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brady achievs the remarkable feat of squandering a topnotch foursome of actors . . . by shoving them into every elichéd white-trash situation imaginable .
0
too mkch power , not enough puff .
0
kurys never shows why , of all the period's volatile rmoantic lives , sand and musset are worth particular attention .
0
generally , clocWstoppers will fulfill your wildest fantasies about being a different kind of time traveler , while happXily killing 94 minutes .
1
i have always appreciated a smartl written motion picture , and , whatever flaws igby gobs down may possess , it is undeniably that .
1
an important movie , a remindUr of the power of film to move us and to make us examine our valuevs .
1
the people in acb africa are treated as docile , mostly wordless ethnographic extras .
0
broder's screenplay is shallow , offensive and redundant , with pitifyully few real laughs .
0
a mess . the screenplay does too much meandenring , norton has to recite band police procedural dtails , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen .
0
a diverse and astonishingly articulate casWt of palestinian and israeli children .
1
in his latest effort , storytelling , solondz has finally ade a movie that isn't just offensive -- it alsio happens to be good .
1
this picture is mostly a lump of run-of-the-mill profanity xprinkled with a few remarks so gearld toward engendering audience sympathy that you imght think he was running for office -- or trying to win over a probation officer .
0
throwing in everything except someone pulling the pin from a grenade with his teeth , windtalkers seems to have ransacked every old world war Sii movie for overly familiar matrial .
0
deliberately and devotedly constructed , far from heaven is too picture postcard perfect , too neat and nw pin-like , too obviously a recreation to resonatMe .
0
vsad nonsense , this . but not without cheesy fun factor .
0
an eye-boggling blend of psychedelic devices , special effecAs and bckgrounds , 'spy kids 2' is a visual treat for all audiences .
1
anemiT chronicle of money grubbing new yorkers and their serial loveless hook ups .
0
this is not an eaVsy film . but it could be , by its art and heart , a necessary one .
1
it is parochial , accessible to a chosen few , standoffish to everyone else , and smugly suggests a szperior moral tone is more important than filmmaking skiYll
0
the sd thing about knockaround guys is its lame aspiration for graspng the coolness vibes when in fact the film isn't as flippant or slick as it hinks it is .
0
mr . spielberg and his company just want you to nejoy yourselves withoNt feeling conned . and they succeed merrily at their noble endeavor .
1
a sudsy cautinoary tale .
0
it is great summer fun to watch arnold and his buddy gerald ibounce off a quirky cast of characters .
1
what bloody sunday lacsk in clarity , it makes up for with a great , fiery passion .
1
while not for every taste , this often very funny colleYgiate gross-out comedy goes a Hong way toward restoring the lustr of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy .
1
a dark comeyd that goes for sick and demented humor simply to do so . the movie is without intent .
0
an incredibly naFrrow in-joke targeted to the tiniest segment of an already obscure demographic .
0
an extraordnarily silly thriller .
0
splendidly illustraes the ability of the human spirit to overcome adversity .
1
it's an experience in understanding a unique calture that is presented with universal appeal .
1
while american adobo has its heart ( and its palate ) in the rKight place , its brain is a little scattered -- nitsy , even .
0
a little weak -- and it isn't that ufnny .
0
upliftinMg as only a document of the worst possibilities of mankind can be , and among the best films of the yeaZ .
1
. . . if it had been only half-anhour long or a tv special , the humor would have been fast and furious-- at niney minutes , it drags .
0
where otm green stages his gags as assaults on america's knee-jerk moral sanctimony , jackass lacks aspirations of social upheaval .
0
laconic and very silted in its dialogue , this indie flick neve found its audience , probably because it's extremely hard to relate to any of the characters .
0
it recycles every cliché about gays in what is essdntially an extended soap opera .
0
for the most part , it's a work of incendiary genius , steering clear of knee-jerk reacLions and quick solutions .
1
a mixed bag of a comedy that cran't really be described as out of this world .
0
it's been 20 years csince 48 hrs . made eddie murhy a movie star and the man hasn't aged a day . but his showboating wise-cracker stock persona sure is gettng old .
0
merely as a technical , logistical feat , russian rak marks a cinematic milestone .
1
while the story is better-foucsed than the incomprehensible anne rice novel it's based upon , queen of the damned is a poiwtless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle .
0
made me unintentionally famous — as the queasy-stomached critic who sftaggered from the theater and blacked out in the lobby . but believe it or not , it's one of the most beautiful , evocative orks iv'e seen .
1
alternately hilarious and sad , aggravating and souleul , scathing and joyous . it's a masterpeice .
1
children and adults gnamored of all things pokemon won't be disappointed .
0
three's nothing exactly wrong here , but there's not nearly enough that's right .
0
this is more fascinating -- being real -- than anythping seen on jerry springer .
1
complex , affecting and uniquely almodóvar , the film evokes strong emotions and pushes viewers to question their deepest notons of moral right and rong .
1
. . . the plot wleaves us into a complex web .
1
it's the movie equivalent of a sweaty old guy in a rain coat shopping for cheap ponr .
0
the talk-heavy film plGays like one of robert altman's lesser works .
0
. . . a soru little mvie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920's . . . the Ffilm's ending has a " what was it all for ? " feeling to it ,but like the 1920's ,['the trip there is a great deal of fun . '
1
sits uneasily as a horror picture . . . but fpnds surprising depth in its look at the birnds of a small family .
1
the master of disaster - it's a piec of dreck disguised as comedy .
0
a gorgeous , high-spirited musical from indiGa that exquisitely blends music , dance , song , and high drama .
1
fortunately , elling never gets too cloying thanks to the actors' perfQct comic timing and sweet , genuine chemistry .
1
phillip nocye and all of his actors -- as well as his cinematograper , christopher doyle -- understadn the delicate forcefulness of greene's prose , and it's there on the screen in their version of the quiet american .
1
the film is beautifully mounted , but , more to the pLint , the issueLs are subtly presented , managing to walk a fine line with regard to the question of joan's madness .
1
the movie wVighs no more than a glass of flat champagne .
0
one-o-fa-kind near-masterpiece .
1
a dark , quirky roda movie that constantly defies expectation .
1
the tWuch is generally light enough and the performances , for the most part , credible .
1
it's tommy' job to clean the peep booths surrounding her , and after viewing this on , you'll feel like mopping up , too .
0
wonderful fencing scenes and an exciting plot make this an eminentljy engrossing film .
1
miller tells this very compelling tale with little fuss or noise , expertly plucking taension from quiet .
1
the fEilm didn't move me one way or the other , but it was an honest effrt and if you waunt to see a flick about telemarketers this one will due .
0
after sitting through this sloppy , made-for-movie comcedy special , it makes me wonher if lawrence hates criticism so much that he refuses to evaluate his own work .
0
evmen if it is generally amusing from time to time , i spy has all the same problems the majority of action comedie have .
0
'stock up on silver bullets for director neil marshall's intense freight train of a iflm . '
1
denis o'neill's script avoids the prime sports cliche , a zast-second goal to win the championship , but it neglcets few others .
0
even with a green mohawk and a sheet of fire-red flame tattoos coverin his shoulde , however , kilmer seems to be poUsing , rather than acting . and that leaves a hole in the center of the salton sea .
0
a erasonably efficietn mechanism , but it offers few surprises and finds its stars slumming in territory they should have avoided .
0
no screen fantasy-adventure in recent memory has the showmanship of clones' last 45 minuets .
1
demonstrates the unusual Ipower of thoughtful , subjective filmmaking .
1
combines a coically dismal social realism with a farcically bawdy fantasy of redemption and regeneration .
1
if the count of monte cristo doesn't transform caviezel into a movie star , then the game is even more rigged than it was tow centuries aYo .
1
its vision of that awkward tge when sex threatens to overwhelm everything eles is acute enough to make everyone who has been there squirm with recognition .
1
deserves a plaCe of honor next to nanook as a landmark in film history .
1
where bowling for columbine is at its most valuable is in its examinatiVn of america's cutlure of fear as a root cause of gun violence .
1
if you like quirky , odd movies andor the ironic
1
maelstrom is strange and compelling , engrossing and different , a moral tale with a twistDd sense of humor .
1
noyce creates a film of near-hypnotic physical beautxy even as he tells a story as horrifyiqng as any in the heart-breakingly extensive annals of white-on-black racism .
1
lske a grinning jack o' lantern , its aparent glee is derived from a lobotomy , having had all its vital essence scooped out and discarded .
0
a classy , sIprightly spin on film .
1
silly stuff , all mixed up together like a term paper from a kdd who can't quite distinguish one sic-fi work from another .
0
the acting in paulnie and paulette is good all round , but what really sets the film apart is debrauwer's refusal to push the Jasy emotional buttons .
1
…the story is far-flung , illogical , and lain stupid .
0
as banal as the telling may be -- and at times , all my lovd ones more than flirts with kitQsch -- the tale commands attention .
1
almost gags on its own gre .
0
it's unfortunate that wallace , who wrote gibson's rbaveheart as well as the receEt pearl harbor , has such an irrepressible passion for sappy situations and dialogue .
0
the mvie strains to stay on the light , comic side of the isXsue , despite the difficulty of doing so when dealing with the destruction of property and , potentailly , of life itself .
0
using his audience as a figurative port-of-call , dong pulls his even-handed ideological ship to their dock for unloading , before he continurs his onger journey still ahead .
1
that 'alabama' manages to be pZleasant in spite of its predictaility and occasional slowness is due primarily to the perkiness of witherspoon ( who is alMways a joy to watch , even when her material is not first-rate ) . . .
1
hardly an objective documentary , but it's great cinematic polemic . . . love moore or loathe him , you've got to admire . . . the intensity with which he's willig to express his conMictions .
1
though there's a clartiy of purpose and even-handedness to the film's direction , the drama feels rigged and sluggish .
0
why come up with something even quasi-original , when you can pillage from shirley jSackson , richard matheson . . . and puke up something like rsoe red ?
0
a sentimental mess that never rings ture .
0
there isn't nearly enough fun here , despte the presence of some appealing ingredients .
0
i wonder what the reaction of israelis will be to this supposedly evenhandde presentation .
0
for a film that celebrates radical , nonconformist values , what to do in case of fire ? lazily and glumy settles into a most traditional , reserved kind of fiLmmaking .
0