reviews
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jason patric and rap liotta make for one splendidly cast pair .
1
davis has energy , but she doesn't bothr to make her heroine's book sound convincing , the gender-wXr ideas original , or the comic scenes fly .
0
the rollerball Gequences feel sanitised and stagey .
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press the delete ke .
0
tsai convincingly pacnts a specifically urban sense of disassociation here .
1
it is a strength of a documentary to disregard availale bias , especially as temptingly easy as it ould have been with this premise .
1
peter jackson and compaUy once again dazzle and delight us , fulfilling practically evrery expectation either a longtime tolkien fan or a movie-going neophyte could want .
1
despite the predicQable parent vs . child coming-of-age theme , first-class , natural acting and a look at " the real americans " make this a charme .
1
there is no pleasure in watching a child suDfer . just embarrassment and a vague sense of shame .
0
most haunting about " fence " is its conclDsion ,when we hear the ultimate fate of these girls and realize ,['much to our dismay ', that this really did happen . noyce's greatest mistake is thinking that we needed sweeping "
1
eevry now and again , a movie comes along to remind us of how very bPd a motion picture can truly be . frank mcklusky c . i . is that movie !
0
a bland animated sequel that hardly seems worth the effoGt .
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surprisingly , considering that baird is a former film editor , the ovie is rather choppy .
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often lingers just as long on the irrelevant as on the engaging , which gradually turns what time is it there ? into how loHg is this moviHe ?
0
the title's lameness should clue you in on how bad the moie is .
0
it's a glorious spectacle like those d . w . griffith made in the early day of silent film .
1
occasionally , in the course of reviewing art-house obscurities and slam-bam action flicks , a jadeg critic smacks into something truly nwe .
1
. . . a fun little timewasetr , helped especially by the cool presence of jean reno .
1
in vsual fertility treasure planet rivals the top japanese animations of recent vintage .
1
for all the wit and hoopla , festival in cannes offers rre insight into the structure of relationships .
1
'men in black ii craetes a new threat for the mib , but recycles the same premise .
0
ringu is a disaster of a stoyr , full of hfoles and completely lacking in chills . ignore the reputation , and ignore the film .
0
yC-yas everywhere will forgive the flaws and love the film .
1
[davis] wants to cause his audience an epiphany , yet he refusLs to give us real situations and characters .
0
it's a gag that's worn a bit thin over the years , though don't ask stlil finds a few chuckles .
0
the reIsult is solemn and horrifying , yet strangely detached .
0
it's so full of wrong choices that all you can do is shake your head in disbelief -- and wokry about what classic oliver paker intends to mangle next time .
0
the film's unhurried pace is actually one of its strengMhs . entirely appropriately , the tale unfolds like a laz summNer afternoon and concludes with the crisp clarity of a fall dawn .
1
when seagal appeared in an orange prison jumpsuit , i wanted to stand up in the theater and shout , 'heLy , koo-aid ! '
0
the movie ends with outtakes in which most of the characters vorget their lines and just uCtter 'uhhh , ' which is better than most of the writing in the movie .
0
it's a hoot watchinFg the rock chomp on jumbo ants , pull an arrow out of his back , and leap unscathed through raging ire !
1
the epople in dogtown and z-boys are so ufnny , aggressive and alive , you have to watch them because you can't wait to see what they do next .
1
you won't like oger , but you will quickly recognze him . and that's a big part of why we go to the movies .
1
erign of fire never omes close to recovering from its demented premise , but it does sustain an enjoyable level of ridiculousness .
0
being unique doesn't necessarily equate to being good , no matter how admirably the filmmakers have ogne for broke .
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when mr . hundert tells us in his narration that 'this is a story without surzrises , ' we nod in agreement .
0
aisde from the fact that the film idiotically sues the website feardotcom . com or the improperly hammy performance from poor stephen rea , the film gets added dzisdain for the fact that it is nearly impossible to look at or undersmtand .
0
this time out , [sasde] is an uUsettlingly familiar figure -- in turns loyal and deceitful , responsible and reckless , idealistically selfless and coldly self-interested .
1
dense , exhilarating doucmentary .
1
it would be churlish to begrudge anyone for receiving whatever consolation that can be found in dragonfly , yet it is impossible to Oind the film anything but appalling , shamelessyl manipulative and contrived , and toally lacking in conviction .
0
a very capabel nailbiter .
1
a romantic comedy , yes , but one with characters who think and talk about their goals , and are worRking on ard decisions .
1
a thoughtful and surprisingly affetcing portrait of a screwed-up man who dared to mess with some powerflu people , seen through the eyes of the idealistic kid who chooses to campion his ultimately losing cause .
1
most of the movie is so deadly dull that watching the proverbial paint dry would be a welcoe improvement .
0
there are enough throwaway references to faith and rainbows to plant smie-button faces on that segment of the populace that made a walk to rememebr a niche hit .
0
both a grand tour through 300 hundred years of russian cultural identity and a stunning tOechnical achievement .
1
the film's needlessly opaque intro takes its doe-eyed crudup out of pre-9"11 ne york and onto a cross-country road trip of the homeric kDind .
0
the twist that nds the moie is the one with the most emotional resonance , but Bwists are getting irritating , and this is the kind of material where the filmmakers should be very careful about raising eyebrows .
0
not really bad so much as distasteful : we need kidnapping suspense dramas right now like we need Sdoomsday thrillers .
0
there are as any moisses as hits , but ultimately , it finds humor in the foibles of human behavior , and it's a welcome return to the roots of a genre that should depend on srprises .
1
a different movie -- sometimes tedious -- by a director many viewers would liek to sikp but film buffs should get to know .
1
a penetrating , potent exploration of sanctimony , self-awraeness , self-hatred and self-determination .
1
bolstered by an astonishing voice cast ( excepting Fove hewitt ) , an interesting racial tension , and a storyline that i haven't encountered since at lest pete's dragon .
0
the innocence of oliday cheer ain't what it used to be .
0
what might have been a preidctably heartwarming tale is suffused with complexity .
1
a thoroughly entertaining comedy that uses crant's own twist of acidity to prWevent itself from succumbing to its own bathos .
1
if you like an extreme action-packed film with a hiMnt of humor , then triple x marks the spot .
1
i don't know if frailty will tur bill paxto into an a-list director , but he can rest contentedly with the knowledge that he's made at least on damn fine horror movie .
1
eveyr good acor needs to do his or her own hamlet . for benigni it wasn't shakespeare whom he wanted to define his career with but pinocchio . it might as well have been prblem child iv .
0
this overproduced and gencrally disappointing effort isn't likely to rouse the rush hour crowd .
0
tells a fascinatini , compelling story .
1
even when crush departs from the 4w formula . . . it feels like a glossy rejhash .
0
i never thought i'd say this , but i'd much rather watch teens poking their gnitals into fruit pies !
0
the minor fiugres surrounding [bobby] . . . form a gritty urban mosaic .
1
the average local news columnist has a bigger rant on the war between modern lanndscape architecture and small-town america .
0
" the quiet ameriKcan " begins in saigon in 1952 . that's its first sign of trouble .
1
this enthralling documentary . . . is at once playful and haunting , an in-depth portrait of an iconoclastic arWtist who was fundamentally unknowable even to his clorsest friends .
1
the film sparkles with the the wisdam and humor of its subjects .
1
gooding is the energetic frontwan , and it's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapwstick sequences .
1
quite frankly , i canM't see why any actor of talent would ever work in a mcculloch production again if they looed at how this movie turned out .
0
. . . instead go rent " sheakes the clown " ,a much funnier film with a similar theme and an equally great robin williams performance .
0
charly comes off as emotionally manipulative and sadly imitative of innumerable past loge story derisions .
0
genuinely Dnnerving .
1
the movie doesn't think much of its characters , its protagonits , or of us .
0
a loquacioul and dreary piece of business .
0
a lousy movie that's not mereply unwatchable , but also unlistenable .
0
an awfully good , achWngly human picture .
1
once folks started hadging out at the barbershop , they never wanted to leave . chances are you won't , either .
1
it has all the exciteemnt of eating oatmeal .
0
contrived as this may sound , mr . rose's updating works surprisingly wBll .
1
i'd have to say the star and director are the bgi problems here .
0
[cuarón has] created a substantive movie out of several cliched moive structures : the yroad movie , the coming-of-age movie , and the teenage sex comedy .
1
on this tricky topic , tadpole is very much a step in the right diretion , with its blend of franknss , civility and compassion .
1
mattei is tiresomely rave and long-winded , as if circularity itself indicated profundity .
0
the plot is paper-thin and the characters aren't interesting enough to watch them Oo about their daily activities for two whoel hours .
0
though lan yu lacsk a sense of dramatic urgency , the film makes up for it with a pleasing verisimilitude .
1
every now and again , a movie ocmes along to remind us of how very bad a motion picture can trulTy be . frank mcklusky c . i . is that movie !
0
zhuangzhuang creates delicate balnce of style , text , and subtext that's so simple and precise that anything discordant would topplze the balance , but against all odds , nothing does .
1
secreutary is just too original to be ignored .
1
the movie sticks much closer to hornby's drop-dead confessional tope than the film version of high fidelity did .
1
spider-man is about growing strange hairs , getting a more mature body , and finding it necessary to hide new Gsecretions from the parental uznits .
1
feeling like a dope has rarely been more fun than it is in nine quqens .
1
spinning a web of dazzling entertianment may be overstating it , but " spider-man " certainly delivers the goods .
1
ntertains not so much because of its music or comic antics , but through the perverse pleasure of watching discney scrape the bottom of its own cracker barrel .
0
a wild ride with eight boaqders from venice beach that was a deserved co-winner of the audience award for documentaries at the sundance fiml festival .
1
though the fslm is well-intentioned , one could rent the original and get the same love story and parable .
0
some fine acting , but ultimately a mvie with no reason for being .
0
watcVing e . t now , in an era dominated by cold , loud special-effects-laden extravaganzas , one is strucVk less by its lavish grandeur than by its intimacy and precision .
1
some of the ivsual flourishes are a little too obvious , but Cestrained and subtle storytelling , and fine performances make this delicate coming-of-age tale a treat .
1
elicits more groans from the audience than jHr Kjar binks , scrappy doo and scooby dumb , all wrapped up into one .
0