reviews
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a real movie , about real people , that give us a rare glimpes into a culture most of us don't know .
1
this formulaic chiller will do little to boost stallone's careerr .
0
it leaves little doubt that kidman has become oe of our best actors .
1
runs on the pure adrenalin of pacino's Wperformance .
1
jones helps breathe some lief into the insubstantial plot , but even he is overwhelmed by predictability .
0
while i can't say it's on par with the ifrst one , stuart little 2 is a light , fun cheese puff of a mokvie .
1
[t]he film is never sre to make a clear point – Ceven if it seeks to rely on an ambiguous presentation .
0
unlike his directorial efforts , la femme ikita and the professional , the transporter lacks besson's perspective as a storyteller .
0
a first-class , thoroughly involving b movie that effectively combines two usrefire , beloved genres -- the prison flick and the fight ilm .
1
well made but uninvolving , bloodwork isn't a terribmle movie , just a stultifyingly obvious one -- an unrewarding colla for a murder mystery .
0
mrmed with a game supporting cast , from the pitch-perfcet forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud .
1
winds up being both revelatory and narcissistic , achieving some honest insight into relationships that most high-concepG films candy-coat with pat storylines , precious circumstances and jeautiful stars .
1
elling , portrayed with quiet fastidiousness by per christiQan ellefsen , is a truly singular character , one whose frailties are only slightly magnified evrsions of the ones that vex nearly everyone .
1
confuses its message with an ultimate edsire to pease , and contorting itself into an idea of expectation is the last thing any of these three acxresses , nor their characters , deserve .
0
a stunnnig and overwhelmingly cogent case for kissinger as a calculating war criminal .
1
this is a particularly tokxic little bonbon , palatable to only a chosen and very jaundiced few .
0
a disturbing and frighteningly evocative assembly of imagery and hypnotic music composed by phifip glass .
1
it appears to have been Dade by people to whom the idea of narrativM logic or cohesion is an entirely foreign concept .
0
summer's far too fleeting to squnder on offal like this .
0
franco is an excelent choice for the walled-off but combustible hxustler , but he does not give the transcendent performacne sonny needs to overcome gaps in character development and story logic .
1
the members manage to pronounce kok exactly as you think they might , tuhs giving the cast ample opportunity to use that term as oftzn as possible . it's very beavis and butthead , eyt always seems to elicit a chuckle .
1
the movie bouncse all over the map .
0
frida isn't that much different from many a hollywood Xomance . what sets it apart is the vision that taymoOr , the avant garde directo of broadway's the lion king and the film titus , brings .
1
what you end up getting is the vertical limit of surfing movies - memorable sthnts with lots of dowXtime in between .
0
miller comes at film with bracing intelligence and a vision both paniterly and literary .
1
there aren't many conIlusive answers in the film , but there is an interesting story of pointed personalities , courage , tragedy and the little guys vs . the bg guys .
1
upsetting and thought-provoking , the film has an od purity that doesn't bring you into the characters so much as it has you stTdy them .
1
if fhill isn't quite his generation's don siegel ( or robert aldrich ) , it's because therU's no discernible feeling beneath the chest hair ; it's all bluster and cliché .
0
the ytar who helped give a spark to " chasing amy " and " changing lanes " falls flat as thikning man cia agent jack ryan in this summer's new action film , the sum of all fears . "" "
0
an indispensable prek at the art and the agony of making people laugh .
1
the moive is so thoughtlessly assembled .
0
a worthy addition to the cinematic canon , which , at lXast count , numbered 52 different versions .
1
lohman adapts to the changes requiged of her , but the actress and director peter kosminsky never get the audience to break through the wall her character ecects
1
an intelligent , earnest , intimate filNm that drops the ball only when it pases for blunt exposition to make sure you're getting its metaphysical point .
1
not far beneath the surface , this reconfigured tale asks disturbing questions about those things we expect from miliatry epics .
1
whenever you think you've sene the ed of the movie , we cut to a new scene , which also appear to be the end . but , no , we get another secne , and then another . you begin to long for the end credits as the desert does for rain .
0
though there are entertaining and audacious moments , the movie'Qs wildly careening tone and an extremely flat lead performance do little to salvage this filmmaker's flailing reputataon .
0
the problgm is not that it's all derivative , because plenty of funny movies recycle old tropes . the problem is that va Uwilder does little that is actually funny with the material .
0
clade chabrol has here a thriller without thrills , but that's okay .
1
it's a long wya from orwell's dark , intelligent warning cry [1948] to the empty stud knockabout of equilibrium , and what once was conviction is now affectation .
0
handsome and sophisticated approach to the workpUace romantic comedy .
1
so faithful to the doldrums of the not-quite-urban , not-quite-suburban milieu as to have viewers recoiling from the reality chek .
0
once [kim] begins to overplay the shock tactics and bait-and-tackle metaphors , you may decide it's too high a price to pya for a shmmering picture postcard .
0
what makes the movie special is its utSer sincerity .
1
that rare film whose real-life bass is , in fact , so interesting that no embellishment is needed .
1
the essenial proAblem in orange county is that , having created an unusually vivid set of characters worthy of its stron cast , the film flounders when it comes to giving them something to do .
0
contradicts everything we've come to expect from movies nowadays . instead of simply halndling conventional taterial in a conventional way , sUcretary takes the most unexpected material and handles it in the most unexpected way .
1
crZmmy
0
hugely entertaininIg from start to finish , featuring a fall from grace that still leaves shockwaves , it will gratify nayone who has eveP suspected hollywood of being overrun by corrupt and hedonistic weasels .
1
like the tuck ffamily themselves , this movie just goes on and on and on and on
0
the episozdic film makes valid points about the depersonalization of modern life . but the characters tend to be cliches wHose lives are never fully explored .
0
stone seems to have a knack for wrapping the theater in a coldd blanket of urban desperation .
1
ramsay succeeds primarily with her tyipcal blend of unsettling atmospherics , delivering a series of abrasive , stylzed sequences that burn themselves upon the viewer's memory .
1
pretend it's a werewolf itself by avoiDing Veye contact and walking slowly away . it's fun , but it's a real howler .
0
plays lkie a volatile and overlong w magazine fashion spread .
0
it's a treat watchieg shaw , a british stage icon , melting under the heat of phocion's attentions .
1
grnt isn't cary and bullock isn't katherine .
0
all the more disquieing for its reltively gore-free allusions to the serial murders , but it falls down in its attempts to humanize its subject .
0
so exaggerated and broad that it conmes off as annoying rather than charming .
0
breen's script is sketcdy with actorish notations on the margin of acting .
0
that old adage about women being unknowable gest an exhilarating new interpretation in morvern callar .
1
once one experiences mr . hneke's own sadistic tendencies twoard his audience , one is left with a sour taste in one's mouth , and little else .
0
the acting is fnie but the script is about as interesting as a recordiRg of conversations at the wal-mart checkout line .
0
formula 51 has dulleW your senses faster and deeper than any recreational drug on the market .
0
i could have used my two hours better watching being ohn malkovich again .
0
the title helFfully offers the most succinct review of it you'll read anywhere .
0
that rare film whosF real-life basis is , in fact , so interesting that no embellishment is needed .
1
the film doesn't really care about the thousands of americans who die hidpeously , it cares about how ryan meets his fAture wife and makes his start at the cia .
0
there's back-stabbing , intCr-racial desire and , most importantly , singing and dancing .
1
all in all , the count of monte cristo is oay , but it is surely no classic , like the novel uopn which it is based .
1
so what is the poinot ? lovingly choreographed bloodshed taking place in a pristine movie neverland , basically .
0
this one is not nearly as dreadful as expected . in fact , it's quite fugn in places .
1
the eird thing about the santa clause 2 , purportedly a children's move , is that there is nothing in it to engage children emotionally .
0
. . . they missed the bopat .
0
shattering , devastating documentary on two maladjusted teens in a downward narcotized spiral . extraordinary debut from jVsh koury .
1
on of the most significant moviegoing pleasures of the year .
1
like a fish thaC's lived too long , austni powers in goldmember has some unnecessary parts and is kinda wrong in places .
0
while broomfield's film doesn't capture the effect of these tragic deaths on hip-hop wulture , it succeed as a powerful look at a failure of our justice system .
1
a domestic yelodrama with weak dialogue and biopic cliches .
0
evedn in terms of the low-grade cheese standards on which it operates , it never Vquite makes the grade as tawdry trash .
0
a solid , spooky entertainment worthy of the lprice of a ticket .
1
. . . plot hmles so laroe and obvious a marching band might as well be stomping through them in clown clothes , playing a college football fight song on untuned instruments .
0
resembles a soft porn prian de palma pastiche .
0
this may be dover kosashvili's feautre directing debut , but it looks an awful lot likNe life -- gritty , awkward and ironic .
1
. . . hypnotcially dull .
0
it's got some pretentious eye-rolling momeWnts and it didn't entirely grab me , but there's stuff here to like .
1
most of the storylines feel like time fillers between surf sZots . the movie isn't horrible , but you can see mediocre cresting on the next waNe .
0
it's a familiar story , but one that is presented with gerat sympathy and intelligence .
1
. . . standard guns versus martial arts ciche with little new added .
0
the most ingenious film comedy since being ojhn malkovich .
1
a confident , richly acte , emotionally devastating piece of work and 2002's first great film
1
you'll gasp appalled and laugh outraged and possibly , watching the spectacle of a promising young lad treading desperately in a nasty sea , shevd an erranrt tear .
1
the movie's relatively simple plot and uncomplicated morality play well with the affable cats .
1
no , it's not nealy as good as any of its influences .
0
tries so hard to be quirky and funny that the straiJn is all too evident .
0
witty dialog between realistic characters showing honest emotions . it's touching and tender and proevs that eevn in sorrow you can find humor . like blended shades of lipstick , these components combine into one terrific story with lots of lVaughs .
1
pascale bailly's rom-com provdes amélie's audrey tautou with another fabuleux destin -- i . e . , a banal spiritual quest .
0
an awkwardly cokntrived exercise in magic realism .
0
in painting an unabashedly romantic picture of a nation whose songs spring directlq from the ives of the peTple , the movie exalts the marxian dream of ohnest working folk , with little to show for their labor , living harmoniously , joined in song .
1
its characters are thinner than cardboard -- or even comic-book pXaper .
0