monastery. "It's a remarkable place," Harris said, when we came out. "But you know I'm not much on those sort of places." "Me either," Bill said. "It's a remarkable place, though," Harris said. "I wouldn't not have seen it. I'd been intending coming up each day." "It isn't the same as fishing, though, is it?" Bill asked. He liked Harris. "I say not." We were standing in front of the old chapel of the monastery. "Isn't that a pub across the way?" Harris asked. "Or do my eyes deceive me?" "It has the look of a pub," Bill said. "It looks to me like a pub," I said. "I say," said Harris, "let's utilize it." He had taken up utilizing from Bill. We had a bottle of wine apiece. Harris would not let us pay. He talked Spanish quite well, and the innkeeper would not take our money. "I say. You don't know what it's meant to me to have you chaps up here." "We've had a grand time, Harris." Harris was a little tight. "I say. Really you don't know how much it means. I've not had much fun since the war." "We'll fish together again, some time. Don't you forget it, Harris." "We must. We _have_ had such a jolly good time." "How about another bottle around?" "Jolly good idea," said Harris. "This is mine," said Bill. "Or we don't drink it." "I wish you'd let me pay for it. It _does_ give me pleasure, you know." "This is going to give me pleasure," Bill said. The innkeeper brought in the fourth bottle. We had kept the same glasses. Harris lifted his glass. "I say. You know this does utilize well." Bill slapped him on the back. "Good old Harris." "I say. You know my name isn't really Harris. It's Wilson-Harris. All one name. With a hyphen, you know." "Good old Wilson-Harris," Bill said. "We call you Harris because we're so fond of you." "I say, Barnes. You don't know what this all means to me." "Come on and utilize another glass," I said. "Barnes. Really, Barnes, you can't know. That's all."<|quote|>"Drink up, Harris."</|quote|>We walked back down the road from Roncesvalles with Harris between us. We had lunch at the inn and Harris went with us to the bus. He gave us his card, with his address in London and his club and his business address, and as we got on the bus he handed us each an envelope. I opened mine and there were a dozen flies in it. Harris had tied them himself. He tied all his own flies. "I say, Harris--" I began. "No, no!" he said. He was climbing down from the bus. "They're not first-rate flies at all. I only thought if you fished them some time it might remind you of what a good time we had." The bus started. Harris stood in front of the post-office. He waved. As we started along the road he turned and walked back toward the inn. "Say, wasn't that Harris nice?" Bill said. "I think he really did have a good time." "Harris? You bet he did." "I wish he'd come into Pamplona." "He wanted to fish." "Yes. You couldn't tell how English would mix with each other, anyway." "I suppose not." We got into Pamplona late in the afternoon | The Sun Also Rises |
said Holmes. | No speaker | not tell them too much,"<|quote|>said Holmes.</|quote|>"Women are never to be | hear what happened." "I would not tell them too much,"<|quote|>said Holmes.</|quote|>"Women are never to be entirely trusted, not the best | run over to Camberwell and call upon Mrs. Cecil Forrester. She asked me to, yesterday." "On Mrs. Cecil Forrester?" asked Holmes, with the twinkle of a smile in his eyes. "Well, of course Miss Morstan too. They were anxious to hear what happened." "I would not tell them too much,"<|quote|>said Holmes.</|quote|>"Women are never to be entirely trusted, not the best of them." I did not pause to argue over this atrocious sentiment. "I shall be back in an hour or two," I remarked. "All right! Good luck! But, I say, if you are crossing the river you may as well | perfectly fresh now, and quite ready for another night s outing." "No, we can do nothing. We can only wait. If we go ourselves, the message might come in our absence, and delay be caused. You can do what you will, but I must remain on guard." "Then I shall run over to Camberwell and call upon Mrs. Cecil Forrester. She asked me to, yesterday." "On Mrs. Cecil Forrester?" asked Holmes, with the twinkle of a smile in his eyes. "Well, of course Miss Morstan too. They were anxious to hear what happened." "I would not tell them too much,"<|quote|>said Holmes.</|quote|>"Women are never to be entirely trusted, not the best of them." I did not pause to argue over this atrocious sentiment. "I shall be back in an hour or two," I remarked. "All right! Good luck! But, I say, if you are crossing the river you may as well return Toby, for I don t think it is at all likely that we shall have any use for him now." I took our mongrel accordingly, and left him, together with a half-sovereign, at the old naturalist s in Pinchin Lane. At Camberwell I found Miss Morstan a little weary | was deep in a book. He looked across at me, as I stirred, and I noticed that his face was dark and troubled. "You have slept soundly," he said. "I feared that our talk would wake you." "I heard nothing," I answered. "Have you had fresh news, then?" "Unfortunately, no. I confess that I am surprised and disappointed. I expected something definite by this time. Wiggins has just been up to report. He says that no trace can be found of the launch. It is a provoking check, for every hour is of importance." "Can I do anything? I am perfectly fresh now, and quite ready for another night s outing." "No, we can do nothing. We can only wait. If we go ourselves, the message might come in our absence, and delay be caused. You can do what you will, but I must remain on guard." "Then I shall run over to Camberwell and call upon Mrs. Cecil Forrester. She asked me to, yesterday." "On Mrs. Cecil Forrester?" asked Holmes, with the twinkle of a smile in his eyes. "Well, of course Miss Morstan too. They were anxious to hear what happened." "I would not tell them too much,"<|quote|>said Holmes.</|quote|>"Women are never to be entirely trusted, not the best of them." I did not pause to argue over this atrocious sentiment. "I shall be back in an hour or two," I remarked. "All right! Good luck! But, I say, if you are crossing the river you may as well return Toby, for I don t think it is at all likely that we shall have any use for him now." I took our mongrel accordingly, and left him, together with a half-sovereign, at the old naturalist s in Pinchin Lane. At Camberwell I found Miss Morstan a little weary after her night s adventures, but very eager to hear the news. Mrs. Forrester, too, was full of curiosity. I told them all that we had done, suppressing, however, the more dreadful parts of the tragedy. Thus, although I spoke of Mr. Sholto s death, I said nothing of the exact manner and method of it. With all my omissions, however, there was enough to startle and amaze them. "It is a romance!" cried Mrs. Forrester. "An injured lady, half a million in treasure, a black cannibal, and a wooden-legged ruffian. They take the place of the conventional dragon or | "But how came he to have so singular a companion?" "Ah, that is more than I can tell. Since, however, we had already determined that Small had come from the Andamans, it is not so very wonderful that this islander should be with him. No doubt we shall know all about it in time. Look here, Watson; you look regularly done. Lie down there on the sofa, and see if I can put you to sleep." He took up his violin from the corner, and as I stretched myself out he began to play some low, dreamy, melodious air, his own, no doubt, for he had a remarkable gift for improvisation. I have a vague remembrance of his gaunt limbs, his earnest face, and the rise and fall of his bow. Then I seemed to be floated peacefully away upon a soft sea of sound, until I found myself in dreamland, with the sweet face of Mary Morstan looking down upon me. Chapter IX A Break in the Chain It was late in the afternoon before I woke, strengthened and refreshed. Sherlock Holmes still sat exactly as I had left him, save that he had laid aside his violin and was deep in a book. He looked across at me, as I stirred, and I noticed that his face was dark and troubled. "You have slept soundly," he said. "I feared that our talk would wake you." "I heard nothing," I answered. "Have you had fresh news, then?" "Unfortunately, no. I confess that I am surprised and disappointed. I expected something definite by this time. Wiggins has just been up to report. He says that no trace can be found of the launch. It is a provoking check, for every hour is of importance." "Can I do anything? I am perfectly fresh now, and quite ready for another night s outing." "No, we can do nothing. We can only wait. If we go ourselves, the message might come in our absence, and delay be caused. You can do what you will, but I must remain on guard." "Then I shall run over to Camberwell and call upon Mrs. Cecil Forrester. She asked me to, yesterday." "On Mrs. Cecil Forrester?" asked Holmes, with the twinkle of a smile in his eyes. "Well, of course Miss Morstan too. They were anxious to hear what happened." "I would not tell them too much,"<|quote|>said Holmes.</|quote|>"Women are never to be entirely trusted, not the best of them." I did not pause to argue over this atrocious sentiment. "I shall be back in an hour or two," I remarked. "All right! Good luck! But, I say, if you are crossing the river you may as well return Toby, for I don t think it is at all likely that we shall have any use for him now." I took our mongrel accordingly, and left him, together with a half-sovereign, at the old naturalist s in Pinchin Lane. At Camberwell I found Miss Morstan a little weary after her night s adventures, but very eager to hear the news. Mrs. Forrester, too, was full of curiosity. I told them all that we had done, suppressing, however, the more dreadful parts of the tragedy. Thus, although I spoke of Mr. Sholto s death, I said nothing of the exact manner and method of it. With all my omissions, however, there was enough to startle and amaze them. "It is a romance!" cried Mrs. Forrester. "An injured lady, half a million in treasure, a black cannibal, and a wooden-legged ruffian. They take the place of the conventional dragon or wicked earl." "And two knight-errants to the rescue," added Miss Morstan, with a bright glance at me. "Why, Mary, your fortune depends upon the issue of this search. I don t think that you are nearly excited enough. Just imagine what it must be to be so rich, and to have the world at your feet!" It sent a little thrill of joy to my heart to notice that she showed no sign of elation at the prospect. On the contrary, she gave a toss of her proud head, as though the matter were one in which she took small interest. "It is for Mr. Thaddeus Sholto that I am anxious," she said. "Nothing else is of any consequence; but I think that he has behaved most kindly and honourably throughout. It is our duty to clear him of this dreadful and unfounded charge." It was evening before I left Camberwell, and quite dark by the time I reached home. My companion s book and pipe lay by his chair, but he had disappeared. I looked about in the hope of seeing a note, but there was none. "I suppose that Mr. Sherlock Holmes has gone out," I said to | were the associates of Jonathan Small." "Hardly that," said he. "When first I saw signs of strange weapons I was inclined to think so; but the remarkable character of the footmarks caused me to reconsider my views. Some of the inhabitants of the Indian Peninsula are small men, but none could have left such marks as that. The Hindoo proper has long and thin feet. The sandal-wearing Mohammedan has the great toe well separated from the others, because the thong is commonly passed between. These little darts, too, could only be shot in one way. They are from a blow-pipe. Now, then, where are we to find our savage?" "South American," I hazarded. He stretched his hand up, and took down a bulky volume from the shelf. "This is the first volume of a gazetteer which is now being published. It may be looked upon as the very latest authority. What have we here?" Andaman Islands, situated 340 miles to the north of Sumatra, in the Bay of Bengal. "Hum! hum! What s all this? Moist climate, coral reefs, sharks, Port Blair, convict-barracks, Rutland Island, cottonwoods Ah, here we are." The aborigines of the Andaman Islands may perhaps claim the distinction of being the smallest race upon this earth, though some anthropologists prefer the Bushmen of Africa, the Digger Indians of America, and the Terra del Fuegians. The average height is rather below four feet, although many full-grown adults may be found who are very much smaller than this. They are a fierce, morose, and intractable people, though capable of forming most devoted friendships when their confidence has once been gained. "Mark that, Watson. Now, then, listen to this." They are naturally hideous, having large, misshapen heads, small, fierce eyes, and distorted features. Their feet and hands, however, are remarkably small. So intractable and fierce are they that all the efforts of the British official have failed to win them over in any degree. They have always been a terror to shipwrecked crews, braining the survivors with their stone-headed clubs, or shooting them with their poisoned arrows. These massacres are invariably concluded by a cannibal feast. "Nice, amiable people, Watson! If this fellow had been left to his own unaided devices this affair might have taken an even more ghastly turn. I fancy that, even as it is, Jonathan Small would give a good deal not to have employed him." "But how came he to have so singular a companion?" "Ah, that is more than I can tell. Since, however, we had already determined that Small had come from the Andamans, it is not so very wonderful that this islander should be with him. No doubt we shall know all about it in time. Look here, Watson; you look regularly done. Lie down there on the sofa, and see if I can put you to sleep." He took up his violin from the corner, and as I stretched myself out he began to play some low, dreamy, melodious air, his own, no doubt, for he had a remarkable gift for improvisation. I have a vague remembrance of his gaunt limbs, his earnest face, and the rise and fall of his bow. Then I seemed to be floated peacefully away upon a soft sea of sound, until I found myself in dreamland, with the sweet face of Mary Morstan looking down upon me. Chapter IX A Break in the Chain It was late in the afternoon before I woke, strengthened and refreshed. Sherlock Holmes still sat exactly as I had left him, save that he had laid aside his violin and was deep in a book. He looked across at me, as I stirred, and I noticed that his face was dark and troubled. "You have slept soundly," he said. "I feared that our talk would wake you." "I heard nothing," I answered. "Have you had fresh news, then?" "Unfortunately, no. I confess that I am surprised and disappointed. I expected something definite by this time. Wiggins has just been up to report. He says that no trace can be found of the launch. It is a provoking check, for every hour is of importance." "Can I do anything? I am perfectly fresh now, and quite ready for another night s outing." "No, we can do nothing. We can only wait. If we go ourselves, the message might come in our absence, and delay be caused. You can do what you will, but I must remain on guard." "Then I shall run over to Camberwell and call upon Mrs. Cecil Forrester. She asked me to, yesterday." "On Mrs. Cecil Forrester?" asked Holmes, with the twinkle of a smile in his eyes. "Well, of course Miss Morstan too. They were anxious to hear what happened." "I would not tell them too much,"<|quote|>said Holmes.</|quote|>"Women are never to be entirely trusted, not the best of them." I did not pause to argue over this atrocious sentiment. "I shall be back in an hour or two," I remarked. "All right! Good luck! But, I say, if you are crossing the river you may as well return Toby, for I don t think it is at all likely that we shall have any use for him now." I took our mongrel accordingly, and left him, together with a half-sovereign, at the old naturalist s in Pinchin Lane. At Camberwell I found Miss Morstan a little weary after her night s adventures, but very eager to hear the news. Mrs. Forrester, too, was full of curiosity. I told them all that we had done, suppressing, however, the more dreadful parts of the tragedy. Thus, although I spoke of Mr. Sholto s death, I said nothing of the exact manner and method of it. With all my omissions, however, there was enough to startle and amaze them. "It is a romance!" cried Mrs. Forrester. "An injured lady, half a million in treasure, a black cannibal, and a wooden-legged ruffian. They take the place of the conventional dragon or wicked earl." "And two knight-errants to the rescue," added Miss Morstan, with a bright glance at me. "Why, Mary, your fortune depends upon the issue of this search. I don t think that you are nearly excited enough. Just imagine what it must be to be so rich, and to have the world at your feet!" It sent a little thrill of joy to my heart to notice that she showed no sign of elation at the prospect. On the contrary, she gave a toss of her proud head, as though the matter were one in which she took small interest. "It is for Mr. Thaddeus Sholto that I am anxious," she said. "Nothing else is of any consequence; but I think that he has behaved most kindly and honourably throughout. It is our duty to clear him of this dreadful and unfounded charge." It was evening before I left Camberwell, and quite dark by the time I reached home. My companion s book and pipe lay by his chair, but he had disappeared. I looked about in the hope of seeing a note, but there was none. "I suppose that Mr. Sherlock Holmes has gone out," I said to Mrs. Hudson as she came up to lower the blinds. "No, sir. He has gone to his room, sir. Do you know, sir," sinking her voice into an impressive whisper, "I am afraid for his health?" "Why so, Mrs. Hudson?" "Well, he s that strange, sir. After you was gone he walked and he walked, up and down, and up and down, until I was weary of the sound of his footstep. Then I heard him talking to himself and muttering, and every time the bell rang out he came on the stairhead, with" What is that, Mrs. Hudson? "And now he has slammed off to his room, but I can hear him walking away the same as ever. I hope he s not going to be ill, sir. I ventured to say something to him about cooling medicine, but he turned on me, sir, with such a look that I don t know how ever I got out of the room." "I don t think that you have any cause to be uneasy, Mrs. Hudson," I answered. "I have seen him like this before. He has some small matter upon his mind which makes him restless." I tried to speak lightly to our worthy landlady, but I was myself somewhat uneasy when through the long night I still from time to time heard the dull sound of his tread, and knew how his keen spirit was chafing against this involuntary inaction. At breakfast-time he looked worn and haggard, with a little fleck of feverish colour upon either cheek. "You are knocking yourself up, old man," I remarked. "I heard you marching about in the night." "No, I could not sleep," he answered. "This infernal problem is consuming me. It is too much to be balked by so petty an obstacle, when all else had been overcome. I know the men, the launch, everything; and yet I can get no news. I have set other agencies at work, and used every means at my disposal. The whole river has been searched on either side, but there is no news, nor has Mrs. Smith heard of her husband. I shall come to the conclusion soon that they have scuttled the craft. But there are objections to that." "Or that Mrs. Smith has put us on a wrong scent." "No, I think that may be dismissed. I had inquiries made, and there | there on the sofa, and see if I can put you to sleep." He took up his violin from the corner, and as I stretched myself out he began to play some low, dreamy, melodious air, his own, no doubt, for he had a remarkable gift for improvisation. I have a vague remembrance of his gaunt limbs, his earnest face, and the rise and fall of his bow. Then I seemed to be floated peacefully away upon a soft sea of sound, until I found myself in dreamland, with the sweet face of Mary Morstan looking down upon me. Chapter IX A Break in the Chain It was late in the afternoon before I woke, strengthened and refreshed. Sherlock Holmes still sat exactly as I had left him, save that he had laid aside his violin and was deep in a book. He looked across at me, as I stirred, and I noticed that his face was dark and troubled. "You have slept soundly," he said. "I feared that our talk would wake you." "I heard nothing," I answered. "Have you had fresh news, then?" "Unfortunately, no. I confess that I am surprised and disappointed. I expected something definite by this time. Wiggins has just been up to report. He says that no trace can be found of the launch. It is a provoking check, for every hour is of importance." "Can I do anything? I am perfectly fresh now, and quite ready for another night s outing." "No, we can do nothing. We can only wait. If we go ourselves, the message might come in our absence, and delay be caused. You can do what you will, but I must remain on guard." "Then I shall run over to Camberwell and call upon Mrs. Cecil Forrester. She asked me to, yesterday." "On Mrs. Cecil Forrester?" asked Holmes, with the twinkle of a smile in his eyes. "Well, of course Miss Morstan too. They were anxious to hear what happened." "I would not tell them too much,"<|quote|>said Holmes.</|quote|>"Women are never to be entirely trusted, not the best of them." I did not pause to argue over this atrocious sentiment. "I shall be back in an hour or two," I remarked. "All right! Good luck! But, I say, if you are crossing the river you may as well return Toby, for I don t think it is at all likely that we shall have any use for him now." I took our mongrel accordingly, and left him, together with a half-sovereign, at the old naturalist s in Pinchin Lane. At Camberwell I found Miss Morstan a little weary after her night s adventures, but very eager to hear the news. Mrs. Forrester, too, was full of curiosity. I told them all that we had done, suppressing, however, the more dreadful parts of the tragedy. Thus, although I spoke of Mr. Sholto s death, I said nothing of the exact manner and method of it. With all my omissions, however, there was enough to startle and amaze them. "It is a romance!" cried Mrs. Forrester. "An injured lady, half a million in treasure, a black cannibal, and a wooden-legged ruffian. They take the place of the conventional dragon or wicked earl." "And two knight-errants to the rescue," added Miss Morstan, with a bright glance at me. "Why, Mary, your fortune depends upon the issue of this search. I don t think that you are nearly excited enough. Just imagine what it must be to be so rich, and to have the world at your feet!" It sent a little thrill of joy to my heart to notice that she showed no sign of elation at the prospect. On the contrary, she gave a toss of her proud head, as though the matter were one in which she took small interest. "It is for Mr. Thaddeus Sholto that I am anxious," she said. "Nothing else is of any consequence; but I think that he has behaved most kindly and honourably throughout. It is our duty to clear him of this dreadful and unfounded charge." It was evening before I left Camberwell, and quite dark by the time I reached home. My companion s book and pipe lay by his chair, but he had disappeared. I looked about in the hope of seeing a note, but there was none. "I suppose that Mr. Sherlock Holmes has gone out," I said to Mrs. Hudson as she came up to lower the blinds. "No, sir. He has gone to his room, sir. Do you know, sir," sinking her voice into an impressive whisper, "I am afraid for his health?" "Why so, Mrs. Hudson?" "Well, he s that strange, sir. After you was gone he walked and he walked, up and down, and up and down, until I was weary of the sound of his footstep. Then I heard him talking to himself and muttering, and every time the | The Sign Of The Four |
"Could it have gone up the river?" | Dr. Watson | a launch of that description."<|quote|>"Could it have gone up the river?"</|quote|>"I have considered that possibility | inquiries made, and there is a launch of that description."<|quote|>"Could it have gone up the river?"</|quote|>"I have considered that possibility too, and there is a | husband. I shall come to the conclusion soon that they have scuttled the craft. But there are objections to that." "Or that Mrs. Smith has put us on a wrong scent." "No, I think that may be dismissed. I had inquiries made, and there is a launch of that description."<|quote|>"Could it have gone up the river?"</|quote|>"I have considered that possibility too, and there is a search-party who will work up as far as Richmond. If no news comes to-day, I shall start off myself to-morrow, and go for the men rather than the boat. But surely, surely, we shall hear something." We did not, however. | overcome. I know the men, the launch, everything; and yet I can get no news. I have set other agencies at work, and used every means at my disposal. The whole river has been searched on either side, but there is no news, nor has Mrs. Smith heard of her husband. I shall come to the conclusion soon that they have scuttled the craft. But there are objections to that." "Or that Mrs. Smith has put us on a wrong scent." "No, I think that may be dismissed. I had inquiries made, and there is a launch of that description."<|quote|>"Could it have gone up the river?"</|quote|>"I have considered that possibility too, and there is a search-party who will work up as far as Richmond. If no news comes to-day, I shall start off myself to-morrow, and go for the men rather than the boat. But surely, surely, we shall hear something." We did not, however. Not a word came to us either from Wiggins or from the other agencies. There were articles in most of the papers upon the Norwood tragedy. They all appeared to be rather hostile to the unfortunate Thaddeus Sholto. No fresh details were to be found, however, in any of them, | but I was myself somewhat uneasy when through the long night I still from time to time heard the dull sound of his tread, and knew how his keen spirit was chafing against this involuntary inaction. At breakfast-time he looked worn and haggard, with a little fleck of feverish colour upon either cheek. "You are knocking yourself up, old man," I remarked. "I heard you marching about in the night." "No, I could not sleep," he answered. "This infernal problem is consuming me. It is too much to be balked by so petty an obstacle, when all else had been overcome. I know the men, the launch, everything; and yet I can get no news. I have set other agencies at work, and used every means at my disposal. The whole river has been searched on either side, but there is no news, nor has Mrs. Smith heard of her husband. I shall come to the conclusion soon that they have scuttled the craft. But there are objections to that." "Or that Mrs. Smith has put us on a wrong scent." "No, I think that may be dismissed. I had inquiries made, and there is a launch of that description."<|quote|>"Could it have gone up the river?"</|quote|>"I have considered that possibility too, and there is a search-party who will work up as far as Richmond. If no news comes to-day, I shall start off myself to-morrow, and go for the men rather than the boat. But surely, surely, we shall hear something." We did not, however. Not a word came to us either from Wiggins or from the other agencies. There were articles in most of the papers upon the Norwood tragedy. They all appeared to be rather hostile to the unfortunate Thaddeus Sholto. No fresh details were to be found, however, in any of them, save that an inquest was to be held upon the following day. I walked over to Camberwell in the evening to report our ill success to the ladies, and on my return I found Holmes dejected and somewhat morose. He would hardly reply to my questions, and busied himself all evening in an abstruse chemical analysis which involved much heating of retorts and distilling of vapours, ending at last in a smell which fairly drove me out of the apartment. Up to the small hours of the morning I could hear the clinking of his test-tubes which told me that | to lower the blinds. "No, sir. He has gone to his room, sir. Do you know, sir," sinking her voice into an impressive whisper, "I am afraid for his health?" "Why so, Mrs. Hudson?" "Well, he s that strange, sir. After you was gone he walked and he walked, up and down, and up and down, until I was weary of the sound of his footstep. Then I heard him talking to himself and muttering, and every time the bell rang out he came on the stairhead, with" What is that, Mrs. Hudson? "And now he has slammed off to his room, but I can hear him walking away the same as ever. I hope he s not going to be ill, sir. I ventured to say something to him about cooling medicine, but he turned on me, sir, with such a look that I don t know how ever I got out of the room." "I don t think that you have any cause to be uneasy, Mrs. Hudson," I answered. "I have seen him like this before. He has some small matter upon his mind which makes him restless." I tried to speak lightly to our worthy landlady, but I was myself somewhat uneasy when through the long night I still from time to time heard the dull sound of his tread, and knew how his keen spirit was chafing against this involuntary inaction. At breakfast-time he looked worn and haggard, with a little fleck of feverish colour upon either cheek. "You are knocking yourself up, old man," I remarked. "I heard you marching about in the night." "No, I could not sleep," he answered. "This infernal problem is consuming me. It is too much to be balked by so petty an obstacle, when all else had been overcome. I know the men, the launch, everything; and yet I can get no news. I have set other agencies at work, and used every means at my disposal. The whole river has been searched on either side, but there is no news, nor has Mrs. Smith heard of her husband. I shall come to the conclusion soon that they have scuttled the craft. But there are objections to that." "Or that Mrs. Smith has put us on a wrong scent." "No, I think that may be dismissed. I had inquiries made, and there is a launch of that description."<|quote|>"Could it have gone up the river?"</|quote|>"I have considered that possibility too, and there is a search-party who will work up as far as Richmond. If no news comes to-day, I shall start off myself to-morrow, and go for the men rather than the boat. But surely, surely, we shall hear something." We did not, however. Not a word came to us either from Wiggins or from the other agencies. There were articles in most of the papers upon the Norwood tragedy. They all appeared to be rather hostile to the unfortunate Thaddeus Sholto. No fresh details were to be found, however, in any of them, save that an inquest was to be held upon the following day. I walked over to Camberwell in the evening to report our ill success to the ladies, and on my return I found Holmes dejected and somewhat morose. He would hardly reply to my questions, and busied himself all evening in an abstruse chemical analysis which involved much heating of retorts and distilling of vapours, ending at last in a smell which fairly drove me out of the apartment. Up to the small hours of the morning I could hear the clinking of his test-tubes which told me that he was still engaged in his malodorous experiment. In the early dawn I woke with a start, and was surprised to find him standing by my bedside, clad in a rude sailor dress with a pea-jacket, and a coarse red scarf round his neck. "I am off down the river, Watson," said he. "I have been turning it over in my mind, and I can see only one way out of it. It is worth trying, at all events." "Surely I can come with you, then?" said I. "No; you can be much more useful if you will remain here as my representative. I am loath to go, for it is quite on the cards that some message may come during the day, though Wiggins was despondent about it last night. I want you to open all notes and telegrams, and to act on your own judgment if any news should come. Can I rely upon you?" "Most certainly." "I am afraid that you will not be able to wire to me, for I can hardly tell yet where I may find myself. If I am in luck, however, I may not be gone so very long. I shall have | trusted, not the best of them." I did not pause to argue over this atrocious sentiment. "I shall be back in an hour or two," I remarked. "All right! Good luck! But, I say, if you are crossing the river you may as well return Toby, for I don t think it is at all likely that we shall have any use for him now." I took our mongrel accordingly, and left him, together with a half-sovereign, at the old naturalist s in Pinchin Lane. At Camberwell I found Miss Morstan a little weary after her night s adventures, but very eager to hear the news. Mrs. Forrester, too, was full of curiosity. I told them all that we had done, suppressing, however, the more dreadful parts of the tragedy. Thus, although I spoke of Mr. Sholto s death, I said nothing of the exact manner and method of it. With all my omissions, however, there was enough to startle and amaze them. "It is a romance!" cried Mrs. Forrester. "An injured lady, half a million in treasure, a black cannibal, and a wooden-legged ruffian. They take the place of the conventional dragon or wicked earl." "And two knight-errants to the rescue," added Miss Morstan, with a bright glance at me. "Why, Mary, your fortune depends upon the issue of this search. I don t think that you are nearly excited enough. Just imagine what it must be to be so rich, and to have the world at your feet!" It sent a little thrill of joy to my heart to notice that she showed no sign of elation at the prospect. On the contrary, she gave a toss of her proud head, as though the matter were one in which she took small interest. "It is for Mr. Thaddeus Sholto that I am anxious," she said. "Nothing else is of any consequence; but I think that he has behaved most kindly and honourably throughout. It is our duty to clear him of this dreadful and unfounded charge." It was evening before I left Camberwell, and quite dark by the time I reached home. My companion s book and pipe lay by his chair, but he had disappeared. I looked about in the hope of seeing a note, but there was none. "I suppose that Mr. Sherlock Holmes has gone out," I said to Mrs. Hudson as she came up to lower the blinds. "No, sir. He has gone to his room, sir. Do you know, sir," sinking her voice into an impressive whisper, "I am afraid for his health?" "Why so, Mrs. Hudson?" "Well, he s that strange, sir. After you was gone he walked and he walked, up and down, and up and down, until I was weary of the sound of his footstep. Then I heard him talking to himself and muttering, and every time the bell rang out he came on the stairhead, with" What is that, Mrs. Hudson? "And now he has slammed off to his room, but I can hear him walking away the same as ever. I hope he s not going to be ill, sir. I ventured to say something to him about cooling medicine, but he turned on me, sir, with such a look that I don t know how ever I got out of the room." "I don t think that you have any cause to be uneasy, Mrs. Hudson," I answered. "I have seen him like this before. He has some small matter upon his mind which makes him restless." I tried to speak lightly to our worthy landlady, but I was myself somewhat uneasy when through the long night I still from time to time heard the dull sound of his tread, and knew how his keen spirit was chafing against this involuntary inaction. At breakfast-time he looked worn and haggard, with a little fleck of feverish colour upon either cheek. "You are knocking yourself up, old man," I remarked. "I heard you marching about in the night." "No, I could not sleep," he answered. "This infernal problem is consuming me. It is too much to be balked by so petty an obstacle, when all else had been overcome. I know the men, the launch, everything; and yet I can get no news. I have set other agencies at work, and used every means at my disposal. The whole river has been searched on either side, but there is no news, nor has Mrs. Smith heard of her husband. I shall come to the conclusion soon that they have scuttled the craft. But there are objections to that." "Or that Mrs. Smith has put us on a wrong scent." "No, I think that may be dismissed. I had inquiries made, and there is a launch of that description."<|quote|>"Could it have gone up the river?"</|quote|>"I have considered that possibility too, and there is a search-party who will work up as far as Richmond. If no news comes to-day, I shall start off myself to-morrow, and go for the men rather than the boat. But surely, surely, we shall hear something." We did not, however. Not a word came to us either from Wiggins or from the other agencies. There were articles in most of the papers upon the Norwood tragedy. They all appeared to be rather hostile to the unfortunate Thaddeus Sholto. No fresh details were to be found, however, in any of them, save that an inquest was to be held upon the following day. I walked over to Camberwell in the evening to report our ill success to the ladies, and on my return I found Holmes dejected and somewhat morose. He would hardly reply to my questions, and busied himself all evening in an abstruse chemical analysis which involved much heating of retorts and distilling of vapours, ending at last in a smell which fairly drove me out of the apartment. Up to the small hours of the morning I could hear the clinking of his test-tubes which told me that he was still engaged in his malodorous experiment. In the early dawn I woke with a start, and was surprised to find him standing by my bedside, clad in a rude sailor dress with a pea-jacket, and a coarse red scarf round his neck. "I am off down the river, Watson," said he. "I have been turning it over in my mind, and I can see only one way out of it. It is worth trying, at all events." "Surely I can come with you, then?" said I. "No; you can be much more useful if you will remain here as my representative. I am loath to go, for it is quite on the cards that some message may come during the day, though Wiggins was despondent about it last night. I want you to open all notes and telegrams, and to act on your own judgment if any news should come. Can I rely upon you?" "Most certainly." "I am afraid that you will not be able to wire to me, for I can hardly tell yet where I may find myself. If I am in luck, however, I may not be gone so very long. I shall have news of some sort or other before I get back." I had heard nothing of him by breakfast-time. On opening the _Standard_, however, I found that there was a fresh allusion to the business. "With reference to the Upper Norwood tragedy," it remarked, "we have reason to believe that the matter promises to be even more complex and mysterious than was originally supposed. Fresh evidence has shown that it is quite impossible that Mr. Thaddeus Sholto could have been in any way concerned in the matter. He and the housekeeper, Mrs. Bernstone, were both released yesterday evening. It is believed, however, that the police have a clue as to the real culprits, and that it is being prosecuted by Mr. Athelney Jones, of Scotland Yard, with all his well-known energy and sagacity. Further arrests may be expected at any moment." "That is satisfactory so far as it goes," thought I. "Friend Sholto is safe, at any rate. I wonder what the fresh clue may be; though it seems to be a stereotyped form whenever the police have made a blunder." I tossed the paper down upon the table, but at that moment my eye caught an advertisement in the agony column. It ran in this way: "Lost. Whereas Mordecai Smith, boatman, and his son, Jim, left Smith s Wharf at or about three o clock last Tuesday morning in the steam launch _Aurora_, black with two red stripes, funnel black with a white band, the sum of five pounds will be paid to any one who can give information to Mrs. Smith, at Smith s Wharf, or at 221_b_ Baker Street, as to the whereabouts of the said Mordecai Smith and the launch _Aurora_." This was clearly Holmes s doing. The Baker Street address was enough to prove that. It struck me as rather ingenious, because it might be read by the fugitives without their seeing in it more than the natural anxiety of a wife for her missing husband. It was a long day. Every time that a knock came to the door, or a sharp step passed in the street, I imagined that it was either Holmes returning or an answer to his advertisement. I tried to read, but my thoughts would wander off to our strange quest and to the ill-assorted and villainous pair whom we were pursuing. Could there be, I wondered, some radical flaw in | hope he s not going to be ill, sir. I ventured to say something to him about cooling medicine, but he turned on me, sir, with such a look that I don t know how ever I got out of the room." "I don t think that you have any cause to be uneasy, Mrs. Hudson," I answered. "I have seen him like this before. He has some small matter upon his mind which makes him restless." I tried to speak lightly to our worthy landlady, but I was myself somewhat uneasy when through the long night I still from time to time heard the dull sound of his tread, and knew how his keen spirit was chafing against this involuntary inaction. At breakfast-time he looked worn and haggard, with a little fleck of feverish colour upon either cheek. "You are knocking yourself up, old man," I remarked. "I heard you marching about in the night." "No, I could not sleep," he answered. "This infernal problem is consuming me. It is too much to be balked by so petty an obstacle, when all else had been overcome. I know the men, the launch, everything; and yet I can get no news. I have set other agencies at work, and used every means at my disposal. The whole river has been searched on either side, but there is no news, nor has Mrs. Smith heard of her husband. I shall come to the conclusion soon that they have scuttled the craft. But there are objections to that." "Or that Mrs. Smith has put us on a wrong scent." "No, I think that may be dismissed. I had inquiries made, and there is a launch of that description."<|quote|>"Could it have gone up the river?"</|quote|>"I have considered that possibility too, and there is a search-party who will work up as far as Richmond. If no news comes to-day, I shall start off myself to-morrow, and go for the men rather than the boat. But surely, surely, we shall hear something." We did not, however. Not a word came to us either from Wiggins or from the other agencies. There were articles in most of the papers upon the Norwood tragedy. They all appeared to be rather hostile to the unfortunate Thaddeus Sholto. No fresh details were to be found, however, in any of them, save that an inquest was to be held upon the following day. I walked over to Camberwell in the evening to report our ill success to the ladies, and on my return I found Holmes dejected and somewhat morose. He would hardly reply to my questions, and busied himself all evening in an abstruse chemical analysis which involved much heating of retorts and distilling of vapours, ending at last in a smell which fairly drove me out of the apartment. Up to the small hours of the morning I could hear the clinking of his test-tubes which told me that he was still engaged in his malodorous experiment. In the early dawn I woke with a start, and was surprised to find him standing by my bedside, clad in a rude sailor dress with a pea-jacket, and a coarse red scarf round his neck. "I am off down the river, Watson," said he. "I have been turning it over in my mind, and I can see only one way out of it. It is worth trying, at all events." "Surely I can come with you, then?" said I. "No; you can be much more useful if you will remain here as my representative. I am loath to go, for it is quite on the cards that some message may come during the day, though Wiggins was despondent about it last night. I want you to open all notes and telegrams, and to act on your own judgment if any news should come. Can I rely upon you?" "Most certainly." "I am afraid that you will not be able to wire to me, for I can hardly tell yet where I may find myself. If I am in luck, however, I may not be gone so very long. I shall have news of some sort or other before I get back." I had heard nothing of him by breakfast-time. On opening the _Standard_, however, I found that there was a fresh allusion to the business. "With reference to the Upper Norwood tragedy," it remarked, "we have reason to believe that the matter promises to be even more complex and mysterious than was originally supposed. Fresh evidence has shown that it is quite impossible that Mr. Thaddeus Sholto could have been in any way concerned in the matter. He and the housekeeper, Mrs. Bernstone, were both released yesterday evening. It is believed, however, that the police have a clue as to the real culprits, and that it is being prosecuted by Mr. Athelney Jones, of Scotland Yard, with all his well-known energy and sagacity. Further arrests may be expected at any moment." "That is satisfactory so far as it goes," thought I. "Friend Sholto is safe, at any rate. I wonder what the fresh clue may be; though it seems to be a | The Sign Of The Four |
He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head. | No speaker | him out of his misery."<|quote|>He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head.</|quote|>"Such a kid----" He repeats | Kat, we ought to put him out of his misery."<|quote|>He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head.</|quote|>"Such a kid----" He repeats it: "Young innocents----" * * | feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery."<|quote|>He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head.</|quote|>"Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. | just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery."<|quote|>He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head.</|quote|>"Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb | look at him closely. He is the fair-headed boy of a little while ago. In the meantime Kat has taken a bandage from a dead man's pocket and we carefully bind the wound. I say to the youngster who looks at us fixedly: "We're going for a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery."<|quote|>He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head.</|quote|>"Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over | The man on the ground is a recruit. His hip is covered with blood; he is so exhausted that I feel for my water-bottle where I have rum and tea. Kat restrains my hand and stoops over him. "Where's it got you, comrade?" His eyes move. He is too weak to answer. We cut off his trousers carefully. He groans. "Gently, gently, it is much better----" If he has been hit in the stomach he oughtn't to drink anything. There's no vomiting, that's a good sign. We lay the hip bare. It is one mass of mincemeat and bone splinters. The joint has been hit. This lad won't walk any more. I wet his temples with a moistened finger and give him a swig. His eyes move again. We see now that the right arm is bleeding as well. Kat spreads out two wads of dressing as wide as possible so that they will cover the wound. I look for something to bind loosely round it. We have nothing more, so I slit up the wounded man's trouser leg still farther in order to use a piece of his underpants as a bandage. But he is wearing none. I now look at him closely. He is the fair-headed boy of a little while ago. In the meantime Kat has taken a bandage from a dead man's pocket and we carefully bind the wound. I say to the youngster who looks at us fixedly: "We're going for a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery."<|quote|>He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head.</|quote|>"Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--," dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry: "Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm | off his gas-mask with the other hand. Kropp seizes him just in time, twists the hand sharply behind his back and holds it fast. Kat and I proceed to free the wounded arm. The coffin lid is loose and bursts open, we are easily able to pull it off, we toss the corpse out, it slides down to the bottom of the shell-hole, then we try to loosen the under-part. Fortunately the man swoons and Kropp is able to help us. We no longer have to be careful, but work away till the coffin gives with a sigh before the spade that we have dug in under it. It has grown lighter. Kat takes a piece of the lid, places it under the shattered arm, and we wrap all our bandages round it. For the moment we can do no more. Inside the gas-mask my head booms and roars--it is nigh bursting. My lungs are tight, they breathe always the same hot, used-up air, the veins on my temples are swollen, I feel I am suffocating. A grey light filters through to us. I climb out over the edge of the shell-hole. In the dirty twilight lies a leg torn clean off; the boot is quite whole, I take that all in at a glance. Now someone stands up a few yards distant. I polish the windows, in my excitement they are immediately dimmed again, I peer through them, the man there no longer wears his mask. I wait some seconds--he has not collapsed--he looks around and makes a few paces--rattling in my throat I tear my mask off too and fall down, the air streams into me like cold water, my eyes are bursting, the wave sweeps over me and extinguishes me. * * The shelling has ceased. I drag myself to the crater and tell the others. They take off their masks. We lift up the wounded man, one taking his splintered arm. And so we stumble off hastily. The graveyard is a mass of wreckage. Coffins and corpses lie strewn about. They have been killed once again; but each of them that was flung up saved one of us. The hedge is destroyed, the rails of the light railway are torn up and rise stiffly in the air in great arches. Someone lies in front of us. We stop; Kropp goes on alone with the wounded man. The man on the ground is a recruit. His hip is covered with blood; he is so exhausted that I feel for my water-bottle where I have rum and tea. Kat restrains my hand and stoops over him. "Where's it got you, comrade?" His eyes move. He is too weak to answer. We cut off his trousers carefully. He groans. "Gently, gently, it is much better----" If he has been hit in the stomach he oughtn't to drink anything. There's no vomiting, that's a good sign. We lay the hip bare. It is one mass of mincemeat and bone splinters. The joint has been hit. This lad won't walk any more. I wet his temples with a moistened finger and give him a swig. His eyes move again. We see now that the right arm is bleeding as well. Kat spreads out two wads of dressing as wide as possible so that they will cover the wound. I look for something to bind loosely round it. We have nothing more, so I slit up the wounded man's trouser leg still farther in order to use a piece of his underpants as a bandage. But he is wearing none. I now look at him closely. He is the fair-headed boy of a little while ago. In the meantime Kat has taken a bandage from a dead man's pocket and we carefully bind the wound. I say to the youngster who looks at us fixedly: "We're going for a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery."<|quote|>He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head.</|quote|>"Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--," dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry: "Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie | light railway are torn up and rise stiffly in the air in great arches. Someone lies in front of us. We stop; Kropp goes on alone with the wounded man. The man on the ground is a recruit. His hip is covered with blood; he is so exhausted that I feel for my water-bottle where I have rum and tea. Kat restrains my hand and stoops over him. "Where's it got you, comrade?" His eyes move. He is too weak to answer. We cut off his trousers carefully. He groans. "Gently, gently, it is much better----" If he has been hit in the stomach he oughtn't to drink anything. There's no vomiting, that's a good sign. We lay the hip bare. It is one mass of mincemeat and bone splinters. The joint has been hit. This lad won't walk any more. I wet his temples with a moistened finger and give him a swig. His eyes move again. We see now that the right arm is bleeding as well. Kat spreads out two wads of dressing as wide as possible so that they will cover the wound. I look for something to bind loosely round it. We have nothing more, so I slit up the wounded man's trouser leg still farther in order to use a piece of his underpants as a bandage. But he is wearing none. I now look at him closely. He is the fair-headed boy of a little while ago. In the meantime Kat has taken a bandage from a dead man's pocket and we carefully bind the wound. I say to the youngster who looks at us fixedly: "We're going for a stretcher now----" Then he opens his mouth and whispers: "Stay here----" "We'll be back again soon," says Kat. "We are only going to get a stretcher for you." We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away----" Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" The youngster will hardly survive the carrying, and at the most he will only last a few days. What he has gone through so far is nothing to what he's in for till he dies. Now he is numb and feels nothing. In an hour he will become one screaming bundle of intolerable pain. Every day that he can live will be a howling torture. And to whom does it matter whether he has them or not---- I nod. "Yes, Kat, we ought to put him out of his misery."<|quote|>He stands still a moment. He has made up his mind. We look round--but we are no longer alone. A little group is gathering, from the shell-holes and trenches appear heads. We get a stretcher. Kat shakes his head.</|quote|>"Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--," dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry: "Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to | All Quiet on the Western Front |
Campbell buried his face in his hands, and a shudder passed through him. | No speaker | for me to dictate terms."<|quote|>Campbell buried his face in his hands, and a shudder passed through him.</|quote|>"Yes, it is my turn | it all. Now it is for me to dictate terms."<|quote|>Campbell buried his face in his hands, and a shudder passed through him.</|quote|>"Yes, it is my turn to dictate terms, Alan. You | now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms."<|quote|>Campbell buried his face in his hands, and a shudder passed through him.</|quote|>"Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. | written already. Here it is. You see the address. If you don t help me, I must send it. If you don t help me, I will send it. You know what the result will be. But you are going to help me. It is impossible for you to refuse now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms."<|quote|>Campbell buried his face in his hands, and a shudder passed through him.</|quote|>"Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he | over to the window. Campbell looked at him in surprise, and then took up the paper, and opened it. As he read it, his face became ghastly pale and he fell back in his chair. A horrible sense of sickness came over him. He felt as if his heart was beating itself to death in some empty hollow. After two or three minutes of terrible silence, Dorian turned round and came and stood behind him, putting his hand upon his shoulder. "I am so sorry for you, Alan," he murmured, "but you leave me no alternative. I have a letter written already. Here it is. You see the address. If you don t help me, I must send it. If you don t help me, I will send it. You know what the result will be. But you are going to help me. It is impossible for you to refuse now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms."<|quote|>Campbell buried his face in his hands, and a shudder passed through him.</|quote|>"Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet | Look at the matter purely from the scientific point of view. You don t inquire where the dead things on which you experiment come from. Don t inquire now. I have told you too much as it is. But I beg of you to do this. We were friends once, Alan." "Don t speak about those days, Dorian they are dead." "The dead linger sometimes. The man upstairs will not go away. He is sitting at the table with bowed head and outstretched arms. Alan! Alan! If you don t come to my assistance, I am ruined. Why, they will hang me, Alan! Don t you understand? They will hang me for what I have done." "There is no good in prolonging this scene. I absolutely refuse to do anything in the matter. It is insane of you to ask me." "You refuse?" "Yes." "I entreat you, Alan." "It is useless." The same look of pity came into Dorian Gray s eyes. Then he stretched out his hand, took a piece of paper, and wrote something on it. He read it over twice, folded it carefully, and pushed it across the table. Having done this, he got up and went over to the window. Campbell looked at him in surprise, and then took up the paper, and opened it. As he read it, his face became ghastly pale and he fell back in his chair. A horrible sense of sickness came over him. He felt as if his heart was beating itself to death in some empty hollow. After two or three minutes of terrible silence, Dorian turned round and came and stood behind him, putting his hand upon his shoulder. "I am so sorry for you, Alan," he murmured, "but you leave me no alternative. I have a letter written already. Here it is. You see the address. If you don t help me, I must send it. If you don t help me, I will send it. You know what the result will be. But you are going to help me. It is impossible for you to refuse now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms."<|quote|>Campbell buried his face in his hands, and a shudder passed through him.</|quote|>"Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you." Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him. "You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated | can t have taught you much about psychology, whatever else he has taught you. Nothing will induce me to stir a step to help you. You have come to the wrong man. Go to some of your friends. Don t come to me." "Alan, it was murder. I killed him. You don t know what he had made me suffer. Whatever my life is, he had more to do with the making or the marring of it than poor Harry has had. He may not have intended it, the result was the same." "Murder! Good God, Dorian, is that what you have come to? I shall not inform upon you. It is not my business. Besides, without my stirring in the matter, you are certain to be arrested. Nobody ever commits a crime without doing something stupid. But I will have nothing to do with it." "You must have something to do with it. Wait, wait a moment; listen to me. Only listen, Alan. All I ask of you is to perform a certain scientific experiment. You go to hospitals and dead-houses, and the horrors that you do there don t affect you. If in some hideous dissecting-room or fetid laboratory you found this man lying on a leaden table with red gutters scooped out in it for the blood to flow through, you would simply look upon him as an admirable subject. You would not turn a hair. You would not believe that you were doing anything wrong. On the contrary, you would probably feel that you were benefiting the human race, or increasing the sum of knowledge in the world, or gratifying intellectual curiosity, or something of that kind. What I want you to do is merely what you have often done before. Indeed, to destroy a body must be far less horrible than what you are accustomed to work at. And, remember, it is the only piece of evidence against me. If it is discovered, I am lost; and it is sure to be discovered unless you help me." "I have no desire to help you. You forget that. I am simply indifferent to the whole thing. It has nothing to do with me." "Alan, I entreat you. Think of the position I am in. Just before you came I almost fainted with terror. You may know terror yourself some day. No! don t think of that. Look at the matter purely from the scientific point of view. You don t inquire where the dead things on which you experiment come from. Don t inquire now. I have told you too much as it is. But I beg of you to do this. We were friends once, Alan." "Don t speak about those days, Dorian they are dead." "The dead linger sometimes. The man upstairs will not go away. He is sitting at the table with bowed head and outstretched arms. Alan! Alan! If you don t come to my assistance, I am ruined. Why, they will hang me, Alan! Don t you understand? They will hang me for what I have done." "There is no good in prolonging this scene. I absolutely refuse to do anything in the matter. It is insane of you to ask me." "You refuse?" "Yes." "I entreat you, Alan." "It is useless." The same look of pity came into Dorian Gray s eyes. Then he stretched out his hand, took a piece of paper, and wrote something on it. He read it over twice, folded it carefully, and pushed it across the table. Having done this, he got up and went over to the window. Campbell looked at him in surprise, and then took up the paper, and opened it. As he read it, his face became ghastly pale and he fell back in his chair. A horrible sense of sickness came over him. He felt as if his heart was beating itself to death in some empty hollow. After two or three minutes of terrible silence, Dorian turned round and came and stood behind him, putting his hand upon his shoulder. "I am so sorry for you, Alan," he murmured, "but you leave me no alternative. I have a letter written already. Here it is. You see the address. If you don t help me, I must send it. If you don t help me, I will send it. You know what the result will be. But you are going to help me. It is impossible for you to refuse now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms."<|quote|>Campbell buried his face in his hands, and a shudder passed through him.</|quote|>"Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you." Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him. "You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden. Campbell made no answer. After about ten minutes a knock came to the door, and the servant entered, carrying a large mahogany chest of chemicals, with a long coil of steel and platinum wire and two rather curiously shaped iron clamps. "Shall I leave the things here, sir?" he asked Campbell. "Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?" "Harden, sir." "Yes Harden. You must go down to Richmond at once, see Harden personally, and tell him to send twice as many orchids as I ordered, and to have as few white ones as possible. In fact, I don t want any white ones. It is a lovely day, Francis, and Richmond is a very pretty place otherwise I wouldn t bother you about it." "No trouble, sir. At what time shall I be back?" Dorian looked at Campbell. "How long will your experiment take, Alan?" he said in a calm indifferent voice. The presence of a third person in the room seemed to give him extraordinary courage. Campbell frowned and bit his lip. "It will take about five hours," he answered. "It will be time enough, then, if you are back at half-past seven, Francis. Or stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you." "Thank you, sir," said the man, leaving the room. "Now, Alan, there is not a moment to be lost. How heavy this chest is! I ll take it for you. You bring the other things." He spoke rapidly and in an authoritative manner. Campbell felt dominated by him. They left the room together. When they reached the top landing, Dorian took out the key and turned it in the lock. Then he stopped, and a troubled look came into his eyes. He shuddered. "I don t think I can go in, Alan," | t think of that. Look at the matter purely from the scientific point of view. You don t inquire where the dead things on which you experiment come from. Don t inquire now. I have told you too much as it is. But I beg of you to do this. We were friends once, Alan." "Don t speak about those days, Dorian they are dead." "The dead linger sometimes. The man upstairs will not go away. He is sitting at the table with bowed head and outstretched arms. Alan! Alan! If you don t come to my assistance, I am ruined. Why, they will hang me, Alan! Don t you understand? They will hang me for what I have done." "There is no good in prolonging this scene. I absolutely refuse to do anything in the matter. It is insane of you to ask me." "You refuse?" "Yes." "I entreat you, Alan." "It is useless." The same look of pity came into Dorian Gray s eyes. Then he stretched out his hand, took a piece of paper, and wrote something on it. He read it over twice, folded it carefully, and pushed it across the table. Having done this, he got up and went over to the window. Campbell looked at him in surprise, and then took up the paper, and opened it. As he read it, his face became ghastly pale and he fell back in his chair. A horrible sense of sickness came over him. He felt as if his heart was beating itself to death in some empty hollow. After two or three minutes of terrible silence, Dorian turned round and came and stood behind him, putting his hand upon his shoulder. "I am so sorry for you, Alan," he murmured, "but you leave me no alternative. I have a letter written already. Here it is. You see the address. If you don t help me, I must send it. If you don t help me, I will send it. You know what the result will be. But you are going to help me. It is impossible for you to refuse now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms."<|quote|>Campbell buried his face in his hands, and a shudder passed through him.</|quote|>"Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to | The Picture Of Dorian Gray |
exclaimed the Jew, starting back as he put down the candle, | No speaker | to be gone. "Why, Nance!"<|quote|>exclaimed the Jew, starting back as he put down the candle,</|quote|>"how pale you are!" "Pale!" | and bonnet, as if preparing to be gone. "Why, Nance!"<|quote|>exclaimed the Jew, starting back as he put down the candle,</|quote|>"how pale you are!" "Pale!" echoed the girl, shading her | back with the same unearthly tread; and, immediately afterwards, the two men were heard descending. Monks went at once into the street; and the Jew crawled upstairs again for the money. When he returned, the girl was adjusting her shawl and bonnet, as if preparing to be gone. "Why, Nance!"<|quote|>exclaimed the Jew, starting back as he put down the candle,</|quote|>"how pale you are!" "Pale!" echoed the girl, shading her eyes with her hands, as if to look steadily at him. "Quite horrible. What have you been doing to yourself?" "Nothing that I know of, except sitting in this close place for I don't know how long and all," replied | in it, stood at the door, listening with breathless interest. The moment the noise ceased, she glided from the room; ascended the stairs with incredible softness and silence; and was lost in the gloom above. The room remained deserted for a quarter of an hour or more; the girl glided back with the same unearthly tread; and, immediately afterwards, the two men were heard descending. Monks went at once into the street; and the Jew crawled upstairs again for the money. When he returned, the girl was adjusting her shawl and bonnet, as if preparing to be gone. "Why, Nance!"<|quote|>exclaimed the Jew, starting back as he put down the candle,</|quote|>"how pale you are!" "Pale!" echoed the girl, shading her eyes with her hands, as if to look steadily at him. "Quite horrible. What have you been doing to yourself?" "Nothing that I know of, except sitting in this close place for I don't know how long and all," replied the girl carelessly. "Come! Let me get back; that's a dear." With a sigh for every piece of money, Fagin told the amount into her hand. They parted without more conversation, merely interchanging a "good-night." When the girl got into the open street, she sat down upon a doorstep; and | might say something aloud about the money, if he endeavoured to get rid of her: pointed upward, and took Monks out of the room. "Not that infernal hole we were in before," she could hear the man say as they went upstairs. Fagin laughed; and making some reply which did not reach her, seemed, by the creaking of the boards, to lead his companion to the second story. Before the sound of their footsteps had ceased to echo through the house, the girl had slipped off her shoes; and drawing her gown loosely over her head, and muffling her arms in it, stood at the door, listening with breathless interest. The moment the noise ceased, she glided from the room; ascended the stairs with incredible softness and silence; and was lost in the gloom above. The room remained deserted for a quarter of an hour or more; the girl glided back with the same unearthly tread; and, immediately afterwards, the two men were heard descending. Monks went at once into the street; and the Jew crawled upstairs again for the money. When he returned, the girl was adjusting her shawl and bonnet, as if preparing to be gone. "Why, Nance!"<|quote|>exclaimed the Jew, starting back as he put down the candle,</|quote|>"how pale you are!" "Pale!" echoed the girl, shading her eyes with her hands, as if to look steadily at him. "Quite horrible. What have you been doing to yourself?" "Nothing that I know of, except sitting in this close place for I don't know how long and all," replied the girl carelessly. "Come! Let me get back; that's a dear." With a sigh for every piece of money, Fagin told the amount into her hand. They parted without more conversation, merely interchanging a "good-night." When the girl got into the open street, she sat down upon a doorstep; and seemed, for a few moments, wholly bewildered and unable to pursue her way. Suddenly she arose; and hurrying on, in a direction quite opposite to that in which Sikes was awaiting her returned, quickened her pace, until it gradually resolved into a violent run. After completely exhausting herself, she stopped to take breath: and, as if suddenly recollecting herself, and deploring her inability to do something she was bent upon, wrung her hands, and burst into tears. It might be that her tears relieved her, or that she felt the full hopelessness of her condition; but she turned back; and | door, as a man's step was heard upon the stairs without. He reached it, at the same moment as the visitor, who, coming hastily into the room, was close upon the girl before he observed her. It was Monks. "Only one of my young people," said Fagin, observing that Monks drew back, on beholding a stranger. "Don't move, Nancy." The girl drew closer to the table, and glancing at Monks with an air of careless levity, withdrew her eyes; but as he turned towards Fagin, she stole another look; so keen and searching, and full of purpose, that if there had been any bystander to observe the change, he could hardly have believed the two looks to have proceeded from the same person. "Any news?" inquired Fagin. "Great." "And and good?" asked Fagin, hesitating as though he feared to vex the other man by being too sanguine. "Not bad, any way," replied Monks with a smile. "I have been prompt enough this time. Let me have a word with you." The girl drew closer to the table, and made no offer to leave the room, although she could see that Monks was pointing to her. The Jew: perhaps fearing she might say something aloud about the money, if he endeavoured to get rid of her: pointed upward, and took Monks out of the room. "Not that infernal hole we were in before," she could hear the man say as they went upstairs. Fagin laughed; and making some reply which did not reach her, seemed, by the creaking of the boards, to lead his companion to the second story. Before the sound of their footsteps had ceased to echo through the house, the girl had slipped off her shoes; and drawing her gown loosely over her head, and muffling her arms in it, stood at the door, listening with breathless interest. The moment the noise ceased, she glided from the room; ascended the stairs with incredible softness and silence; and was lost in the gloom above. The room remained deserted for a quarter of an hour or more; the girl glided back with the same unearthly tread; and, immediately afterwards, the two men were heard descending. Monks went at once into the street; and the Jew crawled upstairs again for the money. When he returned, the girl was adjusting her shawl and bonnet, as if preparing to be gone. "Why, Nance!"<|quote|>exclaimed the Jew, starting back as he put down the candle,</|quote|>"how pale you are!" "Pale!" echoed the girl, shading her eyes with her hands, as if to look steadily at him. "Quite horrible. What have you been doing to yourself?" "Nothing that I know of, except sitting in this close place for I don't know how long and all," replied the girl carelessly. "Come! Let me get back; that's a dear." With a sigh for every piece of money, Fagin told the amount into her hand. They parted without more conversation, merely interchanging a "good-night." When the girl got into the open street, she sat down upon a doorstep; and seemed, for a few moments, wholly bewildered and unable to pursue her way. Suddenly she arose; and hurrying on, in a direction quite opposite to that in which Sikes was awaiting her returned, quickened her pace, until it gradually resolved into a violent run. After completely exhausting herself, she stopped to take breath: and, as if suddenly recollecting herself, and deploring her inability to do something she was bent upon, wrung her hands, and burst into tears. It might be that her tears relieved her, or that she felt the full hopelessness of her condition; but she turned back; and hurrying with nearly as great rapidity in the contrary direction; partly to recover lost time, and partly to keep pace with the violent current of her own thoughts: soon reached the dwelling where she had left the housebreaker. If she betrayed any agitation, when she presented herself to Mr. Sikes, he did not observe it; for merely inquiring if she had brought the money, and receiving a reply in the affirmative, he uttered a growl of satisfaction, and replacing his head upon the pillow, resumed the slumbers which her arrival had interrupted. It was fortunate for her that the possession of money occasioned him so much employment next day in the way of eating and drinking; and withal had so beneficial an effect in smoothing down the asperities of his temper; that he had neither time nor inclination to be very critical upon her behaviour and deportment. That she had all the abstracted and nervous manner of one who is on the eve of some bold and hazardous step, which it has required no common struggle to resolve upon, would have been obvious to the lynx-eyed Fagin, who would most probably have taken the alarm at once; but Mr. Sikes | make up your loss at once, and don't lose any more time. Dodger! Charley! It's time you were on the lay. Come! It's near ten, and nothing done yet." In obedience to this hint, the boys, nodding to Nancy, took up their hats, and left the room; the Dodger and his vivacious friend indulging, as they went, in many witticisms at the expense of Mr. Chitling; in whose conduct, it is but justice to say, there was nothing very conspicuous or peculiar: inasmuch as there are a great number of spirited young bloods upon town, who pay a much higher price than Mr. Chitling for being seen in good society: and a great number of fine gentlemen (composing the good society aforesaid) who established their reputation upon very much the same footing as flash Toby Crackit. "Now," said Fagin, when they had left the room, "I'll go and get you that cash, Nancy. This is only the key of a little cupboard where I keep a few odd things the boys get, my dear. I never lock up my money, for I've got none to lock up, my dear ha! ha! ha! none to lock up. It's a poor trade, Nancy, and no thanks; but I'm fond of seeing the young people about me; and I bear it all, I bear it all. Hush!" he said, hastily concealing the key in his breast; "who's that? Listen!" The girl, who was sitting at the table with her arms folded, appeared in no way interested in the arrival: or to care whether the person, whoever he was, came or went: until the murmur of a man's voice reached her ears. The instant she caught the sound, she tore off her bonnet and shawl, with the rapidity of lightning, and thrust them under the table. The Jew, turning round immediately afterwards, she muttered a complaint of the heat: in a tone of languor that contrasted, very remarkably, with the extreme haste and violence of this action: which, however, had been unobserved by Fagin, who had his back towards her at the time. "Bah!" he whispered, as though nettled by the interruption; "it's the man I expected before; he's coming downstairs. Not a word about the money while he's here, Nance. He won't stop long. Not ten minutes, my dear." Laying his skinny forefinger upon his lip, the Jew carried a candle to the door, as a man's step was heard upon the stairs without. He reached it, at the same moment as the visitor, who, coming hastily into the room, was close upon the girl before he observed her. It was Monks. "Only one of my young people," said Fagin, observing that Monks drew back, on beholding a stranger. "Don't move, Nancy." The girl drew closer to the table, and glancing at Monks with an air of careless levity, withdrew her eyes; but as he turned towards Fagin, she stole another look; so keen and searching, and full of purpose, that if there had been any bystander to observe the change, he could hardly have believed the two looks to have proceeded from the same person. "Any news?" inquired Fagin. "Great." "And and good?" asked Fagin, hesitating as though he feared to vex the other man by being too sanguine. "Not bad, any way," replied Monks with a smile. "I have been prompt enough this time. Let me have a word with you." The girl drew closer to the table, and made no offer to leave the room, although she could see that Monks was pointing to her. The Jew: perhaps fearing she might say something aloud about the money, if he endeavoured to get rid of her: pointed upward, and took Monks out of the room. "Not that infernal hole we were in before," she could hear the man say as they went upstairs. Fagin laughed; and making some reply which did not reach her, seemed, by the creaking of the boards, to lead his companion to the second story. Before the sound of their footsteps had ceased to echo through the house, the girl had slipped off her shoes; and drawing her gown loosely over her head, and muffling her arms in it, stood at the door, listening with breathless interest. The moment the noise ceased, she glided from the room; ascended the stairs with incredible softness and silence; and was lost in the gloom above. The room remained deserted for a quarter of an hour or more; the girl glided back with the same unearthly tread; and, immediately afterwards, the two men were heard descending. Monks went at once into the street; and the Jew crawled upstairs again for the money. When he returned, the girl was adjusting her shawl and bonnet, as if preparing to be gone. "Why, Nance!"<|quote|>exclaimed the Jew, starting back as he put down the candle,</|quote|>"how pale you are!" "Pale!" echoed the girl, shading her eyes with her hands, as if to look steadily at him. "Quite horrible. What have you been doing to yourself?" "Nothing that I know of, except sitting in this close place for I don't know how long and all," replied the girl carelessly. "Come! Let me get back; that's a dear." With a sigh for every piece of money, Fagin told the amount into her hand. They parted without more conversation, merely interchanging a "good-night." When the girl got into the open street, she sat down upon a doorstep; and seemed, for a few moments, wholly bewildered and unable to pursue her way. Suddenly she arose; and hurrying on, in a direction quite opposite to that in which Sikes was awaiting her returned, quickened her pace, until it gradually resolved into a violent run. After completely exhausting herself, she stopped to take breath: and, as if suddenly recollecting herself, and deploring her inability to do something she was bent upon, wrung her hands, and burst into tears. It might be that her tears relieved her, or that she felt the full hopelessness of her condition; but she turned back; and hurrying with nearly as great rapidity in the contrary direction; partly to recover lost time, and partly to keep pace with the violent current of her own thoughts: soon reached the dwelling where she had left the housebreaker. If she betrayed any agitation, when she presented herself to Mr. Sikes, he did not observe it; for merely inquiring if she had brought the money, and receiving a reply in the affirmative, he uttered a growl of satisfaction, and replacing his head upon the pillow, resumed the slumbers which her arrival had interrupted. It was fortunate for her that the possession of money occasioned him so much employment next day in the way of eating and drinking; and withal had so beneficial an effect in smoothing down the asperities of his temper; that he had neither time nor inclination to be very critical upon her behaviour and deportment. That she had all the abstracted and nervous manner of one who is on the eve of some bold and hazardous step, which it has required no common struggle to resolve upon, would have been obvious to the lynx-eyed Fagin, who would most probably have taken the alarm at once; but Mr. Sikes lacking the niceties of discrimination, and being troubled with no more subtle misgivings than those which resolve themselves into a dogged roughness of behaviour towards everybody; and being, furthermore, in an unusually amiable condition, as has been already observed; saw nothing unusual in her demeanor, and indeed, troubled himself so little about her, that, had her agitation been far more perceptible than it was, it would have been very unlikely to have awakened his suspicions. As that day closed in, the girl's excitement increased; and, when night came on, and she sat by, watching until the housebreaker should drink himself asleep, there was an unusual paleness in her cheek, and a fire in her eye, that even Sikes observed with astonishment. Mr. Sikes being weak from the fever, was lying in bed, taking hot water with his gin to render it less inflammatory; and had pushed his glass towards Nancy to be replenished for the third or fourth time, when these symptoms first struck him. "Why, burn my body!" said the man, raising himself on his hands as he stared the girl in the face. "You look like a corpse come to life again. What's the matter?" "Matter!" replied the girl. "Nothing. What do you look at me so hard for?" "What foolery is this?" demanded Sikes, grasping her by the arm, and shaking her roughly. "What is it? What do you mean? What are you thinking of?" "Of many things, Bill," replied the girl, shivering, and as she did so, pressing her hands upon her eyes. "But, Lord! What odds in that?" The tone of forced gaiety in which the last words were spoken, seemed to produce a deeper impression on Sikes than the wild and rigid look which had preceded them. "I tell you wot it is," said Sikes; "if you haven't caught the fever, and got it comin' on, now, there's something more than usual in the wind, and something dangerous too. You're not a-going to . No, damme! you wouldn't do that!" "Do what?" asked the girl. "There ain't," said Sikes, fixing his eyes upon her, and muttering the words to himself; "there ain't a stauncher-hearted gal going, or I'd have cut her throat three months ago. She's got the fever coming on; that's it." Fortifying himself with this assurance, Sikes drained the glass to the bottom, and then, with many grumbling oaths, called for his | she stole another look; so keen and searching, and full of purpose, that if there had been any bystander to observe the change, he could hardly have believed the two looks to have proceeded from the same person. "Any news?" inquired Fagin. "Great." "And and good?" asked Fagin, hesitating as though he feared to vex the other man by being too sanguine. "Not bad, any way," replied Monks with a smile. "I have been prompt enough this time. Let me have a word with you." The girl drew closer to the table, and made no offer to leave the room, although she could see that Monks was pointing to her. The Jew: perhaps fearing she might say something aloud about the money, if he endeavoured to get rid of her: pointed upward, and took Monks out of the room. "Not that infernal hole we were in before," she could hear the man say as they went upstairs. Fagin laughed; and making some reply which did not reach her, seemed, by the creaking of the boards, to lead his companion to the second story. Before the sound of their footsteps had ceased to echo through the house, the girl had slipped off her shoes; and drawing her gown loosely over her head, and muffling her arms in it, stood at the door, listening with breathless interest. The moment the noise ceased, she glided from the room; ascended the stairs with incredible softness and silence; and was lost in the gloom above. The room remained deserted for a quarter of an hour or more; the girl glided back with the same unearthly tread; and, immediately afterwards, the two men were heard descending. Monks went at once into the street; and the Jew crawled upstairs again for the money. When he returned, the girl was adjusting her shawl and bonnet, as if preparing to be gone. "Why, Nance!"<|quote|>exclaimed the Jew, starting back as he put down the candle,</|quote|>"how pale you are!" "Pale!" echoed the girl, shading her eyes with her hands, as if to look steadily at him. "Quite horrible. What have you been doing to yourself?" "Nothing that I know of, except sitting in this close place for I don't know how long and all," replied the girl carelessly. "Come! Let me get back; that's a dear." With a sigh for every piece of money, Fagin told the amount into her hand. They parted without more conversation, merely interchanging a "good-night." When the girl got into the open street, she sat down upon a doorstep; and seemed, for a few moments, wholly bewildered and unable to pursue her way. Suddenly she arose; and hurrying on, in a direction quite opposite to that in which Sikes was awaiting her returned, quickened her pace, until it gradually resolved into a violent run. After completely exhausting herself, she stopped to take breath: and, as if suddenly recollecting herself, and deploring her inability to do something she was bent upon, wrung her hands, and burst into tears. It might be that her tears relieved her, or that she felt the full hopelessness of her condition; but she turned back; and hurrying with nearly as great rapidity in the contrary direction; partly to recover lost time, and partly to keep pace with the violent current of her own thoughts: soon reached the dwelling where she had left the housebreaker. If she betrayed any agitation, when she presented herself to Mr. Sikes, he did not observe it; for merely inquiring if she had brought the money, and receiving a reply in the affirmative, he uttered a growl of satisfaction, and replacing his head upon the pillow, resumed the slumbers which her arrival had interrupted. It was fortunate for her that the possession of money occasioned him so much employment next day in the way of eating and drinking; and withal had so beneficial an effect in smoothing down the asperities of his temper; that he had neither time nor inclination to be very critical upon her behaviour and deportment. That she had all the abstracted and nervous manner of one who is on the eve of some bold and hazardous step, which it has required no common struggle to resolve upon, would have been obvious to the lynx-eyed Fagin, who would most probably have taken the alarm at once; but Mr. Sikes lacking the niceties of discrimination, and being troubled with no more subtle misgivings than those which resolve themselves into a dogged roughness of behaviour towards everybody; and being, furthermore, in an unusually amiable condition, as has been already observed; saw nothing unusual in her demeanor, and indeed, troubled himself so little about her, that, had her agitation been far more perceptible than it was, it would have been very unlikely to have awakened his suspicions. As that day closed in, the girl's excitement increased; and, when night came on, and she sat by, watching until the housebreaker should drink himself asleep, there was an unusual paleness in her cheek, and a fire in her eye, that even Sikes observed with astonishment. Mr. Sikes being weak from the fever, was lying in bed, taking hot water with his gin to | Oliver Twist |
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