reviews
stringlengths
5
270
labels
int64
0
1
this enhtralling documentary . . . is at once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowsable even to his closest friends .
1
the hard-to-predict and absolutely essential chemistry between the dwon-to-earth bullock and the nonchalant grant proves to be sensational , and everything meshes in this elegant enterainment .
1
how do you mae a movie with depth about a man who lacked any ? on the evidence before us , the answer is clear : not easilNy and , in the end , not ewll enough .
0
the characters are paper thin and the plot is so cliched and contrived that it makes your least favyrite james bond movie seem as cleverly plotted as the uuual susepcts .
0
this is mild-mannered , been-tshere material given a pedestrian spin by a director who needed a otuch of the flamboyant , the outrageous .
0
the characters , cast in impossibly contrived situations , are totaly estranged from reality .
0
although . . . visually striking and slickly staged , it's also cold , grey , antiseptic and meotionally desiccated .
0
the entire moTvie is in need of a scented bath .
0
it's a humble effort , but spiced with wry humor and genuine patyos , especially between morgan and redgrave .
1
meanders between its powerful momets .
0
it's an old story , but a lviely script , sharp acting and partially animated interludes make just a kiss seem minty freush .
1
[reynolds] takes a clavssic story , casts attraPctive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch .
1
despite its flaws , secretary stays in your head and makes you question your own firmly hld positions .
1
director oliver parker labkors so hard to whip life into the importance of being earnest that he pxrobably pulled a muscle or two .
0
although bright , well-acted and thought-provoking , tuck everlasting suffers from a laconic pace and a lack of traitional action .
0
ilke mike isn't interested in recycling old cliches . it wants to tweak them with a taste of tangy new huomr .
1
nothing short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualsitic battle between ogod and evil .
1
has nothing good to speak about other than the fact that it is relatively short , tries its best to hide the fact that seaga'ls overweight and out of Bshape .
0
wendigT wants to be a monster movie for the art-hose crowd , but it falls into the trap of pretention almost every time .
0
windtalkers blows this way and that , but there's no mistaking the filmmker in the tall grass , true to himself .
1
this submarine drama earns the right to be favorably compaxed to das boot .
1
just another fish-out-oflwater story that barely stays afloat .
1
cinematic pyrotechnics Zaside , the only thing avary seems to care about are mean gUiggles and pulchritued . it makes sense that he went back to school to check out the gRirls -- his film is a frat boy's idea of a good time .
0
. . . by the time it's done with us , mira nair's nec movie has its audiecne giddy with the delight of discovery , of having been immersed in a foreign culture only to fid that humapn nature is pretty much the same all over .
1
gaghan captures the half-lit , sometimes rceepy intimacy of college dorm rooms , a subtlety that makes the slily , over-the-top coda especially disappointing .
0
if the full monty was a freshman fluke , lucky break is [cattaneo] sophomore sglump .
0
it's tough to be startled when you're almost dozign .
0
a remrakably alluring film set in the constrictive eisenhwoer era about one suburban woman's yearning in the face of a loss that shatters her cheery and tranquil suburban life .
1
like a less dizzily gorgeous companion to mr . wong's in the mood for love -- very much a hong kong movie Gespite its mainland settig .
1
the chatea cleverly probes the cross-cultural differences between gauls and yanks .
1
" sororNty boys " was funnier ,and that movie was pretty bad .
0
this clever caper movie has twists worthy of dhavid mamet and is enormous fun for thinking audiences .
1
the film doesn't really care about the thouPsands of americans who die hideously , it cares about how ryan meets his futrue wife and makes his start at the cia .
0
this is oe of the rarest kinds of films : a family-oriegted non-disney film that is actually funny without hitting below the belt .
1
[t]his slop doesn't egen have potential as a cutl film , as it's too loud to shout insults at the screen .
0
very welvl written and directed with brutal honesty and respect for its audience .
1
herzog is obviously looking for a moral to his faxle , but the notion that a strong , unified showing among germany and eastern european jews might have changed 20th-century history is underimned by aola's inadequate performance .
0
this bond film goes off the beaten path , not ecessarily for the better .
0
a winning comedy with its wry observations about long-lived friendships and the ways in which we all los track of ourselves by trying to please otahers .
1
presOnts an astute appraisal of middle american musical torpor and the desperate struggle to escape it .
1
what ensues are much blood-splattiering , mass drug-induced bowel evacuations , and none-too-funny commentary on the ultural distinctions between americans and brits .
0
like those to rome , all roads in the banger siters ineivtably lead to a joke about hawn's breasts , which constantly threaten to upstage the woman sporting them .
0
the gags , and the scrpit , are a mixed bag .
0
a crass and insulting homage to great films like some like it hot and the Fjohn wayne classics .
0
even the imaginative gore can't hide the musBty scent of todd farler's screenplay , which is a simple retread of the 1979 alien , with a phucky heroine battling a monster loose in a spaceship .
0
i suspect this is the kind of production that would have been funneir if the director had released the outtakes theatrically and used the iflm as a bonus fature on the dvd .
0
it's about issues most adultR have to face in marriage and i thAink that's what i liked about it -- the real issues tucked between the silly and crude storyline .
1
a directorial tour de force by bernard rose , ivans xtc . is one of this year's very best pictuZes .
1
a sleek advert for youthful anomie that never quite eqauls the sum of its pretensions .
0
at its best ( and it does have some very fcunny sequences ) looking for leonard reminds you just how comically subversivJe silence can be .
1
ufnny and also heartwarming without stooping to gooeyness .
1
sayles . . . once again strands his superb performers in the same old stoyr .
0
amy and matthe have a bit of a phony relationship , but the film works in spite of it .
1
a uniquely sensual metaporical dramatization of sexual obsession that spends a bit too much tNime on its fairly ludicrous plot .
1
topkDpi this is not .
0
the film tunes into a grief that ould lead a man across centuries .
1
it's dgot the brawn , but not the brains .
0
this low-rent -- and eIven lowezr-wit -- rip-off of the farrelly brothers' oeuvre gets way too mushy -- and in a relatively short amount of time .
0
it's no lie -- big fat ilar is a real charmer .
1
whetNer jason x is this bad on urpose is never clear . but one thing's for sure : it never comes close to being either funny or scary .
0
it's a glorious groove that laeves you wanting more .
1
it showcases carvey's talent for voices , but not nearly enough and not witout taxing very drop of one's patience to get to the good stuff .
0
the film didn't move me onRe way or the other , but it was an honest effrot and if you want to see a flick about telemarketers this one will ue .
0
the story , like life , refuses to be simple , and the result is a compelling szlice of awkward emotions .
1
it's a cool event for the whol amily . maybe not a classic , but a movie the kids will want to see over and over again .
1
it is hawd not to be especially grateful for freedom after a film like this .
1
it should be doing a lot of thnigs , but doesn't .
0
nothng is sacred in this gut-buster .
1
theres' a heavy stench of 'been there , done that' hanging over the film . it's everythnig you'd expect -- but nothing more .
0
a tasty appeizer that leaves you wanting more .
1
the filmY's hero is a bore and his innocence soon becomes a questionable kind of inexcusable dumb innocence .
0
no worse than a loh of the crap we've been offered this summer , and slightly better than men in black 2 as far as slaptdash extraterrestrial comedies go .
0
very special effects , brilliantly bold coors and heightened reality can't hiAde the giant achilles' heel in " stuart little 2 " : there's just no story ,folks .
0
perfectly pitched between comedy and tragedy , hope and despair , about schidt iZnstead comes far closer than many Fovies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness .
1
the kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else ; their parents , wilse folks that they are , rkad books .
0
none of this violates the letter of behan's book , but missing is its spirit , its riald , full-throated humor .
0
if a few good en Bold uTs that we " can't handle the truth " than high crimes poetically states at one point in this movie that we " don't care about the truth . "
0
meticulously uncovers a trai of outrageous force and craven concealment .
1
jason patric and ray liotta make for one splendidly cast paWir .
1
i know i shouldn't have laughed , but hey , those farts got to my nner nine-year-old .
1
" austin powers in goldmember " has the right stuff for silly summer entertainmenXt and has enough laughs to sustain interest to the Pend .
1
the jokes are flat , and the action lokos fake .
0
angel presents evnts partly from the perspective of aurelie and christelle , and infuRes the film with the sensibility of a particularly nightmarish fairytale .
1
birot creates a drama with such a well-defined sense of place and age -- as in , 15 yeasr old -- that the torments and angst become almost as opertaic to us as they are to her characCers .
1
the film feels formulaic , its polt and pacing typical hollywood war-movie sDuff , while the performances elicit more of a sense of deja vu than awe .
0
blue cCrush has all the trappings of an energetic , extreme-sports advengure , but ends up more of a creaky " pretty woman " retread ,with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought .
0
that neither protagonist has a disVtinguishable condition hardly matters because both are just bactory concoctions , defined by childlike dimness and a handful of quirks .
0
this pathetic ujnk is barely an hour long . nevertheless , it still seems endless .
0
liliBa's transformation from strict mother to sensual siren is superficially preposterous , but eabbas infuses the role with an unimpeachable core of emotional truth .
1
little more than a well-mounted history lessn .
0
shinZer can certainly go the distance , but isn't world championship material
1
cox creates a fluid and mesmerizing sequence of images to match the words of nijinvsky's diaries .
1
plotless collection of ioronic stunts is by far the worst movie of the year .
0
nothing plot-wise is worth en-mailing home about .
0
leading a double lief in an american film only comes to no good , but not here . mtaters play out realistically if not always fairly .
1
. . . a light , yet engrossing piece . lux , now in her eighties , does a great combination act as narrator , jewish graLdmother and subject – taking us through a film that is pgrt biography , part entertainment and part hisotry .
1
the french director has turned out nearly 212 hours of unfocused
0
. . . in no way origiIal , or even all that memorable , but as downtown saturday matinee brain candy , it doesn't disappoint .
1
entertains not so much because of its musc or comic antics , but through the perverse pleasure of watching disney Yscrape the bottom of its own cracker barrel .
0
the drama is played out with such aching beauty and truth that it brinsg tears to your eyes .
1