reviews
stringlengths
10
259
labels
int64
0
1
it may not be history – but then again , what if it is ? – but it makes for one of the most purely enjoyable and satisfying evenings at the movies i've had in a while .
1
for all its violence , the movie is remarkably dull with only caine making much of an impression .
0
a 75-minute sample of puerile rubbish that is listless , witless , and devoid of anything resembling humor .
0
the entire movie establishes a wonderfully creepy mood .
1
claims to sort the bad guys from the good , which is its essential problem .
0
. . . a series of tales told with the intricate preciseness of the best short story writing .
1
vera's three actors -- mollà , gil and bardem -- excel in insightful , empathetic performances .
1
irwin and his director never come up with an adequate reason why we should pay money for what we can get on television for free .
0
stanley kwan has directed not only one of the best gay love stories ever made , but one of the best love stories of any stripe .
1
the movie , while beautiful , feels labored , with a hint of the writing exercise about it .
0
nicely combines the enigmatic features of 'memento' with the hallucinatory drug culture of 'requiem for a dream . '
1
a very funny movie .
1
'carente de imaginación , mal dirigida , peor actuada y sin un ápice de romance , es una verdadera pérdida de tiempo y dinero'
0
even the imaginative gore can't hide the musty scent of todd farmer's screenplay , which is a simple retread of the 1979 alien , with a plucky heroine battling a monster loose in a spaceship .
0
as much as i laughed throughout the movie , i cannot mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys' superhuman capacity to withstand pain .
0
it is far from the worst , thanks to the topical issues it raises , the performances of stewart and hardy , and that essential feature -- a decent full-on space battle .
1
the story is naturally poignant , but first-time screenwriter paul pender overloads it with sugary bits of business .
0
it's not helpful to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter .
0
a light , engaging comedy that fumbles away almost all of its accumulated enjoyment with a crucial third act miscalculation .
0
the pleasures that it does afford may be enough to keep many moviegoers occupied amidst some of the more serious-minded concerns of other year-end movies .
1
that the real antwone fisher was able to overcome his personal obstacles and become a good man is a wonderful thing ; that he has been able to share his story so compellingly with us is a minor miracle .
1
piccoli's performance is amazing , yes , but the symbols of loss and denial and life-at-arm's-length in the film seem irritatingly transparent .
0
this ecologically minded , wildlife friendly film teaches good ethics while entertaining with its unconventionally wacky but loving family
1
feature debuter d . j . caruso directs a crack ensemble cast , bringing screenwriter tony gayton's narcotics noir to life .
1
it's harmless , diverting fluff . but it's hard to imagine a more generic effort in the genre .
0
at some point , all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill .
0
director barry skolnick and his screenwriters glibly tick off every point of " the longest yard " playbook like a checklist .
0
fails to convince the audience that these brats will ever be anything more than losers .
0
foster and whitaker are especially fine . she is a lioness , protecting her cub , and he a reluctant villain , incapable of controlling his crew .
1
victor rosa is leguizamo's best movie work so far , a subtle and richly internalized performance .
1
feels slight , as if it were an extended short , albeit one made by the smartest kids in class .
0
[jeff's] gorgeous , fluid compositions , underlined by neil finn and edmund mcwilliams's melancholy music , are charged with metaphor , but rarely easy , obvious or self-indulgent .
1
a true pleasure .
1
the good girl is a film in which the talent is undeniable but the results are underwhelming .
0
plays like an unbalanced mixture of graphic combat footage and almost saccharine domestic interludes that are pure hollywood .
0
like those to rome , all roads in the banger sisters inevitably lead to a joke about hawn's breasts , which constantly threaten to upstage the woman sporting them .
0
the story the movie tells is of brian de palma's addiction to the junk-calorie suspense tropes that have all but ruined his career .
0
you'll gasp appalled and laugh outraged and possibly , watching the spectacle of a promising young lad treading desperately in a nasty sea , shed an errant tear .
1
not only does the thoroughly formulaic film represent totally exemplify middle-of-the-road mainstream , it also represents glossy hollywood at its laziest .
0
. . . a story , an old and scary one , about the monsters we make , and the vengeance they take .
1
it's the kind of under-inspired , overblown enterprise that gives hollywood sequels a bad name .
0
rife with nutty cliches and far too much dialogue .
0
a banal , virulently unpleasant excuse for a romantic comedy .
0
the directing and story are disjointed , flaws that have to be laid squarely on taylor's doorstep . but the actors make this worth a peek .
1
the hours , a delicately crafted film , is an impressive achievement in spite of a river of sadness that pours into every frame .
1
the most memorable moment was when green threw medical equipment at a window ; not because it was particularly funny , but because i had a serious urge to grab the old lady at the end of my aisle's walker and toss it at the screen in frustration .
0
even as lame horror flicks go , this is lame .
0
there's something not entirely convincing about the quiet american . and that holds true for both the movie and the title character played by brendan fraser .
0
tedious norwegian offering which somehow snagged an oscar nomination .
0
a dreary rip-off of goodfellas that serves as a muddled and offensive cautionary tale for hispanic americans .
0
a movie i loved on first sight and , even more important , love in remembrance .
1
the film is hampered by its predictable plot and paper-thin supporting characters .
0
the soundtrack alone is worth the price of admission .
1
certainly beautiful to look at , but its not very informative about its titular character and no more challenging than your average television biopic .
0
queen of the damned as you might have guessed , makes sorry use of aaliyah in her one and only starring role -- she does little here but point at things that explode into flame .
0
a backhanded ode to female camaraderie penned by a man who has little clue about either the nature of women or of friendship .
0
in a summer of clones , harvard man is something rare and riveting : a wild ride that relies on more than special effects .
1
dark and disturbing , yet compelling to watch .
1
lacks heart , depth and , most of all , purpose .
0
chamber of secrets will find millions of eager fans . but if the essence of magic is its make-believe promise of life that soars above the material realm , this is the opposite of a truly magical movie .
0
hardly a masterpiece , but it introduces viewers to a good charitable enterprise and some interesting real people .
1
you can feel the heat that ignites this gripping tale , and the humor and humanity that root it in feeling .
1
fessenden has nurtured his metaphors at the expense of his narrative , but he does display an original talent .
0
for each chuckle there are at least 10 complete misses , many coming from the amazingly lifelike tara reid , whose acting skills are comparable to a cardboard cutout .
0
k-19 : the widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining .
1
every once in a while , a movie will come along that turns me into that annoying specimen of humanity that i usually dread encountering the most - the fanboy
1
perfectly pitched between comedy and tragedy , hope and despair , about schmidt instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness .
1
a few artsy flourishes aside , narc is as gritty as a movie gets these days .
1
a very witty take on change , risk and romance , and the film uses humour to make its points about acceptance and growth .
1
if you saw it on tv , you'd probably turn it off , convinced that you had already seen that movie .
0
a half-assed film .
0
eight legged freaks won't join the pantheon of great monster/science fiction flicks that we have come to love . . .
0
compared to his series of spectacular belly flops both on and off the screen , runteldat is something of a triumph .
1
thin period piece .
0
defies logic , the laws of physics and almost anyone's willingness to believe in it . but darned if it doesn't also keep us riveted to our seats .
1
a negligible british comedy .
0
at once half-baked and overheated .
0
jeffrey tambor's performance as the intelligent jazz-playing exterminator is oscar-worthy .
1
the most brilliant work in this genre since the 1984 uncut version of sergio leone's flawed but staggering once upon a time in america .
1
the comedy death to smoochy is a rancorous curiosity : a movie without an apparent audience .
0
after you laugh once ( maybe twice ) , you will have completely forgotten the movie by the time you get back to your car in the parking lot .
0
it's better than the phantom menace . but unless you're an absolute raving star wars junkie , it isn't much fun .
0
if there's one big point to promises , it's that nothing can change while physical and psychological barriers keep the sides from speaking even one word to each other .
1
offers very little genuine romance and even fewer laughs . . . a sad sitcom of a movie , largely devoid of charm .
0
this is an action movie with an action icon who's been all but decommissioned .
0
the best comedy concert movie i've seen since cho's previous concert comedy film , i'm the one that i want , in 2000 .
1
as lively an account as seinfeld is deadpan .
1
the film runs on a little longer than it needs to -- muccino either doesn't notice when his story ends or just can't tear himself away from the characters -- but it's smooth and professional .
1
gaghan . . . has thrown every suspenseful cliché in the book at this nonsensical story .
0
together , tok and o orchestrate a buoyant , darkly funny dance of death . in the process , they demonstrate that there's still a lot of life in hong kong cinema .
1
predictable and cloying , though brown sugar is so earnest in its yearning for the days before rap went nihilistic that it summons more spirit and bite than your average formulaic romantic quadrangle .
0
with an obvious rapport with her actors and a striking style behind the camera , hélène angel is definitely a director to watch .
1
giggling at the absurdities and inconsistencies is part of the fun . but the talented cast alone will keep you watching , as will the fight scenes .
1
this dubious product of a college-spawned ( colgate u . ) comedy ensemble known as broken lizard plays like a mix of cheech and chong and chips .
0
technically and artistically inept .
0
weighty and ponderous but every bit as filling as the treat of the title .
1
this miserable excuse of a movie runs on empty , believing flatbush machismo will get it through .
0
two badly interlocked stories drowned by all too clever complexity .
0
a bodice-ripper for intellectuals .
1
by and large this is mr . kilmer's movie , and it's his strongest performance since the doors .
1