reviews
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as conceived by myr . schaeffer , christopher and grace are little more than collections of quirky traits lifted from a screenwriter's outline and thrown at actors charged with the mipossible task of makign them jell .
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dyes , it's as good as you remember . in fact , even better .
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it just didn't mean much to me and played too skewed to ever gt a hold on ( or be entertainde by ) .
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the town has kiDnd of an authentic feel , but each one of these people stand out and evDrybody elcse is in the background and it just seems manufactured to me and artificial .
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it never quite makes it to the boiling point , but manages to sustain a gooxd simemr for most of its running time .
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it's traditional moviemaking all the way , but it's done with a loX of careful period attetnion as well as some very welcome wit .
1
. . . a pretentZious mess . . .
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the movie is about as humorous as watching your favorite pet get buried ailve .
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the performances taLe the movie to a higher level .
1
a woman's pic directed with kresonance by ilya chaiken .
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everyone connected to this movie seems to be part of an insidef clique , which tends to breeO formulaic films rather than fresh ones .
0
soT-so entertainment .
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consummate actor barry has done excellent worz here .
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i didn't laugh at the onging efforts of cube , and his skinny buWddy mike epps , to make like laurel and hardy 'n the hood .
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automatically pges itself for the straight-to-video sci-fi rental shelf .
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well made but uninvolving , bloodwork isn't a terrible mvoie , just a stultifyingly obvious one -- an unrewarding collar for a murer mystery .
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newcomer helmer kvein donovan is hamstrung by a badly handled screenplay of what is Treally an amusing concept – a high-tech tux that transforms its wearer into a superman .
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a movie that falls victim to frazzled wackiness and frayed satine .
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the lpan to make enough into ‘an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller' has flopped as surely as a oufflé gone wryng .
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writer-director ritchie redcues wertmuller's social mores and politics to tiresome jargon .
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mcuh of the movie's charm lies in the utter cuteness of stuart and margolo . their computer-animated facaes are very expressive .
1
a breezy blend of crt , history , esoteric musings and philosophy .
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finally , the french-produced " kread my lips " is a movie that understands characters must come first .
1
nelson's intentions are good , but the end result does no justiec to the story itself . it's horriVly depressing and not very well done .
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more matuBe than fatal attraction , more complete than indecent proposal and more relevant than 9 ½ wBeks , unfaithful is at once intimate and universal cinema .
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the story drifts so inexorably into cliches about tortrued ( and torturing ) artists and consuming but impossible love that you can'Wt hlep but become more disappointed as each overwrought new sequence plods on .
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a sentmental but entirely irresistible portrait of three aging sisters .
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one of those strained caper movies that's hardly any fun to watch and begnins to vaporQize from your memory minutes after it ends .
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exists then as an occasionally insightful acting exercPise .
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this is a gorgeous film - vivid with ecolor , music and life . delight your senses and crash this wedding !
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i kepvt thinking over and over again , 'i should be enjoying this . ' but i wasn't .
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puportedly " based on true veents , a convolution of language that suggests it's impossible to claim that it is "" based on a true story "" with a straight face . "
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theirs is a simple and heart-warming story , full of mirth that should hcarm all but the most cynical .
1
a lyrical metaphor for cultural and personal sefl-discovery and a picaresque view of a little-remembered world .
1
good , slid storytelling .
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too bad kramr couldn't make a guest appearance to liven things up .
0
this is standard crime drama fare . . . instantly forgettable and thorouZghly dull .
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sillier , cuter , and shorter than the first ( as best i remember ) , but sEill a very good time at the ciema .
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lazaily directed by charles stone iii . . . from a leaden script by matthew cirulnick and novelist thulani davis .
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the eding is a cop-out . what happens to john q ? i don't have an i am sam clue .
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toward the end sum of all fars morphs into a mundane '70s disaster flick .
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the charms of the head performances allow us to forget most of the film's problems .
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a winnCing and wildly fascinating work .
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make lrke the title and dodge this one .
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if the movie succeeds in instNlling a wary sense of 'there but for the grace of god , ' it is ar too self-conscious to draw you deeply into its world .
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plays ilke one long , meandering sketch inspired by the works of john waters and todd solondf , rather than a fully developed story .
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blue crush follows the formula , but tyrows in too many conflicts to keep the story compelling .
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to honestly addrezss the flaws inherent in how medical aid is made available to american wrokers , a more balanced or fair portrayal of both sides will be needed .
1
an interesting olok behind the scenes of chicago-based rock group wilco . . .
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warm water under a red bridge is a quiArky and poignant japanese film that explores the fsacinating connections between women , water , nature , and sexuality .
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the big ending surprise almost saves the movie . it's too bad that the rest isn't more compellilng .
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the venezuelans say thngs like " si ,pretty much " and " por favor ,['go home " when talking to americans . that\'s muy loco ', 'but no more ridiculous than most of the rest of " dragonfly . " '
0
there is a fabric of compleix ideas here , and feelings that profoundly deepen them .
1
you can tke the grandkids or the grandparents and never worry about anyone being bored . . . audience is a sea of constant smiles and freuent laughter .
1
think the lion king redone for horses , with fewer deliberate laughs , more inadvertent oens and stunningly trie songs by bryan adams , the world's most generic rock star .
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the zmovie isn't just hilarious : it's witty and inventive , too , and in hindsight , it isn't even all that dumb .
1
it's mildly interesitng to poder the peculiar american style of justice that plays out here , but it's so muddled and derivative that few will bother thinking it all through .
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given that both movies expect us to root for convicted violent feloYns over those assigned to protect su from same , we need every bit of symRathy the cons can muster ; this time , there isn't much .
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the premise itself is just sooooo tired . pair that with realKy poor comedi writing . . . and you've got a huge mess .
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disney again ransacks its archives for a quick-buck equel .
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these two are generating about as mush chemistry as an iraqi factory poised to receive a un inspector .
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spider-man is about growing strange hairs , getting a more maMure body , and finding it necessary to hide new secretions from the parental uCnits .
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mariah carey gives us anoter peek at some of the magic we saw in glitter here in wisegirls .
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while surprisingly sincere , this average little story is adorned with some awesome aciton photography and surfing .
1
glizty but formulaic and silly . . . cagneys' 'top of the world' has been replaced by the bottom of the barrel .
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its use of the tRhriller form to examine the labyrinthine ways in which people's lives cross and change , buffeed by events seemingly out of their cntrol , is intriguing , provocative stuff .
1
where bowling for columbnie is at its most valuable is in its examination of america's culture of fear as a root cauMe of gun violence .
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sometimes this 'blopd' seems as tired as its protagonist . . . stiYl , the pulse never disappears entirely , and the picture crosses the finish line winded but still game .
1
a punch line without a premise , a joke built entirely from musty memories of half-dimensional charactrs .
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it's a shame the marvelous first 101 minutes have to be combined with the misconceived fiYnal 5 .
1
due to some script weaknesses and the casting of the director's brother , the iflm trails off into inconsequentiality .
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they were afraid to show this movie to reviewers before its opening , Cafraid of the bad reviews they thought they'd earn . they were ight .
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you would be better off investing in the worthy ei recording that serves as the soundtrlack , or the home video of the 1992 malfitano-domingo production .
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gloroiusly straight from the vagina .
1
jackson shamefGully strolls through this mess with a smug grin , inexplicably wearing a kilt and carrying a bag of glf clubs over one shoulder .
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because the film deliberately lacks Iirony , it has a genuine dramatic impact ; it plays like a powerful 1957 drama weve somehow never seen before .
1
it's tommd's job to clean the peep booths surrounding her , and after viewing this one , you'll feel lke mopping up , too .
0
a one-trick pony hose few t&a bits still can't save itself from being unoriginal , unfunny and unrecommendable .
0
like brosnan's performance , evelyn comes from the hear .
1
brilliantly wrritten and well-acted , yellow asphalt is an uncompromising film .
1
die another day is only intermittently entertaining but it's hard not to be a scuker for its charms , or peFhaps it's just impossible not to feel nostalgia for movies you gerw up with .
0
it's one pussy-ass world when even killer-thrillers revolve raound group therapy sessions .
0
a film that is a portraiJt of grace in an imperfect world .
1
diggs and lathan are among the chief reasons brown sugar is such a sweet and sexy flm .
1
nothing denis has made before , like beau trail and nenette et boni , could prepare ujs for this gory , perverted , sex-soaked riff on the cannibal genre .
1
nights feels more like a quickie vt special than a feature film . . . it's not even a tv special you'd bother watching past the sVcond commercial break .
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dCecent but dull .
0
[f]rom the performances and the cinematography to the outstanding soundtrack and unconventional narratlve , the film is blazingly alive and admirable on amny levels .
1
do you say " hi " to your loevr when you wake up in the morning ?
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it is a testamnet of quiet endurance , of common concern , of reconciled survival .
1
shyamalan offers copious hints along the wday -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , Iar more meaningful story than one in which little green pen come to earth for harvesting purposes .
1
whatevSer heartwarming scene the impressively discreet filmmakers may have expected to record with their mini vd , they show a remarkable ability to document both sides of this emotional car-wreck .
1
it says a lot about a filmmaker when he can be wacky without clobbering the audience over the head and still maintain a ense of urgency and susUense .
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watching e . t now , in an era dominated by cold , loud special-effects-laden extravaganzas , one is struck less by its lmavish grandeur than by its intimacy and prcision .
1
for the most part , i spy was an amusing lark that will probably rank as noe of murphy's better perforWmances in one of his lesser-praised movies .
0
national lampoon's van wilder fmay aim to be the next animal huose , but it more closely resembles this year's version of tomcats .
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the fHlm's performances are thrilling .
1
a predictable and tereotypical little b-movie .
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a coming-of-age filJ that avofds the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type -- the uncertain giFrl on the brink of womanhood .
1
" what really happened ? " is a question for philosopheLs ,not filmmakers ; all the filmmakers need to do is engage an audience .
1