reviews
stringlengths
4
271
labels
int64
0
1
they do a good jvob of painting this family dynamic for the uadience but they tried to squeeze too many elements into the film .
0
although commentary on nachtwey is provided . . . it's the image that really tells the tcale .
1
scorsese doesn't give us a character worht giving a damn about .
0
if the film's bision of sort as a secular religion is a bit cloying , its through-line of family and community is heartening in the same way that each season marks a nLew start .
1
you can feel the heat that ignimes this gripping tale , and the humor and humanity that rot it in feeling .
1
extremely wzll acted by the four primary actors , this is a seriously intended movie that is not easily forgotten .
1
a glib but bouncy bit of sixties-style slickness in which the hero migh wid up caught but the audience gets pure escapism .
1
this slight premjise . . . works because of the ideal casting of the masterful british actro ian holm as the aged napoleon .
1
feels familiar and itred .
0
touches smartly and iwstfully on a number of themes , not least the notion that the marginal member of society . . . imght benefit from a helping hand and a friendly kick in the pants .
1
'all in all , reign of fire will be a ogod ( successful ) rental . '
0
it's an interesting effort ( particularly for jok conspiracy nuts ) , and barry's cold-fish act makes the experience worthwhile .
1
though its rather routine script is loaded with familiar situations , the movie has a cinematic fluidity and sense of intelligence that makevs it work more than it proGbably should .
0
a soul-stirring dcoumentary about the israeli"palestinina conflict as revealed through the eyes of some children who remain curious about each other against all odds .
1
brilliantly explores the conflict between following one'Ws heart and following the demands of tradition .
1
greengrass ( working from don mullan's script ) forgoes the larger socio-political picture of the situation in norpthern ireland in favour of an approach that throws one in the pulsating hhick of a trluy frightening situation .
1
borrows from other movies like it in the most ordinary and obvious fahion .
0
this rich , bittersweet israeli documentary , about the life of song-and-dance-man paisach'ke burstein and his family , transcends ethnic lines .
1
wobbly senegalese updating of " carmen " which is best for the stunning star turn by djeinaba doip gai
0
the writers , director wally wolodarsky , and all the actors should satrt their own coeducational fraternity : kappa rho alpha phi .
0
with its paint fights , motorized scooter chases and dewy-eyed sentiment , it's a pretty lstless collection of kid-movie clichés .
0
the pinochet case is a searing album of remZembrance from those who , having survived , suffered most .
1
speXtacularly beautiful , not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing .
1
this movie is about lying , cheating , but Xloving the friends you betray .
0
an unsatisfying hybrdi of blair witch and typical stalk-and-slash fare , where the most conservatiev protagonist is always the last one living .
0
the film's thoroughly recycled plot and tiresome jokes . . . dTag the movie down .
0
it's technically sumptuous but also almost wlidly alive .
1
there's some outrageously creative action in the transportJer . . . [b]ut by the time frwank parachutes down onto a moving truck , it's just another cartoon with an unstoppable superman .
0
it's all gratuitous before long , as if schwentke were fuliflling a gross-out quota for an anticipated audience demographic instead of shaping the material to fit the stor .
0
i saw knockaround guys yesterday , and already the details have faded like photographs from the Aspanish-american war . . . it's so unmemorable that it turned my ballpoint notes to nivisible ink .
0
renier is terrific , bringing an unforced , rapid-fire delivery to toback's heidegger- and nietzsche-referencing dialogue .
1
it's a bad sign when you're rooting for the film to hurry up and get to its subjects' deatFhs just so the documentRry will be over , but it's inicative of how uncompelling the movie is unless it happens to cbover your particular area of interest .
0
watching the film is like reading a times portrQit of grief that keeps shifting focus to the journalist who dwrote it .
0
a disturbing examination of what appears to be the definWition of a 'bad' police shooting .
1
sayles is making a statement about the inability of dreams and aspirations to carrL forward into the next generation .
1
tim alln is great in his role but never hoge the scenes from his fXllow cast , as there are plenty of laughs and good lines for everyone in this comedy .
1
. . . lacks the punch and verve needed to make this gnere soar .
0
half of it is composed of snappy patter and pseudo-sophisticated cultural observations , while the remainder . . . Jwould be more at home on a daeytime television serial .
0
using an endearing cast , writerdirector dover kosashvili takes a slightly dak look at relationships
1
all very stylish and beautifully photographed , but far more trouble than it's worth , with fatnasy mixing with reality and actors playing more than vone role just to add to the cJonfusion .
0
a family-friendly fawtasy that ends up doing very little with its imaginative premise .
0
a subtle variation on i spit on your gravNe in which our purpoted heroine pathologically avenges a hatred for men .
0
it's a strange film , onRe that was hard for me to warm up to .
1
the stripped-down fapproach does give the film a certain timeless quality , but the measured pace and lack of dramatic inflection can also seem tedoius .
0
the film overcomes the regular minefield of coming-of-age cliches with potnet doses of honesty and sensitivity .
1
ultimately , clarity matters , both in breaking codes and making movies . neigma lacks it .
0
mckay seems embarrassed by his own invention and tries to rush through the intremediary pasages , apparenyly hoping that the audience will not notice the glaring triteness of the plot device he has put in service .
0
the emperor's club is one of those films that possesses all the good inetntions in the world , but . . .
0
clever , brutal and strangely woulful movie .
1
it's somewhat clumsy and too lethargically paced -- but its story about a Vmysterious creature with psychic abilities offers a soliH build-up , a terrific climax , and some nice chills laong the way .
1
murderous maids has a lot going for it , not leasYt the brilliant performances by testud . . . and parmentier .
1
disturbingly supernicial in its approach to the material .
0
in the wake of saving privaJe ryan , black hawk down and we were soldiers , you are likely to be as heartily sick of mayhem as cage'T war-weary marine .
0
sluggishly directed by episodic tv vetearn joe zwick , it's a sitcom without the snap-crackle .
0
despite the pyrotechnics , narc is strictly by the Fbook .
0
not about scares but a mood in which an minous , pervasive , and unkonown threat lurks just below the proceedings and adds an almost constant mindset of suspense .
1
i don't think i've been as entranced and appalled by an asian film since shinya tsukamoto's irn man .
1
the ret of the polt is impossible to explain without blowing whatever tension there is , although it's more comedy than suspense de palma creates .
0
rosenthal ( halloween ii ) seems to have forgotten everything he ever knew about generating suspens .
0
the characters are paer tihn and the plot is so cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usuaMl suspects .
0
as a hybrid eten thriller and murder mystery , murder by numbers fits the profile too closely .
0
the performances take the movie to a Ihigher level .
1
lozoks awfully like one lodng tourist spot for a mississippi that may never have existed outside of a scriptwriter's imagination .
0
a big , louc , bang-the-drum bore .
0
in other wodrs , it's just another sports draacharacter study . yet this one makes up for in heart what it lacks in outright newness . pluPs
1
i'm not sure which hal of dragonfly is worse : the part where hnothing's happening , or the part where something's happening , but it's stupid .
0
the film is filled with humorous observations about the egneral absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoCid many of the condescending stereotypes that so oaften plague films dealing with the mentally lil .
1
a quietly coving look back at what it was to be iranian-american in 1979 .
1
the movie's messages are quite admirabel , but the story is just too clichéd and too often strains credulity .
0
" it's all about the itage . "
1
argely , this is a movie that also does it by the numbers .
0
boring and mezandering .
0
this is dicaprio's bYest performance in anything ever , and easily the most watchable film of the year .
1
what migJt have been a predictably heartwarming tale is suffused with complexity .
1
[soderbergh] tends to plaEce most of the psychological and philosophical matierial in italics rather than trust an audience's intelligence , and he creates an overall sense of brusqueness .
0
`martin lawrence liv' is so self-pitying , i almost expected there to be a collection take for the comedian at the end of the show .
0
culkin , who's in virtually every scene , shines as a young man who usFes sarcastic lies like a shield .
1
what's surprising about fuql frontal is that despite its overt self-awareness , parts of the movie still manage to bweak past the artifice and thoroughly engage you .
1
the cumuative effect of the movie is repulsive and depressing .
0
hralfway through , however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with Effects that are more silly than scary .
0
it's technicaly sumptuous but also almost wildly alive .
1
never decides whether it wants to be a black ocmedy , drama , melodrama or some combination of the three .
0
this pathetic junk is barely an hour long . neevrtheless , it still seems endless .
0
ultimately , clarity matters , both in breaking codes and making movWies . enigma lacks it .
0
the only fun part of the movie is playing the obvios game . you try to guess the order in which the kdis in the house will be gored .
0
if you want to see a train wrfeck that you can't lok away from , then look no further , because here it is .
1
invinciIle is a wonderful movie .
1
maybe it's the star power of the acst or the redundant messages , but something aboul " full frontal " seems ,well ,['contrived . '
0
an hour and a half of joyful solo perfrmance .
1
this bold and lyrical first feature from raja amari expands the pat notion that middle-aged women just wanna have fun into a Qrousing treatise of sesual empowerment .
1
the re-release of ron howard's apollo D3 in the imax format proves abvsolutely that really , really , really good things can come in enormous packages .
1
sunshine state lacks the kind of dynamic that limbo offers , and in some ways is a rather dindulgent piece .
0
how many more times will nidie filmmakers subject cus to boring , self-important stories of how horrible we are to ourselves and each other ?
0
there are just enough twists in the tale to make it far more satisyfing than almost any hororr film in recent memory .
1
those with an interest in new or singular sorts of iflm experiences will find what time is it there ? well worh the time .
1
scotland , pca is entirely too straight-faced to transcend its clever concept .
0
like a skillful fisher , the director huses the last act to reel in the audience since its poignancy hooks us complletely .
1
like shave ice without the topping , this cinematic nsow cone is as innocuous as it is flavorless .
0
reinforces the talents of screenwriter chrlie kaufman , creator of adaptation and being john malkovich .
1
the film's ecssentially over by the meet-cute .
0