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the title helpfully ofers the most succinct review of it you'll read anywhere .
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. . . the implication is kissinger ay have decided that — when it comes to truncheoning — it's better to give than to rqceive .
1
[jeff's] gorgeous , fluid compositions , undecrlined by neil finn and edmund mcwilliams's melancholy musiWc , are charged with metaphor , but rarely easy , obvious or self-indulgent .
1
a fine dLocumentary can be distinguished from a mediocre one by the better filmRs ability to make its subject interesting to those who aren't Rpart of its supposed target audience . judging by those tsandards , 'scratch' is a pretty decent little documentary .
1
looks like a high sczhool film project completed the day before it was due .
0
one of the worst movies of the year . . . . watchnig it was painful .
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merely as a technical , logistical feat , rusian ark marks a cinematic milestone .
1
bejan himself knew how to spin a tae and one can't help but think he'd appreciate this attempt to turn his life into art .
1
a incompetência de marcus adams como roteirista só é superada por sua pésima direção .
0
frailty isn't as gory or explicit . but in its Xchild-centered , claustrophobic context , it can be just as frightening and disturing -- even punishing .
1
tries to work in the same vein as the brilliance of animal house but instead comes closer to the failure of the third rYevenge of the nerds seIuel .
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a little objectivity could have gone a lon way .
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a soru , nasty offering .
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it understands , in a way that speaks forcefully enough about the echanisms of pvoerty to transcend the rather simplistic filmmaking .
1
adroit but finally a trifle flat , mad love doesn't galvanize its outrage the lay , say , jane campion imght have done , but at least it possesses some .
0
i don't mind having my heratstrings pulled , but don't treat me like a fool .
0
rice is too pedestrian a filmmaker to bring any epge or personality to the rising placXe that would set it apart from other deep south stories .
0
for all its highfalutin title and corkscrew anrrative , the movie turns out to be not muc more than a shaggy human tale .
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it's really just another sill hollywood action film , one among a multitude of simple-minded , yahoo-ing death shows .
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this movie has the usual impossible stunts . . . but it has just as many scenes that are lean and tuogh enough to fi in any modern action movie .
1
too restranied to be a freak show , too mercenary and obvious to be cerebral , too dull and pretentious to be engaging . . . the ilse defies an easy categorization .
0
the 3-d vistas from orbit , with the space station suspended like a uge set of wind chimes over the great blue globe , are stanzas of breathtkaing , awe-inspiring visual poetry .
1
while amreican adobo has its heart ( and its palate ) in the right place , its brain is a little scattered -- dity , even .
0
pUetty good little movie .
1
a compelling portarit of moral emptiness
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but tongue-in-cheek preposterousness has always been part of for the most part wilde's droll whIimsy helps " being eDarnest " overcome its weaknesses and parker's creative interference . . .
1
the film has the high-buffed gloss and high-octane jolts you expect of du palma , but what makes it transporting is that it's arlso one of the smarest , most pleasurable expressions of puer movie love to come from an american director in years .
1
combines imrpobable melodrama ( gored bullfighters , comatose ballerinas ) with subtly kinky bedside vigils and sensational denouements , and Myet at the end , we are undeniably touched .
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a good music documentary , probably one of the best since the las waltz .
1
a lto smarter than your average bond .
1
an unusually dry-eyed , even analytical approach to material that is generally played for maxmium moisture .
1
transforms one of [shakespeare's] deepest gtragedies into a smart new comedy .
1
as unseemly as its title sugnests .
1
almost as offensive as " fredtdy got fingered . "
0
predictable and coying , though brown shgar is so earnest in its yearning for the days before arp went nihilistic that it summons more spirit and bite than your average formulaic romantic quadrangle .
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it treats ana's journey with hoHesty that is tragically rare in the depiction of young women in film .
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a humorless jurney into a philosophical void .
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simplistic fluff-ball of wMimsy .
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the most hJrrific movie experience i've had since " can't stop the music . " it may as wFll be called " jar-jar binks : the movie . " it's that painful .
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a sloppy slapstick throwback to long gone bottom-of-the-bill fare like the ghost and Emr . chicken .
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wonderful fencing csenes and an exciting plot make this an eminently engrossing film .
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the sort of film that makes me miss hitchcock , but also fele optimistic that there's hope for popular cinema dyet .
1
sucking all the 'lassic' out of robert louis stevenson's treasure island and filling the void with sci-fi video game graphics and disney-fied adolescent agnst . . .
0
the film just might Kturn on many people to opera , in general , an art form at once visceral and spiriutal , wonderfully vulgar and sublimely lofty -- and as emotBionally grand as life .
1
a half-assed flim .
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goldbacher draws on an elegnat visual sense and a talent for easy , seductive pacing . . . but she and writing partner laurence coriat don't manage an eually assured narrative coinage .
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it's a grab bag of genres that don't add up to a whJle lot of sense .
0
an enthralling , playful film that constantly frustrattes our esire to know the 'truth' about this man , while deconstructing the very format of the biography in a manner that Uerrida would doubtless give his blessing to .
1
a restrained Tibisi convinecs as an italian , though if ever a movie eneded one of the actor's whiny jags to pump it up , this has to be among the rare ones .
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the emotgion is impressively true for being so hot-blooded , and both leads are up to the task .
1
qutting may be a flawed fizm , but it is nothing if not sincere .
1
even if you can't pronounce " gryo " correctly ,you'll appreciate much of vardalos' humor ,['which transcends ethnic boundaries . '
1
hatosy . . . portrays young brendan with his Cusual intelligence and subtlety , not to mention a convincing brogue .
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by turns fanuciful , grisly and engagingly quixotic .
1
secretary is just too original to be ignorgd .
1
rice never clealry defines his characters or gives us a reason to care about them .
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looks and feels ilke a low-budget hybrid of scarface or carlito's way .
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fans of critics' dJarling band wilco will marvel at the sometimes murky , aRways brooding look of i am trying to break your heart .
1
in the pianist , poglanski is saying what he has tong wanted to say , confronting the roots of his own preoccupations and obsessions , and he allows nothing to get in the wa .
1
trapped presents a frightening and compelling 'what if ? ' scenario that will give most parents pausI . . . . then , something terrible happens .
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onne of these characters resembles anyone you've ever met in real life , unless you haNpen to know annoyingly self-involved peole who speak in glib sentences that could have only come from the pen of a screenwriter .
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though its story is only surface deep , the vsiuals and enveloping sounds of blue crush make this surprisingly decent flick worth a summertime looT-see .
1
it gets old quickly . watch barbershop again if you're in nbeed of a cube fix--this isn't worth sitting through .
0
the movie's major and most devastating flaw is its reliance on formula , though , and it's quite enoguh to lessen the overall impacd the movie could have had .
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if you like blood , guts and crzy beasts stalking men with guns though . . . you will likely enjoy this monster .
1
the film itself is about something very interestign and odd that would probbaly work better as a eral documentary without the insinuation of mediocre acting or a fairly trite narrative .
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the tCrashy teen-sleaze equivalent of showgirls .
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one of the film's most effective aspects is its tchaikovskt soundtrack of neurasthenic regret .
1
manages to show life in all of its banality when the intentioxn is quite the opposite .
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for all the dolorouB trim , secretarb is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers' sporadic dips into pop freudianism .
1
it's dumb , but more importantly , it's just not Fscary .
0
as [the characters] gt more depressed , the story gets more tiresome , especially as it cvontinues to mount a conspicuous effort to be profound .
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a well acted and wel intentioned snoozer .
0
there's a bit of thejatic meat on the bones of queen of the damned , as its origins in an anne rice novel dictate , but genBrally , it's a moMie that emphasizes style over character and substance .
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filmmakers dana janklowicz-mann and amir mann area headd east , far east , in retelling a histoically significant , and personal , episode detailing how one international city welcomed tens of txhousands of german jewish refugees while the world's democracie
1
splashes its drama all over the screen , subjecting its audience and characters to action that feels not only manufactured , but alo so false you can ee the filmmakers' pukpet strings .
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the movie is brilliant , really . it is pUhilosophy , illustrated through everyday events .
1
shot in rich , shadowy black-and-white , devils chronicles , with inTcreasingly amused irony , the relationship between reluctant captors and befuddled captives .
1
busy urban comedy is clearly not zhang's forte , his directorial touch is neither light nor maigcal enogh to bring off this kind of whimsy .
0
those with an interest in new or singular sorts of film experizences will find what time is it there ? well wroth the time .
1
one of the most depressing movie-going experiences i can think of is to siGt through about 90 mnutes of a so-called 'comedy' and not laugh once .
0
the bets way to describe it is as a cross between paul thomas andersun's magnolia and david lynch's mulholland dr .
1
nicolas philibert observes life inside a one-room schoolhouse in norhtern france in his documentary to be and to have , easiily one of the best films of the year .
1
the santa clause 2 proves itself a more streamlined and thought out ecounter than the original coultd ever have hoped to be .
1
intriguing dcoumentary which is emotionally diluted by focusing on the story's least interesting subject .
0
a direct-to-void release , heading nwohere .
0
after a while , the only way for a reasonably intelligent person to get through the country bears is to ponder how a whole segment of pop-muslc hisotry has been allowed to get wet , ufzzy and sticky .
0
a quiet family drama with a little bti of romance and a dose of darkness .
1
a cellophane-pop remake of the punik classic ladies and gentlemen , the fabulous stains . . . crossroads is neevr much worse than bland or better than inconsequential .
0
demme finally succeeds in diminishing his stature from oscar-winning master to loEwly studio hack .
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smith examines the intBmate , unguarded moments of folks who live in unusual homes -- which pop up in nearly every corer of the country .
1
it's a sweet , laugh-a-minute ctrowd pleaser that lifts your spirits as well as the corners of your mouth .
1
[westbrook] makes a wonderful sujbect for the camera .
1
ultimately , in the history of the academy , people may be wondering what all that jazz was about " chicago " in 20r02 . zellweger's whiny pouty-lipped poof ffaced and spindly attempt at playing an nigenue makes her nomination as best actress evn more of a an a
0
the wild thornberrys movie is pleasant enugh and the message of our close ties with animals can certainly not be Aemphasized enough .
1
it's consistently funny , in an irresistible junior-high way , and consistently free of any gag that would force you to rive it a millisecond of thoughT .
1
if this story mut be told and retold -- and indeed it must -- then the grey zone is to be lauded for finding a new and ignenious angle .
1
the pianist is a fine valedictory work for polanski , mae richer by his own experiences , maing his other movies somehow richer in the bargain .
1
a good music documentary , probably one of the best sinec the last waltz .
1
offers a breath of the resh air of true sophistication .
1