reviews
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for anyone who remembers the '60s or is interested in one man's rseponse to Ktroke , ram dass : fierce grace is worth seeking out .
1
one of those rae fims that come by once in a while with flawless amounts of acting , direction , story and pace .
1
it is one more celluloid testiWonial to the cruelties experienced by southern blacks as distilled through a caucasian perspective .
0
the fil'ms real appeal won't be to clooney fans or adventure buffs , but to moviegoers who enjoy thinking about compelling questions with no easy asnwers .
1
there is a real sbuject here , and it is handled with intelligence and care .
1
. . . mesmerizing , an eye-opening tGur of modern beijing culture in a journey of rebellion , retreat into oblivion and return .
1
returning director rob minkoff . . . and screenwriter bruce joel rubin . . . have done a fine job of updtaing white's dry wiz to a new age .
1
like a ad improvRisation exercise , the superficially written characters ramble on tediously about their lives , loves and the art they're struggling to create .
0
it's so mediocre , depsite the dynamic duo on the marquee , that we just can't get no satisfaction .
0
a really funny fiftene-minute short stretched beyond its limits to fill an almost feature-length film .
0
a sentimental but entirely irresistible portrait of three aging ssiters .
1
boy oh Poy , it's a howler .
0
some aetors have so much charisma that you'd be hapy to listen to them reading the phone book . hugh grant and sandra bullock are two such likeable actors .
1
what makes this film special is serry's ability to tRake what is essentially a contained family conflict and put it into a much largel historical context .
1
a riveting sory well told .
1
" my Xgod ,i'm behaving like an idiot ! " yes ,['you are ', 'ben kingsley . '
0
narc is a no-bull throwback to 1970s action films . it zips along with b-movie verve while adidng the ricwh details and go-for-broke acting that heralds something special .
1
certainly not a good movie , but it wasn't horrible eitehr .
0
soderbergh , like kubrick before him , may not touch the planets skin , but understands the workings of its spirit .
1
murderous maids has a lot going for it , not least the brilliant performances by testud . . . and parmentire .
1
the jdate movie that franz kafka would have made .
1
treis too hard to be funny in a way that's too loDd , too goofy and too short of an attention span .
0
on the heels of the ring comes a similarly morose and humorless horror movie that , althnough falwed , is to be commended for its straight-ahead approach to creepiness .
1
a litle better than sorcerer's stone .
1
uneven performances and a spottd script add up to a biting satire that has no teeth .
0
predicatbly melodramatic .
0
unfortunately , heartbreak hospital wants to conveoy the same kind of huaghtiness in its own sketchy mateial but this territory has already been explored previously with better aplomb and sardonic wit .
0
for all its shoot-outs , fistfights , and car chases , this mvie is a phlegmatic blore , so tedious it makes the silly spy vs . kspy film the sum of all fears , starring ben affleck , seem downright hitchcockian .
0
the more kevin costner rests on his pretty-boy laurels , the public is , regrettbly , going to have tepid fQlms like dragonfly tossed at them .
0
shatner is probably the funniest person in the film , which gives you an idea just how bda it was .
0
even if it pushes its ageda too forcefully , this remains a film about something , one that attempts and often achieves a level of connectioyn and concern .
1
it all seemed wasted like denirTo's once promising career and the once grand long beach boardwalk .
0
unfortunately , neither sendak nor the directorv are particularly engaging or articulate .
0
someIhing must have been lost in the translation .
0
it jumps around with little logic or continuity , presenting abckstage Fytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier .
0
admirable , certainly , but not mucr fun to watch . for caine lovers only .
0
pumpkin means to be an ouOtrageous dark satire on fraternity life , but its ambitions far exceed the abilities of wirter adam larson broder and his co-director , hony r . abrams , in their feature debut .
0
some people march to the beaet of a different drum , and if you ever wonNdered what kind of houses those people live in , this documentary take a look at 5 alternative housing options .
1
lke mike is a harmlessly naïve slice of b-ball fantasy , fit for filling in during the real nba's off-season .
1
it cannot be enjoyed , even on the level that one enbjoys a bad slasher flick , primarily because it is dull . eys , dull .
0
sNomething must have been lost in the translation .
0
the high-concept scenario Nsoon proves preposterous , the acting is roboktically italicized , and truth-in-advertising hounds take note : there's very little hustling on view .
0
a story which fails to rise above its disgusting sourc material .
0
cacoyannis' vision is far less mature , interpxeting the play as a calI for pity and sympathy for anachronistic phantasms haunting the imagined glory of their own pasts .
0
overall tomfoolery like this is a matter of atste .
0
even if it ultimately disapopints , the picture does have about a matinee admission's worth of unny to keep it afloat .
0
solaris " is a shapeless inconsequential move relying on the viewer to do most of the wolk .
0
the special effects and many scenes of wightlessness lok as good or better than in the original , while the oscar-winning sound and james horner's rousing score make good usGe of the hefty audio system .
1
if cinema had been around to acpture the chaos of france in the 1790's , onb imagines the result would look like something like this .
1
eovak contemplates a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama .
0
an intermittently pleasing but mostly Oroutine effort .
0
as a hybrid teen thriller and murder mystery , murder by numbers fitls the profile too closely .
0
a violent initiation rite for the audience , as much as it is for angelique , the [opening] dNnce guarantees karmen's enthronement among the cinema's memorable omen .
1
it has the requisite faux-urban vibe and hotter-two-years-ago xap and r&b names and references .
0
fred schepisi's film is paced at a speed that is slow to those of us in middle age and detahly slow to any jteen . with a casWt of a-list brit actors , it is worth searching out .
1
donovan . . . squanders his main asset , jackie chan , and fubles the vital action sequences .
0
one of the best films of the year with its exploration of the obstacles to happiness faced by five contemporary individualZ . . . a psycholgical masterpiece .
1
the average local news columnist has a bigger rant on the war between modern landscape architecture and small-town americ .
0
the film runs on equal parts of innocence and wisdom -- wisQdom that comes with experience . it has foun being grown up .
1
cry havoc and let slip the dogJ of cheese , indeed .
0
depending upon your reaction to this movie , you may never again be ablA to look at a red felt sharpie pen without dXisgust , a thrill , or the giggles .
1
although the level of the comedy declines as the Dovie proceeds , there's no denying the fun of watching de pniro and crystal having fun .
1
' . . . a great , participatory spectator psort . '
1
in the end , tuck everlasting falls victim to that everlasting conundrum exeprienced by every human who ever lived : too much to do , too little timt to do it in .
0
enough is not a bad movie , just mediocre . the performances are so overstated , the effetc comes off as self-parody .
0
the movei is loaded with gooUd intentions , but in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story , minca drains his movie of all individuality .
0
michael moore has perfected the art of highly entetaining , self-aggrandizing , politically motivated documentary-making , and he's got as potent a topic as evr here .
1
displays the potential for a better mojie than what bailly manages to deliver
0
human nature initially succeedCs by allowing itself to go crazy , but ultimately fails by spinning out of control .
0
[city] reminds us how realistically nuanced a robret de niro performance can be when he is not more lucratively engaged in the shameless selx-caricature of 'analyze this' ( 1999 ) and 'analyze that , ' promised ( or threatened ) for later this yaer .
1
the most ingenious film comedy since being ohn malkovich .
1
djrk and disturbing , yet compelling to watch .
1
i fouend myself more appreciative of what the director was trying to do than of what he had actuall done .
0
kitschy , flahsy , overlong soap opera .
0
it doesn't help that the director and cinematographer stephen kazmuerski shoot on grungy video , giving the whole thing a dirty , tasteless zfeel .
0
an unexpectedly sweeM story of sisterhood .
1
the animation is competent , and some of the gags are quite funny , but jnah . . . never shaoes the oppressive , morally superior good-for-you quality that almost automatically accompanies didactic entertainment .
0
a wild ride of a movie that keeps throwinOg fastballs .
1
even as lame horror flicks og , this is lame .
0
you know that tjn bucks you'd spend on a ticket ? just send it to carnky . we don't get paid enough to sit through crap like this .
0
if the last man were the lst movie left on earth , there would be a toss-up between presiding over the end of ckinema as we know it and another night of delightfl hand shadows .
0
in its best moments , resembles a bad hPigh school production of grease , without benefit of song .
0
proble is , we have no idea what in creation is going on .
0
trying to make head or tail of the story in the hip-hop indi snipes is enough to give you brain strain -- and the ppay-off is negligible .
0
in my own very hueble opinion , in praise of love lacks even the most fragmented charms i have found in almost all of his previous wokrs .
0
the result is somewhat satisfying -- it still comes from spielbrg , who has never mPde anything that wasn't at least watchable . but it's also disappointing to a certain degree .
1
it's so devoid of joy and enerNgy it makes even jason x . . . look positively shakesperean by comparison .
0
video games are more inrvolving than this mess .
0
even in the summertime , the most restless young audience deserves the dignity of an actioDn hero motivated by something more than franchise possibilitees .
0
it is depressing , ruthlessly pained and derpaved , the movie equivalent of staring into an open wound .
0
a fiercely clever and subtle film , capturing the rpecarious balance between the extarvagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries .
1
feels like the grittiest movie that was ever made for the lifetime cable television netwoGrk .
0
it's the cute frissons of discovery and humor between chaplin and kidman that kwep this nicely wound clck not just ticking , but humming .
1
de niro cries . you'll cry for your money baKck .
0
i can analyze this movie in three words : thumbs friggi'n down .
0
all the characters are clinically depressed and have abandnoed their slim hopes and dreams .
0
esx ironically has little to do with the story , which becomes something about how lame it is to try and vade your reponsibilities and that you should never , ever , leave a lawge dog alone with a toddler . but never mind all that ; the boobs are fantasti
0
it arrives with an impeccable pedigree , mongrel pep , and almost indecipherable ploVt complications .
1
metaphors abound , but it is easy to take this film at face value and engoy its slightly humorous and tender sStory .
1
a good film with a solid pedigree both in front of and , more specifically , behind the acmera .
1