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"At last the Phoenix said, \"Well, my boy, I think we had better make our choice. Three or four coins should do it.\" The Sea Monster gave a relieved sigh. \"Let's get the rest of it underground right away. You have no idea what trouble it can cause.\"",
"AT LAST THE PHOENIX SAID I THINK WE HAD BETTER MAKE OUR CHOICE THREE OR FOUR COINS SHOULD DO IT THE SEA MONSTER GAVE A RELIEVED SIGH LET'S GET THE REST OF IT UNDERGROUND RIGHT AWAY YOU HAVE NO IDEA WHAT TROUBLE IT CAN CAUSE"
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" heaved its flipper up. The chest shot into the air, tumbled down end over end, and split wide open on the beach. David gasped. A dazzling, sparkling heap spilled out on the sand. There were heaps of gold and silver coins, the silver black with tarnish but the gold still bright. There were pearls, rubies, diamonds, beryls, emeralds, opals, sapphires, amethysts. And bracelets, necklaces, pendants, sunbursts, brooches, rings, pins, combs, buckles, lockets, buttons, crucifixes. And carved pieces of jade and ivory and coral and jet. And coronets, crowns, tiaras, arm bands. And jeweled daggers, picture frames, vases, silver knives and forks and spoons, sugar bowls, platters, goblets. For an hour they examined the treasure. David fairly wallowed in it, exclaiming \"Look at this one!\" or \"Oh, how beautiful!\" or just \"Golly!\" The Phoenix muttered such things as \"King's ransom\" and \"Wealth of the Indies.\" The Sea Monster was not interested in the treasure, but kept glancing nervously out to sea.",
"D ONE FLIPPER CAREFULLY UNDER THE CHEST LOOK OUT IT SAID AND HEAVED ITS SLIPPER UP THE CHEST SHOT INTO THE AIR TUMBLED DOWN END OVER END AND SPLIT WIDE OPEN ON THE BEACH DAVID GASPED A DAZZLING SPARKLING HEAP SPILLED OUT ON THE SAND THERE WERE HEAPS OF GOLD AND SILVER COINS THE SILVER BLACK WITH TARNISH BUT THE GOLD STILL BRIGHT THERE WERE PEARLS RUBIES DIAMONDS BERYLS EMERALDS OPALS SAPPHIRES AMETHYSTS AND BRACELETS NECKLACES PENDANTS SUNBURST BROOCHES RINGS PINS COMBS BUCKLES LOCKETS BUTTONS CRUCIFIXES AND CARVED PIECES OF JADE AND IVORY AND CORAL AND JET AND CORONETS CROWNS TIERRAS ARMBANDS AND JEWELLED DAGGERS PICTURE FRAMES VASES SILVER KNIVES AND FORKS AND SPOONS SUGAR BOWLS PLATTERS GOBLETS FOR AN HOUR THEY EXAMINED THE TREASURE DAVID FAIRLY WALLOWED IN IT EXCLAIMING LOOK AT THIS ONE OR OH HOW BEAUTIFUL OR JUST GOLLY THE PHOENIX MUTTERED SUCH THINGS AS KING'S RANSOM AND WEALTH OF THE INDIES THE SEA MONSTER WAS NOT INTERESTED IN THE TREASURE BUT KEPT GLANCING NERVOUSLY OUT TO SEA"
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"AND SEARCH THEY DID ATOLL AFTER ATOLL UNTIL AT THE END OF AN HOUR THEY WERE REWARDED DAVID SUDDENLY SPOTTED A DARK OBJECT STRETCHED OUT ON THE BEACH OF A LAGOON AND AT THE SAME TIME THE PHOENIX SAID AHA TRIUMPHANTLY THEY BEGAN TO SPIRAL DOWN"
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"tled a high-flying albatross, which gave a frightened squawk and plunged down out of sight with folded wings. Aside from that, there was nothing to see until they reached the islands. The Phoenix slowed down to a glide and dropped lower. \"These are the coral atolls of the Pacific, my boy,\" it called over its shoulder. \"That lake in the center of each island is called the lagoon.\" David was enchanted by the atolls. They were made of tiny islets, strung together like the beads of a necklace. And the colors! The dark blue of the sea became lighter around the islands, melting from sapphire to turquoise to jade. The atolls were ringed with dazzling white surf and beach, and they all had cool green swaths of palm trees and underbrush. And each lagoon also had its varying shades of blue, like the outer sea. \"I fear we may have trouble, my boy,\" said the Phoenix, as they scanned the empty beaches. \"The Monster shifts about from island to island to avoid discovery. We shall just have to search.",
"F WHITE ANOTHER TIME THEY STARTLED A HIGH FLYING ALBATROSS WHICH GAVE A FRIGHTENED SQUAWK AND PLUNGED DOWN OUT OF SIGHT WITH FOLDED WINGS ASIDE FROM THAT THERE WAS NOTHING TO SEE UNTIL THEY REACHED THE ISLANDS THE PHOENIX SLOWED DOWN TO A GLIDE AND DROPPED LOWER THESE ARE THE CORAL ATOLLS OF THE PACIFIC MY BOY IT CALLED OVER ITS SHOULDER THAT LAKE IN THE CENTER OF EACH ISLAND IS CALLED THE LAGOON DAVID WAS ENCHANTED BY THE ATOLLS THEY WERE MADE OF TINY ISLETS STRUGGED TOGETHER LIKE THE BEADS OF A NECKLACE AND THE COLORS THE DARK BLUE OF THE SEA BECAME LIGHTER AROUND THE ISLANDS MELTING FROM SAPPHIRE TO TURQUOISE TO JADE THE ATOLLS WERE RINGED WITH DAZZLING WHITE SURF AND BEECH AND THEY ALL HAD COOL GREEN SWATHS OF PALM TREES AND UNDERBRUSH AND EACH LAGOON ALSO HAD ITS VARYING SHADES OF BLUE LIKE THE OUTER SEA I FEAR WE MAY HAVE TROUBLE MY BOY SAID THE PHOENIX AS THEY SCANNED THE EMPTY BEACHES THE MONSTER SHIFTS ABOUT FROM ISLAND TO ISLAND TO AVOID DISCOVERY WE SHALL JUST HAVE TO SEARCH"
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"\"There,\" David whispered, pointing. Thirty feet offshore, an ear was being thrust cautiously above the rippled surface. It twitched once or twice, then pointed quiveringly in their direction.",
"THERE DAVID WHISPERED POINTING THIRTY FEET OFF SHORE AN EAR WAS BEING THRUST CAUTIOUSLY ABOVE THE RIPPLED SURFACE IT TWITCHED ONCE OR TWICE THEN POINTED QUIVERINGLY IN THEIR DIRECTION"
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"at home. Its neck was twenty feet long, and so was its tail (which ended in a barbed point). It had huge seal-like flippers, and its polished brown hide was made up of scales as big as dinner plates. \"Wake up, Monster!\" The Phoenix cried. \"We--\" The next instant they were lost in a cloud of flying sand and spray, through which could be heard a prodigious splash. When it had cleared, they found themselves alone on the beach. The only sign of the Sea Monster was a great furrow in the sand, which led down to the agitated water. \"Golly, that was fast!\" David marveled, as they shook the sand from themselves. \"Do you think it'll come back, Phoenix?\" \"Of course, my boy. Curiosity, if nothing else, will bring it up again. In the meantime, we might as well sit down and wait.\" They sat down and waited. David took off his jacket. For fifteen minutes they heard nothing but the murmuring of the surf and the rustling clatter of palm fronds. At last there was a slight splashing noise from the lagoon.",
"MMENSE ITS BODY COULD HAVE FILLED THE LIVING AT HOME ITS NECK WAS TWENTY FEET LONG AND SO WAS ITS TAIL WHICH ENDED IN A BARBED POINT IT HAD HUGE SEALLIKE FLIPPERS AND ITS POLISHED BROWN HIDE WAS MADE UP OF SCALES AS BIG AS DINNER PLATES WAKE UP MONSTER THE PHOENIX CRIED WE THE NEXT INSTANT THEY WERE LOST IN A CLOUD OF FLYING SAND AND SPRAY THROUGH WHICH COULD BE HEARD A PRODIGIOUS SPLASH WHEN IT HAD CLEARED THEY FOUND THEMSELVES ALONE ON THE BEACH THE ONLY SIGN OF THE SEA MONSTER WAS A GREAT FURROW IN THE SAND WHICH LED DOWN TO THE AGITATED WATER GOLLY THAT WAS FAST DAVID MARVELLED AS THEY SHOOK THE SAND FROM THEMSELVES DO YOU THINK IT'LL COME BACK PHOENIX OF COURSE MY BOY CURIOSITY IF NOTHING ELSE WILL BRING IT UP AGAIN IN THE MEANTIME WE MIGHT AS WELL SIT DOWN AND WAIT THEY SAT DOWN AND WAITED DAVID TOOK OFF HIS JACKET FOR FIFTEEN MINUTES THEY HEARD NOTHING BUT THE MURMURING OF THE SURF AND THE RUSTLING CLATTER OF PALM FRONDS AT LAST THERE WAS A SLIGHT SPLASHING NOISE FROM THE LAGOON"
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"rnish but the gold still bright. There were pearls, rubies, diamonds, beryls, emeralds, opals, sapphires, amethysts. And bracelets, necklaces, pendants, sunbursts, brooches, rings, pins, combs, buckles, lockets, buttons, crucifixes. And carved pieces of jade and ivory and coral and jet. And coronets, crowns, tiaras, arm bands. And jeweled daggers, picture frames, vases, silver knives and forks and spoons, sugar bowls, platters, goblets. For an hour they examined the treasure. David fairly wallowed in it, exclaiming \"Look at this one!\" or \"Oh, how beautiful!\" or just \"Golly!\" The Phoenix muttered such things as \"King's ransom\" and \"Wealth of the Indies.\" The Sea Monster was not interested in the treasure, but kept glancing nervously out to sea. At last the Phoenix said, \"Well, my boy, I think we had better make our choice. Three or four coins should do it.\" The Sea Monster gave a relieved sigh. \"Let's get the rest of it underground right away. You have no idea what trouble it can cause.",
"THE SAND THERE WERE HEAPS OF GOLD AND SILVER COINS THE SILVER BLACK WITH TARNISH BUT THE GOLD STILL BRIGHT THERE WERE PEARLS RUBIES DIAMONDS BERYLS EMERALDS OPALS SAPPHIRES AMETHYSTS AND BRACELETS NECKLACES PENDANTS SUNBURST BROOCHES RINGS PINS COMBS BUCKLES LOCKETS BUTTONS CRUCIFIXES AND CARVED PIECES OF JADE AND IVORY AND CORAL AND JET AND CORONETS CROWNS TIERRAS ARMBANDS AND JEWELLED DAGGERS PICTURE FRAMES VASES SILVER KNIVES AND FORKS AND SPOONS SUGAR BOWLS PLATTERS GOBLETS FOR AN HOUR THEY EXAMINED THE TREASURE DAVID FAIRLY WALLOWED IN IT EXCLAIMING LOOK AT THIS ONE OR OH HOW BEAUTIFUL OR JUST GOLLY THE PHOENIX MUTTERED SUCH THINGS AS KING'S RANSOM AND WEALTH OF THE INDIES THE SEA MONSTER WAS NOT INTERESTED IN THE TREASURE BUT KEPT GLANCING NERVOUSLY OUT TO SEA AT LAST THE PHOENIX SAID I THINK WE HAD BETTER MAKE OUR CHOICE THREE OR FOUR COINS SHOULD DO IT THE SEA MONSTER GAVE A RELIEVED SIGH LET'S GET THE REST OF IT UNDERGROUND RIGHT AWAY YOU HAVE NO IDEA WHAT TROUBLE IT CAN CAUSE"
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"\"Come out, Monster!\" the Phoenix shouted. \"It is I, the Phoenix.\" The Sea Monster's head appeared slowly, followed by several yards of neck. It peered at them short sightedly, weaving its head from side to side to get a better view.",
"COME OUT MONSTER THE PHOENIX SHOUTED IT IS I THE PHOENIX THE SEA MONSTER'S HEAD APPEARED SLOWLY FOLLOWED BY SEVERAL YARDS OF NECK IT PEERED AT THEM SHORT SIGHTEDLY WEAVING ITS HEAD FROM SIDE TO SIDE TO GET A BETTER VIEW"
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"plates. \"Wake up, Monster!\" The Phoenix cried. \"We--\" The next instant they were lost in a cloud of flying sand and spray, through which could be heard a prodigious splash. When it had cleared, they found themselves alone on the beach. The only sign of the Sea Monster was a great furrow in the sand, which led down to the agitated water. \"Golly, that was fast!\" David marveled, as they shook the sand from themselves. \"Do you think it'll come back, Phoenix?\" \"Of course, my boy. Curiosity, if nothing else, will bring it up again. In the meantime, we might as well sit down and wait.\" They sat down and waited. David took off his jacket. For fifteen minutes they heard nothing but the murmuring of the surf and the rustling clatter of palm fronds. At last there was a slight splashing noise from the lagoon. \"There,\" David whispered, pointing. Thirty feet offshore, an ear was being thrust cautiously above the rippled surface. It twitched once or twice, then pointed quiveringly in their direction.",
"N HIDE WAS MADE UP OF SCALES AS BIG AS DINNER PLATES WAKE UP MONSTER THE PHOENIX CRIED WE THE NEXT INSTANT THEY WERE LOST IN A CLOUD OF FLYING SAND AND SPRAY THROUGH WHICH COULD BE HEARD A PRODIGIOUS SPLASH WHEN IT HAD CLEARED THEY FOUND THEMSELVES ALONE ON THE BEACH THE ONLY SIGN OF THE SEA MONSTER WAS A GREAT FURROW IN THE SAND WHICH LED DOWN TO THE AGITATED WATER GOLLY THAT WAS FAST DAVID MARVELLED AS THEY SHOOK THE SAND FROM THEMSELVES DO YOU THINK IT'LL COME BACK PHOENIX OF COURSE MY BOY CURIOSITY IF NOTHING ELSE WILL BRING IT UP AGAIN IN THE MEANTIME WE MIGHT AS WELL SIT DOWN AND WAIT THEY SAT DOWN AND WAITED DAVID TOOK OFF HIS JACKET FOR FIFTEEN MINUTES THEY HEARD NOTHING BUT THE MURMURING OF THE SURF AND THE RUSTLING CLATTER OF PALM FRONDS AT LAST THERE WAS A SLIGHT SPLASHING NOISE FROM THE LAGOON THERE DAVID WHISPERED POINTING THIRTY FEET OFF SHORE AN EAR WAS BEING THRUST CAUTIOUSLY ABOVE THE RIPPLED SURFACE IT TWITCHED ONCE OR TWICE THEN POINTED QUIVERINGLY IN THEIR DIRECTION"
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"OF COURSE MY BOY CURIOSITY IF NOTHING ELSE WILL BRING IT UP AGAIN IN THE MEANTIME WE MIGHT AS WELL SIT DOWN AND WAIT THEY SAT DOWN AND WAITED DAVID TOOK OFF HIS JACKET FOR FIFTEEN MINUTES THEY HEARD NOTHING BUT THE MURMURING OF THE SURF AND THE RUSTLING CLATTER OF PALM FRONDS AT LAST THERE WAS A SLIGHT SPLASHING NOISE FROM THE LAGOON"
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"hall just have to search.\" And search they did, atoll after atoll, until at the end of an hour they were rewarded. David suddenly spotted a dark object stretched out on the beach of a lagoon, and at the same time the Phoenix said \"Aha!\" triumphantly. They began to spiral down. The Sea Monster was immense. Its body could have filled the living room at home. Its neck was twenty feet long, and so was its tail (which ended in a barbed point). It had huge seal-like flippers, and its polished brown hide was made up of scales as big as dinner plates. \"Wake up, Monster!\" The Phoenix cried. \"We--\" The next instant they were lost in a cloud of flying sand and spray, through which could be heard a prodigious splash. When it had cleared, they found themselves alone on the beach. The only sign of the Sea Monster was a great furrow in the sand, which led down to the agitated water. \"Golly, that was fast!\" David marveled, as they shook the sand from themselves. \"Do you think it'll come back, Phoenix?",
"UT FROM ISLAND TO ISLAND TO AVOID DISCOVERY WE SHALL JUST HAVE TO SEARCH AND SEARCH THEY DID ATOLL AFTER ATOLL UNTIL AT THE END OF AN HOUR THEY WERE REWARDED DAVID SUDDENLY SPOTTED A DARK OBJECT STRETCHED OUT ON THE BEACH OF A LAGOON AND AT THE SAME TIME THE PHOENIX SAID AHA TRIUMPHANTLY THEY BEGAN TO SPIRAL DOWN THE SEA MONSTER WAS IMMENSE ITS BODY COULD HAVE FILLED THE LIVING AT HOME ITS NECK WAS TWENTY FEET LONG AND SO WAS ITS TAIL WHICH ENDED IN A BARBED POINT IT HAD HUGE SEALLIKE FLIPPERS AND ITS POLISHED BROWN HIDE WAS MADE UP OF SCALES AS BIG AS DINNER PLATES WAKE UP MONSTER THE PHOENIX CRIED WE THE NEXT INSTANT THEY WERE LOST IN A CLOUD OF FLYING SAND AND SPRAY THROUGH WHICH COULD BE HEARD A PRODIGIOUS SPLASH WHEN IT HAD CLEARED THEY FOUND THEMSELVES ALONE ON THE BEACH THE ONLY SIGN OF THE SEA MONSTER WAS A GREAT FURROW IN THE SAND WHICH LED DOWN TO THE AGITATED WATER GOLLY THAT WAS FAST DAVID MARVELLED AS THEY SHOOK THE SAND FROM THEMSELVES DO YOU THINK IT'LL COME BACK PHOENIX"
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"intelligent_ thing in that case,\" the Phoenix broke in with a sniff, \"would have been to stay _under_ water.\" \"Thank you, Phoenix,\" said the Sea Monster dryly. \"But I _do_ like to breathe now and then. Anyway, I wasn't safe even under water. They'd drop depth charges on me. One ship even launched a torpedo at me!\" \"How awful!\" said David. \"Tut! my boy,\" said the Phoenix. \"I have no doubt our friend is stretching the truth shamelessly. You need not look so smug, Monster. You were not the only one in the war. _I_ have gone through anti-aircraft fire a number of times. Some of it was very severe. In fact, once I--\" \"Once I had the whole North Atlantic fleet after _me_,\" the Sea Monster interrupted proudly. \"And _I_ remember the Franco-Prussian War!\" said the Phoenix. \"Which, I daresay, you do _not_.\" \"Well--uh--no, I don't.\" \"There you are!\" the Phoenix crowed. The Sea Monster, looking rather ruffled, pointedly turned from the Phoenix and said to David, \"What should you like to do, David?",
"OUT OF THE WATER WITHOUT BRINGING DOWN A PERFECT RAIN OF SHELLS AND BULLETS THE INTELLIGENT THING IN THAT CASE THE PHOENIX BROKE IN WITH A SNIFF WOULD HAVE BEEN TO STAY UNDER WATER THANK YOU PHOENIX SAID THE SEA MONSTER DRYLY BUT I DO LIKE TO BREATHE NOW AND THEN ANYWAY I WASN'T SAFE EVEN UNDER WATER THEY DROPPED DEPTH CHARGES ON ME ONE SHIP EVEN LAUNCHED A TORPEDO AT ME HOW AWFUL SAID DAVID TUT MY BOY SAID THE PHOENIX I HAVE NO DOUBT OUR FRIEND IS STRETCHING THE TRUTH SHAMELESSLY YOU NEED NOT LOOK SO SMUG MONSTER YOU ARE NOT THE ONLY ONE IN THE WAR I HAVE GONE THROUGH ANTI AIRCRAFT FIRE A NUMBER OF TIMES SOME OF IT WAS VERY SEVERE IN FACT ONCE I ONCE I HAD THE WHOLE NORTH ATLANTIC FLEET AFTER ME THE SEA MONSTER INTERRUPTED PROUDLY AND I REMEMBER THE FRANCO PRUSSIAN WAR SAID THE PHOENIX WHICH I DARE SAY YOU DO NOT WELL A NO I DON'T THERE YOU ARE THE PHOENIX CROWED THE SEA MONSTER LOOKING RATHER RUFFLED POINTEDLY TURNED FROM THE PHOENIX AND SAID TO DAVID WHAT SHOULD YOU LIKE TO DO DAVID"
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"said the Sea Monster hesitantly, pointing one ear at David. \"This,\" said the Phoenix, \"is David. He is getting an education.",
"SAID THE SEA MONSTER HESITANTLY POINTING ONE EAR AT DAVID THIS SAID THE PHOENIX IS DAVID HE IS GETTING AN EDUCATION"
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"thing but the murmuring of the surf and the rustling clatter of palm fronds. At last there was a slight splashing noise from the lagoon. \"There,\" David whispered, pointing. Thirty feet offshore, an ear was being thrust cautiously above the rippled surface. It twitched once or twice, then pointed quiveringly in their direction. \"Come out, Monster!\" the Phoenix shouted. \"It is I, the Phoenix.\" The Sea Monster's head appeared slowly, followed by several yards of neck. It peered at them short-sightedly, weaving its head from side to side to get a better view. David saw that it had two short, straight horns just in front of its ears, eyes that were soft and cowlike, and a most expressive set of whiskers. The whiskers were now at a doubtful, half-mast angle. \"Ah, Phoenix,\" said the Sea Monster at last in a mild voice. \"Can't you remember to wake me a bit more gently? I thought you were--\" \"Come on out,\" said the Phoenix firmly, \"and stop looking like a lost sheep.\" \"Uh--what about--uh--that?",
" OFF HIS JACKET FOR FIFTEEN MINUTES THEY HEARD NOTHING BUT THE MURMURING OF THE SURF AND THE RUSTLING CLATTER OF PALM FRONDS AT LAST THERE WAS A SLIGHT SPLASHING NOISE FROM THE LAGOON THERE DAVID WHISPERED POINTING THIRTY FEET OFF SHORE AN EAR WAS BEING THRUST CAUTIOUSLY ABOVE THE RIPPLED SURFACE IT TWITCHED ONCE OR TWICE THEN POINTED QUIVERINGLY IN THEIR DIRECTION COME OUT MONSTER THE PHOENIX SHOUTED IT IS I THE PHOENIX THE SEA MONSTER'S HEAD APPEARED SLOWLY FOLLOWED BY SEVERAL YARDS OF NECK IT PEERED AT THEM SHORT SIGHTEDLY WEAVING ITS HEAD FROM SIDE TO SIDE TO GET A BETTER VIEW DAVID SAW THAT IT HAD TWO SHORT STRAIGHT HORNS JUST IN FRONT OF ITS EARS EYES THAT WERE SOFT AND COW LIKE AND A MOST EXPRESSIVE SET OF WHISKERS THE WHISKERS WERE NOW AT A DOUBTFUL HALF MAST ANGLE AH PHOENIX SAID THE SEA MONSTER AT LAST IN A MILD VOICE CAN'T YOU REMEMBER TO WAKE ME A BIT MORE GENTLY I THOUGHT YOU WERE COME ON OUT SAID THE PHOENIX FIRMLY AND STOPPED LOOKING LIKE A LOST SHEEP A WHAT ABOUT A THAT"
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"Suddenly it happened. There was a terrific burst of blue light, a sharp squawk from the Phoenix, and a shower of sparks. Another blue flash blazed up.",
"SUDDENLY IT HAPPENED THERE WAS A TERRIFIC BURST OF BLUE LIGHT A SHARP SQUAWK FROM THE PHOENIX AND A SHOWER OF SPARKS ANOTHER BLUE FLASH BLAZED UP"
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"nes merely come up to the pole on one side, pass through the insulators, and go away from the pole on the other side. Child's play! The covering on the lines is rather tough, however. We shall have to use the wire-cutters.\" The Phoenix returned to the top of the pole with the cutters, and worked on the wires for five more minutes. Bits of debris began to shower down on the hedge. One of the wires vibrated on a low note like a slack guitar string. \"We must not forget the difference between alternating and direct current, my boy,\" said the Phoenix as it flew down again. \"An important problem, that. Where is our wire? Ah, there we are. The pliers, please.\" \"Do you need any help up there?\" David asked. \"No, everything is coming along beautifully, thank you. I shall have everything finished in a flash.\" Trailing one end of the wire in its beak, the Phoenix flew up into the darkness once more. The tinkering sounds began again, and a spurt of falling debris rattled in the leaves of the hedge.",
"I THOUGHT IT WOULD BE MY BOY THE POWER LINES MERELY COME UP TO THE POLE ON ONE SIDE PASS THROUGH THE INSULATOR AND GO AWAY FROM THE POLE ON THE OTHER SIDE CHILD'S PLAY THE COVERING ON THE LINES IS RATHER TOUGH HOWEVER WE SHALL HAVE TO USE THE WIRE CUTTERS THE PHOENIX RETURNED TO THE TOP OF THE POLE WITH THE CUTTERS AND WORKED ON THE WIRES FOR FIVE MORE MINUTES BITS OF DEBRIS BEGAN TO SHOWER DOWN ON THE HEDGE ONE OF THE WIRES VIBRATED ON A LOW NOTE LIKE A SLACK GUITAR STRING WE MUST NOT FORGET THE DIFFERENCE BETWEEN ALTERNATING AND DIRECT CURRENT MY BOY SAID THE PHOENIX AS IT FLEW DOWN AGAIN AN IMPORTANT PROBLEM THAT WHERE IS OUR WIRE AH THERE WE ARE THE PLIERS PLEASE DO YOU NEED ANY HELP UP THERE DAVID ASKED NO EVERYTHING IS COMING ALONG BEAUTIFULLY THANK YOU I SHALL HAVE EVERYTHING FINISHED IN A FLASH TRAILING ONE END OF THE WIRE IN ITS BEAK THE PHOENIX FLEW UP INTO THE DARKNESS ONCE MORE THE TINKERING SOUNDS BEGAN AGAIN AND A SPURT OF FALLING DEBRIS RATTLED IN THE LEAVES OF THE HEDGE"
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"\"I think they're open till six,\" said David, shaking the sand out of his shoes. \"Are we going to buy something?\"",
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" the treasure into the hole. They all pushed sand in on top of it and jumped on the mound till it was level with the rest of the beach. The Phoenix turned to the Sea Monster and said solemnly: \"Monster, old fellow, I knew you would not fail us. You stood forth in our hour of need, and we shall not forget.\" And David echoed, \"Thank you, Monster.\" The Sea Monster ducked its head and blushed. A wave of fiery red started at its nose, traveled rapidly back over its ears, down its neck, along the body, and fanned out to the tips of its flippers and the extreme end of the barb in its tail. Even its whiskers turned pink. \"Well--uh--glad to help--uh--nothing to it, really,\" it mumbled. Then it turned abruptly, galloped down to the sea, plunged into the surf, and was gone. 7: _In Which the Phoenix's Plan Is Carried Out, and There Are More Alarums and Excursions in the Night_ [Illustration] \"Now, my boy,\" said the Phoenix, when they got back to the ledge that afternoon, \"are the shops still open?",
" CHAPTER SEVEN OF DAVID AND THE PHOENIX THIS IS A LIBRAVOX RECORDING ALL LIBRAVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBRAVOX DOT ORG RECORDING BY GREGG WEEKES DAVID AND THE PHOENIX BY EDWARD ORMONDRIDE CHAPTER SEVEN IN WHICH THE PHOENIX PLAN IS CARRIED OUT AND THERE ARE MORE ALARMS AND EXCURSIONS IN THE NIGHT NOW MY BOY SAID THE PHOENIX WHEN THEY GOT BACK TO THE LEDGE THAT AFTERNOON ARE THE SHOPS STILL OPEN"
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"The Phoenix took the screw driver in one claw and flew up to the top of the pole. David could hear the creak of the lines under the Phoenix's weight and the rattling of the screw driver against the porcelain insulators.",
"THE PHOENIX TOOK THE SCREWDRIVER IN ONE CLAW AND FLEW UP TO THE TOP OF THE POLE DAVID COULD HEAR THE CREAK OF THE LINES UNDER THE PHOENIX'S WEIGHT AND THE RATTLING OF THE SCREWDRIVER AGAINST THE PORCELAIN INSULATORS"
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" a certain appeal, and David found himself warming to it. But there was another thing to consider. \"How about electricity, Phoenix?\" \"Look above you, my boy! The telephone pole is simply loaded down with power lines waiting to be tapped.\" The Phoenix was evidently set on carrying out the Plan, and David did not want to wear out the bird's patience with more objections. And--well, why not? There should be no harm in trying it out, anyway. They gathered up the tools and walked along the hedge to the telephone pole, which was in one corner of the yard. The Phoenix began to uncoil the wire, while David gazed up doubtfully at the shadowy maze of lines and insulators on the cross-arms. \"Electricity,\" said the Phoenix thoughtfully, \"is a complicated and profound subject. There are amperes, and there are volts, and there are kilowatt hours. I might also mention positive and negative and--ah--all that sort of thing. Most profound. Perhaps I had better investigate up there. Screw driver, please.",
"TELEPHONE LINE PUT IN THIS WAY THE IDEA HAD A CERTAIN APPEAL AND DAVID FOUND HIMSELF WARMING TO IT BUT THERE WAS ANOTHER THING TO CONSIDER HOW ABOUT ELECTRICITY PHOENIX LOOK ABOVE YOU MY BOY THE TELEPHONE POLE IS SIMPLY LOADED DOWN WITH POWER LINES WAITING TO BE TAPPED THE PHOENIX WAS EVIDENTLY SET ON CARRYING OUT THE PLAN AND DAVID DID NOT WANT TO WEAR OUT THE BIRD'S PATIENCE WITH MORE OBJECTIONS AND WELL WHY NOT THERE SHOULD BE NO HARM IN TRYING IT OUT ANYWAY THEY GATHERED UP THE TOOLS AND WALKED ALONG THE HEDGE TO THE TELEPHONE POLE WHICH WAS IN ONE CORNER OF THE YARD THE PHOENIX BEGAN TO UNCOIL THE WIRE WHILE DAVID GAZED UP DOUBTFULLY AT THE SHADOWY MAZE OF LINES AND INSULATORS ON THE CROSS ARMS ELECTRICITY SAID THE PHOENIX THOUGHTFULLY IS A COMPLICATED AND PROFOUND SUBJECT THERE ARE ANCHORS AND THERE REVOLTS AND THERE ARE KILAWAT HOURS I MIGHT ALSO MENTION POSITIVE AND NEGATIVE AND AH ALL THAT SORT OF THING MOST PROFOUND PERHAPS I HAD BETTER INVESTIGATE UP THERE SCREWDRIVER PLEASE"
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"If you climb the mountainside in the dark, you may unwittingly fall into our own snare. It is far easier for me to come down than it is for you to go up, and under cover of darkness I can do it quite safely.",
"IF YOU CLIMB THE MOUNTAINSIDE IN THE DARK YOU MAY UNWITTINGLY FALL INTO OUR OWN SNARE IT IS FAR EASIER FOR ME TO COME DOWN THAN IT IS FOR YOU TO GO UP AND UNDER COVER OF DARKNESS I CAN DO IT QUITE SAFELY"
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" \"Patience, patience! You will be told when the time comes. I shall meet you tonight after dark, as soon as it is safe for me to come down. I trust you will have everything ready?\" \"Are you coming _down_?\" \"Precisely, my boy. A risk, I admit, but a necessary one. There is a hedge at the back of your house, is there not? Splendid. You may await me there.\" * * * * * David, sitting in the shadow of the hedge, jumped when he heard the Phoenix's quiet \"Good evening, my boy.\" \"Phoenix,\" he whispered, \"how did you do it? Golly, I didn't see you at all, and it isn't even dark yet.\" \"I have been hunted long enough, my boy, to have learned a few tricks. It is merely a matter of gliding close to the ground, selecting the best shadows, and keeping a sharp lookout. Well, let us get on with the Plan. Have you the tools here?\" \"Yes, here they are.\" \"Splendid! Now, my boy, since we must continue your education during the night, it is necessary that we have some way of getting in touch with each other.",
"ES THEY'RE DOWN IN THE CELLAR WHAT ARE WE GOING TO DO WITH THEM PHOENIX PATIENCE PATIENCE YOU WILL BE TOLD WHEN THE TIME COMES I SHALL MEET YOU TONIGHT AFTER DARK AS SOON AS IT IS SAFE FOR ME TO COME DOWN I TRUST YOU WILL HAVE EVERYTHING READY ARE YOU COMING DOWN PRECISELY MY BOY A RISK I ADMIT BUT A NECESSARY ONE THERE IS A HEDGE AT THE BACK OF YOUR HOUSE IS THERE NOT SPLENDID YOU MAY AWAIT ME THERE DAVID SITTING IN THE SHADOW OF THE HEDGE JUMPED WHEN HE HEARD THE PHOENIX'S QUIET GOOD EVENING MY BOY PHOENIX HE WHISPERED HOW DID YOU DO IT GOLLY I DIDN'T SEE YOU AT ALL AND IT ISN'T EVEN DARK YET I HAVE BEEN HUNTED LONG ENOUGH MY BOY TO HAVE LEARNED A FEW TRICKS IT IS MERELY A MATTER OF GLIDING CLOSE TO THE GROUND SELECTING THE BEST SHADOWS AND KEEPING A SHARP LOOKOUT WELL LET US GET ON WITH THE PLAN HAVE YOU THE TOOLS HERE YES HERE THEY ARE SPLENDID NOW MY BOY SINCE WE MUST CONTINUE YOUR EDUCATION DURING THE NIGHT IT IS NECESSARY THAT WE HAVE SOME WAY OF GETTING IN TOUCH WITH EACH OTHER"
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"And what was the rope for? And the hatchet? The more he puzzled over it the more confused he became, and finally he just gave up. There was only one thing he was sure about: whatever the Plan was, they would have to carry it out as soon as possible. Two days had passed since the Scientist had shown up.",
"AND WHAT WAS THE ROPE FOR AND THE HATCHET THE MORE HE PUZZLED OVER IT THE MORE CONFUSED HE BECAME AND FINALLY HE JUST GAVE UP THERE WAS ONLY ONE THING HE WAS SURE ABOUT WHATEVER THE PLAN WAS THEY WOULD HAVE TO CARRY IT OUT AS SOON AS POSSIBLE TWO DAYS HAD PASSED SINCE THE SCIENTIST HAD SHOWN UP"
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". He couldn't spend pirate gold pieces, or even show them to anyone, without being asked a lot of embarrassing questions. What to do? Ask Dad or Mother or Aunt Amy to lend him some money? More embarrassing questions.... Well, he would have to rob his bank. But wait--why hadn't he remembered? Just before they had moved, Uncle Charles had given him a ten-dollar bill as a farewell present. He had been saving it for a model airplane, but the excitement of the last few days had driven it completely out of his mind. Of course the Phoenix's Plan was more important than any model plane could be. So he kept the gold pieces tied up in his handkerchief and took his ten dollars to a hardware store, where he bought what the Phoenix wanted--a coil of rope, an electric door bell, a pushbutton, and one hundred feet of insulated wire. Then he brought the package home, hid it behind the woodpile in the garage, and sat down to think. Wire--bell--pushbutton. What could the Phoenix possibly want with them?",
"ME THAT HE THOUGHT OF SOMETHING HE COULDN'T SPEND PIRATE GOLD PIECES OR EVEN SHOW THEM TO ANYONE WITHOUT BEING ASKED A LOT OF EMBARRASSING QUESTIONS WHAT TO DO ASK DAD OR MOTHER OR AUNT AMY TO LEND HIM SOME MONEY MORE EMBARRASSING QUESTIONS WELL HE WOULD HAVE TO ROB HIS BANK BUT WAIT WHY HADN'T HE REMEMBERED JUST BEFORE THEY HAD MOVED UNCLE CHARLES HAD GIVEN HIM A TEN DOLLAR BILL AS A FAREWELL PRESENT HE HAD BEEN SAVING IT FOR A MODEL AEROPLANE BUT THE EXCITEMENT OF THE LAST FEW DAYS HAD DRIVEN IT COMPLETELY OUT OF HIS MIND OF COURSE THE PHOENIX'S PLAN WAS MORE IMPORTANT THAN ANY MODEL PLANE COULD BE SO HE KEPT THE GOLD PIECES TIED UP IN HIS HANDKERCHIEF AND TOOK HIS TEN DOLLARS TO A HARDWARE STORE WHERE HE BOUGHT WHAT THE PHOENIX WANTED A COIL OF ROPE AN ELECTRIC DOOR BELL A PUSHBUTTON AND ONE HUNDRED FEET OF INSULATED WIRE THEN HE BROUGHT THE PACKAGE HOME HID IT BEHIND THE WOODPILE IN THE GARAGE AND SAT DOWN TO THINK WIRE BELL PUSHBUTTON WHAT COULD THE PHOENIX POSSIBLY WANT WITH THEM"
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"\"Defeat and confusion to the enemy!\" the Phoenix shouted, giving the special squawk which was its battle cry. The Banshee received her gold. The Phoenix told David for goodness sake not to drop the box or let the lid pop open, or they would regret it to their dying day.",
"DEFEAT AND CONFUSION TO THE ENEMY THE PHOENIX SHOUTED GIVING THE SPECIAL SQUAWK WHICH WAS ITS BATTLECRY THE BAND SHE RECEIVED HER GOLD THE PHOENIX TOLD DAVID FOR GOODNESS SAKE NOT TO DROP THE BOX OR LET THE LID POP OPEN OR THEY WOULD REGRET IT TO THEIR DYING DAY"
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"came out with the box, plugging up the hole in its side with a bit of wax. She was pale and trembling, and beads of sweat covered her face. She smiled weakly at them, seized an earthen-ware jug, and drained it in one gulp. The color began to return to her face. \"Wsssht!\" she gasped, wiping her brow with the sleeve of her Mother Hubbard. \"Ah, dearies, that was the effort of me life! 'Tis a Wail to make one burst with pride, though I do say it meself. Thirteen minutes long by the clock, with a range of ten octaves! 'Twould frighten the Old Nick himself!\" \"Splendid!\" said the Phoenix. \"The fact is, I sometimes suspect that that is precisely with whom we are dealing at home.\" The light suddenly dawned on David. \"Phoenix!\" he cried. \"I bet we're going to give the Wail to the Scientist!\" \"Precisely, my boy!\" The Phoenix beamed. \"Oh, golly golly golly!\" David sang as he danced around. \"And I'll guarantee it, dearies!\" the Banshee cackled. \"One hundred per cent satisfaction or your money back!",
" ON ACCOUNT OF THE SMOKE FIFTEEN MINUTES LATER THE BANSHEE CAME OUT WITH THE BOX PLUGGING UP THE HOLE IN ITS SIDE WITH A BIT OF WAX SHE WAS PALE AND TREMBLING AND BEADS OF SWEAT COVERED HER FACE SHE SMILED WEAKLY AT THEM SEIZED AN EARTHENWARE JUG AND DRAINED IT IN ONE GULP THE COLOR BEGAN TO RETURN TO HER FACE HOOSHT SHE GASPED WIPING HER BROW WITH THE SLEEVE OF HER MOTHER HUBBARD AH DEARIES THAT WAS AN EFFORT OF ME LIFE TIS A WAIL TO MAKE ONE BURST WITH PRIDE THOUGH I DO SAY SO MESELF THIRTEEN MINUTES LONG BY THE CLOCK WITH A RANGE OF TEN OCTAVES TWOULD FRIGHTEN THE OLD NICK HIMSELF SPLENDID SAID THE PHOENIX THE FACT IS I SOMETIMES SUSPECT THAT THAT IS PRECISELY WITH WHOM WE ARE DEALING AT HOME THE LIGHT SUDDENLY DAWNED ON DAVID PHOENIX HE CRIED I BET WE'RE GOING TO GIVE THE WAIL TO THE SCIENTIST PRECISELY MY BOY THE PHOENIX BEAMED OH GOLLY GOLLY GOLLY DAVID SANG AS HE DANCED AROUND AND I'LL GUARANTEE IT DEARIES THE BAND SHE CACKLED ONE HUNDRED PER CENT SATISFACTION OR YOUR MONEY BACK"
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" in surprise, said, \"My dear Banshee, since when have you taken up witchcraft? This is most unexpected.\" \"Ah, 'tis the Phoenix!\" exclaimed the hag, peering at them again. \"Well, fancy that now! Och, you may well ask, and I'll be telling you. 'Tis a poor life being a Banshee--long hours and not so much as sixpence in it for a full night's work, and I got that sick of it! So I changed me trade. 'Sure, you'll never make a go of it,' they told me, 'and at your age,' they says, 'and once you've got your station in life,' they says, 'there's no changing it.' 'It's in the prime of me life I am,' says I, 'and I'll not be changing me mind for all your cackling,' says I, 'and if certain mouths don't shut up,' says I, 'I'll cast spells that'll make certain people wish they were dead.' That set them back on their heels, you may be sure. Well, 'twas the best decision of me life. The money pours in like sorrows to a widow, and I'll be retiring within the year to live out my days like a proper queen.",
"ISH THIS BREW THE PHOENIX WHO HAD BEEN GAZING AROUND THE CHAMBER IN SURPRISE SAID MY DEAR BANSHEE SINCE ONE HAVE YOU TAKEN UP WITCHCRAFT THIS IS MOST UNEXPECTED AH TIS THE PHOENIX EXCLAIMED THE HAG PEERING AT THEM AGAIN WELL FANCY THAT NOW ACH YOU MAY WELL ASK AND I'LL BE TELLING YOU TIS A POOR LIFE BEING A BANSHEE LONG HOURS AND NOT SO MUCH AS SIXPENCE IN IT FOR A FULL NIGHT'S WORK AND I GOT THAT SICK OF IT SO I CHANGED ME TRADE SURE YOU'LL NEVER MAKE A GO OF IT THEY TOLD ME AND AT YOUR AGE THEY SAYS AND ONCE YOU'VE GOT YOUR STATION IN LIFE THEY SAYS THERE'S NO CHANGING IT IT'S IN THE PRIME OF ME LIFE I AM SAYS I AND I'LL NOT BE CHANGING ME MINE FOR ALL YOUR CACKLING SAYS I AND IF CERTAIN MOUTHS DON'T SHUT UP SAYS I I'LL CAST SPELLS THAT'LL MAKE CERTAIN PEOPLE WISH THEY WERE DEAD THAT SET THEM BACK ON THEIR HEELS YOU MAY BE SURE WELL TWAS THE BEST DECISION OF ME LIFE THE MONEY POURS IN LIKE SORROWS TO A WIDOW AND I'LL BE RETIRING WITHIN THE YEAR TO LIVE OUT MY DAYS LIKE A PROPER QUEEN"
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"My tail was still on fire when I landed, too. I fully expected to be burned to a crisp.\" A large tear rolled down the Phoenix's beak. David murmured soothing words and continued to chafe the Phoenix's foot. \"Does it feel any better now?\"",
"MY TAIL WAS STILL ON FIRE WHEN I LANDED TOO I FULLY EXPECTED TO BE BURNED TO A CRISP A LARGE TEAR ROLLED DOWN THE PHOENIX'S BEAK DAVID MURMURED SOOTHING WORDS AND CONTINUED TO CHAFE THE PHOENIX'S FOOT DOES IT FEEL ANY BETTER NOW"
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" by one foot from the snare, its wings feebly struggling and its free foot clawing the air. The feathers of its wings and tail were singed. Great beads of sweat rolled from its forehead into a puddle on the ground below. The snared foot was blue and swollen. \"Get me down,\" gasped the Phoenix weakly. David took a running leap at the sapling, which broke under the sudden increase of weight, and the two of them crashed to the ground. He unfastened the noose and dragged the Phoenix to the shadiest, softest spot on the ledge. \"Hoist with my own petard,\" said the Phoenix bitterly. \"Rub my foot, will you? Oh dear oh dear oh dear! Hurts.\" \"What happened?\" David asked as he rubbed the swollen foot. \"How long have you been caught?\" \"Missed my way in the dark,\" said the Phoenix, wiping its brow. \"Thought I was on the other side of the ledge, and landed right on that fool trap. Hung there all night and all morning. Thought you would never come, my boy. Oh dear, oh dear, what a horrible experience!",
"T MET HIS EYES THERE WAS THE PHOENIX DANGLING BY ONE FOOT FROM THE SNARE ITS WINGS FEEBLY STRUGGLING AND ITS FREE FOOT CLAWING THE AIR THE FEATHERS OF ITS WINGS AND TAIL WERE SINGED GREAT BEADS OF SWEAT ROLLED FROM ITS FOREHEAD INTO A PUDDLE ON THE GROUND BELOW THE SNARED FOOT WAS BLUE AND SWOLLEN GET ME DOWN GASPED THE PHOENIX WEAKLY DAVID TOOK A RUNNING LEAP AT THE SAPLING WHICH BROKE UNDER THE SUDDEN INCREASE OF WEIGHT AND THE TWO OF THEM CRASHED TO THE GROUND HE UNFASTENED THE NOOSE AND DRAGGED THE PHOENIX TO THE SHADIEST SOFTEST SPOT ON THE LEDGE HOIST WITH MY OWN PETARD SAID THE PHOENIX BITTERLY RUB MY FOOT WILL YOU OH DEAR OH DEAR OH DEAR HURTS WHAT HAPPENED DAVID ASKED AS HE RUBBED THE SWOLLEN FOOT HOW LONG HAVE YOU BEEN CAUGHT MISSED MY WAY IN THE DARK SAID THE PHOENIX WIPING ITS BROW THOUGHT I WAS ON THE OTHER SIDE OF THE LEDGE AND LANDED RIGHT ON THAT FOOL TRAP HUNG THERE ALL NIGHT AND ALL MORNING THOUGHT YOU WOULD NEVER COME MY BOY OH DEAR OH DEAR WHAT A HORRIBLE EXPERIENCE"
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"The Phoenix plunged in, and David nervously followed. The cave turned out to be a long passageway which led, after several turns, into a chamber. From the ceiling of this rocky vault hung an electric light bulb, which glared feebly through drifts of smoke.",
"THE PHOENIX PLUNGED IN AND DAVID NERVOUSLY FOLLOWED THE CAVE TURNED OUT TO BE A LONG PASSAGEWAY THAT LED AFTER SEVERAL TURNS INTO A CHAMBER FROM THE CEILING OF THIS ROCKY VAULT HUNG AN ELECTRIC LIGHT BULB WHICH GLARED FEEBLY THROUGH DRIFTS OF SMOKE"
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"severely. \"I am quite overcome with mirth and merriment. But perhaps--_perhaps_--I shall let you off lightly if you tell us where the Banshee lives.\" \"The--the Banshee of Mare's Nest Wood?\" \"The same. Speak!\" A new light of respect and fear came into the Leprechaun's eyes. \"She's a terror, she is. What'll you be wanting--\" \"None of your business!\" roared the Phoenix. \"Where is she?\" The Leprechaun had begun to tremble. \"Follow the path yonder through the wood until you reach the cave, Your Honor. You're not friends o' hers, are you? You'll not be telling on me? I'm real sorry for those jokes, Your Honor.\" The Leprechaun's fright was so genuine now that the Phoenix relented and let him go. The little creature dashed off like a rabbit into the bog. \"Let that be a lesson to you, my boy,\" said the Phoenix. \"Beware the Leprechaun bearing gifts. But I wonder why the thought of the Banshee frightened him so?\" They followed the path until they came to the mouth of a cave under a heap of rocks.",
"T AS KIND OF COMIC EXCEEDINGLY COMIC SAID THE PHOENIX SEVERELY I AM QUITE OVERCOME WITH MIRTH AND MERRIMENT BUT PERHAPS PERHAPS I SHALL LET YOU OFF LIGHTLY IF YOU TELL US WHERE THE BANSHEE LIVES THE THE BANSHEE OF MARE'S NEST WOULD THE SAME SPEAK A NEW LIGHT OF RESPECT AND FEAR CAME INTO THE LEPROKON'S EYES SHE'S A TERROR SHE IS WHAT'LL YOU'LL BE WANTING NONE OF YOUR BUSINESS ROARED THE PHOENIX WHERE IS SHE THE LEPRICON HAD BEGUN TO TREMBLE FOLLOW THE PATH YONDER THROUGH THE WOOD UNTIL YOU REACH THE CAVE YOUR HONOR YOU'RE NOT FRIENDS OF HERS ARE YOU YOU'LL NOT BE TELLING ON ME I'M REALLY SORRY FOR THOSE JOKES YOUR HONOUR THE LEPRICON'S FRIGHT WAS SO GENUINE NOW THAT THE PHOENIX RELENTED AND LET HIM GO THE LITTLE CREATURE DASHED OFF LIKE A RABBIT INTO THE BOG LET THAT BE A LESSON TO YOU MY BOY SAID THE PHOENIX BEWARE THE LEPRIKON BEARING GIFTS BUT I WONDER WHY THE THOUGHT OF THE BANSHEE FRIGHTENED HIM SO THEY FOLLOWED THE PATH UNTIL THEY CAME TO THE MOUTH OF A CAVE UNDER A HEAP OF ROCKS"
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"\"Nonsense, my boy,\" said the Phoenix. \"A head so stuffed with scientific fact cannot be injured. He will come to in a short while.\" The Phoenix lifted the Scientist's sun helmet and examined the back of his head.",
"NONSENSE MY BOY SAID THE PHOENIX A HEAD SO STUFFED WITH SCIENTIFIC FACT CANNOT BE INJURED HE WILL COME TOO IN A SHORT WHILE THE PHOENIX LIFTED THE SCIENTIST'S SUN HELMET AND EXAMINED THE BACK OF HIS HEAD"
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"stare. \"What is this trap doing here? Who set it?\" \"I--I was coming down the trail and--and--I was caught in it,\" David stammered. \"You are avoiding my question, young man,\" said the Scientist. \"Who--set--this--snare? Answer me!\" There was a brilliant flash of gold and blue in the sunlight, the whistle of feathers cleaving the air, the sharp _thwock!_ of fisted talons striking. The Scientist pitched forward with a surprised grunt and lay still across the trail--and the Phoenix, executing a flip in the air to check its speed, settled down beside David. \"View halloo!\" it shouted excitedly. \"Yoicks and Tallyho! Did you see that stoop, my boy? By Jove, the best-trained falcon could not have done better! Believe me, I have been saving that blow for a long time! By Jove, what a magnificent stoop! I think I shall take up Scientist-hunting as a regular thing!\" \"Thank goodness, Phoenix!\" David exclaimed. \"Another minute and you would've been too late! But I hope you haven't--hurt him very much.",
"COLD BLUE EYES FOUND DAVID'S AND HELD THEM IN A HYPNOTIC STARE WHAT IS THIS TRAP DOING HERE WHO SAID IT I I WAS COMING DOWN THE TRAIL AND AND I WAS CAUGHT IN IT DAVID STAMMERED YOU ARE AVOIDING MY QUESTION YOUNG MAN SAID THE SCIENTIST WHO SET THIS SNARE ANSWER ME THERE WAS A BRILLIANT FLASH OF GOLD AND BLUE IN THE SUNLIGHT THE WHISTLE OF FEATHERS CLEAVING THE AIR THE SHARP THWK OF FISTED TALON STRIKING THE SCIENTIST PITCHED FORWARD WITH A SURPRISED GRUNT AND LAY STILL ACROSS THE TRAIL AND THE PHOENIX EXECUTING A FLIP IN THE AIR TO CHECK ITS SPEED SETTLED DOWN BESIDE DAVID VIEW HALLOO IT SHOUTED EXCITEDLY YOIKE'S AND TALLY HO DID YOU SEE THAT STOOP MY BOY BY JOVE THE BEST TRAINED FALCON COULD NOT HAVE DONE BETTER BELIEVE ME I HAVE BEEN SAVING THAT BLOW FOR A LONG TIME BY JOVE WHAT A MAGNIFICENT STOOP I THINK I SHALL TAKE UP SCIENTIST HUNTING AS A REGULAR THING THANK GOODNESS PHOENIX DAVID EXCLAIMED ANOTHER MINUTE AND YOU WOULD HAVE BEEN TOO LATE BUT I HOPE YOU HAVEN'T HURT HIM VERY MUCH"
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"David murmured soothing words and continued to chafe the Phoenix's foot. \"Does it feel any better now?\" \"The feeling is coming back, my boy,\" said the Phoenix, gritting its beak. \"Ouch! All pins and needles.\" It flexed its toes gingerly. \"Rub a bit more, please. Gently.\"",
"DAVID MURMURED SOOTHING WORDS AND CONTINUED TO CHAFE THE PHOENIX'S FOOT DOES IT FEEL ANY BETTER NOW THE FEELING IS COMING BACK MY BOY SAID THE PHOENIX GRITTING ITS BEAK OUCH ALL PINS AND NEEDLES IT FLEXED ITS TOES GINGERLY RUB A BIT MORE PLEASE GENTLY"
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"nged. Great beads of sweat rolled from its forehead into a puddle on the ground below. The snared foot was blue and swollen. \"Get me down,\" gasped the Phoenix weakly. David took a running leap at the sapling, which broke under the sudden increase of weight, and the two of them crashed to the ground. He unfastened the noose and dragged the Phoenix to the shadiest, softest spot on the ledge. \"Hoist with my own petard,\" said the Phoenix bitterly. \"Rub my foot, will you? Oh dear oh dear oh dear! Hurts.\" \"What happened?\" David asked as he rubbed the swollen foot. \"How long have you been caught?\" \"Missed my way in the dark,\" said the Phoenix, wiping its brow. \"Thought I was on the other side of the ledge, and landed right on that fool trap. Hung there all night and all morning. Thought you would never come, my boy. Oh dear, oh dear, what a horrible experience! My tail was still on fire when I landed, too. I fully expected to be burned to a crisp.\" A large tear rolled down the Phoenix's beak.",
"E AIR THE FEATHERS OF ITS WINGS AND TAIL WERE SINGED GREAT BEADS OF SWEAT ROLLED FROM ITS FOREHEAD INTO A PUDDLE ON THE GROUND BELOW THE SNARED FOOT WAS BLUE AND SWOLLEN GET ME DOWN GASPED THE PHOENIX WEAKLY DAVID TOOK A RUNNING LEAP AT THE SAPLING WHICH BROKE UNDER THE SUDDEN INCREASE OF WEIGHT AND THE TWO OF THEM CRASHED TO THE GROUND HE UNFASTENED THE NOOSE AND DRAGGED THE PHOENIX TO THE SHADIEST SOFTEST SPOT ON THE LEDGE HOIST WITH MY OWN PETARD SAID THE PHOENIX BITTERLY RUB MY FOOT WILL YOU OH DEAR OH DEAR OH DEAR HURTS WHAT HAPPENED DAVID ASKED AS HE RUBBED THE SWOLLEN FOOT HOW LONG HAVE YOU BEEN CAUGHT MISSED MY WAY IN THE DARK SAID THE PHOENIX WIPING ITS BROW THOUGHT I WAS ON THE OTHER SIDE OF THE LEDGE AND LANDED RIGHT ON THAT FOOL TRAP HUNG THERE ALL NIGHT AND ALL MORNING THOUGHT YOU WOULD NEVER COME MY BOY OH DEAR OH DEAR WHAT A HORRIBLE EXPERIENCE MY TAIL WAS STILL ON FIRE WHEN I LANDED TOO I FULLY EXPECTED TO BE BURNED TO A CRISP A LARGE TEAR ROLLED DOWN THE PHOENIX'S BEAK"
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"One ruby drop of fluid fell into the bottle. It darted forth rays of light as it fell, and tinkled like a silver coin rolling down flights of marble steps. [Illustration] The Banshee corked the bottle and held it up proudly to the light.",
"ONE RUBY DROP OF FLUID FELL INTO THE BOTTLE IT DARTED FORTH RAYS OF LIGHT AS IT FELL AND TINKLED LIKE A SILVER COIN ROLLING DOWN FLIGHTS OF MARBLE STEPS THE BANSHEE CORKED THE BOTTLE AND HELD IT UP PROUDLY TO THE LIGHT"
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"d make, to be sure.\" She pinched his arm, and he started back in terror. \"So firm and plump, to make the mouth water. Sell him to me, Phoenix!\" \"Nonsense,\" said the Phoenix sharply. \"What we desire--\" At this instant the contents of the saucepan began to hiss and bubble. \"Whoops, dearies, the brew is boiling!\" shrieked the Banshee, and she hobbled back to the fire to resume her work. She looked in a recipe book, stirred, clapped her hands, sang hair-raising incantations in a quavery voice, and added a pinch of salt and sulfur. She sprinkled spices from a shaker, waved her wand, popped in a dead toad, and fanned up the fire with an ostrich plume. [Illustration] \"Now for the hard part,\" she said, grinning at them toothlessly. She measured out a spoonful of green powder, weighed it in the scales, and flung it into the saucepan. There was a loud explosion. A huge blast of steam flared out and engulfed them. When it had cleared, they saw the Banshee tilting the saucepan over a small bottle.",
" WE DARLINGS SHE CROONED THE PLUMP LITTLE MANNIKIN WHAT A BROTH HE'D MAKE TO BE SURE SHE PINCHED HIS ARM AND HE STARTED BACK IN TERROR SO FIRM AND PLUMP TO MAKE THE MOUTH WATER SELL EM TO ME PHOENIX NONSENSE SAYS THE PHOENIX SHARPLY WHAT WE DESIRE AT THIS INSTANT THE CONTENTS OF THE SAUCEPAN BEGAN TO HISS AND BUBBLE WHOOPS DEARIES THE BREW IS BOILING SHRIEKED THE BANSHEE AND SHE HOBBLED BACK TO THE FIRE TO RESUME HER WORK SHE LOOKED IN A RECIPE BOOK STIRRED CLAPPED HER HANDS SANG HARASING INCANTATIONS IN A QUAVERY VOICE AND ADDED A PINCH OF SALT AND SULPHUR SHE SPRINKLED SPICES FROM A SHAKER WAVED HER WAND POPPED IN A DEAD TOAD AND FANNED UP THE FIRE WITH AN OSTRICH PLUME NOW FOR THE HARD PART SHE SAID GRINNING AT THEM TOOTHLESSLY SHE MEASURED OUT A SPOONFUL OF GREEN POWDER WEIGHED IT IN THE SCALES AND FLUNG IT INTO THE SAUCEPAN THERE WAS A LOUD EXPLOSION A HUGE BLAST OF STEAM FLARED OUT AND ENGULFED THEM WHEN IT HAD CLEARED THEY SAW THE BANSHEE TILTING THE SAUCEPAN OVER A SMALL BOTTLE"
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"\"Quite right, my boy,\" the Phoenix mumbled, with its mouth full. \"Have a sandwich spoils of war peanut butter very nourishing.",
"QUITE RIGHT MY BOY THE PHOENIX MUMBLED WITH ITS MOUTH FULL HAVE A SANDWICH SPOILS OF WAR PEANUT BUTTER VERY NOURISHING"
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" him very much.\" \"Nonsense, my boy,\" said the Phoenix. \"A head so stuffed with scientific fact cannot be injured. He will come to in a short while.\" The Phoenix lifted the Scientist's sun helmet and examined the back of his head. \"A large lump is developing, my boy. A most pleasant sight! I fear the sun helmet is now useless--crushed like an eggshell.\" And the Phoenix smiled proudly. [Illustration] \"Well, I hope it isn't serious,\" David said doubtfully. \"Anyway, we'll have to do something.\" \"Precisely, my boy. But I think we should have a drink first.\" The Phoenix detached a canteen from the Scientist's belt and took a deep swig. \"Ah, delicious! Our friend is well prepared, my boy.\" And indeed, the Scientist had all sorts of things with him: a hand-ax, a sheath knife, a compass, a camera, binoculars, a stop watch, notebooks and pencils, a coil of rope, maps. There was also a packet of sandwiches, which the Phoenix opened and began to eat. \"Now, listen, Phoenix, we have to do something.",
"ER MINUTE AND YOU WOULD HAVE BEEN TOO LATE BUT I HOPE YOU HAVEN'T HURT HIM VERY MUCH NONSENSE MY BOY SAID THE PHOENIX A HEAD SO STUFFED WITH SCIENTIFIC FACT CANNOT BE INJURED HE WILL COME TOO IN A SHORT WHILE THE PHOENIX LIFTED THE SCIENTIST'S SUN HELMET AND EXAMINED THE BACK OF HIS HEAD A LARGE LUMP IS DEVELOPING MY BOY A MOST PLEASANT SIGHT I FEAR THE SUN HELMET IS NOW USELESS CRUSHED LIKE AN EGG SHELL AND THE PHOENIX SMILED PROUDLY WELL I HOPE IT ISN'T SERIOUS DAVID SAID DOUBTFULLY IN A WAY WE'LL HAVE TO DO SOMETHING PRECISELY MY BOY BUT I THINK WE SHOULD HAVE A DRINK FIRST THE PHOENIX DETACHED A CANTEEN FROM THE SCIENTIST'S BELT AND TOOK A DEEP SWIG AH DELICIOUS OUR FRIEND IS WELL PREPARED MY BOY AND INDEED THE SCIENTIST HAD ALL SORTS OF THINGS WITH HIM A HAND AXE SHEATH KNIFE A COMPASS A CAMERA BINOCULARS A STOP WATCH NOTE BOOKS AND PENCILS A COIL OF ROPE MAPS THERE WAS ALSO A PACKET OF SANDWICHES WHICH THE PHOENIX OPENED AND BEGAN TO EAT NOW LISTEN PHOENIX WE HAVE TO DO SOMETHING"
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"she crooned. \"The finest ever I brewed. Ah, the mystic droplet! Some swain will be buying that, now, and putting it in a lassie's cup o' tea, and she'll be pining away for love of him before the day's out.\" She put the bottle on the shelf, pasted a label on it, and turned to them with a businesslike air. \"Now, dearies, what'll you be wanting? Philtres? Poison? I've a special today, only five shillings a vial.",
"SHE CROONED THE FINEST EVER I BREWED AH THE MYSTIC DROPLET SOME SWAIN WILL BE BUYING THAT NOW AND PUTTING IT IN A LASSIE'S CUP OF TEA AND SHE'LL BE PINING AWAY FOR LOVE OF HIM BEFORE THE DAY'S OUT SHE PUT THE BOTTLE ON THE SHELF PASTED A LABEL ON IT AND TURNED TO THEM WITH A BUSINESS LIKE AIR NOW DEARIES WHAT'LL YOU BE WANTING FILTERS POISON I'VE A SPECIAL TO DAY ONLY FIVE SHILLINGS A VIAL"
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"ble. \"Whoops, dearies, the brew is boiling!\" shrieked the Banshee, and she hobbled back to the fire to resume her work. She looked in a recipe book, stirred, clapped her hands, sang hair-raising incantations in a quavery voice, and added a pinch of salt and sulfur. She sprinkled spices from a shaker, waved her wand, popped in a dead toad, and fanned up the fire with an ostrich plume. [Illustration] \"Now for the hard part,\" she said, grinning at them toothlessly. She measured out a spoonful of green powder, weighed it in the scales, and flung it into the saucepan. There was a loud explosion. A huge blast of steam flared out and engulfed them. When it had cleared, they saw the Banshee tilting the saucepan over a small bottle. One ruby drop of fluid fell into the bottle. It darted forth rays of light as it fell, and tinkled like a silver coin rolling down flights of marble steps. [Illustration] The Banshee corked the bottle and held it up proudly to the light. \"Will you look at that, now?",
"RE AT THIS INSTANT THE CONTENTS OF THE SAUCEPAN BEGAN TO HISS AND BUBBLE WHOOPS DEARIES THE BREW IS BOILING SHRIEKED THE BANSHEE AND SHE HOBBLED BACK TO THE FIRE TO RESUME HER WORK SHE LOOKED IN A RECIPE BOOK STIRRED CLAPPED HER HANDS SANG HARASING INCANTATIONS IN A QUAVERY VOICE AND ADDED A PINCH OF SALT AND SULPHUR SHE SPRINKLED SPICES FROM A SHAKER WAVED HER WAND POPPED IN A DEAD TOAD AND FANNED UP THE FIRE WITH AN OSTRICH PLUME NOW FOR THE HARD PART SHE SAID GRINNING AT THEM TOOTHLESSLY SHE MEASURED OUT A SPOONFUL OF GREEN POWDER WEIGHED IT IN THE SCALES AND FLUNG IT INTO THE SAUCEPAN THERE WAS A LOUD EXPLOSION A HUGE BLAST OF STEAM FLARED OUT AND ENGULFED THEM WHEN IT HAD CLEARED THEY SAW THE BANSHEE TILTING THE SAUCEPAN OVER A SMALL BOTTLE ONE RUBY DROP OF FLUID FELL INTO THE BOTTLE IT DARTED FORTH RAYS OF LIGHT AS IT FELL AND TINKLED LIKE A SILVER COIN ROLLING DOWN FLIGHTS OF MARBLE STEPS THE BANSHEE CORKED THE BOTTLE AND HELD IT UP PROUDLY TO THE LIGHT WILL YOU LOOK AT THAT NOW"
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"8: _In Which David and the Phoenix Visit a Banshee, and a Surprise Is Planted in the Enemy's Camp_ [Illustration] Next day Mother asked David to help her straighten out the garden, which had been trampled by the repair men; so he could not go to see the Phoenix until after lunch.",
"IN WHICH DAVID AND THE PHOENIX VISIT A BANSHEE AND A SURPRISE IS PLANTED IN THE ENEMY'S CAMP NEXT DAY MOTHER ASKED DAVID TO HELP HER STRAIGHTEN OUT THE GARDEN WHICH HAD BEEN TRAMPLED BY THE REPAIRMAN SO HE COULD NOT GO TO SEE THE PHOENIX UNTIL AFTER LUNCH"
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"ushbutton, and one of the Phoenix's feathers, which had been torn out during the fall. He slipped through a cellar window, hid the equipment under a stack of old boxes, and ran noisily up the stairs into the kitchen. \"Hey!\" he shouted. \"The lights are out!\" \"Is that you, dear?\" came Mother's anxious voice from the dining room. \"The telephone's dead!\" Dad shouted from the hall. Aunt Amy came bumping down the stairs with a candle. \"It's that burglar!\" she cried. \"Turning out all the lights so he can murder us in our beds!\" \"Look!\" David shouted, \"the line's broken in our back yard!\" They could hear the wailing of sirens now. Fire trucks, repair trucks, and police cars pulled up in front of the house. Everyone in the block turned out to see what had happened. It took the repair men an hour to untangle the wires and fix them. And all the time policemen were going through the crowd, asking questions and writing things down in their notebooks. They were looking rather haggard, David thought.",
" CHAPTER EIGHT OF DAVID AND THE PHOENIX THIS IS A LIBRAVOX RECORDING ALL LIBRAVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBRAVOX DOT ORG RECORDING BY GREGG WEEKES DAVID AND THE PHOENIX BY EDWARD ORMONDRIDE CHAPTER EIGHT"
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"it took some quick dodging to escape the horns of the angry rams. They left the goats alone, because of their sharper horns and the wicked look in their eyes.",
"IT TOOK SOME QUICK DODGING TO ESCAPE THE HORNS OF THE ANGRY RAMS THEY LEFT THE GOATS ALONE BECAUSE OF THEIR SHARPER HORNS AND THE WICKED LOOK IN THEIR EYES"
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"d dug a harbor with two dikes in the sandy part of the shore. The Faun showed David how to build little boats of reeds, and the Phoenix made them sail by blowing up a wind with its wings. They had a tree-climbing contest, which David won because his feet were better than hooves for standing on branches. But the Faun won the jumping contest because of the tremendous spring in his legs. They came out even in the handstand, somersault, and skin-the-cat contest. And the Phoenix won when they played skip-rope with a piece of vine, because it could hover in the air with its wings while the vine swished over and under. They had fun with the sheep and goats, too. The Faun made the animals dance and caper to a tune from his pipes, and showed David how to ride on the rams. You crept up very quietly from behind--jumped suddenly on their backs--got a quick grip around their necks--and away in a rush! It was almost as good as flying, except that you got jolted off sooner or later. Then watch out!--",
" OVER THE SURFACE AND DUG A HARBOUR WITH TWO DIKES IN THE SANDY PART OF THE SHORE THE FAWN SHOWED DAVID HOW TO BUILD LITTLE BOATS OF REEDS AND THE PHOENIX MADE THEM SAIL BY BLOWING UP A WIND WITH ITS WINGS THEY HAD A TREE CLIMBING CONTEST WHICH DAVID WON BECAUSE HIS FEET WERE BETTER THAN HOOFS FOR STANDING ON BRANCHES BUT THE FAWN WON THE JUMPING CONTEST BECAUSE OF THE TREMENDOUS SPRING IN HIS LEGS THEY CAME OUT EVEN IN THE HANDSTAND SUMMER SALT AND SKINNED THE CAT CONTEST AND THE PHOENIX WON WHEN THEY PLAYED SKIP ROPE WITH A PIECE OF VINE BECAUSE IT COULD HOVER IN THE AIR WITH ITS WINGS WHILE THE VINE SWISHED OVER AND UNDER THEY HAD FUN WITH THE SHEEP AND GOATS TOO THE FAWN MADE THE ANIMALS DANCE AND CAPER TO A TUNE FROM HIS PIPES AND SHOWED DAVID HOW TO RIDE ON THE RAMS YOU CREPT UP VERY QUIETLY FROM BEHIND JUMPED SUDDENLY ON THEIR BACKS GOT A QUICK GRIP AROUND THEIR NECKS AND AWAY IN A RUSH IT WAS ALMOST AS GOOD AS FLYING EXCEPT THAT YOU GOT JOLTED OFF SOONER OR LATER THEN WATCH OUT"
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"\"No,\" said David. \"I wish I could, though.\" \"The educational value of dancing is practically nil,\" the Phoenix began severely. \"I advise \" \"Sure you can dance,\" said the Faun. \"Listen.\" He brought the pipes to his lips and began to play.",
"NO SAID DAVID I WISH I COULD THOUGH THE EDUCATIONAL VALUE OF DANCING IS PRACTICALLY NIL THE PHOENIX BEGAN SEVERELY I ADVISE SURE YOU CAN DANCE SAID THE FAWN LISTEN HE BROUGHT THE PIPES TO HIS LIPS AND BEGAN TO PLAY"
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"ix harrumphed again. \"This is all very well in its place, but we _should_--\" \"Ready?\" said the Faun. \"One, two, three, _go_!\" [Illustration] They dashed for the stone marker. It was an even race until they reached the pedestal, but there David tried to turn without slowing down, slipped on the grass, and went sprawling on his hands and knees. The Faun knew better. He sprang at the pedestal with both hooves, bounced from it like a spring, and began to race back to the oak. But then he too fell, tripping over a vine, and David shot past him and touched the oak one jump ahead of him, shouting \"First!\" They sat down on the moss, panting. The Faun said, \"You can really run! I'm sorry you fell.\" \"Well, you fell too, so that makes us even,\" said David. They looked at each other and for some reason burst out laughing. They rolled around on the moss and laughed until tears came, while the Phoenix fidgeted in reproachful silence. When they had calmed down a little, the Faun said, \"Can you dance?",
"EDESTAL AND BACK SAID THE FAWN ALL RIGHT WAIT TILL I TIE MY SHOE THE PHOENIX GRUMPED AGAIN THIS IS ALL VERY WELL IN ITS PLACE BUT WE SHOULD READY SAID THE FAWN ONE TWO THREE GO THEY DASHED FOR THE STONE MARKER IT WAS AN EVEN RACE UNTIL THEY REACHED THE PEDESTAL BUT THERE DAVID TRIED TO TURN WITHOUT SLOWING DOWN SLIPPED ON THE GRASS AND WENT SPRAWLING ON HIS HANDS AND KNEES THE FAWN KNEW BETTER HE SPRANG AT THE PEDESTAL WITH BOTH HOOFS BOUNCED FROM IT LIKE A SPRING AND BEGAN TO RACE BACK TO THE OAK BUT THEN HE TOO FELL TRIPPING OVER A VINE AND DAVID SHOT PAST HIM AND TOUCHED THE OAK ONE JUMP AHEAD OF HIM SHOUTING FIRST THEY SAT DOWN ON THE MOSS PANTING THE FAWN SAID YOU CAN REALLY RUN I'M SORRY YOU FELL WELL YOU FELL TOO SO THAT MAKES US EVEN SAID DAVID THEY LOOKED AT EACH OTHER AND FOR SOME REASON BURST OUT LAUGHING THEY ROLLED AROUND ON THE MOSS AND LAUGHED UNTIL TEARS CAME WHILE THE PHOENIX FIDGETED IN REPROACHFUL SILENCE WHEN THEY HAD CALMED DOWN A LITTLE THE FAWN SAID CAN YOU DANCE"
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"\"Do I have one too?\" \"Of course, my boy. We all do.\" David was glad of that. He did not know exactly what a destiny was, however, and he tried to think of how one would look.",
"DO I HAVE ONE TOO OF COURSE MY BOY WE ALL DO DAVID WAS GLAD OF THAT HE DID NOT KNOW EXACTLY WHAT A DESTINY WAS HOWEVER AND HE TRIED TO THINK OF HOW ONE WOULD LOOK"
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"people alone--and--and--well, just _enjoy_ themselves and lie in the sun and listen to the wind?\" \"That is the way of the world, my boy. Getting and spending, and all that sort of thing. But come! Why should we worry over the follies of the rest of the world? A day like this was made for living, not thinking. Begone, dull care!\" And they would forget the Scientist and watch a pair of butterflies chase each other instead. But one day the Phoenix suddenly stood up with a startled expression on its face. \"My dear chap!\" it exclaimed. \"I have just remembered! Tomorrow....\" \"What about tomorrow?\" \"Why, my boy, tomorrow another century rounds its mark. To be brief, tomorrow is my birthday. My five hundredth birthday.\" \"Well, congratulations, Phoenix!\" \"Thank you, my boy. Five hundred.... Destiny.... Have I mentioned before, my boy, that I have a magnificent destiny?\" \"No. What is it, Phoenix?\" \"I--well, it is strange, my boy, but I do not know ... but that it is magnificent no one can doubt.",
"HE SAME THING IT'S FUNNY I MEAN WELL YOU KNOW WHY CAN'T PEOPLE LEAVE OTHER PEOPLE ALONE AND AND WELL JUST ENJOY THEMSELVES AND LIE IN THE SUN AND LISTEN TO THE WIND THAT IS THE WAY OF THE WORLD MY BOY GETTING AND SPENDING AND ALL THAT SORT OF THING BUT COME WHY SHOULD WE WORRY OVER THE FOLLIES OF THE REST OF THE WORLD A DAY LIKE THIS WAS MADE FOR LIVING NOT THINKING BEGONE DULL CARE AND THEY WOULD FORGET THE SCIENTIST AND WATCH A PAIR OF BUTTERFLIES CHASE EACH OTHER INSTEAD BUT ONE DAY THE PHOENIX SUDDENLY STOOD UP WITH A STARTLED EXPRESSION ON ITS FACE MY DEAR CHAP IT EXCLAIMED I HAVE JUST REMEMBERED TO MORROW WHAT ABOUT TO MORROW WHY MY BOY TO MORROW ANOTHER CENTURY ROUNDS ITS MARK TO BE BRIEF TO MORROW IS MY BIRTHDAY MY FIVE HUNDREDTH BIRTHDAY WELL CONGRATULATIONS PHOENIX THANK YOU MY BOY FIVE HUNDRED DESTINY HAVE I MENTIONED BEFORE MY BOY THAT I HAVE A MAGNIFICENT DESTINY NO WHAT IS IT PHOENIX I WELL IT IS STRANGE MY BOY BUT I DO NOT KNOW BUT THAT IT IS MAGNIFICENT NO ONE CAN DOUBT"
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"Above them flew birds and butterflies and beetles and bats in swirling clouds. Full voiced, the glorious pipes sang.",
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"him, threw out both wings, and shouted \"Stop!\" \"Let me go, Phoenix!\" David cried. \"Let me by! I want to run, I must run!\" He made a desperate effort to push past the outstretched wings. But the Phoenix flung him to the ground, picked him up before he could kick once, and threw him on its back. Then they were flying at full speed, dodging through gaps in the branches and between close-set trunks, with leaves and twigs slashing them from every side. They burst out of the wood and sped over a meadow. David saw below them a huge Faun-like figure pacing majestically across the sward. A flaming wreath encircled its brow, garlands of flowers hung from its arms and shoulders, and those enchanted pipes were lifted to its lips. Around the cloven hooves, and trailing out behind, danced a multitude of creatures--lambs and kids gamboling, goats and rams tossing their horns, foxes, furry waves of squirrels, rabbits kicking up their heels, Fauns and Nymphs rollicking, frogs and crickets and serpents.",
"HOENIX PLUNGED TO EARTH IN FRONT OF HIM THREW OUT BOTH WINGS AND SHOUTED STOP LET ME GO PHOENIX DAVID CRIED LET ME BUY I WANT TO RUN I MUST RUN HE MADE A DESPERATE EFFORT TO PUSH PAST THE OUTSTRETCHED WINGS BUT THE PHOENIX FLUNG HIM TO THE GROUND PICKED HIM UP BEFORE HE COULD KICK ONCE AND THREW HIM ON ITS BACK THEN THEY WERE FLYING AT FULL SPEED DODGING THROUGH GAPS IN THE BRANCHES AND BETWEEN CLOSE SET TRUNKS WITH LEAVES AND TWIGS SLASHING THEM FROM EVERY SIDE THEY BURST OUT OF THE WOOD AND SPED OVER A MEADOW DAVID SAW BELOW THEM A HUGE FAWN LIKE FIGURE PACING MAJESTICALLY ACROSS THE SWORD A FLAMING WREATH ENCIRCLED ITS BROW GARLANDS OF FLOWERS HUNG FROM ITS ARMS AND SHOULDERS AND THOSE ENCHANTED PIPES WERE LIFTED TO ITS LIPS AROUND THE CLOVEN HOOFS AND TRAILING OUT BEHIND DANCED A MULTITUDE OF CREATURES LAMBS AND KIDS GAMBOLLING GOATS AND RAMS TOSSING THEIR HORNS FOXES FURRY WAVES OF SQUIRRELS RABBITS KICKING UP THEIR HEELS FAWNS AND NYMPHS ROLLICKING FROGS AND CRICKETS AND SERPENTS"
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"THE PIPING GREW FAINTER IN THE DISTANCE ITS MAGIC WEAKENED THE ENCHANTED DANCERS DIMINISHED INTO SPECKS THE VALLEY FELL AWAY UNTIL IT WAS ONLY A GREEN SPLASH NESTLED AMONG THE JAGGED PEAKS AND DAVID BURST INTO TEARS"
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"ls, rabbits kicking up their heels, Fauns and Nymphs rollicking, frogs and crickets and serpents. Above them flew birds and butterflies and beetles and bats in swirling clouds. Full-voiced, the glorious pipes sang. \"Come, come, run, run! Follow, leap and dance, adore and obey! Run, oh, run, heed me before all passes! Follow, before it is too late, too late, too late....\" [Illustration] And David, in a delirium of desire, shouted \"I'm coming!\" and jumped from the Phoenix's back. For an instant, as he fell through the air, he thought he would succeed in joining the dancing throng. But the Phoenix, plunging after him falconwise with folded wings, seized his collar in its talons, and snatched him up from the very arms of the Faun, who had recognized him and called his name as he fell. Up toward the cloudless sky they soared. David cried, pleaded, pommeled the Phoenix with his fists. The Phoenix ignored his struggling and continued to climb with tremendous wing strokes. Up and up and up....",
"OATS AND RAMS TOSSING THEIR HORNS FOXES FURRY WAVES OF SQUIRRELS RABBITS KICKING UP THEIR HEELS FAWNS AND NYMPHS ROLLICKING FROGS AND CRICKETS AND SERPENTS ABOVE THEM FLEW BIRDS AND BUTTERFLIES AND BEETLES AND BATS IN SWIRLING CLOUDS FULL VOICED THE GLORIOUS PIPES SANG COME COME RUN RUN FOLLOW LEAP AND DANCE ADORE AND OBEY RUN OH RUN HEED ME BEFORE ALL PASSES FOLLOW BEFORE IT IS TOO LATE TOO LATE TOO LATE AND DAVID IN A DELIRIUM OF DESIRE SHOUTED I'M COMING AND JUMPED FROM THE PHOENIX'S BACK FOR AN INSTANT AS HE FELL THROUGH THE AIR HE THOUGHT HE WOULD SUCCEED IN JOINING THE DANCING THRONG BUT THE PHOENIX PLUNGING AFTER HIM FALCON WISE WITH FOLDED WINGS SEIZED HIS COLLAR IN ITS TALONS AND SNATCHED HIM UP FROM THE VERY ARMS OF THE FAWN WHO HAD RECOGNIZED HIM AND CALLED HIS NAME AS HE FELL UP TOWARD THE CLOUDLESS SKY THEY SOARED DAVID CRIED PLEADING POMMELING THE PHOENIX WITH HIS FISTS THE PHOENIX IGNORED HIS STRUGGLING AND CONTINUED TO CLIMB WITH TREMENDOUS WING STROKES UP AND UP AND UP"
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"IT WAS ALMOST AS GOOD AS FLYING EXCEPT THAT YOU GOT JOLTED OFF SOONER OR LATER THEN WATCH OUT IT TOOK SOME QUICK DODGING TO ESCAPE THE HORNS OF THE ANGRY RAMS"
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"lowers. Near by was the stream. They splashed in the shallows, skipped pebbles over the surface, and dug a harbor with two dikes in the sandy part of the shore. The Faun showed David how to build little boats of reeds, and the Phoenix made them sail by blowing up a wind with its wings. They had a tree-climbing contest, which David won because his feet were better than hooves for standing on branches. But the Faun won the jumping contest because of the tremendous spring in his legs. They came out even in the handstand, somersault, and skin-the-cat contest. And the Phoenix won when they played skip-rope with a piece of vine, because it could hover in the air with its wings while the vine swished over and under. They had fun with the sheep and goats, too. The Faun made the animals dance and caper to a tune from his pipes, and showed David how to ride on the rams. You crept up very quietly from behind--jumped suddenly on their backs--got a quick grip around their necks--and away in a rush!",
"NEATH A DELUGE OF FLOWERS NEAR BY WAS THE STREAM THEY SPLASHED IN THE SHALLOWS SKIPPED PEBBLES OVER THE SURFACE AND DUG A HARBOUR WITH TWO DIKES IN THE SANDY PART OF THE SHORE THE FAWN SHOWED DAVID HOW TO BUILD LITTLE BOATS OF REEDS AND THE PHOENIX MADE THEM SAIL BY BLOWING UP A WIND WITH ITS WINGS THEY HAD A TREE CLIMBING CONTEST WHICH DAVID WON BECAUSE HIS FEET WERE BETTER THAN HOOFS FOR STANDING ON BRANCHES BUT THE FAWN WON THE JUMPING CONTEST BECAUSE OF THE TREMENDOUS SPRING IN HIS LEGS THEY CAME OUT EVEN IN THE HANDSTAND SUMMER SALT AND SKINNED THE CAT CONTEST AND THE PHOENIX WON WHEN THEY PLAYED SKIP ROPE WITH A PIECE OF VINE BECAUSE IT COULD HOVER IN THE AIR WITH ITS WINGS WHILE THE VINE SWISHED OVER AND UNDER THEY HAD FUN WITH THE SHEEP AND GOATS TOO THE FAWN MADE THE ANIMALS DANCE AND CAPER TO A TUNE FROM HIS PIPES AND SHOWED DAVID HOW TO RIDE ON THE RAMS YOU CREPT UP VERY QUIETLY FROM BEHIND JUMPED SUDDENLY ON THEIR BACKS GOT A QUICK GRIP AROUND THEIR NECKS AND AWAY IN A RUSH"
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"It was an even race until they reached the pedestal, but there David tried to turn without slowing down, slipped on the grass, and went sprawling on his hands and knees.",
"IT WAS AN EVEN RACE UNTIL THEY REACHED THE PEDESTAL BUT THERE DAVID TRIED TO TURN WITHOUT SLOWING DOWN SLIPPED ON THE GRASS AND WENT SPRAWLING ON HIS HANDS AND KNEES"
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"vid. From the waist down he was covered with shaggy hair like a goat's, and instead of feet he had cloven hooves. The hair on his head was black and curly, and tumbled around small pointed ears and a pair of short horns. His eyes were slanted slightly upward, and he had a pointed chin and a snub nose. The Faun waved his pipes saucily at the Phoenix and gave a wry smile. \"Hullo, Phoenix! Back again to honor us with your wit and wisdom? What gems of advice have you got for us now?\" \"My dear Faun,\" said the Phoenix stiffly, \"I have brought my friend David, who is acquiring an education. We--\" The Faun smiled at David. \"Want to race?\" he said. \"Sure,\" said David. \"Where to?\" \"One moment,\" harrumphed the Phoenix. \"What we--\" \"Down to that pedestal and back,\" said the Faun. \"All right. Wait till I tie my shoe.\" The Phoenix harrumphed again. \"This is all very well in its place, but we _should_--\" \"Ready?\" said the Faun. \"One, two, three, _go_!\" [Illustration] They dashed for the stone marker.",
" THE EDGE OF THE FOREST AT ITS FOOT ON A BED OF MOSS SAT THE FAWN HE WAS THE SAME SIZE AS DAVID FROM THE WAIST DOWN HE WAS COVERED WITH SHAGGY HAIR LIKE A GOAT'S AND INSTEAD OF FEET HE HAD CLOVEN HOOFS THE HAIR ON HIS HEAD WAS BLACK AND CURLY AND TUMBLED AROUND SMALL POINTED EARS AND A PAIR OF SHORT HORNS HIS EYES WERE SLANTED SLIGHTLY UPWARD AND HE HAD A POINTED CHIN AND A SNUB NOSE THE FAWN WAVED HIS PIPE SAUCILY AT THE PHOENIX AND GAVE A RISE SMILE HELLO PHOENIX BACK AGAIN TO HONOUR US WITH YOUR WIT AND WISDOM WHAT GEMS OF ADVICE HAVE YOU GOT FOR US NOW MY DEAR FAWN SAID THE PHOENIX STIFFLY I HAVE BROUGHT MY FRIEND DAVID WHO IS ACQUIRING AN EDUCATION WE THE FAWN SMILED AT DAVID WANT TO RACE HE SAID SURE SAID DAVID WHERE TO ONE MOMENT HURRUMPED THE PHOENIX WHAT WE DOWN TO THAT PEDESTAL AND BACK SAID THE FAWN ALL RIGHT WAIT TILL I TIE MY SHOE THE PHOENIX GRUMPED AGAIN THIS IS ALL VERY WELL IN ITS PLACE BUT WE SHOULD READY SAID THE FAWN ONE TWO THREE GO THEY DASHED FOR THE STONE MARKER"
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"RUN RUN PHOENIX"
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" with his lips slightly parted, straining toward the mysterious silence. Suddenly he shouted, \"I'm coming, I'm coming!\" and dashed off into the wood. \"Good heavens,\" muttered the Phoenix. \"I had forgotten about--this. Let us go home, my boy.\" A strange, uncontrollable trembling had seized David's legs. He still could hear nothing, but some feeling, some hint of an unknown, tremendous event hung quivering in the air about them and sent little electric thrills racing up and down his whole body. \"Oh, Phoenix, what is it, what is it?\" he whispered. \"I think we had best be going, my boy,\" said the Phoenix anxiously. \"Come along.\" \"Phoenix--\" But he heard it now. It came whispering toward them, the sound of pipes caroling--pipes such as the Faun had played, but greater, as an organ is greater than a flute. The wild, sweet sound rose and fell, swelled like a full choir, diminished into one soprano voice that pierced David through and through, caressing and tugging, calling, \"Come ... come ...",
"HE FAWN THERE WAS A JOYOUS LIGHT IN HIS EYES AS HE LEANED FORWARD WITH HIS LIPS SLIGHTLY PARTED STRAINING TOWARD THE MYSTERIOUS SILENCE SUDDENLY HE SHOUTED I'M COMING I'M COMING AND DASHED OFF INTO THE WOOD GOOD HEAVENS MUTTERED THE PHOENIX I HAD FORGOTTEN ABOUT THIS LET US GO HOME MY BOY A STRANGE UNCONTROLLABLE TREMBLING HAD SEIZED DAVID'S LEGS HE STILL COULD HEAR NOTHING BUT SOME FEELING SOME HINT OF AN UNKNOWN TREMENDOUS EVENT HUNG QUIVERING IN THE AIR ABOUT THEM AND SENT LITTLE ELECTRIC THRILLS RACING UP AND DOWN HIS WHOLE BODY O PHOENIX WHAT IS IT WHAT IS IT HE WHISPERED I THINK WE HAD BEST BE GOING MY BOY SAID THE PHOENIX ANXIOUSLY COME ALONG PHOENIX BUT HE HEARD IT NOW IT CAME WHISPERING TOWARD THEM THE SOUND OF PIPES CAROLING PIPES SUCH AS THE FAWN HAD PLAYED BUT GREATER AS AN ORGAN IS GREATER THAN A FLUTE THE WILD SWEET SOUND ROSE AND FELL SWELLED LIKE A FULL CHOIR DIMINISHED INTO ONE SOPRANO VOICE THAT PIERCED DAVID THROUGH AND THROUGH CARESSING AND TUGGING CALLING COME COME"
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" what it means to be the Phoenix. Nothing can stop the tradition. Please, my boy, do not take on so! It is not in the least horrible, I assure you. My Instinct tells me so.\" \"You said you were going to give me an education,\" David sobbed. \"You said we would see--you said--and we've only been on four adventures--you never told me about this--\" \"I am terribly sorry, my boy. I could not tell you about it because I did not _know_ about it until now. As for your education, it is a pity to have it cut short in this way. I had great plans.... But consider--you have had four adventures which no one else in the whole world has had! And besides, my boy, we shall see each other again. I do not know how or where, but I am positive of it.\" The Phoenix flicked a tear from its eye with the tip of one wing, while with the other it patted David awkwardly on the shoulder. \"Don't go, Phoenix, _please_ don't go.\" \"I must, my boy. Here, permit me to present you with a small token (ouch!) of our friendship.",
"T LET YOU DO IT BUT I MUST MY DEAR CHAP I CANNOT HELP IT THIS IS WHAT IT MEANS TO BE THE PHOENIX NOTHING CAN STOP THE TRADITION PLEASE MY BOY DO NOT TAKE ON SO IT IS NOT IN THE LEAST HORRIBLE I ASSURE YOU MY INSTINCT TELLS ME SO YOU SAID YOU WERE GOING TO GIVE ME AN EDUCATION DAVID SOBBED YOU SAID WE WOULD SEE YOU SAID AND WE'VE ONLY BEEN ON FOUR ADVENTURES YOU NEVER TOLD ME ABOUT THIS I AM TERRIBLY SORRY MY BOY I COULD NOT TELL YOU ABOUT IT BECAUSE I DID NOT KNOW ABOUT IT UNTIL NOW AS FOR YOUR EDUCATION IT IS A PITY TO HAVE IT CUT SHORT IN THIS WAY I HAD GREAT PLANS BUT CONSIDER YOU HAVE HAD FOUR ADVENTURES WHICH NO ONE ELSE IN THE WORLD HAS HAD AND BESIDES MY BOY WE SHALL SEE EACH OTHER AGAIN I DO NOT KNOW HOW OR WHERE BUT I AM POSITIVE OF IT THE PHOENIX FLICKED A TEAR FROM ITS EYE WITH THE TIP OF ONE WING WHILE WITH THE OTHER IT PATTED DAVID AWKWARDLY ON THE SHOULDER DON'T GO PHOENIX PLEASE DON'T GO I MUST MY BOY HERE PERMIT ME TO PRESENT YOU WITH A SMALL TOKEN OUT OF OUR FRIENDSHIP"
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"David could stand it no longer. He turned and rushed blindly from the Phoenix, blundered into the thicket, and dropped to the ground with his head buried in his arms. Behind him he heard the sticks snapping as the Phoenix mounted its pyre. A match rasped against the box. The first tongue of flame sizzled in the branches. David pressed his hands over his ears to shut out the sound, but he could feel the heat of the flames as they sprang up. And the noise would not be shut out.",
"DAVID COULD STAND IT NO LONGER HE TURNED AND RUSHED BLINDLY FROM THE PHOENIX BLUNDERED INTO THE THICKET AND DROPPED TO THE GROUND WITH HIS HEAD BURIED IN HIS ARMS BEHIND HIM HE HEARD THE STICK SNAPPING AS THE PHOENIX MOUNTED ITS PYRE A MATCH RASPED AGAINST THE BOX THE FIRST TONGUE OF FLAME SIZZLED IN THE BRANCHES DAVID PRESSED HIS HANDS OVER HIS EARS TO SHUT OUT THE SOUND BUT HE COULD FEEL THE HEAT OF THE FLAMES AS THEY SPRANG UP AND THE NOISE WOULD NOT BE SHUT OUT"
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"u were going to give me an education,\" David sobbed. \"You said we would see--you said--and we've only been on four adventures--you never told me about this--\" \"I am terribly sorry, my boy. I could not tell you about it because I did not _know_ about it until now. As for your education, it is a pity to have it cut short in this way. I had great plans.... But consider--you have had four adventures which no one else in the whole world has had! And besides, my boy, we shall see each other again. I do not know how or where, but I am positive of it.\" The Phoenix flicked a tear from its eye with the tip of one wing, while with the other it patted David awkwardly on the shoulder. \"Don't go, Phoenix, _please_ don't go.\" \"I must, my boy. Here, permit me to present you with a small token (ouch!) of our friendship.\" Dimly, through his tears, David saw the Phoenix pluck the longest, bluest feather from its tail, and he felt it being pressed into his hand. \"Good-by, David,\" said the Phoenix gruffly.",
"E LEAST HORRIBLE I ASSURE YOU MY INSTINCT TELLS ME SO YOU SAID YOU WERE GOING TO GIVE ME AN EDUCATION DAVID SOBBED YOU SAID WE WOULD SEE YOU SAID AND WE'VE ONLY BEEN ON FOUR ADVENTURES YOU NEVER TOLD ME ABOUT THIS I AM TERRIBLY SORRY MY BOY I COULD NOT TELL YOU ABOUT IT BECAUSE I DID NOT KNOW ABOUT IT UNTIL NOW AS FOR YOUR EDUCATION IT IS A PITY TO HAVE IT CUT SHORT IN THIS WAY I HAD GREAT PLANS BUT CONSIDER YOU HAVE HAD FOUR ADVENTURES WHICH NO ONE ELSE IN THE WORLD HAS HAD AND BESIDES MY BOY WE SHALL SEE EACH OTHER AGAIN I DO NOT KNOW HOW OR WHERE BUT I AM POSITIVE OF IT THE PHOENIX FLICKED A TEAR FROM ITS EYE WITH THE TIP OF ONE WING WHILE WITH THE OTHER IT PATTED DAVID AWKWARDLY ON THE SHOULDER DON'T GO PHOENIX PLEASE DON'T GO I MUST MY BOY HERE PERMIT ME TO PRESENT YOU WITH A SMALL TOKEN OUT OF OUR FRIENDSHIP DIMLY THROUGH HIS TEARS DAVID SAW THE PHOENIX PLUCK THE LONGEST BLUEST FEATHER FROM ITS TAIL AND HE FELT IT BEING PRESSED INTO HIS HAND GOOD BY DAVID SAID THE PHOENIX GRUFFLY"
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"\"Well, my boy well, the fact _is_ yes, I do know. It came to me this morning while I was constructing the ah nest, here. I am afraid it will be a bit hard to explain. The cinnamon ah the cinnamon well, cinnamon _branches_ are what I should really have....\"",
"WELL MY BOY WELL THE FACT IS YES I DO KNOW IT CAME TO ME THIS MORNING WHILE I WAS CONSTRUCTING THE AH NEST HERE I AM AFRAID IT WILL BE A BIT HARD TO EXPLAIN THE CINNAMON AH THE CINNAMON WHILE CINNAMON BRANCHES ARE WHAT I SHOULD REALLY HAVE"
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" you noticed that, while chocolate is very good, and vanilla enjoys great popularity, still there is _nothing_ like strawberry?\" And David said, \"Yes, you're right\"--rather sadly, because the Phoenix was eating most of it. At last the ice cream carton was empty and all the cookies were gone. They both sighed regretfully and brushed away the crumbs. And the Phoenix looked hopefully at the present David had brought. \"Happy birthday, Phoenix,\" David said, and he handed the gift over with a little bow. \"Thank you, my boy, thank you.\" The Phoenix opened the package eagerly and gave a pleased cry. \"_Just_ what I wanted, my dear chap!\" \"I'm glad you like it,\" David said. \"Do you know yet what it's for? Can you really use it for something?\" The Phoenix suddenly stopped smiling and looked at David with a strange expression on its face--an expression David had never seen there before. A vague dread swept through him, and he faltered, \"Phoenix ... you _do_ know what it's for? What is it? Tell me.",
"LOW THEY ARE IMPORTANT TOO AND SPEAKING OF ICE CREAM HAVE YOU NOTICED THAT WHILE CHOCOLATE IS VERY GOOD AND VANILLA ENJOYS GREAT POPULARITY STILL THERE IS NOTHING LIKE STRAWBERRY AND DAVID SAID YES YOU'RE RIGHT RATHER SADLY BECAUSE THE PHOENIX WAS EATING MOST OF IT AT LAST THE ICE CREAM CARTON WAS EMPTY AND ALL THE COOKIES WERE GONE THEY BOTH SIGHED REGRETFULLY AND BRUSHED AWAY THE CRUMBS AND THE PHOENIX LOOKED HOPEFULLY AT THE PRESENT DAVID HAD BROUGHT HAPPY BIRTHDAY PHOENIX DAVID SAID AND HE HANDED THE GIFT OVER WITH A LITTLE BOW THANK YOU MY BOY THANK YOU THE PHOENIX OPENED THE PACKAGE EAGERLY AND GAVE A PLEASED CRY JUST WHAT I WANTED MY DEAR CHAP I'M GLAD YOU LIKE IT DAVID SAID DO YOU KNOW YET WHAT IT'S FOR CAN YOU REALLY USE IT FOR SOMETHING THE PHOENIX SUDDENLY STOPPED SMILING AND LOOKED AT DAVID WITH A STRANGE EXPRESSION ON ITS FACE AN EXPRESSION DAVID HAD NEVER SEEN THERE BEFORE A VAGUE DREAD SWEPT THROUGH HIM AND HE FALTERED PHOENIX YOU DO KNOW WHAT IT'S FOR WHAT IS IT TELL ME"
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"\"This, my boy, is a pyre. A bit untidy around the edges, but nonetheless a pyre.\" \"Oh,\" said David. \"What's that?\" \"Well a _pyre_, you know a sort of fire, as it were.\" \"Oh, _fire_. I thought you said oh, yes. Fire. Isn't it awfully _warm_ for a fire?\"",
"THIS MY BOY IS A PYRE A BIT UNTIDY AROUND THE EDGES BUT NONE THE LESS A PYRE OH SAID DAVID WHAT'S THAT WELL A PYRE YOU KNOW A SORT OF FIRE AS IT WERE OH FIRE I THOUGHT YOU SAID OH YES FIRE ISN'T IT AWFULLY WARM FOR A FIRE"
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"gh money left. Then he remembered that a new batch of cookies had been baked at home yesterday, which would have to do instead. He wrapped the cinnamon and matches up in a neat package with white paper, tied it in a blue ribbon, and wrote on it \"To Feenix, Happy 500 Birthday, from David.\" Then he took all the cookies from the jar, borrowed two plates and spoons, put everything into a large paper bag, and set out for the Phoenix's ledge. He was surprised to find the Phoenix working busily in the middle of a wide place on the ledge. Apparently the bird had been at it all night, for a huge pile of sticks and brush had been heaped up on the ground and shaped roughly like a nest. Right now the Phoenix was struggling with a small log, trying to get it on the pile. \"Hello, Phoenix! Happy birthday!\" \"Ah, there, my boy! Thank you very much. Could you kindly give me a hand with this log?\" They heaved and grunted the piece of wood to the top of the pile, and David said, \"What's this for, Phoenix?",
"ES BUT THERE WAS NOT ENOUGH MONEY LEFT THEN HE REMEMBERED THAT A NEW BATCH OF COOKIES HAD BEEN BAKED AT HOME YESTERDAY WHICH WOULD HAVE TO DO INSTEAD HE WRAPPED THE CINNAMON AND MATCHES UP IN A NEAT PACKAGE WITH WHITE PAPER TIED IT IN A BLUE RIBBON AND WROTE ON IT TWO PHOENIX HAPPY FIVE HUNDRED BIRTHDAY FROM DAVID THEN HE TOOK ALL THE COOKIES FROM THE JAR BORROWED TWO PLATES AND SPOONS PUT EVERYTHING INTO A LARGE PAPER BAG AND SET OUT FOR THE PHOENIX'S LEDGE HE WAS SURPRISED TO FIND THE PHOENIX WORKING BUSILY IN THE MIDDLE OF A WIDE PLACE ON THE LEDGE APPARENTLY THE BIRD HAD BEEN AT IT ALL NIGHT FOR A HUGE PILE OF STICKS AND BRUSH HAD BEEN HEAPED UP ON THE GROUND AND SHAPED ROUGHLY LIKE A NEST RIGHT NOW THE PHOENIX WAS STRUGGLING WITH A SMALL LOG TRYING TO GET IT ON THE PILE HELLO PHOENIX HAPPY BIRTHDAY AH THERE MY BOY THANK YOU VERY MUCH COULD YOU KINDLY GIVE ME A HAND WITH THIS LOG THEY HEAVED AND GRUNTED THE PIECE OF WOOD TO THE TOP OF THE PILE AND DAVID SAID WHAT'S THIS FOR PHOENIX"
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"\"Precisely, my boy. But he will have something to keep him busy when he returns. I took the liberty of destroying his blind. _That_ will hold him.\"",
"PRECISELY MY BOY BUT HE WILL HAVE SOMETHING TO KEEP HIM BUSY WHEN HE RETURNS I TOOK THE LIBERTY OF DESTROYING HIS BLIND THAT WILL HOLD HIM"
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"y boy. He is in our midst once more.\" David clutched a branch in the heap and said \"Oh, Phoenix!\" in a frightened voice. \"Now, my dear fellow, there is no cause for alarm. He is not nearby at present. I sent him back.\" \"Sent him back? How?\" \"Nothing to it, my boy,\" said the Phoenix smugly. \"He was up at the crack of dawn, toiling with typical stupidity in full sight on the slope below. He was making a blind of green branches to hide in while he spies on me. (Really, the childishness of his efforts! To think for a minute he could fool _me_ with such tricks!) Well, I waited until he had gone down the slope to cut more greenery, and when his back was turned, I slipped down to the blind and took his binoculars.\" \"But Phoenix, what did you want with his binoculars?\" \"I did not want his binoculars, my boy, but _he_ did. His language when he discovered the loss was simply frightful--I could hear it all the way up here. Of course, he had to return to town for another pair.\" \"But he'll be back!",
"URRED WHAT ARE YOU TALKING ABOUT PHOENIX THE SCIENTIST MY BOY HE IS IN OUR MIDST ONCE MORE DAVID CLUTCHED A BRANCH IN THE HEAP AND SAID OH PHOENIX IN A FRIGHTENED VOICE NOW MY DEAR FELLOW THERE IS NO CAUSE FOR ALARM HE IS NOT NEAR BY AT PRESENT I SENT HIM BACK SENT HIM BACK HOW NOTHING TO IT MY BOY SAID THE PHOENIX SMUGLY HE WAS UP AT THE CRACK OF DAWN TOILING WITH TYPICAL STUPIDITY IN FULL SIGHT ON THE SLOPE BELOW HE WAS MAKING A BLIND OF GREEN BRANCHES TO HIDE IN WHILE HE SPIES ON ME REALLY THE CHILDISHNESS OF HIS EFFORTS TO THINK FOR A MINUTE HE COULD FOOL ME WITH SUCH TRICKS WELL I WAITED UNTIL HE HAD GONE DOWN THE SLOPE TO CUT MORE GREENERY AND WHEN HIS BACK WAS TURNED I SLIPPED DOWN TO THE BLIND AND TOOK HIS BINOCULARS BUT PHOENIX WHAT DID YOU WANT WITH HIS BINOCULARS I DID NOT WANT HIS BINOCULARS MY BOY BUT HE DID HIS LANGUAGE WHEN HE DISCOVERED THE LOSS WAS SIMPLY FRIGHTFUL I COULD HEAR IT ALL THE WAY UP HERE OF COURSE HE HAD TO RETURN TO TOWN FOR ANOTHER PAIR BUT HE'LL BE BACK"
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"\"But there was something else,\" David said. \"Something ... Didn't somebody say, 'Follow, before it is too late,' or something like that?",
"BUT THERE WAS SOMETHING ELSE DAVID SAID SOMETHING DIDN'T SOMEBODY SAY FOLLOW BEFORE IT IS TOO LATE OR SOMETHING LIKE THAT"
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"they soared. David cried, pleaded, pommeled the Phoenix with his fists. The Phoenix ignored his struggling and continued to climb with tremendous wing strokes. Up and up and up.... The piping grew fainter in the distance, its magic weakened. The enchanted dancers diminished into specks, the valley fell away until it was only a green splash nestled among the jagged peaks. And David burst into tears ... and then wondered why he was crying ... and tried to remember, and could not. The trembling left his body, and he dangled limply. His eyes closed. 10: _In Which a Five Hundredth Birthday Is Celebrated, and the Phoenix Bows to Tradition_ [Illustration] \"That's funny,\" said David, rubbing his eyes and looking around in a puzzled way. \"Where are we, Phoenix?\" \"'Home is the sailor, home from the hill,'\" the Phoenix said, \"'And the hunter home from the sea.' Or is it the other way around? At any rate, we are home, my boy.\" And so they were. \"Weren't we playing with a Faun just now?\" \"Quite so.",
" CHAPTER TEN OF DAVID AND THE PHOENIX THIS IS A LIBRAVOX RECORDING ALL LIBRAVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBRAVOX DOT ORG RECORDING BY GREGG WEEKES DAVID AND THE PHOENIX BY EDWARD ORMONDRIDE CHAPTER TEN IN WHICH A FIVE HUNDREDTH BIRTHDAY IS CELEBRATED AND THE PHOENIX BOWS TO TRADITION THAT'S FUNNY SAID DAVID RUBBING HIS EYES AND LOOKING AROUND IN A PUZZLED WAY WHERE ARE WE PHOENIX HOME IS THE SAILOR HOME FROM THE HILL THE PHOENIX SAID AND THE HUNTER HOME FROM THE SEA OR IS IT THE OTHER WAY AROUND AT ANY RATE WE ARE HOME MY BOY AND SO THEY WERE WEREN'T WE PLAYING WITH A FAWN JUST NOW QUITE SO"
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"It was the Phoenix, it must be the Phoenix! But it was a new and different Phoenix. It was young and wild, with a fierce amber eye; its crest was tall and proud, its body the slim, muscular body of a hunter, its wings narrow and long and pointed like a falcon's, the great beak and talons razor sharp and curving. And all of it, from crest to talons, was a burnished gold that reflected the sun in a thousand dazzling lights.",
"IT WAS THE PHOENIX IT MUST BE THE PHOENIX BUT IT WAS A NEW AND DIFFERENT PHOENIX IT WAS YOUNG AND WILD WITH A FIERCE AMBER EYE ITS CREST WAS TALL AND PROUD ITS BODY THE SLIM MUSCULAR BODY OF A HUNTER ITS WINGS NARROW AND LONG AND POINTED LIKE A FALCON'S THE GREAT BEAK AND TALONS RAZOR SHARP AND CURVING AND ALL OF IT FROM CREST TO TALONS WAS A BURNISHED GOLD THAT REFLECTED THE SUN IN A THOUSAND DAZZLING LIGHTS"
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"given him, the tail feather. Tail feather?... But the Phoenix's tail had been a sapphire blue. The feather in his hand was of the purest, palest gold. There was a slight stir behind him. In spite of himself, he glanced at the remains of the pyre. His mouth dropped open. In the middle of the white ashes and glowing coals there was movement. Something within was struggling up toward the top. The noises grew stronger and more definite. Charred sticks were being snapped, ashes kicked aside, embers pushed out of the way. Now, like a plant thrusting its way out of the soil, there appeared something pale and glittering, which nodded in the breeze. Little tongues of flame, it seemed, licking out into the air.... No, not flames! A crest of golden feathers!... A heave from below lifted the ashes in the center of the pile, a fine cloud of flakes swirled up into the breeze, there was a flash of sunlight glinting on brilliant plumage. And from the ruins of the pyre stepped forth a magnificent bird.",
"GHT IT WAS THE FEATHER THE PHOENIX HAD GIVEN HIM THE TAIL FEATHER TAIL FEATHER BUT THE PHOENIX'S TAIL HAD BEEN A SAPPHIRE BLUE THE FEATHER IN HIS HAND WAS OF THE PUREST PALEST GOLD THERE WAS A SLIGHT STIR BEHIND HIM IN SPITE OF HIMSELF HE GLANCED AT THE REMAINS OF THE PYRE HIS MOUTH DROPPED OPEN IN THE MIDDLE OF THE WHITE ASHES AND GLOWING COALS THERE WAS MOVEMENT SOMETHING WITHIN WAS STRUGGLING UP TOWARD THE TOP THE NOISES GREW STRONGER AND MORE DEFINITE CHARRED STICKS WERE BEING SNAPPED ASHES KICKED ASIDE EMBERS PUSHED OUT OF THE WAY NOW LIKE A PLANT THRUSTING ITS WAY OUT OF THE SOIL THERE APPEARED SOMETHING PALE AND GLITTERING WHICH NODDED IN THE BREEZE LITTLE TONGUES OF FLAME IT SEEMED LICKING OUT INTO THE AIR NO NOT FLAMES A CREST OF GOLDEN FEATHERS A HEAVE FROM BELOW LIFTED THE ASHES IN THE CENTRE OF THE PILE A FINE CLOUD OF FLAKES SWIRLED UP INTO THE BREEZE THERE WAS A FLASH OF SUNLIGHT GLINTING ON BRILLIANT PLUMAGE AND FROM THE RUINS OF THE PYRE STEPPED FORTH A MAGNIFICENT BIRD"
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"There he was spied by a Hawk, who pounced down on him and seized him in his talons. The Frog was unable to loose the knot which bound him to the Mouse, and thus was carried off along with him and eaten by the Hawk.",
"THERE HE WAS SPIED BY A HAWK WHO POUNCED DOWN ON HIM AND SEIZED HIM IN HIS TALONS THE FROG WAS UNABLE TO LOOSE THE KNOT WHICH BOUND HIM TO THE MOUSE AND THUS WAS CARRIED OFF ALONG WITH HIM AND EATEN BY THE HAWK"
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" big meal that he could not squeeze through the hole, and fell to whining and groaning over his misfortune. Another Fox, happening to pass that way, came and asked him what the matter was; and, on learning the state of the case, said, \"Well, my friend, I see nothing for it but for you to stay where you are till you shrink to your former size; you'll get out then easily enough.\" THE MOUSE, THE FROG, AND THE HAWK A Mouse and a Frog struck up a friendship; they were not well mated, for the Mouse lived entirely on land, while the Frog was equally at home on land or in the water. In order that they might never be separated, the Frog tied himself and the Mouse together by the leg with a piece of thread. As long as they kept on dry land all went fairly well; but, coming to the edge of a pool, the Frog jumped in, taking the Mouse with him, and began swimming about and croaking with pleasure. The unhappy Mouse, however, was soon drowned, and floated about on the surface in the wake of the Frog.",
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"In order that they might never be separated, the Frog tied himself and the Mouse together by the leg with a piece of thread.",
"IN ORDER THAT THEY MIGHT NEVER BE SEPARATED THE FROG TIED HIMSELF AND THE MOUSE TOGETHER BY THE LEG WITH A PIECE OF THREAD"
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"thers when you cannot even cure your own lame legs and blotched and wrinkled skin?\" Physician, heal thyself. THE SWOLLEN FOX A hungry Fox found in a hollow tree a quantity of bread and meat, which some shepherds had placed there against their return. Delighted with his find he slipped in through the narrow aperture and greedily devoured it all. But when he tried to get out again he found himself so swollen after his big meal that he could not squeeze through the hole, and fell to whining and groaning over his misfortune. Another Fox, happening to pass that way, came and asked him what the matter was; and, on learning the state of the case, said, \"Well, my friend, I see nothing for it but for you to stay where you are till you shrink to your former size; you'll get out then easily enough.\" THE MOUSE, THE FROG, AND THE HAWK A Mouse and a Frog struck up a friendship; they were not well mated, for the Mouse lived entirely on land, while the Frog was equally at home on land or in the water.",
" THIS IS A LIBER OF OX RECORDING ALL LIBRAVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBERVOX DOT ORG RECORDED BY ANDREW SORSINY AESOP'S FABLES THE MOUSE THE FROG AND THE HAWK A MOUSE AND A FROG STRUCK UP A FRIENDSHIP THEY WERE NOT WELL MATED FOR THE MOUSE LIVED ENTIRELY ON LAND WHILE THE FROG WAS EQUALLY AT HOME ON LAND OR IN THE WATER"
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large/272/extracts_adams_diary_64kb_mp3/adams_diary_1_twain_64kb_13
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"Says it is to call it by when I want it to come. I said it was superfluous, then. The word evidently raised me in its respect; and indeed it is a large, good word, and will bear repetition.",
"SAYS IT IS TO CALL IT BY WHEN I WANT IT TO COME I SAID IT WAS SUPERFLUOUS THEN THE WORD EVIDENTLY RAISED ME IN ITS RESPECT AND INDEED IT IS A LARGE GOOD WORD AND WILL BEAR REPETITION"
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" it looks like a park, and does not look like anything but a park. Consequently, without consulting me, it has been new-named —NIAGARA FALLS PARK. This is sufficiently high-handed, it seems to me. And already there is a sign up: KEEP OFF THE GRASS My life is not as happy as it was. Saturday The new creature eats too much fruit. We are going to run short, most likely. “We” again—that is its word; mine too, now, from hearing it so much. Good deal of fog this morning. I do not go out in the fog myself. The new creature does. It goes out in all weathers, and stumps right in with its muddy feet. And talks. It used to be so pleasant and quiet here. Sunday Pulled through. This day is getting to be more and more trying. It was selected and set apart last November as a day of rest. I already had six of them per week, before. This morning found the new creature trying to clod apples out of that forbidden tree. Monday The new creature says its name is Eve. That is all right, I have no objections.",
" HAS NO RESEMBLANCE TO A GARDEN SAYS IT LOOKS LIKE A PARK AND DOES NOT LOOK LIKE ANYTHING BUT A PARK CONSEQUENTLY WITHOUT CONSULTING ME IT HAS BEEN NEW NAMED NIAGARA FALLS PARK THIS IS SUFFICIENTLY HIGH HANDED IT SEEMS TO ME AND ALREADY THERE IS A SIGN UP KEEP OFF THE GRASS MY LIFE IS NOT AS HAPPY AS IT WAS SATURDAY THE NEW CREATURE EATS TOO MUCH FRUIT WE'RE GOING TO RUN SHORT MOST LIKELY WE AGAIN THAT IS ITS WORD MINE TOO NOW FROM HEARING IT SO MUCH GOOD DEAL OF FOG THIS MORNING I DO NOT GO OUT IN THE FOG MYSELF THE NEW CREATURE DOES IT GOES OUT IN ALL WEATHERS AND STUMPS RIGHT IN WITH ITS MUDDY FEET AND TALKS IT USED TO BE SO PLEASANT AND QUIET HERE SUNDAY PULLED THROUGH THIS DAY IS GETTING TO BE MORE AND MORE TRYING IT WAS SELECTED AND SET APART LAST NOVEMBER AS A DAY OF REST I ALREADY HAD SIX OF THEM PER WEEK BEFORE THIS MORNING FOUND THE NEW CREATURE TRYING TO CLOD APPLES OUT OF THAT FORBIDDEN TREE MONDAY THE NEW CREATURE SAYS ITS NAME IS EVE THAT IS ALL RIGHT I HAVE NO OBJECTIONS"
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large/272/extracts_adams_diary_64kb_mp3/adams_diary_1_twain_64kb_21
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"IT SAYS IT IS NOT AN IT IT IS A SHE THIS IS PROBABLY DOUBTFUL YET IT IS ALL ONE TO ME WHAT SHE IS WERE NOTHING TO ME IF SHE WOULD BUT GO BY HERSELF AND NOT TALK"
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"to me. And already there is a sign up: KEEP OFF THE GRASS My life is not as happy as it was. Saturday The new creature eats too much fruit. We are going to run short, most likely. “We” again—that is its word; mine too, now, from hearing it so much. Good deal of fog this morning. I do not go out in the fog myself. The new creature does. It goes out in all weathers, and stumps right in with its muddy feet. And talks. It used to be so pleasant and quiet here. Sunday Pulled through. This day is getting to be more and more trying. It was selected and set apart last November as a day of rest. I already had six of them per week, before. This morning found the new creature trying to clod apples out of that forbidden tree. Monday The new creature says its name is Eve. That is all right, I have no objections. Says it is to call it by when I want it to come. I said it was superfluous, then. The word evidently raised me in its respect; and indeed it is a large, good word, and will bear repetition.",
"S SUFFICIENTLY HIGH HANDED IT SEEMS TO ME AND ALREADY THERE IS A SIGN UP KEEP OFF THE GRASS MY LIFE IS NOT AS HAPPY AS IT WAS SATURDAY THE NEW CREATURE EATS TOO MUCH FRUIT WE'RE GOING TO RUN SHORT MOST LIKELY WE AGAIN THAT IS ITS WORD MINE TOO NOW FROM HEARING IT SO MUCH GOOD DEAL OF FOG THIS MORNING I DO NOT GO OUT IN THE FOG MYSELF THE NEW CREATURE DOES IT GOES OUT IN ALL WEATHERS AND STUMPS RIGHT IN WITH ITS MUDDY FEET AND TALKS IT USED TO BE SO PLEASANT AND QUIET HERE SUNDAY PULLED THROUGH THIS DAY IS GETTING TO BE MORE AND MORE TRYING IT WAS SELECTED AND SET APART LAST NOVEMBER AS A DAY OF REST I ALREADY HAD SIX OF THEM PER WEEK BEFORE THIS MORNING FOUND THE NEW CREATURE TRYING TO CLOD APPLES OUT OF THAT FORBIDDEN TREE MONDAY THE NEW CREATURE SAYS ITS NAME IS EVE THAT IS ALL RIGHT I HAVE NO OBJECTIONS SAYS IT IS TO CALL IT BY WHEN I WANT IT TO COME I SAID IT WAS SUPERFLUOUS THEN THE WORD EVIDENTLY RAISED ME IN ITS RESPECT AND INDEED IT IS A LARGE GOOD WORD AND WILL BEAR REPETITION"
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"Went over in a tub—still not satisfactory. Swam the Whirlpool and the Rapids in a fig leaf suit. It got much damaged. Hence, tedious complaints about my extravagance. I am too much hampered here. What I need is change of scene.",
"WENT OVER IN A TUB STILL NOT SATISFACTORY SWAM THE WHIRLPOOL AND THE RAPIDS IN A FIG LEAF SUIT IT GOT MUCH DAMAGED HENCE TEDIOUS COMPLAINTS ABOUT MY EXTRAVAGANCE I AM TOO MUCH HAMPERED HERE WHAT I NEED IS A CHANGE OF SCENE"
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"btful; yet it is all one to me; what she is were nothing to me if she would but go by herself and not talk. Tuesday She has littered the whole estate with execrable names and offensive signs: THIS WAY TO THE WHIRLPOOL. THIS WAY TO GOAT ISLAND. CAVE OF THE WINDS THIS WAY. She says this park would make a tidy summer resort, if there was any custom for it. Summer resort—another invention of hers—just words, without any meaning. What is a summer resort? But it is best not to ask her, she has such a rage for explaining. Friday She has taken to beseeching me to stop going over the Falls. What harm does it do? Says it makes her shudder. I wonder why. I have always done it—always liked the plunge, and the excitement, and the coolness. I supposed it was what the Falls were for. They have no other use that I can see, and they must have been made for something. She says they were only made for scenery—like the rhinoceros and the mastodon. I went over the Falls in a barrel—not satisfactory to her.",
" TUESDAY SHE HAS LITTERED THE WHOLE ESTATE WITH EXECRABLE NAMES AND OFFENSIVE SIGNS THIS WAY TO THE WHIRLPOOL THIS WAY TO GOAT ISLAND CAVE OF THE WINDS THIS WAY SHE SAYS THIS PARK WOULD MAKE A TIDY SUMMER RESORT IF THERE WAS ANY CUSTOM FOR IT SUMMER RESORT ANOTHER INVENTION OF HERS JUST WORDS WITHOUT ANY MEANING WHAT IS A SUMMER RESORT BUT IT'S BEST NOT TO ASK HER SHE HAS SUCH A RAGE FOR EXPLAINING FRIDAY SHE'S TAKEN TO BESEECHING ME TO STOP GOING OVER THE FALLS WHAT HARM DOES IT DO SAYS IT MAKES HER SHUDDER I WONDER WHY I HAVE ALWAYS DONE IT ALWAYS LIKED THE PLUNGE AND THE EXCITEMENT AND THE COOLNESS I SUPPOSED IT WAS WHAT THE FALLS WERE FOR THEY HAVE NO OTHER USE THAT I CAN SEE AND THEY MUST HAVE BEEN MADE FOR SOMETHING SHE SAYS THEY WERE ONLY MADE FOR SCENERY LIKE THE RHINOCEROS AND THE MASTODON I WENT OVER THE FALLS IN A BARREL NOT SATISFACTORY TO HER"
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large/272/extracts_adams_diary_64kb_mp3/adams_diary_3_twain_64kb_1
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"She used to carry the young tigers around so, and play with them, before we lost our property; but it was only play; she never took on about them like this when their dinner disagreed with them.",
"SHE USED TO CARRY THE YOUNG TIGERS AROUND SO AND PLAY WITH THEM BEFORE WE LOST OUR PROPERTY BUT IT WAS ONLY PLAY SHE NEVER TOOK ON ABOUT THEM LIKE THIS WHEN THEIR DINNER DISAGREED WITH THEM"
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"nt and new kind of animal—a fish, perhaps, though when I put it in the water to see, it sank, and she plunged in and snatched it out before there was opportunity for the experiment to determine the matter. I still think it is a fish, but she is indifferent about what it is, and will not let me have it to try. I do not understand this. The coming of the creature seems to have changed her whole nature and made her unreasonable about experiments. She thinks more of it than she does of any of the other animals, but is not able to explain why. Her mind is disordered—everything shows it. Sometimes she carries the fish in her arms half the night when it complains and wants to get to the water. At such times the water comes out of the places in her face that she looks out of, and she pats the fish on the back and makes soft sounds with her mouth to soothe it, and betrays sorrow and solicitude in a hundred ways. I have never seen her do like this with any other fish, and it troubles me greatly.",
"ONCLUSION THAT IT IS A DIFFERENT AND NEW KIND OF ANIMAL A FISH PERHAPS THOUGH WHEN I PUT IT IN THE WATER TO SEE IT SANK AND SHE PLUNGED IN AND SNATCHED IT OUT BEFORE THERE WAS OPPORTUNITY FOR THE EXPERIMENT TO DETERMINE THE MATTER I STILL THINK IT IS A FISH BUT SHE IS INDIFFERENT ABOUT WHAT IT IS AND WILL NOT LET ME HAVE IT TO TRY I DO NOT UNDERSTAND THIS THE COMING OF THIS CREATURE SEEMS TO HAVE CHANGED HER WHOLE NATURE AND MADE HER UNREASONABLE ABOUT EXPERIMENTS SHE THINKS MORE OF IT THAN SHE DOES ANY OTHER ANIMALS BUT IS NOT ABLE TO EXPLAIN WHY HER MIND IS DISORDERED EVERYTHING SHOWS IT SOMETIMES SHE CARRIES THE FISH IN HER ARMS HALF THE NIGHT WHEN IT COMPLAINS AND WANTS TO GET TO THE WATER AT SUCH TIMES THE WATER COMES OUT OF THE PLACES IN HER FACE THAT SHE LOOKS OUT OF AND SHE PATS THE FISH ON THE BACK AND MAKES SOFT SOUNDS WITH HER MOUTH TO SOOTHE IT AND BETRAYS SORROW AND SOLICITUDE IN A HUNDRED WAYS I'VE NEVER SEEN HER DO LIKE THIS WITH ANY OTHER FISH AND IT TROUBLES ME GREATLY"
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"Found me out, and has named the place Tonawanda—says it looks like that. In fact, I was not sorry she came, for there are but meagre pickings here, and she brought some of those apples. I was obliged to eat them, I was so hungry.",
"FOUND ME OUT AND HAS NAMED THE PLACE TONAWANDA SAYS IT LOOKS LIKE THAT IN FACT I WAS NOT SORRY SHE CAME FOR THERE ARE BUT MEAGRE PICKINGS HERE AND SHE BROUGHT SOME OF THOSE APPLES I WAS OBLIGED TO EAT THEM I WAS SO HUNGRY"
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" the tree. She said she wouldn’t. I foresee trouble. Will emigrate. Wednesday I have had a variegated time. I escaped that night, and rode a horse all night as fast as he could go, hoping to get clear out of the Park and hide in some other country before the trouble should begin; but it was not to be. About an hour after sunup, as I was riding through a flowery plain where thousands of animals were grazing, slumbering, or playing with each other, according to their wont, all of a sudden they broke into a tempest of frightful noises, and in one moment the plain was in a frantic commotion and every beast was destroying its neighbor. I knew what it meant—Eve had eaten that fruit, and death was come into the world…. The tigers ate my horse, paying no attention when I ordered them to desist, and they would even have eaten me if I had stayed—which I didn’t, but went away in much haste…. I found this place, outside the Park, and was fairly comfortable for a few days, but she has found me out.",
" WEDNESDAY I HAVE HAD A VARIEGATED TIME I ESCAPED THAT NIGHT AND RODE A HORSE ALL NIGHT AS FAST AS HE COULD GO HOPING TO GET CLEAR OUT OF THE PARK AND HIDE IN SOME OTHER COUNTRY BEFORE THE TROUBLE SHOULD BEGIN BUT IT WAS NOT TO BE ABOUT AN HOUR AFTER SUNUP AS I WAS RIDING THROUGH A FLOWERY PLAIN WHERE THOUSANDS OF ANIMALS WERE GRAZING SLUMBERING OR PLAYING WITH EACH OTHER ACCORDING TO THEIR WONT ALL OF A SUDDEN THEY BROKE INTO A TEMPEST OF FRIGHTFUL NOISES AND IN ONE MOMENT THE PLAIN WAS OF FRANTIC COMMOTION AND EVERY BEAST WAS DESTROYING ITS NEIGHBOR I KNEW WHAT IT MEANT EVE HAD EATEN THAT FRUIT AND DEATH WAS COME INTO THE WORLD THE TIGERS ATE MY HORSE PAYING NO ATTENTION WHEN I ORDERED THEM TO DESIST AND THEY WOULD HAVE EATEN ME IF I HAD STAYED WHICH I DIDN'T BUT WENT AWAY IN MUCH HASTE I FOUND THIS PLACE OUTSIDE THE PARK AND WAS FAIRLY COMFORTABLE FOR A FEW DAYS BUT SHE HAS FOUND ME OUT"
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"s the result will be a great and fine and noble education. I told her there would be another result, too—it would introduce death into the world. That was a mistake—it had been better to keep the remark to myself; it only gave her an idea—she could save the sick buzzard, and furnish fresh meat to the despondent lions and tigers. I advised her to keep away from the tree. She said she wouldn’t. I foresee trouble. Will emigrate. Wednesday I have had a variegated time. I escaped that night, and rode a horse all night as fast as he could go, hoping to get clear out of the Park and hide in some other country before the trouble should begin; but it was not to be. About an hour after sunup, as I was riding through a flowery plain where thousands of animals were grazing, slumbering, or playing with each other, according to their wont, all of a sudden they broke into a tempest of frightful noises, and in one moment the plain was in a frantic commotion and every beast was destroying its neighbor.",
" WEDNESDAY I HAVE HAD A VARIEGATED TIME I ESCAPED THAT NIGHT AND RODE A HORSE ALL NIGHT AS FAST AS HE COULD GO HOPING TO GET CLEAR OUT OF THE PARK AND HIDE IN SOME OTHER COUNTRY BEFORE THE TROUBLE SHOULD BEGIN BUT IT WAS NOT TO BE ABOUT AN HOUR AFTER SUNUP AS I WAS RIDING THROUGH A FLOWERY PLAIN WHERE THOUSANDS OF ANIMALS WERE GRAZING SLUMBERING OR PLAYING WITH EACH OTHER ACCORDING TO THEIR WONT ALL OF A SUDDEN THEY BROKE INTO A TEMPEST OF FRIGHTFUL NOISES AND IN ONE MOMENT THE PLAIN WAS OF FRANTIC COMMOTION AND EVERY BEAST WAS DESTROYING ITS NEIGHBOR"
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"\"Yes. But they're accustomed to the Venus hotland marshes; it's been dry weather for the last two weeks, all over the northeastern section of the Northern Continent. I'll be able to hear it, long before it gets close to me. And I'll be wearing an electric headlamp. When I snap that on, it'll be dazzled, for a moment.\"",
"YES BUT THEY'RE ACCUSTOMED TO THE VENUS HOTLAND MARSHES IT'S BENT DRY WEATHER FOR THE LAST TWO WEEKS ALL OVER THE NORTHEASTERN SECTION OF THE NORTHERN CONTINENT I'LL BE ABLE TO HEAR IT LONG BEFORE IT GETS CLOSE TO ME AND I'LL BE WEARING AN ELECTRIC HEADLAMP WHEN I SNAP THAT ON IT'LL BE DAZZLED FOR A MOMENT"
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"thing that's called a Sharp's Model '37 .235 Ultraspeed-Express. Made on an adjoining paratime belt by a company that went out of business sixty-seven years ago, elapsed time, on your line of operation. What made the difference was the Second War Between The States. I don't know what that was, either--I'm not too well up on Fourth Level history--but whatever, your line of operation didn't have it. Probably just as well for them, though they very likely had something else, as bad or worse. I put in a complaint to Supplies about it, and got you some more ammunition and reloading tools. Now, tell me what you're going to do about this nighthound business.\" Tortha Karf was silent for a while, after Verkan Vall had finished. \"You're taking some awful chances, Vall,\" he said, at length. \"The way you plan doing it, the advantages will all be with the nighthound. Those things can see as well at night as you can in daylight. I suppose you know that, though; you're the nighthound specialist, now.",
" SOMETHING THAT'S CALLED A SHARP'S MODEL THIRTY SEVEN POINT TWO THIRTY FIVE ULTRA SPEED EXPRESS MADE ON AN ADJOINING PAR TIME BELT BY A COMPANY THAT WENT OUT OF BUSINESS SIXTY SEVEN YEARS AGO ELAPSED TIME ON YOUR LINE OF OPERATION WHAT MADE THE DIFFERENCE WAS THE SECOND WAR BETWEEN THE STATES I DON'T KNOW WHAT THAT WAS EITHER I'M NOT TOO WELL UP ON FOURTH LEVEL HISTORY BUT WHATEVER YOUR LINE OF OPERATION DIDN'T HAVE IT PROBABLY JUST AS WELL FOR THEM THOUGH THEY VERY LIKELY HAD SOMETHING ELSE AS BAD OR WORSE I PUT IN A COMPLAINT TO SUPPLIES ABOUT IT AND GOT YOU SOME MORE AMMUNITION IN RELOADING TOOLS NOW TELL ME WHAT YOU'RE GOING TO DO ABOUT THIS NIGHTHOUND BUSINESS DOROTHA KARF WAS SILENT FOR A WHILE AFTER VERGAN BELL HAD FINISHED YOU'RE TAKING SOME AWFUL CHANCES VAL HE SAID AT LENGTH THE WAY YOU PLANNED DOING IT THE ADVANTAGES WILL ALL BE WITH THE NIGHTHOUND THOSE THINGS CAN SEE AS WELL AT NIGHT AS YOU CAN IN DAYLIGHT I SUPPOSE YOU KNOW THAT THOUGH YOU'RE THE NIGHTHOUND SPECIALIST NOW"
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"\"Elapsed years since the birth of some religious leader,\" Verkan Vall explained. \"And did you find out about my rifle?\" \"Oh, yes. It's reproduction of something that's called a Sharp's Model '37 .235 Ultraspeed Express. Made on an adjoining paratime belt by a company that went out of business sixty seven years ago, elapsed time, on your line of operation.",
"ELAPSED YEARS SINCE THE BIRTH OF SOME RELIGIOUS LEADER VERKAN VALL EXPLAINED AND DID YOU FIND OUT ABOUT MY RIFLE OH YES IT'S REPRODUCTION OF SOMETHING THAT'S CALLED A SHARP'S MODEL THIRTY SEVEN POINT TWO THIRTY FIVE ULTRA SPEED EXPRESS MADE ON AN ADJOINING PAR TIME BELT BY A COMPANY THAT WENT OUT OF BUSINESS SIXTY SEVEN YEARS AGO ELAPSED TIME ON YOUR LINE OF OPERATION"
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" learn about his quarry than he had expected. Tortha Karf was sitting behind his desk, smoking a cigarette. It seemed as though he had not moved since Verkan Vall had left him, though the special agent knew that he had dined, attended several conferences, and done many other things. \"I checked up on your hitchhiker, Vall,\" the chief said. \"We won't bother about him. He's a member of something called the Christian Avengers--one of those typical Europo-American race-and-religious hate groups. He belongs in a belt that is the outcome of the Hitler victory of 1940, whatever that was. Something unpleasant, I daresay. We don't owe him anything; people of that sort should be stepped on, like cockroaches. And he won't make any more trouble on the line where you dropped him than they have there already. It's in a belt of complete social and political anarchy; somebody probably shot him as soon as he emerged, because he wasn't wearing the right sort of a uniform. Nineteen-forty what, by the way?",
"ERE HAD BEEN MORE TO LEARN ABOUT HIS QUARRY THAN HE HAD EXPECTED TORTHA KARF WAS SITTING BEHIND HIS DESK SMOKING A CIGARETTE IT SEEMED AS THOUGH HE HAD NOT MOVED SINCE VERKAN VALL HAD LEFT HIM THOUGH THE SPECIAL AGENT KNEW THAT HE HAD DINED ATTENDED SEVERAL CONFERENCES AND DONE MANY OTHER THINGS I CHECKED UP ON YOUR HITCH HYKERVAL THE CHIEF SAID WE WON'T BOTHER ABOUT HIM HE'S A MEMBER OF SOMETHING CALLED THE CHRISTIAN AVENGERS ONE OF THOSE TYPICAL EUROPO AMERICAN RACE AND RELIGIOUS HATE GROUPS HE BELONGS IN A BELT THAT IS THE OUTCOME OF THE HITLER VICTORY OF NINETEEN FORTY WHATEVER THAT WAS SOMETHING UNPLEASANT I DARE SAY WE DON'T OWE HIM ANYTHING PEOPLE OF THAT SORT SHOULD BE STEPPED ON LIKE COCKROACHES AND HE WON'T MAKE ANY MORE TROUBLE ON THE LINE WHERE YOU DROPPED HIM THAN THEY HAVE THERE ALREADY IT'S IN A BELT OF COMPLETE SOCIAL AND POLITICAL ANARCHY SOMEBODY PROBABLY SHOT HIM AS SOON AS HE EMERGED BECAUSE HE WASN'T WEARING THIS RIGHT SORT OF UNIFORM NINETEEN FORTY WHAT BY THE WAY"
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"The nighthound had winded him as he had driven up the old railroad grade, and had followed. Its best running speed had been just good enough to keep it a hundred or so feet behind the jeep, and the motor noise had covered the padding of its feet.",
"THE NIGHTHOUND HAD WINDED HIM AS HE HAD DRIVEN UP THE OLD RAILROAD GRADE AND HAD FOLLOWED ITS BEST RUNNING SPEED HAD BEEN JUST GOOD ENOUGH TO KEEP IT A HUNDRED OR SO FEET BEHIND THE JEEP AND THE MOTOR NO NOISE HAD COVERED THE PADDING OF ITS FEET"
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"ily cost him his life; a mistake from which neither his comprehensive logic nor his hypnotically acquired knowledge of the beast's habits had saved him. As he stepped to the ground, facing toward the front of the jeep, he heard a low, whining cry behind him, and a rush of padded feet. He whirled, snapping on the headlamp with his left hand and thrusting out his rifle pistol-wise in his right. For a split second, he saw the charging animal, its long, lizardlike head split in a toothy grin, its talon-tipped fore-paws extended. He fired, and the bullet went wild. The next instant, the rifle was knocked from his hand. Instinctively, he flung up his left arm to shield his eyes. Claws raked his left arm and shoulder, something struck him heavily along the left side, and his cap-light went out as he dropped and rolled under the jeep, drawing in his legs and fumbling under his coat for the revolver. In that instant, he knew what had gone wrong. His plan had been entirely too much of a success.",
"DE A MISTAKE WHICH COULD EASILY COST HIM HIS LIFE A MISTAKE FROM WHICH NEITHER HIS COMPREHENSIVE LOGIC NOR HIS HYPNOTICALLY ACQUIRED KNOWLEDGE OF THE BEAST'S HABITS HAD SAVED HIM AS HE STEPPED TO THE GROUND FACING TOWARD THE FRONT OF THE JEEP HE HEARD A LOW WHINING CRY BEHIND HIM AND A RUSH OF PADDED FEET HE WHIRLED SNAPPING ON THE HEADLAMP WITH HIS LEFT HAND AND THRUSTING OUT HIS RIFLE PISTOL WISE IN HIS RIGHT FOR A SPLIT SECOND HE SAW THE CHARGING ANIMAL ITS LONG LIZARD LIKE HEAD SPLIT IN SOOTHY GRIN ITS TALON TIPPED FORE PAWS EXTENDED HE FIRED AND THE BULLET WENT WILD THE NEXT INSTANT THE RIFLE WAS KNOCKED FROM HIS HAND INSTINCTIVELY HE FLUNG UP HIS LEFT ARM TO SHIELD HIS EYES CLAWS RAKED HIS LEFT ARM AND SHOULDER SOMETHING STRUCK HIM HEAVILY ALONG THE LEFT SIDE AND HIS CAP LIGHT WENT OUT AS HE DROPPED AND ROLLED UNDER THE JEEP DRAWING IN HIS LEGS AND FUMBLING UNDER HIS COAT FOR THE REVOLVER IN THAT INSTANT HE KNEW WHAT HAD GONE WRONG HIS PLAN HAD BEEN ENTIRELY TOO MUCH OF A SUCCESS"
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"The claw wounds were still smarting vexatiously. A hot bath, and a night's sleep He took another drink, lit his pipe, picked up his rifle and started across the yard to the house.",
"THE CLAW WOUNDS WERE STILL SMARTING VEXATIOUSLY A HOT BATH AND A NIGHT'S SLEEP HE TOOK ANOTHER DRINK LIT HIS PIPE PICKED UP HIS RIFLE AND STARTED ACROSS THE YARD TO THE HOUSE"
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"cret door was closed, he went out again and drove off. An hour later, he returned. Opening the secret door, he carried the ruined shoulder holster, and the straps that had bound the bobcat's feet, and the ax, now splotched with blood and tawny cat-hairs, into the dome. Then he closed the secret room, and took a long drink from the bottle on his hip. The job was done. He would take a hot bath, and sleep in the farmhouse till noon, and then he would return to the First Level. Maybe Tortha Karf would want him to come back here for a while. The situation on this time-line was far from satisfactory, even if the crisis threatened by Gavran Sarn's renegade pet had been averted. The presence of a chief's assistant might be desirable. At least, he had a right to expect a short vacation. He thought of the little redhead at the Hagraban Synthetics Works. What was her name? Something Kara--Morvan Kara; that was it. She'd be coming off shift about the time he'd make First Level, tomorrow afternoon.",
"EN MAKING SURE THAT THE SECRET DOOR WAS CLOSED HE WENT OUT AGAIN AND DROVE OFF AN HOUR LATER HE RETURNED OPENING THE SECRET DOOR HE CARRIED THE RUINED SHOULDER HOLSTER AND THE STRAPS THAT HAD BOUND THE BOB CAT'S FEET AND THE AXE NOW SPLOTCHED WITH BLOOD AND TAWNY CAT HAIRS INTO THE DOME THEN HE CLOSED THE SECRET ROOM AND TOOK A LONG DRINK FROM THE BOTTLE ON HIS HIP THE JOB WAS DONE HE WOULD TAKE A HOT BATH AND SLEEP IN THE FARMHOUSE TILL NOON AND THEN HE WOULD RETURN TO THE FIRST LEVEL MAYBE TORITHIA CARF WOULD WANT HIM TO COME BACK HERE FOR A WHILE THE SITUATION ON THIS TIME LINE WAS FAR FROM SATISFACTORY EVEN IF THE CRISIS CREATED BY GAVRAN SARN'S RENEGADE PET HAD BEEN AVERTED THE PRESENCE OF A CHIEF'S ASSISTANT MIGHT BE DESIRABLE AT LEAST HE HAD THE RIGHT TO EXPECT A SHORT VACATION HE THOUGHT OF THE LITTLE REDHEAD AT THE HAGRABAN SYNTHETIC WORKS WHAT WAS HER NAME SOMETHING CORA MORE VINCARA THAT WAS IT SHE'D BE COMING OFF SHIFT ABOUT THE TIME HE'D MAKE FIRST LEVEL TOMORROW AFTERNOON"
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"With scarcely room enough to turn around in they had been compelled to pay five dollars and a half a month in advance.",
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"ast and may safely be forgotten, let me mention here three very recent instances of tenement-house life that came under my notice. One was the burning of a rear house in Mott Street, from ap- pearances one of the original tenant-houses tliat made their owners I'ich, The fire made lionieless ten families, who had paid an average of $5 a month for their mean little cubby-holes, Tlie owner himself told me that it was fully insured for $800, though it brought him in $600 a year rent. He evidently considered himself especially entitled to be pitied for losing such valuable property. Another was the case of a hard-working family of man and wife, young people from the old countiy, who took poison together in a Crosby Street tenement because they were \"tired.\" There was no other explanation, and none was needed when I stood in the room in which they had lived. It was in the attic with sloping ceiling and a sin- gle window so far out on the roof that it seemed not to belong to the place at all.",
"GOTTEN LET ME MENTION HERE THREE VERY RECENT INSTANCES OF TENEMENT HOUSE LIFE THAT CAME UNDER MY NOTICE ONE WAS THE BURNING OF A REAR HOUSE IN MOTT STREET FROM APPEARANCES ONE OF THE ORIGINAL TENANT HOUSES THAT MADE THEIR OWNERS RICH THE FIRE MADE HOMELESS TEN FAMILIES WHO HAD PAID AN AVERAGE OF FIVE DOLLARS A MONTH FOR THEIR MEAN LITTLE CUBBY HOLES THE OWNER HIMSELF TOLD ME THAT IT WAS FULLY INSURED FOR EIGHT HUNDRED DOLLARS THOUGH IT BROUGHT HIM IN SIX HUNDRED A YEAR RENT HE EVIDENTLY CONSIDERED HIMSELF ESPECIALLY ENTITLED TO BE PITIED FOR LOSING SUCH VALUABLE PROPERTY ANOTHER WAS THE CASE OF A HARD WORKING FAMILY OF MAN AND WIFE YOUNG PEOPLE FROM THE OLD COUNTRY WHO TOOK POISON TOGETHER IN A CROSBIE STREET TENEMENT BECAUSE THEY WERE QUOTE TIRED AND QUOTE THERE WAS NO OTHER EXPLANATION AND NONE WAS NEEDED WHEN I STOOD IN THE ROOM IN WHICH THEY HAD LIVED IT WAS IN THE ATTIC WITH SLOPING CEILING AND A SINGLE WINDOW SO FAR OUT ON THE ROOF THAT IT SEEMED NOT TO BELONG TO THE PLACE AT ALL"
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"33 in 18.)5, a year of unusual f feedom from epidemic disease, and which wrung from the early oi'ganizers of the Health Department this wail : \" There are numerous examples of tenement houses in which are lodged several hundred people that Lave a jii'it rata allotment of ground area scarcely equal to two sqiuii'e yards upon the city lot, court yards and ali inchided.\"",
"ENTY SEVEN POINT THREE THREE IN EIGHTEEN FIFTY FIVE A YEAR OF UNUSUAL FREEDOM FROM EPIDEMIC DISEASE AND WHICH RUNG FROM THE EARLY ORGANIZERS OF THE HEALTH DEPARTMENT THIS WHALE QUOTE THERE ARE NUMEROUS EXAMPLES OF TENEMENT HOUSES IN WHICH ARE LODGED SEVERAL HUNDRED PEOPLE THAT HAVE A PRO RATA ALLOTMENT OF GROUND AREA SCARCELY EQUAL TO TWO SQUARE YARDS UPON THE CITY LOT COURT YARDS AND ALL INCLUDED"
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"to be found in the Fourth Ward, with here and there one of the original rear tenements. Worse was to follow. It was \" soon perceived by estate owners and agents of property that a greater percentage of profits could be realized by the conversion of houses and blocks into barracks, and dividing their space into smaller proportions capable of containing human life within four walls. . . . Blocks were rented of real es- tate owners, or * purchased on time,' or taken in charge at a percentage, and held for under-letting.\" With the ap- pearance of the middleman, wholly irresponsible, and ut- j^ Google 10 HOW TlIK OTHER HALF LIVES. terly reckless and unrestrained, began the era of tenement building which turned out such blocks as Gotham Court, where, in one cholera epidemic that scarcely touched the clean wards, the tenants died at tiie rate of one hundred and ninety-five to the thousand of population ; ivhicli forced tho general mortality of the city up from 1 in. 41.S3 in 1S15, to 1 in 27.",
"QUOTE PLENTY SUCH ARE YET TO BE FOUND IN THE FOURTH WARD WITH HERE AND THERE ONE OF THE ORIGINAL REAR TENEMENTS WORSE WAS TO FOLLOW IT WAS QUOTE SOON PERCEIVED BY ESTATE OWNERS AND AGENTS OF PROPERTY THAT A GREATER PERCENTAGE OF PROFITS COULD BE REALIZED BY THE CONVERSION OF HOUSES AND BLOCKS INTO BARRACKS AND DIVIDING THEIR SPACE INTO SMALLER PROPORTIONS CAPABLE OF CONTAINING HUMAN LIFE WITHIN FOUR WALLS BLOCKS WERE RENTED OF REAL ESTATE OWNERS OR PURCHASED ON TIME OR TAKEN IN CHARGE AT A PERCENTAGE AND HELD FOR UNDER LETTING AND QUOTE WITH THE APPEARANCE OF THE MIDDLE MAN WHOLLY IRRESPONSIBLE AND UTTERLY RECKLESS AND UNRESTRAINED BEGAN THE ERA OF TENEMENT BUILDING WHICH TURNED OUT SUCH BLOCKS AS GOTHAM COURT WHERE IN ONE CHOLERA EPIDEMIC THAT SCARCELY TOUCHED THE CLEAN WARDS THE TENANTS DIED AT THE RATE OF ONE HUNDRED AND NINETY FIVE TO THE THOUSAND OF POPULATION WHICH FORCED THE GENERAL MORTALITY OF THE CITY UP FROM ONE IN FORTY ONE POINT EIGHT THREE IN EIGHTEEN FIFTEEN TO ONE IN TW"
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"So I have thought best to adhere to the original word. The Sutras of Patanjali are as closely knit together, as dependent on each other, as the propositions of Euclid, and can no more be taken out of their proper setting.",
"SO I HAVE THOUGHT BEST TO ADHERE TO THE ORIGINAL WORD THE SUTRAS OF POTANGELI ARE AS CLOSELY KNIT TOGETHER AS DEPENDENT ON EACH OTHER AS THE PROPOSITIONS OF EUCLID AND CAN NO MORE BE TAKEN OUT OF THEIR PROPER SETTING"
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"he nature and powers of the spiritual man, once he stands clear of the psychic veils and trammels, and a view of the realms in which these new spiritual powers are to be revealed. At this point may come a word of explanation. I have been asked why I use the word Sutras, for these rules of Patanjali’s system, when the word Aphorism has been connected with them in our minds for a generation. The reason is this: the name Aphorism suggests, to me at least, a pithy sentence of very general application; a piece of proverbial wisdom that may be quoted in a good many sets of circumstance, and which will almost bear on its face the evidence of its truth. But with a Sutra the case is different. It comes from the same root as the word “sew,” and means, indeed, a thread, suggesting, therefore, a close knit, consecutive chain of argument. Not only has each Sutra a definite place in the system, but further, taken out of this place, it will be almost meaningless, and will by no means be self-evident.",
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"Not only has each Sutra a definite place in the system, but further, taken out of this place, it will be almost meaningless, and will by no means be self evident. So I have thought best to adhere to the original word.",
"NOT ONLY HAS EACH SUTRA A DEFINITE PLACE IN THE SYSTEM BUT FURTHER TAKEN OUT OF THIS PLACE IT WILL BE ALMOST MEANINGLESS AND WILL BY NO MEANS BE SELF EVIDENT SO I HAVE THOUGHT BEST TO ADHERE TO THE ORIGINAL WORD"
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"f the spiritual man from the veils and meshes of the psychic nature, the moods and vestures of the mental and emotional man. Later will come the consideration of the nature and powers of the spiritual man, once he stands clear of the psychic veils and trammels, and a view of the realms in which these new spiritual powers are to be revealed. At this point may come a word of explanation. I have been asked why I use the word Sutras, for these rules of Patanjali’s system, when the word Aphorism has been connected with them in our minds for a generation. The reason is this: the name Aphorism suggests, to me at least, a pithy sentence of very general application; a piece of proverbial wisdom that may be quoted in a good many sets of circumstance, and which will almost bear on its face the evidence of its truth. But with a Sutra the case is different. It comes from the same root as the word “sew,” and means, indeed, a thread, suggesting, therefore, a close knit, consecutive chain of argument.",
"EAT PROBLEM THE EMERGENCE OF THE SPIRITUAL MAN FROM THE VEILS AND MESHES OF THE PSYCHIC NATURE THE MOODS AND VESTURES OF THE MENTAL AND EMOTIONAL MAN LATER WILL COME THE CONSIDERATION OF THE NATURE AND POWERS OF THE SPIRITUAL MAN WHENCE HE STANDS CLEAR OF THE PSYCHIC VEILS AND TRAMMELS AND A VIEW OF THE REALMS IN WHICH THESE NEW SPIRITUAL POWERS ARE TO BE REVEALED AT THIS POINT MAY COME A WORD OF EXPLANATION I HAVEN ASKED WHY I USE THE WORD SUTRAS FOR THESE RULES OF POTANGELIE'S SYSTEM WHEN THE WORD APHORISM HAS BEEN CONNECTED WITH THEM IN OUR MINDS FOR A GENERATION THE REASON IS THIS THE NAME APHORISM SUGGESTS TO ME AT LEAST A PITHY SENTENCE OF VERY GENERAL APPLICATION A PIECE OF PROVERBIAL WISDOM THAT MAY BE QUOTED IN A GOOD MANY SETS OF CIRCUMSTANCES AND WHICH WILL ALMOST BEAR ON ITS FACE THE EVIDENCE OF ITS TRUTH BUT WITH A SUTRA THE CASE IS DIFFERENT IT COMES FROM THE SAME ROOT AS THE WORD SO AND MEANS INDEED A THREAD SUGGESTING THEREFORE A CLOSE KNIT CONSECUTIVE CHAIN OF ARGUMENT"
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"This is, indeed, salvation, the purpose of all true religion, in all times. Patanjali has in mind the spiritual man, to be born from the psychical.",
"THIS IS INDEED SALVATION THE PURPOSE OF ALL TRUE RELIGION IN ALL TIMES POTANTILY HAS IN MIND THE SPIRITUAL MAN TO BE BORN FROM THE PSYCHICAL"
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" within the psychic realm of our life there grows up an imaged world wherein we dwell; a world of the images of things seen and heard, and therefore a world of memories; a world also of hopes and desires, of fears and regrets. Mental life grows up among these images, built on a measuring and comparing, on the massing of images together into general ideas; on the abstraction of new notions and images from these; till a new world is built up within, full of desires and hates, ambition, envy, longing, speculation, curiosity, self-will, self-interest. The teaching of the East is, that all these are true powers overlaid by false desires; that though in manifestation psychical, they are in essence spiritual; that the psychical man is the veil and prophecy of the spiritual man. The purpose of life, therefore, is the realizing of that prophecy; the unveiling of the immortal man; the birth of the spiritual from the psychical, whereby we enter our divine inheritance and come to inhabit Eternity.",
"D TAKE A CERTAIN LIFE OF THEIR OWN THUS WITHIN THE PSYCHIC REALM OF OUR LIFE THERE GROWS UP AN IMAGED WORLD WHEREIN WE DWELL A WORLD OF THE IMAGES OF THINGS SEEN AND HEARD AND THEREFORE A WORLD OF MEMORIES A WORLD ALSO OF HOPES AND DESIRES OF FEARS AND REGRETS MENTAL LIFE GROWS UP AMONG THESE IMAGES BUILT ON A MEASURING AND COMPARING ON THE MASSING OF IMAGES TOGETHER INTO GENERAL IDEAS ON THE ABSTRACTION OF NEW NOTIONS AND IMAGES FROM THESE TILL A NEW WORLD IS BUILT UP WITHIN FULL OF DESIRES AND HATES AMBITION ENVY LONGING SPECULATION CURIOSITY SELF WILL SELF INTEREST THE TEACHING OF THE EAST IS THAT ALL THESE ARE TRUE POWERS OVERLAID BY FALSE DESIRES THAT THOUGH IN MANIFESTATION PSYCHICAL THEY ARE IN ESSENCE THAT THE PSYCHICAL MAN IS THE VEIL AND PROPHECY OF THE SPIRITUAL MAN THE PURPOSE OF LIFE THEREFORE IS THE REALIZING OF THAT PROPHECY THE UNVEILING OF THE IMMORTAL MAN THE BIRTH OF THE SPIRITUAL FROM THE PSYCHICAL WHEREBY WE ENTER OUR DIVINE INHERITANCE AND COME TO INHABIT ETERNITY"
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"12. The control of these psychic activities comes through the right use of the will, and through ceasing from self indulgence.",
"SUTRA TWELVE THE CONTROL OF THESE PSYCHIC ACTIVITIES COMES THROUGH THE RIGHT USE OF THE WILL AND THROUGH CEASING FROM SELF INDULGENCE"
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" have two currents of perception; an outer current of physical things seen and heard and perceived; an inner current of mind-images and thoughts. The outer current ceases in sleep; the inner current continues, and watching the mind-images float before the field of consciousness, we “dream.” Even when there are no dreams, there is still a certain consciousness in sleep, so that, on waking, one says, “I have slept well,” or “I have slept badly.” 11. Memory is holding to mind-images of things perceived, without modifying them. Here, as before, the mental power is explained in terms of mind-images, which are the material of which the psychic world is built, Therefore the sages teach that the world of our perception, which is indeed a world of mind-images, is but the wraith or shadow of the real and everlasting world. In this sense, memory is but the psychical inversion of the spiritual, ever-present vision. That which is ever before the spiritual eye of the Seer needs not to be remembered.",
"BSENT IN WAKING LIFE WE HAVE TWO CURRENTS OF PERCEPTION AN OUTER CURRENT OF PHYSICAL THINGS SEEN AND HEARD AND PERCEIVED AN INNER CURRENT OF MIND IMAGES AND THOUGHTS THE OUTER CURRENT CEASES IN SLEEP THE INNER CURRENT CONTINUES AND WATCHING THE MIND IMAGES FLOAT BEFORE THE FIELDS OF CONSCIOUSNESS WE DREAM EVEN WHEN THERE ARE NO DREAMS THERE IS STILL A CERTAIN CONSCIOUSNESS IN SLEEP SO THAT ON WAKING ONE SAYS I HAVE SLEPT WELL OR I HAVE SLEPT BADLY SUTRA ELEVEN MEMORY IS HOLDING TO MIND IMAGES OF THINGS PERCEIVED WITHOUT MODIFYING THEM HERE AS BEFORE THE MENTAL POWER IS EXPLAINED IN TERMS OF MIND IMAGES WHICH ARE THE MATERIAL OF WHICH THE PSYCHIC WORLD IS BUILT THEREFORE THE SAGES TEACH THAT THE WORLD OF OUR PERCEPTION WHICH IS INDEED A WORLD OF MIND IMAGES IS BUT THE WRAITH OR SHADOW OF THE REAL AND EVERLASTING WORLD IN THIS SENSE MEMORY IS BUT THE PSYCHICAL INVERSION OF THE SPIRITUAL EVER PRESENT VISION THAT WHICH IS EVER BEFORE THE SPIRITUAL EYE OF THE SEER NEEDS NOT TO BE REMEMBERED"
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"In order to gain a true understanding of this teaching, study must be supplemented by devoted practice, faith by works. The reading of the words will not avail. There must be a real effort to stand as the Soul, a real ceasing from self indulgence.",
"IN ORDER TO GAIN A TRUE UNDERSTANDING OF THIS TEACHING STUDY MUST BE SUPPLEMENTED BY DEVOTED PRACTICE FAITH BY WORKS THE READING OF THE WORDS WILL NOT AVAIL THERE MUST BE A REAL EFFORT TO STAND AS THE SOUL A REAL CEASING FROM SELF INDULGENCE"
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" spiritual life, with earnestness, humility, gentle charity, which is an acknowledgment of the One Soul within us all. Only through obedience to that shared Life, through perpetual remembrance of our oneness with all Divine Being, our nothingness apart from Divine Being, can we enter our inheritance. 15. Ceasing from self-indulgence is conscious mastery over the thirst for sensuous pleasure here or hereafter. Rightly understood, the desire for sensation is the desire of being, the distortion of the soul’s eternal life. The lust of sensual stimulus and excitation rests on the longing to feel one’s life keenly, to gain the sense of being really alive. This sense of true life comes only with the coming of the soul, and the soul comes only in silence, after self-indulgence has been courageously and loyally stilled, through reverence before the coming soul. 16. The consummation of this is freedom from thirst for any mode of psychical activity, through the establishment of the spiritual man.",
"OF SPIRITUAL LIFE WITH EARNESTNESS HUMILITY GENTLE CHARITY WHICH IS AN ACKNOWLEDGMENT OF THE ONE SOUL WITHIN US ALL ONLY THROUGH OBEDIENCE TO THAT SHARED LIFE THROUGH PERPETUAL REMEMBRANCE OF OUR ONENESS WITH ALL DIVINE BEING OUR NOTHINGNESS APART FROM DIVINE BEING CAN WE ENTER OUR INHERITANCE SUTRA FIFTEEN CEASING FROM SELF INDULGENCE IS CONSCIOUS MASTERY OVER THE THIRST FOR SENSUOUS PLEASURE HERE OR HEREAFTER RIGHTLY UNDERSTOOD THE DESIRE FOR SENSATION IS THE DESIRE OF BEING THE DISTORTION OF THE SOUL'S ETERNAL LIFE THE LUST OF SENSUAL STIMULUS AND EXCITATION RESTS ON THE LONGING TO FEEL ONE'S LIFE KEENLY TO GAIN THE SENSE OF BEING REALLY ALIVE THE SENSE OF TRUE LIFE COMES ONLY WITH THE COMING OF THE SOUL AND THE SOUL COMES ONLY IN SILENCE AFTER SELF INDULGENCE HAS BEEN COURAGEOUSLY AND LOYALLY STILLED THROUGH REVERENCE BEFORE THE COMING SOUL SUTRA SIXTEEN THE CONSUMMATION OF THIS IS FREEDOM FROM THIRST FOR ANY MODE OF PSYCHICAL ACTIVITY THROUGH THE ESTABLISHMENT OF THE SPIRITUAL MAN"
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"Here, as before, the mental power is explained in terms of mind images, which are the material of which the psychic world is built, Therefore the sages teach that the world of our perception, which is indeed a world of mind images, is but the wraith or shadow of the real and everlasting world.",
"HERE AS BEFORE THE MENTAL POWER IS EXPLAINED IN TERMS OF MIND IMAGES WHICH ARE THE MATERIAL OF WHICH THE PSYCHIC WORLD IS BUILT THEREFORE THE SAGES TEACH THAT THE WORLD OF OUR PERCEPTION WHICH IS INDEED A WORLD OF MIND IMAGES IS BUT THE WRAITH OR SHADOW OF THE REAL AND EVERLASTING WORLD"
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"ction to a subject, by adding to it a predicate. In the sentence, “the man is wise,” “the man” is the subject; “is wise” is the predicate. This may be simply an interplay of thoughts, without the presence of the object thought of; or the things thought of may be imaginary or unreal; while observation, induction and testimony always go back to an object. 10. Sleep is the psychic condition which rests on mind states, all material things being absent. In waking life, we have two currents of perception; an outer current of physical things seen and heard and perceived; an inner current of mind-images and thoughts. The outer current ceases in sleep; the inner current continues, and watching the mind-images float before the field of consciousness, we “dream.” Even when there are no dreams, there is still a certain consciousness in sleep, so that, on waking, one says, “I have slept well,” or “I have slept badly.” 11. Memory is holding to mind-images of things perceived, without modifying them.",
"RIBUTION OF A QUALITY OR ACTION TO A SUBJECT BY ADDING TO IT A PREDICATE IN THE SENTENCE THE MAN IS WISE THE MAN IS THE SUBJECT IS WISE IS THE PREDICATE THIS MAY BE SIMPLY AN INTERPLAY OF THOUGHTS WITHOUT THE PRESENCE OF THE OBJECT THOUGHT OF OR THE THINGS THOUGHT OF MAY BE IMAGINARY OR UNREAL WHILE OBSERVATION INDUCTION AND TESTIMONY ALWAYS GO BACK TO AN OBJECT SUTRA TEN SLEEP IS THE PSYCHIC CONDITION WHICH RESTS ON MIND STATES ALL MATERIAL THINGS BEING ABSENT IN WAKING LIFE WE HAVE TWO CURRENTS OF PERCEPTION AN OUTER CURRENT OF PHYSICAL THINGS SEEN AND HEARD AND PERCEIVED AN INNER CURRENT OF MIND IMAGES AND THOUGHTS THE OUTER CURRENT CEASES IN SLEEP THE INNER CURRENT CONTINUES AND WATCHING THE MIND IMAGES FLOAT BEFORE THE FIELDS OF CONSCIOUSNESS WE DREAM EVEN WHEN THERE ARE NO DREAMS THERE IS STILL A CERTAIN CONSCIOUSNESS IN SLEEP SO THAT ON WAKING ONE SAYS I HAVE SLEPT WELL OR I HAVE SLEPT BADLY SUTRA ELEVEN MEMORY IS HOLDING TO MIND IMAGES OF THINGS PERCEIVED WITHOUT MODIFYING THEM"
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"It can only be entered where the conditions are present: purity of heart, and strong aspiration, and the resolute conquest of each sin.",
"IT CAN ONLY BE ENTERED WHERE THE CONDITIONS ARE PRESENT PURITY OF HEART AND STRONG ASPIRATION AND THE RESOLUTE CONQUEST OF EACH SIN"
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"ee worlds in the Soul; the three times, past, present, future, in Eternity; the three Divine Powers, Creation, Preservation, Transformation, in the one Being; the three essences, immortality, omniscience, joy, in the one Spirit. This is the Word, the Symbol, of the Master and Lord, the perfected Spiritual Man. 28. Let there be soundless repetition of OM and meditation thereon. This has many meanings, in ascending degrees. There is, first, the potency of the word itself, as of all words. Then there is the manifold significance of the symbol, as suggested above. Lastly, there is the spiritual realization of the high essences thus symbolized. Thus we rise step by step to the Eternal. 29. Thence come the awakening of interior consciousness, and the removal of barriers. Here again faith must be supplemented by works, the life must be led as well as studied, before the full meaning can be understood. The awakening of spiritual consciousness can only be understood in measure as it is entered.",
"THE THREE WORLDS IN THE SOUL THE THREE TIMES PAST PRESENT FUTURE IN ETERNITY THE THREE DIVINE POWERS CREATION PRESERVATION TRANSFORMATION IN THE ONE BEING THE THREE ESSENCES IMMORTALITY OMNISCIENCE JOY IN THE ONE SPIRIT THIS IS THE WORD THE SYMBOL OF THE MASTER AND LORD THE PERFECTED SPIRITUAL MAN SUTRA TWENTY EIGHT LET THERE BE SOUNDLESS REPETITION OF HOME AND MEDITATION THEREON THIS HAS MANY MEANINGS IN ASCENDING DEGREES THERE IS FIRST THE POTENCY OF THE WORD ITSELF AS OF ALL WORDS THEN THERE IS THE MANIFOLD SIGNIFICANCE OF THE SYMBOL AS SUGGESTED ABOVE LASTLY THERE IS THE SPIRITUAL REALIZATION OF THE HIGH ESSENCES THUS SYMBOLIZED THUS WE RISE STEP BY STEP TO THE ETERNAL SUTRA TWENTY NINE THENCE COME THE AWAKENING OF INTERIOR CONSCIOUSNESS AND THE REMOVAL OF BARRIERS HERE AGAIN FAITH MUST BE SUPPLEMENTED BY WORKS THE LIFE MUST BE LED AS WELL AS STUDIED BEFORE THE FULL MEANING CAN BE UNDERSTOOD THE AWAKENING OF SPIRITUAL CONSCIOUSNESS CAN ONLY BE UNDERSTOOD IN MEASURE AS IT IS ENTERED"
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"Trustworthy testimony, the sharing of one soul in the wisdom of another, rests on the ultimate oneness of all souls. 8. Unsound intellection is false understanding, not resting on a perception of the true nature of things.",
"TRUSTWORTHY TESTIMONY THE SHARING OF ONE SOUL AND THE WISDOM OF ANOTHER RESTS ON THE ULTIMATE ONENESS OF ALL SOULS SUTRA EIGHT UNSOUND INTELLECTION IS FALSE UNDERSTANDING NOT RESTING ON A PERCEPTION OF THE TRUE NATURE OF THINGS"
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"d in regrets or hopes. And there is the ceaseless play of the desire to know, to penetrate to the essence of things, to classify. This, too, busies itself ceaselessly with the mind-images. So that we may classify the activities of the psychic nature thus: 6. These activities are: Sound intellection, unsound intellection, predication, sleep, memory. We have here a list of mental and emotional powers; of powers that picture and observe, and of powers that picture and feel. But the power to know and feel is spiritual and immortal. What is needed is, not to destroy it, but to raise it from the psychical to the spiritual realm. 7. The elements of sound intellection are: direct observation, inductive reason, and trustworthy testimony. Each of these is a spiritual power, thinly veiled. Direct observation is the outermost form of the Soul’s pure vision. Inductive reason rests on the great principles of continuity and correspondence; and these, on the supreme truth that all life is of the One. ",
"ST JOY IS FRAMED IN REGRETS OR HOPES AND THERE IS THE CEASELESS PLAY OF THE DESIRE TO KNOW TO PENETRATE TO THE ESSENCE OF THINGS TO CLASSIFY THIS TOO BUSIES ITSELF CEASELESSLY WITH THE MIND IMAGES SO THAT WE MAY CLASSIFY THE ACTIVITIES OF THE PSYCHIC NATURE THUS SUTRA SIX THESE ACTIVITIES ARE SOUND INTELLECTION UNSOUND INTELLECTION PREDICATION SLEEP MEMORY WE HAVE HERE A LIST OF MENTAL AND EMOTIONAL POWERS OF POWERS THAT PICTURE AND OBSERVE AND OF POWERS THAT PICTURE AND FEEL BUT THE POWER TO KNOW AND FEEL IS SPIRITUAL AND IMMORTAL WHAT IS NEEDED IS NOT TO DESTROY IT BUT TO RAISE IT FROM THE PSYCHICAL TO THE SPIRITUAL REALM PETRA SEVEN THE ELEMENTS OF SOUND INTELLECTION ARE DIRECT OBSERVATION INDUCTIVE REASON AND TRUSTWORTHY TESTIMONY EACH OF THESE IS A SPIRITUAL POWER THINLY VEILED DIRECT OBSERVATION IS THE OUTERMOST FORM OF THE SOUL'S PURE VISION INDUCTIVE REASON RESTS ON THE GREAT PRINCIPLES OF CONTINUITY AND CORRESPONDENCE AND THESE ON THE SUPREME TRUTH THAT ALL LIFE IS OF THE ONE "
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"For the others, there is spiritual consciousness, led up to by faith, valour, right mindfulness, one pointedness, perception. It is well to keep in mind these steps on the path to illumination: faith, valour, right mindfulness, one pointedness, perception.",
"TWENTY FOR THE OTHERS THERE IS SPIRITUAL CONSCIOUSNESS LED UP TO BY FAITH VALOUR RIGHT MINDFULNESS ONE POINTEDNESS PERCEPTION IT IS WELL TO KEEP IN MIND THESE STEPS ON THE PATH TO ILLUMINATION FAITH VALOUR RIGHT MINDFULNESS ONE POINTEDNESS PERCEPTION"
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"ering upon its lessons. The third stage is the inspiration, the heightening of the spiritual will, which results from this pondering. The fourth stage is the realization of one’s spiritual being, as enkindled by this meditation. 18. After the exercise of the will has stilled the psychic activities, meditation rests only on the fruit of former meditations. In virtue of continued practice and effort, the need of an external object on which to rest the meditation is outgrown. An interior state of spiritual consciousness is reached, which is called “the cloud of things knowable” (Book IV, 29). 19. Subjective consciousness arising from a natural cause is possessed by those who have laid aside their bodies and been absorbed into subjective nature. Those who have died, entered the paradise between births, are in a condition resembling meditation without an external object. But in the fullness of time, the seeds of desire in them will spring up, and they will be born again into this world. 20.",
"SONS THE THIRD STAGE IS THE INSPIRATION THE HEIGHTENING OF THE SPIRITUAL WILL WHICH RESULTS FROM THIS PONDERING THE FOURTH STAGE IS THE REALIZATION OF ONE'S SPIRITUAL BEING AS ENKINDLED BY THIS MEDITATION SUTRA EIGHTEEN AFTER THE EXERCISE OF THE WILL HASTIED THE PSYCHIC ACTIVITIES MEDITATION RESTS ONLY ON THE FRUIT OF FORMER MEDITATIONS IN VIRTUE OF CONTINUED PRACTICE AND EFFORT THE NEED OF AN EXTERNAL OBJECT ON WHICH TO REST THE MEDITATION IS OUTGROWN AN INTERIOR STATE OF SPIRITUAL CONSCIOUSNESS IS REACHED WHICH IS CALLED THE CLOUD OF THINGS KNOWABLE SEE BOOK FOUR SUTRA TWENTY NINE SUTRA NINETEEN SUBJECTIVE CONSCIOUSNESS ARISING FROM A NATURAL CAUSE IS POSSESSED BY THOSE WHO HAVE LAID ASIDE THEIR BODIES AND BEEN ABSORBED INTO SUBJECTIVE NATURE THOSE WHO HAVE DIED ENTERED THE PARADISE BETWEEN BIRTHS ARE IN A CONDITION RESEMBLING MEDITATION WITHOUT AN EXTERNAL OBJECT BUT IN THE FULLNESS OF TIME THE SEEDS OF DESIRE IN THEM WILL SPRING UP AND THEY WILL BE BORN AGAIN INTO THIS WORLD SUITOR"
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"As we climbed down hill for our pleasure, so must we climb up again for our purification and restoration to our former high estate. The process is painful, perhaps, yet indispensable.",
"AS WE CLIMBED DOWNHILL FOR OUR PLEASURE SO MUST WE CLIMB UP AGAIN FOR OUR PURIFICATION AND RESTORATION TO OUR FORMER HIGH ESTATE THE PROCESS IS PAINFUL PERHAPS YET INDISPENSABLE"
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"once more told to use the will, and to train it by steady and persistent work: by “sitting close” to our work, in the phrase of the original. 36. As also will a joyful, radiant spirit. There is no such illusion as gloomy pessimism, and it has been truly said that a man’s cheerfulness is the measure of his faith. Gloom, despondency, the pale cast of thought, are very amenable to the will. Sturdy and courageous effort will bring a clear and valorous mind. But it must always be remembered that this is not for solace to the personal man, but is rather an offering to the ideal of spiritual life, a contribution to the universal and universally shared treasure in heaven. 37. Or the purging of self-indulgence from the psychic nature. We must recognize that the fall of man is a reality, exemplified in our own persons. We have quite other sins than the animals, and far more deleterious; and they have all come through self-indulgence, with which our psychic natures are soaked through and through.",
" MORE TOLD TO USE THE WILL AND TO TRAIN IT BY STEADY AND PERSISTENT WORK BY SITTING CLOSE TO OUR WORK IN THE PHRASE OF THE ORIGINAL SUITRA THIRTY SIX AS ALSO WILL A JOYFUL RADIANT SPIRIT THERE IS NO SUCH ILLUSION AS GLOOMY PESSIMISM AND IT HAS BEEN TRULY SAID THAT A MAN'S CHEERFULNESS IS THE MEASURE OF HIS FAITH GLOOM DESPONDENCY THE PALE CAST OF THOUGHT ARE VERY AMENABLE TO THE WILL STURDY AND COURAGEOUS EFFORT WILL BRING A CLEAR AND VALOROUS MIND BUT IT MUST ALWAYS BE REMEMBERED THAT THIS IS NOT FOR SOLACE TO THE PERSONAL MAN BUT IS RATHER AN OFFERING TO THE IDEAL OF SPIRITUAL LIFE A CONTRIBUTION TO THE UNIVERSAL AND UNIVERSALLY SHARED TREASURE IN HEAVEN SUTRA THIRTY SEVEN OR THE PURGING OF SELF INDULGENCE FROM THE PSYCHIC NATURE WE MUST RECOGNIZE THAT THE FALL OF MAN IS A REALITY EXEMPLIFIED IN OUR OWN PERSONS WE HAVE QUITE OTHER SINS THAN THE ANIMALS AND FAR MORE DELETERIOUS AND THEY HAVE ALL COME THROUGH SELF INDULGENCE WITH WHICH OUR PSYCHIC NATURES ARE SOAKED THROUGH AND THROUGH"
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"We are still considering external, visible objects. Such perception as is here described is of the nature of that penetrating vision whereby Newton, intending his mind on things, made his discoveries, or that whereby a really great portrait painter pierces to the soul of him whom he paints, and makes that soul live on canvas.",
"WE ARE STILL CONSIDERING EXTERNAL VISIBLE OBJECTS SUCH PERCEPTION AS IS HERE DESCRIBED IS OF THE NATURE OF THAT PENETRATING VISION WHEREBY NEWTON INTENDING HIS MIND ON THINGS MADE HIS DISCOVERIES OR THAT WHEREBY A REALLY GREAT PORTRAIT PAINTER PIERCES TO THE SOUL OF HIM WHOM HE PAINTS AND MAKES THAT SOUL LIVE ON CANVAS"
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"ject, the perceiving mind comes to it, preoccupied by the name and idea conventionally associated with that object. For example, in coming to the study of a book, we think of the author, his period, the school to which he belongs. The second stage, set forth in the next Sutra, goes directly to the spiritual meaning of the book, setting its traditional trappings aside and finding its application to our own experience and problems. The commentator takes a very simple illustration: a cow, where one considers, in the first stage, the name of the cow, the animal itself and the idea of a cow in the mind. In the second stage, one pushes these trappings aside and, entering into the inmost being of the cow, shares its consciousness, as do some of the artists who paint cows. They get at the very life of what they study and paint. 43. When the object dwells in the mind, clear of memory-pictures, uncoloured by the mind, as a pure luminous idea, this is perception without exterior or consideration.",
"OF AN EXTERNAL OBJECT THE PERCEIVING MIND COMES TO IT PREOCCUPIED BY THE NAME AND IDEA CONVENTIONALLY ASSOCIATED WITH THAT OBJECT FOR EXAMPLE IN COMING TO THE STUDY OF A BOOK WE THINK OF THE AUTHOR HIS PERIOD THE SCHOOL TO WHICH HE BELONGS THE SECOND STAGE SET FORTH IN THE NEXT SUTRA GOES DIRECTLY TO THE SPIRITUAL MEANING OF THE BOOK SETTING ITS TRADITIONAL TRAPPINGS ASIDE AND FINDING ITS APPLICATION TO OUR OWN EXPERIENCE AND PROBLEMS THE COMMENTATOR TAKES A VERY SIMPLE ILLUSTRATION A COW WHERE ONE CONSIDERS IN THE FIRST STAGE THE NAME OF THE COW THE ANIMAL ITSELF AND THE IDEA OF A COW IN THE MIND IN THE SECOND STAGE ONE PUSHES THESE TRAPPINGS ASIDE AND ENTERING INTO THE INMOST BEING OF THE COW SHARES ITS CONSCIOUSNESS AS DO SOME OF THE ARTISTS WHO PAINT COWS THEY GET AT THE VERY LIFE OF WHAT THEY STUDY AND PAINTS SUTRA FORTY THREE WHEN THE OBJECT DWELLS IN THE MIND CLEAR OF MEMORY PICTURES UNCOLOURED BY THE MIND AS A PURE LUMINOUS IDEA THIS IS PERCEPTION WITHOUT EXTERIOR CONSIDERATION"
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"The poet, the wise philosopher and the saint not only reach a wide and luminous consciousness, but they gain certain knowledge of substantial reality.",
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"tual consciousness, still containing the seed of separateness. In the four stages of perception above described, the spiritual vision is still working through the mental and psychical, the inner genius is still expressed through the outer, personal man. The spiritual man has yet to come completely to consciousness as himself, in his own realm, the psychical veils laid aside. 47. When pure perception without judicial action of the mind is reached, there follows the gracious peace of the inner self. We have instanced certain types of this pure perception: the poet’s divination, whereby he sees the spirit within the symbol, likeness in things unlike, and beauty in all things; the pure insight of the true philosopher, whose vision rests not on the appearances of life, but on its realities; or the saint’s firm perception of spiritual life and being. All these are far advanced on the way; they have drawn near to the secret dwelling of peace. 48. In that peace, perception is unfailingly true.",
" CONSCIOUSNESS STILL CONTAINING THE SEED OF SEPARATENESS IN THE FOUR STAGES OF PERCEPTION ABOVE DESCRIBED THE SPIRITUAL VISION IS STILL WORKING THROUGH THE MENTAL AND PSYCHICAL THE INNER GENIUS IS STILL EXPRESSED THROUGH THE OUTER PERSONAL MAN THE SPIRITUAL MAN HAS YET TO COME COMPLETELY TO CONSCIOUSNESS AS HIMSELF IN HIS OWN REALM THE PSYCHICAL VEILS LAID ASIDE SUTRA FORTY SEVEN WHEN PURE PERCEPTION WITHOUT JUDICIAL ACTION OF THE MIND IS REACHED THERE FOLLOWS THE GRACIOUS PEACE OF THE INNER SELF WE HAVE INSTANCED CERTAIN TYPES OF THIS PURE PERCEPTION THE POET'S DIVINATION WHEREBY HE SEES THE SPIRIT WITHIN THE SYMBOL LIKENESS IN THINGS UNLIKE AND BEAUTY IN ALL THINGS THE PURE INSIGHT OF THE TRUE PHILOSOPHER WHOSE VISION RESTS NOT ON THE APPEARANCES OF LIFE BUT ON ITS REALITIES OR THE SAINT'S FIRM PERCEPTION OF SPIRITUAL LIFE AND BEING ALL THESE ARE FAR ADVANCED ON THE WAY THEY HAVE DRAWN NEAR TO THE SECRET DWELLING OF PEACE SUTRA FORTY EIGHT IN THAT PEACE PERCEPTION IS UNFAILINGLY TRUE"
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"In the second stage, one pushes these trappings aside and, entering into the inmost being of the cow, shares its consciousness, as do some of the artists who paint cows. They get at the very life of what they study and paint. 43. When the object dwells in the mind, clear of memory pictures, uncoloured by the mind, as a pure luminous idea, this is perception without exterior or consideration.",
"IN THE SECOND STAGE ONE PUSHES THESE TRAPPINGS ASIDE AND ENTERING INTO THE INMOST BEING OF THE COW SHARES ITS CONSCIOUSNESS AS DO SOME OF THE ARTISTS WHO PAINT COWS THEY GET AT THE VERY LIFE OF WHAT THEY STUDY AND PAINTS SUTRA FORTY THREE WHEN THE OBJECT DWELLS IN THE MIND CLEAR OF MEMORY PICTURES UNCOLOURED BY THE MIND AS A PURE LUMINOUS IDEA THIS IS PERCEPTION WITHOUT EXTERIOR CONSIDERATION"
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"standing the hearts of others, is really a manifestation of the same power as that penetrating perception whereby one divines the secrets of planetary motions or atomic structure. 42. When the consciousness, poised in perceiving, blends together the name, the object dwelt on and the idea, this is perception with exterior consideration. In the first stage of the consideration of an external object, the perceiving mind comes to it, preoccupied by the name and idea conventionally associated with that object. For example, in coming to the study of a book, we think of the author, his period, the school to which he belongs. The second stage, set forth in the next Sutra, goes directly to the spiritual meaning of the book, setting its traditional trappings aside and finding its application to our own experience and problems. The commentator takes a very simple illustration: a cow, where one considers, in the first stage, the name of the cow, the animal itself and the idea of a cow in the mind.",
"ITIVELY UNDERSTANDING THE HEARTS OF OTHERS IS REALLY A MANIFESTATION OF THE SAME POWER AS THAT PENETRATING PERCEPTION WHEREBY ONE DIVINES THE SECRETS OF PLANETARY MOTIONS OR ATOMIC STRUCTURE SUTRA FORTY TWO WHEN THE CONSCIOUSNESS POISED IN PERCEIVING BLENDS TOGETHER THE NAME THE OBJECT DWELT ON AND THE IDEA THIS IS PERCEPTION WITH EXTERIOR CONSIDERATION IN THE FIRST STAGE OF THE CONSIDERATION OF AN EXTERNAL OBJECT THE PERCEIVING MIND COMES TO IT PREOCCUPIED BY THE NAME AND IDEA CONVENTIONALLY ASSOCIATED WITH THAT OBJECT FOR EXAMPLE IN COMING TO THE STUDY OF A BOOK WE THINK OF THE AUTHOR HIS PERIOD THE SCHOOL TO WHICH HE BELONGS THE SECOND STAGE SET FORTH IN THE NEXT SUTRA GOES DIRECTLY TO THE SPIRITUAL MEANING OF THE BOOK SETTING ITS TRADITIONAL TRAPPINGS ASIDE AND FINDING ITS APPLICATION TO OUR OWN EXPERIENCE AND PROBLEMS THE COMMENTATOR TAKES A VERY SIMPLE ILLUSTRATION A COW WHERE ONE CONSIDERS IN THE FIRST STAGE THE NAME OF THE COW THE ANIMAL ITSELF AND THE IDEA OF A COW IN THE MIND"
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"THIS IS A FULLER EXPRESSION OF THE LAST SUTRA AND IS SO LUCID THAT COMMENT CAN HARDLY ADD TO IT EVERYTHING IS EITHER PERCEIVER PERCEIVING OR THE THING PERCEIVED OR AS WE MIGHT SAY CONSCIOUSNESS FORCE OR MATTER"
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" therewith, in love. Thus love has a wisdom that the mind cannot claim, and by this hearty love, this becoming one with what is beyond our personal borders, we may take a long step toward freedom. Two directions for this may be suggested: the pure love of the artist for his work, and the earnest, compassionate search into the hearts of others. 40. Thus he masters all, from the atom to the Infinite. Newton was asked how he made his discoveries. By intending my mind on them, he replied. This steady pressure, this becoming one with what we seek to understand, whether it be atom or soul, is the one means to know. When we become a thing, we really know it, not otherwise. Therefore live the life, to know the doctrine; do the will of the Father, if you would know the Father. 41. When the perturbations of the psychic nature have all been stilled, then the consciousness, like a pure crystal, takes the colour of what it rests on, whether that be the perceiver, perceiving, or the thing perceived.",
"SON BY BECOMING ONE THEREWITH IN LOVE THUS LOVE HAS A WISDOM THAT THE MIND CANNOT CLAIM AND BY THIS HARDY LOVE THIS BECOMING ONE WITH WHAT IS BEYOND OUR PERSONAL BORDERS WE MAY TAKE A LONG STEP TOWARD FREEDOM TWO DIRECTIONS FOR THIS MAY BE SUGGESTED THE PURE LOVE OF THE ARTIST FOR HIS WORK AND THE EARNEST COMPASSIONATE SEARCH INTO THE HEARTS OF OTHERS SUTRA FORTY THUS HE MASTERS ALL FROM THE ADAM TO THE INFINITE NEWTON WAS ASKED HOW HE MADE HIS DISCOVERIES BY INTENDING MY MIND ON THEM HE REPLIED THIS STEADY PRESSURE THIS BECOMING ONE WITH WHAT WE SEEK TO UNDERSTAND WHETHER IT BE ATOM OR SOUL IS THE ONE MEANS TO KNOW WHEN WE BECOME A THING WE REALLY KNOW IT NOT OTHERWISE THEREFORE LIVE THE LIFE TO KNOW THE DOCTRINE DO THE WILL OF THE FATHER IF YOU WOULD KNOW THE FATHER SUTRA FORTY ONE WHEN THE PERTURBATIONS OF THE PSYCHIC NATURE HAVE ALL BEEN STILLED THEN THE CONSCIOUSNESS LIKE A PURE CRYSTAL TAKES THE COLOR OF WHAT IT RESTS ON WHETHER THAT BE THE PERCEIVER PERCEIVING OR THING PERCEIVED"
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"Or the purging of self indulgence from the psychic nature.",
"OR THE PURGING OF SELF INDULGENCE FROM THE PSYCHIC NATURE"
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"ich brings stillness to the heart. 35. Faithful, persistent application to any object, if completely attained, will bind the mind to steadiness. We are still considering how to overcome the wavering and perturbation of the psychic nature, which make it quite unfit to transmit the inward consciousness and stillness. We are once more told to use the will, and to train it by steady and persistent work: by “sitting close” to our work, in the phrase of the original. 36. As also will a joyful, radiant spirit. There is no such illusion as gloomy pessimism, and it has been truly said that a man’s cheerfulness is the measure of his faith. Gloom, despondency, the pale cast of thought, are very amenable to the will. Sturdy and courageous effort will bring a clear and valorous mind. But it must always be remembered that this is not for solace to the personal man, but is rather an offering to the ideal of spiritual life, a contribution to the universal and universally shared treasure in heaven. 37.",
"SS TO THE HEART SUTRA THIRTY FIVE FAITHFUL PERSISTENT APPLICATION TO ANY OBJECT IF COMPLETELY ATTAINED WILL BIND THE MIND TO STEADINESS WE ARE STILL CONSIDERING HOW TO OVERCOME THE WAVERING AND PERTURBATION OF THE PSYCHIC NATURE WHICH MAKE IT QUITE UNFIT TO TRANSMIT THE INWARD CONSCIOUSNESS AND STILLNESS WE ARE ONCE MORE TOLD TO USE THE WILL AND TO TRAIN IT BY STEADY AND PERSISTENT WORK BY SITTING CLOSE TO OUR WORK IN THE PHRASE OF THE ORIGINAL SUITRA THIRTY SIX AS ALSO WILL A JOYFUL RADIANT SPIRIT THERE IS NO SUCH ILLUSION AS GLOOMY PESSIMISM AND IT HAS BEEN TRULY SAID THAT A MAN'S CHEERFULNESS IS THE MEASURE OF HIS FAITH GLOOM DESPONDENCY THE PALE CAST OF THOUGHT ARE VERY AMENABLE TO THE WILL STURDY AND COURAGEOUS EFFORT WILL BRING A CLEAR AND VALOROUS MIND BUT IT MUST ALWAYS BE REMEMBERED THAT THIS IS NOT FOR SOLACE TO THE PERSONAL MAN BUT IS RATHER AN OFFERING TO THE IDEAL OF SPIRITUAL LIFE A CONTRIBUTION TO THE UNIVERSAL AND UNIVERSALLY SHARED TREASURE IN HEAVEN SUTRA THIRTY SEVEN"
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"In reality, on this latter foundation the life of the spiritual man can never be built; nor, indeed, anything but a psychic counterfeit, a dangerous delusion.",
"IN REALITY ON THIS LATTER FOUNDATION THE LIFE OF THE SPIRITUAL MAN CAN NEVER BE BUILT NOR INDEED ANYTHING BUT A PSYCHIC COUNTERFEIT A DANGEROUS DELUSION"
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"the psychical nature, wherein he is enmeshed, like a bird caught in a net. The question arises: By what means may the spiritual man be freed from these psychical meshes and disguises, so that he may stand forth above death, in his radiant eternalness and divine power? And the second book sets itself to answer this very question, and to detail the means in a way entirely practical and very lucid, so that he who runs may read, and he who reads may understand and practise. The second part of the second book is concerned with practical spiritual training, that is, with the earlier practical training of the spiritual man. The most striking thing in it is the emphasis laid on the Commandments, which are precisely those of the latter part of the Decalogue, together with obedience to the Master. Our day and generation is far too prone to fancy that there can be mystical life and growth on some other foundation, on the foundation, for example, of intellectual curiosity or psychical selfishness.",
" HIM BY THE MIND AND THE PSYCHICAL NATURE WHEREIN HE IS ENMESHED LIKE A BIRD CAUGHT IN A NET THE QUESTION ARISES BY WHAT MEANS MAY THE SPIRITUAL MAN BE FREED FROM THESE PSYCHICAL MESHES AND DISGUISES SO THAT HE MAY STAND FORTH ABOVE DEATH IN HIS RADIANT ETERNALNESS AND DIVINE POWER AND THE SECOND BOOK SETS ITSELF TO ANSWER THIS VERY QUESTION AND TO DETAIL THE MEANS IN A WAY ENTIRELY PRACTICAL AND VERY LUCID SO THAT HE WHO RUNS MAY READ AND HE WHO READS MAY UNDERSTAND AND PRACTISE THE SECOND PART OF THE SECOND BOOK IS CONCERNED WITH PRACTICAL SPIRITUAL TRAINING THAT IS WITH THE EARLIER PRACTICAL TRAINING OF THE SPIRITUAL MAN THE MOST STRIKING THING IN IT IS THE EMPHASIS LAID ON THE COMMANDMENTS WHICH ARE PRECISELY THOSE OF THE LATTER PART OF THE DECALOGUE TOGETHER WITH OBEDIENCE TO THE MASTER OUR DAY AND GENERATION IS FAR TOO PRONE TO FANCY THAT THERE CAN BE MYSTICAL LIFE AND GROWTH ON SOME OTHER FOUNDATION ON THE FOUNDATION FOR EXAMPLE OF INTELLECTUAL CURIOSITY OR PSYCHICAL SELFISHNESS"
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"In other words, we cannot cure the pains of life by laying on them any balm. We must cut the root, absorption in the psychical self. So it is said, there is no cure for the misery of longing, but to fix the heart upon the eternal.",
"IN OTHER WORDS WE CANNOT CURE THE PAINS OF LIFE BY LAYING ON THEM ANY BALM WE MUST CUT THE ROOT ABSORPTION IN THE PSYCHICAL SELF SO IT IS SAID THERE IS NO CURE FOR THE MISERY OF LONGING BUT TO FIX THE HEART UPON THE ETERNAL"
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"dynamic impresses in the mind; and because all its activities war with each other. The whole life of the psychic self is misery, because it ever waxes and wanes; because birth brings inevitable death; because there is no expectation without its shadow, fear. The life of the psychic self is misery, because it is afflicted with restlessness; so that he who has much, finds not satisfaction, but rather the whetted hunger for more. The fire is not quenched by pouring oil on it; so desire is not quenched by the satisfaction of desire. Again, the life of the psychic self is misery, because it makes ever new dynamic impresses in the mind; because a desire satisfied is but the seed from which springs the desire to find like satisfaction again. The appetite comes in eating, as the proverb says, and grows by what it feeds on. And the psychic self, torn with conflicting desires, is ever the house divided against itself, which must surely fall. 16. This pain is to be warded off, before it has come.",
"SS MAKES EVER NEW DYNAMIC IMPRESSES IN THE MIND AND BECAUSE ALL ITS ACTIVITIES WAR WITH EACH OTHER THE WHOLE LIFE OF THE PSYCHIC SELF IS MISERY BECAUSE IT EVER WAXES AND WANES BECAUSE BIRTH BRINGS INEVITABLE DEATH BECAUSE THERE IS NO EXPECTATION WITHOUT ITS SHADOW FEAR THE LIFE OF THE PSYCHIC SELF IS MISERY BECAUSE IT IS AFFLICTED WITH RESTLESSNESS SO THAT HE WHO HAS MUCH FINDS NOT SATISFACTION BUT RATHER THE WEDDED HUNGER FOR MORE THE FIRE IS NOT QUENCHED BY POURING OIL ON IT SO DESIRE IS NOT QUENCHED BY THE SATISFACTION OF DESIRE AGAIN THE LIFE OF THE PSYCHIC SELF IS MISERY BECAUSE IT MAKES EVER NEW DYNAMIC IMPRESSES ON THE MIND BECAUSE A DESIRE SATISFIED IS BUT THE SEED FROM WHICH SPRINGS THE DESIRE TO FIND LAKE SATISFACTION AGAIN THE APPETITE COMES IN EATING AS THE PROVERB SAYS AND GROWS BY WHAT IT FEEDS ON AND THE PSYCHIC SELF TORN WITH CONFLICTING DESIRES IS EVER THE HOUSE DIVIDED AGAINST ITSELF WHICH MUST SURELY FALL SUTRA SIXTEEN THIS PAIN IS TO BE WARDED OFF BEFORE IT HAS COME"
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"Then, as seventh, freed from these potencies, the spiritual man stands forth in his own nature as purity and light. Happy is the spiritual man who beholds this seven fold illumination in its ascending stages.",
"THEN AS SEVENTH FREED FROM THESE POTENCIES THE SPIRITUAL MAN STANDS FORTH IN HIS OWN NATURE AS PURITY AND LIGHT HAPPY IS THE SPIRITUAL MAN WHO BEHOLDS THIS SEVENFOLD ILLUMINATION IN ITS ASCENDING STAGES"
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"rage and not cowardice, the things of another rather than one’s own, sacrifice and not indulgence. This true discernment, carried out constantly, makes for liberation. 27. His illuminations is sevenfold, rising In successive stages. Patanjali’s text does not tell us what the seven stages of this illumination are. The commentator thus describes them: First, the danger to be escaped is recognized; it need not be recognized a second time. Second, the causes of the danger to be escaped are worn away; they need not be worn away a second time. Third, the way of escape is clearly perceived, by the contemplation which checks psychic perturbation. Fourth, the means of escape, clear discernment, has been developed. This is the fourfold release belonging to insight. The final release from the psychic is three-fold: As fifth of the seven degrees, the dominance of its thinking is ended; as sixth, its potencies, like rocks from a precipice, fall of themselves; once dissolved, they do not grow again.",
" THAN ROGUERY COURAGE AND NOT COWARDICE THE THINGS OF ANOTHER RATHER THAN ONE'S OWN SACRIFICE AND NOT INDULGENCE THIS TRUE DISCERNMENT CARRIED OUT CONSTANTLY MAKES FOR LIBERATION SUITOR TWENTY SEVEN HIS ILLUMINATION IS SEVENFOLD RISING IN SUCCESSIVE STAGES POTANGELI'S TEXT DOES NOT TELL US WHAT THE SEVEN STAGES OF THIS ILLUMINATION ARE THE COMMENTATOR THUS DESCRIBES THEM FIRST THE DANGER TO BE ESCAPED IS RECOGNIZED IT NEED NOT TO BE RECOGNIZED A SECOND TIME SECOND THE CAUSES OF THE DANGER TO BE ESCAPED ARE WORN AWAY THEY NEED NOT BE WORN AWAY A SECOND TIME THIRD THE WAY OF ESCAPE IS CLEARLY PERCEIVED BY THE CONTEMPLATION WHICH CHECKS PSYCHIC PERTURBATION FOURTH THE MEANS OF ESCAPE CLEAR DISCERNMENT HAS BEEN DEVELOPED THIS IS THE FOURFOLD RELEASE BELONGING TO INSIGHT THE FINAL RELEASE FROM THE PSYCHIC IS THREEFOLD AS FIFTH OF THE SEVEN DEGREES THE DOMINANCE OF ITS THINKING IS ENDED AS SIXTH ITS POTENCIES LIKE ROCKS FROM A PRECIPICE FOLLOW THEMSELVES ONCE DISSOLVED THEY DO NOT GROW AGAIN"
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"The fear that arises through the sense of separate, warring selves is to be stilled by the realization of the One Self, the one soul in all. This realization is the perfect love that casts out fear. The hindrances are said to have become subtle when, by initial efforts, they have been located and recognized in the psychic nature.",
"THE FEAR THAT ARISES THROUGH THE SENSE OF SEPARATE WARRING SELVES IS TO BE STILLED BY THE REALIZATION OF THE ONE SELF THE ONE SOUL IN ALL THIS REALIZATION IS THE PERFECT LOVE THAT CASTS OUT FEAR THE HINDRANCES ARE SAID TO HAVE BECOME SUBTLE WHEN BY INITIAL EFFORTS THEY HAVE BEEN LOCATED AND RECOGNIZED IN THE PSYCHIC NATURE"
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"rating life of the psychical self. This prevails even in those who have attained much wisdom, so long as it falls short of the wisdom of complete renunciation, complete obedience to each least behest of the spiritual man, and of the Master who guards and aids the spiritual man. The desire of sensation, the desire of psychic life, reproduces itself, carried on by its own energy and momentum; and hence comes the circle of death and rebirth, death and rebirth, instead of the liberation of the spiritual man. 10. These hindrances, when they have become subtle, are to be removed by a countercurrent. The darkness of unwisdom is to be removed by the light of wisdom, pursued through fervour, spiritual reading of holy teachings and of life itself, and by obedience to the Master. Lust is to be removed by pure aspiration of spiritual life, which, bringing true strength and stability, takes away the void of weakness which we try to fill by the stimulus of sensations. Hate is to be overcome by love.",
" THE INTENSELY VIBRATING LIFE OF THE PSYCHICAL SELF THIS PREVAILS EVEN IN THOSE WHO HAVE ATTAINED MUCH WISDOM SO LONG AS IT FALLS SHORT OF THE WISDOM OF COMPLETE RENUNCIATION COMPLETE OBEDIENCE TO EACH LEAST BEHEST OF THE SPIRITUAL MAN AND OF THE MASTER WHO GUARDS AND AIDS THE SPIRITUAL MAN THE DESIRE OF SENSATION THE DESIRE OF PSYCHIC LIFE REPRODUCES ITSELF CARRIED ON BY ITS OWN ENERGY AND MOMENTUM AND HENCE COMES THE CIRCLE OF DEATH AND REBIRTH DEATH AND REBIRTH INSTEAD OF THE LIBERATION OF THE SPIRITUAL MAN SUITRA TEN THESE HINDRANCES WHEN THEY HAVE BECOME SUBTLE ARE TO BE REMOVED BY A COUNTERCURRENT THE DARKNESS OF UNWISDOM IS TO BE REMOVED BY THE LIGHT OF WISDOM PURSUED THROUGH FERVOR SPIRITUAL READING OF HOLY TEACHINGS AND OF LIFE ITSELF AND BY OBEDIENCE TO THE MASTER LUST IS TO BE REMOVED BY PURE ASPIRATION OF SPIRITUAL LIFE WHICH BRINGING TRUE STRENGTH AND STABILITY TAKES AWAY THE VOID OF WEAKNESS WHICH WE TRY TO FILL BY THE STIMULUS OF SENSATIONS HATE IS TO BE OVERCOME BY LOVE"
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"The word which I have rendered \"fervent aspiration\" means primarily \"fire\"; and, in the Eastern teaching, it means the fire which gives life and light, and at the same time the fire which purifies. We have, therefore, as our first practice, as the first of the means of spiritual growth, that fiery quality of the will which enkindles and illumines, and, at the same time, the steady practice of purification, the burning away of all known impurities.",
"THE WORD WHICH I HAVE RENDERED FERVENT ASPIRATION MEANS PRIMARILY FIRE AND IN THE EASTERN TEACHING IT MEANS THE FIRE WHICH GIVES LIFE AND LIGHT AND AT THE SAME TIME THE FIRE WHICH PURIFIES WE HAVE THEREFORE AS OUR FIRST PRACTICE AS THE FIRST OF THE MEANS OF SPIRITUAL GROWTH THAT FIERY QUALITY OF THE WILL WHICH ENKINDLES AND ILLUMINES AND AT THE SAME TIME THE STEADY PRACTICE OF PURIFICATION THE BURNING AWAY OF ALL KNOWN IMPURITIES"
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"he foundation, for example, of intellectual curiosity or psychical selfishness. In reality, on this latter foundation the life of the spiritual man can never be built; nor, indeed, anything but a psychic counterfeit, a dangerous delusion. Therefore Patanjali, like every great spiritual teacher, meets the question: What must I do to be saved? with the age-old answer: Keep the Commandments. Only after the disciple can say, These have I kept, can there be the further and finer teaching of the spiritual Rules. It is, therefore, vital for us to realize that the Yoga system, like every true system of spiritual teaching, rests on this broad and firm foundation of honesty, truth, cleanness, obedience. Without these, there is no salvation; and he who practices these, even though ignorant of spiritual things, is laying up treasure against the time to come. BOOK II 1. The practices which make for union with the Soul are: fervent aspiration, spiritual reading, and complete obedience to the Master.",
" TWO BOOK TWO SUTRAS ONE TO TWENTY SEVEN OF THE YOGA SUTRAS OF POTANGELIE THE BOOK OF THE SPIRITUAL MAN AN INTERPRETATION BY CHARLES JOHNSTON THIS IS A LIBERVOX RECORDING ALL LIBERVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBERVOX STOT WORK RECORDING BY MAGGIE RUSSELL NEW YORK NEW YORK THE YOGA SUTRAS OF POTANTELLI THE BOOK OF THE SPIRITUAL MAN AN INTERPRETATION BY CHARLES JOHNSTON BOOK TWO SUTRAS ONE TO TWENTY SEVEN SUTRA ONE THE PRACTICES WHICH MAKE FOR UNION WITH THE SOUL ARE FERVENT ASPIRATION SPIRITUAL READING AND COMPLETE OBEDIENCE TO THE MASTER"
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"f the means of spiritual growth, that fiery quality of the will which enkindles and illumines, and, at the same time, the steady practice of purification, the burning away of all known impurities. Spiritual reading is so universally accepted and understood, that it needs no comment. The very study of Patanjali’s Sutras is an exercise in spiritual reading, and a very effective one. And so with all other books of the Soul. Obedience to the Master means, that we shall make the will of the Master our will, and shall confirm in all wave to the will of the Divine, setting aside the wills of self, which are but psychic distortions of the one Divine Will. The constant effort to obey in all the ways we know and understand, will reveal new ways and new tasks, the evidence of new growth of the Soul. Nothing will do more for the spiritual man in us than this, for there is no such regenerating power as the awakening spiritual will. 2. Their aim is, to bring soul-vision, and to wear away hindrances.",
"TICE AS THE FIRST OF THE MEANS OF SPIRITUAL GROWTH THAT FIERY QUALITY OF THE WILL WHICH ENKINDLES AND ILLUMINES AND AT THE SAME TIME THE STEADY PRACTICE OF PURIFICATION THE BURNING AWAY OF ALL KNOWN IMPURITIES SPIRITUAL READING IS SO UNIVERSALLY ACCEPTED AND UNDERSTOOD THAT IT NEEDS NO COMMENT THE VERY STUDY OF POTANGELI SUTRAS IS AN EXERCISE IN SPIRITUAL READING AND A VERY EFFECTIVE ONE AND SO WITH ALL OTHER BOOKS OF THE SOUL OBEDIENCE TO THE MASTER MEANS THAT WE SHALL MAKE THE WILL OF THE MASTER OUR WILL AND SHALL CONFORM IN ALL WAYS TO THE WILL OF THE DIVINE SETTING ASIDE THE WILLS OF SELF WHICH ARE BUT PSYCHIC DISTORTIONS OF THE ONE DIVINE WILL THE CONSTANT EFFORT TO OBEY IN ALL THE WAYS WE KNOW AND UNDERSTAND WILL REVEAL NEW WAYS AND NEW TASKS THE EVIDENCE OF NEW GROWTH OF THE SOUL NOTHING WILL DO MORE FOR THE SPIRITUAL MAN IN US THAN THIS FOR THERE IS NO SUCH REGENERATING POWER AS THE AWAKENING SPIRITUAL WILL SUTRA TWO THEIR AIM IS TO BRING SOUL VISION AND TO WEAR AWAY HINDRANCES"
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"This true discernment, carried out constantly, makes for liberation. 27. His illuminations is sevenfold, rising In successive stages.",
"THIS TRUE DISCERNMENT CARRIED OUT CONSTANTLY MAKES FOR LIBERATION SUITOR TWENTY SEVEN HIS ILLUMINATION IS SEVENFOLD RISING IN SUCCESSIVE STAGES"
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"n has, through the psychical, learned all life’s lessons, the time has come for him to put off the veil and disguise of the psychical and to stand revealed a King, in the house of the Father. So shall he enter into his kingdom, and go no more out. 26. A discerning which is carried on without wavering is the means of liberation. Here we come close to the pure Vedanta, with its discernment between the eternal and the temporal. St. Paul, following after Philo and Plato, lays down the same fundamental principle: the things seen are temporal, the things unseen are eternal. Patanjali means something more than an intellectual assent, though this too is vital. He has in view a constant discriminating in act as well as thought; of the two ways which present themselves for every deed or choice, always to choose the higher way, that which makes for the things eternal: honesty rather than roguery, courage and not cowardice, the things of another rather than one’s own, sacrifice and not indulgence.",
"UAL MAN HAS THROUGH THE PSYCHICAL LEARNED ALL LIFE'S LESSONS THE TIME HAS COME FOR HIM TO PUT OFF THE VEIL AND DISGUISE OF THE PSYCHICAL AND TO STAND REVEALED A KING IN THE HOUSE OF THE FATHER SO SHALL HE ENTER INTO HIS KINGDOM AND GO NO MORE OUT SUTRA TWENTY SIX A DISCERNING WHICH IS CARRIED ON WITHOUT WAVERING IS THE MEANS OF LIBERATION HERE WE COME CLOSE TO THE PURE VENTANTA WITH ITS DISCERNMENT BETWEEN THE ETERNAL AND THE TEMPORAL SAINT PAUL FOLLOWING AFTER PHILOLO AND PLATO LAYS DOWN THE SAME FUNDAMENTAL PRINCIPLE THE THINGS SEEN ARE TEMPORAL THE THINGS UNSEEN ARE ETERNAL POTANTIALE MEANS SOMETHING MORE THAN AN INTELLECTUAL ASSENT THOUGH THIS TOO IS VITAL HE HAS IN VIEW A CONSTANT DISCRIMINATING IN ACT AS WELL AS THOUGHT OF THE TWO WAYS WHICH PRESENT THEMSELVES FOR EVERY DEED OR CHOICE ALWAYS TO CHOOSE THE HIGHER WAY THAT WHICH MAKES FOR THE THINGS ETERNAL HONESTY RATHER THAN ROGUERY COURAGE AND NOT COWARDICE THE THINGS OF ANOTHER RATHER THAN ONE'S OWN SACRIFICE AND NOT INDULGENCE"
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"All life is but the mirror wherein the Soul learns to know its own face. 24. The cause of this association is the darkness of unwisdom.",
"ALL LIFE IS BUT THE MIRROR WHEREIN THE SOUL LEARNS TO KNOW ITS OWN FACE SUTRA TWENTY FOUR THE CAUSE OF THIS ASSOCIATION IS THE DARKNESS OF UNWISDOM"
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"lusions, which hold us in bondage to material things, and through which we look at all material things. When the coloured veil of illusion is gone, the world which we saw through it is also gone, for now we see life as it is, in the white radiance of eternity. But for others the coloured veil remains, and therefore the world thus coloured by it remains for them, and will remain till they, too, conquer delusion. 23. The association of the Seer with things seen is the cause of the realizing of the nature of things seen, and also of the realizing of the nature of the Seer. Life is educative. All life’s infinite variety is for discipline, for the development of the soul. So passing through many lives, the Soul learns the secrets of the world, the august laws that are written in the form of the snow-crystal or the majestic order of the stars. Yet all these laws are but reflections, but projections outward, of the laws of the soul; therefore in learning these, the soul learns to know itself.",
" SO WITH OTHER DELUSIONS WHICH HOLD US IN BONDAGE TO MATERIAL THINGS AND THROUGH WHICH WE LOOK AT ALL MATERIAL THINGS WHEN THE COLORED VEIL OF ILLUSION IS GONE THE WORLD WHICH SAW THROUGH IT IS ALSO GONE FOR NOW WE SEE LIFE AS IT IS IN THE WHITE RADIANCE OF ETERNITY BUT FOR OTHERS THE COLORED VEIL REMAINS AND THEREFORE THE WORLD THUS COLOURED BY IT REMAINS FOR THEM AND WILL REMAIN TILL THEY TOO CONQUER DELUSION SUTRA TWENTY THREE THE ASSOCIATION OF THE SEER WITH THINGS SEEN IS THE CAUSE OF THE REALIZING OF THE NATURE OF THINGS SEEN AND ALSO OF THE REALIZING OF THE NATURE OF THE SEER LIFE IS EDUCATIVE ALL LIFE'S INFINITE VARIETY IS FOR DISCIPLINE FOR THE DEVELOPMENT OF THE SOUL SO PASSING THROUGH MANY LIVES THE SOUL LEARNS THE SECRETS OF THE WORLD THE AUGUST LAWS THAT ARE WRITTEN IN THE FORM OF A SNOW CRYSTAL OR THE MAJESTIC ORDER OF THE STARS YET ALL THESE LAWS ARE BUT REFLECTIONS BUT PROJECTIONS OUTWARD OF THE LAWS OF THE SOUL THEREFORE IN LEARNING THESE THE SOUL LEARNS TO KNOW ITSELF"
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"The spiritual man is enduring, pure, full of joy, the real Self. The darkness of unwisdom is, therefore, the self absorption of the psychical, personal man, to the exclusion of the spiritual man.",
"THE SPIRITUAL MAN IS ENDURING PURE FULL OF JOY THE REAL SELF THE DARKNESS OF UNWISDOM IS THEREFORE THE SELF ABSORPTION OF THE PSYCHICAL PERSONAL MAN TO THE EXCLUSION OF THE SPIRITUAL MAN"
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"al man. 4. The darkness of unwisdom is the field of the others. These hindrances may be dormant, or worn thin, or suspended, or expanded. Here we have really two Sutras in one. The first has been explained already: in the darkness of unwisdom grow the parasites, hate, lust, attachment. They are all outgrowths of the self-absorption of the psychical self. Next, we are told that these barriers may be either dormant, or suspended, or expanded, or worn thin. Faults which are dormant will be brought out through the pressure of life, or through the pressure of strong aspiration. Thus expanded, they must be fought and conquered, or, as Patanjali quaintly says, they must be worn thin,-as a veil might, or the links of manacles. 5 The darkness of ignorance is: holding that which is unenduring, impure, full of pain, not the Soul, to be eternal, pure, full of joy, the Soul. This we have really considered already. The psychic man is unenduring, impure, full of pain, not the Soul, not the real Self.",
"SHED AND FETTERED SPIRITUAL MAN PETRA FOUR THE DARKNESS OF UNWISDOM IS THE FIELDS OF THE OTHERS THESE HINDRANCES MAY BE DORMANT OR WORN THIN OR SUSPENDED OR EXPANDED HERE WE HAVE REALLY TWO SUTRAS IN ONE THE FIRST HAS BEEN EXPLAINED ALREADY IN THE DARKNESS OF UNWISDOM GROW THE PARASITES HATE LUST ATTACHMENT THEY ARE ALL OUTGROWTHS OF THE SELF ABSORPTION OF THE PSYCHICAL SELF NEXT WE ARE TOLD THAT THESE BARRIERS MAY BE EITHER DORMANT OR SUSPENDED OR EXPANDED OR WORN THIN FAULTS WHICH ARE DORMANT WILL BE BROUGHT OUT THROUGH THE PRESSURE OF LIFE OR THROUGH THE PRESSURE OF STRONG ASPIRATION THUS EXPANDED THEY MUST BE FOUGHT AND CONQUERED OR AS POTANSLI QUAINTLY SAYS THEY MUST BE WORN THIN AS A VEIL MIGHT OR THE LINKS OF MANACLES PETRA FIVE THE DARKNESS OF IGNORANCE IS HOLDING THAT WHICH IS UNENDURING IMPURE FULL OF PAIN NOT THE SOUL TO BE ETERNAL PURE FULL OF JOY THE SOUL THIS WE HAVE REALLY CONSIDERED ALREADY THE PSYCHIC MAN IS UNENDURING IMPURE FULL OF PAIN NOT THE SOUL NOT THE REAL SELF"
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"39. Where there is firm conquest of covetousness, he who has conquered it awakes to the how and why of life.",
"SUITOR THIRTY NINE WHERE THERE IS FIRM CONQUEST OF COVETOUSNESS HE WHO HAS CONQUERED IT AWAKES TO THE HOW AND WHY OF LIFE"
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"with the spirit of Life, finds Life supporting him in all things, and gains admittance to the treasure house of Life, the spiritual universe. 38. For him who is perfect in continence, the reward is valour and virility. The creative power, strong and full of vigour, is no longer dissipated, but turned to spiritual uses. It upholds and endows the spiritual man, conferring on him the creative will, the power to engender spiritual children instead of bodily progeny. An epoch of life, that of man the animal, has come to an end; a new epoch, that of the spiritual man, is opened. The old creative power is superseded and transcended; a new creative power, that of the spiritual man, takes its place, carrying with it the power to work creatively in others for righteousness and eternal life. One of the commentaries says that he who has attained is able to transfer to the minds of his disciples what he knows concerning divine union, and the means of gaining it. This is one of the powers of purity.",
" WHOLLY HONEST WITH THE SPIRIT OF LIFE FINDS LIFE SUPPORTING HIM IN ALL THINGS AND GAINS ADMITTANCE TO THE TREASURE HOUSE OF LIFE THE SPIRITUAL UNIVERSE SUTRA THIRTY EIGHT FOR HIM WHO IS PERFECT IN CONTINENCE THE REWARD IS VALOR AND VIRILITY THE CREATIVE POWER STRONG AND FULL OF VIGOR IS NO LONGER DISSIPATED BUT TURNED TO SPIRITUAL USES IT UPHOLDS AND ENDOWS THE SPIRITUAL MAN CONFERRING ON HIM THE CREATIVE WILL THE POWER TO ENGENDER SPIRITUAL CHILDREN INSTEAD OF BODILY PROGENY AN EPOCH OF LIFE THAT OF MAN THE ANIMAL HAS COME TO AN END A NEW EPOCH THAT OF THE SPIRITUAL MAN IS OPENED THE OLD CREATIVE POWER IS SUPERSEDED AND TRANSCENDED A NEW CREATIVE POWER THAT OF THE SPIRITUAL MAN TAKES ITS PLACE CARRYING WITH IT THE POWER TO WORK CREATIVELY IN OTHERS FOR RIGHTEOUSNESS AND ETERNAL LIFE ONE OF THE COMMENTARIES SAYS THAT HE WHO IS ATTAINED IS ABLE TO TRANSFER TO THE MINDS OF HIS DISCIPLES WHAT HE KNOWS CONCERNING DIVINE UNION AND THE MEANS OF GAINING IT THIS IS ONE OF THE POWERS OF PURITY"
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"Here are the causes of sin: greed, wrath, infatuation, with their effects, ignorance and pain. The causes are to be cured by better wisdom, by a truer understanding of the Self, of Life.",
"HERE ARE THE CAUSES OF SIN GREED WRATH INFATUATION WITH THEIR EFFECTS IGNORANCE AND PAIN THE CAUSES ARE TO BE CURED BY BETTER WISDOM BY A TRUER UNDERSTANDING OF THE SELF OF LIFE"
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"ngs with firm conviction. In some such way does the great Law teach us. Our sorrows and losses teach us the pain of the sorrow and loss we inflict on others, and so we cease to inflict them. Now as to the more direct application. To conquer a sin, let heart and mind rest, not on the sin, but on the contrary virtue. Let the sin be forced out by positive growth in the true direction, not by direct opposition. Turn away from the sin and go forward courageously, constructively, creatively, in well-doing. In this way the whole nature will gradually be drawn up to the higher level, on which the sin does not even exist. The conquest of a sin is a matter of growth and evolution, rather than of opposition. 34. Transgressions are injury, falsehood, theft, incontinence, envy; whether committed, or caused, or assented to, through greed, wrath, or infatuation; whether faint, or middling, or excessive; bearing endless, fruit of ignorance and pain. Therefore must the weight be cast on the other side.",
"CLEAVE TO HONEST DEALINGS WITH FIRM CONVICTION IN SOME SUCH WAY DOES THE GREAT LAW TEACH US OUR SORROWS AND LOSSES TEACH US THE PAIN OF THE SORROW AND LOSS WE INFLICT ON OTHERS AND SO WE CEASE TO INFLICT THEM NOW AS TO THE MORE DIRECT APPLICATION TO CONQUER A SIN LET HEART AND MIND REST NOT ON THE SIN BUT ON THE CONTRARY VIRTUE LET THE SIN BE FORCED OUT BY POSITIVE GROWTH IN THE TRUE DIRECTION NOT BY DIRECT OPPOSITION TURN AWAY FROM THE SIN AND GO FORWARD COURAGEOUSLY CONSTRUCTIVELY CREATIVELY IN WELL DOING IN THIS WAY THE WHOLE NATURE WILL GRADUALLY BE DRAWN UP TO THE HIGHER LEVEL ON WHICH THE SIN DOES NOT EVEN EXIST THE CONQUEST OF A SIN IS A MATTER OF GROWTH AND EVOLUTION RATHER THAN OF OPPOSITION SUTRA THIRTY FOUR TRANSGRESSIONS ARE INJURY FALSEHOOD THEFT INCONTINENCE ENVY WHETHER COMMITTED OR CAUSED OR ASSENTED TO THROUGH GREED WRATH OR INFATUATION WHETHER FAINT OR MIDDLING OR EXCESSIVE BEARING ENDLESS FRUIT OF IGNORANCE AND PAIN THEREFORE MUST THE WEIGHT BE CAST ON THE OTHER SIDE"
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" is one with the Self, and therefore with ourselves; nor can infatuation, which is the seeking for the happiness of the All in some limited part of it, survive the knowledge that we are heirs of the All. Therefore let thought and imagination, mind and heart, throw their weight on the other side; the side, not of the world, but of the Self. 35. Where non-injury is perfected, all enmity ceases in the presence of him who possesses it. We come now to the spiritual powers which result from keeping the Commandments; from the obedience to spiritual law which is the keeping of the Commandments. Where the heart is full of kindness which seeks no injury to another, either in act or thought or wish, this full love creates an atmosphere of harmony, whose benign power touches with healing all who come within its influence. Peace in the heart radiates peace to other hearts, even more surely than contention breeds contention. 36. When he is perfected in truth, all acts and their fruits depend on him.",
"NE WITH THE SELF AND THEREFORE WITH OURSELVES NOR CAN INFATUATION WHICH IS THE SEEKING FOR THE HAPPINESS OF THE ALL IN SOME LIMITED PART OF IT SURVIVE THE KNOWLEDGE THAT WE ARE HEIRS OF THE ALL THEREFORE LET THOUGHT AND IMAGINATION MIND AND HEART THROW THEIR WEIGHT ON THE OTHER SIDE THE SIDE NOT OF THE WORLD BUT OF THE SELF SUITRA THIRTY FIVE WHERE NON INJURY IS PERFECTED ALL ENMITY CEASES IN THE PRESENCE OF HIM WHO POSSESSES IT WE COME NOW TO THE SPIRITUAL POWERS WHICH RESULT FROM KEEPING THE COMMANDMENTS FROM THE OBEDIENCE TO SPIRITUAL LAW WHICH IS THE KEEPING OF THE COMMANDMENT WHERE THE HEART IS FULL OF KINDNESS WHICH SEEKS NO INJURY TO ANOTHER EITHER IN ACT OR THOUGHT OR WISH THIS FULL LOVE CREATES AN ATMOSPHERE OF HARMONY WHOSE BENIGN POWER TOUCHES WITH HEALING ALL WHO COME WITHIN ITS INFLUENCE PEACE IN THE HEART RADIATES PEACE TO OTHER HEARTS EVEN MORE SURELY THAN CONTENTION BREEDS CONTENTION SUITRA THIRTY SIX WHEN HE IS PERFECTED IN TRUTH ALL ACTS AND THEIR FRUITS DEPEND ON HIM"
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"The deeper truth is, that he who in every least thing is wholly honest with the spirit of Life, finds Life supporting him in all things, and gains admittance to the treasure house of Life, the spiritual universe.",
"THE DEEPER TRUTH IS THAT HE WHO IN EVERY LEAST THING IS WHOLLY HONEST WITH THE SPIRIT OF LIFE FINDS LIFE SUPPORTING HIM IN ALL THINGS AND GAINS ADMITTANCE TO THE TREASURE HOUSE OF LIFE THE SPIRITUAL UNIVERSE"
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" heart radiates peace to other hearts, even more surely than contention breeds contention. 36. When he is perfected in truth, all acts and their fruits depend on him. The commentator thus explains: If he who has attained should say to a man, Become righteous! the man becomes righteous. If he should say, Gain heaven! the man gains heaven. His word is not in vain. Exactly the same doctrine was taught by the Master who said to his disciples: Receive ye the Holy Ghost: whose soever sins ye remit they are remitted unto them; and whose soever sins ye retain, they are retained. 37. Where cessation from theft is perfected, all treasures present themselves to him who possesses it. Here is a sentence which may warn us that, beside the outer and apparent meaning, there is in many of these sentences a second and finer significance. The obvious meaning is, that he who has wholly ceased from theft, in act, thought and wish, finds buried treasures in his path, treasures of jewels and gold and pearls.",
" IN THE HEART RADIATES PEACE TO OTHER HEARTS EVEN MORE SURELY THAN CONTENTION BREEDS CONTENTION SUITRA THIRTY SIX WHEN HE IS PERFECTED IN TRUTH ALL ACTS AND THEIR FRUITS DEPEND ON HIM THE COMMENTATOR THUS EXPLAINS IF HE WHO HAS ATTAINED SHOULD SAY TO A MAN BECOME RIGHTEOUS THE MAN BECOMES RIGHTEOUS IF HE SHOULD SAY GAIN HEAVEN THE MAN GAINS HEAVEN HIS WORD IS NOT IN VAIN EXACTLY THE SAME DOCTRINE WAS TAUGHT BY THE MASTER WHO SAID TO HIS DISCIPLES RECEIVE YE THE HOLY GHOST WHOSOEVER SINS YE REMIT THEY ARE OMITTED UNTO THEM AND WHOSOEVER SINS YE RETAIN THEY ARE RETAINED SUIT THIRTY SEVEN WHERE CESSATION FROM THEFT IS PERFECTED ALL TREASURES PRESENT THEMSELVES TO HIM WHO POSSESSES IT HERE IS A SENTENCE WHICH MAY WARN US THAT BESIDE THE OUTER AND APPARENT MEANING THERE IS IN MANY OF THESE SENTENCES A SECOND AND FINER SIGNIFICANCE THE OBVIOUS MEANING IS THAT HE WHO HAS WHOLLY CEASED FROM THEFT IN ACT THOUGHT AND WISH FINDS BURIED TREASURES IN HIS PATH TREASURES OF JEWELS AND GOLD AND PEARLS"
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"EXACTLY THE SAME DOCTRINE WAS TAUGHT BY THE MASTER WHO SAID TO HIS DISCIPLES RECEIVE YE THE HOLY GHOST WHOSOEVER SINS YE REMIT THEY ARE OMITTED UNTO THEM AND WHOSOEVER SINS YE RETAIN THEY ARE RETAINED"
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" All. Therefore let thought and imagination, mind and heart, throw their weight on the other side; the side, not of the world, but of the Self. 35. Where non-injury is perfected, all enmity ceases in the presence of him who possesses it. We come now to the spiritual powers which result from keeping the Commandments; from the obedience to spiritual law which is the keeping of the Commandments. Where the heart is full of kindness which seeks no injury to another, either in act or thought or wish, this full love creates an atmosphere of harmony, whose benign power touches with healing all who come within its influence. Peace in the heart radiates peace to other hearts, even more surely than contention breeds contention. 36. When he is perfected in truth, all acts and their fruits depend on him. The commentator thus explains: If he who has attained should say to a man, Become righteous! the man becomes righteous. If he should say, Gain heaven! the man gains heaven. His word is not in vain.",
"ALL THEREFORE LET THOUGHT AND IMAGINATION MIND AND HEART THROW THEIR WEIGHT ON THE OTHER SIDE THE SIDE NOT OF THE WORLD BUT OF THE SELF SUITRA THIRTY FIVE WHERE NON INJURY IS PERFECTED ALL ENMITY CEASES IN THE PRESENCE OF HIM WHO POSSESSES IT WE COME NOW TO THE SPIRITUAL POWERS WHICH RESULT FROM KEEPING THE COMMANDMENTS FROM THE OBEDIENCE TO SPIRITUAL LAW WHICH IS THE KEEPING OF THE COMMANDMENT WHERE THE HEART IS FULL OF KINDNESS WHICH SEEKS NO INJURY TO ANOTHER EITHER IN ACT OR THOUGHT OR WISH THIS FULL LOVE CREATES AN ATMOSPHERE OF HARMONY WHOSE BENIGN POWER TOUCHES WITH HEALING ALL WHO COME WITHIN ITS INFLUENCE PEACE IN THE HEART RADIATES PEACE TO OTHER HEARTS EVEN MORE SURELY THAN CONTENTION BREEDS CONTENTION SUITRA THIRTY SIX WHEN HE IS PERFECTED IN TRUTH ALL ACTS AND THEIR FRUITS DEPEND ON HIM THE COMMENTATOR THUS EXPLAINS IF HE WHO HAS ATTAINED SHOULD SAY TO A MAN BECOME RIGHTEOUS THE MAN BECOMES RIGHTEOUS IF HE SHOULD SAY GAIN HEAVEN THE MAN GAINS HEAVEN HIS WORD IS NOT IN VAIN"
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"32. The Rules are these: purity, serenity fervent aspiration, spiritual reading, and per feet obedience to the Master.",
"SUTRA THIRTY TWO THE RULES ARE THESE PURITY SERENITY FERVENT ASPIRATION SPIRITUAL READING AND PERFECT OBEDIENCE TO THE MASTER"
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" stages of spiritual life. First the psychical, and then the spiritual. First the man, then the angel. On this broad, humane and wise foundation does the system of Patanjali rest. 31. The Commandments, not limited to any race, place, time or occasion, universal, are the great obligation. The Commandments form the broad general training of humanity. Each one of them rests on a universal, spiritual law. Each one of them expresses an attribute or aspect of the Self, the Eternal; when we violate one of the Commandments, we set ourselves against the law and being of the Eternal, thereby bringing ourselves to inevitable con fusion. So the first steps in spiritual life must be taken by bringing ourselves into voluntary obedience to these spiritual laws and thus making ourselves partakers of the spiritual powers, the being of the Eternal Like the law of gravity, the need of air to breathe, these great laws know no exceptions They are in force in all lands, throughout al times, for all mankind.",
" THE FURTHER STAGES OF SPIRITUAL LIFE FIRST THE PSYCHICAL AND THEN THE SPIRITUAL FIRST THE MAN THEN THE ANGEL ON THIS BROAD HUMANE AND WISE FOUNDATION DOES THE SYSTEM OF POTANGELY REST SUIT TO THIRTY ONE THE COMMANDMENTS NOT LIMITED TO ANY RACE PLACE TIME OR OCCASION UNIVERSAL ARE THE GREAT OBLIGATION THE COMMANDMENTS FORM THE BROAD GENERAL TRAINING OF HUMANITY EACH ONE OF THEM RESTS ON A UNIVERSAL SPIRITUAL LAW EACH ONE OF THEM EXPRESSES AN ATTRIBUTE OR ASPECT OF THE SELF THE ETERNAL WHEN WE VIOLATE ONE OF THE COMMANDMENTS WE SET OURSELVES AGAINST THE LAW AND BEING OF THE ETERNAL THEREBY BRINGING OURSELVES TO INEVITABLE CONFUSION SO THE FIRST STEPS IN SPIRITUAL LIFE MUST BE TAKEN BY BRINGING OURSELVES INTO VOLUNTARY OBEDIENCE TO THESE SPIRITUAL LAWS AND THUS MAKING OURSELVES PARTAKERS OF THE SPIRITUAL POWERS THE BEING OF THE ETERNAL LIKE THE LAW OF GRAVITY THE NEED OF AIR TO BREATHE THESE GREAT LAWS KNOW NO EXCEPTIONS THEY ARE IN FORCE IN ALL LANDS THROUGHOUT ALL TIMES FOR ALL MANKIND"
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"Let the sin be forced out by positive growth in the true direction, not by direct opposition. Turn away from the sin and go forward courageously, constructively, creatively, in well doing.",
"LET THE SIN BE FORCED OUT BY POSITIVE GROWTH IN THE TRUE DIRECTION NOT BY DIRECT OPPOSITION TURN AWAY FROM THE SIN AND GO FORWARD COURAGEOUSLY CONSTRUCTIVELY CREATIVELY IN WELL DOING"
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"be thrown’ on the opposite side. Let us take a simple case, that of a thief, a habitual criminal, who has drifted into stealing in childhood, before the moral consciousness has awakened. We may imprison such a thief, and deprive him of all possibility of further theft, or of using the divine gift of will. Or we may recognize his disadvantages, and help him gradually to build up possessions which express his will, and draw forth his self-respect. If we imagine that, after he has built well, and his possessions have become dear to him, he himself is robbed, then we can see how he would come vividly to realize the essence of theft and of honesty, and would cleave to honest dealings with firm conviction. In some such way does the great Law teach us. Our sorrows and losses teach us the pain of the sorrow and loss we inflict on others, and so we cease to inflict them. Now as to the more direct application. To conquer a sin, let heart and mind rest, not on the sin, but on the contrary virtue.",
"OF THE IMAGINATION SHOULD BE THROWN ON THE OPPOSITE SIDE LET US TAKE A SIMPLE CASE THAT OF A THIEF AN HABITUAL CRIMINAL WHO HAS DRIFTED INTO STEALING IN CHILDHOOD BEFORE THE MORAL CONSCIOUSNESS HAS AWAKENED WE MAY IMPRISON SUCH A THIEF AND DEPRIVE HIM OF ALL POSSIBILITY OF FURTHER THEFT OR OF USING THE DIVINE GIFT OF WILL OR WE MAY RECOGNISE HIS DISADVANTAGES AND HELP HIM GRADUALLY TO BUILD UP POSSESSIONS WHICH EXPRESS HIS WILL AND DRAW FORTH HIS SELF RESPECT IF WE IMAGINE THAT AFTER HE HAS BUILT WELL AND HIS POSSESSIONS HAVE BECOME DEAR TO HIM HE HIMSELF IS ROBBED THEN WE CAN SEE HOW HE WOULD COME VIVIDLY TO REALIZE THE ESSENCE OF THEFT AND OF HONESTY AND WOULD CLEAVE TO HONEST DEALINGS WITH FIRM CONVICTION IN SOME SUCH WAY DOES THE GREAT LAW TEACH US OUR SORROWS AND LOSSES TEACH US THE PAIN OF THE SORROW AND LOSS WE INFLICT ON OTHERS AND SO WE CEASE TO INFLICT THEM NOW AS TO THE MORE DIRECT APPLICATION TO CONQUER A SIN LET HEART AND MIND REST NOT ON THE SIN BUT ON THE CONTRARY VIRTUE"
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"Thereupon follows perfect mastery over the powers.",
"Y FIVE THEREUPON FOLLOWS PERFECT MASTERY OVER THE POWERS"
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". The right Withdrawal is the disengaging of the powers from entanglement in outer things, as the psychic nature has been withdrawn and stilled. To understand this, let us reverse the process, and think of the one consciousness, centred in the Soul, gradually expanding and taking on the form of the different perceptive powers; the one will, at the same time, differentiating itself into the varied powers of action. Now let us imagine this to be reversed, so that the spiritual force, which has gone into the differentiated powers, is once more gathered together into the inner power of intuition and spiritual will, taking on that unity which is the hall-mark of spiritual things, as diversity is the seal of material things. It is all a matter of love for the quality of spiritual consciousness, as against psychical consciousness, of love and attention. For where the heart is, there will the treasure be also; where the consciousness is, there will the vesture with its powers be developed. 55.",
"SUTRA FIFTY FOUR THE RIGHT WITHDRAWAL IS THE DISENGAGING OF THE POWERS FROM ENTANGLEMENT IN OUTER THINGS AS THE PSYCHIC NATURE HAS BEEN WITHDRAWN AND STILLED TO UNDERSTAND THIS LET US REVERSE THE PROCESS AND THINK OF THE ONE CONSCIOUSNESS CENTERED IN THE SOUL GRADUALLY EXPANDING AND TAKING ON THE FORM OF THE DIFFERENT PERCEPTIVE POWERS THE ONE WILL AT THE SAME TIME DIFFERENTIATING ITSELF INTO THE VARIED POWERS OF ACTION NOW LET US IMAGINE THIS TO BE REVERSED SO THAT THE SPIRITUAL FORCE WHICH HAS GONE INTO THE DIFFERENTIATED POWERS IS ONCE MORE GATHERED TOGETHER INTO THE INNER POWER OF INTUITION AND SPIRITUAL WILL TAKING ON THAT UNITY WHICH IS THE HALL MARK OF SPIRITUAL THINGS AS DIVERSITY IS THE SEAL OF MATERIAL THINGS IT IS ALL A MATTER OF LOVE FOR THE QUALITY OF SPIRITUAL CONSCIOUSNESS AS AGAINST PSYCHICAL CONSCIOUSNESS OF LOVE AND ATTENTION FOR WHERE THE HEART IS THERE WILL THE TREASURE BE ALSO WHERE THE CONSCIOUSNESS IS THERE WILL THE VESTURE WITH ITS POWERS BE DEVELOPED SUTRA FIFT"
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"Only thus can the golden gates be reached and entered. Only thus can we attain to that pure world wherein the spiritual man lives, and moves, and has his being.",
"ONLY THUS CAN THE GOLDEN GATES BE REACHED AND ENTERED ONLY THUS CAN WE ATTAIN TO THAT PURE WORLD WHEREIN THE SPIRITUAL MAN LIVES AND MOVES AND HAS HIS BEING"
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"e a part of his consciousness. This he may attain through his fundamental unity with the Oversoul, by raising himself toward the consciousness above him, and drawing on its resources. The Son, if he would work miracles, whether of perception or of action, must come often into the presence of the Father. This is the birthright of the spiritual man; through it he comes into possession of his splendid and immortal powers. Let it be clearly kept in mind that what is here to be related of the spiritual man, and his exalted powers, must in no wise be detached from what has gone before. The being, the very inception, of the spiritual man depends on the purification and moral attainment already detailed, and can in no wise dispense with these or curtail them. Let no one imagine that the true life, the true powers of the spiritual man, can be attained by any way except the hard way of sacrifice, of trial, of renunciation, of selfless self-conquest and genuine devotion to the weal of all others.",
"H AND MAY IF HE WILLS BE MADE A PART OF HIS CONSCIOUSNESS THIS HE MAY ATTAIN THROUGH HIS FUNDAMENTAL UNITY WITH THE OVER SOUL BY RAISING HIMSELF TOWARD THE CONSCIOUSNESS ABOVE HIM AND DRAWING ON ITS RESOURCES THE SON IF HE WOULD WORK MIRACLES WHETHER OF PERCEPTION OR OF ACTION MUST COME OFTEN INTO THE PRESENCE OF THE FATHER THIS IS THE BIRTHRIGHT OF THE SPIRITUAL MAN THROUGH IT HE COMES INTO POSSESSION OF HIS SPLENDID AND IMMORTAL POWERS LET IT BE CLEARLY KEPT IN MIND THAT WHAT IS HERE TO BE RELATED OF THE SPIRITUAL MAN AND HIS EXALTED POWERS MUST IN NO WISE BE DETACHED FROM WHAT HAS GONE BEFORE THE BEING THE VERY INCEPTION OF THE SPIRITUAL MAN DEPENDS ON THE PURIFICATION AND MORAL ATTAINMENT ALREADY DETAILED AND CAN IN NO WISE DISPENSE WITH OR CURTAIL THEM LET NO ONE IMAGINE THAT THE TRUE LIFE THE TRUE POWERS OF THE SPIRITUAL MAN CAN BE ATTAINED BY ANY WAY EXCEPT THE HARD WAY OF SACRIFICE OF TRIAL OF RENUNCIATION OF SELFLESS SELF CONQUEST AND GENUINE DEVOTION TO THE WEAL OF ALL OTHERS"
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"14. Every object has its characteristics which are already quiescent, those which are active, and those which are not yet definable.",
"SUTRA FOURTEEN EVERY OBJECT HAS ITS CHARACTERISTICS WHICH ARE ALREADY QUIESCENT THOSE WHICH ARE ACTIVE AND THOSE WHICH ARE NOT YET DEFINABLE"
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"nd there is the genus; the pole of matter and diversity, and the pole of oneness and spirit. To see the object truly, we must see both. 13. Through this, the inherent character, distinctive marks and conditions of being and powers, according to their development, are made clear. By the power defined in the preceding sutra, the inherent character, distinctive marks and conditions of beings and powers are made clear. For through this power, as defined, we get a twofold view of each object, seeing at once all its individual characteristics and its essential character, species and genus; we see it in relation to itself, and in relation to the Eternal. Thus we see a rose as that particular flower, with its colour and scent, its peculiar fold of each petal; but we also see in it the species, the family to which it belongs, with its relation to all plants, to all life, to Life itself. So in any day, we see events and circumstances; we also see in it the lesson set for the soul by the Eternal.",
"ERCEIVING CONSCIOUSNESS ITSELF WHICH IS A BEAM OF THE OVER SOUL THIS IS THE TRUE ONE POINTEDNESS BRINGING OF OUR CONSCIOUSNESS TO A FOCUS IN THE SOUL SUTRA THIRTEEN THROUGH THIS THE INHERENT CHARACTER DISTINCTIVE MARKS AND CONDITIONS OF BEING AND POWERS ACCORDING TO THEIR DEVELOPMENT ARE MADE CLEAR BY THE POWER DEFINED IN THE PRECEDING SUTRA THE INHERENT CHARACTER DISTINCTIVE MARKS AND CONDITIONS OF BEINGS AND POWERS ARE MADE CLEAR FOR THROUGH THIS POWER AS DEFINED WE GET A TWOFOLD VIEW OF EACH OBJECT SEEING AT ONCE ALL ITS INDIVIDUAL CHARACTERISTICS AND ITS ESSENTIAL CHARACTER SPECIES AND GENUS WE SEE IT IN RELATION TO ITSELF AND IN RELATION TO THE ETERNAL THUS WE SEE A ROSE AS THAT PARTICULAR FLOWER WITH ITS COLOUR AND SCENT ITS PECULIAR FOLD OF EACH PETAL BUT WE ALSO SEE IN IT THE SPECIES THE FAMILY TO WHICH IT BELONGS WITH ITS RELATION TO ALL PLANTS TO ALL LIFE TO LIFE ITSELF SO IN ANY DAY WE SEE EVENTS AND CIRCUMSTANCES WE ALSO SEE IN IT THE LESSONS SET FOR THE SOUL BY THE ETERNAL"
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"Unity is the reality; separateness the illusion. The nearer we come to reality, the nearer we come to unity of heart. Sympathy, compassion, kindness are modes of this unity of heart, whereby we rejoice with those who rejoice, and weep with those who weep.",
"UNITY IS THE REALITY SEPARATENESS THE ILLUSION THE NEARER WE COME TO REALITY THE NEARER WE COME TO UNITY OF HEART SYMPATHY COMPASSION KINDNESS ARE MODES OF THIS UNITY OF HEART WHEREBY WE REJOICE WITH THOSE WHO REJOICE AND WEEP WITH THOSE WHO WEEP"
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"ggestion. Shankara tells us that by this power the popular magicians of the East perform their wonders, working on the mind-images of others, while remaining invisible themselves. It is all a question of being able to see and control the mind-images. 22. The works which fill out the life-span may be either immediately or gradually operative. By perfectly concentrated Meditation on these comes a knowledge of the time of the end, as also through signs. A garment which is wet, says the commentator, may be hung up to dry, and so dry rapidly, or it may be rolled in a ball and dry slowly; so a fire may blaze or smoulder. Thus it is with Karma, the works that fill out the life-span. By an insight into the mental forms and forces which make up Karma, there comes a knowledge of the rapidity or slowness of their development, and of the time when the debt will be paid. 23. By perfectly concentrated Meditation on sympathy, compassion and kindness, is gained the power of interior union with others.",
" SHANKARA TELLS US THAT BY THIS POWER THE POPULAR MAGICIANS OF THE EAST PERFORM THEIR WONDERS WORKING ON THE MIND IMAGES OF OTHERS WHILE REMAINING INVISIBLE THEMSELVES IT IS ALL A QUESTION OF BEING ABLE TO SEE AND CONTROL THE MIND IMAGES SUTRA TWENTY TWO THE WORKS WHICH FILL OUT THE LIFE SPAN MAY BE EITHER IMMEDIATELY OR GRADUALLY OPERATIVE BY PERFECTLY CONCENTRATED MEDITATION ON THESE COMES A KNOWLEDGE OF THE TIME OF THE END AS ALSO THROUGH SCIENCE A GARMENT WHICH IS WET SAYS THE COMMENTATOR MAY BE HUNG UP TO DRY AND SO DRY RAPIDLY OR IT MAY BE ROLLED IN A BALL AND DRY SLOWLY SO A FIRE MAY BLAZE OR SMOULDER THUS IT IS WITH KARMA THE WORKS THAT FILL OUT THE LIFE SPAN BY AN INSIGHT INTO THE MENTAL FORMS AND FORCES WHICH MAKE UP KARMA THERE COMES A KNOWLEDGE OF THE RAPIDITY OR SLOWNESS OF THEIR DEVELOPMENT AND OF THE TIME WHEN THE DEBT WILL BE PAID SUTRA TWENTY THREE BY PERFECTLY CONCENTRATED MEDITATION ON SYMPATHY COMPASSION AND KINDNESS IS GAINED THE POWER OF INTERIOR UNION WITH OTHERS"
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"As an illustration of the mind's tendency to flit from one object to another, take a small boy, learning arithmetic. He begins: two ones are two; three ones are three and then he thinks of three coins in his pocket, which will purchase so much candy, in the store down the street, next to the toy shop, where are base balls, marbles and so on,—and then he comes back with a jerk, to four ones are four.",
"AS AN ILLUSTRATION OF THE MIND'S TENDENCY TO FLIT FROM ONE OBJECT TO ANOTHER TAKE A SMALL BOY LEARNING ARITHMETIC HE BEGINS TWO ONES ARE TWO THREE ONES ARE THREE AND THEN HE THINKS OF THE THREE COINS IN HIS POCKET WHICH WILL PURCHASE SO MUCH CANDY IN THE STORE DOWN THE STREET NEXT TO THE TOY SHOP WHERE ARE BASEBALLS MARBLES AND SO ON AND THEN HE COMES BACK WITH A JERK TO FOUR ONES ARE FOUR"
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"s. Control of the mind by the Soul, like control of the muscles by the mind, comes by practice, and constant voluntary repetition. As an example of control of the muscles by the mind, take the ceaseless practice by which a musician gains mastery over his instrument, or a fencer gains skill with a rapier. Innumerable small efforts of attention will make a result which seems well-nigh miraculous; which, for the novice, is really miraculous. Then consider that far more wonderful instrument, the perceiving mind, played on by that fine musician, the Soul. Here again, innumerable small efforts of attention will accumulate into mastery, and a mastery worth winning. For a concrete example, take the gradual conquest of each day, the effort to live that day for the Soul. To him that is faithful unto death, the Master gives the crown of life. 11. The gradual conquest of the mind’s tendency to flit from one object to another, and the power of one-pointedness, make the development of Contemplation.",
"IVING CONSCIOUSNESS CONTROL OF THE MIND BY THE SOUL LIKE CONTROL OF THE MUSCLES BY THE MIND COMES BY PRACTICE AND CONSTANT VOLUNTARY REPETITION AS AN EXAMPLE OF CONTROL OF THE MUSCLES BY THE MIND TAKE THE CEASELESS PRACTICE BY WHICH A MUSICIAN GAINS MASTERY OVER HIS INSTRUMENT OR OFFENCER GAINS SKILL WITH A RAPIER INNUMERABLE SMALL EFFORTS OF ATTENTION WILL MAKE A RESULT WHICH SEEMS WELL NIGH MIRACULOUS WHICH FOR THE NOVICE IS REALLY MIRACULOUS THEN CONSIDER THAT FAR MORE WONDERFUL INSTRUMENT THE PERCEIVING MIND PLAYED ON BY THAT FINE MUSICIAN THE SOUL HERE AGAIN INNUMERABLE SMALL EFFORTS OF ATTENTION WILL ACCUMULATE INTO MASTERY AND A MASTERY WORTH WINNING FOR A CONCRETE EXAMPLE TAKE THE GRADUAL CONQUEST OF EACH DAY THE EFFORT TO LIVE THAT DAY FOR THE SOUL TO HIM THAT IS FAITHFUL UNTO DEATH THE MASTER GIVES THE CROWN OF LIFE SUTRA ELEVEN THE GRADUAL CONQUEST OF THE MIND'S TENDENCY TO FLIT FROM ONE OBJECT TO ANOTHER AND THE POWER OF ONE POINTEDNESS MAKE THE DEVELOPMENT OF CONTEMPLATION"
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"CONTROL OF THE MIND BY THE SOUL LIKE CONTROL OF THE MUSCLES BY THE MIND COMES BY PRACTICE AND CONSTANT VOLUNTARY REPETITION AS AN EXAMPLE OF CONTROL OF THE MUSCLES BY THE MIND TAKE THE CEASELESS PRACTICE BY WHICH A MUSICIAN GAINS MASTERY OVER HIS INSTRUMENT OR OFFENCER GAINS SKILL WITH A RAPIER INNUMERABLE SMALL EFFORTS OF ATTENTION WILL MAKE A RESULT WHICH SEEMS WELL NIGH MIRACULOUS WHICH FOR THE NOVICE IS REALLY MIRACULOUS"
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"sky like a flaming sword. The beholder is at first astonished, perhaps terror-stricken; but he takes himself in hand, controls his thoughts, views the apparition calmly, and finally calculates its orbit and its relation to meteor showers. These are extreme illustrations; but with all knowledge the order of perception is the same: first, the excitation of the mind by the new object impressed on it; then the control of the mind from within; upon which follows the perception of the nature of the object. Where the eyes of the spiritual man are open, this will be a true and penetrating spiritual perception. In some such way do our living experiences come to us; first, with a shock of pain; then the Soul steadies itself and controls the pain; then the spirit perceives the lesson of the event, and its bearing upon the progressive revelation of life. 10. Through frequent repetition of this process, the mind becomes habituated to it, and there arises an equable flow of perceiving consciousness.",
"D APPEARS IN THE SKY LIKE A FLAMING SWORD THE BEHOLDER IS AT FIRST ASTONISHED PERHAPS TERROR STRICKEN BUT HE TAKES HIMSELF IN HANDS CONTROLS HIS THOUGHTS VIEWS THE APPARITION CALMLY AND FINALLY CALCULATES ITS ORBIT AND ITS RELATION TO METEOR SHOWERS THESE ARE EXTREME ILLUSTRATIONS BUT WITH ALL KNOWLEDGE THE ORDER OF PERCEPTION IS THE SAME FIRST THE EXCITATION OF THE MIND BY THE NEW OBJECT IMPRESSED ON IT THEN THE CONTROL OF THE MIND FROM WITHIN UPON WHICH FOLLOWS THE PERCEPTION OF THE NATURE OF THE OBJECT WHERE THE EYES OF THE SPIRITUAL MAN ARE OPEN THIS WILL BE A TRUE AND PENETRATING SPIRITUAL PERCEPTION IN SOME SUCH WAY DO OUR LIVING EXPERIENCES COME TO US FIRST WITH A SHOCK OF PAIN THEN THE SOUL STEADIES ITSELF AND CONTROLS THE PAIN THEN THE SPIRIT PERCEIVES THE LESSON OF THE EVENT AND ITS BEARING UPON THE PROGRESSIVE REVELATION OF LIFE SUTRA TEN THROUGH FREQUENT REPETITION OF THIS PROCESS THE MIND BECOMES HABITUATED TO IT AND THERE ARISES AN EQUABLE FLOW OF PERCEIVING CONSCIOUSNESS"
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"27. By perfectly concentrated Meditation on the moon comes a knowledge of the lunar mansions.",
"SUTRA TWENTY SEVEN BY PERFECTLY CONCENTRATED MEDITATION ON THE MOON COMES A KNOWLEDGE OF THE LUNAR MANSIONS"
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"all these, force and fineness and poise; the ability to handle with equal mastery things small and great, concrete and abstract alike. 25. By bending upon them the awakened inner light, there comes a knowledge of things subtle, or concealed, or obscure. As was said at the outset, each consciousness is related to all consciousness; and, through it, has a potential consciousness of all things; whether subtle or concealed or obscure. An understanding of this great truth will come with practice. As one of the wise has said, we have no conception of the power of Meditation. 26. By perfectly concentrated Meditation on the sun comes a knowledge of the worlds. This has several meanings: First, by a knowledge of the constitution of the sun, astronomers can understand the kindred nature of the stars. And it is said that there is a finer astronomy, where the spiritual man is the astronomer. But the sun also means the Soul, and through knowledge of the Soul comes a knowledge of the realms of life.",
"ALL THESE FORCE AND FINESSE AND POISE THE ABILITY TO HANDLE WITH EQUAL MASTERY THINGS SMALL AND GREAT CONCRETE AND ABSTRACT ALIKE SUTRA TWENTY FIVE BY BENDING UPON THEM THE AWAKENED INNER LIGHT THERE COMES A KNOWLEDGE OF THINGS SUBTLE OR CONCEALED OR OBSCURE AS WAS SAID AT THE OUTSET EACH CONSCIOUSNESS IS RELATED TO ALL CONSCIOUSNESS AND THROUGH IT HAS A POTENTIAL CONSCIOUSNESS OF ALL THINGS WHETHER SUBTLE OR CONCEALED OR OBSCURE AN UNDERSTANDING OF THIS GREAT TRUTH WILL COME WITH PRACTICE AS ONE OF THE WISE HAS SAID WE HAVE NO CONCEPTION OF THE POWER OF MEDITATION SUTRA TWENTY SIX BY PERFECTLY CONCENTRATED MEDITATION ON THE SUN COMES A KNOWLEDGE OF THE WORLDS THIS HAS SEVERAL MEANINGS FIRST BY A KNOWLEDGE OF THE CONSTITUTION OF THE SUN ASTRONOMERS CAN UNDERSTAND THE KINDRED NATURE OF THE STARS AND IT IS SAID THAT THERE IS A FINER ASTRONOMY WHERE THE SPIRITUAL MAN IS THE ASTRONOMER BUT THE SUN ALSO MEANS THE SOUL AND THROUGH KNOWLEDGE OF THE SOUL COMES A KNOWLEDGE OF THE REALMS OF LIFE"
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"Then consider that far more wonderful instrument, the perceiving mind, played on by that fine musician, the Soul. Here again, innumerable small efforts of attention will accumulate into mastery, and a mastery worth winning. For a concrete example, take the gradual conquest of each day, the effort to live that day for the Soul. To him that is faithful unto death, the Master gives the crown of life.",
"THEN CONSIDER THAT FAR MORE WONDERFUL INSTRUMENT THE PERCEIVING MIND PLAYED ON BY THAT FINE MUSICIAN THE SOUL HERE AGAIN INNUMERABLE SMALL EFFORTS OF ATTENTION WILL ACCUMULATE INTO MASTERY AND A MASTERY WORTH WINNING FOR A CONCRETE EXAMPLE TAKE THE GRADUAL CONQUEST OF EACH DAY THE EFFORT TO LIVE THAT DAY FOR THE SOUL TO HIM THAT IS FAITHFUL UNTO DEATH THE MASTER GIVES THE CROWN OF LIFE"
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"n; upon which follows the perception of the nature of the object. Where the eyes of the spiritual man are open, this will be a true and penetrating spiritual perception. In some such way do our living experiences come to us; first, with a shock of pain; then the Soul steadies itself and controls the pain; then the spirit perceives the lesson of the event, and its bearing upon the progressive revelation of life. 10. Through frequent repetition of this process, the mind becomes habituated to it, and there arises an equable flow of perceiving consciousness. Control of the mind by the Soul, like control of the muscles by the mind, comes by practice, and constant voluntary repetition. As an example of control of the muscles by the mind, take the ceaseless practice by which a musician gains mastery over his instrument, or a fencer gains skill with a rapier. Innumerable small efforts of attention will make a result which seems well-nigh miraculous; which, for the novice, is really miraculous.",
"HE MIND FROM WITHIN UPON WHICH FOLLOWS THE PERCEPTION OF THE NATURE OF THE OBJECT WHERE THE EYES OF THE SPIRITUAL MAN ARE OPEN THIS WILL BE A TRUE AND PENETRATING SPIRITUAL PERCEPTION IN SOME SUCH WAY DO OUR LIVING EXPERIENCES COME TO US FIRST WITH A SHOCK OF PAIN THEN THE SOUL STEADIES ITSELF AND CONTROLS THE PAIN THEN THE SPIRIT PERCEIVES THE LESSON OF THE EVENT AND ITS BEARING UPON THE PROGRESSIVE REVELATION OF LIFE SUTRA TEN THROUGH FREQUENT REPETITION OF THIS PROCESS THE MIND BECOMES HABITUATED TO IT AND THERE ARISES AN EQUABLE FLOW OF PERCEIVING CONSCIOUSNESS CONTROL OF THE MIND BY THE SOUL LIKE CONTROL OF THE MUSCLES BY THE MIND COMES BY PRACTICE AND CONSTANT VOLUNTARY REPETITION AS AN EXAMPLE OF CONTROL OF THE MUSCLES BY THE MIND TAKE THE CEASELESS PRACTICE BY WHICH A MUSICIAN GAINS MASTERY OVER HIS INSTRUMENT OR OFFENCER GAINS SKILL WITH A RAPIER INNUMERABLE SMALL EFFORTS OF ATTENTION WILL MAKE A RESULT WHICH SEEMS WELL NIGH MIRACULOUS WHICH FOR THE NOVICE IS REALLY MIRACULOUS"
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"22. The works which fill out the life span may be either immediately or gradually operative. By perfectly concentrated Meditation on these comes a knowledge of the time of the end, as also through signs. A garment which is wet, says the commentator, may be hung up to dry, and so dry rapidly, or it may be rolled in a ball and dry slowly; so a fire may blaze or smoulder.",
"SUTRA TWENTY TWO THE WORKS WHICH FILL OUT THE LIFE SPAN MAY BE EITHER IMMEDIATELY OR GRADUALLY OPERATIVE BY PERFECTLY CONCENTRATED MEDITATION ON THESE COMES A KNOWLEDGE OF THE TIME OF THE END AS ALSO THROUGH SCIENCE A GARMENT WHICH IS WET SAYS THE COMMENTATOR MAY BE HUNG UP TO DRY AND SO DRY RAPIDLY OR IT MAY BE ROLLED IN A BALL AND DRY SLOWLY SO A FIRE MAY BLAZE OR SMOULDER"
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"ich the thought in the mind of another rests is not objective to the thought-reader’s consciousness, he perceives the thought only, and not also that on which the thought rests. The meaning appears to be simple: One may be able to perceive the thoughts of some one at a distance; one cannot, by that means alone, also perceive the external surroundings of that person, which arouse these thoughts. 21. By perfectly concentrated Meditation on the form of the body, by arresting the body’s perceptibility, and by inhibiting the eye’s power of sight, there comes the power to make the body invisible. There are many instances of the exercise of this power, by mesmerists, hypnotists and the like; and we may simply call it an instance of the power of suggestion. Shankara tells us that by this power the popular magicians of the East perform their wonders, working on the mind-images of others, while remaining invisible themselves. It is all a question of being able to see and control the mind-images.",
"AT ON WHICH THE THOUGHT IN THE MIND OF ANOTHER RESTS IS NOT OBJECTIVE TO THE THOUGHT READER'S CONSCIOUSNESS HE PERCEIVES THE THOUGHT ONLY AND NOT ALSO THAT ON WHICH THE THOUGHT RESTS THE MEANING APPEARS TO BE SIMPLE ONE MAY BE ABLE TO PERCEIVE THE THOUGHTS OF SOME ONE AT A DISTANCE ONE CANNOT BY THAT MEANS ALONE ALSO PERCEIVE THE EXTERNAL SURROUNDINGS OF THAT PERSON WHICH AROUSE THESE THOUGHTS SUTRA TWENTY ONE BY PERFECTLY CONCENTRATED MEDITATION ON THE FORM OF THE BODY BY ARRESTING THE BODY'S PERCEPTIBILITY AND BY INHIBITING THE EYE'S POWER OF SIGHT THERE COMES THE POWER TO MAKE THE BODY INVISIBLE THERE ARE MANY INSTANCES OF THE EXERCISE OF THIS POWER BY MESMERISTS HYPNOTISTS AND THE LIKE AND WE MAY SIMPLY CALL IT AN INSTANCE OF THE POWER OF SUGGESTION SHANKARA TELLS US THAT BY THIS POWER THE POPULAR MAGICIANS OF THE EAST PERFORM THEIR WONDERS WORKING ON THE MIND IMAGES OF OTHERS WHILE REMAINING INVISIBLE THEMSELVES IT IS ALL A QUESTION OF BEING ABLE TO SEE AND CONTROL THE MIND IMAGES"
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"When the truth concerning fear is thoroughly mastered, through spiritual insight into the immortal, fearless life, then this force is perfectly controlled; there is no more fear, just as, through the control of the psychic power which works through the nerve centre in the throat, there comes a cessation of \"hunger and thirst.\"",
"WHEN THE TRUTH CONCERNING FEAR IS THOROUGHLY MASTERED THROUGH SPIRITUAL INSIGHT INTO THE IMMORTAL FEARLESS LIFE THEN THIS FORCE IS PERFECTLY CONTROLLED THERE IS NO MORE FEAR JUST AS THROUGH THE CONTROL OF THE PSYCHIC POWER WHICH WORKS THROUGH THE NERVE CENTRE IN THE THROAT THERE COMES A CESSATION OF HUNGER AND THIRST"
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"cavity of the throat. Thus, in the Taittiriya Upanishad it is written: “There is this shining ether in the inner being. Therein is the spiritual man, formed through thought, immortal, golden. Inward, in the palate, the organ that hangs down like a nipple,-this is the womb of Indra. And there, where the dividing of the hair turns, extending upward to the crown of the head.” Indra is the name given to the creative power of which we have spoken, and which, we are told, resides in “the organ which hangs down like a nipple, inward, in the palate.” 31. By perfectly concentrated Meditation on the centre of force in the channel called the “tortoise-formed,” comes steadfastness. We are concerned now with the centre of nervous or psychical force below the cavity of the throat, in the chest, in which is felt the sensation of fear; the centre, the disturbance of which sets the heart beating miserably with dread, or which produces that sense of terror through which the heart is said to stand still.",
"L BODY IS SAID TO BE IN THE CAVITY OF THE THROAT THUS IN THE TITIA UPANISHAD IT IS WRITTEN THERE IS THE SHINING ETHER IN THE INNER BEING THEREIN IS THE SPIRITUAL MAN FORMED THROUGH THOUGHT IMMORTAL GOLDEN INWARD IN THE PALATE THE ORGAN THAT HANGS DOWN LIKE A NIPPLE THIS IS THE WOMB OF INDRA AND THERE WHERE THE DIVIDING OF THE HAIR TURNS EXTENDING UPWARD TO THE CROWN OF THE HEAD INDRA IS THE NAME GIVEN TO THE CREATIVE POWER OF WHICH WE HAVE SPOKEN AND WHICH WE ARE TOLD RESIDES IN THE ORGAN WHICH HANGS DOWN LIKE A NIPPLE INWARD IN THE PALATE SUTRA THIRTY ONE BY PERFECTLY CONCENTRATED MEDITATION ON THE CENTRE OF FORCE IN THE CHANNEL CALLED THE TORTOISE FORMED COMES STEADFASTNESS WE ARE CONCERNED NOW WITH THE CENTRE OF NERVOUS OR PSYCHICAL FORCE BELOW THE CAVITY OF THE THROAT IN THE CHEST IN WHICH IS FELT THE SENSATION OF FEAR THE CENTRE THE DISTURBANCE OF WHICH SETS THE HEART BEATING MISERABLY WITH DREAD OR WHICH PRODUCES THAT SENSE OF TERROR THROUGH WHICH THE HEART IS SAID TO STAND STILL"
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"But this is possible only for the spiritual man, after the Commandments and the Rules have been kept; for until this is done, the thronging storms of psychical thoughts dissipate and distract the attention, so that it will not remain fixed on spiritual things.",
"BUT THIS IS POSSIBLE ONLY FOR THE SPIRITUAL MAN AFTER THE COMMANDMENTS AND THE RULES HAVE BEEN KEPT FOR UNTIL THIS IS DONE THE THRONGING STORMS OF PSYCHICAL THOUGHTS DISSIPATE AND DISTRACT THE ATTENTION SO THAT WILL NOT REMAIN FIXED ON SPIRITUAL THINGS"
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" the consciousness on a given spot, and hold it there Attention is the first and indispensable step in all knowledge. Attention to spiritual things is the first step to spiritual knowledge. 2. A prolonged holding of the perceiving consciousness in that region is meditation (dhyana). This will apply equally to outer and inner things. I may for a moment fix my attention on some visible object, in a single penetrating glance, or I may hold the attention fixedly on it until it reveals far more of its nature than a single glance could perceive. The first is the focussing of the searchlight of consciousness upon the object. The other is the holding of the white beam of light steadily and persistently on the object, until it yields up the secret of its details. So for things within; one may fix the inner glance for a moment on spiritual things, or one may hold the consciousness steadily upon them, until what was in the dark slowly comes forth into the light, and yields up its immortal secret.",
"POWER TO FOCUS THE CONSCIOUSNESS ON A GIVEN SPOT AND HOLD IT THERE ATTENTION IS THE FIRST AND INDISPENSABLE STEP IN ALL KNOWLEDGE ATTENTION TO SPIRITUAL THINGS IS THE FIRST STEP TO SPIRITUAL KNOWLEDGE SUITRA TWO A PROLONGED HOLDING OF THE PERCEIVING CONSCIOUSNESS IN THAT REGION IS MEDITATION DIANA THIS WILL APPLY EQUALLY TO OUTER AND INNER THINGS I MAY FOR A MOMENT FIX MY ATTENTION ON SOME VISIBLE OBJECT IN A SINGLE PENETRATING GLANCE OR I MAY HOLD THE ATTENTION FIXEDLY ON IT UNTIL IT REVEALS FAR MORE OF ITS NATURE THAN A SINGLE GLANCE COULD PERCEIVE THE FIRST IS THE FOCUSING OF THE SEARCHLIGHT OF CONSCIOUSNESS UPON THE OBJECT THE OTHER IS THE HOLDING OF THE WHITE BEAM OF LIGHT STEADILY AND PERSISTENTLY ON THE OBJECT UNTIL IT YIELDS UP THE SECRET OF ITS DETAILS SO FOR THINGS WITHIN ONE MAY FIX THE INNER GAZE FOR A MOMENT ON SPIRITUAL THINGS OR ONE MAY HOLD THE CONSCIOUSNESS STEADILY UPON THEM UNTIL WHAT WAS IN THE DARK SLOWLY COMES FORTH INTO THE LIGHT AND YIELDS UP ITS IMMORTAL SECRET"
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"There is a higher stage, where the beam of consciousness is turned back upon itself, and the individual consciousness enters into, and knows, the All consciousness.",
"THERE IS A HIGHER STAGE WHERE THE BEAM OF CONSCIOUSNESS IS TURNED BACK UPON ITSELF AND THE INDIVIDUAL CONSCIOUSNESS ENTERS INTO AND KNOWS THE ALL CONSCIOUSNESS"
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"spiration, we pass from day to day, in growing knowledge and power, with never more than one day to solve at a time, until all life becomes radiant and transparent. 7. This threefold power, of Attention, Meditation, Contemplation, is more interior than the means of growth previously described. Very naturally so; because the means of growth previously described were concerned with the extrication of the spiritual man from psychic bondages and veils; while this threefold power is to be exercised by the spiritual man thus extricated and standing on his feet, viewing life with open eyes. 8. But this triad is still exterior to the soul vision which is unconditioned, free from the seed of mental analyses. The reason is this: The threefold power we have been considering, the triad of Attention, Contemplation, Meditation is, so far as we have yet considered it, the focussing of the beam of perceiving consciousness upon some form of manifesting being, with a view of understanding it completely.",
"ASPIRATION WE PASS FROM DAY TO DAY IN GROWING KNOWLEDGE AND POWER WITH NEVER MORE THAN ONE DAY TO SOLVE AT A TIME UNTIL ALL LIFE BECOMES RADIANT AND TRANSPARENT SUTRA SEVEN THIS THREEFOLD POWER OF ATTENTION MEDITATION CONTEMPLATION IS MORE INTERIOR THAN THE MEANS OF GROWTH PREVIOUSLY DESCRIBED VERY NATURALLY SO BECAUSE THE MEANS OF GROWTH PREVIOUSLY DESCRIBED WERE CONCERNED WITH THE EXTRICATION OF THE SPIRITUAL MAN FROM THE PSYCHIC BONDAGES AND VEILS WHILE THIS THREEFOLD POWER IS TO BE EXERCISED BY THE SPIRITUAL MAN THUS EXTRICATED AND STANDING ON HIS FEET VIEWING LIFE WITH OPEN EYES SUTRA EIGHT BUT THIS TRIAD IS STILL EXTERIOR TO THE SOLE VISION WHICH IS UNCONDITIONED FREE FROM THE SEED OF MENTAL ANALYSIS THE REASON IS THIS THE THREEFOLD POWER WE HAVE BEEN CONSIDERING THE TRIOT OF ATTENTION CONTEMPLATION MEDITATION IS SO FAR AS WE HAVE YET CONSIDERED IT THE FOCUSING OF THE BEAM OF PERCEIVING CONSCIOUSNESS UPON SOME FORM OF MANIFESTING BEING WITH THE VIEW OF UNDERSTANDING IT COMPLETELY"
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"Thus the consciousness of the spiritual man, who lives above our narrow barriers of separateness, is in intimate touch with the consciousness of the great Companions, and can draw on that vast reservoir for all real needs.",
"THUS THE CONSCIOUSNESS OF THE SPIRITUAL MAN WHO LIVES ABOVE ARE NARROW BARRIERS OF SEPARATENESS IS AN INTIMATE TOUCH WITH THE CONSCIOUSNESS OF THE GREAT COMPANIONS AND CAN DRAW ON THAT VAST RESERVOIR FOR ALL REAL NEEDS"
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" a divine and immortal individuality. 36. Thereupon are born the divine power of intuition, and the hearing, the touch, the vision, the taste and the power of smell of the spiritual man. When, in virtue of the perpetual sacrifice of the personal man, daily and hourly giving his life for his divine brother the spiritual man, and through the radiance ever pouring down from the Higher Self, eternal in the Heavens, the spiritual man comes to birth,-there awake in him those powers whose physical counterparts we know in the personal man. The spiritual man begins to see, to hear, to touch, to taste. And, besides the senses of the spiritual man, there awakes his mind, that divine counterpart of the mind of the physical man, the power of direct and immediate knowledge, the power of spiritual intuition, of divination. This power, as we have seen, owes its virtue to the unity, the continuity, of consciousness, whereby whatever is known to any consciousness, is knowable by any other consciousness.",
"MES FULLY INTO BEING AS A DIVINE AND IMMORTAL INDIVIDUALITY SUTRA THIRTY SIX THEREUPON ARE BORN THE DIVINE POWER OF INTUITION AND THE HEARING THE TOUCH THE VISION THE TASTE AND THE POWER OF SMELL OF THE SPIRITUAL MAN WHEN IN VIRTUE OF THE PERPETUAL SACRIFICE OF THE PERSONAL MAN DAILY AND HOURLY GIVING HIS LIFE FOR HIS DIVINE BROTHER THE SPIRITUAL MAN AND THROUGH THE RADIANCE EVER POURING DOWN FROM THE HIGHER SELF ETERNAL IN THE HEAVENS THE SPIRITUAL MAN COMES TO BIRTH THERE AWAKEN HIM THOSE POWERS WHOSE PSYCHICAL COUNTERPARTS WE KNOW IN THE PERSONAL MAN THE SPIRITUAL MAN BEGINS TO SEE TO HEAR TO TOUCH TO TASTE AND BESIDES THE SENSES OF THE SPIRITUAL MAN THAT AWAKES HIS MIND THAT DIVINE COUNTERPART OF THE MIND OF THE PHYSICAL MAN THE POWER OF DIRECT AND IMMEDIATE KNOWLEDGE THE POWER OF SPIRITUAL INTUITION OF DIVINATION THIS POWER AS WE HAVE SEEN OWES ITS VIRTUE TO THE UNITY THE CONTINUITY OF CONSCIOUSNESS WHEREBY WHATEVER IS KNOWN TO ANY CONSCIOUSNESS IS NOBLE BY ANY OTHER CONSCIOUSNESS"
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" with a rod of iron; and I will give him the morning star.” 47. Mastery over the powers of perception and action comes through perfectly concentrated Meditation on their fivefold forms; namely, their power to grasp their distinctive nature, the element of self-consciousness in them, their inherence, and their purposiveness. Take, for example, sight. This possesses, first, the power to grasp, apprehend, perceive; second, it has its distinctive form of perception; that is, visual perception; third, it always carries with its operations self-consciousness, the thought: “I perceive”; fourth sight has the power of extension through the whole field of vision, even to the utmost star; fifth, it is used for the purposes of the Seer. So with the other senses. Perfectly concentrated Meditation on each sense, a viewing it from behind and within, as is possible for the spiritual man, brings a mastery of the scope and true character of each sense, and of the world on which they report collectively.",
"AND HE SHALL RULE THEM WITH A ROD OF IRON AND I WILL GIVE HIM THE MORNING STAR SUTRA FORTY SEVEN MASTERY OVER THE POWERS OF PERCEPTION AND ACTION COME THROUGH PERFECTLY CONCENTRATED MEDITATION ON THEIR FIVEFOLD FORMS NAMELY THEIR POWER TO GRASP THEIR DISTINCTIVE NATURE THE ELEMENT OF SELF CONSCIOUSNESS IN THEM THEIR INHERENCE AND THEIR PROPOSIVENESS TAKE FOR EXAMPLE SIGHT THIS POSSESSES FIRST THE POWER TO GRASP APPREHEND PERCEIVE SECOND IT HAS ITS DISTINCTIVE FORM OF PERCEPTION THAT IS VISUAL PERCEPTION THIRD IT ALWAYS CARRIES WITH ITS OPERATIONS SELF CONSCIOUSNESS THE THOUGHT I PERCEIVE FOURTH SIGHT HAS THE POWER OF EXTENSION THROUGH THE WHOLE FIELD OF VISION EVEN TO THE UTMOST STAR FIFTH IT IS USED FOR THE PURPOSES OF THE SEEER SO WERE THE OTHER SENSES PERFECTLY CONCENTRATED MEDITATION ON EACH SENSE OF VIEWING IT FROM BEHIND AND WITHIN AS IS POSSIBLE FOR THE SPIRITUAL MAN BRINGS A MASTERY OF THE SCOPE AND TRUE CHARACTER OF EACH SENSE AND OF THE WORLD ON WHICH THEY REPORT COLLECTIVELY"
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", so that, as the commentator says, “he can touch the moon with the tip of his finger”; the power to accomplish his will; the power of gravitation, the correlative of levitation; the power of command; the power of creative will. These are the endowments of the spiritual man. Further, the spiritual body is unassailable. Fire burns it not, water wets it not, the sword cleaves it not, dry winds parch it not. And, it is said, the spiritual man can impart something of this quality and temper to his bodily vesture. 46. Shapeliness, beauty, force, the temper of the diamond: these are the endowments of that body. The spiritual man is shapely, beautiful strong, firm as the diamond. Therefore it is written: “These things saith the Son of God, who hath his eyes like unto a flame of fire, and his feet are like fine brass: He that overcometh and keepeth my works unto the end, to him will I give power over the nations: and he shall rule them with a rod of iron; and I will give him the morning star.”",
" POWER OF BOUNDLESS REACH SO THAT AS THE COMMENTATOR SAYS HE CAN TOUCH THE MOON WITH THE TIP OF HIS FINGER THE POWER TO ACCOMPLISH HIS WILL THE POWER OF GRAVITATION THE CORRELATIVE OF LEVITATION THE POWER OF COMMAND THE POWER OF CREATIVE WILL THESE ARE THE ENDOWMENTS OF THE SPIRITUAL MAN FURTHER THE SPIRITUAL BODY IS UNASSAILABLE FIRE BURNS IT NOT WATER WHETS IT NOT THE SWORD CLEAVES IT NOT DRY WINDS PARCH IT NOT AND IT IS SAID THE SPIRITUAL MAN CAN IMPART SOMETHING OF THIS QUALITY AND TEMPER TO HIS BODILY VESTURE SUTRA FORTY SIX SHAPELINESS BEAUTY FORCE THE TEMPER OF THE DIAMONDS THESE ARE THE ENDOWMENTS OF THAT BODY THE SPIRITUAL MAN IS SHAPELY BEAUTIFUL STRONG FIRM AS THE DIAMOND THEREFORE IT IS WRITTEN THESE THINGS SAITH THE SON OF GOD WHO HATH HIS EYES LIKE UNTO A FLAME OF FIRE AND HIS FEET ARE LIKE FINE BRASS HE THAT OVERCOMETH AND KEEPETH MY WORKS UNTO THE END TO HIM WILL I GIVE POWER OVER THE NATIONS AND HE SHALL RULE THEM WITH A ROD OF IRON AND I WILL GIVE HIM THE MORNING STAR"
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"It has been said that he who would tread the path of power must look for a home in the air, and afterwards in the ether.",
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" the journey, it is mathematically certain that the pull of gravitation does not take as much as eight seconds, or even the eighth of a second. The pull of gravitation travels, it would seem “as quick as thought”; so it may well be that, in thought transference or telepathy, the thoughts travel by the same way, carried by the same “thought-swift” medium. The transfer of a word by telepathy is the simplest and earliest form of the “divine hearing” of the spiritual man; as that power grows, and as, through perfectly concentrated Meditation, the spiritual man comes into more complete mastery of it, he grows able to hear and clearly distinguish the speech of the great Companions, who counsel and comfort him on his way. They may speak to him either in wordless thoughts, or in perfectly definite words and sentences. 42. By perfectly concentrated Meditation em the correlation of the body with the ether, and by thinking of it as light as thistle-down, will come the power to traverse the ether.",
"IGHT MINUTES FOR THE JOURNEY IT IS MATHEMATICALLY CERTAIN THAT THE PULL OF GRAVITATION DOES NOT TAKE AS MUCH AS EIGHT SECONDS OR EVEN THE EIGHTH OF A SECOND THE PULL OF GRAVITATION TRAVELS IT WOULD SEEM AS QUICK AS THOUGHT SO IT MAY WELL BE THAT IN THOUGHT TRANSFERENCE OR TELEPATHY THE THOUGHTS TRAVEL BY THE SAME WAY CARRIED BY THE SAME THOUGHT SWIFT MEDIUM THE TRANSFER OF A WORD BY TELEPATHY IS THE SIMPLEST AND EARLIEST FORM OF THE DIVINE HEARING OF THE SPIRITUAL MAN AS THAT POWER GROWS AND AS THROUGH PERFECTLY CONCENTRATED MEDITATION THE SPIRITUAL MAN COMES INTO MORE COMPLETE MASTERY OF IT HE GROWS ABLE TO HEAR AND CLEARLY DISTINGUISH THE SPEECH OF THE GREAT COMPANIONS WHO COUNSEL AND COMFORT HIM ON HIS WAY THEY MAY SPEAK TO HIM EITHER IN WORDLESS THOUGHTS OR IN PERFECTLY DEFINITE WORDS AND SENTENCES SUTRA FORTY TWO BY PERFECTLY CONCENTRATED MEDITATION ON THE CORRELATION OF THE BODY WITH THE ETHER AND BY THINKING OF IT AS LIGHT AS THISTLEDOWN WILL COME THE POWER TO TRAVERSE THE ETHER"
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"The spiritual man is enmeshed in the web of the emotions; desire, fear, ambition, passion; and impeded by the mental forms of separateness and materialism. When these meshes are sundered, these obstacles completely overcome, then the spiritual man stands forth in his own wide world, strong, mighty, wise. He uses divine powers, with a divine scope and energy, working together with divine Companions.",
"THE SPIRITUAL MAN IS ENMESHED IN THE WEB OF THE EMOTIONS DESIRE FEAR AMBITION PASSION AND IMPEDED BY THE MENTAL FORMS OF SEPARATENESS AND MATERIALISM WHEN THESE MESHES ARE SUNDERED THESE OBSTACLES COMPLETELY OVERCOME THEN THE SPIRITUAL MAN STANDS FORTH IN HIS OWN WIDE WORLD STRONG MIGHTY WISE HE USES DIVINE POWERS WITH A DIVINE SCOPE AND ENERGY WORKING TOGETHER WITH DIVINE COMPANIONS"
],
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" the whole field of vision, even to the utmost star; fifth, it is used for the purposes of the Seer. So with the other senses. Perfectly concentrated Meditation on each sense, a viewing it from behind and within, as is possible for the spiritual man, brings a mastery of the scope and true character of each sense, and of the world on which they report collectively. 48. Thence comes the power swift as thought, independent of instruments, and the mastery over matter. We are further enumerating the endowments of the spiritual man. Among these is the power to traverse space with the swiftness of thought, so that whatever place the spiritual man thinks of, to that he goes, in that place he already is. Thought has now become his means of locomotion. He is, therefore, independent of instruments, and can bring his force to bear directly, wherever he wills. 49. When the spiritual man is perfectly disentangled from the psychic body, he attains to mastery over all things and to a knowledge of all.",
"THE WHOLE FIELD OF VISION EVEN TO THE UTMOST STAR FIFTH IT IS USED FOR THE PURPOSES OF THE SEEER SO WERE THE OTHER SENSES PERFECTLY CONCENTRATED MEDITATION ON EACH SENSE OF VIEWING IT FROM BEHIND AND WITHIN AS IS POSSIBLE FOR THE SPIRITUAL MAN BRINGS A MASTERY OF THE SCOPE AND TRUE CHARACTER OF EACH SENSE AND OF THE WORLD ON WHICH THEY REPORT COLLECTIVELY SUTRA FORTY EIGHT THENCE COMES THE POWER SWIFT AS THOUGHT INDEPENDENT OF INSTRUMENTS AND THE MASTERY OVER MATTER WE ARE FURTHER ENUMERATING THE ENDOWMENTS OF THE SPIRITUAL MAN AMONG THESE IS THE POWER TO TRAVERSE SPACE WITH A SWIFTNESS OF THOUGHT SO THAT WHATEVER PLACE THE SPIRITUAL MAN THINKS OF TO THAT HE GOES IN THAT PLACE HE ALREADY IS THOUGHT NOW HAS BECOME HIS MEANS OF LOCOMOTION HE IS THEREFORE INDEPENDENT OF INSTRUMENTS AND CAN BRING HIS FORCE TO BEAR DIRECTLY WHEREVER HE WILLS SUTRA FORTY NINE WHEN THE SPIRITUAL MAN IS PERFECTLY DISENTANGLED FROM THE PSYCHIC BODY HE ATTAINS TO MASTERY OVER ALL THINGS AND TO A KNOWLEDGE OF ALL"
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MonoCut
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