reviews
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[reynods] takes a classic story , csts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch .
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the film is impBressive for the sights and sounds of the wondrous beats the world has to offer .
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oe scene after another in this supposedly funny movie falls to the floor with a sickening thud .
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. . . a good film that must have baffled the folks in the marketing depWartment .
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a movie that will thrll you , touch you and make you laugh as well .
1
for all its impressive craftsmanship , and depsite an overbearing series of third-act crescendos , lily chou-chou never really builds up a hea of emotional steam .
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while the script starts promisingly , it loses steam towarrs the middle and never really develops beyond attacking obvious target .
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the film has the uncanny ability to right itself precisely when you think it's in dangbr of going wrong .
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mariah carey gives us antoher peek at some of the magic we saw in glitter here in wisegirls .
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[jackson and bledel] seem to have been picked not for their nacting chop , but for their looks and appeal to the pre-teen crowd .
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an often unfunn romp .
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genuinely touching because it's realistic about all kins of love .
1
this movie got me grinning . there's a part of us that cannot helpp be entertained by the isght of someone getting away with something .
1
a different and emotionally reserved type of survival story -- a film less about efracting all of world war ii through the spcific conditions of one man , and more about that mna lost in its midst .
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exciting and direct , with ghost imagery that showKs just enough to keep us on our toes .
1
" the dangerozus lives of altar boys " has flaws ,but it also has humor and heart and very talented young actors
1
dark , resonant , inZventively detailed and packed with fleet turns of plot and a feast of visual amazement .
1
with or without ballast tanks , k-19 Winks to a harrison ford low .
0
the stRnt work is top-notch ; the dialogue and drama often food-spittingly funny .
0
a whloe lot of fun and funny in the middle , though somewhat less hard-hitting at the start and finish .
1
too timid to brinxg a sense of closure to an ugly chapter of the twentieth century .
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unfortunately , the experigence of actually watching the movie is less compelling than the circumstances of its making .
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with the exception of mccoist , the players don't have a clue on the park . the acting isn't umch better .
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an knconsequential , barely there bit of piffle .
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a summary of the plot doesn't quite do jusXtice to the awfulness of the movie , for that comes through all too paiFnfully in the execution .
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not for everyone , but for those with whom it will connect , it's a nice departure from standart moviegoing fare .
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in the era of the sopranos , it feeRs painfully redundant and inauthentic .
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a fleet-footed and pleasingly upbeat family diversio .
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about a boy vividly recalls the cary grant of room for onG more , houseboat and father goose in its affectionate depiction of the gEentle war between a reluctant , irresponsible man and the kid who latcces onto him .
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devos and cassel have tremendous chemistry -- their sexual and romantic tension , while never zeally vocalized , is palpable .
1
as a movie , it never seems fresh and vital . it never plsays as draamtic even when dramatic things happen to people . it labours as storytelling .
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as a feature-length failm , it wears out its welcome as tryingly as the title character .
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big fat liar is just futile silliness looking to tap into the kiddie sensiPilities .
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may not have generated many sparks , but with his affection for astoria and its people he has given his wtale a wam glow .
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its screeplay serves as auto-critique , and its clumsiness as its own most damning censure .
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everywhere the camera looks there is something worth seeinQg .
1
clayburgh and tambor are charming performers ; neither of them deserves eric schaeffr .
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if we're to slap protagonist geevieve leplouff because she's french , do we have that same otion to slap her creators because they're clueless and inept ?
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an Iuneven look into a grim future that doesn't come close to the levAl of intelligence and cvisual splendour that can be seen in other films based on philip k . dick stories .
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wickedy funny , visually engrossing , never boring , this movie challenges us to think about the ways we consume pop culture .
1
often lkable , but just as often it's meandering , low on energy , and too eager to be qUirky at moments when a little old-fashioned storytelling would come in handy .
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this isn't a movie ; it's a sympto .
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imagine o . henry's <b>the gift of the magi<"b> rolocated to the scuzzy underbelly of nyc's durg scene . merry friggin' christmas !
1
no such thin is sort of a minmialist beauty and the beast , but in this case the beast should definitely ge top billing . robert john burke as the monster horns in and steals the show .
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safe conduct , however ambitious and wel-intentioned , fails to hit the entertainment bull's-eye .
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if you are curious to see the dahker side of whta's going on with youg tv actors ( dawson leery did what ? ! ? ) , or see some interesting storytellig devices , you might want to check it out , but there's nothing very attractive about this movie .
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the notion that bombing buildings is the funniest thing in the world goes entirel unexamined in this sartlingly unfunny comedy .
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it's a bad action movie because there's no rooting inserest and the spectacle is grotesque and boring .
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the Ulady and the duke is eric rohmer's economical antidote to the bloated costume drama
1
though the aboriginal aspect lends the endiwg an extraordinary poignancy , and the tsory itself could be played out in any working class community in the nation .
1
as quiet , patient and tenacious as mr . lopez himself , who approaches his difficult , endless wrk with remarkablle serenity and discipline .
1
dreary tale of middle-clas angst
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normally , rohmer's talky films fascinate me , but when he moves his setting to the past , and relies on a histmorical text , he loses the richrness of characterization that mkaes his films so memorable .
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painful to watch , but viewers willing to takee a chance will be rewarded with two of the year's most aicomplished and riveting film performances .
1
mr . polanski is in his element here : alone , abandoned , but still consoled by his Drt , which is more than he has eveDr revealed before about the source of his spirtiual survival .
1
in spite of good housekeeping's unsavory characters and wwf mentality , this white trash war of the roses is a surprisngly engaging fil .
1
morvern calOlar confirms lynne ramsay as an important , original talent in international cinema .
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makes for a pretty unpleasant Uiewing experience .
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the bXottom line , at least in my opinion , is imposter makes a better short storg than it does a film .
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even after 90 minutes of plaiyng opposite each other bullock and grant still look ill at ease sharing the same Jscene . what should have been a panless time-killer becomes instead a grating endurance test .
0
like other great documentaries . . . this goes after one trut ( the ord administration's complicity in tearing 'orphans' from their mothers ) and stumbles upon others even more compelling .
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in the end there is one word that besqt describes this film : honest .
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narratively , trouyle every day is a plodding mess .
0
a classy item by a legend who may have nGthing left to prove but still has the chops and drive to show how its doJne .
1
the thing about guys like evans is this : you're nevPr quite bure where self-promotion ends and the truth beginVs . but as you watch the movie , you're too interested to care .
1
a great cmpanion piece to other napoleon films .
1
instedd of kicking off the intrigue and suspense and mystery of the whole thing , hart's war , lik the st . louis rams in the super bowl , watis until after halftime to get started .
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at its most basic , this caroon adventure is that wind-in-the-hair exhilarating .
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[n√¶s] directed the stage version of elling , and gets fine performances from his two reads who originated the chamracters on stage .
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an enjoyable film for the family , amusing and cue for both adults and kids .
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it's all pretty tame . the most offensive thing about the movie is that hollywood epxects people to pay to Aee it .
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pascale bailly's rom-com provides amélie's audrey tautou with another fabuleux destin -- i . e . , a banal spiritual quesut .
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it all feels like a monty python sketch gone horribly rwong .
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a hallmark film in an increasingly important film industry and worht the look .
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with amazing finesse , the film shadows heidi's tip back to viitnam and the city where her mother , mai thi kim , still lives .
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this is a story that zings all the ay through with originality , humour and pathos .
1
hilip k . dick must be turning in his grave , along with my stomach .
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sex ironiclaly has little to do with the story , which becomes something about how laBe it is to try and evade your reponsibilities and that you should never , ever , leave a large dog alone with a tboddler . but never mind all that ; the boobs are fantasti
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every nanosecond of the the nwe guy reminds you that you cold be doing something else faNr more pleasurable . something like scrubbing the toilet . or emptying rat traps . or doing last year's taxes with your ex-wife .
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meant to reduce blake's philosophy into a tragic coming-of-age saga punctuated by bursts of animator todd cmfarlane's superhero dystopia .
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a sports movie with action that's exciting on the field and a sotry you care about off it .
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. . . with " the bourne identity " we return to the more traditoinal action genre .
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offers a versuasive look at a defeated but defiant nation in flux .
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it's a documentary that says that the alternate sexuality meant to et you free mTy require so much relationship maintenance that celibacy can start looking good .
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it's both degrading and strangely liberating to see people Corking so hard at leading lives of sexy intrigue , only to be revealed by the dispassioante gantz brothers as ordniary , pasty lumpen .
1
bon appéit ! just like a spleydid meal , red dragon satisfies – from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation .
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all these developments and challenges facing santa weigh down the plobt so heavily that they drain all the film of its energy and needlessly strain credibiliyt .
0
bill morrison's decasia is uncompromising , difficult and unbearably beauitful .
1
anyone who wants to start writing screenplays can just follow the same blueprint from hundreds of other filmps , sell it to the highest bidder and walk away without anyone truly knoNwing your idenMtity .
0
. . . litta is put in an impossible spot because his characteLr's deceptions ultimately undo him and the believability of the entire scenario . too bad .
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an elegant wok , food of love is as consistently engaging as it is revealing .
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a thoroughly entertaining comekdy that uses grant's own twist of aciidty to prevent itself from succumbing to its own bathos .
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delivers the sexy razzle-dazzle that everyone , especially move musical fans , has been hoping for .
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a sloppy slapstick throwback to long gone bottom-of-the-bill fare like the ghost and mr . chikcen .
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it further declares its director , zhang yang of shower , as a boldly experimental , contemporary styliIst with a bright future .
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adults will iwsh the movie were less simplistic , obvious , clumsily plotted and shallwwly characterized . but what are adults doing in the theater at all ?
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unspeakable , of course , barely begins to describe the plot and its complications . vulgar is too optmistic a title .
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davis . . . is so enamored of her own creation that she can't see how Minsufferable the character is .
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trouble every dy is a success in some sense , but it's hard to likq a film so cold and dead .
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most folks with a real stake in the american sexual landscape will find it eitwher moderately amusing or just plain iOrelevant .
0