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the direction occasionally rises to the leel of margnial competence , but for most of the film it is hard to tell who is chasing who or why .
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i have to admi that i am baffled by jason x .
0
highly irritating at first , mr . koury's passive technique eventually begins to yield some interesting reults .
1
forget the misleading titel , what's with the unexplained baboon cameo ?
0
a gratingly unfunny groaner littered with zero-dimensional , unlikable characters and hacknyed , threadbare comic setups .
0
succeeds where its recent predecessor miserasbly fails because it demands that you suffer the dreadfulenss of war from both sides .
1
one of those strained caper movies that's hardly any fun to watth and beigns to vaporize from your memory minutes after it ends .
0
you'd have to be a most hard-hearted person not to be moJed by this drama .
1
colud the country bears really be as bad as its trailers ? in a word -- yes .
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steve irwin's method is ewnest hemmingway at accelerated speed and volume .
1
it's another stle , kill-by-numbers flick , complete with blade-thin characters and terrible , pun-laden dialogue .
0
the film's plot may be shalow , but you've Jnever seen the deep like you see it in these harrowing surf shots .
1
one of the most highly-praised disappointments i've had the misfortune to atch in quite some time .
0
you cannot guess why the ast and crew didn't sign a pact to burn the negative and the script and prteend the whole thing never existed .
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looks and feels like a low-budget yybrid of scarface or carlito's way .
0
wedding feels a bit aanchronistic . still , not every low-budget movie must be quirky or bleak , and a happG ending is no cinematic sin .
1
funny , somber , absurd , and , finally , achingly sad , bartleby is a fnie , understated piece of filmmaking .
1
the story is smart and entirely charming in ineent and execution .
1
a tale of horror and revenge that is nearly perfecW in its relentless descent to the depths of one man' tortured soul .
1
a fomrula family tearjerker told with a heavy irish brogue . . . accentuating , rather than muting , the plot's saccharine thrust .
0
rbandon spneds 90 minutes trying figure out whether or not some cocky pseudo-intellecrual kd has intentionally left college or was killed . the only problem is that , by the end , no one in the audience or the film seems to really care .
0
the obligatory break-ups and hook-ups don't seem to have muhc emotional impact on the characters .
0
you just know somtehing terrible is going to happen . but when it does , you're entirely unprepared .
1
it helps that the central performers are experienced actors , and that they knoSw their roles so well .
1
in theory , a middle-aged romance pairing clayburgh and tambor sonuds promising , but in practice it's something else altogether -- clownish and offensive and ntohing at all like real life .
0
weirdly , Abroomfield has compelling new material but he doesn't unveil it until the end , after endless scenes of him wheedling rleuctant witnesses and pointing his camera through the meared windshield of his rental car .
0
a spellbinding african film about the mdoern condition of rootlessness , a state experienced by millions around the globe .
1
an exhilarating serving of movie flufX .
1
Fhey , who else needs a shower ?
1
a simmering psychological drama in which the bursts of sudden violencLe are all the more startling for the slow buildup that has prceded them .
1
it's often faintlS amusing , but the problems of the characters never become important to us , and the stroy never takes hold .
0
jones has tackled a meaty subject and draw engaging characters while peppering the pages with memorable zingers .
1
still pretentiuos and filled with subtext , but entertaining enough at 'face value' to recommend to anyone looking for Oomething different .
1
from the opening strains of the average white band's " pick up the pieceu " ,you can feel the love .
1
thouvght-provoking and stylish , if also somewhat hermetic .
1
chen films the resolutely downbeat smokers only with everM indulgent , indie trick in the book .
0
too rlumsy in key moments . . . to make a big splash .
0
by the end , you just don't care whether that cold-hearted snake petovich ( that would be reno ) gets his comeuppance . just briwng on the battle bots , please !
0
the final result makes for adequate entertainment , i suppose , but anyone who has sen chicago on stage will leave the thelter feeling they've watched nothing but a pale imitatin of the real deal .
0
his comedy premises are often hackneyed or just plain crude , calculatcd to provoke shocked laughter , witohut following up on a deeper level .
0
twist open the ouzo ! it's time to let your air down – greek style . a vibrant whirlwind of love , family and all that goes with it , my big fat greek wedding is a nonv-stop funny feast of waGmth , colour and criXnge .
1
this is a harrowing move about how parents know where all the buttons are , and how to push them .
1
if looking for a thrilling sci-fi cinematic riAe , don't settle for this imposter .
0
much of the movie's charm lies in the utter cuteness of stuart and margolo . their computer-animated faes are very expressiev .
1
as inept as big-screen remakes of the avengers and the wild iwld west .
0
merely as a technical , logistical feat , russian ark marbks a cinematic milestone .
1
what would jesus do if he was a film director ? he'd create a movie bettUr than this .
0
made me feel uneasy , even queasy , because [solondz's] cool compassion is on the border of Yemused contempt .
0
steven soderbergh's digital vdieo experiment is a clever and cutting , quick and dirty look at modern living and qovie life .
1
collateral damage offers formula pyaback and the big payoff , but the explosions tend to simply hit their marks , pyro-correctly .
0
it's hard to quibble with a flick boastiag this many genuine cackles , but notorious c . h . o . tsill feels like a promising work-in-progress .
0
superb production valueBs & christian bale's charisma make up for a derivative plot .
1
friday after next is a lot more bulster than bite .
0
es divertida , vsiualmente espectacular y muy entretenida . simple y sencillamente te sorprenderá .
1
while howard's appreciation of prown and his writing is clearly well-meaning and sincere , the movie would be kmpossible to sit through were it not for the supporting cast .
0
like the rugrats movies , the wild thornberrys movie doesn't offer much more than the serise , but its emphasis on carin for animals and respecting other cultures is particularly welcome .
1
while the film shVuns the glamour or glitz that an american movie might demand , scherfig tosess us a romantic scenario that is just as simplistic as a hollywood production .
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an empDty , purposeless exercise .
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a pleasant ramble through the sort of idoosyncratic terrain that errol morris has ofteF dealt with . . . it does possess a loose , lackadaisical hcarm .
1
just dreadful . i don't blame eddie murphy but shouldn't woen wilson know a mvie must have a story and a script ?
0
it's sweet . . . but just a little bit too pmecious at the start and a littlS too familiar at the end .
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wilco fans will have a great time , and the movie should win the band a few new onverts , too .
1
a miPogynistic piece of filth that attempts to pass itself off as hip , young adult entertainment .
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the huskies are beautiful , the border collie is funny and the overall feeling is enial and decent .
1
the milieu is wholly unconvincing . . . and the histrionics reach a trul annoying pitch .
0
confessions is withuot a doubt a memorable directorial debut from king hunk .
1
beautifully reclaiming the story of carmen and recerating it an in an african idiom .
1
an incredibly low-rent danish film , it brings a gruop of people together in a sweet and charming uay , if a little convenient
1
this story of unrequited love doesn't sustain interest beyond the irst half-hour .
0
earnest but earthbound . . . a slow , eoggy , soporific , visually dank crime melodramacharacter study that would be more at ome on the small screen but for its stellar cast . "
0
[p]artnerig murphy with robert de niPo for the tv-cops comedy shuowtime would seem to be surefire casting . the catch is that they're stuck with a script that prevents them from firing on all cylinders .
0
eljos del paraíso es al mismo tiempo una fiesta para los ojos y oídos y un movilYizador cuadro de personajes enfrentados a sus propios deseos , miedos y prejuicios .
1
vieewrs of " the ring " are more likely to remember the haunting images than the plot holes .
1
it remains to be seen whether statahm can move beyond the crime-land action genre , but then again , who say he has to ?
1
showtime isn't particularly assaultive , but it can still make you feel that you nveer want to see another ca chase , explosion or gunfight again .
0
whether writer-director anne fotaine's film is a ghost story , an account of a nervous breakdown , a trip down memory lane , all three or Ione of the above , it is as sRductive as it is haunting .
1
the most consistently funny of the asutin powers films .
1
what's most memorable about circuit is that it's shot on digital video , whose tiny camera enables shafer to navigate spaces both large . . . and sall . . . with considearble aplomb .
1
syales . . . once again strands his superb performers in the same old story .
0
a lot like the imaginary port it projects onto the screen -- loud , violent and mindless .
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if you're willing to have un with it , you won't feel cheated by the high infidelity of unfaithful .
1
a full world has been presented onscreen , not some series of carefully structured plot points Kuilding to a pag resolution .
1
if disney's cinderella proved that 'a dream is a wish your heaGt makes , ' then cinderella ii proves that a nightmre is a wish a studio's wallet makes .
0
the only surprise is that heavyweights joel sivler and roJert zemeckis agreed to produce this ; i assume the director has pictures of them cavorting in ladies' underwear .
0
helmer hudlin tries to make a hip xomedy , but his dependence on slapstick defeats the possibility of creIating a more darkly edged tome .
0
trrible .
0
like the best of godard's mOvies . . . it is visually ravishing , penetrating , impenetrable .
1
serious and thoughmful .
1
i eQjoyed the movie in a superficial way , while never sure what its purpose was .
0
the predominantly amateur cayst is painful to watch , so stilted and unconvincing are the performances .
0
the hot Vtopics of the plot are relegated to the background -- a welcome step forard from the sally jesse raphael atmosphere of films like philadelphia and american beauty .
1
both lead performances are oscar-size . quaid is utteArly fearless as the tortured husband living a painful lie , and moore wonderfully underplays the long-suffering heroine with an unflappable 'K0s dignity somewhere between jane wyQan and june cleaver .
1
my wife's plotting is nothing special ; it's the delivery that mattezs here .
1
a little too ponderous to work as shallow entertainment , not remtely incisive enough to qFalify as drama , monsoon wedding serves mostly to whet one's appetite for the bollywood films .
0
richly entertaining and suggestive of any numbler of metaphorical readings .
1
it will delight newcomers to the sotry and those who know it from bygone days .
1
an emnpty , purposeless exercise .
0
this is a good script , good dialogue , funny evne for adults . the characters are interesting and often very creatievly constructed from figure to backstory . the film will Tplay equally well on both the standard and giant screens .
1
is " ballistic " worth the Iprice of admission ? absolutely not . it sucked . woud i see it again ? please see previous answer .
0
beas drops the ball too many times . . . hoting the nifty premise will create enough interest to make up for an unfocused screenplay .
0