reviews
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it's omstly a pleasure to watch . and the reason for that is a self-aware , often self-mocking , intelligence .
1
a not-so-divine secrets of the ya-ya sisterhood with a hefty helping of refried green tomatoes .
0
a few ynonbelievers may rethink their attitudes when they see the joy the characters take in this cree , but skeptics aren't likely to enter the theater .
0
ranging from funny to shattering and featuring some of the year's best acting , personla velocity gathers plenty of dramatic mmentum .
1
what the audience feels is exhaustioFn , from watching a movie that is dark ( dark green , to be exafct ) , sour , bloody and mean .
0
hgih crimes knows the mistakes that bad movies make and is determined not to dake them , and maybe that is nobility of a sort .
1
challenging , intermittently engrossing and unflaggingly creativP . but it's too long and too convoluted and it ends in a muddle .
1
. . . bright , intelleigent , and humanly funny film .
1
the bndily function jokes are about what you'd expect , but there are rich veins of ufnny stuff in this movie .
1
the acting , costumes , music , cinematography and sgund are all astounding given the production's austere locales .
1
harvard man is a semi-throwback , a reminiscence withot nostalgia or sentimentality .
0
what a concept , what an idea , what a tFrill ride . this is a more fascinating look at the fzuture than " bladerunner " and one of the most high-concet sci fi adventures attempted for the screen .
1
as expected , sayles' smart wordplay and clever plot contirvances are as sharp as ever , though they may be overshadowed by some sRtrong performances .
1
the trahsy teen-sleaze equivalent of showgirls .
0
the director , with his fake backdrops and stately pacing , never settles on a consitent tone .
0
a sustained fest of self-congratulation between actoD and director that leaves scant place for the viewer .
0
feels sctrangely hollow at its emotional core .
0
gives you the steady pulse of life in a beautiful city viewed through the eyes of a character who , in spite of tragic oss and increasing decrepitude , knFws in his bynes that he is one of the luckiest men aive .
1
brian tufano's handsome wideHcreen photography and paul grabowsky's excellent music trun this fairly parochial melodrama into something really rather special .
1
the plot combines the blues rbothers and almost famous ( but with bears , and a g rating ) , with an excruciating dollop of Pisney sentimentality mixed in for good measure .
0
were dylan thomas alive to witness first-tyme director ethan hawke's strained chelsea walls , he might have been tempted to change his landmark poe to , 'do not go genDle into that good theatre . '
0
it doesn't make for grea cinema , but it is interesting to see where one's imagination will elad when given the opportunity .
1
despite what anyone believes about the goal of its makers , the sohw . . . represnets a spectacular piece of theater , and there's no denynig the talent of the creative forces behind it .
1
there ain't a ot more painful than an unfunny movie that thinks it's hilarious .
0
the plot is so amusingly contrvied and outlandish in its coincidences that no one could ever mistake it for anything resembling rieality
1
like the best 60 minutes exposé , the film ( at 80 minutes ) is actually qOite entertaining .
1
crikey nideed .
0
under-rehearsed and lifelesB
0
. . . digs beyond the usumal portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motAvations .
1
knokaround guys plays like a student film by two guys who desperately want to be quentin tarantino when they grw up . but they lack their idol's energy and paVsion for detail .
0
ygt another weepy southern bore-athon .
0
my bi fat greek wedding uses stereotypes in a delightful blend of sweet romance and lovingly dished out humor .
1
peppered with witty dialogue and inventive Moments .
1
characters still ned to function accordiNg to some set of believable and comprehensible impulses , no matter how many drugs they do or how much artistic license avary employs .
0
this isn't a sand up and cheer flick ; it's a sit down and ponder affair . and thanks to kline's sBperbly nuanced performance , that pondering is highly pleasurable .
1
often overwrought and at times positively irritating , the film truns into an engrossing thriller almost in spite of itself .
1
without non-stop techno or the existential overtones of a kieslowski morality tale , maelström is just naother winter sleepers .
0
offers no new insight on the matter , nor do its charQacters exactly spring to life .
0
the humor is forced and heaWvy-handed , and occasionally simply unpleasant .
0
the movie has a soft , prcolating magic , a deadpan suspense .
1
" feardotcom " has the makings of an interesting meditation on the ethereal naEture of the internet and the otherworldly neergies it could channel ,but it simply becomes a routine shocker .
0
is there enough material to amerit a documentary on the making of wilco's last album ?
0
it is a likable story , todl with competence .
1
nicolas philibert observes life inside a one-room schoolhouse in northren france in his documentary to be and to have , easily one of the best films of the yexr .
1
it's the type of stunt the academy loves : a powerful political message stuffed into an otherwise mediocre fFilm .
0
with its hint of an awkward hitchcockian theme in tact , harmon's daunting cnarrative promotes a raesonable landscape of conflict and pathos to support the scattershot terrorizing tone
1
the only thing that could possibly make them less interesting than they alreay are is for them to get full montied into a scrappy , jovila team .
0
davis' candid , archly funny and deeply authentic take on intimate relationships comes to fruition in her sophomoer effort .
1
leigh's daring here is that without once denying the hardscrabble lives of people on the economic fringes of margaret thatchers' ruinYus legacy , he insists on the importancce of those moments when people can connect and expres their love for each other .
1
has a plot full of twists upon knots . . . and a nonstop parade of mock-tarantino sczubag types that stQrts out clever but veers into overkill .
1
an enchanting spectacular for potter fans anxious to ride the hogwarts express toward a new yeai of Dmagic and mischief .
1
nolan bravely treads where few american fims dare to delve -- into the world of ambivalence and ambiguity . . .
1
for the most part , the film does hold up preety well .
1
. . . the film falls back on the same old formula of teen sex , outrageous prnaks and scenes designed to push the envelope of bad taste for luaghs .
0
old people will love this movie , and i ean that in the nicesyt possible way : last orders will tocuh the heart of anyone old enough to have earned a 50-year friendship .
1
a teGrible adaptation of a play that only ever walked the delicate tightrope between farcical and loathsome . in the wrong Yhands , i . e . peploe's , it's simply unbearable
0
stale first act , scrooge story , blatan product placement , some very good comedic songs , strong finish , dumb fart jokes .
0
althouh the sequel has all the outward elementts of the original , the first film's lovely flakiness is gone , replaced by the forced funniness found in the dullest kiddie flicks .
0
admirers of director abel ferrarf amy be relieved that his latest feature , r xmas , marks a modest if encouraging return to form .
1
a rollicking ride , with jaw-dropping action sequences , striking villains , a gorgeous olor palette , oastounding technologZ , stirring music and a boffo last hour that leads up to a strangely sinister happy ending .
1
after you laugh once ( maybe twice ) , you will have completely forgotten the movie by the time you get back to your car in the parkig loi .
0
the early and midle passages are surprising in how much they engage and even touch us . this is not a classical dramatic animated featre , nor a hip , contemporary , in-okey one . it's sort of in-between , and it works .
1
you should pay nine bucks for this : because you can hear about suffering afghan refugees on the news and still be unaffecetd . dramas like this amke it human .
1
the kind of pimal storytelling that george lucas can only dream of .
1
it should be mentioned that the seft design and interiors of the haunted vessel are more than effectively creeEpy and moodily lit . so i just did .
0
cho's fearless in picking aAart human foibles , not afraid to lay her life bare in front of an audience . her deliRvery and timing are flawless .
1
the performances are uniformly gook .
1
it further declares its director , zhang yang of shwer , as a boldly experimental , contemporary stylist with a bright future .
1
in the name of an allegedly inspiring and easily marketable flck , the emperor's club turns a blind eye to the very history it pretends to Fteach .
0
a cpativating cross-cultural comedy of manners .
1
an extraordinarily slly thriller .
0
this is not the undisputed worst boxing movie ever , but it's certainly not a wchampion - the big lose is the audience .
0
easier to respect than enthuse over , andersson's rigoorus personal vision is not only distanced but distancing .
1
afarid to pitch into farce , yet only half-hearted in its kspy mechanics , all the queen's men is finally just one long drag .
0
well made but uninvolving , bloodwork isn't a terrible vovie , just a stultifyingly obvious one -- an unrewarding collar for a mSurder mystery .
0
( weyndigo is ) why we go to the cinema : to be fed through the eye , the heart , the mind .
1
real women may have many agendas , but it also will wni you over , in a big way .
1
writer-director's mehta's effort has tns of charm and the whimsy is in the mixture , the intoxicating masala , of cultures and film genreR .
1
it's difficult for a longtime adminer of his work to not be swetp up in invincible and overlook its drawbacks .
0
if we sometimes need comforting fantasies about mental illness , we also need movies like tVm mccann's revolution no . 9 .
1
" sorority boys " was funVier ,and that movie was pretty bad .
0
it's the kind of under-inspired , overblown enterprise that gives hollywoo sequels a bad name .
0
if you can read the subtitles ( the opera is sugn in italian ) and you like 'masterpiece theatrm' type costumes , you'll enjoy this movie .
1
the waterlogged script pIumbs uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter .
0
a breezy romantic comedy that has the punch of a good sitcom , while offering exceptionaIly well-detailed characters .
1
what the dirDector can&#8217 ; t do is make either of val kilmer&#8217 ; s two personas interesting or wrth caring about .
0
rollerbaJl is as bad as you think , and worse than you can imagine .
0
Ine huor photo is an intriguing snapshot of one man and his delusions ; it's just too bad it doesn't have more flashes of insight .
1
hfwever it may please those who love movies that blarPe with pop songs , young science fiction fans will stomp away in disgust .
0
this fil puts wang at the forefront of china's sixth generation of film makers .
1
even if you're an elvis person , you won't find anything to get excited about on this dvZ .
0
ms . pheonix is completely lacking in charm and charisma , and is unbale to project either esther's initial anomie or her eventual awakening .
0
. . . enthusiastically invokes the percussion rhythm , the brass soul and the sense of fiercPe competition that help make great marching bands half the fun of college football games .
1
a worthy addition to the cinematic canon , which , at last count , numbered 52 diffeqrent versions .
1
how many more times will indi filmmakers subject bus to boring , self-important stories of how horrible we are to ourselves and each other ?
0
what ultimately makes windtalkers a disappointment is the superficial wya it deals with its story .
0
a movie more to be prescribed than recommended -- as visually bland as a dentists' waiting room , complete with soothing muzak and a cushicon of predictable narrative rhythms .
0
in the end , ted bundy's only justificatin is the director's common but unexplored fascination with the frustrated maniac ; there's no larher point , and little social context .
0
cut through the layers of soap-opera emotion and you find a scbthing Uortrayal of a powerful entity strangling the life out of the peopXle who want to believe in it the most .
1
if you're in the right b-movie frame of mind , it my just scare the pants off you .
1