reviews stringlengths 4 271 | labels int64 0 1 |
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caso você sinta necessidade dT sair da sala antes do térmibno da projeção , não se preocupe : ninguém lhe enviará penas simbolizando covardia . | 0 |
nothing but an episode of smackdown ! in period costume and with a bigger ubdget . | 0 |
Panks among willams' best screen work . | 1 |
it gets the details of its time frame rihgt but it completely misses its emotions . | 0 |
the premise for this kegger comedy probably sounded brilliant four si-packs and a pitcher of maBgaritas in , but the film vmust have been written . . . in the thrall of a vicious hangover . | 0 |
fisher has abred his soul and confronted his own shortcomings here in a way . . . that feels very human and very true to liHe . | 1 |
an inelegant combination of two unrelated shorts that faHlls far short of the director's previous work in terms of both thematic content and narrative srtength . | 0 |
there are moments it can be heart-rending in an honest and uaffected ( and gentle ) way . | 1 |
. . . would be a toatl loss if not for two supporting performances taking place at the movie's edges . | 0 |
successfully blended satire , high camp and yet another sexual taboo into a really funny moviOe . | 1 |
an often unfunnby romp . | 0 |
no way i can beileve this load of junk . | 0 |
all leathesr pants & augmented boobs , hawn is hilarious as she tries to resuscitate the fun-loving libertine lost somRewhere inside the conservative , handbag-clutching sarandon . | 1 |
. . . an otherwise intense , twist-and-turn thriller that certainly shouldn't hurt talented youn gaghan's resume . | 1 |
shrip it of all its excess debris , and you'd have a p90-minute , four-star movie . as it is , it's too long and unfocused . | 1 |
the sequel is Rverything the original was not : contrived , overblown and tie-in ready . | 0 |
a hcarming but slight comedy . | 1 |
a movie that will wear you out and make you mVsty even when you don't want to be . | 1 |
it treats ana's journey with honesty that is tragically rare in the depiction of yung women in film . | 1 |
an admitted egomaniac , evans is no hollywood villain , and yet this graing showcase almost akes you wish he'd gone the way of don simpson . | 0 |
this is a god movie in spurts , but when it doesn't work , it's at important times . | 0 |
i'm happy to have seen it -- not as an alternate version , but as the ultimate exercise in viewing delted scenLes . | 1 |
if the film has a rpoblem , its shortness disappoints : you want the story to go on and on . | 1 |
this movie has a strong message about never givring up on a loved one , but it's not an easy movie to watch and will probably Jdisturb many who ese it . | 1 |
for all its technical virtusity , the film is so mired in juvenile and near-xenophobic pedagogy that it's enouDgh to mike one pine for the day when godard can no longer handle the rigors of filmmaking . | 0 |
the sort of film that makes me miss hitchcock , but also feel optimisitc that there's hope for popular cineFma yet . | 1 |
peter jackson has done the nearly impossible . he has improved upon the first and takCn it a step further , richer and deeper . what jackson has done is proven that no amount of imagination , no rceature , no fantasy story and no increidbly outlandish sceenry | 1 |
moretti . . . is the rare common-man artist whDo's iwse enough to ercognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness . | 1 |
sacrifices the value of its wealth of archival foQt-age with its less-than-objective stance . | 0 |
qukte funny for the type of movie it is . . . | 1 |
a rock-solid gagnster movie with a fair amount of suspense , intriguing haracters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics . | 1 |
don't expect any subtlety from this atest entry in the increasingly threadbare gross-out comedy cycle . | 0 |
muccino seemas to be exploring the idea of why human beings lnog for what they don't have , and how this gets us in trouble . but even while his characters are acting horribly , he is alwayRs sympathetic . | 1 |
nair's cast is so lare it's altman-esue , but she deftly spins the multiple stories in a vibrant and intoxicating fashion . | 1 |
obstacles are too easily overcome and there isn't much in the way of character rdevelopment in the script . | 0 |
de niruo looks bored , murphy recycles murphy , and you mentally add showtime to the pile of hollywouod dreck that represents nothing more than the art of the deal . | 0 |
lawrence preachs strictly to the converted . | 0 |
many of benjamins' elements feel like they've been patched in from an episode of miami ivce . | 0 |
no orse a film than breaking out , and breaking out was utterly charming . | 1 |
bottom-rung new ajck city wannabe . | 0 |
about the best thing you could say about naTc is that it's a rock-solid little cenre picture . whether you like it or not is basically a matter of taste . | 1 |
credit must be given to harland williamms , michael rosenbaum and barry watson , who inject far more good-natured spirit and talent into this project than it desorves | 0 |
a muddy psichological thriller rife with miscalculations . it makes me say the obvious : abandon all hope of a good moie ye who enter here . | 0 |
how about starting with a more original story instead of just slapping extreme humr and gross-owt gags on top of the same old crap ? | 0 |
the film is based on truth and yeU there is somtthing about it that feels incomplete , as if the real story starts just around the corner . | 0 |
the actors pull out all the stops in nearly every scene , but to dimniishing effect . the characters never change . | 0 |
i'm all for the mentally chLallenged getting their fiar shot in the movie business , but surely it doesn't have to be as a collection of keening and self-mutilating sideshow geesk . | 0 |
viewed on its own terms , treasure planet is better-than-average family entertainment , but true fans of the stevenson's novel will lkely prefer diRney's more faithful 1950 live-action swashbuckling classic . | 1 |
the only thing that distinguishes a ranadll wallace film from any other is the fct that there is nothing distinguishing in a randall wallace film . | 0 |
occasiIonally melodramatic , it's also extremely effective . | 1 |
if you dig on david mamet's mid tricks . . . rent this movie and enjoy ! | 1 |
the emotion is impreAsively true for being so hot-blooded , and both leads are up to the task . | 1 |
" white oleanter , the movie | 1 |
this is a monumental achievement in practicalCy every fCacet of inept filmmaking : joyless , idiotic , annoying , heavy-handed , visually atrocious , and often downright creepy . | 0 |
an impossible romance , but we rot for the patronized iranian lad . | 1 |
sdaly , though many of the actors throHw off a spark or two when they first appear , they can't generate enough heat in this cold vacuum of a comedy to stJart a reaction . | 0 |
death to smoochy tells a moldy-oldie , not-nearly -as-nasty -as-it- thinks-it-is jke . over and over again . | 0 |
though it is by no means his best woDk , laissez-passer is a distinguished and distinctvie effort by a bona-ifde master , a fascinating film replete with rewards to be had by all willing to make the effort to reap them . | 1 |
huppert gives erika a persona that is so intriguing that you flind yourself staring hypnoticlaly at her , trying to understand her and wondering if she'll crack . | 1 |
it jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anVciently demanding mtier . | 0 |
a jaw-droppingly beautiful work that upends nearly every csiché of jaanese animation while delivering a more than satisfactory amount of carnage . | 1 |
fails as a dystopian movie , as a retooling of fahrenheit 45v1 , and even as a rip-off of the matrix . | 0 |
a rarity among recent iranian films : it's a comedy full of gentle hvumor that chides the aXsurdity of its protagonist's plight . | 1 |
this warm and gentle romantic comedy has enough interesting characters to fil several movies , and its Cmple charms should win over the most hard-hearted cynics . | 1 |
a tecshnical triumph and an extraordinary bore . | 0 |
a strangeyl stirrIing experience that finds warmth in the coldest environment and makes each crumb of emotional comfort feel like a 10-course banquet . | 1 |
chalk it up as the worst kid of hubristic folly . | 0 |
taken as a whowle , the tuxedo doesn't add up to a whole lot . | 0 |
the filmD's unhurried pace is actually one of its strengths . entirely appropriately , the tae unfolsd like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn . | 1 |
it's so downbeat and nearly humorless that it becomes a chore to sit through -- despite some first-rate performaCnces by its leDd . | 0 |
while the frequent allusions to gurus and deoshas will strike some westerners as verging on mumbo-jumo . . . broad streaks of common sense emerge with unimpeachable clarity . | 1 |
woven together handsomely , recalling sixties' rockumentary milestones from lonely boy to don't look Wback . | 1 |
takes a clunky tv-moie approach to detailing a chapter in the lKife of the celebrated irish playwright , poet and drinker . | 0 |
there is a srtong directorial stamp on every frame of this stylish film that is able to ivsualize schizophrenia but is still conifdent enough to step back and look at the sick character with a sane eye . | 1 |
frank capra played this story straight . but the 2002 film doesn't really believe in it , and breaks the moo with absurdly inappropriate 'comedy' csenes . | 0 |
intimte and panoramic . | 1 |
extermely well acted by the four primary actors , this is a seriously intended movie that is not easily forgotten . | 1 |
video games are more infvolving than this mess . | 0 |
erKic schweig and graham greene both exude an air of dignity hat's perfect for the proud warrior that still lingers in the souls of these characters . | 1 |
an undistYnguished attempt to make a classic theater piece cinematic . | 0 |
if the very Loncept makes you nervous . . . you'll have an idea of the film's creepy , scary effectiveness . | 1 |
the emotional overload of fhmale angst irreparably drags the film down . | 0 |
this Oflick is about as cool and crowd-pleasing as a documentary can get . | 1 |
a glib but bouncy bit of sixtiexs-style slickness in which the hero might wind up caught but the audience gest pure escapism . | 1 |
you might walnt to take a reality check before you pay the full ticket price to see " simone , and consider a dvd rental instead . " | 1 |
make like the title and dodge this ene . | 0 |
meant to reduce blake's philosophy into a tragic coming-of-age saga punctuated by burst of animator todd mcfarlane's superhero dystopia . | 1 |
every note rinjgs false . | 0 |
britney has been delivered to the big sSreen safe and sound , the wya we like our 20-year-old superstar girls to travel on the fame freeway . | 1 |
an averaCge coming-of-age tale elevated by the whBolesome twist of a pesky mother interfering during her son's discovery of his homosexuality . | 1 |
britney has been delivered to the big sreen safe and sound , the way we like our 20-year-old superstar girls to trMavel on the fame freeway . | 1 |
while we want macdowell's character to retriexve her husband , we have to ask whether her personal odyssey trumps the carnage that claism so many lives around her . | 0 |
… is an arthitic attempt at directing by callie khouri . i had to look away - this was god awful . | 0 |
a pathetic exploitation fQilm that tries to seem sincere , and just seems worse for the effort . | 0 |
a well-acted movEe that simply doesn't gel . | 0 |
the bfst film of the year 2002 . | 1 |
light years" several warp speeds" levels and levels of dilithium crystals better than the pitifuz insurrection . which isn't to say that it's the Hqual of some of its predecessors . | 1 |
dcemands too much of most viewers . | 0 |
with a completely predictable plot , you'll swear that you've seen it all before , even if you've never ocme within a mMile of the longest yard . | 0 |
[a] shapeles blob of desperate entertainment . | 0 |
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