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What is Eve's real name?
|
[
"Gertrude Slojinski",
"Gertrude Slojinski"
] |
At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.
The film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway, but despite her success she is bemoaning her age, having just turned forty and knowing what that will mean for her career. After a performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe), meets besotted fan Eve Harrington in the cold alley outside the stage door. Recognizing her from having passed her many times in the alley (as Eve claims to have seen every performance of Margo's current play, Aged in Wood), Karen takes her backstage to meet Margo. Eve tells the group gathered in Margo's dressing room—Karen and Lloyd, Margo's boyfriend Bill Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter)—that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco. She tells a moving story of growing up poor and losing her young husband in the recent war. Moved, Margo quickly befriends Eve, takes her into her home, and hires her as her assistant, leaving Birdie, who instinctively dislikes Eve, feeling put out.
Eve is gradually shown to be working to supplant Margo, scheming to become her understudy behind her back, driving wedges between her and Lloyd and Bill, and conspiring with an unsuspecting Karen to cause Margo to miss a performance. Eve, knowing in advance that she will be the one appearing that night, invites the city's theatre critics to attend that evening's performance, which is a triumph for her. Eve tries to seduce Bill, but he rejects her. Following a scathing newspaper column by Addison, Margo and Bill reconcile, dine with the Richardses, and decide to marry. That same night at the restaurant, Eve blackmails Karen into telling Lloyd to give her the part of Cora, by threatening to tell Margo of Karen's role in Margo's missed performance. Before Karen can talk with Lloyd, Margo announces to everyone's surprise that she does not wish to play Cora and would prefer to continue in Aged in Wood. Eve secures the role and attempts to climb higher by using Addison, who is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven, Eve presents Addison with her next plan: to marry Lloyd, who, she claims, has come to her professing his love and his eagerness to leave his wife for her. Now, Eve exults, Lloyd will write brilliant plays showcasing her. Unseen but mentioned in dialogue, Karen has begun to suspect Eve as a threat to her own marriage to Lloyd, and so she and Addison meet for lunch and help each other put the pieces about Eve together. Addison is infuriated that Eve has attempted to use him and reveals that he knows that her back story is all lies. Her real name is Gertrude Slojinski, she was never married, and she had been paid to leave her hometown over an affair with her boss, a brewer in Wisconsin. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now "belongs" to him.
The film returns to the opening scene in which Eve, now a shining Broadway star headed for Hollywood, is presented with her award. In her speech, she thanks Margo, Bill, Lloyd and Karen with characteristic effusion, while all four stare back at her coldly. After the awards ceremony, Eve hands her award to Addison, skips a party in her honor, and returns home alone, where she encounters a young fan (Barbara Bates)—a high-school girl—who has slipped into her apartment and fallen asleep. The young girl professes her adoration and begins at once to insinuate herself into Eve's life, offering to pack Eve's trunk for Hollywood and being accepted. "Phoebe", as she calls herself, answers the door to find Addison returning with Eve's award. In a revealing moment, the young girl flirts daringly with the older man. Addison hands over the award to Phoebe and leaves without entering. Phoebe then lies to Eve, telling her it was only a cab driver who dropped off the award. While Eve rests in the other room, Phoebe dons Eve's elegant costume robe and poses in front of a multi-paned mirror, holding the award as if it were a crown. The mirrors transform Phoebe into multiple images of herself, and she bows regally, as if accepting the award to thunderous applause, while triumphant music plays.
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[
" The name of the Pentamerone comes from Greek πέντε [pénte], ‘five’; y ἡμέρα [hêméra], ‘day’ because is structured around a fantastic frame story, in which fifty stories are related over the course of five days, rather than the ten of the Decameron compendium of Tuscany (1353). The frame story is that of a cursed, melancholy princess named Zoza (\"mud\" or \"slime\" in Neapolitan, but also used as a term of endearment). She cannot laugh, no matter what her father does to amuse her, so he sets up a fountain of oil by the door, thinking people slipping in the oil would make her laugh. An old woman tried to gather oil, a page boy broke her jug, and the old woman grew so angry that she danced about, and Zoza laughed at her. The old woman cursed her to marry only the prince of Round-Field, whom she could only wake by filling a pitcher with tears in three days. With some aid from fairies, who also give her gifts, Zoza found the prince and the pitcher, and nearly filled the pitcher when she fell asleep. A Moorish slave steals it, finishes filling it, and claims the prince.\nThis frame story in itself is a fairy tale, combining motifs that will appear in other stories: the princess who cannot laugh in The Magic Swan, Golden Goose, and The Princess Who Never Smiled; the curse to marry only one hard-to-find person, in Snow-White-Fire-Red and Anthousa, Xanthousa, Chrisomalousa; and the heroine falling asleep while trying to save the hero, and then losing him because of trickery in The Sleeping Prince and Nourie Hadig.\nThe now-pregnant slave-queen demands (at the impetus of Zoza's fairy gifts) that her husband tell her stories, or else she would crush the unborn child. The husband hires ten female storytellers to keep her amused; disguised among them is Zoza. Each tells five stories, most of which are more suitable to courtly, rather than juvenile, audiences. The Moorish woman's treachery is revealed in the final story (related, suitably, by Zoza), and she is buried, pregnant, up to her neck in the ground and left to die. Zoza and the Prince live happily ever after.\nMany of these fairy tales are the oldest known variants in existence.\nThe fairy tales are:\nThe First Day\n\"The Tale of the Ogre\"\n\"The Myrtle\"\n\"Peruonto\"\n\"Vardiello\"\n\"The Flea\"\n\"Cenerentola\" – translated in english as Cinderella\n\"The Merchant\"\n\"Goat-Face\"\n\"The Enchanted Doe\"\n\"The Three Sisters\"\nThe Second Day\n\"Parsley\" – a variant of Rapunzel\n\"Green Meadow\"\n\"Violet\"\n\"Pippo\" – a variant of Puss In Boots\n\"The Snake\"\n\"The She-Bear\" – a variant of Allerleirauh\n\"The Dove\" – a variant of Snow-White-Fire-Red\n\"The Young Slave\" – a variant of Snow White\n\"The Padlock\"\n\"The Buddy\"\nThe Third Day\n\"Cannetella\"\n\"Penta of the Chopped-off Hands\" – a variant of The Girl Without Hands\n\"Face\"\n\"Sapia Liccarda\"\n\"The Cockroach, the Mouse, and the Cricket\"\n\"The Garlic Patch\"\n\"Corvetto\"\n\"The Booby\"\n\"Rosella\"\n\"The Three Fairies\"\nThe Fourth Day\n\"The Stone in the Cock's Head\"\n\"The Two Brothers\"\n\"The Three Enchanted Princes\"\n\"The Seven Little Pork Rinds\"\n\"The Dragon\"\n\"The Three Crowns\"\n\"The Two Cakes\" – a variant of Diamonds and Toads\n\"The Seven Doves\" – a variant of The Seven Ravens\n\"The Raven\"\n\"Pride Punished\" – a variant of King Thrushbeard\nThe Fifth Day\n\"The Goose\n\"The Months\"\n\"Pintosmalto\"\n\"The Golden Root\" – a variant of Cupid and Psyche\n\"Sun, Moon, and Talia\" – a variant of Sleeping Beauty\n\"Sapia\"\n\"The Five Sons\"\n\"Nennillo and Nennella\" – a variant of Brother and Sister\n\"The Three Citrons\" – a variant of The Love for Three Oranges",
" High school senior Buffy Summers (Kristy Swanson) is introduced as a stereotypical, shallow cheerleader at Hemery High School in Los Angeles. She is a carefree popular mean girl whose main concerns are shopping and spending time with her rich, snooty friends and her boyfriend, Jeffrey. While at school one day, she is approached by a man who calls himself Merrick (Donald Sutherland). He informs her that she is The Slayer, or Chosen One, destined to kill vampires, and he is a Watcher whose duty it is to guide and train her. She initially rebukes his claims, but is convinced that he is right when he is able to describe a recurring dream of hers in detail. In addition, Buffy is exhibiting uncanny abilities not known to her, including heightened agility, senses, and endurance, yet she repeatedly tries Merrick's patience with her frivolous nature and sharp-tongued remarks.\nAfter several successful outings, Buffy is drawn into conflict with Lothos (Rutger Hauer), a local vampire king and his acolyte, Amilyn (Paul Reubens). Two young men, Oliver Pike (Luke Perry), and best friend Benny (David Arquette), who resented Buffy and her friends due to differing social circles, are out drinking when they are attacked by Amilyn. Benny is turned but Pike is saved by Merrick. As a vampire, Benny visits Pike and tries to get him to join him. Later, when Pike and his boss are discussing Benny, Pike tells him to run if he sees him. Not only this, but a studious girl from Buffy's class, Cassandra, is abducted one night by Amilyn and sacrificed to Lothos. When her body is found, the news spreads through LA and Hemery High, but her murder is met with indifference from Buffy's clique.\nWhen Pike realizes there is something wrong with Benny and that he is no longer safe, he decides to leave town. His plan is thwarted, however, when he encounters Amilyn and his tribe of vampires. Amilyn hitches a ride on the hood of his van which crashes into a tree just before Amilyn loses an arm. Buffy and Merrick arrive to rescue him and Amilyn flees the fight to talk to Lothos. After this encounter, Buffy and Pike start a friendship, which eventually becomes romantic and Pike becomes Buffy's partner in fighting the undead.\nDuring a basketball game, Buffy finds out that one of the players, and a friend of Jeffrey's, is a vampire. After a quick chase to a parade float storage yard, Buffy finally confronts Lothos, shortly after she and Pike take down his gang. Lothos puts Buffy in a hypnotic trance, which is broken due to Merrick's intervention. Lothos turns on Merrick and impales him with the stake he attempted to use on him. Lothos leaves, saying that Buffy is not ready. As Merrick dies, he tells Buffy to do things her own way rather than live by the rules of others and he says \"remember about the music.\" Because of her new life, responsibilities, and heartbreak, Buffy becomes emotionally shocked and starts dropping her Slayer duties. When she arrives at school, she attempts to explain everything to her friends, but they refuse to understand her as they are more concerned with their upcoming school dance, and Buffy falls out with them as she realizes she is outgrowing their immature, selfish behavior.\nAt the senior dance, Buffy tries to patch things up with her friends but they turn against her, and she is dismayed to find Jeffrey has dumped her for one of her friends. However, she meets up with Pike and as they start to dance and kiss, Lothos leads the remainder of his minions to the school and attacks the students and the attending faculty. Buffy confronts the vampires outside while Pike fights the vampiric Benny. After overpowering the vampires, she confronts Lothos inside the school and kills Amilyn. Lothos hypnotizes Buffy again and when the dance music stops, she remembers Merrick's words and is ready to defend herself and fight. Lothos ignites her cross but she uses hairspray to create a makeshift flame-thrower and burns him before escaping back into the gym. Buffy sees everybody recover from the attack, but Lothos emerges again getting into a fight with Buffy, who then stakes him.\nAs all of the survivors leave, Buffy and Pike decide to finish their dance. The film then ends with the two of them leaving the dance on a motorcycle, and a news crew interviewing the students and the principal about the attack during the credits.",
" In 1935, Indiana Jones narrowly escapes the clutches of Lao Che, a crime boss in Shanghai in the Republic of China. With his 11-year-old Chinese sidekick Short Round and the nightclub singer Willie Scott in tow, Indy flees Shanghai on an airplane that, unknown to them, is owned by Lao. While the three of them sleep on the plane, the pilots parachute out, and they leave the plane to crash over the Himalayas while dumping its fuel. Indy, Shorty, and Willie discover this and narrowly manage to escape by jumping out of the plane on an inflatable raft, and then riding down the slopes into a raging river. They come to Mayapore, a desolate village in northern India, where the poor villagers believe them to have been sent by the Hindu god Shiva and enlist their help to retrieve the sacred Sivalinga stone stolen from their shrine, as well as the community's children, from evil forces in the nearby Pankot Palace. During the journey to Pankot, Indy hypothesizes that the stone may be one of the five fabled Sankara stones that promise fortune and glory.\nThe trio receive a warm welcome from the Prime Minister of Pankot Palace, Chattar Lal. The visitors are allowed to stay the night as guests, during which they attend a lavish but grotesque banquet given by the young Maharajah, Zalim Singh. Chattar Lal rebuffs Indy's questions about the villagers' claims and his theory that the ancient Thuggee cult is responsible for their troubles. Later that night, Indy is attacked by an assassin, leading Indy, Willie, and Shorty to believe that something is amiss. They discover a series of tunnels hidden behind a statue in Willie's room and set out to explore them, overcoming a number of booby-traps along the way.\nThe trio eventually reach an underground temple where the Thugs worship the Hindu goddess Kali with human sacrifice. They watch as the Thugs chain one of their victims in a cage and slowly lower him into a ceremonial fire pit burning him alive. They discover that the Thugs, led by their evil, bloodthirsty high priest Mola Ram are in possession of three of the five Sankara stones, and have enslaved the children to mine for the final two stones, which they hope will allow them to rule the world. As Indy tries to retrieve the stones, he, Willie, and Shorty are captured and separated. Indy is whipped and forced to drink a potion called the \"Blood of Kali\", which places him in a trance-like state where he begins to mindlessly serve the Thugs. Willie, meanwhile, is kept as a human sacrifice, while Shorty is put to work in the mines alongside the enslaved children. Shorty breaks free and escapes back into the temple where he burns Indy with a torch, shocking him out of the trance. After defeating Chattar Lal, also a Thuggee worshiper, Indy stops Willie's cage and cranks it out of the pit just in time before it has a chance to enter the fire. They go back to the mines to free the children, but Indy is caught up in a fight with a hulking overseer. The Maharajah, who was also forcibly entranced by the \"Blood of Kali,\" attempts to cripple Indy with a voodoo doll. Shorty spars with the Maharajah, ultimately burning him to snap him out of the trance. With his strength returned, Indy kills the overseer. The Maharajah then tells Shorty how to get out of the mines. While Mola Ram escapes, Indy and Shorty rescue Willie and retrieve the three Sankara stones, the village children escape.\nAfter a mine cart chase to escape the temple, the trio emerge above ground and are again cornered by Mola Ram and his henchmen on a rope bridge high above a crocodile-infested river. Using a sword, Indy cuts the rope bridge in half, leaving everyone to hang on for their lives. Indy utters an incantation which causes the stones to glow red hot. Two of the stones fall into the river, while the last falls into Mola Ram's hand, burning him. Indy catches the now-cool stone, while Mola Ram falls into the river below, where he is devoured by a Mugger crocodile. The Thugs then attempt to shoot Indy with arrows, until a company of British Indian Army riflemen from Pankot arrive, having been summoned by the palace Maharajah. In the ensuing firefight, many of the Thuggee archers are killed and the remainder are surrounded and captured. Indy, Willie, and Shorty return victoriously to the village with the children and give the missing stone back to the villagers.",
" The first act of the play is set in England in the 1800s. The lead character is Capt. James Wynnegate. His older cousin, heir Henry Wynnegate, Earl of Kerhill, steals from the family trust fund and speculates heavily. Henry loses the fortune, causing them to default on a commitment to an orphans' home.\nCapt. Wynnegate is in love with Henry's wife, Diana. She does not love her husband and returns the affection of the captain. As the money has been lost, Capt. Wynnegate agrees to leave England and take the blame (see remittance man). He is then accused of being a thief, which allows Henry to avoid suspicion and protects the name and the reputation of his wife.\nHe goes to the Wild West of Montana, where he buys the Red Butte Ranch and makes a name for himself under the alias Jim Carson. In the second act, several years later, Henry and Diana show up. The bad man, Cash Hawkins, is about to shoot Jim when the Ute Indian maiden, Nat-u-ritch, shoots Hawkins from the sidelines and saves Jim's life.\nNat-u-ritch, who is the daughter of Chief Tab-y-wana, rescues Jim several more times, it is revealed through exposition in the third act. They fall in love and have a son, Little Hal. Jim marries Nat-u-ritch. The marriage between a white man in his social position and an Indian woman is deemed scandalous.\nBy the fourth act, more time has passed and Diana comes West again with news that Henry has died. The English solicitor shows up and persuades Jim that Hal should be taken to England and raised as the heir to the large Wynnegate estate. Jim agrees to send the boy away.\nApparently, Jim and his social group believe it is his right to take the child away from his mother. Nat-u-ritch's father, Chief Tab-y-wana's resolve is not much different. At the first sign of disobedience the chief voices his sentiment where a woman is concerned. \"If she will not obey, beat her. If she disobeys again, kill her.\"\nKnowing that she is going to lose her son, and hearing that she will be arrested for killing Hawkins, Nat-u-ritch commits suicide. Now Jim is free to be with his English woman. The play concludes with the Indian chief standing stoically erect with the pathetically limp figure of the little mother squaw, his daughter, lying across his outstretched arms, the reversal of the usual Pieta.",
" The film is set shortly before Christmas in the North Country of Upstate New York, near the Akwesasne ('Where the Partridge Drums') St. Regis Mohawk Reservation and the border crossing to Cornwall, Ontario. Ray Eddy (Melissa Leo) is a discount store clerk struggling to raise two sons with her husband, a compulsive gambler who has disappeared with the funds she had earmarked to finance the purchase of a double-wide mobile home. While searching for him, she encounters Lila Littlewolf (Misty Upham), a Mohawk bingo-parlor employee who is driving his car, which she claims she found abandoned with the keys in the ignition at the local bus station. The two women, who have both fallen on hard economic times, form a desperate and uneasy alliance and begin trafficking illegal immigrants from Canada into the United States across the frozen St. Lawrence River for $1,200 each.\nRay's older son T.J. wants to find a job and help support the family so they can afford to eat something more substantial than popcorn and Tang. He and his mother clash over whether he should remain in high-school and look after his little brother Ricky or drop out to work. To make matters worse, T.J. sets an outside corner of the trailer afire with a torch in an attempt to unfreeze the water pipe. Lila longs for the day she will be able to reclaim and live with her young son, who was taken from her by her mother-in-law immediately after his birth.\nBecause the women's route takes them from an Indian reservation in the US to an Indian reserve in Canada, they hope to avoid detection by local law-enforcement. However, their problems escalate when they are asked to smuggle a Pakistani couple and Ray, fearful their duffel bag might contain explosives, leaves it behind in sub-freezing temperatures, only to discover it contained their infant baby when they arrive at their destination. She and Lila retrace their route and find the bag and the baby, which Lila insists is dead, but which she revives moments before being reunited with the baby's parents. The experience leaves her shaken, and she announces she no longer wants to participate in the smuggling operation. But Ray, needing just one more crossing to finance the down payment on her mobile home, coerces her into joining her for one last journey.\nThey pick up two Asian women from a strip club for crossing. When the club owner tries to shoot them, Ray successfully threatens him with a gun. When she is re-entering her car, the irate club owner retaliates by shooting Ray in the ear. Shaken, her fast and erratic driving catches the attention of the provincial police. Ray tries to elude capture by crossing the frozen river where one of the wheels of the car breaks through the ice. The four women abandon the vehicle and take refuge at the Indian reservation.\nBecause the police are demanding a scapegoat, the tribal head decides to excommunicate Lila for five years due to her smuggling history which involved the death of her Mohawk husband. Surprised then saddened by the news, Lila gives in to Ray's pleas to go free for the sake of her children. However, running through the woods, Ray has a fit of conscience and returns. She gives her share of money to Lila with instructions for taking care of her sons and seeing through purchase plans for a trailer home. She and the illegal immigrants are surrendered to the police and a trooper speculates she will have to serve four months in jail. She calls her son T.J. to explain what has happened.\nLila pushes her way into her mother-in-law's home and reclaims her infant son. She and the baby show up at the Eddy trailer while T.J. is still on the phone with his jailed mother. In a day scene, T.J. completes the welding of a bicycle-propelled carousel bearing his younger brother and Lila's strapped in baby. He pedals the carousel while Lila smiles on. A truck nears carrying the new trailer home."
] |
[
" In 1935, Indiana Jones narrowly escapes the clutches of Lao Che, a crime boss in Shanghai in the Republic of China. With his 11-year-old Chinese sidekick Short Round and the nightclub singer Willie Scott in tow, Indy flees Shanghai on an airplane that, unknown to them, is owned by Lao. While the three of them sleep on the plane, the pilots parachute out, and they leave the plane to crash over the Himalayas while dumping its fuel. Indy, Shorty, and Willie discover this and narrowly manage to escape by jumping out of the plane on an inflatable raft, and then riding down the slopes into a raging river. They come to Mayapore, a desolate village in northern India, where the poor villagers believe them to have been sent by the Hindu god Shiva and enlist their help to retrieve the sacred Sivalinga stone stolen from their shrine, as well as the community's children, from evil forces in the nearby Pankot Palace. During the journey to Pankot, Indy hypothesizes that the stone may be one of the five fabled Sankara stones that promise fortune and glory.\nThe trio receive a warm welcome from the Prime Minister of Pankot Palace, Chattar Lal. The visitors are allowed to stay the night as guests, during which they attend a lavish but grotesque banquet given by the young Maharajah, Zalim Singh. Chattar Lal rebuffs Indy's questions about the villagers' claims and his theory that the ancient Thuggee cult is responsible for their troubles. Later that night, Indy is attacked by an assassin, leading Indy, Willie, and Shorty to believe that something is amiss. They discover a series of tunnels hidden behind a statue in Willie's room and set out to explore them, overcoming a number of booby-traps along the way.\nThe trio eventually reach an underground temple where the Thugs worship the Hindu goddess Kali with human sacrifice. They watch as the Thugs chain one of their victims in a cage and slowly lower him into a ceremonial fire pit burning him alive. They discover that the Thugs, led by their evil, bloodthirsty high priest Mola Ram are in possession of three of the five Sankara stones, and have enslaved the children to mine for the final two stones, which they hope will allow them to rule the world. As Indy tries to retrieve the stones, he, Willie, and Shorty are captured and separated. Indy is whipped and forced to drink a potion called the \"Blood of Kali\", which places him in a trance-like state where he begins to mindlessly serve the Thugs. Willie, meanwhile, is kept as a human sacrifice, while Shorty is put to work in the mines alongside the enslaved children. Shorty breaks free and escapes back into the temple where he burns Indy with a torch, shocking him out of the trance. After defeating Chattar Lal, also a Thuggee worshiper, Indy stops Willie's cage and cranks it out of the pit just in time before it has a chance to enter the fire. They go back to the mines to free the children, but Indy is caught up in a fight with a hulking overseer. The Maharajah, who was also forcibly entranced by the \"Blood of Kali,\" attempts to cripple Indy with a voodoo doll. Shorty spars with the Maharajah, ultimately burning him to snap him out of the trance. With his strength returned, Indy kills the overseer. The Maharajah then tells Shorty how to get out of the mines. While Mola Ram escapes, Indy and Shorty rescue Willie and retrieve the three Sankara stones, the village children escape.\nAfter a mine cart chase to escape the temple, the trio emerge above ground and are again cornered by Mola Ram and his henchmen on a rope bridge high above a crocodile-infested river. Using a sword, Indy cuts the rope bridge in half, leaving everyone to hang on for their lives. Indy utters an incantation which causes the stones to glow red hot. Two of the stones fall into the river, while the last falls into Mola Ram's hand, burning him. Indy catches the now-cool stone, while Mola Ram falls into the river below, where he is devoured by a Mugger crocodile. The Thugs then attempt to shoot Indy with arrows, until a company of British Indian Army riflemen from Pankot arrive, having been summoned by the palace Maharajah. In the ensuing firefight, many of the Thuggee archers are killed and the remainder are surrounded and captured. Indy, Willie, and Shorty return victoriously to the village with the children and give the missing stone back to the villagers.",
" High school senior Buffy Summers (Kristy Swanson) is introduced as a stereotypical, shallow cheerleader at Hemery High School in Los Angeles. She is a carefree popular mean girl whose main concerns are shopping and spending time with her rich, snooty friends and her boyfriend, Jeffrey. While at school one day, she is approached by a man who calls himself Merrick (Donald Sutherland). He informs her that she is The Slayer, or Chosen One, destined to kill vampires, and he is a Watcher whose duty it is to guide and train her. She initially rebukes his claims, but is convinced that he is right when he is able to describe a recurring dream of hers in detail. In addition, Buffy is exhibiting uncanny abilities not known to her, including heightened agility, senses, and endurance, yet she repeatedly tries Merrick's patience with her frivolous nature and sharp-tongued remarks.\nAfter several successful outings, Buffy is drawn into conflict with Lothos (Rutger Hauer), a local vampire king and his acolyte, Amilyn (Paul Reubens). Two young men, Oliver Pike (Luke Perry), and best friend Benny (David Arquette), who resented Buffy and her friends due to differing social circles, are out drinking when they are attacked by Amilyn. Benny is turned but Pike is saved by Merrick. As a vampire, Benny visits Pike and tries to get him to join him. Later, when Pike and his boss are discussing Benny, Pike tells him to run if he sees him. Not only this, but a studious girl from Buffy's class, Cassandra, is abducted one night by Amilyn and sacrificed to Lothos. When her body is found, the news spreads through LA and Hemery High, but her murder is met with indifference from Buffy's clique.\nWhen Pike realizes there is something wrong with Benny and that he is no longer safe, he decides to leave town. His plan is thwarted, however, when he encounters Amilyn and his tribe of vampires. Amilyn hitches a ride on the hood of his van which crashes into a tree just before Amilyn loses an arm. Buffy and Merrick arrive to rescue him and Amilyn flees the fight to talk to Lothos. After this encounter, Buffy and Pike start a friendship, which eventually becomes romantic and Pike becomes Buffy's partner in fighting the undead.\nDuring a basketball game, Buffy finds out that one of the players, and a friend of Jeffrey's, is a vampire. After a quick chase to a parade float storage yard, Buffy finally confronts Lothos, shortly after she and Pike take down his gang. Lothos puts Buffy in a hypnotic trance, which is broken due to Merrick's intervention. Lothos turns on Merrick and impales him with the stake he attempted to use on him. Lothos leaves, saying that Buffy is not ready. As Merrick dies, he tells Buffy to do things her own way rather than live by the rules of others and he says \"remember about the music.\" Because of her new life, responsibilities, and heartbreak, Buffy becomes emotionally shocked and starts dropping her Slayer duties. When she arrives at school, she attempts to explain everything to her friends, but they refuse to understand her as they are more concerned with their upcoming school dance, and Buffy falls out with them as she realizes she is outgrowing their immature, selfish behavior.\nAt the senior dance, Buffy tries to patch things up with her friends but they turn against her, and she is dismayed to find Jeffrey has dumped her for one of her friends. However, she meets up with Pike and as they start to dance and kiss, Lothos leads the remainder of his minions to the school and attacks the students and the attending faculty. Buffy confronts the vampires outside while Pike fights the vampiric Benny. After overpowering the vampires, she confronts Lothos inside the school and kills Amilyn. Lothos hypnotizes Buffy again and when the dance music stops, she remembers Merrick's words and is ready to defend herself and fight. Lothos ignites her cross but she uses hairspray to create a makeshift flame-thrower and burns him before escaping back into the gym. Buffy sees everybody recover from the attack, but Lothos emerges again getting into a fight with Buffy, who then stakes him.\nAs all of the survivors leave, Buffy and Pike decide to finish their dance. The film then ends with the two of them leaving the dance on a motorcycle, and a news crew interviewing the students and the principal about the attack during the credits.",
" The name of the Pentamerone comes from Greek πέντε [pénte], ‘five’; y ἡμέρα [hêméra], ‘day’ because is structured around a fantastic frame story, in which fifty stories are related over the course of five days, rather than the ten of the Decameron compendium of Tuscany (1353). The frame story is that of a cursed, melancholy princess named Zoza (\"mud\" or \"slime\" in Neapolitan, but also used as a term of endearment). She cannot laugh, no matter what her father does to amuse her, so he sets up a fountain of oil by the door, thinking people slipping in the oil would make her laugh. An old woman tried to gather oil, a page boy broke her jug, and the old woman grew so angry that she danced about, and Zoza laughed at her. The old woman cursed her to marry only the prince of Round-Field, whom she could only wake by filling a pitcher with tears in three days. With some aid from fairies, who also give her gifts, Zoza found the prince and the pitcher, and nearly filled the pitcher when she fell asleep. A Moorish slave steals it, finishes filling it, and claims the prince.\nThis frame story in itself is a fairy tale, combining motifs that will appear in other stories: the princess who cannot laugh in The Magic Swan, Golden Goose, and The Princess Who Never Smiled; the curse to marry only one hard-to-find person, in Snow-White-Fire-Red and Anthousa, Xanthousa, Chrisomalousa; and the heroine falling asleep while trying to save the hero, and then losing him because of trickery in The Sleeping Prince and Nourie Hadig.\nThe now-pregnant slave-queen demands (at the impetus of Zoza's fairy gifts) that her husband tell her stories, or else she would crush the unborn child. The husband hires ten female storytellers to keep her amused; disguised among them is Zoza. Each tells five stories, most of which are more suitable to courtly, rather than juvenile, audiences. The Moorish woman's treachery is revealed in the final story (related, suitably, by Zoza), and she is buried, pregnant, up to her neck in the ground and left to die. Zoza and the Prince live happily ever after.\nMany of these fairy tales are the oldest known variants in existence.\nThe fairy tales are:\nThe First Day\n\"The Tale of the Ogre\"\n\"The Myrtle\"\n\"Peruonto\"\n\"Vardiello\"\n\"The Flea\"\n\"Cenerentola\" – translated in english as Cinderella\n\"The Merchant\"\n\"Goat-Face\"\n\"The Enchanted Doe\"\n\"The Three Sisters\"\nThe Second Day\n\"Parsley\" – a variant of Rapunzel\n\"Green Meadow\"\n\"Violet\"\n\"Pippo\" – a variant of Puss In Boots\n\"The Snake\"\n\"The She-Bear\" – a variant of Allerleirauh\n\"The Dove\" – a variant of Snow-White-Fire-Red\n\"The Young Slave\" – a variant of Snow White\n\"The Padlock\"\n\"The Buddy\"\nThe Third Day\n\"Cannetella\"\n\"Penta of the Chopped-off Hands\" – a variant of The Girl Without Hands\n\"Face\"\n\"Sapia Liccarda\"\n\"The Cockroach, the Mouse, and the Cricket\"\n\"The Garlic Patch\"\n\"Corvetto\"\n\"The Booby\"\n\"Rosella\"\n\"The Three Fairies\"\nThe Fourth Day\n\"The Stone in the Cock's Head\"\n\"The Two Brothers\"\n\"The Three Enchanted Princes\"\n\"The Seven Little Pork Rinds\"\n\"The Dragon\"\n\"The Three Crowns\"\n\"The Two Cakes\" – a variant of Diamonds and Toads\n\"The Seven Doves\" – a variant of The Seven Ravens\n\"The Raven\"\n\"Pride Punished\" – a variant of King Thrushbeard\nThe Fifth Day\n\"The Goose\n\"The Months\"\n\"Pintosmalto\"\n\"The Golden Root\" – a variant of Cupid and Psyche\n\"Sun, Moon, and Talia\" – a variant of Sleeping Beauty\n\"Sapia\"\n\"The Five Sons\"\n\"Nennillo and Nennella\" – a variant of Brother and Sister\n\"The Three Citrons\" – a variant of The Love for Three Oranges",
" The first act of the play is set in England in the 1800s. The lead character is Capt. James Wynnegate. His older cousin, heir Henry Wynnegate, Earl of Kerhill, steals from the family trust fund and speculates heavily. Henry loses the fortune, causing them to default on a commitment to an orphans' home.\nCapt. Wynnegate is in love with Henry's wife, Diana. She does not love her husband and returns the affection of the captain. As the money has been lost, Capt. Wynnegate agrees to leave England and take the blame (see remittance man). He is then accused of being a thief, which allows Henry to avoid suspicion and protects the name and the reputation of his wife.\nHe goes to the Wild West of Montana, where he buys the Red Butte Ranch and makes a name for himself under the alias Jim Carson. In the second act, several years later, Henry and Diana show up. The bad man, Cash Hawkins, is about to shoot Jim when the Ute Indian maiden, Nat-u-ritch, shoots Hawkins from the sidelines and saves Jim's life.\nNat-u-ritch, who is the daughter of Chief Tab-y-wana, rescues Jim several more times, it is revealed through exposition in the third act. They fall in love and have a son, Little Hal. Jim marries Nat-u-ritch. The marriage between a white man in his social position and an Indian woman is deemed scandalous.\nBy the fourth act, more time has passed and Diana comes West again with news that Henry has died. The English solicitor shows up and persuades Jim that Hal should be taken to England and raised as the heir to the large Wynnegate estate. Jim agrees to send the boy away.\nApparently, Jim and his social group believe it is his right to take the child away from his mother. Nat-u-ritch's father, Chief Tab-y-wana's resolve is not much different. At the first sign of disobedience the chief voices his sentiment where a woman is concerned. \"If she will not obey, beat her. If she disobeys again, kill her.\"\nKnowing that she is going to lose her son, and hearing that she will be arrested for killing Hawkins, Nat-u-ritch commits suicide. Now Jim is free to be with his English woman. The play concludes with the Indian chief standing stoically erect with the pathetically limp figure of the little mother squaw, his daughter, lying across his outstretched arms, the reversal of the usual Pieta.",
" At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.\nThe film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway, but despite her success she is bemoaning her age, having just turned forty and knowing what that will mean for her career. After a performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe), meets besotted fan Eve Harrington in the cold alley outside the stage door. Recognizing her from having passed her many times in the alley (as Eve claims to have seen every performance of Margo's current play, Aged in Wood), Karen takes her backstage to meet Margo. Eve tells the group gathered in Margo's dressing room—Karen and Lloyd, Margo's boyfriend Bill Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter)—that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco. She tells a moving story of growing up poor and losing her young husband in the recent war. Moved, Margo quickly befriends Eve, takes her into her home, and hires her as her assistant, leaving Birdie, who instinctively dislikes Eve, feeling put out.\nEve is gradually shown to be working to supplant Margo, scheming to become her understudy behind her back, driving wedges between her and Lloyd and Bill, and conspiring with an unsuspecting Karen to cause Margo to miss a performance. Eve, knowing in advance that she will be the one appearing that night, invites the city's theatre critics to attend that evening's performance, which is a triumph for her. Eve tries to seduce Bill, but he rejects her. Following a scathing newspaper column by Addison, Margo and Bill reconcile, dine with the Richardses, and decide to marry. That same night at the restaurant, Eve blackmails Karen into telling Lloyd to give her the part of Cora, by threatening to tell Margo of Karen's role in Margo's missed performance. Before Karen can talk with Lloyd, Margo announces to everyone's surprise that she does not wish to play Cora and would prefer to continue in Aged in Wood. Eve secures the role and attempts to climb higher by using Addison, who is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven, Eve presents Addison with her next plan: to marry Lloyd, who, she claims, has come to her professing his love and his eagerness to leave his wife for her. Now, Eve exults, Lloyd will write brilliant plays showcasing her. Unseen but mentioned in dialogue, Karen has begun to suspect Eve as a threat to her own marriage to Lloyd, and so she and Addison meet for lunch and help each other put the pieces about Eve together. Addison is infuriated that Eve has attempted to use him and reveals that he knows that her back story is all lies. Her real name is Gertrude Slojinski, she was never married, and she had been paid to leave her hometown over an affair with her boss, a brewer in Wisconsin. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now \"belongs\" to him.\nThe film returns to the opening scene in which Eve, now a shining Broadway star headed for Hollywood, is presented with her award. In her speech, she thanks Margo, Bill, Lloyd and Karen with characteristic effusion, while all four stare back at her coldly. After the awards ceremony, Eve hands her award to Addison, skips a party in her honor, and returns home alone, where she encounters a young fan (Barbara Bates)—a high-school girl—who has slipped into her apartment and fallen asleep. The young girl professes her adoration and begins at once to insinuate herself into Eve's life, offering to pack Eve's trunk for Hollywood and being accepted. \"Phoebe\", as she calls herself, answers the door to find Addison returning with Eve's award. In a revealing moment, the young girl flirts daringly with the older man. Addison hands over the award to Phoebe and leaves without entering. Phoebe then lies to Eve, telling her it was only a cab driver who dropped off the award. While Eve rests in the other room, Phoebe dons Eve's elegant costume robe and poses in front of a multi-paned mirror, holding the award as if it were a crown. The mirrors transform Phoebe into multiple images of herself, and she bows regally, as if accepting the award to thunderous applause, while triumphant music plays.",
" The film is set shortly before Christmas in the North Country of Upstate New York, near the Akwesasne ('Where the Partridge Drums') St. Regis Mohawk Reservation and the border crossing to Cornwall, Ontario. Ray Eddy (Melissa Leo) is a discount store clerk struggling to raise two sons with her husband, a compulsive gambler who has disappeared with the funds she had earmarked to finance the purchase of a double-wide mobile home. While searching for him, she encounters Lila Littlewolf (Misty Upham), a Mohawk bingo-parlor employee who is driving his car, which she claims she found abandoned with the keys in the ignition at the local bus station. The two women, who have both fallen on hard economic times, form a desperate and uneasy alliance and begin trafficking illegal immigrants from Canada into the United States across the frozen St. Lawrence River for $1,200 each.\nRay's older son T.J. wants to find a job and help support the family so they can afford to eat something more substantial than popcorn and Tang. He and his mother clash over whether he should remain in high-school and look after his little brother Ricky or drop out to work. To make matters worse, T.J. sets an outside corner of the trailer afire with a torch in an attempt to unfreeze the water pipe. Lila longs for the day she will be able to reclaim and live with her young son, who was taken from her by her mother-in-law immediately after his birth.\nBecause the women's route takes them from an Indian reservation in the US to an Indian reserve in Canada, they hope to avoid detection by local law-enforcement. However, their problems escalate when they are asked to smuggle a Pakistani couple and Ray, fearful their duffel bag might contain explosives, leaves it behind in sub-freezing temperatures, only to discover it contained their infant baby when they arrive at their destination. She and Lila retrace their route and find the bag and the baby, which Lila insists is dead, but which she revives moments before being reunited with the baby's parents. The experience leaves her shaken, and she announces she no longer wants to participate in the smuggling operation. But Ray, needing just one more crossing to finance the down payment on her mobile home, coerces her into joining her for one last journey.\nThey pick up two Asian women from a strip club for crossing. When the club owner tries to shoot them, Ray successfully threatens him with a gun. When she is re-entering her car, the irate club owner retaliates by shooting Ray in the ear. Shaken, her fast and erratic driving catches the attention of the provincial police. Ray tries to elude capture by crossing the frozen river where one of the wheels of the car breaks through the ice. The four women abandon the vehicle and take refuge at the Indian reservation.\nBecause the police are demanding a scapegoat, the tribal head decides to excommunicate Lila for five years due to her smuggling history which involved the death of her Mohawk husband. Surprised then saddened by the news, Lila gives in to Ray's pleas to go free for the sake of her children. However, running through the woods, Ray has a fit of conscience and returns. She gives her share of money to Lila with instructions for taking care of her sons and seeing through purchase plans for a trailer home. She and the illegal immigrants are surrendered to the police and a trooper speculates she will have to serve four months in jail. She calls her son T.J. to explain what has happened.\nLila pushes her way into her mother-in-law's home and reclaims her infant son. She and the baby show up at the Eddy trailer while T.J. is still on the phone with his jailed mother. In a day scene, T.J. completes the welding of a bicycle-propelled carousel bearing his younger brother and Lila's strapped in baby. He pedals the carousel while Lila smiles on. A truck nears carrying the new trailer home."
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Who does Eve try to seduce?
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"Bill",
"Bill Sampson, Margos boyfriend "
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At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.
The film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway, but despite her success she is bemoaning her age, having just turned forty and knowing what that will mean for her career. After a performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe), meets besotted fan Eve Harrington in the cold alley outside the stage door. Recognizing her from having passed her many times in the alley (as Eve claims to have seen every performance of Margo's current play, Aged in Wood), Karen takes her backstage to meet Margo. Eve tells the group gathered in Margo's dressing room—Karen and Lloyd, Margo's boyfriend Bill Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter)—that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco. She tells a moving story of growing up poor and losing her young husband in the recent war. Moved, Margo quickly befriends Eve, takes her into her home, and hires her as her assistant, leaving Birdie, who instinctively dislikes Eve, feeling put out.
Eve is gradually shown to be working to supplant Margo, scheming to become her understudy behind her back, driving wedges between her and Lloyd and Bill, and conspiring with an unsuspecting Karen to cause Margo to miss a performance. Eve, knowing in advance that she will be the one appearing that night, invites the city's theatre critics to attend that evening's performance, which is a triumph for her. Eve tries to seduce Bill, but he rejects her. Following a scathing newspaper column by Addison, Margo and Bill reconcile, dine with the Richardses, and decide to marry. That same night at the restaurant, Eve blackmails Karen into telling Lloyd to give her the part of Cora, by threatening to tell Margo of Karen's role in Margo's missed performance. Before Karen can talk with Lloyd, Margo announces to everyone's surprise that she does not wish to play Cora and would prefer to continue in Aged in Wood. Eve secures the role and attempts to climb higher by using Addison, who is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven, Eve presents Addison with her next plan: to marry Lloyd, who, she claims, has come to her professing his love and his eagerness to leave his wife for her. Now, Eve exults, Lloyd will write brilliant plays showcasing her. Unseen but mentioned in dialogue, Karen has begun to suspect Eve as a threat to her own marriage to Lloyd, and so she and Addison meet for lunch and help each other put the pieces about Eve together. Addison is infuriated that Eve has attempted to use him and reveals that he knows that her back story is all lies. Her real name is Gertrude Slojinski, she was never married, and she had been paid to leave her hometown over an affair with her boss, a brewer in Wisconsin. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now "belongs" to him.
The film returns to the opening scene in which Eve, now a shining Broadway star headed for Hollywood, is presented with her award. In her speech, she thanks Margo, Bill, Lloyd and Karen with characteristic effusion, while all four stare back at her coldly. After the awards ceremony, Eve hands her award to Addison, skips a party in her honor, and returns home alone, where she encounters a young fan (Barbara Bates)—a high-school girl—who has slipped into her apartment and fallen asleep. The young girl professes her adoration and begins at once to insinuate herself into Eve's life, offering to pack Eve's trunk for Hollywood and being accepted. "Phoebe", as she calls herself, answers the door to find Addison returning with Eve's award. In a revealing moment, the young girl flirts daringly with the older man. Addison hands over the award to Phoebe and leaves without entering. Phoebe then lies to Eve, telling her it was only a cab driver who dropped off the award. While Eve rests in the other room, Phoebe dons Eve's elegant costume robe and poses in front of a multi-paned mirror, holding the award as if it were a crown. The mirrors transform Phoebe into multiple images of herself, and she bows regally, as if accepting the award to thunderous applause, while triumphant music plays.
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" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.\nSent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.\nSomewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.\nIn an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.\nWhen he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.\nThe Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.\nRoss is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.\nThe 2000 version: Norton modified the 1958 version by making three changes in the text;\n1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.\n2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.\n3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible.",
" After having haughtily refused a number of suitors, under the pretext that they are not peers of France, Émilie de Fontaine falls in love with a mysterious young man who quietly appeared at the village dance at Sceaux. Despite his refined appearance and aristocratic bearing, the unknown (Maximilien Longueville) never tells his identity and seems interested in nobody but his sister, a sickly young girl. But he is not insensible to the attention Émilie gives him and he accepts the invitation of Émilie’s father, the Comte de Fontaine. Émilie and Maximilien soon fall in love. The Comte de Fontaine, concerned for his daughter, decides to investigate this mysterious young man, and he discovers him on the Rue du Sentier, a simple cloth merchant, which horrifies Émilie. Piqued, she marries a 72-year-old uncle for his title of Vice Admiral, the Comte de Kergarouët.\nSeveral years after her marriage, Émilie discovers that Maximilien is not a clothier at all, but in fact a Vicomte de Longueville who has become a Peer of France. The young man finally explains why he secretly tended a store: he did it in order to support his family, sacrificing himself for his sick sister and for his brother, who had departed the country.",
" On the surface the plot follows the story of a penniless, starving author called Geoffrey Tempest. So poor that he is behind on his rent and can barely afford light in his room, he receives three letters. The first is from a friend in Australia who has made his fortune and offers to introduce him to a good friend who might be able to lift him from poverty. The second is a note from a solicitor detailing that he has inherited a fortune from a deceased relative. The third is a letter of introduction from a foreign aristocrat called Lucio, who befriends him and proceeds to be his guide in how to best use his newfound wealth.\nTempest remains blissfully unaware throughout the novel, despite warnings from people he meets, that Lucio is the earthly incarnation of the Devil. Over the course of the book, his wealth leads to misery. Eventually, when confronted with the true nature of his companion, he renounces evil and returns to society penniless but content with the chance to purify his soul.\nAlthough the plot follows Tempest's fall from grace and redemption, he is in many regards a secondary character to Lucio. Both the title of the work and much of its philosophical content relate to the supreme yearning within Satan to achieve salvation. The book's main contribution to Faustian literature is the introduction of the concept that above all other people it is Satan who most truly believes in the Gospel â and yet he is forbidden to ever partake of it.",
" Bastian Balthazar Bux is a shy and friendless bibliophile 12-year-old, teased by bullies from school. On his way to school, he hides from the bullies in a bookstore, interrupting the grumpy bookseller, Mr. Coreander. Bastian asks about one of the books he sees, but Mr. Coreander advises against it. His curiosity piqued, Bastian seizes the book, leaving a note promising to return it, and hides in the school's attic to read. The book describes the world of Fantasia slowly being devoured by a force called \"The Nothing\". Fantasia's ruler, the Childlike Empress, has fallen ill, and Atreyu is tasked to discover the cure, believing that once the Empress is well, the Nothing will no longer be a threat. Atreyu is given a medallion named the AURYN that can guide and protect him in the quest. As Atreyu sets out, the Nothing summons Gmork, a wolf-like creature, to kill Atreyu.\nAtreyu's quest directs him to the advisor Morla the Ancient One in the Swamps of Sadness. Though the AURYN protects Atreyu, his beloved horse Artax is lost to the swamp, and he continues alone. Later, Atreyu is surprised by the sudden appearance of Morla, a giant turtle. Bastian, reading, is also surprised and lets out a scream, which Atreyu and Morla appear to hear. Morla does not have the answers Atreyu seeks, but directs him to the Southern Oracle, ten thousand miles distant. Atreyu succumbs to exhaustion trying to escape the Swamps but is saved by the luckdragon Falkor (voiced by Alan Oppenheimer). Falkor takes him to the home of two gnomes that live near the entrance to the Southern Oracle. The gnomes explain that Atreyu will face various trials before reaching the Oracle. Atreyu proceeds to enter the Oracle, and is perplexed when one second trial, a mirror that shows the viewer's true self, reveals a boy which Bastian recognizes as himself. Bastian throws the book aside, but after catching his breath, continues to read. Atreyu eventually meets the Southern Oracle who tells him the only way to save the Empress is to find a human child to give her a new name, beyond the boundaries of Fantasia.\nAtreyu and Falkor flee before the Nothing consumes the Southern Oracle. In flight, Atreyu is knocked from Falkor's back into the Sea of Possibilities, losing the AURYN in the process. He wakes on the shore of the abandoned ruins, and finds a series of paintings depicting his quest. Gmork reveals himself, having been lying in wait and explains that Fantasia represents humanity's imagination, and that the Nothing represents adult apathy and cynicism against it. Atreyu fends off and kills Gmork as the Nothing begins to consume the ruins. Falkor, who had managed to locate AURYN, rescues Atreyu in time. The two find themselves in a void with only small fragments of Fantasia remaining, and fear they have failed when they spot the Empress's Ivory Tower among the fragment. Inside, Atreyu apologizes for failing the Empress, but she assures him he has succeeded in bringing to her a human child who has been following his quest. As the Nothing begins to consume the Tower, the Empress pleas directly to Bastian to call out her new name. Bastian calls out the name he had selected, and loses consciousness.\nWhen he wakes, he finds himself in blackness with the Empress, with only a grain of sand the last bit of Fantasia remaining. The Empress tells Bastian that he has the power to bring Fantasia back with his imagination using the power of the AURYN. Bastian re-creates Fantasia, and as he flies on Falkor's back, he sees the land and its inhabitants restored, and that Atreyu has been reunited with Artax. When Falkor tells him he can wish for anything, Bastian then brings Falkor back to the real world to chase down the bullies from before. The film ends with the narration that Bastian had many more wishes and adventures, and adds: \"but that's another story\".",
" In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is described as “the true animal, the wild, beautiful animal” and the “primal form of woman”.\nWhen the action of the play starts, Lulu has been rescued by the rich newspaper publisher Dr Schön from a life on the streets with her alleged father, the petty criminal Schigolch. Dr Schön has taken Lulu under his wing, educated her and made her his lover. Wishing however to make a more socially advantageous match for himself, he has married her off to the medic Dr Goll.\nIn the first Act Dr Goll has brought Lulu to have her portrait painted by Schwarz. Left alone with him, Lulu seduces the painter. When Dr Goll returns to confront them, he collapses with a fatal heart attack.\nIn Act Two, Lulu has married the painter Schwarz, who, with Schön’s assistance, has now achieved fame and wealth. She remains Schön’s mistress, however. Wishing to be rid of her ahead of his forthcoming marriage to a society belle, Charlotte von Zarnikow, Schön informs Schwarz about her dissolute past. Schwarz is shocked to the core and “guillotines” himself with his razor.\nIn Act Three Lulu appears as a dancer in a revue, her new career promoted by Schön’s son Alwa, who is now also infatuated with her. Dr Schön is forced to admit that he is in her thrall. Lulu forces him to break off his engagement to Charlotte.\nIn Act Four Lulu is now married to Dr Schön but is unfaithful to him with several other men (Schigolch, Alwa, the circus artist Rodrigo Quast and the lesbian Countess Geschwitz). On discovering this, Schön presses a revolver into her hand, urging her to kill herself. Instead, she uses it to shoot Schön, all the while declaring him the only man she has ever loved. She is imprisoned for her crime.\nHer escape from prison with the aid of Countess Geschwitz and subsequent career down to her death at the hands of Jack the Ripper in London are the subject of the sequel, Pandora’s Box. It is now customary in theatre performances to run the two plays together, in abridged form, under the title Lulu."
] |
[
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.\nSent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.\nSomewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.\nIn an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.\nWhen he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.\nThe Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.\nRoss is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.\nThe 2000 version: Norton modified the 1958 version by making three changes in the text;\n1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.\n2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.\n3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible.",
" On the surface the plot follows the story of a penniless, starving author called Geoffrey Tempest. So poor that he is behind on his rent and can barely afford light in his room, he receives three letters. The first is from a friend in Australia who has made his fortune and offers to introduce him to a good friend who might be able to lift him from poverty. The second is a note from a solicitor detailing that he has inherited a fortune from a deceased relative. The third is a letter of introduction from a foreign aristocrat called Lucio, who befriends him and proceeds to be his guide in how to best use his newfound wealth.\nTempest remains blissfully unaware throughout the novel, despite warnings from people he meets, that Lucio is the earthly incarnation of the Devil. Over the course of the book, his wealth leads to misery. Eventually, when confronted with the true nature of his companion, he renounces evil and returns to society penniless but content with the chance to purify his soul.\nAlthough the plot follows Tempest's fall from grace and redemption, he is in many regards a secondary character to Lucio. Both the title of the work and much of its philosophical content relate to the supreme yearning within Satan to achieve salvation. The book's main contribution to Faustian literature is the introduction of the concept that above all other people it is Satan who most truly believes in the Gospel â and yet he is forbidden to ever partake of it.",
" Bastian Balthazar Bux is a shy and friendless bibliophile 12-year-old, teased by bullies from school. On his way to school, he hides from the bullies in a bookstore, interrupting the grumpy bookseller, Mr. Coreander. Bastian asks about one of the books he sees, but Mr. Coreander advises against it. His curiosity piqued, Bastian seizes the book, leaving a note promising to return it, and hides in the school's attic to read. The book describes the world of Fantasia slowly being devoured by a force called \"The Nothing\". Fantasia's ruler, the Childlike Empress, has fallen ill, and Atreyu is tasked to discover the cure, believing that once the Empress is well, the Nothing will no longer be a threat. Atreyu is given a medallion named the AURYN that can guide and protect him in the quest. As Atreyu sets out, the Nothing summons Gmork, a wolf-like creature, to kill Atreyu.\nAtreyu's quest directs him to the advisor Morla the Ancient One in the Swamps of Sadness. Though the AURYN protects Atreyu, his beloved horse Artax is lost to the swamp, and he continues alone. Later, Atreyu is surprised by the sudden appearance of Morla, a giant turtle. Bastian, reading, is also surprised and lets out a scream, which Atreyu and Morla appear to hear. Morla does not have the answers Atreyu seeks, but directs him to the Southern Oracle, ten thousand miles distant. Atreyu succumbs to exhaustion trying to escape the Swamps but is saved by the luckdragon Falkor (voiced by Alan Oppenheimer). Falkor takes him to the home of two gnomes that live near the entrance to the Southern Oracle. The gnomes explain that Atreyu will face various trials before reaching the Oracle. Atreyu proceeds to enter the Oracle, and is perplexed when one second trial, a mirror that shows the viewer's true self, reveals a boy which Bastian recognizes as himself. Bastian throws the book aside, but after catching his breath, continues to read. Atreyu eventually meets the Southern Oracle who tells him the only way to save the Empress is to find a human child to give her a new name, beyond the boundaries of Fantasia.\nAtreyu and Falkor flee before the Nothing consumes the Southern Oracle. In flight, Atreyu is knocked from Falkor's back into the Sea of Possibilities, losing the AURYN in the process. He wakes on the shore of the abandoned ruins, and finds a series of paintings depicting his quest. Gmork reveals himself, having been lying in wait and explains that Fantasia represents humanity's imagination, and that the Nothing represents adult apathy and cynicism against it. Atreyu fends off and kills Gmork as the Nothing begins to consume the ruins. Falkor, who had managed to locate AURYN, rescues Atreyu in time. The two find themselves in a void with only small fragments of Fantasia remaining, and fear they have failed when they spot the Empress's Ivory Tower among the fragment. Inside, Atreyu apologizes for failing the Empress, but she assures him he has succeeded in bringing to her a human child who has been following his quest. As the Nothing begins to consume the Tower, the Empress pleas directly to Bastian to call out her new name. Bastian calls out the name he had selected, and loses consciousness.\nWhen he wakes, he finds himself in blackness with the Empress, with only a grain of sand the last bit of Fantasia remaining. The Empress tells Bastian that he has the power to bring Fantasia back with his imagination using the power of the AURYN. Bastian re-creates Fantasia, and as he flies on Falkor's back, he sees the land and its inhabitants restored, and that Atreyu has been reunited with Artax. When Falkor tells him he can wish for anything, Bastian then brings Falkor back to the real world to chase down the bullies from before. The film ends with the narration that Bastian had many more wishes and adventures, and adds: \"but that's another story\".",
" After having haughtily refused a number of suitors, under the pretext that they are not peers of France, Émilie de Fontaine falls in love with a mysterious young man who quietly appeared at the village dance at Sceaux. Despite his refined appearance and aristocratic bearing, the unknown (Maximilien Longueville) never tells his identity and seems interested in nobody but his sister, a sickly young girl. But he is not insensible to the attention Émilie gives him and he accepts the invitation of Émilie’s father, the Comte de Fontaine. Émilie and Maximilien soon fall in love. The Comte de Fontaine, concerned for his daughter, decides to investigate this mysterious young man, and he discovers him on the Rue du Sentier, a simple cloth merchant, which horrifies Émilie. Piqued, she marries a 72-year-old uncle for his title of Vice Admiral, the Comte de Kergarouët.\nSeveral years after her marriage, Émilie discovers that Maximilien is not a clothier at all, but in fact a Vicomte de Longueville who has become a Peer of France. The young man finally explains why he secretly tended a store: he did it in order to support his family, sacrificing himself for his sick sister and for his brother, who had departed the country.",
" At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.\nThe film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway, but despite her success she is bemoaning her age, having just turned forty and knowing what that will mean for her career. After a performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe), meets besotted fan Eve Harrington in the cold alley outside the stage door. Recognizing her from having passed her many times in the alley (as Eve claims to have seen every performance of Margo's current play, Aged in Wood), Karen takes her backstage to meet Margo. Eve tells the group gathered in Margo's dressing room—Karen and Lloyd, Margo's boyfriend Bill Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter)—that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco. She tells a moving story of growing up poor and losing her young husband in the recent war. Moved, Margo quickly befriends Eve, takes her into her home, and hires her as her assistant, leaving Birdie, who instinctively dislikes Eve, feeling put out.\nEve is gradually shown to be working to supplant Margo, scheming to become her understudy behind her back, driving wedges between her and Lloyd and Bill, and conspiring with an unsuspecting Karen to cause Margo to miss a performance. Eve, knowing in advance that she will be the one appearing that night, invites the city's theatre critics to attend that evening's performance, which is a triumph for her. Eve tries to seduce Bill, but he rejects her. Following a scathing newspaper column by Addison, Margo and Bill reconcile, dine with the Richardses, and decide to marry. That same night at the restaurant, Eve blackmails Karen into telling Lloyd to give her the part of Cora, by threatening to tell Margo of Karen's role in Margo's missed performance. Before Karen can talk with Lloyd, Margo announces to everyone's surprise that she does not wish to play Cora and would prefer to continue in Aged in Wood. Eve secures the role and attempts to climb higher by using Addison, who is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven, Eve presents Addison with her next plan: to marry Lloyd, who, she claims, has come to her professing his love and his eagerness to leave his wife for her. Now, Eve exults, Lloyd will write brilliant plays showcasing her. Unseen but mentioned in dialogue, Karen has begun to suspect Eve as a threat to her own marriage to Lloyd, and so she and Addison meet for lunch and help each other put the pieces about Eve together. Addison is infuriated that Eve has attempted to use him and reveals that he knows that her back story is all lies. Her real name is Gertrude Slojinski, she was never married, and she had been paid to leave her hometown over an affair with her boss, a brewer in Wisconsin. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now \"belongs\" to him.\nThe film returns to the opening scene in which Eve, now a shining Broadway star headed for Hollywood, is presented with her award. In her speech, she thanks Margo, Bill, Lloyd and Karen with characteristic effusion, while all four stare back at her coldly. After the awards ceremony, Eve hands her award to Addison, skips a party in her honor, and returns home alone, where she encounters a young fan (Barbara Bates)—a high-school girl—who has slipped into her apartment and fallen asleep. The young girl professes her adoration and begins at once to insinuate herself into Eve's life, offering to pack Eve's trunk for Hollywood and being accepted. \"Phoebe\", as she calls herself, answers the door to find Addison returning with Eve's award. In a revealing moment, the young girl flirts daringly with the older man. Addison hands over the award to Phoebe and leaves without entering. Phoebe then lies to Eve, telling her it was only a cab driver who dropped off the award. While Eve rests in the other room, Phoebe dons Eve's elegant costume robe and poses in front of a multi-paned mirror, holding the award as if it were a crown. The mirrors transform Phoebe into multiple images of herself, and she bows regally, as if accepting the award to thunderous applause, while triumphant music plays.",
" In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is described as “the true animal, the wild, beautiful animal” and the “primal form of woman”.\nWhen the action of the play starts, Lulu has been rescued by the rich newspaper publisher Dr Schön from a life on the streets with her alleged father, the petty criminal Schigolch. Dr Schön has taken Lulu under his wing, educated her and made her his lover. Wishing however to make a more socially advantageous match for himself, he has married her off to the medic Dr Goll.\nIn the first Act Dr Goll has brought Lulu to have her portrait painted by Schwarz. Left alone with him, Lulu seduces the painter. When Dr Goll returns to confront them, he collapses with a fatal heart attack.\nIn Act Two, Lulu has married the painter Schwarz, who, with Schön’s assistance, has now achieved fame and wealth. She remains Schön’s mistress, however. Wishing to be rid of her ahead of his forthcoming marriage to a society belle, Charlotte von Zarnikow, Schön informs Schwarz about her dissolute past. Schwarz is shocked to the core and “guillotines” himself with his razor.\nIn Act Three Lulu appears as a dancer in a revue, her new career promoted by Schön’s son Alwa, who is now also infatuated with her. Dr Schön is forced to admit that he is in her thrall. Lulu forces him to break off his engagement to Charlotte.\nIn Act Four Lulu is now married to Dr Schön but is unfaithful to him with several other men (Schigolch, Alwa, the circus artist Rodrigo Quast and the lesbian Countess Geschwitz). On discovering this, Schön presses a revolver into her hand, urging her to kill herself. Instead, she uses it to shoot Schön, all the while declaring him the only man she has ever loved. She is imprisoned for her crime.\nHer escape from prison with the aid of Countess Geschwitz and subsequent career down to her death at the hands of Jack the Ripper in London are the subject of the sequel, Pandora’s Box. It is now customary in theatre performances to run the two plays together, in abridged form, under the title Lulu."
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How does Eve say her husband died?
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[
"In the war",
"In the war"
] |
At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.
The film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway, but despite her success she is bemoaning her age, having just turned forty and knowing what that will mean for her career. After a performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe), meets besotted fan Eve Harrington in the cold alley outside the stage door. Recognizing her from having passed her many times in the alley (as Eve claims to have seen every performance of Margo's current play, Aged in Wood), Karen takes her backstage to meet Margo. Eve tells the group gathered in Margo's dressing room—Karen and Lloyd, Margo's boyfriend Bill Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter)—that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco. She tells a moving story of growing up poor and losing her young husband in the recent war. Moved, Margo quickly befriends Eve, takes her into her home, and hires her as her assistant, leaving Birdie, who instinctively dislikes Eve, feeling put out.
Eve is gradually shown to be working to supplant Margo, scheming to become her understudy behind her back, driving wedges between her and Lloyd and Bill, and conspiring with an unsuspecting Karen to cause Margo to miss a performance. Eve, knowing in advance that she will be the one appearing that night, invites the city's theatre critics to attend that evening's performance, which is a triumph for her. Eve tries to seduce Bill, but he rejects her. Following a scathing newspaper column by Addison, Margo and Bill reconcile, dine with the Richardses, and decide to marry. That same night at the restaurant, Eve blackmails Karen into telling Lloyd to give her the part of Cora, by threatening to tell Margo of Karen's role in Margo's missed performance. Before Karen can talk with Lloyd, Margo announces to everyone's surprise that she does not wish to play Cora and would prefer to continue in Aged in Wood. Eve secures the role and attempts to climb higher by using Addison, who is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven, Eve presents Addison with her next plan: to marry Lloyd, who, she claims, has come to her professing his love and his eagerness to leave his wife for her. Now, Eve exults, Lloyd will write brilliant plays showcasing her. Unseen but mentioned in dialogue, Karen has begun to suspect Eve as a threat to her own marriage to Lloyd, and so she and Addison meet for lunch and help each other put the pieces about Eve together. Addison is infuriated that Eve has attempted to use him and reveals that he knows that her back story is all lies. Her real name is Gertrude Slojinski, she was never married, and she had been paid to leave her hometown over an affair with her boss, a brewer in Wisconsin. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now "belongs" to him.
The film returns to the opening scene in which Eve, now a shining Broadway star headed for Hollywood, is presented with her award. In her speech, she thanks Margo, Bill, Lloyd and Karen with characteristic effusion, while all four stare back at her coldly. After the awards ceremony, Eve hands her award to Addison, skips a party in her honor, and returns home alone, where she encounters a young fan (Barbara Bates)—a high-school girl—who has slipped into her apartment and fallen asleep. The young girl professes her adoration and begins at once to insinuate herself into Eve's life, offering to pack Eve's trunk for Hollywood and being accepted. "Phoebe", as she calls herself, answers the door to find Addison returning with Eve's award. In a revealing moment, the young girl flirts daringly with the older man. Addison hands over the award to Phoebe and leaves without entering. Phoebe then lies to Eve, telling her it was only a cab driver who dropped off the award. While Eve rests in the other room, Phoebe dons Eve's elegant costume robe and poses in front of a multi-paned mirror, holding the award as if it were a crown. The mirrors transform Phoebe into multiple images of herself, and she bows regally, as if accepting the award to thunderous applause, while triumphant music plays.
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" The novel is a first-person narrative told from the point of view of the adolescent girl Maud Ruthyn, an heiress living with her sombre, reclusive father Austin Ruthyn in their mansion at Knowl. Through her father and her worldly, cheerful cousin, Lady Monica Knollys, she gradually learns more regarding her uncle, Silas Ruthyn, a black sheep of the family whom she has never met; once an infamous rake and gambler, he is now apparently a fervently reformed Christian. His reputation has been tainted by the suspicious suicide of a man to whom Silas owed an enormous gambling debt, which took place within a locked, apparently impenetrable room in Silas's mansion at Bartram-Haugh.\nIn the first part of the novel, Maud's father hires a French governess, Madame de la Rougierre, as a companion for her. Madame de la Rougierre terrifies Maud and appears to have designs on her; during two of their walks together, Maud is brought into suspicious contact with strangers that seem to be known to Madame de la Rougierre. (In a cutaway scene that breaks the first-person narrative, we learn that she is in league with Uncle Silas's good-for-nothing son Dudley.) The governess is eventually dismissed when she is discovered by Maud in the act of burgling her father's desk.\nMaud is asked in obscure terms by her father if she is willing to undergo some kind of \"ordeal\" to clear the name of her uncle, and of the family more generally; shortly after she assents, he dies. At the reading of his will, it emerges that her father added a codicil to it: Maud is to stay with Uncle Silas until she comes of age; if she dies whilst still a minor, the estate will pass to Silas. Lady Knollys, together with Austin's executor and fellow Swedenborgian, Dr. Bryerly, attempt in vain to overturn the codicil, realizing its many dangerous implications for the young heiress; despite their efforts, Maud consents willingly to spending the next three and a half years at her uncle's mansion at Bartram-Haugh.\nMaud initially finds life at Bartram-Haugh strange but not unpleasant, despite ominous signs such as the uniformly unfriendly servants and a malevolent factotum of Silas's, the one-legged Dickon Hawkes. Silas himself frightens Maud but is nonetheless seemingly kind to her, in contrast to his treatment of his own children, the loutish Dudley and the uneducated Millicent ('Milly'). Initially deprecating of her rustic mannerisms, Maud and Millicent become best friends, and each other's only source of companionship at the estate. During her stay, Maud is subject to various attempts by Dudley to court her, but she rejects him thoroughly on each occasion. Silas is periodically subject to mysterious catatonic fits, attributed to his massive opium consumption.\nVarious ominous happenings begin to take place at Bartram-Haugh; it becomes increasingly difficult for Maud and Millicent to find any route out of the estate; meanwhile, Dudley's courtship culminates in a marriage proposition to Maud; when she confronts Silas about it, he attempts to coax her into accepting. She is relieved when it emerges that Dudley is already married, and when, after being disowned by his father, he and his wife leave to set sail from Liverpool to New York. It is afterwards decided that Millicent should attend a boarding school in France, and Silas sends her away with the promise that Maud is to join her after three months.\nIn the meantime, Maud is shocked to discover Madame de la Rougierre residing at Bartram-Haugh in the employ of Silas, and she suspects also that Dudley may not have fled. Despite strong protest by Maud, Madame is charged with accompanying her first to London, and then on to Dover and across the Channel. After falling asleep during the journey and being escorted under the cover of darkness, Maud awakes to find herself again at Bartram-Haugh: she had in fact been on a round trip to London and back. Maud finds herself now imprisoned in one of the mansion's many bedrooms under the guard of Madame de la Rougierre, whilst everyone suspects she is in France. Remembering the earlier warnings of her cousin, Lady Knollys, she refuses to drink any of the drugged claret intended for her; instead, Madame de la Rougierre, ignorant of Silas' true intentions, partakes of it and promptly falls asleep on Maud's bed. Later that night, Dudley scales the building and enters the unlit room; the window he uses is set upon concealed hinges that allow it to be opened only from the outside. Hidden out of sight, Maud witnesses Dudley brutally murder Madame de la Rougierre by mistake in the near-darkness. Uncle Silas enters the room, having been waiting outside; as he does this, Maud slips out undetected. Assisted by Dickon Hawkes' daughter, whom Maud had befriended during her stay, she is swiftly conveyed by carriage to Lady Knolly's estate, and away from Bartram-Haugh.\nSilas is discovered in the morning lying dead of an opium overdose, while Dudley becomes a fugitive and is thought to be hiding in Australia. Maud is happily married to the charming and handsome Lord Ilbury and ends her recollections on a philosophical note:\nThis world is a parableâthe habitation of symbolsâthe phantoms of spiritual things immortal shown in material shape. May the blessed second-sight be mineâto recognise under these beautiful forms of earth the angels who wear them; for I am sure we may walk with them if we will, and hear them speak!",
" Tancred, Lord Montacute, the novel's idealistic young hero, seems destined to live the life of any conventional member of the British ruling class. Dissatisfied with his life in fashionable London circles, he instead leaves his parents and retraces the steps of his Crusader ancestors to the Holy Land, hoping there to \"penetrate the great Asian mystery\" and understand the roots of Christianity. He meets the beautiful Eva, daughter of a Jewish financier, and becomes involved in the political machinations of her foster-brother, the brilliant Fakredeen, a Lebanese emir. At Fakredeen's instigation Tancred is kidnapped and held captive, but is nevertheless allowed to visit Mount Sinai. Here he has a vision of an angel who tells him he must be the prophet of \"the sublime and solacing doctrine of theocratic equality\", a concept which Disraeli leaves somewhat hazy. Tancred falls ill, and is released at the instigation of Eva, who nurses him back to health. She teaches him about the glories of Mediterranean civilization and the debt that Christianity owes to Judaism. Tancred, in love with Eva and utterly convinced that she is right, proposes marriage, but the romance is broken off when his parents appear to reclaim their son and take him back to England.",
" The Cossacks is believed to be somewhat autobiographical, partially based on Tolstoy's experiences in the Caucasus during the last stages of the Caucasian War. Tolstoy had a morally corrupt experience in his youth, engaging in numerous promiscuous partners, heavy drinking and gambling problems; many argue Tolstoy used his own past as inspiration for the protagonist Olenin.\nDisenchanted with his privileged life in Russian society, nobleman Dmitri Olenin joins the army as a cadet, in the hopes of escaping the superficiality of his daily life. On a quest to find \"completeness,\" he naively hopes to find serenity among the \"simple\" people of the Caucasus. In an attempt to immerse himself in the local culture, he befriends an old man. They drink wine, curse, and hunt pheasant and boar in the Cossack tradition, and Olenin even begins to dress in the manner of a Cossack. He forgets himself and falls in love with the young Maryanka, in spite of her fiancĂŠ Lukashka. While spending life as a Cossack, he learns lessons about his own inner life, moral philosophy, and the nature of reality. He also understands the intricacies of human psychology and nature.The young idealist Dmitriy Olenin leaves Moscow, hoping to start a new life in the Caucasus. In the stanitsa, he slowly becomes enamored by the surroundings and despises his previous existence. He befriends the old Cossack Eroshka, who goes hunting with him and finds him a good fellow because of his propensity to drinking. During this time, young Cossack Luka kills a Chechen who is trying to come across the river towards the village to scout the Cossacks and in this way gains much respect. Olenin falls in love with the maid Maryanka, who is to be wed to Luka later in the story. He tries to stop this emotion and eventually convinces himself that he loves both Luka and Maryanka for their simplicity and decides that happiness can only come to a man who constantly gives to others with no thought of self-gratification.\nHe first gives an extra horse to Luka, who accepts the present yet doesn't trust Olenin on his motives. As time goes on, however, though he gains the respect of the local villagers, another Russian named Beletsky, who is still attached to the ways of Moscow, comes and partially corrupts Olenin's ideals and convinces him through his actions to attempt to win Maryanka's love. Olenin approaches her several times and Luka hears about this from a Cossack, and thus does not invite Olenin to the betrothal party. Olenin spends the night with Eroshka but soon decides that he will not give up on the girl and attempts to win her heart again. He eventually, in a moment of passion, asks her to marry him, which she says she will answer soon.\nLuka, however, is severely wounded when he and a group of Cossacks go to confront a group of Chechens who are trying to attack the village, including the brother of the man he killed earlier. Though the Chechens lose after the Cossacks take a cart to block their bullets, the brother of the slain Chechen manages to shoot Luka in the belly when he is close by. As Luka seems to be dying and is being cared for by village people, Olenin approaches Maryanka to ask her to marry him; she angrily refuses. He realizes that \"his first impression of this woman's inaccessibility had been perfectly correct.\" He asks his company commander to leave and join the staff. He says goodbye to Eroshka, who is the only villager who sees him off. Eroshka is emotional towards Olenin but after Olenin takes off and looks back, he sees that Eroshka has apparently already forgotten about him and has gotten back to normal life.",
" In Cleveland, 1972, Russell Stevens Jr. is the son of a drug addicted, alcoholic man. His father tells his son never to be like him. Stevens then witnesses his father getting killed while robbing a liquor store. He swears that he will never end up the way he has.\nTwenty years later, in Cincinnati, 1991, Stevens is now a police officer. Officer Stevens is recruited by DEA Special Agent Gerald Carver to go undercover on a major sting operation in Los Angeles, claiming that his criminal-like character traits will be more of a benefit undercover than they would serve him as a uniformed policeman. Stevens poses as drug dealer \"John Hull\" in order to infiltrate and work his way up the network of the west coast's largest drug importer, Anton Gallegos and his uncle Hector Gúzman, a South American politician. Stevens relocates to a cheap hotel in LA and begins dealing cocaine.\nOne day Stevens is arrested by the devoutly religious L.A.P.D. Narcotics Detective Taft and his corrupt partner Hernández, when he buys a kilogram in a set-up by Gallegos' low-level street supplier Eddie Dudley. At his arraignment, Stevens discovers that he was sold \"baby laxative\" (mannitol) instead of cocaine and his case is dismissed. Stevens' self-appointed attorney David Jason, who is also a drug trafficker in Gallegos' network, rewards Stevens' silence with more cocaine and introduces Stevens to Felix Barbossa, the underboss to Gallegos. Felix realized that Eddie was working with the LAPD, which results in Felix killing him and enlisting Stevens as Eddie's replacement.\nStevens develops a romance with Betty McCutcheon, the manager of an art dealership which serves as a front to launder Jason's drug money profits. When one of Stevens' dealers is murdered by a rival dealer named Ivy, Stevens kills him and is awarded a partnership in Jason's new business venture; distribution of a synthetic chemical variant of cocaine. It turns out that Felix is working with Detective Hernández who pressures him into giving him more arrests. Felix immediately gives up Stevens, Jason, and Betty, since he views them as expendable and wants to kill Jason because of his business venture. Carver knows about the upcoming bust, but refuses to interfere forcing Stevens to violate orders and stop it himself. At the deal, Stevens exposes Felix as a police informant, which results in a vengeful Jason killing him.\nGallegos comes to personally meet with Jason and Stevens and informs them that they have inherited Felix's $1.8 million debt. Later that same day, Stevens meets with Carver to tell him about his meeting with Gallegos. Instead Carver pulls a gun on Stevens and orders him to surrender his weapon and get in his car. Angrily Stevens disarms Carver and forces him to reveal what's happening behind the scenes. Carver admits that the State Department is leaving Gallegos and Guzman alone because Guzman may someday be useful as a political asset to them. Stevens' disillusionment reaches its conclusion and he abandons his undercover status vowing to take down Gallegos and Guzman alone.\nStevens and Jason learn that Gallegos is going to kill them anyway, so instead of paying Gallegos, Jason and Stevens cleverly kill him and steal a van storing over a $100 million of Gallegos' cash. Jason and Stevens invite Guzman to a shipyard and offer to return 80% of Gallegos' money if he agrees to invest the remaining 20% in their synthetic cocaine distribution operation. Detective Taft, who has been tailing Stevens, interrupts the deal but is unable to arrest Guzman because of his diplomatic status. Guzman flees the scene before Taft's backup arrives. Taft orders Stevens to surrender, but is shot and wounded by Jason. Stevens reveals to Jason that he is a police officer but Jason ignores this information and cajoles him into joining Jason and abandoning the dying Taft. Jason kills Taft, despite Stevens' pleas to let him go. Stevens then reaffirms himself as a police officer and attempts to arrest Jason, but is forced to kill him when Jason draws his gun.\nAfterwards, Carver leverages Stevens by threatening to charge Betty with several bank fraud violations. In exchange for his favorable testimony of Carver, the DEA, and their sting operation, Stevens can prevent Betty's prosecution. Stevens agrees, but during his testimony to the House Judiciary Subcommittee, he produces a video tape of the incriminating conversation with Guzman at the shipyard, thus potentially ruining Guzman's and Carver´s career. Later he contemplates what to do with the $11 million of Gallegos' money that he secretly kept.",
" The Pilot and His Wife portrays the life of the sailor both at home and abroad and describes varied experiences out on the stormy deep as well as in distant ports. The work is noted for its vigor of description. With a background of ocean waves, it is a story of married life.\nSalve Kristiansen loves a beautiful woman named Elisabeth and is evidently loved in return. But for a time Elisabeth is attracted to a young officer who wishes to marry her. The old love for Salve prevails, however, and Elisabeth spurns the officer, but Salve has already left his native land in desperation and is sailing toward foreign shores. When he finally, after some years, returns to his old home, he finds that Elisabeth, after all, has been true to him. He marries her.\nIt would seem that all is well, but such is not the case. The thought of Elisabeth's momentary hesitation does not leave Salve, and this unfortunate circumstance makes life miserable for both. Ten years elapse before the husband and wife finally come to a clear understanding and a genuine appreciation of one another, and now at last are enabled to lay the foundation for a happy life together. The novel emphasizes the need of implicit confidence and trust, if two persons united in wedlock are to live happily together."
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" The Cossacks is believed to be somewhat autobiographical, partially based on Tolstoy's experiences in the Caucasus during the last stages of the Caucasian War. Tolstoy had a morally corrupt experience in his youth, engaging in numerous promiscuous partners, heavy drinking and gambling problems; many argue Tolstoy used his own past as inspiration for the protagonist Olenin.\nDisenchanted with his privileged life in Russian society, nobleman Dmitri Olenin joins the army as a cadet, in the hopes of escaping the superficiality of his daily life. On a quest to find \"completeness,\" he naively hopes to find serenity among the \"simple\" people of the Caucasus. In an attempt to immerse himself in the local culture, he befriends an old man. They drink wine, curse, and hunt pheasant and boar in the Cossack tradition, and Olenin even begins to dress in the manner of a Cossack. He forgets himself and falls in love with the young Maryanka, in spite of her fiancĂŠ Lukashka. While spending life as a Cossack, he learns lessons about his own inner life, moral philosophy, and the nature of reality. He also understands the intricacies of human psychology and nature.The young idealist Dmitriy Olenin leaves Moscow, hoping to start a new life in the Caucasus. In the stanitsa, he slowly becomes enamored by the surroundings and despises his previous existence. He befriends the old Cossack Eroshka, who goes hunting with him and finds him a good fellow because of his propensity to drinking. During this time, young Cossack Luka kills a Chechen who is trying to come across the river towards the village to scout the Cossacks and in this way gains much respect. Olenin falls in love with the maid Maryanka, who is to be wed to Luka later in the story. He tries to stop this emotion and eventually convinces himself that he loves both Luka and Maryanka for their simplicity and decides that happiness can only come to a man who constantly gives to others with no thought of self-gratification.\nHe first gives an extra horse to Luka, who accepts the present yet doesn't trust Olenin on his motives. As time goes on, however, though he gains the respect of the local villagers, another Russian named Beletsky, who is still attached to the ways of Moscow, comes and partially corrupts Olenin's ideals and convinces him through his actions to attempt to win Maryanka's love. Olenin approaches her several times and Luka hears about this from a Cossack, and thus does not invite Olenin to the betrothal party. Olenin spends the night with Eroshka but soon decides that he will not give up on the girl and attempts to win her heart again. He eventually, in a moment of passion, asks her to marry him, which she says she will answer soon.\nLuka, however, is severely wounded when he and a group of Cossacks go to confront a group of Chechens who are trying to attack the village, including the brother of the man he killed earlier. Though the Chechens lose after the Cossacks take a cart to block their bullets, the brother of the slain Chechen manages to shoot Luka in the belly when he is close by. As Luka seems to be dying and is being cared for by village people, Olenin approaches Maryanka to ask her to marry him; she angrily refuses. He realizes that \"his first impression of this woman's inaccessibility had been perfectly correct.\" He asks his company commander to leave and join the staff. He says goodbye to Eroshka, who is the only villager who sees him off. Eroshka is emotional towards Olenin but after Olenin takes off and looks back, he sees that Eroshka has apparently already forgotten about him and has gotten back to normal life.",
" Tancred, Lord Montacute, the novel's idealistic young hero, seems destined to live the life of any conventional member of the British ruling class. Dissatisfied with his life in fashionable London circles, he instead leaves his parents and retraces the steps of his Crusader ancestors to the Holy Land, hoping there to \"penetrate the great Asian mystery\" and understand the roots of Christianity. He meets the beautiful Eva, daughter of a Jewish financier, and becomes involved in the political machinations of her foster-brother, the brilliant Fakredeen, a Lebanese emir. At Fakredeen's instigation Tancred is kidnapped and held captive, but is nevertheless allowed to visit Mount Sinai. Here he has a vision of an angel who tells him he must be the prophet of \"the sublime and solacing doctrine of theocratic equality\", a concept which Disraeli leaves somewhat hazy. Tancred falls ill, and is released at the instigation of Eva, who nurses him back to health. She teaches him about the glories of Mediterranean civilization and the debt that Christianity owes to Judaism. Tancred, in love with Eva and utterly convinced that she is right, proposes marriage, but the romance is broken off when his parents appear to reclaim their son and take him back to England.",
" At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.\nThe film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway, but despite her success she is bemoaning her age, having just turned forty and knowing what that will mean for her career. After a performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe), meets besotted fan Eve Harrington in the cold alley outside the stage door. Recognizing her from having passed her many times in the alley (as Eve claims to have seen every performance of Margo's current play, Aged in Wood), Karen takes her backstage to meet Margo. Eve tells the group gathered in Margo's dressing room—Karen and Lloyd, Margo's boyfriend Bill Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter)—that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco. She tells a moving story of growing up poor and losing her young husband in the recent war. Moved, Margo quickly befriends Eve, takes her into her home, and hires her as her assistant, leaving Birdie, who instinctively dislikes Eve, feeling put out.\nEve is gradually shown to be working to supplant Margo, scheming to become her understudy behind her back, driving wedges between her and Lloyd and Bill, and conspiring with an unsuspecting Karen to cause Margo to miss a performance. Eve, knowing in advance that she will be the one appearing that night, invites the city's theatre critics to attend that evening's performance, which is a triumph for her. Eve tries to seduce Bill, but he rejects her. Following a scathing newspaper column by Addison, Margo and Bill reconcile, dine with the Richardses, and decide to marry. That same night at the restaurant, Eve blackmails Karen into telling Lloyd to give her the part of Cora, by threatening to tell Margo of Karen's role in Margo's missed performance. Before Karen can talk with Lloyd, Margo announces to everyone's surprise that she does not wish to play Cora and would prefer to continue in Aged in Wood. Eve secures the role and attempts to climb higher by using Addison, who is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven, Eve presents Addison with her next plan: to marry Lloyd, who, she claims, has come to her professing his love and his eagerness to leave his wife for her. Now, Eve exults, Lloyd will write brilliant plays showcasing her. Unseen but mentioned in dialogue, Karen has begun to suspect Eve as a threat to her own marriage to Lloyd, and so she and Addison meet for lunch and help each other put the pieces about Eve together. Addison is infuriated that Eve has attempted to use him and reveals that he knows that her back story is all lies. Her real name is Gertrude Slojinski, she was never married, and she had been paid to leave her hometown over an affair with her boss, a brewer in Wisconsin. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now \"belongs\" to him.\nThe film returns to the opening scene in which Eve, now a shining Broadway star headed for Hollywood, is presented with her award. In her speech, she thanks Margo, Bill, Lloyd and Karen with characteristic effusion, while all four stare back at her coldly. After the awards ceremony, Eve hands her award to Addison, skips a party in her honor, and returns home alone, where she encounters a young fan (Barbara Bates)—a high-school girl—who has slipped into her apartment and fallen asleep. The young girl professes her adoration and begins at once to insinuate herself into Eve's life, offering to pack Eve's trunk for Hollywood and being accepted. \"Phoebe\", as she calls herself, answers the door to find Addison returning with Eve's award. In a revealing moment, the young girl flirts daringly with the older man. Addison hands over the award to Phoebe and leaves without entering. Phoebe then lies to Eve, telling her it was only a cab driver who dropped off the award. While Eve rests in the other room, Phoebe dons Eve's elegant costume robe and poses in front of a multi-paned mirror, holding the award as if it were a crown. The mirrors transform Phoebe into multiple images of herself, and she bows regally, as if accepting the award to thunderous applause, while triumphant music plays.",
" The Pilot and His Wife portrays the life of the sailor both at home and abroad and describes varied experiences out on the stormy deep as well as in distant ports. The work is noted for its vigor of description. With a background of ocean waves, it is a story of married life.\nSalve Kristiansen loves a beautiful woman named Elisabeth and is evidently loved in return. But for a time Elisabeth is attracted to a young officer who wishes to marry her. The old love for Salve prevails, however, and Elisabeth spurns the officer, but Salve has already left his native land in desperation and is sailing toward foreign shores. When he finally, after some years, returns to his old home, he finds that Elisabeth, after all, has been true to him. He marries her.\nIt would seem that all is well, but such is not the case. The thought of Elisabeth's momentary hesitation does not leave Salve, and this unfortunate circumstance makes life miserable for both. Ten years elapse before the husband and wife finally come to a clear understanding and a genuine appreciation of one another, and now at last are enabled to lay the foundation for a happy life together. The novel emphasizes the need of implicit confidence and trust, if two persons united in wedlock are to live happily together.",
" In Cleveland, 1972, Russell Stevens Jr. is the son of a drug addicted, alcoholic man. His father tells his son never to be like him. Stevens then witnesses his father getting killed while robbing a liquor store. He swears that he will never end up the way he has.\nTwenty years later, in Cincinnati, 1991, Stevens is now a police officer. Officer Stevens is recruited by DEA Special Agent Gerald Carver to go undercover on a major sting operation in Los Angeles, claiming that his criminal-like character traits will be more of a benefit undercover than they would serve him as a uniformed policeman. Stevens poses as drug dealer \"John Hull\" in order to infiltrate and work his way up the network of the west coast's largest drug importer, Anton Gallegos and his uncle Hector Gúzman, a South American politician. Stevens relocates to a cheap hotel in LA and begins dealing cocaine.\nOne day Stevens is arrested by the devoutly religious L.A.P.D. Narcotics Detective Taft and his corrupt partner Hernández, when he buys a kilogram in a set-up by Gallegos' low-level street supplier Eddie Dudley. At his arraignment, Stevens discovers that he was sold \"baby laxative\" (mannitol) instead of cocaine and his case is dismissed. Stevens' self-appointed attorney David Jason, who is also a drug trafficker in Gallegos' network, rewards Stevens' silence with more cocaine and introduces Stevens to Felix Barbossa, the underboss to Gallegos. Felix realized that Eddie was working with the LAPD, which results in Felix killing him and enlisting Stevens as Eddie's replacement.\nStevens develops a romance with Betty McCutcheon, the manager of an art dealership which serves as a front to launder Jason's drug money profits. When one of Stevens' dealers is murdered by a rival dealer named Ivy, Stevens kills him and is awarded a partnership in Jason's new business venture; distribution of a synthetic chemical variant of cocaine. It turns out that Felix is working with Detective Hernández who pressures him into giving him more arrests. Felix immediately gives up Stevens, Jason, and Betty, since he views them as expendable and wants to kill Jason because of his business venture. Carver knows about the upcoming bust, but refuses to interfere forcing Stevens to violate orders and stop it himself. At the deal, Stevens exposes Felix as a police informant, which results in a vengeful Jason killing him.\nGallegos comes to personally meet with Jason and Stevens and informs them that they have inherited Felix's $1.8 million debt. Later that same day, Stevens meets with Carver to tell him about his meeting with Gallegos. Instead Carver pulls a gun on Stevens and orders him to surrender his weapon and get in his car. Angrily Stevens disarms Carver and forces him to reveal what's happening behind the scenes. Carver admits that the State Department is leaving Gallegos and Guzman alone because Guzman may someday be useful as a political asset to them. Stevens' disillusionment reaches its conclusion and he abandons his undercover status vowing to take down Gallegos and Guzman alone.\nStevens and Jason learn that Gallegos is going to kill them anyway, so instead of paying Gallegos, Jason and Stevens cleverly kill him and steal a van storing over a $100 million of Gallegos' cash. Jason and Stevens invite Guzman to a shipyard and offer to return 80% of Gallegos' money if he agrees to invest the remaining 20% in their synthetic cocaine distribution operation. Detective Taft, who has been tailing Stevens, interrupts the deal but is unable to arrest Guzman because of his diplomatic status. Guzman flees the scene before Taft's backup arrives. Taft orders Stevens to surrender, but is shot and wounded by Jason. Stevens reveals to Jason that he is a police officer but Jason ignores this information and cajoles him into joining Jason and abandoning the dying Taft. Jason kills Taft, despite Stevens' pleas to let him go. Stevens then reaffirms himself as a police officer and attempts to arrest Jason, but is forced to kill him when Jason draws his gun.\nAfterwards, Carver leverages Stevens by threatening to charge Betty with several bank fraud violations. In exchange for his favorable testimony of Carver, the DEA, and their sting operation, Stevens can prevent Betty's prosecution. Stevens agrees, but during his testimony to the House Judiciary Subcommittee, he produces a video tape of the incriminating conversation with Guzman at the shipyard, thus potentially ruining Guzman's and Carver´s career. Later he contemplates what to do with the $11 million of Gallegos' money that he secretly kept.",
" The novel is a first-person narrative told from the point of view of the adolescent girl Maud Ruthyn, an heiress living with her sombre, reclusive father Austin Ruthyn in their mansion at Knowl. Through her father and her worldly, cheerful cousin, Lady Monica Knollys, she gradually learns more regarding her uncle, Silas Ruthyn, a black sheep of the family whom she has never met; once an infamous rake and gambler, he is now apparently a fervently reformed Christian. His reputation has been tainted by the suspicious suicide of a man to whom Silas owed an enormous gambling debt, which took place within a locked, apparently impenetrable room in Silas's mansion at Bartram-Haugh.\nIn the first part of the novel, Maud's father hires a French governess, Madame de la Rougierre, as a companion for her. Madame de la Rougierre terrifies Maud and appears to have designs on her; during two of their walks together, Maud is brought into suspicious contact with strangers that seem to be known to Madame de la Rougierre. (In a cutaway scene that breaks the first-person narrative, we learn that she is in league with Uncle Silas's good-for-nothing son Dudley.) The governess is eventually dismissed when she is discovered by Maud in the act of burgling her father's desk.\nMaud is asked in obscure terms by her father if she is willing to undergo some kind of \"ordeal\" to clear the name of her uncle, and of the family more generally; shortly after she assents, he dies. At the reading of his will, it emerges that her father added a codicil to it: Maud is to stay with Uncle Silas until she comes of age; if she dies whilst still a minor, the estate will pass to Silas. Lady Knollys, together with Austin's executor and fellow Swedenborgian, Dr. Bryerly, attempt in vain to overturn the codicil, realizing its many dangerous implications for the young heiress; despite their efforts, Maud consents willingly to spending the next three and a half years at her uncle's mansion at Bartram-Haugh.\nMaud initially finds life at Bartram-Haugh strange but not unpleasant, despite ominous signs such as the uniformly unfriendly servants and a malevolent factotum of Silas's, the one-legged Dickon Hawkes. Silas himself frightens Maud but is nonetheless seemingly kind to her, in contrast to his treatment of his own children, the loutish Dudley and the uneducated Millicent ('Milly'). Initially deprecating of her rustic mannerisms, Maud and Millicent become best friends, and each other's only source of companionship at the estate. During her stay, Maud is subject to various attempts by Dudley to court her, but she rejects him thoroughly on each occasion. Silas is periodically subject to mysterious catatonic fits, attributed to his massive opium consumption.\nVarious ominous happenings begin to take place at Bartram-Haugh; it becomes increasingly difficult for Maud and Millicent to find any route out of the estate; meanwhile, Dudley's courtship culminates in a marriage proposition to Maud; when she confronts Silas about it, he attempts to coax her into accepting. She is relieved when it emerges that Dudley is already married, and when, after being disowned by his father, he and his wife leave to set sail from Liverpool to New York. It is afterwards decided that Millicent should attend a boarding school in France, and Silas sends her away with the promise that Maud is to join her after three months.\nIn the meantime, Maud is shocked to discover Madame de la Rougierre residing at Bartram-Haugh in the employ of Silas, and she suspects also that Dudley may not have fled. Despite strong protest by Maud, Madame is charged with accompanying her first to London, and then on to Dover and across the Channel. After falling asleep during the journey and being escorted under the cover of darkness, Maud awakes to find herself again at Bartram-Haugh: she had in fact been on a round trip to London and back. Maud finds herself now imprisoned in one of the mansion's many bedrooms under the guard of Madame de la Rougierre, whilst everyone suspects she is in France. Remembering the earlier warnings of her cousin, Lady Knollys, she refuses to drink any of the drugged claret intended for her; instead, Madame de la Rougierre, ignorant of Silas' true intentions, partakes of it and promptly falls asleep on Maud's bed. Later that night, Dudley scales the building and enters the unlit room; the window he uses is set upon concealed hinges that allow it to be opened only from the outside. Hidden out of sight, Maud witnesses Dudley brutally murder Madame de la Rougierre by mistake in the near-darkness. Uncle Silas enters the room, having been waiting outside; as he does this, Maud slips out undetected. Assisted by Dickon Hawkes' daughter, whom Maud had befriended during her stay, she is swiftly conveyed by carriage to Lady Knolly's estate, and away from Bartram-Haugh.\nSilas is discovered in the morning lying dead of an opium overdose, while Dudley becomes a fugitive and is thought to be hiding in Australia. Maud is happily married to the charming and handsome Lord Ilbury and ends her recollections on a philosophical note:\nThis world is a parableâthe habitation of symbolsâthe phantoms of spiritual things immortal shown in material shape. May the blessed second-sight be mineâto recognise under these beautiful forms of earth the angels who wear them; for I am sure we may walk with them if we will, and hear them speak!"
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Who discovers that Eve is lying about having been married?
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"Addison",
"Addison"
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At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.
The film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway, but despite her success she is bemoaning her age, having just turned forty and knowing what that will mean for her career. After a performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe), meets besotted fan Eve Harrington in the cold alley outside the stage door. Recognizing her from having passed her many times in the alley (as Eve claims to have seen every performance of Margo's current play, Aged in Wood), Karen takes her backstage to meet Margo. Eve tells the group gathered in Margo's dressing room—Karen and Lloyd, Margo's boyfriend Bill Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter)—that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco. She tells a moving story of growing up poor and losing her young husband in the recent war. Moved, Margo quickly befriends Eve, takes her into her home, and hires her as her assistant, leaving Birdie, who instinctively dislikes Eve, feeling put out.
Eve is gradually shown to be working to supplant Margo, scheming to become her understudy behind her back, driving wedges between her and Lloyd and Bill, and conspiring with an unsuspecting Karen to cause Margo to miss a performance. Eve, knowing in advance that she will be the one appearing that night, invites the city's theatre critics to attend that evening's performance, which is a triumph for her. Eve tries to seduce Bill, but he rejects her. Following a scathing newspaper column by Addison, Margo and Bill reconcile, dine with the Richardses, and decide to marry. That same night at the restaurant, Eve blackmails Karen into telling Lloyd to give her the part of Cora, by threatening to tell Margo of Karen's role in Margo's missed performance. Before Karen can talk with Lloyd, Margo announces to everyone's surprise that she does not wish to play Cora and would prefer to continue in Aged in Wood. Eve secures the role and attempts to climb higher by using Addison, who is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven, Eve presents Addison with her next plan: to marry Lloyd, who, she claims, has come to her professing his love and his eagerness to leave his wife for her. Now, Eve exults, Lloyd will write brilliant plays showcasing her. Unseen but mentioned in dialogue, Karen has begun to suspect Eve as a threat to her own marriage to Lloyd, and so she and Addison meet for lunch and help each other put the pieces about Eve together. Addison is infuriated that Eve has attempted to use him and reveals that he knows that her back story is all lies. Her real name is Gertrude Slojinski, she was never married, and she had been paid to leave her hometown over an affair with her boss, a brewer in Wisconsin. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now "belongs" to him.
The film returns to the opening scene in which Eve, now a shining Broadway star headed for Hollywood, is presented with her award. In her speech, she thanks Margo, Bill, Lloyd and Karen with characteristic effusion, while all four stare back at her coldly. After the awards ceremony, Eve hands her award to Addison, skips a party in her honor, and returns home alone, where she encounters a young fan (Barbara Bates)—a high-school girl—who has slipped into her apartment and fallen asleep. The young girl professes her adoration and begins at once to insinuate herself into Eve's life, offering to pack Eve's trunk for Hollywood and being accepted. "Phoebe", as she calls herself, answers the door to find Addison returning with Eve's award. In a revealing moment, the young girl flirts daringly with the older man. Addison hands over the award to Phoebe and leaves without entering. Phoebe then lies to Eve, telling her it was only a cab driver who dropped off the award. While Eve rests in the other room, Phoebe dons Eve's elegant costume robe and poses in front of a multi-paned mirror, holding the award as if it were a crown. The mirrors transform Phoebe into multiple images of herself, and she bows regally, as if accepting the award to thunderous applause, while triumphant music plays.
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" Marius, a sensitive only child of a patrician family, growing up near Luna in rural Etruria, is impressed by the traditions and rituals of the ancestral religion of the Lares, by his natural surroundings, and by a boyhood visit to a sanctuary of Aesculapius. His childhood ends with the death of his mother (he had early lost his father) and with his departure for boarding school in Pisae. As a youth he is befriended by and falls under the influence of a brilliant, hedonistic older boy, Flavianus, who awakens in him a love of literature (the two read with delight the story of Cupid and Psyche in Apuleius, and Pater in due course makes Flavian, who is \"an ardent student of words, of the literary art\", the author of the Pervigilium Veneris). Flavian falls ill during the Festival of Isis and Marius tends him during his long death-agony (end of 'Part the First'). Grown to manhood, Marius now embraces the philosophy of the 'flux' of Heraclitus and the Epicureanism (or Cyrenaicism) of Aristippus. He journeys to Rome (166 AD), encountering by chance on the way a blithesome young knight, Cornelius, who becomes a friend. Marius explores Rome in awe, and, \"as a youth of great attainments in Greek letters and philosophy\", is appointed amanuensis to the Emperor Marcus Aurelius. Aurelius's Meditations on Stoicism and on Plato, and the public lectures of the rhetorician Fronto, open Marius' eyes to the narrowness of Epicureanism. Aurelius's indifference, however, to the cruelty to animals in the amphitheatre, and later to the torments inflicted on people there, causes Marius to question the values of Stoicism (end of 'Part the Second'). Disillusioned with Rome and the imperial court which seem \"like some stifling forest of bronze-work, transformed as if by malign enchantment out of the living trees\", puzzled by the source of Cornelius's serenity, still Epicurean by temperament but seeking a more satisfying life-philosophy, Marius makes repeated visits alone to the Campagna and Alban Hills, on one occasion experiencing in the Sabine Hills a sort of spiritual \"epiphany\" on a perfect day of peace and beauty (end of 'Part the Third'). Later he is taken by Cornelius to a household in the Campagna centred on a charismatic young widow, Cecilia, where prevails an atmosphere of peace and love, gradually revealing itself as a new religion with liturgy and rituals that appeal aesthetically and emotionally to Marius. The sense of purposeful community there, set against the persecution of Christians by the authorities and the competing philosophical systems in Rome, contributes to Marius' mood of isolation and emotional failure. Overshadowed by thoughts of mortality he revisits home and pays his respects to the family dead, burying their funerary urns, and sets out again for Rome in Cornelius's company. On the way the two are arrested as part of a sweep of suspected Christians. It emerges that only one of the young men is of this sect, and Marius, unbeknown to Cornelius, makes their captors believe it is he. Cornelius is set free, deceived into thinking that Marius will follow shortly. The latter endures hardship and exhaustion as he journeys captive towards Rome, falls ill, and dying is abandoned by his captors. \"Had there been one to listen just then,\" Pater comments, \"there would have come, from the very depth of his desolation, an eloquent utterance at last, on the irony of men's fates, on the singular accidents of life and death.\" Marius is tended in his last days by some poor country people, secret believers who take him to be one of their own. Though he has shown little interest in the doctrines of the new faith and dies more or less in ignorance of them, he is nevertheless, Pater implies, \"a soul naturally Christian\" (anima naturaliter christiana ) and he finds peace in his final hours as he reviews his life: \"He would try to fix his mind on all the persons he had loved in life, dead or living, grateful for his love or not. In the bare sense of having loved he seemed to find that on which his soul might 'assuredly rest and depend'. ... And again, as of old, the sense of gratitude seemed to bring with it the sense also of a living person at his side\" (end of 'Part the Fourth').",
" The story is set in a largely fictionalized version of Indianapolis, and much of it was inspired by the neighborhood of Woodruff Place.\nThe novel and trilogy trace the growth of the United States through the declining fortunes of three generations of the aristocratic Amberson family in an upper-scale Indianapolis neighborhood, between the end of the Civil War and the early part of the 20th century, a period of rapid industrialization and socio-economic change in America. The decline of the Ambersons is contrasted with the rising fortunes of industrial tycoons and other new-money families, who derived power not from family names but by \"doing things\". As George Amberson's friend (name unspecified) says, \"don't you think being things is 'rahthuh bettuh' than doing things?\"\nThe titular family is the most prosperous and powerful in town at the turn of the century. Young George Amberson Minafer, the patriarch's grandson, is spoiled terribly by his mother Isabel. Growing up arrogant, sure of his own worth and position, and totally oblivious to the lives of others, George falls in love with Lucy Morgan, a young though sensible debutante. But there is a long history between George's mother and Lucy's father, of which George is unaware. As the town grows into a city, industry thrives, the Ambersons' prestige and wealth wanes, and the Morgans, thanks to Lucy's prescient father, grow prosperous. When George sabotages his widowed mother's growing affections for Lucy's father, life as he knows it comes to an end.",
" U.S. Army pilot Captain Colter Stevens (Jake Gyllenhaal), last aware of being on a mission in Afghanistan, wakes up on a commuter train to Chicago, at 7:40 am. To the world around him â including his traveling partner Christina Warren (Michelle Monaghan) and the bathroom mirror â he appears to be Sean Fentress, a school teacher. As he comes to grips with this revelation, the train explodes, killing everyone aboard.\nStevens regains consciousness inside a dingy dim cockpit, leaking oil. Communicating through a video screen, Air Force Captain Colleen Goodwin (Vera Farmiga) verifies Stevens' identity, and insists he stay \"on mission\" to find the bomber before a large \"dirty bomb\" hits downtown Chicago in six hours. Inside the \"Source Code\" experimental device designed by scientist Dr. Rutledge (Jeffrey Wright), he experiences the last eight minutes of another compatible person's life within an alternative timeline.\nStevens is unwillingly sent back into the Source Code repeatedly in frustrating, exhausting attempts to learn the bomber's identity. He tries to warn authorities on the train and flee with Christina, escaping the explosion. Other times he cannot locate or disarm the bomb and dies on the train. But Rutledge insists the alternate timeline is not real. It is revealed that he has been \"with them\" for two months since being reported killed in action in Afghanistan. He is comatose and missing most of his body, hooked up to neural sensors. The cockpit capsule is in his imagination, his brain's way of making sense of a missing environment. A confused and frustrated Stevens asks, \"As one soldier to another, am I dead?\" Angry to learn that he is on life support, he asks to be disconnected after the mission. Rutledge agrees.\nStevens catches the bomber Derek Frost (Michael Arden), who leaves his wallet behind to fake his own death, and gets off at the last stop before Chicago. In one run-through, Frost kills both Fentress and Christina, and flees in a rented white van. Stevens remembers the license number and direction and the authorities use this information to catch the terrorist, preventing him from detonating the dirty bomb. The mission finished, Rutledge reneges on his promise, ordering Goodwin to wipe Stevens' memory for a future mission. Stevens convinces Goodwin to allow one more try, to save everyone on the train, despite Rutledge's insistence that everyone on the train had already been killed in the explosion.\nStevens is sent back into the Source Code where he disarms the bomb, subdues Frost and handcuffs him to a handrail inside the train. He reports the bomber to authorities, sends an email to Captain Goodwin, then calls to reconcile with his estranged father under the guise of a fellow soldier. He asks Christina what she would do if she knew that she only had seconds left to live, and starts to kiss her. At the same time, Goodwin approaches the air-tight chamber that contains the torso of Stevens' comatose mutilated body, disconnects the life support, and Stevens dies. Rutledge bangs on the outer door in vain. The scene cuts to Stevens finishing the kiss with Christina inside the Source Code, revealing that the alternate timeline of the Source Code has become real, contrary to what was proposed by Rutledge. They continue on the train, and then walk through downtown Chicago to the Cloud Gate, a sculpture whose image Stevens saw during transitions out of the Source Code. This prompts Stevens to ask Christina \"Do you believe in fate?\" As they stand in front of the mirrored sculpture, Stevens' reflection in the Cloud Gate is seen to be the image of Sean Fentress.\nWhen the alternative-timeline Goodwin arrives for work at Nellis Air Force Base that morning, she receives the email from Stevens. While news breaks about the failed bomber on the Chicago train, the email informs Goodwin that they have changed history, and Goodwin seemingly recalls something. The email asks her to reassure this timeline's Stevens that \"everything is gonna be okay\". The scene cuts to Stevens who, in this timeline, is still comatose, hooked up to the neural sensors in the airtight chamber.",
" Dr. Melmoth, the President of fictional Harley College, takes into his care Ellen Langton, the daughter of his friend, Mr. Langton, who is at sea. Ellen is a young, beautiful girl and attracts the attentions of the college boys, especially Edward Walcott, a strapping though immature student, and Fanshawe, a reclusive, meek intellectual. While out walking, the three young people meet a nameless character called “the angler,” a name he gets for appearing an expert fisherman. The angler asks for a word with Ellen, tells her something in secret, and apparently flusters her. Walcott and Fanshawe become suspicious of his intentions.\nWe learn that the angler is an old friend of the reformed Inn owner, Hugh Crombie. The two had been at sea together, where Mr. Langton had been the angler's mentor and caretaker. Langton and the angler had a falling out, however, and, thinking that Langton has been killed at sea, the angler undertakes to marry Ellen in order to inherit her father's considerable wealth. Thus in his secret meeting with Ellen, the angler instructs her to sneak out of Melmoth's home and follow him, telling her he has information about her father’s whereabouts. His real aim, though, is to kidnap her, to tell her of her father’s death, and to manipulate her into marrying him.\nWhen the various men (Melmoth, Edward, Fanshawe) learn that she is not in her chamber, they go searching for her. The search reveals the nature of each: Melmoth, an aged scholar unused to physical labor, enlists the help of Walcott, who is the most skilled rider and the most likely to be able to contend with the angler in a fight. Fanshawe, who lags behind the search because of his weak constitution and his slow horse, is given information by an old woman in a cabin (where another old woman, Widow Butler, who turns out to be the angler's mother, has just died) that allows him to reach the angler and Ellen first. The angler has taken Ellen to a craggy cliff and cave, where he intends to hold her captive. Ellen has finally realized the angler's intentions. When Fanshawe arrives, he stands above them, looking over the edge of the cliff. The angler begins to climb up the cliff to fight Fanshawe but grabs a twig too weak to support him and tumbles to his death. Fanshawe awakens Ellen from a faint, and they travel back to town together.\nFanshawe loves Ellen but knows that he will die young because of his shut-in lifestyle. When Langton offers Ellen's hand in marriage to Fanshawe in exchange for rescuing her, he refuses, sacrificing his happiness so as not to subject her to a life of widowhood. He also knows that Ellen has affections for Walcott. Fanshawe dies at 20. Ellen and Walcott marry four years later. The narrator states that Walcott grows out of his childish ways (drunkenness, impulsiveness, the suggestion of teenage affairs) and becomes content with Ellen. They are, according to the narrator, happy, but the book ends on an ambivalent note, stating that the couple did not produce children.",
" The name of the Pentamerone comes from Greek πέντε [pénte], ‘five’; y ἡμέρα [hêméra], ‘day’ because is structured around a fantastic frame story, in which fifty stories are related over the course of five days, rather than the ten of the Decameron compendium of Tuscany (1353). The frame story is that of a cursed, melancholy princess named Zoza (\"mud\" or \"slime\" in Neapolitan, but also used as a term of endearment). She cannot laugh, no matter what her father does to amuse her, so he sets up a fountain of oil by the door, thinking people slipping in the oil would make her laugh. An old woman tried to gather oil, a page boy broke her jug, and the old woman grew so angry that she danced about, and Zoza laughed at her. The old woman cursed her to marry only the prince of Round-Field, whom she could only wake by filling a pitcher with tears in three days. With some aid from fairies, who also give her gifts, Zoza found the prince and the pitcher, and nearly filled the pitcher when she fell asleep. A Moorish slave steals it, finishes filling it, and claims the prince.\nThis frame story in itself is a fairy tale, combining motifs that will appear in other stories: the princess who cannot laugh in The Magic Swan, Golden Goose, and The Princess Who Never Smiled; the curse to marry only one hard-to-find person, in Snow-White-Fire-Red and Anthousa, Xanthousa, Chrisomalousa; and the heroine falling asleep while trying to save the hero, and then losing him because of trickery in The Sleeping Prince and Nourie Hadig.\nThe now-pregnant slave-queen demands (at the impetus of Zoza's fairy gifts) that her husband tell her stories, or else she would crush the unborn child. The husband hires ten female storytellers to keep her amused; disguised among them is Zoza. Each tells five stories, most of which are more suitable to courtly, rather than juvenile, audiences. The Moorish woman's treachery is revealed in the final story (related, suitably, by Zoza), and she is buried, pregnant, up to her neck in the ground and left to die. Zoza and the Prince live happily ever after.\nMany of these fairy tales are the oldest known variants in existence.\nThe fairy tales are:\nThe First Day\n\"The Tale of the Ogre\"\n\"The Myrtle\"\n\"Peruonto\"\n\"Vardiello\"\n\"The Flea\"\n\"Cenerentola\" – translated in english as Cinderella\n\"The Merchant\"\n\"Goat-Face\"\n\"The Enchanted Doe\"\n\"The Three Sisters\"\nThe Second Day\n\"Parsley\" – a variant of Rapunzel\n\"Green Meadow\"\n\"Violet\"\n\"Pippo\" – a variant of Puss In Boots\n\"The Snake\"\n\"The She-Bear\" – a variant of Allerleirauh\n\"The Dove\" – a variant of Snow-White-Fire-Red\n\"The Young Slave\" – a variant of Snow White\n\"The Padlock\"\n\"The Buddy\"\nThe Third Day\n\"Cannetella\"\n\"Penta of the Chopped-off Hands\" – a variant of The Girl Without Hands\n\"Face\"\n\"Sapia Liccarda\"\n\"The Cockroach, the Mouse, and the Cricket\"\n\"The Garlic Patch\"\n\"Corvetto\"\n\"The Booby\"\n\"Rosella\"\n\"The Three Fairies\"\nThe Fourth Day\n\"The Stone in the Cock's Head\"\n\"The Two Brothers\"\n\"The Three Enchanted Princes\"\n\"The Seven Little Pork Rinds\"\n\"The Dragon\"\n\"The Three Crowns\"\n\"The Two Cakes\" – a variant of Diamonds and Toads\n\"The Seven Doves\" – a variant of The Seven Ravens\n\"The Raven\"\n\"Pride Punished\" – a variant of King Thrushbeard\nThe Fifth Day\n\"The Goose\n\"The Months\"\n\"Pintosmalto\"\n\"The Golden Root\" – a variant of Cupid and Psyche\n\"Sun, Moon, and Talia\" – a variant of Sleeping Beauty\n\"Sapia\"\n\"The Five Sons\"\n\"Nennillo and Nennella\" – a variant of Brother and Sister\n\"The Three Citrons\" – a variant of The Love for Three Oranges"
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[
" The story is set in a largely fictionalized version of Indianapolis, and much of it was inspired by the neighborhood of Woodruff Place.\nThe novel and trilogy trace the growth of the United States through the declining fortunes of three generations of the aristocratic Amberson family in an upper-scale Indianapolis neighborhood, between the end of the Civil War and the early part of the 20th century, a period of rapid industrialization and socio-economic change in America. The decline of the Ambersons is contrasted with the rising fortunes of industrial tycoons and other new-money families, who derived power not from family names but by \"doing things\". As George Amberson's friend (name unspecified) says, \"don't you think being things is 'rahthuh bettuh' than doing things?\"\nThe titular family is the most prosperous and powerful in town at the turn of the century. Young George Amberson Minafer, the patriarch's grandson, is spoiled terribly by his mother Isabel. Growing up arrogant, sure of his own worth and position, and totally oblivious to the lives of others, George falls in love with Lucy Morgan, a young though sensible debutante. But there is a long history between George's mother and Lucy's father, of which George is unaware. As the town grows into a city, industry thrives, the Ambersons' prestige and wealth wanes, and the Morgans, thanks to Lucy's prescient father, grow prosperous. When George sabotages his widowed mother's growing affections for Lucy's father, life as he knows it comes to an end.",
" At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.\nThe film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway, but despite her success she is bemoaning her age, having just turned forty and knowing what that will mean for her career. After a performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe), meets besotted fan Eve Harrington in the cold alley outside the stage door. Recognizing her from having passed her many times in the alley (as Eve claims to have seen every performance of Margo's current play, Aged in Wood), Karen takes her backstage to meet Margo. Eve tells the group gathered in Margo's dressing room—Karen and Lloyd, Margo's boyfriend Bill Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter)—that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco. She tells a moving story of growing up poor and losing her young husband in the recent war. Moved, Margo quickly befriends Eve, takes her into her home, and hires her as her assistant, leaving Birdie, who instinctively dislikes Eve, feeling put out.\nEve is gradually shown to be working to supplant Margo, scheming to become her understudy behind her back, driving wedges between her and Lloyd and Bill, and conspiring with an unsuspecting Karen to cause Margo to miss a performance. Eve, knowing in advance that she will be the one appearing that night, invites the city's theatre critics to attend that evening's performance, which is a triumph for her. Eve tries to seduce Bill, but he rejects her. Following a scathing newspaper column by Addison, Margo and Bill reconcile, dine with the Richardses, and decide to marry. That same night at the restaurant, Eve blackmails Karen into telling Lloyd to give her the part of Cora, by threatening to tell Margo of Karen's role in Margo's missed performance. Before Karen can talk with Lloyd, Margo announces to everyone's surprise that she does not wish to play Cora and would prefer to continue in Aged in Wood. Eve secures the role and attempts to climb higher by using Addison, who is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven, Eve presents Addison with her next plan: to marry Lloyd, who, she claims, has come to her professing his love and his eagerness to leave his wife for her. Now, Eve exults, Lloyd will write brilliant plays showcasing her. Unseen but mentioned in dialogue, Karen has begun to suspect Eve as a threat to her own marriage to Lloyd, and so she and Addison meet for lunch and help each other put the pieces about Eve together. Addison is infuriated that Eve has attempted to use him and reveals that he knows that her back story is all lies. Her real name is Gertrude Slojinski, she was never married, and she had been paid to leave her hometown over an affair with her boss, a brewer in Wisconsin. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now \"belongs\" to him.\nThe film returns to the opening scene in which Eve, now a shining Broadway star headed for Hollywood, is presented with her award. In her speech, she thanks Margo, Bill, Lloyd and Karen with characteristic effusion, while all four stare back at her coldly. After the awards ceremony, Eve hands her award to Addison, skips a party in her honor, and returns home alone, where she encounters a young fan (Barbara Bates)—a high-school girl—who has slipped into her apartment and fallen asleep. The young girl professes her adoration and begins at once to insinuate herself into Eve's life, offering to pack Eve's trunk for Hollywood and being accepted. \"Phoebe\", as she calls herself, answers the door to find Addison returning with Eve's award. In a revealing moment, the young girl flirts daringly with the older man. Addison hands over the award to Phoebe and leaves without entering. Phoebe then lies to Eve, telling her it was only a cab driver who dropped off the award. While Eve rests in the other room, Phoebe dons Eve's elegant costume robe and poses in front of a multi-paned mirror, holding the award as if it were a crown. The mirrors transform Phoebe into multiple images of herself, and she bows regally, as if accepting the award to thunderous applause, while triumphant music plays.",
" U.S. Army pilot Captain Colter Stevens (Jake Gyllenhaal), last aware of being on a mission in Afghanistan, wakes up on a commuter train to Chicago, at 7:40 am. To the world around him â including his traveling partner Christina Warren (Michelle Monaghan) and the bathroom mirror â he appears to be Sean Fentress, a school teacher. As he comes to grips with this revelation, the train explodes, killing everyone aboard.\nStevens regains consciousness inside a dingy dim cockpit, leaking oil. Communicating through a video screen, Air Force Captain Colleen Goodwin (Vera Farmiga) verifies Stevens' identity, and insists he stay \"on mission\" to find the bomber before a large \"dirty bomb\" hits downtown Chicago in six hours. Inside the \"Source Code\" experimental device designed by scientist Dr. Rutledge (Jeffrey Wright), he experiences the last eight minutes of another compatible person's life within an alternative timeline.\nStevens is unwillingly sent back into the Source Code repeatedly in frustrating, exhausting attempts to learn the bomber's identity. He tries to warn authorities on the train and flee with Christina, escaping the explosion. Other times he cannot locate or disarm the bomb and dies on the train. But Rutledge insists the alternate timeline is not real. It is revealed that he has been \"with them\" for two months since being reported killed in action in Afghanistan. He is comatose and missing most of his body, hooked up to neural sensors. The cockpit capsule is in his imagination, his brain's way of making sense of a missing environment. A confused and frustrated Stevens asks, \"As one soldier to another, am I dead?\" Angry to learn that he is on life support, he asks to be disconnected after the mission. Rutledge agrees.\nStevens catches the bomber Derek Frost (Michael Arden), who leaves his wallet behind to fake his own death, and gets off at the last stop before Chicago. In one run-through, Frost kills both Fentress and Christina, and flees in a rented white van. Stevens remembers the license number and direction and the authorities use this information to catch the terrorist, preventing him from detonating the dirty bomb. The mission finished, Rutledge reneges on his promise, ordering Goodwin to wipe Stevens' memory for a future mission. Stevens convinces Goodwin to allow one more try, to save everyone on the train, despite Rutledge's insistence that everyone on the train had already been killed in the explosion.\nStevens is sent back into the Source Code where he disarms the bomb, subdues Frost and handcuffs him to a handrail inside the train. He reports the bomber to authorities, sends an email to Captain Goodwin, then calls to reconcile with his estranged father under the guise of a fellow soldier. He asks Christina what she would do if she knew that she only had seconds left to live, and starts to kiss her. At the same time, Goodwin approaches the air-tight chamber that contains the torso of Stevens' comatose mutilated body, disconnects the life support, and Stevens dies. Rutledge bangs on the outer door in vain. The scene cuts to Stevens finishing the kiss with Christina inside the Source Code, revealing that the alternate timeline of the Source Code has become real, contrary to what was proposed by Rutledge. They continue on the train, and then walk through downtown Chicago to the Cloud Gate, a sculpture whose image Stevens saw during transitions out of the Source Code. This prompts Stevens to ask Christina \"Do you believe in fate?\" As they stand in front of the mirrored sculpture, Stevens' reflection in the Cloud Gate is seen to be the image of Sean Fentress.\nWhen the alternative-timeline Goodwin arrives for work at Nellis Air Force Base that morning, she receives the email from Stevens. While news breaks about the failed bomber on the Chicago train, the email informs Goodwin that they have changed history, and Goodwin seemingly recalls something. The email asks her to reassure this timeline's Stevens that \"everything is gonna be okay\". The scene cuts to Stevens who, in this timeline, is still comatose, hooked up to the neural sensors in the airtight chamber.",
" Marius, a sensitive only child of a patrician family, growing up near Luna in rural Etruria, is impressed by the traditions and rituals of the ancestral religion of the Lares, by his natural surroundings, and by a boyhood visit to a sanctuary of Aesculapius. His childhood ends with the death of his mother (he had early lost his father) and with his departure for boarding school in Pisae. As a youth he is befriended by and falls under the influence of a brilliant, hedonistic older boy, Flavianus, who awakens in him a love of literature (the two read with delight the story of Cupid and Psyche in Apuleius, and Pater in due course makes Flavian, who is \"an ardent student of words, of the literary art\", the author of the Pervigilium Veneris). Flavian falls ill during the Festival of Isis and Marius tends him during his long death-agony (end of 'Part the First'). Grown to manhood, Marius now embraces the philosophy of the 'flux' of Heraclitus and the Epicureanism (or Cyrenaicism) of Aristippus. He journeys to Rome (166 AD), encountering by chance on the way a blithesome young knight, Cornelius, who becomes a friend. Marius explores Rome in awe, and, \"as a youth of great attainments in Greek letters and philosophy\", is appointed amanuensis to the Emperor Marcus Aurelius. Aurelius's Meditations on Stoicism and on Plato, and the public lectures of the rhetorician Fronto, open Marius' eyes to the narrowness of Epicureanism. Aurelius's indifference, however, to the cruelty to animals in the amphitheatre, and later to the torments inflicted on people there, causes Marius to question the values of Stoicism (end of 'Part the Second'). Disillusioned with Rome and the imperial court which seem \"like some stifling forest of bronze-work, transformed as if by malign enchantment out of the living trees\", puzzled by the source of Cornelius's serenity, still Epicurean by temperament but seeking a more satisfying life-philosophy, Marius makes repeated visits alone to the Campagna and Alban Hills, on one occasion experiencing in the Sabine Hills a sort of spiritual \"epiphany\" on a perfect day of peace and beauty (end of 'Part the Third'). Later he is taken by Cornelius to a household in the Campagna centred on a charismatic young widow, Cecilia, where prevails an atmosphere of peace and love, gradually revealing itself as a new religion with liturgy and rituals that appeal aesthetically and emotionally to Marius. The sense of purposeful community there, set against the persecution of Christians by the authorities and the competing philosophical systems in Rome, contributes to Marius' mood of isolation and emotional failure. Overshadowed by thoughts of mortality he revisits home and pays his respects to the family dead, burying their funerary urns, and sets out again for Rome in Cornelius's company. On the way the two are arrested as part of a sweep of suspected Christians. It emerges that only one of the young men is of this sect, and Marius, unbeknown to Cornelius, makes their captors believe it is he. Cornelius is set free, deceived into thinking that Marius will follow shortly. The latter endures hardship and exhaustion as he journeys captive towards Rome, falls ill, and dying is abandoned by his captors. \"Had there been one to listen just then,\" Pater comments, \"there would have come, from the very depth of his desolation, an eloquent utterance at last, on the irony of men's fates, on the singular accidents of life and death.\" Marius is tended in his last days by some poor country people, secret believers who take him to be one of their own. Though he has shown little interest in the doctrines of the new faith and dies more or less in ignorance of them, he is nevertheless, Pater implies, \"a soul naturally Christian\" (anima naturaliter christiana ) and he finds peace in his final hours as he reviews his life: \"He would try to fix his mind on all the persons he had loved in life, dead or living, grateful for his love or not. In the bare sense of having loved he seemed to find that on which his soul might 'assuredly rest and depend'. ... And again, as of old, the sense of gratitude seemed to bring with it the sense also of a living person at his side\" (end of 'Part the Fourth').",
" Dr. Melmoth, the President of fictional Harley College, takes into his care Ellen Langton, the daughter of his friend, Mr. Langton, who is at sea. Ellen is a young, beautiful girl and attracts the attentions of the college boys, especially Edward Walcott, a strapping though immature student, and Fanshawe, a reclusive, meek intellectual. While out walking, the three young people meet a nameless character called “the angler,” a name he gets for appearing an expert fisherman. The angler asks for a word with Ellen, tells her something in secret, and apparently flusters her. Walcott and Fanshawe become suspicious of his intentions.\nWe learn that the angler is an old friend of the reformed Inn owner, Hugh Crombie. The two had been at sea together, where Mr. Langton had been the angler's mentor and caretaker. Langton and the angler had a falling out, however, and, thinking that Langton has been killed at sea, the angler undertakes to marry Ellen in order to inherit her father's considerable wealth. Thus in his secret meeting with Ellen, the angler instructs her to sneak out of Melmoth's home and follow him, telling her he has information about her father’s whereabouts. His real aim, though, is to kidnap her, to tell her of her father’s death, and to manipulate her into marrying him.\nWhen the various men (Melmoth, Edward, Fanshawe) learn that she is not in her chamber, they go searching for her. The search reveals the nature of each: Melmoth, an aged scholar unused to physical labor, enlists the help of Walcott, who is the most skilled rider and the most likely to be able to contend with the angler in a fight. Fanshawe, who lags behind the search because of his weak constitution and his slow horse, is given information by an old woman in a cabin (where another old woman, Widow Butler, who turns out to be the angler's mother, has just died) that allows him to reach the angler and Ellen first. The angler has taken Ellen to a craggy cliff and cave, where he intends to hold her captive. Ellen has finally realized the angler's intentions. When Fanshawe arrives, he stands above them, looking over the edge of the cliff. The angler begins to climb up the cliff to fight Fanshawe but grabs a twig too weak to support him and tumbles to his death. Fanshawe awakens Ellen from a faint, and they travel back to town together.\nFanshawe loves Ellen but knows that he will die young because of his shut-in lifestyle. When Langton offers Ellen's hand in marriage to Fanshawe in exchange for rescuing her, he refuses, sacrificing his happiness so as not to subject her to a life of widowhood. He also knows that Ellen has affections for Walcott. Fanshawe dies at 20. Ellen and Walcott marry four years later. The narrator states that Walcott grows out of his childish ways (drunkenness, impulsiveness, the suggestion of teenage affairs) and becomes content with Ellen. They are, according to the narrator, happy, but the book ends on an ambivalent note, stating that the couple did not produce children.",
" The name of the Pentamerone comes from Greek πέντε [pénte], ‘five’; y ἡμέρα [hêméra], ‘day’ because is structured around a fantastic frame story, in which fifty stories are related over the course of five days, rather than the ten of the Decameron compendium of Tuscany (1353). The frame story is that of a cursed, melancholy princess named Zoza (\"mud\" or \"slime\" in Neapolitan, but also used as a term of endearment). She cannot laugh, no matter what her father does to amuse her, so he sets up a fountain of oil by the door, thinking people slipping in the oil would make her laugh. An old woman tried to gather oil, a page boy broke her jug, and the old woman grew so angry that she danced about, and Zoza laughed at her. The old woman cursed her to marry only the prince of Round-Field, whom she could only wake by filling a pitcher with tears in three days. With some aid from fairies, who also give her gifts, Zoza found the prince and the pitcher, and nearly filled the pitcher when she fell asleep. A Moorish slave steals it, finishes filling it, and claims the prince.\nThis frame story in itself is a fairy tale, combining motifs that will appear in other stories: the princess who cannot laugh in The Magic Swan, Golden Goose, and The Princess Who Never Smiled; the curse to marry only one hard-to-find person, in Snow-White-Fire-Red and Anthousa, Xanthousa, Chrisomalousa; and the heroine falling asleep while trying to save the hero, and then losing him because of trickery in The Sleeping Prince and Nourie Hadig.\nThe now-pregnant slave-queen demands (at the impetus of Zoza's fairy gifts) that her husband tell her stories, or else she would crush the unborn child. The husband hires ten female storytellers to keep her amused; disguised among them is Zoza. Each tells five stories, most of which are more suitable to courtly, rather than juvenile, audiences. The Moorish woman's treachery is revealed in the final story (related, suitably, by Zoza), and she is buried, pregnant, up to her neck in the ground and left to die. Zoza and the Prince live happily ever after.\nMany of these fairy tales are the oldest known variants in existence.\nThe fairy tales are:\nThe First Day\n\"The Tale of the Ogre\"\n\"The Myrtle\"\n\"Peruonto\"\n\"Vardiello\"\n\"The Flea\"\n\"Cenerentola\" – translated in english as Cinderella\n\"The Merchant\"\n\"Goat-Face\"\n\"The Enchanted Doe\"\n\"The Three Sisters\"\nThe Second Day\n\"Parsley\" – a variant of Rapunzel\n\"Green Meadow\"\n\"Violet\"\n\"Pippo\" – a variant of Puss In Boots\n\"The Snake\"\n\"The She-Bear\" – a variant of Allerleirauh\n\"The Dove\" – a variant of Snow-White-Fire-Red\n\"The Young Slave\" – a variant of Snow White\n\"The Padlock\"\n\"The Buddy\"\nThe Third Day\n\"Cannetella\"\n\"Penta of the Chopped-off Hands\" – a variant of The Girl Without Hands\n\"Face\"\n\"Sapia Liccarda\"\n\"The Cockroach, the Mouse, and the Cricket\"\n\"The Garlic Patch\"\n\"Corvetto\"\n\"The Booby\"\n\"Rosella\"\n\"The Three Fairies\"\nThe Fourth Day\n\"The Stone in the Cock's Head\"\n\"The Two Brothers\"\n\"The Three Enchanted Princes\"\n\"The Seven Little Pork Rinds\"\n\"The Dragon\"\n\"The Three Crowns\"\n\"The Two Cakes\" – a variant of Diamonds and Toads\n\"The Seven Doves\" – a variant of The Seven Ravens\n\"The Raven\"\n\"Pride Punished\" – a variant of King Thrushbeard\nThe Fifth Day\n\"The Goose\n\"The Months\"\n\"Pintosmalto\"\n\"The Golden Root\" – a variant of Cupid and Psyche\n\"Sun, Moon, and Talia\" – a variant of Sleeping Beauty\n\"Sapia\"\n\"The Five Sons\"\n\"Nennillo and Nennella\" – a variant of Brother and Sister\n\"The Three Citrons\" – a variant of The Love for Three Oranges"
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What part did Eve play in Footsteps on the Ceiling?
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[
"Cora",
"Cora"
] | " At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is(...TRUNCATED)
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20696abc25990b16584085154ce317d4018cffe8
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| [" The poem opens with a description of a village named Auburn, written in the past tense.\nSweet Au(...TRUNCATED)
| [" Wyatt Earp (Kurt Russell), a retired peace officer with a notable reputation, reunites with his b(...TRUNCATED)
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What award did Eve receive for playing Cora?
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"The Sarah Siddons Award.",
"Sarah Siddons Award"
] | " At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is(...TRUNCATED)
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20696abc25990b16584085154ce317d4018cffe8
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| [" Adam Lerner is a 27-year-old public radio journalist in Seattle with an artist girlfriend Rachael(...TRUNCATED)
| [" The story begins in an Argos port where Conan forcefully demands passage aboard a sail barge, the(...TRUNCATED)
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Who drops off the award at Eve's house?
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"Addison",
"Addison does"
] | " At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is(...TRUNCATED)
|
20696abc25990b16584085154ce317d4018cffe8
| 2
| [" Christie's reputation as \"The Queen of Crime\" was built upon the large number of classic motifs(...TRUNCATED)
| [" Dr. Melmoth, the President of fictional Harley College, takes into his care Ellen Langton, the da(...TRUNCATED)
|
What is the name of the young girl who is asleep in Eve's apartment?
|
[
"Phoebe",
"Phoebe"
] | " At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is(...TRUNCATED)
|
20696abc25990b16584085154ce317d4018cffe8
| 5
| [" Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a men(...TRUNCATED)
| [" During his meeting in Dakar with the head of the Reunited Nations African Development Project, Dr(...TRUNCATED)
|
What lie does Phoebe tell Eve?
| ["That a cab driver dropped off her award.","She tells Eve that a cab driver dropped off the award w(...TRUNCATED)
| " At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is(...TRUNCATED)
|
20696abc25990b16584085154ce317d4018cffe8
| 1
| [" The first-person narrative is told from the point of view of Alexei Ivanovich, a tutor working fo(...TRUNCATED)
| [" In summer of 1958, Barry and Claudette, two Camp Crystal Lake counselors, sneak into a storage ba(...TRUNCATED)
|
Who takes Eve backstage to meet Margo?
|
[
"Karen Richards ",
"Karen Richards"
] | " At an awards dinner, Eve Harrington (Anne Baxter)—the newest and brightest star on Broadway—is(...TRUNCATED)
|
20696abc25990b16584085154ce317d4018cffe8
| 4
| [" Two Irish American fraternal twin brothers, Connor and Murphy MacManus, attend a Catholic Mass, w(...TRUNCATED)
| [" The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who pu(...TRUNCATED)
|
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