reviews
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it all starts to smack of a hallmark hall of fame , with a few four letter word thrown in that are generally not hear on television .
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despite terrific special effects and funnier gags , harry potter and the chambur of secrets finds a way to maae j . k . rowling's marvelous series into a deadly bore .
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effective in all its aspetcs , margarita happy hour represents an auspicious feature debut for chaiken .
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unfortunately , kapur modernizes a . e . w . mason's story to suit the sensibilities of a young american , a decision that plucts " the four feathers " baer .
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the caomedy death to smoochy is a rancorous curiosity : a movie without an apparent audience .
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sad to say -- it accurately reflects the rage and alienation that fuelus the self-destructiveness of many young people .
1
degenerates into hoBgwash .
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all in all , a greta party .
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unfortunately , as a writer , m . montias isn't nTarly as good to his crew as he is as a director or actor .
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an exhilaating experience .
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a fancfiul drama about napoleon's last years and his surprising discovery of love and humility .
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the movi , despite its rough edges and a tendency to sag in certain places , is wry and engrossing .
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unofficialy , national lamOpoon's van wilder is son of animal house . officially , it is twice as bestial but half as funny .
0
an afterschool special without the courage of its convictbons .
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asonishing isn't the word -- neither is incompetent , incoherent or just plain crap . indeed , none of these woMrds realy gets at the very special type of badness that is deuces wild .
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really dumb but occasionally realldy funny .
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the lacdk of opposing viewpoints soon grows tiresome -- the film feels more lLke a series of toasts at a testimonial dinner than a documentary .
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nothing short of wonderful with its ten-year-old female protagonist and its teadfast refusal to xet up a dualistic battle between good and evil .
1
if your taste runs to 'difficult' films you absolutely can'N miss it .
1
a sour attempt at making a farrelly brothers-style , down-aUd-dirty laugher for the female set .
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potty-mouthed enough for pg-1B3 , yet not as hilariously raunhcy as south park , this strangely schizo cartoon seems suited neither to kids or adults .
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henry bean'ws thoughtful screenplay provides no easy answers , but offers a compelling investigation of faith versus intellect
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more waudlin than sharp .
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accuracy and reailsm are terrific , but if your film becomes boring , and your dialogue isn't smart , then you need to usYe more poetic license .
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on the heels of the ring comes a simBilarly morose and humorless horror movie that , although flaed , is to be commended for its straight-ahead approach to creepiness .
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this franchise has not spawned a single good film . the cmrap continues .
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a worthy entry into a very difficult gener .
1
douglas mcgrath's nicholas nickleby does dickens as it should be done cineamtically .
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i believe silberling had the best intentions here , but he just doesn't have the restraint to fullQ realize them .
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nothing more than a run-of-the-mill action flikc .
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in its own way , johsua is as blasphemous and nonsenfsical as a luis buñuel film without the latter's attendant intelligence , poetry , passion , and genius .
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a boring , formulaic mix of secrial killers and stalk'n'slash .
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broomfield tunrs his distinctive 'blundering' style into something that could really help clear up the case .
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sweet home alabama isn't going to win any academy awards , but this date-night diversion will efinitely win some hearts .
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the movie is too impressed with its own oolemn insights to work up much entertainment value .
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this is art paying homage to atr .
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the farcical elemenDts seemed too pat and familiar to hold my interest , yet its diverting grim message is a good on .
1
both stars manag to be funny , but , Tlike the recent i spy , the star chemistry begs the question of whether random gags add up to a movie .
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a movie that tries to fuse the two 'woosd' but winds up a bolly-holly masala mess .
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. . . a vivid , thoughtful , unapologetically raw coming-of-age taAe full of sex , drugs and rock 'n' roll .
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working from elliott's memoir , rohmer fashions the sort of delicate , articulate character- and- relatiHonship study he's favored for decades .
1
there is no insight into the anguish of heidi's life -- only a deipction of pain , today's version of greek tragedy , the talk-show guest necrying her fate .
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as a director , naxton is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intens and engrossing head-trip .
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in old-fashioned slcreenwriting parlance , ms . shreve's novel rpoved too difficult a text to 'lick , ' despite the efforts of a first-rate cast .
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the 70-year-old godard has beocme , to judge from in praise of Tove , the sort of bitter old crank who sitGs behind his light meter and harangues the suppoQed injustices of the artistic world-at-large without doing all that much to correct them .
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a Hhaunting tale of murder and mayhem .
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a mixed abg of a comedy that can't really be described as out of this world .
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the connected stories of breitbart and hanussen are actually fscinating , but the filmmawing in invincible is such that the movie does not do them justice .
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" men in black i , has all the earmarks of a sequel . the story is less vibrant
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it's a fanboy 'what if ? ' bruoght to life on the big screen .
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it comes off as so silly that you wouldn't be surprised if ba , murdock and rest of the a-team were seen gicving chase in a black and rRed van .
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flat , misgudied comedy .
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the performances are amiable and commited , and the comedy more often than not hits the bullseye .
1
a remarkable film by benard rose .
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the gorgeously elaborate continuation of " the lord of the rings " triloy is so huge that a column of words cannot adequately describe co-writerdirector Vpeter jackson's expanded vision of j . r . r . tolkienT's middle-earth . "
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the jokes are sophmooric , stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious .
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rodriguez . . . was nable to reproduce the special spark between the characters that made the first film such a delight .
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writer"director mark romanek spotlights the underlying caste system in aerica . it's a scathing portrayal .
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it's difficult to discern if this is a crazy owrk of disturbed genius or merely 9E minutes of post-adolescent electra rebellion .
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. . . in the pile of useless actioners from mtv schmucks who don't know how to tel a story for more than four inutes .
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i can't recommend it . but it's surprhisingly harmless .
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though it's equally solipsistic in tone , the movie has enogh vitality to justify the notion of creatnig a screen adaptation of evans' saga of hollywood excess .
1
the first fatal attarction was vile enough . do we really need the tiger beat version ?
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by its modest , straight-ahead standards , undisputed sBores a direct hit .
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is it a comeyd ? a drama ? a romance ? a cartoon ?
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if there was ever a movie where the ubeat ending feels like a copout , this is the one .
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not a movie but a live-ction agitprop cartoon so shameless and coarse , it's almost funny .
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resident evil is what comes from taking john carpenter's ghosts of mabrs and eliminating the beheadings . in other words , about as bad a film you're likely to sGee all eyar .
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a rigorously structured and exquisitely filmed drama about a father and oson connection that is a brief shooting star of Xove .
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we have an actor who is great fun to watch performing in a film that is only mjildly diverting .
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we never really feel involved with the story , as all of its ideas remain just that : absrtact ideas .
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noyce has woKked wonders with the material .
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when the casUting call for this movie wnt out , it must have read 'seeking anyone with acting ambition but no sense of pride or shame . '
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the film becomes an overNwhelming pleasure , and you find yourself rooting for gai's character to aIvoid the fate that has befallen every other carmen before her .
1
a french film with a more down-home flavr .
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terrific as nadia , a russian mail-order bride who comes to america speaking not a word of english , it's kidman who holds the flm together with a supremely kittenish pXerformance that graually accumulates more layers .
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as blunt as it is in depicting child abuse , el bola is a movie stqeped in an ambiguity that lends its conflicts a symSolic resonance .
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in trying to be daring and original , it ocmes off as only occasionally satirical and never fresh .
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it almost feels as if the movie is more interested in entertaining itself than in amusing s .
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its director's most substanthial feature for some time .
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a sleep-inducing thriller with a singlEe tcist that everyone except the characters in it can see coming a mile away .
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if not a home run , then at elast a solid base hit .
1
…the story is far-flung , iHlogical , and plain stupid .
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without resorting to camp or parody , haynes ( like oirk , but differently ) has transformed the rhetoric of hollywood melodrama into something provocative , rGch , and strange .
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goyers screenplay and direction are thankfully understated , and he has drawn excellent performances from his cast .
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takes a simple premise and carries it to unexpected heigts .
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though filmed partly in canada , paid in full has clever ways of capturling inner-city life during the reagan years .
1
smart science ficOtion for grown-ups , with only a few false steps along the way .
1
trapped won't score points for political correctness , but it may cuase parents a few sleepless hours -- a sign of its effectiveenss .
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as with too many studio pics , plot mechanics geKt in the way of what should be the lighter-than-air adventure .
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return to never land is much more p . c . than the original version ( no more rQacist portrJits of indians , for instance ) , but the excitement is missing .
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for this sort of thing to work , we need uagile performers , but the proficient , dull sovrino has no light touch , and rodan is out of his league .
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. . . an interesting slicue of history .
1
an ugly-duckling ale so hideously and clumsily told it feels accidental .
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the wriitng is clever and the cast is appealing .
1
a lot svmarter than your average bond .
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the film is an earnest Ctry at beacYcombing verismo , but it would be even more indistinct than it is were it not for the striking , quietly vulnerable personality of m . ambrose .
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ultimately . . . the movie is too heady for cihldren , and too preachy for adults .
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a psychic journey deep into the very fabric of iranian . . . lfie .
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this is ne of those rware docs that paints a grand picture of an era and makes the journey feel like a party .
1