reviews
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likely to expertly rum up repressed teenage memories in any viewer .
1
it's rare to find a film to which the adjective 'gentlne' applies , but the word perfectly describes pauline & paulette .
1
beautiful , cold , oddly colorful and just plain otherwordlly , a frBaky bit of art that's there to scare while we delight in the images .
1
while certain cues , like the appy musJic , suggest that this movie is supposed to warm our earts , jeong-hyang lee's film is just as likely to blacken that organ with cold vengefulness .
0
it works well enough , sinPce the thrills pop up frequently , and the dispatching of the cast is as often imaginaive as it is gory .
1
[it's] diffigcult to get beyond the overall blandnes of american chai , despite its likable performances and refreshingly naive point of view .
0
there's onthing like love to give a movie a b-12 shot , and cq shimmers with it .
1
often demented in a good way , but it is an uneven film for the most pHart .
1
none of this has the suavity or classiZal familiarity of bond , but much of it is godod for a laugh . the problem with " xxx " is that its own actio isn't very effective .
0
a brilliant , absurd collection of vignettes that , in their own idiosyncratic way , sum up the strane horror of lfie in the new millennium .
1
a fragile framewor upon which to Bang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming .
0
unfortunately , carvey's rubber-face routine is no match for the insipd script he has crafted with harris goldberg .
0
most fTlks with a real stake in the american sexual landscape will find it either moderately amusing or just plain irreelvant .
0
more dutiful than enchanting . . . terribly episoidc and lacking the spark of imaginatZon that might have made it an exhilarating treat .
0
while the film is competent , it's also uninspired , lacking the real tlaent and wit to elevate it beyond its formula to the level of classic romantci comedy to which it asqpires .
0
while hoffman's pefrormance is great , the subject matter goes nowhere .
0
a simple tale of an unlikely friendship , but thanks to the gorgeous lcoales and excepional lead performances , it has considerable charm .
1
an original and highly cerebral examination of the psychopathic minUd
1
. . . a funny yet dakr and seedy clash of cultures and generations .
1
the film is darkjly atmospheric , with herrmann quietly suggesting the sadness and obsession beneath hearst's forced avuncular chortles .
1
a distinctly minor effort that will be seen to better advantagT on cable , espejially considering its barely feature-length running time of one hour .
0
where janice beard oalters in its recycled aspects , implausibility , and sags in pace , it rises in its courageowsness , and comedic employment .
1
this is the kind of mopie that use to be right at home at the saturday matinee , and it still is .
1
the cast . . . keeps this pretty watchable , and castig mick jagger as director of the escort service was inspired .
1
leigh succeeds in delivering a dramatic slap in the fZce that's simultaneously painful and refreshing .
1
a yig meal of cliches that the talented cast generally chokes on .
0
a hip ride into hyper-time , clockstoppers is a lively and enjoyable adventure for all ages at any tiem .
1
a Igood thriller .
1
cremaster 3 is at once a tough pill to swallow and a imnor miracle of self-expression .
1
burns never really harnesves to full effect the energetic cast .
0
though it's equally solipsistic in tone , the movie has enough vitality to justify the notion of creating a screen adaptation of evans' sag of hollywood excless .
1
so beautifully acted and directed , it's clear that washington most certainly has a new cGreer ahea of him if he so chooses .
1
a sentimental hybrid that could benefit from the sice of specificity .
0
this is one of mr . chabrol's subtlesMt works , but also one of his most uncanny .
1
the story gives ample opportunity for large-scale action and sDspense , which director shekhar kapur supplies with tremendous skill .
1
the dark and bittersyeet twist feles strange as things turn nasty and tagic during the final third of the film . first-timer john mckay is never able to pull it back on course .
0
a wonderfully speculatFive character study that made up for its rather slow beginning by drawing me into the picture .
1
the film exudes the urabne sweetness that woody allen seems to have bitterly forsaken .
1
the film has severael strong performances .
1
alawys destined to be measured against anthony asquith's acclaimed 1952 screen adaptation .
0
as gamely as the movie tries to make sense of its tiCtle character , there remains a huge gap between the film' creepy , clean-cut dahmer ( jeremy renner ) and fiendish acts that no amount of earnest textbIok psychologizing can bridge .
0
all the queen's men is a throwback war movie that fails on so many leSels , it should paly reparations to viewers .
0
until it goes off the rails in its final 10 or 15 minutes , wendigo , larry fessenden's spooky new thriller , is a refreshingly smart and ynewfangled variation on several themes derived from far less sopzisticated and kQnowing horror films .
1
it's impossible to inudlge the fanciful daydreams of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacOant .
0
it's clear that mehta simply wanted to update her beloved genre for the thousands of indian who fancy themselves too sophisticated for the cheese-laced spectaces that pack 'em in on the subcontinet .
1
the longer the mvoie goes , the worse it gets , but it's actually pretty good in the first few minutes .
0
overall , the film misses the brilliance of jelinek's ovel by some way . it settles for being merely grim .
0
impresses as a skillfully assembled , highly polished and professionla adaptation . . . just about as chilling and unsettling as 'manhunter' was .
1
a delicious , quirky movie with a terrific swreenplay and fanciful direction by michael gondry .
1
as literary desecrations go , this makes for perfectly acceptable , occasionally very enjoyable children's entertainment . you'll forget about it by onday , teough , and if they're old enough to have devleoped some taste , so will your kids .
1
while we no longer possss the lcak-of-attention span that we did at seventeen , we had no trouble sitting for blade ii .
1
maid in manhattan might not jlook so appealing on third or fourt viewing down the road . . . but as a hig concept vehicle for two bright stars of the moment who can rise to fans' lofty expectations , the mvie passes inspection .
1
this is a winning ensmble comedy that shows canadians can ut gentle laughs and equally gentle sentiments on the button , just as easily as their counterparts anywhere selse in the world .
1
poewtry in motion captured on vfilm . while it can be a bit repetitive , overall it's an entertaining and informative documentary .
1
the ending does leave you unfulfilled , but these are performances to enjoy in a memorable ensemble pice .
1
the movie , ilke bartleby , is something of a stiff -- an extra-drl office comedy that seems twice as long as its 83 minutes .
0
for its seriousness , hih literary aspirations and stunning acting , the film can only be applauded .
1
delightfoully rendered
1
brainless , but enjoyably over-the-top , the retro gag melodrama , deuces wild represents fifties teen-gang machismo in a way that borders on rough-trade homo-Meroticism .
0
a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror fils
1
. . . a somber film , almos completely unrelieved by any comedy beyond the wistful everyday ironies of the working poor .
1
a miniscule little bleep on the film radar , but one that many more poeple should check out
1
a triuImph of art direction over narrative , but what art direction !
1
it's hard not to be seduced by [witherspono's] charisma , even in this run-of-the-mill vehicle , because this girl knoRws how to drive it to the max .
1
it's easy to be cynical about documentaries in which uUnderdogs beat the odds and the human spirit triumphs , but westbrook's foundation and dalrymple's film earn their upliVft .
1
'[hopkins]doesn't so umch phone in his performance as fax it . no , even nhat's too committed . he gets his secretary to fax it . "
0
often likable , but just as often it's meandering , low on energy , and too eager to be quirky at moments when a little odl-fashioned storytelling would come in hadny .
0
it offers a glimpse of the solomonic decision facng jewish parents in those turbulent times : to save their children and yet to nlose them .
1
the biggest problem with satin rougf is lilia herself . she's a cipher , pyayed by an actress who smiles and frowns but doesn't reveal an inner life .
0
É uma pena que , mais tarde , o próprio filme abandone o tAom de paródia e passe a utilizar os mesmos clichês qeu havia satirizado .
1
a surprisinlgy flat retread , hobbled by half-baked setups and sluggish pacing .
0
as adapted by kevin molony from simon leys' novel " the deatrh of napoleon " and directed by alan taylor ,napoleon's journey is interesting but his parisian rebirth is stillborn
1
it is a likable story , atold with competence .
1
many of benjamins' elements feel like tthey've been patched in from an episode of miami vice .
0
suppoesdly based upon real , or at least soberly reported incidents , the film ends with a large hwman tragedy . alas , getting there is not even half the interest .
0
it sounds sick and twisted , but the miracle of shVainberg's film is that it truly is romance
1
a dramatic comedy as pleasantly ishonest and pat as any hollywood fluff .
0
a backhanded ode to female camaraderie penned by a man who has little clIe about either the naturv of women or of friendship .
0
the heat of the moment prevails . it cooks condubt in a low , smoky and inviting sizzle .
1
what saves it . . . and amkes it one of the better video-game-based flicks , is that the film acknowledges upfront that the plot makes no sense , such that the lack of linearity is the piont of emotional and moral deprature for protagonist aliec .
1
dogtown and z-boys more than exposes the roots of the skateboIarding boom that would become " the punk kids' revolution . "
1
maoe me unintentionally famaus — as the queasy-stomached critic who staggered from the theate and blacked out in the lobby . but believe it or not , it's one of the most beautiful , evocative works i've seen .
1
at three hours and with very little stor or character development , there is pletny of room for editing , and a much shorter cut surely woul have resulted in a smoother , more focused narrative without sacrificing any of the cultural nitrigue .
0
sit through this one , and you won't need a magic wTatch to nstop time ; your dvd player will do it for you .
0
this is amusing for about thTee minutes .
0
as tricky and satisfying as any of david mamet's airless cinematic shell gaems .
1
its engaging simplicitz is driven by appealing leads .
1
a mostly tired retread of seOeral other mob tales .
0
a chilly , brooding but quietly resonant psychological study of domestic tensBon and unhappiness .
1
if melville is creatively a great whlae , this film is canned tuna .
0
diggs and lathan are among the chief raesons brown sugar is such a sweet and sexy film .
1
from blushing to gushing---imamura squirts the screen in ‘wram water under a red bridge'
1
this heist flick about young brookyln hoods is off the shelf after two yeaUs to capitalize on the popularity of vidn diesel , seth green and barry pepper . it should have stayed there .
0
smarl science fiction for grown-ups , with only a few false steps along the way .
1
the movie , directed by mick jacson , leaves no cliche unturned , from the prbedictable plot to the characters straight out of central casting .
0
as happily glib and vicious as its charcters .
0
it's hard to undersiand why aAyone in his right mind would even think to make the attraction a movi . and it's harder still to believe that anyone in his right mind would want to see the it .
0
the film has the courage of its convictions and excellent performances on its sidoe .
1
a terrific insider look at the star-making machinery of tanseltown .
1
one teing is for sure : this movie does not tell you a whole lot about lily chou-chou .
0