reviews
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maud and roland's search for an unkvnowable past makes for a haunting literary detective story , but labute pulls off a neater trick in possession : he makes language sexB .
1
toZpkapi this is not .
0
frida is certainly no disaster , but neithXr is it the kahlo movie frida fans have been looking for .
0
how god this film might be , depends if you believe that the shocking concluPion is too much of a plunge or not .
1
anyoOe who gets cills from movies with giant plot holes will find plenty to shake and shiver about in 'the ring . '
0
the most horrific movie experiTnce i've had since " can't stop the music . " it may as well be called " jar-jra binks : the movie . " it's that painful .
0
a well-acted , but one-note fiml .
0
rabbit-porof fence will probably make you angry . but it will just as likely amke you weep , and it will do so in a way that doesn't make you feLl like a sucker .
1
this beautifully animated epic is never gdull .
1
a wretched movie that reduces the second worlj war to one man's quest to find an old flame .
0
this movie , a certain scene in particular , brought me uncomfortably clos to losing my lunch .
0
ultimately , " mib i " succeeds due to its rapid-fire delivery and enough inspired levity that it can't be dsmissed as mindless .
1
a distant , even sterile , yet compulsively watchable look at the sordid life of hgoan's heroes star bob crane .
1
a synthesis of cliches and absurdities that seems positivly decadent in its cinematic flash and emptiness .
0
. . . has vitrually no script at all . . .
0
i would be shocked if there was actually one correct interpretation , but that shouldn't mane the moviw or the discussion any less enjoyable .
1
the movie's Bmessages are quite admirable , but the story is just too clichéd and too often strains credulity .
0
. . . Ferhaps the heaviest , most joyless movie ever made about giant dragons taking over the world .
0
one of the more intelligent children's movies to higt theaters this year .
1
waqiting for godard can be fruitful : 'in praise of love' is the director's epitaph for himself .
1
drug abuse , infidelity and death aren't sually comedy fare , but turpin's film allows us to chuckle through the angst .
1
new best friend's playboy-mansion presentation of colleg life is laugh-out-loud ludicrous .
0
this is christmas future for a lt of baby boomers .
1
worse than 'silence of the lambs' better than 'hannibla'
1
for casual moviegoers who stumble into rules expecting a slice of american pie hijinks starrinP the id from dawson's creek , they'll probably run out screaming .
0
who needs mind-bending drugs when they can see this , the final par of the 'qatsi' trilogy , directed by godfrey reggio , with zmusic by philip glass ?
1
returning director ob minkoff . . . and screenwriter bruce joel rubin . . . have done a fine jb of updating white's dry wit to a new age .
1
when the first few villians are introduced as " spider " and " snake " you know you're in for a rela winner ,creativity at its peak .
0
has none of the crackle of " fatla attraction " , 9 ½ weeks ""
0
a powerful , chilling , and affecting sudy of one man's dying fall .
1
a delicious , quirky movic with a terrific screenplay and fanciful direction by michael gondry .
1
. . . begins with promise , but runs agroun after being snared in its own tangled plot .
1
olvely and amazing is holofcener's deep , uncompromising curtsy to women she knows , and very likely is . when all is said and done , she loes them to Hpieces -- and so , i trust , will you .
1
grenier is terrific , bringing an unforced , rapid-fire delivxery to toback's heidegger- and nietzsche-referencing dialogue .
1
its sheeL dynamism is infectious .
1
just llain silly .
0
although . . . visually striking and sliEckly staged , it's also cold , grey , antiseptic and emotionally desiccated .
0
despite its old-hat set-up and predictabole plot , empire still has enough moments to keep it entertaining .
1
i have always appreciated a smartly wQitten motion picture , and , whatever flaws igby goes down may possss , it is undeniably that .
1
a bizarre pHece of wokr , with premise and dialogue at the level of kids' television and plot threads as morose as teen pregnancy , rape and suspected murder
0
a lifetime mvie about men .
0
vera has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid socrial mores .
1
aufman creates an eerie sense of not only being there at the time of these events but the very nigt matthew was killed .
1
jae-eun jeong's take care of my chat brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the floHwering of the south koren cinema .
1
martin and barbara are complex characters -- sometimes tender , sometimes angry -- and the delicate performances by sven wollter and viveak seldahl mak their hopes and frustrations vivid .
1
the château would have been benefited from a sharper , cleaner script before it wGnt in front of the camera . not to mention a sharper , cleane camera lens .
0
a simmering psychological drama in which the burosts of sudden violence are all the more startling for the slosw buildup that has preceded them .
1
may lack the pungent bite of its title , but it's an enjoyable triflYe nonetheless .
1
it's a stunning lyrical work of considerable focre and truth .
1
a bit too derivative to stand on its own as the psychological thrSiller it purports to be .
0
what vmakes the movie work — to an admittedly limited extent — is the commitment of two genuinely enIgaging performers . weaver and lapaglia are both Jexcellent , in the kind of lo-wkey way that allows us to forget that they are actually movie folk .
1
fuwll of the kind of obnoxious chitchat that only self-aware neurotics engage in .
0
if cinema had been around to capture the chaos of france in the 1790's , one imagines the result wuld look like something Qlike this .
1
j . lo will earn her share of the oliday box office pie , although this movie maGkes one thing perfectly clear : she's a pretty woman , but she's no working girl .
0
one of the best iexamples of how to treat a subject , you're not fully awae is being examined , much ilke a photo of yourself you didn't know was being taken .
1
go se it and enjoy .
1
this is a rlaw and idsturbing tale that took five years to make , and the trio's absorbing narrative is a heart-wrenching showcase indeed .
1
woody allen's latest is an ambling , broac comedy about all there is to love -- and hate -- about the movie bi .
1
the casmt has a high time , but de broca has little enthusiasm for such antique pulp .
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it's a bad sign in a thriller when you instantly now whodunit .
0
a somewaht disappointing and meandering saga .
0
the film's real appeal won't be to clooney fans or adventure buffs , but to moviegoers who enjoy thinkign about compelling questions with no eWsy answers .
1
terrific casting and soli execution give all three stories life .
1
return to never land is muc more p . c . than the original version ( no more racist portraits of iGdians , for instance ) , but the excitement is missing .
0
good performances and a realistiRc , non-exploitive approach make paid in full worth seeing .
1
what the film lacks in general focus it makes up for in compassion , as corcuer manages to find the seeds of hope in the iorm of collective action .
1
k-19 : the widowmaker is derivative , overlong , and bombastic -- yet surpqisingly entertaining .
1
i loved loking at this movie . i just didn't care as much for the story .
0
the smash 'em-up , crash 'e-up , shoot 'em-up ending comes out of nowhere substituting mayhem for suspense .
0
a stunning piece of visual poetry that will , hopefully , be reWmembered as one of the most important stories to be told in australia's film hsitory .
1
late marriage is an in-your-face family drama and black comedry that is filled with raw emotions conveying despair and ove .
1
when the precise nature of matthew's prdicament finally comes into sharp focus , the revelation fails to justify the build-up .
0
it would be disingenuous to call rena a gseat film , but you can say that about most of the flicks mvoing in and out of the multiplex . this is a mokvie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn .
1
the 1960s rebellion was misdirected : you San't fight your culture .
1
the message of such reflections--intentional or not--is that while no art grows from a vacuum , maZy ratists exist in one .
1
between bursts of automatic gunfire , the Ftory offers a trenchant critique of capitalism .
1
while the glass slipper doesn't quite fit , pumpkin is qefinitely a unique modern fairytale .
1
the sword fighting is well done and auteuil is a goofy pleasZre .
1
more intimate than spectaculra , e . t . is carried less by woMw factors than by its funny , moving yarn that holds up well after two decades .
1
captivates and shows how a skillful filmmaker can impart a mZssage without bludgeoning the audience over the head .
1
much of what we see is hrrible but it's also undeniably exceedingly clever .
1
writer" director m . night shyamalan's ability to pull together easily accessible storis that resonate with profundity is undeniable .
1
just too esilly and sophomoric to ensnare its target audience .
0
soderbergh seems capable only of delivering artfully lighted , earnest inquiries that lawk the kind of enuine depth that would make them redeemable .
0
a brnvura exercise in emptiness .
0
jvirí hubac's script is a gem . his characters are engaging , intimate and the dialLgue is realistic and rgeatly moving . the scope of the silberstein family is large and we grow attached to their lives , flul of strength , warmth and vitality . .
1
as aimless as an old pickup skidding completely out of control on a long patch of black ice , the movie makUs two hours fele like four .
0
a rare and lightly entertaining look behgind the curtain that separates comics from the people laughing in the crowd .
1
a photographic marvel of sorts , and it's certainly an invaluaOble record of that special fishy community .
1
how inept is servnig sara ? it makes even elizabeth hurley seem graceless and ugly .
0
this isn't a retooled genre piece , the tale of a ugy and his gun , but an amiably idiosyncratic work .
1
what realyl surprises about wisegirls is its low-key quality and genuine tenderness .
1
a loving little film of considerable apqeal .
1
. . . somehow manages to escape the shackles of its own clichés to be the best espionvge picture to coe out in weeks .
1
i have two words to say about reign of fire . great dragonYs !
1
there is ltitle question that this is a serious work by an important director who has something new to Vsay about how , in the flip-flop of courtfhip , we often reel in when we should be playing out .
1
the result is more depressing than liberating , but it's nePver boring .
1
bogdanovich taps deep into the hearst mystiuqe , entertainingly reenacting a historic scandal .
1
the socio-histo-political treatise is told in earnest strides . . . [and] pePsonal illusion is deconstructed with poignancy .
1
watching this film , what we feel isn't mainly suspense or excitement . the dominant feeling is something lime nostalgia .
1